WEBVTT - Welcome to the Dollhouse: Velvalee Dickinson

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio.

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<v Speaker 2>Zaren.

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<v Speaker 3>Yes, Elizabeth Zaren, How are you?

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<v Speaker 2>Oh my goodness, I've been waiting for you.

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<v Speaker 3>You're feeling good, feeling strong.

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<v Speaker 2>Really I was late today, but feeling good. I am

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<v Speaker 2>feeling good. I'm feeling strong. What about you? You're feeling strong?

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<v Speaker 3>You know I feel good.

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<v Speaker 2>It's not strong. Maybe maybe get back in the gym

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<v Speaker 2>or doing push up body weight exercise.

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<v Speaker 3>It's true.

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<v Speaker 2>Are you talking more like emotionally emotional?

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<v Speaker 3>I think just across the board, I'm feeling that glay.

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<v Speaker 2>For glay real. Yeah, that's tough.

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<v Speaker 3>Anyway, you know, it's ridiculous.

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<v Speaker 2>I'm so glad you asked John Gruden. Okay, you could

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<v Speaker 2>say you, I could just say period. But former the

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<v Speaker 2>former Raiders coach of You're not your Raiders, but the

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<v Speaker 2>Oakland now Vegas Raiders, Dave's producer D's Raiders good call,

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<v Speaker 2>and then also the Tampa Bay Buccaneers as well. Sure,

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<v Speaker 2>Now he wants to share the story about Peyton Manning

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<v Speaker 2>forty two Blue. Now, he was known to do a

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<v Speaker 2>call a lot of audibles at the line. Right, So

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<v Speaker 2>he's a quarterback, He's sitting there and he would call

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<v Speaker 2>an audiblely like oha, oh maha, right, oh right, but

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<v Speaker 2>he wouldn't only just say omaha when he called audibles.

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<v Speaker 2>According to John Gruden, who said this story, he would

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<v Speaker 2>often like do research on the opposing players and he'd

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<v Speaker 2>find out like their wives' names, their girlfriend's names, like whatever.

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<v Speaker 2>Would we would work to get in their heads. And

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<v Speaker 2>so he get up there and be like, Gwendolyn, Gwendolyn.

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<v Speaker 2>Someone's like, what the about my wife?

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<v Speaker 3>Cold blooded? And I love it.

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<v Speaker 2>I thought you would someone be like, hey, man, that's

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<v Speaker 2>my wife. Brother. So people get real mad and like

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<v Speaker 2>and Peyton would just kind of wink and then hike

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<v Speaker 2>the ball. So there. I thought that was kind of ridiculous,

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<v Speaker 2>psychological war.

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<v Speaker 3>He's too blues, right, Yeah, I love that, and I

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<v Speaker 3>think he should have just like done like street addresses children.

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<v Speaker 3>Yeah that was good. But do you want to know

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<v Speaker 3>what else is ridiculous? Hiding behind dolls? I don't know.

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<v Speaker 3>This is Ridiculous Crime, a podcast about absurd and outrageous capers.

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<v Speaker 3>Heis and cons it's always ninety nine percent murder free

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<v Speaker 3>and one hundred percent ridiculous. Damn right, you know that.

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<v Speaker 2>I love puzzles yeah, yeah, you definitely you do. I

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<v Speaker 2>love codes, yeah.

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<v Speaker 3>Big on cryptograms. There's one in the San Francisco Chronicle

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<v Speaker 3>called crypto Quip that I always used to play.

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<v Speaker 2>Huh.

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<v Speaker 3>It was like for a while that was the only

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<v Speaker 3>reason I still had my subscription. But I like puzzles

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<v Speaker 3>like that, like basically all of the New York Times games. Yes,

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<v Speaker 3>they relax me.

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<v Speaker 2>I've seen you play those in the.

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<v Speaker 3>HV challenge me. And they also helped me fight the

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<v Speaker 3>crazy brain fog that I've developed.

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<v Speaker 2>I do that for Jeopardy to keep then to keep sharp. Baby.

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<v Speaker 3>I may not be able to remember the word that

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<v Speaker 3>I want to use during the day, but every morning

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<v Speaker 3>as I lie in bed, I am sharp as a

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<v Speaker 3>tex at wordle connections, strands, pips and spelling bee.

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<v Speaker 2>Well, you do a bunch.

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<v Speaker 3>I have to play them in that order.

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<v Speaker 2>Wow, you have to play them.

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<v Speaker 3>I have to anyway. Codes. So there's a British TV show,

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<v Speaker 3>Bletchley Circle that I highly recommend. It's about the World

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<v Speaker 3>War Two code breakers working the Enigma machine, break the Nazi. Yeah,

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<v Speaker 3>and a bunch of gals, lady code breakers. This lady

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<v Speaker 3>host likes lady code breakers. I will never get over

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<v Speaker 3>being called the lady host, which has happened twice.

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<v Speaker 2>Now I've never been called the gentleman host. So I

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<v Speaker 2>can see what instances.

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<v Speaker 3>I think they were both reviews, they give your name

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<v Speaker 3>Zarin and the lady host.

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<v Speaker 2>Oh really, I didn't even notice that.

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<v Speaker 3>Oh yeah, I have a name and it's Vagina corn Tower. Yeah,

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<v Speaker 3>respect name anyway. Codes. So this is what I planned

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<v Speaker 3>to babble at you about to name please, a woman

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<v Speaker 3>who used codes and a woman who broke them, and

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<v Speaker 3>how they intersect.

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<v Speaker 2>Oh, I can see that. That's like a unity of opposites. Right,

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<v Speaker 2>So I'm going to.

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<v Speaker 3>Start with this woman named velv Le Malvina Dickinson. I'm

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<v Speaker 3>going to need to hear that again, so I gotta

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<v Speaker 3>say it again. Velv Lee. Huh, Malvina Dickinson.

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<v Speaker 2>That's amazing.

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<v Speaker 3>What a name. Velvelee put her foot. She was born

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<v Speaker 3>Velvally Bleacher Wow in Sacramento, California. Oh wow, us a

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<v Speaker 3>sacrament A kid in eighteen ninety three. It was a

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<v Speaker 3>great time for Sacramento. I actually love that place. I

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<v Speaker 3>love Sacramento.

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<v Speaker 2>That is true. That's right.

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<v Speaker 3>Velveley, bright woman, super smart. Her parents sent her off

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<v Speaker 3>to a girl's prep school in Oakland called Snell Seminary.

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<v Speaker 2>Went to Oakland too, Yeah, exactly.

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<v Speaker 3>Like it's basically me, I know, but not Okay. So

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<v Speaker 3>this place, Snell Seminary was known as like one of

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<v Speaker 3>the best, most fasttionable schools for girls on the West Coast.

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<v Speaker 3>And from there she went to Stanford and she walked

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<v Speaker 3>in graduation in nineteen eighteen, but she didn't get her

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<v Speaker 3>degree because she hadn't returned a bunch of library books.

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<v Speaker 2>Yes, a lot of them were like.

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<v Speaker 3>These Russian books. They're all these kind of strange like.

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<v Speaker 2>Obscure they only had one copy of It wasn't.

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<v Speaker 3>Until nineteen thirty seven that she was able to get

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<v Speaker 3>it all settled out and get her official like degree

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<v Speaker 3>in diploma.

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<v Speaker 2>Damn. Yeah, so like nineteen years it took before. Yes,

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<v Speaker 2>so she got the right to vote and then had

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<v Speaker 2>to wait another decade and a half back.

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<v Speaker 3>She's like whatever. So a fun fact. Her younger brother

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<v Speaker 3>also went to Stanford, just two years behind her, and

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<v Speaker 3>then from there he went to Harvard Law. And I

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<v Speaker 3>was thinking that she must have come from like a

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<v Speaker 3>posh Sacramento family either like agriculture mining, But I found

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<v Speaker 3>her dad's obituary and it seems he worked at the

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<v Speaker 3>rail yard his whole life.

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<v Speaker 2>Hum so kind of like one of those I saved up.

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<v Speaker 3>Have scrimped and saved and like sent his kids off

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<v Speaker 3>to super nice places. Always want the next generation to

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<v Speaker 3>do better. Yeah, don't want to hog the resources. So

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<v Speaker 3>from Stanford Velveley, she got a gig in a bank

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<v Speaker 3>and then she got a job at the California Fruit

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<v Speaker 3>Growers Association.

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<v Speaker 2>Actually a very powerful association, very big, very.

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<v Speaker 3>She was a bookkeeper there, was so good at her job,

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<v Speaker 3>very personable. And then she got another job at a

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<v Speaker 3>produce brokerage firm and she worked there from nineteen twenty

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<v Speaker 3>eight ten nineteen thirty five. So while she was there,

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<v Speaker 3>she handled a lot of the Japanese accounts and she

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<v Speaker 3>got to know the Japanese community in San Francisco.

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<v Speaker 2>Oh, very cool.

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<v Speaker 3>Yeah, So California has always had a strong trading and

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<v Speaker 3>cultural partner in Japan, particularly in the Bay Area. There

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<v Speaker 3>were a lot of farms, vineyards, and orchards owned by

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<v Speaker 3>Japanese families in the Central Valley.

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<v Speaker 2>Ice farming too. They loved it.

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<v Speaker 3>Yeah, And when Executive Ordered ninety sixty six was signed,

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<v Speaker 3>sending anyone on the West coast of Japanese descent citizen

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<v Speaker 3>or not to live in internment camps in the desert.

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<v Speaker 3>Most of these.

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<v Speaker 2>Farms went dark, oh that's right.

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<v Speaker 3>Yeah, And most were sized by the government for delinquent taxes,

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<v Speaker 3>or they got taken over by squatters or just destroyed.

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<v Speaker 2>Not all though.

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<v Speaker 3>Yeah, I really have to recommend and urge you read

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<v Speaker 3>the Smithsonian magazine article called During World War Two, this

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<v Speaker 3>farmer risked everything to help as Japanese American neighbors. It's

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<v Speaker 3>a long title by Jake Whitney, Like, honestly, I want

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<v Speaker 3>everyone to read this article. It's about a man named

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<v Speaker 3>Bob Fletcher, who was a UC Davis alum. Look at this,

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<v Speaker 3>and I promise you'll get emotional reading it. It lays

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<v Speaker 3>out what that time was like for farming families, and

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<v Speaker 3>it's important to know what happened, and it's a good

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<v Speaker 3>reminder of what happens when people decide to do the

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<v Speaker 3>right thing, even if it's not the easy thing. Yes,

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<v Speaker 3>saying that, yes, so I want to believe that Valvelee

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<v Speaker 3>at least had that opportunity to do the right thing.

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<v Speaker 3>But I can tell you she did not take it

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<v Speaker 3>if it was indeed on offer. So she's dealing with

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<v Speaker 3>all of these kind of families, these farming famis, families

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<v Speaker 3>and you know, the buyers and people in Japan. So

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<v Speaker 3>the produce brokerage business where she worked was owned by

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<v Speaker 3>this guy, Lee Dickinson, and he would soon become her

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<v Speaker 3>third husband. Yeah, she'd already had two goes, right, Finicky. Yeah.

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<v Speaker 3>And so because of all their Japanese clients, Velvelee and

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<v Speaker 3>her husband were really active in the Japan America Society

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<v Speaker 3>in San Francisco. So she joined the japan American Society

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<v Speaker 3>in nineteen thirty one and she was a member until

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<v Speaker 3>nineteen thirty five when she couldn't afford the.

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<v Speaker 2>Duke right, right, because she changes jobs. Correct.

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<v Speaker 3>So luckily she had friends at the Japanese Consulate in

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<v Speaker 3>San Francisco, and an attache at the consulate paid her

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<v Speaker 3>dues from nineteen thirty six onward. Yeah, So she went

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<v Speaker 3>to a lot of parties at the consulate and it

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<v Speaker 3>was there that she would like rub shoulders with Japanese

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<v Speaker 3>diplomats and high level government officials, members of the Japanese Navy.

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<v Speaker 3>And then she in turned through parties at her house

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<v Speaker 3>and invited the consulate crowd over and then it all

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<v Speaker 3>came to a stop. Lee Dickinson produced brokerage company went

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<v Speaker 3>under in nineteen thirty seven. So the couple picked up

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<v Speaker 3>stakes and moved to New York City, Okay, and Velvelet

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<v Speaker 3>got a job as a sales clerk in Bloomingdale's doll department.

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<v Speaker 3>And this would prove to be a very pivotal moment.

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<v Speaker 2>For her going into the doll business.

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<v Speaker 3>Yeah, she's got a friend in the doll business. Costume

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<v Speaker 3>dolls were a big deal then, all right, it was

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<v Speaker 3>all the rage. It was the la boo boos.

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<v Speaker 2>You can be costume. You mean those dolls are like

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<v Speaker 2>the fancy dolls were that you put on the outfit,

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<v Speaker 2>put them on like a shell.

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<v Speaker 3>Yes, like yeah, And so there were like porcelain dolls

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<v Speaker 3>with little fine outfits and you could change their clothes,

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<v Speaker 3>but in a discrete manner.

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<v Speaker 2>I think as haunted dolls very much.

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<v Speaker 3>So. So there were local clubs and like specialty dealers,

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<v Speaker 3>and then all these avid hobbyists to just collect.

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<v Speaker 2>And also the doll making, the dressmakers for the dolls

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<v Speaker 2>right over.

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<v Speaker 3>And in that circle you could count Velvelet among this group.

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<v Speaker 3>She is up in there.

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<v Speaker 2>So with the name like Velvely Malvina, I mean, how

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<v Speaker 2>you get into doll making.

0:10:06.000 --> 0:10:08.800
<v Speaker 3>She got bigger in the doll scene, and she eventually

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<v Speaker 3>opened her own doll shop right across the street from

0:10:11.440 --> 0:10:13.760
<v Speaker 3>her house. Okay, and she got mentioned in the New

0:10:13.840 --> 0:10:17.680
<v Speaker 3>York Times. She displayed her dolls at antique shows. She

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<v Speaker 3>built up this customer base through word of mouth. She

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<v Speaker 3>put ads in magazines like House and Garden, and then

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<v Speaker 3>she had all this written correspondence, like she and all

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<v Speaker 3>these doll folks would write to each other.

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<v Speaker 2>Right.

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<v Speaker 3>So the December nineteen thirty nine Vogue issue put one

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<v Speaker 3>of her dolls in their buying guide quote, in the

0:10:35.320 --> 0:10:39.880
<v Speaker 3>doll collection of Velveley Dickinson, there are two wonderfully aromatic

0:10:40.040 --> 0:10:43.520
<v Speaker 3>kinds of dolls. One species is made of cedar wood,

0:10:44.040 --> 0:10:48.199
<v Speaker 3>cleverly carved and jointed by Tennessee mountaineers. You can have

0:10:48.440 --> 0:10:52.200
<v Speaker 3>man or woman, But for once we liked the woman best.

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<v Speaker 3>Don't report us to the New Yorker if we say

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<v Speaker 3>that the woman looks chic in her black and white

0:10:57.280 --> 0:11:00.160
<v Speaker 3>Gingham costume. She does around.

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<v Speaker 2>Six dollars each doll. WI.

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<v Speaker 3>I love that they call them. Species is made of

0:11:06.559 --> 0:11:08.199
<v Speaker 3>cedar wood species of.

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<v Speaker 2>Doll, and normally we like the male dolls better than

0:11:10.400 --> 0:11:12.480
<v Speaker 2>the female dolls. I did not see that.

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<v Speaker 3>I had no idea.

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<v Speaker 2>I thought only like manic, like you know, like Charlie

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<v Speaker 2>McCarthy's style. Like no, apparently like Ventri.

0:11:21.040 --> 0:11:22.160
<v Speaker 3>An aromatic doll.

0:11:22.280 --> 0:11:24.400
<v Speaker 2>Yeah, one that has got a good little aroma to it.

0:11:24.720 --> 0:11:27.320
<v Speaker 3>So yeah. One of one of her best customers was

0:11:27.360 --> 0:11:31.199
<v Speaker 3>a young Eunice Kennedy, whoa yeah JFK's sister.

0:11:31.360 --> 0:11:31.560
<v Speaker 2>Yeah.

0:11:31.800 --> 0:11:35.280
<v Speaker 3>Someone gave her a Dominican nun doll from Velveley's shop

0:11:35.320 --> 0:11:37.320
<v Speaker 3>as a gift, and she was like hooked. She's like,

0:11:37.559 --> 0:11:38.360
<v Speaker 3>I need more dolls.

0:11:38.400 --> 0:11:40.640
<v Speaker 2>That's a hell of a sentence, a Dominican nun doll

0:11:40.679 --> 0:11:41.559
<v Speaker 2>from Velvete.

0:11:42.200 --> 0:11:45.000
<v Speaker 3>I know, It's like have you had a stroke. So

0:11:45.559 --> 0:11:48.400
<v Speaker 3>in New York, Velvely she hooked back up with the

0:11:48.520 --> 0:11:49.760
<v Speaker 3>Japanese community there.

0:11:49.920 --> 0:11:50.719
<v Speaker 2>Okay, So she.

0:11:50.720 --> 0:11:54.240
<v Speaker 3>Went to the Niphon Club and the japan Institute. She

0:11:54.360 --> 0:11:57.160
<v Speaker 3>buttied up to the Japanese Console General. She met with

0:11:57.280 --> 0:12:01.960
<v Speaker 3>Ichiro Yoka Yama, who was Thepanese naval attache from Washington,

0:12:02.040 --> 0:12:04.400
<v Speaker 3>d C. Okay, that's all a little weird. But maybe

0:12:04.400 --> 0:12:06.960
<v Speaker 3>that's just me. She likes the culture she does, and

0:12:07.000 --> 0:12:10.640
<v Speaker 3>she lived large. She wore gorgeous clothes and was like

0:12:10.679 --> 0:12:14.440
<v Speaker 3>this total audio file. She bought records like crazy, and

0:12:14.480 --> 0:12:16.840
<v Speaker 3>if she she would whatever it came out, she wanted it,

0:12:16.880 --> 0:12:19.080
<v Speaker 3>and she'd send the maid down to get it, and

0:12:19.080 --> 0:12:21.440
<v Speaker 3>then the maid, if she listened to it didn't like it,

0:12:21.480 --> 0:12:23.440
<v Speaker 3>she'd make the maid return it. She's like, please, don't

0:12:23.480 --> 0:12:25.120
<v Speaker 3>keep sending me back there to return these.

0:12:25.240 --> 0:12:27.120
<v Speaker 2>Yeah, you sent me back yesterday with the new Jack T.

0:12:27.280 --> 0:12:29.080
<v Speaker 2>Guarden and now they're like mad at me.

0:12:31.840 --> 0:12:34.480
<v Speaker 3>She also went back and forth to California a lot.

0:12:35.840 --> 0:12:38.160
<v Speaker 3>Was the doll business that profitable.

0:12:38.520 --> 0:12:41.480
<v Speaker 2>I mean, I'm kind of like projecting from now back then,

0:12:41.520 --> 0:12:43.520
<v Speaker 2>and I just don't know if it's all pops.

0:12:43.600 --> 0:12:46.320
<v Speaker 3>But she also she appeared to be getting cash on

0:12:46.360 --> 0:12:50.160
<v Speaker 3>the side. Ah so according to Smithsonian Magazine, this article

0:12:50.200 --> 0:12:54.360
<v Speaker 3>by David Sears quote a November twenty sixth, nineteen forty

0:12:54.400 --> 0:12:57.400
<v Speaker 3>one visit to seven eighteen Madison by quote, well dressed

0:12:57.480 --> 0:13:01.520
<v Speaker 3>Japanese may have held the key to Velvil. These suspect prosperity,

0:13:01.960 --> 0:13:04.720
<v Speaker 3>as recounted in a nineteen forty four edition of Saint

0:13:04.800 --> 0:13:08.320
<v Speaker 3>Louis Sunday morning, the Japanese visitor quote darted through the

0:13:08.360 --> 0:13:11.840
<v Speaker 3>door and handed a small compact bundle to the proprietor.

0:13:12.480 --> 0:13:14.480
<v Speaker 3>I may not be able to come again, he said.

0:13:14.840 --> 0:13:19.320
<v Speaker 3>The proprietor replied that they might meet again, perhaps in Honolulu. No, no,

0:13:19.440 --> 0:13:21.840
<v Speaker 3>the Japanese exclaimed, not Honolulu.

0:13:23.400 --> 0:13:28.199
<v Speaker 2>Yikes to know what's going on? Oh yikes.

0:13:28.800 --> 0:13:32.840
<v Speaker 3>So then came the letters. So between January and June

0:13:32.920 --> 0:13:36.960
<v Speaker 3>of nineteen forty two, a series of suspicious letters were

0:13:37.000 --> 0:13:38.160
<v Speaker 3>sent to Argentina.

0:13:38.679 --> 0:13:43.760
<v Speaker 2>So January forty two, so after December forty one is okay, recent,

0:13:44.000 --> 0:13:45.800
<v Speaker 2>but don't go to Honolulu whatever you do.

0:13:46.520 --> 0:13:49.640
<v Speaker 3>So these letters to Argentina, they caught the eye of

0:13:49.760 --> 0:13:53.040
<v Speaker 3>the US government, and you know, they were concerned about

0:13:53.120 --> 0:13:57.000
<v Speaker 3>Argentina's like dabbling in fascism.

0:13:56.160 --> 0:13:58.360
<v Speaker 2>Connections to the fascist Europeans.

0:13:58.600 --> 0:14:01.200
<v Speaker 3>Correct. So the letters they were all addressed to Signor

0:14:01.360 --> 0:14:06.120
<v Speaker 3>Inez Lopez di Molinali in Buenos Aires, and one was

0:14:06.160 --> 0:14:11.600
<v Speaker 3>sent from Seattle, another from San Francisco, New York, Portland, Oregon,

0:14:11.720 --> 0:14:15.280
<v Speaker 3>and then another from Oakland, California. None of them made

0:14:15.320 --> 0:14:20.040
<v Speaker 3>it to Signora Inez Lopez de Molinali returned to send

0:14:20.040 --> 0:14:22.720
<v Speaker 3>her on each one. Oh yeah. And the women who

0:14:22.880 --> 0:14:25.840
<v Speaker 3>sent the letters, well, when they were interviewed by the FBI,

0:14:26.000 --> 0:14:29.320
<v Speaker 3>they swore they hadn't sent them and had no idea

0:14:29.360 --> 0:14:33.080
<v Speaker 3>who Signora Inez Lopez de Molinali was or what the

0:14:33.160 --> 0:14:36.800
<v Speaker 3>letters could be about. They the FBI found out because

0:14:36.840 --> 0:14:40.320
<v Speaker 3>these women were getting these letters returned to them. They

0:14:40.360 --> 0:14:43.600
<v Speaker 3>all said they'd open them up and their signatures were

0:14:43.640 --> 0:14:44.560
<v Speaker 3>on the letters.

0:14:45.240 --> 0:14:47.920
<v Speaker 2>The women who send the letter, I didn't.

0:14:47.720 --> 0:14:50.560
<v Speaker 3>Send this, but I assigned it. They said the signatures

0:14:50.560 --> 0:14:53.400
<v Speaker 3>on the letters looked like theirs, and that the letters

0:14:53.480 --> 0:14:57.280
<v Speaker 3>contained correct information about their personal lives that would be freaking,

0:14:57.400 --> 0:15:00.960
<v Speaker 3>and their interest in dolls, so the.

0:15:00.960 --> 0:15:04.160
<v Speaker 2>Letters less freaky.

0:15:04.240 --> 0:15:08.560
<v Speaker 3>The letter from Portland talked about a quote wonderful doll hospital.

0:15:08.280 --> 0:15:10.640
<v Speaker 2>The doll hospital dolls, and.

0:15:10.560 --> 0:15:13.960
<v Speaker 3>Said the writer had left her three quote old English

0:15:14.000 --> 0:15:18.280
<v Speaker 3>dolls for repairs. The letter also talked about fishnets and balloons.

0:15:19.000 --> 0:15:21.400
<v Speaker 3>The letter sent from New York was supposed to be

0:15:21.400 --> 0:15:24.920
<v Speaker 3>penned by a woman from Springfield, Illinois, talked about dolls

0:15:24.960 --> 0:15:29.880
<v Speaker 3>and had the words destroyed your like your in all caps,

0:15:30.200 --> 0:15:32.680
<v Speaker 3>and further in the same sentence, talked about a mister

0:15:32.800 --> 0:15:35.080
<v Speaker 3>Shaw who was sick but would be back to work soon.

0:15:35.680 --> 0:15:38.000
<v Speaker 3>And then the letter also talked about her sick nephew

0:15:38.040 --> 0:15:41.120
<v Speaker 3>with a quote malignant tumor on the brain. And the

0:15:41.160 --> 0:15:45.360
<v Speaker 3>supposed writer did have a nephew with a mortal brain issue. Really,

0:15:45.480 --> 0:15:48.480
<v Speaker 3>but she wasn't even in New York when the letter

0:15:48.560 --> 0:15:52.000
<v Speaker 3>was mailed, so she turned it over to local postal authorities,

0:15:52.280 --> 0:15:55.440
<v Speaker 3>who then passed it on to the FBI. And in turn,

0:15:55.760 --> 0:15:57.880
<v Speaker 3>each of these women did the same thing. They get

0:15:57.920 --> 0:16:01.360
<v Speaker 3>this letter, They're like, oh, what is this? Postal authorities? FBI.

0:16:01.920 --> 0:16:05.000
<v Speaker 3>In another letter, the writer said that she was sending

0:16:05.080 --> 0:16:07.040
<v Speaker 3>a doll in a quote hula skirt to a doll

0:16:07.080 --> 0:16:10.200
<v Speaker 3>hospital in Seattle. Let me read you the letter, My

0:16:10.320 --> 0:16:14.320
<v Speaker 3>most gracious friend, please forgive my delay in writing to

0:16:14.440 --> 0:16:17.120
<v Speaker 3>thank you for your kindness in sending my family the

0:16:17.160 --> 0:16:21.120
<v Speaker 3>beautiful Christmas gifts. The girls were especially pleased. I have

0:16:21.240 --> 0:16:23.560
<v Speaker 3>been so very busy these days. This is the first

0:16:23.560 --> 0:16:26.640
<v Speaker 3>time I've been over to Seattle for weeks. I came

0:16:26.680 --> 0:16:29.240
<v Speaker 3>over today to meet my son who's here from Portland

0:16:29.320 --> 0:16:32.680
<v Speaker 3>on business, and to get my little granddaughter's doll repaired.

0:16:33.080 --> 0:16:35.920
<v Speaker 3>I must tell you this amusing story. The wife of

0:16:35.960 --> 0:16:39.720
<v Speaker 3>an important business associate gave her an old German bisk

0:16:39.880 --> 0:16:43.520
<v Speaker 3>doll dressed in a hula grass skirt. It is a

0:16:43.600 --> 0:16:45.680
<v Speaker 3>cheap hoard thing. I do not like it, and I

0:16:45.720 --> 0:16:48.480
<v Speaker 3>wish we did not have to have it about well.

0:16:48.720 --> 0:16:51.800
<v Speaker 3>I broke this awful doll last month. Now the person

0:16:51.800 --> 0:16:55.040
<v Speaker 3>who gave the doll is coming to visit us very soon.

0:16:55.640 --> 0:16:58.920
<v Speaker 3>I walked all over Seattle to get someone to repair it.

0:16:59.400 --> 0:17:02.280
<v Speaker 3>No one at home could or would try the task.

0:17:02.720 --> 0:17:05.880
<v Speaker 3>Now I expect all the damages to be repaired by

0:17:05.920 --> 0:17:10.000
<v Speaker 3>the first week in February. In the meanwhile, I hope

0:17:10.040 --> 0:17:13.520
<v Speaker 3>and pray the important gentleman's wife will not come to

0:17:13.640 --> 0:17:16.399
<v Speaker 3>visit us until after that date. I do hope you

0:17:16.440 --> 0:17:19.159
<v Speaker 3>can read my typing. I'm trying to learn so I

0:17:19.200 --> 0:17:21.600
<v Speaker 3>can be able to type records for the Red Cross.

0:17:21.960 --> 0:17:23.960
<v Speaker 3>Please accept love and remembrances.

0:17:24.560 --> 0:17:26.000
<v Speaker 2>I got to disagree. I don't find that a very

0:17:26.040 --> 0:17:26.720
<v Speaker 2>amusing story.

0:17:26.840 --> 0:17:30.640
<v Speaker 3>No, not realist and so like the Oakland Letter, which

0:17:30.760 --> 0:17:34.440
<v Speaker 3>was purportedly penned by a lady from Colorado Springs, Oh

0:17:35.000 --> 0:17:37.720
<v Speaker 3>talked about seven small dolls that she was going to

0:17:37.800 --> 0:17:40.240
<v Speaker 3>try to make look as if they were quote seven

0:17:40.440 --> 0:17:46.120
<v Speaker 3>real Chinese dolls. Making up a family consisting of a father, grandmother, grandfather, mother,

0:17:46.200 --> 0:17:49.600
<v Speaker 3>and three kids. This was big to the FBI because

0:17:49.640 --> 0:17:52.880
<v Speaker 3>several warships had come into San Francisco Bay for repairs

0:17:52.960 --> 0:17:56.000
<v Speaker 3>just before the letter was written and mailed. So the

0:17:56.040 --> 0:17:58.720
<v Speaker 3>supposed author of that letter not only gave the letter

0:17:58.760 --> 0:18:01.840
<v Speaker 3>to the FBI, she also pointed them in the direction

0:18:01.960 --> 0:18:03.200
<v Speaker 3>of Velvelee Dickinson.

0:18:03.560 --> 0:18:05.120
<v Speaker 2>Really, she thought about it and.

0:18:05.080 --> 0:18:08.119
<v Speaker 3>She realized, you know, Velvelee probably used my information to

0:18:08.160 --> 0:18:11.320
<v Speaker 3>get back at me because the woman had purchased dolls

0:18:11.320 --> 0:18:14.000
<v Speaker 3>from Valvealle but couldn't pay for them right away. Uh huh,

0:18:14.119 --> 0:18:16.240
<v Speaker 3>I mean you shouldn't be buying dolls in to the side.

0:18:16.960 --> 0:18:20.240
<v Speaker 2>I mean it's like not live within your dollmians.

0:18:19.800 --> 0:18:22.960
<v Speaker 3>Right anyway, So then the FBI asked the other women

0:18:23.000 --> 0:18:25.879
<v Speaker 3>who got the return letters, did you know Velvelee do

0:18:25.920 --> 0:18:28.280
<v Speaker 3>you think you know she could be the one behind them?

0:18:28.760 --> 0:18:31.400
<v Speaker 3>And they all were like, yeah, we she has documents

0:18:31.400 --> 0:18:34.399
<v Speaker 3>with my signatures on them, and we've all written letters

0:18:34.440 --> 0:18:37.399
<v Speaker 3>back and forth about dolls, but also like chatted about

0:18:37.520 --> 0:18:41.200
<v Speaker 3>you know, idle chit chat about our lives. The doll

0:18:42.080 --> 0:18:44.240
<v Speaker 3>correspond and at least two of them had mixed it

0:18:44.320 --> 0:18:47.840
<v Speaker 3>up with Velveley about prices or payments for dolls. So

0:18:47.920 --> 0:18:50.359
<v Speaker 3>now the FBI they set their sights on valve Lee.

0:18:50.680 --> 0:18:52.399
<v Speaker 3>Let's stop here for a bit. I have to go

0:18:52.440 --> 0:18:54.600
<v Speaker 3>brush the hair of all the members of my creepy

0:18:54.640 --> 0:18:57.440
<v Speaker 3>doll collection. I have them arranged on the day bed

0:18:57.440 --> 0:19:00.800
<v Speaker 3>in the guest bedroom, their sleepy eyes and rosy cheeks

0:19:00.800 --> 0:19:02.560
<v Speaker 3>staring out at me in dusty contempt.

0:19:02.720 --> 0:19:03.880
<v Speaker 2>I just want to know where you got all those

0:19:03.880 --> 0:19:04.840
<v Speaker 2>deaf leopard dolls.

0:19:05.160 --> 0:19:07.320
<v Speaker 3>It's very rare in Velvely's estate.

0:19:28.040 --> 0:19:30.880
<v Speaker 2>Zaren Yo, Elizabeth. Hi, I'm sorry. I'm still thinking about

0:19:30.880 --> 0:19:33.520
<v Speaker 2>that one armed deaf leopard drummer doll that you have.

0:19:33.680 --> 0:19:34.840
<v Speaker 2>It's it's incredible.

0:19:34.920 --> 0:19:37.720
<v Speaker 3>It's a keepsake. Yeah, I ordered it on late night TV.

0:19:38.119 --> 0:19:39.040
<v Speaker 3>It's beautiful thing.

0:19:39.640 --> 0:19:41.760
<v Speaker 2>Velvely, Velvely.

0:19:42.240 --> 0:19:44.520
<v Speaker 3>It was hard not to type Velveta as I was

0:19:44.520 --> 0:19:48.359
<v Speaker 3>putting together this outline. Anyway, The FBI, by.

0:19:48.240 --> 0:19:50.760
<v Speaker 2>The way, like names like that. I mean the poetry

0:19:50.840 --> 0:19:52.720
<v Speaker 2>that named Velvelee and then Malvina.

0:19:52.920 --> 0:19:56.399
<v Speaker 3>Also, I mean, I know some really beautiful old names

0:19:56.440 --> 0:19:58.960
<v Speaker 3>like that. They just fallout. I mean, Velvely, is it

0:19:59.720 --> 0:20:00.560
<v Speaker 3>it's interesting?

0:20:00.800 --> 0:20:01.280
<v Speaker 4>I like it?

0:20:03.040 --> 0:20:06.320
<v Speaker 2>Yeah, double v's Yeah, you don't exactly. It has like

0:20:06.359 --> 0:20:07.199
<v Speaker 2>a poetry to it.

0:20:07.240 --> 0:20:10.280
<v Speaker 3>Now, is in like one hundred years time, are people

0:20:10.320 --> 0:20:14.399
<v Speaker 3>going to go back and be like, you know, Brakenzie mckayley,

0:20:15.320 --> 0:20:17.199
<v Speaker 3>the L, E, I, G. H on everything? Or they

0:20:17.520 --> 0:20:19.360
<v Speaker 3>it was so beautiful, why don't maybe use that?

0:20:19.400 --> 0:20:21.960
<v Speaker 2>Who knows? Because they're all named like Deltron three thousand.

0:20:23.320 --> 0:20:25.480
<v Speaker 3>Yes, that's a circle of life.

0:20:25.560 --> 0:20:30.040
<v Speaker 2>Sorry, apologies, Okay.

0:20:30.119 --> 0:20:33.199
<v Speaker 3>FBI people were pointing to Velvelee when it came to

0:20:33.240 --> 0:20:36.639
<v Speaker 3>the letters, so the FBI turned to its lab for confirmation.

0:20:37.280 --> 0:20:39.359
<v Speaker 3>So the lab looked at all five letters and they

0:20:39.400 --> 0:20:41.639
<v Speaker 3>confirmed that the signatures on the letters were fake. They

0:20:41.640 --> 0:20:45.960
<v Speaker 3>were good forgeries, but forgeries nonetheless. And then the experts

0:20:46.000 --> 0:20:49.520
<v Speaker 3>determined that they were prepared from original signatures in the

0:20:49.520 --> 0:20:52.919
<v Speaker 3>possession of the forger. And then they also determined that

0:20:52.960 --> 0:20:58.080
<v Speaker 3>the typewriter for each letter was different. However, they figured

0:20:58.080 --> 0:21:00.680
<v Speaker 3>that it was the same person typing each letter based

0:21:00.720 --> 0:21:02.360
<v Speaker 3>on the typing characteristics.

0:21:02.480 --> 0:21:04.320
<v Speaker 2>How can they sense, Well, I'm guessing that.

0:21:04.280 --> 0:21:07.080
<v Speaker 3>It's something like if the ease are struck especially hard

0:21:07.480 --> 0:21:11.400
<v Speaker 3>or like facing you know, that would be my guess.

0:21:11.640 --> 0:21:14.080
<v Speaker 2>I know. How you can pick which typewriter is because

0:21:14.080 --> 0:21:15.600
<v Speaker 2>of the position of the letters, and like you know,

0:21:15.680 --> 0:21:18.040
<v Speaker 2>they the way typewriters work, the letters are not in

0:21:18.080 --> 0:21:20.560
<v Speaker 2>the hitting the same spot or the same depth into

0:21:20.560 --> 0:21:21.000
<v Speaker 2>the paper.

0:21:21.160 --> 0:21:23.400
<v Speaker 3>Do you do, like maybe they do a reverse indent

0:21:23.520 --> 0:21:26.400
<v Speaker 3>and that's kind of odd and exactly yeah, those little

0:21:26.480 --> 0:21:26.960
<v Speaker 3>kind of things.

0:21:27.040 --> 0:21:28.159
<v Speaker 2>But I mean, I was wondering how they would know

0:21:28.200 --> 0:21:31.439
<v Speaker 2>it's the same type ist. That's bizarre, I know.

0:21:31.840 --> 0:21:33.600
<v Speaker 3>So I think that's what I'm saying. I think if

0:21:33.640 --> 0:21:37.000
<v Speaker 3>you hit certain keys really hard, sure that it's going

0:21:37.080 --> 0:21:38.400
<v Speaker 3>to always bleed through.

0:21:38.560 --> 0:21:41.879
<v Speaker 2>Like like when you play piano, some people play the

0:21:42.000 --> 0:21:43.360
<v Speaker 2>same notes louder and you go.

0:21:43.359 --> 0:21:48.080
<v Speaker 3>Oh, I know, yeah, yeah, exactly heavy handed, Bob. Also,

0:21:48.400 --> 0:21:51.280
<v Speaker 3>they had to decode these letters. I mean, they weren't Cipher's,

0:21:51.320 --> 0:21:55.760
<v Speaker 3>but the language is in code. So enter Elizabeth Smith Friedman.

0:21:56.080 --> 0:21:57.440
<v Speaker 2>Okay, Elizabeth Smith Free.

0:21:57.560 --> 0:22:02.160
<v Speaker 3>She spells her name E L I Z E eh special,

0:22:02.560 --> 0:22:06.280
<v Speaker 3>so Elizabeth Smith Friedman. She is one of the most

0:22:06.400 --> 0:22:11.880
<v Speaker 3>important yet long overlooked figures in American intelligence history.

0:22:12.400 --> 0:22:15.080
<v Speaker 2>Now just out of curiosity, the last name Friedman is

0:22:15.080 --> 0:22:17.040
<v Speaker 2>often a black American's name.

0:22:17.240 --> 0:22:21.959
<v Speaker 3>Is she r Ied? Okay, yeah, not Freed.

0:22:23.000 --> 0:22:24.600
<v Speaker 2>I was just very really surprised if.

0:22:26.000 --> 0:22:30.600
<v Speaker 3>Yeah, that's why we've never heard of her. Yeah, Friedman

0:22:30.760 --> 0:22:34.520
<v Speaker 3>Fried Okay. So she was born in eighteen ninety two

0:22:34.600 --> 0:22:37.639
<v Speaker 3>and Huntington, Indiana, and she was the youngest of nine

0:22:37.720 --> 0:22:41.280
<v Speaker 3>children in a Quaker family and her dad was a farmer,

0:22:41.520 --> 0:22:44.919
<v Speaker 3>strict disciplinarian. Her mom was a school teacher who just

0:22:45.040 --> 0:22:48.200
<v Speaker 3>really like imbued in all the kids this love of

0:22:48.320 --> 0:22:50.640
<v Speaker 3>learning and you've got to just pursue as much education

0:22:50.720 --> 0:22:53.240
<v Speaker 3>as possible respect to that. Yeah, So she went to

0:22:53.320 --> 0:22:56.520
<v Speaker 3>Hillsdale College in Michigan. She graduated in nineteen fifteen. She

0:22:56.600 --> 0:22:59.399
<v Speaker 3>had a major in English literature, but she also had

0:22:59.440 --> 0:23:03.520
<v Speaker 3>this strong background in languages and classical studies, and she

0:23:03.680 --> 0:23:08.159
<v Speaker 3>was fascinated by language structure and patterns, especially those in

0:23:08.200 --> 0:23:12.000
<v Speaker 3>the works of Shakespeare. And so in nineteen sixteen, a

0:23:12.080 --> 0:23:15.400
<v Speaker 3>year after graduating, she visited Chicago and it was there

0:23:15.440 --> 0:23:19.000
<v Speaker 3>that she met George Fabian And he was the super

0:23:19.160 --> 0:23:23.680
<v Speaker 3>rich textile magnet and like crazy eccentric, and he rolled

0:23:23.680 --> 0:23:26.040
<v Speaker 3>around in this limo. He spent money like it was nothing.

0:23:26.359 --> 0:23:31.080
<v Speaker 3>He also he ran this private research facility called Riverbank Laboratories,

0:23:31.600 --> 0:23:34.280
<v Speaker 3>and that was located in Geneva, Illinois, and he was

0:23:34.400 --> 0:23:38.200
<v Speaker 3>fascinated with the theory that Francis Bacon had secretly authored

0:23:38.240 --> 0:23:39.600
<v Speaker 3>all of Shakespeare's plays.

0:23:39.800 --> 0:23:41.280
<v Speaker 2>Oh right, yes.

0:23:41.480 --> 0:23:45.160
<v Speaker 3>And so he has all this money. That's his big hobby,

0:23:45.240 --> 0:23:51.400
<v Speaker 3>this interest. So he starts in institute, the Riverbank Laboratories Energy, right,

0:23:51.600 --> 0:23:54.320
<v Speaker 3>and so he chats with Elizabeth and he offered her

0:23:54.320 --> 0:23:57.040
<v Speaker 3>a job on the spot to assist in finding hidden

0:23:57.160 --> 0:24:00.760
<v Speaker 3>ciphers in Shakespearean texts that might claim.

0:24:00.920 --> 0:24:01.800
<v Speaker 2>That's so much fun.

0:24:01.840 --> 0:24:03.480
<v Speaker 3>And she's like, yeah, I'll take it, Like what a

0:24:03.560 --> 0:24:07.200
<v Speaker 3>job off her from their Yeah, and it's everything she loves.

0:24:07.520 --> 0:24:11.640
<v Speaker 3>So at Riverbank she met William F. Friedman, a geneticist

0:24:11.720 --> 0:24:15.560
<v Speaker 3>who was also working for Fabian. The two collaborated on

0:24:15.640 --> 0:24:18.080
<v Speaker 3>code breaking techniques and then they also fell in love.

0:24:18.320 --> 0:24:20.919
<v Speaker 3>Oh and they got married in nineteen seventeen. So this

0:24:21.080 --> 0:24:26.080
<v Speaker 3>whole Shakespeare Bacon thing was total pseudoscience, obviously, But in

0:24:26.119 --> 0:24:29.879
<v Speaker 3>the course of establishing Riverbank, it became the first American

0:24:29.920 --> 0:24:35.200
<v Speaker 3>facility dedicated to cryptoanalysis. Really yeah, So during World War

0:24:35.240 --> 0:24:37.080
<v Speaker 3>One it was one of the few places in the

0:24:37.160 --> 0:24:40.159
<v Speaker 3>US that was equipped to handle military code breaking for

0:24:40.240 --> 0:24:40.840
<v Speaker 3>the government.

0:24:41.240 --> 0:24:44.000
<v Speaker 2>That's so crazy. And it goes from Sir Francis Bacon

0:24:44.119 --> 0:24:47.080
<v Speaker 2>Shakespeare to like for the war exactly now.

0:24:47.119 --> 0:24:50.720
<v Speaker 3>Both Elizabeth and William they trained military officers and they

0:24:50.760 --> 0:24:53.840
<v Speaker 3>broke enemy codes on behalf of the Army Signal Corps

0:24:54.359 --> 0:24:57.560
<v Speaker 3>during World War One, the Freedman's Together, they worked to

0:24:57.600 --> 0:25:01.760
<v Speaker 3>decipher coded messages between German ages and their American contacts,

0:25:02.240 --> 0:25:05.080
<v Speaker 3>and they demonstrated that code breaking could be this like

0:25:05.240 --> 0:25:09.920
<v Speaker 3>rigorous scientific discipline, not just like guesswork and intuition. They

0:25:10.080 --> 0:25:15.919
<v Speaker 3>developed early methods for of frequency analysis, statistical approaches to

0:25:16.000 --> 0:25:19.680
<v Speaker 3>like substitution ciphers, and then they laid the groundwork basically

0:25:19.720 --> 0:25:26.399
<v Speaker 3>for modern cryptology. These two, their reports became foundational materials

0:25:26.400 --> 0:25:28.480
<v Speaker 3>for all of like the crypto.

0:25:28.520 --> 0:25:30.200
<v Speaker 2>Units to come, okay, okay.

0:25:30.760 --> 0:25:34.719
<v Speaker 3>In the twenties, Elizabeth started working independently from her husband.

0:25:34.760 --> 0:25:37.560
<v Speaker 3>She joined the US Coast Guard, and that was to

0:25:37.680 --> 0:25:41.840
<v Speaker 3>combat rum running and smuggling during Prohibition the US codes

0:25:41.880 --> 0:25:46.159
<v Speaker 3>too oh yeah, so yeah, and when it began, well

0:25:46.240 --> 0:25:48.960
<v Speaker 3>goes even further than that. Prohibition starts in nineteen twenty

0:25:49.000 --> 0:25:53.600
<v Speaker 3>under the Volstead Act, bootlegging and maritime smuggling surged across

0:25:53.680 --> 0:25:56.639
<v Speaker 3>the US coastlines. As we've discussed here before, so the

0:25:56.680 --> 0:26:00.399
<v Speaker 3>Coast Guard suddenly found itself responsible for intercepting thouands of

0:26:00.440 --> 0:26:04.720
<v Speaker 3>these liquor laden ships, but also radio communications to coordinate

0:26:04.840 --> 0:26:06.920
<v Speaker 3>movements and evade capsule.

0:26:06.720 --> 0:26:10.480
<v Speaker 2>Current meeting off in the over to unload their cargo

0:26:10.640 --> 0:26:11.639
<v Speaker 2>in the open ocean.

0:26:11.760 --> 0:26:14.960
<v Speaker 3>Correct and the agency had no code breakers. So in

0:26:15.040 --> 0:26:18.800
<v Speaker 3>nineteen twenty five, Elizabeth was asked to examine intercepted radio

0:26:18.880 --> 0:26:22.320
<v Speaker 3>messages that were suspected of containing criminal codes, and she

0:26:22.480 --> 0:26:27.600
<v Speaker 3>quickly recognized, okay, these are just complex substitution and transposition ciphers,

0:26:28.560 --> 0:26:31.879
<v Speaker 3>well beyond the skills of most law enforcement agents, but

0:26:31.920 --> 0:26:35.359
<v Speaker 3>for her it's cakewalk. So she was soon formally hired

0:26:35.480 --> 0:26:39.159
<v Speaker 3>as a special cryptanalyst for the US Coast Guard, and

0:26:39.280 --> 0:26:43.320
<v Speaker 3>her team received hundreds of intercepted radio logs every single week,

0:26:43.760 --> 0:26:46.399
<v Speaker 3>and so they worked. They sat there with like like

0:26:46.560 --> 0:26:50.679
<v Speaker 3>doing everything by hand, pencil paper, sitting by lamplight. She

0:26:50.840 --> 0:26:54.560
<v Speaker 3>decrypted over twelve thousand messages in less than a decade,

0:26:55.560 --> 0:26:59.520
<v Speaker 3>just constant churning them out, and her analysis exposed like

0:26:59.560 --> 0:27:03.240
<v Speaker 3>this huge, huge international structure of all these smuggling cartels,

0:27:03.720 --> 0:27:06.680
<v Speaker 3>and then also brought in like the use of shell companies,

0:27:06.720 --> 0:27:10.480
<v Speaker 3>false manifest coded invoices, so she was able to crack

0:27:10.520 --> 0:27:13.520
<v Speaker 3>codes beyond just like meet me at this coordinate at

0:27:13.520 --> 0:27:16.800
<v Speaker 3>this time, it was like further communications about who was

0:27:16.880 --> 0:27:17.480
<v Speaker 3>higher up and.

0:27:17.520 --> 0:27:18.880
<v Speaker 2>The Capone's bookkeeper style.

0:27:19.240 --> 0:27:23.480
<v Speaker 3>Yeah, and she discovered that criminal groups oftentimes reused encryption

0:27:23.600 --> 0:27:27.160
<v Speaker 3>keys or followed like these predictable linguistic habits, and that's

0:27:27.200 --> 0:27:30.760
<v Speaker 3>how she got her entry point for decryption. She did

0:27:30.800 --> 0:27:33.000
<v Speaker 3>wind up. She worked on Capone stuff.

0:27:33.840 --> 0:27:37.560
<v Speaker 2>Yeah, that's a very famous example of like a coded

0:27:37.800 --> 0:27:41.639
<v Speaker 2>record keeping, coded communication. Right. He was very smart and cunning,

0:27:41.680 --> 0:27:43.480
<v Speaker 2>so it was like probably be a bit fun challenge

0:27:43.480 --> 0:27:44.399
<v Speaker 2>for something like her was.

0:27:44.480 --> 0:27:47.320
<v Speaker 3>She was on it. There was the I'm Alone case

0:27:47.359 --> 0:27:50.640
<v Speaker 3>in nineteen thirty one. This was a Canadian vessel accused

0:27:50.680 --> 0:27:53.480
<v Speaker 3>of running alcohol and it got sunk by the coastguard

0:27:53.600 --> 0:27:54.680
<v Speaker 3>in the Gulf of Mexico.

0:27:55.280 --> 0:27:57.200
<v Speaker 2>Oh wow, I was thinking the other way, be like

0:27:57.359 --> 0:27:58.160
<v Speaker 2>by Detroit. Yeah.

0:27:58.200 --> 0:28:03.199
<v Speaker 3>No, her cryptanalysis proved the ships Canadian registry was fraudulent

0:28:03.720 --> 0:28:06.679
<v Speaker 3>and that it was operating under American ownership, and so

0:28:06.760 --> 0:28:11.639
<v Speaker 3>that saved us from like crazy diplomatic backlashure. She also

0:28:11.760 --> 0:28:14.800
<v Speaker 3>helped dismantle smuggling rings link to like I said, organized

0:28:14.840 --> 0:28:21.200
<v Speaker 3>crime families, Chicago, New York. Her messages connected radio operators

0:28:21.200 --> 0:28:25.560
<v Speaker 3>directly to the financial backers in all of these cases,

0:28:25.600 --> 0:28:29.840
<v Speaker 3>so prohibition gets repealed. She continues doing work for the

0:28:30.000 --> 0:28:34.200
<v Speaker 3>Treasury Department and the Customs Service. She tracked narcotic smuggling,

0:28:34.359 --> 0:28:38.560
<v Speaker 3>currency fraud, illegal immigration networks. She had this little small

0:28:38.600 --> 0:28:41.479
<v Speaker 3>office still at the Coastguard, but it became the center

0:28:42.000 --> 0:28:46.000
<v Speaker 3>of what would evolve into permanent cryptanalytic branch within US

0:28:46.120 --> 0:28:49.240
<v Speaker 3>law enforcement. All comes out of the Coastguard. So by

0:28:49.240 --> 0:28:52.840
<v Speaker 3>the early thirties, she had testified as an expert in

0:28:53.640 --> 0:28:57.400
<v Speaker 3>all these federal trials against smugglers. Anytime they brought her in,

0:28:57.480 --> 0:29:01.760
<v Speaker 3>her testimony was so decisive that defense attorneys sometimes would

0:29:01.800 --> 0:29:04.360
<v Speaker 3>find out she was going to testify and like be like,

0:29:04.400 --> 0:29:04.920
<v Speaker 3>you got.

0:29:04.720 --> 0:29:05.880
<v Speaker 2>To plead out take the deal.

0:29:05.960 --> 0:29:08.000
<v Speaker 3>Yeah, don't if we go to court like your TOAs

0:29:08.080 --> 0:29:08.360
<v Speaker 3>you're going.

0:29:08.360 --> 0:29:09.000
<v Speaker 2>To get embarrassed.

0:29:09.080 --> 0:29:09.320
<v Speaker 3>Yeah.

0:29:09.360 --> 0:29:10.600
<v Speaker 2>The headlines alone, Yeah.

0:29:10.600 --> 0:29:13.080
<v Speaker 3>And she was known for how smart brilliant she was.

0:29:13.160 --> 0:29:15.840
<v Speaker 3>She was yet so modest. Yeah, and she had this

0:29:15.960 --> 0:29:19.800
<v Speaker 3>like crazy deep respect from law enforcement. But and no

0:29:19.840 --> 0:29:21.120
<v Speaker 3>one in the public knew who she was.

0:29:21.320 --> 0:29:24.200
<v Speaker 2>And she ironic because she's really good at unmasking.

0:29:23.680 --> 0:29:27.000
<v Speaker 3>People, right, you know, yeah, and so, And the thing

0:29:27.120 --> 0:29:28.760
<v Speaker 3>is is a lot of people didn't know because her

0:29:28.760 --> 0:29:31.520
<v Speaker 3>work was classified. So it's like you can't talk about.

0:29:31.320 --> 0:29:34.120
<v Speaker 2>It, of course. And also it's probably for her like

0:29:34.200 --> 0:29:36.560
<v Speaker 2>her you know, her life interest if people don't know

0:29:36.560 --> 0:29:38.480
<v Speaker 2>who she is, because then these mobsters can't just go

0:29:38.520 --> 0:29:39.120
<v Speaker 2>and find here.

0:29:39.440 --> 0:29:41.680
<v Speaker 3>And I don't know how long it extends out, because

0:29:41.680 --> 0:29:44.440
<v Speaker 3>I know, like in the UK with all the Bletchley folks,

0:29:45.000 --> 0:29:47.480
<v Speaker 3>it was decades later that they couldn't even say where

0:29:47.480 --> 0:29:47.920
<v Speaker 3>they worked.

0:29:47.960 --> 0:29:48.880
<v Speaker 2>She was like to the seventies.

0:29:49.000 --> 0:29:51.840
<v Speaker 3>Yeah, they couldn't discuss it, and so you know, you

0:29:51.840 --> 0:29:53.800
<v Speaker 3>couldn't even say that you worked there. You just had

0:29:53.800 --> 0:29:57.239
<v Speaker 3>to be vague or whatever or have a cover. So

0:29:57.320 --> 0:29:59.520
<v Speaker 3>when World War Two broke out in Europe, the US

0:29:59.560 --> 0:30:03.480
<v Speaker 3>Coast Guard was transferred to Navy authority and Elizabeth she

0:30:03.560 --> 0:30:07.200
<v Speaker 3>started receiving intercepted message from the Office of Naval Intelligence

0:30:07.320 --> 0:30:12.240
<v Speaker 3>ONI and the FBI concerning espionage in the Western Hemisphere.

0:30:12.600 --> 0:30:16.800
<v Speaker 3>That's where she got assigned. So the Germany's military intelligence

0:30:16.840 --> 0:30:20.840
<v Speaker 3>and State Telegraph Service were using encrypted short of radio

0:30:20.960 --> 0:30:25.640
<v Speaker 3>to communicate with German agents in Latin America, and these spies.

0:30:25.920 --> 0:30:30.240
<v Speaker 3>They were gathering all this information about like shipping, coastal defenses,

0:30:30.400 --> 0:30:34.640
<v Speaker 3>military movements and all that stuff that like Berlin wanted

0:30:34.680 --> 0:30:39.000
<v Speaker 3>it for submarine warfare, right, Yeah, So her Elizabeth unit

0:30:39.120 --> 0:30:43.720
<v Speaker 3>was tasked with breaking access ciphers and identifying Nazi spy

0:30:43.840 --> 0:30:46.960
<v Speaker 3>networks in countries like Brazil, Chile.

0:30:47.280 --> 0:30:50.840
<v Speaker 2>Argentina, not Mexico. No, but this is.

0:30:50.760 --> 0:30:53.320
<v Speaker 3>Where she intersects back with valve Lee. And we're going

0:30:53.400 --> 0:30:54.960
<v Speaker 3>to come back to Vealvelee in a second, but I

0:30:55.000 --> 0:30:57.160
<v Speaker 3>want to keep up with Elizabeth here, please. So the

0:30:57.240 --> 0:31:00.080
<v Speaker 3>German network in South America was coordinated through this real

0:31:00.240 --> 0:31:04.959
<v Speaker 3>complex system of all these ciphered messages radio relays, and

0:31:05.000 --> 0:31:08.920
<v Speaker 3>the main German agent in the region was Johannes Siegfried Becker,

0:31:09.200 --> 0:31:15.120
<v Speaker 3>who was known as Sargo Sargo Sargo. He oversaw intelligence

0:31:15.160 --> 0:31:16.920
<v Speaker 3>cells in fifteen different countries.

0:31:17.080 --> 0:31:19.040
<v Speaker 2>It sounds like something you buy it from Ikia.

0:31:21.000 --> 0:31:24.200
<v Speaker 3>Or it's like a like a sandwich spread in another country.

0:31:24.200 --> 0:31:26.840
<v Speaker 2>Oh yeah, totally as yeah, exactly.

0:31:27.840 --> 0:31:32.120
<v Speaker 3>He's responsible for fifteen countries all of their intelligence cells.

0:31:32.240 --> 0:31:32.640
<v Speaker 2>That's a lot.

0:31:32.760 --> 0:31:35.960
<v Speaker 3>Yeah, And so he would transmit all of this data

0:31:36.000 --> 0:31:41.920
<v Speaker 3>back to Germany using like Enigma, like encryptions. So between

0:31:42.000 --> 0:31:45.000
<v Speaker 3>nineteen forty and nineteen forty four, she's still got this

0:31:45.080 --> 0:31:48.680
<v Speaker 3>little tiny Coastguard team and they're working secretly under a

0:31:48.680 --> 0:31:52.760
<v Speaker 3>code name. They're intercepting and decrypting thousands of messages from

0:31:52.800 --> 0:31:56.600
<v Speaker 3>Becker's agents. And she identified not only the message content,

0:31:57.000 --> 0:32:02.000
<v Speaker 3>but the operators, call signs, transmission schedules, signal locations. She

0:32:02.040 --> 0:32:06.080
<v Speaker 3>took them down. She basically mapped the German intelligence infrastructure

0:32:06.160 --> 0:32:07.400
<v Speaker 3>across the hemisphere.

0:32:07.640 --> 0:32:09.720
<v Speaker 2>Oh my god, this is so crazy.

0:32:09.440 --> 0:32:12.800
<v Speaker 3>Right, So her code cracking pushed the US and allied

0:32:12.840 --> 0:32:17.760
<v Speaker 3>governments to pressure Latin American countries to arrest these German agents, like,

0:32:17.840 --> 0:32:20.440
<v Speaker 3>you know, shut down the radio stations. You got to

0:32:20.480 --> 0:32:23.280
<v Speaker 3>cut their influence, like join up, get on our side.

0:32:23.600 --> 0:32:29.200
<v Speaker 3>The most significant operation was the dismantling of Operation Bolivar German,

0:32:29.240 --> 0:32:35.120
<v Speaker 3>these principal spy network in South America. I So, nineteen

0:32:35.200 --> 0:32:39.400
<v Speaker 3>forty four, thanks pretty much to her decryptions, the entire

0:32:39.440 --> 0:32:43.480
<v Speaker 3>network gets rolled up, dozens of German and local collaborators

0:32:43.520 --> 0:32:48.360
<v Speaker 3>get arrested, their communications channels totally wiped out, and her

0:32:48.440 --> 0:32:51.240
<v Speaker 3>reports were sent directly to the White House, FBI, and

0:32:51.280 --> 0:32:55.560
<v Speaker 3>British intelligence. And so you know, we associate the Enigma machine,

0:32:55.600 --> 0:33:00.600
<v Speaker 3>the decoding machine with the British. At Bletchley Park, Elizabeth's

0:33:00.600 --> 0:33:04.680
<v Speaker 3>team successfully broke simplified Enigma variants used by the German

0:33:04.720 --> 0:33:08.040
<v Speaker 3>agents abroad. Okay, so she didn't have the full Enigma machine,

0:33:08.120 --> 0:33:13.880
<v Speaker 3>but the communications correct. Yeah, her achievements were classified until

0:33:13.960 --> 0:33:18.720
<v Speaker 3>the nineties. The nineties and Jay Edgar Hoover, he would

0:33:18.760 --> 0:33:21.400
<v Speaker 3>go around like, yeah, the FBI broke the spy codes,

0:33:21.440 --> 0:33:25.600
<v Speaker 3>but like she was totally eliminated from the record. Really, yeah,

0:33:25.640 --> 0:33:27.680
<v Speaker 3>she was not put on there, and it wasn't until

0:33:27.760 --> 0:33:29.960
<v Speaker 3>much later after her death. But then they started going

0:33:30.000 --> 0:33:33.360
<v Speaker 3>back and like putting her name on things recognizing it. Yeah.

0:33:33.560 --> 0:33:35.600
<v Speaker 2>Yeah, so she never got her flowers.

0:33:35.320 --> 0:33:37.680
<v Speaker 3>No she didn't, so we present them to her. Now,

0:33:38.000 --> 0:33:41.960
<v Speaker 3>so Velveley's letters right back to Velvele. Elizabeth and her

0:33:41.960 --> 0:33:45.280
<v Speaker 3>crew determined that an open code was used for the letters,

0:33:45.280 --> 0:33:47.200
<v Speaker 3>and they're probably like, this is stupid. This is the

0:33:47.280 --> 0:33:49.920
<v Speaker 3>dumbest code I've ever seen. Like it's super obvious.

0:33:49.640 --> 0:33:51.080
<v Speaker 2>Because are just distracted by the dolls.

0:33:51.600 --> 0:33:54.720
<v Speaker 3>Don't be distracted. So they're sharing information on the military,

0:33:54.760 --> 0:33:57.880
<v Speaker 3>especially the ships of the Navy. The code referred to

0:33:57.960 --> 0:34:01.000
<v Speaker 3>locations conditions, repair stats, and a lot of it had

0:34:01.000 --> 0:34:03.640
<v Speaker 3>to do with the boats damaged at Pearl Harbor. So,

0:34:03.680 --> 0:34:07.920
<v Speaker 3>according to FBI records, Elizabeth's team quote concluded that the

0:34:07.960 --> 0:34:10.879
<v Speaker 3>three old English dolls left at a quote wonderful doll

0:34:10.960 --> 0:34:14.640
<v Speaker 3>hospital for repairs might well mean three warships being repaired

0:34:14.640 --> 0:34:18.319
<v Speaker 3>at the West Coast Naval Shipyard. Fishnets meant submarine nets,

0:34:18.360 --> 0:34:21.640
<v Speaker 3>and balloons referred to defense installations. I was kind of

0:34:21.719 --> 0:34:25.959
<v Speaker 3>obvious and about that, mister Shaw, remember, yes, in early

0:34:26.040 --> 0:34:29.359
<v Speaker 3>nineteen forty two, the Japanese had to figure out how

0:34:29.400 --> 0:34:32.960
<v Speaker 3>badly they'd rocked the American Pacific fleet at Pearl Harbor,

0:34:33.560 --> 0:34:37.520
<v Speaker 3>and so they also wanted to know how far had

0:34:37.520 --> 0:34:40.680
<v Speaker 3>we knocked him out, Like were boats being repaired? If so,

0:34:40.880 --> 0:34:44.719
<v Speaker 3>how fast were they doing this? The destroyer Shaw had

0:34:44.719 --> 0:34:48.120
<v Speaker 3>its bow blown off in this huge explosion at Pearl Harbor,

0:34:48.360 --> 0:34:51.080
<v Speaker 3>and it arrived in San Francisco about two weeks before

0:34:51.160 --> 0:34:54.600
<v Speaker 3>the letter was sent, So just reporting out on the

0:34:54.600 --> 0:34:57.839
<v Speaker 3>Shaw getting repaired. According to The New York Times, that

0:34:57.960 --> 0:35:00.959
<v Speaker 3>letter about the Hulaskirt was determined to be a clear

0:35:01.000 --> 0:35:03.440
<v Speaker 3>reference to a ship struck at Pearl Harbor, which, of

0:35:03.440 --> 0:35:06.400
<v Speaker 3>course they said, quote This letter had been written a

0:35:06.400 --> 0:35:10.400
<v Speaker 3>few days after the aircraft carrier USS Saratoga left Puget

0:35:10.400 --> 0:35:13.600
<v Speaker 3>Sound for San Diego. Still, another letter was turned over

0:35:13.640 --> 0:35:16.919
<v Speaker 3>to the FBI by a Spokane, Washington woman, this one

0:35:16.960 --> 0:35:20.200
<v Speaker 3>carrying a Seattle Washington postmark. The letter referred to a

0:35:20.280 --> 0:35:23.080
<v Speaker 3>quote German bisk doll dressed in a hula grass skirt,

0:35:23.400 --> 0:35:26.280
<v Speaker 3>which was reported to be in Seattle for repairs scheduled

0:35:26.320 --> 0:35:29.239
<v Speaker 3>for completion by the first week in February. A check

0:35:29.280 --> 0:35:32.799
<v Speaker 3>by the FBI with naval authorities verified the conclusion that

0:35:32.840 --> 0:35:35.320
<v Speaker 3>the doll referred to a warship which had been damaged

0:35:35.320 --> 0:35:38.160
<v Speaker 3>at Pearl Harbor. The vessel was in Puget Sound Navy

0:35:38.239 --> 0:35:40.520
<v Speaker 3>Yard for repairs at the time the letter was written.

0:35:41.600 --> 0:35:43.520
<v Speaker 2>I figured they wanted to know about those aircraft carriers

0:35:43.520 --> 0:35:45.279
<v Speaker 2>because that's some of the early battle.

0:35:44.880 --> 0:35:48.839
<v Speaker 3>Of the Pacific exactly Exactly, so FBI agents they start

0:35:48.920 --> 0:35:53.120
<v Speaker 3>digging into Velvele's life. She'd been pretty consistently getting loans

0:35:53.120 --> 0:35:56.160
<v Speaker 3>from banks and business associates in New York all the

0:35:56.200 --> 0:35:59.200
<v Speaker 3>way up to like nineteen forty one. She was struggling,

0:35:59.480 --> 0:36:02.719
<v Speaker 3>but by early nineteen forty three she was known for

0:36:02.840 --> 0:36:05.200
<v Speaker 3>prance and around town. She had like huge wads one

0:36:05.280 --> 0:36:07.960
<v Speaker 3>hundred dollars bills on her for real, Yeah, and they

0:36:08.120 --> 0:36:10.760
<v Speaker 3>tracked it down. Four of the bills that she used

0:36:10.960 --> 0:36:15.600
<v Speaker 3>in payments were traced by the FBI to Japanese official

0:36:15.680 --> 0:36:19.120
<v Speaker 3>sources which had received the money before the war. So

0:36:19.160 --> 0:36:23.520
<v Speaker 3>we were tracking money that the Japanese were using before

0:36:23.560 --> 0:36:24.040
<v Speaker 3>the war.

0:36:23.920 --> 0:36:26.680
<v Speaker 2>By serial number. We knew the money they were getting.

0:36:26.480 --> 0:36:29.759
<v Speaker 3>The tracking And think about it, this is pre computer

0:36:30.000 --> 0:36:33.319
<v Speaker 3>tracking all by hand, and so not only is that

0:36:33.440 --> 0:36:35.839
<v Speaker 3>just so overwhelming when you think about how quickly the

0:36:35.920 --> 0:36:39.000
<v Speaker 3>FBI was getting the people and all of this tracking

0:36:39.440 --> 0:36:42.560
<v Speaker 3>now all of the technology they have, like, forget about it.

0:36:42.560 --> 0:36:44.360
<v Speaker 3>There's no privacy, there's no secrecy.

0:36:44.440 --> 0:36:46.320
<v Speaker 2>Oh yeah, no, I always imagine I live in a

0:36:46.400 --> 0:36:47.840
<v Speaker 2>fishbowl exactly.

0:36:48.840 --> 0:36:51.560
<v Speaker 3>And so's okay. So they've been tracking this money from

0:36:51.560 --> 0:36:54.480
<v Speaker 3>before the war. In early forty two, she and her

0:36:54.520 --> 0:36:56.880
<v Speaker 3>husband went on trips up and down the Pacific coast

0:36:57.160 --> 0:36:59.520
<v Speaker 3>and they hit up the same cities which the four

0:36:59.560 --> 0:37:02.320
<v Speaker 3>other led has been mailed from. Okay, and they stayed

0:37:02.320 --> 0:37:06.240
<v Speaker 3>in hotels that had a common amenity typewriters for guests

0:37:06.239 --> 0:37:09.879
<v Speaker 3>to use in their rooms, and the FBI goes out

0:37:09.920 --> 0:37:13.160
<v Speaker 3>and they seized the typewriters at each location, and then

0:37:13.200 --> 0:37:15.400
<v Speaker 3>they were able to link them to the coded letters.

0:37:15.440 --> 0:37:18.160
<v Speaker 3>The labs were able to connect them. So it's looking

0:37:18.200 --> 0:37:19.800
<v Speaker 3>like curtains for old Velvele.

0:37:20.120 --> 0:37:22.200
<v Speaker 2>Yeah, I mean it's kind of dead to right, right.

0:37:22.239 --> 0:37:24.120
<v Speaker 3>So let's take a break and we get back. We're

0:37:24.120 --> 0:37:26.960
<v Speaker 3>gonna see what Jay Edgar's boys have up their sleeves.

0:37:47.840 --> 0:37:49.360
<v Speaker 3>Zaren Zaren.

0:37:49.480 --> 0:37:51.239
<v Speaker 2>By the way, I am loving this one. This is

0:37:51.280 --> 0:37:55.080
<v Speaker 2>so fun and I loved also that without us communicating

0:37:55.120 --> 0:37:57.560
<v Speaker 2>at all, we both picked World War two era stories

0:37:57.560 --> 0:37:57.919
<v Speaker 2>this week.

0:37:58.000 --> 0:37:58.760
<v Speaker 3>Isn't that crazy.

0:37:58.760 --> 0:37:59.719
<v Speaker 2>It's just so bizarre.

0:38:00.120 --> 0:38:04.560
<v Speaker 3>It's that, you know, we sink up like our cycles,

0:38:04.560 --> 0:38:05.440
<v Speaker 3>sink a lot like that.

0:38:05.480 --> 0:38:08.279
<v Speaker 2>Thank you, Thank you for sharing seeing part.

0:38:08.960 --> 0:38:13.440
<v Speaker 3>Thank you for opening your heart. The FBI, right, they

0:38:13.480 --> 0:38:17.239
<v Speaker 3>got all they need to bust Velvely Dickinson, and they

0:38:17.280 --> 0:38:20.400
<v Speaker 3>aren't busting her for white collar crime. She's a spy

0:38:21.239 --> 0:38:25.759
<v Speaker 3>during wartime. This is big dogs, Yes they do. This

0:38:25.800 --> 0:38:30.680
<v Speaker 3>is dangerous stuff. Zaren, closure eyes. I want you to

0:38:30.680 --> 0:38:38.720
<v Speaker 3>picture It's January nineteen forty four and you're a bank

0:38:38.760 --> 0:38:42.319
<v Speaker 3>teller in New York City. It's wartime, and some days

0:38:42.320 --> 0:38:45.000
<v Speaker 3>it feels like the world may even be ending. The

0:38:45.040 --> 0:38:48.440
<v Speaker 3>whole world is at war, with fronts in Europe, the East, Africa,

0:38:48.520 --> 0:38:52.080
<v Speaker 3>you name it. Your two brothers are serving, one in Europe,

0:38:52.080 --> 0:38:55.120
<v Speaker 3>the other out in the Pacific. Every day you think

0:38:55.160 --> 0:38:58.160
<v Speaker 3>of them, you worry about them. Your sister moved out

0:38:58.160 --> 0:39:01.000
<v Speaker 3>west and she's working in a shipbuilding for facility. You

0:39:01.160 --> 0:39:04.520
<v Speaker 3>never thought you'd see the day. Everything feels so uncertain,

0:39:04.719 --> 0:39:07.440
<v Speaker 3>but you don't allow yourself to get overwhelmed or defeated.

0:39:07.560 --> 0:39:10.200
<v Speaker 3>Gotta get hot, the posters say, you need to be

0:39:10.239 --> 0:39:13.480
<v Speaker 3>strong for the boys out there fighting. There's no question

0:39:13.600 --> 0:39:14.560
<v Speaker 3>we're the good guys.

0:39:14.600 --> 0:39:15.040
<v Speaker 2>You think.

0:39:15.400 --> 0:39:18.480
<v Speaker 3>If you're fighting fascists and fighting Nazis.

0:39:18.040 --> 0:39:19.120
<v Speaker 2>You're the good guy.

0:39:19.239 --> 0:39:22.439
<v Speaker 3>You always want to be anti fascist. That's the American way.

0:39:22.480 --> 0:39:24.840
<v Speaker 3>That's how you love this country, you think to yourself.

0:39:25.480 --> 0:39:28.200
<v Speaker 3>Just then a woman approaches your counter. Her face is

0:39:28.239 --> 0:39:31.239
<v Speaker 3>pinched and she's tiny, like a bird, couldn't weigh more

0:39:31.239 --> 0:39:34.240
<v Speaker 3>than ninety pounds or so. She's wearing a nice winter

0:39:34.320 --> 0:39:37.080
<v Speaker 3>coat and smart glasses. She seems to be in her fifties,

0:39:37.120 --> 0:39:39.840
<v Speaker 3>but you don't know. Some people are aging so quickly.

0:39:39.880 --> 0:39:42.759
<v Speaker 3>With the way things are. She asks to access her

0:39:42.800 --> 0:39:45.000
<v Speaker 3>safe deposit box. You tell her you can help her

0:39:45.000 --> 0:39:47.839
<v Speaker 3>with that, and you go to get the manager. As

0:39:47.880 --> 0:39:50.279
<v Speaker 3>you walk from behind the counter and cross the floor

0:39:50.360 --> 0:39:52.680
<v Speaker 3>to the manager's desk, you spot three men in suits

0:39:52.719 --> 0:39:56.000
<v Speaker 3>standing near the door. They're fit, and their suits are sharp.

0:39:56.440 --> 0:39:59.240
<v Speaker 3>They don't exactly fit in, and you can't think of why.

0:40:00.080 --> 0:40:03.000
<v Speaker 3>Remember your friend Judy, she was seeing a guy. He

0:40:03.120 --> 0:40:06.360
<v Speaker 3>dressed just like that, clean cut and honorable. He was

0:40:06.400 --> 0:40:09.640
<v Speaker 3>a g man in the FBI. You tell the manager

0:40:09.680 --> 0:40:12.520
<v Speaker 3>there's a customer wishing to access her safe deposit box.

0:40:12.600 --> 0:40:15.560
<v Speaker 3>He nods, unlocks his desk drawer, pulls he ring of

0:40:15.680 --> 0:40:18.480
<v Speaker 3>keys out, and then locks the drawer again. He stands

0:40:18.520 --> 0:40:21.320
<v Speaker 3>and asks which customer. You point to the tiny woman

0:40:21.360 --> 0:40:24.480
<v Speaker 3>waiting at your counter. He strides over and you follow

0:40:24.600 --> 0:40:27.279
<v Speaker 3>sneaking another look at the men by the door. They're

0:40:27.280 --> 0:40:29.520
<v Speaker 3>whispering to each other now, and you would swear you

0:40:29.560 --> 0:40:31.959
<v Speaker 3>saw your manager look over and give them a slight nod.

0:40:32.600 --> 0:40:35.360
<v Speaker 3>Your manager approaches the customer and you circle back around

0:40:35.400 --> 0:40:37.839
<v Speaker 3>the counter to your station. You look up and see

0:40:37.840 --> 0:40:40.080
<v Speaker 3>the men by the door dash over to your manager

0:40:40.120 --> 0:40:44.160
<v Speaker 3>and the customer. FBI don't move, one yells, a lady

0:40:44.200 --> 0:40:47.480
<v Speaker 3>across the lobby shrieks. You knew it. Judy is going

0:40:47.560 --> 0:40:48.560
<v Speaker 3>to love this story.

0:40:49.320 --> 0:40:51.360
<v Speaker 2>Velvet Dickenson. You're under arrest.

0:40:51.920 --> 0:40:54.319
<v Speaker 3>The customer spins around to face the agents and then

0:40:54.400 --> 0:40:57.040
<v Speaker 3>leaps at them like a spider monk. One of them

0:40:57.080 --> 0:41:00.200
<v Speaker 3>grabs her is large hands, ripping the tiny upper arm.

0:41:00.600 --> 0:41:02.600
<v Speaker 3>She lifts her legs up and begins to kick at

0:41:02.640 --> 0:41:05.799
<v Speaker 3>the agents. She's spitting and swearing, and it's just the

0:41:05.960 --> 0:41:09.239
<v Speaker 3>oddest thing you've ever seen. She manages to rip one

0:41:09.239 --> 0:41:11.160
<v Speaker 3>of her arms from the agent holding onto her and

0:41:11.200 --> 0:41:14.120
<v Speaker 3>takes his wipe. At another agent with her fingernails, she

0:41:14.239 --> 0:41:17.080
<v Speaker 3>draws blood across his cheek. You can see the anger

0:41:17.200 --> 0:41:20.160
<v Speaker 3>rising in his face. He wants to smack her, but

0:41:20.200 --> 0:41:23.480
<v Speaker 3>he's a gentleman. Gentlemen don't hit ladies. Besides, she's so

0:41:23.800 --> 0:41:26.680
<v Speaker 3>tiny it would be humiliating for him to take down

0:41:26.719 --> 0:41:29.320
<v Speaker 3>a small woman like that. An agent is able to

0:41:29.360 --> 0:41:31.920
<v Speaker 3>wrestle her into some handcuffs, and more agents appear and

0:41:32.000 --> 0:41:34.839
<v Speaker 3>drag her away. You dash to the washroom to get

0:41:34.840 --> 0:41:37.600
<v Speaker 3>the injured agent a cool wet rag for his cheek.

0:41:38.080 --> 0:41:40.400
<v Speaker 3>While you're gone, your manager lets the agents into the

0:41:40.480 --> 0:41:43.480
<v Speaker 3>vault to look at the customer's safe deposit box. When

0:41:43.480 --> 0:41:45.960
<v Speaker 3>you get back, they're all standing around the empty box.

0:41:46.160 --> 0:41:48.920
<v Speaker 3>One agent whistles and he flips through a huge stack

0:41:48.960 --> 0:41:51.759
<v Speaker 3>of cash. You hand the injured agent to towel and

0:41:51.800 --> 0:41:55.320
<v Speaker 3>return to your station. Maybe the world really is falling apart.

0:41:56.880 --> 0:41:59.839
<v Speaker 2>So she's like it got the size and body type

0:41:59.840 --> 0:42:02.439
<v Speaker 2>of a bird, but the heart of a house cat

0:42:02.480 --> 0:42:03.399
<v Speaker 2>has been pissed off.

0:42:03.520 --> 0:42:06.280
<v Speaker 3>Fought them. She fought them like crazy when they picked.

0:42:06.080 --> 0:42:08.640
<v Speaker 2>Up that's nuts, the cawing and.

0:42:08.560 --> 0:42:11.279
<v Speaker 3>She went crazy. So but I mean, think about it

0:42:11.880 --> 0:42:14.839
<v Speaker 3>what she's up against. She knows she gets busted. This

0:42:14.880 --> 0:42:16.040
<v Speaker 3>isn't like you were saying.

0:42:15.800 --> 0:42:19.080
<v Speaker 2>This is so you can be hung for it. But

0:42:19.120 --> 0:42:22.440
<v Speaker 2>I mean, like that's probably not the time. Maybe I

0:42:22.440 --> 0:42:24.560
<v Speaker 2>don't know, You're probably not gonna get bail, but like,

0:42:25.239 --> 0:42:26.840
<v Speaker 2>how are you going to fight your way out of it?

0:42:26.960 --> 0:42:28.720
<v Speaker 2>Like a three men in a store.

0:42:28.920 --> 0:42:31.480
<v Speaker 3>She's a frightened animal, Yeah, totally. You know, that's like

0:42:31.480 --> 0:42:33.640
<v Speaker 3>when animals get scared and you think, I swear to God,

0:42:33.719 --> 0:42:36.840
<v Speaker 3>like you're not going to get out of this. She's

0:42:36.920 --> 0:42:39.880
<v Speaker 3>not thinking. That was just pure fight or flight.

0:42:40.080 --> 0:42:42.200
<v Speaker 2>A friend of mine had a cat one time who

0:42:42.800 --> 0:42:44.600
<v Speaker 2>I had my skateboard over at their house, and the

0:42:44.640 --> 0:42:48.320
<v Speaker 2>cat got their hand or their paw behind the wheel,

0:42:48.400 --> 0:42:51.280
<v Speaker 2>stuck between the board and the wheel of the skateboard,

0:42:51.719 --> 0:42:53.759
<v Speaker 2>and so it then tries to pull away and the

0:42:53.760 --> 0:42:55.880
<v Speaker 2>skateboard it almost hits it. And then I see this.

0:42:56.000 --> 0:42:59.120
<v Speaker 2>I tried to go help the cat and it freaks out. Yeah,

0:42:59.280 --> 0:43:02.080
<v Speaker 2>I walked away looking like I'd gone through a paper shredder.

0:43:02.239 --> 0:43:04.839
<v Speaker 2>That's what I got withal We got the cat free.

0:43:04.880 --> 0:43:06.360
<v Speaker 2>But that was about what I'm imagining.

0:43:06.440 --> 0:43:08.880
<v Speaker 3>And yeah, so there's no thinking going on. It's just

0:43:08.960 --> 0:43:13.279
<v Speaker 3>pure instinct to like fight and escape. But to that

0:43:13.400 --> 0:43:16.799
<v Speaker 3>money they found in the box, right, yeah, fifteen nine

0:43:16.880 --> 0:43:20.160
<v Speaker 3>hundred forty dollars, two thirds of it was Federal reserve

0:43:20.239 --> 0:43:24.200
<v Speaker 3>notes that could be traced to the Japanese consulate. Well,

0:43:24.880 --> 0:43:27.840
<v Speaker 3>and then and so it did you do a little conversion.

0:43:27.360 --> 0:43:30.160
<v Speaker 2>For you, sez Elizabeth nine hundred.

0:43:29.960 --> 0:43:33.000
<v Speaker 3>Forty dollars is worth close to three hundred thousand dollars today,

0:43:33.520 --> 0:43:36.840
<v Speaker 3>bud So. When she was interviewed, Valvelet told agents that

0:43:36.920 --> 0:43:40.480
<v Speaker 3>the money in the safe deposit box was from insurance companies.

0:43:40.560 --> 0:43:42.840
<v Speaker 3>She had a savings account and then the doll business.

0:43:43.200 --> 0:43:45.760
<v Speaker 3>But then in another interview, she told him the money

0:43:45.760 --> 0:43:48.200
<v Speaker 3>actually came from her late husband, like he'd passed away

0:43:48.200 --> 0:43:50.600
<v Speaker 3>at this point, and she said she found the money

0:43:50.680 --> 0:43:53.239
<v Speaker 3>hidden in her husband's bed at the time of his death.

0:43:53.840 --> 0:43:56.680
<v Speaker 3>She said that he hadn't told her where it came from,

0:43:57.000 --> 0:43:59.400
<v Speaker 3>but she thought it might have come from the Japanese

0:43:59.520 --> 0:44:04.239
<v Speaker 3>consulate in New York City. February eleventh, nineteen forty four,

0:44:04.320 --> 0:44:07.120
<v Speaker 3>she gets indicted by the Federal Grand Jury in the

0:44:07.160 --> 0:44:11.680
<v Speaker 3>Southern District of New York for violation of the censorship statutes. Okay,

0:44:11.880 --> 0:44:13.800
<v Speaker 3>and that could get her like ten years in prison,

0:44:14.080 --> 0:44:14.960
<v Speaker 3>ten thousand.

0:44:14.680 --> 0:44:16.760
<v Speaker 2>Dollars, fine, Yeah, she's lucky.

0:44:17.200 --> 0:44:20.640
<v Speaker 3>Well, that was her first arraignment, and there she's described

0:44:20.680 --> 0:44:23.160
<v Speaker 3>by The New York Times as having a quote tense,

0:44:23.320 --> 0:44:27.120
<v Speaker 3>defiant manner and that she quote demanded who are all

0:44:27.160 --> 0:44:31.040
<v Speaker 3>these people? When she found FBI men and reporters present

0:44:31.080 --> 0:44:34.080
<v Speaker 3>in the courtroom, And then she pleaded not guilty. She

0:44:34.120 --> 0:44:36.800
<v Speaker 3>got held in lieu of twenty five thousand dollars bail.

0:44:36.960 --> 0:44:38.759
<v Speaker 2>But it sheeels like she's doing this not just for

0:44:38.800 --> 0:44:41.040
<v Speaker 2>the money, but like she wants Japan to win. It

0:44:41.120 --> 0:44:44.719
<v Speaker 2>makes me think that she really cared about the cause yeah.

0:44:44.520 --> 0:44:47.400
<v Speaker 3>Yeah, I mean she was so deep into the society

0:44:47.440 --> 0:44:50.400
<v Speaker 3>of it, I suppose she got swayed. Yeah, the press

0:44:50.400 --> 0:44:53.640
<v Speaker 3>were there and she yelled no photographs, and the judge

0:44:53.680 --> 0:44:57.520
<v Speaker 3>was like, you know, okay, fine, no photographs. Oh really yeah,

0:44:57.560 --> 0:44:59.239
<v Speaker 3>But then she turned the judge She's like, can I

0:44:59.239 --> 0:45:01.640
<v Speaker 3>bring my record player in my albums to my cell

0:45:02.320 --> 0:45:07.719
<v Speaker 3>She's like, no, you may not. Dam can I get

0:45:07.760 --> 0:45:11.520
<v Speaker 3>my ones in twos? So the FBI they continued the

0:45:11.560 --> 0:45:14.800
<v Speaker 3>investigation and then they had another indictment May fifth, nineteen

0:45:14.880 --> 0:45:19.360
<v Speaker 3>forty four, this time on charges of violating the Espionage Statutes,

0:45:19.560 --> 0:45:24.000
<v Speaker 3>the Registration Act of nineteen seventeen, and the censorship statutes.

0:45:24.480 --> 0:45:27.880
<v Speaker 3>So she again pleads not guilty. They continued that twenty

0:45:27.880 --> 0:45:31.719
<v Speaker 3>five thousand dollars bail. Now both of the espionage counts

0:45:32.160 --> 0:45:33.160
<v Speaker 3>carried the death penalty.

0:45:33.239 --> 0:45:35.120
<v Speaker 2>I was going to say, yeah, that's what she's dancing or.

0:45:35.239 --> 0:45:37.600
<v Speaker 3>Prison terms up to thirty years, so it's no wonder

0:45:37.640 --> 0:45:42.120
<v Speaker 3>sheet on scratch. Her trial was originally set for June sixth,

0:45:42.440 --> 0:45:47.160
<v Speaker 3>nineteen forty four, who and it was postponed because of

0:45:47.200 --> 0:45:50.880
<v Speaker 3>the excitement surrounding the D Day invasion of Europe. So

0:45:51.000 --> 0:45:54.400
<v Speaker 3>by July twenty eighth, though things are cooling out, she

0:45:54.480 --> 0:45:57.640
<v Speaker 3>gets described by the press as the war's number one

0:45:57.680 --> 0:46:02.839
<v Speaker 3>woman's spy. She got woman's not lady spy, and she

0:46:03.600 --> 0:46:08.640
<v Speaker 3>so she accepted a plea deal. She's like, fine, well, no, never,

0:46:09.280 --> 0:46:12.879
<v Speaker 3>So they dropped the espionage count if she would plead

0:46:12.920 --> 0:46:16.480
<v Speaker 3>guilty to the censorship violations and she had to furnish

0:46:16.480 --> 0:46:20.560
<v Speaker 3>information in her possession concerning Japanese intelligence activities.

0:46:20.600 --> 0:46:22.480
<v Speaker 2>Okay, she's more valuable alive, right.

0:46:22.560 --> 0:46:24.960
<v Speaker 3>Well then, also because the government was willing to deal

0:46:25.080 --> 0:46:27.799
<v Speaker 3>because there was some question about whether her claims were

0:46:27.800 --> 0:46:32.120
<v Speaker 3>true that it was her husband who was the actual spy. Yeah,

0:46:32.120 --> 0:46:35.439
<v Speaker 3>with him gone, like, who's to say? And so the

0:46:35.480 --> 0:46:38.120
<v Speaker 3>real big question that was why did the letters get

0:46:38.160 --> 0:46:41.720
<v Speaker 3>bounced back to their phony senders. I'm well, it seems

0:46:41.760 --> 0:46:46.520
<v Speaker 3>that the Japanese, unknown to Valvelee deactivated the address in

0:46:46.560 --> 0:46:50.480
<v Speaker 3>Buenos Aires that was used to receive these espionage reports.

0:46:50.800 --> 0:46:51.520
<v Speaker 2>But she didn't know.

0:46:51.600 --> 0:46:58.799
<v Speaker 3>She just kept sending them, Oh yeah, addresses, right, or

0:46:58.840 --> 0:47:01.040
<v Speaker 3>she didn't receive a message from them being like stop

0:47:01.080 --> 0:47:01.480
<v Speaker 3>sending him.

0:47:01.600 --> 0:47:03.279
<v Speaker 2>This is like how I learned. I just lost a

0:47:03.320 --> 0:47:05.680
<v Speaker 2>Gmail account, so I didn't checked in and for two years,

0:47:05.920 --> 0:47:07.640
<v Speaker 2>and Gmail's like, yeah, that's a I hope you don't

0:47:07.719 --> 0:47:09.879
<v Speaker 2>want anything because you can't open that anymore. Oh really,

0:47:09.920 --> 0:47:11.520
<v Speaker 2>Oh yeah, no, that's what happens. Like if you don't

0:47:11.560 --> 0:47:13.520
<v Speaker 2>open a Gmail account for two years, apparently this is

0:47:13.560 --> 0:47:16.480
<v Speaker 2>the new policy. Yeah, they just tell you it's deactivated.

0:47:16.480 --> 0:47:19.440
<v Speaker 2>I'm willing to bet that they sent me another prior email.

0:47:20.440 --> 0:47:22.320
<v Speaker 2>I ignored that, and then now they sent me the

0:47:22.320 --> 0:47:24.080
<v Speaker 2>email that I did open, which is like, I hope

0:47:24.120 --> 0:47:26.160
<v Speaker 2>you didn't have anything in there because you can't open it.

0:47:26.160 --> 0:47:28.640
<v Speaker 2>We've deleted it. It's gone, it's unrecoverable.

0:47:28.680 --> 0:47:30.919
<v Speaker 3>That's what you haven't looked at it for two years.

0:47:30.920 --> 0:47:31.440
<v Speaker 3>You don't need it.

0:47:31.640 --> 0:47:35.160
<v Speaker 2>No, this isn't clothing. This it is Oh no, I

0:47:35.239 --> 0:47:36.760
<v Speaker 2>was bummed, but anyway, whatever.

0:47:37.080 --> 0:47:40.880
<v Speaker 3>So she told the FBI that the code to be

0:47:41.080 --> 0:47:44.080
<v Speaker 3>used in the letters and the twenty five grand, one

0:47:44.160 --> 0:47:47.560
<v Speaker 3>hundred dollars bills had been passed to her husband by

0:47:47.600 --> 0:47:51.799
<v Speaker 3>that naval attache ittrro Yokoyama. Yeah, and then it all

0:47:51.800 --> 0:47:54.600
<v Speaker 3>went down in the doll store. She's like, that's the

0:47:54.640 --> 0:47:58.800
<v Speaker 3>scene of a crime. The problem was that the FBI

0:47:58.920 --> 0:48:03.520
<v Speaker 3>investigation discovered that Velva Lee like she knew Ichiro Yoka

0:48:03.600 --> 0:48:06.080
<v Speaker 3>Yama really well. Her husband had no idea who he was,

0:48:06.200 --> 0:48:06.719
<v Speaker 3>never met him.

0:48:06.719 --> 0:48:08.200
<v Speaker 2>That's going to say how hard wud that be to prove?

0:48:08.320 --> 0:48:09.080
<v Speaker 2>Probably not hard.

0:48:09.280 --> 0:48:12.480
<v Speaker 3>And so they also unearthed medical records that showed that

0:48:12.560 --> 0:48:15.040
<v Speaker 3>her husband was not of sound mind and body when

0:48:15.040 --> 0:48:17.879
<v Speaker 3>the payment was supposed to have been made. Oh, so

0:48:17.920 --> 0:48:20.480
<v Speaker 3>that there's no way he could have coordinated it. He

0:48:20.480 --> 0:48:24.040
<v Speaker 3>couldn't have showed up. He was like fully in dementia

0:48:24.160 --> 0:48:27.000
<v Speaker 3>at this point. And then they also spoke with the

0:48:27.120 --> 0:48:30.520
<v Speaker 3>nurse and the maid employed in their house that were

0:48:30.520 --> 0:48:33.360
<v Speaker 3>caring for mister Dickinson, and they both swore up and

0:48:33.400 --> 0:48:36.879
<v Speaker 3>down there was no money hidden anywhere near or in

0:48:36.960 --> 0:48:39.399
<v Speaker 3>his bed, Like we made the bed all the time,

0:48:39.719 --> 0:48:43.000
<v Speaker 3>it was nothing there. So she got sentence on August fourteenth,

0:48:43.120 --> 0:48:45.960
<v Speaker 3>nineteen forty four. She wore a black dress and hat

0:48:46.000 --> 0:48:48.719
<v Speaker 3>and she these like white knit gloves, and this point

0:48:48.760 --> 0:48:52.080
<v Speaker 3>she's down to like just under ninety pounds. She's so tiny.

0:48:52.680 --> 0:48:55.480
<v Speaker 3>She cried and she begged and she pleaded for mercy

0:48:55.520 --> 0:48:58.320
<v Speaker 3>from the court. She's like, I'm not a Japanese agent.

0:48:58.760 --> 0:49:01.719
<v Speaker 3>It saw my husband's phone and I have no idea

0:49:01.760 --> 0:49:05.439
<v Speaker 3>what those letters even mean as the judges like, too bad.

0:49:06.120 --> 0:49:08.759
<v Speaker 3>She got the maximum sentence ten years in prison, ten

0:49:08.760 --> 0:49:11.919
<v Speaker 3>thousand dollars. Fine, So they sent her to the reformatory

0:49:11.920 --> 0:49:15.680
<v Speaker 3>for women Alderson, West Virginia. You know who else was

0:49:15.760 --> 0:49:16.320
<v Speaker 3>up in there?

0:49:16.560 --> 0:49:17.040
<v Speaker 2>I don't know.

0:49:17.239 --> 0:49:20.520
<v Speaker 3>Tokyo Rose and Axis Sally, two other traders.

0:49:20.800 --> 0:49:22.600
<v Speaker 2>I was gonna say Tokyo. I didn't think she had

0:49:22.640 --> 0:49:24.839
<v Speaker 2>been caught by that as.

0:49:24.520 --> 0:49:27.560
<v Speaker 3>Sally vel v Lee. She got paroled in nineteen fifty one.

0:49:27.600 --> 0:49:29.919
<v Speaker 3>She went back to New York. She got a job

0:49:29.960 --> 0:49:33.759
<v Speaker 3>at Catholic Charities under the name Catherine Dickinson. And I'll

0:49:33.800 --> 0:49:35.719
<v Speaker 3>give you one guess who gave her the job.

0:49:37.320 --> 0:49:40.280
<v Speaker 2>One guess who gave her the job? Oh?

0:49:40.400 --> 0:49:42.960
<v Speaker 3>Is it Friedman Eunice Kennedy.

0:49:42.960 --> 0:49:45.440
<v Speaker 2>Oh, my goodness, of course with the Dolls Catholic.

0:49:46.000 --> 0:49:48.680
<v Speaker 3>So remember they'd met back in the early Doll days.

0:49:49.120 --> 0:49:52.960
<v Speaker 3>They ran into each other at the prison when Eunice

0:49:53.040 --> 0:49:56.280
<v Speaker 3>was there to research how to help female prisoners transition

0:49:56.520 --> 0:49:59.680
<v Speaker 3>back into society after release. And then they hit it

0:49:59.719 --> 0:50:03.759
<v Speaker 3>off all over again, and Valvelee even went to Unice's

0:50:03.800 --> 0:50:07.480
<v Speaker 3>wedding to Sergeant Schreiver in nineteen fifty three. Crazy she

0:50:07.520 --> 0:50:11.440
<v Speaker 3>gave him a monogrammed stationary set from Tiffany's It's not

0:50:11.560 --> 0:50:12.320
<v Speaker 3>wild crazy.

0:50:12.400 --> 0:50:14.799
<v Speaker 2>So later on she's like two degrees of separation from

0:50:14.840 --> 0:50:18.360
<v Speaker 2>Arnold Schwarzenega Yes, because he was married to driver daughter

0:50:18.440 --> 0:50:19.839
<v Speaker 2>of sergeanty Nice.

0:50:20.000 --> 0:50:23.840
<v Speaker 3>She Valvely moved to Cape cod to work as Unice's

0:50:24.000 --> 0:50:27.840
<v Speaker 3>administrative assistant and then and Unice called her a quote

0:50:27.880 --> 0:50:31.719
<v Speaker 3>remarkable secretary, like just took her to so September of

0:50:31.800 --> 0:50:36.560
<v Speaker 3>nineteen sixty Yeah, September of sixty three. Unice tried to

0:50:36.640 --> 0:50:39.880
<v Speaker 3>get her a job at the US Pavilion in the

0:50:40.000 --> 0:50:43.840
<v Speaker 3>nineteen sixty four World's Fair in New York City, And

0:50:44.080 --> 0:50:45.719
<v Speaker 3>I don't know if she was able to pull that off.

0:50:45.760 --> 0:50:50.000
<v Speaker 3>But Velvelee did ask Unice, quote, will a special clearance

0:50:50.080 --> 0:50:52.880
<v Speaker 3>be necessary? I'm certain you realize why I asked this

0:50:53.040 --> 0:50:57.960
<v Speaker 3>question of you, Like, she's not getting there anything sensitive. Yeah,

0:50:58.000 --> 0:51:01.439
<v Speaker 3>we understand, Velvele, We remember. So not much is known

0:51:01.440 --> 0:51:03.680
<v Speaker 3>about her life after that. There are reports that she

0:51:03.800 --> 0:51:06.719
<v Speaker 3>died in nineteen eighty, but nothing is to where or how.

0:51:06.840 --> 0:51:10.080
<v Speaker 3>Nothing in the papers culture where the nineteen eighty is

0:51:10.120 --> 0:51:12.840
<v Speaker 3>coming from? Zaren, what's your ridiculous takeaway?

0:51:14.280 --> 0:51:17.960
<v Speaker 2>Oh? I mean the units Kennedy part. But that's kind

0:51:17.960 --> 0:51:21.279
<v Speaker 2>of a recency effect. But that's just wild that it

0:51:21.320 --> 0:51:23.399
<v Speaker 2>comes full circle and she's like, hey, I've been doing

0:51:23.400 --> 0:51:26.600
<v Speaker 2>this Halfway House stuff, transition stuff and veil Vale. We

0:51:26.640 --> 0:51:28.520
<v Speaker 2>always hit it off. Remember the doll stuff we.

0:51:28.560 --> 0:51:30.520
<v Speaker 3>Used to get back into The dolls were great.

0:51:30.760 --> 0:51:32.440
<v Speaker 2>I'd like to make you my living doll that I

0:51:32.440 --> 0:51:36.920
<v Speaker 2>get to play with. Save this is crazy, but mostly

0:51:36.960 --> 0:51:40.520
<v Speaker 2>I'm still hung up on doll hospital. Like, I know,

0:51:40.640 --> 0:51:42.400
<v Speaker 2>I got it wrong when you were talking about it,

0:51:42.400 --> 0:51:44.960
<v Speaker 2>because I was imagining like a you know where they

0:51:45.000 --> 0:51:48.160
<v Speaker 2>play that it's a hospital and they're moving their dolls around,

0:51:48.160 --> 0:51:50.440
<v Speaker 2>but actually it's just like where you repair broken dolls.

0:51:51.800 --> 0:51:54.160
<v Speaker 2>All of doll culture is so weird to me change

0:51:54.200 --> 0:51:56.200
<v Speaker 2>and I'm not being judgmental in the least. I mean, like,

0:51:56.280 --> 0:51:59.040
<v Speaker 2>rock on, do your doll thing, but like I'm imagining

0:51:59.080 --> 0:52:02.160
<v Speaker 2>people like making all the outfits. And then like you're

0:52:02.160 --> 0:52:05.359
<v Speaker 2>talking to somebody who has had ventriloquist dolls and has

0:52:05.400 --> 0:52:08.880
<v Speaker 2>had like like sock puppets and like little wooden headed

0:52:08.920 --> 0:52:10.759
<v Speaker 2>puppets that I would talk to my sister on road

0:52:10.760 --> 0:52:13.040
<v Speaker 2>trips with Like, so I'm nobody to sit here and

0:52:13.120 --> 0:52:14.840
<v Speaker 2>back like, I can't believe they got dolls. You know,

0:52:14.880 --> 0:52:17.759
<v Speaker 2>I'm not being like that, but it's just I'm just

0:52:17.960 --> 0:52:22.279
<v Speaker 2>astounded by how humans, humanity, we will find something we

0:52:22.360 --> 0:52:24.600
<v Speaker 2>love and turn it into its own little world. I mean,

0:52:24.640 --> 0:52:26.600
<v Speaker 2>it's a huge world where you can have like all

0:52:26.640 --> 0:52:29.000
<v Speaker 2>the doll stuff. Everything were humans but for the dolls.

0:52:29.080 --> 0:52:32.080
<v Speaker 3>Yeah, we we fixate on things and then turn it

0:52:32.120 --> 0:52:33.360
<v Speaker 3>into a cottage industry.

0:52:33.560 --> 0:52:35.920
<v Speaker 2>Yeah, in terms like fill it in like a whole world.

0:52:35.920 --> 0:52:37.880
<v Speaker 2>You know, it's just like a different level of the

0:52:37.880 --> 0:52:40.520
<v Speaker 2>whole world. I'm trying to have little doll car mechanics

0:52:40.560 --> 0:52:45.160
<v Speaker 2>and like little doll matchmaking services. Anyway, Elizabeth, what is

0:52:45.200 --> 0:52:46.320
<v Speaker 2>your to goes takeaway?

0:52:46.360 --> 0:52:50.520
<v Speaker 3>I was thinking during this about not obviously having lived

0:52:50.520 --> 0:52:54.640
<v Speaker 3>through World War Two, but like thinking about life goes

0:52:54.680 --> 0:52:57.680
<v Speaker 3>on and everything continues and people are traveling and working

0:52:57.680 --> 0:52:59.840
<v Speaker 3>and doing all these things. But I will always remember

0:53:00.480 --> 0:53:03.200
<v Speaker 3>asking my grandmother about it. You know, she was a

0:53:03.239 --> 0:53:06.880
<v Speaker 3>young woman then. Oh, and she told me something that

0:53:06.920 --> 0:53:09.080
<v Speaker 3>this has always stuck with me is that we were

0:53:09.160 --> 0:53:11.239
<v Speaker 3>never sure if the world was going to end. Was

0:53:11.280 --> 0:53:15.200
<v Speaker 3>this when it was in like the most tenuous moments,

0:53:15.719 --> 0:53:17.880
<v Speaker 3>And to have that kind of hanging over your head

0:53:18.200 --> 0:53:21.000
<v Speaker 3>and then how you handle those things. And I think

0:53:21.040 --> 0:53:24.480
<v Speaker 3>that subsequent generations we have this view of it from

0:53:24.520 --> 0:53:27.759
<v Speaker 3>the movies and from TV of what, yeah, what it

0:53:27.840 --> 0:53:31.560
<v Speaker 3>was like, Yeah, and you know all this kind of

0:53:31.800 --> 0:53:35.480
<v Speaker 3>bravery and stuff, but you had to have incredible bravery

0:53:35.520 --> 0:53:37.880
<v Speaker 3>and sacrifice just in your day to day of what

0:53:37.920 --> 0:53:40.239
<v Speaker 3>that must have felt like. And then you think too

0:53:40.320 --> 0:53:44.719
<v Speaker 3>of like, here's vel Vale. She's connected to this Japanese community,

0:53:45.200 --> 0:53:49.080
<v Speaker 3>and we have two Japanese communities in California at that time.

0:53:49.200 --> 0:53:53.439
<v Speaker 3>So you have the diplomats in San Francisco who are

0:53:53.640 --> 0:53:56.880
<v Speaker 3>working against odds to the place where they are, and

0:53:56.920 --> 0:53:59.560
<v Speaker 3>then you have all these Japanese Americans, some of them

0:53:59.800 --> 0:54:03.840
<v Speaker 3>you know, know from Japan, like immigrated in their lifetime

0:54:03.880 --> 0:54:09.760
<v Speaker 3>and didn't speak English, but bulk of them likes exactly

0:54:10.120 --> 0:54:13.279
<v Speaker 3>and here. So she has this affinity for the culture. Well,

0:54:13.320 --> 0:54:16.640
<v Speaker 3>which which group are you gonna associate with? You have

0:54:16.680 --> 0:54:20.280
<v Speaker 3>someone like Bob Fletcher who wound up saving farms because

0:54:20.280 --> 0:54:22.400
<v Speaker 3>he these were his neighbors and he loved them like

0:54:22.440 --> 0:54:23.680
<v Speaker 3>he loved all of his neighbors.

0:54:24.360 --> 0:54:24.840
<v Speaker 2>Valva Lee.

0:54:25.520 --> 0:54:29.560
<v Speaker 3>She goes and betrays people, but yet those were her friends.

0:54:29.600 --> 0:54:31.480
<v Speaker 3>Did she really how did she did she feel she

0:54:31.560 --> 0:54:33.200
<v Speaker 3>was really betraying anything.

0:54:32.880 --> 0:54:35.960
<v Speaker 2>Like believe was the hero, not the villain of her

0:54:35.960 --> 0:54:38.440
<v Speaker 2>own story. So she's thinking she's saving this great culture,

0:54:38.520 --> 0:54:41.880
<v Speaker 2>these great people, the honorable thing. Wait, their dollmaking has

0:54:41.880 --> 0:54:43.000
<v Speaker 2>got to be amazing.

0:54:42.640 --> 0:54:44.560
<v Speaker 3>And they did, the Japanese know how to make it doll.

0:54:44.880 --> 0:54:48.880
<v Speaker 3>But like the was it driven primarily by the money?

0:54:49.040 --> 0:54:51.680
<v Speaker 3>And you look back at her family that you know,

0:54:51.800 --> 0:54:54.719
<v Speaker 3>her parents scrimped and saved and sent her brother and like,

0:54:54.880 --> 0:54:57.160
<v Speaker 3>so what was the story there? I don't know. You

0:54:57.200 --> 0:54:59.000
<v Speaker 3>want to know so much more about these people. But

0:54:59.080 --> 0:55:01.319
<v Speaker 3>I kept thinking about we have a vision in our

0:55:01.800 --> 0:55:06.520
<v Speaker 3>lives about pastimes based solely on media, you know, like

0:55:07.000 --> 0:55:08.799
<v Speaker 3>you were talking about Betty Grable and you see her

0:55:08.840 --> 0:55:10.920
<v Speaker 3>paintings on the side of the plane, and you see

0:55:11.120 --> 0:55:14.640
<v Speaker 3>World War two movies for the most part, until we

0:55:14.680 --> 0:55:17.839
<v Speaker 3>get to more realistic ones later on, about come on.

0:55:17.920 --> 0:55:19.200
<v Speaker 2>Boys, let's do it in there.

0:55:19.880 --> 0:55:23.719
<v Speaker 3>And it's terrifying what they're doing. Yes, and it's a

0:55:23.840 --> 0:55:26.160
<v Speaker 3>monumental feat and it's something that we can need to

0:55:26.239 --> 0:55:32.440
<v Speaker 3>continue to acknowledge as absolutely breathtaking an incredible inhuman endeavor.

0:55:33.680 --> 0:55:35.560
<v Speaker 3>But I always try and think about what was it

0:55:35.640 --> 0:55:36.960
<v Speaker 3>actually like in those.

0:55:36.880 --> 0:55:39.920
<v Speaker 2>Times day to day level? Yeah, yeah, M a cup

0:55:39.960 --> 0:55:42.480
<v Speaker 2>of coffee and wondering will tomorrow would all go right?

0:55:42.760 --> 0:55:45.359
<v Speaker 3>Right? And do you buy into all the bad news

0:55:45.400 --> 0:55:49.360
<v Speaker 3>you hear? Do you buy into the propaganda good news?

0:55:49.400 --> 0:55:51.080
<v Speaker 3>Like somewhere in the middle?

0:55:51.120 --> 0:55:56.080
<v Speaker 2>Howe? And also how do you not just reject everything

0:55:56.120 --> 0:55:58.680
<v Speaker 2>or become like some hedonist because the world's ending, you

0:55:58.719 --> 0:55:59.960
<v Speaker 2>know what I mean? Like I'm gonna get mine.

0:56:00.000 --> 0:56:03.840
<v Speaker 3>And while I came exactly exactly so it's complex. Times

0:56:03.840 --> 0:56:06.399
<v Speaker 3>weren't simple then they were just as complex as now.

0:56:06.719 --> 0:56:08.719
<v Speaker 3>I would like to talk back after that.

0:56:08.719 --> 0:56:20.960
<v Speaker 2>That would be delectable, David, Oh my god, did I

0:56:21.080 --> 0:56:25.600
<v Speaker 2>led jet herd?

0:56:25.719 --> 0:56:31.640
<v Speaker 4>Dudes? Alex here, longtime listener, and I was just listening

0:56:31.680 --> 0:56:34.080
<v Speaker 4>the other day to the episode that you did where

0:56:34.080 --> 0:56:38.840
<v Speaker 4>you referred to Penelope from Criminal Minds? And I feel

0:56:38.880 --> 0:56:41.560
<v Speaker 4>you on the outfits. But what I think is more

0:56:41.640 --> 0:56:44.080
<v Speaker 4>ridiculous is why she had to wear those in the

0:56:44.080 --> 0:56:47.720
<v Speaker 4>first place, which is because when she arrived on the set,

0:56:48.160 --> 0:56:52.440
<v Speaker 4>they literally had no clothes in her size. Oh her

0:56:52.480 --> 0:56:53.720
<v Speaker 4>wear her own clothes?

0:56:54.920 --> 0:56:58.560
<v Speaker 3>Are you kidding me? I had no idea that's that boo.

0:56:58.680 --> 0:57:01.040
<v Speaker 3>That well, first of all those are your own clothes,

0:57:01.080 --> 0:57:02.479
<v Speaker 3>that's what you show up. But aside from.

0:57:02.400 --> 0:57:05.399
<v Speaker 2>That, well, yeah, Alex, thank you for let I love

0:57:05.480 --> 0:57:07.400
<v Speaker 2>behind the scenes.

0:57:07.680 --> 0:57:08.560
<v Speaker 3>That's wild.

0:57:08.760 --> 0:57:10.080
<v Speaker 2>I'm going to always defend her.

0:57:10.000 --> 0:57:12.680
<v Speaker 3>Because it doesn't fit in with anything else anyone wears

0:57:12.680 --> 0:57:13.080
<v Speaker 3>on that show.

0:57:13.320 --> 0:57:14.920
<v Speaker 2>I thought it was some writer's idea of.

0:57:14.960 --> 0:57:16.800
<v Speaker 3>Like that's what I thought of, like, oh, she's this

0:57:16.960 --> 0:57:20.840
<v Speaker 3>zany hacker. No, instead, she's left behind by the industry.

0:57:20.840 --> 0:57:26.240
<v Speaker 3>Fantastic God, thank you for that. That's it for today.

0:57:26.320 --> 0:57:29.400
<v Speaker 3>You can find us online at ridiculous Crime dot com.

0:57:29.560 --> 0:57:32.120
<v Speaker 3>We're also at Ridiculous Crime on both Blue Sky and

0:57:32.320 --> 0:57:36.760
<v Speaker 3>Instagram and on YouTube at Ridiculous Crime Pod. Email us

0:57:36.760 --> 0:57:39.200
<v Speaker 3>at ridiculous Crime at gmail dot com, leave a talk

0:57:39.360 --> 0:57:41.640
<v Speaker 3>back on the iHeart app. If you have any other cool,

0:57:41.640 --> 0:57:45.840
<v Speaker 3>behind the scenes knowledge about Criminal Minds or any other show,

0:57:45.840 --> 0:57:54.000
<v Speaker 3>please please leave it reach out. Ridiculous Crime is hosted

0:57:54.040 --> 0:57:57.840
<v Speaker 3>by Elizabeth Dudman Zarin Burnette, produced and edited by Antiques

0:57:57.920 --> 0:58:02.680
<v Speaker 3>Roadshow's resident doll expert. Day of Coustin, starring Annalise Rutger

0:58:02.800 --> 0:58:06.920
<v Speaker 3>as Judith. Research is by committed anti fascists Marissa Brown

0:58:07.000 --> 0:58:10.280
<v Speaker 3>and Jabbari Davis. The theme song is by Eunice Kennedy,

0:58:10.280 --> 0:58:14.280
<v Speaker 3>Shriver's pool Boys Thomas Lee and Travis Dutton. Post wardrobe

0:58:14.360 --> 0:58:17.400
<v Speaker 3>is provided by Botany five hundred. Guest hair and makeup

0:58:17.400 --> 0:58:22.120
<v Speaker 3>by Sparkleshot and mister Andre. Executive producers are fbi Ovaltine,

0:58:22.200 --> 0:58:25.960
<v Speaker 3>Secret Code Ring Task Force members Ben Bollen and Noel Brown.

0:58:31.080 --> 0:58:36.840
<v Speaker 3>Gus Quime Say It One More Times Crime.

0:58:37.920 --> 0:58:41.320
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio four more podcasts.

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<v Speaker 1>My heart Radio, visit the iHeartRadio app, Apple Podcasts, or

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