1 00:00:00,200 --> 00:00:05,359 Speaker 1: Hello the Internet and God to site of the living trends. 2 00:00:05,400 --> 00:00:08,080 Speaker 1: You better take tomorrow off. I know, man, my voices 3 00:00:08,680 --> 00:00:11,600 Speaker 1: I sound worse than I feel. But I sound like ship. 4 00:00:11,880 --> 00:00:22,640 Speaker 1: You sound like I'm Jack O'Brien. That's that's Stevo Miles. Great. Yeah, welcome, Welcome. 5 00:00:22,800 --> 00:00:25,320 Speaker 1: I knew your voice was sounding a little under the weather, 6 00:00:25,400 --> 00:00:28,400 Speaker 1: but hearing it through a microphone right now, my inner 7 00:00:28,440 --> 00:00:31,240 Speaker 1: mother is wanting you to get in bed, put a 8 00:00:31,280 --> 00:00:35,480 Speaker 1: hot water bottle on your head and a thermometer under 9 00:00:35,479 --> 00:00:37,800 Speaker 1: my tongue. I've been thinking about that depiction of a 10 00:00:37,840 --> 00:00:40,400 Speaker 1: sick person for a lot. I've said, I think maybe 11 00:00:40,440 --> 00:00:42,640 Speaker 1: five times. I feel like their nose is always like 12 00:00:42,760 --> 00:00:45,600 Speaker 1: big and red. Yeah, you gott have a big red nose, 13 00:00:46,120 --> 00:00:49,760 Speaker 1: a big rubber bottle on your head, a thermometer the 14 00:00:49,800 --> 00:00:57,160 Speaker 1: whole time. Yeah, it's just bursting out. And when you 15 00:00:57,200 --> 00:00:59,760 Speaker 1: blow your nose that like turns into a pom pom. 16 00:00:59,760 --> 00:01:02,320 Speaker 1: That's shaking. Dude. Welcome my new show where I have 17 00:01:02,360 --> 00:01:05,080 Speaker 1: the sickest teen stoners on and we talk about what's 18 00:01:05,080 --> 00:01:11,039 Speaker 1: a lit? What's lick to you? Bro man uh Albanian earthquake, Yeah, 19 00:01:11,200 --> 00:01:13,720 Speaker 1: that's not that's not lit. It's that's one of the 20 00:01:13,720 --> 00:01:19,919 Speaker 1: biggest stories right now. Six point four magnitude earthquake, uh 21 00:01:20,080 --> 00:01:23,399 Speaker 1: is what they say. And at the moment they have 22 00:01:23,520 --> 00:01:27,800 Speaker 1: twenty three people that they believe to be dead and 23 00:01:28,400 --> 00:01:32,080 Speaker 1: several more missing and many more injured. But yeah, man, 24 00:01:32,200 --> 00:01:37,440 Speaker 1: earthquakes are the strongest to hit Albania in forty years. Man, 25 00:01:37,959 --> 00:01:41,360 Speaker 1: all right, you gotta get those man. It's uh, there's 26 00:01:41,400 --> 00:01:45,360 Speaker 1: something really terrifying about an earthquake, like many other up 27 00:01:45,440 --> 00:01:49,440 Speaker 1: in a place where it's kind of a anvil constantly 28 00:01:49,480 --> 00:01:52,760 Speaker 1: looming over your head to keep the cartoon imagery going. Yeah, 29 00:01:53,320 --> 00:01:55,560 Speaker 1: I mean between that and then also going to Japan 30 00:01:55,640 --> 00:01:59,360 Speaker 1: all the time, I was going from one earthquake fantasy 31 00:01:59,440 --> 00:02:02,920 Speaker 1: land to an other, I mean Japan. Luckily, you know, 32 00:02:03,360 --> 00:02:06,160 Speaker 1: after the Kobe earthquake in Japan, like a lot of 33 00:02:06,800 --> 00:02:09,440 Speaker 1: buildings had to be like retrofitted or rebuilt or whatever. 