WEBVTT - Pod Meets Twirl'd: DWTS 3406

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<v Speaker 1>Welcome to Pod meets Twirl, the Dancing with the Stars

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<v Speaker 1>recap hosted by two guys who can't dance, don't want

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<v Speaker 1>to dance, and I have now seen six episodes of

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<v Speaker 1>Dancing with the Stars. But since our best friend Danielle

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<v Speaker 1>has joined the cast for season thirty four, we're going

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<v Speaker 1>all in. We are Wilfred Ell and Ryder Strong aka

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<v Speaker 1>the two dudes next to Tapanga aka daniel Fishal's backup

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<v Speaker 1>aka the Daniettes.

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<v Speaker 2>How's it going? Well, it's good. How are you?

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<v Speaker 1>I'm a little tired. I spent all day yesterday traveling

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<v Speaker 1>six hour flight, landed in Costa Rica, three and a

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<v Speaker 1>half hour bus ride.

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<v Speaker 2>But yeah, I'm here now.

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<v Speaker 1>We're celebrating my wife's fiftieth and we're here for like

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<v Speaker 1>the next five days.

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<v Speaker 2>With no cho sounds fun I'm curious how how many

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<v Speaker 2>Dancing with the Stars recap podcasts do you think are

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<v Speaker 2>being recorded in Costa Rica right now?

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<v Speaker 1>Just the one, baby one, just you?

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<v Speaker 2>Or this is just a whole here's the people, you

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<v Speaker 2>know what?

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<v Speaker 1>It is funny though, because I started to think you

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<v Speaker 1>were going to ask how many Dances with the Stars

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<v Speaker 1>conversations have you had? And I would say surprisingly a.

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<v Speaker 2>Lot because thousand, yes, me too.

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<v Speaker 1>I just yesterday because we're traveling here a bunch of

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<v Speaker 1>friends here. We have like twenty twenty some friends who

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<v Speaker 1>have met us in Costa Rica for my wife's fiftieth

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<v Speaker 1>and everybody wanted to talk Dance with the Stars last night, right,

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<v Speaker 1>I was just you know, a lot of them hadn't

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<v Speaker 1>seen like last week's episode or just you know, so yeah,

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<v Speaker 1>I it was a big discussion, and everyone wants to

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<v Speaker 1>know how Danielle's doing.

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<v Speaker 2>I'm like, good, I think I'm going to talk to

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<v Speaker 2>her tomorrow when we record. Well. I love how literally

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<v Speaker 2>when you do a podcast saying I don't know what

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<v Speaker 2>I'm talking about, people somehow assume I know what I'm

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<v Speaker 2>talking about, right, or I'll get getting conversations with people

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<v Speaker 2>all the time like yeah, but you know she missed

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<v Speaker 2>that kicked her and I'm like, the what she what?

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<v Speaker 2>So it's still so funny where all of a sudden

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<v Speaker 2>we've become experts because we said we're not experts.

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<v Speaker 1>Well we have opinions, though, don't we we do? Boy,

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<v Speaker 1>do we have opinions. I was so happy this week

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<v Speaker 1>were yeah, okay, but what's funny is that I actually, like,

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<v Speaker 1>like I said, last week, I enjoyed the dancing, like

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<v Speaker 1>all that contemporary stuff was just beautiful and emotional. But yes,

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<v Speaker 1>as far as like feeling good about the show and

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<v Speaker 1>feeling good about Danielle, obviously, I.

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<v Speaker 2>Was just so elated this week. I just got she

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<v Speaker 2>killed it. I did too, and this was it was

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<v Speaker 2>like it was like a wanted to cry moment for

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<v Speaker 2>my friend where it was like, oh, because we know

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<v Speaker 2>how hard she's been working. Yeah, we know how much

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<v Speaker 2>it's been bugging her with how hard she's been working.

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<v Speaker 2>And she's by the way, we know her well enough

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<v Speaker 2>to know that she's only bugged with herself. Danielle is

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<v Speaker 2>not the person who I can't believe the judges did this.

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<v Speaker 2>I can't believe my partner did this. I can't believe

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<v Speaker 2>other couples to do Nope, she's only harsh on herself. Yeah,

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<v Speaker 2>So when you have a week like this where it

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<v Speaker 2>was like it seemed like the stars aligned and she

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<v Speaker 2>got to do that, it was awesome.

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<v Speaker 1>I just think they were so smart, like her and

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<v Speaker 1>her and Pasha just did the exact right thing, you know,

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<v Speaker 1>like coming off of last week, because I was a

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<v Speaker 1>little question I was questioning last week. It's like, really,

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<v Speaker 1>we're gonna double down and boy me to them, like me,

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<v Speaker 1>I love seeing everybody there. I love Bill being on stage.

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<v Speaker 1>But you know, yeah, I just think that, like we

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<v Speaker 1>want to see you do more dancing with the star stuff.

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<v Speaker 1>We want to see more sides to Danielle, which we

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<v Speaker 1>know are there, you know, And so for her to

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<v Speaker 1>be able to lean into that this week was just incredible.

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<v Speaker 2>Did you chuckle a little bit? By the way, when

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<v Speaker 2>during her pre show package she said I'm a bright,

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<v Speaker 2>bubbly person, but occasionally I have a darker side. Did

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<v Speaker 2>you chuckle just a little bit?

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<v Speaker 1>No, I honestly didn't even catch that. I have a

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<v Speaker 1>knife in my pocket exactly armed to the.

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<v Speaker 2>Te Oh my god. All right.

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<v Speaker 1>We started off with Scott Hoyne and Riley Arnold. Scott

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<v Speaker 1>apparently is a wicked suit. Oh well, we should say

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<v Speaker 1>It's Wicked night.

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<v Speaker 2>Like a kid. Have you seen it? Will never seen it.

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<v Speaker 2>Didn't know anything about it, never heard a single song

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<v Speaker 2>from it. I want to watch the movie, but didn't

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<v Speaker 2>know anything. You know.

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<v Speaker 1>I've started to watch the movie really late night in

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<v Speaker 1>New Zealand and a camera band with my son, and

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<v Speaker 1>I fell asleep, but I was thoroughly enjoying it, and

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<v Speaker 1>I've never gone back, but so now I need to

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<v Speaker 1>go back and watch it. And I've never seen the

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<v Speaker 1>stage musical too, which.

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<v Speaker 2>I haven't either. I will say because I know we're

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<v Speaker 2>going to jump right into the dancing, and we should,

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<v Speaker 2>but I will say the opening dance number of all

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<v Speaker 2>of them together to that, I think it was called

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<v Speaker 2>Defying Gravity Song. That was a pretty amazing start to

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<v Speaker 2>the night. It seemed like you we went to the

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<v Speaker 2>Pantagious and we were watching a big theatrical show in

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<v Speaker 2>front of us, and obviously something like this, a stage

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<v Speaker 2>play that is singing and dancing, lends itself to dance,

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<v Speaker 2>and I thought that, man, did that show tonight in

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<v Speaker 2>a lot of the dancing. The people that killed it

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<v Speaker 2>were the people that got that and really leaned into like, oh,

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<v Speaker 2>I'm doing I'm doing Broadway right now, and because I'm

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<v Speaker 2>doing Broadway, it's gonna it's gonna kill. And it did

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<v Speaker 2>a lot of the times.

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<v Speaker 1>Yeah, I think it brought a cool energy of like

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<v Speaker 1>absolutely everybody focused around one story and one set of characters,

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<v Speaker 1>and like how they're interpreting that it was cool.

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<v Speaker 2>Yeah, me too.

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<v Speaker 1>So yeah, so Scott was a wicked super fan and

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<v Speaker 1>they did a contemporary dance to the song The Wizard,

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<v Speaker 1>and I I, you know, I've been up and down

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<v Speaker 1>on Scott, Like when we first started.

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<v Speaker 2>I was like, I don't know what he's doing.

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<v Speaker 1>Then I really really loved his journey and I watched

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<v Speaker 1>this and I was like, oh no, he's going home.

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<v Speaker 2>I thought exactly the same thing. This was not a

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<v Speaker 2>good dance, and he was like he was and I'm

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<v Speaker 2>going to use a scientific dancing term. He was kerfuffled

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<v Speaker 2>at the at the beginning. I mean you could see

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<v Speaker 2>he didn't know where to put his hands. I think

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<v Speaker 2>he missed at least one or two lifts with her.

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<v Speaker 2>I mean he was at the beginning very all over

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<v Speaker 2>the place. And the side by sides. Again, he's just

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<v Speaker 2>super clunky when he's by himself.

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<v Speaker 1>It's just funny because like he's he's come so far

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<v Speaker 1>and previous dances, but this one, I really the thing

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<v Speaker 1>I wrote was awkward and shuffling, yeah, which is like,

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<v Speaker 1>oh god, we're like five weeks into the dance show,

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<v Speaker 1>Like you can't be awkward and shoving, So I think

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<v Speaker 1>something just went off, Like I think he was out

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<v Speaker 1>of time or nervous.

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<v Speaker 2>I don't know.

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<v Speaker 1>It's too bad because he just didn't have he didn't

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<v Speaker 1>have that fluidity and grace which I feel like he's

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<v Speaker 1>been finding other weeks and and you know, I think

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<v Speaker 1>he also the best part of his whole journey is

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<v Speaker 1>that he's really gotten comfortable with his self expression physically right,

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<v Speaker 1>and that's still there. But yes, at this point in

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<v Speaker 1>the in the show, we need to see like, you know,

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<v Speaker 1>actual like dance, hitting hitting those marks and like on time.

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<v Speaker 2>So yeah, I was a bummer. No, I felt the

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<v Speaker 2>same way. I thought it was one of those things

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<v Speaker 2>where he maybe it was the dual pressure of him

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<v Speaker 2>being such a Wicked fan coupled with going first, which

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<v Speaker 2>for some people that's got to be rough. But you

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<v Speaker 2>could tell he was just he was off. There's times

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<v Speaker 2>he's like staring at his feet and you know his again,

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<v Speaker 2>his hands were kind of all over the place. It

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<v Speaker 2>was pretty and.

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<v Speaker 1>At this point I was like, oh God, maybe Wicked

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<v Speaker 1>Night is going to be awful. What was I just like,

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<v Speaker 1>we're coming off of so much emotion from last week.

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<v Speaker 2>I mean literally like I was.

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<v Speaker 1>Crying start to finish of Robert Irwin's thing, you know.

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<v Speaker 1>So it's like I was really and so to be

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<v Speaker 1>like and now which is and see I was like,

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<v Speaker 1>oh god, and you know this one started it off

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<v Speaker 1>and I was like, oh man, he loves this. But

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<v Speaker 1>it's not translating like maybe you know. But turns out

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<v Speaker 1>it was a good night for dancing. Next up Alex

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<v Speaker 1>and Val.

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<v Speaker 2>I thought this was oh.

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<v Speaker 1>What wait, actually we should say what they were scored.

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<v Speaker 1>They got sevens across the board, which was pretty kind.

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<v Speaker 2>I thought, pretty pretty generous. Frankly, yeah, and I'm sorry,

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<v Speaker 2>but if if there were the same kind of things

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<v Speaker 2>done for Andy, he would have gotten at least one

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<v Speaker 2>six right yeah, right all right?

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<v Speaker 1>Next up where Alex and Val. Their sink was insanely good.

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<v Speaker 1>I could not get over this dance, like in terms

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<v Speaker 1>of just them moving. You know, maybe it was coming

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<v Speaker 1>off of Scott and Riley too right slightly off, but

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<v Speaker 1>I thought this was like, what, this is so fun?

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<v Speaker 1>And I was like, Okay, this is gonna be a

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<v Speaker 1>good night. They were dancing too, what is this feeling?

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<v Speaker 1>They were doing a jazz dance?

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<v Speaker 2>What do you think I mean? Again, I thought it

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<v Speaker 2>was I thought it was great. This is this is

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<v Speaker 2>kind of lending itself again to the stage presence and

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<v Speaker 2>the being on Broadway kind of feel to me. So

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<v Speaker 2>it you know, it worked, and they were really good

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<v Speaker 2>together they I mean, they always are, so it's, uh, yeah,

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<v Speaker 2>it's they're great.

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<v Speaker 1>Yeah, came out with nine nine eight nine. And this

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<v Speaker 1>is the beginning of what I would say was like,

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<v Speaker 1>it's a really it was a high scoring night, very

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<v Speaker 1>and and pretty much across the board. I was like surprised.

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<v Speaker 1>I mean, actually, if you had asked me three weeks ago,

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<v Speaker 1>I would have said their scoring is way too low

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<v Speaker 1>based on what we were saying. But I guess they're

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<v Speaker 1>like progressively, they just up everybody's score, right, because don't

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<v Speaker 1>doesn't it seem like everybody was like we're all in

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<v Speaker 1>like eight through ten territory. Now, Like if you're getting

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<v Speaker 1>a six or seven, it's real bad. It's real bad.

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<v Speaker 2>You might as well be getting a two if you're

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<v Speaker 2>getting six.

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<v Speaker 1>And that's the way I just feel like, that's is

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<v Speaker 1>that reflective of the fact that they are actually getting

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<v Speaker 1>better in such a way that like you and I

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<v Speaker 1>can't see how they're getting better. Or is it just

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<v Speaker 1>that the judge is just up the ante by making

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<v Speaker 1>the scores higher.

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<v Speaker 2>I think they do that, but I also think there's

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<v Speaker 2>something kind of weirdly arbitrary about that and all the scoring,

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<v Speaker 2>because it's like, does that mean you come out, you

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<v Speaker 2>give the best dance they've ever seen on night one,

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<v Speaker 2>you're still only going to get a six? I mean, like,

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<v Speaker 2>if you're not open to judging the thing for what

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<v Speaker 2>it is, you know what we should do.

