1 00:00:00,480 --> 00:00:05,360 Speaker 1: Wake that ass up in the morning. The Breakfast Club Morning. 2 00:00:05,400 --> 00:00:09,040 Speaker 2: Everybody is the j Envy, Jess Hilarious, Charlamagne the Guy. 3 00:00:09,080 --> 00:00:11,040 Speaker 2: We are the Breakfast Club. Lauren the Rosa filling in 4 00:00:11,080 --> 00:00:12,600 Speaker 2: for just just As on maternity leave. 5 00:00:12,920 --> 00:00:14,520 Speaker 1: And we got a special guest in the building. 6 00:00:14,600 --> 00:00:17,840 Speaker 3: Yes, indeed, I kind of legend Queens gets the money. 7 00:00:18,120 --> 00:00:20,320 Speaker 1: LL cool J. What's going on baby? How you selling 8 00:00:20,440 --> 00:00:21,160 Speaker 1: feeling great? Man? 9 00:00:21,400 --> 00:00:23,920 Speaker 3: Llll always got action hero superhero energy when he walk 10 00:00:23,920 --> 00:00:24,320 Speaker 3: in the room. 11 00:00:25,280 --> 00:00:27,760 Speaker 1: Yeah, good fo yo. 12 00:00:28,240 --> 00:00:29,960 Speaker 4: I mean that's why I feel like one right now. 13 00:00:30,000 --> 00:00:32,199 Speaker 4: I mean this is like a good energy, you know 14 00:00:32,200 --> 00:00:36,360 Speaker 4: what I'm saying, Like the you know, year forty. You 15 00:00:36,360 --> 00:00:37,879 Speaker 4: know what I'm saying that we having a you know, 16 00:00:37,920 --> 00:00:41,480 Speaker 4: a conversation about my new album. You know that's a 17 00:00:41,560 --> 00:00:43,600 Speaker 4: that's a really unique position, you know what I'm saying. 18 00:00:43,640 --> 00:00:46,199 Speaker 3: So it's like it's never been done before that. 19 00:00:47,040 --> 00:00:49,360 Speaker 1: Yeah, no, that's never been done. And it shows us 20 00:00:49,360 --> 00:00:50,279 Speaker 1: that it's possible. Right. 21 00:00:50,320 --> 00:00:53,720 Speaker 4: Even more importantly, it just shows younger generation and new 22 00:00:53,760 --> 00:00:56,200 Speaker 4: artists as they you know, are working on their careers 23 00:00:56,200 --> 00:00:58,720 Speaker 4: and as they embarking, what's possible. You know what I'm saying, 24 00:00:58,720 --> 00:01:03,200 Speaker 4: that we can continue to you know, you know, operated 25 00:01:03,200 --> 00:01:04,760 Speaker 4: at a high level, you know what I'm saying, and 26 00:01:05,240 --> 00:01:08,320 Speaker 4: do things that are important culturally, and I just I'm 27 00:01:08,360 --> 00:01:10,640 Speaker 4: glad that I can set that example. 28 00:01:10,800 --> 00:01:12,600 Speaker 3: How other been being back on the road on these 29 00:01:12,600 --> 00:01:15,440 Speaker 3: promo tours doing interviews? How does it feel just to 30 00:01:15,000 --> 00:01:16,039 Speaker 3: be out here. 31 00:01:15,920 --> 00:01:17,479 Speaker 2: Because you run it like a new artist, like you're 32 00:01:17,520 --> 00:01:19,679 Speaker 2: doing everything you run it. I'm like, you ain't tired. 33 00:01:20,760 --> 00:01:24,840 Speaker 1: Nah, nah, I've been tied for thirty years. You're kidding me. 34 00:01:24,959 --> 00:01:27,600 Speaker 1: I work hard, but you know what it feels like. 35 00:01:27,680 --> 00:01:29,920 Speaker 4: It feels like, you know, in a lot of ways, 36 00:01:29,920 --> 00:01:33,080 Speaker 4: I'm a new artist, you know, because there's there's a 37 00:01:33,160 --> 00:01:34,920 Speaker 4: day one audience that grew up with me, and then 38 00:01:34,959 --> 00:01:37,160 Speaker 4: there's an audience that knows me for all of the 39 00:01:37,200 --> 00:01:40,800 Speaker 4: other things I've done, but don't really aren't as familiar 40 00:01:40,800 --> 00:01:43,240 Speaker 4: with my music when it comes to me, like directly 41 00:01:43,319 --> 00:01:47,440 Speaker 4: dropping records, so it's launching records. So it's it feels great, man, 42 00:01:47,480 --> 00:01:49,920 Speaker 4: it feels fun. I'm just having a good time with it, 43 00:01:49,960 --> 00:01:52,040 Speaker 4: you know what I'm saying. Like it's exciting to me, 44 00:01:52,200 --> 00:01:52,640 Speaker 4: you know what I mean? 45 00:01:52,720 --> 00:01:55,000 Speaker 5: And I think you being back out here it shows 46 00:01:55,000 --> 00:01:58,760 Speaker 5: people the reverence individuals have for you because everybody got 47 00:01:58,760 --> 00:02:01,120 Speaker 5: an LL story like we had here love. It was 48 00:02:01,160 --> 00:02:04,640 Speaker 5: like he wanted to be a rapper until he heard you. Yeah, yeah, yeah, 49 00:02:04,720 --> 00:02:05,720 Speaker 5: put the microphone down. 50 00:02:05,760 --> 00:02:06,360 Speaker 1: That's funny. 51 00:02:06,480 --> 00:02:09,600 Speaker 4: That's funny now, ed Man, Ed I remember he was 52 00:02:10,280 --> 00:02:11,760 Speaker 4: he was at my high school security. 53 00:02:11,800 --> 00:02:12,880 Speaker 1: But I would. 54 00:02:12,680 --> 00:02:14,920 Speaker 4: Say, what it does for me is it gives me 55 00:02:15,000 --> 00:02:15,920 Speaker 4: reverence for the culture. 56 00:02:16,040 --> 00:02:18,280 Speaker 1: You know what I'm saying. It makes me revere hip hop. 57 00:02:18,320 --> 00:02:21,080 Speaker 4: It makes me more excited about what's in store for 58 00:02:21,160 --> 00:02:23,400 Speaker 4: hip hop, you know, and what's possible for hip hop. 59 00:02:23,760 --> 00:02:26,640 Speaker 4: You know, so many amazing artists out here doing so 60 00:02:26,639 --> 00:02:28,880 Speaker 4: many great things, and it's wonderful to be able to 61 00:02:28,919 --> 00:02:30,760 Speaker 4: show them what's possible, you know what I'm saying. Like 62 00:02:31,080 --> 00:02:33,959 Speaker 4: that for me is like the really exciting part of 63 00:02:34,000 --> 00:02:37,280 Speaker 4: it because we're just so used to we've grown so 64 00:02:37,400 --> 00:02:42,320 Speaker 4: accustomed to like writing people off after a certain you know, 65 00:02:42,440 --> 00:02:45,919 Speaker 4: amount of time. It's just it's beautiful to be able 66 00:02:45,960 --> 00:02:48,040 Speaker 4: to say no, you could continue, doesn't mean and you 67 00:02:48,120 --> 00:02:50,440 Speaker 4: don't have to pretend you're in year three when you're 68 00:02:50,440 --> 00:02:51,080 Speaker 4: in year forty. 69 00:02:51,120 --> 00:02:52,320 Speaker 1: You can actually be go ahead. 70 00:02:52,360 --> 00:02:54,679 Speaker 2: Were you nervous about that? Because you know, in hip 71 00:02:54,720 --> 00:02:56,799 Speaker 2: hop it seems like definitely hip hop. They try to 72 00:02:56,800 --> 00:02:58,680 Speaker 2: put you in a box, right, Yeah, what they're saying 73 00:02:59,240 --> 00:03:01,440 Speaker 2: even though you got music now, they'd be like, oh, well, 74 00:03:01,440 --> 00:03:03,560 Speaker 2: you can't play on this station because he's more of 75 00:03:03,560 --> 00:03:06,680 Speaker 2: an urban ac artist. But with you, I haven't seen that. 76 00:03:06,760 --> 00:03:09,639 Speaker 2: I've seen you. You know, you're on every station. It's 77 00:03:09,680 --> 00:03:12,360 Speaker 2: not just the older quote unquote oldest station. 78 00:03:12,480 --> 00:03:12,760 Speaker 1: Yeah. 79 00:03:12,800 --> 00:03:14,600 Speaker 4: Well you know what it is, man, is you know 80 00:03:14,680 --> 00:03:17,920 Speaker 4: you have a responsibility as an artist sonically. You know, 81 00:03:18,080 --> 00:03:19,480 Speaker 4: at the end of the day, it's about what they 82 00:03:19,480 --> 00:03:22,120 Speaker 4: when they press play with her, they hear like, we 83 00:03:22,120 --> 00:03:24,600 Speaker 4: could talk about Google, we could talk about Wikipedia, is 84 00:03:24,639 --> 00:03:27,240 Speaker 4: we can talk about your resume and your plaques on 85 00:03:27,280 --> 00:03:30,400 Speaker 4: the wall. All that's great, Awards, Hall of Fame sounds great, 86 00:03:30,600 --> 00:03:32,799 Speaker 4: But when they press play, it's like when you're on 87 00:03:32,840 --> 00:03:34,400 Speaker 4: the basketball court, can you deliver? 88 00:03:34,840 --> 00:03:37,720 Speaker 1: Right? It's you know, Lebron can still deliver and yeah 89 00:03:37,720 --> 00:03:38,280 Speaker 1: he doesn't have. 90 00:03:38,280 --> 00:03:40,160 Speaker 4: To be in year five. He can be in year 91 00:03:40,240 --> 00:03:43,760 Speaker 4: twenty one and deliver. So can ll sonically deliver? Like 92 00:03:43,920 --> 00:03:47,520 Speaker 4: it's like the Lebron it's the idea of Lebron and sports, 93 00:03:47,560 --> 00:03:49,640 Speaker 4: but it takes twice as long because it's art. 94 00:03:50,080 --> 00:03:52,040 Speaker 1: So instead of twenty one years, it's forty. 95 00:03:52,080 --> 00:03:55,200 Speaker 4: But the reality is it's the same idea of can 96 00:03:55,240 --> 00:03:58,520 Speaker 4: you deliver on the court. So to answer that question, 97 00:03:58,560 --> 00:04:01,440 Speaker 4: that's about the sonics. It's about making joints that you 98 00:04:01,480 --> 00:04:03,080 Speaker 4: love and people can appreciate. 99 00:04:03,280 --> 00:04:03,840 Speaker 1: You know what I'm saying. 100 00:04:03,840 --> 00:04:07,280 Speaker 4: Everybody's not gonna love everything, but if you can create 101 00:04:07,320 --> 00:04:10,480 Speaker 4: stuff that people appreciate, you know what I mean, I 102 00:04:10,600 --> 00:04:11,040 Speaker 4: go get it. 103 00:04:11,200 --> 00:04:13,360 Speaker 6: This album is dropping on Deaf Jam, which is where 104 00:04:13,400 --> 00:04:16,120 Speaker 6: everything started for you a few years ago. I don't 105 00:04:16,120 --> 00:04:17,920 Speaker 6: know where you were mentally about like just making music, 106 00:04:18,040 --> 00:04:20,080 Speaker 6: but music out. But could you have planned this any better? 107 00:04:20,120 --> 00:04:21,840 Speaker 6: Like what's that feeling like? Kind of like the full 108 00:04:21,839 --> 00:04:22,479 Speaker 6: circle moment? 109 00:04:22,760 --> 00:04:25,040 Speaker 4: Well, it's more than a full circle moment, right because 110 00:04:25,040 --> 00:04:26,880 Speaker 4: I was the first artist on deaf Jam, right and 111 00:04:26,920 --> 00:04:29,080 Speaker 4: we launched the label together, you know, Tila rock Head. 112 00:04:30,120 --> 00:04:33,240 Speaker 2: Yeah you are. 113 00:04:33,400 --> 00:04:35,600 Speaker 7: And that's what I mean is like, you can't predict 114 00:04:35,680 --> 00:04:36,200 Speaker 7: stuff like. 115 00:04:36,160 --> 00:04:37,839 Speaker 1: That, No, you can't. You can't. Listen. 116 00:04:37,920 --> 00:04:41,480 Speaker 4: Listen, God is great, And it's that type of timing, 117 00:04:41,880 --> 00:04:44,919 Speaker 4: you know, being on death Jam, seeing the excitement in 118 00:04:44,960 --> 00:04:47,799 Speaker 4: the building, seeing the excitement and all of the people's 119 00:04:47,839 --> 00:04:50,320 Speaker 4: eyes that work at the company, you know, and even 120 00:04:50,320 --> 00:04:52,720 Speaker 4: the support from Version and Republic and the way they 121 00:04:52,800 --> 00:04:55,240 Speaker 4: all are rallying behind this project to make sure that 122 00:04:55,320 --> 00:04:59,080 Speaker 4: it's it's seen and heard and gets an opportunity to 123 00:04:59,120 --> 00:05:02,160 Speaker 4: be listen into by people is amazing. It feels like 124 00:05:02,800 --> 00:05:04,720 Speaker 4: it feels like winning, you know what I'm saying, in 125 00:05:04,760 --> 00:05:05,760 Speaker 4: the best sense of the word. 126 00:05:05,960 --> 00:05:08,560 Speaker 1: You know, you know what I mean what losing. 127 00:05:08,400 --> 00:05:10,479 Speaker 6: Is like, because you said it feels like winning. But like, 128 00:05:10,520 --> 00:05:13,320 Speaker 6: I don't even I can't even think of what is losing. 129 00:05:13,720 --> 00:05:15,359 Speaker 1: Yeah, well, I put you like this. 130 00:05:15,400 --> 00:05:17,039 Speaker 4: I don't pay a lot of attention to the idea 131 00:05:17,080 --> 00:05:19,320 Speaker 4: of losing, right like I think about winning, and I 132 00:05:19,400 --> 00:05:22,599 Speaker 4: just I focus on the win, you know. And my 133 00:05:22,600 --> 00:05:25,200 Speaker 4: my thing is if you do have a misstep, it's 134 00:05:25,240 --> 00:05:27,240 Speaker 4: an opportunity to get it right, you know. 135 00:05:27,240 --> 00:05:27,760 Speaker 1: What I'm saying. 136 00:05:27,960 --> 00:05:31,800 Speaker 4: So valleys are just opportunity to find another peak that 137 00:05:31,800 --> 00:05:38,240 Speaker 4: you're gonna go aftert No, I haven't, but and I 138 00:05:38,279 --> 00:05:39,359 Speaker 4: and I hopefully I like to. 139 00:05:39,520 --> 00:05:43,359 Speaker 1: I just want to to keep my floyd on for 140 00:05:43,440 --> 00:05:43,800 Speaker 1: the record. 141 00:05:44,120 --> 00:05:46,039 Speaker 4: For the record, I'm not trying to talk tough because 142 00:05:46,080 --> 00:05:47,359 Speaker 4: I want to go through a walk through some. 143 00:05:50,600 --> 00:05:56,599 Speaker 6: Real quick I don't want to be careful because then 144 00:05:56,640 --> 00:05:57,159 Speaker 6: you go wrong. 145 00:05:57,200 --> 00:06:01,040 Speaker 4: For you to you know, you know, you might go viral, 146 00:06:01,080 --> 00:06:03,920 Speaker 4: you know, like you know, to leave me alone. I 147 00:06:03,920 --> 00:06:04,920 Speaker 4: ain't trying to play tough. 148 00:06:04,920 --> 00:06:05,160 Speaker 1: Guys. 149 00:06:05,200 --> 00:06:07,159 Speaker 2: Now we're doing this doing this project right. It's been 150 00:06:07,200 --> 00:06:09,640 Speaker 2: eleven years. How did you attack it right? Because you 151 00:06:09,720 --> 00:06:12,040 Speaker 2: got Eminem on it, you got Sweedy on it. How 152 00:06:12,080 --> 00:06:13,240 Speaker 2: did you attack it and say, you know what, I 153 00:06:13,320 --> 00:06:15,640 Speaker 2: want to stick to who ll is, but I still 154 00:06:15,680 --> 00:06:18,839 Speaker 2: want to keep it young doping and feeling good as well. 155 00:06:19,520 --> 00:06:21,719 Speaker 4: You know, you know that what you just said, I 156 00:06:21,720 --> 00:06:24,360 Speaker 4: didn't really think about young dope and feeling I've thought 157 00:06:24,400 --> 00:06:28,560 Speaker 4: about feeling good. What I more thought about was what 158 00:06:28,600 --> 00:06:30,680 Speaker 4: do I love and getting with Q Tip? Q Tip 159 00:06:30,760 --> 00:06:33,679 Speaker 4: is brilliant and q tip is a is a genius 160 00:06:33,720 --> 00:06:35,440 Speaker 4: and he's very creative. 