WEBVTT - Matthew Ramsey

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Left six podcast.

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<v Speaker 1>My guest today is Matthew Ramsey of Old Dominion. Matthew,

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<v Speaker 1>Are you Matthew.

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<v Speaker 2>Or matt either one? It's fine. It depends on who

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<v Speaker 2>you are. Sometimes sometimes it's Matthew, sometimes it's matt. I

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<v Speaker 2>answered it both.

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<v Speaker 1>Well, you the kind of person like you grew up

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<v Speaker 1>is matt and now as you're an adult, you're Matthew.

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<v Speaker 2>Well, it's a it's a funny story I grew up with.

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<v Speaker 2>I guess. My parents called me Matthew a lot. My

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<v Speaker 2>grandparents called me Matthew. My friends called me Matt. As

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<v Speaker 2>I was kind of beginning my musical career, I was

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<v Speaker 2>going by matt Uh. And then I got to a

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<v Speaker 2>certain point where I had like a you know, a

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<v Speaker 2>website and a MySpace page and all that stuff that's

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<v Speaker 2>Matt Ramsey. And I started getting these emails from other

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<v Speaker 2>people that were looking for a different Matthew Ramsey who

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<v Speaker 2>was the adult film industry or different Matt Ramsey. So

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<v Speaker 2>I changed it professionally to Matthew.

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<v Speaker 1>Okay, Old Dominion is going on the road. What should

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<v Speaker 1>the fans expect?

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<v Speaker 2>Oh man, they should expect to see us having the

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<v Speaker 2>time of our lives. And that's really the biggest comment

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<v Speaker 2>that we get is how much fun we have on stage,

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<v Speaker 2>and that is the truth. No matter what's going on

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<v Speaker 2>in our lives, when we step on that stage, it

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<v Speaker 2>wipes it all away and we just truly have a

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<v Speaker 2>great time. We've really learned over the past couple of

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<v Speaker 2>years really what our relationship is with our fans, and

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<v Speaker 2>we like to be inclusive. We take requests, we open

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<v Speaker 2>it up the set list to them, and you know,

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<v Speaker 2>we have a set list, but there are sections in

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<v Speaker 2>the set where we just say what do you want

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<v Speaker 2>to hear? So every show is different and we we

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<v Speaker 2>play for a good couple hours. So it's a fun time.

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<v Speaker 1>And how about production? How much production do you carrie?

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<v Speaker 2>Good bit of production. We actually start rehearsals tomorrow, so

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<v Speaker 2>I haven't seen I'll see it in its full glory tomorrow,

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<v Speaker 2>but lots of lots of screens, lots of video content.

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<v Speaker 2>You know, we have our lighting director. He's been with

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<v Speaker 2>us since the very beginning, and once we kind of

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<v Speaker 2>started getting into arenas and and really doing the kind

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<v Speaker 2>of big stuff, we had added some you know, show

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<v Speaker 2>designers and set designers before that we'd worked with, and

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<v Speaker 2>it was it felt like it was time to step

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<v Speaker 2>it up, and so we were doing lots of different

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<v Speaker 2>presentations that people were giving us, and our lighting director said,

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<v Speaker 2>I would like a shot. I think I know you

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<v Speaker 2>guys pretty well, so I'd like a shot to present

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<v Speaker 2>my ideas, and he hands down one won the design

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<v Speaker 2>for sure and ended up getting nominated for awards and

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<v Speaker 2>stuff for it. So it's a good bit. It's less

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<v Speaker 2>than we've carried in twenty twenty three because we're doing

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<v Speaker 2>an EMP theater tour, so it's a little bit different,

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<v Speaker 2>but it's still it's a big show.

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<v Speaker 1>Okay, you're playing a Memorial Day weekend, you're playing after

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<v Speaker 1>a car race the six hundred. Have you done that before?

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<v Speaker 1>What's that like?

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<v Speaker 2>We have done that once, I think once or twice.

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<v Speaker 2>Those are always interesting shows. You know, people there for

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<v Speaker 2>the race and stick around for the show after. But

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<v Speaker 2>it's not anything we're not used to. We've played every

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<v Speaker 2>kind of show that you could possibly imagine, as I'm

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<v Speaker 2>sure you can imagine. So we've played, you know, next

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<v Speaker 2>to livestock, and we'll played next to race cars. So

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<v Speaker 2>it's pretty cool to be in the infield, and lots

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<v Speaker 2>of times we get to go down there and stand

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<v Speaker 2>on pitt Row and watch the cars come in and stuff,

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<v Speaker 2>and then we go do our show.

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<v Speaker 1>Okay, you're playing in Europe. If you played in Europe.

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<v Speaker 2>Before, Yes, we have played in Europe a good bit.

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<v Speaker 2>We started that pretty early, trying to build a fan

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<v Speaker 2>base over there, and then COVID obviously kind of killed

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<v Speaker 2>our momentum there for a little bit. But so this

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<v Speaker 2>will kind of be our well. Really, our first toe

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<v Speaker 2>back in the water was playing C two C Festival

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<v Speaker 2>two years ago, and we'll be back there to do

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<v Speaker 2>a proper tour this year.

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<v Speaker 1>Well, a lot of country acts have never toured Europe,

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<v Speaker 1>not right now, and I want people are going. But historically,

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<v Speaker 1>so what's the reaction for your music overseas as opposed

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<v Speaker 1>to the US.

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<v Speaker 2>It was surprising to us. I kind I can understand

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<v Speaker 2>why some artists don't go over there, especially once you've

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<v Speaker 2>reached a certain level in the States, you kind of

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<v Speaker 2>have to start over over there. You know, you're building

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<v Speaker 2>a whole new fan base they don't have where they

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<v Speaker 2>typically didn't have country radio over there. It's just it's

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<v Speaker 2>just a catch all radio that plays your music. Now

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<v Speaker 2>they're starting to get some country stations, so it's a

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<v Speaker 2>little bit easier, but we were very surprised. There's there's

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<v Speaker 2>nothing quite like hearing your music sung back to you

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<v Speaker 2>in a German accent, you know that to show you

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<v Speaker 2>how far your music has gone. Uh. And and they

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<v Speaker 2>also they really dig into the entire catalog, so we

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<v Speaker 2>can play whatever we want. They know every word and

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<v Speaker 2>you know, it's pretty fantastic.

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<v Speaker 1>Okay, do you ever get tired of playing break up

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<v Speaker 1>with Him?

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<v Speaker 2>No? Actually, hear artists talk about that sometimes. For me,

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<v Speaker 2>if it gets the crowd excited, I have no problem

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<v Speaker 2>playing it. You know, it used to we spent a

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<v Speaker 2>long time playing full sets of music that no one knew.

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<v Speaker 2>So when you get a hit, it's a blessing and

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<v Speaker 2>it starts to you know. That was the one for

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<v Speaker 2>a long time where we knew, no matter what we

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<v Speaker 2>were playing, we knew that was a moment we were

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<v Speaker 2>going to get them and we would get their attention.

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<v Speaker 2>And so still now to this day, that song creates

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<v Speaker 2>a reaction. And anytime anytime a group, you know, thousands

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<v Speaker 2>of people are singing something that you created. How can

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<v Speaker 2>you get tired of that.

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<v Speaker 1>So how do you decide where to put it in

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<v Speaker 1>the set list?

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<v Speaker 2>It's usually these days pretty high up. We like to

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<v Speaker 2>start the song or we like to start out the

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<v Speaker 2>set with some hits. We're lucky enough now that we

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<v Speaker 2>can build a set that there's hits all the way through,

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<v Speaker 2>so so we typically try to put that one up

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<v Speaker 2>towards the top, just to kind of, you know, for

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<v Speaker 2>around people who we are and get them excited about

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<v Speaker 2>the hit songs that they're coming here later.

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<v Speaker 1>Okay, this is audio only, but you wearing a Bruce

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<v Speaker 1>Springsteen in the East Street Band shirt. You are seen

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<v Speaker 1>as a country artist. So where are you on the

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<v Speaker 1>spectrum in terms of rock and country?

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<v Speaker 2>Yeah, Birce Springsteen is is my biggest influence personally as

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<v Speaker 2>far as you know. Obviously is a songwriting influence, but

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<v Speaker 2>as a performer too. I really look up to his

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<v Speaker 2>body of work. I don't think we would ever call

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<v Speaker 2>ourselves a traditional country band. I think the thing that

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<v Speaker 2>makes us country is our songwriting. You know, we certainly

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<v Speaker 2>try to focus on the storytelling aspect and and pack

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<v Speaker 2>it full of hooks and you know, get people singing along,

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<v Speaker 2>and you know, I grew up in a really small

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<v Speaker 2>town in Virginia, so you know, I certainly have a

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<v Speaker 2>country background, but musically, the five of us are. Our

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<v Speaker 2>influences are so all over the map, and they include

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<v Speaker 2>just as much rock as they do country. So our

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<v Speaker 2>show tends to be more of a rock show than

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<v Speaker 2>a country show. Lots of jumping around and running around.

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<v Speaker 1>So how'd you get turned on to Bruce?

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<v Speaker 2>My dad had a record collection and he had the

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<v Speaker 2>Live from seventy five to eighty five album and he

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<v Speaker 2>used to play that and I remember always loving it.

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<v Speaker 2>But it wasn't until I was probably, I want to say, eighteen,

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<v Speaker 2>that I heard Rosalita and it sounded so fresh to me,

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<v Speaker 2>and just his cadence and just the pictures that he painted.

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<v Speaker 2>I was driving, I was driving from Brisbane, Virginia to Charlottesville,

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<v Speaker 2>and I heard that song come on and it was

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<v Speaker 2>just it just lit me up. I just couldn't believe it.

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<v Speaker 2>And I went home and pulled out that record that

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<v Speaker 2>my dad had, and it was covered in mold, and

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<v Speaker 2>you know, it hadn't been pulled out for years, and

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<v Speaker 2>I tried to clean it off, and I was just

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<v Speaker 2>sitting in my room and listened to that those concerts

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<v Speaker 2>over and over and over again, and then and then

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<v Speaker 2>I was just obsessed from that point on.

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<v Speaker 1>Okay, you see, you come from a small town Virginia.

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<v Speaker 1>What is that town and where is that in Virginia.

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<v Speaker 2>It's called Buckannan, Virginia. It's spelled Bucannon, but everybody there

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<v Speaker 2>calls it Buckchannan. It's in the southwestern part of the

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<v Speaker 2>Appalachian Mountains. So it's about i'd say about half an

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<v Speaker 2>hour forty minutes from Roanoke, Virginia, in between Roanoak and

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<v Speaker 2>and Charlottesville, Virginia, about nine hundred people. Uh, just no

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<v Speaker 2>stop light, just a tiny little town.

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<v Speaker 1>Okay, Charlottesville is a college town. Roanoak's like the first

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<v Speaker 1>town in America. So you know, I talked to dway

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<v Speaker 1>Yoakum about this. So you say it's Appalachia. He goes

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<v Speaker 1>on that no one pronounces it that way, but you're

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<v Speaker 1>from there, and he's actually from Ohio. So to what

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<v Speaker 1>degree is it backwoods holler or at this point is

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<v Speaker 1>that paradigm done?

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<v Speaker 2>No, you can find that very easily. It's definitely still there.

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<v Speaker 2>You know, My hometown was, like I said, it's very small.

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<v Speaker 2>It was a big deal when they put a burger

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<v Speaker 2>king in the gas station, you know. But there are

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<v Speaker 2>there are hollers, for sure. There's one in particularly called

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<v Speaker 2>Wildcat Holler that is that is very close by, and

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<v Speaker 2>it's it's a pretty poverty stricken part of the country. Obviously,

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<v Speaker 2>the the opioid crisis is running rampant through there, and

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<v Speaker 2>a lot of it, you know, came out of that

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<v Speaker 2>came out of that area. You can watch all the

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<v Speaker 2>documentaries on on all of that. And there's a lot

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<v Speaker 2>of Rono Virginia in that area. So it's pretty downtrodden

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<v Speaker 2>at times, but it is a beautiful part of the country.

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<v Speaker 1>So what did your parents do for a living.

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<v Speaker 2>My dad worked for the railroad for about eighteen years

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<v Speaker 2>when I was a kid, so he was traveling a

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<v Speaker 2>good bit until he ended up taking a buy out

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<v Speaker 2>and got a job working in the local in the

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<v Speaker 2>office of the there's a local factory in town that

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<v Speaker 2>made like silicone and rubber products. And then my mom

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<v Speaker 2>was a teacher. My mom was a math teacher.

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<v Speaker 1>What did your father do for the railroad?

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<v Speaker 2>He was a brakeman, so he was he was on

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<v Speaker 2>the trains, so he would His run was from Roanoak

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<v Speaker 2>to Winston Salem, North Carolina, so he would just take

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<v Speaker 2>trains down to North Carolina, unload them, hook him back up,

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<v Speaker 2>bring them back. That was kind of the family business.

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<v Speaker 2>Was his dad did it, his granddad did it. It

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<v Speaker 2>was like all the men leading up to my dad

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<v Speaker 2>were all railroad people.

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<v Speaker 1>Okay, the factory, the silicon factory. Is that still there

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<v Speaker 1>or did that close?

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<v Speaker 2>It's closed? Now? It's closed?

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<v Speaker 1>Now? How long would it close?

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<v Speaker 2>It sold a few times probably I'd say ten years

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<v Speaker 2>ago and then ended up shutting down probably I'd say

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<v Speaker 2>probably six years ago.

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<v Speaker 1>So was your father or retired or did he lose

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<v Speaker 1>his job?

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<v Speaker 2>No, he was, he was at that point. They kind

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<v Speaker 2>of they kept on selling it and and they would

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<v Speaker 2>keep him. So he survived a couple of different sales

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<v Speaker 2>and then and transitions, and then they kept him on

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<v Speaker 2>until he finally retired.

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<v Speaker 1>And then when the factory finally went under. How did

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<v Speaker 1>that affect the economics of the town.

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<v Speaker 2>The town didn't have a whole lot of economics. It

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<v Speaker 2>definitely killed some jobs, for sure. It's now been turned

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<v Speaker 2>into a brewery and an apartment complex, which I haven't seen,

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<v Speaker 2>but I hear is doing well. The thing about that

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<v Speaker 2>little town that's drawing people there now is the river

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<v Speaker 2>runs right through it, and obviously the Appalachian Trail runs

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<v Speaker 2>pretty close by to so it's a big outdoors destination

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<v Speaker 2>now that people like to come in and in the

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<v Speaker 2>summertime and float the river, and that now they go

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<v Speaker 2>grab a beer at the brewery.

0:14:41.600 --> 0:14:44.080
<v Speaker 1>So your father's a break man. How does he meet

0:14:44.120 --> 0:14:44.640
<v Speaker 1>your mother?

0:14:46.200 --> 0:14:51.440
<v Speaker 2>They met in college. They went to Shepherd University, and

0:14:53.360 --> 0:14:56.840
<v Speaker 2>I think the story is he was showing up to

0:14:56.920 --> 0:15:00.600
<v Speaker 2>date to take my mom's roommate on a day and

0:15:00.800 --> 0:15:04.000
<v Speaker 2>uh and something fell through and he ended up taking

0:15:04.040 --> 0:15:07.320
<v Speaker 2>my mom on the date. Uh and that they've been

0:15:07.360 --> 0:15:08.200
<v Speaker 2>together ever since.

0:15:08.640 --> 0:15:10.360
<v Speaker 1>Okay, So how many kids in the family.

0:15:11.400 --> 0:15:13.840
<v Speaker 2>I have one older brother, and what is he up to?

0:15:15.360 --> 0:15:20.360
<v Speaker 2>He is a rock star in his own right. He

0:15:20.360 --> 0:15:23.480
<v Speaker 2>he works with It's stuff that's way over my head,

0:15:23.480 --> 0:15:27.600
<v Speaker 2>but he works with GPS systems and drones.

0:15:36.200 --> 0:15:39.640
<v Speaker 1>So you've had some great success in the music business.

0:15:40.320 --> 0:15:44.160
<v Speaker 1>You know, people have success and they buy their parents

0:15:44.280 --> 0:15:49.040
<v Speaker 1>cars or houses. Did you do any of that? I have.

0:15:50.240 --> 0:15:54.120
<v Speaker 2>I've certainly handed down some cars to my parents. I've

0:15:54.440 --> 0:16:01.240
<v Speaker 2>I've definitely Uh, given my dad a truck, and I

0:16:01.240 --> 0:16:02.880
<v Speaker 2>I definitely try to take care of them. I haven't

0:16:02.920 --> 0:16:05.840
<v Speaker 2>bought them any houses or anything, but I certainly try

0:16:05.880 --> 0:16:10.400
<v Speaker 2>to spread the spread the wealth a little bit. For Christmas,

0:16:10.400 --> 0:16:13.800
<v Speaker 2>I bought them. My definition of success was always I

0:16:13.840 --> 0:16:18.400
<v Speaker 2>remember telling someone I just wanted to be successful enough

0:16:19.560 --> 0:16:24.040
<v Speaker 2>to see my family whenever I wanted, without having to

0:16:24.400 --> 0:16:26.880
<v Speaker 2>save up or worry about how much the plane ticket

0:16:26.960 --> 0:16:31.560
<v Speaker 2>costs or whatever. So now that I've reached this level,

0:16:31.800 --> 0:16:34.560
<v Speaker 2>I definitely I gave a credit card for Christmas and said,

0:16:35.520 --> 0:16:37.920
<v Speaker 2>whenever you want to come, this is your plane ticket.

0:16:38.200 --> 0:16:40.320
<v Speaker 2>You know, don't don't worry about how much it costs,

0:16:40.360 --> 0:16:41.280
<v Speaker 2>just get here.

0:16:42.560 --> 0:16:45.640
<v Speaker 1>Okay, So you're going to school. Did you go to

0:16:45.680 --> 0:16:47.840
<v Speaker 1>the same school your mother was a teacher at.

0:16:48.920 --> 0:16:52.720
<v Speaker 2>She wound up teaching there right after I left. When

0:16:52.760 --> 0:16:56.560
<v Speaker 2>I was in I guess elementary school. There was a

0:16:56.600 --> 0:16:59.160
<v Speaker 2>couple of classes that she was that when I was

0:16:59.160 --> 0:17:02.200
<v Speaker 2>in elementary school. She was going to school to get

0:17:02.240 --> 0:17:06.600
<v Speaker 2>her degree, so she would come in and do like

0:17:06.640 --> 0:17:10.240
<v Speaker 2>teacher's aide stuff sometimes when I was small. But then

0:17:10.280 --> 0:17:15.080
<v Speaker 2>she wound up getting a job in natural Bridge, Virginia,

0:17:15.119 --> 0:17:19.560
<v Speaker 2>which is about probably fifteen minutes away, so she taught there.

0:17:19.800 --> 0:17:22.280
<v Speaker 2>She didn't move to the high school until after I

0:17:22.320 --> 0:17:22.600
<v Speaker 2>was going.

0:17:23.359 --> 0:17:24.760
<v Speaker 1>So what kind of student were you?

0:17:25.960 --> 0:17:30.760
<v Speaker 2>Not a great one? My brother was a really good one, obviously,

0:17:30.800 --> 0:17:33.720
<v Speaker 2>he's an engineer and does all the high tech stuff.

0:17:33.800 --> 0:17:39.080
<v Speaker 2>I was that was not into school, man, it was

0:17:39.080 --> 0:17:40.760
<v Speaker 2>not my thing. I really didn't.

0:17:41.040 --> 0:17:43.280
<v Speaker 1>But you went to college, it couldn't have been too bad.

0:17:44.119 --> 0:17:49.560
<v Speaker 2>I went to college, but I wasn't even sure. I

0:17:49.680 --> 0:17:53.600
<v Speaker 2>just kind of had reached a point. College was an

0:17:53.600 --> 0:17:58.440
<v Speaker 2>avenue out of that town for me. I just I stayed.

0:17:58.600 --> 0:18:01.600
<v Speaker 2>After I graduated high school, I went community college for

0:18:01.680 --> 0:18:04.880
<v Speaker 2>a year because I wasn't sure what I wanted to do.

0:18:05.880 --> 0:18:09.439
<v Speaker 2>So I went to community college and realized pretty quickly

0:18:10.400 --> 0:18:12.760
<v Speaker 2>I didn't want to be there anymore. I wanted to

0:18:12.800 --> 0:18:16.520
<v Speaker 2>do something else, and the only thing I was good

0:18:16.520 --> 0:18:23.000
<v Speaker 2>at was art and music to some degree. But I

0:18:23.040 --> 0:18:28.800
<v Speaker 2>was better at art, so I thought, well, maybe I'll

0:18:28.840 --> 0:18:31.119
<v Speaker 2>try to go to art school, and that's when I

0:18:31.160 --> 0:18:35.800
<v Speaker 2>ended up doing a degree in illustration from BCU.

0:18:36.600 --> 0:18:40.240
<v Speaker 1>Okay, is there music in the house growing up?

0:18:42.640 --> 0:18:45.119
<v Speaker 2>There was a lot. My dad is a huge fan

0:18:45.480 --> 0:18:51.000
<v Speaker 2>of music and has a lot of a varied taste,

0:18:51.480 --> 0:18:54.919
<v Speaker 2>but he's not a musician. He would have a harmonica

0:18:55.000 --> 0:18:59.280
<v Speaker 2>sometimes and would play that for fun, but other than that,

0:19:00.480 --> 0:19:03.640
<v Speaker 2>we had a piano that was just sitting there. And

0:19:04.600 --> 0:19:10.360
<v Speaker 2>I was drawn to the drums first. So I think

0:19:10.400 --> 0:19:13.200
<v Speaker 2>when I was probably in fifth grade, I really wanted

0:19:13.240 --> 0:19:18.399
<v Speaker 2>to play drums. And so they told me, Okay, if

0:19:18.440 --> 0:19:20.880
<v Speaker 2>you want to play drums, we want you to take

0:19:21.080 --> 0:19:27.120
<v Speaker 2>piano lessons. Okay, that was the deal that they made.

0:19:27.880 --> 0:19:31.800
<v Speaker 2>They wanted me to learn to to to read music.

0:19:31.840 --> 0:19:34.680
<v Speaker 2>I guess I'm not sure why, but I just said

0:19:34.720 --> 0:19:39.320
<v Speaker 2>okay and that stuff for maybe three lessons until I

0:19:39.480 --> 0:19:41.320
<v Speaker 2>dropped that and kept on the drums.

0:19:42.560 --> 0:19:44.840
<v Speaker 1>What was the motivation to play the drums? Did you

0:19:44.880 --> 0:19:47.800
<v Speaker 1>see something on TV? Or we always rhythmic kid?

