1 00:00:03,920 --> 00:00:11,280 Speaker 1: It's that time, time, time, time, luck and load. So 2 00:00:11,480 --> 00:00:17,680 Speaker 1: Michael Very Show is on the air. Let's go for it. 3 00:00:19,239 --> 00:00:21,680 Speaker 1: You ain't got no job, You're young and you got 4 00:00:21,680 --> 00:00:25,800 Speaker 1: your hail. What do you want with the job? I 5 00:00:29,280 --> 00:00:31,360 Speaker 1: believe we drove around all day and there's not a 6 00:00:31,440 --> 00:00:35,920 Speaker 1: single job in this town. There is nothing, not a zecond. Yeah, 7 00:00:36,240 --> 00:00:38,200 Speaker 1: unless you want to work forty hours a week. 8 00:00:38,400 --> 00:00:41,320 Speaker 2: May shit quit that same job? Man, Hey, man, I 9 00:00:41,360 --> 00:00:44,120 Speaker 2: wish I could man stuff I equipment. The whole place would 10 00:00:44,120 --> 00:00:45,000 Speaker 2: fall apart without man. 11 00:00:45,000 --> 00:00:46,040 Speaker 1: I'm need it there, man. 12 00:00:46,280 --> 00:00:48,360 Speaker 2: Responsibility is a heavy responsibility. 13 00:00:48,440 --> 00:00:51,360 Speaker 1: Man, I don't like my job, and I don't think 14 00:00:51,360 --> 00:00:52,400 Speaker 1: I'm gonna go anymore. 15 00:00:53,000 --> 00:00:53,840 Speaker 2: He's not gonna go? 16 00:00:54,440 --> 00:00:57,440 Speaker 1: Yeah, won't you get fired? I don't know, but I 17 00:00:57,480 --> 00:01:03,560 Speaker 1: really don't like it, and I'm not gonna got. 18 00:01:04,440 --> 00:01:04,560 Speaker 3: Up. 19 00:01:11,280 --> 00:01:14,640 Speaker 2: The older boy, Blessed Soul, is preparing for his career. 20 00:01:15,240 --> 00:01:20,240 Speaker 1: Colic Carnival gotta be proud. Oh yeah yeah. Last season 21 00:01:20,280 --> 00:01:23,039 Speaker 1: he was a drickty dust spreader on a Celtic World. 22 00:01:23,360 --> 00:01:26,000 Speaker 1: He thinks that maybe next year I'll be guessing people's 23 00:01:26,040 --> 00:01:29,000 Speaker 1: waiter marking for the act woman. I need a different job. 24 00:01:29,720 --> 00:01:32,520 Speaker 3: I'm having real trouble in a confined indoor space. 25 00:01:33,120 --> 00:01:35,319 Speaker 2: How do you feel about working outdoors? 26 00:01:37,080 --> 00:01:37,720 Speaker 1: What else do you have? 27 00:01:37,800 --> 00:01:40,360 Speaker 3: I'm gonna lose my job, Pilot, and I just calm down. 28 00:01:40,360 --> 00:01:42,280 Speaker 3: I don't know, fool I killed the boss. You think 29 00:01:42,280 --> 00:02:24,079 Speaker 3: they're not gonna fire me for a thing like that? 30 00:02:24,080 --> 00:02:29,280 Speaker 1: That Pixere dust line was that Randy Quaid. That reminds 31 00:02:29,400 --> 00:02:31,920 Speaker 1: me of that scene. And an officer and a gentleman. 32 00:02:33,240 --> 00:02:36,160 Speaker 1: Remember David Keith, who does not get his due for 33 00:02:36,240 --> 00:02:38,560 Speaker 1: how good he was in that movie. Everybody remembers that 34 00:02:38,560 --> 00:02:41,840 Speaker 1: movie as Richard Gear you know who was originally cast 35 00:02:42,040 --> 00:02:47,560 Speaker 1: for that and he turned it down. John Travolta. John 36 00:02:47,600 --> 00:02:52,320 Speaker 1: Travolta was at the peak of his one point zero career, 37 00:02:52,440 --> 00:02:56,160 Speaker 1: so of course he had a great comeback. Travolta was 38 00:02:56,320 --> 00:02:59,480 Speaker 1: offered officer and a gentleman and turned it down to 39 00:02:59,480 --> 00:03:01,880 Speaker 1: make another movie. I don't remember what it was, but 40 00:03:01,919 --> 00:03:04,320 Speaker 1: it was a junk movie. He had a series of 41 00:03:04,400 --> 00:03:08,320 Speaker 1: bad choices, right, He kind of got type cast, and 42 00:03:08,520 --> 00:03:11,160 Speaker 1: this was a great opportunity for him to step out 43 00:03:11,160 --> 00:03:11,320 Speaker 1: of that. 44 00:03:11,680 --> 00:03:11,800 Speaker 2: Now. 45 00:03:11,800 --> 00:03:16,200 Speaker 1: I want you to imagine for a moment, John Travolta 46 00:03:17,480 --> 00:03:24,480 Speaker 1: as Mayo nays John Travolta fighting Lou Gossitt Junior. Yes, 47 00:03:24,520 --> 00:03:27,679 Speaker 1: it's weird, isn't it. Yeah, that's yeah, that's just out 48 00:03:27,680 --> 00:03:32,160 Speaker 1: of place. You know, that's imagining your parents having sex 49 00:03:32,280 --> 00:03:36,160 Speaker 1: or something. That's just that's not supposed to happen. Well, anyway, 50 00:03:36,920 --> 00:03:43,360 Speaker 1: Travolta is offered that role, turns it down. Big mistake. 51 00:03:44,280 --> 00:03:47,800 Speaker 1: Another Richard Gear movie, Richard Gear takes it Okay, Richard 52 00:03:47,800 --> 00:03:54,200 Speaker 1: Gears having a moment. Travolta is offered American Jigglow, turns 53 00:03:54,240 --> 00:03:58,720 Speaker 1: it down. Richard Gear takes it. Richard Gear is a 54 00:03:58,720 --> 00:04:00,000 Speaker 1: made man after those two movies. 55 00:04:00,800 --> 00:04:01,080 Speaker 2: Yeah. 56 00:04:02,080 --> 00:04:05,400 Speaker 1: Yeah, by made man, I mean he can buy all 57 00:04:05,400 --> 00:04:08,160 Speaker 1: the Gerbils he wants. I mean he can buy high 58 00:04:08,200 --> 00:04:10,760 Speaker 1: dollar Gerbils, the ones with you know, they got the 59 00:04:10,760 --> 00:04:14,760 Speaker 1: best manicure, and they'll do you know, they'll they'll do 60 00:04:14,920 --> 00:04:19,160 Speaker 1: things on command, you know what I'm saying. Yeah, but 61 00:04:19,240 --> 00:04:22,760 Speaker 1: you know what happens a dude that's that good looking, 62 00:04:24,160 --> 00:04:25,520 Speaker 1: it's got all the money in the world, all the 63 00:04:25,560 --> 00:04:28,839 Speaker 1: celebrity in the world. After a while, they go, I'm 64 00:04:28,839 --> 00:04:32,960 Speaker 1: gonna do something that nobody can do because I gotta 65 00:04:33,040 --> 00:04:36,960 Speaker 1: do that too. Yeah, I guess I don't know it's weird. Yeah, 66 00:04:37,040 --> 00:04:40,839 Speaker 1: that's that's a weird deal anyway, David Keith. Back to 67 00:04:40,920 --> 00:04:45,279 Speaker 1: David Keith, he doesn't get his due for how good 68 00:04:45,320 --> 00:04:51,160 Speaker 1: he was in that movie. So his girl's pregnant and 69 00:04:51,200 --> 00:04:55,480 Speaker 1: he loves her, and he realizes he's not cut out 70 00:04:55,520 --> 00:04:57,839 Speaker 1: for this. He's doing this for all the wrong reasons. 71 00:04:58,560 --> 00:05:02,000 Speaker 1: So he was it. Dr Uh, what's it? What's the 72 00:05:03,279 --> 00:05:05,400 Speaker 1: get Marcus trailer on the line. What's it called? A 73 00:05:05,760 --> 00:05:07,800 Speaker 1: little hustle like you? I want to sign up for 74 00:05:07,839 --> 00:05:09,760 Speaker 1: this kind of abuse anyway. I wanna fly jets, sir. 75 00:05:09,960 --> 00:05:13,799 Speaker 1: My grandmama wants to fly jets. Want is a change 76 00:05:14,520 --> 00:05:17,200 Speaker 1: talking about flying? He was talking about character. You sure 77 00:05:17,279 --> 00:05:18,760 Speaker 1: this clean? I've changed. 78 00:05:18,880 --> 00:05:19,400 Speaker 2: I've changed. 79 00:05:19,560 --> 00:05:22,479 Speaker 3: I've been here, I've tried served. 80 00:05:23,680 --> 00:05:25,080 Speaker 1: Just paw us up your abs a little bit. You 81 00:05:25,160 --> 00:05:29,200 Speaker 1: just shined it up. Tell me what I want to hear. 82 00:05:30,800 --> 00:05:34,839 Speaker 1: I want your do off, sir. I want your quote. 83 00:05:35,040 --> 00:05:38,839 Speaker 1: Spell it, d oh, I gotta quest Yeah, then you 84 00:05:38,839 --> 00:05:40,320 Speaker 1: can be free and you and your daddy can get 85 00:05:40,360 --> 00:05:44,279 Speaker 1: drunk and go hal chasing together. Huh, don't serve the off. 86 00:05:44,440 --> 00:05:45,680 Speaker 2: I gotta quote right. 87 00:05:45,720 --> 00:05:46,680 Speaker 1: Then you can forget it. 88 00:05:47,400 --> 00:05:47,960 Speaker 2: You're out. 89 00:05:48,400 --> 00:05:58,120 Speaker 1: Fuck you lord, don't you. I got a lord to go. 90 00:05:58,360 --> 00:06:01,919 Speaker 1: I got the word scene. You remember why the scene 91 00:06:01,960 --> 00:06:09,640 Speaker 1: happened because his buddy d RD. And he goes back 92 00:06:09,640 --> 00:06:13,240 Speaker 1: in there to say, that guy is an aviator. You 93 00:06:13,320 --> 00:06:16,320 Speaker 1: put him back in, you make you make an exception. 94 00:06:17,800 --> 00:06:21,440 Speaker 1: So he thinks lou Gosst Jr. Kicked him out. And 95 00:06:21,600 --> 00:06:26,720 Speaker 1: only after all of that he disrespects lu Gossat Jr. 96 00:06:26,720 --> 00:06:29,720 Speaker 1: Whole thing and he says he did it himself. I 97 00:06:29,760 --> 00:06:32,800 Speaker 1: didn't do it. And then you have a just profound 98 00:06:33,120 --> 00:06:37,520 Speaker 1: respect for lou Gossid Jr. Oh what a scene. But 99 00:06:38,040 --> 00:06:42,839 Speaker 1: back to my point, So David Keith, David Keith goes 100 00:06:43,720 --> 00:06:48,920 Speaker 1: he rs and he goes to his girl's place and 101 00:06:48,960 --> 00:06:51,599 Speaker 1: he said, I quit, and she said, what do you 102 00:06:51,640 --> 00:06:55,680 Speaker 1: mean quit? You're pregnant. We're going back to Oklahoma. We're 103 00:06:55,680 --> 00:07:02,240 Speaker 1: gonna raise this baby. And he says, I'll get my 104 00:07:02,360 --> 00:07:05,040 Speaker 1: job back now, I'll have to start on the floor. 105 00:07:05,600 --> 00:07:07,479 Speaker 1: But then I think within a year I can be 106 00:07:07,480 --> 00:07:11,760 Speaker 1: the night assistant manager. That line like, and she's going, 107 00:07:12,480 --> 00:07:15,720 Speaker 1: that's not what I had planned for my life. Is 108 00:07:15,800 --> 00:07:19,240 Speaker 1: going back with it, okie, And then she disrespects him 109 00:07:19,280 --> 00:07:21,200 Speaker 1: and he swallows it. Ringing. But I don't want to 110 00:07:21,240 --> 00:07:22,680 Speaker 1: ruin it for you mean, but I hadn't seen it 111 00:07:22,720 --> 00:07:30,920 Speaker 1: too soon. I don't want to ruin it anyway. There's 112 00:07:30,960 --> 00:07:32,960 Speaker 1: a lot I can say about that. That's a that's 113 00:07:33,000 --> 00:07:34,000 Speaker 1: a fantastic movie. 114 00:07:34,080 --> 00:07:34,400 Speaker 2: Right there. 115 00:07:34,880 --> 00:07:37,840 Speaker 1: Uh, let's go to Terry. Terry, you're on Michael Berry Show. 116 00:07:37,880 --> 00:07:38,960 Speaker 1: Welcome to the program. 117 00:07:38,720 --> 00:07:44,440 Speaker 2: Sir, Thanks. I was interested in your discussions about the 118 00:07:44,440 --> 00:07:48,360 Speaker 2: picket House yesterday with the minister from from Woodville. We 119 00:07:48,360 --> 00:07:51,640 Speaker 2: were just there u two saturdays ago. Now they do 120 00:07:51,680 --> 00:07:55,920 Speaker 2: a little heritage festival once once a year in October, 121 00:07:56,000 --> 00:07:57,600 Speaker 2: and we were over there with a bunch of old 122 00:07:58,080 --> 00:08:02,240 Speaker 2: high school friends from Beaumont with Brian Babbin, who's congressman 123 00:08:02,440 --> 00:08:06,280 Speaker 2: there now, and we aided to pick it out. We 124 00:08:06,600 --> 00:08:09,240 Speaker 2: all went to high school together. We're all I'm sorry, 125 00:08:09,240 --> 00:08:09,760 Speaker 2: go ahead, I. 126 00:08:10,280 --> 00:08:13,920 Speaker 1: Interrupted just Leif Babin's dad, Navy seal. Where'd you go 127 00:08:13,960 --> 00:08:14,560 Speaker 1: to high school? 128 00:08:15,240 --> 00:08:18,400 Speaker 2: Yeah? Forest Park. We've we've talked about that. We were 129 00:08:18,440 --> 00:08:19,680 Speaker 2: all Forest Parker's. 130 00:08:19,480 --> 00:08:22,520 Speaker 1: Yeah, because I always say the Greenies, which was South 131 00:08:22,560 --> 00:08:23,360 Speaker 1: Park and then. 132 00:08:23,280 --> 00:08:29,000 Speaker 2: You correct, Yeah, we were we were Trojans, that's right, Trojans. Yeah. 133 00:08:29,000 --> 00:08:32,280 Speaker 2: There there's about twelve of us with spouses that get 134 00:08:32,320 --> 00:08:35,559 Speaker 2: together a couple of times a year. We started doing 135 00:08:35,600 --> 00:08:39,559 Speaker 2: it and we had a combined fiftieth high school graduation 136 00:08:39,679 --> 00:08:42,439 Speaker 2: a few years ago when we decided we needed to 137 00:08:42,480 --> 00:08:45,199 Speaker 2: see each other more than that, and so we went 138 00:08:45,240 --> 00:08:47,160 Speaker 2: over to see Babin within. 139 00:08:49,120 --> 00:08:51,320 Speaker 1: There's certain words people say that I know I'm gonna 140 00:08:51,360 --> 00:08:53,959 Speaker 1: like that person. People say couple of. If they say 141 00:08:54,040 --> 00:08:58,440 Speaker 1: couple of, I know I'm gonna like them. This is 142 00:08:58,480 --> 00:08:59,640 Speaker 1: the Michael Barry Show. 143 00:09:05,080 --> 00:09:13,680 Speaker 2: I gotta have a shower, Yeah, sinema And. 144 00:09:16,559 --> 00:09:19,800 Speaker 1: After we get off the air to day, go to 145 00:09:19,880 --> 00:09:24,320 Speaker 1: the YouTube machine or whatever video sharing service you use 146 00:09:26,240 --> 00:09:30,920 Speaker 1: and look up Burn Gosden Live. There's videos that used 147 00:09:30,960 --> 00:09:34,719 Speaker 1: to do this in the seventies. They'd have like a 148 00:09:35,600 --> 00:09:38,080 Speaker 1: what I imagine the inside of the Picket House looks like, 149 00:09:39,280 --> 00:09:42,000 Speaker 1: and they'd have people just sitting around and paneled walls 150 00:09:42,000 --> 00:09:44,320 Speaker 1: maybe a little too oh, you know, like Docy Doe 151 00:09:44,360 --> 00:09:47,880 Speaker 1: inside a little two story It looked like it's kind 152 00:09:47,880 --> 00:09:49,720 Speaker 1: of like the he has set. It's meant to look 153 00:09:49,760 --> 00:09:51,400 Speaker 1: like a living room, but it's not a living room. 154 00:09:52,440 --> 00:09:53,800 Speaker 1: And you know, they have the guy in there and 155 00:09:53,800 --> 00:09:56,440 Speaker 1: he'll have his pearl snap and and it's kind of 156 00:09:56,480 --> 00:10:01,240 Speaker 1: weird staging, but it's very seventies. It's very that and 157 00:10:01,280 --> 00:10:03,719 Speaker 1: they're just kind of sing and everybody kind of sit 158 00:10:03,800 --> 00:10:06,280 Speaker 1: there and then the song will be over and then 159 00:10:06,440 --> 00:10:10,679 Speaker 1: they'll sing again. And it's not a concert exactly. It's filmed, 160 00:10:10,760 --> 00:10:12,640 Speaker 1: but I think it's kind of like the early days 161 00:10:12,640 --> 00:10:16,000 Speaker 1: of the camera where you know, they mean mugged the camera. 162 00:10:16,120 --> 00:10:19,480 Speaker 1: Nobody smiled. Remember you said people are very stern because 163 00:10:19,480 --> 00:10:21,880 Speaker 1: you didn't smile. He was taking You're having your picture made, 164 00:10:21,960 --> 00:10:27,040 Speaker 1: so you just you'd sing very still and very serious. Well, 165 00:10:27,040 --> 00:10:29,240 Speaker 1: it was kind of like that. There's no joy in 166 00:10:29,320 --> 00:10:32,600 Speaker 1: the room. But just go back and look, and that is, 167 00:10:32,720 --> 00:10:36,840 Speaker 1: for my money, what country music is supposed to look like. 168 00:10:37,559 --> 00:10:43,480 Speaker 1: He's got a goose gossage mustache, he's got pot marked face, 169 00:10:44,200 --> 00:10:47,320 Speaker 1: he's got busted blood vessels on his nose from drinking 170 00:10:47,400 --> 00:10:52,560 Speaker 1: too damn much crowned Royal and coke, and he's got 171 00:10:52,559 --> 00:10:55,120 Speaker 1: his hair kind of combed to the side, sort of 172 00:10:55,160 --> 00:10:58,320 Speaker 1: George Jones style, but without that awful puffiness on the 173 00:10:58,480 --> 00:11:02,120 Speaker 1: on the side because he's had his hair done and 174 00:11:02,240 --> 00:11:06,079 Speaker 1: his skin is weathered and he's kind of got that 175 00:11:06,320 --> 00:11:10,200 Speaker 1: seventies look, you know, people weren't fat like they are today. 176 00:11:10,280 --> 00:11:13,120 Speaker 1: He just has a poocy beer belly, and he's got 177 00:11:13,559 --> 00:11:18,440 Speaker 1: brown kind of polyester pants that are probably Dicky's brand 178 00:11:18,600 --> 00:11:23,040 Speaker 1: polyester style. Uh, they're not a gene exactly, They're kind 179 00:11:23,040 --> 00:11:26,959 Speaker 1: of a slack jean thingy. And he's got his pointy toed, 180 00:11:27,080 --> 00:11:30,319 Speaker 1: high heeled boots on and he just sits there and sings. 181 00:11:30,440 --> 00:11:32,720 Speaker 1: That is what country music is supposed to be to me. 182 00:11:33,200 --> 00:11:36,240 Speaker 1: And the people in there, the kind of the perm 183 00:11:36,840 --> 00:11:39,680 Speaker 1: and the terrible glasses, and the women are heavy set, 184 00:11:39,760 --> 00:11:42,720 Speaker 1: but the men or not. The men all have well 185 00:11:42,760 --> 00:11:44,360 Speaker 1: the men have a little more more a belly, but 186 00:11:44,400 --> 00:11:47,560 Speaker 1: the singers in those days, that's the George Jones lift. 187 00:11:47,559 --> 00:11:50,000 Speaker 1: They got a little belly, they got no ass, They 188 00:11:50,000 --> 00:11:52,960 Speaker 1: got their their their shirt tucked in, and they got 189 00:11:52,960 --> 00:11:56,120 Speaker 1: a little belly with no ass and that, and they're 190 00:11:56,200 --> 00:11:58,400 Speaker 1: kind of a little bit bloated in the face, and 191 00:11:58,440 --> 00:12:03,440 Speaker 1: they have long nails. Every great country music singer of 192 00:12:03,440 --> 00:12:06,520 Speaker 1: that era has that vern gosed in George Jones look 193 00:12:06,600 --> 00:12:09,360 Speaker 1: to him, that's the way they're supposed to look anyway. 194 00:12:09,440 --> 00:12:16,120 Speaker 1: So Terry, Yeah, y'all go to the Yeah I'm here 195 00:12:17,080 --> 00:12:19,480 Speaker 1: y'all go these twelve couples, y'all all go to the 196 00:12:19,480 --> 00:12:20,360 Speaker 1: picket House together. 197 00:12:22,480 --> 00:12:25,319 Speaker 2: Yes, yes we did. We went to this little festival. 198 00:12:25,440 --> 00:12:25,560 Speaker 3: Uh. 199 00:12:26,160 --> 00:12:28,720 Speaker 2: Just you know, the town is like an old, old 200 00:12:28,760 --> 00:12:31,960 Speaker 2: style town. It's got the dentist office, doctor's office, to stable, 201 00:12:31,960 --> 00:12:34,199 Speaker 2: all that sort of thing, and it's all right there 202 00:12:34,200 --> 00:12:34,760 Speaker 2: on the ground. 203 00:12:34,840 --> 00:12:36,280 Speaker 1: That's the Heritagelicket House. 204 00:12:37,920 --> 00:12:41,200 Speaker 2: Yeah, that's Aritige Phillis. That's right, so I think so. 205 00:12:41,440 --> 00:12:43,360 Speaker 1: Yeah, the wearience took me when I was a kid, 206 00:12:43,520 --> 00:12:47,160 Speaker 1: but I cannot recall and my dad doesn't remember things 207 00:12:47,240 --> 00:12:49,480 Speaker 1: like this. My mom would have remembered, or my brother 208 00:12:49,520 --> 00:12:51,840 Speaker 1: would have remembered, but now I got nobody to ask, 209 00:12:51,960 --> 00:12:54,360 Speaker 1: so I don't. I don't know if I've been or not. 210 00:12:54,559 --> 00:12:57,120 Speaker 1: I feel like i've been, but I can't remember. I've 211 00:12:57,120 --> 00:13:03,080 Speaker 1: been looking online at pictures. It's called Heritage Village in Woodville, right. 212 00:13:03,400 --> 00:13:04,959 Speaker 1: It looks like a pretty cool deal. 213 00:13:07,400 --> 00:13:10,199 Speaker 2: It's kind of like a mini renaissance, you know, as 214 00:13:10,240 --> 00:13:13,599 Speaker 2: you was expecting Woodville. It's just it is cool. I 215 00:13:13,960 --> 00:13:16,240 Speaker 2: enjoyed it. They've got old instruments from the dentists, and 216 00:13:16,280 --> 00:13:19,720 Speaker 2: of course Brian doctor Badman was a dentist there in Woodwell, 217 00:13:20,360 --> 00:13:22,960 Speaker 2: and so you got that in the doctor's office and 218 00:13:23,000 --> 00:13:25,040 Speaker 2: the post office and a livery stable with a whole 219 00:13:25,080 --> 00:13:29,840 Speaker 2: bunch of old carriages from seventeen eighteen hundreds. It was fun. 220 00:13:29,920 --> 00:13:32,680 Speaker 2: And then we ate at the Heritage House and you're right. 221 00:13:33,120 --> 00:13:36,439 Speaker 2: The restaurant is like that. It's like an old flatboard 222 00:13:36,640 --> 00:13:39,920 Speaker 2: inside house that with big open rooms and picnic tables 223 00:13:39,920 --> 00:13:43,040 Speaker 2: in it and a window that you take your plates 224 00:13:43,120 --> 00:13:45,320 Speaker 2: back to when you're finished, and the foods brought out 225 00:13:45,360 --> 00:13:48,280 Speaker 2: family style. And I didn't eat there twenty years ago. 226 00:13:48,320 --> 00:13:51,160 Speaker 2: I don't know about the black family that owned it, 227 00:13:51,200 --> 00:13:53,360 Speaker 2: but I've eaten there a couple of times in the 228 00:13:53,400 --> 00:13:56,040 Speaker 2: last couple of years, and I think the food's great. 229 00:13:56,160 --> 00:13:56,760 Speaker 2: It was really good. 230 00:13:56,840 --> 00:14:00,640 Speaker 1: It's pennycostals. Now I understand, well. 231 00:14:00,480 --> 00:14:02,640 Speaker 2: That's that's what you said yesterday. I didn't. I didn't 232 00:14:02,679 --> 00:14:05,959 Speaker 2: know that, but uh, they cooked the chicken pretty pretty good. 233 00:14:06,040 --> 00:14:09,000 Speaker 2: It's a certainly Texas style fried chicken. 234 00:14:09,559 --> 00:14:11,120 Speaker 1: Did you grow up with any pennycostals. 235 00:14:13,640 --> 00:14:17,640 Speaker 2: We had a Pentecostal church. Uh. There was a vacant lot. Uh, 236 00:14:18,280 --> 00:14:20,360 Speaker 2: a couple of lots away there was a Pentecostal church 237 00:14:20,400 --> 00:14:23,200 Speaker 2: and in the fifties, we had new air conditioning, and 238 00:14:23,240 --> 00:14:25,240 Speaker 2: they had would have the windows up for their camp 239 00:14:25,280 --> 00:14:27,280 Speaker 2: meetings in the summer, and they would beat the back 240 00:14:27,320 --> 00:14:30,320 Speaker 2: of the pews with with sticks during the during the singing, 241 00:14:30,880 --> 00:14:33,360 Speaker 2: and we would hear that rapping on the on the 242 00:14:33,400 --> 00:14:36,160 Speaker 2: back of the wooden pews. Uh. And we'd kind of 243 00:14:36,200 --> 00:14:37,960 Speaker 2: sit there and listen to him singing. Like when I 244 00:14:38,000 --> 00:14:39,560 Speaker 2: was a kid, that was what. 245 00:14:39,400 --> 00:14:43,880 Speaker 1: My grandmother would refer to as carrying on. And they 246 00:14:43,920 --> 00:14:46,440 Speaker 1: were carrying on in Pennycosters are carrying on. They was 247 00:14:46,480 --> 00:14:48,840 Speaker 1: down there. We drove past the Pennycostal church and there 248 00:14:48,880 --> 00:14:49,560 Speaker 1: was carrying on. 249 00:14:51,120 --> 00:14:54,120 Speaker 2: They were across the street from us. 250 00:14:54,320 --> 00:14:55,760 Speaker 1: I don't want to be quoted for this. This is 251 00:14:55,880 --> 00:14:59,920 Speaker 1: going to give you some inside information. Okay, all right, 252 00:15:00,120 --> 00:15:02,600 Speaker 1: I grew up with a lot of Pentecostals, and I'm 253 00:15:02,600 --> 00:15:04,920 Speaker 1: going to tell you a little something that nobody will 254 00:15:04,920 --> 00:15:08,640 Speaker 1: tell you. But it is a fact. It's an absolute fact. 255 00:15:08,760 --> 00:15:13,120 Speaker 1: And that is when you get to be about a 256 00:15:13,120 --> 00:15:17,440 Speaker 1: sophomore in high school, you start paying attention to Pentecostal girls. 257 00:15:17,520 --> 00:15:21,160 Speaker 1: And the reason is because through elementary I went to 258 00:15:21,160 --> 00:15:24,560 Speaker 1: school all the way through with through elementary school. They're 259 00:15:24,600 --> 00:15:28,920 Speaker 1: real shy and demure like sister wives. Like they don't 260 00:15:28,960 --> 00:15:30,720 Speaker 1: they don't talk to any you know, they don't deal 261 00:15:30,760 --> 00:15:34,360 Speaker 1: with with society. They won't be friends with you. Then 262 00:15:34,480 --> 00:15:38,480 Speaker 1: late elementary, late elementary, they they might be polite, but 263 00:15:38,480 --> 00:15:40,480 Speaker 1: they're real shy because they're not allowed to talk to boys. 264 00:15:40,480 --> 00:15:43,120 Speaker 1: They don't watch any TV. They got the long hair, 265 00:15:43,200 --> 00:15:45,840 Speaker 1: they dress like sister wives, they don't wear any makeup. 266 00:15:46,800 --> 00:15:50,320 Speaker 1: You cruise on through middle school that you can be 267 00:15:50,400 --> 00:15:53,800 Speaker 1: friends with them, but not friendly. Don't don't hug them 268 00:15:53,920 --> 00:15:56,280 Speaker 1: or you know, talk about anything like that, and don't 269 00:15:56,320 --> 00:15:58,920 Speaker 1: try to flirt with them or anything like that. Then 270 00:15:59,120 --> 00:16:02,880 Speaker 1: just about in high school they start kind of opening 271 00:16:02,960 --> 00:16:07,080 Speaker 1: up to a little more conversation. And by sophomore year, 272 00:16:07,400 --> 00:16:11,280 Speaker 1: and definitely by junior year, they are full blowed, wide 273 00:16:11,440 --> 00:16:18,600 Speaker 1: open wild, wilder than the Baptists, the Methodists, we only 274 00:16:18,600 --> 00:16:22,240 Speaker 1: had a couple of Catholics. They go full blowed wild, 275 00:16:22,400 --> 00:16:26,120 Speaker 1: and all of a sudden, it's like this transformation. All 276 00:16:26,160 --> 00:16:29,000 Speaker 1: of a sudden, these girls who you didn't notice how 277 00:16:29,040 --> 00:16:31,840 Speaker 1: pretty they were because all the other girls were just 278 00:16:31,920 --> 00:16:35,560 Speaker 1: caked in makeup already, and all the other girls had perms. 279 00:16:35,720 --> 00:16:39,360 Speaker 1: This is eighty seven eighty eight eighty nine era. And 280 00:16:39,680 --> 00:16:42,520 Speaker 1: they had their hair up in the bun in the 281 00:16:42,560 --> 00:16:45,320 Speaker 1: front and then the long hair in the back, and 282 00:16:45,360 --> 00:16:47,840 Speaker 1: no makeup and dressed like sister Wise. Then all of 283 00:16:47,880 --> 00:16:53,520 Speaker 1: a sudden, boom, they put on some makeup and they 284 00:16:53,680 --> 00:16:58,240 Speaker 1: start styling their hair and painting their nails, and you realized, 285 00:16:58,320 --> 00:17:02,920 Speaker 1: oh my goodness, that girl almost set a girl's name 286 00:17:02,960 --> 00:17:05,679 Speaker 1: and I should not do that. That girl is a knockout. 287 00:17:05,880 --> 00:17:07,920 Speaker 1: And nobody knew it. It was like a new girl 288 00:17:07,960 --> 00:17:09,320 Speaker 1: moving into the district. 289 00:17:10,640 --> 00:17:11,840 Speaker 2: Like Mary and the librarian. 290 00:17:12,400 --> 00:17:15,560 Speaker 1: Yes, yes, Terry. What did you do for a living. 291 00:17:17,760 --> 00:17:19,560 Speaker 2: I'm an insurance agent here in the Woodlands, have been 292 00:17:19,560 --> 00:17:20,560 Speaker 2: at it for fifty years. 293 00:17:20,720 --> 00:17:22,880 Speaker 1: Oh you're an insurance agent in the Woodlands. 294 00:17:22,480 --> 00:17:24,840 Speaker 2: Now, yeah? 295 00:17:24,960 --> 00:17:28,080 Speaker 1: Yeah? Will you say it like I'm an idiot? How 296 00:17:28,400 --> 00:17:28,760 Speaker 1: we talk? 297 00:17:30,720 --> 00:17:33,480 Speaker 2: Well, I've talked with you about ten times. We've talked 298 00:17:33,520 --> 00:17:35,679 Speaker 2: about Forest Park and West Orange being in my district, 299 00:17:35,720 --> 00:17:37,880 Speaker 2: and I wanted to know if you were from Orange, 300 00:17:37,880 --> 00:17:40,240 Speaker 2: West Orange or Orangefield and you were surprised. I knew 301 00:17:40,280 --> 00:17:44,760 Speaker 2: that so, And I've told you about the incorporation meeting 302 00:17:44,840 --> 00:17:46,720 Speaker 2: we had when all that was going on here in 303 00:17:46,720 --> 00:17:47,280 Speaker 2: the Woodlands. 304 00:17:47,640 --> 00:17:53,119 Speaker 1: Oh yeah, oh you're in the Woodlands, not Woodville. Okay, 305 00:17:53,320 --> 00:17:55,280 Speaker 1: you know what my brain went wrong? Yeah, hold on, 306 00:17:55,560 --> 00:18:02,200 Speaker 1: wait right ung Michael Berry good shouga on polk Lump. 307 00:18:04,880 --> 00:18:09,119 Speaker 1: I'm hoping and I bring you Ever see a video 308 00:18:09,119 --> 00:18:19,879 Speaker 1: of E T singing the song Hank Senior lefty guys 309 00:18:19,920 --> 00:18:23,679 Speaker 1: of that era. It's all the exact same camera in 310 00:18:23,720 --> 00:18:28,080 Speaker 1: the exact same room, at the exact same angle, within position, 311 00:18:28,200 --> 00:18:32,360 Speaker 1: in the exact same spot, singing straight on, no side shots, 312 00:18:33,640 --> 00:18:42,600 Speaker 1: directly at you, crazy spartan room. They don't even bother 313 00:18:42,680 --> 00:18:46,359 Speaker 1: to put anything in there behind them, so unnaturally they 314 00:18:46,400 --> 00:18:54,040 Speaker 1: all look exactness. Jd Vance made a statement to uh, 315 00:18:54,600 --> 00:18:56,160 Speaker 1: you can keep et going. I love you. 316 00:18:56,600 --> 00:18:56,959 Speaker 2: Uh. 317 00:18:57,240 --> 00:19:02,840 Speaker 1: Jd Vance made a statement to Joe rogan Is in 318 00:19:02,920 --> 00:19:07,960 Speaker 1: his interview in their in their discussion, Uh, he said 319 00:19:10,760 --> 00:19:13,359 Speaker 1: normal gay guys that that he and Trump are going 320 00:19:13,440 --> 00:19:17,399 Speaker 1: to win the normal gay guy vote. I don't know 321 00:19:17,440 --> 00:19:20,639 Speaker 1: that anybody's ever made a statement like that that was 322 00:19:20,720 --> 00:19:25,080 Speaker 1: running for president or vice president. That is one of 323 00:19:25,119 --> 00:19:32,119 Speaker 1: the most conversational ways to address this issue that is 324 00:19:32,160 --> 00:19:41,240 Speaker 1: out there when race, sexuality, religion, and those sorts of 325 00:19:41,280 --> 00:19:46,239 Speaker 1: things are described by candidates and for that matter, by 326 00:19:46,280 --> 00:19:50,080 Speaker 1: the media asking a question or making a statement. It's 327 00:19:50,119 --> 00:19:54,280 Speaker 1: always in it in an ikey way. It's always when 328 00:19:56,640 --> 00:19:58,880 Speaker 1: it's kind of like when you go to the doctor 329 00:20:00,040 --> 00:20:04,560 Speaker 1: and they refer to body parts and it just it's odd, right, 330 00:20:04,760 --> 00:20:07,040 Speaker 1: you know. The only one doesn't do that is Mohit Kara. 331 00:20:07,160 --> 00:20:11,360 Speaker 1: My urologists. Remember, It's like, well, when the penis is erect. 332 00:20:11,440 --> 00:20:13,720 Speaker 1: I said, what is this condition called? And he said, well, 333 00:20:13,720 --> 00:20:17,280 Speaker 1: when the penis is erect but it is not straight 334 00:20:17,440 --> 00:20:23,480 Speaker 1: and it has a condriacal diversion to the side, that 335 00:20:23,920 --> 00:20:27,119 Speaker 1: condition can be very painful. And he didn't make it weird, right, 336 00:20:27,160 --> 00:20:34,040 Speaker 1: he just was very conversational. JD. Vance said that I 337 00:20:34,080 --> 00:20:37,200 Speaker 1: believe President Trump and I will win the normal gay 338 00:20:37,200 --> 00:20:42,680 Speaker 1: guy vote. I have had listeners email me and say, 339 00:20:42,720 --> 00:20:46,040 Speaker 1: did you hear that he said that? And then they say, 340 00:20:46,560 --> 00:20:50,760 Speaker 1: because I'm a normal gay guy and I'm voting for 341 00:20:50,840 --> 00:20:58,440 Speaker 1: Trump vans. Now, here's what's important to understand the concept 342 00:20:58,560 --> 00:21:08,000 Speaker 1: of a normal gay guy. The normal is a modifier 343 00:21:08,560 --> 00:21:14,520 Speaker 1: of God. It could instead it should perhaps instead be 344 00:21:15,640 --> 00:21:22,119 Speaker 1: gay normal guy. And here's the reason that's important. If 345 00:21:22,320 --> 00:21:29,359 Speaker 1: if the normal gay guy modifies gay guys, but you 346 00:21:29,480 --> 00:21:35,120 Speaker 1: already believe that gay guys are flamboyant, you know, Ted 347 00:21:35,280 --> 00:21:38,080 Speaker 1: Tim Walt's kind of guys you know, running around Ay 348 00:21:38,920 --> 00:21:41,080 Speaker 1: all the time, the kind of people that are at parades, 349 00:21:41,160 --> 00:21:43,320 Speaker 1: and the kind of people that are protesting, and the 350 00:21:43,400 --> 00:21:46,320 Speaker 1: kind of people that that want that want to piss 351 00:21:46,359 --> 00:21:48,560 Speaker 1: everybody off. They go out of their way to make 352 00:21:48,640 --> 00:21:52,080 Speaker 1: everybody mad. They do it on purpose. It's their attention seeking. 353 00:21:53,640 --> 00:21:59,040 Speaker 1: That's not the typical gay guy, but they have managed 354 00:21:59,080 --> 00:22:02,840 Speaker 1: to make you think it is. And they're not happy 355 00:22:02,880 --> 00:22:04,719 Speaker 1: unless you hate them. Let's be very clear on that. 356 00:22:05,000 --> 00:22:07,040 Speaker 1: That's why everything they do is designed to make you 357 00:22:07,040 --> 00:22:13,119 Speaker 1: hate them, because they hate themselves. You're normal gay guy. 358 00:22:13,480 --> 00:22:16,040 Speaker 1: They don't want you to hate them. They don't need 359 00:22:16,080 --> 00:22:18,680 Speaker 1: you to like them. They don't even need you to 360 00:22:18,680 --> 00:22:23,280 Speaker 1: tolerate them, approve of them, coexist or anything else. They'd 361 00:22:23,280 --> 00:22:26,520 Speaker 1: be just happy, you don't know. They just want to 362 00:22:26,520 --> 00:22:30,440 Speaker 1: live a life like everybody else. And just like being 363 00:22:30,600 --> 00:22:37,680 Speaker 1: black or an immigrant or a Jew, a gay guy 364 00:22:38,119 --> 00:22:43,119 Speaker 1: has an impediment because you're an outlier. You're not like 365 00:22:43,200 --> 00:22:45,639 Speaker 1: everybody else. So you got to worry that in every 366 00:22:45,640 --> 00:22:50,560 Speaker 1: exchange you have, somebody's gonna say, you know, you know, 367 00:22:50,560 --> 00:22:54,080 Speaker 1: you're getting along well with somebody at the office, and 368 00:22:54,560 --> 00:22:56,520 Speaker 1: you know, one of the ladies meaning well is gonna go, 369 00:22:56,600 --> 00:22:58,520 Speaker 1: I'm gonna set you up with a girl. You need 370 00:22:58,560 --> 00:23:02,679 Speaker 1: a girlfriend, And then they got to go, look, I'm homo. 371 00:23:03,160 --> 00:23:05,080 Speaker 1: I don't want everybody to know, but please don't set 372 00:23:05,119 --> 00:23:07,320 Speaker 1: me up with anybody. Thank you. I have a dude 373 00:23:07,359 --> 00:23:15,000 Speaker 1: I live with. When jd Vance uttered those words, I 374 00:23:15,040 --> 00:23:16,760 Speaker 1: hadn't heard it because I hadn't heard the interview yet. 375 00:23:16,840 --> 00:23:18,760 Speaker 1: I started getting emails from people, so I went and 376 00:23:18,840 --> 00:23:24,760 Speaker 1: listened to it. Jd Vance has a knack for describing 377 00:23:24,840 --> 00:23:33,040 Speaker 1: things that only a writer would have. Most people speak 378 00:23:33,200 --> 00:23:36,600 Speaker 1: before they write. Most people don't write at all. You 379 00:23:36,600 --> 00:23:39,680 Speaker 1: know who else does this? Marcus the Trump That's why 380 00:23:39,800 --> 00:23:42,720 Speaker 1: writing that book came so easily to him. Marcus keeps 381 00:23:42,720 --> 00:23:45,119 Speaker 1: a detailed diary and always has since he was eight 382 00:23:45,200 --> 00:23:48,000 Speaker 1: years old. He writes a love letter to his wife 383 00:23:48,200 --> 00:23:50,919 Speaker 1: every night, puts it on the pillow. He writes. He 384 00:23:50,960 --> 00:23:54,000 Speaker 1: writes a lot. He'd rather write than talk. In fact, 385 00:23:55,280 --> 00:23:58,359 Speaker 1: if you're with him, his talking is very herky, jerky, 386 00:23:58,400 --> 00:24:02,360 Speaker 1: it's very staccato. It's the way Himingway writes is how 387 00:24:02,720 --> 00:24:11,200 Speaker 1: Marcus talks, but his writing is very fluid flows. Jd. 388 00:24:11,440 --> 00:24:15,360 Speaker 1: Vance speaks like a writer. When he made that statement, 389 00:24:16,680 --> 00:24:19,920 Speaker 1: he took the creep factor out and he addressed something 390 00:24:21,040 --> 00:24:23,920 Speaker 1: that very few people have addressed. And by the way, 391 00:24:24,440 --> 00:24:27,040 Speaker 1: it's not just the normal gay guy or the gay 392 00:24:27,520 --> 00:24:31,840 Speaker 1: normal guy, a normal guy. Right if you don't think 393 00:24:32,280 --> 00:24:34,280 Speaker 1: I don't think many people think this, But if you 394 00:24:34,280 --> 00:24:37,440 Speaker 1: don't think a guy can be normal and homo, then 395 00:24:37,480 --> 00:24:40,119 Speaker 1: you don't realize you have lots of people that you 396 00:24:40,280 --> 00:24:43,120 Speaker 1: like in your life that are homo. They just don't 397 00:24:43,160 --> 00:24:48,679 Speaker 1: tell you about it. Your friend's son or you know, 398 00:24:48,800 --> 00:24:52,119 Speaker 1: the guy at the at the office, unless they're in 399 00:24:52,160 --> 00:24:55,800 Speaker 1: a position that you automat. And this is also true 400 00:24:55,840 --> 00:25:01,280 Speaker 1: of normal blacks, normal women like wo These people have 401 00:25:01,040 --> 00:25:03,760 Speaker 1: have taken over the identity of these and that's not 402 00:25:03,920 --> 00:25:06,439 Speaker 1: the normal guy. The normal people are voting for Trump. 403 00:25:06,560 --> 00:25:12,960 Speaker 1: Not secure is Donald Trump his mag Republican friends people living? 404 00:25:18,400 --> 00:25:20,639 Speaker 1: Do you ever come to one of our events? We 405 00:25:20,640 --> 00:25:22,480 Speaker 1: don't have them much anymore, but when we do, you 406 00:25:22,480 --> 00:25:26,480 Speaker 1: should come, because they're few and far between. I don't 407 00:25:26,480 --> 00:25:30,159 Speaker 1: ask Chad to come very often because Chad is a 408 00:25:30,280 --> 00:25:33,600 Speaker 1: very very active dad between coaching his kids, and working 409 00:25:33,640 --> 00:25:37,080 Speaker 1: out and doing his thing. But when I do get 410 00:25:37,160 --> 00:25:40,520 Speaker 1: him to come out, it's a really special occasion. He's 411 00:25:40,600 --> 00:25:43,400 Speaker 1: very quiet. Stay in the corner. He might bring Kay, 412 00:25:43,560 --> 00:25:47,800 Speaker 1: his son. Stay in the corner. I have his one beer, 413 00:25:47,840 --> 00:25:50,080 Speaker 1: which would be his beer for the week, because he's 414 00:25:49,840 --> 00:25:53,600 Speaker 1: just like an aestete, he's like a monk, and he'd 415 00:25:53,640 --> 00:25:56,000 Speaker 1: be easier to have no beers. But Chad will have 416 00:25:56,400 --> 00:26:00,520 Speaker 1: one beer, which to me that I'd rather eat nothing 417 00:26:00,640 --> 00:26:03,560 Speaker 1: for forty eight hours then have salad, because if I 418 00:26:03,560 --> 00:26:07,840 Speaker 1: have salad, I'm just gonna get angry. So anyway, if 419 00:26:07,920 --> 00:26:11,280 Speaker 1: Chad is there, if you ever had an event, you 420 00:26:11,280 --> 00:26:14,560 Speaker 1: see Chad, he'll be by himself because nobody knows who 421 00:26:14,560 --> 00:26:15,800 Speaker 1: he is because they don't know what he looks like. 422 00:26:16,960 --> 00:26:18,879 Speaker 1: And it'll be in the corner. And if you go 423 00:26:18,960 --> 00:26:20,280 Speaker 1: up and chat him up, say. 424 00:26:20,119 --> 00:26:20,879 Speaker 2: Hey, Chad. 425 00:26:20,960 --> 00:26:25,760 Speaker 1: I remember one time Michael said to ask you about 426 00:26:25,800 --> 00:26:30,600 Speaker 1: the Aloha Friday song because he said it's really really dirty. 427 00:26:30,640 --> 00:26:34,200 Speaker 1: But you got to be a Hawaiian to know what 428 00:26:34,240 --> 00:26:37,879 Speaker 1: all those references are. And us Howlees, which is what 429 00:26:37,960 --> 00:26:40,520 Speaker 1: they call us, the white people, us how unless you're 430 00:26:40,520 --> 00:26:42,320 Speaker 1: not white. If you're not white, then you can't call 431 00:26:42,359 --> 00:26:44,560 Speaker 1: yourself a Howley. You have your own term for what 432 00:26:44,600 --> 00:26:48,840 Speaker 1: you want to embrace us. Howllies don't know what all those? 433 00:26:49,160 --> 00:26:51,880 Speaker 1: Can you explain it and he'll explain it to you, 434 00:26:52,280 --> 00:26:56,520 Speaker 1: and then you will realize, oh, those are slang words. 435 00:26:57,440 --> 00:27:01,440 Speaker 1: That's dirty. It's true. I mean, I'm telling you the 436 00:27:01,480 --> 00:27:06,480 Speaker 1: absolute truth. So highlights of today's show ramon for somebody 437 00:27:06,520 --> 00:27:10,439 Speaker 1: just tuned in. Call what was the lady's name that 438 00:27:10,480 --> 00:27:13,480 Speaker 1: called in about her son, Jason? Huh, Jennifer? How do 439 00:27:13,480 --> 00:27:16,840 Speaker 1: you remember that? You creep? See, they don't name girls 440 00:27:16,920 --> 00:27:20,600 Speaker 1: Jennifer anymore, Like just one day they go, no more Jennifers. 441 00:27:21,280 --> 00:27:25,879 Speaker 1: You won't find a little Jennifer, Like there's none. You know, 442 00:27:25,960 --> 00:27:29,399 Speaker 1: every year when my kid's annual comes out or the 443 00:27:29,920 --> 00:27:33,639 Speaker 1: yearbook or whatever, I go through the names and I 444 00:27:33,720 --> 00:27:35,480 Speaker 1: do this thing, and my wife is so tired of 445 00:27:35,480 --> 00:27:38,320 Speaker 1: hearing it because I'll go through and I'll go not 446 00:27:38,520 --> 00:27:41,920 Speaker 1: a dad gum Julie, or there's a cup of Julie. 447 00:27:41,920 --> 00:27:44,600 Speaker 1: There'll be some Jewish. There's no Jennifers anymore. They don't 448 00:27:44,640 --> 00:27:48,840 Speaker 1: name girls Jennifer or Joni. They just don't. They don't 449 00:27:48,920 --> 00:27:55,280 Speaker 1: name them Christy like there were everybody was named Laura, Christy, Jennifer. 450 00:27:56,560 --> 00:27:59,239 Speaker 1: This quit this all of a sudden, no more of that. 451 00:28:00,680 --> 00:28:03,720 Speaker 1: It's the craziest thing. And I'll go to this whole thing. 452 00:28:04,480 --> 00:28:08,119 Speaker 1: My wife will go. How many times do I have 453 00:28:08,240 --> 00:28:13,879 Speaker 1: to remind you I grew up with Saraswati's and surveyahs 454 00:28:13,960 --> 00:28:16,680 Speaker 1: and none of that does. Actually it's not true. She's 455 00:28:16,680 --> 00:28:20,800 Speaker 1: the only none of that you'll ever meet, and Anita's 456 00:28:21,480 --> 00:28:27,320 Speaker 1: and Aquila's and Rouchi does, and she'll because, oh, you're right, Okay, 457 00:28:27,320 --> 00:28:28,960 Speaker 1: I get the point. But I'm just telling you. When 458 00:28:29,000 --> 00:28:32,600 Speaker 1: I was in school, little girls were named Jennifer and 459 00:28:32,720 --> 00:28:35,960 Speaker 1: Julie and Laura and things were going great. And I 460 00:28:36,000 --> 00:28:38,040 Speaker 1: don't know if not naming them that anymore is what 461 00:28:38,120 --> 00:28:41,200 Speaker 1: ruined everything, but it certainly didn't help. You got all 462 00:28:41,240 --> 00:28:44,600 Speaker 1: these new fangled names. It can't be good. That's why 463 00:28:44,600 --> 00:28:49,320 Speaker 1: they all need therapy and attention, drugs and everything else. 464 00:28:49,600 --> 00:28:57,240 Speaker 1: That's the problem. There therein lies the problem. I'm craving 465 00:28:57,280 --> 00:28:59,560 Speaker 1: picket house right now sobad. I'm just gonna be completely honest. 466 00:29:00,320 --> 00:29:02,760 Speaker 1: I am craving the picket house so bad right now. 467 00:29:03,440 --> 00:29:05,480 Speaker 1: I'm scared now that when I go it's not gonna 468 00:29:05,480 --> 00:29:07,720 Speaker 1: be as good as I hoped it would be. And 469 00:29:07,720 --> 00:29:10,760 Speaker 1: I'm gonna end up blaming the Pentecostals. And I don't 470 00:29:10,760 --> 00:29:12,960 Speaker 1: know if the blacks were as good. What if the 471 00:29:12,960 --> 00:29:15,000 Speaker 1: blacks still owned it. We go back in a time 472 00:29:15,040 --> 00:29:17,640 Speaker 1: machine and we go in there and it's not good, 473 00:29:18,760 --> 00:29:21,160 Speaker 1: then I'm not gonna say, well, it's the black's fault 474 00:29:21,400 --> 00:29:24,080 Speaker 1: for two reasons. Number one, you can't blame black people. 