1 00:00:01,080 --> 00:00:07,000 Speaker 1: Best Bits of the Week with Morgan Listener Q and a. 2 00:00:09,160 --> 00:00:09,960 Speaker 2: What's up everybody? 3 00:00:09,960 --> 00:00:12,719 Speaker 3: We're in the listener Q and a section of today's 4 00:00:12,760 --> 00:00:16,000 Speaker 3: best bits. Mike D is joining me. Mike, you ready 5 00:00:16,040 --> 00:00:17,239 Speaker 3: to answer some questions. 6 00:00:17,320 --> 00:00:18,520 Speaker 1: I am ready for questions. 7 00:00:18,680 --> 00:00:20,800 Speaker 3: So we are going to start with some shout outs. 8 00:00:20,800 --> 00:00:22,680 Speaker 3: We got Mike D is the best. He needs more 9 00:00:22,720 --> 00:00:25,279 Speaker 3: airtime on the BBS shout I. 10 00:00:25,320 --> 00:00:28,600 Speaker 1: Appreciate that, Like I'll say, another thing I've struggled with 11 00:00:28,720 --> 00:00:31,800 Speaker 1: recently is I love doing what we do, and a 12 00:00:31,840 --> 00:00:34,120 Speaker 1: lot of the stuff that I do is behind the scenes, 13 00:00:34,680 --> 00:00:38,760 Speaker 1: so I feel like people don't know like the things 14 00:00:38,800 --> 00:00:41,839 Speaker 1: that I work towards, and comments like that just kind 15 00:00:41,840 --> 00:00:43,400 Speaker 1: of made me feel seen a little bit of like, 16 00:00:43,440 --> 00:00:46,840 Speaker 1: oh okay, like some people know that I'm like contributing 17 00:00:46,880 --> 00:00:48,479 Speaker 1: to the show because I I don't talk on the 18 00:00:48,479 --> 00:00:50,560 Speaker 1: show a whole lot. Sometimes I don't even like talking 19 00:00:50,560 --> 00:00:53,240 Speaker 1: on the show. I'd rather just be in my corner having, 20 00:00:53,440 --> 00:00:56,279 Speaker 1: you know, all the operation part of it, and just 21 00:00:56,320 --> 00:00:59,000 Speaker 1: like I get joyed of just seeing the show happen, 22 00:00:59,440 --> 00:01:02,280 Speaker 1: seeing things that I've applotted out, like work out, also 23 00:01:02,280 --> 00:01:04,920 Speaker 1: seeing the things that nobody plots out, just like completely 24 00:01:05,800 --> 00:01:07,920 Speaker 1: take a life of its own, Like that is enjoyment 25 00:01:07,959 --> 00:01:10,720 Speaker 1: for me. But also it's like sometimes I'm like, oh, man, 26 00:01:10,800 --> 00:01:12,960 Speaker 1: like I don't really like I don't know if people 27 00:01:13,000 --> 00:01:13,880 Speaker 1: realize I'm even here. 28 00:01:13,920 --> 00:01:16,200 Speaker 2: Sometimes hey, I always realize. 29 00:01:16,760 --> 00:01:20,480 Speaker 3: Like also another shout out love when something's so funny, 30 00:01:20,480 --> 00:01:22,120 Speaker 3: I can hear Mike Dy laughing in the background. 31 00:01:22,160 --> 00:01:23,720 Speaker 2: He's the best Emily in Ohio. 32 00:01:24,040 --> 00:01:26,680 Speaker 1: Yeah, it takes like something like really funny to really 33 00:01:26,760 --> 00:01:30,119 Speaker 1: get me too. But those are like my favorite moments. 34 00:01:30,000 --> 00:01:31,800 Speaker 2: When you get like a genuine belly laugh. 35 00:01:31,800 --> 00:01:33,680 Speaker 1: Like I forget that I'm even like here at work. 36 00:01:33,680 --> 00:01:35,200 Speaker 1: And that's what makes it kind of fun to like 37 00:01:35,240 --> 00:01:37,440 Speaker 1: come in and have those moments where it's like, oh, yeah, 38 00:01:37,680 --> 00:01:39,880 Speaker 1: it gets me too, because i mean sometimes it feels 39 00:01:39,880 --> 00:01:42,680 Speaker 1: like we're coming in and I know we're just sitting 40 00:01:42,720 --> 00:01:45,320 Speaker 1: around talking, but to us that is work. Like some 41 00:01:45,319 --> 00:01:47,440 Speaker 1: people think like, oh, you guys just come and sit 42 00:01:47,520 --> 00:01:49,360 Speaker 1: down and start talking. That must be an easy job, 43 00:01:49,360 --> 00:01:50,760 Speaker 1: and there's a lot of work that goes into that. 44 00:01:51,160 --> 00:01:53,120 Speaker 1: But there are also moments that we get to that 45 00:01:53,480 --> 00:01:56,080 Speaker 1: generally make everybody laugh that I think we all kind 46 00:01:56,080 --> 00:01:57,720 Speaker 1: of forget, like, oh, this is what we're doing for 47 00:01:57,840 --> 00:02:00,400 Speaker 1: work and we're like, oh, we got to go to commercial, like, oh, yeah, 48 00:02:00,400 --> 00:02:01,360 Speaker 1: we're doing a show right now. 49 00:02:01,480 --> 00:02:03,320 Speaker 3: Yeah. I don't know if this ever happens to you, 50 00:02:03,360 --> 00:02:05,400 Speaker 3: but when I'll like, I'll be working you and I 51 00:02:05,480 --> 00:02:08,320 Speaker 3: are so focused on working, like as the show is 52 00:02:08,360 --> 00:02:11,799 Speaker 3: happening that most of the time it'll be lunchbox. He'll 53 00:02:11,840 --> 00:02:14,560 Speaker 3: make some like offhanded comment. I'm like what is he 54 00:02:14,680 --> 00:02:15,360 Speaker 3: saying that too? 55 00:02:15,560 --> 00:02:17,079 Speaker 2: And my attention is kind. 56 00:02:16,919 --> 00:02:19,440 Speaker 3: Of like I'm like, what just happened? And it always 57 00:02:19,480 --> 00:02:21,760 Speaker 3: is like some weird thing that he said, and that 58 00:02:21,880 --> 00:02:24,799 Speaker 3: gets me like back to be like what's happening. That's 59 00:02:24,840 --> 00:02:25,959 Speaker 3: always the ones that'll give me. 60 00:02:26,080 --> 00:02:28,280 Speaker 1: Yeah. I think with our brains we have almost like 61 00:02:28,320 --> 00:02:31,480 Speaker 1: these different levels that we operate at because we have 62 00:02:31,560 --> 00:02:33,359 Speaker 1: one that we're like for me, I always have to 63 00:02:33,360 --> 00:02:35,240 Speaker 1: pay attention to what's going on and what things are 64 00:02:35,280 --> 00:02:37,640 Speaker 1: being said, but I also have to pay attention to 65 00:02:37,720 --> 00:02:40,240 Speaker 1: what's coming up next. Or I could be working on 66 00:02:40,280 --> 00:02:43,200 Speaker 1: an issue that's happening in the moment that to keep 67 00:02:43,200 --> 00:02:45,720 Speaker 1: the show following, or I could be having a double 68 00:02:45,760 --> 00:02:48,200 Speaker 1: task and work on something else that maybe Bobby asked 69 00:02:48,200 --> 00:02:51,040 Speaker 1: me for. So you're like listening in these different levels 70 00:02:51,080 --> 00:02:53,280 Speaker 1: of attention where you're hearing everything. 71 00:02:53,280 --> 00:02:56,680 Speaker 3: But also multitasking like crazy, yeah, and some things are 72 00:02:56,680 --> 00:02:58,960 Speaker 3: coming in and out while some thing's like come and 73 00:02:59,000 --> 00:03:00,720 Speaker 3: when he makes a comment like that, it'll come in 74 00:03:00,720 --> 00:03:01,120 Speaker 3: and stick. 