WEBVTT - Rory Kennedy Puts The Spotlight on Boeing

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<v Speaker 1>Hey, it's Alec. We all love true crime podcasts, but

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<v Speaker 1>perhaps you're looking for something a little different, less murder,

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<v Speaker 1>more intrigue. I invite you to check out a new

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<v Speaker 1>podcast I just released called Art Fraud. It's the true

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<v Speaker 1>story of one of New York City's oldest and most

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<v Speaker 1>trusted galleries dealing in world class art, and how its

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<v Speaker 1>doors would close forever in the wake of an unprecedented scandal.

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<v Speaker 1>The art market is ripe for cons because it's inherently subjective.

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<v Speaker 1>I just couldn't even look at it because it was

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<v Speaker 1>so garish and so not by Rothcoe. We're talking about

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<v Speaker 1>eighty million dollars in fake paintings, or more precisely, forgeries.

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<v Speaker 1>All episodes of Art Fraud are available right now. Okay,

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<v Speaker 1>here's our show. This is Alec Baldwin, and you're listening

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<v Speaker 1>to Here's the Thing from My Heart Radio. My guest

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<v Speaker 1>today comes from the most legendary of American families. Rory

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<v Speaker 1>Kennedy is the youngest daughter of Senator Robert F. Kennedy

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<v Speaker 1>and the niece of President John F. Kennedy. But as

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<v Speaker 1>she will tell us during our conversation, she's also one

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<v Speaker 1>of the great Kennedy Women. Instead of following her forebearers

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<v Speaker 1>into law or politics, Kennedy has made a name for

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<v Speaker 1>herself as a documentary filmmaker. Her films feature a wide

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<v Speaker 1>range of subjects, from surfing legend Laird Hamilton's to challenging

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<v Speaker 1>issues like poverty, addiction, and mental illness. In her current film,

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<v Speaker 1>She's tackling corporate corruption. That film, Downfall, the case against Boeing,

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<v Speaker 1>investigates the circumstances that led to two tragic passenger jet

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<v Speaker 1>crashes in two thousand eighteen and nineteen. Rory Kennedy and

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<v Speaker 1>I talk about her remarkable upbringing and how the people

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<v Speaker 1>she's encountered in her life have influenced her trajectory. I

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<v Speaker 1>think it's hard to detach anybody from how they grew up, right,

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<v Speaker 1>I Mean, it's such an influence and impact on who

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<v Speaker 1>you become. And certainly that was the case with me.

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<v Speaker 1>I grew up, you know, the youngest of eleven and

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<v Speaker 1>in obviously a very political family, and I was impacted

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<v Speaker 1>by that. I mean I was also surrounded, my mother

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<v Speaker 1>made a point of this by really extraordinary role models,

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<v Speaker 1>you know, and we had such a the honor of

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<v Speaker 1>meeting whether it was you know, presidents or congressman and

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<v Speaker 1>senators or people like Nelson Mitndela and Desmond Tutu, you

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<v Speaker 1>know who who were in our homes, and also some

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<v Speaker 1>of the great athletes and you know NASA astronauts. I mean, so,

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<v Speaker 1>I think it was a life where we were surround

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<v Speaker 1>did by people who created a sense of aspiration and

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<v Speaker 1>to try to make the world a bit of a

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<v Speaker 1>better place now. But would you say, though that, as

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<v Speaker 1>you're making a film, do you have protocols, rules, tenants,

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<v Speaker 1>whatever word you want to use while you sit there

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<v Speaker 1>and say that's not something I'm going to do that's

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<v Speaker 1>influenced by the way your family has been treated. If

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<v Speaker 1>you're making a film and that's some aspect of a story,

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<v Speaker 1>there's a very kind of scandalizing, tawdry, shy away from that.

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<v Speaker 1>Because the way you guys have been attacked from time

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<v Speaker 1>to time. I think I have certain sensitivities. For example,

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<v Speaker 1>with downfall, the case against Boeing, there's three forty six

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<v Speaker 1>people who died, and there are the family members who

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<v Speaker 1>are related to those people, some of whom we talked

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<v Speaker 1>to in our film, And I was definitely thinking, well,

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<v Speaker 1>how is it going to be for these folks to

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<v Speaker 1>watch this film, right, And I've had to see scenes

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<v Speaker 1>over and over again that play themselves out on the

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<v Speaker 1>news that are are very upsetting to watch about my

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<v Speaker 1>family dying right and being killed and and I didn't

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<v Speaker 1>want to subject them to that. But I also wanted

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<v Speaker 1>to make a film that was impactful. We do c

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<v Speaker 1>g I recreations of what it was like to be

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<v Speaker 1>in the cockpit so that we could really help people

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<v Speaker 1>understand the perspective of the pilots in these planes and

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<v Speaker 1>what they were struggling with with the umkest system. And

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<v Speaker 1>you know, but I thought, how are these folks going

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<v Speaker 1>to watch this film? So when I sent the film

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<v Speaker 1>to them before it's coming out, I highlighted all the

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<v Speaker 1>sections that I thought would be hard for them to watch,

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<v Speaker 1>so that they could be aware of that and go

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<v Speaker 1>into it and decide to watch those sections or not. So,

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<v Speaker 1>you know, maybe I have some sensitivity and moments like that.

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<v Speaker 1>I think the types of films I choose generally tend

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<v Speaker 1>to be political in nature and tend to you know,

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<v Speaker 1>I hope when people watch these films, whether it's this

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<v Speaker 1>or a film about Vietnam The Final Days of the

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<v Speaker 1>war film about Abu Grabe, that we learned from them,

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<v Speaker 1>and we learned from watching these stories and and hopefully

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<v Speaker 1>make better choices moving forward. Right. So, I think the

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<v Speaker 1>choices of the films I make are certainly impacted by

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<v Speaker 1>the family I grew up in. It's interesting that you

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<v Speaker 1>mentioned that. And this is only tangential, but remember being

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<v Speaker 1>invited years ago Clinton was in the White House. I

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<v Speaker 1>was invited to the White House to a screening of

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<v Speaker 1>the movie The Paper by Ronnie Howard, and I'm sitting

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<v Speaker 1>in a seat in the theater and the woman to

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<v Speaker 1>my right, who's sitting next to me, A gun goes

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<v Speaker 1>off in the middle of the film, and that woman

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<v Speaker 1>grabbed my arm and gasped this huge gasp when the

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<v Speaker 1>gun went off. It was your mom, right, So you

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<v Speaker 1>know there's me to this day. It's she's not prepared

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<v Speaker 1>for that. Those sounds. Yeah, So there's trauma related to

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<v Speaker 1>that for sure. Now to get to the film. So

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<v Speaker 1>I watched this film, obviously, and I was mesmerized. Congratulations,

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<v Speaker 1>by the way, I mean, you came to the Hampton's

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<v Speaker 1>Film Festival. Every year a film of yours comes and

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<v Speaker 1>we all look atach other We're like, can we really

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<v Speaker 1>invite her again? We were bringing Rory out to Easthampton again.

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<v Speaker 1>I mean is it enough? And I mean how much

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<v Speaker 1>more can we shine her up here? But we loved

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<v Speaker 1>your film about your mom. We're gonna get to that later.

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<v Speaker 1>Loved Last Days of Vietnam. That was a great I'm

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<v Speaker 1>not just saying this, that's a great movie. Great movie

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<v Speaker 1>really just you what film can do and the spirit

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<v Speaker 1>of what's happening and understanding that those moments that you

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<v Speaker 1>did a great job. Now, this film made me angry.

