WEBVTT - Star Wars: The Mandalorian S3 Ep 7 + Renfield w/ Ben Schwartz

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<v Speaker 1>Worrying. This podcast can hate spoilers for season three episodes

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<v Speaker 1>seven of The Mandalorian and the movie Renfield out now

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<v Speaker 1>in theaters. Hello, my name is Jason Concepcion and I'm

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<v Speaker 1>Rosey Knight, and welcome to x ray Vision, the crooked

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<v Speaker 1>media podcast where we dived ee to your favorite shows, movies,

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<v Speaker 1>comics and pop culture.

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<v Speaker 2>In this episode, it's a packed previously on some of

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<v Speaker 2>the Star Wars celebration news, Boom Boom boom, movies, TV everything,

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<v Speaker 2>and a breakdown of the Marvels trailer in the airlock.

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<v Speaker 2>It's season three, episode seven of The Mandalorian in place

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<v Speaker 2>you haven't been star Wars out by the Star Wars celebration,

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<v Speaker 2>It's happening in the hive mind. Just absolutely delightful chat

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<v Speaker 2>with actor and comedian Ben Schwartz to discuss Renfield, Starry,

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<v Speaker 2>Nicholas Halt, and Nick Kay Jurracula at you. Very delightful

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<v Speaker 2>and quite profound in some ways and in nod doubt

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<v Speaker 2>we have a theory for Mike on the Mandaloria.

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<v Speaker 1>Let's go coming up previously on first up, let's talk

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<v Speaker 1>about the some of the big news coming out of

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<v Speaker 1>Star Wars celebration, and I think the headline for me

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<v Speaker 1>at least is going back to the movies. Three big

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<v Speaker 1>movie project announcements no titles as yet, but the attached

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<v Speaker 1>directors and then kind of what the movie is about

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<v Speaker 1>were announced. We have a James man Goold project that

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<v Speaker 1>we'll talk about basically the First Jedi, the First Connection

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<v Speaker 1>with the Force, the Dawn of the Jedi. We have

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<v Speaker 1>Dave Feloni's project, which will wrap up all of his

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<v Speaker 1>New Republic projects in a live action film. This is

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<v Speaker 1>I guess, our chance to see Grogu and Din and

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<v Speaker 1>the rest on the big screen. And then Miss Marvel

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<v Speaker 1>director Charmine obiad Chenoi will direct the sequel to the

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<v Speaker 1>Ray Saga. Ray is coming back. We would assume Finn

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<v Speaker 1>is coming back as well. We're going to find out

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<v Speaker 1>what she's been up to, and what she's been up

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<v Speaker 1>to is training the next generation of Jedi. Does that

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<v Speaker 1>mean we find out Finn is fourth sensitive?

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<v Speaker 2>I say yes, now correct, I mean he is. Let's

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<v Speaker 2>be real, these.

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<v Speaker 1>All sound really great. We were we were talking in

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<v Speaker 1>the in the prefro, what of these three? How many

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<v Speaker 1>get made?

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<v Speaker 2>Okay? I am of the belief looking at recent past,

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<v Speaker 2>and the the success of announced lucasfilm movies making it

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<v Speaker 2>to screen. My God says, I would bet that one

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<v Speaker 2>of these one hundred percent makes it to screen, and

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<v Speaker 2>I think it's the Ray movie.

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<v Speaker 1>I agree.

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<v Speaker 2>I hope is a Ray and Finn and Poe movie.

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<v Speaker 2>You know, that's the tree that I care about. I

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<v Speaker 2>think that the Feloney movie is second most likely, agreed,

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<v Speaker 2>because people love the Mandalorian Grogu is very toyetic. You

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<v Speaker 2>can make a lot of money from selling toys from him,

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<v Speaker 2>and Rebels has gained a true rotty following. Yeah, and

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<v Speaker 2>with the Soca coming, I think that one seems quite likely.

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<v Speaker 2>I just the slight doubt I have is how likely

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<v Speaker 2>is it for us to see something in the Star

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<v Speaker 2>Wars world make that big leap from TV to film

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<v Speaker 2>rather than film to TV. I would love to see it,

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<v Speaker 2>but I think it's quite ambitious least likely. But the

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<v Speaker 2>one I would want to see most is this like

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<v Speaker 2>biblical epic twenty five thousand years before the Star Wars

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<v Speaker 2>sus Skywalker saga, James Mangold, like Beginning of the Force.

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<v Speaker 2>I just think it's it's too huge.

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<v Speaker 1>It's just huge.

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<v Speaker 2>It's too huge. I would love, Like, do I want

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<v Speaker 2>to see like a you know, Lawrence of Arabia style

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<v Speaker 2>Star Wars movie? Absolutely?

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<v Speaker 1>Yes, absolutely?

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<v Speaker 3>Is it likely that probably not? That's my feeling right

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<v Speaker 3>there with you. I think you read is exactly right.

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<v Speaker 3>I put the Filony movie at something like a coin flip.

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<v Speaker 1>Obviously this is not science, but you know, depending on

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<v Speaker 1>how the reception for a Mando and for Ah Soca goes,

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<v Speaker 1>I could see them flipping that cachet into a big

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<v Speaker 1>movie project. That would be pretty cool. And I think,

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<v Speaker 1>but I agree with you, it feels like just too

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<v Speaker 1>huge a swing for what has been I think a

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<v Speaker 1>historically conservative movie project space for Star Wars. Like maybe

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<v Speaker 1>they've changed their tune, but what we've seen from the

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<v Speaker 1>last few Star Wars movies, not counting Rogue one, has

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<v Speaker 1>been a real kind of a real kind of aversion

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<v Speaker 1>to kind of breaking the mold or doing anything big.

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<v Speaker 1>And this would be this is as big as it gets.

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<v Speaker 2>I mean, you're talking about setting a movie like twenty

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<v Speaker 2>one thousand years before Nights of the Old Republic, Like

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<v Speaker 2>this is so much further back than anything that we've

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<v Speaker 2>ever seen. It's such a cool idea, But what we've

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<v Speaker 2>seen from the Star Wars TV shows especially, I feel

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<v Speaker 2>like less so in the movies, though I wish they'd

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<v Speaker 2>have done it more. We've seen them taking very selectively

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<v Speaker 2>from established pre Disney canon like legends and making it

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<v Speaker 2>canon again. In the Disney world. This would be James Mangold,

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<v Speaker 2>who I love, I mean logan, he's obviously and with

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<v Speaker 2>Disney he's doing this Indiana Jones and the Dial of

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<v Speaker 2>Destiny yep film. You know, this would be basically giving

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<v Speaker 2>him carte blanche to create an entirely new era of

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<v Speaker 2>Star Wars, which I think is very exciting but slightly

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<v Speaker 2>unlikely unless perhaps we end up in a kind of

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<v Speaker 2>High Republic esque situation where they used a new set

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<v Speaker 2>of authors and books and comics to kind of establish

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<v Speaker 2>the work.

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<v Speaker 1>Because I could see that that could.

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<v Speaker 2>Maybe happen, because basically one of the as we'll get

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<v Speaker 2>into in a little bit with the TV stuff, we

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<v Speaker 2>are now seeing them start to pull from the High

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<v Speaker 2>Republic which they established in those books. So maybe, but

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<v Speaker 2>I definitely think that's our that's our long shot, even

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<v Speaker 2>though I would absolutely love to see it.

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<v Speaker 1>Also, the risk, I think is it's hard to kind

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<v Speaker 1>of overstate. I think the risk. Recall the uproar when

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<v Speaker 1>Midichlorians appeared in the scene as a you know, the

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<v Speaker 1>first kind of real fleshing out of the underpinnings of

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<v Speaker 1>the Force, and people didn't like it. And I and

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<v Speaker 1>you know, the Force is this kind of like mysterious

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<v Speaker 1>connective tissue that runs through the galaxy and the universe.

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<v Speaker 1>There's something fascinating and intriguing about the mystery behind it and.

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<v Speaker 2>So tismatic and etherol.

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<v Speaker 1>And yeah, and so to really kind of pin it

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<v Speaker 1>down and define it in this way is high risk,

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<v Speaker 1>high reward. I would love, I would fucking love to

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<v Speaker 1>see it, but my guess is that they pull back

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<v Speaker 1>from actually doing this.

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<v Speaker 2>Also does hypothetically if this is their same biblical epic

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<v Speaker 2>you're talking about, the first person to ever use the Force?

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<v Speaker 2>Is this like a Jesus situation? Is this like an

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<v Speaker 2>actual space Jesus like the first person to use the force?

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<v Speaker 2>Gains are following? Are we going to see the I

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<v Speaker 2>think that it's so much fun to imagine it because

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<v Speaker 2>it is so huge, But like you say, what does

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<v Speaker 2>that do to the thousands of years of cannon that

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<v Speaker 2>comes after it? Like when do you use. What are

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<v Speaker 2>these two alignments? When does it split between the dark

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<v Speaker 2>Side and the Light side? Do you have to bring

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<v Speaker 2>back gray Jedi which have been decanonized in a very

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<v Speaker 2>serious way. I think it's it's so huge, but it's

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<v Speaker 2>very very exciting to imagine it, and I would love

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<v Speaker 2>if the movie doesn't get made, I'll definitely be seeking

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<v Speaker 2>out that script absolutely its to come.

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<v Speaker 1>And what I think is really the other thing that

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<v Speaker 1>I think is really really cool about these announced projects

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<v Speaker 1>is you've basically gone to the very beginning and the

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<v Speaker 1>very end. You've pushed out the latest that we've ever

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<v Speaker 1>gone in Star Wars. We're going the Ray project is

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<v Speaker 1>going to be, according Kathleen Kennedy, fifteen years out from

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<v Speaker 1>Rise of Skywalker, post War First Order, she says, in

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<v Speaker 1>the Jedire in Disarray. So that's as late as we've

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<v Speaker 1>been in Star Wars, the furthest Out and then the

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<v Speaker 1>furthest Back. If they end up making this movie that

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<v Speaker 1>we've ever seen in the Star Wars universe, would be

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<v Speaker 1>this twenty five thousand years before the Skywalker Soga, before

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<v Speaker 1>the First Republic, before all of everything we know. So

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<v Speaker 1>that part of it is really intriguing to kind of

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<v Speaker 1>push the edges is of the timeline out as far

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<v Speaker 1>as it's ever been. That part of it is cool.

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<v Speaker 1>Up next to the Ahsoka trailer, I'm in. I mean

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<v Speaker 1>it looks great.

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<v Speaker 2>I mean we would we were deeply targeted by this. Yeah.

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<v Speaker 1>Yeah, it looks fantastic. The casting looks amazing, the you know,

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<v Speaker 1>building off what we've seen from and or from the Mandalorian,

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<v Speaker 1>it looks movie quality. The trailer looks you know, the

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<v Speaker 1>practical effects plus the makeup look amazing. I was so

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<v Speaker 1>tough to see. Uh, my Star Wars wife Harrison Doula

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<v Speaker 1>and our good friend Chopper, one of the one of

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<v Speaker 1>the greatest mass murderers in Star Wars history. Yeah, Era,

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<v Speaker 1>it looks freaking It looks freaking great. There's a lot

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<v Speaker 1>cat there.

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<v Speaker 2>It looks my gosh, yeah, multiple lofts love to see them. Also,

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<v Speaker 2>I think that they're having a lot of fun in

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<v Speaker 2>this trailer, not only showing us who's coming back, but

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<v Speaker 2>also like only showing Ezra Vira hologram. So you kind

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<v Speaker 2>of don't really know. But the fact that we are

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<v Speaker 2>confirmed now to get live action thron which is huge

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<v Speaker 2>and obviously for the first time. This is doing what

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<v Speaker 2>we always wanted. When they would announce something for the MCU,

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<v Speaker 2>we would expect that the TV shows would immediately tie in.

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<v Speaker 2>That never really came across, like Spider Man at the

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<v Speaker 2>end of Hawkeye and those kind of things that people

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<v Speaker 2>wondered if they were going to do to tie these

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<v Speaker 2>worlds together. We get the Las Michelson announcement. He's going

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<v Speaker 2>to be coming back. He's going to be playing Thrown

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<v Speaker 2>in live action. We see the back of his head

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<v Speaker 2>in this trailer, and then as we will get into

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<v Speaker 2>this episode of the Mandalorian immediately ties into that. You know,

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<v Speaker 2>this is that kind of connective tissue we always wanted.

