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Speaker 1: This is Firefighter Raphael Poiriet for Firehouse Subs introducing new

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Speaker 1: firehouse pairs. Pair your favorite small sub with a signature

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Speaker 1: side like the awesome five cheese mac and Cheese, and

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Speaker 1: remember a portion of every purchase at Firehouse Subs goes

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Speaker 1: towards helping first responders. Firehouse Subs enjoy more subs, save

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Speaker 1: more lives. Participating locations don't leave firehouse hubs, but don't

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Speaker 1: eat a minimum one million dollars in two thousand nineteen

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Speaker 1: to the Firehouse Subs publicly safe the foundation by don't

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Speaker 1: any point of every purchase. He's a legendary Queen's rapper.

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Speaker 1: Hang your boy, He's a Miami hip hop pioneer. What

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Speaker 1: up is d J e f N? Together they drink

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Speaker 1: it up with some of the biggest players in music

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Speaker 1: and sport, you know what I mean, even most professional

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Speaker 1: unprofessional podcast. This is drink chip Radar. Every day is

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Speaker 1: New Year's Ead, what could be? Hopefully what it should be?

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Speaker 1: It's your slim brother and what up is d J

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Speaker 1: E f And it's the drink Chance motherfucking podcast. We

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Speaker 1: ain't even gonna make no noise, We don't even have

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Speaker 1: We got enough of making noise in this episode. This

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Speaker 1: episode of this is the drunkest. This is a run

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Speaker 1: episode to date, which makes me my proudest episode because

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Speaker 1: because of our drunkenness. Yeah, I mean, this is the

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Speaker 1: purpose of this. A lot of people. I want to

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Speaker 1: pick up to everybody who tuned into the d m

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Speaker 1: X interview, even those with negative comments. I saw a

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Speaker 1: lot of positives. I saw mostly positive. If I had

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Speaker 1: to break it down a percentage wise, I would say

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Speaker 1: eighty five was positive, tem percent with it was lost,

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Speaker 1: and five percent of it. Yeah, all didt know what's

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Speaker 1: going on and we had fun. I want to pick

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Speaker 1: up to d m X first and foremost for being

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Speaker 1: himself giving us the real him. And you know, for

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Speaker 1: those that did have negative comments, what we want to

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Speaker 1: tell them was we were number one in the music category.

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Speaker 1: We were number one, uh in the same category that

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Speaker 1: the other fellas be number one, and we had three

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Speaker 1: number five in the in the in there and then

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Speaker 1: we also had number seven. So now we are gonna

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Speaker 1: make noise for that. We had a week all this tonight.

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Speaker 1: This is just the int were keeping them up on

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Speaker 1: the weekly update. So I'll just tell you congratulations, congratulations

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Speaker 1: to you shout out to Ali as well, because it

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Speaker 1: took a lot of people, a lot of other a

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Speaker 1: lot more time to reach that spot. Our counterparts are

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Speaker 1: our brothers in competition, if you will, Wrap Radar. They

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Speaker 1: are friendly. They didn't like that we had number one

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Speaker 1: because this week they try to take us out. They

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Speaker 1: try to take us out. They grabbed two episodes. I

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Speaker 1: think the gorilla casting now they're they're portable casting. Gorilla casting.

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Speaker 1: They took it off blueprint. I call it blueprint to

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Speaker 1: you know what I'm saying, they took our blueprint that

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Speaker 1: those are people's but ud print. I don't I don't think, Um,

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Speaker 1: I don't think people wanted to film into that, the

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Speaker 1: Big Sean Janelle Ico thing, you know, don't. I'm not

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Speaker 1: sure people would wanted to tune it a different and

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Speaker 1: then um, bigger them up for Organized North. I haven't

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Speaker 1: seen that yet, but I heard they got a great documentary.

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Speaker 1: And I'm also, you know, get into the rap Radar podcast.

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Speaker 1: You know, it's our friends. We're just playing around. I

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Speaker 1: got to get it, and I always played yeah we

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Speaker 1: need and I always played with Big Sean because he

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Speaker 1: fronted on me one time, So I always played with them,

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Speaker 1: but it's no beef. I'm just bugging out. And Janelle

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Speaker 1: Ico I've never met her, but big hup, so you know,

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Speaker 1: pick up that album if if that's something you guys

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Speaker 1: are interested in. And um so yeah, bigger rap Radar

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Speaker 1: for burning out two episodes trying to take us out.

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Speaker 1: We're still still on top and um in passing. I

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Speaker 1: just gotta mention this real quick because it's a very

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Speaker 1: foul situation. But I don't want to seem like we

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Speaker 1: avoid in any situation and hip hop we won't address

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Speaker 1: it or we won't talk about it. Um. I just

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Speaker 1: want to big up to everybody's that's affect it about

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Speaker 1: what's going on with African Bambada and Zulu Nation. I

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Speaker 1: just want to show all your brothers to stay strong,

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Speaker 1: stay positive. And you know, I can't speak on the

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Speaker 1: situation because I don't know the facts. I don't know

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Speaker 1: the stories. You know, obviously I'm hearing with everybody else

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Speaker 1: is hearing. So I want to you know, UM be

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Speaker 1: very sensitive when I speak about this subject, but I

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Speaker 1: just want everybody icon in our culture to holy a

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Speaker 1: head and um you know, uh, let's let's let's wish

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Speaker 1: for a positive outcoming from this. Also, you just gave

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Speaker 1: me an Oh man, I'm sorry, but we're gonna keep it.

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Speaker 1: We gonnakeep it moving, gonna get back up to it. Also,

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Speaker 1: what's just dope? Um? I heard that Puff Daddy actually

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Speaker 1: reached out to d m X from DMX clip from

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Speaker 1: our show, from our show, and he now added DMX

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Speaker 1: on his second show of The Bad Boy and Families

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Speaker 1: all from our podcast. Positive things happen in that dream

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Speaker 1: to you know what I'm saying, positive things noise because

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Speaker 1: we don't even got home. But yeah, everybody, you know,

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Speaker 1: at first they've seen a DMX interview. They was all

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Speaker 1: this negative comments and all this negative backlash, and we

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Speaker 1: flipped it. We bounced it. We're sending out the prayer.

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Speaker 1: We've seen him being vulnerable. You got to hear DMX cry.

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Speaker 1: You got to hear DMX pray. You got to hear

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Speaker 1: him talk about his demons, you got to hear him

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Speaker 1: talk about everything. So he gave us the real him.

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Speaker 1: So we want to pick it up. And it's still

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Speaker 1: going because Puff just added them to a show. Uh

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Speaker 1: not only that, uh famous, I want to call him

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Speaker 1: an R and B guy. Uh, he's very close with

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Speaker 1: a guy named forty over Yo. We reached out. Uh,

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Speaker 1: both casts reached out and I'm about to get them

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Speaker 1: on the phone DMX, Uh what what what a guy

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Speaker 1: on the phone. We're supposed to do it tonight. If

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Speaker 1: we don't do it tonight, we do it tomorrow. I've

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Speaker 1: got Troy I have on the phone with styles P

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Speaker 1: and got them squash they beef. I got Fat Joe

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Speaker 1: on the phone with jaz Met eight. I'm like, I'm like,

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Speaker 1: I want to call myself a horricon not noricon. You know,

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Speaker 1: I'm doing great things in hip hop. I'm having fun again.

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Speaker 1: Drink Champs. I want to, you know, salute us. And

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Speaker 1: we gotta we we always gotta shout out the listeners

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Speaker 1: because we got I mean, we got soldiers, Drink Champ

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Speaker 1: soldiers out there. Yeah, like people have the hive and

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Speaker 1: people have all this. We got drink Champs soldiers, army,

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Speaker 1: Drink Champ armies. They go to bath for us, every

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Speaker 1: to go to bath for us with somebody says something stupid,

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Speaker 1: they come in, they go it's drink Champs bitches. Drink

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Speaker 1: Champs bitches. It's going down, man. So I'm having a

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Speaker 1: whole bunch of fun. Uh. I also want to pick

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Speaker 1: up the Breakfast Club for they had Eve on their

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Speaker 1: show and they referenced our of our stories to our story.

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Speaker 1: We're creating our own media right now. They created to

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Speaker 1: Charlotte Man up to Charlotte Man, and he didn't pick

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Speaker 1: me up. But I'm a big him up. He broke

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Speaker 1: up my story without bigging me up. But that's some

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Speaker 1: queen ship, you know what I mean. He's he's yellow,

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Speaker 1: he's my family. But um so, yeah, and he brought

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Speaker 1: us up and then Charlemagne bring us up with the

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Speaker 1: Eve show. I felt that was dope. I felt there

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Speaker 1: was respect. And here's what I want to do. We

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Speaker 1: haven't had a female on here. Yeah. I don't want

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Speaker 1: to seem like this is a party that all pool

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Speaker 1: sticks are allowed and not the pool pockets. So we're

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Speaker 1: calling out to the fans. I spoke to a good

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Speaker 1: friend of mine, her name is Foxy Brown. I explained

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Speaker 1: to her what a podcast is. Um. I explained that

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Speaker 1: what we do want explained to the numbers. She actually

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Speaker 1: knew about the numbers. But I want to show the

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Speaker 1: power of the podcast right now. Anybody you know Foxy

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Speaker 1: Brown's official Instagram. Can you look on it? You got

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Speaker 1: a computer in front of you. Come on, let's let's

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Speaker 1: let's we want to everybody to hit up Foxy Brown

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Speaker 1: and say we want her to be the first female

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Speaker 1: to come on here and get drunk with the Drink Champs.

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Speaker 1: She's a legend. She's done phenomenal numbers on record sales. Oh,

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Speaker 1: that's my phone. She's the phenomenal numbers on record sells.

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Speaker 1: She's icon at Foxy Brown, at Foxy Brown, and you

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Speaker 1: sure that looks like the ficial one. Okay, at Foxy Brown.

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Speaker 1: Let me see that's your phone. Now it's at Foxy Brown.

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Speaker 1: Please tell her the at Foxy Brown and tag the

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Speaker 1: Drink Champs. She she must come on here. You want

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Speaker 1: her on the Drink Champs podcast. We wanted to be

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Speaker 1: the first la Quena, the first Queen Drink ch to

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Speaker 1: bless the Drink Champs. Man, that's dope. Man, We're gonna

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Speaker 1: keep it legendary. Lot. Now, before we get into this episode,

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Speaker 1: a lot of people said, man, you said you want

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Speaker 1: to going to interview legends. Um, gun players in a legend.

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Speaker 1: Let me just step up for gun play gun players

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Speaker 1: in Miami. Legend. He's a Miami legend. He might not

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Speaker 1: be a legend in music, but where not just on

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Speaker 1: his way to do that. He's a on his way

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Speaker 1: in music. But he's a he's a He's a Miami

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Speaker 1: street legend. He's one of the most charismatic, most fun dudes. Uh,

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Speaker 1: he knows how to laugh. We had a great time

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Speaker 1: old friend of all of ours here. Yeah, we had

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Speaker 1: a great time with him and he had never met Capone. Well,

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Speaker 1: I'm not gonna get into all that. We're gonna let

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Speaker 1: you see that. But organic we we we we. I

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Speaker 1: want to pick up the W Hotel. We've been crashing

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Speaker 1: the W Hotel. This is what that's a second time,

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Speaker 1: the second dug out, the dug out and we dugged

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Speaker 1: out the a loft. They're all star Woods sponsor. If

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Speaker 1: you want to sponsor us, please I spend up leaving money.

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Speaker 1: I'm platinum. I'm platinum star Wood members. So uh, if

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Speaker 1: you want to sponsor us, sponsor us. I also want

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Speaker 1: to pick up Young Save. I didn't bring uh no

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Speaker 1: more bell are because we drink it all Young salv

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Speaker 1: So please fill us up, baby, big up. Keith from

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Speaker 1: he also me up with a different um uh person

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Speaker 1: let me let me pull us up there. But are

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Speaker 1: you looking for that? I want to show out the

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Speaker 1: whole Strange music fan. They on the road right now

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Speaker 1: and they're listening to the podcast. Shout out Strange Music.

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Speaker 1: My artists made it out there on the tour tech nine.

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Speaker 1: Tech nine is gonna be on the podcast one of

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Speaker 1: these days. We're gonna make that happen. Big upset. And

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Speaker 1: also people out there, if you want people to be

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Speaker 1: on the podcast, you tag us and tag them, you

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Speaker 1: know what I mean? So, um, they know that it's

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Speaker 1: real because we're very serious about these interviews. Uh, and

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Speaker 1: we want to we want to be the best at

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Speaker 1: what we're doing. And her name is okay, you know

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Speaker 1: you're putting Elena Smith, Elena Smith from too. I haven't

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Speaker 1: been for that. Yeah, I ain't gonna like you know,

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Speaker 1: I like my wet baby. So I haven't received the gifts,

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Speaker 1: but they told me Friday. So by the time people

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Speaker 1: are hearing this, we'll probably be drinking it. And I'm

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Speaker 1: just having a great time, man, you know what I mean. Um, Honestly,

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Speaker 1: for me being a rapper, every time I drop a podcast,

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Speaker 1: it's like I'm dropping the album. I wake up three

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Speaker 1: o'clock in the morning. I want to look at the links.

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Speaker 1: I want to blast out the links. I want to

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Speaker 1: speak to the fans because you know, a lot of

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Speaker 1: dropping an album, it's like dropping an album every week.

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Speaker 1: CBS asked me, They're like, Yo, how are you guys

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Speaker 1: promoting this? Said the same way we promote our album,

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Speaker 1: we're taking it to the streets. Were also um, I

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Speaker 1: also want to go get banners like back in the days.

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Speaker 1: I also want to big up Aca Nelly. He showed

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Speaker 1: me his club on Ocean Drive, which was dope. He

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Speaker 1: wants to drink chat podcast to come over there. We

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Speaker 1: have mif Bleak booked. That gonna happen. Uh, you know

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Speaker 1: he's he's rich, he's hold friends, so we gotta wait.

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Speaker 1: He was come into Miami. But we're gonna get We're

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Speaker 1: gonna We're gonna keep it going. It's a lot of

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Speaker 1: people who have been hitting us up. Big of Iced Tea,

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Speaker 1: who wants to be we gotta do that. One's gotta happen. Yeah,

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Speaker 1: Big of Iced Tea so tag iced T at final level,

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Speaker 1: I believe that is. I say his request has been uh,

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Speaker 1: it's it's been tooking so we're gonna we're gonna do it.

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Speaker 1: Hopefully he brings Coco. You know what I mean. Definitely,

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Speaker 1: you know what I mean, because that would be different

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Speaker 1: from us. Uh, you know big huh. You know what

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Speaker 1: I mean. He's like my older brother, so that's like

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Speaker 1: my sister. So you know, it's all love. Um and

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Speaker 1: again we're just having fun. This is my one of

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Speaker 1: my most favorite episodes because it's out of control at

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Speaker 1: some point. Um, like we had to intro it almost

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Speaker 1: sober because we get so drunk in this episode. Yeah,

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Speaker 1: this episode, this is this is not cuber I got

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Speaker 1: home just so everybody knows that's big up hooked. Yeah,

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Speaker 1: that's big. So you know what you got anything? Come on,

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Speaker 1: think you've got something else to say. I just happened

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Speaker 1: this week, this week, not this. I want to set

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Speaker 1: up this episode. I want people to hear this episode. Okay,

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Speaker 1: cool and what what? What is this one of your

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Speaker 1: favorite episodes because I think it stays true to the

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Speaker 1: drink champs. This is true. This is true. We were

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Speaker 1: big up to Eric. By Eric, we also reached out.

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Speaker 1: See we want everybody to know Eric b your legend.

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Speaker 1: We love you, but we want you to get drunk

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Speaker 1: on here. Everybody that comes here, yes, genuinely needs We

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Speaker 1: want you on here, everybody, Um, but you know, we

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Speaker 1: also don't want you in your natural like I always

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Speaker 1: see Eric, but he's the coolest guy in the world.

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Speaker 1: But like, if you look at that, that's one of

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Speaker 1: my inspirations as a DJ, Dre jam Mester J. So

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Speaker 1: everybody who we love and we want to accept you

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Speaker 1: guys on the show. We're gonna bring you on the show.

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Speaker 1: We're gonna have fun with you. Um, but we do

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Speaker 1: want you to drink. You know, it's kind of it's

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Speaker 1: not mandatory and loosen the the interviews that everything does.

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Speaker 1: Everybody's up tight because they trying to carefully pick their

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Speaker 1: words and not offend. We're here to offend. Yeah, yeah,

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Speaker 1: not to go at people, but we're here to just

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Speaker 1: it's not facts. We just drunk and we're doing it

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Speaker 1: and a couple of you know, UM, I also want

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Speaker 1: to just address something about the DMX episode. Uh, there's

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Speaker 1: a part that we took out, and there was a

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Speaker 1: part that we took out, not because we want to

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Speaker 1: censor anybody's I don't think we owe people an explanation.

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Speaker 1: That's okay, You know because Um, I felt, I felt

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Speaker 1: I didn't want to take it out. I know you didn't.

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Speaker 1: I didn't want to take it out. But the way um,

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Speaker 1: are good folks at CBS worded it and then they

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Speaker 1: didn't tell us to take it out. They just they

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Speaker 1: just made sure that we're we're good with it on

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Speaker 1: us and when they worded it the way they worded it.

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Speaker 1: The one thing I don't want to do, um, the

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Speaker 1: one thing that everybody gotta know when you when you

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Speaker 1: part of the drink Champs, I want the artists and

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Speaker 1: the DJ to win. Like this is not like you know, um,

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Speaker 1: what's that called when you're thinking about the film, Um,

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Speaker 1: a spectator film? Uh? I don't know, man, what am

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Speaker 1: I thinking of? Like you know the films where you

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Speaker 1: gotta you gotta sit there and a thriller. This is

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Speaker 1: not a thriller Like the DJ wins at the end

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Speaker 1: when they're on this show. The rapper wins at the end, Yes,

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Speaker 1: hip hop whip hop wins at the end. We're not

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Speaker 1: here to take anybody away, but we are here to

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Speaker 1: show the fun side of these people and have fun

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Speaker 1: on with him. So with I no further ado, I'm

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Speaker 1: gonna drink some more of this wine. Let's do it.

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Speaker 1: I'm gonna smoke a blood. It's whino. Win Wednesdays, Yeah,

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Speaker 1: win on Wednesdays, Friday, on Friday, Man, thanks to all

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Speaker 1: the fans I swear to guard. I almost like the

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Speaker 1: Drink Camps fans more than an r E fans. I'm

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Speaker 1: gonna keep it. I'm gonna just throw that out there.

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Speaker 1: They are holding it down. They are repping uh like,

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Speaker 1: it's crazy how people be in my d ms and

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Speaker 1: saying Friday, it's too long. So I was gonna take

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Speaker 1: a book out of rap Radar page and say, why

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Speaker 1: don't we drop the two episodes that we don't have

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Speaker 1: film for? And I said, you know what, We're gonna relax.

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Speaker 1: We're gonna relax. Big up wrap Radar, big up playing,

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Speaker 1: big up drink Champs, big up Crazyhood, big up dug

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Speaker 1: Dot malineritinment for all of us is coming together, big

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Speaker 1: up all the artists who participated, because most of these

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Speaker 1: guys when they participated, didn't know, they didn't know what

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Speaker 1: the what the other we were take it. It's like

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Speaker 1: it's like when you do a song with somebody like

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Speaker 1: I didn't send nobody else there verse like like I

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Speaker 1: can send you you know, uh naas verse on this,

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Speaker 1: I can send you Jay's verse and we didn't. So

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Speaker 1: look the a C came on. That's like, that's our

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Speaker 1: sign that we were doing some funked up ship. We're

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Speaker 1: in a funked up place and we're gonna get fucked

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Speaker 1: up and listen again when you hear this, already, have

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Speaker 1: your shot sport. Already, have your blunt roll and have

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Speaker 1: fun with us, and have fun with us out here

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Speaker 1: with do a squat every time we clap, if do

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Speaker 1: a push up, drink some ginger fucking shot, if if,

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Speaker 1: if your breath stink, brush your tongue. Every time you

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Speaker 1: take a shot, you feel me um if you fucking

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Speaker 1: if you smoke and you drink, you should have a

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Speaker 1: shot every time we clap. You should you should smoke

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Speaker 1: every time we clap. Have fun with us. Because one

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Speaker 1: thing for sure, too things for certain, this is not

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Speaker 1: fake at all. We are having a great time when

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Speaker 1: you hear these episodes, and we're gonna continue to give

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Speaker 1: you the best ship every Friday. Also, hit up Trick Daddy,

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Speaker 1: hit up Trina. You know what I'm saying. M E

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Speaker 1: fin step to me. You know he's from the South.

