WEBVTT - Roller Skating: Fun and Cool

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<v Speaker 1>Welcome to Stuff you Should Know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the podcast. I'm Josh,

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<v Speaker 1>and there's Chuck and Jerry's here too, and this is

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<v Speaker 1>the podcast Stuff you should Know. That's right before we

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<v Speaker 1>get going, we want to pretty quickly going a little

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<v Speaker 1>fundraising drive that we're helping out. Our friends from co

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<v Speaker 1>one million dollars and we really want to hit that

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<v Speaker 1>one million dollar mark. Yep. We're basically trying to drum

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<v Speaker 1>up a hundred thousand dollars in donations, which is a

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<v Speaker 1>lot unless you break it up and divide it among

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<v Speaker 1>this stuff you should know Army. So if you want

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<v Speaker 1>to go chip in a dollar five dollars and knowledge

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<v Speaker 1>whatever your heart desires, you can go to Cooperative for

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<v Speaker 1>Education dot org slash s y s K and they

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<v Speaker 1>will put your money to really good use. And uh

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<v Speaker 1>we are chipping into so okay, so let's start talking,

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<v Speaker 1>chuck about roller skating, because there's worse things that you

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<v Speaker 1>could talk about. Yeah, maybe let's start out with our

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<v Speaker 1>own personal experience. UM. As a sort of semi sheltered

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<v Speaker 1>Baptist boy, my parents did not drop me off at

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<v Speaker 1>the roller rink on a Friday night to go roller

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<v Speaker 1>skating like all the other kids were doing, because it

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<v Speaker 1>was unsupervised boys and girls together and that's where dirty

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<v Speaker 1>things and naughty things happened sometimes. So the only time

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<v Speaker 1>I got to go roller skating was when I went

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<v Speaker 1>on youth group outings to the roller rink, which we

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<v Speaker 1>did some long and short of it is, I was

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<v Speaker 1>never a great roller skater. I don't remember if I

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<v Speaker 1>was a good roller skater and not. I certainly was

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<v Speaker 1>never like a good roller skater. But I didn't fall

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<v Speaker 1>that much, and I certainly didn't have to like hold

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<v Speaker 1>onto the wall. Did you go? Did your parents drop

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<v Speaker 1>you off and you got to go like try and

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<v Speaker 1>kiss girls and stuff? Yes, and your parents weren't too

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<v Speaker 1>far off. The first condom I ever saw in person

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<v Speaker 1>was at the rollers probably totally right to keep me

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<v Speaker 1>out of there in some dude's wallet. Um, Yes, but

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<v Speaker 1>it was it was much more. That was like literally

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<v Speaker 1>the worst thing I ever saw at the roller ring.

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<v Speaker 1>I can understand where that left a ring in a wallet? Right, Um,

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<v Speaker 1>but no, it was like a like a Friday night

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<v Speaker 1>thing usually. Um it was a school sponsored thing, so

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<v Speaker 1>you know, like everybody there, which was pretty cool. Um.

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<v Speaker 1>The slow skate like Arrowsmith Angel was always amazing. Um. Yeah,

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<v Speaker 1>it was a really fun experience. I went to Ohio

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<v Speaker 1>skate was the name of my roller rink. The one

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<v Speaker 1>we went to was called stones Gate because it was

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<v Speaker 1>near Stone Mountain. Yeah that makes sense. But again I

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<v Speaker 1>didn't get to go enough. I was okay, it wasn't

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<v Speaker 1>so much where when I went, people are like, you know,

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<v Speaker 1>who's the Mennonite over there? He still it looks really nervous.

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<v Speaker 1>But you know, I did okay, but I wanted to

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<v Speaker 1>go dry and kiss girls and I wasn't allowed to.

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<v Speaker 1>I don't recall kissing a girl at the roller rink ever,

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<v Speaker 1>So you know you kissed the girl eventually, right, You're

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<v Speaker 1>you're fine. Yeah, yeah, yeah, I'm married. You didn't miss

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<v Speaker 1>that much. But it was fun. It was a fun time.

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<v Speaker 1>I I all of my memories from the roller rink

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<v Speaker 1>are very fond ones. I wanted to kiss a girl

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<v Speaker 1>in the seventh grade, and I just that did not happen. Okay, yeah,

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<v Speaker 1>I think I had my first kiss in second grade.

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<v Speaker 1>Of course you did, because your boss there and your

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<v Speaker 1>boss now, thanks a lot man. All right, so let's

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<v Speaker 1>talk roller skates. They have actually been around a lot

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<v Speaker 1>longer than I thought. You put this together, right, Dave

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<v Speaker 1>helped us with this one. Oh all right, I didn't

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<v Speaker 1>know that I forgot about this one, I guess. Yeah,

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<v Speaker 1>but they've been around a lot longer. They've been around

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<v Speaker 1>since the seventeen hundreds. I did not know that the

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<v Speaker 1>Dutch are Dutch friends were the ones who first started

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<v Speaker 1>thinking of ways to put wooden spools into a line

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<v Speaker 1>and rolling around on them. But it's our English friends

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<v Speaker 1>that get credit for being the first to have documented

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<v Speaker 1>use of roller skates. There was a production in London

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<v Speaker 1>on stage in seventeen forty three, not sure what it

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<v Speaker 1>was called, but they were supposed to be pretending to

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<v Speaker 1>be ice skating, So the actors on stage used roller skates.

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<v Speaker 1>And if that doesn't bring up thoughts of like delighted

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<v Speaker 1>gasps that the audience is the curtain rises and there's

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<v Speaker 1>people magically ice skating on stage. I don't know what

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<v Speaker 1>does Yeah, absolutely uh. Not too long after, in seventeen sixty,

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<v Speaker 1>there was an inventor from Belgium named John Joseph Merlin

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<v Speaker 1>who debuted these roller skates that he made at Masquerade Ball.

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<v Speaker 1>When he rolled in playing the violin, was like, hey, everybody,

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<v Speaker 1>look at me, I'm playing the violin. I'm rolling. Oh no,

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<v Speaker 1>a mirror and like just sort of sounds like skated

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<v Speaker 1>right into this mirror and broke it and broke his

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<v Speaker 1>violin because at the time there were no toad stops

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<v Speaker 1>and there were no trucks on the bottom of your skate,

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<v Speaker 1>which we'll get to, but that's what allows you to

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<v Speaker 1>to kind of lean and steer a skate a little

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<v Speaker 1>bit right. For some reason, I think of Merlin like

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<v Speaker 1>as he as he gets more and more out of control,

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<v Speaker 1>his his violins playing speeds up too. Rather than the

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<v Speaker 1>opposite natural things just stopped playing violin, he keeps he's

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<v Speaker 1>playing like his own demise that I keep imagining it

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<v Speaker 1>like that. Oh, I love it. I wonder why the

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<v Speaker 1>guy just didn't see it coming and like decided to

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<v Speaker 1>just fall on purpose rather than crash into a mirror.

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<v Speaker 1>I'm not sure. Maybe it's because he was so you know,

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<v Speaker 1>playing so fast. He was doing the Devil went down

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<v Speaker 1>to Georgia. So there's a guy named Jay mzel Plimpton

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<v Speaker 1>and he's considered um pretty much all around. Is the

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<v Speaker 1>first inventor of the real roller skate back in eighteen

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<v Speaker 1>sixty three. And in super nineteenth century fashion, he wasn't

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<v Speaker 1>an inventor. He was a furniture store owner in New

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<v Speaker 1>York because that's who invented stuff back in the nineteenth century. Yeah,

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<v Speaker 1>it's pretty cool. They were called the rocking skates, and

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<v Speaker 1>they were the first quad skates. They were the first

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<v Speaker 1>ones that have you know, the two wheels in the

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<v Speaker 1>front and the two wheels in the back next to

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<v Speaker 1>each other. And I mentioned those trucks, the first one

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<v Speaker 1>that had a truck, and that is, instead of the

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<v Speaker 1>skate just being fixed in position on the bottom of

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<v Speaker 1>a wood shoe in in Amsterdam, the wheels are secured

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<v Speaker 1>to a truck and the truck is secured to the

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<v Speaker 1>shoe or the boot, and those trucks. You know, if

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<v Speaker 1>you ever skateboarded, you know you loosen and tighten the trucks.

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<v Speaker 1>You can do the same thing on skates, and it's

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<v Speaker 1>not quite like a skateboard. Like the trucks give just

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<v Speaker 1>just a little bit on a roll or skate such

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<v Speaker 1>that like most of your turning and stuff is done

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<v Speaker 1>by picking up your feet. Uh, and not just like

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<v Speaker 1>leaning really hard to the left and doing a circle.

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<v Speaker 1>But they but they really helped. Yeah. Um. So not

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<v Speaker 1>only did Plimpton invent the modern rolling skate, he also

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<v Speaker 1>basically introduced the pastime of roller skating to the world. Um,

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<v Speaker 1>He's like, I'm definitely onto something here. He rented a

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<v Speaker 1>ballroom in a hotel in Providence, couldn't find out what

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<v Speaker 1>hotel it was, um, and set up a roller rink.

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<v Speaker 1>There is basically a proof of concept. And then he

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<v Speaker 1>started touring the country and I think the world, showing

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<v Speaker 1>people how great skating was, giving demonstrations, giving lessons, throwing

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<v Speaker 1>skate parties, I guess, and um, in a very short time,

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<v Speaker 1>the Victorians were like, this is a really great thing

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<v Speaker 1>that we're into. He invented the skate in eighteen sixty three.

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<v Speaker 1>By the eighties, there were three thousand roller rinks in

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<v Speaker 1>the United States, England, Europe in Australia. Yeah. I was

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<v Speaker 1>about to say this would make a movie, but now

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<v Speaker 1>that I think about it, it it would make a great

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<v Speaker 1>drunk History episode, especially the John Joseph Merlin park. Yes,

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<v Speaker 1>and so just why haven't we been on yet? Derek Waters,

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<v Speaker 1>get Josh and I on junk History and let us

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<v Speaker 1>tell the story of roller skating. I think that we

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<v Speaker 1>need to get in the way back machine and ask

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<v Speaker 1>him because that do not on anymore. I thought it

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<v Speaker 1>was still going. No, we missed our chance. I'm totally

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<v Speaker 1>down to get in the way back machinery. I know,

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<v Speaker 1>but I don't know. I'm really sad now I didn't

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<v Speaker 1>know that it has completed. It's run. Okay, Well, never mind,

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<v Speaker 1>Derek Waters. Put us in the next thing you do.

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<v Speaker 1>Why don't you guys have me on? I'll have you one.

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<v Speaker 1>I'll Derek Waters on anytime. Uh, roller ranks became all

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<v Speaker 1>the rage and young Victorians were out there. There's time

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<v Speaker 1>before you could like go on a date and stuff

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<v Speaker 1>like that, so it was kind of like young Chuck.

