1 00:00:02,240 --> 00:00:04,240 Speaker 1: Lost Cultures. This is brought to you by the Forever 2 00:00:04,280 --> 00:00:07,640 Speaker 1: Dog podcast Network. Find us and other great podcasts at 3 00:00:07,840 --> 00:00:11,200 Speaker 1: www dot Forever dog Podcasts dot com. And if you're 4 00:00:11,200 --> 00:00:14,240 Speaker 1: loving what you're hearing, subscribe to us at Apple podcast 5 00:00:14,320 --> 00:00:16,720 Speaker 1: and w you're there, please write us a nice review 6 00:00:16,800 --> 00:00:19,639 Speaker 1: and give us a five star rating. Thank you all, 7 00:00:19,640 --> 00:00:24,480 Speaker 1: Thank you all. Dog Lost culture just calling well, cluck cluck, cluck, 8 00:00:24,560 --> 00:00:27,720 Speaker 1: cluckity cluck cluck. A couple of chickens welcome in this 9 00:00:28,440 --> 00:00:31,040 Speaker 1: little pen to feel like cluck it up. I feel 10 00:00:31,040 --> 00:00:34,240 Speaker 1: like a goddamn chicken. You know why? Why? Because I 11 00:00:34,280 --> 00:00:37,720 Speaker 1: feel cooped up? Because you feel cooped up. We'll fly 12 00:00:37,920 --> 00:00:41,120 Speaker 1: open the coop and start half flying out of it. 13 00:00:41,159 --> 00:00:43,159 Speaker 1: Because you know, chickens, they don't really fly as much 14 00:00:43,159 --> 00:00:46,839 Speaker 1: as they flap their wings and simply uh float off 15 00:00:46,840 --> 00:00:49,600 Speaker 1: the ground for fleeting moments. They can fly, And isn't 16 00:00:49,640 --> 00:00:53,720 Speaker 1: that kind of wonderful to think, you know, the chicken 17 00:00:53,760 --> 00:00:57,200 Speaker 1: they can't possibly have a very you know, long memory span, 18 00:00:57,800 --> 00:01:01,680 Speaker 1: so they remember lifting off the ground and realizing they 19 00:01:01,720 --> 00:01:05,880 Speaker 1: can fly, and then surely they forget what's just happened. 20 00:01:06,200 --> 00:01:08,160 Speaker 1: And there is, of course the flip side to that, 21 00:01:08,160 --> 00:01:11,760 Speaker 1: which is the crushing fear which must be coming to 22 00:01:11,800 --> 00:01:15,679 Speaker 1: your senses and plummeting to the ground. Yeah, I do 23 00:01:15,880 --> 00:01:18,600 Speaker 1: want to say, and not to play devil's advocate, but 24 00:01:19,080 --> 00:01:22,399 Speaker 1: there are some chickens out there. My late grandmother used 25 00:01:22,440 --> 00:01:24,520 Speaker 1: to run a farm and used to raise chickens, and 26 00:01:24,520 --> 00:01:27,480 Speaker 1: she was very good at that at raising chickens. But 27 00:01:27,520 --> 00:01:30,360 Speaker 1: one rooster pecked her in the ankle, and she bled 28 00:01:30,480 --> 00:01:32,800 Speaker 1: and she had a horrible wound. And then you know what, 29 00:01:32,959 --> 00:01:35,960 Speaker 1: that night she killed the chicken. She killed the rooster, 30 00:01:36,280 --> 00:01:38,400 Speaker 1: coached it for dinner. We all Yet it isn't that beautiful. 31 00:01:38,520 --> 00:01:41,840 Speaker 1: That's tragical. Tragical, Now that brings me to a story. 32 00:01:42,160 --> 00:01:46,240 Speaker 1: The word tragical bringing me to a story. Tragical is 33 00:01:46,280 --> 00:01:49,360 Speaker 1: not a word, but it might be. I had to 34 00:01:49,440 --> 00:01:51,880 Speaker 1: pretend it was a word. When I was in high school, 35 00:01:51,920 --> 00:01:55,040 Speaker 1: I was a lowly buss boy at the restaurant called 36 00:01:55,120 --> 00:01:58,720 Speaker 1: Nikki's on the Bay in Bayshore, Long Island, New York. 37 00:01:59,040 --> 00:02:02,280 Speaker 1: And the boss's daughter, that was this the boss that 38 00:02:02,320 --> 00:02:04,480 Speaker 1: you had sex with? On about I had sex with 39 00:02:04,520 --> 00:02:07,960 Speaker 1: his son. Oh my god, he took my virginity. His 40 00:02:08,040 --> 00:02:17,480 Speaker 1: name was Peter. No, okay, um, so, uh yeah, so 41 00:02:17,520 --> 00:02:20,520 Speaker 1: this is actually the guy who took my virginity sister. 42 00:02:21,360 --> 00:02:25,800 Speaker 1: That was the guy's the only restaurant's daughter. And she 43 00:02:25,960 --> 00:02:28,880 Speaker 1: was literally always pregnant. From the six years that I 44 00:02:28,919 --> 00:02:32,920 Speaker 1: worked there as a bus were like five, she literally pregnant. 45 00:02:32,960 --> 00:02:35,440 Speaker 1: She was like that woman who's always pregnant. And there 46 00:02:35,440 --> 00:02:37,840 Speaker 1: had been some like really like a terrible news story 47 00:02:37,880 --> 00:02:39,480 Speaker 1: and she comes in and we're all talking about it 48 00:02:39,520 --> 00:02:41,680 Speaker 1: and she's like, are you talking about this? Oh my god, 49 00:02:41,720 --> 00:02:46,840 Speaker 1: it's tragical. It is so tragical. It's tragical. And she 50 00:02:46,919 --> 00:02:52,079 Speaker 1: kept repeating it, almost like it was like comic the 51 00:02:52,120 --> 00:02:54,120 Speaker 1: way she kept repeating it, because it was so not 52 00:02:54,200 --> 00:02:56,919 Speaker 1: a word, and everyone knew it, like you would say 53 00:02:56,960 --> 00:03:01,320 Speaker 1: it's a tragedy or it's tragic, not it's tragical. I mean, 54 00:03:01,840 --> 00:03:04,760 Speaker 1: but she kept repainting, and oh boy, it was funny. 55 00:03:04,800 --> 00:03:07,359 Speaker 1: I do want to just and I don't mean to 56 00:03:07,400 --> 00:03:12,000 Speaker 1: correct you. Tragical is, in fact a word according to 57 00:03:12,080 --> 00:03:16,960 Speaker 1: the dictionary. Um, what is the definition? It's just like 58 00:03:17,280 --> 00:03:23,079 Speaker 1: how ironical is a word, but you wouldn't read yes, guarantee. 59 00:03:23,160 --> 00:03:25,400 Speaker 1: I mean, is it like how booty delicious is a word? 60 00:03:26,000 --> 00:03:31,280 Speaker 1: Because it became like, no, it's not a thing you guys, Um, 61 00:03:31,639 --> 00:03:35,360 Speaker 1: please culturally stist listeners chime in, because I mean, you 62 00:03:35,400 --> 00:03:38,040 Speaker 1: can just fact check this. It's pretty discreet. Yeah. I 63 00:03:38,080 --> 00:03:40,880 Speaker 1: mentioned it in your Radar review, mentioned it in your rate. Yeah, 64 00:03:40,880 --> 00:03:43,320 Speaker 1: I mentioned in your review. Guys. You know what's not 65 00:03:43,360 --> 00:03:46,200 Speaker 1: tragical the fact that our guest is here with us tonight. 66 00:03:46,520 --> 00:03:48,560 Speaker 1: It is not tragical. In fact, it's a triumph. It's 67 00:03:48,600 --> 00:03:52,040 Speaker 1: a triumph. It's a triumphal Oh, let's go through the credits, baby, Yeah, 68 00:03:52,120 --> 00:03:54,080 Speaker 1: let's do it. Okay, And god, you know what, the 69 00:03:54,320 --> 00:03:57,160 Speaker 1: the credits we're talking to you, God, are an embarrassment 70 00:03:57,160 --> 00:04:01,000 Speaker 1: of riches. Dear God, Um, here we go. She's got 71 00:04:01,000 --> 00:04:04,840 Speaker 1: her Comedy Central half hour September nine. It's going to 72 00:04:04,880 --> 00:04:08,119 Speaker 1: be fantastic. Which guess what is like this week? It's 73 00:04:08,200 --> 00:04:10,560 Speaker 1: this week and you might have seen clips of it 74 00:04:10,680 --> 00:04:14,520 Speaker 1: on Comedy Central's socials. Um, it's so funny already. I 75 00:04:14,520 --> 00:04:18,560 Speaker 1: can't wait to watch. And her album she just recorded, 76 00:04:18,960 --> 00:04:23,120 Speaker 1: uh a union hall for two performances, she's got, She's 77 00:04:23,120 --> 00:04:25,520 Speaker 1: got lots of options to cut her together the best. 78 00:04:25,680 --> 00:04:27,960 Speaker 1: Not to say that both nights weren't the best. You know, 79 00:04:28,040 --> 00:04:29,440 Speaker 1: it's really good to have. It was in the same night, 80 00:04:29,440 --> 00:04:31,040 Speaker 1: but it was different shows. Even if you're a famous 81 00:04:31,120 --> 00:04:33,800 Speaker 1: end of like Kevin Hard or Amy Schumer, you need 82 00:04:33,839 --> 00:04:38,160 Speaker 1: those options, honey. And she's of course a phenomenal writer 83 00:04:38,240 --> 00:04:42,479 Speaker 1: on the Tonight Show starring Jimmy Fallon, she's um performer. 84 00:04:42,480 --> 00:04:48,360 Speaker 1: You've seen her star turns as miss Backup Ohio. I mean, god, run, 85 00:04:48,440 --> 00:04:51,120 Speaker 1: don't want look those up? So funny, And of course 86 00:04:51,440 --> 00:04:54,599 Speaker 1: she is. She was the erstwhile host of Doctor Game 87 00:04:54,640 --> 00:04:57,599 Speaker 1: Show on WFMU. But now it's making a glorious return 88 00:04:57,680 --> 00:05:00,200 Speaker 1: on Your Wolf. We're so excited. It's it's truly one 89 00:05:00,200 --> 00:05:05,800 Speaker 1: of the most fantasmical, tragic, non tragical, triumphal non tragical. Also, 90 00:05:05,920 --> 00:05:09,719 Speaker 1: you've probably just seen the knowing our guests from being 91 00:05:09,839 --> 00:05:13,479 Speaker 1: like True New York like Live show icon Queen of 92 00:05:13,520 --> 00:05:15,080 Speaker 1: New York as Josh Sharp Ward call her and she 93 00:05:15,160 --> 00:05:17,960 Speaker 1: refuses the title, and that's how you know. Guys, please 94 00:05:17,960 --> 00:05:24,839 Speaker 1: welcome Joe. This is a joyous moment. I think that 95 00:05:24,920 --> 00:05:27,760 Speaker 1: was really a build up. Yeah, I just did. I 96 00:05:27,800 --> 00:05:30,080 Speaker 1: wanted to mention you had a restaurant for I had 97 00:05:30,120 --> 00:05:33,880 Speaker 1: a restaurant story thanks to work in a restaurant, and um, 98 00:05:33,920 --> 00:05:35,960 Speaker 1: there was this guy there that was a cook and 99 00:05:36,000 --> 00:05:38,960 Speaker 1: he was like so gross and he was dating the 100 00:05:39,000 --> 00:05:41,880 Speaker 1: hostess but he would like grab us and touch us 101 00:05:41,880 --> 00:05:44,039 Speaker 1: all the time because the hostess didn't know what was 102 00:05:44,080 --> 00:05:47,240 Speaker 1: happening in the kitchen. And he was like just like 103 00:05:47,279 --> 00:05:49,800 Speaker 1: this really bad guy. And he always like was he 104 00:05:49,880 --> 00:05:52,440 Speaker 1: was always drunk, and he just was a gross guy. 105 00:05:52,600 --> 00:05:55,919 Speaker 1: And one time he had he was really skinny everywhere 106 00:05:55,960 --> 00:05:58,840 Speaker 1: except for he had a belly. He had skinny arms, 107 00:05:58,839 --> 00:06:02,000 Speaker 1: skinny legs, skinny at, skinny neck, big belly. You know 108 00:06:02,000 --> 00:06:07,200 Speaker 1: what that is alcohol And so so then one of 109 00:06:07,240 --> 00:06:09,120 Speaker 1: the one of the waiters was like, hey, man, no, 110 00:06:09,640 --> 00:06:11,719 Speaker 1: why do you let a skinny body but just like 111 00:06:11,760 --> 00:06:17,200 Speaker 1: a big fat belly and he goes he's you don't 112 00:06:17,200 --> 00:06:20,440 Speaker 1: want to know his comeback. His comeback was at midnight, 113 00:06:21,400 --> 00:06:26,480 Speaker 1: this pumpkin turns into a big old dick. So the 114 00:06:26,560 --> 00:06:30,000 Speaker 1: lot of thing there is my stomach turns into a cocky, 115 00:06:30,080 --> 00:06:41,039 Speaker 1: fucking asshole asking another question also midnight, like it's some 116 00:06:41,200 --> 00:06:47,400 Speaker 1: Cinde story. At midnight each night, my belly turns into 117 00:06:47,440 --> 00:06:52,360 Speaker 1: a dick that's really zinged it in for a laugh. 118 00:06:52,520 --> 00:06:57,880 Speaker 1: They're restaurants are gross places. Gross. Literally everything about them grows. 119 00:06:58,240 --> 00:07:00,880 Speaker 1: The people that were there gross gross. The things that 120 00:07:00,920 --> 00:07:03,800 Speaker 1: happened with the food behind the scenes gross, so gross. 121 00:07:03,920 --> 00:07:05,760 Speaker 1: I remember when I was cater I used to eat 122 00:07:05,760 --> 00:07:09,559 Speaker 1: the eat the people's wedding nights, and I was acting 123 00:07:09,600 --> 00:07:12,200 Speaker 1: like a rat, you know, just shoveling any kind of 124 00:07:12,320 --> 00:07:16,080 Speaker 1: hot order, hot oor derves. But you know what, weddings, 125 00:07:16,160 --> 00:07:19,760 Speaker 1: I'm going to say, pretty hit or miss with the food. Oh, 126 00:07:19,800 --> 00:07:22,240 Speaker 1: they're always miss when you had a hit, I'm going 127 00:07:22,280 --> 00:07:24,800 Speaker 1: to say, And she might be listening to this. No oh, 128 00:07:24,840 --> 00:07:27,320 Speaker 1: no oh, no oh no, I was gonna say my 129 00:07:27,560 --> 00:07:32,400 Speaker 1: sister wedding, some of the or dervs were I was 130 00:07:32,440 --> 00:07:34,400 Speaker 1: a little under round. But then the entrees were the 131 00:07:34,880 --> 00:07:37,440 Speaker 1: main courses were delicious. I feel the opposite most of 132 00:07:37,440 --> 00:07:40,960 Speaker 1: the time. Der that's where they really put kar into it, 133 00:07:40,960 --> 00:07:44,360 Speaker 1: and the entree it's just a slop. Bo okay. You 134 00:07:44,360 --> 00:07:47,600 Speaker 1: know what always crushes it for me the cocktail party 135 00:07:47,760 --> 00:07:50,160 Speaker 1: when the girls and the guys are walking around with 136 00:07:50,200 --> 00:07:54,040 Speaker 1: the trays and they like they're like little hot meat pa, 137 00:07:54,680 --> 00:07:58,120 Speaker 1: and you're like absolute and they're like a little pick 138 00:07:58,160 --> 00:08:02,240 Speaker 1: in a blanket. And you're like when like always nailing 139 00:08:02,280 --> 00:08:04,280 Speaker 1: it with like the things that are being carried around 140 00:08:04,280 --> 00:08:07,760 Speaker 1: on trees, and then when you sit down, people always 141 00:08:08,000 --> 00:08:10,000 Speaker 1: fail to keep it simple. And this is so funny 142 00:08:10,040 --> 00:08:12,760 Speaker 1: because it's actually rule number thirty eight of culture, which 143 00:08:12,840 --> 00:08:18,840 Speaker 1: is at weddings, keep it simple. Okay. The problem is though, 144 00:08:18,840 --> 00:08:20,280 Speaker 1: that by the time you sit down at a wedding, 145 00:08:20,280 --> 00:08:22,800 Speaker 1: you've eating like six the equivalent of six hat do. Yeah, 146 00:08:22,800 --> 00:08:25,600 Speaker 1: that's true. But here's the thing. Always it's like would 147 00:08:25,600 --> 00:08:29,280 Speaker 1: you like the bula base or the fucking steak on 148 00:08:29,440 --> 00:08:36,000 Speaker 1: the cart or whatever. It's never like what I'm saying 149 00:08:36,240 --> 00:08:39,280 Speaker 1: is you gotta do your chicken or fish. That's it. 150 00:08:40,480 --> 00:08:43,840 Speaker 1: That's why you know what. I will defend airplane food 151 00:08:43,920 --> 00:08:47,120 Speaker 1: till the day I fucking die in one sense because 152 00:08:47,120 --> 00:08:49,880 Speaker 1: it's they keep it simple. They don't and they keep 153 00:08:49,920 --> 00:08:53,080 Speaker 1: it fresh, so they don't. What airline are you flying? 