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Speaker 1: He said, Man, we gotta drop somebody for the South.

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Speaker 1: So he got this gun play episode out with another

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Speaker 1: New York legend, and we're gonna continue it going. We

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Speaker 1: want Trick Daddy, we want Trainer, we want Sleepy Brown,

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Speaker 1: we want big Boy, we want all these games. Uh,

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Speaker 1: we're gonna We're gonna go, and we're gonna keep continue

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Speaker 1: to traveling. And now that we see people are, you know,

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Speaker 1: looking at our blueprint and studying it and applying it

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Speaker 1: their way, we know that we're doing the right thing.

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Speaker 1: So we're gonna continue to do that. I want to

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Speaker 1: say thank you, my brother. You know what I mean.

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Speaker 1: We have a great thing going on. Let's keep it going.

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Speaker 1: And this episode is the drunkest episode because they could

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Speaker 1: worse so and we were taking shots throughout the whole.

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Speaker 1: I think Pone took a shot and it came out

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Speaker 1: through his chest. It was Columbia, Yeah, Columbian White. It's crazy.

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Speaker 1: So again to all the listeners, drink Champs dot com. Uh,

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Speaker 1: follow me at the Real noriego on Instagram, follow me

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Speaker 1: on Snapchat New Year Nori, and follow me on Twitter

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Speaker 1: at A R E A G A and um, I'm

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Speaker 1: verified on Instagram at Who's Crazy on Instagram at DJ

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Speaker 1: pick up don Pete for making that happen. And I'm

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Speaker 1: pass you the plug but without no further than we're

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Speaker 1: on Spotify now. And we're on Spotify. So for all

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Speaker 1: you dudes that don't have I phones, look, if you

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Speaker 1: don't have an iPhone, just follow me on Twitter. That's

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Speaker 1: at Noriega and r E A G A and I

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Speaker 1: always blast out the CBS play at links, which is

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Speaker 1: equivalent to SoundCloud as they're version of SoundCloud. So um,

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Speaker 1: that's what we're doing. Man, I had a great time.

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Speaker 1: Man big up to my barber, Dioni. He always comes

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Speaker 1: to an hour later, but but he still keeps me fresh.

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Speaker 1: Big upon New York Cuts, right, New York Cuts? Where's

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Speaker 1: that come on? Man? Sunrise Ghost see New York Cuts

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Speaker 1: and Sunrise. He's gonna cut you. He's gonna, he's gonna

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Speaker 1: he's gonna cut you up great, and he's gonna put

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Speaker 1: your bone on your face after you finished. That's way

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Speaker 1: better than alcohol, you know what I mean. I have

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Speaker 1: to hit you with the takes you up with the title.

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00:19:08,040 --> 00:19:09,960
Speaker 1: He taps you up with the tanger bone so you

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Speaker 1: will be drunk leaving his ship and you won't know why.

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Speaker 1: Pick up to Twin, pick up to Twin LN and

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Speaker 1: Frankie pick up to hazardous sounds for being behind the board.

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Speaker 1: So you know. So it's going down. Man, we're having fun. Man,

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Speaker 1: let's go and we're gonna drink the rest of this wine.

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Speaker 1: You can't leave to the wine. Don't get drunk. That

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Speaker 1: drunk goes out to. That drunk mix tape is autbum free.

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Speaker 1: Go'll get it about buy it if you fucking got

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Speaker 1: a little bit of bread. Pet. Welcome to play, a

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Speaker 1: new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

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Speaker 1: and more. Play it at play dot it. We're back

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Speaker 1: to Drink Champs Radio with Rapper and R and d

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Speaker 1: J then hand segreship boy in O R. What ab

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Speaker 1: I'm d J e F and right now I always

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Speaker 1: like to say it's militimate crazy or radio, but it's not.

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Speaker 1: It is drink Podcast. Damn. We're yeah, we're about to

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Speaker 1: get keep out of the hotel because we upgrade it

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Speaker 1: and we're the most unprofessional podcast in the world. But

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Speaker 1: it makes us a professional. That's I'm professionalism. It's professionalism.

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Speaker 1: It's professionalism and ah alcohetism. I don't know what that is.

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Speaker 1: Nobody does. Listen, listen, listen, listen. But you can't have

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Speaker 1: your own conversation. You're gotta have your conversation about over

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Speaker 1: here if you're gonna have a conversation, because here at

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Speaker 1: Drink Champs, it's always New Year's, right, It's always New Year's,

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Speaker 1: always your birthday. Before we issue use our guests, can

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Speaker 1: I just throw out that you I thought I picked

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Speaker 1: the worst noisemakers? Right, Okay, you're gonna try me. What

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Speaker 1: the hell is that? Who's watching porno on their phone

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Speaker 1: right now? It gotta be little, They gotta be a

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Speaker 1: little turn off your phones, guys, off your phone? Who's

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Speaker 1: who's got thing? Bros on? It might be sunny now

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Speaker 1: that I think about it, But but now that we

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Speaker 1: all came together and everything is righteous, sounds like we've

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Speaker 1: got to introduce our first guest for tonight. Would you

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Speaker 1: like to do it? Yeah, let's do what would you

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Speaker 1: like to pass him the tortion? And he oh, he's

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Speaker 1: going to give his own introduction. I don't know what

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Speaker 1: do you want? You need? No introduction? What the fun

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Speaker 1: I don't need no introduction. Wait wait, wait, wait, wait,

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Speaker 1: hold on, already drinking with the chance to drinking. Water

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Speaker 1: came out because I got, I got, I love your

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Speaker 1: white white and who do this's my friend, there's people,

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Speaker 1: our peoples right here. He has a beard. He has

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Speaker 1: a beard that came out my shirt and he's from Kendall.

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Speaker 1: Wait wait what happened then? By the way, that's component

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Speaker 1: on the mic. Wait, everybody makes a noise. We definitely

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Speaker 1: getting kicked out. Never took a shot when it came

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Speaker 1: out my nerves in my chest. Yeah, like the ship

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Speaker 1: is in my shirt. How to take the shot? And

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Speaker 1: came out my poles and got that little shot. You're

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Speaker 1: supposed to drink it. No, you ain't drinking. You just

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Speaker 1: pointed on yourself. I ain't going from And then the

420
00:22:46,640 --> 00:22:50,879
Speaker 1: prince quick and let's let's let everybody say hi to Sunny.

421
00:22:51,600 --> 00:22:59,480
Speaker 1: D bt bet it is aguay in te king, not

422
00:22:59,600 --> 00:23:02,160
Speaker 1: the king. Come come take a shot, Sunny, take a shot.

423
00:23:02,600 --> 00:23:06,040
Speaker 1: He used the bathroom. He's the bathroom, and come over

424
00:23:06,040 --> 00:23:09,400
Speaker 1: here and take a ship. Hold on and take a shot.

425
00:23:09,600 --> 00:23:13,320
Speaker 1: Hold on and take a shot. Because tonight's more rules

426
00:23:13,400 --> 00:23:18,720
Speaker 1: is we're not driving. We're not driving and taking a shot.

427
00:23:18,920 --> 00:23:25,560
Speaker 1: Take another shot, just don't know, drink it, drink I

428
00:23:25,640 --> 00:23:31,840
Speaker 1: got work thro through tonight's trying to taking a shot

429
00:23:32,320 --> 00:23:36,600
Speaker 1: as the boys. You want one for Flo Felito. I

430
00:23:36,640 --> 00:23:42,000
Speaker 1: like that easy easy, easy, easy hold on wet look

431
00:23:42,040 --> 00:23:44,000
Speaker 1: and he's taking one with you. He's a real nigger

432
00:23:44,119 --> 00:23:48,399
Speaker 1: because I'm not taking nothing with nobody. Drink one straight

433
00:23:48,400 --> 00:23:51,600
Speaker 1: for breakfast after that. This is this is this is

434
00:23:51,600 --> 00:23:55,400
Speaker 1: a drink shout out to the drink champs. I don't

435
00:23:58,080 --> 00:24:01,720
Speaker 1: has taken a shot to form them about to quick podcast.

436
00:24:01,840 --> 00:24:05,480
Speaker 1: I'm about to quick. You gotta do the ship. But

437
00:24:06,040 --> 00:24:10,240
Speaker 1: do we make that you know why you can't because

438
00:24:10,240 --> 00:24:13,160
Speaker 1: when you drink that, that ship makes you cross side

439
00:24:13,200 --> 00:24:15,560
Speaker 1: of you can't even look him again. Made him go

440
00:24:15,600 --> 00:24:20,040
Speaker 1: outside and just outside and like okay, alright, once again,

441
00:24:20,240 --> 00:24:23,560
Speaker 1: let's make some noise for Capone for being in the

442
00:24:23,720 --> 00:24:30,359
Speaker 1: drink cash for the Yes, sir, yes, sir. We would

443
00:24:30,400 --> 00:24:33,840
Speaker 1: like to know Sunny d BT come over here. You're

444
00:24:33,840 --> 00:24:37,440
Speaker 1: gonna stand there for you're standing there for gun play

445
00:24:37,720 --> 00:24:43,320
Speaker 1: right now, So Sunny, so Capone brings you to Miami.

446
00:24:43,480 --> 00:24:45,399
Speaker 1: We would like to know, Hey, you know what? You

447
00:24:45,480 --> 00:24:49,520
Speaker 1: know what, Sunny Sunny brought me to Miami. Man, literally,

448
00:24:49,640 --> 00:24:53,800
Speaker 1: he brought you. He was magic. I'm talking about Sunny

449
00:24:53,840 --> 00:24:57,120
Speaker 1: b T. He went. He came on his BMX bike.

450
00:24:57,200 --> 00:25:02,680
Speaker 1: He rolled you, y'all. And I've seen that they're gonna

451
00:25:03,040 --> 00:25:10,480
Speaker 1: five kicking up dust. You know what I'm saying. Yeah,

452
00:25:10,560 --> 00:25:13,440
Speaker 1: but that nigga wrote his bm No. That nigga wrote

453
00:25:13,440 --> 00:25:21,280
Speaker 1: a hub board to New York nigga. So Sunny DBT is,

454
00:25:21,320 --> 00:25:23,760
Speaker 1: this is this how it happens when dark skin people

455
00:25:23,800 --> 00:25:26,840
Speaker 1: get together. Nigga, you dogskin too. I'm trying to be

456
00:25:26,960 --> 00:25:34,200
Speaker 1: dog skin. But if you got the classifly that nigga

457
00:25:35,040 --> 00:25:38,040
Speaker 1: dog skin and light skin, it's gonna be Christopher Williams

458
00:25:38,080 --> 00:25:42,359
Speaker 1: and Wesley Snipes. It's nowhere in between now. But back

459
00:25:42,359 --> 00:25:44,520
Speaker 1: in the days, back in the days, you was not

460
00:25:44,640 --> 00:25:49,280
Speaker 1: brown skin. That was between Martin Lawrence and will Smith.

461
00:25:49,440 --> 00:25:52,159
Speaker 1: Back in the days brown nig Yeah, I was a

462
00:25:52,160 --> 00:25:55,120
Speaker 1: brown nigga, But now I'm a dog nigga, dog skin.

463
00:25:55,200 --> 00:25:57,719
Speaker 1: I'm trying to be dog f I don't know what

464
00:25:57,720 --> 00:26:00,639
Speaker 1: you're doing in the world. They pulls you to be donks.

465
00:26:02,040 --> 00:26:05,040
Speaker 1: I don't know what if is doing. He fits down

466
00:26:05,040 --> 00:26:10,439
Speaker 1: on all the courts we got gonna front, rubbing his foul.

467
00:26:11,000 --> 00:26:15,080
Speaker 1: I know me for mad years and you think I'm

468
00:26:15,920 --> 00:26:17,920
Speaker 1: I don't know what may happened. I know we all brother,

469
00:26:18,440 --> 00:26:20,920
Speaker 1: but you know what I'm saying if I don't understand

470
00:26:21,520 --> 00:26:26,040
Speaker 1: your lightly, but I want you want to shot? You

471
00:26:26,040 --> 00:26:32,280
Speaker 1: want a shot? Yeah, yeah, it's okay, shot too, Okay

472
00:26:32,440 --> 00:26:36,800
Speaker 1: gunning because I ain't driving in my m I'm driving.

473
00:26:36,840 --> 00:26:44,080
Speaker 1: Nobody's driving driving. I'm driving. Shot please, no, no, all right,

474
00:26:44,119 --> 00:26:45,639
Speaker 1: we're gonna let you take a shot, and then we're

475
00:26:45,640 --> 00:26:48,160
Speaker 1: gonna interview you. Let us take a shot because because

476
00:26:48,200 --> 00:26:51,600
Speaker 1: I already took mad shots waiting for you, waiting for

477
00:26:52,000 --> 00:26:57,840
Speaker 1: the land to the drink shots, waiting for you. Goddamn it.

478
00:26:58,040 --> 00:27:02,040
Speaker 1: All right, so component is in the building that you

479
00:27:02,040 --> 00:27:06,399
Speaker 1: don't hear nothing? Who that shot? When we do that,

480
00:27:06,480 --> 00:27:11,640
Speaker 1: when you do this, you're thirty and over and over

481
00:27:11,800 --> 00:27:18,760
Speaker 1: when you do that noise, I'm forty years old, I'm

482
00:27:18,840 --> 00:27:21,560
Speaker 1: grown as ship am. I like, oh, please get that

483
00:27:21,560 --> 00:27:24,600
Speaker 1: ship away from me. But yeah, I ain't gonna front.

484
00:27:24,640 --> 00:27:28,520
Speaker 1: I gotta shower after that, that shouting a showering shot,

485
00:27:28,640 --> 00:27:30,359
Speaker 1: like you know you're taking shot of some ship. You

486
00:27:30,400 --> 00:27:33,400
Speaker 1: just gotta getting the shower. You can't even say nothing

487
00:27:33,400 --> 00:27:35,760
Speaker 1: to nobody's like, Paul, where you're going. I'll be right

488
00:27:35,800 --> 00:27:39,119
Speaker 1: back Sunday, just really quick though, which which here do

489
00:27:39,200 --> 00:27:44,040
Speaker 1: you hear better? Like which part of the headphones? It's

490
00:27:44,080 --> 00:27:48,840
Speaker 1: Sunday Sunday. We need you to introduce yourself to the crowd.

491
00:27:49,240 --> 00:27:51,760
Speaker 1: Who you are and where you're from and when you represent.

492
00:27:52,000 --> 00:27:56,200
Speaker 1: This is Sunny Dbt born in Brooklyn, New York, representing

493
00:27:56,560 --> 00:28:01,040
Speaker 1: live in Miami. This is Frank like a friend and

494
00:28:01,119 --> 00:28:05,080
Speaker 1: anybody you know that he will take you down. Yeah,

495
00:28:05,200 --> 00:28:07,760
Speaker 1: he got an I P A card? What is your car?

496
00:28:08,119 --> 00:28:11,480
Speaker 1: If you get if you get so security and disability.

497
00:28:12,119 --> 00:28:14,720
Speaker 1: We are the dream chaps, but he is the snow bunny.

498
00:28:14,840 --> 00:28:20,040
Speaker 1: Champs is snow bunny? Hold on, what's your car? Snowy car?

499
00:28:20,359 --> 00:28:25,879
Speaker 1: Your card? Nick and white chicks, let's make some of

500
00:28:25,920 --> 00:28:32,399
Speaker 1: the worst. My nigger having the A P card, I

501
00:28:32,400 --> 00:28:35,119
Speaker 1: ain't going through you from my leg. I'm not allowed.

502
00:28:35,160 --> 00:28:40,880
Speaker 1: What the fun is that? What the fun is a card? Off?

503
00:28:40,920 --> 00:28:45,280
Speaker 1: At Arby's you you get free Bengels at Denny's, free

504
00:28:45,280 --> 00:28:52,840
Speaker 1: bagels and get j V. Can't get one of these

505
00:28:54,320 --> 00:28:57,440
Speaker 1: when he when he flies, When he flies, they bring

506
00:28:57,440 --> 00:29:01,280
Speaker 1: the wheelchair. Yeah no, no, you know they take him

507
00:29:01,280 --> 00:29:07,880
Speaker 1: on the wheelchair to the plane. Take him first Sunny,

508
00:29:07,920 --> 00:29:11,000
Speaker 1: tell him you first class though first class, you get

509
00:29:11,000 --> 00:29:14,440
Speaker 1: on the plane first. Soon they named them first class

510
00:29:14,440 --> 00:29:18,680
Speaker 1: and one border from New York City. But first you

511
00:29:18,720 --> 00:29:21,240
Speaker 1: gotta lets Sunny be on the Sunny d on the plane.

512
00:29:21,360 --> 00:29:25,240
Speaker 1: That's so, let's just keep it real. Component is getting

513
00:29:25,240 --> 00:29:27,680
Speaker 1: a lot of money. He's getting a lot of money.

514
00:29:27,720 --> 00:29:30,440
Speaker 1: He's getting a lot of money, at least at least

515
00:29:30,560 --> 00:29:33,400
Speaker 1: at least in this past Monthey, we might have meved

516
00:29:34,520 --> 00:29:39,000
Speaker 1: him alone a lot of money. But guess what, he

517
00:29:39,160 --> 00:29:42,080
Speaker 1: still flew out hair on frontier airlines. That makes a

518
00:29:42,160 --> 00:29:48,680
Speaker 1: noise from front air This is what we Let me

519
00:29:48,720 --> 00:29:51,880
Speaker 1: tell you how something I flew first class. I didn't

520
00:29:51,920 --> 00:29:55,240
Speaker 1: have to pay for my flow. Wait, wait, what was

521
00:29:55,240 --> 00:29:59,000
Speaker 1: the airline in here? Is no first class on front

522
00:29:59,640 --> 00:30:02,760
Speaker 1: JEF the same difference. There's no first class of poem.

523
00:30:02,880 --> 00:30:04,440
Speaker 1: But he was in the front. He was in the front.

524
00:30:04,480 --> 00:30:09,920
Speaker 1: I was in the front. It was one I didn't

525
00:30:09,960 --> 00:30:12,840
Speaker 1: have to pay for my flotation device and they charged

526
00:30:12,880 --> 00:30:17,360
Speaker 1: me at oxygen. Okay, so let's keep it. Charged me

527
00:30:17,360 --> 00:30:20,040
Speaker 1: a dollar eighty nine for the oxygen nigger, So let's

528
00:30:20,120 --> 00:30:22,000
Speaker 1: keep it. I'm going down. If I ain't got a

529
00:30:22,000 --> 00:30:27,120
Speaker 1: credit card, I'm fum funked up. But for one second.

530
00:30:27,720 --> 00:30:30,320
Speaker 1: So now this is a special podcast because we have

531
00:30:30,440 --> 00:30:39,280
Speaker 1: component Noriega here makes some nor have to got me drunk.

532
00:30:41,040 --> 00:30:44,280
Speaker 1: I have to beg to differ. We only have campone here.

533
00:30:45,240 --> 00:30:48,480
Speaker 1: Noriega is not here. I don't know where he's at.

534
00:30:48,680 --> 00:30:54,880
Speaker 1: And is the podcaster? I am the norcaster. We are

535
00:30:55,000 --> 00:30:57,760
Speaker 1: interviewing one of my best friends. But I'm trying to

536
00:30:57,800 --> 00:31:01,720
Speaker 1: be hard on him. Pause like you know, tough, and

537
00:31:01,760 --> 00:31:03,840
Speaker 1: then you you're passing me the ball. I don't want

538
00:31:03,880 --> 00:31:09,840
Speaker 1: get it. This is what they're gonna do. God have president?

539
00:31:09,960 --> 00:31:13,160
Speaker 1: Is that is that the listen Sunday DBT. You are

540
00:31:13,200 --> 00:31:16,760
Speaker 1: my brother, but it's those the flea market glasses, Gucci

541
00:31:16,840 --> 00:31:21,000
Speaker 1: friends stay like they're from the flea market. Let's just

542
00:31:21,080 --> 00:31:27,080
Speaker 1: keep it ready. The Holy Field and this now is

543
00:31:27,120 --> 00:31:30,280
Speaker 1: that glatting him around your neck? Or is that steel? Though?

544
00:31:30,320 --> 00:31:34,959
Speaker 1: That's the real deal, Holy Field still from the Congo

545
00:31:35,280 --> 00:31:37,320
Speaker 1: from the common Is that? Is that? Is that steel

546
00:31:37,480 --> 00:31:43,160
Speaker 1: that you be dazzled? How do you dazzing? Be dazzling?

547
00:31:44,400 --> 00:31:52,840
Speaker 1: Team man? I love Sunny alone the friend he does,

548
00:31:52,920 --> 00:31:56,040
Speaker 1: he doesn't defend himsel yes, talk about it. I gets

549
00:31:56,040 --> 00:32:01,160
Speaker 1: some money. I know nobody understand. Oh you sell be jewelry.

550
00:32:01,240 --> 00:32:03,720
Speaker 1: All right, I'm gonna have to ask you to blow

551
00:32:03,760 --> 00:32:06,080
Speaker 1: your vapor smoke that way. I don't even want paper

552
00:32:06,160 --> 00:32:09,840
Speaker 1: smoke in this little table. Okay, So wait, let me

553
00:32:09,880 --> 00:32:17,040
Speaker 1: teme on, Come on listen. I'm a podcaster. I'm a

554
00:32:17,080 --> 00:32:27,200
Speaker 1: podcast podcast to user. Tell me what I ask Listen, listen.

555
00:32:27,600 --> 00:32:32,920
Speaker 1: We've been doing that queen style. Recently, there's been an

556
00:32:32,960 --> 00:32:38,920
Speaker 1: email sent yeah that mob D didn't want to do shows?

557
00:32:40,000 --> 00:32:46,560
Speaker 1: What component noriega? Yeah, I'm is that my my stage

558
00:32:46,560 --> 00:32:49,720
Speaker 1: to the podcast? How did you feel when you've seen

559
00:32:49,800 --> 00:32:53,280
Speaker 1: that email? What was your first response? My first my

560
00:32:53,320 --> 00:32:56,959
Speaker 1: first actually my first response was like, you know, wait wait,

561
00:32:57,160 --> 00:32:59,360
Speaker 1: But for the layman's we don't know all this alright,

562
00:32:59,360 --> 00:33:01,880
Speaker 1: so break it down, to break it down. I don't know.

563
00:33:02,000 --> 00:33:05,400
Speaker 1: I do not know what's going on. What's going on?

564
00:33:05,560 --> 00:33:11,400
Speaker 1: Is that mob Deep affiliate manager whoever sent the email

565
00:33:11,440 --> 00:33:14,840
Speaker 1: out that whenever they're doing shows a component oriaga bill

566
00:33:14,920 --> 00:33:17,240
Speaker 1: on on the bill, they're not gonna do the motherfucking show.

567
00:33:17,560 --> 00:33:20,880
Speaker 1: Oh I did hear about point blank and you know what,

568
00:33:21,080 --> 00:33:23,120
Speaker 1: at the end of the day, to get back to

569
00:33:23,160 --> 00:33:26,360
Speaker 1: what n R he asks p O n E. I'm

570
00:33:26,360 --> 00:33:28,800
Speaker 1: gonna say it like this. When I first heard the ship,

571
00:33:30,080 --> 00:33:33,160
Speaker 1: I was like word. But you know, at the end

572
00:33:33,200 --> 00:33:37,280
Speaker 1: of the day, I'm not. I'm not here to say

573
00:33:37,400 --> 00:33:40,080
Speaker 1: like you know, the niggas is trying to fun niggas

574
00:33:40,120 --> 00:33:42,560
Speaker 1: money up or whatever, because you can't. We're gonna get

575
00:33:42,560 --> 00:33:46,240
Speaker 1: one of regardless. But one thing, that one thing, one

576
00:33:46,280 --> 00:33:50,000
Speaker 1: thing that's different between niggas is that we would never

577
00:33:50,040 --> 00:33:53,280
Speaker 1: do that to them. And that's the thing, like we

578
00:33:53,320 --> 00:33:55,880
Speaker 1: would never go out and say, yo, if mom deep

579
00:33:55,920 --> 00:33:58,880
Speaker 1: on the bill we never seeing, then ain't gonna show up.

580
00:33:59,080 --> 00:34:01,760
Speaker 1: And to me, that makes me think the other team

581
00:34:01,840 --> 00:34:04,240
Speaker 1: think they got the upper hand, which is not true.

582
00:34:04,880 --> 00:34:06,680
Speaker 1: You know, you can you can tell a promoter you

583
00:34:06,680 --> 00:34:08,760
Speaker 1: don't want to do a show with me on the tenth,

584
00:34:08,800 --> 00:34:11,239
Speaker 1: but I'm gonna do the show on the fifteen, you

585
00:34:11,280 --> 00:34:12,960
Speaker 1: know what I mean, Like we might show up there

586
00:34:13,000 --> 00:34:15,920
Speaker 1: on the twelve. Let's make some noise, you know what

587
00:34:15,960 --> 00:34:19,960
Speaker 1: I'm saying. We just might show but well listen, let

588
00:34:19,960 --> 00:34:22,760
Speaker 1: me talk, let me talk, let me talk. I'm sorry,

589
00:34:25,480 --> 00:34:28,600
Speaker 1: I'm talking to my wisdom. But you know, one thing

590
00:34:28,640 --> 00:34:31,279
Speaker 1: you got to realize is that when you grow up

591
00:34:31,280 --> 00:34:34,200
Speaker 1: a certain way, you don't do a certain thing. And

592
00:34:34,280 --> 00:34:35,880
Speaker 1: that's one thing you don't do. You don't stop and

593
00:34:35,920 --> 00:34:38,320
Speaker 1: naked from feeding his family. You don't try to stop

594
00:34:38,320 --> 00:34:40,919
Speaker 1: and naked from doing that. We can't beef. We're gonna

595
00:34:40,960 --> 00:34:44,319
Speaker 1: shoot at each other on each other corner, so both

596
00:34:44,360 --> 00:34:46,560
Speaker 1: of our corners is hot. I'm not gonna just come

597
00:34:46,600 --> 00:34:48,560
Speaker 1: and shoot on your block and then we come shoot

598
00:34:48,600 --> 00:34:51,000
Speaker 1: on my block. It's like like, I just some foul.

599
00:34:51,520 --> 00:34:53,759
Speaker 1: I ain't do nothing fail, I'm just ask answering what

600
00:34:53,840 --> 00:34:56,080
Speaker 1: you're doing. You know what I'm saying. But you know,

601
00:34:56,400 --> 00:34:58,600
Speaker 1: to take it on another level. At the end of

602
00:34:58,600 --> 00:35:01,279
Speaker 1: the day, it's all, man, we're gonna we're gonna come

603
00:35:01,320 --> 00:35:04,080
Speaker 1: to Miami. You know, we got we got something going on.

604
00:35:04,239 --> 00:35:05,840
Speaker 1: Then we're gonna come back and we're gonna come to

605
00:35:05,880 --> 00:35:07,839
Speaker 1: their showing shorts all love. You know what I'm saying,

606
00:35:07,840 --> 00:35:10,680
Speaker 1: mom deep seeing them for presidents. You know, So what

607
00:35:10,760 --> 00:35:13,719
Speaker 1: you're saying is there's no beef. It's no beef for me. Man,

608
00:35:13,840 --> 00:35:16,040
Speaker 1: Like I don't want to see Prodigy and do nothing

609
00:35:16,040 --> 00:35:17,520
Speaker 1: to him. I know, I may have said that in

610
00:35:17,560 --> 00:35:20,080
Speaker 1: the past, but you know, you gotta grow and get money,

611
00:35:20,160 --> 00:35:22,239
Speaker 1: you know. But you would pull them to the side

612
00:35:22,280 --> 00:35:28,319
Speaker 1: and be like why not. Why not? Why you think

613
00:35:28,320 --> 00:35:30,319
Speaker 1: the niggas gonna say something about me and they're gonna

614
00:35:30,320 --> 00:35:33,319
Speaker 1: get chat reprimanded. But you're gonna handle it as a man,

615
00:35:33,440 --> 00:35:36,200
Speaker 1: be like yo, my man, of course, of course, like

616
00:35:36,280 --> 00:35:38,120
Speaker 1: I'm not, I'm not, I'm not I'm not a little kid.

617
00:35:38,200 --> 00:35:39,920
Speaker 1: I'm not here to play a little kid games with you.

618
00:35:39,960 --> 00:35:41,719
Speaker 1: I'm not han to have shootouts with you and all

619
00:35:41,760 --> 00:35:44,640
Speaker 1: that because I hate niggas. That's what we do. Are

620
00:35:44,760 --> 00:35:49,320
Speaker 1: trying to be sitting here like nah, niggas bang gone.

621
00:35:49,719 --> 00:35:51,759
Speaker 1: You know what I'm saying. That's it. So I don't

622
00:35:51,760 --> 00:35:54,399
Speaker 1: want that here with that, So let's talk like many

623
00:35:54,440 --> 00:35:59,520
Speaker 1: get money, nigga. I agree with you totally. Um uh,

624
00:36:00,160 --> 00:36:04,879
Speaker 1: Mike sounds so good my mind, Paul, Come on, man,

625
00:36:04,960 --> 00:36:09,239
Speaker 1: it's microphone conversation, no home. I just want to get

626
00:36:09,239 --> 00:36:11,920
Speaker 1: that ship. You just you turned everything. That is a

627
00:36:12,080 --> 00:36:17,560
Speaker 1: damn your mike what a sound to do with anything?

628
00:36:17,640 --> 00:36:20,440
Speaker 1: But I'm just trying to make this clear. Is it

629
00:36:20,600 --> 00:36:25,480
Speaker 1: my mic that sounds my minke doesn't sound? Can you can.

630
00:36:25,520 --> 00:36:29,240
Speaker 1: You just tell me my mic sounds good? Please, that's

631
00:36:29,280 --> 00:36:34,000
Speaker 1: all I want to hear. Mike sound good? Though, who's

632
00:36:34,080 --> 00:36:39,200
Speaker 1: Mike sound good? My Mike sounds amazing. Ye, So Sunday, DBT,

633
00:36:39,400 --> 00:36:42,560
Speaker 1: you'll and you show you your glasses didn't come from

634
00:36:42,560 --> 00:36:51,560
Speaker 1: fleet market. I'm sure I think your glasses. I think

635
00:36:51,560 --> 00:36:53,480
Speaker 1: it came. And we got got played in the building.

636
00:36:53,520 --> 00:37:08,200
Speaker 1: God damn it moves you gotta move you, you gotta moved.

637
00:37:12,920 --> 00:37:18,080
Speaker 1: Goddamn it where you're going. Goddamnit, et you better have

638
00:37:18,200 --> 00:37:22,600
Speaker 1: to weave for me. E your foul make what's brother?

639
00:37:23,120 --> 00:37:25,839
Speaker 1: My brother? It's your first time? You need come? Yeah,

640
00:37:28,000 --> 00:37:37,680
Speaker 1: live on the podcast for the podcast. All right, let

641
00:37:37,719 --> 00:37:40,600
Speaker 1: me now, I got I got an immediate question for

642
00:37:40,719 --> 00:37:44,200
Speaker 1: gun play. I got immediate question for gun play. But

643
00:37:44,320 --> 00:37:47,440
Speaker 1: hold on, hold on. He needs a shot. Shot and

644
00:37:47,520 --> 00:37:53,000
Speaker 1: this is perfect for you, right gun play. Take a shout.

645
00:37:53,000 --> 00:37:56,719
Speaker 1: I'm gonna take another shot. Just just keep in mind

646
00:37:57,120 --> 00:37:59,560
Speaker 1: keep his light because he gotta still he got a

647
00:37:59,560 --> 00:38:07,520
Speaker 1: skimple want, God damn it, gun plays. Brothers, my brothers.

648
00:38:10,400 --> 00:38:14,200
Speaker 1: I know I'm talking for the party. It's what welcome home,

649
00:38:14,880 --> 00:38:22,000
Speaker 1: hello Lane, But I just wanted it, that's right, that's

650
00:38:22,160 --> 00:38:27,680
Speaker 1: right right, we were watching just so yeah, all right,

651
00:38:28,200 --> 00:38:39,880
Speaker 1: let's go here. You know here I'm playing in the building.

652
00:38:40,440 --> 00:38:43,560
Speaker 1: Let'sten Listen, listen, listen, we got capone and gun play.

653
00:38:43,960 --> 00:38:46,759
Speaker 1: You know, we don't have component in Oriega. We have

654
00:38:46,960 --> 00:38:51,080
Speaker 1: component gun play because listen, this is New York, this

655
00:38:51,239 --> 00:38:55,000
Speaker 1: is New York. But I'm an interview walk this is Miami,

656
00:38:55,200 --> 00:38:57,520
Speaker 1: and this is Miami, and you're the interview. So we

657
00:38:57,600 --> 00:39:00,200
Speaker 1: got to be very professional. Now that's the way. Now,

658
00:39:00,280 --> 00:39:05,520
Speaker 1: the most unprofessional professional podcast. I was motherfucker professional right now.

659
00:39:06,200 --> 00:39:10,520
Speaker 1: You was trying to be you he tattoo. Yeah that

660
00:39:10,600 --> 00:39:15,960
Speaker 1: was real. No, no, no, no, and not expected. So

661
00:39:16,080 --> 00:39:19,360
Speaker 1: now listen, we gotta go. Here's the craziest thing in

662
00:39:19,400 --> 00:39:23,520
Speaker 1: the world. Right when the Meek Mail and Drake beef started,

663
00:39:23,680 --> 00:39:28,399
Speaker 1: right in my mind, I said, if I was Meet Mail,

664
00:39:29,520 --> 00:39:31,400
Speaker 1: I would have did a record and I would have

665
00:39:31,440 --> 00:39:34,200
Speaker 1: just had Gunplay stand behind me. He didn't have to

666
00:39:34,320 --> 00:39:40,400
Speaker 1: say nothing. It's just that his street credibility is surchfied

667
00:39:41,040 --> 00:39:44,040
Speaker 1: in the street. Why wouldn't you do the most gangster

668
00:39:44,160 --> 00:39:47,400
Speaker 1: it's record and just stand and just have Slim stand

669
00:39:47,440 --> 00:39:50,600
Speaker 1: behind them? Did you ever think that? Did you ever

670
00:39:50,719 --> 00:39:52,759
Speaker 1: think that in your mind, because I know you're a

671
00:39:52,880 --> 00:39:59,839
Speaker 1: real real street hold on, hold on, hold on. I've

672
00:39:59,840 --> 00:40:04,400
Speaker 1: been looking for the oil. Oh, motherfucking yeah. He smelling,

673
00:40:04,760 --> 00:40:09,000
Speaker 1: he smelling, he's smelling. He smells. But if they passed

674
00:40:09,040 --> 00:40:13,239
Speaker 1: me the oil for the record, yeah, feeling everything. And

675
00:40:13,840 --> 00:40:15,720
Speaker 1: if you don't come over here and talk about you talking,

676
00:40:15,800 --> 00:40:20,040
Speaker 1: you eat. I was just spectating, man, you know what

677
00:40:20,120 --> 00:40:22,279
Speaker 1: I'm saying. Go ahead, go ahead. I think it was

678
00:40:22,400 --> 00:40:27,200
Speaker 1: real good for hip hop. You know, nobody died, so

679
00:40:27,360 --> 00:40:30,239
Speaker 1: I don't think there really was a winner or los. No.

680
00:40:30,400 --> 00:40:32,680
Speaker 1: But see, see in the day I come from, let me,

681
00:40:32,800 --> 00:40:34,799
Speaker 1: let me just stop you right there. And the day

682
00:40:34,880 --> 00:40:37,560
Speaker 1: I come from that, it was no one on one beef.

683
00:40:38,120 --> 00:40:41,600
Speaker 1: Like we couldn't have beef. I couldn't have beef with them.

684
00:40:42,480 --> 00:40:44,399
Speaker 1: I'm just throwing his name out there. Not be cause

685
00:40:44,400 --> 00:40:46,200
Speaker 1: I'm starting nothing, but like I couldn't have beef for

686
00:40:46,239 --> 00:40:50,600
Speaker 1: the Prodigy without compone jumping in. I couldn't have so no, no, no,

687
00:40:50,719 --> 00:40:53,239
Speaker 1: I know that. But what I'm trying to say is

688
00:40:53,520 --> 00:40:56,680
Speaker 1: my nineties mentality. That was the immediate thing. I thought.

689
00:40:57,000 --> 00:40:59,879
Speaker 1: It was like, yo, I would do something you don't

690
00:41:00,080 --> 00:41:02,160
Speaker 1: to be on the record, but I would have Slim

691
00:41:02,320 --> 00:41:06,120
Speaker 1: right behind me and see the thing is, look, let

692
00:41:06,200 --> 00:41:10,359
Speaker 1: me capone going. When the nigga beefing, right, when two

693
00:41:10,480 --> 00:41:14,239
Speaker 1: niggas beefing and they both got crewis the crew stand

694
00:41:14,360 --> 00:41:19,960
Speaker 1: up no matter what that's supposed to Listen, Hold on,

695
00:41:20,120 --> 00:41:23,680
Speaker 1: hold on, Slime had his crew, me got his crew.

696
00:41:24,160 --> 00:41:27,160
Speaker 1: I don't given what we do. Ain't nobody boss, a

697
00:41:27,239 --> 00:41:31,400
Speaker 1: little nigga were team. So this nigga stow shot at you.

698
00:41:31,840 --> 00:41:35,040
Speaker 1: He gotta understand he's not just throwing a shot at you.

699
00:41:35,800 --> 00:41:38,680
Speaker 1: We're not gonna leave you out here for do so

700
00:41:38,880 --> 00:41:41,200
Speaker 1: for them niggas who saved me took a hel me

701
00:41:41,400 --> 00:41:44,759
Speaker 1: did that. Nah, he did the small thing, but the

702
00:41:44,880 --> 00:41:49,120
Speaker 1: wrong thing. Your crew involved the niggas because that's what

703
00:41:49,239 --> 00:41:52,200
Speaker 1: we're in for. That's what we bring niggas around the

704
00:41:52,239 --> 00:41:55,080
Speaker 1: world with us for. That's what we give niggas money,

705
00:41:55,160 --> 00:41:58,560
Speaker 1: and we hold niggas death because you're taking perfect in

706
00:41:58,680 --> 00:42:05,400
Speaker 1: a perfect world, different in a perfect world. It's not

707
00:42:05,640 --> 00:42:19,960
Speaker 1: like that. We my nigga. The ship divided, dog, it's

708
00:42:20,040 --> 00:42:23,640
Speaker 1: just everything divided. Man. It Ain't it looked real good

709
00:42:23,719 --> 00:42:26,520
Speaker 1: on camera? You know what I'm saying. Behind the scenes,

710
00:42:26,880 --> 00:42:30,000
Speaker 1: it's real mob ship. And you know what I'm saying.

711
00:42:30,080 --> 00:42:33,920
Speaker 1: It's all business. It's a business. You know what I'm saying.

712
00:42:34,160 --> 00:42:38,080
Speaker 1: And there's no more them days is over. It's a

713
00:42:38,200 --> 00:42:40,840
Speaker 1: new error. You got to look like you got to

714
00:42:40,920 --> 00:42:43,480
Speaker 1: look at what you're dealing with. Now you're dealing with.

715
00:42:44,520 --> 00:42:47,200
Speaker 1: Back in the day, I had to hand out CDs.

716
00:42:47,880 --> 00:42:51,560
Speaker 1: I had to go to the post office and mail

717
00:42:51,680 --> 00:42:55,080
Speaker 1: CDs Rick Ross and give me a list with the CDs.

718
00:42:55,200 --> 00:42:58,120
Speaker 1: Now I could press a button. And now it's a

719
00:42:58,239 --> 00:43:00,560
Speaker 1: good thing and a bad thing because now that I

720
00:43:00,600 --> 00:43:02,759
Speaker 1: could press the button and get my music out there.

721
00:43:03,160 --> 00:43:06,440
Speaker 1: Now a fun boy could press the button and be heard.

722
00:43:06,600 --> 00:43:09,160
Speaker 1: And you know what I'm saying. Now you're it's a

723
00:43:09,280 --> 00:43:11,799
Speaker 1: different era. Now, you know what I'm saying. So it's

724
00:43:11,800 --> 00:43:14,000
Speaker 1: all did you do let me ask you something in

725
00:43:14,160 --> 00:43:16,719
Speaker 1: your mind. Did you ever feel like that, like your

726
00:43:17,200 --> 00:43:19,600
Speaker 1: holmi to the holler at me? Did you feel like

727
00:43:19,680 --> 00:43:22,279
Speaker 1: that you gotta be quiet? I feel like that. Did

728
00:43:22,320 --> 00:43:27,040
Speaker 1: you know did you have relationship with me? Or I

729
00:43:27,880 --> 00:43:29,879
Speaker 1: mean I see him and say what's up? But yeah,

730
00:43:30,760 --> 00:43:34,680
Speaker 1: but that's it. You know what I hold. I'm still

731
00:43:34,719 --> 00:43:37,640
Speaker 1: a ride because my pot, no, my big home, me

732
00:43:38,400 --> 00:43:41,920
Speaker 1: is co signing him. So it's whatever on that scrimp

733
00:43:42,520 --> 00:43:45,560
Speaker 1: you see what I'm saying, not on the scrimp meal.

734
00:43:45,680 --> 00:43:50,680
Speaker 1: You my dog came up together. You know what I'm saying.

735
00:43:50,760 --> 00:43:54,920
Speaker 1: But I won't never talk that nigga's hella talented, he

736
00:43:55,040 --> 00:43:58,560
Speaker 1: got the herder heat, hella rich. Nigga fucking the baddest

737
00:43:58,640 --> 00:44:01,160
Speaker 1: bitch in the game. So let me the baddest girl

738
00:44:01,239 --> 00:44:05,279
Speaker 1: in the game. You know the nick any point, at

739
00:44:05,320 --> 00:44:09,840
Speaker 1: any point, was you disappointed how it transpired? Of course?

740
00:44:10,040 --> 00:44:12,719
Speaker 1: Of course you know what I'm explaining because I know

741
00:44:13,200 --> 00:44:16,560
Speaker 1: meet Neil, the type of artists he is. I know

742
00:44:16,680 --> 00:44:18,959
Speaker 1: what it could have. Did you know what I'm saying.

743
00:44:19,000 --> 00:44:21,080
Speaker 1: I know what he could have if you would you

744
00:44:21,120 --> 00:44:26,960
Speaker 1: expect Look, look, look look, poor preparation prevents piss poor performance.

745
00:44:27,280 --> 00:44:36,040
Speaker 1: You got deep on us point point poor poor preparation

746
00:44:36,480 --> 00:44:40,640
Speaker 1: prevents piss poor performance. That's why what does that spell out?

747
00:44:40,960 --> 00:44:42,759
Speaker 1: So when you go to what does that spell out?

748
00:44:42,800 --> 00:44:53,080
Speaker 1: I'm just like you got poor preparation, are poor preparations

749
00:44:53,640 --> 00:44:58,520
Speaker 1: piss poor performance? Love that makes something play man's than

750
00:44:58,640 --> 00:45:06,680
Speaker 1: everybody else. Now, this game I picked up over the years.

751
00:45:06,760 --> 00:45:08,959
Speaker 1: You know what I'm saying, No, I can't mix because

752
00:45:09,000 --> 00:45:14,080
Speaker 1: I've been on somebody. Um, you know what I'm saying,

753
00:45:14,200 --> 00:45:17,040
Speaker 1: It's like you can't. You can't. You're not not taking

754
00:45:17,080 --> 00:45:19,200
Speaker 1: nothing away and not saying, oh, he should have did this.

755
00:45:19,400 --> 00:45:22,960
Speaker 1: But if I was in that situation, first of all,

756
00:45:23,160 --> 00:45:26,320
Speaker 1: if I was a meet Mill, I had a Nicki

757
00:45:26,400 --> 00:45:30,120
Speaker 1: Minage and I had number one albums for two weeks square.

758
00:45:31,120 --> 00:45:34,359
Speaker 1: You know what I'm saying, records I'm getting. I'm good,

759
00:45:35,000 --> 00:45:38,680
Speaker 1: I'm content, I'm balanced, I'm gucci. I don't want beef

760
00:45:38,960 --> 00:45:42,440
Speaker 1: when you when when when when? When you go through

761
00:45:42,480 --> 00:45:50,120
Speaker 1: what we went through like Nori carponef and my nigga

762
00:45:50,320 --> 00:45:54,360
Speaker 1: nick me. You don't want no problems no more. You

763
00:45:54,520 --> 00:45:57,960
Speaker 1: tied because you don't. You don't escape jail. You don't

764
00:45:58,160 --> 00:46:01,360
Speaker 1: escape the box. And you gotta like the dash and

765
00:46:01,400 --> 00:46:04,040
Speaker 1: you got a Bible on the dance and keep talking

766
00:46:04,080 --> 00:46:06,879
Speaker 1: about so you just chilling out, man and man, I'm

767
00:46:06,880 --> 00:46:09,279
Speaker 1: not getting involved with that ship. John, Niggas don't kill

768
00:46:09,360 --> 00:46:10,799
Speaker 1: each other now. You want to get into some gays

769
00:46:10,880 --> 00:46:14,840
Speaker 1: of ship, Yeah, we don't. Yeah, but you know I

770
00:46:15,040 --> 00:46:20,680
Speaker 1: was just you know what those some sometimes things. Motherfucker's

771
00:46:20,760 --> 00:46:25,200
Speaker 1: dad got something not something to prove, but time, Hold on, chill,

772
00:46:25,320 --> 00:46:29,520
Speaker 1: hold on your smell like room box? Why does your

773
00:46:29,640 --> 00:46:33,200
Speaker 1: vapors to my room box? I got Spanish, I got,

774
00:46:33,800 --> 00:46:36,680
Speaker 1: I got the hold Spanish. This just smells like a

775
00:46:36,840 --> 00:46:39,319
Speaker 1: room box. My oil. John's gonna get even a very

776
00:46:39,560 --> 00:46:42,960
Speaker 1: come out of here called Spanish. Yeah, make making ship

777
00:46:44,560 --> 00:46:47,880
Speaker 1: all is called Spanish COUCHI and so free. This legendary.

778
00:46:48,200 --> 00:46:52,040
Speaker 1: You know what I'm sitting here, don't know you're staying

779
00:46:52,080 --> 00:46:58,719
Speaker 1: here with capone. And I said that earlier. I am

780
00:46:58,840 --> 00:47:08,480
Speaker 1: not mean. Let's do shot. Hold on, hold on, hold

781
00:47:08,480 --> 00:47:18,279
Speaker 1: on my instagram from my instagram travel over so now

782
00:47:18,920 --> 00:47:24,640
Speaker 1: help take it now, it easy. Now, I got, I gotta,

783
00:47:24,680 --> 00:47:26,640
Speaker 1: I gotta. I got a good I got a good question.

784
00:47:26,920 --> 00:47:30,439
Speaker 1: I'm not saying. What's that. I've got my little cousin.

785
00:47:30,560 --> 00:47:34,080
Speaker 1: I've seen you. That's my son right there. Oh my god,

786
00:47:34,160 --> 00:47:37,440
Speaker 1: I got my sons and my wife back. There's everything going.

787
00:47:37,880 --> 00:47:41,080
Speaker 1: You got wings, you gets hold on. Let's take this

788
00:47:41,200 --> 00:47:44,560
Speaker 1: quick flick right, quick wings and a man. Come on,

789
00:47:44,760 --> 00:47:50,400
Speaker 1: come on, mid interview. This is it's really we're bringing

790
00:47:50,440 --> 00:47:52,680
Speaker 1: the podcast people with us right now. We're taking a

791
00:47:52,760 --> 00:48:01,440
Speaker 1: picture mid interview. Now can play me come home was

792
00:48:01,520 --> 00:48:05,239
Speaker 1: both one depth Jam oh man, we both of us

793
00:48:05,800 --> 00:48:08,200
Speaker 1: Jam family right here, and I was the marketer for

794
00:48:08,360 --> 00:48:14,080
Speaker 1: Death Jam Miami album, in my opinion, was one of

795
00:48:14,160 --> 00:48:19,760
Speaker 1: the dopest albums. No, I'm serious, No, I'm not. Why

796
00:48:19,800 --> 00:48:23,279
Speaker 1: wouldn't I you know? I thought I got lost in

797
00:48:23,320 --> 00:48:27,640
Speaker 1: this all? So, so, how did you feel about Death

798
00:48:27,760 --> 00:48:30,600
Speaker 1: Jam's rollout? Did you? Was you satisfied or you or

799
00:48:30,640 --> 00:48:35,400
Speaker 1: you wanted? You? Look okay? I would talk about I

800
00:48:35,600 --> 00:48:38,520
Speaker 1: was just happy to be there. No, I appreciate. I

801
00:48:38,719 --> 00:48:41,000
Speaker 1: wasn't even trip. That's how we're talking about the It

802
00:48:41,120 --> 00:48:43,520
Speaker 1: was a learning lesson for me. How does this ship work?

803
00:48:44,120 --> 00:48:47,040
Speaker 1: How do you cook this ship? All I needed to

804
00:48:47,120 --> 00:48:49,200
Speaker 1: know was how does you know how I learn to

805
00:48:49,239 --> 00:48:56,640
Speaker 1: cook crap? I ain't had no hadds time out? What

806
00:48:56,760 --> 00:48:59,359
Speaker 1: was that? Words? Don't I never heard? We called down

807
00:48:59,360 --> 00:49:05,880
Speaker 1: in the hall about that. I don't have no calls

808
00:49:07,680 --> 00:49:11,600
Speaker 1: right now? You know what I'm saying. He wanted some

809
00:49:11,760 --> 00:49:14,239
Speaker 1: CAUs he was like, man, hey, Jack, come with me

810
00:49:14,320 --> 00:49:17,640
Speaker 1: to the crib. I give you the dub. Let me

811
00:49:17,719 --> 00:49:20,160
Speaker 1: cook it up, you know, Like I I went to

812
00:49:20,239 --> 00:49:22,919
Speaker 1: the crib, got the dub, and instead of just sitting

813
00:49:22,960 --> 00:49:26,360
Speaker 1: there watching TV, I said, you doing, And I just

814
00:49:26,480 --> 00:49:29,200
Speaker 1: went to kitchen and watching put it in the cup,

815
00:49:30,040 --> 00:49:33,759
Speaker 1: through a little water in there, throw it in the microwaves,

816
00:49:34,880 --> 00:49:39,480
Speaker 1: took it back, took a look. I forgot what them

817
00:49:40,239 --> 00:49:42,280
Speaker 1: you know, I'm saying, were whooping there. Let's just start

818
00:49:42,480 --> 00:49:45,200
Speaker 1: sticking to the thing. And I was like, that was

819
00:49:45,280 --> 00:49:47,200
Speaker 1: the first time I seen and I was it. So

820
00:49:47,320 --> 00:49:49,719
Speaker 1: I did the same thing with music, I said, went

821
00:49:49,800 --> 00:49:51,319
Speaker 1: in there. I said, how you do this? Ship? Oh

822
00:49:51,480 --> 00:49:55,840
Speaker 1: damn clearing samples, Damn, producers got to get paid. Damn.

823
00:49:55,920 --> 00:49:57,759
Speaker 1: But that nigg is my boy, all of his son.

824
00:49:57,880 --> 00:50:01,719
Speaker 1: He telling the label Saturday five. I got to make

825
00:50:01,800 --> 00:50:09,799
Speaker 1: a call, Oh no, no, no, something man, You're gonna

826
00:50:11,880 --> 00:50:16,719
Speaker 1: we're gonna build something here, My man, that was your man.

827
00:50:19,880 --> 00:50:22,880
Speaker 1: Because I'm about to bring you the same question. Because

828
00:50:22,880 --> 00:50:24,560
Speaker 1: you know why I'm gonna bring you the same question

829
00:50:25,239 --> 00:50:28,080
Speaker 1: is because the same way he might have felt it

830
00:50:28,200 --> 00:50:30,239
Speaker 1: is probably how you would have felt. Because you guess

831
00:50:30,320 --> 00:50:33,120
Speaker 1: what where was you at when the war report came out?

832
00:50:33,239 --> 00:50:35,600
Speaker 1: I'm talking about his first album. So now I want

833
00:50:35,600 --> 00:50:37,520
Speaker 1: to ask you your first because you know what, I

834
00:50:37,960 --> 00:50:42,879
Speaker 1: never ever asked you how you felt about the roll up? Right?

835
00:50:42,960 --> 00:50:46,760
Speaker 1: What you ask me why I am? I am slime.

836
00:50:47,200 --> 00:50:51,839
Speaker 1: I am slime Gumbo, no slam gumbo, because we can

837
00:50:52,000 --> 00:50:54,680
Speaker 1: finde in each other, but the world don't know that.

838
00:50:54,880 --> 00:50:58,200
Speaker 1: The world. That's why I'm going to repeat the same

839
00:50:58,520 --> 00:51:02,080
Speaker 1: ship we need but in all actuality and my my

840
00:51:02,200 --> 00:51:05,200
Speaker 1: my first album came out, I was in a state

841
00:51:05,280 --> 00:51:10,160
Speaker 1: of who got the distress? I just went up knowing

842
00:51:11,239 --> 00:51:13,960
Speaker 1: I had ten thousand dollars to my name and that

843
00:51:14,120 --> 00:51:16,879
Speaker 1: was my mother's life insurance because my mother just died

844
00:51:17,040 --> 00:51:20,160
Speaker 1: right before I went to go. You know, God bless mommy.

845
00:51:20,280 --> 00:51:22,160
Speaker 1: I love my mother. Go see you in two days.

846
00:51:22,560 --> 00:51:26,520
Speaker 1: But you know, you get you get to jail. You

847
00:51:26,640 --> 00:51:29,800
Speaker 1: know you just recorded a banging ass album, but you

848
00:51:29,880 --> 00:51:32,120
Speaker 1: don't know what the label's gonna do with it. See,

849
00:51:32,200 --> 00:51:35,160
Speaker 1: this is ship that the average nig not gonna go through.

850
00:51:35,640 --> 00:51:38,040
Speaker 1: But he gonna go through somebody's phone ring and cut

851
00:51:38,120 --> 00:51:41,280
Speaker 1: your ship off. But I get I get up norf

852
00:51:42,000 --> 00:51:44,040
Speaker 1: and I'm like, what the funk am I gonna do

853
00:51:44,239 --> 00:51:46,440
Speaker 1: if this ship don't work? Because all I got is

854
00:51:46,520 --> 00:51:48,960
Speaker 1: my mother's life insurance ten thousd collars. I know, I

855
00:51:49,000 --> 00:51:51,920
Speaker 1: know to get money, but is that what I want

856
00:51:51,960 --> 00:51:54,279
Speaker 1: to do? I got three years to do. So I'm like,

857
00:51:54,600 --> 00:51:57,200
Speaker 1: I bet what if this nigga right head to the

858
00:51:57,320 --> 00:51:59,520
Speaker 1: left of me and all he designs. I don't want

859
00:51:59,560 --> 00:52:02,840
Speaker 1: to funk Poe. So I'm like, luckily you got a

860
00:52:02,880 --> 00:52:04,759
Speaker 1: real nigger that roll with you. Come on, give me

861
00:52:04,880 --> 00:52:11,000
Speaker 1: five going, keep me going. No, I like your story,

862
00:52:11,120 --> 00:52:15,400
Speaker 1: keep it. When you're thinking this, you say you locked up,

863
00:52:15,440 --> 00:52:19,600
Speaker 1: but this nah, listen, this is real ship belief listeners,

864
00:52:19,680 --> 00:52:22,520
Speaker 1: I've heard this. If it wasn't right, now, let me

865
00:52:22,600 --> 00:52:26,480
Speaker 1: tell you. So I'm a real nigga. I shot niggas,

866
00:52:26,520 --> 00:52:30,080
Speaker 1: nigger shot me. I'm shot to police too. Shot. Let's

867
00:52:30,080 --> 00:52:37,960
Speaker 1: throw that out there. Let's make some noise for phone shooting. Now,

868
00:52:38,200 --> 00:52:42,480
Speaker 1: everybody get you know why what you leave? You get

869
00:52:42,480 --> 00:52:46,320
Speaker 1: pulls making noise for shooting. The police got you. You

870
00:52:46,480 --> 00:52:49,800
Speaker 1: come up earlier. So all I know is how to

871
00:52:49,920 --> 00:52:53,800
Speaker 1: test my niggers. So I had to test my niggers

872
00:52:53,880 --> 00:52:57,920
Speaker 1: like I tested him. But you're slim. I need tams,

873
00:52:58,160 --> 00:53:01,200
Speaker 1: I need an army jacket. I need for calls, a cigarette.

874
00:53:01,640 --> 00:53:05,600
Speaker 1: I need that ship by like launch third, like January something.

875
00:53:05,640 --> 00:53:08,640
Speaker 1: I get nigga leeway, you know what I mean. So

876
00:53:08,800 --> 00:53:14,280
Speaker 1: now I'm up North March. Come, I get the whole package.

877
00:53:14,360 --> 00:53:18,680
Speaker 1: I'm like, so, now I see, I bet I got

878
00:53:18,760 --> 00:53:20,840
Speaker 1: a team with me. You know what I'm saying. So

879
00:53:21,040 --> 00:53:25,120
Speaker 1: now I see. Now I call the label. I see

880
00:53:25,160 --> 00:53:28,720
Speaker 1: what my name. I call the label. I call Penalty

881
00:53:28,920 --> 00:53:33,720
Speaker 1: ak Slash Slimmy boy. Don't worry about that. Ain't nobody

882
00:53:34,560 --> 00:53:40,960
Speaker 1: nobody did they pick up? But listen, but listen, this

883
00:53:41,040 --> 00:53:44,120
Speaker 1: is the thing is gonna play. They're not only picked up,

884
00:53:45,400 --> 00:53:48,560
Speaker 1: but they picked up every time. So now I'm looking

885
00:53:48,560 --> 00:53:52,120
Speaker 1: at a little ass label, a little label who ain't

886
00:53:52,120 --> 00:53:54,520
Speaker 1: even got money to give us a hundred thousand for

887
00:53:54,600 --> 00:53:56,920
Speaker 1: our first sound at first, you know what I mean,

888
00:53:57,480 --> 00:54:03,440
Speaker 1: at the first turn all the way. But when I

889
00:54:03,560 --> 00:54:05,520
Speaker 1: when I'm up North, I'm sitting there like I got

890
00:54:05,600 --> 00:54:08,359
Speaker 1: an album coming out, and I got my niggas hold

891
00:54:08,360 --> 00:54:10,520
Speaker 1: of menut. But what's up with the label. They're not

892
00:54:10,680 --> 00:54:14,320
Speaker 1: only answering my calls, but they made show out with straight.

893
00:54:14,840 --> 00:54:18,520
Speaker 1: So now not only making sure I'm straight and jailed.

894
00:54:18,640 --> 00:54:21,759
Speaker 1: You can only get a composition no book, so they

895
00:54:21,800 --> 00:54:24,160
Speaker 1: said we got some better for you. They not only

896
00:54:24,239 --> 00:54:26,400
Speaker 1: sent me a composition no book, but they sent me

897
00:54:26,480 --> 00:54:29,960
Speaker 1: all my stickers. See back then, you have stickers and

898
00:54:30,160 --> 00:54:33,800
Speaker 1: fliers and ship like the problem. I don't know this promo.

899
00:54:34,440 --> 00:54:39,680
Speaker 1: They pasted it to the composition book so I can

900
00:54:39,719 --> 00:54:44,960
Speaker 1: see my artwork and I can okay, and that's I'm

901
00:54:44,960 --> 00:54:48,919
Speaker 1: not okay. They're like, this ain't the end of the era,

902
00:54:49,120 --> 00:54:51,279
Speaker 1: so I can't go look online. They kind of look, No,

903
00:54:51,440 --> 00:54:54,600
Speaker 1: this was the you had the minute, but you give it.

904
00:54:54,680 --> 00:54:57,640
Speaker 1: You give it. Props for kneeling, Props to Nil Levin,

905
00:55:00,000 --> 00:55:05,520
Speaker 1: every drops to Gena Sins you know, Geno Man, Yeah,

906
00:55:07,480 --> 00:55:13,320
Speaker 1: law Zenobia, Zenobia, Caroline Williams. You know what I'm saying. Like, okay,

907
00:55:13,440 --> 00:55:16,120
Speaker 1: So we got back to the business. It was like,

908
00:55:16,760 --> 00:55:19,239
Speaker 1: now mine, I want to I want to know in

909
00:55:19,400 --> 00:55:24,520
Speaker 1: n seven So this is the beginning. So mind they're

910
00:55:24,600 --> 00:55:28,759
Speaker 1: building my album up to release. I don't notice though,

911
00:55:28,800 --> 00:55:33,960
Speaker 1: because so now I go and my album about to drop,

912
00:55:34,040 --> 00:55:38,080
Speaker 1: I'm already up nor six months. So my dumb ass

913
00:55:38,280 --> 00:55:41,040
Speaker 1: I went up North for weed in my ass raises

914
00:55:41,400 --> 00:55:44,960
Speaker 1: five times though, no, no, twice, let's keep it real.

915
00:55:45,000 --> 00:55:47,080
Speaker 1: Don't make me say my mind. It was like five times.

916
00:55:49,680 --> 00:55:55,279
Speaker 1: In my mind, it was like I got to go

917
00:55:55,560 --> 00:55:59,000
Speaker 1: the whole nigger right now. You know what I'm saying,

918
00:56:00,200 --> 00:56:03,200
Speaker 1: come back to the story, right, So I cut your

919
00:56:03,320 --> 00:56:05,959
Speaker 1: dirty year in and all that. I can't have ship.

920
00:56:06,120 --> 00:56:08,239
Speaker 1: I don't got caught smoking weed and all that. I

921
00:56:08,280 --> 00:56:12,560
Speaker 1: ain't never making the population. I'm in transport smoking weeds

922
00:56:12,640 --> 00:56:14,520
Speaker 1: because I don't up there with the ounce of my ass.

923
00:56:14,760 --> 00:56:17,320
Speaker 1: You know it's a fact. So now I get along

924
00:56:17,320 --> 00:56:19,880
Speaker 1: with my album about to drop, and I'm like, what

925
00:56:20,040 --> 00:56:23,400
Speaker 1: the funk we're gonna do? Album dropped? It was it

926
00:56:23,600 --> 00:56:29,359
Speaker 1: was like a gospel album boutange. Then seeing number three

927
00:56:29,520 --> 00:56:33,120
Speaker 1: or the charts on the independent label, my nigga, the

928
00:56:33,280 --> 00:56:36,880
Speaker 1: CEOs was having a party for me, like because I

929
00:56:37,080 --> 00:56:40,880
Speaker 1: was like, everybody talking about me, but they don't know

930
00:56:40,880 --> 00:56:42,840
Speaker 1: who the funk I am. I don't know who the

931
00:56:42,920 --> 00:56:49,840
Speaker 1: funk I have. Yeah, I'm still I'm still that I

932
00:56:49,960 --> 00:56:52,480
Speaker 1: got caught with guns, that went up north that recording

933
00:56:52,560 --> 00:56:57,800
Speaker 1: the album. He's nobody Yet in two days my life switched.

934
00:56:57,880 --> 00:57:03,360
Speaker 1: I became capo from in it Bo. How did that happen?

935
00:57:03,480 --> 00:57:07,760
Speaker 1: And guess what you understand? It went from the label

936
00:57:08,200 --> 00:57:12,200
Speaker 1: to slide. But we're not gonna stop there. We're gonna

937
00:57:12,239 --> 00:57:16,040
Speaker 1: go to I'm a skin down pone. Now the CEOs

938
00:57:16,080 --> 00:57:22,800
Speaker 1: wanna I'm bowling the sea. Hold on, throw it out there,

939
00:57:23,040 --> 00:57:26,439
Speaker 1: keep it out there. You already said it. It done.

940
00:57:29,640 --> 00:57:33,520
Speaker 1: That's the headline of the interview over seven years ago.

941
00:57:34,320 --> 00:57:38,000
Speaker 1: So now so now listen. So now what we're gonna do.

942
00:57:38,400 --> 00:57:40,280
Speaker 1: What we're gonna do, What we're gonna do. We're gonna

943
00:57:40,320 --> 00:57:44,400
Speaker 1: switch it. How did you beat your kicks? When you

944
00:57:44,960 --> 00:57:48,120
Speaker 1: you pist? You clearly pisted with the nick. We all

945
00:57:48,240 --> 00:57:50,720
Speaker 1: saw it. We all saw how don't see that ship.

946
00:57:52,000 --> 00:57:58,160
Speaker 1: That's cause you got the iPhone. We're gonna hang me

947
00:57:58,200 --> 00:58:03,760
Speaker 1: with the way your accounts set up. Don't listen, listen,

948
00:58:03,840 --> 00:58:07,760
Speaker 1: son play, donn play. We all clearly seen you running

949
00:58:07,800 --> 00:58:11,320
Speaker 1: your accountant's office. But that your accounting. No, that wasn't

950
00:58:11,360 --> 00:58:17,960
Speaker 1: your account because nobody else's account. We don't know how

951
00:58:18,040 --> 00:58:22,000
Speaker 1: the tax preparers off your But you beat the case.

952
00:58:22,560 --> 00:58:26,680
Speaker 1: Read between the fucking I'm just out of nigger like

953
00:58:26,920 --> 00:58:31,880
Speaker 1: he Yeah, I don't drass niche or real. But you

954
00:58:32,040 --> 00:58:37,040
Speaker 1: beat the case. You beat the case because I do voodoo. Okay,

955
00:58:37,760 --> 00:58:57,680
Speaker 1: somethbout that. Yeah, So what happened? So what happened? Because

956
00:58:57,760 --> 00:59:01,200
Speaker 1: I mean, you don't gotta explain the case. Let's do it.

957
00:59:01,280 --> 00:59:04,120
Speaker 1: Let's do it. We wanted. Nigga played with the feet.

958
00:59:04,520 --> 00:59:06,120
Speaker 1: You know what I'm saying that we played with the

959
00:59:06,480 --> 00:59:10,920
Speaker 1: feet or the feet the feet. Nigga played with my

960
00:59:11,000 --> 00:59:13,439
Speaker 1: money and I saying he were doing that. Look here

961
00:59:13,480 --> 00:59:17,240
Speaker 1: doing whatever he was doing in his tax preparer's office.

962
00:59:19,880 --> 00:59:22,600
Speaker 1: Ship just got fucked up. Nigga tried to fund me

963
00:59:22,720 --> 00:59:26,320
Speaker 1: over by someone and the nigga was really nonchalant with it.

964
00:59:26,640 --> 00:59:31,880
Speaker 1: After I warned him once, oh you did want you

965
00:59:31,960 --> 00:59:36,439
Speaker 1: know my bad? I want this ship lout of fun. Yeah,

966
00:59:37,000 --> 00:59:39,360
Speaker 1: but I warned, you know I'm saying, and Nigga just

967
00:59:39,480 --> 00:59:41,880
Speaker 1: played with the feet. Make a long story short. Nigga

968
00:59:41,920 --> 00:59:43,680
Speaker 1: played with the fee. I warned him what I was

969
00:59:43,720 --> 00:59:45,600
Speaker 1: gonna do, and I did it, you know what I'm saying.

970
00:59:45,760 --> 00:59:49,000
Speaker 1: And then um, it just went left from now. You

971
00:59:49,080 --> 00:59:50,920
Speaker 1: know what I'm saying. I was prepared for the screen.

972
00:59:51,560 --> 00:59:54,080
Speaker 1: So how did he came back with the police? How

973
00:59:54,120 --> 00:59:57,840
Speaker 1: did you beat it with the actual You never came

974
00:59:57,880 --> 01:00:01,240
Speaker 1: to court the Florida So he is kind of a

975
01:00:01,360 --> 01:00:06,920
Speaker 1: real nigga A little bit. Yeah, he could like a

976
01:00:06,960 --> 01:00:10,400
Speaker 1: little bit, A little bit him up for not going

977
01:00:10,480 --> 01:00:12,880
Speaker 1: to give him the benefit of the down, for not

978
01:00:13,000 --> 01:00:22,440
Speaker 1: going to confits from not going to court. So then

979
01:00:22,560 --> 01:00:26,640
Speaker 1: how did you take it from there? Because um Rose

980
01:00:26,920 --> 01:00:30,280
Speaker 1: had your back the whole time. I see interviews when

981
01:00:30,320 --> 01:00:33,880
Speaker 1: you said that okay and then go ahead. How did

982
01:00:33,920 --> 01:00:36,960
Speaker 1: you take it from this? I got out. I spent

983
01:00:37,080 --> 01:00:41,960
Speaker 1: my last seven thousand on the video I shot with

984
01:00:42,120 --> 01:00:44,840
Speaker 1: Ryan Snyder. Shout out to Ryan Snyder. You know what

985
01:00:46,240 --> 01:00:53,720
Speaker 1: fiber on the dash? Listen if your hood niggaz listen,

986
01:00:53,880 --> 01:00:57,120
Speaker 1: I'm not expecting everybody to be here. Expect that everybody

987
01:00:57,240 --> 01:00:59,320
Speaker 1: be here. That's a hood nigger that's gonna make noise

988
01:00:59,440 --> 01:01:12,120
Speaker 1: right now, pull the by the dash, so explain because

989
01:01:12,240 --> 01:01:15,040
Speaker 1: I've seen you talk about it everywhere else, but those

990
01:01:15,040 --> 01:01:18,000
Speaker 1: are people that you don't really funk with. So explain.

991
01:01:18,600 --> 01:01:21,640
Speaker 1: So by the dash, you beat the case and then

992
01:01:21,720 --> 01:01:24,880
Speaker 1: take it from there. How did this song coming? When

993
01:01:24,920 --> 01:01:27,680
Speaker 1: I was a jig saying coming up, wait up, Tom

994
01:01:27,720 --> 01:01:31,160
Speaker 1: out tim out because my son, who's standing right there,

995
01:01:32,240 --> 01:01:35,479
Speaker 1: yeah yeah, and listen, he came home. He ain't called

996
01:01:35,880 --> 01:01:38,240
Speaker 1: He called his little brothers a jig. He was like

997
01:01:38,560 --> 01:01:42,680
Speaker 1: a ji. I was like, what the yeah? So my son,

998
01:01:42,840 --> 01:01:48,440
Speaker 1: my son is from Miami, he's half Yeah, I know

999
01:01:48,600 --> 01:01:57,120
Speaker 1: that he came home. Listen, listen, listen, my son. That's

1000
01:01:57,160 --> 01:02:04,840
Speaker 1: my son. That's that's he lives here. This little brothers

1001
01:02:04,920 --> 01:02:07,360
Speaker 1: j He called his little brothers JIT. So I was,

1002
01:02:07,480 --> 01:02:11,720
Speaker 1: like I said, the oldest. I thought everyone tolder was Listen.

1003
01:02:11,960 --> 01:02:16,760
Speaker 1: That's like me saying, everybody know what sun is? You

1004
01:02:16,880 --> 01:02:19,360
Speaker 1: know it's a son? You do because we're listening to

1005
01:02:19,480 --> 01:02:21,840
Speaker 1: all so much music for so you was a little jit.

1006
01:02:23,280 --> 01:02:26,320
Speaker 1: Just like how you say, like like she you o G?

1007
01:02:27,560 --> 01:02:31,040
Speaker 1: Do you? Yeah? No matter the age, yeah, no, no, yeah,

1008
01:02:31,600 --> 01:02:35,240
Speaker 1: there's no disrespect and there's no disrespect regardless of how older.

1009
01:02:35,560 --> 01:02:38,400
Speaker 1: You know what I'm saying, you would be like, man, yeah,

1010
01:02:38,440 --> 01:02:41,280
Speaker 1: it's not That's how I would be, like if you was,

1011
01:02:41,440 --> 01:02:43,560
Speaker 1: if you was younger than me, you don't matter if

1012
01:02:43,600 --> 01:02:46,880
Speaker 1: you was two years the way you were. You know,

1013
01:02:47,320 --> 01:02:50,480
Speaker 1: she's on the east side though, and call you o

1014
01:02:50,680 --> 01:02:57,120
Speaker 1: G for kids. Look if you're older, you said, no

1015
01:02:57,200 --> 01:03:00,720
Speaker 1: matter what up even if you if if you not,

1016
01:03:01,000 --> 01:03:05,120
Speaker 1: what would the question how did you come up with

1017
01:03:05,200 --> 01:03:10,400
Speaker 1: the Bible? On her dad? You said you was a ship. Look,

1018
01:03:10,480 --> 01:03:13,040
Speaker 1: I'm one point. I'm on point about trying to be

1019
01:03:14,160 --> 01:03:16,360
Speaker 1: you know't supposed to be. When I was in I thought,

1020
01:03:16,400 --> 01:03:17,720
Speaker 1: you know what I'm saying when I was selling dope

1021
01:03:17,800 --> 01:03:19,680
Speaker 1: ship whatever I caught from the old his You know

1022
01:03:19,840 --> 01:03:21,600
Speaker 1: not because you know the reason why I'm asking you

1023
01:03:21,800 --> 01:03:25,200
Speaker 1: is because under this case happened. I'm telling you, okay,

1024
01:03:25,200 --> 01:03:28,280
Speaker 1: I wanted that you wrote that prior to this case.

1025
01:03:29,040 --> 01:03:32,320
Speaker 1: No way it was. It was on black Bar missful

1026
01:03:32,600 --> 01:03:35,640
Speaker 1: Rick Ross. I was okay, okay, I had that beat

1027
01:03:35,680 --> 01:03:38,400
Speaker 1: bake timer. He was on the runs. Some noise for

1028
01:03:38,880 --> 01:03:44,120
Speaker 1: playing on the right. The Father's podcast in the world's

1029
01:03:44,120 --> 01:03:47,200
Speaker 1: gonna make some but you were you put on He

1030
01:03:47,280 --> 01:03:49,320
Speaker 1: put it on blast and he was on the run. Look, no,

1031
01:03:49,560 --> 01:03:51,560
Speaker 1: I didn't know that. It was like a reality show.

1032
01:03:52,800 --> 01:03:58,440
Speaker 1: He went fishing and ship okay, cousin that it was

1033
01:03:58,520 --> 01:04:07,040
Speaker 1: on the shot, little take a fence and come back,

1034
01:04:07,440 --> 01:04:12,479
Speaker 1: come on Sundays. In there there's another one hand gay.

1035
01:04:12,760 --> 01:04:16,800
Speaker 1: So he was on the run. And then how did

1036
01:04:16,840 --> 01:04:22,160
Speaker 1: this song come about? I like your style. He's smoke kid.

1037
01:04:23,400 --> 01:04:26,680
Speaker 1: This is babe, by the way, in case a wonderful.

1038
01:04:26,880 --> 01:04:31,320
Speaker 1: He's still on my face too. So look, so Boom

1039
01:04:32,240 --> 01:04:36,440
Speaker 1: pointed out like this in a nutshep u huh swapped

1040
01:04:36,440 --> 01:04:39,000
Speaker 1: the nigga with the you know what I'm saying that

1041
01:04:39,160 --> 01:04:41,440
Speaker 1: you didn't know you was on tape. I knew where

1042
01:04:41,440 --> 01:04:43,040
Speaker 1: I was on tap, you did. I knew I was

1043
01:04:43,040 --> 01:04:45,120
Speaker 1: gonna act like I'm thinking like I already know you

1044
01:04:45,160 --> 01:04:48,320
Speaker 1: ain't from the call nine on nigga. You know, it's

1045
01:04:48,360 --> 01:04:50,680
Speaker 1: like we know each other and I just robbed you.

1046
01:04:50,720 --> 01:04:52,920
Speaker 1: We're gonna take it to the streets, right, but he

1047
01:04:53,080 --> 01:04:55,919
Speaker 1: robbed what? You know? I robbed him? And what would

1048
01:04:55,920 --> 01:04:58,600
Speaker 1: what you gonna do? You're gonna call the police incriminate you.

1049
01:04:58,920 --> 01:05:05,440
Speaker 1: He robbed you? Is a fuck that ship it was?

1050
01:05:05,680 --> 01:05:08,640
Speaker 1: I told that fun nigga ship, right, and the nigga

1051
01:05:08,720 --> 01:05:11,959
Speaker 1: called man on a niggle and my nigga. I looked

1052
01:05:12,000 --> 01:05:14,680
Speaker 1: for the nigga. The nigga fled, and the nigga ain't

1053
01:05:14,720 --> 01:05:18,200
Speaker 1: never being in Miami. Pussy nigga, you know what time

1054
01:05:18,280 --> 01:05:21,439
Speaker 1: it is. He can't come back here. Hain't been here

1055
01:05:21,520 --> 01:05:24,680
Speaker 1: ever since. You understand what I'm saying. And then boom,

1056
01:05:24,760 --> 01:05:27,400
Speaker 1: so I did that the nigga. Fuck nigga fled. You

1057
01:05:27,520 --> 01:05:30,080
Speaker 1: understand what I'm saying. And I'm still here. And what

1058
01:05:30,240 --> 01:05:32,919
Speaker 1: I did byby wanted dash. I had it the beat

1059
01:05:33,320 --> 01:05:34,920
Speaker 1: for about a year and a half and I was

1060
01:05:35,080 --> 01:05:37,040
Speaker 1: trying to and I'm like, man, I can't do I

1061
01:05:37,160 --> 01:05:39,680
Speaker 1: can't just say anything on it. I got to come

1062
01:05:39,800 --> 01:05:43,600
Speaker 1: with it. And the only thing, the only, the only

1063
01:05:43,680 --> 01:05:45,960
Speaker 1: time I'm really good at rapping is when my back

1064
01:05:46,120 --> 01:05:49,440
Speaker 1: is against the wall. So my back was against the

1065
01:05:49,520 --> 01:05:51,840
Speaker 1: wall and I was running through my beats and ship

1066
01:05:52,040 --> 01:05:54,600
Speaker 1: like that, and I say, boom, got the Bible? Want

1067
01:05:54,600 --> 01:05:57,440
Speaker 1: of that? I said, Man as a jick coming up

1068
01:05:57,680 --> 01:05:59,680
Speaker 1: me and my niggas the old heads. I used to

1069
01:05:59,680 --> 01:06:02,120
Speaker 1: be having a little work from whatever. We'll be riding

1070
01:06:02,160 --> 01:06:03,880
Speaker 1: around the neighborhood, you know what I'm saying a few

1071
01:06:03,960 --> 01:06:07,040
Speaker 1: times and weighing up and bagging whatever when we're riding ship.

1072
01:06:07,120 --> 01:06:09,000
Speaker 1: And then he used always used to have a little Bible.

1073
01:06:09,120 --> 01:06:11,440
Speaker 1: Want a dash or a big Bible on the dashboard?

1074
01:06:11,800 --> 01:06:14,040
Speaker 1: Get the funk out of there. Yeah that's how we ride.

1075
01:06:15,640 --> 01:06:18,800
Speaker 1: Oh jeez, Dave used to have a Bible on the dashboard.

1076
01:06:19,080 --> 01:06:21,240
Speaker 1: So I said, I'm going through this life right now,

1077
01:06:21,240 --> 01:06:24,240
Speaker 1: I'm about to go through some helified Yet you know

1078
01:06:24,240 --> 01:06:26,760
Speaker 1: what I'm saying, I'm about to embarker puns on helified.

1079
01:06:27,000 --> 01:06:30,480
Speaker 1: Yet I need I need, I need something. And I

1080
01:06:30,640 --> 01:06:32,960
Speaker 1: thought about it. I say, n Bible want the dash man,

1081
01:06:33,000 --> 01:06:35,720
Speaker 1: I don't remember the boom. After that, I said, like this,

1082
01:06:36,080 --> 01:06:38,640
Speaker 1: how my nigga, you be shout out you be? You

1083
01:06:38,680 --> 01:06:40,840
Speaker 1: know I'm saying, I stepped to you be shout out

1084
01:06:40,920 --> 01:06:48,520
Speaker 1: to Phil. You know what I'm saying, nigga. So so

1085
01:06:48,720 --> 01:06:50,640
Speaker 1: check it out. So so boom. So I get down

1086
01:06:50,680 --> 01:06:52,440
Speaker 1: there and I said, hey, man, so look I got

1087
01:06:52,520 --> 01:06:54,160
Speaker 1: this case I'm going through and I'm saying, I don't

1088
01:06:54,200 --> 01:06:56,040
Speaker 1: know what to do for real, I'm chasing and the

1089
01:06:56,160 --> 01:06:58,440
Speaker 1: guard can't watch the nigga. The nigga gone. You know,

1090
01:06:58,520 --> 01:07:03,120
Speaker 1: I'm saying, so boom, what can I do? Nig nig

1091
01:07:03,360 --> 01:07:05,840
Speaker 1: what you want to do? What can I do? I say, look,

1092
01:07:06,640 --> 01:07:10,520
Speaker 1: what's up with this Santarea thing? Right? We're gonna get

1093
01:07:10,560 --> 01:07:14,760
Speaker 1: into all that? People was gonna get scared. No, that's

1094
01:07:15,640 --> 01:07:21,600
Speaker 1: hold on time. We're gonna come back to that. But

1095
01:07:21,760 --> 01:07:24,479
Speaker 1: here's where I want to go. My second favorite come

1096
01:07:24,560 --> 01:07:29,560
Speaker 1: play for this on the internet. You didn't is when

1097
01:07:29,640 --> 01:07:35,040
Speaker 1: you was in Colombia and then you sniffed that white

1098
01:07:35,720 --> 01:07:40,160
Speaker 1: How did that go down? I would like you have

1099
01:07:40,320 --> 01:07:44,880
Speaker 1: to police, don't can happened? I didn't see that. I

1100
01:07:44,920 --> 01:07:48,560
Speaker 1: didn't I didn't see that, he said on camera on

1101
01:07:48,760 --> 01:07:53,120
Speaker 1: ca he said everything on case ten dollars and got

1102
01:07:53,160 --> 01:07:55,120
Speaker 1: a fourteen. But you know this is this is this

1103
01:07:55,280 --> 01:08:05,760
Speaker 1: is now hey. But you know what something say some ship.

1104
01:08:06,120 --> 01:08:09,240
Speaker 1: It's not that I like the people that petros real.

1105
01:08:09,400 --> 01:08:12,720
Speaker 1: I cut chickens and goats, nigger. That's how the case

1106
01:08:13,120 --> 01:08:17,200
Speaker 1: really say it again again, I'm again I cut chickens

1107
01:08:17,280 --> 01:08:19,880
Speaker 1: and goats. If you really want to know, Santonia makes

1108
01:08:19,880 --> 01:08:24,120
Speaker 1: some noise from being boodoo. The next ship I don't

1109
01:08:24,120 --> 01:08:26,040
Speaker 1: like to m compelling, is hey ship. He just don't

1110
01:08:26,040 --> 01:08:27,680
Speaker 1: want to claim it. I don't know why he knows

1111
01:08:27,840 --> 01:08:32,479
Speaker 1: he's got about West. I don't know why he want

1112
01:08:32,520 --> 01:08:34,840
Speaker 1: to claim it. I don't know why you don't want

1113
01:08:34,840 --> 01:08:58,080
Speaker 1: to do that thought all that ship. Na. You know

1114
01:08:58,160 --> 01:08:59,680
Speaker 1: I always go at you. I've been going at you

1115
01:09:00,000 --> 01:09:02,280
Speaker 1: he was kids, but I always thought you was atient.

1116
01:09:03,040 --> 01:09:05,200
Speaker 1: Keep it real. I don't mind. You can go me

1117
01:09:05,240 --> 01:09:12,080
Speaker 1: a Dominican. You dressed like a Dominican. The Dominicans in here, right,

1118
01:09:12,760 --> 01:09:27,439
Speaker 1: Dominicans is gonna be mad, not me, no idea, Yo,

1119
01:09:28,120 --> 01:09:30,880
Speaker 1: better not be people who pissed on themselves. That's throwing

1120
01:09:30,960 --> 01:09:35,960
Speaker 1: it out there. Look, that's between, but deal with this

1121
01:09:36,120 --> 01:09:42,560
Speaker 1: right now. It doesn't I got got you know what

1122
01:09:46,040 --> 01:09:52,840
Speaker 1: it's a part of Y Is this which I question?

1123
01:09:53,800 --> 01:09:56,920
Speaker 1: We get turned it on us? If? Why? Yes? Spell? Yes?

1124
01:09:57,040 --> 01:10:00,960
Speaker 1: What does E? Why I hear this? I know you

1125
01:10:01,439 --> 01:10:09,640
Speaker 1: keep your eyes? Will you keep your eyes on me? Yes? Man,

1126
01:10:09,720 --> 01:10:14,880
Speaker 1: ain't got nothing? Yeah, never putting nothing on me that

1127
01:10:14,960 --> 01:10:20,040
Speaker 1: ain't ever heard, motherfucker putting Still. It took me an

1128
01:10:20,120 --> 01:10:23,040
Speaker 1: hour to answer that question. I'm sitting here trying to

1129
01:10:23,160 --> 01:10:27,560
Speaker 1: decipher hurt now why I had no idea? So just

1130
01:10:27,680 --> 01:10:32,880
Speaker 1: so you know, play like you tell shot man, we're

1131
01:10:32,960 --> 01:10:37,160
Speaker 1: at the water. They're gonna never slip and slipping I

1132
01:10:37,200 --> 01:10:39,920
Speaker 1: would not talking. Let's tell a war story. I think

1133
01:10:40,120 --> 01:10:44,559
Speaker 1: that's what I'm talking about, because I ain't go front.

1134
01:10:44,840 --> 01:10:48,320
Speaker 1: Let's tell a war story. Me me, I'm so, I'm

1135
01:10:48,439 --> 01:10:53,000
Speaker 1: so to play because it's like me talking in the

1136
01:10:53,120 --> 01:10:56,160
Speaker 1: mirror and gonna play talking in the mirror. We know. Now,

1137
01:10:56,280 --> 01:10:57,880
Speaker 1: let me just say something, let me just take something,

1138
01:10:58,840 --> 01:11:02,559
Speaker 1: let me just say something they let me just say

1139
01:11:03,040 --> 01:11:08,080
Speaker 1: it's a strong. All the rappers I ever met, I

1140
01:11:08,360 --> 01:11:10,240
Speaker 1: never felt like I was around a wrapper. When I

1141
01:11:10,320 --> 01:11:15,600
Speaker 1: was around gun play, I felt like my brother, you

1142
01:11:16,120 --> 01:11:19,360
Speaker 1: my homie. They came to my crib. He looked at

1143
01:11:19,400 --> 01:11:23,000
Speaker 1: my barbecue grill and he felt disrespected. He said, why

1144
01:11:23,120 --> 01:11:26,920
Speaker 1: is no fish over here? And this is the fact

1145
01:11:26,960 --> 01:11:32,559
Speaker 1: that here here somebody just kicking in his ball. That's

1146
01:11:32,600 --> 01:11:35,320
Speaker 1: the boys right here when you're talking about is caring

1147
01:11:35,360 --> 01:11:43,160
Speaker 1: his balls bers kicking in his ball. Still talking about

1148
01:11:43,160 --> 01:11:46,800
Speaker 1: bobecue grills. Right. So I got the color I got,

1149
01:11:47,040 --> 01:11:51,040
Speaker 1: I got the call Holway's barbecue grille. I got the crib.

1150
01:11:53,439 --> 01:11:54,800
Speaker 1: You know what I'm saying. So I say, you know

1151
01:11:54,880 --> 01:11:57,920
Speaker 1: I love barbecue, and that's why you say you told me.

1152
01:11:59,120 --> 01:12:02,680
Speaker 1: Look look I look like Chef Tally right here. That's

1153
01:12:02,680 --> 01:12:06,559
Speaker 1: what I didn't last He's a bob with grill shirt.

1154
01:12:06,680 --> 01:12:08,680
Speaker 1: Hold on, hold on, hold on. When this goes to

1155
01:12:08,800 --> 01:12:13,720
Speaker 1: my barbecue, little when this comes to my he's a foul.

1156
01:12:20,000 --> 01:12:31,000
Speaker 1: That's single people, single people. What that's you see bass?

1157
01:12:32,200 --> 01:12:37,040
Speaker 1: Look at the wind holds. I'm looking that swim see

1158
01:12:42,520 --> 01:12:49,200
Speaker 1: right this feed practice with this sh nah, let me

1159
01:12:49,280 --> 01:12:52,680
Speaker 1: take you see you know what you're doing. One one

1160
01:12:52,760 --> 01:12:56,320
Speaker 1: thing up about the pom. He's gonna he's gonna feed anybody.

1161
01:12:56,720 --> 01:12:59,600
Speaker 1: Look at that ship smoking on This little specialty is

1162
01:12:59,720 --> 01:13:04,840
Speaker 1: jerk my ships, my ship. Hey, hey, listen, this is

1163
01:13:04,840 --> 01:13:07,080
Speaker 1: what we're gonna do right while I'm here. Next time

1164
01:13:07,120 --> 01:13:11,679
Speaker 1: I got something. This is so two gangs talking about

1165
01:13:12,680 --> 01:13:17,200
Speaker 1: cook This makes a noise for the drink kids. We're

1166
01:13:17,200 --> 01:13:20,719
Speaker 1: gonna put our best We're gonna put our best dish together.

1167
01:13:21,280 --> 01:13:30,680
Speaker 1: We're gonna tasted. I don't want no beef all. I

1168
01:13:30,760 --> 01:13:33,600
Speaker 1: wanted us to feed out niggas and niggas be like

1169
01:13:33,760 --> 01:13:38,280
Speaker 1: damn that gun play ship was crazy? But was crazy?

1170
01:13:40,600 --> 01:13:44,240
Speaker 1: Was you know? We'll be doing we want to feed

1171
01:13:44,320 --> 01:13:47,560
Speaker 1: out nigga niggles and feed the kids. I'm waiting that

1172
01:13:47,640 --> 01:13:50,479
Speaker 1: we bring all ours and were just a nigga will

1173
01:13:50,600 --> 01:13:53,160
Speaker 1: high and nigga to cook in a minute. But when

1174
01:13:53,200 --> 01:13:56,200
Speaker 1: he got to Nigga's head, maya to cook and then

1175
01:13:56,280 --> 01:13:58,880
Speaker 1: niggas sitting there gun play cooking like poum. Get the

1176
01:13:58,920 --> 01:14:05,600
Speaker 1: funk away from my niggers, gonna burn water. All I

1177
01:14:05,640 --> 01:14:08,200
Speaker 1: want to do. I got two girls, I got, I

1178
01:14:08,240 --> 01:14:11,920
Speaker 1: got the electronic and um, what's the other ship? Yeah?

1179
01:14:11,960 --> 01:14:15,960
Speaker 1: I know you told me that Sonna play. If there's

1180
01:14:16,000 --> 01:14:20,240
Speaker 1: anything that you ever had to change or you ever

1181
01:14:20,400 --> 01:14:23,240
Speaker 1: wanted to change in hip hop, what would it be

1182
01:14:24,320 --> 01:14:28,519
Speaker 1: um the business side, I wish it was more in

1183
01:14:28,600 --> 01:14:31,120
Speaker 1: the hands of the artists. And I wish they would

1184
01:14:31,120 --> 01:14:33,720
Speaker 1: just look like let us I would. I wish we

1185
01:14:33,840 --> 01:14:37,519
Speaker 1: had enough sense earlier on to do that, you know

1186
01:14:37,560 --> 01:14:39,280
Speaker 1: what I'm saying. But we were just so happy to

1187
01:14:39,360 --> 01:14:41,840
Speaker 1: get out the hood and to have some kind of

1188
01:14:41,920 --> 01:14:45,040
Speaker 1: recognition and just have something, you know what I'm saying.

1189
01:14:45,160 --> 01:14:48,240
Speaker 1: So but I just wish like we was the entrepreneurs

1190
01:14:48,400 --> 01:14:52,040
Speaker 1: of hip hop for real, like the business entrepreneurs. Like

1191
01:14:52,200 --> 01:14:55,160
Speaker 1: if if Kumo d would have been like a masterp

1192
01:14:55,400 --> 01:15:01,280
Speaker 1: deal seventy five back then? Wait, wait how you say

1193
01:15:01,520 --> 01:15:05,000
Speaker 1: how you said in a perfect world, perfect cool MODI

1194
01:15:05,080 --> 01:15:07,200
Speaker 1: would have been A and l L would have been

1195
01:15:07,240 --> 01:15:14,160
Speaker 1: the A. And just for examples, just to have my friend,

1196
01:15:14,280 --> 01:15:17,320
Speaker 1: I'm seeing the game that goes along with you're saying,

1197
01:15:17,360 --> 01:15:21,840
Speaker 1: I'm not I'm not as you what you said. And

1198
01:15:22,120 --> 01:15:27,559
Speaker 1: just imagine if Roy Kim was nice and and just something,

1199
01:15:27,600 --> 01:15:32,040
Speaker 1: thats what about him them? That was they fucking label

1200
01:15:32,200 --> 01:15:35,080
Speaker 1: that they came That was the label. Imagine they came

1201
01:15:35,080 --> 01:15:41,640
Speaker 1: out just painting full records and eight fucking seven that

1202
01:15:43,280 --> 01:15:46,320
Speaker 1: will be now. But but see the higher power was

1203
01:15:46,760 --> 01:15:49,280
Speaker 1: they see what was going on. It was a startup thing.

1204
01:15:49,680 --> 01:15:51,639
Speaker 1: And you know, my mama used to say, it's gonna

1205
01:15:51,640 --> 01:15:54,680
Speaker 1: go out of stad like disco don't even you know,

1206
01:15:54,800 --> 01:15:58,040
Speaker 1: do your homework. Ll COJ and them got their millions stopped.

1207
01:15:58,040 --> 01:16:02,040
Speaker 1: Do your homework sound good? You know what I'm saying.

1208
01:16:02,080 --> 01:16:04,080
Speaker 1: I got a passion for this music. This is what

1209
01:16:04,160 --> 01:16:06,040
Speaker 1: I do. This is what got me out of the hood.

1210
01:16:06,080 --> 01:16:09,000
Speaker 1: This is what saved my life, saved poem life, saved

1211
01:16:09,040 --> 01:16:12,400
Speaker 1: normy life, like everybody in his room, like hip hop.

1212
01:16:12,600 --> 01:16:14,880
Speaker 1: You see what I'm saying. True, true, But the higher

1213
01:16:15,000 --> 01:16:18,280
Speaker 1: ups they took advantage of it, of our of our night,

1214
01:16:19,080 --> 01:16:22,080
Speaker 1: not not we're naive, So what do you call it? Naivety?

1215
01:16:22,479 --> 01:16:32,960
Speaker 1: I don't know that if he did with naivity that

1216
01:16:33,200 --> 01:16:38,080
Speaker 1: couldn't play words. They took a nagy of that. You

1217
01:16:38,160 --> 01:16:39,960
Speaker 1: know what I'm saying. By the time that when we

1218
01:16:40,080 --> 01:16:43,000
Speaker 1: woke up and realized, just like our ancestors, by the

1219
01:16:43,080 --> 01:16:46,320
Speaker 1: time we woke up and realized he was old slave

1220
01:16:46,400 --> 01:16:49,720
Speaker 1: ship exactly, it was too late. You're feeling me, But

1221
01:16:50,080 --> 01:16:52,680
Speaker 1: you know it's cool. How about you? What what was

1222
01:16:52,840 --> 01:16:55,680
Speaker 1: what was the one thing you feel like if you

1223
01:16:55,800 --> 01:16:58,720
Speaker 1: have power over you can control you would change in

1224
01:16:58,800 --> 01:17:02,439
Speaker 1: the music industry, Um, I would. I would. I would

1225
01:17:02,560 --> 01:17:09,560
Speaker 1: put all the like sample clarances and and and and

1226
01:17:10,000 --> 01:17:13,360
Speaker 1: and things of that nature that fun the game up.

1227
01:17:13,680 --> 01:17:16,400
Speaker 1: I would. I would leave that out of the game. Like,

1228
01:17:16,640 --> 01:17:19,800
Speaker 1: if we all make music, I shouldn't have to pay

1229
01:17:19,880 --> 01:17:22,599
Speaker 1: you the sample in music, I shouldn't have to pick

1230
01:17:22,720 --> 01:17:25,200
Speaker 1: you up. But I shouldn't have to pay you. I

1231
01:17:25,280 --> 01:17:27,320
Speaker 1: could pay you for a feature, I could pay for

1232
01:17:27,439 --> 01:17:30,000
Speaker 1: things like that. But music is made to be sample

1233
01:17:30,560 --> 01:17:33,799
Speaker 1: and I feel like that's what makes Nigga's best records

1234
01:17:34,600 --> 01:17:36,960
Speaker 1: never be heard because they may have There is two

1235
01:17:37,040 --> 01:17:40,360
Speaker 1: sides of that story. Because if you were Puff and

1236
01:17:40,479 --> 01:17:44,960
Speaker 1: you're sampling, you you're basically taking the entire soul of

1237
01:17:45,000 --> 01:17:48,320
Speaker 1: a record. It's not like you premiere and you sampling

1238
01:17:48,400 --> 01:17:51,639
Speaker 1: like two bars. You're making an ill record. You can't

1239
01:17:51,680 --> 01:17:56,439
Speaker 1: recognize sample. Yeah, but Puff or other other producers, Yeah,

1240
01:17:56,479 --> 01:17:59,639
Speaker 1: they would take eight bars, and I feel I take

1241
01:17:59,720 --> 01:18:01,280
Speaker 1: the sol a lot of them. I feel like, but

1242
01:18:01,400 --> 01:18:03,160
Speaker 1: let me tell you something, If I'm gonna make your

1243
01:18:03,240 --> 01:18:07,280
Speaker 1: record be heard to a new generation artists, why not

1244
01:18:07,680 --> 01:18:09,960
Speaker 1: give me the thanks better than you give me the

1245
01:18:10,040 --> 01:18:18,040
Speaker 1: as trying to at least everybody everybody say, this music

1246
01:18:18,080 --> 01:18:20,600
Speaker 1: ship is supposed to be in fraternal order of operations,

1247
01:18:20,680 --> 01:18:23,639
Speaker 1: like the FOP, like the police. We were the new

1248
01:18:23,840 --> 01:18:27,040
Speaker 1: fo P. We hip hop. We control, we get warn

1249
01:18:27,520 --> 01:18:30,479
Speaker 1: we control was get said, We control was get done

1250
01:18:30,560 --> 01:18:33,519
Speaker 1: in all actuality in the streets. So at the end

1251
01:18:33,560 --> 01:18:35,800
Speaker 1: of the day, we are own fo P, We are

1252
01:18:35,920 --> 01:18:39,960
Speaker 1: own police, we our own order, we our own organized crime.

1253
01:18:43,400 --> 01:18:46,000
Speaker 1: And I'm not taking away from that. But what I'm

1254
01:18:46,000 --> 01:18:48,120
Speaker 1: saying is, before I get to that, I'm saying that

1255
01:18:48,640 --> 01:18:52,240
Speaker 1: is that why nobody respect us like the the the

1256
01:18:52,720 --> 01:18:55,479
Speaker 1: like Swiss is not gonna sue for real for using

1257
01:18:55,520 --> 01:18:58,479
Speaker 1: a part of its beat, but Marvin Gay family is

1258
01:18:58,600 --> 01:19:02,040
Speaker 1: sued for real for using a part of the You

1259
01:19:02,080 --> 01:19:04,559
Speaker 1: know what I'm saying that we gotta understand it amongst

1260
01:19:04,600 --> 01:19:07,080
Speaker 1: each other's, but we never look at the people that

1261
01:19:07,200 --> 01:19:10,439
Speaker 1: came before us that never had had that understanding amongst

1262
01:19:10,479 --> 01:19:14,360
Speaker 1: each other's. Where we hear together, they made records together

1263
01:19:14,400 --> 01:19:16,320
Speaker 1: and all that. But at the end of the day,

1264
01:19:16,720 --> 01:19:19,599
Speaker 1: I shouldn't have to come to you and say can

1265
01:19:19,680 --> 01:19:22,679
Speaker 1: I use your record? No, my nigga, that's what we're

1266
01:19:22,760 --> 01:19:25,599
Speaker 1: here for. We charge people that deserve to be charged.

1267
01:19:25,920 --> 01:19:27,840
Speaker 1: And if you use my record, and I know you're

1268
01:19:27,880 --> 01:19:30,000
Speaker 1: gonna do the best thing for my record, take my

1269
01:19:30,160 --> 01:19:37,720
Speaker 1: motherfucking record, because this industry and and I know that's

1270
01:19:39,120 --> 01:19:44,679
Speaker 1: that's where can I say one thing? Can I say

1271
01:19:44,760 --> 01:19:50,280
Speaker 1: one thing? You know? And look, and I don't want

1272
01:19:50,280 --> 01:19:51,640
Speaker 1: to go I don't want to go too far with

1273
01:19:51,760 --> 01:19:55,960
Speaker 1: this ship because it's that that's the top of everybody's conversation.

1274
01:19:56,520 --> 01:19:58,720
Speaker 1: But all the nigga asked me is what would I

1275
01:19:58,800 --> 01:20:01,559
Speaker 1: want to change? And that's what I wanted to think.

1276
01:20:02,040 --> 01:20:04,880
Speaker 1: I think that. But you know what I'm saying, I

1277
01:20:04,960 --> 01:20:07,160
Speaker 1: hate having to go to a nigger like I gotta

1278
01:20:07,200 --> 01:20:09,920
Speaker 1: go to Dion warwick E State not saying she did

1279
01:20:10,080 --> 01:20:13,160
Speaker 1: or anybody. I just used her because she's the first

1280
01:20:13,200 --> 01:20:16,360
Speaker 1: thing that came in my mind. But you know, like

1281
01:20:18,200 --> 01:20:20,519
Speaker 1: but she had to, she had to come and realize

1282
01:20:20,560 --> 01:20:22,920
Speaker 1: what hip hop was. But a certain people you gotta

1283
01:20:22,960 --> 01:20:25,120
Speaker 1: go to and say, can I use your record? It's

1284
01:20:25,160 --> 01:20:30,599
Speaker 1: like we family, we made music that's like sports players accent.

1285
01:20:30,720 --> 01:20:34,160
Speaker 1: It might not even be any basketball. It sticks up

1286
01:20:34,240 --> 01:20:37,559
Speaker 1: your creative process and ship because you because you you're

1287
01:20:37,600 --> 01:20:41,240
Speaker 1: going off that essence making the record in anyway, They're

1288
01:20:41,280 --> 01:20:44,320
Speaker 1: like no, now, you've gotten to redo that, Sam, how

1289
01:20:44,360 --> 01:20:47,599
Speaker 1: many things got funked up because of that? The second

1290
01:20:47,680 --> 01:20:52,519
Speaker 1: song on my album, it was that exact thing, the sample.

1291
01:20:53,080 --> 01:20:55,479
Speaker 1: It was so small, but it was so big and

1292
01:20:55,560 --> 01:20:58,599
Speaker 1: made the whole essence. Then when he running back, when

1293
01:20:58,640 --> 01:21:00,840
Speaker 1: he brought the record back with wasn't the same. It

1294
01:21:00,960 --> 01:21:04,720
Speaker 1: wasn't the same. It was passible, It passed. We don't

1295
01:21:04,760 --> 01:21:07,400
Speaker 1: want pass you want that. We don't want to take

1296
01:21:07,479 --> 01:21:12,160
Speaker 1: away from you know what I'm saying. Ready for me, No,

1297
01:21:12,360 --> 01:21:21,240
Speaker 1: you can't always hold on. Victor Santiago, You gotta shut up.

1298
01:21:22,760 --> 01:21:25,600
Speaker 1: You go, Victors, But what are you talking about? What

1299
01:21:25,840 --> 01:21:32,080
Speaker 1: you know? You do? Some feelings we got dealing with.

1300
01:21:32,960 --> 01:21:36,240
Speaker 1: You ain't gonna you're gonna deal with my feelings. Take

1301
01:21:36,280 --> 01:21:38,800
Speaker 1: a shot, Take a shot. We're talking about two things

1302
01:21:38,880 --> 01:21:41,320
Speaker 1: right now. All right, come on, let's do things. Music

1303
01:21:41,479 --> 01:21:44,280
Speaker 1: in the stream. That's why I said, and hip hop

1304
01:21:44,560 --> 01:21:51,120
Speaker 1: culture cultured industry will never know more there is. And

1305
01:21:51,200 --> 01:21:53,920
Speaker 1: this is why I travel. I'm traveling now and I'm

1306
01:21:53,960 --> 01:21:57,920
Speaker 1: going to other countries. I'm sorry, I take that back,

1307
01:21:58,080 --> 01:22:01,840
Speaker 1: and they look, they tell me, y'all fucked up. Yeah,

1308
01:22:01,880 --> 01:22:07,000
Speaker 1: there's no culture in America. There's only business. In the

1309
01:22:07,080 --> 01:22:10,840
Speaker 1: hip hop is a right. Let me let me, let

1310
01:22:10,880 --> 01:22:12,640
Speaker 1: me just say. Let me just say one thing. But

1311
01:22:12,720 --> 01:22:15,559
Speaker 1: it's not business between us because I'm not gonna charge nor.

1312
01:22:15,760 --> 01:22:18,160
Speaker 1: I'm not gonna charge gonna play Ross, not gonna charge me,

1313
01:22:18,640 --> 01:22:21,679
Speaker 1: motherfucker me ain't gonna charge me. Me, ain't gonna charge Ross.

1314
01:22:21,880 --> 01:22:25,040
Speaker 1: But when you go to R and b Aldheads, them

1315
01:22:25,160 --> 01:22:27,240
Speaker 1: niggas gonna get on the ranking with each other. Let's

1316
01:22:27,280 --> 01:22:31,040
Speaker 1: it's about a dollar. Yeo. I felt the same way

1317
01:22:31,200 --> 01:22:36,320
Speaker 1: that y'all just said. I felt the same way everything

1318
01:22:36,600 --> 01:22:42,280
Speaker 1: gun Play Capo just said and told people started to

1319
01:22:42,320 --> 01:22:49,080
Speaker 1: be doing my records, be good hats and when I

1320
01:22:49,240 --> 01:22:54,519
Speaker 1: seen rack niggas, we're doing bad from TV, whack niggas

1321
01:22:55,120 --> 01:23:01,240
Speaker 1: said Iraq, I'm like niggas doing in band from TV

1322
01:23:01,600 --> 01:23:06,599
Speaker 1: over with the five homies from the hood that they

1323
01:23:06,720 --> 01:23:12,280
Speaker 1: thought somebody can replace Fun, somebody can replace Cameron, somebody

1324
01:23:12,320 --> 01:23:15,240
Speaker 1: could replace the locks. Fuck me, I don't know what

1325
01:23:15,320 --> 01:23:19,679
Speaker 1: gonna replace me. And then somebody trying to replace Nature.

1326
01:23:20,760 --> 01:23:27,040
Speaker 1: I actually sat back and said, I understand, I understand

1327
01:23:27,080 --> 01:23:29,759
Speaker 1: why I need a Baker didn't want to clean player

1328
01:23:29,840 --> 01:23:33,439
Speaker 1: our samples. It's not because maybe she thought we was whacked,

1329
01:23:33,479 --> 01:23:36,240
Speaker 1: but she felt like you gotta prove yourself. And the

1330
01:23:36,360 --> 01:23:40,519
Speaker 1: thing about it is after like like like my first album,

1331
01:23:41,240 --> 01:23:46,320
Speaker 1: our first album, excuse me, I apologize dropped in. So

1332
01:23:46,479 --> 01:23:49,200
Speaker 1: now when I see people do over a tier on

1333
01:23:49,520 --> 01:23:53,599
Speaker 1: why or like I've seen which they do all the time,

1334
01:23:53,720 --> 01:23:56,960
Speaker 1: I see I was in MTV one time, I was

1335
01:23:57,000 --> 01:24:02,719
Speaker 1: in MTV one time. Came through. He had just rhymed

1336
01:24:02,760 --> 01:24:06,719
Speaker 1: off band from TV. So I stood there. I looked.

1337
01:24:07,760 --> 01:24:10,599
Speaker 1: He said, with something wrong, marksman. I looked at him

1338
01:24:10,680 --> 01:24:13,479
Speaker 1: out of I wasn't. I didn't. I didn't demand his

1339
01:24:13,600 --> 01:24:17,840
Speaker 1: attention because that's not what I'm doing. I'm getting money myself.

1340
01:24:18,880 --> 01:24:21,280
Speaker 1: But when I looked at him and I realized he

1341
01:24:21,400 --> 01:24:26,720
Speaker 1: didn't recognize me, I'm not saying not co signing, but

1342
01:24:26,880 --> 01:24:29,519
Speaker 1: I don't like when people touch my records no more

1343
01:24:30,120 --> 01:24:33,000
Speaker 1: because if you're touching my records and you don't actually

1344
01:24:33,280 --> 01:24:37,920
Speaker 1: know who I like, I'm alive and breathing, like I'm

1345
01:24:38,000 --> 01:24:41,640
Speaker 1: not like God blessed. If I was Biggie Smalls, go

1346
01:24:41,880 --> 01:24:44,439
Speaker 1: all go all the way in, if I was finding

1347
01:24:44,560 --> 01:24:48,000
Speaker 1: God bless my brother. But if I'm alive and breathing

1348
01:24:48,400 --> 01:24:51,840
Speaker 1: and still getting money and perhaps might be still getting

1349
01:24:51,920 --> 01:24:54,840
Speaker 1: money then you. I just don't want to flas fit

1350
01:24:54,960 --> 01:25:00,519
Speaker 1: no more. And certain people don't even recognize me. I'm

1351
01:25:00,600 --> 01:25:05,400
Speaker 1: against that now now, had they holler at me, I'm

1352
01:25:05,439 --> 01:25:09,759
Speaker 1: talking about anybody, just holler at me and say, yo, slime,

1353
01:25:10,320 --> 01:25:13,160
Speaker 1: I'm doing this, this and this. You ain't gonna speak

1354
01:25:13,240 --> 01:25:15,960
Speaker 1: to me because you probably won't be able to speak

1355
01:25:16,000 --> 01:25:18,759
Speaker 1: to me. But I have about five or six people

1356
01:25:19,200 --> 01:25:22,800
Speaker 1: who can easily answer the phone. Them emails is on

1357
01:25:22,880 --> 01:25:26,960
Speaker 1: the Twitter, them emails is on the Instagram. Them emails

1358
01:25:27,120 --> 01:25:30,320
Speaker 1: is on that Facebook. And you didn't reach out and

1359
01:25:30,400 --> 01:25:32,800
Speaker 1: you just rhymed on it. Don't expect me to come

1360
01:25:32,880 --> 01:25:36,880
Speaker 1: to your video. Safe of Sounds is my nigger. I

1361
01:25:37,040 --> 01:25:41,240
Speaker 1: love him. He did Bad from TV over. I wasn't

1362
01:25:41,280 --> 01:25:50,240
Speaker 1: at the video purposely because the people he replaced the

1363
01:25:50,640 --> 01:25:53,640
Speaker 1: original people with I didn't agree with it, and he

1364
01:25:53,800 --> 01:25:56,360
Speaker 1: tried to put one of my artists on there, and

1365
01:25:56,479 --> 01:26:01,040
Speaker 1: I still didn't agree with it because band from TV

1366
01:26:01,240 --> 01:26:06,200
Speaker 1: is too personal for me, Big Pun, we can never

1367
01:26:06,360 --> 01:26:10,800
Speaker 1: bring back so prior to what so, what I'm trying

1368
01:26:10,800 --> 01:26:14,360
Speaker 1: to tell you is I agree with everything. Component and

1369
01:26:14,640 --> 01:26:18,320
Speaker 1: gumplay just sad, but when the record gets personal, you

1370
01:26:18,400 --> 01:26:20,439
Speaker 1: know what else, I'll give you another. I'll give you another.

1371
01:26:20,520 --> 01:26:25,280
Speaker 1: I give you another evidence evidence. Who is alchemist? Right

1372
01:26:25,360 --> 01:26:28,599
Speaker 1: hand man? He says, right hand man. Alchemist has never

1373
01:26:28,840 --> 01:26:31,040
Speaker 1: really charged me for a beat. We paid him a

1374
01:26:31,120 --> 01:26:33,720
Speaker 1: lot when we had me and out of budget. So

1375
01:26:34,439 --> 01:26:41,719
Speaker 1: I will let me finish. Let me listen. Listen, listen,

1376
01:26:43,040 --> 01:26:48,240
Speaker 1: hold hold, so listen. I'm an alchemist. Joint and evidence

1377
01:26:48,360 --> 01:26:50,519
Speaker 1: comes out, and evidence is like, I want to do

1378
01:26:50,600 --> 01:26:54,360
Speaker 1: a joint with you. I'm a fan of evidence. He's dope.

1379
01:26:55,000 --> 01:26:57,720
Speaker 1: So he gives me a beat. The problem is it's

1380
01:26:58,320 --> 01:27:05,200
Speaker 1: s s said loud y'all. It's living on Live on beat.

1381
01:27:06,760 --> 01:27:08,960
Speaker 1: So I sit back, I take the beat. I would

1382
01:27:09,000 --> 01:27:12,439
Speaker 1: never do the beats. Calm down, let me finish my story.

1383
01:27:13,640 --> 01:27:20,160
Speaker 1: Calm down now, now mind you now, mind you? Live

1384
01:27:20,400 --> 01:27:24,880
Speaker 1: on Live Long is a sample, So it wasn't like

1385
01:27:25,000 --> 01:27:29,519
Speaker 1: he sampled us. He sampled the sample of the sample.

1386
01:27:30,160 --> 01:27:32,200
Speaker 1: But then he asked me to get on the record.

1387
01:27:32,240 --> 01:27:33,719
Speaker 1: And when he asked me to get on the record,

1388
01:27:33,800 --> 01:27:38,519
Speaker 1: this is my personal record talking about mom. Right hand man,

1389
01:27:40,280 --> 01:27:43,720
Speaker 1: so his record that he sent me, I had nothing

1390
01:27:43,760 --> 01:27:46,160
Speaker 1: to do with people being in jail and nothing to

1391
01:27:46,240 --> 01:27:50,040
Speaker 1: do nothing. And when he sent it to me. I

1392
01:27:50,120 --> 01:27:51,680
Speaker 1: took about a week. I think I sent it to

1393
01:27:51,720 --> 01:27:54,000
Speaker 1: you as I was like, yeah, we're gonna do this

1394
01:27:54,200 --> 01:27:58,320
Speaker 1: next and I couldn't. I just every bone in my

1395
01:27:58,439 --> 01:28:02,880
Speaker 1: body told me not to do it. Not because I

1396
01:28:02,920 --> 01:28:08,360
Speaker 1: don't respect evidence. I respect evidence, But the record was

1397
01:28:08,479 --> 01:28:12,920
Speaker 1: originally made because my man went up off. How can

1398
01:28:13,000 --> 01:28:17,320
Speaker 1: I redo that with somebody else? How can I? It

1399
01:28:17,439 --> 01:28:24,000
Speaker 1: doesn't make sense for me. It's integrity. It's so I

1400
01:28:24,360 --> 01:28:28,559
Speaker 1: always hated. I always hated anybody that didn't clear a record.

1401
01:28:29,160 --> 01:28:31,720
Speaker 1: But now I don't have the power to clear a

1402
01:28:31,800 --> 01:28:35,880
Speaker 1: record because Tommy Boy owns that material. They owned the

1403
01:28:35,920 --> 01:28:39,760
Speaker 1: World Report, they owned the the you know r E.

1404
01:28:40,439 --> 01:28:43,920
Speaker 1: But they recently hollered at me and said, we would

1405
01:28:43,960 --> 01:28:47,040
Speaker 1: like you to do that. I would be a dickhead.

1406
01:28:47,240 --> 01:28:50,160
Speaker 1: I would be the dickhead of these two dudes talk

1407
01:28:51,360 --> 01:28:54,679
Speaker 1: because it's not the record. Like now, if you want

1408
01:28:54,720 --> 01:28:58,560
Speaker 1: to just sample in our you know Norris that that

1409
01:28:58,760 --> 01:29:02,439
Speaker 1: recommends nothing to me. That recommend nothing to me. But

1410
01:29:02,600 --> 01:29:05,640
Speaker 1: now if you want to sample sometimes you want to

1411
01:29:05,720 --> 01:29:09,599
Speaker 1: sample I love my life? You want a sample band

1412
01:29:09,680 --> 01:29:16,000
Speaker 1: from TV Bloody Money. I have a personal direct relationship

1413
01:29:16,479 --> 01:29:23,040
Speaker 1: with those records. And if you don't call me yo yo,

1414
01:29:23,840 --> 01:29:30,719
Speaker 1: it's it. I hear M do that so better lower.

1415
01:29:31,400 --> 01:29:34,040
Speaker 1: But but see that's the thing is the thing is.

1416
01:29:34,360 --> 01:29:37,439
Speaker 1: The thing is when when when I came out, when

1417
01:29:37,479 --> 01:29:40,160
Speaker 1: I came up, I called Cougi Rap and I said,

1418
01:29:40,160 --> 01:29:42,719
Speaker 1: you're gonna do records island over. You know what Couji

1419
01:29:42,840 --> 01:29:46,760
Speaker 1: Rap told me, I'm getting on that right and and

1420
01:29:46,920 --> 01:29:50,439
Speaker 1: that that was respect to me. When I did uh

1421
01:29:51,880 --> 01:29:55,040
Speaker 1: biz Mark and I did all this ship bis Mark said,

1422
01:29:56,720 --> 01:30:00,160
Speaker 1: I wrapped no more right. But I actually called all

1423
01:30:00,200 --> 01:30:04,559
Speaker 1: these people, these young boys nowadays they'll go do Bible

1424
01:30:04,600 --> 01:30:10,000
Speaker 1: and a Dash tomorrow and they'll say, they'll say, because

1425
01:30:10,120 --> 01:30:14,679
Speaker 1: that's a classic in my time, Well i'm playing dead nigga.

