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Speaker 1: How difficult is it to get the mustache to do

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Speaker 1: what it do right now?

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Speaker 2: Chris Well, I like hurried the shower and put it together.

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Speaker 2: So but I've been training it for I was doing

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Speaker 2: a show where I had this.

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Speaker 3: I just wants to do that now.

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Speaker 2: Yeah, now I just wants now. It's like more of

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Speaker 2: a hassle to make it.

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Speaker 1: Not do this now?

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Speaker 4: Interesting because if I put an effort, I can do

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Speaker 4: that right now, but I need a little bit. It's

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Speaker 4: kind of like it's like a muscle. It doesn't the

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Speaker 4: it doesn't stay flexed. It kind of limps over at

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Speaker 4: some point.

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Speaker 3: So you got to focus for like fifteen minutes and

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Speaker 3: flex really hard, really hard, and then it goes.

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Speaker 1: It's just really straight.

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Speaker 2: I got my like the hair and makeup person on

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Speaker 2: the show gave me the stuff that essentially turns into

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Speaker 2: like cement, and I use that for like a week,

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Speaker 2: and now it just wants to do this.

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Speaker 3: Incredible been after washing or is it just it's not

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Speaker 3: washing out? It's like I'm there's also legos stuck in

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Speaker 3: it for some reason.

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Speaker 1: I can't my fish hair looks like shit, you know

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Speaker 1: what I mean. I couldn't even be in a story

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Speaker 1: about somebody who has no facial hair.

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Speaker 3: And he does this every time to try and fish

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Speaker 3: for compliment, to get people to say, no, it actually

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Speaker 3: looks good, mine.

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Speaker 1: It looks so bad.

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Speaker 2: There's something there. I swear I'm looking. I'm looking at

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Speaker 2: not even that.

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Speaker 3: I'm not even.

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Speaker 1: Come on, baby, bring your face a little bit closer.

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Speaker 3: Let me take a look at that.

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Speaker 1: Oh yeah, baby, you've got something. You guys don't worry

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Speaker 1: about that. I mean, it's crazy that I can grow

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Speaker 1: hair like this. I'm Asian, Like, this shouldn't be possible. Yeah,

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Speaker 1: I'm black and Asian, and I'm like, fucking the beards.

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Speaker 1: The beard game on my black side is fucking strong.

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Speaker 1: And then I look at all my like Asian family members,

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Speaker 1: everybody just like shin hair.

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Speaker 2: That's the only place they grow hair.

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Speaker 3: Shin hair only. Shin hair only.

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Speaker 1: Yeah, And it was cool when I was like in

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Speaker 1: high school. I remember all the girls like, oh, look

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Speaker 1: at your arms are so smooth. I'll be all self

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Speaker 1: conscious and shit, and I'm like, man, you know, I'm

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Speaker 1: still du though, you know what I mean. And then

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Speaker 1: later on I'm like, no, they like that, they.

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Speaker 3: Like that, But then I see your shins yeah, they's

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Speaker 3: like your mind. Yeah, pick one spot asshole.

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Speaker 2: Yeah you fifth grade centaur.

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Speaker 3: Shin Centaur. The shins are an animal.

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Speaker 1: Yeah that band on Spotify.

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Speaker 3: Your fair Centaur fucking rules. Hello the Internet, and welcome

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Speaker 3: to season three ninety, Episode three.

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Speaker 1: Of Derny Guys.

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Speaker 3: It's a production of iHeartRadio. It's a podcast where you

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Speaker 3: take a deep dive into America's share consciousness. And it's Thursday,

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Speaker 3: May twenty nine, twenty twenty five. Oh yeah, what's that?

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Speaker 1: Yeah? Oh it's National five to nine Day. You know

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Speaker 1: you got that College Savings Foundation account. Yeah, yep, yep, yep.

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Speaker 1: Shout out to anybody who has children that they want

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Speaker 1: them to go to college and try.

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Speaker 3: And work in five to nine.

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Speaker 1: Oh that's a that's pretty good.

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Speaker 3: Hours are pretty good.

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Speaker 1: Yeah yeah, four hours. Yeah, that's pretty good.

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Speaker 3: I oversee an after school program.

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Speaker 1: Oh oh okay, great. Great. Also it's National cook Avone

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Speaker 1: Day for all you all French cooking fanatics out there.

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Speaker 1: And also National paper Clip Day. Shout out Clippy, the

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Speaker 1: old Microsoft fun character and all paper clips. You know

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Speaker 1: what I mean.

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Speaker 3: He's the lazy gone pretty dark. Now he's like you

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Speaker 3: got a Manisphere podcast?

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Speaker 1: Yeah, yeah, yeah, I remember ever since somebody used Clippy

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Speaker 1: as a roach clip, it was all downhill from there.

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Speaker 3: He was just he just claims that the reason he

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Speaker 3: is no longer used was because everybody got too woke

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Speaker 3: on him, the fact that he was you slits from

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Speaker 3: the we don't use paper, and they're gonna try and

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Speaker 3: bring his ass back with AI. I guarantee it. Oh yeah, yeah,

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Speaker 3: I mean it's basically all AI is like a new

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Speaker 3: version of Clippy being imposed on all of us.

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Speaker 1: Yeah, like sloppy mustard guy. Did you someone posting on

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Speaker 1: Blue Sky like this like AI, Like there's all these

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Speaker 1: AI chatbots and one's called sloppy Mustard guy, and it's

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Speaker 1: an AI image of someone with mustard all over them.

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Speaker 1: And the first thing they'll say is like, oh no,

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Speaker 1: the mustard is everywhere, And I kind.

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Speaker 3: Of like that. Not gonna lie. I mean, my name

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Speaker 3: is Jack O'Brien. Hey, don't de playing without me, uh

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Speaker 3: not warning you in the future time you straight and

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Speaker 3: right out. Uh now I'm mushing your face. Oh man,

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Speaker 3: well a message to you, man, well, that one courtesy

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Speaker 3: is snarfula in reference to the face mush her around

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Speaker 3: the world. It was just a playful mush.

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Speaker 1: It's a playful mush, you know where I had a

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Speaker 1: very serious face and I was kind of like, what

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Speaker 1: the fuck are you doing?

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Speaker 3: What are you doing to? Oh my god?

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Speaker 1: Anyway, teach your stop.

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Speaker 3: I'm thrilled to be joined by my co host, mister

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Speaker 3: Miles Gray.

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Speaker 1: Yes, it's Miles Gray out of the hospital because I

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Speaker 1: have a new career as a respiratory therapist and registered nurse.

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Speaker 1: It's Miles Gray. Shout out to people who were checking in,

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Speaker 1: be like, hey, you're you okay, it's everything okay, Yes,

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Speaker 1: everything's okay. Just taking care of my mom. Doing great,

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Speaker 1: doing great, doing great, every day better. But when you

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Speaker 1: are in your late seventies and that pneumonia hits baby girl,

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Speaker 1: baby girl, pneumonia hit different.

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Speaker 3: Yeah, they hit that shit hit as they say, but

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Speaker 3: the kids say, you.

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Speaker 1: Know that pneumonia hit different when you got past seventy five.

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Speaker 3: Well, I'm so happy to hear she's doing yes, Edge, yes, yes,

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Speaker 3: Well Miles. We're thrilled to be joined by a very

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Speaker 3: funny actor, writer, comedian, sound designer who you've seen on Broadway. Oh, Mary,

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Speaker 3: If you're very fortunate and we're able to get a

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Speaker 3: ticket basically the hottest Broadway performance of like the past

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Speaker 3: number of years.

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Speaker 1: That one of the few times you can say the

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Speaker 1: hottest ticket in town, the hottest ticket in the hot

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Speaker 1: including the Knicks, and they're in the Eastern Conference from

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Speaker 1: you've seen them on TV and everything from queers Folk.

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Speaker 3: To Brooklyn ninety nine, their award winning podcast One of

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Speaker 3: Us with Finn and Chris, Please welcome.

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Speaker 1: Chris ren for Chris. Oh what up, Cuties, Hey, thank

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Speaker 1: you Chris. What do you think about my facial hair? Chris,

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Speaker 1: it's hot. It's thank you. I told you, Jack, I

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Speaker 1: told you. Chris one of the smartest people we've had

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Speaker 1: on the show.

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Speaker 2: It is crazy that, like, uh, you guys are both

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Speaker 2: very attractive, and I don't know why. I maybe it's that,

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Speaker 2: like I assume that people do radio and podcast because

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Speaker 2: they eat, they have a face for radio, But both

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Speaker 2: of you do have a face for a magazine, you

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Speaker 2: know what, wow.

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Speaker 3: And voices and personalities for a magazine as well. Yeah,

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Speaker 3: not good in action, but maybe if this was just

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Speaker 3: like still and you were kind of looking off into

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Speaker 3: the middle distance.

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Speaker 1: Like to tell you what you guys have been doing?

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Speaker 3: Is that decision?

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Speaker 1: It's not what you should be doing.

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Speaker 3: Oh yeah, this was a miss.

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Speaker 1: This is a miss.

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Speaker 3: Thank you. I can turn any compliment right around into

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Speaker 3: some manner of like existentially damaging.

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Speaker 2: You're going to be thinking about it all way.

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Speaker 1: Fucked up.

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Speaker 3: I should have been a magazine model.

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Speaker 1: I should have been a magazine.

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Speaker 3: I should a magazine. I told you, get mad at Miles.

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Speaker 3: I told you I should have been due. It should

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Speaker 3: have been a fucking scene.

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Speaker 2: We had a sliding door situation three and a half

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Speaker 2: years ago where I could have done radio or B magazine,

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Speaker 2: and you fucked it crazy fucked me.

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Speaker 1: The thing is I left. I left Conde Nast literal magazine, Yeah,

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Speaker 1: to be just to do that. Man, Chris, where were you?

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Speaker 1: Eight years ago?

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Speaker 3: And I left my first job out of school after

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Speaker 3: being a pool boy on a butler was ABC News,

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Speaker 3: working for a show that was categorized as a news magazine.

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Speaker 3: It was like, they're much worse version of sixty minutes.

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Speaker 1: All right, let's just split the difference and we'll just

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Speaker 1: go maga.

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Speaker 3: There we go. Drop. That's that's what I meant.

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Speaker 2: You both for giving maga.

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Speaker 1: I'm very you'd be attractive for backwards fascists. That's what I.

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Speaker 3: Have, that vibe. We just need to get the haircut,

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Speaker 3: the hairstyle.

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Speaker 2: I have no hair to speak of. So so you

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Speaker 2: you got it?

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Speaker 3: You look great?

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Speaker 1: Wig I will.

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Speaker 3: Yeah, that's always always Lauren's first question. How are you

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Speaker 3: with wigs? This man?

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Speaker 1: How it's a wig work?

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Speaker 3: Chris? You are we We did spend the first thirty

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Speaker 3: seconds of the call just being taken aback by everything

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Speaker 3: that you have going on in your zoom window. The

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Speaker 3: background is beautifully appointed, looks like a Wes Anderson shot.

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Speaker 3: The vest, the facial hair, everything is looking incredible. This

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Speaker 3: is not a you know, a thing where a show

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Speaker 3: where we usually compliment one another's appearances quite hostile in

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Speaker 3: this case. Yeah, it's overwhelming.

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Speaker 2: Yeah, no, it's a nice way to start my day.

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Speaker 1: Let's kiss.

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Speaker 3: Let's start and everybody start kissing. Well, we're thrilled to

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Speaker 3: have you. We are gonna get to know you a

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Speaker 3: little bit better in a moment. First couple things that

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Speaker 3: we're talking about a little bit later on, we're gonna

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Speaker 3: check out with the Pentagon. We you know, there was

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Speaker 3: word that Pete Hagsath was on his way out. His

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Speaker 3: dismissal was imminent. He has hung around and it sounds

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Speaker 3: like things are going good. Miles has the report from

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Speaker 3: the front line.

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Speaker 1: Yep, as as it can be pretty.

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Speaker 3: Good, and we might even get to the Nathan for

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Speaker 3: you or sorry the rehearsal finale, which you know, I

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Speaker 3: think if anybody Chris, did you watch the rehearsal?

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Speaker 2: Yeah, I just watched the finale yesterday actually, and I

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Speaker 2: need to talk to someone.

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Speaker 1: Yeah.

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Speaker 3: I feel like a lot of people are in that book,

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Speaker 3: in that boat, on that plane with you. Huh. So

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Speaker 3: we we'll talk about it. It was a lot of fun.

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Speaker 3: Miles has not watched the finale.

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Speaker 1: Well, let's spoil it. It's been spoiled. It's been spoiled.

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Speaker 1: It's been spoiled. It's been spoiled.

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Speaker 3: But well, yeah, we'll talk about it all that plenty more.

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Speaker 3: But first, Miles, just Chris, Miles. We like to ask

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Speaker 3: our guest, Chris. Yes, we do, Chris, what's something from

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Speaker 3: your search history that's revealing about who you are? Oh?

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Speaker 2: Wait, that's the one thing that I didn't do. Hold

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Speaker 2: hold time.

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Speaker 3: And we love it when you're unprepared for this one

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Speaker 3: because then we get the truth.

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Speaker 1: Y'all. Chris was so prepared I did all the other things,

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Speaker 1: had the recording going the background immaculate.

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Speaker 2: Okay, so a lot of it is just like online shopping.

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Speaker 2: To be honest, I have, uh my health plan and

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Speaker 2: four oh one.

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Speaker 3: K okay, hell yeah, congratulations.

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Speaker 2: Thank you, thank you re signing up for AMC stubbs.

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Speaker 2: I wish there was like anything interesting. Oh and I

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Speaker 2: have I have three searches for Aaron Tobate and three

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Speaker 2: other searches for Devin Sawa. Oh wow, wait, why what's

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Speaker 2: going on with I think that I was trying to

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Speaker 2: explain to my my best friend Finn Argus, I host

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Speaker 2: a co host of podcast with them, one of us,

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Speaker 2: and I was trying to talk oh yeah, Final Destination.

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Speaker 2: I was trying to talk about explain like the Final

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Speaker 2: Destination series and who Devin Sahwa was. But they're incredibly young,

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Speaker 2: and they just dull things, like we have a vast

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Speaker 2: chasm of of not political knowledge, yes, political knowledge also,

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Speaker 2: but pop culture, Like our pop culture references are just

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Speaker 2: it's like we're we're speaking Spanish and Chinese to each other,

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Speaker 2: like we just do not understand one another. So so

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Speaker 2: often I'll have to bring up pictures of like Devin

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Speaker 2: Sawa or like the original cast of Charmed, and she'll

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Speaker 2: have to show me who like Olivia Rodrigo is, And

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Speaker 2: I'm just like, I don't know, I don't know what

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Speaker 2: that I.

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Speaker 3: Know of violence to me bringing up Olivia Rodrigo.

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Speaker 1: You're trying to make me feel like shit right now?

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Speaker 1: Is that where you bringing up Olivia Rodrigo? I no,

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Speaker 1: I mean.

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Speaker 2: Yeah, we have a seven year age gap, so like

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Speaker 2: I it's the best way for me to constantly feel

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Speaker 2: out of touch.

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Speaker 3: Sure, sure, sure, yeah, Devin saw very iconic, recognizable face.

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Speaker 3: But I'm realizing it's I think mainly the first final destination.

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Speaker 3: It's I guess also Slackers. They were in Slackers, Yeah,

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Speaker 3: But for me it's Little Giants. It's Casper Casper. Yeah,

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Speaker 3: you know what's the other one in Casper?

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Speaker 1: Yeah? Yeah, he was Casper.

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Speaker 2: He was the heart throb, right, he he was Casper here,

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Speaker 2: which is in a way the heart throb.

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Speaker 1: Yeah, well, like yeah, it's yeah, but I just remember

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Speaker 1: once Little Giants came out and then then he was

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Speaker 1: on every like Team Pop magazine at the time, and

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Speaker 1: like I remember all the girls having pictures out of

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Speaker 1: Devin saw one.

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Speaker 3: I was like all right, bro, I think that's where

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Speaker 3: it is.

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Speaker 2: Who were your heart throbs growing up? Like who were

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Speaker 2: you looking up to?

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Speaker 1: Boom like, like who did I like? What male did

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Speaker 1: I want to be like? Or who? Like? Who was

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Speaker 1: old lady I was lusting after? Uh give me both?

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Speaker 1: Tyra Banks? When once she got on Fresh Prince, I

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Speaker 1: lost my mind.

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Speaker 3: I how you were saying the Tyra Banks when she

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Speaker 3: puts on a mustache and like goes under cover with

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Speaker 3: the figure that you're talking about.

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Speaker 2: Didn't that she did that? And she went out in

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Speaker 2: public like in a fat suit. She's like, I'm going

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Speaker 2: to spend three hours living the worst experience any possibly

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Speaker 2: a hot model.

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Speaker 3: Yes, yeah, like walking straight into doors expecting them to

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Speaker 3: be opened. Absolutely.

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Speaker 1: Yeah. I was just absolutely loved with Tyra Banks. And

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Speaker 1: then to the same men Will Smith. At the time,

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Speaker 1: as a kid, I was trying to be Will Smith.

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Speaker 2: Also, funnily enough, those are the those are two people

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Speaker 2: I looked up to also for very office.

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Speaker 1: It's right there there at the crossroads of everybody's like

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Speaker 1: for like sort of personality formation. I feel like, if

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Speaker 1: you're a certain age.

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Speaker 3: Yeah, I was Paul Abdul and because of the cold

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Speaker 3: hearted Snake video. And I was really into Bruce Willis

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Speaker 3: movies because I saw Diehard when I was too young,

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Speaker 3: and so Bruce Willis movies were my favorite genre's movies.

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Speaker 1: So I thought, that's where you see Jack and I's

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Speaker 1: age difference.

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Speaker 3: That's right.

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Speaker 2: Also, was very into those two for again very opposite reasons.

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Speaker 1: What's your favorite Bruce Willis's moment.

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Speaker 2: My favorite Bruce Willis moment is guest starring on Friends

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Speaker 2: as Rachel's loved dress.

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Speaker 1: Wow. Okay, okay, yeah.

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Speaker 3: Bringing that Bruce Willis energy no matter where he is.

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Speaker 1: Yeah, I don't know.

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Speaker 2: If I've watched many movies with Bruce Willis in them,

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Speaker 2: he simply must. I really know him as his star

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Speaker 2: turn as a recurring guest star on Friends.

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Speaker 1: That's great. If honestly, Lee, Bruce Willis there in your.

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Speaker 3: Mind, that's fine. Fine, Really the Diehard films and a

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Speaker 3: movie called The Last Boy Scout. But then there was

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Speaker 3: also one that was like for the real heads called

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Speaker 3: Hudson Hawk that was like known as his bit most disastrous.

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Speaker 3: Like everyone's like, oh he he was on a heater

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Speaker 3: and just went way too far and it's like all

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Speaker 3: like he's completely rewritten the script and hit with his

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Speaker 3: weird sense of humor, and like the the way that

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Speaker 3: him as a cat burglar and his friend's time their

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Speaker 3: burglaries is singing little like jazz standards because.

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Speaker 2: None of the words that are coming out of your

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Speaker 2: mouth right now, Jack makes sense to.

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Speaker 3: Me exactly, And and I loved it. I was like,

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Speaker 3: I'm gonna go to the video store and rent Hudson

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Speaker 3: Hawk again.

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Speaker 1: Okay, I'm looking Bruce.

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Speaker 3: Willis is like wanted to be a singer like this.

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Speaker 3: The secret to his success, The way that he like

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Speaker 3: always communicated like being sort of annoyed, was that he

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Speaker 3: was actually annoyed to be there because he never he

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Speaker 3: thought that he missed his true calling and he should

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Speaker 3: have been a blues singer.

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Speaker 1: Yeah.

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Speaker 3: The theme of this pod exactly, missed callings, Missed callings.

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Speaker 1: Yeah, could have been a magazine.

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Speaker 3: So annoyed to be doing this podcast same, I could

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Speaker 3: be a fucking getting hair to make up all day.

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Speaker 3: What is something that you think is underrated? Chris?

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Speaker 2: The thing that I think that is underrated is the

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Speaker 2: Netflix TV show The Devil's Plan. I'm obsessed with this.

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Speaker 2: They're out on season two right now, and me and

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Speaker 2: my my ex Eliat. We watched the first season together

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Speaker 2: and became really obsessed, and then the second season came

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Speaker 2: out a couple months ago and we've been binge watching

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Speaker 2: this show and it's just a series of games. But

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Speaker 2: what is fun for us is that the rules to

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Speaker 2: each game are so convoluted and long. They genuinely take

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Speaker 2: twenty minutes out of each episode to explain you the

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Speaker 2: new Google set, and we love it. We're like, oh,

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Speaker 2: this is so complicated, it does not make sense. Uh,

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Speaker 2: it's it's overly verbose. It's fun. It's so fun.

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Speaker 3: To just to figure out a Korean show.

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Speaker 2: It's a Korean show.

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Speaker 1: Yes, the Doubles Point Show.

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Speaker 3: Nice. I have enjoyed some that. What was the one

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Speaker 3: that was different? Sort of physical fitness Physical one hundred,

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Speaker 3: Physical one hundred. I love that show too. I watched

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Speaker 3: both seasons of that.

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Speaker 1: Yeah. Yeah.

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Speaker 2: They also have something called Core Culinary Class Wars where

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Speaker 2: they pit one hundred chefs from different classes against each other.

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Speaker 2: Very obsessed with the one hundred model.

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Speaker 3: Yeah, yeah, that's really cool.

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Speaker 1: You know what's up next? One hundred men versus Gorilla's.

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Speaker 3: Idea like chefs who like make street food versus chefs

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Speaker 3: who are like high dining. Yeah, what a great concept.

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Speaker 2: I was obsessed with the Food Network growing up Like

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Speaker 2: that was my version of an escape growing up in Riverside, California.

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Speaker 2: Are kind of almost middle nowhere. But just watching like

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Speaker 2: Anthony Bourdain go around and try street food or drive ins,

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Speaker 2: diners and dives? Is that the correct series of words?

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Speaker 1: Triple might be.

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Speaker 3: The right order, but that's the I believe that's the.

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Speaker 2: Everything we call that. I love that triple D.

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Speaker 3: Baby, tell them, tell them I need at least three d's.

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Speaker 1: Hell yeah, what is.

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Speaker 3: Something you think is overrated?

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Speaker 2: What do I think is overrated? In and out? I

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Speaker 2: just do not get it? Is that too niche?

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Speaker 3: For our most common overrated? Basic alert?

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Speaker 1: Basic alert, basic alert, basic learn?

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Speaker 2: Okay, wait, I want to change mine to uh to

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Speaker 2: basic human rights?

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Speaker 3: No our least nobody thinks that's Wait, so what's your

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Speaker 3: I mean?

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Speaker 1: You said? Are you from Riverside? I'm from Riverside? Oh yeah, okay,

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Speaker 1: so growing up so cow we know we know in

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Speaker 1: and out is whatever. It's too. I think for people

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Speaker 1: who come from outside of California, it's like and fine,

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Speaker 1: go ahead.

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Speaker 2: Find yourself like a Baker's find yourself like a candle.

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Speaker 2: Oh yeah, OK, nobody has real jobs anymore. Become a

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Speaker 2: candlestick maker, become a blacksmith.

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Speaker 3: Giving bill maher, this is great, but what what for you?

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Speaker 1: What's the part about in and out that to you

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Speaker 1: is like whatever, just the whole, the whole.

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Speaker 2: Thing, the whole experience. It's like the the fries are

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00:20:48,480 --> 00:20:51,760
Speaker 2: not good unless you you tell them to make them

402
00:20:51,760 --> 00:20:54,199
Speaker 2: well done. It's like, Okay, I shouldn't be telling you

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Speaker 2: to cook the fries. I think that's a given in

404
00:20:56,960 --> 00:21:00,800
Speaker 2: the ordering process. The fact that they just outright refuse

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Speaker 2: to have vacon. It's like, this is a this is

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Speaker 2: a burger, not a test. Yeah, put bacon on it.

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Speaker 2: And then just the long lines of it all. I'm

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Speaker 2: not I'm not really interested. Lines are overrated.

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Speaker 1: Yeah right, not a let.

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Speaker 3: Met We do love a line and just humans will

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Speaker 3: will just go wait in a line. There's so many

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Speaker 3: lines all over Los Angeles and yeah, we just the

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Speaker 3: best thing you can do for your restaurant is have

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Speaker 3: just incredibly shitty service. Yeah, we're just completely understaff your place.

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Speaker 3: So there's a line out the door.

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Speaker 1: Well actually, but then it has to be good enough

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Speaker 1: that someone's like, yeah, fuck it, I'll wait fifteen minutes

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Speaker 1: for this Turkish coffee. That's the new spot I see

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Speaker 1: in the valley. There's a Turkish coffee spot has a door,

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Speaker 1: a fucking line out the door every morning.

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Speaker 3: Turkish coffee.

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Speaker 1: Yeah, m hm, up on that.

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Speaker 3: Pickles or whatever was the latest, like fancy little foody trend. Sardines.

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Speaker 3: I feel like tin tin fish, tin fish was one. Yeah.

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Speaker 2: I felt like I saw that at every wine bar

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Speaker 2: that I went to.

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Speaker 1: Yeah, everyone was like, and we also have an amazing

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Speaker 1: tin fish selection. I'm like, I didn't come here to

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Speaker 1: eat canned food for meet from the nineteen seventies. And

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Speaker 1: I get like, because what they do is like like

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Speaker 1: you know, like that shit people do in Europe, like

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Speaker 1: we up charge you, We up charge the fuck out

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Speaker 1: of that for you to do that in a restaurant.

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Speaker 1: They're like, here's a loose bag. Get in three Kansas sardines. Bus.

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Speaker 3: I will say most of the people who say In

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Speaker 3: and Out's overrated are usually people coming from outside. They've

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Speaker 3: like heard about it, they've traveled with like In and

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Speaker 3: Out in mind, and they don't like it. So to

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00:22:38,920 --> 00:22:41,159
Speaker 3: have somebody who is from the home of In and

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Speaker 3: Out to just be like, nah, it's not good. Is

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Speaker 3: pretty new.

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Speaker 1: I will say thank you for making me feel better.

443
00:22:48,040 --> 00:22:50,240
Speaker 2: I've been racking my brain trying to think of something

444
00:22:50,280 --> 00:22:55,040
Speaker 2: else now, Like I guess, uh TikTok is overrated.

445
00:22:56,760 --> 00:22:59,480
Speaker 1: Corona, the city of the Circle Cities.

446
00:23:00,040 --> 00:23:01,159
Speaker 2: Where did you grow up?

447
00:23:01,240 --> 00:23:02,520
Speaker 1: I grew up in the valley here. But I know,

448
00:23:02,640 --> 00:23:04,720
Speaker 1: I mean, I know, I know southern California very well.

449
00:23:05,160 --> 00:23:07,000
Speaker 3: Yeah yeah, yeah, yeah, yeah enough.

450
00:23:08,600 --> 00:23:08,959
Speaker 1: Yeah.

451
00:23:09,160 --> 00:23:11,160
Speaker 3: To the degree that Miles gets his in and Out

452
00:23:11,160 --> 00:23:14,199
Speaker 3: fries medium rare, yeah, he says, don't don't do them too.

453
00:23:15,000 --> 00:23:17,399
Speaker 3: That's not a joke, Chris, I get them light. He

454
00:23:18,080 --> 00:23:20,200
Speaker 3: mushy ass fry.

455
00:23:19,960 --> 00:23:20,640
Speaker 1: You asked them.

456
00:23:20,720 --> 00:23:23,040
Speaker 2: Don't even cook it, I said, come out that you

457
00:23:23,040 --> 00:23:24,280
Speaker 2: try to cook it in the first place.

458
00:23:24,400 --> 00:23:27,440
Speaker 1: Just put that potato through the slicer and just throw

459
00:23:27,560 --> 00:23:31,840
Speaker 1: some oil. Just to put my mouth underneath the fry

460
00:23:31,880 --> 00:23:33,320
Speaker 1: cooker me.

461
00:23:35,040 --> 00:23:37,639
Speaker 3: Slicer in my mouth. I'll wrap my lips around it.

462
00:23:37,960 --> 00:23:41,680
Speaker 1: You just like potato. This is from my O f man.

463
00:23:42,000 --> 00:23:44,520
Speaker 1: Just the thing follow anyway, Let me get my mouth

464
00:23:44,560 --> 00:23:47,680
Speaker 1: on that Thing'll.

465
00:23:46,720 --> 00:23:49,800
Speaker 3: You mouth slam your face down on the table on

466
00:23:49,960 --> 00:23:50,240
Speaker 3: top of.

467
00:23:52,800 --> 00:23:55,440
Speaker 2: You guys into mook bang.

468
00:23:55,440 --> 00:23:57,520
Speaker 1: I mean, I'm not into it, but I'm always amazed

469
00:23:57,520 --> 00:23:59,760
Speaker 1: to see the person eat the amount of food that's

470
00:23:59,760 --> 00:24:01,920
Speaker 1: in front of them. That part, I'm like, you really

471
00:24:02,040 --> 00:24:04,080
Speaker 1: ate twenty fucking chicken sandwiches like that?

472
00:24:04,280 --> 00:24:07,640
Speaker 2: How Sometimes it's spooky the amount that the people eat.

473
00:24:07,920 --> 00:24:10,720
Speaker 1: Yeah, yeah, but for me overall, And no, I'm not like,

474
00:24:10,800 --> 00:24:13,240
Speaker 1: I'm not one of those people who like, I'm into

475
00:24:13,359 --> 00:24:15,760
Speaker 1: seeing that or then like scratching their nails on the

476
00:24:16,080 --> 00:24:19,080
Speaker 1: crispy chicken and be like, okay, just eat whatever. Do

477
00:24:19,240 --> 00:24:20,000
Speaker 1: you This ain't for me.

478
00:24:20,440 --> 00:24:23,440
Speaker 3: I didn't know those two overlapped and luck Bang Oh

479
00:24:23,520 --> 00:24:25,520
Speaker 3: people will give a shit with the food too.

480
00:24:26,000 --> 00:24:28,879
Speaker 2: Mook Bang is under the umbrella of asmr.

481
00:24:30,080 --> 00:24:30,880
Speaker 1: Oh, I didn't know that.

482
00:24:31,359 --> 00:24:35,000
Speaker 2: Yeah, it's like it's a subsection of right, it would be.

483
00:24:36,080 --> 00:24:39,239
Speaker 3: So there's like some sensory experience that they're getting out

484
00:24:39,280 --> 00:24:43,520
Speaker 3: of watching people devour like a whole punch bowl of ramen.

485
00:24:43,760 --> 00:24:46,480
Speaker 1: Yeah, or to eat chipole burritos in a row. Yeah.

486
00:24:46,600 --> 00:24:51,600
Speaker 2: One time I saw somebody ingest five entire octopus tentacles

487
00:24:51,880 --> 00:24:54,879
Speaker 2: and I thought that was rad or cooked.

488
00:24:55,480 --> 00:24:56,400
Speaker 3: Were they still squirming?

489
00:24:56,720 --> 00:25:02,360
Speaker 1: Yeah? They were. They were thick. Tell him oop, tell him?

490
00:25:04,080 --> 00:25:07,960
Speaker 1: Tell him how thick were they cooked or were they

491
00:25:08,160 --> 00:25:10,000
Speaker 1: where they were like they were purple and like rigid,

492
00:25:10,040 --> 00:25:10,680
Speaker 1: like a full line.

493
00:25:10,680 --> 00:25:13,680
Speaker 2: They were like they seemed like at most they may

494
00:25:13,760 --> 00:25:15,000
Speaker 2: have been boiled.

495
00:25:14,720 --> 00:25:18,439
Speaker 1: Right right, like a par boil, blanched even Okay, go

496
00:25:18,600 --> 00:25:21,360
Speaker 1: off to Blanche Duboi. I'm up in it.

497
00:25:25,200 --> 00:25:28,240
Speaker 3: All right, Let's take a quick break. We'll be right back.

498
00:25:28,280 --> 00:25:31,480
Speaker 3: We'll get into some news that involves cocaine. Have you

499
00:25:31,480 --> 00:25:45,000
Speaker 3: guys heard about this stuff cocaine? Be right back and

500
00:25:45,119 --> 00:25:50,680
Speaker 3: we're back back, and let's talk about Pete Pete hagg Seth. Yeah,

501
00:25:50,760 --> 00:25:51,840
Speaker 3: I hired Pete.

502
00:25:51,960 --> 00:25:53,879
Speaker 1: Yeah, as they call him, the d U. I hire

503
00:25:53,920 --> 00:25:57,800
Speaker 1: Pete hagg Seth kept this little slightly lower profiles since

504
00:25:57,840 --> 00:26:00,360
Speaker 1: all the signal Gate controversies over the last few months,

505
00:26:00,440 --> 00:26:03,439
Speaker 1: or people like you're using apps that people used to

506
00:26:03,440 --> 00:26:07,919
Speaker 1: buy psychedelic mushrooms with, you're doing like trade like national

507
00:26:07,920 --> 00:26:10,960
Speaker 1: security secret talking on there. Oh that's bad, you know,

508
00:26:11,000 --> 00:26:13,760
Speaker 1: And then he said the President is backing me. Everything

509
00:26:13,840 --> 00:26:16,399
Speaker 1: is under control. It's just the leakers. It's a bunch

510
00:26:16,400 --> 00:26:18,600
Speaker 1: of leakers with people that are aggrieved that need to

511
00:26:18,600 --> 00:26:21,240
Speaker 1: get sorted out. Well, the last month or so, it's

512
00:26:21,240 --> 00:26:23,879
Speaker 1: been pretty chaotic for the Pentagon because Heggsath fired a

513
00:26:23,960 --> 00:26:26,879
Speaker 1: fuck ton of people working for him for reasons that

514
00:26:26,960 --> 00:26:30,400
Speaker 1: are not that clear. Like he claims it's that they

515
00:26:30,400 --> 00:26:34,719
Speaker 1: are leakers of sensitive information and like, you know, like

516
00:26:34,760 --> 00:26:36,639
Speaker 1: and that's why they had to go, while others say

517
00:26:36,760 --> 00:26:39,480
Speaker 1: he's just completely lost his ability to manage the situation,

518
00:26:39,680 --> 00:26:43,040
Speaker 1: and the quote sensitive information is people just telling the

519
00:26:43,119 --> 00:26:45,600
Speaker 1: press how much of a shit show it is at

520
00:26:45,600 --> 00:26:49,159
Speaker 1: the Pentagon, nothing to do with like sensitive military plans.

521
00:26:49,160 --> 00:26:51,160
Speaker 3: He's like, don't fucking tell them.

522
00:26:51,200 --> 00:26:53,600
Speaker 1: This is a drunk ass shit show in here, right,

523
00:26:53,800 --> 00:26:57,920
Speaker 1: fucking knock it off. His chief of staff, Joe Casper,

524
00:26:58,119 --> 00:27:00,720
Speaker 1: had to quit after reports of him being shitty to

525
00:27:00,760 --> 00:27:04,359
Speaker 1: military personnel and also just generally like he loves to

526
00:27:04,400 --> 00:27:07,400
Speaker 1: talk about how big his shits are. This is from

527
00:27:07,400 --> 00:27:11,240
Speaker 1: the Guardian quot. Sources also describe more erratic behavior by Casper,

528
00:27:11,560 --> 00:27:14,440
Speaker 1: such as him describing a bowel movement in a business meeting.

529
00:27:14,560 --> 00:27:17,320
Speaker 1: Quote can I just tell everyone around this table that

530
00:27:17,400 --> 00:27:20,359
Speaker 1: I just took an enormous ship right before coming in here?

531
00:27:20,440 --> 00:27:27,400
Speaker 3: Casper allegedly replied, no, you may not, and why would

532
00:27:27,480 --> 00:27:28,359
Speaker 3: you think you could.

533
00:27:28,440 --> 00:27:31,159
Speaker 1: Also, you should warn us rather than just baking in

534
00:27:31,280 --> 00:27:34,440
Speaker 1: the thing that we may resist wanting to hear. Can

535
00:27:34,520 --> 00:27:36,480
Speaker 1: I just say the thing he might not want to

536
00:27:36,480 --> 00:27:37,720
Speaker 1: hear and then tell me if you want to?

537
00:27:37,920 --> 00:27:39,880
Speaker 3: I thought he was like, yeah, you can tell us

538
00:27:40,320 --> 00:27:41,919
Speaker 3: and be like go on, Okay.

539
00:27:43,000 --> 00:27:45,280
Speaker 2: So it sounds like all of the dudes that I

540
00:27:45,359 --> 00:27:46,639
Speaker 2: hung out with in high school.

541
00:27:46,720 --> 00:27:50,280
Speaker 1: Yeah, it sounds like yeah. Yeah.

542
00:27:50,320 --> 00:27:53,280
Speaker 2: Also the way that you say leakers, it feels like

543
00:27:53,320 --> 00:27:58,800
Speaker 2: a slur. Yeah, within the like I'm sure it is. Yeah, yeah,

544
00:27:58,960 --> 00:28:01,040
Speaker 2: freaking leakers, leakers everywhere.

545
00:28:01,040 --> 00:28:04,280
Speaker 3: It's like they'll be such shitty Like they are inventing

546
00:28:04,359 --> 00:28:07,040
Speaker 3: new slurs on a daily basis, and one of the

547
00:28:07,080 --> 00:28:10,119
Speaker 3: ones they've recently come up with is pannikins, which are

548
00:28:10,640 --> 00:28:15,280
Speaker 3: American and panic but people who are panicking mixed together.

549
00:28:15,840 --> 00:28:18,800
Speaker 3: But it sucks. It's just like a bad word that

550
00:28:19,160 --> 00:28:21,560
Speaker 3: but like not a bad word as like ooh naughty,

551
00:28:21,640 --> 00:28:24,399
Speaker 3: like your your word that you've come up with sucks

552
00:28:24,400 --> 00:28:27,760
Speaker 3: ship jack pasobiac. It's not it's not good.

553
00:28:27,840 --> 00:28:31,080
Speaker 1: Yeah, it's called having your eyes open and realizing what

554
00:28:31,119 --> 00:28:32,800
Speaker 1: the consequences are going to be of everything.

555
00:28:32,840 --> 00:28:35,119
Speaker 2: Maybe maybe they would be better at coming up with

556
00:28:35,280 --> 00:28:38,880
Speaker 2: new slurs. If they bothered to take an art or

557
00:28:38,920 --> 00:28:40,520
Speaker 2: poetry class.

558
00:28:40,160 --> 00:28:43,080
Speaker 1: That would require them opening up to a little bit

559
00:28:43,120 --> 00:28:46,360
Speaker 1: more empathy, I'm afraid, And that's I think they're there

560
00:28:46,360 --> 00:28:49,240
Speaker 1: in lies one of the big problems with their creativity.

561
00:28:49,080 --> 00:28:53,440
Speaker 3: But also the thickens and these fucking empathic ins m

562
00:28:54,520 --> 00:28:58,840
Speaker 3: to go go to south today, freak an empathegot.

563
00:28:59,080 --> 00:29:05,200
Speaker 2: Yeah, here's my here's my hot take. I think that

564
00:29:05,280 --> 00:29:08,280
Speaker 2: like if these people did genuinely did the work to

565
00:29:09,000 --> 00:29:13,440
Speaker 2: sort of like make us all equal, you know, then

566
00:29:13,840 --> 00:29:16,640
Speaker 2: they they could say slurs and they wouldn't have to

567
00:29:16,640 --> 00:29:19,120
Speaker 2: try to invent these things, like if we were all

568
00:29:19,120 --> 00:29:22,240
Speaker 2: paid equally and we're on the same social equal footing

569
00:29:22,320 --> 00:29:25,000
Speaker 2: or whatnot. It actually wouldn't be bad if they said

570
00:29:25,040 --> 00:29:26,360
Speaker 2: the f slur, you know what I mean.

571
00:29:26,480 --> 00:29:28,160
Speaker 1: I would be like, yeah, go ahead, sing the whole

572
00:29:28,240 --> 00:29:29,640
Speaker 1: chorus a gold digger on sensor.

573
00:29:31,280 --> 00:29:32,800
Speaker 3: And that is all they're looking for.

574
00:29:32,960 --> 00:29:35,360
Speaker 1: That's all they want. That's all because they're tired of

575
00:29:35,440 --> 00:29:39,200
Speaker 1: saying she she don't looking for no broke broke, you

576
00:29:39,240 --> 00:29:41,600
Speaker 1: know what I mean. They want to finish the damn sentence.

577
00:29:41,640 --> 00:29:45,960
Speaker 3: Fair, damn it when you see that we see the

578
00:29:46,080 --> 00:29:48,760
Speaker 3: chats on Reddit, like that is always what it comes

579
00:29:48,800 --> 00:29:49,160
Speaker 3: back to.

580
00:29:49,720 --> 00:29:52,520
Speaker 1: Yeah, can't I say they said all the time?

581
00:29:52,680 --> 00:29:53,880
Speaker 3: They say it in their song.

582
00:29:54,040 --> 00:29:58,160
Speaker 1: Oh my god. Anyway, look up Hegemon. I don't even

583
00:29:58,160 --> 00:30:00,400
Speaker 1: look up Hegemony. Fuck it. Yeah, just go gets your

584
00:30:00,400 --> 00:30:03,360
Speaker 1: ass beat or something. So one of the other ousted

585
00:30:03,400 --> 00:30:08,120
Speaker 1: advisors also implied that Casper, that former his former deputy staff,

586
00:30:08,160 --> 00:30:10,680
Speaker 1: also likes to dabble in the disco fuel as well,

587
00:30:11,120 --> 00:30:14,320
Speaker 1: like messily calling around like so it get out like

588
00:30:14,360 --> 00:30:16,560
Speaker 1: do you know anything about him doing cocaine? And like

589
00:30:16,680 --> 00:30:19,440
Speaker 1: so then that got out that this guy was asking

590
00:30:19,480 --> 00:30:22,040
Speaker 1: about Casper's cocaine news. If you were like this is

591
00:30:22,200 --> 00:30:23,080
Speaker 1: a mess.

592
00:30:23,160 --> 00:30:27,000
Speaker 3: Then who was asking like the guy cocaine? I was like,

593
00:30:27,360 --> 00:30:29,480
Speaker 3: do you know about my cocaine news? No?

594
00:30:29,480 --> 00:30:31,920
Speaker 1: No, no, no no. One of the one of the ousted

595
00:30:32,160 --> 00:30:35,120
Speaker 1: like advisors that Hegxeth fired because he didn't fire this

596
00:30:35,160 --> 00:30:37,560
Speaker 1: guy Joe Casper, the big ship taker, because that was

597
00:30:37,560 --> 00:30:41,320
Speaker 1: like his boy. So then to undermine him the others,

598
00:30:41,360 --> 00:30:42,920
Speaker 1: this other person's getting mess and like do you don't

599
00:30:42,960 --> 00:30:45,400
Speaker 1: like Joe Casper is like hitting that blow cane like

600
00:30:45,440 --> 00:30:46,560
Speaker 1: this fucking eighty.

601
00:30:46,320 --> 00:30:48,640
Speaker 3: Eight or what I don't know any friendly ghost let

602
00:30:48,680 --> 00:30:55,560
Speaker 3: me know, yeah, and it ain't the mattress fan. So

603
00:30:56,040 --> 00:30:58,720
Speaker 3: then things again got a little bit more sour because

604
00:30:58,760 --> 00:31:02,200
Speaker 3: the White House basically inserted themselves to like it like

605
00:31:02,240 --> 00:31:04,840
Speaker 3: in all the Pentagon firings, because they just had to

606
00:31:04,840 --> 00:31:06,840
Speaker 3: prevent the clown show from going further.

607
00:31:06,600 --> 00:31:10,600
Speaker 1: Down the drain. One advisor asked hegsets lawyer, Hegset's personal

608
00:31:10,680 --> 00:31:13,200
Speaker 1: lawyer who he brought onto the Pentagon was tasked with

609
00:31:13,400 --> 00:31:16,280
Speaker 1: finding the leaker of like, you know, a military plan

610
00:31:16,320 --> 00:31:18,720
Speaker 1: about the Panama Canal, but really he was tasked with

611
00:31:18,720 --> 00:31:21,400
Speaker 1: figuring out who is leaking like talking all that shit

612
00:31:21,560 --> 00:31:25,120
Speaker 1: to the press. And when the White House said, how

613
00:31:25,120 --> 00:31:27,320
Speaker 1: did you come to believe that it was his? Like

614
00:31:27,400 --> 00:31:30,520
Speaker 1: the fire deputy chief of staff, his lawyer basically let

615
00:31:30,560 --> 00:31:34,080
Speaker 1: it slip that they used in illegal NSSAY wire tap

616
00:31:34,560 --> 00:31:37,120
Speaker 1: on the guy. And then the White House advisor was like,

617
00:31:37,360 --> 00:31:41,200
Speaker 1: hold the fuck up are you telling me? Hold on,

618
00:31:41,520 --> 00:31:44,840
Speaker 1: you cannot have the fucking NSSAY spying on the Department

619
00:31:44,880 --> 00:31:48,080
Speaker 1: of Defense, Like that is beyond like even for us,

620
00:31:48,120 --> 00:31:50,600
Speaker 1: Like that's just we don't what are you fucking talking about.

621
00:31:50,800 --> 00:31:52,520
Speaker 1: And when he realized how fucked up it was. The

622
00:31:52,560 --> 00:31:56,640
Speaker 1: lawyer was like, actually, I think like I overheard it

623
00:31:56,680 --> 00:32:00,600
Speaker 1: from another person and it wasn't actually the that say,

624
00:32:00,960 --> 00:32:04,920
Speaker 1: like wiretap that was done without a warrant. Uh. That

625
00:32:05,000 --> 00:32:08,280
Speaker 1: has yet to be resolved. So right now this is

626
00:32:08,360 --> 00:32:11,120
Speaker 1: this is everything that's swirling around. They're spying on each other,

627
00:32:11,360 --> 00:32:14,760
Speaker 1: they're taking big ships, and they're getting messy about cocaine use.

628
00:32:15,040 --> 00:32:17,480
Speaker 3: They're so proud of their big ships, like Trump has bread.

629
00:32:17,560 --> 00:32:20,560
Speaker 1: No, I don't know why, why is taking a big ship?

630
00:32:20,680 --> 00:32:22,360
Speaker 1: Like she's like, yo, look how look at what I

631
00:32:22,360 --> 00:32:24,200
Speaker 1: can get up out of my body there.

632
00:32:24,200 --> 00:32:27,240
Speaker 3: You know, I've talked about this before. There is something

633
00:32:27,360 --> 00:32:31,600
Speaker 3: like primal and like with with little boys. Again, these

634
00:32:31,640 --> 00:32:37,680
Speaker 3: are children like my dad and his older brother used

635
00:32:37,720 --> 00:32:40,760
Speaker 3: to save their ships to like compare them to one

636
00:32:40,800 --> 00:32:44,560
Speaker 3: another's big ships. What do you mean like toilet to

637
00:32:44,920 --> 00:32:47,240
Speaker 3: put it in a shoe box. It's just I wish

638
00:32:47,040 --> 00:32:51,719
Speaker 3: you know, No, that's it is what they did when

639
00:32:51,760 --> 00:32:53,440
Speaker 3: they were children. What call like.

640
00:32:53,440 --> 00:32:55,240
Speaker 1: A pet caterpillar?

641
00:32:55,360 --> 00:33:02,640
Speaker 3: That you really big pet caterpillar? Yeah, dark times. You know.

642
00:33:04,600 --> 00:33:06,480
Speaker 1: Sholahoma built different.

643
00:33:06,640 --> 00:33:11,000
Speaker 3: Yeah, Philadelphia, Philadelphia, Philly, And we knew that already.

644
00:33:11,040 --> 00:33:15,080
Speaker 1: We knew Philly was built different. But yeah, this is uh,

645
00:33:15,120 --> 00:33:17,440
Speaker 1: this is continuing. There's still no like a lot of

646
00:33:17,480 --> 00:33:19,920
Speaker 1: people have asked them, like one of these illegal warrant

647
00:33:19,960 --> 00:33:22,520
Speaker 1: list wire taps. We still haven't gotten to the bottom

648
00:33:22,520 --> 00:33:24,680
Speaker 1: of it because everyone's playing dumb now as like the

649
00:33:24,720 --> 00:33:29,040
Speaker 1: controversies get more intense. But yeah, I'm we'll see what happens.

650
00:33:29,080 --> 00:33:32,080
Speaker 1: This is all happening while you know, these are the

651
00:33:32,120 --> 00:33:35,040
Speaker 1: people that are actually in charge of the fucking Pentagon,

652
00:33:35,200 --> 00:33:39,000
Speaker 1: the fucking war machine, are just you know, frat dudes

653
00:33:39,840 --> 00:33:41,720
Speaker 1: do a coke and taking big shits.

654
00:33:41,920 --> 00:33:45,760
Speaker 3: If we had like a well funded like media like

655
00:33:45,920 --> 00:33:50,600
Speaker 3: you know, like in nineteen seventies era, like mainstream media.

656
00:33:50,760 --> 00:33:53,280
Speaker 3: How many water yates do you think we're averaging a

657
00:33:53,320 --> 00:33:56,280
Speaker 3: week at this point from this administration, I'd say three

658
00:33:56,280 --> 00:33:59,480
Speaker 3: a day, Like it's a lot, it's a lot. They're

659
00:33:59,560 --> 00:34:02,280
Speaker 3: just they're coming through and then just being replaced by

660
00:34:02,320 --> 00:34:06,440
Speaker 3: another water kait. They're just not it's not like they're

661
00:34:06,440 --> 00:34:09,960
Speaker 3: doing it and it's a secret. They're doing it telling

662
00:34:10,000 --> 00:34:12,800
Speaker 3: people about it, being like I didn't know you couldn't

663
00:34:12,840 --> 00:34:16,240
Speaker 3: do that. And then the only reason that doesn't become

664
00:34:16,360 --> 00:34:22,000
Speaker 3: like front page news is one like everybody scared because authoritarianism,

665
00:34:22,040 --> 00:34:25,640
Speaker 3: but also it seems like it's you know, just replaced

666
00:34:25,640 --> 00:34:27,560
Speaker 3: by the next one, the next outrage.

667
00:34:27,840 --> 00:34:32,200
Speaker 1: There they're straight up violating protected speech, you know what

668
00:34:32,239 --> 00:34:35,040
Speaker 1: I mean. These were things that were like total legal

669
00:34:35,080 --> 00:34:37,399
Speaker 1: third rails. They're like, yeah, bro, that's like what are

670
00:34:37,400 --> 00:34:39,520
Speaker 1: we talking about? That's the First Amendment. And you look

671
00:34:39,560 --> 00:34:41,640
Speaker 1: at like now with Harvard there, you know, Trump's like

672
00:34:41,640 --> 00:34:44,720
Speaker 1: you're gonna get fully defunded. And you know, Linda McMahon

673
00:34:44,760 --> 00:34:47,160
Speaker 1: who's the Secretary of Education, is basically saying, well, they're

674
00:34:47,160 --> 00:34:49,759
Speaker 1: not doing what the what the administration says to do,

675
00:34:50,280 --> 00:34:52,319
Speaker 1: and if they run a foul of that, they're wrong.

676
00:34:52,400 --> 00:34:55,880
Speaker 1: You're like, okay, well they have free speech rights, like

677
00:34:55,920 --> 00:34:58,040
Speaker 1: you can't just say because they're not doing what you

678
00:34:58,080 --> 00:35:01,120
Speaker 1: say and towing the line. Now they're up to have

679
00:35:01,200 --> 00:35:04,040
Speaker 1: all you know, funds just totally vaporized.

680
00:35:04,440 --> 00:35:06,319
Speaker 2: Well you think you have free speech, Well I have

681
00:35:06,360 --> 00:35:10,280
Speaker 2: a gun, yeah, right exactly, Okay, that's fine, that's fine.

682
00:35:10,400 --> 00:35:14,600
Speaker 1: And then even just like they just the the sheriff

683
00:35:14,640 --> 00:35:17,200
Speaker 1: that they just pardoned, that he just pardoned, and now

684
00:35:17,239 --> 00:35:20,880
Speaker 1: the two the Chris Lies, you know that family that

685
00:35:21,040 --> 00:35:23,400
Speaker 1: the reality star people that went to jail there.

686
00:35:23,280 --> 00:35:25,960
Speaker 3: What's the story there? I like, couldn't again, this is

687
00:35:26,719 --> 00:35:28,959
Speaker 3: their thing is working on me in that Like, it's

688
00:35:29,120 --> 00:35:31,479
Speaker 3: so many new scandals that I'm just like, I don't

689
00:35:31,600 --> 00:35:34,280
Speaker 3: fucking want to learn about this reality show couple.

690
00:35:34,760 --> 00:35:38,640
Speaker 1: Yeah he was basically, I mean, they they were doing

691
00:35:38,760 --> 00:35:41,400
Speaker 1: fucking fraud. They were convicted of fraud, and like we

692
00:35:41,440 --> 00:35:44,880
Speaker 1: said on the other show yesterday, convicted of fraud. Like

693
00:35:44,880 --> 00:35:47,359
Speaker 1: we said yesterday, if you are white and as long

694
00:35:47,400 --> 00:35:49,719
Speaker 1: as you don't kill another white person, you can get

695
00:35:49,719 --> 00:35:50,120
Speaker 1: a parted.

696
00:35:50,800 --> 00:35:51,680
Speaker 3: Yeah, you can get one.

697
00:35:52,040 --> 00:35:55,480
Speaker 1: So they tick all the boxes TV white people Maga

698
00:35:55,800 --> 00:35:58,880
Speaker 1: check only did fraud and stole from people? Check, Okay,

699
00:35:58,880 --> 00:35:59,400
Speaker 1: you can get.

700
00:35:59,239 --> 00:36:02,319
Speaker 2: A pardon because well, fraud is free speech. Thats right,

701
00:36:02,520 --> 00:36:05,440
Speaker 2: It's it's your fault for believing in my free speech.

702
00:36:05,719 --> 00:36:11,520
Speaker 1: I said it, and I can't say it. That's protected speech. Sadly,

703
00:36:11,600 --> 00:36:14,160
Speaker 1: I feel like we are probably looking towards some kind

704
00:36:14,200 --> 00:36:18,440
Speaker 1: of you know, some kind of like codification of fraud

705
00:36:18,560 --> 00:36:21,160
Speaker 1: into our laws to be like, well, if you get got,

706
00:36:21,200 --> 00:36:23,400
Speaker 1: you get got according to this new statue.

707
00:36:23,800 --> 00:36:26,280
Speaker 3: I do think that we need a we need a metric.

708
00:36:26,360 --> 00:36:30,120
Speaker 3: Somebody needs to start tracking like whip like watergates per

709
00:36:30,160 --> 00:36:33,839
Speaker 3: news cycle is like a you know, like what the

710
00:36:33,960 --> 00:36:37,359
Speaker 3: what all those like baseball stats that are like what's

711
00:36:37,400 --> 00:36:40,560
Speaker 3: their warg We need something like that for this administration,

712
00:36:40,840 --> 00:36:41,160
Speaker 3: just like we.

713
00:36:41,120 --> 00:36:44,399
Speaker 1: Need like uber metrics for to understand it.

714
00:36:44,800 --> 00:36:48,520
Speaker 3: Uber metrics for just the massive flood of corruption.

715
00:36:49,040 --> 00:36:53,200
Speaker 2: Okay, let's say that you get some high ranking job

716
00:36:53,480 --> 00:36:58,080
Speaker 2: in the government and you're there. You you only have

717
00:36:58,239 --> 00:37:03,080
Speaker 2: like a week morals side, what's the biggest scam that

718
00:37:03,160 --> 00:37:05,239
Speaker 2: you think you can pull off in a week, Like

719
00:37:05,280 --> 00:37:09,440
Speaker 2: in terms of to enrich myself or to like breelish, like,

720
00:37:09,800 --> 00:37:13,600
Speaker 2: can you achieve your supermarket suite?

721
00:37:13,480 --> 00:37:13,680
Speaker 3: Yeah?

722
00:37:14,360 --> 00:37:16,279
Speaker 2: Are you getting the turkeys or are you going straight

723
00:37:16,320 --> 00:37:19,760
Speaker 2: for the uh for the hoses and the tires?

724
00:37:19,760 --> 00:37:21,279
Speaker 1: What are you going for? If I'm like, if I'm

725
00:37:21,280 --> 00:37:24,239
Speaker 1: thinking really a macavelion here, I would I would take

726
00:37:24,280 --> 00:37:26,200
Speaker 1: something that I know I can cash in later for

727
00:37:26,239 --> 00:37:29,000
Speaker 1: something much bigger. It doesn't I wouldn't be looking at money.

728
00:37:29,040 --> 00:37:31,440
Speaker 1: I'm looking for like information or something that I'm like, oh,

729
00:37:31,440 --> 00:37:32,120
Speaker 1: I could flip this.

730
00:37:33,400 --> 00:37:36,239
Speaker 2: I'm a flipper. The passwords to the New York Stock Exchange.

731
00:37:36,320 --> 00:37:38,239
Speaker 1: I'm a flipper. I'm a I like to flip Yeah,

732
00:37:38,280 --> 00:37:40,520
Speaker 1: I'm yeah, Like I like to go to the thrift

733
00:37:40,560 --> 00:37:42,919
Speaker 1: store and go thrifting. I'm like, Oh, they don't, they're

734
00:37:43,040 --> 00:37:45,200
Speaker 1: they're they're sleeping on this thing. I'm gonna take that.

735
00:37:45,280 --> 00:37:47,560
Speaker 1: I'll go sell it to another nation or some ship,

736
00:37:47,640 --> 00:37:47,799
Speaker 1: you know.

737
00:37:47,840 --> 00:37:52,000
Speaker 3: I think blackmails are right answer because the the fraud

738
00:37:52,040 --> 00:37:55,560
Speaker 3: is so flagrant at this point and you have to

739
00:37:55,600 --> 00:37:58,279
Speaker 3: assume at some point it won't be And also it

740
00:37:58,280 --> 00:38:00,279
Speaker 3: doesn't seem like it's the thing that any but he

741
00:38:00,360 --> 00:38:03,600
Speaker 3: inside the administration is necessarily looking for while they're in it,

742
00:38:03,760 --> 00:38:06,759
Speaker 3: because they are all like true believers. So I feel

743
00:38:06,760 --> 00:38:11,200
Speaker 3: like you could just like be the was that like

744
00:38:11,360 --> 00:38:14,680
Speaker 3: invention of Lying that movie where like nobody else knows

745
00:38:14,680 --> 00:38:16,919
Speaker 3: how it ever knows what lies are, Like, you could

746
00:38:16,960 --> 00:38:19,040
Speaker 3: kind of be that for like the only person who

747
00:38:19,080 --> 00:38:22,840
Speaker 3: realizes that Donald Trump is like committing massive fraud on

748
00:38:22,880 --> 00:38:26,080
Speaker 3: a daily basis and just like build, build your case,

749
00:38:26,280 --> 00:38:28,640
Speaker 3: get out of there, and then make some money on

750
00:38:28,680 --> 00:38:29,200
Speaker 3: the back end.

751
00:38:29,400 --> 00:38:31,120
Speaker 1: Chris, you're in the White House. What are you doing?

752
00:38:31,280 --> 00:38:35,719
Speaker 1: What are you doing? Uh?

753
00:38:35,840 --> 00:38:39,160
Speaker 2: I think that I'm gonna print myself off a bunch

754
00:38:39,200 --> 00:38:40,399
Speaker 2: of different passports.

755
00:38:40,960 --> 00:38:41,520
Speaker 3: That's smart.

756
00:38:41,600 --> 00:38:44,800
Speaker 1: Oh, okay, okay, okay, okay, okay, okay, okay.

757
00:38:45,600 --> 00:38:48,439
Speaker 2: Yeah, and then I don't know how long that takes.

758
00:38:48,480 --> 00:38:50,640
Speaker 2: But if I got a couple extra days, I'll also

759
00:38:50,880 --> 00:38:52,240
Speaker 2: hide a plane.

760
00:38:52,440 --> 00:38:55,759
Speaker 1: Yeah, hide a plane. I mean, with the way the

761
00:38:56,080 --> 00:38:58,040
Speaker 1: defense spending is, you could probably get like a jet

762
00:38:58,120 --> 00:39:00,960
Speaker 1: or something like a fighter jet. Uh, you know, just

763
00:39:01,120 --> 00:39:03,520
Speaker 1: kind of chilling in the corner or something like that.

764
00:39:03,719 --> 00:39:05,400
Speaker 1: There are too many of them. There's no way that

765
00:39:05,440 --> 00:39:08,799
Speaker 1: they have an Excel spreadsheet tracking where easily walk out

766
00:39:08,800 --> 00:39:11,239
Speaker 1: of there with some guns. There's no way that. I mean,

767
00:39:11,280 --> 00:39:13,000
Speaker 1: we don't. We can't even track the guns in the

768
00:39:13,200 --> 00:39:14,840
Speaker 1: in the fucking cunt and at any.

769
00:39:14,760 --> 00:39:17,600
Speaker 2: Like okay, real talk, I would be scared of owning

770
00:39:17,640 --> 00:39:20,399
Speaker 2: a gun. I think that I'm just like too, I'm

771
00:39:20,400 --> 00:39:22,319
Speaker 2: like too much of a manic pixie dream grow. I

772
00:39:22,360 --> 00:39:25,960
Speaker 2: would I would just like be like with doopsy, I

773
00:39:26,000 --> 00:39:28,360
Speaker 2: dropped it and it's like fully automatic, you know, just

774
00:39:28,400 --> 00:39:35,960
Speaker 2: like twirling around the room. Yeah, whipping around like a snake.

775
00:39:36,239 --> 00:39:38,840
Speaker 2: But I would love a military tank.

776
00:39:40,280 --> 00:39:41,120
Speaker 1: That's a stunts.

777
00:39:41,640 --> 00:39:46,000
Speaker 2: No one's going to try to get my parking spot.

778
00:39:45,000 --> 00:39:46,880
Speaker 1: Like those people who are like, excuse me, I'm saving

779
00:39:46,920 --> 00:39:49,239
Speaker 1: this parking spot, like you can't save spots now watch

780
00:39:49,280 --> 00:39:49,680
Speaker 1: this ship.

781
00:39:50,280 --> 00:39:56,759
Speaker 3: Yeah, but then you just carefully parallel park. Yeah, the

782
00:39:56,800 --> 00:39:59,919
Speaker 3: Pentagon would be the place to target, both because every

783
00:40:00,000 --> 00:40:03,120
Speaker 3: buddy seems to be drunken on cocaine currently and also

784
00:40:03,320 --> 00:40:07,160
Speaker 3: like even before everybody was drunken on cocaine, they misplaced

785
00:40:07,200 --> 00:40:10,359
Speaker 3: like three billion dollars like a few years back. So

786
00:40:10,840 --> 00:40:13,319
Speaker 3: I feel like you could you could really just I

787
00:40:13,320 --> 00:40:17,600
Speaker 3: don't know, like the scheme from Office Space would work,

788
00:40:17,840 --> 00:40:21,560
Speaker 3: you know, just like rounding some rounding errors and suddenly

789
00:40:21,640 --> 00:40:26,320
Speaker 3: you have like thirty million dollars in the bank. Yeah, yeah, anyways,

790
00:40:26,400 --> 00:40:27,080
Speaker 3: just ideas.

791
00:40:27,160 --> 00:40:29,400
Speaker 1: Anyway, Look, if you're a federal worker, please give us

792
00:40:29,400 --> 00:40:32,120
Speaker 1: some better ideas. I mean, we came into this cold,

793
00:40:32,239 --> 00:40:34,320
Speaker 1: I barely did any research. But if you're a federal

794
00:40:34,320 --> 00:40:36,000
Speaker 1: worker and you've got some real tips for us, let

795
00:40:36,080 --> 00:40:36,319
Speaker 1: us know.

796
00:40:36,880 --> 00:40:39,160
Speaker 2: I know, I wonder. I'm sure there's like way cooler

797
00:40:39,200 --> 00:40:42,160
Speaker 2: things that we just like don't even have the ability

798
00:40:42,200 --> 00:40:43,680
Speaker 2: to extrapolate.

799
00:40:43,160 --> 00:40:45,640
Speaker 1: Like whatever the doge fuckers like. Obviously they're trying to

800
00:40:45,680 --> 00:40:48,040
Speaker 1: get a ton of sensitive information and things like that,

801
00:40:48,080 --> 00:40:50,120
Speaker 1: but I'm like, what's like the low hanging fruit of

802
00:40:50,160 --> 00:40:52,160
Speaker 1: sensitive information? I could be swooping up.

803
00:40:52,400 --> 00:40:54,880
Speaker 3: They're all going to be like billionaires in the future.

804
00:40:55,120 --> 00:40:59,400
Speaker 3: I feel like like the way that oligarchs happened in

805
00:41:00,320 --> 00:41:03,000
Speaker 3: after the fall of the Soviet Union was just like

806
00:41:03,080 --> 00:41:06,560
Speaker 3: they created all these coupons that were like, Okay, this

807
00:41:06,680 --> 00:41:13,960
Speaker 3: coupon gives you access to ten percent of the petrol

808
00:41:14,080 --> 00:41:17,160
Speaker 3: industry in Russia, and like one guy just like collected

809
00:41:17,160 --> 00:41:19,680
Speaker 3: all those and now he like runs petrol and so

810
00:41:19,840 --> 00:41:22,120
Speaker 3: I feel like Doge, like, that's probably what those people

811
00:41:22,120 --> 00:41:26,000
Speaker 3: are doing, and they'll be our future oligarchs. Yeah, there

812
00:41:26,640 --> 00:41:28,280
Speaker 3: enough to drive I love games.

813
00:41:28,840 --> 00:41:30,640
Speaker 1: Yeah yeah, once they're old enough to have a beard.

814
00:41:31,000 --> 00:41:34,759
Speaker 3: Yeah, yeah, exactly. Anyways, this is probably how people are

815
00:41:34,760 --> 00:41:39,640
Speaker 3: thinking about the administration right now, right like, as I guess,

816
00:41:39,680 --> 00:41:41,920
Speaker 3: there's the true believers, but then I think there's a

817
00:41:41,920 --> 00:41:43,040
Speaker 3: lot of people who are just like.

818
00:41:43,040 --> 00:41:45,920
Speaker 1: People are shameless. It's like if you've been to an

819
00:41:45,920 --> 00:41:48,200
Speaker 1: award show and there's been like a gifting suite and

820
00:41:48,239 --> 00:41:50,160
Speaker 1: they're breaking it down and people come in like, hey,

821
00:41:50,200 --> 00:41:51,560
Speaker 1: can I take this? Can I take the ya? Are

822
00:41:51,560 --> 00:41:52,920
Speaker 1: you using this? I'm taking this, I'm taking this, I'm

823
00:41:52,920 --> 00:41:54,799
Speaker 1: taking this. I'm taking That's how people are probably looking

824
00:41:54,800 --> 00:41:56,520
Speaker 1: at That was a very specific reference to when I

825
00:41:56,520 --> 00:41:57,080
Speaker 1: worked events.

826
00:41:59,280 --> 00:42:00,719
Speaker 3: See there were.

827
00:42:00,760 --> 00:42:04,120
Speaker 1: Names, I know, there were just times people would come

828
00:42:04,160 --> 00:42:07,040
Speaker 1: in trying to get so much free shit because they

829
00:42:07,040 --> 00:42:09,000
Speaker 1: thought no one wasn't looking. And you're like, wow, this

830
00:42:09,080 --> 00:42:12,480
Speaker 1: really is the human condition, just like get yours if

831
00:42:12,600 --> 00:42:13,720
Speaker 1: you have no moral scruples.

832
00:42:14,400 --> 00:42:17,520
Speaker 3: And also there's just like no nobody's like really paying attention.

833
00:42:17,719 --> 00:42:20,360
Speaker 3: Like there's this article. I think it was in the Atlantic,

834
00:42:20,440 --> 00:42:24,520
Speaker 3: so I didn't read it, but it was they were

835
00:42:24,560 --> 00:42:27,960
Speaker 3: talking about how like the usual process really getting access

836
00:42:27,960 --> 00:42:30,520
Speaker 3: to the president for an interview. You know, you go

837
00:42:30,640 --> 00:42:33,600
Speaker 3: through you get vetted, and then you know you have

838
00:42:33,680 --> 00:42:36,000
Speaker 3: to like go through all these official channels you kind

839
00:42:36,040 --> 00:42:39,040
Speaker 3: of like say, give your pitch, your one sheet on

840
00:42:39,160 --> 00:42:41,640
Speaker 3: like what you want your interview to be about. And

841
00:42:41,920 --> 00:42:45,200
Speaker 3: they were like, and you know, we were in this

842
00:42:45,239 --> 00:42:49,000
Speaker 3: process for three months. Our story was ostensibly like you're

843
00:42:49,040 --> 00:42:52,560
Speaker 3: the most important president leader of the twenty first century,

844
00:42:52,640 --> 00:42:55,279
Speaker 3: you know, like ass kissing stuff. Then like then they

845
00:42:55,280 --> 00:42:59,319
Speaker 3: could like back into actual questions from and like a

846
00:42:59,360 --> 00:43:02,600
Speaker 3: week before the interview, people at the White House were like,

847
00:43:02,640 --> 00:43:07,239
Speaker 3: they've written critical things about you, and so Trump like

848
00:43:07,320 --> 00:43:09,600
Speaker 3: started tweeting about how much he hated them and like

849
00:43:09,680 --> 00:43:12,279
Speaker 3: backed out of the interview. And then a week later

850
00:43:12,320 --> 00:43:14,719
Speaker 3: they just called him. They just like got his phone

851
00:43:14,800 --> 00:43:18,279
Speaker 3: number and called him and ended up like having a

852
00:43:18,400 --> 00:43:22,600
Speaker 3: four hour conversation with him. Anyways, They're just like, yeah,

853
00:43:22,600 --> 00:43:24,400
Speaker 3: we actually just like called him. He was at his

854
00:43:24,840 --> 00:43:26,920
Speaker 3: golf club and he was in a good mood and

855
00:43:26,960 --> 00:43:29,480
Speaker 3: so we talked for four hours. Anyways.

856
00:43:30,480 --> 00:43:33,120
Speaker 1: It's so because is this after Signal Gate where the

857
00:43:33,120 --> 00:43:36,960
Speaker 1: fucking editor of the Atlantic was involved in those defense chats?

858
00:43:37,040 --> 00:43:38,160
Speaker 1: Like do they remember from that?

859
00:43:38,160 --> 00:43:40,480
Speaker 3: They're like, I think the Atlantic just like has realized

860
00:43:40,520 --> 00:43:43,680
Speaker 3: that absolutely everyone's asleep at the wheel. Now. It's just

861
00:43:43,719 --> 00:43:45,960
Speaker 3: like you can just like walk right in and meet

862
00:43:46,000 --> 00:43:46,720
Speaker 3: with the president.

863
00:43:46,840 --> 00:43:49,120
Speaker 1: That's Cristy. I was. I was in the I was

864
00:43:49,120 --> 00:43:51,560
Speaker 1: in the Capitol. They said Trump's phone number was written

865
00:43:51,560 --> 00:43:52,480
Speaker 1: on a bathroom stall.

866
00:43:52,600 --> 00:43:53,160
Speaker 3: I called it.

867
00:43:53,280 --> 00:43:54,840
Speaker 1: That was his phone.

868
00:43:54,960 --> 00:43:56,520
Speaker 3: Straight up call for.

869
00:43:56,560 --> 00:43:59,920
Speaker 1: A good time, for a great interview.

870
00:44:00,840 --> 00:44:03,320
Speaker 3: All right, let's take a quick break. We'll be right back,

871
00:44:13,920 --> 00:44:16,520
Speaker 3: and we're back. We're back, and we're going to talk

872
00:44:16,560 --> 00:44:20,239
Speaker 3: about the rehearsal the HBO show. I don't know how

873
00:44:20,280 --> 00:44:23,120
Speaker 3: many people have watched it, so we probably need to

874
00:44:23,120 --> 00:44:26,080
Speaker 3: give people the background on like what the show is.

875
00:44:26,080 --> 00:44:30,200
Speaker 3: It's very very difficult to explain, but yeah, I think

876
00:44:30,239 --> 00:44:32,920
Speaker 3: people know Nathan Fielder from Nathan for You, right, And the.

877
00:44:33,280 --> 00:44:36,040
Speaker 1: First season of rehearsal where like the conceit was like

878
00:44:36,120 --> 00:44:38,839
Speaker 1: what if you could rehearse an interaction over and over

879
00:44:38,880 --> 00:44:40,840
Speaker 1: again so you felt like you were in better control

880
00:44:40,920 --> 00:44:41,120
Speaker 1: of it.

881
00:44:41,600 --> 00:44:45,000
Speaker 3: Yeah, they the first season, the things that they did

882
00:44:45,120 --> 00:44:48,560
Speaker 3: is like somebody had an awkward conversation that they had

883
00:44:48,600 --> 00:44:52,160
Speaker 3: to have, and so they like built a bar where

884
00:44:52,160 --> 00:44:54,640
Speaker 3: they would be having the conversation and like did all

885
00:44:54,640 --> 00:44:58,400
Speaker 3: this stuff and got them prepared, had brought in actress

886
00:44:58,400 --> 00:45:00,759
Speaker 3: to play the person they would be having the conversation with.

887
00:45:01,280 --> 00:45:04,359
Speaker 3: And then they the second through sixth episode, we're all

888
00:45:04,400 --> 00:45:07,359
Speaker 3: about like somebody who wanted to have a kid but

889
00:45:07,480 --> 00:45:11,080
Speaker 3: like didn't know if they were ready and was just

890
00:45:11,719 --> 00:45:16,360
Speaker 3: a fascinating character. So they they rehearsed the entire process

891
00:45:16,400 --> 00:45:19,560
Speaker 3: of raising a child from like birth up through like

892
00:45:19,680 --> 00:45:20,440
Speaker 3: teenage years.

893
00:45:20,840 --> 00:45:23,440
Speaker 1: This one, I'd say it's probably best to just just

894
00:45:23,520 --> 00:45:25,640
Speaker 1: if you haven't seen this season, is just to say

895
00:45:25,719 --> 00:45:29,800
Speaker 1: that this time Nathan Fielder has a very very intense

896
00:45:29,920 --> 00:45:34,560
Speaker 1: interest on airline safety, and will literally stop at nothing

897
00:45:34,719 --> 00:45:38,200
Speaker 1: to try and find a solution for why planes keep crashing.

898
00:45:38,520 --> 00:45:43,200
Speaker 1: And when I say literally anything, any fucking mean it

899
00:45:43,280 --> 00:45:45,800
Speaker 1: And I don't really want to. I haven't seen this

900
00:45:45,800 --> 00:45:48,720
Speaker 1: this the finale. Although I do know what the big spoil,

901
00:45:49,040 --> 00:45:51,200
Speaker 1: the big event is has been spoiled. I don't care

902
00:45:51,280 --> 00:45:54,279
Speaker 1: because everything the journey up into this point is such

903
00:45:54,320 --> 00:45:57,319
Speaker 1: a fucking it's your mind will be blown in so many,

904
00:45:57,719 --> 00:45:59,280
Speaker 1: so many ways over and over again.

905
00:45:59,520 --> 00:46:03,080
Speaker 2: It's wild how tinly it is too, Like there's no like,

906
00:46:04,360 --> 00:46:09,080
Speaker 2: how did he pick this as like a thing to

907
00:46:09,120 --> 00:46:13,319
Speaker 2: focus on this season? Yeah, and as it's coming out,

908
00:46:13,480 --> 00:46:16,960
Speaker 2: we have all of the disaster after disaster after disaster

909
00:46:17,120 --> 00:46:19,160
Speaker 2: in the news about planes crashing.

910
00:46:19,320 --> 00:46:22,000
Speaker 3: So here's my dark conspiracy theory.

911
00:46:23,520 --> 00:46:24,400
Speaker 1: He's doing that.

912
00:46:24,760 --> 00:46:27,080
Speaker 3: He was making this show at a time that where

913
00:46:27,120 --> 00:46:32,640
Speaker 3: there hadn't been an American aviation disaster in like a decade.

914
00:46:32,800 --> 00:46:35,920
Speaker 3: He needed something to happen. I'm just saying, no, I

915
00:46:36,000 --> 00:46:39,719
Speaker 3: don't think he planned it to that degree, but everything

916
00:46:39,800 --> 00:46:41,920
Speaker 3: short of that is within play with I.

917
00:46:41,840 --> 00:46:44,520
Speaker 1: Mean, the one thing I thought was like, as someone

918
00:46:44,520 --> 00:46:48,520
Speaker 1: who was an insufferable Malcolm Gladwell reader, I was like,

919
00:46:48,640 --> 00:46:49,919
Speaker 1: this is from Outliers.

920
00:46:50,280 --> 00:46:53,440
Speaker 3: Yes, the whole thing is this is any Malcolm Gladwell's

921
00:46:53,560 --> 00:46:56,200
Speaker 3: was racist. Yeah, he's like, because you know Asians, it

922
00:46:57,920 --> 00:47:00,719
Speaker 3: was this So basically his theory that I mean, you

923
00:47:00,800 --> 00:47:02,600
Speaker 3: learn in the very first episode. So I don't feel

924
00:47:02,600 --> 00:47:04,480
Speaker 3: like this is foot this is spoiler, but there's like

925
00:47:04,560 --> 00:47:06,640
Speaker 3: really good. Like one of the things that they do

926
00:47:06,920 --> 00:47:11,799
Speaker 3: a recreation of is they take the black box recordings

927
00:47:11,840 --> 00:47:16,080
Speaker 3: from actual plane crashes and then have pilots reenact what

928
00:47:16,320 --> 00:47:19,960
Speaker 3: is happening in the cockpit as these crashes happen, and

929
00:47:20,960 --> 00:47:25,080
Speaker 3: there are these just awkward interactions between the pilot and

930
00:47:25,160 --> 00:47:28,320
Speaker 3: a co pilot who's like, yo, we're going to crash,

931
00:47:28,440 --> 00:47:30,960
Speaker 3: but like the pilot is like, no, what are you

932
00:47:31,040 --> 00:47:35,840
Speaker 3: talking like that one pilot who's like it's a woman

933
00:47:35,920 --> 00:47:39,120
Speaker 3: who is the co pilot, and he's just like so stupid,

934
00:47:39,440 --> 00:47:41,560
Speaker 3: this is my plane, Like you know, it's like such

935
00:47:41,600 --> 00:47:44,240
Speaker 3: a dick and then they crab it dies on the plane.

936
00:47:44,440 --> 00:47:48,640
Speaker 3: But it's basically the theory is that they don't have

937
00:47:48,840 --> 00:47:52,600
Speaker 3: open enough lines of communication between pilots and co pilots

938
00:47:52,920 --> 00:47:55,600
Speaker 3: to a degree that that hierarchy they're being a pilot

939
00:47:55,640 --> 00:47:59,640
Speaker 3: and co pilot leads to co pilots not saying things

940
00:47:59,760 --> 00:48:03,200
Speaker 3: when something horrible is about to happen, which is like

941
00:48:03,280 --> 00:48:05,560
Speaker 3: their job. Their job is to like they have a

942
00:48:05,680 --> 00:48:09,600
Speaker 3: matching set of steering instruments right next to them, and

943
00:48:09,640 --> 00:48:12,520
Speaker 3: they're supposed to be there to say, Okay, my plane,

944
00:48:12,719 --> 00:48:15,440
Speaker 3: I'm taking over control because you're fucking this up for

945
00:48:15,480 --> 00:48:18,600
Speaker 3: whatever reason. There's like something you can't see in the situation.

946
00:48:19,000 --> 00:48:21,839
Speaker 3: There's something that you've like just like kind of you're

947
00:48:21,880 --> 00:48:25,360
Speaker 3: having a situation where you can't like properly fly the plane.

948
00:48:25,760 --> 00:48:28,040
Speaker 3: And a lot of times people, even though they know

949
00:48:28,480 --> 00:48:32,080
Speaker 3: they're headed for trouble, like won't do that. The co

950
00:48:32,200 --> 00:48:34,759
Speaker 3: pilots won't do that. And so his theory is like

951
00:48:34,800 --> 00:48:37,120
Speaker 3: you need to find a way to open up that

952
00:48:37,160 --> 00:48:40,760
Speaker 3: line of communication through kind of rehearsing or like putting

953
00:48:40,760 --> 00:48:43,960
Speaker 3: them in little situations where they get better at communicating.

954
00:48:44,239 --> 00:48:49,040
Speaker 1: Right. Yeah, this finale, I haven't seen it, but it

955
00:48:49,040 --> 00:48:51,800
Speaker 1: it's it's it's it's quite a moment from what I'm reading.

956
00:48:51,840 --> 00:48:54,040
Speaker 1: But I don't know if that's really the emphasis of

957
00:48:54,120 --> 00:48:58,600
Speaker 1: the main thing around it, like whether it's the exact finale.

958
00:48:58,600 --> 00:49:01,279
Speaker 1: But Chris, I don't know how did you feel about

959
00:49:01,320 --> 00:49:03,400
Speaker 1: the show before we kind of dive into what the

960
00:49:03,440 --> 00:49:05,200
Speaker 1: show is trying to do, what it could be doing,

961
00:49:05,239 --> 00:49:06,319
Speaker 1: or what it maybe wasn't doing.

962
00:49:06,760 --> 00:49:08,680
Speaker 2: So I was already obsessed with the show. I loved

963
00:49:08,760 --> 00:49:12,240
Speaker 2: season one, I love Nathan for You, I really enjoyed

964
00:49:12,239 --> 00:49:15,400
Speaker 2: the Curse, And then watching this finale, my jaw was

965
00:49:15,440 --> 00:49:18,800
Speaker 2: on the floor the entire time. Just the absolute scale

966
00:49:19,080 --> 00:49:23,480
Speaker 2: of this. I'm going to try to talk around spoilers,

967
00:49:23,520 --> 00:49:26,440
Speaker 2: but he did, I guess he did. You prepare for

968
00:49:26,480 --> 00:49:29,359
Speaker 2: the finale for two and a half years leading up

969
00:49:29,400 --> 00:49:34,000
Speaker 2: to it, so like even before filming, So just how

970
00:49:34,280 --> 00:49:38,279
Speaker 2: long that this man has been working on this project

971
00:49:38,640 --> 00:49:45,759
Speaker 2: is insane. I've never done anything remotely fractional to the

972
00:49:45,800 --> 00:49:49,120
Speaker 2: degree that this guy is doing things right. And I

973
00:49:49,719 --> 00:49:52,680
Speaker 2: found myself like my heart was racing through this finale.

974
00:49:53,440 --> 00:49:57,000
Speaker 2: My jaw was on the floor. I was texting friends

975
00:49:57,320 --> 00:50:00,359
Speaker 2: and being like, please watch this with me right now.

976
00:50:01,520 --> 00:50:05,799
Speaker 2: And it and it doesn't completely feel like it's not

977
00:50:06,920 --> 00:50:10,520
Speaker 2: like it's just spectacle there. I enjoy the fact that

978
00:50:10,560 --> 00:50:16,160
Speaker 2: there is like an intellectual angle to it, like he's

979
00:50:16,239 --> 00:50:19,640
Speaker 2: doing it for a purpose, he's doing it to it

980
00:50:19,680 --> 00:50:23,960
Speaker 2: seems like actually affect good change, hopefully through the lens

981
00:50:24,000 --> 00:50:28,279
Speaker 2: of comedy and absurdism, and it's just it's really admirable.

982
00:50:28,480 --> 00:50:30,320
Speaker 1: Yeah, that's how I felt when he was the giant

983
00:50:30,320 --> 00:50:31,400
Speaker 1: baby breastfeeding.

984
00:50:33,840 --> 00:50:39,480
Speaker 3: That really from yeah, he's just being waterboarded, but by

985
00:50:39,880 --> 00:50:46,480
Speaker 3: milk breast milk boarded. He really like walks the line

986
00:50:46,520 --> 00:50:51,680
Speaker 3: between like is this are we watching a person with

987
00:50:51,760 --> 00:50:54,560
Speaker 3: a having a mental health crisis who's about to like

988
00:50:54,719 --> 00:50:56,880
Speaker 3: endanger the lives of a bunch of people, or like

989
00:50:57,080 --> 00:50:59,360
Speaker 3: is he a genius? You know, that's like kind of

990
00:50:59,360 --> 00:51:03,840
Speaker 3: the line that he's walking at the through Throughout the series,

991
00:51:04,120 --> 00:51:06,719
Speaker 3: there is like one point from the finale that I

992
00:51:06,719 --> 00:51:09,680
Speaker 3: don't think spoils anything, but I think really like drove

993
00:51:09,760 --> 00:51:12,280
Speaker 3: the whole thing home for me of like the pilot

994
00:51:12,320 --> 00:51:15,359
Speaker 3: co pilot dynamic. At one point, he's like in a

995
00:51:15,640 --> 00:51:18,040
Speaker 3: in the back seat of an Uber and the Uber

996
00:51:18,160 --> 00:51:23,440
Speaker 3: driver is scrolling through TikTok while they're driving, and.

997
00:51:23,280 --> 00:51:25,160
Speaker 2: Then like phone in the dashboard.

998
00:51:25,200 --> 00:51:27,560
Speaker 3: Yeah, phone in the dashboard. I'm like, oh, yeah, I've

999
00:51:27,640 --> 00:51:30,560
Speaker 3: had that, especially like more and more recently, I've like

1000
00:51:30,719 --> 00:51:34,560
Speaker 3: had that and I haven't said anything. And that's exactly

1001
00:51:34,840 --> 00:51:38,120
Speaker 3: what they're talking about with the co pilot like that

1002
00:51:38,680 --> 00:51:42,800
Speaker 3: they're doing something dangerous that could get you and them killed,

1003
00:51:43,200 --> 00:51:44,880
Speaker 3: and you're like, yeah, but I don't want to have

1004
00:51:44,960 --> 00:51:48,120
Speaker 3: like an awkward conversation like that would be so awkward

1005
00:51:48,200 --> 00:51:49,719
Speaker 3: if I like said that, And what if they gave

1006
00:51:49,760 --> 00:51:50,960
Speaker 3: me like a lower rating.

1007
00:51:53,880 --> 00:51:56,760
Speaker 1: What if they lowered your casket six feet into the ground.

1008
00:51:56,880 --> 00:51:57,880
Speaker 3: Yeah, exactly.

1009
00:51:58,040 --> 00:52:00,359
Speaker 2: It's kind of a b It's so interesting. I wonder

1010
00:52:00,400 --> 00:52:03,880
Speaker 2: if this is like a phenomena of modern society or

1011
00:52:04,480 --> 00:52:09,239
Speaker 2: if there is, like is there an analogous situation to

1012
00:52:09,400 --> 00:52:13,440
Speaker 2: folks in the past. We're built on this on like

1013
00:52:13,480 --> 00:52:16,520
Speaker 2: so many mechanisms of having to trust strangers like ubers,

1014
00:52:16,560 --> 00:52:20,440
Speaker 2: taxi drivers, airline pilots and things, and like these awkward

1015
00:52:20,520 --> 00:52:25,640
Speaker 2: conversations and having to scirt around them and like kind

1016
00:52:25,640 --> 00:52:26,880
Speaker 2: of betting our lives.

1017
00:52:26,920 --> 00:52:28,280
Speaker 1: Like is there something.

1018
00:52:28,160 --> 00:52:30,279
Speaker 3: Yeah, I mean, I think food safety used to be

1019
00:52:30,320 --> 00:52:33,879
Speaker 3: a big thing that like harmed and killed people a lot,

1020
00:52:34,040 --> 00:52:36,560
Speaker 3: and it was just like stuff up the supply chain

1021
00:52:36,640 --> 00:52:38,399
Speaker 3: from you that you just had to be like, man,

1022
00:52:38,440 --> 00:52:41,560
Speaker 3: I hope, I hope this isn't poison and a lot

1023
00:52:41,600 --> 00:52:42,719
Speaker 3: of times it was.

1024
00:52:42,880 --> 00:52:44,760
Speaker 1: I hope this canned fish is not poisoned.

1025
00:52:48,680 --> 00:52:52,160
Speaker 3: I just remember the story like typhoid Mary, who was

1026
00:52:52,760 --> 00:52:55,200
Speaker 3: the person who like created a lot of the or

1027
00:52:55,280 --> 00:52:59,040
Speaker 3: like contributed to a lot of the typhoid outbreaks in

1028
00:52:59,080 --> 00:53:01,879
Speaker 3: New York. In I think it was like the late

1029
00:53:01,960 --> 00:53:06,880
Speaker 3: nineteenth century, was just somebody who was head typhoid but

1030
00:53:07,080 --> 00:53:09,719
Speaker 3: her head typees but like it was just shedding it,

1031
00:53:09,840 --> 00:53:12,600
Speaker 3: but it wasn't killing her. She was like a host

1032
00:53:12,680 --> 00:53:15,560
Speaker 3: that could just like hold it and just give it out,

1033
00:53:16,040 --> 00:53:19,960
Speaker 3: and she just kept like cooking for more. Like she

1034
00:53:20,000 --> 00:53:22,799
Speaker 3: would get caught, they'd want to like put her in

1035
00:53:22,840 --> 00:53:26,399
Speaker 3: an institution. She'd disappear and then go like work for.

1036
00:53:26,360 --> 00:53:30,840
Speaker 1: Another family, and like everybody was just like incredible diva,

1037
00:53:32,320 --> 00:53:35,200
Speaker 1: like you can't amazing get in the bag exactly.

1038
00:53:35,520 --> 00:53:37,680
Speaker 3: She's like, this is where I'm good at. She had

1039
00:53:37,760 --> 00:53:40,960
Speaker 3: like a famous peach cobbler that everybody was like, oh

1040
00:53:41,040 --> 00:53:43,200
Speaker 3: Mary or peach cobbler, but like they would all die

1041
00:53:43,760 --> 00:53:45,560
Speaker 3: and then like a week later she'd be like, well,

1042
00:53:45,640 --> 00:53:48,759
Speaker 3: I guess I gotta go go do this again somewhere else.

1043
00:53:48,840 --> 00:53:51,120
Speaker 1: But I guess it is the I guess maybe the

1044
00:53:51,120 --> 00:53:53,920
Speaker 1: thing you're getting that Chris is like, is it just

1045
00:53:53,920 --> 00:53:56,760
Speaker 1: because of like this sort of like European drive concept

1046
00:53:56,800 --> 00:54:00,160
Speaker 1: of social hierarchy versus like, you know, we look when

1047
00:54:00,160 --> 00:54:02,880
Speaker 1: you look at the examples of like European hierarchies or

1048
00:54:02,880 --> 00:54:07,640
Speaker 1: maybe indigenous cultures that have hierarchies, but but like responsibilities

1049
00:54:07,640 --> 00:54:10,080
Speaker 1: are distributed a little bit more equally, like not in

1050
00:54:10,120 --> 00:54:12,080
Speaker 1: a place you're like, I could never say anything to

1051
00:54:12,120 --> 00:54:14,319
Speaker 1: the person in this position, which feels very much like

1052
00:54:14,680 --> 00:54:18,600
Speaker 1: coming out of like our monarchist sort of like conception

1053
00:54:18,719 --> 00:54:20,799
Speaker 1: of like power structures or things like that. I wonder

1054
00:54:20,840 --> 00:54:23,480
Speaker 1: if that's kind of a specific thing. I don't know

1055
00:54:23,520 --> 00:54:25,520
Speaker 1: if like that's kind of like what's always breeding this

1056
00:54:25,640 --> 00:54:27,880
Speaker 1: idea of like you have a place where you do

1057
00:54:27,960 --> 00:54:29,759
Speaker 1: not want to sort of rock the boat from wherever

1058
00:54:29,840 --> 00:54:32,120
Speaker 1: you're at, it's sort of like the base level where

1059
00:54:32,120 --> 00:54:34,839
Speaker 1: people operate from. And then then there are other people

1060
00:54:34,840 --> 00:54:37,160
Speaker 1: who just you know, aren't really bothered by that, aren't

1061
00:54:37,200 --> 00:54:38,640
Speaker 1: burdened by it to speak their mind.

1062
00:54:39,120 --> 00:54:41,319
Speaker 2: Crazy of you to think that I was smart enough

1063
00:54:41,360 --> 00:54:43,640
Speaker 2: to ever think that that was my point.

1064
00:54:46,239 --> 00:54:49,040
Speaker 1: Because the more I know, the more I we like

1065
00:54:49,120 --> 00:54:51,839
Speaker 1: learn about like indigenous you know, culture and how it's

1066
00:54:51,840 --> 00:54:55,560
Speaker 1: structured and so different and so anti capitalist and antithetical

1067
00:54:55,600 --> 00:54:58,319
Speaker 1: to everything that ills us. Now, I'm like, oh, like

1068
00:54:58,360 --> 00:55:00,560
Speaker 1: this sort of like ye slocks right in with the

1069
00:55:00,640 --> 00:55:03,719
Speaker 1: idea that if you are here you cannot say shit

1070
00:55:03,840 --> 00:55:06,080
Speaker 1: to someone up here and don't even think about it.

1071
00:55:06,120 --> 00:55:07,799
Speaker 1: You should try to get up there if you want

1072
00:55:07,800 --> 00:55:09,919
Speaker 1: to talk something to them or whatever. It's like, it's

1073
00:55:09,920 --> 00:55:11,640
Speaker 1: just not part of our culture to be able to

1074
00:55:11,760 --> 00:55:14,840
Speaker 1: like call some shit out without fear of retribution.

1075
00:55:15,440 --> 00:55:19,440
Speaker 3: Yeah, there's a whole massive, you know, libraries and libraries

1076
00:55:19,440 --> 00:55:23,680
Speaker 3: of information about you know, indigenous cultures that is just

1077
00:55:24,080 --> 00:55:27,759
Speaker 3: being ignored because they didn't have immune systems that were

1078
00:55:27,800 --> 00:55:31,600
Speaker 3: prepared for people who lived in pig shit, and so

1079
00:55:31,640 --> 00:55:34,560
Speaker 3: we were like, well, we must be superior to them then,

1080
00:55:35,040 --> 00:55:37,600
Speaker 3: right right, and so we won't learn all these like

1081
00:55:37,640 --> 00:55:42,880
Speaker 3: beautiful philosophical ideas on how to organize your culture.

1082
00:55:43,000 --> 00:55:45,120
Speaker 1: But we are now, you know, as more people have

1083
00:55:45,200 --> 00:55:46,399
Speaker 1: an interest in me more and more.

1084
00:55:46,520 --> 00:55:48,960
Speaker 3: But yeah, yeah, that's that book, The Dawn of Everything

1085
00:55:49,080 --> 00:55:50,200
Speaker 3: is about. It's pretty cool.

1086
00:55:50,600 --> 00:55:53,160
Speaker 2: Damn, the world would be so different if the tables

1087
00:55:53,160 --> 00:55:55,440
Speaker 2: were turned just ever so slightly. It's just like one

1088
00:55:55,520 --> 00:56:00,799
Speaker 2: hundred and eighties, ever so slightly exactly the opposite. It's

1089
00:56:00,920 --> 00:56:04,480
Speaker 2: like if the Europeans who came over actually were not

1090
00:56:04,560 --> 00:56:10,000
Speaker 2: prepared for the sicknesses that the indigenous people were. Just like, yeah,

1091
00:56:09,320 --> 00:56:12,200
Speaker 2: and George over there ain't doing too good, but he'll

1092
00:56:12,200 --> 00:56:13,040
Speaker 2: probably make it through.

1093
00:56:13,120 --> 00:56:13,960
Speaker 1: Just don't talk to him.

1094
00:56:14,000 --> 00:56:17,440
Speaker 2: They're like, I'm gonna talk to him, right, We're good.

1095
00:56:18,440 --> 00:56:21,359
Speaker 3: I mean, we're just like not like just they The

1096
00:56:21,400 --> 00:56:24,640
Speaker 3: only way that the European settlers were able to like

1097
00:56:25,040 --> 00:56:30,000
Speaker 3: come in and colonize the Americas was because everybody just

1098
00:56:30,040 --> 00:56:32,640
Speaker 3: died off. It was like an apocalypse happened, and then

1099
00:56:32,920 --> 00:56:35,719
Speaker 3: you know, all of these battles and like you know,

1100
00:56:35,760 --> 00:56:40,240
Speaker 3: the things of like cowboys versus Indians, was just that

1101
00:56:40,239 --> 00:56:43,359
Speaker 3: that's like the remnants they were fighting, the post apocalyptic

1102
00:56:43,440 --> 00:56:47,880
Speaker 3: remnants of people who had like ninety five percent of

1103
00:56:48,200 --> 00:56:50,480
Speaker 3: their population have been wiped out by disease. So like,

1104
00:56:50,760 --> 00:56:53,480
Speaker 3: just if that hadn't happened, that would have been plenty

1105
00:56:53,560 --> 00:56:57,360
Speaker 3: to just keep things even. But I don't know, anyways,

1106
00:56:57,440 --> 00:57:00,720
Speaker 3: we should get back to the rehearsal. This is about

1107
00:57:00,719 --> 00:57:03,880
Speaker 3: manifest destiny, man, you know, in many ways, try and

1108
00:57:03,960 --> 00:57:04,680
Speaker 3: manifest that.

1109
00:57:04,680 --> 00:57:09,359
Speaker 2: Shit, what do you have a situation in your life

1110
00:57:09,440 --> 00:57:11,560
Speaker 2: right now that you could use a rehearsal for like,

1111
00:57:11,800 --> 00:57:13,879
Speaker 2: is there a conversation or something looming in your head

1112
00:57:13,920 --> 00:57:15,879
Speaker 2: that you wish that you had Nathan Fulder on hand?

1113
00:57:15,960 --> 00:57:18,440
Speaker 1: Yes? Yes, yes, yes, what is that? Let's open the

1114
00:57:18,720 --> 00:57:20,640
Speaker 1: I want to tell Jack I've been lying about who

1115
00:57:20,680 --> 00:57:23,880
Speaker 1: I am for the best seven Oh my god, I

1116
00:57:23,920 --> 00:57:26,600
Speaker 1: did not go to STU go to seven years. I

1117
00:57:26,600 --> 00:57:27,640
Speaker 1: didn't go to college.

1118
00:57:27,800 --> 00:57:28,080
Speaker 3: Jack.

1119
00:57:28,320 --> 00:57:32,600
Speaker 1: This isn't even a microphone. It's like I'm holding and

1120
00:57:32,640 --> 00:57:35,200
Speaker 1: I've been getting away with it. I don't know, ah

1121
00:57:35,400 --> 00:57:39,320
Speaker 1: man a situation. I think I would have used one

1122
00:57:39,320 --> 00:57:41,240
Speaker 1: when I told my grandparents I wasn't going to get

1123
00:57:41,240 --> 00:57:45,040
Speaker 1: baptized when I was like eighteen, I was running that

1124
00:57:45,080 --> 00:57:47,880
Speaker 1: shit through my head. They're always like, you should get baptized, baby,

1125
00:57:47,880 --> 00:57:49,640
Speaker 1: you should get bad you should get saved, baby, you

1126
00:57:49,640 --> 00:57:51,520
Speaker 1: should think about it because you know you only had

1127
00:57:51,560 --> 00:57:53,960
Speaker 1: a dedication. You should get a baptism. And I was

1128
00:57:54,000 --> 00:57:55,400
Speaker 1: like the whole time, I'm like, bro, I am so

1129
00:57:55,520 --> 00:57:58,240
Speaker 1: off this religious shit like it is to me, it's

1130
00:57:58,440 --> 00:58:00,600
Speaker 1: it's like fucking everything up around or I see it

1131
00:58:00,640 --> 00:58:02,400
Speaker 1: as a huge driver of a lot of bad things

1132
00:58:02,400 --> 00:58:05,880
Speaker 1: around me historically and currently. And then I the best

1133
00:58:05,880 --> 00:58:08,160
Speaker 1: I did. I remember getting really high and it hit me.

1134
00:58:08,200 --> 00:58:10,560
Speaker 1: I was like, wait, okay, we'll flip. And I remember

1135
00:58:10,600 --> 00:58:12,640
Speaker 1: I went to my grandparents house. They brought it up again.

1136
00:58:12,680 --> 00:58:14,760
Speaker 1: I said, you know, Grandma and Grandpa, I don't think

1137
00:58:14,800 --> 00:58:17,640
Speaker 1: I want to get baptized. But if I met Jesus,

1138
00:58:18,080 --> 00:58:20,360
Speaker 1: he would think I'm doing shit right. He wouldn't say

1139
00:58:20,360 --> 00:58:22,320
Speaker 1: I need to really tighten up. He would be like, Okay,

1140
00:58:22,360 --> 00:58:24,000
Speaker 1: that dude is all right. And that's how I look

1141
00:58:24,000 --> 00:58:25,360
Speaker 1: at it. And I don't know if I need to

1142
00:58:25,440 --> 00:58:28,040
Speaker 1: have a baptism to be a good person, but I

1143
00:58:28,160 --> 00:58:30,440
Speaker 1: do say that I treat others with respect, and I

1144
00:58:30,440 --> 00:58:32,320
Speaker 1: see that I say that as a baseline. And they

1145
00:58:32,320 --> 00:58:33,520
Speaker 1: were like, oh I never I didn't.

1146
00:58:33,600 --> 00:58:36,040
Speaker 5: Okay, okay, And I was like, thank god. I thought

1147
00:58:36,080 --> 00:58:38,120
Speaker 5: they were gonna be like that got fuck out. But

1148
00:58:38,240 --> 00:58:40,200
Speaker 5: they're loving people and it wasn't that big of a deal.

1149
00:58:40,240 --> 00:58:42,920
Speaker 5: But that was That was a conversation I definitely rehearsed

1150
00:58:43,000 --> 00:58:44,080
Speaker 5: many times in my head.

1151
00:58:44,360 --> 00:58:46,800
Speaker 3: In your head, yeah, yeah, yeah, yeah. Do you think

1152
00:58:46,800 --> 00:58:49,439
Speaker 3: the Fielder method would have worked on your grandparents?

1153
00:58:50,640 --> 00:58:51,280
Speaker 1: I don't know.

1154
00:58:51,320 --> 00:58:57,080
Speaker 3: That's where actors follow people around them. It's all so creepy.

1155
00:58:58,520 --> 00:59:02,160
Speaker 1: The primaries Yeah, what about you, risk you have a

1156
00:59:02,240 --> 00:59:05,120
Speaker 1: you have a rehearsal moment that you could have used. Hmmm.

1157
00:59:06,680 --> 00:59:10,760
Speaker 2: I'm really good at speaking my mind, I think so

1158
00:59:10,800 --> 00:59:13,200
Speaker 2: maybe it's like kind of the opposite. I probably need

1159
00:59:13,200 --> 00:59:15,480
Speaker 2: someone to like intervene and be like, actually, maybe we

1160
00:59:15,520 --> 00:59:16,720
Speaker 2: don't need to have that conversation.

1161
00:59:16,880 --> 00:59:23,240
Speaker 1: Tongue holder if you will, Yeah, no, no, no, let's

1162
00:59:23,280 --> 00:59:24,200
Speaker 1: hold your tongue and.

1163
00:59:24,160 --> 00:59:27,400
Speaker 3: Give you a take back on this one. Yeah.

1164
00:59:27,480 --> 00:59:31,440
Speaker 2: Yeah, I need like an instant replay right right, right right,

1165
00:59:31,720 --> 00:59:32,480
Speaker 2: instant redo.

1166
00:59:32,680 --> 00:59:33,640
Speaker 1: Mm hmmm, hmm.

1167
00:59:34,520 --> 00:59:36,720
Speaker 3: What about you, Jack, Yeah, I think I think I

1168
00:59:36,760 --> 00:59:39,720
Speaker 3: would get more in my head if I had rehearsals.

1169
00:59:39,760 --> 00:59:42,000
Speaker 3: I think I think I have kind of the opposite

1170
00:59:42,000 --> 00:59:44,640
Speaker 3: situation where like I just need to do the thing

1171
00:59:44,720 --> 00:59:47,760
Speaker 3: because I ruminate too much on things already and like

1172
00:59:47,920 --> 00:59:48,680
Speaker 3: over prepare.

1173
00:59:49,120 --> 00:59:52,040
Speaker 1: I could see you getting fucked up by like a curveball.

1174
00:59:52,120 --> 00:59:53,919
Speaker 1: Like if you had rehearse the thing over and over

1175
00:59:54,040 --> 00:59:57,080
Speaker 1: and the first interaction wasn't something on the chart, you'd

1176
00:59:57,080 --> 00:59:58,240
Speaker 1: been like, fuck.

1177
00:59:58,520 --> 01:00:00,480
Speaker 3: And I do have a chart, and I have I

1178
01:00:00,520 --> 01:00:06,720
Speaker 3: have this whole conversation branched out, and.

1179
01:00:05,080 --> 01:00:07,200
Speaker 1: This isn't on my diagram. You're just holding a stone

1180
01:00:07,200 --> 01:00:10,160
Speaker 1: tablet as you talk and good, okay, we did. So

1181
01:00:10,240 --> 01:00:12,880
Speaker 1: that leads to this yes, I am having a good day,

1182
01:00:13,120 --> 01:00:15,760
Speaker 1: and how is your husband? Yes?

1183
01:00:15,880 --> 01:00:17,520
Speaker 3: Check, check check.

1184
01:00:18,520 --> 01:00:22,280
Speaker 1: But yeah, I mean this rehearsal thing, I think, is

1185
01:00:22,320 --> 01:00:24,760
Speaker 1: it the communication or is it capitalism? You know?

1186
01:00:24,920 --> 01:00:27,680
Speaker 3: That's right, Like, so that's that's one point that people

1187
01:00:27,680 --> 01:00:30,760
Speaker 3: have been making. I mean, it is a good point

1188
01:00:30,960 --> 01:00:35,440
Speaker 3: that communication breakdowns have caused problems in the past. It's

1189
01:00:35,480 --> 01:00:37,800
Speaker 3: also not like a new idea. I think the show

1190
01:00:37,960 --> 01:00:41,040
Speaker 3: does kind of I think it acknowledges that some people

1191
01:00:41,080 --> 01:00:43,320
Speaker 3: have pointed this out before, but it does make it

1192
01:00:43,360 --> 01:00:46,600
Speaker 3: seem like this is like kind of a completely new idea, right,

1193
01:00:46,920 --> 01:00:50,160
Speaker 3: And it's it's not. There's a lot of like group

1194
01:00:50,280 --> 01:00:54,680
Speaker 3: dynamic industries that focus on people being able to like

1195
01:00:55,160 --> 01:00:59,400
Speaker 3: rehearse or like do little games of role playing where

1196
01:00:59,560 --> 01:01:03,240
Speaker 3: people just kind of get in the right energy space

1197
01:01:03,400 --> 01:01:06,160
Speaker 3: and it is really interesting like that something as silly

1198
01:01:06,160 --> 01:01:10,480
Speaker 3: as like okay, I am captain all years and your

1199
01:01:10,720 --> 01:01:14,680
Speaker 3: first officer blunt and just like something that silly, but

1200
01:01:14,760 --> 01:01:17,600
Speaker 3: like it just energetically like changes the dynamic of like

1201
01:01:17,680 --> 01:01:20,720
Speaker 3: two people who haven't really met or talked.

1202
01:01:20,640 --> 01:01:22,640
Speaker 1: All right, start with space work. Start with space work,

1203
01:01:22,840 --> 01:01:23,600
Speaker 1: that's right.

1204
01:01:24,080 --> 01:01:26,200
Speaker 2: I mean, yeah, talking about space work. I feel like

1205
01:01:27,240 --> 01:01:29,960
Speaker 2: I come from an improv background. I did a lot

1206
01:01:30,000 --> 01:01:32,880
Speaker 2: of it, and I think that all improv is rehearsing

1207
01:01:32,960 --> 01:01:36,800
Speaker 2: for the unrehearsable. I think there's like a lot, a

1208
01:01:36,800 --> 01:01:41,000
Speaker 2: lot in my mind, Like I'm naturally like an anxious

1209
01:01:41,200 --> 01:01:45,000
Speaker 2: person first, like in terms of like these conversations that

1210
01:01:45,040 --> 01:01:47,880
Speaker 2: we're talking about, like the big ones of not wanting

1211
01:01:47,920 --> 01:01:51,280
Speaker 2: to get baptized or like coming out as queer or whatever,

1212
01:01:51,360 --> 01:01:54,360
Speaker 2: but like something about you can't prepare for those, but

1213
01:01:54,360 --> 01:01:58,640
Speaker 2: if you can prepare for the unpreparable, that feels good.

1214
01:01:58,880 --> 01:01:59,200
Speaker 3: Right.

1215
01:01:59,560 --> 01:02:02,439
Speaker 2: I can get in his mind space and be like, oh,

1216
01:02:02,520 --> 01:02:05,720
Speaker 2: I get why you would want to do this, right, Yeah,

1217
01:02:05,720 --> 01:02:06,120
Speaker 2: because at.

1218
01:02:06,080 --> 01:02:09,280
Speaker 1: Least if you've, if you've felt the sort of sensation

1219
01:02:09,440 --> 01:02:11,680
Speaker 1: of like, oh I need to adapt and listen and

1220
01:02:11,760 --> 01:02:14,080
Speaker 1: quickly do something like this. Yeah, it does sort of

1221
01:02:14,440 --> 01:02:17,040
Speaker 1: set the bar for you, at least with confidence to

1222
01:02:17,360 --> 01:02:19,080
Speaker 1: you know, encounter those kinds of moments.

1223
01:02:19,680 --> 01:02:22,160
Speaker 3: But yeah, going back to just uh, and this is

1224
01:02:22,200 --> 01:02:25,280
Speaker 3: a bit of a recurring theme on this podcast. So

1225
01:02:25,480 --> 01:02:30,040
Speaker 3: Nathan Fielder is a comedian. His interest is in interpersonal awkwardness,

1226
01:02:30,200 --> 01:02:33,480
Speaker 3: but like the bigger problem with aviation safety as capitalism

1227
01:02:33,800 --> 01:02:38,720
Speaker 3: and airlines and aerospace manufacturers putting profits first and needs

1228
01:02:38,760 --> 01:02:44,760
Speaker 3: of workers and passengers behind profit and underfunding regulatory agencies

1229
01:02:44,760 --> 01:02:48,440
Speaker 3: like the FAA while giving huge tax breaks to profitable

1230
01:02:48,440 --> 01:02:52,280
Speaker 3: companies like Boeing. But it's you know, communication and the

1231
01:02:52,320 --> 01:02:57,000
Speaker 3: cockpit and things like this that are failings of the employees,

1232
01:02:57,760 --> 01:03:01,520
Speaker 3: are things that those corporations actually point to to try

1233
01:03:01,560 --> 01:03:05,280
Speaker 3: to escape culpability, like they'll they'll be like, well, look,

1234
01:03:05,320 --> 01:03:08,640
Speaker 3: this was actually just a failing of the flight crew,

1235
01:03:08,920 --> 01:03:13,480
Speaker 3: right error, Yeah, operator error, when in fact, like a

1236
01:03:13,480 --> 01:03:18,080
Speaker 3: lot of the times, it's because people are being overworked

1237
01:03:18,240 --> 01:03:21,720
Speaker 3: and not being given enough rest, and like the regulations

1238
01:03:21,760 --> 01:03:25,360
Speaker 3: that were put in place to protect the passengers on

1239
01:03:25,400 --> 01:03:28,320
Speaker 3: their planes is getting bent or like push in a

1240
01:03:28,320 --> 01:03:32,480
Speaker 3: different direction because it's no longer you know, that FAA

1241
01:03:32,720 --> 01:03:36,400
Speaker 3: just is. It's like the FDA, all all those things,

1242
01:03:36,440 --> 01:03:41,200
Speaker 3: all those agencies that just don't have the money or

1243
01:03:41,240 --> 01:03:44,400
Speaker 3: the manpower that a massive corporation does.

1244
01:03:44,440 --> 01:03:47,479
Speaker 1: In the United States, it's like in a very dangerous way,

1245
01:03:47,600 --> 01:03:50,600
Speaker 1: like anti worker too, because in that one episode, all

1246
01:03:50,640 --> 01:03:52,280
Speaker 1: the pilots talk about it is like well, you can't

1247
01:03:52,320 --> 01:03:54,960
Speaker 1: tell them you're having any kind of emotional distress that

1248
01:03:55,080 --> 01:03:58,480
Speaker 1: they will fucking ground your ass, and so your whole

1249
01:03:58,600 --> 01:04:01,840
Speaker 1: job depends on you tending nothing is wrong with you

1250
01:04:01,880 --> 01:04:05,600
Speaker 1: ever too. And I'm like that's not good, Like it

1251
01:04:05,680 --> 01:04:08,080
Speaker 1: can't be that you said, like, we only are interested

1252
01:04:08,080 --> 01:04:10,920
Speaker 1: in people that can actually you know, they can fucking

1253
01:04:10,960 --> 01:04:13,240
Speaker 1: compartmentalize to the point that we don't know what's going

1254
01:04:13,280 --> 01:04:15,400
Speaker 1: on behind those eyes. That's what we're looking for.

1255
01:04:15,600 --> 01:04:16,560
Speaker 2: I don't love to hear that.

1256
01:04:16,800 --> 01:04:19,480
Speaker 1: Yeah, I'm like, don know about that. I'd like I

1257
01:04:19,640 --> 01:04:21,960
Speaker 1: prefer situation where someone goes, you know, I'm a little

1258
01:04:21,960 --> 01:04:24,080
Speaker 1: stressed and overwhere I think I need to, I need

1259
01:04:24,080 --> 01:04:25,960
Speaker 1: I need to, I need a few days. You know.

1260
01:04:26,400 --> 01:04:29,400
Speaker 1: That's that feels a little bit safer. But yeah, And

1261
01:04:29,480 --> 01:04:31,120
Speaker 1: I think that was also one of the moments in

1262
01:04:31,160 --> 01:04:33,840
Speaker 1: that show too that really touched me, were like when

1263
01:04:34,000 --> 01:04:37,440
Speaker 1: he was just using like crew people to like engage

1264
01:04:37,520 --> 01:04:40,880
Speaker 1: these other pilots to just have conversations and these people

1265
01:04:40,880 --> 01:04:45,000
Speaker 1: were so starved for like conversation. That hit me in

1266
01:04:45,040 --> 01:04:46,920
Speaker 1: a way when I was like, oh my god, like

1267
01:04:46,960 --> 01:04:48,920
Speaker 1: these people feel so I mean, obviously these are the

1268
01:04:48,960 --> 01:04:50,960
Speaker 1: people that they got to be on the show, but

1269
01:04:51,040 --> 01:04:53,600
Speaker 1: at least this sort of sub section of pilots that

1270
01:04:53,640 --> 01:04:56,680
Speaker 1: they had on the show felt so in need of,

1271
01:04:56,760 --> 01:04:58,760
Speaker 1: like being able to talk about what's.

1272
01:04:58,600 --> 01:05:01,520
Speaker 3: Going on or just yeah. Actors would come up and

1273
01:05:01,560 --> 01:05:03,320
Speaker 3: be like, how's your day going, and they'd be like,

1274
01:05:03,320 --> 01:05:05,280
Speaker 3: I guess it goes back to my mom, you know,

1275
01:05:05,720 --> 01:05:09,479
Speaker 3: and I feel like it was to get their chest.

1276
01:05:09,760 --> 01:05:11,960
Speaker 1: Yeah, and that's on patriarchy.

1277
01:05:13,080 --> 01:05:14,760
Speaker 3: That's that's the second sentence.

1278
01:05:15,240 --> 01:05:20,280
Speaker 2: Yeah, it's just like there's so much culture around like

1279
01:05:20,440 --> 01:05:24,080
Speaker 2: keeping your emotions tight, like we've built these structures, like

1280
01:05:24,080 --> 01:05:27,880
Speaker 2: like that's just built into like these cultures. Now, emotions

1281
01:05:27,960 --> 01:05:30,760
Speaker 2: are gonna be they're bad, they're not good. You do

1282
01:05:30,840 --> 01:05:33,960
Speaker 2: not talk about them. Tough enough, do your job and

1283
01:05:34,000 --> 01:05:35,200
Speaker 2: if you funk up, that's on you.

1284
01:05:35,520 --> 01:05:38,600
Speaker 3: That's why Malcolm Liwell was right, you know in many

1285
01:05:38,600 --> 01:05:44,200
Speaker 3: ways as it comes back to spot on, bro, they're

1286
01:05:44,200 --> 01:05:45,640
Speaker 3: just they're too respectful.

1287
01:05:47,960 --> 01:05:51,760
Speaker 1: Really doesn't what it is? They're too polite? Oh thanks?

1288
01:05:51,960 --> 01:05:55,800
Speaker 3: Oh really Canadian? Is that right down to being rice

1289
01:05:55,840 --> 01:05:58,800
Speaker 3: farmers for so long? What you know?

1290
01:05:58,920 --> 01:06:01,120
Speaker 1: What's going on now? Look at the size of their hands,

1291
01:06:01,160 --> 01:06:03,720
Speaker 1: the space between their thumb and ring finger, I'm like.

1292
01:06:04,200 --> 01:06:08,560
Speaker 2: The fuck the space wild politios.

1293
01:06:08,760 --> 01:06:14,640
Speaker 3: Yeah, we've got problems with politikins. There's now a massive

1294
01:06:14,640 --> 01:06:17,360
Speaker 3: pilot shorges. By the way, they're around eighteen thousand fewer

1295
01:06:17,400 --> 01:06:20,439
Speaker 3: commercial pilots than the industry needed in twenty twenty three,

1296
01:06:20,760 --> 01:06:24,320
Speaker 3: and people haven't stopped flying since twenty twenty three, and

1297
01:06:24,360 --> 01:06:26,960
Speaker 3: in fact, I feel like it's gone up a little bit.

1298
01:06:27,160 --> 01:06:31,120
Speaker 1: Well, what say is because the benefits suck. You don't

1299
01:06:31,120 --> 01:06:32,240
Speaker 1: want to be a pilot no more.

1300
01:06:32,680 --> 01:06:35,920
Speaker 3: It's just these dang pilots are too weak.

1301
01:06:36,640 --> 01:06:40,880
Speaker 1: Yeah, quote overworked to the point of fatigue due to

1302
01:06:40,920 --> 01:06:46,040
Speaker 1: disruptions in last minute schedule changes. As a pilot's union said, huh.

1303
01:06:45,800 --> 01:06:48,200
Speaker 2: They're too woke. We need them to be overworked in

1304
01:06:48,320 --> 01:06:49,360
Speaker 2: us sleep exactly.

1305
01:06:49,360 --> 01:06:53,440
Speaker 3: That's right, that's right too damn woke. Well, Chris, it

1306
01:06:53,480 --> 01:06:57,320
Speaker 3: has been a true pleasure having you on the show Pleasure,

1307
01:06:57,680 --> 01:06:58,880
Speaker 3: True Pleasure.

1308
01:07:00,120 --> 01:07:01,360
Speaker 1: Tp DP.

1309
01:07:01,920 --> 01:07:04,640
Speaker 3: Where can people find you? Follow you, hear you all

1310
01:07:04,640 --> 01:07:05,320
Speaker 3: that good stuff?

1311
01:07:05,840 --> 01:07:09,800
Speaker 2: You can find me on Instagram at the meat Skeleton. Yeah,

1312
01:07:10,400 --> 01:07:13,200
Speaker 2: m e a t uh And you can listen to

1313
01:07:13,240 --> 01:07:17,640
Speaker 2: my podcast One of Us with Finn and Chris that

1314
01:07:17,720 --> 01:07:20,680
Speaker 2: I co host with my best friend Finn Argus. It's

1315
01:07:20,840 --> 01:07:27,440
Speaker 2: a mixed between improv and candid conversations. It's really really

1316
01:07:27,480 --> 01:07:30,800
Speaker 2: beautifully sound designed as well. It's a fun little escape.

1317
01:07:31,400 --> 01:07:33,920
Speaker 2: And it's also not to be confused with one of us,

1318
01:07:34,000 --> 01:07:37,160
Speaker 2: the Christian Worship Podcast. I have to search one of

1319
01:07:37,240 --> 01:07:38,120
Speaker 2: us with Finn.

1320
01:07:38,360 --> 01:07:40,880
Speaker 1: What if God was one of.

1321
01:07:42,400 --> 01:07:44,520
Speaker 3: Oh? I wonder if that is what the Christian Worship

1322
01:07:44,560 --> 01:07:48,040
Speaker 3: Podcast is like, based on that song that blew their

1323
01:07:48,120 --> 01:07:50,920
Speaker 3: fucking mind?

1324
01:07:50,720 --> 01:07:54,560
Speaker 1: Like, whoa did you just fucking hear what Joan Osborne

1325
01:07:54,640 --> 01:07:55,200
Speaker 1: fucking said?

1326
01:07:55,280 --> 01:08:00,120
Speaker 3: I'm sorry, stranger, a stranger.

1327
01:07:59,600 --> 01:08:01,560
Speaker 1: One of us? Oh my god?

1328
01:08:01,760 --> 01:08:05,120
Speaker 3: Yeah, yeah, you're on the bus trying to make way home.

1329
01:08:05,480 --> 01:08:07,120
Speaker 1: God is good.

1330
01:08:07,240 --> 01:08:09,080
Speaker 3: I was like, what the fuck is this? Y'all?

1331
01:08:09,320 --> 01:08:10,480
Speaker 1: Ninety five is cooked?

1332
01:08:11,240 --> 01:08:14,080
Speaker 3: Is there, Chris a work of media that you've been enjoying?

1333
01:08:16,080 --> 01:08:18,679
Speaker 2: I guess I already burned that with in the talk

1334
01:08:18,720 --> 01:08:22,479
Speaker 2: about the rehearsal and the uh the Devil's Plan, But

1335
01:08:22,560 --> 01:08:25,799
Speaker 2: I do I did screen grab a couple of tweets

1336
01:08:25,840 --> 01:08:28,000
Speaker 2: that I that really got me.

1337
01:08:28,240 --> 01:08:30,280
Speaker 1: We liked that recently. If that if I can share

1338
01:08:30,320 --> 01:08:31,040
Speaker 1: one of those.

1339
01:08:30,920 --> 01:08:34,280
Speaker 2: Ye, yeah, it's I don't know how to try to

1340
01:08:34,320 --> 01:08:37,599
Speaker 2: translate a tweet into this audio format.

1341
01:08:37,880 --> 01:08:40,000
Speaker 1: So, MA, should I just recite it to you? Yeah?

1342
01:08:40,040 --> 01:08:42,160
Speaker 2: Yeah, yeah, that's how we do it, Okay. So the

1343
01:08:42,200 --> 01:08:45,160
Speaker 2: premise of this one is my first day in a

1344
01:08:45,240 --> 01:08:51,000
Speaker 2: drug cartel. The kingpin says, where's the coke? Me is pepsi? Okay,

1345
01:08:52,960 --> 01:08:56,599
Speaker 2: and then later police officer. This is the most bullet

1346
01:08:56,640 --> 01:09:01,040
Speaker 2: holes we've ever seen in a single party.

1347
01:09:01,400 --> 01:09:02,240
Speaker 1: Who posted that.

1348
01:09:03,760 --> 01:09:07,640
Speaker 2: I really got me crying U the the name is

1349
01:09:07,680 --> 01:09:08,280
Speaker 2: just Aaron?

1350
01:09:08,720 --> 01:09:14,800
Speaker 1: Okay, shout Aaron. Don't funk around.

1351
01:09:15,240 --> 01:09:17,040
Speaker 2: This is the most bullet holes we've seen in a

1352
01:09:17,120 --> 01:09:19,439
Speaker 2: single body.

1353
01:09:21,080 --> 01:09:22,840
Speaker 1: Tying back in that coke.

1354
01:09:22,840 --> 01:09:27,840
Speaker 3: Line, that coke, that cocaine. Miles. Where can people find

1355
01:09:27,840 --> 01:09:29,200
Speaker 3: you as their work of media?

1356
01:09:29,560 --> 01:09:31,960
Speaker 1: You've been in find me everywhere? When you got the

1357
01:09:32,000 --> 01:09:35,960
Speaker 1: at symbols at miles of Gray. There's basketball talk ahead

1358
01:09:36,040 --> 01:09:38,479
Speaker 1: on Miles and Jackot Mad Boosties and if you like

1359
01:09:38,640 --> 01:09:42,240
Speaker 1: ninety day Fiance ahead o hooy, and if you like

1360
01:09:42,400 --> 01:09:45,960
Speaker 1: ninety day Fiance talk with a very faded host and

1361
01:09:46,040 --> 01:09:50,040
Speaker 1: co host, check me out on four to twenty day Fiance. Now,

1362
01:09:50,120 --> 01:09:53,840
Speaker 1: let's see works of media, a work of media. Yes,

1363
01:09:53,920 --> 01:09:57,600
Speaker 1: on Blue Sky. Uh, there was this the Onion. This

1364
01:09:57,680 --> 01:09:59,439
Speaker 1: is from a few days ago. It's just like this,

1365
01:09:59,560 --> 01:10:01,160
Speaker 1: Like you know, they you know how they always have

1366
01:10:01,200 --> 01:10:03,040
Speaker 1: like a stock photo of someone for their headlines, Just

1367
01:10:03,080 --> 01:10:05,840
Speaker 1: like this, buttoned up a white dude in a suit.

1368
01:10:06,040 --> 01:10:09,320
Speaker 1: It says, very important man. One of the main guys

1369
01:10:09,360 --> 01:10:18,639
Speaker 1: where he works. Guys, So that descriptions him. Fucking killed

1370
01:10:18,680 --> 01:10:21,960
Speaker 1: me because that's something people just used to. Actually, he's

1371
01:10:22,000 --> 01:10:24,080
Speaker 1: one of the main guys where he works. Oh, he's

1372
01:10:24,080 --> 01:10:25,519
Speaker 1: one of the main guy. Yeah, he's one of the

1373
01:10:25,520 --> 01:10:26,040
Speaker 1: mean dudes.

1374
01:10:26,280 --> 01:10:26,400
Speaker 3: Uh.

1375
01:10:26,680 --> 01:10:29,160
Speaker 1: And then another one at Brendel Board dot Bescot on

1376
01:10:29,280 --> 01:10:33,320
Speaker 1: social posted, ah, my greatest foe someone who's politics are

1377
01:10:33,439 --> 01:10:35,920
Speaker 1: ninety five percent identical to my own.

1378
01:10:38,680 --> 01:10:45,719
Speaker 3: Fucking losers people. Let's see work media. I've been enjoying

1379
01:10:45,840 --> 01:10:49,040
Speaker 3: tweet from lev At a book of symbols, tweeted Witness

1380
01:10:49,080 --> 01:10:52,200
Speaker 3: Protection program, but for when you just kind of suck

1381
01:10:52,280 --> 01:10:53,640
Speaker 3: and need a new start.

1382
01:10:54,640 --> 01:10:55,960
Speaker 1: I think that's just a good pitch.

1383
01:10:56,520 --> 01:11:00,360
Speaker 3: And then David Grissman tweeted, ideally the rehearsal not be

1384
01:11:00,400 --> 01:11:03,640
Speaker 3: funded by HBO, but rather by the Work Progress Administration

1385
01:11:03,720 --> 01:11:08,680
Speaker 3: as a project of the new Deal. We need that.

1386
01:11:09,120 --> 01:11:12,880
Speaker 3: Sesame Street and the rehearsal, you should both just be

1387
01:11:13,000 --> 01:11:13,839
Speaker 3: public works.

1388
01:11:13,920 --> 01:11:15,000
Speaker 1: I'm with that. I'm with that.

1389
01:11:15,360 --> 01:11:18,000
Speaker 3: You can find me on Twitter at Jack Underscore O

1390
01:11:18,040 --> 01:11:20,880
Speaker 3: Brian and on Blue Sky at jack Obi and then

1391
01:11:20,920 --> 01:11:24,720
Speaker 3: the Number one. You can find us on Twitter and

1392
01:11:24,840 --> 01:11:28,479
Speaker 3: Blue Sky at Daily Zeitgeist. We're at the Daily Zeitgeist

1393
01:11:28,479 --> 01:11:30,360
Speaker 3: on Instagram. You can go to the description of this

1394
01:11:30,439 --> 01:11:33,080
Speaker 3: episode wherever you're listening to it, and there you will

1395
01:11:33,080 --> 01:11:35,519
Speaker 3: find the footnotes is where we link off to the

1396
01:11:35,600 --> 01:11:38,120
Speaker 3: information that we talked about in today's episode. We also

1397
01:11:38,200 --> 01:11:40,080
Speaker 3: link off to a song there that we think you

1398
01:11:40,160 --> 01:11:43,080
Speaker 3: might enjoy. Miles, is there a song that you think

1399
01:11:43,120 --> 01:11:44,160
Speaker 3: that people might enjoy?

1400
01:11:44,479 --> 01:11:48,680
Speaker 1: Yeah, Man, Stereo Lab one of my favorites. I was

1401
01:11:48,760 --> 01:11:52,200
Speaker 1: just listening to them over the weekend and there's a

1402
01:11:52,280 --> 01:11:56,920
Speaker 1: track called Diagonals that's really fucking dope. It's just again.

1403
01:11:57,400 --> 01:12:00,439
Speaker 1: Stereo Lab is just that good, that feel good music

1404
01:12:00,880 --> 01:12:03,680
Speaker 1: to have around your house, like most music you know,

1405
01:12:03,960 --> 01:12:06,439
Speaker 1: but this one is great. It's got nice vocal melodies,

1406
01:12:06,479 --> 01:12:08,519
Speaker 1: it's got a really funky drum break at the beginning.

1407
01:12:08,920 --> 01:12:11,280
Speaker 1: So check it out. Diagonals by Stereo Lab.

1408
01:12:11,720 --> 01:12:13,240
Speaker 3: All right, we will link up to that in the

1409
01:12:13,240 --> 01:12:15,599
Speaker 3: footnote for today. Zeitgeist is a production of My Heart

1410
01:12:15,640 --> 01:12:17,800
Speaker 3: Radio For more podcasts from My Heart Radio, visit the

1411
01:12:17,840 --> 01:12:20,000
Speaker 3: iHeart Radio app, Apple podcast, or wherever you listen to

1412
01:12:20,040 --> 01:12:21,960
Speaker 3: your favorite shows. That is going to do it for

1413
01:12:22,040 --> 01:12:23,960
Speaker 3: us this morning. We're back this afternoon to tell you

1414
01:12:24,000 --> 01:12:26,639
Speaker 3: what is trending and we will talk to you all then.

1415
01:12:26,840 --> 01:12:30,839
Speaker 1: Bye bye, bye bye. The Daily Zeite Guys is executive

1416
01:12:30,880 --> 01:12:34,520
Speaker 1: produced by Catherine Long, co produced by Bee Wang.

1417
01:12:34,600 --> 01:12:36,320
Speaker 3: Co produced by Victor Wright

1418
01:12:36,760 --> 01:12:41,479
Speaker 2: Co written by Jam mcnapp, edited and engineered by Justin Connor.