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Speaker 1: The big news of the day. What we're here for.

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Speaker 1: The rip Matt Damon, Ben Affleck. The movie is set up.

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Speaker 1: It's like a heights. They walk into a room and

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Speaker 1: there's twenty million dollars. Now, the question is, you walk

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Speaker 1: into a room there's twenty million dollars in cash. They're

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Speaker 1: police officers. How much do you keep? How much do

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Speaker 1: you turn in? How much do you turn in? You're

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Speaker 1: supposed to turn it all in. We're gonna find out

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Speaker 1: what they do. That's gonna be the interesting part. So

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Speaker 1: we want to first of all, we want to thank

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Speaker 1: Netflix for giving us this.

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Speaker 2: So thank you.

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Speaker 1: Flex could not have done this without you. The big

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Speaker 1: news of the day Mike Tomlin, after nineteen years, steps

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Speaker 1: down from the Pittsburgh Steelers. And because he stepped down,

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Speaker 1: that means if he signs with another team, they're gonna

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Speaker 1: owe the Pittsburgh Steelers' compensation. So it probably was a

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Speaker 1: mutual agreement. Look, you do your thing, we're gonna do

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Speaker 1: our thing. We're gonna move in a different direction. But

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Speaker 1: to make it look classy, we're not terminating you. Because

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Speaker 1: that's three coaches in fifty years. Chuck Noel took it

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Speaker 1: from sixty nine to ninety two coach Kyle we took

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Speaker 1: it from what from ninety two until two thousand and six,

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Speaker 1: two thousand and seven, and then Mike Tomlin took it

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Speaker 1: over from there. So they've only had three coaches in

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Speaker 1: fifty plush in what since nineteen sixty nine year. I mean,

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Speaker 1: so you can't argue the success that the Steelers have had.

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Speaker 1: But I think this was great for both teams because

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Speaker 1: I do not believe the Pittsburgh Steelers were any closer

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Speaker 1: be it with Mike Tomlin, based on how their roster

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Speaker 1: is assembled, the quarterback situation, the offense, I don't think

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Speaker 1: they were close and having a non losing season.

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Speaker 2: That's not what you're really going for, O Joe.

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Speaker 3: And that's not the standard.

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Speaker 4: It's never been a stand able to come to the

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Speaker 4: Pittsburgh Steelers, a championship winning organization. If I'm not a sting,

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Speaker 4: they have what five six Lombardi they have six, So

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Speaker 4: obviously with the standard being the standard, you can't be satisfied.

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Speaker 4: We're just saying, Okay, at least we don't have a

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Speaker 4: non lose season.

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Speaker 3: We above five hundred this year.

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Speaker 2: I be talking about it last night.

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Speaker 4: I think they're allowed to walk allowed him to walk

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Speaker 4: away and long and behold today, you know he walks away.

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Speaker 2: He's shocking. I didn't like that. What do you think, man?

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Speaker 2: I think uh. I think Mike Tumblin.

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Speaker 5: Took a good hard look at the situation and was like,

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Speaker 5: you know what, maybe I should take some time off.

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Speaker 2: But like y'all said, I think it was a mutual decision.

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Speaker 5: And I think he's gonna get a coaching job somewhere

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Speaker 5: because there's so many coaching vacancies in the NFL right now,

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Speaker 5: and it's a lot of jobs that look pretty good,

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Speaker 5: and I think I think he'll definitely end up coaching,

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Speaker 5: getting someone be.

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Speaker 1: Personally, I think he moves to the front of the list.

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Speaker 1: I think he jumps in front of John Harbor. I

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Speaker 1: think so. And you look, now, what thought was? You

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Speaker 1: know Harbor has his pick a pick now with Mike

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Speaker 1: tooms the thing because you're talking about somebody that's been

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Speaker 1: nineteen years, that's been the multiple Super Bowl Yes he

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Speaker 1: only won one, he's won more division titles than John Harbaugh.

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Speaker 1: So the Giants that looks appealing, Atlanta that looks appealing,

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Speaker 1: Tennessee that looks appeeling. I think Mike Thomas is going

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Speaker 1: to have this choice where he wants to go. Where

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Speaker 1: does he want to coach? Does he want to take

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Speaker 1: a year off do TV or does he want to

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Speaker 1: jump right back in it.

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Speaker 4: What if it's not even an NFL? What if he

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Speaker 4: takes a college job. What is some vegancies in college?

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Speaker 4: I'm not sure if he wants to have to deal

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Speaker 4: with the NIL drama.

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Speaker 2: But still, I think Mike.

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Speaker 4: Thoman is going to be able to go anywhere, whether

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Speaker 4: it's a college level, what's the NFL. But he's going

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Speaker 4: to have to go to a situation that's advantageous for him.

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Speaker 4: But if you don't have a quarterback, you can be

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Speaker 4: right back in purgatory like you will with the dam Steelers.

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Speaker 2: Right. I agree. I don't see college with Mike Tom.

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Speaker 1: I don't either. I don't see. And first of all,

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Speaker 1: there's no college vacancies open currently. That higher cycle of

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Speaker 1: the LSU's gotten filled by blank Camp and Penn State's

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Speaker 1: been filed, so all the coaching vegacies has been feeled.

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Speaker 2: But they have a lot them in the NFL.

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Speaker 1: Arizona's available, Atlanta's available, Tennessee is available.

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Speaker 2: The giants are available. I like the giants. Ay.

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Speaker 1: Now, it's been reported that Lafleur and the Packers are

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Speaker 1: trying to work on a long term deal because you

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Speaker 1: got one more year left, and you don't want to

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Speaker 1: be a lamed up. You want some security, security, and

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Speaker 1: you want the team to realize like, okay, because a

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Speaker 1: lot of time the players that look like, man, you

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Speaker 1: only got one year, we listened to you. So give

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Speaker 1: him some security. Let him let the team know that

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Speaker 1: he is in charge. But Mike Thomas, this shocked me.

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Speaker 1: And you said it last night that you thought the

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Speaker 1: Steelers would allow him to step away from it.

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Speaker 2: I didn't see that coming. I did not see that. No,

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Speaker 2: I didn't.

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Speaker 4: I mean honestly, the right ones on the wall, the

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Speaker 4: right ones on the wall, and the fire tom the stuff,

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Speaker 4: you know, the noise, it got louder and louder. Joke,

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Speaker 4: it got louder and louder. Fans becoming, you know, kind

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Speaker 4: of dissatisfied. Just mediocrity. That's never been a standard for

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Speaker 4: the Pittsburgh Steelers. So at some point understanding and the

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Speaker 4: problem is, this is the problem. When you had been

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Speaker 4: Rocklisberger should have already had someone they didn't have a

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Speaker 4: secession plan. They should have had it in place.

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Speaker 1: They didn't have step When it's told though Green Bay

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Speaker 1: gave you the blueprints. They had Brett Barr still playing

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Speaker 1: at an elite level.

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Speaker 5: They get Aaron Rodgers, they get Aaron Rodgers still playing

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Speaker 5: at the level to get Jordan Love.

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Speaker 1: Now you got a secession plan in place. But you wait, well,

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Speaker 1: I don't want to step on Rent and Bro. You

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Speaker 1: can't worrybody's feeling because guess what, he's happy.

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Speaker 2: Man. They ain't drafting no quarterback.

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Speaker 1: But not look where you you right, So because you

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Speaker 1: know Ben started to get older, you could tell Ben

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Speaker 1: wasn't the same guy.

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Speaker 2: So you, in order to be ahead, coach that. And

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Speaker 2: this is I think one of the.

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Speaker 1: Reasons why coaches don't get close to players because at

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Speaker 1: some point in time, on Joe, you're gonna have to

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Speaker 1: let your best player.

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Speaker 2: You would have to make very, very decisions.

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Speaker 1: And so that's why I'm I'm really surprised that that

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Speaker 1: Mike Commlin decided to step away. But like you said,

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Speaker 1: it was a situation where the noise it has started

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Speaker 1: to get live and louder. I mean, like really fire

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Speaker 1: Mike Tomas yeah, you've never heard. I don't think you heard.

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Speaker 1: I mean, like I said, I was, but we didn't

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Speaker 1: have twenty been a while of social media, like with

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Speaker 1: coach Knowl or coach Coward. I know early on when

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Speaker 1: coach Kyleer didn't have but coach Kyle went to the

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Speaker 1: super Bowl in his third year.

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Speaker 2: Mike Tomplin won the super Bowl in his second a year.

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Speaker 5: Yeah, so he's had success and went back again three

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Speaker 5: I think three years later, ended up losing to the Packer.

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Speaker 1: But since then, we talked about it. Last night, guys, Uh, Joe,

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Speaker 1: Ojo and I was talking. Seven straight losses in the

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Speaker 1: PLAYO tied for tied with Marvin Lewis for the longest

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Speaker 1: in NFL history.

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Speaker 2: Look, we love Marvin. I was.

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Speaker 1: He was a defensive coordinator when I was in Baltimore,

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Speaker 1: orchestrated a historic defense. He was your head coach. Seven

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Speaker 1: straight losses in NFL history as long as the NFL

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Speaker 1: has been going on, that ain't a record. That's you

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Speaker 1: want to be a part of. What you want to

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Speaker 1: be a part of.

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Speaker 5: But I like Mike Tomlin though for for a number

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Speaker 5: of reasons. First off, he was a coaching changer. You

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Speaker 5: know what I meant it.

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Speaker 2: And not only that, y'all know this because y'all play

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Speaker 2: the game.

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Speaker 5: But he's gonna get the respect absolutely any of the players,

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Speaker 5: all the players on the team.

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Speaker 2: So he walks in instantaneous.

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Speaker 5: So wherever he goes or whatever chance he gets, like

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Speaker 5: he probably jumped the he'll probably jump hard.

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Speaker 2: Get a job.

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Speaker 5: But man, they know he'll come change the cult or

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Speaker 5: wherever he goes. So okay, I'm looking forward to it.

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Speaker 5: But if anything, we.

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Speaker 1: Got a special guest joining us for boys not out.

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Speaker 1: Uh good friend about it. I've been doing this dude.

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Speaker 2: Man, he'll develop some man.

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Speaker 3: I got you, I got you.

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Speaker 2: We are uh thank you. I've been knowing this dude.

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Speaker 1: This dude that we used to work out together, track together,

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Speaker 1: go break bread together. So it's always good to see

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Speaker 1: if even though every day one so while we'll take

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Speaker 1: each other.

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Speaker 2: Man.

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Speaker 1: You in Atlanta, y'allm in Atlanta. Let's go break bread.

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Speaker 1: So it's good to see you talking about stepping down.

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Speaker 5: Are you surprised that the Steelers and Mike Tomblan the

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Speaker 5: parking ways.

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Speaker 6: I'm surprised, you know, he was there for so long.

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Speaker 6: One of him and Hardball the two coaches and team

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Speaker 6: two decades. And like you said, you only can coach

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Speaker 6: what you got, yes, and if you ain't got it,

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Speaker 6: you know, sometimes fans won't you have more? And uh,

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Speaker 6: I think he got a lot out the team he has.

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Speaker 6: They were still missing some offensive pieces. You know, he

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Speaker 6: tried that made the playoff and hey, they ran to

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Speaker 6: a juggernaut last night. Houston is the best defense in

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Speaker 6: the league. And so you got a forty year old quarterback. Yeah,

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Speaker 6: that's gonna be hard to beat in the young guys is.

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Speaker 1: But the problem in your right, you can only coach

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Speaker 1: what you have. But a part of his job is

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Speaker 1: to make sure they have. Yes, he's a charge, he's

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Speaker 1: the charge of the run. He chose to go then

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Speaker 1: get a forty two year old quarterback. I don't know

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Speaker 1: what you were thinking. How far forty two year old quarterback,

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Speaker 1: we're gonna take it, especially in the cold. Most quarterbacks

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Speaker 1: as they start again age and they get older, they

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Speaker 1: like warm weather. They like Miami, they like Tampa. They

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Speaker 1: like to be indoors. Second of all, when he had

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Speaker 1: an opportunity, I think the thing is he allowed his

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Speaker 1: relationship with Ben Roethlisberger not to not allow him to

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Speaker 1: draft a successor to Roethlisberger. Like Green Bay Dead, they

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Speaker 1: had a successor for Brett Farm, they had a successor

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Speaker 1: for Aaron Rodgers. Got You've got to think if you

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Speaker 1: got to projack now, you can't like think Ben Roethlisberger

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Speaker 1: is gonna play there for thirty years. And so I

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Speaker 1: think that's what really happened because in the way the

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Speaker 1: NFL is set up now, it used to be bring

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Speaker 1: your run game, bring your defense, and you could get

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Speaker 1: away with a marginal quarterback. In today's NFL, you got

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Speaker 1: to have a stud to play that position.

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Speaker 2: If you want to go far, you're gonna make the playoffs.

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Speaker 1: But if you talk about going BARKI winning and challenge

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Speaker 1: for championships without without that piece, it's not happening. I

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Speaker 1: heard you and Joe talking earlier. Trey Young got traded.

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Speaker 1: I'm surprised, but I think what happened. And Jody we

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Speaker 1: talk about this. In his absence. You saw Jalen Johnson

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Speaker 1: go to another level, and you're like, hold on this

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Speaker 1: kid Young.

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Speaker 2: He's six foot.

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Speaker 1: Nine, he could handle the ball, he can dish out

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Speaker 1: his sis, he can rebound, he could score.

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Speaker 2: Trey We love Trey.

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Speaker 5: But we're talking about a guy that's six foot tall

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Speaker 5: that really doesn't rebound, that really that doesn't play defense.

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Speaker 1: Yeah, let's move in a different direction. Let's see what

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Speaker 1: would you get as far as that said, Joe, let's

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Speaker 1: go to you first. Are you surprised that they finally

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Speaker 1: moved on from Tray, Nah, I'm not surprised.

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Speaker 5: I thought the rioting was on the wall because they

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Speaker 5: played so great when he wasn't in the lineup, and

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Speaker 5: then you put the you put the ball in, you

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Speaker 5: put the ball in the hands of Jalen Johnson. I

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Speaker 5: didn't know he could play make the way he does.

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Speaker 5: Like I told y'all, I just told oh, in the

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Speaker 5: month of December, he averages triple double. Yeah, like that's

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Speaker 5: Radford got sixty nine handl of the rock. He can

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Speaker 5: score the ball, he can make guys around him better,

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Speaker 5: and then the guys that surround him, they all lock

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Speaker 5: in play defense.

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Speaker 2: They gritty bro ain't gritty.

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Speaker 5: So I think that kind the show when Trey was

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Speaker 5: absent out of the lineup, and obviously.

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Speaker 1: They was, they was ready to move on from That's

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Speaker 1: why you don't let nobody get to get your father

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Speaker 1: old and.

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Speaker 2: That's why when you buy Billy, they said, when you

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Speaker 2: buy Billy, keep little miles on it. Reach your money

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Speaker 2: back exactly.

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Speaker 6: So I guess Atlanta's trying to sell trade, get their

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Speaker 6: money back to give you somebody else.

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Speaker 1: But they really didn't get much that They basically got

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Speaker 1: CJ on the nicked firing contract. That seemed like the

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Speaker 1: way they wanted to go to have some renew pability

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Speaker 1: this off season. So I mean trade was the face

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Speaker 1: of the franchise. I don't think Atlanta ever forgave them

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Speaker 1: for swapping. You had Luca, You traded Luca for Trade,

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Speaker 1: and I think trade was perfect for the city because Atlanta.

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Speaker 6: But you look at what Luca doing. Luca right, well,

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Speaker 6: he didn want to play defense, though neither want to

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Speaker 6: play defense. But I think Atlanta didn't go to get

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Speaker 6: the pieces that fit with trade La, but get the

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Speaker 6: piece that.

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Speaker 2: Fit with Luca. Correct.

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Speaker 6: But Luca's still a problem to He's sixty six trades

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Speaker 6: five eleven six feet. But my thing is both gonna

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Speaker 6: shoot the three. I think Luca maybe get the guys

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Speaker 6: involved more than trade, but trade small. So in Washington,

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Speaker 6: he gonna be okay because they need somebody to bring

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Speaker 6: the fans in. Yes, and then his contray. They're gonna

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Speaker 6: pay him for the next three or four years. Hes

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Speaker 6: gonna get his money. Yeah, get his money. They gonna

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Speaker 6: see what he can involved with the team. That's gonna

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Speaker 6: be the thing.

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Speaker 1: I think The biggest thing is also Joe, is that

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Speaker 1: being a great player on a bad team.

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Speaker 2: They're a bad teams. Get your numbers. That's what you're

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Speaker 2: gonna get. You get you in the NBA. Now, guys

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Speaker 2: get their numbers.

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Speaker 6: They getting paid the teams when they pay you, that's

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Speaker 6: thirty four a million. They want to see something. Yes,

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Speaker 6: most of the times a lot of these guys get

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Speaker 6: at thirty four million. They can't going the other way.

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Speaker 1: Yes, they're not really they're not looking and you look

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Speaker 1: on really good team. You can't be paying a whole

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Speaker 1: bunch of guys. You gotta like settle there now, Oklahoma City,

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Speaker 1: you saw what they did. They gave Shaye his money,

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Speaker 1: they gave JW his money, they gave his money. At

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Speaker 1: some point in time, you can't pay everybody. Everybody can't

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Speaker 1: build a max contract. So they're gonna start losing some

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Speaker 1: of those auxiliary pieces kind of like what happened with

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Speaker 1: a golden state. Yeah, if they retired and these guys

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Speaker 1: start going different places and start branching off, so it

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Speaker 1: cuts into your depth.

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Speaker 2: But uh, you look at Atlanta.

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Speaker 1: I still don't think Atlanta is a contender even without

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Speaker 1: even with c J and Johnson and Dyke Dyce and

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Speaker 1: Daniel uh uh at Walker, I don't.

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Speaker 2: I don't.

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Speaker 5: They probably need about another piece of two being as

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Speaker 5: far as big another rim protector. Yes, a guy who

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Speaker 5: can move great and pick and roll things of that nature.

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Speaker 5: But I think they're on the right trajectory as far

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Speaker 5: as you know where they're trying to go. Now are

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Speaker 5: they gonna get there? I don't know, But I like

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Speaker 5: I like the team that they have, those guys, blue

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Speaker 5: collar workers. They got some guys who can score. And

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Speaker 5: like I said, big fella Jaylen Johnson, he makes all

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Speaker 5: those guys better so that their fun team to watch him.

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Speaker 5: He definitely should be He definitely should be an All Star.

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Speaker 5: He'd be all NBA. Yeah, all NBA.

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Speaker 2: You keep up what he did in December? Yeah, I

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Speaker 2: didn't know.

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Speaker 6: Just something to the Atlanta the balls flowing, guys stand

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Speaker 6: around waiting what dominate the ball?

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Speaker 2: Right, So now they're gonna have more team chemistry.

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Speaker 6: And then when you get more team chemistry, everybody's gonna

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Speaker 6: be like, Okay, go out and.

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Speaker 2: Everybody every now. Yeah, so now they go.

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Speaker 6: Like I said, the fans might be many trading, but

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Speaker 6: they're gonna see you like on the floor.

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Speaker 2: That's what you're gonna see. The difference. Yeah, yeah, yeah,

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Speaker 2: the ball hoppens.

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Speaker 1: Oh, I know you follow football, So what you think

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Speaker 1: you see the first game on Saturday. You got the

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Speaker 1: Broncos Buffalo, and then you got the forty nine ers

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Speaker 1: who went into Philly and pull the upset.

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Speaker 2: They take on the Seattle Seahawks.

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Speaker 1: The Seahawks beat them the last game of the last

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Speaker 1: game of the season to take over that division.

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Speaker 7: Uh.

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Speaker 2: And then you got.

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Speaker 1: The Patriots take on the Texans. And then you got, yeah,

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Speaker 1: the Broncos and Buffalo.

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Speaker 6: Who are you like, I don't know, it's gonna be tough.

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Speaker 6: I'm saying, you've seen some of the probably the best

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Speaker 6: football in years. Guys, you know, going down to the

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Speaker 6: last possession and the defenses. You know, I don't no

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Speaker 6: that I don't They want Buffalo to be there, but

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Speaker 6: you got to win the game to get there, exactly.

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Speaker 2: But I think I'm gonna go with the young dogs.

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Speaker 6: I'm gonna go with Houston, and I think even Seattle

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Speaker 6: is playing great. But I think New England Buffalo. I

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Speaker 6: probably take New England, New England, New England, Seattle in

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Speaker 6: the Super Bowl.

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Speaker 1: Wow, like I can say that a rematch of Super

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Speaker 1: Bowl forty nine. Yeah, maybe it'll be a different outcome, baby,

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Speaker 1: Tom Brady.

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Speaker 6: Yeah, New England and they got that defensive Seattle, defensive Seattle.

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Speaker 2: Yeah yeah.

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Speaker 1: Man, appreciate you joining us football problem, Thank you, boy,

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Speaker 1: it's not I appreciate you.

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Speaker 2: Manu.

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Speaker 3: We're gonna get that money to you.

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Speaker 5: No, no, no, no, let me had it one he

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Speaker 5: so let me go.

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Speaker 1: I'm collect. I've said this. Oh say lo, y'all you

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Speaker 1: got you you don't cover that. Yeah, yeah, I'm saying,

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Speaker 1: appreciate your man talking about that. Gotta be some interest

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Speaker 1: on that.

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Speaker 2: Say what they do.

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Speaker 3: Baby, he's good to see you, brute.

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Speaker 2: Everything good.

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Speaker 5: You look good. You always got this, man, We're good,

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Speaker 5: We're good.

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Speaker 2: What's what? What's good with it?

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Speaker 8: What's up?

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Speaker 2: Baby? Was pretty good? I can't complain, man, that is good. Man,

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Speaker 2: we can't. I mean, hold on, let me see what

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Speaker 2: type of make sure what you want to do. The

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Speaker 2: gym is open, No, I mean five o'clock. You out early.

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Speaker 2: I got my glasses on. Yeah you know, you know

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Speaker 2: you a night out. You normally stirring around mid night.

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Speaker 9: I gotta get the business done. Got to wake up

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Speaker 9: early and go outside and do some business.

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Speaker 2: Man, Right, So what's good? What's going on for today?

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Speaker 2: They can't check you?

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Speaker 7: A lot was going on.

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Speaker 2: I appreciately festivities and things like that.

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Speaker 9: Yeah, congratulate you for what you're going and the Mondy

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00:17:05,760 --> 00:17:08,119
Speaker 9: what you've been doing on both of your shows.

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Speaker 2: Appreciate. Let me ask you this. You got music coming out?

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Speaker 2: We got some music coming out. We also got to

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Speaker 2: show us.

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Speaker 9: I've been running doing pretty good for this past past

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Speaker 9: three months, so I'm excited.

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Speaker 2: Hey man, check this out. Man, Why you be going

387
00:17:21,000 --> 00:17:23,119
Speaker 2: back and forth with everybody? Man? Let people live, mask

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00:17:23,160 --> 00:17:26,680
Speaker 2: all of them out. We were living in an algorithm world,

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Speaker 2: right you gor master.

390
00:17:28,359 --> 00:17:31,000
Speaker 3: You can't let nobody just take you.

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Speaker 9: You gotta play, And there's a there's a's it like

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Speaker 9: you know, it's only for so much you could take.

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00:17:35,520 --> 00:17:37,840
Speaker 9: So sometimes you gotta bust a little shot back and

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00:17:37,880 --> 00:17:39,760
Speaker 9: if they fall for the beata you know how to

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Speaker 9: manipulate the algorithm in your favor and then.

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Speaker 2: To turn to make something for you.

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Speaker 9: Then I always take my negatives and turn them into

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Speaker 9: a positive. So the more you put me in front

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Speaker 9: of your Explorer page, the more I have to offer

400
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Speaker 9: to those people that want to know who I am

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Speaker 9: and why are you in this front of this explorer passon?

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00:17:55,160 --> 00:17:58,880
Speaker 1: Yeah, so you won't. You won't Their fans eyeballs on you.

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00:17:58,480 --> 00:18:02,199
Speaker 9: Of course, and if if if they're not talking about you,

404
00:18:02,240 --> 00:18:03,960
Speaker 9: then you're not doing something right. If you ain't got

405
00:18:03,960 --> 00:18:06,600
Speaker 9: no hated, you ain't popping. It's always been that way, right.

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00:18:07,000 --> 00:18:09,879
Speaker 1: I heard you mentioned it, the Chrome Heart situation and

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Speaker 1: Chrome Heart has You're like, bro, I've been. I was

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00:18:12,760 --> 00:18:15,399
Speaker 1: with Chrome Heart ten fifteen years ago and now I

409
00:18:15,440 --> 00:18:17,920
Speaker 1: only do Chrome hard because everybody wearing it y'all tried

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Speaker 1: to make it up more and we were walking with

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Speaker 1: it wasn't popping.

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00:18:21,640 --> 00:18:25,160
Speaker 2: Jawns was in Chrome Art. We we chroma a shot

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Speaker 2: out the CHROMR.

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Speaker 9: I don't wear it as as as much as I

415
00:18:28,680 --> 00:18:30,480
Speaker 9: used to when we started. It was something that a

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Speaker 9: lot of people didn't know about it. I wouldn't say

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Speaker 9: I'm the first rapper to wear it because I see,

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Speaker 9: but I'm the first rapper to bring it to the

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00:18:37,320 --> 00:18:41,200
Speaker 9: game that made an anesthetic for people to wear as

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Speaker 9: one hundred percent, and now it's it's commercialized.

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Speaker 2: I'm not mad at it. They're getting their money.

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00:18:46,280 --> 00:18:47,920
Speaker 9: Like for for a long time, they've been under the

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Speaker 9: radar for a very expensive brand, and now the kids

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Speaker 9: and took it to a whole nother level.

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Speaker 2: So I'm not mad at what they do.

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Speaker 4: The funny part about it, Chrome Hearts are some of

427
00:18:55,480 --> 00:18:58,159
Speaker 4: these other high end brands, we weren't even their target audience.

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Speaker 3: No, we weren't their target audience. But because of somewher like.

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Speaker 4: Jimmy, and I can remember back in the day because

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Speaker 4: I'm older than you, I'm fifty eight, so I remember

431
00:19:05,680 --> 00:19:07,359
Speaker 4: seeing you in it and not knowing what it was

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Speaker 4: and doing my homework and shoot man.

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Speaker 2: Years later, you know.

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Speaker 1: I mean, most of the highest brands, we weren't the

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Speaker 1: target audience. But you see, because jim you remember this.

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00:19:18,040 --> 00:19:21,240
Speaker 1: I remember back in the early two thousands, they made

437
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Speaker 1: like Loui Vitar the Gucci, they wasn't making nobody that's

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Speaker 1: the large. Now they make double, they make triple because

439
00:19:26,920 --> 00:19:29,760
Speaker 1: guess what athletes got money. So if they gonna put

440
00:19:29,800 --> 00:19:32,440
Speaker 1: if they gonna squeeze it, let's make it.

441
00:19:32,359 --> 00:19:34,200
Speaker 2: The athlete entertainer.

442
00:19:35,040 --> 00:19:35,520
Speaker 8: They used to.

443
00:19:35,960 --> 00:19:36,520
Speaker 2: I'm trying to think.

444
00:19:36,560 --> 00:19:39,000
Speaker 1: I forget the brand that the biggest shoe size they

445
00:19:39,000 --> 00:19:41,639
Speaker 1: had was a twelve. Well, a lot of people that

446
00:19:41,720 --> 00:19:43,960
Speaker 1: got big money worth thirteen, fourteen, fifteen.

447
00:19:44,040 --> 00:19:46,040
Speaker 2: Yeah, they get fired.

448
00:19:46,320 --> 00:19:48,840
Speaker 1: Yeah, because before if you wanted a big sized shoe,

449
00:19:48,880 --> 00:19:50,119
Speaker 1: I don't know if you know free.

450
00:19:50,200 --> 00:19:53,320
Speaker 5: You are, Yeah, yeah, they was the only one that

451
00:19:53,359 --> 00:19:55,480
Speaker 5: if you wanted a skin shoe they got. You wanted

452
00:19:55,520 --> 00:19:58,119
Speaker 5: the bigger size, you had to go there. But you

453
00:19:58,160 --> 00:19:59,720
Speaker 5: see all these other guys, they're like, hold on, wait

454
00:19:59,760 --> 00:20:03,040
Speaker 5: a minut in it. Were letting somebody monopolize on something

455
00:20:03,040 --> 00:20:05,480
Speaker 5: that we could get. It's just like cards. You know,

456
00:20:05,520 --> 00:20:13,560
Speaker 5: remember if you want to swede everything, you mean to

457
00:20:13,560 --> 00:20:15,440
Speaker 5: tell me y'all to spend an extra ten thousand, Well,

458
00:20:15,480 --> 00:20:20,119
Speaker 5: I snapping on their with you put a sound system

459
00:20:20,119 --> 00:20:21,560
Speaker 5: in there that you know, they got hard and car

460
00:20:21,640 --> 00:20:23,840
Speaker 5: and they got all these bowls around sound.

461
00:20:23,920 --> 00:20:26,679
Speaker 2: They got everything. Cars even come up with tennant windows.

462
00:20:26,680 --> 00:20:29,879
Speaker 9: Now oh yeah, you know they car gonna come fully.

463
00:20:30,240 --> 00:20:33,119
Speaker 9: You can order it everything you need everything anything that

464
00:20:33,400 --> 00:20:35,800
Speaker 9: you would get after market. You're to come on on

465
00:20:35,920 --> 00:20:39,920
Speaker 9: the car from the from ther You're absolutely right, man,

466
00:20:40,000 --> 00:20:41,280
Speaker 9: So things have changed.

467
00:20:41,680 --> 00:20:43,480
Speaker 1: What if you know what's the biggest change that you know,

468
00:20:43,560 --> 00:20:46,280
Speaker 1: the gym in the music industry from when you first

469
00:20:46,320 --> 00:20:47,640
Speaker 1: got into what you see right.

470
00:20:47,560 --> 00:20:52,080
Speaker 9: Now how music is consumed. Because when we did it,

471
00:20:52,080 --> 00:20:54,880
Speaker 9: it was like a treasure hunt. We get to go

472
00:20:54,920 --> 00:20:57,600
Speaker 9: to the actual music stores, go pick up the CDs,

473
00:20:57,760 --> 00:20:59,760
Speaker 9: put it in the CD and listen to it. Now

474
00:20:59,840 --> 00:21:01,560
Speaker 9: they just got to pick up their phone, yeah, and

475
00:21:01,680 --> 00:21:02,840
Speaker 9: press one button and they.

476
00:21:02,800 --> 00:21:03,359
Speaker 2: Listened to it.

477
00:21:03,520 --> 00:21:06,159
Speaker 9: And the tension span is way shorter than it was

478
00:21:06,440 --> 00:21:09,480
Speaker 9: when we were actually enjoying the music. So for most

479
00:21:09,560 --> 00:21:11,560
Speaker 9: artists now they got to create a lot of music,

480
00:21:11,600 --> 00:21:13,600
Speaker 9: way more music than we would when we were younger,

481
00:21:13,640 --> 00:21:14,240
Speaker 9: and things like.

482
00:21:14,119 --> 00:21:15,320
Speaker 2: That, because the law of.

483
00:21:16,880 --> 00:21:21,760
Speaker 9: The expectation of is going these kids and it's over with.

484
00:21:21,960 --> 00:21:25,879
Speaker 1: It was It was fun though, Joe. You remember the

485
00:21:25,960 --> 00:21:28,960
Speaker 1: little Bootie momm and pop shop. You go and you

486
00:21:29,040 --> 00:21:30,760
Speaker 1: have them to play it and you would actually listen

487
00:21:30,840 --> 00:21:30,960
Speaker 1: to it.

488
00:21:31,040 --> 00:21:33,000
Speaker 2: You listen to it.

489
00:21:33,280 --> 00:21:35,360
Speaker 1: You could buy incense, you could buy you could buy

490
00:21:35,440 --> 00:21:37,760
Speaker 1: cavals and stuff like that, and you listen to it

491
00:21:37,840 --> 00:21:40,119
Speaker 1: and you say, you know what, make your board tape?

492
00:21:40,200 --> 00:21:42,600
Speaker 1: I want this, this, this on that and then it

493
00:21:42,680 --> 00:21:44,639
Speaker 1: turned you for eight track at first, and then it

494
00:21:44,680 --> 00:21:45,480
Speaker 1: turned to a CD.

495
00:21:45,840 --> 00:21:47,200
Speaker 2: Then it turned to the m P three.

496
00:21:47,600 --> 00:21:50,800
Speaker 1: Now there's like you said, I mean, you just download,

497
00:21:50,840 --> 00:21:52,439
Speaker 1: you go to YouTube, and you go to Spotify, you

498
00:21:52,440 --> 00:21:55,000
Speaker 1: go to Apple Music, whatever the case may be. But

499
00:21:55,040 --> 00:21:58,840
Speaker 1: the intimacy that you used to have, man, we really

500
00:21:58,840 --> 00:21:59,800
Speaker 1: felt like we knew.

501
00:21:59,640 --> 00:22:00,520
Speaker 2: Them all right.

502
00:22:01,359 --> 00:22:03,800
Speaker 5: Man with BDK was hey, bro, let me say man,

503
00:22:03,880 --> 00:22:06,040
Speaker 5: that new b Let's go hear that bank.

504
00:22:06,840 --> 00:22:13,400
Speaker 2: The booklet, even a booklet that that was what the world?

505
00:22:13,480 --> 00:22:14,280
Speaker 2: You remember the word?

506
00:22:15,160 --> 00:22:16,840
Speaker 3: Where the state of music is right now?

507
00:22:17,200 --> 00:22:19,280
Speaker 4: And have you been able to how do you feel

508
00:22:19,280 --> 00:22:21,960
Speaker 4: the transition for you as being trying to evolve now

509
00:22:21,960 --> 00:22:23,679
Speaker 4: that music is different as opposed to when you just

510
00:22:23,760 --> 00:22:24,160
Speaker 4: when you first.

511
00:22:24,320 --> 00:22:26,399
Speaker 9: I always try to keep up with the game. I mean,

512
00:22:26,440 --> 00:22:30,480
Speaker 9: I'm not mad at anything. I follow the business. I've

513
00:22:30,520 --> 00:22:33,040
Speaker 9: created my own business model when it comes to the

514
00:22:33,080 --> 00:22:35,800
Speaker 9: new way that music is consumed and brought right now.

515
00:22:36,040 --> 00:22:38,040
Speaker 9: And I've always been an independent artist, so I had to

516
00:22:38,119 --> 00:22:40,280
Speaker 9: do things on my own anyway. So right now with

517
00:22:40,440 --> 00:22:42,600
Speaker 9: these distribution deals that these artists are getting right now,

518
00:22:42,600 --> 00:22:43,280
Speaker 9: I already.

519
00:22:43,040 --> 00:22:45,040
Speaker 2: Been on it, so I'm pretty much already been in

520
00:22:45,040 --> 00:22:45,400
Speaker 2: the lane.

521
00:22:45,440 --> 00:22:49,400
Speaker 9: But what's new for us now, for artists like myself,

522
00:22:49,600 --> 00:22:53,760
Speaker 9: was we're embarking on podcasts. When podcasts do is give

523
00:22:53,840 --> 00:22:57,679
Speaker 9: us another lifespan and entertainment because now people get to

524
00:22:57,840 --> 00:23:00,840
Speaker 9: learn about our personality, are supposed to just hearing us

525
00:23:00,840 --> 00:23:02,720
Speaker 9: on music and things like that. So opens up a

526
00:23:02,760 --> 00:23:04,960
Speaker 9: whole new door for people to get next to us

527
00:23:05,000 --> 00:23:07,200
Speaker 9: and for us to keep getting money inside the entertainment world.

528
00:23:07,280 --> 00:23:10,359
Speaker 2: So right, hey, Jomo, I pay attention to you on

529
00:23:10,400 --> 00:23:13,960
Speaker 2: I G. I see you got a barbershop. Uh you

530
00:23:14,080 --> 00:23:17,560
Speaker 2: still closing there? You do your podcast and there? Yes?

531
00:23:17,840 --> 00:23:20,119
Speaker 2: What else are you? What else you're trying to do

532
00:23:20,200 --> 00:23:22,439
Speaker 2: in that space? Bro? But I have a facility that

533
00:23:23,160 --> 00:23:24,399
Speaker 2: in the Bronx called i f C.

534
00:23:24,560 --> 00:23:28,760
Speaker 9: I'm building a multi purpose content facility for music, media,

535
00:23:28,840 --> 00:23:30,399
Speaker 9: fashion and broadcast.

536
00:23:29,960 --> 00:23:30,639
Speaker 2: On all levels.

537
00:23:30,680 --> 00:23:35,439
Speaker 9: So we have uh sound stages, podcast rooms, led walls,

538
00:23:35,480 --> 00:23:38,200
Speaker 9: and also have a sneaker store in there, barbershopping there,

539
00:23:38,320 --> 00:23:41,399
Speaker 9: two studios, a grocery store in there. We shoot our

540
00:23:41,440 --> 00:23:43,880
Speaker 9: own podcasts and there with Fab and Maine and everybody,

541
00:23:43,920 --> 00:23:44,800
Speaker 9: let's rap about it.

542
00:23:45,280 --> 00:23:47,240
Speaker 2: We have photo rooms in there, like so it's a

543
00:23:47,280 --> 00:23:48,600
Speaker 2: full that's one stop shop.

544
00:23:50,359 --> 00:23:52,199
Speaker 1: That's that's that's that's the way they do it now.

545
00:23:52,240 --> 00:23:55,480
Speaker 1: I mean shopping, uh, grocery stores. Now they say why

546
00:23:55,760 --> 00:23:56,760
Speaker 1: they got a bar there?

547
00:23:56,800 --> 00:24:02,960
Speaker 5: You saying why, hey, why why you shopping around you?

548
00:24:03,480 --> 00:24:08,320
Speaker 2: They'll fix you a drink. People drink what they gonna

549
00:24:08,359 --> 00:24:09,520
Speaker 2: keep you in there to keep spitting?

550
00:24:09,560 --> 00:24:14,920
Speaker 9: Then people like yourself, Yeah, when you're come in town,

551
00:24:15,000 --> 00:24:16,639
Speaker 9: like this is a place that you can go to

552
00:24:17,440 --> 00:24:19,560
Speaker 9: get multiple things done and you get out of there,

553
00:24:19,560 --> 00:24:21,359
Speaker 9: and not to mention the shopping, but like I'm open

554
00:24:21,359 --> 00:24:22,520
Speaker 9: twenty four hours, right, you.

555
00:24:22,560 --> 00:24:24,119
Speaker 2: Got some dripping there for you. Boy, you know what,

556
00:24:24,160 --> 00:24:27,160
Speaker 2: I gotta get super tall sizes now that I'm talking

557
00:24:27,200 --> 00:24:29,000
Speaker 2: about what I'm talking about it, that's what I'm talking

558
00:24:29,000 --> 00:24:30,160
Speaker 2: about him.

559
00:24:30,160 --> 00:24:33,240
Speaker 1: You touched though this earlier because at first it was

560
00:24:33,280 --> 00:24:35,240
Speaker 1: eight track, and then it became the CD, then the

561
00:24:35,320 --> 00:24:38,000
Speaker 1: m P three. The iPod has become absolute. I think

562
00:24:38,200 --> 00:24:42,040
Speaker 1: Apple don't even make iPods anymore. So now the way

563
00:24:42,200 --> 00:24:44,680
Speaker 1: that you're doing is that you like the way we

564
00:24:44,760 --> 00:24:47,879
Speaker 1: consume music is that you always want to make sure

565
00:24:48,040 --> 00:24:50,520
Speaker 1: I'm in a position that I can have people consume

566
00:24:50,640 --> 00:24:55,680
Speaker 1: my music, and so what's what's the next transition is it?

567
00:24:55,720 --> 00:24:57,680
Speaker 2: Is it always gonna be? Because I don't think we're

568
00:24:57,680 --> 00:24:58,239
Speaker 2: ever going back.

569
00:24:58,280 --> 00:25:00,359
Speaker 1: I don't think they're gonna be some niche where you're

570
00:25:00,359 --> 00:25:01,840
Speaker 1: selling a couple of hard comes.

571
00:25:01,600 --> 00:25:05,800
Speaker 9: Nostalgic nostalgic value. Yes, one hundred percent. I mean I

572
00:25:05,880 --> 00:25:07,680
Speaker 9: believe we're in a place where if you have the

573
00:25:07,800 --> 00:25:09,840
Speaker 9: influence and your artists that have been in the game, you

574
00:25:09,840 --> 00:25:12,240
Speaker 9: can kind of curate your own business model when it

575
00:25:12,280 --> 00:25:15,359
Speaker 9: comes to the fans that love you. Because if you

576
00:25:15,440 --> 00:25:17,639
Speaker 9: have a group of fans, a couple of thousand, couple

577
00:25:17,680 --> 00:25:20,360
Speaker 9: thousand fans that's going to dive into everything you got,

578
00:25:20,440 --> 00:25:22,760
Speaker 9: buy everything you got, you could make a hell of

579
00:25:22,800 --> 00:25:25,000
Speaker 9: a living just off of those small numbers.

580
00:25:25,080 --> 00:25:25,199
Speaker 2: Ye.

581
00:25:25,400 --> 00:25:28,960
Speaker 9: Every month, it's keep feeding them different things, merch trop

582
00:25:29,160 --> 00:25:30,720
Speaker 9: like it's this, you know what I mean. So for

583
00:25:30,840 --> 00:25:32,760
Speaker 9: artists that been in this game, I think this is

584
00:25:32,800 --> 00:25:35,720
Speaker 9: a great time for them to really double down on

585
00:25:36,040 --> 00:25:38,960
Speaker 9: the legacy and all the work they put into continue

586
00:25:39,000 --> 00:25:39,879
Speaker 9: to make money.

587
00:25:39,680 --> 00:25:43,040
Speaker 5: Because you're giving it directly to the consumerrect Yeah, instead

588
00:25:43,080 --> 00:25:45,760
Speaker 5: of having to go through this this person, that person.

589
00:25:45,520 --> 00:25:47,119
Speaker 2: This way.

590
00:25:47,119 --> 00:25:49,399
Speaker 9: It's way easier now because everything is on the phone.

591
00:25:49,440 --> 00:25:51,200
Speaker 9: So just as much as quick as you can go

592
00:25:51,240 --> 00:25:54,080
Speaker 9: to iTunes. If you are artists that have some influences,

593
00:25:54,080 --> 00:25:55,879
Speaker 9: you can get the direct to consumer. They're going to

594
00:25:55,960 --> 00:25:58,640
Speaker 9: go right to your website and get what they need

595
00:25:58,640 --> 00:25:59,000
Speaker 9: from you.

596
00:25:59,000 --> 00:25:59,080
Speaker 2: You know.

597
00:25:59,160 --> 00:26:00,919
Speaker 9: I mean, it's it's a great time that if you

598
00:26:00,920 --> 00:26:02,679
Speaker 9: got hustling you. If you don't got hustling in you,

599
00:26:02,960 --> 00:26:03,800
Speaker 9: it might not work for.

600
00:26:03,800 --> 00:26:04,160
Speaker 2: You the way.

601
00:26:04,160 --> 00:26:06,080
Speaker 1: You see, that's the thing you said, you gotta hustle.

602
00:26:07,400 --> 00:26:10,080
Speaker 1: People ain't giving out free money people not bro. You

603
00:26:10,160 --> 00:26:11,880
Speaker 1: got to go get it.

604
00:26:11,840 --> 00:26:17,840
Speaker 9: It's out there too, it's out it's out there, yes,

605
00:26:18,720 --> 00:26:19,040
Speaker 9: but you.

606
00:26:19,040 --> 00:26:19,800
Speaker 2: Have to go get it.

607
00:26:19,840 --> 00:26:22,040
Speaker 1: And you know the thing is, and a lot of

608
00:26:22,040 --> 00:26:25,480
Speaker 1: times maybe uh uh, Jimmy, you say you've always been independent,

609
00:26:25,720 --> 00:26:28,600
Speaker 1: but a lot of times the label took care of everything.

610
00:26:28,880 --> 00:26:32,240
Speaker 1: They did the marketing, and they did studios they did. Naw,

611
00:26:32,280 --> 00:26:33,840
Speaker 1: you got to you gotta do all that on your

612
00:26:33,840 --> 00:26:38,000
Speaker 1: own now, but all that all that pie where they

613
00:26:38,000 --> 00:26:40,080
Speaker 1: were taking it. Well, you know, we did get to

614
00:26:40,080 --> 00:26:42,159
Speaker 1: set this collab up, if we did book this studio,

615
00:26:42,200 --> 00:26:44,200
Speaker 1: and we did do this. By the time you get

616
00:26:44,200 --> 00:26:46,359
Speaker 1: your money, you're like, well, what happened to my money. Well,

617
00:26:46,960 --> 00:26:48,560
Speaker 1: we had to market it and we had to you know,

618
00:26:48,600 --> 00:26:50,399
Speaker 1: get the radio spins and we had to do all

619
00:26:50,440 --> 00:26:51,159
Speaker 1: this and X y Z.

620
00:26:51,560 --> 00:26:53,680
Speaker 2: That's why your check little or nothing where if you

621
00:26:53,760 --> 00:26:55,159
Speaker 2: hustle yourself.

622
00:26:57,119 --> 00:26:59,480
Speaker 1: Big a piece of pie. And that's what it's about.

623
00:27:00,320 --> 00:27:02,880
Speaker 1: So man, I'm excited. Man, thanks for coming out, Rachel,

624
00:27:02,960 --> 00:27:05,040
Speaker 1: having really appreciate you coming out, hanging out with boys,

625
00:27:05,119 --> 00:27:07,400
Speaker 1: night out, Netflix, Thank you again.

626
00:27:07,520 --> 00:27:07,840
Speaker 2: The rep.

627
00:27:07,960 --> 00:27:11,080
Speaker 1: Getting ready to go see Matt Damon, ben Affleck Teanna

628
00:27:11,119 --> 00:27:12,320
Speaker 1: Taylor who just won an award.

629
00:27:12,359 --> 00:27:14,000
Speaker 2: It's gonna be awesome. I can't wait to see it.

630
00:27:14,200 --> 00:27:14,680
Speaker 2: Let me ask you this.

631
00:27:14,760 --> 00:27:17,439
Speaker 1: You walk into a room, let's just say for the

632
00:27:17,440 --> 00:27:19,680
Speaker 1: sake of argument, you're a police officer.

633
00:27:20,119 --> 00:27:20,359
Speaker 2: You are.

634
00:27:21,080 --> 00:27:26,040
Speaker 1: You walk into a room, twenty million cash, unmarked bills,

635
00:27:26,600 --> 00:27:27,480
Speaker 1: You turn it all in?

636
00:27:28,560 --> 00:27:33,119
Speaker 2: How much do you keep? I turned in one hundred

637
00:27:33,119 --> 00:27:33,760
Speaker 2: thousand dollars?

638
00:27:33,840 --> 00:27:52,639
Speaker 10: Like Manna investigating you better than me? You keep it?

639
00:27:53,359 --> 00:28:00,200
Speaker 2: What they investigated. They're gonna investigate you, Joe, you your

640
00:28:00,240 --> 00:28:01,679
Speaker 2: sub teble. We just what we found.

641
00:28:02,000 --> 00:28:04,480
Speaker 3: How about we looked and we didn't find anything.

642
00:28:05,880 --> 00:28:14,760
Speaker 5: We didn't find Yeah, yeah, you know nothing. I an't

643
00:28:14,760 --> 00:28:16,879
Speaker 5: a liable in that situation.

644
00:28:17,080 --> 00:28:19,000
Speaker 2: Yeah, that thing if it was three, if it was

645
00:28:19,040 --> 00:28:21,879
Speaker 2: not three. Yeah, and we was on duty. Yeah, and

646
00:28:21,920 --> 00:28:23,880
Speaker 2: we went in there and found twenty million. Yeah.

647
00:28:24,640 --> 00:28:27,320
Speaker 5: Yeah, we're gonna have to hold up on a call,

648
00:28:27,560 --> 00:28:29,200
Speaker 5: hold up on the car. But yo, we got hold

649
00:28:29,280 --> 00:28:29,480
Speaker 5: up on.

650
00:28:29,720 --> 00:28:31,119
Speaker 2: Don't make the call, but we got to hold up

651
00:28:31,119 --> 00:28:34,040
Speaker 2: on we Okay, this is what we're gonna do.

652
00:28:35,080 --> 00:28:38,640
Speaker 1: This is what we do. Okay, it's twenty million, twenty million.

653
00:28:40,360 --> 00:28:41,800
Speaker 1: Oh you've been how long you've been on the poor?

654
00:28:42,080 --> 00:28:43,040
Speaker 1: You get ready to retire?

655
00:28:43,160 --> 00:28:43,320
Speaker 2: Right?

656
00:28:44,560 --> 00:28:44,800
Speaker 11: Yeah?

657
00:28:45,000 --> 00:28:48,240
Speaker 1: Yeah, so yeah, they'll just moved the process. I was

658
00:28:48,280 --> 00:28:51,880
Speaker 1: about to retire ten years. I just cut it down. Yeah,

659
00:28:52,160 --> 00:28:57,320
Speaker 1: so you getting ready to retire five five and five

660
00:28:59,520 --> 00:29:00,960
Speaker 1: the rest five million.

661
00:29:01,040 --> 00:29:04,920
Speaker 5: Yeah, they won't investigat us on that, No, they gonna.

662
00:29:05,400 --> 00:29:08,040
Speaker 5: But you can't go at that buying a coloring and

663
00:29:08,320 --> 00:29:08,680
Speaker 5: all that.

664
00:29:09,000 --> 00:29:10,080
Speaker 2: Yeah, I already got all that.

665
00:29:10,160 --> 00:29:11,880
Speaker 1: So now yeah, now, but I'm saying, if you was

666
00:29:11,880 --> 00:29:15,480
Speaker 1: a police okay, okay, yeah, you gotta leave to live

667
00:29:17,320 --> 00:29:20,800
Speaker 1: no on a police officer's pinching, Yeah, because you ain't

668
00:29:20,800 --> 00:29:22,920
Speaker 1: got no satary, Remember, you got no more occupation.

669
00:29:23,160 --> 00:29:25,480
Speaker 2: Maybe you pick up a side hustle. Maybe you.

670
00:29:25,480 --> 00:29:27,920
Speaker 1: You know you you your bounce or somewhere you walk

671
00:29:27,960 --> 00:29:29,800
Speaker 1: into your working in front of the club.

672
00:29:30,040 --> 00:29:30,840
Speaker 2: You gotta think you got.

673
00:29:30,920 --> 00:29:32,520
Speaker 3: This me so you know you ain't got to worry

674
00:29:32,560 --> 00:29:33,280
Speaker 3: about me doing that.

675
00:29:33,400 --> 00:29:34,800
Speaker 5: You know what I'm saying with that, with that type

676
00:29:34,840 --> 00:29:37,000
Speaker 5: of money and just think being a police off police

677
00:29:37,400 --> 00:29:38,600
Speaker 5: try to buy a nice house.

678
00:29:39,600 --> 00:29:46,600
Speaker 2: But you can't do none of that. No, what's up? Man?

679
00:29:48,040 --> 00:29:53,000
Speaker 2: You appreciate you. You got a special guest. Boy, it's

680
00:29:53,080 --> 00:29:57,680
Speaker 2: not out. Yeah, what's the buy man? What's good? What's good?

681
00:29:57,760 --> 00:29:59,680
Speaker 2: Talk to? Let's wrap about it man, we're out here

682
00:29:59,720 --> 00:30:05,719
Speaker 2: moving into it. Man, we got that podcast? You mean?

683
00:30:05,920 --> 00:30:06,000
Speaker 9: No?

684
00:30:06,160 --> 00:30:08,080
Speaker 2: I mean yep?

685
00:30:08,480 --> 00:30:12,560
Speaker 3: You like how you like the podcast? Face so far?

686
00:30:12,600 --> 00:30:14,080
Speaker 2: I love it. I love it.

687
00:30:14,080 --> 00:30:16,600
Speaker 12: I love the fact that I could be honest and

688
00:30:16,640 --> 00:30:17,680
Speaker 12: I could tell all my beness.

689
00:30:19,360 --> 00:30:21,360
Speaker 2: You can tell your story before somebody else put I

690
00:30:21,400 --> 00:30:22,400
Speaker 2: have for your story.

691
00:30:22,480 --> 00:30:23,960
Speaker 12: They can't use it against you when you put it,

692
00:30:24,000 --> 00:30:24,760
Speaker 12: when you put it out there.

693
00:30:25,400 --> 00:30:28,320
Speaker 2: Did you ever see yourself being a podcast though? Well?

694
00:30:28,360 --> 00:30:31,120
Speaker 13: I had a podcast before, right, So, I was doing

695
00:30:31,120 --> 00:30:31,680
Speaker 13: a podcast.

696
00:30:31,680 --> 00:30:33,360
Speaker 2: It was called Kitchen Talk, and I did kind of

697
00:30:33,400 --> 00:30:34,000
Speaker 2: good with it.

698
00:30:34,480 --> 00:30:34,680
Speaker 14: You know.

699
00:30:34,840 --> 00:30:37,239
Speaker 13: I wound up doing a deal with Fox Soul. But

700
00:30:37,280 --> 00:30:38,840
Speaker 13: when I did the deal with Fox Soul, it kind

701
00:30:38,840 --> 00:30:41,040
Speaker 13: of changed the dynamic. It wasn't a podcast no more.

702
00:30:41,440 --> 00:30:44,200
Speaker 13: And then I kind of lost the heart of doing it. Yeah,

703
00:30:44,360 --> 00:30:46,720
Speaker 13: you know, so because it wasn't it didn't it didn't

704
00:30:46,720 --> 00:30:49,560
Speaker 13: feel fluent, right, you know. But with this, because we

705
00:30:49,640 --> 00:30:51,920
Speaker 13: all we all got the relationship, it's like, yeah, guy,

706
00:30:52,280 --> 00:30:54,160
Speaker 13: you got a real relationship, so it's easy.

707
00:30:53,880 --> 00:30:57,560
Speaker 2: To to kick it. So who's on your podcast? Who's

708
00:30:57,560 --> 00:30:58,080
Speaker 2: with you?

709
00:30:58,080 --> 00:30:58,160
Speaker 5: Me?

710
00:30:58,360 --> 00:31:00,840
Speaker 2: Jim Jones fabulous.

711
00:31:00,720 --> 00:31:06,080
Speaker 5: And yeah yeah, because we had him all and you

712
00:31:06,200 --> 00:31:08,400
Speaker 5: talk about doing doing the podcast, right, it's all four

713
00:31:08,440 --> 00:31:10,160
Speaker 5: of us. So let me ask you a question. So

714
00:31:10,160 --> 00:31:12,280
Speaker 5: what do you guys? You gotta talk mainly music? You

715
00:31:12,360 --> 00:31:12,920
Speaker 5: talk sports?

716
00:31:13,000 --> 00:31:15,080
Speaker 2: What do you go now? We talk live man, you can't.

717
00:31:15,120 --> 00:31:17,480
Speaker 13: We talk fatherhood, We talk what it is to balance,

718
00:31:17,840 --> 00:31:19,880
Speaker 13: you know, life being in the industry.

719
00:31:20,240 --> 00:31:22,600
Speaker 2: You know, it's just just topics of life.

720
00:31:23,120 --> 00:31:23,280
Speaker 7: You know.

721
00:31:23,320 --> 00:31:25,160
Speaker 2: We can't just keep it up just music. Everybody's not

722
00:31:25,160 --> 00:31:27,840
Speaker 2: gonna relate to that. How often are you guys? How

723
00:31:27,840 --> 00:31:28,880
Speaker 2: often do you shoot the pod?

724
00:31:29,000 --> 00:31:31,280
Speaker 13: We shoot every week every week, once every week, once

725
00:31:31,320 --> 00:31:33,600
Speaker 13: a week, we dropping, and we dropping once a week.

726
00:31:33,480 --> 00:31:33,880
Speaker 2: When it comes.

727
00:31:33,880 --> 00:31:35,440
Speaker 4: When it comes, to music, the state of the music

728
00:31:35,480 --> 00:31:38,080
Speaker 4: industry today, what's your thoughts on it as opposed to

729
00:31:38,080 --> 00:31:41,840
Speaker 4: when it was, let's say, when you first started doing.

730
00:31:42,920 --> 00:31:46,880
Speaker 13: Rap, is not specially no momm right, So everybody's an artist,

731
00:31:46,920 --> 00:31:49,280
Speaker 13: so it's not it's not it's not something you know

732
00:31:49,400 --> 00:31:50,360
Speaker 13: that's looked at.

733
00:31:50,400 --> 00:31:52,440
Speaker 12: It's so obtainable that it's like out of reach.

734
00:31:52,600 --> 00:31:52,760
Speaker 2: Right.

735
00:31:53,000 --> 00:31:54,520
Speaker 13: So when when when I was trying to get on,

736
00:31:54,600 --> 00:31:55,480
Speaker 13: I was like, man.

737
00:31:56,520 --> 00:31:59,520
Speaker 12: Getting on alone, just getting a record deal alone, you.

738
00:31:59,520 --> 00:32:02,280
Speaker 13: Felt like every hit the pros, you just like you

739
00:32:02,440 --> 00:32:04,280
Speaker 13: just got a deal, like you just went to the

740
00:32:04,360 --> 00:32:05,600
Speaker 13: NFL or the NBS.

741
00:32:06,240 --> 00:32:08,360
Speaker 12: But now it's just that you could just have pro tools.

742
00:32:08,360 --> 00:32:10,600
Speaker 13: You can go on your mama basement, you can make records,

743
00:32:10,600 --> 00:32:11,840
Speaker 13: you could go upload.

744
00:32:11,480 --> 00:32:14,760
Speaker 2: It on YouTube. And it's just not special, you know,

745
00:32:15,320 --> 00:32:16,800
Speaker 2: it's it's a quantity.

746
00:32:17,200 --> 00:32:19,840
Speaker 5: There's so much of it's you know, compared to being

747
00:32:19,960 --> 00:32:21,200
Speaker 5: real quality rapping.

748
00:32:22,600 --> 00:32:26,160
Speaker 1: Yeah, is that what's happening? Is that what diluted it down?

749
00:32:26,920 --> 00:32:29,080
Speaker 13: I mean, you got every you got more rappers than

750
00:32:29,120 --> 00:32:33,760
Speaker 13: people on earth. Everybody, I'm saying, you got more rappers

751
00:32:33,800 --> 00:32:37,280
Speaker 13: than people on Earth. It's like every every time I

752
00:32:37,320 --> 00:32:40,880
Speaker 13: turn around and and to know disrespect to nobody, because

753
00:32:40,920 --> 00:32:42,480
Speaker 13: I get it. We all had a dream and we

754
00:32:42,480 --> 00:32:45,200
Speaker 13: were trying to fight our way out of something, whether

755
00:32:45,240 --> 00:32:48,360
Speaker 13: it's street life or you know, prison life, whatever it is. Like,

756
00:32:48,400 --> 00:32:50,600
Speaker 13: we were trying to make something, and you know, everybody's

757
00:32:50,600 --> 00:32:52,200
Speaker 13: still trying to make it. But the game is just

758
00:32:52,240 --> 00:32:55,000
Speaker 13: not as special as it felt anymore. Like when you'd

759
00:32:55,000 --> 00:32:56,840
Speaker 13: be like, I'm a rapper, I'm like, you know what,

760
00:32:56,880 --> 00:32:58,840
Speaker 13: I'm a little bit more than just that, right, you know?

761
00:33:00,120 --> 00:33:03,520
Speaker 2: So what happened to the what happened to rap?

762
00:33:03,680 --> 00:33:03,800
Speaker 9: Uh?

763
00:33:04,160 --> 00:33:07,240
Speaker 1: Somebody I've heard Keith Webb was talking. He said, the

764
00:33:07,280 --> 00:33:09,720
Speaker 1: reason why R and B is not special because all

765
00:33:09,760 --> 00:33:12,280
Speaker 1: you do is curves. And you see, R and B

766
00:33:12,400 --> 00:33:14,080
Speaker 1: was supposed he said, R and B was supposed to

767
00:33:14,120 --> 00:33:16,800
Speaker 1: be I think he said, like four player And now

768
00:33:17,040 --> 00:33:27,320
Speaker 1: you're getting straight to it. M's ain't no build, ain't.

769
00:33:26,200 --> 00:33:26,520
Speaker 2: I mean?

770
00:33:26,720 --> 00:33:29,440
Speaker 12: But the music is the music is supposed to be

771
00:33:29,480 --> 00:33:30,600
Speaker 12: the soundtrack of our lives.

772
00:33:30,720 --> 00:33:33,120
Speaker 13: Yes, right, it's supposed to be, right, So if you're

773
00:33:33,120 --> 00:33:35,120
Speaker 13: going through something, you're supposed to have something to go

774
00:33:35,560 --> 00:33:35,880
Speaker 13: with that.

775
00:33:36,040 --> 00:33:36,200
Speaker 2: Right.

776
00:33:36,240 --> 00:33:38,160
Speaker 13: If you want to party, he's supposed to be something

777
00:33:38,320 --> 00:33:40,360
Speaker 13: something to go with that, right. So like when you

778
00:33:40,400 --> 00:33:43,600
Speaker 13: had parking them, you had music that kind of that

779
00:33:43,640 --> 00:33:45,920
Speaker 13: you It wasn't about club and all the time. It

780
00:33:45,960 --> 00:33:48,560
Speaker 13: was about like something that you felt, something that you

781
00:33:48,600 --> 00:33:50,280
Speaker 13: related to, something that you you.

782
00:33:50,560 --> 00:33:53,080
Speaker 2: Know, inspiration made you think.

783
00:33:53,480 --> 00:33:55,520
Speaker 13: Right now, it's just like if you don't got a

784
00:33:55,520 --> 00:33:58,360
Speaker 13: party song then and if you ain't going viral, then

785
00:33:58,400 --> 00:33:59,280
Speaker 13: what we're doing?

786
00:34:00,040 --> 00:34:02,600
Speaker 2: Yeah, but nobody wasn't talking about no bottle story now

787
00:34:02,640 --> 00:34:03,280
Speaker 2: that I think about it.

788
00:34:03,280 --> 00:34:06,040
Speaker 4: You think about rap from the eighties, you think about

789
00:34:06,120 --> 00:34:08,800
Speaker 4: rap from the nineties or even the early two thousands.

790
00:34:08,960 --> 00:34:10,160
Speaker 2: Everyone had a story to tell.

791
00:34:10,880 --> 00:34:12,880
Speaker 4: It was a great story, right right right, that's how

792
00:34:12,920 --> 00:34:14,840
Speaker 4: to grab you first, right right, right, right right, And

793
00:34:14,840 --> 00:34:17,040
Speaker 4: I'm to just talk about one song. You have some

794
00:34:17,160 --> 00:34:20,279
Speaker 4: artists that have not not quantity when it comes to music,

795
00:34:20,440 --> 00:34:23,000
Speaker 4: but quality, whcause you want to hear what story they

796
00:34:23,040 --> 00:34:25,120
Speaker 4: have to tell based on life experiences.

797
00:34:25,320 --> 00:34:28,520
Speaker 13: Because we we tapped into those artists a lot more,

798
00:34:28,960 --> 00:34:31,879
Speaker 13: you got a chance to actually know who those artists are.

799
00:34:32,000 --> 00:34:35,640
Speaker 12: So the industry is not they're not building stars no more.

800
00:34:35,760 --> 00:34:38,400
Speaker 2: Right, So, so many artists right now that you're like,

801
00:34:38,400 --> 00:34:39,840
Speaker 2: I don't know who this guy is? Correct?

802
00:34:39,880 --> 00:34:44,560
Speaker 12: And everywhere you go personal trip business trip this rappers?

803
00:34:44,640 --> 00:34:46,319
Speaker 2: Yeah, right, and somebody might.

804
00:34:46,360 --> 00:34:48,520
Speaker 12: Tap me say, Shannon, you ow you know who that is?

805
00:34:48,560 --> 00:34:50,480
Speaker 2: You're like, I don't know who the hell? This is

806
00:34:50,520 --> 00:34:52,480
Speaker 2: what I'm trying to tell you. So there's more rappers

807
00:34:52,480 --> 00:34:53,360
Speaker 2: than people on the planet.

808
00:34:53,560 --> 00:34:58,279
Speaker 13: So it's just not that special as it used to be.

809
00:34:58,400 --> 00:34:58,600
Speaker 2: Man.

810
00:34:58,760 --> 00:35:00,839
Speaker 13: You know, but I but I expect the game because

811
00:35:00,840 --> 00:35:02,840
Speaker 13: it gave us the opportunity to be here. You know,

812
00:35:02,960 --> 00:35:05,759
Speaker 13: if if it wasn't for you know, music and the

813
00:35:05,760 --> 00:35:09,520
Speaker 13: opportunity to do music and see the world, then you know,

814
00:35:09,600 --> 00:35:10,960
Speaker 13: I wouldn't be here talking to y'all.

815
00:35:11,000 --> 00:35:15,239
Speaker 1: Now, what happened to the storytellers? You know when first originated,

816
00:35:15,320 --> 00:35:21,160
Speaker 1: there was storytellers joining us a little bit, but that

817
00:35:21,320 --> 00:35:29,600
Speaker 1: it can't keep. You have rock Hill, the Baby Elite,

818
00:35:29,680 --> 00:35:32,479
Speaker 1: stories have star Face. You had guys that could really

819
00:35:32,520 --> 00:35:33,360
Speaker 1: tell a story.

820
00:35:34,800 --> 00:35:35,759
Speaker 2: What did those guys going.

821
00:35:36,400 --> 00:35:38,359
Speaker 13: I feel like those guys are still there. I feel

822
00:35:38,400 --> 00:35:42,560
Speaker 13: like there's still guys that still cold. Definitely it's the

823
00:35:42,680 --> 00:35:47,640
Speaker 13: artists that do that. But it's like it's just so oversaturated, right,

824
00:35:47,719 --> 00:35:50,560
Speaker 13: It's just you You turn on your Instagram and you're

825
00:35:50,560 --> 00:35:51,680
Speaker 13: seeing so much.

826
00:35:52,200 --> 00:35:54,719
Speaker 12: Of of of just over stimulation.

827
00:35:54,880 --> 00:35:59,480
Speaker 13: It's just too much information, too many ads, too many

828
00:35:59,760 --> 00:36:02,879
Speaker 13: you know, artists selling something. So I think it's still

829
00:36:03,040 --> 00:36:04,880
Speaker 13: I think if you, if you look forward, I think

830
00:36:04,920 --> 00:36:06,719
Speaker 13: you've got a lot of dope artists to still you know,

831
00:36:07,560 --> 00:36:10,160
Speaker 13: speak from their heart and make quality music.

832
00:36:10,200 --> 00:36:10,359
Speaker 2: Man.

833
00:36:11,640 --> 00:36:15,960
Speaker 5: Yeah, I think the way we consume music nowadays fast microwave, yeah,

834
00:36:16,320 --> 00:36:18,760
Speaker 5: compared to back in the day they heard on the radio,

835
00:36:19,400 --> 00:36:22,359
Speaker 5: MTV or BT or the box or whatever the case

836
00:36:22,400 --> 00:36:22,640
Speaker 5: may be.

837
00:36:22,760 --> 00:36:29,320
Speaker 2: Now, like you say, we consume not asking for, not

838
00:36:29,520 --> 00:36:30,000
Speaker 2: asking for.

839
00:36:30,400 --> 00:36:31,960
Speaker 13: But the thing is, you see what you said, like

840
00:36:32,480 --> 00:36:35,719
Speaker 13: you would discover music on the radio, right, and then

841
00:36:35,719 --> 00:36:36,880
Speaker 13: you would discover it maybe.

842
00:36:36,680 --> 00:36:39,080
Speaker 2: If you went outside, right. But now it's just like

843
00:36:39,719 --> 00:36:40,800
Speaker 2: it's it's.

844
00:36:40,640 --> 00:36:47,200
Speaker 13: On this device, the devices everything differently, and it's so fast.

845
00:36:47,800 --> 00:36:50,600
Speaker 13: We don't get like we would remember artists was dropping

846
00:36:51,320 --> 00:36:54,680
Speaker 13: albums two years. Yeah, they drop album and then tour,

847
00:36:55,200 --> 00:36:57,680
Speaker 13: put out videos and then and then another two years

848
00:36:57,719 --> 00:36:58,680
Speaker 13: they'll drop another album.

849
00:36:58,840 --> 00:37:01,680
Speaker 2: Now you gottadrop it every for the thing, the.

850
00:37:01,600 --> 00:37:03,760
Speaker 1: Only thing, the only the only way you could consume

851
00:37:03,880 --> 00:37:07,560
Speaker 1: music back then was in your car or it wasn't no,

852
00:37:07,960 --> 00:37:11,520
Speaker 1: it was no right, and you wait, you're like, oh man,

853
00:37:11,800 --> 00:37:14,080
Speaker 1: hey bro, you got that you could wait to pull

854
00:37:14,160 --> 00:37:16,919
Speaker 1: that pay part there and put plus that eight track

855
00:37:17,000 --> 00:37:20,560
Speaker 1: in or put that seat up or the forty five

856
00:37:21,040 --> 00:37:24,480
Speaker 1: you know, okay, the forty five painted down for the

857
00:37:23,480 --> 00:37:26,480
Speaker 1: still scratch my rep.

858
00:37:26,480 --> 00:37:29,319
Speaker 2: Right right right right those it was.

859
00:37:29,400 --> 00:37:31,279
Speaker 5: It is different and then you know what, we get

860
00:37:31,320 --> 00:37:35,799
Speaker 5: that a lot with athletes because we compare today's athlete. Man,

861
00:37:35,800 --> 00:37:38,440
Speaker 5: I remember back in the day and the sad and

862
00:37:38,480 --> 00:37:40,399
Speaker 5: I know they get that. You guys get that a lot.

863
00:37:40,520 --> 00:37:44,319
Speaker 13: Yes, But is it fair to compare No, because it's

864
00:37:44,320 --> 00:37:48,480
Speaker 13: a it's a different time, yes, and the dynamic is different.

865
00:37:48,560 --> 00:37:50,680
Speaker 2: Yes, society is different, the environment is different.

866
00:37:50,719 --> 00:37:52,360
Speaker 13: And the way we look at things, the way we

867
00:37:52,400 --> 00:37:54,799
Speaker 13: look at sports, the way we listen to this.

868
00:37:54,880 --> 00:37:57,479
Speaker 2: Yes, So is it fair? It's not fair.

869
00:37:57,520 --> 00:37:59,120
Speaker 1: And the thing, you know, the biggest thing is is

870
00:37:59,160 --> 00:38:03,120
Speaker 1: that now athletes have something to compare to look at

871
00:38:03,120 --> 00:38:03,680
Speaker 1: these guys.

872
00:38:03,840 --> 00:38:04,960
Speaker 2: These guys are talented.

873
00:38:05,080 --> 00:38:07,319
Speaker 1: The rappers now have brought a vocabularies and they are

874
00:38:07,360 --> 00:38:11,120
Speaker 1: able to rap about more things than those guys wrapped

875
00:38:11,120 --> 00:38:12,160
Speaker 1: about back in the day.

876
00:38:12,440 --> 00:38:13,680
Speaker 2: It's just it's called evolution.

877
00:38:14,520 --> 00:38:17,680
Speaker 1: It doesn't matter you look at whether it's a horses

878
00:38:17,760 --> 00:38:20,800
Speaker 1: or whatever the case may be. They've gotten better over time.

879
00:38:21,120 --> 00:38:23,879
Speaker 1: But people just want to hold onto the arrow man.

880
00:38:25,239 --> 00:38:29,200
Speaker 13: That's why it's like that that common conversation of Lebron.

881
00:38:30,440 --> 00:38:33,640
Speaker 2: Yeah right, this is what we're talking about. Right, So.

882
00:38:35,200 --> 00:38:38,799
Speaker 13: Mike with legacy right in a shorter amount of time, Yeah,

883
00:38:39,160 --> 00:38:43,959
Speaker 13: Lebron with a longer career. You know who's right, who's wrong?

884
00:38:44,080 --> 00:38:48,040
Speaker 1: Right, It's just what you like and the people are

885
00:38:48,040 --> 00:38:52,560
Speaker 1: not gonna let go because Michael made the shoe. People

886
00:38:52,640 --> 00:38:54,600
Speaker 1: used to wear shoes just to the court. That's the

887
00:38:54,640 --> 00:38:57,160
Speaker 1: only time you wore a basketball shoes. You didn't wear

888
00:38:57,239 --> 00:39:00,640
Speaker 1: basketball shoes going to class or you go to a club,

889
00:39:01,080 --> 00:39:03,799
Speaker 1: you wore a basketball shoe. You was hooping. He made

890
00:39:03,800 --> 00:39:04,880
Speaker 1: it to where we win it.

891
00:39:05,000 --> 00:39:08,240
Speaker 2: We were in side. Yes fashion.

892
00:39:08,640 --> 00:39:11,040
Speaker 5: Once entertainer started wearing it, it was a rap and

893
00:39:11,080 --> 00:39:13,239
Speaker 5: they started putting them in movies, guys dressing up with

894
00:39:13,320 --> 00:39:13,840
Speaker 5: sneakers on.

895
00:39:14,239 --> 00:39:15,680
Speaker 2: That's when whole level.

896
00:39:15,800 --> 00:39:20,520
Speaker 13: Look how the kids who wasn't even born go crazy crazy.

897
00:39:20,920 --> 00:39:24,239
Speaker 2: It wasn't even when when these shoes came out. No

898
00:39:25,080 --> 00:39:27,440
Speaker 2: kids born in two thousands. It's like y'all got the

899
00:39:27,520 --> 00:39:28,319
Speaker 2: Jordan's Like you.

900
00:39:28,280 --> 00:39:31,359
Speaker 1: Know what I mean, I mean, you you remember man Old,

901
00:39:31,719 --> 00:39:34,120
Speaker 1: your mom and your grandma, Like, boy, I ain't playing

902
00:39:34,160 --> 00:39:37,040
Speaker 1: no forty dollars for those shoes. Jordan came out, it

903
00:39:37,080 --> 00:39:39,960
Speaker 1: was one hundred dollars. No way, the boy, you had

904
00:39:40,000 --> 00:39:43,799
Speaker 1: to work so hard to get dollar hundred dollars shoes.

905
00:39:43,840 --> 00:39:45,799
Speaker 2: You realized how much one hundred dollars was back at

906
00:39:45,800 --> 00:39:49,279
Speaker 2: the right, that's like, yeah, five hundred ours.

907
00:39:50,400 --> 00:39:54,000
Speaker 1: That was forty years ago. And people were lined up

908
00:39:55,080 --> 00:39:57,000
Speaker 1: every once in a while. You see it now, but

909
00:39:57,080 --> 00:39:59,840
Speaker 1: mainly it's with a specialist shoe. This was a mass

910
00:40:00,160 --> 00:40:04,640
Speaker 1: do shoe and people would lined up miles just to

911
00:40:04,680 --> 00:40:05,040
Speaker 1: get it.

912
00:40:05,120 --> 00:40:08,960
Speaker 13: So is that a is that a you know? Is

913
00:40:08,960 --> 00:40:11,320
Speaker 13: that Does that say something about his greatness?

914
00:40:11,400 --> 00:40:13,879
Speaker 2: Oh? Yeah, yeah, absolutely he had to be great.

915
00:40:14,600 --> 00:40:17,280
Speaker 13: He had to be great there because no other shoe

916
00:40:17,960 --> 00:40:20,799
Speaker 13: in the history of what else and when people had

917
00:40:20,960 --> 00:40:23,479
Speaker 13: when athletes had shoes, Man, when they retired, they stop

918
00:40:23,480 --> 00:40:24,000
Speaker 13: making the shoes.

919
00:40:24,360 --> 00:40:28,600
Speaker 2: You look at you look at the weapons and converse.

920
00:40:30,000 --> 00:40:32,600
Speaker 1: They stopped making it, the Doctor j converse, they stopped

921
00:40:32,600 --> 00:40:34,880
Speaker 1: making it. Kareem had a top ten of divs. We

922
00:40:34,960 --> 00:40:37,000
Speaker 1: stopped making them. You know, everybody. At first we were

923
00:40:37,000 --> 00:40:39,120
Speaker 1: in the Chuck Taylor's and then the Chuck Taylors would

924
00:40:39,120 --> 00:40:41,120
Speaker 1: have kind of went away because the technology with not

925
00:40:41,360 --> 00:40:45,120
Speaker 1: with the technology. Jordan was the first athlete that once

926
00:40:45,160 --> 00:40:47,759
Speaker 1: he retired, he was more his shoe and became more

927
00:40:47,760 --> 00:40:48,880
Speaker 1: popular once he retired.

928
00:40:48,880 --> 00:40:53,760
Speaker 13: And when it played and it's like it's it's everlasting iconic.

929
00:40:54,080 --> 00:40:55,839
Speaker 2: Yeah, twenty six.

930
00:40:56,320 --> 00:40:57,520
Speaker 3: And the funny thing about it.

931
00:40:57,400 --> 00:41:02,880
Speaker 4: Is and the shoes continue to recycle.

932
00:41:03,360 --> 00:41:08,680
Speaker 2: Yes, it's still a line and it's the classics. Yeah,

933
00:41:09,360 --> 00:41:10,879
Speaker 2: the ones choos four.

934
00:41:11,520 --> 00:41:15,799
Speaker 1: You know what changed the concord when he came out

935
00:41:15,800 --> 00:41:17,920
Speaker 1: with that black and white pant level and then the

936
00:41:18,000 --> 00:41:21,120
Speaker 1: brands came out in ninety six, it was over. And

937
00:41:21,160 --> 00:41:23,400
Speaker 1: then guess what he came out with the cool grades.

938
00:41:24,000 --> 00:41:26,640
Speaker 5: Once he came out with a pat level shoot wrap,

939
00:41:27,320 --> 00:41:28,120
Speaker 5: it was over.

940
00:41:28,520 --> 00:41:33,880
Speaker 13: So not only is he the most iconic player, Yeah,

941
00:41:34,560 --> 00:41:37,960
Speaker 13: nobody sneaker is the most iconic.

942
00:41:38,280 --> 00:41:43,560
Speaker 1: Yes, to say nobody nobody say to say, nobody's ever

943
00:41:43,640 --> 00:41:45,399
Speaker 1: touching that, Nobody's ever touching that.

944
00:41:45,560 --> 00:41:47,640
Speaker 2: You know what it's like, It's like Michael Jordan.

945
00:41:47,800 --> 00:41:50,160
Speaker 1: You can say somebody has more talent, but you will

946
00:41:50,200 --> 00:41:54,520
Speaker 1: never see an artist do what Mike did. People fell out.

947
00:41:54,760 --> 00:41:57,320
Speaker 1: Mike just came on stage and stood there for ten minutes.

948
00:41:59,000 --> 00:41:59,799
Speaker 1: People passed out.

949
00:42:01,040 --> 00:42:03,800
Speaker 2: Yes, Michael m jo don't.

950
00:42:04,120 --> 00:42:07,239
Speaker 13: Because it was sho then because we didn't have this

951
00:42:07,440 --> 00:42:08,560
Speaker 13: device in our hand.

952
00:42:10,680 --> 00:42:14,040
Speaker 15: Yeah right, it was too much access we got right

953
00:42:14,080 --> 00:42:16,920
Speaker 15: now because it was a mystique to to the people

954
00:42:16,920 --> 00:42:19,920
Speaker 15: that we, you know, looked up to the stars and superstars,

955
00:42:19,960 --> 00:42:23,680
Speaker 15: and when you really saw them it meant something because

956
00:42:23,719 --> 00:42:26,040
Speaker 15: you weren't seeing on social media every day you ever

957
00:42:26,160 --> 00:42:26,760
Speaker 15: was somewhere.

958
00:42:28,000 --> 00:42:31,319
Speaker 2: That's Michael Jordan. Michael Jordan. The only time you saw

959
00:42:31,360 --> 00:42:32,120
Speaker 2: it was on the court.

960
00:42:32,239 --> 00:42:35,400
Speaker 13: Ye, first time I seen Big Daddy came pulled up

961
00:42:35,400 --> 00:42:37,920
Speaker 13: on my block and the Bovo, the white Bobo.

962
00:42:38,000 --> 00:42:40,680
Speaker 12: Tell him, I told you outside which cables on?

963
00:42:40,880 --> 00:42:44,560
Speaker 2: Yeah, this game, we wasn't seeing them.

964
00:42:44,640 --> 00:42:50,719
Speaker 5: Yeah special special that guy. Yeah with the high top. Yeah,

965
00:42:50,760 --> 00:42:53,600
Speaker 5: the suit, with a suit.

966
00:42:54,719 --> 00:42:57,520
Speaker 13: And I felt like he was the first to kind

967
00:42:57,520 --> 00:42:59,720
Speaker 13: of like start doing brand stuff.

968
00:43:00,040 --> 00:43:02,319
Speaker 2: He was. He can't bothered with Madonald's is.

969
00:43:02,239 --> 00:43:07,040
Speaker 13: When I'm saying stuff that people back then, Yeah, we're

970
00:43:07,080 --> 00:43:10,440
Speaker 13: doing it now. Yeah, to broaden your horizons.

971
00:43:10,640 --> 00:43:18,439
Speaker 1: Yeah, we'll get it me here. Metal appreciate, appreciate. That's

972
00:43:18,480 --> 00:43:24,120
Speaker 1: my dog appreciation you brother, k that's the bad.

973
00:43:24,400 --> 00:43:37,080
Speaker 16: That's what's up baby, ah.

974
00:43:36,040 --> 00:43:38,279
Speaker 2: B d K, hey can't talk to us. I mean,

975
00:43:38,280 --> 00:43:40,560
Speaker 2: this is this is this is this where it all started.

976
00:43:40,920 --> 00:43:42,520
Speaker 1: And you and I had the conversation when you was

977
00:43:42,600 --> 00:43:47,400
Speaker 1: on Club Shah and he was talking about Brooklyn, Bronx,

978
00:43:47,440 --> 00:43:50,960
Speaker 1: buge B dp uh, you guys, the Juice Crew, all

979
00:43:51,000 --> 00:43:53,840
Speaker 1: Stars and all you guys. Talk to us about that

980
00:43:53,880 --> 00:43:57,680
Speaker 1: because you said, man, I just wanted to rap. I

981
00:43:57,719 --> 00:44:00,239
Speaker 1: thought I had a talent and I just want to

982
00:44:00,239 --> 00:44:03,080
Speaker 1: showcase that talent. Tell us give our audience a little

983
00:44:03,080 --> 00:44:05,240
Speaker 1: bit of how how you got started.

984
00:44:05,040 --> 00:44:05,799
Speaker 2: In the rap game.

985
00:44:06,760 --> 00:44:10,439
Speaker 14: Well, yeah, basically I started doing it because my older

986
00:44:10,480 --> 00:44:11,239
Speaker 14: cousin was doing it.

987
00:44:12,120 --> 00:44:13,440
Speaker 2: And when people.

988
00:44:13,239 --> 00:44:15,000
Speaker 14: In the neighborhood was telling me that I was good

989
00:44:15,040 --> 00:44:17,919
Speaker 14: at it, I stuck with it. And my whole goal

990
00:44:17,960 --> 00:44:20,640
Speaker 14: and objective was really just to be the best MC

991
00:44:20,760 --> 00:44:23,960
Speaker 14: in the neighborhood. Okay, you know, I'm going to different projects,

992
00:44:24,080 --> 00:44:26,880
Speaker 14: you know, in Brooklyn, battling people things of that nature,

993
00:44:27,960 --> 00:44:29,840
Speaker 14: trying to take out whoever the best MC in this

994
00:44:29,880 --> 00:44:31,680
Speaker 14: project is, who the best I'm see in this high

995
00:44:31,719 --> 00:44:34,719
Speaker 14: school is. And that's that was really all I could

996
00:44:34,760 --> 00:44:39,279
Speaker 14: see until I met when I met Biz and I

997
00:44:39,320 --> 00:44:41,600
Speaker 14: met bizz right when I asked him for a battle

998
00:44:42,719 --> 00:44:44,839
Speaker 14: and then he told me to he be doing shows

999
00:44:45,400 --> 00:44:47,880
Speaker 14: and asked me to get down with it, and then

1000
00:44:47,920 --> 00:44:49,400
Speaker 14: from that point the rest was history.

1001
00:44:50,400 --> 00:44:52,760
Speaker 1: We were talking to Mano and when you and I talked,

1002
00:44:52,840 --> 00:44:56,200
Speaker 1: we talked about the storytellers. You one of the first storytellers,

1003
00:44:56,719 --> 00:44:58,680
Speaker 1: a rock him storytellers click Rick.

1004
00:44:58,680 --> 00:45:00,640
Speaker 2: Click Rick click the story.

1005
00:45:00,719 --> 00:45:04,400
Speaker 14: Well, Grandmaster Cares is the first story slick Rick is

1006
00:45:04,400 --> 00:45:06,640
Speaker 14: the one that really patted it in set of Stamp.

1007
00:45:06,760 --> 00:45:08,919
Speaker 2: Yeah, yeah, here.

1008
00:45:08,880 --> 00:45:13,160
Speaker 5: The little story not long ago. I mean even before that.

1009
00:45:13,320 --> 00:45:17,920
Speaker 5: You know Lott he died girl on the show to

1010
00:45:18,080 --> 00:45:29,560
Speaker 5: me shall yeah, yes, yes. Will we ever see wrap

1011
00:45:30,280 --> 00:45:31,080
Speaker 5: as it once was?

1012
00:45:31,160 --> 00:45:32,759
Speaker 1: The rap that you know, the rap that you grew

1013
00:45:32,840 --> 00:45:35,359
Speaker 1: up with, the rap that and you know ten years

1014
00:45:35,400 --> 00:45:38,480
Speaker 1: when you were in Will we ever see that era again?

1015
00:45:39,239 --> 00:45:43,160
Speaker 14: That all depends on radio and media. It all depends

1016
00:45:43,200 --> 00:45:46,399
Speaker 14: on radio media because I see it every day. It's

1017
00:45:46,440 --> 00:45:49,319
Speaker 14: here right now when you look at Lady London, when

1018
00:45:49,360 --> 00:45:52,439
Speaker 14: you look at Conway the Machine, Benny the Butcher. Yeah,

1019
00:45:52,520 --> 00:45:55,319
Speaker 14: there's artists right now that's doing what we did in

1020
00:45:55,360 --> 00:45:57,920
Speaker 14: the eighties. With artists in the nineties, they're just not

1021
00:45:58,080 --> 00:46:01,360
Speaker 14: really getting the exposure and was going to really be

1022
00:46:01,440 --> 00:46:03,560
Speaker 14: up to radio and the media. But they are here

1023
00:46:03,719 --> 00:46:04,360
Speaker 14: right now.

1024
00:46:04,520 --> 00:46:06,600
Speaker 4: You know what I think, honestly, And that's a good

1025
00:46:06,680 --> 00:46:09,000
Speaker 4: question that you just asked. Will music ever be like

1026
00:46:09,000 --> 00:46:11,520
Speaker 4: it was in the eighties and nineties? Look at fashion

1027
00:46:12,320 --> 00:46:15,680
Speaker 4: fast is now history repeats itself and now we're back

1028
00:46:15,680 --> 00:46:16,640
Speaker 4: wearing baggy clothes.

1029
00:46:16,680 --> 00:46:19,640
Speaker 5: We do, we're doing bail bottle, Yeah, bail bottom you're doing.

1030
00:46:20,440 --> 00:46:21,880
Speaker 3: We're doing some of the stuff we did in the eighties.

1031
00:46:22,160 --> 00:46:24,000
Speaker 2: Same. I ain't going back to the bag Yeah.

1032
00:46:23,840 --> 00:46:26,120
Speaker 3: No, you didn't, not yet, not yet, Okay, okay, but.

1033
00:46:26,320 --> 00:46:27,719
Speaker 2: You ain't going You ain't going back to the bail

1034
00:46:27,719 --> 00:46:28,680
Speaker 2: bottoms because you don't know.

1035
00:46:28,719 --> 00:46:32,200
Speaker 14: I got a bail bottle smile when you said that, Yeah,

1036
00:46:32,200 --> 00:46:32,520
Speaker 14: I got.

1037
00:46:34,680 --> 00:46:36,160
Speaker 2: You know, that's that's really seventies.

1038
00:46:36,280 --> 00:46:36,440
Speaker 8: Yeah.

1039
00:46:36,480 --> 00:46:40,600
Speaker 5: I couldn't wait for that. Probably the bail bottom with

1040
00:46:41,120 --> 00:46:43,480
Speaker 5: ninety eight. I've been sitting patiently waiting.

1041
00:46:44,239 --> 00:46:44,439
Speaker 2: Yeah.

1042
00:46:44,560 --> 00:46:46,959
Speaker 4: I think I think music will evolve at some point

1043
00:46:47,000 --> 00:46:49,200
Speaker 4: the same way fashion as the same way everything has

1044
00:46:49,239 --> 00:46:52,279
Speaker 4: in general, where again we would have the quality of

1045
00:46:52,440 --> 00:46:55,160
Speaker 4: MC's and lyricists that we're used to hearing instead of

1046
00:46:55,200 --> 00:46:56,600
Speaker 4: I hate to use the word mumble rap.

1047
00:46:56,600 --> 00:46:59,040
Speaker 3: But at times I don't understand what people are. I

1048
00:46:59,080 --> 00:46:59,359
Speaker 3: just don't.

1049
00:46:59,400 --> 00:47:01,200
Speaker 4: I'm just gonna be hones and we're going to get

1050
00:47:01,200 --> 00:47:04,479
Speaker 4: back to a lyricists being more commercialized and sought after

1051
00:47:04,880 --> 00:47:06,759
Speaker 4: and being on on that you know, at the top

1052
00:47:06,800 --> 00:47:07,200
Speaker 4: of the hill.

1053
00:47:07,560 --> 00:47:09,840
Speaker 2: But even with radio play BDK. Let me add on

1054
00:47:09,880 --> 00:47:10,680
Speaker 2: to that one second.

1055
00:47:11,280 --> 00:47:14,040
Speaker 14: But like I was saying, it's here, Yeah, it just

1056
00:47:14,080 --> 00:47:17,840
Speaker 14: has to be presented mainstream because think about it now,

1057
00:47:17,880 --> 00:47:22,359
Speaker 14: when you talk about back then when it was lyrical, Yes,

1058
00:47:22,719 --> 00:47:26,640
Speaker 14: we also had you.

1059
00:47:26,600 --> 00:47:30,440
Speaker 2: Know, so we had mumbo wap. Yeah, okay, okay, you know, but.

1060
00:47:30,400 --> 00:47:32,239
Speaker 14: I mean, you know, it's like I just think that

1061
00:47:32,280 --> 00:47:34,880
Speaker 14: it's a matter of the media and radio making it

1062
00:47:34,920 --> 00:47:35,759
Speaker 14: the forefront, right.

1063
00:47:36,520 --> 00:47:39,520
Speaker 5: And we were just talking about you one of the

1064
00:47:39,520 --> 00:47:42,680
Speaker 5: first ones to wrap and have a suit on, Like

1065
00:47:42,680 --> 00:47:43,520
Speaker 5: whe's your fashion?

1066
00:47:43,800 --> 00:47:45,960
Speaker 2: So design come from? So growing up?

1067
00:47:46,000 --> 00:47:47,839
Speaker 5: Like what made you get up and you don't want

1068
00:47:47,840 --> 00:47:49,520
Speaker 5: to rap and be decked out like that?

1069
00:47:49,920 --> 00:47:51,920
Speaker 2: Well, my father, you know, he was addresser.

1070
00:47:52,040 --> 00:47:55,440
Speaker 14: My father, you know he had manking rabbit colds he

1071
00:47:55,719 --> 00:47:58,880
Speaker 14: or like the gators and the Pia card Dan shoes. Yeah,

1072
00:47:58,920 --> 00:48:01,400
Speaker 14: you know, like that's that was I didn't even know

1073
00:48:01,520 --> 00:48:03,399
Speaker 14: that there was a such thing as a four piece suit,

1074
00:48:04,320 --> 00:48:06,200
Speaker 14: you know, to I saw my father, you know, put

1075
00:48:06,200 --> 00:48:08,840
Speaker 14: the whiz on, you know, the pants to vest, the

1076
00:48:08,920 --> 00:48:11,200
Speaker 14: blazer and the duster. You know, I didn't know there

1077
00:48:11,200 --> 00:48:12,640
Speaker 14: was a such thing as a four piece suit. So,

1078
00:48:12,719 --> 00:48:15,480
Speaker 14: you know, as a little kid, you know, my pops

1079
00:48:15,480 --> 00:48:17,640
Speaker 14: go to work and I put one of his suits

1080
00:48:17,640 --> 00:48:19,239
Speaker 14: on the stand in front of the mirror and try

1081
00:48:19,280 --> 00:48:21,319
Speaker 14: to sing, Marvin gay Let's get it on, yeah right,

1082
00:48:21,440 --> 00:48:25,880
Speaker 14: you know, so I was attracted to that fashion from childhood.

1083
00:48:25,320 --> 00:48:29,440
Speaker 1: But Marvin was the guy Marvin Gaye, Sam Cook dressed

1084
00:48:29,440 --> 00:48:31,880
Speaker 1: on stay. But it was a different They weren't rapids.

1085
00:48:31,920 --> 00:48:35,080
Speaker 1: They were singing. They were singing. There was crooner's But

1086
00:48:35,800 --> 00:48:38,799
Speaker 1: you were talking about the commercialization and getting back to

1087
00:48:38,840 --> 00:48:39,640
Speaker 1: produce some music.

1088
00:48:39,960 --> 00:48:42,120
Speaker 2: But when we get when.

1089
00:48:42,000 --> 00:48:45,240
Speaker 1: We actually get into our cars, now, do we still

1090
00:48:45,239 --> 00:48:47,400
Speaker 1: consume music the same way or do we go to

1091
00:48:47,680 --> 00:48:51,440
Speaker 1: a specific station to listen to a specific genre of music?

1092
00:48:51,520 --> 00:48:53,000
Speaker 1: Because when I get in, all I listened to is

1093
00:48:53,040 --> 00:48:56,239
Speaker 1: the grooves. All I want to go we who me?

1094
00:48:56,719 --> 00:48:56,959
Speaker 2: Us?

1095
00:48:57,080 --> 00:48:57,160
Speaker 11: You?

1096
00:48:57,480 --> 00:48:59,720
Speaker 1: I mean you? You you actually listened to the radio.

1097
00:49:00,000 --> 00:49:05,080
Speaker 1: We're fifty plus, that's what who You're referring to do

1098
00:49:05,560 --> 00:49:08,759
Speaker 1: do young? Do you think young? Like twenties enough?

1099
00:49:09,719 --> 00:49:12,680
Speaker 14: No, because you know, I have a I have a

1100
00:49:12,680 --> 00:49:15,760
Speaker 14: thirteen year old son, and when I let him control

1101
00:49:15,760 --> 00:49:19,279
Speaker 14: the radio, yeah, yeah, he's a d J. It's like

1102
00:49:19,320 --> 00:49:21,520
Speaker 14: we listening to this, that song go off. He turns

1103
00:49:21,520 --> 00:49:24,000
Speaker 14: to another station, that go off. He turns to another

1104
00:49:24,040 --> 00:49:27,160
Speaker 14: station that go off. He switched to media and put

1105
00:49:27,200 --> 00:49:30,359
Speaker 14: his phone on. Yeah, like yeah, he just all over

1106
00:49:30,360 --> 00:49:30,720
Speaker 14: the place.

1107
00:49:31,400 --> 00:49:34,719
Speaker 1: So it's really hard because you know, man, we turn

1108
00:49:34,840 --> 00:49:38,399
Speaker 1: to our favorite station with our ninety three point one

1109
00:49:39,360 --> 00:49:40,440
Speaker 1: and they just hit you.

1110
00:49:40,600 --> 00:49:42,839
Speaker 2: Just you just jamm it and you really will tell

1111
00:49:42,880 --> 00:49:46,080
Speaker 2: you something. And I really talk about this because I

1112
00:49:46,080 --> 00:49:47,279
Speaker 2: know people will clown me for it.

1113
00:49:47,960 --> 00:49:52,359
Speaker 14: But bro right now, in twenty twenty six, I still

1114
00:49:52,360 --> 00:49:53,000
Speaker 14: have an iepart.

1115
00:49:53,120 --> 00:49:56,400
Speaker 2: My car still it is still work. It's do it's

1116
00:49:56,400 --> 00:49:58,440
Speaker 2: still work. Let me spink that. I mean. But the car,

1117
00:49:58,520 --> 00:50:01,880
Speaker 2: the car obviously, no, no, no, listen all you gotta do.

1118
00:50:02,600 --> 00:50:07,960
Speaker 2: It's just lightning to USBC. You got to the USBC

1119
00:50:08,080 --> 00:50:10,839
Speaker 2: into the car, and then the lightning into the I part. Yeah.

1120
00:50:10,920 --> 00:50:13,680
Speaker 14: And I was sitting in my house and put together

1121
00:50:14,640 --> 00:50:17,880
Speaker 14: a nine hour playlist and drive from North Carolina to

1122
00:50:17,960 --> 00:50:21,879
Speaker 14: New York listening to that one playlist. Yeah, so right

1123
00:50:21,880 --> 00:50:23,879
Speaker 14: now I have w b d K in my car,

1124
00:50:23,920 --> 00:50:24,840
Speaker 14: my own radio station.

1125
00:50:27,960 --> 00:50:32,080
Speaker 2: Okay, we talked about, like we we that was it.

1126
00:50:32,239 --> 00:50:34,840
Speaker 1: Was cool to go to the little mom and pop shot,

1127
00:50:35,320 --> 00:50:37,239
Speaker 1: put the record on, put the hip off, and you

1128
00:50:37,280 --> 00:50:38,600
Speaker 1: can listen to it.

1129
00:50:38,800 --> 00:50:41,160
Speaker 2: You know what I'm saying. It was something special about that.

1130
00:50:41,160 --> 00:50:44,040
Speaker 1: The end scense was burning and you know, a make

1131
00:50:44,080 --> 00:50:46,160
Speaker 1: me an eight track and so you get all your

1132
00:50:46,520 --> 00:50:48,880
Speaker 1: all your favorites, put them on that eight track. You

1133
00:50:49,000 --> 00:50:51,960
Speaker 1: good to go. Then it came to CD. I missed that.

1134
00:50:52,040 --> 00:50:53,680
Speaker 1: There are no more time records. And then yeah, they

1135
00:50:53,719 --> 00:50:55,480
Speaker 1: do have a couple of mommy shops where you go

1136
00:50:55,560 --> 00:50:57,760
Speaker 1: thumb through, because it was something to go thumb through those.

1137
00:50:57,600 --> 00:50:59,960
Speaker 2: Little and look at it, look at the party by.

1138
00:51:01,480 --> 00:51:05,920
Speaker 14: Yeah, I used to don't forget about the juke box.

1139
00:51:06,880 --> 00:51:08,040
Speaker 2: Those we used to do in the diner.

1140
00:51:08,520 --> 00:51:11,480
Speaker 14: Yes, yes, after the club, you're in the diner, you

1141
00:51:11,520 --> 00:51:13,400
Speaker 14: put you know, putting money in the jui water in

1142
00:51:13,400 --> 00:51:16,240
Speaker 14: that thing you play the mom and pop shop.

1143
00:51:17,680 --> 00:51:18,520
Speaker 2: You missed, you missed.

1144
00:51:18,520 --> 00:51:23,560
Speaker 14: Those days came absolutely absolutely because you know they focused

1145
00:51:23,880 --> 00:51:25,960
Speaker 14: on a lot of new talent, not just you know

1146
00:51:26,000 --> 00:51:29,440
Speaker 14: what was mainstream on the radio. You can learn about

1147
00:51:29,560 --> 00:51:32,520
Speaker 14: new R and B artists, new rap art you know,

1148
00:51:32,600 --> 00:51:35,240
Speaker 14: from the mom and pop stop stores. You know, artists

1149
00:51:35,280 --> 00:51:38,600
Speaker 14: that weren't didn't have the record stands at sam Goodies

1150
00:51:38,680 --> 00:51:41,960
Speaker 14: or the Coconuts. Yep, yeah, yeah, you know what. You

1151
00:51:42,000 --> 00:51:45,359
Speaker 14: know what I missed the most and this generation will

1152
00:51:45,400 --> 00:51:45,799
Speaker 14: never know.

1153
00:51:46,440 --> 00:51:47,080
Speaker 2: Soul Training.

1154
00:51:48,560 --> 00:51:52,879
Speaker 1: Soul Trade introduce you the more artists than any other

1155
00:51:54,080 --> 00:51:58,439
Speaker 1: sold trade in the American bandstand. And everybody would run

1156
00:51:58,480 --> 00:52:01,440
Speaker 1: home because you know, at twelve o'clock or one o'clock,

1157
00:52:04,160 --> 00:52:05,919
Speaker 1: the trip in America.

1158
00:52:06,040 --> 00:52:07,839
Speaker 2: Oh yeah, nah, it was beautiful, man.

1159
00:52:07,920 --> 00:52:11,760
Speaker 14: I mean I I used to love watching Soul Train

1160
00:52:12,400 --> 00:52:17,080
Speaker 14: and the Soul Train line, you know, even though the

1161
00:52:17,080 --> 00:52:20,080
Speaker 14: scrabble ball was always easy to go, but still just

1162
00:52:20,120 --> 00:52:22,680
Speaker 14: to see it, you know, I mean da and hearing

1163
00:52:22,760 --> 00:52:26,200
Speaker 14: all the music because you you had artists performing their hits,

1164
00:52:26,360 --> 00:52:29,400
Speaker 14: but the dancers throughout the episode was dancing to a

1165
00:52:29,400 --> 00:52:32,040
Speaker 14: lot of B side cuts. Ye you may have never heard,

1166
00:52:32,400 --> 00:52:34,440
Speaker 14: so it's introducing you, you know, and to.

1167
00:52:34,360 --> 00:52:36,600
Speaker 1: See those artists get up there, whether it was very

1168
00:52:36,600 --> 00:52:39,160
Speaker 1: wide or Teddy Pendograd's hald melver than the blue notes,

1169
00:52:39,480 --> 00:52:43,040
Speaker 1: the stylistic. I mean it was just like but I

1170
00:52:43,080 --> 00:52:45,520
Speaker 1: do know this, the big bands didn't not coming back.

1171
00:52:46,000 --> 00:52:48,320
Speaker 1: Oh now, let me ask you this, and this is

1172
00:52:48,320 --> 00:52:51,200
Speaker 1: what I came and I went in to wanted to

1173
00:52:51,239 --> 00:52:53,360
Speaker 1: ask you this. You remember when the du Ass You

1174
00:52:53,440 --> 00:52:56,200
Speaker 1: had Rufus and Shaka, you had Peaches and Herd, you

1175
00:52:56,320 --> 00:53:02,120
Speaker 1: had Renee and Angela, you had uh, Stephanie Mills and

1176
00:53:02,160 --> 00:53:06,120
Speaker 1: Teddy Pendergrad, you had Fire and Ice, Teter, Marie and

1177
00:53:06,160 --> 00:53:10,719
Speaker 1: rich Oh my goodness. That Will we ever see duo

1178
00:53:10,920 --> 00:53:11,800
Speaker 1: peer like that again?

1179
00:53:13,800 --> 00:53:14,399
Speaker 2: I would hope.

1180
00:53:14,400 --> 00:53:17,160
Speaker 14: So I think that something like that may happen for

1181
00:53:17,200 --> 00:53:20,160
Speaker 14: a project. Yeah, not as a group that want to

1182
00:53:20,200 --> 00:53:22,319
Speaker 14: you know, you know, make a career of it, But

1183
00:53:22,400 --> 00:53:25,800
Speaker 14: I think something like that may happen as a project.

1184
00:53:26,000 --> 00:53:29,680
Speaker 1: Yeah, you know Marvin Gaye and Tammy Terrell, I mean that,

1185
00:53:30,200 --> 00:53:37,239
Speaker 1: uh uh, Barry White Glodeen, Yeah yeah, yeah, this song

1186
00:53:37,280 --> 00:53:39,000
Speaker 1: together You is one of my favorites.

1187
00:53:39,080 --> 00:53:39,239
Speaker 8: Yeah.

1188
00:53:39,320 --> 00:53:41,960
Speaker 4: The funny thing about it is everything you just named,

1189
00:53:42,080 --> 00:53:46,560
Speaker 4: Ohio players, the Brothers. The sound of music has evolved

1190
00:53:46,680 --> 00:53:50,520
Speaker 4: to where those that even have the ability to sing, yeah,

1191
00:53:50,920 --> 00:53:53,000
Speaker 4: in those groups don't even sound like that or the

1192
00:53:53,080 --> 00:53:55,920
Speaker 4: music they make. It sounds nothing like it did back then. Yeah,

1193
00:53:56,000 --> 00:53:58,080
Speaker 4: I still go like that music is timeless.

1194
00:53:58,239 --> 00:54:01,000
Speaker 3: Yeah, in any era, you're gonna be able to listen

1195
00:54:01,080 --> 00:54:01,239
Speaker 3: to it.

1196
00:54:01,400 --> 00:54:03,160
Speaker 1: That big band in the seventies, when you had the

1197
00:54:03,200 --> 00:54:05,879
Speaker 1: Ohio Players, you had Earth Wind and Fire, you had

1198
00:54:05,920 --> 00:54:08,319
Speaker 1: k C and the Sunshine Band, you had the Barcade,

1199
00:54:08,560 --> 00:54:15,840
Speaker 1: you had Lake Side, you had the Stylistics that's babe.

1200
00:54:15,960 --> 00:54:18,799
Speaker 1: You had the Commodorees before before a line of winn

1201
00:54:18,920 --> 00:54:22,719
Speaker 1: You had L T D before uh he was the

1202
00:54:22,760 --> 00:54:25,880
Speaker 1: guy what was the lead singer l T D?

1203
00:54:26,320 --> 00:54:27,760
Speaker 2: Before he left?

1204
00:54:29,120 --> 00:54:31,920
Speaker 14: Now you I mean, well, you know, I grew up

1205
00:54:31,960 --> 00:54:35,880
Speaker 14: listening to a lot of that real deep soul. So,

1206
00:54:36,080 --> 00:54:38,880
Speaker 14: like you know, a lot of my my favorite singers

1207
00:54:38,880 --> 00:54:43,360
Speaker 14: were like you know, you know, Marvin Gate, David Ruffing, Yeah, okay, okay,

1208
00:54:43,960 --> 00:54:49,759
Speaker 14: h Willie Hutch Okay, yeah, yeah, you know, yeah, you know,

1209
00:54:49,760 --> 00:54:53,320
Speaker 14: Wilson Pickett. Yeah, you know, I love those raspy voices,

1210
00:54:53,440 --> 00:54:54,800
Speaker 14: you know, yeah.

1211
00:54:54,760 --> 00:54:57,760
Speaker 1: Those those those guys and and and and Like you said,

1212
00:54:58,160 --> 00:55:00,800
Speaker 1: I don't know if we're ever gonna see the duet,

1213
00:55:00,840 --> 00:55:03,160
Speaker 1: like you said, maybe for a project, yeah, for a project.

1214
00:55:03,200 --> 00:55:08,080
Speaker 1: But it used to be to hear Stephanie Mills and

1215
00:55:08,400 --> 00:55:15,400
Speaker 1: Marvin Gay and the Yeas and Stephanie Mills and this

1216
00:55:15,560 --> 00:55:20,200
Speaker 1: Bee and boy was this bee. Oh I need to

1217
00:55:20,239 --> 00:55:21,600
Speaker 1: see I need to see. I need to see her

1218
00:55:21,640 --> 00:55:23,320
Speaker 1: in concert. I really need to s oh yeah and

1219
00:55:23,440 --> 00:55:28,280
Speaker 1: no she she tears it down. Yeah, like certain artists

1220
00:55:28,360 --> 00:55:30,600
Speaker 1: from that era right now.

1221
00:55:31,080 --> 00:55:35,480
Speaker 14: Still Stephanie Mills, Evelyn Champagne King, Sheila e.

1222
00:55:37,560 --> 00:55:41,520
Speaker 2: To this day, this day. Like, let me tell you something, man.

1223
00:55:41,520 --> 00:55:44,640
Speaker 14: Back in nineteen eighty seven, there was a club called

1224
00:55:44,640 --> 00:55:48,719
Speaker 14: the Red Parrot in New York. I had a show

1225
00:55:48,760 --> 00:55:52,239
Speaker 14: there with Evelyn Champagne King, and they wanted don't want

1226
00:55:52,239 --> 00:55:54,920
Speaker 14: to lose your The promoter and my manager wanted me

1227
00:55:54,960 --> 00:55:58,799
Speaker 14: to close the show. The promoter, yeah, Evelyn Champagne King

1228
00:55:58,880 --> 00:56:01,640
Speaker 14: manager wanted her to close. So I just happened to

1229
00:56:01,640 --> 00:56:04,839
Speaker 14: come to sound check and I'm like, Evely Champagne Paint

1230
00:56:04,880 --> 00:56:06,480
Speaker 14: King is a legend, man, I don't want to go

1231
00:56:06,560 --> 00:56:07,840
Speaker 14: on after her.

1232
00:56:08,040 --> 00:56:09,759
Speaker 2: You know, I pay her and she need to close.

1233
00:56:10,880 --> 00:56:15,399
Speaker 14: No, I'm glad I did that, bru when I tell

1234
00:56:15,440 --> 00:56:21,120
Speaker 14: you dancing then just left the microphone, started shaking the tambourine,

1235
00:56:21,200 --> 00:56:22,719
Speaker 14: playing the bongos.

1236
00:56:22,200 --> 00:56:27,439
Speaker 2: In order, like she got busy, man, busy, those Rose

1237
00:56:27,520 --> 00:56:29,000
Speaker 2: Roys were another group though.

1238
00:56:29,080 --> 00:56:31,719
Speaker 1: Those were and you know you wait, you you go

1239
00:56:31,840 --> 00:56:34,239
Speaker 1: home because you didn't know who was gonna be on,

1240
00:56:34,320 --> 00:56:36,799
Speaker 1: so just not like now they would promote it just

1241
00:56:37,080 --> 00:56:37,800
Speaker 1: watch Soul.

1242
00:56:37,680 --> 00:56:40,480
Speaker 3: Training and then everything was a surprise.

1243
00:56:40,560 --> 00:56:41,680
Speaker 2: Who was who ca?

1244
00:56:42,200 --> 00:56:44,640
Speaker 14: Hey boy, you were just by that TV like and

1245
00:56:44,760 --> 00:56:47,120
Speaker 14: especially the episodes when Dawn opened up the mic, I

1246
00:56:47,239 --> 00:56:48,080
Speaker 14: let you sing for real?

1247
00:56:48,640 --> 00:56:51,279
Speaker 2: What you doing that long stick mic? No?

1248
00:56:51,440 --> 00:56:54,120
Speaker 14: I mean, like, you know, most people, So when he

1249
00:56:54,160 --> 00:56:55,600
Speaker 14: when he would open up the mic for people like

1250
00:56:55,600 --> 00:56:57,440
Speaker 14: Stevie went one of those many rippletons.

1251
00:56:57,480 --> 00:57:06,719
Speaker 1: Yeah, James Brown said, loving you that's my root. Those

1252
00:57:06,760 --> 00:57:12,680
Speaker 1: those women have voices. Tina Marie legend Ain't nobody knew

1253
00:57:12,680 --> 00:57:13,520
Speaker 1: she was white?

1254
00:57:14,080 --> 00:57:16,720
Speaker 2: Boy, somebody, oh she's white, what's get out of my faith?

1255
00:57:17,920 --> 00:57:17,960
Speaker 5: Like?

1256
00:57:20,080 --> 00:57:23,240
Speaker 2: Yeah, that lpohulm was hard to believe, but yeah, she

1257
00:57:23,520 --> 00:57:27,200
Speaker 2: she was serious soul sick. Yeah. Gena was the truth. Man?

1258
00:57:27,880 --> 00:57:30,440
Speaker 2: What if? Kay? What if about women? That's so because

1259
00:57:30,480 --> 00:57:34,120
Speaker 2: most of these women were tiny, tiny women, huge, huge,

1260
00:57:34,320 --> 00:57:38,000
Speaker 2: huge voices. What is about a voice in that and

1261
00:57:38,000 --> 00:57:39,680
Speaker 2: and that in that in that frame?

1262
00:57:40,720 --> 00:57:42,960
Speaker 14: I mean I don't know, I mean, you know, I

1263
00:57:43,000 --> 00:57:47,160
Speaker 14: can't really explain you know, the anatomy.

1264
00:57:47,320 --> 00:57:51,200
Speaker 2: But I would assume that church had a lot to do. Yes, yes,

1265
00:57:51,920 --> 00:57:52,960
Speaker 2: assume that church.

1266
00:57:53,680 --> 00:57:56,439
Speaker 4: Especially when you think about you think about Fantasia, yes,

1267
00:57:57,080 --> 00:57:58,240
Speaker 4: Jennifer Hudson.

1268
00:57:58,000 --> 00:58:02,600
Speaker 1: Yes, but all those you know, Aretha Franklins, all those women,

1269
00:58:02,760 --> 00:58:03,959
Speaker 1: Gladys Night, all those women.

1270
00:58:04,880 --> 00:58:10,320
Speaker 14: Yeah yeah, yeah yeah not man, listen, Fantasica made me

1271
00:58:10,320 --> 00:58:12,120
Speaker 14: move on my seat. Man, I have to catch myself.

1272
00:58:13,160 --> 00:58:15,600
Speaker 14: I'm serious. We was, we was doing a Patty LaBelle

1273
00:58:15,600 --> 00:58:20,880
Speaker 14: tribute some years ago and Fantation started blowing and I

1274
00:58:21,760 --> 00:58:24,600
Speaker 14: and I caught mysel' not gonna have me doing that,

1275
00:58:25,280 --> 00:58:30,960
Speaker 14: like climing in the seat, like no, she can go down.

1276
00:58:31,080 --> 00:58:31,880
Speaker 2: Yeah yeah, you know.

1277
00:58:33,440 --> 00:58:34,800
Speaker 4: So there's that there, one of the one of the

1278
00:58:34,800 --> 00:58:38,440
Speaker 4: best voices of all time, all time, Ky White.

1279
00:58:41,320 --> 00:58:42,840
Speaker 2: Yeah, she's amazing.

1280
00:58:43,200 --> 00:58:48,040
Speaker 14: I mean there's so many, you know, young singers today

1281
00:58:48,160 --> 00:58:53,160
Speaker 14: with you know, spectacular voices, Fantasic, Ki Ki White, Jennifer Hudson,

1282
00:58:53,640 --> 00:58:56,440
Speaker 14: Leilah James, Jasamine Sullivan.

1283
00:58:56,600 --> 00:58:57,920
Speaker 2: Yeah, yeah, this there's a lot of them.

1284
00:58:59,400 --> 00:58:59,520
Speaker 5: Hm.

1285
00:58:59,600 --> 00:59:01,640
Speaker 1: You still get excited to hear new music like you

1286
00:59:01,640 --> 00:59:04,680
Speaker 1: did when you first got into it, absolutely because of

1287
00:59:04,800 --> 00:59:06,720
Speaker 1: like what you were saying, Like you know how it

1288
00:59:06,800 --> 00:59:08,920
Speaker 1: is today. You know, like a lot of people, you know,

1289
00:59:09,560 --> 00:59:12,640
Speaker 1: whenever where most people like singing in auto tunes and

1290
00:59:12,680 --> 00:59:14,200
Speaker 1: they don't really you know a lot of people that

1291
00:59:14,360 --> 00:59:16,560
Speaker 1: blowing ain't really in style. No more so when I

1292
00:59:16,560 --> 00:59:18,880
Speaker 1: do see a young artist doing something like that, like,

1293
00:59:18,920 --> 00:59:22,240
Speaker 1: I'm amazed. I gravitate to it, you know. Yeah, yeah,

1294
00:59:22,280 --> 00:59:24,720
Speaker 1: you know what I had T Pain on and I

1295
00:59:24,760 --> 00:59:28,400
Speaker 1: didn't know T Pain could really really sing me neither.

1296
00:59:29,360 --> 00:59:31,160
Speaker 2: I didn't know T Pain could really really sing.

1297
00:59:31,440 --> 00:59:33,280
Speaker 1: I mean as far as rappers, he and see low

1298
00:59:33,320 --> 00:59:38,680
Speaker 1: Green see Lo Greenking problem but and he said, I said, Well,

1299
00:59:38,720 --> 00:59:41,959
Speaker 1: I say, I said, Pain, you got a voice.

1300
00:59:42,000 --> 00:59:44,400
Speaker 2: You could really really sing. He said, But I ain't

1301
00:59:44,400 --> 00:59:47,720
Speaker 2: nobody paying for that. Mm hmm. He said, they're paying

1302
00:59:47,760 --> 00:59:49,280
Speaker 2: for this. Mm hm.

1303
00:59:49,400 --> 00:59:51,040
Speaker 1: He said, I had to. I had to get a

1304
00:59:51,040 --> 00:59:53,800
Speaker 1: people give them what they wanted. Yes, I could. I mean,

1305
00:59:53,840 --> 00:59:55,520
Speaker 1: when you you go back and listen to some of

1306
00:59:55,520 --> 00:59:58,360
Speaker 1: his covers that he's done, uh uh, he did the

1307
00:59:58,400 --> 00:59:59,320
Speaker 1: Sam Cook version.

1308
00:59:59,520 --> 01:00:01,640
Speaker 2: He did Sam Smith version.

1309
01:00:02,360 --> 01:00:04,960
Speaker 14: Now, I listened to that whole last the last project

1310
01:00:05,040 --> 01:00:07,240
Speaker 14: he put out. That's amazing. I didn't like, you said,

1311
01:00:07,280 --> 01:00:09,600
Speaker 14: I didn't know he could blow like that. Yeah, he

1312
01:00:10,200 --> 01:00:15,240
Speaker 14: can get down b d K, the legend Big Daddy Kane, Bro.

1313
01:00:15,480 --> 01:00:17,720
Speaker 14: Appreciate your man, all the best. Good to see your get.

1314
01:00:21,040 --> 01:00:26,880
Speaker 2: Danny Kane. Man. It's always like when you grow up.

1315
01:00:26,800 --> 01:00:30,080
Speaker 1: And you meet these guys. I mean, I grew up

1316
01:00:30,080 --> 01:00:32,800
Speaker 1: with Big Daddy k That's my era. That's that's that's

1317
01:00:32,880 --> 01:00:34,640
Speaker 1: that's about. That's that's my that's my era.

1318
01:00:34,800 --> 01:00:38,080
Speaker 2: Yeah. And to see him and to rock him and

1319
01:00:38,120 --> 01:00:39,200
Speaker 2: the Slick Ricks.

1320
01:00:39,000 --> 01:00:41,560
Speaker 1: And all those guys that uh, you know obviously have

1321
01:00:41,600 --> 01:00:46,280
Speaker 1: a relationship with with Scarface, those storytellers. You know, it's

1322
01:00:46,360 --> 01:00:49,040
Speaker 1: kind of like in the comedic world. You look at

1323
01:00:49,560 --> 01:00:51,400
Speaker 1: Dick Gregor was really with the first one, and then

1324
01:00:51,400 --> 01:00:53,560
Speaker 1: you had a Cosby, and then you had Richard Pryor,

1325
01:00:53,920 --> 01:00:56,320
Speaker 1: and now you got Chappelle, George carl and Lewis c

1326
01:00:56,480 --> 01:01:02,120
Speaker 1: k Uh, Bill Burr someone that like that. Guys that

1327
01:01:02,120 --> 01:01:04,480
Speaker 1: that not only make you laugh, but they make you

1328
01:01:04,520 --> 01:01:07,920
Speaker 1: think and they talk about things that actually happened in society.

1329
01:01:07,800 --> 01:01:09,720
Speaker 2: But right now, you know, Chappelle's at the top of

1330
01:01:09,720 --> 01:01:10,120
Speaker 2: that list.

1331
01:01:10,400 --> 01:01:12,640
Speaker 1: And when you had guys like BDK and these other

1332
01:01:12,680 --> 01:01:15,200
Speaker 1: guys that could tell your story and make you think,

1333
01:01:15,280 --> 01:01:18,760
Speaker 1: it's like okay, and they wrapped in such a cadence,

1334
01:01:19,360 --> 01:01:21,800
Speaker 1: like you said, you could understand after I heard of

1335
01:01:21,840 --> 01:01:24,760
Speaker 1: about three or four times. Hey, I know exactly what

1336
01:01:24,800 --> 01:01:27,439
Speaker 1: they say. Hey, I bring that back in the world

1337
01:01:28,400 --> 01:01:31,200
Speaker 1: for work. Some of these guys I listened to a

1338
01:01:31,240 --> 01:01:32,640
Speaker 1: thousand times. I still continue.

1339
01:01:32,720 --> 01:01:36,200
Speaker 5: That's because what they're talking about is not relatable. It's

1340
01:01:36,240 --> 01:01:37,360
Speaker 5: not relatable to you.

1341
01:01:37,360 --> 01:01:37,960
Speaker 2: You know what I mean.

1342
01:01:38,040 --> 01:01:39,840
Speaker 5: What those dudes talking about back in the day, you

1343
01:01:39,840 --> 01:01:44,200
Speaker 5: can understand, you can relate how they don't.

1344
01:01:44,360 --> 01:01:47,880
Speaker 1: Yeah, out of the aged out, out of the phased out,

1345
01:01:47,960 --> 01:01:49,000
Speaker 1: or whatever the case may be.

1346
01:01:49,360 --> 01:01:52,240
Speaker 2: But it's it's it's not the same anymore. Man.

1347
01:01:52,760 --> 01:01:54,800
Speaker 1: We were talking about if we went to a room,

1348
01:01:54,880 --> 01:01:59,320
Speaker 1: we're all police officers, uh, federal agents, and we walk

1349
01:01:59,400 --> 01:02:02,720
Speaker 1: into a room twenty million dollars on the table, US three.

1350
01:02:04,280 --> 01:02:05,680
Speaker 3: I mean we can, we can go ahead and hold on.

1351
01:02:05,720 --> 01:02:07,160
Speaker 4: Matter of fact, let me let me help the people

1352
01:02:07,160 --> 01:02:08,880
Speaker 4: get give y'all some visuals.

1353
01:02:09,600 --> 01:02:18,960
Speaker 1: Bring that black problem, the problem DJ, what's our baby?

1354
01:02:19,240 --> 01:02:20,880
Speaker 1: Pard to see? Good to see you, man, I'm doing

1355
01:02:20,880 --> 01:02:21,920
Speaker 1: it man, Good to see you.

1356
01:02:21,960 --> 01:02:22,120
Speaker 2: Bro.

1357
01:02:23,320 --> 01:02:26,720
Speaker 1: I'm doing great. I'm doing great. How you doing? Thank you?

1358
01:02:26,720 --> 01:02:29,360
Speaker 1: Happy to do you. You haven't seen right there, Bro, yeah.

1359
01:02:29,680 --> 01:02:32,200
Speaker 2: I got a great question. I'm glad, glad, Yes, sir,

1360
01:02:33,440 --> 01:02:41,960
Speaker 2: I'm glad. You couple of more. Thanks. What's up? Ready?

1361
01:02:42,200 --> 01:02:42,400
Speaker 10: Good?

1362
01:02:42,680 --> 01:02:46,480
Speaker 2: Let me see so talk to me. Go ahead, lead

1363
01:02:46,480 --> 01:02:49,120
Speaker 2: it off the money right there, we're gonna we're gonna

1364
01:02:49,280 --> 01:02:51,400
Speaker 2: pull empathetically. We're police officers. Okay.

1365
01:02:51,720 --> 01:02:55,200
Speaker 1: We walk into a room and there's twenty million dollars

1366
01:02:55,360 --> 01:02:56,480
Speaker 1: in unmarked currency.

1367
01:02:56,520 --> 01:02:58,200
Speaker 2: It's sitting right there, right right there on the table.

1368
01:02:58,400 --> 01:03:02,720
Speaker 2: It's sitting right here, right now. Nobody called it. Nobody

1369
01:03:02,800 --> 01:03:03,040
Speaker 2: call it.

1370
01:03:03,240 --> 01:03:08,080
Speaker 1: No cameras, no cameras were walking there together. Twenty million, okay,

1371
01:03:08,720 --> 01:03:12,000
Speaker 1: unmarked bills. So they're nonsequential because that that gets your trouble.

1372
01:03:12,040 --> 01:03:14,280
Speaker 1: You gotta be careful with that. But anyway, so we

1373
01:03:14,400 --> 01:03:17,160
Speaker 1: walk into the room. What's our next play?

1374
01:03:18,960 --> 01:03:27,480
Speaker 2: We could take turning something right this this man, you're

1375
01:03:27,480 --> 01:03:31,400
Speaker 2: gonna get us, get us yo, No, twenty you'll get

1376
01:03:31,480 --> 01:03:34,560
Speaker 2: you knocked right five. Hold on, you gotta think about it.

1377
01:03:34,560 --> 01:03:36,840
Speaker 4: They send us, they send us folk to go see

1378
01:03:36,840 --> 01:03:40,120
Speaker 4: if there's something in there. Right, yes, there are no cameras, no,

1379
01:03:40,360 --> 01:03:42,480
Speaker 4: So all we have is each other, yes.

1380
01:03:42,400 --> 01:03:45,880
Speaker 3: Your word, your trust, your trust me.

1381
01:03:46,680 --> 01:03:48,560
Speaker 4: If it's twenty million and there were taking the whole

1382
01:03:48,560 --> 01:03:50,000
Speaker 4: twenty We spending it five.

1383
01:03:50,000 --> 01:03:57,640
Speaker 2: Oh no, I'm good, I'm out, I got I'm gone, No, sir,

1384
01:03:59,040 --> 01:04:02,480
Speaker 2: we turn it fifteen split. No, no, no, we're not

1385
01:04:02,600 --> 01:04:09,360
Speaker 2: turn We turn it in five five. Yes, yeah, that.

1386
01:04:09,280 --> 01:04:10,400
Speaker 3: Makes me a little more comfortable.

1387
01:04:10,480 --> 01:04:12,840
Speaker 2: Yeah, but yeah, you can't. We're gonna be honest surveillance

1388
01:04:12,880 --> 01:04:14,280
Speaker 2: for a minute.

1389
01:04:14,840 --> 01:04:18,480
Speaker 5: No, we turned in five. They gonna be wondering. Hold on,

1390
01:04:19,120 --> 01:04:23,040
Speaker 5: was it a little more than No, that's all we done. No,

1391
01:04:23,120 --> 01:04:24,800
Speaker 5: it wasn't this everything.

1392
01:04:24,840 --> 01:04:28,680
Speaker 1: We got Boston, and we got to because you know,

1393
01:04:28,800 --> 01:04:31,880
Speaker 1: I'm ten years away from retirement. But now I'm ten

1394
01:04:31,960 --> 01:04:35,640
Speaker 1: months away from retirement, so I'm gonna have to live

1395
01:04:35,760 --> 01:04:36,120
Speaker 1: on a four.

1396
01:04:36,840 --> 01:04:39,200
Speaker 2: Yeah, I don't know how much. Don't know how much

1397
01:04:40,200 --> 01:04:42,800
Speaker 2: from retirement and it turned into ten months. Oh yeah,

1398
01:04:42,840 --> 01:04:44,720
Speaker 2: they're gonna investigate it. And we don't know where the

1399
01:04:44,760 --> 01:04:46,560
Speaker 2: money comes from. We don't know who it is. No,

1400
01:04:46,600 --> 01:04:48,880
Speaker 2: we don't know who it is. We just know it's

1401
01:04:48,880 --> 01:04:49,440
Speaker 2: not ours.

1402
01:04:51,000 --> 01:04:53,640
Speaker 5: Who is unimportant At this point in time, I'm making

1403
01:04:53,680 --> 01:04:54,160
Speaker 5: all the money.

1404
01:04:54,160 --> 01:04:56,960
Speaker 2: It could be yours. You might have both, y'all. Y'all

1405
01:04:56,960 --> 01:04:59,520
Speaker 2: got so much coming in, you might have police officer.

1406
01:05:00,280 --> 01:05:04,720
Speaker 1: We're police officer police Yeah, yeah, yeah, I think I

1407
01:05:05,000 --> 01:05:09,480
Speaker 1: think three three point seven per I think we can

1408
01:05:09,520 --> 01:05:09,920
Speaker 1: make that one.

1409
01:05:10,000 --> 01:05:11,800
Speaker 5: Now what we now, what we gotta do is we

1410
01:05:11,800 --> 01:05:14,040
Speaker 5: gotta hold one person out of the group. Just don't

1411
01:05:14,040 --> 01:05:16,240
Speaker 5: go haywy and go to doing what I mean, got

1412
01:05:16,280 --> 01:05:21,040
Speaker 5: no business? Yeah yeah, because once one person, they're gonna

1413
01:05:21,040 --> 01:05:22,560
Speaker 5: be on all of us because they just sit all

1414
01:05:22,600 --> 01:05:24,720
Speaker 5: of us. Now they see o children bottom a brand

1415
01:05:24,800 --> 01:05:27,480
Speaker 5: new house and all I'm going.

1416
01:05:27,320 --> 01:05:38,640
Speaker 2: To live with you now I'm out of here. Yeah.

1417
01:05:29,640 --> 01:05:42,280
Speaker 5: We we'm playing on the police salary?

1418
01:05:42,560 --> 01:05:49,640
Speaker 2: What policef you know? Goodbye? Yeah? Yes, who you guys

1419
01:05:49,720 --> 01:05:50,320
Speaker 2: after three?

1420
01:05:51,680 --> 01:05:52,080
Speaker 7: Ah?

1421
01:05:52,720 --> 01:05:53,000
Speaker 10: Man?

1422
01:05:53,480 --> 01:05:55,280
Speaker 2: That why we gotta know who we're dealing with. Were

1423
01:05:55,320 --> 01:05:55,800
Speaker 2: going there?

1424
01:05:55,880 --> 01:05:59,040
Speaker 1: Yeah, I'm y'all just go ahead. I'm gonna gone, y'all.

1425
01:05:59,120 --> 01:06:03,800
Speaker 1: Let me know what y'all done. Man, bet how you doing.

1426
01:06:04,240 --> 01:06:06,800
Speaker 2: I'm blessed man. I'm so happy to see y'all. Man,

1427
01:06:06,880 --> 01:06:08,760
Speaker 2: get to see my fans. Good. Is it good to

1428
01:06:08,760 --> 01:06:10,560
Speaker 2: see you as well?

1429
01:06:10,440 --> 01:06:13,520
Speaker 1: We're talking to hypothetical because of the movie the real

1430
01:06:13,880 --> 01:06:18,360
Speaker 1: with being that flat Matt Danye and Tianna Taylor and

1431
01:06:18,400 --> 01:06:20,400
Speaker 1: they go into a room and there's twenty million dollars

1432
01:06:20,440 --> 01:06:23,720
Speaker 1: in cash, and they're police officers. How much do you take?

1433
01:06:24,440 --> 01:06:28,439
Speaker 1: How much do you keep? Do you take it all?

1434
01:06:28,560 --> 01:06:28,880
Speaker 2: Do you?

1435
01:06:29,560 --> 01:06:32,919
Speaker 1: And you know, I understand you know people like man,

1436
01:06:32,920 --> 01:06:38,040
Speaker 1: they dirty bro twenty million, twenty millions.

1437
01:06:37,440 --> 01:06:40,520
Speaker 4: By changing your life, that's life changing money, that's life

1438
01:06:40,520 --> 01:06:43,440
Speaker 4: altering money that you would never have the opportunity to make.

1439
01:06:44,800 --> 01:06:51,160
Speaker 2: Or let alone earn. Yeah, this is about whatever.

1440
01:06:51,280 --> 01:06:53,160
Speaker 3: Oh you could take it out of them.

1441
01:06:53,600 --> 01:06:56,280
Speaker 2: We'll be honest, be honest. That's fifty thousand. So can

1442
01:06:56,320 --> 01:07:01,200
Speaker 2: you imagine twenty million? Just like this. One thing I've

1443
01:07:01,280 --> 01:07:03,959
Speaker 2: learned is that nothing is for free.

1444
01:07:04,400 --> 01:07:08,120
Speaker 3: M everything, come right, everything right, come on now.

1445
01:07:08,520 --> 01:07:12,040
Speaker 4: So I mean, if it if it's there, I understand,

1446
01:07:12,080 --> 01:07:14,320
Speaker 4: maybe you you know, you carve out a little something,

1447
01:07:14,360 --> 01:07:16,920
Speaker 4: but you gotta watch y'all get it too greedy.

1448
01:07:17,080 --> 01:07:19,400
Speaker 2: Yeah, that's why we turn it in five million.

1449
01:07:19,600 --> 01:07:22,400
Speaker 1: Yeah, we were greedy. We take it off. Yeah, but

1450
01:07:22,480 --> 01:07:24,160
Speaker 1: you know, ay, you know I got to give my

1451
01:07:24,200 --> 01:07:27,600
Speaker 1: ten percent. I gotta give ten percent over time because

1452
01:07:27,600 --> 01:07:28,880
Speaker 1: if I get ten percent at one.

1453
01:07:28,760 --> 01:07:31,920
Speaker 2: Time, they're gonna know something. They're gonna know someupping up.

1454
01:07:32,280 --> 01:07:34,400
Speaker 1: But yeah, but I definitely, I definitely you know, break

1455
01:07:34,400 --> 01:07:37,800
Speaker 1: the break the church off my XIME Missionary number one

1456
01:07:37,880 --> 01:07:40,840
Speaker 1: Baptist Church. They're gonna finally get that building paid for.

1457
01:07:41,000 --> 01:07:45,360
Speaker 1: They'll get the building that building for. It just became complete.

1458
01:07:46,280 --> 01:07:48,760
Speaker 1: But h man, thank you for joining us on boys

1459
01:07:48,840 --> 01:07:50,880
Speaker 1: Night out. Man, I really appreciate that. Man, thanks for

1460
01:07:50,920 --> 01:07:52,920
Speaker 1: stopping by. I can't we can't wait to get over

1461
01:07:52,960 --> 01:07:55,480
Speaker 1: to the facility and check this movie out. Meet meet

1462
01:07:55,520 --> 01:07:58,680
Speaker 1: the guys on the red carpet. But j love respect,

1463
01:07:58,680 --> 01:07:59,720
Speaker 1: Thank you, Bro, appreciate you.

1464
01:07:59,760 --> 01:08:01,760
Speaker 2: Thank you. Good to see baby, always a pleasant man.

1465
01:08:02,760 --> 01:08:06,120
Speaker 1: Where's uh, where's okay?

1466
01:08:06,680 --> 01:08:11,520
Speaker 2: You know he got that little weak bladder? Mm hmmm. Alright,

1467
01:08:13,000 --> 01:08:20,880
Speaker 2: good morning people. How you going? Yeah, oh what a

1468
01:08:20,920 --> 01:08:22,920
Speaker 2: beautiful say so.

1469
01:08:23,080 --> 01:08:25,680
Speaker 1: Now we're gonna find out what they actually do in

1470
01:08:25,760 --> 01:08:26,480
Speaker 1: that situation.

1471
01:08:27,320 --> 01:08:34,360
Speaker 5: We already know get I can take it again. Anybody

1472
01:08:34,360 --> 01:08:35,960
Speaker 5: ain't right mind? We know what's going on.

1473
01:08:39,080 --> 01:08:50,800
Speaker 2: I guess it. H no, I guess you would have

1474
01:08:50,840 --> 01:09:02,000
Speaker 2: to get in the front. Jordan, what a friend. Oh, Yo,

1475
01:09:04,160 --> 01:09:04,640
Speaker 2: appreciate that.

1476
01:09:04,680 --> 01:09:06,559
Speaker 4: Appreciate you know I got I got some special stuff

1477
01:09:06,600 --> 01:09:07,760
Speaker 4: in them.

1478
01:09:07,920 --> 01:09:20,040
Speaker 5: Yeah mm hmmmm uh what.

1479
01:09:23,960 --> 01:09:38,760
Speaker 2: For sure? R m hmm yeah, Oh, children got got

1480
01:09:38,760 --> 01:09:41,000
Speaker 2: a pop? Nah, we don't get pop.

1481
01:09:41,400 --> 01:09:43,600
Speaker 4: Listen, we're not gonna get popped simply because I'm the

1482
01:09:43,680 --> 01:09:52,000
Speaker 4: cheapest one out all us, Joe living the property.

1483
01:09:49,360 --> 01:09:53,640
Speaker 1: And I'm you know, I'm, I'm We police officers, we

1484
01:09:53,640 --> 01:09:57,280
Speaker 1: ain't living like that. So how we live in how

1485
01:09:57,400 --> 01:10:00,920
Speaker 1: police officers live, All of them lived different. If you

1486
01:10:01,000 --> 01:10:08,439
Speaker 1: know how much they make or take? No, I think

1487
01:10:08,520 --> 01:10:10,639
Speaker 1: you know what's the good police sell? One hundred fifty

1488
01:10:10,640 --> 01:10:14,360
Speaker 1: thousand a year. Yeah, okay, one hundred fifty thousand a year.

1489
01:10:15,200 --> 01:10:16,320
Speaker 2: I'm living way below that.

1490
01:10:17,520 --> 01:10:21,680
Speaker 5: So with with five million on you in cash, you

1491
01:10:21,760 --> 01:10:23,400
Speaker 5: got to go stash it somewhere cause you can't gonna

1492
01:10:23,400 --> 01:10:25,200
Speaker 5: put that in the bank. Put it.

1493
01:10:25,600 --> 01:10:28,040
Speaker 2: I'm gonna have dog, right, Both of y'all got dogs, right, Yeah,

1494
01:10:28,160 --> 01:10:31,080
Speaker 2: they be outside and inside a little bit of both. Okay,

1495
01:10:31,120 --> 01:10:33,080
Speaker 2: do they ask somewhere they sit. When they go outside

1496
01:10:33,080 --> 01:10:35,640
Speaker 2: and lay down, they'll be all over the place. No,

1497
01:10:35,720 --> 01:10:38,840
Speaker 2: I'm just saying, so you got no kennel outside? No, No,

1498
01:10:39,680 --> 01:10:41,800
Speaker 2: I was just thinking about burying the money up with

1499
01:10:41,880 --> 01:10:44,200
Speaker 2: a dog outside. M h.

1500
01:10:45,479 --> 01:10:47,479
Speaker 1: It's gotta it ain't gonna be in my property cause

1501
01:10:47,479 --> 01:10:48,519
Speaker 1: that's the first thing they're gonna come.

1502
01:10:48,520 --> 01:10:50,559
Speaker 2: Dig it up. Where you're gonna where you're gonna keep

1503
01:10:50,600 --> 01:10:50,880
Speaker 2: you on that.

1504
01:10:51,040 --> 01:11:03,160
Speaker 1: I can't tell you that. Come where I keep it

1505
01:11:03,160 --> 01:11:05,360
Speaker 1: at He'll tell it.

1506
01:11:05,520 --> 01:11:05,840
Speaker 8: See.

1507
01:11:06,200 --> 01:11:09,559
Speaker 5: See, we already got conflicts already. I don't really know

1508
01:11:09,560 --> 01:11:10,640
Speaker 5: what's gonna be going on, you.

1509
01:11:10,680 --> 01:11:11,120
Speaker 7: Know what I mean.

1510
01:11:11,200 --> 01:11:12,800
Speaker 5: I just say, look, I don't want to know where

1511
01:11:12,840 --> 01:11:15,320
Speaker 5: you keep your mind. I gotta wash my bag to

1512
01:11:15,360 --> 01:11:16,439
Speaker 5: make sure nobody see.

1513
01:11:16,439 --> 01:11:18,800
Speaker 2: We can't operate like that. We can't be keeping nothing

1514
01:11:18,800 --> 01:11:20,599
Speaker 2: from each other. Now, Yes, we can't be. If we're

1515
01:11:20,600 --> 01:11:22,040
Speaker 2: still at twenty million. Now, they got to be some

1516
01:11:22,080 --> 01:11:25,200
Speaker 2: type of type of trust. We ain't still in twenty TC.

1517
01:11:25,320 --> 01:11:27,320
Speaker 2: There you go. That's what I'm talking about, Joe. That's

1518
01:11:27,360 --> 01:11:33,080
Speaker 2: what I'm talking about. I have to take y'all out, Joe.

1519
01:11:33,080 --> 01:11:35,479
Speaker 1: I just think we ought to leave the money and

1520
01:11:35,600 --> 01:11:37,719
Speaker 1: hopefully we come across some more money at a later.

1521
01:11:39,040 --> 01:11:39,720
Speaker 2: We can't leave that.

1522
01:11:40,120 --> 01:11:42,639
Speaker 5: We get an opportunity of a lifetime and we don't

1523
01:11:42,680 --> 01:11:43,599
Speaker 5: ran across this money.

1524
01:11:43,680 --> 01:11:45,920
Speaker 2: We just need to do right. He ain't why you

1525
01:11:45,920 --> 01:11:47,960
Speaker 2: gotta be mean to do right? Y'all need to do right.

1526
01:11:48,200 --> 01:11:50,599
Speaker 2: We not coming across that kind of money no other time.

1527
01:11:51,720 --> 01:11:54,120
Speaker 2: Take advantage of an opportunity like that, Well, okay, I

1528
01:11:54,240 --> 01:11:56,439
Speaker 2: just God send it God, sending you a message and

1529
01:11:56,479 --> 01:11:58,439
Speaker 2: here you go ignoring it. See we know you're gonna

1530
01:11:58,439 --> 01:12:02,800
Speaker 2: go start buying all the chrome. Yeah yeah, I'm the

1531
01:12:02,880 --> 01:12:04,200
Speaker 2: cheap I'm the chief one, not the group.

1532
01:12:06,200 --> 01:12:08,400
Speaker 5: I'm the cheap one, because you know, you gotta put

1533
01:12:08,400 --> 01:12:09,680
Speaker 5: that ship on you know how you go.

1534
01:12:10,000 --> 01:12:13,880
Speaker 1: Put it on your You got you already. I gotta

1535
01:12:13,920 --> 01:12:16,640
Speaker 1: be cold with me. I gotta be told that. I

1536
01:12:17,200 --> 01:12:17,680
Speaker 1: gotta be me.

1537
01:12:20,560 --> 01:12:21,080
Speaker 2: That's not me.

1538
01:12:21,200 --> 01:12:21,759
Speaker 3: I don't know.

1539
01:12:21,800 --> 01:12:25,000
Speaker 5: I don't like that boy there got in my whole

1540
01:12:25,040 --> 01:12:28,240
Speaker 5: new set of frames. Yeah yeah, yeah, yeah, I already

1541
01:12:28,360 --> 01:12:30,120
Speaker 5: I see how you come. I already know what's going on.

1542
01:12:30,240 --> 01:12:30,479
Speaker 2: Listen.

1543
01:12:30,600 --> 01:12:34,200
Speaker 4: I mean, everybody know that's not that's you. I'm a minimalist.

1544
01:12:34,360 --> 01:12:36,800
Speaker 4: Everything I do I do in a simple fashion. Now,

1545
01:12:36,840 --> 01:12:38,680
Speaker 4: I can't help that when I put it on, it

1546
01:12:38,720 --> 01:12:39,439
Speaker 4: looks a certain way.

1547
01:12:40,080 --> 01:12:42,760
Speaker 2: See that that's the problem. I appreciate it looks like

1548
01:12:42,800 --> 01:12:44,439
Speaker 2: I have done something, but it just me.

1549
01:12:44,479 --> 01:12:47,200
Speaker 4: It's my ris, the way I carry myself.

1550
01:12:47,640 --> 01:12:49,360
Speaker 2: Most people start with their rights when I started with

1551
01:12:49,400 --> 01:12:51,200
Speaker 2: my left. Okay, you see the different.

1552
01:12:52,439 --> 01:12:54,400
Speaker 5: I just don't want to have to look over my shoulder

1553
01:12:54,640 --> 01:12:57,800
Speaker 5: five minutes, man, knowing I've done a little dirt with y'all.

1554
01:12:58,120 --> 01:13:02,280
Speaker 3: Yeah, it ain't me, ain't. You ain't got to worry about.

1555
01:13:02,120 --> 01:13:05,000
Speaker 1: Me, bro, Yeah we do. We Actually, you gotta worry

1556
01:13:05,000 --> 01:13:07,559
Speaker 1: about you. Actually, that's the only what I'm worried.

1557
01:13:07,320 --> 01:13:12,040
Speaker 5: About, hey, cause you know, I'm i'm I'm I'm closed

1558
01:13:12,080 --> 01:13:12,760
Speaker 5: lip over here.

1559
01:13:13,160 --> 01:13:19,960
Speaker 2: Huh how you doing? All right? What you with me?

1560
01:13:20,280 --> 01:13:21,400
Speaker 2: All of a sudden you can't talk?

1561
01:13:23,640 --> 01:13:26,320
Speaker 1: You talking the third mostly here behind oh Jo and

1562
01:13:26,360 --> 01:13:31,680
Speaker 1: I and now you ain't got that to saynight?

1563
01:13:32,000 --> 01:13:50,040
Speaker 2: Yes, yellow yellow man that tailor good night already.

1564
01:13:49,720 --> 01:13:55,160
Speaker 1: Yes with you know what you know we're gonna We're

1565
01:13:55,160 --> 01:13:58,920
Speaker 1: gonna include you were come into this room a twenty

1566
01:13:58,960 --> 01:14:04,799
Speaker 1: million me and you joey Oo, how much we take it? God,

1567
01:14:06,640 --> 01:14:13,800
Speaker 1: I can't sh shod they no, no, hell, they gonna

1568
01:14:13,800 --> 01:14:14,280
Speaker 1: be on our.

1569
01:14:14,200 --> 01:14:17,880
Speaker 2: An Listen, you know what We're gonna have to kill

1570
01:14:17,920 --> 01:14:20,360
Speaker 2: them to see I'm talking about have not them to

1571
01:14:20,439 --> 01:14:21,080
Speaker 2: off see I'm.

1572
01:14:20,920 --> 01:14:22,879
Speaker 17: Talking about difference.

1573
01:14:24,240 --> 01:14:28,360
Speaker 5: Hey, nobody ever, five day we we had this conversation.

1574
01:14:30,200 --> 01:14:35,800
Speaker 5: You got to leave something because it looks it looks great.

1575
01:14:35,880 --> 01:14:39,120
Speaker 5: All bad these four officers the integrity.

1576
01:14:39,439 --> 01:14:41,280
Speaker 1: Do you know what it took for these officers to

1577
01:14:41,320 --> 01:14:44,760
Speaker 1: see this money and to turn it in and we

1578
01:14:44,840 --> 01:14:45,240
Speaker 1: standing there.

1579
01:14:45,240 --> 01:14:47,160
Speaker 2: They gonna give us a metal, they're gonna give us

1580
01:14:47,160 --> 01:14:48,360
Speaker 2: some medal. What we're gonna do with that?

1581
01:14:49,680 --> 01:14:57,280
Speaker 1: We got five million, that's what that's the one we want,

1582
01:14:57,479 --> 01:15:03,719
Speaker 1: because guess what, that's what.

1583
01:15:05,360 --> 01:15:06,240
Speaker 2: That's what we want.

1584
01:15:07,560 --> 01:15:12,280
Speaker 5: We got the community with the money.

1585
01:15:12,439 --> 01:15:15,200
Speaker 2: Right, you're gonna community.

1586
01:15:15,520 --> 01:15:19,519
Speaker 1: No, I ain't gonna say nothing. No, the community ain't

1587
01:15:19,520 --> 01:15:21,599
Speaker 1: gonna know nothing about this money.

1588
01:15:23,760 --> 01:15:24,679
Speaker 2: I gotta want. I want.

1589
01:15:25,080 --> 01:15:26,640
Speaker 5: I wonder who got a good pot. I gotta know

1590
01:15:26,640 --> 01:15:29,960
Speaker 5: who got good poker faces? Who ain't gonna crack under pressure?

1591
01:15:30,360 --> 01:15:33,640
Speaker 5: Like all that gonna come into account. Absolutely, well, you

1592
01:15:33,680 --> 01:15:35,480
Speaker 5: already know they greedy.

1593
01:15:37,479 --> 01:15:39,760
Speaker 2: We're not greedy. We just understanding of the situation. You

1594
01:15:39,800 --> 01:15:42,040
Speaker 2: don't leave that kind of money, Yes you do. You

1595
01:15:42,160 --> 01:15:45,760
Speaker 2: leave that kind of money on the table, Okay, you

1596
01:15:46,439 --> 01:15:49,559
Speaker 2: give it all right, you don't leave a little back? No, No,

1597
01:15:50,200 --> 01:15:54,920
Speaker 2: But I'm trying to win out there a little bit

1598
01:15:54,920 --> 01:15:55,759
Speaker 2: for me, and I'm gonna.

1599
01:15:56,560 --> 01:15:58,519
Speaker 1: Well, the thing is that you don't really try to

1600
01:15:58,560 --> 01:16:01,880
Speaker 1: hold a guy and throw the guy down because you'll

1601
01:16:01,880 --> 01:16:03,679
Speaker 1: get a flag. But if I give him a little tug,

1602
01:16:04,479 --> 01:16:06,280
Speaker 1: they might let me go with that. If I throw

1603
01:16:06,280 --> 01:16:08,160
Speaker 1: the guy down, they're gonna throw a penalty.

1604
01:16:08,400 --> 01:16:10,400
Speaker 17: Everything's on the line.

1605
01:16:13,200 --> 01:16:14,679
Speaker 2: So tell me what you're gonna do with your five

1606
01:16:16,360 --> 01:16:18,639
Speaker 2: I'm going to put.

1607
01:16:18,439 --> 01:16:21,960
Speaker 17: It into my community because I know, I feel like

1608
01:16:21,960 --> 01:16:22,559
Speaker 17: I would have.

1609
01:16:22,479 --> 01:16:23,560
Speaker 2: To be involved.

1610
01:16:23,880 --> 01:16:26,200
Speaker 5: But you you're a police officer with five million dollars.

1611
01:16:26,200 --> 01:16:27,640
Speaker 5: They don't know you got it, what you're planning on

1612
01:16:27,680 --> 01:16:31,160
Speaker 5: doing with it? Again, so now that's what police officers do.

1613
01:16:31,240 --> 01:16:35,960
Speaker 13: Huh okay, But but I would just happened.

1614
01:16:37,520 --> 01:16:43,080
Speaker 2: Okay, it's still rooted. You are the police officer. You

1615
01:16:43,200 --> 01:16:43,840
Speaker 2: going to jail.

1616
01:16:44,240 --> 01:16:48,360
Speaker 5: It doesn't let me let me tell you what else.

1617
01:16:48,360 --> 01:16:53,120
Speaker 5: You let me tell you what else you rooted in

1618
01:16:53,160 --> 01:16:55,080
Speaker 5: the penitentiary.

1619
01:16:54,920 --> 01:16:56,439
Speaker 2: And we're all going down they cat shot.

1620
01:16:56,680 --> 01:17:01,280
Speaker 5: I say, yeah, yeah, yeah, oh Joe, Joe jo, Yeah.

1621
01:17:00,760 --> 01:17:02,240
Speaker 4: I ain't got to do that because yeah, yeah, you

1622
01:17:02,320 --> 01:17:04,000
Speaker 4: do to be at the nearest McDonald's going through the

1623
01:17:04,040 --> 01:17:05,519
Speaker 4: draft or nothing gonna change.

1624
01:17:06,040 --> 01:17:07,479
Speaker 2: They're gonna gonna get you nowhere.

1625
01:17:10,640 --> 01:17:14,160
Speaker 5: Yeah, you're putting your money in the community. I'm like, shot,

1626
01:17:14,280 --> 01:17:15,439
Speaker 5: where you're getting the money.

1627
01:17:15,200 --> 01:17:18,080
Speaker 2: From you to take the charge?

1628
01:17:19,200 --> 01:17:25,840
Speaker 1: Okay, okay, I just want I'm changing my number. Y'all

1629
01:17:25,880 --> 01:17:27,840
Speaker 1: can't call me because I already know y'all got to

1630
01:17:27,880 --> 01:17:30,439
Speaker 1: sit up. I know y'all why and so when y'all

1631
01:17:30,439 --> 01:17:32,040
Speaker 1: call me, Joe, I'm changing my number.

1632
01:17:35,920 --> 01:17:39,760
Speaker 2: We're here, Yes, well we finished what was about to

1633
01:17:39,760 --> 01:17:40,080
Speaker 2: go down?

1634
01:17:44,200 --> 01:17:44,320
Speaker 9: Right?

1635
01:17:47,720 --> 01:17:48,280
Speaker 2: That was it?

1636
01:17:48,400 --> 01:17:50,160
Speaker 11: The old lady is sitting No.

1637
01:17:50,320 --> 01:17:55,160
Speaker 2: Look I'm good. How are you? Thank you?

1638
01:17:56,640 --> 01:18:11,160
Speaker 7: Oh you.

1639
01:18:12,720 --> 01:18:33,200
Speaker 2: Can't grip. I got that signed, thank you. Yeah, they're working, Bromber.

1640
01:18:34,479 --> 01:18:38,320
Speaker 2: I got another marketing appreciate that. Thank you, thank you.

1641
01:18:38,439 --> 01:18:40,719
Speaker 2: Just tell us thank you for my fool much.

1642
01:18:43,600 --> 01:18:45,320
Speaker 18: I got you, thank you, thank you, thank you.

1643
01:18:48,920 --> 01:18:57,639
Speaker 5: There you go, I got yes, yes, thank you, Ado.

1644
01:18:59,080 --> 01:19:20,120
Speaker 2: Thank thank you, thank you. We're here at the premiere.

1645
01:19:20,120 --> 01:19:21,080
Speaker 2: I'm on the red carpet.

1646
01:19:21,080 --> 01:19:23,280
Speaker 5: We're getting ready to go in and preemil the movie

1647
01:19:23,320 --> 01:19:32,280
Speaker 5: The Rip with Ben after that Daymond wait to see it, fig.

1648
01:19:41,040 --> 01:20:05,280
Speaker 11: Chelka okay, So.

1649
01:20:05,280 --> 01:20:10,960
Speaker 17: I'm gonna walk them first, okay. So I'm gonna have

1650
01:20:11,080 --> 01:20:16,479
Speaker 17: you guys doing the solo experts okay, and.

1651
01:20:16,520 --> 01:20:39,840
Speaker 19: Then we have testing okay, okay, huh okay, okay, whatever right.

1652
01:20:43,600 --> 01:20:48,719
Speaker 19: Excuse me, man, look at all that money twenty million

1653
01:20:48,800 --> 01:20:49,160
Speaker 19: right down?

1654
01:20:51,080 --> 01:20:53,200
Speaker 2: What's that? Ron say? Man? Let me get to thank

1655
01:20:53,200 --> 01:20:54,479
Speaker 2: you wordt you, thank you.

1656
01:20:55,760 --> 01:20:55,920
Speaker 7: Yeah.

1657
01:20:55,920 --> 01:20:57,639
Speaker 2: I ain't gonna know what to do with I ain't

1658
01:20:57,640 --> 01:21:04,960
Speaker 2: gonna right what we're doing that. Yeah, yeah, we're taking

1659
01:21:10,479 --> 01:21:11,760
Speaker 2: I'll take y'all. I'll tak y'all.

1660
01:21:12,080 --> 01:21:19,320
Speaker 5: Yeah yeah, you couldn't even you can't even imagine having

1661
01:21:19,400 --> 01:21:21,240
Speaker 5: that type of cold cash.

1662
01:21:22,120 --> 01:21:25,240
Speaker 2: A ye know what you're gonna do with them in

1663
01:21:25,360 --> 01:21:31,160
Speaker 2: the flesh, not doing anything with ya. That's what I'm

1664
01:21:31,200 --> 01:21:33,120
Speaker 2: not gonna do. Chat on the same paces. You don't

1665
01:21:33,120 --> 01:21:35,000
Speaker 2: need you to do. Yeah.

1666
01:21:45,240 --> 01:21:54,920
Speaker 5: Yeah, oh man, this ship gonna be nice. This ship

1667
01:21:54,920 --> 01:22:06,759
Speaker 5: will fire. Yeah yeah, how good.

1668
01:22:06,640 --> 01:22:07,760
Speaker 2: Of a room was your guys.

1669
01:22:10,680 --> 01:22:12,600
Speaker 3: We're not gonna take shot, but that Marrel got his.

1670
01:22:15,240 --> 01:22:18,840
Speaker 2: No, we gotta text shots. He's gonna celebrate Marrel. I

1671
01:22:18,920 --> 01:22:19,200
Speaker 2: see that.

1672
01:22:19,320 --> 01:22:35,040
Speaker 20: I love he's a beautiful of the York right, okay, okay.

1673
01:22:35,479 --> 01:22:38,360
Speaker 3: So solo solo, so.

1674
01:22:40,240 --> 01:22:51,960
Speaker 2: Okay, Yeah, they're gonna do solo. Br your mad I

1675
01:22:52,040 --> 01:22:55,680
Speaker 2: think waiting. I told her, I pulled up on you

1676
01:22:58,320 --> 01:23:06,040
Speaker 2: every time you come up with every talking about yo

1677
01:23:06,160 --> 01:23:14,640
Speaker 2: bro Jo Yo Joe. Right yeah all the time. I

1678
01:23:14,720 --> 01:23:15,959
Speaker 2: love what they said.

1679
01:23:23,600 --> 01:23:24,599
Speaker 6: The all time.

1680
01:23:27,120 --> 01:23:33,240
Speaker 2: Clip you Ricky highlight bro that nigga. Look when I

1681
01:23:33,280 --> 01:23:34,680
Speaker 2: was a rookie dog, he used to talk with me

1682
01:23:34,800 --> 01:23:37,320
Speaker 2: so much. Player. He used to like, you know, hate

1683
01:23:37,439 --> 01:23:39,639
Speaker 2: me so much so to have that moment on his ass?

1684
01:23:39,760 --> 01:23:50,320
Speaker 18: Hell yeah, top, yes time, It don't matter if it's

1685
01:23:50,400 --> 01:23:51,639
Speaker 18: top twenty, top ten, top.

1686
01:23:53,400 --> 01:23:58,840
Speaker 2: I was like, yo, bro, I was. I hated it

1687
01:23:59,360 --> 01:24:11,520
Speaker 2: when it went to the yes, sir, right, you know, crazy.

1688
01:24:17,479 --> 01:24:24,120
Speaker 5: Like somebody got that gas, somebody got that gash.

1689
01:24:31,400 --> 01:24:35,680
Speaker 2: Excited This money right here and you're gonna look at

1690
01:24:35,760 --> 01:24:49,160
Speaker 2: royal photographer thank you. Yeah.

1691
01:24:50,280 --> 01:24:55,000
Speaker 5: Yeah, I'm excited too. I've seen the trailer on this.

1692
01:24:56,160 --> 01:24:58,280
Speaker 5: I was gonna be crazy. It's gonna be crazy, but yeah,

1693
01:24:58,280 --> 01:25:00,600
Speaker 5: I'm I'm happy. I'm happy to be a part of

1694
01:25:13,280 --> 01:25:14,000
Speaker 5: what do you want me yet?

1695
01:25:27,960 --> 01:25:29,960
Speaker 2: The last money? You're going to head over to the

1696
01:25:30,000 --> 01:25:30,439
Speaker 2: money pot?

1697
01:25:30,520 --> 01:26:06,960
Speaker 8: Okay, stay right here, okay, okay, okay, yes.

1698
01:26:10,000 --> 01:26:16,720
Speaker 2: Oh zimba al right right right on the money.

1699
01:26:20,280 --> 01:26:48,719
Speaker 3: You take a step stop.

1700
01:26:52,320 --> 01:26:56,920
Speaker 2: Hold cash. You getting get together right here.

1701
01:26:59,680 --> 01:27:02,200
Speaker 3: Right Jord and get them told.

1702
01:27:09,040 --> 01:27:13,160
Speaker 2: You get to find the money.

1703
01:27:17,520 --> 01:27:24,400
Speaker 8: Ryle Wow.

1704
01:27:24,960 --> 01:27:28,519
Speaker 2: Yeah, yeah, we don't walk in the road. I'm talking about.

1705
01:27:28,760 --> 01:27:32,760
Speaker 2: This is literally twety me ship. I'm gonna be like

1706
01:27:32,840 --> 01:27:39,720
Speaker 2: this here got throw it. Oh you got to bring

1707
01:27:39,800 --> 01:27:43,920
Speaker 2: this fake money that ship look real right here, Chad

1708
01:27:44,439 --> 01:27:47,840
Speaker 2: chat the cat throw that's real. That's real, that Ojo

1709
01:27:48,360 --> 01:27:53,280
Speaker 2: Just have you guys like right behind that title you work,

1710
01:27:53,560 --> 01:27:54,360
Speaker 2: you got to break.

1711
01:27:54,200 --> 01:27:57,200
Speaker 11: Them open and through hold on, hold on, hold on?

1712
01:27:57,560 --> 01:28:02,080
Speaker 2: Is that real? Hell know? Oh yeah, the ain't no

1713
01:28:02,479 --> 01:28:20,639
Speaker 2: pay so one. Yeah. Yeah, like we at the strip

1714
01:28:20,720 --> 01:28:22,559
Speaker 2: club with him ballet damn to be a O Joe?

1715
01:28:25,800 --> 01:28:33,519
Speaker 2: How you doing what I'm throwing nothing? I'm keeping everything bands.

1716
01:28:36,320 --> 01:28:38,960
Speaker 5: Oh you're like, you don't done that before? You got

1717
01:28:39,040 --> 01:28:58,240
Speaker 5: some experience with that? I said, he didn't have done

1718
01:28:58,280 --> 01:28:59,960
Speaker 5: that before. I keep this for myself.

1719
01:29:05,080 --> 01:29:05,640
Speaker 2: Think about it.

1720
01:29:06,600 --> 01:29:13,559
Speaker 1: This is actually twenty million dollars in cash. Now three people, me, Oh,

1721
01:29:13,680 --> 01:29:16,759
Speaker 1: Joe and Joe. We can easily take five million apiece,

1722
01:29:17,360 --> 01:29:22,560
Speaker 1: leave five million. Everybody's happy, But no, not this one. No,

1723
01:29:23,479 --> 01:29:25,240
Speaker 1: we need to take it all. It's gonna be at

1724
01:29:25,320 --> 01:29:26,760
Speaker 1: least one person out of the group. You're gonna have

1725
01:29:26,800 --> 01:29:27,320
Speaker 1: to worry about it.

1726
01:29:27,479 --> 01:29:29,800
Speaker 2: Just how it go. That's just how I go. We

1727
01:29:29,920 --> 01:29:31,320
Speaker 2: know where that is, Joe.

1728
01:29:32,160 --> 01:29:33,320
Speaker 8: You know what you do, Joe.

1729
01:29:34,720 --> 01:29:37,439
Speaker 2: I'm just letting it know. A we might have to

1730
01:29:37,520 --> 01:29:40,600
Speaker 2: knock that joke. Yeah for sure. I'm just gonna go

1731
01:29:40,640 --> 01:29:42,760
Speaker 2: ahead and make peace with the decision that I'm gonna

1732
01:29:42,760 --> 01:29:43,320
Speaker 2: have to make.

1733
01:29:44,760 --> 01:29:45,479
Speaker 8: It is what it is.

1734
01:29:46,040 --> 01:29:51,640
Speaker 5: Huh, don't worry about it. Don't worry, don't worry about it.

1735
01:29:53,320 --> 01:29:54,120
Speaker 5: Don't worry about it.

1736
01:29:57,680 --> 01:29:59,599
Speaker 8: Oh yeah, yeah I might.

1737
01:30:00,120 --> 01:30:02,320
Speaker 2: Why why does that make me take a fifteen home

1738
01:30:02,360 --> 01:30:05,760
Speaker 2: and turning? I mean, oh no, I don't know what.

1739
01:30:06,720 --> 01:30:09,920
Speaker 1: Yeah, guys, we really want to thank you guys for

1740
01:30:10,000 --> 01:30:13,759
Speaker 1: joining o Jo and I and Joe for the Premier

1741
01:30:13,800 --> 01:30:16,880
Speaker 1: of the Grand Premier Premier of the Rep, starring Ben

1742
01:30:17,000 --> 01:30:18,479
Speaker 1: A Flack and Matt Damon.

1743
01:30:18,840 --> 01:30:20,280
Speaker 2: Hey, twenty million.

1744
01:30:20,479 --> 01:30:23,639
Speaker 1: The question is, if you and a partner, three people

1745
01:30:24,040 --> 01:30:26,759
Speaker 1: walk into a room, this is twenty million in cash,

1746
01:30:27,760 --> 01:30:31,479
Speaker 1: how much do you keep? How much do you turn in?

1747
01:30:32,760 --> 01:30:35,599
Speaker 1: Tune in to find out the Rep Uh, o Jo

1748
01:30:35,760 --> 01:30:37,320
Speaker 1: Joe were out her