75 00:03:01,160 --> 00:03:04,000 Speaker 2: And I'm like, I'm not sure the context of that one. 76 00:03:04,520 --> 00:03:06,320 Speaker 3: I know they were talking about this, but that doesn't 77 00:03:06,320 --> 00:03:07,080 Speaker 3: feel like the same. 78 00:03:07,400 --> 00:03:10,919 Speaker 1: And I think that's also why, like people have struggles 79 00:03:10,960 --> 00:03:14,520 Speaker 1: in games because so hard you guys get a lot 80 00:03:14,520 --> 00:03:16,519 Speaker 1: of criticisms for like, how do you not know that? 81 00:03:16,639 --> 00:03:19,080 Speaker 1: And sometimes your brain just does not work in that 82 00:03:19,160 --> 00:03:21,680 Speaker 1: room because you are doing all the people forget we 83 00:03:21,720 --> 00:03:24,080 Speaker 1: are at work and you're doing things where you're in 84 00:03:24,120 --> 00:03:26,440 Speaker 1: a situation where you're multitasking, and then you have to 85 00:03:26,440 --> 00:03:28,400 Speaker 1: stop down and play a game where you're trying to 86 00:03:28,400 --> 00:03:31,200 Speaker 1: recall trivia and you're like, I can't remember the capital 87 00:03:31,240 --> 00:03:33,360 Speaker 1: of North Dakota right now because I've been doing all 88 00:03:33,400 --> 00:03:36,920 Speaker 1: these other things. Yeah, so you're not being judged completely 89 00:03:36,960 --> 00:03:39,839 Speaker 1: fairly because it's not you come on a game show 90 00:03:39,840 --> 00:03:42,320 Speaker 1: where this is all you're thinking about. You're at work 91 00:03:42,360 --> 00:03:44,520 Speaker 1: doing all these other things and then having to recall 92 00:03:44,600 --> 00:03:46,960 Speaker 1: random information. That's what makes it funny. 93 00:03:47,120 --> 00:03:49,640 Speaker 2: Thank you I appreciate you're having our back here, and 94 00:03:49,640 --> 00:03:50,080 Speaker 2: I don't. 95 00:03:49,880 --> 00:03:52,920 Speaker 3: Want to put you as specifically there, but but it 96 00:03:52,960 --> 00:03:54,920 Speaker 3: does make the most sense because I am the one 97 00:03:54,920 --> 00:03:56,800 Speaker 3: who's doing multiple things, like. 98 00:03:56,840 --> 00:03:58,880 Speaker 1: You're on your computer doing things. It'd be the same 99 00:03:58,880 --> 00:04:00,560 Speaker 1: thing with me. If I play Trippy, I'd probably be 100 00:04:00,600 --> 00:04:02,400 Speaker 1: terrible at it, even though I'm the one who writes 101 00:04:02,440 --> 00:04:04,240 Speaker 1: a lot of it. If I was put into that 102 00:04:04,280 --> 00:04:06,400 Speaker 1: situation like Okay, now you have to play this game, 103 00:04:06,920 --> 00:04:08,960 Speaker 1: my brain would probably be completely out too. 104 00:04:09,160 --> 00:04:12,240 Speaker 3: Oh yeah, firing on that cylinder after firing on these 105 00:04:12,280 --> 00:04:14,320 Speaker 3: three different, completely different ones. 106 00:04:14,480 --> 00:04:16,960 Speaker 2: Yes, so I appreciate the validation. 107 00:04:17,400 --> 00:04:19,920 Speaker 3: It makes me feel a little bit better, even though 108 00:04:19,960 --> 00:04:20,800 Speaker 3: it still makes me mad. 109 00:04:20,839 --> 00:04:23,920 Speaker 2: But I keep dream bad. Okay, let's get into these questions. 110 00:04:23,960 --> 00:04:27,760 Speaker 3: Matt from Nashville, who is your dream guest for your podcast? 111 00:04:27,960 --> 00:04:31,640 Speaker 1: Ooh, I would have to go, like, see, I'm really 112 00:04:31,760 --> 00:04:35,400 Speaker 1: drawn to directors more than actors, just because I like 113 00:04:35,480 --> 00:04:39,000 Speaker 1: to hear the process of making a movie. I also 114 00:04:39,040 --> 00:04:42,960 Speaker 1: think when you look at my favorite movies, at least, 115 00:04:43,120 --> 00:04:46,760 Speaker 1: it's not so much the actor's performance, it's the storyteller. 116 00:04:46,760 --> 00:04:49,360 Speaker 1: I think it all goes back to the director. I 117 00:04:49,400 --> 00:04:53,200 Speaker 1: think in movies, the most powerful stories being made or 118 00:04:53,240 --> 00:04:55,400 Speaker 1: not because of an actor's performance, is because of the 119 00:04:55,440 --> 00:04:59,200 Speaker 1: director or the writer attached to it. So I would 120 00:04:59,240 --> 00:05:02,000 Speaker 1: probably have to go Quentin Tarantino just because he's been 121 00:05:02,040 --> 00:05:05,400 Speaker 1: my favorite for so long. He rarely does interviews, and 122 00:05:05,480 --> 00:05:09,400 Speaker 1: I feel like he creates the stories in movies that 123 00:05:09,440 --> 00:05:11,960 Speaker 1: have really resonated with me over my life. So I 124 00:05:12,000 --> 00:05:14,880 Speaker 1: think with his just amount of work that he's done, 125 00:05:14,880 --> 00:05:16,440 Speaker 1: there'd be a lot to dive into that I could 126 00:05:16,440 --> 00:05:18,320 Speaker 1: easily do an hour with him. 127 00:05:18,480 --> 00:05:18,880 Speaker 3: M hmm. 128 00:05:19,400 --> 00:05:22,960 Speaker 1: I think that would be my dream interview of all time. 129 00:05:23,520 --> 00:05:25,159 Speaker 3: Dang, that would be a really good one. What's his 130 00:05:25,400 --> 00:05:27,320 Speaker 3: most famous movie? I know his name. 131 00:05:28,200 --> 00:05:30,520 Speaker 1: The one that really got him famous was Pulp Fiction, 132 00:05:31,000 --> 00:05:33,040 Speaker 1: But I feel like that one was so long ago 133 00:05:33,080 --> 00:05:35,600 Speaker 1: that maybe not everybody who didn't grow up in the 134 00:05:35,680 --> 00:05:36,760 Speaker 1: nineties has seen it. 135 00:05:37,480 --> 00:05:38,479 Speaker 2: I don't think I've seen. 136 00:05:38,320 --> 00:05:40,000 Speaker 1: But I think that's his biggest movie. 137 00:05:40,320 --> 00:05:44,480 Speaker 2: Okay, isn't it. It's kind of thriller horror esque. 138 00:05:45,080 --> 00:05:53,800 Speaker 1: It's like a comedy drama crime. Okay, Tarantino, No, there's 139 00:05:53,880 --> 00:05:55,920 Speaker 1: a little bit of it. I don't even know how 140 00:05:55,960 --> 00:05:58,040 Speaker 1: to describe pulp Fiction. It's one of those movies. I 141 00:05:58,200 --> 00:06:00,599 Speaker 1: just like Cemented in my mind is one of the 142 00:06:00,640 --> 00:06:03,479 Speaker 1: best movies of all time. It's like an experience that 143 00:06:03,560 --> 00:06:05,920 Speaker 1: it almost transcends any genre. That's why I feel about 144 00:06:05,960 --> 00:06:10,440 Speaker 1: Quentin Tarantino, Like his movies feel so unlike any other 145 00:06:10,640 --> 00:06:13,400 Speaker 1: style of movie that it's almost his own genre. Like 146 00:06:13,440 --> 00:06:16,400 Speaker 1: he focuses a lot of like revenge movies later in 147 00:06:16,400 --> 00:06:19,240 Speaker 1: his career, did a lot more like westerns and just 148 00:06:19,320 --> 00:06:22,440 Speaker 1: has like this fascination with like old Hollywood that his 149 00:06:22,520 --> 00:06:27,200 Speaker 1: movies just feel completely different where it's like almost genre less, 150 00:06:27,520 --> 00:06:30,040 Speaker 1: you know, they're just like there's some musicians who they 151 00:06:30,120 --> 00:06:31,919 Speaker 1: just put out good music, but it doesn't really have 152 00:06:31,960 --> 00:06:33,920 Speaker 1: a genre. That's how it kind of feel with him, 153 00:06:33,960 --> 00:06:37,760 Speaker 1: Like he can adapt to like different storytelling techniques and 154 00:06:37,800 --> 00:06:40,680 Speaker 1: like fall into different settings, but at the end of it, 155 00:06:40,680 --> 00:06:41,720 Speaker 1: it's just like his movie. 156 00:06:42,279 --> 00:06:45,400 Speaker 3: Okay, well, Quentin Tarantino, if you're listening to Best Bits 157 00:06:45,760 --> 00:06:50,200 Speaker 3: my call on this podcast, he isn't I know, most 158 00:06:50,360 --> 00:06:53,400 Speaker 3: anticipated movie of twenty twenty five Mackenzie from Austin, Texas. 159 00:06:53,520 --> 00:06:56,120 Speaker 1: Oh of twenty twenty five next year, already skipping the 160 00:06:56,160 --> 00:06:57,000 Speaker 1: rest of this year. 161 00:06:57,080 --> 00:06:58,800 Speaker 2: Yeah, there's no more twenty twenty four. 162 00:06:59,040 --> 00:07:03,039 Speaker 1: I feel like twenty two twenty five right now, I'm 163 00:07:03,120 --> 00:07:06,440 Speaker 1: kind of anticipating the next wave of Marvel movies, so 164 00:07:06,520 --> 00:07:09,080 Speaker 1: it's probably the next Captain America as of this moment. 165 00:07:09,120 --> 00:07:11,400 Speaker 1: But twenty twenty five is pretty stacked as far as like, 166 00:07:11,960 --> 00:07:14,440 Speaker 1: I feel like twenty twenty four was like the building year, 167 00:07:15,000 --> 00:07:17,360 Speaker 1: and we're getting a lot more sequels next year that 168 00:07:17,400 --> 00:07:20,080 Speaker 1: I feel are going to contribute to twenty twenty six 169 00:07:20,120 --> 00:07:22,120 Speaker 1: and twenty twenty seven, So I feel like twenty twenty 170 00:07:22,120 --> 00:07:24,280 Speaker 1: five is going to be a really great year. But 171 00:07:24,360 --> 00:07:27,240 Speaker 1: I think I'm looking forward to the most February new 172 00:07:27,280 --> 00:07:30,680 Speaker 1: Marvel movie starting a new phase and kind of moving on. 173 00:07:31,360 --> 00:07:32,880 Speaker 3: Is the first one that comes out of the Captain 174 00:07:32,880 --> 00:07:36,760 Speaker 3: America movie. Yeah, it looks so good. I love Captain America. 175 00:07:36,800 --> 00:07:39,480 Speaker 3: Just the whole series of Captain America is really good. 176 00:07:39,720 --> 00:07:41,480 Speaker 1: And it's like, what are they going to do with 177 00:07:41,520 --> 00:07:42,080 Speaker 1: the character? 178 00:07:42,120 --> 00:07:42,280 Speaker 3: Now? 179 00:07:42,280 --> 00:07:45,120 Speaker 1: Are they going to start rebuilding new Avengers. I feel 180 00:07:45,120 --> 00:07:47,720 Speaker 1: like that's going to be a pretty defining moment. So 181 00:07:47,920 --> 00:07:50,520 Speaker 1: if that movie is as good as I'm hoping it's 182 00:07:50,560 --> 00:07:52,800 Speaker 1: going to be, I think that's going to set up 183 00:07:52,800 --> 00:07:55,120 Speaker 1: all they're doing next. Was like Fantastic Four next year, 184 00:07:55,120 --> 00:07:57,800 Speaker 1: which also looks I'm still a little hesitant on that one. 185 00:07:57,800 --> 00:08:00,640 Speaker 1: I'm more excited for Captain America than Fantastic Four. But 186 00:08:00,720 --> 00:08:03,800 Speaker 1: if Captain America is good, that gives me more indication 187 00:08:03,920 --> 00:08:06,280 Speaker 1: that Fantastic four is going to be good, and then 188 00:08:06,280 --> 00:08:08,880 Speaker 1: the next Avengers movies are gonna be good. 189 00:08:09,000 --> 00:08:11,400 Speaker 3: I mean, they are coming off of Deadpool and Wolverine though, 190 00:08:11,400 --> 00:08:13,440 Speaker 3: and Deadpool Wolverine was really good. 191 00:08:13,600 --> 00:08:15,920 Speaker 1: It is, but I feel like that one is a 192 00:08:15,920 --> 00:08:18,520 Speaker 1: little bit separate from what they're working, Like that was 193 00:08:18,600 --> 00:08:22,240 Speaker 1: just like such a moment and almost like sets itself 194 00:08:22,320 --> 00:08:25,840 Speaker 1: apart from all the MCU doesn't really build a whole 195 00:08:25,840 --> 00:08:27,960 Speaker 1: lot of what I think they're gonna start doing, because 196 00:08:28,000 --> 00:08:30,280 Speaker 1: I think they just needed to hit. It was very 197 00:08:30,400 --> 00:08:32,640 Speaker 1: rare to gain all those people together and have all 198 00:08:32,679 --> 00:08:35,760 Speaker 1: those cameos, Like that was a moment. But I don't 199 00:08:35,760 --> 00:08:38,560 Speaker 1: know that much out of Deadpool and Wolverine is going 200 00:08:38,600 --> 00:08:40,800 Speaker 1: to build towards the next Avengers. 201 00:08:40,559 --> 00:08:42,160 Speaker 2: Besides Deadpoole being now. 202 00:08:42,080 --> 00:08:44,320 Speaker 1: In the Yeah, Like I feel like I don't know 203 00:08:44,360 --> 00:08:46,920 Speaker 1: how big of a role he's going to play in 204 00:08:46,960 --> 00:08:48,719 Speaker 1: the next Avengers movie is going to be. Have Like 205 00:08:48,760 --> 00:08:50,360 Speaker 1: a little side quest. Is it going to be him 206 00:08:50,360 --> 00:08:51,280 Speaker 1: and Wolverine? 207 00:08:51,840 --> 00:08:55,520 Speaker 3: Yeah, that's that's really interesting perspective because I haven't really thought. 208 00:08:55,559 --> 00:08:57,679 Speaker 3: I just got excited that he's now in the MCU. 209 00:08:58,080 --> 00:09:00,120 Speaker 2: I haven't really thought what that role is going to 210 00:09:00,120 --> 00:09:00,439 Speaker 2: look like. 211 00:09:00,480 --> 00:09:02,600 Speaker 1: Because if you look back on the Avengers movies, you 212 00:09:02,640 --> 00:09:05,160 Speaker 1: have like your core of like Captain America being the 213 00:09:05,200 --> 00:09:08,000 Speaker 1: lead with Chris Evans and Thor and iron Man were 214 00:09:08,040 --> 00:09:09,000 Speaker 1: like the big. 215 00:09:09,400 --> 00:09:11,760 Speaker 2: Like the main yeah, special characters. 216 00:09:11,840 --> 00:09:14,800 Speaker 1: I don't really see Deadpool being in like that three 217 00:09:15,320 --> 00:09:18,400 Speaker 1: of what they're building up next, even though he is 218 00:09:18,520 --> 00:09:20,920 Speaker 1: probably like the most famous right now who is like 219 00:09:21,000 --> 00:09:24,080 Speaker 1: still making movies. I just don't know in a big 220 00:09:24,080 --> 00:09:27,640 Speaker 1: story that they're gonna build like his type of humor 221 00:09:28,040 --> 00:09:30,599 Speaker 1: and his character is going to have that kind of effect. 222 00:09:30,840 --> 00:09:33,640 Speaker 1: It would be interesting, though, Like I'm just waiting for 223 00:09:33,679 --> 00:09:34,360 Speaker 1: Spider Man to. 224 00:09:34,320 --> 00:09:37,600 Speaker 2: Come back, your favorite guy, which I. 225 00:09:37,600 --> 00:09:40,800 Speaker 1: Hate every rumor that comes online of like Spider Man 226 00:09:40,840 --> 00:09:43,280 Speaker 1: for happening not happening, Like I just want to date. 227 00:09:43,360 --> 00:09:44,160 Speaker 1: I just want to treat. 228 00:09:44,720 --> 00:09:45,760 Speaker 2: Can you just tell me what's going on? 229 00:09:45,880 --> 00:09:46,760 Speaker 1: I just make it happen. 230 00:09:48,000 --> 00:09:50,280 Speaker 2: Okay, we went on a little tande eks vacancy. 231 00:09:50,640 --> 00:09:53,080 Speaker 3: What's a lesser known comic series more people should read, 232 00:09:53,080 --> 00:09:55,600 Speaker 3: and why Elliott. 233 00:09:54,960 --> 00:10:00,000 Speaker 1: A lesser known one. I feel like I get heavy 234 00:10:00,280 --> 00:10:06,240 Speaker 1: into all of Marvel, but I think on the DC side, 235 00:10:06,360 --> 00:10:09,800 Speaker 1: there is a Batman story right now that had two 236 00:10:09,920 --> 00:10:12,480 Speaker 1: really great issues come out last year and now it's 237 00:10:12,520 --> 00:10:14,480 Speaker 1: been almost a year since the third ones come out, 238 00:10:14,760 --> 00:10:19,040 Speaker 1: and it's called Gargoyle of Gotham. It's from like this 239 00:10:19,160 --> 00:10:24,040 Speaker 1: Latino writer and artist who completely takes what the Batman 240 00:10:24,160 --> 00:10:27,319 Speaker 1: character is and like flips it and it's like more hardcore, 241 00:10:28,000 --> 00:10:31,040 Speaker 1: totally different perspective. The art style is like almost more 242 00:10:31,080 --> 00:10:34,560 Speaker 1: of like, I don't want to say full on anime style, 243 00:10:34,640 --> 00:10:37,920 Speaker 1: but he looks a little bit more like kind of 244 00:10:37,960 --> 00:10:41,679 Speaker 1: like edgy, and I feel like that's been my favorite series, 245 00:10:41,720 --> 00:10:44,400 Speaker 1: even though there's only been two issues so far and 246 00:10:44,480 --> 00:10:46,360 Speaker 1: the third ones coming out. I think at the end 247 00:10:46,360 --> 00:10:49,160 Speaker 1: of this year that I think that's been my favorite. 248 00:10:49,200 --> 00:10:52,040 Speaker 1: That kind of kept my interest in reading new comics. 249 00:10:52,320 --> 00:10:55,160 Speaker 3: Okay, hey Elliott, I mean I just learned something new 250 00:10:55,400 --> 00:10:58,439 Speaker 3: about comics, So I appreciate that. Jen would like to 251 00:10:58,480 --> 00:11:00,559 Speaker 3: know if you're excited Warp Tour is me back? 252 00:11:00,880 --> 00:11:04,480 Speaker 1: I am, see I have conflicting feelings on this because 253 00:11:05,559 --> 00:11:07,680 Speaker 1: I grew up going to Warp Tour. I went to 254 00:11:07,720 --> 00:11:09,600 Speaker 1: my first one in two thousand and three. I was 255 00:11:09,640 --> 00:11:12,320 Speaker 1: twelve years old. That was my first concert, went with 256 00:11:12,360 --> 00:11:14,679 Speaker 1: my older brother. First band I ever saw live was 257 00:11:14,720 --> 00:11:19,320 Speaker 1: the starting line. Immediately they start a circle pitforms around me. 258 00:11:19,520 --> 00:11:22,240 Speaker 1: I get lost. I'm probably separated from my brother for 259 00:11:22,280 --> 00:11:24,440 Speaker 1: at least three or four hours and it's just me, 260 00:11:24,600 --> 00:11:28,680 Speaker 1: twelve years old, going around watching bands that I've been 261 00:11:28,720 --> 00:11:32,520 Speaker 1: listening to forever. I survived off of free snacks and 262 00:11:32,600 --> 00:11:36,319 Speaker 1: free Monster Energy drink samples, and it's like a great 263 00:11:36,360 --> 00:11:38,800 Speaker 1: memory for me. And from that year, I would go. 264 00:11:38,840 --> 00:11:43,160 Speaker 1: Every single year it'd come out, tickets to go on sale. 265 00:11:43,160 --> 00:11:44,880 Speaker 1: They'd be like twenty thirty bucks. It was like the 266 00:11:44,920 --> 00:11:47,520 Speaker 1: best experience. But there was also a point in my 267 00:11:47,520 --> 00:11:51,079 Speaker 1: life where I stopped going, where it became a little 268 00:11:51,080 --> 00:11:54,200 Speaker 1: bit more commercial, It got a little bit more expensive. 269 00:11:55,280 --> 00:11:57,440 Speaker 1: A lot of the bands I liked weren't playing anymore, 270 00:11:58,080 --> 00:12:00,400 Speaker 1: so I kind of stopped going for a reason. And 271 00:12:00,440 --> 00:12:02,880 Speaker 1: I think now when it got announced, I was romanticizing 272 00:12:02,920 --> 00:12:06,760 Speaker 1: the early years. What I remembered from when I was twelve, thirteen, fourteen, 273 00:12:06,840 --> 00:12:09,200 Speaker 1: years old that I don't think I'm going to be 274 00:12:09,200 --> 00:12:12,080 Speaker 1: able to recapture that. I also haven't been to a 275 00:12:12,160 --> 00:12:15,440 Speaker 1: music festival like that in a long time, and I 276 00:12:15,520 --> 00:12:17,840 Speaker 1: just don't feel like it's going to be that initial 277 00:12:17,880 --> 00:12:19,000 Speaker 1: experience that I had. 278 00:12:19,520 --> 00:12:22,040 Speaker 3: So now you're trying to decide, You're like, do I 279 00:12:22,080 --> 00:12:24,280 Speaker 3: allow the memories to exist as they are. 280 00:12:24,800 --> 00:12:26,800 Speaker 1: Or try to go relive it. It's almost like if 281 00:12:26,840 --> 00:12:29,439 Speaker 1: you got back together with somebody that you dated when 282 00:12:29,440 --> 00:12:32,160 Speaker 1: you were a teenager. Okay, we had a great time here, 283 00:12:32,200 --> 00:12:34,720 Speaker 1: but like I'm an adult now, I don't know that 284 00:12:34,800 --> 00:12:37,240 Speaker 1: I would go back and like enjoy all those same things. 285 00:12:37,679 --> 00:12:39,880 Speaker 1: Like immediately, I'm thinking, what's the parking situation is going 286 00:12:39,960 --> 00:12:42,960 Speaker 1: to be? Like how early? Am I much? And it's 287 00:12:43,000 --> 00:12:44,920 Speaker 1: like am I going to? Are all the bands that 288 00:12:44,960 --> 00:12:47,079 Speaker 1: I want to see are going to be? Like the 289 00:12:47,080 --> 00:12:49,280 Speaker 1: thing I do like about it is Warped Tour Witstar early, 290 00:12:49,400 --> 00:12:53,400 Speaker 1: like eleven am. I would love a matinee concert right now? Yeah, 291 00:12:53,440 --> 00:12:56,040 Speaker 1: like just to go watch bands from like eleven three 292 00:12:56,120 --> 00:12:57,640 Speaker 1: or four and be like all right, I'm kind of good. 293 00:12:57,679 --> 00:12:58,400 Speaker 1: I can go home now. 294 00:12:58,600 --> 00:13:00,559 Speaker 2: Maybe that's this version of war for you. 295 00:13:00,800 --> 00:13:04,120 Speaker 1: They put all the bands were older people at like noon, 296 00:13:05,040 --> 00:13:06,800 Speaker 1: you go see them and then put all the younger 297 00:13:06,840 --> 00:13:08,840 Speaker 1: bands at night so everybody else can stay there. 298 00:13:08,960 --> 00:13:11,280 Speaker 3: That would be a cool idea, though we I think 299 00:13:12,120 --> 00:13:14,640 Speaker 3: there's multiple adults that I have talked to about this. 300 00:13:14,720 --> 00:13:17,160 Speaker 3: We're like, why can't why can't we start these concerts 301 00:13:17,200 --> 00:13:18,080 Speaker 3: a little bit earlier? 302 00:13:18,200 --> 00:13:19,600 Speaker 2: Why are they all starting. 303 00:13:19,240 --> 00:13:21,240 Speaker 3: At seven, eight, nine o'clock at night when all of 304 00:13:21,320 --> 00:13:23,200 Speaker 3: us really want to be in bed, Like, why can't 305 00:13:23,240 --> 00:13:26,280 Speaker 3: you start at like six? The concert ins at like eight, 306 00:13:26,679 --> 00:13:28,240 Speaker 3: and then we're all in bed by nine. 307 00:13:28,559 --> 00:13:31,280 Speaker 1: I always love that, right, especially when concerts are during 308 00:13:31,280 --> 00:13:33,839 Speaker 1: the week, like weekend. I get it, Friday, Saturday, I'm 309 00:13:33,840 --> 00:13:35,600 Speaker 1: good with that. But a lot of the bands that 310 00:13:35,679 --> 00:13:38,360 Speaker 1: I like, they come here on like Sunday nights, a 311 00:13:38,440 --> 00:13:41,439 Speaker 1: random Tuesday. Like a concert U went was during the week. 312 00:13:41,360 --> 00:13:42,760 Speaker 2: It was, and it's brutal. 313 00:13:42,880 --> 00:13:44,240 Speaker 1: We just started a little bit earlier. 314 00:13:44,600 --> 00:13:46,080 Speaker 3: Yeah, and then by the time you're home and you're 315 00:13:46,080 --> 00:13:47,320 Speaker 3: getting in bed, it's eleven thirty. 316 00:13:47,320 --> 00:13:49,120 Speaker 2: I'm like, I'm gonna get four hours of sleep. 317 00:13:49,200 --> 00:13:51,080 Speaker 1: Yeah, Okay, all. 318 00:13:51,040 --> 00:13:52,640 Speaker 2: Right, we're gonna take a quick break. We'll be right 319 00:13:52,679 --> 00:13:53,400 Speaker 2: back with more questions. 320 00:13:53,440 --> 00:14:01,840 Speaker 3: All right, we have Bernie from California, and he would 321 00:14:01,880 --> 00:14:04,599 Speaker 3: like to know your top three favorite I don't. I 322 00:14:04,640 --> 00:14:06,920 Speaker 3: don't know if it corrected or he didn't have enough space. 323 00:14:07,040 --> 00:14:09,520 Speaker 3: He says Latin music artists, but I might I think he. 324 00:14:09,520 --> 00:14:12,480 Speaker 2: Might have been saying Latino. Yeah, Latino, can you say Latin? 325 00:14:12,679 --> 00:14:15,959 Speaker 1: Also, Latino is the word you use it because Latino 326 00:14:16,040 --> 00:14:20,280 Speaker 1: means anybody who is from like a Spanish speaking country. 327 00:14:20,440 --> 00:14:22,840 Speaker 3: Okay, then I think he might have been like, because 328 00:14:23,000 --> 00:14:24,880 Speaker 3: you only have so much room in the question box. 329 00:14:25,280 --> 00:14:27,800 Speaker 3: So your top three favorite Latino music artists in top 330 00:14:27,800 --> 00:14:29,560 Speaker 3: three Latino songs from the last three years. 331 00:14:29,600 --> 00:14:32,400 Speaker 1: Ooh, this is a loaded question. I know when I 332 00:14:32,440 --> 00:14:35,680 Speaker 1: go to all time, obviously, when it's Latino, I go 333 00:14:36,360 --> 00:14:38,680 Speaker 1: Mexican artists because that's kind of what I grew up 334 00:14:38,720 --> 00:14:43,720 Speaker 1: listening to from my parents. So Number one is probably 335 00:14:43,720 --> 00:14:48,160 Speaker 1: Selena just because that's a mix of my Hispanic culture 336 00:14:48,720 --> 00:14:52,360 Speaker 1: and also my Texas culture. She was like the biggest 337 00:14:52,880 --> 00:14:56,520 Speaker 1: icon in Latino music of the nineties until she died, 338 00:14:57,040 --> 00:14:58,680 Speaker 1: and like, when I think of her music, I think 339 00:14:58,680 --> 00:15:01,040 Speaker 1: of me being a kid listening to it, and that 340 00:15:01,160 --> 00:15:03,160 Speaker 1: was also I think that was like the first way 341 00:15:03,200 --> 00:15:05,760 Speaker 1: I learned about death as a kid, like I was 342 00:15:05,800 --> 00:15:08,680 Speaker 1: like me processing like what she somebody like killed her. 343 00:15:08,720 --> 00:15:11,560 Speaker 1: She's dead. Like when I think back on like one 344 00:15:11,560 --> 00:15:14,680 Speaker 1: of my earliest memories was like watching the news with 345 00:15:14,720 --> 00:15:17,280 Speaker 1: my parents when that happened. I had like a Selina 346 00:15:17,320 --> 00:15:19,680 Speaker 1: T shirt as a kid. No, and like I just 347 00:15:19,720 --> 00:15:21,880 Speaker 1: remember that and I was say, woll this is weird. 348 00:15:22,640 --> 00:15:24,360 Speaker 1: But I think over the course of my life, I 349 00:15:24,480 --> 00:15:26,360 Speaker 1: just go back to her music and like think of 350 00:15:27,560 --> 00:15:29,040 Speaker 1: like the good times in the nineties. 351 00:15:29,120 --> 00:15:30,320 Speaker 2: I was gonna say, if you're going back and thinking 352 00:15:30,360 --> 00:15:32,720 Speaker 2: about that, I need explore. 353 00:15:33,160 --> 00:15:35,600 Speaker 1: And it's also like when we got married, we played 354 00:15:35,600 --> 00:15:38,400 Speaker 1: some Selina music and it's just like it's just like 355 00:15:38,440 --> 00:15:41,560 Speaker 1: fun music even now. So I'd say her at number one, 356 00:15:41,920 --> 00:15:45,360 Speaker 1: number two is probably listig it as Norte or like 357 00:15:45,880 --> 00:15:50,760 Speaker 1: a legendary band that had been around forever, probably like 358 00:15:50,880 --> 00:15:53,520 Speaker 1: the Mexican Rolling Stones at this point. But they have 359 00:15:53,680 --> 00:15:57,400 Speaker 1: like so many just iconic songs that remind me of 360 00:15:57,480 --> 00:16:00,520 Speaker 1: traveling to Mexico with my kid with my kid with 361 00:16:00,560 --> 00:16:01,480 Speaker 1: my parents as. 362 00:16:01,320 --> 00:16:04,240 Speaker 2: A kid, not my kid yet same same, different. 363 00:16:04,000 --> 00:16:06,680 Speaker 1: But we would drive it'd be like a sixteen hour trip. 364 00:16:06,720 --> 00:16:09,280 Speaker 1: We drive eight hours in Texas, and then another eight 365 00:16:09,320 --> 00:16:12,720 Speaker 1: hours to get to where all my grandparents live in Mexico, 366 00:16:12,840 --> 00:16:17,160 Speaker 1: which is roughly a few hours outside of Mexico City, 367 00:16:17,200 --> 00:16:21,880 Speaker 1: so pretty much like Central Mexico. And my parents would 368 00:16:21,880 --> 00:16:24,400 Speaker 1: pretty much have like two CDs that they would rotate 369 00:16:24,440 --> 00:16:26,400 Speaker 1: the entire time. Are they even like a tape at 370 00:16:26,400 --> 00:16:29,520 Speaker 1: one point? And like those songs, I just hear them 371 00:16:30,200 --> 00:16:33,440 Speaker 1: and I get transported back into being in the back 372 00:16:33,520 --> 00:16:37,440 Speaker 1: seat driving through the mountains of Mexico and just looking 373 00:16:37,480 --> 00:16:40,760 Speaker 1: outside the window. And it's just like my kind of 374 00:16:40,760 --> 00:16:43,680 Speaker 1: tradition now as an adult is like on Saturday morning, 375 00:16:43,720 --> 00:16:46,920 Speaker 1: I'll blast Mexican music like that is like because it 376 00:16:46,960 --> 00:16:49,760 Speaker 1: reminds me of like being a kid when I'd wake 377 00:16:49,880 --> 00:16:52,680 Speaker 1: up on a Saturday, my mom would be playing music 378 00:16:52,720 --> 00:16:55,040 Speaker 1: out of the old stereo and it was time to 379 00:16:55,040 --> 00:16:57,360 Speaker 1: clean the house. Like that was like how would be 380 00:16:57,400 --> 00:16:59,080 Speaker 1: woken up to you on the weekend, Like, oh, man, 381 00:16:59,160 --> 00:17:02,360 Speaker 1: mom's playing music, about to clean up, start scrubbing the floors. 382 00:17:03,040 --> 00:17:04,000 Speaker 1: I got a vacuum. 383 00:17:04,200 --> 00:17:06,199 Speaker 2: So it doesn't have that association for you. 384 00:17:06,240 --> 00:17:09,320 Speaker 3: Now now you tried to have not cleaning associated with it, 385 00:17:09,440 --> 00:17:10,800 Speaker 3: or do you also now clean to it? 386 00:17:11,359 --> 00:17:13,679 Speaker 1: Sometimes I do, okay, but sometimes it's just how I 387 00:17:13,720 --> 00:17:17,359 Speaker 1: get like a Saturday morning going playing some music. I'll 388 00:17:17,400 --> 00:17:19,640 Speaker 1: make breakfast and it just puts me in a good mood. 389 00:17:20,280 --> 00:17:23,439 Speaker 1: So they're number two. At number three, Oh, that's a 390 00:17:23,480 --> 00:17:25,160 Speaker 1: tough slot. I kind of want to put someone newer 391 00:17:25,200 --> 00:17:28,280 Speaker 1: in there. I would probably put group of Frontera, who 392 00:17:28,359 --> 00:17:30,480 Speaker 1: I've really got into in the last couple of years, 393 00:17:31,440 --> 00:17:33,880 Speaker 1: just because they're kind of bringing back like that same 394 00:17:34,000 --> 00:17:36,080 Speaker 1: sound from like a Thegis. They're not they who have 395 00:17:37,359 --> 00:17:39,400 Speaker 1: like that old school sound but doing it now. It's 396 00:17:39,440 --> 00:17:41,960 Speaker 1: kind of like how Bruno mars is bringing is brought 397 00:17:42,000 --> 00:17:45,000 Speaker 1: back like that seventies sound, but he has like this 398 00:17:45,119 --> 00:17:47,080 Speaker 1: modern take on it. That's kind of what they do 399 00:17:47,520 --> 00:17:51,400 Speaker 1: with that type of music, where it's like that same feeling, 400 00:17:51,520 --> 00:17:54,600 Speaker 1: those same lyrics, that same emotion, but you have like 401 00:17:54,640 --> 00:17:58,520 Speaker 1: this new instrumentation. They'll do collapse with like bad Bunny, 402 00:17:58,680 --> 00:18:00,720 Speaker 1: and it's like, oh, you have like the old stuff, 403 00:18:00,760 --> 00:18:03,679 Speaker 1: the feeling of it, but it feels modern, new and fresh. 404 00:18:03,760 --> 00:18:05,880 Speaker 1: And they were coming to Nashville, but they canceled their date. 405 00:18:06,480 --> 00:18:10,719 Speaker 2: Dang, why'd they cancel it? I don't know, Like you 406 00:18:10,720 --> 00:18:12,680 Speaker 2: have the answers, Okay, well, those are good. 407 00:18:12,800 --> 00:18:15,440 Speaker 3: Okay, top three, those are your top three artists. Now, 408 00:18:15,480 --> 00:18:17,359 Speaker 3: top three songs. 409 00:18:17,920 --> 00:18:21,040 Speaker 1: I would probably go upward with the Negata, which means 410 00:18:21,080 --> 00:18:25,280 Speaker 1: the Black Door, which is abvious north this song, because 411 00:18:25,840 --> 00:18:28,200 Speaker 1: that is the song that me and my mom danced 412 00:18:28,200 --> 00:18:32,640 Speaker 1: to at my wedding, and it's like this just old school. 413 00:18:33,720 --> 00:18:36,399 Speaker 1: It's like it's like the perfect song where it's like 414 00:18:36,440 --> 00:18:40,040 Speaker 1: the lyrics behind it, the music behind it. Instantly, when 415 00:18:40,040 --> 00:18:42,040 Speaker 1: I hear that song, it makes me feel good and 416 00:18:42,080 --> 00:18:45,400 Speaker 1: I could listen to that song every single day and 417 00:18:45,480 --> 00:18:46,359 Speaker 1: not get tired of it. 418 00:18:46,960 --> 00:18:48,760 Speaker 2: Oh, that's a good one. So that also has a 419 00:18:48,760 --> 00:18:49,359 Speaker 2: cute memory too. 420 00:18:49,440 --> 00:18:52,800 Speaker 1: Yeah, that's probably number one I'm putting. From my top 421 00:18:52,800 --> 00:18:55,240 Speaker 1: three artists, I'd probably put Cilly now, which is hard 422 00:18:55,240 --> 00:19:01,119 Speaker 1: to do. Probably bedd bomb bombs. That one go a 423 00:19:01,240 --> 00:19:05,639 Speaker 1: beat bad bed beat bumb bumb Okay. Yeah, that one's 424 00:19:05,680 --> 00:19:07,560 Speaker 1: just like a fun song that gets everybody out on 425 00:19:07,560 --> 00:19:10,520 Speaker 1: the dance floor, and I think at the core of 426 00:19:10,800 --> 00:19:13,119 Speaker 1: Mexican music, that is what it's meant to do to 427 00:19:13,160 --> 00:19:16,959 Speaker 1: get people dancing, Like there's always like this. It's kind 428 00:19:16,960 --> 00:19:20,679 Speaker 1: of like country music, where like the best songs in 429 00:19:20,760 --> 00:19:23,840 Speaker 1: Mexican music, like tell a story like an old tale, 430 00:19:24,760 --> 00:19:27,560 Speaker 1: but also like at the core of it is you 431 00:19:27,600 --> 00:19:28,439 Speaker 1: can dance to it. 432 00:19:29,359 --> 00:19:30,760 Speaker 2: Yeah, I love that. That reminds me. 433 00:19:30,840 --> 00:19:33,679 Speaker 3: Have you been to I think it's called Plaza Mariachi 434 00:19:33,960 --> 00:19:36,720 Speaker 3: here and oh yeah, they do like a dance. 435 00:19:36,520 --> 00:19:39,720 Speaker 2: Thing every weekend. I haven't gotten to see the dancing. 436 00:19:40,040 --> 00:19:42,560 Speaker 3: I've went and eat there and like hung out there 437 00:19:42,560 --> 00:19:46,200 Speaker 3: and it was really cool, but apparently it's either Friday 438 00:19:46,240 --> 00:19:47,960 Speaker 3: or Saturday night. They do like a big like live 439 00:19:48,040 --> 00:19:50,400 Speaker 3: music dancing thing, which is really. 440 00:19:50,240 --> 00:19:51,959 Speaker 2: Awesome and I want to go. 441 00:19:52,040 --> 00:19:52,680 Speaker 1: That sounds fun. 442 00:19:52,840 --> 00:19:55,040 Speaker 2: Yeah, okay, number three. 443 00:19:54,920 --> 00:19:57,440 Speaker 1: Number three, I'd have to go super old school. And 444 00:19:57,520 --> 00:20:01,679 Speaker 1: Vicente Fernandez, who is like another icon legend. He is 445 00:20:01,760 --> 00:20:06,639 Speaker 1: probably like the George Strait of Mexican music, and George 446 00:20:06,680 --> 00:20:08,280 Speaker 1: Trade is also like a huge fan of his. He 447 00:20:08,320 --> 00:20:10,400 Speaker 1: would cover his songs and his concerts. I think he's 448 00:20:10,640 --> 00:20:12,919 Speaker 1: recorded a few of them, but it's. 449 00:20:13,160 --> 00:20:15,879 Speaker 2: George Strait speaks Spanish, yeah really, I. 450 00:20:15,880 --> 00:20:18,000 Speaker 1: Don't know if he can speak it, but he's recorded 451 00:20:18,040 --> 00:20:19,080 Speaker 1: songs in Spanish. 452 00:20:19,119 --> 00:20:19,479 Speaker 2: Wow. 453 00:20:19,600 --> 00:20:21,919 Speaker 1: Yeah. A couple of we sent different Nunda songs, but 454 00:20:23,040 --> 00:20:27,320 Speaker 1: is probably my favorite. It's like this, I like sad music. 455 00:20:27,560 --> 00:20:30,520 Speaker 1: I like Mexican music. I love sad Mexican music. It's 456 00:20:30,560 --> 00:20:31,399 Speaker 1: like a song where. 457 00:20:31,320 --> 00:20:32,399 Speaker 2: Bad boy Mexican music. 458 00:20:32,520 --> 00:20:36,240 Speaker 1: Oh it's so good, anything about a Mexican dude feeling 459 00:20:36,320 --> 00:20:39,160 Speaker 1: regret while drinking, and the same way like country music 460 00:20:39,240 --> 00:20:41,040 Speaker 1: is like those are like the best country songs. The 461 00:20:41,080 --> 00:20:43,960 Speaker 1: same thing with Mexican music. But there's this style of 462 00:20:44,000 --> 00:20:46,600 Speaker 1: Mexican music that we said different Nundas does where it's 463 00:20:46,640 --> 00:20:50,360 Speaker 1: like kind of like mariachi style with like that instrumentation, 464 00:20:50,520 --> 00:20:53,320 Speaker 1: but the vocals are like really strong and you can 465 00:20:53,440 --> 00:20:57,800 Speaker 1: just hear like the sadness in his voice of like despair, 466 00:20:58,520 --> 00:21:00,640 Speaker 1: and I think that's what made his mumusic so great. 467 00:21:00,680 --> 00:21:02,439 Speaker 1: So probably that song that is like a song that 468 00:21:02,480 --> 00:21:08,159 Speaker 1: I associate with like my uncle's like drinking. Yeah, like 469 00:21:08,560 --> 00:21:10,680 Speaker 1: singing even if you're not sad. It's a good song 470 00:21:10,720 --> 00:21:13,560 Speaker 1: to sing like with your family or like a group 471 00:21:13,600 --> 00:21:16,760 Speaker 1: of people where that comes on, people are doing the yell, 472 00:21:16,880 --> 00:21:19,879 Speaker 1: people are like singing along so passionately. That is like 473 00:21:20,160 --> 00:21:21,240 Speaker 1: peak Mexican music. 474 00:21:21,520 --> 00:21:23,520 Speaker 3: You know, I have to admit that while you're talking 475 00:21:23,520 --> 00:21:26,080 Speaker 3: about sad boy Mexican music, I was thinking of Coco 476 00:21:26,160 --> 00:21:28,359 Speaker 3: when he was really sad. Oh yeah, it was an 477 00:21:28,440 --> 00:21:30,639 Speaker 3: immediate because there's a scene where he's like sad and 478 00:21:30,680 --> 00:21:31,880 Speaker 3: the guy transceling like. 479 00:21:31,800 --> 00:21:32,600 Speaker 2: A sad song. 480 00:21:32,880 --> 00:21:37,800 Speaker 3: Yeah, picture, but it was like you as Coco's the 481 00:21:37,840 --> 00:21:38,640 Speaker 3: whole infentry. 482 00:21:38,680 --> 00:21:39,639 Speaker 2: That just happened for me. 483 00:21:39,720 --> 00:21:42,360 Speaker 1: Oh but yeah, that movie like that draws inspiration from 484 00:21:42,359 --> 00:21:44,800 Speaker 1: that music, Like the Manachi music is like part of 485 00:21:44,840 --> 00:21:46,960 Speaker 1: that movie, and it's been a part of just our 486 00:21:47,000 --> 00:21:50,760 Speaker 1: culture for so long. That is like I love hearing 487 00:21:50,800 --> 00:21:53,400 Speaker 1: that in the old school stuff, but also the people 488 00:21:53,440 --> 00:21:55,159 Speaker 1: who have a new spin on it. 489 00:21:55,400 --> 00:21:59,679 Speaker 2: Mm hmmm, it's so good. I love Latino music. I 490 00:21:59,680 --> 00:22:02,640 Speaker 2: don't oh what's happening, but I love it. It's so good. 491 00:22:02,880 --> 00:22:04,760 Speaker 1: I mean yeah, Like even with some of the lyrics, 492 00:22:04,760 --> 00:22:07,000 Speaker 1: Like some people will like hear like a song in 493 00:22:07,040 --> 00:22:09,200 Speaker 1: Spanish come on, and they ask me like, well, what 494 00:22:09,200 --> 00:22:11,080 Speaker 1: are they saying here? Like, well, you can put on 495 00:22:11,119 --> 00:22:12,800 Speaker 1: a song in English, and sometimes I don't know all 496 00:22:12,800 --> 00:22:15,440 Speaker 1: those lyrics either. Like sometimes you pay attention to the 497 00:22:15,520 --> 00:22:17,879 Speaker 1: lyrics and you understand them, but there are some songs 498 00:22:17,880 --> 00:22:19,879 Speaker 1: that you hear and you're like, I just like I 499 00:22:19,960 --> 00:22:21,760 Speaker 1: just like the melody, like I don't know exactly what 500 00:22:21,760 --> 00:22:22,280 Speaker 1: they're saying. 501 00:22:22,400 --> 00:22:25,000 Speaker 3: I love the rhythm of that music, Like, I just 502 00:22:25,040 --> 00:22:26,320 Speaker 3: like it makes me want to dance. 503 00:22:26,480 --> 00:22:28,280 Speaker 2: That's just how it makes me feel. And I'm like, Okay, 504 00:22:28,520 --> 00:22:29,160 Speaker 2: time to dance. 505 00:22:29,400 --> 00:22:32,160 Speaker 1: But like, sometimes yeah, it's like interpreting what they're saying 506 00:22:32,200 --> 00:22:35,800 Speaker 1: in these songs, Like I couldn't interpret some songs in English, 507 00:22:35,840 --> 00:22:37,239 Speaker 1: Like I don't know what they're about, and it ends 508 00:22:37,280 --> 00:22:41,040 Speaker 1: up they're like about something dirty. I'm like, you're like 509 00:22:41,119 --> 00:22:42,800 Speaker 1: dancing along to some pop song, You're like, what's the 510 00:22:42,840 --> 00:22:45,240 Speaker 1: song about? Well, it's actually about like oh, I didn't 511 00:22:45,240 --> 00:22:45,719 Speaker 1: want to know that. 512 00:22:46,280 --> 00:22:48,359 Speaker 3: My favorite is when you actually look at lyrics, especially 513 00:22:48,359 --> 00:22:50,879 Speaker 3: in pop songs, and you're like, oh, oh, that's what 514 00:22:51,000 --> 00:22:51,360 Speaker 3: she said. 515 00:22:52,080 --> 00:22:53,600 Speaker 2: That is not what I was saying when I was 516 00:22:53,600 --> 00:22:54,119 Speaker 2: singing that song. 517 00:22:54,240 --> 00:22:56,639 Speaker 1: Cause yeah, same thing with Mexican music. There's some songs 518 00:22:56,680 --> 00:22:59,639 Speaker 1: that I love and when I look into the lyrics 519 00:22:59,640 --> 00:23:00,919 Speaker 1: of like oh, oh, I didn't know that that's what 520 00:23:00,920 --> 00:23:03,000 Speaker 1: that song is about. I just think it's a fun song. 521 00:23:03,680 --> 00:23:03,880 Speaker 2: Yep. 522 00:23:04,000 --> 00:23:06,000 Speaker 3: You know, sometimes they just are fun songs, So I 523 00:23:06,160 --> 00:23:08,720 Speaker 3: just believe it or not. All right, last thing, Alissa 524 00:23:08,960 --> 00:23:11,480 Speaker 3: and Illinois wants to know if we have any fall 525 00:23:11,560 --> 00:23:12,920 Speaker 3: favorite things to do? 526 00:23:14,320 --> 00:23:15,560 Speaker 2: Oh are you a fall guy? 527 00:23:16,240 --> 00:23:19,640 Speaker 1: I am more so for the weather. I like just 528 00:23:19,800 --> 00:23:22,280 Speaker 1: going out like on a Chris morning wearing a hoodie 529 00:23:22,680 --> 00:23:25,760 Speaker 1: and like like a Saturday morning in the fall is 530 00:23:25,800 --> 00:23:29,159 Speaker 1: like my favorite, like a bright, clear day where you 531 00:23:29,160 --> 00:23:31,280 Speaker 1: could go and just like go for a drive and 532 00:23:31,320 --> 00:23:34,679 Speaker 1: it just like feels like fall. Like that is my favorite. 533 00:23:34,920 --> 00:23:37,240 Speaker 2: Yeah, such a good feeling. I'm ready for. 534 00:23:37,160 --> 00:23:38,880 Speaker 1: Those because you don't get that at any other point 535 00:23:38,880 --> 00:23:41,560 Speaker 1: where just the weather makes you happy, like a spring, 536 00:23:41,680 --> 00:23:44,960 Speaker 1: nast summer it's too hot, winter, it gets too cold, 537 00:23:45,000 --> 00:23:47,879 Speaker 1: but like that fall, like just going out, even just 538 00:23:47,920 --> 00:23:51,199 Speaker 1: going for a walk on like a fall day is 539 00:23:51,240 --> 00:23:52,000 Speaker 1: like perfect to me. 540 00:23:52,480 --> 00:23:56,480 Speaker 2: Yeah, that's a really good one, Mike. Mike's more mature 541 00:23:56,520 --> 00:23:58,200 Speaker 2: than I'm. I'm like the basic white girl. I'll go 542 00:23:58,240 --> 00:23:59,360 Speaker 2: do all the activities. 543 00:23:59,560 --> 00:24:01,680 Speaker 3: I'll be like, take me to a pumpkin patch, Let's 544 00:24:01,680 --> 00:24:02,360 Speaker 3: go on that Hey ride. 545 00:24:02,400 --> 00:24:03,959 Speaker 2: You want to go in the Mais, Let's do it. 546 00:24:04,040 --> 00:24:06,400 Speaker 1: I don't like fall activities, Like I've done the pumpkin 547 00:24:06,440 --> 00:24:08,679 Speaker 1: patch here in town. Yeah, and I felt like it 548 00:24:08,720 --> 00:24:09,560 Speaker 1: was a waste of money. 549 00:24:09,640 --> 00:24:12,359 Speaker 3: I mean they are listen, it's all like a tourist 550 00:24:12,440 --> 00:24:13,160 Speaker 3: trap type thing. 551 00:24:13,119 --> 00:24:15,160 Speaker 1: Right, there's not much to it, Like I like the 552 00:24:15,200 --> 00:24:17,600 Speaker 1: idea of it and you get like one good picture, 553 00:24:18,119 --> 00:24:20,119 Speaker 1: but outside of it, like this isn't the same. Like 554 00:24:20,160 --> 00:24:23,440 Speaker 1: I like the going to like Christmas lights, Christmas time. 555 00:24:23,600 --> 00:24:24,000 Speaker 2: That's funny. 556 00:24:24,119 --> 00:24:26,000 Speaker 1: It's more of an experience. But like in Fall, it's 557 00:24:26,040 --> 00:24:27,119 Speaker 1: like I'm just looking at trees. 558 00:24:27,560 --> 00:24:30,360 Speaker 2: Yeah, I'm like, all the money, you won't pay money. Yeah, 559 00:24:30,440 --> 00:24:31,480 Speaker 2: let's go, let's go. 560 00:24:31,840 --> 00:24:34,040 Speaker 3: I am apparently going on a hay ride and shooting 561 00:24:34,119 --> 00:24:35,159 Speaker 3: zombies with paintballs. 562 00:24:35,200 --> 00:24:36,320 Speaker 2: That's an activity I'm doing. 563 00:24:36,560 --> 00:24:38,040 Speaker 1: I've wanted to shoot a paintball gun. 564 00:24:38,240 --> 00:24:40,760 Speaker 2: I'll let you know how it is. I'm very interested 565 00:24:40,760 --> 00:24:41,040 Speaker 2: to see. 566 00:24:41,080 --> 00:24:42,920 Speaker 3: But apparently you sit on this hey ride, you get 567 00:24:42,920 --> 00:24:45,520 Speaker 3: a paintball gun and zombies pop up and you shoot. 568 00:24:45,240 --> 00:24:46,960 Speaker 2: Out of them, And I'm like, yes, I'm in. 569 00:24:47,680 --> 00:24:50,240 Speaker 3: So honestly, you can ask me to do anything, I'd 570 00:24:50,240 --> 00:24:53,920 Speaker 3: probably be in. That's just my mentality when it comes 571 00:24:53,960 --> 00:25:00,359 Speaker 3: to any type of themed activity, I will go. Probably 572 00:25:00,359 --> 00:25:02,600 Speaker 3: not great for my banker out. Okay, Mike, we are 573 00:25:02,680 --> 00:25:03,440 Speaker 3: tapping out of here. 574 00:25:03,720 --> 00:25:05,040 Speaker 2: Tell people where they can find you here. 575 00:25:05,080 --> 00:25:08,280 Speaker 1: You can find me on socials, Mike Distro on Everything, 576 00:25:08,320 --> 00:25:10,560 Speaker 1: and check out my podcast movie Mike's Movie Podcast. 577 00:25:10,800 --> 00:25:12,720 Speaker 2: Awesome You can follow me out web Girl Morgan. 578 00:25:12,840 --> 00:25:15,320 Speaker 3: Check out my new podcast, Take This Personally Morgan number 579 00:25:15,320 --> 00:25:15,959 Speaker 3: one was on it. 580 00:25:16,680 --> 00:25:18,320 Speaker 2: Yes, she's the OG Morgan. 581 00:25:18,480 --> 00:25:20,600 Speaker 3: So we chatted on there and I had a dating 582 00:25:20,640 --> 00:25:22,040 Speaker 3: coach on too, which was really cool. 583 00:25:22,520 --> 00:25:24,280 Speaker 2: All right, Mike, tap us out. 584 00:25:24,640 --> 00:25:25,800 Speaker 1: All right, tap tap. 585 00:25:27,119 --> 00:25:27,679 Speaker 2: Bye. 586 00:25:28,480 --> 00:25:30,760 Speaker 1: That's the best bits of the week with Morgan. 587 00:25:31,040 --> 00:25:31,920 Speaker 2: Thanks for listening. 588 00:25:32,000 --> 00:25:34,400 Speaker 1: Be sure to check out the other two parts this weekend. 589 00:25:34,480 --> 00:25:36,480 Speaker 1: Go follow the show on all social. 590 00:25:36,119 --> 00:25:38,600 Speaker 2: Platforms and follow ed 591 00:25:38,640 --> 00:25:41,320 Speaker 1: Web Girl Morgan to submit your listener questions for next 592 00:25:41,320 --> 00:25:42,120 Speaker 1: week's episode.