0:19:47.920 --> 0:19:54.119
<v Speaker 2>I mean I saw I saw at a at a

0:19:54.400 --> 0:20:02.479
<v Speaker 2>middle school talent show, one of my brother's friends played. Uh.

0:20:02.600 --> 0:20:04.879
<v Speaker 2>I think he played like wipeout or something. You know,

0:20:06.560 --> 0:20:08.720
<v Speaker 2>that's the thing you played, of course trying to learn

0:20:08.720 --> 0:20:12.840
<v Speaker 2>the drum. Yeah, yeah, so but I just saw the

0:20:12.920 --> 0:20:16.399
<v Speaker 2>whole gym light up when he did that, and I

0:20:16.440 --> 0:20:18.440
<v Speaker 2>was and it was so powerful to me. I was like, WHOA,

0:20:18.560 --> 0:20:22.280
<v Speaker 2>what's happening here? So and my brother I remember right

0:20:22.320 --> 0:20:27.320
<v Speaker 2>around that time. You know, he's four years older than me. Uh,

0:20:27.760 --> 0:20:31.720
<v Speaker 2>and he was in middle school and and he decided

0:20:31.720 --> 0:20:34.719
<v Speaker 2>he and his buddies wanted to start a band, and

0:20:34.760 --> 0:20:37.080
<v Speaker 2>so they were and it but my brother played trumpet

0:20:37.160 --> 0:20:39.800
<v Speaker 2>and like, so it was like a horn section and

0:20:39.920 --> 0:20:43.080
<v Speaker 2>this drummer and uh. They came over to the house

0:20:43.080 --> 0:20:46.520
<v Speaker 2>and that lasted probably a monk, but they came over

0:20:47.280 --> 0:20:50.600
<v Speaker 2>once to practice. And now all the drums were set

0:20:50.680 --> 0:20:52.840
<v Speaker 2>up in our basement and they took a break and

0:20:52.880 --> 0:20:54.560
<v Speaker 2>I just went down there and was like touching the

0:20:54.640 --> 0:20:58.800
<v Speaker 2>drums and I was just really drawn to them. And

0:20:58.840 --> 0:21:01.840
<v Speaker 2>then I was in led me to be in you know,

0:21:02.160 --> 0:21:05.680
<v Speaker 2>uh the school band playing and playing drums, and then

0:21:05.800 --> 0:21:07.920
<v Speaker 2>later into the marching band. I was in the drum

0:21:07.960 --> 0:21:12.760
<v Speaker 2>line and did all that stuff. So first, for whatever reason,

0:21:12.800 --> 0:21:14.399
<v Speaker 2>that was really calling to me.

0:21:14.760 --> 0:21:18.399
<v Speaker 1>Okay, did you take lessons?

0:21:19.200 --> 0:21:23.479
<v Speaker 2>No, we had a you know, a band director that

0:21:24.480 --> 0:21:26.560
<v Speaker 2>didn't really know anything about the drums.

0:21:27.280 --> 0:21:27.680
<v Speaker 1>I just.

0:21:30.119 --> 0:21:34.200
<v Speaker 2>I just, uh, everything everything I did was self taught.

0:21:34.280 --> 0:21:37.160
<v Speaker 2>I had the I pretty much lived in our basement,

0:21:37.240 --> 0:21:40.960
<v Speaker 2>so I would stay down there in our basement. I

0:21:40.960 --> 0:21:43.000
<v Speaker 2>had a drum kit down there. I had guitars and

0:21:43.040 --> 0:21:45.240
<v Speaker 2>ants and stuff down there on one half of the basement,

0:21:45.560 --> 0:21:48.400
<v Speaker 2>and the other half of the basement was all canvases

0:21:48.480 --> 0:21:53.320
<v Speaker 2>and paints and and art supplies. So I would I

0:21:53.320 --> 0:21:57.159
<v Speaker 2>would always be down there, either painting or listening to

0:21:57.280 --> 0:21:59.560
<v Speaker 2>music and trying to figure out what they did and

0:22:00.160 --> 0:22:00.760
<v Speaker 2>try to play it.

0:22:01.640 --> 0:22:04.080
<v Speaker 1>So you played the piano to get drums. Did your

0:22:04.080 --> 0:22:05.399
<v Speaker 1>appearance buy you a kid?

0:22:07.520 --> 0:22:12.119
<v Speaker 2>Eventually? Yes, I started with a snare and there was

0:22:12.160 --> 0:22:14.399
<v Speaker 2>a big moment. I remember, my dad was never a

0:22:14.440 --> 0:22:19.320
<v Speaker 2>big He's not known necessarily for being a spontaneous person.

0:22:21.119 --> 0:22:23.840
<v Speaker 2>But it was just he and I out One day

0:22:24.280 --> 0:22:27.160
<v Speaker 2>we were going to get some lunch and we walked

0:22:27.200 --> 0:22:30.440
<v Speaker 2>by this uh it was just I don't like a

0:22:30.520 --> 0:22:33.679
<v Speaker 2>junk store, and there was a drum kit sitting in

0:22:33.720 --> 0:22:37.480
<v Speaker 2>them in the window. And we walked by and I

0:22:37.520 --> 0:22:40.679
<v Speaker 2>was like, oh wow, look at that thing. And he said, well,

0:22:40.760 --> 0:22:42.560
<v Speaker 2>let's go look at it, and we walked out of

0:22:42.560 --> 0:22:45.000
<v Speaker 2>there with it. I was my mind was blown, like

0:22:45.080 --> 0:22:47.520
<v Speaker 2>I could not believe that he was He just bought

0:22:47.520 --> 0:22:52.639
<v Speaker 2>me this drum kit. And they weren't musical, but they

0:22:53.600 --> 0:22:57.440
<v Speaker 2>they supported me in every musical avenue I went down,

0:22:57.520 --> 0:23:02.159
<v Speaker 2>they they didn't always understand it. Uh. And throughout the

0:23:02.200 --> 0:23:05.639
<v Speaker 2>course of of my adolescence, when I would get things

0:23:05.960 --> 0:23:09.160
<v Speaker 2>taken away from me for acting like an idiot, they

0:23:09.200 --> 0:23:13.040
<v Speaker 2>never took away that. They never took away anything musical

0:23:13.080 --> 0:23:15.280
<v Speaker 2>from me, So I would sometimes that was all I

0:23:15.359 --> 0:23:15.960
<v Speaker 2>had to do.

0:23:17.040 --> 0:23:20.800
<v Speaker 1>Okay, drums can make quite a racket. Yeah, you were

0:23:20.840 --> 0:23:22.920
<v Speaker 1>in the basement, but they ever say stop.

0:23:23.720 --> 0:23:25.879
<v Speaker 2>Oh yeah, there was a light switch. There was a

0:23:25.960 --> 0:23:28.719
<v Speaker 2>light switch. The light switch for the basement was upstairs,

0:23:29.320 --> 0:23:31.639
<v Speaker 2>so I'd be I'd be down there playing and all

0:23:31.640 --> 0:23:33.639
<v Speaker 2>of a sudden it would just go completely dark, and

0:23:33.680 --> 0:23:35.120
<v Speaker 2>I'd be like, Okay, time to quit.

0:23:38.280 --> 0:23:44.240
<v Speaker 1>Okay, you're playing in the school band in a drum line.

0:23:45.280 --> 0:23:46.679
<v Speaker 1>You know? Is that cool?

0:23:47.400 --> 0:23:48.280
<v Speaker 2>Not cool?

0:23:48.520 --> 0:23:50.040
<v Speaker 1>What was the experience like?

0:23:52.600 --> 0:23:56.080
<v Speaker 2>That was cool for me? You know, I don't think.

0:23:56.320 --> 0:23:58.800
<v Speaker 2>I don't think people think marching band is the coolest

0:23:58.800 --> 0:24:03.280
<v Speaker 2>thing in the world, But for me, I loved I

0:24:03.320 --> 0:24:06.679
<v Speaker 2>loved every second of it, especially too, because it was

0:24:06.760 --> 0:24:08.760
<v Speaker 2>kind of cool that we had a band director that

0:24:08.920 --> 0:24:12.320
<v Speaker 2>wasn't didn't know much about drums. He just sort of

0:24:12.400 --> 0:24:15.199
<v Speaker 2>let us come up with our own parts. So we

0:24:15.200 --> 0:24:18.520
<v Speaker 2>would listen to to the pieces and we would we

0:24:18.560 --> 0:24:21.800
<v Speaker 2>would circle up and come up with our own parts,

0:24:21.840 --> 0:24:23.960
<v Speaker 2>and he would he would help guide a little bit,

0:24:24.040 --> 0:24:28.520
<v Speaker 2>but he didn't know the rudiments much and so it

0:24:28.560 --> 0:24:31.720
<v Speaker 2>was there was complete creative freedom there. So I really

0:24:31.920 --> 0:24:32.680
<v Speaker 2>really loved it.

0:24:33.640 --> 0:24:35.639
<v Speaker 1>And tell us about the drum line.

0:24:37.440 --> 0:24:40.280
<v Speaker 2>Well, pretty rinky dink. So you know, just a couple

0:24:40.359 --> 0:24:42.560
<v Speaker 2>of snare drums that was a guy playing the quads

0:24:43.359 --> 0:24:45.560
<v Speaker 2>and a couple of bass drums, and that was about it.

0:24:47.240 --> 0:24:51.600
<v Speaker 2>And ultimately that's how I ended up starting my first

0:24:51.640 --> 0:24:56.240
<v Speaker 2>band because we were such good friends and we all

0:24:56.240 --> 0:24:58.240
<v Speaker 2>wanted to be in a band, but we all played drums.

0:25:00.800 --> 0:25:03.760
<v Speaker 2>So one of the guys was like, well, I have

0:25:03.800 --> 0:25:09.040
<v Speaker 2>a guitar, and another guy was he could play piano

0:25:09.160 --> 0:25:13.320
<v Speaker 2>pretty well, and I said, well, okay, I'll borrow a

0:25:13.320 --> 0:25:16.840
<v Speaker 2>bass from somebody and I'll try to be the bass player.

0:25:17.000 --> 0:25:21.200
<v Speaker 2>And so we would get together at my friend's house

0:25:21.240 --> 0:25:25.800
<v Speaker 2>and we had this rotating everybody wanted to play the

0:25:25.880 --> 0:25:27.400
<v Speaker 2>drums because that was the one thing that we did,

0:25:27.440 --> 0:25:30.840
<v Speaker 2>so so like, I want to play drums on that song.

0:25:30.920 --> 0:25:33.600
<v Speaker 2>So it was constantly turning where we would play drums

0:25:34.000 --> 0:25:37.840
<v Speaker 2>on particular songs. But that was my first kind of step.

0:25:37.880 --> 0:25:42.040
<v Speaker 2>The drum line led directly to me being in my

0:25:42.080 --> 0:25:42.639
<v Speaker 2>first band.

0:25:44.320 --> 0:25:47.640
<v Speaker 1>So you borrow a bass. Some people can pick up

0:25:47.800 --> 0:25:51.320
<v Speaker 1>any instrument and play it instantly. Other people have to

0:25:51.400 --> 0:25:54.680
<v Speaker 1>work really hard. Where do you fit on the continuum?

0:25:55.240 --> 0:25:57.720
<v Speaker 2>I have to work really hard. I still work really hard.

0:25:59.800 --> 0:26:03.560
<v Speaker 2>I have a good year, you know, thankfully, so I

0:26:03.560 --> 0:26:09.240
<v Speaker 2>could figure it out. But it was just that's all

0:26:09.240 --> 0:26:12.720
<v Speaker 2>I did once once I was in that far into

0:26:12.800 --> 0:26:16.080
<v Speaker 2>music in general. I had I had an uncle too

0:26:16.119 --> 0:26:20.399
<v Speaker 2>that gave me a guitar, and I had that piano

0:26:20.560 --> 0:26:24.520
<v Speaker 2>sitting there in the living room, and I borrowed this bass,

0:26:24.520 --> 0:26:27.480
<v Speaker 2>and I had a drum kit. And so just every

0:26:27.560 --> 0:26:31.040
<v Speaker 2>day I was working on something, trying to figure out

0:26:31.280 --> 0:26:33.679
<v Speaker 2>how people, how people were playing, what they were playing,

0:26:33.720 --> 0:26:38.800
<v Speaker 2>and reading books and magazines and trying to figure it

0:26:38.840 --> 0:26:39.520
<v Speaker 2>all out.

0:26:39.720 --> 0:26:43.840
<v Speaker 1>Okay, so how long does that band of drummers last?

0:26:45.600 --> 0:26:48.720
<v Speaker 2>Oh, probably a couple of years.

0:26:49.560 --> 0:26:49.800
<v Speaker 1>You know.

0:26:50.000 --> 0:26:54.840
<v Speaker 2>That was we played like the Valentine's Dance at at

0:26:55.320 --> 0:27:00.760
<v Speaker 2>our school, and we played a little you know, local

0:27:00.800 --> 0:27:04.280
<v Speaker 2>pool party type of thing. You know. We were terrible,

0:27:06.520 --> 0:27:09.800
<v Speaker 2>But it lasted a couple of years and then transformed

0:27:09.920 --> 0:27:14.520
<v Speaker 2>into some of the members we formed another band that

0:27:14.680 --> 0:27:20.800
<v Speaker 2>was called Porkrons, and that was like a that was

0:27:20.840 --> 0:27:23.800
<v Speaker 2>like a we wanted to be Pearl Jam. Yeah, we

0:27:23.840 --> 0:27:28.800
<v Speaker 2>wanted to be a grunge rock band. So that kind

0:27:28.800 --> 0:27:32.720
<v Speaker 2>of transformed into that and that lasted for probably another

0:27:34.160 --> 0:27:34.840
<v Speaker 2>four years.

0:27:36.080 --> 0:27:42.240
<v Speaker 1>Okay, you're in your hometown. It's not that far from Charlotteesville.

0:27:43.080 --> 0:27:46.640
<v Speaker 1>Do you go to shows in Charlottesville? Do you hang out?

0:27:46.920 --> 0:27:48.320
<v Speaker 1>Were you pretty much at home?

0:27:49.440 --> 0:27:53.760
<v Speaker 2>Mostly went to Roanoke for shows, so there would bands.

0:27:54.000 --> 0:27:57.359
<v Speaker 2>Charlottesville was a little further away, and for whatever reason,

0:27:58.440 --> 0:28:01.240
<v Speaker 2>we never went that direction. Nless it was for sports.

0:28:01.359 --> 0:28:05.800
<v Speaker 2>We would go see some UVA basketball or soccer games,

0:28:05.880 --> 0:28:11.959
<v Speaker 2>football games. But Roanoak there was some decent sized touring

0:28:12.000 --> 0:28:15.120
<v Speaker 2>acts that would come through Rono So I spent most

0:28:15.119 --> 0:28:17.040
<v Speaker 2>of my time going to shows there. And there were

0:28:17.080 --> 0:28:19.960
<v Speaker 2>you know, there was a there was a club scene there.

0:28:20.760 --> 0:28:23.159
<v Speaker 2>Two there was there was one, well really one club

0:28:23.320 --> 0:28:27.200
<v Speaker 2>in Roanoak where my band would play with big x's

0:28:27.200 --> 0:28:32.480
<v Speaker 2>on our hands. And because we were underage.

0:28:31.359 --> 0:28:34.960
<v Speaker 1>Okay, you graduate from high school, you still live at

0:28:34.960 --> 0:28:39.920
<v Speaker 1>home and go to community college. Does the band sustain No?

0:28:40.120 --> 0:28:42.480
<v Speaker 2>That was that was pretty much the end of the band.

0:28:43.960 --> 0:28:46.920
<v Speaker 2>I was at that point, I wasn't the singer in

0:28:46.960 --> 0:28:54.800
<v Speaker 2>that band, but at that point had started writing a

0:28:54.920 --> 0:28:56.840
<v Speaker 2>different kind of style of song.

0:28:57.080 --> 0:29:00.000
<v Speaker 1>We'll time out. When did you start.

0:28:59.680 --> 0:29:05.720
<v Speaker 2>To right around the time I picked up the guitar, Well,

0:29:05.760 --> 0:29:12.160
<v Speaker 2>I was probably fourteen thirteen fourteen. I was playing the

0:29:12.160 --> 0:29:17.200
<v Speaker 2>piano one day just by ear, just noodling, and my

0:29:17.360 --> 0:29:19.640
<v Speaker 2>dad reminded me. He was like, you have a guitar

0:29:19.960 --> 0:29:22.080
<v Speaker 2>that's in your closet sitting up there. You should pick

0:29:22.120 --> 0:29:25.200
<v Speaker 2>that up. See what you can do. I was like,

0:29:25.320 --> 0:29:27.640
<v Speaker 2>he's right, you know, So I picked it up, and

0:29:27.800 --> 0:29:30.520
<v Speaker 2>I didn't know how to play anything. So my instinct was, well,

0:29:30.520 --> 0:29:34.120
<v Speaker 2>I'll write something. I don't know how to play anything else.

0:29:34.200 --> 0:29:37.360
<v Speaker 2>But if I write something, then i'll I'll have something

0:29:37.360 --> 0:29:40.240
<v Speaker 2>to play. So that was my first instinct was to

0:29:40.280 --> 0:29:46.320
<v Speaker 2>create rather than to copy. So right off the bat

0:29:46.360 --> 0:29:47.440
<v Speaker 2>I started writing.

0:29:48.640 --> 0:29:53.160
<v Speaker 1>And certainly in retrospect you could evaluate this stuff. How

0:29:53.240 --> 0:29:55.360
<v Speaker 1>much did you write? And when was the first time

0:29:55.400 --> 0:29:57.360
<v Speaker 1>you simply in retrospect, well, that was kind of a

0:29:57.400 --> 0:29:57.880
<v Speaker 1>good song.

0:30:01.600 --> 0:30:03.560
<v Speaker 2>I think I thought they were pretty good right off

0:30:03.560 --> 0:30:05.960
<v Speaker 2>the bat, you know, I thought, I like, the first

0:30:05.960 --> 0:30:08.080
<v Speaker 2>thing I wrote was just a little instrumental piece that

0:30:08.120 --> 0:30:12.080
<v Speaker 2>I could that I could get through. I had another

0:30:12.200 --> 0:30:17.840
<v Speaker 2>uncle who was a fantastic guitar player, and he showed me.

0:30:18.040 --> 0:30:20.720
<v Speaker 2>You know, he would show me a chord and then

0:30:20.760 --> 0:30:23.200
<v Speaker 2>he would say, okay, now that you have that chord,

0:30:23.320 --> 0:30:27.280
<v Speaker 2>just just move a finger. Just pick one finger and

0:30:27.320 --> 0:30:29.600
<v Speaker 2>move it somewhere else and see what that sounds like.

0:30:30.760 --> 0:30:34.840
<v Speaker 2>So he kind of taught me how to explore different

0:30:34.920 --> 0:30:37.600
<v Speaker 2>variations of chords. So so I would, you know, I

0:30:37.640 --> 0:30:40.360
<v Speaker 2>saw him just a couple times a year, so every

0:30:40.440 --> 0:30:42.320
<v Speaker 2>time I saw him, I would show him what I

0:30:42.360 --> 0:30:45.640
<v Speaker 2>was doing and he would show me something else. So

0:30:46.480 --> 0:30:48.640
<v Speaker 2>right off the bat, I was like, all right, I

0:30:48.640 --> 0:30:52.560
<v Speaker 2>think I can create a song here. And I always

0:30:52.600 --> 0:30:54.400
<v Speaker 2>thought they were pretty good.

0:30:55.840 --> 0:30:57.720
<v Speaker 1>Would you be in playing them?

0:30:59.160 --> 0:31:04.360
<v Speaker 2>There was one song that my band started playing. This

0:31:04.600 --> 0:31:07.640
<v Speaker 2>was the first band that that started playing. And that's

0:31:07.640 --> 0:31:15.040
<v Speaker 2>actually how I discovered my singing voice. As a joke,

0:31:15.840 --> 0:31:18.840
<v Speaker 2>I sang it was a very kind of low registered song,

0:31:18.960 --> 0:31:21.760
<v Speaker 2>was very easy to sing. There was no pushing for

0:31:22.360 --> 0:31:27.040
<v Speaker 2>to hit any notes or anything. And at a sound

0:31:27.120 --> 0:31:31.680
<v Speaker 2>check one day, I was joking and I started pushing

0:31:31.720 --> 0:31:34.720
<v Speaker 2>and singing it aggressively and loudly. I was trying to

0:31:34.720 --> 0:31:37.959
<v Speaker 2>make everyone laugh, and when after it was over, they

0:31:37.960 --> 0:31:40.920
<v Speaker 2>all looked at me and went, what was that? And

0:31:40.960 --> 0:31:43.400
<v Speaker 2>they were like, they're all, you should do that more.

0:31:45.040 --> 0:31:48.360
<v Speaker 2>So that's how I kind of discovered that sing how

0:31:48.400 --> 0:31:51.400
<v Speaker 2>to sing a little bit, and that opened up the

0:31:51.440 --> 0:31:52.520
<v Speaker 2>writing a good bit.

0:32:00.280 --> 0:32:02.960
<v Speaker 1>Okay, you go to community college, the band breaks up,

0:32:03.000 --> 0:32:04.360
<v Speaker 1>what happens with your music?

0:32:06.320 --> 0:32:10.080
<v Speaker 2>I still am playing. I still am playing, you know,

0:32:10.240 --> 0:32:14.120
<v Speaker 2>a little coffee shops. I start playing by myself. And

0:32:14.120 --> 0:32:17.040
<v Speaker 2>then when I went to Richmond to go to college,

0:32:17.560 --> 0:32:21.920
<v Speaker 2>I always stayed booking myself in whatever little coffee shop

0:32:22.000 --> 0:32:26.360
<v Speaker 2>or corner bar I could, just to keep doing it.

0:32:26.400 --> 0:32:29.440
<v Speaker 2>I just loved doing it so much. And not only

0:32:29.480 --> 0:32:31.920
<v Speaker 2>that felt like I had to do it, you know,

0:32:31.960 --> 0:32:35.040
<v Speaker 2>I felt like it was it was necessary for me

0:32:35.080 --> 0:32:38.880
<v Speaker 2>to do and so the music never stopped.

0:32:39.440 --> 0:32:45.000
<v Speaker 1>Okay, you moved to Richmond, you know now more than ever,

0:32:45.120 --> 0:32:47.800
<v Speaker 1>but even back days, you can play in a bar

0:32:48.080 --> 0:32:50.200
<v Speaker 1>and people can totally ignore you.

0:32:51.280 --> 0:32:54.200
<v Speaker 2>Oh yeah, so oh yes.

