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Speaker 1: Hello listeners. If you can hear my voice, you have

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Speaker 1: once again clicked play upon our beautiful little pod. Congratulations, Congratulations,

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Speaker 1: you are the one hundred listener and we love you

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Speaker 1: for it. Um. I'm feeling incredible. It is a sunny

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Speaker 1: day here on Fire Island. I have been at a

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Speaker 1: circuit party since ten pm last night, and I feel good. George,

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Speaker 1: how about you? I thought our first live show at

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Speaker 1: Fire Island was so fun. I didn't even realize like

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Speaker 1: that many people listen to the podcast. But when we

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Speaker 1: said we wanted to do an indoors um live show

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Speaker 1: with no masks allowed and and also no women allowed,

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Speaker 1: I thought, I really, I mean, I honestly, was such

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Speaker 1: a great turn out. It was such a great turn out,

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Speaker 1: and the vibe was so good. It was really good.

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Speaker 1: I think it was the least toxic environment I have

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Speaker 1: ever been in. Yes, just a sea of perfect bodies

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Speaker 1: and just people ready to celebrate themselves. And I always,

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Speaker 1: you know, I always get so insecure when I see

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Speaker 1: imperfect bodies, you know what I mean. There's so much pressure,

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Speaker 1: there's so much pressure to have flaws, and that's just

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Speaker 1: never been my experience. You know, it's it's crazy because

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Speaker 1: it's like, I'm doing my best to fit in, and

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Speaker 1: then I see these other bodies that are showing me

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Speaker 1: something else, and I'm saying, well, that's not fair. It's

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Speaker 1: so it's it's I feel like, Okay, you're different, you know,

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Speaker 1: we get it. Yeah, grow up like some of us

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Speaker 1: have to work right. Does that make sense? No, A

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Speaker 1: hundred percent. I mean I'm a percent there with you,

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Speaker 1: and I just it's just it's nice to be in

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Speaker 1: an environment. And this is what um, the LGBTQ community

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Speaker 1: is all about, you know. Uh, conformity, conformity, fitting in,

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Speaker 1: being um, one of the masses. Just yeah, and fitting

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Speaker 1: in and if you can't fit in, being made to

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Speaker 1: fit in, I mean, work out. Like I don't know

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Speaker 1: what to tell you, Like anybody can be changed. It's

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Speaker 1: it's it's actually, that's what's beautiful about bodies, right, All

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Speaker 1: bodies are beautiful in the sense that they can all

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Speaker 1: be molded to look the same. That's and that's so

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Speaker 1: freaking cool. God, I love that. You know, what a

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Speaker 1: what a great um, what a great community anyway, Um,

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Speaker 1: And so then you know, it's it's so funny because

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Speaker 1: a lot of people I've been seeing today people are

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Speaker 1: are are getting mad about all this footage from Fire Island.

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Speaker 1: But it's because people are outside when it's so clear,

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Speaker 1: when you have to stay inside, like the virus is outside. Ye,

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Speaker 1: stay inside, stay inside, stay inside. Pack these bodies together

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Speaker 1: and just have to get the pole. I mean, the idea.

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Speaker 1: It's so irresponsible, you know what I mean? Like to Also,

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Speaker 1: people don't talk about this. The virus hates music. So

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Speaker 1: if there's a blast music, you're good like people. I mean,

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Speaker 1: people get so mad when they see like footage of

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Speaker 1: like a house party and it's like, no, that's literally medicine,

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Speaker 1: Like that's medicine. Is it fun to make fun of

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Speaker 1: the virus? Or oh yeah, I know this is groundbreaking? Okay,

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Speaker 1: cool cool, cool cool cool. Um. I think it's what's

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Speaker 1: amazing about this whole era is how much Yeah, it's

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Speaker 1: how much humor there is to just be dug out

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Speaker 1: of it? Do you know what I always say, And

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Speaker 1: I've been feeling this way about kind of the political

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Speaker 1: climate in general lately. I say too much humor, too

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Speaker 1: much Sometimes sometimes there's too much material. I mean, I mean,

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Speaker 1: I give me a challenge, Yeah, give me something like

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Speaker 1: the bush administration. Yeah, these times, no one's no one's

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Speaker 1: saying these times anymore. No one's saying that they're they're saying, oh,

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Speaker 1: these times, I'm saying these times. God, that little something

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Speaker 1: as as small as that can can really be the

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Speaker 1: difference between um, you know, uh, perpetuating the status quo

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Speaker 1: and resisting it. Yeah, that is so true, I think so,

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Speaker 1: I will say the listeners. I don't know what we

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Speaker 1: did on that last episode, but the intro. Maybe we

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Speaker 1: cut it out, maybe it's highly heavily edited to be

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Speaker 1: deeply funny, but we were feeling the episode, or maybe

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Speaker 1: we decided to release them in a different order. And

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Speaker 1: in fact now where you know, it's like the last

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Speaker 1: episode is actually one of our best ones, and now

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Speaker 1: we're pretending it was bad. Well, needless to say, we're

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Speaker 1: coming off of recording where we were maybe unfunny, and yeah,

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Speaker 1: I feel like because of that, we're kind of coming

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Speaker 1: in um blazing hot, trying to do whatever we can,

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Speaker 1: grasping for any joke possible. I'm kind of just just

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Speaker 1: it's disgusting. I'm like drooling, just kind of like rabid,

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Speaker 1: trying to do anything I can for a laugh. It's

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Speaker 1: so sad. You know those people at parties that are

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Speaker 1: like just so hungry for a laugh that you're like, okay,

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Speaker 1: I need to get away from them. Were that, Yeah,

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Speaker 1: you can't be hungry for a laugh, And that's our thesis.

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Speaker 1: So um, I think we tried really hard in this

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Speaker 1: intro and I think, um, so far, so good. I

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Speaker 1: think it's incredible. Pings on my phone from sponsors left

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Speaker 1: and right? Oh cool. I love sponsorships. Oh my god. Same.

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Speaker 1: I love calling it a ping on your phone. Ping

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Speaker 1: culture is toxic to say, like I'll ping you. That's bad.

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Speaker 1: I hate that. Well, it implies sort of a business,

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Speaker 1: um world. I think it's very it's capitalism. Mostly it's

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Speaker 1: start up startup culture. It's startup culture, but it's it's

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Speaker 1: your dad's startup culture. M hmm if that makes any sense. Yeah,

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Speaker 1: you don't know anything about my father startup? Yes I do.

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Speaker 1: He delivers pizzas via an app. Wait have I have

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Speaker 1: I talked about the pizza app on this podcast? No? Actually, wait, okay,

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Speaker 1: I kind of want to talk about it when we

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Speaker 1: bring in our guests though, because it's a funny story.

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Speaker 1: Oh well, I'm sure they would love to hear this

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Speaker 1: hilarious story and we can let them jumping at the bits. Um. Okay,

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Speaker 1: should we just bring them in? Oh? Yeah, do you

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Speaker 1: want to do the honors? Um, as long as you

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Speaker 1: won't be like Pisted. No, I promise I won't. I know.

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Speaker 1: I always say that and then I end up being Piste.

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Speaker 1: But this time is different. I'm going to get a

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Speaker 1: late night text from you that's like, hey, can we

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Speaker 1: actually talk? And I'm not. I'm actually texting you right now,

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Speaker 1: you fucking bitch. Okay, our next guests, Our next guests,

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Speaker 1: our first guests. I feel like I'm hosting a show.

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Speaker 1: I'm not sucking this up. Please Welcome to the stage

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Speaker 1: of the microphone, Joe rum Reel and Rachel Pegram. You guys,

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Speaker 1: welcome to Fire Island. Have you ever been before? You know,

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Speaker 1: actually once? I have been. Yeah, I've never been. This

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Speaker 1: is my first time maiden voice. What what do you

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Speaker 1: guys think? I mean, what what a sight? What a

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Speaker 1: what an incredible sight. It's just so nice to see

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Speaker 1: people's faces again. It feels, really, it feels really powerful

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Speaker 1: to be so close to everyone in a room together.

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Speaker 1: And yeah, something really powerful about this moment. You get,

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Speaker 1: I get a feeling in my chest that's I haven't

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Speaker 1: been able to place before. It's like pain, it's like

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Speaker 1: almost like pain in my chest. But it's because it's

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Speaker 1: so beautiful. I think. I think it's because beauty, not

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Speaker 1: for any other reason. Definitely with beauty. Mm hmmm, uhhh um. Well,

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Speaker 1: welcome to our podcast. How do you feel to be

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Speaker 1: on it? How do you guys feel to be on it?

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Speaker 1: It was nice that you guys were arguing over who

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Speaker 1: got to do the honors. Yeah, that was a nice yeah,

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Speaker 1: look at how that ended up. Mm hmmmmmmm. I am listen.

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Speaker 1: I just want to say I am getting the sense

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Speaker 1: that there is a slight delay, but we're going to

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Speaker 1: power through it. Oh okay, Okay, a delay is there

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Speaker 1: and it's gonna be okay. Are you sure it's not

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Speaker 1: just us vibing. Yeah, it might be vibes. Yeah, you know,

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Speaker 1: sometimes you think it's a delay in its vibes. It's

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Speaker 1: just it's just like, okay, we're sitting in oh these words,

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Speaker 1: all right? Yes? And then I love when it. I

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Speaker 1: love when a newscast is done by satellite and the

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Speaker 1: vibes are so heavy that they keep talking over each other.

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Speaker 1: I think that's I'm like, damn, these people really get along, right,

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Speaker 1: It's nice newscasters are vibing. They're having fun. Behind the scenes,

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Speaker 1: maybe not what they're what they're saying is kind of

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Speaker 1: like a buzzkill, but you can tell that they that

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Speaker 1: they had a blast making it. I always think the

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Speaker 1: thing with cable news, and especially kind of hyperpartisan cable news,

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Speaker 1: is just have fun. I think. I think if if

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Speaker 1: you're a newscaster and you're being yourself, you can't be

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Speaker 1: doing anything wrong exactly. It's people get so bogged down

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Speaker 1: with the politics and the fact checking. It's like, just

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Speaker 1: be yourself and put on a smile and have fun,

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Speaker 1: smile and listen. It's back and forth, it's improv it's

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Speaker 1: a dance, it's jazz, you know, just like get out

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Speaker 1: there and just do your best and honestly or your worst. Yes,

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Speaker 1: so much. I've always I love Megan McCain. Thank you

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Speaker 1: for bringing her future. You know, we would actually have her,

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Speaker 1: we would have from the pod, but in fact, she's

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Speaker 1: such a fierce queer ally that she knows very little

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Speaker 1: about straight culture. Yeah, so she would be just a

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Speaker 1: total flop on this pod. But we would still love.

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Speaker 1: I mean, just to have a sit down and have

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Speaker 1: a conversation with her would just be so incredible. I'd

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Speaker 1: love to pick that brain. Yeah, she was at her

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Speaker 1: live recording. She was doing copper. I thought only Megan

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Speaker 1: because she's such a fag hag. Um, Joe, I have

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Speaker 1: to bring up the elephant in the room. You have

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Speaker 1: actually done one of the lost episodes of the podcast

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Speaker 1: that one to come out. Maybe you'll release them dual release,

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Speaker 1: double feature of me, and then that could be a

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Speaker 1: possibility that we would be considering for sure. We'll definitely

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Speaker 1: talk to everyone on board about that. That could be

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Speaker 1: really fun for everyone. Um, are you at all worried that? Yeah?

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Speaker 1: Are you worried that you know we're gonna maybe lose

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Speaker 1: this episode? Or Um? I don't know. I mean, it's

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Speaker 1: it sounds like I'm not the only It's Mine episode

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Speaker 1: is not the only one to be locked up in

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Speaker 1: its Sorry. I assume you have some sort of Stradio

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Speaker 1: lab vault where episodes perhaps too funny are kept. I'm

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Speaker 1: not sure, uh, but yeah, yours Megan McCain's. Um, we

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Speaker 1: had Katie Kirk on hers is in the vault. All

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Speaker 1: of those are buried with John McCain. That's respectful. Yeah, yeah, no,

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Speaker 1: that's what Megan winded and we said, you know what weird,

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Speaker 1: you know weird, But yeah, sure, but put the why

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Speaker 1: the heck not? Yes? Yeah? Did you? Also? Did you know?

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Speaker 1: Did you not release the episode that me and Megan

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Speaker 1: McCain did. We did kind of we were touring and

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Speaker 1: that one. From the beginning we said, this is just

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Speaker 1: for us. God, wow, then I really don't have any

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Speaker 1: you let this one go through. This is this is

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Speaker 1: my third this would be my third strike, I guess.

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Speaker 1: But Rachel's probably going to she's she's going to bring

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Speaker 1: me up out of the pit. Well, actually we were

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Speaker 1: talking before, and they're going to cut out you. I think. Sorry,

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Speaker 1: it's just mostly going to be interview and then kind

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Speaker 1: of you're going to get like kind of a race

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Speaker 1: and so it'll be like, what's all that dead space?

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Speaker 1: But again, if I am talking at the same time

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Speaker 1: as when you're talking, every time you speak, I speak. Okay,

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Speaker 1: they're fighting, they're fighting. We have the technology for that. Rachel.

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Speaker 1: I know we've said, you know, don't say that on air.

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Speaker 1: I mean, I'm glad that you put it out there.

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Speaker 1: I think. I mean, listen, what happened was we had

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Speaker 1: Joe on UM, just on his own, and then when

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Speaker 1: that didn't go well, we tried pairing him with more

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Speaker 1: experienced people in the field, so Megan was first, and

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Speaker 1: in fact pairing him in a way where he had

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Speaker 1: to he had to date also everyone we paired him with.

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Speaker 1: So Joe, you dated Megan McCain for a while. Um,

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Speaker 1: and and you know, we won't say why that didn't

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Speaker 1: work out. And then um, later on we kind of

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Speaker 1: a few years ago, Um, this has been going on

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Speaker 1: since two thousand five. A few years ago, paired you

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Speaker 1: with Rachel and said, can you get you know, see

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Speaker 1: how this goes romantically, and then if it goes well,

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Speaker 1: we'll do another recording. But the plan was always to

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Speaker 1: edit you out. Yeah, I'm good on. I do feel

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Speaker 1: like I've been doing I've been committing to this, to

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Speaker 1: being on this podcast for as you said, for many,

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Speaker 1: many many years. Uh. So I do think I feel

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Speaker 1: like I've I've putting I've put in my views. So

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Speaker 1: I would really appreciate just on your guys part, I

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Speaker 1: don't want to have to go to HR or anything.

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Speaker 1: If if you would be able to just give me

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Speaker 1: some some airtime. Like I said, I've been kind of

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Speaker 1: in your in your sphere since two thousand five, putting

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Speaker 1: my life. I have children. I don't know if you

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Speaker 1: if you knew this, but whoa breaking news straight at

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Speaker 1: exclusive breaking news for me. Okay, sorry, now that the

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Speaker 1: fault it's not it's not my faulty. Now that Rachel

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Speaker 1: is talking all in mute. Sorry. I I have no

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Speaker 1: idea what you guys said, but um, just once again,

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Speaker 1: I mean, it's really, do you think I think we've

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Speaker 1: paid on something really important and that this podcast is

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Speaker 1: mostly about eracier. Yes, it's it's about taking people in,

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Speaker 1: silencing them and sort of saying they were never even here.

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Speaker 1: I think that's a good message. It's ultimately positive. Oh yeah, no,

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Speaker 1: it's it's it's a racier and then replace. It's kind

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Speaker 1: of poppy past replace replace, and it's positive because you

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Speaker 1: can't spell either without Sure, Joe, we actually are gonna

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Speaker 1: have to keep that in. That was really keep that

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Speaker 1: in kind of come out of nowhere a non sure,

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Speaker 1: it's gonna make working out. We're working out. Oh my gosh, Joe,

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Speaker 1: I mean the riffs are back, Baby, I can't believe it. Rachel,

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Speaker 1: you hear these riffs all the time. How do you?

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Speaker 1: How do you live? Absolutely? I'm not. Can you imagine

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Speaker 1: hearing every sentence being a joke? What if every sentence

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Speaker 1: were a joke? That's living with Joe. Man. That's very

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Speaker 1: sweet but also really irritating. Yeah, that's toxic. Oh man,

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Speaker 1: what if you never knew what to believe? What if

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Speaker 1: gaslighting wasn't gaslighting, but it's like fun lighting. It's like, okay, yeah,

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Speaker 1: it's like a fun type of gas. It's like helium lighting. Right,

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Speaker 1: Oh my god, there he goes again. All right, we'll

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Speaker 1: keep helium lighting into that's really smart. That actually is

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Speaker 1: a good r It's going to be really confusing again,

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Speaker 1: Yeah yeah, I mean this podcast is about confusing people. Um,

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Speaker 1: it seems to be so many different things about Racer,

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Speaker 1: and it's about confusion. Yeah. Well, I mean, what's more

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Speaker 1: confusing than uh, what was the curm you coined? Not replace?

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Speaker 1: Replace replace? I mean what I like about replaceer is

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Speaker 1: that it's additive, like some things do need to be erased,

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Speaker 1: but then replace them. Yeah. Yeah, it's what do you

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Speaker 1: guys feel about Refrasier, like Frasier the show? Yeah, like

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Speaker 1: you go in and you replace me and Rachel with

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Speaker 1: Fraser and Niles. Okay, Fraser, and which one of us

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Speaker 1: is Niles? I'm not super familiar with the ship. Well,

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Speaker 1: I think it depends on whoever is listening. Here's what

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Speaker 1: I will say. I think Joe is Fraser and I

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Speaker 1: think Rachel is Nigel. Does that make any sense? I

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Speaker 1: would agree? Hold on, I'm sorry, I'm sorry, No, you're Nigel.

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Speaker 1: We don't have to explain ourselves from Rachel. We told

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Speaker 1: you before we booked you on this podcast. Please watch Frasier, Rachel.

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Speaker 1: We're getting Nigel vibes. Nigel is not on Frasier. I

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Speaker 1: haven't watched Fraser, really, I know. So we've gone from

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Speaker 1: healy lighting to straight gas lighting. Right now, Hey, Rachel, Rachel, Rachel, Rachel, Rachel,

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Speaker 1: having never seen um the show, Fraser, can you sort

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Speaker 1: of do a Nigel impression for us right now? Wait? Nigel, Nigel,

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Speaker 1: there is no Nigel. If I gain the Nigel, how

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Speaker 1: that goes? I have to go to the to the

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Speaker 1: clubs and oh my god, spot on Nigel impression by

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Speaker 1: a book. I need to go buy my books at

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Speaker 1: the Prairie or whatever. Okay, you literally sound like fucking

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Speaker 1: George right now. That's literally what George sounds like George Savers.

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Speaker 1: Now see, I thought you were talking about maybe because Stanza.

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Speaker 1: We call them Guigel because we're just kind of combining

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Speaker 1: Sidefeld and the Thornberry. Okay, when really this is supposed

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Speaker 1: to be about Jim and Pam. Spoiler spoiler alert, Oh

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Speaker 1: my god, you guys, we have to introduce the topic.

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Speaker 1: You can't just go into it. We have we have

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Speaker 1: a really strict structure, and if we break the structure,

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Speaker 1: our podcast managers get really freaking pistol. Okay. Literally, Megan

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Speaker 1: the Cane is texting right now. Yeah, she says, John

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Speaker 1: McCane just woke up from his grave because you brought

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Speaker 1: up the topic before we were ready. Can you tell

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Speaker 1: tell her? I say, Hi, don't tell. I'm not gonna

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Speaker 1: tell you. You're not even supposed to be on the podcast, Joe,

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Speaker 1: you're on a podcast with your current girlfriend that we

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Speaker 1: put you guys together so you could do this podcast.

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Speaker 1: Like that's so rude, it is insane. I mean, it's

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Speaker 1: really cool that y'all set up this kind of arrange

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Speaker 1: marriage situation. It's really really nice. Like the way that

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Speaker 1: we all continue to just do the pairings. I kind

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Speaker 1: of signed up blind. I know what I was. Well,

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Speaker 1: this podcast is ultimately about a ranger. Oh no, oh,

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Speaker 1: no arranger. Wait, I wanted to say something about any way.

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Speaker 1: So wait, Frasier's name is his friend's name is Niles

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Speaker 1: not Nigel. Yes, it's his brother, Yes, his brother. Don't

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Speaker 1: they live together? I don't think they lived together, but

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Speaker 1: um with their dad. Don't they live with her dad?

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Speaker 1: And the dog? And the woman that's British. She's kind

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Speaker 1: of mean, she's a little I speak. You have people

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Speaker 1: call in, maybe maybe they learn Diana. Yeah, I think

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Speaker 1: the Brady bunch. Yeah. If anyone listening right now knows

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Speaker 1: the answers to what we're saying, feel free to call him. Um,

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Speaker 1: you can reach us at We'll take the quick we'll

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Speaker 1: take your questions live on air. I would really love

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Speaker 1: to know what that woman's name is. She seems that's

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Speaker 1: a cool character. Which woman is your name? Darcy is

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Speaker 1: absolutely with the d and she's like, she's actually Britt Frazier.

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Speaker 1: But that Dape Daphne. See I wasn't wrong with Dianae. Yeah, Daphne. Um,

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Speaker 1: she's British. But the other two speak kind of in

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Speaker 1: a mid Atlantic sort of situation. Right is da and

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Speaker 1: the only high for lutin. But they but they live

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Speaker 1: in Seattle, which is kind of they do, but don't

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Speaker 1: they talk like they are British. That's how people to back.

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Speaker 1: Then you attend to associate British people with uh, with

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Speaker 1: out with it smart, with with smart, which I don't

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Speaker 1: think is is necessarily true. I don't want to be

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Speaker 1: too controversial, but there are some British dummies I think,

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Speaker 1: which I don't think. You weird? What am I wrong?

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Speaker 1: First of all, name name three British dummies? So inappropriate?

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Speaker 1: Please don't, please don't disparage British people on our podcast.

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Speaker 1: I'm sorry, we have a huge British following. Sam and

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Speaker 1: I are both British. You hide it so well. But okay,

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Speaker 1: but now I can name two. Oh I'm sorry, I'm sorry.

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Speaker 1: That was very British of me. It's very smart of me. Sorry.

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Speaker 1: Oh well, this is our podcast. Um uh, your moans

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Speaker 1: are getting more and more intense. Nice. Um yeah, I

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Speaker 1: think it's definitely some sort of defense mechanism. When I

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Speaker 1: don't know where to go from here, and I say

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Speaker 1: I don't know where we even are anymore. And then

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Speaker 1: I go try to figure it out in that moment um,

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Speaker 1: but usually nothing comes and you hop in at that point, Right, Okay,

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Speaker 1: I just want to recap for a second. So we

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Speaker 1: have a Rasier Replasi, Frasier, Frasier. There was one more, Um, Joe,

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Speaker 1: you said it, what was it? Refraser Refrasier. Refrasier is

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Speaker 1: like is like Okay, So Repleasire is like radical, You're

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Speaker 1: like you're fully replacing something. Refrasier is more kind of centrist,

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Speaker 1: like you're just reforming it. Yeah. So in many ways,

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Speaker 1: like the history of politics can be boiled down to

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Speaker 1: a battle between repleasier and Refrasier. Wow, would you say

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Speaker 1: that's accurate? Absolutely, That's what the Boston Tea Party was

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Speaker 1: over right, Boston Tea Party was re repleasures, but the Refrasier. Yeah.

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Speaker 1: But like like the Bill of Rights is like Refrasier.

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Speaker 1: It's complicated because it's like, is was the birth of America.

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Speaker 1: It's repleasure in the sense that it was like a

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Speaker 1: new thing. It's Refraser in the sense that it perpetuated

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Speaker 1: all the same inequalities that they had in Britain. Yeah,

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Speaker 1: but wait, where's Nigel and all of this? Okay, it's Niles,

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Speaker 1: but Rachel is Nigel. Yeah, Rachel is Nigel. That has

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Speaker 1: been confirmed. Okay, if I'm Nigel, tell me who that is.

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Speaker 1: It is a new character played, I'm Nigel. You're Nigel's.

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Speaker 1: He's within the Fraser universe. He happens to not beyond

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Speaker 1: the actual show, but like it's still in Fraser Wants

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Speaker 1: the Blane. I don't know, did you you're the one

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Speaker 1: playing the character. I'm not the creator of Frasier Door.

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Speaker 1: Did you see me in the breakdowns? Where is Nigel? Where?

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Speaker 1: Tell me something about Nigel that you know so that

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Speaker 1: I can take away. Oh, I guess I am a Nigel.

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Speaker 1: That's so nice. Oh good that I know that now.

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Speaker 1: But now I have nothing. Oh you're Nigel, a character

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Speaker 1: that doesn't exist. Okay, great, What the hell is that

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Speaker 1: supposed to make me feel on the show? Oh, Rachel,

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Speaker 1: you're a character that doesn't exist? You know what? This

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Speaker 1: is a lot of I see the racer thematically. It's

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Speaker 1: just it's everywhere. It's absolutely rampant. That feeling when you

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Speaker 1: see the erasier thematically. I always hate when a racer

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Speaker 1: is thematic Um, I'm lost, But George, what's this damn

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Speaker 1: pizza story? Okay? Wait? Should we do straight shooters first

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Speaker 1: and then pizza story? You are pizza story edging us

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Speaker 1: and I love it. I'm living for um. Yeah, we

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Speaker 1: can do straight shooters? Is that bad? I mean we're

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Speaker 1: like almost a half hour and I feel like you

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Speaker 1: can do straight shooters. George. If it's a half hour

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Speaker 1: in then you have to give us this pizza story

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Speaker 1: free the riffs, the riffs, the riffs or the RIfS

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Speaker 1: the riffs. God, George, you did say you asked if

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Speaker 1: it was bad if we did straight shooters right now?

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Speaker 1: And I just want to remind you well behaved podcast

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Speaker 1: hosts really make history. It's actually not true, like I

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Speaker 1: would say almost, well behaved ones are the ones that

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Speaker 1: make history, like the pod Save America. Guys, are they

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Speaker 1: well talking about Refraser? Wait, you know what One of

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Speaker 1: them is named Jon Favreaux and I thought it was

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Speaker 1: John Bavreau. Thank you. I also thought this. I also

397
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Speaker 1: thought this user name taken it's the new names by something.

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Speaker 1: I was like, put a G in the middle, John G.

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Speaker 1: Bavreau or something. I was really like, Wow, John Favreau

400
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Speaker 1: is like one of our most interesting people on earth,

401
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Speaker 1: Like he can do literally, please keep that in Have

402
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Speaker 1: that been the title of the episode. There's nothing this

403
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Speaker 1: bitch cannot do. Elf, just one of he acts in

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Speaker 1: Spider Man, I mean America, Damn. Is John Faber the

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Speaker 1: one who was in that movie Chef Yes with Sophia

406
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Speaker 1: ever Garay, God, what a classic I saw that movie.

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Speaker 1: I like when someone brought up John Favre, I always

408
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Speaker 1: was like, oh, from Chef Rachel. I was really about it.

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Speaker 1: That was about to be. My genuine reaction was like,

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Speaker 1: you know the one from Chef so Rachel. That's literally

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Speaker 1: the first thing I thought of in the movie Chef.

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Speaker 1: I have to ask of you and Joe, which one

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Speaker 1: is the Chef and which one is the Nigel? Joe

414
00:27:46,240 --> 00:27:49,639
Speaker 1: is the Nigel, because I don't think I've ever seen Chef.

415
00:27:49,840 --> 00:27:52,000
Speaker 1: I thought of Elf. When I thought of John feb

416
00:27:53,119 --> 00:27:56,000
Speaker 1: it was involved with else He plays the doctor in

417
00:27:56,040 --> 00:28:00,320
Speaker 1: there too. Hold On, hold on, hold on, this is

418
00:28:00,320 --> 00:28:07,879
Speaker 1: that this is absolutely well Farrell with with Elf. Hold On,

419
00:28:09,000 --> 00:28:13,119
Speaker 1: this is a brand News segment. Is I don't know

420
00:28:14,400 --> 00:28:18,040
Speaker 1: when we say, when we say Jon Favro, what do

421
00:28:18,119 --> 00:28:22,800
Speaker 1: you think of Oh, yeah, it's a good litmus test

422
00:28:22,840 --> 00:28:29,119
Speaker 1: of what the answer The correct answer is chef isn't.

423
00:28:29,440 --> 00:28:33,560
Speaker 1: Scarlett Johansson also in that Yeah does it? Does he

424
00:28:33,680 --> 00:28:38,160
Speaker 1: fall in love with her? One of them is his?

425
00:28:38,920 --> 00:28:44,160
Speaker 1: One of chef elf is Zoey Deschanel. Yes, and chef.

426
00:28:44,160 --> 00:28:45,600
Speaker 1: I feel like one of them is his ex and

427
00:28:45,600 --> 00:28:47,240
Speaker 1: one of them is his crunk girlfriend or something. And

428
00:28:47,240 --> 00:28:49,120
Speaker 1: it's just like Jon Favre and he's like, I'm so

429
00:28:49,400 --> 00:28:53,320
Speaker 1: fucking died of Scarlett Johansson and Sophia Vergara am my

430
00:28:53,400 --> 00:28:56,760
Speaker 1: two ugly wives. The writing in that movie is so good.

431
00:28:57,200 --> 00:29:01,200
Speaker 1: But also he leaves his restaurant, maybe one of them

432
00:29:01,320 --> 00:29:03,400
Speaker 1: at the restaurant, and then I think he tried to

433
00:29:03,400 --> 00:29:06,880
Speaker 1: start a food truck. Yeah, the ones at the food truck. Well,

434
00:29:06,920 --> 00:29:09,200
Speaker 1: you know that's like euphemisms for like a wife and

435
00:29:09,200 --> 00:29:11,200
Speaker 1: a mistress. It's like, my restaurant and this is my

436
00:29:11,200 --> 00:29:16,840
Speaker 1: food truck. Yeah, wow, you're right, that's a really that's

437
00:29:16,880 --> 00:29:23,000
Speaker 1: the really misogynistic term for wife and mistress, restaurant and truck. God,

438
00:29:23,480 --> 00:29:25,080
Speaker 1: So for Joe and I, which one of us is

439
00:29:25,120 --> 00:29:27,240
Speaker 1: the restaurant and which one of us is the food truck?

440
00:29:28,200 --> 00:29:37,400
Speaker 1: That's not how it works. Which one of us know,

441
00:29:37,880 --> 00:29:42,840
Speaker 1: You're Nigels at both of the establishments, Nigel's at the

442
00:29:42,840 --> 00:29:45,080
Speaker 1: restaurant and Nigel's at the food Druss. So Nigel of

443
00:29:45,120 --> 00:29:51,040
Speaker 1: them is us Niels. Joe's restaurant is Megan McCain and

444
00:29:51,080 --> 00:29:53,120
Speaker 1: then he cheated on Megan with you. So you're the

445
00:29:53,160 --> 00:29:56,080
Speaker 1: food truck, but now you became the restaurant because now

446
00:29:56,160 --> 00:30:01,240
Speaker 1: you're together. Wow, And now his food truck is Riffs.

447
00:30:02,200 --> 00:30:05,640
Speaker 1: Does that make sense? Yes? Okay, So you're the restaurant

448
00:30:05,680 --> 00:30:09,040
Speaker 1: and his food truck is Riffs, and Joe is Nigel.

449
00:30:10,360 --> 00:30:15,560
Speaker 1: Now Joe's Nigel Nigel on a different show, So can

450
00:30:15,600 --> 00:30:18,280
Speaker 1: you tell me what character that is on the other show?

451
00:30:18,320 --> 00:30:20,640
Speaker 1: So I have an understanding of what Joe is as

452
00:30:20,720 --> 00:30:25,440
Speaker 1: Nigel on this as everyone everyone is Nigel, just on

453
00:30:25,520 --> 00:30:31,880
Speaker 1: a different show. You're Nigel. What show is Joe? Nigel on?

454
00:30:33,000 --> 00:30:37,440
Speaker 1: Chef the digital series on Disney Plus. Okay, okay, now

455
00:30:37,480 --> 00:30:40,880
Speaker 1: you like it? Now I get it. Now I understand

456
00:30:41,680 --> 00:30:46,000
Speaker 1: This base ends the food truck and restaurant discourses all

457
00:30:46,040 --> 00:30:52,400
Speaker 1: within the Chef universe. This podcast, this podcast at its core,

458
00:30:52,480 --> 00:30:57,760
Speaker 1: is a podcast about the movie Chef. Yes, is it good? Yeah,

459
00:30:57,960 --> 00:31:00,600
Speaker 1: I never saw, but I'm still host of this. But

460
00:31:00,720 --> 00:31:03,200
Speaker 1: here's the here's a bomb that I'm about to drop.

461
00:31:03,240 --> 00:31:09,840
Speaker 1: I've never seen any Frasier. Can I admit something to

462
00:31:10,280 --> 00:31:13,960
Speaker 1: Oh no, I've only seen half of an episode of Fraser. Okay,

463
00:31:14,000 --> 00:31:16,560
Speaker 1: that's why we were struggling so much. That's why y'all

464
00:31:16,560 --> 00:31:19,200
Speaker 1: didn't know who was Diana. Yeah, I had to look

465
00:31:19,200 --> 00:31:26,160
Speaker 1: it up. Um, should should we do our damn first segment?

466
00:31:26,360 --> 00:31:27,920
Speaker 1: Let's do it? Let's do it. Okay, this is the

467
00:31:27,960 --> 00:31:34,960
Speaker 1: first segment where we um got all that other stuff

468
00:31:35,000 --> 00:31:38,000
Speaker 1: out of the way. Yeah, that's so we're actually gonna

469
00:31:38,000 --> 00:31:48,120
Speaker 1: start recording this whole time. Okay. Um, so this is uh,

470
00:31:48,320 --> 00:31:50,680
Speaker 1: this is a segment called straight Shooters, where we gauge

471
00:31:50,720 --> 00:31:55,320
Speaker 1: your um knowledge of and complicity and straight culture by

472
00:31:55,360 --> 00:31:59,200
Speaker 1: asking a series of rapid fire A or B questions. Um,

473
00:31:59,240 --> 00:32:03,120
Speaker 1: and you just have to answer whichever one your heart

474
00:32:03,120 --> 00:32:05,000
Speaker 1: tells you is the right answer, and you're not allowed

475
00:32:05,040 --> 00:32:08,320
Speaker 1: to ask any clarifications. Okay, And are we are we

476
00:32:08,400 --> 00:32:14,240
Speaker 1: answering as as one or you're already as you're speaking? Okay?

477
00:32:14,560 --> 00:32:19,320
Speaker 1: All right, okay, sorry, okay, right back to the beginning.

478
00:32:19,320 --> 00:32:21,280
Speaker 1: We'll go back to the beginning. Okay, we didn't say

479
00:32:21,360 --> 00:32:25,960
Speaker 1: we didn't say it away, Okay, Joe and Rachel thumb

480
00:32:26,040 --> 00:32:33,360
Speaker 1: drive or flash drive flash drive drive, Loving Hamilton's or

481
00:32:33,600 --> 00:32:36,400
Speaker 1: hating Hamilton's, but it's coming from a really ugly place.

482
00:32:39,280 --> 00:32:42,760
Speaker 1: Hating hamil Hamilton's. Are you thinking the same ones as me?

483
00:32:43,440 --> 00:32:45,680
Speaker 1: Are you just waiting? You're not. You're not supposed to

484
00:32:45,680 --> 00:32:48,440
Speaker 1: ask questions. They'll be asking the questions. I can ask

485
00:32:48,480 --> 00:32:50,680
Speaker 1: any question at any point, Rachel, You're not allowed to

486
00:32:50,880 --> 00:32:56,280
Speaker 1: You're not allowed to ask. Actually, well, don't answer. I'm sorry.

487
00:32:56,400 --> 00:32:58,360
Speaker 1: When I'm a guest on when I'm a guest on

488
00:32:58,400 --> 00:33:01,160
Speaker 1: a podcast, I can do whatever. I probably I actually

489
00:33:01,240 --> 00:33:03,800
Speaker 1: run the podcast when I want to podcast. So let's

490
00:33:04,040 --> 00:33:08,480
Speaker 1: let's Rachel. The judges are giving a thumbs down. Tell

491
00:33:08,520 --> 00:33:10,560
Speaker 1: the judges I'm gonna burn their houses. Now, tell the

492
00:33:10,600 --> 00:33:16,560
Speaker 1: judges I know where all of them will live. Okay, qualified, Okay,

493
00:33:16,600 --> 00:33:18,800
Speaker 1: we'll tell the Russian judge. I'm gonna be outside of

494
00:33:18,840 --> 00:33:22,400
Speaker 1: his house in Moscow like tomorrow and I'm gonna burn

495
00:33:22,400 --> 00:33:27,120
Speaker 1: it down. All right, it's nice from Moscow everything. No,

496
00:33:27,320 --> 00:33:30,800
Speaker 1: I'm traveling. I'm traveling to Moscow. There's a direct flight

497
00:33:30,840 --> 00:33:43,360
Speaker 1: from Fire Island to Moscow tomorrow morning. He am because

498
00:33:43,360 --> 00:33:48,200
Speaker 1: of chef. All right, now you can continue with the questioning. Okay, okay, great,

499
00:33:48,480 --> 00:33:54,280
Speaker 1: Um Captain America T shirt or Simpson's T shirt Captain

500
00:33:54,320 --> 00:33:56,840
Speaker 1: America T shirt. I would honestly have to go to

501
00:33:57,000 --> 00:34:02,120
Speaker 1: Simpson's T shirt. Oh wow? Okay? Um Being engaged to

502
00:34:02,200 --> 00:34:05,360
Speaker 1: be married or being engaged in a Twitter argument about

503
00:34:05,440 --> 00:34:11,040
Speaker 1: Elon Musk. Being engaged with a Twitter argument about Elon Musk.

504
00:34:13,280 --> 00:34:17,120
Speaker 1: I think they're both. They're not mutually exclusive, so okay,

505
00:34:18,400 --> 00:34:24,560
Speaker 1: other wow, Joe is both sides in it. Um, don't

506
00:34:25,280 --> 00:34:27,920
Speaker 1: let's get into this if you're not ready to listen

507
00:34:27,960 --> 00:34:33,720
Speaker 1: to what I have to say. Joe's best friends, both

508
00:34:33,760 --> 00:34:39,160
Speaker 1: sides with everybody. I'm hob nobbing with the McCain's with

509
00:34:39,239 --> 00:34:53,600
Speaker 1: the Musk's. Um, okay, micro brewery or micro penis again

510
00:34:53,880 --> 00:34:58,879
Speaker 1: mutually Sadly, I feel like I have to say both yeah, wow, wow,

511
00:34:59,280 --> 00:35:03,480
Speaker 1: this is both hides palooza over here. What's the name

512
00:35:03,520 --> 00:35:08,080
Speaker 1: of your live show of the Stradio Lab live Both sides?

513
00:35:09,040 --> 00:35:17,600
Speaker 1: That's good featuring hosted by Trixie Mattel's cousin. Okay, so

514
00:35:17,640 --> 00:35:25,120
Speaker 1: many people to come Gallaine Maxwell or Jis Lane Maxwell,

515
00:35:26,680 --> 00:35:33,680
Speaker 1: thank you, thank you. That's actually a really good question. Maxwell. Okay,

516
00:35:33,719 --> 00:35:35,440
Speaker 1: Well I'm glad we didn't both sides that one. That

517
00:35:35,440 --> 00:35:40,279
Speaker 1: would have been dangerous. Um Logan, Paul, Aaron Paul or

518
00:35:40,320 --> 00:35:52,200
Speaker 1: Sean Paul, Sean Paul Paul. Oh wow, okay, third party?

519
00:35:52,320 --> 00:35:56,400
Speaker 1: Um okay. The Fearless Girl statue in Wall Street or

520
00:35:57,480 --> 00:36:02,680
Speaker 1: Fearless the two eight album by Taylor Swift. Fearless of

521
00:36:02,719 --> 00:36:06,800
Speaker 1: the album Fearless Girl Statue. Oh, we got to disagree.

522
00:36:09,200 --> 00:36:11,840
Speaker 1: Do you guys want to debate that or what do

523
00:36:11,920 --> 00:36:15,759
Speaker 1: you like? What do you like about that statue? What's

524
00:36:15,760 --> 00:36:17,440
Speaker 1: your deal with that? Yeah? Joe, what do you like

525
00:36:17,520 --> 00:36:23,360
Speaker 1: about the little girl statue? Is that your favorite statue?

526
00:36:24,000 --> 00:36:27,600
Speaker 1: It's it's I think she's standing up against that bull,

527
00:36:27,719 --> 00:36:32,400
Speaker 1: right kind of? Yeah? Yeah? Sometimes do you want the

528
00:36:32,400 --> 00:36:37,879
Speaker 1: girl to fight the bull? Yeah? It is a triumphant

529
00:36:38,880 --> 00:36:43,040
Speaker 1: she's a little poodle. I think man should triumph over

530
00:36:43,080 --> 00:36:48,680
Speaker 1: animal every single time. Man. Wow, don't you get the

531
00:36:48,680 --> 00:36:51,160
Speaker 1: statuous feminist and yet you want a man to fight

532
00:36:51,200 --> 00:37:01,239
Speaker 1: the statue girl? Yeah? I mean, I mean, o, congrats?

533
00:37:01,239 --> 00:37:03,040
Speaker 1: Who is that? Who is that? Though? Who? Is the

534
00:37:03,080 --> 00:37:07,200
Speaker 1: man who is that. No, we're not bringing our love

535
00:37:07,200 --> 00:37:10,560
Speaker 1: of the mask singer onto this podcast the way it

536
00:37:10,600 --> 00:37:17,680
Speaker 1: will be dragged. We will be absolutely doing it. Oh lord, um, George,

537
00:37:17,680 --> 00:37:20,560
Speaker 1: what do you think their score is? Wait? I have

538
00:37:20,640 --> 00:37:24,720
Speaker 1: another one? Oh? Okay, overachiever. Someone did this extra credit

539
00:37:25,480 --> 00:37:29,880
Speaker 1: misusing the word neoliberal or misusing the word gas lighting.

540
00:37:32,800 --> 00:37:35,400
Speaker 1: I think we have to go misusing the word I

541
00:37:35,440 --> 00:37:38,960
Speaker 1: was going to say misusing the word neoliberal. Wow, okay,

542
00:37:39,160 --> 00:37:41,520
Speaker 1: well this is because I've never heard you use that

543
00:37:41,560 --> 00:37:44,160
Speaker 1: word before. I'm using it all the time in my sleep.

544
00:37:44,239 --> 00:37:51,000
Speaker 1: So dreams are just various things happening, and then her

545
00:37:51,080 --> 00:37:55,759
Speaker 1: calling them neoliberal. Yes, all of my dreams are extremely neoliberal.

546
00:37:57,320 --> 00:38:00,440
Speaker 1: I mean the you know, when there's anything that happens

547
00:38:00,440 --> 00:38:03,719
Speaker 1: in them, is neoli anything that's going on. M hm

548
00:38:05,160 --> 00:38:08,520
Speaker 1: wow cool. Yeah, Well, we have to rate you out

549
00:38:08,560 --> 00:38:14,719
Speaker 1: of one to one thousand doves. Um beautiful, and I

550
00:38:14,760 --> 00:38:19,600
Speaker 1: would say I'm gonna go ahead and say five. We

551
00:38:19,680 --> 00:38:23,040
Speaker 1: had different scores for each of them. That's a really

552
00:38:23,040 --> 00:38:25,440
Speaker 1: good point. We need to be scientific about this. Now

553
00:38:25,480 --> 00:38:29,840
Speaker 1: we're asking questions of clarification. Interesting, it's our podcast, in

554
00:38:29,960 --> 00:38:36,560
Speaker 1: our game and our dubs that we um. I think Joe,

555
00:38:36,640 --> 00:38:39,160
Speaker 1: you got five hundred and sixteen doves, and Rachel, I

556
00:38:39,160 --> 00:38:42,080
Speaker 1: think you got five hundred and sixteen doves, So we

557
00:38:42,200 --> 00:38:44,719
Speaker 1: got the same amount of doves. Yeah, I think there

558
00:38:44,760 --> 00:38:50,920
Speaker 1: was some disagreement, but it evened out. Oh, where you're

559
00:38:50,920 --> 00:38:54,480
Speaker 1: releasing one, we're giving you the doubs, We're sending you

560
00:38:55,520 --> 00:38:58,280
Speaker 1: the ones you won, and then the rest were releasing.

561
00:38:58,880 --> 00:39:01,200
Speaker 1: So we really so we can do what we please

562
00:39:01,560 --> 00:39:04,319
Speaker 1: with the doves that we receive. Yeah, the more of

563
00:39:04,360 --> 00:39:07,920
Speaker 1: my Okay, I'm just gonna let you know that man

564
00:39:08,000 --> 00:39:11,719
Speaker 1: will triumph over that animal, man or woman. At the

565
00:39:11,840 --> 00:39:14,040
Speaker 1: end of the day, I've said, I've said my piece.

566
00:39:14,080 --> 00:39:19,880
Speaker 1: I'm not we're not playing straight shooters anymore. Oh now suddenly, now, suddenly,

567
00:39:19,880 --> 00:39:22,560
Speaker 1: when I bring feminism into the mix, there's no more riffs.

568
00:39:22,920 --> 00:39:29,120
Speaker 1: He's done talking. I don't like to joke about that.

569
00:39:29,360 --> 00:39:31,920
Speaker 1: I don't like to joke about such a serious, heavy subject.

570
00:39:33,200 --> 00:39:38,440
Speaker 1: It's as heavy as a statue. Oh god, wow. Um,

571
00:39:38,480 --> 00:39:40,640
Speaker 1: if you guys had to have pick a favorite statue,

572
00:39:40,680 --> 00:39:47,400
Speaker 1: what would it be? Great question? Mm hmmm, uh, I

573
00:39:47,440 --> 00:39:52,200
Speaker 1: feel like are there I would like a guarden. I

574
00:39:52,200 --> 00:39:56,680
Speaker 1: would go with garden. Gnome. Wow. Answer, you are such

575
00:39:56,719 --> 00:39:59,759
Speaker 1: a man of the people. It's crazy. It's down on

576
00:39:59,760 --> 00:40:02,880
Speaker 1: the round. You know. I love a garden gnome. Yeah,

577
00:40:03,120 --> 00:40:05,360
Speaker 1: they're well dressed. You know what I'm thinking about? What

578
00:40:05,400 --> 00:40:09,080
Speaker 1: you think about the statue that's the lion and the

579
00:40:09,120 --> 00:40:13,279
Speaker 1: whiz that comes alive. That's a good one too, A

580
00:40:13,320 --> 00:40:16,920
Speaker 1: little more flashy than a garden gnome. Both of ours,

581
00:40:17,120 --> 00:40:21,840
Speaker 1: both of our answers come alive. You know, I gotta

582
00:40:21,920 --> 00:40:25,359
Speaker 1: say the Statue of Liberty because only in New York, Right,

583
00:40:27,040 --> 00:40:30,200
Speaker 1: that's a good one, Sam. But there's also isn't there? Yeah,

584
00:40:30,200 --> 00:40:35,600
Speaker 1: there is another one. No, no, no, no, there's only one.

585
00:40:35,840 --> 00:40:39,160
Speaker 1: No no, stop it stop it only America, stopping only

586
00:40:39,200 --> 00:40:47,919
Speaker 1: Americas eu M what no, no, no, no, no, no no.

587
00:40:48,640 --> 00:40:56,680
Speaker 1: That is Liberty in the Atlas. Sorry no. And I

588
00:40:56,760 --> 00:41:00,120
Speaker 1: don't know if you've never been to Fast so well,

589
00:41:00,239 --> 00:41:03,680
Speaker 1: I guess you don't know. I just think it's kind

590
00:41:03,680 --> 00:41:06,720
Speaker 1: of is there a wyoming in France to like what's next?

591
00:41:06,880 --> 00:41:21,120
Speaker 1: This is absurd? Yeah? They call it very interesting. Well,

592
00:41:21,480 --> 00:41:26,080
Speaker 1: you know, I'm trying to think. You know, my favorite

593
00:41:26,080 --> 00:41:29,800
Speaker 1: statue is in like, uh, in the by the Parthenon,

594
00:41:29,880 --> 00:41:34,719
Speaker 1: where there's that other Um building and all its columns

595
00:41:34,760 --> 00:41:38,280
Speaker 1: are like women's bodies that are holding up the top.

596
00:41:38,360 --> 00:41:40,960
Speaker 1: Do you know what I'm talking about? Of course that's

597
00:41:40,960 --> 00:41:46,560
Speaker 1: my favorite. Where near the Walgreens? Where is it? Yeah? Yeah,

598
00:41:46,560 --> 00:41:49,319
Speaker 1: it's right, but you passed the Parthenon. Take a left

599
00:41:49,360 --> 00:41:53,640
Speaker 1: at the Walgreens and it's right before um that Buffalo Exchange.

600
00:41:54,400 --> 00:41:57,680
Speaker 1: You know, I am always surprised that, like the Parthenon

601
00:41:57,800 --> 00:42:00,400
Speaker 1: is a real place. Does that make any sense? It

602
00:42:00,400 --> 00:42:05,040
Speaker 1: feels like a place from like the like a different planet,

603
00:42:05,920 --> 00:42:08,279
Speaker 1: like a mystical planet. When I go to Grease to

604
00:42:08,360 --> 00:42:10,960
Speaker 1: visit my family, I always get laser hair removal and

605
00:42:11,160 --> 00:42:15,759
Speaker 1: the place that I go overlooks the parthenonous isn't that

606
00:42:15,840 --> 00:42:22,040
Speaker 1: really cool? Wid Yeah? I feel like it's crazy because

607
00:42:22,160 --> 00:42:25,520
Speaker 1: it's crazy that those things are all still around, you know,

608
00:42:26,040 --> 00:42:29,000
Speaker 1: like it's like, oh, that's all still there. But you

609
00:42:29,000 --> 00:42:33,239
Speaker 1: know what though, they don't look like we should renovate. Yeah,

610
00:42:33,280 --> 00:42:35,120
Speaker 1: you know what we should do. I think we should

611
00:42:35,160 --> 00:42:37,320
Speaker 1: get the Queer Eye guys to get into that Parthenon

612
00:42:37,400 --> 00:42:40,239
Speaker 1: and just redo it. You know what. We need some

613
00:42:40,360 --> 00:42:44,040
Speaker 1: throw pillows in there. We need a little extensive letters

614
00:42:44,040 --> 00:42:46,520
Speaker 1: that say grease and kind of like a fun font

615
00:42:47,600 --> 00:42:50,279
Speaker 1: because that's so much work for the I don't know

616
00:42:50,400 --> 00:42:55,640
Speaker 1: the name of the Bobby is the actual Like, well

617
00:42:55,680 --> 00:42:57,759
Speaker 1: we can have anton Antony can make a little a

618
00:42:57,840 --> 00:43:02,279
Speaker 1: little moosaka and place it on top and then Tan

619
00:43:02,440 --> 00:43:04,200
Speaker 1: and then you know, they can they can kind of

620
00:43:04,239 --> 00:43:07,719
Speaker 1: restyle those women's statues that I mentioned. Tan can Yeah,

621
00:43:07,800 --> 00:43:10,279
Speaker 1: that would be really nice, just like a little sideways,

622
00:43:10,480 --> 00:43:12,840
Speaker 1: um kind of brittany hat like you remember when you

623
00:43:12,840 --> 00:43:19,040
Speaker 1: wore Fedora. Yeah, I would love that. And then what

624
00:43:19,080 --> 00:43:22,680
Speaker 1: would um karama do? I guess kind of just like

625
00:43:22,719 --> 00:43:25,520
Speaker 1: walking around and yeah, just walk around and be like

626
00:43:27,400 --> 00:43:35,600
Speaker 1: maybe talk about how important it is too to rephraseer yourself.

627
00:43:36,040 --> 00:43:38,279
Speaker 1: I would definitely say queer eying the parthon on is

628
00:43:38,360 --> 00:43:46,399
Speaker 1: rephraser rather than repleasure, definitely, Whereas like whereas like you know, um,

629
00:43:46,520 --> 00:43:48,799
Speaker 1: not to make it too serious, but like tearing down

630
00:43:48,840 --> 00:43:51,840
Speaker 1: statues to me, that's well, I guess that's a rasure,

631
00:43:52,400 --> 00:44:00,759
Speaker 1: but then if you replace them, that's repleasure. Yeah, yeah, yeah,

632
00:44:00,840 --> 00:44:04,960
Speaker 1: that all checks out. Great, that makes sense. Awesome, awesome

633
00:44:05,000 --> 00:44:17,680
Speaker 1: sauce that. Um, I guess we're getting into our podcast.

634
00:44:17,840 --> 00:44:21,600
Speaker 1: We're about to start. Um, so are you guys a

635
00:44:21,640 --> 00:44:23,920
Speaker 1: really just starting and they're all warmed up. Oh yeah, no,

636
00:44:24,080 --> 00:44:26,040
Speaker 1: I feel good, I feel hot. Have you done your

637
00:44:26,080 --> 00:44:29,359
Speaker 1: vocal warmups? Yeah? I've been doing trills all morning. Can

638
00:44:29,400 --> 00:44:31,279
Speaker 1: we hear one? Well? This, everything we've done up to

639
00:44:31,320 --> 00:44:33,319
Speaker 1: this point has been a vocal warm up. We've all known,

640
00:44:33,920 --> 00:44:38,879
Speaker 1: we followed a script um this entire time, all of us. Yeah,

641
00:44:39,280 --> 00:44:41,960
Speaker 1: I got this. I got this script from an acting

642
00:44:42,000 --> 00:44:47,319
Speaker 1: coach um at Juilliard where I went, um and yeah,

643
00:44:47,440 --> 00:44:50,000
Speaker 1: forget you went to Juilliard. Yeah. I don't talk about

644
00:44:50,000 --> 00:44:52,839
Speaker 1: it much because it's like it doesn't tell you don't

645
00:44:52,880 --> 00:44:55,879
Speaker 1: want to talk about your feud with Lupite deniango, no,

646
00:44:56,040 --> 00:44:59,680
Speaker 1: because she's nice, like, you know whatever, let's keep going.

647
00:45:00,000 --> 00:45:01,560
Speaker 1: I mean she went to Yale, but I still feud

648
00:45:01,560 --> 00:45:04,280
Speaker 1: with her, like that's yeah. I mean I have different schools,

649
00:45:04,320 --> 00:45:06,560
Speaker 1: but I don't know everyone I know is in a

650
00:45:06,600 --> 00:45:11,160
Speaker 1: feud with Lupe. I mean, you know it's easy to

651
00:45:11,160 --> 00:45:20,200
Speaker 1: start ship. Yeah, it is easy to start You're right,

652
00:45:20,640 --> 00:45:27,080
Speaker 1: that's really really true. Um. Okay, so we already spoiled

653
00:45:27,080 --> 00:45:30,120
Speaker 1: our topics, so there's no reason to like fully like

654
00:45:30,239 --> 00:45:32,680
Speaker 1: sort of hype it up and sort of tease it

655
00:45:32,680 --> 00:45:35,520
Speaker 1: out in some sort of dramatic, drum really kind of way. Well,

656
00:45:35,560 --> 00:45:37,440
Speaker 1: I would still like for it to be teased. If

657
00:45:37,480 --> 00:45:40,120
Speaker 1: that's what's being done on the other podcast, I feel

658
00:45:40,160 --> 00:45:42,040
Speaker 1: like it would be a little bit of a disservice

659
00:45:42,120 --> 00:45:44,040
Speaker 1: to us that we kind of don't get that just

660
00:45:44,080 --> 00:45:47,600
Speaker 1: because you know, somebody to my right here decided to

661
00:45:47,640 --> 00:45:50,000
Speaker 1: spoil I felt we needed all the time we could

662
00:45:50,000 --> 00:45:52,320
Speaker 1: with that topic because it's such a rage topic. Again,

663
00:45:52,400 --> 00:45:55,080
Speaker 1: it is Jimmy Pam from the ausee. Look what you're doing.

664
00:45:55,200 --> 00:45:57,640
Speaker 1: Now they can't MP it up again. Now they can't happen.

665
00:45:59,480 --> 00:46:02,839
Speaker 1: We'll just we'll just do some more written. Just let

666
00:46:03,040 --> 00:46:05,440
Speaker 1: let us let's wrap it up. Let's mountain it up.

667
00:46:05,520 --> 00:46:10,160
Speaker 1: Let's go up the mountain and wrap it up. Wew.

668
00:46:10,160 --> 00:46:14,400
Speaker 1: This metaphor is getting more and more complex. It actually

669
00:46:14,400 --> 00:46:16,400
Speaker 1: makes a lot of sense when you just kind of

670
00:46:16,400 --> 00:46:20,320
Speaker 1: think about it. If you just stop think, it makes sense.

671
00:46:20,360 --> 00:46:25,680
Speaker 1: So let's not do that. Yeah, And then it was

672
00:46:25,719 --> 00:46:32,759
Speaker 1: clear so that yes, this is an interesting topic. I

673
00:46:32,800 --> 00:46:36,800
Speaker 1: think because usually we ask our guests, you know, maybe

674
00:46:36,800 --> 00:46:38,799
Speaker 1: to come up with a shortlist, or we give them

675
00:46:38,800 --> 00:46:42,320
Speaker 1: some examples and and and have them choose this one. Sam.

676
00:46:42,719 --> 00:46:48,080
Speaker 1: You you said, we are fucking doing Jim and Pam,

677
00:46:48,200 --> 00:46:52,680
Speaker 1: whether whether Joe and Rachel want to or not. And

678
00:46:52,880 --> 00:46:54,640
Speaker 1: I can ask them if they have other ideas, but

679
00:46:54,680 --> 00:46:58,920
Speaker 1: I'll just shoot them down. I threatened to walk. I said,

680
00:46:59,239 --> 00:47:02,279
Speaker 1: this is my creative outlet, and if I can't talk

681
00:47:02,320 --> 00:47:04,600
Speaker 1: about Jim and Pam on my outlet, then I'm I'm

682
00:47:04,640 --> 00:47:08,319
Speaker 1: walking and you can get Megan McCain back in here.

683
00:47:09,560 --> 00:47:15,080
Speaker 1: M So, so I strong armed um. Jim and Pam.

684
00:47:15,160 --> 00:47:18,240
Speaker 1: Jim and Pam is our topic from the NBC's The Office.

685
00:47:18,600 --> 00:47:21,440
Speaker 1: Our topic is Jim and Pam. Just to clarify, the

686
00:47:21,520 --> 00:47:24,000
Speaker 1: reason Sam thought that that that was a good topic

687
00:47:24,040 --> 00:47:26,799
Speaker 1: for you guys is because you say it with me

688
00:47:26,800 --> 00:47:32,759
Speaker 1: met at work? Yes, it's also not necessarily well, it's

689
00:47:32,880 --> 00:47:36,480
Speaker 1: mostly true, yeah, because I guess comedy is work, right. No,

690
00:47:36,920 --> 00:47:39,440
Speaker 1: I mean I met you doing shows, but I didn't like.

691
00:47:40,920 --> 00:47:44,400
Speaker 1: I like you just certainly caught your eye. You're a

692
00:47:44,520 --> 00:47:48,440
Speaker 1: work You're a workplace romance. And to deny that is

693
00:47:48,800 --> 00:47:58,040
Speaker 1: a lie, that's a rasure. Okay, So does that mean

694
00:47:58,080 --> 00:47:59,640
Speaker 1: so did I meet so Sam? Did I meet you

695
00:47:59,680 --> 00:48:03,319
Speaker 1: at work? Okay? Because we were friends before work, we

696
00:48:03,320 --> 00:48:06,160
Speaker 1: were friends before work. We weren't. We're not the Jim

697
00:48:06,239 --> 00:48:09,640
Speaker 1: and Pam were maybe the the gym and Dwight. I

698
00:48:09,640 --> 00:48:14,200
Speaker 1: don't know Dwight, and I'm and I'm say it with

699
00:48:14,239 --> 00:48:19,440
Speaker 1: me Nigel. You know what I do like Nigel on

700
00:48:19,480 --> 00:48:21,360
Speaker 1: the office. He does a lot of work. He's really funny.

701
00:48:21,800 --> 00:48:23,040
Speaker 1: He got a lot of good lines, and you know

702
00:48:23,080 --> 00:48:26,640
Speaker 1: a lot of those lines were improvised. The only sorry,

703
00:48:26,680 --> 00:48:29,680
Speaker 1: the only person that has um not been assigned to

704
00:48:29,760 --> 00:48:33,279
Speaker 1: Nigel on a TV show is Sam. That's true. So

705
00:48:33,320 --> 00:48:34,560
Speaker 1: I just and we don't have to do it now.

706
00:48:34,600 --> 00:48:36,080
Speaker 1: I just mean by the end of the episode, I

707
00:48:36,120 --> 00:48:38,600
Speaker 1: think we need to figure out which TV show Sam

708
00:48:38,680 --> 00:48:41,000
Speaker 1: is the Nigel of. For now we can keep talking

709
00:48:41,040 --> 00:48:44,279
Speaker 1: about Jim and Pam. So okay, So I just strong

710
00:48:44,400 --> 00:48:46,720
Speaker 1: arm Jim and Pam. Do you guys not like consider

711
00:48:46,760 --> 00:48:49,959
Speaker 1: yourselves the Jim and Pam of like kind of what's

712
00:48:50,040 --> 00:48:54,960
Speaker 1: wrong with you? Were not considering the the fourteen Streets

713
00:48:55,000 --> 00:49:00,800
Speaker 1: why after school Kids program? Wow docks them? Yeah, putting

714
00:49:00,840 --> 00:49:02,960
Speaker 1: my whole name out there, I mean, where we no

715
00:49:03,040 --> 00:49:06,520
Speaker 1: longer work, but I bet we're still on the website.

716
00:49:07,440 --> 00:49:14,600
Speaker 1: Um what well, Jim and Pam? I mean I haven't

717
00:49:14,600 --> 00:49:17,440
Speaker 1: watched The Office in a while, but you're more of

718
00:49:17,480 --> 00:49:24,400
Speaker 1: a no but pants kind of boring, right, no disrespect

719
00:49:24,480 --> 00:49:35,080
Speaker 1: to what's her face? I can't believe that was so disrespectful, Jim.

720
00:49:35,560 --> 00:49:39,919
Speaker 1: Jim is equally boring. Jim is also boring. I think

721
00:49:39,920 --> 00:49:45,360
Speaker 1: they both suck somebody. We have such different standards for

722
00:49:45,440 --> 00:49:49,080
Speaker 1: men and women. Somebody recently kind of called me a

723
00:49:49,160 --> 00:49:52,759
Speaker 1: gym and I was like, damn, okay, that's cool. It

724
00:49:52,800 --> 00:49:55,120
Speaker 1: really broke my heart. I wasn't able to respond to

725
00:49:54,920 --> 00:49:58,319
Speaker 1: the for what I would like to know? Yeah, and

726
00:49:58,360 --> 00:50:04,000
Speaker 1: what context? Was someone pointing you going? Jim called me Jim?

727
00:50:04,040 --> 00:50:06,879
Speaker 1: But I was being qualified as a boring person, I think,

728
00:50:07,080 --> 00:50:10,680
Speaker 1: and I really took offense to it, and I I

729
00:50:10,719 --> 00:50:12,560
Speaker 1: didn't know how to respond. I had to walk away

730
00:50:12,560 --> 00:50:15,799
Speaker 1: from the situation. You are not boring. Well, ultimately, this

731
00:50:15,880 --> 00:50:17,960
Speaker 1: is a real true story that I'm sharing. Hopefully, I

732
00:50:18,000 --> 00:50:20,239
Speaker 1: don't know I've given honestly too much information. I hope

733
00:50:20,239 --> 00:50:22,160
Speaker 1: they don't get mad at me. But I'll pull up

734
00:50:22,160 --> 00:50:23,879
Speaker 1: the text and let's let's read it on the air.

735
00:50:25,320 --> 00:50:27,120
Speaker 1: I mean, it's fine, I get it. You know, I

736
00:50:27,120 --> 00:50:29,520
Speaker 1: can't be boring. It's fine. I'm pretty I'm pretty bored.

737
00:50:29,840 --> 00:50:31,359
Speaker 1: Can I can I just say, I don't think I've

738
00:50:31,360 --> 00:50:37,600
Speaker 1: ever seen you be boring. It's always been, oh my god,

739
00:50:38,239 --> 00:50:42,439
Speaker 1: a roller coaster ride that I'm that I'm so uh

740
00:50:42,920 --> 00:50:47,080
Speaker 1: so glad that these two friends of mine put put

741
00:50:47,120 --> 00:50:49,600
Speaker 1: me on. They put put me along that roller coaster

742
00:50:49,719 --> 00:50:52,560
Speaker 1: and I and I I'm so glad that I that

743
00:50:52,600 --> 00:50:56,480
Speaker 1: I all thanks to us. Um you guys. That was

744
00:50:56,560 --> 00:51:01,759
Speaker 1: so Jim and Pam. What it's I have to say,

745
00:51:01,800 --> 00:51:03,799
Speaker 1: that was Jim and Pam to say that we're on

746
00:51:03,800 --> 00:51:06,200
Speaker 1: a roller coaster ride and it's never boring. I mean,

747
00:51:06,200 --> 00:51:13,000
Speaker 1: it's like, yeah, Jim and Pam alert. Wow, when the

748
00:51:13,040 --> 00:51:16,680
Speaker 1: Jim and Pam alert goes off, why can't we be uh,

749
00:51:16,719 --> 00:51:22,120
Speaker 1: why can't we be? You know, like like Creed and Meredith,

750
00:51:23,520 --> 00:51:30,719
Speaker 1: that's that's fund did they date? Not necessarily, but I

751
00:51:30,840 --> 00:51:34,200
Speaker 1: just kind of like that energy. You know who in

752
00:51:34,280 --> 00:51:40,239
Speaker 1: Meredith Creed Creed, old guys who's kind of weird. He's

753
00:51:40,280 --> 00:51:46,720
Speaker 1: talking about the the old the senior citizen, uh he says,

754
00:51:46,080 --> 00:51:51,040
Speaker 1: he says, in the corner and the redheaded alcoholic. His

755
00:51:51,120 --> 00:51:55,480
Speaker 1: name is Creed. Yeah, Creed and Meredith, Meredith, who's always

756
00:51:55,480 --> 00:51:58,759
Speaker 1: flashing no titties and running around and created. Yeah that

757
00:51:58,840 --> 00:52:03,400
Speaker 1: I get in now. So you just want to be

758
00:52:03,480 --> 00:52:06,640
Speaker 1: two completely different characters in the office that are not

759
00:52:06,719 --> 00:52:11,279
Speaker 1: in a relationship. Yeah, but they could be just like

760
00:52:11,320 --> 00:52:14,200
Speaker 1: not okay, no, no, no, no no, just like Nigel,

761
00:52:14,400 --> 00:52:16,520
Speaker 1: they could be in a relationship, you know, just like

762
00:52:16,640 --> 00:52:20,960
Speaker 1: Nigel is whoever Nigel is, they could also be in

763
00:52:21,000 --> 00:52:27,239
Speaker 1: a relation. I'm sorry, makes no sense to me. The correlation.

764
00:52:27,400 --> 00:52:30,160
Speaker 1: The correlation is direct. It's a train, okay, it's not.

765
00:52:30,280 --> 00:52:34,040
Speaker 1: There's no stops, all right, this makes sense. There's a train,

766
00:52:34,160 --> 00:52:36,400
Speaker 1: Nigel stop. Don't sound like a very good train to me,

767
00:52:37,160 --> 00:52:41,560
Speaker 1: Nigel for the best. No, this is a train. There's

768
00:52:41,600 --> 00:52:44,400
Speaker 1: a train going from Dallas to Chicago. No stops. Okay,

769
00:52:44,680 --> 00:52:47,920
Speaker 1: just like it makes sense. It's direct, absolutely direct. The

770
00:52:47,960 --> 00:52:50,600
Speaker 1: correlation is right. There is dots dots dot. If I'm

771
00:52:50,600 --> 00:52:53,960
Speaker 1: ever traveling between Dallas and Chicago, launched me into space,

772
00:52:56,960 --> 00:53:01,239
Speaker 1: how many stops on that launch? There will be just

773
00:53:01,480 --> 00:53:09,680
Speaker 1: one space? Okay. Um, you guys are Jim and Pam though, like, okay,

774
00:53:09,800 --> 00:53:12,839
Speaker 1: here's remember remember when, like remember when you would like

775
00:53:13,480 --> 00:53:15,320
Speaker 1: have like little nicknames for each other, Like I just

776
00:53:15,360 --> 00:53:19,520
Speaker 1: want to clarify this initiative that you're a gym and Pam,

777
00:53:19,560 --> 00:53:23,359
Speaker 1: I don't think. I think I nicknames for I had

778
00:53:23,440 --> 00:53:26,759
Speaker 1: nicknames for Rachel before we started dating, or while we

779
00:53:26,760 --> 00:53:30,080
Speaker 1: were dating before, because I remember calling you nicknames for me.

780
00:53:30,200 --> 00:53:35,760
Speaker 1: I remember calling you nickname of Harold Knight, terrible nicknames.

781
00:53:37,640 --> 00:53:42,480
Speaker 1: It was on Harold Knight one time, Harold. I mean,

782
00:53:42,719 --> 00:53:44,360
Speaker 1: it's better to be called Harold Knight than to be

783
00:53:44,400 --> 00:53:48,160
Speaker 1: called Ascat Jesus, is it better to be called Harold

784
00:53:48,200 --> 00:53:55,520
Speaker 1: Knight or to be called Jim horrible nickname? Just a

785
00:53:55,520 --> 00:53:59,520
Speaker 1: little aside. I wanted to make one of I wanted

786
00:53:59,520 --> 00:54:05,120
Speaker 1: to make Rachel for Christmas this past Christmas a one

787
00:54:05,120 --> 00:54:08,719
Speaker 1: of those necklaces that spell out your your name, those

788
00:54:08,760 --> 00:54:14,640
Speaker 1: beautiful gold necklaces. But Harold Knight. It was so funny,

789
00:54:14,680 --> 00:54:16,239
Speaker 1: and then I knew, but I knew she wouldn't wear it,

790
00:54:16,280 --> 00:54:20,319
Speaker 1: so I I did something else. But I feel like,

791
00:54:20,360 --> 00:54:24,200
Speaker 1: that's so funny, that's so funny. It is very funny,

792
00:54:24,200 --> 00:54:26,080
Speaker 1: but I don't know when I would ever wear She

793
00:54:26,120 --> 00:54:29,560
Speaker 1: would never wear it, so it didn't do as a gift.

794
00:54:30,000 --> 00:54:33,200
Speaker 1: So it's so funny as a gift, but also wearing

795
00:54:33,200 --> 00:54:35,880
Speaker 1: it anywhere in real world would be like not funny

796
00:54:35,920 --> 00:54:39,400
Speaker 1: at all. I kind of think it. I kind of

797
00:54:39,440 --> 00:54:42,719
Speaker 1: think I would wear it. Can you get me that, Joe? Yeah,

798
00:54:43,000 --> 00:54:45,560
Speaker 1: I'll have your yours will yours will say yours will

799
00:54:45,560 --> 00:54:49,640
Speaker 1: say Union Hall. Great. We should all get matching ones

800
00:54:49,680 --> 00:54:55,440
Speaker 1: at say Nigel, I would wear a Nigel one. Yeah,

801
00:54:55,440 --> 00:55:00,279
Speaker 1: I'll definitely wear a Nigel one. Yeah, that's beautiful. It's

802
00:55:00,400 --> 00:55:04,640
Speaker 1: um Jim and Pam. No, Now are there other relationships

803
00:55:04,680 --> 00:55:10,759
Speaker 1: on the Office with are other ones? What about Phyllis refrigerations?

804
00:55:11,040 --> 00:55:13,560
Speaker 1: So many I'd said The Office is like Game of Thrones,

805
00:55:14,040 --> 00:55:18,560
Speaker 1: like there are too many characters. It's both Presstige TV.

806
00:55:21,480 --> 00:55:26,160
Speaker 1: I swear to gud and I've watched I've watched themisode

807
00:55:26,160 --> 00:55:27,560
Speaker 1: of the Oppoice and I feel like, okay, I know

808
00:55:27,640 --> 00:55:29,839
Speaker 1: the main characters. And then suddenly you'll come at me

809
00:55:29,880 --> 00:55:33,680
Speaker 1: with Creed and it's like, oh, is that House of

810
00:55:33,719 --> 00:55:39,400
Speaker 1: Targarian CREA's main if. I said like, okay, you know

811
00:55:39,440 --> 00:55:44,759
Speaker 1: who Toby is, right, No, you don't know. I don't

812
00:55:44,760 --> 00:55:46,720
Speaker 1: think I know there. I think I know what actor?

813
00:55:46,800 --> 00:55:49,680
Speaker 1: Who is it? You know, the little little white dude?

814
00:55:50,440 --> 00:55:53,440
Speaker 1: No one knows the actor's name. I know the actors

815
00:55:53,440 --> 00:55:55,520
Speaker 1: because I know like bj Novak, I know Steve Carell,

816
00:55:55,600 --> 00:56:00,319
Speaker 1: I know Mindy Kaling, I know Jim and Pam gives

817
00:56:00,360 --> 00:56:06,759
Speaker 1: me the gizmos barking on this podcast is a game

818
00:56:06,800 --> 00:56:16,600
Speaker 1: of thrones because there's a different character introduced. Gizmo. Oh

819
00:56:16,680 --> 00:56:24,200
Speaker 1: my goodness, Gizmo in the room. Yes, Sam, Well, he'll

820
00:56:24,360 --> 00:56:26,680
Speaker 1: he'll wind to get in if I don't let him in,

821
00:56:26,760 --> 00:56:28,400
Speaker 1: and then he'll bark to get out if I use

822
00:56:28,520 --> 00:56:33,120
Speaker 1: him inside of family home in the suburbs. It's not

823
00:56:33,600 --> 00:56:39,960
Speaker 1: shut up, you're right back. Where are you going? Oh? Okay,

824
00:56:40,480 --> 00:56:43,200
Speaker 1: are we supposed to be quiet? I can go pee.

825
00:56:43,239 --> 00:56:45,600
Speaker 1: I have to pee really bad. Honest, you're just gonna

826
00:56:45,800 --> 00:56:48,200
Speaker 1: leave in the middle. Well, if Sam's getting up, I was,

827
00:56:48,280 --> 00:56:50,480
Speaker 1: I'm feeling No. Sam is literally just closing the door.

828
00:56:50,520 --> 00:56:52,640
Speaker 1: He's back now, Well, I will be. You have to

829
00:56:52,840 --> 00:56:56,040
Speaker 1: because I'll be in the bathroom. You're gonna leave. Well,

830
00:56:56,360 --> 00:56:58,120
Speaker 1: I just really do have to be really bad. But

831
00:56:58,880 --> 00:57:02,600
Speaker 1: do you want to I could get I do think.

832
00:57:02,640 --> 00:57:04,560
Speaker 1: I mean, listen, if you want to be This is

833
00:57:04,600 --> 00:57:06,399
Speaker 1: one of the few episodes where that would work because

834
00:57:06,400 --> 00:57:07,920
Speaker 1: there is someone next to you that can keep the

835
00:57:07,920 --> 00:57:10,799
Speaker 1: conversation going. It's a very good question. Yeah, I guess

836
00:57:10,840 --> 00:57:15,200
Speaker 1: I'll keep the conversation. Okay, Yeah, this is like, this

837
00:57:15,280 --> 00:57:17,400
Speaker 1: is our version of the of a of a of

838
00:57:17,440 --> 00:57:21,320
Speaker 1: a crazy dog barking? Is my bladders barking at me

839
00:57:21,440 --> 00:57:27,640
Speaker 1: right now? Well one of your best rifts? Yes, but

840
00:57:28,720 --> 00:57:32,800
Speaker 1: oh my god, oh lord, if you can see him,

841
00:57:32,800 --> 00:57:37,760
Speaker 1: he just sprinted away, almost fell on his ass. You can't,

842
00:57:37,920 --> 00:57:41,200
Speaker 1: you can't do bit. Oh my god, he's doing yelling

843
00:57:41,280 --> 00:57:46,560
Speaker 1: bits from the bathroom, just unbeliev Oh lord. Well, now, okay,

844
00:57:46,600 --> 00:57:49,800
Speaker 1: I think we are a couple of different couple inside

845
00:57:49,800 --> 00:57:54,720
Speaker 1: of the office potentially. What's the other ones? Um, you

846
00:57:54,760 --> 00:57:58,920
Speaker 1: could be like Michael Scott and what's that girl that

847
00:57:58,960 --> 00:58:03,400
Speaker 1: he dated? Like? Um, was it like Haley or Hallie

848
00:58:03,520 --> 00:58:11,560
Speaker 1: or Heidi or remember the nice one? Oh no, I

849
00:58:11,600 --> 00:58:13,080
Speaker 1: mean I don't think you're that. I'm just thinking of

850
00:58:13,160 --> 00:58:16,480
Speaker 1: other couples you could be, Um, Michael Scott and um

851
00:58:16,560 --> 00:58:21,600
Speaker 1: Jan is that? Okay? Screen nt dot Com Five office

852
00:58:21,640 --> 00:58:24,160
Speaker 1: couples that are perfect together and five that make no

853
00:58:24,240 --> 00:58:34,439
Speaker 1: sense Michael and Holly, Holly, Andy and Aaron, Andy and Aaron,

854
00:58:34,560 --> 00:58:38,720
Speaker 1: according to screen rat, make no sense. Andy and Aaron

855
00:58:38,720 --> 00:58:41,520
Speaker 1: i don't even really remember their relationship, Like, what were

856
00:58:41,560 --> 00:58:46,960
Speaker 1: they up to? Okay, Phyllis and Bob Vance? Yes, see

857
00:58:47,040 --> 00:58:52,320
Speaker 1: that one. That's not you? Why are you guys? There

858
00:58:52,680 --> 00:58:56,360
Speaker 1: can be I can't be the refrigeration. I'm I'm Vance

859
00:58:57,040 --> 00:59:04,920
Speaker 1: and they aren't coworkers know they work, they worked together.

860
00:59:05,800 --> 00:59:08,439
Speaker 1: Why is he around if he's not? What is Gizmo doing?

861
00:59:08,480 --> 00:59:13,080
Speaker 1: Didn't you let him out? Gizmo is in again? How

862
00:59:13,720 --> 00:59:21,600
Speaker 1: the door? I see someone back there? Hello? Someone's all?

863
00:59:25,120 --> 00:59:28,680
Speaker 1: I see that someone? Okay, somebody shut the door as

864
00:59:28,720 --> 00:59:35,280
Speaker 1: a mom calumb shut the door by Oh my goodness, sorry,

865
00:59:35,800 --> 00:59:40,000
Speaker 1: how don't you for being at home? Okay? Daryl and Kelly?

866
00:59:40,560 --> 00:59:46,560
Speaker 1: Darryl and Kelly is Darryll? What's his face? Darryl is um?

867
00:59:46,800 --> 00:59:51,280
Speaker 1: That's um. He works downstairs. He works in the in

868
00:59:51,320 --> 00:59:54,680
Speaker 1: the in the shipping yard. Darrel works downstairs, then he

869
00:59:54,720 --> 01:00:01,080
Speaker 1: starts working upstairs. Yes, okay, so that I mean I

870
01:00:01,080 --> 01:00:03,560
Speaker 1: have to say in terms of just actors, correct, well, okay,

871
01:00:03,560 --> 01:00:09,320
Speaker 1: hold on Dwight and Angela. Dwight and Angela. What did

872
01:00:09,320 --> 01:00:17,600
Speaker 1: I miss the question? Joe Dwight Angela? Yeah, I think

873
01:00:17,640 --> 01:00:20,840
Speaker 1: the I think they have a more interesting uh if

874
01:00:20,840 --> 01:00:23,600
Speaker 1: I'm if I'm actually speaking and have more interesting dynamic

875
01:00:23,640 --> 01:00:25,720
Speaker 1: I feel like than Jim and Pam that I agree

876
01:00:25,760 --> 01:00:28,040
Speaker 1: with that, Yes, I mean, anyone is more interesting than

877
01:00:28,120 --> 01:00:32,920
Speaker 1: Jim and Pam and Angela were the Dwight and Angela,

878
01:00:33,560 --> 01:00:36,720
Speaker 1: You're Dwight and Angela. How is the topic now Dwight

879
01:00:36,800 --> 01:00:40,040
Speaker 1: and Angela? I think it might be I'm gonna have

880
01:00:40,120 --> 01:00:41,760
Speaker 1: to do it now, which one of us is the Dwight,

881
01:00:41,800 --> 01:00:44,760
Speaker 1: in which one of us is the Angela. Keep in mind,

882
01:00:44,960 --> 01:00:52,640
Speaker 1: Rachel loves playing paintball, um, and so what if I did.

883
01:00:53,520 --> 01:00:55,840
Speaker 1: It's something that I learned on one of our first

884
01:00:55,920 --> 01:00:57,960
Speaker 1: dates that I was like, what was That's kind of

885
01:00:58,040 --> 01:01:01,480
Speaker 1: that's kind of wild. And then the next day, pall wait,

886
01:01:01,520 --> 01:01:03,960
Speaker 1: I'm sorry. The fact that you love paintball and you

887
01:01:04,040 --> 01:01:06,520
Speaker 1: learned that on a date, that's very Jim and Pam like,

888
01:01:06,560 --> 01:01:10,120
Speaker 1: that is very I'm sorry, but that's Sam's right. Does

889
01:01:10,200 --> 01:01:13,040
Speaker 1: Pam but does Pam play paintball? No? I don't under

890
01:01:13,080 --> 01:01:16,120
Speaker 1: Pam doesn't have a paintball hobby, but she's just trying

891
01:01:16,160 --> 01:01:21,320
Speaker 1: to paint. But the fact that they would like like,

892
01:01:21,360 --> 01:01:24,000
Speaker 1: they would like they would like paintball and like learn

893
01:01:24,080 --> 01:01:28,600
Speaker 1: that on a date like, that's that's classic Jim and Pam. No. Yeah,

894
01:01:28,920 --> 01:01:30,640
Speaker 1: I didn't know that we would be on trial this

895
01:01:30,680 --> 01:01:33,960
Speaker 1: whole time. I thought we were. This is why you

896
01:01:34,280 --> 01:01:37,040
Speaker 1: pushed Jim and Pam so hard on us. Sam. Okay,

897
01:01:37,080 --> 01:01:42,720
Speaker 1: what about Angela and Andy? I mean I don't really

898
01:01:42,720 --> 01:01:47,520
Speaker 1: feel it? And Ryan and Kelly? I mean these are

899
01:01:47,520 --> 01:01:52,800
Speaker 1: a horrible relationship. Oh well, according to screen ran, it's

900
01:01:52,800 --> 01:01:56,760
Speaker 1: one of the ones they like are You in the Pocket?

901
01:01:56,760 --> 01:02:02,080
Speaker 1: A big screen rap? Do you like how the conversation

902
01:02:02,120 --> 01:02:04,040
Speaker 1: has attempted to move on so many times? But I

903
01:02:04,120 --> 01:02:06,160
Speaker 1: keep going back to the listical I found on screen

904
01:02:06,240 --> 01:02:09,320
Speaker 1: rent on the best. Still haven't heard this pizza story

905
01:02:09,440 --> 01:02:17,000
Speaker 1: and still haven't heard Okay before this is no, this

906
01:02:16,840 --> 01:02:21,280
Speaker 1: is the thing. I can't actually tell the pizza story. Wait, also,

907
01:02:21,320 --> 01:02:23,400
Speaker 1: before you tell the pizza story is a device. It's

908
01:02:23,400 --> 01:02:29,800
Speaker 1: like Chekhov's gun. Oh all right, okay, play right podcast

909
01:02:29,960 --> 01:02:37,800
Speaker 1: right past. Wait, but isn't the pool putting a Chekhov's

910
01:02:37,840 --> 01:02:40,600
Speaker 1: gun that like, we will hear the pizza story. Wow,

911
01:02:40,640 --> 01:02:45,920
Speaker 1: someone went to theater Juilliards. Sam, you did go to Juilliard.

912
01:02:46,720 --> 01:02:49,880
Speaker 1: I went to Juilliard, you know, isn't it crazy to

913
01:02:49,920 --> 01:02:57,960
Speaker 1: me that it's Why isn't it Julie Art? What that

914
01:02:58,160 --> 01:03:04,320
Speaker 1: is so crazy? You're right, I'm saying this for pulst pandemic. Sayem,

915
01:03:07,520 --> 01:03:10,640
Speaker 1: Sam's first open mic after six months gets up on

916
01:03:10,720 --> 01:03:14,840
Speaker 1: Mike and slow motion. Why is it jud and not

917
01:03:15,040 --> 01:03:18,520
Speaker 1: Julie Art? I won't lie. If I saw that, I

918
01:03:18,520 --> 01:03:20,760
Speaker 1: would die laugh Right, people are people will be so

919
01:03:20,920 --> 01:03:23,800
Speaker 1: untrained at that point of hearing life comedy that the

920
01:03:24,040 --> 01:03:28,480
Speaker 1: crowd will go why the crowd is like, immediately get

921
01:03:28,480 --> 01:03:33,160
Speaker 1: an HBO deal called Julie Art. Green Rant is gonna

922
01:03:33,240 --> 01:03:36,560
Speaker 1: love that screen rat the beast couples in Julie Art.

923
01:03:37,960 --> 01:03:41,160
Speaker 1: It's just genuinely confusing because it's like it's it's like

924
01:03:41,200 --> 01:03:44,200
Speaker 1: an art school and it's called Juilliard. Like it's like,

925
01:03:48,280 --> 01:03:51,160
Speaker 1: I just call it Julie Art. Like I literally when

926
01:03:51,200 --> 01:03:53,160
Speaker 1: I say Juliard, I feel like I'm saying it wrong.

927
01:03:54,360 --> 01:03:57,240
Speaker 1: Why this is the deal with art school? This is

928
01:03:57,280 --> 01:03:59,480
Speaker 1: the deal with Juliard. Wait, Sam, you're right. Did you

929
01:03:59,480 --> 01:04:03,040
Speaker 1: ever notice? Wait? Why is it called Harvard and not Hardvard?

930
01:04:03,120 --> 01:04:05,920
Speaker 1: Because it's hard to get in? Oh my god, another

931
01:04:05,960 --> 01:04:09,760
Speaker 1: great point. That's a really good point. I mean, imagine

932
01:04:09,800 --> 01:04:12,040
Speaker 1: if you went to a music school called like music

933
01:04:12,960 --> 01:04:15,680
Speaker 1: Like that would be crazy. Just call it music. But

934
01:04:15,720 --> 01:04:19,440
Speaker 1: it's that Juilliard is not called Ard, It's called Juilliard.

935
01:04:19,680 --> 01:04:27,200
Speaker 1: It's a name. Yeah, it was jar Why why Julie together?

936
01:04:27,960 --> 01:04:33,040
Speaker 1: Who is Julie? Wait? Why is this is what your

937
01:04:33,040 --> 01:04:39,280
Speaker 1: fight with Copita was about? Just call it Julie Art.

938
01:04:39,360 --> 01:04:41,720
Speaker 1: I'm sure someone there his name Julie. We can make

939
01:04:41,720 --> 01:04:48,280
Speaker 1: it all about her. If you're Julie of Julie Art fame,

940
01:04:48,400 --> 01:04:54,560
Speaker 1: please call in that back in the room. Heard little

941
01:04:56,400 --> 01:05:01,440
Speaker 1: those little feet are gonna be in the recording. When

942
01:05:01,520 --> 01:05:05,640
Speaker 1: you closed the door. It's I cannot he can't be tamed.

943
01:05:05,760 --> 01:05:07,440
Speaker 1: I I don't know how to tell you he knows

944
01:05:07,480 --> 01:05:10,240
Speaker 1: how to open doors. That I know. That's what I'm

945
01:05:10,240 --> 01:05:12,600
Speaker 1: struggling with, because I do see you vision. I see

946
01:05:12,640 --> 01:05:14,440
Speaker 1: the door and you're closing it and then somehow it

947
01:05:14,440 --> 01:05:17,800
Speaker 1: opens again. He's not of a large dog. No, he's

948
01:05:17,800 --> 01:05:22,160
Speaker 1: not a large dog in the door. His whole body

949
01:05:22,160 --> 01:05:24,160
Speaker 1: into the door. Wait, that doesn't remind me of that

950
01:05:24,240 --> 01:05:28,320
Speaker 1: cat that you have that rammed its full body into

951
01:05:28,320 --> 01:05:30,880
Speaker 1: a door. Like what's trying to get into a room

952
01:05:30,920 --> 01:05:38,720
Speaker 1: and rammed the body? Hey, who was that that? The

953
01:05:38,760 --> 01:05:42,720
Speaker 1: pitter patter of little Misha's feet This whole time, it's

954
01:05:42,760 --> 01:05:52,000
Speaker 1: just been Misha crawling wearing Wow. So that's obviously all usable.

955
01:05:52,000 --> 01:05:56,400
Speaker 1: That's all going in. I'm worried about this, about everything

956
01:05:56,400 --> 01:06:02,560
Speaker 1: we've said being too usable. I am I am living

957
01:06:02,600 --> 01:06:06,000
Speaker 1: on the cutting room floor. If I hear, if I

958
01:06:06,120 --> 01:06:10,400
Speaker 1: hear even one second missing, I'm calling my lawyer. You

959
01:06:10,480 --> 01:06:14,440
Speaker 1: have the recording over here. I will release the recording

960
01:06:14,480 --> 01:06:21,560
Speaker 1: that we have. Okay, Okay, So what's this damn pizza story?

961
01:06:22,120 --> 01:06:24,000
Speaker 1: Should I say it? Or should it be a recurring

962
01:06:24,040 --> 01:06:26,880
Speaker 1: thing that I never say the pizza story? You literally

963
01:06:26,920 --> 01:06:30,760
Speaker 1: have to say it. Okay. Maybe I'll say the story

964
01:06:30,840 --> 01:06:34,479
Speaker 1: every single episode. That could be fun. Okay. So here's

965
01:06:34,480 --> 01:06:36,280
Speaker 1: the story, and I just have to say all of

966
01:06:36,320 --> 01:06:42,080
Speaker 1: this is allegedly. I don't want to get sued. I

967
01:06:42,120 --> 01:06:46,560
Speaker 1: will say it is a very good start, allegedly. Okay.

968
01:06:47,880 --> 01:06:51,680
Speaker 1: So I used to Yeah, he was biting the bed,

969
01:06:51,920 --> 01:06:57,280
Speaker 1: Oh my god, Gizmo, Sha let him in. You have

970
01:06:57,440 --> 01:07:00,280
Speaker 1: to say, there's constantly doors open for close sing in

971
01:07:00,280 --> 01:07:03,880
Speaker 1: the background of your videos. When the door closed, it

972
01:07:04,040 --> 01:07:09,520
Speaker 1: was it was to keep Gizmo in the room. Incredibly.

973
01:07:10,040 --> 01:07:12,840
Speaker 1: Your door is clattering open and shut as though there's

974
01:07:12,880 --> 01:07:18,760
Speaker 1: a tornado on the other side of it. Is everyone

975
01:07:18,800 --> 01:07:20,640
Speaker 1: ready for the pizza story. I'm ready. I'm ready. I'll

976
01:07:20,640 --> 01:07:23,000
Speaker 1: stop if I see if I see a dog take

977
01:07:23,040 --> 01:07:25,760
Speaker 1: over the screen, I just won't even say anything. Okay,

978
01:07:25,800 --> 01:07:31,240
Speaker 1: all right, So here's the pizza app story. When I

979
01:07:31,320 --> 01:07:35,080
Speaker 1: um lived in San Francisco, there was a something that

980
01:07:35,160 --> 01:07:38,680
Speaker 1: came out called Pizza the App. And this was like

981
01:07:38,760 --> 01:07:42,720
Speaker 1: during the This was maybe kind of like during a peek,

982
01:07:42,880 --> 01:07:46,200
Speaker 1: like early or like mid tech boom of you know,

983
01:07:46,240 --> 01:07:48,760
Speaker 1: this round of tech boom. So it got written up

984
01:07:48,760 --> 01:07:51,480
Speaker 1: in like tech Crunch and all these tech websites and

985
01:07:51,520 --> 01:07:53,640
Speaker 1: all this stuff, and the whole thing was that it

986
01:07:53,760 --> 01:07:55,479
Speaker 1: was an app where you would go and it's only

987
01:07:55,480 --> 01:07:58,240
Speaker 1: one button and you'd press it and it would automatically

988
01:07:58,320 --> 01:08:02,600
Speaker 1: deliver a smaller large cheese pizza to you from the

989
01:08:02,680 --> 01:08:05,600
Speaker 1: nearest pizza place. So it was like, oh my god,

990
01:08:05,640 --> 01:08:07,880
Speaker 1: I'm like drunk and hoh and I don't want to

991
01:08:08,320 --> 01:08:11,040
Speaker 1: like look up anything. It's literally like a single button

992
01:08:11,160 --> 01:08:14,960
Speaker 1: and then it delivers you a pizza. Okay. So that

993
01:08:15,040 --> 01:08:19,120
Speaker 1: was that. Now, the person that made that app later

994
01:08:19,160 --> 01:08:23,360
Speaker 1: went on to be on Shark Tank and presented a

995
01:08:23,400 --> 01:08:26,040
Speaker 1: different startup, and like, I think, I'm pretty sure it

996
01:08:26,080 --> 01:08:28,360
Speaker 1: still works in tech. So what I'm about to say

997
01:08:28,400 --> 01:08:33,920
Speaker 1: is alleged. Allegedly the way of the app work is

998
01:08:34,439 --> 01:08:36,799
Speaker 1: all it did was send a text to him personally,

999
01:08:36,840 --> 01:08:39,679
Speaker 1: and then he went online and looked up the nearest

1000
01:08:39,720 --> 01:08:43,519
Speaker 1: pizza place and called and ordered the pizza himself. But

1001
01:08:43,640 --> 01:08:49,040
Speaker 1: he sold it as it was like algorithmic. That's so funny.

1002
01:08:49,320 --> 01:08:51,840
Speaker 1: But but I I listen if I get sued because

1003
01:08:51,840 --> 01:08:54,160
Speaker 1: of this, because you never know what these with people

1004
01:08:54,200 --> 01:09:00,320
Speaker 1: in tech. It's all fun and gamest Cheryl, Sam, because

1005
01:09:00,320 --> 01:09:08,920
Speaker 1: in my house leaning in with a bunch of police officers. Um,

1006
01:09:09,040 --> 01:09:12,719
Speaker 1: how do you know this? Because I have mutual friends

1007
01:09:12,720 --> 01:09:20,720
Speaker 1: with him? Oh okay, wow, yeah that seems like a

1008
01:09:20,760 --> 01:09:29,320
Speaker 1: bad app. Yes, Sam, Wait that actually seems not efficient.

1009
01:09:33,520 --> 01:09:38,720
Speaker 1: Wow what was that worth it? Yeah? You know this

1010
01:09:38,800 --> 01:09:42,799
Speaker 1: is crazy. I you all know I'm wealthy because I invented,

1011
01:09:42,960 --> 01:09:47,679
Speaker 1: um the texting app on our iPhones. But um, really,

1012
01:09:47,880 --> 01:09:50,280
Speaker 1: what has been happening is whenever you send a text,

1013
01:09:50,360 --> 01:09:57,719
Speaker 1: it's me responding, no matter who it's too. I receive

1014
01:09:57,800 --> 01:09:59,920
Speaker 1: it and then I try to like try on to

1015
01:10:00,320 --> 01:10:02,720
Speaker 1: characters and sort of trying to fit the voice. It's

1016
01:10:02,720 --> 01:10:12,320
Speaker 1: always been me. That's incredible, God Light, thank you. That

1017
01:10:12,439 --> 01:10:15,320
Speaker 1: really makes me respect you so much more now that

1018
01:10:15,360 --> 01:10:19,760
Speaker 1: it's all you. Now I understand how you got into Juilliard.

1019
01:10:22,080 --> 01:10:36,679
Speaker 1: It's really impressive. Any final thoughts on Jim and or Pam, Yeah,

1020
01:10:36,800 --> 01:10:40,400
Speaker 1: honestly and or um anything else because we have to

1021
01:10:40,439 --> 01:10:44,680
Speaker 1: head into our final segment. Oh okay, wait, or we

1022
01:10:44,720 --> 01:10:47,120
Speaker 1: don't have to. What do you think? Sam? We literally

1023
01:10:47,160 --> 01:10:52,719
Speaker 1: hang out? Wait? Can I say something I actually have? Actually,

1024
01:10:52,720 --> 01:10:55,800
Speaker 1: now I won't say this because the person it would

1025
01:10:55,840 --> 01:10:57,800
Speaker 1: be about would know it's about them. No, as long

1026
01:10:57,840 --> 01:11:04,800
Speaker 1: as it's allegedly, it's fine. It No, I can't say,

1027
01:11:03,320 --> 01:11:08,880
Speaker 1: oh my god, George. It was gonna be about me

1028
01:11:08,960 --> 01:11:14,080
Speaker 1: saying that someone I know. I'm not normally superstitious, but

1029
01:11:14,080 --> 01:11:16,639
Speaker 1: there is someone I know who I do think brings

1030
01:11:16,680 --> 01:11:21,479
Speaker 1: bad luck to people. That's all I'm gonna say. Well,

1031
01:11:21,560 --> 01:11:25,080
Speaker 1: then now I gotta know, Well, you guys don't know

1032
01:11:25,120 --> 01:11:26,920
Speaker 1: this person. This is someone I went to college with,

1033
01:11:27,080 --> 01:11:29,400
Speaker 1: but it has to do with like something else I

1034
01:11:29,400 --> 01:11:30,760
Speaker 1: was going to say, But in order to say that,

1035
01:11:30,760 --> 01:11:32,000
Speaker 1: I would have to say who she is so I

1036
01:11:32,040 --> 01:11:35,840
Speaker 1: can't say it. Do you guys have people like that?

1037
01:11:37,200 --> 01:11:39,120
Speaker 1: I think I just think like in order for me

1038
01:11:39,160 --> 01:11:40,760
Speaker 1: to tell the story I wanted to tell, she would

1039
01:11:40,840 --> 01:11:42,559
Speaker 1: know it was about her, and I think she might

1040
01:11:42,600 --> 01:11:45,960
Speaker 1: listen to the podcast. Oh that's okay. Brag about the

1041
01:11:45,960 --> 01:11:51,120
Speaker 1: listener base. Well, definitely, big shout out to George's friend.

1042
01:11:52,160 --> 01:11:54,479
Speaker 1: Thank you for listening. That's why our podcast is failing.

1043
01:11:57,360 --> 01:11:59,800
Speaker 1: It should have been a really funny, cool story. But

1044
01:12:00,680 --> 01:12:02,960
Speaker 1: you know, we can't lose that one friend. Do you

1045
01:12:02,960 --> 01:12:09,559
Speaker 1: guys feel like some people bring bad luck? M hm

1046
01:12:09,680 --> 01:12:15,720
Speaker 1: and no. Okay, maybe it's just the fact that I

1047
01:12:15,760 --> 01:12:18,600
Speaker 1: was raised by two Greek grandmothers that were obsessed with

1048
01:12:18,640 --> 01:12:24,400
Speaker 1: the evil eye. Okay, I smell a movie. My two

1049
01:12:24,439 --> 01:12:36,360
Speaker 1: weird Greek grandmother's my two fucking weird great grandmother. Um. So, George,

1050
01:12:36,400 --> 01:12:39,080
Speaker 1: of your two grandmothers, which one was the gym and

1051
01:12:39,080 --> 01:12:41,280
Speaker 1: which one was the Pam. That's a really good question.

1052
01:12:41,320 --> 01:12:44,560
Speaker 1: Which one is Rachel and which one am I? And

1053
01:12:44,640 --> 01:12:50,840
Speaker 1: are either of them? Nigel an running? Before anything I

1054
01:12:50,880 --> 01:12:52,840
Speaker 1: wanted to, I just want to text the pizza place

1055
01:12:54,200 --> 01:12:56,599
Speaker 1: to get us. So I'm going to text the pizza

1056
01:12:56,640 --> 01:12:59,840
Speaker 1: place and that should and that should get us a pizza. Right, Yeah,

1057
01:13:00,000 --> 01:13:03,000
Speaker 1: it's not even a text, it's literally a button. Yeah,

1058
01:13:03,280 --> 01:13:06,200
Speaker 1: just texting them. Yeah, and we're all in different cities,

1059
01:13:06,200 --> 01:13:12,280
Speaker 1: so it'll just automatically send each of us a pizza.

1060
01:13:12,360 --> 01:13:15,679
Speaker 1: What are you doing? Oh? Just um checking my phone

1061
01:13:15,840 --> 01:13:27,439
Speaker 1: is all? Oh, got a confirmation email? Pizzas on its way. Um,

1062
01:13:27,600 --> 01:13:31,599
Speaker 1: here's what I will say. Here's my final um thoughts

1063
01:13:31,600 --> 01:13:35,040
Speaker 1: on the topic. Um, keep in mind he did go

1064
01:13:35,080 --> 01:13:42,720
Speaker 1: to Juilliard, so this is gonna be Frodo and Sam

1065
01:13:42,880 --> 01:13:45,559
Speaker 1: are the Jim and Pam of Lord of the Rings,

1066
01:13:46,080 --> 01:14:00,320
Speaker 1: and Mary and Pippin are Andy? And um, who's Kimmy Schmidt? Alvis,

1067
01:14:00,360 --> 01:14:03,559
Speaker 1: Michael Scott? Can we be ganned off in the trees?

1068
01:14:05,560 --> 01:14:09,839
Speaker 1: I feel like that's us. You can't off in the trees?

1069
01:14:10,560 --> 01:14:13,040
Speaker 1: Are they even? They're not in a relationship like they

1070
01:14:13,080 --> 01:14:15,439
Speaker 1: know each other sort of Wait? Are the trees called

1071
01:14:15,640 --> 01:14:19,679
Speaker 1: ents or did I did I make that up? Yeah? Yeah, Actually,

1072
01:14:19,720 --> 01:14:21,800
Speaker 1: if any ants are listening to this will probably be

1073
01:14:21,840 --> 01:14:24,679
Speaker 1: really offended because they'll be like, tree, I am no tree.

1074
01:14:25,680 --> 01:14:28,320
Speaker 1: They are called The reason the only reason I know

1075
01:14:28,400 --> 01:14:31,040
Speaker 1: that that they're called ends is because when I was

1076
01:14:31,080 --> 01:14:33,479
Speaker 1: in high school I remember Margaret Shoe had a joke

1077
01:14:33,520 --> 01:14:37,880
Speaker 1: about how John Carry looked like an end. Oh no,

1078
01:14:38,040 --> 01:14:40,120
Speaker 1: but she was just she was just really high up

1079
01:14:40,200 --> 01:14:43,960
Speaker 1: and she was looking down at John Kerry and just

1080
01:14:44,880 --> 01:14:56,639
Speaker 1: talking about punching down from up here. Contextualize that joke

1081
01:14:56,720 --> 01:15:00,840
Speaker 1: because you had it before. Yeah, we are. We do

1082
01:15:00,920 --> 01:15:06,080
Speaker 1: know each other very well. Like Gandolf in the Trees,

1083
01:15:06,960 --> 01:15:16,200
Speaker 1: Goodolf in the Trees. Wow, that's great, Oh my god.

1084
01:15:17,120 --> 01:15:21,280
Speaker 1: Um yeah, first, it's a really good sound. Julie Art

1085
01:15:21,360 --> 01:15:25,840
Speaker 1: is a music school. Really. I didn't realize you went

1086
01:15:25,880 --> 01:15:29,240
Speaker 1: for songwriting. You know a lot of people think you

1087
01:15:29,240 --> 01:15:36,599
Speaker 1: went for comedy or acting, but you went for songwriting. Comedy. Yeah,

1088
01:15:36,600 --> 01:15:40,720
Speaker 1: I got into the comedy program. Yeah I do. I

1089
01:15:40,760 --> 01:15:44,680
Speaker 1: do stand up at Juilliard. Did you know there's a

1090
01:15:44,720 --> 01:15:47,920
Speaker 1: comedy major at Emerson. There shouldn't be that can't be right.

1091
01:15:48,160 --> 01:15:54,759
Speaker 1: And it's called a Bachelor in Comedic Arts. Is anyone

1092
01:15:55,439 --> 01:16:00,479
Speaker 1: from that like a successful It was literally created, like

1093
01:16:00,720 --> 01:16:05,519
Speaker 1: it was created like four years ago. Um so no, yeah,

1094
01:16:05,640 --> 01:16:14,880
Speaker 1: time will tell. Um. Well, I guess it's okay. Someone's

1095
01:16:14,920 --> 01:16:17,280
Speaker 1: jealous of my original track on the pod. They gotta

1096
01:16:17,320 --> 01:16:20,000
Speaker 1: come up with I'm scrambling to come up with an

1097
01:16:20,040 --> 01:16:29,040
Speaker 1: original track to rival gandalfend the trees. Um it should

1098
01:16:29,080 --> 01:16:31,000
Speaker 1: we do our final seg I feel like that was

1099
01:16:31,080 --> 01:16:33,240
Speaker 1: like that was I feel like I wanted to like

1100
01:16:33,320 --> 01:16:35,920
Speaker 1: part Jim and Pam part two. Honestly, we could do

1101
01:16:36,000 --> 01:16:37,720
Speaker 1: Jim and Pam part two. We're not gonna. We won't

1102
01:16:37,720 --> 01:16:39,960
Speaker 1: make you guys do it right after. But I'm sensing

1103
01:16:40,000 --> 01:16:52,400
Speaker 1: this is this sort of a series. Okay, um m hm.

1104
01:16:53,200 --> 01:16:56,200
Speaker 1: So our final seg is called them shoutouts, and um,

1105
01:16:56,439 --> 01:17:00,280
Speaker 1: we give a shout out to something that we lie

1106
01:17:00,600 --> 01:17:03,720
Speaker 1: or whatever, and you know, really bring the heat. Sort

1107
01:17:03,760 --> 01:17:06,840
Speaker 1: of think of like you're in Times Squares two thousand

1108
01:17:06,920 --> 01:17:08,599
Speaker 1: two and you're on t R L and the camera

1109
01:17:08,720 --> 01:17:11,360
Speaker 1: is on you and you're shouting to your high school

1110
01:17:11,439 --> 01:17:18,240
Speaker 1: schou wad um, George do you have I'll go sure, Hey, listeners,

1111
01:17:18,280 --> 01:17:20,120
Speaker 1: I want to give a quick shout out to my

1112
01:17:20,280 --> 01:17:24,720
Speaker 1: unspecified friend from college who brings bad luck. I absolutely

1113
01:17:24,800 --> 01:17:28,479
Speaker 1: stand you, queen, and I think that uh you are

1114
01:17:28,760 --> 01:17:31,240
Speaker 1: bring the evil Eye into the twenty one century. And

1115
01:17:31,280 --> 01:17:34,360
Speaker 1: both my Greek grandmothers would be proud t v T too.

1116
01:17:34,400 --> 01:17:36,840
Speaker 1: When we abandoned the segment where I refer to my

1117
01:17:36,880 --> 01:17:41,439
Speaker 1: grandmother's as either a frodo or pam. Um. I'm sorry

1118
01:17:41,439 --> 01:17:44,920
Speaker 1: I didn't do that, and I apologize for not coming

1119
01:17:44,960 --> 01:17:47,599
Speaker 1: through with that for our listeners. But once again, quick

1120
01:17:47,600 --> 01:17:50,120
Speaker 1: shout out to beat my friend who I like but

1121
01:17:50,200 --> 01:17:56,280
Speaker 1: also am afraid of. Cosmically whoo whoo um okay, I'll

1122
01:17:56,360 --> 01:18:02,559
Speaker 1: go um wait, I literally had one. Oh okay, okay,

1123
01:18:04,000 --> 01:18:05,680
Speaker 1: what's up, listeners. Um. I just want to give a

1124
01:18:05,720 --> 01:18:08,519
Speaker 1: quick chat out to Entiman's Donuts um specifically the crumb

1125
01:18:08,520 --> 01:18:12,080
Speaker 1: topped donuts. I had them this week for the first

1126
01:18:12,080 --> 01:18:14,360
Speaker 1: time in a long time, and I thought, well, maybe

1127
01:18:14,439 --> 01:18:16,639
Speaker 1: my adult palette has gotten to adults and I can't

1128
01:18:16,680 --> 01:18:19,440
Speaker 1: enjoy these anymore. They're probably, i don't know, not artisanal

1129
01:18:19,560 --> 01:18:22,719
Speaker 1: enough for my Brooklyn taste. And then I had a bite,

1130
01:18:22,880 --> 01:18:24,759
Speaker 1: and let me tell you, these are the best donuts

1131
01:18:24,840 --> 01:18:28,920
Speaker 1: on earth. I done well, But go to Hell, I mean,

1132
01:18:28,920 --> 01:18:33,040
Speaker 1: Peter Pan, rest in peace, bitch the Entimates for life.

1133
01:18:33,520 --> 01:18:37,280
Speaker 1: I love crumb top donuts. I live in Michigan now

1134
01:18:37,520 --> 01:18:40,680
Speaker 1: and this is my life. I'm gonna have kids. I

1135
01:18:40,720 --> 01:18:46,920
Speaker 1: don't give a fuck. I go to Juilliard by Wait, Sam,

1136
01:18:46,960 --> 01:18:52,639
Speaker 1: you're new catchphrases. Peter pan rest in peace. Wait, no, Sam,

1137
01:18:52,680 --> 01:19:01,080
Speaker 1: you're new catchphrases. I live in Michigan. Now good okay, wow,

1138
01:19:01,240 --> 01:19:05,920
Speaker 1: that I had to say. That was great. Thank you. Um,

1139
01:19:06,120 --> 01:19:10,400
Speaker 1: Joe and Rachel will actually let you go separately, because well,

1140
01:19:10,400 --> 01:19:11,640
Speaker 1: it's up to you, guys if you want to do

1141
01:19:11,680 --> 01:19:14,679
Speaker 1: it together or separately. I think either it's fine. That's true.

1142
01:19:14,680 --> 01:19:16,880
Speaker 1: I don't need a strong arm everything like at the

1143
01:19:16,920 --> 01:19:23,080
Speaker 1: same time. And then we'll listen, we just different at

1144
01:19:23,080 --> 01:19:25,760
Speaker 1: the same time. It's literally up to you. You guys

1145
01:19:25,800 --> 01:19:27,760
Speaker 1: decide you can. You can do it separate, you can

1146
01:19:27,760 --> 01:19:31,439
Speaker 1: do it together. We'll just leave this to you. Do

1147
01:19:31,479 --> 01:19:33,360
Speaker 1: you have one that you're I don't even chomping at

1148
01:19:33,360 --> 01:19:41,920
Speaker 1: the bit to do. Um. Yeah, you know I had

1149
01:19:41,920 --> 01:19:44,320
Speaker 1: time to think and I didn't. I feel the exact

1150
01:19:44,360 --> 01:19:50,320
Speaker 1: same way. Uh yeah, yeah, let's yeah, go ahead, do it.

1151
01:19:50,960 --> 01:19:54,840
Speaker 1: You got it. I don't have it. You go for it,

1152
01:19:54,880 --> 01:20:01,040
Speaker 1: all right. Yes, just want to do a quick shout

1153
01:20:01,040 --> 01:20:04,400
Speaker 1: out to us to stalling for time. You got to

1154
01:20:04,439 --> 01:20:08,320
Speaker 1: do it sometimes, and it's it's just a really it's

1155
01:20:08,360 --> 01:20:10,480
Speaker 1: just a really cool thing to just have to yammer

1156
01:20:10,520 --> 01:20:13,479
Speaker 1: and sort of stretch stuff out. It's always there when

1157
01:20:13,520 --> 01:20:16,120
Speaker 1: you need it, if you don't, if you have something

1158
01:20:16,160 --> 01:20:18,920
Speaker 1: that you are we're supposed to be saying, and uh,

1159
01:20:18,960 --> 01:20:21,400
Speaker 1: and you didn't get to and you didn't actually do

1160
01:20:21,439 --> 01:20:24,439
Speaker 1: the work, and start to to think about what that

1161
01:20:24,600 --> 01:20:28,000
Speaker 1: is stammering for time and stretching. You've always been there

1162
01:20:28,040 --> 01:20:31,040
Speaker 1: for me, and I'm a I'm a stammer stand. Thank

1163
01:20:31,080 --> 01:20:39,880
Speaker 1: you so much. I live in Wow. I just that

1164
01:20:39,960 --> 01:20:44,479
Speaker 1: was always I know what I'm gonna do now, okay,

1165
01:20:45,200 --> 01:20:48,160
Speaker 1: all right, um, oh my gosh, thank you, thank you

1166
01:20:48,200 --> 01:20:51,960
Speaker 1: so much. You go listeners. Oh wow, um, oh my goodness.

1167
01:20:52,240 --> 01:20:54,080
Speaker 1: I just want to give a quick shout out to

1168
01:20:54,880 --> 01:20:57,800
Speaker 1: my hand. Um my friend. I see, I did one,

1169
01:20:57,920 --> 01:21:00,160
Speaker 1: I did both of my nails, but then all a

1170
01:21:00,240 --> 01:21:02,080
Speaker 1: whole hand fell off. And I want to give a

1171
01:21:02,160 --> 01:21:04,840
Speaker 1: quick shout out to all of those nails, especially the

1172
01:21:04,840 --> 01:21:07,120
Speaker 1: one that I cannot find. It did cost a lot

1173
01:21:07,160 --> 01:21:09,519
Speaker 1: of money to buy these incredit like nails, um that

1174
01:21:09,600 --> 01:21:11,600
Speaker 1: I use as press on. Obviously I did not go

1175
01:21:11,600 --> 01:21:15,560
Speaker 1: into the salons shout out saying indoors um, but I

1176
01:21:16,600 --> 01:21:19,519
Speaker 1: I can't find that one a piece. Um. So I

1177
01:21:19,520 --> 01:21:20,840
Speaker 1: just want to give a big shout out to that

1178
01:21:20,920 --> 01:21:23,880
Speaker 1: one nail that I can't find wherever you are. UM,

1179
01:21:23,920 --> 01:21:27,200
Speaker 1: I see you. I know you're maybe afraid. I know

1180
01:21:27,280 --> 01:21:30,280
Speaker 1: that you're, you know, trying to find home. I'm here,

1181
01:21:30,400 --> 01:21:33,360
Speaker 1: I'm looking for you. We put out signs. UM. I

1182
01:21:33,400 --> 01:21:35,600
Speaker 1: really appreciate everything you did from my hand in the

1183
01:21:35,600 --> 01:21:38,400
Speaker 1: short amount of time you were there, roughly three days.

1184
01:21:38,840 --> 01:21:40,760
Speaker 1: And I just want to let you know that I

1185
01:21:40,960 --> 01:21:42,679
Speaker 1: you know, I'm always looking down for you. I believe

1186
01:21:42,720 --> 01:21:44,720
Speaker 1: in you, and I know that you're gonna find a

1187
01:21:44,800 --> 01:21:48,000
Speaker 1: home soon. And that homeless with me on my hand,

1188
01:21:48,160 --> 01:21:51,120
Speaker 1: with me on my hand, in my on my middle finger. UM.

1189
01:21:51,560 --> 01:21:55,519
Speaker 1: Also also shout also shout out, also shout out. Also

1190
01:21:55,600 --> 01:21:59,880
Speaker 1: shout out to um, also shout out. I think, also

1191
01:22:00,000 --> 01:22:05,439
Speaker 1: shout out, also shout out, also shout out to. Actually,

1192
01:22:05,479 --> 01:22:10,040
Speaker 1: I also want to shout out. Ultimately, I would like

1193
01:22:10,080 --> 01:22:12,360
Speaker 1: to shout out. I'd like to shout out, just shouting

1194
01:22:12,360 --> 01:22:14,360
Speaker 1: now people, that's really the best thing that you can

1195
01:22:14,400 --> 01:22:18,000
Speaker 1: ever do is for someone and I and and get

1196
01:22:18,240 --> 01:22:25,960
Speaker 1: what socks? Alright? Yes, that was really good, I think. So, Uma,

1197
01:22:26,120 --> 01:22:28,920
Speaker 1: how did you lose all of the nails on one

1198
01:22:28,960 --> 01:22:34,360
Speaker 1: hand and not the podcasters can't see, but as you

1199
01:22:34,400 --> 01:22:37,040
Speaker 1: can see, I did. I did I just glue to mind,

1200
01:22:37,080 --> 01:22:40,360
Speaker 1: I did press on, and this whole hand just has

1201
01:22:40,400 --> 01:22:42,680
Speaker 1: gone away. All of them fell off, but none of

1202
01:22:42,760 --> 01:22:45,680
Speaker 1: But is it because they are first of all, are

1203
01:22:45,680 --> 01:22:51,120
Speaker 1: you left handed? No? And oh wait, I guess you're superstitious.

1204
01:22:51,120 --> 01:22:53,880
Speaker 1: You are super I'm right handed. This is my right

1205
01:22:53,920 --> 01:22:56,800
Speaker 1: hand and this is my left hand. Okay, so great, Okay,

1206
01:22:56,800 --> 01:22:59,639
Speaker 1: So then isn't it weird that if you're right handed,

1207
01:23:00,479 --> 01:23:02,400
Speaker 1: presumably you use that hand more, so it would make

1208
01:23:02,400 --> 01:23:05,920
Speaker 1: more sense of more fell off on that hand, right,

1209
01:23:08,560 --> 01:23:13,080
Speaker 1: I mean, yes, that would make more sense, but um,

1210
01:23:13,120 --> 01:23:17,040
Speaker 1: it's not. That's not the world we live in. Well,

1211
01:23:17,080 --> 01:23:25,400
Speaker 1: if anyone finds Rachel's for all our l A listeners, uh,

1212
01:23:25,560 --> 01:23:28,400
Speaker 1: please be on the lookout. Yeah, if you find Rachel's

1213
01:23:28,439 --> 01:23:32,360
Speaker 1: nails anywhere, um, we'll put some numbers you can call

1214
01:23:32,400 --> 01:23:37,559
Speaker 1: in the episode description where they can be reunited with

1215
01:23:37,600 --> 01:23:43,720
Speaker 1: the nails. That would be really Also, I just want

1216
01:23:43,760 --> 01:23:49,160
Speaker 1: to say if since, uh, in the time from when

1217
01:23:49,200 --> 01:23:51,400
Speaker 1: we recorded this to when it's coming out, if there

1218
01:23:51,439 --> 01:23:54,360
Speaker 1: has been like a significant uptick in cases because of

1219
01:23:54,400 --> 01:23:58,000
Speaker 1: the fire Island weekend, Like really, sorry about making a

1220
01:23:58,120 --> 01:24:02,400
Speaker 1: light of that. Yeah, we're we're recording to like the

1221
01:24:02,520 --> 01:24:04,240
Speaker 1: day it's all coming out. So it's kind of in

1222
01:24:04,280 --> 01:24:07,040
Speaker 1: this like playful making fun of sort of like um

1223
01:24:07,439 --> 01:24:13,639
Speaker 1: riotous canceling phase. It's gallows humor and it's radical and

1224
01:24:13,920 --> 01:24:19,280
Speaker 1: mostly we're really good people. Okay, Yeah, and I want

1225
01:24:19,280 --> 01:24:23,080
Speaker 1: to end on that. Yeah, you know what I do

1226
01:24:23,200 --> 01:24:26,799
Speaker 1: think Ultimately we are good people. We are good people,

1227
01:24:26,880 --> 01:24:28,920
Speaker 1: and sometimes we try to be I don't know, funny,

1228
01:24:29,080 --> 01:24:31,639
Speaker 1: and sometimes it's like bad. Like sometimes we're making fun

1229
01:24:31,640 --> 01:24:35,720
Speaker 1: of like COVID on Fire Island and it's like shut up,

1230
01:24:35,760 --> 01:24:40,880
Speaker 1: who shut up? Who cares? Literally? Who cares? Oh? I enough?

1231
01:24:41,160 --> 01:24:45,479
Speaker 1: PC culture. Everything I say is inherently funny. This is

1232
01:24:45,800 --> 01:24:55,360
Speaker 1: a different thing. Yea, let's talk about uh luis k

1233
01:24:56,040 --> 01:25:01,000
Speaker 1: oh I. Actually I didn't sign up for most of this. Yeah,

1234
01:25:01,040 --> 01:25:03,720
Speaker 1: that'll be on part two of Jim and Pam cover

1235
01:25:04,000 --> 01:25:09,840
Speaker 1: patrons only, and they're all all right, um, okay, how

1236
01:25:09,880 --> 01:25:12,559
Speaker 1: do you keep them there? Yeah? Why are they paying

1237
01:25:12,680 --> 01:25:16,439
Speaker 1: to listen to this? Well, we're actually both sides of it.

1238
01:25:16,479 --> 01:25:20,519
Speaker 1: We played both sides. This one's like our podcast, and

1239
01:25:20,840 --> 01:25:23,320
Speaker 1: then we put out like a really conservative one on Patreon.

1240
01:25:23,880 --> 01:25:25,920
Speaker 1: You guys just kind of splice it together. So just

1241
01:25:25,960 --> 01:25:29,400
Speaker 1: as Megan McCain over and over and over again. I

1242
01:25:29,479 --> 01:25:35,080
Speaker 1: like this is perfect. This is just to clarify. Thank

1243
01:25:35,120 --> 01:25:38,559
Speaker 1: you for everyone in our progressive podcast for listening to

1244
01:25:38,600 --> 01:25:41,160
Speaker 1: this episode, and we will see our conservative listeners on

1245
01:25:41,200 --> 01:25:45,519
Speaker 1: the Patreon episode later this week. Um, thank you to

1246
01:25:45,760 --> 01:25:49,080
Speaker 1: Joe and Rachel our own, um, Jim and Pam for

1247
01:25:50,800 --> 01:25:55,080
Speaker 1: I feel like we debunked Jim and Pam. I mean

1248
01:25:55,120 --> 01:25:58,120
Speaker 1: to have two guests on one podcast talk about both sides.

1249
01:25:58,840 --> 01:26:04,880
Speaker 1: Oh wow, Um, I can't believe I'm being dragged for

1250
01:26:04,920 --> 01:26:10,880
Speaker 1: the ribs. Um, well, Joe and Rachel, do any final

1251
01:26:10,920 --> 01:26:15,880
Speaker 1: words before we brutally cut you off? Damn? Yeah, wow,

1252
01:26:16,520 --> 01:26:20,920
Speaker 1: that was rough. Just brutally cut us off. I'm okay,

1253
01:26:20,960 --> 01:26:24,080
Speaker 1: just just cut it here, seeking any any any kind

1254
01:26:24,120 --> 01:26:26,679
Speaker 1: of any kind of connection because we need to give

1255
01:26:26,720 --> 01:26:29,400
Speaker 1: Sam a TV show, And and my mind just went

1256
01:26:29,640 --> 01:26:33,280
Speaker 1: Joe and Rachel Ross and Rachel friends, Sam is Nigel

1257
01:26:33,320 --> 01:26:38,880
Speaker 1: and friends? That No, Joe, you do not seem convinced.

1258
01:26:38,920 --> 01:26:42,559
Speaker 1: Is Nigel? Is Nigel the coffee the coffee guy? No,

1259
01:26:42,640 --> 01:26:46,040
Speaker 1: that's gnther. Oh can I be the Can I be

1260
01:26:46,120 --> 01:27:01,000
Speaker 1: the duck one of them