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<v Speaker 1>This film. I was pissed off because only one guy

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<v Speaker 1>I think, I think is criminally charged, correct, that's correct,

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<v Speaker 1>and that we identify that person, Mark Forkner, And he

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<v Speaker 1>was in charge of what at Boing. He was a pilot,

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<v Speaker 1>a test pilot, and he was you know, he really

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<v Speaker 1>wasn't responsible for what up end and a lot of

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<v Speaker 1>people feel like he was scapegoaded because he was really

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<v Speaker 1>in charge of making sure, you know, he was testing

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<v Speaker 1>the plane. And then he played a role in keeping

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<v Speaker 1>the m cast system away from the regulators and that's

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<v Speaker 1>documented and there's proof of that, and so they followed

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<v Speaker 1>up with that. But you know, Congressman de Fasio, for example,

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<v Speaker 1>led the congressional investigation into what happened, the biggest investigation

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<v Speaker 1>the Infrastructure and Transportation Committee's history, and he concluded that

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<v Speaker 1>this is was really top down right, that the top

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<v Speaker 1>group in management at Boeing was very aware of the

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<v Speaker 1>m CAST system, that there was a concerted effort to

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<v Speaker 1>keep the system away from the regulators, to hide the system,

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<v Speaker 1>and to cut corners along the way, and that there

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<v Speaker 1>was you know, it was a culture of concealment, is

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<v Speaker 1>what he calls it. So I think that there are

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<v Speaker 1>a lot of people who feel like the folks who

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<v Speaker 1>are most responsible have yet to be held accountable, and

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<v Speaker 1>there's been no criminal charges, and you know, Muhlinberg walked

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<v Speaker 1>away with the head of Bowing, the head of Bowing

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<v Speaker 1>sixty two million dollars. So you know, I think after

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<v Speaker 1>you've kind of watched the film and really understand all

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<v Speaker 1>the decisions that the management of Boeing made along the

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<v Speaker 1>way to prioritize profit over safety, that you know, when

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<v Speaker 1>you understand the depths of those choices, that I think

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<v Speaker 1>many people like you are outraged. Well for people I

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<v Speaker 1>don't want to, I want them to see the film obviously,

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<v Speaker 1>but I want to give them just a taste of

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<v Speaker 1>so Boeing wants to create. I'll let you fill in

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<v Speaker 1>the blanks. So they want to create a fleet. They're

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<v Speaker 1>losing market share, they're getting their hat handed to them

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<v Speaker 1>by air Bus. Things are not looking good for Boeing,

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<v Speaker 1>who had been dominant around the world for decades. And

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<v Speaker 1>then and then we're the pride of not to Seattle

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<v Speaker 1>with the United States. They've Asian industry, and then the

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<v Speaker 1>things start to go down from so they want to

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<v Speaker 1>play catchup and they want to produce a lower cost,

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<v Speaker 1>more fuel efficient I think was the goal of the

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<v Speaker 1>seven max. Got to get the word max in there.

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<v Speaker 1>The seven thirty seven fuel efficiency was the goal. And

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<v Speaker 1>then a part of this was the development of this

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<v Speaker 1>system which was to help to so they don't make

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<v Speaker 1>too steep a climb. A system takes over the plane

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<v Speaker 1>and lowers the nose of the plane and forces the

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<v Speaker 1>plane down, but doesn't shut off. It forces the nose

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<v Speaker 1>of the plane down straight into the ground. Correct, Well, yeah,

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<v Speaker 1>that's correct. There was There were concerned at a certain

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<v Speaker 1>angle that the plane would stall, and so they instead

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<v Speaker 1>of changing the kind of structure of the plane and

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<v Speaker 1>moving the engines and whatnot. They decided to fix it

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<v Speaker 1>with a computer system, again in an effort to save money,

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<v Speaker 1>it seems, and that computer system was connected to one

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<v Speaker 1>sensor on the side of the airplane, like a weather vane.

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<v Speaker 1>And so if that sensor was damage, which happens off

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<v Speaker 1>and gets hit by bird, something happens to it, it

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<v Speaker 1>would send and this is what happened, erroneous information to

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<v Speaker 1>the computer system. So it would tell the computer system

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<v Speaker 1>that the plane was at a certain angle and you

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<v Speaker 1>needed to push the nose down. But it wasn't at

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<v Speaker 1>that angle. It was, you know, more at a flat angle.

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<v Speaker 1>And not only would it push the nose of the

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<v Speaker 1>plane down, but it would do it over and over

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<v Speaker 1>and over again. Probably the most powering details you covered

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<v Speaker 1>the film is and the pilots were not told about

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<v Speaker 1>the installation of this system, that's correct. It's you know,

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<v Speaker 1>prior to the Line Air crash, which was the the

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<v Speaker 1>first crash, the pilots were completely unaware that this system

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<v Speaker 1>was even on the airplane, which was also kind of

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<v Speaker 1>flew in the face of what had been the normal

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<v Speaker 1>relationship between Bowing and pilots, which was to really educate

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<v Speaker 1>for pilots about everything. Training, you know, make them fully

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<v Speaker 1>equipped to handle any situation that would happen. But in

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<v Speaker 1>this case, they in an effort to really keep this

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<v Speaker 1>from regulators. Really, what was motivating them is that if

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<v Speaker 1>they have a totally new system on the airplane, then

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<v Speaker 1>they have to train pilots. And if they have to

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<v Speaker 1>train pilots, it costs them a million dollars per an aircraft,

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<v Speaker 1>you know, on average to train these pilots. So they

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<v Speaker 1>wanted to again it seems, save the money. And so

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<v Speaker 1>instead of making people aware that this system was on

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<v Speaker 1>the airplane, they made a concerted effort to We're not

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<v Speaker 1>even gonna tell you about this machine we've installed, which,

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<v Speaker 1>if it behaves badly, is going to crash the plane.

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<v Speaker 1>And there's a manual override that they might have been

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<v Speaker 1>able to activate. They could have gotten out of it.

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<v Speaker 1>I guess if that they if they had had the training.

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<v Speaker 1>If they had had the training, except what we also

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<v Speaker 1>discover and case in the course of this film is

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<v Speaker 1>a document that came out in It's called a coordination

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<v Speaker 1>sheet that shows that if something went wrong with the system,

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<v Speaker 1>that the pilots would need to fix it. Within ten seconds.

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<v Speaker 1>Otherwise the power of the MCT system would overtake them

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<v Speaker 1>if they didn't do it in ten seconds, and the

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<v Speaker 1>results would be catastrophic. And catastrophic in airplane language means

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<v Speaker 1>the plane will crash and everybody will die. So you know,

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<v Speaker 1>even if the pilots right. So in the second instance,

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<v Speaker 1>in the Ethiopian airplane crash, the pilots were aware of

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<v Speaker 1>the system, they did everything right, they did what they

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<v Speaker 1>were told to do, and the plane still crashed. So

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<v Speaker 1>you know, if you don't and what you have to

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<v Speaker 1>also remember, and this is why we also created the

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<v Speaker 1>kind of the c g I recreation of what happens

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<v Speaker 1>in that cockpit because there's this cacophony of sounds and

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<v Speaker 1>error alerts that are all contradict geting each other that

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<v Speaker 1>the pilots are trying to understand and navigate and figure out. Okay,

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<v Speaker 1>this is saying where you know, the altitude is in disagreement,

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<v Speaker 1>that air speed is in disagreement, that the all systems

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<v Speaker 1>alert is on, the stick shaker is going, there's all

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<v Speaker 1>of these alerts coming at them, and then with that

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<v Speaker 1>they have to navigate. Okay, Well, what this all means

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<v Speaker 1>is that I need to do these steps within ten seconds,

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<v Speaker 1>and otherwise this plane is going to crash. I mean,

0:13:30.720 --> 0:13:32.319
<v Speaker 1>I don't want to go on a plane that is

0:13:32.440 --> 0:13:34.959
<v Speaker 1>putting pilots in that position. I don't want to put

0:13:35.000 --> 0:13:38.839
<v Speaker 1>my children or my people whose job who would give

0:13:38.880 --> 0:13:41.959
<v Speaker 1>anything to save the lives of their passengers. Think of

0:13:42.120 --> 0:13:45.319
<v Speaker 1>something more unimaginable than to be on the in the

0:13:45.440 --> 0:13:48.000
<v Speaker 1>cockpit of a plane and the plane is behaving and

0:13:48.120 --> 0:13:51.679
<v Speaker 1>not in some anomalous way. You see yourself hurtling towards

0:13:51.720 --> 0:13:54.360
<v Speaker 1>the ground. It's at nine eleven. You're the plane is

0:13:54.400 --> 0:13:56.280
<v Speaker 1>going into the ground and you're sitting there thinking what

0:13:56.360 --> 0:13:58.960
<v Speaker 1>can you don't and you don't know what to do? Right,

0:13:59.040 --> 0:14:02.520
<v Speaker 1>It's completely know maybe they're eating a turkey sandwich. You know,

0:14:02.720 --> 0:14:05.320
<v Speaker 1>it does not like you're not. They're sitting there, everything

0:14:05.640 --> 0:14:08.520
<v Speaker 1>on total alert for the entire plane ride. Before we

0:14:08.559 --> 0:14:11.320
<v Speaker 1>get into the macro of your filmmaking, one more thing,

0:14:11.800 --> 0:14:14.520
<v Speaker 1>I think you make it clear in the film, the

0:14:14.679 --> 0:14:17.000
<v Speaker 1>idea that this is a different Bowing. At this point,

0:14:17.120 --> 0:14:19.080
<v Speaker 1>I thought it was fascinating how you talk about the

0:14:19.360 --> 0:14:22.280
<v Speaker 1>move to Chicago. They moved the headquarters to Chicago for

0:14:22.360 --> 0:14:26.040
<v Speaker 1>the purposes of distancing themselves from the influence, and I

0:14:26.120 --> 0:14:28.080
<v Speaker 1>though it was well thought. The influence was good. It

0:14:28.240 --> 0:14:30.560
<v Speaker 1>was a nice battery. It was a nice exchange between

0:14:30.920 --> 0:14:35.680
<v Speaker 1>Union's management, design and technology and the corporate and these

0:14:35.720 --> 0:14:37.240
<v Speaker 1>guys like, no, no, no, we we don't want to

0:14:37.240 --> 0:14:39.120
<v Speaker 1>be too close to those guys in Seattle. So we're

0:14:39.120 --> 0:14:41.320
<v Speaker 1>gonna move to Chicago so we can make our decisions

0:14:41.640 --> 0:14:44.760
<v Speaker 1>in this bubble in Chicago. And it seems like what

0:14:44.960 --> 0:14:50.760
<v Speaker 1>was a great company, that rare, I mean, multibillion dollar enterprise.

0:14:50.840 --> 0:14:54.200
<v Speaker 1>It made big, expensive things that they were very proud of,

0:14:54.280 --> 0:14:57.400
<v Speaker 1>that defined the city, and everything moves to Chicago, and

0:14:57.480 --> 0:14:59.520
<v Speaker 1>it seems like that's part of the problem. It was

0:14:59.600 --> 0:15:02.080
<v Speaker 1>once the that merger was made and they moved to Chicago,

0:15:02.400 --> 0:15:05.800
<v Speaker 1>that cost cutting thing becomes primary. I think that's right,

0:15:06.080 --> 0:15:09.720
<v Speaker 1>you know. I think like you, I love Boeing and

0:15:09.840 --> 0:15:12.160
<v Speaker 1>what Boeing stood for in this country, and you know

0:15:12.320 --> 0:15:14.600
<v Speaker 1>the history of Bowing, and we really celebrate that in

0:15:14.680 --> 0:15:19.640
<v Speaker 1>the film because it's been an extraordinary company for decades.

0:15:19.800 --> 0:15:21.600
<v Speaker 1>You know, it helped us get out of World War Two,

0:15:21.680 --> 0:15:24.840
<v Speaker 1>It helped build the fighter jets to win that war.

0:15:25.080 --> 0:15:28.200
<v Speaker 1>It helped get us to the moon with my uncle Jack.

0:15:28.320 --> 0:15:31.720
<v Speaker 1>I mean, they helped build those engines and the rocket ships.

0:15:32.560 --> 0:15:36.480
<v Speaker 1>They helped people be able to travel all over the

0:15:36.560 --> 0:15:38.640
<v Speaker 1>world for the first time, you know, with the seven

0:15:38.720 --> 0:15:43.600
<v Speaker 1>forty seven, an extraordinary accomplishment. So we wanted to celebrate that.

0:15:43.800 --> 0:15:47.360
<v Speaker 1>And during those very early years and for many decades,

0:15:48.080 --> 0:15:51.160
<v Speaker 1>Boeing did one thing, which was to say, we're going

0:15:51.240 --> 0:15:56.240
<v Speaker 1>to prioritize excellence and safety and then the profits will follow.

0:15:56.280 --> 0:15:59.840
<v Speaker 1>We're going to make the best planes possible, we're gonna innovate,

0:16:00.040 --> 0:16:02.400
<v Speaker 1>we're going to do new things, and we're going to

0:16:02.560 --> 0:16:06.520
<v Speaker 1>think to the future. And then it changed hands, taken

0:16:06.560 --> 0:16:11.000
<v Speaker 1>over really. I mean, one person we interviewed said somehow

0:16:11.120 --> 0:16:15.480
<v Speaker 1>McDonald douglas bought Bowing with Boeing's money and the McDonald

0:16:15.520 --> 0:16:18.800
<v Speaker 1>douglas people were put in charge, and they had a

0:16:18.960 --> 0:16:23.160
<v Speaker 1>very different business model, which was very Wall Street focused

0:16:23.720 --> 0:16:27.800
<v Speaker 1>and quarterly earnings, you know, And so they've made a

0:16:27.880 --> 0:16:31.960
<v Speaker 1>series of decision corporate decisions to cut back on personnel

0:16:32.080 --> 0:16:36.000
<v Speaker 1>whose whose job it was to ensure safety and put

0:16:36.080 --> 0:16:39.560
<v Speaker 1>pressure on the folks who were building the planes to

0:16:39.720 --> 0:16:43.600
<v Speaker 1>build them quicker and faster. And when people would complain

0:16:43.640 --> 0:16:49.840
<v Speaker 1>about safety, that slows that process down documentary filmmaker Rory Kennedy.

0:16:50.400 --> 0:16:54.280
<v Speaker 1>If you enjoy conversations about the making of documentary films,

0:16:54.400 --> 0:16:58.320
<v Speaker 1>check out my episode with British filmmaker Lucy Walker. Her

0:16:58.480 --> 0:17:01.880
<v Speaker 1>documentary Bring Your Own Gaide is an in depth look

0:17:01.960 --> 0:17:06.639
<v Speaker 1>at California wildfires and their effect on local residents. What

0:17:06.840 --> 0:17:08.800
<v Speaker 1>I want to understand is, well, how are we stopping

0:17:08.840 --> 0:17:11.240
<v Speaker 1>it and why are people living in these areas and

0:17:11.400 --> 0:17:15.000
<v Speaker 1>building these houses that burn over and over and over again.

0:17:15.080 --> 0:17:17.960
<v Speaker 1>Could we do better? So you would think that when

0:17:18.000 --> 0:17:21.760
<v Speaker 1>people look at developing an area for housing, they would

0:17:21.880 --> 0:17:27.040
<v Speaker 1>think about far safety, but nobody's actually thinking about what

0:17:27.119 --> 0:17:28.879
<v Speaker 1>are they going to be able to ensure these homes

0:17:29.240 --> 0:17:31.720
<v Speaker 1>and who's going to pay if these homes burned down.

0:17:33.359 --> 0:17:36.639
<v Speaker 1>To hear more of my conversation with Lucy Walker, go

0:17:36.800 --> 0:17:40.359
<v Speaker 1>to Here's the Thing dot org. After the break, Rory

0:17:40.480 --> 0:17:44.359
<v Speaker 1>Kennedy and I discussed the filmmakers who have influenced her work.

0:17:55.119 --> 0:17:57.760
<v Speaker 1>I'm Alec Baldwin and you're listening to Here's the Thing.

0:17:58.520 --> 0:18:02.800
<v Speaker 1>Filmmaker Rory Kennedy has made more than forty documentaries. Her

0:18:02.880 --> 0:18:06.560
<v Speaker 1>work has earned an Emmy and several OSCAR nominations along

0:18:06.640 --> 0:18:09.280
<v Speaker 1>the way, I wanted her to share some of her

0:18:09.400 --> 0:18:14.440
<v Speaker 1>process as a filmmaker. Well, you know, different people and

0:18:14.520 --> 0:18:17.280
<v Speaker 1>companies work in different ways. I'm very hands on as

0:18:17.280 --> 0:18:19.920
<v Speaker 1>a filmmaker, and I you know, I love to be

0:18:20.119 --> 0:18:23.480
<v Speaker 1>doing all the interviews and being in the edit room,

0:18:23.680 --> 0:18:26.320
<v Speaker 1>and so I don't take on a huge number of

0:18:26.400 --> 0:18:30.120
<v Speaker 1>projects at any given time. And usually when I decide

0:18:30.160 --> 0:18:33.280
<v Speaker 1>that I really want to do a particular project, I

0:18:33.960 --> 0:18:36.760
<v Speaker 1>really try to make it happen. I was really committed.

0:18:37.000 --> 0:18:40.520
<v Speaker 1>I felt like this story was so important, the Downfall story.

0:18:41.640 --> 0:18:44.120
<v Speaker 1>I think, like so many other people, I witnessed these

0:18:44.160 --> 0:18:46.879
<v Speaker 1>two airplanes crashing within five months of each other, the

0:18:46.960 --> 0:18:52.560
<v Speaker 1>exact same aircraft. Three forty six people died, and you know, I,

0:18:52.760 --> 0:18:56.000
<v Speaker 1>like so many other people, fly right, And I felt

0:18:56.080 --> 0:18:59.840
<v Speaker 1>like I want to know what happened, who knew what when,

0:19:00.520 --> 0:19:03.959
<v Speaker 1>who is responsible for this? And I want to make

0:19:04.000 --> 0:19:06.800
<v Speaker 1>sure that something like this doesn't happen again. But I

0:19:07.080 --> 0:19:11.760
<v Speaker 1>also felt that, you know, during the last decades that

0:19:12.400 --> 0:19:17.800
<v Speaker 1>America has been really prioritizing corporate interests, right, And so

0:19:18.119 --> 0:19:22.320
<v Speaker 1>I think this film, I think this film I hope

0:19:23.160 --> 0:19:28.680
<v Speaker 1>rises to something that's not just about these crashes, which

0:19:28.800 --> 0:19:31.680
<v Speaker 1>is you know, as meaningful as it gets, but I

0:19:31.760 --> 0:19:35.480
<v Speaker 1>think it touches on something else, which is the need

0:19:35.720 --> 0:19:41.960
<v Speaker 1>to regulate, the need to balance out corporate interests making money,

0:19:42.040 --> 0:19:45.440
<v Speaker 1>making money, making money, and the need to balance that

0:19:45.600 --> 0:19:49.119
<v Speaker 1>with public interests. Right, And we've seen corporations like going

0:19:49.440 --> 0:19:54.119
<v Speaker 1>balances for many decades and do fantastically well. And I

0:19:54.280 --> 0:19:58.240
<v Speaker 1>think that when that gets out of balance, it hurts everybody.

0:19:58.560 --> 0:20:00.600
<v Speaker 1>So when you see someone like the fi Ausio, the

0:20:00.680 --> 0:20:02.560
<v Speaker 1>head of the committee, the guy that was the leading

0:20:02.680 --> 0:20:04.679
<v Speaker 1>light there in the Congress, did he have as much

0:20:04.720 --> 0:20:09.040
<v Speaker 1>integrity overall as it appears to be on screens? Fantastic

0:20:09.119 --> 0:20:10.920
<v Speaker 1>because because you know as well as I do, you

0:20:10.960 --> 0:20:13.440
<v Speaker 1>know where are people in government who care enough and

0:20:13.480 --> 0:20:16.480
<v Speaker 1>they want to fight the way we're going? Like like

0:20:16.600 --> 0:20:18.440
<v Speaker 1>Boeing was a company, you said, well, you understand, you

0:20:18.440 --> 0:20:20.480
<v Speaker 1>want people to make money and make profits. Bowling was

0:20:20.560 --> 0:20:22.639
<v Speaker 1>doing quite well before. I'm sure they had a slump

0:20:23.040 --> 0:20:25.280
<v Speaker 1>when Douglas took over. But what you find is not

0:20:25.359 --> 0:20:26.879
<v Speaker 1>only do people want to make money, they want to

0:20:26.920 --> 0:20:28.879
<v Speaker 1>make obscene amounts of money. They want to make an

0:20:28.880 --> 0:20:31.879
<v Speaker 1>amount of money that they're looking at you like your child,

0:20:32.040 --> 0:20:34.320
<v Speaker 1>like well you know now calm down, sunny, because there's

0:20:34.320 --> 0:20:36.560
<v Speaker 1>a lot of money at stake here for us who

0:20:37.000 --> 0:20:39.520
<v Speaker 1>run and own the company. And my point is is

0:20:39.640 --> 0:20:43.960
<v Speaker 1>that for me, I'm always so sad. I'm always so

0:20:44.440 --> 0:20:47.240
<v Speaker 1>impacted by government officials who don't have the guts to

0:20:47.320 --> 0:20:50.840
<v Speaker 1>do their job. And the government's job is. I mean,

0:20:50.880 --> 0:20:54.879
<v Speaker 1>I've I watched people in testimony in hearings and I

0:20:54.960 --> 0:20:56.560
<v Speaker 1>think to myself, thank God I'm out there, because I

0:20:56.560 --> 0:21:00.160
<v Speaker 1>would be looking at the heads of car companies and alchemies, going,

0:21:00.280 --> 0:21:02.520
<v Speaker 1>you don't get it. You come here, you answer our

0:21:02.640 --> 0:21:05.960
<v Speaker 1>questions on behalf of the American people. We have the authority,

0:21:06.440 --> 0:21:09.920
<v Speaker 1>and I feel like that authority is not always employed effectively.

0:21:09.960 --> 0:21:13.200
<v Speaker 1>You said Defacio did a good job. He's amazing. I

0:21:13.280 --> 0:21:16.240
<v Speaker 1>mean he and his heart was so in the right place.

0:21:16.600 --> 0:21:20.280
<v Speaker 1>But he was also dogged and he held these folks accountable.

0:21:20.359 --> 0:21:23.119
<v Speaker 1>And you know when you see him in those congressional

0:21:23.240 --> 0:21:27.240
<v Speaker 1>testimonies and chasing down every single document and you know,

0:21:27.359 --> 0:21:31.919
<v Speaker 1>putting this report together, which took years in the making

0:21:32.200 --> 0:21:36.680
<v Speaker 1>and is incredibly thorough. They go after bowing and they

0:21:36.960 --> 0:21:40.160
<v Speaker 1>hold them accountable, and they're continuing to go after bowing.

0:21:40.800 --> 0:21:44.040
<v Speaker 1>So I think there are a lot of extraordinary heroes

0:21:44.160 --> 0:21:46.520
<v Speaker 1>who are celebrated who are really on the front lines

0:21:46.600 --> 0:21:50.840
<v Speaker 1>of this, whether it's Defasio or Michael Stummo, who's the

0:21:50.960 --> 0:21:54.680
<v Speaker 1>father of Samuel Stummo who died in the Ethiopian plane

0:21:54.720 --> 0:21:59.199
<v Speaker 1>crash and turned from a victim to really an advocate.

0:21:59.440 --> 0:22:01.320
<v Speaker 1>And he, I mean, I just got off the phone

0:22:01.320 --> 0:22:04.320
<v Speaker 1>with him yesterday and he he's not giving up on this.

0:22:04.600 --> 0:22:06.679
<v Speaker 1>I mean, Bowing has thrown a lot of money at

0:22:06.720 --> 0:22:10.080
<v Speaker 1>these families to get them to be quiet, and he

0:22:10.760 --> 0:22:13.640
<v Speaker 1>is not going to be silenced. And he is continuing

0:22:13.800 --> 0:22:16.840
<v Speaker 1>to you know, spread the message that that this that

0:22:17.040 --> 0:22:20.920
<v Speaker 1>he has a very continued concerns about the safety of

0:22:21.000 --> 0:22:24.679
<v Speaker 1>the seven thirty seven Acts, the seven eight seven Dreamliner.

0:22:24.760 --> 0:22:28.159
<v Speaker 1>They just announced yesterday the f A a that I mean,

0:22:28.359 --> 0:22:30.520
<v Speaker 1>as though this should be news, but that the FAA

0:22:30.680 --> 0:22:33.399
<v Speaker 1>is going to actually regulate Bowing and not let Bowing

0:22:33.480 --> 0:22:40.400
<v Speaker 1>regulating regulate. So you know, watch the film because that's

0:22:40.440 --> 0:22:43.760
<v Speaker 1>another interesting point about how when I was studying government

0:22:44.160 --> 0:22:46.639
<v Speaker 1>at gw in the seventies, when I went down to

0:22:46.720 --> 0:22:49.040
<v Speaker 1>Washington to go to school, and we talked about that,

0:22:49.119 --> 0:22:52.600
<v Speaker 1>and we talked about how you know, uh, departmentalization, how

0:22:52.680 --> 0:22:55.000
<v Speaker 1>people are in these departments, like presidents come and go.

0:22:55.880 --> 0:22:58.600
<v Speaker 1>We're here civil servants for twenty thirty years, and so

0:22:58.760 --> 0:23:00.800
<v Speaker 1>here at the f A, we have our own relationships

0:23:00.840 --> 0:23:03.639
<v Speaker 1>with eight with airline companies, and they allowed Bowing to

0:23:03.800 --> 0:23:07.480
<v Speaker 1>self regulate and self inspect. I do think you're right

0:23:07.600 --> 0:23:11.200
<v Speaker 1>that there's they're not enough people in government who are advocating.

0:23:11.320 --> 0:23:13.639
<v Speaker 1>But I guess my point is is that in this

0:23:13.880 --> 0:23:18.480
<v Speaker 1>film you show a world where advocacy comes from a

0:23:18.560 --> 0:23:21.359
<v Speaker 1>lot of different perspective. It comes from the government officials

0:23:21.400 --> 0:23:23.680
<v Speaker 1>doing the right thing in this case to Fasio, it

0:23:23.760 --> 0:23:26.760
<v Speaker 1>also comes from you know, people who don't think of

0:23:26.840 --> 0:23:30.520
<v Speaker 1>themselves as advocates but turn into ad it's as a result.

0:23:30.920 --> 0:23:34.920
<v Speaker 1>And then you know Andy Pestor, who's a dogged journalist

0:23:35.000 --> 0:23:37.800
<v Speaker 1>who chases down the story and gets us the information.

0:23:37.960 --> 0:23:42.040
<v Speaker 1>And it's the combination of all of those people who

0:23:42.200 --> 0:23:45.840
<v Speaker 1>come together, and you know the storytellers, right, So I'm

0:23:46.280 --> 0:23:49.000
<v Speaker 1>I'm not putting myself in that category, but we also

0:23:49.119 --> 0:23:52.960
<v Speaker 1>have to you know, the Lucy Walkers and and yourself,

0:23:53.200 --> 0:23:57.239
<v Speaker 1>the people who are packaging these stories and getting them

0:23:57.320 --> 0:24:00.920
<v Speaker 1>out in a way that's digestible to an audience and

0:24:01.080 --> 0:24:06.200
<v Speaker 1>so that that translates hopefully into creating a better world.

0:24:06.920 --> 0:24:10.920
<v Speaker 1>I'm curious for people to understand how documentary films come

0:24:11.000 --> 0:24:14.040
<v Speaker 1>to the screen. Bob Drew, he did the trip tick

0:24:14.440 --> 0:24:17.400
<v Speaker 1>primary about your uncle. I mean, one of the funniest

0:24:17.400 --> 0:24:18.920
<v Speaker 1>things in the world you've ever seen in your life.

0:24:19.400 --> 0:24:22.639
<v Speaker 1>Hubert Humphrey walking into like some barn with men sitting

0:24:22.640 --> 0:24:27.040
<v Speaker 1>on bales of hay, saying, America, we know what it's

0:24:27.080 --> 0:24:29.600
<v Speaker 1>got to do. And then you cut to your uncle

0:24:29.680 --> 0:24:31.920
<v Speaker 1>walking with his wife into room for the people and

0:24:31.960 --> 0:24:34.320
<v Speaker 1>people are crying and screaming like it's a Beatles concert.

0:24:35.000 --> 0:24:37.040
<v Speaker 1>Who is going to win the primary? Who were your

0:24:37.119 --> 0:24:40.840
<v Speaker 1>influences in your filmmaking, Well, certainly Bob Drew was, I

0:24:40.920 --> 0:24:46.359
<v Speaker 1>mean an extraordinary filmmaker. Penny Baker was a huge influence

0:24:46.440 --> 0:24:50.560
<v Speaker 1>on me as well. Barbara Copple, who you know. The

0:24:50.680 --> 0:24:54.480
<v Speaker 1>first documentary feature I made was American Hollow, which was

0:24:54.560 --> 0:24:58.600
<v Speaker 1>about a family in eastern Kentucky and it was really

0:24:58.840 --> 0:25:02.040
<v Speaker 1>an extraordinary story ray of its woman who had thirteen

0:25:02.119 --> 0:25:04.600
<v Speaker 1>kids and they all lived off the land, and we

0:25:04.720 --> 0:25:08.479
<v Speaker 1>kind of spent a year with them. Certainly influenced by

0:25:09.119 --> 0:25:14.800
<v Speaker 1>Barbara and her extraordinary work and in Kentucky and Appalachia. So,

0:25:15.560 --> 0:25:19.840
<v Speaker 1>you know, I think those early verite filmmakers have huge

0:25:19.920 --> 0:25:24.120
<v Speaker 1>influence on the world of filmmaking today. And then they're

0:25:24.240 --> 0:25:28.600
<v Speaker 1>just you know, there's just a slew of incredible filmmakers

0:25:28.800 --> 0:25:33.399
<v Speaker 1>who are colleagues of mine. You know Lucy Walker you mentioned,

0:25:33.480 --> 0:25:37.760
<v Speaker 1>I think she's a fantastic filmmaker. My old partner, Liz Garbage,

0:25:37.800 --> 0:25:42.480
<v Speaker 1>is fantastic. We're not still together as a company, but

0:25:42.680 --> 0:25:45.960
<v Speaker 1>were we remained very good friends and advocates for each

0:25:45.960 --> 0:25:51.640
<v Speaker 1>other film. Yeah, that's fantastic. Yeah, gosh, you's your so knowledgeable.

0:25:52.000 --> 0:25:56.399
<v Speaker 1>Amy Berg is fantastic. RJ. Cutler, Davis Guggenheim. I mean,

0:25:56.480 --> 0:26:00.240
<v Speaker 1>there's just Don Porter. I think that we're surround funded

0:26:00.320 --> 0:26:04.920
<v Speaker 1>by really talented filmmakers, and I think there's I think

0:26:04.960 --> 0:26:07.879
<v Speaker 1>we've all also been influenced, you know. I think this

0:26:08.119 --> 0:26:12.159
<v Speaker 1>verity influence has impacted the kinds of work that we do.

0:26:12.680 --> 0:26:16.119
<v Speaker 1>But I think we're also influenced by Hollywood and the

0:26:16.200 --> 0:26:21.080
<v Speaker 1>films that we're seeing, the narrative films and the dramatic storytelling,

0:26:21.280 --> 0:26:25.000
<v Speaker 1>so that we're making films that keep you a little

0:26:25.000 --> 0:26:26.760
<v Speaker 1>bit more at the edge of your seat of what's

0:26:26.800 --> 0:26:29.320
<v Speaker 1>going to happen next, you know, and and really pull

0:26:29.400 --> 0:26:32.320
<v Speaker 1>you into the characters and and and to the plot

0:26:32.520 --> 0:26:35.560
<v Speaker 1>and too. You know, the storytelling. I think it's very

0:26:35.640 --> 0:26:38.879
<v Speaker 1>sophisticated these days. I think you know, you see it

0:26:39.280 --> 0:26:42.000
<v Speaker 1>out in the world, and you know, when you turn

0:26:42.080 --> 0:26:45.520
<v Speaker 1>on your Netflix account, it's a mix up there. It's

0:26:45.560 --> 0:26:48.520
<v Speaker 1>not like, here's the narratives and then go down deep

0:26:48.560 --> 0:26:53.359
<v Speaker 1>into your Netflix account to find the documentaries there up center.

0:26:53.800 --> 0:26:57.160
<v Speaker 1>You know, because people are watching them and they're they're

0:26:57.240 --> 0:26:59.760
<v Speaker 1>pulled in and and I think it's because they're really

0:27:00.040 --> 0:27:08.000
<v Speaker 1>great storytellers. Filmmaker Rory Kennedy, if you're enjoying this conversation,

0:27:08.119 --> 0:27:10.800
<v Speaker 1>tell a friend and be sure to follow Here's the

0:27:10.880 --> 0:27:14.800
<v Speaker 1>Thing on the I Heart Radio app, Spotify or wherever

0:27:15.040 --> 0:27:18.479
<v Speaker 1>you get your podcasts. When we come back, Rory Kennedy

0:27:18.600 --> 0:27:21.080
<v Speaker 1>talks about the film of hers that was the hardest

0:27:21.160 --> 0:27:34.520
<v Speaker 1>for her to make. I'm Alec Baldwin and you were

0:27:34.600 --> 0:27:38.639
<v Speaker 1>listening to Here's the Thing. The Kennedy family has made history,

0:27:39.200 --> 0:27:43.879
<v Speaker 1>and most of that while occupying a path from Hyanna Sport, Massachusetts,

0:27:43.960 --> 0:27:50.200
<v Speaker 1>down to McClean, Virginia. And yet Rory somehow landed in California. Well,

0:27:50.320 --> 0:27:53.119
<v Speaker 1>my husband Mark, as you know, as a screenwriter and

0:27:53.480 --> 0:27:56.800
<v Speaker 1>a writer, and he is also my partner in writing documentaries,

0:27:56.880 --> 0:27:59.919
<v Speaker 1>but he has other writing that draws him out there.

0:28:00.240 --> 0:28:02.200
<v Speaker 1>So we decided we'd go out there for a couple

0:28:02.200 --> 0:28:05.760
<v Speaker 1>of years because at that time, ten or twelve years ago,

0:28:06.280 --> 0:28:09.800
<v Speaker 1>the kind of independent film world was fizzling out here

0:28:09.840 --> 0:28:12.240
<v Speaker 1>in New York and was sort of pivoting over the

0:28:12.320 --> 0:28:15.240
<v Speaker 1>West Coast. We fell in love with California. Your brother

0:28:15.280 --> 0:28:16.639
<v Speaker 1>moved that. I talked to my friend, I go, how

0:28:16.680 --> 0:28:19.560
<v Speaker 1>do you like it? Goes it's great? I go, oh god, no, no,

0:28:20.240 --> 0:28:23.760
<v Speaker 1>I said, not you not you come on, you're going

0:28:23.840 --> 0:28:25.199
<v Speaker 1>You're going out there? I said, I mean, I think

0:28:25.280 --> 0:28:27.760
<v Speaker 1>Cheryl is great, but there's a lot of other women

0:28:27.800 --> 0:28:29.359
<v Speaker 1>out there for you, Bob, And he doesn't have to

0:28:29.440 --> 0:28:32.720
<v Speaker 1>be living out there in California, and he loves it. Yeah.

0:28:33.000 --> 0:28:36.520
<v Speaker 1>He came out there with his EMU, his bird. I

0:28:36.640 --> 0:28:39.200
<v Speaker 1>remember he was trying to figure out a way to

0:28:39.360 --> 0:28:41.880
<v Speaker 1>get the bird out there, and I said, well, you know,

0:28:42.600 --> 0:28:45.800
<v Speaker 1>maybe try Richard Plepler. He's got that HBO plane. So

0:28:45.920 --> 0:28:48.520
<v Speaker 1>he called Richard and he said, can I bring my

0:28:48.800 --> 0:28:51.040
<v Speaker 1>can you take my bird out? But he failed to

0:28:51.080 --> 0:28:54.280
<v Speaker 1>mention that the bird was six ft high and needed

0:28:54.320 --> 0:28:58.800
<v Speaker 1>to go with Richard anyway, so he said, the catering

0:28:58.960 --> 0:29:02.520
<v Speaker 1>order came out and then Bob, he didn't have a

0:29:02.600 --> 0:29:04.480
<v Speaker 1>house for the first couple of weeks, so the bird

0:29:04.560 --> 0:29:08.560
<v Speaker 1>lived at my house with Mark Nate blueberries and anyway,

0:29:08.640 --> 0:29:10.680
<v Speaker 1>there are lots of stories to tell about to be

0:29:10.800 --> 0:29:14.000
<v Speaker 1>the bird. And he loves California, know too, but yeah,

0:29:14.080 --> 0:29:16.719
<v Speaker 1>he loves he loves it out there. Now, you did

0:29:16.800 --> 0:29:20.280
<v Speaker 1>the movie about your mom, and of course you make

0:29:20.320 --> 0:29:22.280
<v Speaker 1>a little joke there, But how difficult it was to

0:29:22.360 --> 0:29:29.320
<v Speaker 1>recruit your mom? Yes she was not she was not

0:29:29.440 --> 0:29:33.080
<v Speaker 1>a willing subject to be filmed, but eventually she settled down.

0:29:33.160 --> 0:29:37.160
<v Speaker 1>My siblings were very difficult to by the way, really well, yes,

0:29:37.400 --> 0:29:41.080
<v Speaker 1>they just didn't make it easy busy now, they just

0:29:41.280 --> 0:29:43.840
<v Speaker 1>wanted to make it difficult for me, because why would

0:29:44.200 --> 0:29:45.960
<v Speaker 1>why would they make it easy when they don't have

0:29:46.080 --> 0:29:49.200
<v Speaker 1>to know? They were all fantastic and including my mother,

0:29:49.320 --> 0:29:52.200
<v Speaker 1>and they they did answer ultimately all the questions I

0:29:52.280 --> 0:29:54.640
<v Speaker 1>asked them. And my mother, I was just with her

0:29:54.760 --> 0:29:58.440
<v Speaker 1>yesterday I played back and with her, and I mean

0:29:58.560 --> 0:30:01.680
<v Speaker 1>I was just I was winning whole game. My diets

0:30:01.760 --> 0:30:05.120
<v Speaker 1>were so much better. I played brilliantly, and then she

0:30:05.240 --> 0:30:08.560
<v Speaker 1>beat me again. She's ninety four. I cannot beat that woman.

0:30:08.640 --> 0:30:10.960
<v Speaker 1>Clinging back him and I'm not a bad back him

0:30:11.000 --> 0:30:12.960
<v Speaker 1>and Claire, I love I love that your mother also.

0:30:13.120 --> 0:30:15.200
<v Speaker 1>And you know this infinitely better than I do. She

0:30:15.360 --> 0:30:18.080
<v Speaker 1>just in her own wonderful way and in a truly

0:30:18.560 --> 0:30:21.240
<v Speaker 1>in a truly marvelous way. She just doesn't suffer fools

0:30:21.400 --> 0:30:23.640
<v Speaker 1>at all. And we're playing golf up there at the

0:30:24.080 --> 0:30:26.200
<v Speaker 1>golf tournament, and she says to me, come in golf

0:30:26.240 --> 0:30:27.320
<v Speaker 1>with me. You're gonna you're gonna be with me, and

0:30:27.360 --> 0:30:28.880
<v Speaker 1>you're gonna be with Frank and so and so and so.

0:30:29.120 --> 0:30:30.800
<v Speaker 1>And I go, I said, I beg your pardon. I said,

0:30:30.800 --> 0:30:33.200
<v Speaker 1>you have to really understand it's important because this I've

0:30:33.240 --> 0:30:36.240
<v Speaker 1>crossed this this juncture before. I said, I'm a miserable golfer.

0:30:36.600 --> 0:30:37.960
<v Speaker 1>Of course you can hit a golf ball. Come on,

0:30:38.040 --> 0:30:40.280
<v Speaker 1>come on, I said, no, I don't think you really understand.

0:30:40.360 --> 0:30:43.840
<v Speaker 1>I need you desperately to listen to carefully what I'm saying. No, no, no, no, no, please,

0:30:43.840 --> 0:30:45.640
<v Speaker 1>because this is nonsense. Come on, you're gonna come with me.

0:30:45.640 --> 0:30:47.680
<v Speaker 1>You're gonna play with me and Frank and I. As

0:30:47.800 --> 0:30:50.440
<v Speaker 1>is always the case, I am scared to know. So

0:30:50.520 --> 0:30:52.720
<v Speaker 1>I do fairly well. I can drive the ball, I

0:30:52.800 --> 0:30:54.720
<v Speaker 1>could I I get lucky with the iron. I can

0:30:54.760 --> 0:30:56.680
<v Speaker 1>put back and drive iron some terrible We get to

0:30:56.720 --> 0:30:58.080
<v Speaker 1>the second to the third hold in your mother TN.

0:30:58.240 --> 0:31:00.600
<v Speaker 1>She goes, you're right, you really can golf? Can you?

0:31:01.280 --> 0:31:04.680
<v Speaker 1>Did she check you off your team? Can we get

0:31:04.760 --> 0:31:06.920
<v Speaker 1>could we get in here? Someone? Where's the ringer that

0:31:07.000 --> 0:31:09.360
<v Speaker 1>was following us? To fill inform me? Now? One thing

0:31:09.440 --> 0:31:12.720
<v Speaker 1>I noticed when I worked with the counselor sisters who

0:31:12.800 --> 0:31:15.360
<v Speaker 1>did disturb in the universe about their father, William Kunstler,

0:31:16.120 --> 0:31:18.080
<v Speaker 1>And when I was talking to them, it was I

0:31:18.320 --> 0:31:20.959
<v Speaker 1>kind of knew this, but it was brought into sharper

0:31:21.040 --> 0:31:24.360
<v Speaker 1>focus for me. The cost. I mean, they told me

0:31:24.440 --> 0:31:26.640
<v Speaker 1>that they were trying to retire a debt of forty

0:31:27.080 --> 0:31:29.719
<v Speaker 1>fifty dollars of debt they owed for archival footage from

0:31:29.800 --> 0:31:33.080
<v Speaker 1>NBC and other network news organizations. Is that true for

0:31:33.160 --> 0:31:35.239
<v Speaker 1>you as well? Meaning? Do you find these costs are

0:31:35.280 --> 0:31:37.880
<v Speaker 1>just because I, for one, belief that old network news

0:31:38.040 --> 0:31:41.880
<v Speaker 1>organizations the materials should be made free under fair use.

0:31:42.040 --> 0:31:46.320
<v Speaker 1>These are public airways. Yeah, well it is. It can

0:31:46.400 --> 0:31:50.560
<v Speaker 1>be astronomical the cost associated with archive. I mean, we're

0:31:50.680 --> 0:31:53.080
<v Speaker 1>lucky enough with this film that it was. It was

0:31:53.160 --> 0:31:56.280
<v Speaker 1>fully financed by Netflix, who covered those costs for us,

0:31:56.320 --> 0:31:59.080
<v Speaker 1>so so we're not dead on it. But it can

0:31:59.160 --> 0:32:03.240
<v Speaker 1>really make her a a lot of terrific documentaries out there.

0:32:03.600 --> 0:32:07.120
<v Speaker 1>I think more people are leaning into fair use, but

0:32:07.360 --> 0:32:11.320
<v Speaker 1>there has been a few instances of backlash against that

0:32:11.480 --> 0:32:15.800
<v Speaker 1>where people chase them down and demand being paid, you know,

0:32:16.120 --> 0:32:20.200
<v Speaker 1>particularly for these historical documentaries. It's it's a real cost.

0:32:20.760 --> 0:32:25.840
<v Speaker 1>It's like people who when I was working more consistently

0:32:26.800 --> 0:32:29.560
<v Speaker 1>on the issue of campaign financial reform with creative coalition

0:32:29.960 --> 0:32:33.240
<v Speaker 1>organizations I worked with years ago in the nineties, from

0:32:33.560 --> 0:32:36.360
<v Speaker 1>disparate sources, we learned that the one of the great

0:32:36.520 --> 0:32:39.840
<v Speaker 1>enemies of campaign finance reform is the National Association of

0:32:39.880 --> 0:32:44.360
<v Speaker 1>Broadcasters because these affiliates in the network TV world. Someone

0:32:44.400 --> 0:32:46.280
<v Speaker 1>said to me, there are stations in this country that

0:32:46.360 --> 0:32:49.200
<v Speaker 1>make seventy of their annual budget during one election cycle

0:32:49.920 --> 0:32:52.640
<v Speaker 1>and selling political advertising. They do not want to take

0:32:52.720 --> 0:32:55.040
<v Speaker 1>the money out of politics, and the n a B,

0:32:55.800 --> 0:33:00.400
<v Speaker 1>the National Association War is constantly finding campaign finance law changes. Yeah, listen,

0:33:00.440 --> 0:33:03.600
<v Speaker 1>I so appreciate your work in that area too, because

0:33:03.840 --> 0:33:06.360
<v Speaker 1>I think, you know, when just circling back to your

0:33:06.400 --> 0:33:09.520
<v Speaker 1>point about you know, who are these leaders now like

0:33:09.840 --> 0:33:13.880
<v Speaker 1>Defasio who are advocating for us. I think it's it's

0:33:13.960 --> 0:33:17.760
<v Speaker 1>hard given the system that we have to really produce

0:33:17.920 --> 0:33:20.840
<v Speaker 1>and and encourage people who are who are in it

0:33:21.320 --> 0:33:24.480
<v Speaker 1>exclusively for the public interest, right. I mean, that's those

0:33:24.520 --> 0:33:26.280
<v Speaker 1>are the types of people who you want to be

0:33:26.440 --> 0:33:30.280
<v Speaker 1>driven to politics as people who are going to make

0:33:30.320 --> 0:33:33.520
<v Speaker 1>the world a better place, but instead they're often driven

0:33:33.560 --> 0:33:37.120
<v Speaker 1>there because of money, and that's not really the reason

0:33:37.240 --> 0:33:40.240
<v Speaker 1>you want people ultimately in that in that position. So

0:33:40.760 --> 0:33:43.400
<v Speaker 1>I think there's a lot still to be done, obviously

0:33:43.520 --> 0:33:47.400
<v Speaker 1>with campaign finance reform in this country. Which film for

0:33:47.520 --> 0:33:49.680
<v Speaker 1>you was the most difficult to put together as a film,

0:33:49.760 --> 0:33:53.760
<v Speaker 1>What was the biggest challenge. Well, I think the hardest

0:33:53.840 --> 0:33:57.239
<v Speaker 1>one for me was ethel you know, the stakes were

0:33:57.320 --> 0:34:00.240
<v Speaker 1>so high and it was so deeply personal. You know,

0:34:00.360 --> 0:34:03.880
<v Speaker 1>I had to look through lots of footage. We're talking

0:34:03.920 --> 0:34:07.680
<v Speaker 1>about archive footage, you know, some of which was extraordinary

0:34:07.760 --> 0:34:11.440
<v Speaker 1>and beautiful and so fun to see and just you know,

0:34:12.080 --> 0:34:15.880
<v Speaker 1>gave me a depth of understanding of my family and

0:34:16.040 --> 0:34:19.280
<v Speaker 1>my father, who I never met. You know, just watching

0:34:19.400 --> 0:34:22.080
<v Speaker 1>him in this footage and a lot of footage has

0:34:22.120 --> 0:34:26.600
<v Speaker 1>never been seen before. Was was a really beautiful experience

0:34:26.680 --> 0:34:31.560
<v Speaker 1>for me. But it was also emotionally challenging and difficult,

0:34:31.800 --> 0:34:34.600
<v Speaker 1>and you know, I wanted to ultimately make a film

0:34:34.680 --> 0:34:38.960
<v Speaker 1>that showed, you know, the challenges and the difficulties that

0:34:39.400 --> 0:34:43.680
<v Speaker 1>my mother in particular went through and faced, but also

0:34:45.440 --> 0:34:48.360
<v Speaker 1>you know, to celebrate her because I think that for

0:34:48.840 --> 0:34:51.800
<v Speaker 1>so many people in our family, with a focus on

0:34:51.960 --> 0:34:55.680
<v Speaker 1>Robert Kennedy, John F. Kennedy, Teddy Kennedy, but there's not

0:34:55.840 --> 0:34:59.080
<v Speaker 1>as much focus on the women, right and there. You know,

0:34:59.320 --> 0:35:03.200
<v Speaker 1>my aunt unit started the Special Olympics. She's contributed enormously

0:35:03.400 --> 0:35:06.480
<v Speaker 1>and but she hasn't quite gotten that same level of attention,

0:35:06.560 --> 0:35:08.960
<v Speaker 1>and nor has my mother. And so many people when

0:35:09.000 --> 0:35:12.600
<v Speaker 1>they introduced me, they say, oh, this is Robert Kennedy's daughter,

0:35:12.760 --> 0:35:15.920
<v Speaker 1>and I'm like, well, my mother actually raised me, and

0:35:16.160 --> 0:35:18.120
<v Speaker 1>you know, she played a pretty big part in like

0:35:18.960 --> 0:35:22.080
<v Speaker 1>who I Am. So part of it was like, I

0:35:22.239 --> 0:35:26.080
<v Speaker 1>think she deserves the spotlight at least for a moment,

0:35:26.440 --> 0:35:30.320
<v Speaker 1>like at least understood. Yeah, and to help people understand

0:35:30.560 --> 0:35:33.719
<v Speaker 1>her contribution because she was also her nature was to

0:35:33.840 --> 0:35:37.279
<v Speaker 1>kind of stand behind and not you know, be the

0:35:37.360 --> 0:35:39.239
<v Speaker 1>one on the microphone and be the one sort of

0:35:39.440 --> 0:35:42.400
<v Speaker 1>at the front line. So anyway, I think just for

0:35:42.520 --> 0:35:45.480
<v Speaker 1>me personally, the stakes were higher on that one and

0:35:46.360 --> 0:35:48.560
<v Speaker 1>and it was more challenging for me. What are you

0:35:48.600 --> 0:35:52.160
<v Speaker 1>working on next? I'm working on a couple of projects.

0:35:52.239 --> 0:35:55.920
<v Speaker 1>I've got another film with Netflix that is about a

0:35:56.400 --> 0:36:00.120
<v Speaker 1>volcanic eruption that I'm doing right now, and then I've

0:36:00.160 --> 0:36:05.000
<v Speaker 1>got a film about the global refugee crisis that Yes,

0:36:05.560 --> 0:36:07.520
<v Speaker 1>these are the main ones I'm focused on, and I'm

0:36:07.840 --> 0:36:10.480
<v Speaker 1>very excited to, you know, have this film coming out

0:36:10.600 --> 0:36:15.319
<v Speaker 1>on Netflix, and UM committed to getting as many eyes

0:36:15.360 --> 0:36:18.759
<v Speaker 1>on it as possible. Now, Last Days of Vietnam was in.

0:36:19.719 --> 0:36:22.879
<v Speaker 1>How many of these films Ethel was in. I can't

0:36:22.920 --> 0:36:25.279
<v Speaker 1>believe it. But if these last films, have most of

0:36:25.360 --> 0:36:29.080
<v Speaker 1>them been with Netflix. Now, this is my first film

0:36:29.120 --> 0:36:32.719
<v Speaker 1>that I've directed with Netflix. Last Days was with PBS,

0:36:32.960 --> 0:36:36.960
<v Speaker 1>Ethel was with HBO, did a film about NASA with

0:36:37.160 --> 0:36:40.040
<v Speaker 1>the Discovery Channel. Let me just say I like that.

0:36:40.239 --> 0:36:44.200
<v Speaker 1>I have such admiration and respect for you. You're such

0:36:44.280 --> 0:36:49.399
<v Speaker 1>a talented artist, and you've always committed yourself to making

0:36:49.440 --> 0:36:52.279
<v Speaker 1>the world a better place. And you have such a

0:36:52.320 --> 0:36:58.040
<v Speaker 1>love for people and heart that is more open and

0:36:58.160 --> 0:37:02.120
<v Speaker 1>more generous than anybody I know. And I just have

0:37:02.320 --> 0:37:05.040
<v Speaker 1>such deep admiration and respect for you. Might love to

0:37:05.080 --> 0:37:11.600
<v Speaker 1>your mom, Will you take care of Thank you? Rory Kennedy.

0:37:12.440 --> 0:37:16.560
<v Speaker 1>Her documentary Downfall, The Case against Boeing, is available now

0:37:17.120 --> 0:37:22.240
<v Speaker 1>on Netflix. This episode was produced by Kathleen Russo, Zack McNeice,

0:37:22.280 --> 0:37:26.120
<v Speaker 1>and Maureen Hoban. Our engineer is Frank Imperial. Here's the

0:37:26.160 --> 0:37:28.640
<v Speaker 1>Thing is brought to you by iHeart Radio.