1 00:00:03,040 --> 00:00:05,360 Speaker 1: Welcome to Stuff to Blow your mind, a production of 2 00:00:05,360 --> 00:00:11,320 Speaker 1: iHeartRadio Good Evening. 3 00:00:12,400 --> 00:00:18,000 Speaker 2: My name is doctor Anton Jesson, professor of Monster Studies 4 00:00:18,079 --> 00:00:22,720 Speaker 2: here at the University. My assistant Maxwell and I are 5 00:00:22,800 --> 00:00:27,639 Speaker 2: still working out this whole pod casting thing, using the 6 00:00:27,680 --> 00:00:33,320 Speaker 2: antiquated technology at our disposal to record, edit, and co 7 00:00:33,360 --> 00:00:37,720 Speaker 2: opt a science podcast feed in order to attend to 8 00:00:37,800 --> 00:00:43,400 Speaker 2: the various monstrous correspondences we have to reply it. Given 9 00:00:43,440 --> 00:00:45,920 Speaker 2: all of this work and the demands of my own 10 00:00:46,479 --> 00:00:50,960 Speaker 2: other research projects, I hope you understand we can't possibly 11 00:00:51,080 --> 00:00:54,360 Speaker 2: do this more than once or maybe twice a year. 12 00:00:55,320 --> 00:00:58,960 Speaker 2: So let's go ahead and fire up the pneumatic tube, 13 00:00:59,440 --> 00:01:03,640 Speaker 2: remove the canister, and see what we have here. First, 14 00:01:03,960 --> 00:01:08,520 Speaker 2: spectacles please Maxwell. This one is written in small script. 15 00:01:10,760 --> 00:01:15,560 Speaker 2: It reads, dearest doctor Jessop, I confess that my husband 16 00:01:15,640 --> 00:01:18,800 Speaker 2: and I are writing to you at our wits end. 17 00:01:20,120 --> 00:01:24,400 Speaker 2: Our issue, you see, is our young son Bob. We've 18 00:01:24,400 --> 00:01:26,399 Speaker 2: tried everything we can think of to give him a 19 00:01:26,520 --> 00:01:31,560 Speaker 2: proper environment to nurture his inner darkness, but nothing seems 20 00:01:31,640 --> 00:01:34,800 Speaker 2: to take. When Bob was a toddler, we lived in 21 00:01:34,840 --> 00:01:38,600 Speaker 2: a house that we'd been garanteed had been built on 22 00:01:38,680 --> 00:01:42,920 Speaker 2: a former burial ground in which the headstones had been moved, 23 00:01:43,200 --> 00:01:47,240 Speaker 2: but the rotting bodies had not. We tried in vain 24 00:01:47,400 --> 00:01:50,680 Speaker 2: to interest Bob in the eerie voices that would manifest 25 00:01:51,000 --> 00:01:55,200 Speaker 2: in the post broadcast television static or the mysterious portal 26 00:01:55,280 --> 00:01:59,640 Speaker 2: to another dimension that had so obligingly manifested in his 27 00:01:59,720 --> 00:02:04,480 Speaker 2: bed room closet. Decaying corpses routinely burst from the swimming 28 00:02:04,480 --> 00:02:08,520 Speaker 2: pool and the beast rampage several times through our living room, 29 00:02:08,760 --> 00:02:13,400 Speaker 2: but Bob remained blissfully oblivious, playing with his blocks, or 30 00:02:13,800 --> 00:02:19,400 Speaker 2: horror of horrors, watching the loathsome sesame street. Thinking that 31 00:02:19,480 --> 00:02:22,160 Speaker 2: we understood the problem, we moved to a house that 32 00:02:22,320 --> 00:02:26,520 Speaker 2: was next to a proper cemetery, complete with tombstones, both 33 00:02:26,560 --> 00:02:29,520 Speaker 2: in the yard and even one inside the living room. 34 00:02:30,240 --> 00:02:33,000 Speaker 2: We set up playdates for Bob with a ghostly young 35 00:02:33,080 --> 00:02:37,679 Speaker 2: lady from the neighborhood, and hired the most unsettling babysitter 36 00:02:37,760 --> 00:02:41,239 Speaker 2: we could find, hoping that their bad influence would help 37 00:02:41,320 --> 00:02:47,200 Speaker 2: Bob achieve his potential alas even with witnessing multiple random 38 00:02:47,320 --> 00:02:51,680 Speaker 2: bat attacks by a curiously persistent member of the species 39 00:02:52,040 --> 00:02:56,520 Speaker 2: and mutilated corpses mysteriously piling up in the cellar. Bob 40 00:02:56,840 --> 00:03:00,520 Speaker 2: has persisted in his love of wholesome children's tes television, 41 00:03:00,560 --> 00:03:05,440 Speaker 2: and I shudder to say his model drain set. Doctor jessup, 42 00:03:05,720 --> 00:03:10,160 Speaker 2: Are we