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<v Speaker 1>It would have been a time for me to talk

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<v Speaker 1>to girls and stuff, and that's what it was back then,

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<v Speaker 1>in the eighties and nineties. Yeah, but I guess unlike

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<v Speaker 1>your parents, the Victorians were like, this is okay, We're

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<v Speaker 1>gonna let them hang out by themselves chaperone. But the

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<v Speaker 1>thing is, if you went skating back in the nineteenth century, UM,

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<v Speaker 1>they would have like a full orchestra or an organist

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<v Speaker 1>playing um, like a carousel basically, I think is what

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<v Speaker 1>it was a lot like um because if you're just

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<v Speaker 1>skating around silently in like with like no music, that

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<v Speaker 1>seems really unwholesome and weird. So I think they figured

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<v Speaker 1>out really quickly that you kind of need music to skate. Uh.

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<v Speaker 1>This is a pretty cool fact that was in though.

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<v Speaker 1>Was at the Grand Hall Olympia in London, a sixty

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<v Speaker 1>eight thousand square foot roller rink was built, which is

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<v Speaker 1>about the size of a soccer field, So that just

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<v Speaker 1>kind of goes to show like how much people were

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<v Speaker 1>into skating it. It worked his way into vaudeville. It

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<v Speaker 1>worked this way into the pictures. In the nineteen thirties,

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<v Speaker 1>Charlie Chaplin, very famously in modern times, skated blindfolded. Just

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<v Speaker 1>if you've never watched any Chaplain, go just check this

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<v Speaker 1>out at least and get a slight appreciation of his genius.

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<v Speaker 1>But there was a he was on the fourth floor

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<v Speaker 1>and there was no railing because it was under construction,

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<v Speaker 1>and so he's skating around blindfold and of course they

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<v Speaker 1>is so scary. Yeah. Um, and also that Vaudeville act.

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<v Speaker 1>I just have to shout out Charles Professor Frank, the

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<v Speaker 1>dean of roller skating, and in particular I want to

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<v Speaker 1>shout out his five year old daughter, Lily, who could

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<v Speaker 1>roller skate on stilts. I've never heard of anybody doing

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<v Speaker 1>that before or since. I feel like I've seen that

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<v Speaker 1>at a circus. Okay, well, you can thank Lily Frank

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<v Speaker 1>for for innovating that one. I wonder if she invented

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<v Speaker 1>the stilt. Probably not so in the fifties. Um, the

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<v Speaker 1>peak of popularity of roller skating happened starting around ninety seven,

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<v Speaker 1>I believe the late fifties, and apparently Chicago was the

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<v Speaker 1>epicenter of this roller skating revival, because in between the

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<v Speaker 1>Victorians and the fifties, roller skating actually developed a really

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<v Speaker 1>seedy reputation. UM. I saw like an article from the

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<v Speaker 1>seventies where a roller rink operator said that back then

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<v Speaker 1>roller rink was the kind of place you wouldn't let

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<v Speaker 1>your daughter go hang out, like they're just not good places.

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<v Speaker 1>But all of the roller rink operators that had hung

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<v Speaker 1>on kind of banded together and like really worked to

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<v Speaker 1>revive roller skating's image. And we're successful, so successful that

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<v Speaker 1>the late fifties saw the greatest number of roller skating

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<v Speaker 1>and roller rinks and in history. Yeah, my parents didn't

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<v Speaker 1>get that memo. I guess they were still working off

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<v Speaker 1>the h code. But yeah, more than five thousand ranks

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<v Speaker 1>were operating in the nineteen fifties. And if you think

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<v Speaker 1>you grew up in the like seventies and eighties and

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<v Speaker 1>you're like, no, that was the heyday there only well

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<v Speaker 1>only there were a lot back then too, but about

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<v Speaker 1>thirty hundred fewer ranks than the nineteen fifties. Yeah, and

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<v Speaker 1>I definitely think of the late seventies is like the pinnacle.

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<v Speaker 1>But that was wrong. My eyes are open now, Uh,

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<v Speaker 1>shall we take a break. Yeah, let's take a break

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<v Speaker 1>and come back because there's some really unexpected coolness coming up. Okay, Chuck.

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<v Speaker 1>So I don't typically, or I didn't before, associate roller

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<v Speaker 1>skating with civil rights, but they really went hand in hand.

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<v Speaker 1>Um early on. I think one of the earliest sit

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<v Speaker 1>ins was in nine outside of the White City roller

0:12:48.679 --> 0:12:52.679
<v Speaker 1>Skating Rink in Chicago. This early, like I equate sit

0:12:52.760 --> 0:12:56.319
<v Speaker 1>ins with like maybe the fifties, definitely the sixties. Um.

0:12:56.360 --> 0:12:58.959
<v Speaker 1>But one of the reasons why they targeted roller skating

0:12:59.040 --> 0:13:02.439
<v Speaker 1>rinks for sittings and civil rights protests because some historians

0:13:02.440 --> 0:13:06.679
<v Speaker 1>said that everywhere in the country segregation, whether like on

0:13:06.800 --> 0:13:12.000
<v Speaker 1>paper or in practice, was a real problem. But in particular,

0:13:12.280 --> 0:13:17.160
<v Speaker 1>Black Americans found that, um, public pools, amusement parks, and

0:13:17.240 --> 0:13:20.400
<v Speaker 1>roller skating rinks where the three hardest places to integrate.

0:13:20.800 --> 0:13:24.680
<v Speaker 1>And um, everybody likes skating, but not everybody had access

0:13:24.720 --> 0:13:27.440
<v Speaker 1>to it, And so Black Americans were like, no, that

0:13:27.720 --> 0:13:29.880
<v Speaker 1>doesn't sit very well with us. We're going to do

0:13:29.960 --> 0:13:32.480
<v Speaker 1>something about that. Yeah, Like, they may show up at

0:13:32.480 --> 0:13:35.160
<v Speaker 1>a roller skating rink and even if it was not,

0:13:35.280 --> 0:13:37.559
<v Speaker 1>you know, legal to do so, they would say that

0:13:37.840 --> 0:13:39.679
<v Speaker 1>we have a private party tonight, you can't come in.

0:13:40.120 --> 0:13:42.720
<v Speaker 1>So stuff like that was going on. Uh. In the

0:13:42.800 --> 0:13:45.440
<v Speaker 1>nineteen sixty three there was a man seven year old

0:13:45.679 --> 0:13:50.160
<v Speaker 1>from Chicago named Ledger Smith who very famously roller skated

0:13:50.559 --> 0:13:54.520
<v Speaker 1>almost seven hundred miles to attend the March on Washington

0:13:55.000 --> 0:13:57.040
<v Speaker 1>for jobs and freedom, which is the very famous I

0:13:57.080 --> 0:14:00.280
<v Speaker 1>have a Dream speech where that took place, and he

0:14:00.320 --> 0:14:03.160
<v Speaker 1>was called roller Man. He had a sash that said freedom.

0:14:03.160 --> 0:14:04.679
<v Speaker 1>He was backed by the N double A C P.

0:14:05.400 --> 0:14:08.320
<v Speaker 1>And roller skated six and eighty five miles to attend

0:14:08.360 --> 0:14:11.360
<v Speaker 1>it and to a lot of uh, you know, media

0:14:11.400 --> 0:14:14.959
<v Speaker 1>fan fair and like obviously it was um for the time.

0:14:14.960 --> 0:14:18.680
<v Speaker 1>It wasn't like widespread media, but it got attention right

0:14:18.760 --> 0:14:22.040
<v Speaker 1>for sure. UM. So, after the Civil Rights Act was

0:14:22.080 --> 0:14:24.600
<v Speaker 1>passed the nineteen sixty four and there was again on

0:14:24.640 --> 0:14:29.320
<v Speaker 1>paper no such thing as um segregation or racism in America, UM,

0:14:29.440 --> 0:14:32.200
<v Speaker 1>black Americans going to roller rinks still were faced with, like,

0:14:32.520 --> 0:14:36.000
<v Speaker 1>you know, just being shut out. But to kind of

0:14:36.040 --> 0:14:41.680
<v Speaker 1>follow the law in the least way possible, roller rink

0:14:41.720 --> 0:14:44.560
<v Speaker 1>operators would set aside like one night a week for

0:14:44.680 --> 0:14:48.320
<v Speaker 1>black patrons, um. And they would call them things like

0:14:48.560 --> 0:14:52.640
<v Speaker 1>Soul Nights or Martin Luther King Junior Night. And it

0:14:52.760 --> 0:14:55.040
<v Speaker 1>was what black Americans had to work with in the

0:14:55.080 --> 0:14:58.200
<v Speaker 1>sixties if they wanted to go roller skating in some places,

0:14:58.880 --> 0:15:00.920
<v Speaker 1>that's right, but it was it end up being something

0:15:00.960 --> 0:15:05.040
<v Speaker 1>that really changed roller skating because on Soul Nights or

0:15:05.160 --> 0:15:07.600
<v Speaker 1>on Martin Luther King Jr. Night at the roller Rink

0:15:08.400 --> 0:15:14.000
<v Speaker 1>is where things got super cool and where they said, hey, um,

0:15:14.040 --> 0:15:16.720
<v Speaker 1>you know, white people aren't here. We can do what

0:15:16.760 --> 0:15:20.080
<v Speaker 1>we want. We can get our dance on on these

0:15:20.200 --> 0:15:22.440
<v Speaker 1>roller skates, and we can get that organist out of

0:15:22.480 --> 0:15:25.480
<v Speaker 1>the room and play some good music. And that's what

0:15:25.560 --> 0:15:29.160
<v Speaker 1>they did. They got uh, you know, like fifties and

0:15:29.200 --> 0:15:32.280
<v Speaker 1>sixties soul and R and B and then eventually like

0:15:32.320 --> 0:15:36.200
<v Speaker 1>funk music playing on the turntable and all of a sudden,

0:15:36.360 --> 0:15:41.880
<v Speaker 1>skating got one thousand percent more awesome. Yeah, because up

0:15:41.880 --> 0:15:44.640
<v Speaker 1>to that point, everybody was like, no, you don't do that.

0:15:44.680 --> 0:15:46.920
<v Speaker 1>You you skate around in a circle with a smile

0:15:46.960 --> 0:15:52.000
<v Speaker 1>on your face, than the than the little like baseball

0:15:52.000 --> 0:15:56.200
<v Speaker 1>game organist. But right exactly. But every but everything that

0:15:56.280 --> 0:15:58.160
<v Speaker 1>you think of with roller skating, if you think it's

0:15:58.160 --> 0:16:02.320
<v Speaker 1>even passingly cool, you can thank mid century black Americans

0:16:02.360 --> 0:16:04.640
<v Speaker 1>for basically saying like, there's a much better way to

0:16:04.680 --> 0:16:07.800
<v Speaker 1>do this, and integrating dancing and roller skating was a

0:16:07.840 --> 0:16:10.800
<v Speaker 1>big part of that. And um so that really laid

0:16:10.840 --> 0:16:13.560
<v Speaker 1>the groundwork for that skating revival that you and I

0:16:13.600 --> 0:16:16.280
<v Speaker 1>talked about. That seems like to us like the peak

0:16:16.280 --> 0:16:19.880
<v Speaker 1>of roller skating, even though it wasn't. Um. And there

0:16:19.960 --> 0:16:22.080
<v Speaker 1>was one guy in particular that was kind of the

0:16:22.160 --> 0:16:25.160
<v Speaker 1>conduit for the whole thing. His name was Bill Butler,

0:16:25.720 --> 0:16:27.600
<v Speaker 1>and he was an Air Force sergeant and all the

0:16:27.640 --> 0:16:30.160
<v Speaker 1>way back in the late fifties he was trying to

0:16:30.200 --> 0:16:33.200
<v Speaker 1>convince rink owners. He traveled around a lot um as

0:16:33.240 --> 0:16:35.720
<v Speaker 1>part of his Air Force service. UM, so he would

0:16:35.720 --> 0:16:38.760
<v Speaker 1>go to different rinks by himself, I guess, and um

0:16:38.800 --> 0:16:40.600
<v Speaker 1>he would try to convince the owners to like play

0:16:40.640 --> 0:16:44.000
<v Speaker 1>some records instead of this organist you know. Um. And

0:16:44.080 --> 0:16:45.880
<v Speaker 1>every once in a while he was successful. And when

0:16:45.880 --> 0:16:48.120
<v Speaker 1>he was he really showed people like how great it was.

0:16:48.680 --> 0:16:50.720
<v Speaker 1>But Um, as much as he was laying the groundwork

0:16:50.720 --> 0:16:54.360
<v Speaker 1>in the fifties, in the late seventies he was basically

0:16:54.400 --> 0:16:59.200
<v Speaker 1>the place where disco shot through into roller skating. He

0:16:59.280 --> 0:17:03.400
<v Speaker 1>was like the prism that disco came through and spread

0:17:03.440 --> 0:17:06.960
<v Speaker 1>into roller disco. Yeah. And that was in New York,

0:17:07.000 --> 0:17:10.560
<v Speaker 1>of course, sort of the the apex of disco. Uh

0:17:10.600 --> 0:17:13.680
<v Speaker 1>in Brooklyn actually at Empire Roller Disco is where Bill

0:17:13.760 --> 0:17:17.200
<v Speaker 1>hung out and disco happening. It all, like you said,

0:17:17.200 --> 0:17:20.240
<v Speaker 1>to sort of coalesced at this moment in time where

0:17:20.400 --> 0:17:24.280
<v Speaker 1>skating was sort of retaking off, and then all of

0:17:24.359 --> 0:17:27.440
<v Speaker 1>a sudden you had this great music to dance too,

0:17:28.119 --> 0:17:31.760
<v Speaker 1>and dancing on roller skates is even cooler. Uh if

0:17:31.800 --> 0:17:34.080
<v Speaker 1>you could pull it off. Um, it's very hard. I've

0:17:34.080 --> 0:17:36.560
<v Speaker 1>tried to do that stuff. I'm that's not very good

0:17:36.760 --> 0:17:40.120
<v Speaker 1>disco roller skater, but rollers they kind of like dip

0:17:40.160 --> 0:17:41.600
<v Speaker 1>their toe in it. As far as the rinks go.

0:17:41.640 --> 0:17:44.320
<v Speaker 1>They would have like a club night where they would

0:17:44.320 --> 0:17:47.080
<v Speaker 1>play those records and stuff. And then eventually, when disco

0:17:47.160 --> 0:17:49.800
<v Speaker 1>really really hit, the riding was on the wall and

0:17:49.880 --> 0:17:54.680
<v Speaker 1>they started fully converting roller rinks into what we think

0:17:54.720 --> 0:17:57.600
<v Speaker 1>of roller rinks now. Like before this, they didn't have

0:17:57.680 --> 0:18:00.359
<v Speaker 1>like all the amazing sort of dance lie It's and

0:18:01.119 --> 0:18:04.400
<v Speaker 1>mirror balls and like disco is is what brought all

0:18:04.400 --> 0:18:06.359
<v Speaker 1>that stuff in. So all of a sudden you have

0:18:06.480 --> 0:18:09.879
<v Speaker 1>like neon and like cool carpet and like a killer

0:18:09.960 --> 0:18:14.760
<v Speaker 1>sound system and it was like a disco on wheels exactly.

0:18:15.040 --> 0:18:16.800
<v Speaker 1>And one of the reasons why it got so big

0:18:16.920 --> 0:18:21.199
<v Speaker 1>is because disco really brought um, Americans of all races

0:18:21.240 --> 0:18:25.399
<v Speaker 1>together for like the first time, more than ever before.

0:18:26.119 --> 0:18:27.679
<v Speaker 1>I don't want to say the first time, but definitely

0:18:27.680 --> 0:18:31.199
<v Speaker 1>more than ever before. It was a really integrative I

0:18:31.240 --> 0:18:34.160
<v Speaker 1>think that's a word, sure, um kind of cultural movement,

0:18:34.280 --> 0:18:37.639
<v Speaker 1>right so um. Basically, another way to put it is

0:18:37.960 --> 0:18:41.199
<v Speaker 1>white people who already like disco, we're like, oh, you

0:18:41.200 --> 0:18:43.720
<v Speaker 1>guys are roller skating to disco would show up at

0:18:43.760 --> 0:18:47.040
<v Speaker 1>the roller rinks and learn from the Black Americans who'd

0:18:47.080 --> 0:18:49.160
<v Speaker 1>been dancing all this time and we're now like had

0:18:49.200 --> 0:18:52.040
<v Speaker 1>basically laid the foundation for roller disco to show them

0:18:52.200 --> 0:18:54.440
<v Speaker 1>that there's more to roller skating than just going around

0:18:54.440 --> 0:18:57.040
<v Speaker 1>in a circle with a smile on your face. That's right,

0:18:57.119 --> 0:18:59.639
<v Speaker 1>and Bill Butler leading the way in Brooklyn, like anyone

0:18:59.680 --> 0:19:04.199
<v Speaker 1>who is anyone in the disco scene would like they

0:19:04.200 --> 0:19:06.480
<v Speaker 1>would go to Studio fifty four or one night and

0:19:06.520 --> 0:19:09.040
<v Speaker 1>then they would go to Empire roller Disco. If you

0:19:09.080 --> 0:19:12.040
<v Speaker 1>weren't Share or Linda Ronstat or you know, god knows

0:19:12.080 --> 0:19:16.160
<v Speaker 1>who else, so you could skate with Bill Butler and

0:19:16.359 --> 0:19:19.199
<v Speaker 1>it was like a genuine movement was happening. There was

0:19:19.400 --> 0:19:22.359
<v Speaker 1>very little barrier to entry, you know, um, because you

0:19:22.400 --> 0:19:24.520
<v Speaker 1>rent the skates generally, like of course a lot of

0:19:24.520 --> 0:19:26.360
<v Speaker 1>people bought there, like super cool skates. If they could

0:19:26.359 --> 0:19:28.720
<v Speaker 1>afford them, but you know, a couple of bucks to

0:19:28.720 --> 0:19:32.720
<v Speaker 1>get in, like seventy cents to rent skates and all

0:19:32.760 --> 0:19:34.960
<v Speaker 1>of you know, there weren't like the velvet rope wasn't

0:19:34.960 --> 0:19:37.520
<v Speaker 1>happening like at disco clubs where they wouldn't let you

0:19:37.560 --> 0:19:39.359
<v Speaker 1>in if you didn't have the right look. And it

0:19:39.400 --> 0:19:42.280
<v Speaker 1>was sort of democratized in a way. Yeah, it was

0:19:42.320 --> 0:19:46.080
<v Speaker 1>really inclusive, which is cool. Um. There was one other

0:19:46.119 --> 0:19:49.080
<v Speaker 1>thing that happened in the seventies too that that changed

0:19:49.320 --> 0:19:52.440
<v Speaker 1>roller skating forever and basically made it what we think

0:19:52.480 --> 0:19:56.040
<v Speaker 1>of today, and that was the introduction of the polyurethane wheel,

0:19:57.000 --> 0:19:59.840
<v Speaker 1>and that um did a couple of things. One, you

0:20:00.000 --> 0:20:04.119
<v Speaker 1>could go outside now um to roller skate. Obviously you

0:20:04.160 --> 0:20:08.199
<v Speaker 1>could before because Ledger Smith roller skated seven miles. But

0:20:08.359 --> 0:20:10.600
<v Speaker 1>one thing you don't realize is that Ledger Smith probably

0:20:10.640 --> 0:20:14.280
<v Speaker 1>did that on metal wheels. And a description of roller

0:20:14.320 --> 0:20:16.520
<v Speaker 1>skating outside of metal wheels I saw was that the

0:20:16.520 --> 0:20:19.400
<v Speaker 1>whole point is to just keep your teeth from rattling

0:20:19.440 --> 0:20:23.199
<v Speaker 1>out of your head. So Paul euthane wheels are softer

0:20:23.440 --> 0:20:26.280
<v Speaker 1>and they're much more forgiving outdoors. So people were now

0:20:26.320 --> 0:20:29.560
<v Speaker 1>allowed to go outdoors and roller skate and particularly roller

0:20:29.600 --> 0:20:33.840
<v Speaker 1>disco outside and then indoors. It allowed for much greater

0:20:33.920 --> 0:20:37.960
<v Speaker 1>control and movement in precise movement uh in the roller

0:20:38.040 --> 0:20:41.159
<v Speaker 1>rink than the older wheels had as well. Yeah, I

0:20:41.160 --> 0:20:43.800
<v Speaker 1>mean we talked about this in the skateboarding up. The

0:20:44.040 --> 0:20:46.920
<v Speaker 1>same thing happened there. They were already being made for skateboards,

0:20:46.920 --> 0:20:49.119
<v Speaker 1>but there was a little bit of a dip in

0:20:49.240 --> 0:20:52.919
<v Speaker 1>popularity for skateboarding at one point in the seventies, and

0:20:52.960 --> 0:20:55.080
<v Speaker 1>then the wheel manufacturer said, hey, let's put them on

0:20:55.160 --> 0:20:58.239
<v Speaker 1>roller skates. Everything changed all of a sudden. You can

0:20:58.240 --> 0:21:00.720
<v Speaker 1>go to Central Park in New York and see some

0:21:00.840 --> 0:21:03.960
<v Speaker 1>really super cool roller disco happening on the sidewalks and

0:21:04.080 --> 0:21:09.880
<v Speaker 1>uh and pathways. It's essentially the definition of seventies groovy,

0:21:10.440 --> 0:21:12.639
<v Speaker 1>you know. Oh yeah, like all of a sudden, like

0:21:12.640 --> 0:21:15.600
<v Speaker 1>any like, it felt like every other movie or TV

0:21:15.680 --> 0:21:17.920
<v Speaker 1>show you saw I had some sort of roller skating

0:21:18.600 --> 0:21:22.040
<v Speaker 1>either scene or like part of the plot. Yeah, Like Skatetown,

