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Speaker 1: Welcome to Pod meets Twirl, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who can't dance, don't want

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Speaker 1: to dance, and I have now seen six episodes of

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Speaker 1: Dancing with the Stars. But since our best friend Danielle

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Speaker 1: has joined the cast for season thirty four, we're going

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Speaker 1: all in. We are Wilfred Ell and Ryder Strong aka

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Speaker 1: the two dudes next to Tapanga aka daniel Fishal's backup

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Speaker 1: aka the Daniettes.

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Speaker 2: How's it going? Well, it's good. How are you?

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Speaker 1: I'm a little tired. I spent all day yesterday traveling

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Speaker 1: six hour flight, landed in Costa Rica, three and a

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Speaker 1: half hour bus ride.

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Speaker 2: But yeah, I'm here now.

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Speaker 1: We're celebrating my wife's fiftieth and we're here for like

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Speaker 1: the next five days.

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Speaker 2: With no cho sounds fun I'm curious how how many

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Speaker 2: Dancing with the Stars recap podcasts do you think are

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Speaker 2: being recorded in Costa Rica right now?

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Speaker 1: Just the one, baby one, just you?

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Speaker 2: Or this is just a whole here's the people, you

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Speaker 2: know what?

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Speaker 1: It is funny though, because I started to think you

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Speaker 1: were going to ask how many Dances with the Stars

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Speaker 1: conversations have you had? And I would say surprisingly a.

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Speaker 2: Lot because thousand, yes, me too.

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Speaker 1: I just yesterday because we're traveling here a bunch of

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Speaker 1: friends here. We have like twenty twenty some friends who

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Speaker 1: have met us in Costa Rica for my wife's fiftieth

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Speaker 1: and everybody wanted to talk Dance with the Stars last night, right,

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Speaker 1: I was just you know, a lot of them hadn't

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Speaker 1: seen like last week's episode or just you know, so yeah,

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Speaker 1: I it was a big discussion, and everyone wants to

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Speaker 1: know how Danielle's doing.

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Speaker 2: I'm like, good, I think I'm going to talk to

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Speaker 2: her tomorrow when we record. Well. I love how literally

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Speaker 2: when you do a podcast saying I don't know what

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Speaker 2: I'm talking about, people somehow assume I know what I'm

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Speaker 2: talking about, right, or I'll get getting conversations with people

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Speaker 2: all the time like yeah, but you know she missed

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Speaker 2: that kicked her and I'm like, the what she what?

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Speaker 2: So it's still so funny where all of a sudden

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Speaker 2: we've become experts because we said we're not experts.

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Speaker 1: Well we have opinions, though, don't we we do? Boy,

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Speaker 1: do we have opinions. I was so happy this week

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Speaker 1: were yeah, okay, but what's funny is that I actually, like,

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Speaker 1: like I said, last week, I enjoyed the dancing, like

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Speaker 1: all that contemporary stuff was just beautiful and emotional. But yes,

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Speaker 1: as far as like feeling good about the show and

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Speaker 1: feeling good about Danielle, obviously, I.

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Speaker 2: Was just so elated this week. I just got she

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Speaker 2: killed it. I did too, and this was it was

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Speaker 2: like it was like a wanted to cry moment for

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Speaker 2: my friend where it was like, oh, because we know

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Speaker 2: how hard she's been working. Yeah, we know how much

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Speaker 2: it's been bugging her with how hard she's been working.

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Speaker 2: And she's by the way, we know her well enough

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Speaker 2: to know that she's only bugged with herself. Danielle is

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Speaker 2: not the person who I can't believe the judges did this.

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Speaker 2: I can't believe my partner did this. I can't believe

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Speaker 2: other couples to do Nope, she's only harsh on herself. Yeah,

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Speaker 2: So when you have a week like this where it

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Speaker 2: was like it seemed like the stars aligned and she

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Speaker 2: got to do that, it was awesome.

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Speaker 1: I just think they were so smart, like her and

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Speaker 1: her and Pasha just did the exact right thing, you know,

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Speaker 1: like coming off of last week, because I was a

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Speaker 1: little question I was questioning last week. It's like, really,

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Speaker 1: we're gonna double down and boy me to them, like me,

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Speaker 1: I love seeing everybody there. I love Bill being on stage.

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Speaker 1: But you know, yeah, I just think that, like we

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Speaker 1: want to see you do more dancing with the star stuff.

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Speaker 1: We want to see more sides to Danielle, which we

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Speaker 1: know are there, you know, And so for her to

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Speaker 1: be able to lean into that this week was just incredible.

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Speaker 2: Did you chuckle a little bit? By the way, when

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Speaker 2: during her pre show package she said I'm a bright,

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Speaker 2: bubbly person, but occasionally I have a darker side. Did

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Speaker 2: you chuckle just a little bit?

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Speaker 1: No, I honestly didn't even catch that. I have a

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Speaker 1: knife in my pocket exactly armed to the.

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Speaker 2: Te Oh my god. All right.

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Speaker 1: We started off with Scott Hoyne and Riley Arnold. Scott

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Speaker 1: apparently is a wicked suit. Oh well, we should say

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Speaker 1: It's Wicked night.

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Speaker 2: Like a kid. Have you seen it? Will never seen it.

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Speaker 2: Didn't know anything about it, never heard a single song

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Speaker 2: from it. I want to watch the movie, but didn't

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Speaker 2: know anything. You know.

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Speaker 1: I've started to watch the movie really late night in

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Speaker 1: New Zealand and a camera band with my son, and

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Speaker 1: I fell asleep, but I was thoroughly enjoying it, and

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Speaker 1: I've never gone back, but so now I need to

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Speaker 1: go back and watch it. And I've never seen the

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Speaker 1: stage musical too, which.

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Speaker 2: I haven't either. I will say because I know we're

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Speaker 2: going to jump right into the dancing, and we should,

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Speaker 2: but I will say the opening dance number of all

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Speaker 2: of them together to that, I think it was called

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Speaker 2: Defying Gravity Song. That was a pretty amazing start to

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Speaker 2: the night. It seemed like you we went to the

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Speaker 2: Pantagious and we were watching a big theatrical show in

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Speaker 2: front of us, and obviously something like this, a stage

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Speaker 2: play that is singing and dancing, lends itself to dance,

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Speaker 2: and I thought that, man, did that show tonight in

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Speaker 2: a lot of the dancing. The people that killed it

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Speaker 2: were the people that got that and really leaned into like, oh,

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Speaker 2: I'm doing I'm doing Broadway right now, and because I'm

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Speaker 2: doing Broadway, it's gonna it's gonna kill. And it did

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Speaker 2: a lot of the times.

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Speaker 1: Yeah, I think it brought a cool energy of like

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Speaker 1: absolutely everybody focused around one story and one set of characters,

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Speaker 1: and like how they're interpreting that it was cool.

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Speaker 2: Yeah, me too.

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Speaker 1: So yeah, so Scott was a wicked super fan and

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Speaker 1: they did a contemporary dance to the song The Wizard,

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Speaker 1: and I I, you know, I've been up and down

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Speaker 1: on Scott, Like when we first started.

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Speaker 2: I was like, I don't know what he's doing.

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Speaker 1: Then I really really loved his journey and I watched

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Speaker 1: this and I was like, oh no, he's going home.

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Speaker 2: I thought exactly the same thing. This was not a

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Speaker 2: good dance, and he was like he was and I'm

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Speaker 2: going to use a scientific dancing term. He was kerfuffled

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Speaker 2: at the at the beginning. I mean you could see

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Speaker 2: he didn't know where to put his hands. I think

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Speaker 2: he missed at least one or two lifts with her.

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Speaker 2: I mean he was at the beginning very all over

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Speaker 2: the place. And the side by sides. Again, he's just

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Speaker 2: super clunky when he's by himself.

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Speaker 1: It's just funny because like he's he's come so far

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Speaker 1: and previous dances, but this one, I really the thing

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Speaker 1: I wrote was awkward and shuffling, yeah, which is like,

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Speaker 1: oh god, we're like five weeks into the dance show,

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Speaker 1: Like you can't be awkward and shoving, So I think

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Speaker 1: something just went off, Like I think he was out

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Speaker 1: of time or nervous.

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Speaker 2: I don't know.

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Speaker 1: It's too bad because he just didn't have he didn't

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Speaker 1: have that fluidity and grace which I feel like he's

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Speaker 1: been finding other weeks and and you know, I think

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Speaker 1: he also the best part of his whole journey is

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Speaker 1: that he's really gotten comfortable with his self expression physically right,

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Speaker 1: and that's still there. But yes, at this point in

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Speaker 1: the in the show, we need to see like, you know,

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Speaker 1: actual like dance, hitting hitting those marks and like on time.

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Speaker 2: So yeah, I was a bummer. No, I felt the

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Speaker 2: same way. I thought it was one of those things

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Speaker 2: where he maybe it was the dual pressure of him

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Speaker 2: being such a Wicked fan coupled with going first, which

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Speaker 2: for some people that's got to be rough. But you

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Speaker 2: could tell he was just he was off. There's times

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Speaker 2: he's like staring at his feet and you know his again,

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Speaker 2: his hands were kind of all over the place. It

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Speaker 2: was pretty and.

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Speaker 1: At this point I was like, oh God, maybe Wicked

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Speaker 1: Night is going to be awful. What was I just like,

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Speaker 1: we're coming off of so much emotion from last week.

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Speaker 2: I mean literally like I was.

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Speaker 1: Crying start to finish of Robert Irwin's thing, you know.

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Speaker 1: So it's like I was really and so to be

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Speaker 1: like and now which is and see I was like,

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Speaker 1: oh god, and you know this one started it off

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Speaker 1: and I was like, oh man, he loves this. But

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Speaker 1: it's not translating like maybe you know. But turns out

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Speaker 1: it was a good night for dancing. Next up Alex

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Speaker 1: and Val.

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Speaker 2: I thought this was oh.

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Speaker 1: What wait, actually we should say what they were scored.

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Speaker 1: They got sevens across the board, which was pretty kind.

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Speaker 2: I thought, pretty pretty generous. Frankly, yeah, and I'm sorry,

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Speaker 2: but if if there were the same kind of things

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Speaker 2: done for Andy, he would have gotten at least one

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Speaker 2: six right yeah, right all right?

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Speaker 1: Next up where Alex and Val. Their sink was insanely good.

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Speaker 1: I could not get over this dance, like in terms

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Speaker 1: of just them moving. You know, maybe it was coming

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Speaker 1: off of Scott and Riley too right slightly off, but

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Speaker 1: I thought this was like, what, this is so fun?

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Speaker 1: And I was like, Okay, this is gonna be a

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Speaker 1: good night. They were dancing too, what is this feeling?

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Speaker 1: They were doing a jazz dance?

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Speaker 2: What do you think I mean? Again, I thought it

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Speaker 2: was I thought it was great. This is this is

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Speaker 2: kind of lending itself again to the stage presence and

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Speaker 2: the being on Broadway kind of feel to me. So

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Speaker 2: it you know, it worked, and they were really good

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Speaker 2: together they I mean, they always are, so it's, uh, yeah,

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Speaker 2: it's they're great.

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Speaker 1: Yeah, came out with nine nine eight nine. And this

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Speaker 1: is the beginning of what I would say was like,

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Speaker 1: it's a really it was a high scoring night, very

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Speaker 1: and and pretty much across the board. I was like surprised.

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Speaker 1: I mean, actually, if you had asked me three weeks ago,

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Speaker 1: I would have said their scoring is way too low

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Speaker 1: based on what we were saying. But I guess they're

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Speaker 1: like progressively, they just up everybody's score, right, because don't

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Speaker 1: doesn't it seem like everybody was like we're all in

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Speaker 1: like eight through ten territory. Now, Like if you're getting

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Speaker 1: a six or seven, it's real bad. It's real bad.

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Speaker 2: You might as well be getting a two if you're

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Speaker 2: getting six.

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Speaker 1: And that's the way I just feel like, that's is

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Speaker 1: that reflective of the fact that they are actually getting

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Speaker 1: better in such a way that like you and I

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Speaker 1: can't see how they're getting better. Or is it just

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Speaker 1: that the judge is just up the ante by making

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Speaker 1: the scores higher.

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Speaker 2: I think they do that, but I also think there's

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Speaker 2: something kind of weirdly arbitrary about that and all the scoring,

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Speaker 2: because it's like, does that mean you come out, you

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Speaker 2: give the best dance they've ever seen on night one,

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Speaker 2: you're still only going to get a six? I mean, like,

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Speaker 2: if you're not open to judging the thing for what

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Speaker 2: it is, you know what we should do.