trying too hard with Bob? Would malign neglect 43 00:03:10,520 --> 00:03:14,120 Speaker 2: perhaps be a better strategy with our son? In our 44 00:03:14,200 --> 00:03:18,560 Speaker 2: loftiest dreams, we see him summoning forth Luke Thou or 45 00:03:18,960 --> 00:03:23,520 Speaker 2: Nikra Korraf. But perhaps we'd settle for him writing a 46 00:03:23,600 --> 00:03:26,280 Speaker 2: series of best selling hard novels that culminate in a 47 00:03:26,320 --> 00:03:30,560 Speaker 2: tone that drives the entire world insane. Whatever are we 48 00:03:30,639 --> 00:03:37,240 Speaker 2: to do? Yours, respectively be deviled near Boston, Ah, A 49 00:03:37,440 --> 00:03:41,000 Speaker 2: parent in question. Let's see well. First of all, I 50 00:03:41,160 --> 00:03:45,000 Speaker 2: share your suspicion of Sesame Street, though the count is 51 00:03:45,040 --> 00:03:47,800 Speaker 2: a good friend of mine. It really sounds as if 52 00:03:47,840 --> 00:03:50,640 Speaker 2: you've tried all the right things, providing your spawn with 53 00:03:50,680 --> 00:03:55,640 Speaker 2: the right environment and the right media, the right social 54 00:03:55,840 --> 00:03:59,160 Speaker 2: environment as well. I wish I could employ the expertise 55 00:03:59,200 --> 00:04:02,960 Speaker 2: of my colleague doctor Freudstein, but alas he no longer 56 00:04:03,200 --> 00:04:07,600 Speaker 2: answers my letters, my advice is to maybe lean into 57 00:04:07,640 --> 00:04:12,120 Speaker 2: the whole train set obsession. There are many wonderfully haunted 58 00:04:12,160 --> 00:04:15,520 Speaker 2: trains out there, and various monsters are drawn to their 59 00:04:15,600 --> 00:04:21,480 Speaker 2: strange energies. The late Professor Sir Alexander Saxton wrote some 60 00:04:21,600 --> 00:04:26,560 Speaker 2: rather excellent works on the Trans Siberian Railway and ancient 61 00:04:26,680 --> 00:04:32,800 Speaker 2: beings that wouldn't quite stay dead. Yes, Yes, encouraged the 62 00:04:32,920 --> 00:04:37,080 Speaker 2: training obsession. This next one comes to us from a 63 00:04:37,200 --> 00:04:38,720 Speaker 2: Rackney lacayas. 64 00:04:38,800 --> 00:04:47,120 Speaker 3: Told Dear Doctor Jessup, longtime listener, first time writer. Though 65 00:04:47,160 --> 00:04:50,920 Speaker 3: I think you might actually remember me. I took one 66 00:04:50,920 --> 00:04:53,080 Speaker 3: of your classes back in the summer of eighty seven, 67 00:04:53,680 --> 00:04:58,360 Speaker 3: major heat wave, a series of unsolved murders just off campus. 68 00:04:59,080 --> 00:05:03,600 Speaker 3: Monster science is one oh one. You had us dissecting 69 00:05:03,680 --> 00:05:06,840 Speaker 3: a Class three plasma fiend and the thing rose up 70 00:05:06,920 --> 00:05:11,359 Speaker 3: just five minutes into the necropsy, raging bubbling over. It 71 00:05:11,440 --> 00:05:15,360 Speaker 3: dissolved a TA before we knew what was happening. Everyone 72 00:05:15,400 --> 00:05:23,719 Speaker 3: else froze, but I knew what to do. I broke 73 00:05:23,760 --> 00:05:26,000 Speaker 3: the glass panel on the emergency box, whipped out the 74 00:05:26,040 --> 00:05:32,080 Speaker 3: revolver inside, and dropped the fiend with three rounds. You 75 00:05:32,160 --> 00:05:34,640 Speaker 3: still gave me a C on the necropsy that semester 76 00:05:35,279 --> 00:05:38,000 Speaker 3: total bs, But I like to think I found my 77 00:05:38,040 --> 00:05:41,640 Speaker 3: life's purpose that day, or at least that's how I 78 00:05:41,800 --> 00:05:46,400 Speaker 3: used to look at it. Monster slaying sounds sexier than 79 00:05:46,440 --> 00:05:50,840 Speaker 3: it is. It's not the desperate villagers who come calling, 80 00:05:51,720 --> 00:05:56,440 Speaker 3: it's the monster makers. I have a few regular clients 81 00:05:56,600 --> 00:06:02,320 Speaker 3: in the fringe sciences Zorka Calligar Courtner. You know, the type, 82 00:06:03,000 --> 00:06:06,600 Speaker 3: always pushing the boundaries, but never around to clean up 83 00:06:06,640 --> 00:06:14,640 Speaker 3: the mess, so they call me. It's hard to keep 84 00:06:14,680 --> 00:06:18,359 Speaker 3: good clients. The monsters generally catch up with them in 85 00:06:18,400 --> 00:06:22,880 Speaker 3: the end. But a special subset of my clientele don't 86 00:06:22,920 --> 00:06:25,960 Speaker 3: have to worry about that at all. They're the ones 87 00:06:25,960 --> 00:06:30,680 Speaker 3: who always get away with it. They have deep pockets, 88 00:06:30,880 --> 00:06:34,640 Speaker 3: deep powers, and an intense desire to stay out of 89 00:06:34,680 --> 00:06:42,080 Speaker 3: the limelight. I work a lot on behalf of her Grace. 90 00:06:43,120 --> 00:06:46,479 Speaker 3: We're not supposed to use her given name. Her cleaner 91 00:06:46,560 --> 00:06:49,600 Speaker 3: Walter rings me up every couple of months, a slippery 92 00:06:49,600 --> 00:06:54,040 Speaker 3: guy with serpent eyes behind tiny shades. We always meet 93 00:06:54,120 --> 00:06:57,120 Speaker 3: up at Noctua, this little bar downtown near the library. 94 00:06:58,200 --> 00:06:59,960 Speaker 3: He always tries to order me a Martinez. 95 00:07:06,560 --> 00:07:09,600 Speaker 2: It's a classic cocktail. You probably just haven't had a 96 00:07:09,640 --> 00:07:11,520 Speaker 2: good one. They make a good one here. 97 00:07:12,040 --> 00:07:13,160 Speaker 3: I don't do olive us. 98 00:07:14,000 --> 00:07:15,320 Speaker 2: Who doesn't do all of us? 99 00:07:16,160 --> 00:07:22,280 Speaker 3: I know I'm impossible. So what does her Grace need 100 00:07:22,320 --> 00:07:23,480 Speaker 3: me to handle? This time? 101 00:07:23,880 --> 00:07:26,760 Speaker 2: Another abarition? 102 00:07:28,160 --> 00:07:32,480 Speaker 3: Let me guess one of father's or did she lose 103 00:07:32,520 --> 00:07:33,239 Speaker 3: her temper again? 104 00:07:34,440 --> 00:07:38,000 Speaker 2: Miss Leia, and your name alone is an insult here, 105 00:07:38,040 --> 00:07:41,680 Speaker 2: but the Twelve tolerate you for your talents. Do not 106 00:07:41,800 --> 00:07:44,640 Speaker 2: mistake her Grace's silence for mercy. 107 00:07:45,440 --> 00:07:46,840 Speaker 3: I wouldn't dream of it. 108 00:07:48,320 --> 00:07:51,640 Speaker 2: Fantastic. Everything you need is in this file, along with 109 00:07:51,880 --> 00:07:54,800 Speaker 2: half your payment up front and pick up information for 110 00:07:54,840 --> 00:07:58,600 Speaker 2: the equipment. Now are you sure I can't tempt you 111 00:07:58,640 --> 00:08:00,880 Speaker 2: with a martini? We can start with a lemon twist. 112 00:08:01,640 --> 00:08:02,360 Speaker 2: I'm good. 113 00:08:11,120 --> 00:08:14,800 Speaker 3: You already know my ancestors. On one side of the family, 114 00:08:14,880 --> 00:08:18,240 Speaker 3: the former Kings of Arcadia, who served human flesh to 115 00:08:18,360 --> 00:08:22,680 Speaker 3: Zeus and were cursed as the first were wolves. And 116 00:08:22,800 --> 00:08:25,760 Speaker 3: on the other side, the master weaver, a Rakney, who 117 00:08:25,840 --> 00:08:29,440 Speaker 3: dared challenged her grace to a weaving contest, provoked the 118 00:08:29,480 --> 00:08:33,199 Speaker 3: gods with a tapestry that detailed the crimes of Mount Olympus. 119 00:08:35,320 --> 00:08:39,640 Speaker 3: The gray eyed goddess twisted her into a web spinning araknet. 120 00:08:40,559 --> 00:08:44,800 Speaker 3: I'm the convergence of two monstrous lineages, the Wolf and 121 00:08:44,840 --> 00:08:47,920 Speaker 3: the Spider, and I wouldn't exist at all if not 122 00:08:48,000 --> 00:08:56,280 Speaker 3: from modern science. The resurrection of ancient DNA. The biotech 123 00:08:56,320 --> 00:09:02,480 Speaker 3: company responsible Biogamouth didn't last long. When the Twelve discovered 124 00:09:02,520 --> 00:09:07,280 Speaker 3: the operation, they sent in their most horrifying enforcers, the Hecatonquarees, 125 00:09:07,559 --> 00:09:12,880 Speaker 3: the hundred Handed Warriors, though calling those horrendous appendages hands 126 00:09:13,320 --> 00:09:18,240 Speaker 3: is generous there the god's monstrous bioweapons meant to wage 127 00:09:18,280 --> 00:09:22,040 Speaker 3: war against immortal foes, so they made short work of 128 00:09:22,080 --> 00:09:26,640 Speaker 3: the scientists in their labs. But they spared the engineered 129 00:09:26,679 --> 00:09:31,600 Speaker 3: children of Biogamuth. Why threw away a useful tool? The 130 00:09:31,720 --> 00:09:35,080 Speaker 3: Twelve let us grow up in the world. They found 131 00:09:35,160 --> 00:09:39,360 Speaker 3: parents to raise us. My mom didn't know my true nature. 132 00:09:39,920 --> 00:09:43,079 Speaker 3: I looked like everyone else, really, and I just looked 133 00:09:43,120 --> 00:09:46,560 Speaker 3: like another infant in need of love. When she saw 134 00:09:46,600 --> 00:09:50,680 Speaker 3: the words Arachney Lacayan scribbled on my documents, she kept 135 00:09:50,720 --> 00:09:56,360 Speaker 3: it as my first and middle name. I took the 136 00:09:56,360 --> 00:09:59,400 Speaker 3: folder and left, better not to hang around too long 137 00:09:59,440 --> 00:10:04,640 Speaker 3: in her graces house anyway. I took the folder to 138 00:10:04,679 --> 00:10:07,679 Speaker 3: Butler's Coffee just off seventy Second, the one where they 139 00:10:07,679 --> 00:10:09,719 Speaker 3: hammer your laptop if you try to set one up. 140 00:10:10,559 --> 00:10:22,160 Speaker 3: No computers, no headphones, just books and below average coffee. 141 00:10:23,200 --> 00:10:25,560 Speaker 3: I spread the file's contents out in front of me. 142 00:10:26,400 --> 00:10:30,360 Speaker 3: Despite Walter's insistence, I'd still half expected the same old 143 00:10:30,559 --> 00:10:34,560 Speaker 3: god drama. Due to some code of theirs, the Twelve 144 00:10:34,760 --> 00:10:38,800 Speaker 3: never killed directly and saved their own monstrous avengers for 145 00:10:38,960 --> 00:10:43,719 Speaker 3: more serious threats. Instead, they spitefully twisted the mortals who 146 00:10:43,800 --> 00:10:47,959 Speaker 3: spurned or insulted them, as they've done for millennia. It 147 00:10:48,040 --> 00:10:50,560 Speaker 3: then fell to me and people like me to slay 148 00:10:50,600 --> 00:10:57,600 Speaker 3: their creations. If they proved an inconvenience, that's the Twelve 149 00:10:57,640 --> 00:11:01,000 Speaker 3: for you. Far be it from me to understand the Gods. 150 00:11:02,720 --> 00:11:07,520 Speaker 3: The file, however, detailed something unexpected. My Quarry was another 151 00:11:07,640 --> 00:11:11,240 Speaker 3: child of the Biogamath project, engineered and cloned out of 152 00:11:11,280 --> 00:11:16,720 Speaker 3: resurrected lineages of ancient god touched DNA. The document listed 153 00:11:16,760 --> 00:11:23,240 Speaker 3: her classification and tight black script Arachne Lacayan. That was 154 00:11:23,280 --> 00:11:26,400 Speaker 3: my classification as well, the very words that became my 155 00:11:26,559 --> 00:11:31,080 Speaker 3: mortal name. The monster they tasked me with slaying was 156 00:11:31,679 --> 00:11:36,480 Speaker 3: at the very least my mad science sibling, if not 157 00:11:36,600 --> 00:11:43,240 Speaker 3: my double. The document gave her an individual name Ekrew. 158 00:11:44,520 --> 00:11:49,600 Speaker 3: That was it. No other form of identification under the 159 00:11:50,120 --> 00:11:55,040 Speaker 3: dangerous or objectionable behavior section. The profile mentioned interference with 160 00:11:55,120 --> 00:12:01,160 Speaker 3: Olympian operations, which was thoroughly vague and almost as an afterthought. 161 00:12:01,800 --> 00:12:07,200 Speaker 3: Mortal murders. The documents recommended beheading as the preferred mode 162 00:12:07,200 --> 00:12:10,240 Speaker 3: of slaying, which I suppose would be the preferred way 163 00:12:10,280 --> 00:12:13,600 Speaker 3: of killing me as well, and listed an address and 164 00:12:13,679 --> 00:12:20,319 Speaker 3: time for ideal interception of quarry. The gods are precise. 165 00:12:21,160 --> 00:12:24,520 Speaker 3: They know where you are, and with a margin of 166 00:12:24,559 --> 00:12:28,680 Speaker 3: something like a city block where exactly you'll be. All 167 00:12:28,720 --> 00:12:31,880 Speaker 3: they have to do is point you in the right direction. 168 00:12:33,520 --> 00:12:35,760 Speaker 3: An appointment card in the folder included the name of 169 00:12:35,760 --> 00:12:43,760 Speaker 3: a nearby flower shop and an order number. An hour later, 170 00:12:44,200 --> 00:12:46,400 Speaker 3: I pulled a double edged short sword from a box 171 00:12:46,440 --> 00:12:52,120 Speaker 3: of carnations. To say it was exceptional craftsmanship would be 172 00:12:52,160 --> 00:12:57,560 Speaker 3: an understatement. Hephestus himself had forged it in another world. 173 00:12:58,400 --> 00:13:00,720 Speaker 3: I brought a fingertip within an inn of the cutting 174 00:13:00,800 --> 00:13:03,080 Speaker 3: edge to test it, and the flesh began to smoke 175 00:13:03,200 --> 00:13:09,240 Speaker 3: ever so slightly. It would do the trick. The documents 176 00:13:09,240 --> 00:13:11,199 Speaker 3: told me where to go and when to do it. 177 00:13:12,040 --> 00:13:14,480 Speaker 3: Such is the exactitude of the gods, and such as 178 00:13:14,520 --> 00:13:19,079 Speaker 3: their view of mortal tools like me in their minds. 179 00:13:19,240 --> 00:13:22,160 Speaker 3: I'd merely been placed on a track, little more than 180 00:13:22,160 --> 00:13:26,040 Speaker 3: a machine, but I followed the instructions all the same. 181 00:13:31,400 --> 00:13:35,320 Speaker 3: The old warehouse towered over the surrounding neighborhood. None of 182 00:13:35,320 --> 00:13:38,240 Speaker 3: the children and old people looked in its direction, though 183 00:13:38,240 --> 00:13:40,920 Speaker 3: they stared at me with increasing suspicion as I walked 184 00:13:40,960 --> 00:13:45,320 Speaker 3: past them. And then the living neighborhood simply ended. The 185 00:13:45,360 --> 00:13:48,920 Speaker 3: buildings most adjacent to the warehouse were abandoned and boarded up, 186 00:13:49,320 --> 00:13:52,240 Speaker 3: as if some event horizon were crossed. And venturing so 187 00:13:52,440 --> 00:13:58,360 Speaker 3: deeply into the warehouse's shadow, I went to the predetermined 188 00:13:58,360 --> 00:14:01,600 Speaker 3: doors and found them chained and enough steel to shackle 189 00:14:01,640 --> 00:14:04,680 Speaker 3: an elephant. But even this was no match for my 190 00:14:04,760 --> 00:14:09,559 Speaker 3: favorite trick. My lineage is strange, you see. I pulled 191 00:14:09,559 --> 00:14:12,080 Speaker 3: off my left glove and moved my awareness to my 192 00:14:12,200 --> 00:14:15,960 Speaker 3: uncovered hand. I focused on my index finger and thumb. 193 00:14:16,640 --> 00:14:19,680 Speaker 3: I watched them elongate an arch into a pair of 194 00:14:19,760 --> 00:14:24,280 Speaker 3: lupine claws. I winced at the sudden pane of lengthening bone. 195 00:14:24,880 --> 00:14:29,080 Speaker 3: My nails sharpened into wicked claws. I pinched the claw 196 00:14:29,200 --> 00:14:32,600 Speaker 3: tips together, then pulled them apart to spend a single 197 00:14:32,680 --> 00:14:35,360 Speaker 3: thread of webbing that gleamed like silver even in the 198 00:14:35,400 --> 00:14:39,640 Speaker 3: deepest shadow. I looped the thread around the massive padlock, 199 00:14:39,760 --> 00:14:42,520 Speaker 3: and with a quick turn of my wrist, closed the 200 00:14:42,560 --> 00:14:50,640 Speaker 3: loop and severed the steel my strange legacy of wolf 201 00:14:50,840 --> 00:15:02,760 Speaker 3: and spider. I ventured into the darkness of the warehouse, 202 00:15:02,920 --> 00:15:08,080 Speaker 3: at first, encountering only the detritus of abandoned industry, dilapidated 203 00:15:08,120 --> 00:15:11,120 Speaker 3: machines of unknown purpose, and hints of the human work 204 00:15:11,160 --> 00:15:15,560 Speaker 3: force that once animated it all. But as I ventured deeper 205 00:15:15,560 --> 00:15:21,480 Speaker 3: into the space, other signs presented themselves. I passed fresh 206 00:15:21,520 --> 00:15:25,560 Speaker 3: wooden crates newly opened, and around them cast off plastic 207 00:15:25,640 --> 00:15:31,040 Speaker 3: and styrofoam padding some new industry, it would seem, pulsated 208 00:15:31,080 --> 00:15:36,240 Speaker 3: in the decaying husk of the old, And soon enough 209 00:15:36,640 --> 00:15:40,160 Speaker 3: I encountered signs of my quarry as well. I descended 210 00:15:40,200 --> 00:15:43,480 Speaker 3: a long hallway crisscross with lines of silver webbing much 211 00:15:43,600 --> 00:15:46,720 Speaker 3: like my own, and scattered beneath them the remains of 212 00:15:46,760 --> 00:15:51,000 Speaker 3: the dismembered bodies. My lap grown cousin could use her 213 00:15:51,000 --> 00:15:55,880 Speaker 3: threads as weapons. It seemed monofilament lines that, when pulled taut, 214 00:15:55,920 --> 00:16:05,840 Speaker 3: sliced through any one in their path. I knelt beside 215 00:16:05,880 --> 00:16:09,640 Speaker 3: one of the bodies. It was naked, humanoid and basic shape, 216 00:16:09,680 --> 00:16:13,720 Speaker 3: but more arthroopod in every other respect. Rows of tiny, 217 00:16:13,840 --> 00:16:18,600 Speaker 3: useless appendages lined its chest. I knew them well. These 218 00:16:18,600 --> 00:16:22,920 Speaker 3: were human louse hybrids, the accidental offspring of biogammus. Ancient 219 00:16:23,080 --> 00:16:28,480 Speaker 3: DNA experiments see Ectoparasitic lights sheese on the hair of 220 00:16:28,520 --> 00:16:32,520 Speaker 3: otherwise mummified bodies can preserve host DNA, making retrieval at 221 00:16:32,600 --> 00:16:36,520 Speaker 3: least seem possible. The science wasn't there yet, though, and 222 00:16:36,600 --> 00:16:40,640 Speaker 3: the cross contamination of human and lys's genetics birth monsters. 223 00:16:41,520 --> 00:16:46,480 Speaker 3: They often infested abandoned biogamath facilities. But I know what 224 00:16:46,520 --> 00:16:51,520 Speaker 3: you're wondering. Didn't the Hecatonkrees destroy all the biogammuth labs? 225 00:16:52,560 --> 00:16:57,280 Speaker 3: I wondered the same. I jumped at the sound and 226 00:16:57,320 --> 00:17:00,720 Speaker 3: glimpsed her a crew shoot across the inn of the hallway, 227 00:17:00,800 --> 00:17:07,000 Speaker 3: a figure wrapped in a tattered trench coat. I drew 228 00:17:07,040 --> 00:17:10,480 Speaker 3: the Divine sword. The threads of razor sharp webbing burned 229 00:17:10,520 --> 00:17:13,280 Speaker 3: away as I brought the blade near. I easily sheared 230 00:17:13,280 --> 00:17:16,200 Speaker 3: away the strands she'd used to slay the hybrids, as 231 00:17:16,240 --> 00:17:19,000 Speaker 3: well as the more subtle ankle level lines that she'd 232 00:17:19,000 --> 00:17:24,480 Speaker 3: loved to stop me, and so I followed her unobstructed, 233 00:17:24,560 --> 00:17:32,479 Speaker 3: into another vast factory space. Why you hunt me, cousin, 234 00:17:33,800 --> 00:17:38,560 Speaker 3: that's above my pay grade. We should talk, then, come out. 235 00:17:39,240 --> 00:17:47,840 Speaker 3: Let's talk. Not here. Something rushed me, and I ran 236 00:17:47,880 --> 00:17:50,200 Speaker 3: it through with my blade, but it was only her 237 00:17:50,200 --> 00:18:00,000 Speaker 3: empty trench coat. I saw her vanish behind a whole 238 00:18:00,280 --> 00:18:03,520 Speaker 3: industrial press, and so I dashed after her sword. At ready, 239 00:18:03,880 --> 00:18:06,919 Speaker 3: I narrowly managed to dodge and sever the threads of 240 00:18:07,040 --> 00:18:16,560 Speaker 3: razor webbing she'd left in her wake. I chased her 241 00:18:16,560 --> 00:18:20,040 Speaker 3: down another hallway, through another chamber with signs of recent habitation. 242 00:18:20,760 --> 00:18:23,679 Speaker 3: Here I passed not only fresh crates, but various tanks 243 00:18:23,720 --> 00:18:27,280 Speaker 3: and machines that unmistakably bore the logo of the Biogamuth Corporation, 244 00:18:28,119 --> 00:18:32,600 Speaker 3: the hand extending from a fiery double helix. It was 245 00:18:32,720 --> 00:18:38,600 Speaker 3: exactly the distraction she'd counted on. She'd flanked me amid 246 00:18:38,640 --> 00:18:41,359 Speaker 3: the lab equipment, and I felt loose webbing spin around me. 247 00:18:41,760 --> 00:18:43,760 Speaker 3: I pulled the sword up just in time to sever 248 00:18:43,840 --> 00:18:45,800 Speaker 3: it and keep her from pulling it taut around me 249 00:18:46,240 --> 00:18:50,359 Speaker 3: and threw me. As I brought the sword back with 250 00:18:50,400 --> 00:18:53,720 Speaker 3: the decapitation swing, but she was too fast. She recoiled 251 00:18:53,720 --> 00:18:56,399 Speaker 3: from the sword's lethal arc with maybe an inch to spare. 252 00:18:57,200 --> 00:19:00,560 Speaker 3: I saw her in full for the first time, illuminated 253 00:19:00,600 --> 00:19:05,280 Speaker 3: in the green glow of assortied biogamuth equipment. While I 254 00:19:05,400 --> 00:19:07,560 Speaker 3: could call on wolf and spider and do my one 255 00:19:07,560 --> 00:19:12,359 Speaker 3: little trick, she had embraced our lineage completely. She was 256 00:19:12,520 --> 00:19:18,080 Speaker 3: unclothed of human garments, but were splendent in her full monstrosity. 257 00:19:18,800 --> 00:19:21,760 Speaker 3: The animals we call spiders are just a shadow cast 258 00:19:21,760 --> 00:19:25,280 Speaker 3: by the form of God cursed a Rackney. So too 259 00:19:25,440 --> 00:19:28,679 Speaker 3: the twisted airs of Arcadia and the comparison of the wolf. 260 00:19:29,560 --> 00:19:34,400 Speaker 3: Human language fails in the face of a perfect monster. 261 00:19:37,040 --> 00:19:40,200 Speaker 3: There was a lupine wildness to her hair, which cascaded 262 00:19:40,200 --> 00:19:43,440 Speaker 3: in a flowing mane, down her spine and tail. Her 263 00:19:43,480 --> 00:19:47,399 Speaker 3: hands tapered into claws as long as my forearms, and 264 00:19:47,480 --> 00:19:51,120 Speaker 3: I saw the gleam of silver threads suspended between the tips. 265 00:19:51,880 --> 00:19:56,560 Speaker 3: Her eyes were deep dark pools, the eyes of a 266 00:19:56,640 --> 00:20:01,000 Speaker 3: hunting spider like mine, beneath the spe lenses I wear, 267 00:20:02,200 --> 00:20:06,520 Speaker 3: And in that moment, Ekru was my reflection, not of 268 00:20:06,560 --> 00:20:09,840 Speaker 3: who I was, but of what I could be if 269 00:20:09,880 --> 00:20:14,760 Speaker 3: I only gave in to the power. She smiled her 270 00:20:14,800 --> 00:20:18,600 Speaker 3: sharp teeth at me. You should stand with us in 271 00:20:18,600 --> 00:20:21,919 Speaker 3: this light? What if I stand with them? Mortals you killed? 272 00:20:23,080 --> 00:20:27,280 Speaker 3: They choose to serve the tyrants of you when you 273 00:20:27,520 --> 00:20:32,600 Speaker 3: see what we've grown here. Though, I don't care about 274 00:20:32,600 --> 00:20:36,200 Speaker 3: Biogamuth or whatever titan they think they've resurrected this time, 275 00:20:38,600 --> 00:20:44,800 Speaker 3: not the tightening cuss. I think we sprang at the 276 00:20:44,880 --> 00:20:48,200 Speaker 3: same time. If deep down we were the same, then 277 00:20:48,200 --> 00:20:51,800 Speaker 3: I suppose our instincts and impulses were identical, though not 278 00:20:51,880 --> 00:20:56,800 Speaker 3: our weapons. I slashed my sword and felt one of 279 00:20:56,800 --> 00:20:59,560 Speaker 3: her razor webs spun so deftly in the air, sliced 280 00:20:59,600 --> 00:21:04,720 Speaker 3: clean through my shoulders. My left arm fell to the 281 00:21:04,720 --> 00:21:07,159 Speaker 3: floor in a cascade of blood, though not all of 282 00:21:07,200 --> 00:21:12,480 Speaker 3: it was mine. My monstrous double, my more perfect twin, 283 00:21:13,680 --> 00:21:16,479 Speaker 3: laid at either side of me, cleaved neatly into by 284 00:21:16,480 --> 00:21:22,359 Speaker 3: the fifestian sword. I let the weapon fall from my 285 00:21:22,400 --> 00:21:26,680 Speaker 3: remaining hands. Our collective blood hissed and smoked against its 286 00:21:26,720 --> 00:21:34,080 Speaker 3: otherworldly steel. I struggled to stay on one knee to 287 00:21:34,160 --> 00:21:42,800 Speaker 3: avoid collapsing from the sudden catastrophic blood loss, but I 288 00:21:42,880 --> 00:21:49,159 Speaker 3: am not quite human. I have never been, And so 289 00:21:49,280 --> 00:21:52,600 Speaker 3: I felt the wound rapidly clotting, the severed veins and 290 00:21:52,720 --> 00:21:56,720 Speaker 3: arteries stitching themselves closed. I used my teeth to pull 291 00:21:56,760 --> 00:21:59,159 Speaker 3: the glove off my remaining hand and let my claws 292 00:21:59,200 --> 00:22:09,800 Speaker 3: grow out, felt my fangs grow sharp. I'd completed my assignment, 293 00:22:10,800 --> 00:22:16,400 Speaker 3: but she was right. I needed to know how had 294 00:22:16,400 --> 00:22:20,439 Speaker 3: biogamas survived. What were they attempting to resurrect from ancient 295 00:22:20,520 --> 00:22:23,640 Speaker 3: artifacts and desiccated flesh. If not one of the Titans 296 00:22:23,680 --> 00:22:26,639 Speaker 3: of old, the parents and forerunners of the current long 297 00:22:26,720 --> 00:22:37,240 Speaker 3: declined dynasty of gods. Still faint, still barely able to 298 00:22:37,240 --> 00:22:40,879 Speaker 3: push ahead, I shambled deeper into that temple of abandoned industry, 299 00:22:41,280 --> 00:22:46,280 Speaker 3: into the otherworldly fusia glow of multiple grow tanks. I 300 00:22:46,280 --> 00:22:49,760 Speaker 3: saw the suspended flesh inside. If flesh it truly was. 301 00:22:50,800 --> 00:22:55,000 Speaker 3: This was no Titan or God, no genetic mixture of 302 00:22:55,040 --> 00:23:01,200 Speaker 3: their offspring. It was something infinitely more horrifying, more perfect. Still, 303 00:23:05,040 --> 00:23:09,560 Speaker 3: curtains of shredded silk obscured the great central vat. As 304 00:23:09,560 --> 00:23:13,480 Speaker 3: I stumbled toward it, I glimpsed wild shapes moving within 305 00:23:13,560 --> 00:23:19,840 Speaker 3: the glowing fluid. I fell to my knees. I raised 306 00:23:19,880 --> 00:23:26,159 Speaker 3: my clawed hand to draw back the veil. Anyway, just 307 00:23:26,200 --> 00:23:28,680 Speaker 3: thought you'd be interested to hear about all that love 308 00:23:28,720 --> 00:23:33,120 Speaker 3: the show. Say hi to Maxwell for me, iraqne la canne. 309 00:23:37,359 --> 00:23:43,680 Speaker 2: Ah very nice. I always crave the discovery of new monsters, 310 00:23:43,760 --> 00:23:48,959 Speaker 2: though alas I don't remember you specifically, too many future 311 00:23:49,000 --> 00:23:53,720 Speaker 2: monster hunters to keep track of, honestly. Finally, here's one more. 312 00:23:54,480 --> 00:23:57,919 Speaker 2: It reads, Dear doctor Jessip, who would win in a 313 00:23:57,960 --> 00:24:03,040 Speaker 2: battle between the Blob and my friend Reginald? Full disclosure 314 00:24:03,359 --> 00:24:06,879 Speaker 2: Reginald is a vampire. Hmmm, I have to go with 315 00:24:06,880 --> 00:24:10,680 Speaker 2: a blob on this one. Sorry, Reginald. Well, that's all 316 00:24:10,720 --> 00:24:15,080 Speaker 2: the time we have for today, Maxwell, if you would 317 00:24:15,880 --> 00:24:17,680 Speaker 2: in transmission. 318 00:24:20,800 --> 00:24:24,399 Speaker 4: Hey, everybody, regular listener Mail will return next week, but 319 00:24:24,520 --> 00:24:27,520 Speaker 4: thanks as always to doctor Anton Jessop for filling in 320 00:24:27,560 --> 00:24:31,160 Speaker 4: for Joe and me this week. This episode was produced 321 00:24:31,320 --> 00:24:35,639 Speaker 4: entirely by the excellent JJ Possway, Annie Reese's co host 322 00:24:35,640 --> 00:24:38,359 Speaker 4: of Savor and Stuff, Mom Never Told You, contributed her 323 00:24:38,440 --> 00:24:41,320 Speaker 4: voice acting talents to portray all a Rackney like Hans 324 00:24:42,000 --> 00:24:45,320 Speaker 4: And if you or someone you know happens to have 325 00:24:45,359 --> 00:24:48,080 Speaker 4: a question or two or some comments to share with 326 00:24:48,160 --> 00:24:52,040 Speaker 4: doctor Anton Jessop concerning monsters. You can email them to 327 00:24:52,119 --> 00:24:55,920 Speaker 4: us and we will forward them to him and his cohort. 328 00:24:56,520 --> 00:24:59,720 Speaker 4: He'll probably be back for a holiday episode before he 329 00:24:59,760 --> 00:25:02,840 Speaker 4: reached treats into his studies for yet another year, So 330 00:25:03,000 --> 00:25:06,840 Speaker 4: just send those emails to contact at stuffd blow your 331 00:25:06,920 --> 00:25:15,200 Speaker 4: Mind dot com. 332 00:25:15,280 --> 00:25:18,240 Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For 333 00:25:18,320 --> 00:25:21,119 Speaker 1: more podcasts from my Heart Radio, visit the iHeartRadio app, 334 00:25:21,240 --> 00:25:24,000 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows