1 00:00:00,480 --> 00:00:02,720 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,560 --> 00:00:03,880 Speaker 2: Zaren. 3 00:00:04,200 --> 00:00:06,160 Speaker 3: Yes, Elizabeth Zaren, How are you? 4 00:00:06,320 --> 00:00:08,480 Speaker 2: Oh my goodness, I've been waiting for you. 5 00:00:08,480 --> 00:00:09,959 Speaker 3: You're feeling good, feeling strong. 6 00:00:10,200 --> 00:00:12,479 Speaker 2: Really I was late today, but feeling good. I am 7 00:00:12,480 --> 00:00:15,160 Speaker 2: feeling good. I'm feeling strong. What about you? You're feeling strong? 8 00:00:15,160 --> 00:00:17,079 Speaker 3: You know I feel good. 9 00:00:17,320 --> 00:00:20,480 Speaker 2: It's not strong. Maybe maybe get back in the gym 10 00:00:20,520 --> 00:00:22,080 Speaker 2: or doing push up body weight exercise. 11 00:00:22,120 --> 00:00:22,520 Speaker 3: It's true. 12 00:00:22,560 --> 00:00:24,120 Speaker 2: Are you talking more like emotionally emotional? 13 00:00:24,160 --> 00:00:28,000 Speaker 3: I think just across the board, I'm feeling that glay. 14 00:00:28,000 --> 00:00:30,520 Speaker 2: For glay real. Yeah, that's tough. 15 00:00:30,360 --> 00:00:31,800 Speaker 3: Anyway, you know, it's ridiculous. 16 00:00:32,280 --> 00:00:37,800 Speaker 2: I'm so glad you asked John Gruden. Okay, you could 17 00:00:37,800 --> 00:00:40,440 Speaker 2: say you, I could just say period. But former the 18 00:00:40,560 --> 00:00:44,080 Speaker 2: former Raiders coach of You're not your Raiders, but the 19 00:00:44,080 --> 00:00:48,440 Speaker 2: Oakland now Vegas Raiders, Dave's producer D's Raiders good call, 20 00:00:49,159 --> 00:00:51,640 Speaker 2: and then also the Tampa Bay Buccaneers as well. Sure, 21 00:00:51,920 --> 00:00:55,520 Speaker 2: Now he wants to share the story about Peyton Manning 22 00:00:56,160 --> 00:00:59,360 Speaker 2: forty two Blue. Now, he was known to do a 23 00:00:59,480 --> 00:01:01,720 Speaker 2: call a lot of audibles at the line. Right, So 24 00:01:01,760 --> 00:01:03,200 Speaker 2: he's a quarterback, He's sitting there and he would call 25 00:01:03,200 --> 00:01:06,000 Speaker 2: an audiblely like oha, oh maha, right, oh right, but 26 00:01:06,080 --> 00:01:09,120 Speaker 2: he wouldn't only just say omaha when he called audibles. 27 00:01:09,520 --> 00:01:12,680 Speaker 2: According to John Gruden, who said this story, he would 28 00:01:12,680 --> 00:01:15,600 Speaker 2: often like do research on the opposing players and he'd 29 00:01:15,640 --> 00:01:20,400 Speaker 2: find out like their wives' names, their girlfriend's names, like whatever. 30 00:01:20,440 --> 00:01:22,440 Speaker 2: Would we would work to get in their heads. And 31 00:01:22,480 --> 00:01:25,800 Speaker 2: so he get up there and be like, Gwendolyn, Gwendolyn. 32 00:01:25,959 --> 00:01:28,119 Speaker 2: Someone's like, what the about my wife? 33 00:01:28,319 --> 00:01:29,840 Speaker 3: Cold blooded? And I love it. 34 00:01:29,920 --> 00:01:32,440 Speaker 2: I thought you would someone be like, hey, man, that's 35 00:01:32,480 --> 00:01:35,320 Speaker 2: my wife. Brother. So people get real mad and like 36 00:01:35,600 --> 00:01:37,200 Speaker 2: and Peyton would just kind of wink and then hike 37 00:01:37,280 --> 00:01:40,280 Speaker 2: the ball. So there. I thought that was kind of ridiculous, 38 00:01:40,600 --> 00:01:41,320 Speaker 2: psychological war. 39 00:01:41,640 --> 00:01:45,000 Speaker 3: He's too blues, right, Yeah, I love that, and I 40 00:01:45,000 --> 00:01:49,360 Speaker 3: think he should have just like done like street addresses children. 41 00:01:50,560 --> 00:01:52,840 Speaker 3: Yeah that was good. But do you want to know 42 00:01:52,840 --> 00:01:58,480 Speaker 3: what else is ridiculous? Hiding behind dolls? I don't know. 43 00:02:18,480 --> 00:02:22,800 Speaker 3: This is Ridiculous Crime, a podcast about absurd and outrageous capers. 44 00:02:22,880 --> 00:02:26,600 Speaker 3: Heis and cons it's always ninety nine percent murder free 45 00:02:26,880 --> 00:02:31,640 Speaker 3: and one hundred percent ridiculous. Damn right, you know that. 46 00:02:31,680 --> 00:02:34,760 Speaker 2: I love puzzles yeah, yeah, you definitely you do. I 47 00:02:34,760 --> 00:02:36,520 Speaker 2: love codes, yeah. 48 00:02:36,520 --> 00:02:39,920 Speaker 3: Big on cryptograms. There's one in the San Francisco Chronicle 49 00:02:40,000 --> 00:02:42,480 Speaker 3: called crypto Quip that I always used to play. 50 00:02:42,720 --> 00:02:43,000 Speaker 2: Huh. 51 00:02:43,040 --> 00:02:44,399 Speaker 3: It was like for a while that was the only 52 00:02:44,400 --> 00:02:47,799 Speaker 3: reason I still had my subscription. But I like puzzles 53 00:02:47,800 --> 00:02:51,200 Speaker 3: like that, like basically all of the New York Times games. Yes, 54 00:02:51,639 --> 00:02:52,480 Speaker 3: they relax me. 55 00:02:52,680 --> 00:02:54,079 Speaker 2: I've seen you play those in the. 56 00:02:54,360 --> 00:02:57,359 Speaker 3: HV challenge me. And they also helped me fight the 57 00:02:57,480 --> 00:02:59,560 Speaker 3: crazy brain fog that I've developed. 58 00:03:00,080 --> 00:03:03,560 Speaker 2: I do that for Jeopardy to keep then to keep sharp. Baby. 59 00:03:04,000 --> 00:03:05,600 Speaker 3: I may not be able to remember the word that 60 00:03:05,639 --> 00:03:08,240 Speaker 3: I want to use during the day, but every morning 61 00:03:08,400 --> 00:03:10,560 Speaker 3: as I lie in bed, I am sharp as a 62 00:03:10,760 --> 00:03:14,720 Speaker 3: tex at wordle connections, strands, pips and spelling bee. 63 00:03:14,800 --> 00:03:15,560 Speaker 2: Well, you do a bunch. 64 00:03:15,600 --> 00:03:17,000 Speaker 3: I have to play them in that order. 65 00:03:17,720 --> 00:03:19,240 Speaker 2: Wow, you have to play them. 66 00:03:20,480 --> 00:03:24,960 Speaker 3: I have to anyway. Codes. So there's a British TV show, 67 00:03:25,000 --> 00:03:28,480 Speaker 3: Bletchley Circle that I highly recommend. It's about the World 68 00:03:28,520 --> 00:03:33,400 Speaker 3: War Two code breakers working the Enigma machine, break the Nazi. Yeah, 69 00:03:33,400 --> 00:03:36,760 Speaker 3: and a bunch of gals, lady code breakers. This lady 70 00:03:36,800 --> 00:03:40,640 Speaker 3: host likes lady code breakers. I will never get over 71 00:03:40,760 --> 00:03:43,240 Speaker 3: being called the lady host, which has happened twice. 72 00:03:43,320 --> 00:03:45,920 Speaker 2: Now I've never been called the gentleman host. So I 73 00:03:45,920 --> 00:03:47,680 Speaker 2: can see what instances. 74 00:03:47,760 --> 00:03:49,760 Speaker 3: I think they were both reviews, they give your name 75 00:03:50,000 --> 00:03:51,360 Speaker 3: Zarin and the lady host. 76 00:03:51,520 --> 00:03:52,880 Speaker 2: Oh really, I didn't even notice that. 77 00:03:53,000 --> 00:03:56,119 Speaker 3: Oh yeah, I have a name and it's Vagina corn Tower. Yeah, 78 00:03:56,240 --> 00:04:01,360 Speaker 3: respect name anyway. Codes. So this is what I planned 79 00:04:01,360 --> 00:04:04,040 Speaker 3: to babble at you about to name please, a woman 80 00:04:04,160 --> 00:04:07,080 Speaker 3: who used codes and a woman who broke them, and 81 00:04:07,200 --> 00:04:08,160 Speaker 3: how they intersect. 82 00:04:08,640 --> 00:04:11,120 Speaker 2: Oh, I can see that. That's like a unity of opposites. Right, 83 00:04:11,600 --> 00:04:12,080 Speaker 2: So I'm going to. 84 00:04:12,080 --> 00:04:15,720 Speaker 3: Start with this woman named velv Le Malvina Dickinson. I'm 85 00:04:15,720 --> 00:04:17,560 Speaker 3: going to need to hear that again, so I gotta 86 00:04:17,560 --> 00:04:22,240 Speaker 3: say it again. Velv Lee. Huh, Malvina Dickinson. 87 00:04:22,600 --> 00:04:23,440 Speaker 2: That's amazing. 88 00:04:23,560 --> 00:04:27,160 Speaker 3: What a name. Velvelee put her foot. She was born 89 00:04:27,279 --> 00:04:35,080 Speaker 3: Velvally Bleacher Wow in Sacramento, California. Oh wow, us a 90 00:04:35,160 --> 00:04:37,960 Speaker 3: sacrament A kid in eighteen ninety three. It was a 91 00:04:37,960 --> 00:04:41,039 Speaker 3: great time for Sacramento. I actually love that place. I 92 00:04:41,080 --> 00:04:41,799 Speaker 3: love Sacramento. 93 00:04:41,839 --> 00:04:43,880 Speaker 2: That is true. That's right. 94 00:04:44,080 --> 00:04:47,880 Speaker 3: Velveley, bright woman, super smart. Her parents sent her off 95 00:04:47,880 --> 00:04:50,880 Speaker 3: to a girl's prep school in Oakland called Snell Seminary. 96 00:04:50,960 --> 00:04:53,080 Speaker 2: Went to Oakland too, Yeah, exactly. 97 00:04:53,120 --> 00:04:56,560 Speaker 3: Like it's basically me, I know, but not Okay. So 98 00:04:56,640 --> 00:04:58,800 Speaker 3: this place, Snell Seminary was known as like one of 99 00:04:58,800 --> 00:05:02,120 Speaker 3: the best, most fasttionable schools for girls on the West Coast. 100 00:05:03,080 --> 00:05:06,040 Speaker 3: And from there she went to Stanford and she walked 101 00:05:06,040 --> 00:05:08,600 Speaker 3: in graduation in nineteen eighteen, but she didn't get her 102 00:05:08,640 --> 00:05:12,320 Speaker 3: degree because she hadn't returned a bunch of library books. 103 00:05:12,440 --> 00:05:14,400 Speaker 2: Yes, a lot of them were like. 104 00:05:14,360 --> 00:05:17,120 Speaker 3: These Russian books. They're all these kind of strange like. 105 00:05:17,120 --> 00:05:20,320 Speaker 2: Obscure they only had one copy of It wasn't. 106 00:05:20,160 --> 00:05:22,840 Speaker 3: Until nineteen thirty seven that she was able to get 107 00:05:22,880 --> 00:05:25,120 Speaker 3: it all settled out and get her official like degree 108 00:05:25,120 --> 00:05:25,680 Speaker 3: in diploma. 109 00:05:25,839 --> 00:05:28,760 Speaker 2: Damn. Yeah, so like nineteen years it took before. Yes, 110 00:05:28,920 --> 00:05:30,400 Speaker 2: so she got the right to vote and then had 111 00:05:30,440 --> 00:05:31,800 Speaker 2: to wait another decade and a half back. 112 00:05:31,920 --> 00:05:34,719 Speaker 3: She's like whatever. So a fun fact. Her younger brother 113 00:05:34,800 --> 00:05:37,560 Speaker 3: also went to Stanford, just two years behind her, and 114 00:05:37,600 --> 00:05:40,000 Speaker 3: then from there he went to Harvard Law. And I 115 00:05:40,080 --> 00:05:41,880 Speaker 3: was thinking that she must have come from like a 116 00:05:42,000 --> 00:05:46,719 Speaker 3: posh Sacramento family either like agriculture mining, But I found 117 00:05:46,800 --> 00:05:49,719 Speaker 3: her dad's obituary and it seems he worked at the 118 00:05:49,800 --> 00:05:51,080 Speaker 3: rail yard his whole life. 119 00:05:51,360 --> 00:05:53,360 Speaker 2: Hum so kind of like one of those I saved up. 120 00:05:54,520 --> 00:05:57,280 Speaker 3: Have scrimped and saved and like sent his kids off 121 00:05:57,320 --> 00:06:00,359 Speaker 3: to super nice places. Always want the next generation to 122 00:06:00,360 --> 00:06:03,039 Speaker 3: do better. Yeah, don't want to hog the resources. So 123 00:06:03,160 --> 00:06:06,800 Speaker 3: from Stanford Velveley, she got a gig in a bank 124 00:06:07,120 --> 00:06:09,800 Speaker 3: and then she got a job at the California Fruit 125 00:06:09,880 --> 00:06:11,440 Speaker 3: Growers Association. 126 00:06:11,200 --> 00:06:14,000 Speaker 2: Actually a very powerful association, very big, very. 127 00:06:13,920 --> 00:06:17,000 Speaker 3: She was a bookkeeper there, was so good at her job, 128 00:06:17,240 --> 00:06:20,479 Speaker 3: very personable. And then she got another job at a 129 00:06:20,520 --> 00:06:23,640 Speaker 3: produce brokerage firm and she worked there from nineteen twenty 130 00:06:23,680 --> 00:06:26,520 Speaker 3: eight ten nineteen thirty five. So while she was there, 131 00:06:26,560 --> 00:06:29,400 Speaker 3: she handled a lot of the Japanese accounts and she 132 00:06:29,440 --> 00:06:31,880 Speaker 3: got to know the Japanese community in San Francisco. 133 00:06:32,040 --> 00:06:32,720 Speaker 2: Oh, very cool. 134 00:06:32,839 --> 00:06:36,560 Speaker 3: Yeah, So California has always had a strong trading and 135 00:06:36,680 --> 00:06:40,240 Speaker 3: cultural partner in Japan, particularly in the Bay Area. There 136 00:06:40,279 --> 00:06:43,200 Speaker 3: were a lot of farms, vineyards, and orchards owned by 137 00:06:43,279 --> 00:06:45,640 Speaker 3: Japanese families in the Central Valley. 138 00:06:45,839 --> 00:06:47,480 Speaker 2: Ice farming too. They loved it. 139 00:06:47,560 --> 00:06:50,840 Speaker 3: Yeah, And when Executive Ordered ninety sixty six was signed, 140 00:06:50,880 --> 00:06:54,320 Speaker 3: sending anyone on the West coast of Japanese descent citizen 141 00:06:54,480 --> 00:06:57,200 Speaker 3: or not to live in internment camps in the desert. 142 00:06:57,360 --> 00:06:58,080 Speaker 3: Most of these. 143 00:06:57,880 --> 00:06:59,600 Speaker 2: Farms went dark, oh that's right. 144 00:06:59,680 --> 00:07:02,799 Speaker 3: Yeah, And most were sized by the government for delinquent taxes, 145 00:07:02,880 --> 00:07:05,440 Speaker 3: or they got taken over by squatters or just destroyed. 146 00:07:05,520 --> 00:07:06,920 Speaker 2: Not all though. 