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Speaker 1: We should go back and watch like Robert Erwin's first dance, right,

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Speaker 1: because I wonder because I remember the time being like,

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Speaker 1: well that's perfect, give the guy tens or whatever, you know, right,

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Speaker 1: and there were a couple of early ones. I just

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Speaker 1: randomly picked his. I remember we all liked it. But like,

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Speaker 1: I'd like to go back and watch like a week

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Speaker 1: one dance that only got seven and compare it to

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Speaker 1: like one of this week's nines. Yea, because my feeling

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Speaker 1: is I don't know, but my feeling is they're just

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Speaker 1: getting higher like that there's there's they're just gettinglation judging

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Speaker 1: that great it's great jugulation gentulation. Yeah, because I don't

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Speaker 1: know or you know, or maybe they really are like

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Speaker 1: doing better at certain things, like technically that I'm just

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Speaker 1: not seeing like they are more on time or in sync.

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Speaker 1: I don't know, but anyway, yes, these two were perfectly

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Speaker 1: in sync.

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Speaker 2: I would think it argue because you you always talk

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Speaker 2: about Whitney and I and I think you're I think it. No, no, no,

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Speaker 2: you talk about uh what's her name, Danielle, daniel lavorite.

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Speaker 2: You could argue Val as the best dancer out there.

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Speaker 2: I mean that guy was was shredding it and his uh,

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Speaker 2: his choreography is really good too. I mean, this was

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Speaker 2: very engaging, and this was a week I thought about

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Speaker 2: you during this. This was a week we're not only

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Speaker 2: did I not mind when they were lip syncing when

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Speaker 2: they weren't, it kind of threw me a little bit,

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Speaker 2: like I felt like I was watching a play when

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Speaker 2: they were lip syncing a bit and I kind of

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Speaker 2: dug it. I didn't know I hit it.

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Speaker 1: I just I just I had to turn that part

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Speaker 1: of my brain off because I was like, oh, they're

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Speaker 1: like all going to do it, and I totally understand

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Speaker 1: why because they're basically doing musical numbers, but like they

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Speaker 1: also all stopped halfway through, so that I'm like are

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Speaker 1: you're not in character anymore. I just don't don't go there.

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Speaker 2: I didn't bother me this week. But yeah, they were great,

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Speaker 2: all right.

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Speaker 1: I thought it was a little less emotional and you know,

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Speaker 1: but great dancing when the two guys pick her up

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Speaker 1: and throw her to him, really cool moves like.

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Speaker 2: This cool move.

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Speaker 1: Yeah, all right. Next up, we're Robert and Whitney. These

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Speaker 1: guys are i mean, some of the front runners here.

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Speaker 1: And they said, going into the package, they said this

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Speaker 1: is going to be their most ambitious dance yet, which

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Speaker 1: I was like, huh, really, he's been pretty damn ambitious.

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Speaker 1: They did a jazz dance to Dancing through Life, and

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Speaker 1: you know, it was incredible.

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Speaker 2: It was great. I don't think it was their best dance, frankly,

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Speaker 2: I know they said there was more ambitious. It was

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Speaker 2: more ambitious. Maybe it was more ambitious because there were

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Speaker 2: more people involved. I mean, it's like he started as

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Speaker 2: essentially one of the dance dancers of the show. He

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Speaker 2: was like him and like nine people around that table,

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Speaker 2: which is a little bit different also, just like he's

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Speaker 2: just blending in with the pros. Now, that's what I mean.

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Speaker 2: That's what I mean. It's like you don't, He's just

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Speaker 2: one of them. Now.

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Speaker 1: I thought this was just so fun, you know, it

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Speaker 1: was just like a solid, great dance. I mean, I

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Speaker 1: just think that he's probably the best dancer of the celebrities.

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Speaker 2: Of the stars, I think it's him and Whitney who's

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Speaker 2: the professional dancer exactly. But yes, I think so too.

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Speaker 2: I'm waiting for like a week to come out where

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Speaker 2: they're like, oh my god, the choreography was amazing and

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Speaker 2: he's like, yeah, that was met Corey. I Korey drafted

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Speaker 2: this week, Like wait, what so see.

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Speaker 1: It's funny because like, I don't even really count Whitney

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Speaker 1: as a star. I just think of her as a dancer,

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Speaker 1: you know what I mean Exactly, I don't. I think

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Speaker 1: she's great at what she's doing, and I do like

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Speaker 1: watching the dances. I don't feel like it's fitting with

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Speaker 1: the story of this show. But I guess that's but

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Speaker 1: that's but that's partly unfair because I'm not somebody who

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Speaker 1: looks to influencers as celebrities, right, Like, I'm totally of

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Speaker 1: the generation where that if you're on a reality show

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Speaker 1: or you're I don't know, like you know which I

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Speaker 1: guess maybe you could say about Robert too, like is

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Speaker 1: he a celebrity?

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Speaker 2: Is he? I don't care about the celebrity status at

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Speaker 2: all for me. I look at what's made to a celebrity,

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Speaker 2: and what's made her a celebrity is dancing, right right.

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Speaker 2: You know, if she's a celebrity influencer who all she

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Speaker 2: does is cook and she's the biggest cook celebrity influencer,

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Speaker 2: and then they come and teach her how to dance,

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Speaker 2: that's great. Yes, that's she's paid to dance. I don't

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Speaker 2: care what the platform is. She's a paid dancer, So

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Speaker 2: that's what it is for me. But yeah, he's you're right,

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Speaker 2: he just he's now part of them. He's a he's

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Speaker 2: a dancer. So yeah, was once again a great performance

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Speaker 2: to watch. And I still think he I don't think

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Speaker 2: anybody's gonna beat him this year. I just I don't

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Speaker 2: think anybody's gonna beat him because he's he's he's so he's.

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Speaker 1: So solid as a dancer, and then his his his personality,

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Speaker 1: he's just so likable and.

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Speaker 2: Like, yeah, his family is super likable. His family is

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Speaker 2: Dancing with the Stars royalty. They would repeat again with

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Speaker 2: with you know, his sister having one. It's the story

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Speaker 2: is built in.

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Speaker 1: Is there another, like younger brother or sister who's gonna.

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Speaker 2: I don't think there's another, but yeah, that's daughter's there.

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Speaker 2: The whole time, I'm guessing Bendi's daughter is already dancing. Uh,

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Speaker 2: they're already training her to get ready. So it is.

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Speaker 2: It's become a it's a powerhouse Dancing with the Stars family. Okay,

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Speaker 2: so we're in that territory now now.

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Speaker 1: Nine nine nine nine. Yeah, so here we are.

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Speaker 2: We're in a high, high scoring territor.

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Speaker 1: Yeah, okay, and but it was great. I thought I

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Speaker 1: thought it was deserved. All right, Whitney and Mark, this

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Speaker 1: is a quick step, tons of little little quick steps.

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Speaker 1: I was so impressed, amazing, incredible and incredible. Hated the

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Speaker 1: color of the outfits.

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Speaker 2: I get that they're doing that, but the every everything

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Speaker 2: pepto bismal color. It was not a fan of.

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Speaker 1: I know, it's a little weird.

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Speaker 2: It was a little weird, but yeah, it's you're watching

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Speaker 2: two professional dancers dance amazingly. Well yeah, film at eleven, yeah, you.

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Speaker 1: Know, yeah, there's something a little like, okay, cool, but

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Speaker 1: you know there was it was advanced. Do you know

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Speaker 1: what I mean, like, there was actually hugely this that

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Speaker 1: I could tell even as a complete amateur. I'm like,

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Speaker 1: this is hard, like to keep up with each other

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Speaker 1: and exactly. And I was like, it's just so it

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Speaker 1: was just so fast and like whoa coming at you?

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Speaker 1: So I figured there were going to be tens.

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Speaker 2: And you notice in the pre show package, even the

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Speaker 2: pre show package for hers different because the pre show

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Speaker 2: package her mark her pro is talking to her like

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Speaker 2: she's another pro. Yeah. I mean he's said, there's no smiles,

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Speaker 2: there's no anything. He's like, no, no, no, no, no, your

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Speaker 2: turn here. And she's like, yeah, I know, and he's like, yeah,

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Speaker 2: you do it backwards. It's gonna look it's gonna look straight.

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Speaker 2: Like he's talking to her like another professional dancer. Yeah.

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Speaker 2: You know. You see the package, the pre show package

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Speaker 2: with her and the pre show package with Andy, they're

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Speaker 2: very different.

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Speaker 1: Things, completely different conversation, completely different Hold up, yes, right,

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Speaker 1: I'm so curious how that's resonating with the fans of

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Speaker 1: the show, you know, because obviously people keep voting Andy

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Speaker 1: to stay right, So clearly the voting public is voting

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Speaker 1: not just on their dancing ability, but on their personality

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Speaker 1: on their presentation or their their choreography choices or storytelling

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Speaker 1: whatever it is that we're you know, and I just wonder,

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Speaker 1: I mean, like, does she have an army of fans

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Speaker 1: TikTok fans who already you know, I don't know, like,

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Speaker 1: and how does that number compared to like Daniel Fishle's,

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Speaker 1: you know, popularity, Like, because I have no concept when

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Speaker 1: people tell me that, like something gets ten million downloads

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Speaker 1: or somebody has eleven million followers, Like, that's a that's

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Speaker 1: a scale that my brain just like, what is that?

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Speaker 1: What does that translate to? It's something like this, do

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Speaker 1: you know what I mean? I understand what that translates

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Speaker 1: to in terms of when they post a video how

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Speaker 1: many people watch it, But what does that translate to

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Speaker 1: in terms of like.

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Speaker 2: Vote you're yeah, yeah, I don't know.

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Speaker 1: I calling you in this context.

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Speaker 2: I think the finals are going to be between Robert

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Speaker 2: and her, and I think it's going to come down

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Speaker 2: to does somebody want to vote for the professional dancer

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Speaker 2: or somebody want to vote for the guy. But again,

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Speaker 2: it's not like Robert had never danced a day in

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Speaker 2: his life. He's obviously been preparing for us.

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Speaker 1: Yeah, he watched his sister win when he was exactly

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Speaker 1: twelve or whatever.

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Speaker 2: Yeah, and he was probably like, okay, yeah, I could

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Speaker 2: do that someday. It right, Yeah, exactly, plus.

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Speaker 1: Watching I mean just he's probably because of his sister

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Speaker 1: understands balroom dancing, has seen it, having watched the show

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Speaker 1: back then, and like, you know, I'm.

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Speaker 2: So curious if he trained for this at all. Where

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Speaker 2: it was like the time.

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Speaker 1: We're talking about the two of the youngest competitors in

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Speaker 1: the show. Yeah, is that a coincidence, Like, of.

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Speaker 2: Course it's twenty five two and Robert is twenty one.

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Speaker 1: Okay, I take that back. I didn't realize what it was.

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Speaker 2: I thought it didn't. It was great for thirty two.

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Speaker 2: I would have said she was twenty four to twenty five. Yeah, wow,

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Speaker 2: but yes, it's it helps when you're younger. It certainly. Yes,

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Speaker 2: Oh my god, you see that. Yes? Oh wait what

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Speaker 2: did they get? Oh you're right?

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Speaker 1: Uh oh. There were scores through the roof. This was ten, nine,

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Speaker 1: ten and ten.

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Speaker 2: Yeah, first ten's ever.

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Speaker 1: Yeah, And I think I think it's just because this

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Speaker 1: was really advanced technically, Like I think the quick step

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Speaker 1: was just freaking hard. And yeah, so I think the

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Speaker 1: judges are just like on, yeah, you can't because in

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Speaker 1: terms of like expressibility or like storytelling through dance, like

404
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Speaker 1: nothing beats last week and that happened this week for me, No,

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Speaker 1: but agreed, but we didn't get like any ten. I

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Speaker 1: don't think if there was a single ten right last week,

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Speaker 1: so which is just yeah, so again, it was funny.

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Speaker 2: You You wonder if the judges talk about it beforehand,

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Speaker 2: because if you go back and watch Derek's face when

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Speaker 2: she pulls the ten, the face is either wow, that

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Speaker 2: wasn't a ten, or wow, we talked about not pulling

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Speaker 2: ten's this week. Wow it was one of those faces

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Speaker 2: because he was like wow when he saw carry an

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Speaker 2: pull out. Correct, when she pulled a ten, he was

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Speaker 2: like he gave this face like whoa, Okay.

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Speaker 1: It just seems like she's kind of on her own.

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Speaker 2: Yeah, it doesn't, you know what I mean?

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Speaker 1: Which is interesting, like because they're all supposed to be

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Speaker 1: kind of be on their own, but it seems like

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Speaker 1: Bruno and Derek are much more in line yeah, or

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Speaker 1: like understand where each other are coming from in a

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Speaker 1: way that it feels like Carrie, it's a little out

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Speaker 1: of left field. Like they're always like, oh okay.

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Speaker 2: It also felt a little bit this week and we hopped,

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Speaker 2: we heaped on with that myself mostly where it felt

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Speaker 2: a little bit this week like she had been reading

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Speaker 2: her own press and people or bashing and man, she

428
00:20:01,520 --> 00:20:05,040
Speaker 2: was nice to everybody. Everybody. It was like, oh my god,

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Speaker 2: you're my long lost sister. Like it was like the

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Speaker 2: like you couldn't she couldn't have been nicer this week

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Speaker 2: with her with her praise. So yeah, I think she

432
00:20:13,800 --> 00:20:16,679
Speaker 2: she over corrected a little bit. This poor woman. She

433
00:20:16,720 --> 00:20:21,520
Speaker 2: can't win for trying. You know, we're gonna bash.

434
00:20:22,440 --> 00:20:23,720
Speaker 1: Your job is to judge.

435
00:20:25,320 --> 00:20:28,680
Speaker 2: You're judge. You're so judgmental, Like literally what I'm paid

436
00:20:28,680 --> 00:20:31,160
Speaker 2: to be here for this poor woman. I feel bad.

437
00:20:31,160 --> 00:20:33,920
Speaker 2: I'm hopping off the bandwagon. I feel bad. I feel bad.

438
00:20:46,600 --> 00:20:52,280
Speaker 1: Next up, we're Dylan and Daniella. Ya dude, I just

439
00:20:53,080 --> 00:20:55,359
Speaker 1: and she did it again. It was like watching a

440
00:20:55,520 --> 00:20:59,880
Speaker 1: non human. I really the way she flies around, it's

441
00:20:59,880 --> 00:21:03,040
Speaker 1: like she's being pulled by strings from above or lifted

442
00:21:03,040 --> 00:21:05,480
Speaker 1: from I just don't understand how she gets from like

443
00:21:05,560 --> 00:21:07,639
Speaker 1: one side of his body to the other side of

444
00:21:07,640 --> 00:21:10,760
Speaker 1: his body. He's a pole, yes, yeah, And it's like

445
00:21:10,840 --> 00:21:12,879
Speaker 1: and it's but it never feels like effort, do you

446
00:21:12,920 --> 00:21:15,119
Speaker 1: know what I mean? Like it's this crazy, it's like

447
00:21:15,160 --> 00:21:18,600
Speaker 1: her body becomes a flame, flickering around or something. It's

448
00:21:18,640 --> 00:21:21,840
Speaker 1: so it's so impressive. I just don't I've just never

449
00:21:21,840 --> 00:21:24,320
Speaker 1: seen anything like it. When I did think that this

450
00:21:24,440 --> 00:21:25,920
Speaker 1: was a step back from last week.

451
00:21:25,720 --> 00:21:28,040
Speaker 2: I thought one hundred percent. I did not think he

452
00:21:28,119 --> 00:21:30,880
Speaker 2: was as good this week. He felt a little clunky. Yep,

453
00:21:31,119 --> 00:21:34,320
Speaker 2: and was this the Derek gave one of the best

454
00:21:34,960 --> 00:21:41,119
Speaker 2: comments I've heard since the show started. What somebody no,

455
00:21:41,240 --> 00:21:42,679
Speaker 2: But again I didn't. I don't know if it was

456
00:21:42,800 --> 00:21:45,840
Speaker 2: here or if it was somebody else, but it worked

457
00:21:45,880 --> 00:21:49,360
Speaker 2: here where he said, a dance is like a story

458
00:21:49,560 --> 00:21:54,320
Speaker 2: where it's not individual sentences, it's the entire story has

459
00:21:54,359 --> 00:21:56,320
Speaker 2: to flow, so you're not finishing a sentence and then

460
00:21:56,320 --> 00:21:58,200
Speaker 2: moving on to the next one, and when you When

461
00:21:58,200 --> 00:22:00,360
Speaker 2: I thought about it in those terms, it made some sense.

462
00:22:00,359 --> 00:22:02,080
Speaker 2: And I couldn't remember if it was this one, because

463
00:22:02,080 --> 00:22:03,160
Speaker 2: that's the feeling that I might.

464
00:22:03,080 --> 00:22:05,280
Speaker 1: Have been in response to Scott in then it might

465
00:22:05,280 --> 00:22:07,720
Speaker 1: have been Scott. It could have been Scott. His transitions.

466
00:22:07,800 --> 00:22:10,160
Speaker 2: Yeah, that same kind of feeling with this one where

467
00:22:10,160 --> 00:22:13,119
Speaker 2: it felt a little bit like he was he was

468
00:22:13,560 --> 00:22:16,440
Speaker 2: just more clunky this this week than he had been before.

469
00:22:16,640 --> 00:22:18,040
Speaker 1: Well, it's so funny because I said in the pre

470
00:22:18,119 --> 00:22:22,119
Speaker 1: show or the pre dance package that the Latin the

471
00:22:22,119 --> 00:22:24,080
Speaker 1: fact that it was a Latin dance made him nervous,

472
00:22:24,720 --> 00:22:26,639
Speaker 1: which I hadn't really thought about. But right, there's like

473
00:22:26,680 --> 00:22:30,040
Speaker 1: a different rhythm and style to that, and he does

474
00:22:30,080 --> 00:22:32,600
Speaker 1: seem more uncomfortable with that. Yeah, because when I think

475
00:22:32,600 --> 00:22:35,199
Speaker 1: about the first week, when he first came out, it

476
00:22:35,240 --> 00:22:37,840
Speaker 1: was like, oh, this guy's okay, but you know, and

477
00:22:38,080 --> 00:22:39,760
Speaker 1: and he's gotten so much more comfortable.

478
00:22:39,760 --> 00:22:43,400
Speaker 2: But then, yeah, it just felt a little like well

479
00:22:43,400 --> 00:22:44,679
Speaker 2: he talked about I think one of the things that

480
00:22:44,720 --> 00:22:48,480
Speaker 2: made him so uncomfortable was the sexiness of it, where

481
00:22:48,520 --> 00:22:50,560
Speaker 2: it's like he said that he's like the romantic thing

482
00:22:50,640 --> 00:22:54,280
Speaker 2: is not really me. So I wonder if if that's

483
00:22:54,280 --> 00:22:55,720
Speaker 2: what was getting him out of his head where it's

484
00:22:55,720 --> 00:22:57,600
Speaker 2: like you've got to I imagine for a dancer, like

485
00:22:57,600 --> 00:23:00,480
Speaker 2: two true dance partners, when they're on the floor, you

486
00:23:00,520 --> 00:23:03,240
Speaker 2: can't tell whether they're actually sleeping together in real life

487
00:23:03,320 --> 00:23:04,880
Speaker 2: or not, you know what I mean, It's like their

488
00:23:04,960 --> 00:23:07,199
Speaker 2: lovers when they're on the dance floor. And so if

489
00:23:07,200 --> 00:23:08,720
Speaker 2: you can't get out of your head about that to

490
00:23:08,760 --> 00:23:11,680
Speaker 2: be like, okay, I gotta that this is my partner,

491
00:23:12,160 --> 00:23:13,679
Speaker 2: then maybe it's a tough thing. I don't know.

492
00:23:14,080 --> 00:23:16,080
Speaker 1: Yeah, that's too bad because you two. I mean, because

493
00:23:16,119 --> 00:23:18,280
Speaker 1: like he clearly got out of his head last week.

494
00:23:18,400 --> 00:23:21,000
Speaker 1: You know he was dancing for his sister, right, so

495
00:23:21,040 --> 00:23:23,159
Speaker 1: you're right, maybe when he maybe he just needs to

496
00:23:23,280 --> 00:23:25,919
Speaker 1: take all that out, you know, and like it's not

497
00:23:26,040 --> 00:23:28,680
Speaker 1: about looking sexy or looking cool, because I think that's

498
00:23:28,720 --> 00:23:30,800
Speaker 1: the worst. That's the death of any dancer, right right,

499
00:23:31,160 --> 00:23:35,119
Speaker 1: that self consciousness. So whatever brings self consciousness, take it away.

500
00:23:35,560 --> 00:23:38,040
Speaker 1: Oh it's got to be so hard. I would be

501
00:23:38,040 --> 00:23:38,560
Speaker 1: the worst.

502
00:23:38,680 --> 00:23:41,680
Speaker 2: That's the same thing last night I was like, this

503
00:23:41,720 --> 00:23:43,439
Speaker 2: is why I can't do would never be able to

504
00:23:43,440 --> 00:23:45,760
Speaker 2: do the show. I would never be able to just

505
00:23:45,960 --> 00:23:49,639
Speaker 2: let go. I couldn't do it. I'd be so self conscious.

506
00:23:49,720 --> 00:23:52,920
Speaker 1: But if it was a comedy Britice, Like imagine if

507
00:23:52,960 --> 00:23:56,320
Speaker 1: you were hired to be a character for in a

508
00:23:56,359 --> 00:23:59,040
Speaker 1: season of Dancing with the Stars, that's different. You would

509
00:23:59,119 --> 00:24:02,000
Speaker 1: kill it, I know, think about it. Isn't that weird though,

510
00:24:02,200 --> 00:24:04,600
Speaker 1: Like you mentally if you were like, oh, I'm going

511
00:24:04,680 --> 00:24:09,640
Speaker 1: to play uh Eric Matthews going on Dancing with the Stars.

512
00:24:10,400 --> 00:24:12,080
Speaker 1: I mean I know right now, just me saying that

513
00:24:12,119 --> 00:24:14,239
Speaker 1: sentence gave you like four dance moves you want to

514
00:24:14,240 --> 00:24:16,720
Speaker 1: do of course, right, and you would kill it and

515
00:24:16,720 --> 00:24:19,320
Speaker 1: physically you would commit in a way that would be

516
00:24:19,359 --> 00:24:22,800
Speaker 1: so funny and so great and probably just as physically

517
00:24:22,880 --> 00:24:27,120
Speaker 1: challenging as trying to really dance as Wilfred Ell. And

518
00:24:27,320 --> 00:24:29,679
Speaker 1: but it's so it's just the actor thing and you like,

519
00:24:29,880 --> 00:24:30,560
Speaker 1: you would commit.

520
00:24:30,680 --> 00:24:33,960
Speaker 2: When I miss So with Love on the show, they

521
00:24:34,000 --> 00:24:36,040
Speaker 2: sent me to somebody a singing and when I was

522
00:24:36,080 --> 00:24:38,080
Speaker 2: actually trying to sing it, I was so self conscious.

523
00:24:38,160 --> 00:24:39,680
Speaker 2: And then he said the same things like we'll sing

524
00:24:39,680 --> 00:24:42,280
Speaker 2: it as your character, and I was like, oh, that's perfect, done.

525
00:24:42,800 --> 00:24:44,800
Speaker 1: So yeah, and you're never worried about it again, no,

526
00:24:44,960 --> 00:24:47,359
Speaker 1: god no, And hit all the notes and hit all

527
00:24:47,359 --> 00:24:47,640
Speaker 1: the notes.

528
00:24:47,720 --> 00:24:51,480
Speaker 2: Right. So that's the thing is, you know, that's you're right,

529
00:24:51,640 --> 00:24:53,800
Speaker 2: You're right, You're just gonna get Yeah, you just have

530
00:24:53,840 --> 00:24:55,000
Speaker 2: to beget in the character. Man.

531
00:24:55,080 --> 00:24:57,120
Speaker 1: You just look at it all as a as an

532
00:24:57,119 --> 00:24:58,520
Speaker 1: acting exercise, you know.

533
00:24:58,680 --> 00:25:01,040
Speaker 2: Like, yeah, that would be rough, but yeah, it felt

534
00:25:01,080 --> 00:25:03,680
Speaker 2: like he was way more You're right, took a step

535
00:25:03,720 --> 00:25:07,400
Speaker 2: back self conscious wise. This week. I thought, and didn't

536
00:25:07,400 --> 00:25:08,000
Speaker 2: they get all eight?

537
00:25:08,520 --> 00:25:11,800
Speaker 1: All eight's fair? I thought it did seem fair. But

538
00:25:12,320 --> 00:25:14,840
Speaker 1: I'm bummed. I didn't want them. I don't want them

539
00:25:14,880 --> 00:25:16,840
Speaker 1: to go. I want these guys to be like Top three.

540
00:25:17,240 --> 00:25:18,159
Speaker 2: I think they will be.

541
00:25:18,600 --> 00:25:20,399
Speaker 1: I helpe that it's getting less and less likely, though,

542
00:25:20,400 --> 00:25:22,199
Speaker 1: because the competition is so fierce.

543
00:25:22,320 --> 00:25:24,640
Speaker 2: It's really good. Yeah, it's really.

544
00:25:24,400 --> 00:25:29,439
Speaker 1: Stiff, all right. Next up Andy and Emma and I

545
00:25:29,560 --> 00:25:31,720
Speaker 1: just you know, I love that. Andy's just like I'm

546
00:25:31,720 --> 00:25:32,280
Speaker 1: still here.

547
00:25:32,840 --> 00:25:34,640
Speaker 2: Can you believe this? And I love them?

548
00:25:34,800 --> 00:25:37,240
Speaker 1: Yeah, you know, we none of us can believe it, dude,

549
00:25:37,240 --> 00:25:39,680
Speaker 1: but we still like it's true.

550
00:25:40,280 --> 00:25:43,320
Speaker 2: Yeah, you know, like yeah, you know.

551
00:25:43,840 --> 00:25:46,320
Speaker 1: A criticism of Dancing with the Stars as a show.

552
00:25:47,240 --> 00:25:52,199
Speaker 1: I do find these pre show packages to be somewhat

553
00:25:52,200 --> 00:25:55,080
Speaker 1: personality less a lot of the time, Like they focus

554
00:25:55,160 --> 00:25:57,119
Speaker 1: on like the dance themselves or how hard it's going

555
00:25:57,200 --> 00:26:00,360
Speaker 1: to be. And like, I just like Andy's shine through

556
00:26:00,440 --> 00:26:03,080
Speaker 1: because he is a comedian, he is he has so

557
00:26:03,160 --> 00:26:06,399
Speaker 1: much personality. But I really wish that the producers of

558
00:26:06,440 --> 00:26:08,440
Speaker 1: the show or the directors of the show would would

559
00:26:08,440 --> 00:26:11,320
Speaker 1: give us a little more uniqueness about each person. It's

560
00:26:11,320 --> 00:26:13,320
Speaker 1: interesting that they don't, do you know what I mean? Like,

561
00:26:14,359 --> 00:26:16,120
Speaker 1: I mean, obviously, I think that's why I like last

562
00:26:16,160 --> 00:26:17,960
Speaker 1: week is because we finally got a little glimpse into

563
00:26:18,160 --> 00:26:20,119
Speaker 1: someone else from their life.

564
00:26:20,400 --> 00:26:22,800
Speaker 2: But yeah, it's it's.

565
00:26:22,200 --> 00:26:24,439
Speaker 1: Sometimes it's just it strikes me as a little bland.

566
00:26:24,720 --> 00:26:26,679
Speaker 1: I'm always kind of like, like, like I said, when

567
00:26:26,680 --> 00:26:28,720
Speaker 1: we watch the Disney one, I was like, everybody tells

568
00:26:28,760 --> 00:26:30,320
Speaker 1: the same story about Disney, and it really does what we're

569
00:26:30,320 --> 00:26:32,920
Speaker 1: going to talk about. But I guess, you know.

570
00:26:33,440 --> 00:26:38,680
Speaker 2: Are the pre show packages getting longer as there's people off,

571
00:26:39,320 --> 00:26:41,280
Speaker 2: or if dance is getting longer or both? I think

572
00:26:41,280 --> 00:26:41,840
Speaker 2: it's but I don't.

573
00:26:42,400 --> 00:26:44,119
Speaker 1: I don't think the dancers are getting longer because I'm

574
00:26:44,119 --> 00:26:45,199
Speaker 1: surprised by how short they are.

575
00:26:45,200 --> 00:26:48,120
Speaker 2: Are you think there's still a minute? Interesting?

576
00:26:49,000 --> 00:26:52,560
Speaker 1: Maybe maybe they don't feel longer to me. Every time

577
00:26:52,640 --> 00:26:55,639
Speaker 1: I'm like, oh that was you know, it doesn't. It

578
00:26:55,640 --> 00:26:58,399
Speaker 1: doesn't feel like it's getting more intent, right, So I

579
00:26:58,400 --> 00:26:58,719
Speaker 1: don't know.

580
00:26:58,880 --> 00:26:59,240
Speaker 2: I don't know.

581
00:27:00,160 --> 00:27:05,720
Speaker 1: All right, they danced jazz to one short day, you

582
00:27:05,760 --> 00:27:08,840
Speaker 1: know this is I just feel like you can only

583
00:27:08,880 --> 00:27:09,400
Speaker 1: go so far.

584
00:27:09,840 --> 00:27:12,760
Speaker 2: Well, that's my question. Is he's awesome. We love him,

585
00:27:12,880 --> 00:27:16,160
Speaker 2: He's so much fun to watch. When is it time

586
00:27:16,240 --> 00:27:19,760
Speaker 2: to go next week? Yeah? When do you go? Ah, dude,

587
00:27:19,760 --> 00:27:21,879
Speaker 2: you've done better than anyone thought you were going to do.

588
00:27:21,920 --> 00:27:23,760
Speaker 2: You're so personable. Oh my god, you're going to be

589
00:27:23,800 --> 00:27:25,919
Speaker 2: a special correspondent to Dancing with the Stars for the

590
00:27:25,920 --> 00:27:29,400
Speaker 2: next five seasons. Your personality is amazing. But now we're

591
00:27:29,400 --> 00:27:31,199
Speaker 2: going to concentrate more on the dance, and we're at

592
00:27:31,200 --> 00:27:33,080
Speaker 2: the halfway point, and now it's now it might be

593
00:27:33,119 --> 00:27:36,920
Speaker 2: time for you to go. Yeah, because if quote unquote

594
00:27:36,960 --> 00:27:40,720
Speaker 2: real dancers and people that have really progressed start getting

595
00:27:40,760 --> 00:27:42,960
Speaker 2: kicked off, so Andy can stay because we like him,

596
00:27:43,359 --> 00:27:45,200
Speaker 2: it's another kind of red flag for the show a

597
00:27:45,240 --> 00:27:45,800
Speaker 2: little bit for me.

598
00:27:45,920 --> 00:27:48,439
Speaker 1: That's interesting, right, But do you feel that way about Scott?

599
00:27:48,720 --> 00:27:51,840
Speaker 2: No? No, I thought this was because I thought Scott

600
00:27:51,840 --> 00:27:54,920
Speaker 2: had not progressed enough. Andy is progressing, and I think

601
00:27:54,960 --> 00:27:56,720
Speaker 2: a lot of it they touched on this last time.

602
00:27:56,720 --> 00:27:59,160
Speaker 2: And as somebody who's had weight problems my entire life

603
00:27:59,520 --> 00:28:02,160
Speaker 2: or can fluctuate in waight quite a bit, he's lost

604
00:28:02,160 --> 00:28:04,000
Speaker 2: a ton of weight and that's going to help every

605
00:28:04,080 --> 00:28:06,920
Speaker 2: aspect of his body. You know, it's gonna help his knees,

606
00:28:06,960 --> 00:28:09,199
Speaker 2: it's gonna help his legs. It's we're seeing that he

607
00:28:09,280 --> 00:28:11,960
Speaker 2: can move easier. When you drop weight, you just can't.

608
00:28:12,640 --> 00:28:15,520
Speaker 2: So it's one of those things where he is progressing.

609
00:28:15,560 --> 00:28:17,840
Speaker 2: So I think this was the right call for who

610
00:28:17,840 --> 00:28:20,520
Speaker 2: went home this week? But now or to the point

611
00:28:20,560 --> 00:28:23,240
Speaker 2: where you'd really have to justify why you'd kick somebody

612
00:28:23,240 --> 00:28:26,240
Speaker 2: else off over Andy, Right, Yeah.

613
00:28:26,480 --> 00:28:28,920
Speaker 1: It's interesting. During the judging, Carrie Ane said this thing

614
00:28:29,400 --> 00:28:32,560
Speaker 1: that dance is for everyone is the theme of this show,

615
00:28:34,080 --> 00:28:36,359
Speaker 1: and I was like, oh, is it okay?

616
00:28:36,880 --> 00:28:38,440
Speaker 2: Like I was like, there was.

617
00:28:39,400 --> 00:28:42,080
Speaker 1: I feel like it's, you know, going back to discussion

618
00:28:42,080 --> 00:28:43,240
Speaker 1: we've been having since week one.

619
00:28:43,360 --> 00:28:44,560
Speaker 2: I feel like that's the theme.

620
00:28:44,320 --> 00:28:47,120
Speaker 1: For half of this show, right, you know, because there

621
00:28:47,120 --> 00:28:50,000
Speaker 1: are the people that you're just like, Oh, everybody's getting better,

622
00:28:50,040 --> 00:28:52,400
Speaker 1: everybody's learning how to dance, and no matter who you are,

623
00:28:52,440 --> 00:28:55,000
Speaker 1: no matter what your background, you have a shot at

624
00:28:55,160 --> 00:28:57,840
Speaker 1: you know, dancing. And I feel like Andy is.

625
00:28:57,760 --> 00:29:01,040
Speaker 2: That part of the show. He's just the Yeah.

626
00:29:01,200 --> 00:29:03,920
Speaker 1: Well it's a weird way though getting this far in.

627
00:29:04,720 --> 00:29:07,160
Speaker 1: I kind of missed Corey Feldman.

628
00:29:07,160 --> 00:29:10,240
Speaker 2: Last night, Like did you that last night.

629
00:29:10,360 --> 00:29:14,760
Speaker 1: No, I just like miss a little more randomness, a

630
00:29:14,800 --> 00:29:18,320
Speaker 1: little more like up and down excitement of like who's

631
00:29:18,480 --> 00:29:20,640
Speaker 1: you know, I don't know, Like I suddenly was like

632
00:29:20,800 --> 00:29:22,680
Speaker 1: because at the time I remember being like, yeah, he

633
00:29:22,720 --> 00:29:26,000
Speaker 1: doesn't belong as you know, and I think, but in general,

634
00:29:26,080 --> 00:29:28,959
Speaker 1: like it feels like so much of this cast is

635
00:29:29,040 --> 00:29:33,479
Speaker 1: just really good dancers. Their personalities are totally likable and fine.

636
00:29:33,920 --> 00:29:34,160
Speaker 2: There.

637
00:29:34,200 --> 00:29:37,120
Speaker 1: They got their pre dance packages that are just fine,

638
00:29:37,360 --> 00:29:40,160
Speaker 1: like I said, a little bland, and then you have

639
00:29:40,200 --> 00:29:42,480
Speaker 1: somebody like Andy who's like, you know, got the personality,

640
00:29:42,480 --> 00:29:43,959
Speaker 1: And I was like, we could have a whole season

641
00:29:43,960 --> 00:29:46,320
Speaker 1: of just Andy's dancing against each other.

642
00:29:46,200 --> 00:29:46,760
Speaker 2: Do you know what I mean?

643
00:29:47,120 --> 00:29:49,000
Speaker 1: And that's what I was like, Cory Felman, they might

644
00:29:49,080 --> 00:29:51,560
Speaker 1: do that. Yeah, I thought the same thing, And I'm

645
00:29:51,560 --> 00:29:53,480
Speaker 1: sure there have been seasons like that, but this season

646
00:29:53,520 --> 00:29:56,640
Speaker 1: seems a little rigged with like eighty percent actually great

647
00:29:56,720 --> 00:30:01,120
Speaker 1: dancers who are not going to really like weird personalities

648
00:30:01,200 --> 00:30:03,360
Speaker 1: or make mistakes in like some crazy way.

649
00:30:03,720 --> 00:30:06,840
Speaker 2: And then like, yeah, I just I agree. I thought

650
00:30:06,880 --> 00:30:09,719
Speaker 2: the same thing. If they do a season of people

651
00:30:10,120 --> 00:30:14,360
Speaker 2: like me who said I've never danced, I can't dance,

652
00:30:14,520 --> 00:30:16,480
Speaker 2: no one can teach me how to dance. That's a

653
00:30:16,480 --> 00:30:18,560
Speaker 2: fun season of a show to watch for me. So fun.

654
00:30:18,840 --> 00:30:21,560
Speaker 1: Well, it's just commitment, right, Commitment is the point, and

655
00:30:21,600 --> 00:30:23,400
Speaker 1: like that's that's what we're celebrating with.

656
00:30:23,440 --> 00:30:26,520
Speaker 2: Like Andy is his commitment? Yea, like going for it.

657
00:30:27,280 --> 00:30:29,320
Speaker 2: And when he's in with a whole group of people

658
00:30:29,920 --> 00:30:31,640
Speaker 2: and they're all there at the end and he's one

659
00:30:31,640 --> 00:30:34,360
Speaker 2: of ten people kind of doing these basic moves, he

660
00:30:34,600 --> 00:30:36,600
Speaker 2: was fine. You know. It was one of those things

661
00:30:36,640 --> 00:30:38,320
Speaker 2: where it was like it was it was if the

662
00:30:39,280 --> 00:30:42,720
Speaker 2: goal is to entertain you, he'll win every week. If

663
00:30:42,720 --> 00:30:46,520
Speaker 2: the goal is to dance, it might be time that

664
00:30:46,560 --> 00:30:50,680
Speaker 2: we say goodbye Andy, and we talk about this because

665
00:30:51,000 --> 00:30:53,160
Speaker 2: being on Dancing with This is one of the jokes

666
00:30:53,160 --> 00:30:55,160
Speaker 2: of getting you on the show. Being on Dancing with

667
00:30:55,240 --> 00:30:57,480
Speaker 2: Stars and doing the work and dancing and doing the

668
00:30:57,480 --> 00:31:00,080
Speaker 2: show is only one part of the job. The the

669
00:31:00,120 --> 00:31:03,480
Speaker 2: other part is this social media blitz that they have

670
00:31:03,560 --> 00:31:08,000
Speaker 2: to do all the time. So you are you're reaching

671
00:31:08,000 --> 00:31:09,960
Speaker 2: out to your people and it's like vote for me,

672
00:31:10,040 --> 00:31:13,200
Speaker 2: vote for me, vote for me. It's it's so strange. Yeah.

673
00:31:13,400 --> 00:31:16,200
Speaker 1: Yeah, honestly, if you, if you, if I could do

674
00:31:16,320 --> 00:31:18,960
Speaker 1: Dancing with the stars and take that out of the equation,

675
00:31:19,440 --> 00:31:21,320
Speaker 1: like in other words, never have to do an interview

676
00:31:21,360 --> 00:31:25,680
Speaker 1: outside of the show. I mightier do that, is like

677
00:31:25,800 --> 00:31:28,280
Speaker 1: way I'd like I could wrap my head around that. Yeah,

678
00:31:28,280 --> 00:31:31,560
Speaker 1: but you're exactly right like that other fifty percent of

679
00:31:31,600 --> 00:31:33,560
Speaker 1: the equation is the part that scares.

680
00:31:33,280 --> 00:31:35,840
Speaker 2: Me the most. It makes me the most uncomfortable. Oh wow, terrible.

681
00:31:36,280 --> 00:31:40,040
Speaker 1: Uh Andy and Emma got seven six seven, seven, which

682
00:31:40,120 --> 00:31:41,800
Speaker 1: seems kind.

683
00:31:41,560 --> 00:31:43,680
Speaker 2: And yeah, it's that they're being they're being general, but

684
00:31:43,680 --> 00:31:47,080
Speaker 2: again also fair. If everybody's being bumped up just to

685
00:31:47,160 --> 00:31:49,120
Speaker 2: kind of be bumped up, then he's better than he

686
00:31:49,240 --> 00:31:52,040
Speaker 2: was when he was getting all sixes, so he yes,

687
00:31:52,160 --> 00:32:06,960
Speaker 2: I could see the sevens all right.

688
00:32:07,000 --> 00:32:11,520
Speaker 1: Elena Allen came out. They danced contemporary to define gravity.

689
00:32:13,840 --> 00:32:16,840
Speaker 1: I thought this was one of her best of the

690
00:32:17,280 --> 00:32:18,160
Speaker 1: whole season.

691
00:32:18,520 --> 00:32:21,080
Speaker 2: I did too, But I have a question, and it's

692
00:32:21,440 --> 00:32:25,360
Speaker 2: just a question. I watched it twice and I timed

693
00:32:25,360 --> 00:32:27,000
Speaker 2: it the second time. I think, I know what you're

694
00:32:27,000 --> 00:32:30,600
Speaker 2: gonna say. For thirty seconds of the dance, she's not dancing.

695
00:32:30,720 --> 00:32:33,840
Speaker 2: She doesn't dance. I know, she goes onto this big

696
00:32:33,920 --> 00:32:37,480
Speaker 2: rig thing. They cut to the professional male dancer who

697
00:32:37,560 --> 00:32:40,239
Speaker 2: just sits there on camera as they then raise her

698
00:32:40,320 --> 00:32:43,720
Speaker 2: up and she points the wand is that a cheat?

699
00:32:44,760 --> 00:32:47,240
Speaker 1: No, because if you look at what she actually did

700
00:32:47,320 --> 00:32:51,640
Speaker 1: before then it was well well done, like a dance

701
00:32:51,680 --> 00:32:53,680
Speaker 1: half her dance The same thought, man, I honestly I

702
00:32:53,760 --> 00:32:56,600
Speaker 1: was like, oh, where'd she go? She's not dancing half

703
00:32:56,640 --> 00:32:58,959
Speaker 1: of this dance? Why are we watching other people? But

704
00:32:59,000 --> 00:33:01,920
Speaker 1: then it was such a good, good show stopping moment

705
00:33:02,000 --> 00:33:05,840
Speaker 1: to have her elevated and yeah, but no, she's she's

706
00:33:05,880 --> 00:33:07,200
Speaker 1: on the platform, she's not dancing.

707
00:33:07,240 --> 00:33:10,000
Speaker 2: She's do that with Andy every week, have him do

708
00:33:10,040 --> 00:33:11,960
Speaker 2: a couple of steps and then throw them somewhere where

709
00:33:12,000 --> 00:33:13,640
Speaker 2: he gets to acting money in front of a thing.

710
00:33:14,040 --> 00:33:17,360
Speaker 1: I think because she's earned, Because what she did last week,

711
00:33:17,400 --> 00:33:20,880
Speaker 1: I feel like she's earned. She's proven that she commits

712
00:33:20,880 --> 00:33:24,640
Speaker 1: to the dancing, the technical dancing side, physically she's doing that.

713
00:33:25,120 --> 00:33:28,320
Speaker 1: So I think instead, especially with a you know, an

714
00:33:28,360 --> 00:33:31,560
Speaker 1: actor background, coming into a musical theater themed week, I

715
00:33:31,600 --> 00:33:33,760
Speaker 1: think they just took the risk of like, let's just blow,

716
00:33:34,040 --> 00:33:36,160
Speaker 1: let's just blow everybody with the greatest show, like the

717
00:33:36,200 --> 00:33:39,520
Speaker 1: greatest show visual, and I think they pulled it off.

718
00:33:39,520 --> 00:33:41,360
Speaker 1: Like because I think she's earned it. Like I I

719
00:33:41,400 --> 00:33:43,800
Speaker 1: think if Andy had done this, you'd be like, dude,

720
00:33:43,800 --> 00:33:45,760
Speaker 1: you still haven't quite shown that you can actually just

721
00:33:45,840 --> 00:33:48,520
Speaker 1: do the dancing side where she's done the dancing, So now.

722
00:33:48,400 --> 00:33:50,720
Speaker 2: She's just making it the best show she can. Yet

723
00:33:50,800 --> 00:33:52,480
Speaker 2: that's fair. I mean, that's that's I think that's a

724
00:33:52,520 --> 00:33:54,240
Speaker 2: fair assessment. But I was I thought about it. I

725
00:33:54,240 --> 00:33:56,000
Speaker 2: was like, this is like a minute long and thirty

726
00:33:56,000 --> 00:33:58,440
Speaker 2: seconds of it. She wasn't dancing. Again, I'm not I'm

727
00:33:58,440 --> 00:34:00,440
Speaker 2: not bashing her, I just man question.

728
00:34:00,920 --> 00:34:03,360
Speaker 1: Since we've been talking, I realized they got the same

729
00:34:03,400 --> 00:34:06,239
Speaker 1: scorer as Danielle, and that kind of bumps me out.

730
00:34:06,280 --> 00:34:08,719
Speaker 2: That's what I'm saying that because when I think about it.

731
00:34:08,719 --> 00:34:11,800
Speaker 1: In comparison to how how hard Danielle was actually technically

732
00:34:11,880 --> 00:34:16,480
Speaker 1: dancing the entire time, that she probably should have gotten

733
00:34:16,480 --> 00:34:21,520
Speaker 1: an AD And I agree, the board seems way too high.

734
00:34:21,760 --> 00:34:26,200
Speaker 2: Great show. Didn't dance half of the show. So again,

735
00:34:26,280 --> 00:34:30,080
Speaker 2: I really like her. I like her story. Her journey

736
00:34:30,120 --> 00:34:32,000
Speaker 2: has been one of my favorite ones to watch, So

737
00:34:32,239 --> 00:34:36,680
Speaker 2: you know, I get it. But you know it's like, hey,

738
00:34:36,840 --> 00:34:38,920
Speaker 2: for for half of my song for American Idol, I'm

739
00:34:38,920 --> 00:34:41,360
Speaker 2: not going to sing Yeah, would people have been like,

740
00:34:41,400 --> 00:34:43,520
Speaker 2: you didn't sing half of your song? Of course they would,

741
00:34:43,800 --> 00:34:46,920
Speaker 2: but the half you did sing it was great. It's

742
00:34:46,920 --> 00:34:48,120
Speaker 2: a judger on that half.

743
00:34:48,520 --> 00:34:50,879
Speaker 1: Yeah, I think I think dropping a point or two

744
00:34:50,920 --> 00:34:51,720
Speaker 1: from a couple of judges.

745
00:34:52,040 --> 00:34:54,919
Speaker 2: Again, same. I don't you wonder how much they were

746
00:34:54,960 --> 00:34:57,160
Speaker 2: just blown away in the room, you know, because I'm sure,

747
00:34:57,320 --> 00:34:58,080
Speaker 2: well that's one of the things.

748
00:34:58,160 --> 00:35:01,120
Speaker 1: Somebody suddenly up in the air all the smoke and

749
00:35:01,200 --> 00:35:03,040
Speaker 1: I mean, I'm sure it was just like, oh my god,

750
00:35:03,080 --> 00:35:04,799
Speaker 1: they did it, and like, yeah.

751
00:35:04,520 --> 00:35:05,799
Speaker 2: That's one of the things Sue and I were talking

752
00:35:05,800 --> 00:35:07,400
Speaker 2: about was this would have been a fun week to

753
00:35:07,440 --> 00:35:10,000
Speaker 2: be on the stage to see how they're doing everything.

754
00:35:10,040 --> 00:35:11,520
Speaker 2: This would have been really really cool.

755
00:35:12,239 --> 00:35:17,279
Speaker 1: All right, Next up Jen and Johan. I feel like

756
00:35:17,320 --> 00:35:18,520
Speaker 1: she's struggling a little bit.

757
00:35:18,680 --> 00:35:21,160
Speaker 2: I agree. I again, it's such a horrible thing to say.

758
00:35:21,200 --> 00:35:24,960
Speaker 2: She seems so lovely and I every week she pops up,

759
00:35:25,000 --> 00:35:27,880
Speaker 2: I'm like, oh, that's right. It just kind of she

760
00:35:28,080 --> 00:35:30,640
Speaker 2: just blends in a bit and she seems such like

761
00:35:30,760 --> 00:35:34,080
Speaker 2: so lovely and so nice, and it seems like she's

762
00:35:34,120 --> 00:35:37,439
Speaker 2: working really hard, but she's just kind of there. Yeah.

763
00:35:37,480 --> 00:35:41,840
Speaker 2: I don't think she's she's gonna last very, very long. Yeah. Now, question,

764
00:35:42,000 --> 00:35:46,280
Speaker 2: going back to our original conversation, would you, let's say

765
00:35:46,520 --> 00:35:50,320
Speaker 2: everything played out plays out next week exactly like it

766
00:35:50,360 --> 00:35:53,680
Speaker 2: plays out played out this week, would you think it

767
00:35:53,680 --> 00:35:56,480
Speaker 2: would be justified to get rid of her before Andy?

768
00:35:58,560 --> 00:36:02,040
Speaker 1: No, not in this field, I see, I feel in

769
00:36:02,080 --> 00:36:04,960
Speaker 1: this this is a this is a season. I mean,

770
00:36:05,000 --> 00:36:07,399
Speaker 1: I can imagine the season, like I said, where it

771
00:36:07,440 --> 00:36:11,440
Speaker 1: is more about personality and progress as as dancers, in

772
00:36:11,440 --> 00:36:13,640
Speaker 1: which days Andy's killing it. It would be so much

773
00:36:13,640 --> 00:36:15,680
Speaker 1: fun to see in a field of people like that,

774
00:36:15,960 --> 00:36:19,279
Speaker 1: but in a field with like really good dancers at

775
00:36:19,280 --> 00:36:22,600
Speaker 1: this point and people physically just upping their game like

776
00:36:22,680 --> 00:36:23,640
Speaker 1: he he.

777
00:36:23,600 --> 00:36:24,480
Speaker 2: Can only go so far.

778
00:36:24,680 --> 00:36:27,880
Speaker 1: Yeah, And it's unfair to her at this point to

779
00:36:27,920 --> 00:36:31,400
Speaker 1: be judged for a personality contest when it's not supposed

780
00:36:31,440 --> 00:36:32,279
Speaker 1: to be, do you know what I mean?

781
00:36:32,400 --> 00:36:33,280
Speaker 2: Like it's it's.

782
00:36:33,360 --> 00:36:36,400
Speaker 1: A popularity contest necessarily it's half of that, and the

783
00:36:36,400 --> 00:36:38,520
Speaker 1: other half should be that she's really dancing.

784
00:36:38,600 --> 00:36:41,160
Speaker 2: And yeah, I agree one hundred percent.

785
00:36:43,719 --> 00:36:45,840
Speaker 1: So they did the foxtrot to as Long as You

786
00:36:45,880 --> 00:36:47,440
Speaker 1: Are Mine?

787
00:36:48,120 --> 00:36:50,040
Speaker 2: Did you like any did you like the music? Did

788
00:36:50,040 --> 00:36:51,960
Speaker 2: anything really stick out with you? Where you're like man

789
00:36:52,080 --> 00:36:53,360
Speaker 2: killer songs. No.

790
00:36:53,680 --> 00:36:56,600
Speaker 1: You know the thing about musicals for me, I really

791
00:36:56,680 --> 00:37:00,000
Speaker 1: like I don't listen to them out out of content

792
00:37:00,200 --> 00:37:03,000
Speaker 1: that off like I really liked them in the story.

793
00:37:03,040 --> 00:37:05,759
Speaker 1: Like when I'm watching a thing and I see the

794
00:37:05,800 --> 00:37:08,040
Speaker 1: song as part of the story, I like it, But

795
00:37:08,080 --> 00:37:10,759
Speaker 1: I don't then go except for like the classics like

796
00:37:10,840 --> 00:37:12,000
Speaker 1: lay Miz and you know those.

797
00:37:12,480 --> 00:37:14,640
Speaker 2: I had Hamilton on a loop in my house.

798
00:37:14,719 --> 00:37:17,960
Speaker 1: Did you even Hamilton? Even Hamilton? Like, I think there

799
00:37:18,040 --> 00:37:20,160
Speaker 1: was like one or two songs I liked to listen to,

800
00:37:20,239 --> 00:37:22,440
Speaker 1: but then you know, yeah, I don't choose, but yeah.

801
00:37:22,719 --> 00:37:23,520
Speaker 2: Out of context.

802
00:37:23,520 --> 00:37:25,360
Speaker 1: I wasn't really listening to the lyrics of these, and

803
00:37:25,400 --> 00:37:26,880
Speaker 1: I wasn't really thinking about so I just want to

804
00:37:26,920 --> 00:37:27,759
Speaker 1: I just want to go watch them.

805
00:37:27,920 --> 00:37:30,239
Speaker 2: That Defying Gravity song was really good, but I think

806
00:37:30,239 --> 00:37:32,880
Speaker 2: that was actually the big one. I think that's that's

807
00:37:32,920 --> 00:37:35,399
Speaker 2: where they and I thought it was such a big

808
00:37:35,440 --> 00:37:37,359
Speaker 2: song and a breakout song that that's what that's why

809
00:37:37,400 --> 00:37:39,799
Speaker 2: they had them do the opening number to it, because

810
00:37:39,800 --> 00:37:41,919
Speaker 2: then they weren't gonna let anybody else use it where

811
00:37:41,920 --> 00:37:43,319
Speaker 2: it's like, hey, it's not fair if one of you

812
00:37:43,400 --> 00:37:46,120
Speaker 2: gets this big song. But then it was a lame song,

813
00:37:46,160 --> 00:37:48,040
Speaker 2: so it's like, oh, okay, then I guess they did

814
00:37:48,080 --> 00:37:50,360
Speaker 2: let the music. Oh, I guess the opening number was

815
00:37:50,360 --> 00:37:54,240
Speaker 2: a melody or was a medley medley like a vegetable medley.

816
00:37:54,360 --> 00:37:54,720
Speaker 2: I guess.

817
00:37:56,480 --> 00:37:59,600
Speaker 1: I thought Jen really hurt herself at the ending of

818
00:37:59,640 --> 00:38:02,719
Speaker 1: this dance. Do you remember where she like walked and turned.

819
00:38:02,600 --> 00:38:04,360
Speaker 2: And turn she walks away from him like at like

820
00:38:04,400 --> 00:38:06,399
Speaker 2: thirty feet and then turns and looks at the camera. Yeah.

821
00:38:06,480 --> 00:38:09,040
Speaker 2: I was like what. I was like, we that's like

822
00:38:09,920 --> 00:38:12,040
Speaker 2: I was it just it just didn't land.

823
00:38:12,160 --> 00:38:14,520
Speaker 1: And I was like, oh, and partly I think that

824
00:38:14,520 --> 00:38:16,440
Speaker 1: that was kind of like an actory.

825
00:38:16,040 --> 00:38:17,840
Speaker 2: Moment, do you know what I mean? And she's not

826
00:38:17,880 --> 00:38:20,960
Speaker 2: an actor. Yeah, take your moment, take your stage. And

827
00:38:20,960 --> 00:38:22,040
Speaker 2: it was like, yeah, it didn't work.

828
00:38:22,040 --> 00:38:24,600
Speaker 1: It didn't it didn't work, and it didn't land heavy enough.

829
00:38:24,600 --> 00:38:26,480
Speaker 1: So I thought that was a poor choice in terms

830
00:38:26,520 --> 00:38:30,800
Speaker 1: of choreography to put the pressure on her for that particular.

831
00:38:30,400 --> 00:38:34,360
Speaker 2: Type of a completely agree with you. Yeah, they got eight's,

832
00:38:34,920 --> 00:38:38,759
Speaker 2: which seemed fair. I would say that was fair. Yeah,

833
00:38:39,640 --> 00:38:42,080
Speaker 2: I would. I would this week put her on par

834
00:38:42,760 --> 00:38:45,080
Speaker 2: with Dylan e Front. I thought they were right kind

835
00:38:45,160 --> 00:38:47,480
Speaker 2: of there, so that. Yes, the scoring made sense to

836
00:38:47,480 --> 00:38:48,960
Speaker 2: me where they they all got eight.

837
00:38:49,239 --> 00:38:51,600
Speaker 1: But whereas he was a little bit of a downgrade

838
00:38:51,600 --> 00:38:53,280
Speaker 1: from last week, and I thought she was an improvement

839
00:38:53,320 --> 00:38:53,919
Speaker 1: from last week.

840
00:38:53,960 --> 00:38:56,879
Speaker 2: I don't disagree with that either. Still just man, she's

841
00:38:56,880 --> 00:39:00,560
Speaker 2: still just kind of there. Yeah, that's too bad, all right.

842
00:39:00,920 --> 00:39:05,759
Speaker 1: Next up someone named Danielle fischl n This lady, this Lady.

843
00:39:07,120 --> 00:39:11,040
Speaker 2: Top that was her tope something like that. She played

844
00:39:11,480 --> 00:39:18,000
Speaker 2: Topagi on Family Matters, on step by Matters. What can

845
00:39:18,040 --> 00:39:20,040
Speaker 2: you say? Dude? I was so happy.

846
00:39:20,160 --> 00:39:22,960
Speaker 1: I was just so happy because I was like, you know,

847
00:39:23,719 --> 00:39:25,239
Speaker 1: like I already said, like I was just last week.

848
00:39:25,280 --> 00:39:27,320
Speaker 1: I was like, is this the right strategy for Danielle?

849
00:39:27,400 --> 00:39:30,120
Speaker 1: Like I feel like she still needs to like show

850
00:39:30,360 --> 00:39:33,440
Speaker 1: showcase a that she can do this this hard dancing,

851
00:39:33,480 --> 00:39:36,480
Speaker 1: but also just bring her another side of her personality.

852
00:39:36,640 --> 00:39:38,160
Speaker 2: And this was it. It was.

853
00:39:38,239 --> 00:39:41,799
Speaker 1: It was like both technically insane. I kept believe with

854
00:39:41,840 --> 00:39:46,400
Speaker 1: her injured leg, she's doing this crap, but then also

855
00:39:46,560 --> 00:39:49,400
Speaker 1: it had so much personality and so much like just

856
00:39:49,960 --> 00:39:51,560
Speaker 1: a cool sexy vibe to it.

857
00:39:51,719 --> 00:39:55,080
Speaker 2: Yeah, she also looked phenomenal. She did her legs seemed

858
00:39:55,120 --> 00:39:57,919
Speaker 2: like six feet long, like what's the technical feet long

859
00:39:58,040 --> 00:40:01,680
Speaker 2: and shredded muscle. This is this is a tiny woman.

860
00:40:02,400 --> 00:40:06,080
Speaker 1: Yeah, she's one of the smallest people I've ever like,

861
00:40:06,160 --> 00:40:09,040
Speaker 1: you know, Dan Yelle, and she's a wee person.

862
00:40:09,040 --> 00:40:11,200
Speaker 2: He's watiful. But you would never call.

863
00:40:11,040 --> 00:40:12,360
Speaker 1: Her long legged.

864
00:40:12,600 --> 00:40:15,480
Speaker 2: No, you would never call her leggy. Right, And yet

865
00:40:15,520 --> 00:40:17,080
Speaker 2: I was watching this, I was like, where did these

866
00:40:17,160 --> 00:40:19,360
Speaker 2: legs come from? They looked like cyber.

867
00:40:19,160 --> 00:40:23,120
Speaker 1: Connections, like you know, it was amazing, and she was

868
00:40:23,160 --> 00:40:25,560
Speaker 1: moving them perfectly. I was just so impressed.

869
00:40:26,040 --> 00:40:28,399
Speaker 2: It was this was this was such a great the.

870
00:40:28,320 --> 00:40:30,759
Speaker 1: Way she kept doing the little kicks and like the

871
00:40:30,760 --> 00:40:33,520
Speaker 1: there was like I just was and yeah, I thought dude.

872
00:40:33,760 --> 00:40:36,520
Speaker 2: Parents called me from a three hour advance having seen

873
00:40:36,520 --> 00:40:39,520
Speaker 2: the show, like oh my god, wait to see Danielle.

874
00:40:39,560 --> 00:40:41,600
Speaker 2: It's she was so good.

875
00:40:41,719 --> 00:40:46,759
Speaker 1: Yeah yeah, I was really. I I know, we like

876
00:40:46,840 --> 00:40:49,360
Speaker 1: joke about like how like oh we knew Danielle is

877
00:40:49,400 --> 00:40:52,520
Speaker 1: the star of the show or whatever, but this did

878
00:40:52,600 --> 00:40:53,200
Speaker 1: surprise me.

879
00:40:53,600 --> 00:40:56,560
Speaker 2: Like I was like, oh, like I knew she I

880
00:40:56,920 --> 00:40:59,080
Speaker 2: hoped she could up her game, but I was like, oh,

881
00:40:59,080 --> 00:41:00,919
Speaker 2: she actually can. Yelp, there's no.

882
00:41:00,880 --> 00:41:03,480
Speaker 1: Limit here, Like she's gonna she has a shot at

883
00:41:03,480 --> 00:41:06,760
Speaker 1: winning this thing, and like we're being in the top five,

884
00:41:06,880 --> 00:41:07,919
Speaker 1: top three at least.

885
00:41:08,080 --> 00:41:11,399
Speaker 2: I think I was just like, damn, like you are

886
00:41:13,080 --> 00:41:15,279
Speaker 2: my favorite dance of hers by far, and the best

887
00:41:15,280 --> 00:41:17,480
Speaker 2: one she's done since her first night. I think. Personal

888
00:41:17,560 --> 00:41:20,880
Speaker 2: I completely agree. She just I feel rushed it, she

889
00:41:21,640 --> 00:41:24,240
Speaker 2: arguably to me. And again we talk about how we're biased,

890
00:41:24,280 --> 00:41:27,840
Speaker 2: but she arguably to me, all things being considered was

891
00:41:27,920 --> 00:41:31,960
Speaker 2: dance of the night. Yeah, yeah, I agree. It was

892
00:41:32,040 --> 00:41:34,799
Speaker 2: just it was great, Yeah, so fun to see. Oh wait,

893
00:41:34,880 --> 00:41:39,120
Speaker 2: what did she get? Oh? Nines? And then then her

894
00:41:39,160 --> 00:41:42,439
Speaker 2: first night and she was ecstatic when she got four nines. Yeah.

895
00:41:42,440 --> 00:41:44,640
Speaker 2: And second, this is where, of course, writer we always

896
00:41:44,640 --> 00:41:48,839
Speaker 2: do with is his dude, you've dance, thank you hit

897
00:41:48,880 --> 00:41:50,680
Speaker 2: all the notes again? You can tell so.

898
00:41:51,520 --> 00:41:55,359
Speaker 1: Argentine Tango, tell me about it. I bet it's from Argentina.

899
00:41:55,920 --> 00:41:56,600
Speaker 1: Strange enough.

900
00:41:56,880 --> 00:42:02,600
Speaker 2: It's not what it was born inos airis No, it's

901
00:42:02,640 --> 00:42:05,440
Speaker 2: what it says. I mean, it's what I know. A

902
00:42:05,480 --> 00:42:08,840
Speaker 2: partner dance born in Buenos Aires that combined Spanish, Creole

903
00:42:09,239 --> 00:42:13,080
Speaker 2: and African influences. It is characterized by mark rhythms, dramatic pauses,

904
00:42:13,080 --> 00:42:16,560
Speaker 2: and close embrace. While there are no notable Argentine dances

905
00:42:16,600 --> 00:42:18,960
Speaker 2: like the folk dance Zamba and the carnival street performance

906
00:42:19,160 --> 00:42:22,920
Speaker 2: la Merga. The term typically brings to mind the passionate

907
00:42:22,960 --> 00:42:26,439
Speaker 2: and complex movements of the tango. So there you go.

908
00:42:27,520 --> 00:42:30,520
Speaker 2: It was a complex dance. It was really cool. The

909
00:42:30,680 --> 00:42:32,759
Speaker 2: ending where they're like holding her down and she's like

910
00:42:32,760 --> 00:42:36,759
Speaker 2: in this weird position. Super cool. Yeah, this was This

911
00:42:36,880 --> 00:42:39,080
Speaker 2: was great And the only note that she got I

912
00:42:39,120 --> 00:42:41,080
Speaker 2: didn't disagree with where it didn't look like she was

913
00:42:41,080 --> 00:42:44,319
Speaker 2: breathing a lot. But that's I mean, she's like she

914
00:42:44,360 --> 00:42:46,360
Speaker 2: didn't have time to. So yeah, it was great.

915
00:42:46,840 --> 00:42:51,480
Speaker 1: Great, So all right, we went on to Jordan and

916
00:42:51,520 --> 00:42:53,680
Speaker 1: Ezra your faves.

917
00:42:53,760 --> 00:42:57,400
Speaker 2: Yeah, man, oh my god, I just love her. What

918
00:42:57,480 --> 00:43:00,359
Speaker 2: a way to close? Yeah, I thought this. They did

919
00:43:00,360 --> 00:43:05,800
Speaker 2: the rumba too for good, another song from the musical.

920
00:43:05,800 --> 00:43:10,440
Speaker 1: I don't know, but yeah, I feel like her personality

921
00:43:10,480 --> 00:43:12,759
Speaker 1: is really coming through even more.

922
00:43:14,080 --> 00:43:17,040
Speaker 2: And she's just she's just physically amazing, right, Like, yeah,

923
00:43:17,120 --> 00:43:20,680
Speaker 2: she's incredible, incredible. We've talked about the control that she

924
00:43:20,719 --> 00:43:23,359
Speaker 2: has over her body, which is something she's obviously been

925
00:43:23,520 --> 00:43:27,319
Speaker 2: studying with gymnastics since she was a kid. But it's yeah,

926
00:43:27,360 --> 00:43:29,239
Speaker 2: she's it's she's one of those people that kind of

927
00:43:29,239 --> 00:43:32,000
Speaker 2: seems like if she wanted to, she could go off

928
00:43:32,040 --> 00:43:37,160
Speaker 2: and become a professional dancer, right right? Uh? Ten? Nine,

929
00:43:37,400 --> 00:43:41,680
Speaker 2: ten and ten, which Derek's still not given tens. Derek

930
00:43:41,800 --> 00:43:43,799
Speaker 2: is not given tens. He hasn't given one out yet,

931
00:43:43,880 --> 00:43:45,439
Speaker 2: so he's holding back.

932
00:43:45,719 --> 00:43:49,400
Speaker 1: Yeah, and so this tide with Whitney and Marcus the

933
00:43:49,400 --> 00:43:52,480
Speaker 1: best or the highest score of the night. Yeah, I'm

934
00:43:52,560 --> 00:43:56,560
Speaker 1: so curious how she's doing votes wise, really the.

935
00:43:56,520 --> 00:43:59,520
Speaker 2: Same thing because she doesn't, does she? I mean again,

936
00:43:59,760 --> 00:44:02,680
Speaker 2: I know that gymnastics is hugely is a hugely popular sport,

937
00:44:02,680 --> 00:44:06,280
Speaker 2: and I think they have a big, a big community

938
00:44:06,320 --> 00:44:08,800
Speaker 2: around gymnastics and cheerleading and stuff like that, which I

939
00:44:08,800 --> 00:44:10,360
Speaker 2: think would all kind of be in the same realm.

940
00:44:10,400 --> 00:44:11,880
Speaker 2: I know people say no, but I think it is.

941
00:44:13,600 --> 00:44:16,520
Speaker 2: So I don't know either. You wonder what her fan

942
00:44:16,560 --> 00:44:17,839
Speaker 2: base is like, I don't.

943
00:44:18,040 --> 00:44:21,279
Speaker 1: I don't think she plays to the personality game as

944
00:44:21,360 --> 00:44:23,319
Speaker 1: much either, do you know what I mean? Like she

945
00:44:23,440 --> 00:44:25,680
Speaker 1: you can tell that she's like here for the dancing,

946
00:44:26,080 --> 00:44:27,040
Speaker 1: here's for that part of this.

947
00:44:27,280 --> 00:44:29,759
Speaker 2: She's a competitor. I mean, she's a competitor, That's what

948
00:44:29,840 --> 00:44:30,080
Speaker 2: I mean.

949
00:44:30,120 --> 00:44:32,879
Speaker 1: She's much more of like an athlete in terms of like,

950
00:44:33,000 --> 00:44:35,640
Speaker 1: you know, so she I don't think she cares as

951
00:44:35,719 --> 00:44:39,960
Speaker 1: much about like agreed, you know, smiling for camera and everybody.

952
00:44:40,440 --> 00:44:41,719
Speaker 1: She's kind of like if you like me, like me,

953
00:44:41,760 --> 00:44:44,080
Speaker 1: if you don't, you know, And I wonder how that's playing.

954
00:44:44,760 --> 00:44:47,240
Speaker 2: It's a great question because she is. She's an athlete

955
00:44:47,239 --> 00:44:50,000
Speaker 2: in a competition. She is here to win. That's you

956
00:44:50,040 --> 00:44:51,719
Speaker 2: put your game face on and you go and you win.

957
00:44:51,840 --> 00:44:54,200
Speaker 2: And that's what she's been trained to do. That she's

958
00:44:54,239 --> 00:44:57,120
Speaker 2: done at the highest level for fifteen years doing it.

959
00:44:57,160 --> 00:45:00,439
Speaker 1: I mean, yes, getting the highest scores yep. So she's

960
00:45:00,480 --> 00:45:02,840
Speaker 1: doing something right. Yeah, but you're right, I have no idea,

961
00:45:02,880 --> 00:45:06,440
Speaker 1: like I just I just want a little like vote count.

962
00:45:06,320 --> 00:45:08,480
Speaker 2: Or subcons you do right there.

963
00:45:08,480 --> 00:45:11,320
Speaker 1: They're they're you're smart though, because if they did it,

964
00:45:11,360 --> 00:45:14,840
Speaker 1: would you know, yeah, it would probably take away some of

965
00:45:14,880 --> 00:45:16,279
Speaker 1: the intrigue of the show.

966
00:45:16,360 --> 00:45:19,400
Speaker 2: Yeah, I agreed to. But then you also gets that

967
00:45:19,400 --> 00:45:21,520
Speaker 2: are like, are we learned? Do we know everything we're

968
00:45:21,520 --> 00:45:24,839
Speaker 2: supposed to know? So yeah, all right.

969
00:45:25,080 --> 00:45:28,800
Speaker 1: So we went into elimination and I I had already

970
00:45:28,800 --> 00:45:31,080
Speaker 1: called it in my household watching it, and I was like.

971
00:45:31,000 --> 00:45:35,399
Speaker 2: Scott too, and sure, it wasn't a surprise. Yeah, right,

972
00:45:35,440 --> 00:45:40,080
Speaker 2: but Andy seems surprised. Andy's gonna be surprised every week, right.

973
00:45:40,000 --> 00:45:42,359
Speaker 1: Because he's just can't believe he's still there no matter what.

974
00:45:43,920 --> 00:45:49,560
Speaker 1: But yeah, and I I I could tell this was

975
00:45:49,600 --> 00:45:52,640
Speaker 1: coming because I just he was, he was. He took

976
00:45:52,960 --> 00:45:55,879
Speaker 1: a step back as a dancer this week. And I'm

977
00:45:55,960 --> 00:45:58,880
Speaker 1: sure popular voting wise, you know, I just don't know

978
00:45:58,880 --> 00:45:59,960
Speaker 1: how big his band is.

979
00:46:01,200 --> 00:46:04,479
Speaker 2: But I am mad big, but it's not Yeah, yeah,

980
00:46:04,480 --> 00:46:06,920
Speaker 2: it's not it's a band, it's not him, do you

981
00:46:06,960 --> 00:46:07,399
Speaker 2: know what I mean?

982
00:46:07,680 --> 00:46:10,160
Speaker 1: Correct him as an individual, he's going to be probably

983
00:46:10,239 --> 00:46:12,040
Speaker 1: less popular than a lot of the other people.

984
00:46:12,280 --> 00:46:14,799
Speaker 2: I agree, one percent. And it just was a rough week.

985
00:46:14,800 --> 00:46:17,120
Speaker 2: I mean, he you could really tell he was kind

986
00:46:17,120 --> 00:46:19,160
Speaker 2: of stumbling through it this week. It wasn't It wasn't great,

987
00:46:20,640 --> 00:46:21,080
Speaker 2: all right?

988
00:46:22,000 --> 00:46:25,680
Speaker 1: That was our week six Dancing with the Star, crazy

989
00:46:25,719 --> 00:46:29,239
Speaker 1: bro crazy true. I know, I don't know, like I

990
00:46:29,280 --> 00:46:31,359
Speaker 1: just feel like it becomes a different show every week now,

991
00:46:31,719 --> 00:46:31,920
Speaker 1: you know.

992
00:46:32,280 --> 00:46:36,719
Speaker 2: Like, So, yeah, you got a question for me, of

993
00:46:36,800 --> 00:46:38,320
Speaker 2: course I have a question for you. But at first,

994
00:46:38,560 --> 00:46:41,680
Speaker 2: as we've learned from last week, as we take one away,

995
00:46:41,840 --> 00:46:44,360
Speaker 2: well let's see, so This is the strong incentive, ladies

996
00:46:44,320 --> 00:46:45,920
Speaker 2: and gentlemen. The strong incentive is, of course, what it

997
00:46:45,960 --> 00:46:47,720
Speaker 2: would take to get right or strong to join Dancing

998
00:46:47,719 --> 00:46:49,640
Speaker 2: with the Stars. As we learned last week for the

999
00:46:49,640 --> 00:46:53,680
Speaker 2: first time, indifference has consequence, and so not making a

1000
00:46:53,719 --> 00:46:57,839
Speaker 2: decision is a decision onto itself, and so ryder. This week,

1001
00:46:57,960 --> 00:46:59,400
Speaker 2: once again, I'm going to need you to pick a

1002
00:46:59,480 --> 00:47:05,600
Speaker 2: random number between one and four. One. I'd like to

1003
00:47:05,600 --> 00:47:07,759
Speaker 2: point out I don't know these either. I wrote something

1004
00:47:07,760 --> 00:47:09,560
Speaker 2: on one side, flipped them over, shuffle them up and

1005
00:47:09,560 --> 00:47:10,960
Speaker 2: put the numbers on the front, so I don't know

1006
00:47:11,000 --> 00:47:13,200
Speaker 2: what it is until I flip it over. You picked one,

1007
00:47:13,560 --> 00:47:17,279
Speaker 2: and so this week you have lost the sprinter van.

1008
00:47:18,560 --> 00:47:21,240
Speaker 2: The sprinter van is no longer on the table.

1009
00:47:21,280 --> 00:47:23,520
Speaker 1: So what's on the table? We got leather jacket.

1010
00:47:23,560 --> 00:47:26,400
Speaker 2: Well, that's gonna say. So we had it set up

1011
00:47:26,440 --> 00:47:29,200
Speaker 2: where you originally got five hundred grand, a sprinter van,

1012
00:47:30,040 --> 00:47:34,440
Speaker 2: Sean's original leather jacket, og magic cards, plus a black

1013
00:47:34,440 --> 00:47:38,000
Speaker 2: Lotus card and the deed to coffee CAATs opening again

1014
00:47:38,080 --> 00:47:40,960
Speaker 2: in Sebastian. The five hundred grand is now gone and

1015
00:47:41,000 --> 00:47:44,319
Speaker 2: the sprinter van is now gone. So what is left

1016
00:47:44,360 --> 00:47:46,680
Speaker 2: is your leather jacket, the magic cards with the black

1017
00:47:46,680 --> 00:47:50,279
Speaker 2: lotus and the deed to Coffee cat all the personal ones. Yeah,

1018
00:47:50,520 --> 00:47:54,759
Speaker 2: pretty much. But you're actually saved this week because that's

1019
00:47:54,760 --> 00:47:59,560
Speaker 2: same sprinter van company calls you and said, hey, right

1020
00:47:59,640 --> 00:48:01,800
Speaker 2: or strong because you answered your landline. You still have

1021
00:48:01,840 --> 00:48:03,640
Speaker 2: the landline by the way in your house, so the

1022
00:48:03,680 --> 00:48:06,160
Speaker 2: phone rings pick it up. You hear KL five four

1023
00:48:06,160 --> 00:48:11,920
Speaker 2: thousand sprinter van company, and the sprinter van company says

1024
00:48:11,920 --> 00:48:15,080
Speaker 2: to you, Hey, we heard you didn't like our original

1025
00:48:15,080 --> 00:48:16,680
Speaker 2: sprinter van that we were going to send to you.

1026
00:48:17,480 --> 00:48:20,280
Speaker 2: We're going to let you pick whatever sprinter van you want. However,

1027
00:48:20,440 --> 00:48:23,680
Speaker 2: oh it's not going to be here in the United States.

1028
00:48:24,680 --> 00:48:28,960
Speaker 2: It's going to be for your one year, all expenses paid,

1029
00:48:29,200 --> 00:48:35,000
Speaker 2: life in New Zealand. Oh my god. Everything is taken

1030
00:48:35,040 --> 00:48:36,920
Speaker 2: care of. Your home here will be taken care of.

1031
00:48:37,000 --> 00:48:39,600
Speaker 2: Indie's education will be taken care of, and you need

1032
00:48:39,719 --> 00:48:42,680
Speaker 2: to live in whatever sprinter van you would like in

1033
00:48:42,719 --> 00:48:48,279
Speaker 2: New Zealand, all expenses paid for one year. If you'd

1034
00:48:48,320 --> 00:48:50,319
Speaker 2: only do Dancing with the.

1035
00:48:50,239 --> 00:48:52,160
Speaker 1: Stars, yes, I would do it.

1036
00:48:52,280 --> 00:48:54,319
Speaker 2: Oh my god, you didn't even think about it.

1037
00:48:54,600 --> 00:48:58,040
Speaker 1: That's too good, man, because if I think about doing

1038
00:48:58,160 --> 00:49:00,560
Speaker 1: dance with the stars, knowing that for a year I'm

1039
00:49:00,600 --> 00:49:05,240
Speaker 1: gonna be with my family traveling and have enough comfort

1040
00:49:05,239 --> 00:49:07,600
Speaker 1: and security to be able to do writing and get

1041
00:49:07,640 --> 00:49:11,280
Speaker 1: like my own creative projects done in a beautiful place

1042
00:49:11,920 --> 00:49:13,360
Speaker 1: exploring the world.

1043
00:49:14,520 --> 00:49:19,080
Speaker 2: Yes, yes, I would do it. Wow, so with the stars?

1044
00:49:19,480 --> 00:49:21,360
Speaker 1: Yes, all is all I have to Somebody has to

1045
00:49:21,640 --> 00:49:23,520
Speaker 1: pay for a year of my life in New Zealand

1046
00:49:23,680 --> 00:49:26,600
Speaker 1: in a camera van. Give me coffee, Kats, that's still

1047
00:49:26,640 --> 00:49:27,360
Speaker 1: on the table.

1048
00:49:27,440 --> 00:49:28,160
Speaker 2: Yeah, and your ratchet.

1049
00:49:28,360 --> 00:49:30,680
Speaker 1: I guess I get to come home and own a

1050
00:49:30,680 --> 00:49:34,560
Speaker 1: piece of like my childhood. Yes, yes, it's too good, dude.

1051
00:49:34,560 --> 00:49:35,760
Speaker 1: And I get the load of the jacket.

1052
00:49:36,040 --> 00:49:38,480
Speaker 2: Yep, you got me? All right, Well we made it through.

1053
00:49:38,640 --> 00:49:40,160
Speaker 2: The strong incentive is done?

1054
00:49:40,560 --> 00:49:44,319
Speaker 1: Yeah, yeah, dude, that's that is. It's like literally my

1055
00:49:44,440 --> 00:49:48,000
Speaker 1: dream to be able to you know, live somewhere else

1056
00:49:48,080 --> 00:49:51,160
Speaker 1: and camp and with my family, and if it was

1057
00:49:51,239 --> 00:49:53,240
Speaker 1: all like taken care of and there was no pressure,

1058
00:49:53,280 --> 00:49:56,880
Speaker 1: I would totally commit to Wow whatever, three months of

1059
00:49:57,280 --> 00:50:03,000
Speaker 1: absolute misery, I mean three months of pure just awfulness.

1060
00:50:03,000 --> 00:50:06,360
Speaker 1: I Mean the thing is, I'd probably get eliminated pretty quickly,

1061
00:50:07,200 --> 00:50:10,640
Speaker 1: because you don't know that if you committed me such

1062
00:50:10,680 --> 00:50:13,640
Speaker 1: a downer stick in the mud unless you commit it

1063
00:50:13,680 --> 00:50:16,080
Speaker 1: to the dance. Dude, give this guy. I would, I mean,

1064
00:50:16,080 --> 00:50:18,600
Speaker 1: I would try, honestly, with the dancing. I would try.

1065
00:50:18,920 --> 00:50:21,080
Speaker 1: I would want to get in shape and like, but

1066
00:50:21,640 --> 00:50:23,919
Speaker 1: it would be awful. No one wants to see me dance.

1067
00:50:24,120 --> 00:50:24,960
Speaker 1: No one wants that.

1068
00:50:25,320 --> 00:50:28,799
Speaker 3: I know people hearing me saying no one wants to

1069
00:50:28,800 --> 00:50:31,800
Speaker 3: see Well, I'm gonna have to come up with a

1070
00:50:31,840 --> 00:50:34,440
Speaker 3: new game now I know. Man, we're going to that's

1071
00:50:34,440 --> 00:50:36,600
Speaker 3: too good, Like, I can't turn that down. I figured

1072
00:50:36,640 --> 00:50:36,959
Speaker 3: you were.

1073
00:50:36,840 --> 00:50:38,319
Speaker 2: Going to say no to this one. But the yes,

1074
00:50:38,440 --> 00:50:40,800
Speaker 2: the one I had saved for an absolute yes, was

1075
00:50:40,800 --> 00:50:42,440
Speaker 2: going to be a three picture deal at Warner Brothers.

1076
00:50:42,480 --> 00:50:44,279
Speaker 2: To do any of your own films that you want

1077
00:50:44,280 --> 00:50:47,120
Speaker 2: to do. Oh I should have waited, God damn it.

1078
00:50:47,520 --> 00:50:49,960
Speaker 1: Yes, yes, to be able like to direct, you mean,

1079
00:50:50,080 --> 00:50:52,759
Speaker 1: like direct any of your own three films. I would

1080
00:50:52,760 --> 00:50:53,879
Speaker 1: do anything for that. I would.

1081
00:50:53,960 --> 00:50:55,400
Speaker 2: I would. I would. That's why I was going to

1082
00:50:55,480 --> 00:50:56,799
Speaker 2: do with the Stars.

1083
00:50:56,440 --> 00:50:59,040
Speaker 1: For the next six seasons. I would commit to that.

1084
00:50:59,080 --> 00:51:01,680
Speaker 2: I would do, Bury me, bury me alive with the stars.

1085
00:51:03,120 --> 00:51:07,759
Speaker 2: The person who lasts the most underground to do three?

1086
00:51:07,880 --> 00:51:09,719
Speaker 2: All right, great? Well, the Strong incentive is done. We

1087
00:51:09,760 --> 00:51:11,960
Speaker 2: got them week six, So I'm gonna have to come

1088
00:51:12,040 --> 00:51:13,520
Speaker 2: up with something new. Now, I'll come up with a

1089
00:51:13,520 --> 00:51:17,200
Speaker 2: new game for next week. Amazing, We're gonna have to

1090
00:51:17,200 --> 00:51:19,120
Speaker 2: start dressing you up or doing your own pre show

1091
00:51:19,120 --> 00:51:21,480
Speaker 2: package or something. We'll figure something out, all right.

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00:51:21,520 --> 00:51:23,719
Speaker 1: That's it for this episode of Pod Meets Tworld. Join

1093
00:51:23,800 --> 00:51:26,399
Speaker 1: us next week as we continue watching season thirty four

1094
00:51:26,440 --> 00:51:27,640
Speaker 1: of Dancing with the Stars.

1095
00:51:27,960 --> 00:51:29,440
Speaker 2: We may not know a waltz from a.

1096
00:51:29,360 --> 00:51:31,440
Speaker 1: Waffle, but we know what we learned way back in

1097
00:51:31,480 --> 00:51:34,760
Speaker 1: Phoenie's class. Daniel Fischle is the star of the show.

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00:51:36,680 --> 00:51:39,319
Speaker 1: Pod Meats World is an iHeart podcast producer hosted by

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00:51:39,400 --> 00:51:43,440
Speaker 1: Daniel Fishle, Wilfredell and Ryder Strong. Executive producers Jensen Karp

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00:51:43,440 --> 00:51:46,640
Speaker 1: and Amy Sugarman. Executive in charge of production, Danielle Romo,

1101
00:51:46,840 --> 00:51:50,680
Speaker 1: producer and editor, Tarsubach, producer, Maddy Moore, engineer and Boy

1102
00:51:50,719 --> 00:51:53,759
Speaker 1: Meets World superman Easton Allen. Our theme song is by

1103
00:51:53,840 --> 00:51:57,160
Speaker 1: Kyle Morton of Typhoon. Follow us on Instagram at Podmeats

1104
00:51:57,200 --> 00:52:00,239
Speaker 1: World Show or email us at Podmeats World Show at

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00:52:00,280 --> 00:52:04,520
Speaker 1: gmail dot com.