WEBVTT - Civic Cipher 111321 The Racist Watermelon Stereotype (Part A)

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<v Speaker 1>Welcome to another episode of Civic Cipher. I'm your host,

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<v Speaker 1>Rams's Jah.

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<v Speaker 2>A lot of people, including my co host, called me

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<v Speaker 2>Q Ward and mostly that's because my name is Quentin,

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<v Speaker 2>so Q is the short and then Ward is.

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<v Speaker 3>My last name. So that's just kind of how that

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<v Speaker 3>whole thing came to be. Very thorough.

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<v Speaker 1>Indeed, stick around today's episode. We got a lot of

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<v Speaker 1>cool stuff to talk about, some things you might not

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<v Speaker 1>know and that you might want to know, including the

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<v Speaker 1>story about watermelons and their relationship to black folks in

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<v Speaker 1>this country. We're going to ask the question our watermelons racist,

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<v Speaker 1>which I know, on his face sounds crazy, but trust me,

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<v Speaker 1>it's worth exploring a little. Later in the show, we're

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<v Speaker 1>going to talk about a recent law that was put

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<v Speaker 1>forth in Philadelphia concerning traffic stops and then wanting to

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<v Speaker 1>ban non serious, non will use the word criminal traffic stops,

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<v Speaker 1>and how feasible that approach to policing might be. Q

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<v Speaker 1>and I are going to both adopt different sides and

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<v Speaker 1>have a bit of a discussion with respect to that,

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<v Speaker 1>so definitely stick around for that. A way black history fact,

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<v Speaker 1>We're going to check in with an article from PBS

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<v Speaker 1>dot Org offered by Henry Lewis Gates Junior about forty

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<v Speaker 1>acres and a mule. A lot of folks, as it

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<v Speaker 1>turns out, are not familiar with that or have heard

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<v Speaker 1>it and do not know how intricate it was and

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<v Speaker 1>how well thought out it was, and so forth and

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<v Speaker 1>so on. So you know, we have the show, so

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<v Speaker 1>we're gonna make sure to share a little bit of

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<v Speaker 1>that with you. But first, like we always do at

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<v Speaker 1>this time, we are going to discuss what we like

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<v Speaker 1>to call some ebony excellence. Is that all right with UQ?

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<v Speaker 3>Yes, sir? All I do is win no matter what.

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<v Speaker 1>If you have Netflix, you might have seen an advertisement

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<v Speaker 1>for a movie called The Harder They Fall. And the

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<v Speaker 1>reason that we pick this for our ebony excellence is because,

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<v Speaker 1>as it turns out, it is the number one streamed

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<v Speaker 1>movie on Netflix. And that's something that we feel is

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<v Speaker 1>quite an accomplishment. Historically in Hollywood, you know, when there's

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<v Speaker 1>an all black cast, that's you know a lot of

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<v Speaker 1>times people tend to shy away from those scripts. You know,

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<v Speaker 1>they they try to alter them, you know, that sort

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<v Speaker 1>of thing. This is something that is very well known,

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<v Speaker 1>you know, and then you know, money. It's often harder

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<v Speaker 1>to come buy money for you know, black movies, we'll

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<v Speaker 1>call them. But you know, with the stereotype being that

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<v Speaker 1>on all black casts is a bad bet. We like

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<v Speaker 1>to see movies like you know, Black Panther. We like

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<v Speaker 1>to see movies like this one that really shine and

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<v Speaker 1>really show that there's an interest in this type of filmmaking.

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<v Speaker 1>It's one of the few westerns where the cast members

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<v Speaker 1>include black people, because a lot of folks don't even

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<v Speaker 1>know that there were black cowboys, but you can, as

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<v Speaker 1>you can imagine, at that time, you know, it was

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<v Speaker 1>a lot easier to make your way, you know, if

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<v Speaker 1>you're not in the Deep South, and maybe you're a

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<v Speaker 1>little bit more West if you're a black person. And

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<v Speaker 1>another cool thing is that, although this is a fictional film,

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<v Speaker 1>all the characters are based on real cowboys, lawmens, and

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<v Speaker 1>outlaws of the nineteenth century American West, And so we

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<v Speaker 1>wanted to take a moment to honor all those involved

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<v Speaker 1>with that movie. Jay Z was one of the producers,

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<v Speaker 1>and there's lots of neat little easter eggs that you know.