0:32:54.760 --> 0:32:57.760
<v Speaker 1>Did you get a good response or were you just

0:32:57.880 --> 0:33:00.000
<v Speaker 1>interly driven and say I don't give a shit out,

0:33:00.040 --> 0:33:00.760
<v Speaker 1>I'm just doing this.

0:33:02.120 --> 0:33:06.080
<v Speaker 2>Yeah, a mix of both. You know. The you can

0:33:06.120 --> 0:33:10.880
<v Speaker 2>play fifty gigs where you're ignored, and if you get

0:33:11.000 --> 0:33:15.040
<v Speaker 2>one gig that you get a response out of, that

0:33:15.120 --> 0:33:18.040
<v Speaker 2>will fuel you for hundreds more, you know, of people

0:33:18.080 --> 0:33:23.080
<v Speaker 2>ignoring you. So I played much more where people ignored

0:33:23.280 --> 0:33:24.880
<v Speaker 2>than people paid attention.

0:33:25.400 --> 0:33:28.520
<v Speaker 1>Okay, and this was singer songwriter type stuff.

0:33:28.560 --> 0:33:31.040
<v Speaker 2>You alone, Yeah, yeah, just me alone.

0:33:31.120 --> 0:33:34.160
<v Speaker 1>And if we put a genre on it, you know,

0:33:34.280 --> 0:33:36.920
<v Speaker 1>from one end there's James Taylor, the other end there's

0:33:37.000 --> 0:33:39.920
<v Speaker 1>Conway Twitty. Where are you on that? Continue?

0:33:39.960 --> 0:33:43.480
<v Speaker 2>Yeah, I was probably you know, I was big into

0:33:45.600 --> 0:33:49.440
<v Speaker 2>I was big into sort of alternative country type of bands.

0:33:49.480 --> 0:33:52.520
<v Speaker 2>There were there were bands at the time, like there's

0:33:52.520 --> 0:33:55.600
<v Speaker 2>a band called sun Volt that I really loved. And

0:33:56.720 --> 0:33:59.440
<v Speaker 2>again I was I was pretty pretty deep into the

0:33:59.440 --> 0:34:02.960
<v Speaker 2>Springsteen at that point, so digging into his kind of

0:34:02.960 --> 0:34:08.360
<v Speaker 2>singer songwriter style. It wasn't it wasn't country yet. It

0:34:08.480 --> 0:34:13.000
<v Speaker 2>was definitely more of a singer songwriter folk music. You know,

0:34:13.040 --> 0:34:16.560
<v Speaker 2>there's a lot of there was a lot of bluegrass

0:34:16.640 --> 0:34:19.799
<v Speaker 2>and and old time music that was being played in

0:34:19.800 --> 0:34:22.800
<v Speaker 2>the area that I grew up, so that kind of

0:34:22.800 --> 0:34:26.439
<v Speaker 2>bled into it a little bit. I was just trying

0:34:26.480 --> 0:34:27.240
<v Speaker 2>to tell stories.

0:34:27.920 --> 0:34:32.480
<v Speaker 1>Okay. There's actually a pretty big punk scene in Virginia.

0:34:33.160 --> 0:34:35.480
<v Speaker 1>Did that influence you? Was that around?

0:34:37.160 --> 0:34:41.680
<v Speaker 2>It was around and I and in my my band

0:34:41.840 --> 0:34:45.359
<v Speaker 2>pork Rinds, we were we were intermixed with a lot

0:34:45.360 --> 0:34:48.320
<v Speaker 2>of those bands. And actually the drummer in our band

0:34:48.520 --> 0:34:53.160
<v Speaker 2>with an Old Dominion was at the time in the

0:34:53.200 --> 0:34:56.480
<v Speaker 2>punk scene at that time, so he was also he

0:34:56.600 --> 0:35:00.160
<v Speaker 2>was also someone I knew from middle school and was

0:35:00.200 --> 0:35:04.000
<v Speaker 2>in the drum line as well, So he wound up

0:35:04.040 --> 0:35:08.040
<v Speaker 2>going into the punk direction, and I wound up being

0:35:08.120 --> 0:35:14.319
<v Speaker 2>drawn more towards like college rock, Dave Matthews type of

0:35:14.560 --> 0:35:17.840
<v Speaker 2>things like that. So I was that was also happening

0:35:18.160 --> 0:35:21.799
<v Speaker 2>at the same time, so I didn't dive too much

0:35:21.800 --> 0:35:22.600
<v Speaker 2>into the punk scene.

0:35:23.200 --> 0:35:28.719
<v Speaker 1>Okay, you were in Richmond for three years. At what

0:35:28.880 --> 0:35:32.560
<v Speaker 1>point do you say? If you say, then this is

0:35:32.600 --> 0:35:34.160
<v Speaker 1>what I want to do as a career.

0:35:36.080 --> 0:35:42.400
<v Speaker 2>It was a graduation was coming up, and at that

0:35:42.560 --> 0:35:48.520
<v Speaker 2>point I started to realize, Okay, I can't I can't

0:35:48.520 --> 0:35:51.919
<v Speaker 2>do both. I think I got a I can't half

0:35:51.960 --> 0:35:56.840
<v Speaker 2>ass two things. So I love art, I love music.

0:35:58.080 --> 0:36:01.320
<v Speaker 2>My heart is telling me that I really want to

0:36:01.360 --> 0:36:08.800
<v Speaker 2>explore this music thing. So basically, as soon as I graduated,

0:36:09.360 --> 0:36:13.520
<v Speaker 2>the plan was Sorry, Mom and Dad, I know, you

0:36:13.640 --> 0:36:16.120
<v Speaker 2>just paid for college for art, but I want to

0:36:16.120 --> 0:36:20.080
<v Speaker 2>try this music thing. And then they took it.

0:36:20.120 --> 0:36:25.840
<v Speaker 1>Well, okay, you're in college, you're playing these gigs, but

0:36:25.960 --> 0:36:29.799
<v Speaker 1>it is college. Are you a partying Do you have

0:36:29.840 --> 0:36:33.120
<v Speaker 1>a girlfriend or are you just the guy that everybody says,

0:36:33.160 --> 0:36:34.359
<v Speaker 1>oh he's the music guy.

0:36:35.960 --> 0:36:38.760
<v Speaker 2>No, I was, I was. I'm not a huge partier.

0:36:40.760 --> 0:36:47.000
<v Speaker 2>I certainly did my time, and yeah, I had a girlfriend,

0:36:48.520 --> 0:36:54.319
<v Speaker 2>and then but also started another band in college, and

0:36:55.560 --> 0:37:00.560
<v Speaker 2>so I was already kind of pulled and lots of

0:37:00.600 --> 0:37:02.680
<v Speaker 2>different directions. I would much rather though.

0:37:02.560 --> 0:37:02.719
<v Speaker 1>Be.

0:37:04.160 --> 0:37:06.520
<v Speaker 2>The band at the party. Then I would go to

0:37:06.520 --> 0:37:07.000
<v Speaker 2>the party.

0:37:07.680 --> 0:37:10.600
<v Speaker 1>Okay, you graduate, you decide you want to do music,

0:37:11.040 --> 0:37:12.520
<v Speaker 1>so what's your first step.

0:37:15.640 --> 0:37:18.840
<v Speaker 2>Well, I had this band at that point that was

0:37:18.880 --> 0:37:22.319
<v Speaker 2>just called the Matt Ramsey Band, and I ended up

0:37:22.360 --> 0:37:29.640
<v Speaker 2>moving to Blacksburg, Virginia, and I would just I would

0:37:29.680 --> 0:37:32.960
<v Speaker 2>just be on the phone constantly trying to try to

0:37:32.960 --> 0:37:35.680
<v Speaker 2>book myself anywhere, try to book this band anywhere, so

0:37:35.719 --> 0:37:36.040
<v Speaker 2>we play.

0:37:36.080 --> 0:37:38.640
<v Speaker 1>We still those of us were not Virginia savvy. What's

0:37:38.640 --> 0:37:39.160
<v Speaker 1>the story with.

0:37:39.160 --> 0:37:45.239
<v Speaker 2>Blacks Blacksburg is where Virginia Tech is. Okay, So that

0:37:45.440 --> 0:37:49.080
<v Speaker 2>was basically on the other side of Rono from my hometown,

0:37:50.520 --> 0:37:54.160
<v Speaker 2>big college town, and I would play all the bars

0:37:54.160 --> 0:37:56.760
<v Speaker 2>in Blacksburg, and then I would try to play in Roanoke,

0:37:56.840 --> 0:37:59.840
<v Speaker 2>and I'd go up to Harrisonburg, and there was a

0:38:00.040 --> 0:38:03.359
<v Speaker 2>there was a band in Harrisonburg. They were called Small

0:38:03.400 --> 0:38:08.800
<v Speaker 2>Town Workers, and with our drummer was in that band,

0:38:09.840 --> 0:38:14.600
<v Speaker 2>and that's how I ended up meeting Jeff, who is

0:38:14.840 --> 0:38:19.680
<v Speaker 2>our bassist now. So I would go up to Harrisonburg

0:38:19.840 --> 0:38:23.799
<v Speaker 2>and open for their band and did. I just did

0:38:23.880 --> 0:38:26.959
<v Speaker 2>everything I possibly could to play any kind of four

0:38:27.000 --> 0:38:33.000
<v Speaker 2>hour gig that would have me. Anytime anyone said I could, Hey,

0:38:33.000 --> 0:38:35.480
<v Speaker 2>can you play for five hours, I'd say yes, and

0:38:35.520 --> 0:38:38.120
<v Speaker 2>then I'd go learn a bunch of socks and then

0:38:38.280 --> 0:38:42.000
<v Speaker 2>I'll just play wherever, wherever I could. And in all

0:38:42.080 --> 0:38:46.520
<v Speaker 2>the while, you know, working at whatever landscaping job I

0:38:46.560 --> 0:38:49.400
<v Speaker 2>could get, or you know, to pay the bills. But

0:38:49.880 --> 0:38:52.400
<v Speaker 2>a certain music certainly wasn't paying the bills yet, So

0:38:53.040 --> 0:38:54.800
<v Speaker 2>I was working whatever jobs I could.

0:38:55.600 --> 0:38:57.160
<v Speaker 1>So how long do you do that for?

0:39:00.239 --> 0:39:05.200
<v Speaker 2>Well that was I graduated college in two thousand. I

0:39:05.239 --> 0:39:07.600
<v Speaker 2>moved to Nashville in two thousand and two. So it

0:39:07.640 --> 0:39:10.839
<v Speaker 2>was a couple just a couple of years of doing that.

0:39:11.120 --> 0:39:14.480
<v Speaker 1>Okay, so how do you decide to move to Nashville.

0:39:14.719 --> 0:39:19.120
<v Speaker 2>I was working. Well, a couple of things happened. There

0:39:19.160 --> 0:39:24.640
<v Speaker 2>was a public radio program called Mountain Stage right, and

0:39:25.080 --> 0:39:28.440
<v Speaker 2>I loved listening to that and all of the music

0:39:28.480 --> 0:39:31.440
<v Speaker 2>that was coming out of there. And they had a

0:39:32.800 --> 0:39:38.040
<v Speaker 2>like a festival, and so I went to this festival

0:39:38.160 --> 0:39:42.600
<v Speaker 2>and there were some seminars there, and I went to

0:39:42.680 --> 0:39:45.840
<v Speaker 2>this like songwriting seminar with a guy named Darryl Scott

0:39:47.520 --> 0:39:51.600
<v Speaker 2>and he's, you know, just an incredible songwriter and musician

0:39:51.719 --> 0:39:54.600
<v Speaker 2>and written a bunch of stuff for the Dixie Chicks

0:39:54.600 --> 0:40:01.080
<v Speaker 2>and and Travis Tritt and I went to him after

0:40:01.120 --> 0:40:03.880
<v Speaker 2>the after the siminar, there was probably about twenty people there,

0:40:04.680 --> 0:40:09.400
<v Speaker 2>and I asked him what he thought about moving in Nashville,

0:40:09.560 --> 0:40:12.000
<v Speaker 2>and he said, well, if you're moving there to be

0:40:12.040 --> 0:40:17.560
<v Speaker 2>a star, then don't do it. But if you're moving

0:40:17.560 --> 0:40:20.240
<v Speaker 2>there to surround yourself with the best in the world

0:40:20.520 --> 0:40:23.560
<v Speaker 2>and learn from them, that, by all means I think

0:40:23.600 --> 0:40:29.239
<v Speaker 2>you should. So I took that to heart. And so

0:40:29.280 --> 0:40:33.160
<v Speaker 2>that was one thing that happened at the On the

0:40:33.200 --> 0:40:38.640
<v Speaker 2>other and I had made a little self produced CD

0:40:38.840 --> 0:40:44.760
<v Speaker 2>that I was selling at shows, and I was working

0:40:45.239 --> 0:40:53.319
<v Speaker 2>at a stained glass factory in Lynchburg, Virginia, and there

0:40:53.360 --> 0:40:55.319
<v Speaker 2>was a guy here in Nashville. He's an artist and

0:40:55.360 --> 0:40:58.919
<v Speaker 2>Songwriter's name's Phil Vassar, and he was he was doing

0:40:59.200 --> 0:41:00.960
<v Speaker 2>well at that point, that was kind of the height

0:41:01.000 --> 0:41:04.640
<v Speaker 2>of his career. And he's from Lynchburg, Virginia. And his

0:41:05.360 --> 0:41:08.640
<v Speaker 2>sister used to work for that stained glass company. And

0:41:08.760 --> 0:41:12.000
<v Speaker 2>she came into work one day and I gave her

0:41:12.040 --> 0:41:15.520
<v Speaker 2>a CD and said, you know, if you want to

0:41:15.719 --> 0:41:17.600
<v Speaker 2>throw it away, throw it away. If you like it

0:41:17.640 --> 0:41:22.520
<v Speaker 2>and want to pass it on, please do. And so

0:41:24.239 --> 0:41:26.000
<v Speaker 2>a couple of weeks later, I get an email from

0:41:26.040 --> 0:41:27.920
<v Speaker 2>her and said, hey, this is really good. I want

0:41:27.960 --> 0:41:29.359
<v Speaker 2>to come by and get a couple more. I'm going

0:41:29.400 --> 0:41:33.160
<v Speaker 2>to Nashville in a month and I want to I

0:41:33.280 --> 0:41:35.600
<v Speaker 2>want to take some down there and get some people

0:41:35.640 --> 0:41:40.200
<v Speaker 2>to listen. And so she did, and then she emailed

0:41:40.239 --> 0:41:41.960
<v Speaker 2>me again and said, have you ever been to Nashville.

0:41:45.080 --> 0:41:47.480
<v Speaker 2>So she said, we'll come down and check it out.

0:41:49.080 --> 0:41:53.040
<v Speaker 2>So my boss lent me his car to drive to Nashville.

0:41:54.200 --> 0:41:56.359
<v Speaker 2>We drove down and just to be clear, you don't

0:41:56.400 --> 0:42:01.319
<v Speaker 2>have a car, I did, but yeah, it probably wasn't

0:42:01.360 --> 0:42:05.640
<v Speaker 2>good enough to make it to Nashville. So he said,

0:42:05.680 --> 0:42:08.360
<v Speaker 2>you know, take my car, go down there. They were

0:42:08.440 --> 0:42:09.520
<v Speaker 2>very supportive, obviously.

0:42:10.239 --> 0:42:12.800
<v Speaker 1>How far is it from Lynchburg to Nashville.

0:42:13.400 --> 0:42:18.320
<v Speaker 2>It's it's about seven and a half eight hours. And

0:42:20.200 --> 0:42:23.440
<v Speaker 2>I drove down and took me to the Bluebird, and

0:42:23.840 --> 0:42:29.120
<v Speaker 2>you know, I saw all these great writers and we

0:42:29.280 --> 0:42:33.080
<v Speaker 2>drove past this big house this on this road, Hillsboro Road.

0:42:33.080 --> 0:42:35.920
<v Speaker 2>There's all these beautiful houses on the way to the Bluebird,

0:42:36.000 --> 0:42:38.840
<v Speaker 2>and I was just like, wow, these houses are amazing.

0:42:39.040 --> 0:42:42.040
<v Speaker 2>And after the Bluebird, she said, well, we're going to

0:42:42.120 --> 0:42:44.960
<v Speaker 2>one of those houses. And she took me to Phil's

0:42:45.000 --> 0:42:50.640
<v Speaker 2>house and I sat down with him and he said, look, man,

0:42:52.200 --> 0:42:55.560
<v Speaker 2>you're obviously not an amateur at this. I listened to

0:42:55.600 --> 0:42:59.520
<v Speaker 2>your music. You're you have something, but you kind of

0:42:59.560 --> 0:43:01.680
<v Speaker 2>got to be here if you want to do it.

0:43:02.360 --> 0:43:06.279
<v Speaker 2>And a decision was made. I was like, okay, I'll

0:43:06.320 --> 0:43:10.080
<v Speaker 2>be here next month, and so I moved. That was

0:43:10.120 --> 0:43:12.600
<v Speaker 2>in August and I moved in October.

0:43:13.719 --> 0:43:17.279
<v Speaker 1>Okay, we're in this story. Does your writing and your

0:43:17.320 --> 0:43:19.719
<v Speaker 1>performance become more country than rock?

0:43:21.880 --> 0:43:27.000
<v Speaker 2>There was a there was a moment in my probably

0:43:27.080 --> 0:43:33.480
<v Speaker 2>my senior year of college, I was working. I was

0:43:33.600 --> 0:43:38.800
<v Speaker 2>working at a recycling plant and I was literally sorting

0:43:38.920 --> 0:43:46.120
<v Speaker 2>trash and the country radio was on and it had

0:43:46.160 --> 0:43:47.960
<v Speaker 2>been on in my I knew it all. It had

0:43:48.000 --> 0:43:51.439
<v Speaker 2>been on in my house growing up. My parents listened

0:43:51.480 --> 0:43:55.400
<v Speaker 2>to it. It was never my favorite, except for the

0:43:55.520 --> 0:43:57.400
<v Speaker 2>like kind of old school stuff I really loved, and

0:43:57.480 --> 0:44:00.200
<v Speaker 2>I never really paid much attention to how much which

0:44:00.239 --> 0:44:03.279
<v Speaker 2>I actually did know of what was happening on the radio.

0:44:03.920 --> 0:44:06.440
<v Speaker 2>But then there was a song that came on, I

0:44:06.520 --> 0:44:09.800
<v Speaker 2>think it was an Alan Jackson song that came on

0:44:10.600 --> 0:44:12.920
<v Speaker 2>while I was at work, and I just had this

0:44:13.080 --> 0:44:17.400
<v Speaker 2>thought of like, wow, I can do this. This was

0:44:17.880 --> 0:44:20.400
<v Speaker 2>they are singing about my life. I grew up in

0:44:20.440 --> 0:44:22.719
<v Speaker 2>this little town, and this is all about my life.

0:44:24.440 --> 0:44:27.880
<v Speaker 2>I can write that stuff. That's who I am. So

0:44:28.440 --> 0:44:31.680
<v Speaker 2>then I started to listen to it a lot more

0:44:31.880 --> 0:44:36.560
<v Speaker 2>and focus on stories about my life and growing up

0:44:36.600 --> 0:44:40.520
<v Speaker 2>where I did, and try to start changing it a

0:44:40.560 --> 0:44:41.720
<v Speaker 2>little bit. Shorts country.

0:44:43.120 --> 0:44:48.920
<v Speaker 1>Okay, you decide to move to Nashville. Where do you

0:44:49.000 --> 0:44:51.400
<v Speaker 1>get a place? What are you doing for money? You

0:44:51.480 --> 0:44:54.200
<v Speaker 1>know you land, You don't really know anybody.

0:44:55.400 --> 0:44:59.200
<v Speaker 2>Yeah, I just we got so at that point, I

0:44:59.360 --> 0:44:59.800
<v Speaker 2>was married.

0:44:59.840 --> 0:45:02.640
<v Speaker 1>And but just to peak, we wait to hold on

0:45:02.719 --> 0:45:06.000
<v Speaker 1>a second. Did you marry the girl who was your

0:45:06.080 --> 0:45:07.280
<v Speaker 1>girlfriend in college?

0:45:08.120 --> 0:45:08.279
<v Speaker 2>Yes?

0:45:09.400 --> 0:45:12.560
<v Speaker 1>Yes, are you still married to that woman?

0:45:13.840 --> 0:45:16.759
<v Speaker 2>We are still married. It has had not you know,

0:45:16.880 --> 0:45:19.080
<v Speaker 2>it's ups and downs, but we are still married.

0:45:19.160 --> 0:45:21.359
<v Speaker 1>Yes. Let me ask you this, since we're this far,

0:45:21.880 --> 0:45:23.160
<v Speaker 1>do you live in the same house.

0:45:25.000 --> 0:45:26.600
<v Speaker 2>No, we do not live in the same house right now.

0:45:27.520 --> 0:45:29.760
<v Speaker 1>Is this one of the downs of ups and downs?

0:45:29.840 --> 0:45:30.640
<v Speaker 1>Or is this the end?

0:45:32.440 --> 0:45:34.120
<v Speaker 2>It's one of the it's one of the downs.

0:45:34.640 --> 0:45:36.040
<v Speaker 1>And you say you have children too.

0:45:36.920 --> 0:45:38.080
<v Speaker 2>We do have two daughters.

0:45:38.680 --> 0:45:39.120
<v Speaker 1>They are.

0:45:41.040 --> 0:45:44.480
<v Speaker 2>The best thing on the planet. And we are very good.

0:45:45.520 --> 0:45:46.520
<v Speaker 2>We're very good with them.

0:45:47.200 --> 0:45:48.960
<v Speaker 1>And how old are they and what are they up to?

0:45:50.040 --> 0:45:53.000
<v Speaker 2>My oldest is eighteen, and she goes to the University

0:45:53.000 --> 0:45:57.120
<v Speaker 2>of Kentucky. And my youngest is turning sixteen in just

0:45:57.239 --> 0:46:01.360
<v Speaker 2>a few days here, so she goes. She's a sophomore

0:46:01.360 --> 0:46:01.960
<v Speaker 2>in high school.

0:46:03.040 --> 0:46:06.520
<v Speaker 1>Okay, you got this girl you meet, you're in arts school.

0:46:07.560 --> 0:46:09.880
<v Speaker 1>You know, we're in the picture. Did you get married?

0:46:10.320 --> 0:46:12.000
<v Speaker 1>We're in the continue and we're in the right.

0:46:12.200 --> 0:46:16.200
<v Speaker 2>Right after graduation, very young, right after graduation, we got married.

0:46:16.560 --> 0:46:18.840
<v Speaker 1>Did you want to get married or how did that

0:46:19.000 --> 0:46:19.720
<v Speaker 1>end up happening?