0:21:22.160 --> 0:21:24.760
<v Speaker 1>USA was a big one. Um. Patrick Swayzy was in

0:21:24.760 --> 0:21:28.399
<v Speaker 1>that roller Boogie. There's another one starring Linda Blair, Zanna

0:21:28.440 --> 0:21:32.960
<v Speaker 1>Do great movie starring Olivia Newton, John Um and then

0:21:33.240 --> 0:21:35.320
<v Speaker 1>like you said, like even randomly to like, if you

0:21:35.320 --> 0:21:38.359
<v Speaker 1>watch The Warriors, the leaders of one of the rival

0:21:38.400 --> 0:21:41.000
<v Speaker 1>gangs like gets around on roller skates, like it was

0:21:41.080 --> 0:21:44.880
<v Speaker 1>just part of the part of the zeitgeist. Basically, Yeah,

0:21:44.960 --> 0:21:48.600
<v Speaker 1>not a tough look for a gang leader, no, but

0:21:48.640 --> 0:21:51.000
<v Speaker 1>that's any the great things of the Warriors. He looks

0:21:51.000 --> 0:21:53.840
<v Speaker 1>like a troglodyte though, so he is really scary, but

0:21:53.880 --> 0:21:58.399
<v Speaker 1>he's also on roller skates. It's a weird juxtaposition. Before,

0:21:58.400 --> 0:22:02.000
<v Speaker 1>while I was a checking out Dave's original uh PEC

0:22:02.119 --> 0:22:05.639
<v Speaker 1>put together for us, I stopped there before turning the

0:22:05.640 --> 0:22:08.040
<v Speaker 1>page and was thinking, wait a minute, I remember a

0:22:08.160 --> 0:22:12.879
<v Speaker 1>Chips episode very distinctly where they were bank robbers that

0:22:13.000 --> 0:22:15.920
<v Speaker 1>had those big platform wooden shoes and would like click

0:22:15.960 --> 0:22:18.880
<v Speaker 1>a button and wheels would come out and they would

0:22:18.920 --> 0:22:21.600
<v Speaker 1>rollers that was their getaway car, was their roller skates.

0:22:21.840 --> 0:22:24.520
<v Speaker 1>They would leave an oil slick trail from their heel,

0:22:24.720 --> 0:22:26.800
<v Speaker 1>and it was Chips. It was a two parter um.

0:22:26.880 --> 0:22:29.399
<v Speaker 1>And I went and looked it up, and uh, I

0:22:29.400 --> 0:22:32.040
<v Speaker 1>didn't see that part. But there's there's a very fun

0:22:32.880 --> 0:22:35.720
<v Speaker 1>YouTube video. Um I think it's called like the most

0:22:35.760 --> 0:22:38.840
<v Speaker 1>seventies TV scene ever or something like that. We just

0:22:38.840 --> 0:22:41.080
<v Speaker 1>look up Chips roller skating, bank robbery or whatever and

0:22:41.080 --> 0:22:45.120
<v Speaker 1>it will come up and it is a huge fundraiser

0:22:45.240 --> 0:22:48.280
<v Speaker 1>for the HP on the show. And they're at a

0:22:48.400 --> 0:22:54.240
<v Speaker 1>roller disco place and almost every seventies person you can

0:22:54.280 --> 0:22:57.119
<v Speaker 1>think of was in this scene. And they were just

0:22:57.160 --> 0:22:59.240
<v Speaker 1>announcing that it was really long. It's like three minutes,

0:22:59.240 --> 0:23:02.399
<v Speaker 1>and they're like, and there comes Ruth Buzzy and he coughs,

0:23:02.600 --> 0:23:05.920
<v Speaker 1>like I can't remember all the guys, but they were

0:23:06.000 --> 0:23:10.520
<v Speaker 1>just it was just like a h murderers row of

0:23:10.960 --> 0:23:14.800
<v Speaker 1>seventies icon like TV and movie stars out there, roller

0:23:14.880 --> 0:23:17.800
<v Speaker 1>disc going some poorly and then some if you look closely,

0:23:18.119 --> 0:23:20.200
<v Speaker 1>that a little disc line going like the disco line

0:23:20.200 --> 0:23:22.440
<v Speaker 1>where you go through the middle. I saw one guy

0:23:22.480 --> 0:23:24.520
<v Speaker 1>doing a move. He didn't even have roller skates on.

0:23:25.520 --> 0:23:27.280
<v Speaker 1>He just kind of walked out in these loafers and

0:23:29.200 --> 0:23:32.040
<v Speaker 1>it's hilarious. It's a very great video. I feel like

0:23:32.119 --> 0:23:34.720
<v Speaker 1>Chips doing a two parter on roller disco really lets

0:23:34.800 --> 0:23:36.640
<v Speaker 1>us off the hook for our two part on Evil

0:23:36.680 --> 0:23:40.679
<v Speaker 1>kinevil Um. There was another thing that came out to like.

0:23:40.800 --> 0:23:45.720
<v Speaker 1>Um Share had a single called Hell on Wheels and

0:23:45.840 --> 0:23:48.240
<v Speaker 1>Um she actually created a music video for the song,

0:23:48.280 --> 0:23:50.680
<v Speaker 1>which was weird because it was released two years before

0:23:50.840 --> 0:23:53.360
<v Speaker 1>MTV came out, so that was a really unusual thing

0:23:53.400 --> 0:23:56.679
<v Speaker 1>to do. But if you watch it, she combines the

0:23:56.800 --> 0:24:00.920
<v Speaker 1>roller disco craze and the trucker she craze by rollers

0:24:01.080 --> 0:24:03.480
<v Speaker 1>roller disc going in front of a tractor trailer on

0:24:03.520 --> 0:24:07.439
<v Speaker 1>a road. Yeah. It's a really unusual video and an

0:24:07.560 --> 0:24:10.159
<v Speaker 1>unusual song too, but it's got I mean, a disco

0:24:10.240 --> 0:24:12.840
<v Speaker 1>beat for sure. Yeah. I remember the trucker thing. We

0:24:12.880 --> 0:24:16.280
<v Speaker 1>had a CV. It was oh so funny. That was

0:24:16.480 --> 0:24:20.280
<v Speaker 1>the Convoy that movie. Yeah, but she but Share made

0:24:20.280 --> 0:24:22.920
<v Speaker 1>it okay for truckers to like roller disco now, yeah,

0:24:23.440 --> 0:24:26.399
<v Speaker 1>I guess. Uh. L A had their own version of

0:24:26.760 --> 0:24:30.840
<v Speaker 1>Empire in Brooklyn. It was called Flippers and I looked

0:24:30.840 --> 0:24:32.920
<v Speaker 1>it up. I think it was at La Sienega in

0:24:33.160 --> 0:24:36.480
<v Speaker 1>Santa Monica, kind of right there in central Hollywood. And

0:24:36.480 --> 0:24:40.000
<v Speaker 1>it is now a CBS, aren't they all? I think?

0:24:40.080 --> 0:24:43.040
<v Speaker 1>So every old cool thing is a CDs. Now there's

0:24:43.040 --> 0:24:46.280
<v Speaker 1>a CVS in I think it's in green Point in

0:24:46.359 --> 0:24:50.159
<v Speaker 1>Brooklyn and it has an old disco ball still in

0:24:50.200 --> 0:24:53.040
<v Speaker 1>the ceiling, Like what was this place? And I've never

0:24:53.080 --> 0:24:55.840
<v Speaker 1>found out. But I don't think CVS installed it. I

0:24:55.920 --> 0:24:58.240
<v Speaker 1>think it kind of came with the location. Yet I

0:24:58.240 --> 0:25:01.840
<v Speaker 1>don't have a CBS can Menia to my home. Somehow,

0:25:02.280 --> 0:25:05.000
<v Speaker 1>it's funny, I know, I mean if they're not that far,

0:25:05.040 --> 0:25:07.560
<v Speaker 1>because all the Intel neighborhoods Atlanta are fairly close. But

0:25:08.359 --> 0:25:10.840
<v Speaker 1>I don't know. You want to CVS like within five

0:25:10.840 --> 0:25:14.439
<v Speaker 1>minutes drive and I guess you don't live near a

0:25:14.480 --> 0:25:17.560
<v Speaker 1>defunct roller just go. No, they took the Ecker Drugs

0:25:17.600 --> 0:25:21.040
<v Speaker 1>near me that was convenient and changed it into a

0:25:21.160 --> 0:25:25.239
<v Speaker 1>kidney dialysis place, which is useful, but like, you know,

0:25:25.400 --> 0:25:28.760
<v Speaker 1>where am I gonna get my goodies headache powder? For sure?

0:25:29.800 --> 0:25:33.600
<v Speaker 1>But Flippers was big in the late seventies, and it

0:25:33.640 --> 0:25:35.960
<v Speaker 1>was you know, the the West Coast version where like

0:25:36.040 --> 0:25:38.160
<v Speaker 1>David Lee Roth would hang out and Rod Stewart would

0:25:38.200 --> 0:25:42.480
<v Speaker 1>hang out, and Jacqueline Bassett through her thirty fifth birthday party. Yeah,

0:25:42.520 --> 0:25:44.800
<v Speaker 1>and Ted Kennedy held a fundraiser there for his nineteen

0:25:44.840 --> 0:25:49.800
<v Speaker 1>eight presidential campaign. It's very, uh, very nineteen eighties. Yeah.

0:25:49.840 --> 0:25:53.639
<v Speaker 1>And between Flippers, in between um Empire all throughout the

0:25:53.720 --> 0:25:57.120
<v Speaker 1>United States there was like seriously a thousand new roller

0:25:57.200 --> 0:26:00.399
<v Speaker 1>rinks that came online in the seventies, um, and it

0:26:00.440 --> 0:26:03.720
<v Speaker 1>was pretty cool, but then it went out, um very quickly.

0:26:03.800 --> 0:26:08.440
<v Speaker 1>I mean was the peak of roller disco. And there

0:26:08.480 --> 0:26:13.000
<v Speaker 1>was almost not like um a crest Or trough. It

0:26:13.080 --> 0:26:17.119
<v Speaker 1>was almost like an inverted V. It just came around,

0:26:17.480 --> 0:26:20.879
<v Speaker 1>peaked and just dropped off really quickly. Right, people started

0:26:20.880 --> 0:26:23.320
<v Speaker 1>getting into like jazz or size and then break dancing

0:26:23.359 --> 0:26:25.080
<v Speaker 1>and all that. It just went on to other stuff,

0:26:25.600 --> 0:26:30.560
<v Speaker 1>but it never actually went away. Yeah, Like I feel

0:26:30.560 --> 0:26:32.719
<v Speaker 1>like it didn't go away in a couple of sectors.

