1 00:00:05,800 --> 00:00:26,840 Speaker 1: Mmmm, welcome back to all the smokes, boy Stack five, 2 00:00:27,400 --> 00:00:30,560 Speaker 1: my brother Matt. We're back in l A doing our thing. 3 00:00:31,600 --> 00:00:33,960 Speaker 1: We got a special guest man, our brother. Him and 4 00:00:34,000 --> 00:00:36,360 Speaker 1: Matt got their own experience. I shot it into my 5 00:00:36,440 --> 00:00:38,640 Speaker 1: recently on my ground for giving me a mad a 6 00:00:38,680 --> 00:00:41,680 Speaker 1: shout out on it on his freestyle re flex, which 7 00:00:41,680 --> 00:00:43,760 Speaker 1: is hard. You know you wanted all the smoke. But 8 00:00:43,880 --> 00:00:46,919 Speaker 1: our brother, Gibbs the Rabbit is in the building. Thank 9 00:00:46,960 --> 00:00:53,000 Speaker 1: you for being Yes, sir, I've been on tour for 10 00:00:53,040 --> 00:00:56,920 Speaker 1: a minute, just wrapped up in UK. How was there? Like? Uh? 11 00:00:57,080 --> 00:01:04,720 Speaker 1: I love him bitches over there. It's real, I love 12 00:01:04,760 --> 00:01:11,240 Speaker 1: That's how we started out. So yes, bad, that's fucking 13 00:01:11,240 --> 00:01:13,399 Speaker 1: they talked. Oh man, they say all they gotta do 14 00:01:13,400 --> 00:01:17,920 Speaker 1: is talk to me. Yeah that's it. Yeah, It's it's fun. 15 00:01:18,120 --> 00:01:22,600 Speaker 1: You feel me? New album so separately out now, Yeah, man, definitely. 16 00:01:22,640 --> 00:01:24,680 Speaker 1: You know what I'm saying, pumping the album out right now, 17 00:01:24,840 --> 00:01:28,360 Speaker 1: single with money Bag out right now. Hey, I'm in 18 00:01:28,400 --> 00:01:30,080 Speaker 1: a good space, you know what I'm saying with the music, 19 00:01:30,160 --> 00:01:33,800 Speaker 1: so I'm happy with it. Any features besides him, oh yeah, yeah, 20 00:01:33,840 --> 00:01:36,959 Speaker 1: we got a face on the album. We got uh 21 00:01:37,280 --> 00:01:41,800 Speaker 1: Brad Jordan's yeah, it's crazy because we did that song 22 00:01:41,959 --> 00:01:44,920 Speaker 1: like two years ago. So he called me yesterday and 23 00:01:45,080 --> 00:01:46,600 Speaker 1: was like, Yo, what's this ship out here? I'm on 24 00:01:46,640 --> 00:01:49,320 Speaker 1: your album? And I was like, yeah, you want it. 25 00:01:49,520 --> 00:01:51,280 Speaker 1: He was like, no, I'm not. You got that that 26 00:01:51,280 --> 00:01:53,120 Speaker 1: that that he mean that. I was like, you did 27 00:01:53,160 --> 00:01:54,520 Speaker 1: the first He was like, man, I don't know where 28 00:01:54,520 --> 00:01:56,240 Speaker 1: the funk you got that first one? Man. I was like, man, 29 00:01:56,280 --> 00:01:58,080 Speaker 1: we did that ship like that was one of the 30 00:01:58,120 --> 00:01:59,880 Speaker 1: first songs I did when I started the album. So 31 00:02:00,440 --> 00:02:03,160 Speaker 1: he forgot. I forgot and then he was like, no, man, 32 00:02:03,200 --> 00:02:04,840 Speaker 1: I ain't signing off on that. I don't think that. 33 00:02:05,000 --> 00:02:06,360 Speaker 1: I don't think you got that for me, And I 34 00:02:06,440 --> 00:02:09,800 Speaker 1: was like huh. He called me back. It was like 35 00:02:09,840 --> 00:02:14,320 Speaker 1: my bad Rico told me was all good, but face 36 00:02:14,400 --> 00:02:16,360 Speaker 1: my digger faces. Like, if it's anybody a rap I 37 00:02:16,360 --> 00:02:18,200 Speaker 1: look up to, it is definitely him the most. He's 38 00:02:18,240 --> 00:02:21,079 Speaker 1: my favorite rapper. But him. I got ross on that 39 00:02:21,440 --> 00:02:27,079 Speaker 1: Um Anderson pot Um ship. I got a good list 40 00:02:27,080 --> 00:02:29,080 Speaker 1: of people man like that ship was. It was an 41 00:02:29,080 --> 00:02:32,120 Speaker 1: experience making this album, a real goode DJ Paul. That 42 00:02:32,200 --> 00:02:35,160 Speaker 1: was probably my favorite favorite session that we did. Uh 43 00:02:35,480 --> 00:02:38,960 Speaker 1: making this album, But it was all fun man Gary 44 00:02:38,960 --> 00:02:44,200 Speaker 1: and Danni born in the eighties. Uh, paint that picture man, 45 00:02:45,880 --> 00:02:48,280 Speaker 1: Gary and the eighties and the nineties and ship was 46 00:02:49,639 --> 00:02:52,720 Speaker 1: it was you know growing up then was like I 47 00:02:52,720 --> 00:02:54,800 Speaker 1: feel like it was like, you know, a little dangerous, 48 00:02:54,800 --> 00:02:56,960 Speaker 1: but it was it was kind of fun. Yeah. Now 49 00:02:57,000 --> 00:02:59,560 Speaker 1: I feel like that ship is like way too dangerous, 50 00:02:59,560 --> 00:03:00,840 Speaker 1: you know what I'm say. And like it's it's a 51 00:03:00,840 --> 00:03:05,120 Speaker 1: different Gary, you know what I mean. And hopefully you know, 52 00:03:05,280 --> 00:03:07,160 Speaker 1: we switched things around in the city, but you know, 53 00:03:07,240 --> 00:03:11,400 Speaker 1: it's it's definitely, um a picture like urban DK when 54 00:03:11,400 --> 00:03:12,959 Speaker 1: you look at Gary, you know what I mean. And 55 00:03:13,360 --> 00:03:16,560 Speaker 1: you know, with the steel industry going down and things 56 00:03:16,600 --> 00:03:17,919 Speaker 1: of that nature, you know what I mean. The city 57 00:03:17,919 --> 00:03:20,160 Speaker 1: has been sucked up for years. But uh, you know 58 00:03:20,280 --> 00:03:22,680 Speaker 1: we could bring uh some new light to it and 59 00:03:22,720 --> 00:03:24,440 Speaker 1: you know, bring some attention to do some things that 60 00:03:24,600 --> 00:03:27,640 Speaker 1: you know what I mean with Uh, you know, I 61 00:03:27,680 --> 00:03:29,359 Speaker 1: feel like in a position, I mean now, I could 62 00:03:29,360 --> 00:03:32,160 Speaker 1: definitely bring new, new light, new things to the city now, 63 00:03:32,280 --> 00:03:33,520 Speaker 1: you know what I mean. But I had to work 64 00:03:33,560 --> 00:03:37,840 Speaker 1: to get there though. Big Dog Glynn Robinson's from there. Yeah, 65 00:03:37,920 --> 00:03:42,880 Speaker 1: big Dog, the greatest of all time. Big definitely man. 66 00:03:42,920 --> 00:03:47,760 Speaker 1: If you play basketball, Batti basketball during um My era, 67 00:03:47,840 --> 00:03:49,760 Speaker 1: you definitely looked up the Big Dog. He was the one. 68 00:03:49,840 --> 00:03:50,920 Speaker 1: You know what I'm saying. He was the one that 69 00:03:51,000 --> 00:03:52,680 Speaker 1: made it. He was in the NBA. You know what 70 00:03:52,680 --> 00:03:54,280 Speaker 1: I mean, shut out, then we need you on the show. 71 00:03:54,320 --> 00:03:57,080 Speaker 1: Big Dog. Definitely, Big Dog just wasn't in the NBA. 72 00:03:57,120 --> 00:03:59,480 Speaker 1: He dominated in the NBA and in college. You know 73 00:03:59,480 --> 00:04:04,520 Speaker 1: what I'm saying. Don't get Big Dog enough credit. Definitely 74 00:04:04,560 --> 00:04:06,240 Speaker 1: don't get Big Dog enough credit. You know what I'm saying. 75 00:04:06,840 --> 00:04:08,320 Speaker 1: Do you have the first time a million dog contract? 76 00:04:10,560 --> 00:04:14,040 Speaker 1: Another notable name something they know? Michael Jackson, Yeah, Michael 77 00:04:14,120 --> 00:04:16,720 Speaker 1: Jackson's to beat my daddy asks and the talent shows. 78 00:04:17,040 --> 00:04:19,000 Speaker 1: Really my dad has some talent. Yeah, my dad's seen 79 00:04:19,120 --> 00:04:20,680 Speaker 1: my dad shoatellites a matter of fact, you know what 80 00:04:20,720 --> 00:04:22,840 Speaker 1: I'm saying. Like so, but like he you know what 81 00:04:22,920 --> 00:04:24,840 Speaker 1: I mean, Like you know, tried to go because him 82 00:04:24,839 --> 00:04:27,119 Speaker 1: and Mike the same age, so they was always bumping 83 00:04:27,160 --> 00:04:29,120 Speaker 1: heads in the talent shows and Michael nick Up I 84 00:04:29,240 --> 00:04:35,760 Speaker 1: was like, man, you ain't sucking mikel talk. And then 85 00:04:35,839 --> 00:04:37,919 Speaker 1: niggaive niggas did a talent show like Mike brought the 86 00:04:37,920 --> 00:04:39,719 Speaker 1: whole group out on his motherfucker, Dad, I'm like, you 87 00:04:39,800 --> 00:04:41,719 Speaker 1: up that solo. He got t do jer Main. They're 88 00:04:41,720 --> 00:04:45,400 Speaker 1: all doing they step, they got moves, they got Joe, 89 00:04:45,480 --> 00:04:47,239 Speaker 1: you know what I'm saying. Like they had Joe pushing 90 00:04:47,240 --> 00:04:49,200 Speaker 1: them niggas. You ain't have nobody. You just said your 91 00:04:49,200 --> 00:04:52,280 Speaker 1: mama telling you, yes, my baby, like Mike had the 92 00:04:52,320 --> 00:04:55,880 Speaker 1: team nigger so you could. Yeah, he couldn't suck with Mike. 93 00:04:56,760 --> 00:05:00,960 Speaker 1: I know your dad, you know you can't. You got there. Well, 94 00:05:01,000 --> 00:05:04,680 Speaker 1: you can't funk with Bike. Uh, Michael's sucking you up. 95 00:05:06,400 --> 00:05:13,240 Speaker 1: Your whole life'll be watching Michael Jackson TV. Turn that 96 00:05:13,880 --> 00:05:16,560 Speaker 1: off it He listened to it on the load though, 97 00:05:17,680 --> 00:05:21,159 Speaker 1: like a love bike. Uh. Play sports early on, end 98 00:05:21,279 --> 00:05:23,560 Speaker 1: up getting a scholarship at football the Ball State. Man, 99 00:05:23,600 --> 00:05:25,719 Speaker 1: I was at Ball State while I walked on the 100 00:05:25,720 --> 00:05:28,360 Speaker 1: Ball State to play football. Really, to be honest, and 101 00:05:28,520 --> 00:05:31,159 Speaker 1: I just you know, ship, I was trying to go 102 00:05:31,240 --> 00:05:33,040 Speaker 1: other places and ship, but that ship wasn't working. But 103 00:05:33,080 --> 00:05:34,479 Speaker 1: I want to. I really just wanted to go to 104 00:05:34,520 --> 00:05:36,640 Speaker 1: school with my friends and just keep playing sports and 105 00:05:36,720 --> 00:05:38,880 Speaker 1: keep doing it. I didn't really, I don't really had 106 00:05:38,920 --> 00:05:41,120 Speaker 1: no direction in man. Also, young, I don't know what 107 00:05:41,160 --> 00:05:42,760 Speaker 1: I wanted to do. You know what I mean, I 108 00:05:42,839 --> 00:05:45,400 Speaker 1: definitely didn't plan on ended up being a fucking rapper, 109 00:05:45,520 --> 00:05:47,479 Speaker 1: you know what I'm saying, Like I definitely didn't see 110 00:05:47,480 --> 00:05:49,599 Speaker 1: that ship in the cars to me at that age. 111 00:05:49,640 --> 00:05:50,719 Speaker 1: You know what I'm saying. I just wanted to just 112 00:05:50,720 --> 00:05:53,479 Speaker 1: play sports, fuck girls and smoke weed and ship like 113 00:05:54,000 --> 00:05:55,479 Speaker 1: you know, it took me a long time and know 114 00:05:56,200 --> 00:05:57,600 Speaker 1: where I wanted to go in life, you know what 115 00:05:57,600 --> 00:05:59,080 Speaker 1: I mean. I tell a lot of young guys that 116 00:05:59,160 --> 00:06:01,440 Speaker 1: you know, ship, I'm you know, probably just now at 117 00:06:01,440 --> 00:06:04,200 Speaker 1: this age, you know, discovering who I truly am and 118 00:06:04,800 --> 00:06:06,760 Speaker 1: you know, and where I want to go, like not 119 00:06:06,839 --> 00:06:09,880 Speaker 1: just you know, career wise, but as a man period. 120 00:06:10,680 --> 00:06:13,400 Speaker 1: One of one of the friends of the program, bondsi Wells, 121 00:06:14,480 --> 00:06:17,480 Speaker 1: the ball State legend. What was his legend like out there? 122 00:06:17,680 --> 00:06:19,520 Speaker 1: I mean when you got on campus, you just knew, 123 00:06:19,600 --> 00:06:21,320 Speaker 1: I mean Bonds the other thing he took them like 124 00:06:21,320 --> 00:06:23,040 Speaker 1: the Sweet sixteen or something like that, or you know 125 00:06:23,080 --> 00:06:25,520 Speaker 1: what I mean, Like, Bonds was a legend at State 126 00:06:25,520 --> 00:06:28,920 Speaker 1: when I got there. So it was Bonds. He told 127 00:06:29,000 --> 00:06:30,880 Speaker 1: Jack he wishes he would have got robbed on Old Block. 128 00:06:33,400 --> 00:06:36,560 Speaker 1: Why didn't you go to over my best friend, my 129 00:06:36,560 --> 00:06:40,000 Speaker 1: best friend and died. He asked. He asked the question. 130 00:06:40,000 --> 00:06:42,880 Speaker 1: He said, why you go to old I was in Chicago, 131 00:06:43,080 --> 00:06:44,640 Speaker 1: it was late night, and you just wanted to go, 132 00:06:45,480 --> 00:06:48,840 Speaker 1: you know what? And I tell them and he was happy. 133 00:06:48,880 --> 00:06:51,240 Speaker 1: I pulled there. You should be able to go where 134 00:06:51,240 --> 00:06:53,000 Speaker 1: the funk you want to go, you know what I'm saying. 