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Speaker 1: Look, oh, I see you my own and look over

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Speaker 1: there is that culture. Yes, goodness, lost culture, dang dung

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Speaker 1: los culture. What were you just talking about?

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Speaker 2: I was talking about something that we came up with

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Speaker 2: last week at your birthday dinner.

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Speaker 1: And then you said I likely don't remember from being

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Speaker 1: wine drunk because we were Excuse me, is it a

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Speaker 1: crime to be wine drunk at your innocent innocent? Well?

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Speaker 2: Here, just sure, this is this is this is an

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Speaker 2: ear hit test. Ready, Matt, you were wine drunk versus Matt,

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Speaker 2: you were drunk. Wine drunk sounds sweeter, more wholesome, more fun.

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Speaker 1: Sounds like more like inoffensive.

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Speaker 2: That's what I'm saying.

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Speaker 3: There's layers of misogyny.

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Speaker 1: God towards wine moms.

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Speaker 3: Yes, yes, you're not seeing the yelling blonde woman.

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Speaker 2: You'll have to be more specific.

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Speaker 3: She says. She says, no more idf money in politics.

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Speaker 1: Oh oh my gosh, she's.

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Speaker 3: Mad at she has had, Yeah, she said, And I

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Speaker 3: agree that the title wine mom is a bit misogynists are.

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Speaker 1: Yes, yes, great now now now go. And she's because

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Speaker 1: there was notes of misogyny in that.

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Speaker 3: She says, first of all, mentioning wine notes of misogyny

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Speaker 3: off the bat even ordering a.

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Speaker 1: Wine, and the misogyny is in the legs, the thing.

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Speaker 3: We look at the legs on her so wine, she said,

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Speaker 3: you know she's been called a wine mom. That's misogynistic.

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Speaker 3: But then she also said the following, which I found

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Speaker 3: very interesting. She said, but even though I know it's misogynistic,

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Speaker 3: I think me pointing that out only alienates people because

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Speaker 3: it makes them think they can't like say anything. You know,

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Speaker 3: it's sort of is promoting this kind of like language policing.

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Speaker 3: So she says, I know it's misogynistic, but it's okay.

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Speaker 1: I'm not going to willing willing to one side dark.

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Speaker 1: We're dark, Yeah, y'all dark.

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Speaker 2: The four of us are very like that with gay

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Speaker 2: to It's like that we know it's homophobic, but we're

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Speaker 2: not gonna police.

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Speaker 4: Let it.

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Speaker 1: Grow up the way they the way they drag our girl,

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Speaker 1: Buddha Judge, the way that they're out there dragging our president.

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Speaker 1: We just let it slide. But know that in our

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Speaker 1: group there, we're all we all just in parentheses type

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Speaker 1: to each other, holding y'all's hands today.

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Speaker 3: Do you think if Buddha Judge was on I've had it?

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Speaker 3: The podcast is that she would do amazingly. Well, I've

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Speaker 3: had it.

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Speaker 2: I've had it, and you called her the screaming blonde woman,

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Speaker 2: which is its own note of missagy.

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Speaker 1: I think I wasn't willing to let slide.

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Speaker 3: I just want to say I'm on board with her.

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Speaker 1: I'm deeply on board with her.

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Speaker 4: Voice is always at a pretty reasonable level.

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Speaker 3: Now here's my challenge to her. What if the other

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Speaker 3: co host speaks?

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Speaker 4: Now, that's a really great point that it.

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Speaker 1: Was like, you do leave the charge.

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Speaker 2: It's Princess Aisha. Yeah, that you buy girl who is

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Speaker 2: just talking and and then it always cuts to her friend.

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Speaker 5: Just My greatest fear as a podcaster is that our

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Speaker 5: podcast will be George talking and me going.

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Speaker 3: Mmmm, sort of Sophia Grace and Rosie Coder. That's me

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Speaker 3: at the Eagle bar Knight of Sam just talking and

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Speaker 3: me going mm, you don't do well a bar knight, George,

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Speaker 3: Oh yeah.

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Speaker 4: Get his ass. Finally, wait, what are you saying back?

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Speaker 1: What happened when he was blackout?

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Speaker 2: He was not, he was wine blackout. The throwneck challenge

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Speaker 2: is basically to see who can just do the best

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Speaker 2: sort of like pantomime of of of oral sex.

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Speaker 1: Whoa, I realized that my pantomime, this is not the

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Speaker 1: way it usually goes when I'm out here performing the act.

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Speaker 1: But my pantomime is a lot in the shoulders. Would

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Speaker 1: you like to see me throw?

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Speaker 4: Yes? I think everyone was.

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Speaker 3: I'm so happy.

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Speaker 1: This is important for film podcast being a visual media

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Speaker 1: exactly because you'd never get this back in the day

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Speaker 1: in twenty sixteen, twenty seven. Oh god, no, here we go.

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Speaker 1: Oh well this is interesting.

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Speaker 6: Just like because this is just like a Beyonce like like, well, yeah,

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Speaker 6: she was the best, she was what she was, she.

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Speaker 2: Was great, miss her.

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Speaker 1: I do no, okay, should we all go around? Well

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Speaker 1: she's back. Actually, you find out that it's on this

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Speaker 1: episode she announces act three.

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Speaker 3: And we're the ones were the women signed? She was

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Speaker 3: like people announcing act three on that cult stuff.

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Speaker 1: No, but that wasn't good throwing. I was trying to

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Speaker 1: perform for you doing comedic.

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Speaker 2: You're doing comedic. Thrown neck could be the thrown neck

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Speaker 2: challenge can be any interpretation of throwing them.

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Speaker 3: Why don't you show your throat?

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Speaker 4: I'll go, I'll go, yeah, thank you, thank you.

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Speaker 1: That was very a crazy jack off. That's what we

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Speaker 1: were doing on the table.

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Speaker 5: I have a crazy jack hop phone that I think

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Speaker 5: is funny. Okay, this is what like, this is what

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Speaker 5: I say.

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Speaker 4: It is when you're trying to when you're begging for come,

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Speaker 4: you go, you go the lips. It's in the lip.

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Speaker 1: It's very disgusting.

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Speaker 2: I'm not hearing the begging because.

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Speaker 3: It goes give me your comment.

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Speaker 1: Yeah, I have picked up on being being the green

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Speaker 1: stop lady. Yeah, yeah, well yes, yeah. I think that's

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Speaker 1: where all these gay guys got the idea. They all

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Speaker 1: watched Gravestop Lady and we're like, I'm taking that to

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Speaker 1: the bedroom. Georgiana. Don't act for us that I saw

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Speaker 1: the terror.

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Speaker 3: No, and I you wanted to do It's like, you know,

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Speaker 3: it's like scared, yeah, scared.

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Speaker 1: That's a big part of giving oral sex. I think

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Speaker 1: people don't.

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Speaker 3: That wasn't me giving oral sex. That was my impression

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Speaker 3: of someone who's a loser giving.

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Speaker 4: That was very like you could see that they were standing.

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Speaker 4: That was interesting.

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Speaker 3: That was I was thinking about the rest of the scene,

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Speaker 3: unlike some people who are more just sort of like

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Speaker 3: doing chuoreo.

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Speaker 1: I was just trying to show beyond that I'm available

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Speaker 1: for her. Act three World Tour because I can stand

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Speaker 1: on the back and sort.

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Speaker 3: Of so his Act three like rock and roll.

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Speaker 1: That's what the buzz is.

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Speaker 4: The rumor it should be like Lincoln Park type.

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Speaker 3: That would be fun. She should actually do have an essence.

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Speaker 1: I would love that's rock and roll period, that's rock

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Speaker 1: and roll. Of the head like he was like a

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Speaker 1: best Week ever talking head and that's rock and.

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Speaker 3: Roll and that's rock.

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Speaker 2: The four of us would all be doing best Week ever.

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Speaker 4: I know, canagine.

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Speaker 3: I'm still waiting for the call by the way already,

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Speaker 3: you know Salmon, Well, should we get into it?

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Speaker 4: Oh, one time we were asked to do.

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Speaker 3: What was it? It was a reboot of like celebrities

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Speaker 3: like The Rich and the Fabulous, South of the Ris

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Speaker 3: the Family.

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Speaker 4: Yeah, but it was like a real like it was

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Speaker 4: like a pilot Like they were like, we're giving you

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Speaker 4: zero dollars and we are actually doing it not to

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Speaker 4: like critique the celebrities, but actually like to celebrate celebrate

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Speaker 4: well yeah, and we were like.

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Speaker 3: We were like where do I say?

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Speaker 5: We were like, so this doesn't sound like particularly good,

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Speaker 5: Like if we're not, like it's not like an amazing.

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Speaker 1: Dragging them and just being like I, we all remember

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Speaker 1: where we were when we find out how rich Kylie

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Speaker 1: Jenner was, And can I say, honey, we love it?

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Speaker 3: Go off?

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Speaker 4: Yeah it was, it was. It was basically that.

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Speaker 3: He was that.

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Speaker 4: Yeah.

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Speaker 3: But then ironically, speaking of income inequality, we were being

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Speaker 3: offered approximately one hundred and fifty dollars, so.

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Speaker 1: Yeah, total total and now look and.

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Speaker 4: Now and then they yelled at us.

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Speaker 3: Well we yelled at them too.

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Speaker 4: Well as long is it speetual?

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Speaker 1: Yeah, well there has to be a little So was

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Speaker 1: full blown yelling or.

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Speaker 3: Was that just say? We were on a conference call

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Speaker 3: and I hung up?

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Speaker 4: It's this has never happened in our did you feel

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Speaker 4: right after?

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Speaker 3: I felt amazing?

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Speaker 1: Wait did this happen orally happened?

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Speaker 3: It's amazing? Oh I'm so I really like to know. Honestly,

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Speaker 3: I channeled my inner Jennifer Welch. I said, this is

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Speaker 3: not what the future of the Democratic Party is going

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Speaker 3: to look like. Me and Sam being paid one hundred

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Speaker 3: and fifty dollars to celebrate Kylie Jenner and I just.

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Speaker 2: You are being the girl. I was being the girl

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Speaker 2: or being the girl. These are the girls. They're doing

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Speaker 2: their show at the Bellhouse tonight on the Yeah, we.

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Speaker 1: Never introduced it.

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Speaker 3: Yeah, it's tonight and it's sold out to you guys.

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Speaker 2: Please, We're coming out on the sixteenth on the on

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Speaker 2: the This is coming out on the seven This is

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Speaker 2: coming out next week. Because it's coming out next week.

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Speaker 1: The show was great.

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Speaker 2: Sam Taggart's doing an hour at Union Hall on March eighteenth,

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Speaker 2: La March twenty fourth, April.

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Speaker 4: First, I can't believe you just remember that stuff.

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Speaker 1: You remembers all kinds of you do that? Hell did

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Speaker 1: you do it?

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Speaker 2: That's who sings that song?

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Speaker 1: Sounds like FKA twins.

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Speaker 3: How do you just wear no?

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Speaker 1: Empress, you're getting your girl, Empress.

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Speaker 3: I've seen her life three times, the Empress of Yes,

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Speaker 3: Impress of one year. Her song was my number one

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Speaker 3: on Spotify. Really that year was this okay, this was

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Speaker 3: the Blood Orange. It was Blood Orange featuring Empress.

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Speaker 2: Yes, it would be yeah great, great, Oh man. I

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Speaker 2: miss Laura.

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Speaker 3: Rodriga, Laura Rodriguez.

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Speaker 4: You guys are like fact often.

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Speaker 2: About about women.

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Speaker 3: Yeah.

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Speaker 2: Jennifer Well Welsh wel Welch Well knew that we met,

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Speaker 2: that we met, we met, that they were lovely, they're great.

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Speaker 3: Well, obviously you're so afraid I'm gonna say something negative

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Speaker 3: about them.

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Speaker 1: No, no, no, but that's why we brought you guys

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Speaker 1: in to say everything. We can just go. Yeah.

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Speaker 2: They host Frankly the Superior podcast Radio Lab the crowd Superior.

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Speaker 1: Speak for yourself. I'm over here carrying still, Harry.

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Speaker 2: Still, We're gonna go. We're gonna say, We're gonna go

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Speaker 2: by alphabetical last and first names. Frankly, everyone, please welcome George.

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Speaker 1: Sais and Sam Tagert.

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Speaker 4: Wow, what an honor and a pleasure to be back.

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Speaker 1: Go ahead. The podcast has has begun.

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Speaker 4: It's begun.

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Speaker 1: Yeah.

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Speaker 3: They have a special out.

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Speaker 1: George has his special out.

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Speaker 3: On Amazon and Apple and it's called The Insurgency. It's

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Speaker 3: really good.

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Speaker 4: Thank you.

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Speaker 1: How proud did you feel? And try not to cry

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Speaker 1: when you saw the special?

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Speaker 5: I said, God, this is a beautiful special. Yeah no,

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Speaker 5: it was really impressive. Beautiful man doing it's a beautiful man,

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Speaker 5: just stunning. You know, a whole hour is not easy,

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Speaker 5: not easy, And to make it funny the whole time.

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Speaker 3: We filmed it over fifteen months, and I did one

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Speaker 3: minute at a time and then we sit stood all.

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Speaker 1: Together very quid be I was getting phibbi link later,

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Speaker 1: quiby link later later they're quibi link later. Title of

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Speaker 1: that the craziest la. I was going to say that

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Speaker 1: the boys thrown neck could be but how often.

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Speaker 2: Are you You guys are both but yeah, you're both married.

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Speaker 1: You're both married up, like like straight up wedded. So

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Speaker 1: how much do you throw neck? Don't no, don't tell me,

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Speaker 1: don't don't tell me, don't.

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Speaker 4: Plenty, there's this is not a question.

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Speaker 1: You can constantly he said, he said a plenty.

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Speaker 4: How often are we throwing neck? This is insane? You can't,

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Speaker 4: this is insane.

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Speaker 1: I'm sorry. I didn't know the pearls were available to clock.

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Speaker 2: What's the hardest part of stand up?

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Speaker 3: The standing or the upping?

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Speaker 1: Would rather just lay down and throw I don't know

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Speaker 1: what you guys are trying to do better, sucking cock

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Speaker 1: or doing or standing up.

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Speaker 4: I don't know what Reddit comment so that you guys

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Speaker 4: aren't alt enough anymore, and so you're trying to out

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Speaker 4: hold of us.

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Speaker 1: Were no one ever said that? Who's saying this?

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Speaker 3: Whatever? We are a family friendly podcast for only married

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Speaker 3: white gay guys.

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Speaker 1: Family friendly.

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Speaker 3: We haven't.

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Speaker 7: You guys, we we we we really feel like you

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Speaker 7: guys kind of ran the whole gamut of gay guy

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Speaker 7: between Perfume Genius and.

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Speaker 3: Thank you for acknowledging that, because those came out in

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Speaker 3: a row and we said one end is and I

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Speaker 3: say this with respect to both.

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Speaker 2: Oh yeah, absolutely one end is.

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Speaker 3: Perfume Genius went and dressed Tyler Ferguson and right in

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Speaker 3: the middle of Jordan Sam Listen.

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Speaker 1: I think I think what people are forgetting to say

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Speaker 1: is that being a gig guy is a cornucopia and

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Speaker 1: we'll need all different fruits vegetables.

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Speaker 3: In that beautiful sort of horn. Yes, that's what it is, right,

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Speaker 3: a horn, the horn of plenty.

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Speaker 4: Yeah.

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Speaker 3: Do you have what's going on your phone?

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Speaker 1: Just getting FaceTime? I'm getting a FaceTime video call from.

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Speaker 3: Jared FaceTime from George Santo's face.

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Speaker 1: Georg Santo should have him on.

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Speaker 2: You guys would tear it up.

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Speaker 3: I mean, no, you can't have it.

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Speaker 1: I think you guys because you're scared to be charmed.

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Speaker 4: No, because we're scared wb'll throw neck with him. You guys,

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Speaker 4: which Republican do you guys think is the hottest?

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Speaker 1: Go Which Republican do I think is the hot And

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Speaker 1: you can say Lindsay and I do think of ladybugs

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Speaker 1: a lot, you know, the god honest Republican. I mean,

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Speaker 1: what's the lore of the ladybugs the back when Lady

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Speaker 1: G was a thing?

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Speaker 3: Oh yeah, we explained, and ladybugs are his lady ladybugs.

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Speaker 1: The ladybug phrase refers to a rumor that was when

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Speaker 1: when it first was rumored that that, you know, Lady

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Speaker 1: G was a thing a ka. Lindsay Graham being on

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Speaker 1: the gay apps and everything. Ladybugs referred to a series

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Speaker 1: of beauty marks or birth marks around Lindsay Graham's I'm

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Speaker 1: so sorry to say it, but whole and he would

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Speaker 1: say to the gay men that he'd have sex with,

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Speaker 1: don't mind my lady bugs.

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Speaker 5: No, we have different news sources, but.

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Speaker 1: What's your where did you think lady bugs? I work

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Speaker 1: for Jazira.

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Speaker 4: I was just sort of like.

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Speaker 3: You do warm up comedy for their main late night show.

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Speaker 1: So what you're gonna see to night?

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Speaker 2: You just heard ladybugs as.

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Speaker 4: I was just I thought it was like maybe his boys,

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Speaker 4: That's what I thought. Yeah, his lady But no, don't

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Speaker 4: mind my lady.

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Speaker 1: He had lady She's proud. At least he's a legend.

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Speaker 5: I mean, it's so like realistic, it's so believable. It's

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Speaker 5: like so tough.

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Speaker 1: I don't think anyone out here is like, oh yeah,

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Speaker 1: that's just a rumor about Lindsay Graham. I think everyone

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Speaker 1: knows he's gay.

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Speaker 2: Yes, yeah, Like the Ladybug story feels very sex in

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Speaker 2: the city.

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Speaker 4: Yeah, yeah, it's a bit too punchy.

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Speaker 1: A bit too Yeah, it's a little bit. Uh remember

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Speaker 1: that we all remember the episode in the City where

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Speaker 1: Miranda was eating dating a guy who wanted him, who

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Speaker 1: wanted her to eat his ass.

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Speaker 4: That for broad Gay, I think we did.

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Speaker 3: We did do that for Broady Gay.

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Speaker 2: But then, but then that shot is so funny because

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Speaker 2: the guy just kept hiking his butt up into the frame.

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Speaker 1: Well and then and then Carrie has a great line,

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Speaker 1: which was so the reason they were dating is because

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Speaker 1: they had bonded through food or something they watched. Miranda

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Speaker 1: dated an overeater and then the overrater.

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Speaker 3: Oh no, I don't know, Carrie.

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Speaker 1: I don't like again, and I remember, I'll never forget too.

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Speaker 1: It was one of the few.

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Speaker 3: To Patrick King after he wrote that, Yes, it was

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Speaker 3: one of.

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Speaker 1: The few times that Carrie made a joke like that,

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Speaker 1: and then whether it was Sarah just like a Parker

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Speaker 1: and they just used it, or Carrie herself laughed so

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Speaker 1: hard at her own jokes. Yeah, she was like and

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Speaker 1: then the overrated and she went and then they just

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Speaker 1: cut to the rest of the scene and I was like,

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Speaker 1: I would love to know how that felt on.

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Speaker 2: That I I bet it was so fun.

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Speaker 1: Yeah, it was incredible.

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Speaker 2: You know what came up on my on my internet

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Speaker 2: the other day was some Chris Notes sat down for

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Speaker 2: some interview with someone just like going and going off

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Speaker 2: on s JP or whatever recently I like about and

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Speaker 2: then I just peaked at the comments. Don't know why

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Speaker 2: I thought it would be a good idea. It was

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Speaker 2: all these people and like, I guess women, but maybe

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Speaker 2: bots just being like or women bots sorry wind bots,

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Speaker 2: let's just say because women too, all of them being

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Speaker 2: like so glad, so glad he's telling his side of

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Speaker 2: the story.

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Speaker 3: Cancel culture is terrible.

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Speaker 2: We've we shouldn't be damning the I was like this, No,

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Speaker 2: it's not that we canceled him. It's that five different

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Speaker 2: people came like came forward with sexual assault and you're like,

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Speaker 2: this is is this like this is where we're at anyway,

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Speaker 2: not to bring the whole room down, but yeah.

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Speaker 3: So what do you think about it? Too?

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Speaker 1: Just feels so like we like it haven't done enough totally.

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Speaker 1: Dialogue and cancel culture is back, and.

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Speaker 3: You know it is back, but only on threads.

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Speaker 1: I'm not on threads, and I've heard threads is the

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Speaker 1: absolute demon's layer.

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Speaker 2: There's no sense of community on threads. It's not like

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Speaker 2: how Twitter was fun back in the day.

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Speaker 3: No, it's like they are doing I was saying, this

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Speaker 3: is the other day. They're doing like cancel culture, like

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Speaker 3: a cancel culture drag show. No one's heart, isn't it.

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Speaker 3: But they're sort of like, Okay, who are we gonna

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Speaker 3: do today? You know, let's do that that get from Glee,

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Speaker 3: Like just they pick a random person, they're like, what

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Speaker 3: what he said in twenty fifteen and then that's that's

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Speaker 3: what happens every day.

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Speaker 2: But it's like a shortening of the cycle. But yeah,

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Speaker 2: I just hate the fucking thing. So on threads, you

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Speaker 2: can like people can like invisible ink their own words

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Speaker 2: and I'm not sure for what purpose. Yeah, like you

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Speaker 2: have to engage on another level and it's like you're

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Speaker 2: not being like provocative or even that fun with like

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Speaker 2: what you're.

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Speaker 3: It really feels like late stage social media.

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Speaker 1: Oh yeah, no, absolutely, damn.

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Speaker 4: How many more years of social media do you think

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Speaker 4: we have? I'm like three.

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Speaker 2: I think we're I think we're over clocked.

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Speaker 1: I think we're overclocked you, I think, and I think

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00:17:46,440 --> 00:17:49,880
Speaker 1: everyone's clocked each other's tea so hard on social media

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Speaker 1: that we're overclocked. Maybe that's title of that over clocked.

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Speaker 5: Okay, SIPs tea, This is overclocked.

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Speaker 3: I hate getting tea at Starbucks. They always overclock it.

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Speaker 1: Okay, and I know you, in particular love to clock

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Speaker 1: my tea.

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Speaker 3: I do love to clock your tea. Actually, I was

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00:18:11,800 --> 00:18:13,639
Speaker 3: thinking something. I was clocking your tea on my way here.

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00:18:13,680 --> 00:18:15,480
Speaker 3: I said, this is gonna be the first event with

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Speaker 3: Matal where he's not crying, and approximately six months, oh.

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Speaker 1: My god, you clopped my tea if you overclocked his

398
00:18:22,160 --> 00:18:24,479
Speaker 1: tea because I cried the other night at Ours Novae.

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Speaker 1: I cried at Joel's wedding. I cried at Joel's wedding.

400
00:18:27,040 --> 00:18:31,119
Speaker 1: I cry everything. Stop overclocking my friends crying. I'm on

401
00:18:31,200 --> 00:18:34,800
Speaker 1: lexapro again and have cried so much already myss aren't

402
00:18:34,840 --> 00:18:37,760
Speaker 1: doing anything. I'm still crying. I'm more emotional. See here's

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Speaker 1: the thing.

404
00:18:38,000 --> 00:18:39,040
Speaker 3: Oh, they're making you cry more.

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00:18:39,119 --> 00:18:41,960
Speaker 1: No, no, no, they're making me cry like a reasonable amount

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00:18:41,960 --> 00:18:44,800
Speaker 1: where it used to be unreasonable. And of course I

407
00:18:44,880 --> 00:18:47,399
Speaker 1: knew on my way to your wedding, I was like,

408
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Speaker 1: I'm gonna cry.

409
00:18:48,640 --> 00:18:52,480
Speaker 3: You were so sweet at Joel's wedding because you it

410
00:18:52,520 --> 00:18:55,480
Speaker 3: was like there should have been a camera just on you. Yeah,

411
00:18:55,760 --> 00:18:59,840
Speaker 3: and just it's like the emotional journey rather than seeing

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Speaker 3: the two men get married, just seeing your reaction.

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Speaker 1: And trust me, I know that that is at risk

414
00:19:04,880 --> 00:19:06,800
Speaker 1: for what happened, because when I'm crying, it's kind of

415
00:19:06,840 --> 00:19:09,000
Speaker 1: I'm usually kind of the only one or I'll start

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00:19:09,520 --> 00:19:11,280
Speaker 1: and then I'll be like, well now I'm crying, and

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00:19:11,320 --> 00:19:14,200
Speaker 1: it's like a thing. And also we were in this wedding,

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00:19:14,200 --> 00:19:15,600
Speaker 1: so we were in the front row, so we're getting

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00:19:15,600 --> 00:19:18,359
Speaker 1: the pictures back and it's like everyone looking at like

420
00:19:18,440 --> 00:19:20,520
Speaker 1: Joel and JM like wow, and it's me just like

421
00:19:20,880 --> 00:19:24,199
Speaker 1: head and hands, like I'm like processing a grief in

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Speaker 1: real time.

