1 00:00:00,160 --> 00:00:03,000 Speaker 1: Hey everyone, Before we get to our new episode, we 2 00:00:03,120 --> 00:00:08,000 Speaker 1: have an exciting announcement. Snakes Miss is back, so please 3 00:00:08,080 --> 00:00:10,440 Speaker 1: join us for a live taping of and That's What 4 00:00:10,520 --> 00:00:13,200 Speaker 1: You Really Missed live from the I Heart Radio Theater 5 00:00:13,280 --> 00:00:16,360 Speaker 1: in Los Angeles. We are raising funds and awareness in 6 00:00:16,440 --> 00:00:20,240 Speaker 1: loving memory of our friend Naya Rivera to benefit Alexandria House. 7 00:00:20,560 --> 00:00:23,079 Speaker 1: Celebrate the holidays with us and keep the snakes Miss 8 00:00:23,120 --> 00:00:25,799 Speaker 1: spirit alive. Join us in person at the I Heart 9 00:00:25,880 --> 00:00:29,920 Speaker 1: Radio Theater or watch the live stream. Special guests, performances, 10 00:00:30,000 --> 00:00:34,559 Speaker 1: unbelievable gleeful auction items, and a live podcast. Here are 11 00:00:34,560 --> 00:00:38,280 Speaker 1: the details. In person event December six at seven pm 12 00:00:38,320 --> 00:00:40,919 Speaker 1: from the I Heart Radio Theater in Los Angeles. And 13 00:00:40,920 --> 00:00:42,720 Speaker 1: for those of you that can't join us in person, 14 00:00:43,040 --> 00:00:45,720 Speaker 1: we are streaming the event on December eight at five 15 00:00:45,720 --> 00:00:48,800 Speaker 1: pm Pacific time, and don't worry, we'll be watching right 16 00:00:48,840 --> 00:00:51,040 Speaker 1: along with you and chatting with you live. We will 17 00:00:51,120 --> 00:00:54,080 Speaker 1: even have a virtual meet and greet option. Tickets are 18 00:00:54,120 --> 00:00:57,880 Speaker 1: available on box office dot Mandolin dot com. We're placing 19 00:00:57,920 --> 00:01:00,040 Speaker 1: the direct link to the tickets on our Instagram and 20 00:01:00,160 --> 00:01:03,080 Speaker 1: bio and the notes of this podcast episode, so go 21 00:01:03,200 --> 00:01:05,440 Speaker 1: check it out and We'll see you there. Mary Snicks 22 00:01:05,480 --> 00:01:10,440 Speaker 1: miss and That's what you really missed with Jenna and 23 00:01:10,520 --> 00:01:16,479 Speaker 1: Kevin and I heart radio podcast. Welcome to and That's 24 00:01:16,520 --> 00:01:20,560 Speaker 1: what you really missed. I'm Jenna, I'm Kevin, and we 25 00:01:20,600 --> 00:01:28,200 Speaker 1: are back to recap episode four, season one of Glee Preggers. Um. 26 00:01:28,240 --> 00:01:30,240 Speaker 1: I liked this episode a lot, but I think it's 27 00:01:30,240 --> 00:01:35,200 Speaker 1: partially because I have um it's Tina's first out, and 28 00:01:35,319 --> 00:01:37,440 Speaker 1: also like I was in a lot of it, So 29 00:01:37,600 --> 00:01:39,920 Speaker 1: I really enjoyed this episode. I think like I have 30 00:01:39,959 --> 00:01:42,080 Speaker 1: a lot of memories from it, and I think I 31 00:01:42,120 --> 00:01:44,960 Speaker 1: also associate this episode with the joy because you do 32 00:01:45,040 --> 00:01:48,760 Speaker 1: get your moment to shine for the first time. I 33 00:01:48,760 --> 00:01:51,240 Speaker 1: think I'm two shots of it, So I don't have 34 00:01:51,280 --> 00:01:54,520 Speaker 1: a lot of memories from the actual filming of it 35 00:01:54,560 --> 00:01:56,840 Speaker 1: because I simply was not there. So this episode is 36 00:01:56,880 --> 00:01:59,840 Speaker 1: about you, Jenna. I also didn't really get to like sings. 37 00:02:00,120 --> 00:02:03,640 Speaker 1: I get to like have to botch the last you know. 38 00:02:04,040 --> 00:02:08,640 Speaker 1: Just we'll get to that because I have thoughts. Okay, um, 39 00:02:08,760 --> 00:02:10,720 Speaker 1: so let's talk about what's going on in the world 40 00:02:10,840 --> 00:02:13,880 Speaker 1: for a second before we get into it. Uh. Black 41 00:02:13,919 --> 00:02:16,359 Speaker 1: Eyed Peas was still I got a feeling was still 42 00:02:16,360 --> 00:02:20,760 Speaker 1: in the number one song. September. Black Eyed Peas were 43 00:02:20,800 --> 00:02:25,840 Speaker 1: still crushing it. And do you remember the dust storm 44 00:02:26,160 --> 00:02:29,320 Speaker 1: in Sydney. Oh? Yeah, we were still in Australia. We 45 00:02:29,320 --> 00:02:32,079 Speaker 1: were still in Australia and there was a massive dust storm, 46 00:02:32,360 --> 00:02:37,519 Speaker 1: like the first in forty years. Yeah, and everything everything 47 00:02:37,639 --> 00:02:40,079 Speaker 1: was orange and red. Yeah. It looked like the stereotypical 48 00:02:40,160 --> 00:02:42,560 Speaker 1: version of what you think a sci fi movie would portray. 49 00:02:42,600 --> 00:02:45,560 Speaker 1: Marzaz It was a beautiful big glass windows and I 50 00:02:45,639 --> 00:02:48,480 Speaker 1: woke up and it was they were covered in dust, 51 00:02:48,639 --> 00:02:52,240 Speaker 1: like I thought they had covered our windows in like paper. 52 00:02:52,520 --> 00:02:55,320 Speaker 1: It was frightening. I first knew because I couldn't open 53 00:02:55,360 --> 00:02:57,200 Speaker 1: my eyes because they felt like they were filled with 54 00:02:57,280 --> 00:03:02,440 Speaker 1: sand paper or sand they felt like. And I looked 55 00:03:02,440 --> 00:03:04,120 Speaker 1: in the mirror and I looked like I had been 56 00:03:04,160 --> 00:03:07,840 Speaker 1: up all night doing god knows what. I was a wreck. 57 00:03:08,040 --> 00:03:10,600 Speaker 1: But we had a photo shoot that morning to went outside. 58 00:03:10,639 --> 00:03:12,440 Speaker 1: Were like, let's going there, yeah, and we still had that. 59 00:03:12,480 --> 00:03:14,480 Speaker 1: We went to the network and show. I remember we 60 00:03:14,480 --> 00:03:17,559 Speaker 1: were on the roof. Let's see if the air qualities breathable. 61 00:03:18,200 --> 00:03:20,000 Speaker 1: They had to cancel the bridge climb for people. We 62 00:03:20,000 --> 00:03:22,080 Speaker 1: had already done it, but they canceled it because it 63 00:03:22,160 --> 00:03:27,040 Speaker 1: was so dusty. Yeah it was. It was pretty insane, 64 00:03:27,080 --> 00:03:29,799 Speaker 1: but also a very memorable and wonderful experience for us. 65 00:03:30,200 --> 00:03:36,400 Speaker 1: And meanwhile, Dusty back at Home Prager's was airing. Um, alright, 66 00:03:36,440 --> 00:03:41,040 Speaker 1: so this has like the least amount of released songs. 67 00:03:41,280 --> 00:03:47,160 Speaker 1: There's no full songs. Yeah, m hmm, Okay, it's pretty crazy. 68 00:03:47,240 --> 00:03:50,080 Speaker 1: I mean, so there's taking chances. Obviously you get to 69 00:03:50,120 --> 00:03:56,000 Speaker 1: sing a mini number. Yeah. And then the budget really 70 00:03:56,040 --> 00:03:59,520 Speaker 1: went to Single Ladies. You know, I think Single Ladies 71 00:03:59,520 --> 00:04:03,280 Speaker 1: played that no less than eighteen times in this episode, 72 00:04:03,640 --> 00:04:06,000 Speaker 1: and so I feel like maybe we got a deal. 73 00:04:06,040 --> 00:04:08,280 Speaker 1: We were with the same record label, you know, Colombia 74 00:04:08,640 --> 00:04:12,880 Speaker 1: shout out to Columbia. Perhaps maybe not. Yeah, Also, why 75 00:04:13,040 --> 00:04:15,040 Speaker 1: was I not leaning into that? And like we're on 76 00:04:15,040 --> 00:04:18,839 Speaker 1: the same label as Beyonce to everyone I met encounter. Okay, 77 00:04:18,880 --> 00:04:20,880 Speaker 1: it was a little like ahead of our time. We 78 00:04:20,880 --> 00:04:25,920 Speaker 1: were really was like ahead of our time. Um. Um. 79 00:04:25,960 --> 00:04:27,960 Speaker 1: There were a lot of firsts in this episode. There 80 00:04:28,000 --> 00:04:32,400 Speaker 1: were no duets are group numbers. Um. There were the 81 00:04:32,560 --> 00:04:39,839 Speaker 1: Sue's Corner sees it, Bert Hummel, Mike Chang, and Matt Rutherford. Oh, 82 00:04:40,800 --> 00:04:45,400 Speaker 1: and it's the first time Mr Shue keeps his shirt on. 83 00:04:46,480 --> 00:04:50,720 Speaker 1: No shirtless shoe this episode. Yeah, And I mean it's 84 00:04:50,720 --> 00:04:54,279 Speaker 1: also nice like we're getting to see more characters like you, 85 00:04:55,240 --> 00:04:57,240 Speaker 1: um shine a little bit, you know, lean into the 86 00:04:57,360 --> 00:05:00,800 Speaker 1: ensemble because the last episode was so adult heavy, um 87 00:05:00,880 --> 00:05:04,119 Speaker 1: that we really get to, you know, start to pass 88 00:05:04,200 --> 00:05:07,160 Speaker 1: through some of the other Glee Club members. There's a 89 00:05:07,200 --> 00:05:10,200 Speaker 1: lot more puck in this episode as well. Oh yeah, 90 00:05:10,360 --> 00:05:14,360 Speaker 1: it's about time, don't you write episode four? Open it up? 91 00:05:15,440 --> 00:05:19,280 Speaker 1: All right? Yeah, well let's let's talk about it. Yeah, 92 00:05:19,320 --> 00:05:21,560 Speaker 1: I mean the three big things that were happening or 93 00:05:21,839 --> 00:05:25,520 Speaker 1: baby Gate. Baby Gate was all over the place. And 94 00:05:25,560 --> 00:05:30,599 Speaker 1: then you had Beyonce Gate, Kurt Kurt, Kurt coming out 95 00:05:30,760 --> 00:05:33,159 Speaker 1: to curtain Burt, curtain Burt for the first time. We 96 00:05:33,200 --> 00:05:36,960 Speaker 1: get like a little taste of their relationship. I mean, 97 00:05:37,120 --> 00:05:40,320 Speaker 1: Michaelmalley just shout out to him one of the one 98 00:05:40,320 --> 00:05:43,480 Speaker 1: of the most lovely human beings and also what an 99 00:05:43,520 --> 00:05:47,120 Speaker 1: excellent actor like you just can't keep up with um. 100 00:05:47,279 --> 00:05:53,240 Speaker 1: And then, uh, the third is like Sue and Sandy, 101 00:05:54,000 --> 00:06:00,720 Speaker 1: Sue and Sandy, Sue and Sandy exactly. Okay, let's get 102 00:06:00,720 --> 00:06:05,920 Speaker 1: into baby gate. Was it was happening on many different levels. 103 00:06:05,960 --> 00:06:12,640 Speaker 1: Here you had Terry Um and Kendra. Kendra finds out 104 00:06:12,800 --> 00:06:18,720 Speaker 1: that Terry is not actually pregnant and is okay with it, 105 00:06:19,120 --> 00:06:22,160 Speaker 1: and it is going is co signing on this plotting 106 00:06:22,960 --> 00:06:27,360 Speaker 1: because because dishonesty is needed in a marriage to make 107 00:06:27,400 --> 00:06:32,760 Speaker 1: it last. So that scene though, where Jesselyn tells Terry 108 00:06:32,800 --> 00:06:37,359 Speaker 1: tells Kendra, I'm not really pregnant, um and she shows 109 00:06:37,360 --> 00:06:40,559 Speaker 1: her the belly, there's an Easter egg in here. Kevin 110 00:06:40,800 --> 00:06:43,479 Speaker 1: doesn't have to do when with when Kendra says, oh 111 00:06:43,520 --> 00:06:46,320 Speaker 1: my God, is the baby black? Yes? Yes, So that's 112 00:06:46,440 --> 00:06:50,479 Speaker 1: actually a wink to Niptuck because jess Lynn was on 113 00:06:50,560 --> 00:06:55,360 Speaker 1: Niptuck before Glee and her character Gina. She she convinced 114 00:06:55,680 --> 00:06:58,640 Speaker 1: Christian Troy that she was pregnant with his baby, but 115 00:06:58,839 --> 00:07:02,160 Speaker 1: when the baby came out, the baby was black. So 116 00:07:02,600 --> 00:07:06,200 Speaker 1: I have to think that Ryan did that as a 117 00:07:06,240 --> 00:07:09,160 Speaker 1: wink wink, not no, And yeah, he and Brad both 118 00:07:09,200 --> 00:07:11,880 Speaker 1: came from Niptuck, so right, oh, that's right, of course, 119 00:07:12,520 --> 00:07:15,440 Speaker 1: Um and Brad Felchuck directed this episode. If we didn't 120 00:07:15,440 --> 00:07:18,320 Speaker 1: say that, all right, one of the three creators of Glee. Um, 121 00:07:18,360 --> 00:07:22,280 Speaker 1: and this is the first episode. Yeah, that was really fun. 122 00:07:22,320 --> 00:07:24,120 Speaker 1: It was fun to get to know Brad because he 123 00:07:24,200 --> 00:07:26,360 Speaker 1: wasn't really around for the pilot. He was dealing with 124 00:07:26,400 --> 00:07:28,640 Speaker 1: some medical stuff and so we had a lot of 125 00:07:28,640 --> 00:07:31,920 Speaker 1: Ian and Ryan and the pilot, and obviously Ryan directed it. 126 00:07:31,960 --> 00:07:36,240 Speaker 1: But having Brad come on to do Preggers, which was 127 00:07:36,240 --> 00:07:38,480 Speaker 1: a great, a really big episode for Chris, who I 128 00:07:38,520 --> 00:07:40,920 Speaker 1: was very close with, it was and also for Tina. Um, 129 00:07:40,960 --> 00:07:42,800 Speaker 1: it was really nice to get to know Brad a 130 00:07:42,800 --> 00:07:49,239 Speaker 1: little bit better. Um. So this this Kendra and Terry 131 00:07:49,280 --> 00:07:52,679 Speaker 1: interaction sets off you know the things in motion where 132 00:07:53,000 --> 00:07:55,120 Speaker 1: Kendra says, we need to get you a baby, oh 133 00:07:55,200 --> 00:08:00,240 Speaker 1: lo and behold, guess who's pregnant? M M quinn. So 134 00:08:00,400 --> 00:08:07,280 Speaker 1: Quinn tells Finn she prego um. But it's like, how 135 00:08:07,320 --> 00:08:10,360 Speaker 1: is that possible? Because we haven't had sex. Flashback to 136 00:08:10,600 --> 00:08:14,440 Speaker 1: the hot tub, Think of the mailman, the mailman, think 137 00:08:14,480 --> 00:08:17,800 Speaker 1: of the Maleman. What a great scene. Um, and they 138 00:08:17,840 --> 00:08:22,160 Speaker 1: haven't had sex. But somehow she convinces poor Finn, who 139 00:08:22,160 --> 00:08:25,880 Speaker 1: believes it that um asked Jeeves says that the semen 140 00:08:26,120 --> 00:08:28,760 Speaker 1: is at the perfect temperature in the hot tub, remember her, 141 00:08:28,920 --> 00:08:36,280 Speaker 1: asked Jeeves. Now we use Google, remember like map quest 142 00:08:37,400 --> 00:08:39,720 Speaker 1: that's at the time of ask jeeves that I've about 143 00:08:39,800 --> 00:08:43,680 Speaker 1: pretty earlier Internet. Okay, exactly. So, So Quinn's pregnant and 144 00:08:44,600 --> 00:08:49,760 Speaker 1: Finn is gonna step up, right, Finn's gonna it's gonna 145 00:08:49,800 --> 00:08:53,040 Speaker 1: be the father. But which is really sweet. It was 146 00:08:53,200 --> 00:08:57,439 Speaker 1: very Finn making an effort and needs to. The only 147 00:08:57,480 --> 00:08:58,800 Speaker 1: way he can get out of this town is to 148 00:08:58,800 --> 00:09:02,319 Speaker 1: get a football scholarship. So confides and Shoe and they 149 00:09:02,360 --> 00:09:05,280 Speaker 1: sort of plot together to make sure the football team 150 00:09:05,480 --> 00:09:10,160 Speaker 1: can have a winning record. But spoiler alert, it's not 151 00:09:10,240 --> 00:09:16,400 Speaker 1: Finn's baby having my baby, it's Puck's baby. Comes in 152 00:09:16,440 --> 00:09:23,000 Speaker 1: and deliver some comedy um about the Immaculate conception because 153 00:09:23,160 --> 00:09:26,839 Speaker 1: he reveals to us that he knows Quinn was a 154 00:09:26,920 --> 00:09:30,840 Speaker 1: virgin when they hooked up, and Finn would have told 155 00:09:30,920 --> 00:09:36,120 Speaker 1: him had he had they had sex. And so miss 156 00:09:36,160 --> 00:09:41,040 Speaker 1: you know, president of the Seal Celibacy Club, is busy 157 00:09:41,400 --> 00:09:46,320 Speaker 1: keeping secrets and getting down with friends secrets in the 158 00:09:46,400 --> 00:09:50,079 Speaker 1: fairy Vale. For those of you who don't know, fairy 159 00:09:50,120 --> 00:09:53,320 Speaker 1: Vale was a term coined by Naya and our dear 160 00:09:53,400 --> 00:09:59,559 Speaker 1: friend Kelly when we were on tour. There was a 161 00:09:59,600 --> 00:10:04,199 Speaker 1: brand end of hair extension called Fairy veil, and that 162 00:10:04,240 --> 00:10:09,160 Speaker 1: has been forever coined as our secret because you can't 163 00:10:09,160 --> 00:10:12,520 Speaker 1: the secrets in the faery whale. All right, let's talk 164 00:10:12,520 --> 00:10:19,959 Speaker 1: about Single Ladies and Kurt ye please okay. First of all, ja, 165 00:10:20,120 --> 00:10:23,080 Speaker 1: I love Single Ladies. What happened? When did you know 166 00:10:23,160 --> 00:10:28,600 Speaker 1: that you were doing this? I? Um, I panicked because 167 00:10:29,000 --> 00:10:33,600 Speaker 1: very I think I had seen Brad on set previous 168 00:10:33,600 --> 00:10:35,880 Speaker 1: to getting the Pregger script. They told us we were 169 00:10:35,920 --> 00:10:38,120 Speaker 1: going to have to learn Single Ladies and that Tina 170 00:10:38,240 --> 00:10:41,840 Speaker 1: was going to be in it. Heather, we knew, was 171 00:10:41,920 --> 00:10:44,840 Speaker 1: coming on to teach Chris Single Ladies, and they threw 172 00:10:44,880 --> 00:10:47,920 Speaker 1: me into the next So I was learning Single Ladies 173 00:10:47,960 --> 00:10:51,240 Speaker 1: from Heather the Queen herself, because Heather and Chris had 174 00:10:51,280 --> 00:10:54,040 Speaker 1: been working on it already for weeks, right, like they think. 175 00:10:54,080 --> 00:10:58,160 Speaker 1: They added Tina in later because Heather was around when 176 00:10:58,240 --> 00:11:02,360 Speaker 1: we were all rehearsing push It for Showmans. Heather was 177 00:11:02,400 --> 00:11:05,679 Speaker 1: already around because they knew Single Ladies was coming um 178 00:11:05,760 --> 00:11:08,680 Speaker 1: in a couple of episodes, and that's when they also 179 00:11:09,080 --> 00:11:13,640 Speaker 1: decided to put Heather in the Cheerios beforehand. So that's 180 00:11:13,640 --> 00:11:17,559 Speaker 1: why she was in Showmance and and Acafella's but a 181 00:11:17,800 --> 00:11:20,320 Speaker 1: time came to actually like an audition for Brittany as 182 00:11:20,400 --> 00:11:23,520 Speaker 1: Pierce until like, no, Brittans Pierce didn't exist yet. Even 183 00:11:23,600 --> 00:11:27,640 Speaker 1: in this episode, Britney Spierce was not a character. Oh 184 00:11:27,640 --> 00:11:31,800 Speaker 1: my god, what a genius thing. I also love it 185 00:11:32,040 --> 00:11:34,360 Speaker 1: just sort of speaks to like the community we were 186 00:11:34,360 --> 00:11:37,760 Speaker 1: building where Zach Wily a choreographer. Um. I think he 187 00:11:37,880 --> 00:11:41,439 Speaker 1: suggested that she just like fought for her to get 188 00:11:41,480 --> 00:11:45,000 Speaker 1: in it, and like the show would be so different 189 00:11:45,040 --> 00:11:48,240 Speaker 1: without her. So like, thank god Heather came and we 190 00:11:48,320 --> 00:11:50,760 Speaker 1: all immediately loved her and hung out with her and 191 00:11:50,800 --> 00:11:53,760 Speaker 1: bonded with her, and so there was never a time 192 00:11:53,760 --> 00:12:06,880 Speaker 1: when she was not around. Basically that's right, Okay, single ladies, 193 00:12:07,520 --> 00:12:10,560 Speaker 1: so we were we were learning single ladies. Um. I 194 00:12:10,640 --> 00:12:12,960 Speaker 1: was very stressed because I knew I had to be 195 00:12:12,960 --> 00:12:16,559 Speaker 1: an alotard, So I only ate canned tuna fish and 196 00:12:16,800 --> 00:12:20,360 Speaker 1: salsa for like two weeks. Were you putting the sausa 197 00:12:20,400 --> 00:12:23,760 Speaker 1: on the tuna fish in the in the tuna fish? 198 00:12:24,040 --> 00:12:28,559 Speaker 1: It wasn't great, um, And I was learning single ladies 199 00:12:28,559 --> 00:12:31,240 Speaker 1: from the queener self, Heather Morris. Um. But it was 200 00:12:31,320 --> 00:12:34,560 Speaker 1: really fun and it was really fun to do it. Chris, 201 00:12:34,679 --> 00:12:39,640 Speaker 1: because he was living his best life. And um, if 202 00:12:39,640 --> 00:12:42,640 Speaker 1: you asked me to do it now, I couldn't do 203 00:12:43,160 --> 00:12:45,800 Speaker 1: a damn piece of it. I could show you, I 204 00:12:45,840 --> 00:12:48,640 Speaker 1: know you could. But do you remember like every Fox 205 00:12:48,679 --> 00:12:50,560 Speaker 1: party it would come on, of course because it was 206 00:12:50,640 --> 00:12:52,600 Speaker 1: such a hit, and they would make us do it 207 00:12:52,720 --> 00:12:55,200 Speaker 1: and we would gladly get on the dance floor and 208 00:12:55,360 --> 00:12:57,560 Speaker 1: do the full number. And for those of you who 209 00:12:57,600 --> 00:13:01,160 Speaker 1: don't know, by the way, Heather Morris was Beyonce's actual 210 00:13:01,320 --> 00:13:04,720 Speaker 1: backup dancer And if you go watch any of Beyonce's 211 00:13:04,800 --> 00:13:08,800 Speaker 1: TV performances for this song, that that's Heather. She's one 212 00:13:08,840 --> 00:13:11,320 Speaker 1: of the two girls dancing with her. We rehearse that 213 00:13:11,400 --> 00:13:15,520 Speaker 1: for like like a couple of weeks. I think a 214 00:13:15,520 --> 00:13:17,760 Speaker 1: hot minute. Yeah, it was a hot minute. It was 215 00:13:17,880 --> 00:13:24,160 Speaker 1: constant um and we were we we actually um when 216 00:13:24,160 --> 00:13:26,680 Speaker 1: we shot it. We also shot it on a blank 217 00:13:27,120 --> 00:13:32,319 Speaker 1: wall as well, kind of like the music video. Really yeah, 218 00:13:32,400 --> 00:13:34,319 Speaker 1: there was like a part of it that Brad had 219 00:13:34,400 --> 00:13:37,439 Speaker 1: us do that was like the music video I think, 220 00:13:38,040 --> 00:13:42,480 Speaker 1: and it never got used, but it was just in case. Yeah, 221 00:13:42,679 --> 00:13:44,800 Speaker 1: I think they wanted to like potentially cut to it 222 00:13:44,920 --> 00:13:47,280 Speaker 1: or something in that number, like christ As is Mr 223 00:13:47,320 --> 00:13:51,040 Speaker 1: selfane hair flipp thing. I love that he was just 224 00:13:51,280 --> 00:13:53,520 Speaker 1: very on top of like all the intentional things that 225 00:13:53,600 --> 00:13:57,280 Speaker 1: Kurt would be doing, all little mannisers. Um. Okay, So 226 00:13:57,360 --> 00:13:59,880 Speaker 1: then we get into the you know it obviously opens 227 00:13:59,880 --> 00:14:03,840 Speaker 1: with At and Brittany as Piers or Yeather at the time. 228 00:14:04,679 --> 00:14:09,160 Speaker 1: Um is like saying that Kurt's on the football team 229 00:14:09,200 --> 00:14:11,800 Speaker 1: as a front for him doing single ladies and being gay, 230 00:14:11,840 --> 00:14:15,320 Speaker 1: and and he smacks your ass. He does smack fort 231 00:14:15,320 --> 00:14:19,800 Speaker 1: it improved as well, and we meet the wonderful Michael 232 00:14:19,840 --> 00:14:22,280 Speaker 1: Mallley as he comes down the stairs and catches his 233 00:14:22,360 --> 00:14:26,200 Speaker 1: son dancing in this outfit. Was he always in this outfit? 234 00:14:26,240 --> 00:14:28,880 Speaker 1: I feel like I remember, like this was not Yeah, 235 00:14:28,920 --> 00:14:31,640 Speaker 1: this was not the original. This was Chris's idea, because 236 00:14:31,720 --> 00:14:35,320 Speaker 1: Chris used to make the most insane Halloween costumes himself 237 00:14:35,560 --> 00:14:38,600 Speaker 1: and I think he still does um And I think 238 00:14:38,760 --> 00:14:41,960 Speaker 1: he had shifted it. I think it was supposed to 239 00:14:42,040 --> 00:14:46,720 Speaker 1: be closer to the music video of Beyonce and heels 240 00:14:46,760 --> 00:14:49,120 Speaker 1: and everything, yeah, the whole thing, and it just didn't 241 00:14:49,160 --> 00:14:51,840 Speaker 1: feel quite right, and I think he pushed for for 242 00:14:51,920 --> 00:14:56,400 Speaker 1: something a little bit more makeshift Kurt style, which totally 243 00:14:56,400 --> 00:15:00,280 Speaker 1: worked of course, So the front is that Chris is 244 00:15:00,320 --> 00:15:04,600 Speaker 1: now having to audition for the football team just so 245 00:15:04,680 --> 00:15:07,320 Speaker 1: cute because he has to convince his dad he lied 246 00:15:07,360 --> 00:15:09,760 Speaker 1: to him. Now I'll be auditioning for the role of kicker. 247 00:15:10,880 --> 00:15:15,640 Speaker 1: That those scenes are so magical. Every he shows up 248 00:15:15,640 --> 00:15:18,600 Speaker 1: in sort of his like eighties dance where like cut 249 00:15:18,600 --> 00:15:22,920 Speaker 1: off sweatshirts to audition to be kicker and brings his 250 00:15:22,960 --> 00:15:25,480 Speaker 1: boom box. I had that boombox. What a time? Did you? 251 00:15:25,760 --> 00:15:29,920 Speaker 1: What a time? And so now that Kurt is on 252 00:15:29,960 --> 00:15:33,000 Speaker 1: the football team, thanks to Finn, he also has now 253 00:15:33,360 --> 00:15:39,080 Speaker 1: helped the football team become possibly a winning team and 254 00:15:39,120 --> 00:15:43,840 Speaker 1: so um with the help of Shoe and Tanaka, they 255 00:15:43,920 --> 00:15:47,680 Speaker 1: get the football players begrudgingly to learn single ladies to 256 00:15:47,760 --> 00:15:51,120 Speaker 1: loosen them up because Finn learned that that's what a 257 00:15:51,120 --> 00:15:56,560 Speaker 1: Hall of Famer did, football player did, And Chris's strategy 258 00:15:56,640 --> 00:15:59,320 Speaker 1: for himself has now being or Kurt's you know, strategy 259 00:15:59,320 --> 00:16:03,080 Speaker 1: for himself is now being applied to the entire team. 260 00:16:03,080 --> 00:16:06,080 Speaker 1: So they can somehow possibly use that in a game. 261 00:16:06,120 --> 00:16:09,360 Speaker 1: Obviously that would be illegal and not possible, that wouldn't 262 00:16:09,400 --> 00:16:13,760 Speaker 1: really work, But we are suspending disbelief Glee world. That's 263 00:16:13,760 --> 00:16:15,840 Speaker 1: what we do. So then we we have all the 264 00:16:15,840 --> 00:16:19,760 Speaker 1: football players um learning the single ladies dance. Where are 265 00:16:19,760 --> 00:16:23,440 Speaker 1: we see Harry Shum killing it, because of course he 266 00:16:23,520 --> 00:16:27,480 Speaker 1: would be killing He's I also love this is another 267 00:16:27,520 --> 00:16:30,760 Speaker 1: example of like the Heather Morris where you know, we 268 00:16:30,840 --> 00:16:34,000 Speaker 1: have he's brought in as a dancer and then we 269 00:16:34,120 --> 00:16:36,560 Speaker 1: all just become obsessed with him and he's so great 270 00:16:37,320 --> 00:16:43,240 Speaker 1: that the thing, yeah, exactly. I was watching this last 271 00:16:43,320 --> 00:16:47,160 Speaker 1: night with David, my husband, and he was he was like, 272 00:16:47,200 --> 00:16:48,680 Speaker 1: you know, kind of watching it on his phone and 273 00:16:48,680 --> 00:16:51,880 Speaker 1: then watching and like when when the guys start doing 274 00:16:52,080 --> 00:16:54,560 Speaker 1: single Ladies on the football field, he was like, oh 275 00:16:54,600 --> 00:16:58,440 Speaker 1: my god, this is so good. Austin, my boyfriend, had 276 00:16:58,440 --> 00:17:01,880 Speaker 1: the opposite reaction, and he kept trying to leave the room. 277 00:17:01,880 --> 00:17:04,639 Speaker 1: He's like, this is so bad. What are you talking about. 278 00:17:04,680 --> 00:17:08,920 Speaker 1: He's like, it's just so I'm like comedic, it's not serious. 279 00:17:09,160 --> 00:17:12,040 Speaker 1: This is hilarious. But then you have Michael Mallley in 280 00:17:12,080 --> 00:17:16,080 Speaker 1: the stands, and I know we always discussed this about 281 00:17:16,520 --> 00:17:19,800 Speaker 1: he's watching his son and he's sort of embarrassed and 282 00:17:21,000 --> 00:17:24,280 Speaker 1: unsure of what's happening, and then the team breaks out 283 00:17:24,560 --> 00:17:28,800 Speaker 1: at the last second single Ladies um. Also, there's a 284 00:17:28,880 --> 00:17:31,920 Speaker 1: video I think on TikTok of a it's a joke, 285 00:17:32,040 --> 00:17:35,080 Speaker 1: but a baseball team breaking out like doing a TikTok 286 00:17:35,160 --> 00:17:37,800 Speaker 1: dance like the picture and all the outfield and enfield 287 00:17:38,080 --> 00:17:40,879 Speaker 1: doing this dance and then they pitch and it becomes 288 00:17:40,880 --> 00:17:42,879 Speaker 1: like a flyball and the Catchrick it catches it and 289 00:17:42,880 --> 00:17:45,200 Speaker 1: it's an out and it's amazing. And it reminded me 290 00:17:45,720 --> 00:17:48,200 Speaker 1: of this because the football team does it. And also 291 00:17:48,560 --> 00:17:51,520 Speaker 1: there were so many good reactions of the opposing team 292 00:17:51,640 --> 00:17:53,399 Speaker 1: in this when they have their little movements and they 293 00:17:53,440 --> 00:17:56,720 Speaker 1: started dancing. You see some of the McKinley football team 294 00:17:56,760 --> 00:18:03,040 Speaker 1: just killing it. Michael mal and his quote he's so small, 295 00:18:04,320 --> 00:18:10,119 Speaker 1: He's so little, And I feel like Michaelmalley, you know, 296 00:18:10,200 --> 00:18:13,440 Speaker 1: through in some of those things because he's he he 297 00:18:13,520 --> 00:18:16,479 Speaker 1: was so um when you talk to him about this, 298 00:18:16,560 --> 00:18:18,240 Speaker 1: and like we'll have to have him on at some point, 299 00:18:18,320 --> 00:18:22,400 Speaker 1: but he was he knew the storyline was so important. 300 00:18:23,000 --> 00:18:27,800 Speaker 1: And when you have a show with an of the 301 00:18:27,880 --> 00:18:31,400 Speaker 1: characters are out of their mind and very big and expressive, 302 00:18:31,880 --> 00:18:35,400 Speaker 1: and then you have this dude like just this sort 303 00:18:35,440 --> 00:18:41,360 Speaker 1: of like stereotypical straight guy um who has a gay son, 304 00:18:42,119 --> 00:18:46,359 Speaker 1: and he just gives such a grounded and meaningful performance 305 00:18:46,359 --> 00:18:48,440 Speaker 1: every time he opens his mouth, even little things like that, 306 00:18:48,840 --> 00:18:51,600 Speaker 1: like he's so little. Kudos to the adults for giving 307 00:18:51,680 --> 00:18:56,679 Speaker 1: us the ground of performances. I mean truly, it's just 308 00:18:57,400 --> 00:19:01,119 Speaker 1: it's just it's the it's the best. This is the 309 00:19:01,160 --> 00:19:04,720 Speaker 1: best intro to curtain Burt. Curtain Burt. And then Kurt, 310 00:19:05,040 --> 00:19:12,480 Speaker 1: you know, naturally scores the game winning touchdown. No, he's 311 00:19:12,480 --> 00:19:18,280 Speaker 1: a kicker. Kicker the extra point sports. Do sports. That's 312 00:19:18,320 --> 00:19:22,840 Speaker 1: also the other thing that Kurt says in the beginning, 313 00:19:23,200 --> 00:19:29,280 Speaker 1: do sports? You know, that's when we do sports for football? Yeah, 314 00:19:29,400 --> 00:19:35,080 Speaker 1: I would say, um. And then after the game, we 315 00:19:35,200 --> 00:19:39,840 Speaker 1: see Kurt at his doing his skincare routine for the 316 00:19:39,880 --> 00:19:44,639 Speaker 1: first time, and we have a monumental life changing scene 317 00:19:44,800 --> 00:19:53,160 Speaker 1: happening m which this scene I believe was taken from 318 00:19:53,240 --> 00:19:57,280 Speaker 1: Ryan's life, like from his own life. If I'm correct. 319 00:19:57,520 --> 00:19:59,639 Speaker 1: Let me text him. I'll text him right now and 320 00:19:59,680 --> 00:20:03,680 Speaker 1: then and then we'll come back to it. Yea. Um. 321 00:20:03,720 --> 00:20:08,199 Speaker 1: But the coming out scene was I mean beautiful. I 322 00:20:08,240 --> 00:20:10,200 Speaker 1: love it because it's a little clunky. I remember, you know, 323 00:20:10,280 --> 00:20:13,080 Speaker 1: Chris saying he was mad because Bert is so accepting 324 00:20:13,080 --> 00:20:16,200 Speaker 1: of it right right away, right, but upon watching it, 325 00:20:17,480 --> 00:20:21,520 Speaker 1: he's accepting. It's sort of this like in between he 326 00:20:21,600 --> 00:20:24,760 Speaker 1: loves his son and he still accepts his son, but 327 00:20:24,880 --> 00:20:30,919 Speaker 1: he doesn't necessarily immediately accept him being gay. Well, I 328 00:20:30,920 --> 00:20:34,240 Speaker 1: think that's the beauty of like Michael Mallley's performance in this, 329 00:20:34,440 --> 00:20:36,480 Speaker 1: you just hit it on the nail on its head. 330 00:20:36,560 --> 00:20:39,720 Speaker 1: Like even in the beginning when he when he catches 331 00:20:39,840 --> 00:20:45,679 Speaker 1: us and Kurt in the unitard, you know, dancing tossingle ladies, like, 332 00:20:46,320 --> 00:20:50,320 Speaker 1: he's not like the most soft giving, you know, like 333 00:20:50,359 --> 00:20:54,400 Speaker 1: empathetic person. It's very much like, I love my son, 334 00:20:54,560 --> 00:21:00,119 Speaker 1: but what the hell is going on? And he like 335 00:21:00,200 --> 00:21:03,000 Speaker 1: in life, like I think he's just taking the time 336 00:21:03,080 --> 00:21:07,160 Speaker 1: to process, but his acceptance is a lot faster. Yeah, 337 00:21:07,400 --> 00:21:09,399 Speaker 1: And I think right before that, we find out that 338 00:21:09,480 --> 00:21:13,560 Speaker 1: Kurt's mom is dead, and so they only have each 339 00:21:13,600 --> 00:21:18,439 Speaker 1: other and they're seemingly polar opposites, and I think that 340 00:21:18,600 --> 00:21:24,760 Speaker 1: part of bert Um knowingly um accepting him to the 341 00:21:24,800 --> 00:21:27,200 Speaker 1: best of his abilities because they only like, they only 342 00:21:27,200 --> 00:21:30,879 Speaker 1: have each other, and he's not about to lose and 343 00:21:30,960 --> 00:21:34,280 Speaker 1: you know, his son after he's lost his wife, and 344 00:21:34,359 --> 00:21:41,880 Speaker 1: so I feel like that's that was exactly Okay, we'll 345 00:21:41,920 --> 00:21:44,640 Speaker 1: text line. I texted him, We'll see if you text back. 346 00:21:44,680 --> 00:21:47,879 Speaker 1: He's busy building an empire, running an empire. The empire 347 00:21:47,960 --> 00:21:53,159 Speaker 1: is built, just dominating the empire. Okay, and then we 348 00:21:53,240 --> 00:21:56,359 Speaker 1: get to um the other storyline. This is what I 349 00:21:56,400 --> 00:22:00,480 Speaker 1: love about this shows amongst all this crazy easiness, like 350 00:22:00,520 --> 00:22:03,040 Speaker 1: a football team doing single ladies in the middle of 351 00:22:03,040 --> 00:22:07,359 Speaker 1: a football game, followed by a really beautiful coming out scene, 352 00:22:08,359 --> 00:22:15,960 Speaker 1: you then have Tobolowsky and Jane Lynch being insane. Insane, 353 00:22:16,000 --> 00:22:19,080 Speaker 1: I mean him and the kimono in the in his 354 00:22:20,200 --> 00:22:24,800 Speaker 1: home with the dolls and the tea is just truly 355 00:22:26,680 --> 00:22:29,440 Speaker 1: Sue doing what she does best in blackmailing Figins and 356 00:22:29,560 --> 00:22:31,840 Speaker 1: to allowing Sandy to come back into the school to 357 00:22:31,880 --> 00:22:35,520 Speaker 1: take over the arts with the anti embolism socks, and 358 00:22:35,560 --> 00:22:38,440 Speaker 1: she does a good job. I feel like this trying 359 00:22:38,480 --> 00:22:42,920 Speaker 1: to you know, lore Rachel away from the glee club 360 00:22:43,720 --> 00:22:47,119 Speaker 1: to make her start of you know, the musical, the 361 00:22:47,200 --> 00:22:51,240 Speaker 1: musical where she auditions with Taking Chances by Celine Dion. 362 00:22:51,480 --> 00:22:54,880 Speaker 1: She also sounds great well. Selene was like her thing 363 00:22:55,040 --> 00:22:57,240 Speaker 1: like she asked I think she asked Ryan a lot 364 00:22:57,400 --> 00:23:00,200 Speaker 1: for a lot of sling songs. We both did ask 365 00:23:00,280 --> 00:23:04,320 Speaker 1: for a lot of Seleen songs, and I believe she 366 00:23:04,359 --> 00:23:08,320 Speaker 1: asked for one later in like a later episode, and 367 00:23:08,359 --> 00:23:11,119 Speaker 1: he gave her the wrong one. Yeah, I remember that 368 00:23:12,240 --> 00:23:16,080 Speaker 1: I asked for this one and I got that one. Um. 369 00:23:16,119 --> 00:23:19,320 Speaker 1: But yeah, so she auditions, Sorry, she auditions with taking chances, 370 00:23:19,320 --> 00:23:22,440 Speaker 1: which we always see like a snippet of I wanted 371 00:23:22,480 --> 00:23:25,400 Speaker 1: more of it. Yeah, what seen songs? Did you ask 372 00:23:25,560 --> 00:23:31,520 Speaker 1: Ryan for Power of Love? Yes? I play your version 373 00:23:31,520 --> 00:23:34,440 Speaker 1: of Selene all the time. My brother just played them 374 00:23:34,440 --> 00:23:38,000 Speaker 1: for my nieces and he cried, he said, because they're 375 00:23:38,080 --> 00:23:41,120 Speaker 1: so good, and it's just like any time you get 376 00:23:41,119 --> 00:23:45,520 Speaker 1: to shine, Um, it is wonderful. And because I mean, 377 00:23:46,280 --> 00:23:49,920 Speaker 1: you know, sort of part of this storyline as well 378 00:23:50,080 --> 00:23:53,000 Speaker 1: is that you get Rachel's upset because you get a 379 00:23:53,040 --> 00:23:58,080 Speaker 1: moment to shine, gets her first solo to play Marian 380 00:23:58,080 --> 00:24:02,879 Speaker 1: and west Side Story and she sings Tonight. So I 381 00:24:02,920 --> 00:24:06,960 Speaker 1: have a couple of stories fund give them to us. 382 00:24:07,480 --> 00:24:09,639 Speaker 1: So if you go back and me look at me 383 00:24:09,840 --> 00:24:13,119 Speaker 1: on Tina on the ladder in the one she's singing 384 00:24:13,119 --> 00:24:16,480 Speaker 1: Tonight for Mr Shoe and rehearsals, do you notice the 385 00:24:16,480 --> 00:24:18,840 Speaker 1: red spider? Did you ever tell I think you know 386 00:24:18,920 --> 00:24:22,440 Speaker 1: this story the red spider necklace. It's like a beautiful 387 00:24:23,240 --> 00:24:28,240 Speaker 1: three D spider necklace with red diamonds in it, inquested 388 00:24:28,240 --> 00:24:31,960 Speaker 1: in it. And this was very early on. I mean 389 00:24:32,000 --> 00:24:35,919 Speaker 1: this was like my first big scene period, and I 390 00:24:35,960 --> 00:24:38,320 Speaker 1: didn't know that you could say no to like costumes 391 00:24:38,359 --> 00:24:41,199 Speaker 1: and things and like tell people, you know, tell them 392 00:24:41,240 --> 00:24:45,479 Speaker 1: how comfortable you are. And I'm sitting with um Aaron 393 00:24:45,920 --> 00:24:49,639 Speaker 1: Krueger mckesh who is the head of makeup, the makeup 394 00:24:49,720 --> 00:24:51,919 Speaker 1: artist on the show, and she's doing my makeup as 395 00:24:51,920 --> 00:24:55,119 Speaker 1: I get ready for the scene, and I'm in my 396 00:24:55,160 --> 00:24:59,679 Speaker 1: outfit and my my spider necklace, and I start to 397 00:24:59,680 --> 00:25:02,520 Speaker 1: like high prevent white and she sees me like start 398 00:25:02,600 --> 00:25:05,480 Speaker 1: to like well up, and she's like, what, what's what's wrong? 399 00:25:05,520 --> 00:25:12,359 Speaker 1: What what what's going on? And I was like the 400 00:25:12,480 --> 00:25:17,160 Speaker 1: spider necklace, I have a recnifyia. I do not like spiders. 