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Speaker 1: So you could find me in the Hookah lounge with

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Speaker 1: Jewel's Santana, relaxing on the couch, reclining and puffing.

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Speaker 2: On strawberry Swish French vanilla.

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Speaker 3: Oh.

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Speaker 1: And we're going back and forth doing little designs with

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Speaker 1: our smoke, and I do a bunny rabbit and he

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Speaker 1: does some kind of strange moth and then.

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Speaker 3: I do a Bible versus incursive. That's so interesting. Yeah,

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Speaker 3: I don't believe.

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Speaker 2: Well, letter at a time or just all where are

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Speaker 2: you on that?

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Speaker 4: Now?

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Speaker 3: Well, I'm in an interesting spot. I don't want to

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Speaker 3: interrupt your story.

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Speaker 1: No, I mean, like you're saying you don't believe because

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Speaker 1: you did believe in it last time we heard from

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Speaker 1: you about it.

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Speaker 3: I don't know that I believed in it. Maybe I

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Speaker 3: believe that it had some value.

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Speaker 1: Oh okay, Well I'm afraid that you saying that it

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Speaker 1: really did happen.

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Speaker 3: Oh yes, well, okay, I believe there was that man.

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Speaker 3: He may be exaggerated, Mama, there goes that man, is

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Speaker 3: what I would say. And he may be exaggerated a

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Speaker 3: little bit, oh, which is okay, Because it was in

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Speaker 3: order to put a moral structure on our society and

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Speaker 3: without that without people basically having a prism of fear

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Speaker 3: through which to view every choice they make, I'm afraid

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Speaker 3: that it would be complete anarchy. Not everyone is naturally capable,

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Speaker 3: like a Sean or a Haze or a who's a

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Speaker 3: guest we've had who really I think has a strong

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Speaker 3: moral compass.

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Speaker 2: How running it rudnick or a Rudnick.

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Speaker 3: Not everyone has that ability to sort of just innately

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Speaker 3: understand right from wrong, And they kind of need to

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Speaker 3: fear that some sort of overlord is going to bop

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Speaker 3: them on the nose with the newspaper for eternity in

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Speaker 3: hell if they don't, for instance, leave my shoe on

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Speaker 3: the wall alone and not try to steal it.

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Speaker 2: So you've really reached a reasonable media.

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Speaker 3: Well, I think it should exist. I really think that

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Speaker 3: religion is a good thing, but only because people are

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Speaker 3: so stupid and just simpletons. And I in a way

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Speaker 3: am sort of a demigod. Demigogi What am I saying?

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Speaker 2: You are saying two different things? Demi legato? So I

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Speaker 2: blew this the just close this out?

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Speaker 1: I blew care why you finish this one right?

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Speaker 2: Code mad? Okay, I'll be careful. It's okay to laugh

49
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Speaker 2: about this stuff. I blew a smoke shape.

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Speaker 1: Of a pretty woman, a beautiful woman, M doing Roberts, Yes,

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Speaker 1: and she's sort of beckoning Jewel's and he's like, oh,

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Speaker 1: where is this gonna where is this gonna go? And

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Speaker 1: he's kind of like he's trying to whistle at her. Yeah,

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Speaker 1: And then I had it transform into a into a boy.

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Speaker 1: Oh no, So he found himself being gay for the smoke,

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Speaker 1: for just a for just a brief moment.

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Speaker 3: Oh that's a good lesson for him. And again, you know,

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Speaker 3: just a good reason that maybe some of this Bible

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Speaker 3: stuff is in place.

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Speaker 5: So I.

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Speaker 1: Would handbook and Insider's Guide to kicking button dropping names

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Speaker 1: in the red carpet lineback hallways of this industry we

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Speaker 1: call showbiz. And I like the new thing where you

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Speaker 1: say so. So I sort of prompt me into my

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Speaker 1: because I forget to say my beginning part.

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Speaker 3: I don't know, I don't know what the fuck's going on.

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Speaker 3: I'm still buzzed from last night. Oh really, Oh gosh,

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Speaker 3: I got such a heady buzz on and I just

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Speaker 3: couldn't shake it. I tell you, if I wasn't still buzzed,

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Speaker 3: I think I'd just about fall over and now.

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Speaker 1: I have the same thing where not the same thing.

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Speaker 1: But my blood sugar is like plummeting.

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Speaker 2: You know what I mean?

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Speaker 3: Right, my blood pressure is plummeting.

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Speaker 2: You can feel it going down.

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Speaker 3: Oh it's gone, baby, through the basement. No, my shit's

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Speaker 3: not pumping.

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Speaker 2: Do you want to eat something? I'm trying not to. Okay.

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Speaker 3: As a personal just challenge with myself.

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Speaker 2: I think it might be a good Well did you

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Speaker 2: eat before this?

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Speaker 3: No? I haven't eaten. What's today Saturday? Okay, yeah, I

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Speaker 3: haven't eaten since the tenth? Well, why don't we Do

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Speaker 3: you want to get lunch?

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Speaker 2: Oh? Yeah, I guess it's the tenth. I mean I was.

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Speaker 2: I told myself I was gonna do two weeks.

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Speaker 4: Uh huh, And we're.

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Speaker 2: Right about it.

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Speaker 1: It's been thirteen days. Yeah, if you count the tenth.

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Speaker 2: Muh huh. So, so let's just get lunch and.

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Speaker 1: That and that could get us into a place where

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Speaker 1: we're feeling so energized and we do the real show.

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Speaker 3: I would love to have the power of lunch in.

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Speaker 2: Me, Cody, can we have the menus? Please? Sure?

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Speaker 4: Let me just go grab that.

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Speaker 3: Just get the book of Menus.

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Speaker 4: Here's a computer.

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Speaker 2: No, the book, the book.

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Speaker 3: There's the big book of menus, the laminated menus, the

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Speaker 3: places we're allowed to order from according to scripts.

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Speaker 1: Thank you, because they they haven't laminated. When I'm thinking

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Speaker 1: about lunch food, I start to liquids arts to spill

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Speaker 1: out of my mouth. Yeah, because I'm getting ready to

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Speaker 1: break it all down. Okay, okay, okay, well options right.

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Speaker 2: I want I want something with a mushroom.

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Speaker 3: And I am sweating all over these menus. Thank god

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Speaker 3: they're laminated.

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Speaker 2: Uh, you want something with a mushroom. I want something

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Speaker 2: with a big mushroom.

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Speaker 3: Cody, is there anything with lentils where they smash them

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Speaker 3: all up and make sort of a mash.

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Speaker 4: Maybe at that tie place.

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Speaker 3: At the tie place, he thinks they smash up the lentils.

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Speaker 1: Okay, okay, because these should be divided by what kind

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Speaker 1: of food it is, yeah, instead of just by like

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Speaker 1: an experience that you had there.

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Speaker 4: I like to arrange it autobiographically.

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Speaker 2: Uh huh. Yeah.

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Speaker 3: And there's these little tabs on the side, Yeah, with like,

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Speaker 3: I guess, keywords to remind you of the experience that

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Speaker 3: you had at these places.

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Speaker 2: Once has drank too much water?

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Speaker 4: Yeah, it's always an issue, don't.

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Speaker 3: Stop one, just as pork buns, and it's not on

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Speaker 3: the men. That's not an item that's on the menu.

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Speaker 3: Is that what you were upset about that they didn't

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Speaker 3: have it?

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Speaker 4: I think they had it and then they ran out

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Speaker 4: of it, so I just remember that happened, but.

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Speaker 2: The menu does not list it as a thing. So

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Speaker 2: you believed they were lying.

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Speaker 4: They seem to, uh, yeah, they indicated to me through

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Speaker 4: their body language that it was one that they had

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Speaker 4: run out of.

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Speaker 3: And you're huge on these micro expressions. Now you feel

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Speaker 3: that you can sense that, and you're frequently accusing people

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Speaker 3: around the Earwolf office of hiding something or of displaying

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Speaker 3: aggression towards you that no one else is sensing.

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Speaker 6: Yeah, I've been researching a lot of there's a lot

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Speaker 6: of body language stuff on the Internet and on the

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Speaker 6: lad Bible.

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Speaker 3: And I also saw you reading Joe Navarro's Read Them

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Speaker 3: and Reap one hundred and one Poker Tells for the

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Speaker 3: amateur player. He I guess was a former FBI profile

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Speaker 3: and he thinks that you can reap the rewards of

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Speaker 3: an ability to read your opponent. And I guess I

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Speaker 3: would caution you from feeling like an expert, so soon

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Speaker 3: after reading that book.

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Speaker 1: Interesting for you also to become a body language expert.

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Speaker 1: For you, well, I don't know if this is a

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Speaker 1: deliberate thing, like something you're trying to put out into

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Speaker 1: the world. But as for you to be someone who's

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Speaker 1: constantly wacking his lips and itching himself, I don't know.

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Speaker 1: I mean, like maybe at some point it could translate

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Speaker 1: onto you, whereas like you could have more control over right,

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Speaker 1: stuff your body is up to.

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Speaker 3: I want to watch yourself because you do display all

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Speaker 3: of the physical manifestations of a predator.

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Speaker 4: It's more for me to look out and I can.

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Speaker 4: I can assess, you know, my prey I mean people

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Speaker 4: and stuff, not really applying it to myself so much lately.

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Speaker 2: Oh okay, okay, one at a time.

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Speaker 3: So all right, well, let's just pick out one of

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Speaker 3: these menus.

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Speaker 2: And is there anywhere.

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Speaker 3: Where the bread is a wet, wet sandwich?

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Speaker 2: Yeah?

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Speaker 1: Because sometimes because I like the ones where you dip

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Speaker 1: it in something. You know, you dip the sandwich, but

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Speaker 1: I want it to be wet even before I dip that.

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Speaker 1: I can't deal with the dipping. I don't trust myself.

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Speaker 3: Because I one thing is dry bread can be pretty

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Speaker 3: dangerous for your throat.

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Speaker 2: Yeah.

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Speaker 3: I chip my tooth once on that, so even more reason.

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Speaker 3: Just see if there's a wet bread anywhere in here.

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Speaker 2: Remember the Jim Carrees tooth.

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Speaker 3: Oh, oh, tell me more about it.

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Speaker 2: It was that was real?

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Speaker 3: Oh gracious, well, well what else do we have to eat?

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Speaker 2: Condolences?

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Speaker 3: So all right, okay, So here's a question I have,

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Speaker 3: and is does this exist?

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Speaker 2: Bacon tacos? I mean, really, would that just clean up?

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Speaker 6: Oh?

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Speaker 2: We should do a truck baccos.

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Speaker 3: Ooh, we should do a truck bacos. We gotta get

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Speaker 3: a truck going.

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Speaker 2: I need someone to drive, and I need someone to

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Speaker 2: make the food. Is there anywhere they cook with activated charcoal?

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Speaker 3: Because that's in my body wash and it just makes

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Speaker 3: me feel great.

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Speaker 4: Yeah, that's uh, you can get that at the pharmacy.

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Speaker 3: At the pharmacy, okay. And I'm looking through the menu

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Speaker 3: and then what's the keyword next to pharmacy but medicine.

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Speaker 2: So this is where you.

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Speaker 3: Pick up your bod medicine that Tom also Tom Sharpling

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Speaker 3: famously needs.

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Speaker 4: No Yeah, he recommended that place to me too.

200
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Speaker 1: Oh wow, oh boy. So the thing I thought was

201
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Speaker 1: a big mushroom. In my head was like a gray steak. Mmm,

202
00:11:19,440 --> 00:11:20,959
Speaker 1: because it looked like a big mud. When I was

203
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Speaker 1: picturing you for a second, it did look like a

204
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Speaker 1: big mushroom shark steak. But now in my head I'm

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Speaker 1: kind of pushing on it and it feels like it is.

206
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Speaker 2: A gray steak shark steak.

207
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Speaker 3: Remember who's that fucking shark steak?

208
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Speaker 2: Who is that? Jeff Bridges the dude? Are you going

209
00:11:38,960 --> 00:11:40,920
Speaker 2: to bett Lebowski Fest this year? Oh?

210
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Speaker 3: Yes, I'm gonna be I'm hosting it.

211
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Speaker 1: Oh wow, Yeah, I'm gonna be Tara Reid's character.

212
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Speaker 3: Oh right, just once of sex.

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Speaker 1: Uh you're hosting get at your place this year?

214
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Speaker 2: Yeah I am.

215
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Speaker 3: Huh, I'm gonna be the marmot or whatever.

216
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Speaker 4: Okay, Turtle, the turtle.

217
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Speaker 2: You're gonna be Turtle.

218
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Speaker 1: You show up to all these fast as Turtle, and

219
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Speaker 1: I don't think it's appropriate for a single one.

220
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Speaker 2: Yeah, comic Con you go as Turtle again.

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Speaker 4: I read about it and lad Bible got his like

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Speaker 4: a lot of the.

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Speaker 2: Stuff that he wore in the show.

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Speaker 1: Oh you bought yeah, show worn costumes and you wore

225
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Speaker 1: it to comic Con and the nerds beat you up.

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Speaker 4: Yeah, they always see that.

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Speaker 2: What else is food? So yeah, let's just see.

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Speaker 4: Dot doom doom.

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Speaker 2: Well I can't eat that. What is it the paper?

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Speaker 1: Yeah yeah, I can see he's struggling with it a

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Speaker 1: little bit.

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Speaker 2: Yeah, it does. It is confusing because it says lunch

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Speaker 2: on it.

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Speaker 3: Well, and that's a outside of them laminating these menus.

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Speaker 2: It makes it much harder to be lunch. Mm hmmm.

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Speaker 3: So it's really false advertising. And can we sue them

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Speaker 3: and we get free lunch? Ah?

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Speaker 1: What if we put two restaurants together to make one lunch?