0:26:32.760 --> 0:26:35.880
<v Speaker 1>I think adults like my parents looking for the next

0:26:35.920 --> 0:26:39.399
<v Speaker 1>cool thing, Like they took disco dancing lessons, which is

0:26:39.440 --> 0:26:43.600
<v Speaker 1>not like them at all, but that's how ubiquitous disco was, right,

0:26:43.720 --> 0:26:45.600
<v Speaker 1>I feel like adults kind of moved away. I think

0:26:45.680 --> 0:26:48.960
<v Speaker 1>kids still went to the roller skating rink as evidenced

0:26:49.000 --> 0:26:52.560
<v Speaker 1>by US and Black Americans did. It was still a

0:26:52.680 --> 0:26:57.520
<v Speaker 1>very popular activity like up through the early nineties for

0:26:57.600 --> 0:27:00.760
<v Speaker 1>African Americans in the US. Yeah, and it's it's just

0:27:00.840 --> 0:27:04.720
<v Speaker 1>so like typical. But you think of like, oh, the

0:27:04.760 --> 0:27:07.520
<v Speaker 1>peak of the peak of roller skating happened in seventy

0:27:07.560 --> 0:27:11.440
<v Speaker 1>nine eighty, and then it just went out when really, um,

0:27:11.440 --> 0:27:16.280
<v Speaker 1>Black America had been basically creating like a roller dancing

0:27:16.320 --> 0:27:19.680
<v Speaker 1>and then roller disco White America came around, was interested

0:27:19.720 --> 0:27:22.400
<v Speaker 1>for a while, became disinterested and moved on, and then

0:27:22.440 --> 0:27:25.240
<v Speaker 1>just assumed that it just evaporated and went out of

0:27:25.240 --> 0:27:28.440
<v Speaker 1>existence because White America stopped paying attention to it. But yeah,

0:27:28.520 --> 0:27:32.119
<v Speaker 1>there are a whole subcultures of of Black America that said, no,

0:27:32.240 --> 0:27:34.400
<v Speaker 1>we really like doing this and we're going to keep

0:27:34.400 --> 0:27:37.520
<v Speaker 1>on doing it. And over time, from that roller disco era,

0:27:37.600 --> 0:27:40.240
<v Speaker 1>which really was like a just a bomb drop that

0:27:40.359 --> 0:27:44.080
<v Speaker 1>really changed roller skating forever. Um, it went on and

0:27:44.119 --> 0:27:47.880
<v Speaker 1>became refined and new like styles were created, and uh,

0:27:48.040 --> 0:27:50.760
<v Speaker 1>that's pretty cool how it kept going. I love it.

0:27:50.760 --> 0:27:53.639
<v Speaker 1>Should we take a break. Let's take a break, all right,

0:27:53.680 --> 0:27:56.800
<v Speaker 1>we'll talk about skating styles and just kind of how

0:27:56.840 --> 0:28:22.960
<v Speaker 1>these skates were put together right after this, all right,

0:28:23.200 --> 0:28:27.840
<v Speaker 1>shall we talk skating styles? We shall? This is when

0:28:27.880 --> 0:28:30.480
<v Speaker 1>it's a little bit like when you talk about hip

0:28:30.520 --> 0:28:35.399
<v Speaker 1>hop culture and breakdancing and that they're like substyles within

0:28:35.560 --> 0:28:38.840
<v Speaker 1>the larger culture, which is kind of a cool thing.

0:28:38.840 --> 0:28:41.280
<v Speaker 1>I love it when a culture has a subculture where

0:28:41.520 --> 0:28:44.160
<v Speaker 1>it's like, hey, if you like to rhythm skate, rhythm

0:28:44.240 --> 0:28:47.080
<v Speaker 1>skate if you like to jam skate, jam skate, and

0:28:47.160 --> 0:28:50.640
<v Speaker 1>there's there's a lot of overlap, but uh, and some

0:28:50.760 --> 0:28:52.320
<v Speaker 1>of this, like all this stuff you can you kind

0:28:52.320 --> 0:28:55.840
<v Speaker 1>of look up examples to really get the nuance. But

0:28:55.920 --> 0:29:00.160
<v Speaker 1>what is jam skating? Jam skating at its base is

0:29:00.280 --> 0:29:06.479
<v Speaker 1>a incredibly difficult combination of breakdancing and roller skating. If

0:29:06.520 --> 0:29:10.840
<v Speaker 1>you watch a breakdancer, like a good breakdancer, it's what

0:29:10.880 --> 0:29:15.040
<v Speaker 1>they're doing is impossibly hard and incredibly it takes an

0:29:15.040 --> 0:29:18.400
<v Speaker 1>incredible amount of like talent and skill and stamina and

0:29:18.800 --> 0:29:23.719
<v Speaker 1>creativity just to break dance someone like, for instance, exactly

0:29:23.760 --> 0:29:27.239
<v Speaker 1>me and in third grade for sure. Um, now take that,

0:29:27.400 --> 0:29:29.160
<v Speaker 1>take that person who's able to do that, and put

0:29:29.160 --> 0:29:33.840
<v Speaker 1>them on roller skates, and then what you have is

0:29:33.960 --> 0:29:36.600
<v Speaker 1>jam skating. And if you watch a video of it,

0:29:36.600 --> 0:29:39.680
<v Speaker 1>it is beyond impressive, like to see people who are

0:29:39.760 --> 0:29:42.120
<v Speaker 1>really good and proficient at it, because it is breakdance

0:29:42.200 --> 0:29:44.520
<v Speaker 1>and there's a lot of floor work. There's shoulder spins,

0:29:44.560 --> 0:29:48.120
<v Speaker 1>like there's like you know, like that whole jumping in thing,

0:29:48.120 --> 0:29:49.560
<v Speaker 1>I can't remember what you call it, where you kind

0:29:49.560 --> 0:29:51.960
<v Speaker 1>of like skip back forward, I can't remember what's called,

0:29:51.960 --> 0:29:54.520
<v Speaker 1>but it's super cool. Again, people do that on roller skates.

0:29:54.560 --> 0:29:57.160
<v Speaker 1>And then there's also like b boy battles where there's like,

0:29:57.400 --> 0:30:00.440
<v Speaker 1>you know, one cruise battling another. One person's bad ling another.

0:30:00.520 --> 0:30:02.400
<v Speaker 1>So they just go back and forth with a little

0:30:02.640 --> 0:30:06.200
<v Speaker 1>like with the dances um until somebody wins or I

0:30:06.240 --> 0:30:08.720
<v Speaker 1>don't remember how they ever figure out who wins. I

0:30:08.720 --> 0:30:12.800
<v Speaker 1>think it's clear, but okay, yeah, probably, But that's jam skating,

0:30:12.800 --> 0:30:16.200
<v Speaker 1>and it's really really impressive to see. All right, all

0:30:16.200 --> 0:30:19.880
<v Speaker 1>this stuff is impressive, but certainly jam skating. Rhythm skating

0:30:20.080 --> 0:30:23.880
<v Speaker 1>was from about the mid seventies. I had a lot

0:30:23.960 --> 0:30:27.760
<v Speaker 1>of roller disco influence there obviously, and this is you know,

0:30:27.840 --> 0:30:30.840
<v Speaker 1>this is dancing. It's kind of like disco dancing while

0:30:30.840 --> 0:30:36.160
<v Speaker 1>you're roller skating. Uh, very precise and choreograph like you

0:30:36.160 --> 0:30:39.120
<v Speaker 1>would see a lot of people do like routines. But

0:30:39.440 --> 0:30:41.760
<v Speaker 1>it is not quite artistic skating, which is a little

0:30:41.760 --> 0:30:45.000
<v Speaker 1>more akin to figure skating. But you can still rhythm

0:30:45.000 --> 0:30:46.840
<v Speaker 1>skate with someone and come up with your own like

0:30:46.920 --> 0:30:49.320
<v Speaker 1>you would at the disco if you had like Saturday

0:30:49.400 --> 0:30:51.160
<v Speaker 1>night fever, like if you had your dance partner and

0:30:51.160 --> 0:30:53.440
<v Speaker 1>you would do your thing rather than just sort of

0:30:53.720 --> 0:30:57.720
<v Speaker 1>freestyle dancing with someone exactly. That's exactly rhythm skating. And

0:30:57.760 --> 0:31:00.960
<v Speaker 1>then UM, rhythm skating. I suspect even goes further back

0:31:01.000 --> 0:31:03.600
<v Speaker 1>to probably the fifties when people started playing R and

0:31:03.600 --> 0:31:06.320
<v Speaker 1>B music at the roller rink on like soul night

0:31:06.440 --> 0:31:10.080
<v Speaker 1>or whatever. UM. And but today it's still around today,

0:31:10.160 --> 0:31:13.080
<v Speaker 1>and it it kind of spread out UM to like

0:31:13.200 --> 0:31:17.400
<v Speaker 1>local areas, so that regional style started to develop. UM

0:31:17.400 --> 0:31:19.440
<v Speaker 1>in Atlanta has its own style. If you've seen the

0:31:19.520 --> 0:31:21.960
<v Speaker 1>movie A t L and I think two thousand six,

0:31:22.400 --> 0:31:24.040
<v Speaker 1>you know, part of the thing that's going on there

0:31:24.080 --> 0:31:26.960
<v Speaker 1>is a backdrop is like the roller rink UM, and

0:31:27.040 --> 0:31:29.280
<v Speaker 1>that's a lot of what you would see in A

0:31:29.400 --> 0:31:31.760
<v Speaker 1>t L. You would see at an actual roller rink

0:31:31.800 --> 0:31:34.880
<v Speaker 1>today in Atlanta, UM, where there's a lot of like

0:31:34.960 --> 0:31:37.280
<v Speaker 1>it's rhythm skating. So like you said, it's like dancing

0:31:37.280 --> 0:31:41.000
<v Speaker 1>but on roller skates. UM. But they kind of it's

0:31:41.560 --> 0:31:43.960
<v Speaker 1>it's connected to break dancing and that there's like crew

0:31:44.000 --> 0:31:46.800
<v Speaker 1>battles and that kind of thing. UM, but it's still

0:31:46.800 --> 0:31:49.560
<v Speaker 1>it's it's not break dancing necessarily, it's just like dancing

0:31:49.600 --> 0:31:53.520
<v Speaker 1>on skates. Yeah, Cleveland apparently has their own style, which

0:31:53.560 --> 0:31:57.680
<v Speaker 1>is a little more figure skating style apparently like axles

0:31:57.680 --> 0:32:00.880
<v Speaker 1>and jumping and stuff like that. Detroit, of course is

0:32:00.880 --> 0:32:03.720
<v Speaker 1>going to have their own style, Chicago style too. There's

0:32:03.760 --> 0:32:08.360
<v Speaker 1>got to be it has a pickle on it. He

0:32:08.480 --> 0:32:11.880
<v Speaker 1>put a pickle. It's deep dish. Uh. Well, I just

0:32:11.920 --> 0:32:15.080
<v Speaker 1>figured since it was the center, then they probably have

0:32:15.160 --> 0:32:16.800
<v Speaker 1>the Earn style, but who knows. Detroit had their own

0:32:16.840 --> 0:32:21.200
<v Speaker 1>style though. Um, and this was this is what I

0:32:21.240 --> 0:32:25.800
<v Speaker 1>didn't quite get. What is sliding sliding to the side,

0:32:26.360 --> 0:32:28.840
<v Speaker 1>like not going forward or backward, going to the side,

0:32:29.040 --> 0:32:31.000
<v Speaker 1>sliding on your skate, All right, that makes sense. A

0:32:31.040 --> 0:32:33.600
<v Speaker 1>lot of sliding in Detroit style apparently, right, which is

0:32:33.640 --> 0:32:35.840
<v Speaker 1>really cool because there's also a lot of precise foot

0:32:35.880 --> 0:32:39.000
<v Speaker 1>movement too. And those two things required two different hardnesses

0:32:39.040 --> 0:32:42.560
<v Speaker 1>of wheels, but they managed to to, you know, figure

0:32:42.560 --> 0:32:44.640
<v Speaker 1>it out in Detroit. It's really cool to see people slide.

