1 00:00:03,880 --> 00:00:11,280 Speaker 1: It's that time time, time, time, luck and load. The 2 00:00:11,480 --> 00:00:15,400 Speaker 1: Michael Very Show is on the air. They must passed away. 3 00:00:15,480 --> 00:00:19,160 Speaker 1: It would be our national holiday hip the South. What 4 00:00:19,320 --> 00:00:21,160 Speaker 1: a one we'd have had it made. 5 00:00:25,880 --> 00:00:29,280 Speaker 2: I would like to explain to you that Sudtherners have 6 00:00:29,440 --> 00:00:34,400 Speaker 2: a heritage that just about everything we get involved in 7 00:00:34,600 --> 00:00:37,200 Speaker 2: is funny. That's right. 8 00:00:38,120 --> 00:00:40,519 Speaker 3: You can take some individual who doesn't live in the 9 00:00:40,560 --> 00:00:43,640 Speaker 3: South to come in the South and just sit down 10 00:00:43,680 --> 00:00:45,360 Speaker 3: and listen to us, and it ain't long. 11 00:00:45,680 --> 00:00:47,360 Speaker 2: They commenced to Latin, making. 12 00:00:47,080 --> 00:00:50,720 Speaker 4: Their way the only way they know how. 13 00:00:54,040 --> 00:00:57,280 Speaker 2: Let's just little bit more both over the love. 14 00:00:58,400 --> 00:01:01,080 Speaker 3: I go downtown and yeah, Azoo City may sit there 15 00:01:01,080 --> 00:01:03,760 Speaker 3: to hang on a parking meeting every now and then, 16 00:01:03,960 --> 00:01:07,040 Speaker 3: just to visit with old buddies. Go by the barber 17 00:01:07,120 --> 00:01:11,360 Speaker 3: shop and we'll talk, it says Jered. Where you've been lately. 18 00:01:12,280 --> 00:01:15,319 Speaker 3: We'll have a good time visited. And the other day 19 00:01:15,360 --> 00:01:18,960 Speaker 3: I was visiting in downtown Yasoo City. Stand on the street, corner, 20 00:01:19,160 --> 00:01:21,640 Speaker 3: bunch of folks out, we is talking, and a funeral 21 00:01:21,680 --> 00:01:23,520 Speaker 3: possession started by. 22 00:01:23,840 --> 00:01:25,440 Speaker 2: Now, there's nothing funny about. 23 00:01:25,319 --> 00:01:29,640 Speaker 4: Getting picking your way the only way, ain't no how, 24 00:01:32,920 --> 00:01:35,800 Speaker 4: that's just a little bit Nold, the Lord. 25 00:01:35,600 --> 00:01:40,959 Speaker 3: Of love excel In the South, an expression may be 26 00:01:41,120 --> 00:01:45,000 Speaker 3: made that they don't even intend to be funny, but 27 00:01:45,200 --> 00:01:49,760 Speaker 3: Southerners are naturally humorous. The funeral possession started by, and 28 00:01:49,800 --> 00:01:52,920 Speaker 3: everybody got quiet, got reverent, turned toward the street, put 29 00:01:52,920 --> 00:01:55,480 Speaker 3: the hand over the heart, and I whispered to this 30 00:01:55,560 --> 00:01:59,080 Speaker 3: old boy, I said, who died? He said to one 31 00:01:59,160 --> 00:01:59,920 Speaker 3: in the first car. 32 00:02:17,080 --> 00:02:23,520 Speaker 1: Oh, that's what I'm supposed to talk. Okay, Caleb held 33 00:02:23,520 --> 00:02:25,360 Speaker 1: out till last, but you were what was left. 34 00:02:25,360 --> 00:02:26,400 Speaker 5: So here we go. 35 00:02:27,880 --> 00:02:31,440 Speaker 1: We're scraping the bottom of the barrel. Here seven one, three, 36 00:02:31,480 --> 00:02:35,160 Speaker 1: one thousand. Did this to me? Go ahead, Caleb? 37 00:02:36,919 --> 00:02:39,080 Speaker 5: Can you hear me? Mister Barry, yep, I give you. 38 00:02:39,160 --> 00:02:39,519 Speaker 1: I got you. 39 00:02:42,160 --> 00:02:44,440 Speaker 5: I think I'm not sure this is what you consider 40 00:02:44,480 --> 00:02:47,639 Speaker 5: the shout out? Can I can I recognize someone on radio? 41 00:02:51,120 --> 00:02:52,440 Speaker 1: Yes, Caleb, you can. 42 00:02:54,520 --> 00:02:58,440 Speaker 5: I would like to recognize today as the ceremony. My 43 00:02:58,520 --> 00:03:01,480 Speaker 5: dad's forty six years years with the police department. He's 44 00:03:01,520 --> 00:03:07,600 Speaker 5: retiring today today, Today, today is the ceremony at two pm. 45 00:03:08,120 --> 00:03:11,880 Speaker 1: Caleb, you have called every day this week. I have 46 00:03:12,000 --> 00:03:15,320 Speaker 1: not picked up in every day. It said you were 47 00:03:15,320 --> 00:03:19,120 Speaker 1: calling about your dad. Now you're certain that today is 48 00:03:19,160 --> 00:03:21,440 Speaker 1: the day, because that means on those earlier days you 49 00:03:21,440 --> 00:03:25,720 Speaker 1: were calling and it wasn't the day he was retiring, right, Yeah, 50 00:03:25,720 --> 00:03:25,880 Speaker 1: I was. 51 00:03:26,040 --> 00:03:29,800 Speaker 5: I just told your your your producer that that gets 52 00:03:29,800 --> 00:03:32,799 Speaker 5: me hooked up to wait for you. That I said, 53 00:03:32,880 --> 00:03:35,360 Speaker 5: oldha WHI I didn't think about that. It was along 54 00:03:35,360 --> 00:03:37,360 Speaker 5: the open line Friday day and I should have waited. 55 00:03:37,600 --> 00:03:43,520 Speaker 1: So so forty six years huh, yes, sir in two 56 00:03:43,560 --> 00:03:44,640 Speaker 1: o'clock today. 57 00:03:45,840 --> 00:03:49,960 Speaker 5: Yes, sir, it's a less early or training center on 58 00:03:50,080 --> 00:03:55,960 Speaker 5: Genoa rebelu. 59 00:03:54,560 --> 00:03:59,440 Speaker 1: And what are they doing? Like cake and punch tape dealt? 60 00:03:59,520 --> 00:04:01,840 Speaker 5: I think I believe they are. Yeah, they're going to 61 00:04:01,880 --> 00:04:04,960 Speaker 5: show a shadow box all his recognition and his badges 62 00:04:05,000 --> 00:04:08,320 Speaker 5: and and talk about, uh, you know what all the 63 00:04:08,400 --> 00:04:10,280 Speaker 5: departments he's served in and what all he's done for 64 00:04:10,360 --> 00:04:11,240 Speaker 5: the police department. 65 00:04:11,800 --> 00:04:12,440 Speaker 1: Are you going? 66 00:04:14,200 --> 00:04:17,760 Speaker 5: I believe. I believe so. My daddy I did a degree. 67 00:04:17,760 --> 00:04:18,599 Speaker 5: They're support him. 68 00:04:19,160 --> 00:04:21,480 Speaker 1: Well, if he told you about it, he probably would. 69 00:04:21,240 --> 00:04:24,880 Speaker 5: Like you to come. Oh surely, Yeah, I live with 70 00:04:24,960 --> 00:04:25,480 Speaker 5: him too, so. 71 00:04:25,480 --> 00:04:30,080 Speaker 1: I kind of yeah, is your mom there? Does your 72 00:04:30,080 --> 00:04:30,839 Speaker 1: mom live there too? 73 00:04:32,560 --> 00:04:34,240 Speaker 5: No, they divorced a long time ago. 74 00:04:35,360 --> 00:04:37,599 Speaker 1: You know, I'll bet you the divorce rate for police 75 00:04:37,600 --> 00:04:41,000 Speaker 1: officers is one of the highest of all fields. It's 76 00:04:41,000 --> 00:04:42,000 Speaker 1: such a stressful job. 77 00:04:42,560 --> 00:04:44,400 Speaker 5: I appreciate you taking the call, Michael. 78 00:04:44,480 --> 00:04:48,240 Speaker 1: Mister Michael, Yeah, So are you going to take him 79 00:04:48,279 --> 00:04:49,960 Speaker 1: for dinner or anything tonight? To celebrate? 80 00:04:50,839 --> 00:04:56,160 Speaker 5: We are going, Uh it's off the Beltway and pasting 81 00:04:56,160 --> 00:04:59,680 Speaker 5: the boulevard and well between passing the Boulevard and Red 82 00:04:59,680 --> 00:05:02,440 Speaker 5: Blood at four p m. After that, we're going to 83 00:05:02,520 --> 00:05:05,880 Speaker 5: have a private party with family and friends at Ernie's 84 00:05:06,640 --> 00:05:10,159 Speaker 5: Cafe kitchen right there, just down the road. 85 00:05:10,279 --> 00:05:12,680 Speaker 1: Well, it's not gonna be private anymore. Have you been 86 00:05:12,720 --> 00:05:13,240 Speaker 1: to Bernie's. 87 00:05:16,320 --> 00:05:20,440 Speaker 5: Ernie's are in I'm not trying to correct you. I 88 00:05:20,480 --> 00:05:21,919 Speaker 5: just thought I thought you said Bernie. 89 00:05:22,000 --> 00:05:24,520 Speaker 1: I was just saying to get it right, Okay, Ernie's. 90 00:05:24,520 --> 00:05:25,159 Speaker 1: What's it called. 91 00:05:27,040 --> 00:05:29,440 Speaker 5: Ernie's Cafe? 92 00:05:30,120 --> 00:05:33,120 Speaker 1: Yes, it says the original, like there's somebody else out 93 00:05:33,120 --> 00:05:34,160 Speaker 1: there trying to be Ernie's. 94 00:05:35,120 --> 00:05:36,880 Speaker 5: I love it is. 95 00:05:38,800 --> 00:05:41,440 Speaker 1: They got like a piece of fry, like a chicken 96 00:05:41,440 --> 00:05:43,560 Speaker 1: fried steak, and it just says the only thing that 97 00:05:43,600 --> 00:05:46,359 Speaker 1: says on the screen is the original, Like you know, 98 00:05:46,680 --> 00:05:49,200 Speaker 1: often imitated, ever duplicated. 99 00:05:50,760 --> 00:05:55,120 Speaker 5: My opinion, he's he's the best he's the best restaurant 100 00:05:55,240 --> 00:05:57,919 Speaker 5: in my opinion, well one of them out there for sure. 101 00:05:58,080 --> 00:05:59,839 Speaker 5: I think he's fabulous. 102 00:06:00,120 --> 00:06:02,000 Speaker 1: Do you have a hotline to him? Do you have 103 00:06:02,040 --> 00:06:03,359 Speaker 1: a way to talk to him? Because I need to 104 00:06:03,360 --> 00:06:05,320 Speaker 1: pass a message to him? 105 00:06:05,440 --> 00:06:08,200 Speaker 5: What you want? You will let me see you want you? 106 00:06:08,360 --> 00:06:09,200 Speaker 5: Are you saying no? 107 00:06:09,080 --> 00:06:11,800 Speaker 1: No, if you're going to see him, get him there? No, no, 108 00:06:11,839 --> 00:06:13,240 Speaker 1: if you're going to see him, Just if you could 109 00:06:13,279 --> 00:06:17,320 Speaker 1: pass this message to him. He's got in thirty seconds 110 00:06:17,320 --> 00:06:20,440 Speaker 1: on his website, I've come across about twenty five different 111 00:06:20,440 --> 00:06:23,599 Speaker 1: fonts and that's a that's a real irritant to me. 112 00:06:24,240 --> 00:06:27,760 Speaker 1: He's probably got a daughter that that took a weekend 113 00:06:28,320 --> 00:06:31,960 Speaker 1: web program programming class, and God bless her, she made 114 00:06:32,000 --> 00:06:34,560 Speaker 1: his web page for him, and it's just she's just 115 00:06:34,640 --> 00:06:38,120 Speaker 1: pulled every different kind of font. There's times new rooming 116 00:06:38,200 --> 00:06:42,440 Speaker 1: over here, there's helvetica over here, there's some cursive that 117 00:06:42,480 --> 00:06:45,440 Speaker 1: you can't even read. And if there's words that are 118 00:06:45,760 --> 00:06:50,599 Speaker 1: that are illegible because she's ripped off these fonts that 119 00:06:50,839 --> 00:06:54,000 Speaker 1: are I guess intended to look like cursive and they're 120 00:06:54,080 --> 00:06:56,359 Speaker 1: just not working. And I need somebody to pass that 121 00:06:56,400 --> 00:06:59,239 Speaker 1: to him. Just standardize the fonts. That's all I ask. 122 00:07:02,279 --> 00:07:02,479 Speaker 6: See. 123 00:07:02,560 --> 00:07:05,320 Speaker 1: Like on one page, if you go to it, Caleb, it 124 00:07:05,480 --> 00:07:09,400 Speaker 1: says Ernie's Cafe and Catering, or at least I think 125 00:07:09,440 --> 00:07:12,520 Speaker 1: it does, because it's in a script that has more 126 00:07:12,600 --> 00:07:16,080 Speaker 1: seraphs than I've ever seen in my life, and so 127 00:07:16,120 --> 00:07:19,480 Speaker 1: you can barely read it, just barely read it. It 128 00:07:19,800 --> 00:07:22,040 Speaker 1: looks like jumbled up Bob Wars what it looks like. 129 00:07:22,480 --> 00:07:25,920 Speaker 1: And then underneath it you see it ramon go to 130 00:07:26,080 --> 00:07:29,960 Speaker 1: Ernie's theriginal dot com Ernie's Restaurant in Pasadena. And then 131 00:07:29,960 --> 00:07:37,000 Speaker 1: when you go to catering, if you click on catering, Yeah, 132 00:07:37,000 --> 00:07:40,720 Speaker 1: if you go to visit us, it's gonna say Ernie's 133 00:07:40,840 --> 00:07:43,320 Speaker 1: Cafe and Catering, or at least I think it does. 134 00:07:43,720 --> 00:07:48,800 Speaker 1: And it looks like a whole barrel of bob War 135 00:07:49,240 --> 00:07:52,160 Speaker 1: because it's all you see it, and it's just all 136 00:07:52,760 --> 00:07:55,600 Speaker 1: mixed up in there. And then underneath that, which is 137 00:07:55,640 --> 00:08:00,680 Speaker 1: at least legible, it says our location and it's a 138 00:08:00,880 --> 00:08:05,280 Speaker 1: and that is in a bold font that is cursive, 139 00:08:05,480 --> 00:08:08,840 Speaker 1: but at least it's legible, and it's but it's a 140 00:08:08,880 --> 00:08:13,800 Speaker 1: totally different font. It makes me crazy when I see 141 00:08:14,480 --> 00:08:21,560 Speaker 1: multiple fonts on a website, from levisians to librarians. Everyone 142 00:08:21,720 --> 00:08:30,000 Speaker 1: listens to Michael Berry show, pull on not that song 143 00:08:31,800 --> 00:08:33,920 Speaker 1: you were Stop and think about the fact that one 144 00:08:34,000 --> 00:08:43,719 Speaker 1: day that song didn't exist, But there are John F. 145 00:08:43,800 --> 00:08:50,640 Speaker 1: Kennedy never heard that song, right, That song didn't exist 146 00:08:52,559 --> 00:08:58,120 Speaker 1: and people didn't know it didn't exist. And once you 147 00:08:58,400 --> 00:09:06,800 Speaker 1: understand the profound existential nature of that, you start considering 148 00:09:08,440 --> 00:09:14,800 Speaker 1: the vast unknown, what doesn't exist, that we don't know 149 00:09:15,760 --> 00:09:21,560 Speaker 1: doesn't exist and we will never know doesn't exist. But 150 00:09:21,640 --> 00:09:27,120 Speaker 1: someone else will or they won't because that band doesn't 151 00:09:27,160 --> 00:09:33,360 Speaker 1: for him, because Billy stays in Dallas, or Dusty takes 152 00:09:33,360 --> 00:09:38,400 Speaker 1: a job at the construction crew. I mean you think 153 00:09:38,440 --> 00:09:42,679 Speaker 1: about that for a moment. I mean, on a more 154 00:09:42,840 --> 00:09:47,960 Speaker 1: pedestrian level, imagine being the first person to hear that 155 00:09:48,120 --> 00:09:51,880 Speaker 1: song once they've got it worked up to at least 156 00:09:51,880 --> 00:09:54,920 Speaker 1: close to this version, and they go, all right, give 157 00:09:54,960 --> 00:09:57,240 Speaker 1: this a listen. We want you to want you give 158 00:09:57,280 --> 00:09:58,840 Speaker 1: us your honest opinion. What do you think of this? 159 00:09:59,600 --> 00:10:01,720 Speaker 1: I like to I think they didn't ask anybody's honest opinion. 160 00:10:02,520 --> 00:10:05,199 Speaker 1: Like we're a three piece band. It sounds like twenty 161 00:10:06,600 --> 00:10:09,640 Speaker 1: we're gonna play the thickest strings ever on a bass 162 00:10:09,679 --> 00:10:14,480 Speaker 1: guitar like it's rhythm, and to hell with everybody else. Oh, 163 00:10:14,520 --> 00:10:17,280 Speaker 1: and by the way, we're gonna have real long beards, 164 00:10:18,400 --> 00:10:23,120 Speaker 1: and except the guy named Beard, and he's not gonna 165 00:10:23,120 --> 00:10:30,439 Speaker 1: have a beard. And Billy's gonna wear something like a 166 00:10:30,480 --> 00:10:35,000 Speaker 1: skull cap. What's it called a kaffir? He's gonna wear 167 00:10:35,040 --> 00:10:39,480 Speaker 1: a knitted skull cap for no good reason. And we're 168 00:10:39,480 --> 00:10:43,640 Speaker 1: gonna be skinny with long beards playing an instrument in 169 00:10:43,640 --> 00:10:47,720 Speaker 1: the way you've never heard of past where we should be. 170 00:10:47,960 --> 00:10:51,000 Speaker 1: We're gonna be in our prime past when bands first 171 00:10:51,080 --> 00:10:56,520 Speaker 1: lighted up. After after mind you, having had a regional 172 00:10:56,640 --> 00:11:02,679 Speaker 1: cult following with a whole different vibe, traveling around with 173 00:11:03,240 --> 00:11:09,120 Speaker 1: tractor trailer loads of animals on the national tour of Texas. Yeah, 174 00:11:09,240 --> 00:11:13,440 Speaker 1: then we're gonna go MTV mainstream and be the hottest 175 00:11:13,440 --> 00:11:17,240 Speaker 1: thing out there and sex symbols even though we don't dance. 176 00:11:18,360 --> 00:11:23,800 Speaker 1: How unlikely was that whole set of events? Now play 177 00:11:23,840 --> 00:11:35,040 Speaker 1: it now and can think about it? What about that? 178 00:11:35,120 --> 00:11:35,559 Speaker 5: Right now? 179 00:11:36,000 --> 00:11:38,360 Speaker 1: All right, let's do it. All right, let's have you 180 00:11:38,400 --> 00:11:41,920 Speaker 1: say something but that's pretty good. Yeah, leave that in there. 181 00:11:43,120 --> 00:11:48,160 Speaker 1: Listen to this remon, the Astros brought Satchel Page to 182 00:11:48,240 --> 00:11:52,680 Speaker 1: test pitching conditions, specifically to see how breaking balls would 183 00:11:52,720 --> 00:11:56,840 Speaker 1: behave in the new indoor air condition environment. Now, mind you, 184 00:11:57,240 --> 00:12:02,120 Speaker 1: he's fifty nine at this point. This event took place 185 00:12:02,760 --> 00:12:06,360 Speaker 1: on February seventh, nineteen sixty five, about two months before 186 00:12:06,400 --> 00:12:10,680 Speaker 1: the Astrodome's official opening on April ninth, nineteen sixty five. 187 00:12:11,720 --> 00:12:16,880 Speaker 1: Page's assessment was glowing. He called the Astrodome a picture's paradise, 188 00:12:17,720 --> 00:12:22,160 Speaker 1: noting that the windless conditions allowed for greater control and 189 00:12:22,280 --> 00:12:26,800 Speaker 1: movement on sensitive pitches. In an April nineteen sixty five 190 00:12:26,920 --> 00:12:29,920 Speaker 1: interview with Frank god Soo of the Amarill Daily News, 191 00:12:30,600 --> 00:12:33,840 Speaker 1: Satchel Page said, I've pitched in more places than any 192 00:12:33,880 --> 00:12:37,080 Speaker 1: other man, living or dead, but there's no place to 193 00:12:37,120 --> 00:12:41,040 Speaker 1: pitch like the Astrodom Stadium in Houston. Man, that place 194 00:12:41,120 --> 00:12:45,160 Speaker 1: is something else. He believed the controlled environment could have 195 00:12:45,200 --> 00:12:49,000 Speaker 1: extended his career by a decade if it had existed earlier, 196 00:12:49,520 --> 00:12:54,200 Speaker 1: as it eliminated variables like wind and weather that often 197 00:12:54,200 --> 00:13:00,680 Speaker 1: disrupted a picture's rhythm. You're a think about how crazy 198 00:13:00,720 --> 00:13:03,160 Speaker 1: it was the first time people walked into the astronaut 199 00:13:04,800 --> 00:13:06,840 Speaker 1: mean we take it for granted, it's old and outdated. 200 00:13:06,880 --> 00:13:08,840 Speaker 1: It needs to be torn down, so we'd have parking 201 00:13:08,880 --> 00:13:13,240 Speaker 1: for NRG n RG. But the first time you walked 202 00:13:13,280 --> 00:13:15,840 Speaker 1: into that place, it had to seemed like I mean, 203 00:13:16,160 --> 00:13:19,880 Speaker 1: I still can't figure out the span. How they got 204 00:13:19,920 --> 00:13:23,400 Speaker 1: the span? I can't. I can't have a span more 205 00:13:23,440 --> 00:13:25,960 Speaker 1: than twenty foot in my house without a pillar in 206 00:13:26,000 --> 00:13:30,880 Speaker 1: the middle of it. How in the world they accomplished 207 00:13:30,920 --> 00:13:34,760 Speaker 1: that in the mid sixties is beyond because you didn't 208 00:13:34,800 --> 00:13:36,640 Speaker 1: have a lot of the technology you have now. You 209 00:13:36,640 --> 00:13:39,800 Speaker 1: didn't have the equipment, You didn't have the same cranes 210 00:13:39,840 --> 00:13:46,800 Speaker 1: and booms and composites. This really is incredible. And to 211 00:13:46,920 --> 00:13:52,960 Speaker 1: think about Satchel Page's career, Satul Page. Nobody knows what 212 00:13:53,000 --> 00:13:56,480 Speaker 1: Satchel Page did before he was fifty. By the time 213 00:13:56,559 --> 00:14:01,080 Speaker 1: Satchel Page is famous, he's an old man, an old 214 00:14:01,320 --> 00:14:11,280 Speaker 1: black man in the sixties who is famous for defying age. 215 00:14:11,880 --> 00:14:17,480 Speaker 1: This old black man is talking, is talking about things. 216 00:14:20,720 --> 00:14:24,160 Speaker 1: It really is. It shatters to mind. It's to fathom 217 00:14:25,280 --> 00:14:29,080 Speaker 1: you think about here comes Satchel Page. They set it 218 00:14:29,160 --> 00:14:32,520 Speaker 1: up so somebody had some secretary, had to be on 219 00:14:32,560 --> 00:14:35,800 Speaker 1: the phone with Satul Page. Because he didn't have an assistant, 220 00:14:35,840 --> 00:14:39,000 Speaker 1: I'm sure, and she had to tell him where to 221 00:14:39,040 --> 00:14:41,680 Speaker 1: be and he had to figure out how to get there, 222 00:14:43,080 --> 00:14:47,000 Speaker 1: and he didn't have Google Maps, so she had to 223 00:14:47,080 --> 00:14:49,320 Speaker 1: tell him how to get there, and then she had 224 00:14:49,320 --> 00:14:51,040 Speaker 1: to tell him what street to come to and at 225 00:14:51,080 --> 00:14:53,360 Speaker 1: the gate, and then they had to have some guy, 226 00:14:53,560 --> 00:14:57,440 Speaker 1: just some random guy who's probably still alive. And he 227 00:14:57,520 --> 00:15:00,240 Speaker 1: stood at the gate and waited and she said, what 228 00:15:00,240 --> 00:15:02,760 Speaker 1: are you going to be in? And he would have said, 229 00:15:02,760 --> 00:15:05,280 Speaker 1: I'm going to be in a green Cadillac. Okay, So 230 00:15:05,320 --> 00:15:07,920 Speaker 1: some guy had to sit out there and wait and 231 00:15:08,080 --> 00:15:10,760 Speaker 1: Satchel Page was probably late, so for an hour and 232 00:15:10,800 --> 00:15:14,640 Speaker 1: a half. Let's see what month it was, February okay, 233 00:15:14,640 --> 00:15:18,200 Speaker 1: so at least it wasn't hot. Yeah, February seventh. Some 234 00:15:18,280 --> 00:15:22,040 Speaker 1: dudes sat out there and waited until he saw the 235 00:15:22,120 --> 00:15:26,520 Speaker 1: green Cadillac pull up and he waved and he pulled 236 00:15:26,600 --> 00:15:29,600 Speaker 1: him over, and maybe he got in. It took a 237 00:15:29,640 --> 00:15:31,360 Speaker 1: while to get in because that door was so big, 238 00:15:31,960 --> 00:15:33,880 Speaker 1: and he got in. He fell into that big old 239 00:15:34,040 --> 00:15:38,040 Speaker 1: cadillac and he slammed it back and he pointed to 240 00:15:38,080 --> 00:15:40,400 Speaker 1: where to go, and they drove up and there were 241 00:15:40,400 --> 00:15:42,560 Speaker 1: more people along the way. Oh, here he comes, yeah, yeah, 242 00:15:42,560 --> 00:15:45,160 Speaker 1: here he comes. And then somebody waited, and there was 243 00:15:45,640 --> 00:15:49,840 Speaker 1: there was the official entry to the Astrodome that nobody 244 00:15:49,880 --> 00:15:52,560 Speaker 1: had been in yet. And so Satchel Page would have 245 00:15:53,400 --> 00:15:57,960 Speaker 1: bespied that building and looked around and cocked his head 246 00:15:58,520 --> 00:16:00,840 Speaker 1: and they would have pulled up. You just pull right on. 247 00:16:00,880 --> 00:16:03,360 Speaker 1: They might let him pull inside. They might let him 248 00:16:03,360 --> 00:16:07,720 Speaker 1: pull in like it was the seventy nine eighty football season. 249 00:16:07,720 --> 00:16:10,480 Speaker 1: They brought the and they opened the door, and he 250 00:16:10,600 --> 00:16:11,640 Speaker 1: pulled up there. 251 00:16:12,160 --> 00:16:12,400 Speaker 5: And. 252 00:16:13,840 --> 00:16:17,080 Speaker 1: They show him wearing a wear in a uniform. They 253 00:16:17,160 --> 00:16:19,200 Speaker 1: got in an Astro's uniform. Maybe they sent him an 254 00:16:19,240 --> 00:16:22,640 Speaker 1: astros uniform because they took photos, I'm sure. And he 255 00:16:22,720 --> 00:16:24,520 Speaker 1: put on a uniform and he went out there and 256 00:16:24,560 --> 00:16:27,800 Speaker 1: somebody had to catch for him. Think about how elaborate 257 00:16:27,840 --> 00:16:28,760 Speaker 1: this whole thing had to be. 258 00:16:29,000 --> 00:16:30,400 Speaker 2: His finger on the pulse. 259 00:16:31,320 --> 00:16:34,680 Speaker 1: The King of Team continues on the Michael Berry Show. 260 00:16:39,120 --> 00:16:41,440 Speaker 1: The best email of the month so far from Jeff 261 00:16:41,480 --> 00:16:45,680 Speaker 1: stevens Now mind you. When he says Charlotte with an S, 262 00:16:46,560 --> 00:16:48,760 Speaker 1: he spells it Charlotte with the sea, the way it's 263 00:16:48,760 --> 00:16:52,480 Speaker 1: supposed to be, and then he spells out with an S. Okay, 264 00:16:55,080 --> 00:16:57,400 Speaker 1: can I get some real light music to go under this? 265 00:16:57,400 --> 00:17:00,000 Speaker 1: This is this is the best email in a while. 266 00:17:02,640 --> 00:17:06,040 Speaker 1: This sounds like me and my buddy's talking about what 267 00:17:06,200 --> 00:17:09,920 Speaker 1: we talked about on the air that day, but he's 268 00:17:09,960 --> 00:17:16,160 Speaker 1: put it in an email without knowing me. Subject John 269 00:17:16,200 --> 00:17:20,040 Speaker 1: and Charlotte with an S is call this morning. I 270 00:17:20,160 --> 00:17:22,720 Speaker 1: was wiping tears from laughing on my drive to work 271 00:17:22,760 --> 00:17:26,760 Speaker 1: this morning listening to John's call. His wife loved and 272 00:17:26,880 --> 00:17:29,679 Speaker 1: respected him enough to let him take the lead on 273 00:17:29,720 --> 00:17:32,639 Speaker 1: the call, but from the first time she interjected in 274 00:17:32,680 --> 00:17:36,359 Speaker 1: the background, you could tell that although she was used 275 00:17:36,359 --> 00:17:41,800 Speaker 1: to John's John miles an hour delivery, she was poised 276 00:17:41,800 --> 00:17:44,320 Speaker 1: on the edge of her seat, chomping at the bit 277 00:17:44,480 --> 00:17:48,240 Speaker 1: to correct and or add her two cents in. When 278 00:17:48,280 --> 00:17:52,920 Speaker 1: it came time for a cat's name, it got even 279 00:17:52,960 --> 00:17:56,879 Speaker 1: more hilarious. I think we've all known and sometimes loved 280 00:17:57,200 --> 00:17:59,800 Speaker 1: as Charlotte with an S in our lives. They had 281 00:18:00,240 --> 00:18:02,480 Speaker 1: words to get out than there are seconds in a day. 282 00:18:03,119 --> 00:18:06,080 Speaker 1: Not that there's anything wrong with that. Some people just 283 00:18:06,160 --> 00:18:09,000 Speaker 1: have an innate need to speak. And you could also 284 00:18:09,160 --> 00:18:12,040 Speaker 1: tell Charlotte with an S was very used to running 285 00:18:12,080 --> 00:18:15,959 Speaker 1: John's affairs as much as he'll let her. I pictured 286 00:18:16,000 --> 00:18:20,679 Speaker 1: them at the doctor, with John plodding along answering questions, 287 00:18:21,040 --> 00:18:24,960 Speaker 1: and her correcting and interjecting and giving the doctor exasperated looks, 288 00:18:25,480 --> 00:18:29,080 Speaker 1: and I laughed even harder. That is one of the 289 00:18:29,119 --> 00:18:38,320 Speaker 1: best descriptions ever. John's John Miles an hour delivery. That 290 00:18:38,560 --> 00:18:43,440 Speaker 1: is such a brilliant turn of phrase. This poor guy 291 00:18:44,400 --> 00:18:56,240 Speaker 1: is probably probably in collections or accounts receivable all day, 292 00:18:57,560 --> 00:19:06,600 Speaker 1: his amazing creativity stifled, and reading the great books on 293 00:19:06,640 --> 00:19:09,360 Speaker 1: his lunch break while he eats an apple, and his 294 00:19:09,440 --> 00:19:12,200 Speaker 1: friend and his colleagues think he's the weirdest dude ever. 295 00:19:12,520 --> 00:19:14,919 Speaker 1: But he's not. I mean, in a sense, he is, 296 00:19:15,000 --> 00:19:18,680 Speaker 1: but in a glorious, beautiful way. Listen to this line again. 297 00:19:19,080 --> 00:19:22,159 Speaker 1: And this is just an email to the show. He 298 00:19:22,200 --> 00:19:25,720 Speaker 1: has no idea I'm even going to read it. His 299 00:19:25,840 --> 00:19:30,760 Speaker 1: wife loved and respected him enough to let him take 300 00:19:30,880 --> 00:19:34,720 Speaker 1: the lead on the call. But from the first time 301 00:19:34,800 --> 00:19:39,439 Speaker 1: she interjected in the background, you could tell that Comma, 302 00:19:40,240 --> 00:19:46,800 Speaker 1: although she was used to John's John Miles an hour delivery, 303 00:19:46,960 --> 00:19:50,280 Speaker 1: she was poised on the edge of her seat, chomping 304 00:19:50,359 --> 00:19:53,560 Speaker 1: at the bit to correct and or add her two 305 00:19:53,680 --> 00:19:59,240 Speaker 1: cents in that is so, that's literature. I might not 306 00:19:59,320 --> 00:20:02,240 Speaker 1: frame that. That's one of my favorite emails. She was 307 00:20:02,400 --> 00:20:05,600 Speaker 1: used to, although she was used to John's and these 308 00:20:05,600 --> 00:20:10,000 Speaker 1: are all hyphenated. John Miles an hour delivery. That's the 309 00:20:10,040 --> 00:20:14,400 Speaker 1: speed in which he speaks, John Miles an hour. That 310 00:20:14,600 --> 00:20:18,520 Speaker 1: is just I cannot tell you enough. I love it. 311 00:20:18,720 --> 00:20:24,600 Speaker 1: I love it. Let's go to Linda Johnson. Linda, you're 312 00:20:24,600 --> 00:20:25,640 Speaker 1: on the Michael Berry Show. 313 00:20:27,240 --> 00:20:28,320 Speaker 6: Hi, how are you? 314 00:20:28,520 --> 00:20:30,920 Speaker 1: I'm good, Linda good. 315 00:20:31,000 --> 00:20:34,800 Speaker 6: I'm glad you are. I wanted to ask the question 316 00:20:35,080 --> 00:20:38,800 Speaker 6: of your opinion. A five year old was brought into 317 00:20:39,320 --> 00:20:45,320 Speaker 6: the pediatric office doctor's office that had put his head 318 00:20:45,920 --> 00:20:51,239 Speaker 6: and threw the child's chair slat where the neck was. 319 00:20:51,359 --> 00:20:55,160 Speaker 6: The slat was over his neck and begged his kit 320 00:20:55,280 --> 00:20:58,520 Speaker 6: the children in his class to jump on it and 321 00:20:58,560 --> 00:21:02,520 Speaker 6: break so he could die. How would he learn to 322 00:21:02,640 --> 00:21:06,479 Speaker 6: do that in the first place. I know that if 323 00:21:06,520 --> 00:21:10,159 Speaker 6: they watched things they shouldn't watch on TV. But for 324 00:21:10,280 --> 00:21:15,080 Speaker 6: him to be that inventive is amazing to me. And 325 00:21:15,119 --> 00:21:17,720 Speaker 6: I'm just wondering your opinion on how he would have 326 00:21:18,440 --> 00:21:20,040 Speaker 6: realized figured out how. 327 00:21:19,880 --> 00:21:20,440 Speaker 5: To do that. 328 00:21:21,119 --> 00:21:26,119 Speaker 1: He is probably a student of the French Revolution, and 329 00:21:26,160 --> 00:21:28,119 Speaker 1: when he got to the part about the guillotine, that 330 00:21:28,240 --> 00:21:30,800 Speaker 1: was just too much. He just he just had to 331 00:21:31,000 --> 00:21:34,439 Speaker 1: he had to see if that would work right. He 332 00:21:34,520 --> 00:21:37,680 Speaker 1: might he might have fallen in with the Jacobins, and 333 00:21:37,720 --> 00:21:42,240 Speaker 1: he thought to himself that that he appreciated their plight 334 00:21:42,720 --> 00:21:45,119 Speaker 1: and he would get to acting out. I mean, this 335 00:21:45,160 --> 00:21:52,880 Speaker 1: could be an advanced, uh you know, future French history expert. 336 00:21:54,040 --> 00:21:56,920 Speaker 1: I mean, it's inventive. If you have to admit it's inventive. 337 00:21:57,560 --> 00:21:59,959 Speaker 6: It's very inventive. And that's what I was wondering. 338 00:22:00,480 --> 00:22:02,200 Speaker 1: How did you come to know of this story? 339 00:22:02,400 --> 00:22:08,320 Speaker 6: Linda, my granddaughter, works in the pediatric office, and she 340 00:22:08,440 --> 00:22:11,320 Speaker 6: told us about it. She was just just so upset 341 00:22:11,359 --> 00:22:15,359 Speaker 6: about it because him being only five and then asking 342 00:22:15,520 --> 00:22:20,000 Speaker 6: his taskmates to jump on it to kill him, and 343 00:22:20,520 --> 00:22:23,359 Speaker 6: it just ooh. I said, I got to talk to 344 00:22:23,400 --> 00:22:26,320 Speaker 6: you about that, because you always have good ideas. 345 00:22:27,800 --> 00:22:30,440 Speaker 1: I'm going to say something that's going to upset the women, 346 00:22:30,520 --> 00:22:33,320 Speaker 1: and it might upset you, and it's not intended to provoke. 347 00:22:33,520 --> 00:22:36,240 Speaker 1: I promise you this, but I'm going to say this, okay, 348 00:22:36,640 --> 00:22:40,040 Speaker 1: and the boys are going to the boys among us 349 00:22:40,160 --> 00:22:43,800 Speaker 1: are going to going to nod because they know. I'm right, 350 00:22:45,560 --> 00:22:50,080 Speaker 1: what goes through a little boy's mind? What goes through 351 00:22:50,080 --> 00:22:54,240 Speaker 1: a little boy's mind, and it never stops. Okay, we learn, 352 00:22:54,520 --> 00:22:59,879 Speaker 1: we learned, We learn how to not express it or 353 00:23:00,040 --> 00:23:05,240 Speaker 1: in any way reveal it. If women understood what goes 354 00:23:05,280 --> 00:23:09,600 Speaker 1: through a little boy's mind, you would live in an 355 00:23:09,760 --> 00:23:18,480 Speaker 1: anxious frenzy at all times. And I mean sexual violence 356 00:23:20,600 --> 00:23:26,000 Speaker 1: dangerous if you if if women understood, they beat it 357 00:23:26,040 --> 00:23:29,159 Speaker 1: out of us. Uh, and they make like a show 358 00:23:29,320 --> 00:23:32,760 Speaker 1: of this little kid. I'll bet you three percent of 359 00:23:32,880 --> 00:23:38,320 Speaker 1: kids have thought to themselves. I wonder if I could, 360 00:23:38,520 --> 00:23:41,600 Speaker 1: you know, if you could cut my head off, if 361 00:23:41,640 --> 00:23:44,199 Speaker 1: I would still be able to think? Let me see 362 00:23:45,040 --> 00:23:52,000 Speaker 1: you just little girls are not the species. We're so different, Linda, 363 00:23:52,040 --> 00:23:56,919 Speaker 1: you wouldn't believe it, and I think it would just 364 00:23:57,640 --> 00:24:03,199 Speaker 1: would horrify the school are primarily made up or at 365 00:24:03,240 --> 00:24:07,880 Speaker 1: least historically work of women. So little boys went from 366 00:24:07,920 --> 00:24:12,840 Speaker 1: their home where their mother is just horrified that people 367 00:24:12,880 --> 00:24:15,720 Speaker 1: will know the things that her son says and does. 368 00:24:16,119 --> 00:24:20,200 Speaker 1: And by shrieking when little boys do this, women teach 369 00:24:20,280 --> 00:24:23,600 Speaker 1: little boys that it's not acceptable. So little boys learn 370 00:24:23,720 --> 00:24:28,440 Speaker 1: from an early age not to ever express anything that's 371 00:24:28,480 --> 00:24:32,640 Speaker 1: outside the norm, and so by the time they get 372 00:24:32,640 --> 00:24:38,520 Speaker 1: to school, it's all about it's about handcuffing them. It's 373 00:24:38,560 --> 00:24:45,399 Speaker 1: about restraining that creativity, that wandering mind. But when I 374 00:24:45,480 --> 00:24:49,360 Speaker 1: tell you that the things that go through our minds 375 00:24:49,440 --> 00:24:54,840 Speaker 1: from the earliest ages would shock you and horrify them, 376 00:24:54,880 --> 00:24:58,760 Speaker 1: so you think that's just me All Greek cities in 377 00:24:58,840 --> 00:25:04,760 Speaker 1: between these. The Michael Berry Show is nationwide. 378 00:25:06,200 --> 00:25:07,000 Speaker 4: Welcome on. 379 00:25:07,480 --> 00:25:14,280 Speaker 1: I have noticed four out of five Robert oldteen fans fellas, 380 00:25:15,520 --> 00:25:18,800 Speaker 1: and the reason is it's not pretty language, it's not 381 00:25:19,640 --> 00:25:25,040 Speaker 1: traditional languages. His storytelling is talking about things that we 382 00:25:25,119 --> 00:25:31,040 Speaker 1: do that happen, that we feel, that we wonder, that 383 00:25:31,119 --> 00:25:39,040 Speaker 1: are not remarkable. They're only remarkable in their normalcy, but 384 00:25:39,200 --> 00:25:44,879 Speaker 1: him giving voice to it. Pam writes zar Ernie's is 385 00:25:44,920 --> 00:25:49,080 Speaker 1: a well known Pasadena restaurant that's been around since the eighties. 386 00:25:49,920 --> 00:25:52,720 Speaker 1: He has some of the best food around. There probably 387 00:25:52,760 --> 00:25:56,199 Speaker 1: isn't one policeman in Pasadena that hasn't eaten at his place. 388 00:25:57,040 --> 00:25:59,359 Speaker 1: The Pasadena School District uses him for a lot of 389 00:25:59,359 --> 00:26:03,680 Speaker 1: their cater to events. Also, the policeman being honored tonight 390 00:26:03,680 --> 00:26:08,639 Speaker 1: at Ernie's is a detective in Pasadena. I feel like 391 00:26:08,720 --> 00:26:12,960 Speaker 1: she's a little bit protective of the detective, Like maybe 392 00:26:13,080 --> 00:26:18,600 Speaker 1: he's not appreciating the detective sufficiently. I got a message 393 00:26:18,600 --> 00:26:21,000 Speaker 1: from our old friend, Mark Turpin. You remember Mark Turpin. Yeah, 394 00:26:21,119 --> 00:26:27,000 Speaker 1: Pasadena cop. Yeah, Shanna got smoking white, smoking hot wife. 395 00:26:27,200 --> 00:26:31,480 Speaker 1: I came to know Mark Turpin through Jonathan Kim. He 396 00:26:31,560 --> 00:26:36,160 Speaker 1: and Jonathan Kim are big buddies and Mark Turpin. You'll 397 00:26:36,200 --> 00:26:39,760 Speaker 1: remember this story. Remember we had the dartboard to the 398 00:26:39,800 --> 00:26:44,040 Speaker 1: side of the Russell eybar. Uh, the bar, the big, 399 00:26:44,280 --> 00:26:49,560 Speaker 1: big long bar. If you walked in the front door 400 00:26:50,119 --> 00:26:52,000 Speaker 1: and you went to the left, we had the box 401 00:26:52,040 --> 00:26:56,040 Speaker 1: office right there on that wall toward the bar. You 402 00:26:56,040 --> 00:26:58,200 Speaker 1: could walk back into the side of the kitchen in 403 00:26:58,240 --> 00:27:01,560 Speaker 1: the liquor room right there. If you walked in right there, 404 00:27:02,920 --> 00:27:07,560 Speaker 1: you walked down that wall, there was we had a big, beautiful, 405 00:27:07,720 --> 00:27:15,000 Speaker 1: very ornate decorative dartboard. Okay. That was presented to us, 406 00:27:15,720 --> 00:27:19,800 Speaker 1: I think the day before we opened, and it was 407 00:27:19,840 --> 00:27:22,320 Speaker 1: brought to us by Jonathan Kim. He had bought it, 408 00:27:23,440 --> 00:27:27,320 Speaker 1: he had designed it and paid for it because he's 409 00:27:27,320 --> 00:27:29,680 Speaker 1: got a lot of money because he runs gringos, And 410 00:27:29,800 --> 00:27:31,439 Speaker 1: he had bought it and paid for it. And a 411 00:27:31,480 --> 00:27:34,240 Speaker 1: friend of his had made it, and he said, and 412 00:27:34,280 --> 00:27:35,919 Speaker 1: I hadn't met this guy yet. Since his he's been 413 00:27:35,920 --> 00:27:38,840 Speaker 1: a very good friend, become a very good friend. And 414 00:27:38,880 --> 00:27:41,679 Speaker 1: he said, a buddy of mine's Opacaden a cop and 415 00:27:41,760 --> 00:27:48,480 Speaker 1: he made this. I said, oh wow, uh pretty cool. Well, 416 00:27:48,560 --> 00:27:52,920 Speaker 1: later I come to find out that his buddy, now 417 00:27:53,000 --> 00:27:56,520 Speaker 1: my friend, Mark Turpin, had cut off the ends of 418 00:27:56,560 --> 00:28:02,560 Speaker 1: his fingers doing woodworking, and that he had done that 419 00:28:03,560 --> 00:28:09,520 Speaker 1: about two weeks ago. Well, his hand is all bandaged 420 00:28:09,600 --> 00:28:11,479 Speaker 1: up at this point, so I asked to see a 421 00:28:11,520 --> 00:28:16,120 Speaker 1: picture of it. You ever see a Salvador Dali painting, 422 00:28:17,200 --> 00:28:21,760 Speaker 1: you know how things melt? His fingers. His wife Shanna 423 00:28:21,920 --> 00:28:25,879 Speaker 1: had taken pictures of his fingers before he went into hospital, 424 00:28:26,720 --> 00:28:29,080 Speaker 1: and it was like his fingers were melting, because the 425 00:28:29,119 --> 00:28:32,600 Speaker 1: bone was gone, the nail was gone, the end was gone, 426 00:28:32,760 --> 00:28:37,879 Speaker 1: a knuckle was gone. It was just skin. And I 427 00:28:37,920 --> 00:28:40,000 Speaker 1: don't know, I don't know what the other things were 428 00:28:40,000 --> 00:28:44,320 Speaker 1: in there. Capillari's a diaphragm. I don't know whatever was 429 00:28:44,400 --> 00:28:47,160 Speaker 1: in the end of his fingers. It was hanging down, 430 00:28:47,360 --> 00:28:52,560 Speaker 1: just dangling there, and all I could think was check 431 00:28:53,880 --> 00:29:00,640 Speaker 1: the dartboard for blood droppings. N cis back kicked in, 432 00:29:01,920 --> 00:29:05,440 Speaker 1: so I can't wait to see him and ask him, 433 00:29:06,600 --> 00:29:10,560 Speaker 1: did you cut your fingers off working on my dartboard? 434 00:29:11,160 --> 00:29:14,880 Speaker 1: Because that makes it more valuable, it makes it more special, 435 00:29:15,360 --> 00:29:20,680 Speaker 1: And did you finish right? No, he had not cut 436 00:29:20,720 --> 00:29:23,680 Speaker 1: his fingers working on my dartboard. He had cut his 437 00:29:24,080 --> 00:29:31,200 Speaker 1: fingers off, not on the project before my dartboard, but after, 438 00:29:32,640 --> 00:29:38,560 Speaker 1: meaning with his hands bandaged up, he went back and 439 00:29:38,640 --> 00:29:41,840 Speaker 1: made another dartboard, and again and again and again. He 440 00:29:41,840 --> 00:29:46,200 Speaker 1: does all sorts of woodwork. He also dresses like he's 441 00:29:46,240 --> 00:29:49,600 Speaker 1: a character when he's off duty, like he's a character 442 00:29:50,280 --> 00:29:54,560 Speaker 1: in the Outsiders. You remember the You know, he could 443 00:29:54,600 --> 00:29:57,040 Speaker 1: have been not the Greasers, but he could have been 444 00:29:57,080 --> 00:29:59,640 Speaker 1: one of the socials. He wears his hair in that 445 00:29:59,720 --> 00:30:03,720 Speaker 1: dip do, kind of fifties style Frankie Valley, you know 446 00:30:03,720 --> 00:30:05,680 Speaker 1: what I mean. It's real long on top and the 447 00:30:05,720 --> 00:30:09,200 Speaker 1: short on. He does that, and then he he he 448 00:30:09,240 --> 00:30:12,800 Speaker 1: wears a white T shirt like a Haint, just basic 449 00:30:12,880 --> 00:30:15,240 Speaker 1: white T shirt which he rolls up. He looks up 450 00:30:15,280 --> 00:30:17,920 Speaker 1: my dad in nineteen fifty seven. Yeah, it puts the 451 00:30:17,960 --> 00:30:21,480 Speaker 1: cigarettes in there, yep. And then and then he wears 452 00:30:21,960 --> 00:30:26,280 Speaker 1: like penny loafers with no penny, unironically, and then he 453 00:30:26,360 --> 00:30:29,040 Speaker 1: cuffs his jeans at the bottom and he's got about 454 00:30:29,040 --> 00:30:31,160 Speaker 1: a twenty nine inch waist, which a grown man ought 455 00:30:31,200 --> 00:30:33,640 Speaker 1: not to have, and then he wears the Buddy Holly glasses. 456 00:30:34,040 --> 00:30:39,240 Speaker 1: He is, he is completely in character, but he does 457 00:30:39,280 --> 00:30:41,400 Speaker 1: it in a way that's not like a guy going 458 00:30:41,440 --> 00:30:43,360 Speaker 1: to a costume party, like they're looking around, like, are 459 00:30:43,400 --> 00:30:45,560 Speaker 1: y'all all seeing me? Look at the cot He does 460 00:30:45,600 --> 00:30:47,760 Speaker 1: it as if he's is if he's being normal, but 461 00:30:47,800 --> 00:30:50,440 Speaker 1: it's not normal. And he does this and people just 462 00:30:50,640 --> 00:30:55,080 Speaker 1: everybody just acquiesces. He's just he's like just he's just 463 00:30:55,200 --> 00:30:58,080 Speaker 1: pulled out of nineteen fifty seven. If you went and 464 00:30:58,160 --> 00:31:02,640 Speaker 1: saw six years lad later the Kennedy Assassinate, you saw 465 00:31:02,640 --> 00:31:06,400 Speaker 1: this a bruder film, and you were to insert him 466 00:31:06,440 --> 00:31:09,720 Speaker 1: in there walking past as if just a guy walking 467 00:31:09,760 --> 00:31:13,000 Speaker 1: on the street, you'd go, I knew Mark Turpin was there. 468 00:31:13,040 --> 00:31:18,840 Speaker 1: He's a time traveler, yes, yes, anyway, so that Detective 469 00:31:18,920 --> 00:31:22,080 Speaker 1: Caleb's dad is riding with Mark Turpin today. He asked 470 00:31:22,080 --> 00:31:25,000 Speaker 1: to ride Mark Turpin his last day. And now all 471 00:31:25,040 --> 00:31:31,080 Speaker 1: I can think is that movie Falling Down remembered Duval's 472 00:31:31,160 --> 00:31:34,680 Speaker 1: last day. It's his last day, and I don't want 473 00:31:34,680 --> 00:31:38,040 Speaker 1: to ruin it. But out on the boardwalk Jeff Wright 474 00:31:38,120 --> 00:31:41,000 Speaker 1: czar it Is said the human palette can recognize five 475 00:31:41,040 --> 00:31:46,560 Speaker 1: flavors sweet, salty, bitter, sour, and umami, which means savory. 476 00:31:47,320 --> 00:31:49,560 Speaker 1: I truly believe smoke should be added to the list. 477 00:31:50,200 --> 00:31:52,960 Speaker 1: Any meats that are smoked have a unique flavor. We 478 00:31:53,120 --> 00:31:56,200 Speaker 1: all know this. We sat by and accepted it when 479 00:31:56,240 --> 00:31:59,400 Speaker 1: Nolan Ryan never received a cy Young Award, and everybody 480 00:31:59,480 --> 00:32:02,480 Speaker 1: knows he should. Half This smoke snub can no longer 481 00:32:02,520 --> 00:32:09,040 Speaker 1: be allowed to continue. Thanks for considering. Happy Friday, Jeff, Uh, 482 00:32:09,080 --> 00:32:09,880 Speaker 1: we did, Linda. 483 00:32:11,160 --> 00:32:11,360 Speaker 5: Uh. 484 00:32:11,480 --> 00:32:16,760 Speaker 1: Let's go to Randy. Randy, You're on the Michael Berry Show. Yes, sir, 485 00:32:17,560 --> 00:32:20,200 Speaker 1: John's Miles for Hours could be a hard act to follow, 486 00:32:20,320 --> 00:32:24,400 Speaker 1: but you know, I just know it was John's John 487 00:32:24,480 --> 00:32:31,080 Speaker 1: Miles an hour. There was John's John Mile an hour delivery. 488 00:32:31,320 --> 00:32:32,560 Speaker 1: What a line I'm gonna think. 489 00:32:32,440 --> 00:32:36,880 Speaker 5: About my day. Well, my hat's off to literary giant 490 00:32:36,960 --> 00:32:37,320 Speaker 5: for sure. 491 00:32:37,440 --> 00:32:39,360 Speaker 1: Yeah, but you have a good voice. I'll say you 492 00:32:39,360 --> 00:32:41,640 Speaker 1: got it. You got a good voice for radio. Just 493 00:32:41,680 --> 00:32:43,440 Speaker 1: hold on just a moment, we'll get We'll get to 494 00:32:43,480 --> 00:32:47,160 Speaker 1: you straight out of the gate. Maybe you could think 495 00:32:47,240 --> 00:32:48,760 Speaker 1: up a clever line. We'll give you a couple of 496 00:32:48,760 --> 00:32:50,680 Speaker 1: minutes to think up something clever, to just spice in 497 00:32:50,760 --> 00:32:53,680 Speaker 1: the real delicately, just throw it in like it's natural. 498 00:32:53,720 --> 00:32:55,640 Speaker 1: But we'll know when you do it. Well, we'll know, 499 00:33:00,240 --> 00:33:17,920 Speaker 1: h John's John Miles an hour delivery. How slow or 500 00:33:18,000 --> 00:33:22,320 Speaker 1: fast is his delivery. It's John Miles an hour because 501 00:33:22,320 --> 00:33:27,840 Speaker 1: it's his delivery. It's John's John Miles an hour. That 502 00:33:28,000 --> 00:33:30,160 Speaker 1: is so perfect