135 00:06:53,040 --> 00:06:56,279 Speaker 1: Like a lot of motherfucker's was like, uh, like with 136 00:06:56,320 --> 00:06:58,240 Speaker 1: the pnb Rock thing, they was giving him flak about 137 00:06:58,240 --> 00:07:01,000 Speaker 1: eating at that Roscoe's. I mean, the funk what what 138 00:07:01,000 --> 00:07:03,000 Speaker 1: what gives y'all needs the right to say I can't 139 00:07:03,000 --> 00:07:04,200 Speaker 1: eat here? I should be able to eat where the 140 00:07:04,279 --> 00:07:06,359 Speaker 1: funk I want to eat and not get bothered, you 141 00:07:06,400 --> 00:07:08,360 Speaker 1: know what I mean? But you know that ain't the 142 00:07:08,400 --> 00:07:13,520 Speaker 1: world we lived. It ain't that easy. I totally understand that. Hypothetically, 143 00:07:13,560 --> 00:07:16,560 Speaker 1: it should be like we shouldn't be working with each other, 144 00:07:16,640 --> 00:07:18,840 Speaker 1: especially as black men like man, we gotta let all 145 00:07:18,880 --> 00:07:23,000 Speaker 1: that stupid ship go. But what exactly? Uh? Music wise, 146 00:07:23,040 --> 00:07:26,360 Speaker 1: who was you listening to growing up? Scar Face? For sure? 147 00:07:26,760 --> 00:07:32,120 Speaker 1: Um Tupac all the time. Um. The first voice I 148 00:07:32,200 --> 00:07:35,200 Speaker 1: ever heard, probably like on a wrap on rapping on 149 00:07:35,240 --> 00:07:37,640 Speaker 1: the beat was probably too short, and it was like bitch, 150 00:07:37,720 --> 00:07:39,680 Speaker 1: And I was like, oh, Ship, hell yeah, I like that. 151 00:07:40,520 --> 00:07:42,240 Speaker 1: I was like that ain't no Luther Andross. You know 152 00:07:42,240 --> 00:07:43,920 Speaker 1: what I'm saying, because all my dadd who listened to 153 00:07:44,040 --> 00:07:45,760 Speaker 1: was that the the oldies and Ship like that. But 154 00:07:45,800 --> 00:07:48,160 Speaker 1: then my uncles came in the house with them tapes 155 00:07:48,200 --> 00:07:49,720 Speaker 1: and they was cussing and Ship. I was like, yeah, 156 00:07:49,720 --> 00:07:51,520 Speaker 1: I want to listen to that Ship, so you know 157 00:07:51,560 --> 00:07:53,560 Speaker 1: what I mean. It was the draws, the shock value, 158 00:07:53,640 --> 00:07:55,240 Speaker 1: So I get it, you know what I mean? It 159 00:07:55,400 --> 00:07:57,840 Speaker 1: was you know, back then they was saying what the 160 00:07:57,840 --> 00:07:59,480 Speaker 1: funk they wanted to say, and they made the way 161 00:07:59,520 --> 00:08:01,640 Speaker 1: so we could say we want to say now. But 162 00:08:01,800 --> 00:08:04,760 Speaker 1: you know, Ship Nick is getting prosecuted for their lyrics now. 163 00:08:04,800 --> 00:08:06,760 Speaker 1: So just talking about that before the show, like you 164 00:08:06,800 --> 00:08:10,120 Speaker 1: can't gotta be careful. And he was listening to sugar 165 00:08:10,160 --> 00:08:12,480 Speaker 1: Free just the way he was talking wasn't even talking 166 00:08:12,480 --> 00:08:16,000 Speaker 1: about no gangs. It was just talking about yeah, you 167 00:08:16,040 --> 00:08:18,880 Speaker 1: can't even yeah, the way he was talking about it, Yeah, 168 00:08:19,080 --> 00:08:22,040 Speaker 1: that nigga like you taking a fee to the concrete. 169 00:08:22,040 --> 00:08:25,960 Speaker 1: You know what I'm saying. So I get it, you 170 00:08:26,000 --> 00:08:28,400 Speaker 1: know what, but I you know, hey, man, I mean, 171 00:08:28,960 --> 00:08:31,960 Speaker 1: I love sugar free Ship. I mean, we're just in 172 00:08:31,960 --> 00:08:34,800 Speaker 1: a different era where everybody real sensitive to ship. You 173 00:08:34,800 --> 00:08:36,599 Speaker 1: know what I mean. It's all entertainment, you know what 174 00:08:36,679 --> 00:08:40,120 Speaker 1: I mean, most of it the insecurity. Yeah, that's what 175 00:08:40,200 --> 00:08:44,040 Speaker 1: it be. Yeah, talk to us about the producer finger Roll. 176 00:08:44,200 --> 00:08:46,679 Speaker 1: How you met him? Finger Roll was probably he was 177 00:08:46,720 --> 00:08:48,760 Speaker 1: That was the first nigger that ever like put me 178 00:08:48,800 --> 00:08:51,760 Speaker 1: on the microphone. He was. He was the only nigger 179 00:08:51,760 --> 00:08:53,960 Speaker 1: that I knew. And Gary the head of studio. So 180 00:08:54,040 --> 00:08:57,600 Speaker 1: like when my homie um Wood was going up there 181 00:08:57,600 --> 00:08:59,839 Speaker 1: like making like his music, and I was like, with 182 00:09:00,000 --> 00:09:01,960 Speaker 1: what you're doing? You're making like CDs and Ship, And 183 00:09:01,960 --> 00:09:04,040 Speaker 1: then like the nigga showed me a CD and he 184 00:09:04,120 --> 00:09:06,160 Speaker 1: had like barcode on it and it was like wrapped 185 00:09:06,240 --> 00:09:08,080 Speaker 1: up in plastic like you would get it out of best. 186 00:09:08,080 --> 00:09:09,240 Speaker 1: But I was like, what the fund is this? How 187 00:09:09,360 --> 00:09:10,960 Speaker 1: you doing this? You know what I mean? And that 188 00:09:11,040 --> 00:09:12,680 Speaker 1: made me interested. And I didn't even know if I 189 00:09:12,679 --> 00:09:15,560 Speaker 1: wanted to wrap or whatever. I just was interested in 190 00:09:15,600 --> 00:09:18,960 Speaker 1: what he was doing and Ship. I just started going 191 00:09:19,040 --> 00:09:20,920 Speaker 1: up to the to Roll studio and I was listening 192 00:09:20,960 --> 00:09:23,960 Speaker 1: to everybody wrap and I was like, damn, these niggas trash. 193 00:09:23,960 --> 00:09:26,120 Speaker 1: I could wrap better than all these things that you 194 00:09:26,120 --> 00:09:31,199 Speaker 1: hadn't at all. No, No, I was just I was 195 00:09:31,280 --> 00:09:34,320 Speaker 1: like probably twenty years old, you know what I'm saying 196 00:09:34,360 --> 00:09:36,040 Speaker 1: around at age, and I was like, uh, fuck it, 197 00:09:36,080 --> 00:09:37,360 Speaker 1: I'll take a crack at it. And when I took 198 00:09:37,360 --> 00:09:39,440 Speaker 1: a crack at it, out knocked it out the park 199 00:09:39,679 --> 00:09:41,680 Speaker 1: and then rolls like, yeah, come back, keep coming back, 200 00:09:41,720 --> 00:09:43,520 Speaker 1: and he kept telling me to keep coming back, and 201 00:09:43,559 --> 00:09:45,720 Speaker 1: I was like all right, So I just kept doing that. 202 00:09:46,280 --> 00:09:49,240 Speaker 1: You know, man, give us an inside and then explain 203 00:09:49,280 --> 00:09:54,160 Speaker 1: the jenus of alchemis she uh the Alchemist? You know? 204 00:09:54,320 --> 00:09:56,880 Speaker 1: He definitely always been one of my favorite producers. You know, 205 00:09:56,880 --> 00:09:59,320 Speaker 1: I'm like Ship he's been producing, like Ship wasn't, so 206 00:09:59,360 --> 00:10:01,840 Speaker 1: what the fucking night needs me? To be honest, you 207 00:10:01,840 --> 00:10:04,960 Speaker 1: know what I'm saying. So uh with you know, with 208 00:10:05,000 --> 00:10:07,360 Speaker 1: everything that he did pre you know, in his career, 209 00:10:07,360 --> 00:10:09,240 Speaker 1: I always followed it. And I was just like, all right, 210 00:10:09,240 --> 00:10:12,240 Speaker 1: that would be amazing if I work with him, and 211 00:10:12,320 --> 00:10:14,959 Speaker 1: you know I did, and like little spurts and then 212 00:10:15,120 --> 00:10:17,080 Speaker 1: like when we finally like locked it in like we 213 00:10:17,120 --> 00:10:19,120 Speaker 1: wanted to, and he came out magic. You know what 214 00:10:19,120 --> 00:10:21,200 Speaker 1: I'm saying, so you know here on my new album too. 215 00:10:21,240 --> 00:10:24,199 Speaker 1: So it's uh, you know, I I'm you know, I'm 216 00:10:24,240 --> 00:10:25,920 Speaker 1: in a space form always gonna work with him, you 217 00:10:25,960 --> 00:10:27,880 Speaker 1: know what I mean. That's that's locked in. It's nothing 218 00:10:28,040 --> 00:10:29,959 Speaker 1: what different mode you was in when y'all dropped that 219 00:10:30,080 --> 00:10:36,760 Speaker 1: fright though. Um you know what man I was coming 220 00:10:37,000 --> 00:10:41,000 Speaker 1: off of I did that Bandanna Ship, and then I 221 00:10:41,080 --> 00:10:43,160 Speaker 1: was like, man, I gotta make a new album. But 222 00:10:43,480 --> 00:10:45,000 Speaker 1: you know what I mean, I gotta see you know 223 00:10:45,720 --> 00:10:47,680 Speaker 1: what direction I'm gonna go in. I knew I wasn't 224 00:10:47,679 --> 00:10:50,280 Speaker 1: about to do another album, another album with Madly if 225 00:10:50,280 --> 00:10:52,600 Speaker 1: I was gonna let that brief for a minute. So Ship, 226 00:10:52,679 --> 00:10:54,360 Speaker 1: I was just like, man, I'm gonna if I can 227 00:10:54,360 --> 00:10:57,920 Speaker 1: get in with al and you know for Ship ten 228 00:10:58,000 --> 00:11:00,280 Speaker 1: songs that would be that would be an ais and 229 00:11:00,360 --> 00:11:04,040 Speaker 1: so it's just really with with with with that Ship Dog. 230 00:11:04,080 --> 00:11:07,079 Speaker 1: I just like started just like freestyle and the ship 231 00:11:07,160 --> 00:11:09,480 Speaker 1: over the beaks he was giving me, and then it 232 00:11:09,600 --> 00:11:11,200 Speaker 1: just turned into an album, you know what I mean. 233 00:11:11,240 --> 00:11:12,959 Speaker 1: Like if you listen to that album and really even 234 00:11:13,000 --> 00:11:15,240 Speaker 1: got no fucking hooks on it, you know what I mean, 235 00:11:15,280 --> 00:11:17,360 Speaker 1: It's just a bunch of wraps. Longer ass raps like 236 00:11:17,400 --> 00:11:20,319 Speaker 1: I ain't really got no like hooks and those singers 237 00:11:20,360 --> 00:11:23,000 Speaker 1: and no ship on that, like you know it ain't 238 00:11:23,000 --> 00:11:25,760 Speaker 1: really you know, it's it's it's definitely UM a different 239 00:11:25,800 --> 00:11:28,720 Speaker 1: album than UM than what I made this go around, 240 00:11:28,800 --> 00:11:31,480 Speaker 1: you know what I mean? But you know less it's 241 00:11:31,520 --> 00:11:34,040 Speaker 1: more sometimes you know, and that you know I proved 242 00:11:34,080 --> 00:11:35,240 Speaker 1: it on that one, you know what I mean, I 243 00:11:35,320 --> 00:11:39,120 Speaker 1: really cut the fats, slammed it down and made that 244 00:11:39,120 --> 00:11:40,800 Speaker 1: ship and you know something great, But I think I 245 00:11:40,880 --> 00:11:44,760 Speaker 1: do that on Alfredo taught me that, you know, UM 246 00:11:44,800 --> 00:11:47,800 Speaker 1: that people want to hear some some some dope ship, 247 00:11:48,080 --> 00:11:50,400 Speaker 1: but they don't want to feel like they reading a book, 248 00:11:50,559 --> 00:11:52,160 Speaker 1: you know what I mean when they're listening to an album. Now, 249 00:11:52,200 --> 00:11:53,560 Speaker 1: they don't want to be like damn, but you ever 250 00:11:53,920 --> 00:11:56,839 Speaker 1: like popping their album open and you're like, damn, man, 251 00:11:56,920 --> 00:11:58,839 Speaker 1: eighteen songs, this ship long, it's going. I'm gonna have 252 00:11:58,880 --> 00:12:00,640 Speaker 1: to have a long ass drive being trapped for a 253 00:12:00,679 --> 00:12:02,560 Speaker 1: long time to hear this ship, you know what I'm saying, 254 00:12:02,600 --> 00:12:04,240 Speaker 1: Like I'll be trying to like keep that ship down 255 00:12:04,360 --> 00:12:06,640 Speaker 1: like like forty five minutes, you know what I mean. 256 00:12:06,720 --> 00:12:09,040 Speaker 1: Something you can listen to real quick while you you know, 257 00:12:09,120 --> 00:12:11,120 Speaker 1: eat cleaning up doing that you don't even like damn 258 00:12:11,120 --> 00:12:12,160 Speaker 1: that she was tight, you know what I mean, and 259 00:12:12,160 --> 00:12:14,160 Speaker 1: make you want to run their mother fucking back. So 260 00:12:14,360 --> 00:12:17,240 Speaker 1: you know, I'm just all about making the whole body 261 00:12:17,240 --> 00:12:19,000 Speaker 1: of work cohesive, you know what I mean, So we 262 00:12:19,040 --> 00:12:21,400 Speaker 1: could uh, you know, just flow all the way through. 263 00:12:21,480 --> 00:12:23,360 Speaker 1: And I did that with Alfredo, so I was like, 264 00:12:23,360 --> 00:12:25,480 Speaker 1: all right, you know, me and lamb Will definitely made 265 00:12:25,520 --> 00:12:30,280 Speaker 1: sure we did that with A Triples two. Coming from 266 00:12:30,320 --> 00:12:34,520 Speaker 1: just going to the studio to not really confident in 267 00:12:34,520 --> 00:12:37,240 Speaker 1: your rap to feeling like you're here, to winning the 268 00:12:37,320 --> 00:12:41,599 Speaker 1: Grammy nominated, that's a hell roll to I mean to 269 00:12:41,640 --> 00:12:44,920 Speaker 1: Grammy nominated, that's it. That's that's hell of a Yeah. 270 00:12:45,040 --> 00:12:48,160 Speaker 1: I think I got a more um, a quite interesting 271 00:12:48,200 --> 00:12:50,640 Speaker 1: career path, you know, and any any other rapper, you 272 00:12:50,640 --> 00:12:53,240 Speaker 1: know what I mean, because I've been like, you know, 273 00:12:53,320 --> 00:12:56,120 Speaker 1: independent so long and like I'm you know, it's about 274 00:12:56,120 --> 00:12:58,120 Speaker 1: to be like you know, this is my first um, 275 00:12:58,320 --> 00:12:59,800 Speaker 1: major label release, you know what I mean, and I 276 00:12:59,840 --> 00:13:03,480 Speaker 1: put it out so um, you know, at this point 277 00:13:03,480 --> 00:13:05,640 Speaker 1: in my career to be doing that right now, that's crazy, 278 00:13:05,720 --> 00:13:07,920 Speaker 1: you know what I'm saying, so uh, you know, I 279 00:13:08,000 --> 00:13:11,400 Speaker 1: just I compare my career to like Marvin Hagler boxing career, 280 00:13:11,400 --> 00:13:12,520 Speaker 1: and you know what I mean, he had to fight 281 00:13:12,600 --> 00:13:16,040 Speaker 1: like like fifty fights before he had a type of shot, 282 00:13:16,080 --> 00:13:17,760 Speaker 1: you know what I'm saying. So, but everybody knew him 283 00:13:17,760 --> 00:13:20,280 Speaker 1: and they respected him. So you know, I feel like 284 00:13:20,280 --> 00:13:22,120 Speaker 1: I'm just now like really just getting that, you know 285 00:13:22,160 --> 00:13:24,480 Speaker 1: what I mean. So I'm taking advantage of it, you know, 286 00:13:24,520 --> 00:13:26,600 Speaker 1: because I don't think I'm not I'm not slacking. I'm 287 00:13:26,600 --> 00:13:28,680 Speaker 1: not lacking every project. I feel like I'm getting better 288 00:13:29,120 --> 00:13:31,280 Speaker 1: at the rap ship. That's why I said, early on 289 00:13:31,360 --> 00:13:34,680 Speaker 1: in my career, like I started rapping and like boom, 290 00:13:34,800 --> 00:13:39,200 Speaker 1: like within like a year, a year two maybe like two, 291 00:13:39,400 --> 00:13:41,160 Speaker 1: I had like a record deal in in the scope. 292 00:13:41,240 --> 00:13:43,600 Speaker 1: So everything happened for me so fucking quick. I ain't 293 00:13:43,600 --> 00:13:47,440 Speaker 1: really I didn't understand anything about it, you know, I 294 00:13:47,480 --> 00:13:49,320 Speaker 1: didn't understand really, like I said, how to be a 295 00:13:49,320 --> 00:13:51,520 Speaker 1: good rapper. Yet I feel like I'm really, you know, 296 00:13:51,640 --> 00:13:54,240 Speaker 1: the last like five or seven years, just now getting 297 00:13:54,280 --> 00:13:57,160 Speaker 1: into you know, really understanding what that is and you know, 298 00:13:57,840 --> 00:14:00,480 Speaker 1: being you know, trying to be one of the the best. 299 00:14:00,520 --> 00:14:01,960 Speaker 1: You know. When I started out I don't think I 300 00:14:02,000 --> 00:14:03,640 Speaker 1: was trying to be one of the best. I just 301 00:14:03,640 --> 00:14:05,440 Speaker 1: wanted to just wrap to try to get you know, 302 00:14:05,800 --> 00:14:08,280 Speaker 1: it was an economical thing for me, you know now, 303 00:14:08,600 --> 00:14:12,679 Speaker 1: you know, um, I can't really fine tune the craft 304 00:14:12,720 --> 00:14:15,400 Speaker 1: of it. You feel me favorite city to perform man 305 00:14:16,240 --> 00:14:22,400 Speaker 1: um in Miami. Let me let me guess why. Yeah, 306 00:14:22,800 --> 00:14:30,240 Speaker 1: you know, you know, but they're your favorite favorite Yeah, 307 00:14:30,280 --> 00:14:32,200 Speaker 1: my biby, Mama Puerto Rican. She in the room right now. 308 00:14:32,280 --> 00:14:35,720 Speaker 1: You know what I'm saying, Uh, not my girlfriend now Latino. 309 00:14:35,800 --> 00:14:37,160 Speaker 1: But you know what I'm saying. She looked good to 310 00:14:37,240 --> 00:14:39,960 Speaker 1: you know what I'm saying, just like just like women. Man, 311 00:14:40,000 --> 00:14:43,000 Speaker 1: you know what I say. Ain't nothing wrong with that. 312 00:14:43,160 --> 00:14:46,640 Speaker 1: Let me tell them a funny story about us in Miami. Ahead, 313 00:14:46,840 --> 00:14:50,120 Speaker 1: go ahead. We played in our land, though we fly 314 00:14:50,200 --> 00:14:52,760 Speaker 1: to Miami after the game. We get there like twelve 315 00:14:52,760 --> 00:14:55,400 Speaker 1: o'clock because we wouldn't go to State. We got like 316 00:14:55,440 --> 00:14:57,760 Speaker 1: three SUVs and parked at the park at the airport. 317 00:14:57,960 --> 00:15:00,200 Speaker 1: Don't even go to the hotel. We went straight out. 318 00:15:00,640 --> 00:15:03,280 Speaker 1: We get back. We are practicing. One is in nine thirty. 319 00:15:03,600 --> 00:15:06,880 Speaker 1: We get back to the hotel like a fifteen. Everybody 320 00:15:06,920 --> 00:15:08,440 Speaker 1: is supposed to go to their rooms and get their 321 00:15:08,480 --> 00:15:11,240 Speaker 1: practice stuff. Half of the people went straight to the 322 00:15:11,280 --> 00:15:13,720 Speaker 1: bus with the clothes we had on at the game 323 00:15:13,760 --> 00:15:17,880 Speaker 1: from last night. Everybody drunk. Right, we go on the court. 324 00:15:18,240 --> 00:15:20,280 Speaker 1: Coach like bringing in, we're supposed to be at the 325 00:15:20,320 --> 00:15:23,840 Speaker 1: warming up. Ain't nobody dressed or nothing? Coach say so 326 00:15:23,920 --> 00:15:28,440 Speaker 1: we he smelled. Everybody's like, get back on the bus. 327 00:15:29,040 --> 00:15:31,040 Speaker 1: We're not gonna practice, but we better win. The night 328 00:15:31,800 --> 00:15:35,680 Speaker 1: came out one by thirty. Some people just can't do that, 329 00:15:36,560 --> 00:15:40,360 Speaker 1: like that, like that Miami, they'd be like that. That's 330 00:15:40,360 --> 00:15:42,320 Speaker 1: why I tell my funders I'm getting sun. They like, man, 331 00:15:42,320 --> 00:15:44,120 Speaker 1: how you'd be so funked up? You're going to stay. 332 00:15:44,200 --> 00:15:46,240 Speaker 1: I'm like a man ship. You gotta go out that 333 00:15:47,560 --> 00:15:49,640 Speaker 1: this ship, but you gotta wake up and do it. 334 00:15:50,360 --> 00:15:54,920 Speaker 1: Uh large festivals or heading your own tour. Oh ship, 335 00:15:55,200 --> 00:15:57,800 Speaker 1: that's a good one. Damn man. I gotta say both 336 00:15:57,840 --> 00:16:00,560 Speaker 1: of them, because it's like ship that I like um 337 00:16:00,600 --> 00:16:03,400 Speaker 1: doing on tour, and it's festivals that I love going to. 338 00:16:03,520 --> 00:16:05,560 Speaker 1: I like being at the festivals. I like going to 339 00:16:05,600 --> 00:16:07,720 Speaker 1: watch the other mothers know what I'm saying. Like, so 340 00:16:08,040 --> 00:16:11,280 Speaker 1: that'd be cool, but you know, ain't nothing like having 341 00:16:11,320 --> 00:16:12,920 Speaker 1: your own tour, and you know what I mean, And 342 00:16:13,440 --> 00:16:15,280 Speaker 1: most artists can't even do that, you know what I mean. 343 00:16:15,360 --> 00:16:17,240 Speaker 1: So it ain't a lot of motherfucker's that could like 344 00:16:17,320 --> 00:16:19,120 Speaker 1: fill up a room for dirty cities, you know what 345 00:16:19,160 --> 00:16:21,000 Speaker 1: I'm saying, Like that's a that's a gift, you know 346 00:16:21,000 --> 00:16:23,840 Speaker 1: what I mean. It's motherfucker's that got ten million Instagram 347 00:16:23,880 --> 00:16:27,000 Speaker 1: followers but can't go do no ship on the road. 348 00:16:27,120 --> 00:16:31,240 Speaker 1: So you know you mentioned you enjoyed watching other artists. 349 00:16:31,240 --> 00:16:32,720 Speaker 1: Who are some of the people who are some of 350 00:16:32,760 --> 00:16:37,840 Speaker 1: the music you like right now? Uh? Damn h man, 351 00:16:37,880 --> 00:16:39,560 Speaker 1: I've just been I've been listening to my ships so 352 00:16:39,640 --> 00:16:43,120 Speaker 1: much because I've been doing this. It's been really it's 353 00:16:43,120 --> 00:16:45,440 Speaker 1: been really tough to like listen to other music. But 354 00:16:45,520 --> 00:16:47,360 Speaker 1: you know, the motherfucker's on my album, I listen to 355 00:16:47,400 --> 00:16:50,360 Speaker 1: all of them obviously. You know up there Push your 356 00:16:50,360 --> 00:16:52,040 Speaker 1: t for show, you know what I mean? You know 357 00:16:52,080 --> 00:16:56,080 Speaker 1: I love Push, uh Anderson Park of course. Who else 358 00:16:56,120 --> 00:16:58,880 Speaker 1: I've been listening to lately now, I've been listening to 359 00:16:58,960 --> 00:17:00,800 Speaker 1: R and B. I've been listening to Old Ship lately. Man, 360 00:17:00,840 --> 00:17:03,000 Speaker 1: I've been trying to catch a vibe, so be singing 361 00:17:03,040 --> 00:17:05,520 Speaker 1: to hell. Yeah, I'm a keen arm thought. You know 362 00:17:05,600 --> 00:17:08,520 Speaker 1: that Kelly locked up. Somebody got to do this ship. 363 00:17:08,560 --> 00:17:11,320 Speaker 1: You know what I'm saying, somebody got to do this ship. Man, 364 00:17:11,880 --> 00:17:14,480 Speaker 1: Life on the road. What's that? Life on the road? 365 00:17:14,520 --> 00:17:19,479 Speaker 1: Life puts something that they killed books? Man funked up 366 00:17:19,520 --> 00:17:23,120 Speaker 1: and told Fox. I was like, hey, man, I'm gonna 367 00:17:23,119 --> 00:17:25,400 Speaker 1: put something the nigger books man for real? Man, straight 368 00:17:25,440 --> 00:17:27,560 Speaker 1: up kills out of them. Man, Yeah, he sucked up. 369 00:17:27,920 --> 00:17:33,080 Speaker 1: Get nineties nine thousand years so getting in the thirties off, 370 00:17:33,200 --> 00:17:36,240 Speaker 1: that's just off the one, ain't damn man? You know 371 00:17:36,320 --> 00:17:38,800 Speaker 1: more it's coming to life, man, you know more, it's coming. 372 00:17:38,920 --> 00:17:42,000 Speaker 1: I just feel like he should you know, I don't know, man, 373 00:17:42,040 --> 00:17:44,040 Speaker 1: you just got just going in and just find God. Man, 374 00:17:44,119 --> 00:17:45,720 Speaker 1: do you think ain't such a wrap for you? Don't 375 00:17:45,760 --> 00:17:47,639 Speaker 1: be in jail for rest of your life? Man? You 376 00:17:47,680 --> 00:17:57,760 Speaker 1: know what I'm saying, what's the life on the road? Like? 377 00:18:00,000 --> 00:18:05,920 Speaker 1: It's great about it's great for me? Um? You know, man, 378 00:18:05,960 --> 00:18:09,439 Speaker 1: this ship sometimes it's extra extra funds. Sometimes that she 379 00:18:09,560 --> 00:18:12,920 Speaker 1: can get extra extra dangerous, especially for a fucking rapper dog. 380 00:18:13,400 --> 00:18:15,600 Speaker 1: You know what I'm saying. Straight up? You know obviously 381 00:18:15,760 --> 00:18:18,440 Speaker 1: you know how your little controversies and things and things 382 00:18:18,440 --> 00:18:21,840 Speaker 1: of that nature. And you know, when you're a nigger 383 00:18:21,880 --> 00:18:23,880 Speaker 1: from the street, rapping nigger is gonna try to test you. 384 00:18:24,320 --> 00:18:26,440 Speaker 1: It is what it is. And I know that ship 385 00:18:26,440 --> 00:18:29,320 Speaker 1: coming along with the territory, So you know, I don't 386 00:18:29,320 --> 00:18:30,960 Speaker 1: really give a fun you know what I'm saying. You 387 00:18:31,000 --> 00:18:33,919 Speaker 1: said something off camera, you said you I mean, and 388 00:18:33,960 --> 00:18:35,679 Speaker 1: then it just kind of struck me, just like you know, 389 00:18:35,760 --> 00:18:39,200 Speaker 1: he's like he said something like, I enjoy rapping overseas 390 00:18:39,200 --> 00:18:42,120 Speaker 1: because I know it's safe over there. All you said, 391 00:18:42,160 --> 00:18:44,200 Speaker 1: like coming off stage here, mother fucking have a gun. 392 00:18:44,240 --> 00:18:46,280 Speaker 1: You never know, Yeah, yeah, yeah, my fucker have a 393 00:18:46,280 --> 00:18:48,000 Speaker 1: gun in America, you know what I'm saying. At least 394 00:18:48,000 --> 00:18:50,040 Speaker 1: you know overseas, I know there's gonna be no shootout 395 00:18:50,080 --> 00:18:52,119 Speaker 1: after the show. I know, ship like that, you know 396 00:18:52,160 --> 00:18:53,720 Speaker 1: what I mean? The fight is a fight. Whatever the 397 00:18:53,760 --> 00:18:55,679 Speaker 1: funk that that don't I don't give a funk about that. 398 00:18:55,880 --> 00:18:59,560 Speaker 1: You mean they drunk, Yeah, that we get hit all day. 399 00:18:59,600 --> 00:19:01,560 Speaker 1: Fight you know what me? A fight don't mean ship 400 00:19:01,600 --> 00:19:03,640 Speaker 1: to me. But like all of that shooting ship, I'll 401 00:19:03,680 --> 00:19:05,240 Speaker 1: be like, all right, man, I you know when you 402 00:19:05,280 --> 00:19:07,639 Speaker 1: get to that point trying of like no, man, like, 403 00:19:07,720 --> 00:19:09,639 Speaker 1: let me move, you know, kind of move away from that, 404 00:19:09,720 --> 00:19:10,840 Speaker 1: you know. I mean, you just gotta you know, you 405 00:19:10,840 --> 00:19:14,199 Speaker 1: gotta move differently when you're on tour and in the 406 00:19:14,280 --> 00:19:15,919 Speaker 1: US then you do when you and you're you know, 407 00:19:16,200 --> 00:19:18,199 Speaker 1: you definitely got security and all of that ship. But 408 00:19:18,240 --> 00:19:21,000 Speaker 1: like you know, you're definitely not You're not worried about 409 00:19:21,000 --> 00:19:24,280 Speaker 1: a gunshot as much as you are here of course, 410 00:19:24,320 --> 00:19:26,359 Speaker 1: you know what I'm saying. So in fourteen you had 411 00:19:26,359 --> 00:19:28,840 Speaker 1: an incident, someone open firing you and your entourage out 412 00:19:28,880 --> 00:19:35,280 Speaker 1: there performance in Brooklyn. Yeah, definitely, Um that she was crazy. Um. 413 00:19:35,320 --> 00:19:36,960 Speaker 1: I look back on it now and I'll just be like, 414 00:19:37,080 --> 00:19:41,880 Speaker 1: damn man, Like this rap ship is definitely dangerous, don't 415 00:19:42,200 --> 00:19:46,200 Speaker 1: you know what I mean? Like you gotta count your blessings, dog, 416 00:19:46,520 --> 00:19:48,640 Speaker 1: you know, I think about that a lot, and I'd 417 00:19:48,680 --> 00:19:53,000 Speaker 1: be like, damn man, Like just making music, I gotta 418 00:19:53,119 --> 00:19:55,560 Speaker 1: like worry about like making it home, you know what 419 00:19:55,560 --> 00:19:57,920 Speaker 1: I mean. And if I was just like a fucking 420 00:19:57,960 --> 00:20:01,080 Speaker 1: like a country singer or some ship like that, or like, 421 00:20:01,160 --> 00:20:03,320 Speaker 1: you know what, I have to worry about that same ship, 422 00:20:03,800 --> 00:20:06,359 Speaker 1: you know what I mean. It's just because like you 423 00:20:06,400 --> 00:20:09,720 Speaker 1: know rap, you know, especially the street rap. We do 424 00:20:09,800 --> 00:20:12,360 Speaker 1: it come from the street, you know it. Street niggas 425 00:20:12,400 --> 00:20:14,719 Speaker 1: in this business, you know what I mean, Like you know, 426 00:20:15,040 --> 00:20:17,320 Speaker 1: it really ain't no getting away from it. You know, 427 00:20:17,560 --> 00:20:21,320 Speaker 1: like you in it, You in the streets, other niggas 428 00:20:21,359 --> 00:20:23,520 Speaker 1: that's in it from streets to you know what I mean. 429 00:20:23,560 --> 00:20:26,840 Speaker 1: And it's gonna be issues sometimes. I mean a lot 430 00:20:26,880 --> 00:20:29,480 Speaker 1: of highs and lows in this space. I mean, it's 431 00:20:29,480 --> 00:20:32,639 Speaker 1: just but of late, it seems like rappers have been 432 00:20:32,720 --> 00:20:35,720 Speaker 1: dropping out an alarming right alarm the PNB just a 433 00:20:35,760 --> 00:20:40,600 Speaker 1: couple of weeks ago, Dolf Pop smoke Ni years ago. 434 00:20:41,320 --> 00:20:43,080 Speaker 1: It's just like I mean, obviously you said. I mean, 435 00:20:43,080 --> 00:20:45,520 Speaker 1: it's you really have to worry like you have one 436 00:20:45,560 --> 00:20:47,399 Speaker 1: of the best professions. You're living out your dream, but 437 00:20:47,440 --> 00:20:49,480 Speaker 1: you have to worry about being killed within your dream. 438 00:20:49,640 --> 00:20:52,400 Speaker 1: That's crazy. I mean. And I was telling my mom, 439 00:20:52,480 --> 00:20:54,040 Speaker 1: be telling me. She'd be like, man, I just just 440 00:20:54,080 --> 00:20:56,280 Speaker 1: hope you just like lean more towards the acting thing, 441 00:20:56,840 --> 00:20:58,720 Speaker 1: you know what I'm saying, Because it's like man ship 442 00:20:58,920 --> 00:21:01,560 Speaker 1: Leonardo DiCaprio. Them they're getting pop when they're coming out 443 00:21:01,600 --> 00:21:03,280 Speaker 1: of a restaurant. You know what I'm saying, like real talk, 444 00:21:03,359 --> 00:21:06,760 Speaker 1: they chilled. They can probably walk around with no security, 445 00:21:06,800 --> 00:21:08,080 Speaker 1: you know what I'm saying, Like, you know, I go 446 00:21:08,119 --> 00:21:10,200 Speaker 1: to a restaurant in West Hollywood, I gotta have security 447 00:21:10,200 --> 00:21:11,960 Speaker 1: because I'm like, I gotta worry about a mother running 448 00:21:12,000 --> 00:21:14,480 Speaker 1: up on me when I'm you know, you know, sitting 449 00:21:14,520 --> 00:21:16,680 Speaker 1: down and trying to rob you or whatever. So it's 450 00:21:16,720 --> 00:21:20,119 Speaker 1: just like, I don't know, man, Like this ship is 451 00:21:20,119 --> 00:21:23,440 Speaker 1: a drag sometimes. Man, it's definitely depressing, you know what 452 00:21:23,480 --> 00:21:27,760 Speaker 1: i mean, because you know, and it'd be our own 453 00:21:27,960 --> 00:21:30,919 Speaker 1: people doing it. That's the fucked up part, man, you 454 00:21:30,920 --> 00:21:33,120 Speaker 1: know what I mean, they'd be other young motherfucker's dog. 455 00:21:33,240 --> 00:21:35,920 Speaker 1: Just you know that that that one what you got, 456 00:21:36,080 --> 00:21:38,560 Speaker 1: you know what I mean, that take your life for it. Man, 457 00:21:38,920 --> 00:21:41,400 Speaker 1: It's it's sad, dog, you know what I mean. Like 458 00:21:42,440 --> 00:21:44,600 Speaker 1: I've been, you know, rapping and doing all of that 459 00:21:44,640 --> 00:21:47,879 Speaker 1: ship for so long. I'm so far removed, you know, 460 00:21:48,160 --> 00:21:50,840 Speaker 1: from that that lifestyle. Like, man, I just want to 461 00:21:50,840 --> 00:21:53,560 Speaker 1: just ship like I got kids in private school. Dog, 462 00:21:53,600 --> 00:21:57,280 Speaker 1: I'm trying to be like a regular dad. Yeah, you 463 00:21:57,320 --> 00:21:59,520 Speaker 1: know what I'm saying. But I know the professional I mean, 464 00:22:00,080 --> 00:22:02,000 Speaker 1: and the element of niggas that you know what I mean, 465 00:22:02,280 --> 00:22:06,120 Speaker 1: come with it. So I still gotta deal with the streets, 466 00:22:06,400 --> 00:22:09,840 Speaker 1: dealing with rap regardless. You know, they used to say, 467 00:22:09,960 --> 00:22:12,880 Speaker 1: you know, rap was a young man's game, But I mean, 468 00:22:13,000 --> 00:22:16,000 Speaker 1: you forty years old. There's a lot of other rappers 469 00:22:16,000 --> 00:22:19,080 Speaker 1: that are finding success and and still being successful and 470 00:22:19,119 --> 00:22:23,399 Speaker 1: still you know, trending up right. I don't think you 471 00:22:23,480 --> 00:22:26,160 Speaker 1: gotta stop, you know what I'm saying. Like, I think 472 00:22:26,200 --> 00:22:30,200 Speaker 1: that us as a culture, we put that stigma time clocking, 473 00:22:30,240 --> 00:22:33,000 Speaker 1: that stigma on rappers like oh man, like if you 474 00:22:33,040 --> 00:22:34,520 Speaker 1: blah blah blah, you can't you know what I'm like, 475 00:22:34,520 --> 00:22:37,119 Speaker 1: Ship most of the ship, the top niggas is older 476 00:22:37,160 --> 00:22:40,560 Speaker 1: than you think, you know what I'm saying. So it's like, 477 00:22:40,640 --> 00:22:45,399 Speaker 1: you know, like if shiit um these, if Elton John 478 00:22:45,760 --> 00:22:47,840 Speaker 1: ain't got to stop making great music, how the fun 479 00:22:47,920 --> 00:22:49,480 Speaker 1: I gotta stop? You know what I'm saying. That motherfucker 480 00:22:49,720 --> 00:22:52,320 Speaker 1: seven five years old that was in the restaurant road 481 00:22:52,400 --> 00:22:54,480 Speaker 1: still and then you go, you know what I'm saying, like, 482 00:22:54,520 --> 00:22:58,640 Speaker 1: why no security there? You go exactly, He's probably good. 483 00:22:58,640 --> 00:23:00,400 Speaker 1: He's probably with a bad bitch too. And I would 484 00:23:00,400 --> 00:23:01,919 Speaker 1: have hold bunch of players at the table. They were 485 00:23:02,600 --> 00:23:04,560 Speaker 1: players night out. I would have been with a bad bitch. 486 00:23:04,600 --> 00:23:10,880 Speaker 1: But up years old, you feel what I'm there. But uh, 487 00:23:11,880 --> 00:23:13,440 Speaker 1: you know, like ship man, that's what I'm saying, Like, 488 00:23:13,440 --> 00:23:15,520 Speaker 1: why do we have to stop? Like I could as 489 00:23:15,560 --> 00:23:17,679 Speaker 1: long as, like you said, trending up and excelling in 490 00:23:17,680 --> 00:23:19,280 Speaker 1: this Like I could do this ship. So I'm eighty 491 00:23:19,320 --> 00:23:20,760 Speaker 1: years old. If I'm eight years old and I can 492 00:23:20,800 --> 00:23:24,720 Speaker 1: still make a great to definitely, It's just all about 493 00:23:24,760 --> 00:23:27,840 Speaker 1: keeping fresh content and just you know, things of that nation. 494 00:23:27,840 --> 00:23:30,960 Speaker 1: And that's why, um, I feel like like with my 495 00:23:31,000 --> 00:23:33,600 Speaker 1: album Ship, that rollout Ship is so important, you know 496 00:23:33,600 --> 00:23:35,359 Speaker 1: what I mean? And every time I do an album, 497 00:23:35,400 --> 00:23:37,120 Speaker 1: just creating a new theme, you know what I mean, 498 00:23:37,160 --> 00:23:39,600 Speaker 1: it's you know, it's like making a movie experience, Yes, 499 00:23:39,760 --> 00:23:41,520 Speaker 1: an experien. Homeboy was telling us about it, but but 500 00:23:41,520 --> 00:23:44,000 Speaker 1: but breakdown what what that process is like and what 501 00:23:44,000 --> 00:23:46,159 Speaker 1: you guys are doing particular for this album. Uh, we 502 00:23:46,320 --> 00:23:49,120 Speaker 1: just you know, like the title of a Triple West 503 00:23:49,119 --> 00:23:51,399 Speaker 1: Soul so separately, So I just you know, with the 504 00:23:51,400 --> 00:23:53,080 Speaker 1: theme of that, I was just on something like life 505 00:23:53,080 --> 00:23:54,880 Speaker 1: as a gamble type ship. So that's why we did 506 00:23:54,960 --> 00:23:57,960 Speaker 1: the Vegas theme, you know, type ship with that and 507 00:23:58,080 --> 00:24:01,959 Speaker 1: um everything you know, down to the letter, from the 508 00:24:02,200 --> 00:24:05,080 Speaker 1: text on the on the on the album cover to 509 00:24:05,160 --> 00:24:06,800 Speaker 1: the color of it. You know what I mean. I 510 00:24:06,800 --> 00:24:09,439 Speaker 1: think you've got to be real particular about all of 511 00:24:09,440 --> 00:24:11,000 Speaker 1: that ship, you know what I'm saying, and you know, 512 00:24:11,040 --> 00:24:13,000 Speaker 1: to to really make the project go, you know what 513 00:24:13,040 --> 00:24:15,240 Speaker 1: I mean. I don't just it's more than just rapping, 514 00:24:15,600 --> 00:24:16,840 Speaker 1: you know what I mean, because like you know, I 515 00:24:16,880 --> 00:24:18,639 Speaker 1: say this a lot. I feel like guys just like 516 00:24:18,720 --> 00:24:21,800 Speaker 1: rapping and you know, and giving you a couple of 517 00:24:21,800 --> 00:24:23,920 Speaker 1: songs like this is a playlist of their music. They're 518 00:24:23,960 --> 00:24:26,680 Speaker 1: not giving you a full experience anymore, you know what 519 00:24:26,680 --> 00:24:28,080 Speaker 1: I mean. Like we don't get to go to the 520 00:24:28,080 --> 00:24:30,960 Speaker 1: record store and like bad albums really like that. No more, 521 00:24:30,960 --> 00:24:32,240 Speaker 1: you still can't. But you know what I'm saying, Like 522 00:24:32,280 --> 00:24:34,360 Speaker 1: it's not the same as it used to be. We're 523 00:24:34,359 --> 00:24:36,280 Speaker 1: in the streaming there, so I feel like you gotta 524 00:24:36,320 --> 00:24:39,800 Speaker 1: give people something tangible, something that they can really you know, 525 00:24:40,000 --> 00:24:42,120 Speaker 1: remember and go go with, you know what I mean? 526 00:24:42,160 --> 00:24:45,920 Speaker 1: And uh, like one of my favorite albums, I'm always 527 00:24:45,960 --> 00:24:48,280 Speaker 1: remember that. It's always pictured in my head. A t 528 00:24:48,520 --> 00:24:51,159 Speaker 1: L is outcast, you know what I mean? Like the 529 00:24:51,280 --> 00:24:55,040 Speaker 1: music was amazing obviously, but like everything the cover and 530 00:24:55,080 --> 00:24:57,240 Speaker 1: the ship like I had. I probably bought like three 531 00:24:57,240 --> 00:24:58,880 Speaker 1: of them because I want to pull the CD book 532 00:24:58,920 --> 00:25:00,760 Speaker 1: out and put it on the all. You know what 533 00:25:00,760 --> 00:25:02,960 Speaker 1: I'm saying. It's just like everything, you know, the color 534 00:25:03,040 --> 00:25:05,560 Speaker 1: of it, just the theme of it, all of that, 535 00:25:05,640 --> 00:25:08,359 Speaker 1: and they just like made me like stick to outcast 536 00:25:08,480 --> 00:25:11,360 Speaker 1: like after that. I love Southern playalistic that as well. 537 00:25:11,520 --> 00:25:13,840 Speaker 1: With like that album right there, it was like okay, yeah, 538 00:25:13,880 --> 00:25:16,960 Speaker 1: they made me feel like I was a tlien. What's 539 00:25:16,960 --> 00:25:19,320 Speaker 1: song you shooting videos for? Off? This new one? Shot? 540 00:25:19,359 --> 00:25:23,920 Speaker 1: All of them? Them? All of them? Yeah, bad business too. 541 00:25:26,880 --> 00:25:29,959 Speaker 1: Stay in hip hop right now? Um, I think it's 542 00:25:30,000 --> 00:25:32,000 Speaker 1: in a good space. I mean, if you're making money, 543 00:25:32,400 --> 00:25:34,960 Speaker 1: you know what I'm saying. Uh, Like I said, we're 544 00:25:34,960 --> 00:25:38,080 Speaker 1: in a streaming error, so you know, things is getting different, 545 00:25:38,160 --> 00:25:39,920 Speaker 1: you know what I mean, the money of it is 546 00:25:39,920 --> 00:25:41,800 Speaker 1: getting different. I think, you know, so sort of like 547 00:25:41,840 --> 00:25:44,399 Speaker 1: the NBA, you know, those contracts getting bigger, minus the 548 00:25:44,720 --> 00:25:46,960 Speaker 1: talking about the dead and killing and beef and and 549 00:25:47,000 --> 00:25:49,760 Speaker 1: all that ship. I think we could do without that. Yeah, 550 00:25:49,800 --> 00:25:52,639 Speaker 1: we could do with all of that. Yeah we can. 551 00:25:52,960 --> 00:25:54,320 Speaker 1: You know what I mean for me, and I don't 552 00:25:54,320 --> 00:25:59,240 Speaker 1: mean interruption, but but for me, You've never seen so 553 00:25:59,280 --> 00:26:02,359 Speaker 1: many young black right, and a lot of them are 554 00:26:02,400 --> 00:26:04,480 Speaker 1: coming from rap, right, you know what I'm saying. So 555 00:26:04,640 --> 00:26:07,359 Speaker 1: to see that happened, but to see it can easily 556 00:26:07,359 --> 00:26:10,320 Speaker 1: be erased in the heartbeat by the way the direction 557 00:26:10,359 --> 00:26:12,640 Speaker 1: we're going. You know what I'm saying, because you said 558 00:26:12,640 --> 00:26:14,320 Speaker 1: it yourself, bro, We got a lot of young black 559 00:26:14,359 --> 00:26:16,960 Speaker 1: millionaires coming from rapping, and whether rapping where the rapping 560 00:26:17,000 --> 00:26:18,919 Speaker 1: niggers is coming from. They're coming from the street bottom. 561 00:26:19,040 --> 00:26:22,480 Speaker 1: Everybody not equipped to get all that money, and they 562 00:26:22,560 --> 00:26:24,920 Speaker 1: hand and deal with it at a young age. You 563 00:26:24,920 --> 00:26:27,080 Speaker 1: know what I'm saying, Like, because you know, ship, you 564 00:26:27,160 --> 00:26:30,480 Speaker 1: gotta ship. You turning a nineteen year old to a millionaire. 565 00:26:30,880 --> 00:26:33,840 Speaker 1: And they got shooters, he got niggers, he can, you know, 566 00:26:34,080 --> 00:26:36,080 Speaker 1: pay to funk you up. You know what I'm saying. 567 00:26:36,080 --> 00:26:37,600 Speaker 1: He's got more money than he ever has, so we 568 00:26:37,640 --> 00:26:39,679 Speaker 1: can move in a different way. He can move like 569 00:26:39,720 --> 00:26:42,359 Speaker 1: a mafia boss, now, you know what I'm saying. So 570 00:26:42,440 --> 00:26:44,760 Speaker 1: it's like, you know, these motherfucker's playing call of duty 571 00:26:44,760 --> 00:26:46,280 Speaker 1: for real and they got a lot of your money 572 00:26:46,280 --> 00:26:48,359 Speaker 1: to do it. Then get you fucked up, you know 573 00:26:48,400 --> 00:26:50,760 Speaker 1: what I mean? So hey, you know what I mean. 574 00:26:50,800 --> 00:26:54,080 Speaker 1: I think it's just gotta be a you know, everybody 575 00:26:54,119 --> 00:26:56,679 Speaker 1: gotta you know that the big homie ship is fucked up. 576 00:26:56,720 --> 00:26:59,240 Speaker 1: That's the problem because the they the worst one blindly, 577 00:26:59,359 --> 00:27:01,520 Speaker 1: the blind that's the that's the problem. Like we're not 578 00:27:01,680 --> 00:27:04,080 Speaker 1: you know, and Face said that on my album. He's like, man, 579 00:27:04,119 --> 00:27:06,960 Speaker 1: we ain't giving nothing to guy the youth with you 580 00:27:07,000 --> 00:27:09,240 Speaker 1: know what I mean. So it's going to continue to 581 00:27:09,280 --> 00:27:10,639 Speaker 1: be funked up like that, you know what I mean. 582 00:27:10,760 --> 00:27:14,680 Speaker 1: Wasn't the PNB situation of father side the Shooter. That's 583 00:27:14,680 --> 00:27:17,160 Speaker 1: some crazy ship. I've seen that, you know what I mean. 584 00:27:17,240 --> 00:27:19,560 Speaker 1: And and then somebody tried to say, all the dad 585 00:27:19,640 --> 00:27:21,720 Speaker 1: was just in the car. I'm like, man, an he drove, 586 00:27:21,800 --> 00:27:25,160 Speaker 1: he was the getaway driver dog and burn the car 587 00:27:25,240 --> 00:27:27,360 Speaker 1: up and everything. So you know what I'm saying, that 588 00:27:27,359 --> 00:27:31,480 Speaker 1: that ship was crazy, man, Like I mean, I can't 589 00:27:31,520 --> 00:27:36,359 Speaker 1: say like I wanna, I wanna say, I hope the 590 00:27:36,480 --> 00:27:38,800 Speaker 1: dad didn't tell him to do that or put him 591 00:27:38,800 --> 00:27:40,520 Speaker 1: on doing that, you know what I mean. I want 592 00:27:40,560 --> 00:27:41,800 Speaker 1: to say that, but I don't know, I don't know 593 00:27:41,840 --> 00:27:44,919 Speaker 1: the facts, you know, what I'm saying, But h she 594 00:27:45,320 --> 00:27:47,280 Speaker 1: if he did he, if he was involved with that, 595 00:27:47,280 --> 00:27:51,680 Speaker 1: that's that's just sick, not not just you know, not 596 00:27:51,760 --> 00:27:54,320 Speaker 1: just you know what I mean, like taking dude life 597 00:27:54,320 --> 00:27:56,720 Speaker 1: and all of that. That's funked up too. But it's like, 598 00:27:56,760 --> 00:28:00,240 Speaker 1: damn you put you taking your own something. You know, 599 00:28:00,480 --> 00:28:03,960 Speaker 1: that's crazy. So I prayed that he didn't have him 600 00:28:04,000 --> 00:28:07,000 Speaker 1: do that. You know that's fucked up. You know, I'm 601 00:28:07,040 --> 00:28:11,600 Speaker 1: gonna give you a few names. Tell me how these 602 00:28:11,640 --> 00:28:14,080 Speaker 1: people have inspired to influence you if they have it 603 00:28:14,160 --> 00:28:19,199 Speaker 1: all face oh ship, I mean faces like he is 604 00:28:19,240 --> 00:28:20,840 Speaker 1: gangster rapping me. Like I said, he one of the 605 00:28:20,840 --> 00:28:23,880 Speaker 1: first voices I ever heard recorded, you know what I mean. 606 00:28:24,000 --> 00:28:26,400 Speaker 1: So the first tape I ever had was we can't 607 00:28:26,400 --> 00:28:28,119 Speaker 1: be stocked, you know what I mean. Like I was 608 00:28:28,119 --> 00:28:29,960 Speaker 1: scared of bushweek Bill. I thought that nigga was like 609 00:28:30,000 --> 00:28:31,760 Speaker 1: a real life Chucky Doll. I was like, Yo, this 610 00:28:31,800 --> 00:28:33,320 Speaker 1: isn't gonna suck you up. When I see the man 611 00:28:33,440 --> 00:28:36,280 Speaker 1: playing tricks on your video niggas. My mama was like, no, 612 00:28:36,400 --> 00:28:39,320 Speaker 1: you ain't going out for Halloween and Bushwick Bill, everybody 613 00:28:39,320 --> 00:28:41,080 Speaker 1: catch you and fuck you up. You know what I'm 614 00:28:41,080 --> 00:28:43,160 Speaker 1: saying like, and I was like, nah, you know what 615 00:28:43,200 --> 00:28:45,280 Speaker 1: I'm saying. So like that ship was like and like 616 00:28:45,280 --> 00:28:48,920 Speaker 1: like and like I said, like what they did. They 617 00:28:48,920 --> 00:28:50,400 Speaker 1: made me buy into it, you know what I mean, 618 00:28:50,480 --> 00:28:52,240 Speaker 1: face made me buy into what it was, you know 619 00:28:52,280 --> 00:28:53,840 Speaker 1: what I mean, because that's what it was. Like they 620 00:28:54,120 --> 00:28:56,240 Speaker 1: the theme of it. They was pushing this nigga Bushwick 621 00:28:56,280 --> 00:28:57,920 Speaker 1: Bill with his ash shot out on the gut them 622 00:28:58,080 --> 00:29:00,280 Speaker 1: hospital bed, and I was like, what the fun There's 623 00:29:00,280 --> 00:29:02,960 Speaker 1: some scary ship. Yeah, that was the cover. So I 624 00:29:03,000 --> 00:29:04,920 Speaker 1: was like, I gotta have this. You know what I'm saying. 625 00:29:04,920 --> 00:29:06,480 Speaker 1: I gotta be at school, Like look at this ship. 626 00:29:06,480 --> 00:29:07,959 Speaker 1: You see this man and fucking Mitchell with the ac 627 00:29:08,040 --> 00:29:13,480 Speaker 1: ball hanging out for real. They arrested Piece Bush with Bell, DMX, 628 00:29:14,040 --> 00:29:19,560 Speaker 1: oh um Ship with DMX When I um I met 629 00:29:19,640 --> 00:29:22,200 Speaker 1: DMX one time, bro, and then ship was I was like, 630 00:29:22,320 --> 00:29:25,520 Speaker 1: damn crazy. It was out of bout the experience. But anyway, 631 00:29:25,880 --> 00:29:27,520 Speaker 1: I met that nigga and I was just like, man, 632 00:29:28,160 --> 00:29:31,520 Speaker 1: how do you bring so much energy to the stage? 633 00:29:32,080 --> 00:29:33,440 Speaker 1: And he's like, hey, you know what I mean? And 634 00:29:33,640 --> 00:29:35,720 Speaker 1: I just get the dog't know what the funk he 635 00:29:35,800 --> 00:29:38,200 Speaker 1: said that the words didn't make no sense with it, 636 00:29:38,520 --> 00:29:40,240 Speaker 1: but I felt the energy come to him and I 637 00:29:40,320 --> 00:29:42,640 Speaker 1: was just like, Yeah, the nigga really got that dog 638 00:29:42,720 --> 00:29:45,840 Speaker 1: shit in him me. He really is a goddamn dog man, 639 00:29:45,880 --> 00:29:48,240 Speaker 1: that Nigga is. And you know, one of the greatest 640 00:29:48,320 --> 00:29:50,080 Speaker 1: rappers all the time. I don't think DMX get enough 641 00:29:50,080 --> 00:29:52,120 Speaker 1: credits being like one of the best rappers all time 642 00:29:52,160 --> 00:29:55,120 Speaker 1: like that. Nigga like put two number one albums out 643 00:29:55,120 --> 00:29:57,280 Speaker 1: like back to back in the same year, you know 644 00:29:57,320 --> 00:29:59,320 Speaker 1: what I'm saying. Like that, nigg is definitely one of 645 00:29:59,360 --> 00:30:01,520 Speaker 1: the goats, And don't think that he gets credited enough 646 00:30:01,520 --> 00:30:03,520 Speaker 1: for being one of the goats. But uh, I really 647 00:30:03,520 --> 00:30:06,400 Speaker 1: admire his energy on the stage, so I try to 648 00:30:06,480 --> 00:30:09,280 Speaker 1: kind of like emulate that when I go out there, 649 00:30:09,360 --> 00:30:11,200 Speaker 1: you know what I mean, especially at the fucking festival, 650 00:30:11,520 --> 00:30:13,000 Speaker 1: you know what I mean? And you know, just every 651 00:30:13,040 --> 00:30:15,040 Speaker 1: time period, you know what I mean. Like I look 652 00:30:15,040 --> 00:30:16,880 Speaker 1: at doing a rap show, that ship is like doing 653 00:30:16,880 --> 00:30:18,960 Speaker 1: a couple of rounds of boxing, you know what I'm saying, 654 00:30:18,960 --> 00:30:21,160 Speaker 1: It's like a heavyweight fight to me. So and I 655 00:30:21,200 --> 00:30:23,840 Speaker 1: think that you know, guys like DMX and like bust 656 00:30:23,840 --> 00:30:26,120 Speaker 1: the rhymes, they like win at that ship when they 657 00:30:26,160 --> 00:30:28,800 Speaker 1: come to like performing. You know those two guys that 658 00:30:28,840 --> 00:30:34,480 Speaker 1: I watch Ship to me. Tupac the greatest rapper all time. 659 00:30:34,920 --> 00:30:39,560 Speaker 1: You know, he got the best voice, um, delivery everything. 660 00:30:39,640 --> 00:30:42,240 Speaker 1: You know what I mean. So the the oh, the 661 00:30:42,320 --> 00:30:44,920 Speaker 1: overall story of Tupac, the legend of it. I mean, Ship, 662 00:30:44,960 --> 00:30:47,320 Speaker 1: I'm crazy, you know what I'm saying. So Ship, I'm 663 00:30:47,320 --> 00:30:51,320 Speaker 1: probably bad here because Tupac got Damn we got we 664 00:30:51,400 --> 00:30:53,240 Speaker 1: got someone in here. His mom. We used to date him. 665 00:30:53,680 --> 00:30:58,520 Speaker 1: What your bond dated? Tupac? Oh? Man, I saw you 666 00:30:58,520 --> 00:31:00,840 Speaker 1: put your your head down. Dog, I knew it was 667 00:31:00,880 --> 00:31:09,720 Speaker 1: you have to say nothing, Damn baby, what's your phone number? 668 00:31:10,560 --> 00:31:13,160 Speaker 1: Come on, I didn't know that I was gonna do that. Bro, 669 00:31:13,400 --> 00:31:15,280 Speaker 1: I didn't know he was gonna do you like. I'm sorry, Dog, 670 00:31:15,360 --> 00:31:18,680 Speaker 1: ain't gonna Damn POC told your mom. I let way 671 00:31:18,720 --> 00:31:22,080 Speaker 1: you activate your hips and put your ass out. Gotta 672 00:31:22,160 --> 00:31:29,280 Speaker 1: dig the whoa that's so bad about the past? Damn Ship. 673 00:31:33,160 --> 00:31:35,240 Speaker 1: Was you around when they was kicking it? Or you 674 00:31:35,360 --> 00:31:38,400 Speaker 1: wasn't born yet? He was? He was here, yeah, but 675 00:31:39,400 --> 00:31:41,320 Speaker 1: I say like he wasn't he was in the next room. 676 00:31:44,000 --> 00:31:48,040 Speaker 1: How do your wound it? Damn this to that Casey 677 00:31:48,080 --> 00:31:50,959 Speaker 1: and Joe Jo sending outside the window, toss it up. 678 00:31:57,960 --> 00:32:05,000 Speaker 1: Damn man, that's crazy. Dog. See I'm stealing this Tupac ship. 679 00:32:07,920 --> 00:32:13,040 Speaker 1: How old was you when? I gotta know how old 680 00:32:13,160 --> 00:32:16,560 Speaker 1: was you listened to him? YETO was you like a baby? 681 00:32:18,360 --> 00:32:20,480 Speaker 1: If I'm a teenage podca to my house, I'd be 682 00:32:20,560 --> 00:32:25,720 Speaker 1: bad as fuck you blaming my mama. Man, Okay, listen, 683 00:32:25,760 --> 00:32:32,479 Speaker 1: no boy, your tapes. But now, jay Z, I mean 684 00:32:32,640 --> 00:32:34,760 Speaker 1: jay Z is eat a blueprint of everything. Dog, I 685 00:32:34,800 --> 00:32:39,040 Speaker 1: mean ship he buried to be. You gotta be a 686 00:32:39,080 --> 00:32:40,240 Speaker 1: hell of a nigger to do that, you know what 687 00:32:40,280 --> 00:32:42,840 Speaker 1: I'm saying. So okay, I never got nothing bad to 688 00:32:42,880 --> 00:32:45,200 Speaker 1: say about jay Z. Man. I love Jay I mean 689 00:32:45,480 --> 00:32:47,680 Speaker 1: anything he built from, you know, the ground up. You 690 00:32:47,720 --> 00:32:49,440 Speaker 1: know what I'm saying, Like ship. Every week we're all 691 00:32:49,480 --> 00:32:51,640 Speaker 1: trying to be like him, you know, every every rapper 692 00:32:51,720 --> 00:32:54,160 Speaker 1: trying to be like that. You say you're nothing, You're 693 00:32:54,160 --> 00:32:56,960 Speaker 1: a lying motherfucker's but everybody trying to get on that level. 694 00:32:57,040 --> 00:33:05,080 Speaker 1: You know. Favorite collapse today, my favorite collapse go rappers 695 00:33:05,080 --> 00:33:10,560 Speaker 1: to collaborate. Yeah, just give me three probably push. Um. 696 00:33:11,160 --> 00:33:13,280 Speaker 1: I like working with him. Um, I need to do 697 00:33:13,360 --> 00:33:15,280 Speaker 1: another song with Killer Mike I like rap. I like 698 00:33:15,600 --> 00:33:17,120 Speaker 1: with Killing Mike. I need to get in with him. 699 00:33:17,760 --> 00:33:23,080 Speaker 1: Um she uh Ross. I love rapping with Ross. You 700 00:33:23,120 --> 00:33:25,640 Speaker 1: know what I'm saying that, Like he really said he 701 00:33:25,720 --> 00:33:27,840 Speaker 1: set a standard. So it makes you want to just 702 00:33:27,920 --> 00:33:29,680 Speaker 1: like my like rapping with motherfucker's that make you want 703 00:33:29,680 --> 00:33:31,400 Speaker 1: to bring your a game. You know what I mean? 704 00:33:31,480 --> 00:33:34,320 Speaker 1: To the to the booth, it's about probing the South. 705 00:33:34,360 --> 00:33:36,040 Speaker 1: I would I wish I could hear you collap with 706 00:33:36,280 --> 00:33:39,320 Speaker 1: Killer Collion. I love Killer Cally. That's my name, drop 707 00:33:39,480 --> 00:33:43,280 Speaker 1: up and Killer Ship. I think that ship. I want 708 00:33:43,320 --> 00:33:46,440 Speaker 1: to say we did a song together before. I don't 709 00:33:46,440 --> 00:33:48,040 Speaker 1: remember that. Man, that's a lot of a lot of 710 00:33:48,040 --> 00:33:50,680 Speaker 1: because Killer was I've been knowing Killer for a long time, 711 00:33:50,720 --> 00:33:53,600 Speaker 1: over ten years. So yeah, Killer Cally on one of 712 00:33:53,600 --> 00:33:59,160 Speaker 1: the best rappers out the South period, you know say that, Yeah, 713 00:33:59,240 --> 00:34:01,640 Speaker 1: hell yeah, it's that kill little ship, that mocker. But 714 00:34:01,920 --> 00:34:04,040 Speaker 1: he like does he killer the type of motherfuck he 715 00:34:04,120 --> 00:34:07,840 Speaker 1: liked to rap all day long, Jesus rap machine. Like 716 00:34:07,960 --> 00:34:09,799 Speaker 1: he's just like I'll be like, damn, man, I don't 717 00:34:09,800 --> 00:34:11,799 Speaker 1: even like rapping as much as you like that ship. 718 00:34:12,080 --> 00:34:14,239 Speaker 1: That for the wake up rapping and freestyle on the 719 00:34:14,280 --> 00:34:16,440 Speaker 1: phone here, go to the booth here, dude. But yeah, 720 00:34:16,560 --> 00:34:19,160 Speaker 1: Killer is one of the best technical rappers that I 721 00:34:19,239 --> 00:34:23,200 Speaker 1: ever heard for So Killer, who left you and all? 722 00:34:23,320 --> 00:34:32,520 Speaker 1: Coming out the booth at the working room? Um, DJ PAULA, 723 00:34:32,680 --> 00:34:34,120 Speaker 1: I was like, damn. But I was like, ship, we 724 00:34:34,239 --> 00:34:35,640 Speaker 1: made the beat. I was like, you gotta wrap on 725 00:34:35,719 --> 00:34:41,680 Speaker 1: that ship. He was like, man, okay, ever's just got 726 00:34:41,800 --> 00:34:43,560 Speaker 1: high and and did I think you know what I'm 727 00:34:43,560 --> 00:34:45,759 Speaker 1: saying that? But he Paul killed that ship? You know what? 728 00:34:46,880 --> 00:34:49,760 Speaker 1: Uh fucking legend man, I was. It was just experience 729 00:34:49,800 --> 00:34:51,600 Speaker 1: to be able to just actually get in the studio 730 00:34:51,760 --> 00:34:54,759 Speaker 1: with him, period. So I love that. I love DJ 731 00:34:54,920 --> 00:34:57,560 Speaker 1: Paul Man. That's ship. That's one of my close friends. Now, man, 732 00:34:57,600 --> 00:35:01,160 Speaker 1: I fuck Paul heavy man. What's the bar you think 733 00:35:01,200 --> 00:35:06,600 Speaker 1: you'll be most remembered by that you dropped? Mm hmm Damn. 734 00:35:07,120 --> 00:35:09,200 Speaker 1: That's a good question. Man. I got so many wraps. 735 00:35:09,239 --> 00:35:12,479 Speaker 1: I don't even know one one bar that I'm gonna 736 00:35:12,480 --> 00:35:16,160 Speaker 1: be remembered by. Uh, I don't know. That's so good 737 00:35:16,160 --> 00:35:17,759 Speaker 1: at you? You stumped me right there, dog, I got 738 00:35:17,840 --> 00:35:20,480 Speaker 1: so many songs. I'm like, I don't even remember you 739 00:35:20,520 --> 00:35:22,480 Speaker 1: could wrap a bar in my mind, right now i'd 740 00:35:22,480 --> 00:35:25,320 Speaker 1: be like I said that Rick James and I like 741 00:35:25,360 --> 00:35:30,560 Speaker 1: slap like a real thick. I'm like, I'm getting like face. 742 00:35:30,640 --> 00:35:32,719 Speaker 1: I'm like forgetting ship, like damn, I did that song 743 00:35:33,160 --> 00:35:35,839 Speaker 1: like real. I don't know, I don't really know. It's 744 00:35:35,880 --> 00:35:38,120 Speaker 1: one bar that's gonna define me. It might be a 745 00:35:38,200 --> 00:35:41,480 Speaker 1: project that will define me. It might be this woman 746 00:35:41,640 --> 00:35:44,200 Speaker 1: probably Alfred though, but who knows. You know what I mean. 747 00:35:44,239 --> 00:35:47,600 Speaker 1: I think that if they still hit that five mic ship, 748 00:35:47,719 --> 00:35:50,080 Speaker 1: the last like folk projects, that I drop a be 749 00:35:50,120 --> 00:35:54,320 Speaker 1: getting that ship. I had like fifty mics. N you 750 00:35:54,440 --> 00:35:56,800 Speaker 1: know I'm saying, so you know, I just you know, 751 00:35:57,000 --> 00:36:00,200 Speaker 1: just want to just continue to just you know, get 752 00:36:00,239 --> 00:36:03,279 Speaker 1: better at it dog, you know, um when you start 753 00:36:03,360 --> 00:36:05,120 Speaker 1: mailing it in, I think that's when you can start 754 00:36:05,160 --> 00:36:07,080 Speaker 1: following off, you know what I mean. Like a lot 755 00:36:07,080 --> 00:36:09,120 Speaker 1: of niggas in this game man like Ship. It's like 756 00:36:09,239 --> 00:36:12,520 Speaker 1: a fucking mother fucking rap like a motherfucking football career, 757 00:36:12,719 --> 00:36:14,399 Speaker 1: you know what I'm saying, Like that ship really only 758 00:36:14,440 --> 00:36:16,719 Speaker 1: be can really lash or as like two years really 759 00:36:16,840 --> 00:36:18,840 Speaker 1: the average you know what I mean, the average rap 760 00:36:19,000 --> 00:36:21,440 Speaker 1: only lasting as motherfucker like two or three years, you 761 00:36:21,480 --> 00:36:23,359 Speaker 1: know what I mean, like, really, these niggas is lucky 762 00:36:23,480 --> 00:36:26,279 Speaker 1: that they got social media to stretch their career out 763 00:36:26,640 --> 00:36:30,120 Speaker 1: because a lot of niggas is really musically irrelevant, you 764 00:36:30,200 --> 00:36:31,600 Speaker 1: know what I mean. You just used to see an 765 00:36:31,719 --> 00:36:34,440 Speaker 1: ass on Instagram all day, so you're like, oh, yeah, 766 00:36:34,480 --> 00:36:36,560 Speaker 1: you gotta be a celebrity because you got woo this 767 00:36:36,680 --> 00:36:39,200 Speaker 1: many followers. You're taking the nigga follow account and you 768 00:36:39,239 --> 00:36:41,520 Speaker 1: know what I mean, And that don't really quantify like 769 00:36:42,320 --> 00:36:44,640 Speaker 1: what that ship really means on the outside. Like I said, 770 00:36:44,719 --> 00:36:46,880 Speaker 1: some of my friends can't even packing room, you know 771 00:36:46,920 --> 00:36:49,799 Speaker 1: what I mean. So you know, it is what it is. Man, 772 00:36:49,840 --> 00:36:52,239 Speaker 1: we got more like nowadays, I feel like we got 773 00:36:52,320 --> 00:36:55,120 Speaker 1: more like social media stars than like any music stars, 774 00:36:55,200 --> 00:36:57,040 Speaker 1: you know what I'm saying. Like, you know, like you said, 775 00:36:57,080 --> 00:36:59,400 Speaker 1: even in sports, motherfucker's is on the Twitter and all 776 00:36:59,440 --> 00:37:01,960 Speaker 1: that ship and need to get the ass in the gym, 777 00:37:02,600 --> 00:37:04,960 Speaker 1: you know what I'm said, you know, get on their game. 778 00:37:05,040 --> 00:37:07,239 Speaker 1: They more you know, social media stars, like you know, 779 00:37:07,520 --> 00:37:10,600 Speaker 1: than than basketball players. I don't know about it. Follows. Yeah, 780 00:37:10,719 --> 00:37:20,640 Speaker 1: real ship. We ain't gonna say no names, but I 781 00:37:20,719 --> 00:37:23,239 Speaker 1: heard a story from somebody recently and they told me 782 00:37:23,360 --> 00:37:25,920 Speaker 1: that a guy was he was telling the teammate to 783 00:37:25,960 --> 00:37:28,880 Speaker 1: pick up full court and pressing, and the dude told him, 784 00:37:28,920 --> 00:37:32,680 Speaker 1: I'm not gonna pressing because he's gonna follow me. Bro, 785 00:37:32,800 --> 00:37:35,920 Speaker 1: I could not believe that. He go up follow me. Hey, 786 00:37:35,960 --> 00:37:38,160 Speaker 1: that's how you heard him. I cannot believe that story. Bro, 787 00:37:38,320 --> 00:37:40,320 Speaker 1: that's how you heard the mother fucking feelings. Nowadays, you 788 00:37:40,360 --> 00:37:43,080 Speaker 1: could take mother fucking money out of nigger pocket. But 789 00:37:43,280 --> 00:37:47,360 Speaker 1: ship that unfollowed that give me that money. He's like, 790 00:37:47,680 --> 00:37:49,960 Speaker 1: it's all good, but you do hit that unfollowed button on. Man, 791 00:37:50,000 --> 00:37:52,200 Speaker 1: that's gonna crush on nigger. So why you aren't following that? 792 00:37:52,280 --> 00:37:53,719 Speaker 1: Why are you wan't following me? Do that to make 793 00:37:53,719 --> 00:37:56,919 Speaker 1: a nigga call you for real like you ain't spoke 794 00:37:56,960 --> 00:37:58,719 Speaker 1: to in years. Shi look at that and see you 795 00:37:58,719 --> 00:38:00,960 Speaker 1: don't follow him no more? On my god, dog, That's 796 00:38:00,960 --> 00:38:04,359 Speaker 1: what I'm saying. This ship just just got nigga's heads 797 00:38:04,400 --> 00:38:07,759 Speaker 1: fucked up, dog for real, unfollowed man, that's how I 798 00:38:07,800 --> 00:38:09,440 Speaker 1: know you. I want to make a bit mad I 799 00:38:09,520 --> 00:38:16,080 Speaker 1: Black Boom not following you, bitch right up? Explain the 800 00:38:16,120 --> 00:38:19,560 Speaker 1: backstory behind the bunny all to you go, Oh, there's 801 00:38:19,600 --> 00:38:22,120 Speaker 1: some game ship you know, you know so you've been 802 00:38:22,239 --> 00:38:27,959 Speaker 1: old blocking all that ship, you know, and it's cute, 803 00:38:28,040 --> 00:38:32,120 Speaker 1: it's a rabbit, it's marketable. They love it. Kids like it, 804 00:38:33,360 --> 00:38:36,040 Speaker 1: adults like it. But both of all white people like it. 805 00:38:36,560 --> 00:38:45,600 Speaker 1: Yeah yeah, logans, they don't scare them. Motherfucker's that's going out, okay, 806 00:38:46,040 --> 00:38:49,840 Speaker 1: and all actuality and I don't give beside yourself. Okay. 807 00:38:51,120 --> 00:38:54,160 Speaker 1: If you had to compare your your game to somebody 808 00:38:55,760 --> 00:38:59,480 Speaker 1: an NBA, who would it be? Stephen Jackson? Oh okay, well, 809 00:38:59,480 --> 00:39:02,360 Speaker 1: I mean hey, okay, I played like you niggas Okay, okay, 810 00:39:02,920 --> 00:39:06,000 Speaker 1: you think we'd be would be the best wings nigga. 811 00:39:06,120 --> 00:39:07,640 Speaker 1: That's who I played like. I played like that. You 812 00:39:07,680 --> 00:39:10,920 Speaker 1: went on record saying you're a smaller version of Braun. Yeah, Bigraun, 813 00:39:11,080 --> 00:39:14,320 Speaker 1: big guard. Yeah yeah, a little bit. I'm more like you. 814 00:39:14,440 --> 00:39:16,160 Speaker 1: I'm like you. I'm like cap Jack. You know what 815 00:39:16,160 --> 00:39:18,040 Speaker 1: I'm saying. You go to state days, That's who I 816 00:39:18,080 --> 00:39:21,480 Speaker 1: woul like. Okay, all right, that's about right, that's sound 817 00:39:21,480 --> 00:39:23,719 Speaker 1: about right. You gotta cut the rest of your face, 818 00:39:23,760 --> 00:39:28,640 Speaker 1: your hair off, and only have a cop muster. Yeah, jermy, 819 00:39:28,680 --> 00:39:30,719 Speaker 1: you need to have your California Highway Patrol and you 820 00:39:30,840 --> 00:39:34,400 Speaker 1: in your blue blockers on for that to punch yours 821 00:39:35,520 --> 00:39:38,279 Speaker 1: stackled underrated man for really on the places all that 822 00:39:38,360 --> 00:39:40,640 Speaker 1: ship like you like most of the wind. I feel 823 00:39:40,640 --> 00:39:42,760 Speaker 1: like the Wings now kind of played like you played. 824 00:39:43,560 --> 00:39:45,520 Speaker 1: A lot of them played, but two way now we 825 00:39:45,600 --> 00:39:47,640 Speaker 1: played were playing. That's what I mean. Like, Yeah, that's 826 00:39:47,640 --> 00:39:49,279 Speaker 1: what I'm saying, Like it's you know, you change like 827 00:39:49,360 --> 00:39:51,000 Speaker 1: niggas changed the game. You know what I'm saying. Like 828 00:39:51,800 --> 00:39:53,399 Speaker 1: Tatum and nigga's like that. You know what I'm saying. 829 00:39:53,400 --> 00:39:55,920 Speaker 1: Shout out to Jackson Tatum. My motherfucker took off. I 830 00:39:56,000 --> 00:40:00,000 Speaker 1: wish Tatum problem that man. That's who would be your 831 00:40:00,120 --> 00:40:04,120 Speaker 1: top three rappers slash artists who can ball oh um 832 00:40:04,480 --> 00:40:10,719 Speaker 1: ship Snoop one of them his Snoop old but he 833 00:40:10,760 --> 00:40:13,080 Speaker 1: can still hoop though that mother. He just got a basketball. 834 00:40:13,080 --> 00:40:19,840 Speaker 1: I Q was crazy bus the best entertainer basketball player. 835 00:40:21,280 --> 00:40:24,399 Speaker 1: That a whoop. Any nigga, it's Chris Brown by far, 836 00:40:24,520 --> 00:40:26,920 Speaker 1: I said it all the time. It's Chris fucking Brown, nigga. 837 00:40:27,000 --> 00:40:30,920 Speaker 1: That niggas I don't even like hoping with that nigg'na 838 00:40:30,960 --> 00:40:33,200 Speaker 1: played against that nigga. That nigga fucked us up. I 839 00:40:33,320 --> 00:40:36,200 Speaker 1: was like, yo, you gonna do this, you gotta be 840 00:40:36,280 --> 00:40:38,960 Speaker 1: in shape to play basketball. Chris Brown Like I wasn't 841 00:40:39,000 --> 00:40:42,680 Speaker 1: in shape. I was like, so, you gotta come ready 842 00:40:42,680 --> 00:40:44,040 Speaker 1: when you work with a nigga like that, because he 843 00:40:44,080 --> 00:40:46,240 Speaker 1: got all the energy. And I've seen this nigga shoot 844 00:40:46,239 --> 00:40:49,880 Speaker 1: the three, hit the motherfucking three and do a backflip. 845 00:40:49,920 --> 00:40:54,239 Speaker 1: I said, I'm sitting down on the court, did a 846 00:40:54,320 --> 00:40:58,640 Speaker 1: fucking flip. I said, all right, man, you're gonna around 847 00:40:58,680 --> 00:41:01,600 Speaker 1: dunk on somebody. Man, I'm out. But Chris Brown the 848 00:41:01,640 --> 00:41:05,200 Speaker 1: best entertaining a basketball player that I like that I've 849 00:41:05,200 --> 00:41:08,759 Speaker 1: ever seen. Period. We did this one time and someone 850 00:41:08,920 --> 00:41:10,600 Speaker 1: sent me a personal d M and said, how the 851 00:41:10,640 --> 00:41:16,880 Speaker 1: funk was my name not mentioned? Damian Gillard? Amian Gillard. 852 00:41:17,760 --> 00:41:23,319 Speaker 1: That's what he called herself, Gilly Gilly Gilly. How we're 853 00:41:23,360 --> 00:41:31,880 Speaker 1: talking about rap? His name, Damian Gillard. Hey, Gilly can 854 00:41:31,920 --> 00:41:33,880 Speaker 1: hoop for show. He can hoop. But I'll locked Guilly 855 00:41:33,960 --> 00:41:38,399 Speaker 1: up though, right here, I'll lock you up. Gilly can shoot. 856 00:41:38,480 --> 00:41:40,400 Speaker 1: I'll be telling Gil already you don't want it, you 857 00:41:40,400 --> 00:41:42,520 Speaker 1: know what I'm saying. Like he got a good offensive 858 00:41:42,520 --> 00:41:44,400 Speaker 1: game for show. He just don't hear. Nobody played no 859 00:41:44,560 --> 00:41:47,680 Speaker 1: defense on. You know what I'm saying, payer defense on. 860 00:41:47,880 --> 00:41:49,560 Speaker 1: You just gotta get locked up, gil That's it. Ain't 861 00:41:49,560 --> 00:41:52,480 Speaker 1: nobody nobody locked up. Ain't nobody locked you up for real? 862 00:41:52,600 --> 00:41:55,160 Speaker 1: But you can. You got skilled. You definitely is one 863 00:41:55,200 --> 00:41:58,520 Speaker 1: of the best niggers out there in the entertainment industry 864 00:41:58,800 --> 00:42:00,600 Speaker 1: that can hoop. You are will give you that. He 865 00:42:00,640 --> 00:42:03,000 Speaker 1: definitely want the best shooting. He definitely is for show. 866 00:42:03,120 --> 00:42:08,960 Speaker 1: He ain't nobody anybody locked him up. Yet nobody locked 867 00:42:09,040 --> 00:42:10,960 Speaker 1: him up. Ain't nobody had to stammer to lock you up. 868 00:42:11,000 --> 00:42:14,920 Speaker 1: I'm going with you, nigga, like Pat Bell, shout out, 869 00:42:15,000 --> 00:42:19,000 Speaker 1: little shout out Pat Billet all day with you. That's it. 870 00:42:19,719 --> 00:42:23,040 Speaker 1: I don't even need to shoot if we play, gil So, 871 00:42:23,760 --> 00:42:27,400 Speaker 1: be focused on locking you up. I want all this. 872 00:42:27,560 --> 00:42:29,120 Speaker 1: You know. He can't wait. He can't wait to hear that. 873 00:42:30,120 --> 00:42:31,960 Speaker 1: I know I'm gonna get him gas. I'm about to go. 874 00:42:32,040 --> 00:42:33,480 Speaker 1: I'm about to go funk with him anyway. You know 875 00:42:33,480 --> 00:42:35,000 Speaker 1: what I'm saying, soon abody like a couple of weeks 876 00:42:35,080 --> 00:42:37,920 Speaker 1: or so, But nigga, we need to go hoop after that. 877 00:42:38,040 --> 00:42:41,799 Speaker 1: To gil So, locking you up, get your squad. You've 878 00:42:41,840 --> 00:42:44,800 Speaker 1: been a Bulls fan growing up. Uh, what you remember 879 00:42:44,800 --> 00:42:47,000 Speaker 1: about the m J days and watching d rows Man, 880 00:42:48,480 --> 00:42:50,720 Speaker 1: I was just telling I was just telling j D yesterday. 881 00:42:50,719 --> 00:42:52,440 Speaker 1: I was like, man, I hope d Roles go back 882 00:42:52,440 --> 00:42:54,880 Speaker 1: to the Bulls and retire you a bull. I mean 883 00:42:55,000 --> 00:42:56,640 Speaker 1: he does. He deserved that, you know what I mean. 884 00:42:56,760 --> 00:42:59,320 Speaker 1: But I mean that was the best air to watch basketball. 885 00:42:59,360 --> 00:43:01,360 Speaker 1: I think, you know, the nineties with Jordan's you know 886 00:43:01,400 --> 00:43:04,800 Speaker 1: what I mean. You know, I think everybody was a 887 00:43:04,880 --> 00:43:07,879 Speaker 1: Bulls fan in you know, happing to just be right there, 888 00:43:08,160 --> 00:43:12,440 Speaker 1: you know, and Ship Mike still the best all time dog. 889 00:43:12,640 --> 00:43:16,120 Speaker 1: So I mean, the the Arab basketball that he ushered in, 890 00:43:16,239 --> 00:43:18,560 Speaker 1: you know, that ship that ain't gonna that ain't ever 891 00:43:18,640 --> 00:43:21,440 Speaker 1: be erased or duplicated, you know what I mean. Lebron 892 00:43:21,719 --> 00:43:24,239 Speaker 1: amazing as well too, man. So I can't take nothing 893 00:43:24,280 --> 00:43:25,960 Speaker 1: away from him either, you know what I'm saying, Like, 894 00:43:26,480 --> 00:43:28,480 Speaker 1: you know, if if if you got to be a 895 00:43:28,560 --> 00:43:31,160 Speaker 1: number one like Ship that's like one and one A. 896 00:43:31,360 --> 00:43:32,640 Speaker 1: You know what I'm saying. I just feel like just 897 00:43:32,760 --> 00:43:35,160 Speaker 1: Jordan's just changed the game, you know what I mean, 898 00:43:35,239 --> 00:43:37,799 Speaker 1: the whole business aspect of it totally. And I've seen 899 00:43:37,880 --> 00:43:42,320 Speaker 1: that looking at that um, that new Laker documentary, m 900 00:43:42,880 --> 00:43:44,839 Speaker 1: that Ship's fight. I don't want to Hulu. I've been 901 00:43:44,880 --> 00:43:47,800 Speaker 1: checking that ship out, that ship dopes um with the 902 00:43:47,920 --> 00:43:49,680 Speaker 1: with the magic thing and the Jerry Buss and how 903 00:43:49,760 --> 00:43:52,480 Speaker 1: they changed the business of the game too. So you know, 904 00:43:53,320 --> 00:43:55,600 Speaker 1: so I wouldn't even I didn't need I wasn't, you know, 905 00:43:56,000 --> 00:43:58,000 Speaker 1: watching the Lakers. You know what I'm saying. I wouldn't 906 00:43:58,000 --> 00:43:59,520 Speaker 1: really funk with that. Like I said, I was a 907 00:43:59,640 --> 00:44:01,840 Speaker 1: bull fan, like you know, niggas in my household, like 908 00:44:01,920 --> 00:44:03,400 Speaker 1: the Pistons. For some reason, I don't know what the 909 00:44:03,440 --> 00:44:06,600 Speaker 1: fun that was. Niggas like Isaiah we loved because from 910 00:44:06,640 --> 00:44:10,080 Speaker 1: Chicago and ship. But you know, if the doc really 911 00:44:10,120 --> 00:44:13,239 Speaker 1: showed me, you know, like being a Laker fan was 912 00:44:15,080 --> 00:44:19,239 Speaker 1: com out here something I'm I'm a Laker fan from 913 00:44:19,360 --> 00:44:22,000 Speaker 1: ninety to ninety eight. I think it's an a year stretch. 914 00:44:22,360 --> 00:44:24,879 Speaker 1: Jordan's only lost two games in a row one time 915 00:44:25,200 --> 00:44:30,239 Speaker 1: from where ninety So like eight years eight years stretch 916 00:44:30,280 --> 00:44:32,399 Speaker 1: when only lost one game. I mean, we only lost 917 00:44:32,400 --> 00:44:36,200 Speaker 1: two games one time in a row, one time, no quota. 918 00:44:36,360 --> 00:44:39,120 Speaker 1: But I guarantee you look it up. I think it's 919 00:44:39,120 --> 00:44:42,120 Speaker 1: from sounds real, No, I guarantee. And this is also 920 00:44:42,160 --> 00:44:45,480 Speaker 1: a fact he only lost one playoff series while he 921 00:44:45,520 --> 00:44:48,880 Speaker 1: had an All Star on his team. Damn, that's crazy. 922 00:44:49,080 --> 00:44:51,719 Speaker 1: His whole career, only one playoff series when he had 923 00:44:51,760 --> 00:44:54,799 Speaker 1: an All Star on his team. Wow, So he didn't 924 00:44:54,800 --> 00:44:56,520 Speaker 1: do to look it up? Look it up to me? 925 00:44:56,600 --> 00:44:59,839 Speaker 1: Bout wrong? What series was that? No, he don't ask 926 00:45:00,040 --> 00:45:03,600 Speaker 1: one series when he came back. When he came back, 927 00:45:03,920 --> 00:45:05,759 Speaker 1: lost one series when he had an All Star on 928 00:45:05,840 --> 00:45:07,680 Speaker 1: his team that had to be in Orlando when he 929 00:45:07,719 --> 00:45:11,080 Speaker 1: came back. Never lost three games in a row, but 930 00:45:11,160 --> 00:45:15,759 Speaker 1: only I only lost more than two once. I'm glad 931 00:45:15,760 --> 00:45:18,000 Speaker 1: I'm gonna here with some real basketball motherfucker's. I wanted 932 00:45:18,040 --> 00:45:20,759 Speaker 1: to ask you all this question, like I was having 933 00:45:20,760 --> 00:45:23,520 Speaker 1: a debate with somebody. Do you consider a Bad Boys 934 00:45:23,600 --> 00:45:29,960 Speaker 1: a dynasty? They won two rings? Right? I think I do? Yeah, 935 00:45:30,160 --> 00:45:34,799 Speaker 1: I considered that a dynasty. For show three they went 936 00:45:34,840 --> 00:45:37,480 Speaker 1: to the final three year in a row. Though, you 937 00:45:37,520 --> 00:45:47,880 Speaker 1: know what I'm saying, good work, Broy. That's crazy. Your 938 00:45:47,920 --> 00:45:52,520 Speaker 1: hands are a little moist, but good work people. Ninety 939 00:45:52,560 --> 00:45:57,239 Speaker 1: what so you he said, do you consider the Bad 940 00:45:57,280 --> 00:46:00,840 Speaker 1: Boys Pistons the dynasty? I don't. I did, I just 941 00:46:00,960 --> 00:46:03,920 Speaker 1: think they had a whole bunch of great players. I 942 00:46:04,000 --> 00:46:06,360 Speaker 1: consider them a dynasty. What why why don't you consider 943 00:46:06,400 --> 00:46:08,600 Speaker 1: them a dynasty? They want two championships in the row, Well, 944 00:46:08,640 --> 00:46:11,160 Speaker 1: I don't. I don't consider to a dynasty. But they 945 00:46:11,239 --> 00:46:13,319 Speaker 1: went to the finals three years in the row. Yeah, 946 00:46:13,320 --> 00:46:17,799 Speaker 1: I don't consider to a dynasty, you know. Yeah, San 947 00:46:17,840 --> 00:46:20,440 Speaker 1: Antonio was a dynasty, Bulls was a dynasty, Lakers was 948 00:46:20,520 --> 00:46:25,480 Speaker 1: a dynasty, Celtics was a dynasty. It's Golden States a dynasty. Dynasty. 949 00:46:25,520 --> 00:46:28,640 Speaker 1: I think, I honestly think that the Pistons was a dynasty. 950 00:46:29,239 --> 00:46:35,680 Speaker 1: Great because the year it wasn't a dynasty. I think 951 00:46:35,719 --> 00:46:38,120 Speaker 1: there was a dynasty because they got two championships. But 952 00:46:38,320 --> 00:46:40,480 Speaker 1: I feel like that team was so important to that 953 00:46:40,680 --> 00:46:43,480 Speaker 1: era that you gotta consider it a dynasty. Like that 954 00:46:43,600 --> 00:46:46,240 Speaker 1: was a motherfucking they didn't nobody want to play them niggas. 955 00:46:46,680 --> 00:46:49,200 Speaker 1: What I'm saying, like straight up like the bull like 956 00:46:49,360 --> 00:46:51,640 Speaker 1: if if they shut first of all, they shut the 957 00:46:51,719 --> 00:46:54,359 Speaker 1: Lakers dynasty down, you know what I'm saying, and then 958 00:46:54,480 --> 00:46:58,560 Speaker 1: they had to get past them to start his ship up. 959 00:46:58,960 --> 00:47:01,040 Speaker 1: So I think that the Piston was an important team. 960 00:47:01,360 --> 00:47:02,759 Speaker 1: I think that they don't get the credit for being 961 00:47:02,800 --> 00:47:05,719 Speaker 1: a dynasty. I think that they was, Yeah, you got 962 00:47:05,840 --> 00:47:08,200 Speaker 1: so you gotta have a certain number, more than one run, 963 00:47:08,960 --> 00:47:10,520 Speaker 1: you know what I'm saying, Like, yeah, you like like 964 00:47:10,680 --> 00:47:13,640 Speaker 1: like the Lakers got multiple runs at chips, multiple chips, 965 00:47:13,680 --> 00:47:20,480 Speaker 1: they got multiple runs the most important Yeah, us different. 966 00:47:21,080 --> 00:47:22,480 Speaker 1: They had a different run. They had to run with 967 00:47:22,560 --> 00:47:29,160 Speaker 1: Ben Wallace and new but they did. But they did though. 968 00:47:29,640 --> 00:47:33,120 Speaker 1: In fact, that's three chapters. That's three chips total, you 969 00:47:33,160 --> 00:47:37,320 Speaker 1: know what I'm saying. So I think, you know, solid teams, 970 00:47:38,200 --> 00:47:40,239 Speaker 1: solid team. That was a big spread. But you know 971 00:47:40,239 --> 00:47:41,840 Speaker 1: what I'm saying, Like, I mean the Lakers had a 972 00:47:41,880 --> 00:47:43,800 Speaker 1: big spread too. They ain't win ship in the nineties 973 00:47:45,080 --> 00:47:47,319 Speaker 1: before Shocking them got there, you know, but they ran 974 00:47:47,400 --> 00:47:49,680 Speaker 1: with Shock for three, then took a couple of years off, 975 00:47:49,760 --> 00:47:53,239 Speaker 1: and then ran two with COLDE. That's true. I mean, 976 00:47:53,440 --> 00:47:54,920 Speaker 1: I'm not comparing the Trust and I'm not comparing the 977 00:47:55,000 --> 00:47:58,440 Speaker 1: Lakers to the Pistons at all at all. But I'm saying, like, 978 00:47:58,520 --> 00:48:02,239 Speaker 1: I feel like the Pistons don't get look like this. 979 00:48:02,800 --> 00:48:06,480 Speaker 1: If Isaiah and them go, say they went three out 980 00:48:06,520 --> 00:48:09,440 Speaker 1: of five in a five year stretch, and they go 981 00:48:09,600 --> 00:48:12,160 Speaker 1: for five years we'll probably would be talking about them 982 00:48:12,200 --> 00:48:14,400 Speaker 1: with dynas they win five years straight and went three 983 00:48:14,440 --> 00:48:16,600 Speaker 1: out of that five. Maybe then you know what I'm saying, 984 00:48:17,239 --> 00:48:19,760 Speaker 1: two not enough, but dynasty. I also think that Isaiah 985 00:48:19,800 --> 00:48:23,120 Speaker 1: was a superstar that not everyone liked. He definitely an 986 00:48:23,160 --> 00:48:26,759 Speaker 1: underrated superstar, no question about that, because I mean what, 987 00:48:26,960 --> 00:48:29,360 Speaker 1: he probably would top three point guards all times. He 988 00:48:29,520 --> 00:48:33,680 Speaker 1: was a dog, it was stuff. He might be magic, 989 00:48:33,760 --> 00:48:36,680 Speaker 1: the best point guard all time. But ship Isaiah up there. 990 00:48:36,800 --> 00:48:39,120 Speaker 1: Like I said, he probably top three point guards all time. 991 00:48:39,440 --> 00:48:42,080 Speaker 1: I say, I want I wouldn't give him top three. 992 00:48:42,120 --> 00:48:44,400 Speaker 1: I'll give him top six, top six. You wouldn't put 993 00:48:44,440 --> 00:48:46,120 Speaker 1: him in the top five point guards. I'm not putting 994 00:48:46,120 --> 00:48:52,120 Speaker 1: them before stuff for Steph Curry. No, okay, I can't 995 00:48:52,120 --> 00:48:54,279 Speaker 1: do that. I can't do that. I get that, I 996 00:48:54,360 --> 00:48:56,440 Speaker 1: need that. I can't get back to it. We'll talk 997 00:48:56,480 --> 00:49:01,200 Speaker 1: about this. What's what players you like watching today? What 998 00:49:01,360 --> 00:49:04,440 Speaker 1: players I like to watching? John Morant? For sure? You 999 00:49:04,520 --> 00:49:06,600 Speaker 1: know what I'm saying, Like, I gotta get in front 1000 00:49:06,600 --> 00:49:08,000 Speaker 1: of the TV when he on that, for sure, I 1001 00:49:08,040 --> 00:49:09,680 Speaker 1: gotta I gotta watch it. If it's a game John 1002 00:49:09,719 --> 00:49:11,960 Speaker 1: Morant playing, and I gotta watch that you know, I mean, 1003 00:49:12,040 --> 00:49:13,520 Speaker 1: he electric. You know what I'm saying. He reminds me 1004 00:49:13,560 --> 00:49:15,240 Speaker 1: of like d You know, he gave me that feeling 1005 00:49:15,320 --> 00:49:17,759 Speaker 1: that d Rose gave me when when when d Rose 1006 00:49:17,880 --> 00:49:21,440 Speaker 1: came in, you know what I'm saying. So but he's amazing, 1007 00:49:21,480 --> 00:49:23,480 Speaker 1: you know what I'm saying. John Morant for sure, he 1008 00:49:23,560 --> 00:49:26,839 Speaker 1: definitely probably my favorite player to watch, definitely and uh 1009 00:49:27,520 --> 00:49:29,120 Speaker 1: k d of course I want to see what they 1010 00:49:29,200 --> 00:49:31,680 Speaker 1: do in Brooklyn. This ship. They glued it all back together. 1011 00:49:31,680 --> 00:49:33,640 Speaker 1: I want to see what they make it, what they do, 1012 00:49:33,760 --> 00:49:35,359 Speaker 1: what they make it work, you know what I'm saying. 1013 00:49:35,400 --> 00:49:37,879 Speaker 1: Hopefully they do. They got the d seeing that nigga 1014 00:49:37,920 --> 00:49:40,959 Speaker 1: Ben Simon shoot a jumper. We have to, but we're gonna. 1015 00:49:41,320 --> 00:49:43,440 Speaker 1: I need to see it during the season. I'm I'm 1016 00:49:43,680 --> 00:49:46,279 Speaker 1: tell you, I'm all broken over here with the way 1017 00:49:46,320 --> 00:49:48,640 Speaker 1: in I've everybody went to the last two years. You know, 1018 00:49:48,800 --> 00:49:51,480 Speaker 1: my boy, my boy, shout out my boy. Dare's Garland. 1019 00:49:51,600 --> 00:49:57,840 Speaker 1: That's my dog. Yeah. Held. They definitely a top backcourt, 1020 00:49:58,000 --> 00:49:59,920 Speaker 1: top five in the East. I think I think they 1021 00:50:00,000 --> 00:50:02,000 Speaker 1: a top five team in the East when you rank 1022 00:50:02,040 --> 00:50:04,520 Speaker 1: their bad court mat right now, they gotta top they 1023 00:50:04,560 --> 00:50:07,080 Speaker 1: gotta they gotta do it though, for I gotta see 1024 00:50:07,080 --> 00:50:10,359 Speaker 1: it done first. Just like I can't run, I can't. Yeah, 1025 00:50:10,360 --> 00:50:12,520 Speaker 1: I can't rank Trey and Dijon ye because they haven't 1026 00:50:12,560 --> 00:50:14,160 Speaker 1: done nothing yet. That ship is hard to get that 1027 00:50:14,239 --> 00:50:17,120 Speaker 1: chemistry with You're running, mate. I'm interested to see how 1028 00:50:17,160 --> 00:50:18,600 Speaker 1: that's gonna work. Yeah, you know what I'm saying. But 1029 00:50:18,680 --> 00:50:20,160 Speaker 1: they got all the other pieces too. Like to me, 1030 00:50:20,280 --> 00:50:24,239 Speaker 1: they finally developed uh an identity outside of Lebron, Like 1031 00:50:24,360 --> 00:50:27,040 Speaker 1: this is their first identity. Like this team right here 1032 00:50:27,680 --> 00:50:31,960 Speaker 1: is new, young, energetic. Yeah, like dogs, dogs, and they 1033 00:50:32,000 --> 00:50:37,120 Speaker 1: got mobi. They've the power for the tough Yeah, with 1034 00:50:37,160 --> 00:50:42,480 Speaker 1: the arow the ship Alan, Yep, they they definitely got 1035 00:50:42,520 --> 00:50:44,400 Speaker 1: a squad. Dog. You said they're top five. Used to 1036 00:50:44,440 --> 00:50:47,120 Speaker 1: think they're top five in the East. Yeah, you mean 1037 00:50:47,160 --> 00:50:49,920 Speaker 1: the bull is gonna be it right in that mix too. 1038 00:50:50,400 --> 00:50:53,279 Speaker 1: Four through six, depending if Lines of Ball can come 1039 00:50:53,280 --> 00:50:55,279 Speaker 1: back this year. He still says. They said they don't 1040 00:50:55,280 --> 00:50:57,560 Speaker 1: know what's wrong with his knee and Caruso we're a 1041 00:50:57,600 --> 00:51:00,600 Speaker 1: big part of that defensive energy they created that got 1042 00:51:00,640 --> 00:51:02,640 Speaker 1: them off took a start. Yeah, we need Lineso back 1043 00:51:02,680 --> 00:51:08,120 Speaker 1: for show brain Dy Rose back in quick hitters. First 1044 00:51:08,160 --> 00:51:11,160 Speaker 1: thing to come to mind, speak your mind. You're active 1045 00:51:11,239 --> 00:51:13,759 Speaker 1: on Twitter. Is there one tweet you wish you could 1046 00:51:13,760 --> 00:51:17,640 Speaker 1: take you back? No? No, namnnoh, I like the way 1047 00:51:17,680 --> 00:51:21,520 Speaker 1: you say that now, Damn. I tweeted it. Then, ain't 1048 00:51:21,560 --> 00:51:25,720 Speaker 1: taking ship back? Type that motherfuck out and thought about it. Thirdly, 1049 00:51:27,400 --> 00:51:29,680 Speaker 1: I said, I'll blow your motherfucking mama house up. I'm 1050 00:51:29,719 --> 00:51:33,239 Speaker 1: a day I meant it. You shouldn't have said what 1051 00:51:33,320 --> 00:51:35,719 Speaker 1: the funk you said to me to get that respect? Yeah, 1052 00:51:35,760 --> 00:51:37,600 Speaker 1: exactly called me on the right and you got the 1053 00:51:37,719 --> 00:51:40,080 Speaker 1: right one. When you want to talk ship, I could 1054 00:51:40,080 --> 00:51:42,560 Speaker 1: do that ship all day long, though, motherfucker need not 1055 00:51:42,800 --> 00:51:44,360 Speaker 1: funk with me on that because I will roast the 1056 00:51:44,440 --> 00:51:46,160 Speaker 1: funk out you. You can said what you want to 1057 00:51:46,160 --> 00:51:48,719 Speaker 1: say about me. I'm gonna turn your ass in the 1058 00:51:48,800 --> 00:51:52,000 Speaker 1: comedy nigger and you're gonna get mad and all of 1059 00:51:52,040 --> 00:51:55,320 Speaker 1: that ship And I love it. If you can relive 1060 00:51:55,400 --> 00:51:57,239 Speaker 1: a sport and then a game, what would what you want? 1061 00:51:57,239 --> 00:52:03,480 Speaker 1: Would it be? Um? Hid uh Glearen Robinson and the 1062 00:52:03,560 --> 00:52:08,239 Speaker 1: motherfucking was it. In the nineteen ninety motherfucking High State 1063 00:52:08,400 --> 00:52:12,360 Speaker 1: High School Championship against Alan Henderson, he dunked on that 1064 00:52:12,440 --> 00:52:14,359 Speaker 1: motherfucker like you know what I'm saying, Big Dog, that's 1065 00:52:14,400 --> 00:52:17,120 Speaker 1: probably that was. That's probably one of the first basketball 1066 00:52:17,200 --> 00:52:18,880 Speaker 1: games because they used to play that ship in like 1067 00:52:18,920 --> 00:52:21,520 Speaker 1: the Hoosier Dome or something like that. That was probably 1068 00:52:21,600 --> 00:52:24,440 Speaker 1: like the biggest stage of basketball that I had ever 1069 00:52:24,520 --> 00:52:26,400 Speaker 1: seen at that age. So yeah, man, that was. That 1070 00:52:26,520 --> 00:52:27,960 Speaker 1: was a moment, you know what I'm saying. And Big 1071 00:52:28,040 --> 00:52:31,080 Speaker 1: Dog one of my favorite players anyway, So you know Ship, 1072 00:52:31,360 --> 00:52:32,800 Speaker 1: Like I said, I've been watching him since he was 1073 00:52:33,200 --> 00:52:34,840 Speaker 1: I was watching since he was in high school. So 1074 00:52:36,080 --> 00:52:38,120 Speaker 1: if you could be in the studio for any of 1075 00:52:38,239 --> 00:52:42,200 Speaker 1: the greatest albums ever made outside of your own, Who's 1076 00:52:42,239 --> 00:52:45,480 Speaker 1: whose album? What you have been in there listening? Um, 1077 00:52:46,760 --> 00:52:51,759 Speaker 1: And that's a good question. I ain't gonna necessarily say 1078 00:52:51,760 --> 00:52:53,120 Speaker 1: album that. I would just want to be in the 1079 00:52:53,200 --> 00:52:58,080 Speaker 1: room and see how they made it. Um. Probably the chronic. 1080 00:52:59,040 --> 00:53:00,959 Speaker 1: I would love to be in a sessions and Ship 1081 00:53:01,120 --> 00:53:02,800 Speaker 1: just to smoke the weed that then, you know what 1082 00:53:02,840 --> 00:53:04,959 Speaker 1: I'm saying like that, I'm just want to see the chronic. 1083 00:53:05,320 --> 00:53:07,440 Speaker 1: Probably it was probably some bad bitches in the studio 1084 00:53:07,520 --> 00:53:10,440 Speaker 1: sessions kind of ship. So they I'm pretty sure Dr 1085 00:53:10,520 --> 00:53:13,960 Speaker 1: Dre and Nichol was getting really inspired to make. You 1086 00:53:14,040 --> 00:53:15,839 Speaker 1: know what I'm saying. So I would love to being 1087 00:53:15,880 --> 00:53:18,279 Speaker 1: around all that inspiration. You know what I'm saying. So 1088 00:53:18,520 --> 00:53:21,240 Speaker 1: get a good old inspiration. Definitely man thatd or Doggy 1089 00:53:21,280 --> 00:53:22,719 Speaker 1: Style something like that. You know what I'm saying. I 1090 00:53:22,880 --> 00:53:25,040 Speaker 1: would have love to watch be a flown the wall 1091 00:53:25,080 --> 00:53:26,719 Speaker 1: and watch Snoop make an album, you know what I'm saying. 1092 00:53:26,760 --> 00:53:31,160 Speaker 1: All too young back then, but then in them class 1093 00:53:31,200 --> 00:53:36,520 Speaker 1: and classics. The funniest thing that happened to you recently? Uh, 1094 00:53:38,040 --> 00:53:44,759 Speaker 1: when Scott Face called me and forgot that ship. He said, 1095 00:53:44,800 --> 00:53:47,640 Speaker 1: I sign it off for that ship. I was like, okay, man, 1096 00:53:47,719 --> 00:53:49,319 Speaker 1: my bad, I forgot that, I said to the Soba. 1097 00:53:49,400 --> 00:53:50,879 Speaker 1: He was like, oh yeah, okay, yeah, this ship hard. 1098 00:53:50,960 --> 00:53:56,040 Speaker 1: Let's go with it. That's funny. Five dinner guests, better alive, 1099 00:53:56,880 --> 00:54:00,640 Speaker 1: Oh five dinner guess Damn. I have to eat with 1100 00:54:00,719 --> 00:54:07,359 Speaker 1: tupac Um Jesus Christ, come on and eat break bread 1101 00:54:07,400 --> 00:54:13,200 Speaker 1: with its blessed to be jay z jay Z y'all 1102 00:54:13,239 --> 00:54:16,040 Speaker 1: love Uh eat with him? And then I had to 1103 00:54:16,120 --> 00:54:18,160 Speaker 1: have like Halle Berry sitting next to me at the table. 1104 00:54:18,280 --> 00:54:19,959 Speaker 1: You did what I'm said that you got one more seat, 1105 00:54:20,160 --> 00:54:23,279 Speaker 1: one more seat? Uh? Get two of them. Who else 1106 00:54:23,320 --> 00:54:27,600 Speaker 1: you want? Jeff Bezos for some money in his mother. 1107 00:54:27,719 --> 00:54:30,640 Speaker 1: I know you've got some money plays with Yeah, so uh, 1108 00:54:31,160 --> 00:54:32,959 Speaker 1: I don't know. The other seat gotta be with another 1109 00:54:33,040 --> 00:54:34,960 Speaker 1: rich motherfucker. You don't said that. I could like games 1110 00:54:35,000 --> 00:54:39,479 Speaker 1: some knowledge you knowing that if you can have any 1111 00:54:39,560 --> 00:54:42,080 Speaker 1: guests on All the Smoke, who would it be? If 1112 00:54:42,120 --> 00:54:43,759 Speaker 1: you can see any guests on our show, would it be? 1113 00:54:44,200 --> 00:54:50,400 Speaker 1: M m that's a good question. Uh. A lot of y'all, hear, 1114 00:54:50,400 --> 00:54:52,080 Speaker 1: a lot of y'all't be having another women on him. 1115 00:54:52,160 --> 00:54:55,320 Speaker 1: We need to get something standing up for female inclusion. 1116 00:54:55,480 --> 00:54:57,120 Speaker 1: We haven't had a lot of. But you are so 1117 00:54:57,320 --> 00:54:59,680 Speaker 1: welcome to this show. I would love to see it. 1118 00:55:00,080 --> 00:55:03,719 Speaker 1: And you know, and my and my daughter if she 1119 00:55:04,000 --> 00:55:06,120 Speaker 1: she probably like I know, he over there going crazy 1120 00:55:06,120 --> 00:55:07,840 Speaker 1: because that's all we met her to talk about is 1121 00:55:07,880 --> 00:55:10,120 Speaker 1: a lot of so a lot of listen here. Why 1122 00:55:10,160 --> 00:55:14,480 Speaker 1: do your voice change when you're talking to us and 1123 00:55:14,520 --> 00:55:17,799 Speaker 1: they can put the sexy Yeah, I'm talking, I'm talking 1124 00:55:17,800 --> 00:55:20,719 Speaker 1: to talk to us. Check it out. Check it out. 1125 00:55:21,840 --> 00:55:26,560 Speaker 1: You're welcome anytime. We ain't hard to find. You ain't 1126 00:55:26,600 --> 00:55:28,239 Speaker 1: hard to find. This nake it happened to come on 1127 00:55:28,280 --> 00:55:31,359 Speaker 1: the showd what you need to promote, Freddie said. At first, 1128 00:55:31,520 --> 00:55:34,200 Speaker 1: he said, you're gonna keep your seat one. Y'all have 1129 00:55:34,280 --> 00:55:36,600 Speaker 1: more women on here, period. You go, that's what we need. 1130 00:55:36,640 --> 00:55:39,720 Speaker 1: I'm standing up for women's right, female inclusion. There you go, female, 1131 00:55:39,800 --> 00:55:42,880 Speaker 1: pat man. We gotta got a little gift box for you. 1132 00:55:43,360 --> 00:55:46,640 Speaker 1: Where can they get that at? Jack? Our big brother, 1133 00:55:47,160 --> 00:55:50,279 Speaker 1: Um John, my big brother John Schallie told me something 1134 00:55:50,400 --> 00:55:55,920 Speaker 1: yesterday and we have here, and we have here all 1135 00:55:56,000 --> 00:55:58,440 Speaker 1: just smoke that store. Yeah, so you can pick this up. 1136 00:55:58,680 --> 00:56:00,359 Speaker 1: You can pick us up, but we have some from 1137 00:56:00,360 --> 00:56:02,480 Speaker 1: you from all the smoke. Okay, I don't know what 1138 00:56:02,640 --> 00:56:05,320 Speaker 1: line it is. Okay, but John sadly kept doing this. 1139 00:56:06,400 --> 00:56:12,040 Speaker 1: It looked up. Thank you, no doubt. Yeah, we appreciate 1140 00:56:12,120 --> 00:56:14,120 Speaker 1: you man. You wanted all the smoke. You came on 1141 00:56:14,200 --> 00:56:16,919 Speaker 1: and got it. We're about to smoke some more dope. 1142 00:56:16,960 --> 00:56:20,879 Speaker 1: We gave us both shot out. We seen the first 1143 00:56:20,920 --> 00:56:22,560 Speaker 1: favorite show I've seen, the first thing in the morning, 1144 00:56:22,560 --> 00:56:24,759 Speaker 1: I said, Jack, you know I was going to post it. 1145 00:56:24,840 --> 00:56:27,440 Speaker 1: Hell yeah, So man, we appreciate your time, best of luck, 1146 00:56:27,480 --> 00:56:31,200 Speaker 1: congratulations on the new album and your lessons coming your way. Bro' 1147 00:56:31,239 --> 00:56:38,920 Speaker 1: about to get my m a Doka on Real You, 1148 00:56:39,080 --> 00:56:41,839 Speaker 1: casting your time about on YouTube and the I heart 1149 00:56:41,920 --> 00:56:44,759 Speaker 1: platform Black Effects. See y'all next week.