0:32:44.640 --> 0:32:47.280
<v Speaker 1>I saw one clip of a dude and he was

0:32:47.280 --> 0:32:49.280
<v Speaker 1>in the middle of the rink and just slid all

0:32:49.440 --> 0:32:52.600
<v Speaker 1>the way to the edge and then onto the carpet. Um.

0:32:52.760 --> 0:32:54.520
<v Speaker 1>It was really cool looking because it's just such a

0:32:54.600 --> 0:32:57.560
<v Speaker 1>smooth like move you know. Uh. The one that I

0:32:57.600 --> 0:33:01.080
<v Speaker 1>think I liked the best when as a kid was

0:33:01.880 --> 0:33:05.880
<v Speaker 1>I believe it would be the freestyle dance skating, Unless

0:33:05.880 --> 0:33:08.240
<v Speaker 1>I'm wrong. I think that was the lady or the

0:33:08.280 --> 0:33:11.000
<v Speaker 1>guy at the rank. That was just they were going

0:33:11.040 --> 0:33:14.920
<v Speaker 1>in the circle and they were they were skating forward

0:33:14.960 --> 0:33:17.480
<v Speaker 1>the whole time, but the whole time they were also

0:33:17.560 --> 0:33:20.400
<v Speaker 1>just sort of dancing and they were lifting the skates

0:33:20.480 --> 0:33:23.719
<v Speaker 1>up and knees up and legs forward and backward and

0:33:23.720 --> 0:33:26.360
<v Speaker 1>crossing over here and there, and it was just very

0:33:26.400 --> 0:33:30.040
<v Speaker 1>smooth and fluid and just look super cool. Like you

0:33:30.040 --> 0:33:32.800
<v Speaker 1>wouldn't stop and do a split or do like a

0:33:32.840 --> 0:33:35.920
<v Speaker 1>break dance move. You were just sort of grooving around

0:33:35.920 --> 0:33:39.000
<v Speaker 1>the rink right, and you could tell that they probably

0:33:39.120 --> 0:33:42.040
<v Speaker 1>hadn't like come up with the moves necessarily ahead of time.

0:33:42.080 --> 0:33:44.880
<v Speaker 1>They were just feeling the music, feeling the music. It's

0:33:44.920 --> 0:33:48.080
<v Speaker 1>the kind of roller skate dancing that like somebody would

0:33:48.120 --> 0:33:49.920
<v Speaker 1>probably do in a bathing suit, you know what I mean.

0:33:51.560 --> 0:33:54.480
<v Speaker 1>That's freestyle dance skating, And like what's cool about is

0:33:54.520 --> 0:33:57.440
<v Speaker 1>anybody can do it like you can. You just have again,

0:33:57.600 --> 0:33:59.400
<v Speaker 1>I have to be able to roller skate and feel

0:33:59.520 --> 0:34:02.120
<v Speaker 1>feel the roof. Um. But there's people who can do

0:34:02.160 --> 0:34:05.360
<v Speaker 1>it better than others. All right, Because I did that stuff,

0:34:05.400 --> 0:34:08.200
<v Speaker 1>I could, you know, at my apex of roller skating,

0:34:08.760 --> 0:34:11.440
<v Speaker 1>I could like stay up and look pretty good and

0:34:11.480 --> 0:34:14.319
<v Speaker 1>do a good crossover on the corners. But that was

0:34:14.360 --> 0:34:17.160
<v Speaker 1>about it. That's that's I think that's better than me.

0:34:17.200 --> 0:34:19.239
<v Speaker 1>I don't remember being able to do anything like that.

0:34:19.320 --> 0:34:21.440
<v Speaker 1>I was just would you do a rink skater? I

0:34:21.560 --> 0:34:23.239
<v Speaker 1>go in a circle with a smile on my face.

0:34:23.360 --> 0:34:25.120
<v Speaker 1>No, no no, no, that's what I'm saying. I mean crossover

0:34:25.239 --> 0:34:27.799
<v Speaker 1>like when you're on the turns you cross one your

0:34:27.880 --> 0:34:30.560
<v Speaker 1>right foot over your left foot. Yeah. I would just

0:34:30.680 --> 0:34:36.359
<v Speaker 1>not do that. You would lean exactly. Yeah, I would

0:34:36.440 --> 0:34:39.520
<v Speaker 1>prepare for the turn in advance, not do that crossover thing.

0:34:39.560 --> 0:34:41.840
<v Speaker 1>I think I probably did once or twice, but it

0:34:41.920 --> 0:34:45.160
<v Speaker 1>wasn't something that I was utterly confident. I wasn't going

0:34:45.239 --> 0:34:48.719
<v Speaker 1>to like totally biff um when I tried it. You

0:34:48.800 --> 0:34:52.640
<v Speaker 1>did you do the snoopy? What do you remember that? Huh?

0:34:53.160 --> 0:34:54.960
<v Speaker 1>I say, I mean, I'm just pulling this off the dome,

0:34:55.000 --> 0:34:58.560
<v Speaker 1>but I'm pretty sure the snoopy was when you uh

0:34:59.000 --> 0:35:01.600
<v Speaker 1>went all the way down out on one skate and

0:35:01.640 --> 0:35:06.000
<v Speaker 1>then held your foot held the toe stop off the

0:35:06.040 --> 0:35:09.480
<v Speaker 1>floor with your hand. I think that's called the snoopy.

0:35:09.520 --> 0:35:11.600
<v Speaker 1>At least maybe this a regional or something. I don't know,

0:35:11.880 --> 0:35:14.759
<v Speaker 1>it sounds really familiar. I think you might be right

0:35:14.800 --> 0:35:16.680
<v Speaker 1>about that. I know that I know the move you're

0:35:16.680 --> 0:35:18.720
<v Speaker 1>talking about, and I think it might be called the snoopy.

0:35:18.800 --> 0:35:20.759
<v Speaker 1>What a cute name for a move? Could I do that?

0:35:21.200 --> 0:35:26.839
<v Speaker 1>I don't think so. I hadn't been drinking, and then

0:35:26.400 --> 0:35:29.759
<v Speaker 1>I never got backwards skating down super well, which is

0:35:30.520 --> 0:35:32.880
<v Speaker 1>a really key component. If you wanted a couple of skate,

0:35:34.719 --> 0:35:38.160
<v Speaker 1>you're just holding hands and going forward together. Right. If

0:35:38.160 --> 0:35:41.120
<v Speaker 1>you were boss, you would turn around and you know,

0:35:41.680 --> 0:35:47.000
<v Speaker 1>take that girl by the hips. Oh man, you were advanced. No,

0:35:47.120 --> 0:35:49.920
<v Speaker 1>I'm not like the dirty. It's like, you know, slow dancing.

0:35:49.920 --> 0:35:51.319
<v Speaker 1>You put your hands on her hips, she puts her

0:35:51.320 --> 0:35:54.120
<v Speaker 1>hands on like around your neck, and then you gotta

0:35:54.120 --> 0:35:56.920
<v Speaker 1>be able to but you got but you gotta be

0:35:56.920 --> 0:35:59.680
<v Speaker 1>able to skate backward really fluidly to do that chuck.

0:36:00.160 --> 0:36:03.600
<v Speaker 1>That is I don't recall even seeing that. What what

0:36:03.719 --> 0:36:06.520
<v Speaker 1>kind of couple skating were you seeing? Again? We were

0:36:06.520 --> 0:36:10.680
<v Speaker 1>going around in a circle like skates right next to

0:36:10.680 --> 0:36:14.520
<v Speaker 1>each other at all times, holding hands, you know, maybe

0:36:14.520 --> 0:36:17.680
<v Speaker 1>speeding up. That's it. And then you split some money

0:36:17.680 --> 0:36:21.680
<v Speaker 1>and rings and I can't remember what I like. They're

0:36:21.680 --> 0:36:27.160
<v Speaker 1>probably like square pizza. That's probably what I would get pizza. Um.

0:36:27.480 --> 0:36:32.799
<v Speaker 1>There's also there's also, um, there's inline skating, which after that, Um,

0:36:32.920 --> 0:36:37.440
<v Speaker 1>the peak in the seventies and eighties of roller skating

0:36:37.440 --> 0:36:41.400
<v Speaker 1>and just general popularity. Roller blades came out right after that,

0:36:41.440 --> 0:36:43.680
<v Speaker 1>apparently like an eighty three or something like that. I

0:36:43.760 --> 0:36:46.280
<v Speaker 1>didn't realize that because I was associate them with the nineties,

0:36:46.680 --> 0:36:48.359
<v Speaker 1>but I think that's when they kind of blew up.

0:36:48.719 --> 0:36:51.839
<v Speaker 1>Did you ever get into that? No, I never did. Um.

0:36:52.520 --> 0:36:54.879
<v Speaker 1>I was skateboarding at the time, so I wasn't doing

0:36:54.920 --> 0:36:57.680
<v Speaker 1>inline skating. I had one pair of roller blades in

0:36:57.680 --> 0:36:59.719
<v Speaker 1>my life, but I didn't use them very much. In

0:36:59.800 --> 0:37:01.879
<v Speaker 1>our we're thinking like, all right, I should just get

0:37:01.960 --> 0:37:04.040
<v Speaker 1>rid of these, but I mean people can get like

0:37:04.239 --> 0:37:07.040
<v Speaker 1>nuts on those. There's a type of inline skating called

0:37:07.080 --> 0:37:10.560
<v Speaker 1>aggressive skating, and it is it's like skateboarding, but you're

0:37:10.600 --> 0:37:14.280
<v Speaker 1>doing it on rollerblades, which seems to me like way

0:37:14.320 --> 0:37:17.800
<v Speaker 1>harder actually. Um. And then there's one other thing I

0:37:17.960 --> 0:37:20.640
<v Speaker 1>learned about inline skating, chuck that we just have to share.

0:37:21.040 --> 0:37:27.640
<v Speaker 1>What's that? So in the early nineties, Amish teenagers found

0:37:27.640 --> 0:37:30.040
<v Speaker 1>out about roller blades and they're like, we're going to

0:37:30.160 --> 0:37:34.600
<v Speaker 1>use these, despite their elders protests, they said, nope, nay.

0:37:34.640 --> 0:37:36.880
<v Speaker 1>I think it's probably what they said we are we

0:37:36.960 --> 0:37:40.000
<v Speaker 1>are going to um adopt these, and they don't. I

0:37:40.040 --> 0:37:42.080
<v Speaker 1>don't think they do any aggressive skating or anything like that,

0:37:42.080 --> 0:37:43.680
<v Speaker 1>but they use them to get around and still to

0:37:43.719 --> 0:37:47.000
<v Speaker 1>this day you can see Amish teenagers rolling around on

0:37:47.000 --> 0:37:51.239
<v Speaker 1>on rollerblades and Amish country. Good for them. Yep, that's

0:37:51.239 --> 0:37:54.640
<v Speaker 1>what I say. What else you got? Well, I guess

0:37:54.640 --> 0:37:56.160
<v Speaker 1>we should talk about I mean, we have a whole

0:37:56.160 --> 0:37:58.200
<v Speaker 1>episode on roller Derby which you should go listen to,

0:37:59.760 --> 0:38:03.319
<v Speaker 1>but maybe we should finish out with the least interesting part,

0:38:04.680 --> 0:38:09.000
<v Speaker 1>which is the anatomy of a roller skate. Uh gotta

0:38:09.080 --> 0:38:11.080
<v Speaker 1>cover it because that's what we do. If you want

0:38:11.080 --> 0:38:13.840
<v Speaker 1>to buy some skates today, you can spend a hundred

0:38:13.840 --> 0:38:16.120
<v Speaker 1>and fifty dollars on average. You can spend a thousand

0:38:16.120 --> 0:38:19.799
<v Speaker 1>dollars if you want. I remember, do you remember when

0:38:19.800 --> 0:38:21.759
<v Speaker 1>they came out with like the Tennessee skate When we

0:38:21.760 --> 0:38:24.520
<v Speaker 1>were kids and how cool that was. That was a

0:38:24.560 --> 0:38:26.759
<v Speaker 1>little before my time. Yeah, but yes, when I look

0:38:26.760 --> 0:38:29.000
<v Speaker 1>at pictures of them now, I'm like, those are really cool,

0:38:29.040 --> 0:38:33.719
<v Speaker 1>like blue blue Adidas with yellow stripes, really cool, like

0:38:33.760 --> 0:38:37.040
<v Speaker 1>a full fully functioning not fully functioning, but like a

0:38:37.080 --> 0:38:40.600
<v Speaker 1>full tennis shoe. Didn't have any upper ankle support or anything,

0:38:41.360 --> 0:38:43.440
<v Speaker 1>and then it had the well, I guess we'll talk

0:38:43.480 --> 0:38:47.120
<v Speaker 1>about the parts here. I mentioned the boot, and the

0:38:47.120 --> 0:38:51.200
<v Speaker 1>boot upper is anything above the soul, and of course

0:38:51.200 --> 0:38:53.400
<v Speaker 1>you got the lining on the inside and the laces

0:38:53.400 --> 0:38:56.319
<v Speaker 1>and all that stuff. But the plate is what I

0:38:56.360 --> 0:38:59.560
<v Speaker 1>was talking about. You've had a regular old Adidas, maybe

0:38:59.560 --> 0:39:02.440
<v Speaker 1>modified slightly, but it was mounted to a plate mounted

0:39:02.480 --> 0:39:05.399
<v Speaker 1>to the trucks, and the skates are the wheels, right,

0:39:05.920 --> 0:39:08.879
<v Speaker 1>and they still have that today, But it's just the

0:39:08.960 --> 0:39:12.720
<v Speaker 1>I don't think anybody's making Adida's boots for roller skates,

0:39:13.440 --> 0:39:16.279
<v Speaker 1>but usually they divide the boots into two types, high

0:39:16.320 --> 0:39:18.840
<v Speaker 1>top and low top. And depending on the type of

0:39:18.840 --> 0:39:21.839
<v Speaker 1>skating you're gonna do, you want to choose wisely. So

0:39:22.000 --> 0:39:25.640
<v Speaker 1>freestyle um rink skating, which again is just going around

0:39:25.640 --> 0:39:28.360
<v Speaker 1>in the circle with a smile on your face. Artistic

0:39:28.400 --> 0:39:31.000
<v Speaker 1>which is like figure skating, and then rhythm skating they

0:39:31.040 --> 0:39:33.480
<v Speaker 1>all use high tops, and then low top is more

0:39:33.560 --> 0:39:37.399
<v Speaker 1>useful for jam skating and speed skating. UM. So that's

0:39:37.400 --> 0:39:41.799
<v Speaker 1>pretty much the only it's not really looks necessarily, it's

0:39:41.960 --> 0:39:43.880
<v Speaker 1>you know what kind of skating you're doing, whether you

0:39:43.880 --> 0:39:46.680
<v Speaker 1>go high top or low. Yeah, you've got you know,

0:39:46.719 --> 0:39:48.560
<v Speaker 1>we talked about poly ere thing. But you can also

0:39:48.600 --> 0:39:52.520
<v Speaker 1>get different size wheels and different hardness of wheels depending

0:39:52.560 --> 0:39:56.440
<v Speaker 1>on what you're looking to do. And your outdoor wheels

0:39:56.480 --> 0:39:58.960
<v Speaker 1>are gonna be a little softer than the indoors. You're

0:39:58.960 --> 0:40:01.480
<v Speaker 1>gonna have more traction with a larger wheel obviously, and

0:40:02.000 --> 0:40:04.799
<v Speaker 1>a little more agility with a smaller wheel. You could

0:40:04.800 --> 0:40:06.600
<v Speaker 1>be super cool and get those light up wheels if

0:40:06.640 --> 0:40:10.359
<v Speaker 1>you want. They're so awesome. They're very cool. Yeah, they

0:40:10.360 --> 0:40:13.200
<v Speaker 1>have an actual like dynamo in them. They use magnetic

0:40:13.239 --> 0:40:18.720
<v Speaker 1>spacers inside um copper wiring and so when the wheel spins,

0:40:18.719 --> 0:40:22.279
<v Speaker 1>it generates electricity that powers an LED. So let's talk

0:40:22.320 --> 0:40:27.839
<v Speaker 1>toe stops. So remember our friend John Joseph Merlin who

0:40:27.840 --> 0:40:30.200
<v Speaker 1>broke the mirror when he was playing violin at the

0:40:30.200 --> 0:40:33.560
<v Speaker 1>Masquerade Ball. He didn't have a toe stop he wishes

0:40:33.600 --> 0:40:36.359
<v Speaker 1>he had, but it was like a hundred years later.

0:40:36.480 --> 0:40:39.120
<v Speaker 1>I think. I think he was in the eighteenth century,

0:40:39.160 --> 0:40:43.360
<v Speaker 1>wasn't old John Joseph Um. It wasn't until eighteen seventies

0:40:43.360 --> 0:40:46.239
<v Speaker 1>six that toast stops were finally invented and people had

0:40:46.239 --> 0:40:49.240
<v Speaker 1>a way to break um. Yeah, a hundred and sixteen

0:40:49.280 --> 0:40:51.920
<v Speaker 1>years after John Joseph Merlin. And all that is is

0:40:51.960 --> 0:40:55.320
<v Speaker 1>like a big hunk of rubber that's um screwed into

0:40:55.360 --> 0:41:00.000
<v Speaker 1>the toe underside of the toe of the boot um.

0:41:00.080 --> 0:41:02.839
<v Speaker 1>And all you do is just push down on your

0:41:02.840 --> 0:41:06.120
<v Speaker 1>toe and the toe stop makes contact with the ground

0:41:06.160 --> 0:41:09.280
<v Speaker 1>and it slows you down, depending on how much pressure

0:41:09.440 --> 0:41:12.799
<v Speaker 1>really quickly or you know, kind of slowly and gradually. Yeah,

0:41:12.800 --> 0:41:16.520
<v Speaker 1>I'd never have been able to stop really quickly without

0:41:16.560 --> 0:41:19.480
<v Speaker 1>busting my butt. So maybe it didn't know how to

0:41:19.560 --> 0:41:21.800
<v Speaker 1>use a toe stop. I kind of drug it behind

0:41:21.840 --> 0:41:24.400
<v Speaker 1>me to gradually slow down. But I don't know that's

0:41:24.440 --> 0:41:27.879
<v Speaker 1>a great technique. I didn't know if there were other methods. Um.

0:41:28.000 --> 0:41:32.360
<v Speaker 1>That's what's called the snoopy. Now. I think other methods

0:41:32.400 --> 0:41:35.920
<v Speaker 1>are if you're really good, you just like like um,

0:41:36.160 --> 0:41:38.320
<v Speaker 1>peel out to the side like you would on skis

0:41:38.360 --> 0:41:40.960
<v Speaker 1>to stop quickly on skis, I think people do that

0:41:41.000 --> 0:41:45.240
<v Speaker 1>on roller skates to stop suddenly. Well, that's way beyond

0:41:45.280 --> 0:41:49.000
<v Speaker 1>me for sure. Um. There's also something called jam plugs chuck,

0:41:49.120 --> 0:41:53.120
<v Speaker 1>which are um the same thing, but they're much closer

0:41:53.160 --> 0:41:56.160
<v Speaker 1>to the toe um than a a toe stop is,

0:41:56.200 --> 0:42:00.600
<v Speaker 1>which means that you have way more clearance for the wheel. Um.

0:42:00.640 --> 0:42:03.480
<v Speaker 1>If you're like, say, standing up on on your toes

0:42:03.640 --> 0:42:06.120
<v Speaker 1>and rolling, you could do that with jam plugs. You

0:42:06.120 --> 0:42:08.239
<v Speaker 1>couldn't do that with the toe stop. So things like

0:42:08.320 --> 0:42:11.560
<v Speaker 1>jam skating would use jam plugs instead. Yeah, and I

0:42:11.600 --> 0:42:13.719
<v Speaker 1>think they can. You know, you can have you can

0:42:13.760 --> 0:42:15.279
<v Speaker 1>be like heart shaped and you can get a little

0:42:15.320 --> 0:42:18.640
<v Speaker 1>more creative with the jam plugs, little little faces and

0:42:18.680 --> 0:42:22.120
<v Speaker 1>stuff emogens. You put all those together, you got yourself

0:42:22.160 --> 0:42:25.360
<v Speaker 1>a roller skate. You put it together twice, you have

0:42:25.400 --> 0:42:29.399
<v Speaker 1>a pair of roller skates. Uh. And apparently a roller

0:42:29.480 --> 0:42:31.279
<v Speaker 1>skating and this is something I wasn't fully aware of,

0:42:31.360 --> 0:42:35.120
<v Speaker 1>became a really big deal during the pandemic. Again, the

0:42:35.200 --> 0:42:37.680
<v Speaker 1>only way I knew this was sort of happening was

0:42:37.960 --> 0:42:44.240
<v Speaker 1>um our former colleague, the wonderful Miranda Hawkins UH started

0:42:44.320 --> 0:42:46.600
<v Speaker 1>roller skating during the pandemic, and I would just see

0:42:46.640 --> 0:42:50.400
<v Speaker 1>her Instagram stuff of her, like her videos of her

0:42:50.480 --> 0:42:54.280
<v Speaker 1>learning how to roller skate and do like these moves

0:42:54.280 --> 0:42:56.400
<v Speaker 1>and tricks and stuff, and like, I saw Miranda make

0:42:56.440 --> 0:42:59.719
<v Speaker 1>great strides over the course of the pandemic, but I

0:42:59.840 --> 0:43:02.799
<v Speaker 1>just thought she was like super cool, because Miranda is

0:43:02.840 --> 0:43:06.160
<v Speaker 1>super cool. Well apparently, well she's still super cool, but

0:43:06.239 --> 0:43:07.800
<v Speaker 1>apparently a lot of people were doing I didn't know

0:43:07.840 --> 0:43:09.160
<v Speaker 1>it was a thing. I thought it was just her thing.