1426
01:30:16,400 --> 01:30:19,679
Speaker 1: I'm saying, you're gonna realize. You're gonna feel this because

1427
01:30:19,800 --> 01:30:22,960
Speaker 1: I felt like the old nigga every time, every time

1428
01:30:23,479 --> 01:30:27,720
Speaker 1: until until Nigga actually did my record, Like I got

1429
01:30:27,800 --> 01:30:30,040
Speaker 1: audio to a my album and I reached out and

1430
01:30:30,240 --> 01:30:34,439
Speaker 1: got to see the thing about that's the respect part

1431
01:30:34,479 --> 01:30:36,439
Speaker 1: of it, when you just reach out to him, because

1432
01:30:36,600 --> 01:30:39,720
Speaker 1: people ain't dead. It's not like like you know, God

1433
01:30:39,800 --> 01:30:43,200
Speaker 1: bless if you do a biggie record over, I won't

1434
01:30:43,240 --> 01:30:45,040
Speaker 1: be mad at you if you don't call Miss Wallace,

1435
01:30:45,560 --> 01:30:47,639
Speaker 1: if you do a pun record over, I won't mad

1436
01:30:47,680 --> 01:30:50,960
Speaker 1: at you if you don't call Eliza, but if you

1437
01:30:51,080 --> 01:30:53,879
Speaker 1: do one of my records. So I'm a live, breathing

1438
01:30:54,439 --> 01:31:00,320
Speaker 1: My cops still work, but I'm me. Where sent me

1439
01:31:00,439 --> 01:31:04,840
Speaker 1: a d M sent me a d coming from? Why

1440
01:31:05,200 --> 01:31:07,720
Speaker 1: you got to ask yourself? That's the thing is, see,

1441
01:31:07,800 --> 01:31:10,920
Speaker 1: the thing is the thing is you know why I

1442
01:31:11,000 --> 01:31:13,800
Speaker 1: asked you? Why you made Bible on the dash hold

1443
01:31:13,840 --> 01:31:18,280
Speaker 1: on that come to pass it off? Because listen, you

1444
01:31:18,360 --> 01:31:22,640
Speaker 1: know why I actual because you know it hit me

1445
01:31:22,800 --> 01:31:25,040
Speaker 1: as a hood nigga and I'm out of the hood,

1446
01:31:25,160 --> 01:31:27,439
Speaker 1: but it hit me as a hood nigga. So not

1447
01:31:27,640 --> 01:31:33,400
Speaker 1: Just imagine Joe Schmoll who just started stopped working from

1448
01:31:33,439 --> 01:31:37,439
Speaker 1: the crab house and he want to start rhyming. He

1449
01:31:37,640 --> 01:31:40,160
Speaker 1: just do Bible off the dad that's his first ship.

1450
01:31:40,960 --> 01:31:44,679
Speaker 1: You want to give him respect. But at the same time,

1451
01:31:44,760 --> 01:31:49,240
Speaker 1: when he don't understand the record, it's hard, it's hard

1452
01:31:49,360 --> 01:32:01,200
Speaker 1: to continue. Now you gotta adapt me. This is the

1453
01:32:01,280 --> 01:32:04,320
Speaker 1: first time I'm actually saying it. So I've been we

1454
01:32:04,520 --> 01:32:08,160
Speaker 1: are from a different era. If you don't wake up

1455
01:32:08,280 --> 01:32:11,880
Speaker 1: tomorrow morning and realize that we're gonna wake up the

1456
01:32:12,040 --> 01:32:23,120
Speaker 1: next morning and blind talk to talk to the people. Now,

1457
01:32:23,360 --> 01:32:30,360
Speaker 1: it's not a the integrity level an artists, the loyalty

1458
01:32:30,600 --> 01:32:35,559
Speaker 1: of artists, the business mind frame that they treat the nigglas.

1459
01:32:35,640 --> 01:32:40,160
Speaker 1: It is, so, what are you gonna sit there and say, well,

1460
01:32:40,320 --> 01:32:43,600
Speaker 1: in my day, I feel like you can't do that

1461
01:32:43,840 --> 01:32:48,879
Speaker 1: no more. Now it's about now, it's about you're a hustler.

1462
01:32:49,439 --> 01:32:53,120
Speaker 1: Right when when? When? When? When? When niggas was smoking

1463
01:32:53,320 --> 01:32:58,599
Speaker 1: regular weed and then crip came out creepy and then

1464
01:32:58,720 --> 01:33:03,920
Speaker 1: hydro and then and then it went to Christian when

1465
01:33:03,960 --> 01:33:07,400
Speaker 1: it was are you still selling seeds with sticks? Or

1466
01:33:07,520 --> 01:33:09,720
Speaker 1: are you gonna switch your fucking hustle and get the

1467
01:33:09,760 --> 01:33:11,280
Speaker 1: funk out there and then do what you gotta do.

1468
01:33:12,439 --> 01:33:17,000
Speaker 1: Nigga's ain't. Niggas ain't selling taptional selling. I'm gonna go

1469
01:33:17,120 --> 01:33:20,240
Speaker 1: get CDs and I'm gonna sell c ds. Nigga's okay.

1470
01:33:20,320 --> 01:33:25,519
Speaker 1: Now it's uh uh uh what is it? Downloads? Right?

1471
01:33:25,840 --> 01:33:29,679
Speaker 1: The fucking iTunes ship okay? Niggas selling it was blot

1472
01:33:29,760 --> 01:33:34,559
Speaker 1: stop Now it's a screams screams Now it was if

1473
01:33:34,800 --> 01:33:37,960
Speaker 1: nigga playing your racket one time you get paid. That's

1474
01:33:37,960 --> 01:33:41,760
Speaker 1: the avenue that they just made it so easy from

1475
01:33:41,840 --> 01:33:45,320
Speaker 1: us for us if we take out old mentality, are

1476
01:33:45,439 --> 01:33:49,479
Speaker 1: fucking crack ways are crack mentality and put it to

1477
01:33:49,640 --> 01:33:55,080
Speaker 1: the digital world. It's fucking easy, bro. But you get

1478
01:33:55,160 --> 01:33:59,920
Speaker 1: the lod, you get the idea the nerds to work.

1479
01:34:00,280 --> 01:34:02,400
Speaker 1: They want to do that for the phrase, are you're

1480
01:34:02,400 --> 01:34:04,920
Speaker 1: gonna feel like when a young nigga recreate Bobo on

1481
01:34:05,040 --> 01:34:07,759
Speaker 1: the dash and you get nothing out of That's cool?

1482
01:34:09,000 --> 01:34:11,400
Speaker 1: I know this is no. I don't want nothing that

1483
01:34:11,479 --> 01:34:15,960
Speaker 1: I'm wanting about the money I want affect you know

1484
01:34:16,040 --> 01:34:19,360
Speaker 1: what that's about. I supposed to hold on. Let me

1485
01:34:19,400 --> 01:34:23,920
Speaker 1: say this and say something. Goddamn you know. You know

1486
01:34:24,040 --> 01:34:27,960
Speaker 1: what affected me was when I seen the brother who

1487
01:34:28,080 --> 01:34:30,479
Speaker 1: did it and he didn't even know who I was.

1488
01:34:31,040 --> 01:34:37,599
Speaker 1: But I know what did you know? And I ain't

1489
01:34:37,640 --> 01:34:43,360
Speaker 1: tripping because that's when I go back to tell you

1490
01:34:43,520 --> 01:34:49,280
Speaker 1: that these little niggas called us oh geez. But listen, listen,

1491
01:34:49,360 --> 01:34:52,519
Speaker 1: hold on my second, keep talking, baby, right they called

1492
01:34:52,640 --> 01:34:55,800
Speaker 1: us o gez because right now before, back in the days,

1493
01:34:56,200 --> 01:35:03,439
Speaker 1: you're o geez, you respected. These little niggas gonna be soaked. No, no,

1494
01:35:03,600 --> 01:35:09,360
Speaker 1: but they're not listening. Hold on, but he just said

1495
01:35:09,479 --> 01:35:15,559
Speaker 1: it seemed nothing started. It was a spark that started,

1496
01:35:15,640 --> 01:35:19,519
Speaker 1: that just kept. That's my little cousin, right. Imagine my

1497
01:35:19,600 --> 01:35:22,200
Speaker 1: little cousin k box, right, and he was nice in

1498
01:35:22,320 --> 01:35:26,280
Speaker 1: boxing and chill, chill, listen, and I shot the police

1499
01:35:27,240 --> 01:35:33,280
Speaker 1: right on, he's listen listen, and he can box, and

1500
01:35:33,400 --> 01:35:37,320
Speaker 1: I shot the police just because he can box. And

1501
01:35:37,439 --> 01:35:40,120
Speaker 1: he never shot me. See, he never saw me shoot

1502
01:35:40,160 --> 01:35:42,680
Speaker 1: the police. He don't think you could whip his big

1503
01:35:42,800 --> 01:35:46,360
Speaker 1: cousin ass. So that's going to tell you that these

1504
01:35:46,400 --> 01:36:01,120
Speaker 1: little thing you got there getting together. Play No, we

1505
01:36:04,280 --> 01:36:06,400
Speaker 1: we called it. We called it, we called it. Don't

1506
01:36:06,439 --> 01:36:15,120
Speaker 1: play the shot. Play listen, don't play. I'm sitting at

1507
01:36:15,160 --> 01:36:20,920
Speaker 1: the tib with y'all sleep. Look, don't playing to the shirt.

1508
01:36:21,040 --> 01:36:25,400
Speaker 1: I want to take my first selfie. Look with him now,

1509
01:36:25,479 --> 01:36:27,960
Speaker 1: we gotta ni that take us, take it for you. No,

1510
01:36:28,200 --> 01:36:31,599
Speaker 1: I won't to take my first selfie like my first selfie,

1511
01:36:31,680 --> 01:36:37,680
Speaker 1: and rather rather you got you got with some motherfucking gangsters. Right,

1512
01:36:38,680 --> 01:36:42,200
Speaker 1: this is the first time a component. Hold on, it's

1513
01:36:42,200 --> 01:36:44,679
Speaker 1: a video you know, didn't did No, I'm just gonna

1514
01:36:44,720 --> 01:36:48,040
Speaker 1: take a picture. Okay, my first the only song, the

1515
01:36:48,080 --> 01:36:50,160
Speaker 1: first song I ever put out was on his next tape,

1516
01:36:50,400 --> 01:36:52,720
Speaker 1: first next tape, I was ever goddamn makes a noise

1517
01:36:52,800 --> 01:36:57,519
Speaker 1: for ef Fit for being up take kid, because I

1518
01:36:57,560 --> 01:37:03,960
Speaker 1: gotta take a peepiece. I want. Yeah, I ain't gonna lie.

1519
01:37:04,080 --> 01:37:08,120
Speaker 1: Let's get your phone together. Your phone, your phone, your

1520
01:37:08,160 --> 01:37:14,519
Speaker 1: phone disappointed me just now. This is my nigga, This

1521
01:37:14,600 --> 01:37:17,679
Speaker 1: is my nigga. Gun Play Play still got drunk the phone.

1522
01:37:19,600 --> 01:37:21,960
Speaker 1: You know you're legal, right, you gonna take a video?

1523
01:37:22,760 --> 01:37:26,120
Speaker 1: Tell gun Play he's legal. He's still got a trap phone.

1524
01:37:26,160 --> 01:37:30,960
Speaker 1: We're gonna fix it. We're gonna fix it. Don't play.

1525
01:37:32,040 --> 01:37:36,439
Speaker 1: Listen good players loved in Queens. We love him. Before

1526
01:37:36,520 --> 01:37:39,400
Speaker 1: we sign out, I would like I would like to

1527
01:37:39,600 --> 01:37:42,280
Speaker 1: I would like to thank I would like to thank

1528
01:37:42,920 --> 01:37:45,360
Speaker 1: Bone for coming through, and I like to thank gun

1529
01:37:45,479 --> 01:37:51,840
Speaker 1: Play for coming through New York, New York play guess what.

1530
01:37:52,240 --> 01:37:55,800
Speaker 1: I would also like to thank god Play never never

1531
01:37:55,920 --> 01:38:00,320
Speaker 1: know the motherfucker man, I ain't gonna play absolute then

1532
01:38:00,400 --> 01:38:03,800
Speaker 1: this ship with a better nigger I passed. I appreciate you, dog.

1533
01:38:05,320 --> 01:38:09,720
Speaker 1: We found niggas. We put gun Playing compon for the

1534
01:38:09,760 --> 01:38:12,200
Speaker 1: rest of so if they catch your body, man, it's off.

1535
01:38:12,600 --> 01:38:15,080
Speaker 1: Even if they hang out to catch your body, it's

1536
01:38:15,160 --> 01:38:19,040
Speaker 1: just ain't no. You ain't never been there. You ain't

1537
01:38:19,400 --> 01:38:24,519
Speaker 1: splain now. You never niggas ups and downs, real life

1538
01:38:24,560 --> 01:38:29,120
Speaker 1: ship trump me like come get me five. We had

1539
01:38:29,240 --> 01:38:36,519
Speaker 1: niggas on here before. But you said something that it's different.

1540
01:38:37,320 --> 01:38:41,880
Speaker 1: You said you wanted to free style. Yeah, even though

1541
01:38:41,960 --> 01:38:50,200
Speaker 1: my styling free and like expensive man and gun play here,

1542
01:38:50,280 --> 01:38:52,439
Speaker 1: we're not gonna kick no ing ship and were some time,

1543
01:38:52,760 --> 01:38:57,120
Speaker 1: some time before we do anything. We heard the loving

1544
01:38:57,240 --> 01:39:00,960
Speaker 1: hip hop is on you out. It's just it's this

1545
01:39:01,120 --> 01:39:05,120
Speaker 1: true get that bag. It's just true drum rule. They

1546
01:39:05,200 --> 01:39:12,200
Speaker 1: love you. But what I heard they love what. They

1547
01:39:12,240 --> 01:39:17,040
Speaker 1: don't let him. They don't let the real niggazine. That's

1548
01:39:17,040 --> 01:39:25,200
Speaker 1: gonna be a problem. They listen, slide listen if if

1549
01:39:25,240 --> 01:39:28,720
Speaker 1: they think it different, if they pick it, do it. Yeah,

1550
01:39:28,840 --> 01:39:32,120
Speaker 1: I'm all right, look at me. I ain't doing it

1551
01:39:32,200 --> 01:39:37,760
Speaker 1: for them. I ain't saying listen, what do you do it?

1552
01:39:38,160 --> 01:39:41,640
Speaker 1: Combat it? Don't maverybody. If they beg you do it.

1553
01:39:44,520 --> 01:39:48,040
Speaker 1: The slide right be right behind you. You know, we

1554
01:39:49,040 --> 01:39:51,240
Speaker 1: know you better record dat. You know we're gonna have

1555
01:39:51,400 --> 01:39:55,200
Speaker 1: they happen. He's on the show. But yeah, that's okay,

1556
01:39:55,200 --> 01:39:59,040
Speaker 1: you spill. It's okay. He's used to it. Don't drink.

1557
01:39:59,400 --> 01:40:04,400
Speaker 1: But but you you want you listen, so you're gonna

1558
01:40:04,439 --> 01:40:07,439
Speaker 1: spit this to in this out all right. But I'm

1559
01:40:07,800 --> 01:40:12,040
Speaker 1: I'm gonna be the first, you know, I don't even first.

1560
01:40:13,960 --> 01:40:16,120
Speaker 1: But but poem say, I can't look at my phone,

1561
01:40:16,160 --> 01:40:20,080
Speaker 1: so I said, I fucking so look Boe, I need

1562
01:40:20,200 --> 01:40:24,080
Speaker 1: my mother. I got a motherfucking forty cow and acre

1563
01:40:26,080 --> 01:40:32,840
Speaker 1: chilling with my nigga, your fair Polly norik ain't hold on,

1564
01:40:33,640 --> 01:40:37,920
Speaker 1: hold on up, hold on, I'll be scrapped. Nah them niggas.

1565
01:40:38,000 --> 01:40:42,520
Speaker 1: I don't see no friend, my nigga. This is motherfucking

1566
01:40:42,680 --> 01:40:48,920
Speaker 1: triple C MMG n C. Hold on. I ain't done,

1567
01:40:49,360 --> 01:40:59,400
Speaker 1: my nigga. I'm just wrapping in my skull, nigga, nick

1568
01:40:59,479 --> 01:41:02,640
Speaker 1: knife of a dog. It's enough of cold. I'll be

1569
01:41:02,800 --> 01:41:10,040
Speaker 1: on the crease. There's nobody nigga. Three letters MG, yeah,

1570
01:41:10,160 --> 01:41:14,920
Speaker 1: three letters yeah, Triple C, yas city niggle, straight fucking

1571
01:41:15,040 --> 01:41:19,120
Speaker 1: bread nigga. What's going down? Bitch getting in? You didn't

1572
01:41:19,160 --> 01:41:27,200
Speaker 1: give me bread. I'll be sucking pimping. I I told

1573
01:41:27,240 --> 01:41:29,280
Speaker 1: you actually, I just I got I get you gotta five.

1574
01:41:30,479 --> 01:41:33,400
Speaker 1: I just felt the old drink on my lap. But

1575
01:41:34,640 --> 01:41:50,000
Speaker 1: you got the DJ I'm getting around. Gun Blacks is

1576
01:41:52,160 --> 01:41:54,840
Speaker 1: yo yo, you gotta rhyme you o G and he

1577
01:41:54,920 --> 01:41:59,160
Speaker 1: has the sooner be o G. You already old home

1578
01:41:59,320 --> 01:42:02,840
Speaker 1: though you know what got hold on. Let me go,

1579
01:42:03,560 --> 01:42:09,400
Speaker 1: let me I gotta. I gotta give your five bars.

1580
01:42:09,640 --> 01:42:12,120
Speaker 1: Because me and ConA play we said we was going

1581
01:42:12,240 --> 01:42:17,639
Speaker 1: in the guns. I'm gonna hang them out to dry.

1582
01:42:17,920 --> 01:42:24,479
Speaker 1: I'm going to go in. Oh oh, see the jack

1583
01:42:24,600 --> 01:42:27,599
Speaker 1: on the runway seeing then and gun play what you're

1584
01:42:27,680 --> 01:42:31,720
Speaker 1: gonna do when the Sunday, I'm going around and you're

1585
01:42:31,760 --> 01:42:35,800
Speaker 1: gonna hire from the click and geez thugged out. That's

1586
01:42:35,840 --> 01:42:39,960
Speaker 1: the ship and fan everybody know that's the fans and

1587
01:42:40,000 --> 01:42:45,120
Speaker 1: they can never ran nigga busting jacks on I fucking

1588
01:42:45,200 --> 01:42:48,360
Speaker 1: with the dun play see and then triple ce jets

1589
01:42:48,400 --> 01:42:54,240
Speaker 1: on the runway. You're gonna see this Sunday. You're gonna

1590
01:42:54,280 --> 01:42:57,880
Speaker 1: see this ship. One Nigga's coming. That your crue t

1591
01:42:58,080 --> 01:43:01,679
Speaker 1: and there I'm one shot and the motherfucking that's a check.

1592
01:43:02,880 --> 01:43:07,400
Speaker 1: I'm schelling and my fucking y'all still got the numbers

1593
01:43:07,479 --> 01:43:11,280
Speaker 1: on the Yeah. Yo, No, he told me, nigga don't play.

1594
01:43:11,400 --> 01:43:14,400
Speaker 1: Do I move, mamma move, They're gonna do. We say.

1595
01:43:15,520 --> 01:43:19,920
Speaker 1: I got a party tonight at the w W winning.

1596
01:43:20,080 --> 01:43:24,439
Speaker 1: She gonna take a w that's me. Motherfucker gun played

1597
01:43:24,479 --> 01:43:32,040
Speaker 1: double true. I don't give a fuck nigga trouble. Let's

1598
01:43:32,680 --> 01:43:55,519
Speaker 1: home focus on the podcast. Yeah joining us for me

1599
01:43:55,640 --> 01:44:05,479
Speaker 1: back next week. You read Motherfucker's Going down, y'all. Bake

1600
01:44:05,560 --> 01:44:30,280
Speaker 1: the picture. Find all your favorite movies and shows factor

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Speaker 1: apps like Netflix, YouTube and now Prime Video. Go to

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Speaker 1: Axcinity dot com, call oneity, or visit the store today

1608
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Speaker 1: to learn more. Restriction on the line