34 00:02:09,520 --> 00:02:13,079 Speaker 1: New buildings had have a lot of really good mechanisms 35 00:02:13,120 --> 00:02:16,000 Speaker 1: for structural integrity, so it's different when you're an earthquake, 36 00:02:16,080 --> 00:02:18,680 Speaker 1: and like newer buildings in Japan, like they're meant to sway. 37 00:02:18,880 --> 00:02:20,919 Speaker 1: So my uncle used to live in like the top 38 00:02:20,960 --> 00:02:23,680 Speaker 1: floor of this apartment building he lived in. My God, 39 00:02:23,880 --> 00:02:26,680 Speaker 1: when this ship would get rocking, I'm like, like water 40 00:02:26,800 --> 00:02:30,280 Speaker 1: was just slashing out of the fish tank. I've actually 41 00:02:30,280 --> 00:02:34,079 Speaker 1: been in the building out here during a very small earthquake, 42 00:02:34,120 --> 00:02:36,079 Speaker 1: but it was like right under the building I was in, 43 00:02:36,360 --> 00:02:39,960 Speaker 1: And yeah, it was weird because it wasn't really a 44 00:02:40,160 --> 00:02:44,720 Speaker 1: violent experience. It was just like a strange, surreal experience. Yeah, 45 00:02:45,200 --> 00:02:48,480 Speaker 1: and they strike it. Note you know, without warning. It's 46 00:02:48,520 --> 00:02:50,440 Speaker 1: pure Like you know, a weather thing you can kind 47 00:02:50,440 --> 00:02:53,919 Speaker 1: of prepare for, you can forecast that. But this all 48 00:02:53,919 --> 00:02:56,200 Speaker 1: we have is like people accountech being like I don't know, man, 49 00:02:56,320 --> 00:02:59,520 Speaker 1: probably soon and probably the worst thing ever, probably in 50 00:02:59,560 --> 00:03:02,320 Speaker 1: the next fifty years. Yeah, and I'm like, that's a 51 00:03:02,360 --> 00:03:05,240 Speaker 1: big window for me to keep procrastinating not getting an 52 00:03:05,280 --> 00:03:08,360 Speaker 1: earthquake kit. But Miles, it's like a blink of the 53 00:03:08,400 --> 00:03:13,359 Speaker 1: eye on the earthquake scale the scale of geology. So 54 00:03:14,160 --> 00:03:19,040 Speaker 1: uh that's comforting. Uh, speaking of long periods of time, 55 00:03:19,400 --> 00:03:25,200 Speaker 1: nineteen seventeen was a long time ago. I know, it's 56 00:03:25,240 --> 00:03:31,560 Speaker 1: funny to hear energy people are gonna think we are 57 00:03:33,280 --> 00:03:37,280 Speaker 1: and uh, my my voice keeps undercutting me, but not 58 00:03:37,400 --> 00:03:39,480 Speaker 1: like a teenager who's trying to sell me like black 59 00:03:39,520 --> 00:03:46,680 Speaker 1: Market vapes hated. I'm like, dude, what what's man? No, 60 00:03:47,160 --> 00:03:51,120 Speaker 1: not from you, sir, Yes, I'm sorry, but nine seventeen 61 00:03:51,480 --> 00:03:54,520 Speaker 1: is a movie. Yes, that's coming out. The reviews are 62 00:03:54,640 --> 00:03:58,800 Speaker 1: in and people are really it reminds me of dun 63 00:03:58,920 --> 00:04:03,480 Speaker 1: Kirk when bore just you know, creaming their jeans about 64 00:04:03,520 --> 00:04:06,400 Speaker 1: about that movie, creaming them then steaming them right after 65 00:04:06,880 --> 00:04:09,760 Speaker 1: the Yeah, with this one. If you haven't heard about 66 00:04:09,760 --> 00:04:13,640 Speaker 1: the movie, it looks phenomenal because essentially it's a real 67 00:04:13,760 --> 00:04:16,920 Speaker 1: time film that is meant to look like it's one 68 