0:43:09.560 --> 0:43:11.520
<v Speaker 1>It was a thing. And what's interesting is you can

0:43:11.520 --> 0:43:15.560
<v Speaker 1>actually trace back to the person who started it. Um

0:43:15.640 --> 0:43:18.680
<v Speaker 1>as an actress named on a Koto. She was in

0:43:18.719 --> 0:43:22.120
<v Speaker 1>a movie called Wigi or Wigia from two thousand fourteen.

0:43:22.160 --> 0:43:25.120
<v Speaker 1>It's pretty good movie actually, Um but she also is

0:43:25.160 --> 0:43:28.560
<v Speaker 1>a really talented like freestyle dance roller skater, and she

0:43:28.600 --> 0:43:32.120
<v Speaker 1>started posting videos and the on TikTok of her roller

0:43:32.160 --> 0:43:35.200
<v Speaker 1>skating and they hit just right, and at the beginning

0:43:35.200 --> 0:43:37.879
<v Speaker 1>of the pandemic, everybody was like, oh, yeah, we can

0:43:37.920 --> 0:43:40.399
<v Speaker 1>go roller skating. You can do that outside, you can

0:43:40.520 --> 0:43:43.720
<v Speaker 1>social distance and still have fun. And like she kicked

0:43:43.760 --> 0:43:47.239
<v Speaker 1>off this roller skating revival, especially among gen z. I

0:43:47.280 --> 0:43:53.040
<v Speaker 1>love it. It's a perfect pandemic sports slash it is.

0:43:53.120 --> 0:43:56.080
<v Speaker 1>It's really cool, and you know, I think it's already

0:43:56.080 --> 0:43:59.160
<v Speaker 1>gone out again. Although the thing about roller skating is

0:43:59.200 --> 0:44:01.080
<v Speaker 1>this is what it always so, it's like peaks and

0:44:01.120 --> 0:44:03.680
<v Speaker 1>popularity and then declines of popularity, but it always hangs

0:44:03.719 --> 0:44:06.000
<v Speaker 1>on and just kind of goes its own way. And

0:44:06.080 --> 0:44:08.759
<v Speaker 1>every time it becomes popular, it attracts a few more

0:44:08.800 --> 0:44:11.440
<v Speaker 1>people who are now roller skaters when otherwise they never

0:44:11.480 --> 0:44:13.480
<v Speaker 1>would have been. And then the next peak comes and

0:44:13.600 --> 0:44:15.520
<v Speaker 1>even more people are into it, and then it just

0:44:15.520 --> 0:44:18.480
<v Speaker 1>seems to be this this process as immutable as the

0:44:18.520 --> 0:44:21.759
<v Speaker 1>wind across the dune. Yeah. And the differences these days

0:44:21.880 --> 0:44:24.560
<v Speaker 1>is it's, uh, you just don't have as many options

0:44:25.200 --> 0:44:27.560
<v Speaker 1>for roller rinks if you if you live in a

0:44:28.360 --> 0:44:31.560
<v Speaker 1>in a major city, you might have a few. Uh,

0:44:31.719 --> 0:44:33.359
<v Speaker 1>if you live in a small town, you might even

0:44:33.400 --> 0:44:35.239
<v Speaker 1>have one. Because that's you know, that's kind of the

0:44:35.239 --> 0:44:37.080
<v Speaker 1>great things about small towns, as you may still have

0:44:37.120 --> 0:44:39.480
<v Speaker 1>a drive in or a roller rink, but you're not

0:44:39.520 --> 0:44:41.920
<v Speaker 1>gonna have like, hey, which one of these like twelve

0:44:41.920 --> 0:44:45.560
<v Speaker 1>places should we go to? Right? Uh? And as we

0:44:45.600 --> 0:44:47.759
<v Speaker 1>always like to point out a good trivia question when

0:44:47.760 --> 0:44:50.280
<v Speaker 1>we come upon it, It turns out that n w

0:44:50.320 --> 0:44:54.080
<v Speaker 1>A held their first concert at a roller rink called

0:44:54.160 --> 0:44:57.800
<v Speaker 1>skate Land in Compton. That's where Dr Dre and Easy

0:44:57.960 --> 0:45:01.160
<v Speaker 1>and Ice Cube met. I love it. Ah, you got

0:45:01.160 --> 0:45:04.839
<v Speaker 1>anything else about roller skating? Negative? I took this one

0:45:04.920 --> 0:45:08.120
<v Speaker 1>was an eye opening episode for me because I realized

0:45:08.120 --> 0:45:11.360
<v Speaker 1>in retrospect that I was not a particularly good roller skater.

0:45:11.600 --> 0:45:14.160
<v Speaker 1>So thank you for opening my eyes to that. I

0:45:14.200 --> 0:45:16.479
<v Speaker 1>feel like I know myself a little better now. Yeah,

0:45:16.560 --> 0:45:18.239
<v Speaker 1>I was not either, and you were worse than me.

0:45:18.320 --> 0:45:21.839
<v Speaker 1>So right. Uh So, if you want to know more

0:45:21.840 --> 0:45:24.839
<v Speaker 1>about roller skating, go do it. There's nothing stopping you. Really,

0:45:24.880 --> 0:45:27.000
<v Speaker 1>just go have some fun skating. It's a lot of fun.

0:45:27.480 --> 0:45:29.280
<v Speaker 1>And since I said it's a lot of fun, of course,

0:45:29.320 --> 0:45:34.640
<v Speaker 1>that means it's time for a listener. Megan, I'm gonna

0:45:34.640 --> 0:45:36.960
<v Speaker 1>call this gentle correction. We've gotten it from quite a

0:45:36.960 --> 0:45:41.480
<v Speaker 1>few people. We cooped up in our paper towns up. Hey, guys,

0:45:41.560 --> 0:45:44.800
<v Speaker 1>just finished the Fake Towns episode. I was hoping you

0:45:44.840 --> 0:45:46.800
<v Speaker 1>would talk about paper Towns and bring up the book.

0:45:47.200 --> 0:45:49.479
<v Speaker 1>I can't always tell if you're joking or not say

0:45:49.480 --> 0:45:52.400
<v Speaker 1>things wrong on purpose, which we do, or if it

0:45:52.440 --> 0:45:54.920
<v Speaker 1>was an honest mistake. So when Josh said he'd never

0:45:54.960 --> 0:45:57.239
<v Speaker 1>heard of author of Paper Towns, I wasn't sure if

0:45:57.239 --> 0:46:00.279
<v Speaker 1>it was a joke. The author is John Green, not

0:46:00.680 --> 0:46:05.400
<v Speaker 1>Tom Green. I was thinking of the hilarious Canadian comedian. Also,

0:46:05.440 --> 0:46:07.680
<v Speaker 1>you almost certainly have heard of him. He is the

0:46:07.719 --> 0:46:13.000
<v Speaker 1>co founder of vid Con, which we've been to. Yeah,

0:46:13.040 --> 0:46:15.279
<v Speaker 1>that was our I'm sure vicon is great, but we were.

0:46:15.360 --> 0:46:18.520
<v Speaker 1>That's where we met Tjon day of Chocolate Rain famous. Yeah,

0:46:18.520 --> 0:46:20.560
<v Speaker 1>I got a picture with Chocolate Rain. But it was

0:46:20.600 --> 0:46:24.520
<v Speaker 1>also where we very famously did our worst attended live

0:46:24.560 --> 0:46:28.439
<v Speaker 1>performance of fourteen people. Yeah, and we worked with half

0:46:28.440 --> 0:46:30.919
<v Speaker 1>of them easily. Yeah, it was not a good match

0:46:30.920 --> 0:46:33.359
<v Speaker 1>for us. But bit Kuna true is wonderful. But John

0:46:33.400 --> 0:46:36.600
<v Speaker 1>Green apparently co founded bit con, co hosted the podcast

0:46:36.680 --> 0:46:40.120
<v Speaker 1>Deer Hank and John and host of the podcast The

0:46:40.400 --> 0:46:45.800
<v Speaker 1>an Throw poss Sine reviewed by the Way. That podcast

0:46:45.840 --> 0:46:48.520
<v Speaker 1>is also now a book and the y a novel

0:46:48.600 --> 0:46:52.840
<v Speaker 1>Paper Towns was actually turned into a movie. So Connie says,

0:46:52.840 --> 0:46:56.400
<v Speaker 1>thanks for always making Connie smile. Connie was dropping a

0:46:56.440 --> 0:46:59.360
<v Speaker 1>lot of extra information here, so we always appreciate that.

0:47:00.080 --> 0:47:02.920
<v Speaker 1>Thinks a lot, Connie. Yeah, that definitely wasn't honest mistake.

0:47:03.000 --> 0:47:05.600
<v Speaker 1>I wasn't clever enough to be joking about that, and

0:47:05.600 --> 0:47:08.000
<v Speaker 1>I didn't catch it. So anytime one of us mispeaks,

0:47:08.000 --> 0:47:11.239
<v Speaker 1>it's always on both of us, right. Uh. Well, if

0:47:11.239 --> 0:47:13.040
<v Speaker 1>you want to get in touch with us like Connie

0:47:13.040 --> 0:47:15.919
<v Speaker 1>did and drop a knowledge bomb on us like she did,

0:47:16.239 --> 0:47:18.280
<v Speaker 1>you can do it as gently as she did, because

0:47:18.360 --> 0:47:20.359
<v Speaker 1>we like those. It's more like a bath bomb than

0:47:20.400 --> 0:47:22.200
<v Speaker 1>a knowledge bomb. You know what I mean, I know

0:47:22.239 --> 0:47:24.600
<v Speaker 1>what you mean. Uh. You can send it to us

0:47:24.680 --> 0:47:31.240
<v Speaker 1>via email to stuff podcast at iHeart radio dot com.

0:47:31.360 --> 0:47:33.640
<v Speaker 1>Stuff you Should Know is a production of iHeart Radio.

0:47:34.160 --> 0:47:37.279
<v Speaker 1>For more podcasts my heart Radio, visit the iHeart Radio app,

0:47:37.480 --> 0:47:40.400
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows,