1
00:00:00,320 --> 00:00:09,520
Speaker 1: Forever. Look man, oh I see you. Why look over there?

2
00:00:09,560 --> 00:00:16,760
Speaker 1: How is that culture? Yes, goodness, let's ding Dong's calling.

3
00:00:18,600 --> 00:00:22,840
Speaker 1: It always feels really good to have family in the tonight.

4
00:00:22,920 --> 00:00:30,120
Speaker 1: It's just girls tonight. It's just just as girls, just family. Um.

5
00:00:30,160 --> 00:00:33,960
Speaker 1: But here's the thing. You may be shocked when you

6
00:00:34,000 --> 00:00:40,040
Speaker 1: hear this episode. Uh. Sonically, there's a difference about our

7
00:00:40,040 --> 00:00:45,640
Speaker 1: guest because he had his polyps chopped, polyps seared off. Baby.

8
00:00:45,960 --> 00:00:48,199
Speaker 1: She was working with nodes, Mama the last she was

9
00:00:48,240 --> 00:00:52,160
Speaker 1: working with nodes for several years, grading those course together.

10
00:00:52,400 --> 00:00:56,480
Speaker 1: When we were finally shown photos of the throat, honey,

11
00:00:56,640 --> 00:00:59,160
Speaker 1: it looked like a dangerous place. I never saw photos

12
00:00:59,200 --> 00:01:01,240
Speaker 1: of the throat. But you know what, for a period

13
00:01:01,280 --> 00:01:03,400
Speaker 1: of time, I loved the rast. But I mean, the

14
00:01:03,400 --> 00:01:06,440
Speaker 1: rest was part of the whole vibe. But but I'm

15
00:01:06,480 --> 00:01:09,520
Speaker 1: happy for our guests because now they have a pure,

16
00:01:10,080 --> 00:01:14,760
Speaker 1: clean tone. The glottals are the glottals are clear after

17
00:01:14,920 --> 00:01:19,200
Speaker 1: many weeks of vocal rest, Honey, And that was true

18
00:01:19,240 --> 00:01:23,440
Speaker 1: gag to hear our guests silent for several weeks. Oh no,

19
00:01:24,080 --> 00:01:26,560
Speaker 1: just I'm not reading you understanding. You love to talk,

20
00:01:27,240 --> 00:01:29,560
Speaker 1: and that must have been a struggle, you bitch, Yes,

21
00:01:29,560 --> 00:01:32,360
Speaker 1: so what character building? Okay, let's go through the credits.

22
00:01:32,680 --> 00:01:35,440
Speaker 1: I am proud to go through the credits because we

23
00:01:35,480 --> 00:01:38,639
Speaker 1: share many credits together. And I am very excited about

24
00:01:38,880 --> 00:01:41,080
Speaker 1: the next few months with me and our guest. UM

25
00:01:41,640 --> 00:01:46,640
Speaker 1: on May eleven, the return of our show Game Show

26
00:01:47,120 --> 00:01:49,880
Speaker 1: to a new space caveat in the East Village, which

27
00:01:49,920 --> 00:01:53,080
Speaker 1: were so excited about. This is gonna be on May eleven. Um,

28
00:01:53,120 --> 00:01:55,440
Speaker 1: the doors are gonna be open at eleven. We have amazing,

29
00:01:55,480 --> 00:01:59,280
Speaker 1: amazing guests at Game Show, which is our show where

30
00:01:59,280 --> 00:02:01,760
Speaker 1: we take two straight contestants and put them to the

31
00:02:01,800 --> 00:02:04,760
Speaker 1: test to see who can win our game of pop

32
00:02:04,800 --> 00:02:10,240
Speaker 1: culture trivia. So fun. There's physical challenges, emotional challenges. Honey,

33
00:02:10,520 --> 00:02:12,799
Speaker 1: you gotta come. We'll talk more about that later. Um.

34
00:02:12,840 --> 00:02:15,320
Speaker 1: Also on July eighth, And I know this is a

35
00:02:15,400 --> 00:02:17,680
Speaker 1: ways a way, but we're just so excited. It's it's

36
00:02:17,800 --> 00:02:20,120
Speaker 1: one of the things we've been so excited about for

37
00:02:20,160 --> 00:02:23,000
Speaker 1: so long. Our new show called The List is going

38
00:02:23,080 --> 00:02:25,880
Speaker 1: to be at the Public Hotel, and we are so

39
00:02:25,919 --> 00:02:28,400
Speaker 1: excited about it. We're gonna talk about that July eighteen.

40
00:02:29,600 --> 00:02:31,960
Speaker 1: And what else do we have here? Oh, of course

41
00:02:32,120 --> 00:02:35,800
Speaker 1: we are well well aware of this person from pap Roulette,

42
00:02:35,880 --> 00:02:39,000
Speaker 1: a figure in our history. Are good Judy and our

43
00:02:39,840 --> 00:02:43,880
Speaker 1: compatriot on our Orlando trips as well the story to

44
00:02:44,000 --> 00:02:47,000
Speaker 1: Orlando trips, which we've just taken a new one as

45
00:02:47,000 --> 00:02:49,680
Speaker 1: of late, so there's plenty of t to spill. Absolutely,

46
00:02:50,280 --> 00:02:54,600
Speaker 1: please welcome and newly blonde. Please welcome our gact da.

47
00:02:55,800 --> 00:02:59,880
Speaker 1: Oh my god, Wow, what a drag through the mud

48
00:03:00,080 --> 00:03:03,799
Speaker 1: we're talking about. It's amazing that you vocally transformed. Oh

49
00:03:03,840 --> 00:03:06,560
Speaker 1: my god, bitch, like that was a drag through the mudd,

50
00:03:06,560 --> 00:03:08,200
Speaker 1: and then you just hoisted me up high. It's like

51
00:03:08,520 --> 00:03:10,680
Speaker 1: at the last is a roller coaster, you know, the

52
00:03:10,680 --> 00:03:13,640
Speaker 1: how I do? She tears you down. I'm living and

53
00:03:13,639 --> 00:03:17,800
Speaker 1: I'm here with my movie. Yes, I'm just saying in

54
00:03:17,840 --> 00:03:20,959
Speaker 1: two thousand thirteen, that would never have happened. Absolutely not. Girl.

55
00:03:21,040 --> 00:03:23,600
Speaker 1: The chords missed each other every time. Oh my god.

56
00:03:23,960 --> 00:03:27,000
Speaker 1: You know there was a can you explain what happened?

57
00:03:27,280 --> 00:03:29,920
Speaker 1: And then what what was done? Okay, So basically, like

58
00:03:30,000 --> 00:03:32,799
Speaker 1: long story short, I did something to my vocal cords

59
00:03:32,800 --> 00:03:35,760
Speaker 1: at like probably like a stupid concert in like two

60
00:03:35,760 --> 00:03:38,920
Speaker 1: thousand and ten, and had been compensating for the damage.

61
00:03:38,960 --> 00:03:41,800
Speaker 1: I did that one day whatever that was for a

62
00:03:41,800 --> 00:03:44,600
Speaker 1: long time. So these two polyps were small, and then

63
00:03:44,640 --> 00:03:46,480
Speaker 1: over time they grew and it got to a point.

64
00:03:46,480 --> 00:03:49,320
Speaker 1: You guys, remember I couldn't even you could. I could

65
00:03:49,360 --> 00:03:50,800
Speaker 1: not phone it. I could wake up and like I

66
00:03:50,880 --> 00:03:53,040
Speaker 1: could not answer the phone. Like it was terrible, Like

67
00:03:53,080 --> 00:03:55,160
Speaker 1: I just could not speak. And I had a month

68
00:03:55,200 --> 00:03:59,600
Speaker 1: after my insurance and like literally I think three weeks

69
00:03:59,600 --> 00:04:01,880
Speaker 1: after we recorded my first episode, Like I went in,

70
00:04:02,080 --> 00:04:05,720
Speaker 1: I went under the knife. The guy was like, um,

71
00:04:05,760 --> 00:04:08,120
Speaker 1: so this guy had done many many surgeries. There were

72
00:04:08,160 --> 00:04:12,880
Speaker 1: many assigned headshot in his office. Let me just say

73
00:04:12,880 --> 00:04:16,280
Speaker 1: it was to the mat, to the Broadway masses, and

74
00:04:16,400 --> 00:04:19,040
Speaker 1: so I felt comfortable and he was like he was like, well,

75
00:04:19,040 --> 00:04:20,440
Speaker 1: there's two ways we can do it. We can either

76
00:04:20,560 --> 00:04:24,960
Speaker 1: like use a cold serrate knife, or we can laser

77
00:04:25,000 --> 00:04:29,479
Speaker 1: it off. And I was like okay, Like like what

78
00:04:29,520 --> 00:04:31,839
Speaker 1: would you choose? I guess the laser because I don't

79
00:04:31,839 --> 00:04:34,680
Speaker 1: like the idea. I don't know the vocabulary use cold

80
00:04:34,800 --> 00:04:37,440
Speaker 1: serrated knife. It was just like it sounded hostile. Why

81
00:04:37,440 --> 00:04:40,440
Speaker 1: would call it cold serrated? See, but here's the twist.

82
00:04:40,520 --> 00:04:41,760
Speaker 1: So then I was like, well, which one are you

83
00:04:41,800 --> 00:04:44,080
Speaker 1: more comfortable with. And he was like, I used the

84
00:04:44,120 --> 00:04:47,560
Speaker 1: knife and I was like, and I said, yeah, I

85
00:04:47,600 --> 00:04:49,920
Speaker 1: want the doctor to use whatever the doctor feels most

86
00:04:49,920 --> 00:04:53,240
Speaker 1: comfortable with. Don't you agree? I know I do agree.

87
00:04:53,520 --> 00:04:55,440
Speaker 1: So I was like, whatever you prefer to do this with,

88
00:04:55,520 --> 00:04:57,359
Speaker 1: and and he was like, usually when I when I

89
00:04:57,360 --> 00:04:58,760
Speaker 1: scope at throat and I see something like this, we

90
00:04:58,839 --> 00:05:02,599
Speaker 1: recommend like six to twenty weeks of vocal therapy, which

91
00:05:02,640 --> 00:05:06,320
Speaker 1: is what um our friend is going through right now. Yeah. Yeah. Um.

92
00:05:06,400 --> 00:05:08,240
Speaker 1: So I was like, well, I don't have that time.

93
00:05:08,320 --> 00:05:10,159
Speaker 1: I drop off my insurance in two weeks. And he

94
00:05:10,240 --> 00:05:13,520
Speaker 1: was like, I think I can pencil you in. And

95
00:05:13,600 --> 00:05:15,760
Speaker 1: I like, literally, oh, this guy like my life. Like

96
00:05:15,839 --> 00:05:18,159
Speaker 1: he squeezed me and I went from diagnosis to surgery

97
00:05:18,200 --> 00:05:21,440
Speaker 1: in two weeks. They chopped him off. I was completely

98
00:05:21,640 --> 00:05:24,400
Speaker 1: loony aerial arial. My boyfriend and I had been dating

99
00:05:24,440 --> 00:05:27,360
Speaker 1: for like maybe eight months, and he like woke me

100
00:05:27,440 --> 00:05:30,440
Speaker 1: up on of anesthesia and was I couldn't speak for

101
00:05:30,680 --> 00:05:33,120
Speaker 1: thirty thirty five days. I did not wait, that's how

102
00:05:33,160 --> 00:05:36,080
Speaker 1: long it was. Thirty five days. I'm telling you. It

103
00:05:36,240 --> 00:05:39,240
Speaker 1: was a retreat I didn't I actually did pay for.

104
00:05:40,240 --> 00:05:42,120
Speaker 1: But like I mean like it was the retreat I

105
00:05:42,160 --> 00:05:44,680
Speaker 1: didn't ask for. Like I had a marker board and

106
00:05:44,720 --> 00:05:48,440
Speaker 1: I was coloring, and I was like writing, and yeah,

107
00:05:48,480 --> 00:05:49,960
Speaker 1: I mean I'm a talker, like and that was a

108
00:05:49,960 --> 00:05:51,960
Speaker 1: problem towards the animal, Like I couldn't talk, but I

109
00:05:52,000 --> 00:05:54,160
Speaker 1: wanted to because like sometimes you accidentally do it, like

110
00:05:54,160 --> 00:05:56,560
Speaker 1: somebody bumps you on the subway and you go sorry,

111
00:05:56,800 --> 00:05:58,599
Speaker 1: and then I would be like I would like feel

112
00:05:58,640 --> 00:06:01,400
Speaker 1: my throat like shake, and but I could also hear

113
00:06:01,400 --> 00:06:05,240
Speaker 1: like every now and then I would be like the

114
00:06:05,240 --> 00:06:08,240
Speaker 1: waters and I would be like, oh my god, I

115
00:06:08,240 --> 00:06:11,680
Speaker 1: can just do it if I want to. But it

116
00:06:11,760 --> 00:06:13,520
Speaker 1: was a rebirth and like it just like you know

117
00:06:13,520 --> 00:06:15,480
Speaker 1: when when you're a comedian, you want to have cadence

118
00:06:15,480 --> 00:06:16,520
Speaker 1: in your voice. You want to be able to tell

119
00:06:16,520 --> 00:06:19,279
Speaker 1: a story with like you know, like your full studied

120
00:06:19,400 --> 00:06:21,520
Speaker 1: musical theater. Yeah, like having my voice and like not

121
00:06:21,520 --> 00:06:23,320
Speaker 1: being able to sing. It was this weird. It's what

122
00:06:23,440 --> 00:06:25,600
Speaker 1: pushed me in the comedy direction. But ultimately I think

123
00:06:25,600 --> 00:06:28,599
Speaker 1: it was for the best. But like, um, it just

124
00:06:28,880 --> 00:06:32,200
Speaker 1: it really changed how I entered New York City, like

125
00:06:32,240 --> 00:06:34,000
Speaker 1: what I was doing and where I was at. It

126
00:06:34,040 --> 00:06:36,880
Speaker 1: was it just was like I can't do this anymore.

127
00:06:37,279 --> 00:06:41,960
Speaker 1: In my memory, it flew by. But I was off

128
00:06:42,000 --> 00:06:44,880
Speaker 1: the grid, man, I was like not and my my

129
00:06:44,920 --> 00:06:46,760
Speaker 1: boyfriend was so like that. We were like so new

130
00:06:46,760 --> 00:06:48,480
Speaker 1: in the relationship, and the way that he was there

131
00:06:48,520 --> 00:06:50,920
Speaker 1: for me was just like, so you been living together

132
00:06:50,920 --> 00:06:53,160
Speaker 1: at that point. Um, he'd been staying over like five

133
00:06:53,279 --> 00:06:55,960
Speaker 1: nights a week. I mean, I loved you know what

134
00:06:56,080 --> 00:07:03,600
Speaker 1: happens when you fucking he's ha ha, Oh my god.

135
00:07:04,279 --> 00:07:07,840
Speaker 1: That ship was too much. But let me just say

136
00:07:07,880 --> 00:07:10,160
Speaker 1: it was hard to keep my mouth. I'm not even

137
00:07:10,160 --> 00:07:13,520
Speaker 1: gonna say, Okay, it was okay, bitch. I was making noises.

138
00:07:13,960 --> 00:07:18,840
Speaker 1: I was, yeah, listen, the safest thing you could do

139
00:07:18,960 --> 00:07:24,000
Speaker 1: during sex. U was no lost herself. He would call

140
00:07:24,000 --> 00:07:26,400
Speaker 1: me Michael Jackson because all I would do about the

141
00:07:26,440 --> 00:07:30,840
Speaker 1: house and be like, this is okay everyone, mym just

142
00:07:30,880 --> 00:07:33,920
Speaker 1: like just without phonating, this is just just what would

143
00:07:33,960 --> 00:07:35,400
Speaker 1: you look like if you were getting fucked but you

144
00:07:35,440 --> 00:07:41,840
Speaker 1: couldn't make any noise. The crazy thing is you can't

145
00:07:41,880 --> 00:07:44,880
Speaker 1: stop from making a noise. You listen to make noise.

146
00:07:46,920 --> 00:07:51,560
Speaker 1: Oh my god, sex noises. We're open? Should we sing? Well, cameo,

147
00:07:51,680 --> 00:07:59,560
Speaker 1: rude camoen, We're supposed to harmonize, you bitch. No, the

148
00:07:59,600 --> 00:08:02,080
Speaker 1: moment over continue what we're gonna say. I'm just saying

149
00:08:02,240 --> 00:08:05,360
Speaker 1: that Dave and I had my apartment. We're just watching old, old,

150
00:08:05,360 --> 00:08:10,360
Speaker 1: old videos of miss Kelly clarkson American Idol. She's just

151
00:08:10,400 --> 00:08:11,800
Speaker 1: in such a good place. Now, I was I was

152
00:08:11,880 --> 00:08:15,000
Speaker 1: pandering to Matt, you were, I was like, he was.

153
00:08:15,120 --> 00:08:16,680
Speaker 1: He literally goes to me, We're over in my apartment.

154
00:08:16,680 --> 00:08:18,320
Speaker 1: We're having glass one before this, and he goes to me,

155
00:08:18,600 --> 00:08:21,480
Speaker 1: pull up a video of Kelly Clarkson. That's this was

156
00:08:21,520 --> 00:08:23,600
Speaker 1: your idea? Well, he was. We were wating about what

157
00:08:23,640 --> 00:08:26,000
Speaker 1: we started by watching other videos of a of a

158
00:08:26,080 --> 00:08:28,440
Speaker 1: different celebrity on on a show which we should talk

159
00:08:28,440 --> 00:08:31,440
Speaker 1: about with Katy Perry and American American. And I was

160
00:08:31,480 --> 00:08:34,559
Speaker 1: just showing him Ada Box, the drag queen that actually

161
00:08:34,640 --> 00:08:39,040
Speaker 1: sadly just got eliminated on American Idol. The vocal wasn't great,

162
00:08:39,280 --> 00:08:41,160
Speaker 1: but it's still sad that you don't see the continue.

163
00:08:41,240 --> 00:08:43,560
Speaker 1: But then we crossed over into the voice videos and

164
00:08:43,600 --> 00:08:45,959
Speaker 1: he said, show me a recent video of Kelly singing

165
00:08:46,000 --> 00:08:47,600
Speaker 1: as she sung on the show. And I was like,

166
00:08:47,800 --> 00:08:49,520
Speaker 1: is this bit trying to pander to me right now?

167
00:08:49,600 --> 00:08:52,079
Speaker 1: Why is he being nice to me? He's never positive

168
00:08:52,120 --> 00:08:54,920
Speaker 1: about Kelly Clarkson. You always have something sharp to say.

169
00:08:55,440 --> 00:08:58,560
Speaker 1: It wasn't just I guess, I just the way that

170
00:08:58,600 --> 00:09:00,720
Speaker 1: the way you like get emotional about her sort of

171
00:09:00,760 --> 00:09:03,120
Speaker 1: makes me sick in a way that I make myself

172
00:09:03,160 --> 00:09:05,200
Speaker 1: sick sometimes with the way in which I speak about

173
00:09:05,240 --> 00:09:08,760
Speaker 1: these Gaga And sometimes I'm like, oh, Dave, you don't

174
00:09:08,800 --> 00:09:10,480
Speaker 1: know that You've got to take a step back. But

175
00:09:10,640 --> 00:09:13,360
Speaker 1: I get it. It's easy to make fun of Kelly. Yeah. No, Well,

176
00:09:13,480 --> 00:09:18,720
Speaker 1: sometimes she's just a dollar and wan. She's just very

177
00:09:18,720 --> 00:09:22,600
Speaker 1: it's funny, it's funny. But now that she's filtering that

178
00:09:22,640 --> 00:09:26,240
Speaker 1: personality into the voice, it just it works like I

179
00:09:26,280 --> 00:09:28,959
Speaker 1: love her as a judge. I'm watching the voice. She

180
00:09:29,360 --> 00:09:31,920
Speaker 1: was happy, she looks happy. That's great, That's all that matters.

181
00:09:32,200 --> 00:09:33,960
Speaker 1: It just seems like the vibes are good. She looks

182
00:09:33,960 --> 00:09:37,040
Speaker 1: healthier too, and they're dressing her better like it seems

183
00:09:37,040 --> 00:09:38,719
Speaker 1: like it seems like we're in a Kelly renaissance in

184
00:09:38,760 --> 00:09:41,120
Speaker 1: a way that I'm obsessed with River Roses on set.

185
00:09:41,320 --> 00:09:44,640
Speaker 1: She's on the she's on the Universal lot every day. Well,

186
00:09:44,679 --> 00:09:47,000
Speaker 1: Matt also showed me this video of Kelly, like in

187
00:09:47,040 --> 00:09:48,840
Speaker 1: the first season of American I like when they go

188
00:09:49,000 --> 00:09:52,360
Speaker 1: back home with the contestant in this very first promo package,

189
00:09:52,400 --> 00:09:54,160
Speaker 1: like when she came out about about to saying. The

190
00:09:54,240 --> 00:09:57,839
Speaker 1: very first clip they showed before she sat was she's

191
00:09:58,000 --> 00:10:01,000
Speaker 1: literally in the river. She's still on a nerve football

192
00:10:01,040 --> 00:10:04,640
Speaker 1: in the river in Burlston, Texas. And I'm like, this girl, Yeah,

193
00:10:04,720 --> 00:10:08,480
Speaker 1: this girl was country country man, but also like the

194
00:10:08,600 --> 00:10:12,839
Speaker 1: voice the voice of like Whitney, like crazy. Even then,

195
00:10:13,120 --> 00:10:16,920
Speaker 1: even then, I swear to god, I did not care

196
00:10:17,000 --> 00:10:19,960
Speaker 1: for the first season of American Idol until like until

197
00:10:20,160 --> 00:10:25,719
Speaker 1: um Nicole McKibbin whatevering mcibbin. I was like, oh, and

198
00:10:25,960 --> 00:10:27,319
Speaker 1: then I heard all this, and then like by the

199
00:10:27,360 --> 00:10:31,320
Speaker 1: final three, I was like, oh, whoa. I happened to

200
00:10:32,360 --> 00:10:35,560
Speaker 1: catch onto it very early. But as someone who's often

201
00:10:35,640 --> 00:10:38,560
Speaker 1: laid on these big water cooler shows, I identified with

202
00:10:38,600 --> 00:10:41,000
Speaker 1: what you're saying that one I happened to be in

203
00:10:41,040 --> 00:10:43,880
Speaker 1: from the beginning, And it was true. It was Kelly

204
00:10:43,960 --> 00:10:49,280
Speaker 1: Clarkson and Tamyra Gray who coincidentally last night don't about

205
00:10:49,600 --> 00:10:51,160
Speaker 1: to go see once on This Island list and I'm

206
00:10:51,160 --> 00:10:53,679
Speaker 1: Broadway and I'm so happy that we get to tell

207
00:10:53,720 --> 00:10:57,480
Speaker 1: all the listeners. It is so good. And I thought

208
00:10:57,520 --> 00:11:00,400
Speaker 1: like maybe two months ago, and it was, first of all,

209
00:11:00,440 --> 00:11:04,640
Speaker 1: I love Circling the Square. It is so good, so immersive. No,

210
00:11:04,720 --> 00:11:06,480
Speaker 1: not a bad seat in the house, and like truly

211
00:11:06,559 --> 00:11:08,560
Speaker 1: you mean that, and like oh my god, the chicken,

212
00:11:08,840 --> 00:11:11,480
Speaker 1: the chicken and the goat, the animals, and but also

213
00:11:11,520 --> 00:11:14,680
Speaker 1: like just the performances, like Norm Lewis was, well, we

214
00:11:14,720 --> 00:11:20,200
Speaker 1: didn't see Norman Lewis. We got Haley, we got stunning

215
00:11:20,360 --> 00:11:24,160
Speaker 1: to miss Tamyra Greg been a fan of hers for

216
00:11:24,200 --> 00:11:27,360
Speaker 1: sixteen years and I have to say, shout out. She

217
00:11:27,480 --> 00:11:31,160
Speaker 1: has become such an amazing, stunning artist the way she

218
00:11:31,280 --> 00:11:34,160
Speaker 1: uses her body on the stage. She is a theatrical artist.

219
00:11:34,160 --> 00:11:37,199
Speaker 1: Skilled theatrical artist, yes, and she was amazing in the show.

220
00:11:38,160 --> 00:11:39,600
Speaker 1: I saw her as Mimi and Rent. I told you

221
00:11:39,640 --> 00:11:42,640
Speaker 1: earlier she was also good at that. Absolutely, I'm telling

222
00:11:42,640 --> 00:11:46,240
Speaker 1: you out. Tonight was like I wanted it to be three.

223
00:11:46,880 --> 00:11:50,360
Speaker 1: It was so good and also like the emotional stuff

224
00:11:50,360 --> 00:11:51,800
Speaker 1: that made me gets to do at the end of Rent,

225
00:11:51,800 --> 00:11:54,000
Speaker 1: like she nailed all of that. I mean, yeah, when

226
00:11:54,040 --> 00:11:59,280
Speaker 1: she comes back from the dead, well, I'm talking about

227
00:12:00,040 --> 00:12:06,280
Speaker 1: it just came to say goodbye love without you as

228
00:12:06,360 --> 00:12:09,679
Speaker 1: especially without you so beautiful. Roario Dawson and the toub

229
00:12:09,840 --> 00:12:13,000
Speaker 1: was tough, but the song on on Broadway live on

230
00:12:13,120 --> 00:12:15,800
Speaker 1: stage is amazing. Well, I should tell you it's good.

231
00:12:15,880 --> 00:12:17,439
Speaker 1: I should tell you him is it? We're just saying.

232
00:12:17,480 --> 00:12:20,720
Speaker 1: Tamara Gray was amazing and once on a silent and

233
00:12:20,760 --> 00:12:23,439
Speaker 1: the real discovery for me was the lead girl. Haley

234
00:12:23,480 --> 00:12:27,800
Speaker 1: Killed amazing. This girl she's really good and she came

235
00:12:27,800 --> 00:12:31,840
Speaker 1: out and stood up in her first position and everyone

236
00:12:31,880 --> 00:12:34,360
Speaker 1: applauded as if she was like a big star, but

237
00:12:34,400 --> 00:12:37,480
Speaker 1: no one knows her. She just commanded your attention. And

238
00:12:37,520 --> 00:12:39,320
Speaker 1: also for people who know the show, like you know

239
00:12:39,360 --> 00:12:42,000
Speaker 1: what she's coming on. You know it's her entrance song.

240
00:12:42,120 --> 00:12:44,200
Speaker 1: You know it's I said to Matt, it's the song

241
00:12:44,280 --> 00:12:46,520
Speaker 1: that really carries out of that musical that it's the

242
00:12:46,520 --> 00:12:48,760
Speaker 1: one that's in everyone's book and what it. It's so good.

243
00:12:48,800 --> 00:12:50,800
Speaker 1: I was trying to learn her today. I was like, yes, God,

244
00:12:50,800 --> 00:12:55,559
Speaker 1: I'm gonna sing this at the next Cabernet cabaret. It's

245
00:12:55,600 --> 00:12:58,240
Speaker 1: so good. We didn't get Alex Knewell, which is but

246
00:12:58,360 --> 00:13:01,640
Speaker 1: the understanding was amazing. She was fabulous. Understudies are fantastic

247
00:13:02,760 --> 00:13:05,319
Speaker 1: and understudy and one of the most iconic singers I

248
00:13:05,360 --> 00:13:08,360
Speaker 1: could know. So give it up her understudies out there

249
00:13:08,440 --> 00:13:10,439
Speaker 1: when you go, when you see a Broadway show, you're

250
00:13:10,520 --> 00:13:15,319
Speaker 1: gonna get something amazing unless it's done casting. Like that's

251
00:13:15,400 --> 00:13:18,360
Speaker 1: rule of culture number fourteen. When you see your Broadway show,

252
00:13:18,440 --> 00:13:23,080
Speaker 1: you're gonna see something amazing unless it's sun casting. I

253
00:13:23,120 --> 00:13:25,520
Speaker 1: held my breath turning that. I feel like, are they

254
00:13:25,520 --> 00:13:26,680
Speaker 1: going to get that? That was like that was a

255
00:13:26,679 --> 00:13:29,560
Speaker 1: long sentence bow and how are you? I don't know

256
00:13:29,600 --> 00:13:33,280
Speaker 1: how I got through that. Lias Alonga was gorgeous. Queen queen.

257
00:13:33,880 --> 00:13:35,880
Speaker 1: I mean, you said she had an easy job, but

258
00:13:35,920 --> 00:13:39,360
Speaker 1: she executed. I said, that bitch comes in there, it

259
00:13:39,360 --> 00:13:43,320
Speaker 1: collects a check on her. You know, she's the first

260
00:13:43,320 --> 00:13:45,720
Speaker 1: one out of costume out the door in the taxi.

261
00:13:46,240 --> 00:13:48,920
Speaker 1: Even Alex knew, like even the understudy barely put any

262
00:13:48,960 --> 00:13:51,440
Speaker 1: effort into hitting all these crazy amazing things. Just can

263
00:13:51,559 --> 00:13:53,240
Speaker 1: do it. They can do it, and then like yep,

264
00:13:53,360 --> 00:13:55,640
Speaker 1: clock out, absolutely clock out. Bit she's on her way,

265
00:13:55,679 --> 00:13:58,160
Speaker 1: She's gonna stop at somewhere get get a nice little

266
00:13:58,200 --> 00:14:00,800
Speaker 1: piece of cheesecake. Heads somewhere. Yeah, I'm gonna starties later,

267
00:14:02,080 --> 00:14:04,319
Speaker 1: stopping quick. They know my name, and she's not having

268
00:14:04,320 --> 00:14:08,000
Speaker 1: a martini tonight. I'm not never, not never. But also

269
00:14:08,200 --> 00:14:09,760
Speaker 1: the thing is, I just wanted to let everyone know

270
00:14:09,880 --> 00:14:12,719
Speaker 1: tomorrow Grace slang yes at this point her career six

271
00:14:12,800 --> 00:14:15,199
Speaker 1: years later, like a different space than Kelly, but they

272
00:14:15,240 --> 00:14:17,400
Speaker 1: were the iconic too. And we were also watching her

273
00:14:17,480 --> 00:14:19,480
Speaker 1: videos before, and she's always been a slack you know,

274
00:14:19,520 --> 00:14:21,560
Speaker 1: it's a travesty. What I know. This isn't like a

275
00:14:21,600 --> 00:14:23,400
Speaker 1: bad this is a bad metric. But to my great

276
00:14:23,480 --> 00:14:26,360
Speaker 1: only has eight thousand Twitter falls. I know, I saw

277
00:14:26,400 --> 00:14:29,960
Speaker 1: that you have hundreds upon hundreds of thousands. You know.

278
00:14:30,160 --> 00:14:33,880
Speaker 1: It's a it's a it's it's well, it's more. Yeah,

279
00:14:35,360 --> 00:14:38,400
Speaker 1: she's also been famous for sixteen years. That's true. That's true.

280
00:14:38,440 --> 00:14:40,040
Speaker 1: That's true. But the thing is, I just got my

281
00:14:40,080 --> 00:14:42,480
Speaker 1: blonde here. I've only been famous for three days. And

282
00:14:42,560 --> 00:14:45,760
Speaker 1: also we were just watching the Voice and Adam Levin

283
00:14:45,840 --> 00:14:48,080
Speaker 1: popped up on the screen and Dave saw Adam Levina

284
00:14:48,120 --> 00:14:50,560
Speaker 1: and goes, oh, okay, I really do have his hair.

285
00:14:50,720 --> 00:14:52,960
Speaker 1: I didn't know. I just thought, like because I always

286
00:14:52,960 --> 00:14:55,040
Speaker 1: imagine him as having short hair. I guess, like that's

287
00:14:55,040 --> 00:14:58,360
Speaker 1: how that's why I always magined liter we have the

288
00:14:58,400 --> 00:15:00,280
Speaker 1: same haircut, so that so when I saw one, I

289
00:15:00,320 --> 00:15:02,360
Speaker 1: was like, oh, that's why my mom said that. She

290
00:15:02,480 --> 00:15:04,720
Speaker 1: was like, you look like Adam Levine. I like, it's

291
00:15:04,800 --> 00:15:05,880
Speaker 1: kind of like And I was like, why is my

292
00:15:05,920 --> 00:15:08,520
Speaker 1: mom accepting this blonde hair? Like what has what has

293
00:15:08,560 --> 00:15:10,200
Speaker 1: predisposed her to this? And I was like, oh, it's

294
00:15:10,200 --> 00:15:13,280
Speaker 1: Adam Levine and it's Adam Vine because it's literally my hairstyle,

295
00:15:14,040 --> 00:15:16,760
Speaker 1: so like Adam Levine warmed her up to the gayness

296
00:15:16,800 --> 00:15:19,520
Speaker 1: of your hairstyle. Well, but you had this before, well

297
00:15:19,560 --> 00:15:21,080
Speaker 1: I did like that. Honestly, the way I did it

298
00:15:21,080 --> 00:15:22,920
Speaker 1: before I wasn't like this, and I regretted it was

299
00:15:22,960 --> 00:15:25,240
Speaker 1: like just the top and I had these frosty tips forever.

300
00:15:25,800 --> 00:15:28,440
Speaker 1: But oh my god, guys, this bleaching hurt. It hurts,

301
00:15:28,440 --> 00:15:30,960
Speaker 1: It hurts the bleacher, it's painful. When when my mom

302
00:15:31,040 --> 00:15:32,880
Speaker 1: was going to do it for us, she was like,

303
00:15:32,920 --> 00:15:35,200
Speaker 1: I can dye your hair black, but but I'm never

304
00:15:35,200 --> 00:15:37,720
Speaker 1: really comfortable doing Dave's hair blonde because it's not really

305
00:15:37,720 --> 00:15:39,200
Speaker 1: what I do. And also just let him know it

306
00:15:39,280 --> 00:15:41,840
Speaker 1: fucking her. Oh my god, no, my scalp was kept throbbing.

307
00:15:42,160 --> 00:15:46,400
Speaker 1: Um try having like thick, thick Asian hair and having

308
00:15:46,440 --> 00:15:48,680
Speaker 1: to go through like three rounds of it before they

309
00:15:48,680 --> 00:15:52,760
Speaker 1: can even begin toning. It's terrible. It was under heat too, right, Yeah,

310
00:15:52,840 --> 00:15:55,400
Speaker 1: I mean I was sitting for a long time. I

311
00:15:55,480 --> 00:15:57,040
Speaker 1: was like I had the back of the comb. I

312
00:15:57,080 --> 00:15:59,040
Speaker 1: was just poking my scalp because it was so itchy.

313
00:15:59,640 --> 00:16:01,680
Speaker 1: But but honestly, when she washed it out and after

314
00:16:01,760 --> 00:16:04,360
Speaker 1: my scalp finished throbbing, I looked in the mirror and

315
00:16:04,400 --> 00:16:06,120
Speaker 1: I said, oh God, I look like a porn star

316
00:16:07,400 --> 00:16:10,400
Speaker 1: and it was all worth it. God blast, why not?

317
00:16:10,920 --> 00:16:13,960
Speaker 1: Like what a Tampa's Finest Tampa. Honestly, I could only

318
00:16:14,000 --> 00:16:18,240
Speaker 1: hope that's the title of that Tampa. Okay, we gotta

319
00:16:19,640 --> 00:16:24,560
Speaker 1: finest with Dave Mazzoni. I beated that too. We got

320
00:16:24,560 --> 00:16:28,040
Speaker 1: to talk about Katie on Idol, Okay, Yeah, Like I

321
00:16:28,080 --> 00:16:30,560
Speaker 1: mean I want to get there later on yeah if

322
00:16:30,840 --> 00:16:33,280
Speaker 1: you if you get our drift, he wants to get there, like,

323
00:16:33,360 --> 00:16:36,280
Speaker 1: oh he got something to say about. But I will

324
00:16:36,280 --> 00:16:38,160
Speaker 1: say we watched American Idol and like it just like

325
00:16:38,200 --> 00:16:41,200
Speaker 1: I mean, the stage is Disney, it was Disney United,

326
00:16:41,320 --> 00:16:45,760
Speaker 1: was Corporate USA. The corporate retreat of American Idol. It

327
00:16:45,800 --> 00:16:47,920
Speaker 1: was disgusting. It was a billboard, it was Petsy ad

328
00:16:48,040 --> 00:16:50,600
Speaker 1: they're leading into the network. They I mean, it's one

329
00:16:50,640 --> 00:16:52,960
Speaker 1: of these you know what they really are, and I'm

330
00:16:52,960 --> 00:16:54,600
Speaker 1: sure there's a lot of people at home that enjoy it.

331
00:16:54,600 --> 00:16:57,800
Speaker 1: It's just tough just to see someone like Katy Perry,

332
00:16:57,800 --> 00:17:01,640
Speaker 1: who you know, used to be doing Unplugged and like, yeah,

333
00:17:01,960 --> 00:17:04,480
Speaker 1: her first album was still felt authentically her. To see

334
00:17:04,520 --> 00:17:06,679
Speaker 1: her come out in a snow white costume and like

335
00:17:06,720 --> 00:17:10,480
Speaker 1: Disney Presents Katy Perry, it's a little tough because you're like, ah, man,

336
00:17:10,640 --> 00:17:13,280
Speaker 1: like we're never going to see, like, what's really going

337
00:17:13,320 --> 00:17:15,639
Speaker 1: on with you again? Like you are this kind of

338
00:17:15,680 --> 00:17:18,919
Speaker 1: like sold out commercial pop star, which is you know,

339
00:17:19,280 --> 00:17:22,160
Speaker 1: fun to have, Like it's fine, but the thing is, like,

340
00:17:22,680 --> 00:17:25,240
Speaker 1: you know, there's parts of her I'm keeping my lips

341
00:17:25,240 --> 00:17:29,600
Speaker 1: closed because he has I'm not into it. It's crazy. Okay,

342
00:17:29,600 --> 00:17:31,920
Speaker 1: well then I'm sorry that I should we talk about

343
00:17:31,920 --> 00:17:35,280
Speaker 1: the list. Okay, let's talk about the list. About the list.

344
00:17:35,320 --> 00:17:37,960
Speaker 1: The list, like I mentioned in the little intro, is

345
00:17:38,000 --> 00:17:40,840
Speaker 1: going to be our new show. We've this has been

346
00:17:41,119 --> 00:17:45,359
Speaker 1: sort of percolating in our head since January. It's it's

347
00:17:45,760 --> 00:17:48,040
Speaker 1: do you want to explain to the I mean I

348
00:17:48,119 --> 00:17:50,720
Speaker 1: was going to talk about the space public hotel. Yeah,

349
00:17:50,720 --> 00:17:55,000
Speaker 1: it's their public arts space. There is just looks it's

350
00:17:55,040 --> 00:17:58,919
Speaker 1: gonna be cool, guys, a spiral stairwell that I'm going

351
00:17:58,960 --> 00:18:03,080
Speaker 1: to die on. Um, it's just really cool. And the

352
00:18:03,119 --> 00:18:06,000
Speaker 1: show is going to be about like, um, like nightlife

353
00:18:06,040 --> 00:18:09,560
Speaker 1: that the nightlife nightmare. It's going to clubs, getting in

354
00:18:09,600 --> 00:18:14,720
Speaker 1: the lines, like the coach check, the drink minimums, the

355
00:18:14,760 --> 00:18:17,480
Speaker 1: bottle service. It's all just like bullshit, and like I've

356
00:18:17,480 --> 00:18:19,879
Speaker 1: been dragging guys to these events for you. Yeah, I

357
00:18:19,960 --> 00:18:22,000
Speaker 1: was gonna say, like you have the most experience with

358
00:18:22,040 --> 00:18:23,919
Speaker 1: these kind of Yeah. I mean, you know, I like

359
00:18:24,000 --> 00:18:25,720
Speaker 1: to get I get in there on the promoting side

360
00:18:25,720 --> 00:18:27,560
Speaker 1: because I feel like, at the end of the day,

361
00:18:27,600 --> 00:18:29,399
Speaker 1: all these promoters want is for people to come to

362
00:18:29,400 --> 00:18:31,240
Speaker 1: their events. They want to have a successful event. It's

363
00:18:31,240 --> 00:18:33,200
Speaker 1: the same as a comedy show in a in an

364
00:18:33,200 --> 00:18:36,879
Speaker 1: abstract sense, like they just want butts and seats and

365
00:18:36,920 --> 00:18:38,960
Speaker 1: so like if you have a good crew who doesn't

366
00:18:39,040 --> 00:18:40,960
Speaker 1: like die and who isn't like wasted all the time,

367
00:18:41,080 --> 00:18:43,360
Speaker 1: Like it's like social lites and people who are working

368
00:18:43,359 --> 00:18:45,960
Speaker 1: in the community, they're like, yes, please bring your friends. Yeah,

369
00:18:46,000 --> 00:18:47,399
Speaker 1: you can have a good time, right and exactly, And

370
00:18:47,400 --> 00:18:49,639
Speaker 1: if I can negotiate a situation where we can spend

371
00:18:50,000 --> 00:18:51,520
Speaker 1: like an amount of money that I can tell you

372
00:18:51,560 --> 00:18:54,479
Speaker 1: on Venmo beforehand, rather than go in there and like

373
00:18:54,600 --> 00:18:56,440
Speaker 1: God knows how much is on your car at the bar,

374
00:18:56,640 --> 00:18:58,800
Speaker 1: and it's it's just a whole mess. So if I

375
00:18:58,800 --> 00:19:00,280
Speaker 1: can make it so that we can go out and

376
00:19:00,320 --> 00:19:02,760
Speaker 1: have these experiences about the bullshit of these events, which

377
00:19:02,800 --> 00:19:05,879
Speaker 1: I had first inexperiencing for five years at n y

378
00:19:05,920 --> 00:19:09,160
Speaker 1: U when we were twinks. Those days, like those days

379
00:19:09,200 --> 00:19:10,919
Speaker 1: when we were like going too spaces when we were young,

380
00:19:11,040 --> 00:19:13,240
Speaker 1: like you know, those parties. I was I was never

381
00:19:13,400 --> 00:19:15,080
Speaker 1: are you talking about like splash and ship like that.

382
00:19:15,080 --> 00:19:18,639
Speaker 1: I never want to actually never want to every splash,

383
00:19:19,000 --> 00:19:21,639
Speaker 1: but I did rest in Pace. But I did go

384
00:19:21,720 --> 00:19:26,520
Speaker 1: to like these um gay events that like targeted young students,

385
00:19:27,119 --> 00:19:29,640
Speaker 1: like and we all there was like Facebook groups where

386
00:19:29,640 --> 00:19:33,560
Speaker 1: they were they were like message you randomly. I mean

387
00:19:33,560 --> 00:19:35,600
Speaker 1: that's like, yeah, that brings back, it doesn't hold up.