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<v Speaker 2>And with Thrawn being a major part, then we know

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<v Speaker 2>that we're going to see Ezra irl but they're having

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<v Speaker 2>fun with this kind of like he's only on the

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<v Speaker 2>hologram is it? Where is he? It's very mysterious, very awesome.

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<v Speaker 2>I love Mary Elizabeth Winstead as Hero. That's super fun,

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<v Speaker 2>what great casting.

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<v Speaker 1>Absolutely cast and now we have husband and wife in

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<v Speaker 1>the Wars universe.

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<v Speaker 4>Yeah, I where do you think Ezra and Thron are

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<v Speaker 4>and how much and how much of this, how much

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<v Speaker 4>of the upcoming Ahsoka season is the search for Ezra

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<v Speaker 4>and how do they find him?

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<v Speaker 2>You think? I think that Ezra search is going to

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<v Speaker 2>be a key part of the mystery. I think Ezra

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<v Speaker 2>and Thorn are somewhere on the outer Rim. That's generally

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<v Speaker 2>like my feeling of where Thorn has been. And I

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<v Speaker 2>feel like with this stuff we're seeing in the Mandalorian

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<v Speaker 2>is probably tying into that. What has Thorn been up to?

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<v Speaker 2>That's the big question, And that's kind of something again

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<v Speaker 2>that we get into in the Mandalorian, like what is

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<v Speaker 2>his plan? What is his scheme? And how is he

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<v Speaker 2>going to play into the future of what we see.

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<v Speaker 2>I mean, I'm so excited to see live action Ezra.

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<v Speaker 2>I love him so much. Okay, this is a question

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<v Speaker 2>I have for you because one of the things I

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<v Speaker 2>immediately thought about, so I love Rebels, obviously you love Rebels.

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<v Speaker 2>The end of Rebels was like so crazy because they

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<v Speaker 2>gave us not only like one of the best final

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<v Speaker 2>couple of episodes all time, but when we get that

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<v Speaker 2>skip forward to see where everyone is, we meet here

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<v Speaker 2>as kid you know who's named after Luke Skywalker's kid

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<v Speaker 2>from Legends, Jason, and that was like this huge thing,

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<v Speaker 2>this huge moment, right, I was like, are we going

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<v Speaker 2>to see the kids? But when do you think this

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<v Speaker 2>takes place? Because I think there's been a lot of

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<v Speaker 2>conversation of is this between the end of what we

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<v Speaker 2>saw in Rebels and that's where we meet them in

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<v Speaker 2>the skip forward? Is it in between that time? Is

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<v Speaker 2>it after that time? Whereabouts do you think it's going

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<v Speaker 2>to take place.

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<v Speaker 1>I think it's going to take place like before the

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<v Speaker 1>skip forward, while the rebellion is still happening, and or

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<v Speaker 1>maybe even just brewing. Like I think it's going to

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<v Speaker 1>be very close to and Or. I think it's going

0:12:52.920 --> 0:12:56.520
<v Speaker 1>to be close in time too when and Or happened.

0:12:58.559 --> 0:13:00.679
<v Speaker 1>But I don't think it's gonna be I don't. I

0:13:00.679 --> 0:13:02.480
<v Speaker 1>don't think it's going to be after the skip forward.

0:13:02.520 --> 0:13:05.760
<v Speaker 2>I think that's just in between you which I think.

0:13:05.800 --> 0:13:07.800
<v Speaker 2>I think you're right. I would love to see the

0:13:07.840 --> 0:13:10.160
<v Speaker 2>skip forward life because I love the idea of seeing

0:13:10.160 --> 0:13:12.920
<v Speaker 2>the kids and but the truth is that it makes

0:13:12.920 --> 0:13:15.720
<v Speaker 2>a lot of sense from what we know and what

0:13:15.720 --> 0:13:17.520
<v Speaker 2>we saw at the end of Rebels that this essentially

0:13:17.559 --> 0:13:21.280
<v Speaker 2>acts as almost like a expansion. It's a nice inversion

0:13:21.520 --> 0:13:24.240
<v Speaker 2>of what we're used to with the animated series, where

0:13:24.240 --> 0:13:26.800
<v Speaker 2>the animated series builds out what we've seen in live action.

0:13:27.080 --> 0:13:30.160
<v Speaker 2>I like the idea that this is a huge expansion

0:13:30.559 --> 0:13:33.880
<v Speaker 2>of this tiny moment that we got in the animated series.

0:13:34.679 --> 0:13:37.400
<v Speaker 2>It looks so good. I can't even it's just kind

0:13:37.400 --> 0:13:40.199
<v Speaker 2>of mind playing. I think. Also, I think that you're

0:13:40.200 --> 0:13:43.080
<v Speaker 2>absolutely right. If this show blows up and becomes the

0:13:43.080 --> 0:13:45.880
<v Speaker 2>biggest Disney Plus show of all time or in a

0:13:45.920 --> 0:13:48.480
<v Speaker 2>long time since one division, whatever the biggest one is,

0:13:49.200 --> 0:13:53.000
<v Speaker 2>then I think that Felony show becomes a near certainty. Yeah,

0:13:53.040 --> 0:13:55.040
<v Speaker 2>so I think you're absolutely right. I think those two

0:13:55.040 --> 0:13:56.360
<v Speaker 2>things are directly connected.

0:13:57.040 --> 0:13:59.120
<v Speaker 1>One more thing about the timeline. You know, one of

0:13:59.120 --> 0:14:02.240
<v Speaker 1>the things that these projects, you know, one of the

0:14:02.960 --> 0:14:07.160
<v Speaker 1>Jenga obstacles that these projects kind of have to thread

0:14:07.440 --> 0:14:11.160
<v Speaker 1>is you know, why wasn't Ahska at the battle?

0:14:11.360 --> 0:14:11.520
<v Speaker 2>Yeah?

0:14:11.600 --> 0:14:16.559
<v Speaker 1>Then why wasn't where we're dinning Grogu during X y

0:14:16.760 --> 0:14:21.720
<v Speaker 1>Z fight? And I think that to me is you

0:14:21.760 --> 0:14:24.680
<v Speaker 1>can really kind of solve that with this show and

0:14:24.760 --> 0:14:28.440
<v Speaker 1>show that like, oh, Soca was tied up doing whatever,

0:14:28.600 --> 0:14:29.040
<v Speaker 1>that's why.

0:14:29.120 --> 0:14:31.640
<v Speaker 2>Yeah, even like World Beyond Wild, you know, you want

0:14:31.640 --> 0:14:34.880
<v Speaker 2>to get into that kind of strange more mystical side

0:14:34.920 --> 0:14:37.720
<v Speaker 2>of the force that Sabine and everyone from Rebels is

0:14:37.720 --> 0:14:40.200
<v Speaker 2>a little bit more aligned to. It's a lot easier

0:14:40.240 --> 0:14:44.000
<v Speaker 2>to argue why they weren't necessarily involved in like a

0:14:44.000 --> 0:14:45.119
<v Speaker 2>military rebellion.

0:14:46.160 --> 0:14:51.160
<v Speaker 1>Next up The Acolyte. They showed footage from this, but

0:14:51.600 --> 0:14:54.240
<v Speaker 1>no footage yet has come out publicly. They also did

0:14:54.240 --> 0:14:57.080
<v Speaker 1>that for and Or, but that was apparently just kind

0:14:57.080 --> 0:14:59.720
<v Speaker 1>of like a sizzle reel. So the Acolyte is this

0:14:59.760 --> 0:15:04.360
<v Speaker 1>is our High Republic, Yes show, one hundred years before

0:15:04.400 --> 0:15:07.960
<v Speaker 1>the Phantom Menace, created by Leslie Headland of Russian Dolphame

0:15:08.120 --> 0:15:13.040
<v Speaker 1>and it's a star so cast including Amandla Stenberg, Lee Jung,

0:15:13.160 --> 0:15:20.720
<v Speaker 1>Jay Man Agacinto and more. This is super exciting and

0:15:20.760 --> 0:15:23.760
<v Speaker 1>I'm sure fans of the High Republic books and comics

0:15:23.800 --> 0:15:25.640
<v Speaker 1>are going to be pretty soaked.

0:15:26.080 --> 0:15:29.760
<v Speaker 2>Yeah, I think that they They definitely actually bought in

0:15:30.440 --> 0:15:32.960
<v Speaker 2>Vanessa Rowe, who was from the High Republic novels. They

0:15:33.120 --> 0:15:35.960
<v Speaker 2>announced that Rebecca Henderson would be playing her. We got

0:15:36.680 --> 0:15:40.240
<v Speaker 2>Junas who took over playing Chewbacca from Peter Mayhew. He's

0:15:40.280 --> 0:15:43.280
<v Speaker 2>getting to create a new Wookie Jedi, which is really cool.

0:15:43.520 --> 0:15:46.120
<v Speaker 2>And also this is going to be our first time

0:15:47.520 --> 0:15:50.600
<v Speaker 2>with a movie or a TV show that is directly

0:15:50.640 --> 0:15:53.400
<v Speaker 2>focused on a true villain, even though obviously there are

0:15:53.400 --> 0:15:55.880
<v Speaker 2>some movies like the Prequels. You could argue that all

0:15:55.880 --> 0:15:58.080
<v Speaker 2>of Star Wars and the Prequels is about Darth Vader,

0:15:58.120 --> 0:16:00.760
<v Speaker 2>but you know they each have their heroes. This is

0:16:00.840 --> 0:16:05.960
<v Speaker 2>going to be about a young Sith acolyte who is

0:16:06.000 --> 0:16:10.400
<v Speaker 2>played by Amandler Steenberg and Leslie Headlam pitched it to

0:16:10.880 --> 0:16:14.240
<v Speaker 2>lucasfilm as Frozen meets kill Bill, and the idea is

0:16:14.280 --> 0:16:17.480
<v Speaker 2>it's kind of this like the how under the Frozen

0:16:17.520 --> 0:16:19.560
<v Speaker 2>aspect comes from this idea of you think this person

0:16:19.640 --> 0:16:21.960
<v Speaker 2>is the villain, but here is their story, and the

0:16:22.040 --> 0:16:23.640
<v Speaker 2>kill Bill aspect is because it's going to be like

0:16:23.640 --> 0:16:26.280
<v Speaker 2>a badass revenge story. But what I thought was really

0:16:26.320 --> 0:16:30.200
<v Speaker 2>interesting is Leslie said, this is the Sith when they

0:16:30.240 --> 0:16:34.920
<v Speaker 2>are just the ultimate underdogs. This is a time when

0:16:34.960 --> 0:16:39.680
<v Speaker 2>the Jedi is ruling everything. Everything is Jedi Jedi, Jedi

0:16:40.040 --> 0:16:43.880
<v Speaker 2>High Republic, Utopian state. So if you are a Dark

0:16:43.920 --> 0:16:46.200
<v Speaker 2>Side Force user, if you are a Sith, you are

0:16:46.320 --> 0:16:50.400
<v Speaker 2>like a non citizen. You don't really exist. So that

0:16:50.520 --> 0:16:53.120
<v Speaker 2>was kind of the intrigue that she laid out there.

0:16:53.200 --> 0:16:55.240
<v Speaker 2>I mean, Russian Doll's one of the best TV shows

0:16:55.240 --> 0:16:58.560
<v Speaker 2>I've seen in a long time, with the incredible obviously

0:16:58.840 --> 0:17:01.480
<v Speaker 2>Natasha Leone who we be love so and it's really

0:17:01.520 --> 0:17:04.359
<v Speaker 2>subversive and weird and twisty, and it totally turns the

0:17:04.440 --> 0:17:06.640
<v Speaker 2>time loop on its head. So the fact they're letting

0:17:06.680 --> 0:17:08.280
<v Speaker 2>Leslie do one of these shows and it has, like

0:17:08.320 --> 0:17:10.760
<v Speaker 2>you said, these squid game stuff. Daph Nick Keane has

0:17:10.840 --> 0:17:12.560
<v Speaker 2>s X twenty three in it. You know, this is

0:17:12.680 --> 0:17:16.120
<v Speaker 2>just like Jody Turner smith Icon, like so many good

0:17:16.240 --> 0:17:18.760
<v Speaker 2>carry Anne Moss playing a Jedi. I guess that kind

0:17:18.760 --> 0:17:21.199
<v Speaker 2>of seemed to leak from what they'd said, from the

0:17:21.359 --> 0:17:24.960
<v Speaker 2>what they'd shown at the the show. It just looks

0:17:25.560 --> 0:17:28.560
<v Speaker 2>and sounds very very cool, and I would love to

0:17:28.600 --> 0:17:30.920
<v Speaker 2>see it. Like, I'm not a sith apologist. I don't

0:17:30.920 --> 0:17:33.240
<v Speaker 2>feel like Leslie's gonna do some like you should feel

0:17:33.240 --> 0:17:35.159
<v Speaker 2>sorry for the Sith, but I will always want to

0:17:35.200 --> 0:17:37.439
<v Speaker 2>see a different side. I would love to see this

0:17:37.560 --> 0:17:38.400
<v Speaker 2>world that we love.