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Speaker 1: Like two salads from a different from two different places?

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Speaker 3: Is there any salads with candy? Like maybe you're gonna grapefruit?

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Speaker 3: Would not that be nice?

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Speaker 1: On a sound in the salad? A little bit of

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Speaker 1: a rouglo Cody? Is there any salads with candy?

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Speaker 4: Do you guys have any allergies?

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Speaker 2: Or that's a good question?

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Speaker 3: Oh wow, Well, so, as always I don't eat anything

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Speaker 3: without rubbing it on my chest first, so it really

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Speaker 3: wouldn't be that big a deal. At worst I get

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Speaker 3: a chest rash. Yeah, but do you need the list

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Speaker 3: again of things that have given me a rash? On

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Speaker 3: my chest please, hot sauce, stiracha, halpenos, habern arrows, all

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Speaker 3: things I didn't know I was allergic to, But of

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Speaker 3: course I rubbed them all over.

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Speaker 1: My chest, right sure, yeah, and after the first few

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Speaker 1: it probably they're all sort of part of the same family.

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Speaker 3: I thought at one point that I was allergic to raspberries,

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Speaker 3: but it turns out it was just juice on my

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Speaker 3: chest and made sort of a jam. That's my jam,

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Speaker 3: turn it up? Remember at the club? Yes, yes, Now

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Speaker 3: what else is food allergic to?

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Speaker 2: Gooping? Flipping around? Oh, going on with Poutro's blog.

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Speaker 1: No, it's like it's like a special kind of Ah.

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Speaker 3: Yes, oh, it's in the all the breads. Can't have that.

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Speaker 3: Well this keyword, it says, pop a smurf next.

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Speaker 2: To this one? What could this be? Cody?

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Speaker 4: That wasn't supposed to be in there?

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Speaker 2: Cody.

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Speaker 1: Don't you sometimes have a little treat for yourself? Oh,

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Speaker 1: when you're doing a record, because I feel like it's

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Speaker 1: gonna take so long to get it. It's gonna take

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Speaker 1: so long we have to call and that's a couple over.

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Speaker 1: We're too hungry to wait.

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Speaker 2: So don't you sometimes bring a little treat in your pocket.

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Speaker 6: Yeah, because I have like animal brain problems. So I

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Speaker 6: want to train myself when I do something.

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Speaker 4: When I do a good I give myself a little

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Speaker 4: treat your nose.

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Speaker 2: Do you see how lot you could hold it on

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Speaker 2: your nose?

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Speaker 3: Yep, self control disciplines and muscle No I got here.

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Speaker 1: We could eat some of Cody's treats.

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Speaker 4: Some some blue masking tape.

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Speaker 2: Oh try that out? Thank you. Oh that looks good.

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Speaker 2: It's actually blue raspberry.

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Speaker 3: Oh you look stronger. It's sort of a fruit by

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Speaker 3: the food.

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Speaker 1: I thought it was gonna be blue regular berry, but

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Speaker 1: it's blue raspberry.

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Speaker 2: I like that.

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Speaker 3: I'm not allergic to those.

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Speaker 2: Do you have any other treat? Yeah? Can I get sean?

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Speaker 2: I can't eat that stuff.

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Speaker 7: Here we go.

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Speaker 4: Styrofoam?

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Speaker 3: Ah oh good, just a little more flipvorful than rice cakes.

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Speaker 2: Got them? Bitch?

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Speaker 3: Yeah yeah yeah, yeah, yeah yeah yeah.

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Speaker 2: It's actually very good.

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Speaker 3: Uh kind of almost like marshmallows, but not so damn sweet.

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Speaker 2: Wow. That was a nice lunch.

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Speaker 3: What a great lunch, And thanks Cody for being prepared.

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Speaker 3: And I hope you didn't need that styrofilm to be

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Speaker 3: the shape it was when you hand it to me

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Speaker 3: and uh, we will of course be back with guests.

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Speaker 3: And you're good of love listening to that part. So

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Speaker 3: everybody keep doing what you're doing in terms of likegging

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Speaker 3: Hollywood Handbook on Hollywood Handbook. So I'm with, you know,

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Speaker 3: all the baristas from Barista and uh, and I'm there

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Speaker 3: with the documentary film Butsta and and and I'm there

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Speaker 3: with Adam Sachs and his children and his wife uh huh.

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Speaker 3: And he is wearing uh Scarborough country t shirt. Wow,

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Speaker 3: so I'm like, take that off, you know.

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Speaker 1: Yeah, people are trying to drink coffee here and not

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Speaker 1: trying to spit out their coffee from remembering a funny

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Speaker 1: joke they heard on the show and laughing.

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Speaker 3: Well, that's exactly right. It's pretty dangerous. And they've got

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Speaker 3: these brown butter blondies there that are just a delight,

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Speaker 3: but they've got a little bit of salt and you

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Speaker 3: choke on that, it goes up your nose.

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Speaker 2: Who knows.

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Speaker 3: I mean, you're going to be living with that forever.

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Speaker 3: So anyway, we get in this big argument, bit of

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Speaker 3: a scuffle.

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Speaker 2: Yeah you're trying to take his shirt off.

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Speaker 3: Yeah, I put him into an armbar and Rerenzo Gracie style,

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Speaker 3: and I suddenly realized, like, what are we fighting about?

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Speaker 3: We both love podcasts, we both love having fun. I

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Speaker 3: lend them some of my five to four clothing just

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Speaker 3: to cover up, and I am head to toe five

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Speaker 3: to four today. Just so you know and code when

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Speaker 3: you get pictures for this episode, Engineer Cody, please do

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Speaker 3: realize that my jeans, my shirt, my jacket, it's all

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Speaker 3: five to four. And if they gave me shoes and

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Speaker 3: a watch, I'd do that too. I just love them,

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Speaker 3: and I've come all the way around. So you made

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Speaker 3: him wear the jeans as a I made him put

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Speaker 3: on jeans over his Squaborough Country shirt, and I made

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Speaker 3: him put on a jacket like a skirt.

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Speaker 1: Hey, speaking of podcasts, right, Welcome to Hollywood Handbook and

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Speaker 1: Insire's Guide to kicking button dropping names of the red

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Speaker 1: carpet lineback. Always of this industry we call show, but

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Speaker 1: we're always tapping into what's going on in the podcast universe.

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Speaker 3: And this is the business of podcasts.

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Speaker 1: Sort of a secondary tertiary thing for us, but we

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Speaker 1: still like to know what's going on.

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Speaker 2: It's just as sort of a hobby.

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Speaker 3: That's a new wave of content, and I think it's

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Speaker 3: interesting and we look to be at the front of

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Speaker 3: the next wave all the time. So we've got these guys.

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Speaker 2: Here, Jake and Emirror Here.

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Speaker 3: Jake and emir If you've heard of him, I bet say, hi, guys, Hey,

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Speaker 3: you not Jake.

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Speaker 2: And a Mirror. That would be what my uncle j

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Speaker 2: show is. Oh he thinks it's you.

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Speaker 8: Looking at a long time my family it was like,

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Speaker 8: we can't find your show.

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Speaker 3: It's Jake and the Mirror and it is somewhat masturbatory.

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Speaker 2: Yeah.

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Speaker 8: Well, I have a separate show on you porn. I'm

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Speaker 8: a camboy.

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Speaker 2: It's just a Jacob a mirror.

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Speaker 3: Oh good, you're a little Thai camboy.

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Speaker 2: Yeah, it's very racist.

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Speaker 3: Yeah.

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Speaker 1: So you guys have a podcasts Yeah, we do a

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Speaker 1: Hole and a Hole network.

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Speaker 3: Yeah, hello, a channel of podcasts.

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Speaker 2: Basically, what's that about.

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Speaker 5: Well, we had a podcast for a while called If

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Speaker 5: I Were You. It still exists, still exists it and

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Speaker 5: then we decided, why don't we expand our one show

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Speaker 5: into a channel, a network of shows. So we started

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Speaker 5: head Gum, which is a podcast network and it's filled with.

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Speaker 3: Shows from our friends and family.

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Speaker 1: I had that one time, Redland Family or a podcast

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Speaker 1: network head Gum.

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Speaker 8: You had head gum. Yeah, you owned the domain name

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Speaker 8: and you let it expire.

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Speaker 2: No, I had a case of.

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Speaker 1: Chewing gum in the head sneeze and it kind of

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Speaker 1: jumps up into the sinus cage.

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Speaker 3: Yes, I feel like I was afraid would happen to

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Speaker 3: the people in the Barista show.

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Speaker 2: Yes, you know.

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Speaker 3: I mean, isn't it funny how connected our conversations are.

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Speaker 2: We don't always realize.

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Speaker 3: I guess yeah, No, no guesswork involved here. It's true

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Speaker 3: funny And so yeah, head gum. We've all had it,

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Speaker 3: we've all gotten it stuck in there, and we've all

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Speaker 3: had to get a doctor.

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Speaker 1: That's what my foundation is to try and stop it

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Speaker 1: from happening to me again.

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Speaker 3: And I want to say quickly, just because normally we

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Speaker 3: record our episode a few days ahead of time, we

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Speaker 3: have time to go back and sort of edit it. Uh,

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Speaker 3: we're not going to have that time, So we do

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Speaker 3: need engineer Cody totally engaged.

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Speaker 2: Today.

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Speaker 3: You're on point code. You say, once again, Tip, what hmmm.

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Speaker 2: He sounds like he's ready to go.

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Speaker 3: Well, and we'll edit that so it sounds tight. But

402
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Speaker 3: we're gonna just stop down every so often. You won't

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Speaker 3: hear this in the record, but Cody, so you know,

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Speaker 3: we're gonna stop down and kind of talk about what

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Speaker 3: we need edited out. I think from that beginning, maybe

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Speaker 3: we have a mirror. You really get it when I

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Speaker 3: like I am talking about the barista stuff connecting to

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Speaker 3: the head gum stuff.

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Speaker 2: Shoot and be laughing over that a little bit. I mean,

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Speaker 2: if you would crack up laughter right now. Do we

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Speaker 2: want to get a couple of wild laughs?

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Speaker 3: Yes, and we could just plug those in after Hayes

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Speaker 3: says something after I.

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Speaker 8: Jake Herwitz wild laugh, take one that feels good, and

415
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Speaker 8: maybe do one where you're trying not to edit bursts out. Okay,

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00:22:29,480 --> 00:22:34,040
Speaker 8: this is Jake Herwitz stifled wild after take one?

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Speaker 2: Sorry, do one that sounds fake?

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Speaker 4: All right?

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Speaker 2: Ha great, great, great?

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Speaker 3: And slate the last one.

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Speaker 2: Sorry?

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Speaker 8: Can I the Jake Herwitz wild laughter fake Take one?

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Speaker 8: So I nailed them all in one take.

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Speaker 3: Okay, okay, and then a mir if we could get

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Speaker 3: a couple of takes a wild laugh, sure mere Bloominfeld

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Speaker 3: wild laughter, Take one.

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Speaker 2: That's funny? All right?

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Speaker 3: Uh huh.

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Speaker 5: Another option sort of snuck in the line there, Well,

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Speaker 5: I would say something.

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Speaker 2: That's going to affect how we pay out.

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Speaker 5: No line, no line, no line, no line, Mere Bloominfeld,

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Speaker 5: wild Laughter, Take two, it's funny.

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Speaker 3: Sorry, you can cut out.

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00:23:18,600 --> 00:23:19,720
Speaker 2: We'll get up before. That's funny.

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00:23:19,800 --> 00:23:22,560
Speaker 1: Yeah, we get an edit on on two.

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00:23:22,720 --> 00:23:24,919
Speaker 2: You can get that. I breathe, drop, it's funny. I

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Speaker 2: need your day of.

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00:23:25,520 --> 00:23:28,000
Speaker 5: Birth to in the slate, please sure, I Mere Bloominfeld,

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00:23:28,080 --> 00:23:30,160
Speaker 5: January eighteenth, wild Laughter, Take three?

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Speaker 2: Did you say the year eighty three?

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Speaker 5: That's funny that one. If you do want to use

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Speaker 5: the line, it's sort of embedded.

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Speaker 2: He only has Take three, you have the line?

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Speaker 5: Sorry, sorry, okay, Jesus Christ, Mere Bloomingfeld January eighteenth, nineteen

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Speaker 5: eighty three, wild Laughter, Take four.

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Speaker 3: That's funny.

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Speaker 2: Oh so you started.

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Speaker 5: I honestly can't even tell that I'm saying it. If

450
00:23:53,880 --> 00:23:55,840
Speaker 5: I'm saying it, I am giving it, breathing.

451
00:23:55,960 --> 00:23:56,760
Speaker 3: Can we do what? You are?

452
00:23:57,080 --> 00:24:00,239
Speaker 1: More surprised, because like, like that's what where a lot

453
00:24:00,240 --> 00:24:01,640
Speaker 1: of our comedy is gonna be coming from.

454
00:24:01,600 --> 00:24:05,320
Speaker 3: Ism surprise, And that really is what comedy. I mean, Look,

455
00:24:05,320 --> 00:24:06,080
Speaker 3: who are you guys?

456
00:24:06,119 --> 00:24:07,080
Speaker 2: Now? Sure? Yeah?

457
00:24:07,080 --> 00:24:09,480
Speaker 1: And so like what wouldn't you expect to see. Sure,

458
00:24:09,520 --> 00:24:11,000
Speaker 1: it's kind of pouncing on you.

459
00:24:11,080 --> 00:24:14,399
Speaker 5: Okay, yeah a Mere Bloominfeld again, do I need to

460
00:24:14,440 --> 00:24:15,320
Speaker 5: do the birthday every time?

461
00:24:15,440 --> 00:24:15,640
Speaker 4: Yeah?

462
00:24:15,680 --> 00:24:15,879
Speaker 3: You have?

