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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 3: Either way we want to be there, doesn't matter how

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Speaker 3: much baggage you claim and give us time and a

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Speaker 3: termino and gay we want to send you off in start.

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Speaker 2: You wanna welcome you back home?

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Speaker 3: Tell us all about it.

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Speaker 1: We scared her? Was it fine? Malborn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do your need to ride?

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Speaker 2: Ride? Do you need with Karen and Chris welcome to

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Speaker 2: Do you need to ride?

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Speaker 1: This is Chris Fairbanks and this is Karen Kilgarrett.

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Speaker 2: I know it just wore off. Earlier today my brain

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Speaker 2: was firing on all cylinders. I don't know if it

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Speaker 2: was in endorphins. I've had it happen before, where I

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Speaker 2: feel like, oh I have superpowers. All of a sudden,

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Speaker 2: my brain is functioning at a higher level, happier, thinking

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Speaker 2: of all these ideas. And then I could feel it waning,

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Speaker 2: just in time for the podcast, which is good because

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Speaker 2: people be shocked if all of a sudden, If.

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Speaker 1: All of a sudden, you were equals i'mc squaring the place.

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Speaker 2: Just white line equations hovering over.

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Speaker 1: My head beautiful minding hosts.

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Speaker 2: Yes, so I'm back to normal.

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Speaker 1: Did you exercise? Did you ever put it together?

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Speaker 2: Like?

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Speaker 1: Were you eating amino acids? What was happening?

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Speaker 2: It's happened to me before. No, I didn't. I took

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Speaker 2: no drugs. It wasn't a good cup of coffee there.

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Speaker 2: I didn't exercise. I just my brain was working. And

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Speaker 2: I don't like that. I that that can happen because

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Speaker 2: then I'm like, wait, is this how I'm always?

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Speaker 1: Then you know its yeah, Ert, that's a Flowers for

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Speaker 1: Algernon situation for you? Do you ever read that story?

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Speaker 2: No? I confuse it with the Christmas story where they

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Speaker 2: she sells her hair to buy him a tobacco that

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Speaker 2: he likes, but he sells his pipe to get her

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Speaker 2: a brush for her hair. What is it?

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Speaker 1: It's the.

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Speaker 2: I know it's what is Flowers for Algernon?

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Speaker 1: Flowers for Algernon is a story read like freshman year

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Speaker 1: in high school?

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Speaker 2: Where I did?

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Speaker 1: Where you did?

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Speaker 2: For sure? Yes?

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Speaker 1: Where they're in like I think in state institution. It's

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Speaker 1: that long ago that they had those. And it's a

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Speaker 1: person who is like differently developmentally abled and they are

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Speaker 1: studying him and they basically give him a surgery and

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Speaker 1: he becomes smart. So he suddenly knows how the life

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Speaker 1: he was leading was at least in terms of society limited.

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Speaker 1: And now he's so smart, but he's actually much more

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Speaker 1: unhappy because he's like aware of things.

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Speaker 2: And like what happened to Phineas Gage, the story from

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Speaker 2: like biology or psychology more likely, where a rod went

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Speaker 2: through his frontal lobe. He quit being like a quick

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Speaker 2: to anger, drunk person and started he was, I think, happier,

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Speaker 2: but not smart. So it was a different part of

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Speaker 2: his brain. But that's your it's kind of based on that.

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Speaker 1: It's just stories of brain stuff.

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Speaker 2: You know. Gift of the Magi is what I was

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Speaker 2: trying to that's.

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Speaker 1: Right by Uh. The author is one name, and I

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Speaker 1: want to say, oh Show, but I think oh Show

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Speaker 1: is the wild wild country guy.

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Speaker 2: That is the.

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Speaker 1: Is. You can forget it on the charts.

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Speaker 2: Just forget it. It's okay. I wouldn't once you say

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Speaker 2: wild country.

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Speaker 1: Oh Henry, thank you, there's an owen there. Thanks brain,

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Speaker 1: Thank you brain, Thanks brain. You barely did it.

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Speaker 2: I uh, yeah. I had a drama teacher in high

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Speaker 2: school who was also our English teacher who I don't

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Speaker 2: think liked me. But that's okay.

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Speaker 1: Ah, And you tell a lot of stories that have

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Speaker 1: that detail. I think that might be you.

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Speaker 2: I think it might be me. Yes. Later on, when

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Speaker 2: I started doing stand up and I would visit home,

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Speaker 2: she was always very happy to see me. I just

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Speaker 2: had to prove myself.

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Speaker 1: Also, were you sassy in class?

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Speaker 2: I was a sassy son of a bitch. But so

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Speaker 2: was she. Well, she advertised her sassiness. She wore shiny,

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Speaker 2: sparkly shoes.

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Speaker 1: Yeah, that's her, right, and she wore.

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Speaker 2: During it Yeah, and these big, like flowery dresses. And

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Speaker 2: one time I remember a kid called her a bitch

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Speaker 2: in class and she turned and she was like, you're

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Speaker 2: damn right, I'm a bitch. Like every every story about her,

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Speaker 2: I'm like, I'm like, actually, she was pretty cool. Yeah,

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Speaker 2: but she was in a like made for TV flowers

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Speaker 2: for altronone' yes, Gift of the Match eyes Sorry, made

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Speaker 2: for TV movie where she was the hairdresser in it.

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Speaker 1: Oh my god.

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Speaker 2: She would play it to us as her class, like,

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Speaker 2: here's something I acted in.

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Speaker 1: This is what I used to be, like, this is

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Speaker 1: what I used to do.

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Speaker 2: Notice I did this here, see how I am confused

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Speaker 2: and then I and it was kind of cool because

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Speaker 2: she was like, oh, you acted professionally. Yeah, and it's

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Speaker 2: in high school so that was pretty cool.

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Speaker 1: So that's where the sas was coming from.

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Speaker 2: Yes, And I just realized her sass maybe influenced my sass. Yeah,

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Speaker 2: you gotta know how to aim and use your sass.

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Speaker 2: That's right.

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Speaker 1: Uh, don't be a sass hole exactly? Was what was

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Speaker 1: her name? We should give her credit?

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Speaker 2: The name of a band in my hometown, sasshole really, Yes,

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Speaker 2: these friends of mine, them were that I always saw

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Speaker 2: Charlie's Bar started a punk rock band and they were

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Speaker 2: called sass Hole. Yes, and they were great, and they

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Speaker 2: called me and my friends the baby hotties because we

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Speaker 2: were three years younger. I guess.

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Speaker 1: So it was a girl punk band.

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Speaker 2: Margaret Johnson was your teacher's name. Yes, and the girl

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Speaker 2: punk band, yes, was of its time. They drank beer

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Speaker 2: and spit it out into the audience and we loved it.

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Speaker 1: Hell yes, yes, Where where are the lines?

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Speaker 2: Okay? There was a very healthy music scene in Missoula, Montana,

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Speaker 2: and I'm afraid it's not quite there anymore.

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Speaker 1: But well, but how would you know? Because it's just

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Speaker 1: the kids in their in their basements that could then

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Speaker 1: have like hit songs.

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Speaker 2: I'm basing it on like there used to be a

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Speaker 2: handful of like rock venues, right and now there's just

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Speaker 2: big ones where you ticketmaster and you know, there's no

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Speaker 2: like hole in the wall venues anymore. So that makes

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Speaker 2: me assume fewer bands are going to have a place

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Speaker 2: to work. But I could be wrong. You're right, it's

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Speaker 2: just gone to the basement. You just don't know.

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Speaker 1: We can't we can't really know anything anymore.

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Speaker 2: Right, right, It's so true. I barely want to even

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Speaker 2: bring things up because I'm like, what if I don't

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Speaker 2: know what I'm talking.

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Speaker 1: I'll be right here to tell you don't know what

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Speaker 1: you're talking about.

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Speaker 2: It's okay, I need to hear it.

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Speaker 1: Looks like have you ever thought of it? This way?

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Speaker 1: Is what I'll be.

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Speaker 2: I'll say that it's That's what good discussion is.

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Speaker 1: That's what host to host podcasting relationships are all about.

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Speaker 2: I say hey, you say nay.

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Speaker 1: Then I say hey and you say no way. It's great,

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Speaker 1: pleasant rhymes, but in different ways.

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Speaker 2: On my way, I said, I thought I saw the

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Speaker 2: bird on your street, A tiny bird. Have you ever

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Speaker 2: had this happen. A bird was in the road. I

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Speaker 2: slowed down, assuming it would hop out of the way,

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Speaker 2: But I waited till the last minutes where I slammed

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Speaker 2: on the brakes. Yeah. Then the bird was pissed and

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Speaker 2: started flying around my hood as I drove up to

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Speaker 2: your house, and I sped up and it flew behind

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Speaker 2: my car. What And it was a tiny bird. It

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Speaker 2: wasn't a crow, like, hey, I'm memorizing your license plate.

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Speaker 2: I'm gonna tell all the other crows enjoy all the

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Speaker 2: odd hood. Jesus, this was just a baby bird that

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Speaker 2: was like fuck you. I was moving.

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Speaker 1: Wow.

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Speaker 2: Yeah, it was a cute little bird. But I think

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Speaker 2: it was having like a mental episode.

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Speaker 1: It was a bird dog chasing a car. Yeah, crazy,

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Speaker 1: try to peck my tires.

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Speaker 2: No, well, you had its beak out. I do realize

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Speaker 2: it's hard for them to check that thing in.

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Speaker 1: They only when they sleep, do they in winter? No?

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Speaker 1: I don't think so owls do.

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Speaker 2: I think owls. Owls have the option of tucking it

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Speaker 2: into their chin.

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Speaker 1: Mmmmmm mmm, Jacob.

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Speaker 2: They'll also do next three sixties. Yeah, and they will

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Speaker 2: their heads can spin, Yeah.

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Speaker 1: They'll spin that shit and barf green go like the Exorcist, yep,

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Speaker 1: to get you to stay away from their nest. This

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Speaker 1: show is sponsored by National Geographic. Everything we're saying is

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Speaker 1: the truth.

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Speaker 2: You know us by the bright yellow border National Geographic.

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Speaker 1: Hey what what if the tagline of National Geographic was just.

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Speaker 2: Hey, Hey, ready to learn?

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Speaker 1: Hey do you love the world? Hey, traffic guys, one

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Speaker 1: thirty four East at four o'clock on a weekday. You'd

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Speaker 1: be a fool to not know that traffic was coming.

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Speaker 2: What. Well, you'd be a fool if you had a

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Speaker 2: driving podcast not to schedule it right when it starts,

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Speaker 2: because that's where we get our drama.

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Speaker 1: This is content mining. What we're doing right now. Yes,

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Speaker 1: I'm going to tailgate this guy with the with the

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Speaker 1: Bart Simpson bumper sticker. I'm gonna cut off if I

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Speaker 1: can a BMW yep, just see if we can get

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Speaker 1: more people to attack.

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Speaker 2: Our I'm gonna cut you off mid sentence as I

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Speaker 2: rolled down the window and yell let anyone on a

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Speaker 2: bike just to bring back the old days.