0:17:38.720 --> 0:17:41.080
<v Speaker 1>I will say that the way it was described felt

0:17:41.119 --> 0:17:44.680
<v Speaker 1>a little bit like it's your fault. I'm the Sith,

0:17:44.800 --> 0:17:47.280
<v Speaker 1>you know what I mean, Like the Jedi, why are

0:17:47.359 --> 0:17:49.560
<v Speaker 1>you making me use the dark side, don't.

0:17:49.760 --> 0:17:52.359
<v Speaker 2>I will say that the Frozen comparison does make you

0:17:52.400 --> 0:17:54.920
<v Speaker 2>think that's a story about the ice creen. You know,

0:17:55.040 --> 0:17:58.480
<v Speaker 2>this traditional villain, so you wonder, like, what could that

0:17:58.680 --> 0:18:01.520
<v Speaker 2>argument be. It'll be very interesting to see. This is

0:18:01.520 --> 0:18:03.840
<v Speaker 2>one hundred years, like you said before the Phantom Menace,

0:18:04.119 --> 0:18:07.880
<v Speaker 2>so the politics and things that drove the Sith could

0:18:07.960 --> 0:18:10.640
<v Speaker 2>arguably be established to be very different. We could learn

0:18:10.720 --> 0:18:13.159
<v Speaker 2>very different things. But yeah, I'm interested to see it.

0:18:13.160 --> 0:18:15.760
<v Speaker 2>I'm sure it's going to be really cool and great

0:18:16.320 --> 0:18:19.960
<v Speaker 2>and probably totally upend whatever we're expecting it to be.

0:18:20.080 --> 0:18:22.480
<v Speaker 2>But I'm ready for them to release that footage because

0:18:22.480 --> 0:18:23.159
<v Speaker 2>i want to see it.

0:18:23.560 --> 0:18:26.800
<v Speaker 1>Switching universes now, the Marvel's True were dropped hitting theaters

0:18:27.359 --> 0:18:32.800
<v Speaker 1>every tenth twenty twenty three. Here is our first Marvel

0:18:32.880 --> 0:18:39.520
<v Speaker 1>project that is unambiguously launched by the television offerings of

0:18:39.600 --> 0:18:45.320
<v Speaker 1>the MCU, starring Breed Larcen as Captain Marvel, Imon Vallani

0:18:45.359 --> 0:18:49.439
<v Speaker 1>as Kamela Khan, Tina paris Is, Monica Rambo, and Sam MUELLL. L.

0:18:49.520 --> 0:18:55.680
<v Speaker 1>Jackson returns as our friend Nick Fury. New villain Darben

0:18:56.840 --> 0:19:01.160
<v Speaker 1>by Zali Ashton, one of the weirder minor Avengers villains.

0:19:01.200 --> 0:19:05.800
<v Speaker 2>You're really getting into that joyous space here that we've

0:19:05.800 --> 0:19:08.000
<v Speaker 2>talked about many times before. This is a character who

0:19:08.000 --> 0:19:10.440
<v Speaker 2>has two appearances. This is the classic. But I will

0:19:10.480 --> 0:19:13.399
<v Speaker 2>say I am Look the trailer looks so cute. I

0:19:13.440 --> 0:19:15.800
<v Speaker 2>was loving it. I was slightly nervous about this one,

0:19:15.840 --> 0:19:18.800
<v Speaker 2>but it came out looking beautiful, look great, It looks gorgeous.

0:19:18.840 --> 0:19:21.680
<v Speaker 2>I definitely think that they have strayed. I think originally

0:19:21.680 --> 0:19:23.400
<v Speaker 2>this was meant to have more of an ant Man

0:19:23.440 --> 0:19:25.800
<v Speaker 2>color palette from all the marketing that they did, and

0:19:25.800 --> 0:19:28.199
<v Speaker 2>I feel like they've strayed from that. I think this

0:19:28.280 --> 0:19:31.280
<v Speaker 2>looks so cute. I love Kamala, I love the interactions

0:19:31.320 --> 0:19:34.440
<v Speaker 2>they're having, the Rick Jones kind of body switching freaking

0:19:34.640 --> 0:19:37.560
<v Speaker 2>Friday which we saw teased at the end of Miss Marvel.

0:19:37.800 --> 0:19:39.959
<v Speaker 2>But all of that is to say, I do need

0:19:40.000 --> 0:19:43.560
<v Speaker 2>to talk about dart Ben because there's two appearances. Plas,

0:19:43.800 --> 0:19:45.480
<v Speaker 2>please look this is the truth.

0:19:45.560 --> 0:19:45.800
<v Speaker 1>Yeah.

0:19:45.920 --> 0:19:50.240
<v Speaker 2>Zahweh, who's absolutely stunning British actor in this unbelievable film

0:19:50.280 --> 0:19:54.120
<v Speaker 2>called Dreams of a Life Theater Icon just wonderful. This

0:19:54.240 --> 0:19:57.199
<v Speaker 2>is a character who's a cree only had a couple appearances,

0:19:57.640 --> 0:20:01.880
<v Speaker 2>but and I might be getting carried away, but this

0:20:01.960 --> 0:20:05.800
<v Speaker 2>is a very specific character and the appearances are very important.

0:20:06.200 --> 0:20:10.760
<v Speaker 2>In their first appearance, they debuted in an Infinity one,

0:20:10.760 --> 0:20:12.960
<v Speaker 2>the crossover issue from nineteen ninety one that was called

0:20:13.000 --> 0:20:15.320
<v Speaker 2>there was Silver Surfer fifty three. So first of all,

0:20:15.359 --> 0:20:19.439
<v Speaker 2>there's a Silver Surfer connection. They established this which I

0:20:19.440 --> 0:20:22.359
<v Speaker 2>think could come into play in this film, which is

0:20:23.160 --> 0:20:26.560
<v Speaker 2>it's this Pink and Blue Cree war, which is this

0:20:26.640 --> 0:20:29.520
<v Speaker 2>idea that there's two different kinds of Cree, basically human

0:20:29.600 --> 0:20:33.399
<v Speaker 2>looking Cree like Captain Marvel and Blue Cree who you

0:20:33.440 --> 0:20:36.280
<v Speaker 2>have seen in Ronan the Accuser, And there's this it's

0:20:36.280 --> 0:20:38.600
<v Speaker 2>like a kind of clunky recurring part of Cree law.

0:20:38.800 --> 0:20:42.160
<v Speaker 2>But in this comic, dar Ben teams up with ale Dan,

0:20:42.320 --> 0:20:45.000
<v Speaker 2>who is a Blue, and they decide they're going to

0:20:45.080 --> 0:20:48.879
<v Speaker 2>do a coup of the Cree and become the joint

0:20:49.600 --> 0:20:53.000
<v Speaker 2>kind of force to rule Cree for the good, and

0:20:53.040 --> 0:20:54.680
<v Speaker 2>they're going to bring the Pinks and the Blues together.

0:20:54.800 --> 0:20:56.720
<v Speaker 2>How do they do this in this issue? In the

0:20:56.760 --> 0:21:01.800
<v Speaker 2>debut issue, they use the Silver Surfer too. Urder, basically

0:21:01.800 --> 0:21:05.520
<v Speaker 2>the person that the Supreme Intelligence had put in place

0:21:05.680 --> 0:21:07.720
<v Speaker 2>as a Cree leader. So are we going to see

0:21:07.720 --> 0:21:10.159
<v Speaker 2>Silver Surfer in this movie? Probably not, but that is

0:21:10.160 --> 0:21:13.160
<v Speaker 2>a direct Silver Surfer connection. And interestingly, they don't actually

0:21:13.160 --> 0:21:16.480
<v Speaker 2>really use the Silver Surfer. They use a robot of

0:21:16.520 --> 0:21:19.199
<v Speaker 2>the Silver Surfer. Feels very relevant to me. And you

0:21:19.320 --> 0:21:22.720
<v Speaker 2>mentioned Avengers because this was they were an Avengers villain

0:21:22.720 --> 0:21:25.960
<v Speaker 2>and Avengers three forty six, which is the part of

0:21:26.000 --> 0:21:30.159
<v Speaker 2>the massive Avengers crossover Galactic Storm, which you may know

0:21:30.200 --> 0:21:32.560
<v Speaker 2>because it became a video game, and the Avengers are

0:21:32.560 --> 0:21:34.680
<v Speaker 2>on Hallow, where we know that at least some of

0:21:34.720 --> 0:21:36.800
<v Speaker 2>this movie is probably going to take place the Cree

0:21:36.840 --> 0:21:39.840
<v Speaker 2>home world. And this is really I think, as I'm

0:21:39.840 --> 0:21:41.480
<v Speaker 2>a Silver Surfer stand so I had to bring up

0:21:41.520 --> 0:21:43.359
<v Speaker 2>the first appearance connection, But this is really what I

0:21:43.359 --> 0:21:45.959
<v Speaker 2>think is exciting and weird about them choosing this character.

0:21:46.800 --> 0:21:50.320
<v Speaker 2>This is a massive X Men storyline, and in this issue,

0:21:50.560 --> 0:21:54.119
<v Speaker 2>it's a Cree versus the Shear storyline, like a key

0:21:54.200 --> 0:21:57.679
<v Speaker 2>part of X Men Law. And this is an you know,

0:21:58.440 --> 0:22:01.639
<v Speaker 2>dar Ben and Ale and their little Cree Pink and

0:22:01.680 --> 0:22:04.160
<v Speaker 2>Blue kind of leadership party that they're trying to make.

0:22:04.280 --> 0:22:06.800
<v Speaker 2>They end up getting killed by none other than Death Bird,

0:22:06.960 --> 0:22:09.240
<v Speaker 2>who is the sister of Laalandra, who is you know,

0:22:09.320 --> 0:22:12.639
<v Speaker 2>Charles Xavier's lover and has all these connections with Corsair

0:22:12.680 --> 0:22:15.000
<v Speaker 2>and these different kind of key X Men characters. So

0:22:15.080 --> 0:22:18.680
<v Speaker 2>this feels like there are places that they can go

0:22:18.720 --> 0:22:21.280
<v Speaker 2>with this if they want to dive into the Marvel

0:22:21.320 --> 0:22:23.960
<v Speaker 2>cosmic and how it connects to bigger characters like Silver

0:22:24.040 --> 0:22:28.679
<v Speaker 2>Surfer and also the X Men. And that's the second

0:22:28.720 --> 0:22:31.359
<v Speaker 2>to last issue of Galactic Storm, and the next issue

0:22:31.400 --> 0:22:34.639
<v Speaker 2>is called Annihilation, and we haven't seen a big Marvel

0:22:34.640 --> 0:22:37.560
<v Speaker 2>Annihilation yet, so I feel like there's so much fun stuff.

0:22:37.640 --> 0:22:40.879
<v Speaker 2>Also importantly for me, this is the issue where the

0:22:40.920 --> 0:22:44.119
<v Speaker 2>Avengers get their jackets and officially become the Jacket Avengers.

0:22:45.359 --> 0:22:47.679
<v Speaker 1>I just want to see It's huge if we are

0:22:47.800 --> 0:22:49.679
<v Speaker 1>when we go to Haller, I just want to see

0:22:49.720 --> 0:22:57.119
<v Speaker 1>the you know, the the the old school Supreme Pree

0:22:57.160 --> 0:23:00.680
<v Speaker 1>Intelligence not played by Anette Benning, like the head in the.

0:23:00.720 --> 0:23:03.320
<v Speaker 2>Jar, big scary head in the jar. We need to

0:23:03.359 --> 0:23:07.080
<v Speaker 2>see it. And also it does seem like in those

0:23:07.080 --> 0:23:09.960
<v Speaker 2>two issues that dar ben is in, it's like the

0:23:10.040 --> 0:23:12.960
<v Speaker 2>pre Intelligence has kind of been manipulating that she are,

0:23:13.040 --> 0:23:15.440
<v Speaker 2>so they will kill these people who want to take over,

0:23:15.760 --> 0:23:18.159
<v Speaker 2>and it does look like from what we've seen that

0:23:18.280 --> 0:23:22.359
<v Speaker 2>Carol is going to have to go to Hala and fight.

0:23:22.480 --> 0:23:25.359
<v Speaker 2>It looks like she fights dar Ben. I just wonder

0:23:25.400 --> 0:23:27.520
<v Speaker 2>if we're going to see some aspects of this idea

0:23:27.520 --> 0:23:30.119
<v Speaker 2>of somebody trying to take over the kre home planet

0:23:30.160 --> 0:23:33.840
<v Speaker 2>of Halla, reimagine the way that it should be run,

0:23:34.320 --> 0:23:36.239
<v Speaker 2>and then have Carol have to go back and like

0:23:36.320 --> 0:23:38.920
<v Speaker 2>save her planet. I'm doing big inverted commas here, because

0:23:38.960 --> 0:23:41.320
<v Speaker 2>Carol's not been very good at that so far. In

0:23:41.680 --> 0:23:44.600
<v Speaker 2>her cannon and all of that is very deep cosmic

0:23:44.680 --> 0:23:47.000
<v Speaker 2>law that I am excited about. But what I really

0:23:47.000 --> 0:23:49.040
<v Speaker 2>want to see is these three characters switching bodies like

0:23:49.040 --> 0:23:50.080
<v Speaker 2>free Fridays.

0:23:51.280 --> 0:23:55.600
<v Speaker 1>One more thing. Monika's got to stop touching stuff.

0:23:56.520 --> 0:23:57.119
<v Speaker 2>Oh please.

0:23:57.440 --> 0:24:00.919
<v Speaker 1>It's so funny of the trailer. It's like she's, you know,

0:24:01.000 --> 0:24:05.560
<v Speaker 1>floating up to an alien energy space portal and it's like,

0:24:05.640 --> 0:24:08.240
<v Speaker 1>once again, you're touching step She's.

0:24:08.080 --> 0:24:08.800
<v Speaker 2>Just like no one else.

0:24:09.280 --> 0:24:14.200
<v Speaker 1>Now, I you rightly pointed out that listen, the last

0:24:14.200 --> 0:24:16.639
<v Speaker 1>time she touched a weird thing, she got powers. And

0:24:16.680 --> 0:24:18.800
<v Speaker 1>I think if there is one lesson you take away

0:24:19.000 --> 0:24:22.200
<v Speaker 1>from not just Marvel Comics, but superhero comics in general,

0:24:22.359 --> 0:24:27.359
<v Speaker 1>is like touch it, touch the radiation, touch the radioactive spider,

0:24:27.800 --> 0:24:31.439
<v Speaker 1>like let the radiation spill on your face. You know,

0:24:32.280 --> 0:24:35.680
<v Speaker 1>all of the weird things that you definitely shouldn't get

0:24:35.680 --> 0:24:39.159
<v Speaker 1>locked in the room that that you know will bombarge

0:24:39.200 --> 0:24:42.439
<v Speaker 1>with energy, like all of the stuff, like touch it.

0:24:42.480 --> 0:24:47.000
<v Speaker 1>But still, Monica, there's no way this is scientific. It's touching,

0:24:47.400 --> 0:24:48.440
<v Speaker 1>not touching stuff.

0:24:48.760 --> 0:24:52.280
<v Speaker 2>Especially after this specific touching where you send a teen

0:24:52.359 --> 0:24:54.720
<v Speaker 2>into space in your place, I think you can learn

0:24:54.760 --> 0:24:57.280
<v Speaker 2>that touching is bad. Also, I will say something interesting

0:24:57.280 --> 0:25:00.760
<v Speaker 2>about this, especially that shows up when MOV When Monica

0:25:00.760 --> 0:25:03.720
<v Speaker 2>touches something she shouldn't touch, they say this is a

0:25:03.760 --> 0:25:09.040
<v Speaker 2>Saber space station where her and Sam aka nick Furia.

0:25:09.600 --> 0:25:12.320
<v Speaker 2>So I'm very interested because Saber is not something that's

0:25:12.320 --> 0:25:13.720
<v Speaker 2>in the comics, and I guess it's going to be

0:25:13.760 --> 0:25:16.159
<v Speaker 2>an arm of sword or a different version of sword,

0:25:16.200 --> 0:25:19.160
<v Speaker 2>maybe something to separate sword off from the scrolls who

0:25:19.200 --> 0:25:22.160
<v Speaker 2>helped establish it. But I thought that was an interesting note.

0:25:22.200 --> 0:25:24.200
<v Speaker 2>But yeah, looks really fun. We don't know much about

0:25:24.240 --> 0:25:26.520
<v Speaker 2>it yet, but dar Been is a great deep cup

0:25:26.520 --> 0:25:28.360
<v Speaker 2>pull that can hint and we get to see these

0:25:28.400 --> 0:25:30.320
<v Speaker 2>three having like a ton of fun all Right.

0:25:30.400 --> 0:25:37.520
<v Speaker 1>Up next, The Mandalorian Get ready to be transported to

0:25:37.680 --> 0:25:42.480
<v Speaker 1>nineteen seventy three New York City with Stipped, the new

0:25:42.520 --> 0:25:45.679
<v Speaker 1>podcast from Crooked Media and iHeartRadio. In this eight part series,

0:25:45.680 --> 0:25:49.360
<v Speaker 1>host Jennifer Romalini takes you on a wild ride through

0:25:49.400 --> 0:25:53.000
<v Speaker 1>the rise and fall of Viva, the erotic magazine for

0:25:53.040 --> 0:25:58.080
<v Speaker 1>women started by porn king Bob Guccioni, founder of Penthouse,

0:25:58.320 --> 0:26:01.240
<v Speaker 1>that rocked the publishing world with a team of feminist

0:26:01.280 --> 0:26:04.440
<v Speaker 1>writers and editors behind at. Viva in its original form

0:26:04.840 --> 0:26:10.200
<v Speaker 1>had full fruggal male nudity, a fashion section run by

0:26:10.400 --> 0:26:14.119
<v Speaker 1>and A Winter herself, and cover stars like Bianka Jagger.

0:26:14.800 --> 0:26:18.359
<v Speaker 1>But were they doomed to fail from the beginning. Check

0:26:18.359 --> 0:26:23.200
<v Speaker 1>out the first four episodes of Stift right now listen

0:26:23.200 --> 0:26:27.359
<v Speaker 1>for free on your favorite podcast platform. Stift It's stiffening.

0:26:38.760 --> 0:26:40.639
<v Speaker 1>Folks were stepping out of the airlock and into a

0:26:40.680 --> 0:26:45.600
<v Speaker 1>galaxy far far away. For Season three, Episode seven of

0:26:45.680 --> 0:26:49.720
<v Speaker 1>The Mandalorian, titled Chapter twenty three The Spies, we will

0:26:49.720 --> 0:26:52.879
<v Speaker 1>talk a lot about what they in the course of

0:26:52.920 --> 0:26:56.240
<v Speaker 1>this recap, directed by Rick Famaua and written by Jon

0:26:56.320 --> 0:26:59.760
<v Speaker 1>Favreau and a guy named David Floni.

0:27:00.560 --> 0:27:01.240
<v Speaker 2>May have heard him.

0:27:01.600 --> 0:27:04.720
<v Speaker 1>We open on Coroussant down on the street level where

0:27:04.760 --> 0:27:08.000
<v Speaker 1>all the gritty, grimy, really dangerous stuff happens.

0:27:08.400 --> 0:27:09.520
<v Speaker 2>Run a neon lights.

0:27:09.560 --> 0:27:15.400
<v Speaker 1>It looks gorgeous. It's happen, and we see G sixty

0:27:15.400 --> 0:27:20.920
<v Speaker 1>eight Elliot Kine. She's out of Amnesty House, skulking around

0:27:20.960 --> 0:27:24.800
<v Speaker 1>the alleyways. She meets her contact and Imperial Probe joint

0:27:24.880 --> 0:27:27.239
<v Speaker 1>Abbit to b ba ba ba ba ba ba ba ba.

0:27:28.560 --> 0:27:32.720
<v Speaker 1>It connects g to her boss off Gideon, Hello, we

0:27:32.840 --> 0:27:34.560
<v Speaker 1>were right, just saying right, I mean we.

0:27:34.640 --> 0:27:37.840
<v Speaker 2>Knew, I mean everyone knew, but it was him most

0:27:37.920 --> 0:27:40.200
<v Speaker 2>obvious thing of old time. Come on, New Republic.

0:27:40.840 --> 0:27:45.440
<v Speaker 1>G then tells Gideon that, uh, the pirates on Navarro

0:27:45.680 --> 0:27:47.720
<v Speaker 1>ran into a little trouble and he's like, oh, is

0:27:47.760 --> 0:27:50.080
<v Speaker 1>it the You said the New republ wouldn't involved. She's like, well,

0:27:50.119 --> 0:27:53.320
<v Speaker 1>it wasn't the Republic. It was Mandalorians led by Din

0:27:53.400 --> 0:27:58.760
<v Speaker 1>Jarn and Bocatan. Gideon is pissed, but that's what happens

0:27:58.800 --> 0:28:02.520
<v Speaker 1>when you hire amateurs to do a job that should

0:28:02.520 --> 0:28:06.879
<v Speaker 1>have been a pro job. And he's alarmed because Bo

0:28:07.359 --> 0:28:11.280
<v Speaker 1>and Dinn together doing something, leading a force of Mandalorians.

0:28:11.359 --> 0:28:17.680
<v Speaker 1>That represents a potential unification of Mandalorian tribes that were

0:28:18.800 --> 0:28:22.080
<v Speaker 1>previously at each other's necks, and that is a threat

0:28:22.200 --> 0:28:26.120
<v Speaker 1>to whatever plans he has. So he's like, Okay, I'll

0:28:26.160 --> 0:28:29.080
<v Speaker 1>deal with this. He gets off the phone with g

0:28:29.680 --> 0:28:32.320
<v Speaker 1>and walks back to his zoom call. He's having a

0:28:32.440 --> 0:28:37.000
<v Speaker 1>zoom call with a bunch of commanders from what will

0:28:37.040 --> 0:28:39.920
<v Speaker 1>eventually be the First Order, and they're talking about how

0:28:40.760 --> 0:28:44.040
<v Speaker 1>they need to continue to pretend to be disorganized like

0:28:44.200 --> 0:28:47.680
<v Speaker 1>Imperial remnant warlords, just like hijacking hips and doing weird

0:28:48.040 --> 0:28:53.240
<v Speaker 1>crimes across the galaxy, when in reality, what they're hiding

0:28:53.560 --> 0:28:58.120
<v Speaker 1>is that they are a unified force of imperials who's

0:28:58.160 --> 0:29:02.640
<v Speaker 1>hoping to, you know, spoilerlers, bring imperial rule back to

0:29:02.880 --> 0:29:05.760
<v Speaker 1>the galaxy. And the person who they are hoping to

0:29:05.920 --> 0:29:10.240
<v Speaker 1>lead them there is none other than friend from the Chiss,

0:29:10.400 --> 0:29:15.160
<v Speaker 1>the Chiss Immigrant himself, Grand Admiral thron Bomb bomb Bum.

0:29:16.120 --> 0:29:20.400
<v Speaker 2>It's a huge moment. We got funny legends throwback with

0:29:20.600 --> 0:29:23.680
<v Speaker 2>Captain Pellion, who is an ally who kind of talks

0:29:23.680 --> 0:29:27.080
<v Speaker 2>about here. So this is probably the most important zoom

0:29:27.200 --> 0:29:28.200
<v Speaker 2>call of the galaxy.

0:29:28.440 --> 0:29:32.200
<v Speaker 1>Absolutely. Now there's only one problem, and that's since the

0:29:32.320 --> 0:29:35.840
<v Speaker 1>end of Rebels, Thron is missing. No one knows where

0:29:35.880 --> 0:29:40.400
<v Speaker 1>he's at, and there are doubts swirling about whether he's

0:29:40.640 --> 0:29:45.240
<v Speaker 1>gone for good. And one of the people on the Zoom,

0:29:47.040 --> 0:29:50.560
<v Speaker 1>and you can count by the way, maff Gideon is

0:29:50.600 --> 0:29:53.640
<v Speaker 1>one of those people because he's definitely like, you.

0:29:53.680 --> 0:29:55.640
<v Speaker 2>Know, he's a that Yeah, where is this guy?

0:29:55.840 --> 0:29:59.080
<v Speaker 1>Now? One of the people on the Zoom is Commandant

0:29:59.240 --> 0:30:08.240
<v Speaker 1>Brendle Ucks, dad of Future Screamer, General Hucks, General NEPO Baby,

0:30:08.320 --> 0:30:12.680
<v Speaker 1>one of the one of the Nepo Babies himself. Now,

0:30:13.200 --> 0:30:17.040
<v Speaker 1>Daddy Hucks is working on something called Project Necromancer, which

0:30:17.080 --> 0:30:21.080
<v Speaker 1>we're gonna go ahead and guess is project bring Palpie Back?

0:30:21.680 --> 0:30:26.080
<v Speaker 2>Right? Got to be? It's gotta be. I mean maybe

0:30:26.360 --> 0:30:29.640
<v Speaker 2>the name is so good and over the top and

0:30:30.000 --> 0:30:35.240
<v Speaker 2>just totally fun and silly, and it's exactly what it says,

0:30:35.480 --> 0:30:38.000
<v Speaker 2>Project Necromance. So they want to bring people back from

0:30:38.040 --> 0:30:40.320
<v Speaker 2>the dead, and we know that that will lead to

0:30:41.480 --> 0:30:45.000
<v Speaker 2>Palpy somehow coming back in the sequel trilogy.

0:30:45.240 --> 0:30:45.960
<v Speaker 1>I love this name.

0:30:46.160 --> 0:30:51.120
<v Speaker 2>Totally silly, totally TV pulp serialized nonsense, and I'm so

0:30:51.280 --> 0:30:54.160
<v Speaker 2>happy that it's cannon and it's so creepy and good

0:30:54.720 --> 0:30:56.800
<v Speaker 2>and yeah, it's bringing Palpee back.

0:30:57.560 --> 0:31:01.080
<v Speaker 1>And now mouth Getting is like, well, let's talk about

0:31:01.080 --> 0:31:03.160
<v Speaker 1>this throng stuff for a second. He says, quote, I

0:31:03.240 --> 0:31:05.560
<v Speaker 1>hear whispers from one end of the galaxy to the other,

0:31:06.400 --> 0:31:09.080
<v Speaker 1>basically saying, no one's more plugged into what people are

0:31:09.160 --> 0:31:12.040
<v Speaker 1>talking about than me. And then he continues, he says,

0:31:12.160 --> 0:31:14.400
<v Speaker 1>and never a word of throng. You have spoken of

0:31:14.480 --> 0:31:17.320
<v Speaker 1>his imminent return. Perhaps it's time we look to new leadership. Yeah,

0:31:17.320 --> 0:31:19.479
<v Speaker 1>where is this guy? This guy's been gone, no one

0:31:19.520 --> 0:31:23.239
<v Speaker 1>knows where he is. And the Necromancer comes back up.

0:31:23.320 --> 0:31:26.840
<v Speaker 1>Hucks is like, okay, well you're shitting on our throng dreams.

0:31:27.440 --> 0:31:30.520
<v Speaker 1>Whatever happened with doctor Pershing, who apparently is the only

0:31:30.560 --> 0:31:33.719
<v Speaker 1>guy in the fucking galaxy capable of doing genetic research.

0:31:34.000 --> 0:31:38.520
<v Speaker 1>It's like, we need this guy for Necromancer whatever necromancer is,

0:31:38.960 --> 0:31:41.600
<v Speaker 1>And Giddeyon is like, oh yeah, sorry, the New Republic

0:31:41.680 --> 0:31:44.560
<v Speaker 1>got him. But like, I've got I've got my people

0:31:44.640 --> 0:31:46.560
<v Speaker 1>on that. I'm working on that. He doesn't say more

0:31:46.640 --> 0:31:49.200
<v Speaker 1>than that, but he suggests that he'll have a fix

0:31:49.280 --> 0:31:53.760
<v Speaker 1>for that soon. Huks then calls out Gideon for doing

0:31:53.920 --> 0:31:57.920
<v Speaker 1>some like off the books research with Pershing on Navarro

0:31:58.240 --> 0:32:00.000
<v Speaker 1>that no one knows about, and then he refuses to

0:32:00.160 --> 0:32:07.200
<v Speaker 1>talk about and Gideon very very ably sidesteps the topic.

0:32:07.760 --> 0:32:11.160
<v Speaker 1>Doesn't admit that, yes, I was on Navarro doing research

0:32:11.240 --> 0:32:12.840
<v Speaker 1>with doctor Pershing that I'm not going to talk about.

0:32:13.040 --> 0:32:16.880
<v Speaker 1>He basically just like flips the accusation. It was like, no, no, no, no, clones,

0:32:17.080 --> 0:32:20.520
<v Speaker 1>your obsession not mine. I was doing some other fucking

0:32:20.560 --> 0:32:23.880
<v Speaker 1>shit over there, which we find out at the end

0:32:23.920 --> 0:32:27.280
<v Speaker 1>of this episode exactly what that was, which is taking

0:32:28.000 --> 0:32:31.600
<v Speaker 1>the best bits of different warrior societies and creating his

0:32:31.920 --> 0:32:38.200
<v Speaker 1>super soldiers. Gideon then flips the discussion again, is like, okay,

0:32:38.280 --> 0:32:40.520
<v Speaker 1>but what are you What are you guys going to

0:32:40.560 --> 0:32:44.160
<v Speaker 1>do for me right now? Because you you all have

0:32:44.280 --> 0:32:50.840
<v Speaker 1>been hoarding resources and I need stuff. What do I need?

0:32:50.920 --> 0:32:55.640
<v Speaker 1>Here's my shopping list. I need Pretorian guards dun du da,

0:32:55.880 --> 0:33:01.240
<v Speaker 1>I need tie interceptors, I need tie bombers. And they're like, man,

0:33:01.320 --> 0:33:04.760
<v Speaker 1>this is some serious weaponry for like, what are you

0:33:04.840 --> 0:33:06.880
<v Speaker 1>scared of an assassination typ He's like, well, you know, like,

0:33:06.960 --> 0:33:09.920
<v Speaker 1>here's what I'm concern about. I'm concerned about Mandalorians. They're

0:33:09.960 --> 0:33:12.480
<v Speaker 1>coming back. They're coming back for their home world. And

0:33:12.600 --> 0:33:16.240
<v Speaker 1>as we all know, people on this zoom we have

0:33:16.600 --> 0:33:19.840
<v Speaker 1>we have some important projects going on on Mandalor and

0:33:19.920 --> 0:33:22.920
<v Speaker 1>we don't want to share it. So give me my stuff.

0:33:23.120 --> 0:33:24.640
<v Speaker 1>And it's pretty clearly he's going to get his stuff.

0:33:26.440 --> 0:33:30.600
<v Speaker 1>We go to Navarro where an Imperial fleet shows up

0:33:30.640 --> 0:33:33.600
<v Speaker 1>over over the town. But then it turns out no, no,

0:33:33.720 --> 0:33:37.480
<v Speaker 1>no grief, carcassays, don't worry my my terrified protocol droid.

0:33:37.960 --> 0:33:41.240
<v Speaker 1>That's not the the Imperials. Look at the Look at

0:33:41.280 --> 0:33:43.800
<v Speaker 1>the paint on the bottom that mythosaurse skull on the

0:33:43.840 --> 0:33:46.920
<v Speaker 1>bottom of that light cruiser. Those are the Mandalorians. Now

0:33:47.000 --> 0:33:50.080
<v Speaker 1>let me ask you how many gallons of paint did

0:33:50.120 --> 0:33:53.240
<v Speaker 1>it take to paint the bottom of this Like a

0:33:53.440 --> 0:33:54.800
<v Speaker 1>billion gallons.

0:33:54.400 --> 0:33:56.680
<v Speaker 2>Of paint at least to be able to see it.

0:33:57.480 --> 0:34:03.240
<v Speaker 2>You're talking about a year of manpower and like so

0:34:03.480 --> 0:34:09.920
<v Speaker 2>much paint you can't even comprehend it. This is like

0:34:10.239 --> 0:34:12.560
<v Speaker 2>if you did the zoom it, you'd see one man

0:34:12.640 --> 0:34:15.399
<v Speaker 2>and he'd be painting like white, and you'd zoom out

0:34:15.480 --> 0:34:18.480
<v Speaker 2>and it would be like, you know, a centimeter on

0:34:18.600 --> 0:34:21.160
<v Speaker 2>there and you have but twenty five thousand men.

0:34:21.280 --> 0:34:22.200
<v Speaker 1>I don't know how they did it.

0:34:22.520 --> 0:34:24.640
<v Speaker 2>Good for them? Maybe yeah the baby did it with

0:34:24.760 --> 0:34:27.000
<v Speaker 2>the force, but yeah, too much paint is how much

0:34:27.080 --> 0:34:27.520
<v Speaker 2>it costs.

0:34:28.200 --> 0:34:33.160
<v Speaker 1>So the Mandalorian fleet containing of course Axe Wolves's people

0:34:33.520 --> 0:34:39.239
<v Speaker 1>and of course Bo Grogu and Din is making landfall

0:34:39.880 --> 0:34:43.000
<v Speaker 1>by this. You know that new parcel of real estate

0:34:43.200 --> 0:34:47.000
<v Speaker 1>gifted by Grief Cargo and the armor and her folks

0:34:47.000 --> 0:34:49.880
<v Speaker 1>are already there, and a Bow is worried because the

0:34:49.960 --> 0:34:52.719
<v Speaker 1>helmet ons and the helmet offs. These two groups don't

0:34:52.840 --> 0:34:55.800
<v Speaker 1>get along. They don't like each other. We all know

0:34:55.920 --> 0:35:02.239
<v Speaker 1>about the history of interneesceine squabbling between Mandalorian sects, but

0:35:02.360 --> 0:35:04.319
<v Speaker 1>dinner is like none, no, no, they'll cooperate because they

0:35:04.400 --> 0:35:09.040
<v Speaker 1>need to to survive. The armorer welcomes everybody and says, hey,

0:35:09.040 --> 0:35:10.920
<v Speaker 1>we're gonna make dinner. What do you guys want for dinner?

0:35:11.320 --> 0:35:13.680
<v Speaker 1>Grief then comes up he's got a gift of booze,

0:35:13.800 --> 0:35:16.440
<v Speaker 1>one bottle of booze for However, many.

0:35:17.520 --> 0:35:20.280
<v Speaker 2>Show it's a shame because like this was a good idea,

0:35:20.440 --> 0:35:23.480
<v Speaker 2>like get them good. It was a good idea, but like,

0:35:23.719 --> 0:35:26.319
<v Speaker 2>what's everyone having like one tiny sniff that I don't

0:35:26.320 --> 0:35:29.480
<v Speaker 2>even know if everyone's gang a sip, but.

0:35:29.600 --> 0:35:33.320
<v Speaker 1>That's not all something. He's got something very very special

0:35:33.400 --> 0:35:37.680
<v Speaker 1>planned and it's Baby's first Gundam suit. And Angella Mechanic

0:35:37.880 --> 0:35:43.080
<v Speaker 1>comes into a Grief's office and he's driving the chassis

0:35:43.200 --> 0:35:45.759
<v Speaker 1>of IG eleven now known as IG twelve because they've

0:35:45.800 --> 0:35:50.320
<v Speaker 1>all bottomized IG eleven, taken out all his like you know,

0:35:50.840 --> 0:35:54.279
<v Speaker 1>memory and drive circuits, so it's just kind of like

0:35:54.400 --> 0:35:58.440
<v Speaker 1>the the stuff that keeps him working, the core systems.

0:35:58.880 --> 0:36:03.520
<v Speaker 1>And then uh, there's a little pilot's uh platform on

0:36:03.680 --> 0:36:07.520
<v Speaker 1>the chest where the pilot can stand and just with

0:36:07.640 --> 0:36:10.840
<v Speaker 1>two old joysticks like run the one I G twelve.

0:36:11.600 --> 0:36:13.719
<v Speaker 1>It's more like a vehicle, Grief says, because Dn is

0:36:13.760 --> 0:36:16.359
<v Speaker 1>like this is weird, and Din is like, okay, well,

0:36:16.400 --> 0:36:19.239
<v Speaker 1>Grogu's too, he's a baby. We can't can we really

0:36:19.280 --> 0:36:20.000
<v Speaker 1>have him driving.

0:36:22.600 --> 0:36:22.920
<v Speaker 2>Baby?

0:36:23.640 --> 0:36:25.360
<v Speaker 1>And Greg is like no, no, no, I want to

0:36:25.400 --> 0:36:28.640
<v Speaker 1>do it. I want to do it. Probably wants to

0:36:28.719 --> 0:36:29.319
<v Speaker 1>be in a Mac.

0:36:29.400 --> 0:36:31.239
<v Speaker 2>Who can baby in a Mac?

0:36:31.640 --> 0:36:34.359
<v Speaker 1>Grogu gets in the mech and denn Is like, okay,

0:36:34.440 --> 0:36:36.120
<v Speaker 1>this is all fun and games, but get out. And

0:36:36.480 --> 0:36:39.839
<v Speaker 1>there's apparently two buttons on the console, one for yes

0:36:39.920 --> 0:36:41.719
<v Speaker 1>and one for no, and Grogu' is just like every

0:36:41.760 --> 0:36:44.239
<v Speaker 1>time Dan is like get out, He's like no, no, no, no, no,

0:36:44.440 --> 0:36:46.759
<v Speaker 1>no no no, and is like he seems like he

0:36:46.840 --> 0:36:49.680
<v Speaker 1>seems like he's doing well. He's piloting pretty well. And

0:36:49.680 --> 0:36:52.760
<v Speaker 1>then gir was like yeah, yeah, yes, yes, yes, yes yeah.

0:36:53.040 --> 0:36:55.440
<v Speaker 2>And he does like strong arms mando to like.

0:36:57.080 --> 0:37:00.480
<v Speaker 1>And he's like no now he's like bye, and then

0:37:00.520 --> 0:37:04.240
<v Speaker 1>he just starts stumbling out to like the market street,

0:37:04.760 --> 0:37:07.640
<v Speaker 1>grabbing fruit and crushing it, like just to show like

0:37:07.760 --> 0:37:10.400
<v Speaker 1>what he could do, and making Daddy Dinn have to

0:37:10.440 --> 0:37:11.560
<v Speaker 1>pay for all the street you.

0:37:11.600 --> 0:37:13.440
<v Speaker 2>Have to pay for that? Like, what's going on here?

0:37:13.520 --> 0:37:15.799
<v Speaker 2>This is a terrible I'm happy the baby got a mech,

0:37:15.880 --> 0:37:18.239
<v Speaker 2>but on a parental level, I understand why Din does

0:37:18.320 --> 0:37:18.640
<v Speaker 2>not want that.

0:37:18.800 --> 0:37:21.800
<v Speaker 1>I understand now there's no as far as we know.

0:37:22.880 --> 0:37:25.600
<v Speaker 1>I G eleven was of course a very very dangerous robot,

0:37:25.719 --> 0:37:30.120
<v Speaker 1>but it like blasters and stuff, yeah yeah, And it

0:37:30.320 --> 0:37:34.759
<v Speaker 1>appears that there's no you know, built in hardware weaponry

0:37:35.120 --> 0:37:37.640
<v Speaker 1>on IG twelve, So I know, So I do wonder.

0:37:38.160 --> 0:37:43.120
<v Speaker 2>I think I think Grief made the mech with the

0:37:43.239 --> 0:37:46.200
<v Speaker 2>intention of it being for Grogu. I think from the

0:37:46.320 --> 0:37:50.920
<v Speaker 2>moment that Din had his insane, very project necromancer idea

0:37:51.040 --> 0:37:54.640
<v Speaker 2>to take this poor dead body of this droid that

0:37:54.680 --> 0:37:57.359
<v Speaker 2>had been turned into a statue and try and reanimate

0:37:57.440 --> 0:37:59.920
<v Speaker 2>it with a brain chip card that, by the way,

0:38:00.040 --> 0:38:01.560
<v Speaker 2>didn't just got distracted and never go.

0:38:01.880 --> 0:38:02.879
<v Speaker 1>We don't care about the brains.

0:38:02.960 --> 0:38:03.960
<v Speaker 2>You don't care about that anymore.

0:38:04.480 --> 0:38:07.239
<v Speaker 1>We're trying to repopulate baddle or we don't have time

0:38:07.360 --> 0:38:09.319
<v Speaker 1>for side quest. Gotta go for a bath.

0:38:09.560 --> 0:38:11.360
<v Speaker 2>The side quest is over. The side quest has been

0:38:11.360 --> 0:38:14.239
<v Speaker 2>taken over by a more important side quest. And I

0:38:14.360 --> 0:38:17.799
<v Speaker 2>think that from that very moment, the Anzelians who love

0:38:17.880 --> 0:38:20.960
<v Speaker 2>the bad Baby, they think he's quite cheeky and grief.

0:38:21.040 --> 0:38:22.879
<v Speaker 2>I think they came up with this plan. So really

0:38:22.960 --> 0:38:26.920
<v Speaker 2>Din's been out voted. But does it have weapons? Probably not.

0:38:27.200 --> 0:38:29.279
<v Speaker 2>Seems like it'll be a silly idea, but it does

0:38:29.520 --> 0:38:33.400
<v Speaker 2>feel like we're gonna get to see some hefty grogu.

0:38:33.160 --> 0:38:37.520
<v Speaker 1>Action in the mac in the phenomenon, I just I

0:38:37.680 --> 0:38:39.839
<v Speaker 1>understand that he has the little best guard chess plate

0:38:39.880 --> 0:38:43.280
<v Speaker 1>that is just held on by the tension, just tension

0:38:43.320 --> 0:38:45.960
<v Speaker 1>of his robe. But like I can we get a

0:38:46.040 --> 0:38:51.239
<v Speaker 1>blast cover, like he gotta have bos he needs in

0:38:51.320 --> 0:38:55.080
<v Speaker 1>front of it. Yeah, time, something like a canopy with

0:38:55.200 --> 0:38:58.480
<v Speaker 1>a little like a little like bombed deer's slit.

0:38:58.360 --> 0:38:59.440
<v Speaker 2>So you can see like that.

0:38:59.640 --> 0:39:02.120
<v Speaker 1>I just feel like he's like everybody's me shooting at

0:39:02.160 --> 0:39:02.680
<v Speaker 1>center mass.

0:39:02.840 --> 0:39:06.240
<v Speaker 2>I even just like pull down something a little shield.

0:39:06.760 --> 0:39:09.640
<v Speaker 1>I can't have the baby get hit, but it looks

0:39:10.360 --> 0:39:13.480
<v Speaker 1>fantastic job, great idea, grief, I love it. Uh that

0:39:13.719 --> 0:39:17.359
<v Speaker 1>night over some roast gigantic animal that the Mandalorian's killed

0:39:17.360 --> 0:39:19.719
<v Speaker 1>because they love to do that. The helmet Ons and

0:39:19.840 --> 0:39:23.640
<v Speaker 1>Offs are eyeing each other warily, and Bo is like, Okay,

0:39:23.640 --> 0:39:26.160
<v Speaker 1>I'm gonna I gotta make the we got to pull

0:39:26.280 --> 0:39:28.600
<v Speaker 1>together speech. She gets up, she makes the speech. She

0:39:28.760 --> 0:39:31.560
<v Speaker 1>proposes returning to Mandalor. She's like, we're going to go

0:39:31.600 --> 0:39:35.239
<v Speaker 1>to Mandelor with a scouting party. We're going to find

0:39:35.360 --> 0:39:39.680
<v Speaker 1>the Great Forge, and then once we've secured that, we're

0:39:39.719 --> 0:39:42.640
<v Speaker 1>going to create a little base and that at that

0:39:42.960 --> 0:39:45.880
<v Speaker 1>point we're going to start bringing people back to Mandolor.

0:39:45.920 --> 0:39:48.600
<v Speaker 1>We're going to retake the planet. So I want volunteers

0:39:49.440 --> 0:39:51.399
<v Speaker 1>for the scouting party, and it's got to be from

0:39:51.400 --> 0:39:54.960
<v Speaker 1>both tribes, which is a great idea. And there's no wonderfully,

0:39:55.040 --> 0:39:56.800
<v Speaker 1>there's no shortage of takers.

0:39:57.400 --> 0:39:57.520
<v Speaker 3>Uh.

0:39:57.840 --> 0:40:01.239
<v Speaker 1>And that group includes din grow goo ax woves, paths

0:40:01.640 --> 0:40:04.320
<v Speaker 1>and many many more. But those are the hefties.

0:40:04.640 --> 0:40:07.239
<v Speaker 2>It becomes very it's very spartacus. First people are a

0:40:07.239 --> 0:40:09.680
<v Speaker 2>little wary, and then then says yes, and then suddenly

0:40:09.760 --> 0:40:12.560
<v Speaker 2>it's this is the way, and everybody's going uh.

0:40:12.640 --> 0:40:15.600
<v Speaker 1>And they head out with honestly, for how many people

0:40:15.640 --> 0:40:17.840
<v Speaker 1>say yes, a shocking amount of ships. They take the

0:40:17.960 --> 0:40:20.120
<v Speaker 1>light cruiser and they waste in the ship and like

0:40:20.200 --> 0:40:24.040
<v Speaker 1>a ships they take what looked like the entire fleet

0:40:24.160 --> 0:40:28.239
<v Speaker 1>goes to Mandelor. Now they arrive on Mandelor with and

0:40:28.320 --> 0:40:30.920
<v Speaker 1>they just take one of the smaller, you know, scout

0:40:30.960 --> 0:40:34.400
<v Speaker 1>ships and they go through the atmosphere. Of course, the

0:40:34.600 --> 0:40:36.840
<v Speaker 1>boat takes pains to you know, tell hey, when we

0:40:36.920 --> 0:40:39.000
<v Speaker 1>go down, we're gonna be cut off. Nobody's gonna be

0:40:39.000 --> 0:40:43.560
<v Speaker 1>able to communicate with us. Uh. And then they land

0:40:44.040 --> 0:40:45.840
<v Speaker 1>and then for some reason Bow is like, hey, the

0:40:45.960 --> 0:40:48.000
<v Speaker 1>green Forge is like somewhere in that direction, let's walk.

0:40:48.320 --> 0:40:48.560
<v Speaker 2>I have.

0:40:50.520 --> 0:40:54.279
<v Speaker 1>Bo Why are we not fly? Just fucking fly there?

0:40:54.640 --> 0:40:55.719
<v Speaker 1>Why should we walk it?

0:40:55.920 --> 0:40:58.560
<v Speaker 2>You all fit in that one ship. You can just fly,

0:40:59.160 --> 0:41:01.719
<v Speaker 2>just fly to all your and then land babe, just

0:41:02.320 --> 0:41:05.719
<v Speaker 2>it's not exactly a scenic walk, like this is not

0:41:05.920 --> 0:41:06.399
<v Speaker 2>good time.

0:41:07.280 --> 0:41:10.239
<v Speaker 1>And by the way, my other thing and the and

0:41:10.320 --> 0:41:13.600
<v Speaker 1>the mandal aureos. I think part of obviously the squabbling

0:41:13.880 --> 0:41:18.120
<v Speaker 1>is a big factor, and you know why they've found

0:41:18.120 --> 0:41:20.879
<v Speaker 1>themselves in the position they not not to victim blame again,

0:41:20.920 --> 0:41:23.600
<v Speaker 1>but it's but it was a factor. And then I

0:41:23.680 --> 0:41:26.000
<v Speaker 1>think another factor that they need to learn is like

0:41:27.480 --> 0:41:32.360
<v Speaker 1>combined arms, like take okay, if the ships can't communicate

0:41:32.400 --> 0:41:34.960
<v Speaker 1>with the other ships through the atmosphere, just have everybody

0:41:35.160 --> 0:41:38.920
<v Speaker 1>come down into the atmosphere, Like why stay up there?

0:41:39.400 --> 0:41:44.520
<v Speaker 1>Haven't everybody come down? Because the upside of that is

0:41:45.080 --> 0:41:48.200
<v Speaker 1>anybody that might come, enemies that might come looking for

0:41:48.239 --> 0:41:49.879
<v Speaker 1>they have no idea where the fuck you are because

0:41:49.880 --> 0:41:52.440
<v Speaker 1>they can't stand through the atmosphere. And now you can

0:41:52.520 --> 0:41:57.080
<v Speaker 1>communicate with your people if they're all in the atmosphere.

0:41:57.160 --> 0:42:00.719
<v Speaker 1>Don't just leave most of the up there and you

0:42:00.800 --> 0:42:03.400
<v Speaker 1>don't know where they are, and then you walk away

0:42:04.000 --> 0:42:06.640
<v Speaker 1>from your spaceship. So what happens if there's like an

0:42:06.640 --> 0:42:08.800
<v Speaker 1>EMERGENC You're gonna run back to the fucking ship like

0:42:09.320 --> 0:42:13.840
<v Speaker 1>all miles or however far you guys, walked bad ideas anyway,

0:42:14.480 --> 0:42:20.359
<v Speaker 1>just take the ships play are we walking? Later they

0:42:21.000 --> 0:42:25.480
<v Speaker 1>encounter like this really really cool like sailing barge that

0:42:25.800 --> 0:42:30.440
<v Speaker 1>slides the very reminiscent of the kind of walker that

0:42:30.680 --> 0:42:35.800
<v Speaker 1>Rex and the older Clones were living in when we

0:42:35.960 --> 0:42:38.640
<v Speaker 1>catch up with them again in season two of Rebels,

0:42:38.719 --> 0:42:42.680
<v Speaker 1>the episode Lost Commanders. Really really cool to see this.

0:42:42.800 --> 0:42:46.399
<v Speaker 1>It floats up and big surprise for Bo. It's crewed

0:42:46.440 --> 0:42:50.800
<v Speaker 1>by remnants of the night Owls, which were an elite

0:42:50.840 --> 0:42:53.200
<v Speaker 1>fighting force that was once sworn to bow and they

0:42:53.239 --> 0:42:55.480
<v Speaker 1>make it clear that hey, we're still with you. We

0:42:55.600 --> 0:42:57.600
<v Speaker 1>have failed you, they say, but our blasters remain in

0:42:57.640 --> 0:43:02.880
<v Speaker 1>your service. Very touching moment. They look haggard like they've

0:43:02.880 --> 0:43:04.960
<v Speaker 1>been going through it. The very first thing they ask is, hey,

0:43:05.040 --> 0:43:09.920
<v Speaker 1>you guys got food, got more.

0:43:09.800 --> 0:43:10.920
<v Speaker 2>Giant birth died beasts?

0:43:11.040 --> 0:43:11.560
<v Speaker 1>Hey you guys?

0:43:11.960 --> 0:43:16.400
<v Speaker 2>Yeah, you guys got any of the meat of jackie

0:43:17.239 --> 0:43:17.959
<v Speaker 2>best meat.

0:43:20.480 --> 0:43:23.320
<v Speaker 1>So everyone gets on the night owl ship because again

0:43:23.400 --> 0:43:25.719
<v Speaker 1>they left their ship behind and what could only be

0:43:25.760 --> 0:43:28.239
<v Speaker 1>described as one of the most unwise moves we've ever seen.

0:43:28.719 --> 0:43:31.960
<v Speaker 1>You guys could have just gotten on your regular ship

0:43:32.080 --> 0:43:35.719
<v Speaker 1>that had like weapons and stuff. Anyway, Uh, the night

0:43:35.800 --> 0:43:39.560
<v Speaker 1>Owls then tell the story of surviving on the on

0:43:39.880 --> 0:43:42.160
<v Speaker 1>the planet while the purge was going on. They apparently

0:43:42.320 --> 0:43:45.160
<v Speaker 1>like moved across the surface from place to place, just

0:43:45.239 --> 0:43:48.600
<v Speaker 1>kind of like dancing through the through the fusion bombs,

0:43:50.360 --> 0:43:53.080
<v Speaker 1>and they say of their experience, you know, they the

0:43:53.160 --> 0:43:56.560
<v Speaker 1>Empire punished us because we refused to surrender, and Bow

0:43:57.120 --> 0:43:59.239
<v Speaker 1>then says, no, that's actually not true, and she tells

0:43:59.320 --> 0:44:02.760
<v Speaker 1>them that in her desperation, when it seemed like everything

0:44:03.000 --> 0:44:09.800
<v Speaker 1>was lost and Mandalorin's truly faced extinction, she met with

0:44:09.920 --> 0:44:15.160
<v Speaker 1>maf Gideon and basically forged a deal that they would

0:44:15.160 --> 0:44:17.600
<v Speaker 1>submit to the Empire and disarm and then all the

0:44:17.640 --> 0:44:20.840
<v Speaker 1>Mandalorians would be spared. And of course maf Gidion double

0:44:20.880 --> 0:44:23.960
<v Speaker 1>cross them and just decided to like kill everybody anyway,

0:44:24.440 --> 0:44:28.319
<v Speaker 1>and then took the Dark Saber. A huge, huge, that's

0:44:28.440 --> 0:44:32.280
<v Speaker 1>huge mission. It's a huge, huge reveal, and it's also

0:44:32.800 --> 0:44:36.040
<v Speaker 1>you know, for a Mandalorian to actually surrender, that must

0:44:36.080 --> 0:44:37.839
<v Speaker 1>have been really, really way. Yeah.

0:44:37.880 --> 0:44:41.440
<v Speaker 2>It gives a lot of complexity to bo a character,

0:44:41.480 --> 0:44:44.000
<v Speaker 2>and I feel like a lot of people either love

0:44:44.560 --> 0:44:49.000
<v Speaker 2>or have a quite complex relationship with after seeing her

0:44:49.080 --> 0:44:52.759
<v Speaker 2>in the TV animated stuff, and I think that Bo,

0:44:53.680 --> 0:44:55.920
<v Speaker 2>the way they've treated bo heir and the performance that

0:44:56.000 --> 0:45:01.720
<v Speaker 2>Katie gives and the additions of context around the choices

0:45:01.760 --> 0:45:07.239
<v Speaker 2>that she made, especially this conversation is really huge, and

0:45:07.280 --> 0:45:09.239
<v Speaker 2>I think it adds a lot to the character and

0:45:09.440 --> 0:45:10.960
<v Speaker 2>to what we know about Mandalor.

0:45:11.400 --> 0:45:14.520
<v Speaker 1>I agreed. The arrival of the night owls now adds

0:45:14.560 --> 0:45:21.600
<v Speaker 1>another faction to this very combustible mix of Mandalorianness. Bo insists, again, Hey,

0:45:21.680 --> 0:45:23.600
<v Speaker 1>we need to overcome our divisions. We got to avoid

0:45:23.640 --> 0:45:25.399
<v Speaker 1>these mistakes that have torn us apart in the past

0:45:25.480 --> 0:45:30.040
<v Speaker 1>if we want to rebuild. Dinn comes away with a

0:45:30.200 --> 0:45:34.400
<v Speaker 1>real appreciation for Bo and for the way the helmet

0:45:34.480 --> 0:45:41.160
<v Speaker 1>Offs live their version of Mandalorianness, and he notes he says, like,

0:45:41.480 --> 0:45:43.920
<v Speaker 1>you know, basically says we're survivors, right. He says, what

0:45:44.080 --> 0:45:48.440
<v Speaker 1>we'll rebuild? It isn't that our history? And Bo, you know,

0:45:48.640 --> 0:45:54.560
<v Speaker 1>talks openly, very vulnerably about her fears about not being

0:45:54.680 --> 0:45:56.960
<v Speaker 1>the leader that this moment needs. She says, I don't

0:45:56.960 --> 0:45:59.799
<v Speaker 1>know if I can keep everyone together, which I think

0:45:59.920 --> 0:46:02.560
<v Speaker 1>is the thing that you want your leader to worry, Yeah,

0:46:04.640 --> 0:46:08.160
<v Speaker 1>would you definitely want that, you don't want over oh, yeah,

0:46:08.200 --> 0:46:10.479
<v Speaker 1>I got it, exactly true.

0:46:11.040 --> 0:46:13.200
<v Speaker 2>That's always what goes wrong. You always want the person

0:46:13.239 --> 0:46:15.000
<v Speaker 2>who doesn't think they can be a leader to be

0:46:15.120 --> 0:46:17.480
<v Speaker 2>the leader because they're being chosen by the people around them.

0:46:18.000 --> 0:46:21.239
<v Speaker 2>Very interesting moment between Din and Bo here because he

0:46:22.600 --> 0:46:25.719
<v Speaker 2>just straight up says to her like I will serve you.

0:46:26.560 --> 0:46:29.280
<v Speaker 2>He says, I will serve you because you have honor,

0:46:29.360 --> 0:46:32.400
<v Speaker 2>because I trust you, and I think Bo being vulnerable

0:46:32.920 --> 0:46:37.680
<v Speaker 2>and Bo being honest. It upends what Dinn has been told.

0:46:37.760 --> 0:46:40.000
<v Speaker 2>What the death Watch used to say about her, She

0:46:40.160 --> 0:46:43.480
<v Speaker 2>was selfish, she would never surrenders, she wouldn't fight hard enough.

0:46:43.840 --> 0:46:47.320
<v Speaker 2>He learns here that that was essentially propaganda. That this

0:46:47.520 --> 0:46:49.640
<v Speaker 2>is a real human who tried to make a decision

0:46:49.680 --> 0:46:52.480
<v Speaker 2>to save her people and was betrayed. And this is

0:46:52.560 --> 0:46:57.160
<v Speaker 2>a huge This man has gone from being a bounty

0:46:57.239 --> 0:47:00.520
<v Speaker 2>hunter who works for money and credits to now saying

0:47:00.560 --> 0:47:04.000
<v Speaker 2>he pledges his allegiance to Bo and he will try

0:47:04.040 --> 0:47:05.520
<v Speaker 2>and rebuild Mandolo with her.

0:47:05.600 --> 0:47:10.239
<v Speaker 1>That's massive, It's massive, and it's I love that Bo

0:47:10.760 --> 0:47:18.560
<v Speaker 1>is really grabbing the mantle of Duchess Stine, who similarly, yeah,

0:47:19.960 --> 0:47:23.600
<v Speaker 1>was just trying to hold her people together, trying to

0:47:23.680 --> 0:47:29.279
<v Speaker 1>forge this new path, a political path, a less warlike path,

0:47:30.360 --> 0:47:32.600
<v Speaker 1>and was you know, the focus of a lot of

0:47:33.000 --> 0:47:36.279
<v Speaker 1>violence from her own people for it, and now here

0:47:36.440 --> 0:47:40.440
<v Speaker 1>is bo essentially doing the same thing, but after you know,

0:47:40.680 --> 0:47:44.360
<v Speaker 1>her people have almost been wiped out. It's really heart rending.

0:47:46.320 --> 0:47:49.319
<v Speaker 1>Now many of the night Owls are not well. They've

0:47:49.360 --> 0:47:53.960
<v Speaker 1>been living on the surfaces bomb planet, eating who knows.

0:47:53.840 --> 0:47:56.680
<v Speaker 2>What and crystal something.

0:47:57.440 --> 0:48:01.319
<v Speaker 1>So the armorer is like, I'll take them back up

0:48:01.360 --> 0:48:03.640
<v Speaker 1>to the ships that we left for some reason, I've

0:48:03.680 --> 0:48:05.880
<v Speaker 1>in order and I'll be back and.

0:48:06.480 --> 0:48:08.799
<v Speaker 2>Let's let's remember that as we go forward.

0:48:09.040 --> 0:48:12.040
<v Speaker 1>Yeah, and the rest of them, the rest of the

0:48:12.120 --> 0:48:14.400
<v Speaker 1>night Owls like who were good enough, who apparently have

0:48:14.480 --> 0:48:17.600
<v Speaker 1>been who are healthy enough to continue? They're like, oh,

0:48:17.640 --> 0:48:19.560
<v Speaker 1>the Great Forge, Yeah yeah, we know it, Like just

0:48:20.080 --> 0:48:23.920
<v Speaker 1>it's right over here. So they head there. Later on

0:48:24.040 --> 0:48:27.160
<v Speaker 1>the ship as they're en route to the grape Forge

0:48:27.280 --> 0:48:29.799
<v Speaker 1>Pass and acts get in a fight over a board game,

0:48:29.840 --> 0:48:31.239
<v Speaker 1>which I get it, I've been there.

0:48:31.480 --> 0:48:33.000
<v Speaker 2>It happens, it's reliable.

0:48:34.000 --> 0:48:39.480
<v Speaker 1>It immediately turns into this kind of like symbolic fight

0:48:39.600 --> 0:48:43.680
<v Speaker 1>of between these two tribes, and no one is sure

0:48:43.760 --> 0:48:48.000
<v Speaker 1>what to do. The Blades come out boat is a

0:48:48.040 --> 0:48:53.000
<v Speaker 1>little bit frozen by it, you know, like protocol would

0:48:53.040 --> 0:48:55.400
<v Speaker 1>seem to suggest, like you don't get involved.