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<v Speaker 1>One of the trains in the movie has Chadwick Boseman's

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<v Speaker 1>name on it a lot of the shops, you know,

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<v Speaker 1>in the movies. You know, it's just a really awesome

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<v Speaker 1>effort and artistic expression, and of course it brings some

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<v Speaker 1>light to something a lot of folks know about. So

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<v Speaker 1>have any excellence the hearder they fall. If you haven't

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<v Speaker 1>seen it, be sure to check it out. Now onward,

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<v Speaker 1>today we are going to talk about watermelons. That's that's

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<v Speaker 1>such a that's such a funny thing. Now, okay, let

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<v Speaker 1>me paint a picture for you. So let's say you're

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<v Speaker 1>not a black person, right, you might be thinking, what's

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<v Speaker 1>wrong with the watermelon? They grow out of the ground.

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<v Speaker 1>It's food. Human beings eat food that grow out of

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<v Speaker 1>the ground all over the world. That's kind of what

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<v Speaker 1>we do.

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<v Speaker 3>It's delicious.

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<v Speaker 1>Yeah, how about that? You know, But as it turns out,

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<v Speaker 1>you know, there are some things that exist in our

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<v Speaker 1>world by our I mean, you know, black folks, that

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<v Speaker 1>are really the legacy of a very hurtful relationship that

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<v Speaker 1>black folks have had with this country going all the

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<v Speaker 1>way back to the beginning, and they still persist to

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<v Speaker 1>this day. And so recently I came across you know,

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<v Speaker 1>I live in an older house, and you know, the

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<v Speaker 1>people that owned this house before I bought it had

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<v Speaker 1>some racist caricature black folks advertisements in the backyard, and

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<v Speaker 1>I never discovered them. I lived here. This has been

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<v Speaker 1>twelve years I've lived here. Never discovered them until recently

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<v Speaker 1>because they're posted onto the back of a beam in

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<v Speaker 1>my backyard. Anyway, I saw this stuff and I was like, wow,

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<v Speaker 1>you know, and then I saw, you know, there was

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<v Speaker 1>a person with black skinned cartoon, big lips of course,

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<v Speaker 1>and he has like a watermelon that's huge, and he's

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<v Speaker 1>like smiling ear to ear, and I was like, you

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<v Speaker 1>know what. At some point, I need to make sure

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<v Speaker 1>that I discussed this with our listeners on the show.

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<v Speaker 1>So a bit about certain types of foods. I'll tell

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<v Speaker 1>a personal story. I might have shared a bit of

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<v Speaker 1>this before, but for those that don't know, Once upon

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<v Speaker 1>a time, I was working at a radio station in Phoenix, Arizona,

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<v Speaker 1>and I was the production director of this radio station.

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<v Speaker 1>And I worked in a studio that was separate from

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<v Speaker 1>the broadcast studios. Right, So there was three studios, two

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<v Speaker 1>for broadcast excuse me, one for production where I made

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<v Speaker 1>the radio commercials. I did the imaging. I basically made

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<v Speaker 1>everything that wasn't a song or wasn't a jock talking live,

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<v Speaker 1>and that was my job. Everyone knew that that was

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<v Speaker 1>my studio, and I know it belonged to the station,

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<v Speaker 1>but there were all my posters up in there, all

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<v Speaker 1>my magazine covers, you know, because I was a jock too.

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<v Speaker 1>But that was where I spent most of my my day.

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<v Speaker 1>So it wasn't there all the time. I had, you know,

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<v Speaker 1>my creature comforts in there, and then whoever needed to

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<v Speaker 1>come in the studio and use it with me, I

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<v Speaker 1>was the one recording their voice. Outside of that, it

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<v Speaker 1>was my studio. One day, I there was a recent

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<v Speaker 1>changing of the guard at the radio station. And then,

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<v Speaker 1>you know, one day right after that, I walked into

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<v Speaker 1>my studio and I saw a banana on the mixer.

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<v Speaker 1>The mixer is the big sort of device with all

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<v Speaker 1>the buttons and faders in a recording studio. So I

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<v Speaker 1>had one of those as well because I had to

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<v Speaker 1>you know, mix the mics and so forth. There's a

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<v Speaker 1>banana sitting right on there. When I walked into the room,

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<v Speaker 1>and immediately my heart sank, and immediately I felt like,

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<v Speaker 1>oh my god, I don't know if I should be afraid, angry.

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<v Speaker 1>You know what action I should take? How do I

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<v Speaker 1>you know? Because this felt very personal. It felt like

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<v Speaker 1>an attack on my character and who I am, and

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<v Speaker 1>an attack on my ancestors. You know, it's just it's just,

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<v Speaker 1>you know. And for those that don't know, walking into

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<v Speaker 1>a studio and seeing a banana there, you would naturally

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<v Speaker 1>think maybe somebody left their banana there. It never even

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<v Speaker 1>entered into my mind.

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<v Speaker 2>It never.

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<v Speaker 1>When I saw that banana, I knew for a fact

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<v Speaker 1>that somebody it might have been the owner, and somebody

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<v Speaker 1>left that for me to see, because it was right there,

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<v Speaker 1>right in front of my seat, right where I couldn't

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<v Speaker 1>miss it. And you know, when I say that, my

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<v Speaker 1>heart sank in that. You know, that gripping fear, that

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<v Speaker 1>paralytic fear that you feel when you are walking down

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<v Speaker 1>the street and you see like a vicious dog in

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<v Speaker 1>front of you with no chain and no one around, like,

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<v Speaker 1>oh my god, okay, I need to figure out what

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<v Speaker 1>I need to do. It was that moment for me,

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<v Speaker 1>and immediately I turned around, even walk into the room,

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<v Speaker 1>I turned right back around and let the door close,

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<v Speaker 1>and I went into the UH program director's office. Somebody

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<v Speaker 1>who I felt like was a friend of mine. I

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<v Speaker 1>still feel like that guy is a friend of mine.

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<v Speaker 1>I didn't assume that it was him so to help

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<v Speaker 1>paint that picture. He was always a good man to me.

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<v Speaker 1>You know, it felt like a good man. He felt

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<v Speaker 1>like like an ally, like the sort of person that

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<v Speaker 1>would listen to this show. So I went into his

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<v Speaker 1>office and I says, hey, man, I don't know what

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<v Speaker 1>is going on here, but somebody just did something that

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<v Speaker 1>was really out of pocket. And he's like, what are

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<v Speaker 1>you talking about. I was like, come here, let me

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<v Speaker 1>show you. And then he got up and he went

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<v Speaker 1>and he saw it and he had no idea. He's like,

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<v Speaker 1>what am I looking for? I'm like, do you see

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<v Speaker 1>the banana there on the console? And then when I

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<v Speaker 1>pointed it out to him, because he had seen it,

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<v Speaker 1>but when I pointed it out to him, he was like,

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<v Speaker 1>uh oh, And he's like, I don't know what this is.

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<v Speaker 1>I have no idea here. Let me get this out

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<v Speaker 1>of your way, let me figure it out. Please don't

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<v Speaker 1>worry about it. Right. So this is why I say

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<v Speaker 1>I felt like he was a kind man. That was

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<v Speaker 1>the reaction I would have expected from him, not that

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<v Speaker 1>I was expecting anything, but he just seemed like that

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<v Speaker 1>sort of a person. Anyway, he took the banana and

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<v Speaker 1>he kind of said some kind words to kind of

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<v Speaker 1>provide a sense of like I'm going to protect you.

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<v Speaker 1>You know, for those that don't know, a program director

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<v Speaker 1>is the boss of my position at that time, which

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<v Speaker 1>would have been a production director and a jock. So

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<v Speaker 1>he goes to his office and he does a little

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<v Speaker 1>bit of research, and maybe an hour later he puts

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<v Speaker 1>it all together. He's like, hey, as it turns out,

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<v Speaker 1>the morning show guy needed to go into the studio

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<v Speaker 1>to cut a promo, so he used your studio to

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<v Speaker 1>do it because he had to make way for the

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<v Speaker 1>afternoon or sorry, the midday woman to do her show,

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<v Speaker 1>So he used your studio and that was part of

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<v Speaker 1>his breakfast. And he just forgot it. You know, he

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<v Speaker 1>was riding his motorcycle that day. He just forgot it.

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<v Speaker 1>He just grabbed his helmet and this and that and

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<v Speaker 1>the third and he just left it there. I don't

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<v Speaker 1>think that it was anything directed toward you, so all

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<v Speaker 1>was right with the world. But I think that that

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<v Speaker 1>story illuminates just how jarring our meaning black folks relationship

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<v Speaker 1>to food can be when it's observed through the lens

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<v Speaker 1>of other races, and other races have the same type

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<v Speaker 1>of these same types of issues. You know, foods are

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<v Speaker 1>closely associated with culture, and if there's some way to

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<v Speaker 1>pick on a culture, you know, usually it's the most

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<v Speaker 1>obvious ones, you know, physical features, with the way people dress,

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<v Speaker 1>what they eat, and so forth. Right, But you know,

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<v Speaker 1>this is so that we can explain our experience to

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<v Speaker 1>folks who might not otherwise know. Now, that was a banana,

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<v Speaker 1>and obviously, or maybe it's not so obvious. The connection

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<v Speaker 1>there is that historically, based on bogus science that was

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<v Speaker 1>used to further subjugate and to justify subjugate black folks

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<v Speaker 1>and justify slavery, bananas were used to or black folks

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<v Speaker 1>rather were associated with more closely with you know, apes

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<v Speaker 1>and monkeys and things like this. Two kind of create

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<v Speaker 1>a bit of a divide between real humans quote unquote

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<v Speaker 1>and lesser beings so as to justify our servitude, you know,

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<v Speaker 1>at that point in time. And so this is why

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<v Speaker 1>you'll if you watch you know, soccer games, you know,

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<v Speaker 1>World Cup things like this, you know, if there's a

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<v Speaker 1>black team or black player that's doing really well, you know,

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<v Speaker 1>they'll throw bananas on the field because what they're trying

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<v Speaker 1>to do is make a connection between black people and monkeys.

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<v Speaker 1>And I'm not going to pretend like, you know, us

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<v Speaker 1>having brown skin, and you know many of you know,

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<v Speaker 1>many apes having you know, a brown color to their

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<v Speaker 1>fur or whatever. You know, it's it's just a silly

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<v Speaker 1>connection and a juvenile connection that people make, especially folks

0:13:14.280 --> 0:13:17.120
<v Speaker 1>that wake up early in the morning, get dressed, pack

0:13:17.120 --> 0:13:20.880
<v Speaker 1>a banana in their kit, and then go to the

0:13:20.920 --> 0:13:23.559
<v Speaker 1>game with the specific intention of throwing it as soon

0:13:23.600 --> 0:13:26.160
<v Speaker 1>as a black person, you know, scores a goal or whatever.

0:13:26.480 --> 0:13:28.720
<v Speaker 1>So these things are based in history, so you know,

0:13:28.760 --> 0:13:31.720
<v Speaker 1>hence my reaction walking into my studio scening banana. Now

0:13:32.600 --> 0:13:35.079
<v Speaker 1>we're we could talk about mot liquor, we could talk

0:13:35.120 --> 0:13:38.600
<v Speaker 1>about you know, fried chicken, you know, and and maybe

0:13:38.640 --> 0:13:41.400
<v Speaker 1>on later shows we will, but you know, today the

0:13:41.480 --> 0:13:43.640
<v Speaker 1>research was done on watermelon. So allow me to share

0:13:46.840 --> 0:13:48.800
<v Speaker 1>one thing that I know to be true. And you

0:13:48.840 --> 0:13:54.120
<v Speaker 1>and I've talked about this before. Q. There's a song,

0:13:55.600 --> 0:13:59.120
<v Speaker 1>the ice Cream Truck song. Remember we talked about this,

0:14:01.200 --> 0:14:06.560
<v Speaker 1>So the ice cream Truck song was called Inward Love

0:14:06.559 --> 0:14:10.679
<v Speaker 1>of Watermelon. So next time you hear the ice cream truck,

0:14:11.120 --> 0:14:12.960
<v Speaker 1>you know, coming down the street, just know that the

0:14:13.040 --> 0:14:18.760
<v Speaker 1>actual melody from that music was originally pinned in the

0:14:18.760 --> 0:14:21.200
<v Speaker 1>title of that song was called in word love of Watermelon.

0:14:21.320 --> 0:14:24.480
<v Speaker 1>Now the name changed after that once the in word

0:14:24.520 --> 0:14:31.000
<v Speaker 1>fell out of fashion or whatever. But the reason that

0:14:31.000 --> 0:14:34.600
<v Speaker 1>that song became associated with ice cream trucks is because

0:14:35.920 --> 0:14:38.400
<v Speaker 1>once upon a time, you know, whenever there were treats

0:14:38.400 --> 0:14:43.200
<v Speaker 1>given out, ice cream went to white folks and watermelon

0:14:43.240 --> 0:14:45.440
<v Speaker 1>went to black folks because it was cheaper, you know whatever,

0:14:45.800 --> 0:14:47.400
<v Speaker 1>And so it became known as like kind of the

0:14:47.440 --> 0:14:50.480
<v Speaker 1>black man's or the black man's ice cream, you know,

0:14:50.560 --> 0:14:54.840
<v Speaker 1>the negro's ice cream. And this is why you see

0:14:54.880 --> 0:14:59.280
<v Speaker 1>these these caricatures, these these drawings, these cartoons, like the

0:14:59.280 --> 0:15:02.480
<v Speaker 1>ones that I've in my backyard, these black folks holding

0:15:02.520 --> 0:15:05.240
<v Speaker 1>a huge watermelon being so happy when they eat it. Right,

0:15:05.360 --> 0:15:10.200
<v Speaker 1>It's like it was known as the equivalent of what

0:15:10.360 --> 0:15:13.480
<v Speaker 1>ice cream would because many obviously many black folks back

0:15:13.600 --> 0:15:15.600
<v Speaker 1>in this time never were able to taste ice cream

0:15:15.600 --> 0:15:18.240
<v Speaker 1>because it was too much of a delicacy, or otherwise

0:15:18.360 --> 0:15:21.720
<v Speaker 1>it was too expensive. Watermelons were cheaper. But another thing

0:15:21.760 --> 0:15:29.360
<v Speaker 1>about this is that and I pulled this from the Atlantic.

0:15:29.400 --> 0:15:33.000
<v Speaker 1>There's an article written by William R. Black and I'll

0:15:33.040 --> 0:15:34.400
<v Speaker 1>read this and I want to hear your thoughts. Cu

0:15:36.000 --> 0:15:39.120
<v Speaker 1>it goes. But the stereotype that African Americans are excessively

0:15:39.160 --> 0:15:42.480
<v Speaker 1>fond of watermelon emerged for a specific historical reason and

0:15:42.520 --> 0:15:45.960
<v Speaker 1>served a specific political purpose. This is an addition to,

0:15:48.160 --> 0:15:50.680
<v Speaker 1>you know, white folks eating ice cream, black folks eating watermelon.

0:15:50.800 --> 0:15:54.320
<v Speaker 1>So I'll continue. The trope came in full first when

0:15:54.440 --> 0:15:57.920
<v Speaker 1>slaves won their emancipation during the Civil War. Free black

0:15:57.960 --> 0:16:02.040
<v Speaker 1>people grew ate and sold watermelons, and in doing so

0:16:02.480 --> 0:16:06.200
<v Speaker 1>made the fruit a symbol of their freedom. Southern whites,

0:16:06.320 --> 0:16:09.920
<v Speaker 1>threatened by blacks newfound freedom, responded by making the fruit

0:16:10.400 --> 0:16:16.440
<v Speaker 1>a symbol of black people's perceived uncleanliness, laziness, childishness, and

0:16:16.680 --> 0:16:21.320
<v Speaker 1>unwanted public presence. This racist trope then exploded in American

0:16:21.360 --> 0:16:26.080
<v Speaker 1>popular culture, becoming so pervasive that its historical origin became obscure.

0:16:26.760 --> 0:16:30.760
<v Speaker 1>Few Americans in nineteen hundred would have guessed the stereotype

0:16:30.800 --> 0:16:34.520
<v Speaker 1>was less than half a century old, and what they

0:16:34.520 --> 0:16:39.800
<v Speaker 1>would do. And just so you know, watermelons haven't always

0:16:39.840 --> 0:16:42.360
<v Speaker 1>just been associated with black people. It's been associated with

0:16:42.480 --> 0:16:48.000
<v Speaker 1>other types of people, Arab people, you know, and typically

0:16:48.040 --> 0:16:51.640
<v Speaker 1>it's associated with poor folks. And you know, the way

0:16:51.720 --> 0:16:54.720
<v Speaker 1>that it's been politicized is, you know, you're going to

0:16:54.760 --> 0:16:58.760
<v Speaker 1>have you know, watermelon rinds in your neighborhood all over

0:16:58.800 --> 0:17:00.760
<v Speaker 1>the streets if you allow these folks to come in,

0:17:00.840 --> 0:17:02.440
<v Speaker 1>or if you don't clean up this mess, or whatever

0:17:02.440 --> 0:17:06.880
<v Speaker 1>the case is. But in this country, you know, this

0:17:07.119 --> 0:17:13.280
<v Speaker 1>represented economic freedom or you know, economic advancement we'll call it.

0:17:13.920 --> 0:17:20.879
<v Speaker 1>And poor Southern whites obviously didn't like that. Still don't

0:17:21.160 --> 0:17:24.040
<v Speaker 1>you know, like that a lot if you know their

0:17:24.160 --> 0:17:31.000
<v Speaker 1>voting records or anything to go by. And really, at

0:17:31.040 --> 0:17:34.159
<v Speaker 1>that time, and I believe largely today as well, you

0:17:34.160 --> 0:17:40.040
<v Speaker 1>can make a case for it really needed, really needed

0:17:40.400 --> 0:17:44.880
<v Speaker 1>someone to blame their economic problems on. That wasn't the government,

0:17:45.600 --> 0:17:48.440
<v Speaker 1>because how in the world could you criticize the government,

0:17:48.600 --> 0:17:52.239
<v Speaker 1>you know, But let's blame these folks taking up all

0:17:52.280 --> 0:17:55.680
<v Speaker 1>the jobs, you know, and doing whatever, selling their watermelons

0:17:55.680 --> 0:17:57.600
<v Speaker 1>and making their little bit of money and creating some

0:17:57.640 --> 0:18:01.280
<v Speaker 1>sort of economic independence from us, rather than coming to

0:18:01.320 --> 0:18:04.399
<v Speaker 1>work for us or coming to you know, whatever it is.

0:18:05.119 --> 0:18:09.280
<v Speaker 1>And so we end up with now fast forward. The

0:18:09.359 --> 0:18:16.040
<v Speaker 1>legacy of these ideas and the legacy of these stereotypes

0:18:16.960 --> 0:18:23.600
<v Speaker 1>results in people nowadays eating watermelon not in plain view

0:18:24.040 --> 0:18:26.560
<v Speaker 1>of someone who might not appreciate the fact that it's

0:18:26.720 --> 0:18:30.600
<v Speaker 1>just food. Now you listening, you might think, why in

0:18:30.640 --> 0:18:32.800
<v Speaker 1>the world would I think anything other than it's just

0:18:32.800 --> 0:18:35.359
<v Speaker 1>a food, And that's a person eating their lunch or whatever,

0:18:35.440 --> 0:18:37.520
<v Speaker 1>which makes perfect sense. And my hat's off to you

0:18:37.600 --> 0:18:43.000
<v Speaker 1>because you've either managed to escape, you know, being indoctrinated

0:18:43.119 --> 0:18:47.760
<v Speaker 1>in this way, or you know, you just maybe you

0:18:47.800 --> 0:18:51.800
<v Speaker 1>really just don't see it that way. And maybe a

0:18:51.840 --> 0:18:54.400
<v Speaker 1>lot of people don't see it that way, but there

0:18:54.400 --> 0:18:56.439
<v Speaker 1>are some people that do see it that way. You know,

0:18:56.480 --> 0:19:00.800
<v Speaker 1>we saw lots of these cartoons with you know, watermelon flavor, toothpaste,

0:19:01.000 --> 0:19:03.840
<v Speaker 1>you know, when Obama was in office, and you know,

0:19:04.320 --> 0:19:07.760
<v Speaker 1>these things still exist. You know, they're they're deeply rooted

0:19:07.840 --> 0:19:12.440
<v Speaker 1>in the American history and American legacy and American psyche,

0:19:12.560 --> 0:19:16.800
<v Speaker 1>but they also exist for us, for black folks. You know,

0:19:16.880 --> 0:19:19.600
<v Speaker 1>I didn't, I wouldn't I. You know, banana is a banana.

0:19:19.600 --> 0:19:22.040
<v Speaker 1>If you like bananas, that stands to reason other human

0:19:22.080 --> 0:19:24.760
<v Speaker 1>beings or creatures that share this planet will like bananas too,

0:19:24.800 --> 0:19:28.320
<v Speaker 1>Same with fried chicken, same with watermelon, same with anything.

0:19:28.480 --> 0:19:31.720
<v Speaker 1>You know, we're all the same, you know, from a

0:19:31.720 --> 0:19:35.480
<v Speaker 1>scientific standpoint, meaning that we all consume foods, eat them.

0:19:35.640 --> 0:19:37.720
<v Speaker 1>You know, they nourish our bodies, and they fortify us

0:19:37.760 --> 0:19:43.879
<v Speaker 1>and allow us to live full lives. But far be

0:19:43.960 --> 0:19:45.560
<v Speaker 1>it for me to ever eat a banana in front

0:19:45.600 --> 0:19:50.760
<v Speaker 1>of a white person who doesn't appreciate the fact that

0:19:50.800 --> 0:19:54.120
<v Speaker 1>it's truly just a banana and a human being eating it.

0:19:54.240 --> 0:19:56.679
<v Speaker 1>I would be so. I would be so ashamed to

0:19:56.720 --> 0:20:00.600
<v Speaker 1>do that right now, at thirty nine years old, you

0:20:00.640 --> 0:20:02.400
<v Speaker 1>know I would, or else I would have to break

0:20:02.400 --> 0:20:04.919
<v Speaker 1>a piece of it off and eat it like this.

0:20:04.960 --> 0:20:06.200
<v Speaker 1>I couldn't peel it and a hold it in the

0:20:06.240 --> 0:20:08.960
<v Speaker 1>hand the way that a person might imagine a monkey

0:20:08.960 --> 0:20:12.879
<v Speaker 1>would do. So I want to get your reaction to

0:20:12.960 --> 0:20:16.320
<v Speaker 1>this que because I'm not sure how much of this

0:20:16.520 --> 0:20:18.320
<v Speaker 1>you knew. I knew you knew about the watermelon song,

0:20:18.400 --> 0:20:20.560
<v Speaker 1>but you know, I want to get your thoughts. We

0:20:20.600 --> 0:20:21.439
<v Speaker 1>got about four minutes.

0:20:24.000 --> 0:20:27.760
<v Speaker 2>But once upon a time, during my residency at a

0:20:28.280 --> 0:20:32.320
<v Speaker 2>property I won't name as, I showed up to DJ

0:20:32.800 --> 0:20:35.479
<v Speaker 2>now at this place, the turntables, the DJ booth were

0:20:35.480 --> 0:20:38.520
<v Speaker 2>set up on a stage, and on that stage they

0:20:38.560 --> 0:20:42.199
<v Speaker 2>had created sort of like a little lounge for me,

0:20:42.440 --> 0:20:44.800
<v Speaker 2>couches and the table, and I would come in and

0:20:44.800 --> 0:20:46.879
<v Speaker 2>my food would be there, my food and whatever I

0:20:46.920 --> 0:20:49.120
<v Speaker 2>wanted to drink for me and my guests, whoever came

0:20:49.160 --> 0:20:54.000
<v Speaker 2>with me. And the first time I showed up because

0:20:54.520 --> 0:20:56.959
<v Speaker 2>because I don't drink, I made food a part of

0:20:57.000 --> 0:20:58.560
<v Speaker 2>my writer.

0:20:58.560 --> 0:20:59.840
<v Speaker 3>Instead of alcohol.

0:21:01.480 --> 0:21:03.439
<v Speaker 2>And the first time I showed up at this place

0:21:04.119 --> 0:21:11.040
<v Speaker 2>where I was, you know, in two thousand and maybe

0:21:11.200 --> 0:21:16.120
<v Speaker 2>twelve or thirteen, the only black person in the establishment.

0:21:17.400 --> 0:21:20.679
<v Speaker 2>The food that was waiting for me was fried chicken

0:21:20.720 --> 0:21:21.480
<v Speaker 2>and watermelon.

0:21:21.840 --> 0:21:22.240
<v Speaker 3>Wow.

0:21:23.400 --> 0:21:27.359
<v Speaker 2>Now this was a really tough spot for me to

0:21:27.440 --> 0:21:31.439
<v Speaker 2>be in because, as everybody is that's listening to this

0:21:31.520 --> 0:21:35.840
<v Speaker 2>show knows, fried chicken and watermelon is incredible.

0:21:36.920 --> 0:21:38.080
<v Speaker 3>It's delicious.

0:21:39.160 --> 0:21:46.159
<v Speaker 2>It's half nutritious, but mostly it's delicious, and similar to

0:21:46.200 --> 0:21:49.720
<v Speaker 2>what you just said, I'm on stage, so I don't

0:21:49.720 --> 0:21:52.000
<v Speaker 2>want to sit on stage in this venue full of

0:21:52.040 --> 0:21:54.800
<v Speaker 2>people that aren't black and eat chicken and watermelon on

0:21:54.880 --> 0:22:01.000
<v Speaker 2>stage like I'm the show, right, And don't think the

0:22:01.080 --> 0:22:04.960
<v Speaker 2>chef meant for that to feel how it felt when

0:22:05.000 --> 0:22:08.680
<v Speaker 2>I got there, okay. But as you know, it absolutely

0:22:08.680 --> 0:22:11.639
<v Speaker 2>felt exactly how you think it felt when I walked

0:22:11.640 --> 0:22:14.840
<v Speaker 2>into this place and they're serving me fried chicken and watermelon.

0:22:15.320 --> 0:22:18.920
<v Speaker 2>And my options were to laugh really hard or start

0:22:18.920 --> 0:22:19.880
<v Speaker 2>flipping tables over.

0:22:21.480 --> 0:22:25.000
<v Speaker 3>So I chose to laugh really hard. And similar to.

0:22:24.880 --> 0:22:27.879
<v Speaker 2>The racist portrayal of watermelon, the foods in and of

0:22:27.960 --> 0:22:32.080
<v Speaker 2>themselves are not racist, but in Jim Crow America, in

0:22:32.560 --> 0:22:35.720
<v Speaker 2>a way to make newly free black people look like

0:22:35.760 --> 0:22:39.159
<v Speaker 2>savage animals, there was all these cartoons and caricatures and

0:22:39.280 --> 0:22:43.960
<v Speaker 2>drawings and paintings that showed us very delightfully and ostentatiously

0:22:44.040 --> 0:22:48.520
<v Speaker 2>eating chicken and watermelon, with the juices flying everywhere, and

0:22:48.640 --> 0:22:56.439
<v Speaker 2>us in this delight of carelessness and.

0:22:54.600 --> 0:22:57.080
<v Speaker 3>As they would portray it somehow savagery.

0:22:58.080 --> 0:23:01.760
<v Speaker 2>And it wasn't that just that watermelon was inexpensive, but

0:23:01.800 --> 0:23:05.199
<v Speaker 2>it was what you touched on earlier. Watermelon at that

0:23:05.359 --> 0:23:09.000
<v Speaker 2>time gave us a way to grow something for ourselves,

0:23:09.040 --> 0:23:12.359
<v Speaker 2>to consume it, to sell it, to have some sort

0:23:12.359 --> 0:23:20.040
<v Speaker 2>of entrepreneurship, business acumen, and independence. So let's make that

0:23:20.320 --> 0:23:23.200
<v Speaker 2>bad too, right, Let's make that evil. Let's make that bad,

0:23:23.280 --> 0:23:26.440
<v Speaker 2>Let's make that grotesque, Let's make that somehow beneath us,

0:23:26.480 --> 0:23:29.560
<v Speaker 2>and let's make fun of them, right, Let's exaggerate all

0:23:29.600 --> 0:23:34.480
<v Speaker 2>their features, and let's show the world how these savage

0:23:34.520 --> 0:23:39.080
<v Speaker 2>animals look when they're eating their chicken and watermelon, and

0:23:39.160 --> 0:23:42.639
<v Speaker 2>really make a show of it. So yeah, I mean,

0:23:42.880 --> 0:23:45.520
<v Speaker 2>I really am just echoing things that you've said already.

0:23:46.040 --> 0:23:50.160
<v Speaker 2>It's just food, and in this case, really really good food.

0:23:50.720 --> 0:23:50.920
<v Speaker 3>Right.

0:23:51.000 --> 0:23:54.280
<v Speaker 2>Fried chicken might be the most sold food item on earth,

0:23:54.960 --> 0:23:58.480
<v Speaker 2>especially in this country, and we're thirteen percent of the population.

0:23:58.600 --> 0:24:01.720
<v Speaker 3>So please don't think it just black people eating it.

0:24:01.800 --> 0:24:06.359
<v Speaker 2>Right, But that trope has lasted the test of time,

0:24:07.480 --> 0:24:10.720
<v Speaker 2>as have so many things from that period in our

0:24:10.880 --> 0:24:13.800
<v Speaker 2>history that was made to look that was created to

0:24:13.840 --> 0:24:18.880
<v Speaker 2>make us look beneath and somehow less than and somehow

0:24:19.000 --> 0:24:21.440
<v Speaker 2>less civilized and more savage and more.

0:24:22.720 --> 0:24:24.000
<v Speaker 3>Simple, if you will.

0:24:24.240 --> 0:24:26.560
<v Speaker 1>Yeah, yeah, so I know exactly what you mean. You know,

0:24:26.600 --> 0:24:30.199
<v Speaker 1>there's it's come up before, and you know, I think

0:24:30.280 --> 0:24:32.960
<v Speaker 1>Dave Chappelle mentioned it. He's like, you know, all this

0:24:33.040 --> 0:24:35.040
<v Speaker 1>time I thought I like chicken because it was delicious.

0:24:35.119 --> 0:24:38.600
<v Speaker 1>Comes to turn out I'm genetically predisposed to lack of chicken,

0:24:38.680 --> 0:24:40.440
<v Speaker 1>you know, Like, just to make a joke out of it.

0:24:40.520 --> 0:24:42.640
<v Speaker 1>So anyway, I'm glad we got a chance to touch

0:24:42.680 --> 0:24:46.080
<v Speaker 1>on that, and just something to keep in mind, you know,

0:24:47.640 --> 0:24:50.840
<v Speaker 1>just something to be sensitive about, and you know, we'll

0:24:50.880 --> 0:24:53.199
<v Speaker 1>get where we're going, so not not too much to

0:24:53.200 --> 0:24:55.000
<v Speaker 1>worry about. But our job is to teach, so that's

0:24:55.040 --> 0:24:58.480
<v Speaker 1>what we do. Anyway, stick around your radios. We're coming

0:24:58.480 --> 0:25:00.119
<v Speaker 1>back with more Civic Cipher right after this