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<v Speaker 1>We should go back and watch like Robert Erwin's first dance, right,

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<v Speaker 1>because I wonder because I remember the time being like,

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<v Speaker 1>well that's perfect, give the guy tens or whatever, you know, right,

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<v Speaker 1>and there were a couple of early ones. I just

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<v Speaker 1>randomly picked his. I remember we all liked it. But like,

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<v Speaker 1>I'd like to go back and watch like a week

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<v Speaker 1>one dance that only got seven and compare it to

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<v Speaker 1>like one of this week's nines. Yea, because my feeling

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<v Speaker 1>is I don't know, but my feeling is they're just

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<v Speaker 1>getting higher like that there's there's they're just gettinglation judging

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<v Speaker 1>that great it's great jugulation gentulation. Yeah, because I don't

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<v Speaker 1>know or you know, or maybe they really are like

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<v Speaker 1>doing better at certain things, like technically that I'm just

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<v Speaker 1>not seeing like they are more on time or in sync.

0:10:31.559 --> 0:10:34.200
<v Speaker 1>I don't know, but anyway, yes, these two were perfectly

0:10:34.679 --> 0:10:35.200
<v Speaker 1>in sync.

0:10:35.640 --> 0:10:38.120
<v Speaker 2>I would think it argue because you you always talk

0:10:38.120 --> 0:10:40.360
<v Speaker 2>about Whitney and I and I think you're I think it. No, no, no,

0:10:40.400 --> 0:10:44.880
<v Speaker 2>you talk about uh what's her name, Danielle, daniel lavorite.

0:10:46.120 --> 0:10:48.360
<v Speaker 2>You could argue Val as the best dancer out there.

0:10:48.440 --> 0:10:51.640
<v Speaker 2>I mean that guy was was shredding it and his uh,

0:10:51.840 --> 0:10:54.360
<v Speaker 2>his choreography is really good too. I mean, this was

0:10:54.920 --> 0:10:57.480
<v Speaker 2>very engaging, and this was a week I thought about

0:10:57.480 --> 0:11:00.000
<v Speaker 2>you during this. This was a week we're not only

0:11:00.120 --> 0:11:03.560
<v Speaker 2>did I not mind when they were lip syncing when

0:11:03.640 --> 0:11:05.880
<v Speaker 2>they weren't, it kind of threw me a little bit,

0:11:05.880 --> 0:11:07.600
<v Speaker 2>like I felt like I was watching a play when

0:11:07.600 --> 0:11:09.200
<v Speaker 2>they were lip syncing a bit and I kind of

0:11:09.240 --> 0:11:10.960
<v Speaker 2>dug it. I didn't know I hit it.

0:11:11.840 --> 0:11:13.680
<v Speaker 1>I just I just I had to turn that part

0:11:13.679 --> 0:11:15.120
<v Speaker 1>of my brain off because I was like, oh, they're

0:11:15.160 --> 0:11:17.400
<v Speaker 1>like all going to do it, and I totally understand

0:11:17.400 --> 0:11:21.080
<v Speaker 1>why because they're basically doing musical numbers, but like they

0:11:21.120 --> 0:11:23.600
<v Speaker 1>also all stopped halfway through, so that I'm like are

0:11:24.000 --> 0:11:26.920
<v Speaker 1>you're not in character anymore. I just don't don't go there.

0:11:27.160 --> 0:11:31.840
<v Speaker 2>I didn't bother me this week. But yeah, they were great,

0:11:32.040 --> 0:11:32.320
<v Speaker 2>all right.

0:11:32.360 --> 0:11:35.280
<v Speaker 1>I thought it was a little less emotional and you know,

0:11:35.440 --> 0:11:38.200
<v Speaker 1>but great dancing when the two guys pick her up

0:11:38.240 --> 0:11:41.160
<v Speaker 1>and throw her to him, really cool moves like.

0:11:41.120 --> 0:11:41.679
<v Speaker 2>This cool move.

0:11:41.840 --> 0:11:47.920
<v Speaker 1>Yeah, all right. Next up, we're Robert and Whitney. These

0:11:47.960 --> 0:11:50.760
<v Speaker 1>guys are i mean, some of the front runners here.

0:11:53.360 --> 0:11:55.720
<v Speaker 1>And they said, going into the package, they said this

0:11:55.760 --> 0:11:57.800
<v Speaker 1>is going to be their most ambitious dance yet, which

0:11:57.800 --> 0:12:02.040
<v Speaker 1>I was like, huh, really, he's been pretty damn ambitious.

0:12:02.240 --> 0:12:06.640
<v Speaker 1>They did a jazz dance to Dancing through Life, and

0:12:07.120 --> 0:12:08.240
<v Speaker 1>you know, it was incredible.

0:12:08.480 --> 0:12:12.880
<v Speaker 2>It was great. I don't think it was their best dance, frankly,

0:12:13.800 --> 0:12:15.840
<v Speaker 2>I know they said there was more ambitious. It was

0:12:15.840 --> 0:12:17.600
<v Speaker 2>more ambitious. Maybe it was more ambitious because there were

0:12:17.679 --> 0:12:20.680
<v Speaker 2>more people involved. I mean, it's like he started as

0:12:20.800 --> 0:12:24.080
<v Speaker 2>essentially one of the dance dancers of the show. He

0:12:24.160 --> 0:12:26.200
<v Speaker 2>was like him and like nine people around that table,

0:12:26.960 --> 0:12:30.960
<v Speaker 2>which is a little bit different also, just like he's

0:12:31.040 --> 0:12:33.120
<v Speaker 2>just blending in with the pros. Now, that's what I mean.

0:12:33.360 --> 0:12:34.880
<v Speaker 2>That's what I mean. It's like you don't, He's just

0:12:34.960 --> 0:12:35.640
<v Speaker 2>one of them. Now.

0:12:36.240 --> 0:12:38.160
<v Speaker 1>I thought this was just so fun, you know, it

0:12:38.240 --> 0:12:41.080
<v Speaker 1>was just like a solid, great dance. I mean, I

0:12:41.160 --> 0:12:45.280
<v Speaker 1>just think that he's probably the best dancer of the celebrities.

0:12:45.280 --> 0:12:47.760
<v Speaker 2>Of the stars, I think it's him and Whitney who's

0:12:47.760 --> 0:12:51.720
<v Speaker 2>the professional dancer exactly. But yes, I think so too.

0:12:51.920 --> 0:12:53.840
<v Speaker 2>I'm waiting for like a week to come out where

0:12:54.040 --> 0:12:56.080
<v Speaker 2>they're like, oh my god, the choreography was amazing and

0:12:56.120 --> 0:12:58.800
<v Speaker 2>he's like, yeah, that was met Corey. I Korey drafted

0:12:58.840 --> 0:13:01.559
<v Speaker 2>this week, Like wait, what so see.

0:13:01.120 --> 0:13:03.160
<v Speaker 1>It's funny because like, I don't even really count Whitney

0:13:03.200 --> 0:13:05.680
<v Speaker 1>as a star. I just think of her as a dancer,

0:13:05.760 --> 0:13:08.520
<v Speaker 1>you know what I mean Exactly, I don't. I think

0:13:08.520 --> 0:13:10.640
<v Speaker 1>she's great at what she's doing, and I do like

0:13:10.679 --> 0:13:13.200
<v Speaker 1>watching the dances. I don't feel like it's fitting with

0:13:13.240 --> 0:13:16.160
<v Speaker 1>the story of this show. But I guess that's but

0:13:16.200 --> 0:13:18.800
<v Speaker 1>that's but that's partly unfair because I'm not somebody who

0:13:18.920 --> 0:13:22.880
<v Speaker 1>looks to influencers as celebrities, right, Like, I'm totally of

0:13:22.920 --> 0:13:25.960
<v Speaker 1>the generation where that if you're on a reality show

0:13:26.240 --> 0:13:28.360
<v Speaker 1>or you're I don't know, like you know which I

0:13:28.360 --> 0:13:30.199
<v Speaker 1>guess maybe you could say about Robert too, like is

0:13:30.240 --> 0:13:30.960
<v Speaker 1>he a celebrity?

0:13:31.080 --> 0:13:34.160
<v Speaker 2>Is he? I don't care about the celebrity status at

0:13:34.160 --> 0:13:36.520
<v Speaker 2>all for me. I look at what's made to a celebrity,

0:13:36.520 --> 0:13:39.480
<v Speaker 2>and what's made her a celebrity is dancing, right right.

0:13:39.520 --> 0:13:41.800
<v Speaker 2>You know, if she's a celebrity influencer who all she

0:13:41.920 --> 0:13:45.079
<v Speaker 2>does is cook and she's the biggest cook celebrity influencer,

0:13:45.160 --> 0:13:46.520
<v Speaker 2>and then they come and teach her how to dance,

0:13:46.559 --> 0:13:50.160
<v Speaker 2>that's great. Yes, that's she's paid to dance. I don't

0:13:50.200 --> 0:13:52.720
<v Speaker 2>care what the platform is. She's a paid dancer, So

0:13:52.920 --> 0:13:55.680
<v Speaker 2>that's what it is for me. But yeah, he's you're right,

0:13:55.800 --> 0:13:58.200
<v Speaker 2>he just he's now part of them. He's a he's

0:13:58.240 --> 0:14:02.120
<v Speaker 2>a dancer. So yeah, was once again a great performance

0:14:02.160 --> 0:14:03.839
<v Speaker 2>to watch. And I still think he I don't think

0:14:03.880 --> 0:14:07.439
<v Speaker 2>anybody's gonna beat him this year. I just I don't

0:14:07.440 --> 0:14:10.880
<v Speaker 2>think anybody's gonna beat him because he's he's he's so he's.

0:14:10.720 --> 0:14:15.679
<v Speaker 1>So solid as a dancer, and then his his his personality,

0:14:15.720 --> 0:14:17.280
<v Speaker 1>he's just so likable and.

0:14:17.200 --> 0:14:20.040
<v Speaker 2>Like, yeah, his family is super likable. His family is

0:14:20.120 --> 0:14:23.880
<v Speaker 2>Dancing with the Stars royalty. They would repeat again with

0:14:23.880 --> 0:14:26.520
<v Speaker 2>with you know, his sister having one. It's the story

0:14:26.560 --> 0:14:27.080
<v Speaker 2>is built in.

0:14:27.560 --> 0:14:30.040
<v Speaker 1>Is there another, like younger brother or sister who's gonna.

0:14:29.840 --> 0:14:34.960
<v Speaker 2>I don't think there's another, but yeah, that's daughter's there.

0:14:35.320 --> 0:14:38.560
<v Speaker 2>The whole time, I'm guessing Bendi's daughter is already dancing. Uh,

0:14:38.600 --> 0:14:41.880
<v Speaker 2>they're already training her to get ready. So it is.

0:14:41.960 --> 0:14:47.200
<v Speaker 2>It's become a it's a powerhouse Dancing with the Stars family. Okay,

0:14:47.200 --> 0:14:50.040
<v Speaker 2>so we're in that territory now now.

0:14:52.160 --> 0:14:57.480
<v Speaker 1>Nine nine nine nine. Yeah, so here we are.

0:14:57.560 --> 0:14:59.960
<v Speaker 2>We're in a high, high scoring territor.

0:15:00.480 --> 0:15:03.120
<v Speaker 1>Yeah, okay, and but it was great. I thought I

0:15:03.120 --> 0:15:09.160
<v Speaker 1>thought it was deserved. All right, Whitney and Mark, this

0:15:09.240 --> 0:15:13.720
<v Speaker 1>is a quick step, tons of little little quick steps.

0:15:13.800 --> 0:15:17.920
<v Speaker 1>I was so impressed, amazing, incredible and incredible. Hated the

0:15:17.920 --> 0:15:18.800
<v Speaker 1>color of the outfits.

0:15:18.840 --> 0:15:21.160
<v Speaker 2>I get that they're doing that, but the every everything

0:15:21.160 --> 0:15:23.160
<v Speaker 2>pepto bismal color. It was not a fan of.

0:15:23.240 --> 0:15:24.200
<v Speaker 1>I know, it's a little weird.

0:15:24.360 --> 0:15:26.840
<v Speaker 2>It was a little weird, but yeah, it's you're watching

0:15:26.880 --> 0:15:33.280
<v Speaker 2>two professional dancers dance amazingly. Well yeah, film at eleven, yeah, you.

0:15:33.240 --> 0:15:36.360
<v Speaker 1>Know, yeah, there's something a little like, okay, cool, but

0:15:36.600 --> 0:15:38.480
<v Speaker 1>you know there was it was advanced. Do you know

0:15:38.520 --> 0:15:41.760
<v Speaker 1>what I mean, like, there was actually hugely this that

0:15:41.880 --> 0:15:44.280
<v Speaker 1>I could tell even as a complete amateur. I'm like,

0:15:44.680 --> 0:15:47.400
<v Speaker 1>this is hard, like to keep up with each other

0:15:47.560 --> 0:15:50.200
<v Speaker 1>and exactly. And I was like, it's just so it

0:15:50.240 --> 0:15:52.920
<v Speaker 1>was just so fast and like whoa coming at you?

0:15:53.400 --> 0:15:56.160
<v Speaker 1>So I figured there were going to be tens.

0:15:57.040 --> 0:15:58.960
<v Speaker 2>And you notice in the pre show package, even the

0:15:58.960 --> 0:16:01.800
<v Speaker 2>pre show package for hers different because the pre show

0:16:01.840 --> 0:16:06.120
<v Speaker 2>package her mark her pro is talking to her like

0:16:06.200 --> 0:16:09.200
<v Speaker 2>she's another pro. Yeah. I mean he's said, there's no smiles,

0:16:09.200 --> 0:16:10.960
<v Speaker 2>there's no anything. He's like, no, no, no, no, no, your

0:16:10.960 --> 0:16:12.800
<v Speaker 2>turn here. And she's like, yeah, I know, and he's like, yeah,

0:16:12.880 --> 0:16:14.840
<v Speaker 2>you do it backwards. It's gonna look it's gonna look straight.

