1
00:00:11,840 --> 00:00:15,080
Speaker 1: Welcome to Pod meets Twirl, the Dancing with the Stars

2
00:00:15,080 --> 00:00:18,520
Speaker 1: recap hosted by two guys who can't dance, don't want

3
00:00:18,520 --> 00:00:21,919
Speaker 1: to dance, and have now seen an entire season of

4
00:00:22,000 --> 00:00:25,079
Speaker 1: Dancing with the Stars. Since our best friend Danielle joined

5
00:00:25,079 --> 00:00:28,480
Speaker 1: the cast for season thirty four, we were all in.

6
00:00:29,160 --> 00:00:32,400
Speaker 1: We are Wilfred Ellen Ryder Strong aka the two dudes

7
00:00:32,640 --> 00:00:37,960
Speaker 1: standing next to Tapanga aka daniel Fishal's backup aka the

8
00:00:38,040 --> 00:00:43,040
Speaker 1: dan Yettes Hi Will Daniete, Hi Rider Dan Yete. How

9
00:00:43,040 --> 00:00:44,840
Speaker 1: are you feeling, I'm sick.

10
00:00:46,800 --> 00:00:50,800
Speaker 2: I feel fine again? So yeah, how are you feeling?

11
00:00:51,520 --> 00:00:52,360
Speaker 2: Are you shocked?

12
00:00:53,159 --> 00:00:53,639
Speaker 1: Shocked?

13
00:00:54,480 --> 00:00:58,120
Speaker 2: Just like to the core right the guy we thought

14
00:00:58,160 --> 00:00:59,880
Speaker 2: that was going to win for the whole season?

15
00:01:00,280 --> 00:01:02,840
Speaker 1: Yeah, and pretty much from episode one on?

16
00:01:03,400 --> 00:01:05,520
Speaker 2: Yeah, run no, you.

17
00:01:05,480 --> 00:01:08,360
Speaker 1: Know what really, I'm I'm kind of exhausted me too.

18
00:01:08,720 --> 00:01:12,240
Speaker 1: That was a long finale. Yeah, I mean.

19
00:01:12,360 --> 00:01:13,920
Speaker 2: I went from finale to finally.

20
00:01:14,160 --> 00:01:16,640
Speaker 1: I don't want to belabor the point, much like this

21
00:01:16,720 --> 00:01:21,280
Speaker 1: episode belabored the finale, but it was really a lot.

22
00:01:21,640 --> 00:01:24,160
Speaker 1: I feel like could have been a two hour episode,

23
00:01:24,280 --> 00:01:28,360
Speaker 1: and I don't disagree. I'm not sure if the instant

24
00:01:28,480 --> 00:01:31,720
Speaker 1: Dance was the most successful. I mean what do they

25
00:01:31,760 --> 00:01:34,600
Speaker 1: normally do. Do they normally do a three hour finale

26
00:01:34,720 --> 00:01:34,920
Speaker 1: like that?

27
00:01:35,000 --> 00:01:36,920
Speaker 2: I don't know. I Also, here's the thing I didn't

28
00:01:36,920 --> 00:01:39,319
Speaker 2: get about the instant dance because they said you could

29
00:01:39,360 --> 00:01:42,920
Speaker 2: pick from four dances, and then they all practiced the

30
00:01:42,959 --> 00:01:46,319
Speaker 2: four dances, right, So the only thing that you didn't

31
00:01:46,360 --> 00:01:48,560
Speaker 2: know was your music, which again obviously has a huge

32
00:01:48,600 --> 00:01:49,800
Speaker 2: part of the thing. And I know you have to

33
00:01:49,840 --> 00:01:52,880
Speaker 2: choreograph it to the music, but it's not like they're

34
00:01:52,920 --> 00:01:54,760
Speaker 2: just I feel like the on stage, if it's an

35
00:01:54,800 --> 00:01:57,000
Speaker 2: instant dance, they should walk in with cards. You should

36
00:01:57,000 --> 00:01:58,840
Speaker 2: pull a card and it goes, oh my god, I'm

37
00:01:58,880 --> 00:02:00,520
Speaker 2: dancing the foxtrot to this go.

38
00:02:01,000 --> 00:02:04,080
Speaker 1: Well, but what we figured because we started talking through

39
00:02:04,160 --> 00:02:06,600
Speaker 1: because I was watching with Alex and India and my parents,

40
00:02:06,720 --> 00:02:09,640
Speaker 1: and we were like, oh, they needed to know because

41
00:02:09,639 --> 00:02:13,639
Speaker 1: they cut the package based on which dance they had picked,

42
00:02:13,000 --> 00:02:15,720
Speaker 1: so they talked about a four of them exactly, so

43
00:02:15,760 --> 00:02:17,840
Speaker 1: they would talk about Yeah, so they talked about I

44
00:02:17,840 --> 00:02:19,359
Speaker 1: hope you get the fox Trot, I hope you don't

45
00:02:19,360 --> 00:02:21,960
Speaker 1: get the fox Trot, and then they edited that because

46
00:02:21,960 --> 00:02:24,639
Speaker 1: they had picked it ahead of time. Yeah, it was weird.

47
00:02:24,800 --> 00:02:27,760
Speaker 1: I mean, I was nervous for them, which is kind

48
00:02:27,760 --> 00:02:31,200
Speaker 1: of a good feeling maybe, so like, yeah, it was dramatic.

49
00:02:31,440 --> 00:02:32,960
Speaker 1: But then when it was all said and done, I

50
00:02:33,000 --> 00:02:36,360
Speaker 1: was like, well, they're just giving tens a lane got nine,

51
00:02:36,400 --> 00:02:40,160
Speaker 1: which was a bummer because it was like everybody else

52
00:02:40,240 --> 00:02:43,280
Speaker 1: is just getting up, you know, a thumbs up, basically

53
00:02:43,320 --> 00:02:47,040
Speaker 1: like you did it, You did this crazy hard thing.

54
00:02:47,160 --> 00:02:48,680
Speaker 2: Yeah. I think that's more with this night was about.

55
00:02:48,800 --> 00:02:53,040
Speaker 2: Was more like congratulations to everybody. Here's an adaboy to

56
00:02:53,080 --> 00:02:55,160
Speaker 2: everybody for the journey you had. Is essentially what I

57
00:02:55,160 --> 00:02:57,680
Speaker 2: think what the entire night was about, because there were

58
00:02:57,760 --> 00:03:00,000
Speaker 2: no real surprises. Now, let me ask you this, because

59
00:03:00,040 --> 00:03:02,079
Speaker 2: obviously it's no secret everybody knows Robert One by this

60
00:03:02,120 --> 00:03:04,880
Speaker 2: point deserving. You think he deserved to win.

61
00:03:06,760 --> 00:03:11,440
Speaker 1: I mean I'm the wrong person to ask for some reason,

62
00:03:11,600 --> 00:03:15,119
Speaker 1: I've just not been on the Robert train. Really. Just yeah,

63
00:03:15,200 --> 00:03:18,600
Speaker 1: it's not you know what it is. Maybe it's because

64
00:03:18,680 --> 00:03:23,240
Speaker 1: it seemed inevitable, so I'm just I'm just the guy

65
00:03:23,240 --> 00:03:26,640
Speaker 1: who's always going to take the other side. Maybe, but

66
00:03:26,840 --> 00:03:31,400
Speaker 1: also I don't know, there's he just I like the

67
00:03:31,440 --> 00:03:35,080
Speaker 1: depth of other people's journey, like a little bit more,

68
00:03:35,800 --> 00:03:38,280
Speaker 1: which is maybe unfair because he has had just as

69
00:03:38,520 --> 00:03:40,080
Speaker 1: big of a journey, I get, but I didn't know

70
00:03:40,080 --> 00:03:42,760
Speaker 1: who he was at all, you know, and so it

71
00:03:42,840 --> 00:03:46,040
Speaker 1: felt like it felt like he was already dancing with

72
00:03:46,080 --> 00:03:50,000
Speaker 1: the Stars Royalty. Yes, it felt like he just did

73
00:03:50,080 --> 00:03:53,200
Speaker 1: the journey and that he had like already started at eleven.

74
00:03:53,880 --> 00:03:56,400
Speaker 1: And so that just felt a little different than everybody

75
00:03:56,400 --> 00:03:58,280
Speaker 1: else who kind of came at it with a I

76
00:03:58,320 --> 00:03:59,760
Speaker 1: don't know, for me, a little bit more of an

77
00:03:59,760 --> 00:04:04,520
Speaker 1: out status. But yeah, that's so I don't know. I

78
00:04:04,560 --> 00:04:09,240
Speaker 1: really by the end of this episode, I wanted Dylan

79
00:04:09,280 --> 00:04:09,600
Speaker 1: to win.

80
00:04:10,040 --> 00:04:12,560
Speaker 2: Oh Dylan really? Oh see, to me, I thought the

81
00:04:12,920 --> 00:04:18,360
Speaker 2: person who to me, Alex Roberts started at eleven and

82
00:04:18,400 --> 00:04:20,360
Speaker 2: to me he ended tonight at like a nine or

83
00:04:20,400 --> 00:04:24,960
Speaker 2: a ten, whereas to me Alex started at seven and

84
00:04:25,080 --> 00:04:25,760
Speaker 2: ended out of ten.

85
00:04:26,000 --> 00:04:29,400
Speaker 1: She I totally agree with that everything.

86
00:04:29,279 --> 00:04:31,719
Speaker 2: And so the I I get deserves the wrong word,

87
00:04:31,760 --> 00:04:33,720
Speaker 2: because of course, any of them deserve to win, because

88
00:04:33,720 --> 00:04:36,800
Speaker 2: they've all worked their butts off from beginning to end.

89
00:04:36,839 --> 00:04:39,040
Speaker 2: But the one I wanted to win by the end

90
00:04:39,240 --> 00:04:42,600
Speaker 2: was Alex. It's like, you got to see the like

91
00:04:42,720 --> 00:04:46,039
Speaker 2: cause when they're showing where she started to where she ended.

92
00:04:46,160 --> 00:04:49,120
Speaker 2: It's she went from being a kind of a scared

93
00:04:49,160 --> 00:04:51,480
Speaker 2: twenty two year old, which Robert is too, but didn't

94
00:04:51,520 --> 00:04:54,520
Speaker 2: certainly start in that position to then you know, we

95
00:04:54,520 --> 00:04:56,800
Speaker 2: were there that first night and there we walked away

96
00:04:56,839 --> 00:04:59,599
Speaker 2: going God, Robert R Man. That was it. It was like,

97
00:04:59,600 --> 00:05:01,880
Speaker 2: what about that girl with the bullwhip, Like that's kind

98
00:05:01,920 --> 00:05:06,160
Speaker 2: of what we were doing, right And then now she finished,

99
00:05:06,200 --> 00:05:08,160
Speaker 2: When she finished that freestyle dance, I was like, oh,

100
00:05:08,200 --> 00:05:09,760
Speaker 2: that could have been in the super Bowl, Like that

101
00:05:09,880 --> 00:05:12,680
Speaker 2: was totally that was amazing. So when it came down

102
00:05:12,720 --> 00:05:15,360
Speaker 2: to the two of them and I soon and I

103
00:05:15,400 --> 00:05:17,599
Speaker 2: both said the same thing, We're happy for whoever won. Really,

104
00:05:17,640 --> 00:05:19,760
Speaker 2: by the time Danielle was gone, we weren't really rooting

105
00:05:19,800 --> 00:05:22,640
Speaker 2: for anybody. So it was kind of like we knew

106
00:05:22,720 --> 00:05:25,120
Speaker 2: Robert was going to win. But I was like, hey,

107
00:05:25,600 --> 00:05:27,440
Speaker 2: and also, here's the other thing. And I do this

108
00:05:27,480 --> 00:05:28,840
Speaker 2: a lot of times with some of the other like

109
00:05:29,040 --> 00:05:31,120
Speaker 2: cooking reality shows I do and stuff like that that

110
00:05:31,320 --> 00:05:34,279
Speaker 2: I like to watch. I don't know what they're basing

111
00:05:34,360 --> 00:05:37,159
Speaker 2: it on. So if they're basing it on the entire season,

112
00:05:38,440 --> 00:05:41,240
Speaker 2: then certainly Robert deserves to win. He started at an

113
00:05:41,279 --> 00:05:43,919
Speaker 2: A and he ended at an A. If they're doing

114
00:05:44,040 --> 00:05:48,200
Speaker 2: the journey and then the finale, just the finale. She

115
00:05:48,279 --> 00:05:51,280
Speaker 2: won tonight she won, so I mean, and she even

116
00:05:51,320 --> 00:05:53,599
Speaker 2: won on the judges scorecards. I mean, she literally won.

117
00:05:54,200 --> 00:05:56,000
Speaker 2: So it was she was by herself at the top

118
00:05:56,040 --> 00:06:00,680
Speaker 2: with three perfect dance scores. So you know, I'm happy

119
00:06:00,680 --> 00:06:02,560
Speaker 2: he won. That's great. The guy who we thought was

120
00:06:02,560 --> 00:06:04,919
Speaker 2: gonna win for ten weeks ended up winning. That's great.

121
00:06:06,080 --> 00:06:06,440
Speaker 1: I was.

122
00:06:06,480 --> 00:06:08,520
Speaker 2: I was pulling for her by that second dance. I

123
00:06:08,520 --> 00:06:10,880
Speaker 2: was like, oh my god, that's wow. She's a different

124
00:06:10,960 --> 00:06:13,520
Speaker 2: human being. So I was. I was really pulling for

125
00:06:13,520 --> 00:06:14,160
Speaker 2: her by that point.

126
00:06:14,760 --> 00:06:18,240
Speaker 1: Interesting. Yeah, I mean, they were all so good. That's

127
00:06:18,240 --> 00:06:20,839
Speaker 1: why this finale felt a little long to me, probably

128
00:06:21,000 --> 00:06:24,240
Speaker 1: because it was like, well, we're all great here, like really,

129
00:06:24,279 --> 00:06:27,159
Speaker 1: I just wanted to see their freestyle more than anything. Yeah,

130
00:06:27,200 --> 00:06:30,040
Speaker 1: and I felt like it was really fun. By that time,

131
00:06:30,080 --> 00:06:32,880
Speaker 1: I was so darn tired. I would love to have

132
00:06:33,080 --> 00:06:35,040
Speaker 1: I would have loved to just let them go a

133
00:06:35,120 --> 00:06:38,320
Speaker 1: little like that. The entire finale, it's just been like, hey,

134
00:06:38,600 --> 00:06:40,440
Speaker 1: you get to do whatever you want to do to

135
00:06:41,000 --> 00:06:44,120
Speaker 1: convince the audience that you're the person and to you know,

136
00:06:44,240 --> 00:06:47,880
Speaker 1: win the judge's highest scores, Like I just putting them

137
00:06:47,880 --> 00:06:51,200
Speaker 1: through the ringer of this like instant dance thing. And

138
00:06:51,240 --> 00:06:53,680
Speaker 1: then even even the opening where you know they're having

139
00:06:53,680 --> 00:06:55,440
Speaker 1: to dance something that they don't get to pick. I

140
00:06:55,480 --> 00:06:57,200
Speaker 1: was a little like, why are we doing this to them?

141
00:06:57,240 --> 00:06:58,559
Speaker 1: They've been through so much.

142
00:06:58,960 --> 00:07:03,680
Speaker 2: I also have to I have to ask, Uh, here's

143
00:07:03,720 --> 00:07:05,400
Speaker 2: the other thing is watching the show. They're cutting together

144
00:07:05,440 --> 00:07:07,240
Speaker 2: all these pactes. Let's let us let us show you

145
00:07:07,279 --> 00:07:12,200
Speaker 2: the journey so far. Yeah, they barely showed Danielle. I

146
00:07:12,200 --> 00:07:14,840
Speaker 2: mean like they were they never cut to her in

147
00:07:14,960 --> 00:07:16,880
Speaker 2: like any of the any of the stuff. It was

148
00:07:17,040 --> 00:07:21,960
Speaker 2: unbelievable how little they showed Danielle tonight, Yeah, which I

149
00:07:22,240 --> 00:07:25,680
Speaker 2: found odd. Again, I don't think it's anything personal. I

150
00:07:25,720 --> 00:07:27,360
Speaker 2: don't know what the hell's going, but it was just

151
00:07:28,000 --> 00:07:29,400
Speaker 2: I found it weird where it was like they kept

152
00:07:29,400 --> 00:07:31,280
Speaker 2: cutting It's like and now Wicked Night, and I'm like, oh,

153
00:07:31,400 --> 00:07:33,400
Speaker 2: that was a great one for didn't cut her at all.

154
00:07:33,440 --> 00:07:36,160
Speaker 1: They're, oh, well, Halloween, I didn't. I definitely noticed that

155
00:07:36,160 --> 00:07:38,640
Speaker 1: they didn't show Yeah, I definitely noticed that they did.

156
00:07:38,760 --> 00:07:43,880
Speaker 1: Because her breakout dance was Argentina and tango right Halloween.

157
00:07:44,080 --> 00:07:47,160
Speaker 2: No, Halloween was the Bride, The Bride one with the blood.

158
00:07:47,240 --> 00:07:50,160
Speaker 1: I was also really good. It was showed at all. No,

159
00:07:51,040 --> 00:07:53,960
Speaker 1: they showed everybody else the Argentine tango. That was Wicked Night.

160
00:07:54,320 --> 00:07:55,520
Speaker 1: Oh my god, I've already forgotten.

161
00:07:55,680 --> 00:07:58,280
Speaker 2: Yes, season, Well it's not Dedication, that was Feenie, it's

162
00:07:58,320 --> 00:08:00,960
Speaker 2: not Halloween. Yeah, I think it was must have been

163
00:08:02,000 --> 00:08:02,520
Speaker 2: Wicked Night.

164
00:08:04,400 --> 00:08:07,320
Speaker 1: Yeah, okay, you're right. I didn't. I didn't quite notice that,

165
00:08:07,360 --> 00:08:07,760
Speaker 1: But now that.

166
00:08:07,680 --> 00:08:10,880
Speaker 2: You did, I'm like, really, you're cutting everybody else and

167
00:08:11,080 --> 00:08:13,560
Speaker 2: cut back to Zach Effron at one point, like, really,

168
00:08:13,760 --> 00:08:14,680
Speaker 2: he's not even there.

169
00:08:17,200 --> 00:08:19,200
Speaker 1: Remember what the hell we got to see Alec Baldwin

170
00:08:19,240 --> 00:08:21,760
Speaker 1: walking around? We did Disneyland a little bit.

171
00:08:21,800 --> 00:08:22,960
Speaker 2: We did and everybody came back.

172
00:08:23,000 --> 00:08:25,360
Speaker 1: You know who who did get more of the eliminated

173
00:08:25,400 --> 00:08:27,480
Speaker 1: people who got most of the I mean they were

174
00:08:27,480 --> 00:08:28,040
Speaker 1: all kind.

175
00:08:27,880 --> 00:08:32,200
Speaker 2: Of Andy Andy got a lot he did. And again,

176
00:08:32,280 --> 00:08:34,760
Speaker 2: there's nothing wrong with that. It's just once again, I'm like,

177
00:08:34,800 --> 00:08:38,920
Speaker 2: why what is it about Danielle that they're hesitant to show?

178
00:08:40,040 --> 00:08:42,040
Speaker 2: And it's just I didn't know what. I didn't understand

179
00:08:42,080 --> 00:08:43,760
Speaker 2: what it was. If you go back and watch it,

180
00:08:43,760 --> 00:08:44,600
Speaker 2: it's kind of weird.

181
00:08:44,520 --> 00:08:47,760
Speaker 1: But well, we started with an opening number that included

182
00:08:48,040 --> 00:08:51,560
Speaker 1: all the eliminated celebrities and the pros, which was nice

183
00:08:51,600 --> 00:08:54,400
Speaker 1: to see everybody and be like, God, we've been through

184
00:08:54,440 --> 00:08:58,600
Speaker 1: a lot. Yeah, that's right. Corey Feldman was on this show. Yeah,

185
00:08:58,640 --> 00:09:01,839
Speaker 1: it's only been ten weeks or ever, but it feels

186
00:09:01,840 --> 00:09:02,480
Speaker 1: like a lifetime.

187
00:09:03,800 --> 00:09:04,800
Speaker 2: It feels like a lifetime.

188
00:09:04,960 --> 00:09:08,080
Speaker 1: It does. Yeah. No, that was cool to see everybody

189
00:09:08,080 --> 00:09:09,800
Speaker 1: and yeah, I mean that was the feeling of this

190
00:09:09,880 --> 00:09:12,479
Speaker 1: whole all the and then they did their like flashback

191
00:09:12,880 --> 00:09:15,320
Speaker 1: packages later on. I was like, oh my god, this

192
00:09:15,400 --> 00:09:17,920
Speaker 1: is Yeah, this has been quite a journey, and it.

193
00:09:17,840 --> 00:09:20,560
Speaker 2: Feels a lot longer. Imagine if had we actually danced,

194
00:09:21,120 --> 00:09:23,480
Speaker 2: Oh it would have been would have felt probably almost

195
00:09:23,480 --> 00:09:25,480
Speaker 2: twice as long had we actually danced.

196
00:09:25,720 --> 00:09:27,640
Speaker 1: I mean, are these people going to sleep now or

197
00:09:27,640 --> 00:09:29,360
Speaker 1: do you think they're just gonna wake up tomorrow and

198
00:09:29,400 --> 00:09:31,920
Speaker 1: be like, gotta dance again, Gotta just keep it going.

199
00:09:31,960 --> 00:09:32,240
Speaker 3: Maybe.

200
00:09:32,240 --> 00:09:33,920
Speaker 2: Well, the thing they're talking about is they keep announcing

201
00:09:33,920 --> 00:09:36,200
Speaker 2: them on Good Morning America. I'm hoping that's by Zoom

202
00:09:36,400 --> 00:09:38,280
Speaker 2: and they're not going to now hop on a plane

203
00:09:38,280 --> 00:09:39,679
Speaker 2: and fly to New York and actually be at the

204
00:09:39,720 --> 00:09:43,760
Speaker 2: Good Morning America studio tomorrow because that's insane. So it's uh, yeah,

205
00:09:43,760 --> 00:09:48,360
Speaker 2: we'll see. But that's a lot going on. It's in person.

206
00:09:48,400 --> 00:09:50,920
Speaker 2: According to Easton, they're copping on a plane and flying

207
00:09:50,960 --> 00:09:56,880
Speaker 2: to New York. Okay, that's yikes, same, yikes. Okay, they're

208
00:09:56,880 --> 00:09:59,280
Speaker 2: gonna finish with the press line in what two hours

209
00:09:59,360 --> 00:10:03,040
Speaker 2: from now, probably take a midnight flight, get their five

210
00:10:03,080 --> 00:10:04,920
Speaker 2: what's on? That'll be three am there time.

211
00:10:05,200 --> 00:10:06,000
Speaker 1: Yeah, oh my god.

212
00:10:06,080 --> 00:10:07,120
Speaker 2: Yeah, wow.

213
00:10:08,040 --> 00:10:11,040
Speaker 1: Yet another reason why I will never do Dancing with

214
00:10:11,120 --> 00:10:11,640
Speaker 1: the Stars.

215
00:10:11,679 --> 00:10:13,959
Speaker 2: Forget that black Lotus card. Just chuck chuck it in

216
00:10:14,000 --> 00:10:14,880
Speaker 2: the drain at this point.

217
00:10:27,320 --> 00:10:30,600
Speaker 1: All right, So we began our first of three dances

218
00:10:30,600 --> 00:10:34,880
Speaker 1: that everybody was doing tonight was judge's choice. Alex and

219
00:10:34,960 --> 00:10:38,120
Speaker 1: Val started us off. We got a little recap of

220
00:10:38,240 --> 00:10:41,000
Speaker 1: the season that they've had, and then their judge was

221
00:10:41,040 --> 00:10:46,360
Speaker 1: Carrie Anne got to come in and choose the samba.

222
00:10:47,480 --> 00:10:50,760
Speaker 1: Thought this was really cool to see the judges interacting

223
00:10:50,840 --> 00:10:53,800
Speaker 1: with the dancers and the pros. I you know, like

224
00:10:54,720 --> 00:10:57,160
Speaker 1: I kind of wish there'd been more of this. I

225
00:10:57,160 --> 00:11:00,000
Speaker 1: don't know how, but like I feel like the feedback

226
00:11:00,240 --> 00:11:04,520
Speaker 1: of the judges it feels distanced from the dancers often,

227
00:11:04,640 --> 00:11:06,280
Speaker 1: you know, and it feels like there's like a lot

228
00:11:06,280 --> 00:11:10,960
Speaker 1: of fast potential drama for like misinterpretation or like, you know,

229
00:11:11,240 --> 00:11:14,480
Speaker 1: throughout the season like oh, you know, Carrie Anne having

230
00:11:14,480 --> 00:11:16,400
Speaker 1: to apologize to Danielle, and I'm like, you know, a

231
00:11:16,400 --> 00:11:18,040
Speaker 1: lot of this could be avoided if they actually got

232
00:11:18,040 --> 00:11:19,040
Speaker 1: together a little bit more.

233
00:11:19,280 --> 00:11:20,040
Speaker 2: Yeah, I agree.

234
00:11:20,040 --> 00:11:21,920
Speaker 1: You know, it's such a machine that I feel like

235
00:11:21,960 --> 00:11:23,960
Speaker 1: the judges are on one side and the dancers on

236
00:11:24,000 --> 00:11:26,480
Speaker 1: the other. And I guess that's intentional so they can

237
00:11:26,520 --> 00:11:29,360
Speaker 1: be more objective, but it's not that much of an

238
00:11:29,360 --> 00:11:33,040
Speaker 1: objective thing. It seems like it's a very personal human

239
00:11:33,520 --> 00:11:35,320
Speaker 1: thing to be a judge and to be a dancer.

240
00:11:35,440 --> 00:11:37,839
Speaker 2: So it's also I mean, you get thirty what thirty

241
00:11:37,880 --> 00:11:39,760
Speaker 2: seconds to talk about what you think of the dancer

242
00:11:39,960 --> 00:11:41,880
Speaker 2: exactly then and then hold up a paddle. I mean,

243
00:11:41,920 --> 00:11:46,000
Speaker 2: that's it. So it seems like the more interaction the better. Franklin, right,

244
00:11:46,040 --> 00:11:47,679
Speaker 2: I agree, I agree, hundred percent. It was. It was

245
00:11:47,720 --> 00:11:48,840
Speaker 2: great to watch them.

246
00:11:49,640 --> 00:11:52,440
Speaker 1: All right, Well, these two came out with the samba

247
00:11:52,720 --> 00:11:56,880
Speaker 1: and uh, big fan of those pants, the greatest pants,

248
00:11:57,080 --> 00:12:02,400
Speaker 1: the greatest pants today. But because there have been a

249
00:12:02,440 --> 00:12:05,760
Speaker 1: couple dancers who have worn a version. Danielle did it

250
00:12:05,800 --> 00:12:08,319
Speaker 1: one one night or maybe even two nights, and it's

251
00:12:08,400 --> 00:12:09,040
Speaker 1: just they're great.

252
00:12:09,120 --> 00:12:09,880
Speaker 2: They're great, great.

253
00:12:09,880 --> 00:12:12,280
Speaker 1: Way we need Sama pants always a winner.

254
00:12:12,480 --> 00:12:15,120
Speaker 2: Always you and I need. We don't get a match.

255
00:12:16,240 --> 00:12:18,839
Speaker 1: I just don't think anybody cares about me and Samba pants,

256
00:12:18,840 --> 00:12:20,280
Speaker 1: but I care about you and pants.

257
00:12:20,280 --> 00:12:25,640
Speaker 2: So it's ex funny about three board app pary board

258
00:12:25,880 --> 00:12:28,520
Speaker 2: Samba Pants edition of it Appa my comfy pants.

259
00:12:28,520 --> 00:12:30,400
Speaker 1: I'll wear him at home on my couch. I'll never

260
00:12:30,480 --> 00:12:32,319
Speaker 1: dance on them, but if you buy me a pair

261
00:12:32,320 --> 00:12:33,400
Speaker 1: of or.

262
00:12:33,400 --> 00:12:35,240
Speaker 2: Move to Neville, that's all you can do with those.

263
00:12:35,440 --> 00:12:37,199
Speaker 1: Now you know, it's again me for Christmas, my friend.

264
00:12:37,600 --> 00:12:39,240
Speaker 2: Yes, I love that.

265
00:12:39,400 --> 00:12:45,160
Speaker 1: I fants this was tens across the board, absolutely no surprise.

266
00:12:45,360 --> 00:12:48,640
Speaker 1: You know, I'm with you man like he is probably

267
00:12:48,679 --> 00:12:52,960
Speaker 1: the best male dancer of the pros and a great choreographer.

268
00:12:54,240 --> 00:12:57,280
Speaker 1: And she is just just phenomenal. I mean, she's just

269
00:12:57,400 --> 00:12:59,760
Speaker 1: made for this. It's like, yeah, you're a dancer now, like,

270
00:13:00,160 --> 00:13:03,200
Speaker 1: so be a professional dancer, which is another thought I had,

271
00:13:03,640 --> 00:13:06,640
Speaker 1: like where do you go from here? Like, let's say

272
00:13:06,720 --> 00:13:10,679
Speaker 1: you you are because it seems like Jordan really wants

273
00:13:10,720 --> 00:13:12,720
Speaker 1: to try and make a career out of being an

274
00:13:12,840 --> 00:13:16,000
Speaker 1: entertainer or a dancer, and it seems like Alex is

275
00:13:16,080 --> 00:13:19,160
Speaker 1: destined to be something. But what what what happens after this?

276
00:13:19,360 --> 00:13:22,800
Speaker 1: Like has anybody gone from the celebrity side to being

277
00:13:22,840 --> 00:13:24,480
Speaker 1: a pro on Dancing with the Stars?

278
00:13:24,920 --> 00:13:25,640
Speaker 2: I don't think so.

279
00:13:26,000 --> 00:13:28,000
Speaker 1: Has anybody gone from the celebrity side to being a

280
00:13:28,040 --> 00:13:32,960
Speaker 1: professional dancer in like a capacity beyond Dancing with the Stars, Like,

281
00:13:33,040 --> 00:13:34,040
Speaker 1: I don't know.

282
00:13:34,400 --> 00:13:36,160
Speaker 2: I had to google the guy that won last year

283
00:13:36,200 --> 00:13:38,120
Speaker 2: because even when he came out and danced again their podcast,

284
00:13:38,120 --> 00:13:39,560
Speaker 2: so was I still didn't know who he was?

285
00:13:40,120 --> 00:13:43,920
Speaker 1: Who is he was on The Bachelor? Oh? Okay, and

286
00:13:43,960 --> 00:13:44,880
Speaker 1: again stuff.

287
00:13:44,559 --> 00:13:47,280
Speaker 2: We don't watch. I was like, who's this? Who's this guy? So, yeah,

288
00:13:47,280 --> 00:13:49,160
Speaker 2: I don't. I don't know who's become a profession I

289
00:13:49,240 --> 00:13:51,800
Speaker 2: doubt it. I'm sure people still like to dance or

290
00:13:51,800 --> 00:13:53,400
Speaker 2: you're like Whitney where you just go back to being

291
00:13:53,400 --> 00:13:57,800
Speaker 2: a professional dancer essentially, So yeah, I don't. I don't know.

292
00:13:58,240 --> 00:14:02,040
Speaker 1: It was a question I asked myself and then I

293
00:14:02,080 --> 00:14:04,600
Speaker 1: was sort of like a little sad because I was

294
00:14:04,679 --> 00:14:08,400
Speaker 1: kind of like, is there a professional dancing career that

295
00:14:08,679 --> 00:14:11,520
Speaker 1: is better than being on Dancing with the Stars.

296
00:14:12,160 --> 00:14:16,319
Speaker 2: Like no, maybe Broadway, I don't know. I mean you

297
00:14:16,400 --> 00:14:19,240
Speaker 2: get some big Broadway show you're Inhambament or something like that.

298
00:14:19,240 --> 00:14:20,840
Speaker 1: But yeah, but then you also have to be able

299
00:14:20,880 --> 00:14:22,920
Speaker 1: to sing and act, right, Like I'm wondering, like if

300
00:14:22,920 --> 00:14:25,520
Speaker 1: you're just a really great dancer like Alex right, like

301
00:14:25,600 --> 00:14:28,440
Speaker 1: she's coming out of here by the pinnacle, right, this

302
00:14:28,520 --> 00:14:31,000
Speaker 1: is the pinnacle, That's what I'm saying. It's like, weirdly,

303
00:14:31,640 --> 00:14:34,360
Speaker 1: it's almost like whether you win the Mirror Ball or not,

304
00:14:34,480 --> 00:14:37,920
Speaker 1: you've already reached the pinnacle. Because if you're a dancer

305
00:14:37,960 --> 00:14:42,280
Speaker 1: for Taylor Swift right, which jan was right, or yeah,

306
00:14:42,400 --> 00:14:45,040
Speaker 1: it's like does anybody really know who you are? I mean,

307
00:14:45,080 --> 00:14:46,960
Speaker 1: I'm sure it's a great job and if you love

308
00:14:47,720 --> 00:14:51,360
Speaker 1: but regular people, I feel like, really, to be a

309
00:14:51,400 --> 00:14:54,080
Speaker 1: famous dancer these days, you kind of got to be

310
00:14:54,120 --> 00:14:55,160
Speaker 1: on Dance with this stuff.

311
00:14:55,440 --> 00:14:57,400
Speaker 2: Well, I think a lot of times I think mostly

312
00:14:57,480 --> 00:14:59,000
Speaker 2: what it is is that's the other thing is dance

313
00:14:59,160 --> 00:15:04,680
Speaker 2: is so it's such a team sport that Dancing with

314
00:15:04,720 --> 00:15:06,280
Speaker 2: the Stars is one of the few places where you

315
00:15:06,360 --> 00:15:09,280
Speaker 2: are singled out as a dancer it's like this, I

316
00:15:10,360 --> 00:15:13,000
Speaker 2: can name ten dancers in my entire life, and all

317
00:15:13,040 --> 00:15:14,880
Speaker 2: ten of them are the pros from Dancing with the Stars.

318
00:15:14,880 --> 00:15:17,400
Speaker 2: Like I don't know any other dancers. So it's like,

319
00:15:17,440 --> 00:15:19,280
Speaker 2: those are the dancers that I know, are the ones

320
00:15:19,280 --> 00:15:21,440
Speaker 2: I'm Dancing with the Stars. So, you know, I used

321
00:15:21,440 --> 00:15:23,360
Speaker 2: to know Barrishnikoff. I used to used to know the

322
00:15:23,360 --> 00:15:25,800
Speaker 2: big names, Gregory Hines, he used to know like like

323
00:15:25,880 --> 00:15:31,200
Speaker 2: names like that. But then nobody, you know, Donald Glover

324
00:15:31,960 --> 00:15:33,360
Speaker 2: for a while. I mean, there were certain certain people

325
00:15:33,400 --> 00:15:35,040
Speaker 2: that would pop out as dancers, but then it was

326
00:15:35,120 --> 00:15:38,000
Speaker 2: like nobody. And now it's like, oh, I know the

327
00:15:38,120 --> 00:15:40,200
Speaker 2: names of ten dancers, and that's totally because of Dancing

328
00:15:40,200 --> 00:15:41,720
Speaker 2: with the Stars. So yeah, my guess is you're right.

329
00:15:41,760 --> 00:15:43,600
Speaker 2: This is like the super Bowl or the major leagues

330
00:15:43,680 --> 00:15:46,240
Speaker 2: is Dancing with the Stars. I have a question for you, way,

331
00:15:46,240 --> 00:15:48,680
Speaker 2: I have an overall question for you. Do you think

332
00:15:49,680 --> 00:15:55,920
Speaker 2: anybody came into the show tonight that the dance, whatever

333
00:15:56,040 --> 00:15:59,240
Speaker 2: dance they did, could have beaten Robert? Meaning was it

334
00:15:59,280 --> 00:16:01,440
Speaker 2: a foregoneclusion that Robert was going to win and no

335
00:16:01,480 --> 00:16:04,000
Speaker 2: matter what happened, yes, it wasn't going to change that.

336
00:16:04,040 --> 00:16:07,200
Speaker 1: I think that's pretty obvious, because like, I really think

337
00:16:07,280 --> 00:16:09,840
Speaker 1: Dylan gave the best dance of the season for me.

338
00:16:10,320 --> 00:16:13,640
Speaker 1: Dylan and Daniella went their freestyle the freestyle it was,

339
00:16:13,720 --> 00:16:16,640
Speaker 1: and then I thought Jordan's freestyle was insane, and like,

340
00:16:16,960 --> 00:16:19,320
Speaker 1: I just I just don't think it mattered, you know,

341
00:16:19,320 --> 00:16:21,720
Speaker 1: I mean, they got tens, but at this point it

342
00:16:21,880 --> 00:16:24,360
Speaker 1: was like the audience was just so in love with

343
00:16:24,480 --> 00:16:26,080
Speaker 1: Robert and.

344
00:16:25,600 --> 00:16:28,200
Speaker 2: So and again, and I thought this was frankly Robert's

345
00:16:28,240 --> 00:16:29,520
Speaker 2: weakest dancing night.

346
00:16:29,680 --> 00:16:32,360
Speaker 1: I agree, but I also feel like it's been that

347
00:16:32,360 --> 00:16:35,000
Speaker 1: way a little bit for he sort of stayed like

348
00:16:35,040 --> 00:16:36,640
Speaker 1: you were saying, like he just came in an A

349
00:16:37,280 --> 00:16:38,040
Speaker 1: and stayed in A.

350
00:16:38,480 --> 00:16:40,080
Speaker 2: But I feel like he went from like an A

351
00:16:40,360 --> 00:16:43,400
Speaker 2: to maybe like an A minus. I feel like somebody

352
00:16:43,480 --> 00:16:46,280
Speaker 2: like Alex came in like a B minus and ended

353
00:16:46,320 --> 00:16:47,240
Speaker 2: in a plus.

354
00:16:47,800 --> 00:16:48,040
Speaker 1: Yep.

355
00:16:48,560 --> 00:16:50,960
Speaker 2: So yeah, I don't It all depends on what you

356
00:16:51,000 --> 00:16:52,560
Speaker 2: want to vote for, what kind of journey you want

357
00:16:52,560 --> 00:16:55,960
Speaker 2: to vote for. They're both deserving obviously, but right, yeah.

358
00:16:55,760 --> 00:16:56,080
Speaker 3: All right.

359
00:16:56,080 --> 00:16:59,800
Speaker 1: Then we got our season flashback Part one, which, like

360
00:16:59,800 --> 00:17:02,200
Speaker 1: A said, was a whirlwind of like, oh wow, we've

361
00:17:02,280 --> 00:17:07,880
Speaker 1: we've consumed a lot of content yeah, this podcast. Man,

362
00:17:07,960 --> 00:17:12,760
Speaker 1: can you imagine dancing Jesus so much? You get another

363
00:17:12,800 --> 00:17:16,840
Speaker 1: cup of tea? All right? Then Dylan and Daniella and

364
00:17:16,880 --> 00:17:20,160
Speaker 1: Bruno came in and gave them the Postle Doble, which

365
00:17:20,200 --> 00:17:22,199
Speaker 1: I was very excited about. The second that came out.

366
00:17:22,240 --> 00:17:24,120
Speaker 2: I was like, Rider's gonna love this, one of my.

367
00:17:24,040 --> 00:17:28,160
Speaker 1: Two favorites, and thought it was a great call, great call,

368
00:17:28,640 --> 00:17:31,600
Speaker 1: but actually not the most amazing dance.

369
00:17:31,640 --> 00:17:34,240
Speaker 2: It wasn't the most amazing dance. I felt him very

370
00:17:34,280 --> 00:17:38,520
Speaker 2: stiff in this, like there was there was no flow

371
00:17:38,640 --> 00:17:40,720
Speaker 2: to this one. I felt like it was just a

372
00:17:40,760 --> 00:17:42,880
Speaker 2: little and again he's probably nervous as hell and all,

373
00:17:42,920 --> 00:17:45,080
Speaker 2: but I felt like this one was a little bit stiff.

374
00:17:45,160 --> 00:17:47,640
Speaker 1: Yeah. Yeah, But I also think if this had been

375
00:17:47,920 --> 00:17:51,760
Speaker 1: any other week, it would have stood out exactly. But

376
00:17:51,840 --> 00:17:55,040
Speaker 1: the fact that it's the finale and everybody's so damn good,

377
00:17:55,240 --> 00:17:57,680
Speaker 1: there was a little bit of like, wow, okay, yeah

378
00:17:57,760 --> 00:17:59,680
Speaker 1: you did. You did apostle doblay really well.

379
00:18:00,280 --> 00:18:02,199
Speaker 2: You're also coming off of Alex who I mean that

380
00:18:02,320 --> 00:18:05,160
Speaker 2: opening number was like, man, it was really good.

381
00:18:05,280 --> 00:18:07,600
Speaker 1: Yeah, all right, So they got nine to nine and ten,

382
00:18:07,720 --> 00:18:12,359
Speaker 1: which I thought was pretty accurate. I agree. Then we

383
00:18:12,400 --> 00:18:16,160
Speaker 1: saw Corey, Jenna and Baron and Britt perform.

384
00:18:17,359 --> 00:18:18,560
Speaker 2: Nice to see everybody back.

385
00:18:18,600 --> 00:18:21,359
Speaker 1: Nice to see everybody back, see everybody back, and be like,

386
00:18:21,400 --> 00:18:22,720
Speaker 1: oh right, they were on the show.

387
00:18:22,920 --> 00:18:26,960
Speaker 2: Yeah, yeah, you kind of forget that. It doesn't seem

388
00:18:27,040 --> 00:18:28,720
Speaker 2: like a lifetime ago. At the start of the show.

389
00:18:28,720 --> 00:18:31,160
Speaker 2: We were there that opening night. It seems like forever ago.

390
00:18:32,000 --> 00:18:36,480
Speaker 1: And then Elaine and Allen told the story of her season,

391
00:18:36,760 --> 00:18:40,520
Speaker 1: her injury, all the ups and downs, and they got

392
00:18:40,560 --> 00:18:43,600
Speaker 1: the rumba.

393
00:18:43,720 --> 00:18:44,639
Speaker 2: Have we seen a rumba?

394
00:18:45,040 --> 00:18:48,080
Speaker 1: I feel like I would remember that because it's a

395
00:18:48,080 --> 00:18:51,159
Speaker 1: fun you remember, it's a fun name. I remember. I

396
00:18:51,160 --> 00:18:53,200
Speaker 1: actually don't know what a rumba looks like, even after

397
00:18:53,240 --> 00:18:57,879
Speaker 1: I could describe it. You know, I actually thought this

398
00:18:57,960 --> 00:18:59,359
Speaker 1: was a fantastic dance.

399
00:19:00,119 --> 00:19:01,320
Speaker 2: I thought she did really well tonight.

400
00:19:01,359 --> 00:19:06,160
Speaker 1: Frankly, I thought, well, but I thought, you know this, yeah,

401
00:19:06,200 --> 00:19:09,800
Speaker 1: this one, it didn't seem as as hard as some

402
00:19:09,840 --> 00:19:13,479
Speaker 1: of the other dances. But also that's not always the thing, right, Like,

403
00:19:13,520 --> 00:19:17,359
Speaker 1: sometimes it's just about nailing the dance technically, and you know,

404
00:19:17,440 --> 00:19:19,239
Speaker 1: based on the scores they got, it seems like they

405
00:19:19,240 --> 00:19:21,000
Speaker 1: did that.

406
00:19:21,680 --> 00:19:24,440
Speaker 2: Two people that are hugely athletic that are in their

407
00:19:24,480 --> 00:19:27,359
Speaker 2: twenties that went first, I know. And so it's one

408
00:19:27,400 --> 00:19:29,439
Speaker 2: of those things where you'd love to she killed it,

409
00:19:29,480 --> 00:19:30,960
Speaker 2: but you don't. You don't ever want to couch that

410
00:19:31,040 --> 00:19:33,159
Speaker 2: by being like for her age, because she just killed it.

411
00:19:33,400 --> 00:19:35,560
Speaker 2: But you can do only so much at fifty four

412
00:19:35,640 --> 00:19:37,200
Speaker 2: that you you could do a lot more in twenty

413
00:19:37,200 --> 00:19:38,520
Speaker 2: two physically than you can have fifty.

414
00:19:38,560 --> 00:19:41,919
Speaker 1: Well, did you notice that the the finale, like the

415
00:19:41,960 --> 00:19:46,520
Speaker 1: results went basically by age. Yeah? No, I didn't. Oh no,

416
00:19:46,520 --> 00:19:48,119
Speaker 1: I thought you meant the way we were expecting, the

417
00:19:48,160 --> 00:19:51,400
Speaker 1: way they eliminated people at the end was in order

418
00:19:51,520 --> 00:19:55,840
Speaker 1: of their age. I think pretty exactly. Yeah, it's like, okay, right,

419
00:19:55,880 --> 00:19:58,520
Speaker 1: the two youngest people, yeah, who were like both twenty

420
00:19:58,520 --> 00:20:00,600
Speaker 1: two or twenty three. I mean, she don't know how

421
00:20:00,640 --> 00:20:02,919
Speaker 1: old Jordan is. She's pretty close to that too.

422
00:20:03,040 --> 00:20:05,920
Speaker 2: She's she's she's older than that, isn't she twenty eight nine?

423
00:20:06,040 --> 00:20:08,720
Speaker 2: I don't either know. She's also in phenomenal shape though,

424
00:20:08,720 --> 00:20:11,080
Speaker 2: so you're in a different category when you're literally a

425
00:20:11,119 --> 00:20:13,760
Speaker 2: world elite. She's twenty four okay, yeah, same age and

426
00:20:13,800 --> 00:20:16,359
Speaker 2: a world elite athlete, So I mean you're you know,

427
00:20:16,640 --> 00:20:18,440
Speaker 2: she'll be able to do everything she did tonight ten

428
00:20:18,520 --> 00:20:21,840
Speaker 2: years from now, right, because it's just that's she's trained

429
00:20:21,840 --> 00:20:23,840
Speaker 2: her whole life, all right.

430
00:20:23,920 --> 00:20:27,080
Speaker 1: So I also I like the song take My breath Away.

431
00:20:27,119 --> 00:20:30,160
Speaker 1: I thought it was nice interpretation of this song, like, yeah,

432
00:20:30,200 --> 00:20:32,280
Speaker 1: it was, it was, it was. It was a sweet moment.

433
00:20:32,400 --> 00:20:36,080
Speaker 2: Have you gone and seen them play Berlin play right

434
00:20:36,119 --> 00:20:39,200
Speaker 2: in the street all the time? Terry Night, Terry Nun's friend,

435
00:20:39,200 --> 00:20:42,040
Speaker 2: she's been to the house dinner wonderful. What. Yeah, she's

436
00:20:42,040 --> 00:20:43,600
Speaker 2: a good friend of Jeff Sherman's, like one of Jeff

437
00:20:43,600 --> 00:20:45,320
Speaker 2: Sherman's best friends. So they all came over a couple times.

438
00:20:45,359 --> 00:20:47,000
Speaker 2: We had some dinner. We went to go see your concert,

439
00:20:47,359 --> 00:20:50,359
Speaker 2: Terry Nunna Take My breath Away, Top Gun, Come on,

440
00:20:50,480 --> 00:20:53,000
Speaker 2: I had no idea. So I learned about French kissing.

441
00:20:54,600 --> 00:20:56,040
Speaker 1: For watching Top Gun Top Gun.

442
00:20:56,080 --> 00:20:57,719
Speaker 2: Remember they're both in silhouette and you just see their

443
00:20:57,760 --> 00:21:00,919
Speaker 2: tongues going at it. It's just tongues in the moonlight. Yeah,

444
00:21:01,040 --> 00:21:01,560
Speaker 2: And we were.

445
00:21:01,480 --> 00:21:03,320
Speaker 1: Like, that's what French kissing is.

446
00:21:03,359 --> 00:21:09,679
Speaker 2: Oh, I got I know what to do exactly, all right.

447
00:21:09,800 --> 00:21:14,360
Speaker 1: Then we got a performance by Brandon Lauren, Laria glob Scott,

448
00:21:14,480 --> 00:21:18,600
Speaker 1: Riley and Jen and Jan and some more season flashbacks.

449
00:21:18,680 --> 00:21:20,520
Speaker 2: Yeah, very limber us.

450
00:21:20,600 --> 00:21:25,399
Speaker 1: We were here, lots of that. Yeah, And Robert and

451
00:21:25,400 --> 00:21:28,320
Speaker 1: Whitney came out, so Derek came to the rehearsal, told

452
00:21:28,359 --> 00:21:31,080
Speaker 1: them they're doing the quick step, and then we learned

453
00:21:31,080 --> 00:21:36,080
Speaker 1: about Robert's injury, which is news. Guy was having some

454
00:21:36,160 --> 00:21:42,639
Speaker 1: kind of like rib trauma. Oh my god, maybe that

455
00:21:42,720 --> 00:21:44,719
Speaker 1: helped him too, you know, maybe that's story.

456
00:21:46,440 --> 00:21:48,960
Speaker 2: I mean, it's at a little zest and a little

457
00:21:49,000 --> 00:21:51,720
Speaker 2: a little drama, a little bit of edge, but it

458
00:21:51,800 --> 00:21:54,320
Speaker 2: also okay, oh my god, it's so much, so much

459
00:21:54,440 --> 00:21:57,760
Speaker 2: for this and I'm not saying, not saying that this

460
00:21:57,920 --> 00:22:00,520
Speaker 2: is what has happened at all at all, So please

461
00:22:00,560 --> 00:22:05,159
Speaker 2: don't come for me. But if you announced before the

462
00:22:05,200 --> 00:22:08,920
Speaker 2: Big Three Dances that you're slightly injured, it gives you

463
00:22:08,920 --> 00:22:10,680
Speaker 2: a kind of an excuse for not being awesome in

464
00:22:11,000 --> 00:22:11,479
Speaker 2: the finale.

465
00:22:11,760 --> 00:22:12,600
Speaker 1: I agree.

466
00:22:13,600 --> 00:22:16,560
Speaker 2: So not saying that he wasn't injured, not at all,

467
00:22:16,720 --> 00:22:18,679
Speaker 2: not saying that, but it's kind of like, hey, if

468
00:22:18,720 --> 00:22:22,359
Speaker 2: I do bad tonight, there's a reason yep. So I

469
00:22:22,359 --> 00:22:22,719
Speaker 2: don't know.

470
00:22:24,280 --> 00:22:27,760
Speaker 1: Yeah, wow, we'll just trust that he was in a

471
00:22:27,760 --> 00:22:28,720
Speaker 1: lot of pain and.

472
00:22:28,840 --> 00:22:32,560
Speaker 2: Sure, and for being in a lot of pain, did great.

473
00:22:33,320 --> 00:22:36,320
Speaker 2: This This was not a ten dance. He bobbled several things,

474
00:22:37,760 --> 00:22:39,359
Speaker 2: and so it was one of those things where it's

475
00:22:39,440 --> 00:22:43,040
Speaker 2: like I still don't get some of the scoring because

476
00:22:43,040 --> 00:22:44,560
Speaker 2: and I get tonight it's just supposed to be special.

477
00:22:44,560 --> 00:22:46,280
Speaker 2: But if the tights supposed to be special, then just

478
00:22:46,280 --> 00:22:48,199
Speaker 2: give everybody tens across the board and forget it.

479
00:22:48,440 --> 00:22:50,080
Speaker 1: That's what I'm saying. That's why I think it should

480
00:22:50,119 --> 00:22:51,560
Speaker 1: have just been a free for all. It's like, hey,

481
00:22:51,640 --> 00:22:53,320
Speaker 1: everybody gets to do whatever they want.

482
00:22:53,480 --> 00:22:54,800
Speaker 2: Yeah, and we're not scoring tonight.

483
00:22:55,320 --> 00:22:58,600
Speaker 1: Yeah, or we're gonna score, but you know, we're not

484
00:22:58,640 --> 00:23:02,040
Speaker 1: going to assign you and like a difficult we're not

485
00:23:02,080 --> 00:23:04,400
Speaker 1: going to create a difficult project for ever. I mean,

486
00:23:04,800 --> 00:23:07,720
Speaker 1: making them do that instant dance thing felt so painful.

487
00:23:07,840 --> 00:23:11,360
Speaker 1: It was just like, oh my god, was getting dressed too.

488
00:23:11,480 --> 00:23:14,280
Speaker 2: Like it's like the what is it the Grand Prix

489
00:23:14,320 --> 00:23:15,760
Speaker 2: wherever it is where you have to run to your

490
00:23:15,760 --> 00:23:17,479
Speaker 2: car first and start it. You can't just start them

491
00:23:17,520 --> 00:23:19,520
Speaker 2: in the cars and drive around the around the thing.

492
00:23:20,080 --> 00:23:21,919
Speaker 2: So yeah, it did it seem like a lot, but

493
00:23:22,000 --> 00:23:27,480
Speaker 2: he had several noticeable bobbles, which again injury or fatigue

494
00:23:27,520 --> 00:23:30,119
Speaker 2: for whatever. But if that's the case, how do you

495
00:23:30,160 --> 00:23:32,760
Speaker 2: say that's a ten? A ten means perfect, A ten

496
00:23:32,840 --> 00:23:34,679
Speaker 2: means you can't have done it any better than that.

497
00:23:35,640 --> 00:23:38,040
Speaker 2: So I frankly I agreed with Carrie Anne and this

498
00:23:38,080 --> 00:23:38,920
Speaker 2: one that to me, this.

499
00:23:38,880 --> 00:23:39,320
Speaker 3: Was a nine.

500
00:23:39,600 --> 00:23:41,200
Speaker 1: Yep, I'm with you, man.

501
00:23:41,320 --> 00:23:53,679
Speaker 3: Yeah.

502
00:23:53,800 --> 00:23:57,080
Speaker 1: Then we got Danielle and Pasha, Andy and Emma and

503
00:23:57,119 --> 00:23:59,800
Speaker 1: Whitney and Mark doing a performance, which is nice to see.

504
00:24:00,119 --> 00:24:02,720
Speaker 1: It was Danielle. I wonder how much she's still been rehearsing.

505
00:24:02,800 --> 00:24:06,920
Speaker 1: Actually just this week, I think, right, I just came

506
00:24:06,960 --> 00:24:07,920
Speaker 1: back for one more week.

507
00:24:08,160 --> 00:24:10,840
Speaker 2: Yeah, I think they went, you know, because they had

508
00:24:10,840 --> 00:24:13,560
Speaker 2: everybody else still had to rehearse for the show. So

509
00:24:13,600 --> 00:24:15,240
Speaker 2: she came in and just did I think this last?

510
00:24:15,280 --> 00:24:17,040
Speaker 2: I think? I know, we haven't spoken hery more. It's

511
00:24:17,040 --> 00:24:18,439
Speaker 2: like we don't even know the girl. And she's on

512
00:24:18,440 --> 00:24:21,600
Speaker 2: my list right now anyway, so why, oh dude. She

513
00:24:22,520 --> 00:24:25,479
Speaker 2: put up on her Instagram tonight she's following around one

514
00:24:25,520 --> 00:24:27,600
Speaker 2: of the dancers with the patent paper and the caption

515
00:24:27,760 --> 00:24:31,560
Speaker 2: is taking notes on the funniest person I've ever met.

516
00:24:31,960 --> 00:24:35,280
Speaker 2: Oh yeah, So Danielle's on my list, totally on my

517
00:24:35,400 --> 00:24:36,760
Speaker 2: list and rightful Lisa.

518
00:24:36,760 --> 00:24:37,720
Speaker 1: So was she talking about?

519
00:24:38,680 --> 00:24:41,080
Speaker 2: I think it was Yan, but I don't care who

520
00:24:41,119 --> 00:24:44,600
Speaker 2: she was talking about. It was, Yeah, Easton says, yeah

521
00:24:44,600 --> 00:24:45,000
Speaker 2: it was Yon.

522
00:24:46,320 --> 00:24:48,560
Speaker 1: So yeah, funniest person.

523
00:24:48,280 --> 00:24:49,800
Speaker 2: Can you here? You want to hear? Well, I'll tell

524
00:24:49,800 --> 00:24:51,520
Speaker 2: you how funny I am. Watch this ready, knock knock,

525
00:24:52,000 --> 00:24:55,680
Speaker 2: who's there? I'm funnier than Yon. There you go, Thank

526
00:24:55,720 --> 00:24:59,960
Speaker 2: you very much. Never met the guy, by the way,

527
00:25:00,400 --> 00:25:02,640
Speaker 2: and I know I am. He can dance me under

528
00:25:02,680 --> 00:25:06,040
Speaker 2: the floor, but I'll dad joke him six feet under,

529
00:25:06,080 --> 00:25:08,200
Speaker 2: So don't even don't even start with me. So, yeah,

530
00:25:08,280 --> 00:25:10,520
Speaker 2: Danielle's on my list for the record, I don't care.

531
00:25:10,520 --> 00:25:12,399
Speaker 1: How would you What would be the thing that Danielle

532
00:25:12,440 --> 00:25:16,080
Speaker 1: would tweet that would make me upset? She was walking around,

533
00:25:16,280 --> 00:25:22,480
Speaker 1: falling around the blankest person, the most miserable, the most

534
00:25:22,760 --> 00:25:27,200
Speaker 1: lovely person I've ever met. Yeah, following around the following around,

535
00:25:27,200 --> 00:25:31,679
Speaker 1: the most person I've ever made, the best screenwrider, something

536
00:25:31,720 --> 00:25:32,199
Speaker 1: like that.

537
00:25:32,400 --> 00:25:34,159
Speaker 2: But yeah, she went out of her way. That was

538
00:25:34,200 --> 00:25:38,040
Speaker 2: a personal view at me, is what? So? Uh, Yeah,

539
00:25:38,160 --> 00:25:42,119
Speaker 2: she's get our other podcast, big old muffin Basket from her,

540
00:25:42,160 --> 00:25:44,480
Speaker 2: and it better be funny, all.

541
00:25:44,480 --> 00:25:49,120
Speaker 1: Right, Jordan and Ezra were next. Uh Carrie Anne gave

542
00:25:49,160 --> 00:25:53,159
Speaker 1: them the Bustle double. So I was excited for this.

543
00:25:53,280 --> 00:25:55,520
Speaker 2: You are you got a couple of Doe Blays tonight, Yeah,

544
00:25:55,840 --> 00:25:56,719
Speaker 2: double do blaze.

545
00:25:57,080 --> 00:26:00,240
Speaker 1: You know, I thought this was a really this like

546
00:26:00,480 --> 00:26:05,600
Speaker 1: only highlighted how much like I felt like Dylan's Positve

547
00:26:05,600 --> 00:26:09,000
Speaker 1: Doblay did not live up to a great because this one.

548
00:26:09,160 --> 00:26:11,639
Speaker 2: Yeah, it was a sandwich between two great dances.

549
00:26:11,760 --> 00:26:15,480
Speaker 1: Yes, but this was insane. And it's also cool because

550
00:26:15,560 --> 00:26:18,159
Speaker 1: I always based on what we've seen before, like I

551
00:26:18,160 --> 00:26:20,720
Speaker 1: always think of the passable as more of like the

552
00:26:20,760 --> 00:26:23,520
Speaker 1: guy's dance. Well, it's supposed to be, right, don't they

553
00:26:23,520 --> 00:26:25,040
Speaker 1: say that she's the Cape?

554
00:26:24,960 --> 00:26:26,800
Speaker 2: Yeah, he's the matter and she's the Cape. Yeah.

555
00:26:27,000 --> 00:26:30,280
Speaker 1: Man, Jordan just killed this dance. I was like, damn Cape.

556
00:26:30,280 --> 00:26:31,639
Speaker 1: I could not believe it.

557
00:26:32,000 --> 00:26:32,280
Speaker 2: Yeah.

558
00:26:32,320 --> 00:26:36,679
Speaker 1: But then, like I mean with the carryade thing, she

559
00:26:36,800 --> 00:26:38,960
Speaker 1: gave her a nine. It's like you picked it?

560
00:26:39,880 --> 00:26:41,040
Speaker 2: How is that a nine?

561
00:26:41,760 --> 00:26:44,960
Speaker 1: But also it seems like everybody who who went in

562
00:26:45,040 --> 00:26:48,119
Speaker 1: and worked with them they gave them ten. Yeah, And

563
00:26:48,200 --> 00:26:51,439
Speaker 1: it was like She's like, this was incredible, this was amazing.

564
00:26:51,920 --> 00:26:53,920
Speaker 1: You were a little a little off right, here, so

565
00:26:53,960 --> 00:26:55,440
Speaker 1: I'm going to give you a nine exactly.

566
00:26:55,920 --> 00:27:00,400
Speaker 2: It was unfortunately the dance choice for you nine, Like, wait.

567
00:27:01,800 --> 00:27:05,000
Speaker 1: Whoever chose apostle Dobles should be shot at nine?

568
00:27:05,160 --> 00:27:07,800
Speaker 2: Nine? I don't know how that was not three tests?

569
00:27:07,880 --> 00:27:10,879
Speaker 1: That was yeah, that was like to me, I was like,

570
00:27:10,920 --> 00:27:13,800
Speaker 1: come on, this is maybe the best possile Dobley we've

571
00:27:13,840 --> 00:27:14,920
Speaker 1: seen this season.

572
00:27:15,280 --> 00:27:17,280
Speaker 2: Oh, I don't know. I think I still think Alex

573
00:27:17,280 --> 00:27:18,960
Speaker 2: and Valves was just.

574
00:27:19,119 --> 00:27:21,320
Speaker 1: I know, I said it, I said it, I take

575
00:27:21,320 --> 00:27:22,720
Speaker 1: it back, okay.

576
00:27:23,440 --> 00:27:25,560
Speaker 2: Unlike Danielle and Who's funny just.

577
00:27:25,520 --> 00:27:30,639
Speaker 1: Gonna live with this? Next up, Alex and val doing

578
00:27:30,720 --> 00:27:36,280
Speaker 1: this instant dance thing, which man, I saw the rules,

579
00:27:36,640 --> 00:27:39,600
Speaker 1: I didn't. I didn't quite understand what they were doing.

580
00:27:40,200 --> 00:27:42,480
Speaker 1: And then I was like, this seems really unfair for

581
00:27:42,560 --> 00:27:43,120
Speaker 1: the men.

582
00:27:44,440 --> 00:27:45,760
Speaker 2: Because why would you say.

583
00:27:45,560 --> 00:27:46,960
Speaker 1: That because they have to lead.

584
00:27:47,280 --> 00:27:48,639
Speaker 2: Oh yeah, I guess that's true.

585
00:27:48,760 --> 00:27:53,199
Speaker 1: Whereas if you're following a pro who probably knows you know,

586
00:27:53,680 --> 00:27:57,840
Speaker 1: fifteen different like cha chaw moves just off the top

587
00:27:57,880 --> 00:28:00,399
Speaker 1: of their head, and you've only been doing this for

588
00:28:00,520 --> 00:28:03,200
Speaker 1: eight weeks or ten weeks or whatever, like, it just

589
00:28:03,240 --> 00:28:07,320
Speaker 1: seemed unfair because like they like the women can can

590
00:28:07,359 --> 00:28:10,560
Speaker 1: be sort of cued by the physicality of the men, right,

591
00:28:10,680 --> 00:28:12,760
Speaker 1: like true, yeah, push them here, pulled them in, and

592
00:28:12,800 --> 00:28:14,719
Speaker 1: I think somebody even said I think carry on. One

593
00:28:14,720 --> 00:28:17,000
Speaker 1: of the judges actually pointed it out because I was like,

594
00:28:17,359 --> 00:28:20,439
Speaker 1: I was worried when it came to Dylan. I was like,

595
00:28:20,520 --> 00:28:22,840
Speaker 1: oh God, this is gonna be hard. But actually they

596
00:28:22,840 --> 00:28:25,359
Speaker 1: were amazing. We'll get to that. But so alex en

597
00:28:25,440 --> 00:28:28,040
Speaker 1: Val did their instant dance. Watching them run off to

598
00:28:28,160 --> 00:28:30,760
Speaker 1: pick their outfits and go behind it, it was like,

599
00:28:30,960 --> 00:28:34,800
Speaker 1: oh my god, dressed. Yeah, just gonna show them in

600
00:28:34,840 --> 00:28:38,040
Speaker 1: their their robes. Yeah, And it stressed me out. Made

601
00:28:38,080 --> 00:28:41,040
Speaker 1: me think of like having to quick change on our sets, yes,

602
00:28:41,080 --> 00:28:43,000
Speaker 1: before we went out for the next scene while the

603
00:28:43,000 --> 00:28:43,880
Speaker 1: audience is waiting.

604
00:28:44,200 --> 00:28:46,080
Speaker 2: It just seems like they like they're trying to add

605
00:28:46,120 --> 00:28:48,640
Speaker 2: one more layer of drama that wasn't necessary, Like now

606
00:28:48,640 --> 00:28:50,040
Speaker 2: you got to run and get dre And it's like,

607
00:28:50,240 --> 00:28:52,640
Speaker 2: as Dylan was running for his clothes, I was like, dude,

608
00:28:53,000 --> 00:28:55,440
Speaker 2: just stay in your tidy whities, just do that and

609
00:28:55,440 --> 00:28:59,640
Speaker 2: go dance, like just go so the whole just running

610
00:28:59,640 --> 00:29:02,360
Speaker 2: for the I thought, and then and then getting dressed

611
00:29:02,400 --> 00:29:04,600
Speaker 2: in the where you see the silhouette of the person

612
00:29:04,600 --> 00:29:08,920
Speaker 2: getting changed. It was all just it was so unnecessarily theatrical.

613
00:29:08,720 --> 00:29:10,640
Speaker 1: I think. And I also think that what you said

614
00:29:10,680 --> 00:29:13,320
Speaker 1: earlier is really app that all they did is really

615
00:29:13,400 --> 00:29:16,520
Speaker 1: they just had to rehearse four different dances, like so.

616
00:29:16,520 --> 00:29:20,600
Speaker 2: Basically a song I didn't know, which can't be easy, obviously,

617
00:29:21,080 --> 00:29:23,320
Speaker 2: but it's not like you didn't know what you were

618
00:29:23,320 --> 00:29:25,640
Speaker 2: gonna do when you couldn't rehearse it, and they give

619
00:29:25,640 --> 00:29:28,160
Speaker 2: it to you right there on the dance floor, like, hey, guys,

620
00:29:28,360 --> 00:29:30,840
Speaker 2: we're between the fifteen dances that are out there. We're

621
00:29:30,840 --> 00:29:32,760
Speaker 2: gonna pick one for you on the spot. While you're there,

622
00:29:33,000 --> 00:29:36,280
Speaker 2: start a song, go yeah you know which? And again

623
00:29:36,440 --> 00:29:38,240
Speaker 2: I don't even know, as somebody who is a total

624
00:29:38,280 --> 00:29:40,360
Speaker 2: neophyte to this, I don't know if that's even possible

625
00:29:40,680 --> 00:29:42,800
Speaker 2: pro on pro right. I mean, if you put two

626
00:29:42,800 --> 00:29:45,920
Speaker 2: pros together and you go, pasa doblay right now, press

627
00:29:45,920 --> 00:29:47,960
Speaker 2: a button the music starts, are they gonna go out

628
00:29:48,000 --> 00:29:48,440
Speaker 2: and kill it?

629
00:29:48,600 --> 00:29:50,080
Speaker 1: I don't know, I mean, but that's what was interesting,

630
00:29:50,480 --> 00:29:52,440
Speaker 1: because the judges were kind of reacting as if they

631
00:29:52,440 --> 00:29:54,440
Speaker 1: wouldn't know what to do, right. They were like, right,

632
00:29:55,120 --> 00:29:57,120
Speaker 1: we don't know what this is. We don't really know

633
00:29:57,160 --> 00:29:59,800
Speaker 1: how to judge this, but that was great. What you

634
00:29:59,840 --> 00:30:04,120
Speaker 1: did with this weird assignment was cool the first time

635
00:30:04,120 --> 00:30:07,120
Speaker 1: they've done it, right, Yeah, yeah, yeah, and work out

636
00:30:07,160 --> 00:30:09,440
Speaker 1: the tweaks maybe, yeah, I see.

637
00:30:09,480 --> 00:30:11,280
Speaker 2: I think what I would do is I would do

638
00:30:11,400 --> 00:30:13,880
Speaker 2: you're allowed to rehearse what dances you are, but the

639
00:30:13,960 --> 00:30:16,680
Speaker 2: dance floor opens up and there's something deep underneath that

640
00:30:16,720 --> 00:30:19,800
Speaker 2: can kill you. So it's either a pit of snakes

641
00:30:19,960 --> 00:30:22,480
Speaker 2: or spikes. It's fire, just.

642
00:30:22,200 --> 00:30:26,440
Speaker 1: Just a crocodiles crocodile.

643
00:30:26,000 --> 00:30:29,160
Speaker 2: There you go. Yeah, it's a fox trot over fire,

644
00:30:29,520 --> 00:30:32,480
Speaker 2: or you know, a tango over tangle vines like that

645
00:30:32,560 --> 00:30:35,000
Speaker 2: kind of thing, like fun with it, right.

646
00:30:35,680 --> 00:30:37,680
Speaker 1: Or even if it was more expressive, right, like you

647
00:30:37,760 --> 00:30:41,920
Speaker 1: had to do a dance based on this prop or

648
00:30:41,960 --> 00:30:44,840
Speaker 1: this theme, like you know, I don't know, yeah there

649
00:30:44,880 --> 00:30:45,360
Speaker 1: was something.

650
00:30:45,280 --> 00:30:47,760
Speaker 2: Or you have to switch your partner for this one

651
00:30:47,880 --> 00:30:49,560
Speaker 2: dance and you have to go with a different pro

652
00:30:49,760 --> 00:30:52,560
Speaker 2: or something like that, like it's it's an instant tango

653
00:30:52,640 --> 00:30:55,520
Speaker 2: with somebody you've never danced with before, like something like that.

654
00:30:56,360 --> 00:30:58,360
Speaker 2: I know, But that's kind of the point is maybe

655
00:30:58,400 --> 00:31:01,000
Speaker 2: it wouldn't be who knows, again it's I know they're

656
00:31:01,000 --> 00:31:02,480
Speaker 2: trying to make it more, but you're right, it's like

657
00:31:02,520 --> 00:31:05,080
Speaker 2: they have to. Hey, here's the four possibilities. So we're

658
00:31:05,080 --> 00:31:07,240
Speaker 2: going to rehearse four things and we'll see which one

659
00:31:07,240 --> 00:31:07,680
Speaker 2: gets picked.

660
00:31:08,040 --> 00:31:09,760
Speaker 1: All right, Well, they gave him tens across the board,

661
00:31:09,760 --> 00:31:11,200
Speaker 1: which I was like, okay, are we just going to

662
00:31:11,240 --> 00:31:13,960
Speaker 1: give tens to everybody? Which pretty much pretty much what

663
00:31:14,000 --> 00:31:17,760
Speaker 1: they did. Yeah, and then Dylan and Daniella. Wow. Like

664
00:31:17,840 --> 00:31:21,320
Speaker 1: I said, I was nervous for him because I was like,

665
00:31:21,400 --> 00:31:24,680
Speaker 1: this seems like he's got to lead this. Can he

666
00:31:24,800 --> 00:31:27,640
Speaker 1: do this fox trot? I don't even remember what a

667
00:31:27,680 --> 00:31:30,280
Speaker 1: fox trot is? But this was incredible?

668
00:31:30,520 --> 00:31:30,680
Speaker 2: Yeah?

669
00:31:31,120 --> 00:31:34,280
Speaker 1: Ye, And like watching the judges react, I was like, Okay,

670
00:31:34,400 --> 00:31:37,800
Speaker 1: I'm not crazy. This was really good, which is one

671
00:31:37,800 --> 00:31:38,120
Speaker 1: of his.

672
00:31:38,240 --> 00:31:39,680
Speaker 2: I think the best dance he's ever done. And that's

673
00:31:39,680 --> 00:31:42,360
Speaker 2: saying something because there's he's done some other really good ones,

674
00:31:42,400 --> 00:31:45,040
Speaker 2: but this was just talk about in the clutch and

675
00:31:45,080 --> 00:31:46,680
Speaker 2: pulling it out when you need it, you know, I mean,

676
00:31:46,720 --> 00:31:47,480
Speaker 2: it was great.

677
00:31:47,640 --> 00:31:50,160
Speaker 1: Well, I think it goes to show that he's always

678
00:31:50,160 --> 00:31:52,800
Speaker 1: been his worst enemy, you know, like which he talks about.

679
00:31:52,840 --> 00:31:55,040
Speaker 1: You know, he's like I came in here thinking I

680
00:31:55,080 --> 00:31:56,680
Speaker 1: can't do this and I've got to just make him

681
00:31:56,720 --> 00:31:59,560
Speaker 1: laugh or figure out how to and when he trusts

682
00:31:59,600 --> 00:32:02,720
Speaker 1: himself or just gets out of his head, he's a

683
00:32:02,760 --> 00:32:03,520
Speaker 1: great dancer.

684
00:32:03,680 --> 00:32:04,800
Speaker 2: Yeah, he really is good.

685
00:32:04,680 --> 00:32:07,080
Speaker 1: And he's got the best partner in the game, I think.

686
00:32:07,160 --> 00:32:07,240
Speaker 2: So.

687
00:32:07,640 --> 00:32:09,120
Speaker 1: Yeah, she was so good.

688
00:32:09,640 --> 00:32:10,720
Speaker 2: She's really phenomenal.

689
00:32:11,000 --> 00:32:13,120
Speaker 1: And the ten's across the board.

690
00:32:13,560 --> 00:32:13,720
Speaker 3: Uh.

691
00:32:14,440 --> 00:32:19,240
Speaker 1: Then Elaine and Alan they got the uh the quick step,

692
00:32:19,880 --> 00:32:23,200
Speaker 1: which quick step is a weird dance. I'm just gonna

693
00:32:23,200 --> 00:32:23,560
Speaker 1: say it.

694
00:32:24,200 --> 00:32:26,240
Speaker 2: Yeah, again, it's not my favorite. Quick Step and jive

695
00:32:26,240 --> 00:32:28,680
Speaker 2: are not my favorite dances. No, just they aren't.

696
00:32:29,480 --> 00:32:36,600
Speaker 1: Yeah, this was okay. You could feel that they didn't

697
00:32:36,640 --> 00:32:40,400
Speaker 1: know quite what they were doing. She definitely had some missteps,

698
00:32:40,640 --> 00:32:42,960
Speaker 1: but it's hard to fault them. I'm like, what do

699
00:32:43,000 --> 00:32:46,520
Speaker 1: we expect from these people? Yeah? So yeah, they ended

700
00:32:46,600 --> 00:32:49,960
Speaker 1: up getting nines, which was the only Yeah, non ten

701
00:32:50,800 --> 00:32:51,360
Speaker 1: given for.

702
00:32:51,320 --> 00:32:54,640
Speaker 2: This whole Probably probably fair, but it's still like, I

703
00:32:54,840 --> 00:32:56,760
Speaker 2: still don't get the judging and I never went on anything.

704
00:32:57,000 --> 00:33:00,840
Speaker 1: Ye, Robert Irwin and Whitney came out. They got the

705
00:33:00,960 --> 00:33:09,680
Speaker 1: chat cham again injury potential reference. Yeah, is this guy

706
00:33:09,760 --> 00:33:10,480
Speaker 1: gonna be okay?

707
00:33:11,960 --> 00:33:13,800
Speaker 2: Is this the one where they end where he's holding

708
00:33:13,840 --> 00:33:16,680
Speaker 2: her flat.

709
00:33:17,000 --> 00:33:19,760
Speaker 1: No, this is this is where he ripped open his

710
00:33:19,840 --> 00:33:22,840
Speaker 1: shirt right coming, we already see the one where he's

711
00:33:22,880 --> 00:33:24,680
Speaker 1: holding her flat or is that the end? No, that's next.

712
00:33:24,720 --> 00:33:26,920
Speaker 1: I think that's okay freestyle. I think that was during

713
00:33:26,920 --> 00:33:27,720
Speaker 1: the freestyle.

714
00:33:27,400 --> 00:33:30,400
Speaker 2: Because that seemed like a direct ripoff of Danielle's move.

715
00:33:30,960 --> 00:33:34,640
Speaker 1: Okay, but no, I thought when he ripped his shirt open,

716
00:33:34,680 --> 00:33:36,840
Speaker 1: I was like, Oh, we're really just pulling out all

717
00:33:36,840 --> 00:33:37,760
Speaker 1: the stops.

718
00:33:37,960 --> 00:33:42,280
Speaker 2: It's yeah, do what you gotta do. Bro. I love

719
00:33:42,280 --> 00:33:43,320
Speaker 2: that you're right at the end.

720
00:33:43,880 --> 00:33:45,760
Speaker 1: Like you got it. Just come in? What else can

721
00:33:45,800 --> 00:33:47,120
Speaker 1: I add to this? My abs?

722
00:33:47,880 --> 00:33:50,760
Speaker 2: There you go. There's a ton of abs on display tonight.

723
00:33:50,800 --> 00:33:52,480
Speaker 2: By the way, it was like an ab Fest tonight.

724
00:33:52,520 --> 00:33:55,320
Speaker 2: It was like an Abercrombie store in nineteen ninety eight

725
00:33:55,680 --> 00:33:59,600
Speaker 2: out there tonight. So yeah, crazy, crazy all right.

726
00:33:59,720 --> 00:34:03,360
Speaker 1: Next up was Jordan and Ezra. I love to see

727
00:34:03,360 --> 00:34:05,400
Speaker 1: in their reaction when they got the tango, because I

728
00:34:05,400 --> 00:34:09,200
Speaker 1: guess they wanted to t but I love that they

729
00:34:09,239 --> 00:34:11,520
Speaker 1: both did it, and that's what I was like, these

730
00:34:11,520 --> 00:34:13,640
Speaker 1: two are so in sync, you know, like that's it

731
00:34:13,760 --> 00:34:15,120
Speaker 1: was so cool to see that they're.

732
00:34:15,000 --> 00:34:16,960
Speaker 2: Just having fun to clearly friends.

733
00:34:17,120 --> 00:34:21,480
Speaker 1: Yeah, so fun. Yeah, And I thought this was great,

734
00:34:22,360 --> 00:34:25,400
Speaker 1: definitely cool to see like, yeah, okay, you can you

735
00:34:25,440 --> 00:34:28,720
Speaker 1: can pull a dance out of thin air. Yep, tens

736
00:34:28,719 --> 00:34:33,279
Speaker 1: across the board. Then we got a performance to a

737
00:34:33,320 --> 00:34:34,920
Speaker 1: Taylor Swift song.

738
00:34:36,880 --> 00:34:39,359
Speaker 2: And can't dance anything with Taylor Swift. Apparently every time

739
00:34:39,360 --> 00:34:41,200
Speaker 2: he's up there by himself, they put him because he

740
00:34:41,200 --> 00:34:43,880
Speaker 2: was a Tailor Swift dancer. It's a Taylor Swift jeohn. Yeah,

741
00:34:43,920 --> 00:34:46,840
Speaker 2: but it's also because they're tonight. It was also really

742
00:34:46,920 --> 00:34:50,600
Speaker 2: on display the synergy of Disney and Hulu where it

743
00:34:50,719 --> 00:34:54,040
Speaker 2: was just like Zutopia is coming out.

744
00:34:53,680 --> 00:34:55,399
Speaker 1: And we got, you know, the all our.

745
00:34:55,400 --> 00:34:58,040
Speaker 2: Dance stuff is coming out, the aristour thing is coming

746
00:34:58,080 --> 00:35:00,720
Speaker 2: out on Hulu. It's like everything is now being funneled

747
00:35:00,719 --> 00:35:03,239
Speaker 2: through Dancing with the Stars. So it was it was

748
00:35:03,239 --> 00:35:06,879
Speaker 2: interesting to see that the Disney fam on full full

749
00:35:06,880 --> 00:35:08,680
Speaker 2: alert tonight totally.

750
00:35:10,200 --> 00:35:12,799
Speaker 1: Then we entered what I think should have been the

751
00:35:12,840 --> 00:35:18,000
Speaker 1: whole finale, the freestyle. This was just so cool. It

752
00:35:18,280 --> 00:35:24,680
Speaker 1: seems like the celebrities got to choreograph almost as much,

753
00:35:24,920 --> 00:35:26,880
Speaker 1: do you know what I mean, like or at least

754
00:35:27,160 --> 00:35:31,640
Speaker 1: insert their personality and their style and their taste, and

755
00:35:31,680 --> 00:35:34,880
Speaker 1: that was just really cool just across the board. Even

756
00:35:34,920 --> 00:35:38,879
Speaker 1: if I didn't like love every choice, I was like, well,

757
00:35:38,880 --> 00:35:42,160
Speaker 1: this is an expression of you in a way that

758
00:35:42,800 --> 00:35:44,560
Speaker 1: I wish this show had a little bit more of,

759
00:35:45,239 --> 00:35:47,200
Speaker 1: not just in the finale, but I just think it's

760
00:35:47,239 --> 00:35:51,080
Speaker 1: always best when it's more about like self expression or

761
00:35:51,120 --> 00:35:54,360
Speaker 1: some kind of storytelling or something that you know feels.

762
00:35:54,600 --> 00:35:56,400
Speaker 2: That's why I knew you were gonna love the freestyle

763
00:35:56,400 --> 00:35:59,160
Speaker 2: because I mean there's it's story after story after story.

764
00:35:58,960 --> 00:36:03,640
Speaker 1: Totally, which is her personality, you know, actually to that point,

765
00:36:03,680 --> 00:36:09,480
Speaker 1: like alex is I mean, Alex the dance was so good, phenomenal, phenomenal,

766
00:36:09,960 --> 00:36:13,960
Speaker 1: but I will say the choice to go like sexy

767
00:36:14,719 --> 00:36:18,880
Speaker 1: sexy Dominatrix was a little like that's really, that's all,

768
00:36:19,040 --> 00:36:19,640
Speaker 1: that's all we got.

769
00:36:20,040 --> 00:36:23,840
Speaker 2: Really it was great, It was great, It was cool.

770
00:36:23,600 --> 00:36:26,520
Speaker 1: But like as a self expression, like and that's you know.

771
00:36:26,600 --> 00:36:29,000
Speaker 1: I was like, okay, like I don't.

772
00:36:28,760 --> 00:36:30,960
Speaker 2: Know, but see I loved that part of her journey

773
00:36:30,960 --> 00:36:33,200
Speaker 2: because she said something in her inner preciow package which

774
00:36:33,239 --> 00:36:35,440
Speaker 2: was interesting where she's like, we when I met you, val,

775
00:36:35,560 --> 00:36:38,560
Speaker 2: we were the only couple that didn't hug right, So

776
00:36:38,640 --> 00:36:40,640
Speaker 2: she went from like she had her sleeves up over

777
00:36:40,680 --> 00:36:42,440
Speaker 2: her hands. She went from being kind of like this

778
00:36:42,520 --> 00:36:45,680
Speaker 2: wilting flower, it's a good point, I'm just going to

779
00:36:45,760 --> 00:36:49,200
Speaker 2: shake to being a dominatrix. And then when there's the

780
00:36:49,280 --> 00:36:51,120
Speaker 2: five of them on the fence with the blue light

781
00:36:51,200 --> 00:36:54,080
Speaker 2: behind them, forget it. That was awesome to me.

782
00:36:54,280 --> 00:36:56,359
Speaker 1: All right, that's a good point, man. You're right, You're right.

783
00:36:56,400 --> 00:36:58,680
Speaker 1: I guess I was just kind of like this is yeah,

784
00:36:58,719 --> 00:36:59,239
Speaker 1: but you're right.

785
00:37:00,120 --> 00:37:02,640
Speaker 2: And she started on a stripper pole and ended on

786
00:37:02,640 --> 00:37:04,279
Speaker 2: a stripper pole. It would have been like come on,

787
00:37:05,040 --> 00:37:07,040
Speaker 2: but I mean like it was that to me was

788
00:37:07,040 --> 00:37:09,319
Speaker 2: like that empowerment of like she was like woke up.

789
00:37:09,360 --> 00:37:14,440
Speaker 1: It was cool, right, right, uh no, surprise ten ten ten? Right,

790
00:37:14,920 --> 00:37:18,799
Speaker 1: And then Dylan and Daniella and this is like for me,

791
00:37:19,480 --> 00:37:22,040
Speaker 1: I mean, this was just the coolest dance ever. I thought,

792
00:37:22,480 --> 00:37:28,440
Speaker 1: you know, hearing how Daniello was chore choreographing it based

793
00:37:28,480 --> 00:37:32,160
Speaker 1: on her being dance yeah, him being.

794
00:37:33,480 --> 00:37:37,000
Speaker 4: Yeah, oh my god, yeah what And you could see

795
00:37:37,040 --> 00:37:39,319
Speaker 4: that in every move, you could see all the like

796
00:37:39,440 --> 00:37:43,000
Speaker 4: ups and downs of that, and it was just beautiful

797
00:37:43,040 --> 00:37:43,640
Speaker 4: and coolest.

798
00:37:43,640 --> 00:37:46,600
Speaker 2: MO two coolest move of the night where he they're

799
00:37:46,640 --> 00:37:48,800
Speaker 2: both on the floor and she grabs him and pulls

800
00:37:48,840 --> 00:37:51,000
Speaker 2: him and he slides right into her lap with like

801
00:37:51,000 --> 00:37:51,839
Speaker 2: his head in her lap.

802
00:37:52,160 --> 00:37:55,920
Speaker 1: Dude, I just I was so like, I mean, I

803
00:37:55,960 --> 00:37:59,120
Speaker 1: got super emotional. I teared up and I'm.

804
00:37:59,080 --> 00:38:01,480
Speaker 2: Like inside, so I just thought it was cool, but yeah,

805
00:38:01,719 --> 00:38:06,520
Speaker 2: super cool, just beautiful and then she flips. She's like

806
00:38:06,640 --> 00:38:08,399
Speaker 2: laying next to them and up. Yeah.

807
00:38:08,520 --> 00:38:11,200
Speaker 1: Was yeah, And I think because of because of the

808
00:38:11,200 --> 00:38:13,719
Speaker 1: emotionality of this one, I was That's why I was

809
00:38:13,760 --> 00:38:18,239
Speaker 1: sort of like judging everyone else's freestyles like versus you know,

810
00:38:18,760 --> 00:38:21,600
Speaker 1: well kind of you know, because like when Elaine in

811
00:38:21,640 --> 00:38:25,319
Speaker 1: particular came out next and you know, did a sort

812
00:38:25,320 --> 00:38:29,120
Speaker 1: of musical theater number about wanting to be a star,

813
00:38:29,600 --> 00:38:31,839
Speaker 1: I was like, okay, yeah, Like I don't know if

814
00:38:31,840 --> 00:38:35,480
Speaker 1: this develops what we've known about you, like, you know,

815
00:38:36,560 --> 00:38:38,640
Speaker 1: but it's clear that that's her taste, right, Like that's

816
00:38:38,640 --> 00:38:41,799
Speaker 1: her style, Like she is a Broadway fans, She's got

817
00:38:41,880 --> 00:38:46,759
Speaker 1: the she's theater kid energy, and you know, that's that's

818
00:38:46,800 --> 00:38:49,600
Speaker 1: what she that's her self expression, Like that's the story

819
00:38:49,680 --> 00:38:52,399
Speaker 1: she wants to tell. And it was good, you know, yeah,

820
00:38:52,440 --> 00:38:54,560
Speaker 1: of course it was good. It was good. They're all good.

821
00:38:54,600 --> 00:38:55,520
Speaker 2: I mean, they were all good.

822
00:38:55,960 --> 00:38:59,160
Speaker 1: Did everybody get ten for their freestyles? Yeah, tens across

823
00:38:59,160 --> 00:39:01,440
Speaker 1: the board for everybody in their free style. Yeah, and rightfully,

824
00:39:01,480 --> 00:39:03,120
Speaker 1: so rightfully. How do you do that?

825
00:39:03,120 --> 00:39:04,800
Speaker 2: How do you say it's like, this is my biggest

826
00:39:04,800 --> 00:39:07,040
Speaker 2: self expression, my entire season comes this, and then you're

827
00:39:07,080 --> 00:39:09,880
Speaker 2: like nine, Like nobody couldn't do that?

828
00:39:10,160 --> 00:39:11,520
Speaker 1: Yeah, totally, totally.

829
00:39:12,000 --> 00:39:12,239
Speaker 3: Uh.

830
00:39:12,280 --> 00:39:15,680
Speaker 1: Anyway, going back, Dylan and Danielle got tens, Elaine and

831
00:39:15,719 --> 00:39:18,520
Speaker 1: Allen they came out, like we said, did the sort

832
00:39:18,520 --> 00:39:23,160
Speaker 1: of you know, uh, the story of a young ingenue

833
00:39:23,280 --> 00:39:31,799
Speaker 1: dancer actor got ten's there and Robert and Whitney came out.

834
00:39:32,239 --> 00:39:35,359
Speaker 1: He brought up his dad, wishing his dad could see it,

835
00:39:35,440 --> 00:39:40,080
Speaker 1: his ribs again, is gonna how's this gonna go?

836
00:39:40,280 --> 00:39:41,040
Speaker 2: Yeah?

837
00:39:41,080 --> 00:39:43,960
Speaker 1: And uh it went great. It was a fantastic dance.

838
00:39:44,080 --> 00:39:45,040
Speaker 2: They were they were great.

839
00:39:45,120 --> 00:39:45,359
Speaker 1: Yeah.

840
00:39:45,600 --> 00:39:49,960
Speaker 2: Again compared to any other Robert Knight though I thought

841
00:39:49,960 --> 00:39:52,920
Speaker 2: he was he was good, but this to me was

842
00:39:52,960 --> 00:39:55,520
Speaker 2: not his best night of dancing. I thought there was better,

843
00:39:55,640 --> 00:39:57,480
Speaker 2: several better dances than his tonight.

844
00:39:57,880 --> 00:39:59,719
Speaker 1: Well, the weird part about this dance for me was

845
00:39:59,719 --> 00:40:01,839
Speaker 1: that I kind of lost track of him a.

846
00:40:01,760 --> 00:40:03,680
Speaker 2: Couple of times that I don't know if it's the

847
00:40:03,680 --> 00:40:06,320
Speaker 2: way they were directing it or what was going to

848
00:40:07,200 --> 00:40:11,000
Speaker 2: Some people dancers agreed it was it was he got

849
00:40:11,040 --> 00:40:13,399
Speaker 2: lost in the shuffle, yes, but yes, no, I agree

850
00:40:13,400 --> 00:40:15,040
Speaker 2: with you one hundred percent. There was times and I

851
00:40:15,160 --> 00:40:17,879
Speaker 2: was kind of like, wait, is this is this the choreography,

852
00:40:17,960 --> 00:40:20,680
Speaker 2: is this the director? What's going on? Because he's lost

853
00:40:20,719 --> 00:40:22,840
Speaker 2: in the shuffle. Then at one point it looked like

854
00:40:22,920 --> 00:40:27,200
Speaker 2: they dropped her, like like it was like she actually

855
00:40:27,200 --> 00:40:29,000
Speaker 2: fell down, but she didn't. She was going where she

856
00:40:29,040 --> 00:40:30,880
Speaker 2: was supposed to be to reappear back on stage, but

857
00:40:30,960 --> 00:40:33,279
Speaker 2: with the way it was shot, it almost looked like

858
00:40:33,400 --> 00:40:35,800
Speaker 2: Both Soon and I were like like we thought, oh wait.

859
00:40:35,680 --> 00:40:37,319
Speaker 1: Did she just fall? I didn't catch that?

860
00:40:37,640 --> 00:40:40,440
Speaker 2: Yeah, so we so was it But she didn't. It

861
00:40:40,560 --> 00:40:42,560
Speaker 2: was just the way that it was shot. They were

862
00:40:42,640 --> 00:40:44,600
Speaker 2: like moved the whole group was moving her to the

863
00:40:44,640 --> 00:40:46,920
Speaker 2: back to reappear on the backstage, but with the way

864
00:40:46,960 --> 00:40:48,440
Speaker 2: it was shot, it almost looked for a second like

865
00:40:48,520 --> 00:40:51,400
Speaker 2: she fell. So there was a couple things that I

866
00:40:51,440 --> 00:40:54,080
Speaker 2: was like, Oh, maybe the direction of the choreographing was fine,

867
00:40:54,120 --> 00:40:56,120
Speaker 2: and the choreography was fine and the dancing was fine,

868
00:40:56,160 --> 00:40:57,600
Speaker 2: but I was like, no, man, I.

869
00:40:57,520 --> 00:40:59,319
Speaker 1: Think it felt like there was a lot of other

870
00:40:59,400 --> 00:41:03,880
Speaker 1: people you know around, and you know, especially compared to

871
00:41:03,920 --> 00:41:08,160
Speaker 1: like Alex and Dylan. It just didn't just didn't have

872
00:41:08,239 --> 00:41:10,920
Speaker 1: the thing, and I kind of wanted so at this

873
00:41:10,960 --> 00:41:13,000
Speaker 1: point of the night, I was like, Dylan, give it

874
00:41:13,040 --> 00:41:13,600
Speaker 1: to him.

875
00:41:13,560 --> 00:41:15,680
Speaker 2: Come on, see I was, I was. I was team

876
00:41:15,719 --> 00:41:17,120
Speaker 2: Alex at this point. But then this is the one

877
00:41:17,160 --> 00:41:19,759
Speaker 2: where they end with her bent over and he's like

878
00:41:19,800 --> 00:41:21,880
Speaker 2: holding the back of her head and I'm sorry, but that,

879
00:41:22,000 --> 00:41:27,160
Speaker 2: to me, hearkens to the Dylan move where that went

880
00:41:27,280 --> 00:41:30,000
Speaker 2: viral that everybody did, and it seems like she kind

881
00:41:30,000 --> 00:41:31,520
Speaker 2: of went, we need to do something like that and

882
00:41:31,640 --> 00:41:33,880
Speaker 2: basically did the same kind of move. And I was like, really,

883
00:41:33,920 --> 00:41:36,360
Speaker 2: you're gonna You're gonna that was like their signature. This

884
00:41:36,440 --> 00:41:38,480
Speaker 2: wasn't something that slipped by. This was there was people

885
00:41:38,520 --> 00:41:41,600
Speaker 2: recreating this on the internet. It's like it's it just

886
00:41:41,600 --> 00:41:43,200
Speaker 2: felt a little like, really, you're gonna do that. We

887
00:41:43,239 --> 00:41:45,040
Speaker 2: We're gonna change it slightly and then be like look

888
00:41:45,040 --> 00:41:45,520
Speaker 2: what we're doing.

889
00:41:45,520 --> 00:41:46,239
Speaker 1: It was a little I.

890
00:41:46,200 --> 00:41:48,239
Speaker 2: Don't know, it wasn't that wasn't kind of cool to me?

891
00:41:48,920 --> 00:42:04,839
Speaker 1: Yeah? Interesting, all right? Then Jordan and Ezra and this

892
00:42:05,000 --> 00:42:10,120
Speaker 1: was just Jordan on full display. Yeah, for her to

893
00:42:10,160 --> 00:42:12,400
Speaker 1: just be like, well, this is my style and to

894
00:42:12,520 --> 00:42:17,799
Speaker 1: think back from all this ballroom dancing gown stuff to.

895
00:42:17,840 --> 00:42:22,040
Speaker 2: This, which she almost never dances with him though I know,

896
00:42:22,200 --> 00:42:24,120
Speaker 2: I mean, it was like she was by herself. Now

897
00:42:24,160 --> 00:42:27,200
Speaker 2: I have I have a question about this dance. I

898
00:42:27,200 --> 00:42:32,920
Speaker 2: loved it. She was phenomenal. That being said, you and

899
00:42:33,000 --> 00:42:35,480
Speaker 2: I watched the East Coast feed, so we can do

900
00:42:35,520 --> 00:42:38,839
Speaker 2: this podcast right afterwards. Whether you watch East Coast fees

901
00:42:39,040 --> 00:42:41,080
Speaker 2: or you watch the West Coast feed. Usually you can

902
00:42:41,080 --> 00:42:45,920
Speaker 2: tell by the ads your audience. Eighty percent of the

903
00:42:45,920 --> 00:42:49,080
Speaker 2: ads are for medicines that you can take for something

904
00:42:49,200 --> 00:42:51,600
Speaker 2: and you just have to. There's then thirty minutes of

905
00:42:52,200 --> 00:42:54,759
Speaker 2: this will also kill you, and you're going to taste

906
00:42:54,760 --> 00:42:56,160
Speaker 2: the color blue and your eyes are going to bleed

907
00:42:56,200 --> 00:42:57,880
Speaker 2: and all that kind of thing. It's one after another

908
00:42:58,320 --> 00:43:04,400
Speaker 2: and then it's a ARP. So my question is is

909
00:43:04,520 --> 00:43:08,719
Speaker 2: picking a song that keeps repeating the word over and

910
00:43:08,760 --> 00:43:12,640
Speaker 2: over and over again guaranteeing you that certain people in

911
00:43:12,640 --> 00:43:14,359
Speaker 2: the middle of the country are not going to vote

912
00:43:14,400 --> 00:43:16,560
Speaker 2: for you. Yeah, do you think she just walked in

913
00:43:16,600 --> 00:43:19,000
Speaker 2: and went, I'm just throwing it out there. They're not

914
00:43:19,080 --> 00:43:20,640
Speaker 2: I'm not gonna no one's gonna beat Robert, So I'm

915
00:43:20,640 --> 00:43:22,279
Speaker 2: gonna do what the hell I want to do, and

916
00:43:22,280 --> 00:43:23,719
Speaker 2: that's just gonna be the way it.

917
00:43:23,640 --> 00:43:27,440
Speaker 1: Is, absolutely, and that's I actually totally appreciated that because.

918
00:43:27,719 --> 00:43:29,279
Speaker 2: It wasn't a bad thing. I was just like, oh,

919
00:43:29,320 --> 00:43:30,160
Speaker 2: that's risky.

920
00:43:30,480 --> 00:43:33,200
Speaker 1: No, I think it was. But I think like she

921
00:43:33,520 --> 00:43:36,920
Speaker 1: was just like, all right, the stage is mine for

922
00:43:37,160 --> 00:43:41,520
Speaker 1: going out. I get three minutes and I'm gonna do

923
00:43:41,800 --> 00:43:44,279
Speaker 1: what I care about and how I like to dance.

924
00:43:44,320 --> 00:43:46,200
Speaker 1: I mean, I got the feeling like this is how

925
00:43:46,239 --> 00:43:49,560
Speaker 1: she would dance and if she were to move it

926
00:43:49,640 --> 00:43:52,520
Speaker 1: into entertainment or you know, I don't know if she

927
00:43:52,640 --> 00:43:57,440
Speaker 1: has her own music like Aspirations, but it seemed like

928
00:43:57,520 --> 00:44:02,279
Speaker 1: she was like leading a fool on dance number that

929
00:44:02,400 --> 00:44:05,680
Speaker 1: was centering her and her taste and her music and

930
00:44:05,680 --> 00:44:08,080
Speaker 1: what she likes to listen to and how she likes

931
00:44:08,120 --> 00:44:10,319
Speaker 1: to move. And it definitely felt like a departure for

932
00:44:10,360 --> 00:44:12,600
Speaker 1: the show, but it made me want to see more

933
00:44:12,640 --> 00:44:12,919
Speaker 1: of that.

934
00:44:13,080 --> 00:44:16,280
Speaker 2: It's like, why isn't there more hip hop style dancing,

935
00:44:16,320 --> 00:44:18,719
Speaker 2: which is hugely entertaining.

936
00:44:19,120 --> 00:44:22,200
Speaker 1: Yep, and it's like so athletic, so athletic.

937
00:44:22,239 --> 00:44:23,680
Speaker 2: I get that you have a bunch of things you

938
00:44:23,680 --> 00:44:25,279
Speaker 2: want to hit. Of course, everyone wants to do a

939
00:44:25,280 --> 00:44:27,000
Speaker 2: fox trot. Everyon wants to do a tangle. Of course,

940
00:44:27,000 --> 00:44:29,040
Speaker 2: you get all that stuff. You can't tell me that

941
00:44:29,080 --> 00:44:30,760
Speaker 2: the jive and the quick step are kind of similar.

942
00:44:30,760 --> 00:44:32,759
Speaker 2: You can't remove one of those and put in hip

943
00:44:32,760 --> 00:44:36,200
Speaker 2: hop night or yeah what you know, some I don't know,

944
00:44:36,239 --> 00:44:38,759
Speaker 2: but some other style that's like that because it was

945
00:44:38,840 --> 00:44:40,239
Speaker 2: so entertaining.

946
00:44:40,080 --> 00:44:43,359
Speaker 1: Yeah, I guess it. Guess yeah. I mean, like the

947
00:44:43,400 --> 00:44:47,520
Speaker 1: ballroom dancing styles are just like it's a cannon that's

948
00:44:47,520 --> 00:44:51,000
Speaker 1: already established, Like you can't add things to it unless

949
00:44:51,000 --> 00:44:53,640
Speaker 1: it's contemporary or free style.

950
00:44:53,560 --> 00:44:55,799
Speaker 2: Right, maybe, but it seems like they should add that

951
00:44:55,840 --> 00:44:58,640
Speaker 2: because it was as a viewer, I was all.

952
00:44:58,520 --> 00:45:02,240
Speaker 1: In, should be a dance competition show, not a ballroom

953
00:45:02,320 --> 00:45:06,360
Speaker 1: dancing right, right, but because you could expand its type

954
00:45:06,400 --> 00:45:06,880
Speaker 1: of dances.

955
00:45:07,000 --> 00:45:08,759
Speaker 2: But at the same it's dancing with the stars, so

956
00:45:09,000 --> 00:45:11,600
Speaker 2: you're trying to hit a bunch of different dance styles.

957
00:45:11,680 --> 00:45:11,840
Speaker 1: You know.

958
00:45:11,840 --> 00:45:14,360
Speaker 2: Again, when you go on Top Chef, if you're an

959
00:45:14,400 --> 00:45:16,440
Speaker 2: Italian chef, at some point they're going to throw an

960
00:45:16,440 --> 00:45:18,880
Speaker 2: Asian night at you, right like, because you've got to

961
00:45:18,920 --> 00:45:20,920
Speaker 2: be able to do everything. That's what makes you the

962
00:45:20,960 --> 00:45:24,480
Speaker 2: top chef. So if you're the best dancer, shouldn't you

963
00:45:24,520 --> 00:45:26,880
Speaker 2: be hey foxtrot and then now you got to do

964
00:45:27,000 --> 00:45:28,400
Speaker 2: hip hop and now you got to do it? Just

965
00:45:28,400 --> 00:45:30,160
Speaker 2: seems like you should read after every.

966
00:45:30,080 --> 00:45:34,160
Speaker 1: Rush, I wonder, man, like, I mean, our other here's

967
00:45:34,160 --> 00:45:38,160
Speaker 1: the question, Actually, are other forms of dance like hip

968
00:45:38,160 --> 00:45:44,520
Speaker 1: hop as formalized and sort of codified and like, yeah,

969
00:45:44,719 --> 00:45:47,120
Speaker 1: I feel like there's a there's a tradition of competitive

970
00:45:47,120 --> 00:45:49,840
Speaker 1: ballroom dancing that is, you know what, a lot of

971
00:45:49,960 --> 00:45:52,520
Speaker 1: the judging in the show that we didn't understand from

972
00:45:52,520 --> 00:45:55,560
Speaker 1: the beginning and probably still don't is based upon right

973
00:45:55,680 --> 00:45:59,480
Speaker 1: like that there's certain techniques, there's certain moves, there's certain rules,

974
00:46:00,040 --> 00:46:02,279
Speaker 1: and you know, I don't think I mean hip hop

975
00:46:02,360 --> 00:46:05,879
Speaker 1: is just a much more wide open category. It also

976
00:46:06,040 --> 00:46:08,600
Speaker 1: might be a dancing show, right there should just be like,

977
00:46:08,680 --> 00:46:09,080
Speaker 1: well there.

978
00:46:08,960 --> 00:46:13,239
Speaker 2: Is so think you can dance and that's just I

979
00:46:13,239 --> 00:46:15,120
Speaker 2: think so, but it's also maybe the other thing is

980
00:46:15,120 --> 00:46:16,880
Speaker 2: in hip hop, and again that shows you how little

981
00:46:16,880 --> 00:46:19,120
Speaker 2: I know about the art form, maybe there's not a

982
00:46:19,120 --> 00:46:21,480
Speaker 2: whole lot of partner work in hip hop, Like it's

983
00:46:21,560 --> 00:46:25,319
Speaker 2: just you're just by yourself. So it's that's another thing

984
00:46:25,360 --> 00:46:27,319
Speaker 2: that would be a difficult thing, is it's just like

985
00:46:27,360 --> 00:46:29,440
Speaker 2: you can't how do you? How do you do that alone?

986
00:46:29,840 --> 00:46:33,040
Speaker 1: I think that's a big component of it, especially for

987
00:46:33,080 --> 00:46:35,200
Speaker 1: a show that's built on partnering people up.

988
00:46:36,120 --> 00:46:40,160
Speaker 2: And the question is are will the judges ding you

989
00:46:40,320 --> 00:46:42,239
Speaker 2: for going away from something like if in the middle

990
00:46:42,280 --> 00:46:44,560
Speaker 2: of your fox trot you do your side by side

991
00:46:44,600 --> 00:46:46,239
Speaker 2: and you throw in some hip hop? Is that a

992
00:46:46,239 --> 00:46:49,200
Speaker 2: big no no? Or is that like you just did

993
00:46:49,400 --> 00:46:50,160
Speaker 2: that's crazy.

994
00:46:50,680 --> 00:46:52,440
Speaker 1: That's why they haven't done it except for when they

995
00:46:52,440 --> 00:46:55,400
Speaker 1: did their contemporary, they haven't really been able to do that.

996
00:46:55,440 --> 00:46:58,279
Speaker 1: They you know, even they've had to show that they

997
00:46:58,280 --> 00:47:01,680
Speaker 1: can do the kicks and things that are specific to

998
00:47:01,719 --> 00:47:02,480
Speaker 1: the bad dance.

999
00:47:02,680 --> 00:47:02,919
Speaker 2: Yeah.

1000
00:47:02,960 --> 00:47:04,719
Speaker 1: So yeah, yeah, it's interesting.

1001
00:47:04,800 --> 00:47:06,560
Speaker 2: But that's what that was. My question is it's a

1002
00:47:06,600 --> 00:47:09,680
Speaker 2: it's a it's a from an entertainment point of view,

1003
00:47:09,680 --> 00:47:13,319
Speaker 2: it was a question of knowing your audience and did

1004
00:47:13,320 --> 00:47:15,640
Speaker 2: you did you turn your audience off by having a

1005
00:47:15,640 --> 00:47:18,399
Speaker 2: song that constantly was repeating a swear word, and then

1006
00:47:18,600 --> 00:47:20,800
Speaker 2: at the end of the day it was like, I

1007
00:47:21,840 --> 00:47:23,440
Speaker 2: agree with you where it's like, oh she obviously just

1008
00:47:23,480 --> 00:47:25,960
Speaker 2: didn't care and was like this is this is now

1009
00:47:26,000 --> 00:47:29,520
Speaker 2: me here, this is me. Yeah, And but I you know,

1010
00:47:29,760 --> 00:47:31,319
Speaker 2: I think you're right. I think it was I think

1011
00:47:31,400 --> 00:47:34,439
Speaker 2: Robert won before the night even started. So I don't

1012
00:47:34,480 --> 00:47:36,799
Speaker 2: think anybody could have come and danced their heart out

1013
00:47:36,800 --> 00:47:40,480
Speaker 2: and won tonight other than Robert, because Alex did, right, So,

1014
00:47:40,520 --> 00:47:42,279
Speaker 2: I mean we literally saw it. She she had the

1015
00:47:42,280 --> 00:47:44,240
Speaker 2: best score of the night. She had three three dances

1016
00:47:44,239 --> 00:47:47,279
Speaker 2: with three perfect scores, right, so she even the judges said,

1017
00:47:47,440 --> 00:47:50,880
Speaker 2: you had a perfect night of dancing, whereas Robert didn't.

1018
00:47:50,920 --> 00:47:55,879
Speaker 2: So it was obviously the overall, you know, the over

1019
00:47:55,920 --> 00:47:58,440
Speaker 2: the cumulative dancing as opposed to just tonight, because just

1020
00:47:58,480 --> 00:47:59,839
Speaker 2: tonight to me, Alex won.

1021
00:48:00,600 --> 00:48:05,759
Speaker 1: Wow. All right, So really at this point, what were

1022
00:48:05,800 --> 00:48:10,600
Speaker 1: you surprised by any of the revelations of who got eliminated?

1023
00:48:10,680 --> 00:48:14,520
Speaker 1: Were you? I guess the order? Were you? Really?

1024
00:48:15,360 --> 00:48:16,680
Speaker 2: We were calling him out as it happened.

1025
00:48:16,960 --> 00:48:21,200
Speaker 1: I I like to your point about Jordan, I thought

1026
00:48:21,200 --> 00:48:25,239
Speaker 1: she might get eliminated earlier. Oh really, Yeah, as much

1027
00:48:25,239 --> 00:48:27,720
Speaker 1: as I love her and everything. Obviously I guess everyone

1028
00:48:27,760 --> 00:48:29,840
Speaker 1: else did too, but I was like, I could see

1029
00:48:29,920 --> 00:48:33,000
Speaker 1: this turning off some people. And I think, like their

1030
00:48:33,000 --> 00:48:35,239
Speaker 1: Halloween dance wasn't that great?

1031
00:48:35,440 --> 00:48:37,600
Speaker 2: Now with the was it rope gate? What do you

1032
00:48:37,640 --> 00:48:37,920
Speaker 2: call it?

1033
00:48:38,320 --> 00:48:40,000
Speaker 1: And she kind of has a little bit of like

1034
00:48:40,040 --> 00:48:42,759
Speaker 1: a punk rock attitude, like she does you know what

1035
00:48:42,800 --> 00:48:44,759
Speaker 1: I mean, Like there's a little bit of like I'm

1036
00:48:44,800 --> 00:48:47,400
Speaker 1: a bad take it or leave it. I'm gonna do

1037
00:48:47,480 --> 00:48:49,480
Speaker 1: my thing, and you know, she's always kind of mugging

1038
00:48:49,480 --> 00:48:51,600
Speaker 1: the camera and doing stuff. So I was like, I

1039
00:48:51,680 --> 00:48:54,600
Speaker 1: wonder how popular this actually is is So there was

1040
00:48:54,640 --> 00:48:56,840
Speaker 1: part of me that was like she could be eliminated.

1041
00:48:57,120 --> 00:49:01,080
Speaker 2: Well that was question and again knowing your when you say,

1042
00:49:01,120 --> 00:49:02,680
Speaker 2: and again I didn't have a problem with it because

1043
00:49:02,719 --> 00:49:04,640
Speaker 2: I get what she meant and it's more hyperbole than

1044
00:49:04,640 --> 00:49:09,160
Speaker 2: anything else. But sitting there and saying winning the trophy

1045
00:49:09,320 --> 00:49:11,399
Speaker 2: is more important to me than winning a gold medal

1046
00:49:11,440 --> 00:49:14,920
Speaker 2: for my country. I can see how people might be like, ooh.

1047
00:49:14,840 --> 00:49:16,359
Speaker 1: Oh, that's interesting. I didn't even think about that.

1048
00:49:16,520 --> 00:49:18,359
Speaker 2: Where it's just like I and again, this is her

1049
00:49:18,360 --> 00:49:20,319
Speaker 2: personal thing. She's like I've been watching this show since

1050
00:49:20,360 --> 00:49:22,840
Speaker 2: I was five and this is all I've ever wanted.

1051
00:49:22,880 --> 00:49:24,680
Speaker 2: So I get it, and I can take it with

1052
00:49:24,680 --> 00:49:26,680
Speaker 2: a grain of salt. But there might be some people like,

1053
00:49:26,719 --> 00:49:28,640
Speaker 2: how could you want to win this dance show more

1054
00:49:28,680 --> 00:49:30,320
Speaker 2: than a medal for your country?

1055
00:49:30,800 --> 00:49:31,080
Speaker 1: Right?

1056
00:49:31,160 --> 00:49:34,440
Speaker 2: So yeah, but again, I frankly, I dig your attitude.

1057
00:49:34,640 --> 00:49:37,160
Speaker 2: I thought it was great. I thought the dance was great.

1058
00:49:37,640 --> 00:49:40,680
Speaker 2: I thought she killed it tonight. Yeah, but I just

1059
00:49:40,680 --> 00:49:42,600
Speaker 2: no one was gonna beat Robert Well.

1060
00:49:42,719 --> 00:49:44,680
Speaker 1: I was still kind of hoping for an upset. But

1061
00:49:44,760 --> 00:49:48,640
Speaker 1: then it went Elaine that Dylan was next, which I

1062
00:49:48,680 --> 00:49:51,400
Speaker 1: was super bummed about, but I guess I shouldn't have

1063
00:49:51,440 --> 00:49:56,360
Speaker 1: been that surprised. And then the final three, Jordan was out,

1064
00:49:56,880 --> 00:49:59,680
Speaker 1: left with Robert and Alex And at this point I

1065
00:49:59,760 --> 00:50:03,040
Speaker 1: was kind of like, you know, it could be she

1066
00:50:03,120 --> 00:50:08,600
Speaker 1: could win because and they closest ever, so that's super interesting.

1067
00:50:08,680 --> 00:50:10,400
Speaker 1: She was very close.

1068
00:50:10,560 --> 00:50:13,240
Speaker 2: I have a pitch for you. Yeah, for the next season,

1069
00:50:14,040 --> 00:50:17,799
Speaker 2: get rid of the Insta dance yep, whatever the whatever

1070
00:50:17,880 --> 00:50:19,960
Speaker 2: they call it, the instant just add water dance, the

1071
00:50:20,160 --> 00:50:22,760
Speaker 2: just Add Water Dance, the Insta pot one button Dance.

1072
00:50:24,400 --> 00:50:28,680
Speaker 2: Have everybody dance again, however, pick a new category. Everybody

1073
00:50:28,680 --> 00:50:32,840
Speaker 2: gets to dance do an elimination, then that gets you

1074
00:50:32,920 --> 00:50:36,680
Speaker 2: down to the final two. Then you have a dance

1075
00:50:36,719 --> 00:50:39,080
Speaker 2: off between the final two and another round of voting.

1076
00:50:40,000 --> 00:50:45,279
Speaker 1: Well, they've done past seasons with less people, right I think. So,

1077
00:50:45,719 --> 00:50:47,400
Speaker 1: I mean, this seemed like a lot of people to

1078
00:50:47,480 --> 00:50:52,040
Speaker 1: have in the finale, that's said. But that said, yeah,

1079
00:50:52,280 --> 00:50:54,720
Speaker 1: I mean it would also just get kind of boring

1080
00:50:54,760 --> 00:50:57,000
Speaker 1: to watch if it was really down to like two people,

1081
00:50:57,360 --> 00:50:59,360
Speaker 1: like could you do a whole episode or even like no.

1082
00:51:00,160 --> 00:51:03,040
Speaker 2: No, no, I'm saying that course in the course of the night,

1083
00:51:03,320 --> 00:51:04,960
Speaker 2: and then you just do one more dance with just

1084
00:51:04,960 --> 00:51:06,600
Speaker 2: the final two when you do a vote. Right there,

1085
00:51:06,600 --> 00:51:08,799
Speaker 2: that's it. It's the two you get to dance. So again,

1086
00:51:08,840 --> 00:51:11,040
Speaker 2: you you have to prepare another dance as if you're

1087
00:51:11,040 --> 00:51:13,959
Speaker 2: going to be in the final two and you either

1088
00:51:14,000 --> 00:51:15,560
Speaker 2: get to dance that dance or you don't get to

1089
00:51:15,640 --> 00:51:17,520
Speaker 2: dance that dance. And at that point it should be

1090
00:51:17,800 --> 00:51:19,200
Speaker 2: you get to pick your dance, you get to pick

1091
00:51:19,239 --> 00:51:20,640
Speaker 2: the style, you get to pick the song, you have

1092
00:51:20,640 --> 00:51:22,760
Speaker 2: to pick whatever you want you have to Maybe maybe

1093
00:51:22,760 --> 00:51:26,040
Speaker 2: the thing that's cool is the the pro the the

1094
00:51:26,080 --> 00:51:30,080
Speaker 2: celebrity has to choreograph it. Mmmmm, I like that, which

1095
00:51:30,120 --> 00:51:32,400
Speaker 2: could be cool. It's like you have one final dance

1096
00:51:32,520 --> 00:51:34,759
Speaker 2: that you get you can get help. You can get

1097
00:51:34,760 --> 00:51:38,320
Speaker 2: help obviously, but you kind of have to choreograph.

1098
00:51:38,560 --> 00:51:40,200
Speaker 1: But I mean, that's kind of what I felt about

1099
00:51:40,239 --> 00:51:41,839
Speaker 1: the freestyle, to be honest.

1100
00:51:41,560 --> 00:51:45,000
Speaker 2: I felt that the more it was more more personality

1101
00:51:45,320 --> 00:51:47,520
Speaker 2: than I'm guessing they were. They were their pros were

1102
00:51:47,560 --> 00:51:50,400
Speaker 2: still a right mostly responsible for the choreo.

1103
00:51:51,160 --> 00:51:53,279
Speaker 1: So I haven't really thought about this, but I'm just

1104
00:51:53,320 --> 00:51:55,960
Speaker 1: gonna throw it out there, like where do you think

1105
00:51:55,960 --> 00:52:00,239
Speaker 1: everybody's gonna go from here? Like is a is a

1106
00:52:00,360 --> 00:52:02,560
Speaker 1: lane Hender? Oh, you may have like a resurgence in

1107
00:52:02,600 --> 00:52:06,440
Speaker 1: her acting career, do you think she's gonna I don't.

1108
00:52:06,600 --> 00:52:11,120
Speaker 2: I don't necessarily know. I mean, again, we we did

1109
00:52:11,160 --> 00:52:13,480
Speaker 2: not know the last three or four winners of Dancing

1110
00:52:13,480 --> 00:52:18,080
Speaker 2: with the Stars, right, So that again is not a

1111
00:52:18,080 --> 00:52:21,040
Speaker 2: good benchmark since you and I are very very pop

1112
00:52:21,120 --> 00:52:25,520
Speaker 2: culturally illiterate when it comes to this, right. So so

1113
00:52:26,480 --> 00:52:28,719
Speaker 2: there's I mean, but again I had to google the

1114
00:52:28,760 --> 00:52:30,680
Speaker 2: guy who was last year's winner, who's the host of

1115
00:52:30,719 --> 00:52:32,600
Speaker 2: their podcast, Like I don't watch The Bachelor, so I

1116
00:52:32,600 --> 00:52:36,160
Speaker 2: don't know any of that kind of stuff. So I hope. So,

1117
00:52:37,200 --> 00:52:39,319
Speaker 2: I mean again, it certainly helps in social media. We've

1118
00:52:39,320 --> 00:52:42,160
Speaker 2: seen Danielle's followers kick up by like half a million,

1119
00:52:42,520 --> 00:52:44,680
Speaker 2: other people's kicking up by half a million to a million.

1120
00:52:44,719 --> 00:52:47,319
Speaker 2: So I mean in that sense, which is what it

1121
00:52:47,480 --> 00:52:51,040
Speaker 2: is today to be a celebrity, I mean that it

1122
00:52:51,120 --> 00:52:54,040
Speaker 2: certainly helps there. I don't know if you're gonna get

1123
00:52:54,080 --> 00:52:56,239
Speaker 2: more jobs or anything. Who knows.

1124
00:52:56,680 --> 00:53:00,319
Speaker 1: I mean, Robert Irwin is obviously gonna be a a

1125
00:53:00,320 --> 00:53:03,480
Speaker 1: force to be reckoned with as a as a conservationist,

1126
00:53:03,840 --> 00:53:07,000
Speaker 1: and I wonder if you know that will lead to

1127
00:53:08,080 --> 00:53:08,600
Speaker 1: I don't know what.

1128
00:53:08,719 --> 00:53:11,120
Speaker 2: I guess, like, well, he did it with Bindy. It's

1129
00:53:11,200 --> 00:53:14,160
Speaker 2: it's the perfect example because his sister literally happened to

1130
00:53:14,239 --> 00:53:20,400
Speaker 2: so did her life. Yeah, she hosted. She was the

1131
00:53:20,400 --> 00:53:22,160
Speaker 2: first host she hosted like Bindy. As a kid. She

1132
00:53:22,239 --> 00:53:24,560
Speaker 2: was like a little little like three or four, hosting

1133
00:53:24,560 --> 00:53:27,319
Speaker 2: a show after her father. Interesting, yeah she might not

1134
00:53:27,320 --> 00:53:28,920
Speaker 2: have been four, but right after her dad passed she

1135
00:53:28,920 --> 00:53:31,520
Speaker 2: started hosting like Bindi Junior or whatever. And they they

1136
00:53:31,560 --> 00:53:34,480
Speaker 2: really built that family really got together and and like

1137
00:53:35,360 --> 00:53:37,600
Speaker 2: made something because their father made a lot, but he

1138
00:53:37,680 --> 00:53:39,720
Speaker 2: was like the man, like everything was on this guy's shoulders,

1139
00:53:39,719 --> 00:53:41,080
Speaker 2: and then when he passed, they were like, what are

1140
00:53:41,080 --> 00:53:43,160
Speaker 2: we going to do? And the whole family really just

1141
00:53:43,280 --> 00:53:46,759
Speaker 2: picked up the slack and yeah, they picked up the

1142
00:53:46,760 --> 00:53:48,839
Speaker 2: man and have like expanded on it. And I mean

1143
00:53:48,840 --> 00:53:51,759
Speaker 2: they're they're royalty in Australia and rightfully so I mean

1144
00:53:51,760 --> 00:53:55,480
Speaker 2: they've they've done it. It seems like as really wonderful people.

1145
00:53:56,200 --> 00:53:59,279
Speaker 2: So U but yeah, I don't know. Do you think

1146
00:53:59,280 --> 00:53:59,600
Speaker 2: it will?

1147
00:54:00,640 --> 00:54:03,839
Speaker 1: Yeah? I mean I don't. Yeah, I'm I'm wondering, what's

1148
00:54:03,840 --> 00:54:06,600
Speaker 1: somebody like Alex like, now that she's proven that she's

1149
00:54:06,680 --> 00:54:09,200
Speaker 1: this amazing dancer, Like, what do you do with that? Like?

1150
00:54:09,760 --> 00:54:11,880
Speaker 1: Is she gonna you know? I mean, she have a

1151
00:54:11,920 --> 00:54:15,439
Speaker 1: huge TikTok following and she already had one. So does

1152
00:54:15,480 --> 00:54:19,600
Speaker 1: this translate to being a professional dancer in some other capacity?

1153
00:54:19,719 --> 00:54:22,040
Speaker 1: That could be really cool. I mean, she's obviously proven

1154
00:54:22,040 --> 00:54:26,000
Speaker 1: herself and she's so good. Do you think moving into choreography?

1155
00:54:26,040 --> 00:54:26,360
Speaker 1: I don't know.

1156
00:54:26,360 --> 00:54:29,399
Speaker 2: I was gonna say, do you think the pros would

1157
00:54:29,440 --> 00:54:34,680
Speaker 2: be super happy if just all these people just kept dancing? Like? However,

1158
00:54:35,280 --> 00:54:37,680
Speaker 2: hey man, it's just like Dylan, I'm starting to take

1159
00:54:37,680 --> 00:54:39,719
Speaker 2: a ballroom class and my girlfriend and I are just

1160
00:54:39,800 --> 00:54:42,680
Speaker 2: dancing together. I mean it's like, yes, I think so too.

1161
00:54:42,719 --> 00:54:45,480
Speaker 2: I think there it's like they introduce you to dance,

1162
00:54:45,560 --> 00:54:47,360
Speaker 2: and now it's a part of your life, and so

1163
00:54:47,440 --> 00:54:50,040
Speaker 2: I think they'd be happy if it was like they

1164
00:54:50,040 --> 00:54:52,200
Speaker 2: continued just dancing. Well, Danielle told us that she's like,

1165
00:54:52,200 --> 00:54:54,600
Speaker 2: I'm gonna dance forever. It's like, great, that's awesome.

1166
00:54:55,120 --> 00:54:57,200
Speaker 1: We're gonna have to check in in like six months.

1167
00:54:57,440 --> 00:54:59,600
Speaker 2: Well that's when I'll speak to her next after her

1168
00:54:59,640 --> 00:55:03,560
Speaker 2: life latest post. So it's gonna be it's gonna be

1169
00:55:03,560 --> 00:55:05,200
Speaker 2: a sad Pod meets World the next time, because it's

1170
00:55:05,200 --> 00:55:06,200
Speaker 2: just gonna be the two of you because I'm not

1171
00:55:06,239 --> 00:55:06,759
Speaker 2: talking to her.

1172
00:55:07,120 --> 00:55:16,200
Speaker 1: Oh ah, all right, overall feelings, last thoughts on a

1173
00:55:16,280 --> 00:55:18,840
Speaker 1: season of Dancing with the Stars.

1174
00:55:21,200 --> 00:55:24,000
Speaker 2: You know, it was fun, Yeah, it was fun. It

1175
00:55:24,080 --> 00:55:29,040
Speaker 2: was maddening, it was awesome. It was annoying. It was

1176
00:55:30,400 --> 00:55:35,560
Speaker 2: anxiety inducing, it was stress release, it was it was

1177
00:55:35,600 --> 00:55:38,560
Speaker 2: so many different contradictions. I loved being able to go there.

1178
00:55:38,719 --> 00:55:40,400
Speaker 2: I loved some of the people that I've met and

1179
00:55:40,440 --> 00:55:43,239
Speaker 2: seeing kind of how the machine was working. Getting to

1180
00:55:43,280 --> 00:55:46,400
Speaker 2: watch this journey from an insider's view through Danielle was

1181
00:55:46,760 --> 00:55:51,800
Speaker 2: really outstanding. I fully enjoyed it. You know, I I

1182
00:55:52,239 --> 00:55:56,760
Speaker 2: can see us for a number of reasons watching next season.

1183
00:55:57,600 --> 00:55:58,480
Speaker 1: Yeah.

1184
00:55:58,520 --> 00:56:00,440
Speaker 2: Well, I think we should also probably tell people that

1185
00:56:02,239 --> 00:56:06,000
Speaker 2: we're not planning to end podmeats Tworld just because Dancing

1186
00:56:06,040 --> 00:56:07,120
Speaker 2: with the Stars has done.

1187
00:56:07,360 --> 00:56:09,360
Speaker 1: We're just gonna keep watching stuff.

1188
00:56:09,160 --> 00:56:11,000
Speaker 2: We are but we don't know what yet.

1189
00:56:11,680 --> 00:56:18,240
Speaker 1: Yeah. I find watching reality television with you immensely entertaining.

1190
00:56:18,480 --> 00:56:24,480
Speaker 2: I feel the same show, I feel exactly the same way,

1191
00:56:24,600 --> 00:56:25,399
Speaker 2: exactly the.

1192
00:56:25,360 --> 00:56:29,440
Speaker 1: Same way, and I think coming as a pop cultural

1193
00:56:29,719 --> 00:56:32,360
Speaker 1: nube and not feeling bad about that because you're on

1194
00:56:32,400 --> 00:56:36,320
Speaker 1: the same boat. Except it was nice. So the question

1195
00:56:36,400 --> 00:56:38,440
Speaker 1: is do we stay on even ground and watch something

1196
00:56:38,560 --> 00:56:41,239
Speaker 1: that we also don't know anything about, or do we

1197
00:56:41,280 --> 00:56:45,480
Speaker 1: pick something that one of us has seen before and knows.

1198
00:56:45,160 --> 00:56:47,799
Speaker 2: No kind of like neither of us knowing what's going on.

1199
00:56:48,000 --> 00:56:50,760
Speaker 2: I Also the question I have is I think people

1200
00:56:50,840 --> 00:56:54,600
Speaker 2: like us watching something that's currently on, yeah, where it's

1201
00:56:54,600 --> 00:56:56,440
Speaker 2: not like, hey, we're going back and watching season two

1202
00:56:56,480 --> 00:56:58,719
Speaker 2: with a Bachelor. It's like, no, we're watching one a

1203
00:56:58,760 --> 00:57:01,160
Speaker 2: week of whatever the hell is one with.

1204
00:57:01,080 --> 00:57:03,960
Speaker 1: Everybody out of the excitement. And that's part of what

1205
00:57:04,080 --> 00:57:06,759
Speaker 1: has you know, maybe connected me to America in a

1206
00:57:06,800 --> 00:57:08,319
Speaker 1: way I've never been before.

1207
00:57:08,440 --> 00:57:11,400
Speaker 2: Yes, well, maybe we should ask our fan who listens

1208
00:57:11,440 --> 00:57:14,640
Speaker 2: to this podcast what we should uh, what we should.

1209
00:57:14,600 --> 00:57:18,960
Speaker 1: Are tons of fans, tons of fans we have.

1210
00:57:21,680 --> 00:57:24,360
Speaker 2: We can literally send out thank you cards to everybody.

1211
00:57:24,600 --> 00:57:27,000
Speaker 1: No, to be fair, we've we've we've had a great

1212
00:57:27,080 --> 00:57:31,080
Speaker 1: run here. A lot of our listeners have come along

1213
00:57:31,480 --> 00:57:34,800
Speaker 1: and given us amazing feedback. This has been way more

1214
00:57:34,800 --> 00:57:38,400
Speaker 1: fun than I ever expected. And who needs Danielle? I

1215
00:57:38,400 --> 00:57:40,120
Speaker 1: mean she has to she had to be competing on

1216
00:57:40,160 --> 00:57:42,480
Speaker 1: the show, of course I have.

1217
00:57:42,920 --> 00:57:49,040
Speaker 2: I have another suggestion for you. Okay, I can't even

1218
00:57:49,080 --> 00:57:52,000
Speaker 2: believe I'm going to throw this out into the atmosphere.

1219
00:57:53,320 --> 00:57:58,640
Speaker 2: But what about you and I together trying to get

1220
00:57:58,680 --> 00:58:00,400
Speaker 2: on the amazing race?

1221
00:58:03,000 --> 00:58:07,080
Speaker 1: Oh my god, I think I would do it.

1222
00:58:07,400 --> 00:58:16,000
Speaker 2: I think I would too. Actually, Oh god, right, you

1223
00:58:16,040 --> 00:58:19,280
Speaker 2: and I stuck there like South America or whatever.

1224
00:58:19,920 --> 00:58:21,960
Speaker 1: If we have one of our moments, because we've had

1225
00:58:22,000 --> 00:58:24,800
Speaker 1: our moments, like we definitely have had our debates and

1226
00:58:24,880 --> 00:58:28,640
Speaker 1: our actual very emotional, very personal moments, I don't know

1227
00:58:28,760 --> 00:58:30,360
Speaker 1: I can handle having that on camera.

1228
00:58:30,800 --> 00:58:32,400
Speaker 2: I think we'd have to. What we'd have to do

1229
00:58:32,480 --> 00:58:34,520
Speaker 2: is we would we would find a time to take

1230
00:58:34,560 --> 00:58:36,920
Speaker 2: off the bikes, go fist fight behind a porta potty.

1231
00:58:40,680 --> 00:58:42,600
Speaker 1: All right, well, who's doing the Like they always start

1232
00:58:42,600 --> 00:58:45,480
Speaker 1: with a big jump, like you've got to like skydive

1233
00:58:45,720 --> 00:58:49,000
Speaker 1: or bungee jump. Oh, the first episode has always literally

1234
00:58:49,240 --> 00:58:52,160
Speaker 1: we haven't no, Well, definitely we should watch it. I

1235
00:58:52,280 --> 00:58:54,520
Speaker 1: actually have. That's one of the few the Amazing Race

1236
00:58:54,560 --> 00:58:57,600
Speaker 1: and Survivor where when Alex was pregnant, that's what we

1237
00:58:57,640 --> 00:59:01,080
Speaker 1: started watching and and then we I've watched a few

1238
00:59:01,120 --> 00:59:07,200
Speaker 1: of the newer seasons too. Amazing Race. Yeah, it's no joke. Joke, Well,

1239
00:59:07,680 --> 00:59:11,000
Speaker 1: it's it's changed a little bit. Like now they used

1240
00:59:11,040 --> 00:59:14,120
Speaker 1: to like not have flights and like have to but

1241
00:59:14,240 --> 00:59:16,600
Speaker 1: now they've made it like a little more streamlined, so

1242
00:59:16,800 --> 00:59:19,200
Speaker 1: they don't make a drama out of them catching flights

1243
00:59:19,200 --> 00:59:22,440
Speaker 1: in the airport anymore. If I'm if I'm remembering the

1244
00:59:22,480 --> 00:59:24,560
Speaker 1: last season I watched, I was surprised, but like, because

1245
00:59:24,600 --> 00:59:26,680
Speaker 1: it used to be they were just full on traveling

1246
00:59:26,680 --> 00:59:28,240
Speaker 1: the world. They only had a certain amount of money

1247
00:59:28,360 --> 00:59:31,280
Speaker 1: and if you missed a flight then that we're completely

1248
00:59:31,520 --> 00:59:34,120
Speaker 1: out of luck for the next leg. But now I

1249
00:59:34,120 --> 00:59:36,640
Speaker 1: think they've made it that they've eliminated that aspect, so

1250
00:59:36,640 --> 00:59:39,280
Speaker 1: it's much more. It's much more like puzzles and like

1251
00:59:39,440 --> 00:59:43,040
Speaker 1: local adventure things like you have to figure out this

1252
00:59:43,120 --> 00:59:46,400
Speaker 1: local tradition, you know, make hagis or whatever it is

1253
00:59:46,440 --> 00:59:48,720
Speaker 1: that's like in the country you're in, and they have

1254
00:59:48,760 --> 00:59:50,040
Speaker 1: to do it, and you know, you have to beat

1255
00:59:50,080 --> 00:59:50,760
Speaker 1: these other teams.

1256
00:59:50,920 --> 00:59:52,880
Speaker 2: I mean, meet and Barley wrapped in a ship stomach?

1257
00:59:52,960 --> 00:59:54,720
Speaker 1: Can you and I would be really good at it?

1258
00:59:54,880 --> 00:59:56,400
Speaker 1: You and I really good at it?

1259
00:59:57,360 --> 00:59:59,640
Speaker 2: Again, I think it would be I'd be fun also,

1260
00:59:59,640 --> 01:00:01,480
Speaker 2: I would or if they've ever had somebody who like

1261
01:00:01,640 --> 01:00:04,280
Speaker 2: had two people where as they're doing it podcast about it.

1262
01:00:07,240 --> 01:00:09,880
Speaker 1: We'll just be podcasting from the back of a taxi.

1263
01:00:09,600 --> 01:00:15,600
Speaker 2: And oh god, I think it would be great. I

1264
01:00:15,640 --> 01:00:19,080
Speaker 2: want to see how many different foreign jails you'd have

1265
01:00:19,120 --> 01:00:19,800
Speaker 2: to bail me out of.

1266
01:00:23,920 --> 01:00:26,800
Speaker 1: You wouldn't be the problem, you you. I mean, it's true. Yeah,

1267
01:00:27,480 --> 01:00:30,280
Speaker 1: it's you and me in Amsterdam when we were sixteen. Yeah,

1268
01:00:30,360 --> 01:00:34,120
Speaker 1: that's sixteen and eighty. Yeah, that's true. The drugs, I.

1269
01:00:34,200 --> 01:00:36,280
Speaker 2: Think, I think so yeah. I don't mean to throw

1270
01:00:36,320 --> 01:00:37,680
Speaker 2: that out in the ether, but I thought that thought

1271
01:00:37,680 --> 01:00:39,120
Speaker 2: that the other day I was like, oh man, that

1272
01:00:39,680 --> 01:00:40,280
Speaker 2: could be fun.

1273
01:00:40,920 --> 01:00:43,000
Speaker 1: I mean, you know, I hate the idea of being

1274
01:00:43,040 --> 01:00:45,600
Speaker 1: on camera, but Amazing Race sounds pretty.

1275
01:00:45,840 --> 01:00:48,400
Speaker 2: It's so it's just are you guys, are you filming

1276
01:00:48,440 --> 01:00:52,120
Speaker 2: yourself as you're doing everything, or a camera people with you?

1277
01:00:52,200 --> 01:00:54,920
Speaker 1: And that's the thing. It's still reality TV, right, And

1278
01:00:55,000 --> 01:00:57,560
Speaker 1: that's why, like, if there was any drama between us,

1279
01:00:57,600 --> 01:00:58,680
Speaker 1: it's out there in the world.

1280
01:00:58,720 --> 01:00:59,760
Speaker 2: My friend, I love it.

1281
01:01:00,080 --> 01:01:02,920
Speaker 1: I love it, but I mean, you would kill because

1282
01:01:02,960 --> 01:01:05,080
Speaker 1: you're so funny. It would be amazing.

1283
01:01:05,360 --> 01:01:07,400
Speaker 2: But you're also really good at traveling. That's why I

1284
01:01:07,400 --> 01:01:09,840
Speaker 2: think the two of us together. Yeah, but you know,

1285
01:01:09,880 --> 01:01:11,680
Speaker 2: the funny thing is would be lending. Danielle would do

1286
01:01:11,720 --> 01:01:13,800
Speaker 2: a podcast about watching us on The Amazing Race and

1287
01:01:13,800 --> 01:01:16,520
Speaker 2: it would start with something like, Okay, I've known them

1288
01:01:16,600 --> 01:01:22,480
Speaker 2: for thirty years, so in this scene, they.

1289
01:01:19,560 --> 01:01:24,400
Speaker 1: Ha, Rider is so pisto at world right now and

1290
01:01:24,520 --> 01:01:25,880
Speaker 1: he is gritting his.

1291
01:01:25,920 --> 01:01:28,080
Speaker 2: T That's what it would be. That's totally what it

1292
01:01:28,080 --> 01:01:30,640
Speaker 2: would be too. Oh god, it would be fun though.

1293
01:01:31,320 --> 01:01:34,280
Speaker 1: All right, Wow, Jersey, we'll see where.

1294
01:01:35,880 --> 01:01:37,520
Speaker 2: I think we should watch. It's a great question. What

1295
01:01:37,560 --> 01:01:39,000
Speaker 2: does everybody out there I think we should watch? Let

1296
01:01:39,080 --> 01:01:40,760
Speaker 2: us know because we really don't know, but we are

1297
01:01:40,800 --> 01:01:42,400
Speaker 2: going to tell you because we've gotten a lot of

1298
01:01:42,440 --> 01:01:45,080
Speaker 2: people asking that this won't be the end of Pod

1299
01:01:45,120 --> 01:01:45,720
Speaker 2: Meats World.

1300
01:01:46,560 --> 01:01:49,560
Speaker 1: It probably won't be called pod Meats World though, right, No,

1301
01:01:49,720 --> 01:01:56,680
Speaker 1: I guess it'll be Race. Well, that's it for this

1302
01:01:56,760 --> 01:02:00,200
Speaker 1: episode of Pod Meats Tworlds and potentially this season, and

1303
01:02:00,240 --> 01:02:03,280
Speaker 1: then maybe the name of that show, the Amazing Pod,

1304
01:02:03,600 --> 01:02:09,760
Speaker 1: the Amazing Pod. That's pretty good. That's pretty good, all right.

1305
01:02:10,520 --> 01:02:13,640
Speaker 1: This wraps Season thirty four of Dancing with the Stars.

1306
01:02:14,200 --> 01:02:14,840
Speaker 2: Congratulate.

1307
01:02:15,200 --> 01:02:17,320
Speaker 1: We may not know a jive from a drive through,

1308
01:02:17,880 --> 01:02:20,200
Speaker 1: but we know what we learned way back in Phoenie's class.

1309
01:02:20,400 --> 01:02:24,720
Speaker 1: Danielle Fischel was the star of the show We Love

1310
01:02:24,760 --> 01:02:30,000
Speaker 1: You All, Pod dismissed. Pod Meets World is an iHeart

1311
01:02:30,040 --> 01:02:33,600
Speaker 1: podcast producer hosted by Danielle Fischle, Wilfredell and Ryder Strong.

1312
01:02:33,800 --> 01:02:37,240
Speaker 1: Executive producers Jensen Karp and Amy Sugarman. Executive in charge

1313
01:02:37,240 --> 01:02:41,720
Speaker 1: of production, Danielle Romo, producer and editor, Tarasubach, producer, Maddie Moore,

1314
01:02:41,960 --> 01:02:44,919
Speaker 1: engineer and Boy Meets World superman Easton Allen. Our theme

1315
01:02:45,000 --> 01:02:47,960
Speaker 1: song is by Kyle Morton of Typhoon. Follow us on

1316
01:02:47,960 --> 01:02:51,320
Speaker 1: Instagram at Podmeets World Show, or email us at Podmeets

1317
01:02:51,320 --> 01:02:56,480
Speaker 1: World Show at gmail dot com.