00:04:16,960 --> 00:04:20,760 Speaker 1: continuous match, right. Heavily inspired, the director said by twenty 69 00:04:20,800 --> 00:04:24,680 Speaker 1: four really, in my mind, I was like, I believe 70 00:04:24,680 --> 00:04:30,960 Speaker 1: it sometimes like hold on. That completely took me out 71 00:04:30,960 --> 00:04:33,920 Speaker 1: of a World War One epic. But you know, even 72 00:04:33,920 --> 00:04:35,800 Speaker 1: when you watch some of the if you're not convinced 73 00:04:35,800 --> 00:04:38,520 Speaker 1: about this film, sure the trailer is will excite you. 74 00:04:38,560 --> 00:04:41,279 Speaker 1: But if you just watch some of the featurettes about 75 00:04:41,279 --> 00:04:45,039 Speaker 1: how they made it and you see the painstaking efforts 76 00:04:45,080 --> 00:04:48,640 Speaker 1: they took to seamlessly do things like get a car 77 00:04:48,760 --> 00:04:51,359 Speaker 1: from a like a jib or like a crane shot 78 00:04:51,520 --> 00:04:53,719 Speaker 1: and then take the like then you see like camera 79 00:04:53,760 --> 00:04:57,240 Speaker 1: operators come out of the muck to like unhinge that 80 00:04:57,360 --> 00:04:59,840 Speaker 1: camera and then attach it to a vehicle to the 81 00:05:00,040 --> 00:05:02,240 Speaker 1: do another shot so the soldier can run through an 82 00:05:02,240 --> 00:05:04,839 Speaker 1: active battlefield, like when you see all those things behind you, like, 83 00:05:05,120 --> 00:05:08,719 Speaker 1: oh right, this is like choreography and creativity to the 84 00:05:08,760 --> 00:05:12,360 Speaker 1: next level. Yeah, and a lot of in camera special effects. 85 00:05:12,800 --> 00:05:16,080 Speaker 1: I love in camera. That's my camera. That's why I'm 86 00:05:16,120 --> 00:05:19,920 Speaker 1: a that's my big Chris Nolan bro head, because he's 87 00:05:19,960 --> 00:05:22,159 Speaker 1: all about in camera man, that's the whole thing. And 88 00:05:22,480 --> 00:05:25,080 Speaker 1: one of the reviews, I mean, everyone is basically fonding 89 00:05:25,080 --> 00:05:27,680 Speaker 1: over the fact that it's like it's technically amazing to 90 00:05:27,720 --> 00:05:31,480 Speaker 1: watch and also very powerful emotionally too. It's not just 91 00:05:31,520 --> 00:05:35,160 Speaker 1: like a like a g whiz thrill ride. And just 92 00:05:35,200 --> 00:05:37,799 Speaker 1: this first line from Slash Film they said, not since 93 00:05:37,800 --> 00:05:40,599 Speaker 1: Mad Max fury Road has a film so fully embraced 94 00:05:40,760 --> 00:05:44,520 Speaker 1: the motion part of motion pictures. That to me is 95 00:05:44,560 --> 00:05:46,919 Speaker 1: a good first line, because I think Fury Road is 96 00:05:47,040 --> 00:05:49,720 Speaker 1: one of the such a great film. And I've read 97 00:05:49,760 --> 00:05:53,239 Speaker 1: somewhere that this is like a steady like one long 98 00:05:53,360 --> 00:05:56,920 Speaker 1: shot basically is that that can't be true, is it? Well, 99 00:05:56,920 --> 00:06:00,800 Speaker 1: it's probably stitched together, just like how Birdman looked like 100 00:06:00,880 --> 00:06:03,279 Speaker 1: one continuous shot, but you know, get a little tricks. 101 00:06:03,520 --> 00:06:05,880 Speaker 1: I don't know that. I'm I can't imagine if you 102 00:06:05,920 --> 00:06:10,200 Speaker 1: had to reset a shot in a in a battlefield scene, 103 00:06:10,480 --> 00:06:12,839 Speaker 1: that would probably take hours, you know, I don't know, 104 00:06:12,960 --> 00:06:15,279 Speaker 1: depending on what kind of like effects they had on 105 00:06:15,320 --> 00:06:17,600 Speaker 1: the field. But yeah, but I feel like this is 106 00:06:17,640 --> 00:06:22,760 Speaker 1: going to because I think that actually, um, the hardcore 107 00:06:22,880 --> 00:06:26,440 Speaker 1: history about World War One like really got people in 108 00:06:26,520 --> 00:06:29,360 Speaker 1: the muck, like in terms of like just making that 109 00:06:29,400 --> 00:06:32,599 Speaker 1: war really interesting and also like this role for people. Again, 110 00:06:33,520 --> 00:06:37,320 Speaker 1: I feel like this will it's probably coming around along 111 00:06:37,360 --> 00:06:39,960 Speaker 1: at the right time. Yeah, what's such a brutal like 112 00:06:40,200 --> 00:06:44,880 Speaker 1: mash up of modern an archaic warfare styles and then 113 00:06:45,040 --> 00:06:48,960 Speaker 1: you just lead to massive casualties. So the first time 114 00:06:48,960 --> 00:06:52,400 Speaker 1: that it was just it was on this scale, right Yeah. 115 00:06:52,680 --> 00:06:56,800 Speaker 1: Um there, they're like all sorts of surreal things like 116 00:06:57,800 --> 00:07:00,960 Speaker 1: Dan Carlin, the host of Hardcore Histories, description of like 117 00:07:01,080 --> 00:07:06,160 Speaker 1: the cloud of mustard gas that's just like this like 118 00:07:06,680 --> 00:07:10,040 Speaker 1: physical thing that you can see rolling downhill towards you 119 00:07:10,080 --> 00:07:12,840 Speaker 1: at like two miles per hour and like you can't 120 00:07:12,880 --> 00:07:15,880 Speaker 1: do anything about it, but like it you can't run. 121 00:07:15,960 --> 00:07:19,239 Speaker 1: You're probably like in uh, you know, a trench or somewhere. 122 00:07:19,280 --> 00:07:21,080 Speaker 1: So if you put your head up, you're just gonna 123 00:07:21,080 --> 00:07:23,520 Speaker 1: get cut down by machine gun and the blob is 124 00:07:23,560 --> 00:07:29,200 Speaker 1: just coming for you. Very surreal stuff. Wow. Also trending 125 00:07:29,480 --> 00:07:33,040 Speaker 1: is Bill Cosby. He gave his first interview since being 126 00:07:33,520 --> 00:07:37,480 Speaker 1: uh thrown in jail, and it's just sort of an 127 00:07:37,520 --> 00:07:42,000 Speaker 1: interesting study into the mind of a narcissist who kind 128 00:07:42,000 --> 00:07:45,320 Speaker 1: of built his entire universe on a version of the 129 00:07:45,360 --> 00:07:49,640 Speaker 1: world that revolves around him because he just refuses to 130 00:07:49,760 --> 00:07:53,480 Speaker 1: let the reality in that he's done anything wrong, he's 131 00:07:53,520 --> 00:07:57,200 Speaker 1: a predator, that he's a monster. Yeah. Was he saying, 132 00:07:57,200 --> 00:07:59,760 Speaker 1: like the jury like set him up like y or 133 00:07:59,800 --> 00:08:04,480 Speaker 1: a like plants and actors and uh yeah, I mean 134 00:08:04,720 --> 00:08:06,680 Speaker 1: then we saw it when he first got off and 135 00:08:06,760 --> 00:08:11,160 Speaker 1: came out of the came out of the courtroom, was like, hey, yeah, 136 00:08:11,320 --> 00:08:13,280 Speaker 1: I thought it was like a fun time to make 137 00:08:13,280 --> 00:08:15,880 Speaker 1: a fat Albert reference or clearly that you don't realize 138 00:08:15,920 --> 00:08:20,040 Speaker 1: that time society culture has like actually they're now diametrically 139 00:08:20,040 --> 00:08:24,400 Speaker 1: opposed to you and not other people want to Yeah. Cool. 140 00:08:24,840 --> 00:08:27,360 Speaker 1: I mean. Also, the true hallmark of a guilty person 141 00:08:27,520 --> 00:08:32,439 Speaker 1: when they go set up. Only a very few people 142 00:08:32,600 --> 00:08:35,040 Speaker 1: may have actually like have actually been set up to 143 00:08:35,120 --> 00:08:37,400 Speaker 1: look a certain way in a crime. But like that 144 00:08:37,520 --> 00:08:40,839 Speaker 1: is such a such an easy way to preserve your own, 145 00:08:41,800 --> 00:08:45,079 Speaker 1: I guess, innocence or your idea, your your identity as 146 00:08:45,080 --> 00:08:49,840 Speaker 1: a person who is innocent by a vast conspiracy to 147 00:08:49,920 --> 00:08:55,600 Speaker 1: set Bill Cosby up, versus Bill Cosby just letting his 148 00:08:55,880 --> 00:09:00,280 Speaker 1: absolute power and complete control over situations get to his head. 149 00:09:00,960 --> 00:09:04,240 Speaker 1: I don't know which one I believe, but yeah, it 150 00:09:04,400 --> 00:09:06,640 Speaker 1: kind of goes with the thing like I've always talked 151 00:09:06,640 --> 00:09:09,160 Speaker 1: about how famous people dressed like the year where they 152 00:09:09,240 --> 00:09:12,720 Speaker 1: hit peak fame, and like he's still dressed like he 153 00:09:12,760 --> 00:09:15,760 Speaker 1: did like in the eighties, but he I think his 154 00:09:15,920 --> 00:09:19,040 Speaker 1: brain is also kind of like frozen in amber from that, 155 00:09:19,200 --> 00:09:21,040 Speaker 1: I mean, who knows what it is where he's at 156 00:09:21,240 --> 00:09:24,320 Speaker 1: sort of in his dissimility or what. Yeah, yeah, there's 157 00:09:24,320 --> 00:09:31,560 Speaker 1: also yeah he's mostly blind. Um and Ali Aliyah show cut. 158 00:09:31,960 --> 00:09:34,679 Speaker 1: Is that how you pronounced that? Maybe bluth? Yeah? Maybe bluth? 159 00:09:34,920 --> 00:09:39,520 Speaker 1: Wait no, uh, I didn't know what's uh? Uh told 160 00:09:39,520 --> 00:09:43,200 Speaker 1: by it was no she Funk or Bluth. I think 161 00:09:43,200 --> 00:09:46,640 Speaker 1: she was, even though Funk was her dad. Anyway, yes, 162 00:09:47,160 --> 00:09:50,240 Speaker 1: or from any other feed from a search party. Or 163 00:09:50,280 --> 00:09:53,800 Speaker 1: you might remember her from Three Kings as a little girl. No, yeah, 164 00:09:53,880 --> 00:09:56,880 Speaker 1: she's a that was I remember seeing her on Arrested 165 00:09:56,920 --> 00:09:58,920 Speaker 1: Development and being like she was in Three Kings. She 166 00:09:59,000 --> 00:10:01,760 Speaker 1: was a little girl had to arm cast on. Yeah, 167 00:10:01,800 --> 00:10:05,920 Speaker 1: and that's an incredible pool on your part. I look again, 168 00:10:06,000 --> 00:10:09,120 Speaker 1: I have a memory for the most inconsequential ship. I'm like, 169 00:10:09,160 --> 00:10:12,160 Speaker 1: you mean all your from Three Kings. Three Kings is 170 00:10:12,320 --> 00:10:14,400 Speaker 1: like what a what a movie like? And I mean 171 00:10:14,640 --> 00:10:19,760 Speaker 1: Wahlberg and Clooney and it's just like a great film. Also, yeah, 172 00:10:19,840 --> 00:10:21,920 Speaker 1: but with a very odd take on like what our 173 00:10:21,960 --> 00:10:24,600 Speaker 1: involvement is in the Middle East? Sort of really yeah, 174 00:10:24,600 --> 00:10:26,280 Speaker 1: I think you can tell it's a little bit dated. 175 00:10:26,280 --> 00:10:30,400 Speaker 1: It's a little dated. Uh so this is some dumb 176 00:10:30,440 --> 00:10:34,920 Speaker 1: Bloyd Watch ship. But she's trending because she's been seen 177 00:10:35,080 --> 00:10:38,240 Speaker 1: hanging out with Brad Pitt quite a bit and uh, 178 00:10:38,440 --> 00:10:42,520 Speaker 1: people are speculating that they're dating. He's fifty five, she's thirty. 179 00:10:43,480 --> 00:10:47,040 Speaker 1: Um hmm. It's kind of like a I don't know, 180 00:10:47,679 --> 00:10:49,719 Speaker 1: I don't I don't know who. I don't like it 181 00:10:49,760 --> 00:10:54,880 Speaker 1: for like and cool and interesting and he's old and 182 00:10:55,440 --> 00:10:58,000 Speaker 1: still like seen as a hot guy. I think as 183 00:10:58,040 --> 00:11:00,559 Speaker 1: all like dudes of a certain a like rad Pit's 184 00:11:00,559 --> 00:11:03,880 Speaker 1: probably gotta be like the he looking dude, you know, 185 00:11:03,920 --> 00:11:05,280 Speaker 1: and in a way even then you're like, man, I 186 00:11:05,320 --> 00:11:07,760 Speaker 1: would probably be with Brad Pitt right against Yeah. So 187 00:11:07,800 --> 00:11:11,199 Speaker 1: I guess if you talked to like a third year 188 00:11:11,200 --> 00:11:15,000 Speaker 1: old woman, she's probably like, yeah, it's only dudes who 189 00:11:15,000 --> 00:11:17,959 Speaker 1: are like, man, I don't know Brad Pitt's sucking hot dude. Yeah, 190 00:11:18,160 --> 00:11:21,000 Speaker 1: I don't know. Is are But are they dating? Are 191 00:11:21,040 --> 00:11:23,720 Speaker 1: they saying are They're like no, they're saying no, that 192 00:11:23,760 --> 00:11:27,040 Speaker 1: they're just friends. They're just friends. Who was apparently also 193 00:11:27,120 --> 00:11:32,440 Speaker 1: friends with Kanye so Brett. Brad Pitt is apparently a hipster. 194 00:11:32,679 --> 00:11:36,240 Speaker 1: He's having his midlife prices already. Well he so this 195 00:11:36,400 --> 00:11:41,160 Speaker 1: is all since he divorced Angelina Jolie and got sober 196 00:11:41,200 --> 00:11:45,160 Speaker 1: and now he's he's found a new path in this life. 197 00:11:46,120 --> 00:11:48,960 Speaker 1: Oh he's sober. Yeah, he got sober one like right 198 00:11:49,000 --> 00:11:51,000 Speaker 1: around the time of their divorce. Oh. You know, it's funny. 199 00:11:51,200 --> 00:11:53,280 Speaker 1: We may have even talked about this on when we 200 00:11:53,360 --> 00:11:56,840 Speaker 1: used to do blood Watch that he was Yeah, because 201 00:11:56,880 --> 00:11:59,080 Speaker 1: I think there was lick some that was part of 202 00:11:59,120 --> 00:12:01,640 Speaker 1: the ship that was sucking up their family. Oh yeah, 203 00:12:01,640 --> 00:12:03,440 Speaker 1: and I think it was also maybe affecting his ability 204 00:12:03,480 --> 00:12:05,959 Speaker 1: to ever have custody of them to like, Okay, I 205 00:12:05,960 --> 00:12:09,880 Speaker 1: guess I love the kids enough to put it down. Yeah, um, 206 00:12:09,960 --> 00:12:14,720 Speaker 1: this is wild. Uh. This article about him and maybe 207 00:12:14,720 --> 00:12:19,560 Speaker 1: Bluth's relationships said that he and Angeline and Jolie were 208 00:12:20,040 --> 00:12:22,800 Speaker 1: got divorced in September two thousand and sixteen after two 209 00:12:22,920 --> 00:12:26,800 Speaker 1: years of marriage. Doesn't that seem short? I guess they 210 00:12:26,840 --> 00:12:29,240 Speaker 1: were just they had a long courtship. I guess, oh, 211 00:12:29,960 --> 00:12:32,640 Speaker 1: because I feel like they were just super were together 212 00:12:32,679 --> 00:12:35,600 Speaker 1: for like decade, hippie dippy people of the earth like 213 00:12:36,240 --> 00:12:40,920 Speaker 1: Guitar United Colors of Benetton family and we're just like gallop. 214 00:12:40,960 --> 00:12:43,040 Speaker 1: It's like marriage. I don't know, because I think they 215 00:12:43,080 --> 00:12:46,440 Speaker 1: have kids together that are older than that. Oh yeah, 216 00:12:46,480 --> 00:12:50,920 Speaker 1: I feel like sir or no neces. Sorry, Shiloh was 217 00:12:51,080 --> 00:12:54,360 Speaker 1: their first biological child. Look, I don't know. I just know. 218 00:12:54,440 --> 00:12:56,000 Speaker 1: I just know the names. Man. Yeah, I got a 219 00:12:56,040 --> 00:12:59,480 Speaker 1: lot of tables. Man, what I menna do here? Alright, 220 00:12:59,520 --> 00:13:05,560 Speaker 1: I'm gonna gargles? Uh, salt water? Is that that works? Yeah? 221 00:13:05,559 --> 00:13:08,320 Speaker 1: I think so that was a remedy. Yeah. Well, I 222 00:13:08,440 --> 00:13:12,120 Speaker 1: thank you so much for joining me teen vape salesman. 223 00:13:12,920 --> 00:13:16,520 Speaker 1: I gotta go vape. I heard it does bad stuff 224 00:13:16,600 --> 00:13:22,840 Speaker 1: your voice, Yeah, it made you ship. Yeah. Should we 225 00:13:22,840 --> 00:13:25,000 Speaker 1: tell people that I delivered this whole thing through one 226 00:13:25,040 --> 00:13:29,400 Speaker 1: of those uh machines? Oh yeah? Or what did they 227 00:13:29,400 --> 00:13:35,360 Speaker 1: call it? Problematically in South Park? Uh? Cancer kazoo. That's 228 00:13:35,400 --> 00:13:37,800 Speaker 1: what he said about the what was his uncle's name? 229 00:13:38,440 --> 00:13:42,000 Speaker 1: And he was like, were you stationed in Denang? I 230 00:13:42,000 --> 00:13:44,280 Speaker 1: remember that was one of the first lines of South Park. 231 00:13:44,320 --> 00:13:47,920 Speaker 1: I remember. I was like, what is this show? Oh man? 232 00:13:48,200 --> 00:13:51,960 Speaker 1: And I remember my friend's dad, uh, who's was served 233 00:13:51,960 --> 00:13:54,800 Speaker 1: in nom Like I didn't know what Denange was at 234 00:13:54,800 --> 00:13:57,280 Speaker 1: the time, right, It's like it's like prisid. I just 235 00:13:57,320 --> 00:13:59,560 Speaker 1: thought he was like saying weird. I couldn't. I didn't 236 00:13:59,600 --> 00:14:02,760 Speaker 1: know what the same A little bit history, all right, guys, 237 00:14:03,040 --> 00:14:07,080 Speaker 1: enjoy your evening. We'll be back tomorrow with more podcast. 238 00:14:07,160 --> 00:14:09,319 Speaker 1: We'll talk to you you h