475 00:29:24,720 --> 00:29:32,080 Speaker 1: And number two, nobody told me that the Pennycostals had 476 00:29:32,160 --> 00:29:34,320 Speaker 1: ruined it and it's not as good as the blacks. 477 00:29:34,840 --> 00:29:37,560 Speaker 1: You know, told me that. It's Arthur ce Berger and 478 00:29:37,680 --> 00:29:41,800 Speaker 1: I think he's pity. Yeah, I think he's Pentecostal. And 479 00:29:41,840 --> 00:29:43,560 Speaker 1: you know he's the uncle of that little girl that 480 00:29:43,960 --> 00:29:47,280 Speaker 1: went on the voice. He'll tell you about it every 481 00:29:47,280 --> 00:29:49,640 Speaker 1: single time, every email. He'll tell you, remember my daughter, 482 00:29:49,720 --> 00:29:52,240 Speaker 1: my niece, is that little girl from Woodville. Because that's 483 00:29:52,240 --> 00:29:54,640 Speaker 1: the two things people remember about Woodville is the picket 484 00:29:54,640 --> 00:29:57,280 Speaker 1: house and that little girl that went on the voice. 485 00:29:58,040 --> 00:30:02,120 Speaker 1: That's the beauty of a small town. Like, oh, you're 486 00:30:02,160 --> 00:30:07,160 Speaker 1: from Sea Lee. Oh. Eric Dickerson, Yeah, he left in 487 00:30:07,800 --> 00:30:10,680 Speaker 1: eighty three or whatever, he left in eighty He hadn't 488 00:30:10,680 --> 00:30:12,040 Speaker 1: been there in forty four. I don't think he's ever 489 00:30:12,040 --> 00:30:15,840 Speaker 1: even driven through since then. Well I know, oh you're 490 00:30:15,880 --> 00:30:19,600 Speaker 1: from Dickinson andre Ware. Yeah, we also have heartbreakers. But 491 00:30:19,720 --> 00:30:21,640 Speaker 1: that was my next thing. I was going to tell 492 00:30:21,680 --> 00:30:26,920 Speaker 1: you it was heartbreakers. Anyway, back to the point, last 493 00:30:27,000 --> 00:30:29,480 Speaker 1: day to early vote. Please go early vote today. Jd 494 00:30:29,760 --> 00:30:33,960 Speaker 1: Vance's point. I've been thinking about this, the normal gay 495 00:30:34,000 --> 00:30:37,440 Speaker 1: guy that he referred to. People have an impression of 496 00:30:37,480 --> 00:30:42,680 Speaker 1: gaze that's wrong, and because of this they say things 497 00:30:43,640 --> 00:30:48,600 Speaker 1: that alien eight gaze. We need the gaze. People have 498 00:30:48,640 --> 00:30:55,200 Speaker 1: an impression of black people that's mostly wrong. But because 499 00:30:55,720 --> 00:31:01,280 Speaker 1: that is what's foisted on you, then you because you 500 00:31:01,320 --> 00:31:04,800 Speaker 1: don't know you know these people, then you have this 501 00:31:04,880 --> 00:31:08,120 Speaker 1: impression of people, so you react without knowing them. We 502 00:31:08,160 --> 00:31:12,360 Speaker 1: all do it. It's very natural. This is what the 503 00:31:12,440 --> 00:31:17,200 Speaker 1: people up above want. They want you to be divided. 504 00:31:18,840 --> 00:31:21,120 Speaker 1: It's a divide and conqueror. That's what the British did 505 00:31:21,120 --> 00:31:25,880 Speaker 1: to the Indians. They turned one against another. They turned 506 00:31:25,880 --> 00:31:31,840 Speaker 1: the knies on against the potentate against the pundit, and 507 00:31:31,880 --> 00:31:35,920 Speaker 1: they had the Gujratis and the Malaialis and the Telugus 508 00:31:36,000 --> 00:31:38,800 Speaker 1: all fighting each other. That way they could they could 509 00:31:38,840 --> 00:31:46,120 Speaker 1: control them. India was never united under one flag until 510 00:31:46,120 --> 00:31:50,880 Speaker 1: the British managed to do it. Italy, for that matter, 511 00:31:51,480 --> 00:31:54,040 Speaker 1: was not one nation the way we think of it. 512 00:31:55,000 --> 00:32:01,600 Speaker 1: You had, you had Naples, the Napolitanos, you had, the Romans, 513 00:32:01,960 --> 00:32:07,880 Speaker 1: you had the Tuscans, you had, but this idea of uniting, 514 00:32:10,120 --> 00:32:14,280 Speaker 1: they don't want you united. And my point in all 515 00:32:14,320 --> 00:32:19,560 Speaker 1: of this is you're gonna be surprised. You don't have 516 00:32:19,640 --> 00:32:22,240 Speaker 1: a way to know the gay vote, but we do 517 00:32:22,320 --> 00:32:25,360 Speaker 1: have a way to know the black vote. You're gonna 518 00:32:25,360 --> 00:32:29,520 Speaker 1: be surprised how many blacks vote for Trump. Now, look, 519 00:32:29,560 --> 00:32:33,800 Speaker 1: it's not gonna be over fifty percent, but it could 520 00:32:33,840 --> 00:32:39,720 Speaker 1: be thirty. That's it ambitious. And so you might go, oh, Michael, 521 00:32:39,760 --> 00:32:41,680 Speaker 1: what are you getting excited about. Do you know what 522 00:32:41,720 --> 00:32:44,160 Speaker 1: it normally normally is? Do know how hard it is 523 00:32:44,200 --> 00:32:47,000 Speaker 1: for a black man to vote for Trump? And admit 524 00:32:47,080 --> 00:32:50,240 Speaker 1: to it. You can vote for Trump and nobody looks. 525 00:32:50,520 --> 00:32:53,000 Speaker 1: Nobody's gonna say to you. None of the people you 526 00:32:53,040 --> 00:32:55,160 Speaker 1: care about are gonna say you're a bad person. Black 527 00:32:55,200 --> 00:32:58,320 Speaker 1: people have to do that. Young college kids, they're gonna 528 00:32:58,360 --> 00:33:03,440 Speaker 1: have their classmates on their awful people be bold. Be bold. 529 00:33:03,640 --> 00:33:06,600 Speaker 1: Take somebody in the poll today. It's early voting today. 530 00:33:07,600 --> 00:33:12,200 Speaker 1: Do something for yourself. Give somebody a positive affirmation today, 531 00:33:12,000 --> 00:33:16,880 Speaker 1: like a principal Patterson did. Tell somebody you love them, 532 00:33:17,000 --> 00:33:19,520 Speaker 1: Tell somebody you appreciate them and tell them why. And 533 00:33:19,600 --> 00:33:24,040 Speaker 1: say something nice to your spouse. Yeah, stop being an 534 00:33:24,080 --> 00:33:26,160 Speaker 1: ass to the person you were supposed to love.