0:16:14.960 --> 0:16:18.480
<v Speaker 2>Like he's talking to her like another professional dancer. Yeah.

0:16:18.560 --> 0:16:20.360
<v Speaker 2>You know. You see the package, the pre show package

0:16:20.360 --> 0:16:22.640
<v Speaker 2>with her and the pre show package with Andy, they're

0:16:22.800 --> 0:16:23.760
<v Speaker 2>very different.

0:16:23.440 --> 0:16:29.000
<v Speaker 1>Things, completely different conversation, completely different Hold up, yes, right,

0:16:29.480 --> 0:16:33.280
<v Speaker 1>I'm so curious how that's resonating with the fans of

0:16:33.320 --> 0:16:35.600
<v Speaker 1>the show, you know, because obviously people keep voting Andy

0:16:35.640 --> 0:16:40.320
<v Speaker 1>to stay right, So clearly the voting public is voting

0:16:40.680 --> 0:16:44.160
<v Speaker 1>not just on their dancing ability, but on their personality

0:16:44.520 --> 0:16:49.080
<v Speaker 1>on their presentation or their their choreography choices or storytelling

0:16:49.160 --> 0:16:51.640
<v Speaker 1>whatever it is that we're you know, and I just wonder,

0:16:51.680 --> 0:16:54.440
<v Speaker 1>I mean, like, does she have an army of fans

0:16:55.000 --> 0:16:57.600
<v Speaker 1>TikTok fans who already you know, I don't know, like,

0:16:57.640 --> 0:17:01.080
<v Speaker 1>and how does that number compared to like Daniel Fishle's,

0:17:01.640 --> 0:17:04.800
<v Speaker 1>you know, popularity, Like, because I have no concept when

0:17:04.840 --> 0:17:07.920
<v Speaker 1>people tell me that, like something gets ten million downloads

0:17:08.040 --> 0:17:11.720
<v Speaker 1>or somebody has eleven million followers, Like, that's a that's

0:17:11.720 --> 0:17:13.560
<v Speaker 1>a scale that my brain just like, what is that?

0:17:13.680 --> 0:17:15.520
<v Speaker 1>What does that translate to? It's something like this, do

0:17:15.520 --> 0:17:17.240
<v Speaker 1>you know what I mean? I understand what that translates

0:17:17.280 --> 0:17:20.000
<v Speaker 1>to in terms of when they post a video how

0:17:20.000 --> 0:17:22.359
<v Speaker 1>many people watch it, But what does that translate to

0:17:22.400 --> 0:17:23.240
<v Speaker 1>in terms of like.

0:17:23.440 --> 0:17:25.680
<v Speaker 2>Vote you're yeah, yeah, I don't know.

0:17:25.840 --> 0:17:28.119
<v Speaker 1>I calling you in this context.

0:17:28.440 --> 0:17:31.240
<v Speaker 2>I think the finals are going to be between Robert

0:17:31.400 --> 0:17:34.080
<v Speaker 2>and her, and I think it's going to come down

0:17:34.080 --> 0:17:36.520
<v Speaker 2>to does somebody want to vote for the professional dancer

0:17:36.600 --> 0:17:38.840
<v Speaker 2>or somebody want to vote for the guy. But again,

0:17:38.960 --> 0:17:40.600
<v Speaker 2>it's not like Robert had never danced a day in

0:17:40.600 --> 0:17:42.400
<v Speaker 2>his life. He's obviously been preparing for us.

0:17:42.720 --> 0:17:45.879
<v Speaker 1>Yeah, he watched his sister win when he was exactly

0:17:45.920 --> 0:17:46.720
<v Speaker 1>twelve or whatever.

0:17:46.800 --> 0:17:49.480
<v Speaker 2>Yeah, and he was probably like, okay, yeah, I could

0:17:49.480 --> 0:17:53.040
<v Speaker 2>do that someday. It right, Yeah, exactly, plus.

0:17:53.119 --> 0:17:55.960
<v Speaker 1>Watching I mean just he's probably because of his sister

0:17:56.359 --> 0:17:59.480
<v Speaker 1>understands balroom dancing, has seen it, having watched the show

0:17:59.520 --> 0:18:01.560
<v Speaker 1>back then, and like, you know, I'm.

0:18:01.440 --> 0:18:03.080
<v Speaker 2>So curious if he trained for this at all. Where

0:18:03.080 --> 0:18:03.960
<v Speaker 2>it was like the time.

0:18:04.840 --> 0:18:06.600
<v Speaker 1>We're talking about the two of the youngest competitors in

0:18:06.640 --> 0:18:09.480
<v Speaker 1>the show. Yeah, is that a coincidence, Like, of.

0:18:09.400 --> 0:18:15.520
<v Speaker 2>Course it's twenty five two and Robert is twenty one.

0:18:15.880 --> 0:18:18.520
<v Speaker 1>Okay, I take that back. I didn't realize what it was.

0:18:18.600 --> 0:18:20.639
<v Speaker 2>I thought it didn't. It was great for thirty two.

0:18:20.680 --> 0:18:23.160
<v Speaker 2>I would have said she was twenty four to twenty five. Yeah, wow,

0:18:23.960 --> 0:18:27.520
<v Speaker 2>but yes, it's it helps when you're younger. It certainly. Yes,

0:18:27.720 --> 0:18:30.679
<v Speaker 2>Oh my god, you see that. Yes? Oh wait what

0:18:30.720 --> 0:18:32.280
<v Speaker 2>did they get? Oh you're right?

0:18:32.480 --> 0:18:36.160
<v Speaker 1>Uh oh. There were scores through the roof. This was ten, nine,

0:18:36.600 --> 0:18:37.680
<v Speaker 1>ten and ten.

0:18:37.800 --> 0:18:38.800
<v Speaker 2>Yeah, first ten's ever.

0:18:39.200 --> 0:18:41.760
<v Speaker 1>Yeah, And I think I think it's just because this

0:18:42.000 --> 0:18:44.480
<v Speaker 1>was really advanced technically, Like I think the quick step

0:18:44.560 --> 0:18:48.760
<v Speaker 1>was just freaking hard. And yeah, so I think the

0:18:48.840 --> 0:18:52.000
<v Speaker 1>judges are just like on, yeah, you can't because in

0:18:52.119 --> 0:18:55.879
<v Speaker 1>terms of like expressibility or like storytelling through dance, like

0:18:56.200 --> 0:18:59.320
<v Speaker 1>nothing beats last week and that happened this week for me, No,

0:18:59.400 --> 0:19:01.760
<v Speaker 1>but agreed, but we didn't get like any ten. I

0:19:01.800 --> 0:19:03.560
<v Speaker 1>don't think if there was a single ten right last week,

0:19:03.640 --> 0:19:07.760
<v Speaker 1>so which is just yeah, so again, it was funny.

0:19:07.800 --> 0:19:11.280
<v Speaker 2>You You wonder if the judges talk about it beforehand,

0:19:11.280 --> 0:19:14.880
<v Speaker 2>because if you go back and watch Derek's face when

0:19:14.880 --> 0:19:17.919
<v Speaker 2>she pulls the ten, the face is either wow, that

0:19:18.080 --> 0:19:20.720
<v Speaker 2>wasn't a ten, or wow, we talked about not pulling

0:19:20.760 --> 0:19:23.480
<v Speaker 2>ten's this week. Wow it was one of those faces

0:19:23.480 --> 0:19:26.159
<v Speaker 2>because he was like wow when he saw carry an

0:19:26.240 --> 0:19:28.320
<v Speaker 2>pull out. Correct, when she pulled a ten, he was

0:19:28.400 --> 0:19:30.520
<v Speaker 2>like he gave this face like whoa, Okay.

0:19:30.880 --> 0:19:32.880
<v Speaker 1>It just seems like she's kind of on her own.

0:19:33.480 --> 0:19:34.800
<v Speaker 2>Yeah, it doesn't, you know what I mean?

0:19:35.480 --> 0:19:37.680
<v Speaker 1>Which is interesting, like because they're all supposed to be

0:19:37.800 --> 0:19:39.280
<v Speaker 1>kind of be on their own, but it seems like

0:19:39.320 --> 0:19:43.199
<v Speaker 1>Bruno and Derek are much more in line yeah, or

0:19:43.280 --> 0:19:45.119
<v Speaker 1>like understand where each other are coming from in a

0:19:45.119 --> 0:19:46.960
<v Speaker 1>way that it feels like Carrie, it's a little out

0:19:46.960 --> 0:19:49.359
<v Speaker 1>of left field. Like they're always like, oh okay.

0:19:49.520 --> 0:19:53.680
<v Speaker 2>It also felt a little bit this week and we hopped,

0:19:53.720 --> 0:19:56.600
<v Speaker 2>we heaped on with that myself mostly where it felt

0:19:56.600 --> 0:19:58.560
<v Speaker 2>a little bit this week like she had been reading

0:19:58.560 --> 0:20:01.240
<v Speaker 2>her own press and people or bashing and man, she

0:20:01.520 --> 0:20:05.040
<v Speaker 2>was nice to everybody. Everybody. It was like, oh my god,

0:20:05.080 --> 0:20:07.080
<v Speaker 2>you're my long lost sister. Like it was like the

0:20:07.760 --> 0:20:10.359
<v Speaker 2>like you couldn't she couldn't have been nicer this week

0:20:11.200 --> 0:20:13.800
<v Speaker 2>with her with her praise. So yeah, I think she

0:20:13.800 --> 0:20:16.679
<v Speaker 2>she over corrected a little bit. This poor woman. She

0:20:16.720 --> 0:20:21.520
<v Speaker 2>can't win for trying. You know, we're gonna bash.

0:20:22.440 --> 0:20:23.720
<v Speaker 1>Your job is to judge.

0:20:25.320 --> 0:20:28.680
<v Speaker 2>You're judge. You're so judgmental, Like literally what I'm paid

0:20:28.680 --> 0:20:31.160
<v Speaker 2>to be here for this poor woman. I feel bad.

0:20:31.160 --> 0:20:33.920
<v Speaker 2>I'm hopping off the bandwagon. I feel bad. I feel bad.

0:20:46.600 --> 0:20:52.280
<v Speaker 1>Next up, we're Dylan and Daniella. Ya dude, I just

0:20:53.080 --> 0:20:55.359
<v Speaker 1>and she did it again. It was like watching a

0:20:55.520 --> 0:20:59.880
<v Speaker 1>non human. I really the way she flies around, it's

0:20:59.880 --> 0:21:03.040
<v Speaker 1>like she's being pulled by strings from above or lifted

0:21:03.040 --> 0:21:05.480
<v Speaker 1>from I just don't understand how she gets from like

0:21:05.560 --> 0:21:07.639
<v Speaker 1>one side of his body to the other side of

0:21:07.640 --> 0:21:10.760
<v Speaker 1>his body. He's a pole, yes, yeah, And it's like

0:21:10.840 --> 0:21:12.879
<v Speaker 1>and it's but it never feels like effort, do you

0:21:12.920 --> 0:21:15.119
<v Speaker 1>know what I mean? Like it's this crazy, it's like

0:21:15.160 --> 0:21:18.600
<v Speaker 1>her body becomes a flame, flickering around or something. It's

0:21:18.640 --> 0:21:21.840
<v Speaker 1>so it's so impressive. I just don't I've just never

0:21:21.840 --> 0:21:24.320
<v Speaker 1>seen anything like it. When I did think that this

0:21:24.440 --> 0:21:25.920
<v Speaker 1>was a step back from last week.

0:21:25.720 --> 0:21:28.040
<v Speaker 2>I thought one hundred percent. I did not think he

0:21:28.119 --> 0:21:30.880
<v Speaker 2>was as good this week. He felt a little clunky. Yep,

0:21:31.119 --> 0:21:34.320
<v Speaker 2>and was this the Derek gave one of the best

0:21:34.960 --> 0:21:41.119
<v Speaker 2>comments I've heard since the show started. What somebody no,

0:21:41.240 --> 0:21:42.679
<v Speaker 2>But again I didn't. I don't know if it was

0:21:42.800 --> 0:21:45.840
<v Speaker 2>here or if it was somebody else, but it worked

0:21:45.880 --> 0:21:49.360
<v Speaker 2>here where he said, a dance is like a story

0:21:49.560 --> 0:21:54.320
<v Speaker 2>where it's not individual sentences, it's the entire story has

0:21:54.359 --> 0:21:56.320
<v Speaker 2>to flow, so you're not finishing a sentence and then

0:21:56.320 --> 0:21:58.200
<v Speaker 2>moving on to the next one, and when you When

0:21:58.200 --> 0:22:00.360
<v Speaker 2>I thought about it in those terms, it made some sense.

0:22:00.359 --> 0:22:02.080
<v Speaker 2>And I couldn't remember if it was this one, because

0:22:02.080 --> 0:22:03.160
<v Speaker 2>that's the feeling that I might.

0:22:03.080 --> 0:22:05.280
<v Speaker 1>Have been in response to Scott in then it might

0:22:05.280 --> 0:22:07.720
<v Speaker 1>have been Scott. It could have been Scott. His transitions.

0:22:07.800 --> 0:22:10.160
<v Speaker 2>Yeah, that same kind of feeling with this one where

0:22:10.160 --> 0:22:13.119
<v Speaker 2>it felt a little bit like he was he was

0:22:13.560 --> 0:22:16.440
<v Speaker 2>just more clunky this this week than he had been before.