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Speaker 3: It's aspiracial though, like yeah, I agree, I'm jealous of it.

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00:19:29,280 --> 00:19:33,600
Speaker 2: To to prop up erstwhile King Dan Cook had a

425
00:19:33,640 --> 00:19:36,120
Speaker 2: pretty good stand up joke where it's like you, it's

426
00:19:36,160 --> 00:19:38,040
Speaker 2: like you cry and you like go immediately to the mirror.

427
00:19:38,480 --> 00:19:40,080
Speaker 3: Yeah, you're like, I have to watch Oh my god.

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00:19:40,200 --> 00:19:41,360
Speaker 4: Oh I love when I cry.

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00:19:41,400 --> 00:19:42,840
Speaker 5: I do do the like take out my phone and

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00:19:42,960 --> 00:19:45,040
Speaker 5: try to take a picture. Yeah, I'm like, I'm really

431
00:19:45,040 --> 00:19:46,119
Speaker 5: doing it. I'm having a feeling.

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Speaker 3: Yeah, that's called going Rachel senn up mode.

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00:19:48,600 --> 00:19:52,399
Speaker 1: Yeah. Yeah, but you know i'd be crying.

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00:19:52,560 --> 00:19:56,679
Speaker 3: I only cry like in movies. I'm like, I'm like,

435
00:19:56,720 --> 00:19:58,560
Speaker 3: I haven't cried in real life in so long?

436
00:19:59,320 --> 00:20:00,639
Speaker 1: Did you cry your own wedding?

437
00:20:01,440 --> 00:20:04,400
Speaker 3: I teared up, but I was also like you know

438
00:20:04,760 --> 00:20:07,280
Speaker 3: when you're I did. I did tear up, but I

439
00:20:07,320 --> 00:20:10,119
Speaker 3: was also I held it together, and I specifically like

440
00:20:10,200 --> 00:20:12,119
Speaker 3: rehearsed my vows enough times where I was like I

441
00:20:12,119 --> 00:20:13,240
Speaker 3: can do this, and.

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00:20:13,160 --> 00:20:15,679
Speaker 2: You're on display. It's like you just don't want to.

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00:20:16,400 --> 00:20:18,440
Speaker 2: You feel comfortable crying in a movie because no one's

444
00:20:18,480 --> 00:20:19,760
Speaker 2: exactly overclocking you.

445
00:20:19,880 --> 00:20:20,920
Speaker 3: Yeah, no one's overclocking you.

446
00:20:21,160 --> 00:20:22,080
Speaker 1: Did you cry at yours?

447
00:20:22,200 --> 00:20:24,560
Speaker 4: I tear it up? Yeah? I think we both teared

448
00:20:24,640 --> 00:20:27,080
Speaker 4: up and equal very tasteful amounts of we were.

449
00:20:27,000 --> 00:20:28,520
Speaker 3: Thinking about each other, not about our yah.

450
00:20:28,760 --> 00:20:30,280
Speaker 5: Yeah, and we were just thinking about like the photos

451
00:20:30,320 --> 00:20:31,600
Speaker 5: coming back, the one that got away.

452
00:20:31,720 --> 00:20:34,440
Speaker 1: You're just thinking, I wish this was my podcast partner.

453
00:20:34,200 --> 00:20:37,680
Speaker 3: I know, And I wish I Heart was officiating. Yeah,

454
00:20:39,520 --> 00:20:41,760
Speaker 3: I wish the CEO of iHeart was officiating my wedding

455
00:20:41,760 --> 00:20:45,680
Speaker 3: instead of my stupid aunt.

456
00:20:46,160 --> 00:20:48,679
Speaker 1: She was.

457
00:20:50,520 --> 00:20:52,600
Speaker 3: She was just texting her because we're doing Greek Easter together,

458
00:20:52,680 --> 00:20:55,359
Speaker 3: and I'm like, best decision we ever made getting her

459
00:20:55,359 --> 00:20:55,840
Speaker 3: to officiate.

460
00:20:56,119 --> 00:20:59,800
Speaker 2: Yes, are you guys at that stage now where people,

461
00:21:00,160 --> 00:21:02,679
Speaker 2: uh like even your guests, let's say, are asking you,

462
00:21:02,760 --> 00:21:02,960
Speaker 2: like you.

463
00:21:02,960 --> 00:21:03,760
Speaker 3: Guys ever hook up?

464
00:21:04,240 --> 00:21:06,400
Speaker 1: It's like about us, yes, because each other.

465
00:21:06,760 --> 00:21:08,639
Speaker 2: This is the thing that we have been dealing with.

466
00:21:08,760 --> 00:21:11,320
Speaker 1: They've been doing it more for us lately. Really like

467
00:21:11,400 --> 00:21:13,120
Speaker 1: I don't know what it is, but like I feel

468
00:21:13,160 --> 00:21:15,560
Speaker 1: like we've been asked in the last year, probably about

469
00:21:15,600 --> 00:21:17,959
Speaker 1: five or six times in like a public way, so

470
00:21:18,000 --> 00:21:20,480
Speaker 1: what have you what's going on? Have you guys ever kissed?

471
00:21:20,560 --> 00:21:22,360
Speaker 1: Or like, what's what's happening here?

472
00:21:22,520 --> 00:21:23,040
Speaker 4: Interesting?

473
00:21:23,359 --> 00:21:26,480
Speaker 2: And they're like, really, I thought all gig and none.

474
00:21:26,480 --> 00:21:27,200
Speaker 3: That's not what they're saying.

475
00:21:27,200 --> 00:21:29,440
Speaker 1: But that's like your guests are saying, well, there's a

476
00:21:29,480 --> 00:21:30,120
Speaker 1: lot of hints.

477
00:21:33,200 --> 00:21:33,800
Speaker 4: Like come on.

478
00:21:35,200 --> 00:21:36,280
Speaker 1: No like jo.

479
00:21:38,040 --> 00:21:39,800
Speaker 4: Yes, yes, yes, that's funny.

480
00:21:39,880 --> 00:21:42,480
Speaker 3: I've had so many dreams about Jlo that I feel

481
00:21:42,480 --> 00:21:45,720
Speaker 3: like legitimately she's like I don't even remember, but she's

482
00:21:45,760 --> 00:21:48,000
Speaker 3: like a recurring character in my dreams, Like it'll just

483
00:21:48,000 --> 00:21:50,359
Speaker 3: be like I'm looking for a roommate and it's Jlo,

484
00:21:50,560 --> 00:21:52,520
Speaker 3: or like I'm like going to like a coffee shop

485
00:21:52,560 --> 00:21:53,160
Speaker 3: and she's there.

486
00:21:53,280 --> 00:21:56,080
Speaker 1: Well, I don't know what we actually were saying. We

487
00:21:56,119 --> 00:21:59,280
Speaker 1: think that she would get with our friends George George,

488
00:21:59,400 --> 00:22:00,600
Speaker 1: you would get along great.

489
00:22:00,720 --> 00:22:03,480
Speaker 4: What about their personalities with Link Yeah.

490
00:22:03,119 --> 00:22:08,280
Speaker 2: They're both very grounded, driven driven, Oh, great taste in film.

491
00:22:08,160 --> 00:22:15,400
Speaker 1: Great, amazing cinophiles. Yeah, and you know loves to celebration.

492
00:22:18,520 --> 00:22:20,440
Speaker 3: Both her and I love New Year's Eve. I will

493
00:22:20,480 --> 00:22:21,000
Speaker 3: say that.

494
00:22:21,680 --> 00:22:23,840
Speaker 1: She performed at Vegas in New Year's Eve. That's how

495
00:22:23,880 --> 00:22:26,440
Speaker 1: what she loved it. She said, I want to give

496
00:22:26,480 --> 00:22:27,120
Speaker 1: and give and give.

497
00:22:27,600 --> 00:22:30,440
Speaker 4: Business was pleasures sometimes gambling.

498
00:22:30,800 --> 00:22:34,320
Speaker 2: What what what was your favorite New Year's What was

499
00:22:34,359 --> 00:22:37,720
Speaker 2: my favorite New Year's ever? Sam and I had a

500
00:22:37,760 --> 00:22:41,399
Speaker 2: good one multiple But Maggie Windows was here like a

501
00:22:41,440 --> 00:22:44,400
Speaker 2: couple of weeks ago, Chicago one our Chicago one was crazy.

502
00:22:44,560 --> 00:22:46,320
Speaker 3: That was so twenty thirteen.

503
00:22:47,600 --> 00:22:48,959
Speaker 4: I was a bad girl that night.

504
00:22:49,000 --> 00:22:50,720
Speaker 2: You we're back, well we all were, but that was

505
00:22:50,760 --> 00:22:52,120
Speaker 2: That's the only New Years I've had where like I'm

506
00:22:52,119 --> 00:22:55,520
Speaker 2: out on the street and people are throwing.

507
00:22:55,600 --> 00:22:58,480
Speaker 1: Up yeah everywhere you saw.

508
00:22:58,880 --> 00:23:01,560
Speaker 4: No, Chicago is like chill when it comes to drinking.

509
00:23:01,960 --> 00:23:04,240
Speaker 5: But even like I felt myself like you know that,

510
00:23:04,320 --> 00:23:05,679
Speaker 5: it was like when you're in a dream and you

511
00:23:05,720 --> 00:23:07,320
Speaker 5: can't see all the way in front of you, Like

512
00:23:07,359 --> 00:23:09,879
Speaker 5: I've never been this level of drunk before or after,

513
00:23:10,440 --> 00:23:12,560
Speaker 5: And I was like like I could only see the

514
00:23:12,560 --> 00:23:14,600
Speaker 5: sidewalk and I would look up, but it was couldn't

515
00:23:14,600 --> 00:23:15,159
Speaker 5: see anything.

516
00:23:15,240 --> 00:23:16,320
Speaker 4: And I felt like I was like one of the

517
00:23:16,359 --> 00:23:17,160
Speaker 4: ones that had it together.

518
00:23:17,440 --> 00:23:19,200
Speaker 1: Yeah right, And was Jlo in that dream?

519
00:23:19,200 --> 00:23:21,600
Speaker 5: And so Jayla was in that dream which was in

520
00:23:21,640 --> 00:23:23,320
Speaker 5: reality in Chicago in twenty thirteen.

521
00:23:23,520 --> 00:23:26,680
Speaker 1: Yeah, she was like, Sam, get up, baby, we still

522
00:23:26,720 --> 00:23:30,840
Speaker 1: have some more nights. A parting Scarlet Mama Starlette.

523
00:23:32,240 --> 00:23:33,960
Speaker 3: Do you remember when she was on Willing Grace?

524
00:23:34,600 --> 00:23:35,320
Speaker 1: Yes, of course.

525
00:23:36,440 --> 00:23:39,480
Speaker 3: So she has a multi episode of arc on Will

526
00:23:39,520 --> 00:23:41,480
Speaker 3: and Grace and it's so funny and it's so good

527
00:23:41,520 --> 00:23:43,919
Speaker 3: at making fun of herself. She like makes fun of

528
00:23:43,920 --> 00:23:46,919
Speaker 3: her divorces and whatever. And one of the storylines is

529
00:23:46,960 --> 00:23:50,320
Speaker 3: that Karen writes a song called f YI I Heard Too,

530
00:23:50,480 --> 00:23:53,880
Speaker 3: a pop song, and then Jlo steals it. That's why

531
00:23:54,280 --> 00:23:58,600
Speaker 3: a perfect FYI I Heard Too? So that's a hit

532
00:23:58,840 --> 00:23:59,280
Speaker 3: so fun.

533
00:23:59,320 --> 00:24:01,560
Speaker 1: Now that's literally that was ahead of their time too,

534
00:24:01,560 --> 00:24:03,639
Speaker 1: because now every pop star single is like f y

535
00:24:03,720 --> 00:24:09,359
Speaker 1: I I Heard too, lowercase like b t W.

536
00:24:10,560 --> 00:24:14,200
Speaker 2: I'm saying, I l U yeah, yeah, yeah, yeah. Remember

537
00:24:14,200 --> 00:24:16,359
Speaker 2: when Britney Spears was on a one Grace Yes, and

538
00:24:16,480 --> 00:24:19,040
Speaker 2: she played a right wing secretly.

539
00:24:18,800 --> 00:24:21,919
Speaker 1: Lesbian or lesbian core lesbian.

540
00:24:22,840 --> 00:24:25,960
Speaker 3: Remember Madonna who played Karen's roommate. No, that's right. A

541
00:24:26,000 --> 00:24:29,280
Speaker 3: lot of people don't remember that, but it happened.

542
00:24:29,560 --> 00:24:31,360
Speaker 5: I'm not sure whether or not to feel like competitive

543
00:24:31,440 --> 00:24:33,200
Speaker 5: over the fact that people want you guys to kiss

544
00:24:33,200 --> 00:24:35,320
Speaker 5: and they don't care that we don't have a romance.

545
00:24:35,080 --> 00:24:37,320
Speaker 3: Because they think of us as more family values because

546
00:24:37,320 --> 00:24:37,720
Speaker 3: we're married.

547
00:24:37,920 --> 00:24:40,200
Speaker 1: I'm here publicly married and we're very.

548
00:24:40,119 --> 00:24:43,600
Speaker 3: Publicly married, and Sam is also very publicly into bears.

549
00:24:44,000 --> 00:24:44,560
Speaker 4: That's true.

550
00:24:44,800 --> 00:24:47,040
Speaker 2: Yeah, but you're just thinking, like why become more bear

551
00:24:47,200 --> 00:24:50,280
Speaker 2: like I would say, but go ahead, you've gone, but

552
00:24:50,600 --> 00:24:51,639
Speaker 2: you've become more bear like.

553
00:24:52,160 --> 00:24:54,879
Speaker 3: Yeah, I've just got I'm not saying this as a

554
00:24:57,920 --> 00:25:00,639
Speaker 3: I'm not saying I'm not saying like I'm oh shucks,

555
00:25:00,720 --> 00:25:02,920
Speaker 3: but I'm I am larger now than I was when

556
00:25:02,920 --> 00:25:05,919
Speaker 3: we first started the I'm embracing it.

557
00:25:06,320 --> 00:25:07,119
Speaker 2: Taking it more space.

558
00:25:07,320 --> 00:25:09,159
Speaker 1: I would like to write a song inspired.

559
00:25:08,800 --> 00:25:12,679
Speaker 3: By that, by me and embracing I'm going large growing I'm.

560
00:25:12,720 --> 00:25:18,600
Speaker 1: Larger now, I'm growing largery. I'm larger now, i am

561
00:25:18,720 --> 00:25:22,159
Speaker 1: growing larger. Is a song I'm growing larger, i Am

562
00:25:22,240 --> 00:25:22,880
Speaker 1: growing larger.

563
00:25:22,920 --> 00:25:23,160
Speaker 4: Wow.

564
00:25:23,520 --> 00:25:25,200
Speaker 1: In fact, that might be the title of the whole album.

565
00:25:25,320 --> 00:25:27,960
Speaker 4: It does feel a bit erection coded.

566
00:25:28,119 --> 00:25:30,240
Speaker 1: Yeah, there's so many ways you could go with it.

567
00:25:30,359 --> 00:25:32,879
Speaker 1: That's why I like it as a concept album. I

568
00:25:32,960 --> 00:25:35,960
Speaker 1: Am growing larger. Well, in what ways you'll find twelve

569
00:25:36,040 --> 00:25:37,560
Speaker 1: and two bonus interesting?

570
00:25:37,720 --> 00:25:39,119
Speaker 3: Oh wow?

571
00:25:40,320 --> 00:25:40,439
Speaker 4: Oh?

572
00:25:40,600 --> 00:25:44,080
Speaker 2: You see Matt always comes up with legitimately incredible concepts.

573
00:25:44,800 --> 00:25:47,400
Speaker 3: No, I think that's an amazing contry album. There's one

574
00:25:47,440 --> 00:25:49,920
Speaker 3: of Each song is a different One song is potentially

575
00:25:50,280 --> 00:25:54,359
Speaker 3: Pinocchio knows growing larger like learning not to.

576
00:25:54,440 --> 00:25:57,719
Speaker 1: Lie Well, I do tell bang about all my concept

577
00:25:57,760 --> 00:25:59,680
Speaker 1: albums and my albums that come up in my head

578
00:25:59,720 --> 00:26:04,680
Speaker 1: and that's post coitus. Yeah, after we after we have sex,

579
00:26:05,080 --> 00:26:13,720
Speaker 1: catch my cigarette out on him. A concept record and

580
00:26:13,840 --> 00:26:14,880
Speaker 1: he says, brilliant.

581
00:26:15,240 --> 00:26:18,920
Speaker 2: Wow, what I think you should legitimately pursue this I

582
00:26:19,080 --> 00:26:21,920
Speaker 2: am on vacation. That is that the concept album is

583
00:26:22,040 --> 00:26:26,800
Speaker 2: being on vacation. There was I am on vacation, on vacation,

584
00:26:27,080 --> 00:26:29,800
Speaker 2: and that's sort of what Radical Optimism was about. That

585
00:26:30,280 --> 00:26:31,960
Speaker 2: it was ahead of my time on that one as well.

586
00:26:32,160 --> 00:26:34,879
Speaker 2: People give me such guffer saying that it's my favorite

587
00:26:34,920 --> 00:26:35,680
Speaker 2: du alipa album.

588
00:26:39,240 --> 00:26:41,600
Speaker 1: Is great, And here's what I would say looking back,

589
00:26:41,800 --> 00:26:43,640
Speaker 1: Do I think it's going to hold the cultural place

590
00:26:43,720 --> 00:26:47,080
Speaker 1: of future nostalgia? But I think to say that Radical

591
00:26:47,280 --> 00:26:49,160
Speaker 1: Optimism is like a flop era for hers.

592
00:26:49,240 --> 00:26:51,800
Speaker 2: No no, no, no, people short sighted. We're going to

593
00:26:51,840 --> 00:26:54,040
Speaker 2: look back on it very soon, I would say, in

594
00:26:54,080 --> 00:26:55,560
Speaker 2: the next few months hopefully.

595
00:26:55,880 --> 00:26:56,240
Speaker 4: And and.

596
00:26:58,160 --> 00:27:01,520
Speaker 1: Well, congrats to Whodini who the Billions Club? I did?

597
00:27:02,000 --> 00:27:03,760
Speaker 1: Did you.

598
00:27:05,359 --> 00:27:05,600
Speaker 4: Girl?

599
00:27:05,720 --> 00:27:08,360
Speaker 1: You joined the Billions Club and you have four gay

600
00:27:08,440 --> 00:27:10,000
Speaker 1: guys to I know we were all streaming.

601
00:27:12,520 --> 00:27:14,000
Speaker 3: Did you see what I did to do a lipa?

602
00:27:15,840 --> 00:27:18,800
Speaker 3: I got a notification. This sounds like I'm making it

603
00:27:18,880 --> 00:27:22,160
Speaker 3: up A notification that that a comment of mine was liked,

604
00:27:22,880 --> 00:27:25,320
Speaker 3: and the comment was that a week before that notification,

605
00:27:25,400 --> 00:27:27,000
Speaker 3: I had comments on a photo of do a lipa.

606
00:27:27,680 --> 00:27:31,920
Speaker 3: You are absolutely killing it, miss Chica. And I looked

607
00:27:32,000 --> 00:27:33,359
Speaker 3: up when that day was, and it was when I

608
00:27:33,440 --> 00:27:35,639
Speaker 3: was really jet lagged, when I had just drived in London,

609
00:27:36,080 --> 00:27:38,040
Speaker 3: and I do I now have sort of formed a

610
00:27:38,080 --> 00:27:39,679
Speaker 3: memory of it, and I do think I remember being

611
00:27:39,720 --> 00:27:42,840
Speaker 3: in my hotel room and commenting it, but I semi

612
00:27:43,800 --> 00:27:46,960
Speaker 3: I semi asleep, commented on a carousel of do a lipa.

613
00:27:46,960 --> 00:27:51,320
Speaker 1: You are absolutely killing miss Cheeka. That's actually really culture

614
00:27:51,440 --> 00:27:51,880
Speaker 1: number eight.

615
00:27:53,160 --> 00:27:54,639
Speaker 4: You are absolutely.

616
00:27:56,080 --> 00:28:01,040
Speaker 2: Something about being in London. Uh sort of blear eyes exactly.

617
00:28:02,359 --> 00:28:04,560
Speaker 2: You just do things that you're like and you go

618
00:28:04,640 --> 00:28:05,800
Speaker 2: into an associated state.

619
00:28:06,119 --> 00:28:08,800
Speaker 1: I really was anything you want from Europe. It's actually

620
00:28:08,800 --> 00:28:12,120
Speaker 1: a real culture number tend you can. I was doing

621
00:28:12,200 --> 00:28:15,199
Speaker 1: fit check from cam don't forgot. I know you were

622
00:28:15,240 --> 00:28:16,320
Speaker 1: clopping my tea at home to.

623
00:28:17,600 --> 00:28:19,600
Speaker 3: Do I might ever not no, I literally you know

624
00:28:19,640 --> 00:28:25,000
Speaker 3: I'm printing out every story of Mate will hate this.

625
00:28:26,040 --> 00:28:26,800
Speaker 1: But I know you love it.

626
00:28:26,880 --> 00:28:28,800
Speaker 3: And sometimes I'll just text him a period just so

627
00:28:28,880 --> 00:28:30,000
Speaker 3: he knows I'm watching.

628
00:28:31,359 --> 00:28:34,440
Speaker 2: Speaking about miss cheek as and pop stars and this

629
00:28:34,560 --> 00:28:35,080
Speaker 2: is pertinent to you.

630
00:28:35,560 --> 00:28:37,560
Speaker 4: Wait, clog me or me, It's still an obsession.

631
00:28:40,520 --> 00:28:42,000
Speaker 1: Are your face?

632
00:28:42,120 --> 00:28:42,280
Speaker 4: Yeah?

633
00:28:42,960 --> 00:28:43,880
Speaker 3: Hate me, it's an obsession.

634
00:28:43,960 --> 00:28:47,120
Speaker 1: Love me, I hate me? Still an obsession. Lady Lady Sovereign.

635
00:28:49,360 --> 00:28:51,880
Speaker 3: Lady Sovereign is a recurring motif in Sam's work as

636
00:28:51,920 --> 00:28:52,400
Speaker 3: a comedian.

637
00:28:52,600 --> 00:28:55,680
Speaker 1: Lady Sovereign it looked like she was going the distance.

638
00:28:55,720 --> 00:28:57,600
Speaker 5: Well, I actually I am obsessed with that concept because

639
00:28:57,640 --> 00:28:59,520
Speaker 5: sometimes when I really hate something, I'm like, give me

640
00:28:59,600 --> 00:29:02,040
Speaker 5: one year, this will be my favorite thing. Like I'm like,

641
00:29:02,160 --> 00:29:03,520
Speaker 5: they are the same feeling.

642
00:29:04,200 --> 00:29:07,360
Speaker 3: Me and are hibert and you were not you?

643
00:29:07,600 --> 00:29:12,240
Speaker 1: You clocked ugging upon article.

644
00:29:12,640 --> 00:29:17,000
Speaker 3: Three months later, we're gagging harder than I woke up.

645
00:29:16,960 --> 00:29:18,840
Speaker 4: One day and I was like, I need this more

646
00:29:18,880 --> 00:29:20,040
Speaker 4: than anything on earth.

647
00:29:20,080 --> 00:29:20,560
Speaker 3: She's a music.

648
00:29:21,120 --> 00:29:22,200
Speaker 4: Would not stop listening to it.

649
00:29:22,840 --> 00:29:23,600
Speaker 1: Assuming you want to.

650
00:29:24,480 --> 00:29:32,400
Speaker 3: Literally nice thirst chop is. It's like that is having

651
00:29:32,440 --> 00:29:35,560
Speaker 3: a crush. It is the er having a crush song.

652
00:29:35,640 --> 00:29:38,520
Speaker 3: I've never heard anything like it. Literally, I can't remember

653
00:29:38,520 --> 00:29:40,480
Speaker 3: the exactly, but it's like I literally used to watch

654
00:29:40,560 --> 00:29:44,480
Speaker 3: the news and now I take photos of myself genius.

655
00:29:45,080 --> 00:29:45,959
Speaker 1: No, she's amazing.

656
00:29:46,040 --> 00:29:46,600
Speaker 4: She's amazing.

657
00:29:47,040 --> 00:29:48,920
Speaker 2: I don't even take photos of myself, but I used

658
00:29:48,920 --> 00:29:51,280
Speaker 2: to watch the news and I don't anymore. And the

659
00:29:51,400 --> 00:29:55,320
Speaker 2: song the Chateau is great, ye, and what's the what's

660
00:29:55,360 --> 00:29:57,080
Speaker 2: the song of the Bowling Alley? I love.

661
00:29:58,520 --> 00:29:59,440
Speaker 3: Phoebe go ahead?

662
00:29:59,480 --> 00:30:01,280
Speaker 2: Sorry no, no, no, no, no, So you guys just

663
00:30:01,360 --> 00:30:03,080
Speaker 2: it just clicked one day, both of you at the same.

664
00:30:03,000 --> 00:30:05,480
Speaker 1: Time, around around the same time.

665
00:30:06,000 --> 00:30:07,960
Speaker 3: So you that is a cooking up and.

666
00:30:09,440 --> 00:30:12,520
Speaker 1: Intimacy. What is your most intimate moment?

667
00:30:14,360 --> 00:30:16,040
Speaker 4: Wait, this is an amazing question, and it.

668
00:30:16,040 --> 00:30:18,360
Speaker 1: Can be emotional intimacy. I'm not asking in like a

669
00:30:18,480 --> 00:30:21,680
Speaker 1: disgusting way desperate. No, I'm actually not.

670
00:30:21,840 --> 00:30:23,920
Speaker 3: I think I mean we do like jerk off together

671
00:30:24,520 --> 00:30:26,320
Speaker 3: a question like five year olds.

672
00:30:26,440 --> 00:30:30,200
Speaker 1: It became a joke. You guys all notice that it

673
00:30:30,280 --> 00:30:32,920
Speaker 1: became a joke. I asked, what's your most intimate moment together?

674
00:30:33,440 --> 00:30:37,520
Speaker 3: Title of that it became a joke, became a joke. See,

675
00:30:37,560 --> 00:30:38,840
Speaker 3: they really are, they really are.

676
00:30:39,080 --> 00:30:40,280
Speaker 4: Do we have an intimate moment?

677
00:30:42,000 --> 00:30:45,560
Speaker 1: Is not what our make eye.

678
00:30:48,120 --> 00:30:51,040
Speaker 3: Response to me is It's not a moment, but there

679
00:30:51,080 --> 00:30:54,880
Speaker 3: are times when it it sinks up. And this can

680
00:30:54,960 --> 00:30:57,840
Speaker 3: happen both on stage or off stage, and it feels

681
00:30:57,960 --> 00:31:00,680
Speaker 3: like we are sharing a brain. And it's like even

682
00:31:00,720 --> 00:31:02,720
Speaker 3: when we're like on tour together and we're like planning

683
00:31:02,760 --> 00:31:05,000
Speaker 3: our day. I sometimes I think this is the way

684
00:31:05,040 --> 00:31:07,440
Speaker 3: twins are, where it's like I'll sometimes be like, I

685
00:31:07,760 --> 00:31:10,160
Speaker 3: know what Sam is in the mood for I don't

686
00:31:10,160 --> 00:31:11,680
Speaker 3: even have to be in the same room as him.

687
00:31:11,880 --> 00:31:14,720
Speaker 3: I know he's going to be, you know, in a

688
00:31:14,760 --> 00:31:19,160
Speaker 3: good mood, in a cranky mood, hungry, like wanting to exercise, like,

689
00:31:20,000 --> 00:31:21,480
Speaker 3: and I think that's.

690
00:31:21,320 --> 00:31:23,040
Speaker 4: The no I love. When we're on tour, it is

691
00:31:23,160 --> 00:31:25,800
Speaker 4: like we're like a couple, yeah, and in a nice way,

692
00:31:26,200 --> 00:31:28,320
Speaker 4: except non sexually like a couple, yeah, couple.

693
00:31:28,400 --> 00:31:30,280
Speaker 3: Yeah. So it's sort of exactly like sort of like

694
00:31:30,320 --> 00:31:32,440
Speaker 3: a cop. We're kind of like a married couple.

695
00:31:33,200 --> 00:31:35,280
Speaker 1: We're kind of like a very couple in that we

696
00:31:35,440 --> 00:31:38,360
Speaker 1: know exactly what each other is thinking and never fuck.

697
00:31:39,040 --> 00:31:41,440
Speaker 5: I like it too, Like I like when we're like okay,

698
00:31:41,640 --> 00:31:45,280
Speaker 5: like we will get breakfast together and then it'll be like, okay, well,

699
00:31:45,360 --> 00:31:46,880
Speaker 5: you know, maybe let's text like an hour or two.

700
00:31:47,040 --> 00:31:48,960
Speaker 5: And I know when we say that, it means we

701
00:31:49,000 --> 00:31:51,160
Speaker 5: won't see each other until like an hour for the.

702
00:31:51,160 --> 00:31:56,840
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703
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714
00:32:32,800 --> 00:32:36,440
Speaker 1: Huge thanks again to our sponsor, Vital Proteins.

715
00:32:36,600 --> 00:32:39,120
Speaker 2: These statements have not been evaluated by the Food and

716
00:32:39,200 --> 00:32:44,080
Speaker 2: Drug Administration. This product is not intended to diagnose, treat, cure,

717
00:32:44,280 --> 00:32:49,959
Speaker 2: or prevent any disease. The latest news in the industry, Oh,

718
00:32:50,040 --> 00:32:53,840
Speaker 2: I love this is that Lady Gaga is in talks

719
00:32:53,920 --> 00:32:58,480
Speaker 2: to star in the Perfect Blue adaptation, directed by Darren Aronofsky.

720
00:33:01,080 --> 00:33:04,040
Speaker 1: I don't know how real it is. This on Vanity Fair, Chris,

721
00:33:04,160 --> 00:33:07,920
Speaker 1: our friend Chris Murphy wrote it really OK? No, Oh

722
00:33:08,000 --> 00:33:08,720
Speaker 1: Perfect Blue is in.

723
00:33:09,320 --> 00:33:11,800
Speaker 3: I just watched it. Well, I was texting about this

724
00:33:11,880 --> 00:33:15,840
Speaker 3: because I just watched it, and I looked. I was like,

725
00:33:15,880 --> 00:33:18,800
Speaker 3: I need to hear. I need to read and listen

726
00:33:18,880 --> 00:33:21,120
Speaker 3: to things about this. Yeah, and so on my podcast app,

727
00:33:21,160 --> 00:33:23,040
Speaker 3: I searched Perfect Blue. First thing that comes up, bow

728
00:33:23,040 --> 00:33:25,160
Speaker 3: and Yang, I'm blank check yes. So I'm gonna have

729
00:33:25,240 --> 00:33:27,200
Speaker 3: to hit play on that three and a half million

730
00:33:27,280 --> 00:33:28,280
Speaker 3: hour episodes.

731
00:33:28,640 --> 00:33:30,400
Speaker 1: They let the cameras roll.

732
00:33:30,480 --> 00:33:31,200
Speaker 3: They really, I.

733
00:33:31,200 --> 00:33:32,280
Speaker 2: Don't remember much of that.

734
00:33:33,040 --> 00:33:34,240
Speaker 3: You were great, okay, great, I.

735
00:33:34,280 --> 00:33:35,480
Speaker 4: Thought you were wine drunk.

736
00:33:36,960 --> 00:33:39,040
Speaker 2: Well, he loves the film. He loves it's one of

737
00:33:39,080 --> 00:33:39,640
Speaker 2: my it's my things.

738
00:33:40,320 --> 00:33:41,840
Speaker 3: I think it's a very sam film.

739
00:33:41,920 --> 00:33:43,680
Speaker 2: It's it's so you, it's crazy.

740
00:33:43,800 --> 00:33:45,200
Speaker 3: You know what it is. It's Lady Gaga fame as

741
00:33:45,200 --> 00:33:45,560
Speaker 3: a prison.

742
00:33:46,720 --> 00:33:48,520
Speaker 2: So tell me what's the okay. So it's a movie

743
00:33:48,680 --> 00:33:52,640
Speaker 2: that I'm I'm okay. If I ever dwindle like get it, like,

744
00:33:52,840 --> 00:33:55,160
Speaker 2: y'all step in. Okay, If I ever dwindle, y'all step in,

745
00:33:57,040 --> 00:33:59,880
Speaker 2: it's for the culture number fifty. If I ever dwindle,

746
00:34:00,160 --> 00:34:03,080
Speaker 2: y'all step in, that's friendship. Yeah, that's the four of

747
00:34:03,160 --> 00:34:05,920
Speaker 2: us though. Okay, So it's basically it came out in

748
00:34:06,000 --> 00:34:11,000
Speaker 2: like ninety by ninety six, okay, super prescient. It's this

749
00:34:11,280 --> 00:34:14,759
Speaker 2: girl who her name is Mima, and she was in

750
00:34:14,840 --> 00:34:18,200
Speaker 2: the little pop trio and then she leaves the trio

751
00:34:18,400 --> 00:34:21,319
Speaker 2: in order to pursue an acting career on a television show.

752
00:34:22,600 --> 00:34:24,919
Speaker 2: But then like her, some of her fans and one

753
00:34:25,200 --> 00:34:28,520
Speaker 2: kind of stalking presence in particular, is like angry about

754
00:34:28,560 --> 00:34:32,080
Speaker 2: that wants to keep her sort of an amber in

755
00:34:32,160 --> 00:34:34,239
Speaker 2: this girl group as a pop star. But she's like,

756
00:34:34,320 --> 00:34:37,040
Speaker 2: I'm an actress now. Then her manager gives her a

757
00:34:37,120 --> 00:34:39,520
Speaker 2: computer as a gift that's hooked up to the internet.

758
00:34:40,080 --> 00:34:43,320
Speaker 2: Ninety five she's on. Then she boots up the computer

759
00:34:43,440 --> 00:34:45,239
Speaker 2: and then like all of a sudden, she sees a

760
00:34:45,320 --> 00:34:48,880
Speaker 2: website like a blog essentially diary entries written as her,

761
00:34:49,560 --> 00:34:52,279
Speaker 2: but like in great detail about her life in her day,

762
00:34:52,719 --> 00:34:54,279
Speaker 2: like on set, like was on set today?

763
00:34:54,360 --> 00:34:56,080
Speaker 3: Did this? She was like, how does this know? Keep

764
00:34:56,120 --> 00:35:00,960
Speaker 3: in mind this is mid nineties, yeah, pre pre blogs, Pregker,

765
00:35:01,160 --> 00:35:07,040
Speaker 3: pre Gocker, the peak and and the renaissance. I yeah,

766
00:35:07,600 --> 00:35:08,080
Speaker 3: of Goker.

767
00:35:08,280 --> 00:35:13,000
Speaker 2: But then she thank you basically she like it's she like,

768
00:35:13,200 --> 00:35:16,400
Speaker 2: it's it's fully dissociatid it's it's this like psychological thriller

769
00:35:16,440 --> 00:35:19,920
Speaker 2: where like she's being chased by her own like presence,

770
00:35:20,080 --> 00:35:22,480
Speaker 2: like someone is like really like I don't know, like

771
00:35:22,600 --> 00:35:25,400
Speaker 2: stalking her, and it ends in like horror like help me,

772
00:35:25,440 --> 00:35:25,640
Speaker 2: help me.

773
00:35:26,440 --> 00:35:29,760
Speaker 1: As like another her that's like born from the internet.

774
00:35:29,840 --> 00:35:33,880
Speaker 1: There's like another creation. She can't really decide or delineate

775
00:35:33,960 --> 00:35:36,200
Speaker 1: whether it's something that's in her mind or whether it's

776
00:35:36,239 --> 00:35:41,320
Speaker 1: an actual like embodied thing that has somehow been created

777
00:35:41,400 --> 00:35:44,560
Speaker 1: from this nasty dark image of her on the internet.

778
00:35:44,880 --> 00:35:48,279
Speaker 1: And she her reality shatters because she's unable to be

779
00:35:48,440 --> 00:35:52,320
Speaker 1: like I'm me. That's that I can register reality.

780
00:35:52,480 --> 00:35:56,080
Speaker 3: It's like about it's about becoming crazy from reading the

781
00:35:56,120 --> 00:35:59,800
Speaker 3: comments basically. Yeah. But also what's what's also prescient about it,

782
00:36:00,480 --> 00:36:03,320
Speaker 3: which you mentioned I think on this podcast episode, is

783
00:36:03,560 --> 00:36:07,160
Speaker 3: she's not a huge star. She's not Madonna in the movie.

784
00:36:07,360 --> 00:36:10,880
Speaker 3: She's actually kind of like a small She's almost like

785
00:36:11,920 --> 00:36:16,120
Speaker 3: like she's she's like a so which I always think

786
00:36:16,480 --> 00:36:19,240
Speaker 3: because it's like predicting this era where like the internet

787
00:36:19,360 --> 00:36:21,480
Speaker 3: is a bunch of micro celebrities and all of them

788
00:36:21,480 --> 00:36:24,240
Speaker 3: are going insane fully ADU style.

789
00:36:24,840 --> 00:36:29,680
Speaker 2: Thirty years ago and so very black Swan right. Literally,

790
00:36:29,760 --> 00:36:32,000
Speaker 2: Baron copied it for Black so so then when Black

791
00:36:32,040 --> 00:36:35,000
Speaker 2: Swan comes out, everyone's like, hey, you copied Perfect Blue

792
00:36:35,040 --> 00:36:38,160
Speaker 2: and he's like, no, I'm influenced by And then now

793
00:36:38,400 --> 00:36:41,040
Speaker 2: it's very full circle. That's doing is and who what's

794
00:36:41,080 --> 00:36:44,880
Speaker 2: the other person that that fully copied the paprika is?

795
00:36:44,960 --> 00:36:48,160
Speaker 2: Barry Christopher Nolan hes very inception? Yes, yeah, So anyway,

796
00:36:48,360 --> 00:36:52,200
Speaker 2: what do we think about Gaga doing? It's basically Mayhem.

797
00:36:52,280 --> 00:36:53,320
Speaker 2: It's basically the Mayhew.

798
00:36:53,480 --> 00:36:55,000
Speaker 1: I of course celebrate, Okay.

799
00:36:54,800 --> 00:36:58,640
Speaker 4: I think what's anything she's in? I will celebrate.

800
00:36:58,840 --> 00:37:01,440
Speaker 1: That's the thing that's like, it's it's gonna be whatever

801
00:37:01,560 --> 00:37:03,000
Speaker 1: it is. You could put her in a movie I

802
00:37:03,040 --> 00:37:03,959
Speaker 1: would never see.

803
00:37:04,160 --> 00:37:06,399
Speaker 4: I saw a joker too. I am there.

804
00:37:06,760 --> 00:37:07,680
Speaker 3: I have no take on her.

805
00:37:07,840 --> 00:37:10,520
Speaker 2: Besides, because the take is always well, I will be

806
00:37:10,600 --> 00:37:11,239
Speaker 2: obsessed with them.

807
00:37:11,320 --> 00:37:12,880
Speaker 4: So it's like, I can't be a journalist when it

808
00:37:12,920 --> 00:37:15,160
Speaker 4: comes to Lady Goga because I'm biased.

809
00:37:14,960 --> 00:37:19,280
Speaker 1: Exactly, So I recuse myself participating fully.

810
00:37:19,640 --> 00:37:23,600
Speaker 3: I have I have an idea that I haven't thinking

811
00:37:23,640 --> 00:37:27,680
Speaker 3: about that I think could really change things around for missus,

812
00:37:27,760 --> 00:37:31,520
Speaker 3: Lady Gaga. Go ahead, I love this should play Mary Todd.

813
00:37:34,080 --> 00:37:35,680
Speaker 1: Yeah, I mean, this is like it.

814
00:37:35,800 --> 00:37:36,880
Speaker 3: I think I'm not kidding.

815
00:37:38,320 --> 00:37:42,320
Speaker 1: I know, and I'm with you. There's nothing more I

816
00:37:42,320 --> 00:37:43,959
Speaker 1: would want than that. Like I just said, it doesn't

817
00:37:44,000 --> 00:37:46,440
Speaker 1: matter what she's doing. I think you're trying to be obsessed.

818
00:37:46,480 --> 00:37:46,719
Speaker 4: I'm not.

819
00:37:47,800 --> 00:37:51,720
Speaker 1: I'm you don't think it would be a smashing success.

820
00:37:51,800 --> 00:37:53,040
Speaker 3: I think it would be a success. I don't think

821
00:37:53,040 --> 00:37:54,200
Speaker 3: she has reason.

822
00:37:54,360 --> 00:37:56,360
Speaker 2: I don't think oh Mary is at her level of

823
00:37:56,400 --> 00:37:57,520
Speaker 2: sort of cultural relevance.

824
00:37:57,560 --> 00:37:59,600
Speaker 3: And I mean that's the thing. It is the number

825
00:37:59,680 --> 00:38:01,120
Speaker 3: one theater property.

826
00:38:01,560 --> 00:38:02,160
Speaker 4: It had true.

827
00:38:02,239 --> 00:38:04,480
Speaker 3: It has absolutely come for Hamilton.

828
00:38:05,200 --> 00:38:07,200
Speaker 1: Yeah, it has. It has come for Hamilton.

829
00:38:08,000 --> 00:38:09,600
Speaker 3: Oh Mary has come for Hamilton.

830
00:38:10,360 --> 00:38:13,920
Speaker 4: Knock knock clock, clock, clack clock, clock.

831
00:38:13,719 --> 00:38:17,560
Speaker 1: Over clock clock. I love that clock clock.

832
00:38:17,520 --> 00:38:19,320
Speaker 3: Because guess what if you told me ago, if you

833
00:38:19,440 --> 00:38:21,120
Speaker 3: told me year ago it was my Rudolph, I would

834
00:38:21,120 --> 00:38:23,640
Speaker 3: have said, no, she's too you know, famous to do

835
00:38:23,680 --> 00:38:25,719
Speaker 3: it or whatever. Like, I just think it's only going

836
00:38:25,800 --> 00:38:28,359
Speaker 3: to keep getting more prestige until it's Michelle Obama.

837
00:38:28,400 --> 00:38:30,280
Speaker 1: Well, you know they fully you know who was fully

838
00:38:30,400 --> 00:38:31,840
Speaker 1: going to do it and talked about it on this

839
00:38:31,960 --> 00:38:35,360
Speaker 1: podcast was Jennifer Lawrence. She was going to do it,

840
00:38:35,400 --> 00:38:36,920
Speaker 1: and it didn't work. Out, and then we had heard

841
00:38:37,840 --> 00:38:40,920
Speaker 1: Hathway that Anne Hathaway was supposed to go first replacement,

842
00:38:41,719 --> 00:38:42,000
Speaker 1: that the.

843
00:38:42,200 --> 00:38:44,239
Speaker 2: Like the people that they're talking to you are on

844
00:38:44,400 --> 00:38:47,000
Speaker 2: this level as we know. I mean, that's why, like

845
00:38:47,080 --> 00:38:48,399
Speaker 2: it doesn't really bump at all.

846
00:38:48,480 --> 00:38:49,160
Speaker 4: No, I was that.

847
00:38:49,600 --> 00:38:50,239
Speaker 3: I wasn't saying that.

848
00:38:50,280 --> 00:38:53,239
Speaker 4: It's not like her level that's bumping me. It's more

849
00:38:53,320 --> 00:38:54,160
Speaker 4: like the silliness.

850
00:38:54,640 --> 00:38:57,160
Speaker 3: Okay, you don't think she's silly. I think she Oh

851
00:38:57,239 --> 00:38:58,040
Speaker 3: you don't think she's silly.

852
00:39:00,200 --> 00:39:02,920
Speaker 4: Of course I think she's silly. It's just like But

853
00:39:03,000 --> 00:39:03,239
Speaker 4: at the.

854
00:39:03,239 --> 00:39:05,239
Speaker 3: Same time, Sam didn't understand the campout woman. If a

855
00:39:05,280 --> 00:39:06,360
Speaker 3: star is born, Oh.

856
00:39:06,320 --> 00:39:08,800
Speaker 4: My god, I think she is.

857
00:39:09,800 --> 00:39:12,279
Speaker 1: And you thought House of Gucci was a ground to drama, Well,

858
00:39:13,320 --> 00:39:15,040
Speaker 1: he said that accent works.

859
00:39:16,920 --> 00:39:17,919
Speaker 4: That accent did work.

860
00:39:19,160 --> 00:39:24,879
Speaker 5: I also thinks it's everyone else's accent that didn't work.

861
00:39:25,080 --> 00:39:28,200
Speaker 3: She was in the right place, that is true, Adam Trevor.

862
00:39:28,440 --> 00:39:31,040
Speaker 1: Well not, No, My my favorite performance from the movie

863
00:39:31,120 --> 00:39:32,080
Speaker 1: is of course say it with me.

864
00:39:33,560 --> 00:39:37,600
Speaker 3: Of course she is one of our greats.

865
00:39:37,719 --> 00:39:39,160
Speaker 1: Yes, there's no disputing it.

866
00:39:39,320 --> 00:39:41,560
Speaker 3: I was recently rewatching the Third Rock episode she's in

867
00:39:41,760 --> 00:39:43,920
Speaker 3: where she goes she's like wearing a T shirt that

868
00:39:44,000 --> 00:39:46,239
Speaker 3: says something funny, and she's like, don't let my silly

869
00:39:46,320 --> 00:39:48,520
Speaker 3: T shirt distract from something serious. I'm about to say

870
00:39:49,239 --> 00:39:53,799
Speaker 3: what perfect silly T shirt distract from?

871
00:39:54,840 --> 00:39:57,319
Speaker 2: Thirty Rock used to be the Oh Mary where they

872
00:39:57,320 --> 00:39:59,120
Speaker 2: would really bring in these these a lists.

873
00:39:59,280 --> 00:40:01,680
Speaker 3: Yes, it's like, take me back.

874
00:40:01,920 --> 00:40:04,080
Speaker 1: I actually I've been out of thirty Rock. Kick again.

875
00:40:04,480 --> 00:40:09,279
Speaker 1: I've been mainlining it. It's really nice. It's been just

876
00:40:11,239 --> 00:40:13,600
Speaker 1: you forget. You're like, oh wow, it actually can just

877
00:40:13,760 --> 00:40:16,120
Speaker 1: be jokes. It can it can?

878
00:40:16,360 --> 00:40:18,640
Speaker 2: We're so far away from that now is a culture.

879
00:40:19,239 --> 00:40:20,600
Speaker 3: When was the last time you heard a joke?

880
00:40:20,960 --> 00:40:21,200
Speaker 6: You know what?

881
00:40:21,920 --> 00:40:22,200
Speaker 1: You know what?

882
00:40:22,320 --> 00:40:22,600
Speaker 4: Actually?

883
00:40:22,680 --> 00:40:25,480
Speaker 3: I do like it was Donald Trump becoming president.

884
00:40:31,080 --> 00:40:32,840
Speaker 1: This podcast went dark woke today.

885
00:40:34,040 --> 00:40:34,680
Speaker 4: It's so scary.

886
00:40:35,040 --> 00:40:41,440
Speaker 3: Get me Gavin you some yeah, you know jabuki and

887
00:40:41,480 --> 00:40:44,040
Speaker 3: I quin in your term today, which it's called Gavin

888
00:40:44,080 --> 00:40:45,520
Speaker 3: Newsome comedy. Do you want to hear what it is?

889
00:40:45,680 --> 00:40:45,839
Speaker 4: Yeah?

890
00:40:46,200 --> 00:40:48,880
Speaker 3: It is comedy and I'll tell you who we're referring to,

891
00:40:49,120 --> 00:40:52,000
Speaker 3: off Mike. It is comedy that takes last culture. It

892
00:40:52,120 --> 00:40:54,680
Speaker 3: is comedy that takes the worst parts of all comedy

893
00:40:54,719 --> 00:40:57,000
Speaker 3: and the worst parts of club comedy and combines it.

894
00:40:57,600 --> 00:41:01,719
Speaker 3: Oh god, I would love Gavin, and I know I'm

895
00:41:01,760 --> 00:41:03,680
Speaker 3: just saying, that's what Gavin Newson is doing with like

896
00:41:04,239 --> 00:41:07,279
Speaker 3: taking the worst parts of liberal and worst parts of

897
00:41:09,280 --> 00:41:11,480
Speaker 3: too much creditbly. No, No, he's not doing comedy. No,

898
00:41:11,800 --> 00:41:13,640
Speaker 3: he would be a great Marry Todd, but he is

899
00:41:13,719 --> 00:41:16,400
Speaker 3: not doing comedy. I'm saying the metaphor for this kind

900
00:41:16,400 --> 00:41:17,920
Speaker 3: of comedy is yes, yes, I.

901
00:41:17,920 --> 00:41:19,879
Speaker 1: Think he's just trying to make everything culturally normal.

902
00:41:19,960 --> 00:41:20,160
Speaker 7: Yeah.

903
00:41:20,200 --> 00:41:21,239
Speaker 3: Yeah, because that's what we have to do.

904
00:41:21,280 --> 00:41:23,200
Speaker 1: We just have to be culturally normal and then we'll

905
00:41:23,239 --> 00:41:23,840
Speaker 1: all be fine.

906
00:41:24,040 --> 00:41:27,200
Speaker 4: Wait. Wait, Lindsey Graham, Mary Todd. When oh.

907
00:41:28,840 --> 00:41:33,160
Speaker 2: Lindsey Graham, Sam, you okay, and you have to take

908
00:41:33,200 --> 00:41:37,040
Speaker 2: this as a compliment. Oh you are already an amazing

909
00:41:37,239 --> 00:41:39,120
Speaker 2: casting brain, you know what I mean?

910
00:41:39,760 --> 00:41:41,840
Speaker 3: And they just out of the casting oscar, and they just.

911
00:41:41,840 --> 00:41:42,560
Speaker 2: Out of the casting oscar.

912
00:41:42,600 --> 00:41:44,719
Speaker 1: You've always been this should give me the oscar.

913
00:41:44,800 --> 00:41:45,719
Speaker 2: Yeah, they should give you the oscar.

914
00:41:45,719 --> 00:41:46,600
Speaker 3: But achievement.

915
00:41:46,680 --> 00:41:50,120
Speaker 2: Sam would always like connect the perfect dots when we

916
00:41:50,160 --> 00:41:51,160
Speaker 2: were doing shows together.

917
00:41:51,200 --> 00:41:53,600
Speaker 4: I feel, well, let's I'm gonna take it as a compliment.

918
00:41:53,760 --> 00:41:58,480
Speaker 3: Yeah taken, Yeah, yeah, excuse me, don't raise your voice

919
00:41:58,480 --> 00:42:00,600
Speaker 3: on my co host. Yeah, you're being the yelling lady.

920
00:42:00,680 --> 00:42:02,520
Speaker 2: Wait, you guys said, you guys brought something for us.

921
00:42:03,760 --> 00:42:05,680
Speaker 5: Well, first, I was going to say something about casting.

922
00:42:06,640 --> 00:42:08,759
Speaker 5: Very quickly, we were talking about because we're.

923
00:42:08,640 --> 00:42:11,960
Speaker 3: Doing a much standing up yourself, we're doing a bunch.

924
00:42:11,840 --> 00:42:14,000
Speaker 4: Of records while we're here, and we were talking about

925
00:42:14,000 --> 00:42:16,600
Speaker 4: who we should book, and George was like, who's in

926
00:42:16,680 --> 00:42:17,040
Speaker 4: the theater?

927
00:42:17,200 --> 00:42:19,960
Speaker 5: Who's in the theater? And I was like, who do

928
00:42:20,000 --> 00:42:22,480
Speaker 5: I have like a complicated relationship with, Like who do

929
00:42:22,520 --> 00:42:24,839
Speaker 5: I want to explore my complicated relationship with? And George

930
00:42:24,880 --> 00:42:27,200
Speaker 5: is like, this is the exact difference between the two of.

931
00:42:27,239 --> 00:42:28,200
Speaker 4: Us in booking people.

932
00:42:28,520 --> 00:42:29,400
Speaker 2: You want confrontation.

933
00:42:29,560 --> 00:42:33,279
Speaker 5: I always want not confrontation, but like edge something I

934
00:42:33,360 --> 00:42:37,560
Speaker 5: want to like this was weird ten years ago, bad,

935
00:42:37,600 --> 00:42:39,080
Speaker 5: like you were rude to me, but like it can

936
00:42:39,160 --> 00:42:41,320
Speaker 5: be like like I sent you this email that I

937
00:42:41,400 --> 00:42:41,920
Speaker 5: was embarrassed.

938
00:42:42,320 --> 00:42:44,480
Speaker 1: I want a little bit of tension and resolve. On

939
00:42:44,560 --> 00:42:46,759
Speaker 1: the podcast, it's very real Housewife of you.

940
00:42:47,320 --> 00:42:56,239
Speaker 3: Yes, well you know I mean case point, point, point match, point, game, set, match,

941
00:42:57,080 --> 00:43:00,359
Speaker 3: next Question. Case Point is one of our early, very

942
00:43:00,400 --> 00:43:03,560
Speaker 3: buzzy episodes and that it was listened to by multiple

943
00:43:03,640 --> 00:43:04,720
Speaker 3: Vulture staff writers.

944
00:43:06,440 --> 00:43:06,879
Speaker 1: They forgot.

945
00:43:06,920 --> 00:43:10,200
Speaker 3: It was when we had Jeremy o'harris on and Jeremy

946
00:43:10,360 --> 00:43:13,120
Speaker 3: was actually Sam's high school bully and they literally like

947
00:43:13,520 --> 00:43:14,560
Speaker 3: made up on.

948
00:43:14,760 --> 00:43:17,759
Speaker 2: My, Oh my gosh, yeah, this is the difference between you.

949
00:43:18,000 --> 00:43:20,000
Speaker 2: So but then and are we allowed to know who

950
00:43:20,920 --> 00:43:22,880
Speaker 2: in the theater we we we figured out or no?

951
00:43:23,719 --> 00:43:23,759
Speaker 1: No.

952
00:43:24,080 --> 00:43:27,360
Speaker 3: I was just like, I'm always like, how can we

953
00:43:28,000 --> 00:43:30,399
Speaker 3: You know, we love obviously having comedians on and that's

954
00:43:30,440 --> 00:43:32,480
Speaker 3: our bread and butter, but I'm always like, I want

955
00:43:32,640 --> 00:43:35,759
Speaker 3: every six seven episodes to have someone out of the box,

956
00:43:35,840 --> 00:43:38,000
Speaker 3: like had Alison Roman or when we you know, And

957
00:43:38,120 --> 00:43:40,800
Speaker 3: I was like, okay, who is like someone in the

958
00:43:40,920 --> 00:43:44,200
Speaker 3: like I want to have Sondra Burnheart on? Ye should Yeah?

959
00:43:44,239 --> 00:43:47,600
Speaker 1: Well she said no, she said no off camera. That

960
00:43:48,120 --> 00:43:50,840
Speaker 1: feels like she is like too cool to do anything.

961
00:43:50,960 --> 00:43:53,640
Speaker 3: No, no, no, she was She's currently not doing podcasts,

962
00:43:53,680 --> 00:43:56,640
Speaker 3: and I just want to say, if she does Culturistas,

963
00:43:56,680 --> 00:43:58,520
Speaker 3: that's because she has changed her mind about podcasts, not

964
00:43:58,560 --> 00:43:59,440
Speaker 3: because you got her and we did.

965
00:43:59,560 --> 00:44:02,840
Speaker 1: Of course, they brought something for us to things you

966
00:44:02,840 --> 00:44:04,359
Speaker 1: don't want to know, And I just want to say,

967
00:44:04,520 --> 00:44:08,680
Speaker 1: this is going to make an amazing social clip. That's

968
00:44:08,719 --> 00:44:10,359
Speaker 1: a podcast Social Armed.

969
00:44:10,920 --> 00:44:14,359
Speaker 3: We have a few things of a few terms we've

970
00:44:14,400 --> 00:44:17,200
Speaker 3: invented on our podcast, a few games, a few like

971
00:44:17,360 --> 00:44:19,799
Speaker 3: recurring motifs, if you will, and we.

972
00:44:19,840 --> 00:44:21,120
Speaker 4: Want it a way to make sense of the world.

973
00:44:21,160 --> 00:44:22,600
Speaker 3: It's a way to make sense of the world. We

974
00:44:22,760 --> 00:44:25,520
Speaker 3: love kind of like theorizing and putting things into categories

975
00:44:25,560 --> 00:44:27,440
Speaker 3: and boxes, and so we wanted to bring some of

976
00:44:27,480 --> 00:44:30,400
Speaker 3: them to you guys so they can reach a wider audience.

977
00:44:30,600 --> 00:44:33,880
Speaker 3: And I think it could really benefit both of us.

978
00:44:34,000 --> 00:44:36,320
Speaker 3: Ok we we would love to be your mule.

979
00:44:36,880 --> 00:44:43,919
Speaker 4: We're first, Well, we might have to start with Okay, okay,

980
00:44:44,120 --> 00:44:44,880
Speaker 4: let's talk about it.

981
00:44:45,000 --> 00:44:45,640
Speaker 3: LIZ'SO.

982
00:44:45,719 --> 00:44:48,719
Speaker 4: Okay, So the first one is h this game that

983
00:44:48,840 --> 00:44:51,040
Speaker 4: we do where we put things but.

984
00:44:51,080 --> 00:44:54,319
Speaker 3: You guys, Yes, So it's the him Sisters. It's called

985
00:44:54,719 --> 00:44:57,759
Speaker 3: either Heime Game or heim Lick, depending on our mood.

986
00:44:58,280 --> 00:45:01,040
Speaker 3: And we give you three and you have to choose

987
00:45:01,040 --> 00:45:02,560
Speaker 3: which one of them is Danielle, which one of them

988
00:45:02,600 --> 00:45:04,080
Speaker 3: is st and which one of them is Alana. Now,

989
00:45:04,160 --> 00:45:06,360
Speaker 3: for anyone who's not familiar with the personalities of the Him.

990
00:45:06,239 --> 00:45:07,480
Speaker 1: Sisters, yes, break it down.

991
00:45:07,680 --> 00:45:09,080
Speaker 4: No, no, let them let them do it first.

992
00:45:09,160 --> 00:45:11,120
Speaker 1: No, no, no, I want to hear George's I.

993
00:45:11,160 --> 00:45:14,080
Speaker 2: Think I want them to okay, okay, okay, and then

994
00:45:14,200 --> 00:45:15,759
Speaker 2: can can we hear your sibilation?

995
00:45:16,360 --> 00:45:18,360
Speaker 3: Maybe we'll do like a couple without any context, and

996
00:45:18,400 --> 00:45:20,800
Speaker 3: then I will yes, okay, perfect. So how about this?

997
00:45:21,560 --> 00:45:25,000
Speaker 3: So how about this? Let's start big Gaga, Taylor, Beyonce.

998
00:45:25,880 --> 00:45:29,400
Speaker 3: Which one is Alanaheim? Which one is Danielleheim? Which is

999
00:45:29,680 --> 00:45:31,040
Speaker 3: so easy? Okay, okay.

1000
00:45:31,160 --> 00:45:35,840
Speaker 1: So I think that st Heim is Taylor Swift. I

1001
00:45:36,040 --> 00:45:39,680
Speaker 1: think that Danielle Heim is Beyonce, and I think that

1002
00:45:39,800 --> 00:45:42,239
Speaker 1: Alana Heim is Gaga. And the way that I could

1003
00:45:42,800 --> 00:45:45,759
Speaker 1: break that down is that Gaga and Alana both have

1004
00:45:46,360 --> 00:45:50,200
Speaker 1: not only promising film careers, but like already proven like

1005
00:45:50,920 --> 00:45:55,000
Speaker 1: arguably like potentially equally talented in this pursuit is the other.

1006
00:45:55,480 --> 00:45:58,279
Speaker 1: I would say that Danielleheim is the Beyonce because it's

1007
00:45:58,360 --> 00:46:01,680
Speaker 1: kind of like when you line all three up, like, well, well,

1008
00:46:02,000 --> 00:46:04,480
Speaker 1: you know, there's your front woman. I do believe that

1009
00:46:04,640 --> 00:46:07,040
Speaker 1: that there's a there's like a certain like front woman

1010
00:46:07,200 --> 00:46:10,160
Speaker 1: glow there. And then I think Esti and Taylor, I

1011
00:46:10,640 --> 00:46:14,320
Speaker 1: think I think just like no, what I think is

1012
00:46:14,400 --> 00:46:17,040
Speaker 1: like creating that bone. I actually think like I think

1013
00:46:17,200 --> 00:46:20,160
Speaker 1: artistic pursuit drives. And also, I do think cool girl vibes.

1014
00:46:20,239 --> 00:46:22,000
Speaker 1: I think you're gonna see them at the cool.

1015
00:46:22,480 --> 00:46:25,000
Speaker 2: Coolgirl Vibes sort of social chair, sort of like the

1016
00:46:25,280 --> 00:46:27,239
Speaker 2: great sort of connector of all these different things.

1017
00:46:27,320 --> 00:46:30,080
Speaker 1: Yeah, we're leaving arm in arm from via Karata and

1018
00:46:30,320 --> 00:46:33,360
Speaker 1: everyone else that we're talking about is like not necessarily

1019
00:46:33,480 --> 00:46:33,840
Speaker 1: doing that.

1020
00:46:34,040 --> 00:46:37,000
Speaker 3: Right, Yeah, Okay, Okay, that's good. Okay, we'll do one

1021
00:46:37,040 --> 00:46:41,520
Speaker 3: more and then we'll get you okay for Bowen Charmander,

1022
00:46:41,560 --> 00:46:44,319
Speaker 3: Bubbles or squirt Oh thank you, Oh my god, that's

1023
00:46:44,480 --> 00:46:45,120
Speaker 3: so amazing.

1024
00:46:45,440 --> 00:46:51,239
Speaker 2: I'm gonna start with Squirtle a is sty playful, bubbly yes, hmm?

1025
00:46:53,400 --> 00:46:58,440
Speaker 2: Bulblesor is Alana super no? I think bubble Bubbles is

1026
00:46:58,440 --> 00:47:01,400
Speaker 2: a lot of grounded, slow to blossom.

1027
00:47:03,000 --> 00:47:05,480
Speaker 1: Then Venosaur, Big Flower, Big.

1028
00:47:05,480 --> 00:47:10,200
Speaker 2: Flower Flower, venus Ur and Pocopia, the new hit Pokemon game.

1029
00:47:11,040 --> 00:47:13,520
Speaker 2: The personality that the assigned to Venosaur because they can talk,

1030
00:47:13,560 --> 00:47:16,399
Speaker 2: because you play as a ditto transforming as the human being,

1031
00:47:17,040 --> 00:47:20,720
Speaker 2: and so Venosaur's personality is calling you deary, Hi, deary,

1032
00:47:20,920 --> 00:47:23,839
Speaker 2: It's so cute, which that feels very Alana. And then

1033
00:47:23,920 --> 00:47:31,040
Speaker 2: and then I guess Charmander Danielle like ultimately a fire Yeah,

1034
00:47:31,480 --> 00:47:34,920
Speaker 2: the Rocker, the Rocker, the Rocker girl. Yeah, Charmelion with the.

1035
00:47:36,520 --> 00:47:42,200
Speaker 1: And also like ultimately the Charizard hologram card was the

1036
00:47:42,320 --> 00:47:44,120
Speaker 1: one that was like, Yeah, that's the.

1037
00:47:44,120 --> 00:47:47,120
Speaker 4: One you want. If you want one card, it's that one.

1038
00:47:47,280 --> 00:47:49,600
Speaker 1: It's that one if you're lucky to get it. Because

1039
00:47:49,640 --> 00:47:52,560
Speaker 1: that's the thing too, is Danielle is elusive, like Charizard.

1040
00:47:53,400 --> 00:47:55,359
Speaker 3: Well, I've seen her like fifteen times in the Lost

1041
00:47:55,360 --> 00:47:56,520
Speaker 3: Phillies while I've been in New York.

1042
00:47:57,520 --> 00:47:58,799
Speaker 1: You've seen zero.

1043
00:47:59,360 --> 00:48:04,239
Speaker 4: I've never I've never spotted st You've never spotted, only

1044
00:48:04,280 --> 00:48:05,000
Speaker 4: spotted Danielle.

1045
00:48:05,160 --> 00:48:08,680
Speaker 3: Danielle's part time job that she does supplemental income is

1046
00:48:08,719 --> 00:48:09,240
Speaker 3: being spotted.

1047
00:48:09,280 --> 00:48:10,879
Speaker 2: It's being spotted at Danielle's job.

1048
00:48:11,040 --> 00:48:11,279
Speaker 3: Yeah.

1049
00:48:11,840 --> 00:48:13,600
Speaker 2: Interesting, I would think see that.

1050
00:48:13,760 --> 00:48:16,720
Speaker 1: I feel like the the bit that people do about

1051
00:48:16,800 --> 00:48:20,320
Speaker 1: time is that like st and Alana are like the

1052
00:48:20,400 --> 00:48:22,800
Speaker 1: girls of La They're out and like I feel like

1053
00:48:22,960 --> 00:48:24,840
Speaker 1: Danielle is the one that's a little bit more like.

1054
00:48:24,920 --> 00:48:27,200
Speaker 3: I'm in the studio. I might make it. But she's

1055
00:48:27,360 --> 00:48:31,399
Speaker 3: at the restaurant with the producer chatting about the next podcast. Okay,

1056
00:48:31,560 --> 00:48:33,960
Speaker 3: she's going to the trendy restaurants, and she's with a

1057
00:48:34,040 --> 00:48:37,080
Speaker 3: guy who's like, you know, he's like forty five years old,

1058
00:48:37,160 --> 00:48:40,759
Speaker 3: wearing Chuck Taylor's and like a leather jacket and a

1059
00:48:41,040 --> 00:48:42,120
Speaker 3: side word Beanie.

1060
00:48:42,200 --> 00:48:43,960
Speaker 1: I got to say, we've we've met them now a

1061
00:48:44,000 --> 00:48:44,600
Speaker 1: couple of times.

1062
00:48:44,800 --> 00:48:48,759
Speaker 3: It's like talking to y'all, well, we're we're based on that.

1063
00:48:49,200 --> 00:48:52,400
Speaker 1: Yeah, so which one of you is? Who? Let's do this?

1064
00:48:53,360 --> 00:48:58,600
Speaker 3: So I so here's I'll say sort of our interpretation

1065
00:48:58,840 --> 00:49:00,320
Speaker 3: of the huts, and then you can fill in the

1066
00:49:00,480 --> 00:49:03,880
Speaker 3: fill in the blanks to me, Danielle. They each represent

1067
00:49:03,920 --> 00:49:09,319
Speaker 3: a different archetype. Danielle the CEO, Alana the ang yes,

1068
00:49:09,840 --> 00:49:11,200
Speaker 3: and Sti the comedian.

1069
00:49:11,400 --> 00:49:11,560
Speaker 1: Yes.

1070
00:49:11,960 --> 00:49:14,399
Speaker 3: So when we saw I'm in at Barclays, I want

1071
00:49:14,440 --> 00:49:17,040
Speaker 3: to say her garden excuse.

1072
00:49:16,840 --> 00:49:19,480
Speaker 2: Me, the Barclays have manten the barklays of Manhattan.

1073
00:49:20,560 --> 00:49:23,160
Speaker 3: When Sti at some point was sort of like, and

1074
00:49:23,280 --> 00:49:25,759
Speaker 3: now this is the st section of the concert, she

1075
00:49:25,880 --> 00:49:28,000
Speaker 3: did a full twenty five minute stand up set and

1076
00:49:28,160 --> 00:49:32,120
Speaker 3: that led into her song yeah whereas. So that's kind

1077
00:49:32,120 --> 00:49:35,000
Speaker 3: of her talent. Danielle's talent is being kind of like

1078
00:49:35,160 --> 00:49:39,279
Speaker 3: the the brains behind the operation. And then Alana. Of

1079
00:49:39,360 --> 00:49:41,960
Speaker 3: course she's winning Oscars. She's wearing a wig in one

1080
00:49:42,000 --> 00:49:45,080
Speaker 3: batal after another. Yes, and she's and she is the

1081
00:49:45,200 --> 00:49:45,600
Speaker 3: young one.

1082
00:49:46,280 --> 00:49:50,000
Speaker 2: Yeah, now what was yours? Now you you were gonna

1083
00:49:50,000 --> 00:49:53,160
Speaker 2: say this for after? What is your sort of was that?

1084
00:49:53,280 --> 00:49:53,480
Speaker 1: Just it?

1085
00:49:53,640 --> 00:49:55,359
Speaker 2: Like you're like the way you just described all three

1086
00:49:55,360 --> 00:49:55,560
Speaker 2: of them.

1087
00:49:55,600 --> 00:49:58,399
Speaker 3: I think those are the archetypes. Do you have anything? Yeah,

1088
00:49:58,440 --> 00:50:00,759
Speaker 3: it's like the Angeene the comedian. And see that's great.

1089
00:50:00,760 --> 00:50:04,120
Speaker 1: Okay, So knowing this, yes, do we stand by what

1090
00:50:04,160 --> 00:50:04,560
Speaker 1: we've said?

1091
00:50:04,640 --> 00:50:06,080
Speaker 2: I think so, and I have and we can do

1092
00:50:06,200 --> 00:50:08,480
Speaker 2: like one more we like this and then and then

1093
00:50:08,680 --> 00:50:10,600
Speaker 2: as a duo we'll build together this last.

1094
00:50:10,719 --> 00:50:16,200
Speaker 1: Okay, would you like to ask one of these so

1095
00:50:16,400 --> 00:50:17,520
Speaker 1: considerate of each other?

1096
00:50:17,880 --> 00:50:19,240
Speaker 4: Okay, okay, it's intimate.

1097
00:50:19,280 --> 00:50:19,920
Speaker 1: What just happens.

1098
00:50:19,960 --> 00:50:25,920
Speaker 4: I like this one, I know. Okay, let's do Martini

1099
00:50:26,040 --> 00:50:27,160
Speaker 4: Manhattan NEGRONI.

1100
00:50:27,400 --> 00:50:32,120
Speaker 1: Oh, that's great, Martini Manhattan the Groni. So we're both

1101
00:50:32,239 --> 00:50:37,000
Speaker 1: Martini guys. We love Negronis though, Honey, we just love

1102
00:50:37,120 --> 00:50:40,200
Speaker 1: drinks so well. I mean, I have the drinks we

1103
00:50:40,280 --> 00:50:42,200
Speaker 1: really love. And I don't want this to correlate.

1104
00:50:43,680 --> 00:50:45,360
Speaker 3: We could do White Red Rose.

1105
00:50:46,200 --> 00:50:50,360
Speaker 2: Whoa, but that that feels like a color gradient that

1106
00:50:50,440 --> 00:50:55,200
Speaker 2: I fel like I want to go back. I'm really

1107
00:50:55,280 --> 00:50:59,120
Speaker 2: uncomfortable cut that I have. I have one, I have

1108
00:50:59,239 --> 00:51:02,239
Speaker 2: one for the for Ma and Emanhattan Grony, and then

1109
00:51:02,239 --> 00:51:04,399
Speaker 2: I'll do red white orange. I'm gonna start with Esti again.

1110
00:51:04,960 --> 00:51:05,080
Speaker 3: Uh.

1111
00:51:05,640 --> 00:51:10,520
Speaker 2: STI is going to be Martini. Yeah, fun cheek, sort

1112
00:51:10,560 --> 00:51:12,080
Speaker 2: of like the town.

1113
00:51:12,880 --> 00:51:15,000
Speaker 3: Even though we've said yeah and we've said Sti is

1114
00:51:15,000 --> 00:51:17,080
Speaker 3: out of the tire, Martini is being held and spilling.

1115
00:51:18,640 --> 00:51:20,279
Speaker 3: That's very sty that's fun.

1116
00:51:21,200 --> 00:51:26,320
Speaker 2: I'm gonna say Manhattan is a Lana, not necessarily the

1117
00:51:26,440 --> 00:51:31,680
Speaker 2: girl that you think of when you think of firsthand,

1118
00:51:31,960 --> 00:51:38,279
Speaker 2: like the heime sort of trinary, turnary, but Alana, once

1119
00:51:38,360 --> 00:51:40,960
Speaker 2: you see her on her own, you're like, yes, like

1120
00:51:41,280 --> 00:51:44,920
Speaker 2: she she's isolated in different sort of relief something You're

1121
00:51:45,000 --> 00:51:51,719
Speaker 2: like yes. And then Negrony like brooding texture earth the daniel.

1122
00:51:51,640 --> 00:51:54,160
Speaker 1: Yeah, wow, that was beautiful that many of the same reasons.

1123
00:51:54,200 --> 00:51:56,920
Speaker 1: I was going to say that red wine is Danielle,

1124
00:51:57,200 --> 00:51:58,480
Speaker 1: like it's robust.

1125
00:51:58,560 --> 00:52:00,479
Speaker 3: Red wine is not be more daniel I mean.

1126
00:52:01,920 --> 00:52:06,200
Speaker 1: It expands as you as as you interact with it. Yes,

1127
00:52:06,880 --> 00:52:11,400
Speaker 1: white wine is a lot of tim White wine is

1128
00:52:11,440 --> 00:52:13,800
Speaker 1: a lot of high because there's something and you know what,

1129
00:52:13,920 --> 00:52:20,480
Speaker 1: it's a little bit like toss some clubs. Literally suddenly

1130
00:52:20,560 --> 00:52:22,399
Speaker 1: it's it's it's fun in a new way.

1131
00:52:22,600 --> 00:52:22,839
Speaker 4: Yeah.

1132
00:52:23,480 --> 00:52:32,520
Speaker 1: And the orange wine is actually had orange wine two

1133
00:52:32,640 --> 00:52:35,440
Speaker 1: nights ago and love the way I look. I guarantee

1134
00:52:35,520 --> 00:52:38,680
Speaker 1: it because it was a little bit like organic and

1135
00:52:39,200 --> 00:52:42,640
Speaker 1: and the the the waitress was like, not a lot

1136
00:52:42,680 --> 00:52:44,120
Speaker 1: of people are into this one, but.

1137
00:52:44,200 --> 00:52:47,960
Speaker 3: The people that are sucking up wine fully She's like,

1138
00:52:49,239 --> 00:52:50,240
Speaker 3: there it's fizzy.

1139
00:52:50,719 --> 00:52:52,719
Speaker 1: Yeah, I think I think you taste it and you're like,

1140
00:52:53,239 --> 00:52:55,600
Speaker 1: oh yeah, yeah, we're gonna keep going.

1141
00:52:56,400 --> 00:52:58,279
Speaker 3: Yeah you're saying I did not expect that that's what

1142
00:52:58,360 --> 00:53:00,000
Speaker 3: that would taste. Like, Yeah, we'll take a look.

1143
00:53:00,400 --> 00:53:04,000
Speaker 1: Yeah yes, And I would say the best we all know,

1144
00:53:04,120 --> 00:53:06,359
Speaker 1: the best thing with all these cocktails is to mix

1145
00:53:06,440 --> 00:53:09,640
Speaker 1: them up in one big bull and just slurping straws.

1146
00:53:09,880 --> 00:53:10,880
Speaker 1: Yeah exactly.

1147
00:53:11,480 --> 00:53:16,640
Speaker 5: Oh wait a minute, we're getting scorpion bulls.

1148
00:53:17,320 --> 00:53:18,680
Speaker 1: When are we getting scorpion balls?

1149
00:53:18,719 --> 00:53:18,839
Speaker 4: Wait?

1150
00:53:18,920 --> 00:53:21,080
Speaker 2: So when Sarah Sherman was here like a month ago,

1151
00:53:21,160 --> 00:53:22,839
Speaker 2: we were like on the pubber were like, let's get

1152
00:53:22,880 --> 00:53:25,719
Speaker 2: Martiniz and then they got us Marchin. I'm not going

1153
00:53:25,760 --> 00:53:27,000
Speaker 2: to make anybody do that now. But that would be

1154
00:53:27,080 --> 00:53:29,200
Speaker 2: so fun if we just said, can I say the question?

1155
00:53:29,360 --> 00:53:30,520
Speaker 1: Did we start this at two?

1156
00:53:30,960 --> 00:53:31,160
Speaker 3: Yeah?

1157
00:53:31,520 --> 00:53:31,680
Speaker 4: Wait?

1158
00:53:33,040 --> 00:53:33,320
Speaker 3: Sorry?

1159
00:53:34,960 --> 00:53:36,960
Speaker 1: Is that because we came in a little late? Right

1160
00:53:37,040 --> 00:53:37,360
Speaker 1: back up?

1161
00:53:37,440 --> 00:53:37,640
Speaker 4: Yeah?

1162
00:53:38,080 --> 00:53:40,200
Speaker 1: Why do you think time flies when you're having fun?

1163
00:53:43,280 --> 00:53:44,480
Speaker 3: Clockett? Clockett?

1164
00:53:45,400 --> 00:53:49,360
Speaker 1: Question? Wasn't the clock slash statement? A clock is a

1165
00:53:49,440 --> 00:53:55,680
Speaker 1: statement and it's also yes, like akik is a party?

1166
00:53:59,640 --> 00:54:01,279
Speaker 1: Did what have a kiki? Last year? Is one of

1167
00:54:01,320 --> 00:54:07,480
Speaker 1: our sketches? You just so that you know what you

1168
00:54:07,560 --> 00:54:11,400
Speaker 1: said last year? I was like, I did not know

1169
00:54:11,560 --> 00:54:14,920
Speaker 1: you were crazy. Sometimes you say words that you have

1170
00:54:15,280 --> 00:54:19,160
Speaker 1: no idea. You said yeah, and I'm like what and

1171
00:54:19,280 --> 00:54:20,440
Speaker 1: then like sometimes I listen.

1172
00:54:20,480 --> 00:54:24,080
Speaker 4: To That's an amazing defense for the next time you

1173
00:54:24,120 --> 00:54:25,160
Speaker 4: say something really offensive.

1174
00:54:26,760 --> 00:54:29,360
Speaker 3: Miss what is Lizzo?

1175
00:54:29,719 --> 00:54:31,800
Speaker 4: Okay? So we want to tell you about Lizzo's pass,

1176
00:54:31,920 --> 00:54:37,399
Speaker 4: which played okay, okay, Well, and it's less we gain

1177
00:54:37,440 --> 00:54:38,320
Speaker 4: more of just a concept.

1178
00:54:39,719 --> 00:54:42,880
Speaker 1: Here's the thing, Lizzo's pass. No one can get upset

1179
00:54:43,160 --> 00:54:46,040
Speaker 1: about what is discussed when it comes to Lizzo's past,

1180
00:54:46,080 --> 00:54:48,520
Speaker 1: because well, you made the choice.

1181
00:54:49,080 --> 00:54:50,560
Speaker 3: It's not offensive.

1182
00:54:50,760 --> 00:54:54,400
Speaker 1: No, No, it's an observation, it's an examination. But just

1183
00:54:54,560 --> 00:54:56,319
Speaker 1: just just for the Yeah, for for everybody, for everyone

1184
00:54:56,360 --> 00:54:58,040
Speaker 1: out there trying to make something out of nothing, Let's

1185
00:54:58,080 --> 00:54:58,279
Speaker 1: do it.

1186
00:54:58,760 --> 00:54:59,800
Speaker 4: So Lizzo's pass.

1187
00:55:00,120 --> 00:55:02,600
Speaker 5: When an artist gets to a certain point in their career,

1188
00:55:02,640 --> 00:55:04,799
Speaker 5: they're cool, they're underground, they're growing, they're growing, they're growing,

1189
00:55:05,120 --> 00:55:07,960
Speaker 5: they're gigantic, and it's like, what do you do next? Yes,

1190
00:55:08,080 --> 00:55:10,759
Speaker 5: and there's a narrow little path and you either go

1191
00:55:11,120 --> 00:55:14,359
Speaker 5: to Target, you go to Pitchfork. And we were saying,

1192
00:55:14,400 --> 00:55:16,640
Speaker 5: this is sort of where like Chapel Roone.

1193
00:55:17,280 --> 00:55:21,279
Speaker 3: Is, She's at Lizzo's past, and I just want to say,

1194
00:55:22,719 --> 00:55:25,000
Speaker 3: you know, people forget because this is Sam's concept and

1195
00:55:25,080 --> 00:55:28,800
Speaker 3: he always he always told me people forget that Lizzo

1196
00:55:29,120 --> 00:55:31,160
Speaker 3: because we are so used to her being this huge

1197
00:55:31,200 --> 00:55:33,400
Speaker 3: star start in the rock and not only India but

1198
00:55:33,560 --> 00:55:37,040
Speaker 3: like like Minneapolis, like Prince in Colorado.

1199
00:55:37,120 --> 00:55:37,279
Speaker 1: Yeah.

1200
00:55:37,400 --> 00:55:40,160
Speaker 3: Yeah, like she was like a cool If you look

1201
00:55:40,360 --> 00:55:43,520
Speaker 3: up old articles about Lizzo, it's like meet the punk

1202
00:55:43,680 --> 00:55:47,120
Speaker 3: rock body positive rapp or that's shaking up the Midwest.

1203
00:55:47,280 --> 00:55:49,040
Speaker 5: Yeah, I mean there was she did one show in

1204
00:55:49,120 --> 00:55:52,759
Speaker 5: Brooklyn that was like the meanest gay guys all went

1205
00:55:52,800 --> 00:55:55,040
Speaker 5: to it and we're like this rocks and it's like

1206
00:55:55,239 --> 00:55:56,640
Speaker 5: and that won't happen now, and.

1207
00:55:56,800 --> 00:55:59,239
Speaker 3: She and so she and again I say this with

1208
00:55:59,320 --> 00:56:02,239
Speaker 3: nothing but respect. She chose target. She chose She's like,

1209
00:56:02,320 --> 00:56:04,719
Speaker 3: I'm gonna do you know, I'm going to go for

1210
00:56:04,800 --> 00:56:07,600
Speaker 3: the moms yep, right, she you know else chose target

1211
00:56:07,920 --> 00:56:10,600
Speaker 3: Pink like back in the day. And I you know,

1212
00:56:10,719 --> 00:56:12,360
Speaker 3: if she had chosen Pitchfork, she would not be co

1213
00:56:12,480 --> 00:56:14,040
Speaker 3: hosting for Kelly Clarkson, right, right.

1214
00:56:14,400 --> 00:56:17,319
Speaker 1: And these are choices, then, these are choices that have happened. Now.

1215
00:56:17,880 --> 00:56:21,960
Speaker 3: The issue is, of course, there are some exceptions where

1216
00:56:21,960 --> 00:56:25,560
Speaker 3: someone can choose target, then backtrack and go pitch for it.

1217
00:56:26,440 --> 00:56:28,560
Speaker 2: In my dream of dreams, that is what that is

1218
00:56:28,640 --> 00:56:31,479
Speaker 2: what I am doing, because I feel like I've I've

1219
00:56:31,640 --> 00:56:34,440
Speaker 2: inadvertently chose target and now I'm like, oh wait, no, no, no,

1220
00:56:34,560 --> 00:56:35,120
Speaker 2: I don't want this.

1221
00:56:35,560 --> 00:56:36,080
Speaker 3: You know what I mean?

1222
00:56:36,200 --> 00:56:38,319
Speaker 1: Well, I think it's it's it's pretty easy to choose

1223
00:56:38,400 --> 00:56:41,839
Speaker 1: target when you realize what choosing target means, which you're

1224
00:56:41,840 --> 00:56:42,719
Speaker 1: going to be financial.

1225
00:56:43,440 --> 00:56:46,080
Speaker 3: Yeah, you're seeing dollar signs exactly.

1226
00:56:46,600 --> 00:56:50,320
Speaker 2: And I think Chapel, I think Chapel's past lizards is passed.

1227
00:56:50,400 --> 00:56:52,799
Speaker 3: Well, it's complicated. She is a really weird one.

1228
00:56:53,000 --> 00:56:56,600
Speaker 4: She's she's like slowly walking away from those past, but

1229
00:56:56,680 --> 00:56:58,440
Speaker 4: it's like herd, it's like snowy, and it's hard to

1230
00:56:58,480 --> 00:56:59,520
Speaker 4: see which way she's going.

1231
00:56:59,640 --> 00:57:00,360
Speaker 3: I think she that she's on.

1232
00:57:00,440 --> 00:57:01,560
Speaker 2: I think she's going to pitch for it.

1233
00:57:01,719 --> 00:57:04,200
Speaker 1: I think a lot of people are pushing Chapel towards Target.

1234
00:57:04,360 --> 00:57:07,600
Speaker 1: But I think that like even if they really all

1235
00:57:08,280 --> 00:57:11,160
Speaker 1: all hands on deck at a meeting with Chapel president,

1236
00:57:11,200 --> 00:57:13,440
Speaker 1: we're like, hey, guys, look me in the eyes. We're

1237
00:57:13,520 --> 00:57:19,800
Speaker 1: choosing target. She can't choose target. No, she's too, she's too.

1238
00:57:20,200 --> 00:57:22,280
Speaker 5: I think you're playing something genius, which is that they're

1239
00:57:22,360 --> 00:57:24,360
Speaker 5: push They're trying to make her go target, and she's

1240
00:57:24,680 --> 00:57:27,040
Speaker 5: pushing against Yes, the wind is blowing her to target,

1241
00:57:27,080 --> 00:57:29,040
Speaker 5: and she's saying, no, I'm gonna wear the nipple piercing

1242
00:57:29,120 --> 00:57:30,200
Speaker 5: dress to the awards.

1243
00:57:30,360 --> 00:57:32,160
Speaker 1: And she's flat out here like, hey, I'm leaving the

1244
00:57:32,240 --> 00:57:35,480
Speaker 1: Wassermann Agency. This is a decision. I will choose to

1245
00:57:35,520 --> 00:57:36,960
Speaker 1: make a wave in this way that's going to make

1246
00:57:36,960 --> 00:57:40,280
Speaker 1: people uncomfortable. Again and again and again. That person cannot

1247
00:57:41,640 --> 00:57:43,520
Speaker 1: they cannot stay at that.

1248
00:57:43,920 --> 00:57:46,040
Speaker 3: Yeah, do you know what happened? I think there was

1249
00:57:46,120 --> 00:57:50,400
Speaker 3: one summer where Chapel accidentally was pushed to target and

1250
00:57:50,440 --> 00:57:52,840
Speaker 3: then to quote Sam, she was like this is ghosh

1251
00:57:53,120 --> 00:57:56,440
Speaker 3: and then took the steps back and went back to

1252
00:57:56,480 --> 00:57:57,880
Speaker 3: the pause, was like I'm actually gonna pick.

1253
00:57:58,080 --> 00:58:00,400
Speaker 1: It's like Charlie XX for H and M were like

1254
00:58:00,520 --> 00:58:02,720
Speaker 1: confused by that, and then it's like, well, when you

1255
00:58:02,800 --> 00:58:05,520
Speaker 1: get to this level, like there's gonna be some interaction

1256
00:58:05,680 --> 00:58:08,480
Speaker 1: with target, like when you get to a certain point,

1257
00:58:09,320 --> 00:58:12,360
Speaker 1: like you can't. It's weird because is it easier to

1258
00:58:12,440 --> 00:58:13,480
Speaker 1: be doomed in one?

1259
00:58:14,880 --> 00:58:16,680
Speaker 4: I don't know. Do you think anyone's doomed in pitchwork

1260
00:58:16,960 --> 00:58:17,560
Speaker 4: because to.

1261
00:58:17,520 --> 00:58:21,000
Speaker 1: Get because ultimately then then they're always gonna think. It's

1262
00:58:21,040 --> 00:58:24,040
Speaker 1: like what Charlie has always said, like commercial success, commercial success.

1263
00:58:24,120 --> 00:58:27,919
Speaker 1: It always eluded her and also therefore tormented her. Even

1264
00:58:27,960 --> 00:58:31,360
Speaker 1: someone as cool as her who had a mansion in

1265
00:58:31,600 --> 00:58:32,720
Speaker 1: Pitchfork Lands.

1266
00:58:32,880 --> 00:58:35,360
Speaker 3: Yeah, do you think you know who chose?

1267
00:58:39,240 --> 00:58:44,920
Speaker 1: She had the nicest, coziest, most tenured spot in Pitchfork

1268
00:58:45,000 --> 00:58:46,240
Speaker 1: Land that you really could get.

1269
00:58:46,440 --> 00:58:50,360
Speaker 2: But Charlie is a case in someone who has been

1270
00:58:51,280 --> 00:58:54,400
Speaker 2: who stayed at Lizzo Point despite other people trying to

1271
00:58:54,440 --> 00:58:57,120
Speaker 2: push her. She would do the one for me, one

1272
00:58:57,160 --> 00:59:00,400
Speaker 2: for them, for years until Brat, which was supposed to

1273
00:59:00,400 --> 00:59:02,080
Speaker 2: be the Pitchwork thing, but then it fully pushed her.

1274
00:59:02,360 --> 00:59:03,080
Speaker 2: That is like the.

1275
00:59:03,160 --> 00:59:06,560
Speaker 3: Pitchforks stand inside the target. It's like, yeah, there's a

1276
00:59:06,600 --> 00:59:09,560
Speaker 3: whole there's a little Pitchfork capsule collection, and it's Charlie

1277
00:59:09,600 --> 00:59:10,760
Speaker 3: being like, do you want the tank top?

1278
00:59:11,400 --> 00:59:11,640
Speaker 4: Yeah.

1279
00:59:11,920 --> 00:59:14,840
Speaker 1: She also made art about being at Lizzo's pass Yeah

1280
00:59:15,040 --> 00:59:17,240
Speaker 1: I know, which I guess makes her y'all's favorite pop

1281
00:59:17,320 --> 00:59:19,600
Speaker 1: star outside of Lady Gaga.

1282
00:59:19,720 --> 00:59:21,240
Speaker 4: I mean she's up there for me for sure.

1283
00:59:21,480 --> 00:59:26,160
Speaker 3: Same. I mean Charlie, it's like, that's like my family member. Yeah,

1284
00:59:26,760 --> 00:59:29,560
Speaker 3: when you've been there from the beginning. She could she

1285
00:59:29,640 --> 00:59:31,640
Speaker 3: could come out and make like the War, like just

1286
00:59:31,720 --> 00:59:33,400
Speaker 3: the Fart Sounds album, and I'd be like, you know,

1287
00:59:33,440 --> 00:59:34,120
Speaker 3: there's something to it.

1288
00:59:34,840 --> 00:59:36,840
Speaker 2: I was in the shower and like like tracks from

1289
00:59:36,880 --> 00:59:38,959
Speaker 2: like XCX World, the unreleased tracks.

1290
00:59:39,280 --> 00:59:41,640
Speaker 3: I was like, I was like TKO and like can

1291
00:59:41,720 --> 00:59:42,560
Speaker 3: you hear me or whatever?

1292
00:59:42,560 --> 00:59:44,840
Speaker 2: And I was like, oh, Taxi. I was just like, ugh,

1293
00:59:45,520 --> 00:59:47,240
Speaker 2: I this used to be Charlie, which is I'm not

1294
00:59:47,400 --> 00:59:49,240
Speaker 2: saying that can coexist with For the.

1295
00:59:49,200 --> 00:59:50,800
Speaker 3: First time I ever saw Charlie live was at the

1296
00:59:51,360 --> 00:59:56,080
Speaker 3: Chipotle Heritage Festival in San Francisco, California, and I want

1297
00:59:56,120 --> 00:59:59,360
Speaker 3: to say, this is easily that just a crazy mixed

1298
01:00:00,400 --> 01:00:03,480
Speaker 3: It was like, so this was imagine like peak millennial

1299
01:00:03,600 --> 01:00:07,640
Speaker 3: hipster food truck era and it was the place to exactly,

1300
01:00:07,760 --> 01:00:09,360
Speaker 3: there was a place to be. Of course, there's going

1301
01:00:09,400 --> 01:00:11,960
Speaker 3: to be a Chipotle Heritage Festival that has a performance

1302
01:00:11,960 --> 01:00:14,600
Speaker 3: from Charlie XCX where she debuts her song for the

1303
01:00:14,640 --> 01:00:15,000
Speaker 3: Fault in.

1304
01:00:15,040 --> 01:00:17,960
Speaker 2: Our Stars Wow, which was Boom Clap, Boom Clap.

1305
01:00:19,400 --> 01:00:23,520
Speaker 1: Charlie XX performing Boom Clap at the Heritage Festival in

1306
01:00:23,600 --> 01:00:24,160
Speaker 1: San Francis.

1307
01:00:24,280 --> 01:00:24,800
Speaker 4: That's amazing.

1308
01:00:25,400 --> 01:00:28,280
Speaker 3: Yeah, that's when I said I'm going to be an artist, Honey,

1309
01:00:28,800 --> 01:00:29,280
Speaker 3: I have to be.

1310
01:00:29,600 --> 01:00:32,240
Speaker 4: I have a question podcaster to podcaster.

1311
01:00:32,480 --> 01:00:35,760
Speaker 5: Yeah, sure, okay, I figured out the complicated relationship I

1312
01:00:35,760 --> 01:00:36,320
Speaker 5: want on tangle.

1313
01:00:36,520 --> 01:00:38,720
Speaker 3: Okay, okay, sort of it's not that personal.

1314
01:00:39,000 --> 01:00:43,480
Speaker 5: Like when you guys like talk to like somebody who

1315
01:00:43,560 --> 01:00:45,200
Speaker 5: you look up to a lot and you're like you've

1316
01:00:45,200 --> 01:00:47,840
Speaker 5: been standing forever and who you like feel like you.

1317
01:00:48,120 --> 01:00:49,200
Speaker 4: Do you feel like it to be normal?

1318
01:00:50,320 --> 01:00:51,800
Speaker 2: We try and then we fail.

1319
01:00:51,920 --> 01:00:52,480
Speaker 4: How do you do it?

1320
01:00:52,760 --> 01:00:54,600
Speaker 5: Because when we talk to when we talk to people,

1321
01:00:54,720 --> 01:00:57,320
Speaker 5: sometimes I see myself, like if I don't, if I'm

1322
01:00:57,360 --> 01:00:59,640
Speaker 5: not personally friends with them, I immediately just turned into

1323
01:00:59,680 --> 01:01:00,640
Speaker 5: like the most like.

1324
01:01:01,120 --> 01:01:03,520
Speaker 4: Like, so is it hard acting?

1325
01:01:03,920 --> 01:01:05,680
Speaker 1: I actually think we do a pretty good I think

1326
01:01:05,680 --> 01:01:08,560
Speaker 1: we do a great job of like trying to talk

1327
01:01:08,640 --> 01:01:11,280
Speaker 1: to them like they're human beings because it's just more

1328
01:01:11,400 --> 01:01:16,320
Speaker 1: fun to listen to. But it is hard when when

1329
01:01:16,440 --> 01:01:19,680
Speaker 1: you meet this person for the very first time in

1330
01:01:19,800 --> 01:01:24,040
Speaker 1: a situation like this to not be like a little

1331
01:01:24,120 --> 01:01:28,440
Speaker 1: effusive or a little stamished, because because you do have

1332
01:01:29,440 --> 01:01:33,120
Speaker 1: that type of adoration for that person, and that tends

1333
01:01:33,200 --> 01:01:35,120
Speaker 1: to be how we treat anyone who comes here.

1334
01:01:35,200 --> 01:01:38,840
Speaker 3: Anywy y right right, you're not doing like dead pan

1335
01:01:39,400 --> 01:01:42,160
Speaker 3: like Adam Friedland. No, no, you're already.

1336
01:01:42,400 --> 01:01:46,240
Speaker 2: It's a positive environment, so which feels I don't know,

1337
01:01:46,680 --> 01:01:49,600
Speaker 2: normal or whatever. But like this, it's the same thing

1338
01:01:49,720 --> 01:01:52,720
Speaker 2: with like small talk, where it's like this is you,

1339
01:01:52,960 --> 01:01:54,720
Speaker 2: this is what you do. It's small talk. It's for strangers.

1340
01:01:54,760 --> 01:01:56,480
Speaker 2: It's for you to sess out safety and if you

1341
01:01:56,560 --> 01:02:00,000
Speaker 2: want to keep advancing this conversation or this relationship or whatever.

1342
01:02:00,680 --> 01:02:03,960
Speaker 2: It's it's fawning and standing for like a popstar or

1343
01:02:03,960 --> 01:02:06,040
Speaker 2: an actor or whatever, or like some public figure that

1344
01:02:06,200 --> 01:02:09,600
Speaker 2: like is big. We're just like this is for both

1345
01:02:09,720 --> 01:02:12,040
Speaker 2: of us a way to like sess out how we

1346
01:02:12,120 --> 01:02:13,200
Speaker 2: want to advance this conversation.

1347
01:02:13,840 --> 01:02:14,800
Speaker 4: Yeah, it's okay.

1348
01:02:14,960 --> 01:02:16,800
Speaker 2: It's like if we're not going to break the seal

1349
01:02:16,880 --> 01:02:19,360
Speaker 2: and go in like come in and be like so

1350
01:02:19,880 --> 01:02:21,800
Speaker 2: like what was like throw a neck challenge?

1351
01:02:21,840 --> 01:02:26,240
Speaker 1: Like we're not going to do that with them, Sometimes

1352
01:02:26,320 --> 01:02:29,000
Speaker 1: we randomly do's like it gets there with some people,

1353
01:02:29,120 --> 01:02:31,080
Speaker 1: like we were we talked to Kate Blenchett about like

1354
01:02:31,160 --> 01:02:33,280
Speaker 1: what what what goes down at berg kind and stuff

1355
01:02:33,320 --> 01:02:35,360
Speaker 1: like that. She talked about like certain things we never

1356
01:02:35,400 --> 01:02:38,160
Speaker 1: would have expected from her. I will say, like sometimes

1357
01:02:38,200 --> 01:02:41,880
Speaker 1: a publicist will say in advance like hey, like don't

1358
01:02:41,960 --> 01:02:43,680
Speaker 1: touch on this, this and this, And I look at

1359
01:02:43,720 --> 01:02:47,240
Speaker 1: the things that they're that they're that they're warning against

1360
01:02:47,320 --> 01:02:48,400
Speaker 1: us talking about, and I'm.

1361
01:02:48,320 --> 01:02:49,840
Speaker 4: Like, in what world?

1362
01:02:50,280 --> 01:02:52,720
Speaker 1: Hey what I want to bring this up? Hey, I

1363
01:02:55,080 --> 01:02:57,400
Speaker 1: know she hasn't spoken to your sister in seven years.

1364
01:02:57,480 --> 01:02:59,560
Speaker 1: I want to ask you about that on camera, Like no,

1365
01:02:59,760 --> 01:03:02,160
Speaker 1: I want to like basically tickle each other with words.

1366
01:03:02,840 --> 01:03:05,640
Speaker 3: Yeah, oh okay, and also not for.

1367
01:03:05,720 --> 01:03:08,080
Speaker 1: Nothing, but it's it's it's kind of worked. So why

1368
01:03:08,120 --> 01:03:09,440
Speaker 1: would we you know what I mean?

1369
01:03:09,600 --> 01:03:12,320
Speaker 2: But people people get like emotional and I don't know,

1370
01:03:12,560 --> 01:03:15,240
Speaker 2: not emotional, just people just feel a certain way whenever

1371
01:03:16,000 --> 01:03:19,200
Speaker 2: we like talk to effusively to people and it's like oure,

1372
01:03:19,320 --> 01:03:21,200
Speaker 2: but this is you would do the same thing.

1373
01:03:21,600 --> 01:03:21,760
Speaker 4: Well.

1374
01:03:21,840 --> 01:03:26,160
Speaker 5: I immediately, like when we had like just each other

1375
01:03:26,200 --> 01:03:28,120
Speaker 5: Ferguson on, like, I was like, this is gonna be

1376
01:03:28,160 --> 01:03:30,640
Speaker 5: so like because we talk about liking Modern Family a lot,

1377
01:03:30,760 --> 01:03:32,400
Speaker 5: but it does come from a place of like when

1378
01:03:32,400 --> 01:03:33,800
Speaker 5: we were in our twenties, we were like fuck this

1379
01:03:33,920 --> 01:03:34,920
Speaker 5: show and then.

1380
01:03:34,840 --> 01:03:37,280
Speaker 3: We like are doing now We're like we love this show.

1381
01:03:37,360 --> 01:03:40,040
Speaker 4: Yeah, And it's like okay, but I'm like I'm even

1382
01:03:40,080 --> 01:03:42,919
Speaker 4: afraid to say that. So the question, like in my mind,

1383
01:03:42,960 --> 01:03:45,320
Speaker 4: I had this really complex emotional question and then it

1384
01:03:45,360 --> 01:03:49,640
Speaker 4: comes out as like so you're on Modern yeah, and

1385
01:03:49,760 --> 01:03:52,520
Speaker 4: it's like not there's no bite or edge to it.

1386
01:03:52,640 --> 01:03:54,720
Speaker 4: It's like he's just like yep, it was a good show,

1387
01:03:54,800 --> 01:03:57,360
Speaker 4: and I'm like totally yeah.

1388
01:03:57,520 --> 01:03:59,920
Speaker 2: But we've we've all worked in scenarios professionally where we

1389
01:04:00,120 --> 01:04:03,240
Speaker 2: had to approach like quote unquote talent or like you know,

1390
01:04:03,600 --> 01:04:05,600
Speaker 2: a celebrity or something for like a comedy show or

1391
01:04:05,640 --> 01:04:07,360
Speaker 2: a TV show where like, okay, so these are your jokes,

1392
01:04:07,400 --> 01:04:09,280
Speaker 2: this is what we've written for you. It's like there's

1393
01:04:09,400 --> 01:04:11,480
Speaker 2: just that part is removed and instead the thing that

1394
01:04:11,520 --> 01:04:13,560
Speaker 2: we're presenting to them is thank you for being on

1395
01:04:13,640 --> 01:04:17,440
Speaker 2: our program, and like this is this is what we

1396
01:04:17,560 --> 01:04:19,880
Speaker 2: have to offer you because you came here for a

1397
01:04:19,960 --> 01:04:24,160
Speaker 2: reason and we're here for like it's a mutually beneficial

1398
01:04:24,240 --> 01:04:26,760
Speaker 2: exchange of something. I don't know, you know, it's it's fine.

1399
01:04:26,920 --> 01:04:31,080
Speaker 1: Yeah, people are smarter I think than too. Then sometimes

1400
01:04:31,320 --> 01:04:33,200
Speaker 1: like you might think they're going to be coming in.

1401
01:04:33,320 --> 01:04:35,520
Speaker 1: It's like, look, when a certain celebrity comes in and

1402
01:04:35,560 --> 01:04:38,480
Speaker 1: they're like an A list star, they probably know the bit.

1403
01:04:38,440 --> 01:04:39,840
Speaker 3: About them, you know what I mean.

1404
01:04:39,920 --> 01:04:42,120
Speaker 1: Like I think you guys, you guys could have had

1405
01:04:42,640 --> 01:04:45,520
Speaker 1: Jesse Tyler Ferguson come in or anyone come in, like

1406
01:04:45,680 --> 01:04:49,240
Speaker 1: and be like, so you know that you're so mainstream

1407
01:04:49,360 --> 01:04:53,480
Speaker 1: gay famous that certain gay men feel a certain way

1408
01:04:53,520 --> 01:04:55,400
Speaker 1: about it and like you, but you do become a

1409
01:04:55,440 --> 01:04:59,000
Speaker 1: little bit of like a projection punchline. It's like if

1410
01:04:59,040 --> 01:05:02,600
Speaker 1: he doesn't know that, then that would be weird, you

1411
01:05:02,680 --> 01:05:04,000
Speaker 1: know what I mean. I think we all are like

1412
01:05:04,280 --> 01:05:09,480
Speaker 1: experiencing some level of like what it means to be

1413
01:05:10,280 --> 01:05:12,760
Speaker 1: then a gay that gets to be the one where

1414
01:05:12,800 --> 01:05:16,240
Speaker 1: the things get projected onto. And so everyone, any media

1415
01:05:16,320 --> 01:05:19,920
Speaker 1: literate or internet literate person understands this and maybe they've

1416
01:05:19,960 --> 01:05:22,560
Speaker 1: been dying to talk about like hey, yeah, it feels

1417
01:05:22,680 --> 01:05:25,200
Speaker 1: this way, that way or another way about like just

1418
01:05:25,320 --> 01:05:27,160
Speaker 1: by existing as a gay guy in the public guy,

1419
01:05:27,200 --> 01:05:29,360
Speaker 1: it feels this way. It might not be a particularly

1420
01:05:29,440 --> 01:05:31,960
Speaker 1: interesting conversation, but it is something.

1421
01:05:32,040 --> 01:05:33,880
Speaker 3: When Marybeth and I were doing the when I was

1422
01:05:33,920 --> 01:05:36,560
Speaker 3: helping Marybeth to the Red Carpet or for the first

1423
01:05:36,600 --> 01:05:39,439
Speaker 3: person she spoke to at the Golden Globes was Dylan

1424
01:05:39,520 --> 01:05:42,520
Speaker 3: Ephron and we hadn't prepared for him, and so we

1425
01:05:42,560 --> 01:05:44,680
Speaker 3: didn't have anything ready. And I went up to her

1426
01:05:44,680 --> 01:05:46,440
Speaker 3: and I was like, ask him if he has any siblings,

1427
01:05:46,800 --> 01:05:50,919
Speaker 3: Just say do you have any siblings? And she asked

1428
01:05:51,000 --> 01:05:55,240
Speaker 3: him and he didn't get the bit, but it was

1429
01:05:55,520 --> 01:05:58,920
Speaker 3: I was like, this to me, this is the perfect

1430
01:05:59,040 --> 01:06:02,560
Speaker 3: celebrity interaction. Is Marybeth asking do you have any siblings?

1431
01:06:02,720 --> 01:06:05,600
Speaker 3: And Dylan Efron being like, oh, yeah, I have a

1432
01:06:06,360 --> 01:06:09,320
Speaker 3: a sister and brother. And then Mary Beth goes and

1433
01:06:09,400 --> 01:06:14,840
Speaker 3: this was improvised she goes, Oh, that Efron, that's so funny.

1434
01:06:15,680 --> 01:06:18,919
Speaker 1: My favorite things growing up, like when I watched any

1435
01:06:19,040 --> 01:06:23,160
Speaker 1: type of celebrity interview were like I loved, like between

1436
01:06:23,200 --> 01:06:26,160
Speaker 1: two ferns. I loved like when people would come in.

1437
01:06:26,720 --> 01:06:30,439
Speaker 1: Sometimes I do feel like a world where we could

1438
01:06:30,480 --> 01:06:33,480
Speaker 1: have just set up a thing that was more abjective.

1439
01:06:34,200 --> 01:06:36,720
Speaker 1: But the fact is, and this is okay to say,

1440
01:06:36,920 --> 01:06:40,320
Speaker 1: the fact is, when you really drill us down to

1441
01:06:40,400 --> 01:06:42,800
Speaker 1: who we are, that's not who we are. Like we

1442
01:06:43,120 --> 01:06:46,080
Speaker 1: we are a little bit more earnest than that. I

1443
01:06:46,160 --> 01:06:49,840
Speaker 1: would become exhausted pretending to just nag someone all the

1444
01:06:49,920 --> 01:06:52,400
Speaker 1: time and then have everyone think my personality was just

1445
01:06:53,000 --> 01:06:54,280
Speaker 1: that different from what it is.

1446
01:06:54,320 --> 01:06:56,960
Speaker 3: I don't know how, but I think I understand what

1447
01:06:57,000 --> 01:06:59,960
Speaker 3: you're saying. But I do think as someone who was

1448
01:07:00,080 --> 01:07:02,760
Speaker 3: worked with you, you do have if you can access

1449
01:07:02,840 --> 01:07:05,200
Speaker 3: that edge very easily. You just don't want that to

1450
01:07:05,320 --> 01:07:06,880
Speaker 3: be you're defining question.

1451
01:07:06,920 --> 01:07:09,600
Speaker 1: Yeah, I well, yes, I I guess That's what I'm saying,

1452
01:07:09,760 --> 01:07:11,720
Speaker 1: is like that's the reason why I sometimes annoy I'm

1453
01:07:11,720 --> 01:07:15,160
Speaker 1: annoyed about it because some of the time I do

1454
01:07:15,280 --> 01:07:18,640
Speaker 1: feel like I would be more comfortable slash get away

1455
01:07:18,760 --> 01:07:23,240
Speaker 1: with more. Yeah, if I just don't God forbid wins

1456
01:07:23,640 --> 01:07:26,479
Speaker 1: well you know, but but but but also then there's

1457
01:07:26,520 --> 01:07:28,800
Speaker 1: like another side, which is like, yeah, I kind of do.

1458
01:07:30,160 --> 01:07:31,320
Speaker 1: Maybe I'm crying at a wedding.

1459
01:07:32,360 --> 01:07:35,280
Speaker 3: Do you remember when Zach elfanekusas Natalie Portman so for

1460
01:07:35,440 --> 01:07:37,720
Speaker 3: VI for Vendetta you shaved your head? Did you also

1461
01:07:37,960 --> 01:07:39,240
Speaker 3: shave your v for Vagina?

1462
01:07:40,880 --> 01:07:43,160
Speaker 1: That? I do remember that.

1463
01:07:44,760 --> 01:07:46,320
Speaker 3: Shout out talk about.

1464
01:07:48,760 --> 01:07:52,080
Speaker 2: Vagina unsung here and all the between two ferns was

1465
01:07:52,880 --> 01:07:55,480
Speaker 2: the woman kind of like walking all the guests off,

1466
01:07:56,000 --> 01:07:59,479
Speaker 2: just being like yeah, like a six foot tall woman

1467
01:08:00,360 --> 01:08:03,320
Speaker 2: just like angling her face away from the camera. It's

1468
01:08:03,360 --> 01:08:06,080
Speaker 2: like always like taking up like Sally Field and like

1469
01:08:06,160 --> 01:08:07,360
Speaker 2: telling her to walk this way.

1470
01:08:07,720 --> 01:08:11,280
Speaker 1: It's I think it's wait, hold on, So you guys

1471
01:08:11,280 --> 01:08:18,360
Speaker 1: are pass we well certainly you know that's interesting.

1472
01:08:18,800 --> 01:08:21,040
Speaker 3: Perfuge genius and Jesse Tyler Ferguson is literally like we

1473
01:08:21,160 --> 01:08:24,080
Speaker 3: are is Lizzo's past. It's like, do you choose perfume

1474
01:08:24,160 --> 01:08:26,960
Speaker 3: genius or do you choose Jesse Tayler Ferguson. I like

1475
01:08:27,200 --> 01:08:28,160
Speaker 3: it couldn't be more clear.

1476
01:08:28,400 --> 01:08:31,120
Speaker 2: You guys are so I think you guys will without

1477
01:08:31,160 --> 01:08:35,800
Speaker 2: even intention go towards pitchwork. Yeah, that's just I feel

1478
01:08:35,840 --> 01:08:35,960
Speaker 2: like that.

1479
01:08:36,080 --> 01:08:39,840
Speaker 3: Is and I think I want to say Sam is

1480
01:08:40,040 --> 01:08:43,920
Speaker 3: very good at keeping us pitchfork. Sometimes I get carried away.

1481
01:08:43,960 --> 01:08:46,519
Speaker 3: We'll get like a request for a guest and I'll

1482
01:08:46,640 --> 01:08:50,519
Speaker 3: just be like, no name, let's do like yes, like

1483
01:08:50,640 --> 01:08:51,200
Speaker 3: that all in the.

1484
01:08:51,200 --> 01:08:53,240
Speaker 5: Sex and the City movie because he gets carried away.

1485
01:08:55,120 --> 01:08:57,960
Speaker 5: I was going to call you that so car away.

1486
01:09:00,320 --> 01:09:04,400
Speaker 4: Oh oh, but that's the that's the balance, that's the

1487
01:09:04,439 --> 01:09:07,880
Speaker 4: balance because like I yeah, sometimes I well, I also

1488
01:09:07,960 --> 01:09:10,560
Speaker 4: literally the moment I'm looking at someone's eyes, I'm like,

1489
01:09:10,840 --> 01:09:11,639
Speaker 4: I don't know your name.

1490
01:09:11,840 --> 01:09:13,599
Speaker 3: I don't know what you're in. I don't know what's

1491
01:09:13,880 --> 01:09:15,320
Speaker 3: really hard, like really hard.

1492
01:09:15,360 --> 01:09:17,439
Speaker 4: I am Like when you said my dates, I was like,

1493
01:09:17,600 --> 01:09:20,160
Speaker 4: I don't know my dates. Like that's crazy, it's.

1494
01:09:20,439 --> 01:09:21,439
Speaker 3: Out the ear.

1495
01:09:21,920 --> 01:09:23,240
Speaker 2: I don't even know that. I can't tell you the dates.

1496
01:09:23,280 --> 01:09:23,400
Speaker 1: Now.

1497
01:09:23,520 --> 01:09:25,120
Speaker 2: Why I held on to it for the time that

1498
01:09:25,200 --> 01:09:26,479
Speaker 2: I had to that is amazing.

1499
01:09:26,600 --> 01:09:28,240
Speaker 4: Like I keep saying, just another Ferguson and like that

1500
01:09:28,400 --> 01:09:30,800
Speaker 4: is his name, right, Like I forget stuff like.

1501
01:09:31,479 --> 01:09:33,600
Speaker 1: Well, this is another element of I think. It's like

1502
01:09:33,680 --> 01:09:37,200
Speaker 1: when you do get pitched a certain name for the podcast,

1503
01:09:37,800 --> 01:09:40,800
Speaker 1: it is also like it's not just of course you're

1504
01:09:40,800 --> 01:09:42,320
Speaker 1: thinking about it like an episode of the show, but

1505
01:09:42,360 --> 01:09:43,960
Speaker 1: it's also like do I want to hang out with

1506
01:09:44,040 --> 01:09:46,760
Speaker 1: that person lately? And then sometimes it's like, oh, I

1507
01:09:46,800 --> 01:09:49,240
Speaker 1: I don't think I'd ever get an opportunity if it

1508
01:09:49,400 --> 01:09:51,160
Speaker 1: wasn't this to hang out with that person and meat

1509
01:09:51,200 --> 01:09:53,320
Speaker 1: that person and ask them questions. So of course we're

1510
01:09:53,360 --> 01:09:53,920
Speaker 1: going to say.

1511
01:09:53,840 --> 01:09:56,280
Speaker 3: Yes to it. Yeah, but like, is this going to

1512
01:09:56,320 --> 01:10:00,200
Speaker 3: be a good hang good hand? Which was original? Through

1513
01:10:00,240 --> 01:10:01,799
Speaker 3: it with the original name of our podcast.

1514
01:10:03,439 --> 01:10:05,080
Speaker 1: She suited us for it.

1515
01:10:06,000 --> 01:10:07,200
Speaker 3: She's so awful in person.

1516
01:10:07,240 --> 01:10:09,200
Speaker 2: What did she sue you if if it was your original?

1517
01:10:09,479 --> 01:10:15,759
Speaker 3: She sued me. She sued me because I wrote Baby Mama.

1518
01:10:16,840 --> 01:10:19,840
Speaker 3: And then she fully coped. I had a meeting with

1519
01:10:19,920 --> 01:10:24,200
Speaker 3: her and she said, I hate this idea. You're gonna

1520
01:10:24,360 --> 01:10:26,679
Speaker 3: complete flop. She called me a lot of homophobic slurs.

1521
01:10:27,040 --> 01:10:29,400
Speaker 3: And then next morning I saw on Variety she was

1522
01:10:29,479 --> 01:10:32,439
Speaker 3: developing a film called Baby Mama with someone named Tina

1523
01:10:32,479 --> 01:10:34,000
Speaker 3: se And this is.

1524
01:10:34,080 --> 01:10:36,240
Speaker 2: Yeah, this is when you were really on Variety, really

1525
01:10:36,280 --> 01:10:36,839
Speaker 2: on the trades.

1526
01:10:37,120 --> 01:10:42,880
Speaker 1: Yes, that was when they were the best the trades.

1527
01:10:42,920 --> 01:10:45,320
Speaker 3: Take me back to the good trades.

1528
01:10:45,600 --> 01:10:49,519
Speaker 5: Variety Spring two thousand and six, the photoshoop. I have

1529
01:10:49,640 --> 01:10:53,639
Speaker 5: it framed in my bathroom. Wait, what was I gonna say?

1530
01:10:55,720 --> 01:10:56,439
Speaker 3: There was a period.

1531
01:10:57,040 --> 01:10:58,479
Speaker 1: There was a period of time where like, I was

1532
01:10:58,520 --> 01:11:00,439
Speaker 1: being sent a lot of magazines because I guess I

1533
01:11:00,680 --> 01:11:02,280
Speaker 1: signed up for like the ones online, and so I

1534
01:11:02,400 --> 01:11:05,360
Speaker 1: was getting the physical coffees and I walked I had

1535
01:11:05,439 --> 01:11:08,080
Speaker 1: them all on my on my coffee table in la

1536
01:11:08,240 --> 01:11:10,920
Speaker 1: and Joel walks in and he goes, It's like, I

1537
01:11:11,080 --> 01:11:16,559
Speaker 1: c m in here, joke.

1538
01:11:17,360 --> 01:11:21,320
Speaker 2: Oh my, I think it's time.

1539
01:11:21,760 --> 01:11:22,160
Speaker 4: It's time.

1540
01:11:22,680 --> 01:11:23,559
Speaker 3: What you're you're right?

1541
01:11:23,760 --> 01:11:23,840
Speaker 4: Right?

1542
01:11:23,920 --> 01:11:28,160
Speaker 3: No, you're right, you're right. Well, there's happy to keep going.

1543
01:11:31,040 --> 01:11:34,960
Speaker 1: Can we say she's getting her four? We started four thirty.

1544
01:11:35,040 --> 01:11:36,839
Speaker 1: But the thing about four I don't think so honeys

1545
01:11:36,880 --> 01:11:39,439
Speaker 1: is there's for them and they always, as Beyonce, want

1546
01:11:39,760 --> 01:11:42,760
Speaker 1: start all this conversation. So when a lot of people

1547
01:11:42,880 --> 01:11:45,519
Speaker 1: get so upset when they hear it's time because they think,

1548
01:11:45,560 --> 01:11:47,880
Speaker 1: oh my god, the podcast is ending, But really, you

1549
01:11:48,000 --> 01:11:50,880
Speaker 1: know what it means. It just means the appetizer has

1550
01:11:50,960 --> 01:11:54,200
Speaker 1: hit the table and now we can start eating, which

1551
01:11:54,280 --> 01:11:56,960
Speaker 1: is what this segment is all about. Eating something up

1552
01:11:57,000 --> 01:11:59,880
Speaker 1: in coatre for sixty seconds just.

1553
01:12:01,080 --> 01:12:04,360
Speaker 3: And if anyone takes that clip out of context, I'm suing.

1554
01:12:04,400 --> 01:12:06,320
Speaker 4: You know it's gonna take that out of context. No,

1555
01:12:06,640 --> 01:12:08,840
Speaker 4: she's gonna sue yours again. This is what you.

1556
01:12:10,600 --> 01:12:15,280
Speaker 3: And the entire golbes. I think it was a little okay,

1557
01:12:15,320 --> 01:12:16,519
Speaker 3: I think I scared her a little bit. No, no,

1558
01:12:16,960 --> 01:12:18,479
Speaker 3: I literally I did.

1559
01:12:18,760 --> 01:12:20,880
Speaker 2: She was It's impossible not to scare anybody.

1560
01:12:21,680 --> 01:12:24,040
Speaker 1: It's time. I already set up the segment. If you

1561
01:12:24,120 --> 01:12:26,880
Speaker 1: don't know, and now you know again it's I don't

1562
01:12:26,880 --> 01:12:29,000
Speaker 1: think so honey. All right, I'm ready, here we go.

1563
01:12:29,160 --> 01:12:32,040
Speaker 2: This is you're gonna start. I assume, yeah, this is

1564
01:12:32,120 --> 01:12:34,400
Speaker 2: Matt Rogers. I don't think so, honey, and his time

1565
01:12:34,600 --> 01:12:35,240
Speaker 2: starts now.

1566
01:12:35,360 --> 01:12:38,160
Speaker 1: I don't think so honey. Without fail, there's a fake spring.

1567
01:12:38,560 --> 01:12:40,680
Speaker 1: There's a four or five day period where they're like,

1568
01:12:40,760 --> 01:12:43,639
Speaker 1: oh my god, everyone's dressing horrible again in the streets.

1569
01:12:43,680 --> 01:12:46,240
Speaker 1: And by horrible, I mean I see you gay guys

1570
01:12:46,320 --> 01:12:48,960
Speaker 1: with those shorts. Yes, you know, the one that are

1571
01:12:49,040 --> 01:12:52,080
Speaker 1: too short and too tight, and you whip them out

1572
01:12:52,240 --> 01:12:54,840
Speaker 1: and you can see them all around the city. From

1573
01:12:54,880 --> 01:13:00,280
Speaker 1: approximately February twenty eighth to March seventh, eighth, there's always,

1574
01:13:00,320 --> 01:13:03,880
Speaker 1: without failer period where you think the groundhog done became

1575
01:13:03,960 --> 01:13:07,439
Speaker 1: a slut thirty and got out his slutty shorts for himself.

1576
01:13:07,800 --> 01:13:10,200
Speaker 1: But the fact is you're gonna get to something like

1577
01:13:10,400 --> 01:13:13,680
Speaker 1: March eleventh, twelve, thirteenth, and it's roaring back in like

1578
01:13:13,760 --> 01:13:16,719
Speaker 1: a lion out like a lamb. Honey, this lion lamb.

1579
01:13:16,880 --> 01:13:19,719
Speaker 1: She has a lot of questions about her identity. March.

1580
01:13:19,960 --> 01:13:23,520
Speaker 1: She is experimenting, babe, and she will continue to experiment.

1581
01:13:23,720 --> 01:13:26,200
Speaker 1: You will never know what she's really like. Stay in

1582
01:13:26,320 --> 01:13:28,799
Speaker 1: the house. It's not spring yet. It won't be spring

1583
01:13:29,200 --> 01:13:33,240
Speaker 1: until April thirtieth, and it will be summer on May fourth.

1584
01:13:33,880 --> 01:13:36,519
Speaker 1: This is the way it goes. I don't think so, honey,

1585
01:13:36,600 --> 01:13:37,200
Speaker 1: anything else.

1586
01:13:37,280 --> 01:13:40,799
Speaker 4: And that's wow, incredible, really beautiful.

1587
01:13:42,520 --> 01:13:45,920
Speaker 1: I think, I what else? How else was it? Well?

1588
01:13:46,160 --> 01:13:48,799
Speaker 5: I just have to say that, you know, as someone

1589
01:13:49,080 --> 01:13:50,760
Speaker 5: that has been living in life for the last two years,

1590
01:13:50,800 --> 01:13:55,600
Speaker 5: it's like so nice to be like caring about the weather. Yeah, no,

1591
01:13:55,800 --> 01:13:57,760
Speaker 5: I And thank you for saying shut up, because I

1592
01:13:57,960 --> 01:14:00,360
Speaker 5: keep feeling I keep talking to people and I can

1593
01:14:00,479 --> 01:14:02,400
Speaker 5: feel the l a stink on me and I'm like

1594
01:14:02,600 --> 01:14:05,000
Speaker 5: I've lived here for so long, Like in New York and.

1595
01:14:05,400 --> 01:14:08,040
Speaker 4: You like it better now there, No, don't say things, No,

1596
01:14:09,040 --> 01:14:11,320
Speaker 4: don't say things like that. It's just a trade off.

1597
01:14:11,680 --> 01:14:15,040
Speaker 2: Okay, I'm sisters Chicago, New York, l A.

1598
01:14:17,320 --> 01:14:21,879
Speaker 4: Okay, well this is tough. I think st is Chicago

1599
01:14:22,040 --> 01:14:25,559
Speaker 4: because she's down to have some actual fucking fun, second

1600
01:14:25,600 --> 01:14:29,760
Speaker 4: City trained, Second City trained sherif like no one else can.

1601
01:14:30,600 --> 01:14:35,280
Speaker 4: I think Danielle is New York because she's tough. She's

1602
01:14:35,439 --> 01:14:40,000
Speaker 4: tough and a rockery and a rocker because she's in

1603
01:14:40,120 --> 01:14:40,519
Speaker 4: the film.

1604
01:14:40,600 --> 01:14:41,400
Speaker 1: She's in movie.

1605
01:14:42,680 --> 01:14:43,360
Speaker 3: Yeah, it's amazing.

1606
01:14:43,439 --> 01:14:44,600
Speaker 1: I mean, how could you disagree with that?

1607
01:14:46,800 --> 01:14:47,000
Speaker 4: Yeah?

1608
01:14:48,160 --> 01:14:51,559
Speaker 2: And they're all from California. Okay, what was I gonna say?

1609
01:14:52,760 --> 01:14:52,880
Speaker 4: Oh?

1610
01:14:52,960 --> 01:14:55,559
Speaker 2: I think I saw romp him in Hell's Kitchen when

1611
01:14:55,600 --> 01:14:58,560
Speaker 2: I was Do they still know that?

1612
01:14:58,720 --> 01:14:58,920
Speaker 4: Is not?

1613
01:14:59,040 --> 01:14:59,840
Speaker 3: Okay? I think it was?

1614
01:15:00,520 --> 01:15:00,880
Speaker 1: Or is it?

1615
01:15:02,280 --> 01:15:03,280
Speaker 3: Have Theori?

1616
01:15:03,520 --> 01:15:04,240
Speaker 1: Have we Horseshoe?

1617
01:15:04,320 --> 01:15:05,759
Speaker 2: Theoried on rom Hims.

1618
01:15:06,200 --> 01:15:10,760
Speaker 1: Or one blue striped? What romp him during? You guessed it?

1619
01:15:10,880 --> 01:15:17,280
Speaker 1: The pandemic and well past the trust me I know.

1620
01:15:17,439 --> 01:15:21,479
Speaker 2: I was like, oh god, well, anyway, that was beautiful.

1621
01:15:21,560 --> 01:15:23,880
Speaker 4: If rob come back ironically, that's kind of fun. There's

1622
01:15:23,920 --> 01:15:24,400
Speaker 4: something to it.

1623
01:15:24,720 --> 01:15:26,800
Speaker 1: I think, so a romp Him I don't know who

1624
01:15:26,840 --> 01:15:28,160
Speaker 1: could bring a romp him back.

1625
01:15:28,680 --> 01:15:31,040
Speaker 3: Harry Styles, Harry Harry Styles.

1626
01:15:32,200 --> 01:15:33,719
Speaker 1: I do like his fashion.

1627
01:15:34,520 --> 01:15:36,240
Speaker 3: It's some times I like it.

1628
01:15:36,479 --> 01:15:38,760
Speaker 1: Yeah, I like the tie thing. Okay, all right, you

1629
01:15:38,880 --> 01:15:40,080
Speaker 1: ready for your I don't.

1630
01:15:39,920 --> 01:15:42,080
Speaker 2: Think yes, and it actually it kind of details right

1631
01:15:42,120 --> 01:15:43,280
Speaker 2: off of what we just spoke about.

1632
01:15:43,479 --> 01:15:45,400
Speaker 1: Okay, this is van I don't think so, honey. As

1633
01:15:45,400 --> 01:15:46,200
Speaker 1: time starts now.

1634
01:15:46,320 --> 01:15:48,599
Speaker 2: I don't think so honey, Mary fuck kill. I think

1635
01:15:48,680 --> 01:15:51,880
Speaker 2: let's expand the choices. It shouldn't be a triinar area.

1636
01:15:51,920 --> 01:15:55,559
Speaker 2: How about Mary fuck ghost gas light talk to at

1637
01:15:55,560 --> 01:16:01,200
Speaker 2: a wedding and maybe hook up fucks fuck that's already

1638
01:16:02,120 --> 01:16:06,599
Speaker 2: fuck no, but sort of the seduction seduce and then

1639
01:16:09,160 --> 01:16:12,880
Speaker 2: seduce and then you know, pay for dinner, but then

1640
01:16:13,040 --> 01:16:15,519
Speaker 2: second guess of your second sending mixed signals. I don't know.

1641
01:16:15,560 --> 01:16:16,439
Speaker 1: I think thirty seconds.

1642
01:16:16,439 --> 01:16:17,640
Speaker 2: I think we can just we can always, we can

1643
01:16:17,640 --> 01:16:21,120
Speaker 2: always expand sort of the uh, the sort of matrix

1644
01:16:21,160 --> 01:16:21,720
Speaker 2: of choice here.

1645
01:16:22,560 --> 01:16:22,800
Speaker 1: That's it.

1646
01:16:22,920 --> 01:16:24,680
Speaker 2: I don't really have any sort of fiery take on

1647
01:16:24,760 --> 01:16:26,080
Speaker 2: I just I think I think everyone's open to this.

1648
01:16:26,120 --> 01:16:28,920
Speaker 2: Idea's gonna push back. Unless you like the simplicity of

1649
01:16:28,960 --> 01:16:30,800
Speaker 2: Mary fuck Kill, you can't do this with like the

1650
01:16:30,880 --> 01:16:34,320
Speaker 2: hims Sisters necessary you can't you know that that is

1651
01:16:34,360 --> 01:16:37,960
Speaker 2: an elegant sort of uh decision tree, Like it's only

1652
01:16:38,000 --> 01:16:40,320
Speaker 2: three choices, you can't have more. But you know, Mary

1653
01:16:40,360 --> 01:16:42,160
Speaker 2: fuck Kill, there are so many more things you can

1654
01:16:42,200 --> 01:16:46,360
Speaker 2: do within just in life planet tree with the thing

1655
01:16:46,479 --> 01:16:47,560
Speaker 2: with the concept.

1656
01:16:47,280 --> 01:16:48,040
Speaker 1: In that one minute.

1657
01:16:48,560 --> 01:16:50,560
Speaker 3: And here's my question for you. Are you used to

1658
01:16:50,600 --> 01:16:52,280
Speaker 3: brin a carpenter? Because that was short and sweet?

1659
01:16:54,840 --> 01:16:57,080
Speaker 1: You know what, You're gonna do it, And this is

1660
01:16:57,160 --> 01:16:59,040
Speaker 1: gonna be the last Mary fuck Kill, at least ever

1661
01:16:59,120 --> 01:17:04,040
Speaker 1: on this podcast, maybe ever Mary fuck Kill the heim Sisters.

1662
01:17:05,520 --> 01:17:09,160
Speaker 3: No, what a gorgeous you know, we've we've planned, we

1663
01:17:09,240 --> 01:17:11,880
Speaker 3: scripted out our entire appearance here so that we would

1664
01:17:11,920 --> 01:17:14,680
Speaker 3: not offend any of the high school and I think

1665
01:17:14,720 --> 01:17:17,000
Speaker 3: it's done a really good job, Like even when we're

1666
01:17:17,000 --> 01:17:18,400
Speaker 3: describing them obviously.

1667
01:17:18,479 --> 01:17:21,040
Speaker 1: You know what, let's do it Bowen Yang style, Mary

1668
01:17:21,360 --> 01:17:24,720
Speaker 1: fuck talk to at a wedding and just hook up,

1669
01:17:25,120 --> 01:17:29,080
Speaker 1: just kiss, no insertion. I like that and that there's

1670
01:17:29,120 --> 01:17:31,400
Speaker 1: still really good things about that because you actually have

1671
01:17:31,479 --> 01:17:34,200
Speaker 1: a conversation with the person, you remember it fondly, whereas

1672
01:17:34,320 --> 01:17:35,639
Speaker 1: with fucking it's just set.

1673
01:17:35,479 --> 01:17:37,479
Speaker 2: And it's not it's not heraticle at all. Those are

1674
01:17:37,479 --> 01:17:38,800
Speaker 2: all those all live very horizontally.

1675
01:17:38,920 --> 01:17:39,240
Speaker 3: I have it.

1676
01:17:39,400 --> 01:17:43,960
Speaker 5: Yeah, Okay, I want to marry Alana. I just think

1677
01:17:44,000 --> 01:17:45,280
Speaker 5: we could build a beautiful life together.

1678
01:17:45,720 --> 01:17:48,639
Speaker 1: You guys have the same sense of humor. Yeah, yeah,

1679
01:17:48,840 --> 01:17:49,320
Speaker 1: I want to.

1680
01:17:50,600 --> 01:17:53,719
Speaker 5: I want to talk at a wedding and kiss Danielle.

1681
01:17:54,400 --> 01:17:55,880
Speaker 5: Just feel like at a wedding, like it'd be so

1682
01:17:56,120 --> 01:17:57,799
Speaker 5: funring lights.

1683
01:17:57,800 --> 01:18:00,360
Speaker 4: Yeah, and it's like, so what's music like? And she's like,

1684
01:18:00,760 --> 01:18:02,280
Speaker 4: and what what's what do you do?

1685
01:18:05,760 --> 01:18:06,760
Speaker 1: And then you guys make out.

1686
01:18:07,200 --> 01:18:09,120
Speaker 4: Then we make out. It's like that was fun. Actually,

1687
01:18:09,160 --> 01:18:12,040
Speaker 4: I didn't think I have fun of this one. This one.

1688
01:18:12,720 --> 01:18:16,679
Speaker 1: Someone gets a lot of weddings and then and then because.

1689
01:18:16,479 --> 01:18:18,320
Speaker 5: You know, we're having a fucking blast, we're in the

1690
01:18:18,360 --> 01:18:19,960
Speaker 5: hotel room, we're getting kicked out.

1691
01:18:20,280 --> 01:18:22,600
Speaker 1: It's gonna be doing that thing where you're doing that

1692
01:18:22,640 --> 01:18:24,400
Speaker 1: thing where one person gets on the other and takes

1693
01:18:24,439 --> 01:18:26,519
Speaker 1: a bottle of like whiskey and pours it on there.

1694
01:18:27,880 --> 01:18:28,360
Speaker 1: Mix it up.

1695
01:18:28,400 --> 01:18:31,280
Speaker 3: You know what is doing. You know what comedian is doing.

1696
01:18:31,400 --> 01:18:32,000
Speaker 1: She is coming.

1697
01:18:32,160 --> 01:18:35,040
Speaker 3: She is Abby Jacobsen style, coming out with a giant

1698
01:18:35,120 --> 01:18:42,320
Speaker 3: strap and she goes that's peg that's that's sty is.

1699
01:18:43,400 --> 01:18:46,160
Speaker 1: You're like, girl, what, and she goes, dude, I'm just kidding.

1700
01:18:49,400 --> 01:18:52,040
Speaker 3: We're watching Bridge at Jones, bitch, and then.

1701
01:18:51,920 --> 01:18:54,960
Speaker 1: You you're so excited that she had the new one.

1702
01:18:55,000 --> 01:18:57,840
Speaker 1: You were hoping she to see it. Oh my god,

1703
01:18:57,880 --> 01:18:58,439
Speaker 1: it was good.

1704
01:18:58,320 --> 01:18:59,360
Speaker 3: Actually to see it.

1705
01:18:59,400 --> 01:18:59,880
Speaker 4: I haven't seen it.

1706
01:19:01,680 --> 01:19:02,439
Speaker 3: It's good.

1707
01:19:02,560 --> 01:19:04,320
Speaker 1: You don't expect the turns it takes.

1708
01:19:04,439 --> 01:19:05,040
Speaker 4: Oh, I can't wait.

1709
01:19:05,360 --> 01:19:09,479
Speaker 1: And Renee performance one of the greats.

1710
01:19:09,840 --> 01:19:12,200
Speaker 2: Oh, I don't think so many quickly just I thought

1711
01:19:12,240 --> 01:19:14,280
Speaker 2: with Renee, we learned not to comment on people's faces.

1712
01:19:14,280 --> 01:19:16,120
Speaker 2: With the whole Jim Carrey thing, and like everybody stop.

1713
01:19:16,400 --> 01:19:21,240
Speaker 5: They're trying to couch it in conspiracy culture as well

1714
01:19:21,479 --> 01:19:22,240
Speaker 5: to get away with it.

1715
01:19:22,320 --> 01:19:23,840
Speaker 4: And it's like, no, you're still not gonna know with that,

1716
01:19:23,920 --> 01:19:24,360
Speaker 4: that's enough.

1717
01:19:24,560 --> 01:19:26,720
Speaker 3: Do not comment on Jim Carrey's appearance, and do not

1718
01:19:26,960 --> 01:19:28,120
Speaker 3: ask him about vaccines.

1719
01:19:29,560 --> 01:19:30,560
Speaker 1: I wouldn't.

1720
01:19:31,920 --> 01:19:33,120
Speaker 4: I mean to be fair if I reread to meet

1721
01:19:33,160 --> 01:19:34,759
Speaker 4: Jim Carrey, the last thing I bring up is vaccine.

1722
01:19:35,080 --> 01:19:37,599
Speaker 3: I know he's a literally comedy legend, Like I would

1723
01:19:37,600 --> 01:19:39,080
Speaker 3: be like, I forgive you for everything else all.

1724
01:19:39,040 --> 01:19:40,760
Speaker 2: Good, But if you step in front of a step

1725
01:19:40,800 --> 01:19:45,000
Speaker 2: and repeat you're gonna be asked about vaccines. That's the world.

1726
01:19:45,040 --> 01:19:45,320
Speaker 2: We love it.

1727
01:19:45,400 --> 01:19:46,519
Speaker 3: Okay, time to turn it over.

1728
01:19:46,640 --> 01:19:48,040
Speaker 1: Okay, now, who wants to go first?

1729
01:19:48,760 --> 01:19:51,360
Speaker 3: I feel like yours is a good finale? Am I wrong?

1730
01:19:51,640 --> 01:19:51,840
Speaker 4: Sure?

1731
01:19:51,920 --> 01:19:55,719
Speaker 3: Because it's like meta, Sure you want to go first? Measure?

1732
01:19:57,000 --> 01:19:57,880
Speaker 4: Yeah, it's proud.

1733
01:19:57,920 --> 01:20:02,080
Speaker 3: Yeah, yeah, Okay, this is an want to sponsor my meta? Well, sorry,

1734
01:20:02,280 --> 01:20:03,559
Speaker 3: this episode of sponsored ban meta.

1735
01:20:04,000 --> 01:20:04,200
Speaker 4: Sorry.

1736
01:20:04,280 --> 01:20:06,439
Speaker 1: Yeah, this episode is actually only going to be on threads,

1737
01:20:07,120 --> 01:20:07,479
Speaker 1: only going.

1738
01:20:07,400 --> 01:20:08,559
Speaker 3: To be for the first week.

1739
01:20:09,280 --> 01:20:12,160
Speaker 4: You say something. No, no, it's fine. The riff of

1740
01:20:12,200 --> 01:20:16,320
Speaker 4: the riff has passed, right.

1741
01:20:15,560 --> 01:20:19,519
Speaker 1: So it's you. Yeah, here's George Saveris's I don't think so, honey.

1742
01:20:19,600 --> 01:20:20,479
Speaker 1: As time starts now.

1743
01:20:20,880 --> 01:20:24,040
Speaker 3: I don't think so honey. Little stores that don't have

1744
01:20:24,200 --> 01:20:25,280
Speaker 3: price tags on anything.

1745
01:20:25,400 --> 01:20:26,679
Speaker 4: Oh, I'm sorry.

1746
01:20:26,760 --> 01:20:30,160
Speaker 3: I'm walking into let's say, a trendy men's wear boutique. Okay, sure,

1747
01:20:30,240 --> 01:20:32,640
Speaker 3: you're Danish, you're Japanese. We all have the right to

1748
01:20:32,680 --> 01:20:36,680
Speaker 3: self actualize. I walk in, I'm a guest. I'm being

1749
01:20:36,720 --> 01:20:38,799
Speaker 3: looked up and down by a bunch of Wilhelmina models.

1750
01:20:39,040 --> 01:20:41,160
Speaker 3: They're literally full time Wilhemina models. You're only doing this

1751
01:20:41,240 --> 01:20:43,320
Speaker 3: part time because they want to practice being cruel to people.

1752
01:20:43,720 --> 01:20:48,080
Speaker 3: I'm going through, I'm asymmetrical blazers, graphic t's whatever. Suddenly

1753
01:20:48,360 --> 01:20:49,439
Speaker 3: it occurs to me, I don't know what any of

1754
01:20:49,439 --> 01:20:51,000
Speaker 3: these things cost. I go up, I go up to

1755
01:20:51,040 --> 01:20:53,080
Speaker 3: the person. I say how much is this? Suddenly they

1756
01:20:53,120 --> 01:20:55,479
Speaker 3: say like it's nothing. Oh, that's eight hundred and fifty dollars.

1757
01:20:55,960 --> 01:20:58,560
Speaker 3: Suddenly I have to be a Steppenwolf level actor and

1758
01:20:58,640 --> 01:21:02,760
Speaker 3: my reaction has to be, oh, well, that's around what

1759
01:21:02,840 --> 01:21:03,560
Speaker 3: I thought it would be.

1760
01:21:04,439 --> 01:21:05,080
Speaker 1: Favorite price.

1761
01:21:06,040 --> 01:21:08,960
Speaker 3: I stop asking because I'm embarrassed. I go to the counter.

1762
01:21:09,200 --> 01:21:12,800
Speaker 3: Suddenly I'm paying eight hundred dollars. I sorry, this is

1763
01:21:12,800 --> 01:21:15,040
Speaker 3: a store with no price tags. And then I'm surprisingly

1764
01:21:15,479 --> 01:21:18,160
Speaker 3: paying a million dollars. What is this the American healthcare system?

1765
01:21:18,560 --> 01:21:21,519
Speaker 3: What is this an art installation that's commenting on the

1766
01:21:21,560 --> 01:21:23,800
Speaker 3: American healthcare system. I didn't come here to think. I

1767
01:21:23,840 --> 01:21:25,519
Speaker 3: came to buy a blazer, and by the way, I

1768
01:21:25,560 --> 01:21:28,520
Speaker 3: don't think so, honey, Patty Smith and not with the memoirs,

1769
01:21:29,240 --> 01:21:32,320
Speaker 3: get it one minute, thank god.

1770
01:21:33,000 --> 01:21:36,160
Speaker 2: Straight after the how much did a blazer cost?

1771
01:21:37,240 --> 01:21:45,000
Speaker 3: You know, a blazer, I'm okay overpaying because it's structure

1772
01:21:45,160 --> 01:21:48,439
Speaker 3: it's tailoring. My issue is like a button down shirt

1773
01:21:48,520 --> 01:21:51,920
Speaker 3: should not be expensive. A T shirt should well a

1774
01:21:51,960 --> 01:21:53,360
Speaker 3: T shirt if it's like you know, sort of like

1775
01:21:53,400 --> 01:21:54,439
Speaker 3: a Supreme collab or something.

1776
01:21:54,479 --> 01:21:59,120
Speaker 1: Again, but address it's crazy when you realize what prices

1777
01:21:59,200 --> 01:22:01,519
Speaker 1: are for that. No, it's like saying when I was

1778
01:22:01,640 --> 01:22:05,920
Speaker 1: like all throughout our twenties, like I'll never forget. I'm sorry,

1779
01:22:05,960 --> 01:22:10,040
Speaker 1: I won't do this to you again after this. So

1780
01:22:10,360 --> 01:22:15,320
Speaker 1: he bought my sister, my beloved, my twin went to

1781
01:22:15,439 --> 01:22:17,600
Speaker 1: mass on Kitsune and bought what it was like, a

1782
01:22:17,640 --> 01:22:20,240
Speaker 1: three hundred fifty dollars sweatshirt. And at the time, I

1783
01:22:20,360 --> 01:22:22,200
Speaker 1: didn't think it was possible. I shouldn't.

1784
01:22:22,200 --> 01:22:23,280
Speaker 2: I shouldn't have purchased it.

1785
01:22:23,400 --> 01:22:25,720
Speaker 1: I agree, But that's but that when you find out

1786
01:22:25,760 --> 01:22:28,240
Speaker 1: like what a desire a nice sweatshirt is, it's like whatever,

1787
01:22:29,640 --> 01:22:31,600
Speaker 1: that's how much they are. That's just the reality of

1788
01:22:31,640 --> 01:22:33,920
Speaker 1: it at a store like that. But I was I

1789
01:22:34,200 --> 01:22:36,640
Speaker 1: was of the mind that you don't pay more than

1790
01:22:36,720 --> 01:22:39,479
Speaker 1: forty five dollars sweatshirt, there's no way.

1791
01:22:39,640 --> 01:22:41,400
Speaker 2: That's the voice in your head that is your mother

1792
01:22:41,600 --> 01:22:43,400
Speaker 2: while you're at urban outfitters being like, we're not I'm

1793
01:22:43,400 --> 01:22:44,799
Speaker 2: not paying one hundred dollars for a jacket.

1794
01:22:45,280 --> 01:22:47,439
Speaker 5: Every single time I buy a pair of shoes, Like

1795
01:22:47,680 --> 01:22:49,559
Speaker 5: even if it's just like a normal pair of time shoes,

1796
01:22:49,560 --> 01:22:52,320
Speaker 5: I'm like, this is insane, right, Like I'm being robbed.

1797
01:22:52,760 --> 01:22:55,680
Speaker 1: Yeah, but you know what, go to Converse sixty dollars, Oh,

1798
01:22:56,160 --> 01:22:59,960
Speaker 1: sixty dollars for a classical American shoe that will never

1799
01:23:00,040 --> 01:23:03,519
Speaker 1: will go out of So you guys were waiting for

1800
01:23:03,600 --> 01:23:04,120
Speaker 1: it to happen.

1801
01:23:04,439 --> 01:23:06,559
Speaker 2: There is a culture of silence in retail right now

1802
01:23:06,560 --> 01:23:09,960
Speaker 2: where that's no completely yeah, culture of silence and shame

1803
01:23:10,120 --> 01:23:12,360
Speaker 2: not or misinformation on information.

1804
01:23:12,520 --> 01:23:13,559
Speaker 3: Yes, and that's no information.

1805
01:23:13,720 --> 01:23:15,840
Speaker 1: I'm going to give you a line to say if

1806
01:23:15,880 --> 01:23:17,160
Speaker 1: you ever want to use it. It's one of my

1807
01:23:17,240 --> 01:23:21,639
Speaker 1: favorite bits. Whenever anyone says the price, you just look

1808
01:23:21,640 --> 01:23:23,679
Speaker 1: at them round the eye and you go, my favorite

1809
01:23:23,680 --> 01:23:34,519
Speaker 1: price works every time. That'll be ninety two. Especially if

1810
01:23:34,560 --> 01:23:37,280
Speaker 1: it's too much, you just go, it's my favorite price.

1811
01:23:38,040 --> 01:23:41,400
Speaker 1: And they they take a minute, they take a second

1812
01:23:41,439 --> 01:23:43,800
Speaker 1: and a half to be like what. Then they're like, oh,

1813
01:23:43,840 --> 01:23:44,439
Speaker 1: he's a goof.

1814
01:23:44,600 --> 01:23:45,040
Speaker 4: That's so.

1815
01:23:47,360 --> 01:23:47,680
Speaker 3: All right?

1816
01:23:47,800 --> 01:23:51,679
Speaker 1: Are you ready? Yes, this is Sam Taggarts. I don't

1817
01:23:51,680 --> 01:23:53,120
Speaker 1: think it's money as time starts now.

1818
01:23:53,479 --> 01:23:56,360
Speaker 5: I don't think so, honey, forcing celebrities to be normal.

1819
01:23:56,680 --> 01:23:59,919
Speaker 5: I think celebrities are our weirdest people. They're completely isolated.

1820
01:24:00,040 --> 01:24:02,280
Speaker 4: They are unbound by the same things that we are,

1821
01:24:02,760 --> 01:24:05,400
Speaker 4: and we punish them when they say weird stuff. They

1822
01:24:05,439 --> 01:24:08,599
Speaker 4: should be allowed to say weird stuff. Timothy Chalomey should

1823
01:24:08,600 --> 01:24:11,040
Speaker 4: be able to say the ballet is boring, that's fine.

1824
01:24:11,439 --> 01:24:13,479
Speaker 4: And I think we should not attack them, and our

1825
01:24:13,560 --> 01:24:16,559
Speaker 4: media ecosystem needs to coddle and support them and say,

1826
01:24:16,880 --> 01:24:18,599
Speaker 4: I want to hear what else you're cooking up in there,

1827
01:24:18,960 --> 01:24:21,040
Speaker 4: because it's sort of like a firal child. Like it's

1828
01:24:21,080 --> 01:24:23,800
Speaker 4: like you have a different brain than anybody's else because

1829
01:24:23,840 --> 01:24:26,720
Speaker 4: you exist in like a different structure of society. And

1830
01:24:26,880 --> 01:24:29,240
Speaker 4: like even like you guys like like Matt, like before

1831
01:24:29,280 --> 01:24:31,360
Speaker 4: we started recording, like you were talking about the vaccines.

1832
01:24:31,400 --> 01:24:34,120
Speaker 4: You were saying all this really smart stuff and like, I.

1833
01:24:34,240 --> 01:24:36,479
Speaker 1: Just think you should say it on Mike, like that's

1834
01:24:36,600 --> 01:24:39,519
Speaker 1: awesome that you're doing research, like Harry's trist like and

1835
01:24:39,640 --> 01:24:41,240
Speaker 1: Bowen like of course, like all.

1836
01:24:41,200 --> 01:24:42,760
Speaker 5: That stuff you were saying hoout Taylor Swift was like

1837
01:24:43,160 --> 01:24:45,880
Speaker 5: I thought, really really smart and like everyone, no one's

1838
01:24:45,880 --> 01:24:48,800
Speaker 5: above critique, So just say it on my I think

1839
01:24:48,840 --> 01:24:52,200
Speaker 5: that's amazing. So let celebrities be freaking weird, keep Austin

1840
01:24:52,280 --> 01:24:53,639
Speaker 5: weird and choose Pitchfork.

1841
01:24:53,720 --> 01:25:00,479
Speaker 1: Y'all, we think Taylor Swift created the corona virus in.

1842
01:25:00,520 --> 01:25:05,120
Speaker 2: Wuhana, not a lab though outside.

1843
01:25:05,240 --> 01:25:08,000
Speaker 3: No, we think she made she made a bunch of swedes.

1844
01:25:08,120 --> 01:25:13,000
Speaker 1: Well, how do you think she She put uh narcotics

1845
01:25:13,080 --> 01:25:15,200
Speaker 1: into all of her songs. That's why you're all singing along.

1846
01:25:15,320 --> 01:25:17,000
Speaker 1: So you think she can't make the coronavirus?

1847
01:25:17,320 --> 01:25:18,880
Speaker 3: Yeah, well I didn't hear me sing along, but.

1848
01:25:19,439 --> 01:25:22,799
Speaker 1: Well, you obviously haven't listened to this song. Havevin streams evermore?

1849
01:25:22,880 --> 01:25:26,000
Speaker 1: Because she's obviously a witch and she said that in

1850
01:25:26,080 --> 01:25:26,760
Speaker 1: her aerostour.

1851
01:25:27,479 --> 01:25:29,840
Speaker 3: She said she's a witch. In her aerostour, she like this.

1852
01:25:30,920 --> 01:25:32,200
Speaker 3: Oh oh that's so interesting.

1853
01:25:32,280 --> 01:25:33,880
Speaker 1: You obviously didn't go to the aerostol.

1854
01:25:34,000 --> 01:25:35,880
Speaker 3: No, you would have had a great time.

1855
01:25:36,120 --> 01:25:38,240
Speaker 1: How do you expect to get along with the himgirls

1856
01:25:38,280 --> 01:25:40,120
Speaker 1: if you're not even going to go to the aerostour.

1857
01:25:40,600 --> 01:25:42,560
Speaker 4: I want to know what they're saying. I want to

1858
01:25:42,600 --> 01:25:44,200
Speaker 4: know what those him girls are saying when the doors

1859
01:25:44,200 --> 01:25:46,080
Speaker 4: are closed and they check for hidden mics.

1860
01:25:45,880 --> 01:25:49,080
Speaker 2: So you support a surveillance state essentially, No, the opposite.

1861
01:25:49,320 --> 01:25:51,080
Speaker 4: I think we have a surveillance state and we need

1862
01:25:51,160 --> 01:25:52,880
Speaker 4: to get the hymns in a room with no mics.

1863
01:25:53,120 --> 01:25:55,400
Speaker 1: But you want to know what they're saying in the room.

1864
01:25:55,600 --> 01:25:56,240
Speaker 4: I'm not a mic.

1865
01:25:58,720 --> 01:26:01,000
Speaker 1: You're pro make in the room. You're a Russian plan.

1866
01:26:01,560 --> 01:26:02,439
Speaker 1: I'm in the room.

1867
01:26:03,800 --> 01:26:09,320
Speaker 3: In the go ahead, girl, get my sisters together in

1868
01:26:09,360 --> 01:26:11,200
Speaker 3: a room. By the way, forty seconds in they're already

1869
01:26:11,200 --> 01:26:13,280
Speaker 3: doing a TikTok dance. They're perfectly synchronized.

1870
01:26:13,479 --> 01:26:16,479
Speaker 1: I am very so blown away by their synchronization. No,

1871
01:26:16,600 --> 01:26:22,639
Speaker 1: you can only describe it as the performers. Yeah, SIPs tea.

1872
01:26:24,000 --> 01:26:27,559
Speaker 1: It's almost as I turn I turned my right. It's

1873
01:26:27,560 --> 01:26:30,040
Speaker 1: almost at the performers. I turned right. It's a perfect commercial.

1874
01:26:30,200 --> 01:26:33,000
Speaker 1: That's amazing, Just like holding it at the angle.

1875
01:26:33,040 --> 01:26:35,080
Speaker 3: All I said, that's actually crushed ritz crackers.

1876
01:26:36,640 --> 01:26:38,960
Speaker 1: All I felt was the humor and the impact. All

1877
01:26:39,040 --> 01:26:42,840
Speaker 1: I saw were two words, diet coke go dang. You

1878
01:26:42,960 --> 01:26:44,400
Speaker 1: really chose target, yep.

1879
01:26:45,640 --> 01:26:47,200
Speaker 2: And in a way we all did by being in

1880
01:26:47,240 --> 01:26:47,559
Speaker 2: this room.

1881
01:26:47,560 --> 01:26:49,880
Speaker 3: I'm talking to you all. Yeah, that's right.

1882
01:26:49,920 --> 01:26:54,040
Speaker 4: Everyone's so they are all complicit, always.

1883
01:26:53,840 --> 01:26:56,639
Speaker 2: Always, look at this, Look at this, these collars run red.

1884
01:26:56,880 --> 01:26:59,360
Speaker 5: We had the comment once that was like that was like,

1885
01:26:59,400 --> 01:27:02,280
Speaker 5: I can't believe people are talking about like anti capitalism

1886
01:27:02,360 --> 01:27:04,080
Speaker 5: with an iHeart thing on their.

1887
01:27:04,040 --> 01:27:06,960
Speaker 4: Microphone, and it was like, chill out. We contain multitudes.

1888
01:27:07,240 --> 01:27:11,040
Speaker 1: Yeah, I think we're all here contained even so much

1889
01:27:11,080 --> 01:27:12,599
Speaker 1: more than just Pitchfork and target.

1890
01:27:12,640 --> 01:27:13,760
Speaker 4: Who has the most multitudes?

1891
01:27:13,920 --> 01:27:15,320
Speaker 1: Who is the most multitudes here?

1892
01:27:17,240 --> 01:27:17,479
Speaker 4: Wow?

1893
01:27:17,960 --> 01:27:18,280
Speaker 3: I think.

1894
01:27:19,800 --> 01:27:21,160
Speaker 1: No, I don't think you are at all.

1895
01:27:21,280 --> 01:27:22,200
Speaker 4: I think I'm really out.

1896
01:27:22,400 --> 01:27:24,200
Speaker 3: You've got you, You've got a tude.

1897
01:27:24,439 --> 01:27:25,559
Speaker 2: You've had a tude all day.

1898
01:27:26,280 --> 01:27:26,439
Speaker 4: Huh.

1899
01:27:27,080 --> 01:27:27,960
Speaker 3: Don't talk about him like that.

1900
01:27:29,840 --> 01:27:33,519
Speaker 1: Who who is more protective than so far?

1901
01:27:33,560 --> 01:27:34,920
Speaker 2: George has been more protective of Sam?

1902
01:27:35,120 --> 01:27:37,400
Speaker 3: Well, now that's because Sam is a visitor to New

1903
01:27:37,479 --> 01:27:39,479
Speaker 3: York City. When I'm in La Sam is more protective

1904
01:27:39,479 --> 01:27:39,640
Speaker 3: of me.

1905
01:27:40,040 --> 01:27:41,240
Speaker 1: Is that? Do you really feel that way? Yeah?

1906
01:27:41,280 --> 01:27:44,000
Speaker 4: Jessee Della Fergerson kept coming for George hard Yeah huh.

1907
01:27:44,320 --> 01:27:46,479
Speaker 2: And then in San Francisco, you because both of you.

1908
01:27:46,600 --> 01:27:49,720
Speaker 3: Francisco, I feel like I'm protective of Sam. But then

1909
01:27:49,760 --> 01:27:52,320
Speaker 3: I also at this point, every time we go, I'm like,

1910
01:27:52,320 --> 01:27:54,720
Speaker 3: I'm gonna show you George's San Francisco and then it's

1911
01:27:54,720 --> 01:27:56,280
Speaker 3: sort of like this is the third wave of coffee

1912
01:27:56,280 --> 01:27:57,000
Speaker 3: shop I used to go to.

1913
01:27:58,280 --> 01:28:00,560
Speaker 5: But it's the same when we go Chi and I'm like,

1914
01:28:00,680 --> 01:28:02,240
Speaker 5: I love this place and like I went there once

1915
01:28:02,280 --> 01:28:04,040
Speaker 5: when I was twenty one, Like I don't actually know.

1916
01:28:04,200 --> 01:28:05,479
Speaker 1: Have you been to Boston with him?

1917
01:28:05,960 --> 01:28:06,120
Speaker 2: Yeah?

1918
01:28:06,160 --> 01:28:06,639
Speaker 3: Lost together?

1919
01:28:06,720 --> 01:28:09,519
Speaker 2: Yeah, that's fine, that was fun. Here's what I don't understand.

1920
01:28:11,479 --> 01:28:13,200
Speaker 2: You had a friend in town. I'm just gonna show

1921
01:28:13,320 --> 01:28:16,320
Speaker 2: them around, right, what does that mean exact?

1922
01:28:16,360 --> 01:28:20,560
Speaker 3: Honey, honey, honey, that means but yourself a ticket of

1923
01:28:20,600 --> 01:28:22,200
Speaker 3: a high line because we're walking to the Whitney.

1924
01:28:22,600 --> 01:28:24,679
Speaker 4: Yeah, yeah, that's what it means.

1925
01:28:24,800 --> 01:28:29,360
Speaker 1: I keep getting like letters from the Whitney, like not letters,

1926
01:28:29,479 --> 01:28:32,559
Speaker 1: like like what do you call them? Like please mailers

1927
01:28:32,680 --> 01:28:33,240
Speaker 1: and mailers.

1928
01:28:33,400 --> 01:28:33,559
Speaker 4: Yeah.

1929
01:28:33,560 --> 01:28:35,000
Speaker 2: I think I think all of New York City is.

1930
01:28:35,320 --> 01:28:36,040
Speaker 1: Or speaks me.

1931
01:28:38,720 --> 01:28:41,640
Speaker 3: Because we're both great because not really, I.

1932
01:28:41,720 --> 01:28:45,080
Speaker 2: Think he's still I think Greek Turkish because as twenty

1933
01:28:45,120 --> 01:28:46,680
Speaker 2: three and me came back Turkish, like.

1934
01:28:46,680 --> 01:28:50,160
Speaker 3: It's all it's all Mediterranean, I mean, was under Turkish rule.

1935
01:28:50,160 --> 01:28:50,800
Speaker 3: So that's probably your.

1936
01:28:50,840 --> 01:28:53,560
Speaker 1: That's why I cried your whole wedding, Yeah, because I

1937
01:28:53,680 --> 01:28:55,160
Speaker 1: was like I wish I could be a part of

1938
01:28:55,200 --> 01:29:02,519
Speaker 1: this culture. I'm without a culture, just sobbing and sobbing

1939
01:29:02,600 --> 01:29:03,160
Speaker 1: to your family.

1940
01:29:03,280 --> 01:29:06,719
Speaker 3: That's actually better though, two more multitudes Disney.

1941
01:29:10,640 --> 01:29:12,880
Speaker 1: Wait, I gotta say it. Favorite joke of all time

1942
01:29:12,960 --> 01:29:14,320
Speaker 1: that didn't make it into an SNL.

1943
01:29:14,640 --> 01:29:14,920
Speaker 3: It's this.

1944
01:29:15,600 --> 01:29:20,640
Speaker 1: It's Heidi Gardener in a Flora Bama Shore sketch and

1945
01:29:21,520 --> 01:29:23,880
Speaker 1: she goes. I was born in the China part of

1946
01:29:23,960 --> 01:29:37,320
Speaker 1: Epcot Centers, so I'm half Chinese, half Disney because Chinese Disney.

1947
01:29:38,040 --> 01:29:38,599
Speaker 4: Of course.

1948
01:29:39,320 --> 01:29:40,599
Speaker 1: Well wasn't this great?

1949
01:29:40,840 --> 01:29:41,840
Speaker 4: This was so fun?

1950
01:29:41,960 --> 01:29:44,360
Speaker 1: When we shouldn't take this long for.

1951
01:29:46,240 --> 01:29:47,519
Speaker 3: The episode, I was like, okay, we.

1952
01:29:48,000 --> 01:29:49,400
Speaker 1: Shouldn't this long.

1953
01:29:49,600 --> 01:29:51,320
Speaker 4: Yeah, we just didn't hit that laugh quote.

1954
01:29:51,400 --> 01:29:54,120
Speaker 1: We gotta all get together without these things, because let's

1955
01:29:54,240 --> 01:29:57,240
Speaker 1: go see heights. I actually, well, you know, I already

1956
01:29:57,240 --> 01:29:57,479
Speaker 1: saw it.

1957
01:29:57,560 --> 01:29:58,880
Speaker 3: I haven't seen it yet, have you either? I have

1958
01:29:58,920 --> 01:30:01,439
Speaker 3: not seen it. Yes, let's go. I would go to

1959
01:30:01,600 --> 01:30:04,040
Speaker 3: use membership always Avery.

1960
01:30:05,320 --> 01:30:06,479
Speaker 1: She's my favorite album of hers.

1961
01:30:06,520 --> 01:30:06,920
Speaker 3: Great album.

1962
01:30:09,200 --> 01:30:14,479
Speaker 1: Oh people talk about that's true. So when he starts

1963
01:30:14,520 --> 01:30:17,280
Speaker 1: to talk about like foreign films or like you know,

1964
01:30:17,320 --> 01:30:18,120
Speaker 1: sort of you can you.

1965
01:30:18,120 --> 01:30:20,920
Speaker 4: Get us to leave because Lena is probably can you

1966
01:30:21,000 --> 01:30:23,920
Speaker 4: see my eyes? Just like Okay, I disappeared.

1967
01:30:23,960 --> 01:30:26,879
Speaker 1: Well that's kind of sometimes me like during certain subjects,

1968
01:30:27,120 --> 01:30:29,280
Speaker 1: We've always said I'm the UEA.

1969
01:30:28,920 --> 01:30:31,920
Speaker 2: But I feel like there's a there's an inversion happening.

1970
01:30:32,280 --> 01:30:35,559
Speaker 3: I feel like I'm the you. Well, there's a twist something.

1971
01:30:35,840 --> 01:30:36,080
Speaker 4: We know.

1972
01:30:38,600 --> 01:30:40,160
Speaker 1: We have our George and I have our own thing.

1973
01:30:40,320 --> 01:30:43,200
Speaker 3: And also, interestingly enough, professionally speaking, Matt and I have

1974
01:30:43,360 --> 01:30:46,040
Speaker 3: worked together professionally, and you two have worked together.

1975
01:30:45,800 --> 01:30:48,920
Speaker 4: That's true, but also I've worked with Matt a little.

1976
01:30:49,600 --> 01:30:51,760
Speaker 1: Yeah, oh well we actually have. We we were just

1977
01:30:51,920 --> 01:30:57,519
Speaker 1: we giggled and gaggled at after minute. Oh yes, we've

1978
01:30:57,600 --> 01:31:04,000
Speaker 1: all shared space with not just today but many other times.

1979
01:31:04,040 --> 01:31:06,800
Speaker 1: And thanks for just joining us and just having a

1980
01:31:06,840 --> 01:31:09,320
Speaker 1: glimpse into what it's like to have a community of

1981
01:31:09,920 --> 01:31:17,479
Speaker 1: guys that really support you. And what if we were

1982
01:31:17,600 --> 01:31:19,200
Speaker 1: Manosphere that'd be cool.

1983
01:31:19,600 --> 01:31:20,920
Speaker 4: There was a point we were all talking about. I

1984
01:31:21,000 --> 01:31:22,000
Speaker 4: was like, are we Manisphere?

1985
01:31:22,240 --> 01:31:23,840
Speaker 1: You know what I mean is set up. It feels

1986
01:31:23,840 --> 01:31:24,800
Speaker 1: a lot more man I like.

1987
01:31:24,880 --> 01:31:27,599
Speaker 4: See the video and I'm like, whoa, we look Manisphere.

1988
01:31:27,720 --> 01:31:31,360
Speaker 1: No, I will say, that's that's the Army girl, right

1989
01:31:31,479 --> 01:31:31,800
Speaker 1: right right?

1990
01:31:32,960 --> 01:31:36,759
Speaker 2: You know what I'm jealous of and ministerere podcasting, Celsius

1991
01:31:36,880 --> 01:31:37,479
Speaker 2: is everywhere.

1992
01:31:38,880 --> 01:31:41,000
Speaker 1: He's really without them here, there's a full.

1993
01:31:43,040 --> 01:31:46,280
Speaker 2: Long to have them strewn about, and I just feel.

1994
01:31:46,080 --> 01:31:47,720
Speaker 4: Like there's like a chillness that they get to have,

1995
01:31:47,960 --> 01:31:50,639
Speaker 4: like I, I honestly get to like something I try.

1996
01:31:50,960 --> 01:31:55,080
Speaker 3: Is this untucked? Everything I said today a publicist, Yeah yeah, yeah,

1997
01:31:55,200 --> 01:31:55,639
Speaker 3: yeah yeah.

1998
01:31:55,760 --> 01:31:58,519
Speaker 1: I was gonna say, you seem very media trained. I am,

1999
01:32:01,280 --> 01:32:05,519
Speaker 1: and that's all I woke up and chose media training. No.

2000
01:32:05,640 --> 01:32:09,200
Speaker 3: I actually recently did a podcast where every single clip

2001
01:32:09,240 --> 01:32:14,960
Speaker 3: of me resulted in NonStop vitriol and now towards towards you,

2002
01:32:15,120 --> 01:32:18,640
Speaker 3: towards me, I'm sorry, and I now am I have

2003
01:32:18,800 --> 01:32:21,200
Speaker 3: media trained myself. It's kind of like how my dad

2004
01:32:21,280 --> 01:32:24,040
Speaker 3: says he did autotherapy to himself, has never seen a therapist,

2005
01:32:24,080 --> 01:32:26,439
Speaker 3: but he said it worked. That's what I did to myself.

2006
01:32:26,479 --> 01:32:30,040
Speaker 3: With media training, It's like, is it media like?

2007
01:32:30,080 --> 01:32:30,559
Speaker 4: You know what I mean?

2008
01:32:30,640 --> 01:32:33,120
Speaker 1: Like nothing, nothing will media train you like a thousands,

2009
01:32:34,240 --> 01:32:37,559
Speaker 1: I guess I'll never open. I feel I feel media trained.

2010
01:32:37,640 --> 01:32:39,960
Speaker 1: I feel the media has trained me, but I feel

2011
01:32:40,000 --> 01:32:40,719
Speaker 1: like I want.

2012
01:32:40,600 --> 01:32:41,720
Speaker 4: To get media trained both.

2013
01:32:41,800 --> 01:32:47,160
Speaker 1: Yall, No, well, you have to go in for your

2014
01:32:47,200 --> 01:32:52,040
Speaker 1: annual training they explained to you. Then you TikTok clogged up.

2015
01:32:53,080 --> 01:32:55,840
Speaker 4: Oh, I'm gonna have some some media cavities. For sure.

2016
01:32:56,560 --> 01:32:57,760
Speaker 4: They are going to be upset with me.

2017
01:32:57,840 --> 01:32:58,680
Speaker 1: It's an alcoholic.

2018
01:33:00,720 --> 01:33:03,120
Speaker 2: You're both they both have an hour your media trade.

2019
01:33:03,160 --> 01:33:04,439
Speaker 1: You clearly don't want this to end.

2020
01:33:04,680 --> 01:33:06,080
Speaker 4: I know I could talk forever.

2021
01:33:07,200 --> 01:33:10,280
Speaker 2: Well st Radio Lab is on Big Money Players and.

2022
01:33:10,320 --> 01:33:11,400
Speaker 4: So has lost forul teresta.

2023
01:33:11,640 --> 01:33:11,920
Speaker 3: Thank you.

2024
01:33:12,880 --> 01:33:17,840
Speaker 1: It's actually not talked about it enough, like sister podcasts

2025
01:33:17,920 --> 01:33:22,640
Speaker 1: down us a mess. And then the six of us

2026
01:33:22,640 --> 01:33:25,639
Speaker 1: are all going to get on stage and Bell House, well,

2027
01:33:27,640 --> 01:33:28,720
Speaker 1: well you didn't invite us.

2028
01:33:29,320 --> 01:33:30,639
Speaker 4: That's true, that's true.

2029
01:33:31,040 --> 01:33:32,200
Speaker 3: Sorry, that's okay.

2030
01:33:32,240 --> 01:33:32,680
Speaker 1: Should we go?

2031
01:33:33,800 --> 01:33:35,160
Speaker 3: Yeah? Do you guys want comps?

2032
01:33:35,880 --> 01:33:36,080
Speaker 4: Yeah?

2033
01:33:36,080 --> 01:33:38,320
Speaker 1: We actually would love to go to the show with Time.

2034
01:33:40,040 --> 01:33:40,479
Speaker 3: Is gonna be on it?

2035
01:33:40,560 --> 01:33:41,599
Speaker 4: Wait, are you actually gonna come?

2036
01:33:42,400 --> 01:33:44,680
Speaker 1: I would come, celest.

2037
01:33:44,400 --> 01:33:49,040
Speaker 3: Patty Harrison, Oh, I want to go fun see you're there.

2038
01:33:49,080 --> 01:33:50,920
Speaker 2: If it's not too late, I know day of CompCert.

2039
01:33:51,520 --> 01:33:54,599
Speaker 3: No it's not too don't backtrack, you're coming. I'm coming up.

2040
01:33:55,720 --> 01:33:58,240
Speaker 4: This is weird. Yeah, I never make decisions like this.

2041
01:33:58,320 --> 01:33:59,400
Speaker 4: If I were you guys, I wouldn't come.

2042
01:34:00,080 --> 01:34:00,479
Speaker 1: We're coming.

2043
01:34:00,600 --> 01:34:03,240
Speaker 4: I need a day in advance, well too late.

2044
01:34:03,320 --> 01:34:05,920
Speaker 3: That's because you're visiting stream a Sense of Urgency on

2045
01:34:06,160 --> 01:34:07,400
Speaker 3: Amazon or Apple.

2046
01:34:07,600 --> 01:34:09,560
Speaker 2: That is my special Come to my shows in l

2047
01:34:09,640 --> 01:34:13,559
Speaker 2: A on March twenty fourth, April first, and because it's

2048
01:34:13,600 --> 01:34:16,360
Speaker 2: coming out before the Union Hall show March eighteenth.

2049
01:34:17,240 --> 01:34:21,280
Speaker 1: Stream High because they got a lot, They got us

2050
01:34:21,360 --> 01:34:23,240
Speaker 1: through a lot of the episode today.

2051
01:34:23,320 --> 01:34:27,200
Speaker 4: Yeah, and streamheime and and and support Gaga and and

2052
01:34:27,640 --> 01:34:29,400
Speaker 4: radical Optimism Happy.

2053
01:34:31,000 --> 01:34:32,120
Speaker 3: I'm your Bridge of Jones.

2054
01:34:32,320 --> 01:34:37,400
Speaker 2: Yes, and you know, don't back snaright your roach stan

2055
01:34:37,680 --> 01:34:42,760
Speaker 2: venosaur Hi episode of the song looking in the again

2056
01:34:42,920 --> 01:34:49,960
Speaker 2: and again, thinking the situation.

2057
01:34:51,439 --> 01:35:00,519
Speaker 1: Friends, friends, because not Lom I trot God on the

2058
01:35:00,680 --> 01:35:02,240
Speaker 1: rate they're getting up to lay.

2059
01:35:04,080 --> 01:35:04,280
Speaker 3: Last.

2060
01:35:04,320 --> 01:35:06,400
Speaker 2: Culture Recis is the production by Will Ferrell's Big Money

2061
01:35:06,400 --> 01:35:08,360
Speaker 2: Players and iHeartRadio podcasts.

2062
01:35:08,040 --> 01:35:11,360
Speaker 1: Created and hosted by Matt Rogers and Bowen Yang, Executive

2063
01:35:11,400 --> 01:35:14,639
Speaker 1: produced by Anna Hasnier and produced by Becca Ramos, Edited

2064
01:35:14,680 --> 01:35:16,920
Speaker 1: and mixed by Duck Babe and our music is by

2065
01:35:16,960 --> 01:35:17,759
Speaker 1: Henry Komerski