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Speaker 1: Fuck you will, yell.

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Speaker 2: We put a biker in the new T shirt. We

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Speaker 2: should say we have a new do you need to

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Speaker 2: write T shirt for sale now at the exactly right website,

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Speaker 2: and there's a biker, an angry biker. We got a

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Speaker 2: scorpion on the top of the car, and of course

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Speaker 2: the turtle turtles. We got some coffee, and I just

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Speaker 2: now realized those are all Chris Fairbanks based things. I selfishly, no, no, no, I.

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Speaker 1: Told you to do the scorpio, the scorpion.

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Speaker 2: I hey scorpio, Hey aquarius, I I did put it

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Speaker 2: in the original We are sitting in the original Honda fit. Yeah,

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Speaker 2: and that is a eighty percent of the line work.

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Speaker 2: So if by measurement per square inch.

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Speaker 1: It is equal, okay, well we'll have to measure it. Yes,

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Speaker 1: we can't take your word for it.

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Speaker 2: A lot of the artists, did you know this? I didn't.

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Speaker 2: A lot of artists will price their paintings per square inch. Really, yeah,

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Speaker 2: I didn't know that either. What about quality? Yeah? What

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Speaker 2: if your a tiny painter, a tiny you did little canvases.

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Speaker 1: What if you're a big painter that just sucks shit?

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Speaker 1: Right exactly is what I'm saying.

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Speaker 2: It's both things. I think it's a terrible idea, but

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Speaker 2: some people, I guess it's a way of because I

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Speaker 2: noticed when I got I was doing art a lot,

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Speaker 2: and I was doing it for people. I got better

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Speaker 2: at it, I got faster at it. So then when

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Speaker 2: I was charging an hourly rate for art, I was

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Speaker 2: ripping myself off. Oh I'm being punished for being more efficient.

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Speaker 2: Well you know what I mean, yourself, Yes, with the

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Speaker 2: falling victim to this, this hourly wage that everyone's adhered to.

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Speaker 1: Yeah, that sucks, and it isn't taking into consideration your

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Speaker 1: special skill and style that you bring to the page.

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Speaker 2: My special skill is that I do something I don't

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Speaker 2: like it, so I really hunch over posture wise and

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Speaker 2: get real detailed, and I overwork the lines. I get

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Speaker 2: really crosshatchy, I zoom in, and I overwork it until

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Speaker 2: I like it. So there's extra hours that I'm adding.

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Speaker 1: I mean, whatever your system is, though, Chris, it works.

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Speaker 1: And listener, you will understand this when you see and

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Speaker 1: purchase the brand new do you need to ride t shirt.

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Speaker 2: On soft bella canvas blanks in blacks?

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Speaker 1: Are we making canvas T shirts? That's a that's an

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Speaker 1: amazing idea. It sounds itchy, it sounds like a bad idea.

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Speaker 1: It's not burlap, but it's certainly no cotton.

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Speaker 2: Yes, but it is sturdy enough for you to carry

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Speaker 2: a bushel of potatoes in one of your city endorsed

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Speaker 2: potato races or a three legged sack race.

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Speaker 1: Are you a medieval surf well, then buy our canvas shirt.

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Speaker 2: Yeah. Permission to use the restroom, my vassal, granted, I'm

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Speaker 2: the queen. I heard that. I went to the Renaissance

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Speaker 2: fair here, and I heard someone turn to their boss

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Speaker 2: and say, permission to use the restroom, my vessel. And

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Speaker 2: then he went to a porta potty with a mountain

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Speaker 2: doo logo on it, as was the time.

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Speaker 1: Reflective of the period.

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Speaker 2: Yes, it was a you know Andy Gump rental, just

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Speaker 2: like in the old days.

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Speaker 1: What's the one that called oh honey, pot I hate.

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Speaker 2: That sweet tweets?

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Speaker 1: No thanks.

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Speaker 2: The last thing in that bowl.

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Speaker 1: That bowl is filled with snakes and awful.

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Speaker 2: Yeah. You mess with that bowl, you get the horns.

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Speaker 1: Get a bowl full of it.

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Speaker 2: No, no thanks.

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Speaker 1: Yeah, that's like at a campsite, you know, where the

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Speaker 1: bowl just goes on forever and is filled with everybody's

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Speaker 1: ship and piss. You know those ones.

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Speaker 2: Oh yeah, all campsites. Yeah, it depends on where you're

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Speaker 2: at it's a nicer the campsite, the further out of town,

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Speaker 2: the less maintenance on the bowl really to the brim,

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Speaker 2: to the no I. It's very specific, but it's a

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Speaker 2: subject that I do believe we brought up together.

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Speaker 1: I'm sure we did, because now I'm going to repeat

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Speaker 1: a story which maybe can go on the next T shirt.

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Speaker 1: But I'm sure I told you this one because this

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Speaker 1: is one of the things that got me into true

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Speaker 1: crime kind of which was like hearing those news stories

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Speaker 1: where you're like, that can't be real. They arrested a

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Speaker 1: guy who was in a scuba suit in one of

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Speaker 1: those in one of those tanks in a public park.

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Speaker 2: Wow, the youth is not worth the squeeze on that crime.

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Speaker 2: Just to get a peep through what I'm assuming we're

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Speaker 2: swim goggles, I.

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Speaker 1: Mean yeah, but also to be in like to be

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Speaker 1: in shit essentially.

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Speaker 2: Oh, that is the scariest horrior fun fetish I've ever heard.

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Speaker 1: Can you imagine?

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Speaker 2: I mean for a little bit, Yeah, don't, let's both stop.

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Speaker 2: I just that's horrifying.

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Speaker 1: I feel like one of my favorite things to do

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Speaker 1: is bring up something that people fucking hate and then

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Speaker 1: just apologize after of like, yeah, I shouldn't have talked

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Speaker 1: about that. I do it all the time.

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Speaker 2: I do it more than you.

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Speaker 1: Maybe this is why we podcast We have podcasted together

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Speaker 1: for over twenty five years. It's because we have a

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Speaker 1: lot of the same conversational habit.

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Speaker 2: Yeah yeah, and bring up some of the same stories.

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Speaker 2: Often that's me talking about me, me, me me, I

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Speaker 2: H yeah, I do. I can't remember why I was

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Speaker 2: googling will a spider bite you? In the general uls,

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Speaker 2: but I was and it very often Black widows love

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Speaker 2: it underneath toilet seats in outhouses and it has happened

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Speaker 2: often yea where that's where they get you. Granted, of

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Speaker 2: course they're going to have to have an exact because

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Speaker 2: of what I typed in. Does a black white widow

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Speaker 2: attack your genital I think I was worried about something

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Speaker 2: that was going on with me.

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Speaker 1: Yeah, we can assume.

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Speaker 2: That, yes, yes, I did. That went without saying and

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Speaker 2: I'm sorry I said it.

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Speaker 1: Well are you though? But or is this what we do?

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Speaker 2: It's something I think should be attention should be brought

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Speaker 2: to it. Don't be shy if you think a black

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Speaker 2: widow has made it, killed her spouse and then is

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Speaker 2: suddenly saying, oh my gosh, I have to raise these

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Speaker 2: three to nine hundred kids.

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Speaker 1: I do think you bring me No.

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Speaker 2: I believe black widows mate kill the spider they made

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Speaker 2: it with, and then they choose to be single.

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Speaker 1: Momps, sorry, I'm going to call this one a alas.

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Speaker 1: Do you mind looking that up and seeing.

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Speaker 2: No need to bother them right on this?

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Speaker 1: And then should we make a friendly wager of twenty dollars?

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Speaker 2: I think what would be friendlier is a cool five,

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Speaker 2: because I have it in my wallet.

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Speaker 1: Okay, a solid five is a good bet amount.

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Speaker 2: Wait.

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Speaker 1: Speaking of which.

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Speaker 2: This reminds me of the time my friend insisted that

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Speaker 2: the Big Wednesday the actor was not Gary Busey but

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Speaker 2: Nick Nolty. Oh, and I was like, hey man, it's

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Speaker 2: Gary Busey. He's like, who's that? That's Nick Nolty. They

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Speaker 2: were they were young, you know, William Kat the guys teeth.

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Speaker 1: Yeah it was a great yeah, yeah, great teeth, Yeah, blonde,

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Speaker 1: big teeth.

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Speaker 2: He was about to be nominated for an Oscar. Did

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Speaker 2: you know that Gary Busey almost won an Oscar for

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Speaker 2: playing Buddy Holly?

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Speaker 1: Yeah? Yeah, I mean did I know that? No, But

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Speaker 1: I want to say, yeah, yeah, okay, great.

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Speaker 2: Anyway, in grieving that they're going to be a single parent,

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Speaker 2: they often go under a toilet seat to take it

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Speaker 2: out on human Let's check the tape.

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Speaker 4: So this is way wilder than I think any of

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Speaker 4: us could have imagined. So black widow males must race

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Speaker 4: to find the females, and then once a male arrives

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Speaker 4: at a female's web, he may perform an eight toaed

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Speaker 4: tap dance that vibrates her web, indicating that.

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Speaker 1: He is her boyfriend. I'm not making this up.

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Speaker 2: I am a secret not.

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Speaker 1: Yeah.

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Speaker 4: Some black widow females eat their mates during meeting.

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Speaker 1: Oh you were right, five dollars.

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Speaker 4: But some male spiders tie up females before meeting to

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Speaker 4: avoid being eaten.

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Speaker 1: Yes, they and they can have up to one thousand. Yes,

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Speaker 1: you knew that.

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Speaker 2: I do. I do know this because I told you

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Speaker 2: I did the whole the toilet googling. They have a

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Speaker 2: way of testing to see if it's time to mate,

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Speaker 2: to see if the black widow is eaten, because if

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Speaker 2: they haven't eaten, they're like, I'm not going to risk it.

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Speaker 2: Oh okay, yeah that they have what an interesting relationship,

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Speaker 2: I mean, and very modern.

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Speaker 1: Yes, yes, I didn't. I thought that the black widow

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Speaker 1: part was just because they are dangerous to people.

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Speaker 2: No, no, it's the widow thing. Is I really do

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Speaker 2: kill my I don't know why I keep saying spouse.

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Speaker 2: I don't think there's ever been. I've never been to it.

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Speaker 1: The charm is boyfriend sounds like the Wikipedia.

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Speaker 2: So yeah, yeah, if you have to have a secret knock,

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Speaker 2: you know, going into this she has other knockers shaking

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Speaker 2: her web.

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Speaker 1: Hey, this is a situationship spider. Don't even act like

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Speaker 1: this is.

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Speaker 2: Oh you did seven taps? I thought it was eight.

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Speaker 2: That guy is way better lover.

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Speaker 1: That's right, you're not even wearing tap shoes. Get out

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Speaker 1: of my web.

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Speaker 2: Hey, you want to have sex? Top hat a cane cook?

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Speaker 1: So sometimes do you think mister Peanut has convinced a

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Speaker 1: black widow spider just sleep with him.