0:46:19.880 --> 0:46:22.480
<v Speaker 2>Yeah? I think so. Yeah, you know, I think we

0:46:22.560 --> 0:46:24.800
<v Speaker 2>were both young, and we both grew up in this

0:46:25.200 --> 0:46:30.400
<v Speaker 2>very small community where that's just what you did, and

0:46:30.520 --> 0:46:34.759
<v Speaker 2>I think we we bought into that, you know, and

0:46:34.840 --> 0:46:36.840
<v Speaker 2>we're very happy to get married.

0:46:37.239 --> 0:46:43.040
<v Speaker 1>Okay, so you're an itinerant musician working dog shit jobs.

0:46:43.120 --> 0:46:44.120
<v Speaker 1>What is she doing.

0:46:45.600 --> 0:46:46.840
<v Speaker 2>Once we moved to Nashville?

0:46:46.960 --> 0:46:49.200
<v Speaker 1>She no, No, before you moved to Nashville.

0:46:49.400 --> 0:46:52.280
<v Speaker 2>Oh yeah, we're both working dogshit jobs. She was studying.

0:46:52.400 --> 0:46:56.520
<v Speaker 2>She wanted to be a she wanted to be a veterinarian,

0:46:57.200 --> 0:47:01.879
<v Speaker 2>and so she was working towards that, but wasn't having

0:47:02.000 --> 0:47:07.600
<v Speaker 2>much luck getting into that. School is very competitive. So

0:47:08.120 --> 0:47:12.360
<v Speaker 2>that's one reason we wound up in Blacksburg was she

0:47:12.560 --> 0:47:15.440
<v Speaker 2>was working at Virginia Tech, which is a big that school.

0:47:17.120 --> 0:47:22.520
<v Speaker 2>Once that started to become clear that that wasn't going

0:47:22.600 --> 0:47:30.319
<v Speaker 2>to happen, that's when I started going, well, Okay, that's

0:47:30.360 --> 0:47:33.240
<v Speaker 2>not going to happen. Then maybe we moved to Nashville.

0:47:34.760 --> 0:47:36.280
<v Speaker 1>Did she believe in your dream?

0:47:38.760 --> 0:47:45.200
<v Speaker 2>She did, although she had no concept of it. I

0:47:45.280 --> 0:47:52.080
<v Speaker 2>don't think she's not a she's not an artist, and

0:47:53.719 --> 0:47:58.560
<v Speaker 2>she knew how much I wanted it, and obviously she

0:47:58.760 --> 0:48:04.560
<v Speaker 2>was a fan of what I did. There was no

0:48:04.719 --> 0:48:07.879
<v Speaker 2>way she could have known what we were getting into.

0:48:08.040 --> 0:48:10.719
<v Speaker 2>I didn't even know what we were getting into. She

0:48:10.880 --> 0:48:15.680
<v Speaker 2>blindly trusted me and followed me to Nashville.

0:48:23.920 --> 0:48:28.239
<v Speaker 1>Okay, sometimes the significant other is your biggest cheerleader, say

0:48:28.280 --> 0:48:30.360
<v Speaker 1>you can make it, you can do it, let's do it.

0:48:31.120 --> 0:48:36.360
<v Speaker 1>Other times they're completely the opposite. They're reluctant. No, I

0:48:36.560 --> 0:48:39.279
<v Speaker 1>married you, this is not what I'm in for. Where

0:48:39.480 --> 0:48:39.680
<v Speaker 1>was she?

0:48:43.880 --> 0:48:48.840
<v Speaker 2>It just it changed. I think she was certainly my

0:48:48.960 --> 0:48:54.400
<v Speaker 2>biggest fan for a long time. Once no one is prepared,

0:48:55.960 --> 0:49:01.799
<v Speaker 2>no one is prepared for what this career can once

0:49:01.880 --> 0:49:04.840
<v Speaker 2>it blows up, it is what. It became very difficult.

0:49:05.800 --> 0:49:10.960
<v Speaker 2>She never lost her belief in me, but it is

0:49:11.120 --> 0:49:14.800
<v Speaker 2>super tough to be to be there with me for

0:49:14.920 --> 0:49:20.359
<v Speaker 2>so long and then and then I'm just gone, you know, uh,

0:49:21.360 --> 0:49:24.680
<v Speaker 2>And and she's you know, we're we're I'm gone. And

0:49:24.920 --> 0:49:28.799
<v Speaker 2>not only am I gone, we're broke. You know, we're

0:49:28.840 --> 0:49:31.160
<v Speaker 2>not making any money, but I'm going out on the road.

0:49:31.440 --> 0:49:36.400
<v Speaker 2>And it became very tough. So it it's that's probably

0:49:36.480 --> 0:49:38.160
<v Speaker 2>when it got super money, you.

0:49:38.239 --> 0:49:43.960
<v Speaker 1>Know, So when you have your success, does that improve

0:49:44.080 --> 0:49:45.840
<v Speaker 1>the relationship or make it worse?

0:49:48.160 --> 0:49:53.759
<v Speaker 2>Initially made it worse. Uh, it's definitely. Like I said,

0:49:53.800 --> 0:49:56.719
<v Speaker 2>it's I'm still in therapy trying to figure it all out.

0:49:59.560 --> 0:50:04.640
<v Speaker 2>So it definitely it just becomes you know, I'm pulled

0:50:04.680 --> 0:50:08.320
<v Speaker 2>in a million different directions, and you know, I'm definitely

0:50:10.320 --> 0:50:16.400
<v Speaker 2>wasn't good at I wasn't good at sharing it, and

0:50:17.040 --> 0:50:23.280
<v Speaker 2>I don't think she wasn't very good at at watching

0:50:23.360 --> 0:50:27.880
<v Speaker 2>it happen, because, as I said, she didn't quite understand it.

0:50:28.840 --> 0:50:32.520
<v Speaker 2>So when you're not making any money and you're still

0:50:32.640 --> 0:50:37.960
<v Speaker 2>chasing after something and you got little babies, it becomes

0:50:38.280 --> 0:50:42.200
<v Speaker 2>super difficult. And you know, it looks like a it

0:50:42.280 --> 0:50:45.640
<v Speaker 2>looks like a party, you know, all the time. So

0:50:46.120 --> 0:50:48.680
<v Speaker 2>I think it just it became difficult for us both

0:50:48.719 --> 0:50:53.320
<v Speaker 2>to to understand what was happening.

0:50:54.440 --> 0:50:58.399
<v Speaker 1>So once the money does come in, does that help

0:50:58.480 --> 0:51:02.600
<v Speaker 1>the situation? Not really.

0:51:02.719 --> 0:51:12.280
<v Speaker 2>Neither neither one of us are are wherever really drawn

0:51:13.239 --> 0:51:17.640
<v Speaker 2>to money, you know, where we're not money oriented or

0:51:18.120 --> 0:51:24.239
<v Speaker 2>motivated people. So you know, certainly it certainly helped in

0:51:24.280 --> 0:51:28.000
<v Speaker 2>ways that we could pay the bills, you know, but

0:51:28.320 --> 0:51:30.000
<v Speaker 2>you know, I think at that point.

0:51:31.280 --> 0:51:31.560
<v Speaker 1>We had.

0:51:31.719 --> 0:51:36.600
<v Speaker 2>We had neglected each other for for enough time that

0:51:36.920 --> 0:51:39.719
<v Speaker 2>the money was not gonna help that.

0:51:40.280 --> 0:51:43.520
<v Speaker 1>Just to get the timeline right, you're presently not living

0:51:43.600 --> 0:51:46.080
<v Speaker 1>under the same roof. When was the last time you

0:51:46.200 --> 0:51:47.279
<v Speaker 1>lived under the same roof.

0:51:49.000 --> 0:51:52.480
<v Speaker 2>It's been three years.

0:51:53.080 --> 0:51:59.560
<v Speaker 1>Okay, you know you're a guy, you're from back roads, backwoods.

0:51:59.640 --> 0:52:03.120
<v Speaker 1>For idea, how do you decide to go to therapy?

0:52:05.360 --> 0:52:15.000
<v Speaker 2>I needed therapy. Uh this this industry, Like I said,

0:52:15.000 --> 0:52:18.560
<v Speaker 2>I was not prepared. I naively thought as as I

0:52:18.680 --> 0:52:22.120
<v Speaker 2>was chasing this dream, I naively thought I was going

0:52:22.239 --> 0:52:26.520
<v Speaker 2>to create music that resonated with the world or with

0:52:27.400 --> 0:52:31.279
<v Speaker 2>a certain group of people. That was my goal. I

0:52:31.520 --> 0:52:40.080
<v Speaker 2>did not think about people caring about me and a

0:52:40.280 --> 0:52:45.479
<v Speaker 2>celebrity aspect of it. That was that never entered my brain.

0:52:46.719 --> 0:52:50.760
<v Speaker 2>For whatever reason, you know, I and I moved here. Honestly,

0:52:50.800 --> 0:52:52.200
<v Speaker 2>part of it is because I moved here to be

0:52:52.239 --> 0:52:54.120
<v Speaker 2>a songwriter. I didn't move here. I moved here with

0:52:54.200 --> 0:52:59.680
<v Speaker 2>Daryl Scott's advice. I want to learn and I wanted

0:52:59.680 --> 0:53:01.239
<v Speaker 2>to be a songwriter. I wasn't trying to be in

0:53:01.320 --> 0:53:08.320
<v Speaker 2>a band that was successful. And once it all started

0:53:08.400 --> 0:53:12.080
<v Speaker 2>happening and I started seeing you know, people asking me

0:53:12.200 --> 0:53:14.960
<v Speaker 2>for my picture and things like that. That really started

0:53:14.960 --> 0:53:18.879
<v Speaker 2>to mess with my head. I really started to get

0:53:18.960 --> 0:53:23.120
<v Speaker 2>confused with what was I doing this for and what

0:53:23.239 --> 0:53:26.800
<v Speaker 2>are my motivations here? And I am just this small

0:53:26.840 --> 0:53:29.719
<v Speaker 2>town guy, but people are treating me like a like

0:53:29.880 --> 0:53:34.400
<v Speaker 2>something else, and I just got lost in that and

0:53:34.920 --> 0:53:38.440
<v Speaker 2>trying to figure out who I thought I was as

0:53:38.480 --> 0:53:41.319
<v Speaker 2>a man and who I want to be as a man,

0:53:41.400 --> 0:53:43.400
<v Speaker 2>and who I thought other people thought I should be

0:53:43.480 --> 0:53:48.279
<v Speaker 2>as a man. And finally got to a point where

0:53:48.400 --> 0:53:50.240
<v Speaker 2>I was just like, I got to talk to somebody

0:53:50.480 --> 0:53:52.920
<v Speaker 2>about this because I don't know how to process all this.

0:53:55.080 --> 0:53:58.920
<v Speaker 2>So therapy is still a big part of my big

0:53:59.000 --> 0:53:59.680
<v Speaker 2>part of my life.

0:54:00.880 --> 0:54:03.720
<v Speaker 1>So how often do you go? Do you do remote

0:54:03.840 --> 0:54:04.600
<v Speaker 1>visits when you're on.

0:54:04.640 --> 0:54:08.840
<v Speaker 2>The road, Yes, it's a it's a weekly thing, and

0:54:09.960 --> 0:54:13.920
<v Speaker 2>I do. I do zoom calls and UH and and

0:54:14.239 --> 0:54:17.680
<v Speaker 2>in person calls as well. It's really helpful, it's it's

0:54:17.760 --> 0:54:22.200
<v Speaker 2>really has helped me. One therapist that changed it all

0:54:22.280 --> 0:54:26.279
<v Speaker 2>for me explain to me that I was in the

0:54:26.320 --> 0:54:32.359
<v Speaker 2>service industry and for for whatever reason, I had never

0:54:32.480 --> 0:54:36.680
<v Speaker 2>thought about it like that, and she helped me see

0:54:36.840 --> 0:54:40.719
<v Speaker 2>that by doing what I'm doing it's it's not for me,

0:54:41.080 --> 0:54:44.920
<v Speaker 2>it's for it's for others. And that was like a

0:54:45.040 --> 0:54:48.520
<v Speaker 2>light switch moment for me. That made that made all

0:54:48.600 --> 0:54:52.239
<v Speaker 2>of the pictures and and autographs and things like that

0:54:53.360 --> 0:54:58.080
<v Speaker 2>seem so simple that I could make someone's day just

0:54:58.200 --> 0:55:01.000
<v Speaker 2>by doing that, and that takes nothing from me. So

0:55:02.480 --> 0:55:05.719
<v Speaker 2>it helped me kind of wrap my head around what

0:55:05.880 --> 0:55:10.800
<v Speaker 2>we do and it's not about it's not about me,

0:55:11.160 --> 0:55:14.000
<v Speaker 2>it's about the music. And it helped it helped me

0:55:14.120 --> 0:55:17.839
<v Speaker 2>figure out that's a part of it. Obviously, people care

0:55:17.880 --> 0:55:22.200
<v Speaker 2>what I wear, you know, which is silly, but that's

0:55:22.280 --> 0:55:22.800
<v Speaker 2>just part of it.

0:55:23.920 --> 0:55:29.359
<v Speaker 1>Okay, we're guys, you're on the road, you're recognizable, guy

0:55:30.080 --> 0:55:35.320
<v Speaker 1>in a band with hit records. I'll just bottom line it.

0:55:35.440 --> 0:55:41.080
<v Speaker 1>There are groupies. To what degree do you say? You

0:55:41.200 --> 0:55:44.520
<v Speaker 1>know I'm here this? You know, how'd you deal with that?

0:55:45.600 --> 0:55:48.759
<v Speaker 2>Yeah? We're all, you know, Luckily we're all. It all

0:55:48.880 --> 0:55:54.080
<v Speaker 2>happened in a certain time in our lives where we're

0:55:54.200 --> 0:55:55.799
<v Speaker 2>you know, we didn't break till we were in our

0:55:55.880 --> 0:56:00.879
<v Speaker 2>mid thirties. We all got kids, you know, which we're

0:56:00.880 --> 0:56:03.360
<v Speaker 2>trying to be the best dads we can and so

0:56:03.520 --> 0:56:05.800
<v Speaker 2>that that was not a huge part of our story.

0:56:05.960 --> 0:56:08.160
<v Speaker 2>You know, as much as people want to be rock

0:56:08.200 --> 0:56:10.560
<v Speaker 2>and roll, sex, drugs and rock and roll, we always

0:56:10.600 --> 0:56:13.839
<v Speaker 2>call ourselves the most boring band ever because we play

0:56:13.920 --> 0:56:14.880
<v Speaker 2>show and go a bit.

0:56:15.040 --> 0:56:18.920
<v Speaker 1>Did that contribute whether things happened or didn't happen to

0:56:19.040 --> 0:56:20.120
<v Speaker 1>tension in your marriage.

0:56:21.480 --> 0:56:28.080
<v Speaker 2>Yeah, it's certainly. It's certainly something that that can play

0:56:28.160 --> 0:56:33.439
<v Speaker 2>into anyone's insecurities for sure. So it definitely, like I said,

0:56:33.480 --> 0:56:36.360
<v Speaker 2>it looks like a party. It looks like there's groupies,

0:56:36.560 --> 0:56:43.239
<v Speaker 2>you know. There there's certain certainly an idea of that's

0:56:43.280 --> 0:56:45.920
<v Speaker 2>portrayed in movies and stuff like that. You know that

0:56:46.920 --> 0:56:49.320
<v Speaker 2>the kids in people's heads, and you know, there's certainly

0:56:49.440 --> 0:56:54.480
<v Speaker 2>that aspect of this business that exists. But we did

0:56:54.520 --> 0:56:55.960
<v Speaker 2>a pretty good job of managing.

0:56:57.239 --> 0:57:00.400
<v Speaker 1>Okay, see land in Nashville. What are your first steps?

0:57:00.440 --> 0:57:01.840
<v Speaker 1>What do you do for money and what do you

0:57:01.920 --> 0:57:03.080
<v Speaker 1>do on your for your career?

0:57:04.520 --> 0:57:11.600
<v Speaker 2>First thing I did was I, uh, for money, I got.

0:57:11.680 --> 0:57:13.840
<v Speaker 2>My first job was two minute a truck. I was

0:57:13.920 --> 0:57:19.880
<v Speaker 2>working for a moving company. I worked probably seven different

0:57:20.000 --> 0:57:21.720
<v Speaker 2>jobs in the first year and a half that I

0:57:22.280 --> 0:57:26.200
<v Speaker 2>moved here. And then I would just go I would

0:57:26.240 --> 0:57:30.400
<v Speaker 2>cold call people and ask him if I could come

0:57:30.480 --> 0:57:35.200
<v Speaker 2>in and play him some music, and I would play

0:57:35.280 --> 0:57:38.080
<v Speaker 2>my music for Phil a lot, who would just tell

0:57:38.120 --> 0:57:40.760
<v Speaker 2>me to keep going, You're doing the right thing. He

0:57:40.840 --> 0:57:42.840
<v Speaker 2>would take me out on the road with him sometimes

0:57:43.720 --> 0:57:45.800
<v Speaker 2>to do what he's like, if this is what you

0:57:45.880 --> 0:57:47.440
<v Speaker 2>want to do with your life, then you need to

0:57:47.480 --> 0:57:51.440
<v Speaker 2>see what it's like. So I'd go out on the

0:57:51.520 --> 0:57:58.920
<v Speaker 2>road and just hang out and write, and eventually, whenever

0:57:59.000 --> 0:58:00.840
<v Speaker 2>I went, they would strip a tarm me. I'd play

0:58:00.880 --> 0:58:04.720
<v Speaker 2>the show with him. So I would go out for

0:58:04.880 --> 0:58:06.200
<v Speaker 2>you know, a week at a time or so, and

0:58:08.120 --> 0:58:12.800
<v Speaker 2>then come home and and just try to meet other

0:58:12.880 --> 0:58:16.640
<v Speaker 2>writers and dip my toe into the co writing world

0:58:16.720 --> 0:58:18.760
<v Speaker 2>and try to learn how to write with other people

0:58:18.920 --> 0:58:24.640
<v Speaker 2>and play songwriter nights whenever I could. And it was,

0:58:24.800 --> 0:58:29.080
<v Speaker 2>you know, it's a grind. It's definitely not a quick process.

0:58:29.120 --> 0:58:31.440
<v Speaker 2>You learned that pretty quickly that you're you're in it

0:58:31.560 --> 0:58:32.200
<v Speaker 2>for the long all.

0:58:33.080 --> 0:58:38.040
<v Speaker 1>Okay, are you a good networker? No?

0:58:38.960 --> 0:58:41.680
<v Speaker 2>I'm better now. I was a terrible networker for a while,

0:58:45.520 --> 0:58:50.560
<v Speaker 2>but I had some help. There was a guy named

0:58:50.600 --> 0:58:54.480
<v Speaker 2>mike'sis dad who works at ASCAP still is at ASCAP,

0:58:56.880 --> 0:59:00.240
<v Speaker 2>and he would make calls for me and say up

0:59:00.520 --> 0:59:04.440
<v Speaker 2>meetings with publishers and I go play them my music.

0:59:04.600 --> 0:59:08.400
<v Speaker 2>I'm and it was it was tough to figure out

0:59:08.440 --> 0:59:11.120
<v Speaker 2>how to break into that networking scene because again I'm

0:59:11.360 --> 0:59:14.040
<v Speaker 2>I'm not a partier, so I didn't want to go

0:59:15.720 --> 0:59:18.560
<v Speaker 2>out at night and you know, get hammered with a

0:59:18.600 --> 0:59:20.760
<v Speaker 2>bunch of people. Not to say I didn't a couple

0:59:20.800 --> 0:59:23.960
<v Speaker 2>of times, you know, to try and make us connections,

0:59:24.040 --> 0:59:26.080
<v Speaker 2>but not the best of networking.

0:59:26.960 --> 0:59:30.400
<v Speaker 1>Okay, you're doing all these things, You're playing new music

0:59:30.560 --> 0:59:34.240
<v Speaker 1>other than Phil you know, this is a jaded world.

0:59:34.760 --> 0:59:36.680
<v Speaker 1>Are you getting any positive feedback?

0:59:38.120 --> 0:59:40.880
<v Speaker 2>Yes, so I got a good bit of positive feedback.

0:59:40.960 --> 0:59:45.840
<v Speaker 2>But also, you know, these publishers that you're playing for

0:59:46.080 --> 0:59:48.720
<v Speaker 2>a lot of times they'll they'll tell you straight up

0:59:48.840 --> 0:59:52.200
<v Speaker 2>you know it's not good, which never bothered me. I

0:59:52.280 --> 0:59:56.840
<v Speaker 2>always credit my my art school background for that, because

0:59:57.280 --> 0:59:59.880
<v Speaker 2>when you work for a couple of weeks on a

1:00:01.200 --> 1:00:05.280
<v Speaker 2>on a piece of art, and then at the end

1:00:05.360 --> 1:00:09.240
<v Speaker 2>of the project, you go into class and everyone puts

1:00:09.280 --> 1:00:12.480
<v Speaker 2>their paintings up on the wall and you go down

1:00:12.560 --> 1:00:16.360
<v Speaker 2>the line and critique them. You learn pretty quickly to

1:00:16.480 --> 1:00:20.600
<v Speaker 2>have thick skin and take criticism for what it is.

1:00:20.800 --> 1:00:25.200
<v Speaker 2>You know, some of it's useful and some of it

1:00:25.280 --> 1:00:27.760
<v Speaker 2>you just don't agree with. So I kind of learned.

1:00:29.360 --> 1:00:32.040
<v Speaker 2>I learned how to navigate that kind of feeling. So

1:00:32.160 --> 1:00:35.040
<v Speaker 2>I was going into these publishing offices and I'd play

1:00:35.040 --> 1:00:37.280
<v Speaker 2>a song. Sometimes they would stop it halfway through and

1:00:37.360 --> 1:00:41.440
<v Speaker 2>go what else you got? You just go okay, and

1:00:41.560 --> 1:00:44.880
<v Speaker 2>you just keep on, just keep on writing, and you know,

1:00:46.240 --> 1:00:49.240
<v Speaker 2>then eventually you get one. They go, oh, you hit

1:00:49.320 --> 1:00:54.520
<v Speaker 2>something there. There's something that one. There's something special about

1:00:54.560 --> 1:00:57.360
<v Speaker 2>that one. So figure out what you did there and

1:00:57.520 --> 1:01:00.120
<v Speaker 2>do more of that, and then you go back and

1:01:00.640 --> 1:01:00.960
<v Speaker 2>dig in.

1:01:02.200 --> 1:01:04.000
<v Speaker 1>And at what point do you start going to co

1:01:04.160 --> 1:01:05.080
<v Speaker 1>writing sessions.

1:01:07.640 --> 1:01:10.120
<v Speaker 2>It took me, it probably it took me a couple

1:01:10.200 --> 1:01:17.560
<v Speaker 2>of years to do that. I ended up meeting you

1:01:17.640 --> 1:01:19.920
<v Speaker 2>know this. There was a couple of publishers that I

1:01:21.080 --> 1:01:27.520
<v Speaker 2>was visiting regularly and they kept on mentioning this guy,

1:01:29.320 --> 1:01:35.200
<v Speaker 2>Trevor Rosen that I should meet. And this is this

1:01:35.400 --> 1:01:39.280
<v Speaker 2>is not two years after living in Nashville. And they said, man,

1:01:39.480 --> 1:01:43.520
<v Speaker 2>you guys I think should get together, and I think

1:01:43.560 --> 1:01:46.760
<v Speaker 2>you guys could create something pretty well together. And so

1:01:46.840 --> 1:01:49.920
<v Speaker 2>I heard his name a lot, and then one night

1:01:50.760 --> 1:01:53.440
<v Speaker 2>I was playing a songwriter around at this little bar

1:01:53.600 --> 1:01:58.720
<v Speaker 2>called Hobo Joe's and it's not it's not there anymore,

1:02:01.680 --> 1:02:04.960
<v Speaker 2>and they had I was paired on stage with Trevor

1:02:06.280 --> 1:02:07.560
<v Speaker 2>and I was like, Oh, this is the guy I've

1:02:07.560 --> 1:02:09.480
<v Speaker 2>been hearing about. And he said, man, I've been hearing

1:02:09.520 --> 1:02:11.920
<v Speaker 2>your name everywhere, like these guys have been telling me

1:02:12.000 --> 1:02:16.760
<v Speaker 2>that I need to hook up with you. So right there, immediately,

1:02:16.840 --> 1:02:19.280
<v Speaker 2>he and I were big fans of each other's music

1:02:19.840 --> 1:02:22.480
<v Speaker 2>and decided, you know, we need to start hanging out

1:02:22.520 --> 1:02:27.120
<v Speaker 2>and try to write songs together. So he was not

1:02:27.280 --> 1:02:32.520
<v Speaker 2>my first co write, but the first long lasting co writer.

1:02:34.960 --> 1:02:39.480
<v Speaker 1>Okay, you're writing he's ultimately in the band. Are you

1:02:39.600 --> 1:02:42.960
<v Speaker 1>writing with anybody else? Yeah?

1:02:43.040 --> 1:02:46.600
<v Speaker 2>We ended up throughout the course of a couple of years,

1:02:46.680 --> 1:02:52.240
<v Speaker 2>we ended up in this circle of writers. Josh Osborne,

1:02:52.760 --> 1:03:00.440
<v Speaker 2>Shane McAnally, Brandy Clark, Matt Jenkins, Trevor and myself wound

1:03:00.520 --> 1:03:04.480
<v Speaker 2>up kind of in this little clique where we were

1:03:04.520 --> 1:03:09.600
<v Speaker 2>writing stuff that we loved and no one else really

1:03:09.840 --> 1:03:13.960
<v Speaker 2>got it, but we knew that we were excited about it.

1:03:14.240 --> 1:03:18.080
<v Speaker 2>So that was that was our little club, and no

1:03:18.200 --> 1:03:22.800
<v Speaker 2>one really had any success yet. Uh, those guys were

1:03:22.840 --> 1:03:27.720
<v Speaker 2>going to become the biggest songwriters in Nashville. But that's

1:03:27.960 --> 1:03:31.640
<v Speaker 2>that's who we really found a home with as writers

1:03:31.680 --> 1:03:32.439
<v Speaker 2>in the early days.

1:03:35.880 --> 1:03:39.640
<v Speaker 1>Okay, Shane mcinally ends up becoming a big name. When

1:03:39.680 --> 1:03:41.120
<v Speaker 1>you meet him, what's his status?

1:03:43.760 --> 1:03:47.880
<v Speaker 2>He he had I think he was living in this

1:03:47.960 --> 1:03:53.280
<v Speaker 2>tiny little house and he had just gotten one song

1:03:53.480 --> 1:03:59.120
<v Speaker 2>recorded by lea An Willmack, And that's when I first

1:03:59.200 --> 1:04:01.720
<v Speaker 2>met him, and I was like, Oh, this guy's got

1:04:01.760 --> 1:04:02.400
<v Speaker 2>something going on.

1:04:02.560 --> 1:04:02.720
<v Speaker 1>You know.

1:04:02.960 --> 1:04:08.360
<v Speaker 2>That was a really big, big deal at that point

1:04:08.360 --> 1:04:11.040
<v Speaker 2>in time. So he had just started to scratch the

1:04:11.160 --> 1:04:13.880
<v Speaker 2>surface of having a little success.

1:04:14.760 --> 1:04:16.680
<v Speaker 1>And when do you get your first cover.

1:04:20.520 --> 1:04:27.200
<v Speaker 2>It wasn't until about thirteen years after being in Nashville.

1:04:28.800 --> 1:04:33.240
<v Speaker 2>I got a song Trevor and I Matt Jenkins wrote

1:04:33.280 --> 1:04:37.000
<v Speaker 2>that was recorded by an artist named Steve Holy and

1:04:37.400 --> 1:04:40.560
<v Speaker 2>he's a Texas guy and he had had a career

1:04:40.680 --> 1:04:42.960
<v Speaker 2>in the nineties and he had just had this big

1:04:43.080 --> 1:04:46.240
<v Speaker 2>hit that was kind of like a comeback for him,

1:04:47.760 --> 1:04:50.160
<v Speaker 2>and he cut a song of ours, and we thought, oh,

1:04:50.520 --> 1:04:52.120
<v Speaker 2>you know, Steve Hole, he's back. So he had this

1:04:52.200 --> 1:04:56.000
<v Speaker 2>big hit and ours is the next single. Of course,

1:04:56.040 --> 1:04:57.360
<v Speaker 2>it didn't do anything.

1:05:05.960 --> 1:05:10.600
<v Speaker 1>Okay, thirteen years go by, do you ever think of

1:05:10.720 --> 1:05:11.160
<v Speaker 1>giving up?

1:05:17.080 --> 1:05:22.360
<v Speaker 2>Certainly there were those moments where where you're definitely thinking

1:05:22.400 --> 1:05:26.080
<v Speaker 2>about why am I doing this? But then you quickly realize,

1:05:26.120 --> 1:05:28.160
<v Speaker 2>like I've been in it this long, what else am

1:05:28.200 --> 1:05:28.640
<v Speaker 2>I going to do?

1:05:28.960 --> 1:05:29.120
<v Speaker 1>You know?

1:05:30.600 --> 1:05:33.080
<v Speaker 2>And there's just enough of a carrot. There's always just

1:05:33.320 --> 1:05:37.720
<v Speaker 2>enough of something that's that's motivating you to keep going.

1:05:37.960 --> 1:05:42.480
<v Speaker 2>And it could be it could be some positive feedback,

1:05:42.640 --> 1:05:44.160
<v Speaker 2>or it could be just a song that you wrote

1:05:44.160 --> 1:05:48.360
<v Speaker 2>that you feel like you leveled up on. Or it

1:05:48.400 --> 1:05:51.800
<v Speaker 2>could be someone like Shane having he did it and

1:05:52.000 --> 1:05:54.680
<v Speaker 2>I'm right next to him. He's got he's got a song,

1:05:54.800 --> 1:05:58.360
<v Speaker 2>So it's possible. You can see those possibilities and it

1:05:58.480 --> 1:06:01.240
<v Speaker 2>just keeps you going. But it is tough. And those

1:06:01.280 --> 1:06:04.040
<v Speaker 2>times where you know they're turning your water off because

1:06:04.080 --> 1:06:07.520
<v Speaker 2>you can't pay the bills, that that you feel like

1:06:07.560 --> 1:06:08.440
<v Speaker 2>maybe you should give up.

1:06:10.080 --> 1:06:13.480
<v Speaker 1>Okay, you have that first cover which doesn't pan out.

1:06:14.240 --> 1:06:16.520
<v Speaker 1>How many more covers do you have till one does?

1:06:16.680 --> 1:06:17.360
<v Speaker 1>And what is that?

1:06:20.520 --> 1:06:26.200
<v Speaker 2>My next cut was a song called wake Up Loving You,

1:06:27.160 --> 1:06:30.480
<v Speaker 2>and Craig Morgan recorded it and that song, that song

1:06:30.520 --> 1:06:36.800
<v Speaker 2>in particular, there's a whole story about how that song

1:06:36.960 --> 1:06:45.320
<v Speaker 2>opened up a whole new world before before, before Craig

1:06:45.400 --> 1:06:51.280
<v Speaker 2>Morgan recorded it. At this point, we were writing a lot. Obviously,

1:06:51.520 --> 1:06:55.240
<v Speaker 2>I'm trying to trying to make it happen. You know,

1:06:55.440 --> 1:06:58.960
<v Speaker 2>I'm broke, can't pay my bills. We had mentioned that

1:06:59.080 --> 1:07:04.480
<v Speaker 2>I was not a good networker, and I was frustrated.

1:07:04.560 --> 1:07:08.080
<v Speaker 2>It was really frustrated that I wasn't able to get

1:07:08.160 --> 1:07:12.640
<v Speaker 2>myself in front of the right people at this point,

1:07:14.000 --> 1:07:20.120
<v Speaker 2>and we were, like I said, we were completely broke.

1:07:20.640 --> 1:07:23.520
<v Speaker 2>There there's a songwriter festival that's actually happening right now

1:07:24.040 --> 1:07:26.400
<v Speaker 2>in Key West called the Q West Songwriter Festival, And

1:07:26.920 --> 1:07:31.400
<v Speaker 2>back then it was kind of it was a huge deal,

1:07:31.560 --> 1:07:34.000
<v Speaker 2>and everybody in Nashville went down to Key West and

1:07:34.400 --> 1:07:38.520
<v Speaker 2>at this songwriter festival. And I thought, well, Okay, if

1:07:38.560 --> 1:07:42.480
<v Speaker 2>I can just get down to Key West and spend

1:07:43.040 --> 1:07:45.720
<v Speaker 2>three days down there at the songwriter festival, everyone in

1:07:45.840 --> 1:07:48.280
<v Speaker 2>Nashville that I need to talk to is down there.

1:07:49.800 --> 1:07:52.680
<v Speaker 2>I gotta find a way down there, but I can't

1:07:52.680 --> 1:07:56.400
<v Speaker 2>afford it. So I said, if I could find a

1:07:56.480 --> 1:07:59.680
<v Speaker 2>plane ticket down there, I'm going. So I have a

1:07:59.760 --> 1:08:05.600
<v Speaker 2>friend and whose brother is a pilot, and he gave

1:08:05.720 --> 1:08:09.240
<v Speaker 2>me a stand by ticket, so I flew stand by.

1:08:09.960 --> 1:08:11.440
<v Speaker 2>You know, I had to pay taxes. It costs like

1:08:11.520 --> 1:08:14.880
<v Speaker 2>twenty bucks. And I was waiting there. I didn't have

1:08:14.920 --> 1:08:18.880
<v Speaker 2>a place to stay. I put a sleeping bag in

1:08:18.960 --> 1:08:22.320
<v Speaker 2>my suitcase and I said, I'll just I'll sleep on

1:08:22.400 --> 1:08:27.880
<v Speaker 2>the street. I don't care. So I flew down to

1:08:28.000 --> 1:08:33.360
<v Speaker 2>Key West. I'm literally wheeling my suitcase down the street

1:08:34.320 --> 1:08:36.200
<v Speaker 2>and I see another person that I know, and he

1:08:36.360 --> 1:08:38.960
<v Speaker 2>said he's a songwriter. And he said, hey, I didn't

1:08:39.000 --> 1:08:41.360
<v Speaker 2>know you were coming. Where are you stay? And I said,

1:08:41.479 --> 1:08:44.280
<v Speaker 2>I don't know. I don't have a place to stay.

1:08:44.360 --> 1:08:46.120
<v Speaker 2>And he said, well, there's an extra bed in my

1:08:46.439 --> 1:08:49.720
<v Speaker 2>room if you want to crash there. I said, I

1:08:49.880 --> 1:08:53.519
<v Speaker 2>definitely do, so he gave me a place to stay.

1:08:54.400 --> 1:08:57.080
<v Speaker 2>So I went to Walgreens and I bought an eight

1:08:57.200 --> 1:09:01.720
<v Speaker 2>dollars box of granola bars, and that was what I

1:09:01.800 --> 1:09:06.880
<v Speaker 2>was going to eat for those three days. And then

1:09:07.479 --> 1:09:11.560
<v Speaker 2>my friend Mike's his dad from ASCAP was there and

1:09:11.680 --> 1:09:13.160
<v Speaker 2>he said, if you want to meet me for dinner

1:09:13.200 --> 1:09:15.680
<v Speaker 2>every night, I'll pay for your dinner. So he'd pay

1:09:15.720 --> 1:09:17.920
<v Speaker 2>for my dinner every night, and then I would just

1:09:18.000 --> 1:09:21.760
<v Speaker 2>go to all these shows and songwriter showcases and meet

1:09:21.800 --> 1:09:25.080
<v Speaker 2>people and talk to them. And ASCAP at the time

1:09:25.240 --> 1:09:28.880
<v Speaker 2>was hosting them an after hours sort of open mic

1:09:32.120 --> 1:09:34.599
<v Speaker 2>night that was at this little place called the Bottle

1:09:34.680 --> 1:09:37.920
<v Speaker 2>Cap and they had a house band and you would

1:09:38.040 --> 1:09:41.920
<v Speaker 2>show up at like midnight and I hope they called

1:09:41.960 --> 1:09:45.240
<v Speaker 2>you up to go play your song. And so the

1:09:45.280 --> 1:09:47.800
<v Speaker 2>first night I went and they would didn't call me up.

1:09:47.840 --> 1:09:50.600
<v Speaker 2>The second night, I go and they didn't call me up.

1:09:50.600 --> 1:09:53.160
<v Speaker 2>In the third night, it's probably about two thirty in

1:09:53.200 --> 1:09:58.360
<v Speaker 2>the morning, and they called me up and I, you know,

1:09:58.439 --> 1:10:01.280
<v Speaker 2>I've explained to the house band, here's the chords, just

1:10:01.600 --> 1:10:05.640
<v Speaker 2>you know, here's what we're going to do, and we

1:10:05.800 --> 1:10:09.920
<v Speaker 2>played this song wake Up Loving You, and it brings

1:10:10.000 --> 1:10:12.439
<v Speaker 2>the house down. I mean, it was just a huge reaction.

1:10:12.600 --> 1:10:17.160
<v Speaker 2>Everyone just flips out. The next morning, everyone is coming

1:10:17.240 --> 1:10:19.160
<v Speaker 2>up to me, going, what did you do last night?

1:10:19.200 --> 1:10:21.640
<v Speaker 2>Because the only thing that I hear about is what

1:10:21.960 --> 1:10:25.439
<v Speaker 2>you did whether you know your song, so you must

1:10:25.479 --> 1:10:30.920
<v Speaker 2>have really made an impact. And that song, that moment,

1:10:31.040 --> 1:10:34.320
<v Speaker 2>and that song got me a publishing deal after that,

1:10:34.520 --> 1:10:40.479
<v Speaker 2>so I can finally pay my deals. So the you know,

1:10:40.640 --> 1:10:44.000
<v Speaker 2>the the eight dollars granola bars and the free plane

1:10:44.040 --> 1:10:47.599
<v Speaker 2>ticket got me that publishing deal.

1:10:49.080 --> 1:10:53.479
<v Speaker 1>Okay, at this late date, do you own your songs

1:10:53.520 --> 1:10:55.120
<v Speaker 1>where you still love a publishing deal?

1:10:57.080 --> 1:10:59.439
<v Speaker 2>Right now? I have a publishing deal, but it's an

1:10:59.479 --> 1:11:03.479
<v Speaker 2>admin d so, so I just paid you know, a

1:11:03.600 --> 1:11:05.679
<v Speaker 2>percentage for admin.

1:11:05.920 --> 1:11:07.519
<v Speaker 1>Well, how about all your earlier stuff?

1:11:09.600 --> 1:11:11.600
<v Speaker 2>Yeah, there's a couple of catalogs I've I've done a

1:11:11.640 --> 1:11:18.040
<v Speaker 2>couple of catalog sales. Uh, you know, there's not much

1:11:18.080 --> 1:11:20.640
<v Speaker 2>going on. I got my money from it, and so

1:11:20.960 --> 1:11:23.400
<v Speaker 2>I've sold some catalogs. So some of them I don't own,

1:11:24.600 --> 1:11:26.160
<v Speaker 2>but now going.

1:11:26.040 --> 1:11:29.880
<v Speaker 1>Forward I do. So you sold catalog to covers or

1:11:30.040 --> 1:11:32.360
<v Speaker 1>catalogs of old Dominion.

1:11:31.960 --> 1:11:39.000
<v Speaker 2>Stuff, anything that these are. I've sold catalogs that are

1:11:39.080 --> 1:11:43.280
<v Speaker 2>just exploited work. So I still own parts of the

1:11:43.400 --> 1:11:46.040
<v Speaker 2>Old Dominion stuff. And of course you know, we have

1:11:46.160 --> 1:11:50.080
<v Speaker 2>ownership and masters and things like that too, So anything

1:11:50.360 --> 1:11:52.479
<v Speaker 2>that's a bit exploited. So some some of them are

1:11:52.560 --> 1:11:56.040
<v Speaker 2>Old Dominion songs and some of them are other artists.

1:11:56.800 --> 1:11:59.760
<v Speaker 1>Okay, so you go to key West, you get this,

1:12:00.400 --> 1:12:03.880
<v Speaker 1>does it start to roll? Do you start getting more covers?

1:12:05.200 --> 1:12:09.320
<v Speaker 2>Yeah? Once you once, once we finally got that that

1:12:09.479 --> 1:12:12.920
<v Speaker 2>publishing deal, and then Craig Morgan records that song. I

1:12:13.000 --> 1:12:18.880
<v Speaker 2>think it went to like number thirteen or something on

1:12:19.000 --> 1:12:20.960
<v Speaker 2>the charge was a big deal for me at that

1:12:21.080 --> 1:12:25.680
<v Speaker 2>point in time. And you know, I'm you know, at

1:12:25.720 --> 1:12:28.680
<v Speaker 2>that point, then Shane's starting to take off and and

1:12:29.160 --> 1:12:32.479
<v Speaker 2>we're starting We're writing a lot of stuff together. We

1:12:32.640 --> 1:12:36.200
<v Speaker 2>start to get a little bit more traction. So finally

1:12:36.320 --> 1:12:40.080
<v Speaker 2>then we wrote a song, Shane and Trevor and I

1:12:40.240 --> 1:12:43.240
<v Speaker 2>and I wrote a song called say You Do that

1:12:43.360 --> 1:12:46.559
<v Speaker 2>Dirk's Bentley recorded, and that wound up being my first

1:12:46.720 --> 1:12:47.559
<v Speaker 2>number one solid.

1:12:49.280 --> 1:12:53.680
<v Speaker 1>Okay, at what point do you and Trevor say we're

1:12:53.720 --> 1:12:54.719
<v Speaker 1>going to form a band?

1:12:57.280 --> 1:12:59.679
<v Speaker 2>It was kind of all happening at the same time,

1:13:01.160 --> 1:13:06.200
<v Speaker 2>but it wasn't. It wasn't a decision that was like,

1:13:06.360 --> 1:13:09.960
<v Speaker 2>let's form a band and go for it. We were

1:13:09.960 --> 1:13:13.960
<v Speaker 2>writing all these songs and and uh, you know, I'd

1:13:14.000 --> 1:13:16.680
<v Speaker 2>grow I grew up in bands. That's all I did,

1:13:16.960 --> 1:13:19.760
<v Speaker 2>was was playing music I liked. I loved playing music out.

1:13:20.240 --> 1:13:21.880
<v Speaker 2>So I and I now had all these songs that

1:13:21.920 --> 1:13:23.439
<v Speaker 2>I was writing, I wanted to go play them out

1:13:23.479 --> 1:13:26.080
<v Speaker 2>and I would I would try to put together a

1:13:26.160 --> 1:13:28.960
<v Speaker 2>band to help me showcase you know, I would invite

1:13:29.000 --> 1:13:31.880
<v Speaker 2>publishers to come hear them so that I could sing them.

1:13:31.960 --> 1:13:40.080
<v Speaker 2>And at that time, Jeff and Witt had moved to

1:13:40.240 --> 1:13:43.519
<v Speaker 2>Nashville to be they wanted to be touring musicians or

1:13:43.520 --> 1:13:47.599
<v Speaker 2>studio musicians, and yeah, so I had some buddies from

1:13:47.680 --> 1:13:51.800
<v Speaker 2>Virginia that were in town, excuse me, and I would

1:13:52.240 --> 1:13:54.679
<v Speaker 2>just call them and say, Hey, I've got a show,

1:13:55.360 --> 1:13:58.559
<v Speaker 2>can you guys come play. I knew they wouldn't really

1:13:58.640 --> 1:14:01.599
<v Speaker 2>charge me because there were a buddies, so they would

1:14:01.600 --> 1:14:05.800
<v Speaker 2>come play. And so we started doing that in town

1:14:06.280 --> 1:14:10.800
<v Speaker 2>pretty often. And for years we did that with no

1:14:10.960 --> 1:14:12.840
<v Speaker 2>real you know, it would be my name or there

1:14:12.840 --> 1:14:14.680
<v Speaker 2>would be no there was no real band name or

1:14:14.720 --> 1:14:19.240
<v Speaker 2>anything to it. It was just be and a lot

1:14:19.280 --> 1:14:21.799
<v Speaker 2>of the songs I was writing with Trevor, and Trevor

1:14:21.880 --> 1:14:24.639
<v Speaker 2>was always coming to the shows, and he was always

1:14:24.680 --> 1:14:28.479
<v Speaker 2>frustrated because nobody was singing background vocals, and you know,

1:14:28.800 --> 1:14:31.320
<v Speaker 2>he's he's ain'tal about that kind of stuff. So he

1:14:31.360 --> 1:14:33.240
<v Speaker 2>would jump up on the stage and start singing the

1:14:33.280 --> 1:14:35.960
<v Speaker 2>background vocals to the songs that we that we wrote.

1:14:36.040 --> 1:14:39.200
<v Speaker 2>And then next thing, you know, he's coming to rehearsals

1:14:39.880 --> 1:14:43.680
<v Speaker 2>and you know, the guys are like, okay, Trevor's here now,

1:14:43.880 --> 1:14:47.479
<v Speaker 2>you know. We were just kind of then we started realizing, Okay,

1:14:47.800 --> 1:14:51.400
<v Speaker 2>we can get in my van and we can drive

1:14:51.640 --> 1:14:53.800
<v Speaker 2>to the next town over and we can get paid

1:14:53.840 --> 1:14:57.040
<v Speaker 2>to play. Yeah, you don't get paid to play in Nashville,

1:14:57.160 --> 1:15:00.599
<v Speaker 2>so oh we could we all need money. Let's go play.

1:15:01.160 --> 1:15:03.720
<v Speaker 2>We can play covers and stuff, and let's go play.

1:15:03.840 --> 1:15:06.240
<v Speaker 2>So we would just drive around and try to make

1:15:06.240 --> 1:15:09.759
<v Speaker 2>a little extra cash. And then ultimately what started happening

1:15:09.960 --> 1:15:14.840
<v Speaker 2>was we did start having success as songwriters, and then

1:15:14.880 --> 1:15:17.800
<v Speaker 2>people started going, well, oh, you know, Trevor's having a

1:15:17.840 --> 1:15:20.439
<v Speaker 2>bunch of He's getting a bunch of songs cut. I'm

1:15:20.479 --> 1:15:24.240
<v Speaker 2>getting songs cut. And they start going, well, who's this

1:15:24.400 --> 1:15:30.799
<v Speaker 2>band that's writing everybody else's stuff? So our show became

1:15:32.000 --> 1:15:34.400
<v Speaker 2>you know, there there were hits already in our show,

1:15:35.160 --> 1:15:38.679
<v Speaker 2>and it started to create a little buzz around town

1:15:39.600 --> 1:15:40.559
<v Speaker 2>about what we were doing.

1:15:42.040 --> 1:15:44.400
<v Speaker 1>At what point do you start calling it old Dominion.

1:15:47.240 --> 1:15:51.080
<v Speaker 2>We had this little bar well we played. We would

1:15:51.080 --> 1:15:53.640
<v Speaker 2>play in tuscal Loose, Alabama a lot, and we had

1:15:53.720 --> 1:15:55.720
<v Speaker 2>this person that hooked us up with a bar there

1:15:55.720 --> 1:15:57.719
<v Speaker 2>and we'd drive down to tuscal Losa and we played,

1:15:58.240 --> 1:16:01.760
<v Speaker 2>you know, from ten thirty to two in the morning,

1:16:01.800 --> 1:16:06.920
<v Speaker 2>and then we drive back. And one night we were

1:16:06.960 --> 1:16:10.479
<v Speaker 2>taking a break and there was this kind of haggard

1:16:10.800 --> 1:16:16.080
<v Speaker 2>woman sitting at the bar and she said, what's the

1:16:16.200 --> 1:16:19.280
<v Speaker 2>name of your band? And I said, well, we don't

1:16:19.320 --> 1:16:20.840
<v Speaker 2>we don't really have any We're not really a band,

1:16:21.120 --> 1:16:23.439
<v Speaker 2>you know, We're just it's just I'm writing these songs.

1:16:23.479 --> 1:16:27.120
<v Speaker 2>And she, she was drunk, she just goes, that's bullshit.

1:16:27.960 --> 1:16:30.880
<v Speaker 2>You guys are a band. And when she said that,

1:16:31.040 --> 1:16:32.920
<v Speaker 2>we all looked at each other and went, we kind

1:16:32.960 --> 1:16:37.519
<v Speaker 2>of like, you know, we should have probably let's pick

1:16:37.520 --> 1:16:40.880
<v Speaker 2>a Nate. We should pick a Nate. So so and

1:16:41.479 --> 1:16:45.080
<v Speaker 2>being that Wit and Jeff and at the time we

1:16:45.160 --> 1:16:49.000
<v Speaker 2>had a guitar player. He was named Devin Malone. They're

1:16:49.000 --> 1:16:51.120
<v Speaker 2>all from Virginia, there are, and so we thought, well,

1:16:51.200 --> 1:16:55.280
<v Speaker 2>let's pick a Virginia related name. And so we used

1:16:55.280 --> 1:16:56.880
<v Speaker 2>to play at this little bar called the Blue Bar

1:16:57.000 --> 1:17:01.120
<v Speaker 2>every week in Nashville and there was nobody there, you know,

1:17:01.240 --> 1:17:03.320
<v Speaker 2>we were just we had a regular gig there. If

1:17:03.320 --> 1:17:06.160
<v Speaker 2>there's five to ten people would show up. And I

1:17:06.320 --> 1:17:09.080
<v Speaker 2>was setting up. We were setting up to play that

1:17:09.240 --> 1:17:12.479
<v Speaker 2>night and uh, this is in two thousand and six,

1:17:12.640 --> 1:17:17.600
<v Speaker 2>is probably seven. We were setting up that night and

1:17:17.640 --> 1:17:19.479
<v Speaker 2>I said, man, the only thing I can see that's

1:17:19.560 --> 1:17:24.560
<v Speaker 2>r GINU related that isn't taken his old dominion. And

1:17:24.640 --> 1:17:28.160
<v Speaker 2>everybody just went, that sounds cool. And so that was

1:17:28.200 --> 1:17:30.080
<v Speaker 2>it from the from that night on, we were we

1:17:30.160 --> 1:17:30.960
<v Speaker 2>were old dimension.

1:17:32.000 --> 1:17:34.439
<v Speaker 1>A lot of people they say, like the Doobie Brothers,

1:17:34.479 --> 1:17:36.400
<v Speaker 1>they say, you know, yeah, we just had this name.

1:17:37.120 --> 1:17:38.720
<v Speaker 1>We never thought we'd stick with it, and all of

1:17:38.720 --> 1:17:40.400
<v Speaker 1>a sudden we wake up and we're.

1:17:40.280 --> 1:17:40.880
<v Speaker 2>Stuck with it.

1:17:41.960 --> 1:17:46.160
<v Speaker 1>Yeah, so you know you had to you know, this

1:17:46.360 --> 1:17:49.559
<v Speaker 1>was years before you know, you broke through his old dominion.

1:17:50.160 --> 1:17:51.840
<v Speaker 1>If you knew we're going to break through, would you've

1:17:51.880 --> 1:17:54.160
<v Speaker 1>picked old dominion or would you have said wait a second,

1:17:54.200 --> 1:17:55.040
<v Speaker 1>wait to say, lem come.

1:17:54.960 --> 1:17:57.640
<v Speaker 2>Up with something different. I mean, naming a band is

1:17:57.680 --> 1:18:00.320
<v Speaker 2>the worst thing, you know, It's none of them ever

1:18:00.479 --> 1:18:03.080
<v Speaker 2>sound good until they until they're just a part of

1:18:03.680 --> 1:18:08.120
<v Speaker 2>people's vocabulary. So I think I love our name. I

1:18:08.720 --> 1:18:11.519
<v Speaker 2>don't regret it at all. There was a moment where

1:18:12.840 --> 1:18:14.400
<v Speaker 2>we thought we were going to have to change it,

1:18:15.240 --> 1:18:18.240
<v Speaker 2>and things had started to take off a little bit,

1:18:19.280 --> 1:18:22.479
<v Speaker 2>and we had this attorney that was telling us, hey

1:18:22.560 --> 1:18:24.280
<v Speaker 2>that I don't think you're going to be able to

1:18:24.320 --> 1:18:27.400
<v Speaker 2>do this. There's you know, there's Old Dominion everything. There's

1:18:27.439 --> 1:18:31.200
<v Speaker 2>a trucking line, there's a beer company, there's the university.

1:18:31.360 --> 1:18:33.880
<v Speaker 2>And he said the university is probably the biggest thing

1:18:34.000 --> 1:18:37.080
<v Speaker 2>because they have a band. You know, they have the

1:18:38.080 --> 1:18:40.880
<v Speaker 2>marching band, they have merch. You know, they're going to

1:18:40.920 --> 1:18:43.559
<v Speaker 2>come after you and we're gonna have to change the name.

1:18:44.800 --> 1:18:46.800
<v Speaker 2>So we thought about it and time we've tried to

1:18:46.880 --> 1:18:48.800
<v Speaker 2>come up with any other name that we could, and

1:18:49.160 --> 1:18:52.280
<v Speaker 2>it got so frustrating. I was just like, fuck this,

1:18:52.439 --> 1:18:55.800
<v Speaker 2>I don't want to do this anymore. You know, I'll

1:18:55.880 --> 1:18:58.120
<v Speaker 2>just quit, Like, let's not do this. I don't I

1:18:58.160 --> 1:19:02.640
<v Speaker 2>don't want to change the name. And then Trevor is

1:19:02.680 --> 1:19:06.720
<v Speaker 2>a pretty he's he's a pretty motivated guy and can

1:19:06.800 --> 1:19:09.640
<v Speaker 2>find Yeah. He's like, man, I don't care what this

1:19:09.760 --> 1:19:12.960
<v Speaker 2>lawyer says, I'm gonna find I'm going to reach out

1:19:12.960 --> 1:19:17.400
<v Speaker 2>to Old Dominion. So he finds he likes, goes up

1:19:17.439 --> 1:19:20.760
<v Speaker 2>the email chain and finds somebody at Old Dominion University

1:19:21.680 --> 1:19:24.599
<v Speaker 2>and says, hey, we're in this band. It's called the Dominion.

1:19:26.240 --> 1:19:28.240
<v Speaker 2>Our lawyer is telling us we need to change the name.

1:19:28.360 --> 1:19:33.720
<v Speaker 2>Was afraid you guys are gonna sue us. What do

1:19:33.840 --> 1:19:36.479
<v Speaker 2>you think? And they came back and said, you know,

1:19:36.720 --> 1:19:40.040
<v Speaker 2>as long as you don't use our colors and you

1:19:40.120 --> 1:19:44.280
<v Speaker 2>don't use our logo, we're fine with it. So we

1:19:44.600 --> 1:19:49.479
<v Speaker 2>got we got that in writing and then from that

1:19:49.560 --> 1:19:51.160
<v Speaker 2>twenty one we were we felt good by it.

1:19:51.280 --> 1:19:55.680
<v Speaker 1>Okay, this lead date, I'm sure Old Dominion is a

1:19:55.760 --> 1:19:59.439
<v Speaker 1>corporation who owns Old Dominion the band.

1:20:00.280 --> 1:20:03.640
<v Speaker 2>The band, five of us are. It's a partnership following us.

1:20:03.960 --> 1:20:09.200
<v Speaker 1>Okay, so now you got some covers, you get some notice.

1:20:10.040 --> 1:20:12.439
<v Speaker 1>How do you end up deciding to cut your own record?

1:20:16.520 --> 1:20:19.200
<v Speaker 2>You know, we were making a lot of demos of

1:20:19.280 --> 1:20:23.679
<v Speaker 2>the songs that we were writing. I had a publishing

1:20:23.760 --> 1:20:27.360
<v Speaker 2>deal that wasn't the best deal in the world. But

1:20:29.439 --> 1:20:32.960
<v Speaker 2>the one of the guys there was a he's a

1:20:33.000 --> 1:20:37.160
<v Speaker 2>producer and a successful one. His name is Blake Chancey

1:20:38.280 --> 1:20:42.160
<v Speaker 2>and he's worked with back then. He had done Montgomery

1:20:42.240 --> 1:20:44.639
<v Speaker 2>Gentry and Dizzy Chicks and a lot of other people.

1:20:44.720 --> 1:20:51.040
<v Speaker 2>And my first demo session was coming up from that

1:20:51.160 --> 1:20:53.880
<v Speaker 2>publishing deal, and he's a bolt. You know, you guys

1:20:53.960 --> 1:20:58.439
<v Speaker 2>playing a band, Why don't you guys just instead of

1:20:58.520 --> 1:21:00.800
<v Speaker 2>hiring a bunch of musicians, he did your buddies to

1:21:00.840 --> 1:21:05.000
<v Speaker 2>come in. So he was trying to save money, and

1:21:05.160 --> 1:21:08.160
<v Speaker 2>so we did and that's the first time we recorded

1:21:08.200 --> 1:21:13.160
<v Speaker 2>together and thought, well, this is pretty cool. That was fun.

1:21:13.280 --> 1:21:16.840
<v Speaker 2>We should think about doing that again. So as we

1:21:16.960 --> 1:21:20.000
<v Speaker 2>were trying to figure out how we would go about

1:21:20.080 --> 1:21:25.639
<v Speaker 2>doing that, looking for talking about maybe finding a producer

1:21:25.960 --> 1:21:28.760
<v Speaker 2>or something to help us do it, we realized, you know,

1:21:28.960 --> 1:21:33.879
<v Speaker 2>in our demo sessions, Shane was such a strong creative

1:21:33.960 --> 1:21:38.920
<v Speaker 2>voice in bringing those demos to life that maybe we

1:21:38.960 --> 1:21:41.200
<v Speaker 2>should just use him. That he's our friend. He's been

1:21:41.280 --> 1:21:43.200
<v Speaker 2>with us this whole time. He's writing all these songs

1:21:43.280 --> 1:21:46.519
<v Speaker 2>with us. So we sat down at lunch with him

1:21:46.520 --> 1:21:48.519
<v Speaker 2>and said, would you come into the studio with us

1:21:48.560 --> 1:21:51.680
<v Speaker 2>and maybe try producing it?

1:21:52.840 --> 1:21:54.639
<v Speaker 1>And he was like, are you sure?

1:21:55.560 --> 1:21:57.439
<v Speaker 2>He said, yeah, man, you're always so good in the

1:21:57.800 --> 1:22:01.360
<v Speaker 2>demo sessions. You're always so fast and your choices are

1:22:01.439 --> 1:22:05.280
<v Speaker 2>so cool. We'd rather have you in there than trying

1:22:05.320 --> 1:22:08.639
<v Speaker 2>to find somebody that is, you know, hot.

1:22:08.680 --> 1:22:09.040
<v Speaker 1>To do it.

1:22:09.880 --> 1:22:14.560
<v Speaker 2>So he agreed and and that's how we started that partnership.

1:22:15.800 --> 1:22:21.600
<v Speaker 1>Okay, the original album EP whatever, who pays for it?

1:22:24.560 --> 1:22:25.000
<v Speaker 1>We had a.

1:22:26.800 --> 1:22:30.479
<v Speaker 2>Well he signed kind of an independent deal this It

1:22:30.600 --> 1:22:37.800
<v Speaker 2>was like a partnership with thirty Tigers and U Reguier,

1:22:38.200 --> 1:22:42.000
<v Speaker 2>who was Trevor's publisher at the time. They helped fund

1:22:42.040 --> 1:22:46.200
<v Speaker 2>it so that we could put out an independent project.

1:22:46.680 --> 1:22:48.080
<v Speaker 1>Do you remember how much money you spent?

1:22:50.120 --> 1:22:53.680
<v Speaker 2>No idea, Uh, it probably wasn't. It wasn't much. It

1:22:53.800 --> 1:22:59.400
<v Speaker 2>was it was five or six songs. It probably was

1:22:59.680 --> 1:23:00.840
<v Speaker 2>forty or something.

1:23:01.360 --> 1:23:05.799
<v Speaker 1>Okay, what is your intention with recording the album?

1:23:08.000 --> 1:23:11.920
<v Speaker 2>At that point? We thought, okay, well, even before that,

1:23:12.080 --> 1:23:14.160
<v Speaker 2>we had recorded some stuff that that stuff that we'd

1:23:14.240 --> 1:23:18.759
<v Speaker 2>recorded with my publisher. We were at that point playing shows.

1:23:19.680 --> 1:23:22.080
<v Speaker 2>We had named ourselves Old Dominion, and we were giving

1:23:22.160 --> 1:23:24.320
<v Speaker 2>them out for free. So we would just show up

1:23:25.120 --> 1:23:27.439
<v Speaker 2>at a bar, we'd play the show, everybody gets a

1:23:27.479 --> 1:23:32.360
<v Speaker 2>free ZP. So that was one thing that we were doing,

1:23:32.439 --> 1:23:35.960
<v Speaker 2>was just trying to build this following. And we thought

1:23:35.960 --> 1:23:38.920
<v Speaker 2>the same thing like, if we can make a make

1:23:38.960 --> 1:23:42.400
<v Speaker 2>a little EP, we can maybe shop it around and

1:23:42.439 --> 1:23:46.200
<v Speaker 2>try to get it picked up, or hire a manager

1:23:46.320 --> 1:23:52.560
<v Speaker 2>and get on the radio. Somehow, pretty naive, but it

1:23:52.840 --> 1:23:55.240
<v Speaker 2>had enough momentum to keep us going like this seems

1:23:55.320 --> 1:23:58.160
<v Speaker 2>like the next step. So I'm not sure what's going

1:23:58.240 --> 1:23:59.920
<v Speaker 2>to happen with it, but we need new music out

1:24:00.040 --> 1:24:02.360
<v Speaker 2>because we've given out all the freezds we can. So

1:24:02.600 --> 1:24:06.880
<v Speaker 2>let's see if we can create something that's the next

1:24:06.920 --> 1:24:07.799
<v Speaker 2>step for ourselves.

1:24:15.680 --> 1:24:21.160
<v Speaker 1>Okay, you're given the CD away. When does it turn

1:24:21.280 --> 1:24:22.000
<v Speaker 1>into something?

1:24:24.280 --> 1:24:29.880
<v Speaker 2>That CD had had some songs on it that it

1:24:29.960 --> 1:24:31.840
<v Speaker 2>had wake Up Loving You on it, and it had

1:24:34.320 --> 1:24:37.080
<v Speaker 2>had another song on there called Nowhere Fast. I think

1:24:37.200 --> 1:24:41.599
<v Speaker 2>that that wound up making it over into the next EP.

1:24:43.560 --> 1:24:48.559
<v Speaker 2>And and then we had a song on there called

1:24:48.640 --> 1:24:52.720
<v Speaker 2>shut Me Up, which at this point now we have

1:24:52.840 --> 1:24:59.000
<v Speaker 2>a manager and we're starting to talk to satellite radio

1:25:00.439 --> 1:25:05.599
<v Speaker 2>and try to get some play there, and so shut

1:25:05.680 --> 1:25:07.519
<v Speaker 2>Me Up was the first choice. Where we had started,

1:25:07.680 --> 1:25:11.719
<v Speaker 2>we had a little independent radio staff. It was one person,

1:25:11.800 --> 1:25:15.679
<v Speaker 2>a radio person that was shopping that song around trying

1:25:15.720 --> 1:25:19.679
<v Speaker 2>to get it on to the radio. In the meantime,

1:25:21.560 --> 1:25:27.320
<v Speaker 2>we're recording more music to try to create a full album,

1:25:28.600 --> 1:25:32.000
<v Speaker 2>and break Up with Them was on that. And so

1:25:32.600 --> 1:25:37.599
<v Speaker 2>once we had once we had this album of music,

1:25:38.520 --> 1:25:43.920
<v Speaker 2>and every record label had turned us down more than once,

1:25:45.600 --> 1:25:50.080
<v Speaker 2>we just kept going satellite radio picked up break Up

1:25:50.120 --> 1:25:53.479
<v Speaker 2>with Him, and they started playing break Up with Them,

1:25:54.479 --> 1:25:59.000
<v Speaker 2>and then a guy in Seattle at a radio station

1:25:59.200 --> 1:26:02.760
<v Speaker 2>heard it on saturd Light radio. And meanwhile, we're trying

1:26:02.760 --> 1:26:04.240
<v Speaker 2>to get him to play shove Me Up, and nobody

1:26:04.240 --> 1:26:07.479
<v Speaker 2>will play shot Me Up. But he heard. He hears

1:26:07.560 --> 1:26:11.320
<v Speaker 2>break up with Him and said, Okay, there's something here.

1:26:12.280 --> 1:26:15.719
<v Speaker 2>So he starts calling all his friends in the radio world,

1:26:16.080 --> 1:26:19.240
<v Speaker 2>and all of a sudden, we have a song on

1:26:19.280 --> 1:26:23.400
<v Speaker 2>the radio with no record deal. So that never happens,

1:26:23.680 --> 1:26:25.400
<v Speaker 2>but that's how it happened for us.

1:26:25.880 --> 1:26:30.559
<v Speaker 1>Okay, break up with Him is starting to get radio action.

1:26:30.720 --> 1:26:34.760
<v Speaker 1>Let's go back a chapter. The guy you hire as

1:26:34.840 --> 1:26:36.960
<v Speaker 1>your manager, is he still your manager?

1:26:38.080 --> 1:26:38.920
<v Speaker 2>He's still our manager?

1:26:39.240 --> 1:26:40.880
<v Speaker 1>So who is it and how'd you find him?

1:26:42.360 --> 1:26:46.600
<v Speaker 2>His name's Clinton Higham, He's he's Kenny Chesney's manager and

1:26:47.479 --> 1:26:49.519
<v Speaker 2>he was working at this He has a company called

1:26:49.560 --> 1:26:52.360
<v Speaker 2>Morris Higham Dale Morris as was partner at the time.

1:26:52.479 --> 1:26:57.320
<v Speaker 2>Dale's responsible for Alabama And at the time, you know,

1:26:57.479 --> 1:27:01.439
<v Speaker 2>we had we had secured it deal with c AA

1:27:01.600 --> 1:27:05.040
<v Speaker 2>as a booking as a booking agent. But you know

1:27:05.120 --> 1:27:08.719
<v Speaker 2>we're they're booking us for five hundred bucks a show,

1:27:09.000 --> 1:27:13.040
<v Speaker 2>you know, and we'd like, okay, we need we need

1:27:13.120 --> 1:27:15.400
<v Speaker 2>to find a manager. We took meetings all over town

1:27:15.680 --> 1:27:20.080
<v Speaker 2>with every manager that we could, and we had actually

1:27:20.200 --> 1:27:24.200
<v Speaker 2>made the decision to go with with another manager, and

1:27:25.040 --> 1:27:29.880
<v Speaker 2>at the at the eleventh hour, Shane calls it says, hey,

1:27:31.880 --> 1:27:35.280
<v Speaker 2>Clint him wants to meet with you guys, and we said, well, man,

1:27:35.320 --> 1:27:38.679
<v Speaker 2>we we already kind of made our decision. He said,

1:27:38.720 --> 1:27:41.679
<v Speaker 2>I know yet, you know, you haven't signed anything. Doesn't

1:27:41.760 --> 1:27:44.759
<v Speaker 2>hurt to go meet with him. He's just he's really interested.

1:27:46.320 --> 1:27:49.120
<v Speaker 2>So we said, okay, sure, what's it been hurt? And

1:27:49.560 --> 1:27:52.200
<v Speaker 2>we walked out of that meeting, going, that's our guy.

1:27:54.520 --> 1:27:58.599
<v Speaker 1>Okay, he's the top level manager. A lot of times

1:27:58.720 --> 1:28:02.200
<v Speaker 1>top level managers don't want to get involved in developing acts.

1:28:03.560 --> 1:28:04.719
<v Speaker 1>Why was he so eager?

1:28:06.800 --> 1:28:12.360
<v Speaker 2>I think he he and Will Hitchcock, who's our day

1:28:12.400 --> 1:28:17.799
<v Speaker 2>to day there they saw us play a couple of shows.

1:28:19.280 --> 1:28:23.320
<v Speaker 2>Our songwriting was humming at that point, you know, like

1:28:23.479 --> 1:28:27.160
<v Speaker 2>we knew how to make hits and it was being

1:28:27.280 --> 1:28:29.639
<v Speaker 2>proven by everyone else that we were getting all these

1:28:30.520 --> 1:28:35.200
<v Speaker 2>cuts from and and I don't know, to this day,

1:28:35.320 --> 1:28:38.280
<v Speaker 2>I don't know he still is like, I don't know

1:28:38.320 --> 1:28:40.360
<v Speaker 2>if I would do that again, you know, you know,

1:28:40.439 --> 1:28:43.280
<v Speaker 2>I don't know if I you know, he's I don't

1:28:43.320 --> 1:28:45.360
<v Speaker 2>know he's certainly, I don't think he certainly would do

1:28:45.400 --> 1:28:50.160
<v Speaker 2>a band again. But uh it Will definitely really believed

1:28:50.200 --> 1:28:54.479
<v Speaker 2>in us too, and and he and so Will gave

1:28:54.560 --> 1:28:58.320
<v Speaker 2>him a hard self for for taking us on. And

1:28:58.760 --> 1:29:01.800
<v Speaker 2>I don't know why he what he saw, but it

1:29:01.960 --> 1:29:04.360
<v Speaker 2>had to be the songwriting, because I mean, there's we

1:29:04.520 --> 1:29:06.720
<v Speaker 2>were you know, they took us. They were like, man,

1:29:07.080 --> 1:29:10.040
<v Speaker 2>you guys sound great. You look like shit, though, so

1:29:10.600 --> 1:29:12.519
<v Speaker 2>and we're like, we're broke, and they're like, okay, well

1:29:12.840 --> 1:29:15.519
<v Speaker 2>go buy some here's some money, go buy some clothes

1:29:15.560 --> 1:29:17.960
<v Speaker 2>at age and them and you know, like I go

1:29:18.080 --> 1:29:20.920
<v Speaker 2>buy a cool jacket or something, you know, like you

1:29:21.360 --> 1:29:24.200
<v Speaker 2>look like shit. So they helped us at that department.

1:29:24.280 --> 1:29:28.480
<v Speaker 2>But I think, really honestly, it was just the songwriting,

1:29:29.520 --> 1:29:34.880
<v Speaker 2>and we were definitely creating something that sounded different. You know,

1:29:35.040 --> 1:29:37.920
<v Speaker 2>I don't know if we if we knew how different

1:29:38.000 --> 1:29:42.160
<v Speaker 2>it sounded. But you know, when you get five guys

1:29:42.200 --> 1:29:46.360
<v Speaker 2>together and you're creating music with that chemistry, it's gonna

1:29:46.400 --> 1:29:50.920
<v Speaker 2>sound different than than anything that a solo artist that's

1:29:51.000 --> 1:29:54.680
<v Speaker 2>using the same studio musicians as the next guy is

1:29:55.040 --> 1:29:58.240
<v Speaker 2>gonna sound like. So we certainly had a different sound

1:29:58.400 --> 1:30:01.000
<v Speaker 2>that seemed attractive to it.

1:30:01.840 --> 1:30:06.920
<v Speaker 1>Okay, at what point do you switch in your mind

1:30:07.160 --> 1:30:12.200
<v Speaker 1>from I'm a songwriter in the background to I believe

1:30:12.280 --> 1:30:14.040
<v Speaker 1>in this band in the foreground.

1:30:15.479 --> 1:30:22.680
<v Speaker 2>Yeah, that took a long time because we had made

1:30:22.680 --> 1:30:24.560
<v Speaker 2>a name for ourselves as songwriters, and then all of

1:30:24.560 --> 1:30:26.960
<v Speaker 2>a sudden, it felt like we were leaving that behind.

1:30:27.439 --> 1:30:30.240
<v Speaker 2>All of a sudden there was this band thing, and

1:30:30.280 --> 1:30:34.040
<v Speaker 2>we're like, man, we gambled on ourselves already once. I

1:30:34.080 --> 1:30:36.160
<v Speaker 2>don't know if we could do that again, you know.

1:30:36.760 --> 1:30:41.200
<v Speaker 2>So it did become really difficult to turn the songwriter

1:30:41.320 --> 1:30:45.439
<v Speaker 2>switch off because we just weren't sure about the band.

1:30:45.600 --> 1:30:48.160
<v Speaker 2>We just didn't know if that was ever going to

1:30:48.240 --> 1:30:52.479
<v Speaker 2>take off. So we were still pitching all of our

1:30:52.600 --> 1:30:55.160
<v Speaker 2>songs to other artists, and you know, we would write

1:30:55.200 --> 1:30:57.920
<v Speaker 2>something in pitch and write something in pitch, and all

1:30:57.960 --> 1:31:00.400
<v Speaker 2>the songs that wound up on our albums were and

1:31:01.520 --> 1:31:05.960
<v Speaker 2>you know, turned down by every other artist. The only one,

1:31:06.640 --> 1:31:10.479
<v Speaker 2>the only one we never pitched at that point in

1:31:10.520 --> 1:31:12.679
<v Speaker 2>the early stages, was break up with them. We knew

1:31:12.720 --> 1:31:15.800
<v Speaker 2>something was different there and something was happening, and we said, okay,

1:31:15.960 --> 1:31:19.400
<v Speaker 2>don't don't pitch that song. So we started to make

1:31:19.479 --> 1:31:22.920
<v Speaker 2>that turn of like, okay, we have to bet on

1:31:23.000 --> 1:31:26.040
<v Speaker 2>ourselves a little bit here. But it took, I mean

1:31:26.200 --> 1:31:29.639
<v Speaker 2>probably honestly into the second album, well into the second

1:31:29.680 --> 1:31:33.519
<v Speaker 2>album before we realized, Okay, I think the band thing

1:31:33.600 --> 1:31:37.280
<v Speaker 2>is probably gonna stick. We need to we need to

1:31:37.320 --> 1:31:38.760
<v Speaker 2>take it a little bit more seriously.

1:31:39.160 --> 1:31:42.920
<v Speaker 1>Okay, you have these self financed records. How do you

1:31:42.960 --> 1:31:44.120
<v Speaker 1>get a major label deal?

1:31:47.400 --> 1:31:51.920
<v Speaker 2>Oh gosh, that was such a process. Obviously, you know,

1:31:52.000 --> 1:31:54.840
<v Speaker 2>we do showcases for labels and we'd go in there

1:31:54.840 --> 1:31:57.720
<v Speaker 2>and play music and they would all turn this down

1:31:57.720 --> 1:32:00.320
<v Speaker 2>because most of them did look at us as songs.

1:32:00.320 --> 1:32:03.000
<v Speaker 2>They knew that they knew our background with songwriters. We

1:32:03.120 --> 1:32:05.960
<v Speaker 2>were older. You know, we're in our thirties. We're going

1:32:06.040 --> 1:32:08.840
<v Speaker 2>you know, you guys, and as I mentioned, we looked

1:32:08.880 --> 1:32:10.639
<v Speaker 2>like shit, and you know, we're like, man, you guys

1:32:10.680 --> 1:32:15.479
<v Speaker 2>are kind of old your songwriters, it's not really for us,

1:32:15.760 --> 1:32:21.880
<v Speaker 2>you know. And we would circle up after after being

1:32:21.960 --> 1:32:24.240
<v Speaker 2>turned down, and Clint would say, you know, what do

1:32:24.280 --> 1:32:25.920
<v Speaker 2>you want to do? And we'd say we were just

1:32:26.000 --> 1:32:27.720
<v Speaker 2>going to keep going. Man, if they don't like us,

1:32:28.160 --> 1:32:32.360
<v Speaker 2>that's fine. We're still having fun. We liked what we

1:32:32.479 --> 1:32:39.560
<v Speaker 2>were doing, so we would just keep going. And ultimately

1:32:41.479 --> 1:32:47.720
<v Speaker 2>Sony turned us down, and then we were kind of

1:32:47.880 --> 1:32:50.400
<v Speaker 2>all out of options to everyone in Nashville had turned

1:32:50.479 --> 1:32:58.840
<v Speaker 2>us down, and so Dale Morris and Clint called their

1:32:58.960 --> 1:33:07.000
<v Speaker 2>friend Doug Morris in New York and Uh and Julie

1:33:07.040 --> 1:33:12.000
<v Speaker 2>Swidler in New York and said, man, we don't know

1:33:12.040 --> 1:33:15.400
<v Speaker 2>what to do. We got these guys. They're getting radio

1:33:15.520 --> 1:33:20.080
<v Speaker 2>play and nobody will take them, and we don't know

1:33:20.160 --> 1:33:25.240
<v Speaker 2>what to do. So we go to New York and

1:33:26.439 --> 1:33:31.680
<v Speaker 2>meet with Doug and Julie and and they called. They

1:33:31.840 --> 1:33:36.960
<v Speaker 2>ultimately ended up calling Nashville Sony and said, you're signing

1:33:37.240 --> 1:33:42.240
<v Speaker 2>Old Minion. So so we were forced into Naxville to

1:33:42.560 --> 1:33:43.280
<v Speaker 2>through New York.

1:33:43.760 --> 1:33:47.559
<v Speaker 1>So you're saying, even with all that satellite radio play

1:33:47.600 --> 1:33:50.920
<v Speaker 1>which turns into to restural radio play, still no one

1:33:51.040 --> 1:33:51.959
<v Speaker 1>wanted to sign.

1:33:51.800 --> 1:33:53.840
<v Speaker 2>You still didn't do it.

1:33:53.960 --> 1:33:54.280
<v Speaker 1>We were on.

1:33:55.040 --> 1:34:00.280
<v Speaker 2>And also we had because of our connections a couple

1:34:00.320 --> 1:34:03.000
<v Speaker 2>of reasons. One we had we shared a manager with

1:34:03.080 --> 1:34:09.120
<v Speaker 2>Kenny Jesney, and secondly, Kenny had just recorded a song

1:34:09.320 --> 1:34:12.280
<v Speaker 2>that Brad and I had written and it was going

1:34:12.360 --> 1:34:16.160
<v Speaker 2>to be a single. So we had a Kenny Jesney

1:34:16.200 --> 1:34:19.080
<v Speaker 2>connection we got and we got asked to be on

1:34:19.479 --> 1:34:25.240
<v Speaker 2>his tour. So we're on a stadium tour. Was no

1:34:25.400 --> 1:34:28.639
<v Speaker 2>record deal. So we're playing football stadiums, we're getting radio play,

1:34:29.720 --> 1:34:31.040
<v Speaker 2>and they still would not sign us.

1:34:34.000 --> 1:34:37.040
<v Speaker 1>I happened to like that save it for rainy Day.

1:34:37.720 --> 1:34:42.200
<v Speaker 1>But moving on from there, you now they pressed the button.

1:34:42.640 --> 1:34:48.200
<v Speaker 1>You now have success. To what degree do you feel

1:34:48.320 --> 1:34:50.960
<v Speaker 1>the pressure to follow it up? And to what degree

1:34:51.040 --> 1:34:56.759
<v Speaker 1>do you still feel the pressure? I think.

1:34:58.280 --> 1:35:02.840
<v Speaker 2>I think because of the way it happened and how

1:35:02.960 --> 1:35:05.200
<v Speaker 2>long it took and how much fun we were having,

1:35:05.360 --> 1:35:09.880
<v Speaker 2>we didn't feel much pressure. We felt like, you know,

1:35:09.960 --> 1:35:13.679
<v Speaker 2>it's we felt like we were in impostors for sure,

1:35:14.000 --> 1:35:18.360
<v Speaker 2>and there's still an element of that that we carry

1:35:18.439 --> 1:35:24.880
<v Speaker 2>with us. We don't really feel that much pressure. I think,

1:35:25.280 --> 1:35:29.439
<v Speaker 2>you know, the first one, every success we had off

1:35:29.479 --> 1:35:32.080
<v Speaker 2>of the first album was like, I cannot believe this

1:35:32.200 --> 1:35:36.200
<v Speaker 2>has actually happened. This is amazing, and so we've always

1:35:37.120 --> 1:35:39.560
<v Speaker 2>sort of adopted that attitude of like, man, at some

1:35:39.760 --> 1:35:42.920
<v Speaker 2>point in time, it's this ride is going to be over,

1:35:43.160 --> 1:35:48.720
<v Speaker 2>So whether that's tomorrow or in ten years, we will

1:35:48.840 --> 1:35:54.679
<v Speaker 2>rioted man. So we definitely always just try to circle

1:35:54.760 --> 1:35:58.920
<v Speaker 2>up within within ourselves and go, let's continue the only

1:35:59.040 --> 1:36:01.040
<v Speaker 2>thing that got us here with writing music that we

1:36:01.240 --> 1:36:04.160
<v Speaker 2>loved and producing it the way that we wanted to

1:36:04.160 --> 1:36:08.760
<v Speaker 2>produce it, and and that has served us well. So

1:36:09.000 --> 1:36:12.720
<v Speaker 2>that's ultimately what we always do. And we still know

1:36:13.000 --> 1:36:15.360
<v Speaker 2>at some point it's going to be over and that's fine.

1:36:16.080 --> 1:36:18.400
<v Speaker 1>Yeah, how do you end up switching labels?

1:36:20.680 --> 1:36:23.920
<v Speaker 2>There's a couple different We've had a couple of different

1:36:24.000 --> 1:36:28.599
<v Speaker 2>little Yeah, we still have always been under Sony. It's

1:36:28.720 --> 1:36:32.280
<v Speaker 2>just whether we were RCA or Ariosto Columbia. We had

1:36:33.200 --> 1:36:39.280
<v Speaker 2>you know, some we had our first staff at at RCA.

1:36:39.400 --> 1:36:45.080
<v Speaker 2>Our radio staff was was really close to us. We

1:36:45.560 --> 1:36:48.800
<v Speaker 2>love them all. And then you know that the music

1:36:48.880 --> 1:36:53.240
<v Speaker 2>business happens and people go different places and new people

1:36:53.360 --> 1:36:57.920
<v Speaker 2>come in and the relationships aren't the same. So you know,

1:36:58.040 --> 1:37:01.200
<v Speaker 2>there's COVID really then cod it comes into the picture,

1:37:01.320 --> 1:37:03.200
<v Speaker 2>and we had had you know, one Man band was

1:37:03.280 --> 1:37:07.880
<v Speaker 2>this huge hit and and then we tried to follow

1:37:07.920 --> 1:37:10.320
<v Speaker 2>it up with with a song called some People Do

1:37:10.600 --> 1:37:17.360
<v Speaker 2>That that was struggling on the radio, and you know,

1:37:17.479 --> 1:37:19.840
<v Speaker 2>you start looking for reasons. I think, you know, you

1:37:19.960 --> 1:37:23.320
<v Speaker 2>start calling the label going what's going on? Why is

1:37:23.400 --> 1:37:26.200
<v Speaker 2>this one not working? We just had the biggest hit,

1:37:26.320 --> 1:37:28.719
<v Speaker 2>and you get all excuses of like, well it's COVID,

1:37:28.760 --> 1:37:35.840
<v Speaker 2>people don't want to play sad songs, and ultimately the

1:37:37.120 --> 1:37:40.560
<v Speaker 2>relationship with the radio staff just didn't feel like it

1:37:40.680 --> 1:37:45.240
<v Speaker 2>was serving us as well. I think and and Are,

1:37:45.640 --> 1:37:51.080
<v Speaker 2>the label president at the time, uh called me and said,

1:37:51.200 --> 1:37:53.439
<v Speaker 2>you know, what do you want to switch? And I

1:37:53.640 --> 1:37:55.519
<v Speaker 2>was like, well, that seems kind of drastic. You know,

1:37:57.240 --> 1:38:00.880
<v Speaker 2>I don't know if it's that bad, but uh, you know,

1:38:01.000 --> 1:38:05.800
<v Speaker 2>but I was like, but that's an interesting idea. I

1:38:05.880 --> 1:38:07.760
<v Speaker 2>don't know, let me let me think about it. So

1:38:07.920 --> 1:38:13.600
<v Speaker 2>we we all talked and said, well, you know, why not,

1:38:13.800 --> 1:38:18.760
<v Speaker 2>let's if that's what he if he thinks that will help, sure,

1:38:19.400 --> 1:38:23.479
<v Speaker 2>So it really Then on top of that, a lot

1:38:23.560 --> 1:38:28.600
<v Speaker 2>of our original staff had moved over to Aristo and

1:38:28.720 --> 1:38:30.559
<v Speaker 2>so we knew we would be back with our original

1:38:30.600 --> 1:38:34.000
<v Speaker 2>people again. So that was constant. We were like, well,

1:38:34.040 --> 1:38:36.680
<v Speaker 2>if we move, maybe works, maybe doesn't, but we'll have

1:38:36.800 --> 1:38:38.519
<v Speaker 2>our buddies over there again.

1:38:39.880 --> 1:38:41.760
<v Speaker 1>So that was a big reason, and then you move

1:38:41.800 --> 1:38:42.400
<v Speaker 1>on from there.

1:38:43.520 --> 1:38:45.960
<v Speaker 2>Then we move on from there, and then that's kind

1:38:46.000 --> 1:38:48.559
<v Speaker 2>of that one wasn't really that was no one's idea,

1:38:48.600 --> 1:38:50.400
<v Speaker 2>but the labels they just kind of caused and said,

1:38:50.439 --> 1:38:52.000
<v Speaker 2>this is this is what we think we're going to

1:38:52.040 --> 1:38:54.920
<v Speaker 2>do with you guys. We think, you know, we need

1:38:55.000 --> 1:38:58.160
<v Speaker 2>some we need some big fish over here. So you're

1:38:58.240 --> 1:38:59.840
<v Speaker 2>that big fish. We want to put you over there.

1:39:00.439 --> 1:39:02.599
<v Speaker 2>So you know, we just kind of werelong.

1:39:10.120 --> 1:39:14.000
<v Speaker 1>Okay, So at this point, you know, even in the

1:39:14.200 --> 1:39:17.439
<v Speaker 1>earlier once again, this is any only, but I could

1:39:17.479 --> 1:39:20.400
<v Speaker 1>see all your awards, you know, in this low case.

1:39:22.720 --> 1:39:27.479
<v Speaker 1>You know, you're a guy from Nowheresville, Virginia, not that

1:39:27.600 --> 1:39:30.040
<v Speaker 1>a lot of the people in country music come from

1:39:30.120 --> 1:39:35.120
<v Speaker 1>the metropolis necessarily, but you talk about imposter syndrome. You

1:39:35.280 --> 1:39:39.320
<v Speaker 1>go up, you get the awards whatever. I mean, Externally,

1:39:40.120 --> 1:39:43.240
<v Speaker 1>it's a top level band with everybody else who continues

1:39:43.240 --> 1:39:43.840
<v Speaker 1>to have hits.

1:39:43.960 --> 1:39:47.639
<v Speaker 2>What does it feel like internally, Yeah, it doesn't feel

1:39:47.720 --> 1:39:51.439
<v Speaker 2>like that. We always feel like we're it's really I mean,

1:39:51.520 --> 1:39:53.880
<v Speaker 2>it's really just been within the past couple of years

1:39:54.680 --> 1:39:57.679
<v Speaker 2>that we've accepted that, you know, we've gone like, wow,

1:39:58.240 --> 1:40:02.400
<v Speaker 2>we really did create something pretty large here. I think

1:40:02.439 --> 1:40:07.599
<v Speaker 2>it was. I think it was really our first big

1:40:07.760 --> 1:40:12.679
<v Speaker 2>arena headlining tour. You know, when you're traveling with seven

1:40:12.760 --> 1:40:15.680
<v Speaker 2>eight buses and twelve semis and they all got your

1:40:15.760 --> 1:40:19.680
<v Speaker 2>name on them, it's pretty hard to ignore, you know,

1:40:22.640 --> 1:40:25.880
<v Speaker 2>it's pretty hard to ignore that you have established a foothold,

1:40:26.240 --> 1:40:31.880
<v Speaker 2>you know, in this business. And I think too, I

1:40:32.000 --> 1:40:34.360
<v Speaker 2>think we're a little bit. When you're in a band,

1:40:34.520 --> 1:40:36.920
<v Speaker 2>it isolates you a little bit. There's a lot of

1:40:38.240 --> 1:40:41.559
<v Speaker 2>you know, inner artist relationships, not that we don't have them,

1:40:42.240 --> 1:40:46.000
<v Speaker 2>but it's easier to work together as the solo artists.

1:40:46.200 --> 1:40:49.240
<v Speaker 2>You know, they can jump in and collaborate on stuff

1:40:49.280 --> 1:40:52.680
<v Speaker 2>a little bit easier than you know, a band of

1:40:52.840 --> 1:40:56.439
<v Speaker 2>five guys can collaborate. So we end up, you know,

1:40:56.640 --> 1:41:00.320
<v Speaker 2>not not through any anything, but just the nature of

1:41:00.400 --> 1:41:07.120
<v Speaker 2>it being a little bit isolated from from the main group.

1:41:07.320 --> 1:41:11.040
<v Speaker 2>It's at least what it feels like sometimes. I don't

1:41:11.080 --> 1:41:14.120
<v Speaker 2>think anyone views us that way other than ourselves, you know.

1:41:14.760 --> 1:41:19.000
<v Speaker 1>Okay, some people write songs in fifteen minutes. Other people

1:41:19.120 --> 1:41:24.519
<v Speaker 1>write songs over years, same song Leonard Cone Hallelujah. You know,

1:41:24.760 --> 1:41:28.960
<v Speaker 1>Nashville writing sessions and they could be three hours one song.

1:41:29.640 --> 1:41:33.000
<v Speaker 1>Old Dominion is going to make an album? How many

1:41:33.160 --> 1:41:36.880
<v Speaker 1>songs do you write and how do you ultimately get

1:41:37.000 --> 1:41:41.000
<v Speaker 1>the songs to the degree complete that you say these

1:41:41.040 --> 1:41:42.280
<v Speaker 1>are the songs for the album.

1:41:43.160 --> 1:41:50.120
<v Speaker 2>Yeah, it's always an interesting process. We write constantly. We

1:41:50.200 --> 1:41:52.760
<v Speaker 2>write on the road together, we write when we're home.

1:41:54.520 --> 1:41:57.719
<v Speaker 2>So you know, over the years, we're writing hundreds of songs,

1:41:57.800 --> 1:42:03.200
<v Speaker 2>and you know, we have a pretty good idea. Uh,

1:42:03.320 --> 1:42:06.120
<v Speaker 2>you know, we we can write good songs all day long,

1:42:07.920 --> 1:42:10.160
<v Speaker 2>but it's the great ones that we're looking for. So

1:42:12.439 --> 1:42:14.519
<v Speaker 2>and then not only is it the great ones that

1:42:14.560 --> 1:42:16.639
<v Speaker 2>you're looking for, it's the great ones that five guys

1:42:16.680 --> 1:42:22.880
<v Speaker 2>agree on. So so that really whittles some down. We

1:42:23.360 --> 1:42:28.200
<v Speaker 2>write pretty quickly, you know. We we typically complete the

1:42:28.320 --> 1:42:33.360
<v Speaker 2>song in the same day, so it's usually from around

1:42:33.400 --> 1:42:36.519
<v Speaker 2>eleven or ten in the morning till three in the afternoon,

1:42:37.240 --> 1:42:41.920
<v Speaker 2>we pretty much are done and then we've We've also

1:42:42.080 --> 1:42:45.920
<v Speaker 2>been fortunate enough to make some albums where one complete

1:42:45.960 --> 1:42:48.160
<v Speaker 2>album and some songs on some other albums where we

1:42:48.320 --> 1:42:50.439
<v Speaker 2>just go in the studio and write them right there

1:42:50.560 --> 1:42:55.559
<v Speaker 2>in the studio. So that was that's always an interesting

1:42:55.960 --> 1:43:00.200
<v Speaker 2>experiment too. But it is a long process of once

1:43:00.240 --> 1:43:02.000
<v Speaker 2>it starts, get it down to we know we're going

1:43:02.040 --> 1:43:05.160
<v Speaker 2>to go start cutting, Then the text messages start flying

1:43:05.200 --> 1:43:07.280
<v Speaker 2>and everybody starts throwing out songs. What about this? What

1:43:07.400 --> 1:43:11.320
<v Speaker 2>about this? What about this? There's usually probably two or

1:43:11.400 --> 1:43:16.760
<v Speaker 2>three that everyone immediately knows that on that one's one

1:43:16.960 --> 1:43:21.280
<v Speaker 2>for sure. Then it's rounding it out that becomes a conversation.

1:43:21.439 --> 1:43:26.839
<v Speaker 2>And sometimes it doesn't happen until you're in the studio

1:43:27.000 --> 1:43:29.120
<v Speaker 2>that moment, you know, where we're like, what are we

1:43:29.200 --> 1:43:30.960
<v Speaker 2>going to do next? And then we pull up a

1:43:31.000 --> 1:43:32.640
<v Speaker 2>list of songs that we think we might want to do,

1:43:32.720 --> 1:43:35.880
<v Speaker 2>and then somebody might go, oh, I just remembered this one,

1:43:36.160 --> 1:43:39.519
<v Speaker 2>and you'll play it, and everyone goes, yeah, let's try

1:43:39.640 --> 1:43:42.120
<v Speaker 2>that one. So it does become it's a little bit

1:43:42.160 --> 1:43:43.200
<v Speaker 2>of a fluid process.

1:43:43.800 --> 1:43:46.599
<v Speaker 1>How do you end up splitting the songwriting credits.

1:43:48.960 --> 1:43:53.360
<v Speaker 2>It's just because of the nature of our of how

1:43:53.439 --> 1:43:56.720
<v Speaker 2>we got here, because we all moved here, or at

1:43:56.840 --> 1:43:58.680
<v Speaker 2>least three of us moved here to be songwriters, and

1:43:58.720 --> 1:44:03.960
<v Speaker 2>we established ourselves as songwriters with publishing deals first. That's

1:44:04.080 --> 1:44:08.280
<v Speaker 2>just the way it's stayed. Whoever wrote the song gets

1:44:08.320 --> 1:44:11.680
<v Speaker 2>the songwriting credit. There are bands I know that just

1:44:11.760 --> 1:44:16.200
<v Speaker 2>split everything, but we never have really done that. It's

1:44:16.240 --> 1:44:19.040
<v Speaker 2>always just been if you wrote the song, you get

1:44:19.080 --> 1:44:19.439
<v Speaker 2>the credit.

1:44:19.880 --> 1:44:25.200
<v Speaker 1>Okay, five guys in a bus in the van. You know.

1:44:25.960 --> 1:44:28.760
<v Speaker 1>Legendarily there are band members who heed each other. How

1:44:28.800 --> 1:44:29.960
<v Speaker 1>do you keep it even?

1:44:31.960 --> 1:44:34.240
<v Speaker 2>Yeah, No, we don't eat each other. We actually get

1:44:34.240 --> 1:44:37.400
<v Speaker 2>along quite well. It's it's quite a funny bus to

1:44:37.439 --> 1:44:39.920
<v Speaker 2>be on. There's lots and lots of joking and laughing.

1:44:40.080 --> 1:44:44.800
<v Speaker 2>And again, I think a good proportion of it comes

1:44:44.840 --> 1:44:47.240
<v Speaker 2>from our age. You know, this all happened at a

1:44:48.040 --> 1:44:53.720
<v Speaker 2>at an age where were drawn to conflict. You know,

1:44:54.640 --> 1:44:57.599
<v Speaker 2>we all know we're all after the same thing. It's

1:44:57.640 --> 1:45:00.920
<v Speaker 2>not to say that we that that we don't have conflicts.

1:45:00.960 --> 1:45:04.200
<v Speaker 2>We certainly do. But it's much like a family, you know.

1:45:04.520 --> 1:45:06.960
<v Speaker 2>It's it's like when your family comes to visit and

1:45:07.000 --> 1:45:08.760
<v Speaker 2>you love them so much you also want to kill

1:45:08.800 --> 1:45:11.240
<v Speaker 2>them sometimes, but when they leave, you know you're sad

1:45:11.280 --> 1:45:16.120
<v Speaker 2>they're gone, and we get along quite well. It's a

1:45:16.160 --> 1:45:20.320
<v Speaker 2>pretty it's a pretty spectacular thing that we've been able

1:45:20.360 --> 1:45:22.479
<v Speaker 2>to spend that time, that much time on a bus together.

1:45:22.640 --> 1:45:26.200
<v Speaker 2>You know, we still are all on the same bus Okay, let's.

1:45:26.000 --> 1:45:30.640
<v Speaker 1>Go back specifically to your songwriting for higher era. A

1:45:30.800 --> 1:45:36.000
<v Speaker 1>lot of people look at country radio and where these

1:45:36.280 --> 1:45:40.160
<v Speaker 1>songs were hits and say, it's very cynical. To what

1:45:40.400 --> 1:45:43.160
<v Speaker 1>degree are you sitting there writing songs and say, oh,

1:45:43.240 --> 1:45:46.200
<v Speaker 1>I have to mention a truck, I have to mention church,

1:45:46.360 --> 1:45:49.240
<v Speaker 1>I have to mention kids. Is that in your mind

1:45:49.320 --> 1:45:49.639
<v Speaker 1>at all?

1:45:50.800 --> 1:45:54.200
<v Speaker 2>No, that's not in my mind at all. I'm you know,

1:45:54.439 --> 1:45:57.320
<v Speaker 2>if it calls for a truck, then okay. But I think,

1:45:57.360 --> 1:46:00.960
<v Speaker 2>and maybe I've only written one or two songs will

1:46:01.080 --> 1:46:04.519
<v Speaker 2>drug in it, and if anything, I try to avoid it.

1:46:04.800 --> 1:46:10.320
<v Speaker 2>I try to I try to personally find the weirdest

1:46:10.400 --> 1:46:13.560
<v Speaker 2>angle I possibly can and make it palatable.

1:46:14.120 --> 1:46:14.280
<v Speaker 1>You know.

1:46:15.360 --> 1:46:19.760
<v Speaker 2>That's the challenge for me, is that you're only in

1:46:19.920 --> 1:46:25.040
<v Speaker 2>any songwriting, whether it be for country radio or or

1:46:25.720 --> 1:46:29.799
<v Speaker 2>or any any style of music, you're telling the same story.

1:46:30.479 --> 1:46:33.479
<v Speaker 2>There's only a handful of there's only a handful of

1:46:33.600 --> 1:46:37.400
<v Speaker 2>things that people listen to songs about. It's it's just like,

1:46:37.640 --> 1:46:40.000
<v Speaker 2>you know, it's the most important things in people's life,

1:46:40.080 --> 1:46:44.360
<v Speaker 2>so it's there. It's the human experience. So anything that

1:46:44.479 --> 1:46:46.360
<v Speaker 2>kind of speaks to the human experience is what I

1:46:46.439 --> 1:46:51.000
<v Speaker 2>want to write about. I don't really I don't really

1:46:51.160 --> 1:46:56.400
<v Speaker 2>try to aim it towards towards country, you know, I

1:46:56.560 --> 1:46:58.519
<v Speaker 2>just want to follow. I just want to follow that

1:46:58.640 --> 1:46:59.840
<v Speaker 2>idea wherever it goes.

1:47:01.680 --> 1:47:06.280
<v Speaker 1>Okay, we live in a very divided country politically and

1:47:06.520 --> 1:47:10.479
<v Speaker 1>to great degree musically. Country music is bigger than it's

1:47:10.520 --> 1:47:14.840
<v Speaker 1>ever before. But there are people in principle will not

1:47:15.120 --> 1:47:18.640
<v Speaker 1>listen to country music. What the people who are not

1:47:19.000 --> 1:47:21.840
<v Speaker 1>fans not get about today's country music?

1:47:26.040 --> 1:47:30.559
<v Speaker 2>You know, I don't spend that much time thinking about

1:47:30.640 --> 1:47:33.760
<v Speaker 2>that because there's plenty of music I don't like, you know,

1:47:34.560 --> 1:47:37.200
<v Speaker 2>so you know, it's just not for me. And that's

1:47:37.280 --> 1:47:39.160
<v Speaker 2>kind of what I always say, you know. It's kind

1:47:39.200 --> 1:47:42.800
<v Speaker 2>of like what if the label wasn't gonna sign us,

1:47:42.880 --> 1:47:45.519
<v Speaker 2>we weren't for them, So you know, if they don't

1:47:45.640 --> 1:47:47.760
<v Speaker 2>like it, I get it, you know. And there are

1:47:47.840 --> 1:47:51.000
<v Speaker 2>some things about just like what you mentioned, some of

1:47:51.040 --> 1:47:55.360
<v Speaker 2>the citical songwriting can be. It can be a bit

1:47:55.439 --> 1:47:58.640
<v Speaker 2>formulaic sometimes, so I can kind of get why that

1:47:58.760 --> 1:48:03.920
<v Speaker 2>might turn people off. We like to pride ourselves on

1:48:04.080 --> 1:48:06.560
<v Speaker 2>being One of our favorite compliments is there's lots of

1:48:06.560 --> 1:48:09.320
<v Speaker 2>people that come up to and say we don't like country,

1:48:09.360 --> 1:48:12.760
<v Speaker 2>but we like you guys, so we're pretty good. We're

1:48:12.760 --> 1:48:17.759
<v Speaker 2>pretty happy with that. You know, country music has always

1:48:17.880 --> 1:48:20.559
<v Speaker 2>kind of been this melting pot, no matter how much

1:48:20.640 --> 1:48:23.599
<v Speaker 2>the traditionalists want to swear it isn't you know. At

1:48:23.640 --> 1:48:26.680
<v Speaker 2>the same time that you know, Johnny Cash and all

1:48:26.720 --> 1:48:30.519
<v Speaker 2>those guys were out there, there's like disco country happening,

1:48:30.640 --> 1:48:35.200
<v Speaker 2>and you know, there's there's all kinds of different just

1:48:35.400 --> 1:48:37.960
<v Speaker 2>variations on the genre that have always been there. So

1:48:40.280 --> 1:48:41.880
<v Speaker 2>I think if you don't like it, you don't like it,

1:48:42.000 --> 1:48:44.200
<v Speaker 2>that's that's fine, Okay.

1:48:44.840 --> 1:48:49.480
<v Speaker 1>While you've been in the business, the business has changed. Traditionally,

1:48:50.200 --> 1:48:53.439
<v Speaker 1>country music was a very controlled market. There were a

1:48:53.479 --> 1:48:56.240
<v Speaker 1>lot of gatekeepers in Nashville, and it was all driven

1:48:56.320 --> 1:49:01.280
<v Speaker 1>by terrestrial radio. You mentioned earlier that you originally broke

1:49:01.400 --> 1:49:09.080
<v Speaker 1>on satellite radio. In addition, although at first country fans

1:49:09.160 --> 1:49:15.120
<v Speaker 1>weren't streamers, they're big streamers now, bigger streamers than rock people.

1:49:16.640 --> 1:49:21.080
<v Speaker 1>So from your viewpoint to what degreed has changed, listen,

1:49:21.120 --> 1:49:24.560
<v Speaker 1>it's great to have a terrestrial radio hit, but is

1:49:24.680 --> 1:49:26.160
<v Speaker 1>that the end on be all?

1:49:28.200 --> 1:49:32.840
<v Speaker 2>It's not anymore. And we talk about this a lot

1:49:32.960 --> 1:49:35.680
<v Speaker 2>all the time, because it is important to us. We

1:49:35.880 --> 1:49:38.080
<v Speaker 2>were one of the you know, the door was closing

1:49:38.160 --> 1:49:42.720
<v Speaker 2>behind us when we got over the radio. Streaming was

1:49:42.920 --> 1:49:46.720
<v Speaker 2>just starting to happen, and you know, we had a

1:49:46.920 --> 1:49:49.639
<v Speaker 2>large success because of radio, and that relationship is still

1:49:49.800 --> 1:49:53.479
<v Speaker 2>very important to us, and it still directly affects us.

1:49:53.880 --> 1:49:57.120
<v Speaker 2>But we spend a lot of time going what the

1:49:57.240 --> 1:49:59.760
<v Speaker 2>hell is happening? You know, we spent a lot of

1:49:59.800 --> 1:50:02.439
<v Speaker 2>time trying to figure out, you know, why a song,

1:50:03.000 --> 1:50:05.200
<v Speaker 2>why a certain song does get on the radio and

1:50:05.560 --> 1:50:07.840
<v Speaker 2>gets up to the top of the charts, and why

1:50:07.880 --> 1:50:11.120
<v Speaker 2>a certain one doesn't. And you know, sometimes they look

1:50:11.160 --> 1:50:14.160
<v Speaker 2>at the streaming numbers and that's why they play it. Well,

1:50:14.200 --> 1:50:16.960
<v Speaker 2>sometimes they do their old school kind of research and

1:50:17.640 --> 1:50:21.200
<v Speaker 2>that's why they don't play it. It's we are in

1:50:21.320 --> 1:50:25.439
<v Speaker 2>a strange spot right now trying to figure all that out.

1:50:25.479 --> 1:50:28.280
<v Speaker 2>And there's newer artists that are coming along. Some of

1:50:28.360 --> 1:50:33.519
<v Speaker 2>them don't care about the radio and they're getting they're

1:50:33.560 --> 1:50:39.479
<v Speaker 2>getting all they need through streaming and TikTok exposure. We

1:50:39.720 --> 1:50:42.800
<v Speaker 2>just starnt that band. You know, we certainly still need

1:50:42.880 --> 1:50:49.600
<v Speaker 2>to rely on both worlds and streaming and radio, but

1:50:49.720 --> 1:50:52.680
<v Speaker 2>it certainly isn't to be all end all anymore, to what.

1:50:52.840 --> 1:50:58.439
<v Speaker 1>Degree are you in demand on social media? TikTok, Instagram, wheels, x,

1:50:58.520 --> 1:50:59.000
<v Speaker 1>et cetera.

1:51:00.040 --> 1:51:05.799
<v Speaker 2>Yeah, we're on it a good bit. But we've luckily

1:51:07.720 --> 1:51:11.080
<v Speaker 2>that sort of exploded after we had enough money to

1:51:11.160 --> 1:51:18.439
<v Speaker 2>pay somebody to do it for us, because there's just

1:51:18.640 --> 1:51:23.080
<v Speaker 2>no way, you know, you know, I'm forty seven years old.

1:51:23.160 --> 1:51:25.240
<v Speaker 2>I'm not going to whip out my phone and try

1:51:25.280 --> 1:51:27.200
<v Speaker 2>to make content. I'm just not going to do that.

1:51:27.920 --> 1:51:32.680
<v Speaker 2>So and none of us are very good at it.

1:51:32.880 --> 1:51:36.680
<v Speaker 2>So luckily we have people that help us do that,

1:51:36.840 --> 1:51:41.040
<v Speaker 2>and it's our it's our job in that respect to

1:51:42.000 --> 1:51:44.280
<v Speaker 2>keep it authentic. You know, if they come to us

1:51:44.320 --> 1:51:47.720
<v Speaker 2>and want us to do some trend, we're going to go, no,

1:51:48.000 --> 1:51:51.120
<v Speaker 2>that's no, we're not doing that. But it isn't necessary

1:51:51.160 --> 1:51:55.200
<v Speaker 2>evil unfortunately, and I do feel bad. I do feel

1:51:55.280 --> 1:52:00.120
<v Speaker 2>bad for the newer artists that can't afford someone to

1:52:00.160 --> 1:52:04.000
<v Speaker 2>help them like that, because it's a it's a whole

1:52:04.040 --> 1:52:07.200
<v Speaker 2>puzzle in itself and a full time job in itself

1:52:07.240 --> 1:52:11.519
<v Speaker 2>to figure out what kind of content to create, the

1:52:11.680 --> 1:52:17.280
<v Speaker 2>timing of the posting, how to post it when they

1:52:17.320 --> 1:52:20.200
<v Speaker 2>should really just be con you know, concerned with creating

1:52:20.240 --> 1:52:23.560
<v Speaker 2>good music, but now they have to think about what

1:52:23.720 --> 1:52:27.439
<v Speaker 2>it looks like and what fifteen seconds to post to

1:52:27.479 --> 1:52:31.320
<v Speaker 2>grab as much engagement as possible in order to get there,

1:52:32.680 --> 1:52:35.080
<v Speaker 2>you know, their likes or hits or streams.

1:52:36.040 --> 1:52:41.240
<v Speaker 1>To what degree is the country music world in your

1:52:41.400 --> 1:52:44.479
<v Speaker 1>audience red as opposed to blue?

1:52:46.840 --> 1:53:01.439
<v Speaker 2>It's a good question. I think our audience probably leans

1:53:01.479 --> 1:53:08.400
<v Speaker 2>more blue, but I don't really know. You know, there's

1:53:08.600 --> 1:53:15.639
<v Speaker 2>certainly the more vocal, more vocal artists are probably red.

1:53:17.040 --> 1:53:21.200
<v Speaker 2>But in our crowd, that's not that's not even in

1:53:21.320 --> 1:53:25.880
<v Speaker 2>the conversation. It's never something that we see at our shows.

1:53:25.960 --> 1:53:29.680
<v Speaker 2>We don't see political stuff at our shows or or

1:53:29.800 --> 1:53:33.679
<v Speaker 2>hear much of that at all. So and I don't

1:53:33.720 --> 1:53:37.680
<v Speaker 2>know if that's our fans are just the vibe that

1:53:37.720 --> 1:53:39.679
<v Speaker 2>we're trying to create in the environment that we're trying

1:53:39.680 --> 1:53:45.599
<v Speaker 2>to create, but that's never something that we ever see

1:53:45.880 --> 1:53:46.479
<v Speaker 2>in our shows.

1:53:47.439 --> 1:53:50.640
<v Speaker 1>Okay. In closing a lot of people who will be

1:53:50.760 --> 1:53:54.960
<v Speaker 1>listening to this are not familiar with Old Dominion's music.

1:53:56.600 --> 1:54:00.559
<v Speaker 1>So you don't have to because you're all idiots. Star

1:54:00.680 --> 1:54:03.799
<v Speaker 1>of the bands well established, But if someone is interested

1:54:03.840 --> 1:54:07.800
<v Speaker 1>in checking you out, what is Old Dominion selling and

1:54:07.920 --> 1:54:09.280
<v Speaker 1>where should they start.

1:54:12.760 --> 1:54:17.880
<v Speaker 2>Uh, you know, we're selling. We're trying to sell positivity

1:54:18.920 --> 1:54:29.160
<v Speaker 2>and relatability and trying to bring some some levity into

1:54:29.200 --> 1:54:32.560
<v Speaker 2>people's lives. With our shows especially, we're trying to leave

1:54:32.640 --> 1:54:36.840
<v Speaker 2>people feeling better when they walk out of the building

1:54:37.160 --> 1:54:40.080
<v Speaker 2>than they did when they came in. It's our goal

1:54:40.240 --> 1:54:43.520
<v Speaker 2>to give people a break. There's enough crazy shit out there,

1:54:43.640 --> 1:54:47.320
<v Speaker 2>so you know, we're trying to just put some smiles

1:54:47.360 --> 1:54:51.920
<v Speaker 2>on faces. Not to say we don't have sad songs.

1:54:52.000 --> 1:54:55.920
<v Speaker 2>We certainly do, but you need those. So we're just

1:54:56.040 --> 1:55:00.560
<v Speaker 2>trying to create something that speaks to as many people

1:55:00.600 --> 1:55:07.880
<v Speaker 2>as possible about their life and about the simple, simple

1:55:08.000 --> 1:55:10.600
<v Speaker 2>aspects of it, whether that be their relationship or their

1:55:10.680 --> 1:55:15.200
<v Speaker 2>job or whatever. We just want to We just want

1:55:15.240 --> 1:55:19.960
<v Speaker 2>to be a nice accent or a nice little addition

1:55:20.200 --> 1:55:23.480
<v Speaker 2>to their life, whether that be in celebration or in sorrow.

1:55:24.960 --> 1:55:27.400
<v Speaker 2>We want to be there for those occasions.

1:55:28.680 --> 1:55:31.280
<v Speaker 1>Well, Matthew, I want to thank you for being so

1:55:31.520 --> 1:55:34.760
<v Speaker 1>open and honest. Really a lot of people are guarded.

1:55:34.840 --> 1:55:37.360
<v Speaker 1>You're laying it all out there. You've had a ton

1:55:37.440 --> 1:55:42.000
<v Speaker 1>of success. I wish you more success, and I want

1:55:42.040 --> 1:55:43.680
<v Speaker 1>to thank you for taking this time.

1:55:43.560 --> 1:55:48.600
<v Speaker 2>With my bidding. Yeah, absolutely, thank you Until next time.

1:55:49.080 --> 1:55:50.600
<v Speaker 1>This is Bob left six