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Speaker 1: Good morning, Usa. Yea ya ya ya yea, yeah, yea

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Speaker 1: yea yea yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo yo.

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Speaker 1: Charlamagne got piece to the planet. Guess what day it is? Yes,

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Speaker 1: what day it is?

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Speaker 2: That's right, it's Wednesday, middle of the week.

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Speaker 1: Good morning. We hear what's happening?

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Speaker 2: And we got our special guest hosts Ashley with to

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Speaker 2: ease back to day two.

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Speaker 3: What's going on? What's happening?

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Speaker 1: Of course?

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Speaker 2: Ahe town ninety three seven to beat morning. How you

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Speaker 2: feeling ash I'm feeling good.

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Speaker 3: We went to Brooklyn yesterday. We went to the whole

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Speaker 3: thing library be to go see our friend Gabe on

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Speaker 3: the radar. So I had I had a long day

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Speaker 3: in New York.

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Speaker 1: And in New York, Okay, what time did you go

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Speaker 1: to bed? That's the most important thing.

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Speaker 3: Nine o'clock's gonna tell my husband. I said, I was

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Speaker 3: going to be at seventh Ie, it's all right, old Wait.

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Speaker 1: And what you were doing for the two hours?

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Speaker 3: And it don't matter because my location on so you

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Speaker 3: know I was working. Okay, that's all you need to know.

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Speaker 1: Nine o'clock. It is a great time to be in dead.

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Speaker 1: That's wonderful to be up at four. That's what seven

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Speaker 1: hours of sleep.

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Speaker 3: I was up at two, sir. I had work too.

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Speaker 3: I had such a record. But I don't know how

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Speaker 3: y'all do it. I can't. Maybe after like ten years

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Speaker 3: of doing it.

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Speaker 1: I'll get used to it. You never truly do. You never,

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Speaker 1: you never truly do get used to it. It's just

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Speaker 1: some of those mornings like this morning, Like I worked

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Speaker 1: out yesterday, so I'm sore and I woke up saw today.

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Speaker 1: But it's like you're going through the motions, but you

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Speaker 1: never quite get used to it, you know, which. It's

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Speaker 1: something I enjoy. I like being up early.

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Speaker 2: So yeah, we're here, especially if you got young children

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Speaker 2: like my my uh, I think she was twenty months now.

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Speaker 2: She she just likes to go to sleep, but she

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Speaker 2: wants to go to sleep like I try to put

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Speaker 2: it down at nine o'clock. But last night she didn't

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Speaker 2: want to go to sleep at nine, and she was

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Speaker 2: talking and she was making faces and jumping on the

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Speaker 2: bed and it was it was a tough one last night.

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Speaker 1: Oh No, we got a routine, routine, eight thirty. It's

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Speaker 1: all winding down.

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Speaker 2: That's why I tried last night. I don't know if

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Speaker 2: somebody gave us some sugar something. Well, whatever it was,

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Speaker 2: she wasn't. She wasn't playing last night.

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Speaker 3: Three years. Know what it is lucky for y'all. Y'all

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Speaker 3: got great people here, you know, like Sim helping you

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Speaker 3: roll your shirt at five am.

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Speaker 2: That's right, my damn sure. But she didn't help me.

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Speaker 2: She gave me tape roller. She was like, we ain't

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Speaker 2: got one of the baby. Here's some tape. So well,

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Speaker 2: sho out to Sim. All right, well, let's get the

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Speaker 2: show cracking. LL cool J and the Roots will be

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Speaker 2: joining us this morning.

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Speaker 1: Black Thought and Quests. Love man, you're talking about Icons living.

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Speaker 2: They're on tour, the Force Live Tour, where I guess

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Speaker 2: it's like a curation of three hours of music and

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Speaker 2: it's of course LL performing. You got special. Guess it's

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Speaker 2: gonna be dope. We're gonna talk to LL.

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Speaker 1: LL's first time.

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Speaker 2: Yeah, I was gonna say that this is LL's first

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Speaker 2: time on the Breakfast Club.

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Speaker 1: Uh.

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Speaker 2: It was a couple of times where I think he

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Speaker 2: wanted to throw you around the ring. You challenge me

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Speaker 2: to a boxing match once for not taking it. Here's

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Speaker 2: the thing about. Uh, this interview, it's an hour and

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Speaker 2: a half long. Yes, so it's one of the ones.

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Speaker 2: That's right.

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Speaker 1: I thoroughly enjoyed.

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Speaker 2: It, all right, And when we come back, we got

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Speaker 2: Front Page News Sessling figure out will be joining us.

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Speaker 2: It don't move. It's the Breakfast Club on Owning Everybody

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Speaker 2: as Team n V. Charlemagne the God we are the

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Speaker 2: Breakfast Club. We got our guest co hosts Ashley with us.

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Speaker 2: Ashley with to ease, and let's get into Front Page News.

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Speaker 2: Good morning, Teslan, Good.

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Speaker 4: Morning, dj Avy, Good morning Ashley, Good morning, Charlemagne, the

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Speaker 4: God Family.

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Speaker 2: All right, well let's jump right into it. Let's talk

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Speaker 2: about that Montgomery brawl. So there's some arrest warrant issue.

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Speaker 4: Yeah, yeah, Another update on this story, folks that obviously

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Speaker 4: have been following this everywhere, but Montgomery Police Chief Darryl

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Speaker 4: Albert had a press conference yesterday to provide further details

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Speaker 4: on the Riverfront fight that has been wildly shared on

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Speaker 4: social media the past few days. Let's take a listen

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Speaker 4: and we'll talk about it on the other side.

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Speaker 5: The suspects thus far have been identified as Richard Roberts

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Speaker 5: white Mail, forty eight years old with two outstanding warrants

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Speaker 5: for assault third degree. Alan Todd White mail, twenty three

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Speaker 5: years old, one warrant for assault third degree, and Zachary Shipman,

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Speaker 5: white male, twenty five years old, one warrant for assault

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Speaker 5: third degree. We have instructed those individuals to turn themselves

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Speaker 5: into law enforcement and as at this time, one is

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Speaker 5: secured and in custody. The other two are set to

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Speaker 5: turn themselves in within the next hour. We're also asking

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Speaker 5: for mister Regie Gree, the black mail forty two years old,

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Speaker 5: who was seen wielding that folding chair, to contact the

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Speaker 5: Montgomery Police Department for further interviews and as part of disinvestigation.

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Speaker 1: I am a dying life. I'm not coming back to

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Speaker 1: have a conversation. You got no choice. They know your name.

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Speaker 1: You gotta come up and I'll pull up with the

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Speaker 1: voting chair. He didn't say it was a wrest war.

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Speaker 1: They said they'll have a concept pull up with the

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Speaker 1: folding chair, and that's what I would sit in when

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Speaker 1: we have in an interview, I would say, my attorney

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Speaker 1: unless there's a rest war and I'm not talking already spoke.

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Speaker 1: All you got to do, regick in deplete temporary and

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Speaker 1: sanity man he was or.

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Speaker 4: Guess what he completed. He could just say, hey, I

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Speaker 4: fear for my life. He can do the police officers do,

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Speaker 4: and we'll see if that. We'll see if that works.

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Speaker 1: Maybe he could try it hitting the white woman. That

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Speaker 1: ain't gonna work if you hit that white woman randomly.

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Speaker 4: But yeah, but unfortunately when they when they killed Pam Turner,

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Speaker 4: when they killed Brionna Taylor, they were able to say fearful.

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Speaker 1: I know, I'm being facetious. We know it won't work,

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Speaker 1: but I did want to point out.

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Speaker 4: That they're always able, you know, police officers able to

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Speaker 4: shoot us down, you know, and say hey, I fear

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Speaker 4: for my life when they murdered Pam Turner. So I

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Speaker 4: doubt it would work with him, but I'm being facetious.

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Speaker 4: Obviously it won't work.

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Speaker 2: But why wouldn't the white women have warrants healed for

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Speaker 2: their rest because they were swinging on their brother too.

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Speaker 1: No, that's a great question. That's a great question.

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Speaker 4: Maybe maybe we should put that out there and ask,

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Speaker 4: and again we'll see, we'll follow this. Asking to come

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Speaker 4: in for an interview doesn't necessarily mean you know that

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Speaker 4: he would be charged, but we know how America works,

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Speaker 4: you know, could the possibility is certainly there. I continue

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Speaker 4: to keep following the story, but it's just really interesting, guys.

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Speaker 4: What do you think about how this conversation has just really,

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Speaker 4: you know, become a staple in our community. I saw

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Speaker 4: yesterday somebody got a tattoo of the chair on their arm,

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Speaker 4: So I remember, you think that's ridiculous.

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Speaker 1: That's ridiculous, I mean, because the reality is what I

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Speaker 1: like about this whole situation is just and I think

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Speaker 1: we all like it's just the unity, the solidarity and

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Speaker 1: the group operation, people having each other's backs. That's it.

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Speaker 5: You know.

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Speaker 1: That's what I would like for people to take away

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Speaker 1: from this situation, not tattoos of chairs, you know what

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Speaker 1: I mean. That's what I want people to carry with

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Speaker 1: them from now on. You know, if you see, you

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Speaker 1: see your fellow brother, your fellow sister in need of assistance,

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Speaker 1: help them stop pulling out you. They don't get me wrong,

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Speaker 1: there was a bunch of people pulling out their damned

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Speaker 1: we needed all those angles. But a lot of times

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Speaker 1: that's all we see people pulling out their phones and

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Speaker 1: recording as far as instead of people you know, taking action.

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Speaker 1: So that's what I take from the situation.

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Speaker 6: Mm hmmm, Well.

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Speaker 4: They call Fred Hampton the chairman. You remember he was

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Speaker 4: the chairman as well, so I guess now the chairman

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Speaker 4: is a new level to what the chairman means.

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Speaker 2: So all right, well that is your front page news.

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Speaker 2: Now get it off your chest. Eight hundred five five

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Speaker 2: five one. If you need to vent, phone lines to

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Speaker 2: wide open again eight hundred five eight five one one,

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Speaker 2: call us up right now. It's the Breakfast Club. Good morning,

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Speaker 2: the Breakfast Club.

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Speaker 1: It's a new day.

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Speaker 2: Is your time to get it off your chest way,

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Speaker 2: whether you're.

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Speaker 1: Mad or blessed, time to get up and get something.

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Speaker 1: Call up now. Eight hundred five eight five one five one.

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Speaker 1: We want to hear from you on the Breakfast Club. Hello,

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Speaker 1: this Pepsi, Joe of Morning DJ and b Charlo Mane.

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Speaker 2: You have a guest today, Yes.

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Speaker 1: We have Ashley with to ease.

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Speaker 3: What's up? What's going on?

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Speaker 1: Actually went to easy, respectfully.

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Speaker 7: I'm just showing a little love from Brooklyn right now.

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Speaker 8: And I think they blow that Alabama boat. Don's a

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Speaker 8: little way too far. There's too many fights going on

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Speaker 8: in the city for that to get blown up. But

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Speaker 8: I do love how people came in to help.

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Speaker 1: It's about the solidarity and the unity and the group operation.

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Speaker 1: That's what. That's what, That's what I'm I do.

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Speaker 9: Like that?

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Speaker 8: Can I get one shout out to my uncle recently

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Speaker 8: Contola shout outwal Man bought to the SIG today.

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Speaker 2: Much love from Harlem, be safe, Thank you, sorry for

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Speaker 2: your losses.

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Speaker 1: Hello, Hi, good morning.

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Speaker 10: This is Mary.

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Speaker 11: I'm calling from North New Jersey, Yes VIC City, So

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Speaker 11: this is what I called you. I'm I'm calling because

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Speaker 11: I'm so blessed. I was so inspired by doctor Cornell

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Speaker 11: West yesterday because I'm in my destiny too.

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Speaker 12: I'm the young lady.

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Speaker 11: Who wrapped the fifty just last year and now I'm

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Speaker 11: seventy two years old, and I worked with brother who

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Speaker 11: are in prisons, and as I said, Corndell West inspired

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Speaker 11: me so much by listening to him because one of

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Speaker 11: the things that I love doing is writing resumes for

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Speaker 11: businesses who had been incarcerated to get employment. So I'm

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Speaker 11: not stressing about anything. I'm blessed that the creator has

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Speaker 11: blessed me with so much experienced and healthy brothers. And

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Speaker 11: also I wanted to mention a brother who was in

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Speaker 11: prison for five years and while he was in prison,

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Speaker 11: he created a cognitive program for business who have been

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Speaker 11: incarcibrated and it's called Solution, the Revolution, the Evolution of

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Speaker 11: a Hustler. His name is Lance McCraw. Okay, he is

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Speaker 11: now a millionaire selling banana pudding, the beast.

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Speaker 1: Wow, selling banana putting. He made a million dollars off

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Speaker 1: banana pudding.

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Speaker 11: That's what he's doing. And guess what, he's in over

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Speaker 11: two hundred shot rights in New Jersey. He's also now

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Speaker 11: in New York. He's in the seven eleven. And uh,

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Speaker 11: you can go to my Facebook on my website and

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Speaker 11: you can see the bits that we're doing because I

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Speaker 11: started a re entry program as well. And he's my

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Speaker 11: he's my vice president.

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Speaker 1: Hold on, what's the name of banana pudding.

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Speaker 11: It's called It's Lyrical Chef.

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Speaker 1: Miracle Chef, the Lyrical Lyrical Hell okay, oh, it came

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Speaker 1: right up. Lyrical Chef. There go.

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Speaker 11: Yeah, and his name is LAMB for Growth.

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Speaker 1: Okay, all right, well, thank you. I'm gonna pull up

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Speaker 1: the shop right and get some of that.

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Speaker 2: Get it off your chest. Eight hundred and five eight

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Speaker 2: five one o five one. If you need to vent,

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Speaker 2: hit us up now. It's the Breakfast Club. Good morning,

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Speaker 2: the breakfast Club.

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Speaker 1: Ray right, ray yo, charlote mack yamfy, what up.

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Speaker 12: Are we lying?

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Speaker 2: This is your time to get it off your chest.

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Speaker 1: I got an indoor pool pool.

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Speaker 2: We want to hear from you on the breakfast Club.

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Speaker 1: Get on the phone right now here, tell you what

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Speaker 1: it is. Hello, who's this?

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Speaker 2: This is Giant.

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Speaker 13: What's up?

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Speaker 1: Dj ymvy Giant? What's up? Get it off your chest?

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Speaker 1: Brother man.

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Speaker 7: I just wanted to say shout out to all the

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Speaker 7: people that get up early and go to work. I'm

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Speaker 7: a medical laboratory worker.

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Speaker 8: Sow.

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Speaker 7: I'm up at three am every day, coming in save

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Speaker 7: the lives, helping out these old folks. So shouted all

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Speaker 7: the old folks and the people getting up early.

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Speaker 8: Doing the work.

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Speaker 1: All right, Well, thank you brother, appreciate it.

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Speaker 2: Have a good one.

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Speaker 1: Hello. Who's this?

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Speaker 14: Hi?

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Speaker 1: My name is Tara, Hey Caarra.

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Speaker 2: Get it off your chest, mama.

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Speaker 15: I'm just calling again my friends and my family their flowers. Well, first,

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Speaker 15: I have ever take business. He's called a piece of

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Speaker 15: k when they give myself a shout out. My husband

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Speaker 15: who started.

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Speaker 16: At the brook Run Festival, which will be hosted this Saturday,

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Speaker 16: August twelfth and my best friend who has thirty minute

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Speaker 16: hits all women kickboxing gym on Fulton Street and now strengths.

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Speaker 2: Okay, well, thank you mama for checking in.

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Speaker 15: Thank you, thank you.

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Speaker 1: Hello? Who's this?

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Speaker 14: Hey?

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Speaker 2: Is key?

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Speaker 1: Hey? G?

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Speaker 8: And key?

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Speaker 1: Get it off your chest? Key?

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Speaker 8: Hi?

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Speaker 17: Yes, So I'd like to talk about that Tory Lane

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Speaker 17: and Megan the Stallion situation, and I'd like to say

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Speaker 17: I do not agree with Tory Lane dancing years. I

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Speaker 17: don't follow the masses everybody a brand and talking crazy

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Speaker 17: about this man. I'm pretty sure there's something deeper than that.

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Speaker 11: But I know I would have respected.

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Speaker 17: Meghan some times more if you really would have been

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Speaker 17: to tie your time.

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Speaker 1: I don't think you know, you know what I keep

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Speaker 1: wondering about this situation. I don't think any of y'all

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Speaker 1: read the case because the reality of this situation is,

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Speaker 1: if you actually read the case and you read all

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Speaker 1: the evidence against Tory LANEZ, including the phone call that

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Speaker 1: he made from the jail, you knew that he was

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Speaker 1: gonna get found guilty and not to mention, you know,

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Speaker 1: he did stand up yesterday in court and take responsibility

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Speaker 1: for his actions and say that he wished he could

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Speaker 1: change the events of that night. You do realize that, right, Listen.

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Speaker 11: I didn't say he's not guilty exsive.

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Speaker 1: I think that came off good. For shooting at somebody.

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Speaker 3: Yeah, she's just someone that at close range. What do

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Speaker 3: you think is not accessive? What do you think is appropriate?

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Speaker 3: That's a question.

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Speaker 1: Yeah, ten years for shooting at somebody, especially a woman

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Speaker 1: as a man, I think he came off kind of good. Yeah,

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Speaker 1: he's only got to do eighty five percent. I say

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Speaker 1: eighty five. That's not a lot, but you gotta do

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Speaker 1: eighty five percent. That's what eight and a half years.

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Speaker 1: Eighty got, ten months served, Well, you probably do like

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Speaker 1: seven years.

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Speaker 2: Get it off your chest, eight hundred and five A

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Speaker 2: five one oh five one. If you need to vit,

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Speaker 2: you could always call us up.

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Speaker 13: Now.

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Speaker 2: I'm sure we're gonna be talking about this in detail

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Speaker 2: when we come back, Ashley.

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Speaker 3: Yes, we definitely are gonna be talking about Tory Lanez

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Speaker 3: and the sentencing, as well as like a crazy fan

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Speaker 3: who showed up to the to the courthouse blaming Megan

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Speaker 3: because she had a miswork to be there.

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Speaker 2: Wow, all right, Well we'll get into all that when

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Speaker 2: we come back, so don't move. It's to Breakfast Club.

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Speaker 2: Good morning, the Breakfast Club.

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Speaker 1: Morning.

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Speaker 2: Everybody's dj n V charlamagnea god. We are the Breakfast Club.

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Speaker 2: We got our guest co hosts Ashley with to ease

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Speaker 2: with us.

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Speaker 3: What's happening.

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Speaker 2: Of course she reps h Town ninety three seven to

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Speaker 2: be shout to my he Town family out there. Let's

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Speaker 2: get right into the rumors.

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Speaker 1: I don't know what house, Ashley to. You already know

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Speaker 1: this circle moment from me on the Breakfast Club.

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Speaker 3: Let me pop it off.

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Speaker 1: Yeah.

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Speaker 3: So obviously the biggest topic this morning is Tory Lanez

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Speaker 3: being sentenced to ten years in prison. So yesterday Judge

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Speaker 3: David Hereford sent his Tory Lanes to ten years for

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Speaker 3: shooting Megan Thee Stallion. He is convicted in December of

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Speaker 3: three felonies assault with a semi automatic firearm, having a

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Speaker 3: loaded and registered firearm in a vehicle, and discharging a

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Speaker 3: firearm with gross negligence.

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Speaker 18: Here's a statement, Raperatory Lanes gets ten years in prison

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Speaker 18: for shooting and injuring Megan thee Stallion. Lanes was convicted

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Speaker 18: of three felonies in the case back in December. The

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Speaker 18: judge said it was quote difficult to reconcile the kind

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Speaker 18: person and good father. Many described Lanes as being with

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Speaker 18: the man who fired the gun at Megan. Megan testified

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Speaker 18: that Lanes fired the gun at her feet and shouted

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Speaker 18: for her to dance as she walked away from an suv.

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Speaker 18: This was back in July of twenty twenty. DA George

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Speaker 18: Gascoon and read a statement from Megan thee stallion.

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Speaker 9: Fortunately, the District Attorney's office fall for me. I'm incredibly

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Speaker 9: grateful to them and the jury for the attention to

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Speaker 9: the evidence inciting with the truth. But it can happen

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Speaker 9: if it can happen to me, imagining those who lack

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Speaker 9: the resources and support systems to help him.

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Speaker 3: So I remember it's been three years since this shooting happened.

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Speaker 3: I've been twenty twenty, and prior to sentencing, Tory was

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Speaker 3: seeking probation or minimal prison sentence, while prosecutors were asking

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Speaker 3: for thirteen years. I think the maximum was like twenty two.

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Speaker 3: So he got ten. And inside the courtroom, Tory said,

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Speaker 3: if I could turn back the series of events that

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Speaker 3: night and change them, I would. The victim was my

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Speaker 3: friend speaking about Megan. The victim is someone I still

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Speaker 3: care for to this day, and everything I did wrong

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Speaker 3: that night I take full responsibility for.

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Speaker 1: Yeah, you know, it's only interesting for everybody who keeps

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Speaker 1: saying they don't believe Tori did this, like as you

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Speaker 1: just read Ashley. According to NBC News, he said and caught. Yesterday,

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Speaker 1: he apologized for his actions and said he took full

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Speaker 1: responsibility for the shooting.

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Speaker 2: Yeah.

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Speaker 1: One of his exact quotes was, if I could change it,

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Speaker 1: like you just said the change it, I would, but

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Speaker 1: I can't. Everything I did that night I take full responsibility.

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Speaker 1: I'm just truly trying to be a better person, which

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Speaker 1: I don't understand, because why would you wait until the

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Speaker 1: day you are sentenced to come clean? Like everything his

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Speaker 1: lawyers was trying to do, like saying that he had

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Speaker 1: childhood trauma and an alcohol problem. That only works if

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Speaker 1: you admit you did it. So if that was gonna

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Speaker 1: be your defense, he should have came clean a whole

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Speaker 1: lot earlier.

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Speaker 3: You don't wait to the day it centicent like given

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Speaker 3: yesterday they said, like, if I did do it, it's

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Speaker 3: because I suffer from trauma and alcoholism. It's like he

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Speaker 3: was trying to look for every plausible deniability loophole.

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Speaker 1: There was, as I say, after the Internet. You know

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Speaker 1: what I'm saying, If you get your information from the Internet,

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Speaker 1: from the narrative created online, then you're gonna be misinformed

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Speaker 1: all the time, especially when it comes to legal cases.

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Speaker 1: Because when I read the details of this case a

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Speaker 1: couple of years ago to actual court documents, and I

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Speaker 1: saw all the evidence that was against Tory, including the

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Speaker 1: recorded phone call from jail with him apologizing while Megan

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Speaker 1: was in the hospital, I knew he'd be found guilty.

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Speaker 1: And I couldn't understand why Toy was doing what he

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Speaker 1: was doing on social media. I didn't understand why he

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Speaker 1: put put an album out talking about the incident, like

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Speaker 1: there was absolutely zero reason for Tory Lanez to be

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Speaker 1: trying this case in the court of public opinion where

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Speaker 1: he was.

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Speaker 2: Well, that's the problem. Most people don't don't read that,

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Speaker 2: Like they're not gonna go through the AFIDEBT, but they're

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Speaker 2: gonna see what the headlines are and go with the headlines.

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Speaker 2: And even like yesterday, people were talking, they were comparing cases.

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Speaker 2: They were comparing this to the Pop Smoke case with

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Speaker 2: the guy who one of the dudes got four years

403
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Speaker 2: and it was like, well, how does he get four

404
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Speaker 2: years for murder? And this happened for this, So people

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Speaker 2: just compare things for no reason. They're totally two different cases,

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Speaker 2: but two different states. Two different Yeah, two different states,

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Speaker 2: and so I guess it's both for California. Ye, it's

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Speaker 2: both for California. So I guess he'll have to serve

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Speaker 2: the ten years and then he'll get deported back to Canada.

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Speaker 3: So here are served here and then get deported.

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Speaker 2: Yeah, he has to serve it head and then he

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Speaker 2: gets deported.

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Speaker 3: Well, yes, yes, but that sound like does that matter?

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Speaker 3: Like good behavior? It doesn't matter.

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Speaker 2: I don't know. I think I think it all is.

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Speaker 2: It's always good behavior. You get eighty five percent of

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Speaker 2: time of good behavior.

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Speaker 3: Okay. Well, also in this case of Ella County DA

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Speaker 3: George Gascone, he said that women, especially black women, are

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Speaker 3: afraid to report crime like assault because they are too

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Speaker 3: often not believed, and he commenced Megan the sallion for

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Speaker 3: her incredible bravery and vulnerability as she underwent months of probing,

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Speaker 3: investigation and court appearances where she had to relive her

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Speaker 3: trauma and the public scrutiny that followed.

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Speaker 1: Yeah, now I just would never understand why Tori was

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Speaker 1: doing what he was doing on social media, Like I

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Speaker 1: would never understand why he tried to try this case

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Speaker 1: in the court of public opinion. None of that ever mattered.

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Speaker 1: Doesn't matter what anybody online thinks about this situation. It's

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Speaker 1: about what happens in that actual court room.

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Speaker 3: Well, what was he doing when this happened? Quarantine radio,

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Speaker 3: So that was his thing, was going to Instagram and like,

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Speaker 3: m let me get these people to co sign me,

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Speaker 3: let me get let me get some support.

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Speaker 2: Maybe I can show like, but I think as a

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Speaker 2: community we always have that problem. Like, if there's a situation,

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Speaker 2: if anything is going on, the best thing to do

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Speaker 2: is if you have a good attorney, is he'll tell

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Speaker 2: you to shut the f up and handle it in court.

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Speaker 2: And then when courts over, then you could run around

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Speaker 2: and say what you want to say or whatever it

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Speaker 2: may be, because whatever you say, as we've seen in

443
00:18:58,920 --> 00:19:01,600
Speaker 2: this case, can be used against you in the court

444
00:19:01,680 --> 00:19:02,000
Speaker 2: of law.

445
00:19:02,160 --> 00:19:04,960
Speaker 1: So they said, they said he was antagonizing Megan online.

446
00:19:04,960 --> 00:19:06,159
Speaker 1: Like a lot of the reason that he got this

447
00:19:06,320 --> 00:19:08,240
Speaker 1: tiff sentence is because of the stuff.

448
00:19:08,080 --> 00:19:10,240
Speaker 2: Yes, that he was doing online, correct, because he was

449
00:19:10,320 --> 00:19:10,679
Speaker 2: one of them.

450
00:19:11,680 --> 00:19:13,399
Speaker 3: I don't get it all y'all asked why I call

451
00:19:13,440 --> 00:19:15,480
Speaker 3: myself Ashley was too easy because the Ashley with the

452
00:19:15,520 --> 00:19:18,159
Speaker 3: wires a little crazy because there was an actually that

453
00:19:18,240 --> 00:19:20,359
Speaker 3: showed up to the courtroom who was like a crazy

454
00:19:20,359 --> 00:19:22,600
Speaker 3: super fan of Tory Lanez. That's what she's saying.

455
00:19:23,080 --> 00:19:29,240
Speaker 1: I'm a woman and I DK same thing.

456
00:19:29,320 --> 00:19:30,840
Speaker 19: Was sad.

457
00:19:33,520 --> 00:19:36,240
Speaker 1: And Lane still about.

458
00:19:36,000 --> 00:19:38,600
Speaker 2: Him a war for him period.

459
00:19:39,000 --> 00:19:40,919
Speaker 1: When I see her a lot of with.

460
00:19:41,040 --> 00:19:45,600
Speaker 10: Megan thee Stallion, that's like, yes, that win are being nice.

461
00:19:46,080 --> 00:19:48,639
Speaker 10: Megan should thank me because if you haven't for me,

462
00:19:49,119 --> 00:19:54,960
Speaker 10: Megan thee Stallions, y'all, he hasn't fout Oh anxiety, Oh,

463
00:19:56,520 --> 00:19:57,480
Speaker 10: I really can't.

464
00:19:57,359 --> 00:19:58,800
Speaker 12: For the salience.

465
00:20:00,720 --> 00:20:04,480
Speaker 1: The way what type of music will really be coming out?

466
00:20:04,560 --> 00:20:08,719
Speaker 1: Y'all that you don't got no anxiety? I won't bring anxiety.

467
00:20:08,880 --> 00:20:09,320
Speaker 19: Who are?

468
00:20:10,280 --> 00:20:12,000
Speaker 3: I just want to clarify that when the name was

469
00:20:12,119 --> 00:20:14,120
Speaker 3: Ashley Ramirez with a why.

470
00:20:14,240 --> 00:20:16,440
Speaker 1: Yeah, I can promise you none of that helped Tory

471
00:20:16,520 --> 00:20:18,400
Speaker 1: in court. You know what I'm saying. If the person

472
00:20:18,480 --> 00:20:21,200
Speaker 1: you are defending is on trial for something violent, you

473
00:20:21,359 --> 00:20:24,280
Speaker 1: probably don't need to show support by acting violent.

474
00:20:24,720 --> 00:20:26,879
Speaker 3: Yeah, But then if you look at some of the

475
00:20:27,200 --> 00:20:30,120
Speaker 3: viral tweets in support of Tory, some are saying Tory

476
00:20:30,200 --> 00:20:32,639
Speaker 3: lanez didn't deserve ten years. That's insane. They'll crucify a

477
00:20:32,680 --> 00:20:35,160
Speaker 3: black men any chance they get, so it said Tory

478
00:20:35,240 --> 00:20:37,040
Speaker 3: lane is getting sentenced to ten years in prison for

479
00:20:37,280 --> 00:20:39,760
Speaker 3: a shotty that was Torken shortly after the incident is

480
00:20:39,800 --> 00:20:44,359
Speaker 3: disheartening to say the least. I don't know what to

481
00:20:44,480 --> 00:20:46,760
Speaker 3: make of that. How someone gets shot and.

482
00:20:47,040 --> 00:20:49,200
Speaker 2: Well, people have the right for their opinions. People people

483
00:20:49,240 --> 00:20:51,679
Speaker 2: feel what they want to feel, and like Charlotage said earlier,

484
00:20:51,840 --> 00:20:53,760
Speaker 2: a lot of people don't know what actually happened in

485
00:20:53,840 --> 00:20:57,040
Speaker 2: the case, so they're just basing this off of Internet

486
00:20:57,200 --> 00:21:00,280
Speaker 2: and not off of the facts, and sometimes the facts

487
00:21:00,359 --> 00:21:01,000
Speaker 2: show a different light.

488
00:21:01,080 --> 00:21:02,640
Speaker 1: One day we're gonna have to have a conversation about

489
00:21:02,680 --> 00:21:04,280
Speaker 1: do people have to right to their opinion? I think

490
00:21:04,320 --> 00:21:07,639
Speaker 1: people have the right twin informed opinion. Correct, you know

491
00:21:07,680 --> 00:21:09,680
Speaker 1: what I'm saying. If your opinion is just based on

492
00:21:09,800 --> 00:21:12,520
Speaker 1: you know, a false narrative of your opinion is based

493
00:21:12,560 --> 00:21:14,520
Speaker 1: on lies, I don't think you have the right to that.

494
00:21:15,040 --> 00:21:16,600
Speaker 1: I think you have the right to informed.

495
00:21:16,920 --> 00:21:18,080
Speaker 2: Right and informed.

496
00:21:18,280 --> 00:21:20,320
Speaker 1: I mean an opinion rooted in facts correct.

497
00:21:20,440 --> 00:21:22,080
Speaker 3: I know you're not on Twitter no more, but like

498
00:21:22,160 --> 00:21:24,560
Speaker 3: there's a little fact check box that shows up when

499
00:21:24,600 --> 00:21:27,280
Speaker 3: you tweet. I feel yeah, I feel like everybody needs

500
00:21:27,320 --> 00:21:29,080
Speaker 3: to like finish.

501
00:21:30,160 --> 00:21:30,200
Speaker 5: No.

502
00:21:33,800 --> 00:21:35,680
Speaker 3: Sometimes it'll like do you want to read the article

503
00:21:35,720 --> 00:21:37,520
Speaker 3: for your tweet? It's like, nah, just tweeted.

504
00:21:37,720 --> 00:21:39,240
Speaker 1: Also it'll fact check it and then give you the

505
00:21:39,320 --> 00:21:40,200
Speaker 1: actual information.

506
00:21:41,280 --> 00:21:43,080
Speaker 3: But someone has to go in and fact check it,

507
00:21:43,280 --> 00:21:47,800
Speaker 3: like put something now at America Festival has been canceled.

508
00:21:47,880 --> 00:21:51,520
Speaker 3: Yesterday was announced that the Philly festival that takes place

509
00:21:51,520 --> 00:21:54,120
Speaker 3: every September has been canceled this year. Lizzo and says

510
00:21:54,200 --> 00:21:56,880
Speaker 3: that we're set to headline the festival, and fans speculated

511
00:21:57,080 --> 00:21:59,040
Speaker 3: that it was because of the heat that Lizzo is

512
00:21:59,080 --> 00:22:02,520
Speaker 3: currently facing right now. Really official statement cites the cancelation

513
00:22:02,640 --> 00:22:05,680
Speaker 3: being a result of production issues outside of the control,

514
00:22:05,720 --> 00:22:08,159
Speaker 3: and it does say due to severe circumstances outside of

515
00:22:08,240 --> 00:22:11,480
Speaker 3: production control, they can no longer have this festival. But

516
00:22:11,480 --> 00:22:13,280
Speaker 3: I don't think even if it is little, they can

517
00:22:13,359 --> 00:22:14,600
Speaker 3: easily replace.

518
00:22:15,440 --> 00:22:17,680
Speaker 1: Isn't it? Two headliner is always Yeah, they had.

519
00:22:21,480 --> 00:22:22,719
Speaker 3: They had a whole they had a lot of they

520
00:22:22,760 --> 00:22:26,200
Speaker 3: had they had a whole bunch of like a team

521
00:22:26,280 --> 00:22:26,680
Speaker 3: like Army.

522
00:22:26,760 --> 00:22:29,119
Speaker 2: I wonder if it was low ticket sales, because a

523
00:22:29,160 --> 00:22:31,160
Speaker 2: lot of these concents have had a lot of low

524
00:22:31,240 --> 00:22:31,720
Speaker 2: ticket sales.

525
00:22:31,800 --> 00:22:34,600
Speaker 3: You're trying to throw a festival the year Drake and

526
00:22:34,640 --> 00:22:37,360
Speaker 3: Beyonce or touring, that's true, Like it ain't happen.

527
00:22:38,040 --> 00:22:41,159
Speaker 1: They couldn't find a bigger artist in Little. There's got

528
00:22:41,240 --> 00:22:42,880
Speaker 1: to be somebody bigger than Little that they could put.

529
00:22:43,720 --> 00:22:46,240
Speaker 2: Right, Well, Beyonce is on tour, Drake's on tour.

530
00:22:48,080 --> 00:22:51,080
Speaker 1: I didn't even need a double headline. It's probably little

531
00:22:51,080 --> 00:22:52,119
Speaker 1: ticket stale. That's probably what it is.

532
00:22:52,119 --> 00:22:56,639
Speaker 3: Probably ticket We also had Miguel TAM's Ice, Spice, Metro, Command, Coiler,

533
00:22:56,720 --> 00:22:59,920
Speaker 3: Ray Lotto, Lola Brook, Coco Jones, Doci Oh, come on,

534
00:23:00,200 --> 00:23:00,639
Speaker 3: and anymore.

535
00:23:00,680 --> 00:23:02,680
Speaker 1: You gotta yeah, they would have been fine. It's little

536
00:23:02,680 --> 00:23:03,200
Speaker 1: ticket seals.

537
00:23:04,440 --> 00:23:09,000
Speaker 3: I mean again, this is a year that Beyonce, Drake, Taylor,

538
00:23:09,040 --> 00:23:11,760
Speaker 3: Swifts all went out to three of the biggest artists. Right,

539
00:23:11,840 --> 00:23:12,800
Speaker 3: people ain't got money for that?

540
00:23:13,200 --> 00:23:15,679
Speaker 2: All right, well that is your rumor report. Now when

541
00:23:15,720 --> 00:23:17,720
Speaker 2: we come back, we got front page news telling figure

542
00:23:17,720 --> 00:23:20,600
Speaker 2: Oi be joining us and l L cool J and

543
00:23:20,720 --> 00:23:22,440
Speaker 2: the Route will be joining us. So don't move it's

544
00:23:22,440 --> 00:23:25,680
Speaker 2: the Breakfast Club on b e T everybody. It's j

545
00:23:26,200 --> 00:23:29,000
Speaker 2: ND Charlamagne the guy. We are the breakfast Club. We

546
00:23:29,080 --> 00:23:31,639
Speaker 2: got our special guest, hosts Ashley with to ease a

547
00:23:31,760 --> 00:23:34,320
Speaker 2: morning and let's get back in the front page news.

548
00:23:35,040 --> 00:23:35,800
Speaker 1: Let's talk about this.

549
00:23:36,160 --> 00:23:38,520
Speaker 2: Court throws out conviction after the judge says black man

550
00:23:38,600 --> 00:23:39,639
Speaker 2: looks like a criminal to me.

551
00:23:40,359 --> 00:23:43,600
Speaker 4: Yeah, this is crazy, and appeals Court thursday overturned the

552
00:23:43,680 --> 00:23:46,960
Speaker 4: drug conviction of a black man, Leron Liggan, saying his

553
00:23:47,080 --> 00:23:49,840
Speaker 4: rights were violated by a Detroit federal judge who was

554
00:23:49,920 --> 00:23:52,600
Speaker 4: upset over delays in the clay the case and declared,

555
00:23:52,720 --> 00:23:54,280
Speaker 4: this guy looks like a criminal to me.

556
00:23:54,760 --> 00:23:54,879
Speaker 18: Now.

557
00:23:54,960 --> 00:23:58,000
Speaker 4: The US district judge, Stephen Murphy, who was white, apologized

558
00:23:58,080 --> 00:24:01,639
Speaker 4: nearly two years later, when the case against larn finally

559
00:24:01,760 --> 00:24:04,240
Speaker 4: was ready for trial. He explained that at the time

560
00:24:04,320 --> 00:24:06,880
Speaker 4: he was mad and he regrets it. The appeal court

561
00:24:06,920 --> 00:24:10,000
Speaker 4: said that Murphy should have removed himself as the judge

562
00:24:10,000 --> 00:24:12,040
Speaker 4: at the time, but he did not, So the court

563
00:24:12,119 --> 00:24:15,200
Speaker 4: threw out the Dutch the drug distribution conviction and the

564
00:24:15,280 --> 00:24:17,840
Speaker 4: ten yured prison sentence and ordered a new trial with

565
00:24:18,000 --> 00:24:20,000
Speaker 4: a different judge. So let me ask you guys, should

566
00:24:20,000 --> 00:24:21,840
Speaker 4: they should he get another trial? Should they just charge

567
00:24:21,840 --> 00:24:22,280
Speaker 4: it to the game?

568
00:24:22,400 --> 00:24:23,879
Speaker 1: But what does a criminal look like? That's what I

569
00:24:23,880 --> 00:24:27,359
Speaker 1: would like to do. What did the judge criminal look like?

570
00:24:28,160 --> 00:24:29,960
Speaker 1: What is the profile of this young man? And he

571
00:24:30,000 --> 00:24:31,399
Speaker 1: thinks this man looks like a criminal.

572
00:24:32,040 --> 00:24:36,840
Speaker 4: Yeah, Well, so what happened was during the case, he

573
00:24:37,480 --> 00:24:41,240
Speaker 4: I guess lost his composure. He got upset because the

574
00:24:41,560 --> 00:24:46,119
Speaker 4: ligands actually exercised his rights. Uh, he switched between wanting

575
00:24:46,160 --> 00:24:48,560
Speaker 4: a plea deal and choosing a trial. And so the

576
00:24:48,680 --> 00:24:50,360
Speaker 4: judge didn't like that, and he said, you know, I'm

577
00:24:50,400 --> 00:24:53,240
Speaker 4: tired of this case. I'm tired of this defendant. I'm

578
00:24:53,280 --> 00:24:55,080
Speaker 4: tired of getting the run around. This guy looks like

579
00:24:55,119 --> 00:24:58,320
Speaker 4: a criminal. To me, this is what criminals do. Innocent

580
00:24:58,359 --> 00:25:00,320
Speaker 4: people don't do this if they want a faire trial.

581
00:25:00,400 --> 00:25:02,879
Speaker 4: He's playing games with the court. And so because he

582
00:25:03,000 --> 00:25:05,680
Speaker 4: made that statement in front of the jury, they're saying, hey,

583
00:25:05,920 --> 00:25:08,320
Speaker 4: you basically influencing the jury.

584
00:25:08,280 --> 00:25:09,720
Speaker 2: Right, and it wasn't right to do.

585
00:25:09,960 --> 00:25:10,800
Speaker 5: So what was it?

586
00:25:10,960 --> 00:25:11,119
Speaker 4: It was?

587
00:25:11,240 --> 00:25:12,280
Speaker 1: What type of condictions?

588
00:25:12,440 --> 00:25:12,640
Speaker 4: Drug?

589
00:25:12,720 --> 00:25:13,359
Speaker 1: It was a drug case?

590
00:25:13,440 --> 00:25:14,000
Speaker 2: Yeah, let him go.

591
00:25:14,359 --> 00:25:15,440
Speaker 1: Yeah, just charge it to the game.

592
00:25:15,680 --> 00:25:16,400
Speaker 2: Charge it to the game.

593
00:25:16,640 --> 00:25:18,680
Speaker 1: I mean it sounds like it sounds like a mistral.

594
00:25:19,160 --> 00:25:21,280
Speaker 1: Usually just put another judge on that case and retry it.

595
00:25:21,880 --> 00:25:23,440
Speaker 4: They're putting another judge on the case, and that's what

596
00:25:23,480 --> 00:25:25,200
Speaker 4: I'm answering. You should they put another judge on the

597
00:25:25,280 --> 00:25:26,480
Speaker 4: case or just charge it to the game?

598
00:25:26,920 --> 00:25:28,720
Speaker 1: Catch you next time? I mean, you gotta. I would

599
00:25:28,720 --> 00:25:30,280
Speaker 1: I would want them to follow the letter of the loss.

600
00:25:30,359 --> 00:25:31,879
Speaker 1: I would want them to put another judge on the

601
00:25:31,960 --> 00:25:34,560
Speaker 1: kick and they just retry the situation. That's usually what

602
00:25:34,640 --> 00:25:36,800
Speaker 1: happens in those situations. Just don't get this bitsed. I

603
00:25:36,880 --> 00:25:38,000
Speaker 1: wish it was that easy, but it's not.

604
00:25:38,600 --> 00:25:40,719
Speaker 2: Yeah, but at this point, man, you got the man

605
00:25:40,800 --> 00:25:42,800
Speaker 2: saying looks like a criminal means all over the news

606
00:25:42,840 --> 00:25:43,879
Speaker 2: people see in this case, like you.

607
00:25:43,880 --> 00:25:45,680
Speaker 1: Bring a new judge. You bringing a new judge with

608
00:25:45,760 --> 00:25:47,560
Speaker 1: some new eyes. And maybe that person don't look like

609
00:25:47,600 --> 00:25:49,440
Speaker 1: a criminal in that judge his eyes. Shoot, maybe that

610
00:25:49,480 --> 00:25:51,240
Speaker 1: person is just listening to the actual evidence.

611
00:25:51,560 --> 00:25:55,199
Speaker 2: I don't know. I'll be nervous if I was saying, now,

612
00:25:55,280 --> 00:25:58,359
Speaker 2: let's talk about these thousands of city workers that picket

613
00:25:58,400 --> 00:25:59,880
Speaker 2: it yesterday in La. Yeah.

614
00:26:00,080 --> 00:26:03,119
Speaker 4: Once again, like doctor West mentioned earlier this week on

615
00:26:03,359 --> 00:26:05,640
Speaker 4: you know, all of these strikes happening everywhere, and once

616
00:26:05,680 --> 00:26:08,200
Speaker 4: again yet another strike. Yesterday did a one day strike

617
00:26:08,520 --> 00:26:11,760
Speaker 4: in La the Los Angeles City workers walked out. Now

618
00:26:11,800 --> 00:26:14,560
Speaker 4: this marks the first strike action by the Los Angeles

619
00:26:14,600 --> 00:26:17,439
Speaker 4: City workers in more than forty years. ABC seven has

620
00:26:17,520 --> 00:26:17,919
Speaker 4: the report.

621
00:26:17,960 --> 00:26:18,520
Speaker 2: Take a listen.

622
00:26:19,160 --> 00:26:22,320
Speaker 20: A twenty four hour strike by eleven thousand Los Angeles

623
00:26:22,359 --> 00:26:26,160
Speaker 20: City workers across multiple departments hasn't left the city crippled,

624
00:26:26,480 --> 00:26:28,800
Speaker 20: but certainly sent a message to those who work at

625
00:26:28,840 --> 00:26:31,120
Speaker 20: city Hall that they feel disrespected.

626
00:26:31,320 --> 00:26:36,760
Speaker 1: We haven't guns put on when we're just trying to

627
00:26:36,800 --> 00:26:39,919
Speaker 1: do our job. We ain't for our type of protection.

628
00:26:40,040 --> 00:26:40,720
Speaker 7: We can't get that.

629
00:26:40,960 --> 00:26:43,800
Speaker 1: Well, we complain to our manager and stuff. We weren't

630
00:26:43,840 --> 00:26:44,119
Speaker 1: getting no.

631
00:26:44,280 --> 00:26:47,840
Speaker 4: We don't get no l Everyone walked out yesterday. It

632
00:26:47,960 --> 00:26:50,360
Speaker 4: was very interesting when I looked at the report. All

633
00:26:50,440 --> 00:26:53,280
Speaker 4: of the sanitation workers you're gonna refuse to pick up trash.

634
00:26:53,320 --> 00:26:56,600
Speaker 4: So you saw a huge, uh, you know, parking lot

635
00:26:56,680 --> 00:26:59,480
Speaker 4: full of you know, sanitation workers. So I think people

636
00:26:59,520 --> 00:27:01,400
Speaker 4: have a new expect for that when your garbage isn't

637
00:27:01,400 --> 00:27:04,280
Speaker 4: picked up. And so they're allegedly, you know, supposed to

638
00:27:04,320 --> 00:27:06,080
Speaker 4: be going back to work, but they said they still

639
00:27:06,160 --> 00:27:09,359
Speaker 4: you know they want fair negotiations like everybody else. You know,

640
00:27:09,440 --> 00:27:12,919
Speaker 4: they have repeated labor law violations, and so they're asking

641
00:27:13,400 --> 00:27:15,280
Speaker 4: that the city negotiates in good faith.

642
00:27:15,400 --> 00:27:18,359
Speaker 1: So why do we act like those sanitation workers aren't

643
00:27:18,400 --> 00:27:21,600
Speaker 1: public servants that are necessary for all community. You know

644
00:27:21,640 --> 00:27:24,639
Speaker 1: what I'm saying. We have no idea how you know,

645
00:27:24,920 --> 00:27:27,320
Speaker 1: stretch free. They make our lives. Until you see all

646
00:27:27,359 --> 00:27:29,560
Speaker 1: that trash piled up on the side of the road,

647
00:27:29,640 --> 00:27:32,000
Speaker 1: and now you're like, damn, anybody gonna pick the traps up? Yeah,

648
00:27:32,080 --> 00:27:33,760
Speaker 1: the same people that you neglecting, the same people that

649
00:27:33,840 --> 00:27:36,440
Speaker 1: you acting like, you know you shouldn't, you know, treat

650
00:27:36,520 --> 00:27:39,439
Speaker 1: well right, Yeah, yeah, y'all respect the sanitation workers.

651
00:27:39,480 --> 00:27:39,600
Speaker 21: Man.

652
00:27:39,640 --> 00:27:41,760
Speaker 1: It's all of those people like that that make all

653
00:27:41,840 --> 00:27:44,119
Speaker 1: world go around and that make all lives easier that

654
00:27:44,240 --> 00:27:46,760
Speaker 1: we just for whatever reason, tend to neglect all the time.

655
00:27:46,840 --> 00:27:48,639
Speaker 2: Well, they see even in New York, New Jersey, a

656
00:27:48,680 --> 00:27:50,760
Speaker 2: lot of the sanitation workers in the winter do the

657
00:27:51,560 --> 00:27:54,520
Speaker 2: snowplow as well. They get the snow out the way too. So, yes,

658
00:27:54,600 --> 00:27:57,480
Speaker 2: they are definitely needed, and they definitely need to be respected.

659
00:27:57,760 --> 00:27:58,800
Speaker 2: We need to make sure they act.

660
00:27:58,920 --> 00:28:00,560
Speaker 1: Would your data sanitation worker.

661
00:28:00,400 --> 00:28:04,680
Speaker 4: Test absolutely shout out to my uncle Daniel rest in peace.

662
00:28:04,880 --> 00:28:08,520
Speaker 4: Was a sanitation worker for the great City of Houston, Texas,

663
00:28:08,640 --> 00:28:12,960
Speaker 4: Ashley with TUIs for over thirty years. And not only

664
00:28:13,160 --> 00:28:15,440
Speaker 4: was he did he retire as a sanitation work he

665
00:28:15,480 --> 00:28:18,439
Speaker 4: had great healthcare insurance. And he also used to collect copper,

666
00:28:19,520 --> 00:28:22,280
Speaker 4: you know, on a lot of his runs. And Uncle Dan,

667
00:28:22,320 --> 00:28:24,000
Speaker 4: you will probably get about an extra thirty or fifty

668
00:28:24,040 --> 00:28:26,400
Speaker 4: thousand a year just on copper. So absolutely I would

669
00:28:26,400 --> 00:28:28,440
Speaker 4: because that means I would date somebody like my uncle.

670
00:28:28,520 --> 00:28:31,040
Speaker 1: There you go see public servant thro all the sanitation

671
00:28:31,160 --> 00:28:31,760
Speaker 1: workers out there.

672
00:28:31,800 --> 00:28:31,960
Speaker 2: Man.

673
00:28:32,080 --> 00:28:34,879
Speaker 1: Absolutely all right, Well, that is front page news. And

674
00:28:35,000 --> 00:28:37,680
Speaker 1: make sure you subscribe to Teslin Figureo's podcast, A Great

675
00:28:37,680 --> 00:28:39,840
Speaker 1: Shot No Chase of podcasts on the Black Effect iHeart

676
00:28:39,920 --> 00:28:42,719
Speaker 1: Radio podcast Network, and follow Teslim figure O on all

677
00:28:42,840 --> 00:28:45,040
Speaker 1: social media platforms at Teslin figure Rot.

678
00:28:45,400 --> 00:28:49,000
Speaker 2: That's right, all right, when we come back, legends will

679
00:28:49,040 --> 00:28:49,560
Speaker 2: be in the building.

680
00:28:49,640 --> 00:28:51,680
Speaker 1: We got an icon living who's never been up here,

681
00:28:51,800 --> 00:28:55,240
Speaker 1: that's right. We got the legendary a legendary hip hop band,

682
00:28:55,400 --> 00:28:55,760
Speaker 1: that's right.

683
00:28:56,040 --> 00:28:58,560
Speaker 2: L COOLJ and the Roots women joining us, and we'll

684
00:28:58,560 --> 00:28:59,880
Speaker 2: get to kick it with them when we come back.

685
00:29:00,080 --> 00:29:00,440
Speaker 8: Don't move.

686
00:29:00,480 --> 00:29:07,920
Speaker 2: It's the Breakfast Club. Come morning, the Breakfast Club. Morning everybody.

687
00:29:07,960 --> 00:29:11,520
Speaker 2: It's DJ MV Charlamagne to God. We are the Breakfast Club.

688
00:29:11,600 --> 00:29:11,719
Speaker 14: Now.

689
00:29:11,760 --> 00:29:13,880
Speaker 1: We got some special guests in the buildings. Yes, indeed,

690
00:29:14,000 --> 00:29:16,800
Speaker 1: some legends, some icons. Of course. We got the Roots

691
00:29:16,840 --> 00:29:21,040
Speaker 1: Black Thought and Quest Love Welcome. Everybody is black from

692
00:29:21,120 --> 00:29:23,640
Speaker 1: the Roots. They've been up here before.

693
00:29:23,720 --> 00:29:26,520
Speaker 2: And we got another icon that's never been up here before,

694
00:29:27,040 --> 00:29:29,400
Speaker 2: the legendary icon L L.

695
00:29:29,640 --> 00:29:35,640
Speaker 1: Cool J Welcome, Queen's Timer. It's first time LL stand

696
00:29:35,680 --> 00:29:37,520
Speaker 1: for a living legend. At this point, I appreciate that

697
00:29:37,720 --> 00:29:39,200
Speaker 1: absolutely absolutely.

698
00:29:39,240 --> 00:29:40,960
Speaker 2: So let's first start with you know, why you guys

699
00:29:41,000 --> 00:29:42,680
Speaker 2: are here together, because people are like, well, why is

700
00:29:43,080 --> 00:29:45,320
Speaker 2: LL and the Roots together? So you guys are going

701
00:29:45,360 --> 00:29:46,240
Speaker 2: on the road on the tour.

702
00:29:46,640 --> 00:29:48,840
Speaker 1: Yeah, So how did this saw it come about? Who's

703
00:29:48,840 --> 00:29:52,480
Speaker 1: whose version? I mean really, who's insure?

704
00:29:53,480 --> 00:29:56,200
Speaker 22: You know, the Planet Center stars sort of aligned themselves

705
00:29:56,280 --> 00:29:58,840
Speaker 22: and and and you made it possible for us to

706
00:29:58,880 --> 00:30:02,000
Speaker 22: work together on this huge segment that we did for

707
00:30:02,080 --> 00:30:05,480
Speaker 22: the Grammys this year. And I think you know from

708
00:30:05,560 --> 00:30:08,080
Speaker 22: that the idea of us always haven't wanted to, you know,

709
00:30:08,200 --> 00:30:12,640
Speaker 22: work together in some way, just you know, it opened

710
00:30:12,680 --> 00:30:14,480
Speaker 22: the collaborative path and it was like, Yo, why don't

711
00:30:14,520 --> 00:30:14,920
Speaker 22: we try to.

712
00:30:15,200 --> 00:30:16,800
Speaker 1: Take this show on the road. It was huge.

713
00:30:16,840 --> 00:30:19,320
Speaker 22: What we did just in that one fifteen minute segment

714
00:30:19,720 --> 00:30:21,920
Speaker 22: was so huge for the culture. And you know, this

715
00:30:22,080 --> 00:30:25,560
Speaker 22: being hip hop's fiftieth anniversary and you know that that

716
00:30:26,080 --> 00:30:28,320
Speaker 22: whole deal, it made sense to try and you know,

717
00:30:28,440 --> 00:30:29,960
Speaker 22: do something celebratory in that way.

718
00:30:30,720 --> 00:30:32,680
Speaker 1: You know, from region to region, Now.

719
00:30:32,960 --> 00:30:36,120
Speaker 2: Ladies love Cool James what got you into hip hop

720
00:30:36,200 --> 00:30:37,800
Speaker 2: and said, you know what I want to be MC?

721
00:30:37,920 --> 00:30:39,760
Speaker 2: Where where did the love come from? As a kid

722
00:30:39,800 --> 00:30:42,320
Speaker 2: from Queens and say this is what I want to do.

723
00:30:42,720 --> 00:30:44,760
Speaker 19: You know, when those first wave of tapes came around,

724
00:30:44,920 --> 00:30:48,760
Speaker 19: like you know Cole Crush Brothers and Fantastic, Romantic Five

725
00:30:48,840 --> 00:30:52,640
Speaker 19: and Foursome Seeds and Treacherous Three, you know, Grand Master,

726
00:30:52,760 --> 00:30:55,239
Speaker 19: Furious five and all of those groups, when they were

727
00:30:55,320 --> 00:30:58,800
Speaker 19: just tapes run around, you know, hallm World tapes, and

728
00:30:58,920 --> 00:31:01,400
Speaker 19: then the songs came. That was the first time that

729
00:31:01,480 --> 00:31:04,640
Speaker 19: I heard young black kids sounding powered. It was the

730
00:31:04,680 --> 00:31:07,680
Speaker 19: first time that I heard or could envision us doing

731
00:31:07,800 --> 00:31:10,440
Speaker 19: something great because before that, all the images I had

732
00:31:10,520 --> 00:31:13,480
Speaker 19: seen were us like handcuffed, you're putting a police car

733
00:31:13,800 --> 00:31:16,520
Speaker 19: or some sort of charge or you know, so that

734
00:31:16,680 --> 00:31:20,600
Speaker 19: empowering feeling, you know, the braggadocio thing that you know

735
00:31:20,760 --> 00:31:24,200
Speaker 19: that we really focused on came not from a place

736
00:31:24,240 --> 00:31:26,920
Speaker 19: of looking down on high on people, but more about

737
00:31:27,480 --> 00:31:29,440
Speaker 19: I could be somebody. You know what I'm saying. The

738
00:31:29,480 --> 00:31:32,040
Speaker 19: world looks at me and like I'm invisible. My friends

739
00:31:32,320 --> 00:31:34,720
Speaker 19: up the block get killed and nobody says anything. So

740
00:31:34,880 --> 00:31:37,360
Speaker 19: when I'm bragging and I'm boasting, what I'm really doing

741
00:31:37,480 --> 00:31:39,400
Speaker 19: is saying, hey, look at me, I exist, you know

742
00:31:39,440 --> 00:31:42,400
Speaker 19: what I'm saying. So for me, that was a real

743
00:31:42,880 --> 00:31:44,959
Speaker 19: special thing and a spectacular thing. I mean, I'm eight,

744
00:31:45,000 --> 00:31:46,960
Speaker 19: I'm nine years old. I'm ten years old, and I'm

745
00:31:47,000 --> 00:31:49,120
Speaker 19: being introduced to this thing and I just completely fell

746
00:31:49,160 --> 00:31:51,160
Speaker 19: in love with it. And then, you know, eight nine,

747
00:31:51,160 --> 00:31:53,720
Speaker 19: I'm a fan of the Wrap. My grandfather broughts me

748
00:31:53,880 --> 00:31:56,760
Speaker 19: some equipment. At eleven, I'm djaying, I'm messing around with that,

749
00:31:56,840 --> 00:31:58,840
Speaker 19: but I'm still rhyming and I'm going back and forth.

750
00:31:58,880 --> 00:32:01,920
Speaker 19: And then you know, eventually one thing led to another

751
00:32:02,000 --> 00:32:05,120
Speaker 19: and here we are death Jam and the whole whole nine.

752
00:32:05,160 --> 00:32:07,440
Speaker 1: Do you consider yourself a founding father of hip hop?

753
00:32:07,600 --> 00:32:10,280
Speaker 1: You know, people always gonna say, you know, cool her,

754
00:32:10,680 --> 00:32:12,000
Speaker 1: you know, Grandma after Flash, people like that.

755
00:32:12,080 --> 00:32:13,640
Speaker 19: But as far as hip hop as we know now,

756
00:32:14,080 --> 00:32:16,480
Speaker 19: I would say, you and Run DMC. Yeah, So so

757
00:32:16,800 --> 00:32:19,960
Speaker 19: I'm you know, I'm definitely Generation one point five. You

758
00:32:20,040 --> 00:32:21,920
Speaker 19: know what I'm saying. You got to give Flash and

759
00:32:22,360 --> 00:32:25,160
Speaker 19: HERK and Force and all and grab what was the

760
00:32:25,240 --> 00:32:28,959
Speaker 19: theodore they're do. The thing that myself from Run DMC did.

761
00:32:29,040 --> 00:32:30,840
Speaker 19: What we did is we took it to the world.

762
00:32:31,040 --> 00:32:32,760
Speaker 19: We took it global, you know what I'm saying. We

763
00:32:32,840 --> 00:32:35,640
Speaker 19: took it from the city and took it around the world,

764
00:32:35,920 --> 00:32:37,640
Speaker 19: you know what I'm saying. And that was the difference.

765
00:32:37,840 --> 00:32:40,680
Speaker 19: So they they brought it, they took it from from

766
00:32:40,760 --> 00:32:44,120
Speaker 19: the Bronx and Harlem out to the Five Boroughs and

767
00:32:44,400 --> 00:32:47,160
Speaker 19: you know, around the world. Somewhat, they didn't penetrate the

768
00:32:47,240 --> 00:32:50,040
Speaker 19: market quite as deeply. Then we took it and made

769
00:32:50,080 --> 00:32:50,520
Speaker 19: it global.

770
00:32:50,600 --> 00:32:53,680
Speaker 22: And it's I think I think from from a Philadelphia

771
00:32:53,720 --> 00:32:57,080
Speaker 22: standpoint too, you know, just from the outside looking then

772
00:32:57,960 --> 00:33:00,360
Speaker 22: with that that one point five generation with with you

773
00:33:00,680 --> 00:33:03,720
Speaker 22: and all, just like Running d that was our first

774
00:33:03,800 --> 00:33:04,720
Speaker 22: time sort of.

775
00:33:04,720 --> 00:33:06,719
Speaker 1: Seeing our own reflection exactly.

776
00:33:07,040 --> 00:33:09,160
Speaker 22: It was like, you know, I'm like again, I was

777
00:33:09,200 --> 00:33:11,200
Speaker 22: a huge fan of all the other founding fathers, but

778
00:33:11,240 --> 00:33:13,720
Speaker 22: they didn't look like people from around my way, you

779
00:33:13,760 --> 00:33:15,200
Speaker 22: know what I'm saying. And when I saw a run

780
00:33:15,600 --> 00:33:17,920
Speaker 22: jam Master Jay l they looked like the corner boys,

781
00:33:18,000 --> 00:33:20,720
Speaker 22: Like that was outside and I saw myself in that.

782
00:33:20,880 --> 00:33:22,840
Speaker 1: So you know, that's where a lot of the inspiration

783
00:33:22,920 --> 00:33:23,360
Speaker 1: for me to do.

784
00:33:23,400 --> 00:33:27,040
Speaker 2: What I do came from. Not to mention you know, ella.

785
00:33:27,400 --> 00:33:31,800
Speaker 23: You know, l is very modest, but Lle literally invented

786
00:33:32,040 --> 00:33:34,880
Speaker 23: what I call postmodern hip hop, like the three minute

787
00:33:34,920 --> 00:33:39,960
Speaker 23: raps song sixteen bar like before LL even Run DMC's

788
00:33:39,960 --> 00:33:42,280
Speaker 23: first album, Like it's like that's like eight minutes, like

789
00:33:42,880 --> 00:33:45,520
Speaker 23: seven verses, you know what I mean. Like LL literally

790
00:33:45,640 --> 00:33:50,320
Speaker 23: invented the sixteen you know, maybe the twenty fourth the course,

791
00:33:50,800 --> 00:33:52,440
Speaker 23: you know what I mean, Like oh, the song that's

792
00:33:52,520 --> 00:33:57,400
Speaker 23: courses on it. So I love rap, yeah, like literally

793
00:33:58,120 --> 00:34:01,400
Speaker 23: emotions on rap. Like he's he's pioneered for like so

794
00:34:01,920 --> 00:34:04,480
Speaker 23: many things that he never gets credit for. He was

795
00:34:04,560 --> 00:34:06,920
Speaker 23: like the first teen idol, the first Like there's so

796
00:34:07,000 --> 00:34:09,120
Speaker 23: many first with him that you just you take it

797
00:34:09,160 --> 00:34:09,640
Speaker 23: for granted.

798
00:34:09,760 --> 00:34:12,120
Speaker 2: So I was gonna ask when you you talked about

799
00:34:12,160 --> 00:34:14,840
Speaker 2: deaf Jam. So let's talk about that. They when they

800
00:34:14,960 --> 00:34:17,040
Speaker 2: came to you with a contract to sign. Do you

801
00:34:17,080 --> 00:34:19,799
Speaker 2: remember what your first contract looked like and how much

802
00:34:19,840 --> 00:34:20,279
Speaker 2: they gave you?

803
00:34:20,480 --> 00:34:22,680
Speaker 19: Yeah, well, well, I mean talk about that for you know,

804
00:34:22,719 --> 00:34:25,240
Speaker 19: you gotta remember that deaf Jam was a production company.

805
00:34:25,520 --> 00:34:26,360
Speaker 1: There was no label.

806
00:34:26,920 --> 00:34:29,719
Speaker 19: Okay, it's Yours by Tila Rock was on Party Time

807
00:34:29,760 --> 00:34:32,800
Speaker 19: street Wise label. It was deaf Jam Productions, which was

808
00:34:33,000 --> 00:34:36,520
Speaker 19: Rick was the producer along with Jazzy J. And it

809
00:34:36,640 --> 00:34:39,200
Speaker 19: was more than a contract. They were actually forming a label.

810
00:34:39,440 --> 00:34:41,680
Speaker 19: Rick was having a problem, you know him, and he

811
00:34:41,800 --> 00:34:44,200
Speaker 19: was having problems getting his money from the other label

812
00:34:44,239 --> 00:34:46,279
Speaker 19: he was dealing with, so they wanted to start this

813
00:34:46,440 --> 00:34:48,960
Speaker 19: new thing. So you know that first contract, at the

814
00:34:49,040 --> 00:34:52,600
Speaker 19: time we split the publishing, they gave me like fifty thousand.

815
00:34:52,960 --> 00:34:55,640
Speaker 19: But before that, actually, my first single I ever made,

816
00:34:55,640 --> 00:34:57,359
Speaker 19: I didn't have a contract. When I made I Need

817
00:34:57,400 --> 00:34:59,160
Speaker 19: a Beat, which was the very first song I ever made,

818
00:34:59,200 --> 00:35:01,480
Speaker 19: I had no contract. It was just like, yo, let's

819
00:35:01,520 --> 00:35:03,400
Speaker 19: just get it and we'll figure it out. You know

820
00:35:03,440 --> 00:35:05,919
Speaker 19: what I'm saying. Sometimes you gotta be willing to crawl

821
00:35:05,960 --> 00:35:07,680
Speaker 19: over the barbed wire fence with no shirt on you

822
00:35:07,719 --> 00:35:09,040
Speaker 19: know what I'm saying, to get what you want.

823
00:35:16,160 --> 00:35:18,080
Speaker 1: With no shirt on. You know what I'm saying, By

824
00:35:18,120 --> 00:35:19,640
Speaker 1: the end of the store, I might have one hundred.

825
00:35:21,239 --> 00:35:24,800
Speaker 1: I'm on number six already. That was what it was.

826
00:35:24,920 --> 00:35:28,400
Speaker 1: And you know how old were you at this point? Sixteen?

827
00:35:28,880 --> 00:35:31,040
Speaker 1: I was sixteen when I mean yeah, when we started

828
00:35:31,120 --> 00:35:32,680
Speaker 1: Death Jam, I was sixteen. Did you ever feel like

829
00:35:32,680 --> 00:35:35,239
Speaker 1: you should have had like equity and depth Jam? You

830
00:35:35,280 --> 00:35:37,720
Speaker 1: did have equity in Death Jam. I did have equity

831
00:35:37,719 --> 00:35:39,279
Speaker 1: and Death Jam. I just sold it a little early,

832
00:35:39,440 --> 00:35:42,400
Speaker 1: but I definitely had ownership in Death Jam, ownership in

833
00:35:42,440 --> 00:35:46,080
Speaker 1: fool Boat. I have ownership in NCIS Los Angeles ownership

834
00:35:46,160 --> 00:35:48,759
Speaker 1: and damn lip Sync Battle I have. You know, I

835
00:35:48,840 --> 00:35:52,160
Speaker 1: own my catalog. So the things that I do, you know,

836
00:35:52,239 --> 00:35:54,759
Speaker 1: I did well, But I didn't do it for the money.

837
00:35:55,200 --> 00:35:56,680
Speaker 2: And where did you get the business mind from? Was

838
00:35:56,840 --> 00:35:59,200
Speaker 2: was it your mom's? Was it you know uncle?

839
00:35:59,280 --> 00:35:59,320
Speaker 13: Like?

840
00:35:59,360 --> 00:35:59,920
Speaker 1: Where did you get that?

841
00:36:00,040 --> 00:36:01,719
Speaker 2: Because I don't think a lot of people were thinking

842
00:36:01,800 --> 00:36:03,320
Speaker 2: ownership back then. They were just thinking I need to

843
00:36:03,360 --> 00:36:03,719
Speaker 2: blow up.

844
00:36:03,960 --> 00:36:05,160
Speaker 1: You know what? You know what I've learned?

845
00:36:05,160 --> 00:36:05,279
Speaker 17: Man?

846
00:36:05,440 --> 00:36:07,200
Speaker 19: You know, like, and people may have heard me say

847
00:36:07,239 --> 00:36:09,239
Speaker 19: this before, you know, if a homeless man tell you

848
00:36:09,360 --> 00:36:11,239
Speaker 19: not to do push up some traffic. You should listen

849
00:36:11,600 --> 00:36:13,560
Speaker 19: because you might get ran over. A lot of times

850
00:36:13,600 --> 00:36:15,400
Speaker 19: people were like yo, another one yo. A lot of

851
00:36:15,440 --> 00:36:17,200
Speaker 19: people were like, yo, you homeless?

852
00:36:17,239 --> 00:36:17,640
Speaker 7: What do you know?

853
00:36:17,960 --> 00:36:18,239
Speaker 1: All right?

854
00:36:18,360 --> 00:36:25,800
Speaker 19: Brown today in the news. So the business thing I

855
00:36:25,920 --> 00:36:27,840
Speaker 19: learned from people before me and after me. Now what

856
00:36:27,920 --> 00:36:30,960
Speaker 19: the Monica ladies love cool j Right? Did you always

857
00:36:31,000 --> 00:36:33,239
Speaker 19: feel like these dudes gonna think I'm sweet? So I'm

858
00:36:33,239 --> 00:36:35,640
Speaker 19: gonna I have to have these these rhyms in the

859
00:36:35,719 --> 00:36:38,759
Speaker 19: corner just in case. The ladies love cool Jay thing

860
00:36:38,880 --> 00:36:41,200
Speaker 19: was just wish for thinking. You know, I'm fifteen on

861
00:36:41,280 --> 00:36:43,239
Speaker 19: one girls ladies love cool Jack right.

862
00:36:44,320 --> 00:36:48,200
Speaker 1: It wasn't really not being true.

863
00:36:49,680 --> 00:36:52,000
Speaker 19: It didn't have to be that like people took that

864
00:36:52,080 --> 00:36:59,120
Speaker 19: a little. It just kind of worked out. It'll cool Jay.

865
00:37:00,000 --> 00:37:00,880
Speaker 19: I hope you know what I mean.

866
00:37:01,120 --> 00:37:03,480
Speaker 1: But you never rebelled against the sex symbol image I

867
00:37:03,520 --> 00:37:06,600
Speaker 1: saw like it. I mean, look, I made I need

868
00:37:06,719 --> 00:37:08,040
Speaker 1: love because I like girls.

869
00:37:08,080 --> 00:37:10,200
Speaker 19: I may like rock the bells because I like the

870
00:37:10,360 --> 00:37:13,359
Speaker 19: do the hard for me growing up, I like girls, right,

871
00:37:13,440 --> 00:37:16,000
Speaker 19: So putting I need love out me doing love songs

872
00:37:16,120 --> 00:37:18,360
Speaker 19: is the equivalent of me walking into projects with a

873
00:37:18,480 --> 00:37:19,240
Speaker 19: neck full of jury.

874
00:37:20,239 --> 00:37:21,000
Speaker 1: It's the same thing.

875
00:37:21,239 --> 00:37:24,239
Speaker 19: The strength isn't doing what you want to do true artistically,

876
00:37:24,360 --> 00:37:26,879
Speaker 19: that's where the strength is. I do what I want

877
00:37:26,960 --> 00:37:29,239
Speaker 19: to do artistically. I don't do what they say I

878
00:37:29,320 --> 00:37:32,200
Speaker 19: should do, because then I'm not being me, I'm fronting,

879
00:37:32,480 --> 00:37:33,399
Speaker 19: I'm being somebody else.

880
00:37:33,640 --> 00:37:36,120
Speaker 1: Right, So I think that you know, and I just say,

881
00:37:36,320 --> 00:37:37,200
Speaker 1: just a lot of.

882
00:37:37,280 --> 00:37:41,360
Speaker 19: Young men in general, never limit yourself to the perception

883
00:37:41,640 --> 00:37:43,400
Speaker 19: of what other people think you should be.

884
00:37:43,880 --> 00:37:46,319
Speaker 1: Don't limit yourself to that. Be yourself, all right?

885
00:37:46,400 --> 00:37:48,719
Speaker 2: We got more with ll cool J in the Roots

886
00:37:48,760 --> 00:37:50,799
Speaker 2: when we come back, don't move. It's the Breakfast Club,

887
00:37:50,840 --> 00:37:54,680
Speaker 2: Good morning owing everybody is DJ Envy Charlamagne to God.

888
00:37:54,719 --> 00:37:56,960
Speaker 2: We are the Breakfast Club's still kicking it with LL

889
00:37:57,080 --> 00:37:59,600
Speaker 2: cool J in the Roots. Does that have a baldy

890
00:37:59,640 --> 00:38:02,400
Speaker 2: with for y'all that you know, y'ell are so legendary

891
00:38:02,440 --> 00:38:04,400
Speaker 2: and hip hop, But people might not look at you

892
00:38:04,560 --> 00:38:06,160
Speaker 2: as a raper. They might just look at you as

893
00:38:06,160 --> 00:38:08,000
Speaker 2: an actor, or people might not look at y'all as

894
00:38:08,440 --> 00:38:11,040
Speaker 2: the Roots, as in a group, but just the guys

895
00:38:11,080 --> 00:38:14,880
Speaker 2: that we're being for tonight, you know, the younger generation especially, No, I.

896
00:38:14,880 --> 00:38:18,440
Speaker 22: Think there's value in that we've been able to reinvent

897
00:38:18,560 --> 00:38:22,000
Speaker 22: ourselves in a way that our brand has had, you know,

898
00:38:22,160 --> 00:38:26,120
Speaker 22: different iterations, different complete just lives. So the fact that yeah,

899
00:38:26,200 --> 00:38:28,080
Speaker 22: we've been on you know TV every day for the

900
00:38:28,160 --> 00:38:30,719
Speaker 22: past fifteen years, it's a whole demo. They only know

901
00:38:30,880 --> 00:38:34,040
Speaker 22: us from that, so that leaves a whole new space

902
00:38:34,080 --> 00:38:36,239
Speaker 22: for them to explore when they discover our body at work.

903
00:38:36,560 --> 00:38:38,560
Speaker 22: And then there's people who've been die hard fans of

904
00:38:38,680 --> 00:38:41,000
Speaker 22: you know, l L and the Roots forever who may

905
00:38:41,080 --> 00:38:44,000
Speaker 22: have lost track of our musical contributions along the way.

906
00:38:44,239 --> 00:38:46,879
Speaker 1: So I just appreciate the chance to sort of keep

907
00:38:46,960 --> 00:38:48,000
Speaker 1: reintroducing myself.

908
00:38:48,280 --> 00:38:49,840
Speaker 22: Me and Lle was just talking about how, you know,

909
00:38:49,920 --> 00:38:51,680
Speaker 22: you just pop out every now and then as an

910
00:38:51,760 --> 00:38:54,360
Speaker 22: artist to shut it down with those little, you know,

911
00:38:54,680 --> 00:38:56,879
Speaker 22: not not so gentle reminders, you know what I'm saying,

912
00:38:57,160 --> 00:38:58,800
Speaker 22: And you're good, and that's sort of how we navigate

913
00:38:58,840 --> 00:38:59,200
Speaker 22: the space.

914
00:38:59,480 --> 00:39:01,399
Speaker 19: And you know, the way I look at it as

915
00:39:01,760 --> 00:39:03,920
Speaker 19: it's just an opportunity, you know what I'm saying. It's

916
00:39:03,920 --> 00:39:06,080
Speaker 19: a beautiful opportunity to put you up on something new

917
00:39:06,520 --> 00:39:08,400
Speaker 19: and if you don't know, come find out, come to

918
00:39:08,480 --> 00:39:08,799
Speaker 19: the show.

919
00:39:09,040 --> 00:39:10,520
Speaker 1: You know, what I'm saying. That's why we're on tour.

920
00:39:10,880 --> 00:39:11,879
Speaker 1: You can come see some music.

921
00:39:11,920 --> 00:39:15,360
Speaker 19: It's multi generational, you know, just like the festival, multi generational.

922
00:39:15,480 --> 00:39:17,680
Speaker 19: So come out to the tour, come to the forth tour,

923
00:39:17,840 --> 00:39:19,520
Speaker 19: see what we're doing. You know what I'm saying, Get

924
00:39:19,560 --> 00:39:22,000
Speaker 19: put onto something new. It's that simple, you know what

925
00:39:22,000 --> 00:39:23,440
Speaker 19: I'm saying. If you don't know, come find out.

926
00:39:23,680 --> 00:39:25,840
Speaker 1: Is it true that Jimmy Fallon is paying the staff

927
00:39:25,840 --> 00:39:27,280
Speaker 1: out of the pocket? Why y'all all straight?

928
00:39:27,480 --> 00:39:29,200
Speaker 23: That's a no question, Like, let me check my check,

929
00:39:29,400 --> 00:39:31,920
Speaker 23: let me check my baby account right now that I

930
00:39:32,000 --> 00:39:33,239
Speaker 23: got like nineteen other jobs.

931
00:39:33,320 --> 00:39:38,479
Speaker 1: It's not like you know, no, no one is getting paid.

932
00:39:38,800 --> 00:39:41,200
Speaker 1: Uh after that, that's kind of a myth.

933
00:39:41,600 --> 00:39:43,759
Speaker 2: I was gonna ask, was there any at any point

934
00:39:43,760 --> 00:39:46,080
Speaker 2: of any of your lives did y'all lose love for

935
00:39:46,160 --> 00:39:48,480
Speaker 2: hip hop? Maybe it was the sound change, maybe it

936
00:39:48,680 --> 00:39:51,239
Speaker 2: was wasn't received the right way, or maybe it was

937
00:39:51,239 --> 00:39:53,719
Speaker 2: I'm getting money over here? Was there any time at

938
00:39:53,760 --> 00:39:54,200
Speaker 2: that at all?

939
00:39:54,760 --> 00:39:55,000
Speaker 9: For me?

940
00:39:55,320 --> 00:39:57,960
Speaker 19: No, because I'm getting money over here has nothing to

941
00:39:58,040 --> 00:39:59,719
Speaker 19: do with love and hip hop. I don't make rap

942
00:39:59,840 --> 00:40:02,000
Speaker 19: you music and do hip hop culture and rock the

943
00:40:02,080 --> 00:40:04,600
Speaker 19: bells and all this to make money, just survive.

944
00:40:04,760 --> 00:40:07,520
Speaker 23: Well, I will say that, you know, there's times if

945
00:40:07,560 --> 00:40:11,040
Speaker 23: you're creative and your passion turns into your livelihood, that

946
00:40:11,200 --> 00:40:13,520
Speaker 23: sometimes you might have to leave it for a second.

947
00:40:13,560 --> 00:40:16,320
Speaker 23: I mean there's definitely been moments where, like you know,

948
00:40:16,520 --> 00:40:19,719
Speaker 23: like he and I have put since ninety three, probably

949
00:40:19,840 --> 00:40:23,280
Speaker 23: somewhere between one hundred and fifty to two hundred shows

950
00:40:23,440 --> 00:40:26,080
Speaker 23: a year, you know what I mean, from ninety three

951
00:40:26,280 --> 00:40:28,759
Speaker 23: up until like when we start fouing two thousand and nine,

952
00:40:29,239 --> 00:40:32,320
Speaker 23: Like our lives was on a tour bus, and you know,

953
00:40:32,440 --> 00:40:34,440
Speaker 23: the grass is always green on the other side, and

954
00:40:34,560 --> 00:40:38,640
Speaker 23: so ding the Tonight show allowed us, especially to see

955
00:40:38,920 --> 00:40:41,880
Speaker 23: what other magical powers we had, like I didn't know, like, oh,

956
00:40:42,000 --> 00:40:44,680
Speaker 23: I could write books. And both of us are professors

957
00:40:44,760 --> 00:40:49,319
Speaker 23: at NYU. You know, he wrote a play, I did

958
00:40:49,400 --> 00:40:50,839
Speaker 23: a movie and all those other things.

959
00:40:50,920 --> 00:40:56,000
Speaker 19: So a small team man, not more than sparts, just curious,

960
00:40:56,239 --> 00:40:58,120
Speaker 19: like we're creat I think all of us are creatives.

961
00:40:58,239 --> 00:41:02,240
Speaker 23: And that's the thing, Like we're creatives that are discovering

962
00:41:02,280 --> 00:41:07,120
Speaker 23: that sometimes our talent is transferable to other mediums. In avenue,

963
00:41:07,200 --> 00:41:10,759
Speaker 23: like Tarik, he's a better cook. That's how I'll put him.

964
00:41:10,760 --> 00:41:15,160
Speaker 2: Against any three micheline star chef or black grandmother.

965
00:41:14,840 --> 00:41:18,560
Speaker 1: Or whatever about to have my now for real? Like

966
00:41:18,680 --> 00:41:24,680
Speaker 1: he's the Kings Gordon Ramsey, you wanted to smoke? Now

967
00:41:24,760 --> 00:41:27,960
Speaker 1: he's getting up before m You don't.

968
00:41:27,800 --> 00:41:30,600
Speaker 22: Think I cared. I catered for the roofs other night. Yeah,

969
00:41:30,640 --> 00:41:33,000
Speaker 22: I brought a bunch of grubs to it up to

970
00:41:33,120 --> 00:41:34,759
Speaker 22: rock the bell. So you I mean, you're go ahead

971
00:41:34,760 --> 00:41:35,479
Speaker 22: and tell him what I brought.

972
00:41:35,480 --> 00:41:36,000
Speaker 1: You know what I'm saying.

973
00:41:36,080 --> 00:41:40,920
Speaker 23: Yes, everything from crab legs to lobster, to Colin Greens

974
00:41:40,960 --> 00:41:44,080
Speaker 23: to like his cookie, But that's what I'm saying, like.

975
00:41:44,120 --> 00:41:47,879
Speaker 1: His c check all the box you left the ChIL Yeah, yeah,

976
00:41:50,080 --> 00:41:54,120
Speaker 1: I love the chillings on the grill. Be a moment

977
00:41:54,160 --> 00:41:57,080
Speaker 1: in your careers where y'all questioning things though, you know, yeah,

978
00:41:57,120 --> 00:42:00,520
Speaker 1: definitely there have been many moments, uh, and we're I've

979
00:42:00,640 --> 00:42:04,080
Speaker 1: questioned you know, myself and where we've questioned ourselves, you

980
00:42:04,120 --> 00:42:05,120
Speaker 1: know what I mean as a collective.

981
00:42:05,480 --> 00:42:08,279
Speaker 22: And you know, in those moments of pause, that's when

982
00:42:08,440 --> 00:42:10,440
Speaker 22: you're able to answer the call. And I think you know,

983
00:42:10,520 --> 00:42:13,520
Speaker 22: you just get those bursts of clarity. And it's been

984
00:42:13,560 --> 00:42:15,800
Speaker 22: a blessing that we've been able to reinvent ourselves, you know,

985
00:42:15,880 --> 00:42:17,759
Speaker 22: because yeah, you know, I just like I was saying,

986
00:42:17,800 --> 00:42:20,600
Speaker 22: I would be making music. I would be writing songs

987
00:42:20,680 --> 00:42:24,200
Speaker 22: and you know, creating art whether I was able to

988
00:42:24,560 --> 00:42:27,360
Speaker 22: you know, support myself and my family off it or not.

989
00:42:27,719 --> 00:42:29,600
Speaker 22: So it's a blessing, like you know, I mean, the

990
00:42:29,640 --> 00:42:32,920
Speaker 22: plus is that I'm also able to make a career

991
00:42:33,040 --> 00:42:34,680
Speaker 22: out of it, you know what I'm saying. But yeah,

992
00:42:34,719 --> 00:42:36,640
Speaker 22: there's been times that I've questioned, you know, like what

993
00:42:36,760 --> 00:42:38,680
Speaker 22: the next chapter will look like or what the next

994
00:42:39,000 --> 00:42:41,440
Speaker 22: you know, sort of act like three of my career,

995
00:42:41,880 --> 00:42:43,560
Speaker 22: you know, am I gonna be able to swing another?

996
00:42:43,960 --> 00:42:44,120
Speaker 8: You know?

997
00:42:44,280 --> 00:42:46,520
Speaker 22: Reinvention is those moments when you sort of listen to

998
00:42:46,560 --> 00:42:49,279
Speaker 22: the universe and you go with your heart and and

999
00:42:49,640 --> 00:42:50,600
Speaker 22: things become more clear.

1000
00:42:50,840 --> 00:42:53,239
Speaker 19: I mean, yeah, listen, man, It's always gonna be a

1001
00:42:53,320 --> 00:42:55,720
Speaker 19: time of life where you have doubts and you have concerns,

1002
00:42:55,760 --> 00:42:59,239
Speaker 19: and you have insecurities, and you feel like uncomfortable or

1003
00:42:59,320 --> 00:43:02,920
Speaker 19: discomfortable about certain things. But like like Tarik said, you know,

1004
00:43:03,040 --> 00:43:06,560
Speaker 19: answering that call and following your intuition, following that small

1005
00:43:06,640 --> 00:43:07,400
Speaker 19: voice inside of.

1006
00:43:07,400 --> 00:43:08,960
Speaker 1: You and go for it.

1007
00:43:09,400 --> 00:43:12,080
Speaker 19: You know, you can't be fearful in life. You can't

1008
00:43:12,080 --> 00:43:14,480
Speaker 19: be scary and you the person that has to be

1009
00:43:14,560 --> 00:43:15,759
Speaker 19: able to you have to be able to trust the

1010
00:43:15,840 --> 00:43:17,880
Speaker 19: most is yourself. And you have to be able to

1011
00:43:17,920 --> 00:43:22,680
Speaker 19: trust yourself in moments when you are susceptible to fear

1012
00:43:22,800 --> 00:43:25,120
Speaker 19: and weakness, and you just have to find that strength

1013
00:43:25,160 --> 00:43:25,960
Speaker 19: and keep moving through.

1014
00:43:26,200 --> 00:43:29,600
Speaker 2: You have times had been challenged and you throw shots,

1015
00:43:29,600 --> 00:43:32,399
Speaker 2: whether it's Mo d back and Day Cannabus or people

1016
00:43:32,480 --> 00:43:34,560
Speaker 2: even say, oh, have you ever ran into the people

1017
00:43:34,600 --> 00:43:37,480
Speaker 2: that you've ever had into a lyrical sparring? And is

1018
00:43:37,520 --> 00:43:39,520
Speaker 2: it all jokes and fun now or is it still

1019
00:43:39,640 --> 00:43:40,879
Speaker 2: like standolphish?

1020
00:43:41,239 --> 00:43:44,480
Speaker 19: Ain't no standoffish man, that's a spot. Okay, there's no time.

1021
00:43:44,520 --> 00:43:48,040
Speaker 1: I mean some dudes. Look, everybody's different, man. Some people,

1022
00:43:48,200 --> 00:43:50,680
Speaker 1: you know, it really bothers them, Like you know some

1023
00:43:50,800 --> 00:43:57,160
Speaker 1: people like post Jack the Ripper, right or post how

1024
00:43:57,200 --> 00:43:57,600
Speaker 1: you like me?

1025
00:43:57,760 --> 00:43:57,920
Speaker 8: Now?

1026
00:43:58,120 --> 00:44:01,360
Speaker 19: Like were you and d Ever in the room together

1027
00:44:01,520 --> 00:44:04,040
Speaker 19: at any of that those periods, like yeah, I walked

1028
00:44:04,080 --> 00:44:06,600
Speaker 19: out on stage of this concert before, like I'm crazy

1029
00:44:06,680 --> 00:44:10,640
Speaker 19: waiting what there was no there was no social media? Man, Yeah,

1030
00:44:11,560 --> 00:44:12,680
Speaker 19: we see each other.

1031
00:44:12,760 --> 00:44:13,320
Speaker 15: We laugh.

1032
00:44:14,719 --> 00:44:19,160
Speaker 1: When you walked out. What happened? Nothing that's ridiculous. L

1033
00:44:19,320 --> 00:44:20,680
Speaker 1: kind of pioneered the rap.

1034
00:44:21,520 --> 00:44:26,480
Speaker 2: Yes, well, yeah, you know, but then with cannabis. You

1035
00:44:26,560 --> 00:44:28,520
Speaker 2: know what I mean, have y'all left y'all spoken?

1036
00:44:28,719 --> 00:44:31,359
Speaker 1: Brought him out at Barclays when I perform. Remember that's right.

1037
00:44:31,600 --> 00:44:32,200
Speaker 1: You know what I'm saying.

1038
00:44:32,600 --> 00:44:34,160
Speaker 2: You know, I see and I see, we see pictures.

1039
00:44:34,360 --> 00:44:35,839
Speaker 1: I mean, yeah, we got the you know we're doing

1040
00:44:36,000 --> 00:44:38,360
Speaker 1: we got things we're doing now together. You know what

1041
00:44:38,400 --> 00:44:40,200
Speaker 1: about you and what was what was you in hohod?

1042
00:44:40,239 --> 00:44:41,880
Speaker 1: But I never understood that one either. That felt like

1043
00:44:42,000 --> 00:44:44,759
Speaker 1: just ego. I really, I honestly couldn't tell you, bro,

1044
00:44:45,040 --> 00:44:47,279
Speaker 1: I have no idea. All I know is it's all love.

1045
00:44:47,360 --> 00:44:48,840
Speaker 1: You know what I'm saying, Like you know, it's we

1046
00:44:48,960 --> 00:44:52,359
Speaker 1: Gucci like for real, like you know, you know listen, man,

1047
00:44:52,520 --> 00:44:55,040
Speaker 1: does a conversation make things straight or just over time?

1048
00:44:55,120 --> 00:44:56,919
Speaker 1: It just you realize it wasn't really about nothing.

1049
00:44:56,960 --> 00:44:58,880
Speaker 2: They said at the time that you didn't like him

1050
00:44:58,880 --> 00:45:00,480
Speaker 2: as president or death ya, and that's they said. It

1051
00:45:00,560 --> 00:45:01,120
Speaker 2: came from.

1052
00:45:02,560 --> 00:45:02,799
Speaker 1: Dude.

1053
00:45:04,480 --> 00:45:11,960
Speaker 21: Next question, y'all in the old street stuff and the

1054
00:45:12,000 --> 00:45:19,520
Speaker 21: stuff like streets, yea. Next question, I tell you like this,

1055
00:45:19,680 --> 00:45:21,440
Speaker 21: I tell you like this, man, You know, at the

1056
00:45:21,520 --> 00:45:23,600
Speaker 21: end of the day, I got love for everybody.

1057
00:45:23,719 --> 00:45:25,320
Speaker 1: You know what I'm saying. I just want to do

1058
00:45:25,520 --> 00:45:26,320
Speaker 1: great things.

1059
00:45:26,560 --> 00:45:26,680
Speaker 8: You know.

1060
00:45:26,760 --> 00:45:28,839
Speaker 19: As a matter of fact, I think there's a part

1061
00:45:28,880 --> 00:45:30,719
Speaker 19: in the show where I actually get into this stuff

1062
00:45:30,760 --> 00:45:32,520
Speaker 19: a little bit with a freestyle.

1063
00:45:32,920 --> 00:45:34,759
Speaker 1: So you know, people should just come to the show

1064
00:45:34,800 --> 00:45:36,680
Speaker 1: and check it out. And he how I address it,

1065
00:45:36,920 --> 00:45:37,680
Speaker 1: I will keep a lock.

1066
00:45:37,760 --> 00:45:39,200
Speaker 2: We got more with Lell and the Roots.

1067
00:45:39,200 --> 00:45:41,239
Speaker 1: It's the Breakfast Club the Morning about music and how

1068
00:45:41,280 --> 00:45:43,520
Speaker 1: do y'all feel about it? We all celebrating fifty years

1069
00:45:43,520 --> 00:45:47,160
Speaker 1: of hip hop. About icons that haven't gotten paid, like

1070
00:45:47,440 --> 00:45:50,520
Speaker 1: icons that really paved the way, laid this foundation, but

1071
00:45:50,640 --> 00:45:53,120
Speaker 1: they haven't gotten paid the way they feel like they should.

1072
00:45:53,360 --> 00:45:55,840
Speaker 23: You know, that's the that's the million dollar question in

1073
00:45:56,000 --> 00:45:58,680
Speaker 23: music industry because it happens with blues artists, is happening

1074
00:45:58,719 --> 00:46:00,680
Speaker 23: with my dad's generation.

1075
00:46:00,880 --> 00:46:04,160
Speaker 19: And you know, look, I started Rock the Bells as

1076
00:46:04,200 --> 00:46:08,680
Speaker 19: a company, right, so I gave DJ coolherk equity run.

1077
00:46:08,760 --> 00:46:13,040
Speaker 19: DMC has equity and Rock the Bell's ownership. Rock Sanne

1078
00:46:13,080 --> 00:46:16,480
Speaker 19: Chante has ownership, Big Daddy Kane has ownership, Salt and

1079
00:46:16,520 --> 00:46:17,480
Speaker 19: Pepper has ownership.

1080
00:46:18,480 --> 00:46:22,400
Speaker 1: Yeah, Eminem actually invested he wrote a check. He has some.

1081
00:46:22,840 --> 00:46:26,360
Speaker 19: Ernie Panacolea the photographer hip hop photographer, has ownership. I

1082
00:46:26,480 --> 00:46:29,560
Speaker 19: gave quite a few different people fab five Freddy as ownership.

1083
00:46:30,080 --> 00:46:34,359
Speaker 19: And because we've created such a high evaluation with Rock

1084
00:46:34,400 --> 00:46:36,880
Speaker 19: the Bells and what that's become, that equity is going

1085
00:46:36,960 --> 00:46:39,759
Speaker 19: to mean something for them in their states. So why

1086
00:46:39,800 --> 00:46:42,120
Speaker 19: did I answer like that? Because my thing is this,

1087
00:46:42,600 --> 00:46:44,759
Speaker 19: you don't get better, you get better. And instead of

1088
00:46:45,080 --> 00:46:47,480
Speaker 19: like when I felt like, oh, I don't feel like

1089
00:46:47,480 --> 00:46:49,879
Speaker 19: they play my music enough, I got my own channel right.

1090
00:46:50,000 --> 00:46:51,959
Speaker 19: But then I decided, you know what, it's not about

1091
00:46:52,000 --> 00:46:53,839
Speaker 19: me though, It's about the culture. So I'm gonna play.

1092
00:46:53,840 --> 00:46:55,600
Speaker 19: I'm not gonna be a pig. I'm a flipp it.

1093
00:46:55,719 --> 00:46:57,480
Speaker 19: I'm gonna make sure that I take care of everybody.

1094
00:46:57,680 --> 00:47:01,440
Speaker 19: So with Rock the Bells, that question is being answered

1095
00:47:01,480 --> 00:47:05,160
Speaker 19: through action. You feel what I'm saying. So that's how

1096
00:47:05,200 --> 00:47:06,800
Speaker 19: you deal with that, You know what I mean, Charlaman,

1097
00:47:06,920 --> 00:47:08,520
Speaker 19: That's how you deal with it. You don't deal with

1098
00:47:08,600 --> 00:47:11,640
Speaker 19: it by complaining and pulling out the world's smallest violin

1099
00:47:11,880 --> 00:47:13,920
Speaker 19: and just talking about how sad it is that it

1100
00:47:14,000 --> 00:47:14,560
Speaker 19: happened again.

1101
00:47:15,040 --> 00:47:16,640
Speaker 1: You do something about it. You know what I mean.

1102
00:47:17,239 --> 00:47:18,799
Speaker 23: And there are some things that have happened as well

1103
00:47:18,920 --> 00:47:21,759
Speaker 23: that well you'll know about later, like union or something

1104
00:47:22,000 --> 00:47:22,919
Speaker 23: you'll hear about it later.

1105
00:47:23,040 --> 00:47:25,160
Speaker 2: Now, what was your what was your most favorite hip

1106
00:47:25,160 --> 00:47:25,600
Speaker 2: hop moment?

1107
00:47:26,520 --> 00:47:26,800
Speaker 5: For me?

1108
00:47:27,239 --> 00:47:29,080
Speaker 1: You know, I mean there's been very many of them.

1109
00:47:29,320 --> 00:47:31,279
Speaker 22: A standout moment for me, like when I felt like

1110
00:47:31,320 --> 00:47:34,520
Speaker 22: I had arrived as an MC was many years ago?

1111
00:47:34,880 --> 00:47:37,359
Speaker 1: Was it ninety six? A great damn hip Hop? Ninety eight?

1112
00:47:37,400 --> 00:47:39,919
Speaker 1: When was that ninety post magazine show?

1113
00:47:40,120 --> 00:47:43,319
Speaker 23: Oh, double excel looten. It was the day we mastered

1114
00:47:43,400 --> 00:47:46,520
Speaker 23: things for all apart. It's like September twenty eight, nineteen

1115
00:47:46,600 --> 00:47:47,040
Speaker 23: ninety eight.

1116
00:47:47,640 --> 00:47:50,720
Speaker 22: So yeah, like in ninety eight, when you know everybody,

1117
00:47:50,719 --> 00:47:53,080
Speaker 22: they got all of hip hop essentially together, or at

1118
00:47:53,120 --> 00:47:56,200
Speaker 22: least you know, people who represented every genre, you know,

1119
00:47:56,400 --> 00:47:57,080
Speaker 22: every region.

1120
00:47:57,360 --> 00:47:59,240
Speaker 1: We all got together in Harlem and took a photo.

1121
00:48:00,239 --> 00:48:01,120
Speaker 1: Oh yeah, I remember that.

1122
00:48:01,200 --> 00:48:05,080
Speaker 22: I was based on the image that Goring Parks took, uh,

1123
00:48:05,200 --> 00:48:07,640
Speaker 22: you know years ago. That was a great day in

1124
00:48:07,800 --> 00:48:10,279
Speaker 22: jazz where you know, all the jazz musicians took the

1125
00:48:10,360 --> 00:48:13,160
Speaker 22: same photo on these uh in front of these brownstones

1126
00:48:13,200 --> 00:48:13,920
Speaker 22: and Harlem.

1127
00:48:14,000 --> 00:48:16,560
Speaker 1: And I had to step out right before this photo

1128
00:48:16,719 --> 00:48:17,080
Speaker 1: was taken.

1129
00:48:17,160 --> 00:48:20,120
Speaker 22: I had to step out to like one like use

1130
00:48:20,160 --> 00:48:22,400
Speaker 22: the bathroom soon and I left and when I came

1131
00:48:22,480 --> 00:48:24,080
Speaker 22: back there was ready to take the picture. So I'm like,

1132
00:48:24,160 --> 00:48:26,120
Speaker 22: you know, excuse me, like ushering my way back through

1133
00:48:26,160 --> 00:48:28,000
Speaker 22: the crowd because I think what they had the roots

1134
00:48:28,160 --> 00:48:31,239
Speaker 22: was way in the nosebleeds of this image and that

1135
00:48:31,680 --> 00:48:33,359
Speaker 22: you know, making my way back up to the top,

1136
00:48:33,400 --> 00:48:35,360
Speaker 22: I bumped in a rock camp, you know, when it

1137
00:48:35,440 --> 00:48:38,120
Speaker 22: was my first time meeting him in person. And when

1138
00:48:38,160 --> 00:48:39,759
Speaker 22: he looked at he had like a hoodie on. You know,

1139
00:48:39,840 --> 00:48:41,879
Speaker 22: I ain't know who I bumped into. When I looked

1140
00:48:41,880 --> 00:48:43,560
Speaker 22: at dude, it was like a druid or somebody. And

1141
00:48:43,640 --> 00:48:45,640
Speaker 22: he lift his head up, pulled the hoodie back. He

1142
00:48:45,719 --> 00:48:48,440
Speaker 22: was like, oh you and he was he was like

1143
00:48:48,560 --> 00:48:50,239
Speaker 22: more excited to meet me. And I was like, yo,

1144
00:48:50,440 --> 00:48:52,719
Speaker 22: like I must be that dude like yeah, you know,

1145
00:48:53,480 --> 00:48:54,600
Speaker 22: like you know what I'm saying.

1146
00:48:54,680 --> 00:48:56,399
Speaker 1: And uh yeah, that was That was a huge moment

1147
00:48:56,440 --> 00:48:56,600
Speaker 1: for me.

1148
00:48:56,680 --> 00:48:56,799
Speaker 8: Man.

1149
00:48:56,840 --> 00:48:58,160
Speaker 22: I went back up there and you know, I took

1150
00:48:58,239 --> 00:49:00,480
Speaker 22: I took the pic, and uh that think things have

1151
00:49:00,520 --> 00:49:01,960
Speaker 22: never been the same for me.

1152
00:49:02,920 --> 00:49:05,440
Speaker 19: I think the biggest moment in hip hop for me

1153
00:49:05,560 --> 00:49:08,279
Speaker 19: in my entire career. The moment that like really it

1154
00:49:08,400 --> 00:49:23,160
Speaker 19: was they called me bigen yo want to I want

1155
00:49:23,160 --> 00:49:25,080
Speaker 19: to see that and that was a moment talk about

1156
00:49:25,200 --> 00:49:26,680
Speaker 19: I mean that big elle moment.

1157
00:49:26,840 --> 00:49:28,080
Speaker 1: Listen, I want to talk.

1158
00:49:28,120 --> 00:49:30,400
Speaker 22: I want to talk about just how fun it is,

1159
00:49:30,640 --> 00:49:33,120
Speaker 22: you know for me as an artist, as someone you

1160
00:49:33,200 --> 00:49:35,800
Speaker 22: know who came up just quoting all these lyrics to

1161
00:49:36,000 --> 00:49:38,560
Speaker 22: what you know, to have a chance to support my heroes,

1162
00:49:38,560 --> 00:49:40,880
Speaker 22: you know what I mean. It's always a full circle

1163
00:49:40,960 --> 00:49:42,680
Speaker 22: moment for me when I get up there and I

1164
00:49:42,960 --> 00:49:44,719
Speaker 22: get to sort of play the support and role to

1165
00:49:44,840 --> 00:49:47,560
Speaker 22: an l L or a cane or cam or you know.

1166
00:49:47,560 --> 00:49:48,000
Speaker 1: What I'm saying.

1167
00:49:49,360 --> 00:49:51,000
Speaker 2: Yea is huge for me.

1168
00:49:51,040 --> 00:49:53,440
Speaker 19: It's not you know what's impressive though, What suppressive is

1169
00:49:53,560 --> 00:49:56,560
Speaker 19: you know everybody's catalog have you have? You have a

1170
00:49:56,600 --> 00:50:00,600
Speaker 19: photographic memory and you sound great and you know it's

1171
00:50:00,719 --> 00:50:03,200
Speaker 19: like it comes natural. So it's like you're a pro,

1172
00:50:03,520 --> 00:50:06,080
Speaker 19: you know what I mean. So you know, and you

1173
00:50:06,120 --> 00:50:07,839
Speaker 19: got a why mic is still can stay out the way.

1174
00:50:08,000 --> 00:50:10,680
Speaker 19: So that's some rips, like you know, you know, everybody

1175
00:50:10,719 --> 00:50:12,320
Speaker 19: don't know how to do that, Like I'm used to that,

1176
00:50:12,800 --> 00:50:14,799
Speaker 19: you know what I mean. So it's like those kinds

1177
00:50:14,800 --> 00:50:17,480
Speaker 19: of things like, I mean, look, I love working with them.

1178
00:50:17,760 --> 00:50:19,160
Speaker 19: I love the what we're doing.

1179
00:50:19,560 --> 00:50:19,719
Speaker 8: You know.

1180
00:50:19,920 --> 00:50:22,040
Speaker 19: I think that when people come and see this tour

1181
00:50:22,360 --> 00:50:24,839
Speaker 19: and see how we're doing it, the guests we bring

1182
00:50:24,920 --> 00:50:27,680
Speaker 19: in and out depending on what city where Queen Latife

1183
00:50:27,760 --> 00:50:30,400
Speaker 19: or a method man of Red Man or Juvenile or

1184
00:50:30,480 --> 00:50:33,000
Speaker 19: even Iced Tea. He got some dates on the tour.

1185
00:50:33,040 --> 00:50:35,319
Speaker 19: He's gonna be out there with me on stage. I mean,

1186
00:50:35,400 --> 00:50:37,320
Speaker 19: so many different acts that will be on the stage.

1187
00:50:37,560 --> 00:50:39,040
Speaker 19: I think people are going to be blown away.

1188
00:50:39,480 --> 00:50:42,800
Speaker 1: How stressful was putting together the fiftieth anniversary tribute for

1189
00:50:42,880 --> 00:50:46,200
Speaker 1: the Grammys, Because I know.

1190
00:50:46,280 --> 00:50:58,440
Speaker 23: You, Ques, I put it this way to the artists

1191
00:50:58,600 --> 00:51:03,080
Speaker 23: dropped out in our before taping. And the thing is

1192
00:51:03,280 --> 00:51:06,719
Speaker 23: is that it's so tightly choreographed that you're not just

1193
00:51:06,880 --> 00:51:10,200
Speaker 23: dealing with like we make it look easy, like okay,

1194
00:51:10,280 --> 00:51:11,759
Speaker 23: that I is not here right now, so let's just

1195
00:51:11,800 --> 00:51:12,399
Speaker 23: skip his part.

1196
00:51:12,920 --> 00:51:14,319
Speaker 1: No, because the show is live.

1197
00:51:14,840 --> 00:51:17,799
Speaker 23: So this means that now I personally have to run

1198
00:51:18,520 --> 00:51:22,120
Speaker 23: to the light people to tell them, Yo, the seven

1199
00:51:22,200 --> 00:51:25,799
Speaker 23: minute and thirteen second portion untill eight twenty three is out.

1200
00:51:26,080 --> 00:51:28,400
Speaker 23: While they're doing the show live doing commercial breaks, they

1201
00:51:28,440 --> 00:51:30,360
Speaker 23: have to now edit. Then you have to run to

1202
00:51:30,440 --> 00:51:33,359
Speaker 23: the dancers and tell them, hey, guys, bad news, blah

1203
00:51:33,400 --> 00:51:35,560
Speaker 23: blah blah blah blah's not here anymore. So and they're

1204
00:51:35,560 --> 00:51:38,120
Speaker 23: all like dejected, like I hadn't It was the most

1205
00:51:38,239 --> 00:51:40,920
Speaker 23: magiver thing I ever did in my life, where and

1206
00:51:41,000 --> 00:51:44,120
Speaker 23: it still came off like I wasn't even aware that

1207
00:51:44,640 --> 00:51:47,880
Speaker 23: lul Uzivert had got my text for him to come

1208
00:51:47,920 --> 00:51:50,759
Speaker 23: on stage to do that. So I'm thinking, I don't

1209
00:51:50,760 --> 00:51:52,680
Speaker 23: know if you remember Purple Range when like Prince stormed

1210
00:51:52,680 --> 00:51:54,640
Speaker 23: off stage after Prople Rain because he thought like he

1211
00:51:55,840 --> 00:51:57,279
Speaker 23: like I was about to have a panic attack, like

1212
00:51:57,320 --> 00:51:59,680
Speaker 23: it's over, It's over, and all the roots are celebrating.

1213
00:51:59,719 --> 00:52:02,520
Speaker 1: I'm like, wait, what do you war? And they're looking

1214
00:52:02,560 --> 00:52:04,480
Speaker 1: on Twitter like you see this, and I was like, wait,

1215
00:52:04,719 --> 00:52:05,480
Speaker 1: was he was on stage?

1216
00:52:06,000 --> 00:52:09,000
Speaker 23: Only because only because where I was positioned, I couldn't

1217
00:52:09,040 --> 00:52:12,640
Speaker 23: see my like couldn't see if he actually like.

1218
00:52:12,760 --> 00:52:14,920
Speaker 22: Literally I will say, yeah, the way the stage of

1219
00:52:14,960 --> 00:52:16,799
Speaker 22: the Grammys this year was set up, it was two

1220
00:52:16,840 --> 00:52:18,040
Speaker 22: complete different stages.

1221
00:52:18,280 --> 00:52:20,880
Speaker 1: Yeah, you know, so like half this band was, you know,

1222
00:52:21,360 --> 00:52:24,399
Speaker 1: essentially in a different room. So it came off.

1223
00:52:24,640 --> 00:52:26,719
Speaker 23: But just as the person who was the traffic cop

1224
00:52:26,960 --> 00:52:29,000
Speaker 23: making up for you know, okay, we gotta skip this

1225
00:52:29,120 --> 00:52:29,920
Speaker 23: on that or whatever.

1226
00:52:30,160 --> 00:52:31,200
Speaker 2: Like it was a difficult one.

1227
00:52:31,280 --> 00:52:33,160
Speaker 19: It was a hell Mary throw and then you know

1228
00:52:33,480 --> 00:52:35,440
Speaker 19: you can called it. You gotta talk to people. You know,

1229
00:52:35,560 --> 00:52:38,120
Speaker 19: some people you have to like rub lavender synth under

1230
00:52:38,120 --> 00:52:39,319
Speaker 19: they know was another dude.

1231
00:52:39,920 --> 00:52:42,480
Speaker 1: Goddamn, he needs a black couple of black coffee.

1232
00:52:42,800 --> 00:52:45,160
Speaker 19: This one over here, you gotta put your thumb right

1233
00:52:45,200 --> 00:52:47,600
Speaker 19: on his trap right if you talk to him. This

1234
00:52:47,760 --> 00:52:50,959
Speaker 19: one you gotta pay. You gotta snap your fingers. He's okay, okay,

1235
00:52:51,160 --> 00:52:52,800
Speaker 19: you know what I mean. So it's like, you know,

1236
00:52:53,040 --> 00:52:55,000
Speaker 19: somebody is distracted, you know what I mean.

1237
00:52:55,120 --> 00:52:57,200
Speaker 1: I feel like an impossible show to do, though, because

1238
00:52:57,200 --> 00:52:58,920
Speaker 1: you're going to miss people, and people are gonna get

1239
00:53:00,080 --> 00:53:01,040
Speaker 1: recommended me.

1240
00:53:01,200 --> 00:53:03,320
Speaker 23: Well, now I don't recommend it. I just recommend that

1241
00:53:03,440 --> 00:53:05,279
Speaker 23: you you make sure that you know what you're getting too.

1242
00:53:05,480 --> 00:53:07,520
Speaker 23: Because back in November I was like, oh yeah, I

1243
00:53:07,560 --> 00:53:09,600
Speaker 23: want to do this, and then by January I was like,

1244
00:53:10,880 --> 00:53:11,799
Speaker 23: I see what y'all did.

1245
00:53:12,520 --> 00:53:14,120
Speaker 1: Now, y'all good guy, not nice guy?

1246
00:53:14,239 --> 00:53:14,319
Speaker 8: Right.

1247
00:53:15,040 --> 00:53:17,840
Speaker 19: We knew in advance we couldn't have everybody. It'd be

1248
00:53:17,920 --> 00:53:20,360
Speaker 19: ten thousand people. We can't do ten thousand songs in

1249
00:53:20,440 --> 00:53:20,680
Speaker 19: a row.

1250
00:53:20,760 --> 00:53:23,160
Speaker 23: Yeah, my first draft was like twenty eight minutes because

1251
00:53:23,160 --> 00:53:25,840
Speaker 23: I included everybody, you know what I mean? So you

1252
00:53:25,920 --> 00:53:27,520
Speaker 23: know it was supposed to be eleven minutes, and we

1253
00:53:27,680 --> 00:53:29,600
Speaker 23: fought hard for those thirteen minutes.

1254
00:53:29,520 --> 00:53:31,520
Speaker 19: Like we just and you got to remember how many

1255
00:53:31,560 --> 00:53:33,560
Speaker 19: millions of dollars those minutes costs. Right, you know what

1256
00:53:33,600 --> 00:53:36,120
Speaker 19: I'm saying, question, we're doing right by a culture, and

1257
00:53:36,200 --> 00:53:39,520
Speaker 19: that's the thing. Quest Look did a massive job orchestrating it,

1258
00:53:39,640 --> 00:53:41,040
Speaker 19: kind of moving these pieces around.

1259
00:53:41,200 --> 00:53:44,279
Speaker 1: You know what I'm saying, Like you gotta have you know,

1260
00:53:45,120 --> 00:53:46,040
Speaker 1: you do the best you can.

1261
00:53:46,480 --> 00:53:46,600
Speaker 5: Right.

1262
00:53:46,800 --> 00:53:49,560
Speaker 19: We knew we couldn't please everybody, you know, he did,

1263
00:53:49,680 --> 00:53:51,560
Speaker 19: he did, He went, He did everything within his power

1264
00:53:51,640 --> 00:53:54,520
Speaker 19: to make sure that everybody was represented on some level,

1265
00:53:54,560 --> 00:53:57,640
Speaker 19: everybody from Chuck D to Blow Riller and little.

1266
00:53:57,440 --> 00:53:59,279
Speaker 1: Baby I will keep a lock.

1267
00:53:59,320 --> 00:54:00,759
Speaker 2: We got more with the roots.

1268
00:54:00,800 --> 00:54:02,280
Speaker 1: It's the Breakfast Club, Good Morning.

1269
00:54:02,160 --> 00:54:05,680
Speaker 2: And everybody is DJ Envy Charlamagne, the god we are.

1270
00:54:05,760 --> 00:54:08,000
Speaker 2: The Breakfast Club was still kicking it with LL cool

1271
00:54:08,080 --> 00:54:09,920
Speaker 2: J in the Roots, Charlamagne.

1272
00:54:10,080 --> 00:54:12,239
Speaker 1: How do y'all feel about lists? Because Billboard had y'all

1273
00:54:12,320 --> 00:54:16,520
Speaker 1: ranked number ten group of all time. Really yeah, ll

1274
00:54:16,760 --> 00:54:20,319
Speaker 1: had you ranked number fourteen of the top rappers ever

1275
00:54:20,480 --> 00:54:24,200
Speaker 1: and you coined the term goat, But for some reason

1276
00:54:24,280 --> 00:54:27,560
Speaker 1: your name doesn't always get put in those goat conversations?

1277
00:54:27,600 --> 00:54:27,920
Speaker 1: How did that?

1278
00:54:27,960 --> 00:54:30,480
Speaker 19: Because he's too good? People can never look at well,

1279
00:54:30,560 --> 00:54:32,279
Speaker 19: you know, you know, I guess I just got to

1280
00:54:32,360 --> 00:54:34,000
Speaker 19: do something about it. You know, I guess that just

1281
00:54:34,080 --> 00:54:35,840
Speaker 19: means I got some work to do, you know what

1282
00:54:35,880 --> 00:54:37,880
Speaker 19: I mean. I guess that's what it means. I mean,

1283
00:54:38,120 --> 00:54:39,760
Speaker 19: I could sit here and come up with a thousand

1284
00:54:39,800 --> 00:54:41,960
Speaker 19: different excuses, but at the end of the day, I

1285
00:54:42,000 --> 00:54:43,760
Speaker 19: guess my job is to change that narrative.

1286
00:54:44,120 --> 00:54:47,640
Speaker 1: So yeah, to be continued for me, man Like, I'm

1287
00:54:47,680 --> 00:54:49,200
Speaker 1: not you know, I'm fine.

1288
00:54:49,400 --> 00:54:52,560
Speaker 22: Like whoever, when I do fall like on those lists,

1289
00:54:53,000 --> 00:54:56,359
Speaker 22: it's always, you know, just an honor to be held

1290
00:54:56,400 --> 00:54:57,680
Speaker 22: in the company that I'm held in.

1291
00:54:57,760 --> 00:54:59,720
Speaker 1: You know what I'm saying. It's never any other artists

1292
00:54:59,719 --> 00:55:02,200
Speaker 1: on them list that I don't feel, you know, deserve it.

1293
00:55:02,680 --> 00:55:04,000
Speaker 1: But you know where you rank.

1294
00:55:04,480 --> 00:55:06,480
Speaker 22: I think that you know, it's relative, and I think

1295
00:55:06,560 --> 00:55:09,320
Speaker 22: that you know it varies from person to person, different

1296
00:55:09,360 --> 00:55:12,200
Speaker 22: folks opinions. Yeah, I know, I'm I'm a force to

1297
00:55:12,239 --> 00:55:15,120
Speaker 22: be reckoning with. I know everybody know that, so I'm

1298
00:55:15,200 --> 00:55:16,120
Speaker 22: fine with it, you know.

1299
00:55:16,400 --> 00:55:18,160
Speaker 19: Yeah, And you know the other thing I would add

1300
00:55:18,239 --> 00:55:20,520
Speaker 19: is that I think this is an overused term, but

1301
00:55:20,840 --> 00:55:22,000
Speaker 19: in my cases, I'm different.

1302
00:55:22,480 --> 00:55:25,080
Speaker 1: Yeah, you know what I'm saying the fact I really am.

1303
00:55:25,760 --> 00:55:28,440
Speaker 19: So it's like if they don't understand, like how much

1304
00:55:28,480 --> 00:55:30,640
Speaker 19: I changed the world, if you wasn't there, you just

1305
00:55:30,719 --> 00:55:33,480
Speaker 19: don't understand that. Like you have to remember that just

1306
00:55:33,560 --> 00:55:36,120
Speaker 19: with death Jam alone. Name the artists that will signed

1307
00:55:36,120 --> 00:55:37,200
Speaker 19: the death gam over time.

1308
00:55:39,160 --> 00:55:39,600
Speaker 1: Name five.

1309
00:55:48,719 --> 00:55:51,000
Speaker 19: So let's stop right there, right. So, I'm the first

1310
00:55:51,080 --> 00:55:53,520
Speaker 19: artist on death Jam. It was a production company, Tela Rock.

1311
00:55:53,640 --> 00:55:55,400
Speaker 19: I'm the first artist. I put the label on my

1312
00:55:55,480 --> 00:55:57,760
Speaker 19: back and I got us the distribution deal with my album.

1313
00:55:59,120 --> 00:56:03,239
Speaker 19: What are we talking about? What are we really talking

1314
00:56:03,239 --> 00:56:03,560
Speaker 19: about it?

1315
00:56:03,960 --> 00:56:07,320
Speaker 1: Like, so that's putting the work into really be a pillow.

1316
00:56:07,480 --> 00:56:09,799
Speaker 2: I gotta ask Mount Rushmore of hip hop to y'all,

1317
00:56:10,080 --> 00:56:11,640
Speaker 2: who would be the four faces on that?

1318
00:56:12,920 --> 00:56:15,480
Speaker 1: Not even personally? You can't be personal. And we're telling

1319
00:56:15,520 --> 00:56:18,600
Speaker 1: me those people that put hisself on I mean you,

1320
00:56:18,640 --> 00:56:20,320
Speaker 1: I'm just saying, like your personal favorites, like in the

1321
00:56:20,400 --> 00:56:22,719
Speaker 1: future when we're not here and somebody looking like, who

1322
00:56:22,760 --> 00:56:27,160
Speaker 1: are those people? They call me big man? All right,

1323
00:56:27,280 --> 00:56:31,400
Speaker 1: So my as as as a music.

1324
00:56:31,280 --> 00:56:36,320
Speaker 23: Lover DJ and a producer, my mount Rushmore of albums

1325
00:56:36,600 --> 00:56:40,800
Speaker 23: would probably be Nation of Millions, three ft I and Rising,

1326
00:56:41,200 --> 00:56:47,200
Speaker 23: and then the thirty six and probably lastly I might

1327
00:56:47,320 --> 00:56:52,520
Speaker 23: say Midnight Marauders. Like those four records sort of informed

1328
00:56:52,600 --> 00:56:54,560
Speaker 23: me to go deep into the culture and actually to

1329
00:56:54,640 --> 00:56:55,360
Speaker 23: get my own career.

1330
00:56:55,640 --> 00:56:59,080
Speaker 1: So look, man, I just keep it, keep it simple

1331
00:56:59,160 --> 00:56:59,360
Speaker 1: to me.

1332
00:56:59,760 --> 00:57:01,759
Speaker 19: When you talk about like a real rush More and

1333
00:57:01,840 --> 00:57:03,960
Speaker 19: you talk about the shaping of the culture, you have

1334
00:57:04,080 --> 00:57:07,040
Speaker 19: to look at its first principles. You know, it's like

1335
00:57:07,080 --> 00:57:09,440
Speaker 19: anything else, you break it down the first principles, right,

1336
00:57:09,760 --> 00:57:12,640
Speaker 19: you know, you gotta put DJ cool Hirk. He ain't

1337
00:57:12,680 --> 00:57:16,160
Speaker 19: on Rushmore. I just he just started it. No big deal,

1338
00:57:16,720 --> 00:57:19,680
Speaker 19: no big deal. This is something I did, Okay. And

1339
00:57:19,760 --> 00:57:22,840
Speaker 19: then you have to put run DMC up up there

1340
00:57:22,920 --> 00:57:25,280
Speaker 19: because they kicked down the doors and the walls, and

1341
00:57:25,640 --> 00:57:27,400
Speaker 19: you know, put me on there back to a certain

1342
00:57:27,440 --> 00:57:29,320
Speaker 19: stand as well. And I was the solo guy who

1343
00:57:29,360 --> 00:57:32,160
Speaker 19: went out there, got shot out of that cannon. And

1344
00:57:32,280 --> 00:57:35,520
Speaker 19: then you have to put Flash and mail Flash because

1345
00:57:35,960 --> 00:57:39,320
Speaker 19: he made us dream of the culture, the DJ, the

1346
00:57:39,520 --> 00:57:42,680
Speaker 19: art of the DJ, the idea that a DJ could

1347
00:57:42,720 --> 00:57:44,320
Speaker 19: affect culture and move culture.

1348
00:57:44,360 --> 00:57:45,240
Speaker 1: Flash made us do that.

1349
00:57:45,480 --> 00:57:47,520
Speaker 19: And then you gotta say mal because he was the

1350
00:57:47,600 --> 00:57:51,640
Speaker 19: first original prolific writer. Like those are the core, you

1351
00:57:51,680 --> 00:57:53,160
Speaker 19: know what I'm saying. You have a couple of others,

1352
00:57:53,240 --> 00:57:55,560
Speaker 19: but like that core, right there is the real core.

1353
00:57:55,760 --> 00:57:58,880
Speaker 19: Anything after that fan based this. You know, it's based

1354
00:57:58,920 --> 00:58:00,720
Speaker 19: on oh he made money or oh he had a

1355
00:58:00,760 --> 00:58:03,760
Speaker 19: lot of platinum albums. Oh he got people to change

1356
00:58:03,800 --> 00:58:06,600
Speaker 19: their shirts. Oh yo that he got you know, all

1357
00:58:06,680 --> 00:58:10,960
Speaker 19: of that is cool, but DJ cool, Hirk Run, DMC, Grandmaster,

1358
00:58:11,040 --> 00:58:12,200
Speaker 19: Flash and Mail.

1359
00:58:12,520 --> 00:58:14,840
Speaker 1: You removed that and like what you got?

1360
00:58:15,200 --> 00:58:15,400
Speaker 2: Yeah?

1361
00:58:15,760 --> 00:58:18,920
Speaker 1: For me, I think it boils down to, uh, just

1362
00:58:19,240 --> 00:58:22,760
Speaker 1: who had the most impact, you know, upon my craft.

1363
00:58:23,280 --> 00:58:25,760
Speaker 1: So I get props to you know, the the L's

1364
00:58:25,840 --> 00:58:28,280
Speaker 1: and you know the BC Boys and the Chuck D's

1365
00:58:28,320 --> 00:58:31,360
Speaker 1: and even running them even though they weren't depth jam artists,

1366
00:58:31,360 --> 00:58:33,840
Speaker 1: but that whole first wave of depth jam artists were

1367
00:58:33,880 --> 00:58:36,560
Speaker 1: the first people that I heard had that rush roster.

1368
00:58:36,880 --> 00:58:39,880
Speaker 1: They had that powerful cadence that was just different from

1369
00:58:39,920 --> 00:58:42,480
Speaker 1: with mel and Curtis Blow and everybody was doing you

1370
00:58:42,560 --> 00:58:44,320
Speaker 1: know what I'm saying, run DMC. You know what I'm saying.

1371
00:58:44,320 --> 00:58:47,600
Speaker 22: They came out like wolves going on here el cool,

1372
00:58:47,640 --> 00:58:50,160
Speaker 22: then chuck d you know what I mean, yelling. There

1373
00:58:50,280 --> 00:58:52,240
Speaker 22: was the yelling, so it was you know, that was

1374
00:58:52,360 --> 00:58:54,640
Speaker 22: like wow, like they had arrived. They you know, changed

1375
00:58:54,960 --> 00:58:56,920
Speaker 22: the way I wrote. You know what I'm saying. After

1376
00:58:56,960 --> 00:58:59,760
Speaker 22: I was exposed to that, did you ever write for.

1377
00:58:59,760 --> 00:59:04,400
Speaker 2: You, collabor collaborate on You can still tap this joke me,

1378
00:59:04,480 --> 00:59:05,360
Speaker 2: you can still tape?

1379
00:59:07,200 --> 00:59:10,480
Speaker 1: No no, no, no no, Now. We never did any

1380
00:59:10,600 --> 00:59:12,680
Speaker 1: music together. I saw this on the internet. Somebody said

1381
00:59:12,680 --> 00:59:15,280
Speaker 1: around that time, Cube was helping you. You know what,

1382
00:59:15,400 --> 00:59:16,000
Speaker 1: people have this.

1383
00:59:16,240 --> 00:59:18,840
Speaker 19: You know, you know people, they got a lot of stories, bro,

1384
00:59:19,080 --> 00:59:20,400
Speaker 19: They come up with a lot of stories, you know

1385
00:59:20,440 --> 00:59:23,200
Speaker 19: what I mean. Hey, Hey, hey, Michael Jordan, did uh

1386
00:59:24,800 --> 00:59:26,680
Speaker 19: somebody ever bounced the ball for you and shoot your

1387
00:59:26,760 --> 00:59:29,280
Speaker 19: jump shot for you? Like, no, I shot the jump shot.

1388
00:59:29,560 --> 00:59:29,840
Speaker 1: Listen.

1389
00:59:30,000 --> 00:59:32,880
Speaker 19: I'm not above collaborating on a chorus or working on

1390
00:59:33,000 --> 00:59:34,840
Speaker 19: something like I'm not I'm not picky like that. If

1391
00:59:34,840 --> 00:59:36,560
Speaker 19: I was writing a rhyme and somebody said, YO said

1392
00:59:36,560 --> 00:59:38,000
Speaker 19: a word, I'd be like, all right, I like that word.

1393
00:59:38,160 --> 00:59:40,760
Speaker 1: I'm cool with that. But you know, I write my songs.

1394
00:59:41,120 --> 00:59:42,720
Speaker 1: You know what I'm saying. I have to because it

1395
00:59:42,800 --> 00:59:43,520
Speaker 1: has to come from me.

1396
00:59:44,040 --> 00:59:46,800
Speaker 19: And if you collaborate too much on at least from

1397
00:59:47,240 --> 00:59:49,800
Speaker 19: LL cool J fans, If I collaborated too much with

1398
00:59:49,920 --> 00:59:53,280
Speaker 19: somebody on writing, it would affect what they're listening to.

1399
00:59:53,400 --> 00:59:55,760
Speaker 19: It wouldn't sound like me, you know what I mean,

1400
00:59:55,880 --> 00:59:58,400
Speaker 19: because they are very unique things to LL cool J.

1401
00:59:58,640 --> 01:00:00,040
Speaker 19: So I'll give you I'll give you an example. So

1402
01:00:00,520 --> 01:00:03,360
Speaker 19: I tried to do a more collaborative writing album. I

1403
01:00:03,440 --> 01:00:06,800
Speaker 19: did a whole album with fifty Cents and we were

1404
01:00:06,800 --> 01:00:09,280
Speaker 19: writing together on this album. And when it was done,

1405
01:00:09,320 --> 01:00:11,840
Speaker 19: I listened to it. I'm like, it sounds good. I

1406
01:00:12,000 --> 01:00:14,120
Speaker 19: like the music, the rhymes, it sounds.

1407
01:00:13,920 --> 01:00:15,520
Speaker 1: Cool, but it ain't me.

1408
01:00:16,160 --> 01:00:18,360
Speaker 19: So I didn't put it out. It wasn't nothing against fifty.

1409
01:00:18,360 --> 01:00:20,880
Speaker 19: I love fifty. I just wanted to try something different.

1410
01:00:20,960 --> 01:00:23,480
Speaker 19: Maybe we collaborate right together. It didn't work. I think

1411
01:00:23,480 --> 01:00:25,160
Speaker 19: you think Paradise was this O no, no, no, no.

1412
01:00:25,360 --> 01:00:28,880
Speaker 19: Paradise is totally different. Fifty wrote the chorus on Paradise

1413
01:00:29,040 --> 01:00:32,520
Speaker 19: for a Marie what she sung. He didn't write my rhymes,

1414
01:00:33,040 --> 01:00:34,360
Speaker 19: you know what I mean? Like people get that a

1415
01:00:34,360 --> 01:00:37,080
Speaker 19: little you know what I'm saying. That being said when

1416
01:00:37,120 --> 01:00:39,160
Speaker 19: that happened, I didn't even know fifty was involved. That

1417
01:00:39,280 --> 01:00:42,760
Speaker 19: was the track masters. They got that done right and

1418
01:00:42,800 --> 01:00:43,720
Speaker 19: they played it with the chorus.

1419
01:00:43,760 --> 01:00:46,400
Speaker 1: I liked it, etc. You know, we tried to work

1420
01:00:46,440 --> 01:00:48,680
Speaker 1: together and that's my man. You know what I'm saying.

1421
01:00:48,680 --> 01:00:51,680
Speaker 19: We real cool, But the collaborative thing when it comes

1422
01:00:51,720 --> 01:00:53,360
Speaker 19: to my verses, that doesn't work for me.

1423
01:00:53,520 --> 01:00:56,080
Speaker 1: And you know, I'm kind of like, it's funny when

1424
01:00:56,080 --> 01:00:57,000
Speaker 1: you do this a long time.

1425
01:00:57,080 --> 01:00:59,520
Speaker 19: The longer you do this, the more people does he

1426
01:00:59,600 --> 01:01:02,000
Speaker 19: still got can he still do it? Is he gonna

1427
01:01:02,000 --> 01:01:03,600
Speaker 19: be able to do it? It kind of reminds me

1428
01:01:03,720 --> 01:01:06,360
Speaker 19: of the Crawfit fight the other night. There were a

1429
01:01:06,400 --> 01:01:11,280
Speaker 19: lot of people who like were really like nervous for Crawfit, right, Yeah,

1430
01:01:11,440 --> 01:01:12,920
Speaker 19: it was a lot of people that were nervous for

1431
01:01:13,000 --> 01:01:15,400
Speaker 19: Crawfit when he was walking in the ring and he

1432
01:01:15,560 --> 01:01:18,000
Speaker 19: showed what it is. And I think with me, for

1433
01:01:18,120 --> 01:01:21,640
Speaker 19: whatever reason, people are never quite sure if how it's

1434
01:01:21,680 --> 01:01:22,000
Speaker 19: gonna be.

1435
01:01:22,360 --> 01:01:26,040
Speaker 1: But do you like being underestimated? I love it, I

1436
01:01:26,120 --> 01:01:27,960
Speaker 1: actually love it. I'm good with that.

1437
01:01:28,200 --> 01:01:30,160
Speaker 19: I'm good with that because that, you know, that only

1438
01:01:30,240 --> 01:01:34,000
Speaker 19: makes the jab that much stiffer than we appreciate.

1439
01:01:34,040 --> 01:01:35,680
Speaker 1: Make sure we get the tickets for the tour. How

1440
01:01:35,760 --> 01:01:37,680
Speaker 1: can they get tickets if they need to go to

1441
01:01:37,800 --> 01:01:38,280
Speaker 1: I mean, just.

1442
01:01:38,320 --> 01:01:40,800
Speaker 19: Go to ticketmaster dot com and check it out. The

1443
01:01:40,840 --> 01:01:42,800
Speaker 19: fourth Tour a lot Cool Jay and the Roots and

1444
01:01:42,920 --> 01:01:43,800
Speaker 19: oh one other thing.

1445
01:01:43,800 --> 01:01:44,320
Speaker 1: I want to tell you.

1446
01:01:44,840 --> 01:01:48,040
Speaker 19: This show is not like the music stops, then another

1447
01:01:48,160 --> 01:01:50,480
Speaker 19: artist comes on and the music starts in another out of.

1448
01:01:52,200 --> 01:01:55,480
Speaker 1: Before. Yeah, don't show up. This is one long what

1449
01:01:55,680 --> 01:01:58,160
Speaker 1: is it two three hours? Yes, it's one long mixtape.

1450
01:01:58,320 --> 01:02:02,840
Speaker 1: It's a mixtape, I means. And that's how fortune another day,

1451
01:02:03,400 --> 01:02:05,720
Speaker 1: all right, So get there, you know, get there on time.

1452
01:02:05,920 --> 01:02:08,120
Speaker 1: I'll be trying to make a grand entrance in feet

1453
01:02:08,200 --> 01:02:10,760
Speaker 1: hurting and all that. Just get in on time. Let's

1454
01:02:10,760 --> 01:02:12,600
Speaker 1: have some fun. If you head sprung. The first song

1455
01:02:12,680 --> 01:02:18,400
Speaker 1: that comes, they called me Big Cool J. It's the

1456
01:02:18,440 --> 01:02:19,080
Speaker 1: Breakfast Club.

1457
01:02:19,160 --> 01:02:22,680
Speaker 24: Good morning, the Breakfast Club. Your mornings will never be

1458
01:02:22,880 --> 01:02:23,400
Speaker 24: the same.

1459
01:02:24,680 --> 01:02:28,160
Speaker 1: With audio titles on business, fitness, motivation, and more, Audible

1460
01:02:28,200 --> 01:02:30,640
Speaker 1: keeps your imagination pumped and ready to hit new goals.

1461
01:02:30,920 --> 01:02:33,840
Speaker 1: Check out all the audiobooks, podcasts, and originals you could want,

1462
01:02:33,880 --> 01:02:36,200
Speaker 1: and sign up for thirty days free at audible dot

1463
01:02:36,240 --> 01:02:38,680
Speaker 1: com slash Breakfast Club. Make sure you're telling them to

1464
01:02:38,680 --> 01:02:43,800
Speaker 1: watch out for Florida Milor. The craziest people in America

1465
01:02:43,880 --> 01:02:47,000
Speaker 1: come from the Bronx and all of Florida. Yes, you

1466
01:02:47,640 --> 01:02:48,800
Speaker 1: are a donkey.

1467
01:02:49,400 --> 01:02:53,000
Speaker 18: The Florida man attacked an ATM for a very strange reason.

1468
01:02:53,160 --> 01:02:54,360
Speaker 2: It gave him too much money.

1469
01:02:54,440 --> 01:02:55,080
Speaker 3: Florida man is.

1470
01:02:55,120 --> 01:02:57,200
Speaker 18: Arrested after defining saying he riggs the door to his

1471
01:02:57,320 --> 01:02:59,680
Speaker 18: home in an attempt to electro hit his pregnant rights.

1472
01:02:59,480 --> 01:03:01,200
Speaker 3: Police are I said at Orlando man.

1473
01:03:01,320 --> 01:03:03,840
Speaker 1: For talking about from me that the breakfast club bitch

1474
01:03:03,880 --> 01:03:06,120
Speaker 1: you Donkey of the day with Charlam Hayne to Gud.

1475
01:03:06,120 --> 01:03:07,800
Speaker 1: I don't know why y'all keep letting him get y'all

1476
01:03:07,840 --> 01:03:10,520
Speaker 1: like this. Before we do Donkey today, I want to

1477
01:03:10,520 --> 01:03:12,600
Speaker 1: tell y'all too that first of all, dropping the clues

1478
01:03:12,640 --> 01:03:15,320
Speaker 1: box to lug in the roots right absolutely out. That

1479
01:03:15,720 --> 01:03:18,000
Speaker 1: interview will be up on YouTube and it's how long

1480
01:03:18,120 --> 01:03:20,960
Speaker 1: is it? Iur in thirty hour and thirty minutes. So yeah,

1481
01:03:21,120 --> 01:03:24,200
Speaker 1: great conversation. Yes, Donkey Today for Wednesday August nine goes

1482
01:03:24,240 --> 01:03:27,120
Speaker 1: to Derek Porter. Now Derek is a Georgia man, but

1483
01:03:27,240 --> 01:03:30,040
Speaker 1: this incident happened in Panama City Beach, Florida. So it's

1484
01:03:30,120 --> 01:03:32,760
Speaker 1: clearly something in the water in Florida. You spend too

1485
01:03:32,880 --> 01:03:35,800
Speaker 1: much time there, you get hit with that Florida fool gene.

1486
01:03:35,840 --> 01:03:37,720
Speaker 1: Now what does you uncle y'all always say about the

1487
01:03:37,760 --> 01:03:40,800
Speaker 1: great state of Florida. They're craziest people in America come

1488
01:03:40,840 --> 01:03:43,280
Speaker 1: from the Bronx and all of Florida, and today is

1489
01:03:43,400 --> 01:03:46,600
Speaker 1: no exception. Okay, Derek Porter, you are a Florida man today.

1490
01:03:46,640 --> 01:03:49,160
Speaker 1: Now let me start with the headline courtesy of news

1491
01:03:49,240 --> 01:03:52,120
Speaker 1: Channel eight Florida, because I love the headlines when they

1492
01:03:52,200 --> 01:03:54,880
Speaker 1: come from Florida. Okay, when it's Florida foolishness, all the

1493
01:03:54,960 --> 01:03:58,840
Speaker 1: headlines be amazing. Okay, first off, the headline reads Florida.

1494
01:03:59,320 --> 01:04:03,600
Speaker 1: Then it says man breaks into Florida church, baptizes himself

1495
01:04:03,920 --> 01:04:06,880
Speaker 1: before stealing money. Let's go to news Channel eight for

1496
01:04:06,880 --> 01:04:07,200
Speaker 1: the report.

1497
01:04:07,240 --> 01:04:10,280
Speaker 14: Police mid morning man not ended today with a Georgia

1498
01:04:10,400 --> 01:04:13,640
Speaker 14: man in custody bake on his Sheriff's deputies arrested Derek

1499
01:04:13,920 --> 01:04:16,080
Speaker 14: Porter on burglary, criminal.

1500
01:04:15,880 --> 01:04:17,480
Speaker 1: Misshif and several drug charges.

1501
01:04:17,800 --> 01:04:20,720
Speaker 14: They say that Porter broke into the Emerald Beach Church

1502
01:04:21,000 --> 01:04:24,760
Speaker 14: of God on alf Coleman and Panama City Beach this morning.

1503
01:04:25,200 --> 01:04:27,520
Speaker 14: He allegedly used a cinder block to smash a window,

1504
01:04:27,560 --> 01:04:29,600
Speaker 14: which alerted to the church employee, who fled.

1505
01:04:30,160 --> 01:04:31,400
Speaker 1: Authority say that Porter.

1506
01:04:31,240 --> 01:04:33,760
Speaker 14: Called about eight thousand dollars in damage, took some electronic

1507
01:04:33,840 --> 01:04:37,200
Speaker 14: equipment and the church money bag. Depanese, Panama City Beach

1508
01:04:37,280 --> 01:04:40,680
Speaker 14: police and canine units descended on the church and arrested Porter.

1509
01:04:41,160 --> 01:04:44,680
Speaker 14: They say he had meth and paraphernalia. Porter supposedly claimed

1510
01:04:44,720 --> 01:04:47,960
Speaker 14: that he could not remember what happened inside of the church,

1511
01:04:48,000 --> 01:04:49,840
Speaker 14: at least not most of it, but he did say

1512
01:04:49,920 --> 01:04:54,360
Speaker 14: he remembered baptizing himself in the church's baptism pool, and

1513
01:04:54,520 --> 01:04:57,040
Speaker 14: he claimed something was holding his head under the water.

1514
01:04:57,560 --> 01:05:00,600
Speaker 14: Porter was already free on bond for a burglary in Georgia.

1515
01:05:01,880 --> 01:05:03,760
Speaker 1: There's so much wrong with this. First of all, using

1516
01:05:03,840 --> 01:05:06,200
Speaker 1: to send the block to break the church's windows, to

1517
01:05:06,240 --> 01:05:08,800
Speaker 1: break into the church. Now, I know, Scripture says that

1518
01:05:09,000 --> 01:05:12,160
Speaker 1: God does not live in houses made by human hands,

1519
01:05:12,200 --> 01:05:14,000
Speaker 1: so I'm not gonna say the church is God's house,

1520
01:05:14,080 --> 01:05:16,200
Speaker 1: but it is a place of positivity for the most part,

1521
01:05:16,480 --> 01:05:18,720
Speaker 1: a place with people congregate in worship, a place where

1522
01:05:18,720 --> 01:05:22,560
Speaker 1: people go to seek forgiveness and salvation. To break the

1523
01:05:22,680 --> 01:05:25,200
Speaker 1: church's windows may not send you to hell, but damn it,

1524
01:05:25,480 --> 01:05:28,240
Speaker 1: it's shure not creating positive energy in your life either.

1525
01:05:28,320 --> 01:05:31,120
Speaker 1: This sounds like this brother watched First Sunday with Ice

1526
01:05:31,200 --> 01:05:33,920
Speaker 1: Cuban Tracy Morgan one too many times. All Right, the

1527
01:05:34,000 --> 01:05:35,760
Speaker 1: church is the place where you go to learn about

1528
01:05:35,800 --> 01:05:41,080
Speaker 1: the most forgiving entity ever God. Okay, keyword is for giving,

1529
01:05:41,280 --> 01:05:43,400
Speaker 1: all right. In Derek's mind, he looked at the church

1530
01:05:43,560 --> 01:05:47,160
Speaker 1: to be responsible for giving him money. All right, Listen,

1531
01:05:47,280 --> 01:05:49,520
Speaker 1: we know every church collects tides and offerings and of

1532
01:05:49,560 --> 01:05:51,720
Speaker 1: course the building fund that don't really be building anything.

1533
01:05:51,760 --> 01:05:55,240
Speaker 1: But never did we ever think to rob the church?

1534
01:05:55,600 --> 01:05:58,320
Speaker 1: Have we ever thought about taking back our twenty dollars

1535
01:05:58,600 --> 01:05:59,720
Speaker 1: you know what I'm saying that we put in the

1536
01:05:59,720 --> 01:06:02,320
Speaker 1: collect you know, putting in a five or a couple

1537
01:06:02,400 --> 01:06:05,560
Speaker 1: ones instead. Yes, Okay, every Sunday we think about that

1538
01:06:05,640 --> 01:06:08,240
Speaker 1: when you're given your offering. But you really pushing God's

1539
01:06:08,280 --> 01:06:11,360
Speaker 1: forgiveness when you take the criminal actions in the church. Now,

1540
01:06:11,800 --> 01:06:15,040
Speaker 1: let's keep in mind that police said they found meth

1541
01:06:15,120 --> 01:06:17,880
Speaker 1: and drug paraphernilia on Derek, so he was probably high

1542
01:06:17,920 --> 01:06:20,160
Speaker 1: out of his mind. And when he tells police that

1543
01:06:20,240 --> 01:06:23,520
Speaker 1: he could not remember what happened during various moments inside

1544
01:06:23,560 --> 01:06:25,880
Speaker 1: the church, it's because he was high, all right. But

1545
01:06:25,960 --> 01:06:30,080
Speaker 1: he does remember baptizing himself in the church's baptistory pool.

1546
01:06:30,400 --> 01:06:32,840
Speaker 1: It's safe to say he was high out of his

1547
01:06:32,960 --> 01:06:35,400
Speaker 1: mind if that's what he thinks. Okay, see Porter claims

1548
01:06:35,640 --> 01:06:39,320
Speaker 1: something was holding his head down under the water while

1549
01:06:39,360 --> 01:06:41,000
Speaker 1: letting the pool. Derek, let me be the first to

1550
01:06:41,080 --> 01:06:44,280
Speaker 1: tell you that you were experiencing a meth induced psychosis,

1551
01:06:44,600 --> 01:06:48,080
Speaker 1: all right, hallucination. You weren't being baptized. You were swimming,

1552
01:06:48,320 --> 01:06:49,960
Speaker 1: all right. You took a lap or two in the

1553
01:06:50,040 --> 01:06:52,680
Speaker 1: church's pool. Now, can you baptize yourself? Sure?

1554
01:06:52,960 --> 01:06:53,240
Speaker 19: All right.

1555
01:06:53,240 --> 01:06:54,840
Speaker 1: It's not the pattern laid out in the Bible, nor

1556
01:06:54,880 --> 01:06:57,040
Speaker 1: is that the recommended method of being baptized. However, if

1557
01:06:57,080 --> 01:06:59,200
Speaker 1: you truly understand the purpose of water baptism that is

1558
01:06:59,280 --> 01:07:02,800
Speaker 1: revealed the Word of God, Okay, you can do it,

1559
01:07:02,880 --> 01:07:04,120
Speaker 1: all right. And if you have no one who was

1560
01:07:04,160 --> 01:07:06,720
Speaker 1: able to baptize you at the time, then of course

1561
01:07:06,760 --> 01:07:08,400
Speaker 1: you might do it yourself. But don't listen to me, okay,

1562
01:07:08,440 --> 01:07:10,320
Speaker 1: because there's not a Jakes or robertson my name. So

1563
01:07:10,360 --> 01:07:12,800
Speaker 1: I could be totally wrong, but I don't think breaking

1564
01:07:12,840 --> 01:07:15,560
Speaker 1: into a church being high off meth is the right

1565
01:07:15,720 --> 01:07:18,560
Speaker 1: environment are setting for a baptism? Now, let me tell

1566
01:07:18,560 --> 01:07:20,960
Speaker 1: you something else. Let me tell you where else this

1567
01:07:21,080 --> 01:07:23,440
Speaker 1: man went wrong and why he's truly getting donkey here

1568
01:07:23,480 --> 01:07:25,920
Speaker 1: to day to day. You're broken to the church. Okay,

1569
01:07:26,200 --> 01:07:28,760
Speaker 1: send the block to the window. Bang. You cost eight

1570
01:07:28,800 --> 01:07:30,760
Speaker 1: thousand dollars worth of damage to the church. Then you

1571
01:07:30,840 --> 01:07:34,280
Speaker 1: stole all the electronics, TV's computers, and the church's money bag.

1572
01:07:34,440 --> 01:07:37,280
Speaker 1: That's why you're being charged with burglary of an occupied destructure.

1573
01:07:37,320 --> 01:07:40,640
Speaker 1: Now here's the thing. Your order was off, my brother. Okay,

1574
01:07:40,680 --> 01:07:43,800
Speaker 1: you're broken to the church and baptized yourself first and

1575
01:07:44,000 --> 01:07:46,480
Speaker 1: then committed all these sins. If you was gonna do it,

1576
01:07:46,640 --> 01:07:48,720
Speaker 1: you should have broken to the church, stole what you

1577
01:07:48,800 --> 01:07:51,800
Speaker 1: wanted to steal, and saved the baptism for last, because

1578
01:07:51,800 --> 01:07:53,800
Speaker 1: the whole point of baptism is to wash your where

1579
01:07:53,840 --> 01:07:57,200
Speaker 1: your sins. Correct. What you did is the equivalent of

1580
01:07:57,320 --> 01:08:00,680
Speaker 1: taking a shower and then doing a number two. Okay,

1581
01:08:00,800 --> 01:08:03,560
Speaker 1: you are a different type of human, basically a psychopath.

1582
01:08:03,840 --> 01:08:07,040
Speaker 1: If you shower, then do a number two on purpose. Okay,

1583
01:08:07,040 --> 01:08:10,560
Speaker 1: I understand sometimes you know happens, all right, but nobody

1584
01:08:10,680 --> 01:08:13,360
Speaker 1: purposely takes a shower and then does the number two,

1585
01:08:13,520 --> 01:08:16,600
Speaker 1: just like nobody walks into a church, gets baptized and

1586
01:08:16,720 --> 01:08:20,160
Speaker 1: then sins on purpose. You might sin after you get baptized,

1587
01:08:20,360 --> 01:08:22,680
Speaker 1: but not on purpose, like you have to pick one there,

1588
01:08:22,800 --> 01:08:24,600
Speaker 1: all right, if you're gonna break into a church and

1589
01:08:24,720 --> 01:08:26,920
Speaker 1: still you have to get baptized at a later date,

1590
01:08:27,080 --> 01:08:30,120
Speaker 1: but you're damn showing on baptize yourself first and then sin.

1591
01:08:30,920 --> 01:08:33,400
Speaker 1: Please give Derek Porter the sweet signs of the Hamilton's.

1592
01:08:33,760 --> 01:08:42,040
Speaker 13: Oh no, you are the doggy of the day, the

1593
01:08:42,479 --> 01:08:46,040
Speaker 13: dogee all the day.

1594
01:08:47,160 --> 01:08:47,240
Speaker 9: Ye.

1595
01:08:50,720 --> 01:08:53,360
Speaker 1: Now, I can't prove any of this, but but I

1596
01:08:53,439 --> 01:08:57,120
Speaker 1: feel like ej Envy showers and then takes the number

1597
01:08:57,160 --> 01:08:58,800
Speaker 1: two on purpose. What do you think, Ashley?

1598
01:09:01,680 --> 01:09:03,080
Speaker 2: Is that what you're thinking about?

1599
01:09:04,200 --> 01:09:06,400
Speaker 1: Why is the way you looked when I said it?

1600
01:09:06,720 --> 01:09:06,760
Speaker 13: No?

1601
01:09:07,200 --> 01:09:08,640
Speaker 1: Yes, when I said it, you looked like.

1602
01:09:09,080 --> 01:09:09,719
Speaker 3: He was unfazed.

1603
01:09:09,880 --> 01:09:10,400
Speaker 1: What's wrong with that?

1604
01:09:10,680 --> 01:09:13,080
Speaker 2: No, that's not not true at all. But the way

1605
01:09:13,160 --> 01:09:17,200
Speaker 2: you just asked that question, it seems like on won't

1606
01:09:17,240 --> 01:09:19,800
Speaker 2: you just answer the question, what if I poop my shower.

1607
01:09:20,520 --> 01:09:22,280
Speaker 1: Do you shower and then poop on purpose?

1608
01:09:22,320 --> 01:09:22,479
Speaker 2: Though?

1609
01:09:22,640 --> 01:09:22,680
Speaker 8: No?

1610
01:09:23,120 --> 01:09:27,760
Speaker 1: Okay, just you are a liar and a liar that's

1611
01:09:27,840 --> 01:09:28,200
Speaker 1: not true.

1612
01:09:29,160 --> 01:09:31,599
Speaker 2: Okay when I poop my shower, all right, I'm not judging.

1613
01:09:31,640 --> 01:09:34,320
Speaker 2: Why are you all on my butt? Not not, nor

1614
01:09:34,400 --> 01:09:38,080
Speaker 2: do I want to be? And why you're asking? B

1615
01:09:38,280 --> 01:09:40,680
Speaker 2: E T will see you guys tomorrow piece b T

1616
01:09:42,320 --> 01:09:44,439
Speaker 2: all right, everybody else, let's open up the phone lines

1617
01:09:44,760 --> 01:09:46,960
Speaker 2: eight hundred five eight five one oh five. When this

1618
01:09:47,080 --> 01:09:50,280
Speaker 2: conversation comes from yo gotta now. He was doing an

1619
01:09:50,320 --> 01:09:53,160
Speaker 2: interview out in l a h. And he was as

1620
01:09:53,240 --> 01:09:55,439
Speaker 2: he was doing an interview, his phone rang and it

1621
01:09:55,640 --> 01:09:58,320
Speaker 2: was his girl, and he answered it, we don't have

1622
01:09:58,360 --> 01:10:03,360
Speaker 2: the audio. Great, correct, What a well oiled machine this is.

1623
01:10:03,680 --> 01:10:06,200
Speaker 2: So we're asking eight hundred five eight five one oh

1624
01:10:06,280 --> 01:10:08,320
Speaker 2: five one, ladies, do you feel all men should have

1625
01:10:08,400 --> 01:10:11,080
Speaker 2: to have this kind of energy to make sure no

1626
01:10:11,200 --> 01:10:13,600
Speaker 2: matter when you call the answer, to make sure that

1627
01:10:13,640 --> 01:10:16,360
Speaker 2: you're a priority. That is the question. Eight hundred five

1628
01:10:16,439 --> 01:10:18,000
Speaker 2: eight five one oh five one. If you ever hear

1629
01:10:18,080 --> 01:10:20,200
Speaker 2: my phone ring during the interview, my phone is always

1630
01:10:20,280 --> 01:10:23,360
Speaker 2: on vibrate, but it only rings for my wife. My ring,

1631
01:10:23,520 --> 01:10:25,880
Speaker 2: my wife is on ring just in case there's a problem.

1632
01:10:25,920 --> 01:10:28,360
Speaker 2: It's an issue, there's a situation, something's wrong with one

1633
01:10:28,400 --> 01:10:30,720
Speaker 2: of the kids, or there's a problem. She can get

1634
01:10:30,800 --> 01:10:32,360
Speaker 2: through the vibration of the phone.

1635
01:10:32,680 --> 01:10:33,439
Speaker 1: So that is the question.

1636
01:10:33,560 --> 01:10:35,360
Speaker 2: Eight hundred five eight five one oh five one. How

1637
01:10:35,360 --> 01:10:36,160
Speaker 2: do you feel about asking?

1638
01:10:36,280 --> 01:10:40,080
Speaker 3: Absolutely as a product of somebody who's married to someone

1639
01:10:40,120 --> 01:10:43,240
Speaker 3: who well, I was friends with for ten years. Absolutely,

1640
01:10:43,640 --> 01:10:45,800
Speaker 3: when when I feel like I need to reach you,

1641
01:10:45,920 --> 01:10:48,040
Speaker 3: you can drop everything you're doing so I can reach you.

1642
01:10:48,160 --> 01:10:49,800
Speaker 3: And I think that's what God he did with Angel

1643
01:10:49,800 --> 01:10:51,640
Speaker 3: Simmons because he had been trying to get her like

1644
01:10:51,720 --> 01:10:53,840
Speaker 3: bag her for a while. Right, So you ain't gonna

1645
01:10:53,880 --> 01:10:54,799
Speaker 3: let go of all that work.

1646
01:10:54,640 --> 01:10:56,200
Speaker 2: You put in, all right, So that is the question.

1647
01:10:56,280 --> 01:10:58,639
Speaker 2: Eight hundred five eight five one oh five one. Ladies,

1648
01:10:58,680 --> 01:11:00,519
Speaker 2: do you feel all men should have this kind of

1649
01:11:00,640 --> 01:11:03,160
Speaker 2: energy to make your a priority no matter what is

1650
01:11:03,240 --> 01:11:05,240
Speaker 2: going on in your life. Let's discuss. It's the Breakfast Club.

1651
01:11:05,280 --> 01:11:07,360
Speaker 2: Good morning, the Breakfast Club.

1652
01:11:13,840 --> 01:11:14,680
Speaker 1: It's topic time.

1653
01:11:16,120 --> 01:11:18,680
Speaker 24: Call eight hundred five five one to join into the

1654
01:11:18,720 --> 01:11:20,040
Speaker 24: discussion with the breakfast Club.

1655
01:11:21,680 --> 01:11:22,439
Speaker 1: Morning everybody.

1656
01:11:22,479 --> 01:11:25,479
Speaker 2: It's DJ n V Charlamagne de God. We are the

1657
01:11:25,560 --> 01:11:28,000
Speaker 2: Breakfast Club. We got our special guest hosts Ashley with

1658
01:11:28,120 --> 01:11:29,040
Speaker 2: to ease joining us.

1659
01:11:29,120 --> 01:11:30,240
Speaker 3: What's going down now?

1660
01:11:30,320 --> 01:11:32,439
Speaker 2: If you're just joining us, we're talking about Yo Gotti.

1661
01:11:32,439 --> 01:11:35,360
Speaker 2: He was doing an interview out in la and while

1662
01:11:35,400 --> 01:11:37,920
Speaker 2: he was doing the interview, his girl called and he

1663
01:11:38,000 --> 01:11:40,320
Speaker 2: stopped the interview to answer, let's let's take a listen.

1664
01:11:40,880 --> 01:11:41,840
Speaker 1: I feel like it's.

1665
01:11:43,520 --> 01:11:47,920
Speaker 6: You want to take that for like, yeah, go ahead, sure, yeah?

1666
01:11:47,960 --> 01:11:53,880
Speaker 6: What uh, I'm doing the interview right now. Okay, all right?

1667
01:11:56,040 --> 01:11:59,639
Speaker 1: It was shorty. So we're asking who I'm not sure

1668
01:12:00,000 --> 01:12:04,960
Speaker 1: I want to just incredible, it's just incredible.

1669
01:12:05,520 --> 01:12:07,960
Speaker 2: So we're asking eight hundred and five eight five one

1670
01:12:08,000 --> 01:12:09,960
Speaker 2: oh five one, ladies, do you feel all men should

1671
01:12:09,960 --> 01:12:11,559
Speaker 2: have this kind of energy to make sure that you're

1672
01:12:11,560 --> 01:12:13,640
Speaker 2: a priority regardless of what's going on. That is the

1673
01:12:13,760 --> 01:12:16,639
Speaker 2: question I told y'all, Like, my phone is on vibe,

1674
01:12:16,640 --> 01:12:18,320
Speaker 2: but if you ever hear it ring during the interview,

1675
01:12:18,360 --> 01:12:20,120
Speaker 2: it's because it's my wife. She's the only one that

1676
01:12:20,200 --> 01:12:22,720
Speaker 2: could break that vibration of the phone. And I do

1677
01:12:22,840 --> 01:12:24,680
Speaker 2: that just in case when I'm over sleeping, if I'm

1678
01:12:24,680 --> 01:12:26,200
Speaker 2: out of town, or it's a problem with the kids,

1679
01:12:26,280 --> 01:12:27,720
Speaker 2: or she needs to get in touch with me. I

1680
01:12:27,760 --> 01:12:29,599
Speaker 2: make sure that she is a priority.

1681
01:12:30,000 --> 01:12:31,880
Speaker 1: Now what about you asking I said the same thing.

1682
01:12:31,960 --> 01:12:34,320
Speaker 3: I said, I should be your priority like any woman,

1683
01:12:34,479 --> 01:12:38,639
Speaker 3: especially now if gott he chased Angel Simmons for how long?

1684
01:12:39,040 --> 01:12:40,920
Speaker 3: You chase that chase for that long? You better be

1685
01:12:41,080 --> 01:12:42,800
Speaker 3: like on deck at all times?

1686
01:12:42,920 --> 01:12:43,439
Speaker 1: What I need you?

1687
01:12:43,840 --> 01:12:44,040
Speaker 21: Now?

1688
01:12:44,320 --> 01:12:46,280
Speaker 3: Do I think he could have just text her? Yeah,

1689
01:12:46,360 --> 01:12:48,759
Speaker 3: but who knows, you know her temper.

1690
01:12:48,840 --> 01:12:51,680
Speaker 1: I ain't gonna speak on Manchuleman one hundred percent. You

1691
01:12:51,720 --> 01:12:53,080
Speaker 1: know what I'm saying. When your wife calls, you got

1692
01:12:53,160 --> 01:12:54,360
Speaker 1: to pick up the phone. But I would give a

1693
01:12:54,360 --> 01:12:56,600
Speaker 1: little pro tip to the brothers. If you're about to

1694
01:12:56,720 --> 01:12:58,600
Speaker 1: do something like you know, if you you know, in

1695
01:12:58,640 --> 01:13:00,200
Speaker 1: Gody's case, he was about to do it of you,

1696
01:13:00,439 --> 01:13:02,200
Speaker 1: you gotta let your wife know what you're about to do.

1697
01:13:02,720 --> 01:13:04,400
Speaker 1: You know what I'm saying. I mean, that's that's how

1698
01:13:04,439 --> 01:13:05,960
Speaker 1: I get down. I'm like, Yo, I'm about to go

1699
01:13:06,080 --> 01:13:08,320
Speaker 1: to such and such. I'm gonna be at such and such,

1700
01:13:08,640 --> 01:13:11,479
Speaker 1: so she knows I'm doing something. So therefore, if she

1701
01:13:11,640 --> 01:13:13,960
Speaker 1: does call me, I know it's an emergency. I know

1702
01:13:14,000 --> 01:13:16,280
Speaker 1: it's something like she not she knows I'm doing something

1703
01:13:16,400 --> 01:13:18,400
Speaker 1: For her to be calling me that means that it's

1704
01:13:18,479 --> 01:13:21,400
Speaker 1: like an emergency. Now if in that case, God, he

1705
01:13:21,439 --> 01:13:23,519
Speaker 1: probably forgot to tell Angela what he was gonna be at,

1706
01:13:23,760 --> 01:13:25,960
Speaker 1: and so she was calling, so he decided to pick

1707
01:13:26,040 --> 01:13:28,479
Speaker 1: up to let her know, Hey, man, I'm doing an interview.

1708
01:13:28,479 --> 01:13:30,679
Speaker 1: I ain't on no bs R. You know because because

1709
01:13:31,040 --> 01:13:33,400
Speaker 1: r R, if you don't answer, she might just get

1710
01:13:33,439 --> 01:13:35,639
Speaker 1: concerned and get worried because she's like, damn he answered

1711
01:13:35,640 --> 01:13:36,960
Speaker 1: for me any other time. Why you're not answering that?

1712
01:13:37,600 --> 01:13:39,200
Speaker 1: So if you, if you, if you haven't let your

1713
01:13:39,240 --> 01:13:42,320
Speaker 1: wife know where you're gonna be at, uh, definitely pick

1714
01:13:42,400 --> 01:13:42,960
Speaker 1: up that phone.

1715
01:13:43,280 --> 01:13:47,200
Speaker 2: Hello, who's this? Oh shit, good morning to talk to us.

1716
01:13:47,240 --> 01:13:48,160
Speaker 2: What's your what's your thoughts?

1717
01:13:49,560 --> 01:13:49,680
Speaker 19: Uh?

1718
01:13:50,240 --> 01:13:52,160
Speaker 11: It's truth?

1719
01:13:53,840 --> 01:13:59,479
Speaker 1: Ye broke anything?

1720
01:13:59,640 --> 01:14:04,880
Speaker 7: You yes, because you can be in a conference. Let's

1721
01:14:04,920 --> 01:14:06,040
Speaker 7: ask you to a conference.

1722
01:14:06,479 --> 01:14:07,519
Speaker 12: You cannot answer the call.

1723
01:14:07,680 --> 01:14:11,880
Speaker 1: That's not a Black people are amazed. Black people are

1724
01:14:11,920 --> 01:14:14,439
Speaker 1: amazing because she going just sit there and act like

1725
01:14:14,520 --> 01:14:17,800
Speaker 1: she couldn't understand anything that we just said and just

1726
01:14:17,880 --> 01:14:19,760
Speaker 1: kept talking like it was like it was no, we

1727
01:14:19,840 --> 01:14:20,960
Speaker 1: are really and amazing people.

1728
01:14:21,439 --> 01:14:23,960
Speaker 2: Hello, what's your name? Mama?

1729
01:14:25,680 --> 01:14:29,960
Speaker 12: To us, I was saying that they should have to

1730
01:14:30,040 --> 01:14:32,519
Speaker 12: pick up the phone. I don't think it's that big

1731
01:14:32,600 --> 01:14:34,840
Speaker 12: of a deal. It's like two minutes. I'm sure. I

1732
01:14:34,920 --> 01:14:37,840
Speaker 12: think two people in a relationship, they no constitutes as

1733
01:14:37,840 --> 01:14:40,920
Speaker 12: an emergency. That's when I was talking about this yesterday,

1734
01:14:40,920 --> 01:14:42,760
Speaker 12: and it seemed kind of coincidental that I should call

1735
01:14:43,200 --> 01:14:46,360
Speaker 12: during the interview, as if she doesn't know his schedule,

1736
01:14:46,439 --> 01:14:47,439
Speaker 12: like it's a little.

1737
01:14:47,280 --> 01:14:49,840
Speaker 1: Pr well, she might not have known if he didn't

1738
01:14:49,880 --> 01:14:51,400
Speaker 1: tell her. You know what I'm saying, like, like that's

1739
01:14:51,400 --> 01:14:53,000
Speaker 1: what I was saying earlier, like you got to tell

1740
01:14:53,040 --> 01:14:55,360
Speaker 1: your wife I'm about to do X, Y and Z.

1741
01:14:55,640 --> 01:14:58,160
Speaker 1: That's why if my wife knows I'm doing something and

1742
01:14:58,280 --> 01:15:00,840
Speaker 1: she still calls me, that lets me know that it's

1743
01:15:01,360 --> 01:15:02,800
Speaker 1: a serious situation.

1744
01:15:02,600 --> 01:15:06,160
Speaker 2: Right, Or he's you know, obviously he's promoting his new

1745
01:15:06,680 --> 01:15:08,559
Speaker 2: mixtape that's out right now, so he's on the road,

1746
01:15:08,920 --> 01:15:10,640
Speaker 2: so he might be he's on the West coast. She

1747
01:15:10,720 --> 01:15:12,439
Speaker 2: might be on the East coast, so that time.

1748
01:15:12,400 --> 01:15:14,760
Speaker 1: Might be a little different, so she might not know. Hello,

1749
01:15:14,840 --> 01:15:15,120
Speaker 1: who's this?

1750
01:15:16,720 --> 01:15:17,320
Speaker 2: Hey marshaw?

1751
01:15:18,520 --> 01:15:22,360
Speaker 1: Hey, you got the top down? Convertible down? Is something?

1752
01:15:22,400 --> 01:15:23,120
Speaker 1: The windows open?

1753
01:15:27,080 --> 01:15:27,200
Speaker 9: Oh?

1754
01:15:27,240 --> 01:15:28,840
Speaker 1: Can you tell you why you're breathing so hard?

1755
01:15:28,920 --> 01:15:29,040
Speaker 8: Man?

1756
01:15:29,960 --> 01:15:32,599
Speaker 1: What's your thoughts. Should the man Should your man pick

1757
01:15:32,680 --> 01:15:33,400
Speaker 1: up every time you call?

1758
01:15:33,920 --> 01:15:37,000
Speaker 17: Of course, I mean, yeah, that's what I'm calling for

1759
01:15:37,120 --> 01:15:37,479
Speaker 17: this Paul.

1760
01:15:37,760 --> 01:15:40,360
Speaker 11: But I feel like if you're busy, if he's busy,

1761
01:15:40,840 --> 01:15:43,840
Speaker 11: then just hit me back up because you see me calling,

1762
01:15:44,439 --> 01:15:45,479
Speaker 11: so you know it's important.

1763
01:15:45,840 --> 01:15:46,080
Speaker 14: True.

1764
01:15:46,640 --> 01:15:48,960
Speaker 1: But if I tell you where I'm at, you know

1765
01:15:48,960 --> 01:15:51,640
Speaker 1: what I'm saying. I'm trying to avoid you interrupting me

1766
01:15:51,680 --> 01:15:52,559
Speaker 1: while I'm doing something.

1767
01:15:53,960 --> 01:15:55,640
Speaker 2: Five eight five, one oh five one. If you're just

1768
01:15:55,760 --> 01:15:57,599
Speaker 2: joining us, we're talking about yo got He was doing

1769
01:15:57,600 --> 01:16:00,719
Speaker 2: an interview with La Leaks out in La in an interview.

1770
01:16:01,400 --> 01:16:03,640
Speaker 2: This girl called and he stopped the interview, or in

1771
01:16:03,720 --> 01:16:05,080
Speaker 2: the middle of the interview he entered the phone and

1772
01:16:05,120 --> 01:16:07,200
Speaker 2: make sure everything was all right. Ladies, do you feel

1773
01:16:07,240 --> 01:16:09,400
Speaker 2: all mentioned have this kind of energy, whether you're married

1774
01:16:09,560 --> 01:16:11,600
Speaker 2: or dating, and do you feel like you should be

1775
01:16:11,600 --> 01:16:13,200
Speaker 2: a priority regardless, let's talk about it.

1776
01:16:13,240 --> 01:16:13,920
Speaker 1: It's the Breakfast Club.

1777
01:16:13,920 --> 01:16:15,880
Speaker 2: Good morning, it's topic time.

1778
01:16:18,800 --> 01:16:19,560
Speaker 15: The phone.

1779
01:16:21,160 --> 01:16:24,240
Speaker 1: Called eight hundred and five to join into the discussion

1780
01:16:24,280 --> 01:16:27,719
Speaker 1: with the Breakfast Club talking about it, howning everybody.

1781
01:16:27,760 --> 01:16:31,280
Speaker 2: It's DJ NV Charlamagne the gud We are the Breakfast Club.

1782
01:16:31,320 --> 01:16:33,639
Speaker 2: We got our special guest hosts Ashley with to ease.

1783
01:16:33,800 --> 01:16:36,360
Speaker 2: What's happening now if he's just joining us, we're talking

1784
01:16:36,400 --> 01:16:38,360
Speaker 2: about Yo Gotti. Now, he was doing an interview out

1785
01:16:38,400 --> 01:16:41,400
Speaker 2: in LA with the La Leakers, and his girl called

1786
01:16:41,479 --> 01:16:44,559
Speaker 2: and he answered during an interview, I feel like it's.

1787
01:16:46,120 --> 01:16:50,559
Speaker 1: You want to take that for like, yeah, go ahead this, Yeah,

1788
01:16:50,640 --> 01:16:50,960
Speaker 1: what up?

1789
01:16:53,040 --> 01:16:54,360
Speaker 6: I'm doing an interview right now.

1790
01:16:55,280 --> 01:16:59,840
Speaker 1: Okay, all right, I'm telling you it was sure. The

1791
01:17:00,080 --> 01:17:02,519
Speaker 1: only reason God he answered that phone is because he

1792
01:17:02,640 --> 01:17:05,920
Speaker 1: didn't tell her where he was going to be at prior.

1793
01:17:06,400 --> 01:17:07,760
Speaker 1: I'm telling you that's what that was for.

1794
01:17:08,040 --> 01:17:10,040
Speaker 3: He didn't answer what she would have got suspicious.

1795
01:17:10,320 --> 01:17:11,880
Speaker 1: I don't know if it was been suspicious, but maybe

1796
01:17:11,960 --> 01:17:13,519
Speaker 1: just worried or concern, you know. I mean a lot

1797
01:17:13,560 --> 01:17:17,439
Speaker 1: of times people think, you know, you're not you you're

1798
01:17:17,439 --> 01:17:19,680
Speaker 1: answering the phone because you're trying to prove that you're

1799
01:17:19,720 --> 01:17:22,320
Speaker 1: not doing anything. But no, that's just a worry, your concern.

1800
01:17:22,439 --> 01:17:24,479
Speaker 1: Like I know, if I call my wife and she

1801
01:17:24,600 --> 01:17:27,400
Speaker 1: don't pick up, I immediately think something's wrong, right, you

1802
01:17:27,439 --> 01:17:28,439
Speaker 1: know what I mean, I don't got nothing to do

1803
01:17:28,520 --> 01:17:29,640
Speaker 1: with you know, infidelity, But.

1804
01:17:29,680 --> 01:17:31,760
Speaker 2: You know, even even my peoples, if they can't get

1805
01:17:31,800 --> 01:17:33,360
Speaker 2: in touch with me for whatever reason, They'll call my

1806
01:17:33,400 --> 01:17:35,200
Speaker 2: wife to call me because they know even if my

1807
01:17:35,280 --> 01:17:36,840
Speaker 2: phone's on vibrate, the phone will ring.

1808
01:17:37,280 --> 01:17:38,680
Speaker 1: So if I'm out of town and I got to

1809
01:17:38,680 --> 01:17:40,479
Speaker 1: get up. What you say vibrate? Man, I just wanted

1810
01:17:40,479 --> 01:17:42,160
Speaker 1: to tell you that since you've been saying vibrate since

1811
01:17:42,200 --> 01:17:43,680
Speaker 1: we've been here, I don't like the way you say it.

1812
01:17:43,760 --> 01:17:45,000
Speaker 1: So what do you call it? I don't know. It

1813
01:17:45,120 --> 01:17:46,880
Speaker 1: just sounds crazy when it comes out of your mouth.

1814
01:17:47,120 --> 01:17:47,439
Speaker 2: Vibrate.

1815
01:17:47,520 --> 01:17:48,920
Speaker 1: I just don't like the way you say it. But continue.

1816
01:17:49,840 --> 01:17:51,479
Speaker 1: That's is a personal thing. You know what, I'm gonna

1817
01:17:51,479 --> 01:17:52,519
Speaker 1: going to the phone. Lin said, I don't want to

1818
01:17:52,520 --> 01:17:53,880
Speaker 1: talk to you no more, but you kinky, you.

1819
01:17:53,960 --> 01:17:56,760
Speaker 2: Really can't do it. Vibrate in my mouth. That's the

1820
01:17:56,800 --> 01:17:57,400
Speaker 2: last thing you said.

1821
01:17:57,400 --> 01:18:01,360
Speaker 1: You are ut Hello say that. Nobody heard that.

1822
01:18:02,520 --> 01:18:05,759
Speaker 2: They keep from Jersey. Now we're talking about Yo Gotti.

1823
01:18:05,800 --> 01:18:07,759
Speaker 2: What's your thoughts about him manswering the phone during the interview.

1824
01:18:07,760 --> 01:18:09,400
Speaker 2: Do you want to you want that type of priority?

1825
01:18:09,960 --> 01:18:10,160
Speaker 15: Yes?

1826
01:18:10,400 --> 01:18:13,160
Speaker 25: Absolutely, who's not saying But the thing about it, I

1827
01:18:13,240 --> 01:18:15,559
Speaker 25: want to like that on his own. I don't want

1828
01:18:15,600 --> 01:18:17,400
Speaker 25: to have to have a conversation about it, like you

1829
01:18:18,800 --> 01:18:21,720
Speaker 25: no like that about me? That's what you say?

1830
01:18:22,760 --> 01:18:24,680
Speaker 1: Yeah, I mean, but you know what also too, we're

1831
01:18:24,680 --> 01:18:26,640
Speaker 1: speaking from the perspective of being married. Everybody in this

1832
01:18:26,800 --> 01:18:28,519
Speaker 1: room is married, right, actually married.

1833
01:18:28,560 --> 01:18:29,880
Speaker 2: I'm married, and but god he's not.

1834
01:18:30,040 --> 01:18:32,080
Speaker 1: That's his girl. That is just this girl. You're right

1835
01:18:32,200 --> 01:18:34,800
Speaker 1: for now, but you know you don't know how seriously right?

1836
01:18:34,840 --> 01:18:36,559
Speaker 2: But I mean it's a girl. It's still in a relationship.

1837
01:18:36,600 --> 01:18:38,320
Speaker 2: That's what you want if you care about somebody and

1838
01:18:38,320 --> 01:18:39,880
Speaker 2: you're serious about somebody, you know what I mean?

1839
01:18:39,960 --> 01:18:45,519
Speaker 1: Yes, Hello, who's this, darl what's up? What's your thoughts?

1840
01:18:46,000 --> 01:18:46,200
Speaker 7: Yeah?

1841
01:18:46,320 --> 01:18:50,080
Speaker 15: Me and my wife we video chat all day.

1842
01:18:53,800 --> 01:18:55,600
Speaker 1: I don't believe you, Darrel. I don't even think you

1843
01:18:55,720 --> 01:18:58,320
Speaker 1: have a phone with video check capability. But not like

1844
01:18:58,360 --> 01:19:00,960
Speaker 1: you got your little flip phone. You got you a

1845
01:19:01,000 --> 01:19:02,080
Speaker 1: little philipping.

1846
01:19:04,360 --> 01:19:07,880
Speaker 11: When we were pay when we were dying, the video

1847
01:19:08,080 --> 01:19:11,439
Speaker 11: checks and we never never turn it off.

1848
01:19:12,640 --> 01:19:15,440
Speaker 7: We married one on fourteen years.

1849
01:19:16,920 --> 01:19:17,080
Speaker 14: Now.

1850
01:19:17,560 --> 01:19:18,320
Speaker 1: How old are y'all.

1851
01:19:19,960 --> 01:19:20,360
Speaker 11: Sixty?

1852
01:19:20,880 --> 01:19:21,000
Speaker 13: Oh?

1853
01:19:21,000 --> 01:19:23,280
Speaker 1: Okay, y'all old? Geez all right, So why do y'all

1854
01:19:23,320 --> 01:19:25,120
Speaker 1: video chat? Why are y'all so? Why are y'all away

1855
01:19:25,160 --> 01:19:26,439
Speaker 1: from each other so much? As y'all be having a

1856
01:19:26,479 --> 01:19:27,679
Speaker 1: video check at work.

1857
01:19:28,560 --> 01:19:33,280
Speaker 13: Yeah, I just I just put on video chat in

1858
01:19:33,360 --> 01:19:33,759
Speaker 13: the corner.

1859
01:19:34,320 --> 01:19:36,080
Speaker 1: She's sixty years old. She's still be sending you stuff.

1860
01:19:36,120 --> 01:19:39,880
Speaker 1: Let me talk to her. She gave you. What's up, queen?

1861
01:19:40,000 --> 01:19:40,240
Speaker 19: Hello?

1862
01:19:40,760 --> 01:19:45,000
Speaker 1: How are you? Queen? I'm fine? You still be sending

1863
01:19:45,040 --> 01:19:47,240
Speaker 1: him them a little nasty pictures? Jesus Christ.

1864
01:19:48,880 --> 01:19:51,960
Speaker 11: We live with you every night in the philip.

1865
01:19:53,640 --> 01:19:58,480
Speaker 1: The Philippines. How the hell y'all listening to in the Philippines?

1866
01:19:59,120 --> 01:19:59,280
Speaker 8: Uh?

1867
01:20:01,400 --> 01:20:04,120
Speaker 1: No, I said, hi people, how radio app works in

1868
01:20:04,120 --> 01:20:11,680
Speaker 1: the Philippines. Radio Philippines we worldwide every every night.

1869
01:20:12,840 --> 01:20:13,160
Speaker 17: Cloud.

1870
01:20:14,160 --> 01:20:18,599
Speaker 1: Uh that is okay. I did not know anything. Thank

1871
01:20:18,600 --> 01:20:22,160
Speaker 1: you for checking in in the Philippines. Appreciate it exactly.

1872
01:20:22,320 --> 01:20:23,840
Speaker 1: We love y'all, love you too.

1873
01:20:24,280 --> 01:20:25,639
Speaker 7: We appreciate your young people.

1874
01:20:25,760 --> 01:20:29,680
Speaker 1: Y'all right on point that young we're just younger than you.

1875
01:20:30,320 --> 01:20:32,320
Speaker 2: That's fine, that's fine, first of all.

1876
01:20:32,720 --> 01:20:35,599
Speaker 1: But I need some of this international money. What's up

1877
01:20:35,600 --> 01:20:38,320
Speaker 1: with this thing? Let's talk about that. Hello, who's this?

1878
01:20:39,439 --> 01:20:39,920
Speaker 11: Good morning?

1879
01:20:40,040 --> 01:20:40,760
Speaker 7: This Taqisa?

1880
01:20:40,960 --> 01:20:42,800
Speaker 2: Hey, Takeisha talk to us. What's your thoughts? Mama?

1881
01:20:43,200 --> 01:20:46,160
Speaker 15: Okay, So every man is not yo Gotti.

1882
01:20:46,920 --> 01:20:48,880
Speaker 12: Everybody's not going to answer their phone.

1883
01:20:49,520 --> 01:20:52,200
Speaker 11: But everybody's what they're doing, and that's okay.

1884
01:20:52,600 --> 01:20:54,400
Speaker 3: Are you offended if they text you back or they

1885
01:20:54,520 --> 01:20:55,880
Speaker 3: absolutely have to answer the phone.

1886
01:20:56,320 --> 01:20:59,960
Speaker 7: No, No, seriously, because I'm a different type of First,

1887
01:21:00,880 --> 01:21:02,439
Speaker 7: I just got to argue with my friends.

1888
01:21:02,960 --> 01:21:03,920
Speaker 15: I don't answer my phone.

1889
01:21:03,920 --> 01:21:04,559
Speaker 26: It's my phone.

1890
01:21:05,520 --> 01:21:06,360
Speaker 8: Well, I don't have to.

1891
01:21:06,600 --> 01:21:09,360
Speaker 1: I want to every time you get answer the phone.

1892
01:21:10,120 --> 01:21:12,000
Speaker 11: That's a piece of mind.

1893
01:21:12,400 --> 01:21:13,800
Speaker 2: Yeah, but you know what, not every time you can

1894
01:21:13,840 --> 01:21:15,679
Speaker 2: answer the phone, because sometimes I can't answer the phone

1895
01:21:15,680 --> 01:21:17,200
Speaker 2: and I'll text, hey baby, I'm in an interview. I'll

1896
01:21:17,200 --> 01:21:19,240
Speaker 2: call you right back and everything good. So yes, I

1897
01:21:19,320 --> 01:21:21,400
Speaker 2: can't answer the phone every single time, but it's just

1898
01:21:21,439 --> 01:21:23,240
Speaker 2: that the priority to make sure you're checking in and

1899
01:21:23,280 --> 01:21:24,000
Speaker 2: everything is okay.

1900
01:21:24,680 --> 01:21:24,880
Speaker 1: Yeah.

1901
01:21:25,280 --> 01:21:27,160
Speaker 7: Yeah, and that's cool too, but it's not.

1902
01:21:27,560 --> 01:21:28,680
Speaker 25: There's no reason to.

1903
01:21:29,439 --> 01:21:30,720
Speaker 11: I just didn't understand the.

1904
01:21:30,760 --> 01:21:31,840
Speaker 7: Big praise about it.

1905
01:21:32,960 --> 01:21:34,920
Speaker 12: Okay, answer, that's nice, that's good.

1906
01:21:35,080 --> 01:21:38,479
Speaker 15: Not everybody knows, honey, and not everybody got Angelo calling us.

1907
01:21:38,880 --> 01:21:40,600
Speaker 1: So I don't think you got nothing to do with

1908
01:21:40,720 --> 01:21:41,360
Speaker 1: who the person.

1909
01:21:43,240 --> 01:21:44,479
Speaker 7: I knew you was gonna say something.

1910
01:21:44,640 --> 01:21:46,920
Speaker 11: I'm not talking about who the person is.

1911
01:21:47,080 --> 01:21:49,440
Speaker 12: I'm talking about the fact of how she responded.

1912
01:21:49,920 --> 01:21:52,960
Speaker 11: Not everybody's gonna respond the same way that he do.

1913
01:21:53,760 --> 01:21:54,559
Speaker 1: I just that's what I mean.

1914
01:21:55,000 --> 01:21:56,519
Speaker 8: You don't have call.

1915
01:21:56,880 --> 01:21:59,240
Speaker 1: I just think common courtesy. You know, when you're in

1916
01:21:59,320 --> 01:22:01,760
Speaker 1: a relationship, whether you're married or just in a relationship,

1917
01:22:01,760 --> 01:22:04,280
Speaker 1: if y'all serious, you let your significant other know where

1918
01:22:04,320 --> 01:22:06,240
Speaker 1: you're going. You let them know where you're going to

1919
01:22:06,320 --> 01:22:07,920
Speaker 1: be and what you're going to be doing, you know

1920
01:22:07,960 --> 01:22:10,200
Speaker 1: what I mean. So therefore, if they do call me,

1921
01:22:11,040 --> 01:22:13,080
Speaker 1: they I know it's something, it's some type of an

1922
01:22:13,320 --> 01:22:15,360
Speaker 1: emergency because they wouldn't be calling me because I just

1923
01:22:15,439 --> 01:22:17,320
Speaker 1: told them I'm doing something, you know.

1924
01:22:17,600 --> 01:22:17,840
Speaker 15: True.

1925
01:22:18,479 --> 01:22:23,240
Speaker 1: But yeah, he forgot the other. He didn't tell her. Clearly,

1926
01:22:23,280 --> 01:22:24,599
Speaker 1: you didn't let her know he was doing.

1927
01:22:24,479 --> 01:22:26,680
Speaker 2: Something, Thank you, mama. What's what's the moral of the

1928
01:22:26,680 --> 01:22:27,400
Speaker 2: story if there's more?

1929
01:22:27,560 --> 01:22:29,439
Speaker 1: The more of the stories is just a respect thing,

1930
01:22:29,880 --> 01:22:32,519
Speaker 1: like guess that's all. Like, if you respect your significant other,

1931
01:22:32,960 --> 01:22:34,680
Speaker 1: that's easy. Like and and by the way, I think

1932
01:22:34,680 --> 01:22:36,679
Speaker 1: you should answer the phone for your significant other anytime,

1933
01:22:37,040 --> 01:22:40,280
Speaker 1: you know whatever. If my my wife called me, I

1934
01:22:40,360 --> 01:22:42,240
Speaker 1: stop what I do and pick up the phone, because

1935
01:22:42,280 --> 01:22:44,439
Speaker 1: that's that's what I want for her to do. You know.

1936
01:22:45,120 --> 01:22:46,400
Speaker 2: All right, Well we got rooms on the way.

1937
01:22:46,400 --> 01:22:48,120
Speaker 3: But we're talking about Yes, we're talking about the twenty

1938
01:22:48,200 --> 01:22:50,760
Speaker 3: twenty three VMA's nominations came out. They broke a lot

1939
01:22:50,800 --> 01:22:53,920
Speaker 3: of records and then also see her and Russell Wilson.

1940
01:22:53,960 --> 01:22:57,120
Speaker 3: They added another baby to the tribe coming soon.

1941
01:22:57,360 --> 01:22:59,679
Speaker 2: Really, we'll get to that next. It's the Breakfast Club.

1942
01:22:59,720 --> 01:23:02,320
Speaker 2: Come morning, the Breakfast Club.

1943
01:23:04,520 --> 01:23:04,800
Speaker 1: Morning.

1944
01:23:04,840 --> 01:23:07,880
Speaker 2: Everybody's dj n V Charlamagne the guy. We are the

1945
01:23:07,920 --> 01:23:08,559
Speaker 2: Breakfast Club.

1946
01:23:08,600 --> 01:23:09,080
Speaker 1: Good morning.

1947
01:23:09,240 --> 01:23:11,040
Speaker 2: We got our guest co hosts Ashley with to E.

1948
01:23:11,240 --> 01:23:13,080
Speaker 2: Good morning, and let's get to the rooms.

1949
01:23:14,000 --> 01:23:15,240
Speaker 15: I don't know what.

1950
01:23:17,200 --> 01:23:20,760
Speaker 1: Asley you already know this.

1951
01:23:23,680 --> 01:23:25,120
Speaker 3: It's a full circle moment.

1952
01:23:24,880 --> 01:23:26,479
Speaker 1: For me on the Breakfast Club.

1953
01:23:27,720 --> 01:23:29,920
Speaker 3: Let me pop it up first. We got to start

1954
01:23:29,920 --> 01:23:33,439
Speaker 3: off saying congratulations to Sierra and Russell Wilson. They expect

1955
01:23:33,479 --> 01:23:36,600
Speaker 3: said that they're expecting their baby number three together is

1956
01:23:36,640 --> 01:23:38,519
Speaker 3: because it was theer's fourth, because she has the one

1957
01:23:38,680 --> 01:23:42,920
Speaker 3: baby future future. But they already have two three children together.

1958
01:23:43,000 --> 01:23:46,320
Speaker 3: Sorry when their daughter who's three, or yeah, when their son,

1959
01:23:46,360 --> 01:23:48,280
Speaker 3: their daughter Siena who's six, and then also see your

1960
01:23:48,360 --> 01:23:50,080
Speaker 3: son future nine together.

1961
01:23:50,280 --> 01:23:51,840
Speaker 1: Well, congrats congrats.

1962
01:23:51,479 --> 01:23:51,680
Speaker 15: To the.

1963
01:23:53,400 --> 01:23:55,600
Speaker 3: Also a lot of big records being broken at this

1964
01:23:55,720 --> 01:23:58,360
Speaker 3: year's twenty twenty three vm AS. The nominations are out now.

1965
01:23:58,439 --> 01:24:01,799
Speaker 3: Taylor Swift leads the pack with a eight nominations. Scizzle

1966
01:24:01,840 --> 01:24:04,080
Speaker 3: comes in second with six. You got Doja Cat and

1967
01:24:04,160 --> 01:24:07,400
Speaker 3: Nikki There follow up with five, and women are actually

1968
01:24:07,439 --> 01:24:09,760
Speaker 3: dominating the show because it's the first time ever that

1969
01:24:09,840 --> 01:24:12,080
Speaker 3: there are no men nominated for Artists of the Year

1970
01:24:12,680 --> 01:24:17,120
Speaker 3: that's introduced in twenty seventeen. You got Beyonce, Dojakat, Carol G, Nicki, Minaj, Shakira,

1971
01:24:17,200 --> 01:24:20,959
Speaker 3: and Taylor Swift are nominated. Some feel Sissle was sliding debatable,

1972
01:24:21,520 --> 01:24:25,320
Speaker 3: that's true, but the first last year, just it's a

1973
01:24:25,760 --> 01:24:27,840
Speaker 3: Artist of the Year, it doesn't matter, Yeah, if they

1974
01:24:27,880 --> 01:24:30,080
Speaker 3: came out, but this is the first time too. Artists

1975
01:24:30,080 --> 01:24:32,000
Speaker 3: in the category come from the Latin genre, which is

1976
01:24:32,320 --> 01:24:34,600
Speaker 3: Carol G and Shakira, and the first time they have

1977
01:24:34,680 --> 01:24:38,040
Speaker 3: an afrobeats category. So the twenty twenty three VMAs are

1978
01:24:38,320 --> 01:24:40,639
Speaker 3: going to be held on Tuesday, September twelfth, live from

1979
01:24:40,640 --> 01:24:43,040
Speaker 3: the Prudential Center in Newark. And also, while we're talking

1980
01:24:43,080 --> 01:24:46,120
Speaker 3: about nominations, I gotta shout out to y'all because y'all

1981
01:24:46,200 --> 01:24:49,599
Speaker 3: got awards for being recognized on Billboard's twenty twenty three

1982
01:24:49,680 --> 01:24:52,960
Speaker 3: Hip Hop and R and B Powers Players List. Congrats

1983
01:24:53,000 --> 01:24:58,400
Speaker 3: to y'all, Y'all's well as yee Fia Bosston then Doc Winner.

1984
01:24:58,400 --> 01:25:02,080
Speaker 1: Are also on there, and also to the MTV Awards.

1985
01:25:02,160 --> 01:25:03,800
Speaker 1: That is definitely a reflection of how the year has

1986
01:25:03,840 --> 01:25:07,000
Speaker 1: been because the year hasn't been dominated musically women women.

1987
01:25:08,000 --> 01:25:09,720
Speaker 1: Let the record show up. That was a category and

1988
01:25:09,760 --> 01:25:11,400
Speaker 1: it was all men. People would be raising healthy and

1989
01:25:11,439 --> 01:25:16,280
Speaker 1: there needs to be more diversity. I mean it is diverse,

1990
01:25:16,360 --> 01:25:18,840
Speaker 1: so I think you know penises, well, you know what,

1991
01:25:18,840 --> 01:25:19,759
Speaker 1: I don't know what they identify.

1992
01:25:20,880 --> 01:25:23,000
Speaker 2: Shut your ass out, you don't know, shut yours up.

1993
01:25:23,400 --> 01:25:27,080
Speaker 2: I think what what dude should be in that category.

1994
01:25:27,240 --> 01:25:30,760
Speaker 1: This year year? Probably Dark is probably the person that

1995
01:25:31,400 --> 01:25:33,920
Speaker 1: the line from me. Okay, I think Dirk has had

1996
01:25:33,920 --> 01:25:36,519
Speaker 1: a good year about Travis, but his album just It

1997
01:25:36,720 --> 01:25:40,479
Speaker 1: just came out. Zy Derek and Oz is just two

1998
01:25:40,520 --> 01:25:42,080
Speaker 1: that come to mind that could be an Artist of

1999
01:25:42,120 --> 01:25:42,360
Speaker 1: the Year.

2000
01:25:42,560 --> 01:25:44,959
Speaker 3: Is it too many times for Drake to be nominated?

2001
01:25:45,680 --> 01:25:46,519
Speaker 2: Drake could be nominated.

2002
01:25:46,960 --> 01:25:49,440
Speaker 3: I feel like every year is D's.

2003
01:25:48,920 --> 01:25:51,120
Speaker 2: To sold out to drop the album twenty one Savage

2004
01:25:51,160 --> 01:25:53,760
Speaker 2: came Savage Ye. Drake should be in the Drake should

2005
01:25:53,760 --> 01:25:57,080
Speaker 2: definitely right, that Drake should being there sold out shows yeah,

2006
01:25:57,479 --> 01:25:58,120
Speaker 2: right now right?

2007
01:25:58,240 --> 01:26:01,240
Speaker 3: Well, last, but not least on Twitter. Uh, it was

2008
01:26:01,320 --> 01:26:03,040
Speaker 3: trending us to that The Reason and td E co

2009
01:26:03,240 --> 01:26:06,080
Speaker 3: president got into a heated exchange publicly. So he was

2010
01:26:06,120 --> 01:26:08,519
Speaker 3: on the back on fig discussing his issues with td E.

2011
01:26:08,720 --> 01:26:09,400
Speaker 3: We have some audio.

2012
01:26:10,320 --> 01:26:13,320
Speaker 26: Agree you want to have a combo. Let's have a conbo. Man,

2013
01:26:13,520 --> 01:26:15,080
Speaker 26: it sounds like you don't want to be here.

2014
01:26:15,040 --> 01:26:16,000
Speaker 14: Damn near Nah.

2015
01:26:16,000 --> 01:26:17,560
Speaker 1: I never said that. I said I would never do it.

2016
01:26:17,640 --> 01:26:19,640
Speaker 1: No other way. Let's go viral. Since you want to

2017
01:26:19,680 --> 01:26:20,439
Speaker 1: do it, come on a.

2018
01:26:20,720 --> 01:26:23,120
Speaker 7: Real Can you name me ten Reason songs right now?

2019
01:26:23,280 --> 01:26:25,160
Speaker 1: You're from l A. You an l A native?

2020
01:26:25,439 --> 01:26:27,639
Speaker 26: Can you name me ten Reason songs right now?

2021
01:26:28,120 --> 01:26:28,160
Speaker 4: No?

2022
01:26:28,960 --> 01:26:30,360
Speaker 1: Why is it? I have no.

2023
01:26:32,160 --> 01:26:33,559
Speaker 14: Matt you from the team.

2024
01:26:34,160 --> 01:26:37,160
Speaker 1: Can you name me? Can you name me two Reason songs?

2025
01:26:37,360 --> 01:26:43,320
Speaker 1: Of course? But what I'm trying to say is right,

2026
01:26:43,520 --> 01:26:44,240
Speaker 1: they've never.

2027
01:26:44,200 --> 01:26:47,040
Speaker 26: Wanted us to sign signed reason. He called him a

2028
01:26:47,120 --> 01:26:48,000
Speaker 26: substitute teacher.

2029
01:26:48,240 --> 01:26:48,519
Speaker 1: Thank you.

2030
01:26:49,320 --> 01:26:49,799
Speaker 15: I don't.

2031
01:26:52,120 --> 01:26:54,880
Speaker 26: Talent, but it's gonna take more than just talent in

2032
01:26:54,960 --> 01:26:56,600
Speaker 26: this game right now, and everybody know that.

2033
01:26:57,040 --> 01:26:59,320
Speaker 3: So basically the backstory is reason felt like the label

2034
01:26:59,360 --> 01:27:01,519
Speaker 3: wasn't moving quick enough, and we've heard the story before

2035
01:27:01,640 --> 01:27:04,200
Speaker 3: with Scissa and TDE. He shared that he had the

2036
01:27:04,200 --> 01:27:07,120
Speaker 3: opportunity to get features from Lotto and EStG, but td

2037
01:27:07,240 --> 01:27:10,000
Speaker 3: E didn't handle business on their end, So he's claiming

2038
01:27:10,000 --> 01:27:12,519
Speaker 3: that td is limiting his success and progression as an

2039
01:27:12,600 --> 01:27:15,599
Speaker 3: artist by not letting him drop music. And he also

2040
01:27:15,640 --> 01:27:18,040
Speaker 3: mentioned that they had the budgets and they had the ideas,

2041
01:27:18,120 --> 01:27:19,600
Speaker 3: but nothing was executed.

2042
01:27:19,760 --> 01:27:21,360
Speaker 1: So most of our audience wants to know the reason

2043
01:27:21,439 --> 01:27:23,080
Speaker 1: we just played that because they have no idea who

2044
01:27:23,120 --> 01:27:29,080
Speaker 1: reason it is Red And I like reason. I like

2045
01:27:29,120 --> 01:27:30,760
Speaker 1: reading's music a lot. The reason I think I think

2046
01:27:30,760 --> 01:27:32,720
Speaker 1: you might be up here next week. Actually yeah, yeah,

2047
01:27:32,720 --> 01:27:34,439
Speaker 1: But I just know a lot of our listeners have

2048
01:27:34,520 --> 01:27:35,880
Speaker 1: no idea who the hell he is, So I mean

2049
01:27:35,960 --> 01:27:38,519
Speaker 1: it is I don't know whose fault that is. Yeah,

2050
01:27:38,800 --> 01:27:41,400
Speaker 1: I don't know if it's TDS or reasons. I don't

2051
01:27:41,400 --> 01:27:43,800
Speaker 1: think it's ever anybody's fault when an artist isn't heard.

2052
01:27:43,840 --> 01:27:47,120
Speaker 1: We have the Internet, you have all of these platforms.

2053
01:27:47,320 --> 01:27:49,640
Speaker 1: There's a million different ways to be heard. If the

2054
01:27:49,680 --> 01:27:52,559
Speaker 1: consumer isn't gravitating towards you, I don't like when people

2055
01:27:52,680 --> 01:27:54,800
Speaker 1: just blame the label, it just might not be your

2056
01:27:54,880 --> 01:27:56,000
Speaker 1: time yet. Just keep me in case.

2057
01:27:56,000 --> 01:27:57,439
Speaker 2: It might not be that song, it might not be

2058
01:27:57,600 --> 01:27:58,680
Speaker 2: that situation, might not.

2059
01:27:58,760 --> 01:27:59,880
Speaker 1: Be that project. That's right.

2060
01:28:00,080 --> 01:28:04,360
Speaker 3: But I'm assuming he's also frustrated because he's not getting feedback.

2061
01:28:04,520 --> 01:28:06,679
Speaker 3: They're just like, not, don't drop, don't drop. When Sissa

2062
01:28:06,720 --> 01:28:08,519
Speaker 3: was going on her Twitter ramp but she couldn't dropped,

2063
01:28:08,760 --> 01:28:10,559
Speaker 3: she said the same thing that they weren't telling her.

2064
01:28:10,840 --> 01:28:12,639
Speaker 3: Why they just said no, don't drop on drop.

2065
01:28:12,720 --> 01:28:14,880
Speaker 1: Well, the reason I would always listen to a label

2066
01:28:15,000 --> 01:28:19,599
Speaker 1: like TD is because when they finally do put an

2067
01:28:19,640 --> 01:28:22,479
Speaker 1: artist out and get behind the artist, artists usually ghost. Sissa,

2068
01:28:22,800 --> 01:28:24,200
Speaker 1: I mean, look at don't you. Don't you about to

2069
01:28:24,320 --> 01:28:26,600
Speaker 1: go right now? She's going, don't you You know what

2070
01:28:26,640 --> 01:28:29,599
Speaker 1: I mean? Things take time? That's all all right?

2071
01:28:30,080 --> 01:28:32,400
Speaker 2: All right, well that is your room or report. Now

2072
01:28:32,479 --> 01:28:34,720
Speaker 2: let's get into the People's choice mixed eight hundred five

2073
01:28:34,760 --> 01:28:36,600
Speaker 2: eighty five one five And of course the roots in

2074
01:28:36,840 --> 01:28:38,559
Speaker 2: LL stopped through early, so let's start the mix off

2075
01:28:38,560 --> 01:28:41,680
Speaker 2: for some ll uh. It's of course it's fifty years

2076
01:28:41,720 --> 01:28:43,200
Speaker 2: of hip hop this or what it calls him that,

2077
01:28:43,880 --> 01:28:46,720
Speaker 2: But big Ellie about to start. But nobody calls you

2078
01:28:47,320 --> 01:28:47,840
Speaker 2: uncle snacky.

2079
01:28:47,880 --> 01:28:51,519
Speaker 1: So yeah, that's not true. That's true. Absolutely that name. Yes,

2080
01:28:51,800 --> 01:28:54,400
Speaker 1: the women from the Poor Minds podcast, Dre and lex

2081
01:28:54,560 --> 01:28:56,280
Speaker 1: Uh created that name for me.

2082
01:28:56,840 --> 01:28:57,759
Speaker 2: Need to get them glasses.

2083
01:28:58,920 --> 01:29:02,519
Speaker 1: I don't know why you're hating on it. Take stay snackers,

2084
01:29:02,560 --> 01:29:05,840
Speaker 1: you call them. You're just not in the art. You can't.

2085
01:29:05,840 --> 01:29:08,320
Speaker 1: You can't appreciate it. You can't appreciate art when you

2086
01:29:08,400 --> 01:29:11,320
Speaker 1: see it. Am Art. You hear me, look at me,

2087
01:29:11,800 --> 01:29:13,559
Speaker 1: look at me, king I am Art.

2088
01:29:14,439 --> 01:29:18,599
Speaker 2: Okay, yeah, all right, well yeah, okay, it's the Breakfast Tub.

2089
01:29:18,640 --> 01:29:22,320
Speaker 24: Come the Breakfast Club. Your mornings will never be the

2090
01:29:22,560 --> 01:29:24,559
Speaker 24: same if you're hiring.

2091
01:29:24,920 --> 01:29:27,200
Speaker 1: You know it's hard to attract top town. Team up

2092
01:29:27,200 --> 01:29:29,280
Speaker 1: with the hiring partner who understands how tough it is

2093
01:29:29,360 --> 01:29:31,400
Speaker 1: and knows what you need. Zip Recruiter go to this

2094
01:29:31,479 --> 01:29:34,760
Speaker 1: exclusive web address to try zip recruiter for free. ZipRecruiter

2095
01:29:34,840 --> 01:29:36,960
Speaker 1: dot com slash Breakfast Morning, Everybody.

2096
01:29:37,040 --> 01:29:40,920
Speaker 2: It's DJ Envy Charlamagne the Guy. We are the Breakfast Club.

2097
01:29:41,160 --> 01:29:43,479
Speaker 2: We still got our special guest co hosts Ashley with

2098
01:29:43,600 --> 01:29:45,960
Speaker 2: to ease what's going down, and we appreciate you for

2099
01:29:46,040 --> 01:29:49,759
Speaker 2: joining us. How'd you enjoy your experience.

2100
01:29:50,000 --> 01:29:52,160
Speaker 3: I loved it. It was a little intimidated at first,

2101
01:29:52,240 --> 01:29:54,439
Speaker 3: but you know how because I told you, it's a

2102
01:29:54,439 --> 01:29:55,800
Speaker 3: full circle moment for me. I used to be the

2103
01:29:55,840 --> 01:29:57,360
Speaker 3: little bum board up back in the day.

2104
01:29:57,800 --> 01:29:59,880
Speaker 1: But you are people my knees, I know.

2105
01:30:00,040 --> 01:30:02,080
Speaker 3: Oh but when you sit, when you sit in this

2106
01:30:02,240 --> 01:30:05,080
Speaker 3: seat and the cameras are on and everybody's doing everything,

2107
01:30:05,120 --> 01:30:08,240
Speaker 3: it's a lot going on. But no, I appreciate it, y'all.

2108
01:30:08,600 --> 01:30:10,720
Speaker 3: Me and Envy we've only met like twice, you know,

2109
01:30:10,880 --> 01:30:12,800
Speaker 3: at the car shows, so this is the most we've

2110
01:30:12,800 --> 01:30:14,719
Speaker 3: ever talked or interacted on our.

2111
01:30:15,320 --> 01:30:16,800
Speaker 1: Damn, I don't I don't see that.

2112
01:30:16,880 --> 01:30:19,800
Speaker 3: Actually I know he ain't that Heuton, I ain't up

2113
01:30:19,800 --> 01:30:21,240
Speaker 3: in New York. So it's all good.

2114
01:30:21,640 --> 01:30:23,479
Speaker 2: Yeah, well, well, thank you for joining us. We appreciate

2115
01:30:23,560 --> 01:30:24,360
Speaker 2: thank got for having me.

2116
01:30:25,000 --> 01:30:27,000
Speaker 1: And Ashley is iHeart Mafia, you know what I'm saying.

2117
01:30:27,040 --> 01:30:29,400
Speaker 1: Ashley is already like you know, you do mid days

2118
01:30:29,400 --> 01:30:30,360
Speaker 1: on with fifty markets.

2119
01:30:30,520 --> 01:30:32,720
Speaker 3: I do mid days on one I do. I have

2120
01:30:32,800 --> 01:30:35,160
Speaker 3: a morning show in thirteen cities and I'm in thirty seven.

2121
01:30:35,200 --> 01:30:38,480
Speaker 1: I do nights. So and she's the national music director.

2122
01:30:38,920 --> 01:30:39,720
Speaker 3: Right, talk about it.

2123
01:30:39,840 --> 01:30:43,040
Speaker 1: So about it. Long story short, actually don't need.

2124
01:30:43,040 --> 01:30:48,519
Speaker 3: No job, you know, don't say that. Don't say that. Hey, hey,

2125
01:30:48,960 --> 01:30:53,680
Speaker 3: I want to listen, and don't listen to that. I

2126
01:30:53,720 --> 01:30:57,280
Speaker 3: can always take a few more stations, you know. But yeah,

2127
01:30:57,439 --> 01:30:59,599
Speaker 3: like I said that, we talked about my journey yesterday.

2128
01:30:59,680 --> 01:31:02,600
Speaker 3: Thanks y'all. Thanks to Charlie Maine for like my mentorship,

2129
01:31:02,720 --> 01:31:06,200
Speaker 3: do my entire career, and you know, the boss via

2130
01:31:06,720 --> 01:31:11,080
Speaker 3: coach for taking on my late night crying calls for

2131
01:31:11,200 --> 01:31:14,280
Speaker 3: my whole life. But you know we're here. Somebody, I

2132
01:31:14,320 --> 01:31:15,960
Speaker 3: remember you said a long time ago when y'all were

2133
01:31:16,000 --> 01:31:17,439
Speaker 3: doing the was it the change for change?

2134
01:31:17,520 --> 01:31:17,680
Speaker 2: Yep.

2135
01:31:17,760 --> 01:31:21,320
Speaker 3: One time Charlie Maine said that having a black woman

2136
01:31:21,360 --> 01:31:23,479
Speaker 3: in power actually gets things done. And that's one hundred

2137
01:31:23,479 --> 01:31:25,360
Speaker 3: percent of the truth. So I'm trying to come up

2138
01:31:25,400 --> 01:31:28,160
Speaker 3: as the next one after fear. So I appreciate this

2139
01:31:28,520 --> 01:31:31,519
Speaker 3: opportunity with y'all, and y'all see me behind the scenes,

2140
01:31:31,560 --> 01:31:34,519
Speaker 3: in front of the scenes on fifty stations. Let's add

2141
01:31:34,640 --> 01:31:36,680
Speaker 3: some more, let's get to ninety. Whatever y'all are on.

2142
01:31:37,360 --> 01:31:41,160
Speaker 1: Definitely one of those next you know, big executives in

2143
01:31:41,280 --> 01:31:43,439
Speaker 1: this radio game media game period.

2144
01:31:43,560 --> 01:31:45,160
Speaker 3: That's right, and I'm the youngest. So let's get I

2145
01:31:45,200 --> 01:31:46,960
Speaker 3: was talking to Red, let's get some more. If you

2146
01:31:47,040 --> 01:31:48,880
Speaker 3: ever want to be a PD, come fine.

2147
01:31:49,600 --> 01:31:51,400
Speaker 1: Nobody wants to be behind the scenes, no more to

2148
01:31:51,439 --> 01:31:53,160
Speaker 1: Everybody wants to be talent, you know what I mean.

2149
01:31:53,200 --> 01:31:55,920
Speaker 1: They either want to start a podcast or you know,

2150
01:31:56,040 --> 01:31:57,720
Speaker 1: be in front of the camera. Nobody wants to be

2151
01:31:57,800 --> 01:32:00,000
Speaker 1: behind the scenes where the producers, where the program direct.

2152
01:32:00,360 --> 01:32:02,439
Speaker 3: You can start up. Everybody can start a podcast. Everybody

2153
01:32:02,479 --> 01:32:06,040
Speaker 3: has a story to tell. Everybody has like a profession

2154
01:32:06,160 --> 01:32:08,960
Speaker 3: or something that someth they're interested in. But there go

2155
01:32:09,160 --> 01:32:11,720
Speaker 3: where your gifts lie. Like if you if you are

2156
01:32:11,800 --> 01:32:14,919
Speaker 3: not like the honored type of person, go to programming.

2157
01:32:14,920 --> 01:32:17,200
Speaker 3: If you understand music better and you understand like music

2158
01:32:17,320 --> 01:32:20,320
Speaker 3: like relationships, like go to go to being a PD.

2159
01:32:20,400 --> 01:32:22,320
Speaker 3: There's so many more things. There's so many things to

2160
01:32:22,360 --> 01:32:24,840
Speaker 3: do with a radio station other than being the honored personality.

2161
01:32:25,200 --> 01:32:27,080
Speaker 3: But we don't market it. You know that, well, But

2162
01:32:27,840 --> 01:32:29,320
Speaker 3: we got to I ain't gonna say we got a

2163
01:32:29,360 --> 01:32:30,759
Speaker 3: lot of jobs, but we've got a lot of different

2164
01:32:31,120 --> 01:32:32,120
Speaker 3: career paths up here.

2165
01:32:32,360 --> 01:32:34,479
Speaker 2: That's right, all right. So when we come back, we

2166
01:32:34,520 --> 01:32:36,759
Speaker 2: got the positive. Notice the breakfast club good morning.

2167
01:32:36,680 --> 01:32:39,080
Speaker 1: Owning everybody in cj NV.

2168
01:32:39,080 --> 01:32:41,360
Speaker 2: Charlamagne the GUD. We are the Breakfast Club. We're still

2169
01:32:41,400 --> 01:32:43,799
Speaker 2: here with our co hosts Ashley with to ease Hanning.

2170
01:32:44,360 --> 01:32:46,360
Speaker 2: All right now, Charloman, you got a positive note.

2171
01:32:46,400 --> 01:32:48,479
Speaker 1: I do, But first I want to tell everybody tonight,

2172
01:32:49,000 --> 01:32:50,760
Speaker 1: if you're in New York City, I'll be at the

2173
01:32:50,880 --> 01:32:55,599
Speaker 1: Seamberg Center for Research in Black Culture at six pm

2174
01:32:55,880 --> 01:32:59,599
Speaker 1: because the good brother Jay Jenkins, better known as JEZ,

2175
01:33:00,000 --> 01:33:03,680
Speaker 1: he dropped his first book, Yesterday's Adversity for sale. It's

2176
01:33:03,680 --> 01:33:06,600
Speaker 1: available everywhere you buy books right now, and we'll be

2177
01:33:06,680 --> 01:33:09,920
Speaker 1: in conversation tonight. So I'll be in conversation with GZ

2178
01:33:10,040 --> 01:33:13,519
Speaker 1: tonight at the Seanberg Center for Research in Black Culture

2179
01:33:14,160 --> 01:33:17,240
Speaker 1: six pm in New York City, five p fifteen Malcolm

2180
01:33:17,400 --> 01:33:20,880
Speaker 1: X Boulevard. And Jez's having a book signing right after

2181
01:33:20,960 --> 01:33:25,519
Speaker 1: the conversation. So salute to the Greenwood Collective. And yeah,

2182
01:33:25,600 --> 01:33:27,760
Speaker 1: we'll see y'all tonight. Man, we see you tonight. In

2183
01:33:27,800 --> 01:33:31,479
Speaker 1: the positive notice, simply this man always remember hurt people,

2184
01:33:31,560 --> 01:33:34,960
Speaker 1: hurt others, but luckily healed people, heal others, safe people,

2185
01:33:35,120 --> 01:33:39,599
Speaker 1: shelter the others, free spirits, free others, enlighten people, illuminate others,

2186
01:33:39,800 --> 01:33:42,840
Speaker 1: and love always wins. So shine your light of love

2187
01:33:42,960 --> 01:33:46,559
Speaker 1: on all who may cross in your path today, because

2188
01:33:46,600 --> 01:33:50,280
Speaker 1: what you do matters. All right, all right, Breakfast club,

2189
01:33:51,080 --> 01:33:52,200
Speaker 1: Y'll finish for y'all. Done,