WEBVTT - Live Action Anime, Plus Interview with Stephen Graham Jones

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<v Speaker 1>Warning warning.

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<v Speaker 2>Today's episode making day spoilers for multiple live action anime adaptations,

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<v Speaker 2>so beware. Plus, after our chat, I'll be interviewing award

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<v Speaker 2>winning horror and comics author Stephen Graham Jones. Hello, my

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<v Speaker 2>name is Rosie Knight, and welcome back to X ray Vision,

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<v Speaker 2>the podcast where we dive peek into your favorite shows, movies,

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<v Speaker 2>comics and pop culture. We're coming to you from iHeart Podcast,

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<v Speaker 2>where we'll be bringing you three episodes.

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<v Speaker 1>A week, and it's on Saturdays.

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<v Speaker 2>In today's episode, I am joined by Carmen and Ian

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<v Speaker 2>to discuss something I'm always trying to talk about, which

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<v Speaker 2>is anime and in this case, the conundrum of live

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<v Speaker 2>action anime adaptations.

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<v Speaker 1>Ian in common, welcome in. How are you doing today?

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<v Speaker 2>So good?

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<v Speaker 3>I've got my my wig on, I've got my anime

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<v Speaker 3>girl makeup on.

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<v Speaker 1>You wearing a little sailor moon wearing outfit out.

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<v Speaker 3>I'm ready to do a transformation.

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<v Speaker 4>Let's do it.

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<v Speaker 2>I am all. I mean I'm also wearing a ginger

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<v Speaker 2>Eto sweater, so I guess we realize apparently case, I've.

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<v Speaker 3>Been wanting to say, that is a very cute swettter

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<v Speaker 3>you have on.

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<v Speaker 2>Thank you this is this is actually a junge Eto

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<v Speaker 2>drop Dead, which is like an emo band lead singer.

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<v Speaker 2>So it's even sillier, even sillier and more emo than

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<v Speaker 2>a junge Eto is usually. Okay, let's jump in, guys Ian,

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<v Speaker 2>I want to start with you, what is your first

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<v Speaker 2>memory of watching an anime? And then what was the

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<v Speaker 2>first live action anime remake that you saw?

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<v Speaker 4>Okay, so, I think mine is going to be similar

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<v Speaker 4>for a lot of young American men who are of

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<v Speaker 4>a certain age. It's got dragon Ball Z was the

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<v Speaker 4>first for me on Twnami Classic, you know, weekday afternoons

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<v Speaker 4>after school. I would run home and put it on.

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<v Speaker 4>So that was, like, I think, really one of my

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<v Speaker 4>first exposures to anime. And you know, I remember watching

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<v Speaker 4>the series all the way through and couldn't wait to

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<v Speaker 4>get home to see the next episode. It's like, oh,

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<v Speaker 4>gohans still charging up this Okay? Cool? And then the

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<v Speaker 4>first live action remake that I can think of, I

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<v Speaker 4>think it might be that also, Dragon Ball Z. That

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<v Speaker 4>that first live action movie they.

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<v Speaker 2>Did, Cursed dragon ball I'm sorry, man, I'm sorry. Yeah,

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<v Speaker 2>guessing that did not give you a great feeling around

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<v Speaker 2>the nature of possibility. Of anime beautiful boy common how

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<v Speaker 2>about you.

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<v Speaker 3>You know it's funny I brings up Dragon Ball Z

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<v Speaker 3>because I was on the opposite end of us spectrum tunami. Famously,

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<v Speaker 3>if you made it home from school early enough, you

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<v Speaker 3>could catch Sailor Moon. And if I was late if.

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<v Speaker 4>School memories of Moon too.

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<v Speaker 3>Yes, if the school bus was running late that day, though,

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<v Speaker 3>I had to watch Dragon Ball Z, and I remember

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<v Speaker 3>being pissed because I hated Dragon Ball Z and I

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<v Speaker 3>loved Sailor Moon. And now as an adult, I have

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<v Speaker 3>I have expanded my palette. I also have come to

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<v Speaker 3>love Dragon Ball and dragon Ball Z. But Sailor Moon

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<v Speaker 3>and Pokemon were probably my first experiences with anime.

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<v Speaker 2>What's the first live action anime you have adaptation that

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<v Speaker 2>you Yes?

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<v Speaker 3>Okay, so I have seen the dragon Ball Z live

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<v Speaker 3>action adaptation. It wasn't the first one that I saw.

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<v Speaker 3>I think the first one that I saw was either

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<v Speaker 3>it has to have either been the Death Note or

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<v Speaker 3>the Sailor Moon live action adaptations, and they were around

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<v Speaker 3>the same time, so I can't remember from Japan.

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<v Speaker 1>From Japan and those are I have to say, we'll give.

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<v Speaker 2>You hope, Yes, they will give you her an anime adaptation,

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<v Speaker 2>and I think that's going to be a really interesting

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<v Speaker 2>thing to talk about today because a lot of us

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<v Speaker 2>did grow up. I am, you know, I slightly let's say,

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<v Speaker 2>I'm slightly older than both of you, so my my

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<v Speaker 2>how to watch anime was a little different. My family

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<v Speaker 2>also did not have cable. I did have a VHS

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<v Speaker 2>copy of A Kira, so that was definitely you know,

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<v Speaker 2>I was blessed by being introduced into a classic, truly,

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<v Speaker 2>the unbelievably sacred text and obviously blew my mind. I

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<v Speaker 2>think the first live action anime adaptation that I saw

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<v Speaker 2>out at least and remember really watching was a I

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<v Speaker 2>really wanted to see Tony. They had made all these

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<v Speaker 2>Tony adaptations. She is a beautiful, mysterious woman who every

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<v Speaker 2>time she shows up mango crazy and people get killed.

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<v Speaker 2>She was a school student who was you know, betrayed

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<v Speaker 2>by her friends. It's a junge Eto classic and I'd

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<v Speaker 2>read all the books and again, that will give you

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<v Speaker 2>hope if you have a certain kind of taste, and

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<v Speaker 2>I think that is what we need to get into next.

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<v Speaker 2>So ian to you, what do you want from a

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<v Speaker 2>great live action anime remake like what would make that

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<v Speaker 2>work for you? Have you seen one before that kind

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<v Speaker 2>of does capture the magic?

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<v Speaker 1>What are you looking for in it?

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<v Speaker 4>For me? I think above all is faithfulness to the

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<v Speaker 4>source material. You know, there you can tweak things and

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<v Speaker 4>update things and moderniz things, because I know a lot

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<v Speaker 4>of certain animes are from you know, the nineties or

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<v Speaker 4>early two thousands, so especially if you're going to make

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<v Speaker 4>something in today's modern age, you know, of course you're

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<v Speaker 4>going to make changes. But I think being faithful to

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<v Speaker 4>the source material is first for me. And then you know,

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<v Speaker 4>I think also you want to see some of these

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<v Speaker 4>fantastical elements or powers or characters or settings brought to

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<v Speaker 4>life in a real and compelling way. So I think,

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<v Speaker 4>you know, not cheaping out on some of the special

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<v Speaker 4>effects or the production design, you like, really putting money

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<v Speaker 4>into it to make it look like it's real. So

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<v Speaker 4>I think those are the kind of the two top

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<v Speaker 4>tier things. And then obviously you want good acting. You

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<v Speaker 4>want to hire people who are going to do good casting.

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<v Speaker 4>So I think those are kind of like the three pillars,

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<v Speaker 4>you know, putting enough money into the budget for production

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<v Speaker 4>wise to make sure it looks as good as it

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<v Speaker 4>can faithfulenss and the source material, and then you got

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<v Speaker 4>to nail the casting.

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<v Speaker 1>Yeah, yeah, I love that.

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<v Speaker 2>Common What did the live action anime that you saw

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<v Speaker 2>and that you loved, What did they make you look

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<v Speaker 2>for when you were kind of expanding out to other

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<v Speaker 2>live action adaptations of these Japanese animed shows.

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<v Speaker 3>Yeah, I'm I'm looking for a creative interpretation of the

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<v Speaker 3>source material. Of course, I want it to be faithful

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<v Speaker 3>to the source material, as Ian said, But I do

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<v Speaker 3>think you know, when animation has animation of course as

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<v Speaker 3>a medium that you can do a lot with that

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<v Speaker 3>you can't do with the live action for sure. But

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<v Speaker 3>how is the live action going to overcome that? And

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<v Speaker 3>I hope that it does that in a way that

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<v Speaker 3>is creative, that doesn't take me too much out of

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<v Speaker 3>the experience of watching it, you know, and like we

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<v Speaker 3>said that, you know, pay.

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<v Speaker 5>Good for the visual effects.

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<v Speaker 3>I also think we'll talk to we'll talk more in

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<v Speaker 3>a little bit about where it kind of goes wrong.

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<v Speaker 3>But that also creative interpretations of character design also, I

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<v Speaker 3>think are going to be important as well. We have

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<v Speaker 3>to say, like a lot of the anime characters are

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<v Speaker 3>so some of their character designs are super unrealistic and

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<v Speaker 3>very hard to pull off for a live action format.

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<v Speaker 2>But yeah, yeah, and also kind of touching on what

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<v Speaker 2>you said earlier, Ian like, some of them are like

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<v Speaker 2>racist and they play into racist character tropes and stuff.

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<v Speaker 2>And so one of the anime adaptations, the rare good

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<v Speaker 2>American adaptations that I know we will touch on and

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<v Speaker 2>I'm going to just bring up here is one piece

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<v Speaker 2>which did reimagine a lot of those really problematic things

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<v Speaker 2>and kind of bring a new element in new aspect

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<v Speaker 2>to it, which doesn't often happen. So something I'm going

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<v Speaker 2>to bring up now before we talk about where some

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<v Speaker 2>of these don't work is I think the biggest issue

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<v Speaker 2>here is a storytelling challenge and a difference in production

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<v Speaker 2>design culture, because, for example, I am a big lover

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<v Speaker 2>of many Japanese anime adaptations, but if you watch them,

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<v Speaker 2>for example, you know some of the really fun ones

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<v Speaker 2>that I've written about over the years, like JoJo's Bizarre

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<v Speaker 2>Adventure Diamond is Unbreakable. The wigs are crazy, the costumes

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<v Speaker 2>are looking kind of cheap, but it captures the bizarreness

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<v Speaker 2>of what you want from the story. It feels real,

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<v Speaker 2>and so I think that for a long time through

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<v Speaker 2>the zeros and the nineties, we were getting more of

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<v Speaker 2>those Japanese style like crazy wig silly costumes, like a

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<v Speaker 2>lot of the early Japanese Death Note movies fall into that,

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<v Speaker 2>even though they are guys really great with incredible storytelling,

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<v Speaker 2>so that for me, the production quality can be low

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<v Speaker 2>if the creativity and feel of the comic is captured.

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<v Speaker 2>But I will say we are entering a new era

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<v Speaker 2>now because Netflix is not only running obviously, like the

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<v Speaker 2>one piece of adaptation is pretty much seen so far

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<v Speaker 2>as our best American anime adaptation, and I think that

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<v Speaker 2>can be a great way to lead into guys, what

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<v Speaker 2>are some of the worst, which we'll touch on next.

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<v Speaker 2>But something that Netflix is doing is they are now

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<v Speaker 2>adapting Korean web tunes mana manga, and they are and

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<v Speaker 2>they're licensing incredible, high quality adaptations from Japan. So things

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<v Speaker 2>like Alice in Borderline, that was Alice in Bordland. That's

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<v Speaker 2>an incredible show, great production value, super scary, and that

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<v Speaker 2>is an adaptation of a comic book of for manga,

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<v Speaker 2>there is the Korean web series that was adapted into

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<v Speaker 2>hell Bound, which is one of the scariest horror ca

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<v Speaker 2>dramas that we've had for years, so we're in a

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<v Speaker 2>new era of it. And I think this kind of

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<v Speaker 2>idea of Dragonball Evolution and then you know Tony or

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<v Speaker 2>the Nana Action nineties anime adaptation or Zero's those kind

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<v Speaker 2>of have a corniness that to us is nostalgic. Same

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<v Speaker 2>with Common I own some of the Saloon ones, but

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<v Speaker 2>I do think we're now in an era where these

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<v Speaker 2>could be truly becoming masterpieces and starting to get a

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<v Speaker 2>little bit more of an understanding that like around the world,

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<v Speaker 2>K drama, JA drama, a lot of them have always

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<v Speaker 2>been drawing from comic books, you know.

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<v Speaker 1>So so let's talk a little bit about some.

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<v Speaker 2>Of the worst of the worst that we all know

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<v Speaker 2>and despise and have talked about many times. Ian just

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<v Speaker 2>list off a few of the anime adaptations from America

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<v Speaker 2>that have not worked, and then we can talk about

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<v Speaker 2>the reasons we think that is.

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<v Speaker 4>Sure, Bill, we already touched on it. The Dragonball Evolution

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<v Speaker 4>movie not great. Ghost in the Shell with scar Joe

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<v Speaker 4>not great.

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<v Speaker 2>She could even play a tree, guys, she could play anything.

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<v Speaker 4>Believe in that Avatar the Last Airbender. Some might say,

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<v Speaker 4>maybe that's not quite anime.

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<v Speaker 2>But controversial because it's not technically an anime. But I

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<v Speaker 2>do think it falls into all the exact same problems.

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<v Speaker 1>So I think you believe it is.

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<v Speaker 4>Both the movie and and the Netflix series have issues

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<v Speaker 4>You Hockey Show Netflix adaptation, and that's and oh yes,

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<v Speaker 4>that one was painful for me because you U Hockey

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<v Speaker 4>Show is my favorite anime of all time and that.

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<v Speaker 2>Is a that's a that's a Japanese adaptation too, right,

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<v Speaker 2>It's still so still felt what did they miss?

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<v Speaker 4>They condensed the plot so much into like four or

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<v Speaker 4>five episodes, and they just didn't give it enough time

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<v Speaker 4>to breathe because there's so many episodes in the like

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<v Speaker 4>some of the arcs are really long, and they can

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<v Speaker 4>they condensed it down to the point where they're cutting

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<v Speaker 4>out huge chunks of the story, huge chunks of the

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<v Speaker 4>character development, character moments. So it's like, if we're gonna

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<v Speaker 4>do it that way, it's like almost not worth doing

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<v Speaker 4>because I could just watch the original and get the

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<v Speaker 4>full story, you know.

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<v Speaker 2>Is it additive? I think that's a really great point.

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<v Speaker 2>Common you know what, what was some of those real

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<v Speaker 2>stinkers that made you think, oh, people shouldn't be doing this.

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<v Speaker 3>I mean, of course, the very first one that I

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<v Speaker 3>ever saw was that Dragon Ball Z the Evolution. But

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<v Speaker 3>I'm going to take it all the way back to

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<v Speaker 3>remember speed Racer. That's probably one of the very first

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<v Speaker 3>bad live action American animal Well, I.

0:12:12.800 --> 0:12:15.120
<v Speaker 2>Just need to say, guys, this is I want to

0:12:15.120 --> 0:12:17.960
<v Speaker 2>warn comment of this. This is a controversial topic. It

0:12:18.000 --> 0:12:21.920
<v Speaker 2>has over the years. It has garnered a cult following.

0:12:21.960 --> 0:12:24.679
<v Speaker 2>But I will say I am definitely on the side

0:12:24.679 --> 0:12:27.520
<v Speaker 2>of you. Is not my favorite Wachowski Brothers. It's not

0:12:27.559 --> 0:12:32.720
<v Speaker 2>my favorite Sisters movie, and it is not something that

0:12:32.920 --> 0:12:35.400
<v Speaker 2>I connect to in the way that so many do.

0:12:35.440 --> 0:12:36.760
<v Speaker 1>But watch out common that could be.

0:12:36.800 --> 0:12:42.640
<v Speaker 2>A sorry sorry, yeah, no no, But I think it's

0:12:42.640 --> 0:12:45.080
<v Speaker 2>interesting because before we jump to an ad break quickly

0:12:45.120 --> 0:12:46.720
<v Speaker 2>and then come back with some of the ones we love.

0:12:47.040 --> 0:12:48.560
<v Speaker 2>I'm going to say I think one of the biggest

0:12:48.600 --> 0:12:51.640
<v Speaker 2>issues there is a cultural misunderstanding of what the stories

0:12:51.640 --> 0:12:54.400
<v Speaker 2>are about. It's not you know, obviously all of these

0:12:54.440 --> 0:12:57.320
<v Speaker 2>have issues with whitewashing, right, and that's a lot of

0:12:57.360 --> 0:13:00.960
<v Speaker 2>times is the biggest issue. Dragon Ball Evolution and stuff

0:13:01.000 --> 0:13:04.400
<v Speaker 2>like that. Shell They often try to use this idea

0:13:04.400 --> 0:13:08.959
<v Speaker 2>of internationalizing a cost by widening the cost.

0:13:09.800 --> 0:13:10.559
<v Speaker 1>But also the.

0:13:10.520 --> 0:13:12.679
<v Speaker 2>Reason Ghost in the Shell sucks when America makes it

0:13:12.720 --> 0:13:15.200
<v Speaker 2>is because Ghost in the Shell is a very specific

0:13:15.679 --> 0:13:19.560
<v Speaker 2>Japanese story about the way that technology becomes the center

0:13:19.600 --> 0:13:24.000
<v Speaker 2>of your universe after you are essentially, you know, stonewalled

0:13:24.040 --> 0:13:27.600
<v Speaker 2>out of the international global conflicts after World War Two,

0:13:27.720 --> 0:13:30.480
<v Speaker 2>Like you can't make that if you won World War two.

0:13:30.520 --> 0:13:32.840
<v Speaker 2>And it's just like this is the coolest step. So

0:13:32.920 --> 0:13:36.520
<v Speaker 2>I think, really like there's everything can kind of be

0:13:36.920 --> 0:13:38.760
<v Speaker 2>put back to that. But yeah, I'm really excited to

0:13:38.760 --> 0:13:40.720
<v Speaker 2>come back and talk about some that we love. So

0:13:40.840 --> 0:13:42.800
<v Speaker 2>let's go to an ad break and then we'll come

0:13:42.840 --> 0:13:45.640
<v Speaker 2>back and I'll be asking mean Common about that fave

0:13:45.960 --> 0:14:05.680
<v Speaker 2>anime adaptations. Yeah, we're back, Common, Why don't you guess started,

0:14:05.720 --> 0:14:09.760
<v Speaker 2>what's your fave live action adaptation that you would recommend

0:14:10.080 --> 0:14:12.360
<v Speaker 2>to somebody who maybe hasn't even watched a lot of anime.

0:14:12.440 --> 0:14:15.160
<v Speaker 2>What's just a great movie? Yeah, or great TV show?

0:14:15.280 --> 0:14:18.320
<v Speaker 2>So you know, going back to Ian we talked about

0:14:18.320 --> 0:14:20.520
<v Speaker 2>it before. Netflix is kind of leading the pack here

0:14:20.560 --> 0:14:23.280
<v Speaker 2>they in terms of production design. Now because of that

0:14:23.320 --> 0:14:26.760
<v Speaker 2>production design, I think that again we only see like

0:14:27.400 --> 0:14:31.320
<v Speaker 2>maybe six eight episodes tops usually of a series, but

0:14:31.400 --> 0:14:34.720
<v Speaker 2>one that I really loved on Netflix, and I'm really

0:14:34.720 --> 0:14:36.960
<v Speaker 2>glad that we have the opportunity to talk about this.

0:14:37.080 --> 0:14:37.320
<v Speaker 6>Now.

0:14:37.720 --> 0:14:41.920
<v Speaker 3>It's me to Parasite, and I'm not sure if you

0:14:42.040 --> 0:14:46.040
<v Speaker 3>watched the Japanese anime. This is a Korean live action,

0:14:47.480 --> 0:14:49.960
<v Speaker 3>not a remake, but it's actually a continuation of the story,

0:14:49.960 --> 0:14:53.080
<v Speaker 3>which I find even cooler about about it. And I

0:14:53.120 --> 0:14:57.880
<v Speaker 3>think that's another area where these remakes or whatever can

0:14:58.640 --> 0:15:02.360
<v Speaker 3>do better is maybe just continuing the story. So this

0:15:02.440 --> 0:15:08.160
<v Speaker 3>is exactly this is what happens in the Parasite the

0:15:08.200 --> 0:15:12.000
<v Speaker 3>Gray story. But if it happened, well, what did happen

0:15:12.080 --> 0:15:17.600
<v Speaker 3>in Korea? And so the Parasite series, it's an anime

0:15:17.760 --> 0:15:21.880
<v Speaker 3>where there's like this alien invasion that takes over people's brains.

0:15:22.840 --> 0:15:25.280
<v Speaker 3>There's this one guy who gets the parasite that doesn't

0:15:25.360 --> 0:15:27.480
<v Speaker 3>go to his brain successfully, it goes to his hand

0:15:27.520 --> 0:15:30.600
<v Speaker 3>and it talks to him and it becomes like a companion.

0:15:31.040 --> 0:15:33.920
<v Speaker 3>Well there's somebody else in Korea. The same thing has

0:15:34.000 --> 0:15:38.520
<v Speaker 3>happened in Seoul, Korea, and so it's very I'm not

0:15:38.560 --> 0:15:41.960
<v Speaker 3>going to spoil anything, but you know, because this two

0:15:42.000 --> 0:15:45.560
<v Speaker 3>stories continued, they have a way that they could possibly

0:15:45.600 --> 0:15:48.280
<v Speaker 3>converge in the future. So I think it's really cool.

0:15:48.320 --> 0:15:50.560
<v Speaker 3>This is a really cool example of live action anime

0:15:50.720 --> 0:15:53.960
<v Speaker 3>going well, because you've got the anime, which is really great,

0:15:54.000 --> 0:15:56.040
<v Speaker 3>and then you've got the live action which is really great,

0:15:56.200 --> 0:15:58.880
<v Speaker 3>and then they kind of compliment each other and they

0:15:58.920 --> 0:16:02.480
<v Speaker 3>could possibly end up continuing the story together.

0:16:02.720 --> 0:16:04.000
<v Speaker 5>So nice.

0:16:04.000 --> 0:16:04.720
<v Speaker 1>That's really fun.

0:16:04.760 --> 0:16:07.360
<v Speaker 2>Ian, what's one that you've watched that's blown you away

0:16:07.360 --> 0:16:09.240
<v Speaker 2>and made you think, hey, maybe there's more of these

0:16:09.280 --> 0:16:10.640
<v Speaker 2>that are worth kind of telling.

0:16:10.880 --> 0:16:13.160
<v Speaker 4>So this one's gonna be. It's a more recent example,

0:16:13.280 --> 0:16:15.640
<v Speaker 4>and I think it's for someone who maybe is not

0:16:15.760 --> 0:16:18.800
<v Speaker 4>super into anime or isn't super well versed. I think

0:16:18.800 --> 0:16:21.320
<v Speaker 4>this is a good like entry point, like low bar

0:16:21.360 --> 0:16:24.760
<v Speaker 4>of entry, really easy way to get into it. Detective Pikachu,

0:16:24.920 --> 0:16:27.640
<v Speaker 4>I think was very successful and they did a very

0:16:27.640 --> 0:16:30.960
<v Speaker 4>good job. You know, obviously, Ryan Reynolds is very charismatic

0:16:31.040 --> 0:16:34.000
<v Speaker 4>and everybody loves him. But I also think the way

0:16:34.040 --> 0:16:37.280
<v Speaker 4>they designed all the Pokemon and integrated them in the

0:16:38.000 --> 0:16:41.760
<v Speaker 4>integrated them into, you know, the real world, and just

0:16:41.800 --> 0:16:46.600
<v Speaker 4>the embodiment of the kinds of stories that Pokemon games

0:16:47.480 --> 0:16:50.000
<v Speaker 4>and even the animated series try to tell. I think

0:16:50.040 --> 0:16:53.560
<v Speaker 4>that it was just a very successful adaptation. It's obviously

0:16:53.880 --> 0:16:56.000
<v Speaker 4>geared towards kids, but it's as an adult. I still

0:16:56.040 --> 0:16:56.800
<v Speaker 4>really enjoyed it.

0:16:57.120 --> 0:16:57.360
<v Speaker 7>Yeah.

0:16:57.640 --> 0:16:59.480
<v Speaker 1>It was three times.

0:17:00.320 --> 0:17:02.400
<v Speaker 4>Yeah, I've watched it multiple times, and I think they

0:17:02.480 --> 0:17:04.919
<v Speaker 4>just did a really good job of embodying kind of

0:17:04.920 --> 0:17:07.639
<v Speaker 4>the essence of Pokemon. They nailed the character designs. I

0:17:07.640 --> 0:17:10.520
<v Speaker 4>feel like it was faithful to what we all know

0:17:10.600 --> 0:17:14.359
<v Speaker 4>and understand Pokemon to be. And I think they nailed

0:17:14.359 --> 0:17:15.920
<v Speaker 4>the casting. So I think that was just a great

0:17:15.920 --> 0:17:17.719
<v Speaker 4>example of and they didn't try to do too much.

0:17:17.840 --> 0:17:20.280
<v Speaker 4>It's a pretty simple story, yeah, and they nailed it.

0:17:20.400 --> 0:17:22.359
<v Speaker 4>So I think that's a great example of one that

0:17:22.400 --> 0:17:24.080
<v Speaker 4>did work. Yeah.

0:17:24.119 --> 0:17:26.439
<v Speaker 2>I would also say, so I'm going to basically just

0:17:26.600 --> 0:17:28.639
<v Speaker 2>like be a nerd and be like, did you know

0:17:28.840 --> 0:17:29.359
<v Speaker 2>this was.

0:17:29.240 --> 0:17:33.960
<v Speaker 1>Based on a manger or you know, because there's so

0:17:34.040 --> 0:17:35.359
<v Speaker 1>many great recommendations.

0:17:35.640 --> 0:17:38.200
<v Speaker 2>But yeah, I mean, Aaron and Aboo both popping some

0:17:38.280 --> 0:17:42.080
<v Speaker 2>really good ones in here. Elite a Battle Angel, there

0:17:42.200 --> 0:17:46.360
<v Speaker 2>was an unbeloved Anime OVA adaptation, and for a lot

0:17:46.400 --> 0:17:49.919
<v Speaker 2>of people, the Robert Rodriguez version also very interestingly a

0:17:50.119 --> 0:17:53.959
<v Speaker 2>version that adapted the comic very faithfully because the comic

0:17:54.160 --> 0:17:58.439
<v Speaker 2>is actually set in an international kind of slum land

0:17:58.680 --> 0:18:02.440
<v Speaker 2>underneath a sky city. So there they did a really

0:18:02.480 --> 0:18:04.760
<v Speaker 2>interesting job of who they cast and who they didn't cast.

0:18:05.040 --> 0:18:07.159
<v Speaker 2>I am not the hugest fan of the movie, but

0:18:07.200 --> 0:18:09.440
<v Speaker 2>it is so beloved and I love that people love it.

0:18:09.600 --> 0:18:11.639
<v Speaker 2>That's a great one. I love Edge of Tomorrow. We

0:18:11.680 --> 0:18:17.919
<v Speaker 2>will be getting a new will be So it's based

0:18:17.960 --> 0:18:20.280
<v Speaker 2>on a light novel that was turned into a manga

0:18:20.600 --> 0:18:24.440
<v Speaker 2>at some point was adapt an anime and now there is Yeah,

0:18:24.480 --> 0:18:27.760
<v Speaker 2>there is Kill. It was originally called Kill. I think

0:18:27.760 --> 0:18:32.120
<v Speaker 2>it's Kill Die Repeat, and that is actually now being

0:18:32.160 --> 0:18:34.760
<v Speaker 2>adapted as in another manga which looks gorgeous.

0:18:34.760 --> 0:18:39.280
<v Speaker 1>All you Need is Kill, Thank you Yes, And that

0:18:39.480 --> 0:18:40.359
<v Speaker 1>is really great.

0:18:40.880 --> 0:18:43.919
<v Speaker 2>One of my favorites that I really adore that I

0:18:43.960 --> 0:18:48.399
<v Speaker 2>always recommend to people is Battle Reale, iconic Japanese movie

0:18:48.440 --> 0:18:52.920
<v Speaker 2>by Kiinjin Kinji Fukusawa, one of my favorite directors, was

0:18:52.960 --> 0:18:54.960
<v Speaker 2>a huge influence on me. It came out in two

0:18:55.000 --> 0:18:57.560
<v Speaker 2>thousand based on a manga that was based on a book,

0:18:58.000 --> 0:19:00.800
<v Speaker 2>and there is anime episodes about Orel too that you

0:19:00.800 --> 0:19:03.880
<v Speaker 2>can watch, and basically it's about kids who are put

0:19:03.880 --> 0:19:06.480
<v Speaker 2>on an island and have to fight each other to

0:19:06.680 --> 0:19:17.359
<v Speaker 2>solve Japan's issues with overpopulation and TEENAGEU and juvenile teenage culture.

0:19:17.400 --> 0:19:21.320
<v Speaker 2>It's very cool, very dystopian, extremely influential and just beautifully shot.

0:19:21.400 --> 0:19:23.080
<v Speaker 2>Still one of my old time favorite movies. But yeah,

0:19:23.119 --> 0:19:25.159
<v Speaker 2>I mean there's so many guys. Lady Snowblood, do you

0:19:25.240 --> 0:19:25.800
<v Speaker 2>love that movie?

0:19:25.840 --> 0:19:27.000
<v Speaker 1>Guess What? Based on a comic.

0:19:27.480 --> 0:19:29.960
<v Speaker 2>Old Boy based on a manga, and that manger of

0:19:30.000 --> 0:19:34.159
<v Speaker 2>Old Boy is just unbelievable. It's so beautiful attack on

0:19:34.200 --> 0:19:36.480
<v Speaker 2>Titan live action movie. I know loads of people who

0:19:36.520 --> 0:19:38.679
<v Speaker 2>really really enjoyed it. It's again, it's a bit more

0:19:38.720 --> 0:19:41.159
<v Speaker 2>of that old school, a little bit crazy kind of looking.

0:19:41.480 --> 0:19:44.320
<v Speaker 2>But yeah, there are so many I'm so excited for this. Guys,

0:19:44.359 --> 0:19:47.200
<v Speaker 2>are there any anime that you're watching right now, can

0:19:47.200 --> 0:19:50.040
<v Speaker 2>be old or new that you would just love to recommend.

0:19:49.720 --> 0:19:50.879
<v Speaker 1>People before we wrap up?

0:19:52.400 --> 0:19:58.480
<v Speaker 2>Hmm, Cormon could be a good time for a little

0:19:58.600 --> 0:20:01.439
<v Speaker 2>Nana love, because you did spark off a lot of

0:20:01.480 --> 0:20:02.520
<v Speaker 2>people in the chat with you.

0:20:02.600 --> 0:20:04.560
<v Speaker 3>Yeah, I was trying to think if there was anything

0:20:04.600 --> 0:20:09.280
<v Speaker 3>other than Nana, But yeah, I definitely have been going

0:20:09.320 --> 0:20:13.600
<v Speaker 3>back to watch Nana. I have always enjoyed the aesthetic

0:20:13.680 --> 0:20:17.400
<v Speaker 3>of Nana as a Favian West with lover. But now

0:20:17.400 --> 0:20:21.000
<v Speaker 3>that it is in its twentieth anniversary, I have gone

0:20:21.040 --> 0:20:24.040
<v Speaker 3>back and started watching the anime on Hulu. I believe

0:20:24.040 --> 0:20:25.720
<v Speaker 3>you can stream it, so check it out.

0:20:26.000 --> 0:20:30.080
<v Speaker 1>Yeah nice, Yeah, it's great. It's about great rosy ways.

0:20:30.119 --> 0:20:32.880
<v Speaker 3>Girls who meet each other on the train and one

0:20:32.960 --> 0:20:36.959
<v Speaker 3>is punk rock and one is like all kind of

0:20:37.000 --> 0:20:41.680
<v Speaker 3>like Lolita, kind of like dainty style, and they're both

0:20:41.760 --> 0:20:45.040
<v Speaker 3>named Nana, so.

0:20:43.840 --> 0:20:46.240
<v Speaker 1>They are and we love them Ian, how about you.

0:20:46.440 --> 0:20:49.160
<v Speaker 4>I'm currently in the middle of my annual you hockey

0:20:49.200 --> 0:20:51.119
<v Speaker 4>show Rewatch. I know I already mentioned it earlier, but

0:20:51.160 --> 0:20:53.359
<v Speaker 4>it is. It is my favorite, and I'm just in

0:20:53.400 --> 0:20:55.480
<v Speaker 4>the middle of the rewatch right now. I'm the chapter

0:20:55.560 --> 0:20:59.639
<v Speaker 4>Black Saga, so I'm loving it and yeah, it's I

0:20:59.720 --> 0:21:01.840
<v Speaker 4>just wish they could nail that in live action, but

0:21:01.880 --> 0:21:05.439
<v Speaker 4>I understand why it's difficult because some of some of

0:21:05.440 --> 0:21:07.240
<v Speaker 4>the things we mentioned, like some of the character designs

0:21:07.240 --> 0:21:09.000
<v Speaker 4>are insane, and it's like, I don't know how you

0:21:09.040 --> 0:21:10.320
<v Speaker 4>do that in live action.

0:21:10.280 --> 0:21:14.280
<v Speaker 1>Yeah, without it looking exactly crazy. So yeah, one day

0:21:14.320 --> 0:21:16.680
<v Speaker 1>we'll get there. I love that one we will.

0:21:16.840 --> 0:21:19.359
<v Speaker 2>Aboo is sad that nobody mentioned my hero Academia. The

0:21:19.440 --> 0:21:23.000
<v Speaker 2>final season obviously huge, huge release going on right now.

0:21:23.080 --> 0:21:25.440
<v Speaker 1>I am currently.

0:21:25.040 --> 0:21:26.840
<v Speaker 2>Doing a lot of work on a lot of best

0:21:26.880 --> 0:21:30.960
<v Speaker 2>of most anticipated lists, so I have been watching really

0:21:31.000 --> 0:21:34.360
<v Speaker 2>great animated came out this year, like Sakamoto Days and

0:21:35.400 --> 0:21:38.240
<v Speaker 2>The Apocryphy Diaries, which I love. Can't wait for the

0:21:38.280 --> 0:21:41.280
<v Speaker 2>new season of that delicious in Dungeon. Guess what, guys,

0:21:41.280 --> 0:21:43.080
<v Speaker 2>you don't even I love Crunchy Role. I have a

0:21:43.119 --> 0:21:46.480
<v Speaker 2>Crunchy Roll account and yes, Aaron I too want to

0:21:46.520 --> 0:21:48.760
<v Speaker 2>do in Dungeon live action show. I also want a

0:21:48.760 --> 0:21:52.680
<v Speaker 2>Sakamoto Days live action show that is a cheap jay drama. Guys,

0:21:52.720 --> 0:21:55.400
<v Speaker 2>you can make that so easily in a seven eleven set.

0:21:55.640 --> 0:21:57.840
<v Speaker 3>I just thought of a really good one that they

0:21:57.920 --> 0:22:01.960
<v Speaker 3>have done, which is the Diary of a house Husband

0:22:02.080 --> 0:22:05.960
<v Speaker 3>or Life of a house I don't know why that

0:22:06.080 --> 0:22:08.400
<v Speaker 3>came to me in the very last minute, but check

0:22:08.440 --> 0:22:09.320
<v Speaker 3>that out, you know.

0:22:10.920 --> 0:22:15.560
<v Speaker 2>Super fun Vignette manga an anime series about execuser who

0:22:15.560 --> 0:22:18.119
<v Speaker 2>is now a house husband and the kind of shenanigans

0:22:18.160 --> 0:22:18.800
<v Speaker 2>he gets up.

0:22:18.720 --> 0:22:22.119
<v Speaker 1>To a stage. It's super fun series where they have

0:22:22.480 --> 0:22:26.280
<v Speaker 1>live action is really good. Yeah, and it's even easy

0:22:26.280 --> 0:22:27.160
<v Speaker 1>to watch on YouTube.

0:22:27.600 --> 0:22:30.560
<v Speaker 2>Listeners, please let us know in the discord what anime

0:22:30.640 --> 0:22:33.920
<v Speaker 2>adaptations you want to find in your stocking this year

0:22:34.160 --> 0:22:35.359
<v Speaker 2>and what your faves are.

0:22:35.440 --> 0:22:36.720
<v Speaker 1>So yes, join us.

0:22:37.280 --> 0:22:39.560
<v Speaker 2>Thank you Carmen and Ian for going through the perils

0:22:39.560 --> 0:22:43.480
<v Speaker 2>of doing live action adaptations of anime. And up next

0:22:43.760 --> 0:23:00.640
<v Speaker 2>my interview with one of my favorite authors, Stephen Graham Jones. Steven,

0:23:00.680 --> 0:23:03.119
<v Speaker 2>thank you so much for joining us on Extra Vision

0:23:03.200 --> 0:23:03.719
<v Speaker 2>this morning.

0:23:03.800 --> 0:23:05.280
<v Speaker 1>I appreciate you being here.

0:23:05.920 --> 0:23:07.280
<v Speaker 5>Grilled to be here, Thanks for having me.

0:23:08.080 --> 0:23:11.359
<v Speaker 2>Yeah, I'm a huge, huge fan of your work and

0:23:11.440 --> 0:23:14.280
<v Speaker 2>we've gotten to talk before at places like Noticed about

0:23:14.320 --> 0:23:17.920
<v Speaker 2>your love of comics, and could you talk a little

0:23:17.960 --> 0:23:22.760
<v Speaker 2>bit about how you went from being somebody who loved

0:23:22.800 --> 0:23:26.600
<v Speaker 2>reading and loved writing and loved comics to somebody who

0:23:26.640 --> 0:23:29.920
<v Speaker 2>actually creates all of those things and is also a teacher.

0:23:30.440 --> 0:23:30.640
<v Speaker 5>Yeah.

0:23:30.640 --> 0:23:32.080
<v Speaker 7>I never planned to be a writer. I was just

0:23:32.119 --> 0:23:34.080
<v Speaker 7>going to be a farmer and drive tractor. So it's

0:23:34.119 --> 0:23:36.439
<v Speaker 7>really completely random, and I ended up doing all this

0:23:36.440 --> 0:23:40.640
<v Speaker 7>stuff I'm doing. It still feels still feels weird, like

0:23:40.640 --> 0:23:42.639
<v Speaker 7>like I fell asleep and this is all a dream,

0:23:42.760 --> 0:23:45.240
<v Speaker 7>you know, And I still feel like I should be

0:23:45.400 --> 0:23:46.760
<v Speaker 7>just like I should be driving tractor.

0:23:47.960 --> 0:23:50.480
<v Speaker 5>But really what driving tractor.

0:23:50.240 --> 0:23:52.520
<v Speaker 7>Was for me was just being on attractor for sixteen

0:23:52.560 --> 0:23:55.440
<v Speaker 7>hours and telling lies and having fun. And that's really

0:23:55.440 --> 0:23:58.240
<v Speaker 7>what I'm doing still, you know. So it's just the

0:23:59.000 --> 0:24:01.480
<v Speaker 7>rose I'm flowing across the page these days.

0:24:01.520 --> 0:24:03.560
<v Speaker 5>But as for how I.

0:24:03.440 --> 0:24:06.240
<v Speaker 7>Went, how I made that transition, it's just a series

0:24:06.280 --> 0:24:10.399
<v Speaker 7>of ridiculous, stupid accidents, you know. It's nothing intentional on

0:24:10.480 --> 0:24:11.479
<v Speaker 7>my part.

0:24:12.440 --> 0:24:14.520
<v Speaker 2>Yeah, it's always the way I think that people don't

0:24:14.560 --> 0:24:17.959
<v Speaker 2>realize is so much of being somebody who tells stories

0:24:18.000 --> 0:24:21.320
<v Speaker 2>and gets to be creative is luck to some points,

0:24:21.400 --> 0:24:23.399
<v Speaker 2>because it's about how do you fall into it?

0:24:23.840 --> 0:24:24.359
<v Speaker 1>Do you meet?

0:24:25.080 --> 0:24:29.760
<v Speaker 2>I am a huge fan of all of your writing,

0:24:30.119 --> 0:24:32.720
<v Speaker 2>but I would love to know a little bit about

0:24:33.040 --> 0:24:37.200
<v Speaker 2>kind of when in your process it felt like horror

0:24:37.240 --> 0:24:40.919
<v Speaker 2>and genre was really going to be the space that

0:24:40.960 --> 0:24:43.720
<v Speaker 2>you were kind of most interested in exploring.

0:24:44.880 --> 0:24:47.200
<v Speaker 7>When I went to grad school from undergrad, I didn't

0:24:47.200 --> 0:24:49.080
<v Speaker 7>know what grad school was. My professors had explained it

0:24:49.119 --> 0:24:50.960
<v Speaker 7>to me, and I finally decided, Okay, I'll go to

0:24:51.000 --> 0:24:52.480
<v Speaker 7>grad school if I want me to go so bad.

0:24:52.840 --> 0:24:54.880
<v Speaker 7>But I may have promised myself that I will only

0:24:54.920 --> 0:24:58.720
<v Speaker 7>go if I'm there in ninja mode, like I want

0:24:58.720 --> 0:25:00.840
<v Speaker 7>to sneak in and steal all the craft I can

0:25:01.400 --> 0:25:04.960
<v Speaker 7>and smuggle it back out to Western fantasy, horror, science fiction,

0:25:05.080 --> 0:25:08.199
<v Speaker 7>all the genre stuff that that I loved. Then I

0:25:08.240 --> 0:25:11.880
<v Speaker 7>got into grad school, you know, master's and PhD, and

0:25:12.359 --> 0:25:13.920
<v Speaker 7>of course I fell in love with all the stuff

0:25:13.960 --> 0:25:15.760
<v Speaker 7>they were teaching me there, you know. And so I

0:25:15.760 --> 0:25:18.000
<v Speaker 7>feel like I I didn't lose my way. I don't

0:25:18.000 --> 0:25:19.360
<v Speaker 7>think you ever really, I don't think you ever really

0:25:19.400 --> 0:25:21.120
<v Speaker 7>lose your way as a writer. I just went down

0:25:21.160 --> 0:25:22.679
<v Speaker 7>some different roads for a while, you know.

0:25:22.880 --> 0:25:24.040
<v Speaker 5>And my my.

0:25:24.119 --> 0:25:26.240
<v Speaker 7>Very first the first novel I wrote, I wrote it

0:25:26.240 --> 0:25:28.320
<v Speaker 7>in ninety let's see, I wrote it ninety eight, came

0:25:28.359 --> 0:25:31.560
<v Speaker 7>out in two thousand, and it's not I mean, I

0:25:31.560 --> 0:25:34.320
<v Speaker 7>guess it gets like by default considered literary, but it's

0:25:34.359 --> 0:25:36.000
<v Speaker 7>really just like a big cartoon, you know.

0:25:36.080 --> 0:25:37.080
<v Speaker 5>It's got all these.

0:25:37.720 --> 0:25:42.560
<v Speaker 7>These it's just it's it's not remotely adhering to like

0:25:42.640 --> 0:25:44.400
<v Speaker 7>the tenets of realism anyways.

0:25:44.640 --> 0:25:46.080
<v Speaker 5>And but it's not it's.

0:25:46.000 --> 0:25:48.280
<v Speaker 7>Not horror either, and it's like and it's not staying

0:25:48.320 --> 0:25:52.280
<v Speaker 7>within a single lane of genre. But after I wrote

0:25:52.280 --> 0:25:56.080
<v Speaker 7>that novel, I like had this like wake up moment,

0:25:56.200 --> 0:25:58.159
<v Speaker 7>and I realized, oh wait, I'm al was supposed to

0:25:58.160 --> 0:25:59.760
<v Speaker 7>be in ninja mode all these years. I'm supposed to

0:25:59.800 --> 0:26:02.720
<v Speaker 7>be doing and genre stuff. And so the next novel,

0:26:03.000 --> 0:26:06.000
<v Speaker 7>the next novel I wrote right after finishing The fast

0:26:06.040 --> 0:26:08.919
<v Speaker 7>Red Road, I wrote this in ninety nine, was the

0:26:08.960 --> 0:26:11.480
<v Speaker 7>novel that would become Demon Theory, my first horror novel.

0:26:11.520 --> 0:26:13.399
<v Speaker 7>It wouldn't come out, it wouldn't come out into six,

0:26:13.840 --> 0:26:15.639
<v Speaker 7>but it was the second novel I ever wrote. Then

0:26:15.680 --> 0:26:18.280
<v Speaker 7>the third novel I ever wrote, no Rest for the Wicked,

0:26:18.359 --> 0:26:21.159
<v Speaker 7>was a vampire novel. The fourth novel was a werewolf novel.

0:26:21.760 --> 0:26:23.600
<v Speaker 7>What was it called blood Lines? I think it was

0:26:23.640 --> 0:26:26.919
<v Speaker 7>called Bloodlines. And so the first thing I mean of

0:26:26.960 --> 0:26:28.760
<v Speaker 7>the first like four novels I wrote, three of them

0:26:28.760 --> 0:26:31.000
<v Speaker 7>were horror, you know. Two of them weren't good enough

0:26:31.040 --> 0:26:34.560
<v Speaker 7>to ever get published, I don't think, but one of

0:26:34.600 --> 0:26:38.840
<v Speaker 7>them did finally fund the bookshelf, but yes. And then

0:26:38.880 --> 0:26:42.840
<v Speaker 7>the next novel I did after The fast Red Road

0:26:42.880 --> 0:26:45.520
<v Speaker 7>would be probably All the Beautiful Centers, which is a thriller.

0:26:45.560 --> 0:26:47.680
<v Speaker 7>So it's still genre, but it's not science fiction and

0:26:47.760 --> 0:26:51.520
<v Speaker 7>fantasy horror. It's adhering to you know, crime, thriller, that

0:26:51.560 --> 0:26:54.080
<v Speaker 7>kind of stuff. Then the next one has a serial

0:26:54.160 --> 0:26:56.720
<v Speaker 7>killer book, The Bird Is Gone, which is also an

0:26:56.720 --> 0:26:59.840
<v Speaker 7>alternate history book. And then the next one, Bleeding to

0:26:59.880 --> 0:27:02.040
<v Speaker 7>Me is not horror, but it's got a lot of

0:27:02.040 --> 0:27:04.000
<v Speaker 7>horror in it, a lot of horror story what I

0:27:04.000 --> 0:27:06.320
<v Speaker 7>consider horror stories. The first story in the collection it's

0:27:06.359 --> 0:27:11.359
<v Speaker 7>called Halloween. And and then then demon Theory came out,

0:27:11.440 --> 0:27:14.720
<v Speaker 7>and I'm then, well, you know what happened was for

0:27:14.840 --> 0:27:17.919
<v Speaker 7>the first like probably three books I did, I do

0:27:18.000 --> 0:27:22.920
<v Speaker 7>book events and like book clubs, bookstores, universities, just auditoriums

0:27:22.920 --> 0:27:28.320
<v Speaker 7>with people, and the questions I kept getting they kind

0:27:28.320 --> 0:27:31.160
<v Speaker 7>of whispered to me that people were using these books

0:27:31.200 --> 0:27:34.720
<v Speaker 7>as lenses to focus upon a culture or a set

0:27:34.720 --> 0:27:36.840
<v Speaker 7>of issues. They were they were they were asking me

0:27:36.880 --> 0:27:38.960
<v Speaker 7>indian questions like oh, well, you know, what do you

0:27:39.000 --> 0:27:42.639
<v Speaker 7>think about politics of identity, representation, mascots, all this stuff.

0:27:43.280 --> 0:27:46.440
<v Speaker 7>And and I don't like my books to do these

0:27:46.560 --> 0:27:48.159
<v Speaker 7>like that. I mean, if people want to read it

0:27:48.160 --> 0:27:49.840
<v Speaker 7>like that, that's great, but they don't, they don't talk

0:27:49.880 --> 0:27:50.479
<v Speaker 7>to me about it.

0:27:50.520 --> 0:27:55.040
<v Speaker 1>That's the book club and yeah.

0:27:54.960 --> 0:27:58.280
<v Speaker 7>Yeah, and I'm and and and I thought, well, you

0:27:58.320 --> 0:28:00.399
<v Speaker 7>know this sucks. This is not what I got in

0:28:00.440 --> 0:28:03.600
<v Speaker 7>this game for. So what I did was, I said,

0:28:03.600 --> 0:28:05.840
<v Speaker 7>I'm going to run off into the horror fields and

0:28:06.640 --> 0:28:09.679
<v Speaker 7>play in those fields, and y'all can follow me with

0:28:09.720 --> 0:28:11.880
<v Speaker 7>those questions if you want and see if they're still pertinent.

0:28:12.119 --> 0:28:13.280
<v Speaker 5>And so I did that. I ran off.

0:28:13.400 --> 0:28:16.679
<v Speaker 7>I was writing slashers, zombies, werewolves, everything, having a blast.

0:28:17.080 --> 0:28:19.000
<v Speaker 7>But I was also I still have the impulses to

0:28:19.040 --> 0:28:21.840
<v Speaker 7>do the weird stuff that I don't know what you

0:28:21.880 --> 0:28:24.800
<v Speaker 7>call it. I guess it gets called literary. But and

0:28:24.840 --> 0:28:27.080
<v Speaker 7>so I was like two writers for about a decade

0:28:27.200 --> 0:28:29.480
<v Speaker 7>on two different tracks, and that was hard to maintain,

0:28:29.720 --> 0:28:31.840
<v Speaker 7>like just artistically.

0:28:31.200 --> 0:28:31.479
<v Speaker 5>You know.

0:28:31.760 --> 0:28:34.960
<v Speaker 7>And then in twenty sixteen, I was able to cobble

0:28:34.960 --> 0:28:40.920
<v Speaker 7>together randomly Mongrels, my werewolf novel, and Mongrels has a

0:28:40.960 --> 0:28:45.040
<v Speaker 7>delivery system that is in keeping with like the literary

0:28:45.880 --> 0:28:48.840
<v Speaker 7>side or track of the two writers I was being,

0:28:49.320 --> 0:28:53.440
<v Speaker 7>whereas it was using the creatures from the horror that

0:28:53.520 --> 0:28:55.960
<v Speaker 7>I love. And so I feel with Mongrels, I was

0:28:56.000 --> 0:28:59.920
<v Speaker 7>able to like sew myself back together into a single writer.

0:29:00.040 --> 0:29:01.360
<v Speaker 7>And I've been a single writer since then.

0:29:01.400 --> 0:29:05.000
<v Speaker 2>It's been a nice does it feel like as you

0:29:05.000 --> 0:29:08.720
<v Speaker 2>know Stephen Graham Jones post twenty twenty, when people are

0:29:08.720 --> 0:29:13.360
<v Speaker 2>discovering you through the Any Good Indians and you know

0:29:13.400 --> 0:29:16.600
<v Speaker 2>I was a teenage slasher and obviously the Jay Daniels

0:29:16.680 --> 0:29:19.040
<v Speaker 2>books and stuff. What does it feel like to now

0:29:19.040 --> 0:29:22.160
<v Speaker 2>have them going back and reading, you know, Night of

0:29:22.200 --> 0:29:25.960
<v Speaker 2>the Mannequins and the smaller stuff that's being republished now.

0:29:26.800 --> 0:29:29.880
<v Speaker 7>Oh, I mean it's it's hopefully. I mean, I guess

0:29:29.960 --> 0:29:33.520
<v Speaker 7>it's scary number one, because I wonder, I mean, I

0:29:33.800 --> 0:29:36.880
<v Speaker 7>guess I wonder two things. I wonder did I mess

0:29:36.960 --> 0:29:39.440
<v Speaker 7>up in some of those books? But what I really

0:29:39.480 --> 0:29:42.880
<v Speaker 7>wonder is have I lost the muscles I used to

0:29:42.920 --> 0:29:46.880
<v Speaker 7>have in those books, you know, like like like Long

0:29:46.920 --> 0:29:49.480
<v Speaker 7>Trial and Known Dagatti or Not for Nothing or Flashboy.

0:29:49.600 --> 0:29:52.280
<v Speaker 7>I don't have those muscles anymore, I don't think, And

0:29:52.400 --> 0:29:55.360
<v Speaker 7>I wish I did along for being able to write

0:29:55.400 --> 0:29:57.480
<v Speaker 7>like that, Like I'll never write The Birds Gone again.

0:29:57.840 --> 0:29:59.960
<v Speaker 7>I'll never write anything close to the Bird Is Gone.

0:30:00.080 --> 0:30:03.320
<v Speaker 7>And I wish I could. I had a different way

0:30:03.360 --> 0:30:05.560
<v Speaker 7>of moving from sentence to sentence back then. I had

0:30:05.560 --> 0:30:09.680
<v Speaker 7>a different way of processing through a story, and I

0:30:09.720 --> 0:30:12.400
<v Speaker 7>missed that so intensely. And I mean that's part of

0:30:12.440 --> 0:30:15.400
<v Speaker 7>being a writer. You change every time you put pen

0:30:15.480 --> 0:30:20.240
<v Speaker 7>to page. You're a different writer. And so it's scary

0:30:20.280 --> 0:30:22.680
<v Speaker 7>to me that people go back and they say, oh,

0:30:22.680 --> 0:30:24.080
<v Speaker 7>he used to be able to do this, and now

0:30:24.120 --> 0:30:24.800
<v Speaker 7>you can't do that.

0:30:24.880 --> 0:30:27.760
<v Speaker 1>You know, how dare they? Isn't that the scary thing?

0:30:27.840 --> 0:30:30.240
<v Speaker 2>You're like, I've been putting out this body of work

0:30:30.280 --> 0:30:32.400
<v Speaker 2>for ten years, how dare you go back and read it.

0:30:32.360 --> 0:30:33.960
<v Speaker 1>And compare it? What do you mean?

0:30:36.680 --> 0:30:37.280
<v Speaker 5>Yeah?

0:30:37.320 --> 0:30:39.520
<v Speaker 7>But you know, but also I would I wouldn't trade

0:30:39.760 --> 0:30:43.280
<v Speaker 7>like for from two thousand until yeah, maybe twenty sixteen

0:30:43.400 --> 0:30:48.440
<v Speaker 7>or twenty twenty, I wasn't getting a lot of critical tension,

0:30:48.600 --> 0:30:51.680
<v Speaker 7>not not a big audience, any of that. At the time.

0:30:52.080 --> 0:30:54.200
<v Speaker 7>I mean, I wanted worse than anything to have a

0:30:54.280 --> 0:30:56.240
<v Speaker 7>hit because I wanted to pay bills, you know. But

0:30:56.840 --> 0:31:01.480
<v Speaker 7>from the vantage point i'm at now, I think that

0:31:01.480 --> 0:31:01.920
<v Speaker 7>that was.

0:31:01.880 --> 0:31:03.800
<v Speaker 5>My education, my real education. Yeah.

0:31:03.800 --> 0:31:05.400
<v Speaker 7>I went through grad school, I went through a lot

0:31:05.400 --> 0:31:06.960
<v Speaker 7>of writing programs. I've done a lot of.

0:31:07.000 --> 0:31:08.240
<v Speaker 5>You know, a lot of that kind of stuff.

0:31:08.640 --> 0:31:13.080
<v Speaker 7>But my real education was writing these books and for

0:31:13.160 --> 0:31:16.280
<v Speaker 7>a small audience or no audience, and just figuring figuring

0:31:16.280 --> 0:31:17.680
<v Speaker 7>out what I could do on the page and what

0:31:17.720 --> 0:31:20.600
<v Speaker 7>I couldn't do and who I was, and that has

0:31:20.680 --> 0:31:23.880
<v Speaker 7>allowed me to I feel I have a really like

0:31:24.080 --> 0:31:27.479
<v Speaker 7>stable foundation for all the stuff I'm doing now.

0:31:27.720 --> 0:31:30.560
<v Speaker 2>Yeah, definitely you can see that from like a mapping

0:31:30.600 --> 0:31:34.719
<v Speaker 2>the interior to like which they just i know, republished

0:31:34.760 --> 0:31:38.120
<v Speaker 2>in a really nice copy to you know, I was

0:31:38.160 --> 0:31:41.280
<v Speaker 2>a teenage slasher, Like you can draw those lines very

0:31:42.000 --> 0:31:44.640
<v Speaker 2>simply between like the themes and the way you're going.

0:31:44.680 --> 0:31:48.320
<v Speaker 2>But yeah, I definitely it's a surreal experience, even as

0:31:48.440 --> 0:31:50.440
<v Speaker 2>me as a journalist or someone who writes comics, to

0:31:50.480 --> 0:31:52.520
<v Speaker 2>go back and read something I wrote four years ago,

0:31:52.880 --> 0:31:57.080
<v Speaker 2>let alone you know ten you are. You are also

0:31:57.600 --> 0:32:01.040
<v Speaker 2>a big comic book lover, and I just love to

0:32:01.080 --> 0:32:03.760
<v Speaker 2>hear you talk about your favorite comics. So just quickly,

0:32:03.800 --> 0:32:07.880
<v Speaker 2>before you jump into anything else, what's the first comic

0:32:08.200 --> 0:32:11.400
<v Speaker 2>you teach when you start teaching comics.

0:32:11.720 --> 0:32:16.040
<v Speaker 7>When I'm doing a big lecture course, and it's not

0:32:16.120 --> 0:32:18.520
<v Speaker 7>just horror comics, it's not just superhero comics. It's like

0:32:18.640 --> 0:32:21.440
<v Speaker 7>all it's like all comics for people who don't know comics,

0:32:21.600 --> 0:32:23.120
<v Speaker 7>you know. So I've got one hundred and fifty people

0:32:23.120 --> 0:32:25.920
<v Speaker 7>in the classroom. The place I always start is Jim

0:32:26.000 --> 0:32:30.320
<v Speaker 7>Peter's Secret Wars from nineteen eighty four, because I feel

0:32:30.320 --> 0:32:32.920
<v Speaker 7>like that's the snowball that crashed onto the world, and

0:32:32.960 --> 0:32:36.360
<v Speaker 7>that that's the snowball that includes like the Golden Age Superman,

0:32:36.440 --> 0:32:40.920
<v Speaker 7>Batman stuff, the Silver Age Flash and ec comics. It

0:32:40.920 --> 0:32:45.280
<v Speaker 7>includes everything. And I feel like if you read Secret

0:32:45.360 --> 0:32:49.200
<v Speaker 7>Wars the right way, you can understand how the comic

0:32:49.200 --> 0:32:51.120
<v Speaker 7>book works, how the page works, how the panel works,

0:32:51.120 --> 0:32:53.640
<v Speaker 7>how gutters work, how balloons work. You can learn all

0:32:53.720 --> 0:32:56.280
<v Speaker 7>that stuff because they were really competent, but it's also

0:32:56.320 --> 0:32:58.920
<v Speaker 7>really simple. It's not like it's not like Jeff Lamia

0:32:59.040 --> 0:33:01.800
<v Speaker 7>or ramv doing really sophisticated, high level stuff that it's

0:33:01.800 --> 0:33:04.080
<v Speaker 7>going to be hard for a beginner to access, you know.

0:33:05.560 --> 0:33:07.840
<v Speaker 7>And yeah, so I love starting at Secret Wars. And

0:33:07.920 --> 0:33:10.240
<v Speaker 7>that was also the first comic So I'm just trying

0:33:10.240 --> 0:33:12.479
<v Speaker 7>to I'm really trying. I'm really trying to lead them

0:33:12.520 --> 0:33:12.920
<v Speaker 7>back to this.

0:33:13.040 --> 0:33:15.280
<v Speaker 2>Experience, which isn't that what we can do as comic

0:33:15.320 --> 0:33:15.960
<v Speaker 2>book glovers.

0:33:16.200 --> 0:33:18.960
<v Speaker 1>Well, I was going to say, would you like.

0:33:19.000 --> 0:33:23.920
<v Speaker 2>To recommend any things, any books or authors that you

0:33:23.960 --> 0:33:26.040
<v Speaker 2>think people should check out this holiday season?

0:33:27.200 --> 0:33:29.960
<v Speaker 7>Yeah, you know, I guess talking comic books. Daniel krause

0:33:30.120 --> 0:33:33.720
<v Speaker 7>is Athadonesia. I thought that was a really brilliant novel,

0:33:33.840 --> 0:33:37.240
<v Speaker 7>such a such a like a novel concept and novel

0:33:37.240 --> 0:33:38.800
<v Speaker 7>in the sense of new, but novel in the sense

0:33:38.840 --> 0:33:42.200
<v Speaker 7>of like it feels like a novel, you know. And

0:33:42.200 --> 0:33:44.959
<v Speaker 7>and and the art by Danny is just that just

0:33:45.000 --> 0:33:48.200
<v Speaker 7>blows me away. Her line work and the punctuations of

0:33:48.240 --> 0:33:49.920
<v Speaker 7>colors is incredible.

0:33:49.440 --> 0:33:50.600
<v Speaker 5>Are just so powerful.

0:33:50.640 --> 0:33:52.760
<v Speaker 1>One of my favorite is right, yeah.

0:33:52.400 --> 0:33:54.680
<v Speaker 5>Yeah, it's amazing. Yeah.

0:33:54.720 --> 0:33:56.600
<v Speaker 7>And you know, Daniel Krausse, He's just such a good

0:33:56.760 --> 0:34:00.480
<v Speaker 7>writer period, whether comic books or novels or nonfiction as well.

0:34:00.720 --> 0:34:04.320
<v Speaker 7>But and I guess I would also recommend, if I'm

0:34:04.360 --> 0:34:06.719
<v Speaker 7>just going novels, I guess a couple of books from

0:34:06.760 --> 0:34:10.879
<v Speaker 7>twenty five maybe Victorian Psycho by Virginia. The book was

0:34:11.000 --> 0:34:13.680
<v Speaker 7>it was so so over the top and fun, just

0:34:13.719 --> 0:34:16.200
<v Speaker 7>blood on every wall. You know, you can't you can't

0:34:16.200 --> 0:34:18.360
<v Speaker 7>take a step in that book without track of blood somewhere.

0:34:18.560 --> 0:34:22.239
<v Speaker 7>And it just came out in October. Adam Johnson's The Wayfinder.

0:34:22.280 --> 0:34:26.680
<v Speaker 7>It's a big old novel about South Pacific islanders back

0:34:26.880 --> 0:34:28.960
<v Speaker 7>you know, eight hundred years ago or nine hundred years

0:34:28.960 --> 0:34:31.839
<v Speaker 7>ago something like that, and it's I mean, it's got

0:34:31.840 --> 0:34:33.720
<v Speaker 7>a little bit of a Game of Thrones. It feels

0:34:33.800 --> 0:34:36.640
<v Speaker 7>it really tell you truth. You can map space opera

0:34:36.840 --> 0:34:39.560
<v Speaker 7>under the wayfinder and it fits really pretty well. But

0:34:39.640 --> 0:34:42.480
<v Speaker 7>it's setting like this, I don't know, five hundred miles

0:34:42.520 --> 0:34:45.000
<v Speaker 7>of islands or something. I was really impressed with that

0:34:45.080 --> 0:34:45.560
<v Speaker 7>note that.

0:34:45.520 --> 0:34:48.359
<v Speaker 2>Was a big one. What are you working on right now?

0:34:48.400 --> 0:34:49.719
<v Speaker 2>That's making you excited?

0:34:50.800 --> 0:34:53.920
<v Speaker 7>I just know maybe two days ago finished the story.

0:34:53.960 --> 0:34:56.040
<v Speaker 7>I thought it was going to be I told myself,

0:34:56.120 --> 0:34:57.840
<v Speaker 7>let's write out a thirty five hundred word story, and

0:34:57.840 --> 0:35:01.640
<v Speaker 7>now it's like eleven thousand words, which makes it so

0:35:01.760 --> 0:35:05.440
<v Speaker 7>much more difficult to publish, you know. But right now

0:35:05.440 --> 0:35:08.960
<v Speaker 7>I'm calling it the Vampire of Parking and it's actually

0:35:08.960 --> 0:35:11.840
<v Speaker 7>not it's actually not a horror story. But which is

0:35:12.040 --> 0:35:14.160
<v Speaker 7>It's my first story in a while that's not horror, well,

0:35:14.239 --> 0:35:15.560
<v Speaker 7>my first like long story.

0:35:15.560 --> 0:35:18.320
<v Speaker 5>This is not horror. I do a lot of flash fiction, Like.

0:35:18.239 --> 0:35:20.600
<v Speaker 7>In the past, like five weeks, I bet I've written

0:35:21.120 --> 0:35:23.160
<v Speaker 7>twelve fifteen flash fiction stories.

0:35:23.160 --> 0:35:25.319
<v Speaker 5>I just love flash fiction. I'll never be done with

0:35:25.360 --> 0:35:27.520
<v Speaker 5>flash fiction. It'll never be done with me, I don't think.

0:35:28.040 --> 0:35:29.480
<v Speaker 5>But and so that stuff is all over.

0:35:29.600 --> 0:35:32.960
<v Speaker 7>Sometimes it's horror, science fiction, literary, comedy, whatever.

0:35:33.840 --> 0:35:39.400
<v Speaker 2>Short story collection coming at some point, flash fiction collection.

0:35:40.440 --> 0:35:43.680
<v Speaker 7>I mean, I think tomorrow on December second, which is

0:35:43.719 --> 0:35:46.640
<v Speaker 7>probably the past for one of this posts. My States

0:35:46.640 --> 0:35:49.359
<v Speaker 7>of Grace is coming out from Open Road, which which

0:35:49.400 --> 0:35:51.680
<v Speaker 7>is a reissue of my flash fiction. It was originally

0:35:51.680 --> 0:35:54.360
<v Speaker 7>fifty flash fiction pieces. I want to say now it

0:35:54.440 --> 0:35:56.719
<v Speaker 7>might be seventy because they let me sneak some stuff in.

0:35:57.080 --> 0:35:57.880
<v Speaker 1>It's really cool.

0:35:58.120 --> 0:36:00.839
<v Speaker 2>It doesn't feel nice as it is the want of

0:36:00.880 --> 0:36:03.600
<v Speaker 2>the writer to constantly put things on the page.

0:36:03.800 --> 0:36:05.600
<v Speaker 1>How does it feel to be in a position.

0:36:05.600 --> 0:36:07.839
<v Speaker 2>Where now when you're putting those things on the page

0:36:07.880 --> 0:36:09.840
<v Speaker 2>and getting the ideas out, there's someone knocking at your

0:36:09.920 --> 0:36:11.560
<v Speaker 2>door going like, hey, can we publish that?

0:36:11.719 --> 0:36:13.719
<v Speaker 1>Like does that always feel good? Or some of that?

0:36:13.800 --> 0:36:16.200
<v Speaker 2>Are you like, let me keep it in the back pocket.

0:36:16.680 --> 0:36:19.799
<v Speaker 7>No, No, it does feel good. But also, I mean

0:36:19.840 --> 0:36:23.560
<v Speaker 7>there's still rejection. People will solicit stuff. They'll say, you know, okay,

0:36:23.600 --> 0:36:25.239
<v Speaker 7>we want you to write a story for this theme,

0:36:25.320 --> 0:36:27.960
<v Speaker 7>this issue whatever, And I'll write a story and they'll

0:36:28.160 --> 0:36:29.520
<v Speaker 7>and I'll send it to them and they'll say.

0:36:29.320 --> 0:36:32.239
<v Speaker 2>Well, and we want you to do it, but not

0:36:32.280 --> 0:36:34.280
<v Speaker 2>the one you wrote.

0:36:35.080 --> 0:36:38.440
<v Speaker 7>Yeah, exactly, exactly. So the rejection never stops. But I

0:36:38.440 --> 0:36:41.480
<v Speaker 7>think that's good too. If I stop getting rejected, then

0:36:41.520 --> 0:36:42.480
<v Speaker 7>I'll get nervous.

0:36:42.920 --> 0:36:46.040
<v Speaker 2>We need to feel like it's real. Okay, last question,

0:36:46.200 --> 0:36:48.799
<v Speaker 2>thank you so much for joining me. Is you had

0:36:48.800 --> 0:36:51.760
<v Speaker 2>the incredible Earth Divers You've been at Marvel and stuff.

0:36:52.000 --> 0:36:55.160
<v Speaker 2>Is there a character or a story in the sequential

0:36:55.880 --> 0:36:59.080
<v Speaker 2>kind of storytelling comic book space that you are still

0:36:59.200 --> 0:37:02.439
<v Speaker 2>dying to tell, whether it's your own or someone else's.

0:37:03.000 --> 0:37:03.239
<v Speaker 5>Yes.

0:37:03.280 --> 0:37:06.160
<v Speaker 7>There, I've got so many comic book ideas, the reason

0:37:06.200 --> 0:37:07.920
<v Speaker 7>and I have a lot of houses like knocking on

0:37:07.960 --> 0:37:09.799
<v Speaker 7>my door saying, hey, let's do a comic book, But

0:37:10.280 --> 0:37:12.960
<v Speaker 7>I haven't jumped in with any of them yet because

0:37:13.160 --> 0:37:16.399
<v Speaker 7>comic books take so much time. To me, they take

0:37:16.440 --> 0:37:19.759
<v Speaker 7>more time than than novels. Because yeah, I mean, yeah,

0:37:19.760 --> 0:37:21.480
<v Speaker 7>you can write a script in a few days, that's

0:37:21.520 --> 0:37:23.680
<v Speaker 7>not an issue. But that that's not where it ends.

0:37:23.800 --> 0:37:27.200
<v Speaker 7>You know, there's there's there's sketches, there's pencils, there's inks,

0:37:27.239 --> 0:37:31.200
<v Speaker 7>there's colors, there's letters, and there's adjustments. There's so many adjustments.

0:37:31.520 --> 0:37:31.879
<v Speaker 1>I just.

0:37:34.200 --> 0:37:39.200
<v Speaker 6>Yeah, yeah, yeah, And it's like and with the trick

0:37:39.239 --> 0:37:43.080
<v Speaker 6>with writing a monthly title, as you know is you've

0:37:43.080 --> 0:37:45.319
<v Speaker 6>always got your finger in like five different issues at

0:37:45.360 --> 0:37:47.759
<v Speaker 6>different stages, and it's hard to keep them separate. And

0:37:47.800 --> 0:37:50.440
<v Speaker 6>it's it's like comic books will own your life if

0:37:50.480 --> 0:37:53.000
<v Speaker 6>you let them. And that's good, I think. But at

0:37:53.000 --> 0:37:54.360
<v Speaker 6>the same time, as.

0:37:54.200 --> 0:37:56.759
<v Speaker 7>You're saying, I am a professor and I do write

0:37:56.760 --> 0:37:59.480
<v Speaker 7>a lot of novels, and so can I always take

0:37:59.480 --> 0:38:02.439
<v Speaker 7>on a third this is the question, and sometimes I can.

0:38:02.520 --> 0:38:03.239
<v Speaker 5>Yes, Maybe we.

0:38:03.200 --> 0:38:07.320
<v Speaker 2>Can look forward to more SGG comics in the future.

0:38:07.440 --> 0:38:11.000
<v Speaker 5>Oh yeah, oh definitely. I Actually.

0:38:12.480 --> 0:38:17.440
<v Speaker 7>I've actually said maybe to one outfit for a character

0:38:17.440 --> 0:38:19.080
<v Speaker 7>that I couldn't say no to. You know, I can't

0:38:19.080 --> 0:38:21.560
<v Speaker 7>announce it yet, but it's a character that I thought

0:38:21.560 --> 0:38:22.040
<v Speaker 7>I would.

0:38:22.000 --> 0:38:22.400
<v Speaker 1>Get to tell you.

0:38:22.440 --> 0:38:22.960
<v Speaker 5>Yeah, I love that.

0:38:23.000 --> 0:38:25.040
<v Speaker 2>I just I just got mine from DC for the

0:38:25.080 --> 0:38:26.680
<v Speaker 2>first time, so I totally get that.

0:38:27.200 --> 0:38:27.399
<v Speaker 1>Well.

0:38:27.440 --> 0:38:29.160
<v Speaker 2>I can't wait to see what that is and whenever

0:38:29.200 --> 0:38:31.160
<v Speaker 2>it's announced. Come back on and talk to us again.

0:38:31.560 --> 0:38:33.319
<v Speaker 2>It was really great to speak to you.

0:38:33.360 --> 0:38:34.960
<v Speaker 1>Thank you so much for joining us.

0:38:35.440 --> 0:38:36.239
<v Speaker 5>Thank you very much.

0:38:37.440 --> 0:38:40.040
<v Speaker 2>Special thanks to Stephen for chatting with me, and thank

0:38:40.080 --> 0:38:42.279
<v Speaker 2>you to Ian and Carmon for popping on talk about

0:38:42.320 --> 0:38:48.200
<v Speaker 2>Some Good add Some Bad live action anime adaptations. Xtra

0:38:48.360 --> 0:38:51.040
<v Speaker 2>Vision is hosted by Jasonteps Young and Rosie Night and

0:38:51.200 --> 0:38:54.759
<v Speaker 2>is a production of iHeart Podcast. Our executive producers are

0:38:54.800 --> 0:38:56.720
<v Speaker 2>Joel Monique and Aaron Kaufman.

0:38:57.000 --> 0:38:59.360
<v Speaker 1>Our supervising producer is Abusa part.

0:38:59.400 --> 0:39:03.359
<v Speaker 2>Our producer are Common, Laurent Dean Jonathan and Fay Wack.

0:39:03.480 --> 0:39:06.239
<v Speaker 2>A theme song is by Brian Vasquez, with alternate theme

0:39:06.320 --> 0:39:09.960
<v Speaker 2>songs by Aaron Kaufman. Special thanks to Soul Rubin, Chris Lord,

0:39:10.200 --> 0:39:13.000
<v Speaker 2>Kenny Goodman and Heidi our discord moderator.