0:22:16.640 --> 0:22:18.040
<v Speaker 1>Well, it's so funny because I said in the pre

0:22:18.119 --> 0:22:22.119
<v Speaker 1>show or the pre dance package that the Latin the

0:22:22.119 --> 0:22:24.080
<v Speaker 1>fact that it was a Latin dance made him nervous,

0:22:24.720 --> 0:22:26.639
<v Speaker 1>which I hadn't really thought about. But right, there's like

0:22:26.680 --> 0:22:30.040
<v Speaker 1>a different rhythm and style to that, and he does

0:22:30.080 --> 0:22:32.600
<v Speaker 1>seem more uncomfortable with that. Yeah, because when I think

0:22:32.600 --> 0:22:35.199
<v Speaker 1>about the first week, when he first came out, it

0:22:35.240 --> 0:22:37.840
<v Speaker 1>was like, oh, this guy's okay, but you know, and

0:22:38.080 --> 0:22:39.760
<v Speaker 1>and he's gotten so much more comfortable.

0:22:39.760 --> 0:22:43.400
<v Speaker 2>But then, yeah, it just felt a little like well

0:22:43.400 --> 0:22:44.679
<v Speaker 2>he talked about I think one of the things that

0:22:44.720 --> 0:22:48.480
<v Speaker 2>made him so uncomfortable was the sexiness of it, where

0:22:48.520 --> 0:22:50.560
<v Speaker 2>it's like he said that he's like the romantic thing

0:22:50.640 --> 0:22:54.280
<v Speaker 2>is not really me. So I wonder if if that's

0:22:54.280 --> 0:22:55.720
<v Speaker 2>what was getting him out of his head where it's

0:22:55.720 --> 0:22:57.600
<v Speaker 2>like you've got to I imagine for a dancer, like

0:22:57.600 --> 0:23:00.480
<v Speaker 2>two true dance partners, when they're on the floor, you

0:23:00.520 --> 0:23:03.240
<v Speaker 2>can't tell whether they're actually sleeping together in real life

0:23:03.320 --> 0:23:04.880
<v Speaker 2>or not, you know what I mean, It's like their

0:23:04.960 --> 0:23:07.199
<v Speaker 2>lovers when they're on the dance floor. And so if

0:23:07.200 --> 0:23:08.720
<v Speaker 2>you can't get out of your head about that to

0:23:08.760 --> 0:23:11.680
<v Speaker 2>be like, okay, I gotta that this is my partner,

0:23:12.160 --> 0:23:13.679
<v Speaker 2>then maybe it's a tough thing. I don't know.

0:23:14.080 --> 0:23:16.080
<v Speaker 1>Yeah, that's too bad because you two. I mean, because

0:23:16.119 --> 0:23:18.280
<v Speaker 1>like he clearly got out of his head last week.

0:23:18.400 --> 0:23:21.000
<v Speaker 1>You know he was dancing for his sister, right, so

0:23:21.040 --> 0:23:23.159
<v Speaker 1>you're right, maybe when he maybe he just needs to

0:23:23.280 --> 0:23:25.919
<v Speaker 1>take all that out, you know, and like it's not

0:23:26.040 --> 0:23:28.680
<v Speaker 1>about looking sexy or looking cool, because I think that's

0:23:28.720 --> 0:23:30.800
<v Speaker 1>the worst. That's the death of any dancer, right right,

0:23:31.160 --> 0:23:35.119
<v Speaker 1>that self consciousness. So whatever brings self consciousness, take it away.

0:23:35.560 --> 0:23:38.040
<v Speaker 1>Oh it's got to be so hard. I would be

0:23:38.040 --> 0:23:38.560
<v Speaker 1>the worst.

0:23:38.680 --> 0:23:41.680
<v Speaker 2>That's the same thing last night I was like, this

0:23:41.720 --> 0:23:43.439
<v Speaker 2>is why I can't do would never be able to

0:23:43.440 --> 0:23:45.760
<v Speaker 2>do the show. I would never be able to just

0:23:45.960 --> 0:23:49.639
<v Speaker 2>let go. I couldn't do it. I'd be so self conscious.

0:23:49.720 --> 0:23:52.920
<v Speaker 1>But if it was a comedy Britice, Like imagine if

0:23:52.960 --> 0:23:56.320
<v Speaker 1>you were hired to be a character for in a

0:23:56.359 --> 0:23:59.040
<v Speaker 1>season of Dancing with the Stars, that's different. You would

0:23:59.119 --> 0:24:02.000
<v Speaker 1>kill it, I know, think about it. Isn't that weird though,

0:24:02.200 --> 0:24:04.600
<v Speaker 1>Like you mentally if you were like, oh, I'm going

0:24:04.680 --> 0:24:09.640
<v Speaker 1>to play uh Eric Matthews going on Dancing with the Stars.

0:24:10.400 --> 0:24:12.080
<v Speaker 1>I mean I know right now, just me saying that

0:24:12.119 --> 0:24:14.239
<v Speaker 1>sentence gave you like four dance moves you want to

0:24:14.240 --> 0:24:16.720
<v Speaker 1>do of course, right, and you would kill it and

0:24:16.720 --> 0:24:19.320
<v Speaker 1>physically you would commit in a way that would be

0:24:19.359 --> 0:24:22.800
<v Speaker 1>so funny and so great and probably just as physically

0:24:22.880 --> 0:24:27.120
<v Speaker 1>challenging as trying to really dance as Wilfred Ell. And

0:24:27.320 --> 0:24:29.679
<v Speaker 1>but it's so it's just the actor thing and you like,

0:24:29.880 --> 0:24:30.560
<v Speaker 1>you would commit.

0:24:30.680 --> 0:24:33.960
<v Speaker 2>When I miss So with Love on the show, they

0:24:34.000 --> 0:24:36.040
<v Speaker 2>sent me to somebody a singing and when I was

0:24:36.080 --> 0:24:38.080
<v Speaker 2>actually trying to sing it, I was so self conscious.

0:24:38.160 --> 0:24:39.680
<v Speaker 2>And then he said the same things like we'll sing

0:24:39.680 --> 0:24:42.280
<v Speaker 2>it as your character, and I was like, oh, that's perfect, done.

0:24:42.800 --> 0:24:44.800
<v Speaker 1>So yeah, and you're never worried about it again, no,

0:24:44.960 --> 0:24:47.359
<v Speaker 1>god no, And hit all the notes and hit all

0:24:47.359 --> 0:24:47.640
<v Speaker 1>the notes.

0:24:47.720 --> 0:24:51.480
<v Speaker 2>Right. So that's the thing is, you know, that's you're right,

0:24:51.640 --> 0:24:53.800
<v Speaker 2>You're right, You're just gonna get Yeah, you just have

0:24:53.840 --> 0:24:55.000
<v Speaker 2>to beget in the character. Man.

0:24:55.080 --> 0:24:57.120
<v Speaker 1>You just look at it all as a as an

0:24:57.119 --> 0:24:58.520
<v Speaker 1>acting exercise, you know.

0:24:58.680 --> 0:25:01.040
<v Speaker 2>Like, yeah, that would be rough, but yeah, it felt

0:25:01.080 --> 0:25:03.680
<v Speaker 2>like he was way more You're right, took a step

0:25:03.720 --> 0:25:07.400
<v Speaker 2>back self conscious wise. This week. I thought, and didn't

0:25:07.400 --> 0:25:08.000
<v Speaker 2>they get all eight?

0:25:08.520 --> 0:25:11.800
<v Speaker 1>All eight's fair? I thought it did seem fair. But

0:25:12.320 --> 0:25:14.840
<v Speaker 1>I'm bummed. I didn't want them. I don't want them

0:25:14.880 --> 0:25:16.840
<v Speaker 1>to go. I want these guys to be like Top three.

0:25:17.240 --> 0:25:18.159
<v Speaker 2>I think they will be.

0:25:18.600 --> 0:25:20.399
<v Speaker 1>I helpe that it's getting less and less likely, though,

0:25:20.400 --> 0:25:22.199
<v Speaker 1>because the competition is so fierce.

0:25:22.320 --> 0:25:24.640
<v Speaker 2>It's really good. Yeah, it's really.

0:25:24.400 --> 0:25:29.439
<v Speaker 1>Stiff, all right. Next up Andy and Emma and I

0:25:29.560 --> 0:25:31.720
<v Speaker 1>just you know, I love that. Andy's just like I'm

0:25:31.720 --> 0:25:32.280
<v Speaker 1>still here.

0:25:32.840 --> 0:25:34.640
<v Speaker 2>Can you believe this? And I love them?

0:25:34.800 --> 0:25:37.240
<v Speaker 1>Yeah, you know, we none of us can believe it, dude,

0:25:37.240 --> 0:25:39.680
<v Speaker 1>but we still like it's true.

0:25:40.280 --> 0:25:43.320
<v Speaker 2>Yeah, you know, like yeah, you know.

0:25:43.840 --> 0:25:46.320
<v Speaker 1>A criticism of Dancing with the Stars as a show.

0:25:47.240 --> 0:25:52.199
<v Speaker 1>I do find these pre show packages to be somewhat

0:25:52.200 --> 0:25:55.080
<v Speaker 1>personality less a lot of the time, Like they focus

0:25:55.160 --> 0:25:57.119
<v Speaker 1>on like the dance themselves or how hard it's going

0:25:57.200 --> 0:26:00.360
<v Speaker 1>to be. And like, I just like Andy's shine through

0:26:00.440 --> 0:26:03.080
<v Speaker 1>because he is a comedian, he is he has so

0:26:03.160 --> 0:26:06.399
<v Speaker 1>much personality. But I really wish that the producers of

0:26:06.440 --> 0:26:08.440
<v Speaker 1>the show or the directors of the show would would

0:26:08.440 --> 0:26:11.320
<v Speaker 1>give us a little more uniqueness about each person. It's

0:26:11.320 --> 0:26:13.320
<v Speaker 1>interesting that they don't, do you know what I mean? Like,

0:26:14.359 --> 0:26:16.120
<v Speaker 1>I mean, obviously, I think that's why I like last

0:26:16.160 --> 0:26:17.960
<v Speaker 1>week is because we finally got a little glimpse into

0:26:18.160 --> 0:26:20.119
<v Speaker 1>someone else from their life.

0:26:20.400 --> 0:26:22.800
<v Speaker 2>But yeah, it's it's.

0:26:22.200 --> 0:26:24.439
<v Speaker 1>Sometimes it's just it strikes me as a little bland.

0:26:24.720 --> 0:26:26.679
<v Speaker 1>I'm always kind of like, like, like I said, when

0:26:26.680 --> 0:26:28.720
<v Speaker 1>we watch the Disney one, I was like, everybody tells

0:26:28.760 --> 0:26:30.320
<v Speaker 1>the same story about Disney, and it really does what we're

0:26:30.320 --> 0:26:32.920
<v Speaker 1>going to talk about. But I guess, you know.

0:26:33.440 --> 0:26:38.680
<v Speaker 2>Are the pre show packages getting longer as there's people off,

0:26:39.320 --> 0:26:41.280
<v Speaker 2>or if dance is getting longer or both? I think

0:26:41.280 --> 0:26:41.840
<v Speaker 2>it's but I don't.

0:26:42.400 --> 0:26:44.119
<v Speaker 1>I don't think the dancers are getting longer because I'm

0:26:44.119 --> 0:26:45.199
<v Speaker 1>surprised by how short they are.

0:26:45.200 --> 0:26:48.120
<v Speaker 2>Are you think there's still a minute? Interesting?

0:26:49.000 --> 0:26:52.560
<v Speaker 1>Maybe maybe they don't feel longer to me. Every time

0:26:52.640 --> 0:26:55.639
<v Speaker 1>I'm like, oh that was you know, it doesn't. It

0:26:55.640 --> 0:26:58.399
<v Speaker 1>doesn't feel like it's getting more intent, right, So I

0:26:58.400 --> 0:26:58.719
<v Speaker 1>don't know.

0:26:58.880 --> 0:26:59.240
<v Speaker 2>I don't know.

0:27:00.160 --> 0:27:05.720
<v Speaker 1>All right, they danced jazz to one short day, you

0:27:05.760 --> 0:27:08.840
<v Speaker 1>know this is I just feel like you can only

0:27:08.880 --> 0:27:09.400
<v Speaker 1>go so far.

0:27:09.840 --> 0:27:12.760
<v Speaker 2>Well, that's my question. Is he's awesome. We love him,

0:27:12.880 --> 0:27:16.160
<v Speaker 2>He's so much fun to watch. When is it time

0:27:16.240 --> 0:27:19.760
<v Speaker 2>to go next week? Yeah? When do you go? Ah, dude,

0:27:19.760 --> 0:27:21.879
<v Speaker 2>you've done better than anyone thought you were going to do.

0:27:21.920 --> 0:27:23.760
<v Speaker 2>You're so personable. Oh my god, you're going to be

0:27:23.800 --> 0:27:25.919
<v Speaker 2>a special correspondent to Dancing with the Stars for the

0:27:25.920 --> 0:27:29.400
<v Speaker 2>next five seasons. Your personality is amazing. But now we're

0:27:29.400 --> 0:27:31.199
<v Speaker 2>going to concentrate more on the dance, and we're at

0:27:31.200 --> 0:27:33.080
<v Speaker 2>the halfway point, and now it's now it might be

0:27:33.119 --> 0:27:36.920
<v Speaker 2>time for you to go. Yeah, because if quote unquote

0:27:36.960 --> 0:27:40.720
<v Speaker 2>real dancers and people that have really progressed start getting

0:27:40.760 --> 0:27:42.960
<v Speaker 2>kicked off, so Andy can stay because we like him,

0:27:43.359 --> 0:27:45.200
<v Speaker 2>it's another kind of red flag for the show a

0:27:45.240 --> 0:27:45.800
<v Speaker 2>little bit for me.

0:27:45.920 --> 0:27:48.439
<v Speaker 1>That's interesting, right, But do you feel that way about Scott?

0:27:48.720 --> 0:27:51.840
<v Speaker 2>No? No, I thought this was because I thought Scott

0:27:51.840 --> 0:27:54.920
<v Speaker 2>had not progressed enough. Andy is progressing, and I think

0:27:54.960 --> 0:27:56.720
<v Speaker 2>a lot of it they touched on this last time.

0:27:56.720 --> 0:27:59.160
<v Speaker 2>And as somebody who's had weight problems my entire life

0:27:59.520 --> 0:28:02.160
<v Speaker 2>or can fluctuate in waight quite a bit, he's lost

0:28:02.160 --> 0:28:04.000
<v Speaker 2>a ton of weight and that's going to help every

0:28:04.080 --> 0:28:06.920
<v Speaker 2>aspect of his body. You know, it's gonna help his knees,

0:28:06.960 --> 0:28:09.199
<v Speaker 2>it's gonna help his legs. It's we're seeing that he

0:28:09.280 --> 0:28:11.960
<v Speaker 2>can move easier. When you drop weight, you just can't.

0:28:12.640 --> 0:28:15.520
<v Speaker 2>So it's one of those things where he is progressing.

0:28:15.560 --> 0:28:17.840
<v Speaker 2>So I think this was the right call for who

0:28:17.840 --> 0:28:20.520
<v Speaker 2>went home this week? But now or to the point

0:28:20.560 --> 0:28:23.240
<v Speaker 2>where you'd really have to justify why you'd kick somebody

0:28:23.240 --> 0:28:26.240
<v Speaker 2>else off over Andy, Right, Yeah.

0:28:26.480 --> 0:28:28.920
<v Speaker 1>It's interesting. During the judging, Carrie Ane said this thing

0:28:29.400 --> 0:28:32.560
<v Speaker 1>that dance is for everyone is the theme of this show,

0:28:34.080 --> 0:28:36.359
<v Speaker 1>and I was like, oh, is it okay?

0:28:36.880 --> 0:28:38.440
<v Speaker 2>Like I was like, there was.

0:28:39.400 --> 0:28:42.080
<v Speaker 1>I feel like it's, you know, going back to discussion

0:28:42.080 --> 0:28:43.240
<v Speaker 1>we've been having since week one.

0:28:43.360 --> 0:28:44.560
<v Speaker 2>I feel like that's the theme.

0:28:44.320 --> 0:28:47.120
<v Speaker 1>For half of this show, right, you know, because there

0:28:47.120 --> 0:28:50.000
<v Speaker 1>are the people that you're just like, Oh, everybody's getting better,

0:28:50.040 --> 0:28:52.400
<v Speaker 1>everybody's learning how to dance, and no matter who you are,

0:28:52.440 --> 0:28:55.000
<v Speaker 1>no matter what your background, you have a shot at

0:28:55.160 --> 0:28:57.840
<v Speaker 1>you know, dancing. And I feel like Andy is.

0:28:57.760 --> 0:29:01.040
<v Speaker 2>That part of the show. He's just the Yeah.

0:29:01.200 --> 0:29:03.920
<v Speaker 1>Well it's a weird way though getting this far in.

0:29:04.720 --> 0:29:07.160
<v Speaker 1>I kind of missed Corey Feldman.

0:29:07.160 --> 0:29:10.240
<v Speaker 2>Last night, Like did you that last night.

0:29:10.360 --> 0:29:14.760
<v Speaker 1>No, I just like miss a little more randomness, a

0:29:14.800 --> 0:29:18.320
<v Speaker 1>little more like up and down excitement of like who's

0:29:18.480 --> 0:29:20.640
<v Speaker 1>you know, I don't know, Like I suddenly was like

0:29:20.800 --> 0:29:22.680
<v Speaker 1>because at the time I remember being like, yeah, he

0:29:22.720 --> 0:29:26.000
<v Speaker 1>doesn't belong as you know, and I think, but in general,

0:29:26.080 --> 0:29:28.959
<v Speaker 1>like it feels like so much of this cast is

0:29:29.040 --> 0:29:33.479
<v Speaker 1>just really good dancers. Their personalities are totally likable and fine.

0:29:33.920 --> 0:29:34.160
<v Speaker 2>There.

0:29:34.200 --> 0:29:37.120
<v Speaker 1>They got their pre dance packages that are just fine,

0:29:37.360 --> 0:29:40.160
<v Speaker 1>like I said, a little bland, and then you have

0:29:40.200 --> 0:29:42.480
<v Speaker 1>somebody like Andy who's like, you know, got the personality,

0:29:42.480 --> 0:29:43.959
<v Speaker 1>And I was like, we could have a whole season

0:29:43.960 --> 0:29:46.320
<v Speaker 1>of just Andy's dancing against each other.

0:29:46.200 --> 0:29:46.760
<v Speaker 2>Do you know what I mean?

0:29:47.120 --> 0:29:49.000
<v Speaker 1>And that's what I was like, Cory Felman, they might

0:29:49.080 --> 0:29:51.560
<v Speaker 1>do that. Yeah, I thought the same thing, And I'm

0:29:51.560 --> 0:29:53.480
<v Speaker 1>sure there have been seasons like that, but this season

0:29:53.520 --> 0:29:56.640
<v Speaker 1>seems a little rigged with like eighty percent actually great

0:29:56.720 --> 0:30:01.120
<v Speaker 1>dancers who are not going to really like weird personalities

0:30:01.200 --> 0:30:03.360
<v Speaker 1>or make mistakes in like some crazy way.

0:30:03.720 --> 0:30:06.840
<v Speaker 2>And then like, yeah, I just I agree. I thought

0:30:06.880 --> 0:30:09.719
<v Speaker 2>the same thing. If they do a season of people

0:30:10.120 --> 0:30:14.360
<v Speaker 2>like me who said I've never danced, I can't dance,

0:30:14.520 --> 0:30:16.480
<v Speaker 2>no one can teach me how to dance. That's a

0:30:16.480 --> 0:30:18.560
<v Speaker 2>fun season of a show to watch for me. So fun.

0:30:18.840 --> 0:30:21.560
<v Speaker 1>Well, it's just commitment, right, Commitment is the point, and

0:30:21.600 --> 0:30:23.400
<v Speaker 1>like that's that's what we're celebrating with.

0:30:23.440 --> 0:30:26.520
<v Speaker 2>Like Andy is his commitment? Yea, like going for it.

0:30:27.280 --> 0:30:29.320
<v Speaker 2>And when he's in with a whole group of people

0:30:29.920 --> 0:30:31.640
<v Speaker 2>and they're all there at the end and he's one

0:30:31.640 --> 0:30:34.360
<v Speaker 2>of ten people kind of doing these basic moves, he

0:30:34.600 --> 0:30:36.600
<v Speaker 2>was fine. You know. It was one of those things

0:30:36.640 --> 0:30:38.320
<v Speaker 2>where it was like it was it was if the

0:30:39.280 --> 0:30:42.720
<v Speaker 2>goal is to entertain you, he'll win every week. If

0:30:42.720 --> 0:30:46.520
<v Speaker 2>the goal is to dance, it might be time that

0:30:46.560 --> 0:30:50.680
<v Speaker 2>we say goodbye Andy, and we talk about this because

0:30:51.000 --> 0:30:53.160
<v Speaker 2>being on Dancing with This is one of the jokes

0:30:53.160 --> 0:30:55.160
<v Speaker 2>of getting you on the show. Being on Dancing with

0:30:55.240 --> 0:30:57.480
<v Speaker 2>Stars and doing the work and dancing and doing the

0:30:57.480 --> 0:31:00.080
<v Speaker 2>show is only one part of the job. The the

0:31:00.120 --> 0:31:03.480
<v Speaker 2>other part is this social media blitz that they have

0:31:03.560 --> 0:31:08.000
<v Speaker 2>to do all the time. So you are you're reaching

0:31:08.000 --> 0:31:09.960
<v Speaker 2>out to your people and it's like vote for me,

0:31:10.040 --> 0:31:13.200
<v Speaker 2>vote for me, vote for me. It's it's so strange. Yeah.

0:31:13.400 --> 0:31:16.200
<v Speaker 1>Yeah, honestly, if you, if you, if I could do

0:31:16.320 --> 0:31:18.960
<v Speaker 1>Dancing with the stars and take that out of the equation,

0:31:19.440 --> 0:31:21.320
<v Speaker 1>like in other words, never have to do an interview

0:31:21.360 --> 0:31:25.680
<v Speaker 1>outside of the show. I mightier do that, is like

0:31:25.800 --> 0:31:28.280
<v Speaker 1>way I'd like I could wrap my head around that. Yeah,

0:31:28.280 --> 0:31:31.560
<v Speaker 1>but you're exactly right like that other fifty percent of

0:31:31.600 --> 0:31:33.560
<v Speaker 1>the equation is the part that scares.

0:31:33.280 --> 0:31:35.840
<v Speaker 2>Me the most. It makes me the most uncomfortable. Oh wow, terrible.

0:31:36.280 --> 0:31:40.040
<v Speaker 1>Uh Andy and Emma got seven six seven, seven, which

0:31:40.120 --> 0:31:41.800
<v Speaker 1>seems kind.

0:31:41.560 --> 0:31:43.680
<v Speaker 2>And yeah, it's that they're being they're being general, but

0:31:43.680 --> 0:31:47.080
<v Speaker 2>again also fair. If everybody's being bumped up just to

0:31:47.160 --> 0:31:49.120
<v Speaker 2>kind of be bumped up, then he's better than he

0:31:49.240 --> 0:31:52.040
<v Speaker 2>was when he was getting all sixes, so he yes,

0:31:52.160 --> 0:32:06.960
<v Speaker 2>I could see the sevens all right.

0:32:07.000 --> 0:32:11.520
<v Speaker 1>Elena Allen came out. They danced contemporary to define gravity.

0:32:13.840 --> 0:32:16.840
<v Speaker 1>I thought this was one of her best of the

0:32:17.280 --> 0:32:18.160
<v Speaker 1>whole season.

0:32:18.520 --> 0:32:21.080
<v Speaker 2>I did too, But I have a question, and it's

0:32:21.440 --> 0:32:25.360
<v Speaker 2>just a question. I watched it twice and I timed

0:32:25.360 --> 0:32:27.000
<v Speaker 2>it the second time. I think, I know what you're

0:32:27.000 --> 0:32:30.600
<v Speaker 2>gonna say. For thirty seconds of the dance, she's not dancing.

0:32:30.720 --> 0:32:33.840
<v Speaker 2>She doesn't dance. I know, she goes onto this big

0:32:33.920 --> 0:32:37.480
<v Speaker 2>rig thing. They cut to the professional male dancer who

0:32:37.560 --> 0:32:40.239
<v Speaker 2>just sits there on camera as they then raise her

0:32:40.320 --> 0:32:43.720
<v Speaker 2>up and she points the wand is that a cheat?

0:32:44.760 --> 0:32:47.240
<v Speaker 1>No, because if you look at what she actually did

0:32:47.320 --> 0:32:51.640
<v Speaker 1>before then it was well well done, like a dance

0:32:51.680 --> 0:32:53.680
<v Speaker 1>half her dance The same thought, man, I honestly I

0:32:53.760 --> 0:32:56.600
<v Speaker 1>was like, oh, where'd she go? She's not dancing half

0:32:56.640 --> 0:32:58.959
<v Speaker 1>of this dance? Why are we watching other people? But

0:32:59.000 --> 0:33:01.920
<v Speaker 1>then it was such a good, good show stopping moment

0:33:02.000 --> 0:33:05.840
<v Speaker 1>to have her elevated and yeah, but no, she's she's

0:33:05.880 --> 0:33:07.200
<v Speaker 1>on the platform, she's not dancing.

0:33:07.240 --> 0:33:10.000
<v Speaker 2>She's do that with Andy every week, have him do

0:33:10.040 --> 0:33:11.960
<v Speaker 2>a couple of steps and then throw them somewhere where

0:33:12.000 --> 0:33:13.640
<v Speaker 2>he gets to acting money in front of a thing.

0:33:14.040 --> 0:33:17.360
<v Speaker 1>I think because she's earned, Because what she did last week,

0:33:17.400 --> 0:33:20.880
<v Speaker 1>I feel like she's earned. She's proven that she commits

0:33:20.880 --> 0:33:24.640
<v Speaker 1>to the dancing, the technical dancing side, physically she's doing that.

0:33:25.120 --> 0:33:28.320
<v Speaker 1>So I think instead, especially with a you know, an

0:33:28.360 --> 0:33:31.560
<v Speaker 1>actor background, coming into a musical theater themed week, I

0:33:31.600 --> 0:33:33.760
<v Speaker 1>think they just took the risk of like, let's just blow,

0:33:34.040 --> 0:33:36.160
<v Speaker 1>let's just blow everybody with the greatest show, like the

0:33:36.200 --> 0:33:39.520
<v Speaker 1>greatest show visual, and I think they pulled it off.

0:33:39.520 --> 0:33:41.360
<v Speaker 1>Like because I think she's earned it. Like I I

0:33:41.400 --> 0:33:43.800
<v Speaker 1>think if Andy had done this, you'd be like, dude,

0:33:43.800 --> 0:33:45.760
<v Speaker 1>you still haven't quite shown that you can actually just

0:33:45.840 --> 0:33:48.520
<v Speaker 1>do the dancing side where she's done the dancing, So now.

0:33:48.400 --> 0:33:50.720
<v Speaker 2>She's just making it the best show she can. Yet

0:33:50.800 --> 0:33:52.480
<v Speaker 2>that's fair. I mean, that's that's I think that's a

0:33:52.520 --> 0:33:54.240
<v Speaker 2>fair assessment. But I was I thought about it. I

0:33:54.240 --> 0:33:56.000
<v Speaker 2>was like, this is like a minute long and thirty

0:33:56.000 --> 0:33:58.440
<v Speaker 2>seconds of it. She wasn't dancing. Again, I'm not I'm

0:33:58.440 --> 0:34:00.440
<v Speaker 2>not bashing her, I just man question.

0:34:00.920 --> 0:34:03.360
<v Speaker 1>Since we've been talking, I realized they got the same

0:34:03.400 --> 0:34:06.239
<v Speaker 1>scorer as Danielle, and that kind of bumps me out.

0:34:06.280 --> 0:34:08.719
<v Speaker 2>That's what I'm saying that because when I think about it.

0:34:08.719 --> 0:34:11.800
<v Speaker 1>In comparison to how how hard Danielle was actually technically

0:34:11.880 --> 0:34:16.480
<v Speaker 1>dancing the entire time, that she probably should have gotten

0:34:16.480 --> 0:34:21.520
<v Speaker 1>an AD And I agree, the board seems way too high.

0:34:21.760 --> 0:34:26.200
<v Speaker 2>Great show. Didn't dance half of the show. So again,

0:34:26.280 --> 0:34:30.080
<v Speaker 2>I really like her. I like her story. Her journey

0:34:30.120 --> 0:34:32.000
<v Speaker 2>has been one of my favorite ones to watch, So

0:34:32.239 --> 0:34:36.680
<v Speaker 2>you know, I get it. But you know it's like, hey,

0:34:36.840 --> 0:34:38.920
<v Speaker 2>for for half of my song for American Idol, I'm

0:34:38.920 --> 0:34:41.360
<v Speaker 2>not going to sing Yeah, would people have been like,

0:34:41.400 --> 0:34:43.520
<v Speaker 2>you didn't sing half of your song? Of course they would,

0:34:43.800 --> 0:34:46.920
<v Speaker 2>but the half you did sing it was great. It's

0:34:46.920 --> 0:34:48.120
<v Speaker 2>a judger on that half.

0:34:48.520 --> 0:34:50.879
<v Speaker 1>Yeah, I think I think dropping a point or two

0:34:50.920 --> 0:34:51.720
<v Speaker 1>from a couple of judges.

0:34:52.040 --> 0:34:54.919
<v Speaker 2>Again, same. I don't you wonder how much they were

0:34:54.960 --> 0:34:57.160
<v Speaker 2>just blown away in the room, you know, because I'm sure,

0:34:57.320 --> 0:34:58.080
<v Speaker 2>well that's one of the things.

0:34:58.160 --> 0:35:01.120
<v Speaker 1>Somebody suddenly up in the air all the smoke and

0:35:01.200 --> 0:35:03.040
<v Speaker 1>I mean, I'm sure it was just like, oh my god,

0:35:03.080 --> 0:35:04.799
<v Speaker 1>they did it, and like, yeah.

0:35:04.520 --> 0:35:05.799
<v Speaker 2>That's one of the things Sue and I were talking

0:35:05.800 --> 0:35:07.400
<v Speaker 2>about was this would have been a fun week to

0:35:07.440 --> 0:35:10.000
<v Speaker 2>be on the stage to see how they're doing everything.

0:35:10.040 --> 0:35:11.520
<v Speaker 2>This would have been really really cool.

0:35:12.239 --> 0:35:17.279
<v Speaker 1>All right, Next up Jen and Johan. I feel like

0:35:17.320 --> 0:35:18.520
<v Speaker 1>she's struggling a little bit.

0:35:18.680 --> 0:35:21.160
<v Speaker 2>I agree. I again, it's such a horrible thing to say.

0:35:21.200 --> 0:35:24.960
<v Speaker 2>She seems so lovely and I every week she pops up,

0:35:25.000 --> 0:35:27.880
<v Speaker 2>I'm like, oh, that's right. It just kind of she

0:35:28.080 --> 0:35:30.640
<v Speaker 2>just blends in a bit and she seems such like

0:35:30.760 --> 0:35:34.080
<v Speaker 2>so lovely and so nice, and it seems like she's

0:35:34.120 --> 0:35:37.439
<v Speaker 2>working really hard, but she's just kind of there. Yeah.

0:35:37.480 --> 0:35:41.840
<v Speaker 2>I don't think she's she's gonna last very, very long. Yeah. Now, question,

0:35:42.000 --> 0:35:46.280
<v Speaker 2>going back to our original conversation, would you, let's say

0:35:46.520 --> 0:35:50.320
<v Speaker 2>everything played out plays out next week exactly like it

0:35:50.360 --> 0:35:53.680
<v Speaker 2>plays out played out this week, would you think it

0:35:53.680 --> 0:35:56.480
<v Speaker 2>would be justified to get rid of her before Andy?

0:35:58.560 --> 0:36:02.040
<v Speaker 1>No, not in this field, I see, I feel in

0:36:02.080 --> 0:36:04.960
<v Speaker 1>this this is a this is a season. I mean,

0:36:05.000 --> 0:36:07.399
<v Speaker 1>I can imagine the season, like I said, where it

0:36:07.440 --> 0:36:11.440
<v Speaker 1>is more about personality and progress as as dancers, in

0:36:11.440 --> 0:36:13.640
<v Speaker 1>which days Andy's killing it. It would be so much

0:36:13.640 --> 0:36:15.680
<v Speaker 1>fun to see in a field of people like that,

0:36:15.960 --> 0:36:19.279
<v Speaker 1>but in a field with like really good dancers at

0:36:19.280 --> 0:36:22.600
<v Speaker 1>this point and people physically just upping their game like

0:36:22.680 --> 0:36:23.640
<v Speaker 1>he he.

0:36:23.600 --> 0:36:24.480
<v Speaker 2>Can only go so far.

0:36:24.680 --> 0:36:27.880
<v Speaker 1>Yeah, And it's unfair to her at this point to

0:36:27.920 --> 0:36:31.400
<v Speaker 1>be judged for a personality contest when it's not supposed

0:36:31.440 --> 0:36:32.279
<v Speaker 1>to be, do you know what I mean?

0:36:32.400 --> 0:36:33.280
<v Speaker 2>Like it's it's.

0:36:33.360 --> 0:36:36.400
<v Speaker 1>A popularity contest necessarily it's half of that, and the

0:36:36.400 --> 0:36:38.520
<v Speaker 1>other half should be that she's really dancing.

0:36:38.600 --> 0:36:41.160
<v Speaker 2>And yeah, I agree one hundred percent.

0:36:43.719 --> 0:36:45.840
<v Speaker 1>So they did the foxtrot to as Long as You

0:36:45.880 --> 0:36:47.440
<v Speaker 1>Are Mine?

0:36:48.120 --> 0:36:50.040
<v Speaker 2>Did you like any did you like the music? Did

0:36:50.040 --> 0:36:51.960
<v Speaker 2>anything really stick out with you? Where you're like man

0:36:52.080 --> 0:36:53.360
<v Speaker 2>killer songs. No.

0:36:53.680 --> 0:36:56.600
<v Speaker 1>You know the thing about musicals for me, I really

0:36:56.680 --> 0:37:00.000
<v Speaker 1>like I don't listen to them out out of content

0:37:00.200 --> 0:37:03.000
<v Speaker 1>that off like I really liked them in the story.

0:37:03.040 --> 0:37:05.759
<v Speaker 1>Like when I'm watching a thing and I see the

0:37:05.800 --> 0:37:08.040
<v Speaker 1>song as part of the story, I like it, But

0:37:08.080 --> 0:37:10.759
<v Speaker 1>I don't then go except for like the classics like

0:37:10.840 --> 0:37:12.000
<v Speaker 1>lay Miz and you know those.

0:37:12.480 --> 0:37:14.640
<v Speaker 2>I had Hamilton on a loop in my house.

0:37:14.719 --> 0:37:17.960
<v Speaker 1>Did you even Hamilton? Even Hamilton? Like, I think there

0:37:18.040 --> 0:37:20.160
<v Speaker 1>was like one or two songs I liked to listen to,

0:37:20.239 --> 0:37:22.440
<v Speaker 1>but then you know, yeah, I don't choose, but yeah.

0:37:22.719 --> 0:37:23.520
<v Speaker 2>Out of context.

0:37:23.520 --> 0:37:25.360
<v Speaker 1>I wasn't really listening to the lyrics of these, and

0:37:25.400 --> 0:37:26.880
<v Speaker 1>I wasn't really thinking about so I just want to

0:37:26.920 --> 0:37:27.759
<v Speaker 1>I just want to go watch them.

0:37:27.920 --> 0:37:30.239
<v Speaker 2>That Defying Gravity song was really good, but I think

0:37:30.239 --> 0:37:32.880
<v Speaker 2>that was actually the big one. I think that's that's

0:37:32.920 --> 0:37:35.399
<v Speaker 2>where they and I thought it was such a big

0:37:35.440 --> 0:37:37.359
<v Speaker 2>song and a breakout song that that's what that's why

0:37:37.400 --> 0:37:39.799
<v Speaker 2>they had them do the opening number to it, because

0:37:39.800 --> 0:37:41.919
<v Speaker 2>then they weren't gonna let anybody else use it where

0:37:41.920 --> 0:37:43.319
<v Speaker 2>it's like, hey, it's not fair if one of you

0:37:43.400 --> 0:37:46.120
<v Speaker 2>gets this big song. But then it was a lame song,

0:37:46.160 --> 0:37:48.040
<v Speaker 2>so it's like, oh, okay, then I guess they did

0:37:48.080 --> 0:37:50.360
<v Speaker 2>let the music. Oh, I guess the opening number was

0:37:50.360 --> 0:37:54.240
<v Speaker 2>a melody or was a medley medley like a vegetable medley.

0:37:54.360 --> 0:37:54.720
<v Speaker 2>I guess.

0:37:56.480 --> 0:37:59.600
<v Speaker 1>I thought Jen really hurt herself at the ending of

0:37:59.640 --> 0:38:02.719
<v Speaker 1>this dance. Do you remember where she like walked and turned.

0:38:02.600 --> 0:38:04.360
<v Speaker 2>And turn she walks away from him like at like

0:38:04.400 --> 0:38:06.399
<v Speaker 2>thirty feet and then turns and looks at the camera. Yeah.

0:38:06.480 --> 0:38:09.040
<v Speaker 2>I was like what. I was like, we that's like

0:38:09.920 --> 0:38:12.040
<v Speaker 2>I was it just it just didn't land.

0:38:12.160 --> 0:38:14.520
<v Speaker 1>And I was like, oh, and partly I think that

0:38:14.520 --> 0:38:16.440
<v Speaker 1>that was kind of like an actory.

0:38:16.040 --> 0:38:17.840
<v Speaker 2>Moment, do you know what I mean? And she's not

0:38:17.880 --> 0:38:20.960
<v Speaker 2>an actor. Yeah, take your moment, take your stage. And

0:38:20.960 --> 0:38:22.040
<v Speaker 2>it was like, yeah, it didn't work.

0:38:22.040 --> 0:38:24.600
<v Speaker 1>It didn't it didn't work, and it didn't land heavy enough.

0:38:24.600 --> 0:38:26.480
<v Speaker 1>So I thought that was a poor choice in terms

0:38:26.520 --> 0:38:30.800
<v Speaker 1>of choreography to put the pressure on her for that particular.

0:38:30.400 --> 0:38:34.360
<v Speaker 2>Type of a completely agree with you. Yeah, they got eight's,

0:38:34.920 --> 0:38:38.759
<v Speaker 2>which seemed fair. I would say that was fair. Yeah,

0:38:39.640 --> 0:38:42.080
<v Speaker 2>I would. I would this week put her on par

0:38:42.760 --> 0:38:45.080
<v Speaker 2>with Dylan e Front. I thought they were right kind

0:38:45.160 --> 0:38:47.480
<v Speaker 2>of there, so that. Yes, the scoring made sense to

0:38:47.480 --> 0:38:48.960
<v Speaker 2>me where they they all got eight.

0:38:49.239 --> 0:38:51.600
<v Speaker 1>But whereas he was a little bit of a downgrade

0:38:51.600 --> 0:38:53.280
<v Speaker 1>from last week, and I thought she was an improvement

0:38:53.320 --> 0:38:53.919
<v Speaker 1>from last week.

0:38:53.960 --> 0:38:56.879
<v Speaker 2>I don't disagree with that either. Still just man, she's

0:38:56.880 --> 0:39:00.560
<v Speaker 2>still just kind of there. Yeah, that's too bad, all right.

0:39:00.920 --> 0:39:05.759
<v Speaker 1>Next up someone named Danielle fischl n This lady, this Lady.

0:39:07.120 --> 0:39:11.040
<v Speaker 2>Top that was her tope something like that. She played

0:39:11.480 --> 0:39:18.000
<v Speaker 2>Topagi on Family Matters, on step by Matters. What can

0:39:18.040 --> 0:39:20.040
<v Speaker 2>you say? Dude? I was so happy.

0:39:20.160 --> 0:39:22.960
<v Speaker 1>I was just so happy because I was like, you know,

0:39:23.719 --> 0:39:25.239
<v Speaker 1>like I already said, like I was just last week.

0:39:25.280 --> 0:39:27.320
<v Speaker 1>I was like, is this the right strategy for Danielle?

0:39:27.400 --> 0:39:30.120
<v Speaker 1>Like I feel like she still needs to like show

0:39:30.360 --> 0:39:33.440
<v Speaker 1>showcase a that she can do this this hard dancing,

0:39:33.480 --> 0:39:36.480
<v Speaker 1>but also just bring her another side of her personality.

0:39:36.640 --> 0:39:38.160
<v Speaker 2>And this was it. It was.

0:39:38.239 --> 0:39:41.799
<v Speaker 1>It was like both technically insane. I kept believe with

0:39:41.840 --> 0:39:46.400
<v Speaker 1>her injured leg, she's doing this crap, but then also

0:39:46.560 --> 0:39:49.400
<v Speaker 1>it had so much personality and so much like just

0:39:49.960 --> 0:39:51.560
<v Speaker 1>a cool sexy vibe to it.

0:39:51.719 --> 0:39:55.080
<v Speaker 2>Yeah, she also looked phenomenal. She did her legs seemed

0:39:55.120 --> 0:39:57.919
<v Speaker 2>like six feet long, like what's the technical feet long

0:39:58.040 --> 0:40:01.680
<v Speaker 2>and shredded muscle. This is this is a tiny woman.

0:40:02.400 --> 0:40:06.080
<v Speaker 1>Yeah, she's one of the smallest people I've ever like,

0:40:06.160 --> 0:40:09.040
<v Speaker 1>you know, Dan Yelle, and she's a wee person.

0:40:09.040 --> 0:40:11.200
<v Speaker 2>He's watiful. But you would never call.

0:40:11.040 --> 0:40:12.360
<v Speaker 1>Her long legged.

0:40:12.600 --> 0:40:15.480
<v Speaker 2>No, you would never call her leggy. Right, And yet

0:40:15.520 --> 0:40:17.080
<v Speaker 2>I was watching this, I was like, where did these

0:40:17.160 --> 0:40:19.360
<v Speaker 2>legs come from? They looked like cyber.

0:40:19.160 --> 0:40:23.120
<v Speaker 1>Connections, like you know, it was amazing, and she was

0:40:23.160 --> 0:40:25.560
<v Speaker 1>moving them perfectly. I was just so impressed.

0:40:26.040 --> 0:40:28.399
<v Speaker 2>It was this was this was such a great the.

0:40:28.320 --> 0:40:30.759
<v Speaker 1>Way she kept doing the little kicks and like the

0:40:30.760 --> 0:40:33.520
<v Speaker 1>there was like I just was and yeah, I thought dude.

0:40:33.760 --> 0:40:36.520
<v Speaker 2>Parents called me from a three hour advance having seen

0:40:36.520 --> 0:40:39.520
<v Speaker 2>the show, like oh my god, wait to see Danielle.

0:40:39.560 --> 0:40:41.600
<v Speaker 2>It's she was so good.

0:40:41.719 --> 0:40:46.759
<v Speaker 1>Yeah yeah, I was really. I I know, we like

0:40:46.840 --> 0:40:49.360
<v Speaker 1>joke about like how like oh we knew Danielle is

0:40:49.400 --> 0:40:52.520
<v Speaker 1>the star of the show or whatever, but this did

0:40:52.600 --> 0:40:53.200
<v Speaker 1>surprise me.

0:40:53.600 --> 0:40:56.560
<v Speaker 2>Like I was like, oh, like I knew she I

0:40:56.920 --> 0:40:59.080
<v Speaker 2>hoped she could up her game, but I was like, oh,

0:40:59.080 --> 0:41:00.919
<v Speaker 2>she actually can. Yelp, there's no.

0:41:00.880 --> 0:41:03.480
<v Speaker 1>Limit here, Like she's gonna she has a shot at

0:41:03.480 --> 0:41:06.760
<v Speaker 1>winning this thing, and like we're being in the top five,

0:41:06.880 --> 0:41:07.919
<v Speaker 1>top three at least.

0:41:08.080 --> 0:41:11.399
<v Speaker 2>I think I was just like, damn, like you are

0:41:13.080 --> 0:41:15.279
<v Speaker 2>my favorite dance of hers by far, and the best

0:41:15.280 --> 0:41:17.480
<v Speaker 2>one she's done since her first night. I think. Personal

0:41:17.560 --> 0:41:20.880
<v Speaker 2>I completely agree. She just I feel rushed it, she

0:41:21.640 --> 0:41:24.240
<v Speaker 2>arguably to me. And again we talk about how we're biased,

0:41:24.280 --> 0:41:27.840
<v Speaker 2>but she arguably to me, all things being considered was

0:41:27.920 --> 0:41:31.960
<v Speaker 2>dance of the night. Yeah, yeah, I agree. It was

0:41:32.040 --> 0:41:34.799
<v Speaker 2>just it was great, Yeah, so fun to see. Oh wait,

0:41:34.880 --> 0:41:39.120
<v Speaker 2>what did she get? Oh? Nines? And then then her

0:41:39.160 --> 0:41:42.439
<v Speaker 2>first night and she was ecstatic when she got four nines. Yeah.

0:41:42.440 --> 0:41:44.640
<v Speaker 2>And second, this is where, of course, writer we always

0:41:44.640 --> 0:41:48.839
<v Speaker 2>do with is his dude, you've dance, thank you hit

0:41:48.880 --> 0:41:50.680
<v Speaker 2>all the notes again? You can tell so.

0:41:51.520 --> 0:41:55.359
<v Speaker 1>Argentine Tango, tell me about it. I bet it's from Argentina.

0:41:55.920 --> 0:41:56.600
<v Speaker 1>Strange enough.

0:41:56.880 --> 0:42:02.600
<v Speaker 2>It's not what it was born inos airis No, it's

0:42:02.640 --> 0:42:05.440
<v Speaker 2>what it says. I mean, it's what I know. A

0:42:05.480 --> 0:42:08.840
<v Speaker 2>partner dance born in Buenos Aires that combined Spanish, Creole

0:42:09.239 --> 0:42:13.080
<v Speaker 2>and African influences. It is characterized by mark rhythms, dramatic pauses,

0:42:13.080 --> 0:42:16.560
<v Speaker 2>and close embrace. While there are no notable Argentine dances

0:42:16.600 --> 0:42:18.960
<v Speaker 2>like the folk dance Zamba and the carnival street performance

0:42:19.160 --> 0:42:22.920
<v Speaker 2>la Merga. The term typically brings to mind the passionate

0:42:22.960 --> 0:42:26.439
<v Speaker 2>and complex movements of the tango. So there you go.

0:42:27.520 --> 0:42:30.520
<v Speaker 2>It was a complex dance. It was really cool. The

0:42:30.680 --> 0:42:32.759
<v Speaker 2>ending where they're like holding her down and she's like

0:42:32.760 --> 0:42:36.759
<v Speaker 2>in this weird position. Super cool. Yeah, this was This

0:42:36.880 --> 0:42:39.080
<v Speaker 2>was great And the only note that she got I

0:42:39.120 --> 0:42:41.080
<v Speaker 2>didn't disagree with where it didn't look like she was

0:42:41.080 --> 0:42:44.319
<v Speaker 2>breathing a lot. But that's I mean, she's like she

0:42:44.360 --> 0:42:46.360
<v Speaker 2>didn't have time to. So yeah, it was great.

0:42:46.840 --> 0:42:51.480
<v Speaker 1>Great, So all right, we went on to Jordan and

0:42:51.520 --> 0:42:53.680
<v Speaker 1>Ezra your faves.

0:42:53.760 --> 0:42:57.400
<v Speaker 2>Yeah, man, oh my god, I just love her. What

0:42:57.480 --> 0:43:00.359
<v Speaker 2>a way to close? Yeah, I thought this. They did

0:43:00.360 --> 0:43:05.800
<v Speaker 2>the rumba too for good, another song from the musical.

0:43:05.800 --> 0:43:10.440
<v Speaker 1>I don't know, but yeah, I feel like her personality

0:43:10.480 --> 0:43:12.759
<v Speaker 1>is really coming through even more.

0:43:14.080 --> 0:43:17.040
<v Speaker 2>And she's just she's just physically amazing, right, Like, yeah,

0:43:17.120 --> 0:43:20.680
<v Speaker 2>she's incredible, incredible. We've talked about the control that she

0:43:20.719 --> 0:43:23.359
<v Speaker 2>has over her body, which is something she's obviously been

0:43:23.520 --> 0:43:27.319
<v Speaker 2>studying with gymnastics since she was a kid. But it's yeah,

0:43:27.360 --> 0:43:29.239
<v Speaker 2>she's it's she's one of those people that kind of

0:43:29.239 --> 0:43:32.000
<v Speaker 2>seems like if she wanted to, she could go off

0:43:32.040 --> 0:43:37.160
<v Speaker 2>and become a professional dancer, right right? Uh? Ten? Nine,

0:43:37.400 --> 0:43:41.680
<v Speaker 2>ten and ten, which Derek's still not given tens. Derek

0:43:41.800 --> 0:43:43.799
<v Speaker 2>is not given tens. He hasn't given one out yet,

0:43:43.880 --> 0:43:45.439
<v Speaker 2>so he's holding back.

0:43:45.719 --> 0:43:49.400
<v Speaker 1>Yeah, and so this tide with Whitney and Marcus the

0:43:49.400 --> 0:43:52.480
<v Speaker 1>best or the highest score of the night. Yeah, I'm

0:43:52.560 --> 0:43:56.560
<v Speaker 1>so curious how she's doing votes wise, really the.

0:43:56.520 --> 0:43:59.520
<v Speaker 2>Same thing because she doesn't, does she? I mean again,

0:43:59.760 --> 0:44:02.680
<v Speaker 2>I know that gymnastics is hugely is a hugely popular sport,

0:44:02.680 --> 0:44:06.280
<v Speaker 2>and I think they have a big, a big community

0:44:06.320 --> 0:44:08.800
<v Speaker 2>around gymnastics and cheerleading and stuff like that, which I

0:44:08.800 --> 0:44:10.360
<v Speaker 2>think would all kind of be in the same realm.

0:44:10.400 --> 0:44:11.880
<v Speaker 2>I know people say no, but I think it is.

0:44:13.600 --> 0:44:16.520
<v Speaker 2>So I don't know either. You wonder what her fan

0:44:16.560 --> 0:44:17.839
<v Speaker 2>base is like, I don't.

0:44:18.040 --> 0:44:21.279
<v Speaker 1>I don't think she plays to the personality game as

0:44:21.360 --> 0:44:23.319
<v Speaker 1>much either, do you know what I mean? Like she

0:44:23.440 --> 0:44:25.680
<v Speaker 1>you can tell that she's like here for the dancing,

0:44:26.080 --> 0:44:27.040
<v Speaker 1>here's for that part of this.

0:44:27.280 --> 0:44:29.759
<v Speaker 2>She's a competitor. I mean, she's a competitor, That's what

0:44:29.840 --> 0:44:30.080
<v Speaker 2>I mean.

0:44:30.120 --> 0:44:32.879
<v Speaker 1>She's much more of like an athlete in terms of like,

0:44:33.000 --> 0:44:35.640
<v Speaker 1>you know, so she I don't think she cares as

0:44:35.719 --> 0:44:39.960
<v Speaker 1>much about like agreed, you know, smiling for camera and everybody.

0:44:40.440 --> 0:44:41.719
<v Speaker 1>She's kind of like if you like me, like me,

0:44:41.760 --> 0:44:44.080
<v Speaker 1>if you don't, you know, And I wonder how that's playing.

0:44:44.760 --> 0:44:47.240
<v Speaker 2>It's a great question because she is. She's an athlete

0:44:47.239 --> 0:44:50.000
<v Speaker 2>in a competition. She is here to win. That's you

0:44:50.040 --> 0:44:51.719
<v Speaker 2>put your game face on and you go and you win.

0:44:51.840 --> 0:44:54.200
<v Speaker 2>And that's what she's been trained to do. That she's

0:44:54.239 --> 0:44:57.120
<v Speaker 2>done at the highest level for fifteen years doing it.

0:44:57.160 --> 0:45:00.439
<v Speaker 1>I mean, yes, getting the highest scores yep. So she's

0:45:00.480 --> 0:45:02.840
<v Speaker 1>doing something right. Yeah, but you're right, I have no idea,

0:45:02.880 --> 0:45:06.440
<v Speaker 1>like I just I just want a little like vote count.

0:45:06.320 --> 0:45:08.480
<v Speaker 2>Or subcons you do right there.

0:45:08.480 --> 0:45:11.320
<v Speaker 1>They're they're you're smart though, because if they did it,

0:45:11.360 --> 0:45:14.840
<v Speaker 1>would you know, yeah, it would probably take away some of

0:45:14.880 --> 0:45:16.279
<v Speaker 1>the intrigue of the show.

0:45:16.360 --> 0:45:19.400
<v Speaker 2>Yeah, I agreed to. But then you also gets that

0:45:19.400 --> 0:45:21.520
<v Speaker 2>are like, are we learned? Do we know everything we're

0:45:21.520 --> 0:45:24.839
<v Speaker 2>supposed to know? So yeah, all right.

0:45:25.080 --> 0:45:28.800
<v Speaker 1>So we went into elimination and I I had already

0:45:28.800 --> 0:45:31.080
<v Speaker 1>called it in my household watching it, and I was like.

0:45:31.000 --> 0:45:35.399
<v Speaker 2>Scott too, and sure, it wasn't a surprise. Yeah, right,

0:45:35.440 --> 0:45:40.080
<v Speaker 2>but Andy seems surprised. Andy's gonna be surprised every week, right.

0:45:40.000 --> 0:45:42.359
<v Speaker 1>Because he's just can't believe he's still there no matter what.

0:45:43.920 --> 0:45:49.560
<v Speaker 1>But yeah, and I I I could tell this was

0:45:49.600 --> 0:45:52.640
<v Speaker 1>coming because I just he was, he was. He took

0:45:52.960 --> 0:45:55.879
<v Speaker 1>a step back as a dancer this week. And I'm

0:45:55.960 --> 0:45:58.880
<v Speaker 1>sure popular voting wise, you know, I just don't know

0:45:58.880 --> 0:45:59.960
<v Speaker 1>how big his band is.

0:46:01.200 --> 0:46:04.479
<v Speaker 2>But I am mad big, but it's not Yeah, yeah,

0:46:04.480 --> 0:46:06.920
<v Speaker 2>it's not it's a band, it's not him, do you

0:46:06.960 --> 0:46:07.399
<v Speaker 2>know what I mean?

0:46:07.680 --> 0:46:10.160
<v Speaker 1>Correct him as an individual, he's going to be probably

0:46:10.239 --> 0:46:12.040
<v Speaker 1>less popular than a lot of the other people.

0:46:12.280 --> 0:46:14.799
<v Speaker 2>I agree, one percent. And it just was a rough week.

0:46:14.800 --> 0:46:17.120
<v Speaker 2>I mean, he you could really tell he was kind

0:46:17.120 --> 0:46:19.160
<v Speaker 2>of stumbling through it this week. It wasn't It wasn't great,

0:46:20.640 --> 0:46:21.080
<v Speaker 2>all right?

0:46:22.000 --> 0:46:25.680
<v Speaker 1>That was our week six Dancing with the Star, crazy

0:46:25.719 --> 0:46:29.239
<v Speaker 1>bro crazy true. I know, I don't know, like I

0:46:29.280 --> 0:46:31.359
<v Speaker 1>just feel like it becomes a different show every week now,

0:46:31.719 --> 0:46:31.920
<v Speaker 1>you know.

0:46:32.280 --> 0:46:36.719
<v Speaker 2>Like, So, yeah, you got a question for me, of

0:46:36.800 --> 0:46:38.320
<v Speaker 2>course I have a question for you. But at first,

0:46:38.560 --> 0:46:41.680
<v Speaker 2>as we've learned from last week, as we take one away,

0:46:41.840 --> 0:46:44.360
<v Speaker 2>well let's see, so This is the strong incentive, ladies

0:46:44.320 --> 0:46:45.920
<v Speaker 2>and gentlemen. The strong incentive is, of course, what it

0:46:45.960 --> 0:46:47.720
<v Speaker 2>would take to get right or strong to join Dancing

0:46:47.719 --> 0:46:49.640
<v Speaker 2>with the Stars. As we learned last week for the

0:46:49.640 --> 0:46:53.680
<v Speaker 2>first time, indifference has consequence, and so not making a

0:46:53.719 --> 0:46:57.839
<v Speaker 2>decision is a decision onto itself, and so ryder. This week,

0:46:57.960 --> 0:46:59.400
<v Speaker 2>once again, I'm going to need you to pick a

0:46:59.480 --> 0:47:05.600
<v Speaker 2>random number between one and four. One. I'd like to

0:47:05.600 --> 0:47:07.759
<v Speaker 2>point out I don't know these either. I wrote something

0:47:07.760 --> 0:47:09.560
<v Speaker 2>on one side, flipped them over, shuffle them up and

0:47:09.560 --> 0:47:10.960
<v Speaker 2>put the numbers on the front, so I don't know

0:47:11.000 --> 0:47:13.200
<v Speaker 2>what it is until I flip it over. You picked one,

0:47:13.560 --> 0:47:17.279
<v Speaker 2>and so this week you have lost the sprinter van.

0:47:18.560 --> 0:47:21.240
<v Speaker 2>The sprinter van is no longer on the table.

0:47:21.280 --> 0:47:23.520
<v Speaker 1>So what's on the table? We got leather jacket.

0:47:23.560 --> 0:47:26.400
<v Speaker 2>Well, that's gonna say. So we had it set up

0:47:26.440 --> 0:47:29.200
<v Speaker 2>where you originally got five hundred grand, a sprinter van,

0:47:30.040 --> 0:47:34.440
<v Speaker 2>Sean's original leather jacket, og magic cards, plus a black

0:47:34.440 --> 0:47:38.000
<v Speaker 2>Lotus card and the deed to coffee CAATs opening again

0:47:38.080 --> 0:47:40.960
<v Speaker 2>in Sebastian. The five hundred grand is now gone and

0:47:41.000 --> 0:47:44.319
<v Speaker 2>the sprinter van is now gone. So what is left

0:47:44.360 --> 0:47:46.680
<v Speaker 2>is your leather jacket, the magic cards with the black

0:47:46.680 --> 0:47:50.279
<v Speaker 2>lotus and the deed to Coffee cat all the personal ones. Yeah,

0:47:50.520 --> 0:47:54.759
<v Speaker 2>pretty much. But you're actually saved this week because that's

0:47:54.760 --> 0:47:59.560
<v Speaker 2>same sprinter van company calls you and said, hey, right

0:47:59.640 --> 0:48:01.800
<v Speaker 2>or strong because you answered your landline. You still have

0:48:01.840 --> 0:48:03.640
<v Speaker 2>the landline by the way in your house, so the

0:48:03.680 --> 0:48:06.160
<v Speaker 2>phone rings pick it up. You hear KL five four

0:48:06.160 --> 0:48:11.920
<v Speaker 2>thousand sprinter van company, and the sprinter van company says

0:48:11.920 --> 0:48:15.080
<v Speaker 2>to you, Hey, we heard you didn't like our original

0:48:15.080 --> 0:48:16.680
<v Speaker 2>sprinter van that we were going to send to you.

0:48:17.480 --> 0:48:20.280
<v Speaker 2>We're going to let you pick whatever sprinter van you want. However,

0:48:20.440 --> 0:48:23.680
<v Speaker 2>oh it's not going to be here in the United States.

0:48:24.680 --> 0:48:28.960
<v Speaker 2>It's going to be for your one year, all expenses paid,

0:48:29.200 --> 0:48:35.000
<v Speaker 2>life in New Zealand. Oh my god. Everything is taken

0:48:35.040 --> 0:48:36.920
<v Speaker 2>care of. Your home here will be taken care of.

0:48:37.000 --> 0:48:39.600
<v Speaker 2>Indie's education will be taken care of, and you need

0:48:39.719 --> 0:48:42.680
<v Speaker 2>to live in whatever sprinter van you would like in

0:48:42.719 --> 0:48:48.279
<v Speaker 2>New Zealand, all expenses paid for one year. If you'd

0:48:48.320 --> 0:48:50.319
<v Speaker 2>only do Dancing with the.

0:48:50.239 --> 0:48:52.160
<v Speaker 1>Stars, yes, I would do it.

0:48:52.280 --> 0:48:54.319
<v Speaker 2>Oh my god, you didn't even think about it.

0:48:54.600 --> 0:48:58.040
<v Speaker 1>That's too good, man, because if I think about doing

0:48:58.160 --> 0:49:00.560
<v Speaker 1>dance with the stars, knowing that for a year I'm

0:49:00.600 --> 0:49:05.240
<v Speaker 1>gonna be with my family traveling and have enough comfort

0:49:05.239 --> 0:49:07.600
<v Speaker 1>and security to be able to do writing and get

0:49:07.640 --> 0:49:11.280
<v Speaker 1>like my own creative projects done in a beautiful place

0:49:11.920 --> 0:49:13.360
<v Speaker 1>exploring the world.

0:49:14.520 --> 0:49:19.080
<v Speaker 2>Yes, yes, I would do it. Wow, so with the stars?

0:49:19.480 --> 0:49:21.360
<v Speaker 1>Yes, all is all I have to Somebody has to

0:49:21.640 --> 0:49:23.520
<v Speaker 1>pay for a year of my life in New Zealand

0:49:23.680 --> 0:49:26.600
<v Speaker 1>in a camera van. Give me coffee, Kats, that's still

0:49:26.640 --> 0:49:27.360
<v Speaker 1>on the table.

0:49:27.440 --> 0:49:28.160
<v Speaker 2>Yeah, and your ratchet.

0:49:28.360 --> 0:49:30.680
<v Speaker 1>I guess I get to come home and own a

0:49:30.680 --> 0:49:34.560
<v Speaker 1>piece of like my childhood. Yes, yes, it's too good, dude.

0:49:34.560 --> 0:49:35.760
<v Speaker 1>And I get the load of the jacket.

0:49:36.040 --> 0:49:38.480
<v Speaker 2>Yep, you got me? All right, Well we made it through.

0:49:38.640 --> 0:49:40.160
<v Speaker 2>The strong incentive is done?

0:49:40.560 --> 0:49:44.319
<v Speaker 1>Yeah, yeah, dude, that's that is. It's like literally my

0:49:44.440 --> 0:49:48.000
<v Speaker 1>dream to be able to you know, live somewhere else

0:49:48.080 --> 0:49:51.160
<v Speaker 1>and camp and with my family, and if it was

0:49:51.239 --> 0:49:53.240
<v Speaker 1>all like taken care of and there was no pressure,

0:49:53.280 --> 0:49:56.880
<v Speaker 1>I would totally commit to Wow whatever, three months of

0:49:57.280 --> 0:50:03.000
<v Speaker 1>absolute misery, I mean three months of pure just awfulness.

0:50:03.000 --> 0:50:06.360
<v Speaker 1>I Mean the thing is, I'd probably get eliminated pretty quickly,

0:50:07.200 --> 0:50:10.640
<v Speaker 1>because you don't know that if you committed me such

0:50:10.680 --> 0:50:13.640
<v Speaker 1>a downer stick in the mud unless you commit it

0:50:13.680 --> 0:50:16.080
<v Speaker 1>to the dance. Dude, give this guy. I would, I mean,

0:50:16.080 --> 0:50:18.600
<v Speaker 1>I would try, honestly, with the dancing. I would try.

0:50:18.920 --> 0:50:21.080
<v Speaker 1>I would want to get in shape and like, but

0:50:21.640 --> 0:50:23.919
<v Speaker 1>it would be awful. No one wants to see me dance.

0:50:24.120 --> 0:50:24.960
<v Speaker 1>No one wants that.

0:50:25.320 --> 0:50:28.799
<v Speaker 3>I know people hearing me saying no one wants to

0:50:28.800 --> 0:50:31.800
<v Speaker 3>see Well, I'm gonna have to come up with a

0:50:31.840 --> 0:50:34.440
<v Speaker 3>new game now I know. Man, we're going to that's

0:50:34.440 --> 0:50:36.600
<v Speaker 3>too good, Like, I can't turn that down. I figured

0:50:36.640 --> 0:50:36.959
<v Speaker 3>you were.

0:50:36.840 --> 0:50:38.319
<v Speaker 2>Going to say no to this one. But the yes,

0:50:38.440 --> 0:50:40.800
<v Speaker 2>the one I had saved for an absolute yes, was

0:50:40.800 --> 0:50:42.440
<v Speaker 2>going to be a three picture deal at Warner Brothers.

0:50:42.480 --> 0:50:44.279
<v Speaker 2>To do any of your own films that you want

0:50:44.280 --> 0:50:47.120
<v Speaker 2>to do. Oh I should have waited, God damn it.

0:50:47.520 --> 0:50:49.960
<v Speaker 1>Yes, yes, to be able like to direct, you mean,

0:50:50.080 --> 0:50:52.759
<v Speaker 1>like direct any of your own three films. I would

0:50:52.760 --> 0:50:53.879
<v Speaker 1>do anything for that. I would.

0:50:53.960 --> 0:50:55.400
<v Speaker 2>I would. I would. That's why I was going to

0:50:55.480 --> 0:50:56.799
<v Speaker 2>do with the Stars.

0:50:56.440 --> 0:50:59.040
<v Speaker 1>For the next six seasons. I would commit to that.

0:50:59.080 --> 0:51:01.680
<v Speaker 2>I would do, Bury me, bury me alive with the stars.

0:51:03.120 --> 0:51:07.759
<v Speaker 2>The person who lasts the most underground to do three?

0:51:07.880 --> 0:51:09.719
<v Speaker 2>All right, great? Well, the Strong incentive is done. We

0:51:09.760 --> 0:51:11.960
<v Speaker 2>got them week six, So I'm gonna have to come

0:51:12.040 --> 0:51:13.520
<v Speaker 2>up with something new. Now, I'll come up with a

0:51:13.520 --> 0:51:17.200
<v Speaker 2>new game for next week. Amazing, We're gonna have to

0:51:17.200 --> 0:51:19.120
<v Speaker 2>start dressing you up or doing your own pre show

0:51:19.120 --> 0:51:21.480
<v Speaker 2>package or something. We'll figure something out, all right.

0:51:21.520 --> 0:51:23.719
<v Speaker 1>That's it for this episode of Pod Meets Tworld. Join

0:51:23.800 --> 0:51:26.399
<v Speaker 1>us next week as we continue watching season thirty four

0:51:26.440 --> 0:51:27.640
<v Speaker 1>of Dancing with the Stars.

0:51:27.960 --> 0:51:29.440
<v Speaker 2>We may not know a waltz from a.

0:51:29.360 --> 0:51:31.440
<v Speaker 1>Waffle, but we know what we learned way back in

0:51:31.480 --> 0:51:34.760
<v Speaker 1>Phoenie's class. Daniel Fischle is the star of the show.

0:51:36.680 --> 0:51:39.319
<v Speaker 1>Pod Meats World is an iHeart podcast producer hosted by

0:51:39.400 --> 0:51:43.440
<v Speaker 1>Daniel Fishle, Wilfredell and Ryder Strong. Executive producers Jensen Karp

0:51:43.440 --> 0:51:46.640
<v Speaker 1>and Amy Sugarman. Executive in charge of production, Danielle Romo,

0:51:46.840 --> 0:51:50.680
<v Speaker 1>producer and editor, Tarsubach, producer, Maddy Moore, engineer and Boy

0:51:50.719 --> 0:51:53.759
<v Speaker 1>Meets World superman Easton Allen. Our theme song is by

0:51:53.840 --> 0:51:57.160
<v Speaker 1>Kyle Morton of Typhoon. Follow us on Instagram at Podmeats

0:51:57.200 --> 0:52:00.239
<v Speaker 1>World Show or email us at Podmeats World Show at

0:52:00.280 --> 0:52:04.520
<v Speaker 1>gmail dot com.