463
00:24:15,920 --> 00:24:18,800
Speaker 5: Okay, Mere Bloomin Felt January eighteenth, nineteen eighty three. Wild Laughter,

464
00:24:18,920 --> 00:24:30,680
Speaker 5: Take one B. We'll call surprise laughter ready.

465
00:24:26,280 --> 00:24:29,640
Speaker 4: Like whoa, you guys stepped all over that too, did I?

466
00:24:30,119 --> 00:24:32,880
Speaker 2: Oh you're picking up cut it off?

467
00:24:32,960 --> 00:24:36,000
Speaker 3: Yeah before it got to before super clean?

468
00:24:36,080 --> 00:24:38,639
Speaker 5: Yeah, and maybe like a whoa you know at the

469
00:24:38,760 --> 00:24:41,280
Speaker 5: at the head or oh yeah, well.

470
00:24:41,320 --> 00:24:43,280
Speaker 2: And I love try Jake. Maybe we Jake.

471
00:24:43,480 --> 00:24:45,880
Speaker 3: Jake was really hitting the different times, so maybe try

472
00:24:45,880 --> 00:24:48,159
Speaker 3: to do what Jake does and Jake whoa? And I

473
00:24:48,240 --> 00:24:50,200
Speaker 3: also would love to hear a what if we could

474
00:24:50,040 --> 00:24:53,640
Speaker 3: have like a like you're so like what like yeah, yeah.

475
00:24:53,520 --> 00:24:55,640
Speaker 2: Yeah, okay, and do you want me to do it at.

476
00:24:55,520 --> 00:24:57,760
Speaker 8: The same time, just try not say that money over

477
00:24:57,840 --> 00:24:58,240
Speaker 8: my life.

478
00:24:58,280 --> 00:24:59,960
Speaker 3: We want to Yeah, well, let's get this one clean.

479
00:25:00,359 --> 00:25:02,320
Speaker 3: Just we'll get Jake clean, and then we'll travel with

480
00:25:02,359 --> 00:25:04,800
Speaker 3: both you guys, okay on Jake's mike or you need

481
00:25:04,880 --> 00:25:05,600
Speaker 3: two separate lines.

482
00:25:05,720 --> 00:25:07,560
Speaker 4: I would like him to slay it at least Jake.

483
00:25:07,480 --> 00:25:09,879
Speaker 8: Hurwits August fifth, nineteen eighty five.

484
00:25:09,920 --> 00:25:12,399
Speaker 2: Oh my gosh, that's one day after mine. All right,

485
00:25:12,640 --> 00:25:14,119
Speaker 2: that's fun all right, here we go.

486
00:25:14,240 --> 00:25:19,960
Speaker 5: Ready, yep, that's funny. Sorry, well, what we can get

487
00:25:19,960 --> 00:25:20,359
Speaker 5: that clean?

488
00:25:20,440 --> 00:25:20,600
Speaker 4: Right?

489
00:25:20,720 --> 00:25:21,399
Speaker 2: WHOA? What?

490
00:25:22,040 --> 00:25:22,280
Speaker 4: I like?

491
00:25:22,320 --> 00:25:22,920
Speaker 2: I would sort of?

492
00:25:23,000 --> 00:25:25,240
Speaker 1: Yeah, I would like to get you're getting their MICI

493
00:25:25,880 --> 00:25:28,240
Speaker 1: can you isolate this separate? Okay, because I don't want

494
00:25:28,240 --> 00:25:30,680
Speaker 1: to kind of muffle. That's funny over while we're getting

495
00:25:30,720 --> 00:25:31,080
Speaker 1: that good?

496
00:25:31,119 --> 00:25:31,439
Speaker 2: Whoa what?

497
00:25:31,680 --> 00:25:31,800
Speaker 3: No?

498
00:25:31,800 --> 00:25:33,920
Speaker 5: No, I feel like I'm talking right into my mic.

499
00:25:34,119 --> 00:25:35,840
Speaker 5: I don't know if Jake's so what feels like? What

500
00:25:35,920 --> 00:25:37,639
Speaker 5: would be coming off of a lot of what me

501
00:25:37,720 --> 00:25:38,280
Speaker 5: and Hayes do?

502
00:25:38,760 --> 00:25:40,440
Speaker 3: What? Yeah?

503
00:25:40,640 --> 00:25:41,159
Speaker 2: Yeah like that?

504
00:25:42,080 --> 00:25:42,399
Speaker 4: Yeah?

505
00:25:42,480 --> 00:25:45,119
Speaker 3: So so yeah, I'd love to have one of those clean.

506
00:25:45,520 --> 00:25:47,080
Speaker 3: Do we want to do one where you guys just

507
00:25:47,119 --> 00:25:50,719
Speaker 3: both do just one for you whatever you feel. If

508
00:25:50,760 --> 00:25:51,399
Speaker 3: you take I can do it.

509
00:25:51,480 --> 00:25:54,960
Speaker 2: Yeah, let's do a goofy wan we yeah, we use it.

510
00:25:54,960 --> 00:25:59,040
Speaker 3: We don't improvised, but do yeah, no, and we don't

511
00:25:59,040 --> 00:26:01,359
Speaker 3: need any improper but what kind of what we said?

512
00:26:01,359 --> 00:26:05,080
Speaker 3: But just for you guys, got it scripted, but just

513
00:26:05,119 --> 00:26:07,080
Speaker 3: what's on the page. But make it crazy. We'll call

514
00:26:07,080 --> 00:26:08,440
Speaker 3: it like a rainbow run or something.

515
00:26:08,520 --> 00:26:14,600
Speaker 5: Oh cool, Okay, that's really really really funny.

516
00:26:14,640 --> 00:26:17,159
Speaker 8: Guys, you're adding so many lines. I'm gonna do my

517
00:26:17,240 --> 00:26:21,560
Speaker 8: woe as Joey from Blossom. All right, well, okay, great,

518
00:26:21,720 --> 00:26:23,639
Speaker 8: case you need that. It's sort of like a character

519
00:26:23,680 --> 00:26:24,720
Speaker 8: thing that you can use that in.

520
00:26:24,680 --> 00:26:26,760
Speaker 3: Many younger than me. But his references are old.

521
00:26:26,920 --> 00:26:30,400
Speaker 1: We are trying to do more of that stuff, referencing

522
00:26:30,800 --> 00:26:34,560
Speaker 1: ninety shows and sound drops.

523
00:26:34,880 --> 00:26:36,879
Speaker 3: We want to do essentially our own sound drops.

524
00:26:36,920 --> 00:26:37,080
Speaker 5: Cool.

525
00:26:37,160 --> 00:26:40,040
Speaker 3: Yes, I try to compete with this dough boys culture.

526
00:26:40,240 --> 00:26:42,879
Speaker 8: We should do like a claristic explains that all Sam's ladder,

527
00:26:43,040 --> 00:26:45,040
Speaker 8: Hey Sam, what's that?

528
00:26:45,119 --> 00:26:46,879
Speaker 2: Well that's all I got. Oh you know what I'm

529
00:26:46,920 --> 00:26:47,359
Speaker 2: talking about?

530
00:26:47,400 --> 00:26:50,320
Speaker 1: Yeah, with a bear Ladder says hey Sam, uh huh

531
00:26:50,400 --> 00:26:53,400
Speaker 1: oh it's a crazy show. See we don't know what

532
00:26:53,440 --> 00:26:55,800
Speaker 1: this does. This is like all sort of after our time.

533
00:26:56,240 --> 00:27:00,639
Speaker 2: How old about you? Guys? Boy, God, I hate to

534
00:27:00,680 --> 00:27:01,639
Speaker 2: try to pin it down.

535
00:27:01,800 --> 00:27:04,840
Speaker 3: Why you still don't why a ball or something?

536
00:27:05,040 --> 00:27:07,080
Speaker 2: Well, no, it's not that. No, it's not that.

537
00:27:07,359 --> 00:27:10,480
Speaker 3: It's not stalling, and it's not no no, and it's

538
00:27:10,480 --> 00:27:12,240
Speaker 3: not even us trying to come up with like a

539
00:27:12,280 --> 00:27:15,119
Speaker 3: funny answer. I mean, if that's what you're thinking, it

540
00:27:15,200 --> 00:27:17,320
Speaker 3: certainly feels like that. No, it's but that's not what

541
00:27:17,359 --> 00:27:19,719
Speaker 3: it is about. Sort of, it's not the wheel spinning.

542
00:27:20,040 --> 00:27:21,080
Speaker 3: What is it?

543
00:27:21,080 --> 00:27:21,920
Speaker 2: It's just shame.

544
00:27:22,359 --> 00:27:26,000
Speaker 3: I'm just embarrassed, real you arranged.

545
00:27:26,080 --> 00:27:27,840
Speaker 2: It's hearing your guys' birthdays.

546
00:27:28,000 --> 00:27:30,720
Speaker 1: Uh huh, and then that shook me being sad about

547
00:27:30,720 --> 00:27:33,560
Speaker 1: like mine has a lot of the same digits but

548
00:27:33,760 --> 00:27:35,040
Speaker 1: in a very different order.

549
00:27:36,200 --> 00:27:36,320
Speaker 4: Eight.

550
00:27:36,760 --> 00:27:38,399
Speaker 3: What is it?

551
00:27:38,440 --> 00:27:39,600
Speaker 2: Is it? And I hate?

552
00:27:39,600 --> 00:27:41,960
Speaker 3: And I can't really pin it down because I I did.

553
00:27:42,000 --> 00:27:43,760
Speaker 2: Sort of you hate is something that you could definitely

554
00:27:43,840 --> 00:27:48,439
Speaker 2: pin it. You can't moved around. I moved around a lot.

555
00:27:47,600 --> 00:27:50,119
Speaker 1: The seasons, you know, the seasons here that you don't

556
00:27:50,200 --> 00:27:50,720
Speaker 1: have any.

557
00:27:50,960 --> 00:27:54,800
Speaker 2: Yeah, so hard together mark time. If you know the

558
00:27:54,880 --> 00:27:56,800
Speaker 2: date that you were born, we could figure everything else.

559
00:27:56,880 --> 00:27:59,000
Speaker 3: You could do the math from there. Yeah, yeah, I know.

560
00:27:59,040 --> 00:28:02,320
Speaker 3: Wouldn't that be easy? It would be yeah. No, But

561
00:28:02,880 --> 00:28:06,160
Speaker 3: we should just get back into just headgum. What did

562
00:28:06,160 --> 00:28:08,280
Speaker 3: you guys want to say about it? You think it's

563
00:28:08,320 --> 00:28:10,680
Speaker 3: a gonna kick ear Wolf's butt? Huh.

564
00:28:10,760 --> 00:28:13,000
Speaker 2: Yeah, it is the goal to be friends with ear

565
00:28:13,040 --> 00:28:14,080
Speaker 2: Wolf or to be enemies.

566
00:28:14,359 --> 00:28:16,960
Speaker 5: I mean, podcasts is so new and rich and fertile soil.

567
00:28:17,000 --> 00:28:19,440
Speaker 5: I feel like we can all grow together. The successive

568
00:28:19,480 --> 00:28:22,720
Speaker 5: ear Wolf would only positively affect Headgum and vice versa

569
00:28:22,760 --> 00:28:26,080
Speaker 5: and wolf cool and wolf cool and Yeah.

570
00:28:25,840 --> 00:28:27,600
Speaker 2: I think it's almost to us.

571
00:28:27,640 --> 00:28:31,000
Speaker 8: It's like being like a TV network in the early

572
00:28:31,320 --> 00:28:34,240
Speaker 8: early days. I would rather be like one of one

573
00:28:34,280 --> 00:28:37,200
Speaker 8: of a few rather than like taking everybody down, being like.

574
00:28:37,560 --> 00:28:40,680
Speaker 3: You see yourselves as Upnah, I think we're a UPN

575
00:28:40,840 --> 00:28:43,200
Speaker 3: or a WGN, a superstation, a TBS.

576
00:28:43,240 --> 00:28:47,240
Speaker 2: What's a G can I mark a couple edits? Oh great?

577
00:28:47,320 --> 00:28:50,160
Speaker 1: Yeah, the mention of wolf Pop number one is really

578
00:28:50,160 --> 00:28:52,520
Speaker 1: going to bring everyone down if we could just not

579
00:28:52,800 --> 00:28:54,360
Speaker 1: mention it's.

580
00:28:54,400 --> 00:28:59,600
Speaker 3: The most failed venture you know the media history taking place. Yeah,

581
00:28:59,640 --> 00:29:01,920
Speaker 3: wow play in the past decade. If we could not

582
00:29:02,000 --> 00:29:05,320
Speaker 3: bring that up, Okay, it's gonna bum out Ackerman. Oh,

583
00:29:05,360 --> 00:29:06,760
Speaker 3: he listens to every episode.

584
00:29:06,400 --> 00:29:08,720
Speaker 2: Of Birthday Stuff? Do you want to edit out us asking?

585
00:29:08,840 --> 00:29:12,360
Speaker 3: He gives notes the birthday stuff because you guys sort

586
00:29:12,360 --> 00:29:14,920
Speaker 3: of dodge the question. I didn't feel that way. I mean,

587
00:29:14,920 --> 00:29:16,760
Speaker 3: if that's how it reads Cody, then do cut some

588
00:29:16,840 --> 00:29:18,800
Speaker 3: of that out? But I thought we handled it.

589
00:29:18,880 --> 00:29:19,480
Speaker 2: Can we have.

590
00:29:19,400 --> 00:29:23,120
Speaker 1: Cody saying his birthday after you ask? Like kind of

591
00:29:23,120 --> 00:29:24,760
Speaker 1: in my voice.

592
00:29:25,040 --> 00:29:26,280
Speaker 2: Oh that's nice.

593
00:29:26,680 --> 00:29:27,640
Speaker 3: So what's his birthday?

594
00:29:27,680 --> 00:29:31,000
Speaker 2: So what's Can we just get wild Cody's birthday? Yeah?

595
00:29:31,160 --> 00:29:35,160
Speaker 4: Can you slate it, Cody Scully, take one?

596
00:29:35,480 --> 00:29:36,560
Speaker 2: Which is your birthday?

597
00:29:36,560 --> 00:29:37,880
Speaker 4: S this is wild birthday.

598
00:29:38,040 --> 00:29:39,880
Speaker 2: Your birthday is in the slate too. Yeah, it should

599
00:29:39,880 --> 00:29:40,920
Speaker 2: be Cody's wild birthday.

600
00:29:40,920 --> 00:29:43,280
Speaker 6: This is an alt because I screwed up that last

601
00:29:43,280 --> 00:29:47,040
Speaker 6: slate ALT slate Wild birthday January first.

602
00:29:47,080 --> 00:29:48,640
Speaker 2: Well, no, we don't know who's wild birthday?

603
00:29:48,680 --> 00:29:51,200
Speaker 3: Your birthday JI first? Yeah, that's awesome.

604
00:29:52,520 --> 00:29:53,680
Speaker 2: New Year's No, maybe it's.

605
00:29:53,560 --> 00:29:56,840
Speaker 1: Not, yeah, because instead of he always puts it, he

606
00:29:56,880 --> 00:29:59,920
Speaker 1: always takes January first of this present year.

607
00:30:00,120 --> 00:30:01,880
Speaker 3: It's like if you ever have a prescription for your

608
00:30:01,880 --> 00:30:04,600
Speaker 3: pets to pick up, then at the pharmacy you just

609
00:30:04,680 --> 00:30:06,760
Speaker 3: leave January first this year because you usually don't know

610
00:30:06,800 --> 00:30:08,840
Speaker 3: your pet's actual birthday.

611
00:30:08,840 --> 00:30:11,680
Speaker 1: The same way what I think what I heard happened

612
00:30:11,840 --> 00:30:14,760
Speaker 1: as Cody was sort of lazily trying to get through

613
00:30:14,760 --> 00:30:21,040
Speaker 1: a pornography age like barriers just did January first. Then

614
00:30:21,040 --> 00:30:23,520
Speaker 1: they said to them an email on his birthday, and

615
00:30:23,880 --> 00:30:27,480
Speaker 1: that in his mind sort of became his actual birthday.

616
00:30:27,520 --> 00:30:29,719
Speaker 5: When it's actually something like hard to remember like August

617
00:30:29,720 --> 00:30:30,360
Speaker 5: twenty ninth.

618
00:30:31,920 --> 00:30:32,600
Speaker 2: I can neither.

619
00:30:32,440 --> 00:30:35,800
Speaker 4: Confirm nor deny okay, oh does a me or no

620
00:30:35,920 --> 00:30:36,760
Speaker 4: Cody's birthday?

621
00:30:37,320 --> 00:30:39,720
Speaker 3: It just felt right right, dude does his research?

622
00:30:40,480 --> 00:30:42,920
Speaker 2: Did you have any other did you have any other edits?

623
00:30:43,280 --> 00:30:43,480
Speaker 1: Uh?

624
00:30:43,560 --> 00:30:45,760
Speaker 3: Yeah, I thought maybe you could put in me saying

625
00:30:45,800 --> 00:30:49,800
Speaker 3: something really funny. Uh, just anywhere that it fits. So

626
00:30:49,880 --> 00:30:51,600
Speaker 3: you don't know what edits are if you want, you

627
00:30:51,680 --> 00:30:55,640
Speaker 3: want to something like a wild a dr After you

628
00:30:55,640 --> 00:30:57,400
Speaker 3: guys leave, we have the studio for another hour.

629
00:30:57,480 --> 00:30:58,400
Speaker 2: We do a lot of this.

630
00:30:58,440 --> 00:31:00,800
Speaker 3: Will drop stuff, Yeah, we'll drop stuff and just me

631
00:31:00,840 --> 00:31:03,760
Speaker 3: saying something funny. And Emir has been feeling a little

632
00:31:03,760 --> 00:31:06,200
Speaker 3: aggressive towards me. So if you could, if you could

633
00:31:06,320 --> 00:31:09,000
Speaker 3: get any audio, if you could piece together him say

634
00:31:09,120 --> 00:31:10,800
Speaker 3: something racially insensitive, just in.

635
00:31:10,760 --> 00:31:12,080
Speaker 2: Case we need to use that.

636
00:31:12,240 --> 00:31:15,760
Speaker 5: How could we, like, based on like words that I've said, read, if.

637
00:31:15,680 --> 00:31:18,400
Speaker 3: We could, if we could paste that together in case

638
00:31:18,440 --> 00:31:19,120
Speaker 3: we need.

639
00:31:18,920 --> 00:31:20,960
Speaker 2: It easier, If we could just get a wild one.

640
00:31:21,000 --> 00:31:24,520
Speaker 5: This is insane, but all right, Jesus Christ, a mere

641
00:31:24,560 --> 00:31:27,520
Speaker 5: Blumenfeld wild racially insensitive?

642
00:31:28,120 --> 00:31:32,440
Speaker 2: Yeah? Perfect, Yeah, we.

643
00:31:32,400 --> 00:31:34,680
Speaker 5: Had one of the Mexican guys cleaning our house today

644
00:31:34,920 --> 00:31:36,360
Speaker 5: or at least I think he's Mexican.

645
00:31:36,680 --> 00:31:39,560
Speaker 3: Okay, right, so he can't tell the difference, and that

646
00:31:39,560 --> 00:31:43,120
Speaker 3: that's used like the subtle nuances between Latin American. Feels

647
00:31:43,160 --> 00:31:45,000
Speaker 3: real and we'll make it worse. Yeah, it feels real,

648
00:31:45,040 --> 00:31:45,600
Speaker 3: which is better.

649
00:31:45,640 --> 00:31:48,200
Speaker 5: And I haven't even said anything derogatory. I just said it,

650
00:31:48,400 --> 00:31:52,800
Speaker 5: just said something that happened, right, So I'm not saying yeah,

651
00:31:52,800 --> 00:31:55,520
Speaker 5: and you felt loaded, right, we wanted lesser.

652
00:31:55,240 --> 00:31:55,800
Speaker 3: More than that?

653
00:31:56,600 --> 00:31:57,560
Speaker 1: Uh?

654
00:31:57,680 --> 00:31:59,640
Speaker 2: Do we want to bump it up more? Or pump

655
00:31:59,640 --> 00:31:59,920
Speaker 2: it up?

656
00:32:00,520 --> 00:32:00,720
Speaker 3: Yeah?

657
00:32:00,760 --> 00:32:03,400
Speaker 5: I feel like that's that's as high as I'm showing

658
00:32:03,400 --> 00:32:05,880
Speaker 5: you what the upper ranges, I'm dipping the boom all

659
00:32:05,920 --> 00:32:07,880
Speaker 5: the way in and what it's out.

660
00:32:08,200 --> 00:32:11,160
Speaker 2: Okay, all right, that was sort of like laced with ignorance.

661
00:32:11,200 --> 00:32:12,760
Speaker 2: Can we get one laced with vitriol?

662
00:32:13,000 --> 00:32:13,200
Speaker 3: Oh?

663
00:32:13,320 --> 00:32:13,720
Speaker 2: Yeah?

664
00:32:13,800 --> 00:32:16,000
Speaker 3: Yeah, like you think something negative about him, not just

665
00:32:16,000 --> 00:32:17,240
Speaker 3: you don't understand his culture.

666
00:32:17,360 --> 00:32:19,520
Speaker 2: Yeah, it's not that you don't understand you total you

667
00:32:19,560 --> 00:32:19,959
Speaker 2: get it.

668
00:32:20,040 --> 00:32:24,080
Speaker 8: You know what, like you honestly Mexican guy cleaning your

669
00:32:24,080 --> 00:32:26,880
Speaker 8: house is the premise, And what do you feel about that?

670
00:32:27,480 --> 00:32:29,040
Speaker 2: And why does it bother you in some way?

671
00:32:29,200 --> 00:32:29,400
Speaker 3: Yeah?

672
00:32:29,520 --> 00:32:31,480
Speaker 5: Yeah, yeah, I feel fine, But you are going to

673
00:32:31,560 --> 00:32:34,160
Speaker 5: make up a reason why I would feel anger or

674
00:32:34,160 --> 00:32:34,920
Speaker 5: something towards that.

675
00:32:35,200 --> 00:32:36,280
Speaker 2: They just say, we need it.

676
00:32:36,840 --> 00:32:38,920
Speaker 3: This is to try, and you're not, okay, what are

677
00:32:38,960 --> 00:32:41,160
Speaker 3: the odds that you use it? Well? Maybe even we

678
00:32:41,200 --> 00:32:44,240
Speaker 3: probably won't need it, yeah, but in case, but they.

679
00:32:44,200 --> 00:32:44,760
Speaker 2: Might need it.

680
00:32:46,000 --> 00:32:50,920
Speaker 5: This is insane, But okay, Jesus Christ, I'm here. Blumenfeld,

681
00:32:51,640 --> 00:32:56,760
Speaker 5: January eighteenth, nineteen eighty three. I can't even fucking believe

682
00:32:56,880 --> 00:32:58,239
Speaker 5: I'm being strong armed into this.

683
00:32:58,320 --> 00:33:01,400
Speaker 2: But the can we go get that? Yeah? Whip that out?

684
00:33:02,880 --> 00:33:03,720
Speaker 4: Fuck this all right?

685
00:33:05,280 --> 00:33:08,080
Speaker 5: The Mexican guy who was cleaning my house today got ship.

686
00:33:08,160 --> 00:33:10,880
Speaker 3: He ended up doing so much more damage than you good.

687
00:33:12,000 --> 00:33:17,200
Speaker 5: Not that that surprises me, because you know, oh.

688
00:33:16,960 --> 00:33:19,680
Speaker 3: That's really good to leave it vague. You know that

689
00:33:19,720 --> 00:33:20,520
Speaker 3: felt real to me.

690
00:33:20,640 --> 00:33:21,479
Speaker 2: Are you good with that?

691
00:33:21,640 --> 00:33:23,480
Speaker 1: I don't even think of that in general as a

692
00:33:23,520 --> 00:33:25,240
Speaker 1: stereotype of Mexican people, that they.

693
00:33:25,160 --> 00:33:28,040
Speaker 2: Will rely more harm than good. They're trying to clean it.

694
00:33:28,560 --> 00:33:31,160
Speaker 8: Yeah, yeah, you and you're like you fill in the blank,

695
00:33:32,240 --> 00:33:33,200
Speaker 8: what the damage is?

696
00:33:33,320 --> 00:33:35,240
Speaker 3: I feel bad even saying that much. And if we

697
00:33:35,280 --> 00:33:37,760
Speaker 3: want to get do we want to get Jake implying

698
00:33:37,880 --> 00:33:42,640
Speaker 3: that Emir thinks he stole something. Oh this is I mean,

699
00:33:42,680 --> 00:33:44,920
Speaker 3: do we just want to get we end up meeting

700
00:33:44,960 --> 00:33:46,479
Speaker 3: it if we need it?

701
00:33:46,600 --> 00:33:49,440
Speaker 2: Yeah, yeah, yeah, so maybe like I'll sort.

702
00:33:49,240 --> 00:33:51,000
Speaker 5: Of like act like I know that and this is

703
00:33:51,000 --> 00:33:53,200
Speaker 5: to you just sorry, this is to use when in

704
00:33:53,240 --> 00:33:53,880
Speaker 5: the in the show.

705
00:33:53,880 --> 00:33:55,960
Speaker 3: It's just as we're piecing together the show, which we

706
00:33:56,000 --> 00:33:57,920
Speaker 3: have to do kind of immediately afterwards, we want to

707
00:33:57,920 --> 00:34:00,320
Speaker 3: make sure we have a lot of options.

708
00:34:00,360 --> 00:34:02,280
Speaker 2: Of course you've been in the edit bay.

709
00:34:02,240 --> 00:34:05,400
Speaker 3: I have been, but this is such a u turn

710
00:34:05,520 --> 00:34:05,720
Speaker 3: for me.

711
00:34:05,840 --> 00:34:09,400
Speaker 5: This is not normal for me. This isn't status quo. Okay, yeah,

712
00:34:09,440 --> 00:34:12,080
Speaker 5: to have racist options, I think well, I mean Headgum's

713
00:34:12,120 --> 00:34:14,280
Speaker 5: kind of a junior podcast operation.

714
00:34:14,280 --> 00:34:16,239
Speaker 2: From being in the business. Yeah a long time.

715
00:34:16,320 --> 00:34:18,080
Speaker 3: Okay, it's just when you've been around a while, I

716
00:34:18,080 --> 00:34:19,240
Speaker 3: get it and I feel comfortable.

717
00:34:19,680 --> 00:34:22,719
Speaker 8: I'm happy to quell the racism, so I'll do. Jake

718
00:34:22,760 --> 00:34:27,200
Speaker 8: Herwitz August fifth, nineteen eighty five. This is wild sort

719
00:34:27,239 --> 00:34:31,880
Speaker 8: of injecting some understanding. Oh come on, hey, then you

720
00:34:31,920 --> 00:34:34,319
Speaker 8: lose stuff all the time, all right, all right, I'm

721
00:34:34,320 --> 00:34:34,960
Speaker 8: just saying he didn't.

722
00:34:35,000 --> 00:34:35,799
Speaker 3: All right, let's move.

723
00:34:35,840 --> 00:34:38,160
Speaker 2: That's good. Yeah, So then people won't be at it.

724
00:34:38,160 --> 00:34:39,799
Speaker 8: It'll sort of sort of sounds like I knew what

725
00:34:39,880 --> 00:34:42,200
Speaker 8: he was getting at, and I'm trying to like, Yeah,

726
00:34:42,239 --> 00:34:44,080
Speaker 8: you're cutting off at their pass a little bit.

727
00:34:44,520 --> 00:34:46,719
Speaker 2: That feels good. I think we can move on. Yeah,

728
00:34:46,800 --> 00:34:49,440
Speaker 2: let's move on and just talk about what are some

729
00:34:49,520 --> 00:34:51,879
Speaker 2: of the shows you guys.

730
00:34:51,920 --> 00:34:54,040
Speaker 5: What are the head gum shows you're so excited about

731
00:34:54,160 --> 00:34:57,160
Speaker 5: to do so many funny shows on the network.

732
00:34:57,920 --> 00:35:01,080
Speaker 3: We're fans of High Mighty. I'm a huge fan.

733
00:35:01,239 --> 00:35:04,840
Speaker 5: John Gabris Sibus, who's an ear Wolf alumni of sorts,

734
00:35:05,520 --> 00:35:08,680
Speaker 5: does a bunch of your podcasts here has a show

735
00:35:08,719 --> 00:35:11,640
Speaker 5: on our network where every week he discusses.

736
00:35:11,400 --> 00:35:12,719
Speaker 3: Something that he's passionate about.

737
00:35:13,120 --> 00:35:13,239
Speaker 7: HM.

738
00:35:13,440 --> 00:35:16,759
Speaker 5: So it could be something like a like a television show,

739
00:35:16,840 --> 00:35:19,680
Speaker 5: like like a bandschief for one, or maybe just the

740
00:35:19,680 --> 00:35:22,719
Speaker 5: Weezer Blue album, or sometimes it's just talking about Judaism.

741
00:35:23,080 --> 00:35:26,319
Speaker 8: Dan Klein and Kelly Hudson's new podcast that I think

742
00:35:26,320 --> 00:35:28,200
Speaker 8: there's only been two episodes, but we just really we

743
00:35:28,360 --> 00:35:28,920
Speaker 8: just launched it.

744
00:35:28,920 --> 00:35:30,640
Speaker 2: It's called Make Me Like It.

745
00:35:31,160 --> 00:35:33,360
Speaker 8: And the whole premise is they take something that they

746
00:35:33,440 --> 00:35:36,439
Speaker 8: don't like, like milk or scary movies, and they talk

747
00:35:36,480 --> 00:35:38,879
Speaker 8: to people who do like those things and they try

748
00:35:38,880 --> 00:35:39,800
Speaker 8: to convince them.

749
00:35:39,680 --> 00:35:40,319
Speaker 2: To like it.

750
00:35:40,440 --> 00:35:43,719
Speaker 3: Analyzed Fish. Yeah, and we don't like.

751
00:35:43,760 --> 00:35:46,799
Speaker 1: To sure joke like you joke about that on the

752
00:35:46,960 --> 00:35:49,920
Speaker 1: So I'd actually like to propose an edit the implied

753
00:35:49,960 --> 00:35:53,359
Speaker 1: insult against Analyzed Fish that that these guys were doing.

754
00:35:53,360 --> 00:35:55,439
Speaker 2: Cody, can we can we take this? Can we take that.

755
00:35:55,360 --> 00:35:59,200
Speaker 3: Out absolutely as an insult that is not gonna really

756
00:35:59,239 --> 00:36:03,239
Speaker 3: low it's not well you guys have just with our listeners.

757
00:36:03,560 --> 00:36:06,440
Speaker 3: Is can I actually say, Cody, can you not use that?

758
00:36:06,880 --> 00:36:10,040
Speaker 5: I'm really starting to feel uncomfortable about the Mexican stuff

759
00:36:10,239 --> 00:36:12,040
Speaker 5: and it's getting to the point where like, I can't

760
00:36:12,360 --> 00:36:15,840
Speaker 5: Mexican we're talking what we're talking about, because I'm like

761
00:36:15,880 --> 00:36:17,799
Speaker 5: going back into like maybe I shouldn't have done that.

762
00:36:17,840 --> 00:36:19,520
Speaker 3: I don't Well, that brings me back to an edit

763
00:36:19,560 --> 00:36:20,920
Speaker 3: that I we Yeah, I don't think we're gonna end

764
00:36:20,960 --> 00:36:22,400
Speaker 3: up using it, but an edit that I wanted to

765
00:36:22,440 --> 00:36:25,920
Speaker 3: suggest was just can we get something other than Mexican

766
00:36:26,200 --> 00:36:26,880
Speaker 3: just as an option?

767
00:36:27,360 --> 00:36:29,640
Speaker 1: No, if that is something that it's making you uncomfortable,

768
00:36:29,640 --> 00:36:32,080
Speaker 1: we can because I know we don't always want to.

769
00:36:32,000 --> 00:36:32,960
Speaker 2: Go after those guys.

770
00:36:33,040 --> 00:36:35,520
Speaker 5: If it's honestly, if it's legit three against one I

771
00:36:35,560 --> 00:36:37,080
Speaker 5: will do it just because I don't want to like.

772
00:36:37,080 --> 00:36:39,240
Speaker 8: And I don't even think you need a new insult

773
00:36:39,239 --> 00:36:41,680
Speaker 8: because you could just insert any Yeah, it could.

774
00:36:41,480 --> 00:36:44,480
Speaker 3: Be any nationality cleaning your house and you know, stealing.

775
00:36:44,080 --> 00:36:46,200
Speaker 8: From So just get a couple of wild races and

776
00:36:46,280 --> 00:36:48,600
Speaker 8: nationalities and I think we could you could insert that

777
00:36:48,719 --> 00:36:49,480
Speaker 8: in pretty easily.

778
00:36:49,600 --> 00:36:50,640
Speaker 2: Yeah, that would help.

779
00:36:53,200 --> 00:36:54,880
Speaker 3: A mere Blumenfeld.

780
00:36:55,800 --> 00:37:06,080
Speaker 5: January eighteenth, nineteen eighty three Wild nationalities for racial insensitivity line.

781
00:37:07,600 --> 00:37:08,080
Speaker 2: This is.

782
00:37:09,760 --> 00:37:11,799
Speaker 3: I really feel uncomfortable doing this. I just want that

783
00:37:11,840 --> 00:37:12,400
Speaker 3: on the record.

784
00:37:12,440 --> 00:37:23,640
Speaker 5: All right, we'll cut that christ fuck Puerto Rican Ocean

785
00:37:25,040 --> 00:37:31,520
Speaker 5: Australian dude, Australian dudebt Pollock or Polish cut?

786
00:37:32,160 --> 00:37:32,920
Speaker 3: Sorry? Sorry?

787
00:37:32,960 --> 00:37:33,240
Speaker 2: Sorry?

788
00:37:33,280 --> 00:37:36,000
Speaker 3: Can we can we actually cut?

789
00:37:36,040 --> 00:37:36,120
Speaker 5: Like?

790
00:37:36,680 --> 00:37:37,040
Speaker 4: Sorry?

791
00:37:37,560 --> 00:37:41,640
Speaker 5: I should have a polishman your Eastern European citizen.

792
00:37:42,640 --> 00:37:47,760
Speaker 3: Okay, you've got Pollock, right, We got that clean in there.

793
00:37:47,880 --> 00:37:52,439
Speaker 3: This is fucking gotcha podcast. If you've ever been caught

794
00:37:52,440 --> 00:37:54,120
Speaker 3: with your pants down on the edit bay, you know

795
00:37:54,160 --> 00:37:55,640
Speaker 3: that you just want to have options.

796
00:37:56,719 --> 00:37:57,439
Speaker 2: We just mark.

797
00:37:57,520 --> 00:37:58,960
Speaker 1: We don't have to do this now while they're here,

798
00:37:59,040 --> 00:38:00,959
Speaker 1: waste your time, But I I just want to carve

799
00:38:00,960 --> 00:38:03,040
Speaker 1: out some time for me to dress him down about

800
00:38:03,040 --> 00:38:05,160
Speaker 1: the Polock thing, just to like, really.

801
00:38:05,200 --> 00:38:09,520
Speaker 3: I was saying, should should use Yeah, no, but if

802
00:38:09,520 --> 00:38:11,440
Speaker 3: we if we do use it, we're really gonna need

803
00:38:11,480 --> 00:38:11,759
Speaker 3: a voice.

804
00:38:11,880 --> 00:38:13,719
Speaker 2: Reason would be a great.

805
00:38:13,680 --> 00:38:16,200
Speaker 5: Yeah yeah, not end up being family comes from pull

806
00:38:16,239 --> 00:38:17,880
Speaker 5: inside hate for any of this stuff.

807
00:38:17,880 --> 00:38:18,640
Speaker 3: To get on record.

808
00:38:18,920 --> 00:38:21,440
Speaker 2: We got to get his line clean, buddy, No, this

809
00:38:21,520 --> 00:38:22,279
Speaker 2: could be for later.

810
00:38:22,360 --> 00:38:25,880
Speaker 1: For now, I would sort of like to maybe have

811
00:38:25,920 --> 00:38:29,200
Speaker 1: a wild Cornholio impression that that that that.

812
00:38:29,239 --> 00:38:32,640
Speaker 2: I can use that these guys are laughing at. Is

813
00:38:32,640 --> 00:38:35,439
Speaker 2: that okay? Okay, yeah, that's great. I can't do it.

814
00:38:36,400 --> 00:38:38,960
Speaker 2: I'm not good at it. Well, either you have a

815
00:38:38,960 --> 00:38:40,040
Speaker 2: Cornholio in your bag.

816
00:38:40,800 --> 00:38:43,879
Speaker 8: I might have something I could try, but it's me. Yeah,

817
00:38:43,920 --> 00:38:45,440
Speaker 8: this is me as.

818
00:38:45,239 --> 00:38:47,400
Speaker 2: You doing Cornholo. Maybe it's.

819
00:38:48,920 --> 00:38:52,960
Speaker 3: Coneo is great, and then I'll be I'll do Jake's

820
00:38:53,000 --> 00:38:55,480
Speaker 3: what laugh That's great because we will need someone.

821
00:38:55,600 --> 00:38:58,560
Speaker 2: We're gonna need somebody be cracking up. That's great, all right, Okay,

822
00:38:58,640 --> 00:38:58,840
Speaker 2: I do.

823
00:38:58,960 --> 00:39:01,160
Speaker 8: I think I do much better butt head than Beavis.

824
00:39:01,160 --> 00:39:05,240
Speaker 2: But well i'll but it's not Beavis, it's yeah.

825
00:39:05,160 --> 00:39:09,279
Speaker 8: Jake her Its August fifth, nineteen eighty five, corn Hazeo wildline.

826
00:39:10,800 --> 00:39:17,880
Speaker 2: I am corn Haesel before my bungle. That's funny.

827
00:39:18,719 --> 00:39:23,120
Speaker 3: That's great, that's going to play great. So yeah, that

828
00:39:23,239 --> 00:39:26,000
Speaker 3: really felt good. And I'm just realizing, as we do

829
00:39:26,080 --> 00:39:28,880
Speaker 3: these slates and we're saying our birth dates, is that

830
00:39:28,920 --> 00:39:30,080
Speaker 3: gonna get confusing because.

831
00:39:29,880 --> 00:39:31,399
Speaker 2: We're not saying today's date as well.

832
00:39:32,360 --> 00:39:34,520
Speaker 4: I think it'll be okay, but we should switch it anyway.

833
00:39:34,920 --> 00:39:35,960
Speaker 2: Oh catch it, switch it.

834
00:39:36,320 --> 00:39:38,120
Speaker 4: I like, how about where you were born?

835
00:39:38,280 --> 00:39:40,720
Speaker 2: Okay, throw that in there. What's the day today?

836
00:39:41,000 --> 00:39:43,120
Speaker 3: It's the twenty fifth, okay.

837
00:39:42,920 --> 00:39:47,479
Speaker 1: Yeah, and so we we just keep going.

838
00:39:47,800 --> 00:39:50,439
Speaker 3: Yeah, let's just keep trucking through. What else you guys

839
00:39:50,440 --> 00:39:53,279
Speaker 3: have going on? Yeah, you're doing a web series huh

840
00:39:53,280 --> 00:39:55,640
Speaker 3: on Vimeo or something. Yeah, we have a new show

841
00:39:56,080 --> 00:39:57,160
Speaker 3: on Vimeo on demand.

842
00:39:57,160 --> 00:39:58,160
Speaker 2: Actually, holy fuck.

843
00:39:58,280 --> 00:40:00,920
Speaker 3: Yeah, it's a it's called called Lonely and Horny.

844
00:40:01,040 --> 00:40:01,560
Speaker 2: It's correct.

845
00:40:01,600 --> 00:40:01,920
Speaker 6: Uh huh.

846
00:40:02,320 --> 00:40:05,560
Speaker 3: Jake and I wrote it together. Jake directed it.

847
00:40:06,000 --> 00:40:06,560
Speaker 2: Oh cool.

848
00:40:06,760 --> 00:40:11,279
Speaker 3: Yeah, he's more of the technical side, being younger for

849
00:40:11,440 --> 00:40:12,560
Speaker 3: the college humber websteres.

850
00:40:12,600 --> 00:40:16,040
Speaker 5: We both did it all and then in this new show,

851
00:40:16,200 --> 00:40:20,480
Speaker 5: we uh, we sort of deviated separated our tasks.

852
00:40:20,520 --> 00:40:24,160
Speaker 2: So something was not a mere and I direct.

853
00:40:24,280 --> 00:40:27,000
Speaker 3: Yeah, we sort of we we drifted in that direction.

854
00:40:27,280 --> 00:40:29,120
Speaker 8: I think the thing that wasn't working is that we

855
00:40:29,120 --> 00:40:31,720
Speaker 8: couldn't just both be on camera the entire time again

856
00:40:31,880 --> 00:40:36,160
Speaker 8: without somehow appropriating each other or just like stealing the

857
00:40:36,200 --> 00:40:37,600
Speaker 8: characters back from College Humors.

858
00:40:37,600 --> 00:40:39,920
Speaker 2: So we had to we had to separate ourselves.

859
00:40:41,120 --> 00:40:46,880
Speaker 1: College College Humor owns the JA and America character. Yes, okay,

860
00:40:46,960 --> 00:40:49,080
Speaker 1: and now your names on the new show are lonely

861
00:40:49,080 --> 00:40:49,520
Speaker 1: and horny.

862
00:40:49,920 --> 00:40:53,480
Speaker 5: That's correct. I'm John Lonely and he's horny Michaels.

863
00:40:55,640 --> 00:40:56,439
Speaker 2: Sorry, that was better.

864
00:40:56,760 --> 00:40:59,640
Speaker 3: Yeah, and so uh this is a quick edit. We're

865
00:40:59,640 --> 00:41:03,440
Speaker 3: gonna get in me saying horny Adams.

866
00:41:03,760 --> 00:41:05,360
Speaker 2: Okay, that's good.

867
00:41:05,520 --> 00:41:08,600
Speaker 3: So I'm John Lonely and he's Horny Adams.

868
00:41:08,680 --> 00:41:09,160
Speaker 2: That's good.

869
00:41:09,560 --> 00:41:10,600
Speaker 3: We get a couple more alts.

870
00:41:10,680 --> 00:41:13,520
Speaker 2: Yeah, yeah, yeah, I'm John loanrslate yourself with your birthday

871
00:41:13,600 --> 00:41:15,560
Speaker 2: or today's date and where you were born.

872
00:41:15,680 --> 00:41:19,480
Speaker 3: Yeah, okay, uh so this is Sean Clements, this is

873
00:41:19,520 --> 00:41:20,520
Speaker 3: wild Horny Adams.

874
00:41:21,560 --> 00:41:24,120
Speaker 2: Well to take the yeah, we have the we have

875
00:41:24,160 --> 00:41:25,080
Speaker 2: the horny one.

876
00:41:25,120 --> 00:41:26,840
Speaker 1: I actually have a pitch for that, which is me

877
00:41:27,560 --> 00:41:30,640
Speaker 1: as corn Hazeo being now horn haazeer.

878
00:41:31,200 --> 00:41:33,000
Speaker 2: Okay, a horny version of.

879
00:41:34,640 --> 00:41:37,440
Speaker 3: First Uh yeah, let's get mine out of the way first,

880
00:41:38,200 --> 00:41:42,360
Speaker 3: and so I can use horn Okay, you guys, is

881
00:41:42,360 --> 00:41:46,319
Speaker 3: gonna have to be yeah, almost, Let's do three in

882
00:41:46,320 --> 00:41:48,160
Speaker 3: a row and then we'll do horn Hazer. Okay, so

883
00:41:48,200 --> 00:41:50,400
Speaker 3: I'm just gonna give you three quick ones. Well, let

884
00:41:50,440 --> 00:41:52,319
Speaker 3: me let me feed it to you. Okay, there's Jean

885
00:41:52,360 --> 00:41:53,760
Speaker 3: Clemens and it's April twenty fifth.

886
00:41:55,640 --> 00:42:01,759
Speaker 2: Sorry, today's your birthday? Today our birthday. I don't know.

887
00:42:02,120 --> 00:42:05,239
Speaker 5: So let's just dude, that's a fucking I'm so sorry,

888
00:42:05,360 --> 00:42:11,080
Speaker 5: haven't fuck it is stupid, that's that's dumb. Hell turn today, dude,

889
00:42:11,080 --> 00:42:12,400
Speaker 5: is it a big one? I'm sorry, I didn't know.

890
00:42:12,440 --> 00:42:16,600
Speaker 5: I honestly, it's bullshit, bullshit, all right, happy birthday.

891
00:42:16,640 --> 00:42:19,680
Speaker 2: But thinks birthdays are fake? Oh please?

892
00:42:19,760 --> 00:42:21,520
Speaker 1: So this goes back to what we were saying before,

893
00:42:21,640 --> 00:42:24,840
Speaker 1: like he actually thinks that birthdays are not a real thing.

894
00:42:25,000 --> 00:42:28,879
Speaker 3: Was invented by the Hallmark company. Okay, all right, I'm

895
00:42:28,960 --> 00:42:32,759
Speaker 3: John Lonely and and you're feeding him to me or what.

896
00:42:32,920 --> 00:42:34,799
Speaker 5: Yeah, I'm going to give you John John Lonely and

897
00:42:34,800 --> 00:42:35,720
Speaker 5: then you do the horny.

898
00:42:36,200 --> 00:42:37,680
Speaker 2: Oh I thought you were feeding me the O.

899
00:42:37,760 --> 00:42:41,640
Speaker 5: They're all no, no, the alter you okay, yeah, I

900
00:42:41,680 --> 00:42:42,560
Speaker 5: played John Lonely.

901
00:42:45,800 --> 00:42:47,480
Speaker 3: We can get this dead air out.

902
00:42:47,920 --> 00:42:49,239
Speaker 2: Yeah, we'll make this go that way.

903
00:42:49,239 --> 00:42:50,959
Speaker 3: It looks like you're like super fan at least just.

904
00:42:50,840 --> 00:42:52,080
Speaker 2: Speed up the dead air.

905
00:42:52,280 --> 00:42:55,080
Speaker 1: So it's just like I guess it'll be at a higher.

906
00:42:55,200 --> 00:42:59,200
Speaker 5: Ship content, yeah think Yeah, all right, so I'm you

907
00:42:59,320 --> 00:43:01,640
Speaker 5: got one. Let's just do one because it seems like

908
00:43:01,640 --> 00:43:02,879
Speaker 5: three is too much for you right now.

909
00:43:03,120 --> 00:43:05,600
Speaker 2: Yeah, that's gonna be better. Yeah, alright, ready you have

910
00:43:05,640 --> 00:43:06,439
Speaker 2: what give us the thumb?

911
00:43:06,520 --> 00:43:08,719
Speaker 3: Yeah? Oh yeah, I'm just what I'm trying to think

912
00:43:08,719 --> 00:43:11,560
Speaker 3: of anything rhymes with horny. It doesn't even have to rhyme,

913
00:43:11,760 --> 00:43:12,280
Speaker 3: just be anything.

914
00:43:12,840 --> 00:43:14,799
Speaker 4: It feels like it'd be better if it did, though.

915
00:43:14,880 --> 00:43:16,520
Speaker 3: Like Jake said, Rick horny that works.

916
00:43:16,680 --> 00:43:19,160
Speaker 2: Yeah, but I think it's funny. Yeah, it's funny if

917
00:43:19,160 --> 00:43:20,319
Speaker 2: the Horny is the first name.

918
00:43:20,440 --> 00:43:24,560
Speaker 3: Yeah, yeah, John Lonely and yeah, John Lonely and then

919
00:43:24,600 --> 00:43:27,680
Speaker 3: Horny horn that's fine, that's fine.

920
00:43:28,080 --> 00:43:30,480
Speaker 5: We probably won't we'll probably use Horny Adams. So just

921
00:43:30,960 --> 00:43:34,839
Speaker 5: totally as h this is for safety. Ready, Yeah, yeah, yeah,

922
00:43:34,960 --> 00:43:38,759
Speaker 5: I'm John Lonely. You gotta say more confidently than that.

923
00:43:40,040 --> 00:43:46,160
Speaker 5: You're soft, you're soft pitching. Yeah, yeah, can you blast that? Yeah,

924
00:43:46,200 --> 00:43:51,399
Speaker 5: I played John Lonely. Yeah, you're getting softer. Why don't

925
00:43:51,400 --> 00:43:52,759
Speaker 5: you come up with something you're confident in?

926
00:43:53,200 --> 00:43:57,640
Speaker 3: You want to say Horny Adams again, you're okay, that's

927
00:43:57,640 --> 00:43:59,360
Speaker 3: his name, right, all right, so let's go straight to

928
00:43:59,680 --> 00:44:01,000
Speaker 3: Horny this guy from comedian.

929
00:44:01,280 --> 00:44:03,480
Speaker 2: But just get it one quick corn haeso. Yeah, let's

930
00:44:03,480 --> 00:44:05,000
Speaker 2: be tot hornes and we'll you go.

931
00:44:05,360 --> 00:44:08,680
Speaker 8: Jake Herb's nineteen eighty five, August fifth, New Haven, Connecticut.

932
00:44:08,719 --> 00:44:09,960
Speaker 2: Today's April twenty fifth.

933
00:44:10,120 --> 00:44:12,960
Speaker 8: Oh holy shit, that's like where I'm from too, really

934
00:44:13,000 --> 00:44:13,520
Speaker 8: new Haven?

935
00:44:13,800 --> 00:44:18,920
Speaker 2: Yeah, awesome pistol wavn Uh I am horneso.

936
00:44:19,440 --> 00:44:20,080
Speaker 3: That's pretty good.

937
00:44:20,600 --> 00:44:22,960
Speaker 4: What what do you need t p keep for.

938
00:44:23,080 --> 00:44:30,359
Speaker 1: My uh no, come on that. He doesn't need tea.

939
00:44:30,480 --> 00:44:32,920
Speaker 1: If you like he's horny, he didn't just come. Oh

940
00:44:33,200 --> 00:44:34,560
Speaker 1: well maybe it's pretty ejaculate.

941
00:44:35,120 --> 00:44:38,160
Speaker 2: But okay, when you say that after you come here, lesson,

942
00:44:38,400 --> 00:44:39,640
Speaker 2: So just edit in.

943
00:44:39,800 --> 00:44:42,600
Speaker 3: And this is just Seaun Clemon is clarifying that horniness

944
00:44:42,680 --> 00:44:44,239
Speaker 3: is before you come and not.

945
00:44:44,280 --> 00:44:44,879
Speaker 2: After you come.

946
00:44:45,239 --> 00:44:47,880
Speaker 3: Got it. And it's April twenty fifth, it's my birthday,

947
00:44:48,000 --> 00:44:51,040
Speaker 3: and I have no ill will towards any nationale. Just

948
00:44:51,280 --> 00:44:52,080
Speaker 3: if you guys need to.

949
00:44:52,040 --> 00:44:52,759
Speaker 2: And we'll cut that.

950
00:44:55,680 --> 00:44:57,399
Speaker 1: We can have it and say I have ill will

951
00:44:57,480 --> 00:45:02,399
Speaker 1: towards Pollock's right. We get that out, We've got that clean.

952
00:45:02,560 --> 00:45:03,680
Speaker 1: We have the building box for.

953
00:45:06,520 --> 00:45:11,600
Speaker 3: This is beyond fucked. So you guys were saying so

954
00:45:11,960 --> 00:45:15,399
Speaker 3: high and mighty and that one's just fucking anything, right, Yeah,

955
00:45:15,400 --> 00:45:18,120
Speaker 3: it's whatever feel That was actually twelve minutes ago we

956
00:45:18,120 --> 00:45:21,759
Speaker 3: were talking about lowly and horny. Since then, oh great? Uh?

957
00:45:21,880 --> 00:45:24,080
Speaker 2: And so what's going on in that? You guys want

958
00:45:24,080 --> 00:45:28,520
Speaker 2: to find babes? Hello? Can we relate? Well? Hopefully?

959
00:45:28,560 --> 00:45:28,640
Speaker 1: So.

960
00:45:28,760 --> 00:45:31,600
Speaker 5: I mean it's it's all about dating in today's so

961
00:45:31,719 --> 00:45:35,160
Speaker 5: twenty sixteen online dating and it's online.

962
00:45:35,280 --> 00:45:37,399
Speaker 2: Yeah, so did you read Jesus book?

963
00:45:37,880 --> 00:45:42,279
Speaker 5: Have you let me do it yourself? I'm telling you

964
00:45:42,320 --> 00:45:46,520
Speaker 5: exactly what the show is about. So I play Ruby.

965
00:45:46,920 --> 00:45:49,719
Speaker 3: My name is Ruby Jayden a mirror. There are so

966
00:45:49,840 --> 00:45:51,200
Speaker 3: many dating sites one.

967
00:45:51,080 --> 00:45:57,320
Speaker 2: Second Farmers you know and get not entirely.

968
00:46:00,360 --> 00:46:03,600
Speaker 5: So the show takes place me on dates, me in

969
00:46:03,600 --> 00:46:06,080
Speaker 5: a class where I'm like trying to teach Jake's trying

970
00:46:06,120 --> 00:46:07,520
Speaker 5: to teach me how to hook up with girls.

971
00:46:07,680 --> 00:46:10,040
Speaker 8: You never see the Farmer's only commercial That dog's talking he.

972
00:46:10,000 --> 00:46:11,840
Speaker 2: Says, why you're dating a city girl?

973
00:46:12,040 --> 00:46:13,120
Speaker 3: No, I not seeing that one.

974
00:46:14,400 --> 00:46:16,400
Speaker 1: Jake's teaching you how to Can we can we do

975
00:46:16,440 --> 00:46:18,520
Speaker 1: one where a mirror has seen it, seen it?

976
00:46:18,600 --> 00:46:18,759
Speaker 3: Yeah?

977
00:46:18,800 --> 00:46:20,120
Speaker 2: Do you want me to feed him that? Lying again?

978
00:46:20,120 --> 00:46:21,799
Speaker 3: I don't think we should use that a site at all.

979
00:46:21,840 --> 00:46:23,920
Speaker 1: Actually, maybe we could get a what you know, like

980
00:46:23,960 --> 00:46:27,920
Speaker 1: a what like like he has in reaction to Yeah.

981
00:46:28,480 --> 00:46:30,359
Speaker 5: Real, I'll do it real quickly. But we should get

982
00:46:30,400 --> 00:46:31,759
Speaker 5: back to talking about the show.

983
00:46:31,840 --> 00:46:34,759
Speaker 2: Sure, no, and I think so too great. I have

984
00:46:34,840 --> 00:46:35,320
Speaker 2: some notes.

985
00:46:35,360 --> 00:46:36,600
Speaker 3: Oh, wow, that's a commercial.

986
00:46:37,120 --> 00:46:39,600
Speaker 2: You didn't slay that? What is Yeah? What are you

987
00:46:39,680 --> 00:46:40,359
Speaker 2: been talking about?

988
00:46:40,400 --> 00:46:40,640
Speaker 4: You know what?

989
00:46:40,680 --> 00:46:41,040
Speaker 2: The fun?

990
00:46:44,200 --> 00:46:44,319
Speaker 3: Uh?

991
00:46:44,440 --> 00:46:47,000
Speaker 5: This is a mere Bloomenfeld January eighteenth, nineteen eighty three.

992
00:46:47,080 --> 00:46:50,120
Speaker 5: I was born in Israel. Don't have to talk about it. Whatever.

993
00:46:50,360 --> 00:46:53,400
Speaker 5: Moving on, Wow, that's a commercial. So the show is

994
00:46:53,560 --> 00:46:56,000
Speaker 5: ten supersized long.

995
00:46:56,960 --> 00:46:59,520
Speaker 2: So okay. But he's teaching you to hook up.

996
00:46:59,680 --> 00:47:02,200
Speaker 5: Well, he's teaching a class and how to give these

997
00:47:02,239 --> 00:47:03,960
Speaker 5: guys call hook up class.

998
00:47:04,000 --> 00:47:07,920
Speaker 2: Okay, game style class. And your parents had an arrange marriage.

999
00:47:08,239 --> 00:47:10,040
Speaker 2: They do that? It is real? No, they don't what

1000
00:47:11,000 --> 00:47:12,280
Speaker 2: did because it's weird.

1001
00:47:12,080 --> 00:47:14,280
Speaker 1: How your your parents had to get married, but they're

1002
00:47:14,320 --> 00:47:18,240
Speaker 1: like still happy. But today like everyone's on these data.

1003
00:47:18,480 --> 00:47:21,120
Speaker 3: Yes, on these sites, and there's so many options, and

1004
00:47:21,200 --> 00:47:23,520
Speaker 3: is that actually making it harder to find true love?

1005
00:47:23,719 --> 00:47:26,120
Speaker 2: Well? Yeah, question that we tried to answer.

1006
00:47:26,400 --> 00:47:26,640
Speaker 5: Yeah.

1007
00:47:27,000 --> 00:47:30,520
Speaker 3: And then the pickup artist class, What so you're establishing

1008
00:47:30,640 --> 00:47:33,400
Speaker 3: keno keino Yeah, safe touching?

1009
00:47:33,840 --> 00:47:38,080
Speaker 8: Oh uh no, I don't I think they pick up

1010
00:47:38,160 --> 00:47:38,760
Speaker 8: artists class.

1011
00:47:38,840 --> 00:47:41,520
Speaker 3: How do you make him demonstrate value?

1012
00:47:42,040 --> 00:47:46,120
Speaker 8: I guess we we try to instill a confidence in

1013
00:47:46,239 --> 00:47:48,520
Speaker 8: the gentleman of the pickup class, but everybody in the

1014
00:47:48,520 --> 00:47:51,080
Speaker 8: pickup class, and he needs to know tricks. Yeah, he's

1015
00:47:51,080 --> 00:47:53,600
Speaker 8: got to know tricks. He's got to learn how to peacock,

1016
00:47:53,719 --> 00:47:54,040
Speaker 8: how to.

1017
00:47:54,080 --> 00:47:58,440
Speaker 5: Nag well, and then as the show itself goes on,

1018
00:47:58,520 --> 00:48:01,040
Speaker 5: we start realizing that Jake as the teacher, doesn't even

1019
00:48:01,080 --> 00:48:02,960
Speaker 5: believe the words that he's teaching.

1020
00:48:03,080 --> 00:48:06,480
Speaker 8: So some depth, the pickup class is sort of out

1021
00:48:06,520 --> 00:48:07,960
Speaker 8: of date, and we try to subvert it a little.

1022
00:48:08,040 --> 00:48:09,960
Speaker 3: And you guys are friends with b b A who

1023
00:48:10,120 --> 00:48:12,400
Speaker 3: bb A?

1024
00:48:12,400 --> 00:48:16,920
Speaker 2: Aren't you friends with him? Star Wars Robot? Yeah?

1025
00:48:16,480 --> 00:48:21,040
Speaker 3: Oh, wasn't he teaching you stuff in your old show Benchwarz? Wow?

1026
00:48:21,320 --> 00:48:21,680
Speaker 2: Yeah?

1027
00:48:21,760 --> 00:48:23,880
Speaker 3: Yeah, were you listening to what we were saying.

1028
00:48:26,560 --> 00:48:31,600
Speaker 1: I've been seeing him getting excited, yeah, holding a BBA

1029
00:48:30,880 --> 00:48:33,160
Speaker 1: and even we got a list of questions.

1030
00:48:33,200 --> 00:48:34,880
Speaker 2: But I can see now it's just a drawing of

1031
00:48:34,960 --> 00:48:37,960
Speaker 2: BB eight mm hmm. Yeah, no, that's my whole notebook.

1032
00:48:38,160 --> 00:48:43,359
Speaker 3: Okay, I'm getting pretty good at the bottom. Yeah, the ballpart, yeah,

1033
00:48:43,600 --> 00:48:49,359
Speaker 3: but the top ball too big. Gotta be smaller. Yeah,

1034
00:48:49,400 --> 00:48:53,960
Speaker 3: well yeah, thanks? Heys, Monday morning quarterback much? It is

1035
00:48:54,000 --> 00:48:54,600
Speaker 3: Monday morning?

1036
00:48:54,800 --> 00:48:55,040
Speaker 1: Yeah?

1037
00:48:55,120 --> 00:48:58,319
Speaker 3: Well, can we jump in in the edits to just

1038
00:48:58,360 --> 00:49:02,880
Speaker 3: say that it's not Monday morning and do what you

1039
00:49:02,920 --> 00:49:05,320
Speaker 3: want to? Well, I just want to make people feel

1040
00:49:05,320 --> 00:49:06,840
Speaker 3: like it's actually Tuesday morning.

1041
00:49:06,920 --> 00:49:09,400
Speaker 8: Well yeah, when this podcast come out tuesday morning, it's

1042
00:49:09,400 --> 00:49:10,400
Speaker 8: supposed to be live.

1043
00:49:10,320 --> 00:49:12,920
Speaker 3: Right, that makes sense, all right, so it is Tuesday morning.

1044
00:49:13,960 --> 00:49:17,279
Speaker 1: Great, and probably one of everyone's saying, that's a good

1045
00:49:17,360 --> 00:49:18,360
Speaker 1: drawing that you did.

1046
00:49:18,600 --> 00:49:21,440
Speaker 2: Oh I wouldn't mind that, all right. I just know

1047
00:49:21,640 --> 00:49:23,759
Speaker 2: later I'm going to be the one that has to

1048
00:49:23,800 --> 00:49:24,399
Speaker 2: hear about it.

1049
00:49:24,480 --> 00:49:26,480
Speaker 8: So right right, when you guys are in the edit bay,

1050
00:49:26,520 --> 00:49:27,640
Speaker 8: you're gonna want options.

1051
00:49:27,760 --> 00:49:28,640
Speaker 2: Yeah, you want to want.

1052
00:49:28,560 --> 00:49:30,439
Speaker 3: Some positive options. That's actually not bad.

1053
00:49:30,719 --> 00:49:33,680
Speaker 8: See that's I feel like that's even a little a

1054
00:49:33,680 --> 00:49:34,520
Speaker 8: little patronizing.

1055
00:49:34,640 --> 00:49:38,960
Speaker 3: Yeah, like that's like we don't necessarily be the actually.

1056
00:49:39,120 --> 00:49:44,080
Speaker 1: Like this is Hayes drawing approval Wild March twenty third,

1057
00:49:44,480 --> 00:49:45,400
Speaker 1: in nineteen.

1058
00:49:46,600 --> 00:49:52,879
Speaker 2: Sorry where where we were born? South Israel? It's sort

1059
00:49:52,920 --> 00:49:53,760
Speaker 2: of the bad part.

1060
00:49:53,640 --> 00:49:58,279
Speaker 5: Of the desert, the bottom half of is I don't again,

1061
00:49:58,360 --> 00:49:59,600
Speaker 5: but we don't say that stuff.

1062
00:50:01,600 --> 00:50:06,040
Speaker 2: Uh okay, Wow, that looks like a real picture of

1063
00:50:06,080 --> 00:50:10,520
Speaker 2: BB eight. Yeah, it looks like it's photo reel. Sorry?

1064
00:50:10,520 --> 00:50:13,120
Speaker 2: Were you know? He's just reacting.

1065
00:50:14,040 --> 00:50:16,479
Speaker 3: It sounds like you're a compliment ticket for yourself. Well,

1066
00:50:16,760 --> 00:50:18,600
Speaker 3: just whatever people come at me with, I try to

1067
00:50:18,640 --> 00:50:20,920
Speaker 3: meet their energy. Do you want me to true Pua

1068
00:50:21,000 --> 00:50:22,600
Speaker 3: would know about that? Well, you want me to say

1069
00:50:22,600 --> 00:50:23,680
Speaker 3: that it looks photo real? Oh?

1070
00:50:23,719 --> 00:50:25,720
Speaker 8: That would be because all you did so far was basically,

1071
00:50:25,840 --> 00:50:27,520
Speaker 8: would you say that BB eight?

1072
00:50:27,560 --> 00:50:30,240
Speaker 2: You said, that's actually not that like you're an authority.

1073
00:50:29,800 --> 00:50:32,400
Speaker 3: And actually yeah, if you could say that that's actually

1074
00:50:32,440 --> 00:50:33,080
Speaker 3: photo reel?

1075
00:50:36,320 --> 00:50:38,600
Speaker 2: Wow? Thank you? What?

1076
00:50:40,880 --> 00:50:45,600
Speaker 5: Okay, So we've got that, which part? How much of

1077
00:50:45,640 --> 00:50:48,440
Speaker 5: the actual podcast have we recorded so far? In your

1078
00:50:48,440 --> 00:50:50,080
Speaker 5: guys professional estimation.

1079
00:50:49,800 --> 00:50:53,880
Speaker 3: In our opinion, I think we've got four minutes minutes.

1080
00:50:53,680 --> 00:50:55,719
Speaker 2: And we're gonna lay in the rest afterwards.

1081
00:50:55,880 --> 00:50:59,000
Speaker 3: Yeah, forty ish, right.

1082
00:50:58,320 --> 00:51:02,200
Speaker 2: Forty recording. Can you confirm that we have lots of

1083
00:51:02,200 --> 00:51:03,760
Speaker 2: stuff stacked up from other shows?

1084
00:51:03,880 --> 00:51:05,919
Speaker 8: But also if you want to do because the Mirror

1085
00:51:06,000 --> 00:51:07,880
Speaker 8: before he did a lot of his racial takes, he

1086
00:51:07,920 --> 00:51:09,120
Speaker 8: would say like funck this.

1087
00:51:09,040 --> 00:51:09,759
Speaker 2: And stuff like that.

1088
00:51:09,840 --> 00:51:11,440
Speaker 8: Oh yeah, and then he has like a whole litany,

1089
00:51:11,520 --> 00:51:16,279
Speaker 8: so you'd fuck Loaotians, fuck Hispanic, fuck Puerto Rican like

1090
00:51:16,320 --> 00:51:17,480
Speaker 8: you can layer all.

1091
00:51:17,320 --> 00:51:19,360
Speaker 3: That and we've got that go to that's good.

1092
00:51:19,480 --> 00:51:22,319
Speaker 8: Yeah, and you can separate what I just did take away.

1093
00:51:22,480 --> 00:51:24,799
Speaker 8: I mean, we'll just we probably won't use it, but yeah,

1094
00:51:24,840 --> 00:51:26,799
Speaker 8: let's cut out what I just said with the you

1095
00:51:26,840 --> 00:51:30,200
Speaker 8: know where I actually said the national Thanks appreciate that, buddy.

1096
00:51:30,239 --> 00:51:34,319
Speaker 5: And if yeah, if there's room for not having me

1097
00:51:34,440 --> 00:51:36,719
Speaker 5: being so mean.

1098
00:51:37,280 --> 00:51:40,400
Speaker 2: There might not there might not be room.

1099
00:51:40,560 --> 00:51:42,239
Speaker 3: We have what that is I want to say.

1100
00:51:43,360 --> 00:51:46,840
Speaker 1: We we have some stuff from our Eliza seleshions ory

1101
00:51:46,880 --> 00:51:49,040
Speaker 1: episode which she went on a couple of rips. You know,

1102
00:51:49,080 --> 00:51:52,040
Speaker 1: Eliza Lesser one last comic Standing. She was on the show,

1103
00:51:52,040 --> 00:51:53,600
Speaker 1: and she had a couple of riffs that we have

1104
00:51:53,640 --> 00:51:55,359
Speaker 1: been looking for a place for.

1105
00:51:55,560 --> 00:51:57,600
Speaker 2: So we might use that in this one. It'd be cool.

1106
00:51:57,719 --> 00:52:00,799
Speaker 3: Yeah, we'll be in instead of a lot of what

1107
00:52:00,840 --> 00:52:01,560
Speaker 3: you guys have been doing.

1108
00:52:01,600 --> 00:52:03,520
Speaker 2: Oh, like, is that the part where we were promoting

1109
00:52:03,520 --> 00:52:04,040
Speaker 2: our show.

1110
00:52:03,960 --> 00:52:05,880
Speaker 3: Just showing stuff, which I just don't think people are

1111
00:52:05,880 --> 00:52:07,919
Speaker 3: going to connect. Oh yeah, it's only on vime on demand.

1112
00:52:07,960 --> 00:52:09,359
Speaker 3: You can go to vimeo dot. Yeah.

1113
00:52:09,480 --> 00:52:11,359
Speaker 2: They end up cutting that out for like a fuck

1114
00:52:11,440 --> 00:52:12,680
Speaker 2: Lauschins or something like.

1115
00:52:14,239 --> 00:52:16,799
Speaker 1: Yeah, but to have her here with you guys will

1116
00:52:16,800 --> 00:52:19,800
Speaker 1: be good. You know, that's gonna get a lot of eyeballs.

1117
00:52:19,840 --> 00:52:20,560
Speaker 1: That's a lot of heat.

1118
00:52:20,640 --> 00:52:20,879
Speaker 2: Yeah.

1119
00:52:21,000 --> 00:52:23,799
Speaker 3: Yeah, she's had an album called war Paint.

1120
00:52:23,880 --> 00:52:24,319
Speaker 2: That's cool.

1121
00:52:24,920 --> 00:52:26,760
Speaker 8: If she's on the same episode. Why are we talking

1122
00:52:26,760 --> 00:52:27,200
Speaker 8: about her?

1123
00:52:27,360 --> 00:52:27,839
Speaker 2: About her?

1124
00:52:28,440 --> 00:52:29,520
Speaker 3: If you're promoting her ship?

1125
00:52:30,200 --> 00:52:31,880
Speaker 2: A wild? Yeah? Wild?

1126
00:52:32,360 --> 00:52:35,360
Speaker 1: Like congratulating this is wild congratulating Eliza?

1127
00:52:35,560 --> 00:52:36,520
Speaker 4: What about all right?

1128
00:52:38,320 --> 00:52:40,440
Speaker 1: Oh my god, it's so funny. I lost my ship?

1129
00:52:40,760 --> 00:52:42,920
Speaker 3: Thank you?

1130
00:52:43,960 --> 00:52:46,520
Speaker 2: Was that you saying we can use that actually just

1131
00:52:46,560 --> 00:52:47,080
Speaker 2: in case.

1132
00:52:46,920 --> 00:52:49,640
Speaker 5: You guys want to like compliment our stuff.

1133
00:52:50,840 --> 00:52:56,160
Speaker 3: Okay, yeah, yeah, if that comes up. Uh so, if

1134
00:52:56,200 --> 00:52:57,600
Speaker 3: I were you, what's that idea?

1135
00:52:58,760 --> 00:52:59,080
Speaker 4: What's that?

1136
00:52:59,239 --> 00:53:01,920
Speaker 2: How did you come up with that? Why did you

1137
00:53:01,920 --> 00:53:04,279
Speaker 2: just sounds like you told him to stop recording. Huh.

1138
00:53:04,360 --> 00:53:06,200
Speaker 3: I can see that the record buttons off.

1139
00:53:06,000 --> 00:53:09,239
Speaker 2: Man, I'm just shooting the ship mate, if you want

1140
00:53:09,239 --> 00:53:10,759
Speaker 2: to record it, very interested, We cant do.

1141
00:53:10,760 --> 00:53:12,680
Speaker 1: Just have a conversation with you about the stuff that

1142
00:53:12,719 --> 00:53:15,440
Speaker 1: you guys are always it's interesting.

1143
00:53:15,520 --> 00:53:17,600
Speaker 3: I don't I want to get inside that noodle years

1144
00:53:17,640 --> 00:53:19,960
Speaker 3: and dig around. I mean, what is really going on

1145
00:53:20,000 --> 00:53:22,520
Speaker 3: if I were Yeah, it's a podcast. It's an advice show.

1146
00:53:23,320 --> 00:53:25,800
Speaker 2: Yeah, it's funny advice or normal advice.

1147
00:53:26,440 --> 00:53:28,160
Speaker 5: It sort of tones the line between the two. So

1148
00:53:28,160 --> 00:53:30,759
Speaker 5: we try to get some genuine advice, but we try

1149
00:53:30,800 --> 00:53:31,440
Speaker 5: to be funny too.

1150
00:53:32,280 --> 00:53:33,279
Speaker 2: Some of it's fucked up.

1151
00:53:33,360 --> 00:53:33,839
Speaker 4: Huh what?

1152
00:53:34,080 --> 00:53:35,920
Speaker 2: Sometimes it seems like, yeah, what do you mean?

1153
00:53:36,440 --> 00:53:41,120
Speaker 3: Just could get pretty dark? How so I'm just suggesting it.

1154
00:53:48,000 --> 00:53:50,960
Speaker 2: I think I think that's good. Yeah. Do we have

1155
00:53:51,360 --> 00:53:54,400
Speaker 2: like where are we at? Cody? Like forty?

1156
00:53:54,800 --> 00:53:56,839
Speaker 3: Okay, okay, isn't that how long?

1157
00:53:56,880 --> 00:53:57,520
Speaker 2: I got confused?

1158
00:53:57,760 --> 00:53:59,560
Speaker 3: Are said forty a couple of minutes ago?

1159
00:53:59,719 --> 00:53:59,919
Speaker 2: Yeah?

1160
00:54:00,200 --> 00:54:02,480
Speaker 1: And so for it to be forty now and also

1161
00:54:02,520 --> 00:54:03,600
Speaker 1: then would be impossible.

1162
00:54:03,719 --> 00:54:08,640
Speaker 2: Oh we're all estimating. Uh yeah, are you feeling good?

1163
00:54:08,680 --> 00:54:08,879
Speaker 3: Hey?

1164
00:54:09,000 --> 00:54:10,080
Speaker 2: I feel great? Yeah?

1165
00:54:10,120 --> 00:54:14,520
Speaker 1: Anything else you wanted to get after? Uh?

1166
00:54:16,600 --> 00:54:19,520
Speaker 3: Do we want to just get some wild compliments? What

1167
00:54:20,280 --> 00:54:23,120
Speaker 3: just on our appearance and stuff us to you.

1168
00:54:23,280 --> 00:54:27,120
Speaker 2: Us to you. Yeah, well, I mean that's a nice idea.

1169
00:54:27,160 --> 00:54:29,040
Speaker 3: How about wild us talking about the ship we need

1170
00:54:29,280 --> 00:54:29,680
Speaker 3: to promote?

1171
00:54:30,040 --> 00:54:34,640
Speaker 8: Uh uh well, I'm sorry, very well, I'm happy to

1172
00:54:35,239 --> 00:54:38,799
Speaker 8: Jake Herwitz August fifth, nineteen eighty five on My new An, Connecticut,

1173
00:54:39,000 --> 00:54:42,640
Speaker 8: April twenty fifth, twenty sixteen. I think you have a

1174
00:54:42,640 --> 00:54:43,560
Speaker 8: really nice mustache.

1175
00:54:43,640 --> 00:54:45,839
Speaker 3: Oh thanks, yeah for a role.

1176
00:54:46,200 --> 00:54:48,800
Speaker 8: I dig how you're letting the sites come in a

1177
00:54:48,800 --> 00:54:49,399
Speaker 8: little bit too.

1178
00:54:49,800 --> 00:54:52,520
Speaker 3: Yeah, that makes me more comfortable. That's not for the role.

1179
00:54:52,640 --> 00:54:52,920
Speaker 2: Got it?

1180
00:54:52,960 --> 00:54:55,080
Speaker 8: So like when you're on camera, you're shaving the side.

1181
00:54:55,160 --> 00:54:57,080
Speaker 2: I gotta clean that? Cool? Well I did it. I

1182
00:54:57,080 --> 00:54:58,000
Speaker 2: think it looks really nice.

1183
00:54:58,080 --> 00:54:59,120
Speaker 4: Yeah.

1184
00:54:59,280 --> 00:55:01,120
Speaker 3: Do we have anything to plug you want?

1185
00:55:02,520 --> 00:55:05,960
Speaker 1: I'm sorry, I thought there was another Well I was

1186
00:55:05,960 --> 00:55:07,360
Speaker 1: gonna I was gonna let him mirror.

1187
00:55:08,000 --> 00:55:13,120
Speaker 3: Do you want to talk about the show, Well, just.

1188
00:55:13,000 --> 00:55:15,839
Speaker 2: Compliment you see.

1189
00:55:16,440 --> 00:55:18,040
Speaker 1: It seems like you were thinking what you were going

1190
00:55:18,120 --> 00:55:21,319
Speaker 1: to say next instead of listening to what Jake was doing,

1191
00:55:21,320 --> 00:55:22,279
Speaker 1: which is giving Sean and.

1192
00:55:22,640 --> 00:55:24,880
Speaker 3: There's listening and then there's waiting for your turn to talk.

1193
00:55:26,080 --> 00:55:29,520
Speaker 3: All right, okay, sorry guys, you know which one you

1194
00:55:29,520 --> 00:55:33,399
Speaker 3: were doing I'm guessing it's the one that wasn't good,

1195
00:55:34,200 --> 00:55:35,200
Speaker 3: not the listening one.

1196
00:55:35,440 --> 00:55:42,920
Speaker 7: Okay, good, right, yeah, go ahead, go ahead? What dude, hey,

1197
00:55:43,040 --> 00:55:46,280
Speaker 7: compliments A compliment a mirror?

1198
00:55:47,480 --> 00:55:53,080
Speaker 5: Blumenfeld in Complete Shock, January eighteenth, nineteen eighty three.

1199
00:55:54,320 --> 00:55:55,359
Speaker 3: I'm floored by this, by.

1200
00:55:55,239 --> 00:55:59,440
Speaker 1: The way, what what what element of my appearance?

1201
00:55:59,440 --> 00:56:00,719
Speaker 2: Are you floor by you?

1202
00:56:01,960 --> 00:56:03,239
Speaker 3: That wasn't it wasn't like?

1203
00:56:03,880 --> 00:56:04,960
Speaker 2: What is flooring you?

1204
00:56:05,080 --> 00:56:05,319
Speaker 4: Yeah?

1205
00:56:05,680 --> 00:56:06,319
Speaker 5: Uh?

1206
00:56:07,040 --> 00:56:07,640
Speaker 2: Cool socks?

1207
00:56:07,680 --> 00:56:08,680
Speaker 3: Dude?

1208
00:56:08,800 --> 00:56:11,400
Speaker 2: Is that really like? Mm hmm? It's feel like it

1209
00:56:11,400 --> 00:56:12,759
Speaker 2: should be something physical about him.

1210
00:56:13,000 --> 00:56:15,120
Speaker 3: I mean to me, can I say what? This feels like?

1211
00:56:15,560 --> 00:56:19,319
Speaker 3: He's avoiding saying some of the things that he really

1212
00:56:20,080 --> 00:56:23,600
Speaker 3: yes because they scare him. It makes him a little uncomfortable.

1213
00:56:23,640 --> 00:56:24,120
Speaker 2: That's what I think.

1214
00:56:25,160 --> 00:56:31,520
Speaker 3: We got three four pretty secure guys, and they all

1215
00:56:31,600 --> 00:56:35,000
Speaker 3: are comfortable. I'm openly gay. It has nothing to do

1216
00:56:35,080 --> 00:56:35,399
Speaker 3: with that.

1217
00:56:36,040 --> 00:56:37,000
Speaker 4: I don't care about that.

1218
00:56:37,080 --> 00:56:38,920
Speaker 3: Man. So what were you talking about with the comfortable

1219
00:56:38,960 --> 00:56:40,000
Speaker 3: and your sexuality thing?

1220
00:56:42,640 --> 00:56:48,000
Speaker 2: A big deal at all? Can we all just be guys?

1221
00:56:48,200 --> 00:56:53,280
Speaker 3: Oh? Yeah, man, I think so too. To label everything labels.

1222
00:56:53,320 --> 00:56:55,200
Speaker 3: But we were saying you were scared of some of

1223
00:56:55,239 --> 00:56:58,560
Speaker 3: what you were actually liking about Hayes it's not gay

1224
00:56:58,640 --> 00:56:59,120
Speaker 3: or straight.

1225
00:56:59,680 --> 00:57:00,600
Speaker 2: Sorry I did.

1226
00:57:00,680 --> 00:57:03,479
Speaker 5: I paid him on the compliment, which you guys asked

1227
00:57:03,480 --> 00:57:04,919
Speaker 5: me to do three times.

1228
00:57:04,920 --> 00:57:07,480
Speaker 1: At this point, it's just a weird thing to get

1229
00:57:07,800 --> 00:57:08,520
Speaker 1: horny about.

1230
00:57:08,920 --> 00:57:09,400
Speaker 3: I wasn't.

1231
00:57:09,520 --> 00:57:10,200
Speaker 2: It sucks.

1232
00:57:10,400 --> 00:57:12,239
Speaker 3: I was not horny about that. Is there anything that

1233
00:57:12,239 --> 00:57:16,560
Speaker 3: you want to edit out just from that check? Honestly,

1234
00:57:16,600 --> 00:57:16,919
Speaker 3: I don't.

1235
00:57:17,280 --> 00:57:22,280
Speaker 5: I don't see any of this conversation being usable in

1236
00:57:22,320 --> 00:57:24,080
Speaker 5: any way. Obviously, it's not my show, so you guys

1237
00:57:24,080 --> 00:57:32,320
Speaker 5: tell me bye. Hollywood Handbook is brought to you by

1238
00:57:32,400 --> 00:57:47,000
Speaker 5: Wolf Cool Production to subsidiary of calvinobs ow Baby