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Speaker 2: Just by accident? Can't a guy just tap dance with

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Speaker 2: a top hat to sell nuts without getting bit by

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Speaker 2: a spider?

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Speaker 1: Honest?

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Speaker 2: Nuts?

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Speaker 1: One of our best conversations of all time. Yeah, it

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00:21:09,160 --> 00:21:10,960
Speaker 1: is because people are learning.

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Speaker 2: It is bizarre. And Andy Ritchie had a joke about this.

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Speaker 2: The late Andy Ritchie was so great he had joked,

390
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Speaker 2: but it was about like, why did they make their mascot?

391
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Speaker 2: He had a monocle so he had one eye, had

392
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Speaker 2: a vision problem, he had a cane so he's limping.

393
00:21:28,680 --> 00:21:32,520
Speaker 2: He had all these ailments, like limping around squinting. Hey,

394
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Speaker 2: buy my nuts. Yeah that's not how he told it,

395
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Speaker 2: but that's that's how I remember it.

396
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Speaker 1: That's that's how comics material gets remembered by other comics

397
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Speaker 1: who love their material. They can't seem to remember their material.

398
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Speaker 2: Yeah, yeah, I.

399
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Speaker 1: Always do it.

400
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Speaker 2: I always made that mistake when I first started, like

401
00:21:52,600 --> 00:21:55,040
Speaker 2: like the uh I had a joke about the Tuzzi

402
00:21:55,080 --> 00:21:57,920
Speaker 2: pop owl. I had a joke about the two can

403
00:21:58,040 --> 00:22:01,800
Speaker 2: always his nose leads him to fruit flavors. They're all,

404
00:22:03,680 --> 00:22:06,520
Speaker 2: you know, mascots that people are going to forget about

405
00:22:07,520 --> 00:22:12,440
Speaker 2: in a decade. Why am I working on material about commercials?

406
00:22:12,600 --> 00:22:14,479
Speaker 2: Just keep working on it because you're going to get

407
00:22:14,520 --> 00:22:17,040
Speaker 2: there and eventually they'll bring it back.

408
00:22:17,480 --> 00:22:22,000
Speaker 1: And then you'll have a new hour of all mascot material. Yes,

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Speaker 1: my friend and I got into a similar I would

410
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Speaker 1: say not even a disagreement, but I said, God, I

411
00:22:32,280 --> 00:22:34,440
Speaker 1: miss berry Berry kicks, and my friend goes they still

412
00:22:34,440 --> 00:22:37,160
Speaker 1: make those, and I was like, no, they don't. I

413
00:22:37,200 --> 00:22:38,960
Speaker 1: look for them in the store and they don't have them.

414
00:22:39,400 --> 00:22:41,879
Speaker 1: And two days later he sent me a box of

415
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Speaker 1: berry Berry Kicks and I have been.

416
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Speaker 2: Enjoying available online only.

417
00:22:46,160 --> 00:22:49,000
Speaker 1: I guess it's one of those huge, family sized boxes.

418
00:22:49,080 --> 00:22:50,920
Speaker 1: I'm like, did this have to get shipped in from

419
00:22:50,960 --> 00:22:52,800
Speaker 1: like Kansas or something?

420
00:22:53,040 --> 00:22:53,840
Speaker 2: Yeah? Wow?

421
00:22:54,200 --> 00:22:55,360
Speaker 1: Yeah?

422
00:22:55,440 --> 00:22:58,160
Speaker 2: What else did they have had? The Frankenstein had one

423
00:22:59,080 --> 00:23:00,960
Speaker 2: just count chocolate frank and.

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00:23:01,000 --> 00:23:06,560
Speaker 1: Berry Booberry, which was a ghost with blueberry cereal. Do

425
00:23:06,600 --> 00:23:07,080
Speaker 1: you remember that?

426
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Speaker 2: No? Yeah, Mummy the Mummy have one. It's everyone from

427
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Speaker 2: the Monster Mash.

428
00:23:14,080 --> 00:23:16,040
Speaker 1: The Mummy had it, but it was cereal. It was

429
00:23:16,080 --> 00:23:18,840
Speaker 1: just dust, so no one bought it, right, No one

430
00:23:18,880 --> 00:23:21,760
Speaker 1: wanted to put milk on dust. It's weird. It was

431
00:23:21,800 --> 00:23:27,520
Speaker 1: just strips of gauze old old papyrus cut up into

432
00:23:27,560 --> 00:23:31,320
Speaker 1: little squares, yeah, into little triangles like the pyramids.

433
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Speaker 2: That was where they were like they that was a

434
00:23:33,680 --> 00:23:38,920
Speaker 2: bad idea. Now with mummy flavor, that was a bad idea.

435
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Speaker 1: Did you know that in Victorian times? Victorian people would

436
00:23:42,280 --> 00:23:46,280
Speaker 1: buy mummies and eat them at mummy parties, they would

437
00:23:46,320 --> 00:23:49,399
Speaker 1: have mummy unwrapping parties, and then it became the trend

438
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Speaker 1: to eat like take bites of the mummy.

439
00:23:53,040 --> 00:23:57,680
Speaker 2: You're talking about real embalmed dead people. Yes, and they

440
00:23:57,720 --> 00:23:59,840
Speaker 2: thought it would maybe give them superpowers.

441
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Speaker 1: I'm not sure what the thinking was. I think, yeah,

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00:24:03,680 --> 00:24:06,400
Speaker 1: it became a trend that got insanely popular, and then

443
00:24:07,320 --> 00:24:09,359
Speaker 1: I don't really know what the thinking was. I just

444
00:24:09,440 --> 00:24:12,280
Speaker 1: know that they did eat them, which I just is like,

445
00:24:12,720 --> 00:24:14,840
Speaker 1: what and how and why?

446
00:24:15,080 --> 00:24:17,640
Speaker 2: Well, that's so because around that time, they also would

447
00:24:17,640 --> 00:24:20,480
Speaker 2: attach leeches to you to suck out the evil spirits.

448
00:24:20,480 --> 00:24:23,680
Speaker 2: Why would you put them back in by eating mummies. Yeah,

449
00:24:23,760 --> 00:24:27,440
Speaker 2: I'm starting to think people used to be dumb, and

450
00:24:29,000 --> 00:24:31,200
Speaker 2: a lot of them still are. But we're just evolving

451
00:24:31,240 --> 00:24:34,000
Speaker 2: because I don't think anyone that idea would not take

452
00:24:34,040 --> 00:24:35,439
Speaker 2: off these days. I hope not.

453
00:24:35,520 --> 00:24:37,600
Speaker 1: Well, just because we know so much more about like

454
00:24:38,119 --> 00:24:44,720
Speaker 1: food prep safety and cannibalism and cannibalism that it's actually wrong,

455
00:24:44,920 --> 00:24:47,399
Speaker 1: and also stealing antiquities.

456
00:24:46,800 --> 00:24:48,960
Speaker 2: Which is also wrong, but like me, I didn't know

457
00:24:49,119 --> 00:24:53,520
Speaker 2: was wrong till the movie Alive. It's just they don't

458
00:24:53,560 --> 00:24:56,760
Speaker 2: teach you all these really specific laws when you're a

459
00:24:56,800 --> 00:24:57,560
Speaker 2: kid in school.

460
00:24:57,720 --> 00:25:00,399
Speaker 1: They are more internal moral laws. That you then have

461
00:25:00,440 --> 00:25:03,080
Speaker 1: to come to question once your rugby team gets into

462
00:25:03,119 --> 00:25:03,720
Speaker 1: an airplane.

463
00:25:04,040 --> 00:25:07,240
Speaker 2: Exactly. My parents weren't as I grew up in the house,

464
00:25:07,280 --> 00:25:10,200
Speaker 2: telling me, hey, don't eat people, don't need dead people.

465
00:25:10,280 --> 00:25:13,800
Speaker 1: Yes, there will be but cheek meet you'll but unless

466
00:25:13,800 --> 00:25:15,119
Speaker 1: it's an emergency, do not.

467
00:25:15,520 --> 00:25:18,439
Speaker 2: Yeah, but if it is the only thing around. My

468
00:25:18,560 --> 00:25:26,879
Speaker 2: dad used to say, you eat that ass. Oh he

469
00:25:27,080 --> 00:25:30,040
Speaker 2: never said that. It's every ass for himself. Yes, it

470
00:25:30,160 --> 00:25:30,720
Speaker 2: really is.

471
00:25:31,800 --> 00:25:34,119
Speaker 1: Ah, that's great, wonderful.

472
00:25:34,520 --> 00:25:36,160
Speaker 2: This episode already is great.

473
00:25:36,400 --> 00:25:42,280
Speaker 1: I feel like when we are unburdened by the bye,

474
00:25:42,600 --> 00:25:44,840
Speaker 1: I shouldn't call our guests burdens.

475
00:25:45,200 --> 00:25:46,840
Speaker 2: No, but I knew what you were going to say,

476
00:25:46,920 --> 00:25:47,919
Speaker 2: so I guess I agree.

477
00:25:48,160 --> 00:25:50,639
Speaker 1: When we're free to riff, Yes, and we don't have

478
00:25:50,680 --> 00:25:55,000
Speaker 1: to be nice and include others, right the labor in that.

479
00:25:57,200 --> 00:25:57,360
Speaker 2: Thing?

480
00:25:58,359 --> 00:26:00,879
Speaker 1: God damn it.

481
00:26:01,080 --> 00:26:03,920
Speaker 2: Alexis that was veering into another car.

482
00:26:04,080 --> 00:26:06,240
Speaker 1: Wesk an idiot, Go dummy, I need to get.

483
00:26:06,119 --> 00:26:09,480
Speaker 2: Over, And now he's chasing that person. He's embarrassed. You

484
00:26:09,680 --> 00:26:11,959
Speaker 2: made me go back into my lane, and then he

485
00:26:12,000 --> 00:26:15,600
Speaker 2: aggressively got back in the lane he wanted to be in.

486
00:26:16,359 --> 00:26:17,920
Speaker 1: These people won't let me get over.

487
00:26:18,080 --> 00:26:21,480
Speaker 2: God, just pull Alexis and aggressively dip in.

488
00:26:21,640 --> 00:26:23,879
Speaker 1: I'm about to Lexis the fuck out of his lane.

489
00:26:24,119 --> 00:26:25,919
Speaker 2: Oh it's too fast.

490
00:26:26,080 --> 00:26:31,719
Speaker 1: Here's the thing, listener, a Lexis Suv from early two thousand,

491
00:26:31,960 --> 00:26:34,879
Speaker 1: so big tried to get over while a car was

492
00:26:34,920 --> 00:26:38,280
Speaker 1: in the lane and then had to get back over.

493
00:26:38,400 --> 00:26:40,920
Speaker 1: But there was a bus there. Yeah, that looked like

494
00:26:40,960 --> 00:26:43,280
Speaker 1: it was about to be a three to nineteen car

495
00:26:43,359 --> 00:26:43,880
Speaker 1: pile up.

496
00:26:44,160 --> 00:26:49,479
Speaker 2: Yeah, or in the bus that many people but in

497
00:26:49,520 --> 00:26:52,360
Speaker 2: one car. Right, if you call a bus a car,

498
00:26:52,600 --> 00:26:55,879
Speaker 2: it's hard to illustrate what we just saw. But it

499
00:26:55,920 --> 00:26:59,480
Speaker 2: was danger, a lot of danger, peril.

500
00:27:00,520 --> 00:27:03,520
Speaker 1: I guess it's a compliment to the Lexus Suv because

501
00:27:04,119 --> 00:27:07,920
Speaker 1: really nice response. Yes, swerving back out of that for

502
00:27:08,040 --> 00:27:08,959
Speaker 1: an older model.

503
00:27:10,880 --> 00:27:12,800
Speaker 2: The driver was an older model.

504
00:27:13,480 --> 00:27:21,320
Speaker 1: I think it was Christy Grinlington Brinkley. Brinklington is some

505
00:27:21,680 --> 00:27:25,600
Speaker 1: uptown girl. We had also a Lexis that was Mauv

506
00:27:25,840 --> 00:27:28,879
Speaker 1: like that one. That's the car that I my parents

507
00:27:28,880 --> 00:27:31,679
Speaker 1: had when I was like high school college. No, it

508
00:27:31,800 --> 00:27:35,960
Speaker 1: is no bread, no bread, it's a light purply right.

509
00:27:36,520 --> 00:27:40,600
Speaker 2: You know when a gray cloud a gray cloud at sunset, that's.

510
00:27:40,480 --> 00:27:42,960
Speaker 1: Right, Chris ah Right, said the artist.

511
00:27:43,560 --> 00:27:46,640
Speaker 2: Yes, it's a lot of words to put on a tuba.

512
00:27:46,400 --> 00:27:56,120
Speaker 1: Paint, so instead ask us directly, Harold and mov that's

513
00:27:56,160 --> 00:27:57,160
Speaker 1: your new lipstick color.

514
00:27:59,040 --> 00:28:01,760
Speaker 2: Oh it's not a bad idea. There are those creative

515
00:28:01,760 --> 00:28:04,240
Speaker 2: lipstick names.

516
00:28:04,400 --> 00:28:04,680
Speaker 1: Yes.

517
00:28:05,560 --> 00:28:08,919
Speaker 2: I had a friend or an acquaintance really, but happened

518
00:28:08,960 --> 00:28:15,000
Speaker 2: to be from Missoula. I met her in Los Angeles. This, well,

519
00:28:15,040 --> 00:28:18,000
Speaker 2: now this bird's going to be pecking at our tail lights.

520
00:28:18,200 --> 00:28:22,000
Speaker 1: That bird wanted that fresh roadkill. That's what he wanted

521
00:28:22,000 --> 00:28:24,680
Speaker 1: to move. Yeah, and I do say he because that's

522
00:28:24,720 --> 00:28:25,400
Speaker 1: boy behavior.

523
00:28:25,560 --> 00:28:30,560
Speaker 2: Yeah, well it was that crow had a giant Adam's happen.

524
00:28:31,359 --> 00:28:37,400
Speaker 2: I I can't recall what we were speaking of. It's

525
00:28:37,600 --> 00:28:38,800
Speaker 2: very important.

526
00:28:39,520 --> 00:28:40,040
Speaker 1: Sorry.

527
00:28:40,280 --> 00:28:45,440
Speaker 2: This friend of mine, her job became the job that

528
00:28:45,480 --> 00:28:52,040
Speaker 2: we know exists. But she named pharmaceutical, like the drugs.

529
00:28:52,240 --> 00:28:58,160
Speaker 2: She came up like words like science. Yeahs like that

530
00:28:58,480 --> 00:29:02,000
Speaker 2: was her job. And I'm like, what else do you

531
00:29:02,000 --> 00:29:03,960
Speaker 2: have to come up with slogans or do the voice over?

532
00:29:04,240 --> 00:29:04,840
Speaker 2: Just the word?

533
00:29:05,680 --> 00:29:07,400
Speaker 1: Wow? How much money does she make?

534
00:29:07,480 --> 00:29:07,840
Speaker 2: A lot?

535
00:29:08,120 --> 00:29:08,680
Speaker 1: Per word?

536
00:29:08,960 --> 00:29:12,080
Speaker 2: That is? I? Yes, per square inch?

537
00:29:12,440 --> 00:29:14,120
Speaker 1: Sorry, that's a pretty great license plate.

538
00:29:14,880 --> 00:29:19,280
Speaker 2: Oh, it's one of many a fleetive sandwich themed cars.

539
00:29:19,520 --> 00:29:21,400
Speaker 2: BLT one BLT one.

540
00:29:21,680 --> 00:29:24,600
Speaker 1: Hell, yes, that's someone that loves the BLT.

541
00:29:24,800 --> 00:29:30,280
Speaker 2: It's mustard yellow. The other BLT two is bacon red.

542
00:29:30,520 --> 00:29:32,080
Speaker 1: Do you remember Zach galfan Akis.

543
00:29:32,360 --> 00:29:34,560
Speaker 2: You remember him? Do you remember him?

544
00:29:35,080 --> 00:29:37,640
Speaker 1: He had a joke that was like, if Jesus came

545
00:29:37,680 --> 00:29:39,680
Speaker 1: back to Earth, do you think his license plate would

546
00:29:39,720 --> 00:29:43,160
Speaker 1: be Jesus one? And for some reason that made me

547
00:29:43,280 --> 00:29:45,320
Speaker 1: laugh so hard, and I was like, I don't even

548
00:29:45,320 --> 00:29:47,040
Speaker 1: know if I get what he's actually trying to say.

549
00:29:47,080 --> 00:29:49,240
Speaker 1: I just love it. It's so funny.

550
00:29:49,320 --> 00:29:52,120
Speaker 2: It is great. At what age do you tell a

551
00:29:52,200 --> 00:30:02,080
Speaker 2: freeway it was adopted? Yes, it finding out that the

552
00:30:02,160 --> 00:30:07,120
Speaker 2: Kwanis Club isn't your real parents, something like that. It's

553
00:30:07,160 --> 00:30:08,280
Speaker 2: my favorite joke of his.

554
00:30:08,440 --> 00:30:10,280
Speaker 1: He's so funny, Zach.

555
00:30:10,360 --> 00:30:13,360
Speaker 2: Would I think if you really look at his career,

556
00:30:13,920 --> 00:30:16,640
Speaker 2: it's kind of like Steve Martin's where doing stand up

557
00:30:16,760 --> 00:30:20,480
Speaker 2: was just the beginning part that no one really even

558
00:30:20,680 --> 00:30:24,040
Speaker 2: knows about. Let's they've seen that Purple Onion special.

559
00:30:24,280 --> 00:30:26,719
Speaker 1: Yeah, it seems like many people have.

560
00:30:27,120 --> 00:30:30,360
Speaker 2: But I that his career is still the one I want.

561
00:30:30,520 --> 00:30:33,560
Speaker 2: But I've kind of stretched that early window for myself.

562
00:30:33,640 --> 00:30:36,200
Speaker 1: Well, okay, it takes a little while.

563
00:30:37,120 --> 00:30:40,600
Speaker 2: To grow a beard, throw a beard, and.

564
00:30:40,760 --> 00:30:44,280
Speaker 1: Then have a TV and film career. I mean he's

565
00:30:44,360 --> 00:30:49,080
Speaker 1: really done it. Yeah, it's wonderful. Yeah, I'm proud of him.

566
00:30:49,200 --> 00:30:52,000
Speaker 1: We're proud of you, Zach. We love you, Zach.

567
00:30:52,680 --> 00:30:55,680
Speaker 2: I saw Zach. I think I've maybe told this, but

568
00:30:55,960 --> 00:30:59,840
Speaker 2: I was going in for my aerobics bar method class

569
00:31:00,520 --> 00:31:05,440
Speaker 2: and he yelled and made fun of me for going

570
00:31:05,440 --> 00:31:07,680
Speaker 2: into a baro methic class. And I was like, who

571
00:31:07,720 --> 00:31:12,080
Speaker 2: is that person? And he was skinny, clean shaven, and

572
00:31:12,960 --> 00:31:17,600
Speaker 2: super handsome and he was just walking his kids in

573
00:31:17,640 --> 00:31:22,240
Speaker 2: a double stroller. Oh, and he asked me about anything

574
00:31:22,320 --> 00:31:25,200
Speaker 2: he chew, and I had someone. I gave him some Kodiak,

575
00:31:26,520 --> 00:31:29,080
Speaker 2: and no one knew it was him because he I

576
00:31:29,120 --> 00:31:31,040
Speaker 2: think for his movie rolls. He's like, well, I guess

577
00:31:31,080 --> 00:31:33,320
Speaker 2: I'll gain a little weight and grow that beard back, right.

578
00:31:33,640 --> 00:31:37,320
Speaker 2: Isn't that amazing? Yeah? Yeah, So a lot of people

579
00:31:37,360 --> 00:31:39,640
Speaker 2: don't know, and that when he's not on a film,

580
00:31:39,920 --> 00:31:46,880
Speaker 2: Zach is ripped and his face like a baby, yeah,

581
00:31:47,400 --> 00:31:52,120
Speaker 2: covered with apple sauce. Sorry, I forgot. It would have

582
00:31:52,120 --> 00:31:54,360
Speaker 2: been better if I knew what babies ate, but I

583
00:31:54,400 --> 00:31:57,080
Speaker 2: haven't been around enough babies I don't think it's apples.

584
00:31:57,200 --> 00:32:00,120
Speaker 1: I think apple sauce is dead on. Yeah, periode care.

585
00:32:00,160 --> 00:32:02,440
Speaker 2: Peeraid carrots would have been so much better.

586
00:32:02,800 --> 00:32:06,160
Speaker 1: Yeah, but no one expects you to say period. No,

587
00:32:06,520 --> 00:32:07,320
Speaker 1: that's tough.

588
00:32:10,080 --> 00:32:15,040
Speaker 2: I uh the scary man I described that has cats

589
00:32:15,080 --> 00:32:17,400
Speaker 2: in his fan. I found out what he used to

590
00:32:17,440 --> 00:32:18,280
Speaker 2: do for a living.

591
00:32:18,520 --> 00:32:18,640
Speaker 1: Uh.

592
00:32:18,680 --> 00:32:23,680
Speaker 2: Oh he was a hospice nurse, so that totally changes.

593
00:32:25,840 --> 00:32:30,560
Speaker 2: Granted he's not anymore, you know, And I think that

594
00:32:30,680 --> 00:32:33,800
Speaker 2: maybe he had a bit of a mental thing happened,

595
00:32:34,000 --> 00:32:36,120
Speaker 2: but he was talking about it and had a lot

596
00:32:36,200 --> 00:32:39,960
Speaker 2: of because I asked him. I just had to know what,

597
00:32:41,400 --> 00:32:45,000
Speaker 2: Uh asked about the dog? Why is he trading cats?

598
00:32:45,080 --> 00:32:49,280
Speaker 2: He like trains cats for what to act like? His

599
00:32:49,440 --> 00:32:55,080
Speaker 2: cats be leashed and listen to commands. No, Yes, I

600
00:32:55,640 --> 00:33:04,320
Speaker 2: think that maybe he's a very high functioning, emotionally altered man. Sure,

601
00:33:05,520 --> 00:33:09,480
Speaker 2: but it is that that what a selfless if he

602
00:33:09,600 --> 00:33:11,520
Speaker 2: could have thought of. I can't think of a more

603
00:33:11,520 --> 00:33:15,560
Speaker 2: selfless job and a more difficult Yeah, but it is

604
00:33:15,800 --> 00:33:19,080
Speaker 2: part of It's why I like that mid nineties movie

605
00:33:19,280 --> 00:33:23,200
Speaker 2: that wasn't ground Baking, but it did have a regular

606
00:33:23,240 --> 00:33:29,160
Speaker 2: part in It was When You're Street skating you other

607
00:33:29,160 --> 00:33:33,520
Speaker 2: people on movie it's called Mid Nineties. Oh, I think

608
00:33:35,040 --> 00:33:37,960
Speaker 2: that's but it is so good to me because it's

609
00:33:38,040 --> 00:33:41,360
Speaker 2: just a chunk of my childhood, the details, down to

610
00:33:41,440 --> 00:33:44,400
Speaker 2: the clothes and everything they're wearing, what they're talking about.

611
00:33:44,440 --> 00:33:50,560
Speaker 2: It was latch key, everyone living with their moms and uh,

612
00:33:51,360 --> 00:33:54,120
Speaker 2: these kids looking out for each other, and that part

613
00:33:54,160 --> 00:33:58,680
Speaker 2: was really sweet. And then it showed them just regularly

614
00:33:58,800 --> 00:34:01,960
Speaker 2: talking to people that lived on the streets. And the

615
00:34:02,040 --> 00:34:04,720
Speaker 2: guy in Mid Nineties was played by Del the funky

616
00:34:04,760 --> 00:34:07,840
Speaker 2: Homo Sapien, who's one of my favorite rappers. His stuff

617
00:34:07,960 --> 00:34:15,040
Speaker 2: was always in skate videos and he played like a unhoused,

618
00:34:15,320 --> 00:34:20,879
Speaker 2: homeless guy and that was part of skating. So it's

619
00:34:21,000 --> 00:34:24,640
Speaker 2: totally normal with my group of skater pals that there

620
00:34:24,719 --> 00:34:29,040
Speaker 2: is that guy wanting to talk to us and hang

621
00:34:29,080 --> 00:34:31,720
Speaker 2: out and wants us to pet his cats. Like that's

622
00:34:31,760 --> 00:34:32,440
Speaker 2: so common.

623
00:34:32,920 --> 00:34:36,239
Speaker 1: Yeah, And then it also tracks with your habit of

624
00:34:36,360 --> 00:34:37,800
Speaker 1: just like kind of talking to everybody.

625
00:34:37,920 --> 00:34:42,480
Speaker 2: I do. I I but yes, I'm worse than most.

626
00:34:42,680 --> 00:34:45,560
Speaker 2: Like he follows me around when I try to conclude, well,

627
00:34:45,600 --> 00:34:47,720
Speaker 2: I'm going to start skating again, and he walks behind

628
00:34:47,760 --> 00:34:50,759
Speaker 2: me and brings up another subject. But I've seen that

629
00:34:50,800 --> 00:34:52,680
Speaker 2: happen to a few kids. I'm like, don't let that

630
00:34:52,680 --> 00:34:55,040
Speaker 2: guy get too close. You won't have time to skate.

631
00:34:55,800 --> 00:34:59,520
Speaker 2: But it's so common that at my old home skate shop,

632
00:35:00,040 --> 00:35:02,520
Speaker 2: one of the boards I made did feature all of

633
00:35:02,840 --> 00:35:07,279
Speaker 2: Missoula's hometown heroes, and they were all characters that. There

634
00:35:07,320 --> 00:35:10,440
Speaker 2: was a guy that waited by the TV station and

635
00:35:10,560 --> 00:35:15,080
Speaker 2: a full car heart one piece thing, waiting for aliens

636
00:35:15,120 --> 00:35:18,640
Speaker 2: to pick him up. But there was Red the street

637
00:35:18,680 --> 00:35:22,560
Speaker 2: preacher that would yell burn, hell, fire, brimstone, and then

638
00:35:22,560 --> 00:35:24,400
Speaker 2: you talk to him, he's like, hey, guys, how's the

639
00:35:24,480 --> 00:35:28,320
Speaker 2: skating today? He would just drop it. There was Randy,

640
00:35:28,400 --> 00:35:31,880
Speaker 2: the guy that walked around with a blanket and would

641
00:35:32,000 --> 00:35:34,880
Speaker 2: just yell terrible things at people. But when you actually

642
00:35:34,960 --> 00:35:38,839
Speaker 2: talk to him, he had this, you know, his dad

643
00:35:38,880 --> 00:35:40,839
Speaker 2: died in a fire and he had all that he'd

644
00:35:40,880 --> 00:35:41,239
Speaker 2: been on.

645
00:35:41,600 --> 00:35:44,600
Speaker 1: We don't need to hear that all? Yeah time, yeah time.

646
00:35:44,600 --> 00:35:46,600
Speaker 2: Yes, Have I talked about Randy?

647
00:35:47,040 --> 00:35:51,280
Speaker 1: No, you just love horrifying details that like that. It's okay,

648
00:35:51,320 --> 00:35:51,879
Speaker 1: we got it.

649
00:35:52,000 --> 00:35:54,440
Speaker 2: Yeah, yeah, Well I think he started the fire. I

650
00:35:54,480 --> 00:35:56,759
Speaker 2: think he killed his net. But he used to he

651
00:35:57,719 --> 00:36:00,160
Speaker 2: would always see him. We'd go to different towns and

652
00:36:00,280 --> 00:36:02,480
Speaker 2: we'd see him because he'd pick up a check in

653
00:36:02,520 --> 00:36:03,440
Speaker 2: all these different towns.

654
00:36:03,520 --> 00:36:06,440
Speaker 1: Oh, so he was kind of like a transient, true

655
00:36:06,440 --> 00:36:08,839
Speaker 1: transient and that yes, where he's just kind of yeah,

656
00:36:08,960 --> 00:36:09,600
Speaker 1: moving around.

657
00:36:09,719 --> 00:36:12,040
Speaker 2: We saw him in Courtelain and idahom, We're like Randy

658
00:36:12,120 --> 00:36:13,560
Speaker 2: and he was like, how do you know my name?

659
00:36:13,640 --> 00:36:16,319
Speaker 2: We're from Missoula, and then he totally dropped it. Yeah,

660
00:36:16,320 --> 00:36:18,440
Speaker 2: I get a disability track here, so I took a

661
00:36:18,440 --> 00:36:22,600
Speaker 2: bus like, wait, you figured out something. But usually he

662
00:36:22,680 --> 00:36:26,520
Speaker 2: was shirtless out in the streets anyway. And there was

663
00:36:26,560 --> 00:36:30,440
Speaker 2: Tommy the Leprechaun who did open mics and stuff, played guitar,

664
00:36:30,560 --> 00:36:34,000
Speaker 2: but he used to be like in the trenches and

665
00:36:34,120 --> 00:36:36,279
Speaker 2: he was little in the war. He would get into

666
00:36:36,320 --> 00:36:41,080
Speaker 2: these trenches and god knows unspeakable things, but we knew

667
00:36:41,120 --> 00:36:44,360
Speaker 2: all these things about these people in Vietnam. You man, yes,

668
00:36:44,480 --> 00:36:48,040
Speaker 2: oh wow, yeah, like the worst job you can have, right.

669
00:36:48,320 --> 00:36:52,920
Speaker 2: But he was four foot eight and so and I

670
00:36:52,920 --> 00:36:56,880
Speaker 2: think he eventually assaulted someone, but we they were friends

671
00:36:56,920 --> 00:37:00,520
Speaker 2: with skateboarder to do it, yeah with a knife, were

672
00:37:00,600 --> 00:37:03,279
Speaker 2: friends with them. It's just weird to me.

673
00:37:03,520 --> 00:37:06,320
Speaker 1: Because you shared open public space.

674
00:37:06,600 --> 00:37:11,400
Speaker 2: Yes, they were in, or you have to otherwise you

675
00:37:11,480 --> 00:37:14,239
Speaker 2: have to leave the skate spot because you're intimidated by

676
00:37:14,320 --> 00:37:16,520
Speaker 2: what one of these guys does. All they want to

677
00:37:16,560 --> 00:37:18,440
Speaker 2: do is feel normal.

678
00:37:18,640 --> 00:37:22,080
Speaker 1: I talk to people, right, Yes, people need people.

679
00:37:22,520 --> 00:37:26,040
Speaker 2: Yes, that's right. See you're sold on it. I can

680
00:37:26,040 --> 00:37:29,960
Speaker 2: see you make an eye contact with everyone on Hollywood

681
00:37:29,960 --> 00:37:30,960
Speaker 2: Boulevard tomorrow.

682
00:37:31,239 --> 00:37:33,400
Speaker 1: I just wish that your stories had less flem in

683
00:37:33,440 --> 00:37:37,360
Speaker 1: them and less animal torture.

684
00:37:37,600 --> 00:37:40,400
Speaker 2: Right, that's all right, fl You mean the way with

685
00:37:41,680 --> 00:37:43,560
Speaker 2: the way I have flem in my throat?

686
00:37:43,640 --> 00:37:46,160
Speaker 1: No, No, remember the one where there was like flem

687
00:37:46,200 --> 00:37:48,600
Speaker 1: on the handle of them? Oh god, it was just

688
00:37:48,800 --> 00:37:49,720
Speaker 1: a flim story.

689
00:37:49,960 --> 00:37:53,000
Speaker 2: Yeah, yeah, that's all. Yeah. I get too detailed with

690
00:37:54,520 --> 00:37:57,440
Speaker 2: things like fluids. But you know, I wish I worked

691
00:37:57,440 --> 00:37:58,520
Speaker 2: in the medical.

692
00:37:59,600 --> 00:37:59,719
Speaker 1: That.

693
00:38:00,480 --> 00:38:02,920
Speaker 2: Yeah. Yeah, I'm interested in bodily things.

694
00:38:03,160 --> 00:38:03,480
Speaker 1: I'm not.

695
00:38:04,760 --> 00:38:06,520
Speaker 2: I don't want to. Well that's why you're not a

696
00:38:06,560 --> 00:38:10,040
Speaker 2: surgeon like I will be one day if I can

697
00:38:10,120 --> 00:38:11,560
Speaker 2: finally start going to school.

698
00:38:12,680 --> 00:38:16,480
Speaker 1: Fireman action, it's happening right now.

699
00:38:16,800 --> 00:38:19,200
Speaker 2: We should do the tig thing and ask if there's

700
00:38:19,239 --> 00:38:24,800
Speaker 2: anything we can do. Guys need a help. My brother

701
00:38:24,840 --> 00:38:27,440
Speaker 2: in law and nephew fireman. Her dad's a fireman, so

702
00:38:27,560 --> 00:38:28,920
Speaker 2: we kind of know what's going on here.

703
00:38:28,960 --> 00:38:29,920
Speaker 1: Engine two twelve.

704
00:38:30,680 --> 00:38:33,279
Speaker 2: Guys, we need some polish at the base of the

705
00:38:33,320 --> 00:38:36,880
Speaker 2: host dispenser and I'm just over there with a SHAMMI

706
00:38:37,920 --> 00:38:41,720
Speaker 2: we don't need it cleaned, thought you guys like shiny trucks.

707
00:38:42,200 --> 00:38:44,400
Speaker 1: I'm here to argue that we should be able to

708
00:38:44,440 --> 00:38:47,359
Speaker 1: turn on the heater at home. Unlike my dad says

709
00:38:47,400 --> 00:38:50,319
Speaker 1: we should get HBO at home. He'd be like, now

710
00:38:50,400 --> 00:38:53,319
Speaker 1: we got it at the firehouse. It's no good. Don't

711
00:38:53,320 --> 00:38:54,040
Speaker 1: worry about it.

712
00:38:54,640 --> 00:38:58,280
Speaker 2: Not since White Lonas, I haven't like anything on HBO.

713
00:39:01,520 --> 00:39:05,480
Speaker 1: My dad actually watched Ripley on Netflix and loved it

714
00:39:05,560 --> 00:39:08,960
Speaker 1: and recommended it to me. I was like, seriously, it's

715
00:39:08,960 --> 00:39:09,760
Speaker 1: a really good taste.

716
00:39:09,920 --> 00:39:15,080
Speaker 2: Yeah, that's great. I get nervous to tell my dad

717
00:39:15,160 --> 00:39:18,520
Speaker 2: about slow burning stories like that because it's not action

718
00:39:18,960 --> 00:39:22,880
Speaker 2: right away. You know, Kurt Russell isn't in it, so

719
00:39:23,040 --> 00:39:26,960
Speaker 2: it's I'm I am impressed, Like it's I like slow

720
00:39:27,000 --> 00:39:32,359
Speaker 2: burning storylines and that Ripley series. You know, it could

721
00:39:32,360 --> 00:39:36,440
Speaker 2: have just been a remake of the talented Mister Ripley movie. Right. No,

722
00:39:36,600 --> 00:39:39,640
Speaker 2: the series all the details and it really. Who is

723
00:39:39,680 --> 00:39:42,560
Speaker 2: that actor that everyone loves because of flea Bag, Tom

724
00:39:43,120 --> 00:39:45,120
Speaker 2: Tom Club.

725
00:39:47,640 --> 00:39:51,880
Speaker 1: That everyone loves Candy you know him? He lost Candy? Yeah, yeah,

726
00:39:52,000 --> 00:39:56,520
Speaker 1: sexy priest from Fleabag. He's Irish, his star has risen,

727
00:39:56,560 --> 00:39:58,680
Speaker 1: he's now and everything and everyone loves him.

728
00:39:59,120 --> 00:39:59,920
Speaker 2: Yeah.

729
00:40:00,239 --> 00:40:05,279
Speaker 1: Andrew Scott, Andrew Andrew Scott. Tom is not involved. There's

730
00:40:05,360 --> 00:40:05,839
Speaker 1: no Tom.

731
00:40:06,200 --> 00:40:11,280
Speaker 2: His brother Tom Scott is Tom Everett Scott. Tom Everett

732
00:40:11,280 --> 00:40:13,879
Speaker 2: Scott used to be an actorizing Campini or.

733
00:40:16,200 --> 00:40:19,160
Speaker 1: Oh, that's the firehouse right there. Yeah, there was not

734
00:40:19,239 --> 00:40:22,439
Speaker 1: a fire, They were just trying to park their trucks, right,

735
00:40:22,960 --> 00:40:23,520
Speaker 1: I see.

736
00:40:23,800 --> 00:40:27,640
Speaker 2: Yeah. There there's always a lot of fanfare with the

737
00:40:27,719 --> 00:40:30,000
Speaker 2: backing because they got to back them in and they

738
00:40:30,000 --> 00:40:31,680
Speaker 2: got to turn those lights on when they do it,

739
00:40:31,760 --> 00:40:33,600
Speaker 2: and they're big rigs. You know, you got a guy

740
00:40:33,600 --> 00:40:34,799
Speaker 2: in back steering the thing.

741
00:40:35,800 --> 00:40:38,080
Speaker 1: I think I told you this story. But recently, like

742
00:40:38,080 --> 00:40:41,279
Speaker 1: within the last five years, I was driving with my

743
00:40:41,360 --> 00:40:44,560
Speaker 1: dad and I'm always very critical of his driving because

744
00:40:44,560 --> 00:40:46,480
Speaker 1: if he starts telling a story, we'll be on the

745
00:40:46,520 --> 00:40:48,440
Speaker 1: freeway and he'll slow down to like thirty miles an

746
00:40:48,440 --> 00:40:51,319
Speaker 1: hour two because he can't do both. Yeah, but we

747
00:40:51,320 --> 00:40:53,840
Speaker 1: were doing something, and I was like, that's kind of

748
00:40:53,840 --> 00:40:56,200
Speaker 1: nervous because I'm like, oh, my dad's getting old or whatever.

749
00:40:56,239 --> 00:41:00,440
Speaker 1: And then I forgot the man drove right. He has

750
00:41:00,480 --> 00:41:02,759
Speaker 1: a Class C driver's license or whatever it is that

751
00:41:03,320 --> 00:41:06,560
Speaker 1: enables you to drive big rigs. He can drive a

752
00:41:06,600 --> 00:41:10,760
Speaker 1: truck on a city street, like he knows how to drive.

753
00:41:11,000 --> 00:41:11,200
Speaker 2: Yeah.

754
00:41:11,280 --> 00:41:12,839
Speaker 1: I suddenly was like, oh, I don't have to worry

755
00:41:12,880 --> 00:41:13,160
Speaker 1: about this.

756
00:41:13,440 --> 00:41:17,399
Speaker 2: Yeah, there's that, but there's also having the confidence from

757
00:41:17,400 --> 00:41:21,080
Speaker 2: that time, and then just motor skills waning, which people

758
00:41:21,120 --> 00:41:25,799
Speaker 2: don't have control over, right, sometimes, you know, I worry

759
00:41:25,840 --> 00:41:29,920
Speaker 2: about that, just anyone that's eighty something, right, just it

760
00:41:29,960 --> 00:41:34,279
Speaker 2: may be in your mind, you still have it, but you.

761
00:41:34,239 --> 00:41:35,960
Speaker 1: Know, but who knows.

762
00:41:36,000 --> 00:41:38,520
Speaker 2: Who knows until it's too late.

763
00:41:38,520 --> 00:41:40,760
Speaker 1: Until you're crashed into the bank.

764
00:41:41,239 --> 00:41:43,319
Speaker 2: Blood on the Highway what was the name of that?

765
00:41:43,920 --> 00:41:45,640
Speaker 2: I never had to watch it, but they were blood

766
00:41:45,680 --> 00:41:49,800
Speaker 2: on the asphalt, Blood on the asphalt. Yes, a scare

767
00:41:49,840 --> 00:41:53,960
Speaker 2: propaganda film from the sixties. I don't believe I ever

768
00:41:54,000 --> 00:41:54,680
Speaker 2: had to watch it.

769
00:41:54,760 --> 00:41:57,560
Speaker 1: I didn't either. I think it was a little too late,

770
00:41:58,160 --> 00:42:01,759
Speaker 1: little too dated for us. Also, yeah, we just had

771
00:42:01,800 --> 00:42:05,719
Speaker 1: a driver's let's see, it was driver's head, and then

772
00:42:05,800 --> 00:42:07,719
Speaker 1: driver's training was when you were actually in the car.

773
00:42:07,800 --> 00:42:10,960
Speaker 1: So our driver's ED teacher was mister Doherty, and he

774
00:42:11,160 --> 00:42:14,600
Speaker 1: was such a good driver's ed teacher. But really the

775
00:42:14,640 --> 00:42:16,920
Speaker 1: only thing I remember him teaching us is hey, and

776
00:42:16,960 --> 00:42:19,719
Speaker 1: if you're tired, pull over and sleep right where. I'm like,

777
00:42:19,800 --> 00:42:23,040
Speaker 1: that is the most unrealistic, Like you shouldn't be telling

778
00:42:23,040 --> 00:42:25,560
Speaker 1: teenage girls like pull over and sleep on the side

779
00:42:25,560 --> 00:42:28,200
Speaker 1: of the highway. Yeah, but he was. That was a

780
00:42:28,239 --> 00:42:30,080
Speaker 1: thing where he was very concerned that we were all

781
00:42:30,120 --> 00:42:31,680
Speaker 1: going to fall asleep at the wheel right.

782
00:42:31,760 --> 00:42:34,560
Speaker 2: Well, he's saying that because in his experience, he pulls

783
00:42:34,600 --> 00:42:38,800
Speaker 2: over when he's too drunk to drive. My no offense

784
00:42:38,840 --> 00:42:40,359
Speaker 2: to the doerty, No you're not.

785
00:42:40,440 --> 00:42:41,520
Speaker 1: You don't even know them.

786
00:42:41,440 --> 00:42:45,240
Speaker 2: My driver's ED teacher. I am certain as I've stopped drinking,

787
00:42:45,360 --> 00:42:48,440
Speaker 2: vivid memories things I've suppressed memories are coming back a

788
00:42:48,480 --> 00:42:51,520
Speaker 2: lot of them. I'm pretty sure he was drunk. Oh yeah,

789
00:42:51,600 --> 00:42:55,160
Speaker 2: that would explain why on a frozen mountain road he

790
00:42:55,320 --> 00:42:58,000
Speaker 2: just pulled the eve break to see what I would do.

791
00:42:58,320 --> 00:43:00,160
Speaker 2: That's something a drunk friend.

792
00:43:00,560 --> 00:43:04,440
Speaker 1: But also a true driver's trainer would do because he

793
00:43:04,560 --> 00:43:06,000
Speaker 1: was training you for real driving.

794
00:43:06,280 --> 00:43:09,680
Speaker 2: Yeah, except I don't think that ever happens. The the

795
00:43:09,680 --> 00:43:14,040
Speaker 2: e break, which is unlike slamming on the brakes, would

796
00:43:14,080 --> 00:43:18,200
Speaker 2: suddenly be fully engaged. And we went in the ditch

797
00:43:18,360 --> 00:43:20,480
Speaker 2: and we had to call someone. I don't remember how

798
00:43:20,520 --> 00:43:23,680
Speaker 2: that ended, but me and two other students were just

799
00:43:23,719 --> 00:43:28,120
Speaker 2: in a snowy ditch because the teacher was wiling.

800
00:43:30,560 --> 00:43:33,040
Speaker 1: It's just so funny to me because your teacher was

801
00:43:33,120 --> 00:43:33,920
Speaker 1: cross faded.

802
00:43:34,360 --> 00:43:37,719
Speaker 2: Yes, I learned that. What is that when you're high

803
00:43:37,760 --> 00:43:38,240
Speaker 2: and drunk?

804
00:43:39,080 --> 00:43:39,400
Speaker 1: Really?

805
00:43:39,520 --> 00:43:41,000
Speaker 2: M that's great.

806
00:43:41,280 --> 00:43:43,280
Speaker 1: Yeah, when you combine.

807
00:43:42,840 --> 00:43:51,040
Speaker 2: Both originally coined because of base and treble. Really I'm

808
00:43:51,040 --> 00:43:54,680
Speaker 2: not sure. Well, a cross fade sounds like something you

809
00:43:54,719 --> 00:43:55,600
Speaker 2: do in the studio.

810
00:43:56,040 --> 00:44:01,440
Speaker 1: Oh yeah, that makes sense. Yeah, that big chicken man

811
00:44:01,520 --> 00:44:02,520
Speaker 1: up there holding a bucket.

812
00:44:02,600 --> 00:44:04,400
Speaker 2: Why don't they have him so far into the building.

813
00:44:04,520 --> 00:44:05,640
Speaker 2: That should be on display.

814
00:44:05,719 --> 00:44:07,120
Speaker 1: Yeah, it should be up here, and it should be

815
00:44:07,200 --> 00:44:10,799
Speaker 1: facing what if it was on a rotating thing like

816
00:44:10,880 --> 00:44:11,960
Speaker 1: this sad happy foot?

817
00:44:12,360 --> 00:44:16,480
Speaker 2: Yeah, oh I missed that foot. Yeah, there that is

818
00:44:16,560 --> 00:44:20,680
Speaker 2: a Uh we're looking at a seventeen foot tall chicken

819
00:44:21,120 --> 00:44:24,719
Speaker 2: anthropomorphized to have thumbs and fingers. We've talked about this.

820
00:44:24,880 --> 00:44:27,319
Speaker 2: I'm sure he has chicken feet though, but he's wearing

821
00:44:27,400 --> 00:44:28,760
Speaker 2: jeans and a red polo.

822
00:44:29,080 --> 00:44:31,239
Speaker 1: Yeah, and he's huge, He's really big.

823
00:44:31,280 --> 00:44:32,200
Speaker 2: And why is he up there?

824
00:44:32,840 --> 00:44:36,240
Speaker 1: Yeah, he looks like he's selling something out of a bucket.

825
00:44:36,360 --> 00:44:39,920
Speaker 1: Maybe he's bucket a chicken because he's a chicken music cannibal.

826
00:44:40,280 --> 00:44:43,879
Speaker 2: Yeah, yeah, that's that's always bizarre to me when they

827
00:44:43,960 --> 00:44:46,240
Speaker 2: use the animal to sell the meat of that animal.

828
00:44:46,400 --> 00:44:50,120
Speaker 1: Yeah, there's a I think it's in Seattle or Portland,

829
00:44:50,360 --> 00:44:53,960
Speaker 1: there's a or anywhere. Really there's a pig that looks

830
00:44:54,000 --> 00:44:56,080
Speaker 1: super Oh no, it was in New York City. I

831
00:44:56,120 --> 00:44:58,480
Speaker 1: took a picture of it. There's a pig that like

832
00:44:58,600 --> 00:45:00,840
Speaker 1: looked thrilled and he was on the side of a

833
00:45:00,840 --> 00:45:02,800
Speaker 1: butcher shop where was like, what are you doing?

834
00:45:03,040 --> 00:45:06,480
Speaker 2: Yeah? Are you just masochistic?

835
00:45:06,920 --> 00:45:08,960
Speaker 1: You're disgusting is what you are? Pig?

836
00:45:09,239 --> 00:45:13,759
Speaker 2: Yeah, sorry, pig, A true pig. I when I moved

837
00:45:13,800 --> 00:45:16,920
Speaker 2: to Austin, Texas, I was so excited to be in

838
00:45:17,000 --> 00:45:22,240
Speaker 2: this city that, you know, where art was a currency.

839
00:45:22,719 --> 00:45:26,919
Speaker 2: As I've said before, there was sculptures like that on

840
00:45:27,080 --> 00:45:30,200
Speaker 2: every other building, really everywhere you look in Austin. I

841
00:45:30,360 --> 00:45:32,160
Speaker 2: think it also has to do with there being no

842
00:45:32,360 --> 00:45:39,959
Speaker 2: building codes, just giant rotating, perfectly sculpted animals and monsters

843
00:45:40,280 --> 00:45:43,680
Speaker 2: dragon Like the pizza place had a giant like lizard

844
00:45:43,800 --> 00:45:49,640
Speaker 2: dragon draped over the side of the building, like everywhere.

845
00:45:49,960 --> 00:45:53,320
Speaker 2: It was so cool. There's art all around that city.

846
00:45:53,719 --> 00:45:54,080
Speaker 1: Wow.

847
00:45:54,680 --> 00:45:58,839
Speaker 2: But you know, now, it's a bunch at dot.

848
00:45:58,520 --> 00:46:03,040
Speaker 1: Commerce, your right wingers ripping down the lizards.

849
00:46:03,200 --> 00:46:07,080
Speaker 2: They're just fiscally conservative, Karen, that's all. They still like

850
00:46:07,120 --> 00:46:08,000
Speaker 2: to draw and paint.

851
00:46:09,680 --> 00:46:13,320
Speaker 1: They still want their own rights, just not yours exactly.

852
00:46:13,640 --> 00:46:16,080
Speaker 2: It's about me, not anyone else.

853
00:46:16,160 --> 00:46:19,359
Speaker 1: Do you know about the National Women's strike on June

854
00:46:19,360 --> 00:46:20,000
Speaker 1: twenty fourth?

855
00:46:20,600 --> 00:46:20,839
Speaker 2: No?

856
00:46:21,080 --> 00:46:24,399
Speaker 1: Yeah, where do I go? I'm not sure if I'm

857
00:46:24,440 --> 00:46:26,839
Speaker 1: sure they'll be marches. But women are to stop working

858
00:46:26,920 --> 00:46:29,920
Speaker 1: and doing anything on June twenty fourth until we get

859
00:46:29,920 --> 00:46:32,000
Speaker 1: our goddamn bodily autonomy back.

860
00:46:32,480 --> 00:46:36,919
Speaker 2: That's great, or just for the day. That's great.

861
00:46:37,040 --> 00:46:38,080
Speaker 1: That can wear a red shirt.

862
00:46:38,200 --> 00:46:41,319
Speaker 2: That'll be noticed that I hope. So that's in. I'll

863
00:46:41,360 --> 00:46:44,759
Speaker 2: be wearing red out of out of whatever the word

864
00:46:44,880 --> 00:46:46,320
Speaker 2: is support support?

865
00:46:47,760 --> 00:46:50,040
Speaker 1: Did you blank out on the word support?

866
00:46:50,120 --> 00:46:57,359
Speaker 2: Now there's a more specific word out of hegemony.

867
00:46:57,640 --> 00:47:01,160
Speaker 1: That's too specific, okay and inaccurate?

868
00:47:01,480 --> 00:47:09,880
Speaker 2: Uh, everyone's yelling the word. Uh yeah, sure that works. Also,

869
00:47:11,239 --> 00:47:15,319
Speaker 2: it's funny. I will kick myself about not thinking of

870
00:47:15,360 --> 00:47:16,120
Speaker 2: this word.

871
00:47:16,160 --> 00:47:18,879
Speaker 1: Out of I know what you, I know what you're

872
00:47:18,880 --> 00:47:19,520
Speaker 1: trying to think of.

873
00:47:19,719 --> 00:47:21,239
Speaker 2: Yeah, isn't it funny?

874
00:47:24,280 --> 00:47:26,520
Speaker 1: Hey? Could you get your garbage cans further out into

875
00:47:26,560 --> 00:47:28,839
Speaker 1: the fucking street? Who did this?

876
00:47:29,960 --> 00:47:32,520
Speaker 2: Well? They are lined up perfectly. Yeah, true, but they

877
00:47:32,520 --> 00:47:35,760
Speaker 2: shouldn't be butted against my car.

878
00:47:37,320 --> 00:47:38,840
Speaker 1: Oh wait, I think I'm on the wrong street. I

879
00:47:38,840 --> 00:47:40,120
Speaker 1: thought I was on a different street.

880
00:47:40,600 --> 00:47:43,799
Speaker 2: Be careful. There's speed humps up ahead. Okay, I'm not

881
00:47:43,880 --> 00:47:48,760
Speaker 2: going up there, way different from more popular speed bumps humps.

882
00:47:49,000 --> 00:47:51,759
Speaker 2: Come on. That was after the your mind out of

883
00:47:51,800 --> 00:47:53,440
Speaker 2: the gutter street sign maker.

884
00:47:53,320 --> 00:47:55,239
Speaker 1: The Fergie song came out, and then they were like,

885
00:47:55,320 --> 00:48:02,160
Speaker 1: we're changing this. Oh this is my favorite color of bougainvilla.

886
00:48:03,080 --> 00:48:06,759
Speaker 1: That is the rare, beautiful light pink shade that I

887
00:48:06,840 --> 00:48:09,759
Speaker 1: love so much. Just want to point it out.

888
00:48:09,800 --> 00:48:14,080
Speaker 2: It's almost borderline mob no some of them. That's they

889
00:48:14,160 --> 00:48:14,680
Speaker 2: get older.

890
00:48:14,800 --> 00:48:18,520
Speaker 1: Sure, yes, yes, yes, I think I negate you too much.

891
00:48:18,680 --> 00:48:25,400
Speaker 2: It's okay. Out of alliance support, I'm going it's.

892
00:48:25,239 --> 00:48:28,399
Speaker 1: A word for like believing in the cause and being

893
00:48:28,440 --> 00:48:31,000
Speaker 1: a part of it without being the subject.

894
00:48:31,520 --> 00:48:35,840
Speaker 2: Stand with the word. Yeah, it's it's driving me nuts.

895
00:48:35,960 --> 00:48:37,960
Speaker 1: I stand with you.

896
00:48:38,239 --> 00:48:40,440
Speaker 2: We must edit this part out. I feel it, I

897
00:48:40,600 --> 00:48:40,880
Speaker 2: love it.

898
00:48:40,920 --> 00:48:41,920
Speaker 1: I think it's compelling.

899
00:48:42,160 --> 00:48:46,359
Speaker 2: It is. It's the funny thing is I know people

900
00:48:46,440 --> 00:48:48,640
Speaker 2: are yelling at if they're Yeah.

901
00:48:48,520 --> 00:48:50,799
Speaker 1: I think this probably is one of the most irritating

902
00:48:50,960 --> 00:48:52,840
Speaker 1: things that happens during a podcast.

903
00:48:52,880 --> 00:48:56,560
Speaker 2: Yes, for listeners, for sure. We're too proud to admit

904
00:48:56,680 --> 00:48:58,360
Speaker 2: we just can't think of a word. And by we

905
00:48:58,520 --> 00:48:58,960
Speaker 2: I mean me.

906
00:48:59,800 --> 00:49:00,839
Speaker 1: I I can't think either.

907
00:49:01,080 --> 00:49:03,640
Speaker 2: Yeah, out of Yeah, it's okay.

908
00:49:03,840 --> 00:49:11,360
Speaker 1: Not allegiance. Solidarity. Yeah, solidarity is the word that is wordy.

909
00:49:11,560 --> 00:49:17,040
Speaker 2: They save the day. Thank you, Onalise, Thank you solidarity.

910
00:49:17,360 --> 00:49:21,680
Speaker 2: I will wear red? Is that what I should wear? Yes? Okay? Yeah?

911
00:49:21,800 --> 00:49:22,400
Speaker 2: Why red?

912
00:49:23,239 --> 00:49:25,880
Speaker 1: It's just the color everyone's picking. I think probably because

913
00:49:27,719 --> 00:49:30,400
Speaker 1: a lot of women, because abortion has been made illegal

914
00:49:30,440 --> 00:49:33,800
Speaker 1: in so many places, women are dying, right, It's maybe

915
00:49:33,800 --> 00:49:36,439
Speaker 1: to show people are fucking serious and they're sick of it,

916
00:49:36,560 --> 00:49:39,600
Speaker 1: and uh, you know, and what day is this?

917
00:49:40,640 --> 00:49:43,480
Speaker 2: June twenty fourth, June twenty fourth, wear red. I'll put

918
00:49:43,480 --> 00:49:44,400
Speaker 2: it in my calendar.

919
00:49:45,480 --> 00:49:47,319
Speaker 1: And if there's marches, go there.

920
00:49:48,320 --> 00:49:52,359
Speaker 2: Right, yeah, I mean the first day, Yeah, I can

921
00:49:52,400 --> 00:49:54,520
Speaker 2: be there, right, Oh.

922
00:49:54,400 --> 00:49:59,560
Speaker 1: Yeah, I think I think men showing up in solidarity

923
00:49:59,760 --> 00:50:02,680
Speaker 1: a strick asterisk. Oh my god, look at that crucifix.

924
00:50:03,480 --> 00:50:08,960
Speaker 2: That is really yeah, that is that one speaking of red.

925
00:50:09,280 --> 00:50:11,280
Speaker 2: There is blood coming out.

926
00:50:11,120 --> 00:50:14,279
Speaker 1: Of those nails, speaking of solidarity.

927
00:50:14,480 --> 00:50:18,200
Speaker 2: That was speaking of standing up till the very end.

928
00:50:20,400 --> 00:50:25,440
Speaker 2: That Yeah, it's it's real gory. Yeah, it's that was

929
00:50:25,480 --> 00:50:30,239
Speaker 2: a real gory crucifix. But as I like him, that

930
00:50:30,400 --> 00:50:35,799
Speaker 2: Jesus on it was ripped. Yeah, Jesus is hot. You know,

931
00:50:36,080 --> 00:50:38,520
Speaker 2: let's just be honest. It's the only way people wanted

932
00:50:38,560 --> 00:50:39,239
Speaker 2: to believe him.

933
00:50:39,440 --> 00:50:44,239
Speaker 1: Yeah, that's the only the only believable way. Yeah, is

934
00:50:44,320 --> 00:50:47,239
Speaker 1: when you're hot. Yeah, that's the end of down here

935
00:50:47,239 --> 00:50:48,640
Speaker 1: and see if we can turn it around?

936
00:50:49,080 --> 00:50:54,920
Speaker 2: Do do it? Do missus dash Why that is a

937
00:50:54,960 --> 00:50:59,440
Speaker 2: perfect example. That song that that whole the product may

938
00:50:59,480 --> 00:51:03,680
Speaker 2: be still but they haven't advertised in decades. No, that song,

939
00:51:05,000 --> 00:51:08,080
Speaker 2: oddly is always in my head. Yeah, it's three notes

940
00:51:09,400 --> 00:51:10,560
Speaker 2: and they aren't even notes.

941
00:51:10,680 --> 00:51:14,719
Speaker 1: And it's similar to when my cousin sang Molly mc

942
00:51:14,760 --> 00:51:16,960
Speaker 1: butter into my ear at the dinner table when of

943
00:51:16,960 --> 00:51:21,080
Speaker 1: my mom was very much showing signs of very bad Alzheimer's,

944
00:51:21,160 --> 00:51:22,880
Speaker 1: and it was like one of those moments where everyone

945
00:51:22,920 --> 00:51:24,960
Speaker 1: just kind of was holding their breath and then my

946
00:51:25,040 --> 00:51:28,920
Speaker 1: cousin Teve leaned over and went, Molly mc butter, uh,

947
00:51:29,239 --> 00:51:31,760
Speaker 1: because it was just like that's what we all needed,

948
00:51:31,840 --> 00:51:34,640
Speaker 1: we all needed a little let's leave this moment right now.

949
00:51:34,719 --> 00:51:37,279
Speaker 1: And I think about it to this day and it

950
00:51:37,320 --> 00:51:40,160
Speaker 1: makes me laugh. So I think Missus Dash has a

951
00:51:40,239 --> 00:51:43,759
Speaker 1: similar like maybe when things slow down and you're not

952
00:51:43,800 --> 00:51:45,520
Speaker 1: sure what to say, you can just always sing the

953
00:51:45,560 --> 00:51:47,080
Speaker 1: Missus Dash song. Yeah.

954
00:51:47,200 --> 00:51:51,360
Speaker 2: Yeah, it's a lighthearted. It's a good way to just

955
00:51:51,480 --> 00:51:53,800
Speaker 2: remember better times.

956
00:51:53,920 --> 00:51:55,839
Speaker 1: You don't have to know how to sing, because all

957
00:51:55,880 --> 00:51:58,640
Speaker 1: it is is Missus Dash. It's almost more like talking.

958
00:51:58,840 --> 00:52:01,960
Speaker 1: It's like Broadway Rex Harrison Top.

959
00:52:02,239 --> 00:52:05,520
Speaker 2: But there was always a little bit of a flirtatious

960
00:52:05,600 --> 00:52:10,239
Speaker 2: like sensual missus Dad. Yeah, you're right, there's like a

961
00:52:12,000 --> 00:52:14,799
Speaker 2: I've noticed that that same voice on an elevator when

962
00:52:14,800 --> 00:52:20,920
Speaker 2: they say first floor, second floor, and then but I

963
00:52:20,960 --> 00:52:23,320
Speaker 2: think it's lobby or maybe its first floor where she

964
00:52:23,400 --> 00:52:28,759
Speaker 2: goes first floor, there's like a different floor seductive, and

965
00:52:28,800 --> 00:52:33,200
Speaker 2: then she has thirteenth floor. Yeah, yeah, then it goes

966
00:52:33,200 --> 00:52:35,280
Speaker 2: straight into Norwegian death metal.

967
00:52:38,120 --> 00:52:39,880
Speaker 1: Don't get off on the thirteenth floor.

968
00:52:40,680 --> 00:52:44,239
Speaker 2: I follow on Instagram account where that obviously the dad

969
00:52:44,360 --> 00:52:48,960
Speaker 2: is like a death metal, grindcore scream band guy, and

970
00:52:49,120 --> 00:52:53,000
Speaker 2: he records his kids and they are mimicking it. They're

971
00:52:53,040 --> 00:52:55,480
Speaker 2: trying to mimic their dad and their cute little kids

972
00:52:55,520 --> 00:52:59,400
Speaker 2: and their little Fisher Price swings and they're just go

973
00:53:01,040 --> 00:53:03,959
Speaker 2: and he plays metal to it. And it's the most

974
00:53:04,000 --> 00:53:05,800
Speaker 2: watchable thing I've ever seen.

975
00:53:05,960 --> 00:53:06,600
Speaker 1: I love that.

976
00:53:06,719 --> 00:53:11,640
Speaker 2: Yeah, it's uh, if you just grind core metal kids,

977
00:53:12,000 --> 00:53:15,040
Speaker 2: I think you'll find it. There we go.

978
00:53:15,280 --> 00:53:18,239
Speaker 1: I think we're done with this episode, are we?

979
00:53:18,239 --> 00:53:20,840
Speaker 2: Well, we ramp it up. We really peaked in the middle.

980
00:53:21,000 --> 00:53:23,000
Speaker 2: I'm doing this thing where I kind of do a

981
00:53:23,040 --> 00:53:26,040
Speaker 2: review of the episode, right, and then it kind of

982
00:53:26,040 --> 00:53:30,080
Speaker 2: tapered off at the end, you know, So we want

983
00:53:30,120 --> 00:53:31,600
Speaker 2: to leave people kind of relaxed.

984
00:53:31,840 --> 00:53:34,479
Speaker 1: Yes, And also it's like that's your average hang, isn't

985
00:53:34,520 --> 00:53:38,520
Speaker 1: it like you don't go hardcore the entire time?

986
00:53:38,719 --> 00:53:43,200
Speaker 2: Yeah? And it's not, you know, NonStop laughs every time

987
00:53:43,239 --> 00:53:48,480
Speaker 2: we meet. No, I mean, yes, it's important. That's what

988
00:53:48,520 --> 00:53:54,080
Speaker 2: I was gonna say. I apologize you, fuck me, fuck

989
00:53:54,160 --> 00:53:57,840
Speaker 2: you you've been listening to Do You Need a Ride?

990
00:53:58,200 --> 00:53:58,400
Speaker 4: Do You?

991
00:53:58,560 --> 00:54:00,920
Speaker 2: I am move out of the way.

992
00:54:01,800 --> 00:54:06,040
Speaker 1: And then I honk it hers orry. She's like you,

993
00:54:06,160 --> 00:54:08,400
Speaker 1: and then she's like, they're standing in solidarity with me.

994
00:54:15,360 --> 00:54:17,800
Speaker 2: This has been an Exactly Right production.

995
00:54:18,280 --> 00:54:22,480
Speaker 1: Produced by Analise Nelson, mixed by Edson Choi. Our talent

996
00:54:22,520 --> 00:54:23,840
Speaker 1: booker is Patrick Cottner.

997
00:54:24,160 --> 00:54:26,120
Speaker 2: Theme song by Karen Kilgarrett.

998
00:54:26,520 --> 00:54:30,080
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

999
00:54:30,080 --> 00:54:34,480
Speaker 1: and Facebook at dinar podcast That's d y n ar podcast.

1000
00:54:34,880 --> 00:54:38,440
Speaker 2: For more information, go to exactly rightmedia dot com.

1001
00:54:38,480 --> 00:54:40,720
Speaker 1: Thank you, Oh You're welcome.