401 00:25:17,480 --> 00:25:21,359 Speaker 1: And I, as Kevin would tell you and also shares 402 00:25:21,440 --> 00:25:28,560 Speaker 1: the same fear. Um, I panicked and I was so 403 00:25:29,400 --> 00:25:32,280 Speaker 1: upset about this spider sitting on my neck. I mean 404 00:25:32,320 --> 00:25:35,480 Speaker 1: I couldn't focus and I didn't realize I could say no. 405 00:25:35,920 --> 00:25:37,920 Speaker 1: And Aaron had to pull out one of those mini 406 00:25:37,960 --> 00:25:40,639 Speaker 1: fans and start like blowing the air on me so 407 00:25:40,720 --> 00:25:43,119 Speaker 1: I could like calm down. I was bright red, I 408 00:25:43,240 --> 00:25:45,520 Speaker 1: was so hot. I was crying, and she's like, Jenna, 409 00:25:46,400 --> 00:25:48,119 Speaker 1: you don't have to wear it. You don't have to 410 00:25:48,160 --> 00:25:50,119 Speaker 1: wear it. It was a gigantic necklace. You don't have 411 00:25:50,160 --> 00:25:51,959 Speaker 1: to wear it. I'm looking at a picture of her 412 00:25:52,040 --> 00:25:55,000 Speaker 1: right now, and it was very big. It was horrifying. 413 00:25:55,040 --> 00:25:59,240 Speaker 1: I actually get like, it's tense thinking about it. I 414 00:25:59,280 --> 00:26:03,560 Speaker 1: didn't know your recnophobia was that bad. Honestly, it's not. 415 00:26:03,720 --> 00:26:07,199 Speaker 1: It's just the idea of like something touching me, like 416 00:26:07,240 --> 00:26:09,399 Speaker 1: the spider touching me. Like if I saw a spider 417 00:26:09,440 --> 00:26:11,359 Speaker 1: that big, I'd be like, get the hell away and 418 00:26:11,440 --> 00:26:13,840 Speaker 1: let me run away. But like the fact that it 419 00:26:13,920 --> 00:26:19,199 Speaker 1: was like on me was really bad. Spider, it was. 420 00:26:19,240 --> 00:26:21,480 Speaker 1: And that's where I tried. I really did try, because 421 00:26:21,480 --> 00:26:28,280 Speaker 1: and everybody kept like, what a cool necklace. What we 422 00:26:28,400 --> 00:26:31,840 Speaker 1: ended up doing was Lou came in, you know, sweet 423 00:26:31,840 --> 00:26:35,800 Speaker 1: sweet Lou, the costume designer, and put safety pins in 424 00:26:35,880 --> 00:26:38,080 Speaker 1: me the chain longer so that it didn't have to 425 00:26:37,960 --> 00:26:39,840 Speaker 1: touch me. Because I was like, no, I want your 426 00:26:39,960 --> 00:26:42,000 Speaker 1: spider to be featured and I want to weird and 427 00:26:42,119 --> 00:26:46,560 Speaker 1: be a good, good actor and you know person. But um, yeah, 428 00:26:46,600 --> 00:26:50,000 Speaker 1: that's the spider story. Wow, I do not remember that 429 00:26:50,040 --> 00:26:53,359 Speaker 1: at all. That's wild. Yeah. If you look at the 430 00:26:53,359 --> 00:26:56,119 Speaker 1: picture of it, you're you're the spider's hanging much lower. 431 00:26:57,119 --> 00:26:58,600 Speaker 1: It was on my neck. It was like in the 432 00:26:58,680 --> 00:27:03,960 Speaker 1: space above my draft. I was also a little peeved 433 00:27:04,040 --> 00:27:09,320 Speaker 1: because you have the Rachel audition. I'm singing taking chances 434 00:27:09,840 --> 00:27:13,840 Speaker 1: that was clearly recorded in the full studio, getting all 435 00:27:13,880 --> 00:27:17,400 Speaker 1: the backing of a full arrangement, and then you do 436 00:27:18,200 --> 00:27:22,119 Speaker 1: um tonight. You sound, by the way, incredible, but it 437 00:27:22,200 --> 00:27:24,920 Speaker 1: was like there was no extra help going on. There 438 00:27:24,960 --> 00:27:27,639 Speaker 1: was a pre record that though that wasn't live, but 439 00:27:27,680 --> 00:27:32,000 Speaker 1: it was intentionally recorded to sound lively, which I do 440 00:27:32,080 --> 00:27:34,719 Speaker 1: a lot in the show. I didn't. I didn't always 441 00:27:34,760 --> 00:27:38,040 Speaker 1: get the most produced songs, like I did Revolution at 442 00:27:38,040 --> 00:27:40,280 Speaker 1: one point and you only got ten seconds of it. 443 00:27:40,880 --> 00:27:43,320 Speaker 1: We did Tonight and I had to botch the last 444 00:27:43,640 --> 00:27:47,119 Speaker 1: note and it wasn't produced. Um. I also love that 445 00:27:47,200 --> 00:27:51,000 Speaker 1: you're singing that entire song so like powerfully and perfectly, 446 00:27:51,040 --> 00:27:52,320 Speaker 1: and then it gets to this note that's not that 447 00:27:52,400 --> 00:27:56,840 Speaker 1: much higher. Okay, you guys like she's clearly got the pipes, 448 00:27:57,520 --> 00:28:01,639 Speaker 1: like she can pull this up. Whatever. It's like, no 449 00:28:01,760 --> 00:28:03,959 Speaker 1: melodine for you. You're just gonna have to do this 450 00:28:03,960 --> 00:28:09,280 Speaker 1: one live. Yeah. Wow. Anyway, I mean, that's Tina's whole 451 00:28:09,359 --> 00:28:12,159 Speaker 1: Tina story. You know, it is Tina story. We're going 452 00:28:12,200 --> 00:28:14,240 Speaker 1: to see a through line of this. Tina kind of 453 00:28:14,240 --> 00:28:19,040 Speaker 1: gets the ship end of the deal. You wonder why 454 00:28:19,080 --> 00:28:23,920 Speaker 1: I got crazy, But this was the beginning. This is 455 00:28:23,960 --> 00:28:26,200 Speaker 1: the beginning. It was early on. I was so grateful 456 00:28:26,280 --> 00:28:29,159 Speaker 1: to have this. Um. This is also my big first 457 00:28:29,160 --> 00:28:33,359 Speaker 1: scene with Matt, and I didn't really know how to 458 00:28:33,440 --> 00:28:35,439 Speaker 1: hit my mark. I didn't really know how to like 459 00:28:35,680 --> 00:28:41,920 Speaker 1: act period. And I'm talking learned Matt, and no, I 460 00:28:41,960 --> 00:28:43,760 Speaker 1: haven't learned how to act. I still don't know how 461 00:28:43,800 --> 00:28:48,880 Speaker 1: to act. And Matt it was like, Jenna, you're cheating out. 462 00:28:51,120 --> 00:28:54,880 Speaker 1: I was on stage and I was cheating out, which 463 00:28:54,920 --> 00:28:56,920 Speaker 1: is like you basically turn your shoulder so that you 464 00:28:56,960 --> 00:28:59,480 Speaker 1: can get your make your face scene in theater. And 465 00:28:59,560 --> 00:29:01,440 Speaker 1: he's like, you don't have to cheat out, and I 466 00:29:01,520 --> 00:29:04,560 Speaker 1: was like, oh, that's sweet. Thanks. So that was my 467 00:29:04,600 --> 00:29:08,520 Speaker 1: first little tip for Matt that um, a theater actor 468 00:29:08,640 --> 00:29:12,200 Speaker 1: didn't know. I love that he was conducting also during 469 00:29:12,200 --> 00:29:18,040 Speaker 1: this number. Yeah, that's necessary. Also heights so like being 470 00:29:18,080 --> 00:29:20,479 Speaker 1: on like a moving wheel ladder. It was just a 471 00:29:20,520 --> 00:29:25,040 Speaker 1: bad comma. This is your nightmare, this is heights, spiders, 472 00:29:26,840 --> 00:29:29,000 Speaker 1: it was something. It was something anyway, I was grateful 473 00:29:29,000 --> 00:29:30,840 Speaker 1: to have it. I do like that. The story line 474 00:29:30,880 --> 00:29:35,760 Speaker 1: though with you um wraps up with You're still getting 475 00:29:35,880 --> 00:29:38,080 Speaker 1: the number. At the end of the episode, Rachel comes 476 00:29:38,080 --> 00:29:44,680 Speaker 1: in and then she she is pissed and still leaves 477 00:29:44,680 --> 00:29:47,320 Speaker 1: and quits, and I'm still furious about it because it's like, 478 00:29:47,480 --> 00:29:50,080 Speaker 1: get over yourself. Yeah, this is when we start to 479 00:29:50,120 --> 00:29:53,360 Speaker 1: see like Rachel pitch of it a little bit, and 480 00:29:53,520 --> 00:29:58,280 Speaker 1: we start to see her get a little gray, but 481 00:29:58,400 --> 00:30:01,960 Speaker 1: also len to the storyline of her leaving and going 482 00:30:02,000 --> 00:30:06,320 Speaker 1: to be in cabaret. Yeah, and she references let's do 483 00:30:06,400 --> 00:30:08,960 Speaker 1: maybe this time, which we see in the next episode, 484 00:30:09,000 --> 00:30:14,520 Speaker 1: and Sue and Sandy plotting works perfectly. I am would 485 00:30:14,520 --> 00:30:16,720 Speaker 1: also just would be remiss if we didn't talk about 486 00:30:16,720 --> 00:30:23,080 Speaker 1: Sue's Corner a bit because Sue's Corner again did not 487 00:30:23,160 --> 00:30:25,120 Speaker 1: realize that I did not remember it coming in this 488 00:30:25,200 --> 00:30:29,240 Speaker 1: early and I didn't either, But they get crazier that's 489 00:30:29,240 --> 00:30:32,120 Speaker 1: the thing. So Sue's corner. Ian Brennan always wrote for 490 00:30:32,160 --> 00:30:37,680 Speaker 1: Sue and Jane would have these I mean monologues, and 491 00:30:37,760 --> 00:30:39,360 Speaker 1: you know, like she would come into this glee club 492 00:30:39,440 --> 00:30:41,520 Speaker 1: and talk a lot, and in her office she talked 493 00:30:41,560 --> 00:30:44,280 Speaker 1: a lot, but these were like her just like ranting. 494 00:30:44,920 --> 00:30:48,440 Speaker 1: And this is only the beginning of her crazy mean, 495 00:30:48,480 --> 00:30:52,680 Speaker 1: it was a lot. I love how her being awful 496 00:30:52,720 --> 00:30:58,160 Speaker 1: to homeless people, um is her being tame because they 497 00:30:58,240 --> 00:31:01,640 Speaker 1: do get they do get crazier. I think I said, 498 00:31:01,720 --> 00:31:04,680 Speaker 1: oh my god, yeah, I rewound it. I'm like, did 499 00:31:04,720 --> 00:31:07,000 Speaker 1: I hear that correctly? I had? I did have to 500 00:31:07,640 --> 00:31:10,800 Speaker 1: back it up a bit, um we did. I don't 501 00:31:10,840 --> 00:31:13,960 Speaker 1: want to go back to this Babygate story for a 502 00:31:14,000 --> 00:31:20,160 Speaker 1: second because the pure sort of horror. I feel like 503 00:31:20,400 --> 00:31:24,840 Speaker 1: Terry Schuster is a horror movie character in this because 504 00:31:24,920 --> 00:31:30,040 Speaker 1: she's just sitting in a teen girl's car as Quinn 505 00:31:30,080 --> 00:31:33,920 Speaker 1: comes running in from the rain and she's sitting in 506 00:31:33,960 --> 00:31:36,960 Speaker 1: there and doesn't say who she is, doesn't say she's, 507 00:31:37,640 --> 00:31:41,640 Speaker 1: you know, Quinn's teacher's wife, and says, I'm just trying 508 00:31:41,640 --> 00:31:47,160 Speaker 1: to help. And it's terrifying and it's just so illegal 509 00:31:48,280 --> 00:31:54,200 Speaker 1: for so many reasons I wouldn't fly, but also wonderful, Um, 510 00:31:55,040 --> 00:31:58,040 Speaker 1: the and I do love you know, a good car 511 00:31:58,080 --> 00:32:00,760 Speaker 1: cry and after seeing jam a cry and sing in 512 00:32:00,760 --> 00:32:04,600 Speaker 1: the car, it's nice to have. We're seeing a theme here. Yeah. 513 00:32:04,960 --> 00:32:08,520 Speaker 1: I got a text back from Ryan. So the question was, 514 00:32:08,640 --> 00:32:11,080 Speaker 1: you know, true or false that Kurt's coming out seeing 515 00:32:12,320 --> 00:32:17,680 Speaker 1: Ryan's life, and that is false. It was based off 516 00:32:17,720 --> 00:32:21,360 Speaker 1: the reaction he wished his parents had given him. That 517 00:32:21,400 --> 00:32:25,160 Speaker 1: sounds yes, I feel like I do remember that he 518 00:32:25,240 --> 00:32:28,520 Speaker 1: was thank you for you know, fulfilling the fantasy of 519 00:32:28,520 --> 00:32:32,200 Speaker 1: what he would have wanted and giving kids watching it, 520 00:32:32,400 --> 00:32:36,640 Speaker 1: parents watching it, you know, um, more healthy, healthier way 521 00:32:36,680 --> 00:32:41,160 Speaker 1: to deal with your kid coming out. Mm hmm, you know, 522 00:32:41,160 --> 00:32:46,600 Speaker 1: a more reasonable response. And honestly, I guess it makes sense, 523 00:32:46,600 --> 00:32:48,320 Speaker 1: like kind of like what Chris was saying in his 524 00:32:48,360 --> 00:32:53,200 Speaker 1: episode about like feeling the pressure to live, to live 525 00:32:53,200 --> 00:32:55,920 Speaker 1: the fairy tale that they were getting on TV. While 526 00:32:56,200 --> 00:33:04,080 Speaker 1: he felt that pressure kids, especially gay younger kids, at 527 00:33:04,080 --> 00:33:08,000 Speaker 1: the time we're getting we're getting to see something positive. 528 00:33:08,720 --> 00:33:12,760 Speaker 1: It's almost like, um, a lot of the time, like 529 00:33:12,840 --> 00:33:15,800 Speaker 1: being adopted, I see, all I see is like being abandoned, 530 00:33:15,840 --> 00:33:18,400 Speaker 1: being left, Like all these like sob stories about like 531 00:33:18,480 --> 00:33:22,120 Speaker 1: kids being left behind, whereas like, you never really saw 532 00:33:22,200 --> 00:33:28,400 Speaker 1: a ton of positive adoption stories. So it's something in 533 00:33:28,400 --> 00:33:31,440 Speaker 1: that realm that I kind of resonates with me a 534 00:33:31,440 --> 00:33:35,080 Speaker 1: little bit. That makes sense, And I like a lot 535 00:33:35,080 --> 00:33:39,680 Speaker 1: of the gay stories you did see were all very 536 00:33:40,280 --> 00:33:44,200 Speaker 1: sad and um bad and negative in terms of like 537 00:33:44,240 --> 00:33:46,760 Speaker 1: the response, which was a very it is a very 538 00:33:46,800 --> 00:33:49,160 Speaker 1: real response for people. But it is nice to be 539 00:33:49,200 --> 00:33:52,920 Speaker 1: able to see that this other side of it was, 540 00:33:53,760 --> 00:33:58,800 Speaker 1: you know, possible, and that people, um, we're given a 541 00:33:58,840 --> 00:34:02,800 Speaker 1: glimpse into that world of like, hey, parents, maybe don't 542 00:34:02,840 --> 00:34:08,680 Speaker 1: beat dickheads. Yeah, that's ri except you know, didn't cut 543 00:34:08,680 --> 00:34:12,920 Speaker 1: to Terry Schuster who's trying to kidnap a child and 544 00:34:13,239 --> 00:34:18,080 Speaker 1: an unborn baby, which will see more of that's pregners. 545 00:34:18,120 --> 00:34:21,759 Speaker 1: But also we now get the Glee club gets Mike 546 00:34:21,880 --> 00:34:27,000 Speaker 1: Chang and Matt Rutherford and Puck and oh and oh 547 00:34:27,040 --> 00:34:30,400 Speaker 1: my gosh, he wasn't already there. That's right. Number three 548 00:34:30,800 --> 00:34:34,920 Speaker 1: new members and we'll talk about this next week. The 549 00:34:35,040 --> 00:34:39,000 Speaker 1: number the first like group group, really good group number 550 00:34:39,000 --> 00:34:41,520 Speaker 1: that we did um together. That's one of my favorites. 551 00:34:41,680 --> 00:34:44,319 Speaker 1: So now we have more members looking shaping up to 552 00:34:45,200 --> 00:34:50,839 Speaker 1: be a much more club glee club for regionals, and 553 00:34:50,920 --> 00:34:54,600 Speaker 1: Rachel's quit. We don't have Rachel anymore. That's right, she's 554 00:34:54,600 --> 00:35:08,000 Speaker 1: abandoned us because she's feeling herself a little too much. Hey, Jenna, 555 00:35:09,080 --> 00:35:11,960 Speaker 1: let's do some tarty takes. Okay, I feel we needs 556 00:35:12,000 --> 00:35:15,400 Speaker 1: some music here, just like a little like intro to 557 00:35:15,560 --> 00:35:19,640 Speaker 1: get the music chartie takes. Um cringe moments, second embarrassment, 558 00:35:22,200 --> 00:35:24,800 Speaker 1: I mean sandy virus, and again I can't going to 559 00:35:24,840 --> 00:35:27,160 Speaker 1: say it again. I'm gonna keep saying it. He was 560 00:35:27,160 --> 00:35:32,920 Speaker 1: pretty cringe e um. Figgin's commercial. Yeah, maybe Figgin's commercial 561 00:35:33,000 --> 00:35:37,799 Speaker 1: as well, the anti embolism socks. Okay, worst dance move 562 00:35:38,520 --> 00:35:40,640 Speaker 1: I think there wasn't. There was only good dance movies, 563 00:35:40,760 --> 00:35:45,480 Speaker 1: Single Ladies and every it was crushing it, so okay, 564 00:35:46,000 --> 00:35:54,280 Speaker 1: um best song, best song single obviously tonight Jenna clearly 565 00:35:55,920 --> 00:36:01,799 Speaker 1: with Single Ladies. And then best line. I mean, my 566 00:36:01,840 --> 00:36:04,000 Speaker 1: body is like a rum chocolate soup flay. If I 567 00:36:04,000 --> 00:36:07,839 Speaker 1: don't warm it up right, it doesn't rise. Now that's poetry. Hi, 568 00:36:07,920 --> 00:36:09,719 Speaker 1: I'm Kurt Humble, and I'll be just named for droll 569 00:36:09,760 --> 00:36:13,960 Speaker 1: with kicker, and that's how you get nineteen Emmy nominations 570 00:36:14,239 --> 00:36:20,240 Speaker 1: Ladies and Gentlemen Best Performance by a prop The Spider. 571 00:36:24,320 --> 00:36:29,920 Speaker 1: I didn't even think of that one. Yeah, yep. And 572 00:36:29,960 --> 00:36:33,680 Speaker 1: then things that didn't age well well without the easter 573 00:36:33,760 --> 00:36:40,440 Speaker 1: egg of Terry Shuster's um or Kendra's line, um the 574 00:36:40,560 --> 00:36:43,640 Speaker 1: baby is it black? I was like, okay, no, no, yeah. 575 00:36:44,480 --> 00:36:48,239 Speaker 1: David was like is that right? Like, no, it's not right, 576 00:36:48,520 --> 00:36:50,879 Speaker 1: but it was there. It doesn't work. Take it out, 577 00:36:50,960 --> 00:36:56,200 Speaker 1: take it like I'm laughing because I'm nervous. And the 578 00:36:56,239 --> 00:37:01,279 Speaker 1: thing that did age well, uh oh, saying that, he was, 579 00:37:03,200 --> 00:37:05,040 Speaker 1: I love this is how we meet Bert. He came 580 00:37:05,080 --> 00:37:08,359 Speaker 1: home early to watch dead Ley as catch. That's great show. 581 00:37:08,800 --> 00:37:13,239 Speaker 1: That's good, great show. Um okay, now we move on 582 00:37:13,280 --> 00:37:17,320 Speaker 1: from Tardy takes too. Should we found on TikTok Yeah, Jenna, I, 583 00:37:18,280 --> 00:37:20,279 Speaker 1: um so, there's a couple of people on TikTok. We've 584 00:37:20,280 --> 00:37:24,880 Speaker 1: been doing really great recaps of our recap. It's a 585 00:37:24,880 --> 00:37:28,400 Speaker 1: recap of a recap. And if you have TikTok, you 586 00:37:28,400 --> 00:37:30,920 Speaker 1: should go look them up because they're great and they 587 00:37:31,000 --> 00:37:33,920 Speaker 1: they're thoughtful and it's really nice to them to, you know, 588 00:37:34,120 --> 00:37:37,279 Speaker 1: spend their time making these sort of response videos to 589 00:37:38,320 --> 00:37:42,839 Speaker 1: our recap. So the first one is um Karamumi one 590 00:37:43,200 --> 00:37:46,440 Speaker 1: that's her handle at Karamumi and the other one is 591 00:37:46,840 --> 00:37:51,279 Speaker 1: at ki Glee B And I've watched all these. They 592 00:37:51,320 --> 00:37:53,879 Speaker 1: do them every week and they're wonderful, so go check 593 00:37:53,920 --> 00:37:58,759 Speaker 1: them out. Yeah, they're really good. I love that. The 594 00:37:58,840 --> 00:38:03,719 Speaker 1: other thing that oh oh yeah, oh, we're not done yet. Um. 595 00:38:03,760 --> 00:38:07,600 Speaker 1: The other one, the other one is um Krossky comes 596 00:38:07,600 --> 00:38:13,480 Speaker 1: on later on and the season and the show. But um, 597 00:38:13,520 --> 00:38:16,280 Speaker 1: there was a TikToker who said they think they found 598 00:38:16,280 --> 00:38:21,680 Speaker 1: a plot hole because when Kurowski is first introduced, um, 599 00:38:21,719 --> 00:38:25,080 Speaker 1: they referenced him being in on the hockey team. But 600 00:38:25,200 --> 00:38:28,399 Speaker 1: later on, as we know, he's suddenly on the football team. 601 00:38:28,440 --> 00:38:31,680 Speaker 1: So is it the plot hole that they just forgot 602 00:38:31,880 --> 00:38:35,319 Speaker 1: or is he on both teams? So I hit up 603 00:38:35,360 --> 00:38:41,200 Speaker 1: Max Adler, who plays Kurowski, and was like, yo, do 604 00:38:41,239 --> 00:38:44,400 Speaker 1: you do you know what's up? And he sent me 605 00:38:44,880 --> 00:38:52,200 Speaker 1: a voice memo and here's his response. Yes, So I 606 00:38:52,280 --> 00:38:57,280 Speaker 1: do indeed know the answer to the mysterious Kurowsky hockey 607 00:38:57,440 --> 00:39:02,560 Speaker 1: versus football player plot hole. Um. So when I originally auditioned, 608 00:39:03,000 --> 00:39:06,640 Speaker 1: I auditioned for both Kurowski and a Zemio played by 609 00:39:06,640 --> 00:39:10,080 Speaker 1: the wonderful James earl Um. But it was like both 610 00:39:10,160 --> 00:39:12,360 Speaker 1: characters had a couple of lines and they were both 611 00:39:12,440 --> 00:39:14,759 Speaker 1: just you know, jocks who were going to bully the 612 00:39:14,760 --> 00:39:19,359 Speaker 1: Glee club members. One was a hockey player Kurowski. One 613 00:39:19,440 --> 00:39:24,000 Speaker 1: was a football player Zemio. Um, I got Kurowski, and 614 00:39:24,560 --> 00:39:26,680 Speaker 1: you know, it was just cast as this one episode 615 00:39:26,880 --> 00:39:31,040 Speaker 1: couple line guy who would slushy Finn and say some 616 00:39:31,080 --> 00:39:33,360 Speaker 1: stuff to Quinn, and he was a hockey player. And 617 00:39:33,400 --> 00:39:35,120 Speaker 1: then I think as they decided to kind of bring 618 00:39:35,160 --> 00:39:38,919 Speaker 1: me back and expand my character, they realized we don't 619 00:39:38,960 --> 00:39:43,319 Speaker 1: have an ice drink or a hockey team and all 620 00:39:43,360 --> 00:39:45,879 Speaker 1: the equipment, so it would just be easier to make 621 00:39:45,920 --> 00:39:49,160 Speaker 1: me a football player and throw a football jersey on me. Um, 622 00:39:49,480 --> 00:39:52,440 Speaker 1: call it a day. So that is the answer. I 623 00:39:52,520 --> 00:39:56,439 Speaker 1: was indeed cast as Kurowski, the hockey player. UM, and 624 00:39:56,560 --> 00:39:59,880 Speaker 1: I guess off camera, I just decided to drop the skates, 625 00:40:00,239 --> 00:40:03,440 Speaker 1: pick up the pig skin. So there's your answer. Indeed 626 00:40:03,560 --> 00:40:09,600 Speaker 1: was a plothole. So good, so good, Thanks Max Adler Um. 627 00:40:09,640 --> 00:40:12,080 Speaker 1: And also, you know, going forward, don't forget to send us, 628 00:40:12,200 --> 00:40:14,160 Speaker 1: you know, the ship you guys find on TikTok. Send 629 00:40:14,200 --> 00:40:16,960 Speaker 1: it to at that's what you really missed on TikTok 630 00:40:17,040 --> 00:40:19,520 Speaker 1: because we love these These are great. I like being 631 00:40:19,560 --> 00:40:22,239 Speaker 1: surprised every week and not having to do anything like 632 00:40:22,400 --> 00:40:27,239 Speaker 1: it's one thing you don't have to do, you do another. Um, 633 00:40:27,280 --> 00:40:29,560 Speaker 1: that's awesome. We have to have Max on the show 634 00:40:29,760 --> 00:40:33,160 Speaker 1: at some point. We definitely will because cross he becomes 635 00:40:33,440 --> 00:40:37,080 Speaker 1: very important character on the show. Thanks for sharing that, UM. 636 00:40:37,080 --> 00:40:40,360 Speaker 1: Thank you all for joining us for this recap. I 637 00:40:40,400 --> 00:40:43,320 Speaker 1: hope you enjoyed yourself. Jenna, great to talk to you, 638 00:40:43,560 --> 00:40:46,000 Speaker 1: see you two. You two come back next week and 639 00:40:46,760 --> 00:40:50,120 Speaker 1: recap roads not taken with us. We get to meet 640 00:40:50,160 --> 00:40:53,600 Speaker 1: one of our favorite very first guest star celebrity guest 641 00:40:53,640 --> 00:40:59,080 Speaker 1: stars Kristin chanelith Um. Please subscribe rate review. Do you 642 00:40:59,160 --> 00:41:01,759 Speaker 1: all do they that you do? You guys are amazing. 643 00:41:01,960 --> 00:41:05,840 Speaker 1: We're so grateful for UM the response and all of 644 00:41:05,880 --> 00:41:08,759 Speaker 1: you guys listening every week. So see you next week. 645 00:41:09,080 --> 00:41:11,120 Speaker 1: I know we get to follow us on Instagram and TikTok. 646 00:41:11,880 --> 00:41:13,680 Speaker 1: See you next week. Bye byeye