1 00:00:03,400 --> 00:00:14,320 Speaker 1: Translitt Helaska. Hello, welcome to Monday's show, Morning Studio. Mord 2 00:00:14,640 --> 00:00:17,000 Speaker 1: Hope you all had a great weekend, had a good weekend. 3 00:00:17,760 --> 00:00:20,200 Speaker 1: Coming up in just a few minutes, Hardy will be 4 00:00:20,239 --> 00:00:25,400 Speaker 1: in studio. You may know Hardy from this song right here, 5 00:00:26,040 --> 00:00:28,200 Speaker 1: and I mean the guy's written like ten number one, 6 00:00:28,440 --> 00:00:31,000 Speaker 1: massive Star. He's coming in. So we're gonna do the 7 00:00:31,040 --> 00:00:33,199 Speaker 1: mailbag to start the show since hard he's gonna be 8 00:00:33,200 --> 00:00:35,080 Speaker 1: in the next couple of segments. All right, it's a 9 00:00:35,120 --> 00:00:38,160 Speaker 1: little bit early, but let's open the mailbag. You send 10 00:00:38,240 --> 00:00:42,120 Speaker 1: the game, we read it all. Ye get something we 11 00:00:42,280 --> 00:00:46,879 Speaker 1: call Bobby's mail bag. He Hello, Bobby Bones. So my 12 00:00:46,960 --> 00:00:49,600 Speaker 1: neighbors seventeen year old daughter is now waitress at my 13 00:00:49,640 --> 00:00:53,720 Speaker 1: family's favorite local Italian restaurant. We go there almost every 14 00:00:53,720 --> 00:00:55,640 Speaker 1: Friday with kids, right after school so we don't have 15 00:00:55,680 --> 00:00:58,240 Speaker 1: to cook. It's kind of a tradition. I think she 16 00:00:58,360 --> 00:01:00,560 Speaker 1: must ask to wait on us because every week she's 17 00:01:00,560 --> 00:01:03,400 Speaker 1: a waitress. And to be honest, she's not that good. 18 00:01:03,560 --> 00:01:07,480 Speaker 1: I don't know. She constantly forgets to bring out drinks 19 00:01:07,480 --> 00:01:11,560 Speaker 1: and constantly gets the order wrong. Then we won't see 20 00:01:11,560 --> 00:01:13,319 Speaker 1: her for like thirty minutes and you know what's same 21 00:01:13,319 --> 00:01:15,880 Speaker 1: thing every single time. The worst is at the end. 22 00:01:16,200 --> 00:01:18,800 Speaker 1: I feel obligated to give her a giant tip even 23 00:01:18,800 --> 00:01:23,320 Speaker 1: though she doesn't deserve one. Do you think I'm obligated 24 00:01:23,600 --> 00:01:25,520 Speaker 1: to give a big tip to a bad waitress just 25 00:01:25,560 --> 00:01:27,959 Speaker 1: because I know her and her family? What would everyone 26 00:01:27,959 --> 00:01:31,640 Speaker 1: else do in this situation? Signed Chelsea. Yeah, yes, get 27 00:01:31,680 --> 00:01:34,320 Speaker 1: a good tip. She might be like, oh, I know them, 28 00:01:34,360 --> 00:01:37,280 Speaker 1: so I don't have to be as on for them. 29 00:01:38,440 --> 00:01:41,760 Speaker 1: She might just be a bad waitress, That's what I think. Probably. 30 00:01:42,480 --> 00:01:44,680 Speaker 1: I think she's just probably not very good at her job. 31 00:01:45,000 --> 00:01:49,120 Speaker 1: She's seventeen. Seventeen year olds aren't normally that good. But 32 00:01:49,280 --> 00:01:52,360 Speaker 1: how do they learn not getting good tips? You know 33 00:01:52,520 --> 00:01:55,320 Speaker 1: she's just that that family can't be the one to her. 34 00:01:55,480 --> 00:01:57,400 Speaker 1: I know you need to make up for all the 35 00:01:57,440 --> 00:01:59,240 Speaker 1: tips she's not getting. I don't think it needs to 36 00:01:59,280 --> 00:02:02,960 Speaker 1: be massive, But you do know them, so you are 37 00:02:03,080 --> 00:02:05,160 Speaker 1: kind of It is weird too, if she's asking for 38 00:02:05,200 --> 00:02:07,960 Speaker 1: them that puts them. It doesn't sound like she is 39 00:02:08,480 --> 00:02:11,080 Speaker 1: every time they go in. She's a waitress, it's kind 40 00:02:11,120 --> 00:02:15,040 Speaker 1: of weird. Um. Well, yeah, but I mean I would 41 00:02:15,080 --> 00:02:17,560 Speaker 1: I was a hostess and know it's not the same thing, 42 00:02:17,639 --> 00:02:18,880 Speaker 1: not at all. We used to get anger at you guys, 43 00:02:18,919 --> 00:02:20,840 Speaker 1: but go ahead, Oh trust me. I know I got 44 00:02:20,919 --> 00:02:22,680 Speaker 1: yelled out a lot. Why I didn't yell, but I'd 45 00:02:22,680 --> 00:02:24,040 Speaker 1: be like, why did you see them in that section? Yeah, 46 00:02:24,240 --> 00:02:25,800 Speaker 1: you've already seated three tables over there and I'm over 47 00:02:25,800 --> 00:02:29,639 Speaker 1: here with nothing. Yeah, well I had more. I was, oh, 48 00:02:29,720 --> 00:02:34,280 Speaker 1: I'll tea really Yeah. Anyway, I w if someone came 49 00:02:34,280 --> 00:02:35,640 Speaker 1: in the I knew I always tried to be the 50 00:02:35,639 --> 00:02:37,800 Speaker 1: one to seat them. I mean, that's just fun. So 51 00:02:37,840 --> 00:02:39,600 Speaker 1: if I was waiting, of course I woul't want to 52 00:02:39,600 --> 00:02:41,200 Speaker 1: wait on them. Hey those are my people. Let me 53 00:02:41,240 --> 00:02:44,480 Speaker 1: wait on that table and you can slowly peel back 54 00:02:44,520 --> 00:02:46,399 Speaker 1: how big the tip is just by little by little 55 00:02:46,440 --> 00:02:49,400 Speaker 1: each time, so it doesn't set that, but you do 56 00:02:49,520 --> 00:02:53,240 Speaker 1: have to tip really well if they're a friend. General 57 00:02:53,800 --> 00:02:58,560 Speaker 1: waiter rules lunchbox, you don't agree. No, guys, you're you're 58 00:02:58,600 --> 00:03:01,360 Speaker 1: giving everybody a participation, some trophy. You are there to 59 00:03:01,440 --> 00:03:03,400 Speaker 1: do a job and earn that tip. If you're not 60 00:03:03,440 --> 00:03:05,560 Speaker 1: doing a good job, the only way you're gonna learn 61 00:03:06,080 --> 00:03:07,920 Speaker 1: is if you give them a bad tip, and they'd 62 00:03:07,919 --> 00:03:09,800 Speaker 1: be like, man, I really need to up my game 63 00:03:10,080 --> 00:03:12,440 Speaker 1: to get a better tip. It's sort of like with kids. 64 00:03:12,639 --> 00:03:15,680 Speaker 1: You don't reward them for bad behavior, you reward them 65 00:03:15,680 --> 00:03:17,720 Speaker 1: for good behavior. She's not good at her job, so 66 00:03:17,760 --> 00:03:19,920 Speaker 1: she doesn't get a big tip period. Well you're not 67 00:03:19,919 --> 00:03:21,560 Speaker 1: giving her the tip because of how good she's the job. 68 00:03:21,600 --> 00:03:24,840 Speaker 1: You're giving her the tip because you're sitting at her table. Yeah, 69 00:03:24,840 --> 00:03:27,239 Speaker 1: it's just it's just different. If you wait at tables 70 00:03:27,240 --> 00:03:28,880 Speaker 1: and somebody comes in that you know you expect a 71 00:03:28,880 --> 00:03:33,840 Speaker 1: bigger tip. So difficult situation. But I do think that 72 00:03:33,960 --> 00:03:35,600 Speaker 1: expectation is there, and if you don't, she gonna tell 73 00:03:35,600 --> 00:03:36,920 Speaker 1: her mom and then you're gonna be off with the pta. 74 00:03:37,720 --> 00:03:40,480 Speaker 1: So there you have it. All right, that's the mailbag. 75 00:03:40,520 --> 00:03:46,520 Speaker 1: Thank you, Chelsea. We've got your Now it's about the clothes, 76 00:03:49,880 --> 00:03:51,760 Speaker 1: all right. Hardy is here with us right now? Who 77 00:03:52,360 --> 00:03:54,680 Speaker 1: I mean to have your life? You're writing hits? Yeah? 78 00:03:55,120 --> 00:03:57,040 Speaker 1: You last time I looked at was ten number ones? 79 00:03:57,400 --> 00:03:58,880 Speaker 1: Is that still accurate? Because I know you're about to 80 00:03:58,880 --> 00:04:01,880 Speaker 1: have another one? Yeah? It's ten? Okay, could you I'm 81 00:04:01,920 --> 00:04:03,520 Speaker 1: not gonna ask you too, but could you name them 82 00:04:03,520 --> 00:04:05,800 Speaker 1: all quickly? Yeah? Okay, Well here we go. I'm gonna 83 00:04:05,800 --> 00:04:08,480 Speaker 1: ask you come on, okay, okay, let's hear your ten 84 00:04:08,600 --> 00:04:12,160 Speaker 1: number one songs. Go okay, up, down, simple, I don't 85 00:04:12,160 --> 00:04:15,800 Speaker 1: know about you. God's Country one big country song, some Girls, 86 00:04:16,279 --> 00:04:20,280 Speaker 1: more than My Hometown, one beer single, Saturday Night saying 87 00:04:20,320 --> 00:04:23,840 Speaker 1: in my boots. That's pretty good. Yeah, that's pretty impressive man. 88 00:04:24,040 --> 00:04:27,360 Speaker 1: And what he just said, there's worth of money. Yeah, 89 00:04:27,400 --> 00:04:31,680 Speaker 1: that's pretty cool. Pretty cool. So I had Earnest over 90 00:04:31,720 --> 00:04:34,000 Speaker 1: at the house. Yeah, we were talking about Jane and 91 00:04:34,040 --> 00:04:38,480 Speaker 1: so you in my mind, you Earnest and Morgan run 92 00:04:38,920 --> 00:04:42,359 Speaker 1: pretty tight? Is that? Yes? How did that relationship come about? 93 00:04:42,480 --> 00:04:46,599 Speaker 1: It's pretty organic. It really all happened through Big Loud, 94 00:04:46,800 --> 00:04:52,040 Speaker 1: our record label. Um Ernest had written for Big Loud 95 00:04:52,080 --> 00:04:56,000 Speaker 1: for forever. Morgan was a Big Loud artist, and I 96 00:04:56,040 --> 00:04:59,960 Speaker 1: met them through FHL because before I was a feel 97 00:05:00,160 --> 00:05:02,960 Speaker 1: ended like professionally with Big Loud, I was out on 98 00:05:03,000 --> 00:05:05,120 Speaker 1: the road with FHL for a long time writing and 99 00:05:05,160 --> 00:05:07,280 Speaker 1: so there was a lot of Big Loud people in 100 00:05:07,320 --> 00:05:09,760 Speaker 1: and out. Morgan was on tour with them, Ernest would 101 00:05:09,800 --> 00:05:13,320 Speaker 1: be out writing and and uh, it just kind of 102 00:05:13,320 --> 00:05:15,760 Speaker 1: happened organically. We just started hanging out and realized we 103 00:05:15,760 --> 00:05:17,520 Speaker 1: had a lot in common and we loved writing songs, 104 00:05:17,520 --> 00:05:19,839 Speaker 1: and you know, it just sort of happened. Hardy scored 105 00:05:19,839 --> 00:05:22,200 Speaker 1: his first number one as an artist with One Beer. 106 00:05:22,240 --> 00:05:23,680 Speaker 1: I don't want to play a clip of this song here. 107 00:05:23,960 --> 00:05:30,800 Speaker 1: Here's one Beer has a top five song right now 108 00:05:30,839 --> 00:05:36,200 Speaker 1: with Dirks and Breelyn called Beers on Me short coincidence, 109 00:05:36,240 --> 00:05:37,880 Speaker 1: two beers at the same time. Has that been brought 110 00:05:37,920 --> 00:05:41,159 Speaker 1: up to you yet? No, that hasn't not till now. 111 00:05:42,080 --> 00:05:43,760 Speaker 1: You're not the beer guy. Though they don't call you ank. 112 00:05:44,000 --> 00:05:46,919 Speaker 1: I mean they could, they definitely could. For sure. You 113 00:05:47,040 --> 00:05:49,520 Speaker 1: won this Songwriter of the Year for twenty twenty two. Yeah, 114 00:05:49,560 --> 00:05:52,360 Speaker 1: that's pretty significant because you're also an artist. Yeah, it's 115 00:05:52,360 --> 00:05:54,560 Speaker 1: pretty wild, man, Like you're starting to blow up as 116 00:05:54,560 --> 00:05:56,800 Speaker 1: an artist while you're still killing. Like, where do you 117 00:05:56,839 --> 00:05:59,200 Speaker 1: have all the time to do this? I just I 118 00:05:59,320 --> 00:06:02,480 Speaker 1: try to make time, and I just I write during 119 00:06:02,520 --> 00:06:05,480 Speaker 1: the week, like we you know, typically summertimes a little 120 00:06:05,480 --> 00:06:09,120 Speaker 1: bit different, but we tour, you know, Thursday, Friday, Saturday. 121 00:06:09,480 --> 00:06:11,800 Speaker 1: I take Sunday off and sometimes Monday, and then I 122 00:06:11,839 --> 00:06:14,560 Speaker 1: would try to write Tuesday and Wednesday and try to 123 00:06:14,600 --> 00:06:18,200 Speaker 1: write on the road. It's just I try to balance 124 00:06:18,360 --> 00:06:21,320 Speaker 1: them both at the same time. It can be tough sometimes, 125 00:06:21,360 --> 00:06:26,000 Speaker 1: but you know, I give it everything I got. There's 126 00:06:26,040 --> 00:06:29,000 Speaker 1: something for everyone on Discovery Plus, the streaming home for 127 00:06:29,200 --> 00:06:33,040 Speaker 1: armchair detectives, nature fans, and anyone who loves ninety day Fiance, 128 00:06:33,480 --> 00:06:37,359 Speaker 1: stream true crime documentaries, relationships, and so much more for 129 00:06:37,400 --> 00:06:40,680 Speaker 1: as low as four ninety nine Discovery Plus start your 130 00:06:40,680 --> 00:06:44,160 Speaker 1: free trial terms apply. Hart. He is here, He's got 131 00:06:44,160 --> 00:06:45,960 Speaker 1: ten number one. He was a songwriter the Year in 132 00:06:46,000 --> 00:06:49,960 Speaker 1: twenty twenty two. I mean as an artist, he's on everything, Like, 133 00:06:50,000 --> 00:06:53,960 Speaker 1: you're wildly and widely respected in this town. It's and 134 00:06:54,120 --> 00:06:57,159 Speaker 1: I see you as a guy who's you know, I 135 00:06:57,160 --> 00:07:00,160 Speaker 1: mean you got tattoos, you got the look like it's 136 00:07:00,200 --> 00:07:03,760 Speaker 1: hard to see Hardy the complete successful song where the 137 00:07:03,800 --> 00:07:05,640 Speaker 1: people are dying to work with on a professional level, 138 00:07:05,720 --> 00:07:07,200 Speaker 1: and then the artist that gets out there and just 139 00:07:07,200 --> 00:07:10,320 Speaker 1: goes absolutely ham on stage, Like that's that's a that's 140 00:07:10,400 --> 00:07:12,240 Speaker 1: quite the juxtaposition there. Do you feel like you're two 141 00:07:12,240 --> 00:07:15,480 Speaker 1: different people? Definitely? I mean you're a if you're like 142 00:07:16,080 --> 00:07:19,120 Speaker 1: a lot of people have the philosophy of like your 143 00:07:19,200 --> 00:07:21,920 Speaker 1: artists is like your your your artistry is your art 144 00:07:22,040 --> 00:07:25,720 Speaker 1: you know, And that's so Hardy is in a lot 145 00:07:25,760 --> 00:07:28,360 Speaker 1: of ways different than Michael Hardy. I feel like on stage, 146 00:07:28,400 --> 00:07:32,160 Speaker 1: I'm a lot more animated, a lot less h chill. 147 00:07:33,240 --> 00:07:35,080 Speaker 1: It's just like an outlet for me to kind of 148 00:07:35,120 --> 00:07:38,440 Speaker 1: get everything out. And um, you know, as a songwriter, 149 00:07:38,680 --> 00:07:41,640 Speaker 1: just a dude, I feel like I'm pretty still pretty normal. 150 00:07:41,680 --> 00:07:43,560 Speaker 1: I guess what do your friends call you? They call 151 00:07:43,640 --> 00:07:45,880 Speaker 1: you Michael Hardy. They do everyone. While I went with 152 00:07:45,920 --> 00:07:48,800 Speaker 1: the artist's name is I have like one friend that 153 00:07:48,840 --> 00:07:51,240 Speaker 1: calls me Michael, and then like my fiance and like 154 00:07:51,280 --> 00:07:54,320 Speaker 1: my family, but everybody since like high school, most people 155 00:07:54,360 --> 00:07:56,920 Speaker 1: have just called me Hardy. My favorite song of yours 156 00:07:56,960 --> 00:07:58,320 Speaker 1: And I don't know if you remember I message you 157 00:07:58,720 --> 00:08:01,200 Speaker 1: a few days ago. Yeah, uh that he went to 158 00:08:01,280 --> 00:08:04,120 Speaker 1: Jared Yeah, And it's such a funny song. But it's 159 00:08:04,120 --> 00:08:07,640 Speaker 1: also so catchy in that line he went to ole Miss, 160 00:08:07,720 --> 00:08:10,280 Speaker 1: I went to work. Yeah, like anyone that grew up 161 00:08:10,320 --> 00:08:12,840 Speaker 1: like me in a rural town. Sure, Like you just 162 00:08:12,840 --> 00:08:15,120 Speaker 1: hate the guy that went to ole Miss, Like, I mean, 163 00:08:15,160 --> 00:08:17,760 Speaker 1: it's like the rich. It was the privilege college for sure, 164 00:08:17,960 --> 00:08:22,200 Speaker 1: and my fiance went to ole Miss. But um, I 165 00:08:22,240 --> 00:08:24,800 Speaker 1: grew up a state fan. I'm my parents were I 166 00:08:24,840 --> 00:08:27,400 Speaker 1: moved here when I was nineteen, so I reluctantly didn't 167 00:08:27,400 --> 00:08:30,080 Speaker 1: go to State. But but I grew up to not 168 00:08:30,160 --> 00:08:31,600 Speaker 1: be a fan of Old Miss, and so it was 169 00:08:31,800 --> 00:08:34,920 Speaker 1: it was a nice opportunity to for a little slam, 170 00:08:35,000 --> 00:08:36,720 Speaker 1: for sure. So let me see if I remember the lyrics. 171 00:08:36,720 --> 00:08:37,800 Speaker 1: I don't have him in front of me, but I've 172 00:08:37,840 --> 00:08:39,760 Speaker 1: listened to that song so many times. He went to 173 00:08:39,800 --> 00:08:42,560 Speaker 1: Ole Miss. I went to work. He's pushing paper. I'm 174 00:08:42,600 --> 00:08:47,600 Speaker 1: pushing dirt right, keep going. I play a clean cut, 175 00:08:48,040 --> 00:08:50,840 Speaker 1: driving him a clean truck. I'm just sitting here drinking 176 00:08:50,880 --> 00:08:54,600 Speaker 1: beer with my jeans tucked. And then he went to Jared. 177 00:08:54,679 --> 00:08:57,240 Speaker 1: You went to the bar, Yeah, he went. He went 178 00:08:57,280 --> 00:08:59,240 Speaker 1: to Jared, I went to the bar. That song is 179 00:08:59,280 --> 00:09:01,079 Speaker 1: I'm gonna play in the second. But that's the song 180 00:09:01,240 --> 00:09:03,280 Speaker 1: like of all and you have your body at work 181 00:09:03,440 --> 00:09:05,000 Speaker 1: and not just the things that you sing, but that's 182 00:09:05,160 --> 00:09:07,840 Speaker 1: and when I saw you perform that, it's my favorite performance. 183 00:09:08,040 --> 00:09:10,480 Speaker 1: I mean, it was so good. Awesome, man, ever been 184 00:09:10,559 --> 00:09:12,080 Speaker 1: he to talk about that one being on you know, 185 00:09:12,200 --> 00:09:14,559 Speaker 1: one of the one of the big radio songs that 186 00:09:15,120 --> 00:09:17,880 Speaker 1: beyond that was that was on that that record at 187 00:09:17,880 --> 00:09:20,200 Speaker 1: the collab record, The first one I did called Hicks tape, 188 00:09:20,240 --> 00:09:22,679 Speaker 1: and at one Beer actually did come off with that 189 00:09:22,800 --> 00:09:24,760 Speaker 1: record and we ended up putting it on my record 190 00:09:24,760 --> 00:09:27,480 Speaker 1: as well. But uh no, it was just fun and 191 00:09:27,640 --> 00:09:29,960 Speaker 1: it was like potent. It did well like online and 192 00:09:29,960 --> 00:09:32,400 Speaker 1: stuff like that, but we never really talked about going 193 00:09:32,440 --> 00:09:34,520 Speaker 1: to radio with it. It's just a fun, fun song 194 00:09:34,559 --> 00:09:36,280 Speaker 1: to play live. And how did you get Morgan wailing 195 00:09:36,320 --> 00:09:38,640 Speaker 1: on it with you? But we're just buddies, and he was. 196 00:09:38,720 --> 00:09:40,400 Speaker 1: He was always a fan of that song. I think 197 00:09:40,440 --> 00:09:43,280 Speaker 1: at one point he even said like, I think I 198 00:09:43,360 --> 00:09:46,200 Speaker 1: might cut this, and then before he cut again, before 199 00:09:46,240 --> 00:09:48,920 Speaker 1: he started going back in the studio, I did, so 200 00:09:48,960 --> 00:09:50,559 Speaker 1: I beat him to it, and I said, well, why 201 00:09:50,559 --> 00:09:52,640 Speaker 1: don't we just do it together? So I'm gonna play 202 00:09:52,640 --> 00:09:54,480 Speaker 1: it in a second. There's another thing that you guys 203 00:09:54,480 --> 00:09:57,640 Speaker 1: do where you you shot gun the beer pop? Is 204 00:09:57,640 --> 00:10:00,120 Speaker 1: that legit? Yeah? Do you try to get better or 205 00:10:00,160 --> 00:10:03,120 Speaker 1: at it as the tour goes? So? Like competition? About 206 00:10:03,120 --> 00:10:04,880 Speaker 1: as good as I am ever gonna get at it. 207 00:10:05,400 --> 00:10:07,520 Speaker 1: I've been doing it a long time. Do you ever 208 00:10:08,000 --> 00:10:10,360 Speaker 1: had finish that and go, oh, I'm a little drunk, 209 00:10:10,920 --> 00:10:12,560 Speaker 1: like I guess the whole night I used to but 210 00:10:12,679 --> 00:10:14,760 Speaker 1: I feel like I've gotten in such a rhythm now 211 00:10:14,800 --> 00:10:18,000 Speaker 1: it's all it's always like the same every night, but 212 00:10:18,040 --> 00:10:21,040 Speaker 1: there's been there's definitely been times. Do you ever not 213 00:10:21,080 --> 00:10:22,400 Speaker 1: want to do it? Like, I know we have it 214 00:10:22,480 --> 00:10:24,840 Speaker 1: in the set, that's right, and I gotta go. You're 215 00:10:24,880 --> 00:10:27,000 Speaker 1: bloated and you just don't want to do it. I 216 00:10:27,040 --> 00:10:29,400 Speaker 1: don't drink beer before the show because of that, and 217 00:10:29,920 --> 00:10:32,839 Speaker 1: like it it makes me burp and I don't want 218 00:10:32,840 --> 00:10:35,359 Speaker 1: to like be in the middle of singing and just 219 00:10:35,360 --> 00:10:39,560 Speaker 1: just rip one in front of everybody. But no, it's 220 00:10:39,600 --> 00:10:42,840 Speaker 1: and and it's it's that's my last like performance, you know, 221 00:10:42,960 --> 00:10:45,000 Speaker 1: of the night, and so it's a nice it's almost 222 00:10:45,040 --> 00:10:48,000 Speaker 1: like a nightcap of like it's like a treat or 223 00:10:48,040 --> 00:10:50,600 Speaker 1: a reward, you know, the shotgun of beer and then 224 00:10:50,640 --> 00:10:52,080 Speaker 1: you're done. You can go do whatever you want. You 225 00:10:52,160 --> 00:10:54,040 Speaker 1: come up from the bottom of this underneath the stage 226 00:10:54,200 --> 00:10:57,040 Speaker 1: out of nowhere there's Hardy and he's going hard You're like, wow, 227 00:10:57,040 --> 00:10:59,240 Speaker 1: what is happening right now? And then Morgan, it's just 228 00:11:00,160 --> 00:11:03,319 Speaker 1: funny song, great song and glad you're here. Give EBITs mail. 229 00:11:03,360 --> 00:11:05,600 Speaker 1: We just played at top fifteen. You also have the 230 00:11:05,640 --> 00:11:08,640 Speaker 1: song with Dirks and Brelan. That's top five. I mean 231 00:11:08,720 --> 00:11:11,640 Speaker 1: you're everywhere. That's all. That's all you ever wanted, I 232 00:11:11,679 --> 00:11:15,680 Speaker 1: think so. Man, just happy to be along for the ride. Man, 233 00:11:16,320 --> 00:11:19,480 Speaker 1: Will you write a song today? Yeah, I'll write a song. 234 00:11:19,520 --> 00:11:22,040 Speaker 1: I'm going to write a song in like twenty minutes. 235 00:11:22,120 --> 00:11:23,600 Speaker 1: You have an idea of what the song will be about. 236 00:11:23,640 --> 00:11:25,160 Speaker 1: Can you give us a rough outline of what you're 237 00:11:25,200 --> 00:11:28,280 Speaker 1: going to pitch in the room. I have a couple ideas. 238 00:11:28,960 --> 00:11:34,000 Speaker 1: We have an idea that's kind of similar to great 239 00:11:34,080 --> 00:11:36,520 Speaker 1: Day to be Alive in the same vein that I 240 00:11:36,559 --> 00:11:39,120 Speaker 1: think I might throw out today. Not saying we'll write that. 241 00:11:39,160 --> 00:11:41,960 Speaker 1: We might. Everybody else might hate it, but um, it's 242 00:11:41,960 --> 00:11:45,320 Speaker 1: a very similar Like I'm a good old boy and 243 00:11:45,559 --> 00:11:47,320 Speaker 1: these are good things that are happening to me, and 244 00:11:47,320 --> 00:11:49,160 Speaker 1: they might not be important to everybody, but they're important 245 00:11:49,160 --> 00:11:51,000 Speaker 1: to me. You kind of idea called a great night 246 00:11:51,080 --> 00:11:55,520 Speaker 1: not to be dead? You have that? Have that on me? Okay, 247 00:11:55,720 --> 00:11:59,400 Speaker 1: that's for you at Hardy on Instagram. And I'm gonna 248 00:11:59,440 --> 00:12:01,959 Speaker 1: play a song now, even though it's it's old. On 249 00:12:02,040 --> 00:12:05,040 Speaker 1: Hicks tape one. This is he went to Jared, which 250 00:12:05,040 --> 00:12:06,520 Speaker 1: I think is such a funny song. It's such a 251 00:12:06,520 --> 00:12:08,640 Speaker 1: great song. And congratulations on everything. Man, thank you there 252 00:12:08,800 --> 00:12:13,800 Speaker 1: is hardy everybody. Hey Bobby here, you like options right 253 00:12:13,840 --> 00:12:16,360 Speaker 1: with the flexible payment options at the General Insurance you 254 00:12:16,360 --> 00:12:18,440 Speaker 1: can choose your payment date and choose how you pay. 255 00:12:18,559 --> 00:12:21,280 Speaker 1: They accept cash, card and check. Call eight hundred General 256 00:12:21,400 --> 00:12:23,680 Speaker 1: or visit the General dot com for a quote today. 257 00:12:23,720 --> 00:12:27,120 Speaker 1: The General Auto Insurance Services, Inc. An insurance agency Nashville, Tennessee. 258 00:12:27,160 --> 00:12:35,400 Speaker 1: Some restrictions apply. It's time for the good news. You 259 00:12:35,440 --> 00:12:37,520 Speaker 1: know how you see a cat stuck in a tree? 260 00:12:37,559 --> 00:12:41,360 Speaker 1: So who do they call? Firefighter? Yeah, I've never actually 261 00:12:41,360 --> 00:12:45,160 Speaker 1: seen that, but on television that's what happens. Well, these 262 00:12:45,200 --> 00:12:47,520 Speaker 1: firefighters in New York were called to rescue a horse 263 00:12:47,600 --> 00:12:50,760 Speaker 1: stuck in a pool. What probably don't get that call 264 00:12:50,800 --> 00:12:53,920 Speaker 1: a lot? Probably not. So firefighters in New York had 265 00:12:53,960 --> 00:12:56,400 Speaker 1: to rescue a horse that fell into a residence backyard 266 00:12:56,400 --> 00:12:59,880 Speaker 1: pool and then became entangled in the cover. So they 267 00:13:00,040 --> 00:13:03,640 Speaker 1: out there with the police the horse and I I'm 268 00:13:03,679 --> 00:13:05,760 Speaker 1: not saying I would be so smart that I wouldn't 269 00:13:05,760 --> 00:13:07,360 Speaker 1: do this, tried to walk on top of the cover 270 00:13:07,360 --> 00:13:09,480 Speaker 1: because it makes sense. Yeah, okay, I get it now. 271 00:13:09,520 --> 00:13:11,400 Speaker 1: I had so many questions that now it's make let 272 00:13:11,440 --> 00:13:12,760 Speaker 1: me answer them all for you. And then he fell 273 00:13:12,760 --> 00:13:15,640 Speaker 1: in and so they worked. They got the horse first, 274 00:13:15,679 --> 00:13:17,400 Speaker 1: they had to untangled, and then they walked into the 275 00:13:17,400 --> 00:13:19,120 Speaker 1: shallow and they got it out of the pool. But 276 00:13:19,200 --> 00:13:22,120 Speaker 1: that's a call. I bet they don't get off it again. Now, 277 00:13:22,200 --> 00:13:24,360 Speaker 1: I want to horse in my backyard. That made you 278 00:13:24,400 --> 00:13:25,560 Speaker 1: want to horse in your back room? Well, I mean 279 00:13:25,559 --> 00:13:27,000 Speaker 1: I've always wanted to one. What I mean, I didn't 280 00:13:27,040 --> 00:13:29,679 Speaker 1: I guess I don't know how big their backyard is, 281 00:13:29,760 --> 00:13:32,560 Speaker 1: but it's pretty big. Yeah, it can hold the horse, 282 00:13:33,440 --> 00:13:36,680 Speaker 1: all right. That's what it's all about. That was tell 283 00:13:36,720 --> 00:13:40,600 Speaker 1: me something good, just funny or not cool. There's a 284 00:13:40,760 --> 00:13:44,480 Speaker 1: girl she calls herself the Lipstick Bandit, and she does 285 00:13:44,480 --> 00:13:46,160 Speaker 1: these little videos and she goes up to guys and 286 00:13:46,240 --> 00:13:48,800 Speaker 1: bars and she's like kisses the back of their shirt 287 00:13:48,840 --> 00:13:52,480 Speaker 1: without them knowing it. Lipstick. That is so mean, so mean. 288 00:13:52,800 --> 00:13:55,800 Speaker 1: That is wrong. It is so wrong. I tell you. 289 00:13:55,840 --> 00:13:59,360 Speaker 1: One time I was leaving a party and somebody sprayed perfume. 290 00:13:59,600 --> 00:14:04,400 Speaker 1: Oh no, And I know you don't believe me. They 291 00:14:04,520 --> 00:14:07,200 Speaker 1: do that. This is perfect, This is perfect. Let me 292 00:14:07,240 --> 00:14:09,640 Speaker 1: say this, this is prettyfect. I went Wow, I cannot 293 00:14:09,640 --> 00:14:12,000 Speaker 1: believe it. That is so mean, and Amy goes, that's 294 00:14:12,000 --> 00:14:13,839 Speaker 1: not true. And that's what I worried about when I 295 00:14:13,840 --> 00:14:15,280 Speaker 1: got home. It's like, is my wife wand I think 296 00:14:15,320 --> 00:14:17,720 Speaker 1: this is real or not? You wouldn't believe it. He's 297 00:14:17,760 --> 00:14:20,280 Speaker 1: still to keep up the story. Come on, this was 298 00:14:20,320 --> 00:14:24,040 Speaker 1: like twenty years ago, and I admire about you. Admire 299 00:14:24,080 --> 00:14:27,400 Speaker 1: that about you. No, it was crazy. That's hilarious. Act. 300 00:14:27,440 --> 00:14:29,480 Speaker 1: It's so different to that you have. But why would 301 00:14:29,480 --> 00:14:32,080 Speaker 1: someone do that? For that exact reason? They were spraying 302 00:14:32,120 --> 00:14:35,400 Speaker 1: everyone just like I'm like, I've got my way home. 303 00:14:35,480 --> 00:14:38,800 Speaker 1: Don't do that. The lipstick bandit, why would she do that? Funny? Yeah, 304 00:14:39,160 --> 00:14:41,880 Speaker 1: it's funny, not funny, It's not funny. Nicholas Cage is 305 00:14:41,880 --> 00:14:45,960 Speaker 1: the actor. What's his best movie? Face Off? That's not it? 306 00:14:46,040 --> 00:14:50,680 Speaker 1: Oh National Treasure, National Treasure, Conair, Oh good one, it's 307 00:14:50,720 --> 00:14:53,760 Speaker 1: a good one. He bought a dinosaur skull and he 308 00:14:53,840 --> 00:14:55,840 Speaker 1: spent like three hundred thousand bucks on it. But here 309 00:14:55,880 --> 00:14:57,760 Speaker 1: he is he's like, I still hit a donated back 310 00:14:57,840 --> 00:15:00,280 Speaker 1: because it was stolen. What and here he is talking 311 00:15:00,280 --> 00:15:03,040 Speaker 1: about he still hasn't got his money back. There's the skull. 312 00:15:03,080 --> 00:15:07,360 Speaker 1: I bought at an auction and I bought it legally. 313 00:15:07,720 --> 00:15:11,400 Speaker 1: Here's the mcguffin. When the Mocgolian government said that they 314 00:15:11,600 --> 00:15:13,440 Speaker 1: needed it back, I gave it to him. But I 315 00:15:13,480 --> 00:15:16,760 Speaker 1: never got my money back. So somebody at the auction 316 00:15:16,800 --> 00:15:22,240 Speaker 1: house should be in jail. What's mcguffin? Is it kind 317 00:15:22,280 --> 00:15:25,120 Speaker 1: of sounds like if Luke Brian was a bit older 318 00:15:25,240 --> 00:15:27,760 Speaker 1: and a little drunker. For sure. That sounds like it 319 00:15:27,760 --> 00:15:31,680 Speaker 1: does I heard just guffin. No, it's mcguffin. Well, Nick 320 00:15:31,760 --> 00:15:34,160 Speaker 1: Cage bought a dinosaur skull for three hundred thousand bucks 321 00:15:34,280 --> 00:15:35,720 Speaker 1: and then had to give it back. Why do you 322 00:15:35,800 --> 00:15:37,440 Speaker 1: go with the Mongolian government, By the way, what are 323 00:15:37,480 --> 00:15:39,040 Speaker 1: they going to do? I think, I said a repo 324 00:15:39,120 --> 00:15:43,240 Speaker 1: man might definitely, they might a dangerous one. And then finally, 325 00:15:43,280 --> 00:15:45,920 Speaker 1: Arizona is going to offer the ability to put your 326 00:15:46,000 --> 00:15:48,720 Speaker 1: driver's license on your phone, meaning if you have an 327 00:15:48,720 --> 00:15:51,600 Speaker 1: Apple an iPhone, there's something called the wallet, and I 328 00:15:51,680 --> 00:15:54,520 Speaker 1: used that, you know, going to events, tickets for games 329 00:15:54,920 --> 00:15:56,120 Speaker 1: and so. But you can put on your phone and 330 00:15:56,120 --> 00:15:57,760 Speaker 1: go to the airport with just your phone. That's cool, 331 00:15:57,800 --> 00:15:59,400 Speaker 1: which seems cool, but people are worried, Well, what if 332 00:15:59,400 --> 00:16:02,680 Speaker 1: they hack it. Well, if they hack the phone, they're 333 00:16:02,680 --> 00:16:05,000 Speaker 1: going to get pictures of my ID anyway, because I 334 00:16:05,240 --> 00:16:10,720 Speaker 1: take my insurance cards something else to support. Yes, all 335 00:16:10,760 --> 00:16:15,600 Speaker 1: of that, Yes, and so I admire the people in 336 00:16:15,640 --> 00:16:18,280 Speaker 1: Arizona for trying this. I hope it is successful. Then 337 00:16:18,360 --> 00:16:20,720 Speaker 1: it will be open to everyone. Also, iPhones are hard 338 00:16:21,000 --> 00:16:23,120 Speaker 1: hard to hack because there will be stories in the 339 00:16:23,120 --> 00:16:26,200 Speaker 1: news where somebody commits a crime and dies, or somebody 340 00:16:26,240 --> 00:16:28,840 Speaker 1: has information and die and it's on their iPhone and 341 00:16:29,160 --> 00:16:30,800 Speaker 1: cops can't even get in the iPhone, like, they can't 342 00:16:30,800 --> 00:16:34,160 Speaker 1: even hack it. They don't, they can't get the code, 343 00:16:34,200 --> 00:16:36,560 Speaker 1: or they got to go to the Supreme Court. So 344 00:16:36,640 --> 00:16:39,600 Speaker 1: I hope this works good for Arizona. Two things we like, 345 00:16:39,680 --> 00:16:42,560 Speaker 1: one this and then two Arizona. Also, they have no 346 00:16:42,720 --> 00:16:45,600 Speaker 1: daylight savings, that's right. And you know what they're live 347 00:16:45,640 --> 00:16:49,040 Speaker 1: in life great ye last I actually the best best 348 00:16:49,040 --> 00:16:52,120 Speaker 1: life I've just read of all lives. Yes. Well, mcguffin 349 00:16:52,800 --> 00:16:55,920 Speaker 1: is necessary to the plot, so it's either an object, 350 00:16:55,920 --> 00:16:59,520 Speaker 1: device or event, and it normally serves as a trigger 351 00:16:59,560 --> 00:17:01,760 Speaker 1: for the plot. I used to get those when I 352 00:17:01,800 --> 00:17:03,480 Speaker 1: was a kid. It would be a real treasure to 353 00:17:03,480 --> 00:17:05,080 Speaker 1: go to McDonald's in the morning and get one of those. 354 00:17:10,320 --> 00:17:12,639 Speaker 1: Since the beginning of time, we have known that bacon 355 00:17:12,720 --> 00:17:16,920 Speaker 1: makes everything better and a delicious Sonic cheeseburger a Cerlino exception. 356 00:17:17,200 --> 00:17:19,880 Speaker 1: But what would happen if Sonic took everything people love 357 00:17:20,119 --> 00:17:23,159 Speaker 1: about a decad at bacon burger experience and then double 358 00:17:23,240 --> 00:17:26,399 Speaker 1: did We're talking two perfectly season beef patties, two times 359 00:17:26,400 --> 00:17:30,600 Speaker 1: the melty American cheese, and most importantly, double the bacon. 360 00:17:30,920 --> 00:17:32,359 Speaker 1: And what have we topped it all off with a 361 00:17:32,359 --> 00:17:36,480 Speaker 1: tangy smoked sauce, set that big bacon flavor off just right. 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Mobile ordering available only 371 00:18:05,960 --> 00:18:10,040 Speaker 1: at select locations. Hours may vary limited time only. All right, 372 00:18:10,040 --> 00:18:13,080 Speaker 1: we're gonna help Morgan. Here, Morgan, what's happening at the 373 00:18:13,119 --> 00:18:16,119 Speaker 1: grocery store? Well, so I go to this place like regularly, 374 00:18:16,200 --> 00:18:19,960 Speaker 1: probably once a week, and this guy has picked up 375 00:18:19,960 --> 00:18:22,440 Speaker 1: on it, I guess. And so every time I go in, 376 00:18:22,480 --> 00:18:24,480 Speaker 1: one of the workers at the grocery store gives me 377 00:18:24,520 --> 00:18:27,600 Speaker 1: a free item. Sometimes it's a protein bar, sometimes it's 378 00:18:27,600 --> 00:18:30,520 Speaker 1: a chocolate cake, othertimes it's candy. I've gotten three free 379 00:18:30,520 --> 00:18:33,040 Speaker 1: items so far from this guy. Chocolate Cake's not like 380 00:18:33,080 --> 00:18:36,000 Speaker 1: the rest. You got a chocolate cake? Yeah, like it 381 00:18:36,080 --> 00:18:38,760 Speaker 1: was in life. Is a freezer section thing that you 382 00:18:38,800 --> 00:18:40,520 Speaker 1: pop in the oven or whatever. And he's like, this 383 00:18:40,600 --> 00:18:42,760 Speaker 1: is my favorite, started a whole conversation about it, and 384 00:18:42,760 --> 00:18:44,440 Speaker 1: then made sure he gave it to me for free. 385 00:18:44,640 --> 00:18:47,480 Speaker 1: Is he a manager? No, he's Also when I was 386 00:18:47,480 --> 00:18:50,440 Speaker 1: standing in line to check out, he purposely came and 387 00:18:50,520 --> 00:18:53,040 Speaker 1: switched the other guy out so that he would be 388 00:18:53,080 --> 00:18:57,480 Speaker 1: there checking me out. Okay, yeah for sure. Until then, 389 00:18:57,680 --> 00:19:00,000 Speaker 1: Up until then, I was like, maybe he does, Maybe 390 00:19:00,000 --> 00:19:04,000 Speaker 1: he doesn't that he's in love with you? Yeah, I 391 00:19:04,040 --> 00:19:06,840 Speaker 1: mean I feel like, are we Is he gonna lose 392 00:19:06,880 --> 00:19:08,960 Speaker 1: his job. He can't be doing this. I think there's 393 00:19:08,960 --> 00:19:12,720 Speaker 1: an important question. How old is this guy? I don't know. 394 00:19:12,840 --> 00:19:15,920 Speaker 1: He wears hats often, so I can't really tell on age, 395 00:19:15,920 --> 00:19:19,560 Speaker 1: but he does look like he's probably in his thirties roughly. 396 00:19:19,840 --> 00:19:23,400 Speaker 1: So he gives you free stuff, which strikes up conversation 397 00:19:23,800 --> 00:19:26,200 Speaker 1: when you're going through the line. He has he ever 398 00:19:26,359 --> 00:19:30,159 Speaker 1: at all flirted or made any sort of move. No, 399 00:19:30,320 --> 00:19:33,000 Speaker 1: he's never like out or done that. He told me 400 00:19:33,000 --> 00:19:35,600 Speaker 1: about his day and the hobby that he's gotten into, 401 00:19:35,640 --> 00:19:38,800 Speaker 1: which was like an extensive conversation with a cashier person. Yeah, 402 00:19:39,000 --> 00:19:41,880 Speaker 1: was a hobby gardening. He was really excited to tell 403 00:19:41,920 --> 00:19:45,280 Speaker 1: me about his gardening that he got into. Yeah, but 404 00:19:45,359 --> 00:19:47,119 Speaker 1: that was unprompted. He was like, how's your day. I 405 00:19:47,160 --> 00:19:48,840 Speaker 1: got into this and just wanted to talk to me 406 00:19:48,920 --> 00:19:51,200 Speaker 1: while this, I have like five items to check out. 407 00:19:51,280 --> 00:19:54,040 Speaker 1: Has he messaged you on Instagram and your general or 408 00:19:54,040 --> 00:19:56,359 Speaker 1: anything not that I'm aware of. No, Okay, he's in 409 00:19:56,440 --> 00:19:59,080 Speaker 1: love with you, right everybody for sure? Yeah? Do you 410 00:19:59,119 --> 00:20:02,120 Speaker 1: still have a boyfriend? Yes? I do? Okay, Okay, has 411 00:20:02,119 --> 00:20:04,280 Speaker 1: he seen him? Yes, he's been in the store with me, 412 00:20:04,400 --> 00:20:07,000 Speaker 1: but like we'll buy things separately, so sometimes he won't 413 00:20:07,000 --> 00:20:08,960 Speaker 1: see us together. And my boyfriend's like, it's fine, you 414 00:20:08,960 --> 00:20:11,080 Speaker 1: can just buy my groceries next time. This is what's 415 00:20:11,080 --> 00:20:12,800 Speaker 1: gonna happen. I like, how I think that'd be the 416 00:20:12,800 --> 00:20:14,560 Speaker 1: same way. I'd be like, hey, just go through by yourself. 417 00:20:14,560 --> 00:20:17,720 Speaker 1: Maybe another pretty cake today? What were you gonna say? Okay, 418 00:20:17,760 --> 00:20:21,520 Speaker 1: So either he's giving the handing it out for free 419 00:20:21,560 --> 00:20:24,800 Speaker 1: and like should it be? Or oh he's super sweet 420 00:20:24,840 --> 00:20:26,880 Speaker 1: and I mean he's covering the bill, like he knows 421 00:20:26,920 --> 00:20:29,760 Speaker 1: he gave away the chocolate cake and so he covers 422 00:20:29,840 --> 00:20:31,560 Speaker 1: Like maybe they have they can do that where they 423 00:20:31,600 --> 00:20:34,040 Speaker 1: pay the five dollars to make sure it's paid for it. Yeah, 424 00:20:34,040 --> 00:20:37,159 Speaker 1: but both are love but I'm just making sure. I 425 00:20:37,240 --> 00:20:38,919 Speaker 1: just worry about if he's doing something shading and he's 426 00:20:38,920 --> 00:20:40,800 Speaker 1: gonna end up getting fired because of Morgan. But we 427 00:20:40,800 --> 00:20:42,000 Speaker 1: don't even know the guy. We don't even know the 428 00:20:42,200 --> 00:20:44,920 Speaker 1: Why are you worried about him? Yeah? Would you date 429 00:20:45,000 --> 00:20:48,040 Speaker 1: this guy if you didn't have a boyfriend? I don't 430 00:20:48,040 --> 00:20:50,760 Speaker 1: think so. I mean he's cute, but not really my type. Okay, 431 00:20:50,800 --> 00:20:53,639 Speaker 1: so he must not be like a creepy stark type. No, 432 00:20:53,760 --> 00:20:56,560 Speaker 1: he doesn't act like that at all. So final question, 433 00:20:57,560 --> 00:21:00,359 Speaker 1: if for some reason, you and your boyfriend break up, 434 00:21:00,400 --> 00:21:03,200 Speaker 1: would you then consider the grocery store guy. I don't 435 00:21:03,280 --> 00:21:09,159 Speaker 1: think so he gives you chocolate cake, people starting together, like, 436 00:21:09,160 --> 00:21:10,760 Speaker 1: how long can I let this go on for? Do 437 00:21:10,840 --> 00:21:13,080 Speaker 1: I keep just letting him give me free stuff? That's how? 438 00:21:13,160 --> 00:21:16,560 Speaker 1: What does Morgan say anything? I don't Why would you 439 00:21:16,600 --> 00:21:20,280 Speaker 1: say something you're getting free stuff? Because eventually it's gonna 440 00:21:20,280 --> 00:21:22,840 Speaker 1: get awkward. Well, eventually he's gonna have to make some 441 00:21:22,880 --> 00:21:25,480 Speaker 1: sort of move, yes, and then that's when the free 442 00:21:25,480 --> 00:21:28,280 Speaker 1: stuff stops. Whenever you're like, oh, I have a boyfriend, 443 00:21:28,520 --> 00:21:30,080 Speaker 1: and that's when its heartbreaks and he has he goes 444 00:21:30,080 --> 00:21:33,919 Speaker 1: through depression, that's when all that stuff happens. Hurt her car. 445 00:21:34,080 --> 00:21:38,800 Speaker 1: That's gonna happen naturally, right, Um, what's gonna happen naturally? 446 00:21:38,800 --> 00:21:40,480 Speaker 1: The whole process. At some point he's gonna be like, 447 00:21:40,520 --> 00:21:42,000 Speaker 1: all right, I'm just gonna do it. Yeah, you want 448 00:21:42,000 --> 00:21:43,160 Speaker 1: to go on a date with me? And she's gonna 449 00:21:43,160 --> 00:21:45,639 Speaker 1: say no. He's obsessing about it every night. Yeah, and 450 00:21:45,720 --> 00:21:47,199 Speaker 1: not in like he's gonna stab you kind of way, 451 00:21:47,200 --> 00:21:48,359 Speaker 1: but he's like, oh, I really would We'll like to 452 00:21:48,359 --> 00:21:50,119 Speaker 1: work up the courage. We don't know that, but he 453 00:21:50,240 --> 00:21:52,320 Speaker 1: probably if I were, he can't find you on Instagram. 454 00:21:52,359 --> 00:21:54,600 Speaker 1: It's well, I guess you don't post your boyfriend on Instagram. 455 00:21:54,600 --> 00:21:57,280 Speaker 1: Really I don't, And I well, what's crazy, though, is 456 00:21:57,320 --> 00:21:59,320 Speaker 1: I also don't go in there like dolled up. I'm 457 00:21:59,320 --> 00:22:01,879 Speaker 1: like going in after I worked out, Like sometimes I 458 00:22:01,920 --> 00:22:03,480 Speaker 1: go in there without makeup. I don't know that this 459 00:22:03,560 --> 00:22:06,800 Speaker 1: man actually knows who or anything about me because I 460 00:22:06,840 --> 00:22:09,800 Speaker 1: go in there so different every time, Like sometimes I've 461 00:22:09,800 --> 00:22:11,920 Speaker 1: walked in there with full makeup and he's never talked 462 00:22:11,920 --> 00:22:15,000 Speaker 1: to me. So I don't know. My advice keep accepting 463 00:22:15,040 --> 00:22:16,800 Speaker 1: the free stuff, but just no, one day it's gonna 464 00:22:16,800 --> 00:22:18,639 Speaker 1: get awkward and he's like hey, and I would just 465 00:22:18,680 --> 00:22:20,960 Speaker 1: be prepared and be like, oh, I'd have some nice 466 00:22:21,000 --> 00:22:23,719 Speaker 1: answer to let him down easy, Okay, Can I just 467 00:22:23,760 --> 00:22:25,879 Speaker 1: be like, you know, I'm I'm sorry, I have a boyfriend. 468 00:22:26,000 --> 00:22:30,480 Speaker 1: You're super sweet, though I don't like, yeah, that's a 469 00:22:30,480 --> 00:22:33,639 Speaker 1: tough one. UM. I would probably say like, hey, buddy, 470 00:22:33,680 --> 00:22:35,359 Speaker 1: thanks for the free stuff, and maybe there's a chance 471 00:22:35,600 --> 00:22:37,480 Speaker 1: later if you can give me a free stuff. Oh wow, 472 00:22:37,520 --> 00:22:41,960 Speaker 1: but right now, I have a boyfriend. But Yeah, it's good. 473 00:22:42,400 --> 00:22:45,119 Speaker 1: It's gonna get awkward. You can make it awkward earlier 474 00:22:45,160 --> 00:22:47,199 Speaker 1: by going, hey, I can't take that stuff because I 475 00:22:47,240 --> 00:22:48,480 Speaker 1: have a boyfriend, and then he goes, I'll just give 476 00:22:48,480 --> 00:22:50,040 Speaker 1: it to you because it's part of the art sale today. 477 00:22:51,800 --> 00:22:53,680 Speaker 1: I'm not gonna do that. I can't. I'm so bad 478 00:22:53,720 --> 00:22:56,800 Speaker 1: about being awkward. It's but I'm not doing that. Okay. Predictions. 479 00:22:56,800 --> 00:22:58,680 Speaker 1: This is how we're gonna wrap this up. A prediction game. 480 00:22:59,320 --> 00:23:01,720 Speaker 1: The next time Morgan goes in, if he gives her something, 481 00:23:01,800 --> 00:23:04,440 Speaker 1: what will it be? Oh, everybody want to put it? 482 00:23:04,600 --> 00:23:06,600 Speaker 1: Everyone put a dollar in, sure, and if somebody gets 483 00:23:06,600 --> 00:23:08,760 Speaker 1: it right. We got to be specific though, right, like 484 00:23:08,840 --> 00:23:11,639 Speaker 1: a specific item. Okay, I'll go ahead of let us Okay, 485 00:23:11,920 --> 00:23:15,800 Speaker 1: that's you've lost. Hey, you don't know Amy boxing cereal. 486 00:23:16,240 --> 00:23:22,720 Speaker 1: Oh it's good Eddie Um paper products. Not just with 487 00:23:23,320 --> 00:23:26,720 Speaker 1: let's go with paper towels. Okay, too big lunch box. 488 00:23:26,880 --> 00:23:29,200 Speaker 1: It's easy, guys. It's a bell pepper. She likes green 489 00:23:29,240 --> 00:23:34,280 Speaker 1: bell peppers gardens from his own garden. That's so good. Okay, 490 00:23:34,480 --> 00:23:36,560 Speaker 1: let us know. Next time you go in, he will 491 00:23:37,000 --> 00:23:38,760 Speaker 1: and we'll check back up. Well, and I'll click my 492 00:23:38,800 --> 00:23:40,160 Speaker 1: cash when you get the head of let Us, though, 493 00:23:40,480 --> 00:23:44,560 Speaker 1: let us head to let Us introducing the first ever 494 00:23:44,640 --> 00:23:47,280 Speaker 1: Hyundai Ionic five. This thing has all the tech you 495 00:23:47,320 --> 00:23:50,600 Speaker 1: would ever want. It's fully electric inside and out. Your 496 00:23:50,680 --> 00:23:54,280 Speaker 1: journey at its most evolved. The Hunday Ionic five extremely 497 00:23:54,359 --> 00:23:58,000 Speaker 1: limited availability available and select states only. Contact your Hunday 498 00:23:58,080 --> 00:24:00,920 Speaker 1: dealer for availability to tails. He's reading this story about 499 00:24:00,960 --> 00:24:03,000 Speaker 1: how if you want to remember something, don't write it 500 00:24:03,000 --> 00:24:05,200 Speaker 1: on your computer. If you want to save something, write 501 00:24:05,200 --> 00:24:07,159 Speaker 1: it on the computer or your phone. But if you 502 00:24:07,200 --> 00:24:09,760 Speaker 1: want to remember something, write it with your hand, which 503 00:24:10,200 --> 00:24:12,440 Speaker 1: I've been doing because I guess I just naturally found 504 00:24:12,440 --> 00:24:14,200 Speaker 1: out that's what worked for me. If I talk something 505 00:24:14,240 --> 00:24:15,560 Speaker 1: of my computer, I'm like, all right, I remember this, 506 00:24:16,400 --> 00:24:20,880 Speaker 1: or my phone in today out tomorrow. It's like putting 507 00:24:20,880 --> 00:24:22,720 Speaker 1: a phone number on my phone. I don't remember that stuff. 508 00:24:23,000 --> 00:24:24,879 Speaker 1: But if I do write it down with my hand, 509 00:24:25,800 --> 00:24:29,040 Speaker 1: for some reason, that sticks. And so now science says 510 00:24:29,160 --> 00:24:31,679 Speaker 1: that the fact that you're putting attention into every single 511 00:24:31,760 --> 00:24:35,760 Speaker 1: letter in the shape of each letter kind of, you know, 512 00:24:35,800 --> 00:24:37,680 Speaker 1: burns it into your brains. I can see that, because 513 00:24:37,720 --> 00:24:40,040 Speaker 1: typing is just sort of like sometimes when you're driving 514 00:24:40,119 --> 00:24:41,840 Speaker 1: you get to a location. You don't even know how 515 00:24:41,880 --> 00:24:44,119 Speaker 1: you got there, And like sometimes I type paragrad d 516 00:24:45,280 --> 00:24:48,000 Speaker 1: like something no, but I compare the same, Like I'll 517 00:24:48,000 --> 00:24:49,400 Speaker 1: type a bunch of stuff and it's like I don't 518 00:24:49,400 --> 00:24:51,119 Speaker 1: even know how I typed it. My brain just didn't. 519 00:24:52,600 --> 00:24:56,400 Speaker 1: Hello Fresh offers delicious, easy to prepare recipes and convenient 520 00:24:56,440 --> 00:25:00,080 Speaker 1: doorstep delivery, plus calorie smart and carved Smart options to 521 00:25:00,000 --> 00:25:03,080 Speaker 1: to make eating well easier than ever. Get sixteen free 522 00:25:03,119 --> 00:25:06,600 Speaker 1: mills plus three gifts with code Bone sixteen Hello Fresh 523 00:25:06,680 --> 00:25:13,320 Speaker 1: dot Com slash Bone sixteen yours Amy's Pile of Stories. 524 00:25:13,920 --> 00:25:19,000 Speaker 1: Have you ever heard of an if I go missing file? Okay, 525 00:25:19,040 --> 00:25:21,840 Speaker 1: well you know what it is. These are files or 526 00:25:21,880 --> 00:25:24,440 Speaker 1: folders that you make just in case you go missing. 527 00:25:24,480 --> 00:25:28,440 Speaker 1: It can help people solve the case with real paper. Yeah, 528 00:25:28,480 --> 00:25:30,280 Speaker 1: I mean no, you put lots of stuff. You put 529 00:25:30,359 --> 00:25:33,520 Speaker 1: all your your information, what you look like, your fingerprints, 530 00:25:33,600 --> 00:25:37,879 Speaker 1: medical info, types of transportation relationships. I should probably get 531 00:25:37,880 --> 00:25:39,840 Speaker 1: a fire state. What's your first in the kitchen? Just 532 00:25:39,920 --> 00:25:42,680 Speaker 1: in general? Oh, like you start with yeah, Like, if 533 00:25:42,720 --> 00:25:46,280 Speaker 1: I'm being proactive about things, either are other things I'll 534 00:25:46,280 --> 00:25:48,360 Speaker 1: probably get to before that. And now this comes from 535 00:25:48,359 --> 00:25:51,919 Speaker 1: the crime junkie podcast, and they created this PDF. You 536 00:25:51,960 --> 00:25:54,600 Speaker 1: can fill out all of your information, so they've kind 537 00:25:54,600 --> 00:25:56,160 Speaker 1: of done the work for you and you fill it out, 538 00:25:56,200 --> 00:25:58,960 Speaker 1: and this could help find you if you go missing, which, 539 00:25:59,040 --> 00:26:02,200 Speaker 1: by the way, five hundred and forty three thousand people 540 00:26:02,200 --> 00:26:05,720 Speaker 1: were reported missing in twenty twenty. Any batteries too, I 541 00:26:05,720 --> 00:26:07,680 Speaker 1: don't have any batteries around the How does this help 542 00:26:07,760 --> 00:26:11,719 Speaker 1: you if you go missing? If I go missing, I 543 00:26:11,720 --> 00:26:14,920 Speaker 1: have hidden and I also if I make a file, 544 00:26:14,920 --> 00:26:16,960 Speaker 1: it's to throw you off my scent. I'll put the 545 00:26:17,000 --> 00:26:18,600 Speaker 1: opposite stuff in it. If you don't want to be found, 546 00:26:18,640 --> 00:26:20,680 Speaker 1: I'll put them near the batteries and fire extinguisher. Okay. 547 00:26:20,720 --> 00:26:23,439 Speaker 1: So something to consider with this type of info all 548 00:26:23,480 --> 00:26:25,680 Speaker 1: being in one place, as someone could easily steal your 549 00:26:25,720 --> 00:26:29,760 Speaker 1: identity if they find this folder or file, So store 550 00:26:29,800 --> 00:26:31,800 Speaker 1: it in a safety deposit box or keep it with 551 00:26:31,840 --> 00:26:37,439 Speaker 1: a lawyer or something a lot easier. Okay. Okay, So Bobby, 552 00:26:37,440 --> 00:26:40,040 Speaker 1: you're probably someone that brushes off small talk. If I 553 00:26:40,040 --> 00:26:43,879 Speaker 1: had guess, oh, I cannot. I don't like hang nails, mayonnaise, 554 00:26:43,960 --> 00:26:48,359 Speaker 1: or small talk. So I read an article that said 555 00:26:48,560 --> 00:26:52,399 Speaker 1: small talk actually conversations that last around five minutes or 556 00:26:52,520 --> 00:26:57,439 Speaker 1: more is actually a really good exchange, Like meaningful information 557 00:26:57,560 --> 00:27:00,159 Speaker 1: is passed back and forth that helps build a relationship up. 558 00:27:00,200 --> 00:27:02,560 Speaker 1: You can ask questions, you seem engage, but it's not 559 00:27:02,920 --> 00:27:06,119 Speaker 1: a long drawn out type conversation. But it can be 560 00:27:06,200 --> 00:27:08,800 Speaker 1: meaningful to people in your lives. Small talk has to 561 00:27:08,880 --> 00:27:11,520 Speaker 1: be a means to get somewhere else or I will 562 00:27:11,600 --> 00:27:13,439 Speaker 1: I will not take part in it. I don't. I 563 00:27:13,480 --> 00:27:16,080 Speaker 1: hate it, and at times I can seem cold because 564 00:27:16,119 --> 00:27:18,600 Speaker 1: of that, because I got two ways. I'm either cold 565 00:27:19,080 --> 00:27:21,880 Speaker 1: or extremely warm. I don't like small talk. I don't 566 00:27:21,920 --> 00:27:23,800 Speaker 1: like talk for no reason. I'm gonna be like, well, 567 00:27:23,800 --> 00:27:26,480 Speaker 1: what's up a nice cute weather? Huh? Okay, well that's 568 00:27:26,560 --> 00:27:29,040 Speaker 1: this article says, stop doing that to your coworkers in 569 00:27:29,080 --> 00:27:33,040 Speaker 1: the hallway. A lot of meaningful exchange, no exchanges. Okay, 570 00:27:34,760 --> 00:27:37,399 Speaker 1: if you have about a million dollars, you could be 571 00:27:37,440 --> 00:27:40,080 Speaker 1: the next owner of the house that Taylor Swift lived 572 00:27:40,080 --> 00:27:43,080 Speaker 1: in for entire childhood. I was reading a story that 573 00:27:43,160 --> 00:27:46,760 Speaker 1: people don't really buy houses just because somebody famous lived there, 574 00:27:46,960 --> 00:27:49,960 Speaker 1: like if there's something cool about it, like the full 575 00:27:50,000 --> 00:27:53,240 Speaker 1: House house in San Francisco. Yeah, that's a really expensive house. Anyway, 576 00:27:53,240 --> 00:27:56,040 Speaker 1: and really expensive part of town. It marketed itself, but 577 00:27:56,080 --> 00:28:00,159 Speaker 1: no one really pays extra for where celebrities live. The 578 00:28:00,280 --> 00:28:03,240 Speaker 1: Michael Jordan house cannot sell in Chicago. It's been on 579 00:28:03,280 --> 00:28:05,840 Speaker 1: the market since like two thousand because people take six 580 00:28:06,520 --> 00:28:10,720 Speaker 1: or it's just massive and he keeps lowering it millions 581 00:28:10,720 --> 00:28:12,800 Speaker 1: and millions of dollars and they cannot sell it. People 582 00:28:12,840 --> 00:28:14,359 Speaker 1: are like, why not, It's Michael Jordan's House's got a 583 00:28:14,560 --> 00:28:16,199 Speaker 1: number twenty three on the gate. It's like people are 584 00:28:16,240 --> 00:28:17,520 Speaker 1: going to spend that kind of money just vi or 585 00:28:17,520 --> 00:28:20,800 Speaker 1: a celebrity is. And I'm assuming this Taylor house is 586 00:28:21,040 --> 00:28:25,520 Speaker 1: like an older house. Yeah, it's colonial home in Pennsylvania, 587 00:28:25,640 --> 00:28:28,359 Speaker 1: five bedroom, four bats. Now this is before she got 588 00:28:28,480 --> 00:28:31,520 Speaker 1: you know, Taylor Swift's status, but her parents were wealthy. Yeah, 589 00:28:31,560 --> 00:28:33,440 Speaker 1: she had rich parents. Are gonna be a nice house. Yeah. 590 00:28:33,560 --> 00:28:36,760 Speaker 1: The current owner had no idea that Taylor Swift had 591 00:28:36,760 --> 00:28:39,440 Speaker 1: lived there before he moved into the house. But anyway, 592 00:28:39,480 --> 00:28:41,200 Speaker 1: he soon figured it out because lots of people take 593 00:28:41,200 --> 00:28:44,720 Speaker 1: pictures and different things do. Oh, oh that's what it is. Yeah, 594 00:28:44,800 --> 00:28:46,720 Speaker 1: just straight up a million bucks. I thought, You're like, 595 00:28:46,720 --> 00:28:48,400 Speaker 1: if you have an extra million, you can afford the 596 00:28:48,440 --> 00:28:52,760 Speaker 1: down payment. Here we go. The Michael Jordan House was 597 00:28:52,760 --> 00:28:55,600 Speaker 1: originally listed for twenty nine million dollars. It has every 598 00:28:55,600 --> 00:28:57,520 Speaker 1: bell and whistle you can think of. Some of the 599 00:28:57,600 --> 00:29:01,200 Speaker 1: over improvements are a pool, the grass island in the middle, 600 00:29:01,800 --> 00:29:05,240 Speaker 1: a door from the Playboy mansion, a table based on 601 00:29:05,280 --> 00:29:08,120 Speaker 1: the streets of Bagdad, and MJ branded golf flags. But 602 00:29:08,240 --> 00:29:10,600 Speaker 1: they keep lowering it. Nobody will buy it. I'm not 603 00:29:10,680 --> 00:29:15,240 Speaker 1: interested if they get at like thirty thou yeah, me too. Yeah, 604 00:29:15,280 --> 00:29:16,960 Speaker 1: I'm there. I'll mow the grass in the middle of 605 00:29:16,960 --> 00:29:19,560 Speaker 1: the pool, all right, Amy him, Amy, that's my pile. 606 00:29:20,560 --> 00:29:24,000 Speaker 1: That was Amy's pile of stories. It's time for the 607 00:29:24,040 --> 00:29:30,920 Speaker 1: good news with Amy. So there's this grandmother. She's been 608 00:29:30,960 --> 00:29:34,440 Speaker 1: going to Saint Mary's Church for years. She got married there, 609 00:29:34,640 --> 00:29:38,560 Speaker 1: she witnessed her daughter's wedding. Their very special place to her. 610 00:29:38,600 --> 00:29:40,400 Speaker 1: So when she heard they were going to knock it down, 611 00:29:40,600 --> 00:29:43,800 Speaker 1: she was devastated. Well, her daughter and her granddaughter. They 612 00:29:43,840 --> 00:29:46,400 Speaker 1: were able to get a pew from the church and 613 00:29:46,480 --> 00:29:48,960 Speaker 1: restore it and give it to her so she can 614 00:29:49,040 --> 00:29:51,479 Speaker 1: have it forever. That's super cool. Here's the clip of her. 615 00:30:01,560 --> 00:30:06,880 Speaker 1: I'm a beautiful Oh my god, that's awesome. Clearly an 616 00:30:06,880 --> 00:30:10,320 Speaker 1: emotional gift, a super special emotional There you go. That's 617 00:30:10,360 --> 00:30:13,440 Speaker 1: what it's all about. That was tell me something good. 618 00:30:13,800 --> 00:30:16,280 Speaker 1: This is the end of part one. To listen to 619 00:30:16,320 --> 00:30:18,920 Speaker 1: part two of The Bobby Bones Show podcast, go to 620 00:30:19,000 --> 00:30:22,080 Speaker 1: Part two now. If it's not posted yet, don't worry, 621 00:30:22,160 --> 00:30:24,160 Speaker 1: it'll be there soon. Thanks for listening.