161 00:06:35,600 --> 00:06:39,599 Speaker 1: And so the idea was just sonically. 162 00:06:39,040 --> 00:06:42,120 Speaker 4: Doing something that moved the world and just made us 163 00:06:42,240 --> 00:06:43,799 Speaker 4: made me respond, you know what I'm saying. 164 00:06:43,880 --> 00:06:45,560 Speaker 1: And I didn't do like I didn't put. 165 00:06:45,400 --> 00:06:48,320 Speaker 4: Sweety on the song because she's younger, or put em 166 00:06:48,320 --> 00:06:51,160 Speaker 4: on a song. I put them on it because sonically 167 00:06:52,240 --> 00:06:54,400 Speaker 4: they I felt they would sound good, We felt they 168 00:06:54,400 --> 00:06:56,840 Speaker 4: would sound good on the songs you know what I mean. 169 00:06:56,920 --> 00:06:59,919 Speaker 4: So it was about the music. It wasn't about stunt cast. 170 00:07:01,680 --> 00:07:03,719 Speaker 4: And then you know, like I said, man, like. 171 00:07:04,800 --> 00:07:13,240 Speaker 1: Yeah, you know what I'm saying. You know what I'm saying. Well, 172 00:07:13,320 --> 00:07:15,480 Speaker 1: you know it's TV experience for sure. 173 00:07:15,880 --> 00:07:18,480 Speaker 4: Right, So it's like I just wanted to do something 174 00:07:18,520 --> 00:07:21,040 Speaker 4: that people were just vibele for. Man. You know, like 175 00:07:21,320 --> 00:07:24,040 Speaker 4: when you listen to the whole record front to back, 176 00:07:24,600 --> 00:07:26,160 Speaker 4: you know as a body, and I know we're gonna 177 00:07:26,200 --> 00:07:28,160 Speaker 4: cherry pick, and I know people pick songs and they 178 00:07:28,160 --> 00:07:30,040 Speaker 4: go through their process. I can't tell people how to 179 00:07:30,080 --> 00:07:32,800 Speaker 4: consume the music, but you know, when you listen to it, 180 00:07:32,840 --> 00:07:34,920 Speaker 4: you realize, like we did everything purposely. 181 00:07:35,440 --> 00:07:37,720 Speaker 2: Well then any one song that I was like and 182 00:07:37,720 --> 00:07:39,400 Speaker 2: I don't know how difficult it was, if it was 183 00:07:39,440 --> 00:07:42,640 Speaker 2: able to do. Like you have a history of trying 184 00:07:42,640 --> 00:07:46,120 Speaker 2: to pull together the toughest mcs and every MC going 185 00:07:46,200 --> 00:07:48,680 Speaker 2: at it. Right, We've seen it with with Red Men, 186 00:07:48,760 --> 00:07:53,680 Speaker 2: Met the Man with two one who shot you? Yeah, 187 00:07:53,760 --> 00:07:55,200 Speaker 2: I shot you? You ever wanted to do that with this 188 00:07:55,240 --> 00:07:57,400 Speaker 2: one and be like let me pull all the MC's 189 00:07:57,480 --> 00:08:01,920 Speaker 2: that's lyrical and let me let's have a straight up andrald. 190 00:08:02,480 --> 00:08:06,440 Speaker 4: But see what I did was I didn't repeat myself. 191 00:08:06,720 --> 00:08:08,600 Speaker 4: I did go get great guys, like I went and 192 00:08:08,760 --> 00:08:10,480 Speaker 4: did a joint with him, and I did a joint 193 00:08:10,480 --> 00:08:13,040 Speaker 4: with Nas and I did joints with people that really 194 00:08:13,080 --> 00:08:14,080 Speaker 4: can bring it on the mic. 195 00:08:14,160 --> 00:08:14,320 Speaker 1: Right. 196 00:08:14,680 --> 00:08:17,040 Speaker 4: I love doing that, Like that's like my thing, Like 197 00:08:17,320 --> 00:08:19,160 Speaker 4: I'm not out here, you know, I want to be 198 00:08:19,240 --> 00:08:22,920 Speaker 4: with the best and work with the best. But in 199 00:08:23,000 --> 00:08:25,360 Speaker 4: terms of the posse cut I did, I really wanted 200 00:08:25,360 --> 00:08:27,400 Speaker 4: to get some kids who had never had an opportunity 201 00:08:27,400 --> 00:08:30,160 Speaker 4: and opportunity, you know, I have so many stars on 202 00:08:30,160 --> 00:08:32,320 Speaker 4: the album Snoop Is on the album and Buster and 203 00:08:32,679 --> 00:08:34,800 Speaker 4: you know, and different people that we name, even Sona 204 00:08:34,880 --> 00:08:38,040 Speaker 4: Jobetta who's huge, you know in London and Africa and 205 00:08:38,120 --> 00:08:41,920 Speaker 4: just an amazing musician. But I wanted to give some 206 00:08:42,000 --> 00:08:44,000 Speaker 4: kids that never had an opportunity. I made a vow. 207 00:08:44,080 --> 00:08:46,360 Speaker 4: I said, Yo, I'm gonna take some kids. So I 208 00:08:46,360 --> 00:08:49,160 Speaker 4: got this kid, Don Pablito from South Side Queens and 209 00:08:49,360 --> 00:08:52,880 Speaker 4: shout out to him and uh uh Mad Squabbles from 210 00:08:52,920 --> 00:08:56,280 Speaker 4: Philly and Jayson from Lafayette, Louisiana and put them on 211 00:08:56,360 --> 00:08:58,800 Speaker 4: the song so that they could have an opportunity. 212 00:08:59,000 --> 00:09:01,720 Speaker 1: So but that being said, you know, you know, you 213 00:09:01,760 --> 00:09:02,120 Speaker 1: never know. 214 00:09:02,160 --> 00:09:04,320 Speaker 4: They could be remixes, you know what I'm saying, Like, 215 00:09:05,200 --> 00:09:07,880 Speaker 4: you know, I consider, I would consider rocking with people. 216 00:09:07,960 --> 00:09:09,520 Speaker 4: You know what I'm saying. It depends on what it 217 00:09:09,559 --> 00:09:12,520 Speaker 4: is you're working with. Are they just know No, I 218 00:09:12,520 --> 00:09:13,199 Speaker 4: didn't sign them. 219 00:09:13,640 --> 00:09:13,960 Speaker 1: I didn't. 220 00:09:14,000 --> 00:09:15,679 Speaker 4: I didn't want nothing from him. I just wanted to 221 00:09:15,679 --> 00:09:17,640 Speaker 4: give them an opportunity. I just want him to be 222 00:09:17,679 --> 00:09:19,880 Speaker 4: on the same album with EM and Snoop and l 223 00:09:20,240 --> 00:09:22,960 Speaker 4: and and then give my opportunity. And you know, you 224 00:09:23,000 --> 00:09:23,960 Speaker 4: got to make the best of it. 225 00:09:24,040 --> 00:09:25,920 Speaker 5: You keep your ad that I remember one time, but 226 00:09:26,000 --> 00:09:27,600 Speaker 5: further on on how you found nose guy. I remember 227 00:09:27,600 --> 00:09:29,560 Speaker 5: one time here and you say your favorite rabbit at 228 00:09:29,559 --> 00:09:31,400 Speaker 5: the moment, was like pee wee long will Yeah, yeah. 229 00:09:31,280 --> 00:09:32,640 Speaker 1: Yeah, he was funny. He was funny. 230 00:09:32,720 --> 00:09:34,480 Speaker 4: But I like a lot of different artists, like I 231 00:09:34,559 --> 00:09:38,040 Speaker 4: listened to everything, you know, I was. I was listening 232 00:09:38,080 --> 00:09:40,720 Speaker 4: to the Young Nudy today, the Dag going up. Then 233 00:09:40,760 --> 00:09:42,959 Speaker 4: I was checking out, you know, I like the little 234 00:09:43,000 --> 00:09:44,920 Speaker 4: dirt thing, but I like the core day and then 235 00:09:44,960 --> 00:09:47,120 Speaker 4: you know, you could you know, flip it all away 236 00:09:47,200 --> 00:09:50,320 Speaker 4: to you know, I like some of what glow Rilla. 237 00:09:50,160 --> 00:09:51,080 Speaker 1: Is doing and you know. 238 00:09:51,240 --> 00:09:53,520 Speaker 4: Some of them were hey all some of them records, 239 00:09:53,559 --> 00:09:56,720 Speaker 4: you know, and I listened to all artists. I love 240 00:09:56,880 --> 00:09:58,120 Speaker 4: hip hop, you know what I'm saying. I love hip 241 00:09:58,160 --> 00:09:59,880 Speaker 4: hop culture. You know what I'm saying. People think that, 242 00:10:00,120 --> 00:10:01,960 Speaker 4: you know, I'm like, you know, I go home and 243 00:10:02,000 --> 00:10:04,360 Speaker 4: stand up in the corner and kind of melt into. 244 00:10:04,160 --> 00:10:06,079 Speaker 1: The water and like, don't you know what the hell 245 00:10:06,200 --> 00:10:08,880 Speaker 1: is going on in the world. But I'm actually paying attention, 246 00:10:09,120 --> 00:10:10,319 Speaker 1: you know what I'm saying one hundred percent. 247 00:10:10,480 --> 00:10:13,000 Speaker 6: So it's the song with Sweetie, right, because Sweety gets 248 00:10:13,040 --> 00:10:15,679 Speaker 6: so much like people love to like throw shots at 249 00:10:15,720 --> 00:10:17,920 Speaker 6: her because of like saying like she's not lyrical whatever. 250 00:10:17,960 --> 00:10:19,880 Speaker 6: And we talk about you working on lyricists. How did 251 00:10:19,960 --> 00:10:21,719 Speaker 6: you How did y'all link up? Is that somebody you 252 00:10:21,800 --> 00:10:23,960 Speaker 6: had your ear on? What made you go for Sweetie? 253 00:10:24,000 --> 00:10:26,360 Speaker 1: I thought I thought that I liked her. 254 00:10:26,400 --> 00:10:29,000 Speaker 4: I'm best friend with the you know that record, and 255 00:10:29,040 --> 00:10:31,280 Speaker 4: I just thought she was cool, you know what I'm saying. 256 00:10:31,320 --> 00:10:32,920 Speaker 4: And I like the name, and I just thought it 257 00:10:32,960 --> 00:10:34,400 Speaker 4: was cool. I was like, yo, let's put her on 258 00:10:34,440 --> 00:10:38,080 Speaker 4: the joint. And that was it. And you know, at 259 00:10:38,120 --> 00:10:40,840 Speaker 4: the end of the day, that's an opportunity for her 260 00:10:40,880 --> 00:10:43,480 Speaker 4: to be better, and she took her time and worked 261 00:10:43,480 --> 00:10:45,600 Speaker 4: on that project, and took her time and worked on 262 00:10:45,600 --> 00:10:48,120 Speaker 4: that verse and made it right. You know what I'm saying. 263 00:10:48,440 --> 00:10:51,480 Speaker 4: And you know, if somebody else you know, wants to 264 00:10:51,480 --> 00:10:52,360 Speaker 4: be on it, then. 265 00:10:52,280 --> 00:10:53,800 Speaker 7: You know, shoot your shot. 266 00:10:54,600 --> 00:10:55,959 Speaker 1: I mean, good luck, you know what I mean. 267 00:10:56,800 --> 00:10:59,479 Speaker 5: Remixed it, Little Ball remixed it and called it unctivity. 268 00:11:00,160 --> 00:11:02,920 Speaker 5: So he's rapping about doing grown stuff over the record. 269 00:11:02,920 --> 00:11:05,520 Speaker 1: Okay, well, good luck with that, Duvau. Good luck with that, bro, 270 00:11:05,640 --> 00:11:07,800 Speaker 1: good luck with your unctivity. You know what I'm saying. 271 00:11:07,840 --> 00:11:10,200 Speaker 1: Good luck. You know we love you, We love that 272 00:11:10,240 --> 00:11:17,520 Speaker 1: for you. Do you like being called or do you? 273 00:11:17,640 --> 00:11:19,480 Speaker 1: I don't care about you don't care. I mean, you 274 00:11:19,520 --> 00:11:20,880 Speaker 1: know what you're gonna. 275 00:11:20,640 --> 00:11:22,560 Speaker 2: Do because you are you are, You're unto life. 276 00:11:22,600 --> 00:11:23,520 Speaker 3: I mean, you're rich, uncle. 277 00:11:25,040 --> 00:11:26,480 Speaker 1: But you know what, that ain't even about money. 278 00:11:26,480 --> 00:11:28,920 Speaker 4: It's about character, right because you know you you can 279 00:11:29,080 --> 00:11:30,400 Speaker 4: you know a lot of dudes, like I said, a 280 00:11:30,440 --> 00:11:32,360 Speaker 4: lot of dudes lead with their wallet, but there's nothing 281 00:11:32,400 --> 00:11:34,480 Speaker 4: else there, you know what I'm saying, So you can't. 282 00:11:34,480 --> 00:11:36,240 Speaker 4: Really it ain't always about the money. I know, we 283 00:11:36,360 --> 00:11:39,080 Speaker 4: like to we're very bad centric in our culture, but 284 00:11:39,600 --> 00:11:42,240 Speaker 4: in order for you to be successful, you know, like 285 00:11:42,360 --> 00:11:44,360 Speaker 4: Todd made ll ll and make Todd. 286 00:11:44,800 --> 00:11:45,439 Speaker 1: You know what I'm saying. 287 00:11:45,480 --> 00:11:47,800 Speaker 4: So people kind of can get that confused, you know 288 00:11:47,840 --> 00:11:51,479 Speaker 4: what I'm saying, Like I would have this energy regardless 289 00:11:51,520 --> 00:11:53,439 Speaker 4: I would be just be doing you know, I might 290 00:11:53,480 --> 00:11:55,920 Speaker 4: be coming through your window or something, but you would 291 00:11:55,920 --> 00:11:57,480 Speaker 4: get the same entity, you know what I mean. So 292 00:11:57,480 --> 00:12:04,840 Speaker 4: it's like, would be the biggest Margler ever. Man, we 293 00:12:04,880 --> 00:12:09,920 Speaker 4: having a good time, crazy, right? Been Like, Yo, where 294 00:12:09,960 --> 00:12:17,320 Speaker 4: exactly grammatically correct? You know what I meant to ask? 295 00:12:17,320 --> 00:12:19,319 Speaker 4: I was watching I guess it came back up on 296 00:12:19,600 --> 00:12:21,920 Speaker 4: social media. It was an interview with Jamie Fox. They 297 00:12:21,960 --> 00:12:24,320 Speaker 4: were talking about you know, y'all in your situation when 298 00:12:24,360 --> 00:12:25,319 Speaker 4: y'all we shooting that movie. 299 00:12:25,800 --> 00:12:29,280 Speaker 2: I was just curious, he's laughing funny. Now you got 300 00:12:29,320 --> 00:12:31,480 Speaker 2: to clear up what actually happened, because he said it 301 00:12:31,520 --> 00:12:33,320 Speaker 2: didn't happen that way, that you didn't knock him out. 302 00:12:33,320 --> 00:12:36,040 Speaker 2: But I wanted to know could that happened now? Because 303 00:12:36,080 --> 00:12:40,600 Speaker 2: back then, if I feel like whatever Jamie says happened is. 304 00:12:41,080 --> 00:12:42,600 Speaker 6: What you really want to say? Because I saw your face, 305 00:12:42,679 --> 00:12:45,040 Speaker 6: you digressed a bit, Yeah I did. 306 00:12:45,640 --> 00:12:46,160 Speaker 1: Yeah, I did. 307 00:12:46,360 --> 00:12:49,120 Speaker 4: Whatever Jamie says happened is what happened. I mean, I'm 308 00:12:49,120 --> 00:12:50,720 Speaker 4: good with that because that's my man. 309 00:12:51,000 --> 00:12:51,559 Speaker 1: Like so you. 310 00:12:51,520 --> 00:12:54,280 Speaker 4: Know, I'll tell you what Jamie knocked me out? 311 00:12:54,920 --> 00:12:57,000 Speaker 2: How about that? Now you wanna make us laugh. 312 00:12:57,480 --> 00:13:00,280 Speaker 4: I'm just saying, I mean, you know, I mean, whatever ever, 313 00:13:00,440 --> 00:13:02,640 Speaker 4: whatever JV said happened, that's what. 314 00:13:02,800 --> 00:13:05,640 Speaker 5: No disrespecting Jamie at all, I know, I'm just saying that, 315 00:13:05,840 --> 00:13:08,320 Speaker 5: that's my dude. When somebody says, now he knocked me out, 316 00:13:08,440 --> 00:13:11,240 Speaker 5: he beat the ship out of that means. 317 00:13:11,080 --> 00:13:15,920 Speaker 1: That whatever JMI said happened happened. 318 00:13:16,160 --> 00:13:17,120 Speaker 3: That was a long time ago. 319 00:13:17,240 --> 00:13:19,080 Speaker 2: Then you know, it just came back up. I wanted 320 00:13:19,080 --> 00:13:21,160 Speaker 2: to know, could that happen on movie sets now? Or 321 00:13:21,200 --> 00:13:23,080 Speaker 2: is it too protected? Because now it seems like if 322 00:13:23,120 --> 00:13:24,679 Speaker 2: any little things human. 323 00:13:24,520 --> 00:13:27,160 Speaker 4: Resources by, you're going to human resources if you you know, 324 00:13:27,200 --> 00:13:29,240 Speaker 4: if you if you get a hangnail and you express 325 00:13:29,280 --> 00:13:31,559 Speaker 4: it wrong, I mean, he triggered me, you know, so 326 00:13:31,760 --> 00:13:37,200 Speaker 4: iggering everything's triggered back in the day, triggering with the trigger. 327 00:13:37,480 --> 00:13:39,600 Speaker 1: Now the trigger is like you know, you. 328 00:13:39,880 --> 00:13:44,680 Speaker 5: Hail, you're being hanged out, triggering exactly exactly. 329 00:13:44,960 --> 00:13:46,880 Speaker 1: You got blue on this. I mean, you hate red. 330 00:13:47,000 --> 00:13:50,520 Speaker 2: You know, like, you know, how does that affect the 331 00:13:50,600 --> 00:13:52,640 Speaker 2: industry outside of of course to me to movement? 332 00:13:52,640 --> 00:13:53,439 Speaker 1: But how does that affect be? 333 00:13:53,600 --> 00:13:53,680 Speaker 4: Bro? 334 00:13:53,760 --> 00:13:54,640 Speaker 1: You got mind your business? 335 00:13:54,679 --> 00:13:56,720 Speaker 4: You can't get your creative juices? Like, no, you get 336 00:13:56,720 --> 00:13:58,800 Speaker 4: your creative juices. You better just keep make sure they 337 00:13:58,800 --> 00:14:09,320 Speaker 4: don't get on nobody else. You got bees. Be easy 338 00:14:09,320 --> 00:14:13,360 Speaker 4: with the projuices, you know, no doubt, no doubt. 339 00:14:13,400 --> 00:14:14,160 Speaker 1: We just have fun. 340 00:14:14,200 --> 00:14:15,880 Speaker 4: Man, Listen, man, I try to give the I give 341 00:14:15,920 --> 00:14:18,720 Speaker 4: the respect I want to receive, and I keep it there, 342 00:14:18,840 --> 00:14:20,560 Speaker 4: you know what I'm saying, and just have a ball 343 00:14:20,600 --> 00:14:20,800 Speaker 4: with it. 344 00:14:20,840 --> 00:14:21,640 Speaker 1: And you know what I mean. 345 00:14:22,480 --> 00:14:25,600 Speaker 5: I saw you say songwriting is what's missing in today's 346 00:14:25,640 --> 00:14:26,800 Speaker 5: hip hop climate. 347 00:14:26,840 --> 00:14:29,200 Speaker 3: Do you think it's because folks just want es? 348 00:14:30,360 --> 00:14:32,480 Speaker 4: I think I think it's because a lot of times, 349 00:14:34,160 --> 00:14:37,360 Speaker 4: a lot of artists what they really want to say. 350 00:14:37,160 --> 00:14:39,720 Speaker 4: They have an inspiration and then they make it. They 351 00:14:39,720 --> 00:14:42,160 Speaker 4: say ah, but people don't want to hear that. They 352 00:14:42,200 --> 00:14:45,520 Speaker 4: make that decision. So if I don't, if you don't 353 00:14:46,120 --> 00:14:49,040 Speaker 4: write proclivities, then you don't get activity, you don't get 354 00:14:49,040 --> 00:14:50,880 Speaker 4: the the you know what I'm saying. If you don't 355 00:14:50,880 --> 00:14:55,400 Speaker 4: write to sincere inspired stuff, people don't respond the same way. 356 00:14:55,440 --> 00:14:58,960 Speaker 4: So it's safer. It's really safe to talk about the 357 00:14:59,040 --> 00:15:05,280 Speaker 4: bag and you know, ops and chicks like that's very safe, 358 00:15:05,640 --> 00:15:08,400 Speaker 4: Like you don't have to worry about nothing. It's hard 359 00:15:08,440 --> 00:15:10,960 Speaker 4: to you know, mess that up, you know what I'm saying. 360 00:15:11,200 --> 00:15:13,600 Speaker 4: So that's the thing that kind of I think people 361 00:15:13,760 --> 00:15:16,400 Speaker 4: whereas if you're gonna get into something like thirty Decembers 362 00:15:16,400 --> 00:15:18,080 Speaker 4: on my album, or if you're gonna get into Black 363 00:15:18,080 --> 00:15:20,320 Speaker 4: Cold Sweet, or if you're gonna get into the Spirit 364 00:15:20,360 --> 00:15:22,440 Speaker 4: of Sirius. So if you're gonna get into some of 365 00:15:22,480 --> 00:15:24,920 Speaker 4: these songs that I wrote on here, you have to 366 00:15:24,960 --> 00:15:28,000 Speaker 4: be willing. You have to risk looking stupid in order 367 00:15:28,040 --> 00:15:29,240 Speaker 4: to win. You know what I'm saying. 368 00:15:29,280 --> 00:15:30,040 Speaker 1: We talked about before. 369 00:15:30,040 --> 00:15:32,200 Speaker 4: You know what I'm saying, Like, you gotta risk, you know, 370 00:15:32,600 --> 00:15:34,320 Speaker 4: you gotta be willing to be vulnerable. 371 00:15:35,000 --> 00:15:36,520 Speaker 1: The strength is in the vulnerability. 372 00:15:36,600 --> 00:15:38,840 Speaker 4: Vulnerability is where the strength comes from because you gotta 373 00:15:38,840 --> 00:15:42,280 Speaker 4: put it on on the line. Jordan Lebron, Steph Curry, 374 00:15:42,360 --> 00:15:45,280 Speaker 4: they take the last shot, right. There's vulnerability in that, 375 00:15:45,520 --> 00:15:48,880 Speaker 4: you know what I'm saying, but exactly, but you can win. 376 00:15:49,480 --> 00:15:51,640 Speaker 4: So that's that's kind of how music is and I 377 00:15:51,640 --> 00:15:54,360 Speaker 4: think a lot of artists right now. I think it'll 378 00:15:54,400 --> 00:15:57,120 Speaker 4: turn the corner though. I think that this album will 379 00:15:57,800 --> 00:16:00,400 Speaker 4: inspire a lot of artists to do. You'll see more 380 00:16:00,440 --> 00:16:03,560 Speaker 4: things happening. You'll see people taking chances creatively. 381 00:16:03,680 --> 00:16:04,080 Speaker 1: You see. 382 00:16:04,200 --> 00:16:06,640 Speaker 5: You know we had mc light here. She said she 383 00:16:06,920 --> 00:16:09,480 Speaker 5: you're the reason. Yeah, you're the reason. She decided to 384 00:16:09,480 --> 00:16:10,160 Speaker 5: put our new album. 385 00:16:10,360 --> 00:16:13,160 Speaker 2: Oh work, Well this really said when she was here, Huh. 386 00:16:13,120 --> 00:16:14,240 Speaker 3: You gotta put album. 387 00:16:16,240 --> 00:16:16,840 Speaker 1: Called one on one? 388 00:16:17,160 --> 00:16:19,120 Speaker 8: Yeah, why are you getting back into this crazy game 389 00:16:19,520 --> 00:16:24,720 Speaker 8: l challenge? Yeah. We did a fireside chat with him, 390 00:16:25,080 --> 00:16:27,040 Speaker 8: and in the midst of it, you know, he says, 391 00:16:27,080 --> 00:16:29,320 Speaker 8: I'm putting out new music. I was like, oh, that's greazy, 392 00:16:29,320 --> 00:16:32,960 Speaker 8: he said when you And I was like, well, I 393 00:16:33,000 --> 00:16:36,280 Speaker 8: don't know. He's like, stop being scared. I was like, scared. 394 00:16:36,520 --> 00:16:38,320 Speaker 8: True he said that, and I was like, Okay, I 395 00:16:38,360 --> 00:16:39,120 Speaker 8: got to it. 396 00:16:39,160 --> 00:16:41,480 Speaker 3: I love that the nefut would still be inspiring on. 397 00:16:41,920 --> 00:16:43,440 Speaker 1: I love it man, I love it. Man. 398 00:16:43,520 --> 00:16:46,840 Speaker 4: Listen, can't be scary, man, Like, what do you being 399 00:16:46,920 --> 00:16:49,280 Speaker 4: scary for? It's always gonna be great acts. Of course, 400 00:16:49,280 --> 00:16:51,840 Speaker 4: there's gonna be new artists. Of course, times are gonna change. 401 00:16:51,840 --> 00:16:54,040 Speaker 4: Of course, there's gonna be generational changes that comes with 402 00:16:54,080 --> 00:16:57,000 Speaker 4: the territory, but that that's the opportunity. 403 00:16:56,440 --> 00:16:58,200 Speaker 1: For us to prove that we was born to do this. 404 00:16:58,840 --> 00:17:00,640 Speaker 1: You know what I'm saying. You don't stop it because 405 00:17:00,680 --> 00:17:03,400 Speaker 1: time's changed. You know what I'm saying. If you need your. 406 00:17:03,280 --> 00:17:04,920 Speaker 4: Shorts to be a little longer on the court or 407 00:17:04,960 --> 00:17:08,080 Speaker 4: a little shorter, they change the rules and the touch fouls. 408 00:17:08,119 --> 00:17:10,320 Speaker 4: You learn the rules of the game and the new 409 00:17:10,400 --> 00:17:12,160 Speaker 4: rules and then play better than everybody else. 410 00:17:12,200 --> 00:17:13,679 Speaker 1: You know what I'm saying. It's simple. 411 00:17:14,119 --> 00:17:16,879 Speaker 4: You know, it's simple in the thought process, you know 412 00:17:16,880 --> 00:17:19,679 Speaker 4: what I'm saying. Now, obviously executing it is not as easy, 413 00:17:19,720 --> 00:17:23,040 Speaker 4: but it's simple when you make the decision. 414 00:17:23,280 --> 00:17:24,760 Speaker 3: When it comes to writing songs. 415 00:17:25,000 --> 00:17:26,960 Speaker 5: You know, when you got your pen, you got your pad, 416 00:17:27,440 --> 00:17:29,159 Speaker 5: does that make you dig deeper? Because a lot of 417 00:17:29,160 --> 00:17:30,800 Speaker 5: these guys that get high, they going to studio and 418 00:17:30,920 --> 00:17:33,280 Speaker 5: just when you got the pin in the pad, you 419 00:17:33,320 --> 00:17:34,800 Speaker 5: actually got to dig a little deeper, don't you. 420 00:17:35,000 --> 00:17:35,200 Speaker 1: Yeah. 421 00:17:35,200 --> 00:17:39,879 Speaker 4: So here's the thing, right, A lot of people, you know, 422 00:17:40,040 --> 00:17:43,879 Speaker 4: rapping is not necessarily the thing it's about. 423 00:17:44,119 --> 00:17:46,440 Speaker 1: Are you Are you an artist? Are you creating art? 424 00:17:46,840 --> 00:17:49,240 Speaker 4: So you know a lot of people can put words together, 425 00:17:49,280 --> 00:17:51,919 Speaker 4: like I can bounce a basketball, but you know, do 426 00:17:52,000 --> 00:17:53,879 Speaker 4: I really want to be on the court with you know, 427 00:17:55,040 --> 00:17:57,200 Speaker 4: Curry and Draymond and you know. 428 00:17:57,240 --> 00:17:59,600 Speaker 1: Like I can bounce a basketball, I can't. 429 00:18:00,000 --> 00:18:02,520 Speaker 4: I can make a shot, so you know, I could 430 00:18:02,520 --> 00:18:04,520 Speaker 4: get lucky and make a shot, but that's not the 431 00:18:04,560 --> 00:18:06,560 Speaker 4: same at the level. So hip hop is the same 432 00:18:06,600 --> 00:18:09,640 Speaker 4: way when it comes to MC's like, yeah, you might 433 00:18:09,880 --> 00:18:11,800 Speaker 4: can put a few words together, but you're not like 434 00:18:12,160 --> 00:18:13,720 Speaker 4: ll Na's and eminem. 435 00:18:13,320 --> 00:18:16,680 Speaker 1: And you know, like there's a difference in skill lel. 436 00:18:16,680 --> 00:18:17,440 Speaker 1: I'm just being honest. 437 00:18:17,960 --> 00:18:22,560 Speaker 4: So when I put pen to paper, I'm creating something. 438 00:18:22,640 --> 00:18:25,320 Speaker 4: I'm going into a world. I'm disappearing into this thing 439 00:18:25,320 --> 00:18:28,600 Speaker 4: I'm trying to create. I'm like looking at the marble 440 00:18:28,640 --> 00:18:30,240 Speaker 4: and finding the statue inside of it. 441 00:18:30,480 --> 00:18:33,680 Speaker 1: You know what I'm saying. I'm not just putting any 442 00:18:33,680 --> 00:18:35,119 Speaker 1: words together now. Mind you. 443 00:18:35,400 --> 00:18:39,320 Speaker 4: If I write something that's silly, I'm doing it intentionally. 444 00:18:40,000 --> 00:18:40,640 Speaker 1: See that's the. 445 00:18:40,600 --> 00:18:43,040 Speaker 4: Thing that people don't always get because when people judge 446 00:18:43,080 --> 00:18:46,280 Speaker 4: hip hop, like the line I love to use as 447 00:18:46,280 --> 00:18:50,720 Speaker 4: an example is my head Sprong record, because people there 448 00:18:50,760 --> 00:18:52,600 Speaker 4: are a lot of people who think that this guy 449 00:18:52,640 --> 00:18:55,520 Speaker 4: wrote that song trying to make the best rap that 450 00:18:55,560 --> 00:18:56,040 Speaker 4: he could. 451 00:18:56,240 --> 00:18:57,479 Speaker 1: But that's not what that was. 452 00:18:57,920 --> 00:19:02,720 Speaker 4: The intent was to make it and funny and entertaining, 453 00:19:03,040 --> 00:19:05,680 Speaker 4: and so people like So it's like writing comedy, it's 454 00:19:05,720 --> 00:19:09,280 Speaker 4: like writing drama, it's like writing romance. It's like understanding 455 00:19:09,880 --> 00:19:12,960 Speaker 4: what the intention is of what you're writing. So what 456 00:19:13,080 --> 00:19:15,440 Speaker 4: happens is in hip hop, a lot of things get 457 00:19:15,520 --> 00:19:16,719 Speaker 4: judged by the same metric. 458 00:19:17,400 --> 00:19:20,440 Speaker 1: You know what I'm saying, You can't judge you know. 459 00:19:20,680 --> 00:19:23,280 Speaker 4: Somebody's got to die, you know what I mean, by 460 00:19:23,320 --> 00:19:26,840 Speaker 4: the same standard as I don't know. You know, juicy, 461 00:19:27,400 --> 00:19:30,560 Speaker 4: you see what I'm saying something like exactly, so you 462 00:19:30,600 --> 00:19:33,880 Speaker 4: can't picking boogets is picking boogets, you know what I mean. 463 00:19:33,960 --> 00:19:37,199 Speaker 4: And and hypnotize is hypnotize and they're different. And so 464 00:19:37,320 --> 00:19:40,480 Speaker 4: when when artists understand that, I think that it'll help 465 00:19:40,560 --> 00:19:42,840 Speaker 4: them with when they craft these albums, when they craft 466 00:19:42,840 --> 00:19:43,359 Speaker 4: these songs. 467 00:19:43,840 --> 00:19:45,359 Speaker 1: You understand what I'm saying. You never got. 468 00:19:45,320 --> 00:19:48,119 Speaker 2: Nervous because you were probably one of the first artists 469 00:19:48,160 --> 00:19:50,160 Speaker 2: that say, you know what, I'm gonna be very emotional 470 00:19:50,200 --> 00:19:51,800 Speaker 2: on the record, right, I'm gonna say I need love, 471 00:19:51,880 --> 00:19:54,440 Speaker 2: I want to round the way girl, at the time 472 00:19:54,440 --> 00:19:57,080 Speaker 2: when hip hop was so focused on I'm the best 473 00:19:57,119 --> 00:19:58,760 Speaker 2: and what made you say? You know what, Now, I'm 474 00:19:58,760 --> 00:20:00,280 Speaker 2: gonna go f with the chick over here. 475 00:20:00,280 --> 00:20:01,080 Speaker 1: I'm gonna let youall do this. 476 00:20:01,280 --> 00:20:03,280 Speaker 2: I'll be back, but I'm gonna ahead put the chicks right. 477 00:20:03,280 --> 00:20:08,680 Speaker 4: Well, I'll put it to you like this. It's like 478 00:20:08,720 --> 00:20:10,639 Speaker 4: a guy, you know, showing up to the projects to 479 00:20:10,680 --> 00:20:15,280 Speaker 4: see a girl. What does that say about him? Like 480 00:20:15,320 --> 00:20:17,720 Speaker 4: the girl and he could fight or he's he's willing 481 00:20:17,760 --> 00:20:19,240 Speaker 4: to risk it regardless or whatever. 482 00:20:19,359 --> 00:20:20,719 Speaker 1: He's willing to risk it right. 483 00:20:20,960 --> 00:20:23,320 Speaker 4: So me doing I need love on me doing these 484 00:20:23,400 --> 00:20:28,840 Speaker 4: romance records. That's because I wasn't scared, not because I 485 00:20:28,880 --> 00:20:32,760 Speaker 4: was soft. I wasn't scared. That's why I could do that. 486 00:20:34,160 --> 00:20:34,720 Speaker 1: You under saying. 487 00:20:34,720 --> 00:20:38,679 Speaker 4: I'm saying so like you gotta like sometimes people they misconstrue. 488 00:20:39,040 --> 00:20:41,560 Speaker 4: It's like the guys that I meet, the guy like 489 00:20:41,640 --> 00:20:43,879 Speaker 4: I you know, they will be the nicest guys in 490 00:20:43,920 --> 00:20:46,639 Speaker 4: the world. The toughest guys I know, and the toughest 491 00:20:46,640 --> 00:20:48,639 Speaker 4: guys I've known growing up have been like some of 492 00:20:48,640 --> 00:20:51,719 Speaker 4: the nicest guys. The most dangerous guys I've known have 493 00:20:51,720 --> 00:20:56,639 Speaker 4: been some of the nicest guys. So it's like with 494 00:20:56,640 --> 00:20:58,639 Speaker 4: with the with the with the music. It was it 495 00:20:58,680 --> 00:21:02,040 Speaker 4: wasn't about trying to have an image. It was about 496 00:21:02,400 --> 00:21:03,879 Speaker 4: what I want to do as an artist. 497 00:21:04,200 --> 00:21:04,640 Speaker 1: Period. 498 00:21:05,080 --> 00:21:06,679 Speaker 4: What do you want to say as an artist? What 499 00:21:06,680 --> 00:21:08,520 Speaker 4: do you want to do as an artist? That's what 500 00:21:08,560 --> 00:21:12,280 Speaker 4: I'm going to do. And and you know, peer pressure 501 00:21:12,320 --> 00:21:17,000 Speaker 4: makes me laugh. He's like, really, you know, I remember 502 00:21:17,040 --> 00:21:18,920 Speaker 4: being fourteen standing in the garage. 503 00:21:19,119 --> 00:21:19,640 Speaker 1: You know what I'm saying. 504 00:21:19,640 --> 00:21:22,280 Speaker 4: We're playing hooky and all the dudes are standing around, 505 00:21:22,359 --> 00:21:25,359 Speaker 4: and they was in they were sitting in chairs and 506 00:21:25,400 --> 00:21:27,440 Speaker 4: if the garage is dark, the windows are taped over 507 00:21:27,480 --> 00:21:30,080 Speaker 4: in Queen's right and I and I remember watching them 508 00:21:30,119 --> 00:21:32,080 Speaker 4: and they were smoking weed in this particular day. 509 00:21:32,119 --> 00:21:33,200 Speaker 1: I'm like, I'm not smoking. 510 00:21:33,240 --> 00:21:34,800 Speaker 4: So I stood over in the corner and I remember 511 00:21:34,880 --> 00:21:37,720 Speaker 4: just sitting in the standing in the corner, watching them 512 00:21:37,800 --> 00:21:41,239 Speaker 4: and watching everybody's brain change and the conversation change. I 513 00:21:41,280 --> 00:21:43,359 Speaker 4: was saying to myself, it's gotta be something more to 514 00:21:43,480 --> 00:21:46,320 Speaker 4: life than this. But the point I'm making is not 515 00:21:46,359 --> 00:21:48,040 Speaker 4: that I was too cool or too good, because that's 516 00:21:48,080 --> 00:21:50,480 Speaker 4: not what I'm saying. The point was that I made it. 517 00:21:50,520 --> 00:21:52,360 Speaker 4: I said, I'm not smoking and I didn't care who 518 00:21:52,400 --> 00:21:55,240 Speaker 4: cared and who had a problem with it. That's my point. 519 00:21:55,680 --> 00:21:58,720 Speaker 4: So when you comes to the music, it's the same idea. 520 00:21:58,920 --> 00:22:00,720 Speaker 4: It's like, yo, you do what you want to do. Man, 521 00:22:01,240 --> 00:22:03,959 Speaker 4: Like I do what I want to do creatively. I 522 00:22:04,000 --> 00:22:06,760 Speaker 4: do what i want to do creatively, not what people 523 00:22:06,840 --> 00:22:09,960 Speaker 4: say I'm supposed to do, right because what you know, 524 00:22:10,000 --> 00:22:11,880 Speaker 4: a lot of times what people want, like right now, 525 00:22:11,920 --> 00:22:14,479 Speaker 4: they're like, oh, you're supposed to sit down like you 526 00:22:14,480 --> 00:22:16,720 Speaker 4: have people like there on the internet. Oh, how could 527 00:22:16,760 --> 00:22:18,760 Speaker 4: he have the whips and chains and the and the 528 00:22:18,880 --> 00:22:19,840 Speaker 4: this and that in the video? 529 00:22:20,600 --> 00:22:23,520 Speaker 1: Because people are freaks and that really goes on. 530 00:22:23,960 --> 00:22:25,600 Speaker 4: And I know you what, I know, you want to 531 00:22:25,600 --> 00:22:28,040 Speaker 4: pretend that everybody's like having. 532 00:22:28,000 --> 00:22:30,760 Speaker 1: You know, missionary with a sheep. But I got I 533 00:22:30,760 --> 00:22:31,720 Speaker 1: got news for you. 534 00:22:31,760 --> 00:22:34,080 Speaker 4: There's some freaky stuff going on out there, and I'm 535 00:22:34,160 --> 00:22:34,800 Speaker 4: rapping about it. 536 00:22:35,440 --> 00:22:37,960 Speaker 1: You know. Oh, I can't believe it. You're at my age. 537 00:22:39,720 --> 00:22:44,520 Speaker 4: What when did I sign up to not get yo? 538 00:22:44,680 --> 00:22:47,000 Speaker 4: I never signed that piece of paper. I don't remember 539 00:22:47,040 --> 00:22:49,240 Speaker 4: signing that contract. You know, you got to stop liking 540 00:22:49,400 --> 00:22:52,119 Speaker 4: freaking off And I don't know when that happens. 541 00:22:52,160 --> 00:22:54,480 Speaker 5: Those people that are new though, because I remember you 542 00:22:54,600 --> 00:22:57,359 Speaker 5: pouring the chocolate syrup on the girl's caps all. 543 00:22:58,760 --> 00:22:59,920 Speaker 1: Make average make avenue. 544 00:23:00,119 --> 00:23:06,160 Speaker 4: He was a joke, absolutely bro absolutely wilding, now completely 545 00:23:06,240 --> 00:23:07,080 Speaker 4: out of control. 546 00:23:07,359 --> 00:23:08,960 Speaker 7: Sounds like, Yo, we need to sit right here. 547 00:23:09,880 --> 00:23:12,120 Speaker 2: You got you? Okay? 548 00:23:12,119 --> 00:23:16,480 Speaker 6: I heard you cross your leg. 549 00:23:16,560 --> 00:23:19,840 Speaker 1: Yeah you like that, don't you? Yeah? 550 00:23:20,000 --> 00:23:21,600 Speaker 2: Gotcha? All right? 551 00:23:22,440 --> 00:23:22,920 Speaker 3: Directors? 552 00:23:23,320 --> 00:23:25,240 Speaker 1: Oh no, no, it. 553 00:23:25,280 --> 00:23:27,159 Speaker 5: Ain't even the wildest one. One of the wildest, one 554 00:23:27,160 --> 00:23:29,040 Speaker 5: of the most subtle. One was in the doing It 555 00:23:29,160 --> 00:23:31,560 Speaker 5: video the way you bite the accle when. 556 00:23:31,440 --> 00:23:38,639 Speaker 1: You we want that video? Yeah, yeah, yeah, I've heard yo. 557 00:23:40,000 --> 00:23:40,639 Speaker 1: But I love that. 558 00:23:40,840 --> 00:23:41,000 Speaker 3: Yo. 559 00:23:41,359 --> 00:23:43,520 Speaker 4: You know what, man, I gotta tell you, man, I 560 00:23:43,600 --> 00:23:47,439 Speaker 4: love like I love doing funny stuff like that and ridiculous, 561 00:23:47,480 --> 00:23:51,000 Speaker 4: like I really like like I had jeans on in 562 00:23:51,040 --> 00:23:54,200 Speaker 4: the Paradise video in the water, I know that that's right, 563 00:23:54,280 --> 00:23:56,720 Speaker 4: like like, but what's funny is that. What's funny is 564 00:23:56,760 --> 00:23:59,080 Speaker 4: people will point it out to you like I didn't 565 00:23:59,119 --> 00:24:02,400 Speaker 4: know idea, like you do know how film that right? 566 00:24:03,240 --> 00:24:05,639 Speaker 6: Like you do know that I know what how many 567 00:24:05,680 --> 00:24:07,000 Speaker 6: takes in the what genes do you have to do? 568 00:24:07,040 --> 00:24:08,040 Speaker 7: Because it's a little rough. 569 00:24:08,040 --> 00:24:10,679 Speaker 4: Many as it takes as many as it takes you 570 00:24:10,680 --> 00:24:12,200 Speaker 4: know what I mean, how many takes we need? 571 00:24:12,440 --> 00:24:14,480 Speaker 1: You know what I mean, Let's have it. 572 00:24:14,520 --> 00:24:17,200 Speaker 3: Stuff became fashion like the one leg up man. 573 00:24:17,320 --> 00:24:20,640 Speaker 4: I got that from the bike messagers in New York. Yeah, 574 00:24:20,680 --> 00:24:23,280 Speaker 4: because the bike messengers be riding around. Think about it, 575 00:24:23,280 --> 00:24:25,080 Speaker 4: they be in the city. They have their pants leg 576 00:24:25,160 --> 00:24:26,920 Speaker 4: up because they don't want it to get in the chain. 577 00:24:27,040 --> 00:24:30,160 Speaker 4: Excuse me, stewing getting in the chain or the bike. 578 00:24:30,600 --> 00:24:32,280 Speaker 4: I saw that one day. I pulled my joint up. 579 00:24:32,320 --> 00:24:34,600 Speaker 4: I'm like, Yo, this is a vibe. I start wearing 580 00:24:34,680 --> 00:24:35,199 Speaker 4: my joint like. 581 00:24:37,480 --> 00:24:38,040 Speaker 1: Joint like that. 582 00:24:39,760 --> 00:24:42,120 Speaker 4: You know what I'm saying, Like, I love the idea 583 00:24:42,240 --> 00:24:45,840 Speaker 4: of just having fun, not taking it too serious. There's 584 00:24:45,840 --> 00:24:47,880 Speaker 4: a time to be serious. The time to be serious 585 00:24:47,920 --> 00:24:49,960 Speaker 4: is when you're going after your goals. The time to 586 00:24:49,960 --> 00:24:52,280 Speaker 4: be serious is when you have dreams. The time to 587 00:24:52,320 --> 00:24:54,679 Speaker 4: be serious is when you dealing with frustration but you 588 00:24:54,720 --> 00:24:56,240 Speaker 4: want to take it to the next level and fight 589 00:24:56,320 --> 00:24:58,800 Speaker 4: through it. But the other side of it is when 590 00:24:58,800 --> 00:25:01,439 Speaker 4: I'm making music, I want to be silly and I 591 00:25:01,520 --> 00:25:04,119 Speaker 4: want to do stuff that's ridiculous, and I want to 592 00:25:04,160 --> 00:25:06,360 Speaker 4: do stuff that where we could laugh about it. 593 00:25:06,720 --> 00:25:08,440 Speaker 1: You know what I'm saying, Like, let's have some fun 594 00:25:08,480 --> 00:25:08,760 Speaker 1: with it. 595 00:25:08,800 --> 00:25:11,040 Speaker 3: Because grab the woman's leg and started playing the guitar. 596 00:25:11,200 --> 00:25:18,800 Speaker 4: Absolutely bro absolutely, all me, all me, all me, and 597 00:25:18,920 --> 00:25:21,719 Speaker 4: you know you know it's it's it's you know yo. 598 00:25:21,840 --> 00:25:24,199 Speaker 4: I'm telling you b a while out. How much did 599 00:25:24,200 --> 00:25:25,600 Speaker 4: you have to how much did you lose to do 600 00:25:25,640 --> 00:25:27,520 Speaker 4: this album? Because you had to put a lot of focus. 601 00:25:27,520 --> 00:25:29,679 Speaker 4: I'm sure you put acting stuff to the back. I'm 602 00:25:29,720 --> 00:25:30,879 Speaker 4: sure you put a lot of the other stuff to 603 00:25:30,880 --> 00:25:32,320 Speaker 4: the back. How much did you lose to action? 604 00:25:32,400 --> 00:25:33,080 Speaker 1: I only gained. 605 00:25:33,960 --> 00:25:40,320 Speaker 4: I only gained because I gained fulfillment. I gained inspiration. 606 00:25:41,000 --> 00:25:45,280 Speaker 4: I was able to take up take time out of 607 00:25:45,320 --> 00:25:47,280 Speaker 4: my life to focus on the thing that I love 608 00:25:47,359 --> 00:25:50,600 Speaker 4: the most. And when you put your energy into what 609 00:25:50,680 --> 00:25:54,400 Speaker 4: you love like and you truly believe you was born 610 00:25:54,480 --> 00:25:57,560 Speaker 4: to do it, you never lose. There's no way to lose. 611 00:25:58,280 --> 00:26:01,080 Speaker 4: I already won, like you see what I'm saying, because 612 00:26:01,119 --> 00:26:05,679 Speaker 4: I love it. Dog See it's not see okay, I'll 613 00:26:05,680 --> 00:26:10,280 Speaker 4: give you an example. May he rest in power someone 614 00:26:10,359 --> 00:26:17,280 Speaker 4: like fat Man's school. The joy that you bring to 615 00:26:17,359 --> 00:26:24,719 Speaker 4: people through your music is incalculable. See we really people, 616 00:26:25,359 --> 00:26:27,800 Speaker 4: people are really and look I got money. I'm a 617 00:26:27,800 --> 00:26:31,399 Speaker 4: wealthy guy. People really put a lot of and I 618 00:26:31,480 --> 00:26:35,359 Speaker 4: understand it. Put a lot of emphasis on money, money, money, money, 619 00:26:35,359 --> 00:26:38,399 Speaker 4: money and status, status, status, status, status, And I get it. 620 00:26:38,720 --> 00:26:42,119 Speaker 4: Image is important people, I get it. But what people 621 00:26:42,160 --> 00:26:46,080 Speaker 4: don't put enough value on is the joy of life 622 00:26:47,200 --> 00:26:51,520 Speaker 4: and living well and having a good time and enjoying 623 00:26:51,560 --> 00:26:55,159 Speaker 4: what you're doing. And that means something that's a different 624 00:26:55,200 --> 00:26:57,800 Speaker 4: type of wealth. You know what I'm saying. That's like, 625 00:26:58,280 --> 00:27:00,840 Speaker 4: that's really really important. Like I giving it example, if 626 00:27:00,840 --> 00:27:04,639 Speaker 4: you have a great relationship with your mother, it's not 627 00:27:04,680 --> 00:27:07,600 Speaker 4: a it's not transactional, but. 628 00:27:07,520 --> 00:27:11,119 Speaker 1: You still love her and it's still the most important you. 629 00:27:10,880 --> 00:27:13,200 Speaker 4: You know, when you see that smile, when you see 630 00:27:13,200 --> 00:27:15,040 Speaker 4: that that joy, when you see the warmth of your 631 00:27:15,040 --> 00:27:16,840 Speaker 4: mom when you walk in that door, you know what 632 00:27:16,880 --> 00:27:18,479 Speaker 4: I'm saying. Or maybe it's your dad, or maybe it's 633 00:27:18,480 --> 00:27:21,080 Speaker 4: your big sister, or it's unc or it's Auntie, whoever 634 00:27:21,119 --> 00:27:24,760 Speaker 4: it is like those that matters too. So if you 635 00:27:24,800 --> 00:27:26,760 Speaker 4: can find that joy in your life and your career, 636 00:27:27,200 --> 00:27:29,040 Speaker 4: and you can find that joy in other areas of. 637 00:27:28,960 --> 00:27:31,840 Speaker 1: Your life, that's a true beautiful thing. 638 00:27:31,920 --> 00:27:36,560 Speaker 4: So I didn't lose nothing, nothing, I gained everything. So 639 00:27:37,119 --> 00:27:39,600 Speaker 4: you know what I'm saying, Like all of the money comes, 640 00:27:39,680 --> 00:27:41,880 Speaker 4: all of the fame and for all that stuff comes, 641 00:27:42,200 --> 00:27:45,720 Speaker 4: but you still got to enjoy the moment for the 642 00:27:45,840 --> 00:27:48,920 Speaker 4: moment's sake, you know what i mean. 643 00:27:49,280 --> 00:27:53,720 Speaker 6: Going back to the fashion stuff, so the one leg 644 00:27:53,800 --> 00:27:57,280 Speaker 6: up but the hat, the Foobu hat in the gap commercial, Yeah, 645 00:27:58,280 --> 00:27:59,720 Speaker 6: what was your thought process behind that? 646 00:28:00,080 --> 00:28:00,880 Speaker 7: That even intentional? 647 00:28:00,960 --> 00:28:04,240 Speaker 6: Like what was the okay, so because all the guitar, 648 00:28:04,560 --> 00:28:06,520 Speaker 6: the chocolate on the girl, now we're talking about the hat, 649 00:28:06,600 --> 00:28:08,399 Speaker 6: So talk us through that decision to do that in 650 00:28:08,400 --> 00:28:08,960 Speaker 6: that day. 651 00:28:09,240 --> 00:28:12,800 Speaker 4: I felt like they we needed that exposure. They needed 652 00:28:12,800 --> 00:28:17,159 Speaker 4: that exposure and you're a huge company and it's not 653 00:28:17,200 --> 00:28:19,359 Speaker 4: gonna hurt you. And I'm gonna give you what you need, 654 00:28:19,359 --> 00:28:20,879 Speaker 4: but you're gonna give me what I need and it's 655 00:28:20,920 --> 00:28:24,920 Speaker 4: win win and nobody gets hurt. And you know, it 656 00:28:25,040 --> 00:28:28,119 Speaker 4: ended up at that time taking Fooboo to four hundred 657 00:28:28,160 --> 00:28:28,520 Speaker 4: million a. 658 00:28:28,560 --> 00:28:30,719 Speaker 7: Year and increased the audience by three. 659 00:28:31,840 --> 00:28:34,600 Speaker 4: I mean, and that's what I'm supposed to do. You know, 660 00:28:35,080 --> 00:28:36,960 Speaker 4: when you roll with somebody, you roll with people. 661 00:28:37,000 --> 00:28:38,760 Speaker 7: There was no pushback on the set from the. 662 00:28:39,040 --> 00:28:41,040 Speaker 4: Yeah there was there was. They was like, oh, you 663 00:28:41,040 --> 00:28:42,800 Speaker 4: know the hat and this I said, no, I'm my owner. 664 00:28:44,040 --> 00:28:45,520 Speaker 1: Oh so I can clear it. 665 00:28:46,200 --> 00:28:48,160 Speaker 3: Nobody gets hurt. And everybody's like, okay. 666 00:28:47,920 --> 00:28:51,680 Speaker 4: Absolutely, yeah, yeah yeah, and I'm an owner and this 667 00:28:51,840 --> 00:28:53,800 Speaker 4: is it in boom and now we you know what 668 00:28:53,840 --> 00:28:54,240 Speaker 4: I'm saying. 669 00:28:54,360 --> 00:28:57,240 Speaker 1: You, of course, I. 670 00:28:59,280 --> 00:29:01,000 Speaker 6: Thought you just did it because you rocked with them. 671 00:29:01,040 --> 00:29:03,360 Speaker 6: I mean, of course, but I didn't know when you 672 00:29:03,440 --> 00:29:05,280 Speaker 6: even just said that. I thought that was just you, like. 673 00:29:07,040 --> 00:29:09,760 Speaker 4: Because he was from Queeny, I was, and they was 674 00:29:09,800 --> 00:29:11,280 Speaker 4: holding me that because I was from Queeny. 675 00:29:12,400 --> 00:29:13,360 Speaker 1: We was holding each other up. 676 00:29:14,200 --> 00:29:16,120 Speaker 6: Let's talk do that. So at what point did you 677 00:29:16,160 --> 00:29:18,160 Speaker 6: become an owner in football? And why why haven't we 678 00:29:18,160 --> 00:29:18,560 Speaker 6: heard more? 679 00:29:18,560 --> 00:29:18,880 Speaker 2: I didn't. 680 00:29:18,920 --> 00:29:20,080 Speaker 7: I never heard because. 681 00:29:20,120 --> 00:29:24,880 Speaker 4: Well, what's funny is that I just didn't really talk 682 00:29:24,960 --> 00:29:29,040 Speaker 4: about that. Why because it wasn't important. Why is the 683 00:29:29,120 --> 00:29:35,880 Speaker 4: job done? Why was it important? See, Like everybody like, 684 00:29:36,880 --> 00:29:41,760 Speaker 4: I'm a rapper, I'm an MC. I'm okay, let's stop 685 00:29:41,840 --> 00:29:43,520 Speaker 4: right there. Yeah, I act I do other things, but 686 00:29:44,040 --> 00:29:47,520 Speaker 4: I don't like I don't like have to be other 687 00:29:47,600 --> 00:29:50,920 Speaker 4: things in order to feel like I'm kind of impressing 688 00:29:50,960 --> 00:29:52,280 Speaker 4: the world in some other way. 689 00:29:52,960 --> 00:29:54,120 Speaker 1: I'm good with being an MC. 690 00:29:54,360 --> 00:29:58,160 Speaker 4: I'm okay with that because I know what I do. 691 00:29:58,160 --> 00:30:00,560 Speaker 4: You understand what I'm trying to say, Like like, so 692 00:30:01,080 --> 00:30:05,920 Speaker 4: we're kind of in this space where like like you 693 00:30:06,280 --> 00:30:08,880 Speaker 4: hear guys talking like as if they're like I heard 694 00:30:08,880 --> 00:30:11,000 Speaker 4: a guy say the other day he was like, oh, 695 00:30:11,080 --> 00:30:12,480 Speaker 4: you know, I don't want to just be an artist. 696 00:30:12,560 --> 00:30:13,920 Speaker 4: I want to have an artist and I'm gonna be 697 00:30:13,960 --> 00:30:16,560 Speaker 4: a CEO, as if being an artistst some sort of 698 00:30:17,600 --> 00:30:20,320 Speaker 4: lower level thing. Yo, Stevie Want is an artist, Michael 699 00:30:20,360 --> 00:30:23,480 Speaker 4: Jackson's an artist, Miles Davis is an artist. Bob Marley 700 00:30:23,520 --> 00:30:26,080 Speaker 4: was an artist, Marvin Gaye was an artist. Prince was 701 00:30:26,120 --> 00:30:29,400 Speaker 4: an artist. Oh cool, Ja is an artist, Like, I 702 00:30:29,960 --> 00:30:33,600 Speaker 4: don't know what this idea Like ceo CEOs want to 703 00:30:33,600 --> 00:30:37,800 Speaker 4: hang with artists. You know, Pablo Conso was an artist. 704 00:30:37,960 --> 00:30:41,640 Speaker 4: Salvador Dolly was an artist. You know, Alex Hayley was 705 00:30:41,680 --> 00:30:45,200 Speaker 4: an artist. Like art is art, This is art. 706 00:30:45,360 --> 00:30:46,440 Speaker 1: So I don't need to. 707 00:30:48,120 --> 00:30:50,920 Speaker 4: Tell you about my business life in order to impress you. 708 00:30:51,200 --> 00:30:53,560 Speaker 4: I do have a business life. I have lots of investments. 709 00:30:54,320 --> 00:30:56,560 Speaker 4: I got all kinds of stuff I could just rattle 710 00:30:56,600 --> 00:30:59,640 Speaker 4: off and could inflate my network and give you a 711 00:30:59,640 --> 00:31:02,160 Speaker 4: different valuation. Now I could show up a lot. Trust me, 712 00:31:03,760 --> 00:31:07,480 Speaker 4: I'm a rapper, That's what I am. I'm an MC. 713 00:31:07,760 --> 00:31:10,840 Speaker 4: I love the art. I love making hip hop. I 714 00:31:10,840 --> 00:31:13,800 Speaker 4: don't need to pretend to be nothing else. So for 715 00:31:13,840 --> 00:31:16,920 Speaker 4: those little kids out there, because see some kids, some 716 00:31:16,960 --> 00:31:20,000 Speaker 4: people are using hip hop as a stepping stone. Okay, 717 00:31:20,080 --> 00:31:22,640 Speaker 4: you got that opportunity. I can't begrudge that. I can't 718 00:31:22,720 --> 00:31:23,400 Speaker 4: knock the hustle. 719 00:31:23,520 --> 00:31:23,680 Speaker 1: Right. 720 00:31:24,240 --> 00:31:26,520 Speaker 4: The flip side of that is for those little kids 721 00:31:26,600 --> 00:31:30,640 Speaker 4: out there who want to paint, who want to do hair, 722 00:31:31,000 --> 00:31:34,840 Speaker 4: who want to do botany, who want to grow plants, 723 00:31:35,160 --> 00:31:39,000 Speaker 4: who want to build things, like be what you are. 724 00:31:39,680 --> 00:31:43,120 Speaker 4: You're an engineer, being an engineer, you know what I mean? 725 00:31:43,360 --> 00:31:46,920 Speaker 4: Like if you you know, now with AI you don't 726 00:31:46,920 --> 00:31:49,160 Speaker 4: have to write code, but if back in the days, 727 00:31:49,160 --> 00:31:51,520 Speaker 4: if you were going to write code, you write code. 728 00:31:51,760 --> 00:31:53,880 Speaker 5: Like you understand, what I'm saying is that everything you 729 00:31:53,960 --> 00:31:55,760 Speaker 5: say is interesting because there was a time, I don't 730 00:31:55,760 --> 00:31:57,840 Speaker 5: know if it was probably in the mid nineties, maybe 731 00:31:57,840 --> 00:32:01,880 Speaker 5: early two thousands, where everybody started ranking their artists their 732 00:32:01,960 --> 00:32:05,240 Speaker 5: mcs based on what else they were doing outside of rap. 733 00:32:05,600 --> 00:32:07,480 Speaker 5: And so when I think about the fact that not 734 00:32:07,600 --> 00:32:10,280 Speaker 5: only did you make death Jam, what it is clearly 735 00:32:10,280 --> 00:32:12,160 Speaker 5: made fool. What if you were if all of that 736 00:32:12,240 --> 00:32:14,080 Speaker 5: we knew all of that, I think they would be 737 00:32:14,160 --> 00:32:15,520 Speaker 5: ranking you away different. 738 00:32:16,480 --> 00:32:17,760 Speaker 1: Part of death jam, part of fool. 739 00:32:18,600 --> 00:32:21,560 Speaker 2: People have no idea about you, Like God. 740 00:32:21,320 --> 00:32:23,280 Speaker 7: Did they approach you or did you go to them? 741 00:32:25,360 --> 00:32:27,000 Speaker 1: They came to me, Damon and them came to me. 742 00:32:27,120 --> 00:32:31,280 Speaker 4: They stood outside my house for two weeks or something, 743 00:32:31,640 --> 00:32:34,160 Speaker 4: and I, you know, love them and appreciate them and 744 00:32:34,200 --> 00:32:36,000 Speaker 4: respect them, and said, let's do it. 745 00:32:36,240 --> 00:32:37,640 Speaker 1: You know what I'm saying. They know it. They'll come 746 00:32:37,680 --> 00:32:39,280 Speaker 1: on here and confirm it. You know what I'm saying. 747 00:32:39,280 --> 00:32:40,000 Speaker 1: It's what it is. 748 00:32:40,160 --> 00:32:42,040 Speaker 7: I believe it. It's just now I want to hear 749 00:32:42,080 --> 00:32:43,200 Speaker 7: the story like I just want to. 750 00:32:43,280 --> 00:32:46,680 Speaker 4: It's like my thing is that you know, look, you 751 00:32:46,800 --> 00:32:49,480 Speaker 4: do some things, you've you succeed, Some things don't work. 752 00:32:49,560 --> 00:32:53,840 Speaker 1: Some things work. I mean even Rock the Bells is 753 00:32:54,640 --> 00:32:55,680 Speaker 1: look Rock the Bells. 754 00:32:56,880 --> 00:33:00,239 Speaker 4: You know, I know people people like to p ten 755 00:33:00,360 --> 00:33:02,280 Speaker 4: that they don't know that Rock the Bells brought timeless 756 00:33:02,320 --> 00:33:02,920 Speaker 4: hip hop back. 757 00:33:03,320 --> 00:33:05,920 Speaker 1: It did. This is just the reality. 758 00:33:05,960 --> 00:33:08,240 Speaker 4: The Rock the Bellts Festival, the Rock the Bell's cruise, 759 00:33:08,480 --> 00:33:11,240 Speaker 4: me doing that channel, me bringing all these artists out 760 00:33:11,400 --> 00:33:13,520 Speaker 4: me putting all of that energy into it is the 761 00:33:13,560 --> 00:33:16,480 Speaker 4: reason why there's more of an even playing field for 762 00:33:16,600 --> 00:33:18,440 Speaker 4: artists that have been around a lot longer. 763 00:33:18,520 --> 00:33:21,880 Speaker 3: I bought it up at the meeting. I literally bought 764 00:33:21,880 --> 00:33:23,480 Speaker 3: that up yesterday. Use that as an example, you know 765 00:33:23,480 --> 00:33:23,880 Speaker 3: what I'm saying. 766 00:33:23,960 --> 00:33:28,040 Speaker 4: So, but at the same time, it's like, okay, cool, 767 00:33:28,680 --> 00:33:30,440 Speaker 4: but I don't need to beat people in the head 768 00:33:30,480 --> 00:33:34,040 Speaker 4: with that, Like I think that. You know, sometimes you 769 00:33:34,040 --> 00:33:36,160 Speaker 4: gotta let your game speak for itself. 770 00:33:37,240 --> 00:33:37,840 Speaker 1: You know what I mean. 771 00:33:38,080 --> 00:33:41,200 Speaker 4: And if there are certain artists who are entrepreneurs and 772 00:33:41,240 --> 00:33:44,920 Speaker 4: who are crafting their business image, and if that's what 773 00:33:44,960 --> 00:33:48,160 Speaker 4: you're interested in doing, great, there's nothing wrong with that. 774 00:33:48,480 --> 00:33:50,160 Speaker 1: I don't. I think that's very cool me. 775 00:33:51,040 --> 00:33:54,720 Speaker 4: I just, yes, I invest, Yes, I have different things 776 00:33:54,800 --> 00:33:58,280 Speaker 4: I've done, but I like making music, you know what 777 00:33:58,320 --> 00:34:00,080 Speaker 4: I'm saying, Like, I'm good with that. 778 00:34:00,440 --> 00:34:02,080 Speaker 5: I wanted to ask you about something you said on 779 00:34:02,080 --> 00:34:04,040 Speaker 5: club Station because you got I don't know why, but 780 00:34:04,080 --> 00:34:07,480 Speaker 5: you got so much flak for your def jam Mount Rushmore. 781 00:34:07,960 --> 00:34:08,160 Speaker 3: Yeah. 782 00:34:08,200 --> 00:34:10,440 Speaker 5: Yeah, And I feel like nobody can debate you on that, 783 00:34:10,520 --> 00:34:13,279 Speaker 5: except for Russell, except for Rick ru except for Chuck 784 00:34:13,320 --> 00:34:15,399 Speaker 5: d and maybe the other people on that you named. Yeah, 785 00:34:15,520 --> 00:34:17,200 Speaker 5: I just wanted to know why slick Rick. I love 786 00:34:17,239 --> 00:34:18,440 Speaker 5: slick Rick, but I just wanted to know from you, 787 00:34:18,480 --> 00:34:19,400 Speaker 5: why did you put them on there? 788 00:34:19,480 --> 00:34:22,799 Speaker 3: Because because on lot they just mad the whole list. 789 00:34:23,200 --> 00:34:25,400 Speaker 4: Well, they were mad because they don't they don't understand. 790 00:34:25,440 --> 00:34:29,560 Speaker 4: They want me to talk about skin and lips and hair, 791 00:34:29,600 --> 00:34:33,040 Speaker 4: but they want me to ignore the bones. You know 792 00:34:33,080 --> 00:34:35,200 Speaker 4: what I'm saying. I gave them the bones of the label. 793 00:34:35,680 --> 00:34:37,960 Speaker 4: They want to talk to me about cosmetics. But guess what, 794 00:34:38,200 --> 00:34:40,400 Speaker 4: I don't care how you look. You can get fourteen 795 00:34:40,480 --> 00:34:44,239 Speaker 4: bbl's thirty five lip injections, but if you don't have 796 00:34:44,239 --> 00:34:45,920 Speaker 4: no bones, you're gonna be a pile of flesh over 797 00:34:45,920 --> 00:34:46,520 Speaker 4: there on the floor. 798 00:34:46,960 --> 00:34:50,120 Speaker 1: So that's the way I made That's how I built 799 00:34:50,120 --> 00:34:50,920 Speaker 1: my mount Rushmore. 800 00:34:50,960 --> 00:34:54,480 Speaker 4: So, when I said Beastie Boys and myself in public 801 00:34:54,560 --> 00:34:57,279 Speaker 4: enemies slick Rick, that's because that is the foundation and 802 00:34:57,360 --> 00:34:59,600 Speaker 4: the bones of the company. I didn't say that they 803 00:34:59,640 --> 00:35:02,080 Speaker 4: were the more was famous. I didn't say they sold 804 00:35:02,120 --> 00:35:04,319 Speaker 4: the most records. I didn't say any of that. But 805 00:35:04,360 --> 00:35:06,719 Speaker 4: you wouldn't have any of that if you didn't have 806 00:35:06,800 --> 00:35:08,280 Speaker 4: these these people. 807 00:35:08,360 --> 00:35:09,200 Speaker 1: That was my point. 808 00:35:09,480 --> 00:35:12,960 Speaker 4: So and then you have people respectfully. You know, I'm 809 00:35:13,000 --> 00:35:15,120 Speaker 4: not even gonna be condescending about it there. Oh, why 810 00:35:15,120 --> 00:35:17,040 Speaker 4: didn't he put Run Deem say? That's what they were? 811 00:35:17,080 --> 00:35:19,279 Speaker 4: Never on Death Jam, Homie, you don't know what you're 812 00:35:19,320 --> 00:35:22,279 Speaker 4: talking about. Run Deem se was on Profile records, they 813 00:35:22,320 --> 00:35:25,440 Speaker 4: weren't on Death Jam. And they're my favorite group. I 814 00:35:25,480 --> 00:35:27,200 Speaker 4: loved them. Of course I would have put them on there, 815 00:35:27,200 --> 00:35:29,399 Speaker 4: but they weren't on Death Jam. Oh, I didn't know that. 816 00:35:29,480 --> 00:35:31,720 Speaker 4: I know you didn't know that. That's why you shouldn't 817 00:35:31,719 --> 00:35:34,680 Speaker 4: write on the internet so much. You know, you know 818 00:35:34,760 --> 00:35:35,320 Speaker 4: what I'm saying. 819 00:35:36,400 --> 00:35:37,080 Speaker 2: You know what I mean? 820 00:35:37,400 --> 00:35:40,239 Speaker 1: So like that that was what the what the thought was. 821 00:35:41,080 --> 00:35:43,840 Speaker 4: It's not that I know that other people came later 822 00:35:43,960 --> 00:35:45,320 Speaker 4: and made huge strides. 823 00:35:45,360 --> 00:35:45,600 Speaker 1: I know. 824 00:35:45,800 --> 00:35:48,880 Speaker 4: Look, I put DMX on. I know DMX did huge 825 00:35:48,960 --> 00:35:50,879 Speaker 4: numbers in those years, you know when he came out. 826 00:35:51,080 --> 00:35:52,839 Speaker 4: I understand when I say put them on, I meant 827 00:35:52,960 --> 00:35:54,560 Speaker 4: I didn't mean put them on period. I meant put 828 00:35:54,600 --> 00:35:56,719 Speaker 4: them on my song and introduce them to the world. 829 00:35:56,719 --> 00:35:57,680 Speaker 4: You know what I'm saying. I want to be clear 830 00:35:57,719 --> 00:36:00,319 Speaker 4: about that, like Foxy putting on my So I know 831 00:36:00,400 --> 00:36:03,400 Speaker 4: that all of these artists that came It's obvious what 832 00:36:03,560 --> 00:36:07,120 Speaker 4: death Jim became. It's I mean, that's self evident. But 833 00:36:07,680 --> 00:36:09,520 Speaker 4: if you want to know how it was able to 834 00:36:09,560 --> 00:36:11,960 Speaker 4: be there, you got to look at those founding fathers. 835 00:36:12,360 --> 00:36:13,560 Speaker 4: This is what you gotta look at. 836 00:36:13,640 --> 00:36:14,200 Speaker 3: Absolutely. 837 00:36:14,480 --> 00:36:17,000 Speaker 2: Since you always you know, you're in the movies and 838 00:36:17,000 --> 00:36:20,000 Speaker 2: doing that, would you do your own movie from the start, 839 00:36:20,040 --> 00:36:22,279 Speaker 2: from growing up in queens and farmers and starting to 840 00:36:22,360 --> 00:36:25,319 Speaker 2: rap and the battles and the beefs and everything to 841 00:36:25,360 --> 00:36:26,000 Speaker 2: where you're at now? 842 00:36:26,000 --> 00:36:28,719 Speaker 1: Would you do that? I mean I would. 843 00:36:28,800 --> 00:36:31,200 Speaker 4: I need to be told I would, you know, I 844 00:36:31,440 --> 00:36:37,520 Speaker 4: think about it sometimes people ask me that, you know, 845 00:36:37,560 --> 00:36:39,439 Speaker 4: I just get a hard I have a hard time 846 00:36:39,480 --> 00:36:42,759 Speaker 4: getting my mind around being that interested in me. I'm 847 00:36:42,800 --> 00:36:45,160 Speaker 4: too excited about the future and too I get really 848 00:36:45,200 --> 00:36:47,799 Speaker 4: excited about doing new stuff. I mean, it's probably a 849 00:36:47,800 --> 00:36:51,080 Speaker 4: flaw of mine because so much history not. 850 00:36:51,040 --> 00:36:52,919 Speaker 6: Too man, that's so crazy to hear, because I feel 851 00:36:52,920 --> 00:36:55,400 Speaker 6: like the music, like especially music for us, for like 852 00:36:55,440 --> 00:36:58,240 Speaker 6: the Ladies, it gives that you wouldn't you be the opposite, 853 00:36:58,280 --> 00:37:00,000 Speaker 6: that you would be really invested in you. 854 00:37:00,760 --> 00:37:04,560 Speaker 4: Yeah, but that see, like there's a difference between confidence 855 00:37:04,560 --> 00:37:08,640 Speaker 4: and arrogance. You know what I'm saying, and you know, yeah, 856 00:37:08,680 --> 00:37:11,520 Speaker 4: I'm confident, but the I just I just feel like 857 00:37:12,239 --> 00:37:14,719 Speaker 4: I'm more interested in other people, you know. 858 00:37:14,719 --> 00:37:15,120 Speaker 1: What I'm saying. 859 00:37:15,120 --> 00:37:16,719 Speaker 4: But that doesn't mean I wouldn't do the movie, like 860 00:37:16,760 --> 00:37:19,239 Speaker 4: I get it, like I'm open to it. I'm open 861 00:37:19,280 --> 00:37:22,120 Speaker 4: to the idea of it. But what I put my 862 00:37:22,280 --> 00:37:27,520 Speaker 4: energy into doing walking down that Now, maybe a documentary, 863 00:37:27,880 --> 00:37:30,239 Speaker 4: you know, maybe we could, you know, but I just 864 00:37:30,440 --> 00:37:31,440 Speaker 4: I don't know, man, Like. 865 00:37:33,640 --> 00:37:37,360 Speaker 2: Only you could tell your story and my story to story. 866 00:37:37,880 --> 00:37:39,160 Speaker 3: Street stuff in there? Would you put? 867 00:37:40,719 --> 00:37:41,239 Speaker 1: Oh? Man? 868 00:37:41,360 --> 00:37:44,759 Speaker 4: Oh yeah, I put a lot of you know, I mean, 869 00:37:44,760 --> 00:37:46,520 Speaker 4: I couldn't put some stuff in it, but I put 870 00:37:46,560 --> 00:37:48,120 Speaker 4: what I could, you know what I mean. 871 00:37:48,360 --> 00:37:50,359 Speaker 5: It's interesting record all of the all of the people 872 00:37:50,360 --> 00:37:52,200 Speaker 5: that you hear about that's really tough. 873 00:37:52,840 --> 00:37:54,239 Speaker 3: Don't usally don't make. 874 00:37:54,160 --> 00:37:56,120 Speaker 5: That kind of music, like and they say that about you, 875 00:37:56,160 --> 00:37:58,680 Speaker 5: They say that about Nellie, they say that about it 876 00:37:58,719 --> 00:38:02,759 Speaker 5: hammer are oh gz like little Sean Like they never 877 00:38:02,800 --> 00:38:05,239 Speaker 5: made that kind of street music. It was always because 878 00:38:05,280 --> 00:38:07,560 Speaker 5: you got sense enough to notice to get away from it. 879 00:38:07,640 --> 00:38:08,640 Speaker 1: Let me tell you something, man. 880 00:38:08,560 --> 00:38:12,759 Speaker 4: I never met you know, every now and then you 881 00:38:12,840 --> 00:38:15,480 Speaker 4: meet like a purely evil gangster. But there's not many. 882 00:38:15,880 --> 00:38:18,440 Speaker 4: But I've never met a you know, somebody who was 883 00:38:18,440 --> 00:38:20,919 Speaker 4: in the street life who didn't want to get away 884 00:38:20,920 --> 00:38:24,719 Speaker 4: from it, who wouldn't much rather have nineteen laundromats and 885 00:38:24,760 --> 00:38:27,840 Speaker 4: a dagon, the McDonald's and something else, you know what 886 00:38:27,920 --> 00:38:30,759 Speaker 4: I mean. Like, so it's like you learn early on 887 00:38:30,880 --> 00:38:36,400 Speaker 4: that it's about having manners and it's about not talking 888 00:38:36,400 --> 00:38:39,480 Speaker 4: about that stuff. It's about staying away from that stuff. 889 00:38:39,520 --> 00:38:42,399 Speaker 4: It's not about like trying to be a tough guy 890 00:38:42,560 --> 00:38:45,040 Speaker 4: and you know, he thinks who he is and all that, 891 00:38:45,120 --> 00:38:47,160 Speaker 4: and you know what I mean, trying to like you 892 00:38:47,200 --> 00:38:50,000 Speaker 4: want to stay away from like talking about that stuff. 893 00:38:50,040 --> 00:38:51,759 Speaker 4: So when I was hanging out with the dudes that 894 00:38:51,920 --> 00:38:53,319 Speaker 4: was like running the city. 895 00:38:53,360 --> 00:38:54,840 Speaker 1: I was I need love, you know. 896 00:38:54,840 --> 00:38:56,960 Speaker 4: What I'm saying, Like, Yeah, I'm like, you know what 897 00:38:57,000 --> 00:39:00,000 Speaker 4: I mean, like the complete opposite, because. 898 00:39:01,760 --> 00:39:03,959 Speaker 1: We do we do that. Like I'm around that for real. 899 00:39:04,040 --> 00:39:07,040 Speaker 4: I don't need to you know, it just feels different 900 00:39:07,400 --> 00:39:09,799 Speaker 4: when you're around it for real. You know, it really 901 00:39:09,800 --> 00:39:13,879 Speaker 4: feels different, you know what I mean. It's like it's 902 00:39:13,920 --> 00:39:17,280 Speaker 4: like Vietnam vets or war vets. A lot of people 903 00:39:17,280 --> 00:39:20,520 Speaker 4: that really were in the military that went that were on. 904 00:39:20,719 --> 00:39:24,640 Speaker 1: You know that was sore battle. They don't talk about it. 905 00:39:24,640 --> 00:39:24,719 Speaker 4: Now. 906 00:39:24,760 --> 00:39:26,320 Speaker 2: My apostles have to tell me nothing about. 907 00:39:27,640 --> 00:39:28,640 Speaker 1: If you really notice it. 908 00:39:28,680 --> 00:39:32,040 Speaker 2: If you ask, he'll your answer. But he not could 909 00:39:32,040 --> 00:39:33,719 Speaker 2: come in things even be like I remember that time. 910 00:39:33,840 --> 00:39:36,120 Speaker 4: Just don't and you know why, because it's not cute. 911 00:39:36,480 --> 00:39:38,480 Speaker 4: It's only the cu It's only cute to the people. 912 00:39:38,840 --> 00:39:44,239 Speaker 4: I think Colin Powell said only people who enjoy war, 913 00:39:44,400 --> 00:39:47,800 Speaker 4: those who don't understand its horrors. I'm paraphrasing, you know 914 00:39:47,800 --> 00:39:50,480 Speaker 4: what I'm saying, But it's it's so it's something like that. 915 00:39:50,600 --> 00:39:53,200 Speaker 4: It's like the idea of if you really seen some things, 916 00:39:53,239 --> 00:39:53,840 Speaker 4: it's nothing. 917 00:39:53,680 --> 00:39:59,040 Speaker 1: To talk about. Let's have some fun. Headsprung had Sprung? 918 00:40:02,040 --> 00:40:04,239 Speaker 2: What is your biggest record to perform it? Is it 919 00:40:04,280 --> 00:40:06,279 Speaker 2: head Sprung? Or is it Around the Way Girl? Is 920 00:40:06,320 --> 00:40:07,080 Speaker 2: it doing it? 921 00:40:07,080 --> 00:40:09,839 Speaker 1: It depends on the audience, depends on what country I'm in, 922 00:40:09,840 --> 00:40:10,840 Speaker 1: what city with state? 923 00:40:10,920 --> 00:40:12,400 Speaker 2: And what was the mind frame Around the Way Girl? 924 00:40:12,400 --> 00:40:13,960 Speaker 2: Because thats probably one of my favorite. That's why aways 925 00:40:14,000 --> 00:40:16,960 Speaker 2: that it just feels like a New York love story. 926 00:40:17,400 --> 00:40:21,759 Speaker 4: I tell you, it's about the girl next door. It's like, 927 00:40:21,800 --> 00:40:26,239 Speaker 4: as much as everybody wants it to be about the 928 00:40:26,280 --> 00:40:30,200 Speaker 4: celebrity female and or the female with the money, or 929 00:40:30,239 --> 00:40:32,799 Speaker 4: the female who is the. 930 00:40:32,719 --> 00:40:34,200 Speaker 1: Most well known in the world. 931 00:40:35,320 --> 00:40:39,680 Speaker 4: There's something I think every guy knows that there's something 932 00:40:39,680 --> 00:40:42,040 Speaker 4: about the girl next door, the around the way girl 933 00:40:42,080 --> 00:40:45,480 Speaker 4: that's very special. And I always had a certain reverence 934 00:40:45,480 --> 00:40:47,719 Speaker 4: for that, you know what I'm saying. I ain't told 935 00:40:47,760 --> 00:40:50,120 Speaker 4: my chasing with my tail between my legs. I'm just 936 00:40:50,160 --> 00:40:52,799 Speaker 4: saying I had a reverence for that, Like, you know, 937 00:40:52,960 --> 00:40:56,120 Speaker 4: that appealed to me. Like I didn't really, I wasn't 938 00:40:56,160 --> 00:40:59,000 Speaker 4: really as interested in like the famous girl or the 939 00:40:59,040 --> 00:41:03,160 Speaker 4: superstar girl, lord of the girl, even with the most nowadays, 940 00:41:03,239 --> 00:41:06,920 Speaker 4: like the most followers. It was the person, a normal person, 941 00:41:07,120 --> 00:41:11,920 Speaker 4: Like I just thought that was I found it more interesting, 942 00:41:12,440 --> 00:41:18,160 Speaker 4: you know what I'm saying, and quite frankly, like more attainable. 943 00:41:18,520 --> 00:41:21,680 Speaker 1: You know what I'm saying. Like it's just. 944 00:41:21,560 --> 00:41:25,440 Speaker 4: Like like I see you, you know what I'm saying, 945 00:41:25,600 --> 00:41:28,160 Speaker 4: Like when I make songs like proclivity, even proclivities, even 946 00:41:28,200 --> 00:41:31,279 Speaker 4: though proclivities is a much deeper layered song. 947 00:41:31,320 --> 00:41:32,560 Speaker 1: And over the years people will. 948 00:41:32,440 --> 00:41:35,239 Speaker 4: Realize that because I'm dipping into the shadow world of 949 00:41:35,239 --> 00:41:37,080 Speaker 4: people's thoughts, It's like. 950 00:41:37,960 --> 00:41:39,759 Speaker 1: I see you, you under saying. 951 00:41:39,760 --> 00:41:42,800 Speaker 4: I'm saying like I see you like I'm not looking 952 00:41:42,800 --> 00:41:45,719 Speaker 4: at the image of a woman. I'm not looking at 953 00:41:45,280 --> 00:41:49,120 Speaker 4: the trappings. I'm looking at her soul on a round 954 00:41:49,120 --> 00:41:51,319 Speaker 4: the way girl, I'm looking at her soul on proclivities. 955 00:41:51,440 --> 00:41:55,799 Speaker 4: When I talk about you know, like love to see 956 00:41:55,920 --> 00:41:57,880 Speaker 4: I love to see you make the old face, you know, 957 00:41:58,040 --> 00:42:01,440 Speaker 4: like like that's a real thing, Like like I'm looking 958 00:42:01,440 --> 00:42:03,480 Speaker 4: at a face like you know, Morphel Like I'm like, 959 00:42:03,520 --> 00:42:04,640 Speaker 4: I like to see you make that face. 960 00:42:04,640 --> 00:42:06,480 Speaker 1: You know what I mean? You know what I mean, 961 00:42:06,680 --> 00:42:08,640 Speaker 1: Like it's crazy, you know. 962 00:42:08,719 --> 00:42:11,479 Speaker 3: So I got a few more questions. You wrote empty 963 00:42:11,560 --> 00:42:12,600 Speaker 3: lights verse on self destruction? 964 00:42:12,760 --> 00:42:15,239 Speaker 4: Yeah, wow, Yeah, yeah, Scott's tape with a raisor of 965 00:42:15,239 --> 00:42:16,160 Speaker 4: blade tape to a collar. 966 00:42:16,360 --> 00:42:16,680 Speaker 1: I did. 967 00:42:17,320 --> 00:42:18,520 Speaker 3: How much of that did you used to do back 968 00:42:18,560 --> 00:42:18,880 Speaker 3: in the day? 969 00:42:18,920 --> 00:42:20,640 Speaker 1: A little bit, A little bit. 970 00:42:20,719 --> 00:42:22,800 Speaker 4: I did it more than people know, you know what 971 00:42:22,840 --> 00:42:25,080 Speaker 4: I'm saying, more than people know. But I wouldn't go 972 00:42:25,120 --> 00:42:26,759 Speaker 4: around like talking about all the different things. 973 00:42:26,760 --> 00:42:28,200 Speaker 1: But I did some of that. Yeah, I did some 974 00:42:28,239 --> 00:42:29,160 Speaker 1: ghost writing for people. 975 00:42:29,360 --> 00:42:30,960 Speaker 5: And when we talk about writing, I wanted to ask 976 00:42:31,200 --> 00:42:33,959 Speaker 5: how much how much do you think Biggie and Jay 977 00:42:34,000 --> 00:42:37,200 Speaker 5: contributed to people not taking writing it series because both 978 00:42:37,239 --> 00:42:38,480 Speaker 5: of them said they didn't write. 979 00:42:39,160 --> 00:42:42,399 Speaker 3: And I saw you having a conversation on Sway about Big. 980 00:42:42,760 --> 00:42:44,040 Speaker 1: Well look, look well big. 981 00:42:43,920 --> 00:42:46,680 Speaker 4: Look, Biggie's my man and I love Big you know 982 00:42:46,800 --> 00:42:48,840 Speaker 4: sometimes and look, everybody's different. 983 00:42:48,880 --> 00:42:50,320 Speaker 1: Everybody's process is different. 984 00:42:50,360 --> 00:42:53,080 Speaker 4: Right, Like some people they just you know, got a 985 00:42:53,080 --> 00:42:55,239 Speaker 4: bunch of rhymes that they wrote at home and they 986 00:42:55,320 --> 00:42:57,040 Speaker 4: just remember them and then they just. 987 00:42:57,000 --> 00:42:57,919 Speaker 1: Got something for the beat. 988 00:42:58,120 --> 00:43:00,480 Speaker 4: So you don't have to see me necessarily me, right, 989 00:43:00,880 --> 00:43:05,400 Speaker 4: that doesn't mean I didn't write. I'm not gonna What 990 00:43:05,440 --> 00:43:08,920 Speaker 4: I'm not gonna do is say anything that would go 991 00:43:08,960 --> 00:43:12,239 Speaker 4: against with somebody how someone wanted their career to be 992 00:43:12,320 --> 00:43:18,400 Speaker 4: laid out. But I'll say this, ultimately, it's about the 993 00:43:18,520 --> 00:43:21,600 Speaker 4: song period, whether you write it in your mind, whether 994 00:43:21,640 --> 00:43:25,840 Speaker 4: you memorize it, because see, you gotta remember the skill 995 00:43:26,000 --> 00:43:28,319 Speaker 4: is not in how you get there. The skill is 996 00:43:28,320 --> 00:43:32,160 Speaker 4: in how the song affects the world. So whether you 997 00:43:32,640 --> 00:43:36,160 Speaker 4: write it on paper, a phone, in your head, that 998 00:43:36,239 --> 00:43:39,640 Speaker 4: it doesn't matter what the how does it affect people? 999 00:43:39,960 --> 00:43:43,200 Speaker 1: Did the ball go in the basket. 1000 00:43:42,640 --> 00:43:45,640 Speaker 4: Whether I called it chucked it, whether I you know, 1001 00:43:45,960 --> 00:43:47,080 Speaker 4: fade away, whether. 1002 00:43:46,840 --> 00:43:49,239 Speaker 1: I finger slammed it, reverse slammed it. 1003 00:43:49,719 --> 00:43:53,960 Speaker 4: You know what I'm saying. But like I've seen dudes write, 1004 00:43:54,160 --> 00:43:55,640 Speaker 4: and I've seen dudes. 1005 00:43:55,920 --> 00:43:57,840 Speaker 1: You know, come off the top. I mean whatever, you 1006 00:43:57,840 --> 00:43:59,319 Speaker 1: know what I'm saying. I don't. 1007 00:43:59,360 --> 00:44:03,680 Speaker 4: What I would say is that, Like I would say, 1008 00:44:03,760 --> 00:44:07,200 Speaker 4: like like these guys are legitimately talented enough, some of 1009 00:44:07,239 --> 00:44:10,000 Speaker 4: them to do that. That doesn't mean you necessarily need 1010 00:44:10,000 --> 00:44:11,960 Speaker 4: to be doing that. You might need a penny pad, 1011 00:44:12,560 --> 00:44:14,760 Speaker 4: you might want a Pennan pad and do some editing. 1012 00:44:15,200 --> 00:44:19,799 Speaker 1: Ernest Hemingway editing, It's all right, Like, don't be embarrassed, 1013 00:44:19,960 --> 00:44:22,400 Speaker 1: you know what I mean? Who wrote for who? The 1014 00:44:22,480 --> 00:44:23,000 Speaker 1: bell told? 1015 00:44:25,320 --> 00:44:30,320 Speaker 4: Huh no no no, not the song metallic No no, 1016 00:44:30,520 --> 00:44:35,200 Speaker 4: the Raven? Who wrote the Raven? Huh noed So it's 1017 00:44:35,239 --> 00:44:38,320 Speaker 4: like you got Ernest Hemingway, you got Edgar Allan Poe. 1018 00:44:39,360 --> 00:44:45,720 Speaker 4: They wrote, hm, they edited. So there's no shame in writing. 1019 00:44:46,480 --> 00:44:48,279 Speaker 4: But if you are able to do it without it, 1020 00:44:48,320 --> 00:44:50,440 Speaker 4: fine me. I like to write. I want to be 1021 00:44:50,480 --> 00:44:52,360 Speaker 4: able to look at what I wrote and change it 1022 00:44:52,760 --> 00:44:54,080 Speaker 4: and edit it until I like it. 1023 00:44:54,320 --> 00:44:54,720 Speaker 1: Period. 1024 00:44:55,200 --> 00:44:56,719 Speaker 4: Can I come up with something like? Could I come 1025 00:44:56,800 --> 00:44:58,200 Speaker 4: up with something in my head right now? Of course 1026 00:44:58,239 --> 00:45:01,399 Speaker 4: I could. Of course, you know what I mean. 1027 00:45:02,600 --> 00:45:04,520 Speaker 5: And you was on the shop and you you was 1028 00:45:04,520 --> 00:45:06,960 Speaker 5: talk about Andre dree Dowland saying he didn't want to 1029 00:45:07,000 --> 00:45:08,759 Speaker 5: rap again because he said he didn't have anything to 1030 00:45:08,840 --> 00:45:12,120 Speaker 5: rap about. Yeah, and so Andre responded to that and said, 1031 00:45:13,200 --> 00:45:14,839 Speaker 5: if you can, you should rap until you die. 1032 00:45:14,880 --> 00:45:16,319 Speaker 3: Of course he has things to say, but if he. 1033 00:45:16,280 --> 00:45:18,560 Speaker 5: Can't say it in a fresh innovative way, then it's 1034 00:45:18,600 --> 00:45:19,680 Speaker 5: not enough of him to do it. 1035 00:45:19,719 --> 00:45:21,880 Speaker 4: And I respect that. I respect that, I respect that, 1036 00:45:21,920 --> 00:45:24,440 Speaker 4: and you know that in that sense, I would agree. 1037 00:45:24,960 --> 00:45:27,000 Speaker 4: That's but that's what I look to do on my 1038 00:45:27,040 --> 00:45:29,279 Speaker 4: new record, right like on the Force, like say it 1039 00:45:29,320 --> 00:45:32,759 Speaker 4: in a fresh, innovative way. He's talking about, not repeating flow. Look, 1040 00:45:32,800 --> 00:45:35,760 Speaker 4: he's one of the greats. He's unbelievable. Like I'm thoroughly 1041 00:45:35,840 --> 00:45:39,239 Speaker 4: impressed with Andre. And the only reason I even said 1042 00:45:39,320 --> 00:45:41,359 Speaker 4: anything is because I like him so much as an artist. 1043 00:45:41,400 --> 00:45:44,040 Speaker 1: I love to hear him again. I just mishearing the guy, 1044 00:45:44,280 --> 00:45:44,759 Speaker 1: you know what I'm. 1045 00:45:44,680 --> 00:45:46,759 Speaker 4: Saying, Like, I want to hear Outcasts, Like personally, I 1046 00:45:46,800 --> 00:45:48,719 Speaker 4: would love to hear an Outcasts album. I don't know 1047 00:45:48,760 --> 00:45:50,520 Speaker 4: about the world, but I would want to hear that, 1048 00:45:50,800 --> 00:45:55,040 Speaker 4: but I do respect his feelings and I cannot speak 1049 00:45:55,040 --> 00:45:55,800 Speaker 4: to his artistry. 1050 00:45:56,000 --> 00:45:58,600 Speaker 3: You know what I'm saying has lyrics, I don't. 1051 00:45:58,680 --> 00:46:00,880 Speaker 5: I don't know if his lyricism has lyricism peaked, Like 1052 00:46:00,920 --> 00:46:02,480 Speaker 5: I don't know if there is any more flows? 1053 00:46:02,880 --> 00:46:05,200 Speaker 3: Are there any more deliveries? Like how many more ways 1054 00:46:05,239 --> 00:46:05,840 Speaker 3: can you deliver? 1055 00:46:06,560 --> 00:46:07,439 Speaker 1: There's always a way. 1056 00:46:07,600 --> 00:46:10,560 Speaker 4: That's like, you know, just when you thought every single 1057 00:46:10,600 --> 00:46:13,719 Speaker 4: patient was done, I mean, Miles came and changed the game. 1058 00:46:13,840 --> 00:46:16,080 Speaker 4: Charlie Parker came and changed the game. You know, we 1059 00:46:16,120 --> 00:46:18,759 Speaker 4: can go half notes, quarter notes, eighth notes. I mean, 1060 00:46:18,800 --> 00:46:22,319 Speaker 4: there's always a way to change and approach it differently, you. 1061 00:46:22,320 --> 00:46:25,040 Speaker 1: Know what I'm saying. There's always a way too, you know, 1062 00:46:25,120 --> 00:46:26,839 Speaker 1: it's up to you. Though. It's combinations. 1063 00:46:26,920 --> 00:46:29,920 Speaker 4: It's like, uh, it's like flavors, right, there's only bit 1064 00:46:30,000 --> 00:46:31,920 Speaker 4: of sugar, salt, blah blah blah blah blah. But you 1065 00:46:32,000 --> 00:46:34,360 Speaker 4: got at the end of the day, there's always a 1066 00:46:34,360 --> 00:46:36,080 Speaker 4: different way to make a good meal, you know what 1067 00:46:36,120 --> 00:46:37,839 Speaker 4: I mean, You can always get another great meal. 1068 00:46:37,920 --> 00:46:40,280 Speaker 1: So yeah, yeah, one hundred percent. 1069 00:46:40,600 --> 00:46:42,400 Speaker 4: I mean, like some of the stuff EM's doing on 1070 00:46:42,480 --> 00:46:44,919 Speaker 4: my new song, some of the tripling that's new kind 1071 00:46:44,920 --> 00:46:46,600 Speaker 4: of newish stuff on Murder Graham Do. 1072 00:46:46,840 --> 00:46:47,880 Speaker 1: I mean a lot of it. 1073 00:46:47,960 --> 00:46:50,400 Speaker 4: Even the flow I did on Murder Graham Do is like, 1074 00:46:50,760 --> 00:46:52,160 Speaker 4: you know, there's some new moments in it. 1075 00:46:52,200 --> 00:46:52,640 Speaker 1: You know what I'm saying? 1076 00:46:52,719 --> 00:46:54,880 Speaker 6: She said earlier, Yeah, I was like where because I 1077 00:46:54,920 --> 00:46:56,160 Speaker 6: was like, how do you play this in the car? 1078 00:46:56,239 --> 00:46:56,839 Speaker 7: Like where do you listen? 1079 00:46:56,960 --> 00:46:59,439 Speaker 3: When she's young? So what she said was what she said, 1080 00:47:00,120 --> 00:47:02,200 Speaker 3: he goes he don't sound old because. 1081 00:47:03,719 --> 00:47:05,640 Speaker 6: Because one of them in the room said that it 1082 00:47:05,760 --> 00:47:07,640 Speaker 6: sounds old. And when I heard it, I said, this 1083 00:47:07,680 --> 00:47:09,520 Speaker 6: doesn't sound old. It sounds like what I know him 1084 00:47:09,560 --> 00:47:11,319 Speaker 6: to sound like. But then I said, but where do 1085 00:47:11,360 --> 00:47:13,080 Speaker 6: you play this? Because like I don't know if I 1086 00:47:13,080 --> 00:47:15,520 Speaker 6: would play this in the car? Well yeah, but like 1087 00:47:15,800 --> 00:47:18,680 Speaker 6: but music, like songs go places with you. I can't 1088 00:47:18,719 --> 00:47:20,560 Speaker 6: describe it, like I know where I'm gonna put on 1089 00:47:21,160 --> 00:47:23,000 Speaker 6: like around the Way girl, like I know what my 1090 00:47:23,000 --> 00:47:25,680 Speaker 6: outfit is? I with that song, I couldn't figure it out. 1091 00:47:26,120 --> 00:47:33,480 Speaker 1: Yeah, good, that's good. That good because it's new. 1092 00:47:34,160 --> 00:47:37,239 Speaker 4: I remember the first time I heard Planet Rock by 1093 00:47:37,320 --> 00:47:40,839 Speaker 4: Africa band Bady in the Zulu Nation. I didn't understand it. 1094 00:47:41,120 --> 00:47:42,480 Speaker 4: I told my man, my man, was that he played 1095 00:47:42,480 --> 00:47:44,479 Speaker 4: planning around, Like, I don't like that. He said, why, 1096 00:47:44,840 --> 00:47:45,760 Speaker 4: it's because it's different. 1097 00:47:46,640 --> 00:47:50,600 Speaker 1: You catch up it not like it I didn't know. 1098 00:47:50,719 --> 00:47:53,280 Speaker 1: But you're not saying a bad thing. You're not saying 1099 00:47:53,320 --> 00:47:54,160 Speaker 1: a bad thing at all. 1100 00:47:54,400 --> 00:47:58,879 Speaker 4: It's like it's it's actually and truly that's not It's 1101 00:47:58,920 --> 00:48:00,960 Speaker 4: really not a car record. That's not what it is. 1102 00:48:01,560 --> 00:48:06,000 Speaker 4: It's a live performance record. It's a record that shows 1103 00:48:06,000 --> 00:48:09,520 Speaker 4: the display of MC's showing lyrical skill. It's a record 1104 00:48:09,520 --> 00:48:12,399 Speaker 4: that shows you the art form of rapping. That's really 1105 00:48:12,480 --> 00:48:14,719 Speaker 4: what the song is about. Now, Proclivity's I could play 1106 00:48:14,719 --> 00:48:16,640 Speaker 4: in a car. I could play Proclivities in a car. 1107 00:48:16,840 --> 00:48:20,440 Speaker 4: I could play Black Cold Sweet at a cookout. I 1108 00:48:20,440 --> 00:48:23,200 Speaker 4: could play you know, some of those records, some of 1109 00:48:23,239 --> 00:48:24,719 Speaker 4: them are car rights because I love car wrecks. Like 1110 00:48:24,760 --> 00:48:26,879 Speaker 4: I made a song called Booming System a long time ago. 1111 00:48:27,040 --> 00:48:29,360 Speaker 4: It was a car record. I'm very familiar with the difference, 1112 00:48:29,360 --> 00:48:32,040 Speaker 4: but that particular song, You're right, it's not for the 1113 00:48:32,120 --> 00:48:36,359 Speaker 4: car it's for those who really are fans of hip 1114 00:48:36,400 --> 00:48:38,759 Speaker 4: hop and fans of the art of hip hop. 1115 00:48:38,920 --> 00:48:42,319 Speaker 1: It's like it's like watching and one. 1116 00:48:42,440 --> 00:48:45,799 Speaker 4: It's like watching basketball players get busy with the ball 1117 00:48:45,840 --> 00:48:47,880 Speaker 4: and do things that you didn't even know they were 1118 00:48:47,920 --> 00:48:49,520 Speaker 4: capable of doing with a basketball. 1119 00:48:49,800 --> 00:48:51,640 Speaker 6: That's what that song, and that's kind of lost on 1120 00:48:51,680 --> 00:48:53,960 Speaker 6: like the artists that I love, because I feel like 1121 00:48:54,120 --> 00:48:55,640 Speaker 6: when I hear a new song, what makes it go 1122 00:48:55,760 --> 00:48:57,759 Speaker 6: for me? Like when you mentioning Glorella, first thing I 1123 00:48:57,840 --> 00:48:59,200 Speaker 6: think of is like putting it on in a car, 1124 00:48:59,200 --> 00:49:02,040 Speaker 6: on in the club, and it I don't yet. I 1125 00:49:02,040 --> 00:49:03,680 Speaker 6: don't get the sportsmanship, yes. 1126 00:49:03,600 --> 00:49:07,839 Speaker 4: Exactly, and that's my and that's okay too, right. It's 1127 00:49:07,920 --> 00:49:11,720 Speaker 4: like that's the beauty of it. It's like we need both, 1128 00:49:12,400 --> 00:49:15,359 Speaker 4: we need the vibru. That's why I made like heads wrong, 1129 00:49:15,719 --> 00:49:18,480 Speaker 4: Heads Wrong. At that time was that kind of thing 1130 00:49:18,480 --> 00:49:21,239 Speaker 4: you're describing. It was just silly, a vibe. We're just 1131 00:49:21,239 --> 00:49:23,879 Speaker 4: getting it me and Timbo to win the studio. We're 1132 00:49:23,880 --> 00:49:26,440 Speaker 4: making a wild out. I get it. But there's a 1133 00:49:26,480 --> 00:49:28,239 Speaker 4: time for that and then there's a time for the 1134 00:49:28,280 --> 00:49:31,120 Speaker 4: other thing. So on this album, it's like a combination. 1135 00:49:31,719 --> 00:49:33,759 Speaker 4: There's some songs that are like that, but then there 1136 00:49:33,800 --> 00:49:38,000 Speaker 4: are other songs where it is really more about lyrics, 1137 00:49:38,640 --> 00:49:42,040 Speaker 4: rapping the sportsmanship that you say you couldn't relate to 1138 00:49:42,080 --> 00:49:45,360 Speaker 4: as much and that kind of stuff like that. 1139 00:49:45,360 --> 00:49:48,560 Speaker 1: That's kind of like the whole idea. The whole idea is. 1140 00:49:48,520 --> 00:49:51,279 Speaker 4: For you to make unique things, you know what I'm saying, 1141 00:49:51,480 --> 00:49:53,680 Speaker 4: unique stuff, and then we get the vibes and we 1142 00:49:53,760 --> 00:49:55,839 Speaker 4: dance the glow really and we dance is sexy red 1143 00:49:55,920 --> 00:49:57,120 Speaker 4: like I love the record. 1144 00:49:57,120 --> 00:50:05,359 Speaker 2: Hey, yeah, Hey, what's your favorite record out of all 1145 00:50:05,400 --> 00:50:05,880 Speaker 2: your catalog? 1146 00:50:05,960 --> 00:50:12,240 Speaker 1: Heads? Clearly? Yeah, I like Heads Broke. I use. 1147 00:50:14,640 --> 00:50:18,080 Speaker 4: Like it's a few songs. I think Doing It is 1148 00:50:18,120 --> 00:50:20,800 Speaker 4: one of my favorite classics. I think doing It, you 1149 00:50:20,840 --> 00:50:21,919 Speaker 4: know what I'm saying, You can you can. 1150 00:50:21,840 --> 00:50:25,600 Speaker 6: Relate that that song song that works in the car, 1151 00:50:26,000 --> 00:50:26,720 Speaker 6: that works anywhere. 1152 00:50:26,760 --> 00:50:31,000 Speaker 1: Oh I know, yeah, yeah I know that. Yeah, I know, 1153 00:50:31,480 --> 00:50:31,719 Speaker 1: I know. 1154 00:50:33,719 --> 00:50:33,919 Speaker 4: Yeah. 1155 00:50:34,360 --> 00:50:36,560 Speaker 1: Doing You a Scratched did to oh Ilbomb? 1156 00:50:36,680 --> 00:50:36,879 Speaker 2: Yeah? 1157 00:50:36,880 --> 00:50:39,319 Speaker 4: I like Ilbomb. I like Ilbomb. I'll tell you this 1158 00:50:39,360 --> 00:50:41,640 Speaker 4: one I got with Nas is crazy. The praise the 1159 00:50:41,800 --> 00:50:44,279 Speaker 4: joint is wild. It's hip hop, you know what I'm saying. 1160 00:50:44,320 --> 00:50:48,640 Speaker 4: But it's it's It's right. There's a lot of joints. 1161 00:50:48,640 --> 00:50:52,040 Speaker 4: Thirty Decembers. I like thirty December, like black hold a lot, 1162 00:50:52,200 --> 00:50:54,719 Speaker 4: black Hole, black Hole, sweet as you know, look at 1163 00:50:54,719 --> 00:50:58,880 Speaker 4: Mama she in the kitchen chicken dipping the chicken, the 1164 00:50:58,920 --> 00:51:02,479 Speaker 4: flower you got, the music is bumping well, two steps 1165 00:51:02,480 --> 00:51:05,680 Speaker 4: in the shower, well balanced, potato salad, the hot soul 1166 00:51:05,800 --> 00:51:06,279 Speaker 4: collar green. 1167 00:51:06,520 --> 00:51:08,480 Speaker 1: Yeah, that joint is high. Yeah yeah, yeah, that black coach. 1168 00:51:10,080 --> 00:51:10,239 Speaker 4: Joe. 1169 00:51:10,280 --> 00:51:12,719 Speaker 5: I got one last question, sir, and I would ask 1170 00:51:12,760 --> 00:51:16,000 Speaker 5: Lebron this too. Is it easier or harder to do 1171 00:51:16,080 --> 00:51:17,960 Speaker 5: what you do in this case music when you have 1172 00:51:18,080 --> 00:51:20,160 Speaker 5: nothing to prove or do you feel like or do 1173 00:51:20,200 --> 00:51:21,520 Speaker 5: you feel like you have something to prove? 1174 00:51:21,640 --> 00:51:24,680 Speaker 4: I definitely feel like I have something to prove. Wow, definitely, 1175 00:51:24,760 --> 00:51:28,239 Speaker 4: because the proof to what I'm looking to prove is 1176 00:51:28,239 --> 00:51:34,160 Speaker 4: that you could keep going. And you know, you gotta 1177 00:51:34,320 --> 00:51:36,840 Speaker 4: to keep going. You gotta come from the heart, you 1178 00:51:36,880 --> 00:51:38,879 Speaker 4: gotta come from the soul, and. 1179 00:51:40,360 --> 00:51:41,480 Speaker 1: You can't. 1180 00:51:41,760 --> 00:51:44,400 Speaker 4: You can't swag your way into forty years of success. 1181 00:51:45,320 --> 00:51:47,320 Speaker 4: It's gonna take more than that, right, you know what 1182 00:51:47,360 --> 00:51:51,600 Speaker 4: I'm saying. And so, yeah, I definitely got something to prove. 1183 00:51:51,600 --> 00:51:54,000 Speaker 4: I definitely look at this as a as a as 1184 00:51:54,000 --> 00:51:56,600 Speaker 4: a fun challenge. It's a fun challenge, you know what 1185 00:51:56,640 --> 00:51:59,279 Speaker 4: I'm saying. It's like, Yo, can you do it? You 1186 00:51:59,360 --> 00:52:01,600 Speaker 4: know what I'm saying? You know, well, I ever have 1187 00:52:01,719 --> 00:52:03,760 Speaker 4: another song where she's like, oh, this is my joint. 1188 00:52:03,800 --> 00:52:06,120 Speaker 4: I'm turned up in the car, like can I do that? 1189 00:52:06,680 --> 00:52:07,560 Speaker 4: Is that possible? 1190 00:52:07,760 --> 00:52:07,960 Speaker 1: Right? 1191 00:52:09,000 --> 00:52:11,880 Speaker 4: Those are the questions that you know you look to answer. 1192 00:52:12,239 --> 00:52:14,040 Speaker 4: You know what I'm saying, Like, that's the part that 1193 00:52:14,080 --> 00:52:15,000 Speaker 4: makes this thing like. 1194 00:52:16,920 --> 00:52:19,239 Speaker 1: Worth doing? You know what I'm saying. You know what 1195 00:52:19,239 --> 00:52:19,440 Speaker 1: I mean. 1196 00:52:19,520 --> 00:52:21,120 Speaker 2: Well, let's get into a joint off the album. The 1197 00:52:21,120 --> 00:52:22,160 Speaker 2: album is out today. 1198 00:52:22,200 --> 00:52:23,080 Speaker 1: It's called Force. 1199 00:52:23,440 --> 00:52:24,080 Speaker 2: What you want to hear? 1200 00:52:26,520 --> 00:52:29,120 Speaker 4: Well, you know I need to look at them. I 1201 00:52:29,200 --> 00:52:31,800 Speaker 4: need to see the track listen. Okay, yeah, let me 1202 00:52:31,840 --> 00:52:32,560 Speaker 4: see the track listen. 1203 00:52:33,120 --> 00:52:37,040 Speaker 1: Hmmm hmmm. 1204 00:52:39,920 --> 00:52:41,200 Speaker 3: Murder grads just because of her. 1205 00:52:44,719 --> 00:52:49,480 Speaker 1: Yeah, let's play murder grad. Let's play murder. I'm playing 1206 00:52:49,560 --> 00:52:59,160 Speaker 1: murder graph Murder feature. We appreciate you for joining us. 1207 00:52:59,480 --> 00:53:02,040 Speaker 2: Appreciate and how used to work out every day? 1208 00:53:02,280 --> 00:53:04,760 Speaker 1: I do well four times a week minimum. 1209 00:53:04,840 --> 00:53:06,520 Speaker 2: Yeah, you tell me one day you get on the 1210 00:53:06,520 --> 00:53:06,960 Speaker 2: gym with love. 1211 00:53:07,200 --> 00:53:09,160 Speaker 3: No, I'm good, And I work out with him. I 1212 00:53:09,160 --> 00:53:10,359 Speaker 3: trained with him his. 1213 00:53:10,280 --> 00:53:13,279 Speaker 2: Work out one day. Just I did it one day 1214 00:53:13,360 --> 00:53:14,160 Speaker 2: and I almost threw up. 1215 00:53:14,360 --> 00:53:17,960 Speaker 1: I think I threw up. You might have. I don't know. 1216 00:53:18,560 --> 00:53:20,760 Speaker 2: I threw up. He does some weird ish man like. 1217 00:53:20,560 --> 00:53:23,640 Speaker 3: Like you don't. He does what he does. You should 1218 00:53:23,640 --> 00:53:24,520 Speaker 3: have did what you do? 1219 00:53:24,560 --> 00:53:26,399 Speaker 7: You know what Jim ever saw you come in? When 1220 00:53:26,400 --> 00:53:26,680 Speaker 7: did that. 1221 00:53:28,760 --> 00:53:33,880 Speaker 1: Say this with me? Murder ground, murder ground. There you go. Breakfast, 1222 00:53:34,960 --> 00:53:38,160 Speaker 1: wake that ass up in the morning. Breakfast Club.