147 00:07:07,320 --> 00:07:10,760 Speaker 3: Yeah, I really have to recommend and urge you read 148 00:07:10,960 --> 00:07:14,680 Speaker 3: the Smithsonian magazine article called During World War Two, this 149 00:07:14,760 --> 00:07:17,960 Speaker 3: farmer risked everything to help as Japanese American neighbors. It's 150 00:07:17,960 --> 00:07:20,960 Speaker 3: a long title by Jake Whitney, Like, honestly, I want 151 00:07:21,040 --> 00:07:23,600 Speaker 3: everyone to read this article. It's about a man named 152 00:07:23,600 --> 00:07:27,320 Speaker 3: Bob Fletcher, who was a UC Davis alum. Look at this, 153 00:07:27,480 --> 00:07:30,600 Speaker 3: and I promise you'll get emotional reading it. It lays 154 00:07:30,640 --> 00:07:33,920 Speaker 3: out what that time was like for farming families, and 155 00:07:34,000 --> 00:07:36,400 Speaker 3: it's important to know what happened, and it's a good 156 00:07:36,400 --> 00:07:38,640 Speaker 3: reminder of what happens when people decide to do the 157 00:07:38,720 --> 00:07:41,360 Speaker 3: right thing, even if it's not the easy thing. Yes, 158 00:07:42,440 --> 00:07:45,680 Speaker 3: saying that, yes, so I want to believe that Valvelee 159 00:07:45,720 --> 00:07:48,720 Speaker 3: at least had that opportunity to do the right thing. 160 00:07:49,320 --> 00:07:51,480 Speaker 3: But I can tell you she did not take it 161 00:07:52,080 --> 00:07:57,640 Speaker 3: if it was indeed on offer. So she's dealing with 162 00:07:57,680 --> 00:08:00,440 Speaker 3: all of these kind of families, these farming famis, families 163 00:08:00,480 --> 00:08:03,440 Speaker 3: and you know, the buyers and people in Japan. So 164 00:08:03,560 --> 00:08:06,000 Speaker 3: the produce brokerage business where she worked was owned by 165 00:08:06,000 --> 00:08:09,040 Speaker 3: this guy, Lee Dickinson, and he would soon become her 166 00:08:09,080 --> 00:08:13,600 Speaker 3: third husband. Yeah, she'd already had two goes, right, Finicky. Yeah. 167 00:08:13,880 --> 00:08:16,800 Speaker 3: And so because of all their Japanese clients, Velvelee and 168 00:08:16,840 --> 00:08:19,880 Speaker 3: her husband were really active in the Japan America Society 169 00:08:19,880 --> 00:08:23,920 Speaker 3: in San Francisco. So she joined the japan American Society 170 00:08:23,920 --> 00:08:26,280 Speaker 3: in nineteen thirty one and she was a member until 171 00:08:26,360 --> 00:08:29,120 Speaker 3: nineteen thirty five when she couldn't afford the. 172 00:08:29,160 --> 00:08:31,400 Speaker 2: Duke right, right, because she changes jobs. Correct. 173 00:08:31,800 --> 00:08:34,760 Speaker 3: So luckily she had friends at the Japanese Consulate in 174 00:08:34,800 --> 00:08:37,800 Speaker 3: San Francisco, and an attache at the consulate paid her 175 00:08:37,880 --> 00:08:41,880 Speaker 3: dues from nineteen thirty six onward. Yeah, So she went 176 00:08:42,200 --> 00:08:44,880 Speaker 3: to a lot of parties at the consulate and it 177 00:08:44,920 --> 00:08:47,520 Speaker 3: was there that she would like rub shoulders with Japanese 178 00:08:47,559 --> 00:08:51,600 Speaker 3: diplomats and high level government officials, members of the Japanese Navy. 179 00:08:52,200 --> 00:08:54,319 Speaker 3: And then she in turned through parties at her house 180 00:08:54,400 --> 00:08:57,560 Speaker 3: and invited the consulate crowd over and then it all 181 00:08:57,600 --> 00:09:01,920 Speaker 3: came to a stop. Lee Dickinson produced brokerage company went 182 00:09:02,040 --> 00:09:05,720 Speaker 3: under in nineteen thirty seven. So the couple picked up 183 00:09:05,720 --> 00:09:08,760 Speaker 3: stakes and moved to New York City, Okay, and Velvelet 184 00:09:08,840 --> 00:09:12,080 Speaker 3: got a job as a sales clerk in Bloomingdale's doll department. 185 00:09:12,760 --> 00:09:15,760 Speaker 3: And this would prove to be a very pivotal moment. 186 00:09:15,520 --> 00:09:17,720 Speaker 2: For her going into the doll business. 187 00:09:17,800 --> 00:09:20,280 Speaker 3: Yeah, she's got a friend in the doll business. Costume 188 00:09:20,360 --> 00:09:23,320 Speaker 3: dolls were a big deal then, all right, it was 189 00:09:23,440 --> 00:09:25,319 Speaker 3: all the rage. It was the la boo boos. 190 00:09:25,720 --> 00:09:27,280 Speaker 2: You can be costume. You mean those dolls are like 191 00:09:27,360 --> 00:09:30,000 Speaker 2: the fancy dolls were that you put on the outfit, 192 00:09:30,120 --> 00:09:31,040 Speaker 2: put them on like a shell. 193 00:09:31,240 --> 00:09:35,320 Speaker 3: Yes, like yeah, And so there were like porcelain dolls 194 00:09:35,360 --> 00:09:38,640 Speaker 3: with little fine outfits and you could change their clothes, 195 00:09:38,640 --> 00:09:39,839 Speaker 3: but in a discrete manner. 196 00:09:40,200 --> 00:09:42,680 Speaker 2: I think as haunted dolls very much. 197 00:09:42,720 --> 00:09:47,000 Speaker 3: So. So there were local clubs and like specialty dealers, 198 00:09:47,040 --> 00:09:50,160 Speaker 3: and then all these avid hobbyists to just collect. 199 00:09:50,000 --> 00:09:53,440 Speaker 2: And also the doll making, the dressmakers for the dolls 200 00:09:53,559 --> 00:09:54,240 Speaker 2: right over. 201 00:09:56,000 --> 00:09:59,839 Speaker 3: And in that circle you could count Velvelet among this group. 202 00:10:00,480 --> 00:10:01,199 Speaker 3: She is up in there. 203 00:10:01,240 --> 00:10:03,360 Speaker 2: So with the name like Velvely Malvina, I mean, how 204 00:10:03,520 --> 00:10:05,640 Speaker 2: you get into doll making. 205 00:10:06,000 --> 00:10:08,800 Speaker 3: She got bigger in the doll scene, and she eventually 206 00:10:08,840 --> 00:10:11,439 Speaker 3: opened her own doll shop right across the street from 207 00:10:11,440 --> 00:10:13,760 Speaker 3: her house. Okay, and she got mentioned in the New 208 00:10:13,840 --> 00:10:17,680 Speaker 3: York Times. She displayed her dolls at antique shows. She 209 00:10:17,840 --> 00:10:20,520 Speaker 3: built up this customer base through word of mouth. She 210 00:10:20,600 --> 00:10:23,480 Speaker 3: put ads in magazines like House and Garden, and then 211 00:10:23,559 --> 00:10:25,800 Speaker 3: she had all this written correspondence, like she and all 212 00:10:25,800 --> 00:10:27,559 Speaker 3: these doll folks would write to each other. 213 00:10:27,720 --> 00:10:27,920 Speaker 2: Right. 214 00:10:28,280 --> 00:10:31,880 Speaker 3: So the December nineteen thirty nine Vogue issue put one 215 00:10:31,920 --> 00:10:35,280 Speaker 3: of her dolls in their buying guide quote, in the 216 00:10:35,320 --> 00:10:39,880 Speaker 3: doll collection of Velveley Dickinson, there are two wonderfully aromatic 217 00:10:40,040 --> 00:10:43,520 Speaker 3: kinds of dolls. One species is made of cedar wood, 218 00:10:44,040 --> 00:10:48,199 Speaker 3: cleverly carved and jointed by Tennessee mountaineers. You can have 219 00:10:48,440 --> 00:10:52,200 Speaker 3: man or woman, But for once we liked the woman best. 220 00:10:52,520 --> 00:10:54,720 Speaker 3: Don't report us to the New Yorker if we say 221 00:10:54,760 --> 00:10:57,240 Speaker 3: that the woman looks chic in her black and white 222 00:10:57,280 --> 00:11:00,160 Speaker 3: Gingham costume. She does around. 223 00:11:00,000 --> 00:11:02,520 Speaker 2: Six dollars each doll. WI. 224 00:11:02,960 --> 00:11:06,520 Speaker 3: I love that they call them. Species is made of 225 00:11:06,559 --> 00:11:08,199 Speaker 3: cedar wood species of. 226 00:11:08,160 --> 00:11:10,360 Speaker 2: Doll, and normally we like the male dolls better than 227 00:11:10,400 --> 00:11:12,480 Speaker 2: the female dolls. I did not see that. 228 00:11:12,800 --> 00:11:13,360 Speaker 3: I had no idea. 229 00:11:13,480 --> 00:11:16,079 Speaker 2: I thought only like manic, like you know, like Charlie 230 00:11:16,120 --> 00:11:19,760 Speaker 2: McCarthy's style. Like no, apparently like Ventri. 231 00:11:21,040 --> 00:11:22,160 Speaker 3: An aromatic doll. 232 00:11:22,280 --> 00:11:24,400 Speaker 2: Yeah, one that has got a good little aroma to it. 233 00:11:24,720 --> 00:11:27,320 Speaker 3: So yeah. One of one of her best customers was 234 00:11:27,360 --> 00:11:31,199 Speaker 3: a young Eunice Kennedy, whoa yeah JFK's sister. 235 00:11:31,360 --> 00:11:31,560 Speaker 2: Yeah. 236 00:11:31,800 --> 00:11:35,280 Speaker 3: Someone gave her a Dominican nun doll from Velveley's shop 237 00:11:35,320 --> 00:11:37,320 Speaker 3: as a gift, and she was like hooked. She's like, 238 00:11:37,559 --> 00:11:38,360 Speaker 3: I need more dolls. 239 00:11:38,400 --> 00:11:40,640 Speaker 2: That's a hell of a sentence, a Dominican nun doll 240 00:11:40,679 --> 00:11:41,559 Speaker 2: from Velvete. 241 00:11:42,200 --> 00:11:45,000 Speaker 3: I know, It's like have you had a stroke. So 242 00:11:45,559 --> 00:11:48,400 Speaker 3: in New York, Velvely she hooked back up with the 243 00:11:48,520 --> 00:11:49,760 Speaker 3: Japanese community there. 244 00:11:49,920 --> 00:11:50,719 Speaker 2: Okay, So she. 245 00:11:50,720 --> 00:11:54,240 Speaker 3: Went to the Niphon Club and the japan Institute. She 246 00:11:54,360 --> 00:11:57,160 Speaker 3: buttied up to the Japanese Console General. She met with 247 00:11:57,280 --> 00:12:01,960 Speaker 3: Ichiro Yoka Yama, who was Thepanese naval attache from Washington, 248 00:12:02,040 --> 00:12:04,400 Speaker 3: d C. Okay, that's all a little weird. But maybe 249 00:12:04,400 --> 00:12:06,960 Speaker 3: that's just me. She likes the culture she does, and 250 00:12:07,000 --> 00:12:10,640 Speaker 3: she lived large. She wore gorgeous clothes and was like 251 00:12:10,679 --> 00:12:14,440 Speaker 3: this total audio file. She bought records like crazy, and 252 00:12:14,480 --> 00:12:16,840 Speaker 3: if she she would whatever it came out, she wanted it, 253 00:12:16,880 --> 00:12:19,080 Speaker 3: and she'd send the maid down to get it, and 254 00:12:19,080 --> 00:12:21,440 Speaker 3: then the maid, if she listened to it didn't like it, 255 00:12:21,480 --> 00:12:23,440 Speaker 3: she'd make the maid return it. She's like, please, don't 256 00:12:23,480 --> 00:12:25,120 Speaker 3: keep sending me back there to return these. 257 00:12:25,240 --> 00:12:27,120 Speaker 2: Yeah, you sent me back yesterday with the new Jack T. 258 00:12:27,280 --> 00:12:29,080 Speaker 2: Guarden and now they're like mad at me. 259 00:12:31,840 --> 00:12:34,480 Speaker 3: She also went back and forth to California a lot. 260 00:12:35,840 --> 00:12:38,160 Speaker 3: Was the doll business that profitable. 261 00:12:38,520 --> 00:12:41,480 Speaker 2: I mean, I'm kind of like projecting from now back then, 262 00:12:41,520 --> 00:12:43,520 Speaker 2: and I just don't know if it's all pops. 263 00:12:43,600 --> 00:12:46,320 Speaker 3: But she also she appeared to be getting cash on 264 00:12:46,360 --> 00:12:50,160 Speaker 3: the side. Ah so according to Smithsonian Magazine, this article 265 00:12:50,200 --> 00:12:54,360 Speaker 3: by David Sears quote a November twenty sixth, nineteen forty 266 00:12:54,400 --> 00:12:57,400 Speaker 3: one visit to seven eighteen Madison by quote, well dressed 267 00:12:57,480 --> 00:13:01,520 Speaker 3: Japanese may have held the key to Velvil. These suspect prosperity, 268 00:13:01,960 --> 00:13:04,720 Speaker 3: as recounted in a nineteen forty four edition of Saint 269 00:13:04,800 --> 00:13:08,320 Speaker 3: Louis Sunday morning, the Japanese visitor quote darted through the 270 00:13:08,360 --> 00:13:11,840 Speaker 3: door and handed a small compact bundle to the proprietor. 271 00:13:12,480 --> 00:13:14,480 Speaker 3: I may not be able to come again, he said. 272 00:13:14,840 --> 00:13:19,320 Speaker 3: The proprietor replied that they might meet again, perhaps in Honolulu. No, no, 273 00:13:19,440 --> 00:13:21,840 Speaker 3: the Japanese exclaimed, not Honolulu. 274 00:13:23,400 --> 00:13:28,199 Speaker 2: Yikes to know what's going on? Oh yikes. 275 00:13:28,800 --> 00:13:32,840 Speaker 3: So then came the letters. So between January and June 276 00:13:32,920 --> 00:13:36,960 Speaker 3: of nineteen forty two, a series of suspicious letters were 277 00:13:37,000 --> 00:13:38,160 Speaker 3: sent to Argentina. 278 00:13:38,679 --> 00:13:43,760 Speaker 2: So January forty two, so after December forty one is okay, recent, 279 00:13:44,000 --> 00:13:45,800 Speaker 2: but don't go to Honolulu whatever you do. 280 00:13:46,520 --> 00:13:49,640 Speaker 3: So these letters to Argentina, they caught the eye of 281 00:13:49,760 --> 00:13:53,040 Speaker 3: the US government, and you know, they were concerned about 282 00:13:53,120 --> 00:13:57,000 Speaker 3: Argentina's like dabbling in fascism. 283 00:13:56,160 --> 00:13:58,360 Speaker 2: Connections to the fascist Europeans. 284 00:13:58,600 --> 00:14:01,200 Speaker 3: Correct. So the letters they were all addressed to Signor 285 00:14:01,360 --> 00:14:06,120 Speaker 3: Inez Lopez di Molinali in Buenos Aires, and one was 286 00:14:06,160 --> 00:14:11,600 Speaker 3: sent from Seattle, another from San Francisco, New York, Portland, Oregon, 287 00:14:11,720 --> 00:14:15,280 Speaker 3: and then another from Oakland, California. None of them made 288 00:14:15,320 --> 00:14:20,040 Speaker 3: it to Signora Inez Lopez de Molinali returned to send 289 00:14:20,040 --> 00:14:22,720 Speaker 3: her on each one. Oh yeah. And the women who 290 00:14:22,880 --> 00:14:25,840 Speaker 3: sent the letters, well, when they were interviewed by the FBI, 291 00:14:26,000 --> 00:14:29,320 Speaker 3: they swore they hadn't sent them and had no idea 292 00:14:29,360 --> 00:14:33,080 Speaker 3: who Signora Inez Lopez de Molinali was or what the 293 00:14:33,160 --> 00:14:36,800 Speaker 3: letters could be about. They the FBI found out because 294 00:14:36,840 --> 00:14:40,320 Speaker 3: these women were getting these letters returned to them. They 295 00:14:40,360 --> 00:14:43,600 Speaker 3: all said they'd open them up and their signatures were 296 00:14:43,640 --> 00:14:44,560 Speaker 3: on the letters. 297 00:14:45,240 --> 00:14:47,920 Speaker 2: The women who send the letter, I didn't. 298 00:14:47,720 --> 00:14:50,560 Speaker 3: Send this, but I assigned it. They said the signatures 299 00:14:50,560 --> 00:14:53,400 Speaker 3: on the letters looked like theirs, and that the letters 300 00:14:53,480 --> 00:14:57,280 Speaker 3: contained correct information about their personal lives that would be freaking, 301 00:14:57,400 --> 00:15:00,960 Speaker 3: and their interest in dolls, so the. 302 00:15:00,960 --> 00:15:04,160 Speaker 2: Letters less freaky. 303 00:15:04,240 --> 00:15:08,560 Speaker 3: The letter from Portland talked about a quote wonderful doll hospital. 304 00:15:08,280 --> 00:15:10,640 Speaker 2: The doll hospital dolls, and. 305 00:15:10,560 --> 00:15:13,960 Speaker 3: Said the writer had left her three quote old English 306 00:15:14,000 --> 00:15:18,280 Speaker 3: dolls for repairs. The letter also talked about fishnets and balloons. 307 00:15:19,000 --> 00:15:21,400 Speaker 3: The letter sent from New York was supposed to be 308 00:15:21,400 --> 00:15:24,920 Speaker 3: penned by a woman from Springfield, Illinois, talked about dolls 309 00:15:24,960 --> 00:15:29,880 Speaker 3: and had the words destroyed your like your in all caps, 310 00:15:30,200 --> 00:15:32,680 Speaker 3: and further in the same sentence, talked about a mister 311 00:15:32,800 --> 00:15:35,080 Speaker 3: Shaw who was sick but would be back to work soon. 312 00:15:35,680 --> 00:15:38,000 Speaker 3: And then the letter also talked about her sick nephew 313 00:15:38,040 --> 00:15:41,120 Speaker 3: with a quote malignant tumor on the brain. And the 314 00:15:41,160 --> 00:15:45,360 Speaker 3: supposed writer did have a nephew with a mortal brain issue. Really, 315 00:15:45,480 --> 00:15:48,480 Speaker 3: but she wasn't even in New York when the letter 316 00:15:48,560 --> 00:15:52,000 Speaker 3: was mailed, so she turned it over to local postal authorities, 317 00:15:52,280 --> 00:15:55,440 Speaker 3: who then passed it on to the FBI. And in turn, 318 00:15:55,760 --> 00:15:57,880 Speaker 3: each of these women did the same thing. They get 319 00:15:57,920 --> 00:16:01,360 Speaker 3: this letter, They're like, oh, what is this? Postal authorities? FBI. 320 00:16:01,920 --> 00:16:05,000 Speaker 3: In another letter, the writer said that she was sending 321 00:16:05,080 --> 00:16:07,040 Speaker 3: a doll in a quote hula skirt to a doll 322 00:16:07,080 --> 00:16:10,200 Speaker 3: hospital in Seattle. Let me read you the letter, My 323 00:16:10,320 --> 00:16:14,320 Speaker 3: most gracious friend, please forgive my delay in writing to 324 00:16:14,440 --> 00:16:17,120 Speaker 3: thank you for your kindness in sending my family the 325 00:16:17,160 --> 00:16:21,120 Speaker 3: beautiful Christmas gifts. The girls were especially pleased. I have 326 00:16:21,240 --> 00:16:23,560 Speaker 3: been so very busy these days. This is the first 327 00:16:23,560 --> 00:16:26,640 Speaker 3: time I've been over to Seattle for weeks. I came 328 00:16:26,680 --> 00:16:29,240 Speaker 3: over today to meet my son who's here from Portland 329 00:16:29,320 --> 00:16:32,680 Speaker 3: on business, and to get my little granddaughter's doll repaired. 330 00:16:33,080 --> 00:16:35,920 Speaker 3: I must tell you this amusing story. The wife of 331 00:16:35,960 --> 00:16:39,720 Speaker 3: an important business associate gave her an old German bisk 332 00:16:39,880 --> 00:16:43,520 Speaker 3: doll dressed in a hula grass skirt. It is a 333 00:16:43,600 --> 00:16:45,680 Speaker 3: cheap hoard thing. I do not like it, and I 334 00:16:45,720 --> 00:16:48,480 Speaker 3: wish we did not have to have it about well. 335 00:16:48,720 --> 00:16:51,800 Speaker 3: I broke this awful doll last month. Now the person 336 00:16:51,800 --> 00:16:55,040 Speaker 3: who gave the doll is coming to visit us very soon. 337 00:16:55,640 --> 00:16:58,920 Speaker 3: I walked all over Seattle to get someone to repair it. 338 00:16:59,400 --> 00:17:02,280 Speaker 3: No one at home could or would try the task. 339 00:17:02,720 --> 00:17:05,880 Speaker 3: Now I expect all the damages to be repaired by 340 00:17:05,920 --> 00:17:10,000 Speaker 3: the first week in February. In the meanwhile, I hope 341 00:17:10,040 --> 00:17:13,520 Speaker 3: and pray the important gentleman's wife will not come to 342 00:17:13,640 --> 00:17:16,399 Speaker 3: visit us until after that date. I do hope you 343 00:17:16,440 --> 00:17:19,159 Speaker 3: can read my typing. I'm trying to learn so I 344 00:17:19,200 --> 00:17:21,600 Speaker 3: can be able to type records for the Red Cross. 345 00:17:21,960 --> 00:17:23,960 Speaker 3: Please accept love and remembrances. 346 00:17:24,560 --> 00:17:26,000 Speaker 2: I got to disagree. I don't find that a very 347 00:17:26,040 --> 00:17:26,720 Speaker 2: amusing story. 348 00:17:26,840 --> 00:17:30,640 Speaker 3: No, not realist and so like the Oakland Letter, which 349 00:17:30,760 --> 00:17:34,440 Speaker 3: was purportedly penned by a lady from Colorado Springs, Oh 350 00:17:35,000 --> 00:17:37,720 Speaker 3: talked about seven small dolls that she was going to 351 00:17:37,800 --> 00:17:40,240 Speaker 3: try to make look as if they were quote seven 352 00:17:40,440 --> 00:17:46,120 Speaker 3: real Chinese dolls. Making up a family consisting of a father, grandmother, grandfather, mother, 353 00:17:46,200 --> 00:17:49,600 Speaker 3: and three kids. This was big to the FBI because 354 00:17:49,640 --> 00:17:52,880 Speaker 3: several warships had come into San Francisco Bay for repairs 355 00:17:52,960 --> 00:17:56,000 Speaker 3: just before the letter was written and mailed. So the 356 00:17:56,040 --> 00:17:58,720 Speaker 3: supposed author of that letter not only gave the letter 357 00:17:58,760 --> 00:18:01,840 Speaker 3: to the FBI, she also pointed them in the direction 358 00:18:01,960 --> 00:18:03,200 Speaker 3: of Velvelee Dickinson. 359 00:18:03,560 --> 00:18:05,120 Speaker 2: Really, she thought about it and. 360 00:18:05,080 --> 00:18:08,119 Speaker 3: She realized, you know, Velvelee probably used my information to 361 00:18:08,160 --> 00:18:11,320 Speaker 3: get back at me because the woman had purchased dolls 362 00:18:11,320 --> 00:18:14,000 Speaker 3: from Valvealle but couldn't pay for them right away. Uh huh, 363 00:18:14,119 --> 00:18:16,240 Speaker 3: I mean you shouldn't be buying dolls in to the side. 364 00:18:16,960 --> 00:18:20,240 Speaker 2: I mean it's like not live within your dollmians. 365 00:18:19,800 --> 00:18:22,960 Speaker 3: Right anyway, So then the FBI asked the other women 366 00:18:23,000 --> 00:18:25,879 Speaker 3: who got the return letters, did you know Velvelee do 367 00:18:25,920 --> 00:18:28,280 Speaker 3: you think you know she could be the one behind them? 368 00:18:28,760 --> 00:18:31,400 Speaker 3: And they all were like, yeah, we she has documents 369 00:18:31,400 --> 00:18:34,399 Speaker 3: with my signatures on them, and we've all written letters 370 00:18:34,440 --> 00:18:37,399 Speaker 3: back and forth about dolls, but also like chatted about 371 00:18:37,520 --> 00:18:41,200 Speaker 3: you know, idle chit chat about our lives. The doll 372 00:18:42,080 --> 00:18:44,240 Speaker 3: correspond and at least two of them had mixed it 373 00:18:44,320 --> 00:18:47,840 Speaker 3: up with Velveley about prices or payments for dolls. So 374 00:18:47,920 --> 00:18:50,359 Speaker 3: now the FBI they set their sights on valve Lee. 375 00:18:50,680 --> 00:18:52,399 Speaker 3: Let's stop here for a bit. I have to go 376 00:18:52,440 --> 00:18:54,600 Speaker 3: brush the hair of all the members of my creepy 377 00:18:54,640 --> 00:18:57,440 Speaker 3: doll collection. I have them arranged on the day bed 378 00:18:57,440 --> 00:19:00,800 Speaker 3: in the guest bedroom, their sleepy eyes and rosy cheeks 379 00:19:00,800 --> 00:19:02,560 Speaker 3: staring out at me in dusty contempt. 380 00:19:02,720 --> 00:19:03,880 Speaker 2: I just want to know where you got all those 381 00:19:03,880 --> 00:19:04,840 Speaker 2: deaf leopard dolls. 382 00:19:05,160 --> 00:19:07,320 Speaker 3: It's very rare in Velvely's estate. 383 00:19:28,040 --> 00:19:30,880 Speaker 2: Zaren Yo, Elizabeth. Hi, I'm sorry. I'm still thinking about 384 00:19:30,880 --> 00:19:33,520 Speaker 2: that one armed deaf leopard drummer doll that you have. 385 00:19:33,680 --> 00:19:34,840 Speaker 2: It's it's incredible. 386 00:19:34,920 --> 00:19:37,720 Speaker 3: It's a keepsake. Yeah, I ordered it on late night TV. 387 00:19:38,119 --> 00:19:39,040 Speaker 3: It's beautiful thing. 388 00:19:39,640 --> 00:19:41,760 Speaker 2: Velvely, Velvely. 389 00:19:42,240 --> 00:19:44,520 Speaker 3: It was hard not to type Velveta as I was 390 00:19:44,520 --> 00:19:48,359 Speaker 3: putting together this outline. Anyway, The FBI, by. 391 00:19:48,240 --> 00:19:50,760 Speaker 2: The way, like names like that. I mean the poetry 392 00:19:50,840 --> 00:19:52,720 Speaker 2: that named Velvelee and then Malvina. 393 00:19:52,920 --> 00:19:56,399 Speaker 3: Also, I mean, I know some really beautiful old names 394 00:19:56,440 --> 00:19:58,960 Speaker 3: like that. They just fallout. I mean, Velvely, is it 395 00:19:59,720 --> 00:20:00,560 Speaker 3: it's interesting? 396 00:20:00,800 --> 00:20:01,280 Speaker 4: I like it? 397 00:20:03,040 --> 00:20:06,320 Speaker 2: Yeah, double v's Yeah, you don't exactly. It has like 398 00:20:06,359 --> 00:20:07,199 Speaker 2: a poetry to it. 399 00:20:07,240 --> 00:20:10,280 Speaker 3: Now, is in like one hundred years time, are people 400 00:20:10,320 --> 00:20:14,399 Speaker 3: going to go back and be like, you know, Brakenzie mckayley, 401 00:20:15,320 --> 00:20:17,199 Speaker 3: the L, E, I, G. H on everything? Or they 402 00:20:17,520 --> 00:20:19,360 Speaker 3: it was so beautiful, why don't maybe use that? 403 00:20:19,400 --> 00:20:21,960 Speaker 2: Who knows? Because they're all named like Deltron three thousand. 404 00:20:23,320 --> 00:20:25,480 Speaker 3: Yes, that's a circle of life. 405 00:20:25,560 --> 00:20:30,040 Speaker 2: Sorry, apologies, Okay. 406 00:20:30,119 --> 00:20:33,199 Speaker 3: FBI people were pointing to Velvelee when it came to 407 00:20:33,240 --> 00:20:36,639 Speaker 3: the letters, so the FBI turned to its lab for confirmation. 408 00:20:37,280 --> 00:20:39,359 Speaker 3: So the lab looked at all five letters and they 409 00:20:39,400 --> 00:20:41,639 Speaker 3: confirmed that the signatures on the letters were fake. They 410 00:20:41,640 --> 00:20:45,960 Speaker 3: were good forgeries, but forgeries nonetheless. And then the experts 411 00:20:46,000 --> 00:20:49,520 Speaker 3: determined that they were prepared from original signatures in the 412 00:20:49,520 --> 00:20:52,919 Speaker 3: possession of the forger. And then they also determined that 413 00:20:52,960 --> 00:20:58,080 Speaker 3: the typewriter for each letter was different. However, they figured 414 00:20:58,080 --> 00:21:00,680 Speaker 3: that it was the same person typing each letter based 415 00:21:00,720 --> 00:21:02,360 Speaker 3: on the typing characteristics. 416 00:21:02,480 --> 00:21:04,320 Speaker 2: How can they sense, Well, I'm guessing that. 417 00:21:04,280 --> 00:21:07,080 Speaker 3: It's something like if the ease are struck especially hard 418 00:21:07,480 --> 00:21:11,400 Speaker 3: or like facing you know, that would be my guess. 419 00:21:11,640 --> 00:21:14,080 Speaker 2: I know. How you can pick which typewriter is because 420 00:21:14,080 --> 00:21:15,600 Speaker 2: of the position of the letters, and like you know, 421 00:21:15,680 --> 00:21:18,040 Speaker 2: they the way typewriters work, the letters are not in 422 00:21:18,080 --> 00:21:20,560 Speaker 2: the hitting the same spot or the same depth into 423 00:21:20,560 --> 00:21:21,000 Speaker 2: the paper. 424 00:21:21,160 --> 00:21:23,400 Speaker 3: Do you do, like maybe they do a reverse indent 425 00:21:23,520 --> 00:21:26,400 Speaker 3: and that's kind of odd and exactly yeah, those little 426 00:21:26,480 --> 00:21:26,960 Speaker 3: kind of things. 427 00:21:27,040 --> 00:21:28,159 Speaker 2: But I mean, I was wondering how they would know 428 00:21:28,200 --> 00:21:31,439 Speaker 2: it's the same type ist. That's bizarre, I know. 429 00:21:31,840 --> 00:21:33,600 Speaker 3: So I think that's what I'm saying. I think if 430 00:21:33,640 --> 00:21:37,000 Speaker 3: you hit certain keys really hard, sure that it's going 431 00:21:37,080 --> 00:21:38,400 Speaker 3: to always bleed through. 432 00:21:38,560 --> 00:21:41,879 Speaker 2: Like like when you play piano, some people play the 433 00:21:42,000 --> 00:21:43,360 Speaker 2: same notes louder and you go. 434 00:21:43,359 --> 00:21:48,080 Speaker 3: Oh, I know, yeah, yeah, exactly heavy handed, Bob. Also, 435 00:21:48,400 --> 00:21:51,280 Speaker 3: they had to decode these letters. I mean, they weren't Cipher's, 436 00:21:51,320 --> 00:21:55,760 Speaker 3: but the language is in code. So enter Elizabeth Smith Friedman. 437 00:21:56,080 --> 00:21:57,440 Speaker 2: Okay, Elizabeth Smith Free. 438 00:21:57,560 --> 00:22:02,160 Speaker 3: She spells her name E L I Z E eh special, 439 00:22:02,560 --> 00:22:06,280 Speaker 3: so Elizabeth Smith Friedman. She is one of the most 440 00:22:06,400 --> 00:22:11,880 Speaker 3: important yet long overlooked figures in American intelligence history. 441 00:22:12,400 --> 00:22:15,080 Speaker 2: Now just out of curiosity, the last name Friedman is 442 00:22:15,080 --> 00:22:17,040 Speaker 2: often a black American's name. 443 00:22:17,240 --> 00:22:21,959 Speaker 3: Is she r Ied? Okay, yeah, not Freed. 444 00:22:23,000 --> 00:22:24,600 Speaker 2: I was just very really surprised if. 445 00:22:26,000 --> 00:22:30,600 Speaker 3: Yeah, that's why we've never heard of her. Yeah, Friedman 446 00:22:30,760 --> 00:22:34,520 Speaker 3: Fried Okay. So she was born in eighteen ninety two 447 00:22:34,600 --> 00:22:37,639 Speaker 3: and Huntington, Indiana, and she was the youngest of nine 448 00:22:37,720 --> 00:22:41,280 Speaker 3: children in a Quaker family and her dad was a farmer, 449 00:22:41,520 --> 00:22:44,919 Speaker 3: strict disciplinarian. Her mom was a school teacher who just 450 00:22:45,040 --> 00:22:48,200 Speaker 3: really like imbued in all the kids this love of 451 00:22:48,320 --> 00:22:50,640 Speaker 3: learning and you've got to just pursue as much education 452 00:22:50,720 --> 00:22:53,240 Speaker 3: as possible respect to that. Yeah, So she went to 453 00:22:53,320 --> 00:22:56,520 Speaker 3: Hillsdale College in Michigan. She graduated in nineteen fifteen. She 454 00:22:56,600 --> 00:22:59,399 Speaker 3: had a major in English literature, but she also had 455 00:22:59,440 --> 00:23:03,520 Speaker 3: this strong background in languages and classical studies, and she 456 00:23:03,680 --> 00:23:08,159 Speaker 3: was fascinated by language structure and patterns, especially those in 457 00:23:08,200 --> 00:23:12,000 Speaker 3: the works of Shakespeare. And so in nineteen sixteen, a 458 00:23:12,080 --> 00:23:15,400 Speaker 3: year after graduating, she visited Chicago and it was there 459 00:23:15,440 --> 00:23:19,000 Speaker 3: that she met George Fabian And he was the super 460 00:23:19,160 --> 00:23:23,680 Speaker 3: rich textile magnet and like crazy eccentric, and he rolled 461 00:23:23,680 --> 00:23:26,040 Speaker 3: around in this limo. He spent money like it was nothing. 462 00:23:26,359 --> 00:23:31,080 Speaker 3: He also he ran this private research facility called Riverbank Laboratories, 463 00:23:31,600 --> 00:23:34,280 Speaker 3: and that was located in Geneva, Illinois, and he was 464 00:23:34,400 --> 00:23:38,200 Speaker 3: fascinated with the theory that Francis Bacon had secretly authored 465 00:23:38,240 --> 00:23:39,600 Speaker 3: all of Shakespeare's plays. 466 00:23:39,800 --> 00:23:41,280 Speaker 2: Oh right, yes. 467 00:23:41,480 --> 00:23:45,160 Speaker 3: And so he has all this money. That's his big hobby, 468 00:23:45,240 --> 00:23:51,400 Speaker 3: this interest. So he starts in institute, the Riverbank Laboratories Energy, right, 469 00:23:51,600 --> 00:23:54,320 Speaker 3: and so he chats with Elizabeth and he offered her 470 00:23:54,320 --> 00:23:57,040 Speaker 3: a job on the spot to assist in finding hidden 471 00:23:57,160 --> 00:24:00,760 Speaker 3: ciphers in Shakespearean texts that might claim. 472 00:24:00,920 --> 00:24:01,800 Speaker 2: That's so much fun. 473 00:24:01,840 --> 00:24:03,480 Speaker 3: And she's like, yeah, I'll take it, Like what a 474 00:24:03,560 --> 00:24:07,200 Speaker 3: job off her from their Yeah, and it's everything she loves. 475 00:24:07,520 --> 00:24:11,640 Speaker 3: So at Riverbank she met William F. Friedman, a geneticist 476 00:24:11,720 --> 00:24:15,560 Speaker 3: who was also working for Fabian. The two collaborated on 477 00:24:15,640 --> 00:24:18,080 Speaker 3: code breaking techniques and then they also fell in love. 478 00:24:18,320 --> 00:24:20,919 Speaker 3: Oh and they got married in nineteen seventeen. So this 479 00:24:21,080 --> 00:24:26,080 Speaker 3: whole Shakespeare Bacon thing was total pseudoscience, obviously, But in 480 00:24:26,119 --> 00:24:29,879 Speaker 3: the course of establishing Riverbank, it became the first American 481 00:24:29,920 --> 00:24:35,200 Speaker 3: facility dedicated to cryptoanalysis. Really yeah, So during World War 482 00:24:35,240 --> 00:24:37,080 Speaker 3: One it was one of the few places in the 483 00:24:37,160 --> 00:24:40,159 Speaker 3: US that was equipped to handle military code breaking for 484 00:24:40,240 --> 00:24:40,840 Speaker 3: the government. 485 00:24:41,240 --> 00:24:44,000 Speaker 2: That's so crazy. And it goes from Sir Francis Bacon 486 00:24:44,119 --> 00:24:47,080 Speaker 2: Shakespeare to like for the war exactly now. 487 00:24:47,119 --> 00:24:50,720 Speaker 3: Both Elizabeth and William they trained military officers and they 488 00:24:50,760 --> 00:24:53,840 Speaker 3: broke enemy codes on behalf of the Army Signal Corps 489 00:24:54,359 --> 00:24:57,560 Speaker 3: during World War One, the Freedman's Together, they worked to 490 00:24:57,600 --> 00:25:01,760 Speaker 3: decipher coded messages between German ages and their American contacts, 491 00:25:02,240 --> 00:25:05,080 Speaker 3: and they demonstrated that code breaking could be this like 492 00:25:05,240 --> 00:25:09,920 Speaker 3: rigorous scientific discipline, not just like guesswork and intuition. They 493 00:25:10,080 --> 00:25:15,919 Speaker 3: developed early methods for of frequency analysis, statistical approaches to 494 00:25:16,000 --> 00:25:19,680 Speaker 3: like substitution ciphers, and then they laid the groundwork basically 495 00:25:19,720 --> 00:25:26,399 Speaker 3: for modern cryptology. These two, their reports became foundational materials 496 00:25:26,400 --> 00:25:28,480 Speaker 3: for all of like the crypto. 497 00:25:28,520 --> 00:25:30,200 Speaker 2: Units to come, okay, okay. 498 00:25:30,760 --> 00:25:34,719 Speaker 3: In the twenties, Elizabeth started working independently from her husband. 499 00:25:34,760 --> 00:25:37,560 Speaker 3: She joined the US Coast Guard, and that was to 500 00:25:37,680 --> 00:25:41,840 Speaker 3: combat rum running and smuggling during Prohibition the US codes 501 00:25:41,880 --> 00:25:46,159 Speaker 3: too oh yeah, so yeah, and when it began, well 502 00:25:46,240 --> 00:25:48,960 Speaker 3: goes even further than that. Prohibition starts in nineteen twenty 503 00:25:49,000 --> 00:25:53,600 Speaker 3: under the Volstead Act, bootlegging and maritime smuggling surged across 504 00:25:53,680 --> 00:25:56,639 Speaker 3: the US coastlines. As we've discussed here before, so the 505 00:25:56,680 --> 00:26:00,399 Speaker 3: Coast Guard suddenly found itself responsible for intercepting thouands of 506 00:26:00,440 --> 00:26:04,720 Speaker 3: these liquor laden ships, but also radio communications to coordinate 507 00:26:04,840 --> 00:26:06,920 Speaker 3: movements and evade capsule. 508 00:26:06,720 --> 00:26:10,480 Speaker 2: Current meeting off in the over to unload their cargo 509 00:26:10,640 --> 00:26:11,639 Speaker 2: in the open ocean. 510 00:26:11,760 --> 00:26:14,960 Speaker 3: Correct and the agency had no code breakers. So in 511 00:26:15,040 --> 00:26:18,800 Speaker 3: nineteen twenty five, Elizabeth was asked to examine intercepted radio 512 00:26:18,880 --> 00:26:22,320 Speaker 3: messages that were suspected of containing criminal codes, and she 513 00:26:22,480 --> 00:26:27,600 Speaker 3: quickly recognized, okay, these are just complex substitution and transposition ciphers, 514 00:26:28,560 --> 00:26:31,879 Speaker 3: well beyond the skills of most law enforcement agents, but 515 00:26:31,920 --> 00:26:35,359 Speaker 3: for her it's cakewalk. So she was soon formally hired 516 00:26:35,480 --> 00:26:39,159 Speaker 3: as a special cryptanalyst for the US Coast Guard, and 517 00:26:39,280 --> 00:26:43,320 Speaker 3: her team received hundreds of intercepted radio logs every single week, 518 00:26:43,760 --> 00:26:46,399 Speaker 3: and so they worked. They sat there with like like 519 00:26:46,560 --> 00:26:50,679 Speaker 3: doing everything by hand, pencil paper, sitting by lamplight. She 520 00:26:50,840 --> 00:26:54,560 Speaker 3: decrypted over twelve thousand messages in less than a decade, 521 00:26:55,560 --> 00:26:59,520 Speaker 3: just constant churning them out, and her analysis exposed like 522 00:26:59,560 --> 00:27:03,240 Speaker 3: this huge, huge international structure of all these smuggling cartels, 523 00:27:03,720 --> 00:27:06,680 Speaker 3: and then also brought in like the use of shell companies, 524 00:27:06,720 --> 00:27:10,480 Speaker 3: false manifest coded invoices, so she was able to crack 525 00:27:10,520 --> 00:27:13,520 Speaker 3: codes beyond just like meet me at this coordinate at 526 00:27:13,520 --> 00:27:16,800 Speaker 3: this time, it was like further communications about who was 527 00:27:16,880 --> 00:27:17,480 Speaker 3: higher up and. 528 00:27:17,520 --> 00:27:18,880 Speaker 2: The Capone's bookkeeper style. 529 00:27:19,240 --> 00:27:23,480 Speaker 3: Yeah, and she discovered that criminal groups oftentimes reused encryption 530 00:27:23,600 --> 00:27:27,160 Speaker 3: keys or followed like these predictable linguistic habits, and that's 531 00:27:27,200 --> 00:27:30,760 Speaker 3: how she got her entry point for decryption. She did 532 00:27:30,800 --> 00:27:33,000 Speaker 3: wind up. She worked on Capone stuff. 533 00:27:33,840 --> 00:27:37,560 Speaker 2: Yeah, that's a very famous example of like a coded 534 00:27:37,800 --> 00:27:41,639 Speaker 2: record keeping, coded communication. Right. He was very smart and cunning, 535 00:27:41,680 --> 00:27:43,480 Speaker 2: so it was like probably be a bit fun challenge 536 00:27:43,480 --> 00:27:44,399 Speaker 2: for something like her was. 537 00:27:44,480 --> 00:27:47,320 Speaker 3: She was on it. There was the I'm Alone case 538 00:27:47,359 --> 00:27:50,640 Speaker 3: in nineteen thirty one. This was a Canadian vessel accused 539 00:27:50,680 --> 00:27:53,480 Speaker 3: of running alcohol and it got sunk by the coastguard 540 00:27:53,600 --> 00:27:54,680 Speaker 3: in the Gulf of Mexico. 541 00:27:55,280 --> 00:27:57,200 Speaker 2: Oh wow, I was thinking the other way, be like 542 00:27:57,359 --> 00:27:58,160 Speaker 2: by Detroit. Yeah. 543 00:27:58,200 --> 00:28:03,199 Speaker 3: No, her cryptanalysis proved the ships Canadian registry was fraudulent 544 00:28:03,720 --> 00:28:06,679 Speaker 3: and that it was operating under American ownership, and so 545 00:28:06,760 --> 00:28:11,639 Speaker 3: that saved us from like crazy diplomatic backlashure. She also 546 00:28:11,760 --> 00:28:14,800 Speaker 3: helped dismantle smuggling rings link to like I said, organized 547 00:28:14,840 --> 00:28:21,200 Speaker 3: crime families, Chicago, New York. Her messages connected radio operators 548 00:28:21,200 --> 00:28:25,560 Speaker 3: directly to the financial backers in all of these cases, 549 00:28:25,600 --> 00:28:29,840 Speaker 3: so prohibition gets repealed. She continues doing work for the 550 00:28:30,000 --> 00:28:34,200 Speaker 3: Treasury Department and the Customs Service. She tracked narcotic smuggling, 551 00:28:34,359 --> 00:28:38,560 Speaker 3: currency fraud, illegal immigration networks. She had this little small 552 00:28:38,600 --> 00:28:41,479 Speaker 3: office still at the Coastguard, but it became the center 553 00:28:42,000 --> 00:28:46,000 Speaker 3: of what would evolve into permanent cryptanalytic branch within US 554 00:28:46,120 --> 00:28:49,240 Speaker 3: law enforcement. All comes out of the Coastguard. So by 555 00:28:49,240 --> 00:28:52,840 Speaker 3: the early thirties, she had testified as an expert in 556 00:28:53,640 --> 00:28:57,400 Speaker 3: all these federal trials against smugglers. Anytime they brought her in, 557 00:28:57,480 --> 00:29:01,760 Speaker 3: her testimony was so decisive that defense attorneys sometimes would 558 00:29:01,800 --> 00:29:04,360 Speaker 3: find out she was going to testify and like be like, 559 00:29:04,400 --> 00:29:04,920 Speaker 3: you got. 560 00:29:04,720 --> 00:29:05,880 Speaker 2: To plead out take the deal. 561 00:29:05,960 --> 00:29:08,000 Speaker 3: Yeah, don't if we go to court like your TOAs 562 00:29:08,080 --> 00:29:08,360 Speaker 3: you're going. 563 00:29:08,360 --> 00:29:09,000 Speaker 2: To get embarrassed. 564 00:29:09,080 --> 00:29:09,320 Speaker 3: Yeah. 565 00:29:09,360 --> 00:29:10,600 Speaker 2: The headlines alone, Yeah. 566 00:29:10,600 --> 00:29:13,080 Speaker 3: And she was known for how smart brilliant she was. 567 00:29:13,160 --> 00:29:15,840 Speaker 3: She was yet so modest. Yeah, and she had this 568 00:29:15,960 --> 00:29:19,800 Speaker 3: like crazy deep respect from law enforcement. But and no 569 00:29:19,840 --> 00:29:21,120 Speaker 3: one in the public knew who she was. 570 00:29:21,320 --> 00:29:24,200 Speaker 2: And she ironic because she's really good at unmasking. 571 00:29:23,680 --> 00:29:27,000 Speaker 3: People, right, you know, yeah, and so, And the thing 572 00:29:27,120 --> 00:29:28,760 Speaker 3: is is a lot of people didn't know because her 573 00:29:28,760 --> 00:29:31,520 Speaker 3: work was classified. So it's like you can't talk about. 574 00:29:31,320 --> 00:29:34,120 Speaker 2: It, of course. And also it's probably for her like 575 00:29:34,200 --> 00:29:36,560 Speaker 2: her you know, her life interest if people don't know 576 00:29:36,560 --> 00:29:38,480 Speaker 2: who she is, because then these mobsters can't just go 577 00:29:38,520 --> 00:29:39,120 Speaker 2: and find here. 578 00:29:39,440 --> 00:29:41,680 Speaker 3: And I don't know how long it extends out, because 579 00:29:41,680 --> 00:29:44,440 Speaker 3: I know, like in the UK with all the Bletchley folks, 580 00:29:45,000 --> 00:29:47,480 Speaker 3: it was decades later that they couldn't even say where 581 00:29:47,480 --> 00:29:47,920 Speaker 3: they worked. 582 00:29:47,960 --> 00:29:48,880 Speaker 2: She was like to the seventies. 583 00:29:49,000 --> 00:29:51,840 Speaker 3: Yeah, they couldn't discuss it, and so you know, you 584 00:29:51,840 --> 00:29:53,800 Speaker 3: couldn't even say that you worked there. You just had 585 00:29:53,800 --> 00:29:57,239 Speaker 3: to be vague or whatever or have a cover. So 586 00:29:57,320 --> 00:29:59,520 Speaker 3: when World War Two broke out in Europe, the US 587 00:29:59,560 --> 00:30:03,480 Speaker 3: Coast Guard was transferred to Navy authority and Elizabeth she 588 00:30:03,560 --> 00:30:07,200 Speaker 3: started receiving intercepted message from the Office of Naval Intelligence 589 00:30:07,320 --> 00:30:12,240 Speaker 3: ONI and the FBI concerning espionage in the Western Hemisphere. 590 00:30:12,600 --> 00:30:16,800 Speaker 3: That's where she got assigned. So the Germany's military intelligence 591 00:30:16,840 --> 00:30:20,840 Speaker 3: and State Telegraph Service were using encrypted short of radio 592 00:30:20,960 --> 00:30:25,640 Speaker 3: to communicate with German agents in Latin America, and these spies. 593 00:30:25,920 --> 00:30:30,240 Speaker 3: They were gathering all this information about like shipping, coastal defenses, 594 00:30:30,400 --> 00:30:34,640 Speaker 3: military movements and all that stuff that like Berlin wanted 595 00:30:34,680 --> 00:30:39,000 Speaker 3: it for submarine warfare, right, Yeah, So her Elizabeth unit 596 00:30:39,120 --> 00:30:43,720 Speaker 3: was tasked with breaking access ciphers and identifying Nazi spy 597 00:30:43,840 --> 00:30:46,960 Speaker 3: networks in countries like Brazil, Chile. 598 00:30:47,280 --> 00:30:50,840 Speaker 2: Argentina, not Mexico. No, but this is. 599 00:30:50,760 --> 00:30:53,320 Speaker 3: Where she intersects back with valve Lee. And we're going 600 00:30:53,400 --> 00:30:54,960 Speaker 3: to come back to Vealvelee in a second, but I 601 00:30:55,000 --> 00:30:57,160 Speaker 3: want to keep up with Elizabeth here, please. So the 602 00:30:57,240 --> 00:31:00,080 Speaker 3: German network in South America was coordinated through this real 603 00:31:00,240 --> 00:31:04,959 Speaker 3: complex system of all these ciphered messages radio relays, and 604 00:31:05,000 --> 00:31:08,920 Speaker 3: the main German agent in the region was Johannes Siegfried Becker, 605 00:31:09,200 --> 00:31:15,120 Speaker 3: who was known as Sargo Sargo Sargo. He oversaw intelligence 606 00:31:15,160 --> 00:31:16,920 Speaker 3: cells in fifteen different countries. 607 00:31:17,080 --> 00:31:19,040 Speaker 2: It sounds like something you buy it from Ikia. 608 00:31:21,000 --> 00:31:24,200 Speaker 3: Or it's like a like a sandwich spread in another country. 609 00:31:24,200 --> 00:31:26,840 Speaker 2: Oh yeah, totally as yeah, exactly. 610 00:31:27,840 --> 00:31:32,120 Speaker 3: He's responsible for fifteen countries all of their intelligence cells. 611 00:31:32,240 --> 00:31:32,640 Speaker 2: That's a lot. 612 00:31:32,760 --> 00:31:35,960 Speaker 3: Yeah, And so he would transmit all of this data 613 00:31:36,000 --> 00:31:41,920 Speaker 3: back to Germany using like Enigma, like encryptions. So between 614 00:31:42,000 --> 00:31:45,000 Speaker 3: nineteen forty and nineteen forty four, she's still got this 615 00:31:45,080 --> 00:31:48,680 Speaker 3: little tiny Coastguard team and they're working secretly under a 616 00:31:48,680 --> 00:31:52,760 Speaker 3: code name. They're intercepting and decrypting thousands of messages from 617 00:31:52,800 --> 00:31:56,600 Speaker 3: Becker's agents. And she identified not only the message content, 618 00:31:57,000 --> 00:32:02,000 Speaker 3: but the operators, call signs, transmission schedules, signal locations. She 619 00:32:02,040 --> 00:32:06,080 Speaker 3: took them down. She basically mapped the German intelligence infrastructure 620 00:32:06,160 --> 00:32:07,400 Speaker 3: across the hemisphere. 621 00:32:07,640 --> 00:32:09,720 Speaker 2: Oh my god, this is so crazy. 622 00:32:09,440 --> 00:32:12,800 Speaker 3: Right, So her code cracking pushed the US and allied 623 00:32:12,840 --> 00:32:17,760 Speaker 3: governments to pressure Latin American countries to arrest these German agents, like, 624 00:32:17,840 --> 00:32:20,440 Speaker 3: you know, shut down the radio stations. You got to 625 00:32:20,480 --> 00:32:23,280 Speaker 3: cut their influence, like join up, get on our side. 626 00:32:23,600 --> 00:32:29,200 Speaker 3: The most significant operation was the dismantling of Operation Bolivar German, 627 00:32:29,240 --> 00:32:35,120 Speaker 3: these principal spy network in South America. I So, nineteen 628 00:32:35,200 --> 00:32:39,400 Speaker 3: forty four, thanks pretty much to her decryptions, the entire 629 00:32:39,440 --> 00:32:43,480 Speaker 3: network gets rolled up, dozens of German and local collaborators 630 00:32:43,520 --> 00:32:48,360 Speaker 3: get arrested, their communications channels totally wiped out, and her 631 00:32:48,440 --> 00:32:51,240 Speaker 3: reports were sent directly to the White House, FBI, and 632 00:32:51,280 --> 00:32:55,560 Speaker 3: British intelligence. And so you know, we associate the Enigma machine, 633 00:32:55,600 --> 00:33:00,600 Speaker 3: the decoding machine with the British. At Bletchley Park, Elizabeth's 634 00:33:00,600 --> 00:33:04,680 Speaker 3: team successfully broke simplified Enigma variants used by the German 635 00:33:04,720 --> 00:33:08,040 Speaker 3: agents abroad. Okay, so she didn't have the full Enigma machine, 636 00:33:08,120 --> 00:33:13,880 Speaker 3: but the communications correct. Yeah, her achievements were classified until 637 00:33:13,960 --> 00:33:18,720 Speaker 3: the nineties. The nineties and Jay Edgar Hoover, he would 638 00:33:18,760 --> 00:33:21,400 Speaker 3: go around like, yeah, the FBI broke the spy codes, 639 00:33:21,440 --> 00:33:25,600 Speaker 3: but like she was totally eliminated from the record. Really, yeah, 640 00:33:25,640 --> 00:33:27,680 Speaker 3: she was not put on there, and it wasn't until 641 00:33:27,760 --> 00:33:29,960 Speaker 3: much later after her death. But then they started going 642 00:33:30,000 --> 00:33:33,360 Speaker 3: back and like putting her name on things recognizing it. Yeah. 643 00:33:33,560 --> 00:33:35,600 Speaker 2: Yeah, so she never got her flowers. 644 00:33:35,320 --> 00:33:37,680 Speaker 3: No she didn't, so we present them to her. Now, 645 00:33:38,000 --> 00:33:41,960 Speaker 3: so Velveley's letters right back to Velvele. Elizabeth and her 646 00:33:41,960 --> 00:33:45,280 Speaker 3: crew determined that an open code was used for the letters, 647 00:33:45,280 --> 00:33:47,200 Speaker 3: and they're probably like, this is stupid. This is the 648 00:33:47,280 --> 00:33:49,920 Speaker 3: dumbest code I've ever seen. Like it's super obvious. 649 00:33:49,640 --> 00:33:51,080 Speaker 2: Because are just distracted by the dolls. 650 00:33:51,600 --> 00:33:54,720 Speaker 3: Don't be distracted. So they're sharing information on the military, 651 00:33:54,760 --> 00:33:57,880 Speaker 3: especially the ships of the Navy. The code referred to 652 00:33:57,960 --> 00:34:01,000 Speaker 3: locations conditions, repair stats, and a lot of it had 653 00:34:01,000 --> 00:34:03,640 Speaker 3: to do with the boats damaged at Pearl Harbor. So, 654 00:34:03,680 --> 00:34:07,920 Speaker 3: according to FBI records, Elizabeth's team quote concluded that the 655 00:34:07,960 --> 00:34:10,879 Speaker 3: three old English dolls left at a quote wonderful doll 656 00:34:10,960 --> 00:34:14,640 Speaker 3: hospital for repairs might well mean three warships being repaired 657 00:34:14,640 --> 00:34:18,319 Speaker 3: at the West Coast Naval Shipyard. Fishnets meant submarine nets, 658 00:34:18,360 --> 00:34:21,640 Speaker 3: and balloons referred to defense installations. I was kind of 659 00:34:21,719 --> 00:34:25,959 Speaker 3: obvious and about that, mister Shaw, remember, yes, in early 660 00:34:26,040 --> 00:34:29,359 Speaker 3: nineteen forty two, the Japanese had to figure out how 661 00:34:29,400 --> 00:34:32,960 Speaker 3: badly they'd rocked the American Pacific fleet at Pearl Harbor, 662 00:34:33,560 --> 00:34:37,520 Speaker 3: and so they also wanted to know how far had 663 00:34:37,520 --> 00:34:40,680 Speaker 3: we knocked him out, Like were boats being repaired? If so, 664 00:34:40,880 --> 00:34:44,719 Speaker 3: how fast were they doing this? The destroyer Shaw had 665 00:34:44,719 --> 00:34:48,120 Speaker 3: its bow blown off in this huge explosion at Pearl Harbor, 666 00:34:48,360 --> 00:34:51,080 Speaker 3: and it arrived in San Francisco about two weeks before 667 00:34:51,160 --> 00:34:54,600 Speaker 3: the letter was sent, So just reporting out on the 668 00:34:54,600 --> 00:34:57,839 Speaker 3: Shaw getting repaired. According to The New York Times, that 669 00:34:57,960 --> 00:35:00,959 Speaker 3: letter about the Hulaskirt was determined to be a clear 670 00:35:01,000 --> 00:35:03,440 Speaker 3: reference to a ship struck at Pearl Harbor, which, of 671 00:35:03,440 --> 00:35:06,400 Speaker 3: course they said, quote This letter had been written a 672 00:35:06,400 --> 00:35:10,400 Speaker 3: few days after the aircraft carrier USS Saratoga left Puget 673 00:35:10,400 --> 00:35:13,600 Speaker 3: Sound for San Diego. Still, another letter was turned over 674 00:35:13,640 --> 00:35:16,919 Speaker 3: to the FBI by a Spokane, Washington woman, this one 675 00:35:16,960 --> 00:35:20,200 Speaker 3: carrying a Seattle Washington postmark. The letter referred to a 676 00:35:20,280 --> 00:35:23,080 Speaker 3: quote German bisk doll dressed in a hula grass skirt, 677 00:35:23,400 --> 00:35:26,280 Speaker 3: which was reported to be in Seattle for repairs scheduled 678 00:35:26,320 --> 00:35:29,239 Speaker 3: for completion by the first week in February. A check 679 00:35:29,280 --> 00:35:32,799 Speaker 3: by the FBI with naval authorities verified the conclusion that 680 00:35:32,840 --> 00:35:35,320 Speaker 3: the doll referred to a warship which had been damaged 681 00:35:35,320 --> 00:35:38,160 Speaker 3: at Pearl Harbor. The vessel was in Puget Sound Navy 682 00:35:38,239 --> 00:35:40,520 Speaker 3: Yard for repairs at the time the letter was written. 683 00:35:41,600 --> 00:35:43,520 Speaker 2: I figured they wanted to know about those aircraft carriers 684 00:35:43,520 --> 00:35:45,279 Speaker 2: because that's some of the early battle. 685 00:35:44,880 --> 00:35:48,839 Speaker 3: Of the Pacific exactly Exactly, so FBI agents they start 686 00:35:48,920 --> 00:35:53,120 Speaker 3: digging into Velvele's life. She'd been pretty consistently getting loans 687 00:35:53,120 --> 00:35:56,160 Speaker 3: from banks and business associates in New York all the 688 00:35:56,200 --> 00:35:59,200 Speaker 3: way up to like nineteen forty one. She was struggling, 689 00:35:59,480 --> 00:36:02,719 Speaker 3: but by early nineteen forty three she was known for 690 00:36:02,840 --> 00:36:05,200 Speaker 3: prance and around town. She had like huge wads one 691 00:36:05,280 --> 00:36:07,960 Speaker 3: hundred dollars bills on her for real, Yeah, and they 692 00:36:08,120 --> 00:36:10,760 Speaker 3: tracked it down. Four of the bills that she used 693 00:36:10,960 --> 00:36:15,600 Speaker 3: in payments were traced by the FBI to Japanese official 694 00:36:15,680 --> 00:36:19,120 Speaker 3: sources which had received the money before the war. So 695 00:36:19,160 --> 00:36:23,520 Speaker 3: we were tracking money that the Japanese were using before 696 00:36:23,560 --> 00:36:24,040 Speaker 3: the war. 697 00:36:23,920 --> 00:36:26,680 Speaker 2: By serial number. We knew the money they were getting. 698 00:36:26,480 --> 00:36:29,759 Speaker 3: The tracking And think about it, this is pre computer 699 00:36:30,000 --> 00:36:33,319 Speaker 3: tracking all by hand, and so not only is that 700 00:36:33,440 --> 00:36:35,839 Speaker 3: just so overwhelming when you think about how quickly the 701 00:36:35,920 --> 00:36:39,000 Speaker 3: FBI was getting the people and all of this tracking 702 00:36:39,440 --> 00:36:42,560 Speaker 3: now all of the technology they have, like, forget about it. 703 00:36:42,560 --> 00:36:44,360 Speaker 3: There's no privacy, there's no secrecy. 704 00:36:44,440 --> 00:36:46,320 Speaker 2: Oh yeah, no, I always imagine I live in a 705 00:36:46,400 --> 00:36:47,840 Speaker 2: fishbowl exactly. 706 00:36:48,840 --> 00:36:51,560 Speaker 3: And so's okay. So they've been tracking this money from 707 00:36:51,560 --> 00:36:54,480 Speaker 3: before the war. In early forty two, she and her 708 00:36:54,520 --> 00:36:56,880 Speaker 3: husband went on trips up and down the Pacific coast 709 00:36:57,160 --> 00:36:59,520 Speaker 3: and they hit up the same cities which the four 710 00:36:59,560 --> 00:37:02,320 Speaker 3: other led has been mailed from. Okay, and they stayed 711 00:37:02,320 --> 00:37:06,240 Speaker 3: in hotels that had a common amenity typewriters for guests 712 00:37:06,239 --> 00:37:09,879 Speaker 3: to use in their rooms, and the FBI goes out 713 00:37:09,920 --> 00:37:13,160 Speaker 3: and they seized the typewriters at each location, and then 714 00:37:13,200 --> 00:37:15,400 Speaker 3: they were able to link them to the coded letters. 715 00:37:15,440 --> 00:37:18,160 Speaker 3: The labs were able to connect them. So it's looking 716 00:37:18,200 --> 00:37:19,800 Speaker 3: like curtains for old Velvele. 717 00:37:20,120 --> 00:37:22,200 Speaker 2: Yeah, I mean it's kind of dead to right, right. 718 00:37:22,239 --> 00:37:24,120 Speaker 3: So let's take a break and we get back. We're 719 00:37:24,120 --> 00:37:26,960 Speaker 3: gonna see what Jay Edgar's boys have up their sleeves. 720 00:37:47,840 --> 00:37:49,360 Speaker 3: Zaren Zaren. 721 00:37:49,480 --> 00:37:51,239 Speaker 2: By the way, I am loving this one. This is 722 00:37:51,280 --> 00:37:55,080 Speaker 2: so fun and I loved also that without us communicating 723 00:37:55,120 --> 00:37:57,560 Speaker 2: at all, we both picked World War two era stories 724 00:37:57,560 --> 00:37:57,919 Speaker 2: this week. 725 00:37:58,000 --> 00:37:58,760 Speaker 3: Isn't that crazy. 726 00:37:58,760 --> 00:37:59,719 Speaker 2: It's just so bizarre. 727 00:38:00,120 --> 00:38:04,560 Speaker 3: It's that, you know, we sink up like our cycles, 728 00:38:04,560 --> 00:38:05,440 Speaker 3: sink a lot like that. 729 00:38:05,480 --> 00:38:08,279 Speaker 2: Thank you, Thank you for sharing seeing part. 730 00:38:08,960 --> 00:38:13,440 Speaker 3: Thank you for opening your heart. The FBI, right, they 731 00:38:13,480 --> 00:38:17,239 Speaker 3: got all they need to bust Velvely Dickinson, and they 732 00:38:17,280 --> 00:38:20,400 Speaker 3: aren't busting her for white collar crime. She's a spy 733 00:38:21,239 --> 00:38:25,759 Speaker 3: during wartime. This is big dogs, Yes they do. This 734 00:38:25,800 --> 00:38:30,680 Speaker 3: is dangerous stuff. Zaren, closure eyes. I want you to 735 00:38:30,680 --> 00:38:38,720 Speaker 3: picture It's January nineteen forty four and you're a bank 736 00:38:38,760 --> 00:38:42,319 Speaker 3: teller in New York City. It's wartime, and some days 737 00:38:42,320 --> 00:38:45,000 Speaker 3: it feels like the world may even be ending. The 738 00:38:45,040 --> 00:38:48,440 Speaker 3: whole world is at war, with fronts in Europe, the East, Africa, 739 00:38:48,520 --> 00:38:52,080 Speaker 3: you name it. Your two brothers are serving, one in Europe, 740 00:38:52,080 --> 00:38:55,120 Speaker 3: the other out in the Pacific. Every day you think 741 00:38:55,160 --> 00:38:58,160 Speaker 3: of them, you worry about them. Your sister moved out 742 00:38:58,160 --> 00:39:01,000 Speaker 3: west and she's working in a shipbuilding for facility. You 743 00:39:01,160 --> 00:39:04,520 Speaker 3: never thought you'd see the day. Everything feels so uncertain, 744 00:39:04,719 --> 00:39:07,440 Speaker 3: but you don't allow yourself to get overwhelmed or defeated. 745 00:39:07,560 --> 00:39:10,200 Speaker 3: Gotta get hot, the posters say, you need to be 746 00:39:10,239 --> 00:39:13,480 Speaker 3: strong for the boys out there fighting. There's no question 747 00:39:13,600 --> 00:39:14,560 Speaker 3: we're the good guys. 748 00:39:14,600 --> 00:39:15,040 Speaker 2: You think. 749 00:39:15,400 --> 00:39:18,480 Speaker 3: If you're fighting fascists and fighting Nazis. 750 00:39:18,040 --> 00:39:19,120 Speaker 2: You're the good guy. 751 00:39:19,239 --> 00:39:22,439 Speaker 3: You always want to be anti fascist. That's the American way. 752 00:39:22,480 --> 00:39:24,840 Speaker 3: That's how you love this country, you think to yourself. 753 00:39:25,480 --> 00:39:28,200 Speaker 3: Just then a woman approaches your counter. Her face is 754 00:39:28,239 --> 00:39:31,239 Speaker 3: pinched and she's tiny, like a bird, couldn't weigh more 755 00:39:31,239 --> 00:39:34,240 Speaker 3: than ninety pounds or so. She's wearing a nice winter 756 00:39:34,320 --> 00:39:37,080 Speaker 3: coat and smart glasses. She seems to be in her fifties, 757 00:39:37,120 --> 00:39:39,840 Speaker 3: but you don't know. Some people are aging so quickly. 758 00:39:39,880 --> 00:39:42,759 Speaker 3: With the way things are. She asks to access her 759 00:39:42,800 --> 00:39:45,000 Speaker 3: safe deposit box. You tell her you can help her 760 00:39:45,000 --> 00:39:47,839 Speaker 3: with that, and you go to get the manager. As 761 00:39:47,880 --> 00:39:50,279 Speaker 3: you walk from behind the counter and cross the floor 762 00:39:50,360 --> 00:39:52,680 Speaker 3: to the manager's desk, you spot three men in suits 763 00:39:52,719 --> 00:39:56,000 Speaker 3: standing near the door. They're fit, and their suits are sharp. 764 00:39:56,440 --> 00:39:59,240 Speaker 3: They don't exactly fit in, and you can't think of why. 765 00:40:00,080 --> 00:40:03,000 Speaker 3: Remember your friend Judy, she was seeing a guy. He 766 00:40:03,120 --> 00:40:06,360 Speaker 3: dressed just like that, clean cut and honorable. He was 767 00:40:06,400 --> 00:40:09,640 Speaker 3: a g man in the FBI. You tell the manager 768 00:40:09,680 --> 00:40:12,520 Speaker 3: there's a customer wishing to access her safe deposit box. 769 00:40:12,600 --> 00:40:15,560 Speaker 3: He nods, unlocks his desk drawer, pulls he ring of 770 00:40:15,680 --> 00:40:18,480 Speaker 3: keys out, and then locks the drawer again. He stands 771 00:40:18,520 --> 00:40:21,320 Speaker 3: and asks which customer. You point to the tiny woman 772 00:40:21,360 --> 00:40:24,480 Speaker 3: waiting at your counter. He strides over and you follow 773 00:40:24,600 --> 00:40:27,279 Speaker 3: sneaking another look at the men by the door. They're 774 00:40:27,280 --> 00:40:29,520 Speaker 3: whispering to each other now, and you would swear you 775 00:40:29,560 --> 00:40:31,959 Speaker 3: saw your manager look over and give them a slight nod. 776 00:40:32,600 --> 00:40:35,360 Speaker 3: Your manager approaches the customer and you circle back around 777 00:40:35,400 --> 00:40:37,839 Speaker 3: the counter to your station. You look up and see 778 00:40:37,840 --> 00:40:40,080 Speaker 3: the men by the door dash over to your manager 779 00:40:40,120 --> 00:40:44,160 Speaker 3: and the customer. FBI don't move, one yells, a lady 780 00:40:44,200 --> 00:40:47,480 Speaker 3: across the lobby shrieks. You knew it. Judy is going 781 00:40:47,560 --> 00:40:48,560 Speaker 3: to love this story. 782 00:40:49,320 --> 00:40:51,360 Speaker 2: Velvet Dickenson. You're under arrest. 783 00:40:51,920 --> 00:40:54,319 Speaker 3: The customer spins around to face the agents and then 784 00:40:54,400 --> 00:40:57,040 Speaker 3: leaps at them like a spider monk. One of them 785 00:40:57,080 --> 00:41:00,200 Speaker 3: grabs her is large hands, ripping the tiny upper arm. 786 00:41:00,600 --> 00:41:02,600 Speaker 3: She lifts her legs up and begins to kick at 787 00:41:02,640 --> 00:41:05,799 Speaker 3: the agents. She's spitting and swearing, and it's just the 788 00:41:05,960 --> 00:41:09,239 Speaker 3: oddest thing you've ever seen. She manages to rip one 789 00:41:09,239 --> 00:41:11,160 Speaker 3: of her arms from the agent holding onto her and 790 00:41:11,200 --> 00:41:14,120 Speaker 3: takes his wipe. At another agent with her fingernails, she 791 00:41:14,239 --> 00:41:17,080 Speaker 3: draws blood across his cheek. You can see the anger 792 00:41:17,200 --> 00:41:20,160 Speaker 3: rising in his face. He wants to smack her, but 793 00:41:20,200 --> 00:41:23,480 Speaker 3: he's a gentleman. Gentlemen don't hit ladies. Besides, she's so 794 00:41:23,800 --> 00:41:26,680 Speaker 3: tiny it would be humiliating for him to take down 795 00:41:26,719 --> 00:41:29,320 Speaker 3: a small woman like that. An agent is able to 796 00:41:29,360 --> 00:41:31,920 Speaker 3: wrestle her into some handcuffs, and more agents appear and 797 00:41:32,000 --> 00:41:34,839 Speaker 3: drag her away. You dash to the washroom to get 798 00:41:34,840 --> 00:41:37,600 Speaker 3: the injured agent a cool wet rag for his cheek. 799 00:41:38,080 --> 00:41:40,400 Speaker 3: While you're gone, your manager lets the agents into the 800 00:41:40,480 --> 00:41:43,480 Speaker 3: vault to look at the customer's safe deposit box. When 801 00:41:43,480 --> 00:41:45,960 Speaker 3: you get back, they're all standing around the empty box. 802 00:41:46,160 --> 00:41:48,920 Speaker 3: One agent whistles and he flips through a huge stack 803 00:41:48,960 --> 00:41:51,759 Speaker 3: of cash. You hand the injured agent to towel and 804 00:41:51,800 --> 00:41:55,320 Speaker 3: return to your station. Maybe the world really is falling apart. 805 00:41:56,880 --> 00:41:59,839 Speaker 2: So she's like it got the size and body type 806 00:41:59,840 --> 00:42:02,439 Speaker 2: of a bird, but the heart of a house cat 807 00:42:02,480 --> 00:42:03,399 Speaker 2: has been pissed off. 808 00:42:03,520 --> 00:42:06,280 Speaker 3: Fought them. She fought them like crazy when they picked. 809 00:42:06,080 --> 00:42:08,640 Speaker 2: Up that's nuts, the cawing and. 810 00:42:08,560 --> 00:42:11,279 Speaker 3: She went crazy. So but I mean, think about it 811 00:42:11,880 --> 00:42:14,839 Speaker 3: what she's up against. She knows she gets busted. This 812 00:42:14,880 --> 00:42:16,040 Speaker 3: isn't like you were saying. 813 00:42:15,800 --> 00:42:19,080 Speaker 2: This is so you can be hung for it. But 814 00:42:19,120 --> 00:42:22,440 Speaker 2: I mean, like that's probably not the time. Maybe I 815 00:42:22,440 --> 00:42:24,560 Speaker 2: don't know, You're probably not gonna get bail, but like, 816 00:42:25,239 --> 00:42:26,840 Speaker 2: how are you going to fight your way out of it? 817 00:42:26,960 --> 00:42:28,720 Speaker 2: Like a three men in a store. 818 00:42:28,920 --> 00:42:31,480 Speaker 3: She's a frightened animal, Yeah, totally. You know, that's like 819 00:42:31,480 --> 00:42:33,640 Speaker 3: when animals get scared and you think, I swear to God, 820 00:42:33,719 --> 00:42:36,840 Speaker 3: like you're not going to get out of this. She's 821 00:42:36,920 --> 00:42:39,880 Speaker 3: not thinking. That was just pure fight or flight. 822 00:42:40,080 --> 00:42:42,200 Speaker 2: A friend of mine had a cat one time who 823 00:42:42,800 --> 00:42:44,600 Speaker 2: I had my skateboard over at their house, and the 824 00:42:44,640 --> 00:42:48,320 Speaker 2: cat got their hand or their paw behind the wheel, 825 00:42:48,400 --> 00:42:51,280 Speaker 2: stuck between the board and the wheel of the skateboard, 826 00:42:51,719 --> 00:42:53,759 Speaker 2: and so it then tries to pull away and the 827 00:42:53,760 --> 00:42:55,880 Speaker 2: skateboard it almost hits it. And then I see this. 828 00:42:56,000 --> 00:42:59,120 Speaker 2: I tried to go help the cat and it freaks out. Yeah, 829 00:42:59,280 --> 00:43:02,080 Speaker 2: I walked away looking like I'd gone through a paper shredder. 830 00:43:02,239 --> 00:43:04,839 Speaker 2: That's what I got withal We got the cat free. 831 00:43:04,880 --> 00:43:06,360 Speaker 2: But that was about what I'm imagining. 832 00:43:06,440 --> 00:43:08,880 Speaker 3: And yeah, so there's no thinking going on. It's just 833 00:43:08,960 --> 00:43:13,279 Speaker 3: pure instinct to like fight and escape. But to that 834 00:43:13,400 --> 00:43:16,799 Speaker 3: money they found in the box, right, yeah, fifteen nine 835 00:43:16,880 --> 00:43:20,160 Speaker 3: hundred forty dollars, two thirds of it was Federal reserve 836 00:43:20,239 --> 00:43:24,200 Speaker 3: notes that could be traced to the Japanese consulate. Well, 837 00:43:24,880 --> 00:43:27,840 Speaker 3: and then and so it did you do a little conversion. 838 00:43:27,360 --> 00:43:30,160 Speaker 2: For you, sez Elizabeth nine hundred. 839 00:43:29,960 --> 00:43:33,000 Speaker 3: Forty dollars is worth close to three hundred thousand dollars today, 840 00:43:33,520 --> 00:43:36,840 Speaker 3: bud So. When she was interviewed, Valvelet told agents that 841 00:43:36,920 --> 00:43:40,480 Speaker 3: the money in the safe deposit box was from insurance companies. 842 00:43:40,560 --> 00:43:42,840 Speaker 3: She had a savings account and then the doll business. 843 00:43:43,200 --> 00:43:45,760 Speaker 3: But then in another interview, she told him the money 844 00:43:45,760 --> 00:43:48,200 Speaker 3: actually came from her late husband, like he'd passed away 845 00:43:48,200 --> 00:43:50,600 Speaker 3: at this point, and she said she found the money 846 00:43:50,680 --> 00:43:53,239 Speaker 3: hidden in her husband's bed at the time of his death. 847 00:43:53,840 --> 00:43:56,680 Speaker 3: She said that he hadn't told her where it came from, 848 00:43:57,000 --> 00:43:59,400 Speaker 3: but she thought it might have come from the Japanese 849 00:43:59,520 --> 00:44:04,239 Speaker 3: consulate in New York City. February eleventh, nineteen forty four, 850 00:44:04,320 --> 00:44:07,120 Speaker 3: she gets indicted by the Federal Grand Jury in the 851 00:44:07,160 --> 00:44:11,680 Speaker 3: Southern District of New York for violation of the censorship statutes. Okay, 852 00:44:11,880 --> 00:44:13,800 Speaker 3: and that could get her like ten years in prison, 853 00:44:14,080 --> 00:44:14,960 Speaker 3: ten thousand. 854 00:44:14,680 --> 00:44:16,760 Speaker 2: Dollars, fine, Yeah, she's lucky. 855 00:44:17,200 --> 00:44:20,640 Speaker 3: Well, that was her first arraignment, and there she's described 856 00:44:20,680 --> 00:44:23,160 Speaker 3: by The New York Times as having a quote tense, 857 00:44:23,320 --> 00:44:27,120 Speaker 3: defiant manner and that she quote demanded who are all 858 00:44:27,160 --> 00:44:31,040 Speaker 3: these people? When she found FBI men and reporters present 859 00:44:31,080 --> 00:44:34,080 Speaker 3: in the courtroom, And then she pleaded not guilty. She 860 00:44:34,120 --> 00:44:36,800 Speaker 3: got held in lieu of twenty five thousand dollars bail. 861 00:44:36,960 --> 00:44:38,759 Speaker 2: But it sheeels like she's doing this not just for 862 00:44:38,800 --> 00:44:41,040 Speaker 2: the money, but like she wants Japan to win. It 863 00:44:41,120 --> 00:44:44,719 Speaker 2: makes me think that she really cared about the cause yeah. 864 00:44:44,520 --> 00:44:47,400 Speaker 3: Yeah, I mean she was so deep into the society 865 00:44:47,440 --> 00:44:50,400 Speaker 3: of it, I suppose she got swayed. Yeah, the press 866 00:44:50,400 --> 00:44:53,640 Speaker 3: were there and she yelled no photographs, and the judge 867 00:44:53,680 --> 00:44:57,520 Speaker 3: was like, you know, okay, fine, no photographs. Oh really yeah, 868 00:44:57,560 --> 00:44:59,239 Speaker 3: But then she turned the judge She's like, can I 869 00:44:59,239 --> 00:45:01,640 Speaker 3: bring my record player in my albums to my cell 870 00:45:02,320 --> 00:45:07,719 Speaker 3: She's like, no, you may not. Dam can I get 871 00:45:07,760 --> 00:45:11,520 Speaker 3: my ones in twos? So the FBI they continued the 872 00:45:11,560 --> 00:45:14,800 Speaker 3: investigation and then they had another indictment May fifth, nineteen 873 00:45:14,880 --> 00:45:19,360 Speaker 3: forty four, this time on charges of violating the Espionage Statutes, 874 00:45:19,560 --> 00:45:24,000 Speaker 3: the Registration Act of nineteen seventeen, and the censorship statutes. 875 00:45:24,480 --> 00:45:27,880 Speaker 3: So she again pleads not guilty. They continued that twenty 876 00:45:27,880 --> 00:45:31,719 Speaker 3: five thousand dollars bail. Now both of the espionage counts 877 00:45:32,160 --> 00:45:33,160 Speaker 3: carried the death penalty. 878 00:45:33,239 --> 00:45:35,120 Speaker 2: I was going to say, yeah, that's what she's dancing or. 879 00:45:35,239 --> 00:45:37,600 Speaker 3: Prison terms up to thirty years, so it's no wonder 880 00:45:37,640 --> 00:45:42,120 Speaker 3: sheet on scratch. Her trial was originally set for June sixth, 881 00:45:42,440 --> 00:45:47,160 Speaker 3: nineteen forty four, who and it was postponed because of 882 00:45:47,200 --> 00:45:50,880 Speaker 3: the excitement surrounding the D Day invasion of Europe. So 883 00:45:51,000 --> 00:45:54,400 Speaker 3: by July twenty eighth, though things are cooling out, she 884 00:45:54,480 --> 00:45:57,640 Speaker 3: gets described by the press as the war's number one 885 00:45:57,680 --> 00:46:02,839 Speaker 3: woman's spy. She got woman's not lady spy, and she 886 00:46:03,600 --> 00:46:08,640 Speaker 3: so she accepted a plea deal. She's like, fine, well, no, never, 887 00:46:09,280 --> 00:46:12,879 Speaker 3: So they dropped the espionage count if she would plead 888 00:46:12,920 --> 00:46:16,480 Speaker 3: guilty to the censorship violations and she had to furnish 889 00:46:16,480 --> 00:46:20,560 Speaker 3: information in her possession concerning Japanese intelligence activities. 890 00:46:20,600 --> 00:46:22,480 Speaker 2: Okay, she's more valuable alive, right. 891 00:46:22,560 --> 00:46:24,960 Speaker 3: Well then, also because the government was willing to deal 892 00:46:25,080 --> 00:46:27,799 Speaker 3: because there was some question about whether her claims were 893 00:46:27,800 --> 00:46:32,120 Speaker 3: true that it was her husband who was the actual spy. Yeah, 894 00:46:32,120 --> 00:46:35,439 Speaker 3: with him gone, like, who's to say? And so the 895 00:46:35,480 --> 00:46:38,120 Speaker 3: real big question that was why did the letters get 896 00:46:38,160 --> 00:46:41,720 Speaker 3: bounced back to their phony senders. I'm well, it seems 897 00:46:41,760 --> 00:46:46,520 Speaker 3: that the Japanese, unknown to Valvelee deactivated the address in 898 00:46:46,560 --> 00:46:50,480 Speaker 3: Buenos Aires that was used to receive these espionage reports. 899 00:46:50,800 --> 00:46:51,520 Speaker 2: But she didn't know. 900 00:46:51,600 --> 00:46:58,799 Speaker 3: She just kept sending them, Oh yeah, addresses, right, or 901 00:46:58,840 --> 00:47:01,040 Speaker 3: she didn't receive a message from them being like stop 902 00:47:01,080 --> 00:47:01,480 Speaker 3: sending him. 903 00:47:01,600 --> 00:47:03,279 Speaker 2: This is like how I learned. I just lost a 904 00:47:03,320 --> 00:47:05,680 Speaker 2: Gmail account, so I didn't checked in and for two years, 905 00:47:05,920 --> 00:47:07,640 Speaker 2: and Gmail's like, yeah, that's a I hope you don't 906 00:47:07,719 --> 00:47:09,879 Speaker 2: want anything because you can't open that anymore. Oh really, 907 00:47:09,920 --> 00:47:11,520 Speaker 2: Oh yeah, no, that's what happens. Like if you don't 908 00:47:11,560 --> 00:47:13,520 Speaker 2: open a Gmail account for two years, apparently this is 909 00:47:13,560 --> 00:47:16,480 Speaker 2: the new policy. Yeah, they just tell you it's deactivated. 910 00:47:16,480 --> 00:47:19,440 Speaker 2: I'm willing to bet that they sent me another prior email. 911 00:47:20,440 --> 00:47:22,320 Speaker 2: I ignored that, and then now they sent me the 912 00:47:22,320 --> 00:47:24,080 Speaker 2: email that I did open, which is like, I hope 913 00:47:24,120 --> 00:47:26,160 Speaker 2: you didn't have anything in there because you can't open it. 914 00:47:26,160 --> 00:47:28,640 Speaker 2: We've deleted it. It's gone, it's unrecoverable. 915 00:47:28,680 --> 00:47:30,919 Speaker 3: That's what you haven't looked at it for two years. 916 00:47:30,920 --> 00:47:31,440 Speaker 3: You don't need it. 917 00:47:31,640 --> 00:47:35,160 Speaker 2: No, this isn't clothing. This it is Oh no, I 918 00:47:35,239 --> 00:47:36,760 Speaker 2: was bummed, but anyway, whatever. 919 00:47:37,080 --> 00:47:40,880 Speaker 3: So she told the FBI that the code to be 920 00:47:41,080 --> 00:47:44,080 Speaker 3: used in the letters and the twenty five grand, one 921 00:47:44,160 --> 00:47:47,560 Speaker 3: hundred dollars bills had been passed to her husband by 922 00:47:47,600 --> 00:47:51,799 Speaker 3: that naval attache ittrro Yokoyama. Yeah, and then it all 923 00:47:51,800 --> 00:47:54,600 Speaker 3: went down in the doll store. She's like, that's the 924 00:47:54,640 --> 00:47:58,800 Speaker 3: scene of a crime. The problem was that the FBI 925 00:47:58,920 --> 00:48:03,520 Speaker 3: investigation discovered that Velva Lee like she knew Ichiro Yoka 926 00:48:03,600 --> 00:48:06,080 Speaker 3: Yama really well. Her husband had no idea who he was, 927 00:48:06,200 --> 00:48:06,719 Speaker 3: never met him. 928 00:48:06,719 --> 00:48:08,200 Speaker 2: That's going to say how hard wud that be to prove? 929 00:48:08,320 --> 00:48:09,080 Speaker 2: Probably not hard. 930 00:48:09,280 --> 00:48:12,480 Speaker 3: And so they also unearthed medical records that showed that 931 00:48:12,560 --> 00:48:15,040 Speaker 3: her husband was not of sound mind and body when 932 00:48:15,040 --> 00:48:17,879 Speaker 3: the payment was supposed to have been made. Oh, so 933 00:48:17,920 --> 00:48:20,480 Speaker 3: that there's no way he could have coordinated it. He 934 00:48:20,480 --> 00:48:24,040 Speaker 3: couldn't have showed up. He was like fully in dementia 935 00:48:24,160 --> 00:48:27,000 Speaker 3: at this point. And then they also spoke with the 936 00:48:27,120 --> 00:48:30,520 Speaker 3: nurse and the maid employed in their house that were 937 00:48:30,520 --> 00:48:33,360 Speaker 3: caring for mister Dickinson, and they both swore up and 938 00:48:33,400 --> 00:48:36,879 Speaker 3: down there was no money hidden anywhere near or in 939 00:48:36,960 --> 00:48:39,399 Speaker 3: his bed, Like we made the bed all the time, 940 00:48:39,719 --> 00:48:43,000 Speaker 3: it was nothing there. So she got sentence on August fourteenth, 941 00:48:43,120 --> 00:48:45,960 Speaker 3: nineteen forty four. She wore a black dress and hat 942 00:48:46,000 --> 00:48:48,719 Speaker 3: and she these like white knit gloves, and this point 943 00:48:48,760 --> 00:48:52,080 Speaker 3: she's down to like just under ninety pounds. She's so tiny. 944 00:48:52,680 --> 00:48:55,480 Speaker 3: She cried and she begged and she pleaded for mercy 945 00:48:55,520 --> 00:48:58,320 Speaker 3: from the court. She's like, I'm not a Japanese agent. 946 00:48:58,760 --> 00:49:01,719 Speaker 3: It saw my husband's phone and I have no idea 947 00:49:01,760 --> 00:49:05,439 Speaker 3: what those letters even mean as the judges like, too bad. 948 00:49:06,120 --> 00:49:08,759 Speaker 3: She got the maximum sentence ten years in prison, ten 949 00:49:08,760 --> 00:49:11,919 Speaker 3: thousand dollars. Fine, So they sent her to the reformatory 950 00:49:11,920 --> 00:49:15,680 Speaker 3: for women Alderson, West Virginia. You know who else was 951 00:49:15,760 --> 00:49:16,320 Speaker 3: up in there? 952 00:49:16,560 --> 00:49:17,040 Speaker 2: I don't know. 953 00:49:17,239 --> 00:49:20,520 Speaker 3: Tokyo Rose and Axis Sally, two other traders. 954 00:49:20,800 --> 00:49:22,600 Speaker 2: I was gonna say Tokyo. I didn't think she had 955 00:49:22,640 --> 00:49:24,839 Speaker 2: been caught by that as. 956 00:49:24,520 --> 00:49:27,560 Speaker 3: Sally vel v Lee. She got paroled in nineteen fifty one. 957 00:49:27,600 --> 00:49:29,919 Speaker 3: She went back to New York. She got a job 958 00:49:29,960 --> 00:49:33,759 Speaker 3: at Catholic Charities under the name Catherine Dickinson. And I'll 959 00:49:33,800 --> 00:49:35,719 Speaker 3: give you one guess who gave her the job. 960 00:49:37,320 --> 00:49:40,280 Speaker 2: One guess who gave her the job? Oh? 961 00:49:40,400 --> 00:49:42,960 Speaker 3: Is it Friedman Eunice Kennedy. 962 00:49:42,960 --> 00:49:45,440 Speaker 2: Oh, my goodness, of course with the Dolls Catholic. 963 00:49:46,000 --> 00:49:48,680 Speaker 3: So remember they'd met back in the early Doll days. 964 00:49:49,120 --> 00:49:52,960 Speaker 3: They ran into each other at the prison when Eunice 965 00:49:53,040 --> 00:49:56,280 Speaker 3: was there to research how to help female prisoners transition 966 00:49:56,520 --> 00:49:59,680 Speaker 3: back into society after release. And then they hit it 967 00:49:59,719 --> 00:50:03,759 Speaker 3: off all over again, and Valvelee even went to Unice's 968 00:50:03,800 --> 00:50:07,480 Speaker 3: wedding to Sergeant Schreiver in nineteen fifty three. Crazy she 969 00:50:07,520 --> 00:50:11,440 Speaker 3: gave him a monogrammed stationary set from Tiffany's It's not 970 00:50:11,560 --> 00:50:12,320 Speaker 3: wild crazy. 971 00:50:12,400 --> 00:50:14,799 Speaker 2: So later on she's like two degrees of separation from 972 00:50:14,840 --> 00:50:18,360 Speaker 2: Arnold Schwarzenega Yes, because he was married to driver daughter 973 00:50:18,440 --> 00:50:19,839 Speaker 2: of sergeanty Nice. 974 00:50:20,000 --> 00:50:23,840 Speaker 3: She Valvely moved to Cape cod to work as Unice's 975 00:50:24,000 --> 00:50:27,840 Speaker 3: administrative assistant and then and Unice called her a quote 976 00:50:27,880 --> 00:50:31,719 Speaker 3: remarkable secretary, like just took her to so September of 977 00:50:31,800 --> 00:50:36,560 Speaker 3: nineteen sixty Yeah, September of sixty three. Unice tried to 978 00:50:36,640 --> 00:50:39,880 Speaker 3: get her a job at the US Pavilion in the 979 00:50:40,000 --> 00:50:43,840 Speaker 3: nineteen sixty four World's Fair in New York City, And 980 00:50:44,080 --> 00:50:45,719 Speaker 3: I don't know if she was able to pull that off. 981 00:50:45,760 --> 00:50:50,000 Speaker 3: But Velvelee did ask Unice, quote, will a special clearance 982 00:50:50,080 --> 00:50:52,880 Speaker 3: be necessary? I'm certain you realize why I asked this 983 00:50:53,040 --> 00:50:57,960 Speaker 3: question of you, Like, she's not getting there anything sensitive. Yeah, 984 00:50:58,000 --> 00:51:01,439 Speaker 3: we understand, Velvele, We remember. So not much is known 985 00:51:01,440 --> 00:51:03,680 Speaker 3: about her life after that. There are reports that she 986 00:51:03,800 --> 00:51:06,719 Speaker 3: died in nineteen eighty, but nothing is to where or how. 987 00:51:06,840 --> 00:51:10,080 Speaker 3: Nothing in the papers culture where the nineteen eighty is 988 00:51:10,120 --> 00:51:12,840 Speaker 3: coming from? Zaren, what's your ridiculous takeaway? 989 00:51:14,280 --> 00:51:17,960 Speaker 2: Oh? I mean the units Kennedy part. But that's kind 990 00:51:17,960 --> 00:51:21,279 Speaker 2: of a recency effect. But that's just wild that it 991 00:51:21,320 --> 00:51:23,399 Speaker 2: comes full circle and she's like, hey, I've been doing 992 00:51:23,400 --> 00:51:26,600 Speaker 2: this Halfway House stuff, transition stuff and veil Vale. We 993 00:51:26,640 --> 00:51:28,520 Speaker 2: always hit it off. Remember the doll stuff we. 994 00:51:28,560 --> 00:51:30,520 Speaker 3: Used to get back into The dolls were great. 995 00:51:30,760 --> 00:51:32,440 Speaker 2: I'd like to make you my living doll that I 996 00:51:32,440 --> 00:51:36,920 Speaker 2: get to play with. Save this is crazy, but mostly 997 00:51:36,960 --> 00:51:40,520 Speaker 2: I'm still hung up on doll hospital. Like, I know, 998 00:51:40,640 --> 00:51:42,400 Speaker 2: I got it wrong when you were talking about it, 999 00:51:42,400 --> 00:51:44,960 Speaker 2: because I was imagining like a you know where they 1000 00:51:45,000 --> 00:51:48,160 Speaker 2: play that it's a hospital and they're moving their dolls around, 1001 00:51:48,160 --> 00:51:50,440 Speaker 2: but actually it's just like where you repair broken dolls. 1002 00:51:51,800 --> 00:51:54,160 Speaker 2: All of doll culture is so weird to me change 1003 00:51:54,200 --> 00:51:56,200 Speaker 2: and I'm not being judgmental in the least. I mean, like, 1004 00:51:56,280 --> 00:51:59,040 Speaker 2: rock on, do your doll thing, but like I'm imagining 1005 00:51:59,080 --> 00:52:02,160 Speaker 2: people like making all the outfits. And then like you're 1006 00:52:02,160 --> 00:52:05,359 Speaker 2: talking to somebody who has had ventriloquist dolls and has 1007 00:52:05,400 --> 00:52:08,880 Speaker 2: had like like sock puppets and like little wooden headed 1008 00:52:08,920 --> 00:52:10,759 Speaker 2: puppets that I would talk to my sister on road 1009 00:52:10,760 --> 00:52:13,040 Speaker 2: trips with Like, so I'm nobody to sit here and 1010 00:52:13,120 --> 00:52:14,840 Speaker 2: back like, I can't believe they got dolls. You know, 1011 00:52:14,880 --> 00:52:17,759 Speaker 2: I'm not being like that, but it's just I'm just 1012 00:52:17,960 --> 00:52:22,279 Speaker 2: astounded by how humans, humanity, we will find something we 1013 00:52:22,360 --> 00:52:24,600 Speaker 2: love and turn it into its own little world. I mean, 1014 00:52:24,640 --> 00:52:26,600 Speaker 2: it's a huge world where you can have like all 1015 00:52:26,640 --> 00:52:29,000 Speaker 2: the doll stuff. Everything were humans but for the dolls. 1016 00:52:29,080 --> 00:52:32,080 Speaker 3: Yeah, we we fixate on things and then turn it 1017 00:52:32,120 --> 00:52:33,360 Speaker 3: into a cottage industry. 1018 00:52:33,560 --> 00:52:35,920 Speaker 2: Yeah, in terms like fill it in like a whole world. 1019 00:52:35,920 --> 00:52:37,880 Speaker 2: You know, it's just like a different level of the 1020 00:52:37,880 --> 00:52:40,520 Speaker 2: whole world. I'm trying to have little doll car mechanics 1021 00:52:40,560 --> 00:52:45,160 Speaker 2: and like little doll matchmaking services. Anyway, Elizabeth, what is 1022 00:52:45,200 --> 00:52:46,320 Speaker 2: your to goes takeaway? 1023 00:52:46,360 --> 00:52:50,520 Speaker 3: I was thinking during this about not obviously having lived 1024 00:52:50,520 --> 00:52:54,640 Speaker 3: through World War Two, but like thinking about life goes 1025 00:52:54,680 --> 00:52:57,680 Speaker 3: on and everything continues and people are traveling and working 1026 00:52:57,680 --> 00:52:59,840 Speaker 3: and doing all these things. But I will always remember 1027 00:53:00,480 --> 00:53:03,200 Speaker 3: asking my grandmother about it. You know, she was a 1028 00:53:03,239 --> 00:53:06,880 Speaker 3: young woman then. Oh, and she told me something that 1029 00:53:06,920 --> 00:53:09,080 Speaker 3: this has always stuck with me is that we were 1030 00:53:09,160 --> 00:53:11,239 Speaker 3: never sure if the world was going to end. Was 1031 00:53:11,280 --> 00:53:15,200 Speaker 3: this when it was in like the most tenuous moments, 1032 00:53:15,719 --> 00:53:17,880 Speaker 3: And to have that kind of hanging over your head 1033 00:53:18,200 --> 00:53:21,000 Speaker 3: and then how you handle those things. And I think 1034 00:53:21,040 --> 00:53:24,480 Speaker 3: that subsequent generations we have this view of it from 1035 00:53:24,520 --> 00:53:27,759 Speaker 3: the movies and from TV of what, yeah, what it 1036 00:53:27,840 --> 00:53:31,560 Speaker 3: was like, Yeah, and you know all this kind of 1037 00:53:31,800 --> 00:53:35,480 Speaker 3: bravery and stuff, but you had to have incredible bravery 1038 00:53:35,520 --> 00:53:37,880 Speaker 3: and sacrifice just in your day to day of what 1039 00:53:37,920 --> 00:53:40,239 Speaker 3: that must have felt like. And then you think too 1040 00:53:40,320 --> 00:53:44,719 Speaker 3: of like, here's vel Vale. She's connected to this Japanese community, 1041 00:53:45,200 --> 00:53:49,080 Speaker 3: and we have two Japanese communities in California at that time. 1042 00:53:49,200 --> 00:53:53,439 Speaker 3: So you have the diplomats in San Francisco who are 1043 00:53:53,640 --> 00:53:56,880 Speaker 3: working against odds to the place where they are, and 1044 00:53:56,920 --> 00:53:59,560 Speaker 3: then you have all these Japanese Americans, some of them 1045 00:53:59,800 --> 00:54:03,840 Speaker 3: you know, know from Japan, like immigrated in their lifetime 1046 00:54:03,880 --> 00:54:09,760 Speaker 3: and didn't speak English, but bulk of them likes exactly 1047 00:54:10,120 --> 00:54:13,279 Speaker 3: and here. So she has this affinity for the culture. Well, 1048 00:54:13,320 --> 00:54:16,640 Speaker 3: which which group are you gonna associate with? You have 1049 00:54:16,680 --> 00:54:20,280 Speaker 3: someone like Bob Fletcher who wound up saving farms because 1050 00:54:20,280 --> 00:54:22,400 Speaker 3: he these were his neighbors and he loved them like 1051 00:54:22,440 --> 00:54:23,680 Speaker 3: he loved all of his neighbors. 1052 00:54:24,360 --> 00:54:24,840 Speaker 2: Valva Lee. 1053 00:54:25,520 --> 00:54:29,560 Speaker 3: She goes and betrays people, but yet those were her friends. 1054 00:54:29,600 --> 00:54:31,480 Speaker 3: Did she really how did she did she feel she 1055 00:54:31,560 --> 00:54:33,200 Speaker 3: was really betraying anything. 1056 00:54:32,880 --> 00:54:35,960 Speaker 2: Like believe was the hero, not the villain of her 1057 00:54:35,960 --> 00:54:38,440 Speaker 2: own story. So she's thinking she's saving this great culture, 1058 00:54:38,520 --> 00:54:41,880 Speaker 2: these great people, the honorable thing. Wait, their dollmaking has 1059 00:54:41,880 --> 00:54:43,000 Speaker 2: got to be amazing. 1060 00:54:42,640 --> 00:54:44,560 Speaker 3: And they did, the Japanese know how to make it doll. 1061 00:54:44,880 --> 00:54:48,880 Speaker 3: But like the was it driven primarily by the money? 1062 00:54:49,040 --> 00:54:51,680 Speaker 3: And you look back at her family that you know, 1063 00:54:51,800 --> 00:54:54,719 Speaker 3: her parents scrimped and saved and sent her brother and like, 1064 00:54:54,880 --> 00:54:57,160 Speaker 3: so what was the story there? I don't know. You 1065 00:54:57,200 --> 00:54:59,000 Speaker 3: want to know so much more about these people. But 1066 00:54:59,080 --> 00:55:01,319 Speaker 3: I kept thinking about we have a vision in our 1067 00:55:01,800 --> 00:55:06,520 Speaker 3: lives about pastimes based solely on media, you know, like 1068 00:55:07,000 --> 00:55:08,799 Speaker 3: you were talking about Betty Grable and you see her 1069 00:55:08,840 --> 00:55:10,920 Speaker 3: paintings on the side of the plane, and you see 1070 00:55:11,120 --> 00:55:14,640 Speaker 3: World War two movies for the most part, until we 1071 00:55:14,680 --> 00:55:17,839 Speaker 3: get to more realistic ones later on, about come on. 1072 00:55:17,920 --> 00:55:19,200 Speaker 2: Boys, let's do it in there. 1073 00:55:19,880 --> 00:55:23,719 Speaker 3: And it's terrifying what they're doing. Yes, and it's a 1074 00:55:23,840 --> 00:55:26,160 Speaker 3: monumental feat and it's something that we can need to 1075 00:55:26,239 --> 00:55:32,440 Speaker 3: continue to acknowledge as absolutely breathtaking an incredible inhuman endeavor. 1076 00:55:33,680 --> 00:55:35,560 Speaker 3: But I always try and think about what was it 1077 00:55:35,640 --> 00:55:36,960 Speaker 3: actually like in those. 1078 00:55:36,880 --> 00:55:39,920 Speaker 2: Times day to day level? Yeah, yeah, M a cup 1079 00:55:39,960 --> 00:55:42,480 Speaker 2: of coffee and wondering will tomorrow would all go right? 1080 00:55:42,760 --> 00:55:45,359 Speaker 3: Right? And do you buy into all the bad news 1081 00:55:45,400 --> 00:55:49,360 Speaker 3: you hear? Do you buy into the propaganda good news? 1082 00:55:49,400 --> 00:55:51,080 Speaker 3: Like somewhere in the middle? 1083 00:55:51,120 --> 00:55:56,080 Speaker 2: Howe? And also how do you not just reject everything 1084 00:55:56,120 --> 00:55:58,680 Speaker 2: or become like some hedonist because the world's ending, you 1085 00:55:58,719 --> 00:55:59,960 Speaker 2: know what I mean? Like I'm gonna get mine. 1086 00:56:00,000 --> 00:56:03,840 Speaker 3: And while I came exactly exactly so it's complex. Times 1087 00:56:03,840 --> 00:56:06,399 Speaker 3: weren't simple then they were just as complex as now. 1088 00:56:06,719 --> 00:56:08,719 Speaker 3: I would like to talk back after that. 1089 00:56:08,719 --> 00:56:20,960 Speaker 2: That would be delectable, David, Oh my god, did I 1090 00:56:21,080 --> 00:56:25,600 Speaker 2: led jet herd? 1091 00:56:25,719 --> 00:56:31,640 Speaker 4: Dudes? Alex here, longtime listener, and I was just listening 1092 00:56:31,680 --> 00:56:34,080 Speaker 4: the other day to the episode that you did where 1093 00:56:34,080 --> 00:56:38,840 Speaker 4: you referred to Penelope from Criminal Minds? And I feel 1094 00:56:38,880 --> 00:56:41,560 Speaker 4: you on the outfits. But what I think is more 1095 00:56:41,640 --> 00:56:44,080 Speaker 4: ridiculous is why she had to wear those in the 1096 00:56:44,080 --> 00:56:47,720 Speaker 4: first place, which is because when she arrived on the set, 1097 00:56:48,160 --> 00:56:52,440 Speaker 4: they literally had no clothes in her size. Oh her 1098 00:56:52,480 --> 00:56:53,720 Speaker 4: wear her own clothes? 1099 00:56:54,920 --> 00:56:58,560 Speaker 3: Are you kidding me? I had no idea that's that boo. 1100 00:56:58,680 --> 00:57:01,040 Speaker 3: That well, first of all those are your own clothes, 1101 00:57:01,080 --> 00:57:02,479 Speaker 3: that's what you show up. But aside from. 1102 00:57:02,400 --> 00:57:05,399 Speaker 2: That, well, yeah, Alex, thank you for let I love 1103 00:57:05,480 --> 00:57:07,400 Speaker 2: behind the scenes. 1104 00:57:07,680 --> 00:57:08,560 Speaker 3: That's wild. 1105 00:57:08,760 --> 00:57:10,080 Speaker 2: I'm going to always defend her. 1106 00:57:10,000 --> 00:57:12,680 Speaker 3: Because it doesn't fit in with anything else anyone wears 1107 00:57:12,680 --> 00:57:13,080 Speaker 3: on that show. 1108 00:57:13,320 --> 00:57:14,920 Speaker 2: I thought it was some writer's idea of. 1109 00:57:14,960 --> 00:57:16,800 Speaker 3: Like that's what I thought of, like, oh, she's this 1110 00:57:16,960 --> 00:57:20,840 Speaker 3: zany hacker. No, instead, she's left behind by the industry. 1111 00:57:20,840 --> 00:57:26,240 Speaker 3: Fantastic God, thank you for that. That's it for today. 1112 00:57:26,320 --> 00:57:29,400 Speaker 3: You can find us online at ridiculous Crime dot com. 1113 00:57:29,560 --> 00:57:32,120 Speaker 3: We're also at Ridiculous Crime on both Blue Sky and 1114 00:57:32,320 --> 00:57:36,760 Speaker 3: Instagram and on YouTube at Ridiculous Crime Pod. Email us 1115 00:57:36,760 --> 00:57:39,200 Speaker 3: at ridiculous Crime at gmail dot com, leave a talk 1116 00:57:39,360 --> 00:57:41,640 Speaker 3: back on the iHeart app. If you have any other cool, 1117 00:57:41,640 --> 00:57:45,840 Speaker 3: behind the scenes knowledge about Criminal Minds or any other show, 1118 00:57:45,840 --> 00:57:54,000 Speaker 3: please please leave it reach out. Ridiculous Crime is hosted 1119 00:57:54,040 --> 00:57:57,840 Speaker 3: by Elizabeth Dudman Zarin Burnette, produced and edited by Antiques 1120 00:57:57,920 --> 00:58:02,680 Speaker 3: Roadshow's resident doll expert. Day of Coustin, starring Annalise Rutger 1121 00:58:02,800 --> 00:58:06,920 Speaker 3: as Judith. Research is by committed anti fascists Marissa Brown 1122 00:58:07,000 --> 00:58:10,280 Speaker 3: and Jabbari Davis. The theme song is by Eunice Kennedy, 1123 00:58:10,280 --> 00:58:14,280 Speaker 3: Shriver's pool Boys Thomas Lee and Travis Dutton. Post wardrobe 1124 00:58:14,360 --> 00:58:17,400 Speaker 3: is provided by Botany five hundred. Guest hair and makeup 1125 00:58:17,400 --> 00:58:22,120 Speaker 3: by Sparkleshot and mister Andre. Executive producers are fbi Ovaltine, 1126 00:58:22,200 --> 00:58:25,960 Speaker 3: Secret Code Ring Task Force members Ben Bollen and Noel Brown. 1127 00:58:31,080 --> 00:58:36,840 Speaker 3: Gus Quime Say It One More Times Crime. 1128 00:58:37,920 --> 00:58:41,320 Speaker 1: Ridiculous Crime is a production of iHeartRadio four more podcasts. 1129 00:58:41,400 --> 00:58:44,560 Speaker 1: My heart Radio, visit the iHeartRadio app, Apple Podcasts, or 1130 00:58:44,560 --> 00:58:46,360 Speaker 1: wherever you listen to your favorite shows,