154 00:08:53,160 --> 00:08:55,360 Speaker 1: I want to bump up to that. Honestly, you guys, 155 00:08:55,440 --> 00:08:58,680 Speaker 1: honest to goodness, and we're speaking to God right now. 156 00:08:58,840 --> 00:09:01,400 Speaker 1: This is for you, God, Koreer and airlines they have 157 00:09:02,080 --> 00:09:04,440 Speaker 1: make your own beeping box. They don't make it, where 158 00:09:04,440 --> 00:09:06,800 Speaker 1: do you make it? They give you a bowl of rice. No, 159 00:09:06,920 --> 00:09:08,960 Speaker 1: they don't. They give you the toppings and the sauces 160 00:09:08,960 --> 00:09:11,280 Speaker 1: and they go to jong and you mix it yourself 161 00:09:11,320 --> 00:09:14,360 Speaker 1: and it's like a fucking Chipotle burritable in the sky, baby, 162 00:09:14,400 --> 00:09:18,080 Speaker 1: and it's delicious. Korean airlines go to Korea. Okay, so 163 00:09:18,200 --> 00:09:20,640 Speaker 1: let me walk this back. They give you the ingredients 164 00:09:20,679 --> 00:09:23,560 Speaker 1: that you're to use. It's like make your own meal 165 00:09:23,679 --> 00:09:26,400 Speaker 1: and you don't have to put everything in it. Oh, 166 00:09:26,440 --> 00:09:29,480 Speaker 1: I guess that's true. That's true. And and I will 167 00:09:29,559 --> 00:09:35,000 Speaker 1: always love a disgusting beef meal in an aluminium tray 168 00:09:35,760 --> 00:09:38,960 Speaker 1: on an airplane. I don't know. I feel like I'm 169 00:09:39,000 --> 00:09:42,400 Speaker 1: at war, honestly. Maybe it's just because I've literally never 170 00:09:42,880 --> 00:09:46,520 Speaker 1: been served real food on an airplane. You know. Sometimes 171 00:09:46,520 --> 00:09:49,160 Speaker 1: they do make it hot, That's what I'm saying. I 172 00:09:49,240 --> 00:09:51,680 Speaker 1: like the hot food, so hot to the point where 173 00:09:51,720 --> 00:09:53,400 Speaker 1: it's not supposed to be eating yet, but you eat 174 00:09:53,440 --> 00:09:55,959 Speaker 1: it because your senses are off because you're in the sky. 175 00:09:56,080 --> 00:09:58,920 Speaker 1: Yeah yeah, yeah, you get that, Like your brain starts 176 00:09:58,920 --> 00:10:03,160 Speaker 1: to melt and you're like eat this, yes, yeah. Like 177 00:10:03,240 --> 00:10:05,760 Speaker 1: you're like people in the in the airports at like 178 00:10:05,800 --> 00:10:08,200 Speaker 1: four in the morning, they'll be eating like a pizza, 179 00:10:08,280 --> 00:10:09,840 Speaker 1: because it's just like, like, why are you eating that? 180 00:10:09,840 --> 00:10:14,240 Speaker 1: Why are you eating combos? Like I don't know, it's breakfast. 181 00:10:13,960 --> 00:10:16,280 Speaker 1: I don't know. It doesn't make any since what's the 182 00:10:16,360 --> 00:10:18,679 Speaker 1: longest fight you've been on? I don't know. I don't 183 00:10:18,760 --> 00:10:20,199 Speaker 1: go in long I don't know if I've been on 184 00:10:20,240 --> 00:10:22,240 Speaker 1: a lung. Have you been to Europe ever? Yeah, I 185 00:10:22,280 --> 00:10:24,160 Speaker 1: guess I've been to Europe. Well, I would consider that 186 00:10:24,240 --> 00:10:26,400 Speaker 1: must be it must be Europe must be, must be, 187 00:10:26,440 --> 00:10:33,920 Speaker 1: Europe must be. Forgot to say that when we went 188 00:10:33,960 --> 00:10:38,160 Speaker 1: through what was that, babe, uh right, France rights Frans. 189 00:10:38,440 --> 00:10:40,760 Speaker 1: I'm not saying that the cool way France or whatever. 190 00:10:43,160 --> 00:10:45,120 Speaker 1: I used to when I was at cater I used 191 00:10:45,160 --> 00:10:48,800 Speaker 1: to um serve these things that were very popular, um 192 00:10:49,000 --> 00:10:52,760 Speaker 1: and they didn't realize I guess they didn't realize. But 193 00:10:52,800 --> 00:10:55,800 Speaker 1: they named them chicken blue balls, and it was like 194 00:10:55,840 --> 00:10:58,880 Speaker 1: a chicken cord of blue bite. But oh my god, chicken, 195 00:11:00,040 --> 00:11:05,559 Speaker 1: they know, they don't him that. Now I want to ask, 196 00:11:05,640 --> 00:11:08,920 Speaker 1: because I feel like you're catering past life is so 197 00:11:09,800 --> 00:11:14,240 Speaker 1: woven into your tapestry, into your history job don't and 198 00:11:14,360 --> 00:11:20,400 Speaker 1: so tell us would you ever consider revisiting it and okay, 199 00:11:20,440 --> 00:11:23,360 Speaker 1: all right, well that's a show. I'm just down, like, 200 00:11:23,400 --> 00:11:28,440 Speaker 1: would you create a show a show around one woman show? No? No, no, 201 00:11:28,840 --> 00:11:35,520 Speaker 1: don't no. I mean but Joe is so invented with 202 00:11:35,559 --> 00:11:38,120 Speaker 1: her show premises. Oh no, we can't do it. Catering. 203 00:11:38,679 --> 00:11:41,440 Speaker 1: I remember one time I got a text. I was 204 00:11:41,520 --> 00:11:43,679 Speaker 1: at a catering job, and I hated catering so much 205 00:11:43,679 --> 00:11:46,880 Speaker 1: because they always put me on bathroom duty. What just 206 00:11:46,920 --> 00:11:50,040 Speaker 1: because of my personality? And bathroom duty at a catering 207 00:11:50,160 --> 00:11:54,839 Speaker 1: job cleaning him up? Because your personality? What does that? 208 00:11:54,960 --> 00:11:58,320 Speaker 1: What does that mean? Week? They find the weak people, 209 00:11:58,320 --> 00:12:02,920 Speaker 1: and I say, do the worst thing you Okay, but 210 00:12:03,240 --> 00:12:06,600 Speaker 1: listen they the thing is about Katie. I remember one 211 00:12:06,600 --> 00:12:08,120 Speaker 1: time I got a text, you know, I got a 212 00:12:08,120 --> 00:12:11,880 Speaker 1: Facebook message and it was it was hey, congratulations, And 213 00:12:11,920 --> 00:12:14,280 Speaker 1: I thought that it wasn't that I tried out for 214 00:12:14,320 --> 00:12:16,640 Speaker 1: it anything or applied for anything. But I thought that 215 00:12:17,040 --> 00:12:19,680 Speaker 1: I had got my big break. And I thought that 216 00:12:19,760 --> 00:12:22,440 Speaker 1: I could just run out of there, like rip off 217 00:12:22,440 --> 00:12:26,480 Speaker 1: my uniform, run out the door. And I found out 218 00:12:26,480 --> 00:12:30,400 Speaker 1: it was to someone else. Wasn't going to be anything? 219 00:12:30,920 --> 00:12:33,040 Speaker 1: Are you at liberty to say to who it was 220 00:12:33,120 --> 00:12:35,320 Speaker 1: meant to go to or from who it was sent. 221 00:12:35,800 --> 00:12:38,280 Speaker 1: I think it was from this comedian named Tyler, and 222 00:12:38,320 --> 00:12:41,240 Speaker 1: I forget who it was. To have the art coves 223 00:12:41,280 --> 00:12:44,839 Speaker 1: anymore without Facebook, I have it delete after two weeks 224 00:12:44,880 --> 00:12:49,040 Speaker 1: my text what really to save room and also like 225 00:12:50,080 --> 00:12:55,480 Speaker 1: to forget even like with Bowen with addresses unfortunately. Yeah, 226 00:12:56,120 --> 00:12:57,960 Speaker 1: but that's probably one of the reasons why I have 227 00:12:58,040 --> 00:13:01,000 Speaker 1: to sleep and save room is because me and her 228 00:13:01,200 --> 00:13:05,559 Speaker 1: go back and forth and sack forth and back forth 229 00:13:05,640 --> 00:13:07,319 Speaker 1: and back, back and forth and fourth and back. That's 230 00:13:07,400 --> 00:13:11,719 Speaker 1: rual number seventy. Yeah, you text, you better go back 231 00:13:11,760 --> 00:13:15,040 Speaker 1: back and forth and fourth and back. But no, I was. 232 00:13:15,080 --> 00:13:17,640 Speaker 1: I was almost to and fro for the kids. I 233 00:13:17,679 --> 00:13:19,360 Speaker 1: almost did that today because I was trying to save 234 00:13:19,400 --> 00:13:20,599 Speaker 1: it from my phone and I was like, should I 235 00:13:20,640 --> 00:13:22,440 Speaker 1: just do that setting? Should I just make the leap? 236 00:13:22,840 --> 00:13:25,160 Speaker 1: You won't miss the old duck, I know, because I never. 237 00:13:25,200 --> 00:13:28,760 Speaker 1: I never go back for posterity, you know, but maybe will. 238 00:13:28,840 --> 00:13:31,120 Speaker 1: But I want to get into this with Joe. Joe. 239 00:13:31,640 --> 00:13:35,120 Speaker 1: I think for some reason, your absence on Facebook is 240 00:13:35,360 --> 00:13:38,760 Speaker 1: the most felt for me, and I'm constantly as more time, 241 00:13:38,760 --> 00:13:41,920 Speaker 1: no stop, let me finish as more as time and 242 00:13:41,960 --> 00:13:45,679 Speaker 1: time passes as time passes and passes as time as 243 00:13:45,679 --> 00:13:53,320 Speaker 1: passes time and time passed a real song, and then 244 00:13:54,440 --> 00:13:57,720 Speaker 1: it could be it could be I go Joe this 245 00:13:58,000 --> 00:14:03,080 Speaker 1: and you Oh I thought it was. I believe in 246 00:14:03,160 --> 00:14:06,160 Speaker 1: Miss Joe like she's a fortune teller. As time and 247 00:14:06,160 --> 00:14:09,800 Speaker 1: time passes, I believe I missed Joe right right right. 248 00:14:10,120 --> 00:14:17,880 Speaker 1: So the hook is un fast book on fast book. 249 00:14:19,280 --> 00:14:22,640 Speaker 1: Oh see, I'm Facebook with Facebook because something about hot 250 00:14:22,720 --> 00:14:28,240 Speaker 1: music nowadays, it's also sible. I had a dream, I 251 00:14:28,360 --> 00:14:31,200 Speaker 1: was sipping whiskey. Neat. That's all you got to say 252 00:14:31,200 --> 00:14:36,600 Speaker 1: for a whole song. Put put something beat under that 253 00:14:37,280 --> 00:14:45,000 Speaker 1: headed dream whiskey literal melody. I'm sorry, not sorry. You 254 00:14:45,080 --> 00:14:53,440 Speaker 1: heard that one. Screaming screaming like an eagle. That's what 255 00:14:53,480 --> 00:14:57,320 Speaker 1: she does, screaming eagle gets notes every two hours, that dummy. 256 00:14:57,760 --> 00:15:00,440 Speaker 1: It's amazing that she can still say I she will, 257 00:15:00,560 --> 00:15:02,920 Speaker 1: she will her, she will shoot out her chords in 258 00:15:02,920 --> 00:15:05,040 Speaker 1: the next year. You don't think it would have happened already. 259 00:15:05,680 --> 00:15:07,720 Speaker 1: She had the song on her last album called for You, 260 00:15:08,440 --> 00:15:11,920 Speaker 1: and she she got into it. Well, there's just one part. 261 00:15:12,000 --> 00:15:14,640 Speaker 1: I mean, like the chorus its office, which is nuts. 262 00:15:14,640 --> 00:15:17,800 Speaker 1: But then but then up to the up to the bridge, 263 00:15:18,160 --> 00:15:22,440 Speaker 1: she goes fucking insane and she goes um and so 264 00:15:22,520 --> 00:15:25,680 Speaker 1: the chorus ends it nothing at all, and then in 265 00:15:25,720 --> 00:15:27,200 Speaker 1: the second time she does the course, she ends in 266 00:15:27,320 --> 00:15:36,720 Speaker 1: with it to It's so. There was a song, there's 267 00:15:36,760 --> 00:15:39,120 Speaker 1: a song called stone Cold that she did live on 268 00:15:39,120 --> 00:15:42,000 Speaker 1: the Saturday Night Live and it was like and she's 269 00:15:42,320 --> 00:15:52,560 Speaker 1: wiving her tits off, like so so hot, and it 270 00:15:52,640 --> 00:15:57,800 Speaker 1: was like everyone was like, oh oh, and Facebook afterwards 271 00:15:57,800 --> 00:16:02,600 Speaker 1: was oh, josh our bafterwards, I was like, oh, Demmick 272 00:16:02,720 --> 00:16:06,720 Speaker 1: you she was screaming her little ass. She was scrolled 273 00:16:06,720 --> 00:16:09,160 Speaker 1: saying her ass. But I do love Demi And guess 274 00:16:09,560 --> 00:16:12,120 Speaker 1: is so good. Whenever I'm not sorry, it's really it's 275 00:16:12,120 --> 00:16:14,160 Speaker 1: really good. And whenever I have to do something stressful, 276 00:16:14,200 --> 00:16:17,080 Speaker 1: I listen to them. It's so it's feeling so bad 277 00:16:17,240 --> 00:16:22,240 Speaker 1: and feelings so good. Do you know, like the beat 278 00:16:22,280 --> 00:16:24,480 Speaker 1: comes in and out of sorry not sorry, No that's 279 00:16:24,480 --> 00:16:29,560 Speaker 1: not true. Yeah, yeah, yeah, reveal when this happens. When 280 00:16:29,600 --> 00:16:33,080 Speaker 1: it's like that, when the man comes in, which man, 281 00:16:33,320 --> 00:16:39,800 Speaker 1: it's like, um, baby, do you know what I'm talking about? Okay, wait, 282 00:16:39,840 --> 00:16:42,240 Speaker 1: how's the beginning going. It's like it's like I look 283 00:16:42,320 --> 00:16:45,720 Speaker 1: good at what is it? The beginning of the song, 284 00:16:45,800 --> 00:16:59,680 Speaker 1: it's like baby, yeah, yeah, see now I'm out here baby. 285 00:17:01,440 --> 00:17:09,000 Speaker 1: But she's right. The beat goes out, he goes during 286 00:17:09,040 --> 00:17:11,440 Speaker 1: Wait a minute, because a minute. That's so true, Joe. 287 00:17:11,440 --> 00:17:14,159 Speaker 1: I'm so sorry I doubted. We should never have done that. 288 00:17:14,280 --> 00:17:18,880 Speaker 1: Should never we should never have done never ended. Um, Joe, 289 00:17:18,920 --> 00:17:20,359 Speaker 1: let's at We're gonna ask you what we ask all 290 00:17:20,400 --> 00:17:23,840 Speaker 1: of our guests. Yeah, because now I'm really interested. I've 291 00:17:23,840 --> 00:17:29,119 Speaker 1: always been before in Joe's cultural upbringing. In Joe, the 292 00:17:29,200 --> 00:17:31,720 Speaker 1: question we will ask you is, what was the culture 293 00:17:31,760 --> 00:17:33,840 Speaker 1: that made you say? Cultures? For me, I want to 294 00:17:33,840 --> 00:17:37,479 Speaker 1: step in a cultural direction, truly formative, formative. So I 295 00:17:37,520 --> 00:17:40,560 Speaker 1: wasn't really allowed to watch many movies growing up, Like 296 00:17:40,600 --> 00:17:42,960 Speaker 1: we were allowed to rent a movie like once every 297 00:17:43,000 --> 00:17:46,400 Speaker 1: two weeks. Yes, this is because why we didn't have cable. 298 00:17:46,600 --> 00:17:49,639 Speaker 1: I don't my dad just didn't think it was worth it, Okay, 299 00:17:49,760 --> 00:17:53,520 Speaker 1: and um, and so we my brother would always choose 300 00:17:53,640 --> 00:17:56,760 Speaker 1: Death Becomes Her And so I watched that over and 301 00:17:56,800 --> 00:17:58,679 Speaker 1: over again. And then but I got to go over 302 00:17:58,720 --> 00:18:01,600 Speaker 1: to my friend at Dina's house, and we watched over there. 303 00:18:01,640 --> 00:18:04,920 Speaker 1: We watched uh, We alternated between Rackul Horror Picture Show 304 00:18:04,960 --> 00:18:07,480 Speaker 1: and Blue Lagoon, which is where we saw our first penis. 305 00:18:07,560 --> 00:18:10,119 Speaker 1: Oh my god, there's a full penis in it. Blue Lagoon? 306 00:18:10,200 --> 00:18:14,000 Speaker 1: Is that with Brookshields? Yes, and Mr Feenie and tell 307 00:18:14,080 --> 00:18:18,440 Speaker 1: you something by the time this episode releases tomorrow, So 308 00:18:19,600 --> 00:18:21,280 Speaker 1: it's not something you guys can come to now because 309 00:18:21,320 --> 00:18:23,879 Speaker 1: it will already happened, have happened when you guys hear this. 310 00:18:23,920 --> 00:18:29,240 Speaker 1: But I'm like the sidekick from Night Late with Brookshields, 311 00:18:29,280 --> 00:18:31,440 Speaker 1: and I've never met Brookshelves. I don't know what's about 312 00:18:31,440 --> 00:18:33,080 Speaker 1: to happen, but you're going to have to riff off 313 00:18:33,080 --> 00:18:36,119 Speaker 1: of her. How did her How did she choose you? 314 00:18:36,880 --> 00:18:38,880 Speaker 1: I don't think she did. I think I was suggested 315 00:18:39,000 --> 00:18:42,439 Speaker 1: by someone that she must have. No, I think she 316 00:18:42,480 --> 00:18:45,159 Speaker 1: might have chosen She must have chosen you, because she 317 00:18:45,240 --> 00:18:48,199 Speaker 1: must have Here's what happened a bit okay, because celebrities, 318 00:18:48,240 --> 00:18:50,119 Speaker 1: you know, they like to pick. But I think what 319 00:18:50,240 --> 00:18:52,600 Speaker 1: happened is that they the producers at Night Late, were like, 320 00:18:52,600 --> 00:18:54,600 Speaker 1: you could choose this person, this person, and this person. 321 00:18:54,720 --> 00:18:57,040 Speaker 1: Here are their videos, and she was like, I'm in 322 00:18:57,160 --> 00:18:58,960 Speaker 1: love with Matt Rodge because you know she had to 323 00:18:58,960 --> 00:19:01,560 Speaker 1: feel passionately for you to be yes. All right, Well, 324 00:19:01,680 --> 00:19:07,600 Speaker 1: the first question I'll ask her tomorrow is, Hi, I 325 00:19:07,600 --> 00:19:09,160 Speaker 1: thought it was going to be. Have you seen my work? 326 00:19:11,400 --> 00:19:13,320 Speaker 1: I think you're going to become best friends. You're gonna 327 00:19:13,320 --> 00:19:18,560 Speaker 1: get free latinos. Honestly, I will make it my golden 328 00:19:18,600 --> 00:19:21,399 Speaker 1: befriend her. I think I'll try to get her on 329 00:19:21,440 --> 00:19:24,440 Speaker 1: the bod. You're going to get get her on the pody. 330 00:19:24,440 --> 00:19:28,639 Speaker 1: Can you imagine if we interviewed Brookshields of Blue Lagoon, God, 331 00:19:28,920 --> 00:19:35,359 Speaker 1: Spin City, Spin City, what was the show that was like, 332 00:19:35,640 --> 00:19:41,480 Speaker 1: it was the same, Um, it's not. It wasn't news radio. 333 00:19:42,920 --> 00:19:46,840 Speaker 1: It was David Spade was a boss. Don't shoot me, 334 00:19:47,040 --> 00:19:51,040 Speaker 1: dot shoot me. No, she wasn't on that, Oh God, 335 00:19:51,080 --> 00:19:59,000 Speaker 1: were suddenly suddenly Susan Okay, I mean Blue Lagoon suddenly 336 00:19:59,000 --> 00:20:03,240 Speaker 1: Susan She sus lipstick Jungle. Of course. Wait, I feel 337 00:20:03,240 --> 00:20:05,760 Speaker 1: bad because you literally it feels like faith that you 338 00:20:05,760 --> 00:20:08,000 Speaker 1: said that, because that's literally happening. So I hadn't mentioned. 339 00:20:08,680 --> 00:20:10,879 Speaker 1: But anyway, I'll let you guys know how it goes. 340 00:20:11,000 --> 00:20:14,160 Speaker 1: Please do um, but continue, So you would go over 341 00:20:14,240 --> 00:20:16,960 Speaker 1: and you'd watch Rocky Horror and Blue Lagoon and rotationally, 342 00:20:17,119 --> 00:20:20,320 Speaker 1: and you would be also frequently watching death because and 343 00:20:20,359 --> 00:20:22,280 Speaker 1: so I watched these movies over and over and over, 344 00:20:22,359 --> 00:20:24,720 Speaker 1: And would you like get something out of them every time? 345 00:20:24,800 --> 00:20:26,760 Speaker 1: Or was it just like something that just it became 346 00:20:26,800 --> 00:20:28,800 Speaker 1: someone green in your memory? That's me out of it 347 00:20:28,840 --> 00:20:31,919 Speaker 1: every time every time? Amazing? What are those things you 348 00:20:31,960 --> 00:20:34,720 Speaker 1: got out of it? Like different understandings of what the 349 00:20:34,720 --> 00:20:39,040 Speaker 1: penis was, and different understandings of sexuality, because it was 350 00:20:39,080 --> 00:20:41,880 Speaker 1: just like because I remember it was like at first 351 00:20:41,960 --> 00:20:44,479 Speaker 1: we were really afraid of regular Picture Show and then 352 00:20:44,480 --> 00:20:48,560 Speaker 1: we were like we understand right, we're you know, so 353 00:20:48,640 --> 00:20:50,639 Speaker 1: are you a kind of person? Are you the kind 354 00:20:50,640 --> 00:20:52,959 Speaker 1: of rocky horror person who will go to a screening? Have? 355 00:20:53,720 --> 00:20:56,440 Speaker 1: I only been one screening? But I liked it a lot. 356 00:20:56,720 --> 00:20:59,879 Speaker 1: I like those screenings where people engage. Yeah, you know, 357 00:21:00,040 --> 00:21:02,480 Speaker 1: did you dress up? No? I'm not a big fan 358 00:21:02,520 --> 00:21:06,760 Speaker 1: of costumes. I understand why other people like them, right, 359 00:21:06,880 --> 00:21:09,119 Speaker 1: you know what I miss? I missed the room screenings. 360 00:21:09,160 --> 00:21:10,639 Speaker 1: I feel like you don't. Yeah, they don't do it. 361 00:21:10,720 --> 00:21:13,080 Speaker 1: They were doing it for a while, like three years ago. Yeah, 362 00:21:13,160 --> 00:21:15,280 Speaker 1: they were happening a lot. They even did. We're in college. 363 00:21:15,520 --> 00:21:17,199 Speaker 1: We were in college and they did them, but they 364 00:21:17,359 --> 00:21:19,560 Speaker 1: I would go freshman year. It was very funny, and 365 00:21:20,119 --> 00:21:22,159 Speaker 1: the first time is always so funny, and then the 366 00:21:22,200 --> 00:21:23,879 Speaker 1: second time you're like, I know what's happening. In the 367 00:21:23,920 --> 00:21:26,600 Speaker 1: third time you're like, I gotta go. You can. But 368 00:21:26,840 --> 00:21:28,800 Speaker 1: have you guys heard about the new movie The Disaster 369 00:21:28,920 --> 00:21:31,560 Speaker 1: Artist that James Franco directed, so he plays Tommy Was. 370 00:21:31,680 --> 00:21:34,000 Speaker 1: Oh yeah, oh this is about to come out, and 371 00:21:34,040 --> 00:21:38,320 Speaker 1: it's apparently it's hilarious. So it's a biopic essentially of 372 00:21:38,440 --> 00:21:41,800 Speaker 1: Tommy Was and his creating of the room. Maybe the 373 00:21:41,840 --> 00:21:44,239 Speaker 1: biopic is the wrong word. It's it's a depiction of 374 00:21:44,280 --> 00:21:47,320 Speaker 1: the creation of the room. And James Franco plays Tommy Was. 375 00:21:47,640 --> 00:21:51,280 Speaker 1: Dave Franco plays Greg sss like the best friend who's 376 00:21:51,280 --> 00:21:53,680 Speaker 1: in the movie. And I think Alison Bree is also 377 00:21:53,760 --> 00:21:57,280 Speaker 1: in it. Um it was the hilarious actress who plays 378 00:21:57,600 --> 00:21:59,479 Speaker 1: the blonde girl in the movie. She also was in 379 00:22:01,080 --> 00:22:05,000 Speaker 1: Brookshields Brookshields. No, I feel bad. I'm gonna find out 380 00:22:05,040 --> 00:22:08,520 Speaker 1: who who she is later and I'll say, but she's 381 00:22:07,160 --> 00:22:13,200 Speaker 1: a grainer um and like lots of cameos too, so 382 00:22:13,480 --> 00:22:18,320 Speaker 1: um gotta. But apparently it just premiered at, like I guess, 383 00:22:18,320 --> 00:22:23,160 Speaker 1: the Toronto International Film Festival. It was like a huge hit, 384 00:22:23,240 --> 00:22:25,120 Speaker 1: like everyone thought it was the most hilarious thing ever. 385 00:22:25,720 --> 00:22:28,479 Speaker 1: I can't wait to see it. UM, But I just 386 00:22:28,560 --> 00:22:32,080 Speaker 1: just just to get back to Joe's culture. UM. Now 387 00:22:32,280 --> 00:22:34,800 Speaker 1: has this informed how? How would you say this has 388 00:22:34,840 --> 00:22:38,360 Speaker 1: informed you now? As an adult? UM? And an adult? 389 00:22:39,359 --> 00:22:43,720 Speaker 1: An adult? An adult, I think that I like, UM, 390 00:22:44,680 --> 00:22:46,879 Speaker 1: I used to you know, another culture I used to 391 00:22:47,080 --> 00:22:50,840 Speaker 1: really enjoy. I used to want to, UM. I used 392 00:22:50,880 --> 00:22:53,359 Speaker 1: to want to own a candy shop. That's what I 393 00:22:53,400 --> 00:22:55,320 Speaker 1: wanted to do when I grew up, either that or 394 00:22:55,400 --> 00:23:02,600 Speaker 1: celebrity psychiatrist. And UM I was I realized I just 395 00:23:02,680 --> 00:23:05,600 Speaker 1: wanted to do something that was like like frivolous and 396 00:23:05,720 --> 00:23:08,399 Speaker 1: like didn't canny does kind of hurt people, But I 397 00:23:08,480 --> 00:23:10,840 Speaker 1: just wanted to do something that was like made people 398 00:23:10,880 --> 00:23:13,400 Speaker 1: feel good in the room. And I guess that's kind 399 00:23:13,400 --> 00:23:15,320 Speaker 1: of what I try to do now, even though sometimes 400 00:23:15,359 --> 00:23:17,400 Speaker 1: I get a little angry or now, I think stand 401 00:23:17,480 --> 00:23:19,320 Speaker 1: up comedy has brought out an edge in me that 402 00:23:19,440 --> 00:23:24,240 Speaker 1: makes me hateful and scared of people. Know it rounds 403 00:23:24,280 --> 00:23:26,360 Speaker 1: you out, I would say it rounds out the other 404 00:23:26,440 --> 00:23:30,080 Speaker 1: facets of your personality. Maybe because because you know, you 405 00:23:30,200 --> 00:23:32,920 Speaker 1: balance out the joy making in a small room with 406 00:23:33,160 --> 00:23:36,240 Speaker 1: the hatefulness. I guess so I do find it made 407 00:23:36,240 --> 00:23:39,320 Speaker 1: me become a bad person. I've never seen you ever 408 00:23:39,440 --> 00:23:43,520 Speaker 1: once be hateful or angry. I agree. I have seen 409 00:23:43,560 --> 00:23:46,200 Speaker 1: you get flustered. I never even seen you get flustered. 410 00:23:46,880 --> 00:23:50,240 Speaker 1: I'm always flustered. I'm flustered right now. But I was 411 00:23:50,440 --> 00:23:52,240 Speaker 1: I like, I was at a show in l A. 412 00:23:52,400 --> 00:23:57,720 Speaker 1: And I was like, I was saying a joke and 413 00:23:57,760 --> 00:24:00,560 Speaker 1: it was like a sex joke and nobody was laughing. Uh. 414 00:24:00,640 --> 00:24:03,800 Speaker 1: And I was like, I said the words, what are 415 00:24:03,920 --> 00:24:08,639 Speaker 1: y'all virgins? And I thought, what's happened to me? You 416 00:24:08,760 --> 00:24:11,440 Speaker 1: believed that you should say that in the moment, and 417 00:24:11,480 --> 00:24:13,239 Speaker 1: the moment I was like, I know what'll get them? 418 00:24:13,640 --> 00:24:15,919 Speaker 1: And it's like, what the hell's what? What if they 419 00:24:15,960 --> 00:24:19,760 Speaker 1: are virgins? You know, like something, Yeah, but what if 420 00:24:19,800 --> 00:24:22,960 Speaker 1: it's a religious group coming in wanting to see comedy 421 00:24:23,119 --> 00:24:25,040 Speaker 1: for the first time? They say in the front row, 422 00:24:25,119 --> 00:24:28,600 Speaker 1: and I said, what are y'all virgins? And they were like, yeah, 423 00:24:29,840 --> 00:24:32,120 Speaker 1: we are. We're waiting for the love of our life. 424 00:24:32,520 --> 00:24:35,239 Speaker 1: It just made me turn into a bad You think 425 00:24:35,280 --> 00:24:38,320 Speaker 1: comedies made you guys bad? Yes, Um, I think it's 426 00:24:39,119 --> 00:24:45,960 Speaker 1: exposed me to horrors. I've if anything comedy is just 427 00:24:47,240 --> 00:24:53,400 Speaker 1: flipped flipped my own underbelly. Yeah, so I'm seeing parts 428 00:24:53,480 --> 00:24:55,359 Speaker 1: of myself I don't like. Yeah, maybe it's not that 429 00:24:55,560 --> 00:24:59,200 Speaker 1: it's like turning you bad, but it exposes It's like 430 00:24:59,280 --> 00:25:02,960 Speaker 1: when you lift up that like the drain, you know, cover, 431 00:25:03,119 --> 00:25:05,360 Speaker 1: and you're like, oh my god, that's where the animals live. 432 00:25:05,800 --> 00:25:08,440 Speaker 1: Right well, I guess to be totally serious about it, 433 00:25:08,560 --> 00:25:11,119 Speaker 1: it's like what's funny is like the truth, and the 434 00:25:11,200 --> 00:25:13,280 Speaker 1: truth is not always like a cool thing to find 435 00:25:13,359 --> 00:25:15,480 Speaker 1: out about yourself or other people and stuff like that. 436 00:25:15,800 --> 00:25:18,960 Speaker 1: And I would imagine like working in late night right 437 00:25:19,040 --> 00:25:21,680 Speaker 1: now is frustrating because you have to react to a 438 00:25:21,760 --> 00:25:25,240 Speaker 1: lot of truth and truth is bad. Truth. The truth 439 00:25:25,320 --> 00:25:28,040 Speaker 1: right now is bad. I know there's only one news 440 00:25:28,119 --> 00:25:31,840 Speaker 1: story every day that's like whale escapes from zoo, and 441 00:25:31,960 --> 00:25:35,880 Speaker 1: it's like the rest of it is horrified. And even 442 00:25:35,960 --> 00:25:38,800 Speaker 1: the whale escaping from the zoo could have die or consequences. 443 00:25:38,920 --> 00:25:41,240 Speaker 1: I mean, what's the whale state of mind? Who's around? 444 00:25:41,600 --> 00:25:43,920 Speaker 1: Where did it escape to? Like did it escape to 445 00:25:44,000 --> 00:25:47,280 Speaker 1: some place where there's so many questions. Right, there's no, 446 00:25:47,480 --> 00:25:50,480 Speaker 1: there's not there. I mean, maybe there was never fun news. 447 00:25:50,840 --> 00:25:54,159 Speaker 1: Maybe there was never ever fun news. That's that actually 448 00:25:54,280 --> 00:25:58,000 Speaker 1: is comforting. No. I remember as a kid, as a kid, 449 00:25:58,040 --> 00:26:00,840 Speaker 1: when I would watch the news, they'd be like, um, 450 00:26:01,359 --> 00:26:03,680 Speaker 1: nothing like no crime, blah blah blah blah blah. And 451 00:26:03,680 --> 00:26:05,360 Speaker 1: then they'd be like, oh, just so you know, there's 452 00:26:05,440 --> 00:26:07,440 Speaker 1: razors in your soup and in your noodles and in 453 00:26:07,560 --> 00:26:10,159 Speaker 1: your cookies. And it's like, oh, just like, even if 454 00:26:10,200 --> 00:26:12,320 Speaker 1: there isn't something to be afraid of, the news will 455 00:26:12,320 --> 00:26:13,959 Speaker 1: be like, there's something to be afraid, but right now 456 00:26:14,040 --> 00:26:16,840 Speaker 1: there is even even razors in your soup. Is like, 457 00:26:18,359 --> 00:26:20,320 Speaker 1: you know, I'd rather take that for sure. Can I'd 458 00:26:20,440 --> 00:26:22,760 Speaker 1: rather there be a guarantee that if you order a 459 00:26:22,840 --> 00:26:26,040 Speaker 1: soup as a razor then have trump. Yeah, I'd rather 460 00:26:26,160 --> 00:26:31,160 Speaker 1: have for sure? Can I say something? And this is yeah, 461 00:26:31,200 --> 00:26:34,480 Speaker 1: this is this is a Joe memory. And I feel like, 462 00:26:34,600 --> 00:26:36,720 Speaker 1: you know, years from now, we'll remember the people we 463 00:26:36,800 --> 00:26:39,000 Speaker 1: were with the day of the election, the day after 464 00:26:39,080 --> 00:26:41,040 Speaker 1: the election, and I would extend that to the week 465 00:26:41,119 --> 00:26:43,480 Speaker 1: of the election and the week of the election, I 466 00:26:43,600 --> 00:26:47,320 Speaker 1: was supposed to. I went on Joe's uh now may 467 00:26:47,400 --> 00:26:51,119 Speaker 1: she rest her show dedications on w M at w 468 00:26:51,280 --> 00:26:53,560 Speaker 1: fm U. It was it was very fun. I was 469 00:26:53,680 --> 00:26:55,320 Speaker 1: very excited to do it, and then this and then 470 00:26:55,640 --> 00:26:58,600 Speaker 1: on November eight, November nine, Trump got elected, but I 471 00:26:58,720 --> 00:27:02,000 Speaker 1: was still supposed to go in the following week, UM 472 00:27:02,119 --> 00:27:05,400 Speaker 1: and Joe UM was just like, Hey, it's just gonna 473 00:27:05,400 --> 00:27:08,119 Speaker 1: be really it's gonna be really rough, but come in anyway, 474 00:27:08,119 --> 00:27:10,760 Speaker 1: I think I'm gonna make this show all Selene Dion songs. 475 00:27:10,840 --> 00:27:13,320 Speaker 1: And I was like, you know what this is. It 476 00:27:13,440 --> 00:27:15,040 Speaker 1: was one of the first uplifting It was one of 477 00:27:15,080 --> 00:27:17,880 Speaker 1: the first moments in the week or in the aftermath, 478 00:27:17,920 --> 00:27:20,640 Speaker 1: and I was like, Okay, there are still these little 479 00:27:20,680 --> 00:27:24,680 Speaker 1: touchstones like Selene, like Joe, like her like dedications. And 480 00:27:24,760 --> 00:27:26,600 Speaker 1: so we went on. We did We did all Selene songs. 481 00:27:26,640 --> 00:27:29,280 Speaker 1: People called in, UM, a couple of people I think 482 00:27:29,320 --> 00:27:31,840 Speaker 1: justin Linville called in and was like genuinely scared about 483 00:27:32,160 --> 00:27:34,600 Speaker 1: what the election meant. And we and Joe and I 484 00:27:34,680 --> 00:27:35,960 Speaker 1: just had to be like had to like tow the 485 00:27:36,040 --> 00:27:39,000 Speaker 1: line between being like fun and silly and talking about 486 00:27:39,040 --> 00:27:41,399 Speaker 1: silly things but also like, oh, but the world is 487 00:27:41,440 --> 00:27:43,600 Speaker 1: really bad. And that was just like freshly like the 488 00:27:43,680 --> 00:27:45,480 Speaker 1: world is bad and like I feel like now like 489 00:27:45,640 --> 00:27:47,720 Speaker 1: whenever someone says that, it's like, yeah, of course it is. 490 00:27:47,960 --> 00:27:52,120 Speaker 1: But back then mid mid November was like a cool 491 00:27:52,240 --> 00:27:55,200 Speaker 1: novel thing to say. But anyway, Joe was Joe was 492 00:27:55,280 --> 00:27:57,800 Speaker 1: the beacon and was the beacon. That's not how I 493 00:27:57,840 --> 00:27:59,600 Speaker 1: would have handled that, Okay, I would have said to 494 00:27:59,640 --> 00:28:01,919 Speaker 1: that first, calling in scared, I would have said, well, 495 00:28:01,960 --> 00:28:04,800 Speaker 1: that's not what this show. We're picking our favorites ley 496 00:28:04,800 --> 00:28:10,120 Speaker 1: Indian songs. So I'm sorry that you're scared. Um eventually 497 00:28:10,240 --> 00:28:13,000 Speaker 1: it's a member of the company community, you see again. Yeah, 498 00:28:13,040 --> 00:28:16,440 Speaker 1: it's just like, I'm sorry that you're afraid. I mean, 499 00:28:16,560 --> 00:28:17,879 Speaker 1: this is not what the show is. And we do 500 00:28:18,000 --> 00:28:20,080 Speaker 1: have a we're gonna you know, we don't have so 501 00:28:20,200 --> 00:28:24,119 Speaker 1: much time, so I don't know. But here's a question, 502 00:28:24,160 --> 00:28:28,119 Speaker 1: and I'm sorry. Did you guys hear that Justin wants 503 00:28:28,400 --> 00:28:33,320 Speaker 1: flew to He flew to the Dallas for airport because 504 00:28:33,400 --> 00:28:35,880 Speaker 1: he was craving what a burger which is a which 505 00:28:35,920 --> 00:28:39,040 Speaker 1: is a burger chain in the South. You gotta be kidding. 506 00:28:39,280 --> 00:28:41,440 Speaker 1: But he gets free flights because his mother works for 507 00:28:42,000 --> 00:28:44,120 Speaker 1: one of the airlines and so he gets free flights 508 00:28:44,200 --> 00:28:47,000 Speaker 1: and he was really craving water burger and Joe Joe 509 00:28:47,040 --> 00:28:50,760 Speaker 1: told me the story and it was shocking. The same 510 00:28:50,840 --> 00:28:53,440 Speaker 1: day after the meal, my dad once we were we 511 00:28:53,680 --> 00:28:56,280 Speaker 1: were we were in and um, we were in a 512 00:28:56,680 --> 00:28:59,280 Speaker 1: all you can eat sea food restaurant outside of Orlando. 513 00:28:59,520 --> 00:29:02,000 Speaker 1: You could have oh you can eat lobster tails, and 514 00:29:02,120 --> 00:29:04,320 Speaker 1: we're having such a good time that my dad said, 515 00:29:04,520 --> 00:29:07,880 Speaker 1: you know what, it's almost worth it to fly here 516 00:29:07,960 --> 00:29:11,440 Speaker 1: for this and fly back. It's almost worth it. And 517 00:29:11,560 --> 00:29:15,960 Speaker 1: he was fully convinced. We never did it, but I 518 00:29:16,280 --> 00:29:18,880 Speaker 1: was like, I wanted to really push him on and 519 00:29:18,920 --> 00:29:21,520 Speaker 1: I was like, yeah, if you say, let's do it, 520 00:29:22,000 --> 00:29:24,800 Speaker 1: is to come down next Thursday night. Is your dad 521 00:29:24,840 --> 00:29:28,920 Speaker 1: as good energy as you? He's He's good energy. He's 522 00:29:28,960 --> 00:29:32,280 Speaker 1: bridg is good energy. Um, he is. I would say 523 00:29:33,240 --> 00:29:36,880 Speaker 1: the better energy is my mother. They're both good energy, 524 00:29:36,960 --> 00:29:39,160 Speaker 1: but my dad's good energy. I would say my dad 525 00:29:39,560 --> 00:29:43,160 Speaker 1: can his his like temper and frustrations can act up 526 00:29:43,200 --> 00:29:45,440 Speaker 1: in a way that my mother's do not sure my 527 00:29:45,560 --> 00:29:47,719 Speaker 1: mother has like I think out of the three six 528 00:29:47,880 --> 00:29:49,800 Speaker 1: five days a year, I think she's got has like 529 00:29:49,960 --> 00:29:53,600 Speaker 1: four or five bad days she she's a very kind 530 00:29:53,640 --> 00:29:56,520 Speaker 1: of resiliant, positive person. And my dad, I see get 531 00:29:56,600 --> 00:29:59,000 Speaker 1: like frustrated and his temper gets the better of him 532 00:30:00,040 --> 00:30:03,640 Speaker 1: more than my mother. So yeah, but but he is 533 00:30:04,640 --> 00:30:06,880 Speaker 1: eight out of ten days or you know, nine out 534 00:30:06,880 --> 00:30:09,600 Speaker 1: at ten days in a good mood, I think. But 535 00:30:09,760 --> 00:30:12,600 Speaker 1: like there's moments during the day where it's like, well, 536 00:30:12,600 --> 00:30:15,480 Speaker 1: do you mean this is happening? I'm not ridiculous. Um. 537 00:30:15,880 --> 00:30:20,680 Speaker 1: He came up to me one time and said, I'm 538 00:30:20,720 --> 00:30:24,040 Speaker 1: not gonna do his voice. He goes phone in, Um, 539 00:30:24,600 --> 00:30:28,600 Speaker 1: your Instagram is really is really something else. You're out 540 00:30:28,640 --> 00:30:34,360 Speaker 1: of your goddamn mind. And I was like one time 541 00:30:34,560 --> 00:30:37,160 Speaker 1: he saw my he saw our friend Dave Mazzoni, and 542 00:30:37,680 --> 00:30:40,000 Speaker 1: we had just done a promotional picture for Papa Roulette, 543 00:30:40,000 --> 00:30:42,000 Speaker 1: and on the back of it you saw Dave's butt, 544 00:30:42,840 --> 00:30:46,600 Speaker 1: and my dad to Dave's face, goes, that's a big 545 00:30:46,680 --> 00:30:51,440 Speaker 1: as you got a big ass. You don't think about 546 00:30:51,440 --> 00:30:53,920 Speaker 1: it when you see it and not out. But then yeah, 547 00:30:53,920 --> 00:30:57,400 Speaker 1: I got a big and I saw Dave's eyes just 548 00:30:57,520 --> 00:31:01,280 Speaker 1: like I saw him, like just like us out speaking 549 00:31:01,360 --> 00:31:04,200 Speaker 1: of asses, speaking of asses, And this is something I 550 00:31:04,320 --> 00:31:06,320 Speaker 1: literally thought of today, Joe, and I didn't even put 551 00:31:06,400 --> 00:31:09,080 Speaker 1: this just connect the dots that I was seeing you tonight. 552 00:31:09,600 --> 00:31:12,760 Speaker 1: But I put on I put on some underwear. I 553 00:31:12,920 --> 00:31:15,760 Speaker 1: felt my ass and I was like, I I think 554 00:31:15,800 --> 00:31:17,600 Speaker 1: I'm like Joe Firestone and that I don't have an 555 00:31:17,640 --> 00:31:19,920 Speaker 1: ass either. Joe has a joke in her in her 556 00:31:19,960 --> 00:31:23,000 Speaker 1: half hour about her not having a butt, which which 557 00:31:23,040 --> 00:31:26,800 Speaker 1: I don't think is necessarily true. I don't think it's 558 00:31:26,800 --> 00:31:28,560 Speaker 1: like a flat I don't think it's a straight drop. 559 00:31:29,280 --> 00:31:31,440 Speaker 1: And then my legs indent, so like that's how you know, 560 00:31:32,160 --> 00:31:35,960 Speaker 1: but the the indent means that there's something there. No, 561 00:31:36,240 --> 00:31:40,080 Speaker 1: it's like the residue from my back, like the back 562 00:31:40,200 --> 00:31:45,320 Speaker 1: extends and maybe it's some kind of tail memory and 563 00:31:45,400 --> 00:31:49,920 Speaker 1: then it goes it's like a cliff that goes into 564 00:31:50,000 --> 00:31:52,520 Speaker 1: the like I don't I don't think so, like I 565 00:31:52,560 --> 00:31:54,640 Speaker 1: have two dimensions to my body and it's back and 566 00:31:54,800 --> 00:31:57,200 Speaker 1: leg and there's but I'm sorry that you don't have 567 00:31:57,280 --> 00:32:00,640 Speaker 1: a but it's really it's butts are in right now? 568 00:32:00,680 --> 00:32:03,240 Speaker 1: How do you deal with it? I don't know. I 569 00:32:03,400 --> 00:32:06,680 Speaker 1: was thinking about getting those pants that um not your 570 00:32:06,720 --> 00:32:11,280 Speaker 1: mama's jeans. You know, these aren't your mama's jeans. These 571 00:32:11,280 --> 00:32:13,600 Speaker 1: aren't your flat asked mama's jeans. Let me tell you 572 00:32:13,600 --> 00:32:17,000 Speaker 1: your mom with that flat ass and her stupid jeans, 573 00:32:17,120 --> 00:32:21,680 Speaker 1: and are adding Yeah. I think it's like the way 574 00:32:21,720 --> 00:32:27,840 Speaker 1: it's stitched. It's really tight. You loose as dumb stuff. 575 00:32:28,840 --> 00:32:33,280 Speaker 1: I feel like it must press the kings apart. So 576 00:32:33,400 --> 00:32:38,320 Speaker 1: you do silent farts. We all know the trick that's 577 00:32:38,360 --> 00:32:42,040 Speaker 1: never worked. You're pulling apart and it's just like you're 578 00:32:42,280 --> 00:32:46,400 Speaker 1: if you're trying to be discreet and fart silently, why 579 00:32:46,440 --> 00:32:48,720 Speaker 1: would you take your both of your hands and pull 580 00:32:48,760 --> 00:32:54,200 Speaker 1: apart your button? I do. I do it literally day where. 581 00:32:54,320 --> 00:32:56,840 Speaker 1: That's why no one ever hears me. But where are you? 582 00:32:57,760 --> 00:32:59,960 Speaker 1: Are you in public? Yeah, in front, in front of 583 00:33:00,000 --> 00:33:02,880 Speaker 1: crowds of thousands. You don't take your hands and fly 584 00:33:03,120 --> 00:33:06,640 Speaker 1: your butt. I do. I I don't. When I'm at work, 585 00:33:06,680 --> 00:33:11,320 Speaker 1: I go hold on everyone. No, so you sing, but 586 00:33:11,440 --> 00:33:16,000 Speaker 1: you won't fart. Very clear you're parting no matter what. 587 00:33:18,920 --> 00:33:21,440 Speaker 1: Um No, I don't think it's clear. I think I 588 00:33:21,520 --> 00:33:23,760 Speaker 1: get away with it each time. But yea, but Matt's 589 00:33:23,760 --> 00:33:27,040 Speaker 1: also working with different equipment. Matt has a very I 590 00:33:27,080 --> 00:33:30,600 Speaker 1: would say, um globular ass. I think I've seen it 591 00:33:30,680 --> 00:33:34,920 Speaker 1: on Instagram. Yes, you have shown it on Instagram. I 592 00:33:35,120 --> 00:33:38,920 Speaker 1: have taken almost nude pictures. I've taken some almost new pictures, 593 00:33:39,000 --> 00:33:41,040 Speaker 1: not because of like a vain thing, because I think 594 00:33:41,080 --> 00:33:43,720 Speaker 1: it's funny. It's very funny. You're you really do do 595 00:33:43,840 --> 00:33:46,920 Speaker 1: that funny because it's funny, because it's also like, yeah, 596 00:33:47,000 --> 00:33:49,520 Speaker 1: he's like it's like, this is a good picture, you 597 00:33:49,560 --> 00:33:51,520 Speaker 1: know what I mean. But it's also like, you know, 598 00:33:51,640 --> 00:33:54,600 Speaker 1: he knows he knew me a good picture for us. 599 00:33:54,880 --> 00:34:00,400 Speaker 1: I think that Yeah, for us, globular does not sound 600 00:34:00,440 --> 00:34:02,479 Speaker 1: like a good thing. But I'll take it like globe 601 00:34:02,640 --> 00:34:06,320 Speaker 1: like a little, like a little it's honestly, it's not 602 00:34:06,520 --> 00:34:08,520 Speaker 1: not there. I will say this is a new this 603 00:34:08,680 --> 00:34:11,320 Speaker 1: is this is new lexicon for the for the listeners 604 00:34:11,360 --> 00:34:15,520 Speaker 1: out there. Matt famously refers to his ass as his world. 605 00:34:16,400 --> 00:34:18,920 Speaker 1: My whole is my world. Like if you're ever going 606 00:34:18,960 --> 00:34:21,160 Speaker 1: to show someone, if you if anyone ever is going 607 00:34:21,239 --> 00:34:23,640 Speaker 1: to go down there and you know, see it or 608 00:34:23,840 --> 00:34:27,040 Speaker 1: do things to it, I say, you show them your world. 609 00:34:27,360 --> 00:34:30,479 Speaker 1: You can invite them into your world. Yeah, Or He'll say, 610 00:34:31,040 --> 00:34:33,960 Speaker 1: I'm about to show you my world, and then and 611 00:34:34,000 --> 00:34:38,400 Speaker 1: then and then I'll simply raise my legs high like 612 00:34:38,760 --> 00:34:43,640 Speaker 1: lady Liberty holds a torch and spread them. You got 613 00:34:44,160 --> 00:34:47,600 Speaker 1: holding your leg like so up in the right hand 614 00:34:49,320 --> 00:34:52,920 Speaker 1: like that. Yes, he's doing it. Now, he's doing it. Now. 615 00:34:53,040 --> 00:34:56,520 Speaker 1: It does look like Lady Liberty. It's beautiful. But if 616 00:34:56,560 --> 00:35:10,759 Speaker 1: it's slowly turning, um here for your huddled it's like 617 00:35:11,160 --> 00:35:17,000 Speaker 1: a shock. That would be the next word. That's what 618 00:35:17,120 --> 00:35:19,920 Speaker 1: it says. Really, no one's actually looked at her little book, 619 00:35:20,320 --> 00:35:22,839 Speaker 1: her little book. That's what it says. On her little book, 620 00:35:22,840 --> 00:35:25,279 Speaker 1: her little black book, her little black book. Who do 621 00:35:25,320 --> 00:35:27,000 Speaker 1: you think is in the statue of Liberties? A little 622 00:35:27,000 --> 00:35:31,560 Speaker 1: black book? Carry and all the guys she slept with? Who? 623 00:35:31,920 --> 00:35:35,759 Speaker 1: Who hoo hoo? You know, tell Mr Jeffson, I think 624 00:35:35,800 --> 00:35:39,120 Speaker 1: she the Stonehenges. I think she sucked the Colossus of Routes. 625 00:35:39,160 --> 00:35:42,279 Speaker 1: Oh no, mo wash moore boys, she sucked the Rio 626 00:35:42,400 --> 00:35:45,880 Speaker 1: de Janeiro. Jesus, I just I just want to I 627 00:35:45,960 --> 00:35:50,360 Speaker 1: want to listen to Joe just talking in this masculine accent. 628 00:35:50,520 --> 00:35:58,120 Speaker 1: The shiny andy wohole, the shiny she fucked the Eastern Island, guys. 629 00:35:59,200 --> 00:36:07,120 Speaker 1: The whole horses she fucked up were horses on Eastern 630 00:36:07,200 --> 00:36:11,279 Speaker 1: Park where there you know those um by the Brooklyn Museum. Yeah, 631 00:36:11,280 --> 00:36:13,960 Speaker 1: and it's like that big arch. Yes, oh yes, the 632 00:36:14,000 --> 00:36:16,759 Speaker 1: granity process. Of course. I'm so sorry. You know, she 633 00:36:16,880 --> 00:36:19,520 Speaker 1: sucked everyone on Rushmore but Teddy Roosevelt because she was like, 634 00:36:19,560 --> 00:36:24,840 Speaker 1: why are you up there? Because the sculptor wanted to 635 00:36:24,880 --> 00:36:30,080 Speaker 1: show off that they could do glasses. Wow, okay, special skills. 636 00:36:34,560 --> 00:36:40,760 Speaker 1: Um Joe. I think I think you were really amazing, amazing, 637 00:36:40,880 --> 00:36:46,759 Speaker 1: and you're showing America the breath of of the characters 638 00:36:47,400 --> 00:36:51,960 Speaker 1: that we see in real life, such as Betsy. Back 639 00:36:52,040 --> 00:36:55,600 Speaker 1: up Ohio us his back up ohio tell us what 640 00:36:56,200 --> 00:36:59,879 Speaker 1: goes into everyday life? What goes into making these people 641 00:37:00,040 --> 00:37:02,680 Speaker 1: come to life? Talk about that, Well, you get like 642 00:37:02,880 --> 00:37:08,520 Speaker 1: one hour before you know it's happening, and then that 643 00:37:08,680 --> 00:37:12,120 Speaker 1: hour is spent in makeup. So but the time you 644 00:37:12,160 --> 00:37:15,840 Speaker 1: get out there, it's really just exploring. Oh well, exploring 645 00:37:15,880 --> 00:37:20,200 Speaker 1: and heightening, but it's successful exploration, and it's sometimes it's 646 00:37:20,360 --> 00:37:23,920 Speaker 1: it's like a very it feels like um, like you wrote, 647 00:37:24,600 --> 00:37:27,360 Speaker 1: like it feels like someone did a TV. It's like 648 00:37:27,440 --> 00:37:29,120 Speaker 1: what you would have imagine, and like working in a 649 00:37:29,200 --> 00:37:30,960 Speaker 1: late night shows, you're just like oh and then you 650 00:37:31,040 --> 00:37:32,800 Speaker 1: just get in bakeup and then you run on stage 651 00:37:32,800 --> 00:37:34,360 Speaker 1: and then you're like, oh, that's what it is? Actually, 652 00:37:34,400 --> 00:37:36,520 Speaker 1: what is it really is? Makes it not? I mean 653 00:37:36,600 --> 00:37:40,160 Speaker 1: it's yeah, I don't know. So you are enjoying working there. Yeah, 654 00:37:40,280 --> 00:37:43,319 Speaker 1: it's a hard job, but I you know, I don't 655 00:37:43,400 --> 00:37:46,880 Speaker 1: really sleep very much, no Joe. But apart from that, 656 00:37:46,960 --> 00:37:50,000 Speaker 1: it's okay. They have Helen Hardy soup in the basement. 657 00:37:50,440 --> 00:37:54,799 Speaker 1: I love that. Do you have you had the Totalini Florentine? No, god, 658 00:37:55,680 --> 00:37:58,120 Speaker 1: I need to try that. Is that a staple day? 659 00:37:58,680 --> 00:38:01,719 Speaker 1: It's not okay. I get email blasts from them whenever 660 00:38:01,760 --> 00:38:06,640 Speaker 1: they have my favorite flavors. Oh my god. And I 661 00:38:06,800 --> 00:38:09,360 Speaker 1: got an email from them today and they were flirting 662 00:38:09,400 --> 00:38:11,040 Speaker 1: with me because they said it was total Leaning but 663 00:38:11,120 --> 00:38:13,560 Speaker 1: it had mushrooms in it, and I knew they were 664 00:38:13,680 --> 00:38:17,000 Speaker 1: being bad and that did that? Did that make you 665 00:38:17,160 --> 00:38:19,160 Speaker 1: say I really want to go or you didn't want to? 666 00:38:19,600 --> 00:38:21,600 Speaker 1: Deal breaker? No? I I don't mind much room because 667 00:38:21,600 --> 00:38:24,120 Speaker 1: I put it on my list. But that's true. You 668 00:38:24,160 --> 00:38:25,640 Speaker 1: did put it on the lest you did ask for it. 669 00:38:25,760 --> 00:38:29,680 Speaker 1: I did. I do feel like I said to myself, 670 00:38:29,880 --> 00:38:32,400 Speaker 1: the large isn't large enough, and I thought that's so 671 00:38:32,920 --> 00:38:36,520 Speaker 1: fucking stupid that I get mad about a soup. No, 672 00:38:36,719 --> 00:38:38,480 Speaker 1: I get mad about soup all the time that I'm 673 00:38:38,520 --> 00:38:41,279 Speaker 1: going to that soup place so much. But it's good. 674 00:38:41,440 --> 00:38:45,120 Speaker 1: And also it's like, isn't it healthier? No? No, um, 675 00:38:45,200 --> 00:38:47,120 Speaker 1: but the cream of tomato. My favorite is the cream 676 00:38:47,120 --> 00:38:49,680 Speaker 1: of tomato with ours out? And what do you get? 677 00:38:49,880 --> 00:38:58,359 Speaker 1: Do you get those seven s seven seven seven time 678 00:38:58,400 --> 00:39:04,879 Speaker 1: passes back and forth? Sour? It's the seven grain sour 679 00:39:04,960 --> 00:39:09,239 Speaker 1: do crackers? I got it sour grubs. Diday, I had 680 00:39:09,320 --> 00:39:14,800 Speaker 1: four halfs of cupcakes so too, because I was like, 681 00:39:14,840 --> 00:39:16,920 Speaker 1: I don't want to go to the super place. Do 682 00:39:17,000 --> 00:39:18,239 Speaker 1: you know what I always get when I go to 683 00:39:18,320 --> 00:39:25,880 Speaker 1: Helen Hardy The seafood chowder, the lobster biss that's expensive. 684 00:39:26,120 --> 00:39:30,640 Speaker 1: It is expensive. It's sometimes upwards of eleven. I had 685 00:39:30,680 --> 00:39:33,920 Speaker 1: the big one too, because I have a big stomach 686 00:39:34,040 --> 00:39:40,520 Speaker 1: turned into a dick at night, midnight, precisely, it's all 687 00:39:40,600 --> 00:39:43,560 Speaker 1: that lobster bisk. Hey, why you got the biggest stuppocket 688 00:39:43,600 --> 00:39:47,239 Speaker 1: A little body with a globular ass, Well, if you 689 00:39:47,360 --> 00:39:51,399 Speaker 1: must know, my big gass tummy turns into a cock 690 00:39:51,440 --> 00:39:54,840 Speaker 1: at night, and then I lift on my legs to 691 00:39:54,920 --> 00:39:58,160 Speaker 1: the sky like Lady liberty her goddamn self and show 692 00:39:58,239 --> 00:40:01,359 Speaker 1: my world. Can you imagine why own belly? Dick? You're 693 00:40:01,480 --> 00:40:04,120 Speaker 1: in somebody, you're in somebody else and you're like this 694 00:40:04,280 --> 00:40:09,040 Speaker 1: used to be and they go and in just moments 695 00:40:09,080 --> 00:40:12,319 Speaker 1: it's going to turn back quick quick, let me come. 696 00:40:13,920 --> 00:40:19,960 Speaker 1: It's not it's and and you're your old boss or 697 00:40:20,000 --> 00:40:23,120 Speaker 1: your whatever. That guy that that's Jeff. He's saying it 698 00:40:23,160 --> 00:40:26,680 Speaker 1: as if the belly is the is like the carriages, like, 699 00:40:26,800 --> 00:40:28,640 Speaker 1: and the dick is the pumpkins. You know what I'm saying, 700 00:40:29,160 --> 00:40:33,080 Speaker 1: Like the belly is like the drafts. But did you 701 00:40:33,120 --> 00:40:34,840 Speaker 1: guys what I'm trying to say, It's like, the belly 702 00:40:35,000 --> 00:40:38,120 Speaker 1: is not the curse. The belly is the He was 703 00:40:38,320 --> 00:40:42,280 Speaker 1: clearly horrified and put on the spot and honestly objectified physically, 704 00:40:43,440 --> 00:40:45,680 Speaker 1: like he might have been a nightmare to work with, 705 00:40:45,840 --> 00:40:49,640 Speaker 1: but he was being cruelly, cruelly addressed. He was put 706 00:40:49,719 --> 00:40:52,239 Speaker 1: in a bad situation. I do remember that was like 707 00:40:52,320 --> 00:40:54,279 Speaker 1: the only Jeb the only time I've been ever like 708 00:40:54,400 --> 00:40:57,800 Speaker 1: sexually harassed. But it was this guy kept saying, I 709 00:40:57,880 --> 00:41:05,080 Speaker 1: looked like, who's the woman that's since world? Um, which 710 00:41:05,160 --> 00:41:08,920 Speaker 1: woman she's really politically active. She was like five years ago. 711 00:41:09,480 --> 00:41:11,480 Speaker 1: She doesn't have any hair. Oh, she was in the 712 00:41:12,000 --> 00:41:20,120 Speaker 1: league of our own sister. You're talking about um? Oh god, No, 713 00:41:20,280 --> 00:41:23,439 Speaker 1: I don't think it. Wait Lori petty. Yes, and they'd 714 00:41:23,480 --> 00:41:29,960 Speaker 1: be like, girl, you look like Lori petty, girl, young, petty, 715 00:41:30,080 --> 00:41:34,800 Speaker 1: scrappy one from their own little sister. Yeah, a little 716 00:41:35,239 --> 00:41:39,600 Speaker 1: she was annoying. Yeah, what's her name? In the movie Ki? Ki? Yeah? 717 00:41:40,520 --> 00:41:43,320 Speaker 1: Do you know that that baseball stadium is still intact? What? 718 00:41:43,800 --> 00:41:46,480 Speaker 1: It's perfectly intact because the mayor of that town was like, 719 00:41:46,560 --> 00:41:49,160 Speaker 1: you got to make it built to last. It didn't 720 00:41:49,320 --> 00:41:54,759 Speaker 1: used to be my playground still now, but now the 721 00:41:54,920 --> 00:41:59,160 Speaker 1: Rockford Peaches are a cheerleading team for the boys baseball. No, 722 00:42:00,080 --> 00:42:04,600 Speaker 1: that's horrible. I honestly think, oh my god. Option this 723 00:42:05,360 --> 00:42:07,719 Speaker 1: make a fucking reboot where the cheerleaders want to play 724 00:42:07,760 --> 00:42:11,480 Speaker 1: the plot of play. Yeah. I don't know, gus. Option this, 725 00:42:11,880 --> 00:42:14,759 Speaker 1: Option this is that that should be a new that 726 00:42:14,800 --> 00:42:19,239 Speaker 1: should be a new segment on the show. Option that's good. 727 00:42:19,320 --> 00:42:23,239 Speaker 1: That's what got her on the tonight. The segments. It's 728 00:42:23,239 --> 00:42:26,320 Speaker 1: a crazy bit called option this with Jimmy Fahlon where Jimmy, 729 00:42:26,680 --> 00:42:31,439 Speaker 1: he goes option this and and he chooses a choice. Joe, 730 00:42:31,520 --> 00:42:33,120 Speaker 1: I just got get you know what, that joke and 731 00:42:33,280 --> 00:42:35,360 Speaker 1: just toss off these premises and their gold. And but 732 00:42:35,480 --> 00:42:37,640 Speaker 1: it's like it's like she doesn't mean, well, last we 733 00:42:37,760 --> 00:42:40,480 Speaker 1: got one fucking bit. I don't think we got one 734 00:42:40,560 --> 00:42:42,880 Speaker 1: fucking bit. Don't they're going to put it on our Goddamn. 735 00:42:47,200 --> 00:42:49,400 Speaker 1: I just I think it would be really hard. I 736 00:42:49,520 --> 00:42:52,120 Speaker 1: really don't think either of you should die first. I 737 00:42:52,160 --> 00:42:53,640 Speaker 1: think you should. We have to die together. We have 738 00:42:53,680 --> 00:42:56,239 Speaker 1: to die, and you know what, I think it's time. 739 00:42:56,480 --> 00:42:58,200 Speaker 1: I think I don't think so Honey. I think this, 740 00:42:58,440 --> 00:43:00,759 Speaker 1: this might be the last one. This is going to be. 741 00:43:01,280 --> 00:43:03,480 Speaker 1: I think after this we're gonna die. We're gonna die. 742 00:43:03,560 --> 00:43:07,840 Speaker 1: And come up with the backup. Please just come up 743 00:43:07,840 --> 00:43:11,279 Speaker 1: with the backup. What would you do? I want to 744 00:43:11,320 --> 00:43:13,440 Speaker 1: I want to pose a question to the to the listeners. 745 00:43:14,000 --> 00:43:17,120 Speaker 1: What would the listeners do? Would would you do anything 746 00:43:17,280 --> 00:43:20,279 Speaker 1: to keep I don't think so honey alive anything? What 747 00:43:20,360 --> 00:43:23,040 Speaker 1: would you do for us? What's in it for us? Please? 748 00:43:23,160 --> 00:43:25,480 Speaker 1: Don't think that they would continue the lost cultures this 749 00:43:25,600 --> 00:43:28,640 Speaker 1: brand with oh you're trying if we diet I'm talking 750 00:43:28,680 --> 00:43:31,879 Speaker 1: about h p J producer Jo think he would cast 751 00:43:31,920 --> 00:43:34,120 Speaker 1: two people that looked and sounded like us to keep going, 752 00:43:34,280 --> 00:43:36,680 Speaker 1: Why do they need to look like you? Because he 753 00:43:36,719 --> 00:43:41,799 Speaker 1: wants to fool them them. He thinks that they're all dumb, 754 00:43:41,960 --> 00:43:44,440 Speaker 1: the listeners, right right right. You can You can't fool 755 00:43:44,480 --> 00:43:46,600 Speaker 1: someone with your voice, but you can fool someone with 756 00:43:46,680 --> 00:43:48,960 Speaker 1: their looks. Or no, that's the other way around. Yeah, 757 00:43:48,960 --> 00:43:50,200 Speaker 1: it's the other way around. But you know what, it's 758 00:43:50,440 --> 00:43:55,680 Speaker 1: because listener, Because the listeners are all guys coming, don't. 759 00:43:56,000 --> 00:43:57,439 Speaker 1: I'm just gonna say this to you on the side, 760 00:43:57,560 --> 00:44:01,239 Speaker 1: Our listeners are dumb. Listen, you don't switch switch us 761 00:44:01,280 --> 00:44:05,960 Speaker 1: out at all? So dumb? You know, one of them? 762 00:44:07,400 --> 00:44:11,200 Speaker 1: Half of them? Half of them what half of them education? 763 00:44:12,719 --> 00:44:15,880 Speaker 1: Half of your listeners have a fifth grade education? Like 764 00:44:18,719 --> 00:44:24,239 Speaker 1: they fucking so stupid. They think all this matters. They 765 00:44:24,360 --> 00:44:26,920 Speaker 1: got grade and patient and a sixth grade and the 766 00:44:27,040 --> 00:44:32,640 Speaker 1: seventh grade and a college okay and dare you? Oh 767 00:44:32,920 --> 00:44:41,840 Speaker 1: option this a seventh straight to college? It's perfect. Okay, 768 00:44:42,400 --> 00:44:45,960 Speaker 1: So the Emmy's happened, yes, oh yes, so we're lovely. 769 00:44:46,080 --> 00:44:48,040 Speaker 1: The time of recording this, we're recording this right after 770 00:44:48,080 --> 00:44:50,520 Speaker 1: the Emmi has happened. Is that crazy that you, like, 771 00:44:50,760 --> 00:44:53,520 Speaker 1: all of your friends get dressed up? It's amazing on 772 00:44:53,600 --> 00:44:56,439 Speaker 1: your Instagram you're like, oh my god, even if you don't, 773 00:44:56,640 --> 00:44:59,200 Speaker 1: you're not friends and exactly you're like, my friends were 774 00:44:59,280 --> 00:45:01,520 Speaker 1: at the Emmy's. Can I tell you my favorite bite? 775 00:45:01,520 --> 00:45:05,360 Speaker 1: That's happening right now though, any it's ripping everyone apart 776 00:45:05,440 --> 00:45:08,480 Speaker 1: from what they wore. Annie Domy is doing fashion police 777 00:45:08,520 --> 00:45:10,120 Speaker 1: on her Instagram for all of the all of the 778 00:45:10,200 --> 00:45:13,200 Speaker 1: people who went to the Emmy's, and she is really 779 00:45:13,280 --> 00:45:21,239 Speaker 1: taking their prisoners, telling everyone they look bad. Villain of 780 00:45:21,280 --> 00:45:23,680 Speaker 1: the Last Countries this podcast said, I don't think so, honey, 781 00:45:23,760 --> 00:45:27,919 Speaker 1: Bowen and Matt, I don't think so, honey. Two point 782 00:45:27,960 --> 00:45:30,080 Speaker 1: oh this is this is This is one of the 783 00:45:30,160 --> 00:45:32,800 Speaker 1: Annie's burns from her fashion police for the Emmy. She 784 00:45:32,880 --> 00:45:35,800 Speaker 1: goes meet your do harri Oh yeah, a little choker, 785 00:45:35,800 --> 00:45:37,640 Speaker 1: a little goth girl. Will you look like a fucking 786 00:45:37,680 --> 00:45:42,600 Speaker 1: goth girl? But she's like almost not a bird at all. 787 00:45:42,840 --> 00:45:46,680 Speaker 1: But you know what an Annie's voice, anything anything is 788 00:45:48,360 --> 00:45:52,520 Speaker 1: I think is it time from my virginity story? Yeah? Wait, 789 00:45:52,640 --> 00:45:56,080 Speaker 1: oh yes, that wasn't part of the plan, but I 790 00:45:56,160 --> 00:45:59,320 Speaker 1: will tell it. No, Well, I lost my virginity to 791 00:46:00,560 --> 00:46:02,759 Speaker 1: the owner of a clam bar that I worked at 792 00:46:02,800 --> 00:46:06,520 Speaker 1: in high school. He texted me a lot over the 793 00:46:06,880 --> 00:46:09,800 Speaker 1: school year proceeding. When I was a freshman in college, 794 00:46:09,800 --> 00:46:13,279 Speaker 1: I was slowly considering coming out and he took my 795 00:46:13,440 --> 00:46:17,200 Speaker 1: V card over the summer, not on a boat. That 796 00:46:17,360 --> 00:46:20,879 Speaker 1: was later. Um, he took my V card into bed 797 00:46:22,080 --> 00:46:25,160 Speaker 1: and UM, I'll tell you what. I'd be working at 798 00:46:25,200 --> 00:46:28,040 Speaker 1: the cash register downstairs, getting making coffee for a guests, 799 00:46:28,080 --> 00:46:29,560 Speaker 1: and he would call it down and say, hey, can 800 00:46:29,800 --> 00:46:31,960 Speaker 1: you send Matt Rodgers up with a coffee for me? 801 00:46:32,120 --> 00:46:34,279 Speaker 1: And every weekress in the restaurant wouldn't know what that means. 802 00:46:34,920 --> 00:46:36,640 Speaker 1: And I would go right up there in nineteen year 803 00:46:36,640 --> 00:46:40,520 Speaker 1: old me and he was nine. Looking back, I would 804 00:46:40,560 --> 00:46:44,719 Speaker 1: not have done that. But the boat story is I 805 00:46:44,840 --> 00:46:47,680 Speaker 1: told him I didn't want to hook up with him anymore. 806 00:46:48,120 --> 00:46:50,839 Speaker 1: He said, okay, we'll just be friends. He's like, let's 807 00:46:50,840 --> 00:46:54,279 Speaker 1: go out on the boat this weekend. We went out 808 00:46:54,320 --> 00:46:56,880 Speaker 1: into the Lisles Sound and he anchored the boat and 809 00:46:57,040 --> 00:46:58,960 Speaker 1: he said, we're going to hook up. And I was like, 810 00:46:59,120 --> 00:47:02,400 Speaker 1: I don't want to do that. So that's actually a 811 00:47:02,600 --> 00:47:06,880 Speaker 1: shitty story. Yeah, that's really messed up. It is messed up. 812 00:47:07,320 --> 00:47:10,520 Speaker 1: And I did it, like essentially, I like gave consent 813 00:47:10,600 --> 00:47:13,839 Speaker 1: to it, but like but then but like I didn't 814 00:47:13,880 --> 00:47:16,719 Speaker 1: realize until years later that how funked up that was, 815 00:47:17,560 --> 00:47:22,319 Speaker 1: especially to a nineteen year old, where is still there? 816 00:47:22,800 --> 00:47:27,759 Speaker 1: Still there? All right, well it's no, I mean, that's 817 00:47:28,440 --> 00:47:31,560 Speaker 1: that's bad. But the thing is and I didn't even 818 00:47:31,760 --> 00:47:34,920 Speaker 1: realize it was bad until years later. That's like the 819 00:47:35,080 --> 00:47:38,160 Speaker 1: physical like you're staying put because I was going to 820 00:47:38,239 --> 00:47:42,120 Speaker 1: do literally jump into the lis on sound. Oh it 821 00:47:42,320 --> 00:47:45,200 Speaker 1: was so shitty. And I actually didn't tell anyone about 822 00:47:45,239 --> 00:47:47,520 Speaker 1: that until last year. What I believe like it was 823 00:47:47,600 --> 00:47:50,279 Speaker 1: like it was like very much not a moment for me, 824 00:47:50,360 --> 00:47:52,520 Speaker 1: like the social media movement of everyone sharing their kind 825 00:47:52,520 --> 00:47:54,200 Speaker 1: of stories and everything like that. But I told Henry, 826 00:47:54,239 --> 00:47:55,680 Speaker 1: I was like, you know, just you know, like I 827 00:47:55,719 --> 00:47:57,960 Speaker 1: feel like I didn't. I kind of didn't realize like 828 00:47:58,480 --> 00:48:02,560 Speaker 1: that this happened, but this totally happened. I mean, and 829 00:48:02,680 --> 00:48:04,480 Speaker 1: I brought up I asked you to bring it. I 830 00:48:04,560 --> 00:48:07,080 Speaker 1: brought the boat. No, honestly, I was sharing in his 831 00:48:07,200 --> 00:48:10,120 Speaker 1: lighthearted story and then I was like, and I sometimes 832 00:48:10,160 --> 00:48:11,839 Speaker 1: say the boat thing and I don't really get into 833 00:48:11,880 --> 00:48:14,920 Speaker 1: what happened on the boat, but that did happen. You 834 00:48:14,960 --> 00:48:16,640 Speaker 1: know what, we can and it happens. I think so 835 00:48:16,800 --> 00:48:22,640 Speaker 1: many people absolutely just like those situations of like you 836 00:48:22,840 --> 00:48:25,000 Speaker 1: did it, but you didn't give consent, even though you 837 00:48:26,400 --> 00:48:29,120 Speaker 1: technically like I didn't do a drag in your feet, 838 00:48:29,160 --> 00:48:30,480 Speaker 1: you know what I mean? The thing is is that 839 00:48:30,560 --> 00:48:34,400 Speaker 1: you would never do that to someone else. No, And 840 00:48:34,960 --> 00:48:39,320 Speaker 1: I think it's like I just wonder what those people think, Like, 841 00:48:39,480 --> 00:48:42,400 Speaker 1: what what is that guy think? Is he just like him? 842 00:48:42,400 --> 00:48:44,800 Speaker 1: All he thought it was like flirty and fun, but 843 00:48:44,880 --> 00:48:46,480 Speaker 1: I had made it clear that I didn't want to 844 00:48:46,520 --> 00:48:50,560 Speaker 1: do that anymore. You don't that's not a friend. Yeah, 845 00:48:50,840 --> 00:48:54,800 Speaker 1: it was really even if I took you out to 846 00:48:54,880 --> 00:48:57,160 Speaker 1: seat and put an anchor down and we're not going 847 00:48:57,239 --> 00:48:59,120 Speaker 1: to have sex. Even if I was just like let's 848 00:48:59,160 --> 00:49:01,600 Speaker 1: just sit here for you're like I want to go back, yeah, 849 00:49:01,920 --> 00:49:03,480 Speaker 1: and I was like, no, let's just sit here for 850 00:49:03,480 --> 00:49:06,319 Speaker 1: a while, you'd be like, this fucking crazy bitch needs 851 00:49:06,400 --> 00:49:10,680 Speaker 1: to get out of my life. It was crazy. It 852 00:49:10,840 --> 00:49:13,440 Speaker 1: was crazy, and then all of a sudden the relationship 853 00:49:13,520 --> 00:49:16,520 Speaker 1: was like back on because I was like, well, I mean, 854 00:49:16,640 --> 00:49:19,279 Speaker 1: like I guess it's gonna happen regardless, but this is 855 00:49:19,400 --> 00:49:21,160 Speaker 1: these are things that you don't realize. That's like a 856 00:49:21,239 --> 00:49:24,239 Speaker 1: nineteen year old who not for nothing but lives in 857 00:49:24,320 --> 00:49:27,040 Speaker 1: Long Island where the patriarchy is super solid. And I 858 00:49:27,160 --> 00:49:29,520 Speaker 1: mean that not only just as men have control over women, 859 00:49:29,600 --> 00:49:33,200 Speaker 1: but like older men have control over younger men. And 860 00:49:33,880 --> 00:49:37,400 Speaker 1: you know, he was my boss. So there was so 861 00:49:37,560 --> 00:49:41,000 Speaker 1: much going into it that was like weird. Um, but yeah, 862 00:49:41,080 --> 00:49:43,800 Speaker 1: that's a funked up story. But I didn't know I 863 00:49:43,920 --> 00:49:46,359 Speaker 1: was going to just share. But look I was saying. 864 00:49:46,360 --> 00:49:49,279 Speaker 1: I was saying, did you get rid of him when 865 00:49:49,320 --> 00:49:52,920 Speaker 1: he went to college? Yeah? Yes, And then he was 866 00:49:53,040 --> 00:49:54,920 Speaker 1: very upset about that because he was like, so what 867 00:49:55,120 --> 00:49:57,800 Speaker 1: you have no time for anymore? Like because I I 868 00:49:58,040 --> 00:49:59,640 Speaker 1: decided that when I went back to school, I would 869 00:49:59,680 --> 00:50:02,760 Speaker 1: come out of the closet and like transferred to tish 870 00:50:03,239 --> 00:50:05,759 Speaker 1: n y u and like try to, um, you know, 871 00:50:05,840 --> 00:50:08,600 Speaker 1: pursue comedy finally, and I was gonna like really try 872 00:50:08,640 --> 00:50:10,800 Speaker 1: to become who I was. And he like that was 873 00:50:10,880 --> 00:50:13,600 Speaker 1: like such a bad thing. He was like, so what, 874 00:50:13,760 --> 00:50:15,359 Speaker 1: You're not going to come back and work here over 875 00:50:15,440 --> 00:50:17,400 Speaker 1: the summer anymore, Like we're not going to be friends 876 00:50:17,440 --> 00:50:19,320 Speaker 1: and like, you know, I'm just gonna sit here and 877 00:50:19,400 --> 00:50:22,520 Speaker 1: work at this place forever and etcetera, etcetera. And it 878 00:50:22,680 --> 00:50:27,800 Speaker 1: was kind of like yeah, and now looking back on it, 879 00:50:27,880 --> 00:50:30,640 Speaker 1: he's like very much a Trump supporter. And this I 880 00:50:30,760 --> 00:50:33,480 Speaker 1: think is a common thread with a lot of those 881 00:50:33,520 --> 00:50:36,120 Speaker 1: people is they're angry about them their lives and how 882 00:50:36,160 --> 00:50:39,200 Speaker 1: they've turned out, and they feel very trapped situationally, and 883 00:50:39,320 --> 00:50:41,640 Speaker 1: they're looking for someone to blame and it's or that 884 00:50:41,719 --> 00:50:44,000 Speaker 1: they have politics in general, and they think it change 885 00:50:44,080 --> 00:50:46,239 Speaker 1: up there is going to like change their lives, and 886 00:50:46,320 --> 00:50:49,799 Speaker 1: they're just they're obsessed with being the victim or they're 887 00:50:49,920 --> 00:50:53,040 Speaker 1: you know, they've sexually assaulted people and they identify it 888 00:50:53,120 --> 00:50:56,680 Speaker 1: with that as you know whatever. I feel like that 889 00:50:56,800 --> 00:51:00,600 Speaker 1: kind of like it's also like that's you're eighteen years old, 890 00:51:00,640 --> 00:51:03,080 Speaker 1: he's twenty nine years he is. You have no, you 891 00:51:03,160 --> 00:51:05,880 Speaker 1: have no. You don't have to dictate his life. No, 892 00:51:07,680 --> 00:51:09,520 Speaker 1: he can do whatever he wants. And to be like, no, 893 00:51:09,680 --> 00:51:12,280 Speaker 1: you're not, You're just gonna leave me, that's kind of manipulus. 894 00:51:12,280 --> 00:51:15,239 Speaker 1: It was so weird and manipulative. And I remember at 895 00:51:15,320 --> 00:51:18,440 Speaker 1: one point, like when I knew it had to end. 896 00:51:19,160 --> 00:51:21,520 Speaker 1: Was there was like the real owner of the restaurant, 897 00:51:21,520 --> 00:51:23,799 Speaker 1: who was his father, and he had like a much 898 00:51:23,880 --> 00:51:26,520 Speaker 1: younger girlfriend who was like sixteen or seventeen young years 899 00:51:26,600 --> 00:51:28,320 Speaker 1: younger than him, and she was like the manager of 900 00:51:28,360 --> 00:51:31,320 Speaker 1: the restaurant, and she was always very unhappy, and you know, 901 00:51:31,640 --> 00:51:34,239 Speaker 1: it just wasn't a good it was very negative atmosphere. 902 00:51:34,719 --> 00:51:36,200 Speaker 1: And she looked at me one day and she was like, 903 00:51:36,320 --> 00:51:38,279 Speaker 1: I just know that you and so and so we're 904 00:51:38,320 --> 00:51:41,000 Speaker 1: gonna fall in love and you're just gonna you guys 905 00:51:41,040 --> 00:51:44,400 Speaker 1: are gonna be just like me and my boyfriend. And 906 00:51:44,520 --> 00:51:47,120 Speaker 1: I was and I was like, oh my god, I 907 00:51:47,239 --> 00:51:49,440 Speaker 1: have to get the funk out of here. I was 908 00:51:49,520 --> 00:51:54,400 Speaker 1: like I cannot do this. I was like, this is horrifying. 909 00:51:54,440 --> 00:51:56,720 Speaker 1: And also, you know what else sucks is you can't 910 00:51:56,800 --> 00:51:59,719 Speaker 1: tell anyone about it when it happens because you're closeted. 911 00:52:00,360 --> 00:52:04,120 Speaker 1: And I think he knew and and it was my 912 00:52:04,280 --> 00:52:07,040 Speaker 1: job and everyone that and honestly, if I had said 913 00:52:07,120 --> 00:52:08,840 Speaker 1: something to my coworkers, they would have just been like, 914 00:52:08,920 --> 00:52:12,560 Speaker 1: oh my god, that's so crazy. Then no one knew that. 915 00:52:12,680 --> 00:52:16,240 Speaker 1: It was like no one was had to like especially 916 00:52:16,320 --> 00:52:18,320 Speaker 1: out there, and at that time, like there was no 917 00:52:18,440 --> 00:52:20,680 Speaker 1: like way to express like I think I was like 918 00:52:20,760 --> 00:52:24,520 Speaker 1: sexually assaulted, taking advantage of Like it was not like that. 919 00:52:24,719 --> 00:52:27,360 Speaker 1: It was like it sounds hot or I guess you 920 00:52:27,400 --> 00:52:30,759 Speaker 1: guys are back on men. And also you know when 921 00:52:30,800 --> 00:52:33,320 Speaker 1: that grabb him by the pussy stuff came out, that 922 00:52:33,520 --> 00:52:35,759 Speaker 1: group of people were all like, come on, this is 923 00:52:35,840 --> 00:52:38,640 Speaker 1: just how men talk. This is ridiculous. This is how 924 00:52:38,719 --> 00:52:41,120 Speaker 1: men talk. Crooked Hillary blah blah blah. And I was like, 925 00:52:41,680 --> 00:52:43,719 Speaker 1: you know what, maybe you guys need some better men 926 00:52:43,840 --> 00:52:48,160 Speaker 1: in your lives. And that's nationwide. People didn't give a 927 00:52:48,200 --> 00:52:51,000 Speaker 1: funk about that because that's the kind of men that 928 00:52:51,760 --> 00:52:54,000 Speaker 1: are out there. Realized how many times I've heard that 929 00:52:54,080 --> 00:52:57,920 Speaker 1: expression grabbed them by the pussy, and just it's like 930 00:52:58,040 --> 00:53:00,560 Speaker 1: hasn't been a visual for a while, it just became 931 00:53:00,600 --> 00:53:04,560 Speaker 1: a visual just hands. I mean, it's a horrible visual 932 00:53:04,640 --> 00:53:07,320 Speaker 1: and it's just but isn't Yeah, isn't that awful? Like 933 00:53:07,760 --> 00:53:11,120 Speaker 1: a combination of words that actually makes no sense, Like, no, 934 00:53:12,040 --> 00:53:14,680 Speaker 1: it doesn't make sense, but I think it does. I 935 00:53:14,800 --> 00:53:16,600 Speaker 1: think he would do it. I think he would do it. 936 00:53:16,640 --> 00:53:19,160 Speaker 1: But it's like, but like, I mean, that's the thing 937 00:53:19,200 --> 00:53:21,560 Speaker 1: where you really have to put the lady liberties legs. 938 00:53:23,080 --> 00:53:27,799 Speaker 1: But he's he's saying that as if like women are 939 00:53:27,880 --> 00:53:30,520 Speaker 1: aroused by that. You know, I think that that does 940 00:53:30,680 --> 00:53:33,200 Speaker 1: that is the kind of thing that arouses gas. I 941 00:53:33,320 --> 00:53:35,399 Speaker 1: think that that if you are surprised and that way, 942 00:53:35,440 --> 00:53:40,680 Speaker 1: it doesn't release the bowels. You. Yes, you, I'm sure 943 00:53:40,920 --> 00:53:47,799 Speaker 1: that spread spread the cheek grounded by the world. Donald Trump, 944 00:53:48,920 --> 00:53:50,960 Speaker 1: do you think do you think that you would be 945 00:53:51,120 --> 00:53:54,920 Speaker 1: more likely if you saw Donald Trump to like, um, 946 00:53:56,280 --> 00:53:59,120 Speaker 1: to like do something, would you part in him? Okay, 947 00:53:59,480 --> 00:54:02,799 Speaker 1: I'm going to a catatonic state. So here's what happened. Um, 948 00:54:05,560 --> 00:54:09,440 Speaker 1: So he walked past me. I went to I went 949 00:54:09,520 --> 00:54:12,640 Speaker 1: to the taping of his Center episode two years ago 950 00:54:13,920 --> 00:54:16,600 Speaker 1: and uh, okay, well, first I should start off. So 951 00:54:16,640 --> 00:54:19,240 Speaker 1: Sudie invited me to Sudi invited me and Becky Shoquin 952 00:54:19,320 --> 00:54:21,279 Speaker 1: and Sami says her guests, and we all go and 953 00:54:21,320 --> 00:54:23,440 Speaker 1: then we got a great group. And then we all 954 00:54:23,480 --> 00:54:25,480 Speaker 1: go out afterwards to where the after party is and 955 00:54:25,920 --> 00:54:28,279 Speaker 1: we're some of the first people there. And then that 956 00:54:28,520 --> 00:54:30,960 Speaker 1: show that episode, Ivanka had a walk on during one 957 00:54:31,000 --> 00:54:33,320 Speaker 1: of the sketches and no one applauded for her. She 958 00:54:33,440 --> 00:54:35,640 Speaker 1: had her one line, she was like a prompter mistake. 959 00:54:35,719 --> 00:54:38,960 Speaker 1: Prompter mistake, Like, I don't think the applause thing went up, Yeah, exactly, 960 00:54:39,280 --> 00:54:40,880 Speaker 1: so people don't applaud for her, and I think and 961 00:54:41,000 --> 00:54:43,600 Speaker 1: Sudie was like, oh, that sucks, like I kind of 962 00:54:43,640 --> 00:54:45,200 Speaker 1: feel bad about that, and we were like, yeah, I 963 00:54:45,239 --> 00:54:48,279 Speaker 1: guess so um and and so uh And this was 964 00:54:48,360 --> 00:54:50,520 Speaker 1: before you could really just like pin that on, pin 965 00:54:50,560 --> 00:54:52,600 Speaker 1: all the ship on Ivanka at the time, she had 966 00:54:52,640 --> 00:54:56,200 Speaker 1: our sympathy in a way, yes, um and so uh. 967 00:54:56,360 --> 00:54:57,879 Speaker 1: So then the four of us go to this after 968 00:54:57,960 --> 00:55:03,120 Speaker 1: party restaurant and we're just sitting there, eating, drinking, and then, uh, 969 00:55:03,600 --> 00:55:06,920 Speaker 1: who should walk in, buddy, Ivanka? And Ivanka walks in 970 00:55:07,000 --> 00:55:09,080 Speaker 1: and she had just announced her pregnancy like two weeks 971 00:55:09,120 --> 00:55:11,440 Speaker 1: before I had seen. So she walks in and then 972 00:55:11,480 --> 00:55:13,399 Speaker 1: we were pretty we were all pretty hammered at this point, 973 00:55:13,480 --> 00:55:17,520 Speaker 1: so we go, yes, Ivanca, like we were her fucking 974 00:55:17,680 --> 00:55:21,760 Speaker 1: best idiot girlfriend idiots, and then we're just like waving 975 00:55:21,800 --> 00:55:24,279 Speaker 1: her down and then she turned sees us, clocks us, 976 00:55:24,360 --> 00:55:26,680 Speaker 1: and then like smiles and waves at us as if 977 00:55:26,719 --> 00:55:30,759 Speaker 1: she recognized us or something over and she walked over 978 00:55:30,840 --> 00:55:33,320 Speaker 1: and it's like, oh, like you're so used to this, 979 00:55:33,719 --> 00:55:36,920 Speaker 1: You're so used to doing performatively doing this. So she 980 00:55:37,040 --> 00:55:39,080 Speaker 1: walks over to us. She goes, Hi, how are you 981 00:55:39,239 --> 00:55:42,800 Speaker 1: great to see you? And we were like hi. We 982 00:55:42,840 --> 00:55:45,080 Speaker 1: were like, we were like, we were like a great 983 00:55:45,239 --> 00:55:47,800 Speaker 1: job tonight. You were so fun in the episode. And 984 00:55:47,920 --> 00:55:51,440 Speaker 1: she goes and she literally said, well, thanks so much. 985 00:55:51,560 --> 00:55:54,440 Speaker 1: I mean snl, what did dream come true? Am I right? 986 00:55:54,520 --> 00:55:57,759 Speaker 1: And we were like yeah, And then I went just 987 00:55:58,760 --> 00:56:01,439 Speaker 1: hammered at this point. I go and then I rubbed 988 00:56:01,480 --> 00:56:07,720 Speaker 1: my belly. I go and congratulations. No fucking like gabbed 989 00:56:07,760 --> 00:56:09,640 Speaker 1: with her and she was like, thank you so much. 990 00:56:09,719 --> 00:56:12,320 Speaker 1: We're so like, she goes, Jared and I are so 991 00:56:14,719 --> 00:56:18,200 Speaker 1: you didn't know he was a little boy. No, we didn't. 992 00:56:18,200 --> 00:56:20,960 Speaker 1: You know, you hadn't You hadn't really seen Jared at 993 00:56:21,000 --> 00:56:23,759 Speaker 1: that point. And so she said that and then she 994 00:56:23,920 --> 00:56:27,600 Speaker 1: like exchanged a couple more pleasant trees and then she's 995 00:56:27,640 --> 00:56:29,920 Speaker 1: like and then she's like, well, um, well I've got 996 00:56:30,000 --> 00:56:31,760 Speaker 1: to go back to my section. But it was great 997 00:56:31,840 --> 00:56:34,040 Speaker 1: talking to you guys. Have a great night, okay, And 998 00:56:34,120 --> 00:56:37,200 Speaker 1: we were like by and then genuinely I was like, wow, um, 999 00:56:37,400 --> 00:56:39,440 Speaker 1: I know her dad's a piece of ship, but I 1000 00:56:40,440 --> 00:56:44,080 Speaker 1: I'm really genuinely starstruck, and I kind of was she 1001 00:56:44,200 --> 00:56:47,640 Speaker 1: gorgeous in person? She was fine in person. Um, just 1002 00:56:47,800 --> 00:56:51,840 Speaker 1: this towering bird. And then so then fucking Bill O'Riley 1003 00:56:51,920 --> 00:56:54,200 Speaker 1: shows up too, and that was insane. But then then 1004 00:56:54,280 --> 00:56:57,200 Speaker 1: I'm drunk, and then um, I'm close to the bar, 1005 00:56:57,320 --> 00:56:59,480 Speaker 1: which is close to the door. And then towards the 1006 00:56:59,600 --> 00:57:03,360 Speaker 1: end of the at this point, Donald's leaving and everyone's 1007 00:57:03,400 --> 00:57:05,919 Speaker 1: just like, oh, make way, like like Trump is leaving, 1008 00:57:06,239 --> 00:57:10,160 Speaker 1: and so I like step out. Um. I stepped out 1009 00:57:10,200 --> 00:57:12,040 Speaker 1: of the way and he walks by me, and in 1010 00:57:12,200 --> 00:57:15,560 Speaker 1: that moment, I was like he's a foot away from me, 1011 00:57:15,719 --> 00:57:17,760 Speaker 1: Like I mean, I had that thing where it's just 1012 00:57:17,880 --> 00:57:20,280 Speaker 1: like I mean, I mean that you couldn't do it. 1013 00:57:20,400 --> 00:57:22,320 Speaker 1: I could. I could do something. I could like I 1014 00:57:22,360 --> 00:57:25,480 Speaker 1: could like far or like scream or something, and like 1015 00:57:25,520 --> 00:57:27,400 Speaker 1: I could be that insane person. But then you know, 1016 00:57:28,200 --> 00:57:30,200 Speaker 1: I've never I've never told anybody this before. You know 1017 00:57:30,280 --> 00:57:34,120 Speaker 1: what I did. What I said again drunk, I go 1018 00:57:34,880 --> 00:57:39,680 Speaker 1: great show tonight. You didn't didn't look at me and 1019 00:57:39,720 --> 00:57:41,800 Speaker 1: just waved and said yeah, thank you and then walked out. 1020 00:57:41,800 --> 00:57:43,200 Speaker 1: And then Bill A. Riley was right behind him, and 1021 00:57:43,200 --> 00:57:47,160 Speaker 1: then I walked right. Uh, I walked out, stopped and 1022 00:57:47,240 --> 00:57:52,840 Speaker 1: was like, Hi, grat SML when a dream come true, 1023 00:57:52,920 --> 00:57:59,200 Speaker 1: and thank you Darren. I are so excited. I'm fully 1024 00:57:59,280 --> 00:58:02,440 Speaker 1: I'm filled with shame that I complimented Donald Trump on 1025 00:58:02,560 --> 00:58:05,200 Speaker 1: his SML episode, and that is a true fact and 1026 00:58:05,400 --> 00:58:08,960 Speaker 1: I will never live that down. I don't think, as 1027 00:58:09,000 --> 00:58:11,360 Speaker 1: far as the media is concerned, you've done the worst 1028 00:58:11,560 --> 00:58:15,760 Speaker 1: thing by any means. Think he even listened to you. 1029 00:58:15,960 --> 00:58:18,880 Speaker 1: He didn't, didn't didn't acknowledge my existence. He wouldn't remember you. 1030 00:58:18,920 --> 00:58:20,480 Speaker 1: I don't think. But no, I'm just saying it's the 1031 00:58:20,680 --> 00:58:24,040 Speaker 1: it's the thing. It's I think it's the thing like 1032 00:58:24,280 --> 00:58:26,000 Speaker 1: if you could go back in time and like do 1033 00:58:26,160 --> 00:58:28,680 Speaker 1: the kill Hitler. Not saying I would have killed him, 1034 00:58:29,120 --> 00:58:32,320 Speaker 1: killed Trump, but it's just like out but it's like 1035 00:58:33,560 --> 00:58:35,800 Speaker 1: it's like, oh, in this moment, in this moment in 1036 00:58:35,880 --> 00:58:37,720 Speaker 1: time when I was, when I was that close to him, 1037 00:58:38,240 --> 00:58:43,080 Speaker 1: what I chose to do was to compliment. Insane. I mean, 1038 00:58:43,120 --> 00:58:44,720 Speaker 1: I do think that there's a thing where it's like 1039 00:58:44,800 --> 00:58:47,480 Speaker 1: what do you actually do when you're with you know, 1040 00:58:47,920 --> 00:58:50,439 Speaker 1: and like I don't think at that point people knew 1041 00:58:50,480 --> 00:58:52,160 Speaker 1: how bad he was, but people didn't think he was 1042 00:58:52,160 --> 00:58:56,080 Speaker 1: going to win anything. He was still in the primary, 1043 00:58:56,520 --> 00:58:58,680 Speaker 1: that was still early in the primaries, and you know, 1044 00:58:59,000 --> 00:59:01,520 Speaker 1: he was still one of sick ten. Yeah, And it's 1045 00:59:01,560 --> 00:59:04,640 Speaker 1: like it's like seeing the Baba Duke. Before you see 1046 00:59:04,680 --> 00:59:09,760 Speaker 1: the movie, you're just drawing, and then you watch the 1047 00:59:09,840 --> 00:59:16,240 Speaker 1: movie and then you're like, oh no, but the country 1048 00:59:16,360 --> 00:59:18,400 Speaker 1: just had not most of the country hadn't seen, hadn't 1049 00:59:18,400 --> 00:59:23,400 Speaker 1: seen the movie, had been to Toronto, but actually just happened. 1050 00:59:23,720 --> 00:59:28,360 Speaker 1: Just happened. James Franco did very well. James very well, 1051 00:59:28,360 --> 00:59:30,720 Speaker 1: and the Lady Ganga documentary did very well. Did you 1052 00:59:30,800 --> 00:59:33,080 Speaker 1: know what won the Audience Award? This is actually kind 1053 00:59:33,080 --> 00:59:38,320 Speaker 1: of interested. It's called Three Billboards, Big Missouri to Francis 1054 00:59:38,440 --> 00:59:41,720 Speaker 1: McDorman movie. It looks great, written by Martin McDonough and 1055 00:59:41,840 --> 00:59:47,960 Speaker 1: apparently it's real and Crtin McDonagh wrote, what else in Bruge? 1056 00:59:48,560 --> 00:59:53,480 Speaker 1: Oh yes, yes, yes, yes, it's fun stuff. Yes, play right. 1057 00:59:53,680 --> 00:59:55,560 Speaker 1: I got him mixed up with who did the pillow man? 1058 00:59:56,840 --> 01:00:01,160 Speaker 1: Martin mcdonna. It was, says producer Joe not quite as fun. 1059 01:00:02,240 --> 01:00:06,240 Speaker 1: Then it just shows young you know, who's so fun? 1060 01:00:08,920 --> 01:00:12,800 Speaker 1: She's so fun. She's studying a new thing to Netflix. 1061 01:00:12,920 --> 01:00:16,080 Speaker 1: Wait do you know? Wait, did you know that? You 1062 01:00:16,120 --> 01:00:20,720 Speaker 1: guys want to watch Moonstruck. I've never seen it? Was 1063 01:00:20,800 --> 01:00:23,880 Speaker 1: very don't really such a good movie? Yes, I remember 1064 01:00:24,080 --> 01:00:26,920 Speaker 1: such a good movie. Yes, it makes you so happy. 1065 01:00:28,280 --> 01:00:30,080 Speaker 1: Share is really good in it. Share it might be 1066 01:00:30,160 --> 01:00:31,720 Speaker 1: the best one in it. And there's a lot of 1067 01:00:31,760 --> 01:00:37,440 Speaker 1: really good people. It's written by a playwright who wrote it, oh, 1068 01:00:37,600 --> 01:00:42,120 Speaker 1: John Patrick Shanley. Yes, yes, and he also wrote Doubt. Yes, 1069 01:00:42,440 --> 01:00:45,240 Speaker 1: but it's really good. I really recommend you watch Moonstruck 1070 01:00:46,000 --> 01:00:51,040 Speaker 1: and then listen to that little cultural tip. Will report back. 1071 01:00:51,200 --> 01:00:54,520 Speaker 1: It's really funny. There's an Italian grandpa who has five dogs. 1072 01:00:54,840 --> 01:00:58,040 Speaker 1: Oh my god, that's so hilarious. There's so many good parts. 1073 01:00:58,160 --> 01:01:01,440 Speaker 1: Snap out of it. The cow. You've seen it, You've 1074 01:01:01,440 --> 01:01:03,959 Speaker 1: seen it, you love it. Share Share is the best 1075 01:01:04,080 --> 01:01:08,120 Speaker 1: one of the of the you know, pantheon of divas. 1076 01:01:08,240 --> 01:01:11,440 Speaker 1: She's really good at everything everything, She's very she's funny 1077 01:01:12,640 --> 01:01:15,680 Speaker 1: and good at Twitter. Oh yes, you guys, so she's 1078 01:01:15,720 --> 01:01:17,959 Speaker 1: really bad at putting emojis in the middle of words, 1079 01:01:18,000 --> 01:01:22,040 Speaker 1: and as she doesn't necessarily know what, we love her. Okay, 1080 01:01:22,040 --> 01:01:24,080 Speaker 1: it's time to move on. To I don't think so, honey. Now, 1081 01:01:24,240 --> 01:01:25,960 Speaker 1: if you listen to the show, you know this segment. 1082 01:01:26,080 --> 01:01:28,000 Speaker 1: If you are just listening to the show for the 1083 01:01:28,040 --> 01:01:30,480 Speaker 1: first time, you picked a really good one. It's very good. Yeah, 1084 01:01:30,560 --> 01:01:32,760 Speaker 1: And that's our that's our segment where we take one 1085 01:01:32,760 --> 01:01:37,120 Speaker 1: minute to rail against culture. Um. We are so mad 1086 01:01:37,160 --> 01:01:39,840 Speaker 1: about these things. It's time to take one minute to say, 1087 01:01:39,880 --> 01:01:43,680 Speaker 1: how just how mad? Um? Now, Matt, you said you 1088 01:01:43,800 --> 01:01:46,200 Speaker 1: have something. I do have something. Okay, Okay, I don't 1089 01:01:46,200 --> 01:01:47,640 Speaker 1: know where it will go, but I know what it is. 1090 01:01:47,720 --> 01:01:49,680 Speaker 1: So then I'll put one minute on the clock and Matt, 1091 01:01:50,560 --> 01:01:53,840 Speaker 1: I can't wait to see what you have. Because Matt Rodgers, 1092 01:01:54,000 --> 01:01:56,160 Speaker 1: I don't think so, honey. Time starts now. I don't 1093 01:01:56,160 --> 01:01:58,360 Speaker 1: think so, honey. Woman on the train who locked eyes 1094 01:01:58,440 --> 01:02:01,440 Speaker 1: with me after two other women kissed and rolled her eyes, 1095 01:02:02,120 --> 01:02:07,040 Speaker 1: let me tell you something. I don't know what it 1096 01:02:07,080 --> 01:02:08,520 Speaker 1: wasn't about me to give you an impression that I 1097 01:02:08,560 --> 01:02:10,480 Speaker 1: was gonna share a home of public mobile with you, honey. 1098 01:02:10,600 --> 01:02:14,240 Speaker 1: But I don't think so, honey, because guess what, I'm 1099 01:02:14,280 --> 01:02:19,880 Speaker 1: a most sexual wow man. And I will look at 1100 01:02:19,960 --> 01:02:22,320 Speaker 1: you dead back in your eyes, which you've were old, 1101 01:02:22,720 --> 01:02:27,440 Speaker 1: and I'll tell you with my gays that you can't 1102 01:02:27,480 --> 01:02:30,240 Speaker 1: come for the gays, and I can't believe you, and 1103 01:02:30,320 --> 01:02:34,960 Speaker 1: I think I shamed her adequately. But you're in New York, honey, 1104 01:02:35,560 --> 01:02:38,240 Speaker 1: you're just gonna pick someone and roll your goddamn eyes 1105 01:02:38,320 --> 01:02:40,680 Speaker 1: like E expecting that any old person is going to 1106 01:02:40,760 --> 01:02:45,320 Speaker 1: be doing with you. These were two beautiful lesbian tunny 1107 01:02:45,840 --> 01:02:48,120 Speaker 1: and they loved each other. They were a beautiful biracial 1108 01:02:48,240 --> 01:02:51,640 Speaker 1: couple and I love that. And guess what, maybe it 1109 01:02:51,760 --> 01:02:54,680 Speaker 1: was that that made the woman a little irritated, But 1110 01:02:55,080 --> 01:02:57,160 Speaker 1: I don't know. All I know is, honey, you need 1111 01:02:57,200 --> 01:02:59,680 Speaker 1: to get together. That's one minute. Oh my god, that's 1112 01:03:00,040 --> 01:03:04,680 Speaker 1: setting and looked at me like can you believe this ship? 1113 01:03:05,200 --> 01:03:09,400 Speaker 1: And I was like, yeah, get out of here. That's 1114 01:03:09,480 --> 01:03:13,760 Speaker 1: that's that's great, that's really good. Um I don't think so, honey, 1115 01:03:14,880 --> 01:03:19,200 Speaker 1: hold on, hold on to do it, okay, okay, um 1116 01:03:20,560 --> 01:03:22,440 Speaker 1: yeah here we go, all right, here we go. I 1117 01:03:22,440 --> 01:03:24,240 Speaker 1: don't think so many time starts now. I don't think 1118 01:03:24,280 --> 01:03:27,720 Speaker 1: so many unique black runner jeans that are supposed to 1119 01:03:27,800 --> 01:03:31,640 Speaker 1: stretch to fit they tore at the fucking thigh, pelvis, 1120 01:03:32,320 --> 01:03:35,680 Speaker 1: groin area within two weeks. Bitch, I don't think so honey, 1121 01:03:36,000 --> 01:03:41,000 Speaker 1: these little I can say this, these little Chinese and 1122 01:03:41,200 --> 01:03:44,680 Speaker 1: children making my pants, and and I don't think so 1123 01:03:44,760 --> 01:03:47,160 Speaker 1: honey myself for buying into the and and and you know, 1124 01:03:47,280 --> 01:03:51,960 Speaker 1: supporting that horrible oppressive structure and institution myself. I don't 1125 01:03:52,000 --> 01:03:55,120 Speaker 1: think so honey. Though these pants we're supposed to last 1126 01:03:55,200 --> 01:03:59,000 Speaker 1: me for many, many many days of work, of auditions, 1127 01:03:59,440 --> 01:04:01,680 Speaker 1: all per This is really I don't think so honey 1128 01:04:01,880 --> 01:04:05,480 Speaker 1: for them, for them not being there for me when 1129 01:04:05,520 --> 01:04:09,920 Speaker 1: I needed them most. For them, I invested time, had 1130 01:04:09,960 --> 01:04:12,800 Speaker 1: them tailored to my leg high I have short legs, bitch, 1131 01:04:13,040 --> 01:04:15,919 Speaker 1: and I needed to wait an extra day to give 1132 01:04:16,000 --> 01:04:19,360 Speaker 1: them to unique lo to have the adjustments made seconds. 1133 01:04:19,400 --> 01:04:20,720 Speaker 1: And I don't think so honey of these pants. I 1134 01:04:20,720 --> 01:04:25,320 Speaker 1: don't think so honey. For not being dependable. That's my minute. 1135 01:04:27,560 --> 01:04:30,280 Speaker 1: So many layers. There's a lot going on there, and 1136 01:04:30,680 --> 01:04:33,640 Speaker 1: I can my My gift is to be able to 1137 01:04:33,760 --> 01:04:39,240 Speaker 1: connect all those dots gracefully, thank you. And they provoke conversations, 1138 01:04:39,400 --> 01:04:42,560 Speaker 1: and we hope people will converse with us. And we 1139 01:04:42,680 --> 01:04:46,040 Speaker 1: hope Joe's I don't think so honey, it's all we 1140 01:04:46,160 --> 01:04:48,520 Speaker 1: hope it really lives up to what she's seen here. 1141 01:04:49,200 --> 01:04:52,400 Speaker 1: Not do it at all, Joe, this is gonna be 1142 01:04:52,440 --> 01:05:00,520 Speaker 1: one of the best, and I think we should Joe, 1143 01:05:00,560 --> 01:05:03,080 Speaker 1: are you ready? Yeah? This is Joe Firestones. I don't 1144 01:05:03,080 --> 01:05:06,480 Speaker 1: think so, honey. Time starts now. I don't think so, honey. 1145 01:05:07,280 --> 01:05:10,520 Speaker 1: Why can't you eat egg salad and tuna saladub? Yeah? 1146 01:05:11,280 --> 01:05:13,640 Speaker 1: Why can't you? They sell it? Why are you gonna 1147 01:05:13,680 --> 01:05:16,360 Speaker 1: go home to eat it? It's too stinky. I don't 1148 01:05:16,400 --> 01:05:19,400 Speaker 1: know what it smells like. Tuna smells like. We all 1149 01:05:19,480 --> 01:05:22,120 Speaker 1: know what that smells like. I think it's that there's 1150 01:05:22,120 --> 01:05:25,760 Speaker 1: a social stigma. It's two of the main three cold salads. 1151 01:05:26,080 --> 01:05:28,240 Speaker 1: The only other cold salad that we have left his 1152 01:05:28,360 --> 01:05:31,160 Speaker 1: chicken salad, and that's not a salad I want to eat. 1153 01:05:31,560 --> 01:05:34,200 Speaker 1: There's also ham salad, but I don't think that's sold 1154 01:05:34,280 --> 01:05:37,840 Speaker 1: in stores under your I just feel like it's weird 1155 01:05:37,920 --> 01:05:40,360 Speaker 1: that you get dirty looks. If you ate that in 1156 01:05:40,480 --> 01:05:43,080 Speaker 1: a room of people, people get mad at you. And 1157 01:05:43,200 --> 01:05:45,600 Speaker 1: that's another up they have that at the Delhi. If 1158 01:05:45,640 --> 01:05:48,600 Speaker 1: they didn't sell it, people obviously are buying it. And 1159 01:05:48,720 --> 01:05:50,920 Speaker 1: where are they eating it? Where are they eating it? 1160 01:05:51,000 --> 01:05:53,440 Speaker 1: If not in work, where are they eating? Are they 1161 01:05:53,480 --> 01:05:56,280 Speaker 1: eating it at home. It's too embarrassing. I don't know 1162 01:05:56,360 --> 01:05:58,560 Speaker 1: why I can't. I try to eat egg salad. Was 1163 01:05:58,600 --> 01:06:02,320 Speaker 1: on a subway and I that kicked out doors are closing, 1164 01:06:02,400 --> 01:06:07,560 Speaker 1: stand clear and that's one minute. Wo. I think that's 1165 01:06:08,080 --> 01:06:12,480 Speaker 1: philth You're disgusting, Joe. Why would chicken? I'm obsessed with 1166 01:06:12,600 --> 01:06:19,080 Speaker 1: chicken salad? Okay, what about like a tuna egg salad. 1167 01:06:19,680 --> 01:06:22,320 Speaker 1: I haven't come across it. And I was like every 1168 01:06:22,400 --> 01:06:30,680 Speaker 1: deys Like, my nephew is like he's three, and he's 1169 01:06:30,880 --> 01:06:34,120 Speaker 1: really cute. He has a really weird way of speaking, 1170 01:06:34,760 --> 01:06:37,360 Speaker 1: and he's really specific about his words because he's like 1171 01:06:37,520 --> 01:06:41,840 Speaker 1: learning that. And my my, my sister in love was like, Sammy, 1172 01:06:41,880 --> 01:06:43,920 Speaker 1: what do you want to eat for breakfast? And he 1173 01:06:44,000 --> 01:06:47,600 Speaker 1: goes egg. She does, how many eggs you do? You want? 1174 01:06:47,640 --> 01:06:49,840 Speaker 1: One egg or two eggs? And he goes one egg? 1175 01:06:53,040 --> 01:06:54,600 Speaker 1: And you know what you knew? What do you wanted? 1176 01:06:54,880 --> 01:06:59,520 Speaker 1: What do you want? Communicated it very well. Indeed, I 1177 01:06:59,680 --> 01:07:05,479 Speaker 1: think this trifecta of the salads, the cold salads, chicken 1178 01:07:05,560 --> 01:07:09,040 Speaker 1: wins out. Chicken win's out. You should try chicken salads. Okay, 1179 01:07:09,160 --> 01:07:11,960 Speaker 1: I've tried it. They have really good chicken salad a 1180 01:07:12,000 --> 01:07:15,360 Speaker 1: trader Joe's called wine Country chicken salad, and it's with 1181 01:07:15,680 --> 01:07:22,440 Speaker 1: raisins um delicious delicious mayonnaisees and blends of spices and seasonings, 1182 01:07:22,520 --> 01:07:25,200 Speaker 1: different kinds of mannaise. No, I mean like they seasoned 1183 01:07:25,240 --> 01:07:27,960 Speaker 1: the mayonnaise in such a way that's very good. I 1184 01:07:28,080 --> 01:07:33,720 Speaker 1: never heard it. Mayonaise is absolutely Joe mayonnaise mayonnaise. Do 1185 01:07:33,840 --> 01:07:38,560 Speaker 1: you like? Do you like cold salads? Um? I love 1186 01:07:38,840 --> 01:07:43,960 Speaker 1: tuna fish, and I will frequently enjoy tuna salad if 1187 01:07:44,040 --> 01:07:47,800 Speaker 1: there's not just a tuna fish. Okay, you eat plain 1188 01:07:49,080 --> 01:07:51,600 Speaker 1: out of the can. I take it out of the can, 1189 01:07:51,680 --> 01:07:53,760 Speaker 1: I put it in a nice bowl. I mixing some 1190 01:07:53,920 --> 01:07:55,920 Speaker 1: mayo and some mustard, and I'll eat it with a fork. 1191 01:07:56,360 --> 01:07:59,959 Speaker 1: You make your own. That's tuna salada. But that's truna 1192 01:08:00,040 --> 01:08:07,720 Speaker 1: salad by itself. But the salad you need a little 1193 01:08:07,720 --> 01:08:10,960 Speaker 1: bit of greens in it, honey. That makes it in 1194 01:08:11,160 --> 01:08:17,759 Speaker 1: a salad by definition, a salads creams. But is tragical. 1195 01:08:20,400 --> 01:08:23,880 Speaker 1: I think the title of this episode is tragical. Tragical 1196 01:08:25,280 --> 01:08:27,800 Speaker 1: or what was the song called Bitches and Bitches at 1197 01:08:27,800 --> 01:08:31,800 Speaker 1: the Beach. At the beach, I think it should be tragical, 1198 01:08:31,960 --> 01:08:34,360 Speaker 1: tragical bit of the beach. We really didn't get past 1199 01:08:34,400 --> 01:08:37,240 Speaker 1: the chorus. No, yeah, it's true. Right, I feel like 1200 01:08:37,280 --> 01:08:41,240 Speaker 1: I've been really shot down multiple times. Say something and 1201 01:08:41,280 --> 01:08:44,160 Speaker 1: we'll encourage you. I think the title of this episode 1202 01:08:44,160 --> 01:08:47,040 Speaker 1: should be a bitch at the beach. You know what? 1203 01:08:47,280 --> 01:08:51,960 Speaker 1: That's fair? Say something else? I did I talk about 1204 01:08:52,000 --> 01:08:55,400 Speaker 1: this last episode. My bowels are still I started taking 1205 01:08:55,439 --> 01:08:59,920 Speaker 1: probiotics today. I haven't done the doing it bad bows 1206 01:09:00,560 --> 01:09:02,920 Speaker 1: the worst they've ever been. I've very explosed to diarrhea 1207 01:09:03,080 --> 01:09:06,000 Speaker 1: since I moved to New York. I'm so sorry. It's 1208 01:09:06,320 --> 01:09:09,760 Speaker 1: something I'm used to, and um, I think that it's 1209 01:09:10,040 --> 01:09:12,800 Speaker 1: just kind of becomes part of your routine. But you know, 1210 01:09:13,400 --> 01:09:17,160 Speaker 1: I've been talking about this. Usually when I have my diarrhea, afterwards, 1211 01:09:17,240 --> 01:09:21,920 Speaker 1: you feel so much better. Maybe not necessarily this these 1212 01:09:21,960 --> 01:09:24,200 Speaker 1: past two weeks, I've had to go at least twice 1213 01:09:24,240 --> 01:09:27,280 Speaker 1: consecutively within ten minutes, and then you're exhausted, and you're 1214 01:09:27,320 --> 01:09:30,920 Speaker 1: exhausted and you feel like there's a demon inside your bowels. 1215 01:09:31,160 --> 01:09:35,200 Speaker 1: Yeah you got it, Maybe you got I don't know. Well, 1216 01:09:35,400 --> 01:09:37,560 Speaker 1: you know what. I took a nap tonight after I 1217 01:09:37,680 --> 01:09:42,360 Speaker 1: shout out of my globular world, and I think that 1218 01:09:42,560 --> 01:09:44,519 Speaker 1: this is this is this is my journey. That is 1219 01:09:44,600 --> 01:09:47,960 Speaker 1: like Matt just learned all his favorite words and put 1220 01:09:48,000 --> 01:09:56,360 Speaker 1: them all in one center. I just I'm learning. That 1221 01:09:56,560 --> 01:10:01,400 Speaker 1: was nice. I believe that I will me Joe. We 1222 01:10:01,479 --> 01:10:03,479 Speaker 1: will miss Joe so much. I believe I had so 1223 01:10:03,600 --> 01:10:05,360 Speaker 1: much fun doing this. Thank you so much, Joe. We 1224 01:10:05,439 --> 01:10:08,439 Speaker 1: love you so fun. Joe. Where can people find you? 1225 01:10:08,800 --> 01:10:16,240 Speaker 1: You're not on social media very much. You can't find guys. 1226 01:10:16,360 --> 01:10:20,120 Speaker 1: I'm Matt Rogers and our episode was with Joe Firestone. 1227 01:10:20,160 --> 01:10:24,599 Speaker 1: Thank you, Forever Dog. Thank you listeners, Bye, thanks thanks 1228 01:10:24,800 --> 01:10:29,559 Speaker 1: a listeners. I bet I bet they don't even listen 1229 01:10:29,680 --> 01:10:34,240 Speaker 1: to see what happens. And great education. Third grade reading level. 1230 01:10:34,280 --> 01:10:37,120 Speaker 1: I couldn't even read the Hard Harry Potters, the One, 1231 01:10:37,280 --> 01:10:40,759 Speaker 1: the hard Ones, the ones want Everything passed that second 1232 01:10:40,800 --> 01:10:48,439 Speaker 1: half before Lord Crux. This has been a Forever Dog 1233 01:10:48,479 --> 01:10:53,000 Speaker 1: production executive produced by Joe Celio, Alex Ramsay, and Brett Bom. 1234 01:10:53,479 --> 01:10:56,880 Speaker 1: For more podcasts, please visit Forever Dog Productions dot com. 1235 01:11:00,000 --> 01:11:00,200 Speaker 1: Four