388
00:19:36,760 --> 00:19:41,080
Speaker 1: So basically that's really what the show is. What we're

389
00:19:41,119 --> 00:19:45,240
Speaker 1: satirizing is the kind of exclusivity of door culture and

390
00:19:45,320 --> 00:19:47,520
Speaker 1: club culture and nightlife and how it can kind of

391
00:19:47,560 --> 00:19:51,600
Speaker 1: feel like you could never possibly be like good enough

392
00:19:51,640 --> 00:19:54,200
Speaker 1: for the space, or like famous enough or rich enough

393
00:19:54,200 --> 00:19:55,959
Speaker 1: for the space. So basically, we're going to play these

394
00:19:55,960 --> 00:19:59,760
Speaker 1: three characters who were all in the same house, and

395
00:20:00,000 --> 00:20:01,840
Speaker 1: we're basically going to run the show. You know, we're

396
00:20:01,840 --> 00:20:04,960
Speaker 1: gonna have a fucking If you're in the audience, you

397
00:20:04,960 --> 00:20:10,600
Speaker 1: are on the list, the honey, you are man on

398
00:20:10,640 --> 00:20:13,240
Speaker 1: the last congratulations, And basically it's going to be very fun,

399
00:20:13,359 --> 00:20:17,320
Speaker 1: kind of like not take yourself seriously at all. What

400
00:20:17,359 --> 00:20:20,040
Speaker 1: I love, what I love personally is making fun of

401
00:20:20,040 --> 00:20:23,120
Speaker 1: stuff that takes itself super serious. So for me, this

402
00:20:23,160 --> 00:20:25,240
Speaker 1: is going to be that. To the m degrade and

403
00:20:25,320 --> 00:20:27,600
Speaker 1: this space, you guys, oh my god, it's so cool,

404
00:20:28,040 --> 00:20:30,399
Speaker 1: so cool, and the people who run it there are

405
00:20:30,480 --> 00:20:32,440
Speaker 1: so great. Like meeting with Will and like just seeing

406
00:20:32,440 --> 00:20:33,960
Speaker 1: the whole layout of how they do things. They're like,

407
00:20:34,200 --> 00:20:35,680
Speaker 1: it's such a chill vibe. I think we're gonna have

408
00:20:35,720 --> 00:20:37,760
Speaker 1: a really fun party there. And the three of us

409
00:20:37,840 --> 00:20:40,440
Speaker 1: just hosted a show. We did the exhibition with Michael Caine.

410
00:20:40,480 --> 00:20:44,080
Speaker 1: Oh my god, so fun. Heartthrob, Yeah, the Heartthrob. Michael.

411
00:20:44,600 --> 00:20:46,520
Speaker 1: You got to go to the show Guys Exhibition. I

412
00:20:46,600 --> 00:20:50,639
Speaker 1: believe it's monthly at the Hotel Michael, Michael Caine and

413
00:20:50,880 --> 00:20:53,600
Speaker 1: mary Beth Burrowne hosted and we just kind of stepped

414
00:20:53,600 --> 00:20:56,040
Speaker 1: in and hosted while Mary Beth was away. We had

415
00:20:56,080 --> 00:21:00,439
Speaker 1: Janine Garuffalo on the show, so sheer matayl Lane it was.

416
00:21:00,640 --> 00:21:04,840
Speaker 1: There was a mentalist performing, Christie Cello. Of course, I'm

417
00:21:04,880 --> 00:21:08,800
Speaker 1: unbelievable and so basically, um, that's another thing we're excited

418
00:21:08,840 --> 00:21:10,719
Speaker 1: about with our show is it's going to feature not

419
00:21:10,800 --> 00:21:14,240
Speaker 1: just comedy but also like some drag, some lesque performers,

420
00:21:14,280 --> 00:21:16,199
Speaker 1: just mix it up a little bit. We have so

421
00:21:16,240 --> 00:21:18,440
Speaker 1: many just amazing people in this community right now, and

422
00:21:18,440 --> 00:21:20,359
Speaker 1: they're the people that go to those events. Like you know,

423
00:21:20,440 --> 00:21:21,960
Speaker 1: I may drag you out to the club, but you

424
00:21:21,960 --> 00:21:25,840
Speaker 1: know Britta filters up there. Like yet if you also

425
00:21:25,880 --> 00:21:28,560
Speaker 1: don't know Britta Filter, She's the lamin and drag queen

426
00:21:28,600 --> 00:21:30,320
Speaker 1: of New York. So I will absolutely we can talk

427
00:21:30,359 --> 00:21:31,720
Speaker 1: as long about this as we want. I want to

428
00:21:31,760 --> 00:21:34,400
Speaker 1: promote Britten Filter as much as possible. She is see

429
00:21:34,440 --> 00:21:37,360
Speaker 1: it now before you can't see it absolutely is also

430
00:21:37,400 --> 00:21:40,680
Speaker 1: booking gigs. But I'm saying she's booking gigs and she's

431
00:21:40,680 --> 00:21:43,800
Speaker 1: also doing like comedy shows. She's always been interested in

432
00:21:43,920 --> 00:21:47,040
Speaker 1: comedy and doing comedy stuff because Oscar and I booked

433
00:21:47,080 --> 00:21:51,920
Speaker 1: her like years ago, remember that, of course. And yes,

434
00:21:52,000 --> 00:21:57,159
Speaker 1: bitch bibliography, I have received historical historian. I have the

435
00:21:57,160 --> 00:22:00,639
Speaker 1: bibliography and she's got the BIB. Yeah. I feel like

436
00:22:00,720 --> 00:22:03,479
Speaker 1: it's just you know, it's it's it's a fun it's

437
00:22:03,480 --> 00:22:06,280
Speaker 1: still a fun opportunity to to include people in that

438
00:22:06,320 --> 00:22:08,360
Speaker 1: world but also make fun of it in its fun way. Yeah,

439
00:22:08,400 --> 00:22:12,119
Speaker 1: it's gonna be so fun. He took some crazy photos

440
00:22:12,200 --> 00:22:14,400
Speaker 1: which maybe bye bye. I don't know if can hold

441
00:22:14,440 --> 00:22:17,000
Speaker 1: that to any longer. I'm blue bawling myself. You are

442
00:22:17,119 --> 00:22:20,080
Speaker 1: very anty with it. So we took fun, fun, fun

443
00:22:20,760 --> 00:22:24,320
Speaker 1: promo photos as the characters, you guys, with the photographer

444
00:22:24,359 --> 00:22:28,400
Speaker 1: extraordinaire out like Shaver who you know, if you see

445
00:22:28,440 --> 00:22:32,000
Speaker 1: any good picture of any Brooklyn comedity, he's in the studio.

446
00:22:32,080 --> 00:22:36,120
Speaker 1: You know. It was actually like, seriously, there's the nicest guy,

447
00:22:36,240 --> 00:22:40,360
Speaker 1: the so talented supported the craziness that we brought there,

448
00:22:40,520 --> 00:22:43,040
Speaker 1: Like we came in with bags honey like workroom bags.

449
00:22:43,119 --> 00:22:46,080
Speaker 1: Yeah yeah, tons of costumes and son. The photos are

450
00:22:46,200 --> 00:22:50,360
Speaker 1: very very fun um, but Bowen is very traditionally very

451
00:22:50,359 --> 00:22:53,840
Speaker 1: anty about the promotional materials and to get them out there.

452
00:22:54,359 --> 00:22:57,480
Speaker 1: Because it was the impetus from my blonde hair. It

453
00:22:57,600 --> 00:23:00,080
Speaker 1: truly like it triggered it. I'm saying, there's just so

454
00:23:00,200 --> 00:23:03,919
Speaker 1: much surrounding, like the lead up to the shoot and

455
00:23:03,920 --> 00:23:06,760
Speaker 1: then now that we're in the post phase, like you

456
00:23:06,800 --> 00:23:08,359
Speaker 1: wanted to pay off. I wanted to pay off. I

457
00:23:08,359 --> 00:23:10,320
Speaker 1: want I want people to see. I'm just like anytime

458
00:23:10,400 --> 00:23:13,879
Speaker 1: anytime I make something ums with something on Photoshop, I'm

459
00:23:13,880 --> 00:23:15,239
Speaker 1: always like, okay, I want to share this right now.

460
00:23:15,280 --> 00:23:16,959
Speaker 1: And it's bad. It's a bad quality. I've been clocking

461
00:23:16,960 --> 00:23:18,800
Speaker 1: the tweaks you've been making just that I'm not even

462
00:23:18,800 --> 00:23:21,120
Speaker 1: like judging them per se. I'm just like watching your

463
00:23:21,160 --> 00:23:23,560
Speaker 1: mental process like actually, no, I don't like the underlying

464
00:23:23,680 --> 00:23:26,240
Speaker 1: like no, I want to do Yeah, it's I see

465
00:23:26,240 --> 00:23:28,280
Speaker 1: you tweak, and I love that. I see the mental

466
00:23:28,520 --> 00:23:30,159
Speaker 1: like I see the arc, and I just you know,

467
00:23:30,160 --> 00:23:32,919
Speaker 1: that's why we support, That's why listeners know that you

468
00:23:32,960 --> 00:23:35,000
Speaker 1: are a full time graphic designer. Do I know that

469
00:23:35,000 --> 00:23:37,879
Speaker 1: I think some of them do well. Anyway, He's a talent.

470
00:23:38,000 --> 00:23:41,200
Speaker 1: I mean, it's just all it's He's amazing, like almost

471
00:23:41,240 --> 00:23:43,760
Speaker 1: like like tons of the designs you've seen that are

472
00:23:43,800 --> 00:23:48,320
Speaker 1: promoting shows um around New York City has been before.

473
00:23:48,520 --> 00:23:54,240
Speaker 1: All the graphic material for Last culturis that literally, my sisters,

474
00:23:54,400 --> 00:23:56,360
Speaker 1: he is available for hire. By the way, I'll say

475
00:23:56,400 --> 00:23:59,320
Speaker 1: that for him. She's out here. Get her to do

476
00:23:59,359 --> 00:24:01,880
Speaker 1: your stuff. Oh my god, I mean for a price?

477
00:24:02,440 --> 00:24:05,199
Speaker 1: Actually do you want? Can I confess something? When I

478
00:24:05,240 --> 00:24:09,040
Speaker 1: do other people's stuff, it's so much harder. When I

479
00:24:09,080 --> 00:24:10,879
Speaker 1: do my own stuff, it's so much easier because I

480
00:24:10,960 --> 00:24:13,440
Speaker 1: couldn't just tell immediately that you want to back is

481
00:24:13,440 --> 00:24:15,040
Speaker 1: immediate where I'm just like Okay, I like this, No,

482
00:24:15,160 --> 00:24:17,199
Speaker 1: I don't like that. And then like for me to

483
00:24:17,359 --> 00:24:19,639
Speaker 1: design something for someone else, it's always this thing of

484
00:24:19,680 --> 00:24:23,600
Speaker 1: like me like conceding to what they want, which is

485
00:24:23,680 --> 00:24:25,760
Speaker 1: how it should be. But I have a harder time,

486
00:24:25,800 --> 00:24:28,480
Speaker 1: like with the patience of just like Okay, I'm gonna

487
00:24:28,520 --> 00:24:29,960
Speaker 1: do this, I'm gonna try these options. I'm gonna send

488
00:24:30,000 --> 00:24:31,720
Speaker 1: these three options out and I guess I just I

489
00:24:31,720 --> 00:24:34,680
Speaker 1: gotta wait for the next day or hour or so

490
00:24:34,960 --> 00:24:37,320
Speaker 1: until I hear back and so, and I don't like that.

491
00:24:37,440 --> 00:24:39,400
Speaker 1: I don't like that process and it sounds very selfish,

492
00:24:39,400 --> 00:24:41,520
Speaker 1: but I like to work for myself more. No, I

493
00:24:41,560 --> 00:24:42,960
Speaker 1: know what you mean. It's the same thing like when

494
00:24:42,960 --> 00:24:44,840
Speaker 1: we would make a Poplar lead video and we would

495
00:24:44,840 --> 00:24:46,560
Speaker 1: get all the footage and I would like come home

496
00:24:46,600 --> 00:24:48,600
Speaker 1: with the card and it would be eleven at night

497
00:24:48,880 --> 00:24:51,000
Speaker 1: and we had worked all day, and bitch, I would

498
00:24:51,000 --> 00:24:54,119
Speaker 1: sit down and I would be sending you guys a

499
00:24:54,160 --> 00:24:58,560
Speaker 1: cut by like three amant because yeah, I'm the same way.

500
00:24:58,800 --> 00:25:01,000
Speaker 1: Like when we got the photos back from the shoot,

501
00:25:01,400 --> 00:25:03,600
Speaker 1: I looked through them like right away because I was like,

502
00:25:03,600 --> 00:25:05,359
Speaker 1: I want to see what we have. Yes, Matt, you

503
00:25:05,440 --> 00:25:07,399
Speaker 1: look like nobody else. I love the way that you

504
00:25:07,400 --> 00:25:11,000
Speaker 1: look at photos. Well, I'm just saying, you know what's

505
00:25:11,000 --> 00:25:13,720
Speaker 1: so funny. Suti recently read me for this because I

506
00:25:13,760 --> 00:25:15,920
Speaker 1: was talking about the photo shoot and she's like, you know,

507
00:25:16,600 --> 00:25:18,919
Speaker 1: I hope you're just excited about the work. And I

508
00:25:19,000 --> 00:25:21,520
Speaker 1: was like she was teasing, but I was kind of

509
00:25:21,560 --> 00:25:24,679
Speaker 1: just like, the picture and the visual and all of

510
00:25:24,680 --> 00:25:28,119
Speaker 1: that is part of it. And I do believe that

511
00:25:28,359 --> 00:25:32,439
Speaker 1: that's why he's dad. She's checking you That's why she's

512
00:25:32,240 --> 00:25:33,879
Speaker 1: he's coming, She's gonna come in and she's gonna check

513
00:25:33,920 --> 00:25:36,480
Speaker 1: your SUITI is my daddy. She's always making sure that

514
00:25:36,520 --> 00:25:38,480
Speaker 1: we're focused. And the thing is she knows that you

515
00:25:38,480 --> 00:25:41,320
Speaker 1: guys are both very visual people and so you guys,

516
00:25:41,440 --> 00:25:45,239
Speaker 1: especially you guys like even that sometimes it's like, you know,

517
00:25:45,320 --> 00:25:47,320
Speaker 1: you can get carried away with like and I'm not

518
00:25:47,359 --> 00:25:49,960
Speaker 1: saying you, but she wants to make sure that someone's

519
00:25:49,960 --> 00:25:51,600
Speaker 1: always just like and she was like this in popular

520
00:25:51,640 --> 00:25:54,520
Speaker 1: Let you remember, she was always the one that was like, Okay, guys,

521
00:25:54,560 --> 00:25:58,560
Speaker 1: it's cool that the songs sound great, but so that

522
00:25:59,160 --> 00:26:01,840
Speaker 1: she really was huge influence and me figuring out like

523
00:26:02,000 --> 00:26:03,320
Speaker 1: how to cut through the bull like it was the

524
00:26:03,359 --> 00:26:06,040
Speaker 1: UCB class I wasn't taking at the time. That was

525
00:26:06,080 --> 00:26:08,359
Speaker 1: just like, um girl, cut through the bullshit and find

526
00:26:08,400 --> 00:26:10,639
Speaker 1: the funny part. What is the game? That's why she

527
00:26:10,720 --> 00:26:13,159
Speaker 1: has her job. She has now Sti Green, Queen, are

528
00:26:13,359 --> 00:26:17,159
Speaker 1: are that Daddy? Sued Dad? Sed I just couldn't love

529
00:26:17,160 --> 00:26:19,359
Speaker 1: anyone more? In fact, you might hear some more from

530
00:26:19,400 --> 00:26:22,240
Speaker 1: Sudi Green later on in today's show. What could you

531
00:26:22,240 --> 00:26:24,280
Speaker 1: possibly don't know? What I could be? What I could

532
00:26:24,280 --> 00:26:27,200
Speaker 1: be referencing. But anyway, you guys, yes the list. It's

533
00:26:27,200 --> 00:26:29,320
Speaker 1: gonna be so excited about it. I've been dying to

534
00:26:29,359 --> 00:26:31,080
Speaker 1: have a show with my sisters, and like we we

535
00:26:31,160 --> 00:26:34,800
Speaker 1: all are constantly on each other's likes hands. Yeah, we

536
00:26:34,840 --> 00:26:37,520
Speaker 1: are like um in a in a prayer circle right now. Um.

537
00:26:37,640 --> 00:26:39,679
Speaker 1: But I would just say, like, I'm just so excited

538
00:26:39,720 --> 00:26:41,560
Speaker 1: for us to share a show together, Like we've just

539
00:26:41,600 --> 00:26:43,480
Speaker 1: been working together for so long. This is our moment

540
00:26:43,600 --> 00:26:45,719
Speaker 1: in the side. And we also have even sooner than that.

541
00:26:46,280 --> 00:26:48,880
Speaker 1: Dave and I are remounting our game show that's one

542
00:26:48,880 --> 00:26:50,919
Speaker 1: of the best shows in the city. It's so fun.

543
00:26:51,359 --> 00:26:54,639
Speaker 1: We have been doing it for almost a year UCB

544
00:26:54,840 --> 00:26:57,439
Speaker 1: East and we had a really great run there. And

545
00:26:57,720 --> 00:26:59,879
Speaker 1: so now we are going to caveatte which is the

546
00:27:00,200 --> 00:27:12,600
Speaker 1: one of the coolest way were all together together when

547
00:27:12,600 --> 00:27:14,720
Speaker 1: this happened. So I'm in the back. Bowen is on

548
00:27:14,760 --> 00:27:17,400
Speaker 1: stage doing his bit at the exhibition at Public Hotel,

549
00:27:17,880 --> 00:27:20,879
Speaker 1: and I'm in the back and I'm standing with this bitch,

550
00:27:21,240 --> 00:27:25,320
Speaker 1: Corey Campertoli. Are all our friends are there? They can't

551
00:27:25,320 --> 00:27:27,400
Speaker 1: just support, So we're standing in the back. I looked

552
00:27:27,440 --> 00:27:29,320
Speaker 1: down at my phone and I see that I'm being

553
00:27:29,440 --> 00:27:35,720
Speaker 1: followed by. I am Monique Cart to myself, is this

554
00:27:35,960 --> 00:27:39,399
Speaker 1: situation where it's one of those fools that have the

555
00:27:39,480 --> 00:27:42,240
Speaker 1: name of a celebrity and then they follow you and

556
00:27:42,359 --> 00:27:45,760
Speaker 1: you think it's the real thing. Yeah, exactly. But then

557
00:27:45,800 --> 00:27:48,360
Speaker 1: I looked and it was money Cart. And not only that,

558
00:27:48,400 --> 00:27:50,760
Speaker 1: but she had tweeted and responded to a tweet that

559
00:27:50,840 --> 00:27:54,360
Speaker 1: I tweeted earlier in the day. Between tweet, I said, um,

560
00:27:54,400 --> 00:27:56,639
Speaker 1: and this was before Snatch Game, the episode here by

561
00:27:56,640 --> 00:27:58,760
Speaker 1: the time this comes out Snatch at But I said,

562
00:27:59,440 --> 00:28:01,000
Speaker 1: and this is the same day that all this joy

563
00:28:01,040 --> 00:28:03,480
Speaker 1: Read nonsense came out. You can't hear about this? Yes,

564
00:28:03,560 --> 00:28:05,480
Speaker 1: I did. Um And and so I said, I want

565
00:28:05,680 --> 00:28:07,920
Speaker 1: at Monique Cart, I tagged her. Thank god, I said,

566
00:28:07,960 --> 00:28:10,159
Speaker 1: I want at Monique Cart I am Monique Hart to

567
00:28:10,440 --> 00:28:13,960
Speaker 1: play joy Read for Snatch Game. And she responded, OMG,

568
00:28:14,080 --> 00:28:17,880
Speaker 1: that would be hilarious. Also, Ding dong Les Cultures called

569
00:28:19,920 --> 00:28:24,400
Speaker 1: fan of the show, and which to us is I mean,

570
00:28:24,440 --> 00:28:29,119
Speaker 1: that's a super guy, awesome, awesome. From the second I

571
00:28:29,160 --> 00:28:31,240
Speaker 1: saw her, I was like, that's her, you know, that's

572
00:28:31,280 --> 00:28:33,120
Speaker 1: the one for me. Gariel and I are when we're

573
00:28:33,119 --> 00:28:36,160
Speaker 1: watching it We're always like she slays this confessional she's

574
00:28:36,200 --> 00:28:38,520
Speaker 1: got but you know she got catch raises, sure, but

575
00:28:38,560 --> 00:28:40,440
Speaker 1: this they're flying out of her mouth, Like it's the

576
00:28:40,440 --> 00:28:42,200
Speaker 1: way she is. You feel like she's being the way

577
00:28:42,240 --> 00:28:44,040
Speaker 1: she is. An also the story and where she comes from.

578
00:28:44,120 --> 00:28:46,960
Speaker 1: All I wanted success for her her on talk to

579
00:28:46,960 --> 00:28:48,360
Speaker 1: this past week where she was talking about going to

580
00:28:48,360 --> 00:28:51,280
Speaker 1: seminary school. Did you catch that? Yes? I was like,

581
00:28:51,400 --> 00:28:53,520
Speaker 1: that is such an interesting story and why didn't they

582
00:28:53,520 --> 00:28:56,360
Speaker 1: put that in the actual episode. Is a deep well

583
00:28:56,960 --> 00:28:59,080
Speaker 1: of stuff with Monique that I think we are just

584
00:28:59,120 --> 00:29:01,520
Speaker 1: grazing the surface. It's exciting, you know, and like like

585
00:29:01,560 --> 00:29:03,720
Speaker 1: you said, like we were talking earlierout like who's gonna win,

586
00:29:03,720 --> 00:29:05,640
Speaker 1: who's gonna win? And it's not even about the winner,

587
00:29:05,680 --> 00:29:08,160
Speaker 1: it's about the impression you leave. Yes, it's like when

588
00:29:08,160 --> 00:29:10,160
Speaker 1: you can see a Jo O'Hara give us runways that

589
00:29:10,200 --> 00:29:12,120
Speaker 1: we've never seen and we can be so excited for

590
00:29:12,120 --> 00:29:13,880
Speaker 1: her and know that she made a mark and she's

591
00:29:13,880 --> 00:29:16,760
Speaker 1: here to stay in that way, Like at least I'm

592
00:29:16,760 --> 00:29:19,760
Speaker 1: so excited to reference like those moments on drag Races,

593
00:29:19,760 --> 00:29:23,120
Speaker 1: whether they win or lose. Yes, Like I think Monique

594
00:29:23,200 --> 00:29:26,600
Speaker 1: is just one of those indelible queens who, no matter

595
00:29:26,640 --> 00:29:29,320
Speaker 1: how she does, I think, I think, just leave such

596
00:29:29,320 --> 00:29:32,800
Speaker 1: a good impression. I'm excited. But she can't. I don't say,

597
00:29:32,840 --> 00:29:34,600
Speaker 1: oh my god, I want, I can never wait. Like

598
00:29:34,640 --> 00:29:37,040
Speaker 1: that's the thing. It's like Bowen earlier in the year

599
00:29:37,080 --> 00:29:39,560
Speaker 1: when we were watching All Stars and Stars was only fine.

600
00:29:39,840 --> 00:29:41,720
Speaker 1: He was like, are we gonna be like, is there

601
00:29:41,720 --> 00:29:43,600
Speaker 1: going to be too much drag Race at two hours

602
00:29:43,640 --> 00:29:45,040
Speaker 1: a week? And then we're gonna be writing about it?

603
00:29:45,040 --> 00:29:46,840
Speaker 1: I was like, I don't think so. And you know

604
00:29:46,880 --> 00:29:49,440
Speaker 1: what a foolish question I asked back then, because I

605
00:29:49,480 --> 00:29:51,760
Speaker 1: totally see that it knows. And I told you I

606
00:29:51,800 --> 00:29:57,400
Speaker 1: was like, yes, two drags, Yes, yes, a drag, yes,

607
00:29:57,640 --> 00:30:03,960
Speaker 1: man the kick heard round world. Yes. So. But I

608
00:30:04,160 --> 00:30:06,040
Speaker 1: reminded you every year when drag Race is on, like

609
00:30:06,040 --> 00:30:08,400
Speaker 1: Bone always says like I live for only this time

610
00:30:08,400 --> 00:30:12,560
Speaker 1: of year, Like light up, seriously, it makes me happy

611
00:30:12,600 --> 00:30:20,200
Speaker 1: to be alive when drag Races on. But anyway, we're

612
00:30:20,640 --> 00:30:23,800
Speaker 1: so gag. During the back and forth we had on

613
00:30:23,800 --> 00:30:26,200
Speaker 1: Twitter with Monique and then I said, Monique cart if

614
00:30:26,200 --> 00:30:28,480
Speaker 1: you're listening right now, and then she said that she

615
00:30:28,520 --> 00:30:30,680
Speaker 1: plays I don't think so honey at Sunday with her girl.

616
00:30:31,840 --> 00:30:35,400
Speaker 1: Oh my god, we are so gagged. You don't understand, Monique,

617
00:30:35,480 --> 00:30:40,000
Speaker 1: we love you. The invitation to come on this show

618
00:30:40,200 --> 00:30:43,280
Speaker 1: is wide open. Anytime you were in New York City, Mama,

619
00:30:43,360 --> 00:30:47,160
Speaker 1: let us take you out the My god, and can

620
00:30:47,200 --> 00:30:49,760
Speaker 1: I tell you, yes, the moment that I saw her

621
00:30:49,760 --> 00:30:51,320
Speaker 1: and meet the queens when she said, my name is

622
00:30:51,320 --> 00:30:55,040
Speaker 1: Monique Cart. I'm from Kansas City, Missouri, known for barbecue,

623
00:30:55,320 --> 00:31:01,360
Speaker 1: theme parks, jazz and like sold that's so. And I

624
00:31:01,400 --> 00:31:03,560
Speaker 1: had to rewind her entrance three times because we were

625
00:31:03,560 --> 00:31:08,320
Speaker 1: we were enjoying it, because it was the sensation. Yes,

626
00:31:09,080 --> 00:31:12,320
Speaker 1: I still very seen by that America. I feel every

627
00:31:12,320 --> 00:31:14,640
Speaker 1: time I'm glowing right now, I feel good well because

628
00:31:14,680 --> 00:31:17,160
Speaker 1: and here's why, because Monique Cart. And here's the thing

629
00:31:17,160 --> 00:31:20,080
Speaker 1: I like about Monique too. She is extremely competitive in

630
00:31:20,120 --> 00:31:22,080
Speaker 1: the competition. She wants to win and she wants she

631
00:31:22,120 --> 00:31:24,800
Speaker 1: came to play. But also she leads with her heart,

632
00:31:24,800 --> 00:31:26,400
Speaker 1: and she leads with joy and the love for what

633
00:31:26,520 --> 00:31:30,520
Speaker 1: she does. Positivity. Yes, that is above all else. It's

634
00:31:30,560 --> 00:31:33,080
Speaker 1: a fun show. It drags on TV. It's bigger than

635
00:31:33,080 --> 00:31:36,120
Speaker 1: it's ever been. Hip hip, hooray, thank you and that's

636
00:31:36,200 --> 00:31:39,080
Speaker 1: I think the difference between a queen like that who's

637
00:31:39,120 --> 00:31:41,640
Speaker 1: so obviously being edited as a fan favorite and as

638
00:31:41,680 --> 00:31:44,040
Speaker 1: someone we love than some other queens. I think that

639
00:31:44,200 --> 00:31:46,600
Speaker 1: come in with like some negative attitudes. And it's not

640
00:31:46,640 --> 00:31:48,400
Speaker 1: even that she has a negative attitude, it's just that

641
00:31:48,440 --> 00:31:50,440
Speaker 1: she has a certain way of doing things, and so

642
00:31:50,480 --> 00:31:53,680
Speaker 1: when the edit rolls around and you look a certain way.

643
00:31:54,160 --> 00:31:55,840
Speaker 1: And also you can say this for other ones too,

644
00:31:55,840 --> 00:31:58,880
Speaker 1: like for example, Cameron being boring, it's like, you know,

645
00:31:59,360 --> 00:32:01,160
Speaker 1: these things end up the way they end up for

646
00:32:01,160 --> 00:32:04,440
Speaker 1: a reason. I do not believe that Vixen is actually mean,

647
00:32:04,840 --> 00:32:07,360
Speaker 1: and I do not believe that Cameron is actually boring,

648
00:32:07,760 --> 00:32:11,160
Speaker 1: but I do believe that that is the television show

649
00:32:11,200 --> 00:32:13,400
Speaker 1: that they're creating, and you can't be mad at the result.

650
00:32:13,520 --> 00:32:17,200
Speaker 1: Absolutely not. And and like I mean, we villains get

651
00:32:17,360 --> 00:32:19,880
Speaker 1: the Twitter followers to a girl that it's all coming around.

652
00:32:20,080 --> 00:32:24,320
Speaker 1: But Vixen is doing something that hasn't really ever been

653
00:32:24,360 --> 00:32:28,240
Speaker 1: done on drag Race, which is like this like this

654
00:32:28,360 --> 00:32:31,840
Speaker 1: aggression that is like completely warranted in a lot of ways,

655
00:32:31,960 --> 00:32:34,240
Speaker 1: and it's like actually, and it is forcing these conversations

656
00:32:34,240 --> 00:32:38,800
Speaker 1: that should be had, but you you wish she could

657
00:32:38,880 --> 00:32:42,080
Speaker 1: speak calmly. But I but I also I love that

658
00:32:42,120 --> 00:32:44,880
Speaker 1: it's like it's filled with passion and I understand it.

659
00:32:44,880 --> 00:32:47,239
Speaker 1: I mean, I don't claim to understand it, however, I

660
00:32:47,240 --> 00:32:49,360
Speaker 1: see where it's coming from. But I just wish that

661
00:32:49,440 --> 00:32:51,520
Speaker 1: she could explain it in a way that that didn't

662
00:32:51,600 --> 00:32:53,960
Speaker 1: involve making me wonder is she gonna hit her? Is

663
00:32:54,000 --> 00:32:56,640
Speaker 1: there gonna be physical violence, because that's like, that's not

664
00:32:56,680 --> 00:32:59,040
Speaker 1: the world of drag. I kind of live for the

665
00:32:59,120 --> 00:33:01,880
Speaker 1: moment though, when she and Eureka we're finding where she was, like,

666
00:33:02,240 --> 00:33:05,040
Speaker 1: I've never liked to I saw you and I was

667
00:33:07,120 --> 00:33:09,920
Speaker 1: with her, with her, it always goes to that level,

668
00:33:10,240 --> 00:33:12,959
Speaker 1: and it's pretty funny. I mean, the thing is like

669
00:33:13,200 --> 00:33:17,320
Speaker 1: whenever now, whenever now there's any comments, which is just

670
00:33:17,400 --> 00:33:20,160
Speaker 1: like she could take the wrong way. I'm always like, well,

671
00:33:20,200 --> 00:33:23,000
Speaker 1: this is probably almost definitely going to be a full

672
00:33:23,000 --> 00:33:26,520
Speaker 1: out of fight, and and I kind of live. I live,

673
00:33:26,600 --> 00:33:28,680
Speaker 1: but I just when she gets voted out, we're gonna

674
00:33:28,720 --> 00:33:31,760
Speaker 1: miss her, we are, or if she makes it all

675
00:33:31,760 --> 00:33:33,760
Speaker 1: the way to that happened. Is I have nothing to say.

676
00:33:34,040 --> 00:33:36,239
Speaker 1: I am exhausted on the Vixen topic. No, I get it,

677
00:33:36,280 --> 00:33:38,160
Speaker 1: I get it. Babe, I just feel like, you know,

678
00:33:38,560 --> 00:33:41,520
Speaker 1: like I just don't think there's a place in that way.

679
00:33:41,560 --> 00:33:44,600
Speaker 1: She's smart, you know, she's so smart, She's got good

680
00:33:44,600 --> 00:33:46,880
Speaker 1: stuff to say. She also brings good drag to the table.

681
00:33:47,120 --> 00:33:49,080
Speaker 1: So I wanted to get out of this whole competition

682
00:33:49,160 --> 00:33:51,200
Speaker 1: staring people down in the mirror and focus on her

683
00:33:51,280 --> 00:33:53,680
Speaker 1: drag because the runways aren't the best. No, yeah, they

684
00:33:53,720 --> 00:33:56,600
Speaker 1: could be better. I want better drags. Although the best

685
00:33:56,600 --> 00:33:58,280
Speaker 1: couple of weeks she's been better. I mean, I don't

686
00:33:58,280 --> 00:34:00,520
Speaker 1: think she's bad, but I'm saying Asia was swiping the

687
00:34:00,560 --> 00:34:03,280
Speaker 1: floor with you. She's running circles around you. So get

688
00:34:03,320 --> 00:34:05,240
Speaker 1: your mind off of Aquaria and let's look yourself in

689
00:34:05,240 --> 00:34:07,760
Speaker 1: the mirror and beat your own face. Yeah, your own

690
00:34:07,840 --> 00:34:10,960
Speaker 1: face is true. But Vixen and Vixen and Aquarier sort

691
00:34:11,000 --> 00:34:13,200
Speaker 1: of doing similar things with their drag where it's like

692
00:34:13,360 --> 00:34:16,160
Speaker 1: a lot of body honey, certainly a lot of body yeah,

693
00:34:16,239 --> 00:34:18,719
Speaker 1: which I'm which I'm into, And I don't think either

694
00:34:18,760 --> 00:34:21,200
Speaker 1: of them have like crossed over into Courtney Act territory

695
00:34:21,200 --> 00:34:25,239
Speaker 1: of it's like, so we know what you're doing. The

696
00:34:25,280 --> 00:34:28,680
Speaker 1: worst one man drag show I've ever seen, Oh my god,

697
00:34:28,760 --> 00:34:32,080
Speaker 1: peund tired, but she's literally asleep. She's a star. Now,

698
00:34:32,360 --> 00:34:35,120
Speaker 1: she's a star. She wants she won that celebrity big brother.

699
00:34:35,320 --> 00:34:37,440
Speaker 1: Good for her, girl. I mean the tuck we all

700
00:34:37,480 --> 00:34:43,040
Speaker 1: saw it, it was it was iconic. I mean when revealed,

701
00:34:43,480 --> 00:34:48,640
Speaker 1: image was like at this tucked penis. She It's so funny.

702
00:34:48,640 --> 00:34:50,200
Speaker 1: It just just really quickly. I want to say, it's

703
00:34:50,200 --> 00:34:52,800
Speaker 1: so funny that Courtney was clocked for being like leaning

704
00:34:52,840 --> 00:34:55,520
Speaker 1: too much on body and pretty, but like, no one

705
00:34:55,600 --> 00:34:57,239
Speaker 1: batted an eye for Valentine. And do you know what

706
00:34:57,280 --> 00:35:00,400
Speaker 1: I'm saying. Valentinea literally walked out with two fucking like

707
00:35:00,520 --> 00:35:03,760
Speaker 1: black rectangle. Yes, but she wasn't doing that every time.

708
00:35:04,440 --> 00:35:06,560
Speaker 1: I kind of think she was. I don't know. She

709
00:35:06,600 --> 00:35:09,439
Speaker 1: came out on that wedding dress, which is stunning, could

710
00:35:09,440 --> 00:35:14,319
Speaker 1: have stuck to her body whatever you no no talk

711
00:35:14,400 --> 00:35:20,200
Speaker 1: about no um. Well, anyway, I'm jagged for this season.

712
00:35:21,320 --> 00:35:23,840
Speaker 1: For the season, listen to more man. I had to

713
00:35:23,920 --> 00:35:27,879
Speaker 1: end depth recaps every week on Patreon. Yes, I've listened there.

714
00:35:27,920 --> 00:35:31,319
Speaker 1: They are great guys. Do y'all. We're very excited to

715
00:35:31,360 --> 00:35:34,000
Speaker 1: say that we're going to be moderating at Vulture Fest.

716
00:35:34,000 --> 00:35:36,440
Speaker 1: The drag race panel. Ohen and I are going to

717
00:35:36,520 --> 00:35:38,319
Speaker 1: be moderating that panel. We have our own show at

718
00:35:38,360 --> 00:35:40,680
Speaker 1: Vulture Fest as well, so that'll be fun. I'm gonna

719
00:35:40,680 --> 00:35:44,840
Speaker 1: be getting water for everyone. I'll be getting water if

720
00:35:46,280 --> 00:35:48,920
Speaker 1: he's gonna show everyone his throat, but not a polyp

721
00:35:48,920 --> 00:35:51,240
Speaker 1: inside pop inside. I'm going to be in short shorts.

722
00:35:51,400 --> 00:35:53,640
Speaker 1: I will say this, it has been really nice to

723
00:35:53,719 --> 00:35:58,440
Speaker 1: hear you be able to um, you know, use your

724
00:35:58,520 --> 00:36:00,960
Speaker 1: voice the way that you always wanted to, because like

725
00:36:01,120 --> 00:36:04,160
Speaker 1: that was a big singing was a big thing for you. Absolutely,

726
00:36:04,760 --> 00:36:07,319
Speaker 1: it was definitely like an emotional thing that I sort

727
00:36:07,360 --> 00:36:09,560
Speaker 1: of went through, but it steered me in a direction

728
00:36:09,600 --> 00:36:13,200
Speaker 1: that now that I'm now that I'm fixed, UM, I

729
00:36:13,320 --> 00:36:16,000
Speaker 1: just sort of like I'm happy to have it. I've

730
00:36:16,040 --> 00:36:17,759
Speaker 1: got a new lease on life. A couple of years ago,

731
00:36:17,800 --> 00:36:19,480
Speaker 1: I really felt that way when I when I got

732
00:36:19,480 --> 00:36:22,560
Speaker 1: my voice back, I felt like, Um, I can do

733
00:36:22,640 --> 00:36:24,520
Speaker 1: anything now, let me get right back in the game.

734
00:36:24,719 --> 00:36:28,359
Speaker 1: And um also like just in performing stand up a lot,

735
00:36:28,400 --> 00:36:30,200
Speaker 1: like I've been doing a ton of stand up lately,

736
00:36:30,560 --> 00:36:32,320
Speaker 1: and people are in the game for years and to

737
00:36:32,360 --> 00:36:33,920
Speaker 1: get really good at it, you really got to like

738
00:36:33,960 --> 00:36:36,600
Speaker 1: figure out your your cadence. You're pacing your character who

739
00:36:36,600 --> 00:36:39,120
Speaker 1: you are, what what what you're bringing that's new, and

740
00:36:39,200 --> 00:36:41,520
Speaker 1: not having my voice was a huge hindrance. I felt

741
00:36:41,520 --> 00:36:43,360
Speaker 1: like I couldn't be myself. I couldn't emote in the

742
00:36:43,400 --> 00:36:48,800
Speaker 1: way that I wanted to. I couldn't say awesome, yeah,

743
00:36:49,200 --> 00:36:51,640
Speaker 1: And it really did hurt and it was embarrassing because

744
00:36:51,680 --> 00:36:54,879
Speaker 1: I don't know, like literally the voice doctor was like, um,

745
00:36:54,920 --> 00:36:56,480
Speaker 1: he was like, this could have happened like at a

746
00:36:56,480 --> 00:36:58,160
Speaker 1: crazy unit at a club. You know, you ever lose

747
00:36:58,200 --> 00:36:59,560
Speaker 1: your voice at a club? And I was like, in

748
00:36:59,600 --> 00:37:03,880
Speaker 1: my mind was like, um yeah, um, there was the

749
00:37:03,920 --> 00:37:05,960
Speaker 1: time in my life where I used to like losing

750
00:37:05,960 --> 00:37:08,560
Speaker 1: my voice. I like the way that I sounded, right,

751
00:37:09,160 --> 00:37:11,040
Speaker 1: Remember that time in my life, like where I was

752
00:37:11,080 --> 00:37:12,840
Speaker 1: like I had a raspy voice, my voice is different

753
00:37:13,880 --> 00:37:16,600
Speaker 1: and that well that was in my youth for sure.

754
00:37:16,680 --> 00:37:19,360
Speaker 1: But you know vocal damage that your cords are very fragile,

755
00:37:19,440 --> 00:37:21,160
Speaker 1: and once you do something then then you have to

756
00:37:21,200 --> 00:37:24,439
Speaker 1: compensate for it. It can get really aggravated over time. Also,

757
00:37:24,520 --> 00:37:27,160
Speaker 1: not for nothing, but like the kind of music that

758
00:37:27,239 --> 00:37:29,200
Speaker 1: was sort of popular when we were in high school

759
00:37:29,200 --> 00:37:31,319
Speaker 1: and the way people sang like remember when that kind

760
00:37:31,360 --> 00:37:34,879
Speaker 1: of scream o emo stuff was popular. And also even

761
00:37:34,920 --> 00:37:37,200
Speaker 1: the girls, like the pop stars, like Ashley Simpson the

762
00:37:37,200 --> 00:37:41,040
Speaker 1: way she would shout like all these kind of way yeah,

763
00:37:41,040 --> 00:37:47,600
Speaker 1: and like like like when you listen to facts, try singing,

764
00:37:48,440 --> 00:37:52,080
Speaker 1: try but anyway, Like even like her sister Jessica, the

765
00:37:52,120 --> 00:37:55,680
Speaker 1: way she would scream shout her ship, like all the girls,

766
00:37:55,719 --> 00:38:00,240
Speaker 1: the pop stars, like we're laughing about the idea of law,

767
00:38:00,800 --> 00:38:04,319
Speaker 1: but that's true during that time, and it was like,

768
00:38:04,480 --> 00:38:07,000
Speaker 1: how the fun did you ever expect to learn how

769
00:38:07,080 --> 00:38:09,239
Speaker 1: to here? Listening to Yellow Card on the way to

770
00:38:09,320 --> 00:38:14,360
Speaker 1: camp like good time, dude, Oh my god. Yeah. I

771
00:38:14,400 --> 00:38:17,600
Speaker 1: think the list should release a single before there's music

772
00:38:17,640 --> 00:38:20,400
Speaker 1: coming from the list. I feel like there's an EP

773
00:38:20,480 --> 00:38:23,080
Speaker 1: to be dropped. These boys released remixes. No, it should

774
00:38:23,080 --> 00:38:26,640
Speaker 1: be one song and then fourteen remixes after of just

775
00:38:26,760 --> 00:38:29,120
Speaker 1: that one song that remade it. I think it should

776
00:38:29,160 --> 00:38:32,040
Speaker 1: be like, well, welcome to us, this is something our idea,

777
00:38:32,120 --> 00:38:37,160
Speaker 1: live on the poding document this and laugh about it,

778
00:38:37,280 --> 00:38:43,080
Speaker 1: just like remixes remix like beyond like blind blind Pig remix.

779
00:38:43,160 --> 00:38:45,760
Speaker 1: It should be it should literally be like a cameraon

780
00:38:45,880 --> 00:38:49,279
Speaker 1: a cameroon, asked single where it's one word repeated over

781
00:38:49,320 --> 00:38:52,279
Speaker 1: and over that and then seven years later we make

782
00:38:52,320 --> 00:38:55,279
Speaker 1: we remix it, like fucking what do I love it?

783
00:38:55,840 --> 00:38:57,440
Speaker 1: That's great. That's here to say, we won't. I don't

784
00:38:57,440 --> 00:38:59,239
Speaker 1: have to write it in my phone because we have

785
00:38:59,280 --> 00:39:01,240
Speaker 1: it here. We have it. Also, I think I floated

786
00:39:01,280 --> 00:39:03,360
Speaker 1: this by you guys last night. I think our characters

787
00:39:03,400 --> 00:39:06,680
Speaker 1: should be like devout Christians. Yeah, that's funny because I

788
00:39:06,719 --> 00:39:09,279
Speaker 1: said that the fun that you use that is giving

789
00:39:09,280 --> 00:39:14,120
Speaker 1: me a real Christianity. Chris and I moved the crossbar

790
00:39:14,200 --> 00:39:15,360
Speaker 1: up a little bit because I didn't want it to

791
00:39:15,400 --> 00:39:16,600
Speaker 1: look like I didn't want people to read it and

792
00:39:16,640 --> 00:39:20,279
Speaker 1: be like Plus he lists in a little confusing a

793
00:39:20,360 --> 00:39:24,280
Speaker 1: glimpse into the mind of a graphic designer adjustments. Honey,

794
00:39:26,600 --> 00:39:28,719
Speaker 1: I'm like totally down, But you guys can say now,

795
00:39:28,719 --> 00:39:30,759
Speaker 1: I'm totally down to just have us like brains to

796
00:39:30,840 --> 00:39:32,680
Speaker 1: keep brainstorming stuff. But now let's let's do that on

797
00:39:32,680 --> 00:39:34,360
Speaker 1: an earn. No, I don't want to give away this

798
00:39:34,360 --> 00:39:36,360
Speaker 1: thing because I feel we'll end up talking about some

799
00:39:36,400 --> 00:39:37,839
Speaker 1: of the stuff you already have in place, and I

800
00:39:37,880 --> 00:39:40,200
Speaker 1: really want to save that for you guys. The show

801
00:39:40,239 --> 00:39:41,799
Speaker 1: is going to be great. And I really mean this

802
00:39:41,880 --> 00:39:44,360
Speaker 1: isn't like a shameless plug, Like we're really so excited

803
00:39:44,360 --> 00:39:46,319
Speaker 1: that it's going to be so much fun. Here's the thing, Like,

804
00:39:46,320 --> 00:39:48,640
Speaker 1: the three of us, I'm speaking for you, guys, I

805
00:39:48,680 --> 00:39:50,960
Speaker 1: haven't been this excited about an idea in a very

806
00:39:51,000 --> 00:39:53,799
Speaker 1: long time. Yeah, I gotta say, And and the three

807
00:39:53,800 --> 00:39:55,279
Speaker 1: of us have just kept this ball going in the

808
00:39:55,280 --> 00:39:57,040
Speaker 1: air for all these months and we're just like throwing

809
00:39:57,040 --> 00:39:59,279
Speaker 1: a new ideas taking out old ones, like this has

810
00:39:59,320 --> 00:40:02,200
Speaker 1: been a living a project for a long time. Um,

811
00:40:02,200 --> 00:40:05,360
Speaker 1: we can't wait to make it ready. I'm get excited

812
00:40:05,400 --> 00:40:08,239
Speaker 1: about any immersive experience. Like what's gonna be fun about

813
00:40:08,239 --> 00:40:10,319
Speaker 1: the show is the doors are gonna open at seven thirty,

814
00:40:10,360 --> 00:40:12,360
Speaker 1: but the show actually begins at the same time, because

815
00:40:12,400 --> 00:40:15,480
Speaker 1: like you know, it's gonna be you're in this bar atmosphere,

816
00:40:15,480 --> 00:40:16,840
Speaker 1: and so we're going to have you know, people that

817
00:40:16,840 --> 00:40:19,840
Speaker 1: are performers on the show, Um, performing and being in

818
00:40:19,920 --> 00:40:22,960
Speaker 1: character the whole time. And speaking of a massive experiences,

819
00:40:23,200 --> 00:40:27,840
Speaker 1: we did just enjoy a recent trip to the Orlando,

820
00:40:27,920 --> 00:40:32,080
Speaker 1: Florida and our first episode was called Orlando Realness. Oh wow,

821
00:40:32,120 --> 00:40:35,560
Speaker 1: it was it was. I mean that was two thousand six. Honey,

822
00:40:35,719 --> 00:40:39,240
Speaker 1: oh I was. I was twenty six a good year.

823
00:40:39,320 --> 00:40:41,040
Speaker 1: But we just came back and do we have any

824
00:40:41,040 --> 00:40:44,080
Speaker 1: thoughts on the trip? It was, um, it was a gauntlet.

825
00:40:44,360 --> 00:40:47,960
Speaker 1: It was we didn't We did all for Disney parks

826
00:40:49,160 --> 00:40:51,800
Speaker 1: through the help of many friends, some Loss culture Resa's listeners,

827
00:40:51,840 --> 00:40:55,560
Speaker 1: which definitely absolutely Odd, thank you so much. That was

828
00:40:55,600 --> 00:40:58,320
Speaker 1: so much fun. Like we we were yes and r J.

829
00:40:59,520 --> 00:41:02,200
Speaker 1: The parks we did were like, like you know, the

830
00:41:02,320 --> 00:41:04,960
Speaker 1: mat is just like it's a it's about speed and

831
00:41:04,960 --> 00:41:08,759
Speaker 1: efficiency in these parts. Can I defend myself because we're

832
00:41:08,800 --> 00:41:10,480
Speaker 1: not like, I know you're not attacking me, but I

833
00:41:10,520 --> 00:41:12,839
Speaker 1: just want to say all the listeners out there you

834
00:41:12,880 --> 00:41:15,960
Speaker 1: know that I'm passionate about the Orlando theme parks. We

835
00:41:16,080 --> 00:41:17,680
Speaker 1: only had in a lot of a certain amount of

836
00:41:17,760 --> 00:41:19,520
Speaker 1: time and I just wanted to make sure that we

837
00:41:19,520 --> 00:41:23,360
Speaker 1: were able to do everything and we were at a

838
00:41:23,400 --> 00:41:26,319
Speaker 1: certain clip and you both know, do we ever leave

839
00:41:26,360 --> 00:41:31,799
Speaker 1: those parks saying I wish we would nod? And we

840
00:41:31,840 --> 00:41:33,879
Speaker 1: really do have to thank all of our friends who

841
00:41:33,960 --> 00:41:36,319
Speaker 1: would pulled in really really nice favors for us. Todd

842
00:41:36,400 --> 00:41:39,560
Speaker 1: David so much fun. Todd who works at at I

843
00:41:39,640 --> 00:41:42,200
Speaker 1: T at Disney. UM gave us a free ticket to

844
00:41:42,239 --> 00:41:46,400
Speaker 1: Magic to Animal Kingdom and RJ. Silva and Adam Knoker

845
00:41:46,719 --> 00:41:50,239
Speaker 1: Um who gave us free fast passes at Epcot and

846
00:41:50,239 --> 00:41:52,600
Speaker 1: it was amazing. Just picked us up and we had

847
00:41:52,600 --> 00:41:54,200
Speaker 1: the best time of our lives. And also that first

848
00:41:54,280 --> 00:41:56,040
Speaker 1: day we were at Disney and we went to Pandora.

849
00:41:56,600 --> 00:41:59,879
Speaker 1: You like listen last culture as listeners here my call.

850
00:42:00,800 --> 00:42:04,920
Speaker 1: You don't believe the gag that happens on the Pandora

851
00:42:05,160 --> 00:42:08,000
Speaker 1: Flight of Passage ride and I'm walkingdom. You cannot believe

852
00:42:08,040 --> 00:42:11,320
Speaker 1: the gag, I mean the talking so I actually mentioned

853
00:42:11,440 --> 00:42:18,000
Speaker 1: the HPJ is laughing. The immersive experience on the way in. Yes, trees, honey, blue, honey.

854
00:42:18,120 --> 00:42:22,680
Speaker 1: There are trees, There are tombs, there are like computers, Fritz,

855
00:42:22,840 --> 00:42:28,600
Speaker 1: there are its foliage immersive. Yes, they're giving you the

856
00:42:28,640 --> 00:42:34,359
Speaker 1: whole You feel the beast breathe. It was cameroon. It

857
00:42:34,400 --> 00:42:36,759
Speaker 1: was it was camera. You feel it was cameroon. I

858
00:42:36,760 --> 00:42:39,239
Speaker 1: felt that it was Cameroon. And also that was sus first.

859
00:42:39,640 --> 00:42:42,319
Speaker 1: We should say it was first ever time doing a

860
00:42:42,400 --> 00:42:45,319
Speaker 1: theme park ride at all, and we're not that but

861
00:42:45,400 --> 00:42:47,480
Speaker 1: we were at Universal the day before. We took around

862
00:42:47,520 --> 00:42:51,000
Speaker 1: the Transformers ride. So everyone has been to Orlando or

863
00:42:51,120 --> 00:42:53,080
Speaker 1: is in l A. And that's don't gone to Universal

864
00:42:53,120 --> 00:42:55,200
Speaker 1: Studios that has done the Transformers ride. You know, it's

865
00:42:55,239 --> 00:42:58,560
Speaker 1: like an intense experience. It really get off that ride.

866
00:42:58,600 --> 00:43:01,279
Speaker 1: It was like, what the hell was that? I was like,

867
00:43:01,320 --> 00:43:03,920
Speaker 1: that's what we're gonna do for three days. You're emotional.

868
00:43:04,280 --> 00:43:06,160
Speaker 1: I got emotional. It's like you really do feel like

869
00:43:06,160 --> 00:43:09,120
Speaker 1: if you can fly, you feel like And also we

870
00:43:09,120 --> 00:43:12,120
Speaker 1: were very high. I think, yeah, that's the higher than

871
00:43:12,160 --> 00:43:14,240
Speaker 1: you could be. But we on the flight of passage.

872
00:43:14,280 --> 00:43:17,799
Speaker 1: That was that was crazy. That was we were on

873
00:43:17,840 --> 00:43:20,640
Speaker 1: the back of the Mansie. Huh. Yeah, in that moment

874
00:43:20,640 --> 00:43:23,560
Speaker 1: where you're just in that cave and it's quiet and

875
00:43:23,600 --> 00:43:26,440
Speaker 1: then those little fucking jellyfish things float in the air.

876
00:43:26,560 --> 00:43:29,520
Speaker 1: Gotta go do it, you gotta go. It was worth

877
00:43:29,560 --> 00:43:31,399
Speaker 1: it. It It was worth the wait. You do have to wait.

878
00:43:31,600 --> 00:43:34,520
Speaker 1: We waited, like I think we got there fucking first

879
00:43:34,520 --> 00:43:36,239
Speaker 1: thing in the morning. We still waited ninety minutes. But

880
00:43:36,239 --> 00:43:41,120
Speaker 1: there's a lagoon, the lagoon with a swan, a Disney swan.

881
00:43:41,680 --> 00:43:45,319
Speaker 1: The town there. The town is called Harambe, which is

882
00:43:45,400 --> 00:43:50,239
Speaker 1: sad Um. But that was before the Gorilla. Um, so

883
00:43:50,440 --> 00:43:53,879
Speaker 1: you know there's that too, So what do we do? Okay,

884
00:43:53,920 --> 00:43:57,839
Speaker 1: So with Pandora was amazing. The expedition Everest, Oh my god,

885
00:43:57,880 --> 00:44:02,520
Speaker 1: the expedition ever, Oh my god. We were gooping when

886
00:44:02,520 --> 00:44:04,160
Speaker 1: we went back, and you know, because that was so

887
00:44:04,239 --> 00:44:06,120
Speaker 1: fun having study there because she never experienced any of

888
00:44:06,160 --> 00:44:08,200
Speaker 1: it before. And so like when we went when you

889
00:44:08,200 --> 00:44:12,680
Speaker 1: go backwards like face like literally a child like, oh

890
00:44:12,800 --> 00:44:19,480
Speaker 1: my god, god, back like it was just the parents, honey.

891
00:44:19,680 --> 00:44:21,840
Speaker 1: Done the dinosaur ride we did with flash Shot in

892
00:44:21,920 --> 00:44:25,480
Speaker 1: the love that you loved that I love. That was

893
00:44:25,520 --> 00:44:28,120
Speaker 1: beautiful to be chased by dinosaurs. Dinosaur is a little

894
00:44:28,160 --> 00:44:32,960
Speaker 1: too rocky, you know, Rocky. I get a little critics

895
00:44:33,000 --> 00:44:35,960
Speaker 1: notebook over here saying, um, you know it's a it's

896
00:44:36,000 --> 00:44:39,880
Speaker 1: a it's an outdated property, and you know, you know

897
00:44:39,880 --> 00:44:41,160
Speaker 1: what I gotta say, and I know you're going to

898
00:44:41,239 --> 00:44:44,840
Speaker 1: disagree with me on this has gotta go. E is

899
00:44:44,840 --> 00:44:47,759
Speaker 1: a tired old bid I think E t She is

900
00:44:47,840 --> 00:44:50,799
Speaker 1: definitely a tired old bitch and should probably go. But

901
00:44:50,920 --> 00:44:53,760
Speaker 1: the thing is, it's so charming. It's like the last

902
00:44:53,920 --> 00:44:57,359
Speaker 1: ride that's there from the beginning of the animatronics are

903
00:44:57,480 --> 00:45:00,359
Speaker 1: so bad they're like half of them. They're else don't

904
00:45:00,360 --> 00:45:02,759
Speaker 1: even move anymore. They're just like oh no. And then

905
00:45:02,800 --> 00:45:04,840
Speaker 1: you you really over the course of the movie that

906
00:45:04,920 --> 00:45:08,799
Speaker 1: like the plot of ET, it's like you know I

907
00:45:09,320 --> 00:45:11,800
Speaker 1: and like there's there's all this stuff about like the E.

908
00:45:11,920 --> 00:45:13,880
Speaker 1: T S homeworld and like all of his friends, like

909
00:45:13,960 --> 00:45:15,880
Speaker 1: three rooms in that rid about his friends, and we're like,

910
00:45:15,880 --> 00:45:17,880
Speaker 1: we don't know any of this. This is like straplated

911
00:45:17,920 --> 00:45:20,200
Speaker 1: beyond the movie. It's stupid. And all those aliens are

912
00:45:20,239 --> 00:45:24,440
Speaker 1: like Jim Henson fucking average asks well not not say

913
00:45:24,480 --> 00:45:27,239
Speaker 1: I'm Jim Henson, like fucking on his worst day, just

914
00:45:27,280 --> 00:45:34,000
Speaker 1: being like, all right, here's to do it. Finish I

915
00:45:34,080 --> 00:45:35,920
Speaker 1: understanding he got he got an email that said we

916
00:45:35,960 --> 00:45:38,600
Speaker 1: can pay three hundred and he was like, okay, finished

917
00:45:38,640 --> 00:45:40,520
Speaker 1: the sketch on the toilet. Yeah, and he did it.

918
00:45:40,640 --> 00:45:43,960
Speaker 1: He submitted baby knock it down. As always have to say,

919
00:45:44,960 --> 00:45:47,399
Speaker 1: like old plastic, Revenge of the Mummy is always the guy.

920
00:45:47,480 --> 00:45:51,080
Speaker 1: Oh my god, so the fire is always a guy

921
00:45:51,160 --> 00:45:53,560
Speaker 1: like agree, And here's some revealing tea. There's gonna be

922
00:45:54,000 --> 00:45:56,480
Speaker 1: maybe I've said this on the podcast, but you know that, um,

923
00:45:56,680 --> 00:45:58,719
Speaker 1: there's gonna be a new Harry Potter roller coaster in

924
00:45:58,760 --> 00:46:00,960
Speaker 1: the spot where Dueling Drag Gas was, so the Dragon

925
00:46:01,040 --> 00:46:03,160
Speaker 1: Challenge was there going to be a whole new, brand

926
00:46:03,160 --> 00:46:06,440
Speaker 1: new ride. And there's lots of rumors about potentially them

927
00:46:06,440 --> 00:46:10,680
Speaker 1: opening their third theme park soon. Nintendo, well, who knows

928
00:46:10,719 --> 00:46:12,279
Speaker 1: if it's going to be a Nintendo part of the

929
00:46:12,280 --> 00:46:14,720
Speaker 1: new theme park right now. Nintendo was supposed to replace

930
00:46:14,760 --> 00:46:19,040
Speaker 1: like the Kids Zone, which right, but there's lots of

931
00:46:19,080 --> 00:46:22,279
Speaker 1: interesting things that could happen. And also Marvel is going

932
00:46:22,320 --> 00:46:25,000
Speaker 1: to be a whole Disney thing there they're making. They're

933
00:46:25,000 --> 00:46:28,279
Speaker 1: probably is gonna be a whole theme park about just

934
00:46:28,360 --> 00:46:30,879
Speaker 1: Marvel stuff. I'm looking forward to our next trip, which

935
00:46:30,880 --> 00:46:33,880
Speaker 1: I'm sure there's a lot of gaggeries coming in Star Wars.

936
00:46:33,880 --> 00:46:36,680
Speaker 1: When that comes into Hollywood Studios, that's gonna be something

937
00:46:36,680 --> 00:46:38,880
Speaker 1: we have to cannot wait. We were trying to do

938
00:46:38,920 --> 00:46:42,600
Speaker 1: our series, but like we were just so tired. Yeah,

939
00:46:42,640 --> 00:46:48,239
Speaker 1: sorry for everyone who you can't force. It's it's sad

940
00:46:48,239 --> 00:46:51,240
Speaker 1: that we had all the right pieces, you know that. Listen,

941
00:46:51,640 --> 00:46:54,200
Speaker 1: we were just not clocked in. Nobody clocked in. We

942
00:46:54,200 --> 00:46:56,120
Speaker 1: were clocked out on vacation guard non No. I wanted

943
00:46:56,160 --> 00:46:58,359
Speaker 1: to enjoy it, and also I wanted to I didn't

944
00:46:58,400 --> 00:47:01,040
Speaker 1: want to feel like we were forcing anything. It was tough.

945
00:47:01,680 --> 00:47:04,799
Speaker 1: We had issues with with casting and with availability, and

946
00:47:04,960 --> 00:47:08,440
Speaker 1: there was production issue there there were it was just

947
00:47:08,520 --> 00:47:10,840
Speaker 1: the team. When you get that big with the project,

948
00:47:11,280 --> 00:47:12,960
Speaker 1: there are a lot of moving pieces. It was a

949
00:47:13,000 --> 00:47:14,360
Speaker 1: lot of pressure. I mean, we has a lot of

950
00:47:14,360 --> 00:47:16,200
Speaker 1: pressure to follow up in the sequel. It was very

951
00:47:16,239 --> 00:47:19,480
Speaker 1: like Jaws to moment absolutely and like all three, you know,

952
00:47:19,560 --> 00:47:22,560
Speaker 1: Aaron and Josh and Joel, I think we're really like

953
00:47:22,680 --> 00:47:25,359
Speaker 1: looking forward to it. So I'm all three of our fans,

954
00:47:25,400 --> 00:47:28,640
Speaker 1: all three of them, all three people watched. But look

955
00:47:28,640 --> 00:47:32,560
Speaker 1: we got we got network notes and studio notes and

956
00:47:32,560 --> 00:47:36,360
Speaker 1: and park notes and the mayor of Orlando sent us notes.

957
00:47:36,520 --> 00:47:38,200
Speaker 1: We were like it was really too many. It was

958
00:47:38,280 --> 00:47:41,440
Speaker 1: too much. But you know, there were fun Easter extra

959
00:47:41,480 --> 00:47:43,880
Speaker 1: people who have followed the series, like for example, the

960
00:47:43,880 --> 00:47:45,799
Speaker 1: Cult fans us being at the Garden of our Law

961
00:47:46,120 --> 00:47:48,879
Speaker 1: and then um having Matt come out and say, well, well,

962
00:47:48,920 --> 00:47:55,279
Speaker 1: well same. It's a callback to season to season. I

963
00:47:55,320 --> 00:47:57,960
Speaker 1: think for Night in Orlando, I will say, is is

964
00:47:58,280 --> 00:48:00,839
Speaker 1: part of my product work. How did we what was nets?

965
00:48:01,160 --> 00:48:03,600
Speaker 1: It was like I gotta kill that version so I

966
00:48:03,600 --> 00:48:06,239
Speaker 1: could live forever. And that was the last lie of

967
00:48:06,239 --> 00:48:12,239
Speaker 1: the whole series, and we never touched it again. I

968
00:48:12,280 --> 00:48:14,200
Speaker 1: think that we were going in a good narrative direction,

969
00:48:14,239 --> 00:48:16,880
Speaker 1: but we just we just we really. I think it

970
00:48:16,920 --> 00:48:18,719
Speaker 1: was finally clear what was going on, which is that

971
00:48:18,840 --> 00:48:21,040
Speaker 1: my character had to kill that virsions so we could

972
00:48:21,080 --> 00:48:23,440
Speaker 1: live forever. And I feel like we could have kept going,

973
00:48:23,480 --> 00:48:29,680
Speaker 1: but we just didn't know. I just can't like pull it.

974
00:48:29,680 --> 00:48:32,080
Speaker 1: It's been the first the original series is some of

975
00:48:32,120 --> 00:48:34,719
Speaker 1: my best work. It's great. Why do you say, just

976
00:48:34,760 --> 00:48:37,880
Speaker 1: some of your best work and our best work some

977
00:48:37,960 --> 00:48:42,239
Speaker 1: of my I said, as a collective units, what do

978
00:48:42,320 --> 00:48:45,400
Speaker 1: you feel? I feel that it was a collaborative project

979
00:48:45,680 --> 00:48:47,319
Speaker 1: and took a lot of the editing on. We were

980
00:48:48,480 --> 00:48:50,200
Speaker 1: like and you kept being like bo and get off

981
00:48:50,239 --> 00:48:53,040
Speaker 1: your phone, and I was like, he's literally editing your

982
00:48:53,120 --> 00:48:56,240
Speaker 1: fucking content. So let's take a let's take a breather,

983
00:48:56,400 --> 00:49:00,160
Speaker 1: and why don't you sit this gatorade? And oh it's

984
00:49:00,200 --> 00:49:02,719
Speaker 1: going hard, yes, but when you're in post hard at work.

985
00:49:02,880 --> 00:49:05,960
Speaker 1: He's very much responsible for the all the sound effects,

986
00:49:07,120 --> 00:49:10,680
Speaker 1: actually every sound effects on that app. What is this app?

987
00:49:10,800 --> 00:49:13,319
Speaker 1: Video shop? Video shop it's great. They used to have

988
00:49:13,360 --> 00:49:15,239
Speaker 1: this thing where you could you could fast, you could

989
00:49:15,280 --> 00:49:17,840
Speaker 1: like speed up the talking speed a little bit. But

990
00:49:17,880 --> 00:49:19,719
Speaker 1: then now they pitch up. And they used to not

991
00:49:19,760 --> 00:49:21,520
Speaker 1: pitch up, and it sounded really funny when you spoke

992
00:49:21,560 --> 00:49:23,319
Speaker 1: at the same you just talking. Really guys don't like that.

993
00:49:23,800 --> 00:49:25,120
Speaker 1: But now it's like they pitched you up, like like

994
00:49:25,160 --> 00:49:28,759
Speaker 1: when you speed it. Yeah, so you know it's it's

995
00:49:28,840 --> 00:49:32,719
Speaker 1: really not We'll return and maybe we'll get around to

996
00:49:32,760 --> 00:49:36,640
Speaker 1: an episode. I know that. I don't know because I

997
00:49:36,680 --> 00:49:39,440
Speaker 1: feel like now we should go somewhere else, like maybe like, oh,

998
00:49:39,520 --> 00:49:40,960
Speaker 1: you know what, now we know we're all going to

999
00:49:41,040 --> 00:49:45,680
Speaker 1: be in l A. Oh, I can't wait. Game Show

1000
00:49:45,760 --> 00:49:47,360
Speaker 1: is coming to l A. Fact, we are going to

1001
00:49:47,440 --> 00:49:53,160
Speaker 1: be doing it on June eleven at UCB Sunset, Yes sunset.

1002
00:49:53,200 --> 00:49:55,080
Speaker 1: We're going to be a tent thirty line up t

1003
00:49:55,200 --> 00:49:57,040
Speaker 1: B A but n F t A. It is gonna be.

1004
00:49:57,440 --> 00:49:59,960
Speaker 1: So we are coming to do it in Los Angeles,

1005
00:50:00,040 --> 00:50:02,120
Speaker 1: and then the next day Boone and I have I

1006
00:50:02,120 --> 00:50:06,279
Speaker 1: don't think so honey live at Ecoplex, which is gonna

1007
00:50:06,320 --> 00:50:09,279
Speaker 1: be We're gonna probably already have announced the line up

1008
00:50:09,280 --> 00:50:10,800
Speaker 1: by the time this episode is out. But if we

1009
00:50:10,880 --> 00:50:12,320
Speaker 1: haven't know that, it will be very soon and it

1010
00:50:12,320 --> 00:50:14,200
Speaker 1: will be very fun. And David Zoni is on the

1011
00:50:14,280 --> 00:50:17,200
Speaker 1: line ticket. It's like in New York, these shows go,

1012
00:50:17,600 --> 00:50:21,879
Speaker 1: people go crazy. You're gonna love it's so much now. Yeah,

1013
00:50:22,200 --> 00:50:26,080
Speaker 1: you can the link in by lin by um but

1014
00:50:26,200 --> 00:50:28,479
Speaker 1: you know, honestly, this show is so much fun. People

1015
00:50:28,560 --> 00:50:30,080
Speaker 1: love it because we're all gonna be out there. Maybe

1016
00:50:30,080 --> 00:50:33,200
Speaker 1: we should go to Disneyland? Should we do? We skip that?

1017
00:50:33,280 --> 00:50:34,960
Speaker 1: Last time we went to Universal right we did, which

1018
00:50:35,000 --> 00:50:36,560
Speaker 1: was kind of a kind of a letdown. Well, it

1019
00:50:36,800 --> 00:50:41,080
Speaker 1: was like an escalator palace, Universal Studios, Hollywood. It is.

1020
00:50:41,160 --> 00:50:43,120
Speaker 1: You spend most of the day on the escalators. Honey,

1021
00:50:43,440 --> 00:50:45,680
Speaker 1: have you been there? H b J. It's a lot

1022
00:50:45,760 --> 00:50:49,239
Speaker 1: of walking around. Um. Casey was just a Disneyland for

1023
00:50:49,280 --> 00:50:51,120
Speaker 1: the first time. She loved it and it made me

1024
00:50:51,160 --> 00:50:53,000
Speaker 1: want to go. We should go to Disneyland, it's the

1025
00:50:53,000 --> 00:50:55,920
Speaker 1: antique original. Or we could drive out to six Flags

1026
00:50:55,960 --> 00:50:58,439
Speaker 1: Magic Mountain and do roller coaster. I'm not a coaster queen.

1027
00:50:59,400 --> 00:51:02,360
Speaker 1: I love starts, but you know what I say, follow

1028
00:51:03,400 --> 00:51:12,080
Speaker 1: row wherever, Oh your arrow where? Oh my god. For

1029
00:51:12,120 --> 00:51:16,680
Speaker 1: the listeners, I'm so sorry I'm sorry about that hurt me.

1030
00:51:17,000 --> 00:51:19,000
Speaker 1: I'm a coaster queen. We have some listeners who are

1031
00:51:19,040 --> 00:51:22,560
Speaker 1: coaster queens. Will go with me at a six place

1032
00:51:22,600 --> 00:51:27,319
Speaker 1: Magic Mountain? Do we dare to one last rode Disneyland

1033
00:51:27,680 --> 00:51:32,840
Speaker 1: for a night's in? I am never forcing a night's No,

1034
00:51:34,239 --> 00:51:36,759
Speaker 1: that's I'm never gonna force it. If it happens like

1035
00:51:37,080 --> 00:51:39,320
Speaker 1: naturally and organically, I think yes. I don't know the

1036
00:51:39,400 --> 00:51:41,560
Speaker 1: disappointment in your face right now. I don't agree. I

1037
00:51:41,640 --> 00:51:43,200
Speaker 1: had to here to schedules, but I mean we'll just

1038
00:51:43,480 --> 00:51:45,399
Speaker 1: I think we should wait a little while from new

1039
00:51:45,480 --> 00:51:47,800
Speaker 1: rides to come. There's gonna be a good ship. I

1040
00:51:47,840 --> 00:51:50,080
Speaker 1: want new rides, want because you know New Guard into

1041
00:51:50,080 --> 00:51:51,719
Speaker 1: the Galaxy right and didn't, which we can do with you.

1042
00:51:51,800 --> 00:51:53,160
Speaker 1: But yeah, you'd go back to the park for one

1043
00:51:53,200 --> 00:51:55,160
Speaker 1: new ride. I would like like maybe four or five

1044
00:51:55,239 --> 00:52:00,680
Speaker 1: we've never been to. Okayme down different, I'm down. Well,

1045
00:52:00,680 --> 00:52:02,719
Speaker 1: we're gonna be out there and our shows will be

1046
00:52:02,760 --> 00:52:04,120
Speaker 1: there and it's going to be a last year. I

1047
00:52:04,160 --> 00:52:08,560
Speaker 1: have a good time, yes, can I just think the

1048
00:52:08,719 --> 00:52:11,600
Speaker 1: reason why all these series have been in developmental hell

1049
00:52:12,160 --> 00:52:16,800
Speaker 1: is because back to it No, no either, we spend

1050
00:52:16,840 --> 00:52:22,440
Speaker 1: too much time before you know, breaking story, um, you know,

1051
00:52:22,680 --> 00:52:26,600
Speaker 1: planning out the themes, planning out the motifs, or we

1052
00:52:26,680 --> 00:52:28,320
Speaker 1: do it too in the moment. And I think what

1053
00:52:28,480 --> 00:52:31,160
Speaker 1: was perfect about the original series was that the day

1054
00:52:31,239 --> 00:52:33,920
Speaker 1: before we would talk about it on a very thin

1055
00:52:34,320 --> 00:52:37,120
Speaker 1: that was it was just happening. That's what American horror

1056
00:52:37,120 --> 00:52:39,800
Speaker 1: story was really happening. That's what I'm saying. Maybe it

1057
00:52:39,880 --> 00:52:41,399
Speaker 1: was a moment in time. Maybe we should we want

1058
00:52:41,440 --> 00:52:43,960
Speaker 1: to other projects like the List. No, there are no

1059
00:52:44,040 --> 00:52:46,000
Speaker 1: other projects that we're gonna beat this one until it's

1060
00:52:46,040 --> 00:52:49,200
Speaker 1: on HBO. I want, I want to, I want to

1061
00:52:49,239 --> 00:52:54,920
Speaker 1: West World one. Oh wow, I'm I'm just halfway through

1062
00:52:54,960 --> 00:52:57,640
Speaker 1: the most recent episode and the new seasons. She's got

1063
00:52:57,719 --> 00:53:00,239
Speaker 1: it really, I haven't watched it yet. It's it's good,

1064
00:53:00,440 --> 00:53:03,440
Speaker 1: it really yeah, of course, like moving it along. And

1065
00:53:03,520 --> 00:53:05,800
Speaker 1: also they give they gave us good recaps, Loki, she

1066
00:53:05,920 --> 00:53:07,719
Speaker 1: smokes too much. She needs a recap, she needs a

1067
00:53:07,760 --> 00:53:10,919
Speaker 1: good strong I'm with you. I watched too much TV,

1068
00:53:11,040 --> 00:53:13,080
Speaker 1: Like I just can't remember. So like they gave me

1069
00:53:13,160 --> 00:53:14,880
Speaker 1: everything I needed to know to dive right back in.

1070
00:53:15,000 --> 00:53:17,000
Speaker 1: And I was really also Handmaid's Tale, I watched the

1071
00:53:17,040 --> 00:53:20,880
Speaker 1: most recent episode of Handmadtale Girl, they drop you in

1072
00:53:21,280 --> 00:53:23,759
Speaker 1: first scene, Matt, you should not watch. I heard that

1073
00:53:23,880 --> 00:53:27,440
Speaker 1: first scene is like, oh my, what happens in the

1074
00:53:27,480 --> 00:53:30,280
Speaker 1: first scene. Well spoiler for the first scene spoiler alert.

1075
00:53:30,320 --> 00:53:32,719
Speaker 1: But essentially all of the Handmaids, like where we last

1076
00:53:32,800 --> 00:53:35,080
Speaker 1: left them off, like they all resisted throwing the stones

1077
00:53:35,400 --> 00:53:38,279
Speaker 1: at Um. I don't recall the name of the character,

1078
00:53:38,320 --> 00:53:40,080
Speaker 1: but they were supposed to stone one of the handmaids

1079
00:53:40,080 --> 00:53:43,040
Speaker 1: who had betrayed them to death, and they all dropped

1080
00:53:43,040 --> 00:53:45,000
Speaker 1: the stones and said I'm sorry that I can't do it.

1081
00:53:45,480 --> 00:53:48,239
Speaker 1: And they were all brought into like ambulances and taken away,

1082
00:53:48,239 --> 00:53:50,040
Speaker 1: and that was how it ended. They were all brought

1083
00:53:50,120 --> 00:53:52,799
Speaker 1: to Gillette Stadium, which is now like this like um

1084
00:53:52,920 --> 00:53:56,840
Speaker 1: post apocalyptic like shadow World, and it's like a and

1085
00:53:57,160 --> 00:54:01,480
Speaker 1: owed queen mother and Dowd is there and they all

1086
00:54:01,520 --> 00:54:03,320
Speaker 1: get like pushed in and like they're being like cattle

1087
00:54:03,400 --> 00:54:05,640
Speaker 1: prodded into the center of the circle and they all

1088
00:54:05,680 --> 00:54:08,680
Speaker 1: have these muzzles on, like and the costume designer just

1089
00:54:08,920 --> 00:54:11,040
Speaker 1: it's so effective what they put on them. It's truly

1090
00:54:11,080 --> 00:54:14,040
Speaker 1: a muzzle. It like covers their mouth and it's it's

1091
00:54:14,120 --> 00:54:15,960
Speaker 1: brown and it's leather and it's strapped around them and

1092
00:54:16,760 --> 00:54:19,480
Speaker 1: you know, like just act the girl. They're acting through

1093
00:54:19,760 --> 00:54:23,120
Speaker 1: their eyeballs and it's so captivating. And they take them

1094
00:54:23,120 --> 00:54:24,520
Speaker 1: all up on the thing and there's and you see

1095
00:54:24,600 --> 00:54:26,839
Speaker 1: they finally cut to the shot and it's all there's

1096
00:54:26,880 --> 00:54:28,759
Speaker 1: all news is there to hang them, to have them

1097
00:54:28,840 --> 00:54:32,840
Speaker 1: hanged like it's they're all there's like forty ropes hanging

1098
00:54:33,200 --> 00:54:35,200
Speaker 1: and they take them there and they put it on

1099
00:54:35,360 --> 00:54:38,000
Speaker 1: them and the music is playing and it's building and

1100
00:54:38,200 --> 00:54:40,120
Speaker 1: and hand Me's Tyle has this weird bizarre way of

1101
00:54:40,160 --> 00:54:42,520
Speaker 1: like choosing like current music or like making sort of

1102
00:54:42,600 --> 00:54:45,239
Speaker 1: song choices that are like a little bit modern. I

1103
00:54:45,600 --> 00:54:46,800
Speaker 1: don't know the name of the song, but it was

1104
00:54:46,800 --> 00:54:48,600
Speaker 1: like sort of like a current song. It felt like

1105
00:54:48,960 --> 00:54:56,680
Speaker 1: sort of poppy in a way. It was one I

1106
00:54:56,760 --> 00:55:01,640
Speaker 1: watched her perform on some show. Am I really gonna

1107
00:55:01,680 --> 00:55:04,080
Speaker 1: take this fucking avenue off of this story? I was

1108
00:55:04,160 --> 00:55:06,960
Speaker 1: just building it up, you know, finished the story and

1109
00:55:07,040 --> 00:55:15,000
Speaker 1: then talk about um so anyway, shut up, finish put

1110
00:55:15,040 --> 00:55:16,520
Speaker 1: the news on the story. And they're all looking each

1111
00:55:16,520 --> 00:55:18,520
Speaker 1: other and their eyes and they're like we're gonna die.

1112
00:55:18,560 --> 00:55:19,759
Speaker 1: And you see them go through oh my god, I'm

1113
00:55:19,800 --> 00:55:21,800
Speaker 1: gonna die. And then oh my god, I'm gonna this

1114
00:55:21,920 --> 00:55:23,759
Speaker 1: is gonna end for me. And they're all looking at

1115
00:55:23,760 --> 00:55:25,160
Speaker 1: each other and you know, obviously as if you are.

1116
00:55:25,160 --> 00:55:26,760
Speaker 1: I'm like, they're not going to kill the whole cast.

1117
00:55:27,200 --> 00:55:29,120
Speaker 1: So I'm like, what are they gonna do? And and

1118
00:55:29,320 --> 00:55:34,040
Speaker 1: out is like like, drop it, screaming my old teacher,

1119
00:55:34,120 --> 00:55:36,120
Speaker 1: the kindest woman I've ever known, as like literally like

1120
00:55:36,280 --> 00:55:41,279
Speaker 1: gives the car and dad was a teacher of mine. Iconic, Well,

1121
00:55:41,520 --> 00:55:43,200
Speaker 1: let's get to her after this. Mone she drops it

1122
00:55:43,440 --> 00:55:47,960
Speaker 1: and they dropped like a centimeter to scare them. Oh,

1123
00:55:49,719 --> 00:55:53,200
Speaker 1: and she's then she's just like the Lord is your savior.

1124
00:55:53,800 --> 00:55:59,279
Speaker 1: He has given you life. You will obey him, and

1125
00:55:59,400 --> 00:56:03,960
Speaker 1: like they're all because it changes because you see them

1126
00:56:04,000 --> 00:56:07,239
Speaker 1: go through the emotions of I wanted to die, oh

1127
00:56:07,800 --> 00:56:10,560
Speaker 1: and I'm not, I'm not, I'm alive and this is

1128
00:56:10,680 --> 00:56:16,960
Speaker 1: worse and it's fucking sick and captivating television. You could

1129
00:56:17,000 --> 00:56:18,839
Speaker 1: have heard a pin drop in my apartment, Like I mean,

1130
00:56:19,080 --> 00:56:22,120
Speaker 1: I was like, oh my silent, and it was just

1131
00:56:22,719 --> 00:56:24,880
Speaker 1: and then and then the credits roll, bitch, and you

1132
00:56:24,960 --> 00:56:26,759
Speaker 1: go get a nice tea because you can't. You you

1133
00:56:26,840 --> 00:56:29,080
Speaker 1: can't breathe and in the credit that you go get

1134
00:56:29,120 --> 00:56:31,800
Speaker 1: a corona because you you just had a heart attack.

1135
00:56:32,840 --> 00:56:34,680
Speaker 1: It's three in the morning. This is me like two

1136
00:56:34,800 --> 00:56:37,280
Speaker 1: nights ago. It's captivating television. I watched it on the subway,

1137
00:56:37,280 --> 00:56:38,759
Speaker 1: That's how much I wanted to watch episode two. I

1138
00:56:38,840 --> 00:56:40,880
Speaker 1: was watching and I saw this girl clocked me on

1139
00:56:40,960 --> 00:56:43,040
Speaker 1: the subway like me, like what this this dude watching?

1140
00:56:43,080 --> 00:56:45,279
Speaker 1: And he's like he's watching Handmaids Tale, Like, oh my god,

1141
00:56:45,440 --> 00:56:47,600
Speaker 1: so heavy. It's it's noon, Oh my god, and it

1142
00:56:47,680 --> 00:56:54,719
Speaker 1: is the soliday guys, Can I just say what I

1143
00:56:54,840 --> 00:56:57,880
Speaker 1: just quickly do. Alipa is the biggest bit gaze I've

1144
00:56:57,920 --> 00:57:02,480
Speaker 1: ever decided to do. She is just it's it's exactly

1145
00:57:02,560 --> 00:57:04,800
Speaker 1: what happens whenever all the gates come together and agree

1146
00:57:04,920 --> 00:57:07,520
Speaker 1: to do something. Oh my god, you know it will

1147
00:57:07,560 --> 00:57:12,600
Speaker 1: be funny. I was huge. I remember when we used

1148
00:57:12,600 --> 00:57:14,080
Speaker 1: to be able to Now she's famous, but we used

1149
00:57:14,080 --> 00:57:15,560
Speaker 1: to be able to make the joke at game show.

1150
00:57:15,600 --> 00:57:16,840
Speaker 1: We used to be like we used to ask the

1151
00:57:16,840 --> 00:57:22,800
Speaker 1: straight guys what is and watch them just be like, um,

1152
00:57:23,080 --> 00:57:27,440
Speaker 1: it's a vacuum. But anyway, I'll talk about and OWD

1153
00:57:27,440 --> 00:57:31,320
Speaker 1: for a second, because she is fantastic. Her and her husband,

1154
00:57:31,440 --> 00:57:33,520
Speaker 1: Larry Rancio, who was also an acting teacher of mine.

1155
00:57:33,600 --> 00:57:35,280
Speaker 1: They used to work at CAP twenty one, which was

1156
00:57:35,320 --> 00:57:38,520
Speaker 1: where I studied music with theater at um Titian and

1157
00:57:38,600 --> 00:57:40,800
Speaker 1: why you Um, and it was a wonderful school. It

1158
00:57:40,960 --> 00:57:43,160
Speaker 1: has since kind of changed a lot and moved around

1159
00:57:43,200 --> 00:57:45,000
Speaker 1: and discontinued from what it sort of used to be.

1160
00:57:45,480 --> 00:57:47,400
Speaker 1: But at the time it was a really nice place

1161
00:57:47,480 --> 00:57:50,959
Speaker 1: to foster people who loved to sing and loved musical

1162
00:57:51,040 --> 00:57:52,680
Speaker 1: theory in an honest way. And they taught you to

1163
00:57:53,120 --> 00:57:56,520
Speaker 1: and and Larry specifically, they taught to teach from an

1164
00:57:56,560 --> 00:57:59,760
Speaker 1: acting point. First, your song. When you go into song,

1165
00:58:00,040 --> 00:58:02,880
Speaker 1: it's because you can't speak these words anymore, you have

1166
00:58:03,080 --> 00:58:05,600
Speaker 1: to sing them. That music and dance is that heightened

1167
00:58:05,600 --> 00:58:08,320
Speaker 1: place in musical theater where the emotion is so strong,

1168
00:58:08,760 --> 00:58:10,720
Speaker 1: it is the impetus to sing. It is what what

1169
00:58:10,920 --> 00:58:12,960
Speaker 1: you begin on. And that that's like what musical theaters

1170
00:58:13,000 --> 00:58:14,640
Speaker 1: found it on. And and that's why when I go

1171
00:58:14,760 --> 00:58:17,800
Speaker 1: see SpongeBob the musical, which I saw last night, um,

1172
00:58:18,000 --> 00:58:19,720
Speaker 1: I had my own night at the theater. It was

1173
00:58:19,800 --> 00:58:21,760
Speaker 1: very good. It was fun, super camping, but like aware

1174
00:58:21,760 --> 00:58:23,240
Speaker 1: of it was it was good. It was what these

1175
00:58:23,320 --> 00:58:26,600
Speaker 1: musical y. Yeah, I enjoyed it really much and shout

1176
00:58:26,600 --> 00:58:29,680
Speaker 1: out to Steph Shoo you know are and Alex Gibson

1177
00:58:29,760 --> 00:58:31,960
Speaker 1: good friends from n y u UM and they were

1178
00:58:32,000 --> 00:58:35,000
Speaker 1: fantastic in the show. But like Broadway, if you can

1179
00:58:35,080 --> 00:58:37,600
Speaker 1: submit to it, if you can like put your guard

1180
00:58:37,640 --> 00:58:40,600
Speaker 1: down for once, like yourself and like let yourself have fun,

1181
00:58:41,320 --> 00:58:43,400
Speaker 1: you can really go on a journey. And especially some

1182
00:58:43,480 --> 00:58:45,440
Speaker 1: of the voices, Oh my god, this girl who plays Pearl,

1183
00:58:45,720 --> 00:58:48,000
Speaker 1: so Pearl and SpongeBob is like, you know Mr Mr

1184
00:58:48,040 --> 00:58:50,640
Speaker 1: Crab's daughter, who's the whale. She's got these big platform

1185
00:58:50,720 --> 00:58:53,280
Speaker 1: shoes on, which is that's the costume. Is very suggestive,

1186
00:58:53,360 --> 00:58:55,040
Speaker 1: like you know, she's not a whale costume. She just

1187
00:58:55,080 --> 00:58:57,200
Speaker 1: has these big shoes like and gives the essence of

1188
00:58:57,280 --> 00:59:01,680
Speaker 1: like the big whale. Her voice is face melting and

1189
00:59:01,840 --> 00:59:03,840
Speaker 1: like literally she's only there. She'd come on like halfway

1190
00:59:03,840 --> 00:59:05,680
Speaker 1: through numbers. It was very corral. It was very like

1191
00:59:05,960 --> 00:59:10,400
Speaker 1: I'm this character and I have a line. I'm this

1192
00:59:10,520 --> 00:59:12,560
Speaker 1: character and I have a line, you know, And she

1193
00:59:12,600 --> 00:59:15,160
Speaker 1: would just come on and be like yeah, like just

1194
00:59:15,640 --> 00:59:21,040
Speaker 1: blow the house rule number seventy seven culture. She just

1195
00:59:21,160 --> 00:59:25,760
Speaker 1: came out there and went yeah, girl, And every time

1196
00:59:25,840 --> 00:59:29,160
Speaker 1: I was like grow, I was like, yes, bitch, take

1197
00:59:29,240 --> 00:59:33,040
Speaker 1: the stage. This is only for me. This is just

1198
00:59:33,360 --> 00:59:39,000
Speaker 1: straight up belting, not even a lyric screw. And I

1199
00:59:39,080 --> 00:59:40,760
Speaker 1: knew you guys were watching once on this island at

1200
00:59:40,800 --> 00:59:42,520
Speaker 1: the same time. Literally you were watching your shop. It's

1201
00:59:42,520 --> 00:59:52,720
Speaker 1: watching my watch crew. Bick o. God he's shot back

1202
00:59:52,720 --> 00:59:55,600
Speaker 1: with yet be careful protect That's why you hear it's

1203
00:59:56,560 --> 01:00:01,080
Speaker 1: up in these But anyway, um, I was talking about

1204
01:00:01,080 --> 01:00:02,720
Speaker 1: and down and I'll just quickly wrap that up that

1205
01:00:03,000 --> 01:00:05,400
Speaker 1: um she's wonderful. She is one of the kindest people

1206
01:00:05,400 --> 01:00:08,760
Speaker 1: I've ever known. She has an amazing actress like all

1207
01:00:08,800 --> 01:00:11,560
Speaker 1: over the place in Masters of Sex, she's phenomenal, Like

1208
01:00:12,040 --> 01:00:18,280
Speaker 1: in The Leftovers, she is phenomenal like she and I mean, Hulu,

1209
01:00:18,400 --> 01:00:23,480
Speaker 1: how would you forget do um it? You know, it

1210
01:00:23,560 --> 01:00:25,480
Speaker 1: made me feel like this woman she and you know

1211
01:00:25,560 --> 01:00:27,520
Speaker 1: she was in Garden State. She had a career, but

1212
01:00:27,680 --> 01:00:29,200
Speaker 1: when we met her, she was like very much it

1213
01:00:29,280 --> 01:00:31,480
Speaker 1: felt like she was still out there auditioning, and she

1214
01:00:31,600 --> 01:00:33,320
Speaker 1: was still out there like waiting for the role that

1215
01:00:33,400 --> 01:00:35,600
Speaker 1: was going to bust her into the like sort of

1216
01:00:35,720 --> 01:00:39,960
Speaker 1: that world. And she had the brightest spirit. She was

1217
01:00:40,040 --> 01:00:42,200
Speaker 1: so kind you couldn't say a bad word about her,

1218
01:00:42,520 --> 01:00:44,760
Speaker 1: And I felt like I was inspired by that. I said,

1219
01:00:44,760 --> 01:00:46,800
Speaker 1: I want to be somebody that people like that, people

1220
01:00:46,840 --> 01:00:49,520
Speaker 1: want to that people think of with fondness and know

1221
01:00:49,720 --> 01:00:51,720
Speaker 1: that they're out there putting their time in and they're

1222
01:00:51,720 --> 01:00:54,680
Speaker 1: not worried about comparing themselves to other people. They're doing

1223
01:00:54,720 --> 01:00:57,400
Speaker 1: their time and ready to bloom when they want to bloom.

1224
01:00:57,880 --> 01:01:01,240
Speaker 1: And she is really deserving of the moment. I mean,

1225
01:01:01,400 --> 01:01:02,760
Speaker 1: and it's I'm coming right from the heart right now.

1226
01:01:02,800 --> 01:01:04,400
Speaker 1: I mean it sounds like I'm being mushy or whatever,

1227
01:01:04,480 --> 01:01:06,280
Speaker 1: but it really comes from the heart. I genuinely think

1228
01:01:06,360 --> 01:01:08,800
Speaker 1: this person inspired me to be like, oh wow, good

1229
01:01:08,960 --> 01:01:14,080
Speaker 1: people get rewarded and good people like um when you

1230
01:01:14,160 --> 01:01:16,200
Speaker 1: when you just stay on it and and don't speak

1231
01:01:16,200 --> 01:01:18,520
Speaker 1: all of other people, you really can get there. Um.

1232
01:01:18,600 --> 01:01:22,080
Speaker 1: And also just just speaking alone to her acting ability,

1233
01:01:22,520 --> 01:01:24,520
Speaker 1: she is an incredible She used to give us notes

1234
01:01:24,640 --> 01:01:27,360
Speaker 1: and be like she would just like like somebody doing

1235
01:01:27,560 --> 01:01:32,040
Speaker 1: um uh from ragtime. Um, I bid it my heart,

1236
01:01:32,280 --> 01:01:36,360
Speaker 1: I'm knocking around when she's when she's burying her child,

1237
01:01:36,440 --> 01:01:38,320
Speaker 1: like this this big Oh my god, you neither of

1238
01:01:38,360 --> 01:01:40,040
Speaker 1: you know Ragtime and I'm now I'm alone, and all

1239
01:01:40,080 --> 01:01:42,000
Speaker 1: the musical theater boys at home are like, you idiot,

1240
01:01:42,400 --> 01:01:45,240
Speaker 1: I'll remember it. But essentially this the big number in Ragtime.

1241
01:01:46,000 --> 01:01:48,200
Speaker 1: One of my classmates was performing it and she's like

1242
01:01:48,280 --> 01:01:51,800
Speaker 1: on her knees being like bury him, bury him, like,

1243
01:01:52,120 --> 01:01:55,680
Speaker 1: oh my god, like and just like going through the

1244
01:01:55,800 --> 01:01:58,200
Speaker 1: motions like with you, like on her knees, taking you there.

1245
01:01:58,240 --> 01:01:59,960
Speaker 1: And also if it's a love song, if it's wet

1246
01:02:00,040 --> 01:02:03,320
Speaker 1: side story, she's like, she's like, you're in love, Like

1247
01:02:03,760 --> 01:02:07,640
Speaker 1: she just had a way of making you rounding, rounding you,

1248
01:02:07,840 --> 01:02:10,040
Speaker 1: and and you know, some of these songs are I

1249
01:02:10,160 --> 01:02:13,000
Speaker 1: Feel Pretty. She's like you, you're looking at yourself in

1250
01:02:13,040 --> 01:02:16,240
Speaker 1: the mirror and you're feeling confident for the first time

1251
01:02:16,320 --> 01:02:18,840
Speaker 1: you've ever felt, you know, pulling away I Feel pretty

1252
01:02:19,120 --> 01:02:20,920
Speaker 1: like and it's this bouncy number where you just want

1253
01:02:20,960 --> 01:02:23,480
Speaker 1: to do like kicks and wear a dress and taking

1254
01:02:23,520 --> 01:02:26,480
Speaker 1: you out of that high school mentality and find the

1255
01:02:26,560 --> 01:02:30,240
Speaker 1: person inside. What is she seeing? Why is she singing? Um?

1256
01:02:30,600 --> 01:02:33,000
Speaker 1: Maybe I'm falling back in love with musical theater right here,

1257
01:02:33,080 --> 01:02:35,760
Speaker 1: live on Last culturestest. But I just I agree with you.

1258
01:02:35,880 --> 01:02:38,120
Speaker 1: Last night was really important because it maybe it was

1259
01:02:38,280 --> 01:02:41,080
Speaker 1: good and it made me realize why this art form

1260
01:02:41,200 --> 01:02:44,200
Speaker 1: is so good absolutely, you know, like Hamilton obviously like

1261
01:02:44,440 --> 01:02:47,080
Speaker 1: that there there's good theater out there. I have a love,

1262
01:02:48,120 --> 01:02:50,120
Speaker 1: I love hate relationship with it. I just I don't

1263
01:02:50,160 --> 01:02:52,120
Speaker 1: love the stunt casting and I don't love all all

1264
01:02:52,200 --> 01:02:59,400
Speaker 1: of the commercialization, the attitude around, like the audition process exactly.

1265
01:02:59,520 --> 01:03:02,360
Speaker 1: It's just it doesn't always feel great. And also like

1266
01:03:02,600 --> 01:03:04,040
Speaker 1: the more and more you're going time squared, the more

1267
01:03:04,080 --> 01:03:05,960
Speaker 1: and more, it's just like it's it feels like this

1268
01:03:06,160 --> 01:03:09,120
Speaker 1: section of six fives. But the art form is beautiful. Yeah,

1269
01:03:09,560 --> 01:03:11,760
Speaker 1: but the art form is beautiful. So I had a

1270
01:03:11,920 --> 01:03:13,520
Speaker 1: nice night at the theater last night, even though it

1271
01:03:13,560 --> 01:03:14,960
Speaker 1: was silly and it was sponge about the musical. He

1272
01:03:15,040 --> 01:03:16,600
Speaker 1: was very talented and also it was a very like

1273
01:03:16,680 --> 01:03:20,040
Speaker 1: athletic show. He was like bouncing around. There was some flying, Yeah,

1274
01:03:20,040 --> 01:03:23,800
Speaker 1: there they were doing things. I yeah, I just gotta say, like,

1275
01:03:24,280 --> 01:03:25,880
Speaker 1: so shout out to and out she's a rock star.

1276
01:03:26,080 --> 01:03:29,360
Speaker 1: Shout out to and I am just just seeing when

1277
01:03:29,360 --> 01:03:31,800
Speaker 1: I bought myself a ticket an orchestra seat for Hello Dolly,

1278
01:03:32,600 --> 01:03:34,439
Speaker 1: tell Me. We actually didn't talk about me not talking

1279
01:03:34,440 --> 01:03:37,040
Speaker 1: about that truly, I think I think I've talked about

1280
01:03:37,040 --> 01:03:38,640
Speaker 1: on the pod, but like well as one of the

1281
01:03:38,680 --> 01:03:41,280
Speaker 1: best things I've done for myself. And it was after

1282
01:03:41,360 --> 01:03:45,160
Speaker 1: a long week and I went um and just like

1283
01:03:45,680 --> 01:03:50,400
Speaker 1: seeing Bernadette like be so loved just this this song

1284
01:03:50,520 --> 01:03:53,920
Speaker 1: Hello Dolly, like a triumphant moment, and it's I was

1285
01:03:54,080 --> 01:03:56,720
Speaker 1: getting emotion. I was crying like I never cried theater,

1286
01:03:56,840 --> 01:03:58,760
Speaker 1: never cried at the movies, but I was crying because

1287
01:03:58,800 --> 01:04:02,400
Speaker 1: it's a song about being it's a song about being loved,

1288
01:04:03,080 --> 01:04:06,680
Speaker 1: and God, it was so fun and so joyful and

1289
01:04:06,720 --> 01:04:08,120
Speaker 1: it wasn't even like a dramatic it's not even a

1290
01:04:08,200 --> 01:04:12,320
Speaker 1: dramatic emotional show. But like that groundswell of a number,

1291
01:04:12,400 --> 01:04:14,200
Speaker 1: I was like, oh my god, this is what this

1292
01:04:14,320 --> 01:04:16,600
Speaker 1: is the best thing I've seen ever. It's those ships,

1293
01:04:16,840 --> 01:04:19,080
Speaker 1: those shippers you only get from live singing yeah for

1294
01:04:19,240 --> 01:04:21,000
Speaker 1: musical theater, And like that's why people shouldn't, like I

1295
01:04:21,040 --> 01:04:23,600
Speaker 1: shouldn't perform every now and then. But it's like it's

1296
01:04:23,640 --> 01:04:25,520
Speaker 1: good when it's good. When it's good, it's great, yeah,

1297
01:04:25,520 --> 01:04:27,680
Speaker 1: but when yeah, exactly, it's it's good, it's good, it's bad,

1298
01:04:27,680 --> 01:04:30,080
Speaker 1: it's bad. Ye Sudi, who actually are were about to

1299
01:04:30,160 --> 01:04:32,800
Speaker 1: hear from uh just recently wants to go see Mean

1300
01:04:32,840 --> 01:04:34,640
Speaker 1: Girls and when she comes back on the show, I

1301
01:04:34,680 --> 01:04:38,440
Speaker 1: wanted her to talk about it, but he said that

1302
01:04:38,520 --> 01:04:41,840
Speaker 1: the show is funny, like it feels like a fresh

1303
01:04:41,960 --> 01:04:45,120
Speaker 1: new Tina fe piece. It was well adapted to this time.

1304
01:04:45,440 --> 01:04:48,360
Speaker 1: She said, some of the performances are amazing, specifically Barrett

1305
01:04:48,360 --> 01:04:51,920
Speaker 1: Wilbert Weed as I've seen several times and it's always

1306
01:04:51,960 --> 01:04:56,880
Speaker 1: blowls me away, special talents, and also Taylor Lawderman who

1307
01:04:56,880 --> 01:04:59,200
Speaker 1: plays Regina George, who apparently is like a lead actress

1308
01:04:59,200 --> 01:05:03,360
Speaker 1: of the show. They beat a part up incredible. Yeah,

1309
01:05:03,400 --> 01:05:05,640
Speaker 1: you got to humanize the bully these we want to

1310
01:05:05,640 --> 01:05:07,240
Speaker 1: see the other thing. We want to see a fully

1311
01:05:07,880 --> 01:05:10,560
Speaker 1: textured Regina. So he was saying, there's like really well

1312
01:05:10,680 --> 01:05:13,480
Speaker 1: updated scenes that sort of even though that was that

1313
01:05:13,600 --> 01:05:17,240
Speaker 1: movie was you know, it wasn't antifeminar, like it doesn't

1314
01:05:17,240 --> 01:05:19,520
Speaker 1: need to be updated. It's you know, it's now, you know,

1315
01:05:20,400 --> 01:05:23,000
Speaker 1: fourteen years ago, so so it does need to be

1316
01:05:23,080 --> 01:05:24,840
Speaker 1: updated for the times, and that they did that well

1317
01:05:24,960 --> 01:05:28,520
Speaker 1: for the modern modern era, that maybe though still iconic

1318
01:05:28,640 --> 01:05:31,720
Speaker 1: for the ages. I'm saying ahead of its time. People

1319
01:05:31,760 --> 01:05:33,400
Speaker 1: say like Network is ahead of its time still I

1320
01:05:33,520 --> 01:05:36,080
Speaker 1: still think. I mean girls like some of like just

1321
01:05:36,200 --> 01:05:38,480
Speaker 1: the way the dialogue pops, I'm like, oh my god, wow,

1322
01:05:38,600 --> 01:05:42,360
Speaker 1: like you know said, actually it was very I've heard

1323
01:05:42,400 --> 01:05:44,240
Speaker 1: two reviews of this movie from people that I like,

1324
01:05:44,320 --> 01:05:46,080
Speaker 1: super respect that I've seen it, and one of them

1325
01:05:46,240 --> 01:05:48,240
Speaker 1: was not so good and I won't say who said it,

1326
01:05:48,360 --> 01:05:50,400
Speaker 1: but it was not a good review. And then Sudi

1327
01:05:50,520 --> 01:05:52,120
Speaker 1: was like, it was amazing. So I think that it

1328
01:05:52,200 --> 01:05:53,720
Speaker 1: might be one of those things where if you go

1329
01:05:53,920 --> 01:05:56,440
Speaker 1: with a certain mentality expecting a certain thing, you might

1330
01:05:56,480 --> 01:05:59,200
Speaker 1: be disappointed. But Sudi seemed to really like it, and

1331
01:05:59,320 --> 01:06:01,560
Speaker 1: she said that, um, like a lot of the classic

1332
01:06:01,600 --> 01:06:03,200
Speaker 1: lines are there, but it didn't feel like a juke

1333
01:06:03,280 --> 01:06:05,919
Speaker 1: boxy we're relying on the movie type thing. It feel

1334
01:06:05,920 --> 01:06:08,080
Speaker 1: like its own fresh thing, which I'm excited. I'm picturing

1335
01:06:08,160 --> 01:06:10,480
Speaker 1: like sort of a cross. I'm picturing like Illegally Blonde,

1336
01:06:10,560 --> 01:06:16,520
Speaker 1: which I think was a good It was snappy way work, absolutely,

1337
01:06:16,640 --> 01:06:18,440
Speaker 1: I mean, like her big note and like watching her

1338
01:06:18,480 --> 01:06:20,040
Speaker 1: try to hit it every time was like the take

1339
01:06:20,080 --> 01:06:23,440
Speaker 1: away this hook, Oh my god, oh my god, you

1340
01:06:23,640 --> 01:06:31,120
Speaker 1: guys it was all about Yeah, of course there it is.

1341
01:06:31,480 --> 01:06:33,920
Speaker 1: It was, honestly, but it was a good musical, so

1342
01:06:34,080 --> 01:06:35,960
Speaker 1: I'm sort of expecting that which I thought was snappy

1343
01:06:36,000 --> 01:06:38,400
Speaker 1: and fun. Well, yeah, I mean I definitely want to

1344
01:06:38,440 --> 01:06:42,000
Speaker 1: go see it. Absolutely, I would love to, especially before

1345
01:06:42,040 --> 01:06:44,880
Speaker 1: the Tony nominations. Once those come out, it's impossible. I

1346
01:06:44,920 --> 01:06:47,200
Speaker 1: remember when you were able to see jar Evan Hansen.

1347
01:06:47,800 --> 01:06:50,520
Speaker 1: Then when all that nonsense went went down forget it.

1348
01:06:51,080 --> 01:06:54,640
Speaker 1: So actually, um, for today's voice, ma'am, oh you bitch,

1349
01:06:55,280 --> 01:06:59,120
Speaker 1: we have a message from Sudie Green, who actually, Um,

1350
01:06:59,280 --> 01:07:02,240
Speaker 1: this is Sudi Green, who is our friend who's in

1351
01:07:02,320 --> 01:07:06,600
Speaker 1: the industry quote unquote already ready so much for taking

1352
01:07:06,640 --> 01:07:09,240
Speaker 1: the time to hop on the phone with me. Um,

1353
01:07:09,880 --> 01:07:16,000
Speaker 1: it's me suity. Um, we're a longtime friend, short time fan. UM.

1354
01:07:16,360 --> 01:07:20,600
Speaker 1: I am so excited for everything that most culture stas

1355
01:07:20,840 --> 01:07:25,920
Speaker 1: is doing, you know, cluster Fest and the like. Um,

1356
01:07:26,400 --> 01:07:30,200
Speaker 1: and I just feel that as your friend, it would

1357
01:07:30,280 --> 01:07:36,040
Speaker 1: be honestly shitty of meat not really trying to develop

1358
01:07:36,080 --> 01:07:40,720
Speaker 1: you guys and really get you at least a web series,

1359
01:07:41,560 --> 01:07:44,160
Speaker 1: you know, and um, things are opening up in the

1360
01:07:44,280 --> 01:07:48,120
Speaker 1: quarter hour space. You know, before the paywall, after the paywall,

1361
01:07:48,840 --> 01:07:51,480
Speaker 1: you know, the form is going out the window. And

1362
01:07:52,000 --> 01:07:54,040
Speaker 1: you know, if we can really capitalize on what you

1363
01:07:54,080 --> 01:07:57,040
Speaker 1: guys are doing, UM, I think we could get you,

1364
01:07:57,280 --> 01:08:01,240
Speaker 1: you know, five thousand dollars to split. I'll call it

1365
01:08:01,320 --> 01:08:05,520
Speaker 1: pitches here for you, um, you know, just to throw

1366
01:08:05,760 --> 01:08:09,440
Speaker 1: some things out there. Um. And before I pitch this,

1367
01:08:09,600 --> 01:08:11,840
Speaker 1: I just I think it's important to state that I'm

1368
01:08:11,880 --> 01:08:17,080
Speaker 1: a straight, white presenting woman. Okay, So the first pitch

1369
01:08:17,160 --> 01:08:20,320
Speaker 1: and I have for you guys is, girl snag that wig.

1370
01:08:21,479 --> 01:08:26,080
Speaker 1: Bow and Matt visit Republican women and introduce them to

1371
01:08:26,400 --> 01:08:30,120
Speaker 1: weaves and falls and clippings to make their hair fuller

1372
01:08:30,560 --> 01:08:37,440
Speaker 1: and their lives more interesting. It's funny but ultimately heartwarming

1373
01:08:37,600 --> 01:08:42,479
Speaker 1: and profound. My next idea, you know, just brown things

1374
01:08:42,520 --> 01:08:48,120
Speaker 1: out there is uh straight boy gay body, um where

1375
01:08:48,360 --> 01:08:54,000
Speaker 1: Bowen and Matt makeum one of their girlfriend's boyfriends go

1376
01:08:54,160 --> 01:08:58,200
Speaker 1: to a Beyonce Soule cycle class with them, and it's

1377
01:08:58,439 --> 01:09:06,360
Speaker 1: very funny but ultimately heartwarming profound. Um. Then there's this

1378
01:09:07,120 --> 01:09:11,280
Speaker 1: idea that I have. UM tentative title is can I

1379
01:09:11,400 --> 01:09:16,479
Speaker 1: borrow that? It's four show where YouTube boys come over

1380
01:09:16,680 --> 01:09:22,240
Speaker 1: to me or mo or. You know, even Amanda one

1381
01:09:22,320 --> 01:09:26,160
Speaker 1: of our apartments and you read our closets, and Matt,

1382
01:09:26,320 --> 01:09:30,439
Speaker 1: you tell me that everything is too big for you. Um,

1383
01:09:30,880 --> 01:09:34,840
Speaker 1: and then I don't see it for six months. Um,

1384
01:09:35,080 --> 01:09:37,439
Speaker 1: so that's fun Matt, you have my made well overalls

1385
01:09:37,520 --> 01:09:42,280
Speaker 1: I haven't forgotten. And then, um, you know it's funny. Sorry,

1386
01:09:42,400 --> 01:09:47,280
Speaker 1: But ultimately, UM, I get my made well overalls back.

1387
01:09:48,160 --> 01:09:51,040
Speaker 1: And then I get the last idea. You know, we've

1388
01:09:51,080 --> 01:09:53,400
Speaker 1: been talking about this for a while. I think it's

1389
01:09:53,439 --> 01:09:59,080
Speaker 1: finally time that we do it. Wrinkle in Time the

1390
01:09:59,240 --> 01:10:11,439
Speaker 1: musical the title track, sing it with me only the tolet.

1391
01:10:11,520 --> 01:10:14,080
Speaker 1: So I guess we'll just you know, circle back about

1392
01:10:14,200 --> 01:10:18,040
Speaker 1: those what you guys feel most passionate about. And um,

1393
01:10:18,240 --> 01:10:23,960
Speaker 1: I'm really excited for the future. That was green our friends.

1394
01:10:25,240 --> 01:10:27,920
Speaker 1: Oh my god, give it up. She's trying to develop us.

1395
01:10:29,400 --> 01:10:31,719
Speaker 1: She's smart. She's the smartest girl I know. She's certainly

1396
01:10:31,720 --> 01:10:33,719
Speaker 1: got plenty of good ideas there. I don't know about

1397
01:10:33,840 --> 01:10:37,000
Speaker 1: us going and introducing women to weaves, I don't know

1398
01:10:37,040 --> 01:10:41,000
Speaker 1: about that, Um, but a couple of the other ones.

1399
01:10:41,040 --> 01:10:43,200
Speaker 1: I think we had some legs straight bid gay bodies.

1400
01:10:44,560 --> 01:10:47,479
Speaker 1: I believe as a whole series. Oh my god, and

1401
01:10:47,720 --> 01:10:53,040
Speaker 1: it's ultimately heartwarming and profound. So we've come to that

1402
01:10:53,160 --> 01:10:55,200
Speaker 1: time in the show where it is time to play.

1403
01:10:55,640 --> 01:10:58,200
Speaker 1: I don't think so, honey, even if you went out

1404
01:10:58,280 --> 01:11:03,080
Speaker 1: to brunch and playing it with your girl. Oh my god. Alright,

1405
01:11:03,240 --> 01:11:06,640
Speaker 1: So all you out there, all you sensations, this is

1406
01:11:06,720 --> 01:11:08,400
Speaker 1: the part of the show where you take one minute

1407
01:11:08,439 --> 01:11:10,680
Speaker 1: to rail against something in pop culture that you're not

1408
01:11:10,920 --> 01:11:13,960
Speaker 1: feeling right now in a certain type of way. And

1409
01:11:14,080 --> 01:11:16,600
Speaker 1: I think that, actually, I know that we both have

1410
01:11:16,840 --> 01:11:19,680
Speaker 1: pre selected topics. I have one, and so let's go

1411
01:11:19,760 --> 01:11:22,240
Speaker 1: with bone first. Okay, here we go. This is bone Yanks.

1412
01:11:22,320 --> 01:11:24,080
Speaker 1: I don't think so, honey. And as time starts now,

1413
01:11:24,160 --> 01:11:28,000
Speaker 1: I don't think so many people who joke casually about suicide, like, oh,

1414
01:11:28,160 --> 01:11:31,840
Speaker 1: go kill yourself. Oh I'm gonna kill myself, shoot me

1415
01:11:31,880 --> 01:11:35,400
Speaker 1: in the fucking face. Oh hey, suicide is a real

1416
01:11:35,479 --> 01:11:37,840
Speaker 1: fucking thing. I don't mean to be like Virtue signally here,

1417
01:11:37,880 --> 01:11:40,160
Speaker 1: but honestly, like, come up with a better joke. I

1418
01:11:40,240 --> 01:11:43,639
Speaker 1: know it's an extreme image, but you can do better, girl, Like, listen,

1419
01:11:43,680 --> 01:11:45,960
Speaker 1: I'm guilty of this too. I've like casually thrown it

1420
01:11:46,000 --> 01:11:47,760
Speaker 1: out there, but then I was like, wait, I heard it,

1421
01:11:48,160 --> 01:11:49,920
Speaker 1: and I was I heard it someone else do it recently,

1422
01:11:49,920 --> 01:11:51,479
Speaker 1: and I was like, wait a minute, No, we can

1423
01:11:51,520 --> 01:11:54,600
Speaker 1: do better than this. We should expect better of ourselves.

1424
01:11:55,280 --> 01:11:58,120
Speaker 1: Maybe joke about how you would rather, you know, read

1425
01:11:58,160 --> 01:12:01,160
Speaker 1: a book in a quiet room for hours because that's

1426
01:12:01,240 --> 01:12:06,120
Speaker 1: torture to you, or you know, like fall down the

1427
01:12:06,280 --> 01:12:10,479
Speaker 1: stairs intentionally, Like that's a less severe, lesson example of that.

1428
01:12:10,560 --> 01:12:12,360
Speaker 1: So you know what, I don't think many people who

1429
01:12:12,400 --> 01:12:14,720
Speaker 1: want to joke about suicide casually, like, I know it's

1430
01:12:14,760 --> 01:12:16,840
Speaker 1: an easy go to, but find something better. I beg

1431
01:12:16,920 --> 01:12:20,040
Speaker 1: of you. You are a better person and conversationalist and

1432
01:12:20,120 --> 01:12:23,240
Speaker 1: comedian for that if you can make something else work.

1433
01:12:23,600 --> 01:12:27,160
Speaker 1: And that is one minute, I have to agree. I

1434
01:12:27,240 --> 01:12:29,439
Speaker 1: also think it'd be funnier instead of saying, oh, I'm

1435
01:12:29,439 --> 01:12:31,840
Speaker 1: gonna tell myself to be like I'm gonna throw myself

1436
01:12:31,920 --> 01:12:34,960
Speaker 1: down the stairs. It's just more visual and it's more active.

1437
01:12:35,040 --> 01:12:38,439
Speaker 1: It's funnier. I get more recover from that picture. I'm

1438
01:12:38,439 --> 01:12:43,360
Speaker 1: gonna throw myself off a cruise liner. Well, I think

1439
01:12:43,400 --> 01:12:48,240
Speaker 1: it's more fun. Um okay, so I'm ready to go okay, alright,

1440
01:12:48,280 --> 01:12:50,200
Speaker 1: because Matt Rodgers is I don't think so honey. His

1441
01:12:50,280 --> 01:12:54,439
Speaker 1: time starts now. I don't think so honey. Live voting

1442
01:12:54,720 --> 01:12:58,320
Speaker 1: on these reality competition shows with singing okay, because let

1443
01:12:58,360 --> 01:13:00,200
Speaker 1: me tell you something, I don't think so any of

1444
01:13:00,240 --> 01:13:03,080
Speaker 1: the deck being stacked for people that have cable in

1445
01:13:03,160 --> 01:13:06,200
Speaker 1: Middle America. I don't think so honey. On American Idol

1446
01:13:06,360 --> 01:13:08,920
Speaker 1: when the entire top four is all people of color

1447
01:13:09,280 --> 01:13:12,960
Speaker 1: and women, including a drag performer who was great on

1448
01:13:13,000 --> 01:13:16,120
Speaker 1: American Idol, that they're all on the bottom and then

1449
01:13:16,160 --> 01:13:19,559
Speaker 1: get eliminated because the deck is stacked for the white

1450
01:13:19,600 --> 01:13:22,680
Speaker 1: people in Middle America who still have cable who are

1451
01:13:22,760 --> 01:13:27,040
Speaker 1: fucking watching Rosanne. When you make it a live voting

1452
01:13:27,080 --> 01:13:29,160
Speaker 1: thing that they can only vote that night, that means

1453
01:13:29,240 --> 01:13:32,200
Speaker 1: people that stream who can't watch at night later cool

1454
01:13:32,479 --> 01:13:35,960
Speaker 1: people cannot vote, And I don't like it if I

1455
01:13:36,040 --> 01:13:38,839
Speaker 1: don't want to have to center my week around American

1456
01:13:38,880 --> 01:13:41,840
Speaker 1: Idol Wednesday, whatever fucking night it's on to make sure

1457
01:13:41,840 --> 01:13:43,400
Speaker 1: I can vote, but I want to have a voice

1458
01:13:43,400 --> 01:13:47,280
Speaker 1: because I'm American as well, So stop stacking the deck

1459
01:13:47,520 --> 01:13:50,320
Speaker 1: for all these country blonde singers, even if they're good.

1460
01:13:50,360 --> 01:13:54,040
Speaker 1: American Idol, we see you. I don't think the Voice

1461
01:13:54,080 --> 01:13:56,439
Speaker 1: also does it to live voting, and it results in

1462
01:13:56,560 --> 01:13:59,920
Speaker 1: bad people continuing and good people getting voted out. I agree,

1463
01:14:00,479 --> 01:14:04,680
Speaker 1: And it's racially. I think, like questionable sure that the

1464
01:14:04,760 --> 01:14:08,799
Speaker 1: bottom four is all people of color, and like everyone

1465
01:14:08,880 --> 01:14:11,360
Speaker 1: in the top is white. Every time that happens, I'm like,

1466
01:14:11,439 --> 01:14:15,320
Speaker 1: I'm sorry, but I would be. It's the same reason

1467
01:14:15,360 --> 01:14:17,439
Speaker 1: why I like, you know, like white queens on drag

1468
01:14:17,560 --> 01:14:19,720
Speaker 1: Race get more Instagram followers than black ones, right, And

1469
01:14:19,760 --> 01:14:22,200
Speaker 1: it's just like I'm so happy there's no voting element

1470
01:14:22,280 --> 01:14:25,000
Speaker 1: with drag Race, because like that would make it truly insane.

1471
01:14:25,040 --> 01:14:27,719
Speaker 1: And I definitely feel like I get it. It's American idol,

1472
01:14:28,080 --> 01:14:30,840
Speaker 1: Like sure, the Voice, like they decide, But that's a

1473
01:14:31,040 --> 01:14:33,400
Speaker 1: problem I have with the Voice, Like it can matter

1474
01:14:33,479 --> 01:14:34,840
Speaker 1: so much with the judges saying, and then all of

1475
01:14:34,880 --> 01:14:37,599
Speaker 1: a sudden it doesn't at all, And like it's really

1476
01:14:37,680 --> 01:14:40,200
Speaker 1: not about the Voice because America is calling judging on

1477
01:14:40,640 --> 01:14:44,040
Speaker 1: however many subjective opinions, So American idol, I get the

1478
01:14:44,080 --> 01:14:47,519
Speaker 1: public vote, but the Voice can do better and figure

1479
01:14:47,560 --> 01:14:49,560
Speaker 1: out how their system would make more sense for what

1480
01:14:49,680 --> 01:14:53,439
Speaker 1: it's about. I don't like relying on the live Yeah,

1481
01:14:53,439 --> 01:14:55,560
Speaker 1: it was X factor always relying on the vote to

1482
01:14:55,880 --> 01:14:59,840
Speaker 1: they had to vote, and also like not in America, no, no, no, wait,

1483
01:15:00,000 --> 01:15:03,880
Speaker 1: the judges decided based on America, based on the voting.

1484
01:15:04,240 --> 01:15:08,719
Speaker 1: The judges ultimately made decisions, but but like the public voted,

1485
01:15:08,760 --> 01:15:10,560
Speaker 1: and then later on in the competition it was just

1486
01:15:10,880 --> 01:15:13,920
Speaker 1: the public. But I like the X Factor as a model.

1487
01:15:13,960 --> 01:15:16,200
Speaker 1: It just didn't work in America because I think Simon

1488
01:15:16,320 --> 01:15:19,560
Speaker 1: Cowell is toxic. But the thing is, like, there's a

1489
01:15:19,640 --> 01:15:22,400
Speaker 1: way to figure out these reality shows so that they're

1490
01:15:22,640 --> 01:15:27,280
Speaker 1: almost there, so that the ones like the Voice that

1491
01:15:27,320 --> 01:15:29,720
Speaker 1: are almost there could just be fully there. It's just

1492
01:15:29,880 --> 01:15:32,880
Speaker 1: a little bit the rules don't make sense. Yeah, I

1493
01:15:33,000 --> 01:15:35,759
Speaker 1: hear that. That's what I feel. That's good. That's good commentary. Okay,

1494
01:15:35,880 --> 01:15:39,360
Speaker 1: thank you. Um So this is Dave Mazzoni's I don't

1495
01:15:39,360 --> 01:15:41,559
Speaker 1: think so, honey. I know we alluded to it earlier

1496
01:15:41,600 --> 01:15:43,400
Speaker 1: in the show, but I'm here to talk about it

1497
01:15:43,800 --> 01:15:45,680
Speaker 1: and it's I don't think so, honey, Dame Zzoni. And

1498
01:15:45,680 --> 01:15:47,760
Speaker 1: remember he is a finalist at Coach War. This is

1499
01:15:47,880 --> 01:15:53,479
Speaker 1: someone who knows what the fuck is pretty far. You're

1500
01:15:53,520 --> 01:15:56,240
Speaker 1: the Alaska of that competition for season five. Thank you

1501
01:15:56,920 --> 01:16:00,280
Speaker 1: bring back and your time starts now. I don't think so.

1502
01:16:00,479 --> 01:16:03,160
Speaker 1: Hunting Katie Perry right here, right now, in this day,

1503
01:16:04,720 --> 01:16:07,880
Speaker 1: I don't think so. With your Aaron Carter looking at

1504
01:16:09,720 --> 01:16:14,840
Speaker 1: I'm not here for it, like I mean, this is

1505
01:16:14,840 --> 01:16:17,719
Speaker 1: all coming from American Idol. Today, I watched Katy Perry

1506
01:16:18,320 --> 01:16:22,760
Speaker 1: enter the set of American Idol in a snow full

1507
01:16:22,840 --> 01:16:26,160
Speaker 1: snow white costume. Lionel who's the other judge? I don't

1508
01:16:26,160 --> 01:16:28,840
Speaker 1: even know, Luke Bryant. They're just in regular like in

1509
01:16:28,960 --> 01:16:32,360
Speaker 1: like Katy Perry comes in in a in snow white garb.

1510
01:16:32,479 --> 01:16:35,560
Speaker 1: I don't think so. Bitch, you are a billboard, you

1511
01:16:35,760 --> 01:16:41,040
Speaker 1: are a pepsi. You are burger king what happened to

1512
01:16:41,360 --> 01:16:45,719
Speaker 1: um like thinking of you to acoustic? Give me because

1513
01:16:45,760 --> 01:16:48,560
Speaker 1: I saw you at Highlighted Ballroom for fifteen dollars and

1514
01:16:48,640 --> 01:16:51,439
Speaker 1: two thousand and nine. Girl, you are a barri kay.

1515
01:16:52,240 --> 01:16:55,439
Speaker 1: You are the Panera bread of pop starts it. I

1516
01:16:55,479 --> 01:16:57,439
Speaker 1: don't think so, Honey, you saw that for American Idol.

1517
01:16:57,439 --> 01:16:59,120
Speaker 1: I don't care if that check is you. You suck.

1518
01:17:01,920 --> 01:17:05,280
Speaker 1: That's going to have a lot of fans. That was

1519
01:17:05,360 --> 01:17:08,160
Speaker 1: one minute exactly. I want to let you guys, the

1520
01:17:08,240 --> 01:17:10,160
Speaker 1: viewers know that it hit one minute and I was

1521
01:17:10,240 --> 01:17:12,519
Speaker 1: perfectly finished. He was really what you took a goddamn

1522
01:17:12,560 --> 01:17:15,320
Speaker 1: breath at the end. And also, guess what, it's amazing

1523
01:17:15,439 --> 01:17:17,640
Speaker 1: that after that because I've thought, but right before I

1524
01:17:17,720 --> 01:17:19,080
Speaker 1: hit the button, I was like, oh, we just pumped

1525
01:17:19,160 --> 01:17:21,080
Speaker 1: him up by saying he was a finalist and cultual.

1526
01:17:21,120 --> 01:17:23,160
Speaker 1: I hope the bitch brings it. And the bitch bro girl,

1527
01:17:23,520 --> 01:17:26,639
Speaker 1: she's blonde now she's got a lot of confidence. That's

1528
01:17:26,680 --> 01:17:32,240
Speaker 1: what that was called blond abission bitch, guys. And I'm

1529
01:17:32,240 --> 01:17:35,479
Speaker 1: also trying out this fake down h J. I fucking

1530
01:17:35,560 --> 01:17:38,439
Speaker 1: am obsessed with love it. I don't think I would

1531
01:17:38,439 --> 01:17:40,320
Speaker 1: ever get my ear peers because I'm purely afraid of

1532
01:17:40,400 --> 01:17:42,880
Speaker 1: the pain. But I'm trying it out on one side,

1533
01:17:42,880 --> 01:17:44,360
Speaker 1: and I'm kind of into it. Think you, I think

1534
01:17:44,400 --> 01:17:46,479
Speaker 1: it's really good if I don't love the earring, but

1535
01:17:46,560 --> 01:17:49,560
Speaker 1: also you're entitled. I respect you. It feels very like

1536
01:17:49,760 --> 01:17:52,960
Speaker 1: Helix Studios. For those of you out there, and many

1537
01:17:53,000 --> 01:17:55,040
Speaker 1: of you probably doing, why don't we leave it at that?

1538
01:17:55,200 --> 01:17:57,680
Speaker 1: Let's leave it at that, guys. This has been so

1539
01:17:57,760 --> 01:18:00,400
Speaker 1: much fun. I love my sister, and my sister always

1540
01:18:00,400 --> 01:18:02,960
Speaker 1: have a good time racing again, in a sort of

1541
01:18:03,040 --> 01:18:06,839
Speaker 1: a chanting type and a cult in a cult formation,

1542
01:18:07,040 --> 01:18:10,560
Speaker 1: cults formation. So let's just have a little rundown, shall we.

1543
01:18:11,040 --> 01:18:15,240
Speaker 1: So May eleventh is game show. Yes, I'll be there

1544
01:18:15,280 --> 01:18:19,920
Speaker 1: with Bells on my tech show. He keeps our score. Yes,

1545
01:18:20,600 --> 01:18:23,800
Speaker 1: he is there to serving the numbers. And like I said,

1546
01:18:23,880 --> 01:18:25,240
Speaker 1: so Shear is gonna be on the show. We're going

1547
01:18:25,280 --> 01:18:27,679
Speaker 1: to be announcing the rest of it very soon, probably

1548
01:18:27,800 --> 01:18:29,360
Speaker 1: very likely by the time this is out, we'll have

1549
01:18:29,400 --> 01:18:33,840
Speaker 1: announced it. Also, you guys, um in June, bitch the

1550
01:18:34,160 --> 01:18:37,360
Speaker 1: we're gonna be. We're going to be in l A.

1551
01:18:37,840 --> 01:18:40,200
Speaker 1: We're gonna do a game show on June eleventh, and

1552
01:18:40,240 --> 01:18:42,920
Speaker 1: I don't think it's hunting in June twelve, and then

1553
01:18:43,240 --> 01:18:46,080
Speaker 1: the list in July. And don't think you hand more

1554
01:18:46,080 --> 01:18:49,200
Speaker 1: about it on the podcast. I can safely say yes absolutely,

1555
01:18:49,479 --> 01:18:51,720
Speaker 1: of course, guys. Has been so fun, so fun. Now

1556
01:18:51,720 --> 01:18:55,320
Speaker 1: we gotta closet the song I think I know because

1557
01:18:55,439 --> 01:19:05,280
Speaker 1: when I thank you, thank you, thinking of you, what

1558
01:19:05,439 --> 01:19:24,879
Speaker 1: do you? I do you? Spending was love by Wow Forever.

1559
01:19:27,800 --> 01:19:31,280
Speaker 1: This has been a Forever Dog production executive produced by

1560
01:19:31,320 --> 01:19:36,600
Speaker 1: Brett Ballum, Joe Cilio and Alex Ramsey for more original podcasts,

1561
01:19:36,760 --> 01:19:40,720
Speaker 1: Please visit Forever dog Podcasts dot com and subscribe to

1562
01:19:40,800 --> 01:19:44,720
Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get

1563
01:19:44,760 --> 01:19:47,840
Speaker 1: your podcasts. Keep up with the latest Forever Dog news

1564
01:19:48,000 --> 01:19:52,360
Speaker 1: by following us on Twitter and Instagram at Forever Dog Team,

1565
01:19:52,840 --> 01:19:55,000
Speaker 1: and liking our page on Facebook.