WEBVTT - #336 - Lil Blood

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<v Speaker 1>Y'all. Y'all, y'all, you know whats going on?

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<v Speaker 2>Little Blood here checking in, y'all, go tweak on my

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<v Speaker 2>interview with the Blueleg Cab Podcast. Man, some dope going on,

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<v Speaker 2>and you might find out how real our fake hev.

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<v Speaker 1>Is Bootleg Cab Podcast.

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<v Speaker 3>We got a special guests in here all the way

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<v Speaker 3>from the Bay We're not too far away. Oakland, Oakland

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<v Speaker 3>is in the building, Little Blood welcome.

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<v Speaker 1>We'skland.

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<v Speaker 3>To be exact, now, this is what's crazy is I have?

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<v Speaker 3>And I'm pretty like, like I would say, I'm like

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<v Speaker 3>pretty tapped in with the Bay Area music. I guess

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<v Speaker 3>I'm not all the way tapped in because I kind

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<v Speaker 3>of found you off of your interviews and I forgot

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<v Speaker 3>I think I was talking to uh, I was talking

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<v Speaker 3>to somebody. I was talking to Little Russell and I

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<v Speaker 3>was like, yeah, like little Blood, it is dope. He's

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<v Speaker 3>got to do a platform. He's like, oh, you don't

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<v Speaker 3>know from from his record that went crazy. I was like, nah,

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<v Speaker 3>bro right, So I kind of came came came like

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<v Speaker 3>up on you, like in terms of just like you

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<v Speaker 3>interviewing people and you having like a dope platform, right.

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<v Speaker 1>Right, Thank you?

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<v Speaker 2>I appreciate it, and I'm glad I started that platform

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<v Speaker 2>because that they got me indoors that normally wouldn't have

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<v Speaker 2>been open from the music, right, But it happens in

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<v Speaker 2>it Roun's hand in hand.

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<v Speaker 1>But now my music career fires.

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<v Speaker 3>Like no, I've been tapping tapping in and checking out

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<v Speaker 3>your ship because I followed you. And then the third

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<v Speaker 3>World record was the record.

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<v Speaker 1>Yeah, yeah, it went super viral. So it's crazy.

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<v Speaker 2>Uh we recorded that record like ten years ago and

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<v Speaker 2>it was just on some uh my one of my partners, Bosky,

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<v Speaker 2>had went to jail and we was Hella Maddie went

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<v Speaker 2>to jail and at that time, do you remember a

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<v Speaker 2>Little Bee?

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<v Speaker 3>Basically of course he isn't the BITCHMB record at the

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<v Speaker 3>same beat.

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<v Speaker 1>So yeah, so what happened was, you know, we we

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<v Speaker 1>big little Bee fans. I don't get from me too.

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<v Speaker 1>I used to cook.

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<v Speaker 2>Yeah, like yeah type st so the bitch my anthem,

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<v Speaker 2>my little bro rest in peace elly bow. He used

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<v Speaker 2>to always come by singing that song. And when Bosky

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<v Speaker 2>went to jail, were like, fuck it, we just recorded

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<v Speaker 2>the record, but we was playing around bullshiting with the record.

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<v Speaker 2>And but the record is not mixed or master.

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<v Speaker 3>You know so many bag classics are not mixing masters.

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<v Speaker 1>It happens.

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<v Speaker 3>It happens a lot. Shout out to d like no Hope,

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<v Speaker 3>sounds like it just they just laid it down him

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<v Speaker 3>dropped that bitch.

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<v Speaker 2>But I think Gazi said he mixed. No, Gazi said he.

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<v Speaker 2>I think it was no or the record with Tiger

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<v Speaker 2>one of that one probably got mixed. But long story short,

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<v Speaker 2>we recorded that song bam and it's always been a

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<v Speaker 2>like a Northern California hit, right, But I don't know

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<v Speaker 2>what happened on TikTok.

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<v Speaker 1>That shit just went crazy. It's been going crazy recently. Yeah,

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<v Speaker 1>it's still going crazy. Like I don't know, you feel mean.

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<v Speaker 2>You don't know the source of like who posted the

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<v Speaker 2>source of who posted it? I think it was I

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<v Speaker 2>don't know, some little dude did a dance to it.

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<v Speaker 2>Long story short, that ship went fire and it's still

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<v Speaker 2>going and God is good.

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<v Speaker 3>It's gotta be crazy because I was like, you'll see

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<v Speaker 3>like old records pop up and he'd be like, damn.

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<v Speaker 1>But that goes to show you music is timeless for sure.

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<v Speaker 3>You feel just like having an independent hit go like resurface.

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<v Speaker 1>Right, hell, yeah, that's like different.

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<v Speaker 2>Well yeah, and the crazy part about it is, uh,

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<v Speaker 2>it went viral, didn't stop, didn't go viral again, like

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<v Speaker 2>it keeps, you know, doing that ship like Kim Kardashian

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<v Speaker 2>and Northwest. So I was seeing Hella like Ari's and

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<v Speaker 2>Jada and them doing ship to us. So I'm like, oh,

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<v Speaker 2>that's cool that go. But when I seen Kim k

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<v Speaker 2>and Northwest do it wild, Yeah, I'm like, okay, different

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<v Speaker 2>Kanye paying attention.

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<v Speaker 1>I mean, I hope. So yeah, definitely, yeah, definitely yeah.

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<v Speaker 3>No, well ship and that's independently you that's straight independent.

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<v Speaker 1>Independent, Yeah, for sure. That's crazy Records we don't do that.

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<v Speaker 3>So for you, like fast forward now having that kind

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<v Speaker 3>of happened and having people kind of come in your

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<v Speaker 3>catalog and check out like the newer shit, Like where

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<v Speaker 3>are you on the music side, because you're so you're

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<v Speaker 3>doing so much. You're obviously community leader, you're obviously doing

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<v Speaker 3>the podcast and still dropping new music.

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<v Speaker 1>How do you balance the shit? Balance?

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<v Speaker 2>Yeah, honestly, it's the same shit. So, uh with our studio,

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<v Speaker 2>we have a studio where we film our podcast. We

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<v Speaker 2>also got our recording the studio there you get what

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<v Speaker 2>I'm saying so, and then it's like I was popping

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<v Speaker 2>way with the music way before the podcast, and shit,

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<v Speaker 2>I just started doing the podcast, and shit because my

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<v Speaker 2>team shout out Talker Media, shout out Burt Jones. They

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<v Speaker 2>was like, Bro, you're going on all these people platforms

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<v Speaker 2>and blowing the shit up like people love to hear

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<v Speaker 2>you talk, like, bro, start doing your own shit. And

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<v Speaker 2>they was telling me this for damn near a year

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<v Speaker 2>or two before I said, fuck it, come on, let's

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<v Speaker 2>try it. And then one day we did it. In

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<v Speaker 2>from the first episode, people gravitated towards it, and then

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<v Speaker 2>I had the people that.

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<v Speaker 1>Reached out like I wanted to come on your podcast.

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<v Speaker 1>I want to sit down with you.

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<v Speaker 2>When you're sitting at your house at four in the

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<v Speaker 2>morning and Marshawn Lynch call you and like, Bro, what

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<v Speaker 2>the fuck, Bro, why you ain't telling me you had

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<v Speaker 2>a podcast? He just time right, yeah, yeah, yeah, yeah,

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<v Speaker 2>he just did it the second time, and it's just like,

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<v Speaker 2>you know, people like that, and they just talk like, Bro,

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<v Speaker 2>I'd rather sit down with you because nigga, nigga, you

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<v Speaker 2>for the you're.

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<v Speaker 1>The culture nigga.

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<v Speaker 2>You ain't trying to make no money, you ain't voting,

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<v Speaker 2>you ain't asking no weird ask questions. You not You're

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<v Speaker 2>not gonna have a blood on your podcast and ask

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<v Speaker 2>them why they funk with crips. You know, you get

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<v Speaker 2>what I'm saying, Like that shit just darrow, So I'm like, fuck,

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<v Speaker 2>I might as well keep this shit going. So that's

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<v Speaker 2>what made me just drop that shit and low and

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<v Speaker 2>push the fuck out the podcast.

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<v Speaker 3>Yeah, well, how often you drop? Is it once a week?

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<v Speaker 1>No? Sometimes it depends, like sometimes I drop three or

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<v Speaker 1>four a week.

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<v Speaker 2>It depends. Sometimes I won't drop none for two weeks.

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<v Speaker 2>It depends on how we feeling. So it been days

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<v Speaker 2>to where niggad in there eight interviews in one day,

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<v Speaker 2>got there, got to our studio probably four, and we

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<v Speaker 2>ain't leaving the three and four in the morning type

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<v Speaker 2>ship and then waking up and being back there at

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<v Speaker 2>twelve again, like you know.

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<v Speaker 3>I feel like too. It was like a needed uh

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<v Speaker 3>void filled in the bay to have like a dope platform. Obviously,

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<v Speaker 3>I think if you come to l A, you got

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<v Speaker 3>guys like Ad and Trail doing their things right, you.

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<v Speaker 2>Know, shout out Trail. He put me on the no

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<v Speaker 2>jumper salute Trail for that.

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<v Speaker 3>I remember that interview. Yeah, that was one of the

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<v Speaker 3>early interviews.

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<v Speaker 2>Yeah, no, honestly it was the last interview they did,

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<v Speaker 2>and that.

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<v Speaker 1>In the old building though it was in the old building.

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<v Speaker 2>Yeah, yeah, shout out Trail for that. And like I said,

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<v Speaker 2>Trail was on there early. You know, all his homies.

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<v Speaker 2>I fuck with l A a lot, like br you

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<v Speaker 2>gotta get blood on your ship. You gotta get blood

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<v Speaker 2>on your shit. You interview in all these niggas, like

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<v Speaker 2>you gotta get blood on your ship, like, you know blood. Really,

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<v Speaker 2>he really pushed his ship and what he rap about,

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<v Speaker 2>He really is that so grabbing on your ship? And

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<v Speaker 2>when he reached out, you know, it's awsolute to real

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<v Speaker 2>he did it.

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<v Speaker 3>I just think it's dope too, because like you always

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<v Speaker 3>will hear that like the Bay doesn't get enough credit,

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<v Speaker 3>And that's true in terms of influence, in terms of culture,

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<v Speaker 3>in terms of just everything that they brought to the game.

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<v Speaker 3>And me and Gazi always had these conversations about like

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<v Speaker 3>how back in the day there was so much music

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<v Speaker 3>industry in San Francisco, in the Bay Area. You had

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<v Speaker 3>Jive Records was there, and you had a lot of

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<v Speaker 3>a lot of people would have offices around the city,

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<v Speaker 3>and I guess, like what's kind of missing is like

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<v Speaker 3>representation of media on a bigger scale. So I think

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<v Speaker 3>it's dope to like you saw that, Like, hey, I'm

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<v Speaker 3>gonna just do the shit myself, you.

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<v Speaker 2>Know, definitely, And like I said, with my shit, I

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<v Speaker 2>just feel like my shit is is authentic, bro, Like

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<v Speaker 2>my shit is pure.

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<v Speaker 1>Like I don't get people on my ship and trying

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<v Speaker 1>to stir shit up.

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<v Speaker 2>I'm not looking for no viral moment, right, Like I

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<v Speaker 2>always tell people all the time, My our moment is

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<v Speaker 2>when we sitting there building and we having a conversation

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<v Speaker 2>and you may say some shit that somebody is going through.

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<v Speaker 2>You get what I'm saying, and that might spark a

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<v Speaker 2>flame and then to change their life. Or they probably

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<v Speaker 2>was thinking about suicide and they didn't commit suicide because

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<v Speaker 2>they looking at Okay, damn, if little blood going through

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<v Speaker 2>this shit, you feel me, and this is how he

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<v Speaker 2>handle it. I can get over the ship too. So

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<v Speaker 2>that's my viral moment. I ain't looking for no clickbait.

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<v Speaker 2>We don't do clickbait. We don't do none of that.

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<v Speaker 1>Ship.

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<v Speaker 2>I might drop an interview and the ship. Don't do

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<v Speaker 2>no numbers, you feel me, But the shorter takeoff right

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<v Speaker 2>for a Yeah, So I'm doing my job, bro, Like

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<v Speaker 2>I said, I'm not on that fake shit.

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<v Speaker 1>We don't do that at talking to media. We don't

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<v Speaker 1>push bullshit.

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<v Speaker 2>We you know, we are the culture and we're not

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<v Speaker 2>trying to gain off the culture and we're not trying

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<v Speaker 2>to exploit the culture.

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<v Speaker 1>You get what I'm saying.

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<v Speaker 3>For sure, man, I think I think I told I

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<v Speaker 3>think one of the like I think the l Russell

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<v Speaker 3>interview I saw you do was just incredible. I was like,

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<v Speaker 3>this shit is dope. Thank you, mar shn is dope.

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<v Speaker 3>I didn't see the new Marshawan interview, but obviously.

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<v Speaker 1>We just filmed it. We haven't dropped it yet.

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<v Speaker 3>It'd be very hard for anybody to get the Marshall

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<v Speaker 3>Lynch interview you got, for sure.

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<v Speaker 2>Man, the other one, the second one, like I said,

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<v Speaker 2>that's like that was brother. You know, at the end

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<v Speaker 2>of the day, you know, we help each other. Like

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<v Speaker 2>from the fan first, shoutout fan first, Shout out Josh Johnson,

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<v Speaker 2>shout out Marcus Peters, shout out all them guys over there.

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<v Speaker 1>Fan first. It's like a family thing.

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<v Speaker 2>You know, I'm doing fundraisers, I'm helping them with talent

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<v Speaker 2>shows or you know, whatever it is. Maybe what they doing,

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<v Speaker 2>I'm in full support of it. So whatever I do,

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<v Speaker 2>they are in full support of it. And it's all

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<v Speaker 2>the way love for people who don't know.

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<v Speaker 3>Obviously, we like to lump in northern California together. A

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<v Speaker 3>lot people will even like who don't know better, say,

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<v Speaker 3>think Mazi's from the bank. No, everyone just loves the whole.

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<v Speaker 1>But shout out Mazi.

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<v Speaker 2>A lot of bag niggas won't say this because they

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<v Speaker 2>corn balls, But what Mazzi did shed a lot of

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<v Speaker 2>light on the Bay too, for sure.

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<v Speaker 1>Yeah, so Salu Mazzi. That's yeah, for sure.

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<v Speaker 3>I was gonna say though being from Oakland, obviously Oakland

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<v Speaker 3>is kind of like the flavor of the area.

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<v Speaker 1>In my opinion, Oakland is the mecca of California.

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<v Speaker 3>If you ask me so kind of break down, like

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<v Speaker 3>coming from Oakland, what is the difference between in your opinion? Like,

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<v Speaker 3>because I feel like Oakland and Vallejo low Ki have

0:10:30.679 --> 0:10:34.720
<v Speaker 3>kind of historically popped more than artists from San Francisco. Obviously,

0:10:34.720 --> 0:10:37.440
<v Speaker 3>Burner's Dope, the twenty four care of Golden Kid just

0:10:37.440 --> 0:10:42.400
<v Speaker 3>went platinum. But like breakdown, like why you say it's

0:10:42.440 --> 0:10:44.840
<v Speaker 3>the epicenter of culture and why Oakland is just different

0:10:44.840 --> 0:10:45.560
<v Speaker 3>from everywhere else.

0:10:46.240 --> 0:10:55.840
<v Speaker 2>You have to realize. So let's go back historically, Black Panthers, right,

0:10:57.120 --> 0:11:01.440
<v Speaker 2>that movement sparked a world wide change. You get what

0:11:01.440 --> 0:11:07.480
<v Speaker 2>I'm saying from what the Panthers did. Let's say the Crips,

0:11:07.520 --> 0:11:12.000
<v Speaker 2>for example, they literature helped, you know, start that, not

0:11:12.120 --> 0:11:15.040
<v Speaker 2>saying that the Black Panthers started that, but that literature

0:11:15.280 --> 0:11:19.240
<v Speaker 2>with the Black Panthers was pushing the Crips organization started

0:11:19.240 --> 0:11:22.920
<v Speaker 2>off that. You get what I'm saying. Black Panthers, they

0:11:23.040 --> 0:11:25.280
<v Speaker 2>reach and what they stood, what they stood for was

0:11:25.320 --> 0:11:30.520
<v Speaker 2>so dope. They had chapters in Chicago and New York

0:11:30.600 --> 0:11:35.280
<v Speaker 2>and they did so much. And then it's like the game,

0:11:35.600 --> 0:11:40.240
<v Speaker 2>Like I say, the Pippin and Hoen the Mac was

0:11:40.240 --> 0:11:42.480
<v Speaker 2>filmed in Oakland, Like you get what I'm saying. They

0:11:42.520 --> 0:11:44.960
<v Speaker 2>had to come to where that shit was real. Like

0:11:45.000 --> 0:11:47.800
<v Speaker 2>you get what I'm saying. They filmed the whole Mac

0:11:47.840 --> 0:11:50.760
<v Speaker 2>in Oakland. Let's start from the Crack the Dope era,

0:11:51.240 --> 0:11:53.240
<v Speaker 2>like one of the first places in the world that

0:11:53.600 --> 0:11:56.959
<v Speaker 2>sawd crack cocaine. What's Oakland? You get what I'm saying,

0:11:57.840 --> 0:12:03.280
<v Speaker 2>Oakland just on some positive shit. Look at the athletes

0:12:03.320 --> 0:12:07.199
<v Speaker 2>that came out of Oakland. The I think it's Bill Russell.

0:12:07.600 --> 0:12:11.480
<v Speaker 2>Just a lot of flavor just comes from that little city.

0:12:11.559 --> 0:12:14.000
<v Speaker 2>You get what I'm saying. And I think it's because

0:12:14.040 --> 0:12:16.360
<v Speaker 2>it look Kill me if I'm wrong.

0:12:16.480 --> 0:12:20.839
<v Speaker 1>Right, So, when was it eldridgch Clever?

0:12:21.240 --> 0:12:24.560
<v Speaker 2>I think it was Eldris Clever when Eldris Cleaver was

0:12:24.640 --> 0:12:29.240
<v Speaker 2>running for mayor of Oakland. It was Bobby Steals, I think,

0:12:29.280 --> 0:12:31.280
<v Speaker 2>one of them to Eldrich or Bobby Seals, one of

0:12:31.320 --> 0:12:32.920
<v Speaker 2>them when they was running for mayors.

0:12:33.000 --> 0:12:34.560
<v Speaker 1>When he was running for mayor of Oakland.

0:12:34.640 --> 0:12:39.440
<v Speaker 2>Right, all these brothers, these smart, sharp individuals from all

0:12:39.440 --> 0:12:42.959
<v Speaker 2>these chapters of the Black Panthers, from Chicago, New York,

0:12:43.240 --> 0:12:47.560
<v Speaker 2>the South, all these brothers descended on Oakland to help

0:12:47.600 --> 0:12:51.160
<v Speaker 2>push him into that. Right, It's like the seventies, sixties, seventies,

0:12:51.360 --> 0:12:53.880
<v Speaker 2>they all came to Oakland and helped push and get

0:12:53.880 --> 0:12:56.120
<v Speaker 2>people to vote, go door to door. So but when

0:12:56.120 --> 0:12:58.760
<v Speaker 2>all these brothers coming, they send in their best brothers.

0:12:59.000 --> 0:13:02.400
<v Speaker 2>They sending them the top scholars, the top gang spinners,

0:13:02.559 --> 0:13:05.480
<v Speaker 2>the top whatever it is in your field. They sending

0:13:05.520 --> 0:13:07.560
<v Speaker 2>all these top brollers on Oakland. And guess what these

0:13:07.600 --> 0:13:09.960
<v Speaker 2>niggas was doing when they coming. They fucking our bitches.

0:13:10.160 --> 0:13:12.920
<v Speaker 2>They having babies by these holes. You feel me crazy?

0:13:13.200 --> 0:13:13.520
<v Speaker 1>Yeah?

0:13:13.720 --> 0:13:16.240
<v Speaker 2>And what that was doing is like I said, these

0:13:16.280 --> 0:13:19.199
<v Speaker 2>all top game spinners, top people from the genre. They

0:13:19.240 --> 0:13:22.080
<v Speaker 2>fucking these bitches. They are doing all type of shit

0:13:22.440 --> 0:13:26.480
<v Speaker 2>and boom from their babies. They was having our parents

0:13:26.480 --> 0:13:28.959
<v Speaker 2>and shit like that, and just all this good gang

0:13:29.120 --> 0:13:31.800
<v Speaker 2>was just in this gumbo pot, just soaking up and

0:13:31.840 --> 0:13:34.680
<v Speaker 2>shit like that. So Oakland is so different and so

0:13:34.960 --> 0:13:41.040
<v Speaker 2>like immaculent in so many different areas, like how we talk,

0:13:41.120 --> 0:13:45.360
<v Speaker 2>we shake California, the way we dress. Like I remember

0:13:45.400 --> 0:13:47.800
<v Speaker 2>when nigga, when you see a nigga with dreads and

0:13:47.840 --> 0:13:49.199
<v Speaker 2>gold teeth, are they from Oakland?

0:13:49.240 --> 0:13:50.880
<v Speaker 1>You get what I'm saying now.

0:13:50.760 --> 0:13:53.480
<v Speaker 2>Everybody, you see a nigga with dreads, Yeah, we talking

0:13:53.480 --> 0:13:55.160
<v Speaker 2>about on this side, you feel me?

0:13:55.720 --> 0:13:56.040
<v Speaker 1>Yeah?

0:13:56.080 --> 0:13:59.079
<v Speaker 2>You see a motherfucker with you know certain shit, how

0:13:59.120 --> 0:14:01.600
<v Speaker 2>motherfuckers are sold My partner, man, you know what I'm saying.

0:14:02.000 --> 0:14:04.400
<v Speaker 2>The lingo Like, Okay, that nigga from Oakland, he slicked

0:14:04.400 --> 0:14:07.480
<v Speaker 2>to the motherfucker. Now everybody talking like that. Everybody got

0:14:07.480 --> 0:14:10.200
<v Speaker 2>some type of gimmick or some gander to run. So

0:14:10.559 --> 0:14:13.199
<v Speaker 2>Oakland is the mecca of all that shit for sure.

0:14:14.640 --> 0:14:16.920
<v Speaker 3>Who are some of the artists out of Oakland right

0:14:16.920 --> 0:14:19.120
<v Speaker 3>now that you want to shed some light on that

0:14:19.240 --> 0:14:20.120
<v Speaker 3>might be doing their thing?

0:14:20.720 --> 0:14:23.600
<v Speaker 1>Man, I really hate yourself always miss people.

0:14:24.120 --> 0:14:26.800
<v Speaker 3>That's fair, man, I really hate who you're working with

0:14:27.800 --> 0:14:28.880
<v Speaker 3>in Oakland right now.

0:14:29.480 --> 0:14:32.640
<v Speaker 2>Me for sure, I'm always pushed my niggas, you feel me,

0:14:33.200 --> 0:14:37.320
<v Speaker 2>the little goofies, the beezies, the momos. I'm always push

0:14:37.400 --> 0:14:42.200
<v Speaker 2>my niggas. But Oakland, I want to say the whole Oakland, bro,

0:14:42.320 --> 0:14:46.120
<v Speaker 2>because well, Oakland is doing right now and I'm seeing

0:14:46.120 --> 0:14:48.520
<v Speaker 2>this shift. It used to be hell a political. It's

0:14:48.520 --> 0:14:52.160
<v Speaker 2>still political as fuck, but Oakland is starting to embrace

0:14:52.240 --> 0:14:55.360
<v Speaker 2>Oakta embrace Oakland. You get what I'm saying, Like they're

0:14:55.400 --> 0:14:59.120
<v Speaker 2>starting to support each other. And the reason why I

0:14:59.120 --> 0:15:02.000
<v Speaker 2>don't like singling out names and ship because you know

0:15:02.120 --> 0:15:05.840
<v Speaker 2>there'd be somebody watching this interview, like he said this

0:15:05.920 --> 0:15:08.080
<v Speaker 2>nigga and them niggas. Fuck with this nigga and the niggas.

0:15:08.440 --> 0:15:10.720
<v Speaker 2>You get what I'm saying. So I'm just gonna share.

0:15:10.520 --> 0:15:12.760
<v Speaker 3>It inadvertently.

0:15:13.600 --> 0:15:14.880
<v Speaker 1>It's going to you feel.

0:15:14.880 --> 0:15:17.360
<v Speaker 2>I mean, so shout out the East, shout out the North,

0:15:17.400 --> 0:15:20.520
<v Speaker 2>shut out the West, and you know it's niggas from

0:15:20.560 --> 0:15:22.920
<v Speaker 2>all through Oakland that's doing that ship right now.

0:15:23.000 --> 0:15:24.480
<v Speaker 1>For sure. Do you feel like.

0:15:25.960 --> 0:15:29.400
<v Speaker 3>There's any sort of because it feels like the Bays

0:15:29.440 --> 0:15:31.880
<v Speaker 3>having a moment where we might start to kind of

0:15:31.920 --> 0:15:35.480
<v Speaker 3>like see Like I feel like guys like symbols from

0:15:35.480 --> 0:15:40.240
<v Speaker 3>antioc obviously L Russell's from Balletjo, the Boy's Dope.

0:15:40.280 --> 0:15:40.520
<v Speaker 1>I think.

0:15:40.560 --> 0:15:41.840
<v Speaker 3>I don't know if the boy just got locked up

0:15:41.840 --> 0:15:42.520
<v Speaker 3>again or not.

0:15:42.520 --> 0:15:45.080
<v Speaker 1>I think so, I think, But it.

0:15:44.960 --> 0:15:47.560
<v Speaker 3>Feels like there's a lot of just high level energy

0:15:47.640 --> 0:15:49.840
<v Speaker 3>and interest nationally when it comes to like some of

0:15:49.880 --> 0:15:51.480
<v Speaker 3>these artists, like you'll see l Russell going on a

0:15:51.520 --> 0:15:52.920
<v Speaker 3>lot of these big platforms. You see a guy like

0:15:53.000 --> 0:15:56.360
<v Speaker 3>Lebron James reposting a symbol freestyle like do you because

0:15:56.440 --> 0:15:59.120
<v Speaker 3>I mean, I think back to the Hyphi era and

0:15:59.200 --> 0:16:02.520
<v Speaker 3>like that moment kind of captivated the country and I

0:16:02.560 --> 0:16:04.560
<v Speaker 3>feel like that was kind of the last time that happened.

0:16:04.640 --> 0:16:05.760
<v Speaker 1>Yeah, because I think it was.

0:16:06.800 --> 0:16:08.120
<v Speaker 3>I got a report card, you know.

0:16:08.400 --> 0:16:10.240
<v Speaker 1>I think it was misrepresented wrong.

0:16:10.320 --> 0:16:12.640
<v Speaker 2>I was having this conversation with mister Fab not too

0:16:12.680 --> 0:16:16.640
<v Speaker 2>long ago, like Nigga, that kind of in Fab, my brother,

0:16:16.720 --> 0:16:18.920
<v Speaker 2>you feel me in Fab talk shit all the time,

0:16:19.040 --> 0:16:22.440
<v Speaker 2>And I was telling them the Highee era was cool,

0:16:22.440 --> 0:16:25.240
<v Speaker 2>but it made us look boosy in a sense because

0:16:25.600 --> 0:16:28.240
<v Speaker 2>people thought that was all we were doing. You give

0:16:28.320 --> 0:16:31.800
<v Speaker 2>me popping peels and dancing outside the car. Yeah, that

0:16:31.920 --> 0:16:33.520
<v Speaker 2>was a part of it. That was the fun part

0:16:33.560 --> 0:16:36.120
<v Speaker 2>of it. But you had to keep the sneaks and

0:16:36.160 --> 0:16:39.520
<v Speaker 2>the Jase Staalins who was in the Jackers. They was

0:16:39.560 --> 0:16:42.240
<v Speaker 2>talking about that shit like what we were doing at

0:16:42.240 --> 0:16:46.160
<v Speaker 2>that time, Like, yeah, that dancing part, that's cool, But Nigga,

0:16:46.200 --> 0:16:48.920
<v Speaker 2>what about these niggas that's hustling. What about these niggas

0:16:48.960 --> 0:16:51.480
<v Speaker 2>that's hitting either selling dope in the kitchen, whipping that

0:16:51.520 --> 0:16:54.520
<v Speaker 2>shit with both hands. Like what we were going through

0:16:54.560 --> 0:16:57.840
<v Speaker 2>at that time and what we were doing, it wasn't highlighted.

0:16:58.360 --> 0:17:01.440
<v Speaker 2>That's why it was easy for Jeez and Gucci to

0:17:01.480 --> 0:17:04.000
<v Speaker 2>take off because they was speaking that ship that was

0:17:04.040 --> 0:17:06.560
<v Speaker 2>going on in that in that time frame. You feel me,

0:17:06.880 --> 0:17:10.080
<v Speaker 2>Nigga styling and Jackets and the shady necks, they were

0:17:10.119 --> 0:17:13.520
<v Speaker 2>speaking that ship too. But it was overpowered by the

0:17:13.640 --> 0:17:16.080
<v Speaker 2>ghost ride, the whip ship and get what I'm saying.

0:17:16.680 --> 0:17:21.040
<v Speaker 2>So uh yeah, And like I said, a lot of

0:17:21.040 --> 0:17:23.320
<v Speaker 2>them cast that was hell a dope in that era,

0:17:23.600 --> 0:17:25.680
<v Speaker 2>missed the streaming era by you.

0:17:25.600 --> 0:17:27.919
<v Speaker 3>Know, or they were like a little early Like I

0:17:27.920 --> 0:17:29.080
<v Speaker 3>feel like the Pack.

0:17:29.240 --> 0:17:32.320
<v Speaker 1>Was like literally before that time. I think Little b

0:17:32.600 --> 0:17:33.000
<v Speaker 1>was before.

0:17:33.200 --> 0:17:35.280
<v Speaker 3>Oh sure, I mean the Pack, Like if you think

0:17:35.280 --> 0:17:38.040
<v Speaker 3>about like sonically what they were doing, you fast forward

0:17:38.080 --> 0:17:40.720
<v Speaker 3>a few years and then like rack City happens, right

0:17:41.320 --> 0:17:44.560
<v Speaker 3>and it's almost like, oh, that was kind of very

0:17:44.880 --> 0:17:45.960
<v Speaker 3>sonically similar to.

0:17:45.960 --> 0:17:47.520
<v Speaker 1>Right years ago.

0:17:47.600 --> 0:17:50.679
<v Speaker 3>Yeah, And I think even like the fashion wise they

0:17:50.680 --> 0:17:51.800
<v Speaker 3>had pink dolphin.

0:17:52.080 --> 0:17:55.359
<v Speaker 1>And I think people won't say it. I think that

0:17:55.920 --> 0:17:59.960
<v Speaker 1>that la sound at that time was heavenly bay and fluent.

0:18:00.359 --> 0:18:01.240
<v Speaker 1>I say it all the time.

0:18:01.640 --> 0:18:04.320
<v Speaker 2>Yeah, like rest in Peace to the Great tracks a

0:18:04.359 --> 0:18:06.920
<v Speaker 2>million like that sound he was creating.

0:18:06.960 --> 0:18:09.720
<v Speaker 3>I hear that a lot in Mustard write what I'm saying,

0:18:09.960 --> 0:18:12.159
<v Speaker 3>I've said it a bunch. I'm always like, hey, we

0:18:13.720 --> 0:18:15.320
<v Speaker 3>forget what the Pack was doing. What a lot of

0:18:15.320 --> 0:18:17.440
<v Speaker 3>these guys in the Bay were doing right right right?

0:18:17.520 --> 0:18:21.480
<v Speaker 1>Right? Hey? How important for you? Because I always I feel.

0:18:21.200 --> 0:18:25.480
<v Speaker 3>Like there's a guy like g Eazy, right, who probably

0:18:25.520 --> 0:18:30.800
<v Speaker 3>commercially outside of mc hammers run is probably like commercially

0:18:32.119 --> 0:18:35.800
<v Speaker 3>like the biggest guy to represent the Bay. I'm not

0:18:35.800 --> 0:18:40.040
<v Speaker 3>talking about influence or tenure. I just mean, like, you.

0:18:40.000 --> 0:18:43.720
<v Speaker 1>Know, representation. Yeah, I understand's got Britney spears and right.

0:18:44.359 --> 0:18:48.159
<v Speaker 3>But he was like very adamant about every tour was

0:18:48.200 --> 0:18:50.040
<v Speaker 3>like from the Bay to the universe. And he would

0:18:50.040 --> 0:18:52.359
<v Speaker 3>bring like I am Sue, or he would bring Kaylani

0:18:52.400 --> 0:18:54.240
<v Speaker 3>on the road, right, he would bring forty on the road.

0:18:56.000 --> 0:18:58.879
<v Speaker 3>How like, like how big in the landscape of the

0:18:58.920 --> 0:19:00.639
<v Speaker 3>Bay do you look at like a guy like G

0:19:00.840 --> 0:19:03.120
<v Speaker 3>and like, you know, it seemed like he was doing

0:19:03.119 --> 0:19:04.960
<v Speaker 3>a lot to try to do his best to give back.

0:19:06.119 --> 0:19:08.000
<v Speaker 1>Shout out the easy salute to G. Easy.

0:19:09.040 --> 0:19:12.000
<v Speaker 2>I don't have no apoleom easy. The thing is is

0:19:14.400 --> 0:19:16.760
<v Speaker 2>that's forty. Yeah, that's Kaylanne.

0:19:16.840 --> 0:19:19.199
<v Speaker 3>Look at the names you name, but it was it

0:19:19.240 --> 0:19:20.840
<v Speaker 3>was it was like early Kaylin.

0:19:20.680 --> 0:19:24.160
<v Speaker 1>Okay, okay. I just I mean, he brought for sure

0:19:24.240 --> 0:19:25.080
<v Speaker 1>all black.

0:19:25.400 --> 0:19:28.399
<v Speaker 2>All black. He did all black. I just feel was

0:19:28.400 --> 0:19:30.359
<v Speaker 2>on the road with him a lot. I just feel

0:19:30.480 --> 0:19:34.280
<v Speaker 2>as if you should embrace that more. You get what

0:19:34.280 --> 0:19:38.800
<v Speaker 2>I'm saying, not like I said, not just let niggas

0:19:38.840 --> 0:19:41.199
<v Speaker 2>move off you, but embrace that ship more, like, you know,

0:19:42.760 --> 0:19:44.840
<v Speaker 2>do more of that. You get what I'm saying, Like,

0:19:45.040 --> 0:19:48.119
<v Speaker 2>do more of that, like salute to you what you

0:19:48.200 --> 0:19:49.360
<v Speaker 2>got going on, but do.

0:19:49.359 --> 0:19:49.920
<v Speaker 1>More of that.

0:19:50.400 --> 0:19:51.800
<v Speaker 3>So you would like to see him do more?

0:19:52.119 --> 0:19:55.479
<v Speaker 2>Yeah for sure, fuck yeah, fuck you hell yeah. But

0:19:55.680 --> 0:19:59.320
<v Speaker 2>and then too, it's it's different genres, like he make

0:19:59.400 --> 0:20:03.200
<v Speaker 2>more of music like on some he's got pop, poles music, pop,

0:20:03.240 --> 0:20:04.360
<v Speaker 2>house music type ship.

0:20:04.440 --> 0:20:05.880
<v Speaker 3>Yeah, I don't know a house but yeah pop he's

0:20:05.880 --> 0:20:06.720
<v Speaker 3>got pop records.

0:20:06.880 --> 0:20:07.919
<v Speaker 1>Is house music anyway?

0:20:08.920 --> 0:20:09.680
<v Speaker 3>Like house music?

0:20:09.840 --> 0:20:10.480
<v Speaker 1>What is that?

0:20:10.720 --> 0:20:13.240
<v Speaker 3>It's a genre of electronic music.

0:20:13.440 --> 0:20:15.440
<v Speaker 1>Oh whatever, Yeah, he got that type of shit.

0:20:16.280 --> 0:20:19.840
<v Speaker 3>No, no, houses not technical. But he don't make house music.

0:20:19.880 --> 0:20:22.240
<v Speaker 3>But he makes Top forty more. He does have Top.

0:20:22.119 --> 0:20:25.480
<v Speaker 2>Forty records, Yeah he has, you know right, Yeah, but

0:20:26.800 --> 0:20:29.840
<v Speaker 2>I hear his songs like I never like heard a

0:20:29.920 --> 0:20:32.600
<v Speaker 2>gzy album, but like the fuck with Me and get

0:20:32.640 --> 0:20:33.760
<v Speaker 2>some money all that type.

0:20:33.560 --> 0:20:35.879
<v Speaker 3>Of sh And you put all black on a record

0:20:36.119 --> 0:20:36.720
<v Speaker 3>for sure.

0:20:36.800 --> 0:20:39.399
<v Speaker 2>Yeah, you know, yeah, for sure, for sure, all blacks

0:20:39.400 --> 0:20:42.240
<v Speaker 2>dope as fuck too, super dope, super dope. Yeah, for sure.

0:20:42.760 --> 0:20:46.479
<v Speaker 2>I like all black Hayton's and ship. He'd be different

0:20:46.520 --> 0:20:48.080
<v Speaker 2>with that ship for you.

0:20:48.000 --> 0:20:53.520
<v Speaker 3>Like, what is like your like, I know you've been dropping,

0:20:53.560 --> 0:20:55.280
<v Speaker 3>Like tell me kind of what's going on with your

0:20:55.480 --> 0:20:56.400
<v Speaker 3>music ship right now?

0:20:56.400 --> 0:20:57.800
<v Speaker 1>Like what's the latest, what's coming.

0:20:57.960 --> 0:20:59.840
<v Speaker 2>The last project I put out was the Book of That.

0:21:00.400 --> 0:21:04.800
<v Speaker 2>It did, uh, it did very well, but I had

0:21:04.880 --> 0:21:08.080
<v Speaker 2>got overpowered by the little blood.

0:21:07.800 --> 0:21:09.880
<v Speaker 1>TV type shit, right, you get what I'm saying.

0:21:10.840 --> 0:21:12.800
<v Speaker 2>And I was just telling my boys, like, damn, I

0:21:12.840 --> 0:21:15.919
<v Speaker 2>need to jump back in a lab right like, because

0:21:15.960 --> 0:21:19.040
<v Speaker 2>I've been focusing so much on this and they haven't

0:21:19.080 --> 0:21:21.600
<v Speaker 2>had me in the studio mode. I mean, I can

0:21:21.640 --> 0:21:23.639
<v Speaker 2>go to the studio and record a song. That's not

0:21:23.880 --> 0:21:26.600
<v Speaker 2>that's crazy. But I'm saying in that artist.

0:21:26.440 --> 0:21:30.639
<v Speaker 3>Now where you're fully engaged in yeah, yeah.

0:21:30.760 --> 0:21:33.120
<v Speaker 1>You just like you in that space to record.

0:21:33.160 --> 0:21:35.600
<v Speaker 2>And I tell people all the time, it's a difference

0:21:35.600 --> 0:21:38.400
<v Speaker 2>from it's.

0:21:38.200 --> 0:21:41.080
<v Speaker 1>A difference from rapping and just being in that in

0:21:41.160 --> 0:21:42.680
<v Speaker 1>that space. You know what I'm saying.

0:21:42.720 --> 0:21:44.479
<v Speaker 3>You could go write a verse if someone wanted to

0:21:44.480 --> 0:21:46.720
<v Speaker 3>buy a verse off you, I can go do that

0:21:46.800 --> 0:21:48.320
<v Speaker 3>in ten minutes. But if you want to like put

0:21:48.320 --> 0:21:50.159
<v Speaker 3>out an album right now.

0:21:50.240 --> 0:21:52.199
<v Speaker 1>I'm working with the mechanics. Have you ever heard of them?

0:21:52.320 --> 0:21:52.800
<v Speaker 1>I've heard of them.

0:21:53.040 --> 0:21:56.240
<v Speaker 2>Yeah, shout out to dot dot in tweet for racks

0:21:56.280 --> 0:21:58.480
<v Speaker 2>and tweet. I'm working with them right now. We have

0:21:58.960 --> 0:22:00.920
<v Speaker 2>been in a lab for like the last couple of months,

0:22:00.960 --> 0:22:03.920
<v Speaker 2>and we got a great sounding project. Like I'm hella

0:22:04.000 --> 0:22:06.679
<v Speaker 2>excited about this project because every time I went in

0:22:06.760 --> 0:22:08.800
<v Speaker 2>the studio, I was in the studio.

0:22:08.920 --> 0:22:10.359
<v Speaker 1>Mo you were like locked in.

0:22:10.560 --> 0:22:13.399
<v Speaker 2>I was locked in And sometimes Ship will be in

0:22:13.440 --> 0:22:15.560
<v Speaker 2>there for six seven hours and just do a song

0:22:15.640 --> 0:22:16.119
<v Speaker 2>and a half.

0:22:16.200 --> 0:22:19.199
<v Speaker 1>Are you writing shit down? Yeah? Yeah, right, yeah, all right,

0:22:19.320 --> 0:22:20.520
<v Speaker 1>And now you know because.

0:22:20.280 --> 0:22:22.080
<v Speaker 3>You know, the the the whole New Era is.

0:22:22.080 --> 0:22:24.280
<v Speaker 1>All punching in. It's punching in. I do. I do

0:22:24.320 --> 0:22:26.600
<v Speaker 1>that sometimes too, But this project I'm writing.

0:22:26.440 --> 0:22:28.120
<v Speaker 3>I feel like, if you're gonna do a melody, it's

0:22:28.160 --> 0:22:30.320
<v Speaker 3>like smart to do the melody first, then you kind

0:22:30.320 --> 0:22:31.200
<v Speaker 3>of fill in the lines.

0:22:31.280 --> 0:22:32.439
<v Speaker 1>Yeah, if you're gonna do a verse, you.

0:22:32.400 --> 0:22:35.440
<v Speaker 2>Know, I think punching in and gets you lazy because

0:22:35.480 --> 0:22:37.720
<v Speaker 2>sometimes you'll just be like, Okay, let me hurry up

0:22:37.760 --> 0:22:39.520
<v Speaker 2>and run and this with that, and you get what

0:22:39.560 --> 0:22:39.920
<v Speaker 2>I'm saying.

0:22:39.920 --> 0:22:42.520
<v Speaker 3>It's not as much thoughts. Yeah, when you write, write

0:22:42.560 --> 0:22:42.920
<v Speaker 3>it down.

0:22:43.040 --> 0:22:47.000
<v Speaker 2>Yeah you like you all, you tweaked out, you hyped out, like, yeah, yeah,

0:22:47.040 --> 0:22:47.440
<v Speaker 2>for sure.

0:22:47.720 --> 0:22:50.679
<v Speaker 1>I will prefer writing over punching in. I wish more

0:22:50.760 --> 0:22:51.439
<v Speaker 1>rappers were like that.

0:22:51.560 --> 0:22:51.800
<v Speaker 2>Yeah.

0:22:51.800 --> 0:22:54.600
<v Speaker 3>I prefer because you hear it, because you hear guys

0:22:54.600 --> 0:22:56.960
<v Speaker 3>who say they right, and you'll hear it. You'll be like, oh,

0:22:56.960 --> 0:23:00.680
<v Speaker 3>I hear like you're actually every line matters a little

0:23:00.720 --> 0:23:01.200
<v Speaker 3>more right.

0:23:01.280 --> 0:23:03.280
<v Speaker 2>But look, though, I had got so caught up in

0:23:03.320 --> 0:23:07.040
<v Speaker 2>punching in to when I write, I'll have to take

0:23:07.359 --> 0:23:10.200
<v Speaker 2>like I couldn't wrap the whole sixteen Like I had

0:23:10.200 --> 0:23:10.760
<v Speaker 2>to rap like.

0:23:10.720 --> 0:23:13.119
<v Speaker 1>Four bars and inside of breath, like what the fuck?

0:23:13.880 --> 0:23:16.439
<v Speaker 2>So I had to retrain myself to get back in

0:23:16.520 --> 0:23:19.040
<v Speaker 2>there because normally I can write nigga, I used to

0:23:19.040 --> 0:23:21.760
<v Speaker 2>do thirty something bars like a whole song. I can

0:23:21.800 --> 0:23:24.400
<v Speaker 2>guess a whole song just reading it, like you know yep.

0:23:24.680 --> 0:23:28.800
<v Speaker 2>But that punching in shit, that shit fuck you up anyways, Yeah.

0:23:28.760 --> 0:23:29.960
<v Speaker 3>Kind of fucks with you. I think it might be

0:23:30.000 --> 0:23:31.520
<v Speaker 3>affecting people's performing.

0:23:31.160 --> 0:23:33.040
<v Speaker 1>Too, definitely. Definitely.

0:23:33.320 --> 0:23:37.679
<v Speaker 3>You're you'll see artists, the new artists, they'll do like

0:23:38.119 --> 0:23:39.600
<v Speaker 3>a part of their verse and then they'll let the

0:23:39.640 --> 0:23:42.560
<v Speaker 3>track do drastic right right right, it's the same shit

0:23:43.320 --> 0:23:44.639
<v Speaker 3>control because they don't have to do that shit in

0:23:44.640 --> 0:23:45.359
<v Speaker 3>the studio anymore.

0:23:45.400 --> 0:23:47.480
<v Speaker 1>So have you ever heard of the hieroglyphics? Of course?

0:23:47.520 --> 0:23:50.639
<v Speaker 2>I love Hiro Okay, shout out the Casual Casual my boy,

0:23:51.160 --> 0:23:55.720
<v Speaker 2>and Casual was telling me, Uh, I was performing at

0:23:55.840 --> 0:24:01.040
<v Speaker 2>Higher Day and the music my lyrics we're playing behind

0:24:01.240 --> 0:24:03.760
<v Speaker 2>you feel me like that's pull ship.

0:24:04.560 --> 0:24:06.439
<v Speaker 3>Oh yeah, that that would definitely be some like o

0:24:06.560 --> 0:24:12.040
<v Speaker 3>G backpack rapper ship to say, like, man, yeah, yeah.

0:24:11.760 --> 0:24:14.479
<v Speaker 2>Like you are never supposed to rap like that, like

0:24:15.400 --> 0:24:17.720
<v Speaker 2>but now everybody does, yeah, for sure for sure.

0:24:17.880 --> 0:24:19.560
<v Speaker 3>Or you got to have the TV track where like

0:24:19.640 --> 0:24:22.000
<v Speaker 3>parts of the verse are in there. You're as I will.

0:24:22.080 --> 0:24:25.000
<v Speaker 2>Yeah, that's better, but I understand what you meant by that,

0:24:25.119 --> 0:24:27.960
<v Speaker 2>like just rapping over your voice and it sounds way

0:24:28.040 --> 0:24:30.359
<v Speaker 2>better when you're just rapping over the instrumental.

0:24:30.600 --> 0:24:31.960
<v Speaker 3>Yeah, that sounds like you're at a show.

0:24:32.040 --> 0:24:34.240
<v Speaker 1>It sounds like you at a show for sure, for sure.

0:24:34.280 --> 0:24:36.040
<v Speaker 3>For sure. Get shout out to Hiro Man. They kind

0:24:36.040 --> 0:24:37.359
<v Speaker 3>of revolutionized a lot on it.

0:24:37.680 --> 0:24:40.200
<v Speaker 1>And they're from Oakland too, and they did so much

0:24:40.240 --> 0:24:44.399
<v Speaker 1>on the merch side. Yeah, and still doing it. I

0:24:44.440 --> 0:24:45.560
<v Speaker 1>think souls of Mischief.

0:24:46.000 --> 0:24:48.720
<v Speaker 2>They just got like a fucking crazy tour, three hundred

0:24:48.880 --> 0:24:50.080
<v Speaker 2>fucking shows or something.

0:24:50.160 --> 0:24:52.880
<v Speaker 1>Yeah, they got they could tour. E Mey Dell. Shout

0:24:52.920 --> 0:24:55.480
<v Speaker 1>out to Dell. Was del from Oakland. I don't know

0:24:56.480 --> 0:24:59.520
<v Speaker 1>how funky. What's your name? Yeah? I think I think so.

0:24:59.560 --> 0:25:01.600
<v Speaker 1>I think it's from Oakland. Yeah, yeah, shout out to

0:25:01.680 --> 0:25:03.720
<v Speaker 1>high Row. So, yeah, we got some cats from Oakland.

0:25:03.720 --> 0:25:06.800
<v Speaker 2>Man, I'm getting for sure, sure though, two shorts and

0:25:06.960 --> 0:25:07.880
<v Speaker 2>you know, oh.

0:25:07.840 --> 0:25:10.200
<v Speaker 3>Like two shorts my fucking one of my favorites ever.

0:25:10.480 --> 0:25:13.800
<v Speaker 2>Yeah, we got some cats from Oakland, for sure. Tony, Tony, Tony,

0:25:14.600 --> 0:25:16.320
<v Speaker 2>we got cats from Oakland.

0:25:17.280 --> 0:25:19.199
<v Speaker 3>What's up, y'all? We got to stop the interview real

0:25:19.280 --> 0:25:22.080
<v Speaker 3>quick to tell you about our good friends at my bookie.

0:25:22.119 --> 0:25:26.359
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0:25:26.440 --> 0:25:27.600
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0:25:27.440 --> 0:25:28.640
<v Speaker 1>Sweep the heat.

0:25:28.680 --> 0:25:31.960
<v Speaker 3>I would look at the like serious odds on that.

0:25:32.080 --> 0:25:34.520
<v Speaker 3>Go to my bookie right now. Let's get some money man,

0:25:34.560 --> 0:25:37.000
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0:25:37.080 --> 0:25:40.359
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0:25:50.080 --> 0:25:52.520
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0:25:52.560 --> 0:25:56.280
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0:25:56.320 --> 0:25:58.680
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0:26:03.080 --> 0:26:06.520
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0:26:06.560 --> 0:26:08.359
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0:26:08.720 --> 0:26:09.919
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0:26:31.000 --> 0:26:35.040
<v Speaker 3>means I don't know what that means. It's just hot.

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0:26:36.680 --> 0:26:39.560
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<v Speaker 1>I'm sure.

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0:27:43.520 --> 0:27:45.680
<v Speaker 3>give me your rundown on how not to get viipped

0:27:45.720 --> 0:27:48.520
<v Speaker 3>in the bay. How do we not get viipped? We

0:27:48.560 --> 0:27:50.600
<v Speaker 3>go visit the bay? How do I not get viipped?

0:27:52.240 --> 0:27:55.320
<v Speaker 2>First off, I don't stop buying no gas stations by the airport, Okay,

0:27:56.240 --> 0:27:56.879
<v Speaker 2>never do that.

0:27:58.000 --> 0:28:00.840
<v Speaker 1>Don't be getting out your car and putting shit in

0:28:00.840 --> 0:28:04.440
<v Speaker 1>the trunk. Don't do that. Don't leave anything.

0:28:04.680 --> 0:28:07.680
<v Speaker 2>And when I say anything, don't leave nothing at all

0:28:07.840 --> 0:28:11.359
<v Speaker 2>in your car, like, don't leave a charger, don't leave shit.

0:28:13.240 --> 0:28:19.320
<v Speaker 2>Me personally, I cracked my windows.

0:28:17.600 --> 0:28:20.520
<v Speaker 3>So you'll you'll, you'll, you'll let you'll be like, windows

0:28:20.560 --> 0:28:22.520
<v Speaker 3>are down, take a peek.

0:28:22.280 --> 0:28:24.680
<v Speaker 1>If you want to. I cracked my windows.

0:28:25.760 --> 0:28:27.680
<v Speaker 2>Yeah, But for the most part, just don't have shit

0:28:27.720 --> 0:28:29.879
<v Speaker 2>in your cars. And then you know, I know how

0:28:29.880 --> 0:28:31.880
<v Speaker 2>to look for bippers when I'm pulling up and shit,

0:28:32.000 --> 0:28:34.280
<v Speaker 2>like I can spot the bippers and I damn never

0:28:34.560 --> 0:28:36.920
<v Speaker 2>know niggas like they see me getting out the car

0:28:36.960 --> 0:28:39.560
<v Speaker 2>and shit, like, niggas respect enough not to.

0:28:39.640 --> 0:28:42.800
<v Speaker 1>Bit my car. Also like, don't rent a car rentals.

0:28:42.800 --> 0:28:44.440
<v Speaker 1>You're gonna get your rental. You're gonna get your ass

0:28:44.480 --> 0:28:45.560
<v Speaker 1>bit like no matter what.

0:28:46.160 --> 0:28:49.280
<v Speaker 2>Yeah, because people be stupid, not no matter what, but

0:28:49.960 --> 0:28:50.640
<v Speaker 2>people just.

0:28:50.560 --> 0:28:55.320
<v Speaker 1>Be stupid, Like why is you leaving backpacks in the car,

0:28:55.680 --> 0:28:57.640
<v Speaker 1>like I just think people don't know.

0:28:57.920 --> 0:28:59.560
<v Speaker 3>I just had to see my dad is like going

0:28:59.560 --> 0:29:02.920
<v Speaker 3>to San Francisco with my sister and my mom, and

0:29:02.960 --> 0:29:05.120
<v Speaker 3>I had to give him the rundown. I said, whatever

0:29:05.200 --> 0:29:08.680
<v Speaker 3>you do, don't And I said, if you're going to Denny's,

0:29:08.720 --> 0:29:11.040
<v Speaker 3>take everything with you into Denny's.

0:29:10.600 --> 0:29:13.280
<v Speaker 2>And then not uly not too because I know people

0:29:13.320 --> 0:29:16.480
<v Speaker 2>that follow you and then stop at that red light.

0:29:16.520 --> 0:29:17.600
<v Speaker 1>While you're at that red light.

0:29:17.800 --> 0:29:20.080
<v Speaker 2>While you're at the red light'll bip you, bro and

0:29:20.160 --> 0:29:21.240
<v Speaker 2>get with you know what I'm saying.

0:29:21.240 --> 0:29:23.520
<v Speaker 3>But there's a viral video there was like a split

0:29:23.600 --> 0:29:24.160
<v Speaker 3>in the freeway.

0:29:24.320 --> 0:29:26.719
<v Speaker 2>Yeah, that was serious as fun and they got dropped

0:29:26.720 --> 0:29:27.920
<v Speaker 2>out all the time.

0:29:27.720 --> 0:29:31.560
<v Speaker 1>And they took everything out and then hit the hit the.

0:29:30.960 --> 0:29:33.840
<v Speaker 2>Damn Yeah, but that happens more. That was just called

0:29:33.840 --> 0:29:36.960
<v Speaker 2>on camera. That shit happens daily. Like you know, you'd

0:29:36.960 --> 0:29:41.200
<v Speaker 2>be in the car and yeah, but you're supposed to

0:29:41.240 --> 0:29:43.520
<v Speaker 2>be paying attention to anyway, looking in your mirrors and ship.

0:29:44.240 --> 0:29:46.120
<v Speaker 3>Why do you think that that's like a prevalent thing

0:29:46.160 --> 0:29:48.120
<v Speaker 3>in the band, not now, like it happens in LA

0:29:48.160 --> 0:29:50.280
<v Speaker 3>But it's like a thing, just.

0:29:50.200 --> 0:29:51.800
<v Speaker 1>Like flocking is a thing in la.

0:29:52.000 --> 0:29:55.760
<v Speaker 2>It's a hustle bro, like people is rich off the

0:29:55.800 --> 0:29:58.080
<v Speaker 2>BIP and nobody is above the BIP.

0:29:59.400 --> 0:30:02.800
<v Speaker 1>Nigga's a bit your mama, Like nigga's a big they mama.

0:30:03.160 --> 0:30:05.640
<v Speaker 1>It's almost like treasure hunting.

0:30:07.440 --> 0:30:08.840
<v Speaker 3>You fuck around and get the right car.

0:30:08.960 --> 0:30:12.800
<v Speaker 2>You might saying it's just rich off the bit bro,

0:30:13.120 --> 0:30:17.000
<v Speaker 2>Like yeah, but just my advice, just don't leave nothing

0:30:17.040 --> 0:30:22.960
<v Speaker 2>in your car, pay attention, like you really can't. It's

0:30:23.000 --> 0:30:27.800
<v Speaker 2>gonna happen, like eventually you really can't. Not like get

0:30:27.840 --> 0:30:31.160
<v Speaker 2>away from the BIP, like, ain't no telling who's bipping like.

0:30:31.400 --> 0:30:33.600
<v Speaker 3>I would, just like I think I was just telling

0:30:33.680 --> 0:30:35.959
<v Speaker 3>my boy all shot to Brian Sampson, but we were

0:30:35.960 --> 0:30:37.360
<v Speaker 3>talking about going out there, and I was like, yea,

0:30:37.360 --> 0:30:39.120
<v Speaker 3>if we get a car's gonna have to leave the

0:30:39.120 --> 0:30:40.520
<v Speaker 3>trunk open, leave all the windows down.

0:30:40.640 --> 0:30:43.600
<v Speaker 1>Not even that just your room, bro, No for sure.

0:30:43.640 --> 0:30:45.800
<v Speaker 3>But I'm like, just to not deal with the broken window.

0:30:46.040 --> 0:30:48.760
<v Speaker 3>Oh yeah, it's more about dealing with the broken window.

0:30:49.720 --> 0:30:52.840
<v Speaker 1>Yeah, and then too the fucking car.

0:30:53.560 --> 0:30:57.560
<v Speaker 2>Them window shops repair shops, Oh, they're just they're just

0:30:57.680 --> 0:30:58.880
<v Speaker 2>racking in running.

0:30:58.880 --> 0:31:03.400
<v Speaker 1>Oh that'd be a great business. Moved to the bay,

0:31:03.440 --> 0:31:06.160
<v Speaker 1>open up a window shop, open it up by the airport.

0:31:06.520 --> 0:31:09.400
<v Speaker 1>Oh you're eating bro. Yeah, they're racking it in, bro

0:31:09.600 --> 0:31:12.360
<v Speaker 1>for sure, are they so?

0:31:12.480 --> 0:31:14.560
<v Speaker 3>I the last time I went to the city, there

0:31:14.760 --> 0:31:18.600
<v Speaker 3>was all the CBS's were closed because of that.

0:31:18.840 --> 0:31:20.960
<v Speaker 1>I think it's you can still up to nine Yeah,

0:31:21.000 --> 0:31:23.800
<v Speaker 1>they're still in dollars. Yeah, it's wild.

0:31:24.920 --> 0:31:27.440
<v Speaker 3>San Francisco is a different place, is it like that

0:31:27.480 --> 0:31:28.000
<v Speaker 3>in Oakland?

0:31:28.240 --> 0:31:28.720
<v Speaker 1>Nah?

0:31:28.920 --> 0:31:31.840
<v Speaker 2>Okay, no, Well they just closed one of the Walgreens

0:31:31.960 --> 0:31:35.880
<v Speaker 2>in thirty fourth because they've been tearing out there for years.

0:31:35.880 --> 0:31:38.680
<v Speaker 1>But Oakland is not as bad as this different mayor

0:31:38.840 --> 0:31:42.440
<v Speaker 1>different force. Yeah, different exactly. And then.

0:31:44.200 --> 0:31:47.840
<v Speaker 2>Like San Francisco, like they just forgot about their homeless,

0:31:47.840 --> 0:31:52.080
<v Speaker 2>Like that shit is sad, bro, Yeah, that shit is sad.

0:31:52.240 --> 0:31:55.480
<v Speaker 2>Like that shit is like, damn there what a whole

0:31:55.560 --> 0:31:58.520
<v Speaker 2>bay Like California period is turning into tent cities for.

0:31:58.480 --> 0:32:02.160
<v Speaker 3>Sure has been like me. But the thing about LA

0:32:02.720 --> 0:32:05.280
<v Speaker 3>is like it's not concentrated anymore. So I feel like

0:32:05.320 --> 0:32:06.680
<v Speaker 3>you go to San Francisco, you'll see a lot of

0:32:06.680 --> 0:32:08.640
<v Speaker 3>homeless people. But I feel like if you drive to

0:32:08.800 --> 0:32:11.440
<v Speaker 3>like I don't know, daily city or something, you're not

0:32:11.400 --> 0:32:13.240
<v Speaker 3>gonna see as much as much right, right, if you're

0:32:13.280 --> 0:32:15.680
<v Speaker 3>in La, no matter where you're at in La, you

0:32:15.720 --> 0:32:19.240
<v Speaker 3>go to Sherman Oaks, you go to fucking Venice, wherever

0:32:19.280 --> 0:32:20.920
<v Speaker 3>you're at, there's tents.

0:32:20.640 --> 0:32:24.040
<v Speaker 2>Bro, right right, and it's sad because we're California, like

0:32:24.320 --> 0:32:26.480
<v Speaker 2>and then not even to get in the hell of

0:32:26.520 --> 0:32:29.720
<v Speaker 2>politics like this, But help me understand this, bro, Like

0:32:31.000 --> 0:32:33.280
<v Speaker 2>where do we get this money from to fund and

0:32:33.360 --> 0:32:36.080
<v Speaker 2>help other countries when they're in dire need?

0:32:36.440 --> 0:32:38.760
<v Speaker 1>But we can't do it for our country.

0:32:38.800 --> 0:32:44.080
<v Speaker 3>Bro, I don't disagree with you many yeah, like wait,

0:32:44.080 --> 0:32:46.959
<v Speaker 3>hold on, but Flint's water is still dirty, right, Like

0:32:47.240 --> 0:32:48.880
<v Speaker 3>what it's crazy?

0:32:49.120 --> 0:32:53.600
<v Speaker 1>It's all geopolitical bullshit. It's let me ask you a question. Yeah,

0:32:54.040 --> 0:32:56.040
<v Speaker 1>you'll come on my podcast. Yeah alright.

0:32:56.240 --> 0:32:57.960
<v Speaker 2>I don't just say that because we're on your ship,

0:32:58.000 --> 0:33:03.480
<v Speaker 2>broo and cat on me too. You have yah bro

0:33:03.840 --> 0:33:08.960
<v Speaker 2>this nigga. Let me tell y'all. So one time, look, bro,

0:33:09.040 --> 0:33:11.920
<v Speaker 2>what's your name Cyrus? One time we're in l A

0:33:12.080 --> 0:33:15.720
<v Speaker 2>right so no, no, no, so one time we're in

0:33:15.880 --> 0:33:19.760
<v Speaker 2>l A. He oh yeah, blood man, I'm at three schedule.

0:33:21.200 --> 0:33:21.880
<v Speaker 1>I got sick.

0:33:22.160 --> 0:33:25.520
<v Speaker 2>I'm like okay, cool, right, I go to the Freddie

0:33:25.560 --> 0:33:29.160
<v Speaker 2>Gibbs ship. Right who I see in the corner, I'm

0:33:29.160 --> 0:33:30.200
<v Speaker 2>shaking the ass.

0:33:30.320 --> 0:33:34.240
<v Speaker 3>I wasn't shaking my ass right hey, by I go

0:33:34.360 --> 0:33:34.760
<v Speaker 3>walk up.

0:33:34.840 --> 0:33:36.840
<v Speaker 1>That was the day after No, it was it.

0:33:36.840 --> 0:33:37.320
<v Speaker 3>It was the day.

0:33:37.680 --> 0:33:42.080
<v Speaker 1>It wasn't the same day, same exact day. So my

0:33:42.200 --> 0:33:44.760
<v Speaker 1>boy Tod's like, bro, is it that kid right there?

0:33:45.160 --> 0:33:46.800
<v Speaker 1>I'm looking, you know, I'm rolling the dice.

0:33:47.160 --> 0:33:48.160
<v Speaker 3>I'm like, oh it is.

0:33:48.640 --> 0:33:50.440
<v Speaker 1>I go walk over there. I'm like, bro, what's up?

0:33:51.000 --> 0:33:52.000
<v Speaker 3>Oh you little little blood?

0:33:52.080 --> 0:33:54.280
<v Speaker 1>Yeah, man, I feel a little better, Like, yeah, by

0:33:54.320 --> 0:33:55.120
<v Speaker 1>the way, by.

0:33:55.000 --> 0:33:57.800
<v Speaker 3>The way, by the way, by the way. I definitely

0:33:58.280 --> 0:34:02.600
<v Speaker 3>was not feeling good. Secondly, Freddy's thing. I wouldn't have

0:34:02.600 --> 0:34:06.360
<v Speaker 3>missed one of my best friends in the world. I'm

0:34:06.360 --> 0:34:08.920
<v Speaker 3>not gonna miss a ship. But that definitely was not

0:34:09.000 --> 0:34:11.080
<v Speaker 3>I was. I was definitely not feeling I canceled two

0:34:11.120 --> 0:34:13.520
<v Speaker 3>interviews that day. Okay, you weren't the only thing I canceled,

0:34:13.680 --> 0:34:15.120
<v Speaker 3>all right, you gotta explain to me.

0:34:15.200 --> 0:34:16.919
<v Speaker 1>I was talking to Cyrus and then the other.

0:34:16.960 --> 0:34:20.279
<v Speaker 3>The other thing is, anytime i'd hit you, you'd be like,

0:34:20.320 --> 0:34:22.600
<v Speaker 3>you just tell me the day I don't. I don't

0:34:22.600 --> 0:34:24.480
<v Speaker 3>like to operate on that because I gotta think too much.

0:34:25.080 --> 0:34:26.839
<v Speaker 3>I'd be like if you tell me, hey, I'm gonna

0:34:26.840 --> 0:34:28.960
<v Speaker 3>be out here the fourteenth through the seventeen.

0:34:28.960 --> 0:34:29.919
<v Speaker 1>How you doing, Eric?

0:34:30.600 --> 0:34:33.200
<v Speaker 3>Whereas Eric just went outside of this barking dog he

0:34:33.360 --> 0:34:35.560
<v Speaker 3>just got decided to bring to fucking work today.

0:34:36.239 --> 0:34:38.040
<v Speaker 1>He just got this dog and decided.

0:34:37.760 --> 0:34:39.400
<v Speaker 3>To bring it in and he's not gonna bark and

0:34:39.400 --> 0:34:41.239
<v Speaker 3>he's telling everyone, don't worry, he's not gonna bite you.

0:34:41.280 --> 0:34:42.239
<v Speaker 3>Like you just got the dog.

0:34:42.280 --> 0:34:44.440
<v Speaker 1>How do you know she's a sweetheart.

0:34:45.120 --> 0:34:47.040
<v Speaker 3>She's a sweetheart, bro, she's a sweat. She won't bite you.

0:34:47.080 --> 0:34:52.640
<v Speaker 3>Whether the dog's barking at me, I'm trying to see here.

0:34:52.680 --> 0:34:53.560
<v Speaker 3>Oh wait, I'm looking at.

0:34:53.440 --> 0:34:56.200
<v Speaker 1>You said you're here?

0:34:56.280 --> 0:34:59.080
<v Speaker 3>Yeah, bro, Yeah no, I definitely I'm down there. Yeah.

0:34:59.080 --> 0:35:01.960
<v Speaker 3>I wanna definitely got to come through man, definitely.

0:35:02.000 --> 0:35:02.200
<v Speaker 1>Yeah.

0:35:02.200 --> 0:35:05.400
<v Speaker 2>Gotta be dope as fun. And I appreciate you know,

0:35:05.440 --> 0:35:07.680
<v Speaker 2>I appreciate the look. Like I said, you need to

0:35:07.680 --> 0:35:10.480
<v Speaker 2>really dig into my music career, bro, Like I'm responsible

0:35:10.520 --> 0:35:11.760
<v Speaker 2>for a lot of these cats.

0:35:11.800 --> 0:35:14.360
<v Speaker 3>Well that's why, honestly, Like it's so hard for me

0:35:14.400 --> 0:35:17.279
<v Speaker 3>to keep up with everything and the bay shit is

0:35:17.320 --> 0:35:20.800
<v Speaker 3>so like I try my best to be as engaged

0:35:20.800 --> 0:35:22.680
<v Speaker 3>as possible. But there's a lot of ship.

0:35:22.840 --> 0:35:24.720
<v Speaker 1>What do you get your left from the Bay? Friend?

0:35:25.200 --> 0:35:27.480
<v Speaker 3>Just I think just living growing up on the West

0:35:27.560 --> 0:35:30.640
<v Speaker 3>Coast and then like as a little kid, my dad's

0:35:30.680 --> 0:35:33.520
<v Speaker 3>favorite rapper was Too Short, So I was listening to

0:35:33.560 --> 0:35:36.840
<v Speaker 3>fucking Too Short and the clicks Spice won all that

0:35:36.880 --> 0:35:39.319
<v Speaker 3>shit and so like, and I also am like a

0:35:39.360 --> 0:35:41.120
<v Speaker 3>student of the game, so like I will see like

0:35:42.239 --> 0:35:45.520
<v Speaker 3>the influence of like certain shit, you know, like and

0:35:45.600 --> 0:35:47.640
<v Speaker 3>just be like, damn, the Bay really got so much

0:35:47.680 --> 0:35:51.520
<v Speaker 3>sauce and just for whatever reason always is just passed

0:35:51.560 --> 0:35:55.880
<v Speaker 3>over or like just a little disrespected or not necessary.

0:35:55.960 --> 0:35:57.480
<v Speaker 3>And like you said, I do feel like there is

0:35:57.520 --> 0:35:58.600
<v Speaker 3>a lot of that with the Bay where it is

0:35:58.640 --> 0:36:00.759
<v Speaker 3>the crabs in the barrel mentality with the artists.

0:36:00.480 --> 0:36:03.239
<v Speaker 1>Out there, right, So I just had YG and Tiger right.

0:36:03.960 --> 0:36:05.680
<v Speaker 3>They were in Oakland, Yeah.

0:36:05.560 --> 0:36:08.279
<v Speaker 1>West Oakland, DOCTA. Let's get this right.

0:36:08.440 --> 0:36:10.040
<v Speaker 3>Is that where they shot the video with the Blast record?

0:36:10.800 --> 0:36:12.560
<v Speaker 1>Different record, No, it was a different record.

0:36:12.560 --> 0:36:14.840
<v Speaker 2>It was like a record with just Tiger and YG

0:36:15.040 --> 0:36:17.960
<v Speaker 2>on there, and I think it was called going Platinum,

0:36:18.000 --> 0:36:20.480
<v Speaker 2>and uh, you know they tapped in shout out Dave

0:36:20.520 --> 0:36:22.719
<v Speaker 2>all they tapped in boo, I'll bring them out there

0:36:22.960 --> 0:36:29.000
<v Speaker 2>no beautiful day. A lot of people enjoyed theirself. You know,

0:36:29.160 --> 0:36:31.720
<v Speaker 2>they were very cool. They taking pictures with the fans,

0:36:31.920 --> 0:36:33.879
<v Speaker 2>shaking hands, kissing babies, and.

0:36:33.880 --> 0:36:36.440
<v Speaker 1>Then bam, all these.

0:36:36.280 --> 0:36:39.560
<v Speaker 2>Cats, Oh y'all, Dick, Ryan White, g y'all, y'all doing this,

0:36:39.640 --> 0:36:43.239
<v Speaker 2>y'all got them niggas in Oakland blah blah. Was like fuck, Like,

0:36:43.920 --> 0:36:46.160
<v Speaker 2>now that you know these guys are mega stars, it's

0:36:46.200 --> 0:36:49.479
<v Speaker 2>been people and females listening to these guys for since

0:36:49.480 --> 0:36:51.719
<v Speaker 2>they were in school, and just like yeah, like.

0:36:51.719 --> 0:36:53.239
<v Speaker 3>The city's gonna be in the music video, it is

0:36:53.239 --> 0:36:55.319
<v Speaker 3>gonna get love. Like this is like something to kind

0:36:55.320 --> 0:36:57.360
<v Speaker 3>of help. Why not show up and try the network?

0:36:57.480 --> 0:36:59.960
<v Speaker 2>Yeah, and the people who was there, it was beauty

0:37:00.000 --> 0:37:03.520
<v Speaker 2>before they bought all these cars out. They really showed

0:37:03.520 --> 0:37:06.439
<v Speaker 2>the culture, you get what I'm saying. And then for

0:37:06.560 --> 0:37:09.439
<v Speaker 2>our own people to like just like hate on that shit,

0:37:09.920 --> 0:37:12.840
<v Speaker 2>that shit was disgusting to me, Like this makes people

0:37:12.880 --> 0:37:14.960
<v Speaker 2>not even want to come fuck with y'all, And y'all

0:37:15.040 --> 0:37:18.239
<v Speaker 2>wonder why we're not on or why we not in

0:37:18.600 --> 0:37:21.960
<v Speaker 2>certain positions and shit like that, because now that they

0:37:21.960 --> 0:37:24.600
<v Speaker 2>come they love the hospitality. We showed them hell of

0:37:24.640 --> 0:37:27.200
<v Speaker 2>a great time. But it's like now they got to

0:37:27.200 --> 0:37:31.200
<v Speaker 2>go back and watch their names being tarnished on the internet,

0:37:31.520 --> 0:37:33.640
<v Speaker 2>even though people don't give a fuck about it. But

0:37:34.000 --> 0:37:35.640
<v Speaker 2>fuck not necessary.

0:37:36.840 --> 0:37:38.960
<v Speaker 3>If YG and Tiger came to Phoenix and try the

0:37:39.040 --> 0:37:39.640
<v Speaker 3>music video.

0:37:39.600 --> 0:37:40.640
<v Speaker 1>Everybody be so happy.

0:37:40.880 --> 0:37:43.800
<v Speaker 3>They'd be like, this is amazing. Yeah, I feel me

0:37:44.040 --> 0:37:46.640
<v Speaker 3>right right right right. But I mean but also, I

0:37:46.640 --> 0:37:48.200
<v Speaker 3>mean I get it, like I think that, like like

0:37:48.239 --> 0:37:51.520
<v Speaker 3>you said, like I think that, like I feel like

0:37:51.800 --> 0:37:56.919
<v Speaker 3>when you're kind of like not on purposely maybe undervalued

0:37:57.040 --> 0:38:00.600
<v Speaker 3>or underappreciated in the grand culture of California and hip hop,

0:38:00.680 --> 0:38:05.600
<v Speaker 3>like you might have a what am I trying to say?

0:38:06.480 --> 0:38:09.440
<v Speaker 3>Uh not rock on your shoulder? What's the what's the

0:38:09.440 --> 0:38:10.200
<v Speaker 3>saying I'm trying to.

0:38:10.120 --> 0:38:12.759
<v Speaker 1>Say, Oh no, I'm lost, what is it?

0:38:13.640 --> 0:38:14.520
<v Speaker 3>Chip on your shoulder?

0:38:14.680 --> 0:38:17.799
<v Speaker 1>The fuck? But yeah, because I feel like a lot

0:38:17.840 --> 0:38:20.040
<v Speaker 1>of that kind of also happened when like Drake did

0:38:20.040 --> 0:38:22.440
<v Speaker 1>the model right right for sure?

0:38:23.000 --> 0:38:25.520
<v Speaker 3>I wish you would have put a barrier artist on

0:38:25.520 --> 0:38:30.040
<v Speaker 3>the remix, right right, yeah, for sure? You know, but again,

0:38:30.160 --> 0:38:33.200
<v Speaker 3>like it was, it was a moment at that time.

0:38:35.040 --> 0:38:38.920
<v Speaker 3>It's somebody could have been could have been whoever. I

0:38:38.960 --> 0:38:40.800
<v Speaker 3>really wish that there would have been a Model remix

0:38:41.480 --> 0:38:44.000
<v Speaker 3>because I think the only remix there was was a

0:38:44.040 --> 0:38:47.880
<v Speaker 3>Tiger remix. Oh yeah, which made no sense to me

0:38:48.160 --> 0:38:49.400
<v Speaker 3>because I'm like, yo, you gotta.

0:38:49.239 --> 0:38:52.400
<v Speaker 2>Put somebody on from so you're really into the Bay Area,

0:38:52.560 --> 0:38:55.480
<v Speaker 2>like you know you kind of yeah, yeah, for sure?

0:38:56.680 --> 0:39:00.719
<v Speaker 2>Whoever came out of Arizona like doing that music? Why

0:39:00.840 --> 0:39:03.640
<v Speaker 2>is you laughing, bro? Because he ain't cool. It's from

0:39:03.680 --> 0:39:04.319
<v Speaker 2>Arizona too.

0:39:04.440 --> 0:39:07.720
<v Speaker 3>I mean, we had uh, MC.

0:39:07.680 --> 0:39:10.600
<v Speaker 2>Magic, don't know who the fuck that. Shout out to

0:39:10.680 --> 0:39:11.560
<v Speaker 2>MC magic though.

0:39:11.719 --> 0:39:15.040
<v Speaker 1>So he's a Mexican artist who is very popular.

0:39:16.080 --> 0:39:16.640
<v Speaker 3>He's a legend.

0:39:16.680 --> 0:39:18.800
<v Speaker 1>He's a legend for sure. Cut shout out to MC magic.

0:39:19.360 --> 0:39:24.000
<v Speaker 3>Uh we have he's the biggest. A guy named Futuristic

0:39:24.040 --> 0:39:26.279
<v Speaker 3>who had like a little independent run that was good.

0:39:26.280 --> 0:39:31.080
<v Speaker 3>He did on Jimmy Fallon Show. Once we had uh,

0:39:31.239 --> 0:39:34.719
<v Speaker 3>then there was like this wave where Ludacris signed Willie

0:39:34.760 --> 0:39:39.200
<v Speaker 3>north Pole, the DTP, The Game signed Juice, who now

0:39:39.280 --> 0:39:44.680
<v Speaker 3>goes by Richie Evans, some guy well fifty signed a

0:39:44.719 --> 0:39:45.640
<v Speaker 3>guy named hot Rod.

0:39:45.719 --> 0:39:46.120
<v Speaker 1>Hot Rod.

0:39:46.440 --> 0:39:48.319
<v Speaker 3>Hot Rod had a record with Mary J. Blige called

0:39:48.360 --> 0:39:52.160
<v Speaker 3>be Easy but Hot Rod is really from Sacramento.

0:39:52.719 --> 0:39:54.280
<v Speaker 1>Oh, he's not from Arizona.

0:39:54.480 --> 0:39:56.600
<v Speaker 3>So when he when he signed a Junie like he

0:39:56.680 --> 0:39:58.279
<v Speaker 3>was living in Arizona at the time. He's a part

0:39:58.280 --> 0:40:00.200
<v Speaker 3>of a crew called the Man Up Squad and it

0:40:00.280 --> 0:40:02.640
<v Speaker 3>was cool, you know, but I don't think we like

0:40:02.719 --> 0:40:05.280
<v Speaker 3>really like he still lives in Arizona.

0:40:05.719 --> 0:40:08.680
<v Speaker 1>But he was like an easy guy. He's from sack One.

0:40:08.760 --> 0:40:11.000
<v Speaker 1>That one guy he had that record body Marked.

0:40:12.320 --> 0:40:15.160
<v Speaker 3>That's Willy north Pole who signed with Luda put He

0:40:15.239 --> 0:40:17.279
<v Speaker 3>put an album out, Probably the biggest deal we've ever

0:40:17.360 --> 0:40:20.000
<v Speaker 3>had was Willie north Pole put an album out through

0:40:20.040 --> 0:40:21.560
<v Speaker 3>Deaf Jam and dt P that I got.

0:40:21.600 --> 0:40:23.960
<v Speaker 1>I actually got to go to the store and by

0:40:23.960 --> 0:40:25.840
<v Speaker 1>which is like a big deal. Is he still around?

0:40:26.440 --> 0:40:28.479
<v Speaker 1>He's still I mean he's I don't think he's making

0:40:28.560 --> 0:40:31.040
<v Speaker 1>much music, but he's still around. He's a legend.

0:40:31.080 --> 0:40:31.239
<v Speaker 3>You know.

0:40:31.800 --> 0:40:34.160
<v Speaker 2>It's just one guy I just heard of as of recently.

0:40:35.040 --> 0:40:38.359
<v Speaker 2>He was messing with Slim for Desert Baby, Desert Baby,

0:40:38.360 --> 0:40:38.840
<v Speaker 2>I think.

0:40:38.640 --> 0:40:43.120
<v Speaker 3>You might be Desert Baby is still incarcerated. Free Desert Baby.

0:40:43.280 --> 0:40:45.600
<v Speaker 1>And then Riley You ever heard of Riley?

0:40:46.040 --> 0:40:48.040
<v Speaker 3>Riley's Riley is my boy?

0:40:48.239 --> 0:40:52.680
<v Speaker 2>Yeah boyle Blood, Yeah, I got a song with Riley Blood.

0:40:52.719 --> 0:40:54.279
<v Speaker 1>Shout out Riley Blood, See I'm tapped ten.

0:40:55.680 --> 0:40:58.600
<v Speaker 3>Riley's a good guy. Yeah yeah, And like right now

0:40:58.600 --> 0:41:03.400
<v Speaker 3>there's like Chris Cole there, there's Merkham's Riley, there's uh

0:41:03.560 --> 0:41:06.440
<v Speaker 3>who else is popping fucking and easy Jada pink is do.

0:41:06.680 --> 0:41:08.120
<v Speaker 3>There's like a dope bubbling scene right now.

0:41:08.200 --> 0:41:11.799
<v Speaker 2>I'm like, question, I'm talking to you. Yeah, but look,

0:41:11.840 --> 0:41:14.040
<v Speaker 2>why why you think AZ haven't.

0:41:13.840 --> 0:41:18.720
<v Speaker 3>Had very much crabbing a barrel mentality very much? So probably,

0:41:18.880 --> 0:41:19.800
<v Speaker 3>I mean it's terrible.

0:41:19.800 --> 0:41:22.000
<v Speaker 2>Do you support it though you're from like to have

0:41:22.080 --> 0:41:24.480
<v Speaker 2>the biggest sure.

0:41:24.360 --> 0:41:27.839
<v Speaker 3>Yeah, I've had everybody coming freestyle on my show. I

0:41:27.880 --> 0:41:32.839
<v Speaker 3>think that. I think that with these smaller markets sometimes

0:41:33.239 --> 0:41:36.719
<v Speaker 3>it's very easy to get wrapped up in pointing your

0:41:36.719 --> 0:41:39.480
<v Speaker 3>finger at everybody else as to why your shit ain't

0:41:39.560 --> 0:41:41.640
<v Speaker 3>doing what you should be doing. So I always tell

0:41:41.719 --> 0:41:43.120
<v Speaker 3>artists like, hey man, you gotta take the ship in

0:41:43.160 --> 0:41:45.960
<v Speaker 3>your own hands, like you got to build fan bases

0:41:46.160 --> 0:41:52.120
<v Speaker 3>that are independent of you having I mean, I hate

0:41:52.120 --> 0:41:53.880
<v Speaker 3>to break into everybody, but getting your ship played on

0:41:53.880 --> 0:41:55.080
<v Speaker 3>the radio don't make a difference.

0:41:57.040 --> 0:41:59.359
<v Speaker 1>And I tell people that all the time. Instagram shout

0:41:59.360 --> 0:41:59.839
<v Speaker 1>out though me.

0:42:00.320 --> 0:42:02.680
<v Speaker 3>They don't mean nothing. It's like, bro, you need people

0:42:02.680 --> 0:42:04.880
<v Speaker 3>to buy into you. You need to build that catalog,

0:42:04.960 --> 0:42:08.040
<v Speaker 3>you need to formulate your sound, you need to figure

0:42:08.080 --> 0:42:10.759
<v Speaker 3>out how you're gonna turn five fans to ten and

0:42:10.800 --> 0:42:13.920
<v Speaker 3>ten into twenty, over and over stop because a lot

0:42:14.000 --> 0:42:17.200
<v Speaker 3>of times, like I'll get people like man, fuck Bootleg,

0:42:17.280 --> 0:42:18.719
<v Speaker 3>yeah if he ain't put me on his shit, And

0:42:18.760 --> 0:42:23.279
<v Speaker 3>I'm like, bro, like I always tell people, just because

0:42:23.280 --> 0:42:25.640
<v Speaker 3>you're from Phoenix don't mean you just get to come

0:42:25.640 --> 0:42:29.200
<v Speaker 3>on my shit, right, I gotta like be a fan

0:42:29.239 --> 0:42:31.480
<v Speaker 3>of what you're doing. I gotta fucking see what you're doing,

0:42:31.480 --> 0:42:33.799
<v Speaker 3>and I gotta be like, oh shit, okay, yeah pull up.

0:42:33.800 --> 0:42:35.520
<v Speaker 3>And I've had hell of people from Arizona, my shit,

0:42:35.760 --> 0:42:37.920
<v Speaker 3>hell of people. But it's just a matter of like

0:42:38.200 --> 0:42:39.880
<v Speaker 3>I think, with a lot of those smaller markets, that

0:42:39.920 --> 0:42:43.160
<v Speaker 3>tends to be the cases those are crabbing the barrel cities. Unfortunately,

0:42:43.520 --> 0:42:47.280
<v Speaker 3>because there isn't nobody knows better. We haven't had somebody

0:42:47.320 --> 0:42:49.439
<v Speaker 3>really pop to be like, oh that's how it's done,

0:42:49.600 --> 0:42:51.680
<v Speaker 3>or you know what I mean. And I think a

0:42:51.680 --> 0:42:53.919
<v Speaker 3>lot of the guys who end up making the shit

0:42:54.040 --> 0:42:55.640
<v Speaker 3>work on a bigger scale kind of leave for a

0:42:55.680 --> 0:42:57.560
<v Speaker 3>little bit, And I think that's with anywhere. You know,

0:42:58.080 --> 0:43:00.680
<v Speaker 3>sometimes you gotta get out of your your zone.

0:43:00.840 --> 0:43:05.280
<v Speaker 2>And I also think too that once somebody started getting

0:43:05.280 --> 0:43:07.239
<v Speaker 2>a little bit of like, they turn their nose up

0:43:07.560 --> 0:43:07.959
<v Speaker 2>for sure.

0:43:08.200 --> 0:43:10.719
<v Speaker 1>Yeah, oh he switched up, All right, Well what do

0:43:10.760 --> 0:43:13.360
<v Speaker 1>you mean? What are you saying?

0:43:13.480 --> 0:43:16.720
<v Speaker 3>Like? But yeah, I think I think Arizonas are definitely

0:43:16.760 --> 0:43:19.520
<v Speaker 3>crabbing the barrel mentality. It's getting better and a lot

0:43:19.520 --> 0:43:21.120
<v Speaker 3>of people are working with each other now and it's

0:43:21.120 --> 0:43:21.719
<v Speaker 3>definitely you.

0:43:23.239 --> 0:43:26.360
<v Speaker 1>Know, because of what Arizona, I just know it's Phoenix.

0:43:27.640 --> 0:43:31.920
<v Speaker 3>Uh, Tucson, so tw Song's an hour away, right, Uh,

0:43:32.480 --> 0:43:38.520
<v Speaker 3>we really don't consider them the same. Like Tucson and Phoenix.

0:43:39.120 --> 0:43:42.239
<v Speaker 3>There's two big colleges that are like hardcore rivals. So

0:43:42.280 --> 0:43:45.320
<v Speaker 3>Tuson and Phoenix have a bullshit rivalry. But I'm mostly

0:43:45.360 --> 0:43:46.080
<v Speaker 3>like Tusons of.

0:43:46.080 --> 0:43:48.720
<v Speaker 2>People know when they think of Phoenix, like nobody fucking

0:43:48.719 --> 0:43:49.680
<v Speaker 2>cares about flag.

0:43:49.480 --> 0:43:52.239
<v Speaker 1>Stats, correct, And no one cares about Tucson. Yeah for real,

0:43:52.440 --> 0:43:53.440
<v Speaker 1>nobody cares.

0:43:54.760 --> 0:43:56.040
<v Speaker 3>And I mean that with all due respect because I

0:43:56.080 --> 0:43:57.279
<v Speaker 3>got a lot of friends in Tucson and.

0:43:57.239 --> 0:44:01.560
<v Speaker 1>I like so it's either so Phoenix all that. Everything's

0:44:01.560 --> 0:44:02.360
<v Speaker 1>around Phoenix.

0:44:03.480 --> 0:44:05.960
<v Speaker 3>I'm on the radio and Tucson every day from six

0:44:06.000 --> 0:44:09.400
<v Speaker 3>to ten pm, so tune in on Hot ninety eight

0:44:09.400 --> 0:44:12.520
<v Speaker 3>point three. I just mean, what's the edit that out?

0:44:12.560 --> 0:44:15.400
<v Speaker 3>Because I am I forgot, I forgot, I do the

0:44:15.480 --> 0:44:16.480
<v Speaker 3>night show in Tucson.

0:44:18.880 --> 0:44:21.800
<v Speaker 1>Well back a lot. I'd rather fuck with Tucson bitches

0:44:21.800 --> 0:44:24.319
<v Speaker 1>than Phoenix bitches. I feel you.

0:44:24.800 --> 0:44:26.800
<v Speaker 3>I lost my virginity to Tucson, bitch.

0:44:27.040 --> 0:44:29.840
<v Speaker 1>See in my dad's truck in Tucson.

0:44:30.160 --> 0:44:33.800
<v Speaker 3>I met her in an MSN chat room.

0:44:34.000 --> 0:44:36.920
<v Speaker 2>But the only thing is Tucson. It's like fucking desert

0:44:37.040 --> 0:44:37.800
<v Speaker 2>is like country.

0:44:37.840 --> 0:44:41.360
<v Speaker 1>Tucson is a vibe. It's just very small. Yeah, totally.

0:44:41.480 --> 0:44:44.320
<v Speaker 3>There's definitely like you're not gonna the night life sucks

0:44:44.480 --> 0:44:47.360
<v Speaker 3>like people from tuson like one strip club, Like yeah,

0:44:47.360 --> 0:44:50.080
<v Speaker 3>and the strip club's weird. The last time I went

0:44:50.120 --> 0:44:51.160
<v Speaker 3>it was it was not a vibe.

0:44:51.160 --> 0:44:53.360
<v Speaker 1>I just want I just when I went to Tucson,

0:44:54.120 --> 0:44:55.080
<v Speaker 1>I just had hell of fun.

0:44:56.120 --> 0:44:58.840
<v Speaker 3>I mean it's like a bar town. It's a bar town.

0:44:58.960 --> 0:45:00.600
<v Speaker 3>Like yeah, I mean I've had fun in Tucson. I

0:45:00.680 --> 0:45:02.600
<v Speaker 3>mean like and like you said, you it's you could

0:45:02.640 --> 0:45:05.879
<v Speaker 3>pull in Tucson easy, right right, they're like, oh, people

0:45:05.880 --> 0:45:08.919
<v Speaker 3>are here that aren't from here, like, oh, look at you.

0:45:09.160 --> 0:45:12.480
<v Speaker 1>They'll get you some eg's. Is that EJS is?

0:45:12.480 --> 0:45:15.799
<v Speaker 3>Then't even the drink they got? Yeah, it's called egs. Yeah,

0:45:16.000 --> 0:45:18.520
<v Speaker 3>soon is its own thing. It's its own thing.

0:45:18.600 --> 0:45:20.520
<v Speaker 1>Man is a tea. It's a good tweak.

0:45:20.719 --> 0:45:22.960
<v Speaker 3>But yeah, you know all the Arizona's like hardcore, like

0:45:23.000 --> 0:45:24.200
<v Speaker 3>you know, especially to something.

0:45:24.280 --> 0:45:26.959
<v Speaker 2>But so without Tucson and Phoenix, Like where do y'all

0:45:27.000 --> 0:45:29.360
<v Speaker 2>go in a z and we're not talking without the

0:45:29.440 --> 0:45:32.279
<v Speaker 2>tippies and ship that's around Phoenix, Like mece that none

0:45:32.320 --> 0:45:32.600
<v Speaker 2>of that?

0:45:33.040 --> 0:45:35.759
<v Speaker 1>Like besides that, it's overweight. I mean you could go

0:45:35.920 --> 0:45:39.279
<v Speaker 1>to flag Staff. Fuck flag Staff? Who goes to flag Staff? Like?

0:45:39.320 --> 0:45:40.240
<v Speaker 1>What's the flag Staff?

0:45:40.280 --> 0:45:44.880
<v Speaker 3>You could snowboard? Uh the Sedona, which is beautiful. Sedona

0:45:44.960 --> 0:45:48.240
<v Speaker 3>is a vibe. Go to Sedona and trip trip balls.

0:45:48.320 --> 0:45:50.359
<v Speaker 3>There's like a bunch of spiritual war Texas and ship

0:45:50.520 --> 0:45:52.960
<v Speaker 3>and let me show you Sidonia is fucking beautiful.

0:45:53.080 --> 0:45:56.800
<v Speaker 2>So okay, we're wore Drake do a show at besides

0:45:57.120 --> 0:46:01.160
<v Speaker 2>Phoenix to Arizona, Tucson, besides two sons.

0:46:02.400 --> 0:46:05.640
<v Speaker 1>Okay, it's all a bunch of red rocks, and right right.

0:46:05.560 --> 0:46:09.240
<v Speaker 3>Right now there nowhere else maybe flag Staff, maybe at NAU,

0:46:09.440 --> 0:46:14.080
<v Speaker 3>maybe at the college. But now there's Phoenix, Arizona's literally

0:46:14.160 --> 0:46:17.680
<v Speaker 3>Phoenix in a bunch of just tiny places. I mean

0:46:17.719 --> 0:46:19.840
<v Speaker 3>two songs of cool, two songs cool. It's not like

0:46:19.880 --> 0:46:23.359
<v Speaker 3>a fucking hole in the wall. It's Phoenix tu soon

0:46:23.440 --> 0:46:27.200
<v Speaker 3>and nowhere else. There's Yuma, there's the Grand Canyon, which

0:46:27.200 --> 0:46:28.479
<v Speaker 3>I've never been to, and I'm from areas.

0:46:28.480 --> 0:46:30.239
<v Speaker 1>When you find me, tell your club. But let let's

0:46:30.239 --> 0:46:33.120
<v Speaker 1>talk about that. Whenever you want. I want to come

0:46:33.239 --> 0:46:34.920
<v Speaker 1>have a drink, and I want to come. You feel me?

0:46:35.239 --> 0:46:37.920
<v Speaker 2>Do the hall experience? I sink CARDI b you feel me?

0:46:38.160 --> 0:46:40.880
<v Speaker 2>James Harden like, what like, I'm blow blood?

0:46:40.880 --> 0:46:41.279
<v Speaker 1>Can I come?

0:46:41.320 --> 0:46:43.080
<v Speaker 3>I'm trying to think the next time. I I think

0:46:43.080 --> 0:46:46.640
<v Speaker 3>I'm gonna be there next weekend. I think we have

0:46:48.000 --> 0:46:50.520
<v Speaker 3>we're working on a big booking. Next weekend. I can't say,

0:46:50.600 --> 0:46:57.399
<v Speaker 3>but yeah, next weekend, I'll be there Saturday. It's hot

0:46:57.480 --> 0:47:00.800
<v Speaker 3>right now. How long is that dry? It's like ten hours,

0:47:00.920 --> 0:47:01.560
<v Speaker 3>twelve hours?

0:47:01.920 --> 0:47:02.319
<v Speaker 1>Fuck that.

0:47:04.560 --> 0:47:08.640
<v Speaker 3>Shit got to stop the interview to tell you about

0:47:08.680 --> 0:47:11.680
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<v Speaker 1>We get you fifty percent off. God damn it.

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<v Speaker 3>Anyway, let's get back to the interview. So where do

0:50:11.480 --> 0:50:12.680
<v Speaker 3>you want to take Little Blood TV?

0:50:13.960 --> 0:50:19.040
<v Speaker 2>Honestly, that Joe Rogan bad right, So it's not just

0:50:19.080 --> 0:50:21.400
<v Speaker 2>about Little Blood TV. It's talker media is what we

0:50:21.480 --> 0:50:25.360
<v Speaker 2>focus on. Love Blood TV is a show under Talker.

0:50:25.600 --> 0:50:27.480
<v Speaker 1>It's one of the shows. It's one of the shows

0:50:27.640 --> 0:50:28.879
<v Speaker 1>we also have, he says.

0:50:28.920 --> 0:50:31.440
<v Speaker 2>She say shout out to my brother Little Goofy and

0:50:31.520 --> 0:50:34.239
<v Speaker 2>my sister Haley. They have a dope ass show on

0:50:34.280 --> 0:50:37.799
<v Speaker 2>our channel, on our platform. It's called he says. She say,

0:50:38.160 --> 0:50:39.719
<v Speaker 2>when you all get a chance to tweak on it.

0:50:39.760 --> 0:50:43.400
<v Speaker 2>But I want a Joe Rogan back. We want that, Joe, Yeah,

0:50:43.440 --> 0:50:45.440
<v Speaker 2>we want it. We want it. You can't come pay

0:50:45.520 --> 0:50:47.720
<v Speaker 2>Little Blood. You gotta pay Talcer Media.

0:50:48.239 --> 0:50:50.160
<v Speaker 3>You know you want somebody to come and just bag

0:50:50.160 --> 0:50:54.080
<v Speaker 3>you out for the company. Yeah, So for you is it?

0:50:54.200 --> 0:50:56.960
<v Speaker 3>Because again, I feel like you're gonna get to a

0:50:57.000 --> 0:50:59.839
<v Speaker 3>point where you're gonna have to hit the road.

0:51:00.560 --> 0:51:01.479
<v Speaker 1>We already do that.

0:51:01.480 --> 0:51:03.000
<v Speaker 3>That's what I was gonna say, because there's I just

0:51:03.040 --> 0:51:06.200
<v Speaker 3>saw you backstage at what show? Were you backstage at? Jeeperico?

0:51:06.280 --> 0:51:06.759
<v Speaker 1>Right? Yeah?

0:51:06.840 --> 0:51:12.120
<v Speaker 3>Yeah, yeah, Je Roucci. Yeah. But I do feel like,

0:51:13.040 --> 0:51:14.960
<v Speaker 3>and this is a conversation I've be having with Gaza,

0:51:15.080 --> 0:51:17.280
<v Speaker 3>we just hit the road. Have you seen Gazi's podcast

0:51:17.280 --> 0:51:18.040
<v Speaker 3>studios building?

0:51:18.160 --> 0:51:20.720
<v Speaker 2>Yeah? Yeah for sure. Matter of fact, I'm shot out Gazi.

0:51:20.960 --> 0:51:23.320
<v Speaker 2>I was just having a hard conversation with Ghazi about

0:51:23.360 --> 0:51:24.120
<v Speaker 2>doing something.

0:51:24.120 --> 0:51:26.600
<v Speaker 1>Business with him with that. Yeah for sure.

0:51:26.680 --> 0:51:28.879
<v Speaker 3>So I'm gonna start doing like an episode a week

0:51:28.920 --> 0:51:32.200
<v Speaker 3>out there Okay, cool, but I think that the there's

0:51:32.239 --> 0:51:37.359
<v Speaker 3>gonna be to like expand unfortunately it's not a lot

0:51:37.360 --> 0:51:39.160
<v Speaker 3>of people going to the Bay unless they're going to

0:51:39.200 --> 0:51:41.640
<v Speaker 3>do something. That's what I told I tell like I

0:51:41.640 --> 0:51:43.600
<v Speaker 3>told Gazi, I said, people are coming to the bay

0:51:44.719 --> 0:51:49.080
<v Speaker 3>and they got a tinerary. So it's like hard to

0:51:49.120 --> 0:51:51.840
<v Speaker 3>squeeze in a two hour long form conversation into that

0:51:51.880 --> 0:51:57.120
<v Speaker 3>itinerary as opposed to like people living in La New York,

0:51:57.280 --> 0:51:59.920
<v Speaker 3>right right, right, you know what I'm saying. Have you noticed,

0:52:00.640 --> 0:52:04.200
<v Speaker 3>like have you ran into that issue where it's like, shit,

0:52:04.360 --> 0:52:06.000
<v Speaker 3>I could do an interview with this person, but I

0:52:06.040 --> 0:52:07.399
<v Speaker 3>only got twenty minutes or.

0:52:07.960 --> 0:52:10.160
<v Speaker 1>You know, honestly.

0:52:12.000 --> 0:52:15.640
<v Speaker 2>And all pressures due to God, bro, Like, but if

0:52:15.640 --> 0:52:18.760
<v Speaker 2>you know me and people like really like they people

0:52:18.760 --> 0:52:21.640
<v Speaker 2>are really not giving me like that, like people changing

0:52:21.719 --> 0:52:23.399
<v Speaker 2>schedules to do my shit, like.

0:52:25.320 --> 0:52:27.160
<v Speaker 3>Or even just like access to certain guests that you.

0:52:27.440 --> 0:52:29.799
<v Speaker 2>Yeah, so shout out now, no shout out my brother no,

0:52:29.800 --> 0:52:31.440
<v Speaker 2>no Mills's you ever heard of him?

0:52:31.760 --> 0:52:34.680
<v Speaker 1>Who from Boston? Millies? Yeah? Millies?

0:52:34.840 --> 0:52:39.000
<v Speaker 2>My bad. My brother Nano had called me like, hey, bro,

0:52:39.440 --> 0:52:40.359
<v Speaker 2>you want an interview? Bro?

0:52:40.480 --> 0:52:42.439
<v Speaker 1>He fuck with y'all, you know, I told him about it, wool,

0:52:42.680 --> 0:52:44.759
<v Speaker 1>like yeah where he at here in La. We drove

0:52:44.880 --> 0:52:47.360
<v Speaker 1>right up, knocked it out, got you so you'll do

0:52:47.640 --> 0:52:51.160
<v Speaker 1>you're traveling. But I need the bootleg calves, you feel me?

0:52:51.280 --> 0:52:54.399
<v Speaker 2>I need the atoms, Like give me the game, bro,

0:52:54.520 --> 0:52:56.719
<v Speaker 2>Like I'm a student of this shit, like y'all are

0:52:56.760 --> 0:52:58.799
<v Speaker 2>who I study, Like I pay attention to y'all. I

0:52:58.840 --> 0:53:01.720
<v Speaker 2>watch all shit, watched a million dollars worth the games,

0:53:01.760 --> 0:53:06.480
<v Speaker 2>like I'm studying y'all. And if if y'all not giving

0:53:06.560 --> 0:53:08.839
<v Speaker 2>us the game or y'all not helping it, it's like

0:53:08.880 --> 0:53:11.000
<v Speaker 2>it's no, it's no point. It's like you feel me,

0:53:11.400 --> 0:53:15.640
<v Speaker 2>It's it's a bagging and shit for everybody, like everybody.

0:53:15.760 --> 0:53:20.359
<v Speaker 2>And I hate the gatekeepers that keep the gate closed, like.

0:53:20.440 --> 0:53:22.680
<v Speaker 3>You know yeah no, I mean listen, I didn't even

0:53:23.280 --> 0:53:25.520
<v Speaker 3>know there was a gatekeeper thing in the podcast world.

0:53:25.920 --> 0:53:27.840
<v Speaker 1>Man, that's a gatekeeper thing anywhere.

0:53:27.880 --> 0:53:29.759
<v Speaker 2>Bro, Come on, you know how that shit go like

0:53:29.840 --> 0:53:33.480
<v Speaker 2>everywhere it's politics, bro, people play and it's weird. But

0:53:33.920 --> 0:53:36.600
<v Speaker 2>like I said, it would have been boosy of you.

0:53:36.920 --> 0:53:39.319
<v Speaker 2>It wouldn't have it wouldn't have costed you nothing, like

0:53:39.480 --> 0:53:41.359
<v Speaker 2>or if you would have been like, nah, fuck love

0:53:41.440 --> 0:53:44.880
<v Speaker 2>blood And you know, are you talking to little Russell

0:53:45.200 --> 0:53:47.040
<v Speaker 2>not even bringing it up? Like damn, I fuck with

0:53:47.160 --> 0:53:48.880
<v Speaker 2>blood shit? Like I think he got a dope. You

0:53:48.880 --> 0:53:51.279
<v Speaker 2>feel me like you couldn't have said nothing. You get

0:53:51.320 --> 0:53:54.160
<v Speaker 2>what I'm saying. Like and by you just giving a

0:53:54.200 --> 0:53:57.200
<v Speaker 2>nigga his flowers, that opened up. Oh well you think

0:53:57.239 --> 0:53:59.440
<v Speaker 2>you need it? Y'all know you dope? Its fucking music

0:53:59.680 --> 0:54:02.359
<v Speaker 2>and have you go tap in? You feel me like

0:54:02.760 --> 0:54:05.120
<v Speaker 2>that type of shit. And what I mean by gatekeepers,

0:54:05.160 --> 0:54:08.840
<v Speaker 2>it's like Nigga, the bootleg Cavs.

0:54:08.440 --> 0:54:08.520
<v Speaker 1>The.

0:54:10.680 --> 0:54:14.919
<v Speaker 2>Drink champs, you know, the household names. You guys are

0:54:15.040 --> 0:54:18.440
<v Speaker 2>the you know, the gatekeepers. That's how I look at it.

0:54:18.520 --> 0:54:22.040
<v Speaker 2>And and like I said, it's on you guys. And

0:54:22.120 --> 0:54:25.440
<v Speaker 2>I'm not saying just go find some random motherfuckers. Oh

0:54:25.440 --> 0:54:26.880
<v Speaker 2>you know, I'm gonna put you on my shit. No,

0:54:27.000 --> 0:54:28.520
<v Speaker 2>I see you working, I see you see what you

0:54:28.600 --> 0:54:31.600
<v Speaker 2>fucking around. Come on, let's be let's network. You get

0:54:31.640 --> 0:54:32.080
<v Speaker 2>what I'm saying.

0:54:32.160 --> 0:54:33.960
<v Speaker 3>Yeah, I think I think for you, you're just gonna

0:54:33.960 --> 0:54:34.799
<v Speaker 3>have to hit the road a lot.

0:54:34.880 --> 0:54:36.520
<v Speaker 1>Yeah, And I'm ready and we do that.

0:54:36.640 --> 0:54:38.359
<v Speaker 3>We do that because I think I think the thing

0:54:38.400 --> 0:54:41.919
<v Speaker 3>about like, like I said, like the tour, I feel

0:54:41.920 --> 0:54:44.840
<v Speaker 3>like to tour routing has changed a lot as to

0:54:44.840 --> 0:54:47.040
<v Speaker 3>where like there's not as many rap tours as there

0:54:47.120 --> 0:54:49.839
<v Speaker 3>used to be. There's a lot of people doing spot days,

0:54:49.880 --> 0:54:51.680
<v Speaker 3>there's a lot of people hopping on bigger tours. But

0:54:51.800 --> 0:54:54.640
<v Speaker 3>like I feel like even like five, six, seven years ago,

0:54:54.719 --> 0:54:57.440
<v Speaker 3>there was just everybody with tour and I feel like

0:54:57.520 --> 0:54:59.239
<v Speaker 3>the touring should just kind of slowed down. And I

0:54:59.280 --> 0:55:01.680
<v Speaker 3>just think the opportunit unity to like sit down with

0:55:01.760 --> 0:55:06.440
<v Speaker 3>a lot of people in the bay is gonna It's

0:55:06.480 --> 0:55:08.239
<v Speaker 3>gonna kind of You're gonna be kind of running a

0:55:08.719 --> 0:55:11.799
<v Speaker 3>one leg race initially. So what you're gonna have to

0:55:11.800 --> 0:55:15.960
<v Speaker 3>do is make the ship pop, move around, do the

0:55:15.960 --> 0:55:17.759
<v Speaker 3>bay shit. If you gotta go to la if you

0:55:17.800 --> 0:55:19.200
<v Speaker 3>gotta go to Atlanta, if you gotta go here, you

0:55:19.200 --> 0:55:22.840
<v Speaker 3>gotta go here. And then Little Blood TV becomes the

0:55:22.920 --> 0:55:26.200
<v Speaker 3>destination to where now it's like, oh, not if I'm

0:55:26.200 --> 0:55:28.400
<v Speaker 3>going to Cali, we gotta go to the bad we

0:55:28.560 --> 0:55:30.920
<v Speaker 3>have to go sit down with Oh it's a forty

0:55:30.920 --> 0:55:33.600
<v Speaker 3>five minute flight, it's a six hour drive. So now

0:55:33.719 --> 0:55:40.160
<v Speaker 3>you're amongst Okay. If I'm planning my press run, I know,

0:55:40.239 --> 0:55:42.719
<v Speaker 3>I have to go to California and not just go

0:55:42.800 --> 0:55:44.239
<v Speaker 3>to sand And I think that's the goal of what

0:55:44.320 --> 0:55:46.640
<v Speaker 3>Gods He's trying to do is like have a whole

0:55:48.040 --> 0:55:53.680
<v Speaker 3>infrastructure of media outlets that is San Francisco based to

0:55:53.680 --> 0:55:56.080
<v Speaker 3>where it's like cool. Now when you come to the

0:55:56.080 --> 0:55:59.960
<v Speaker 3>Bay you can go do Little Blood TV, Bootleg Cavs.

0:56:00.040 --> 0:56:00.799
<v Speaker 1>It's going to be there.

0:56:01.520 --> 0:56:04.920
<v Speaker 3>Uh, and then you know, whatever new shows GAZI develops,

0:56:04.920 --> 0:56:08.120
<v Speaker 3>because we want to develop some new new shows.

0:56:07.640 --> 0:56:09.200
<v Speaker 1>To populate that floor.

0:56:09.719 --> 0:56:12.239
<v Speaker 3>So I think that's kind of the bigger picture, is

0:56:12.320 --> 0:56:16.040
<v Speaker 3>like I gotta get this ship super hot, and now

0:56:16.080 --> 0:56:17.360
<v Speaker 3>people are going to have to come.

0:56:17.719 --> 0:56:20.000
<v Speaker 2>Right right, And that's in mind. You We're only in

0:56:20.040 --> 0:56:23.600
<v Speaker 2>the year right, you know what I'm saying, So you.

0:56:23.600 --> 0:56:24.279
<v Speaker 1>Should do way more.

0:56:24.320 --> 0:56:25.640
<v Speaker 3>I would love to see you do more show with

0:56:25.640 --> 0:56:28.160
<v Speaker 3>athletes because I think the Marshall Lynch is dope. I

0:56:28.239 --> 0:56:30.160
<v Speaker 3>was just like I was just telling somebody, I was like, Yo,

0:56:30.239 --> 0:56:31.600
<v Speaker 3>why is the Marshall Lynch.

0:56:31.400 --> 0:56:33.879
<v Speaker 1>Done a podcast? Right? That ship would go quick?

0:56:34.120 --> 0:56:35.480
<v Speaker 3>Draymond Green's running it.

0:56:35.520 --> 0:56:39.600
<v Speaker 2>Up right right right right, running it up right right. Well,

0:56:40.440 --> 0:56:43.680
<v Speaker 2>you know, be small films man, we families.

0:56:44.440 --> 0:56:46.479
<v Speaker 3>Yeah, I just feel like if he got on during

0:56:46.480 --> 0:56:50.040
<v Speaker 3>the it could just be football season. If Marshall were

0:56:50.160 --> 0:56:52.520
<v Speaker 3>to go the I Am Athlete or pivot route, it'd

0:56:52.560 --> 0:56:53.760
<v Speaker 3>be the biggest ship in sports.

0:56:55.280 --> 0:56:55.640
<v Speaker 1>Yeah.

0:56:55.760 --> 0:56:57.960
<v Speaker 3>I think it'd be crazy Marshawn because he's like a

0:56:57.960 --> 0:56:58.640
<v Speaker 3>wonderful kind person.

0:56:58.840 --> 0:56:59.960
<v Speaker 1>Yeah, definitely, definitely.

0:57:00.400 --> 0:57:03.319
<v Speaker 3>Even Like I was like talking to RJ about I

0:57:03.360 --> 0:57:05.880
<v Speaker 3>was like, Yo, why doesn't Forty do like drink Champs?

0:57:06.280 --> 0:57:07.840
<v Speaker 1>Forty to be drunk, right.

0:57:09.040 --> 0:57:11.439
<v Speaker 3>Forty to drunk his motherfucker? I know, bro, every time

0:57:11.440 --> 0:57:14.000
<v Speaker 3>I see Forty he is slurricaned out, you know what

0:57:14.040 --> 0:57:16.880
<v Speaker 3>I'm saying. Like, I'm like, bro, imagine if Forty sat

0:57:16.920 --> 0:57:20.040
<v Speaker 3>down with an artist once a week and just they

0:57:20.120 --> 0:57:21.400
<v Speaker 3>drank their wine because you.

0:57:21.400 --> 0:57:24.120
<v Speaker 1>Know he loves that one. Have you done drink Champs yet?

0:57:24.160 --> 0:57:28.040
<v Speaker 3>Like nah, I mean I'm I almost so I was

0:57:28.560 --> 0:57:31.560
<v Speaker 3>drink Champs were supposed to do a network, and I

0:57:31.600 --> 0:57:36.040
<v Speaker 3>was supposed to sign with Noriega as like, because I

0:57:36.040 --> 0:57:38.040
<v Speaker 3>announced I was going to launch a podcast in probably

0:57:38.040 --> 0:57:40.480
<v Speaker 3>twenty eighteen, and Noori had hit me and he's like,

0:57:40.720 --> 0:57:43.520
<v Speaker 3>don't do it yet. I'm putting this network together, and

0:57:43.560 --> 0:57:44.560
<v Speaker 3>I want to I want you to be one of

0:57:44.560 --> 0:57:46.520
<v Speaker 3>the first guys we signed and ended up not working out.

0:57:46.560 --> 0:57:48.040
<v Speaker 3>I kind of like sat on my hands waiting for

0:57:48.080 --> 0:57:53.000
<v Speaker 3>it to whatever deal to shake out that he was

0:57:53.000 --> 0:57:54.680
<v Speaker 3>working on I don't want to say with who, but

0:57:54.720 --> 0:57:56.200
<v Speaker 3>he had like a couple of people he was working

0:57:56.200 --> 0:57:59.200
<v Speaker 3>on his network deal with didn't end up happening, and

0:57:59.240 --> 0:58:01.520
<v Speaker 3>I was just like, dude, I'm trying to do my thing,

0:58:01.600 --> 0:58:03.000
<v Speaker 3>like I'm gonna just do this shit like I got

0:58:03.040 --> 0:58:05.160
<v Speaker 3>a studio, I got like I got everything I need,

0:58:05.240 --> 0:58:07.840
<v Speaker 3>you know what I mean. So so yeah, no, but

0:58:07.840 --> 0:58:10.080
<v Speaker 3>I'm real tight with Nori. That's my dog. But I

0:58:10.120 --> 0:58:11.520
<v Speaker 3>haven't gone to drink. I mean, I've been to the

0:58:11.560 --> 0:58:15.480
<v Speaker 3>episodes of Dream Champs off camera. I've hung out and

0:58:15.520 --> 0:58:16.120
<v Speaker 3>it's a vibe.

0:58:16.160 --> 0:58:16.520
<v Speaker 1>For sure.

0:58:16.640 --> 0:58:18.800
<v Speaker 3>It is a it is a lot of energy. But

0:58:18.840 --> 0:58:20.400
<v Speaker 3>I think could be dope. I don't think forty's done

0:58:20.480 --> 0:58:21.000
<v Speaker 3>Dream Champs.

0:58:21.720 --> 0:58:22.680
<v Speaker 1>Yeah, I'm not sure.

0:58:23.120 --> 0:58:25.000
<v Speaker 3>I don't know, man, I could be wrong. I feel

0:58:25.040 --> 0:58:26.400
<v Speaker 3>like that would that that's gonna happen.

0:58:27.200 --> 0:58:28.120
<v Speaker 1>Yeah, I'm not sure.

0:58:28.360 --> 0:58:30.360
<v Speaker 3>But yeah, man, but no, definitely you're doing your thing.

0:58:30.360 --> 0:58:31.320
<v Speaker 3>You're on the right path. Man.

0:58:31.440 --> 0:58:32.000
<v Speaker 1>Appreciate it.

0:58:32.080 --> 0:58:35.680
<v Speaker 3>Appreciate that everything's high quality. You know what I'm saying,

0:58:35.760 --> 0:58:37.440
<v Speaker 3>your team over here is killing the production.

0:58:37.600 --> 0:58:39.440
<v Speaker 1>Appreciate it. Appreciate so when you hit the road, you

0:58:39.440 --> 0:58:41.680
<v Speaker 1>just take the light with you, right, No, hell no,

0:58:41.800 --> 0:58:42.800
<v Speaker 1>we take our whole ship.

0:58:42.880 --> 0:58:45.320
<v Speaker 3>No. But I mean like your set always has the

0:58:45.400 --> 0:58:47.200
<v Speaker 3>light no matter what. So that's dope.

0:58:47.240 --> 0:58:48.959
<v Speaker 1>So you can just do that ship anyway. Yeah, hell yeah,

0:58:49.000 --> 0:58:51.040
<v Speaker 1>hell yeah. Talk to me. You're like a little blood

0:58:51.040 --> 0:58:53.240
<v Speaker 1>to you, Like, hell yeah, definitely.

0:58:53.320 --> 0:58:55.920
<v Speaker 2>It's just you know, like you said, marketing and branding,

0:58:56.000 --> 0:58:58.320
<v Speaker 2>and we're just trying to keep We're trying to be

0:58:58.360 --> 0:59:00.480
<v Speaker 2>a household name. We're not trying to work going to be.

0:59:00.760 --> 0:59:03.120
<v Speaker 2>I don't believe in crimer or nothing like that. I

0:59:03.200 --> 0:59:06.240
<v Speaker 2>believe in manifesting shit. So if I just keep speaking

0:59:06.240 --> 0:59:09.440
<v Speaker 2>on this ship and manifesting like I manifested this.

0:59:09.920 --> 0:59:11.600
<v Speaker 3>Yeah, I think you guys have such a dope, Like

0:59:11.640 --> 0:59:13.240
<v Speaker 3>I feel like, you know, I try to have the

0:59:14.120 --> 0:59:18.320
<v Speaker 3>Stockton guys on my show. I had GB from Modesta

0:59:18.400 --> 0:59:23.520
<v Speaker 3>on Me World. I had another kid from Modesto that

0:59:23.560 --> 0:59:25.680
<v Speaker 3>I saw at the Russell's house freestyle and I just

0:59:25.680 --> 0:59:27.440
<v Speaker 3>invited him up to freestyle. What was that kid's name?

0:59:27.440 --> 0:59:28.800
<v Speaker 3>He sixteen. He came up here with his dad.

0:59:29.000 --> 0:59:32.840
<v Speaker 2>Oh yeah, he's raw, he got dreads fire. Yeah, he's

0:59:32.920 --> 0:59:35.720
<v Speaker 2>raw as fucked. Yeah, I know you're talking about.

0:59:35.600 --> 0:59:37.720
<v Speaker 3>But I think that, like there's so much going on

0:59:38.000 --> 0:59:41.080
<v Speaker 3>just in northern California that like it's nice that you

0:59:41.160 --> 0:59:42.520
<v Speaker 3>have a dope platform to.

0:59:42.720 --> 0:59:45.160
<v Speaker 1>Like some of them Ally Hoops too, for.

0:59:45.120 --> 0:59:47.120
<v Speaker 3>Sure, because I think I think this does a good

0:59:47.200 --> 0:59:47.560
<v Speaker 3>job to.

0:59:47.640 --> 0:59:51.439
<v Speaker 2>Me, brother with this for sure, ship care brojorship meet

0:59:51.840 --> 0:59:54.720
<v Speaker 2>with the Freddie gibbsh it bro. So I'm just safe

0:59:54.720 --> 0:59:57.000
<v Speaker 2>for sure. And you know I'm thought me not Ali

0:59:57.040 --> 0:59:58.440
<v Speaker 2>Hoops bro, because I'm a dish. You.

0:59:58.680 --> 1:00:00.840
<v Speaker 3>You weren't the only person I can till that day.

1:00:01.120 --> 1:00:02.680
<v Speaker 3>I forget who else it was. I'm the only person

1:00:02.720 --> 1:00:06.280
<v Speaker 3>that caught you. I mean, I wasn't not sick.

1:00:07.960 --> 1:00:08.800
<v Speaker 1>I wasn't. I wasn't.

1:00:09.120 --> 1:00:13.240
<v Speaker 2>I will he has drinking his head. Fuck these bitches

1:00:14.240 --> 1:00:15.080
<v Speaker 2>that doesn't sick.

1:00:16.680 --> 1:00:17.600
<v Speaker 1>Hey, man, it was.

1:00:18.000 --> 1:00:19.520
<v Speaker 3>I had to make sure I knew what kind of

1:00:19.560 --> 1:00:20.800
<v Speaker 3>night it was going to be. I had to get

1:00:20.800 --> 1:00:24.360
<v Speaker 3>my rest. I had to get my rest. It was

1:00:24.400 --> 1:00:26.520
<v Speaker 3>going to be a night I need them Ali hoops man.

1:00:26.600 --> 1:00:28.720
<v Speaker 1>And I thought you some Ally's too, man. Yeah, I

1:00:28.720 --> 1:00:30.640
<v Speaker 1>gotta come out here. That's crazy. Was going to come

1:00:30.680 --> 1:00:35.000
<v Speaker 1>with me too, right now, he was gonnas he's out finally.

1:00:35.240 --> 1:00:36.160
<v Speaker 1>What was it about a year?

1:00:36.320 --> 1:00:37.480
<v Speaker 3>A little under a year was it?

1:00:38.200 --> 1:00:42.360
<v Speaker 1>Yeah, it was gonna come. I said, nah' the hater.

1:00:43.400 --> 1:00:45.160
<v Speaker 3>Hey, there's the reason why I have that plaque there.

1:00:45.400 --> 1:00:48.280
<v Speaker 2>Yeah, camera, I said, let me go, Philly, my first man,

1:00:48.360 --> 1:00:49.000
<v Speaker 2>let me go see.

1:00:49.480 --> 1:00:51.960
<v Speaker 1>I love my brother man, he's a great guy. Many

1:00:52.040 --> 1:00:54.200
<v Speaker 1>definitely definitely happy home. Man.

1:00:54.240 --> 1:00:57.720
<v Speaker 3>I appreciate you pulling up. What's the I G? What's

1:00:57.760 --> 1:00:59.200
<v Speaker 3>the personal I G?

1:00:59.480 --> 1:00:59.960
<v Speaker 1>Third world?

1:01:00.040 --> 1:01:02.200
<v Speaker 2>A little Blood three R d w O R l

1:01:02.320 --> 1:01:04.400
<v Speaker 2>d l o l b l o D. That's if

1:01:04.400 --> 1:01:06.560
<v Speaker 2>you want some dope ass music. You feel me, you're

1:01:06.560 --> 1:01:09.760
<v Speaker 2>gonna follow that pasge boom Little Blood TV is my

1:01:09.880 --> 1:01:13.240
<v Speaker 2>podcast page l I l B l o o d TV.

1:01:13.440 --> 1:01:17.360
<v Speaker 2>That's the podcast page. Talccer Media t h A k

1:01:17.520 --> 1:01:19.400
<v Speaker 2>U R and me d I A. That's what you

1:01:19.440 --> 1:01:22.640
<v Speaker 2>get all of he says. She says, the everything you

1:01:22.680 --> 1:01:26.120
<v Speaker 2>need to know about Love Blood whatever gonna Talker Media,

1:01:26.200 --> 1:01:29.360
<v Speaker 2>you tap in with them for management, whatever the case

1:01:29.400 --> 1:01:32.800
<v Speaker 2>you need me to do. Talker media, hoopert Jones, I

1:01:32.840 --> 1:01:35.960
<v Speaker 2>got a question before we leave, Okay, so we don't

1:01:36.040 --> 1:01:38.000
<v Speaker 2>charge people right for podcasts.

1:01:38.080 --> 1:01:38.680
<v Speaker 1>We've done that.

1:01:38.720 --> 1:01:42.000
<v Speaker 2>We be turning down money and shit, I've never taken money. Yeah,

1:01:42.040 --> 1:01:45.120
<v Speaker 2>Like is that a thing like from from your standpoard?

1:01:45.400 --> 1:01:48.480
<v Speaker 3>Okay, now, I don't think it's a thing amongst like

1:01:48.560 --> 1:01:50.480
<v Speaker 3>the platforms that are respectable.

1:01:50.600 --> 1:01:51.560
<v Speaker 1>Okay, okay, cool.

1:01:51.640 --> 1:01:55.160
<v Speaker 3>There are definitely platforms that are I don't think have

1:01:55.240 --> 1:01:56.120
<v Speaker 3>high integrity.

1:01:56.440 --> 1:01:58.160
<v Speaker 1>Okay, okay. My thing is.

1:01:58.120 --> 1:02:00.120
<v Speaker 3>If my co sign is worth like, like if if

1:02:00.160 --> 1:02:01.160
<v Speaker 3>you could pay me for my coat sign?

1:02:01.160 --> 1:02:02.640
<v Speaker 1>What's my coat sign? Where? Right?

1:02:02.800 --> 1:02:04.720
<v Speaker 3>Right? Like? You know what I'm saying, right right? You

1:02:04.720 --> 1:02:08.320
<v Speaker 3>know I've turned down a lot of money, a lot

1:02:08.360 --> 1:02:08.760
<v Speaker 3>of money.

1:02:08.880 --> 1:02:10.400
<v Speaker 1>We do too. We don't you feel me?

1:02:10.520 --> 1:02:13.000
<v Speaker 3>I have people offer me thousands of dollars. It'll be

1:02:13.000 --> 1:02:14.960
<v Speaker 3>a different I'll click on the link and I called

1:02:15.680 --> 1:02:19.400
<v Speaker 3>King Pom. No, what is it like it's a sponsor sponsorship?

1:02:19.480 --> 1:02:22.120
<v Speaker 3>That's different? Oh yeah, well we sponsored up over here.

1:02:22.640 --> 1:02:24.720
<v Speaker 3>Shout out to Hardin, Shout out to King Pom. Shout

1:02:24.720 --> 1:02:27.520
<v Speaker 3>out to Blue Shoe odd Socks. You got my odd

1:02:27.560 --> 1:02:32.520
<v Speaker 3>sox right there right, l RG Clothing, that's right? Who

1:02:32.520 --> 1:02:35.600
<v Speaker 3>else is sponsoring the podcast these days? My bookie, if

1:02:35.640 --> 1:02:37.120
<v Speaker 3>you want to gamble, you know. I mean, listen, y'all

1:02:37.120 --> 1:02:40.040
<v Speaker 3>watch the commercials. You know, right, No, I take the sponsorship,

1:02:40.040 --> 1:02:41.240
<v Speaker 3>but you can't pay me to get on.

1:02:41.200 --> 1:02:43.520
<v Speaker 2>My ship, right right, right, right right, yeah, because we

1:02:43.560 --> 1:02:44.360
<v Speaker 2>don't do that either.

1:02:44.400 --> 1:02:48.240
<v Speaker 3>I'll do favors, like if somebody I know hits me

1:02:48.320 --> 1:02:51.720
<v Speaker 3>and I respect them and they're like, hey, I just

1:02:51.800 --> 1:02:54.680
<v Speaker 3>signed this kid. He's dope. Can he come on the show?

1:02:54.720 --> 1:02:57.280
<v Speaker 3>I was like Kenny freestyle a lot of times. It's

1:02:57.360 --> 1:03:00.080
<v Speaker 3>like the more up and coming, like raw talent, I

1:03:00.160 --> 1:03:02.400
<v Speaker 3>have them do the freestyle thing. Okay, okay, okay, because

1:03:02.400 --> 1:03:04.520
<v Speaker 3>it doesn't you know, the interview might not make sense.

1:03:04.640 --> 1:03:07.200
<v Speaker 1>Okay, but I do favors, right, But I won't.

1:03:07.320 --> 1:03:07.720
<v Speaker 3>I won't.

1:03:08.160 --> 1:03:09.560
<v Speaker 1>I haven't taken money now, right.

1:03:09.640 --> 1:03:12.760
<v Speaker 3>I figured there was a small point in time though,

1:03:12.880 --> 1:03:15.880
<v Speaker 3>where I was on a terrible gambling binge. I was

1:03:15.920 --> 1:03:19.160
<v Speaker 3>down like thirty k and I remember telling my boy David,

1:03:19.200 --> 1:03:22.160
<v Speaker 3>I said, man, I might just start taking some money.

1:03:22.160 --> 1:03:24.640
<v Speaker 1>But I didn't do it.

1:03:24.800 --> 1:03:26.400
<v Speaker 3>I didn't do it, so the only time I thought

1:03:26.440 --> 1:03:29.560
<v Speaker 3>about it, right, the New York Jets beat the Bengals

1:03:29.600 --> 1:03:33.960
<v Speaker 3>in like Week seven with Mike White as the starting quarterback,

1:03:33.960 --> 1:03:37.280
<v Speaker 3>and I lost like fifteen grand and I was like, yeah,

1:03:37.400 --> 1:03:40.920
<v Speaker 3>gambling is bad. Yeah, thank god it's not legal. Well,

1:03:41.200 --> 1:03:44.120
<v Speaker 3>look it doesn't matter where. Actually, gambling isn't terrible. If

1:03:44.120 --> 1:03:46.280
<v Speaker 3>you go to my bookie and you use the promo

1:03:46.320 --> 1:03:50.240
<v Speaker 3>code Bootleg and you sign up and yeah, I'm a user,

1:03:50.360 --> 1:03:50.560
<v Speaker 3>you know.

1:03:52.400 --> 1:03:56.200
<v Speaker 1>No, No, he's a fucking gambler. Gotta love it anyway.

1:03:56.200 --> 1:03:57.120
<v Speaker 3>Appreciate you pulling up man.

1:03:57.120 --> 1:04:00.000
<v Speaker 1>I appreciate you. King Boom, he appreciate you.

1:04:00.160 --> 1:04:02.840
<v Speaker 3>Y'all watching another interview brought to you by our good

1:04:02.840 --> 1:04:04.360
<v Speaker 3>folks at hard Dean.

1:04:04.400 --> 1:04:05.120
<v Speaker 1>Now listen, y'all.

1:04:05.120 --> 1:04:07.360
<v Speaker 3>When you in Las Vegas, you get in that fucking uber,

1:04:07.680 --> 1:04:10.880
<v Speaker 3>you land at the airport, hit that taxi, tell them

1:04:10.880 --> 1:04:14.640
<v Speaker 3>to take you to har Dean, the number one premium

1:04:14.640 --> 1:04:17.800
<v Speaker 3>cannabis dispensary in the fucking world.

1:04:17.880 --> 1:04:18.160
<v Speaker 1>Y'all.

1:04:18.520 --> 1:04:20.240
<v Speaker 3>I'm telling you, you walk in, they treat you like

1:04:20.280 --> 1:04:22.440
<v Speaker 3>a king or a queen or whatever you're into. All right.

1:04:22.720 --> 1:04:25.600
<v Speaker 3>They got the craziest selection to premium cannabis you'll see

1:04:25.680 --> 1:04:28.360
<v Speaker 3>period anywhere. Let alone in Las Vegas, but just anywhere,

1:04:28.600 --> 1:04:30.760
<v Speaker 3>all right. Not only can you go get the best tree,

1:04:30.760 --> 1:04:32.880
<v Speaker 3>you will get the best experience, the best customer service,

1:04:33.120 --> 1:04:34.280
<v Speaker 3>the best bud Tenders.

1:04:34.560 --> 1:04:37.800
<v Speaker 1>You walk into Hard Dean and that shit just smells amazing.

1:04:37.840 --> 1:04:39.200
<v Speaker 3>They got their own fucking scent.

1:04:39.920 --> 1:04:40.760
<v Speaker 1>Literally, you get.

1:04:40.600 --> 1:04:43.000
<v Speaker 3>Into my car, I got a bottle of it. My

1:04:43.080 --> 1:04:45.000
<v Speaker 3>car smells like Hard Dean because it's just the best

1:04:45.000 --> 1:04:50.640
<v Speaker 3>fucking place. Go follow them online. Hardan Underscore Las Vegas.

1:04:51.200 --> 1:04:55.360
<v Speaker 3>Hardan Underscore Las Vegas. Go to their website, Hardeanlas Vegas

1:04:55.720 --> 1:04:59.200
<v Speaker 3>dot com. All right, when you go, you're in Vegas,

1:04:59.400 --> 1:05:02.000
<v Speaker 3>you'll pull up. Tell them I sent you. They're gonna

1:05:02.000 --> 1:05:03.640
<v Speaker 3>take care of you the right way.

1:05:03.680 --> 1:05:04.080
<v Speaker 1>All right.

1:05:04.600 --> 1:05:07.120
<v Speaker 3>Look they got these things in there, man, these Moon

1:05:07.200 --> 1:05:10.800
<v Speaker 3>Rock pre rolls that I just had that just absolutely

1:05:10.880 --> 1:05:13.880
<v Speaker 3>melted my face off. Shout out to hard Dean. All right,

1:05:13.880 --> 1:05:16.240
<v Speaker 3>you gotta go fuck with Hard Dean man. Hardan Underscore

1:05:16.280 --> 1:05:19.320
<v Speaker 3>Las Vegas. Thank y'all, man. I love these guys. They're

1:05:19.360 --> 1:05:21.640
<v Speaker 3>like family to us. And hey, we're gonna drop another

1:05:21.680 --> 1:05:23.720
<v Speaker 3>interview soon. If you're watching this, you're at the end

1:05:23.720 --> 1:05:24.360
<v Speaker 3>of the interview though.

1:05:24.440 --> 1:05:24.880
<v Speaker 1>Much love