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Speaker 1: You love that room anywhere else? So your friend fright? Yeah,

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Speaker 1: the world's stagers want to shut the cameras. I didn't

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Speaker 1: agree shows the city. So the captain of this the

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Speaker 1: only one who can keep these guys in chat solomne God,

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Speaker 1: this is the club petitions, ladies, hold on your panties.

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Speaker 1: Oh Man, Well Maxwell is here? What's ups up? I'm trying, Man,

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Speaker 1: what's going on now? I'm glad you're here because I saw,

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Speaker 1: Oh you do snapchat snaking bosted. You can't, you can't

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Speaker 1: say you gonna be thinking about it the hole and

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Speaker 1: I just messed up my my snap. That was a

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Speaker 1: really good snap and you just raking y'all we out here, Maxwell, Ye,

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Speaker 1: I'm trying. I'm doing my club. I know your damns

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Speaker 1: be popping. H Actually yes they do, yes, yes, yes,

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Speaker 1: they definitely pop. Yeah, you know snapchat me that. You know.

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Speaker 1: It's an interesting world though, because I'm obviously I'm forty two,

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Speaker 1: so it's like, I can't imagine what it would be

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Speaker 1: like to be a fourteen year old with all of

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Speaker 1: this social media the way it's going down. Why haven't

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Speaker 1: you connected with the people in so long? Man? Seven years,

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Speaker 1: seven years right, did you even realize that I, you know,

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Speaker 1: I don't. I gotta tell you, I get anxiety about

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Speaker 1: just trying to meet the challenge of what what I

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Speaker 1: did before. And at the same time, I don't want

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Speaker 1: to play myself and try to look like I'm trying

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Speaker 1: to be in the moment. All the kids doing a

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Speaker 1: record future, Well no, and don't get into I know

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Speaker 1: and love all of those records like I mess. You know,

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Speaker 1: I listened to all of everything. I mean I listened

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Speaker 1: to some really dark, bunchy trap like all of that.

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Speaker 1: But right now, Uh, definitely, you know Yogatti, Definitely, um,

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Speaker 1: Travis Scott, I mean, you know I listened to I mean,

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Speaker 1: I've been in the club, so I know what these

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Speaker 1: songs are and I can I can sing with them.

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Speaker 1: But I always have to be really concerned about the

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Speaker 1: brand and like what I've done, you know, starting to

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Speaker 1: ninety six, and the fact that like my music is

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Speaker 1: which you go home to after you've been where you've been,

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Speaker 1: and hopefully it's with your family. Hopefully it's what you

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Speaker 1: do on Sunday mornings when you cook in, you get

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Speaker 1: married to it, you having kids to it, those types

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Speaker 1: of things. So I've got to think about those issues

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Speaker 1: as I see the ever changing situation out there in

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Speaker 1: the music world. Now, you talked about the pressure. Now,

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Speaker 1: is it a lot of pressure because you've always been

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Speaker 1: I say, left, like you never went with trendon. I

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Speaker 1: mean from your first album to your videos. Is there

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Speaker 1: pressure staying different and staying in that lane and staying

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Speaker 1: and being as big as those other songs and other albums. Yeah,

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Speaker 1: for sure, no doubt, I'm gonna I'm not gonna. I'm

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Speaker 1: not gonna lie to you about that. But that's part

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Speaker 1: of the fun, you know. The part of the challenge

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Speaker 1: of putting something together is saying to yourself, well, how

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Speaker 1: can I maintain relevancy but still be This is always

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Speaker 1: the greatest thing that I want is timelessness because so

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Speaker 1: many people come and go. There are certain rules to

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Speaker 1: the game about how do you how you do that?

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Speaker 1: And I think that if you stay true to the basics,

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Speaker 1: you know of what we're trying to exemplify, which is

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Speaker 1: I don't get I'm not too detail oriented about shoes

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Speaker 1: and cars, and I mean I'm just kind of a

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Speaker 1: you know, we I just talk. I try to talk

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Speaker 1: about the bigger things in terms of just like you know, heartbreak, pain, betrayal,

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Speaker 1: want to get somebody back form, hurting you um, not

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Speaker 1: feeling like you're good enough. Those basic things or what

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Speaker 1: we always feel no matter what the watches that weekend,

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Speaker 1: no matter what the sneaker is, no matter what the

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Speaker 1: new car is where, whatever it is, those are the

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Speaker 1: things that we um are always connected by. Why did

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Speaker 1: you handle the fame when it came to these women? Man?

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Speaker 1: Because you're fresh shout making all these great R and

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Speaker 1: B music. I'm sure girls was throwing it at you.

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Speaker 1: A one hundred mile problem. Not only had the type

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Speaker 1: because he didn't had if you think about it, he'd

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Speaker 1: had to quote unquote earthy women Earth? What is earth?

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Speaker 1: Does that mean? Big? No, I'm good with big when

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Speaker 1: they want to wear as right, the monique type chicks

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Speaker 1: and I feel you well, look, I just think everything

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Speaker 1: is beautiful. And the weirdest thing for me is like

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Speaker 1: when I look out into the audience, because they'd be

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Speaker 1: bad ones out there, but they're the one that is

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Speaker 1: the shyest, the one that maybe feels like, you know,

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Speaker 1: I need to like, you know, lose a few here,

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Speaker 1: lose a few there. That's usually one I focus right

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Speaker 1: on because I feel like I was Maxwell. I just

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Speaker 1: want to make I just want to make them feel good, right,

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Speaker 1: you know, at the end of the day, that's my

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Speaker 1: job on stage. I just want to make you feel good.

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Speaker 1: And everyone's gorgeous, everyone's sexy. But you know, for me,

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Speaker 1: I'm kind of a brain person. So it's like I

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Speaker 1: think that the situations that sort of like will come

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Speaker 1: to me on a personal level because I will be

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Speaker 1: more mental. I'm forty two. So it's like beauty. I

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Speaker 1: understand the beauty is amazing, but when you wake up

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Speaker 1: with someone after ten years, you don't even remember that

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Speaker 1: beauty part of it. You just know that you have

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Speaker 1: a friend. You just know that you know, you got

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Speaker 1: somebody that's holding you down, hopefully like with my like

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Speaker 1: my my friend and manager John, you have someone who's

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Speaker 1: raising your kids. That that's you know, the day and

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Speaker 1: and the day out of that, uh like all that

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Speaker 1: stuff fade, you know. Um so no, not raising kid.

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Speaker 1: You have some kids. Maybe maybe I do, I don't know,

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Speaker 1: but you ain't on the lest some of that legendary

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Speaker 1: sperm go. Man, Well you know what I have this

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Speaker 1: new Actually, you know it's interesting that you should bring

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Speaker 1: this up, sir, the legendary to have a marketing plan.

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Speaker 1: Instead of the albums, it'll be sperm. So I'm just

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Speaker 1: gonna market the sperm. You what if you're pregnant by Maxwell,

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Speaker 1: buy my new album. No, no, just work. I'm just

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Speaker 1: saying it's a new plan. I might put a single

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Speaker 1: with it, Okay, I might have a song to come up,

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Speaker 1: because usually the music kind of does that. So I figured,

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Speaker 1: let's just cut to the check into the chase and

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Speaker 1: just you know, you have many I hope, so man,

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Speaker 1: I keep a luck. We got more with Maxwell. When

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Speaker 1: we come back. It's the Breakfast Club for more happy holidays.

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Speaker 1: Wishing you and your family the very best this holiday

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Speaker 1: season from all of us here at the Breakfast Club,

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Speaker 1: the Breakfast Club Morning. Everybody is DJ nd Angela Yee, Charlomagne,

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Speaker 1: the guy. We all the Breakfast Club. We got Maxwell

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Speaker 1: still in the building, like, I don't go. I've been

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Speaker 1: to one of your shows and I really I'm in

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Speaker 1: the two of year shows and my wife was like

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Speaker 1: the shows, I want my wife now. But when she

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Speaker 1: was my girl and stuff, and I realized I ain't

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Speaker 1: going to the Maxwell show because you showed them for

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Speaker 1: men at all. It's just a bunch of screaming women.

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Speaker 1: He ain't thinking about us. My wife goes with her French.

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Speaker 1: I am feel all funny, godad and get excited and

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Speaker 1: bring you out about what do you talk about? But

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Speaker 1: with my wife one time and I felt a little

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Speaker 1: funny because everybody's screaming. I'm sitting in the corner like

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Speaker 1: a suckers. I'm like, you know what, you bring your

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Speaker 1: girlfriend next time? When when he did fortunate, I went

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Speaker 1: to sleep because because I was like, it's like it's

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Speaker 1: like being It's like you girl, watch you watching scandal mpion.

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Speaker 1: It's basically like when you guys are watching the basketball

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Speaker 1: game or right football. Yeah, so this is like they're

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Speaker 1: revenge on you. Basically. That is the fact. I am

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Speaker 1: the revenge of all those times. But no mad Pelvic thrust.

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Speaker 1: I'm like, if you thrust one more time, hey man,

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Speaker 1: that ticket is expensive. I mean, I gotta put working,

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Speaker 1: but I'm just look, at the end of the day,

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Speaker 1: you get to take them home, yeah, and you get

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Speaker 1: to get situations that you probably never imagine what happened.

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Speaker 1: I'm just I can't believe it's twenty years later, guys.

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Speaker 1: That's all I gotta say. I'm just and I'm so

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Speaker 1: happy that I'm kicking it with you because I hear

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Speaker 1: you guys in the morning. You guys are funny, real people. Uh,

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Speaker 1: you know, you're in situation sometimes because you gotta speak

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Speaker 1: about things and whatever. But you know, I just appreciate

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Speaker 1: all the support throughout the years, and I got you

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Speaker 1: on those dance records on this new Okay, how do

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Speaker 1: you feel about the term neo soul because people always

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Speaker 1: give you credit for being the start of that. I

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Speaker 1: can't say that because D'Angelo was released in ninety five.

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Speaker 1: I have to admit, with great respect to him that

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Speaker 1: he when he was set off, it really made everybody

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Speaker 1: at the label really understand because I was already done

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Speaker 1: with my album. I was just sitting on the sidelines.

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Speaker 1: I was on the bench. So you know, I give

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Speaker 1: credit to d for being the person to sort of

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Speaker 1: really get my record off the show. And then I

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Speaker 1: give a lot of credit to the radio stations that

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Speaker 1: just they played it without understanding what this was about,

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Speaker 1: because you know, I looked crazy. You know, I was

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Speaker 1: a big old hair and everything, and you know, having

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Speaker 1: all the weird West Indian type of thing, which that's

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Speaker 1: not a typical really for an R and B person.

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Speaker 1: Usually they're from the South. Usually they're like like with D'Angelo,

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Speaker 1: his story is so perfect, Like he's from Richmond, Virginia.

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Speaker 1: He played in the church, you know, Like my dad's

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Speaker 1: from Puerto Rico, my mom's from Haiti. Like I'm like

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Speaker 1: first generation from Brooklyn. Yeah, I didn't even feel black

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Speaker 1: enough really, So for me, it was like, man, I hope,

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Speaker 1: I hope my people like this music as much as

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Speaker 1: I love them. And you know, twenty years later, it's

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Speaker 1: just nice to know that that I was. I always

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Speaker 1: wondered why you didn't do many features, but there was

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Speaker 1: this pretty much no Maxwell features. Yeah. Yeah, you know, well,

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Speaker 1: I mean, look, I'm not saying I'm better than anybody,

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Speaker 1: because there's a lot of people out there that I like,

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Speaker 1: but um, a lot of my choices are kind of

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Speaker 1: like family type choices. Like Nas was signed released ninety five.

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Speaker 1: I was there in ninety six, so y'all kind of

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Speaker 1: grew up together. Yeah, you know, I was shocked that

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Speaker 1: he'd even liked my music because you know, he's an OZ,

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Speaker 1: he's hip hop. My stuff is all smooth and we

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Speaker 1: developed a friendship and you know, we basically worked on

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Speaker 1: something once on one of his record Street Kings, and

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Speaker 1: then you know, we just did the Barkley thing together,

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Speaker 1: and you know, we have more plans to do more

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Speaker 1: business stuff together because we just we just get on.

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Speaker 1: And then Alicia Keys, who I knew at fifteen at

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Speaker 1: Columbia when she was signed there. She was kind of

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Speaker 1: like my special guest on a first album, so I

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Speaker 1: know her. I know Swizzler. I thought you were going

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Speaker 1: to do a joint with jay Z and j D

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Speaker 1: at one time. But during the Money and Anything video,

200
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Speaker 1: when he's sitting there, they're playing it in the background,

201
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Speaker 1: I'm like, oh, this is this is here it goes,

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Speaker 1: Oh my god, that's my that's my next move. I mean,

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Speaker 1: you know, if if Jay is listening, because we're friends

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Speaker 1: and I see him all the time, and I know

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Speaker 1: his wife, and um, I've heard of his wife. Yeah

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Speaker 1: his wife, yeah, yeah, yeah, yeah, his wife is cool.

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Speaker 1: I'm from Brooklyn, He's from Brooklyn. You know, it'd be amazing.

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Speaker 1: I think he makes I think he is the Frank

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Speaker 1: Sinatra of hip hop because all of his beats, he

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Speaker 1: never plays himself. I mean, literally, And the craziest thing

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Speaker 1: is when Reasonable Doubt came out, he always just chooses

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Speaker 1: like the classic things and you can listen to all

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Speaker 1: those records forever, and that's rare. Man Like people don't

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Speaker 1: understand it's so much harder to make hip hop classic

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Speaker 1: because there's so many ways that you could really play

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Speaker 1: yourself with with like all the new trends and the

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Speaker 1: new things that people do Vold coder and whatever and

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Speaker 1: blah blah blah. You can dress like our Kelly Key well,

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Speaker 1: you see the like I guess I can't say nothing

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Speaker 1: bad about him. I mean, fortunate, we you know, I

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Speaker 1: never seen anybody's records unfortunate when I when I heard

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Speaker 1: it wasn't actually the first song, but when I heard,

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Speaker 1: I was like, because you just gotta pay respect to him,

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Speaker 1: because that guy can just I mean, he could just

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Speaker 1: pe out a song, you know, like yes, he could

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Speaker 1: say yes, pawell, Yes. Nobody even had to set you

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Speaker 1: up for that. One man was great. I was gonna

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Speaker 1: see all the fluid you could say, oh god, oh god,

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Speaker 1: please mister Kelly, please don't don't Yes Maxwell, Yes, I

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Speaker 1: didn't mean to do that. I was gonna say something else,

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Speaker 1: but I didn't want to say that because the current

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Speaker 1: made you say what you needed to say. Man, Well,

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Speaker 1: there you have it. It's Maxwell. It's the Breakfast Club, Gamani,

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Speaker 1: the Breakfast Club. You want to get body is DJ

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Speaker 1: m vy Angela Yee, Charlomagne, the guy we are the

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Speaker 1: Breakfast Club. One of our favorite people up here today.

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Speaker 1: J was good, man, you're making up a lot of

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Speaker 1: time because you was locked up. How are you gonna

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Speaker 1: just started off like I just got mixtape and everything. Man, listen,

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Speaker 1: I had got in trouble at a college, but it

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Speaker 1: wasn't my fault this time. I was totally where. Everybody

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Speaker 1: in jail laughed at me. When I said that I

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Speaker 1: didn't do it. They bought stop laughing. But I didn't

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Speaker 1: do it. Like we pulled up on the set. The

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Speaker 1: cops they let us in, you know. They walked me

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Speaker 1: to the stage of the room or whatever, and I

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Speaker 1: changed and went on the stage and performed. Then I'm performing.

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Speaker 1: You know you've seen the Jews movie. Yeah, dude, come

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Speaker 1: in with me. Yeah, break down. So I come up

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Speaker 1: the stage. We walked outside, they got the cars around it.

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Speaker 1: My man Spoildy walked up to him and like, yo, bro,

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Speaker 1: it's a trip in the car. It's like a tool

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Speaker 1: in the car. I'm like, all right, we know who

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Speaker 1: that is. You know what I mean. So they asked me.

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Speaker 1: They were like, so they was like, this your gun.

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Speaker 1: I don't I really don't know about the gun. All

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Speaker 1: these years we've been performing. I don't tell guns of shows.

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Speaker 1: That's not what I do. So he was like, it's

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Speaker 1: a gun in the car. I was like, it's somebody's

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Speaker 1: in the car. I'm not the pointer. You feel me.

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Speaker 1: And then we just didn't want to Yeah, we don't

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Speaker 1: do that. Don't make me point at you. See. I

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Speaker 1: hate people like that in your crew. That's your gun.

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Speaker 1: This a So the cop was cool. He was like, yo,

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Speaker 1: y'all just get it together because you know money' all

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Speaker 1: taking them and then gave us a moment took like

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Speaker 1: ten fifteen minutes. He was like, if that put the

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Speaker 1: cups on draw. I was like, for real. He put

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Speaker 1: me in the back of the car. Man, I'm looking

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Speaker 1: at the back of the car like, man, my mom

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Speaker 1: gonna get you. Well, I wait to him, but this, bro,

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Speaker 1: you can't eat my house no more and no more.

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Speaker 1: Callar reviews pot you can't eat no more. But we

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Speaker 1: go to jail, bro we sitting. They found weed, you

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Speaker 1: know what I mean, stuff like you know hip hop stuff.

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Speaker 1: Who told you? Yeah, yeah, what y'all the main je said,

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Speaker 1: But that's like that. It wasn't even that much stuff,

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Speaker 1: and you know the weed was less than hounds. I

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Speaker 1: took an initiative to say, you know, since we all

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Speaker 1: in here, let's just go ahead and split the charges up,

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Speaker 1: because I'm front of probably you know, hey, man, look

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Speaker 1: yeah you take you take that. Talk to a lawyer

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Speaker 1: before you start. But no, no, because no, because we

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Speaker 1: don't want to talk to no lawyer because we could

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Speaker 1: just make bun and we'll deal with that later. But

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Speaker 1: for now, all of us has the same charge. You

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Speaker 1: feel me, So the lawyer gonna say what you're gonna take?

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Speaker 1: You feel me? You gotta have this worked out. We

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Speaker 1: fit the steps behind man and man down there is

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Speaker 1: he didn't win into a phase. He's like, yo, I

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Speaker 1: got a career, Like who that guy? My boy spoony

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Speaker 1: Like I'm like, come on, yeah, my body, you know,

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Speaker 1: but that was my partner. You know, I guess it

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Speaker 1: wasn't for me because he turned the story around and

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Speaker 1: was like, they're just saying the gun his mind because

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Speaker 1: of who drow is. It's his gun. He does he

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Speaker 1: has a record. He man, I'm not like, bro, No,

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Speaker 1: we cuffed like from the waist down. I was trying

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Speaker 1: to slide ahead button, you know what I mean. And

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Speaker 1: when you know what I mean, I like, Bro, you

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Speaker 1: know what I'm gonna get you. Bro. If everybody and

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Speaker 1: we end up doing like thirty five days like so

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Speaker 1: it's been a crazy Yeah. We're just sitting and we're

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Speaker 1: in Bullock County. It's slow. The court rules about this

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Speaker 1: big the sides of this room. So the people in

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Speaker 1: there got thirty forty year getting thirty and forty like

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Speaker 1: because it was like a town that had like surrounding states,

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Speaker 1: so everybody was a flight risk. They don't give buns

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Speaker 1: and set bills and stuff like that too often two

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Speaker 1: three times a year. Yeah. Yeah, so really we really

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Speaker 1: got you know, we had to pay like a lot

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Speaker 1: of myne for lawyers, and the megos had went down

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Speaker 1: there before, and I guess they whatever they did, but

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Speaker 1: it was like, you know, the meges, They was like, yeah,

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Speaker 1: you better ask the meges what we did to them.

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Speaker 1: I was like, I honestly don't know what you're talking about. It.

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Speaker 1: It was messed up. So we sat down there thirty

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Speaker 1: five days. The last day we sat down there, dude

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Speaker 1: was sitting in there. We was going to court. He's

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Speaker 1: I looked. I was like, bro, you're not gonna take

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Speaker 1: the charge. He was like, bron brow. I couldn't believe it.

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Speaker 1: We rolled down here together that was and he was like, yeah, man.

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Speaker 1: So they moved about the room. I feel for my

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Speaker 1: life from Droe. I'm like, bro, I hired you to

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Speaker 1: come on the road to open up, like how you

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Speaker 1: feel for your life? Like that crazy? So we did that.

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Speaker 1: Time got out. It sent me back like I missed

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Speaker 1: like seven shows. I'm trying to currently make those up.

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Speaker 1: I got three daughters, you know what I mean. I'm

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Speaker 1: not and a son. I just had a son in

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Speaker 1: one year old. Like, I ain't trying to sit down

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Speaker 1: here either. Bro, my congratula. You got work. So you

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Speaker 1: think that's my baby? About it? You said, no comment,

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Speaker 1: no comment? I did, why not just say that what

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Speaker 1: if it's my baby? But if it is, he said,

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Speaker 1: you probably the only man that can prove that you're

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Speaker 1: a real woman. Then, because I thought that was like, man,

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Speaker 1: for that's a real woman, bro. I was not being

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Speaker 1: cooed with like that the right term. I would not

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Speaker 1: be associated with a man that looks like a woman.

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Speaker 1: It's a product right there. But you just gotta look

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Speaker 1: at it. So there is a chance that the baby

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Speaker 1: you just don't know yet. Baby, Dad, are you you

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Speaker 1: got the very dad? We got more with young Joe

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Speaker 1: when we come back. Keep a lock. This the Breakfast

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Speaker 1: Club co morning, the Breakfast Club Morning. Everybody is dj

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Speaker 1: M v Angela Ye, Charlomne the guy, we are the

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Speaker 1: apter this club. Now young drow is in the building.

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Speaker 1: Did you think Tia was out of line for coming

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Speaker 1: that way? Black lives what Richard? Then the mother I

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Speaker 1: saw this. I clinched in embarrassment. I was like, no,

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Speaker 1: I don't like that. Yeah, I know that was not cool.

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Speaker 1: I mean I get it what he was saying, like,

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Speaker 1: you know what, he's successful, you know, and you know

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Speaker 1: a lot of people do stuff to you know, get

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Speaker 1: the police involved in. You know, you shouldn't stand behind

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Speaker 1: nobody in their room. But you're part of the stuff

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Speaker 1: that's happening. Like your skin tone, it shows it. You

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Speaker 1: feel me and we're not getting a good end of

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Speaker 1: the stick. You know. I think all lives matter for

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Speaker 1: that cause, because everybody was saying Tia was wrong for

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Speaker 1: publicly calling them out because they friends. He could have

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Speaker 1: called them on the phone. No, no, you can't say

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Speaker 1: that because he that was a public thing he did.

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Speaker 1: I agree, you answer him back public You know what

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Speaker 1: I mean? Somebody whooped your that's outside. Whoop the ass

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Speaker 1: back outside, I whoop your ass in the house, whoop yours? Yeah,

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Speaker 1: gotta whip you on world world stuff. N if your

369
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Speaker 1: plans say something stupid or something that don't but you

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Speaker 1: might call them and check them on the line and say,

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Speaker 1: I'm gonna check you. But I think you should reach

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Speaker 1: out of if that's yours, that's like reality. Stand up.

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Speaker 1: But how many times you said something crazy and I'm

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Speaker 1: sure ta call you? Was like, bro, But dro ain't

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Speaker 1: say nothing publicly that affects everybody. He may say something

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Speaker 1: that affect him, yeah, but not own my life. Yeah,

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00:19:42,800 --> 00:19:45,440
Speaker 1: but I saw that. I get it, but I don't

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Speaker 1: get it. It's a lot of stuff going on right now.

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Speaker 1: I got children, and I wouldn't want my son to

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Speaker 1: be a Trayvon Martin. You know, I wouldn't want him

381
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Speaker 1: to do that. It was an Arizona juicon, you know

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Speaker 1: what I mean. Come on, man, you just gotta understand

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Speaker 1: that it's a lot of stuff going on people. When

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Speaker 1: I seen the guy get pulled over in um Charlotte

385
00:20:03,440 --> 00:20:06,320
Speaker 1: or whatever, that was sick. He was just walking back

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Speaker 1: to the truck. Bro. The thing you know, he was

387
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Speaker 1: laying on the ground. That matters. Bro. You feel mean,

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Speaker 1: if you're in a bubble, well you can't see that.

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Speaker 1: I want to be in your bubble. I want to

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00:20:15,960 --> 00:20:18,399
Speaker 1: go live on Wayne Street because it's a lot of

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00:20:18,440 --> 00:20:21,120
Speaker 1: stuff happening on my street. Was it one embarrassing moment

392
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Speaker 1: or something that you looked at you saw yourself like

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00:20:23,119 --> 00:20:25,360
Speaker 1: you said, yeah, I had like thirty days to sit down,

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Speaker 1: thirty five days and then like for me not to

395
00:20:28,600 --> 00:20:31,040
Speaker 1: be then did nothing at that time. It was something

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00:20:31,119 --> 00:20:34,520
Speaker 1: else going on. So I just had to I want

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Speaker 1: to go to heaven at the end of the day.

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Speaker 1: I want what did I look like last time I

399
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Speaker 1: come in? I know you ain't clearly my team, this

400
00:20:59,280 --> 00:21:01,320
Speaker 1: is a new drug. I need listen. It's a rehab

401
00:21:01,359 --> 00:21:03,840
Speaker 1: facility in a land. I'm telling you. Whatever they did

402
00:21:03,920 --> 00:21:06,200
Speaker 1: for drow and Gucci. Just do everybody need to attend?

403
00:21:07,320 --> 00:21:09,679
Speaker 1: Are you gonna church every Sunday? Draw not every Sunday.

404
00:21:10,280 --> 00:21:12,159
Speaker 1: But I want to go back to what I used to,

405
00:21:12,760 --> 00:21:15,080
Speaker 1: but I'm kind of shading to go because, uh I

406
00:21:15,200 --> 00:21:18,199
Speaker 1: cried too much. I can't do it. When when they

407
00:21:18,240 --> 00:21:20,480
Speaker 1: start singing like you can hear what your glasses to

408
00:21:20,560 --> 00:21:23,240
Speaker 1: come through, tickling my jaw and you just be like

409
00:21:24,600 --> 00:21:27,160
Speaker 1: the choir of the sermon, the quiet yeah, yeah, yeah yeah,

410
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Speaker 1: the song always what song is it? Uh? You just

411
00:21:31,720 --> 00:21:34,760
Speaker 1: just want me to open. I want to notice the

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Speaker 1: center of my joy, my center of center. It was

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Speaker 1: the first song I ever song in the church for

414
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Speaker 1: my grandma. Oh yeah, it can't taste me getting people

415
00:21:44,000 --> 00:21:48,719
Speaker 1: something drove to. Judge might be watching Jesus help Charlotta

416
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Speaker 1: Magne because he's trying to make me say you have

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Speaker 1: it the new improved young wanna leave us with a

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Speaker 1: prowdu Yeah it's come on. Oh boy, Dear God, thank

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Speaker 1: you for this breakfast that we had at the club,

420
00:22:02,840 --> 00:22:05,760
Speaker 1: not the nightclub, it was actually a radio station. Thank

421
00:22:05,800 --> 00:22:08,720
Speaker 1: you for Charlomagne for that cracking jokes in the worse way.

422
00:22:09,600 --> 00:22:14,600
Speaker 1: All trill y'all did good today, I'll trill you. Thank you, Guard, Amen, Amen,

423
00:22:15,200 --> 00:22:23,040
Speaker 1: Young Joe, good morning. Yeah, this album is done the morning.

424
00:22:23,080 --> 00:22:26,520
Speaker 1: Everybody is DJ Envy angela Ye, Charlemagne the God, we

425
00:22:26,600 --> 00:22:29,560
Speaker 1: are the Breakfast Club. Well, we have to blur out

426
00:22:29,640 --> 00:22:34,080
Speaker 1: this lady's face because it's on Diddy's revolting did really

427
00:22:34,160 --> 00:22:37,359
Speaker 1: after reading the book doesn't want her? I think they clean?

428
00:22:37,800 --> 00:22:40,800
Speaker 1: After reading the book, I think they clean. Yeah, yeah, yeah, yeah,

429
00:22:40,960 --> 00:22:46,440
Speaker 1: say your phrase is not blurred? All right, starting nervous

430
00:22:46,480 --> 00:22:49,200
Speaker 1: at the time. First of all, this book, my voice

431
00:22:49,560 --> 00:22:52,680
Speaker 1: is amazing. Angie does not like compliments. But this book

432
00:22:52,800 --> 00:22:55,520
Speaker 1: is a testament book and a documentation of a classic

433
00:22:55,600 --> 00:23:00,040
Speaker 1: career in classic stories. And I love it. And he

434
00:23:00,200 --> 00:23:01,639
Speaker 1: read the book and he hasn't read a book in

435
00:23:01,680 --> 00:23:04,320
Speaker 1: fifteen years. That alone is very exciting. He read it.

436
00:23:04,320 --> 00:23:06,000
Speaker 1: I'm gonna tell you why he read it. Me and

437
00:23:06,040 --> 00:23:07,679
Speaker 1: Ageleie came in here one day and he was like, Yo,

438
00:23:08,160 --> 00:23:16,000
Speaker 1: fam hain't you smoke crack? How that accident? And that day?

439
00:23:16,040 --> 00:23:17,720
Speaker 1: And I said, not only did she smoke crack, but

440
00:23:17,800 --> 00:23:25,800
Speaker 1: the crack was originally I hate you. I hate already

441
00:23:27,000 --> 00:23:30,440
Speaker 1: to read this. Everybody like, how many times smoke crack?

442
00:23:30,920 --> 00:23:33,359
Speaker 1: A crackhead, a little question, and she did it with

443
00:23:33,440 --> 00:23:36,159
Speaker 1: a pipe. She had plans to do it again on

444
00:23:36,280 --> 00:23:40,000
Speaker 1: New Years Wait. Wait, wait, so this is what it

445
00:23:40,080 --> 00:23:42,720
Speaker 1: takes for you to want to read a book. This

446
00:23:42,960 --> 00:23:47,879
Speaker 1: is what it takes believe. He was like, it was

447
00:23:47,960 --> 00:23:51,600
Speaker 1: a mistake. Oh God, that's gonna bet the head. It

448
00:23:51,800 --> 00:23:54,920
Speaker 1: was a mistake. It was a mistake. I mean it

449
00:23:54,960 --> 00:23:56,720
Speaker 1: was a mistake in terms of I was a kid.

450
00:23:56,760 --> 00:23:58,960
Speaker 1: I didn't know. It wasn't a big academic yet. It

451
00:23:59,040 --> 00:24:02,000
Speaker 1: wasn't like known to everybody, so it was just another

452
00:24:02,080 --> 00:24:04,879
Speaker 1: way to smoke weed or whatever that wasn't there. The

453
00:24:04,960 --> 00:24:07,240
Speaker 1: only reason it is because we don't want to make

454
00:24:07,280 --> 00:24:09,960
Speaker 1: it seem like you like, I'm a crack please, it's

455
00:24:10,000 --> 00:24:12,560
Speaker 1: the accident. I think that's a great comeback. You started

456
00:24:12,600 --> 00:24:17,399
Speaker 1: off a crackhead, and now I look at you, hello, Hello,

457
00:24:18,320 --> 00:24:20,359
Speaker 1: Shut the hell out. It was one time, though, I

458
00:24:20,400 --> 00:24:22,000
Speaker 1: just want to make it clear. It was one time,

459
00:24:22,080 --> 00:24:23,960
Speaker 1: and it was kind of an accident, and I mean

460
00:24:24,000 --> 00:24:27,040
Speaker 1: it was stupid. I look, come on, okay, we should

461
00:24:27,080 --> 00:24:31,560
Speaker 1: probably did something as a kid where you were like before. Okay, well,

462
00:24:31,560 --> 00:24:33,480
Speaker 1: what's the same thing that was the old crack is

463
00:24:33,520 --> 00:24:37,800
Speaker 1: fried cocaine. Okay. Now I didn't know that in the

464
00:24:37,880 --> 00:24:40,560
Speaker 1: moment until literally after it happened, and I'm watching the

465
00:24:40,640 --> 00:24:42,600
Speaker 1: news and I was like, oh god. I was like,

466
00:24:42,720 --> 00:24:44,800
Speaker 1: maybe I should smoke crack then because I want to

467
00:24:44,840 --> 00:24:51,800
Speaker 1: have a nice career. Likely I'd say it in the book.

468
00:24:51,920 --> 00:24:53,960
Speaker 1: That's the thing. It's like, it was great, it was amazing,

469
00:24:55,359 --> 00:24:58,920
Speaker 1: plan to do it again. All the page it it's

470
00:24:58,960 --> 00:25:01,639
Speaker 1: like half a paragra. That was the whole book is

471
00:25:01,680 --> 00:25:04,680
Speaker 1: going to be about this one bad review, a crack

472
00:25:04,720 --> 00:25:07,640
Speaker 1: for you to start that was it? No, because it wasn't.

473
00:25:07,680 --> 00:25:09,480
Speaker 1: It was like a special and that all of a sudden,

474
00:25:09,480 --> 00:25:11,440
Speaker 1: and then maybe it was out already and people were talking.

475
00:25:11,480 --> 00:25:14,000
Speaker 1: Maybe I wasn't paying attention until I had. Then you

476
00:25:14,080 --> 00:25:15,480
Speaker 1: do it and then you're like, oh, I think that's

477
00:25:15,520 --> 00:25:17,320
Speaker 1: what just happened to me. Now I feel I did

478
00:25:17,400 --> 00:25:20,520
Speaker 1: ecstasy before, and then I saw that special family on ecstasy,

479
00:25:20,640 --> 00:25:22,520
Speaker 1: and then you were like, like, oh, maybe maybe I

480
00:25:22,560 --> 00:25:29,439
Speaker 1: should not never did this again. Friends crack still question

481
00:25:31,560 --> 00:25:35,399
Speaker 1: that special may not have affected your friends? First of all,

482
00:25:35,440 --> 00:25:38,239
Speaker 1: a friends and friends movie. It was first of all,

483
00:25:38,880 --> 00:25:41,160
Speaker 1: it wasn't like my friends. It was like some kids

484
00:25:41,200 --> 00:25:43,480
Speaker 1: that I hung out with my grandmother's house in her

485
00:25:43,520 --> 00:25:45,960
Speaker 1: neighborhood at a park. It was just bad influences and

486
00:25:46,040 --> 00:25:47,359
Speaker 1: who knows. I don't know what happened to that. I

487
00:25:47,359 --> 00:25:49,159
Speaker 1: haven't seen them. Those they weren't like my friends. They

488
00:25:49,160 --> 00:25:50,840
Speaker 1: would like the kids. God, they were like the kids

489
00:25:50,880 --> 00:25:54,080
Speaker 1: from my grandmother's black Glad you got better friends, thank you, man. Yeah,

490
00:25:54,080 --> 00:25:56,480
Speaker 1: none of my friends. Absolutely. It seems like you've always

491
00:25:56,480 --> 00:25:58,520
Speaker 1: been a pretty private presence who wasn't hard because you

492
00:25:58,640 --> 00:26:01,199
Speaker 1: like kind of gave up a lot. Yeah, I did,

493
00:26:01,280 --> 00:26:05,520
Speaker 1: I know, And it's strange how comfortable I feel about it.

494
00:26:05,960 --> 00:26:08,320
Speaker 1: I feel like I gave myself out. So when I

495
00:26:08,359 --> 00:26:10,719
Speaker 1: started writing, I was like, I'm gonna just write everything

496
00:26:10,840 --> 00:26:13,520
Speaker 1: as it is. I mean with everybody, with my family,

497
00:26:13,600 --> 00:26:15,320
Speaker 1: with mine, like whatever, let me just write it as

498
00:26:15,400 --> 00:26:17,639
Speaker 1: it is, and then I'll assess and then I'll be

499
00:26:17,720 --> 00:26:19,320
Speaker 1: like I could eat the cut, but do all that.

500
00:26:19,640 --> 00:26:22,040
Speaker 1: But once it's out and you realize, like everything happens

501
00:26:22,040 --> 00:26:23,840
Speaker 1: for a reason, even that, even the cracting. I use

502
00:26:23,920 --> 00:26:26,360
Speaker 1: that as an example to say, like, I have compassion

503
00:26:26,440 --> 00:26:28,760
Speaker 1: for people who have addictions and who get go down

504
00:26:28,880 --> 00:26:31,280
Speaker 1: bad roads because of things like that. So I think

505
00:26:31,359 --> 00:26:34,280
Speaker 1: everything in my story in my life is for a reason,

506
00:26:34,480 --> 00:26:36,159
Speaker 1: So there's nothing I'm ashamed of. And so I just

507
00:26:36,240 --> 00:26:38,960
Speaker 1: wrote it. And then I was like, what about other

508
00:26:39,000 --> 00:26:41,359
Speaker 1: people that you're telling stories about? Some of these people

509
00:26:41,440 --> 00:26:43,639
Speaker 1: in my book, and maybe some of them are not

510
00:26:43,680 --> 00:26:45,919
Speaker 1: going to be in the most flattering light in their opinion,

511
00:26:46,000 --> 00:26:48,600
Speaker 1: but it's your story and what really happened. Yeah, you're

512
00:26:48,600 --> 00:26:50,760
Speaker 1: a pointing you did you have to say? Okay, let

513
00:26:50,840 --> 00:26:52,680
Speaker 1: me let them know. I keep saying that I'm going to.

514
00:26:52,800 --> 00:26:55,600
Speaker 1: I haven't made the calls yet, but maybe before maybe, Yeah,

515
00:26:55,640 --> 00:26:58,119
Speaker 1: I'm gonna maybe today when I leave here, I'll make

516
00:26:58,200 --> 00:27:01,520
Speaker 1: those calls. I'll make them. I'm torn about it because

517
00:27:01,520 --> 00:27:04,560
Speaker 1: I feel like whatever happened people know happened. So I'm

518
00:27:04,560 --> 00:27:07,080
Speaker 1: not saying anything that's not true. Number one, And it's

519
00:27:07,400 --> 00:27:10,080
Speaker 1: but you went a little in with some people. It's feelings,

520
00:27:10,640 --> 00:27:14,240
Speaker 1: but those are my feelings I don't talk about. It's

521
00:27:14,280 --> 00:27:16,520
Speaker 1: not from a judgmental or I'm trying to hurt nobody.

522
00:27:16,800 --> 00:27:18,639
Speaker 1: I'm just telling you, like what my route is and

523
00:27:18,800 --> 00:27:21,359
Speaker 1: how I learned lessons because of things that happened. So

524
00:27:21,960 --> 00:27:24,040
Speaker 1: as long as it's under that umbrella, I felt okay

525
00:27:24,080 --> 00:27:26,160
Speaker 1: with it, and I don't feel like I hurt anybody,

526
00:27:26,240 --> 00:27:29,560
Speaker 1: like anybody's life. Did people hate you and say, did

527
00:27:29,640 --> 00:27:31,120
Speaker 1: you put me in the book? I get that all

528
00:27:31,119 --> 00:27:32,680
Speaker 1: the time, Like, first of all, you're not even in

529
00:27:32,720 --> 00:27:36,320
Speaker 1: the book. I don't know why people that are like

530
00:27:36,400 --> 00:27:38,640
Speaker 1: I kind of know, like did I make the book?

531
00:27:38,920 --> 00:27:42,520
Speaker 1: Like no, I'm so sorry. You don't surprised me. Finances

532
00:27:42,520 --> 00:27:45,920
Speaker 1: with you? You was terrible, money was terrible. Bad. Were

533
00:27:45,920 --> 00:27:48,439
Speaker 1: you said that? Surprised you didn't have those problems when

534
00:27:48,480 --> 00:27:51,399
Speaker 1: you started? No, you gotta really twice. I've been in

535
00:27:51,480 --> 00:27:53,240
Speaker 1: that situation once where I had to go to court.

536
00:27:53,440 --> 00:27:55,640
Speaker 1: Were you already known it on the radio? And good

537
00:27:55,720 --> 00:27:57,480
Speaker 1: thing was the problems with my wife's things when I

538
00:27:57,520 --> 00:27:59,439
Speaker 1: got fired from Wendy. She had to end up going

539
00:27:59,480 --> 00:28:01,639
Speaker 1: to court. But it was just that feeling like, damn,

540
00:28:01,800 --> 00:28:03,760
Speaker 1: you're so popping you would do whenever you were on radio,

541
00:28:03,800 --> 00:28:07,520
Speaker 1: you were doing every club. I was like why then

542
00:28:07,600 --> 00:28:09,879
Speaker 1: I was down at that eviction notice like this with

543
00:28:10,000 --> 00:28:12,919
Speaker 1: the hoodie on, like, oh god, why did this happen

544
00:28:12,960 --> 00:28:16,800
Speaker 1: to me? I just was irresponsible. I just was I

545
00:28:16,920 --> 00:28:19,159
Speaker 1: had never really learned how to do that, and so

546
00:28:19,280 --> 00:28:21,240
Speaker 1: I was like, you know, you get an envelope of

547
00:28:21,320 --> 00:28:24,439
Speaker 1: cash and you just spend it, right, And I was ripping.

548
00:28:24,480 --> 00:28:26,680
Speaker 1: I'm talking about from morning to night, working in the

549
00:28:26,720 --> 00:28:29,119
Speaker 1: club and come home. So you know, my mailbox. I

550
00:28:29,160 --> 00:28:31,119
Speaker 1: would check it, like you know, once every two weeks.

551
00:28:31,280 --> 00:28:34,080
Speaker 1: It just wasn't something in those bills weren't important in pain.

552
00:28:34,160 --> 00:28:36,360
Speaker 1: It was a people feel like that. And even now,

553
00:28:36,520 --> 00:28:37,920
Speaker 1: I think one thing you didn't I don't see you

554
00:28:37,960 --> 00:28:39,680
Speaker 1: explained that. How did you? And Mary gets so cool

555
00:28:39,800 --> 00:28:43,280
Speaker 1: that you could pick up the phone and any money.

556
00:28:44,080 --> 00:28:46,200
Speaker 1: This was Mary was popping at this time. Yeah, but Mary,

557
00:28:46,360 --> 00:28:48,040
Speaker 1: you know, I don't want to ever tell her business.

558
00:28:48,400 --> 00:28:50,240
Speaker 1: But you know, Mary has gone through things in her

559
00:28:50,320 --> 00:28:52,440
Speaker 1: life too, and we've both been friends to each other

560
00:28:52,560 --> 00:28:54,280
Speaker 1: during those times. I think Mary trust me, and I've

561
00:28:54,320 --> 00:28:56,920
Speaker 1: always trusted her. Even in this, even writing a story

562
00:28:56,920 --> 00:28:58,760
Speaker 1: about something that she helped me. I'm gonna let her know,

563
00:28:58,920 --> 00:29:01,120
Speaker 1: like you know, I'm telling the story, you know, you know,

564
00:29:01,280 --> 00:29:03,400
Speaker 1: so she knows, and I think she just you know,

565
00:29:03,440 --> 00:29:05,240
Speaker 1: we came up at the same time. So she's putting

566
00:29:05,520 --> 00:29:07,800
Speaker 1: her first album out, I'm just getting started popping on

567
00:29:07,840 --> 00:29:09,880
Speaker 1: the radio. It was her. She would listen to the

568
00:29:09,960 --> 00:29:11,400
Speaker 1: radio and then she'd come up to my show and

569
00:29:11,480 --> 00:29:13,200
Speaker 1: she was like, I love you so much on the radio,

570
00:29:13,200 --> 00:29:14,520
Speaker 1: and we just, I don't know, we just clicked and

571
00:29:14,520 --> 00:29:15,880
Speaker 1: then we would go out and we hang out, and

572
00:29:16,000 --> 00:29:17,880
Speaker 1: then you know, she has some things going on in

573
00:29:17,920 --> 00:29:20,400
Speaker 1: her life, and we just were always with both capricorns,

574
00:29:20,440 --> 00:29:22,440
Speaker 1: we have like a very I don't know, a unique

575
00:29:22,520 --> 00:29:25,560
Speaker 1: kind of understanding of each other. I even to now,

576
00:29:25,760 --> 00:29:28,240
Speaker 1: like even now Mary and Angie going into a check

577
00:29:28,320 --> 00:29:30,600
Speaker 1: cash and play. You understand what I'm saying in the

578
00:29:30,680 --> 00:29:32,640
Speaker 1: middle of did she have a check order? I don't

579
00:29:32,680 --> 00:29:35,440
Speaker 1: know why I love that story because I don't. It's

580
00:29:35,480 --> 00:29:38,760
Speaker 1: so her. She's so regular. She's such a regular girl.

581
00:29:38,840 --> 00:29:40,600
Speaker 1: You know, by the way, if you missed those two stories,

582
00:29:40,640 --> 00:29:45,040
Speaker 1: the crack story and can't find one in the hood,

583
00:29:45,480 --> 00:29:49,680
Speaker 1: why the story? Why have all the stories in the book?

584
00:29:49,760 --> 00:29:52,680
Speaker 1: Those in the two things that you are negative ass

585
00:29:54,040 --> 00:29:56,880
Speaker 1: resonated to. That's what saddened me about the book though,

586
00:29:56,880 --> 00:29:59,320
Speaker 1: because it's like, y'all, era, you'll never see that again,

587
00:29:59,480 --> 00:30:04,400
Speaker 1: like you and Mary coming up together, listen to my

588
00:30:04,440 --> 00:30:06,840
Speaker 1: album and the Queen. We're not getting that. Some of

589
00:30:06,880 --> 00:30:08,920
Speaker 1: those things I just take for granted what everybody knows

590
00:30:09,000 --> 00:30:11,280
Speaker 1: these stories. You know, everybody knows that jay Z and

591
00:30:11,400 --> 00:30:14,240
Speaker 1: R Kelly got into something at the garden and pulled

592
00:30:14,240 --> 00:30:15,640
Speaker 1: the show in the middle of the show and then

593
00:30:15,720 --> 00:30:17,480
Speaker 1: came up to the radio station and interviewed with me

594
00:30:17,520 --> 00:30:20,200
Speaker 1: at two in the morning. Everybody knows that story. But

595
00:30:20,320 --> 00:30:22,720
Speaker 1: then you write these stories and you start talking to people.

596
00:30:22,840 --> 00:30:24,880
Speaker 1: I did colleges last week, and I'm telling these stories

597
00:30:24,920 --> 00:30:27,200
Speaker 1: and they're like, what it doesn't seem real. Like even

598
00:30:27,320 --> 00:30:30,320
Speaker 1: reading I'm like, what this really happened? Makes me realize

599
00:30:30,320 --> 00:30:32,440
Speaker 1: how important it is to document it. I feel like

600
00:30:32,480 --> 00:30:34,600
Speaker 1: a lot of stories, especially radio, things that happened on

601
00:30:34,640 --> 00:30:37,160
Speaker 1: the radio that just for some reason like not well documented.

602
00:30:37,200 --> 00:30:39,080
Speaker 1: I don't know what that why? Or you know, you

603
00:30:39,160 --> 00:30:42,040
Speaker 1: know everything about artists, you know everything about videos because

604
00:30:42,040 --> 00:30:44,400
Speaker 1: it's all visual you've seen on TV. But the stories

605
00:30:44,400 --> 00:30:48,160
Speaker 1: that happened on radio, who documents that? Right? Owning everybody

606
00:30:48,280 --> 00:30:51,200
Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the guy we all

607
00:30:51,240 --> 00:30:54,200
Speaker 1: the breakfast club. We have Angie Martinez in the building.

608
00:30:54,280 --> 00:30:56,040
Speaker 1: She has a new book called My Voice Now. I

609
00:30:56,160 --> 00:30:58,280
Speaker 1: was really surprised you got so personal in this book.

610
00:30:58,280 --> 00:31:00,040
Speaker 1: You gave so much of your personal life, but you

611
00:31:00,120 --> 00:31:04,360
Speaker 1: can't write about your life and did like we know,

612
00:31:04,600 --> 00:31:07,200
Speaker 1: like it was just hate is a terrible word. At

613
00:31:07,240 --> 00:31:11,440
Speaker 1: one point, he wasn't my favorite person at one points,

614
00:31:12,880 --> 00:31:16,760
Speaker 1: as we broadcast on vote, didn't we both have come

615
00:31:16,840 --> 00:31:18,840
Speaker 1: a very long way because when we worked in the

616
00:31:18,840 --> 00:31:21,440
Speaker 1: other building, it was like, no, what did end with Diddy?

617
00:31:21,600 --> 00:31:23,640
Speaker 1: Nobody else with did? That's what it was. That's a

618
00:31:23,760 --> 00:31:26,440
Speaker 1: damn line. Plenty of people messed with him. I just

619
00:31:26,640 --> 00:31:29,080
Speaker 1: chose to not because we didn't have the best relationship

620
00:31:29,120 --> 00:31:30,520
Speaker 1: and I didn't want to ever have to fake it.

621
00:31:30,920 --> 00:31:32,480
Speaker 1: And we never talked about it. I guess should probably

622
00:31:32,480 --> 00:31:34,320
Speaker 1: talk about it after this, especially since this airs on

623
00:31:34,440 --> 00:31:36,960
Speaker 1: a vote. But you know, we've come a long way. Man.

624
00:31:37,120 --> 00:31:39,280
Speaker 1: I tell a story about him being super supportive during

625
00:31:39,320 --> 00:31:41,840
Speaker 1: the marathon and donating all that money, and you know,

626
00:31:41,960 --> 00:31:44,560
Speaker 1: he's who he is. But what was it he didn't like?

627
00:31:45,120 --> 00:31:47,360
Speaker 1: It was just moments. You read the book, Well, I'm

628
00:31:47,400 --> 00:31:49,280
Speaker 1: saying it for people who are listening, there were moments

629
00:31:49,360 --> 00:31:53,560
Speaker 1: that happened. Well, they could read the book too. There

630
00:31:53,560 --> 00:31:56,040
Speaker 1: are moments that happened where you know, his agenda was

631
00:31:56,080 --> 00:31:59,720
Speaker 1: different than mine, and you know he was aggressive about

632
00:31:59,800 --> 00:32:02,560
Speaker 1: his agenda as I was mine, and so sometimes that

633
00:32:02,680 --> 00:32:05,800
Speaker 1: just kind of bumped heads. Ran up on you one time,

634
00:32:06,440 --> 00:32:08,680
Speaker 1: well ran up its strong. Yeah, I mean it was

635
00:32:08,720 --> 00:32:13,080
Speaker 1: like he ran up on you, and you told me

636
00:32:13,160 --> 00:32:23,440
Speaker 1: and forced me to smoke crack and then out of

637
00:32:23,520 --> 00:32:27,400
Speaker 1: my apartment and I was evicted. I was hopeless, a

638
00:32:27,480 --> 00:32:31,600
Speaker 1: puffy and then you did um tupacket you in here

639
00:32:31,680 --> 00:32:34,480
Speaker 1: as well. Yeah, that says a lot about your character

640
00:32:34,640 --> 00:32:36,640
Speaker 1: because I know for me, if that was me and

641
00:32:36,680 --> 00:32:38,720
Speaker 1: I when I did, you would have totally aired immediate.

642
00:32:42,960 --> 00:32:44,960
Speaker 1: Here's the thing. I love that about you, and I

643
00:32:45,080 --> 00:32:48,160
Speaker 1: like and I respect different people's perspectives on how they

644
00:32:48,240 --> 00:32:50,120
Speaker 1: choose to use their mics, on how they choose because

645
00:32:50,120 --> 00:32:52,800
Speaker 1: it's important to have different voices, you know, It's important

646
00:32:52,800 --> 00:32:54,920
Speaker 1: to have people who just want to tell it as

647
00:32:55,000 --> 00:32:58,800
Speaker 1: it is point blank. What I've learned is that I

648
00:32:59,040 --> 00:33:01,880
Speaker 1: can't be myself to do what other people do. Like

649
00:33:02,440 --> 00:33:04,200
Speaker 1: if I spent my day trying to be Charlemagne, I

650
00:33:04,240 --> 00:33:07,360
Speaker 1: would fail miserably, right, And so it's and I do

651
00:33:07,560 --> 00:33:10,480
Speaker 1: need security. And then that's one of the things. It's

652
00:33:10,480 --> 00:33:12,440
Speaker 1: like there's a place for all these different type of voices.

653
00:33:12,440 --> 00:33:14,600
Speaker 1: And it took me a while to really appreciate my

654
00:33:14,720 --> 00:33:16,680
Speaker 1: own and want to make sure that I'm always true

655
00:33:16,720 --> 00:33:19,520
Speaker 1: to it. What made you tell that story? What story?

656
00:33:19,920 --> 00:33:23,840
Speaker 1: The pop story? And you talked about that story that

657
00:33:24,040 --> 00:33:25,880
Speaker 1: was honestly, if I could tell, if I could be honest,

658
00:33:25,960 --> 00:33:29,840
Speaker 1: that was one of the milder stories. Really, yeah, it was. Yeah,

659
00:33:29,920 --> 00:33:33,760
Speaker 1: the old story he tells that was a milder story.

660
00:33:33,880 --> 00:33:36,400
Speaker 1: And and honestly, one of the reasons I dreaded ever

661
00:33:36,440 --> 00:33:39,000
Speaker 1: putting stuff out was because of how it affect the

662
00:33:39,080 --> 00:33:42,240
Speaker 1: outside people that weren't involved. You know, But at this point,

663
00:33:42,560 --> 00:33:44,560
Speaker 1: I'm starting to realize that it's part kind of part

664
00:33:44,600 --> 00:33:47,560
Speaker 1: of history. It's not for me to to protect. I

665
00:33:47,600 --> 00:33:49,479
Speaker 1: think everybody's kind of moved on with their lives at

666
00:33:49,520 --> 00:33:52,640
Speaker 1: this point. The whole two hours, I am at some

667
00:33:52,760 --> 00:33:54,600
Speaker 1: point and you know, you know what, I'm not sure

668
00:33:54,640 --> 00:33:56,440
Speaker 1: where where it's going to happen, but it just has

669
00:33:56,480 --> 00:34:00,200
Speaker 1: to be like respectful and done well. At this point point,

670
00:34:00,200 --> 00:34:01,800
Speaker 1: it's been so long. You said you didn't want to

671
00:34:01,800 --> 00:34:03,560
Speaker 1: put it out because you didn't want to call it problems,

672
00:34:03,640 --> 00:34:06,680
Speaker 1: but then Poking Big both got killed. Yeah, but imagine

673
00:34:06,680 --> 00:34:08,239
Speaker 1: they would have both got killed and I would have

674
00:34:08,280 --> 00:34:10,200
Speaker 1: put it out. I would have you feel that I

675
00:34:10,239 --> 00:34:12,399
Speaker 1: would have forever held that, like did I have something

676
00:34:12,440 --> 00:34:14,719
Speaker 1: to do with that? Is because of you know, I

677
00:34:14,719 --> 00:34:17,200
Speaker 1: would have always worried that's something so grateful that I didn't,

678
00:34:17,239 --> 00:34:18,960
Speaker 1: because honestly, I would have lived with that forever. I

679
00:34:19,040 --> 00:34:20,560
Speaker 1: agree with a lot of the moves that you made

680
00:34:20,600 --> 00:34:22,839
Speaker 1: in the book, like because I felt like a lot

681
00:34:22,840 --> 00:34:24,600
Speaker 1: of staid the anti Martinez did. If I was in

682
00:34:24,680 --> 00:34:27,160
Speaker 1: that same situation, I'm like, I probably would have did

683
00:34:27,239 --> 00:34:28,960
Speaker 1: the same thing, yeah, because I do feel like a

684
00:34:29,040 --> 00:34:32,920
Speaker 1: sense of responsibility to other people and not causing more

685
00:34:33,040 --> 00:34:36,480
Speaker 1: issues than necessary, especially when something can be violent the

686
00:34:36,560 --> 00:34:38,640
Speaker 1: way that it was as harsh as it wasn't. It's

687
00:34:38,719 --> 00:34:40,920
Speaker 1: crazy when you think about that time and how hostile

688
00:34:40,920 --> 00:34:43,040
Speaker 1: it wasn't. How I mean you remember like everybody it

689
00:34:43,200 --> 00:34:46,239
Speaker 1: was it was real, like if it wasn't like a

690
00:34:46,360 --> 00:34:49,279
Speaker 1: gossip blog like it was scary, it was like real.

691
00:34:49,400 --> 00:34:51,680
Speaker 1: You felt like people were gonna get touched, and people

692
00:34:51,760 --> 00:34:53,800
Speaker 1: did and they did and we but you didn't know

693
00:34:53,880 --> 00:34:55,880
Speaker 1: to what extent how many like you just felt like

694
00:34:55,960 --> 00:34:58,600
Speaker 1: if it felt very dark, like a bad time, it was.

695
00:34:58,719 --> 00:35:00,279
Speaker 1: It was a bad time. What did the gyms to say?

696
00:35:00,320 --> 00:35:02,479
Speaker 1: I got from you and watching you is. But people

697
00:35:02,480 --> 00:35:04,880
Speaker 1: don't understand is you know how to do everything. You

698
00:35:05,000 --> 00:35:08,160
Speaker 1: know how to clutch, how to run your own ball,

699
00:35:08,760 --> 00:35:11,080
Speaker 1: and you're real anal with that. Like if somebody works

700
00:35:11,120 --> 00:35:14,160
Speaker 1: with you, gotta know she wanted perfect, and people don't

701
00:35:14,160 --> 00:35:15,920
Speaker 1: know that about you, like you do everything you know,

702
00:35:16,120 --> 00:35:20,480
Speaker 1: let nobody do anything. To this day, you still Andree's

703
00:35:20,480 --> 00:35:22,920
Speaker 1: gotten a few fired over here for not being you

704
00:35:22,960 --> 00:35:26,960
Speaker 1: know what I'm saying, But that's not my fault. That's

705
00:35:27,120 --> 00:35:30,280
Speaker 1: whoever that person's fault. It's like, you know, I can't

706
00:35:30,800 --> 00:35:32,600
Speaker 1: and I think as I've gotten older and more like

707
00:35:32,760 --> 00:35:36,640
Speaker 1: I just I don't can't tolerate being like somebody that's

708
00:35:36,680 --> 00:35:39,880
Speaker 1: not good. Plads can't tolerate lazy, people who are lazy,

709
00:35:40,200 --> 00:35:42,200
Speaker 1: or people who are not committed. I'm committed to what

710
00:35:42,320 --> 00:35:44,399
Speaker 1: I do, so if you are part of my team,

711
00:35:44,760 --> 00:35:46,600
Speaker 1: I need you also to be committed to whatever your

712
00:35:46,640 --> 00:35:48,879
Speaker 1: piece of that is. But like editing, I still take

713
00:35:48,920 --> 00:35:51,640
Speaker 1: prior to my stuff. So I feel like until I

714
00:35:51,840 --> 00:35:54,120
Speaker 1: have another Andree Martinez next to me who can edit

715
00:35:54,160 --> 00:35:56,319
Speaker 1: it and know exactly what I want to do, then

716
00:35:56,320 --> 00:35:59,040
Speaker 1: I gotta do it. Ever be another Aree Martinez because

717
00:35:59,280 --> 00:36:01,840
Speaker 1: you don't see kids doing the internships the way that

718
00:36:01,920 --> 00:36:04,320
Speaker 1: we did coming up and think of that nature working

719
00:36:04,360 --> 00:36:09,919
Speaker 1: in the promo department. Yeah, because they're lazy. I don't

720
00:36:09,920 --> 00:36:11,279
Speaker 1: even know how to tell kids to be a radio

721
00:36:11,320 --> 00:36:14,520
Speaker 1: personality anymore. Yeah. No, probably a different path. It's a

722
00:36:14,560 --> 00:36:16,799
Speaker 1: different like you have to go online us onlines, people

723
00:36:16,840 --> 00:36:20,600
Speaker 1: that are becoming celebrities places and then wind up. It's

724
00:36:20,640 --> 00:36:23,040
Speaker 1: just it's just a different path. But the work ethic

725
00:36:23,680 --> 00:36:25,960
Speaker 1: and the drive has to still be there. You know,

726
00:36:26,040 --> 00:36:28,160
Speaker 1: you can't do exactly what you did or I did,

727
00:36:28,239 --> 00:36:30,719
Speaker 1: or any of us did. You should take from it

728
00:36:30,840 --> 00:36:33,080
Speaker 1: the work ethic and the drive and the you know,

729
00:36:33,120 --> 00:36:35,440
Speaker 1: and the time you put into what you do. All right,

730
00:36:35,480 --> 00:36:37,640
Speaker 1: we have more with Angie Martinez when we come back.

731
00:36:37,760 --> 00:36:39,880
Speaker 1: Keep it locked. It's the Breakfast Club. Good Morning, the

732
00:36:40,120 --> 00:36:48,480
Speaker 1: Breakfast Club the Morning. Everybody is DJ M v Angela, Ye,

733
00:36:48,640 --> 00:36:50,960
Speaker 1: Charlemagne the guy. We are the Breakfast Club. Now we

734
00:36:51,040 --> 00:36:53,239
Speaker 1: have Angie Martinez in the building. She has a new

735
00:36:53,280 --> 00:36:55,279
Speaker 1: book called A Voice. That Forward is by j Cole.

736
00:36:55,360 --> 00:36:56,840
Speaker 1: A lot of people, first of all, I didn't know

737
00:36:56,920 --> 00:36:58,520
Speaker 1: some of people didn't know what the Forward was because

738
00:36:58,520 --> 00:37:00,879
Speaker 1: people were like, I know, They're like, what does that mean? Why?

739
00:37:01,960 --> 00:37:04,520
Speaker 1: I'm like, come on, that's honestly, that's the only thing

740
00:37:04,520 --> 00:37:07,560
Speaker 1: I didn't like about THEO. And I liked what he wrote,

741
00:37:07,840 --> 00:37:10,919
Speaker 1: but I just didn't feel like what made you? Yeah,

742
00:37:11,000 --> 00:37:14,640
Speaker 1: I feel like jay Z or somebody, Oh, I feel opposite.

743
00:37:14,840 --> 00:37:16,920
Speaker 1: I felt opposite because I think my space in the

744
00:37:16,960 --> 00:37:19,800
Speaker 1: culture is that, like, you know, I have this history,

745
00:37:19,880 --> 00:37:21,640
Speaker 1: but I'm also still very much in it. I mean,

746
00:37:21,680 --> 00:37:24,000
Speaker 1: you could check my ratings in the afternoon. We're still

747
00:37:27,960 --> 00:37:31,760
Speaker 1: but I'm very grey for them. We have amazing numbers

748
00:37:31,760 --> 00:37:34,880
Speaker 1: in the afternoons, and so it's like I feel I

749
00:37:35,040 --> 00:37:36,799
Speaker 1: have like one foot and this side of one foot

750
00:37:36,840 --> 00:37:38,759
Speaker 1: in this side them, which is a unique position to

751
00:37:38,880 --> 00:37:40,799
Speaker 1: be in. Think about Cole is, I feel like Cole

752
00:37:40,920 --> 00:37:43,320
Speaker 1: is really a student of the culture, like somebody who cares,

753
00:37:43,400 --> 00:37:46,880
Speaker 1: and so in telling my story to not just the

754
00:37:47,080 --> 00:37:49,239
Speaker 1: people that were there, but telling my story to people

755
00:37:49,280 --> 00:37:50,880
Speaker 1: that are new and may not know these stories, it

756
00:37:51,080 --> 00:37:53,560
Speaker 1: was he's the perfect person to kind of deliver it

757
00:37:54,239 --> 00:37:55,960
Speaker 1: to that, and he also speaks to the fact that

758
00:37:56,160 --> 00:37:58,279
Speaker 1: there's things to be learned from the way we came

759
00:37:58,400 --> 00:38:00,279
Speaker 1: up and the way that you know, radio was at

760
00:38:00,320 --> 00:38:01,920
Speaker 1: that time, and hip hop was at that time, so

761
00:38:02,040 --> 00:38:04,120
Speaker 1: it was perfect and I think he's amazing and I was,

762
00:38:04,360 --> 00:38:06,080
Speaker 1: I was, it was the perfect one. I think Jay

763
00:38:06,120 --> 00:38:08,440
Speaker 1: would have been like so predictable and so like what

764
00:38:08,560 --> 00:38:10,960
Speaker 1: could he say that hasn't already been said in terms

765
00:38:11,000 --> 00:38:13,840
Speaker 1: of like we don't know, maybe he could, maybe he

766
00:38:13,840 --> 00:38:16,160
Speaker 1: could have. Maybe he could have part two then, but

767
00:38:16,360 --> 00:38:18,400
Speaker 1: maybe part two maybe yeah, maybe the second maybe the

768
00:38:18,440 --> 00:38:21,320
Speaker 1: second book. He'll he'll grace me with a with a forward.

769
00:38:21,600 --> 00:38:23,120
Speaker 1: Speaking of whole, he used to let you hit all

770
00:38:23,160 --> 00:38:25,600
Speaker 1: his albums before you put him out. Was there ever

771
00:38:25,640 --> 00:38:27,640
Speaker 1: any songs you told him was whack that still ended

772
00:38:27,719 --> 00:38:30,520
Speaker 1: up being hits? Yeah? Probably his biggest song ever was

773
00:38:30,520 --> 00:38:33,000
Speaker 1: a hard Knock Life. I hated it, really I did.

774
00:38:33,120 --> 00:38:35,239
Speaker 1: I hated it singing because I used to love the

775
00:38:35,280 --> 00:38:37,920
Speaker 1: Anti soundtrack and I just was like, you check, come on,

776
00:38:38,040 --> 00:38:45,160
Speaker 1: this is It was like like this is terrible, terrible,

777
00:38:45,160 --> 00:38:47,120
Speaker 1: But I was like, it's all right, are you gonna single?

778
00:38:47,239 --> 00:38:48,960
Speaker 1: Like I don't think and of course you know, it's biggest,

779
00:38:49,120 --> 00:38:50,879
Speaker 1: one of his biggest songs ever. What did he say

780
00:38:50,920 --> 00:38:54,120
Speaker 1: after that? I think he just would always take opinion

781
00:38:54,239 --> 00:38:55,719
Speaker 1: and just kind of take it for what it was.

782
00:38:56,280 --> 00:38:57,879
Speaker 1: I don't think it was like he's like, I'm gonna

783
00:38:57,960 --> 00:38:59,480
Speaker 1: change my single now because you don't like it. I

784
00:38:59,520 --> 00:39:01,600
Speaker 1: don't think it is that. But I think he liked

785
00:39:01,640 --> 00:39:03,120
Speaker 1: to the same way. It's like I gave this book

786
00:39:03,120 --> 00:39:04,839
Speaker 1: to a few people, and it's soul like. Especially when

787
00:39:04,840 --> 00:39:07,520
Speaker 1: you guys gave me feedback, people who are in your career,

788
00:39:07,640 --> 00:39:10,520
Speaker 1: who you know, it's important to hear what you resonated

789
00:39:10,560 --> 00:39:12,200
Speaker 1: to what you liked that you didn't like. So I

790
00:39:12,280 --> 00:39:13,680
Speaker 1: think for him it was the same thing, and I

791
00:39:13,719 --> 00:39:16,239
Speaker 1: think he trusted me, and so that became like a thing. Real.

792
00:39:16,400 --> 00:39:18,360
Speaker 1: Are you at the point where you realize that you

793
00:39:18,480 --> 00:39:22,160
Speaker 1: and your peers R and D legends? I don't know.

794
00:39:23,000 --> 00:39:25,320
Speaker 1: Come on. One of the college kids asked me the

795
00:39:25,360 --> 00:39:27,400
Speaker 1: other day, when did you feel like you made it?

796
00:39:27,480 --> 00:39:29,320
Speaker 1: I was like, I still don't feel like I made it.

797
00:39:29,480 --> 00:39:31,719
Speaker 1: I still feel like I want to do films. I

798
00:39:31,800 --> 00:39:34,239
Speaker 1: want to write a movie script, I want to do TV.

799
00:39:34,360 --> 00:39:36,279
Speaker 1: I want to do but could be a movie. I

800
00:39:36,360 --> 00:39:38,160
Speaker 1: was talking about that the other day. I was thinking

801
00:39:38,200 --> 00:39:41,640
Speaker 1: I could see everything as like a mix between like

802
00:39:41,719 --> 00:39:44,680
Speaker 1: a modern like coming of age, like a brown sugar

803
00:39:46,200 --> 00:39:50,480
Speaker 1: hitting the crack pipe and the trail will be me.

804
00:39:51,760 --> 00:39:56,280
Speaker 1: There's a lot of stories. There's fights, there's work, there's struggle,

805
00:39:56,520 --> 00:39:59,040
Speaker 1: there's success. You talked about your love life, which was

806
00:39:59,080 --> 00:40:01,600
Speaker 1: surprising that you could. You couldn't wait to get to

807
00:40:01,680 --> 00:40:04,480
Speaker 1: that man. There was one guy and they dated him

808
00:40:04,480 --> 00:40:06,640
Speaker 1: and I know him too that I'm back in the

809
00:40:06,760 --> 00:40:08,480
Speaker 1: day and when I work at Wu Tang he worked

810
00:40:08,520 --> 00:40:12,319
Speaker 1: out loud. Oh yeah, you didn't say his name. She did.

811
00:40:15,040 --> 00:40:17,560
Speaker 1: Was always a cute couple. The first pop one of

812
00:40:17,560 --> 00:40:20,000
Speaker 1: the first epop power, the first power. Yeah, but we

813
00:40:20,080 --> 00:40:22,080
Speaker 1: were so like people didn't really know. No, we were

814
00:40:22,200 --> 00:40:24,239
Speaker 1: very kind of just like below the radar, So we

815
00:40:24,320 --> 00:40:27,759
Speaker 1: didn't tell you. Wendy Williams, who don't get off the

816
00:40:27,840 --> 00:40:29,960
Speaker 1: que tip things so fast now because you know, they

817
00:40:30,040 --> 00:40:35,359
Speaker 1: tell a lot of women nowadays, what's happening. They tell

818
00:40:35,400 --> 00:40:37,480
Speaker 1: a lot of women at radio nowadays. Don't mix the

819
00:40:37,600 --> 00:40:39,920
Speaker 1: business with the pleasure. I mean, you know, it's whoever

820
00:40:40,000 --> 00:40:41,920
Speaker 1: some people. I guess it works for some people, it doesn't.

821
00:40:42,200 --> 00:40:44,520
Speaker 1: You know, I dated somebody that I did somebody who wasn't.

822
00:40:44,600 --> 00:40:46,359
Speaker 1: It doesn't matter. It just depends who the person's who

823
00:40:46,400 --> 00:40:47,920
Speaker 1: you like, it's who you like, and it's how well,

824
00:40:48,000 --> 00:40:50,080
Speaker 1: they deal with what you do. And because that was

825
00:40:50,160 --> 00:40:52,520
Speaker 1: the thing with why I would mention any guy in

826
00:40:52,600 --> 00:40:54,720
Speaker 1: there is because to tell you some of those challenges

827
00:40:54,760 --> 00:40:56,920
Speaker 1: of being a woman. It's like, you know, when your

828
00:40:56,960 --> 00:40:59,640
Speaker 1: man's like, what are you going to interview tupop four? Yeah,

829
00:41:00,480 --> 00:41:02,600
Speaker 1: Like I think girls need to know that. I think

830
00:41:02,680 --> 00:41:05,320
Speaker 1: girls need to I put myself in that situation. I'm like,

831
00:41:05,440 --> 00:41:12,439
Speaker 1: if my girl, that's why we wouldn't have made it exactly. Yeah,

832
00:41:12,440 --> 00:41:17,680
Speaker 1: I'm going with you. We're going I feel, you know, Auntie,

833
00:41:17,680 --> 00:41:19,359
Speaker 1: because I wouldn't want to date a guy that would

834
00:41:19,400 --> 00:41:20,880
Speaker 1: have an issue with me going to do something that

835
00:41:20,880 --> 00:41:22,799
Speaker 1: could be one of the biggest things in my career ever.

836
00:41:23,000 --> 00:41:24,799
Speaker 1: This is what I'm saying, especially when you're It's one

837
00:41:24,800 --> 00:41:26,719
Speaker 1: thing if you're married, you're married and you have four

838
00:41:26,800 --> 00:41:29,000
Speaker 1: or five kids, that's a different type of relationship. When

839
00:41:29,040 --> 00:41:31,319
Speaker 1: you're in your young twenties and you're dating somebody who

840
00:41:31,560 --> 00:41:35,160
Speaker 1: is not on board with what your vision is for

841
00:41:35,239 --> 00:41:38,440
Speaker 1: your life, you gotta keep a pushing bye bye. You

842
00:41:38,480 --> 00:41:40,200
Speaker 1: know what I'm saying, Not that you're a bad guy,

843
00:41:40,239 --> 00:41:42,080
Speaker 1: but you're not on my track right now. And a

844
00:41:42,120 --> 00:41:44,560
Speaker 1: couple of the couple of relationships that I do talk about.

845
00:41:44,600 --> 00:41:46,520
Speaker 1: It's the same. They didn't work for the same reason.

846
00:41:46,600 --> 00:41:49,160
Speaker 1: It's like, you're not going where I'm going, and so

847
00:41:49,760 --> 00:41:51,799
Speaker 1: it's not God, you ever getting dumb arguments like you'd

848
00:41:51,800 --> 00:41:53,600
Speaker 1: be like your Midnight Maraudus is classic, Like y're you

849
00:41:53,640 --> 00:42:00,160
Speaker 1: just saying that because you're dating Tip classics classics? But

850
00:42:00,280 --> 00:42:02,680
Speaker 1: Dooper classic? No, I don't know. People didn't really know

851
00:42:03,000 --> 00:42:05,040
Speaker 1: at the time. I think most people knew, like after

852
00:42:05,160 --> 00:42:07,719
Speaker 1: we broke ye then we weren't together for many years

853
00:42:07,760 --> 00:42:09,799
Speaker 1: and we're good friends, and people thought we were dating them.

854
00:42:09,880 --> 00:42:12,160
Speaker 1: Like it's so late on that, so there wasn't a lot.

855
00:42:12,360 --> 00:42:14,400
Speaker 1: Did he lose a lot of music in that situation?

856
00:42:14,760 --> 00:42:16,560
Speaker 1: I don't want to say. I'm talking about a tribe

857
00:42:16,640 --> 00:42:18,759
Speaker 1: music that I've already done, that nobody made even heard. Yeah,

858
00:42:18,800 --> 00:42:21,160
Speaker 1: I'm sure, yeah, all types of stuff. Oh my god,

859
00:42:21,200 --> 00:42:24,759
Speaker 1: that was terrible. They're talking about the fire. Yeah, I'm

860
00:42:24,800 --> 00:42:28,520
Speaker 1: sure music, beats, songs that were completed, samples, all that

861
00:42:28,640 --> 00:42:30,200
Speaker 1: that you were arguing at that time. Did you think

862
00:42:30,200 --> 00:42:32,160
Speaker 1: that you said the house on fire person that everyone

863
00:42:32,360 --> 00:42:34,560
Speaker 1: was mine because ya were arguing you like that and

864
00:42:39,200 --> 00:42:43,160
Speaker 1: fire okay, hate you so much? I really hate you,

865
00:42:44,360 --> 00:42:47,840
Speaker 1: because that's because that's gonna be the headline. Baller alert.

866
00:42:48,080 --> 00:42:49,279
Speaker 1: That is one part of the book. You just up

867
00:42:49,320 --> 00:42:51,560
Speaker 1: and left your baby daddy. Oh wow, what did he say?

868
00:42:51,600 --> 00:42:55,279
Speaker 1: You are really wow? Wow? Wow happened. But let's leave

869
00:42:55,360 --> 00:42:57,399
Speaker 1: that in the book. Let's leave that the book. Let's

870
00:42:57,480 --> 00:42:59,000
Speaker 1: leave that. But I was I would say I was

871
00:42:59,200 --> 00:43:01,520
Speaker 1: a little bit careful that just because family and mic

872
00:43:01,600 --> 00:43:04,880
Speaker 1: so everything. But also there was a lesson listen anything

873
00:43:04,920 --> 00:43:06,880
Speaker 1: that I share and if somebody else gets into it,

874
00:43:06,960 --> 00:43:10,440
Speaker 1: I'm sorry. But honestly, I've learned something from all those situations.

875
00:43:10,880 --> 00:43:19,319
Speaker 1: Shout the That's the good thing about this book too.

876
00:43:19,360 --> 00:43:21,799
Speaker 1: It makes you respect other people in your life. Right,

877
00:43:21,880 --> 00:43:25,600
Speaker 1: It's like the ain't really been down since they wanted Yeah, yeah, yeah, yeah.

878
00:43:25,719 --> 00:43:27,239
Speaker 1: There's only one other thing we need you to do.

879
00:43:27,320 --> 00:43:32,200
Speaker 1: We need you to break dance. Here you break dancing

880
00:43:32,200 --> 00:43:35,480
Speaker 1: in the book. Yeah, that's not gonna happen. But thank

881
00:43:35,560 --> 00:43:38,160
Speaker 1: you though, I thank you for the opportunity, But that's

882
00:43:38,200 --> 00:43:39,560
Speaker 1: not gonna happen. To that. There's a lot more in

883
00:43:39,600 --> 00:43:41,960
Speaker 1: this book that we didn't even get remotely discussing. That's

884
00:43:42,000 --> 00:43:44,600
Speaker 1: the problem with talking about books and movies. Nobody's seen

885
00:43:44,840 --> 00:43:47,120
Speaker 1: no you know what I mean, But go get this book.

886
00:43:47,160 --> 00:43:49,040
Speaker 1: If you're a hip hop a story, and if you're

887
00:43:49,040 --> 00:43:51,680
Speaker 1: a radio historian, you have to get to And if

888
00:43:51,719 --> 00:43:53,759
Speaker 1: you know nothing about radio or anything like that, you

889
00:43:53,840 --> 00:43:56,000
Speaker 1: are still and you're still enjoyed. It's very well written

890
00:43:56,040 --> 00:44:00,320
Speaker 1: in great stories. No matter what hip hop outliers said that.

891
00:44:00,440 --> 00:44:02,759
Speaker 1: That's so dope to me. It's amazing to feel how

892
00:44:02,880 --> 00:44:04,920
Speaker 1: different parts kind of resonate with people. And I'm really

893
00:44:04,960 --> 00:44:07,399
Speaker 1: proud of it. I'm you know this everything, I stand

894
00:44:07,440 --> 00:44:10,000
Speaker 1: by it in there, I'm so happy. Like the classic Man,

895
00:44:10,080 --> 00:44:13,040
Speaker 1: instant classic, a great documentation of a classic story from

896
00:44:13,040 --> 00:44:17,040
Speaker 1: a classic person. I was born to Donkey. It's the

897
00:44:17,239 --> 00:44:36,319
Speaker 1: Donkey of the Death Charmage, Devil Breakfast Club. Listen. Dunk

898
00:44:36,360 --> 00:44:39,439
Speaker 1: Here Today goes to x Ohio state superstar football player

899
00:44:39,440 --> 00:44:42,320
Speaker 1: at Troy Smith now Troy Smith, got arrested for drunk

900
00:44:42,440 --> 00:44:45,320
Speaker 1: driving and cops found a little marijuana, a little weed

901
00:44:45,400 --> 00:44:48,080
Speaker 1: in his cop Okay, not drunk driving. Driving while on

902
00:44:48,160 --> 00:44:51,680
Speaker 1: drugs is stupid and selfishing. That by itself is dunk

903
00:44:51,719 --> 00:44:55,479
Speaker 1: Here to day work. But TMZ Sports obtained the dash

904
00:44:55,520 --> 00:44:58,000
Speaker 1: cam video shot by the police officers when they pulled

905
00:44:58,000 --> 00:45:00,279
Speaker 1: over the hiding a trophy winner, and this takes it

906
00:45:00,320 --> 00:45:02,120
Speaker 1: to a whole nother level. I always find it a

907
00:45:02,200 --> 00:45:04,640
Speaker 1: musing when people are drunk, because when I'm drunk, I

908
00:45:04,680 --> 00:45:07,640
Speaker 1: don't think I'm impaired, meaning I know what's going on.

909
00:45:08,000 --> 00:45:10,320
Speaker 1: I know what I'm saying. When I see people like

910
00:45:10,360 --> 00:45:12,480
Speaker 1: Troy Smith, if I question if I've ever really been drunk?

911
00:45:13,160 --> 00:45:15,600
Speaker 1: Can we hear this traffic stop? Please? Are you doing

912
00:45:15,800 --> 00:45:19,839
Speaker 1: good yourself? I'm officer, sir? What's that? I'm officer? You're

913
00:45:19,880 --> 00:45:23,000
Speaker 1: an officer? No? No, no, I'm great. How much alcohol

914
00:45:23,000 --> 00:45:25,439
Speaker 1: you consume tonight? No? Fair to say? What's your highest

915
00:45:25,520 --> 00:45:29,239
Speaker 1: level education? I graduated from Ohio State? Okay, my name

916
00:45:29,360 --> 00:45:33,720
Speaker 1: is Troy Smith. Okay, college degree. I've graduated from Ohio

917
00:45:33,880 --> 00:45:36,920
Speaker 1: State with the degree in bachelor's Fair to say you

918
00:45:37,000 --> 00:45:39,880
Speaker 1: know the alphabet, sir? Definitely? But okay, that's that's what

919
00:45:39,920 --> 00:45:41,320
Speaker 1: I'm trying to ask you. What. I just want to

920
00:45:41,320 --> 00:45:43,439
Speaker 1: make sure you're not impaired, sir, not at all? Okay?

921
00:45:43,480 --> 00:45:45,560
Speaker 1: Can you recite to alphabet for me? Started the letter

922
00:45:45,640 --> 00:45:47,840
Speaker 1: C and stop at the letter W. I can. I

923
00:45:47,920 --> 00:45:51,960
Speaker 1: can definitely recite the A the ABC's from A to Z,

924
00:45:52,600 --> 00:45:57,680
Speaker 1: from C to W. Can you do that? C? G, E,

925
00:45:58,400 --> 00:46:08,000
Speaker 1: F G H I Okay, where do we start? Right?

926
00:46:09,040 --> 00:46:12,480
Speaker 1: First of all, he said he had no alcohol by

927
00:46:13,080 --> 00:46:17,120
Speaker 1: detective tests determined yes. Second, he said, I'm officer. What

928
00:46:17,239 --> 00:46:19,560
Speaker 1: does that even mean? What were you trying to say?

929
00:46:19,680 --> 00:46:23,319
Speaker 1: High officer? Hi, I'm maybe you said as I am

930
00:46:23,400 --> 00:46:26,359
Speaker 1: an officer's relative. You had a Fraternal Order of Police card.

931
00:46:26,440 --> 00:46:28,840
Speaker 1: And as soon as soon as you said I'm officer,

932
00:46:29,480 --> 00:46:32,040
Speaker 1: the police knew you were drunk. Okay, they were just

933
00:46:32,160 --> 00:46:33,960
Speaker 1: going along with you to see how good this was

934
00:46:34,000 --> 00:46:37,120
Speaker 1: gonna get, and it got better. Because what exactly is

935
00:46:37,160 --> 00:46:40,120
Speaker 1: a degree in bachelor's You have a degree in single

936
00:46:40,160 --> 00:46:42,759
Speaker 1: min What kind of profession do you start with that degree?

937
00:46:42,800 --> 00:46:44,920
Speaker 1: Do you get eligible bachelors and hooked them up with

938
00:46:44,960 --> 00:46:46,840
Speaker 1: women who are looking for them? You have a degree

939
00:46:46,920 --> 00:46:50,400
Speaker 1: in pampology? Huh? Now it is defense. The police hit

940
00:46:50,480 --> 00:46:52,880
Speaker 1: him with a trick question with that alphabet thing. Okay,

941
00:46:53,000 --> 00:46:55,800
Speaker 1: starting that she is a little difficult but just sounded

942
00:46:55,840 --> 00:47:00,160
Speaker 1: off in your head a B boom. Then start that

943
00:47:00,280 --> 00:47:03,080
Speaker 1: C and you wouldn't have any problem. But bro, you

944
00:47:03,200 --> 00:47:05,800
Speaker 1: got stuck after I can I hear? I need to

945
00:47:05,840 --> 00:47:07,440
Speaker 1: hear one more time? Can hear one more time? Can

946
00:47:07,480 --> 00:47:09,719
Speaker 1: you recite the alphabet form started the letter C and

947
00:47:09,760 --> 00:47:12,440
Speaker 1: stop at the letter W. I can I can definitely

948
00:47:12,520 --> 00:47:16,600
Speaker 1: recite the A the ABC's from A to Z, from

949
00:47:16,640 --> 00:47:21,520
Speaker 1: C to W. Can you do that? C G E

950
00:47:22,239 --> 00:47:28,600
Speaker 1: F G H I. Okay, turn around for and put

951
00:47:28,600 --> 00:47:30,279
Speaker 1: your head up in your fact. Now, let's be clear.

952
00:47:30,320 --> 00:47:32,719
Speaker 1: The cop was trying to be funny when he said,

953
00:47:32,760 --> 00:47:35,680
Speaker 1: recite the alphabet from C to W because the CW

954
00:47:35,960 --> 00:47:37,960
Speaker 1: was a black network that was the home of Dwayne's

955
00:47:38,000 --> 00:47:40,359
Speaker 1: brothers girlfriends in the game. Okay, y'all need to stay

956
00:47:40,440 --> 00:47:42,759
Speaker 1: woke out here, all right. That cop, that cop knew

957
00:47:42,800 --> 00:47:45,440
Speaker 1: what he was doing. Okay, and you have to give

958
00:47:45,480 --> 00:47:48,320
Speaker 1: the man Troy a little bit of props because he

959
00:47:48,560 --> 00:47:51,640
Speaker 1: used the last letter he could remember in the alphabet

960
00:47:51,719 --> 00:47:54,080
Speaker 1: to form a complete sentence. Play it one more time.

961
00:47:54,160 --> 00:47:56,520
Speaker 1: Just listen to what he did. This is genius. C

962
00:47:58,080 --> 00:48:03,680
Speaker 1: G E F G H I. I just want to

963
00:48:03,719 --> 00:48:10,040
Speaker 1: go home from Troy, damn it. Okay, he should get

964
00:48:10,080 --> 00:48:14,320
Speaker 1: some points for that, all right. Please give Troy Smith

965
00:48:14,800 --> 00:48:19,880
Speaker 1: the biggest heath hall please. All right, you gotta give

966
00:48:19,920 --> 00:48:21,839
Speaker 1: him a little bit of props. He failed to feel

967
00:48:21,920 --> 00:48:25,440
Speaker 1: sobriety tests. But that was a little bit of genius.

968
00:48:25,960 --> 00:48:28,960
Speaker 1: The last letter you can remember is I, and then

969
00:48:29,040 --> 00:48:31,200
Speaker 1: you just finished with a complete sentence. I just want

970
00:48:31,239 --> 00:48:34,440
Speaker 1: to go home, right appau to Troy smith Man. My goodness,

971
00:48:34,520 --> 00:48:42,520
Speaker 1: all right, that was amazing. Goo go show this Sugaray,

972
00:48:42,800 --> 00:48:46,239
Speaker 1: we're gonna like this sugar baby, gonna sit for con

973
00:48:46,360 --> 00:48:48,920
Speaker 1: he like it's sugar fake and you know we don't

974
00:48:48,960 --> 00:48:53,920
Speaker 1: give up because the book, my mind got what you

975
00:48:54,040 --> 00:48:57,759
Speaker 1: need you need to feel the bars. I'm gonna make

976
00:48:57,800 --> 00:49:00,560
Speaker 1: it a little so coke, get me up and getting

977
00:49:00,760 --> 00:49:03,719
Speaker 1: up from me in the blog bottleful of blood. My

978
00:49:03,840 --> 00:49:05,920
Speaker 1: mind got what you need you need to feel the

979
00:49:06,000 --> 00:49:08,960
Speaker 1: boss I'm into having said, ain't there making love? So

980
00:49:09,120 --> 00:49:11,680
Speaker 1: come get me up in the getting the room and

981
00:49:11,880 --> 00:49:13,960
Speaker 1: unful up out the front. You see the bins don't

982
00:49:14,000 --> 00:49:16,400
Speaker 1: do When I wrote twenty teb so it's drama in

983
00:49:16,520 --> 00:49:19,520
Speaker 1: the club. Yeah, I wrote with dre everybody show me love.

984
00:49:19,640 --> 00:49:22,200
Speaker 1: When you said, like the playing a group of look,

985
00:49:22,400 --> 00:49:24,880
Speaker 1: come me, ain't none chain throw down, cheese up, I

986
00:49:24,960 --> 00:49:27,520
Speaker 1: see exhibit in the cutting man, roll them trees up,

987
00:49:27,560 --> 00:49:31,120
Speaker 1: brolling my time, moving from staying four playoff pick. Been

988
00:49:31,160 --> 00:49:32,960
Speaker 1: hit with a few shows. Now I don't walk with

989
00:49:33,000 --> 00:49:35,440
Speaker 1: the little mind in the hood, and it sain't fit

990
00:49:35,520 --> 00:49:37,719
Speaker 1: to you like me. I want them to love me

991
00:49:37,800 --> 00:49:40,759
Speaker 1: like get love Bill in New York show to tell

992
00:49:40,880 --> 00:49:43,480
Speaker 1: y'all local, we're playing it to pick the rat game

993
00:49:43,520 --> 00:49:46,879
Speaker 1: in the Trump focus man, my money in my mind

994
00:49:47,000 --> 00:49:48,880
Speaker 1: got the meal up the deal and I'm still in

995
00:49:48,960 --> 00:49:51,560
Speaker 1: the ground. And so he said, filling my stats, filling

996
00:49:51,640 --> 00:49:53,919
Speaker 1: my floor. A girlfriend put it and buy and there

997
00:49:53,960 --> 00:49:57,359
Speaker 1: ready to go. Yeah, we bottleful of blove. My mind

998
00:49:57,440 --> 00:49:59,560
Speaker 1: got what you need you need the feel the bass,

999
00:50:00,360 --> 00:50:03,040
Speaker 1: having said, ain't gonna making love to come? Give me

1000
00:50:03,160 --> 00:50:05,600
Speaker 1: a love getting and getting up and can find me

1001
00:50:05,680 --> 00:50:08,040
Speaker 1: in the club. Got the full of book. My mind

1002
00:50:08,120 --> 00:50:10,280
Speaker 1: got what you need you need to feel the bass.

1003
00:50:10,440 --> 00:50:13,319
Speaker 1: I'm not having said, ain't getta making love to come?

1004
00:50:13,440 --> 00:50:17,040
Speaker 1: Give me a ug in the getting the bod I

1005
00:50:17,239 --> 00:50:20,360
Speaker 1: feel on my show, broke me to go. That bought me.

1006
00:50:20,640 --> 00:50:24,280
Speaker 1: Oh my fancy things, my grip, my cause, my cools,

1007
00:50:24,360 --> 00:50:26,600
Speaker 1: my shoes look on me. I like, ain't more than

1008
00:50:26,680 --> 00:50:29,600
Speaker 1: I ain't changing. You should wait mooting your hat? Oh

1009
00:50:29,760 --> 00:50:32,000
Speaker 1: you man, I cook? Did you be happy? I made

1010
00:50:32,280 --> 00:50:34,560
Speaker 1: I'm not capt by the ball. Tosten to the good

1011
00:50:34,640 --> 00:50:36,880
Speaker 1: like moving doctor hood. How you trying to pull me

1012
00:50:37,000 --> 00:50:39,520
Speaker 1: back round? You don't get the bumping in the club.

1013
00:50:39,600 --> 00:50:43,160
Speaker 1: It out on on with mind to smashing gun the

1014
00:50:43,280 --> 00:50:46,000
Speaker 1: two four five man just set it burn to tune

1015
00:50:46,040 --> 00:50:48,640
Speaker 1: in about money home. I ain't sir, I'm gonna take

1016
00:50:48,680 --> 00:50:50,560
Speaker 1: you for base for me because go ahead, switch the

1017
00:50:50,600 --> 00:50:52,680
Speaker 1: style up in the deck. Then let him making like

1018
00:50:52,840 --> 00:50:55,239
Speaker 1: the money paddle up and we can go outside the

1019
00:50:55,320 --> 00:50:57,560
Speaker 1: head with a bottle of book. Come on, wen't know

1020
00:50:57,600 --> 00:50:59,560
Speaker 1: where we beat. We're gonna come me in the club

1021
00:51:00,000 --> 00:51:01,880
Speaker 1: out the full of book. My mind got what you

1022
00:51:02,000 --> 00:51:04,520
Speaker 1: need you need the feel of boss. I'm not having

1023
00:51:04,600 --> 00:51:07,319
Speaker 1: said singing to making love to come give me up

1024
00:51:07,800 --> 00:51:10,759
Speaker 1: and getting up can caught me in the club, got

1025
00:51:10,800 --> 00:51:12,839
Speaker 1: the full of boob my mind got what you need

1026
00:51:13,080 --> 00:51:15,880
Speaker 1: you need the feeling boss. I'm not having said saint

1027
00:51:16,160 --> 00:51:19,520
Speaker 1: to making love, so come give me up getting the girl.

1028
00:51:21,520 --> 00:51:23,360
Speaker 1: You'll try to thank You don't know we beat me.

1029
00:51:24,320 --> 00:51:28,080
Speaker 1: We have a club on cow prop shit he at

1030
00:51:28,120 --> 00:51:36,560
Speaker 1: the mat whatef y'all is DJ vybody named Charlomagne and

1031
00:51:36,600 --> 00:51:38,640
Speaker 1: gaut and we just want to say happy holidays from

1032
00:51:38,680 --> 00:51:41,360
Speaker 1: all three of us, all three of y'all the Breakfast

1033
00:51:41,440 --> 00:51:47,960
Speaker 1: Club morning. Everybody is DJ vy Angela Yee, Charlomagne, the guy.

1034
00:51:48,040 --> 00:51:50,319
Speaker 1: We are the Breakfast Club. We got a special guest

1035
00:51:50,360 --> 00:51:52,440
Speaker 1: in the building and he came with some gifts. He

1036
00:51:52,560 --> 00:51:54,480
Speaker 1: better come with the gifts. He's the richest comedian in

1037
00:51:54,560 --> 00:51:59,279
Speaker 1: the world. Brother, we don't know what that he passed. Seinfeld,

1038
00:52:00,160 --> 00:52:05,359
Speaker 1: better come with some gifts. That's all speculation. Headphones now

1039
00:52:06,560 --> 00:52:08,880
Speaker 1: enough to bring us. I normally just the host get it.

1040
00:52:08,960 --> 00:52:11,319
Speaker 1: But he said he's gonna send twelve more pairs up here,

1041
00:52:11,440 --> 00:52:14,279
Speaker 1: brought y'all, brought y'all some gifts. Man, Uh, you know

1042
00:52:14,360 --> 00:52:18,919
Speaker 1: it's not just maybe got some dope partners involved. Myself, Drake, CP, Chris, Paul,

1043
00:52:19,000 --> 00:52:21,960
Speaker 1: We all you know back this. Uh this guy Jason's

1044
00:52:22,000 --> 00:52:25,239
Speaker 1: vision with these headphones is a partnerple know about this.

1045
00:52:25,400 --> 00:52:26,800
Speaker 1: And look, man, I'm not gonna get into all that.

1046
00:52:28,520 --> 00:52:30,320
Speaker 1: I don't know what's going on. I got no I

1047
00:52:30,440 --> 00:52:33,440
Speaker 1: got no uh information or intel about that. What I

1048
00:52:33,480 --> 00:52:35,719
Speaker 1: can't tell you is that I'm backing it, and I don't.

1049
00:52:35,760 --> 00:52:37,920
Speaker 1: I don't back things that I don't believe in. So

1050
00:52:38,360 --> 00:52:42,160
Speaker 1: headphones are dope. It's a smart headphone, h the first

1051
00:52:42,200 --> 00:52:44,640
Speaker 1: actual smart headphone. What does that mean? You'll be able

1052
00:52:44,719 --> 00:52:47,239
Speaker 1: to share You'll be able to share information through the

1053
00:52:47,239 --> 00:52:49,600
Speaker 1: Bluetooth activity of the headphone. So it's investments like this

1054
00:52:49,719 --> 00:52:52,880
Speaker 1: that allow you to surpass Jerry Sign. Brother, that's all speculation.

1055
00:52:53,440 --> 00:52:56,319
Speaker 1: I don't know where you'all comedian in the world. Look, man,

1056
00:52:56,440 --> 00:52:58,360
Speaker 1: God is good. How y'all doing? What's going on? Everybody

1057
00:52:58,400 --> 00:53:00,880
Speaker 1: all right? And by the way, congratulations on your Men's

1058
00:53:00,920 --> 00:53:03,000
Speaker 1: Fitness cover. I know that's a big deal. That was

1059
00:53:03,080 --> 00:53:04,920
Speaker 1: a big deal. Yes, that was a big deal. To

1060
00:53:05,120 --> 00:53:08,839
Speaker 1: be on the cover of Men's was a big deal, man. Yeah,

1061
00:53:08,960 --> 00:53:11,680
Speaker 1: six pack and everything. Hard work pay off, baby. You

1062
00:53:11,760 --> 00:53:13,440
Speaker 1: know that's a lot of blood, sweat and tears in

1063
00:53:13,520 --> 00:53:16,200
Speaker 1: that gym, blood sweat and tears. But I can honestly

1064
00:53:16,239 --> 00:53:19,239
Speaker 1: say it's dope when you see the results of your

1065
00:53:19,280 --> 00:53:21,239
Speaker 1: hard work, when you when you see things like this

1066
00:53:21,440 --> 00:53:23,719
Speaker 1: come up. So it's pretty dope. Talk about some more

1067
00:53:23,760 --> 00:53:25,560
Speaker 1: this money. He making word on the street and you

1068
00:53:25,680 --> 00:53:28,600
Speaker 1: have already made twenty million dollars off your emojis. Cab.

1069
00:53:28,760 --> 00:53:31,440
Speaker 1: Now that's I tell A white person told me that

1070
00:53:31,520 --> 00:53:33,239
Speaker 1: doesn't day. I would tell that, I would tell you

1071
00:53:33,280 --> 00:53:35,759
Speaker 1: the truth. No, that's not true, that's hype. It was

1072
00:53:35,920 --> 00:53:38,200
Speaker 1: number one on the iTunes. It was number one. I'm

1073
00:53:38,200 --> 00:53:40,440
Speaker 1: not saying that my my app isn't doing well, but

1074
00:53:40,640 --> 00:53:42,879
Speaker 1: I'm not. I didn't make twenty million dollars. The app

1075
00:53:43,000 --> 00:53:45,560
Speaker 1: game is uh, it's four right now, Okay. It's not

1076
00:53:45,600 --> 00:53:47,160
Speaker 1: like I got in the app game at the beginning

1077
00:53:47,239 --> 00:53:49,320
Speaker 1: of it, where the app game first popped off. I

1078
00:53:49,440 --> 00:53:51,399
Speaker 1: was a latecomer in the app game, which is why

1079
00:53:51,440 --> 00:53:54,160
Speaker 1: I tried to do minds differently and have my face

1080
00:53:54,600 --> 00:53:57,920
Speaker 1: represent me and my my emojis. That was my way

1081
00:53:57,960 --> 00:53:59,359
Speaker 1: of saying, I don't want to do what everybody else

1082
00:53:59,520 --> 00:54:01,920
Speaker 1: is done. And you know, it worked. I definitely had

1083
00:54:01,920 --> 00:54:05,400
Speaker 1: a lot of success, but I haven't had the success

1084
00:54:05,480 --> 00:54:08,960
Speaker 1: that people have had early in the past. Kim Kardashian

1085
00:54:09,040 --> 00:54:11,000
Speaker 1: killed that game when she did it because she was

1086
00:54:11,040 --> 00:54:12,440
Speaker 1: one of the first people to jump in and does

1087
00:54:12,480 --> 00:54:14,800
Speaker 1: a celebrity and say here's my version of it. So

1088
00:54:15,120 --> 00:54:18,200
Speaker 1: everybody else Kim Kim definitely made some money off that.

1089
00:54:18,360 --> 00:54:20,600
Speaker 1: I don't know what, but she definitely. Yeah. And then

1090
00:54:20,600 --> 00:54:23,520
Speaker 1: you got the Sneakers. They're sold out Sneakers definitely sold out. Yeah,

1091
00:54:23,680 --> 00:54:26,759
Speaker 1: hustle hearts working on a hustle heart too. Now you know,

1092
00:54:27,040 --> 00:54:29,239
Speaker 1: I don't believe in doing things just one time. So

1093
00:54:29,520 --> 00:54:33,080
Speaker 1: my relationship with Nike is on going and right now,

1094
00:54:33,680 --> 00:54:36,000
Speaker 1: you know, this whole move with Heart movement has taken

1095
00:54:36,080 --> 00:54:39,400
Speaker 1: us to a different place, a different direction where the

1096
00:54:39,600 --> 00:54:42,719
Speaker 1: people that I've got to invest in the vision of

1097
00:54:42,840 --> 00:54:46,719
Speaker 1: simply working out and being healthier are now embarking on

1098
00:54:46,800 --> 00:54:48,560
Speaker 1: the same journey as me. So I was at one

1099
00:54:48,560 --> 00:54:50,640
Speaker 1: point where I just prepared to run a five k.

1100
00:54:50,920 --> 00:54:52,840
Speaker 1: Now I'm doing ten k's and then I'm gonna do

1101
00:54:52,880 --> 00:54:55,120
Speaker 1: half marathons and I'm going to do my own marathon.

1102
00:54:55,320 --> 00:54:59,040
Speaker 1: So the goal is to just grow, but not for competition,

1103
00:54:59,239 --> 00:55:01,080
Speaker 1: just to simply say that you did, just to check

1104
00:55:01,120 --> 00:55:02,719
Speaker 1: off goals on your list. And I think the best

1105
00:55:02,760 --> 00:55:05,000
Speaker 1: part about it is to see people that don't work out,

1106
00:55:05,120 --> 00:55:07,520
Speaker 1: that don't run, really start to get up and get

1107
00:55:07,560 --> 00:55:09,239
Speaker 1: active and say, yo, I'm doing this because I want

1108
00:55:09,239 --> 00:55:16,279
Speaker 1: to be a part of the movement. Dollars. I do

1109
00:55:17,680 --> 00:55:20,040
Speaker 1: love that you do that, though, because I totally I

1110
00:55:20,400 --> 00:55:22,799
Speaker 1: read jr um your interview in here, and I can

1111
00:55:22,840 --> 00:55:25,880
Speaker 1: tell you're very passionate about helping other people. Just come on, everybody,

1112
00:55:25,960 --> 00:55:27,640
Speaker 1: let's get up, go do a five k. I'm doing

1113
00:55:27,680 --> 00:55:29,600
Speaker 1: a five k in two weeks. As though for me

1114
00:55:29,760 --> 00:55:34,120
Speaker 1: it's it's it's about the the inspiring factor that goes

1115
00:55:34,160 --> 00:55:36,200
Speaker 1: along with it, you know what I mean. When you

1116
00:55:36,320 --> 00:55:38,239
Speaker 1: realize that you have a platform, you gotta find different

1117
00:55:38,280 --> 00:55:40,160
Speaker 1: things to use it for. And I think in this

1118
00:55:40,360 --> 00:55:43,719
Speaker 1: particular case, I'm authentic behind the words that you hear.

1119
00:55:43,800 --> 00:55:45,920
Speaker 1: I'm not the guy that's standing on top of a

1120
00:55:46,040 --> 00:55:49,360
Speaker 1: brand talking about something that I don't do. I'm a

1121
00:55:49,440 --> 00:55:53,040
Speaker 1: representation of what I say I am. So I think

1122
00:55:53,200 --> 00:55:55,399
Speaker 1: when people actually get to see the fact that I'm

1123
00:55:55,440 --> 00:55:57,320
Speaker 1: out there, if I say we run in, I'm running

1124
00:55:57,360 --> 00:56:01,080
Speaker 1: with you. I'm waiting until everybody comes through the one day.

1125
00:56:01,080 --> 00:56:02,839
Speaker 1: I'm not gonna lied to you. I was a little

1126
00:56:02,880 --> 00:56:05,239
Speaker 1: pissed off because I think I waited like an hour

1127
00:56:05,320 --> 00:56:09,040
Speaker 1: and a half for this one guy, Like one guy,

1128
00:56:09,320 --> 00:56:11,680
Speaker 1: one guy right. He come in and he was walking.

1129
00:56:12,400 --> 00:56:14,080
Speaker 1: He was a bigger guy, and I was mad for

1130
00:56:14,160 --> 00:56:16,520
Speaker 1: a second, but then I was like, I said, you

1131
00:56:16,600 --> 00:56:18,960
Speaker 1: know what, man, I ran out to him. He was

1132
00:56:19,040 --> 00:56:21,480
Speaker 1: like he was like a half a mile away. I

1133
00:56:21,640 --> 00:56:23,359
Speaker 1: ran out to him, and I said, dude, I said,

1134
00:56:23,920 --> 00:56:25,640
Speaker 1: if you're gonna come out, I said, you gotta at

1135
00:56:25,719 --> 00:56:28,480
Speaker 1: least you gotta at least trying, he said. Kevy said,

1136
00:56:28,480 --> 00:56:33,040
Speaker 1: you don't understand I'm trying. This is me walking. He said,

1137
00:56:33,040 --> 00:56:35,200
Speaker 1: this is the best I got. I said, damn it, man,

1138
00:56:35,239 --> 00:56:37,120
Speaker 1: and I'm I'm gonna walk the rest of it with you.

1139
00:56:37,239 --> 00:56:39,399
Speaker 1: I guess. Man. It took me an hour and a half,

1140
00:56:39,480 --> 00:56:41,279
Speaker 1: two hours of finishing with the guy, but it made

1141
00:56:41,320 --> 00:56:44,560
Speaker 1: me realize, no, I didn't, and that's what I was mad.

1142
00:56:44,800 --> 00:56:47,200
Speaker 1: I was mad, but I couldn't be a liar. You know.

1143
00:56:47,280 --> 00:56:48,839
Speaker 1: I told everybody in the beginning of it, I don't

1144
00:56:48,880 --> 00:56:51,640
Speaker 1: leave until everybody acrosses the finish line. But what I

1145
00:56:51,800 --> 00:56:55,239
Speaker 1: learned that day was he simply got up. You know,

1146
00:56:55,440 --> 00:56:57,799
Speaker 1: he was probably like a good three thirty three forty,

1147
00:56:57,840 --> 00:56:59,279
Speaker 1: and he was like, look, man, I don't I don't

1148
00:56:59,400 --> 00:57:01,800
Speaker 1: do this. He said, you made me feel like this

1149
00:57:01,960 --> 00:57:03,880
Speaker 1: is what I should be doing. I'm out here and

1150
00:57:04,000 --> 00:57:06,480
Speaker 1: I did it. I want to say that I did it.

1151
00:57:06,960 --> 00:57:09,480
Speaker 1: It's the first day man of hopefully more to come.

1152
00:57:09,560 --> 00:57:11,200
Speaker 1: He said, But you got me to start and I

1153
00:57:11,520 --> 00:57:13,960
Speaker 1: took that and I was kind of blown away aby it.

1154
00:57:14,200 --> 00:57:16,560
Speaker 1: And then and then as we kept going, you keep

1155
00:57:16,600 --> 00:57:19,320
Speaker 1: getting different testimonials. You know, man, I'm fresh off with

1156
00:57:19,400 --> 00:57:23,040
Speaker 1: cardiac arrest or Yo, man, I'm a cancer survivor. Or Yo,

1157
00:57:23,120 --> 00:57:25,480
Speaker 1: I'm paraplegic and I'm in my chair, but I just

1158
00:57:25,560 --> 00:57:28,120
Speaker 1: want to come be a part of something so inspiring

1159
00:57:28,240 --> 00:57:30,360
Speaker 1: to get me hoping. So when you start to hear

1160
00:57:30,400 --> 00:57:33,960
Speaker 1: all this stuff, it hits you and you go. People

1161
00:57:34,000 --> 00:57:36,480
Speaker 1: are listening, but they're listening because they see the actions

1162
00:57:36,520 --> 00:57:37,800
Speaker 1: going behind what I'm doing. It's got to be a

1163
00:57:37,880 --> 00:57:39,920
Speaker 1: part of you that, Oh Lord, and you see somebody

1164
00:57:39,960 --> 00:57:44,000
Speaker 1: coming up, you got things to do. No, no, no listening.

1165
00:57:44,080 --> 00:57:47,920
Speaker 1: It's mental, it's all. It's all mental. So when you

1166
00:57:48,040 --> 00:57:50,520
Speaker 1: when you do see somebody in the wheelchair, you know,

1167
00:57:50,760 --> 00:57:53,920
Speaker 1: and and honestly you're you're blown away. You're blown away

1168
00:57:54,000 --> 00:57:55,840
Speaker 1: by it because what they want to be around, they

1169
00:57:55,880 --> 00:57:58,680
Speaker 1: want to be around that spirit. That spirit is contagious.

1170
00:57:58,720 --> 00:58:00,720
Speaker 1: When you get around positive, when you get around a

1171
00:58:00,720 --> 00:58:02,560
Speaker 1: bunch of people just high fiving, I don't care if

1172
00:58:02,560 --> 00:58:04,280
Speaker 1: your hands in your pocket you don't want to high five,

1173
00:58:04,440 --> 00:58:06,400
Speaker 1: or if everybody's out there going hey man, go go,

1174
00:58:06,560 --> 00:58:08,400
Speaker 1: let's get it. Let's get it. You're gonna want one.

1175
00:58:08,880 --> 00:58:11,000
Speaker 1: That's what he was out there for. The truth is,

1176
00:58:11,040 --> 00:58:13,000
Speaker 1: anybody could do it. One of my friends had asthma

1177
00:58:13,160 --> 00:58:15,720
Speaker 1: her whole life, and she couldn't really breathe. Well, she

1178
00:58:15,880 --> 00:58:17,800
Speaker 1: never ever ran, and now she's about to do the marathon.

1179
00:58:18,240 --> 00:58:20,000
Speaker 1: And it all started off with her just walking and

1180
00:58:20,120 --> 00:58:22,000
Speaker 1: running a little bit, then running a little bit more

1181
00:58:22,120 --> 00:58:24,760
Speaker 1: really slow jogging and walking. And the next thing you know,

1182
00:58:24,880 --> 00:58:26,960
Speaker 1: she's doing these and if she died, she died doing

1183
00:58:27,000 --> 00:58:29,520
Speaker 1: something she would love to do. She actually doesn't have.

1184
00:58:29,640 --> 00:58:33,080
Speaker 1: She actually had as my attack since she started running,

1185
00:58:33,120 --> 00:58:35,680
Speaker 1: because somebody just should be with her. My dad, my

1186
00:58:35,800 --> 00:58:37,440
Speaker 1: dad got lung cancer. You know, he tried to do

1187
00:58:37,520 --> 00:58:40,120
Speaker 1: something stupid. You know, my daddy had to take one

1188
00:58:40,120 --> 00:58:41,880
Speaker 1: of his lungs out. So he called herself walking on

1189
00:58:41,960 --> 00:58:44,600
Speaker 1: the treadmill. But I was in Heller and I say, hey, man,

1190
00:58:45,200 --> 00:58:46,800
Speaker 1: you're on your own because I'm about to go to stair.

1191
00:58:47,800 --> 00:58:50,960
Speaker 1: I'm going serious to work out. Man, you're sure you're good.

1192
00:58:52,360 --> 00:58:53,880
Speaker 1: You don't know, man, I'm good. You know. My dad

1193
00:58:54,000 --> 00:58:56,360
Speaker 1: loud and my dad, my dad got the mentor of

1194
00:58:57,120 --> 00:59:00,480
Speaker 1: he thinks he's who he used to beat like I

1195
00:59:00,520 --> 00:59:03,720
Speaker 1: get a page on a loudspeaker. Mister Hart, come down here.

1196
00:59:03,880 --> 00:59:09,160
Speaker 1: Your dad in the corner holding is where as Lung

1197
00:59:09,320 --> 00:59:12,920
Speaker 1: used to be here. But I tell you what I

1198
00:59:13,000 --> 00:59:15,720
Speaker 1: tell you, man, I what was you walking on? He's

1199
00:59:15,720 --> 00:59:18,760
Speaker 1: walking on four? Well brother, you well you shouldn't be

1200
00:59:18,800 --> 00:59:21,440
Speaker 1: walking right now. But that's people jump out the window.

1201
00:59:21,640 --> 00:59:22,920
Speaker 1: I can't get it all in one day. It's a

1202
00:59:22,960 --> 00:59:24,800
Speaker 1: gradual process. I was that in your house when they

1203
00:59:24,880 --> 00:59:26,520
Speaker 1: paid you in your own home. No, no, no, that

1204
00:59:26,640 --> 00:59:28,200
Speaker 1: was that was me. I like to go actually, I

1205
00:59:28,240 --> 00:59:29,760
Speaker 1: like to go out to the gym. Okay. I like

1206
00:59:29,840 --> 00:59:31,520
Speaker 1: to go to the gym. I like to be around people. Man,

1207
00:59:31,760 --> 00:59:33,000
Speaker 1: I don't like you know what I like. I like

1208
00:59:33,040 --> 00:59:35,000
Speaker 1: going to the gym five five thirty because we see

1209
00:59:35,000 --> 00:59:37,440
Speaker 1: those people in there. Those people that's more serious, that's interested.

1210
00:59:37,480 --> 00:59:39,280
Speaker 1: I like people whose work process. So you get up

1211
00:59:39,320 --> 00:59:41,960
Speaker 1: at what time? I get up four thirty, four forty five.

1212
00:59:42,000 --> 00:59:44,640
Speaker 1: Every day. Wow, I'm a custom tom. I'm I'm a

1213
00:59:44,720 --> 00:59:48,520
Speaker 1: computer and gym every day. I'm gym every day. Wow.

1214
00:59:48,760 --> 00:59:50,640
Speaker 1: My light day in the gym is just like cardio.

1215
00:59:50,680 --> 00:59:52,240
Speaker 1: All right, I'm not lifting the day. We're just gonna

1216
00:59:52,240 --> 00:59:54,040
Speaker 1: do a quick three miles. We get out of here.

1217
00:59:54,080 --> 00:59:56,120
Speaker 1: We did some cardio, but I need to know that

1218
00:59:56,200 --> 00:59:58,480
Speaker 1: I got up and that I did something. Every day.

1219
00:59:58,760 --> 01:00:03,560
Speaker 1: Friends know me young morning. Everybody is DJ m VY,

1220
01:00:03,720 --> 01:00:06,680
Speaker 1: Angela Yee, Charlomagne to God. We are the breakfast club,

1221
01:00:07,160 --> 01:00:09,440
Speaker 1: Kevin Harts in the building. Now you have your old network,

1222
01:00:09,480 --> 01:00:11,960
Speaker 1: a lot of comedians. We don't know who lying and

1223
01:00:11,960 --> 01:00:13,560
Speaker 1: who telling you. You get a lot of phone calls

1224
01:00:16,800 --> 01:00:21,560
Speaker 1: called me directly. Some people say, well, I'll tell you this.

1225
01:00:21,680 --> 01:00:23,480
Speaker 1: I mean, I'm not going to do everything myself. I'm

1226
01:00:23,880 --> 01:00:25,800
Speaker 1: It's a network, you know. You hire people, You put

1227
01:00:25,840 --> 01:00:28,880
Speaker 1: people in a position to do a job, to help

1228
01:00:28,960 --> 01:00:32,800
Speaker 1: you manage the bulk of stuff that's coming in. And

1229
01:00:32,840 --> 01:00:34,919
Speaker 1: I think right now with the comedy Network, you don't

1230
01:00:34,960 --> 01:00:36,920
Speaker 1: realize it's a lot of comedians out there. I know

1231
01:00:37,040 --> 01:00:39,280
Speaker 1: them all. Even with the newer ones that are coming up.

1232
01:00:39,640 --> 01:00:43,120
Speaker 1: I've personally met a large amount of these people. You

1233
01:00:43,240 --> 01:00:46,040
Speaker 1: can't grab everybody. It's the beginning, you know. So we

1234
01:00:46,200 --> 01:00:48,120
Speaker 1: went out to who we felt we should go out too.

1235
01:00:48,280 --> 01:00:50,680
Speaker 1: And you know, right now, I think we shot fifty

1236
01:00:50,760 --> 01:00:54,160
Speaker 1: four specials with a hundred and something comedians. Um, we're

1237
01:00:54,160 --> 01:00:58,000
Speaker 1: about to shoot some more specials in Atlanta were doing

1238
01:00:58,080 --> 01:00:59,800
Speaker 1: half hour specials and then I'm gonna go to My

1239
01:01:00,040 --> 01:01:02,640
Speaker 1: and Me and shoot something. But We're then going to

1240
01:01:02,680 --> 01:01:06,160
Speaker 1: go to Australia and I'm gonna do uh an assortment

1241
01:01:06,320 --> 01:01:09,560
Speaker 1: of basically international comics from there. So this is a

1242
01:01:09,640 --> 01:01:12,080
Speaker 1: special realm. And then after that, I went to the

1243
01:01:12,200 --> 01:01:14,320
Speaker 1: Just for Last festival and I gave out deals. You know,

1244
01:01:14,480 --> 01:01:17,240
Speaker 1: I had a pitch fest where people came up and

1245
01:01:17,280 --> 01:01:19,880
Speaker 1: pitched ideas, and the ideas that I felt were amazing,

1246
01:01:20,040 --> 01:01:22,480
Speaker 1: I bought on the spot. So, man, I'm really just

1247
01:01:22,560 --> 01:01:26,200
Speaker 1: trying to give opportunities to this younger generation. So within

1248
01:01:26,400 --> 01:01:28,800
Speaker 1: my network, to all the comedians out there that feel

1249
01:01:28,800 --> 01:01:31,320
Speaker 1: like they're being overlooking, miss just be patient. You know,

1250
01:01:31,440 --> 01:01:34,160
Speaker 1: this is a startup it's a startup network. You can't

1251
01:01:34,200 --> 01:01:36,680
Speaker 1: do it all in one day. With the older comedians

1252
01:01:36,920 --> 01:01:39,439
Speaker 1: that that you've blown past in your career over the past,

1253
01:01:43,080 --> 01:01:44,480
Speaker 1: do you feel like you owed them anything like the

1254
01:01:44,520 --> 01:01:46,280
Speaker 1: one that may have put you on should early on.

1255
01:01:46,480 --> 01:01:48,800
Speaker 1: I don't owe anybody nothing. I don't I don't owe

1256
01:01:49,240 --> 01:01:52,400
Speaker 1: no man anything. I think one thing that I owe

1257
01:01:53,120 --> 01:01:56,600
Speaker 1: is is or the one I'll say it's not even

1258
01:01:56,640 --> 01:01:59,720
Speaker 1: a person. I owe the craft of stand up comedy something.

1259
01:02:00,080 --> 01:02:02,160
Speaker 1: You know, stand up comedy is what got me to

1260
01:02:02,200 --> 01:02:04,320
Speaker 1: where I am today. You know those doors are open

1261
01:02:04,400 --> 01:02:07,280
Speaker 1: because I tell jokes. So all those before me that

1262
01:02:07,400 --> 01:02:09,320
Speaker 1: have told jokes that made it to a certain level

1263
01:02:09,360 --> 01:02:11,600
Speaker 1: and that opened up those doors, they allowed me to

1264
01:02:11,640 --> 01:02:13,520
Speaker 1: walk through those same doors and create new doors that

1265
01:02:13,600 --> 01:02:16,200
Speaker 1: other people can walk into. So it's my job and

1266
01:02:16,320 --> 01:02:19,360
Speaker 1: my service to try to create more doors. It's not

1267
01:02:19,560 --> 01:02:23,280
Speaker 1: me owing people. I have relationships, I know people, but

1268
01:02:23,400 --> 01:02:26,360
Speaker 1: you gotta understand as a brand, as a business, I

1269
01:02:26,480 --> 01:02:28,560
Speaker 1: have to be smart about my movement because I don't

1270
01:02:28,560 --> 01:02:30,200
Speaker 1: want to be here today and go on tomorrow. So

1271
01:02:30,600 --> 01:02:32,919
Speaker 1: I played chess. I don't play checkers. It's a chess

1272
01:02:33,000 --> 01:02:36,200
Speaker 1: game for me. So a lot of networks have tried

1273
01:02:36,360 --> 01:02:40,280
Speaker 1: to become networks. A lot of these social media platforms

1274
01:02:40,320 --> 01:02:42,880
Speaker 1: that have been created have all failed, and you got

1275
01:02:42,960 --> 01:02:45,280
Speaker 1: to look at the blueprint of what's been done and

1276
01:02:45,520 --> 01:02:49,280
Speaker 1: why it failed. I've done my homework. I'm strategic. That's

1277
01:02:49,280 --> 01:02:51,360
Speaker 1: why I parted up with lions Gate. You sit fifty

1278
01:02:51,480 --> 01:02:55,080
Speaker 1: fifty on the board. I'm an owner of laugh Allowed Network.

1279
01:02:55,160 --> 01:02:57,480
Speaker 1: I'm a decision maker, but I partnered up with some

1280
01:02:57,560 --> 01:02:59,640
Speaker 1: people that make great decisions, but that do it on

1281
01:02:59,680 --> 01:03:02,720
Speaker 1: a high level. Ultimately, I'm gonna need those relationships. You're

1282
01:03:02,720 --> 01:03:04,760
Speaker 1: gonna need mine, I'm gonna need George. But let's be

1283
01:03:04,840 --> 01:03:07,520
Speaker 1: fifty fifty. Let's make it make sense. So I'm coming

1284
01:03:07,600 --> 01:03:10,240
Speaker 1: with the creative side, and they're coming with the creative side.

1285
01:03:10,320 --> 01:03:12,280
Speaker 1: So the people that are insane and comedy don't see that.

1286
01:03:12,600 --> 01:03:14,480
Speaker 1: They don't see what I'm dealing with behind the scenes.

1287
01:03:15,160 --> 01:03:18,160
Speaker 1: I got a budget TV network. Yeah, it's a subscription

1288
01:03:18,240 --> 01:03:22,400
Speaker 1: based comedy network about some established veteran It's like Martin Lawrence,

1289
01:03:22,400 --> 01:03:24,280
Speaker 1: I said he has a special comment or somebody like

1290
01:03:24,360 --> 01:03:27,320
Speaker 1: a Dave Chappelle. Is that something that you tried to

1291
01:03:27,360 --> 01:03:29,160
Speaker 1: do also for this, because that could be pretty it

1292
01:03:29,200 --> 01:03:31,280
Speaker 1: would be huge. But I think I think people need

1293
01:03:31,400 --> 01:03:34,040
Speaker 1: to see you need to see what it is, you know.

1294
01:03:34,120 --> 01:03:37,480
Speaker 1: I don't want to go out and pull those pull

1295
01:03:37,560 --> 01:03:40,920
Speaker 1: those cards until people see I representation of what my

1296
01:03:41,040 --> 01:03:44,120
Speaker 1: network is. It's real, it's real deal, it's quality. But

1297
01:03:44,240 --> 01:03:46,120
Speaker 1: I'm not going to go out to a friend like

1298
01:03:46,280 --> 01:03:49,320
Speaker 1: Dave Chappelle, to a guy like Martin Lawrence or Chris

1299
01:03:49,520 --> 01:03:51,800
Speaker 1: Rock until they can see what I stand on. Do

1300
01:03:51,880 --> 01:03:53,920
Speaker 1: I have the money to pay those guys one hundred percent?

1301
01:03:54,240 --> 01:03:56,520
Speaker 1: What I pay those guys one hundred percent? But when

1302
01:03:56,560 --> 01:03:58,200
Speaker 1: I come, I need to know that I'm coming correct

1303
01:03:58,480 --> 01:04:00,000
Speaker 1: because I need to treat you to what you should

1304
01:04:00,080 --> 01:04:01,960
Speaker 1: be treated. I don't want to come and treat you

1305
01:04:02,080 --> 01:04:04,280
Speaker 1: and I'm I'm half ass on my side. I want

1306
01:04:04,320 --> 01:04:05,680
Speaker 1: to make sure that it's laid out in front of you,

1307
01:04:05,960 --> 01:04:08,000
Speaker 1: that you see the difference. Other people want to take take,

1308
01:04:08,040 --> 01:04:10,520
Speaker 1: take on. So how do I separate myself from the

1309
01:04:10,600 --> 01:04:15,040
Speaker 1: game people shows? And like I have, I brought two stages.

1310
01:04:15,400 --> 01:04:18,840
Speaker 1: I got two sound stages, so that lions Gate gave

1311
01:04:18,880 --> 01:04:23,840
Speaker 1: you this is all speculation is talking about speculation. We

1312
01:04:23,920 --> 01:04:26,640
Speaker 1: have no idea. Just made us talking about congratulations. We

1313
01:04:26,720 --> 01:04:34,360
Speaker 1: know you just got here from La too for your huge, major, major,

1314
01:04:34,480 --> 01:04:36,800
Speaker 1: major Thank you everybody that showed up. Man still blowing

1315
01:04:36,840 --> 01:04:39,120
Speaker 1: away by it. You know. I got to look around

1316
01:04:39,160 --> 01:04:41,440
Speaker 1: and just see everybody that was a part of that,

1317
01:04:41,680 --> 01:04:43,760
Speaker 1: you know, and by a part of that that's not

1318
01:04:43,880 --> 01:04:46,240
Speaker 1: just my star. You know. I looked around and I

1319
01:04:46,280 --> 01:04:49,800
Speaker 1: looked at everybody that's really really been involved in the

1320
01:04:49,920 --> 01:04:54,040
Speaker 1: growth of Kevin Hart from my friends and Heartbeat productions

1321
01:04:54,200 --> 01:04:57,920
Speaker 1: from my manager, Dave Becky, like I broke down. I'm

1322
01:04:57,920 --> 01:05:00,200
Speaker 1: gonna probably see it soon. You know, I was trying

1323
01:05:00,240 --> 01:05:03,600
Speaker 1: not to cry. But my manager, Me and my manager

1324
01:05:03,680 --> 01:05:07,240
Speaker 1: have been together for fourteen years on a handshake. There's

1325
01:05:07,280 --> 01:05:09,800
Speaker 1: no contract involved. I'm gonna do right by you, you

1326
01:05:09,880 --> 01:05:12,960
Speaker 1: do right by me, and we've never we've never swayed,

1327
01:05:13,200 --> 01:05:16,240
Speaker 1: You've never we've never veered on the wrong road. And

1328
01:05:16,320 --> 01:05:18,400
Speaker 1: that man has backed me and my visions for the

1329
01:05:18,480 --> 01:05:20,920
Speaker 1: longest time. So it was dope to see him there.

1330
01:05:21,760 --> 01:05:24,880
Speaker 1: Dave Becky, It was dope to see him there. Will Packer,

1331
01:05:25,040 --> 01:05:28,560
Speaker 1: Tim's Story, Ice Cube. They came down, they spoke, and

1332
01:05:29,120 --> 01:05:32,160
Speaker 1: that was special because that's a triangle that I hold

1333
01:05:32,240 --> 01:05:35,160
Speaker 1: responsible for the high level of success. Now you know

1334
01:05:35,240 --> 01:05:37,840
Speaker 1: Tim Story, Will Packer. Will is the first producer to

1335
01:05:37,880 --> 01:05:39,760
Speaker 1: go that guy should start in my movies and think

1336
01:05:39,840 --> 01:05:42,080
Speaker 1: like a man, think like a man too. This is

1337
01:05:42,160 --> 01:05:45,840
Speaker 1: back when you know nobody was really looking, but Will

1338
01:05:46,040 --> 01:05:48,080
Speaker 1: was always checking and Will fought to get me in

1339
01:05:48,120 --> 01:05:51,200
Speaker 1: that spot. Tim Story directed me and him is maintaining

1340
01:05:51,200 --> 01:05:54,880
Speaker 1: an amazing relationship. Me and Cube Cube is dope because

1341
01:05:55,600 --> 01:05:58,680
Speaker 1: everybody that's successful in stand up comedy in that urban

1342
01:05:58,760 --> 01:06:02,720
Speaker 1: world was touched you somehow. I don't care, I don't

1343
01:06:02,720 --> 01:06:05,000
Speaker 1: care who you are. Cuba has had his hand in

1344
01:06:05,080 --> 01:06:08,840
Speaker 1: there somehow. I called Cube an urban version of Judd Apato.

1345
01:06:09,080 --> 01:06:11,959
Speaker 1: How Judd Appetoe is responsible for so much comedic talent.

1346
01:06:12,480 --> 01:06:15,680
Speaker 1: Cuba's the same way. And I said, Q, when Rod

1347
01:06:15,720 --> 01:06:18,840
Speaker 1: Along came up and my name came up, Q jumped

1348
01:06:18,840 --> 01:06:20,720
Speaker 1: at it. He's like, we gotta get him. And there

1349
01:06:20,800 --> 01:06:23,720
Speaker 1: was conversations where it was like it wasn't a fight,

1350
01:06:23,880 --> 01:06:25,240
Speaker 1: but you know, it was like, all right, are you

1351
01:06:25,320 --> 01:06:27,480
Speaker 1: sure we're gonna go with Kevin Hart and Cube and

1352
01:06:27,600 --> 01:06:29,400
Speaker 1: Will and Tim. I was like, that's our god, that's

1353
01:06:29,400 --> 01:06:32,040
Speaker 1: what we want. So you stay true to that. You

1354
01:06:32,080 --> 01:06:34,080
Speaker 1: don't forget that. And I looked around. Man, it was

1355
01:06:34,120 --> 01:06:36,640
Speaker 1: just so much loyalty in a circle that was around

1356
01:06:36,680 --> 01:06:39,400
Speaker 1: that Hollywood Star event, and it just made me realize

1357
01:06:39,880 --> 01:06:42,560
Speaker 1: how important these relationships are. Why is that a big

1358
01:06:42,600 --> 01:06:45,160
Speaker 1: deal to Hollywood staring the Walk of Fame? For me,

1359
01:06:45,840 --> 01:06:47,840
Speaker 1: it was an accomplishment because it came out of nowhere.

1360
01:06:48,280 --> 01:06:50,640
Speaker 1: You know, it was something that was brought up and

1361
01:06:50,680 --> 01:06:52,640
Speaker 1: I was like, what, yeah, Kevin, they want to give

1362
01:06:52,640 --> 01:06:55,480
Speaker 1: you a star. You were voted. Studios voted you in

1363
01:06:55,760 --> 01:06:58,120
Speaker 1: and they said that you should get one your hard work,

1364
01:06:58,160 --> 01:07:00,320
Speaker 1: dedication to the craft. And I was like, and even

1365
01:07:00,360 --> 01:07:01,880
Speaker 1: me and the caress, I go there. I like to

1366
01:07:01,960 --> 01:07:03,600
Speaker 1: go and look at the stars and walk past and

1367
01:07:03,680 --> 01:07:05,120
Speaker 1: be like, oh, look who has a star. So they're

1368
01:07:05,120 --> 01:07:08,440
Speaker 1: gonna pee on mine on mine is on a pea street.

1369
01:07:08,600 --> 01:07:12,760
Speaker 1: Mines is on a heavy, heavy traffic pea part of Hollywood. Yeah,

1370
01:07:12,840 --> 01:07:15,040
Speaker 1: so you gotta know that just star is gonna get disrespected.

1371
01:07:15,440 --> 01:07:17,480
Speaker 1: But the fact that it's there, it's dope. You know.

1372
01:07:17,680 --> 01:07:19,600
Speaker 1: I'm just hoping they give me at least two weeks,

1373
01:07:19,680 --> 01:07:22,080
Speaker 1: give me a clean two weeks before I walk and

1374
01:07:22,120 --> 01:07:24,040
Speaker 1: see some pe on it. Because some areas with the

1375
01:07:24,040 --> 01:07:27,520
Speaker 1: stars are that's a real nice area, nice areas like

1376
01:07:29,040 --> 01:07:31,360
Speaker 1: I'm actually in the like, I'm in the good, like

1377
01:07:31,680 --> 01:07:33,760
Speaker 1: the good walk like it's not like you gotta go

1378
01:07:33,880 --> 01:07:37,400
Speaker 1: down and then you stuff like whoa, oh wait a minute,

1379
01:07:37,400 --> 01:07:39,400
Speaker 1: where we at the Hollywood and what they put him

1380
01:07:39,400 --> 01:07:43,720
Speaker 1: down here? Off for holler, I'm on a good street.

1381
01:07:44,440 --> 01:07:46,400
Speaker 1: Because you don't never, you don't care about the wards

1382
01:07:46,440 --> 01:07:48,600
Speaker 1: like I don't. Even when they ask you about the oscars,

1383
01:07:48,640 --> 01:07:51,120
Speaker 1: you was like, we do this for the Basically you said,

1384
01:07:51,120 --> 01:07:56,920
Speaker 1: we do it for the love and money is all speculations.

1385
01:07:57,720 --> 01:08:00,840
Speaker 1: To talk about all speculations. Clear. I just want to

1386
01:08:00,880 --> 01:08:03,280
Speaker 1: clear this up that every time Charlotte says anything about

1387
01:08:03,280 --> 01:08:06,640
Speaker 1: money speculations, legally, I have not tied myself to any

1388
01:08:06,680 --> 01:08:10,680
Speaker 1: amount that he said. Uh no, I'll say this. I'm

1389
01:08:10,760 --> 01:08:12,960
Speaker 1: not the guy that's in it for the awards. I'm

1390
01:08:13,000 --> 01:08:14,920
Speaker 1: not the guy that's doing this to say, Man, I

1391
01:08:15,000 --> 01:08:17,639
Speaker 1: can't wait till they give me mine. I don't look

1392
01:08:17,680 --> 01:08:19,760
Speaker 1: for that. I think that's why it's more special. When

1393
01:08:19,800 --> 01:08:22,760
Speaker 1: it looks for you, it humbles you. And that day

1394
01:08:22,840 --> 01:08:24,519
Speaker 1: now I broke down. You know, man, my mom was boiled.

1395
01:08:24,560 --> 01:08:26,120
Speaker 1: My mom passed away. A lot of she went through

1396
01:08:26,160 --> 01:08:32,280
Speaker 1: my head. Don't judge me. Also, I cried at the reception.

1397
01:08:32,479 --> 01:08:35,439
Speaker 1: I didn't cry on the altar. The reception was more

1398
01:08:35,520 --> 01:08:38,720
Speaker 1: emotional for us. The wedding was dope as hell. We

1399
01:08:38,760 --> 01:08:41,439
Speaker 1: didn't go traditional, you know, we put our own spin

1400
01:08:41,560 --> 01:08:43,800
Speaker 1: on it. And it was nice. It was very nice,

1401
01:08:43,960 --> 01:08:47,280
Speaker 1: you know. She she buckled a little bit um because

1402
01:08:47,280 --> 01:08:50,320
Speaker 1: I'm just I'm just I'm major with the words. You know.

1403
01:08:50,400 --> 01:08:54,000
Speaker 1: When I put the romantic who put that on him?

1404
01:08:54,040 --> 01:08:57,559
Speaker 1: You know, she broke down. But at the reception, when

1405
01:08:57,600 --> 01:09:00,200
Speaker 1: people start giving a toast and just going down down,

1406
01:09:00,360 --> 01:09:02,800
Speaker 1: you know their memory lane and what they remember and

1407
01:09:02,920 --> 01:09:06,840
Speaker 1: why they're happy that. That buckled me a little bit. Basically, Yeah,

1408
01:09:07,080 --> 01:09:09,040
Speaker 1: I did all mine. I ain't write nothing. I went

1409
01:09:09,080 --> 01:09:12,439
Speaker 1: off the heart. I got up there and and freestyleted, brother,

1410
01:09:12,880 --> 01:09:16,080
Speaker 1: you're gonna feel this. There you go. Stumbled a couple

1411
01:09:16,080 --> 01:09:18,840
Speaker 1: of times in the stumbled a couple of times. We

1412
01:09:18,960 --> 01:09:21,080
Speaker 1: got both with Kevin Hart when we come back the

1413
01:09:21,320 --> 01:09:31,880
Speaker 1: Breakfast Club, oh Yo, wanting everybody is DJ m vy

1414
01:09:32,000 --> 01:09:35,120
Speaker 1: angela Ye, Charlomagne the God we are the Breakfast Club,

1415
01:09:35,240 --> 01:09:38,479
Speaker 1: Kevin Harts in the building and congratulations cab Rumor has

1416
01:09:38,520 --> 01:09:40,800
Speaker 1: it that you're expecting the baby? No that, I don't

1417
01:09:40,800 --> 01:09:42,880
Speaker 1: know where they get this from. I think sometimes she

1418
01:09:43,000 --> 01:09:44,519
Speaker 1: just been blowing to something. People just say it. I

1419
01:09:44,560 --> 01:09:49,000
Speaker 1: don't know where. They say she looked pregnant. They said

1420
01:09:49,040 --> 01:09:56,400
Speaker 1: she had a cousin or something. Everybody blow like even

1421
01:09:56,520 --> 01:10:01,960
Speaker 1: we looked at something. I tell her, like, what happened

1422
01:10:02,120 --> 01:10:11,439
Speaker 1: is that my baby? Jim ran too. They just catch

1423
01:10:11,479 --> 01:10:13,360
Speaker 1: you some of the days you being them tight. They

1424
01:10:13,439 --> 01:10:16,080
Speaker 1: catch you on a different, different side. They think it's

1425
01:10:16,120 --> 01:10:19,479
Speaker 1: a powder baby. Think you pregnant that Uh No, I

1426
01:10:19,479 --> 01:10:21,679
Speaker 1: don't know why to keep saying she's pregnant. She's not pregnant.

1427
01:10:21,720 --> 01:10:24,720
Speaker 1: We're not expecting. Uh you know, when we do, we'll know,

1428
01:10:25,720 --> 01:10:27,479
Speaker 1: we'll know when you'll you'll probably hear it from me

1429
01:10:27,640 --> 01:10:29,880
Speaker 1: several months after, and you'll probably be able to tell

1430
01:10:29,960 --> 01:10:32,479
Speaker 1: because because she'll be showing. But when I when that

1431
01:10:32,600 --> 01:10:34,960
Speaker 1: does happen, I'm not gonna be public about it off

1432
01:10:35,000 --> 01:10:37,040
Speaker 1: the back. I'm superstitious. They say you're not supposed to

1433
01:10:37,040 --> 01:10:38,960
Speaker 1: talk about the baby. Yeah, I for like three months

1434
01:10:39,000 --> 01:10:40,519
Speaker 1: or something, so you wouldn't hear it. You wouldn't hear

1435
01:10:40,520 --> 01:10:42,640
Speaker 1: it from anybody. Nobody would know. Now. Also, last time

1436
01:10:42,680 --> 01:10:44,719
Speaker 1: you hear you talk about every time you finish your project,

1437
01:10:44,800 --> 01:10:47,000
Speaker 1: you buy a watch. Yeah, I think like a week

1438
01:10:47,160 --> 01:10:50,040
Speaker 1: later your house got burglars, I got robbed, ye before

1439
01:10:50,280 --> 01:10:57,439
Speaker 1: half a million dollars in jewelry speculation. I love figures.

1440
01:10:59,560 --> 01:11:06,280
Speaker 1: Believe it would be like that is a bird, don't much.

1441
01:11:06,320 --> 01:11:10,040
Speaker 1: He makes watch out Kevin's public record. Hey man, I

1442
01:11:10,080 --> 01:11:12,880
Speaker 1: don't know listen, I don't know this public record that

1443
01:11:12,960 --> 01:11:15,920
Speaker 1: he speaks of all I know is I love God.

1444
01:11:24,640 --> 01:11:28,400
Speaker 1: Drop dropper. Man, he's doing amazing things. He's doing amazing things.

1445
01:11:28,439 --> 01:11:30,160
Speaker 1: He got a video coming out of her. He uh,

1446
01:11:30,400 --> 01:11:33,439
Speaker 1: he just shot a video with Trey Songs. People think

1447
01:11:34,040 --> 01:11:37,040
Speaker 1: we're together like I've been rumors. Cav Yo, your dropper,

1448
01:11:37,160 --> 01:11:39,360
Speaker 1: do dropper. I understand that man is his own man.

1449
01:11:39,560 --> 01:11:42,280
Speaker 1: It's not It's not me in any way, shape or form.

1450
01:11:42,640 --> 01:11:45,320
Speaker 1: It's who he is. He's just going crazy for no reason. Man,

1451
01:11:45,479 --> 01:11:53,960
Speaker 1: I guess responsible online. Hey cav Hey, that's so crazy

1452
01:11:54,120 --> 01:11:56,000
Speaker 1: right now. I know you're not on the Breakfast Club.

1453
01:11:56,320 --> 01:11:59,360
Speaker 1: Promote your filming. I promote my mixtape. Come on, man,

1454
01:12:00,000 --> 01:12:02,200
Speaker 1: I'm a man. Brother, don't even play me like that.

1455
01:12:02,400 --> 01:12:05,439
Speaker 1: Man coming to you ain't the only one dropping something

1456
01:12:05,479 --> 01:12:08,080
Speaker 1: on the fourteenth. I understand. You gotta come correct or

1457
01:12:08,160 --> 01:12:11,080
Speaker 1: don't come down and look for a check. Bottom line,

1458
01:12:11,360 --> 01:12:15,920
Speaker 1: you're in the basement where everybody get wet. PA think

1459
01:12:15,960 --> 01:12:18,760
Speaker 1: about it. Why I have to think about it because

1460
01:12:18,760 --> 01:12:20,479
Speaker 1: I don't. I don't know what. I don't know what

1461
01:12:20,600 --> 01:12:26,040
Speaker 1: that meant. I gotta think about that. Miape that that's

1462
01:12:26,080 --> 01:12:32,360
Speaker 1: not my responsibility. Listen to listen. That man is not

1463
01:12:32,520 --> 01:12:35,280
Speaker 1: my responsibility. He got a voices like I got a voice.

1464
01:12:35,479 --> 01:12:36,920
Speaker 1: If he got a project, he should be down here

1465
01:12:36,960 --> 01:12:38,800
Speaker 1: talking about his project on his own. I mean, what

1466
01:12:38,960 --> 01:12:47,160
Speaker 1: is a mixtape he's coming out huge look for I'm

1467
01:12:47,200 --> 01:12:49,400
Speaker 1: not responsible for nothing. That man worked for his I'm

1468
01:12:49,439 --> 01:12:52,360
Speaker 1: happy that he's getting his now. I'm listen. I'm gonna

1469
01:12:52,400 --> 01:12:55,240
Speaker 1: stay true to me. I'm happy that he's getting his shine.

1470
01:12:55,360 --> 01:12:57,880
Speaker 1: I'm happy that he's he's got an album coming out.

1471
01:12:57,960 --> 01:13:00,000
Speaker 1: On what you say? I told the fourteen his mixtape

1472
01:13:00,160 --> 01:13:04,280
Speaker 1: coming out multen million dollars deal. Because brother, actually I

1473
01:13:04,360 --> 01:13:09,400
Speaker 1: heard it was like five to ten. You would know

1474
01:13:09,640 --> 01:13:11,720
Speaker 1: itsues with you too, because I would think you would

1475
01:13:11,720 --> 01:13:13,880
Speaker 1: have him up here. It's not behind the scenes issues

1476
01:13:13,920 --> 01:13:17,120
Speaker 1: is that he feels like I should be carrying him

1477
01:13:17,160 --> 01:13:21,200
Speaker 1: around like no, I shouldn't. I shouldn't. That's not It's

1478
01:13:21,240 --> 01:13:23,000
Speaker 1: not that you see. You see the image of Kevin

1479
01:13:23,040 --> 01:13:24,760
Speaker 1: Hard tweet about it. M ken Hart is a brain.

1480
01:13:25,000 --> 01:13:27,960
Speaker 1: This five Hart is a brand. You're doing drop dropping

1481
01:13:27,960 --> 01:13:30,240
Speaker 1: two reckless y'all here cussing and doing what he wants to.

1482
01:13:30,640 --> 01:13:32,880
Speaker 1: Don't about his mixtape. No, I'm not gonna tweet about it.

1483
01:13:32,880 --> 01:13:34,559
Speaker 1: I just told everybody about it. What's the first single.

1484
01:13:34,840 --> 01:13:36,479
Speaker 1: Now what's his first single? Are you in the video

1485
01:13:36,520 --> 01:13:40,920
Speaker 1: at least? What? Now? What? Now? What's she saying? I

1486
01:13:40,960 --> 01:13:42,960
Speaker 1: can't hear you? What whatn't have the mixtape though? Because

1487
01:13:42,960 --> 01:13:44,280
Speaker 1: he I mean, I got thrown out the movie. I

1488
01:13:44,360 --> 01:13:46,840
Speaker 1: tried to watch the movie and support the special brother

1489
01:13:46,960 --> 01:13:49,400
Speaker 1: to go. You don't. Let's let's get back to you.

1490
01:13:49,479 --> 01:13:53,160
Speaker 1: Don't listen, Okay, it's simple rules, man, don't pull your

1491
01:13:53,200 --> 01:13:55,679
Speaker 1: phone out. You're the guy, and it was a big phone.

1492
01:13:55,760 --> 01:13:58,160
Speaker 1: Ain't like you pulled out a small phone. The seven

1493
01:13:58,240 --> 01:14:01,200
Speaker 1: that's double what the light up screening everybody seat? I

1494
01:14:01,240 --> 01:14:02,800
Speaker 1: just wanted to anybody where I was I stud looking

1495
01:14:04,000 --> 01:14:08,439
Speaker 1: after they said ten times. That's the problem with trying

1496
01:14:08,479 --> 01:14:11,040
Speaker 1: to be elitist and thinking that they told me. I

1497
01:14:11,200 --> 01:14:14,760
Speaker 1: told you, they told me, I told you that keV

1498
01:14:14,880 --> 01:14:17,160
Speaker 1: in the pulled out his phone out there. They're trying

1499
01:14:17,160 --> 01:14:19,160
Speaker 1: to throw them out. What he wants to do. They

1500
01:14:19,240 --> 01:14:22,840
Speaker 1: got to learn, and that's even more reason to get

1501
01:14:22,880 --> 01:14:30,439
Speaker 1: killed by group. I said, we'll do it, but don't

1502
01:14:30,479 --> 01:14:32,320
Speaker 1: make a scene. You just get him out fast. Rules

1503
01:14:32,360 --> 01:14:34,320
Speaker 1: and rules. Yeah, I could see if he wasn't cool

1504
01:14:34,360 --> 01:14:36,679
Speaker 1: with him and you didn't follow directions it makes sense,

1505
01:14:36,760 --> 01:14:38,760
Speaker 1: but that's your boy. Yeah, if they asked you to

1506
01:14:38,840 --> 01:14:44,240
Speaker 1: do something for him, why would you That he had

1507
01:14:44,280 --> 01:14:46,799
Speaker 1: on bright colors. That's another thing, you know, how distracting

1508
01:14:46,840 --> 01:14:50,559
Speaker 1: that thora was. Yeah, you got bright skin, bright colors,

1509
01:14:50,800 --> 01:14:54,679
Speaker 1: walking out looking like a safety belt. The show almost

1510
01:14:54,720 --> 01:14:57,880
Speaker 1: had the halt a cruel light skin guys, it looked

1511
01:14:57,920 --> 01:15:00,360
Speaker 1: like a bright light shot through the middle the show.

1512
01:15:00,439 --> 01:15:03,240
Speaker 1: That's what looked like. It looked like. It looked like

1513
01:15:03,360 --> 01:15:06,280
Speaker 1: a new singing group just came in the building that

1514
01:15:06,400 --> 01:15:07,960
Speaker 1: wanted to do a single in the middle of the show.

1515
01:15:08,040 --> 01:15:09,200
Speaker 1: They had to get you out of there. But you

1516
01:15:09,200 --> 01:15:10,920
Speaker 1: should see the movie now, adult, since you missed it,

1517
01:15:10,960 --> 01:15:12,720
Speaker 1: which actually would be fun for you because you right

1518
01:15:12,760 --> 01:15:15,000
Speaker 1: now what you say, what do you see the movie? What?

1519
01:15:17,160 --> 01:15:20,400
Speaker 1: Black Jos came up and he was all a thousand dollars.

1520
01:15:21,080 --> 01:15:28,519
Speaker 1: That's good. That's a positive young brother right there. Eighty

1521
01:15:28,560 --> 01:15:31,400
Speaker 1: seven point five millions just this year. He was the

1522
01:15:31,439 --> 01:15:34,880
Speaker 1: reason stunting Jella Mayne always ask for money because you

1523
01:15:34,960 --> 01:15:37,080
Speaker 1: can hear how he's obsessed with how much other people

1524
01:15:37,120 --> 01:15:40,120
Speaker 1: make you should he like, I'm gonna get all the

1525
01:15:40,160 --> 01:15:43,679
Speaker 1: thousand piece, I'm gonna do give you all a piece

1526
01:15:43,720 --> 01:15:51,280
Speaker 1: of knowledge that's priceless. Money doesn't grow on trees. That's

1527
01:15:51,320 --> 01:15:54,479
Speaker 1: what we got there. You go, mo money, more problems,

1528
01:15:54,560 --> 01:15:57,000
Speaker 1: did you? I hope that that stays with you for

1529
01:15:57,080 --> 01:15:59,400
Speaker 1: a long time. Yeah, you're not gonna hear about me stunting.

1530
01:16:00,200 --> 01:16:01,880
Speaker 1: I ain't give nobody a damn thing. I have a

1531
01:16:01,920 --> 01:16:05,000
Speaker 1: hard time giving my guys a little pettycash we asked

1532
01:16:05,040 --> 01:16:07,519
Speaker 1: for they don't have if it's not justified. keV, you

1533
01:16:07,560 --> 01:16:12,000
Speaker 1: got twenty one? Yep? Can I get it for? What?

1534
01:16:13,080 --> 01:16:15,720
Speaker 1: Where's your twenty at? I don't got no cash him

1535
01:16:15,800 --> 01:16:17,519
Speaker 1: right now? Why don't you wait till you get it

1536
01:16:17,600 --> 01:16:20,120
Speaker 1: to get what you need? I'm that guy. No, because

1537
01:16:20,120 --> 01:16:21,880
Speaker 1: if I get this twenty you're gonna ask for another one,

1538
01:16:22,040 --> 01:16:23,439
Speaker 1: and then you're gonna feel like, because I gave you

1539
01:16:23,479 --> 01:16:25,000
Speaker 1: this one, I have to give you another. I don't

1540
01:16:25,000 --> 01:16:26,560
Speaker 1: want to put our friendship in that position. Do you

1541
01:16:26,600 --> 01:16:28,800
Speaker 1: give them money at least for your Starbucks? And your Starbucks? Does? Say?

1542
01:16:28,840 --> 01:16:33,160
Speaker 1: Wayne on it? No, Wayne's gotta eat that okay, Wyn's

1543
01:16:33,160 --> 01:16:36,840
Speaker 1: gottat Wyne's gotta eat that bill, all right, he's high paid,

1544
01:16:36,920 --> 01:16:39,400
Speaker 1: He's all right, you gotta eat that bill, Okay. And

1545
01:16:39,479 --> 01:16:41,320
Speaker 1: now I like to get over. I hit them with

1546
01:16:41,400 --> 01:16:42,800
Speaker 1: the move all the time. You know who gotta hunt

1547
01:16:42,840 --> 01:16:44,680
Speaker 1: real quick. Let me get a hunting ren quick for

1548
01:16:44,760 --> 01:16:46,120
Speaker 1: what just gives you real quick? I want to get

1549
01:16:46,240 --> 01:16:48,240
Speaker 1: the belling of them something real quick. I'll just walk away.

1550
01:16:48,280 --> 01:16:53,599
Speaker 1: I never that add up, that add up. Quiet well,

1551
01:16:53,640 --> 01:16:55,519
Speaker 1: you leave that weekend with like seven hundred dollars from you.

1552
01:16:55,680 --> 01:16:57,519
Speaker 1: Let me get it real quick, the real quick right here.

1553
01:16:57,920 --> 01:16:59,680
Speaker 1: Nellie got me like that. That's why I'll never do

1554
01:16:59,720 --> 01:17:02,719
Speaker 1: it again. Nellie got no Nellie got me in Vegas

1555
01:17:02,800 --> 01:17:04,840
Speaker 1: one time. Yeah, you got cash on you. Y'all got

1556
01:17:04,960 --> 01:17:06,400
Speaker 1: cat give me. Let me be like real quick, let

1557
01:17:06,439 --> 01:17:08,080
Speaker 1: me get to you real quick. How much was I

1558
01:17:08,200 --> 01:17:10,080
Speaker 1: gonna say it? Look, I gave it to him. When

1559
01:17:10,120 --> 01:17:12,360
Speaker 1: somebody got money, you can only remind him one time.

1560
01:17:12,600 --> 01:17:15,040
Speaker 1: It's a real, it's real, because then you feel weird

1561
01:17:15,080 --> 01:17:19,040
Speaker 1: after us. I like, yo, what up with the ga

1562
01:17:19,400 --> 01:17:23,000
Speaker 1: yah yah? I'n get you. You see Nellie every day

1563
01:17:23,040 --> 01:17:26,040
Speaker 1: you shoot the show back. Got that money back? Yet,

1564
01:17:26,160 --> 01:17:30,479
Speaker 1: that's my friend. You ain't leave me. I don't know.

1565
01:17:30,640 --> 01:17:32,560
Speaker 1: We feel like you got it here. We both we

1566
01:17:32,680 --> 01:17:34,439
Speaker 1: both got our head thump. I think he feels like

1567
01:17:34,479 --> 01:17:36,800
Speaker 1: because we both got our head thump that I should

1568
01:17:36,800 --> 01:17:39,760
Speaker 1: be okay, right, I still want it back. I'm gonna

1569
01:17:39,760 --> 01:17:42,360
Speaker 1: text him. I'm gonna tex what's some of that one

1570
01:17:42,400 --> 01:17:47,840
Speaker 1: hundred thousand. I LOLd you it's a very listen. If

1571
01:17:47,840 --> 01:17:49,800
Speaker 1: I told you on amount, y'all be embarrassed. I even

1572
01:17:49,800 --> 01:17:51,799
Speaker 1: told you a story. It's a very small, petty amount

1573
01:17:51,920 --> 01:17:54,720
Speaker 1: now something small, But it's just the principle. I want

1574
01:17:54,760 --> 01:17:57,519
Speaker 1: it back. I want it back when you can see

1575
01:17:57,560 --> 01:17:59,599
Speaker 1: the movie, the special. This is supposed to break all

1576
01:17:59,680 --> 01:18:02,040
Speaker 1: kinds of record. This is a big thirty million dollars

1577
01:18:02,800 --> 01:18:06,200
Speaker 1: weekend speculation, a speculation, but that would be good if

1578
01:18:06,240 --> 01:18:08,760
Speaker 1: that happened. That's a speculation that I'm hoping it comes

1579
01:18:08,840 --> 01:18:14,400
Speaker 1: true from from Searle Mayne's goddagn mouth down own it.

1580
01:18:14,520 --> 01:18:16,519
Speaker 1: This is me. I put up a thirteen point eight

1581
01:18:16,760 --> 01:18:20,040
Speaker 1: thirteen point eight to fund damn thirteen point eight front

1582
01:18:20,080 --> 01:18:24,200
Speaker 1: of the whole movie, all done by Heartbeat Productions, amazing team.

1583
01:18:24,520 --> 01:18:26,840
Speaker 1: The brand of Kevin Hard is still growing, the business

1584
01:18:26,920 --> 01:18:28,519
Speaker 1: mind is getting stronger, and the road to being a

1585
01:18:28,600 --> 01:18:31,080
Speaker 1: mogul it's still uh, it's still in the road to

1586
01:18:31,280 --> 01:18:35,400
Speaker 1: being stop it to becoming a Moabe's coming, bro. I

1587
01:18:35,439 --> 01:18:39,320
Speaker 1: don't know what you're talking about. We don't know what

1588
01:18:39,360 --> 01:18:42,720
Speaker 1: you're talking about, but we always appreciate you coming through.

1589
01:18:43,280 --> 01:18:45,479
Speaker 1: And I love coming here all your own, on your

1590
01:18:45,520 --> 01:18:47,640
Speaker 1: own schedule that comes. I love coming here. I'm never

1591
01:18:47,720 --> 01:18:49,320
Speaker 1: not gonna come here. You guys are good to me

1592
01:18:49,400 --> 01:18:51,519
Speaker 1: and return them. Always gonna be good to y'all. We're

1593
01:18:51,520 --> 01:18:53,960
Speaker 1: gonna get new chairs because Kevin Harden, don't you know

1594
01:18:54,040 --> 01:18:56,080
Speaker 1: what that's what see. I'm not gonna buy I'm not

1595
01:18:56,160 --> 01:18:58,720
Speaker 1: gonna give y'all a thousand dollars piece. I promise you this.

1596
01:18:59,280 --> 01:19:01,800
Speaker 1: I'm gonna get you guys chairs this week. Nice sha

1597
01:19:01,960 --> 01:19:04,920
Speaker 1: let's shake on that. I'm gonna get listened. But on

1598
01:19:05,040 --> 01:19:06,920
Speaker 1: the back of my on the back of the chairs,

1599
01:19:07,360 --> 01:19:11,000
Speaker 1: I could put k Hart on each cha if y'all

1600
01:19:11,000 --> 01:19:14,280
Speaker 1: ever turned around, people see k Hart no laugh out? Wayne,

1601
01:19:14,400 --> 01:19:16,280
Speaker 1: should I put the laugh out out of Network on

1602
01:19:16,360 --> 01:19:21,519
Speaker 1: the chairs? Let's figure out what the question mark? Chairs

1603
01:19:21,560 --> 01:19:23,439
Speaker 1: won't be here in time for the movie. Damn, I

1604
01:19:23,479 --> 01:19:25,679
Speaker 1: should have thought about this. If Kevin Hart get yours

1605
01:19:25,680 --> 01:19:28,000
Speaker 1: new chairs before my heart, that's the problem for the

1606
01:19:28,080 --> 01:19:30,639
Speaker 1: level of success that you guys have had. This shouldn't

1607
01:19:30,640 --> 01:19:33,280
Speaker 1: be here, so I'll correct it for y'all. I'll put

1608
01:19:33,280 --> 01:19:34,760
Speaker 1: the pressure on our hearts, so they got to step

1609
01:19:34,880 --> 01:19:39,760
Speaker 1: up and treat y'all better. Okay, God bless Kevin said