0:48:55.520 --> 0:48:58.279
<v Speaker 2>You can't do it because it's two separate tribes, so

0:48:58.360 --> 0:49:00.000
<v Speaker 2>you're not supposed to open.

0:49:00.160 --> 0:49:04.800
<v Speaker 1>Not supposed to And Dinn follows bose lead, but of

0:49:04.880 --> 0:49:10.560
<v Speaker 1>course grogu doesn't. Grogu Is has the liberty and the

0:49:10.640 --> 0:49:14.720
<v Speaker 1>clarity of being like disconnected from this history and steps

0:49:14.800 --> 0:49:18.799
<v Speaker 1>up with his met between them, and everybody actually chills out.

0:49:18.800 --> 0:49:20.880
<v Speaker 1>They're a little chastened because when a baby is like

0:49:20.920 --> 0:49:24.279
<v Speaker 1>you guys are acting like babies that it really hits.

0:49:24.320 --> 0:49:27.680
<v Speaker 2>Ye maybe in a crying suit, is like, please calm down.

0:49:28.920 --> 0:49:34.040
<v Speaker 1>Soon after this, a giant kaiju monster, not the mythosaur bursts.

0:49:35.800 --> 0:49:40.000
<v Speaker 1>Very confusing and this this is a fantastic episode of

0:49:40.000 --> 0:49:42.759
<v Speaker 1>the Manor program television program, But this was the only

0:49:43.040 --> 0:49:46.480
<v Speaker 1>moment where I was like, we already are primed to

0:49:47.120 --> 0:49:49.879
<v Speaker 1>be waiting to see the minsar again. It's a little

0:49:49.960 --> 0:49:53.239
<v Speaker 1>weird to then have a very similar looking.

0:49:53.400 --> 0:49:59.480
<v Speaker 2>Giant monster arrived and it comes at like an important time.

0:50:00.480 --> 0:50:03.520
<v Speaker 2>It seems to be doing something that's relevant, but it's

0:50:03.640 --> 0:50:06.719
<v Speaker 2>just a sea monster. It doesn't happen just a just

0:50:06.760 --> 0:50:08.920
<v Speaker 2>a cool sea monster, which great because I love a

0:50:08.960 --> 0:50:11.400
<v Speaker 2>cool sea monster, so I appreciate it, but slightly confusing.

0:50:11.800 --> 0:50:18.040
<v Speaker 1>It then wrecks the night Owls barge, and not every

0:50:18.120 --> 0:50:21.600
<v Speaker 1>Mandalorian makes it out. You see several casualties in this explosion,

0:50:21.760 --> 0:50:24.520
<v Speaker 1>but thankfully the Mandalarians with dialogue do you manage to

0:50:24.560 --> 0:50:30.320
<v Speaker 1>make uh? And the new Mandalorians then head underground for

0:50:30.400 --> 0:50:32.640
<v Speaker 1>shelter and they come to the ruins of the Grave Forge.

0:50:33.520 --> 0:50:38.680
<v Speaker 1>Suddenly they are ambushed by Death Troopers with jetbacks clad

0:50:38.760 --> 0:50:42.400
<v Speaker 1>in best gar. The fight they is brutal.

0:50:42.800 --> 0:50:48.920
<v Speaker 2>They basically look like stormtroopers crossed with Mandalorians. Absolutely good flible,

0:50:51.480 --> 0:50:53.840
<v Speaker 2>and like you said, that fight is brutal, like they

0:50:53.920 --> 0:50:56.640
<v Speaker 2>seem equally matched, which we don't usually see with any

0:50:56.719 --> 0:50:57.360
<v Speaker 2>kind of trooper.

0:50:57.719 --> 0:51:00.920
<v Speaker 1>It goes it's they're shooting, it's hand to hand. It

0:51:01.080 --> 0:51:04.880
<v Speaker 1>is it is. It's really bad. And so Ax is like,

0:51:05.000 --> 0:51:07.479
<v Speaker 1>I'll go for reinforcements to the ships that we left

0:51:07.840 --> 0:51:10.200
<v Speaker 1>outside the atmosphere that we should have just like had

0:51:10.320 --> 0:51:15.480
<v Speaker 1>trailing us. But I'll go and and I guess how

0:51:15.760 --> 0:51:18.759
<v Speaker 1>would he would he fly? Like all the way up?

0:51:19.440 --> 0:51:21.480
<v Speaker 1>I know, do we refill his jet pack?

0:51:21.520 --> 0:51:22.960
<v Speaker 2>Because we know he didn't when he was looking for

0:51:23.040 --> 0:51:25.680
<v Speaker 2>his son. But how no, no, no, this is as

0:51:26.920 --> 0:51:28.719
<v Speaker 2>it seems like he would be bat No.

0:51:28.920 --> 0:51:31.200
<v Speaker 1>But I'm saying, like, can they can you fly all

0:51:31.320 --> 0:51:36.360
<v Speaker 1>the way up into into orbit with just the jetpag like,

0:51:36.480 --> 0:51:37.919
<v Speaker 1>didn't the armor take the ship?

0:51:38.640 --> 0:51:42.680
<v Speaker 2>I know, how is he getting up there? Seems unlikely,

0:51:43.000 --> 0:51:46.120
<v Speaker 2>but I guess that's true mercenaries, So maybe I try.

0:51:46.800 --> 0:51:48.880
<v Speaker 1>I trust him. I trust the Axe knows what he's doing.

0:51:48.920 --> 0:51:51.960
<v Speaker 1>And so anyway, Ax goes up and this really heartwarring

0:51:52.880 --> 0:51:56.120
<v Speaker 1>sign of the unity that this tribe is experiencing now

0:51:56.160 --> 0:51:58.040
<v Speaker 1>passes like I will lay down covering from He lays

0:51:58.080 --> 0:52:00.480
<v Speaker 1>on covering fire, and Axe flies up through the hole.

0:52:01.200 --> 0:52:03.520
<v Speaker 1>The new Mandos beat the troopers back, and they go

0:52:03.600 --> 0:52:06.880
<v Speaker 1>to pursue and finish off their wounded enemy. But then

0:52:06.920 --> 0:52:09.759
<v Speaker 1>they find themselves in a trap. It's a hidden imperial base.

0:52:09.760 --> 0:52:13.440
<v Speaker 1>There's tie interceptors all around, and it is Gideon then

0:52:13.440 --> 0:52:17.400
<v Speaker 1>has sprung the trap. Gideon takes Din hostage as the

0:52:17.440 --> 0:52:20.200
<v Speaker 1>rest of the party, you know, trapped behind the blast doors,

0:52:20.280 --> 0:52:25.400
<v Speaker 1>watches helplessly. Grogu is like crying moth, then tells the

0:52:25.480 --> 0:52:28.480
<v Speaker 1>new Mandalorians that what he's been up to, and here

0:52:28.640 --> 0:52:31.440
<v Speaker 1>and here this basically tells us what he was using

0:52:31.560 --> 0:52:34.440
<v Speaker 1>Grogor for. He says, like, you know, I'm taking all

0:52:34.480 --> 0:52:36.400
<v Speaker 1>the best bits from all the best warriors from all

0:52:36.400 --> 0:52:41.280
<v Speaker 1>around the galaxy, best gar from the Mandalorians, DNA from Jedi,

0:52:41.480 --> 0:52:45.000
<v Speaker 1>our little friend Grogro over there, other stuff, and I'm

0:52:45.040 --> 0:52:47.920
<v Speaker 1>going to create this like super super soldier army. And

0:52:48.040 --> 0:52:51.160
<v Speaker 1>with that army, I'm gonna fucking conquer the galaxy. He

0:52:51.320 --> 0:52:53.479
<v Speaker 1>then is like gets on the horn with his tight

0:52:53.719 --> 0:52:57.239
<v Speaker 1>bombers and it's like, go destroy those ships. Gideon then

0:52:57.400 --> 0:53:00.279
<v Speaker 1>makes bow an offer. Listen, surrender right now, give me

0:53:00.320 --> 0:53:02.719
<v Speaker 1>the Dark Saver. Tell all your Mandalorians to lay down

0:53:02.760 --> 0:53:06.239
<v Speaker 1>their weapons and follow me, and I'll spare everyone. But like,

0:53:06.320 --> 0:53:08.719
<v Speaker 1>how can you trust the guy? It's absolutely yeah, hard No.

0:53:09.239 --> 0:53:11.400
<v Speaker 1>They start shooting at the glass, which doesn't do anything,

0:53:11.440 --> 0:53:13.759
<v Speaker 1>but like these guys love to shoot and stuff, and

0:53:13.840 --> 0:53:15.840
<v Speaker 1>then Bo cuts a hole through the blast door in

0:53:15.880 --> 0:53:20.640
<v Speaker 1>the back and they all escape. Meanwhile, the front blast

0:53:20.680 --> 0:53:24.239
<v Speaker 1>door opens and here come all these death Troopers and

0:53:24.600 --> 0:53:27.200
<v Speaker 1>pauses like I'm fucking going out like a fucking Viking.

0:53:27.239 --> 0:53:32.160
<v Speaker 1>I'm going down, like he goes. He basically goes like

0:53:32.239 --> 0:53:34.359
<v Speaker 1>on a fifty person killing streak. It's like a fifty

0:53:34.440 --> 0:53:40.760
<v Speaker 1>to one KDI ratio until those Praetorians that mof Gideon

0:53:40.920 --> 0:53:44.920
<v Speaker 1>ordered on Imperial Amazon arrive and they take him out. Yeah,

0:53:44.960 --> 0:53:48.160
<v Speaker 1>in a great scene, a really great scene, and rip

0:53:48.320 --> 0:53:48.880
<v Speaker 1>to Paz.

0:53:48.920 --> 0:53:52.239
<v Speaker 2>Ripza Paz. He did great. I hope he's not really dead,

0:53:52.280 --> 0:53:53.399
<v Speaker 2>but he's definitely really dead.

0:53:53.480 --> 0:53:53.839
<v Speaker 1>He's dead.

0:53:53.880 --> 0:53:56.279
<v Speaker 2>They muck him. Also, I just want to mention Muff.

0:53:56.360 --> 0:54:00.319
<v Speaker 2>Gideon has like sick doth Veda cross with.

0:54:02.080 --> 0:54:03.760
<v Speaker 1>Pasma Captain Patsma.

0:54:03.920 --> 0:54:05.879
<v Speaker 2>Yeah, and I think he calls it is a Dark

0:54:06.040 --> 0:54:08.760
<v Speaker 2>Trooper armor that he's created, and it's this best gard

0:54:08.880 --> 0:54:12.520
<v Speaker 2>Darth Vader armor. And obviously he basically made it because

0:54:12.560 --> 0:54:14.520
<v Speaker 2>he wants to have the Dark Saber and be the

0:54:14.640 --> 0:54:20.520
<v Speaker 2>Dark Trooper. It's so emo. But this is really cool.

0:54:20.680 --> 0:54:22.480
<v Speaker 2>I love this unexpected twist, this.

0:54:22.640 --> 0:54:22.920
<v Speaker 1>Kind of.

0:54:24.680 --> 0:54:28.400
<v Speaker 2>Dueling idea of wanting to rule mandalor Bo wants to

0:54:28.440 --> 0:54:31.440
<v Speaker 2>do it for the Mandalorians and the people, and Gideon

0:54:31.520 --> 0:54:33.400
<v Speaker 2>sees it as like a power vacuum where he can

0:54:33.680 --> 0:54:34.920
<v Speaker 2>on a new version of.

0:54:35.040 --> 0:54:39.160
<v Speaker 1>Mandalor free planet. Yeah, filled with weapons, and why not?

0:54:39.239 --> 0:54:40.680
<v Speaker 1>Why do not. I just set a base right here

0:54:40.719 --> 0:54:43.120
<v Speaker 1>and uses the lunch had to take over the galaxy.

0:54:43.880 --> 0:54:47.759
<v Speaker 2>Yeah, very outrageous scheme. I don't think it's going to

0:54:47.800 --> 0:54:49.480
<v Speaker 2>go well for him, just looking at what we know

0:54:49.560 --> 0:54:52.800
<v Speaker 2>of Star Wars history. But this was a very cool episode.

0:54:52.880 --> 0:54:56.600
<v Speaker 2>Rick just absolutely smashed it once again. I think if

0:54:56.760 --> 0:54:59.960
<v Speaker 2>anyone had been feeling we we have been big fan

0:55:00.040 --> 0:55:03.080
<v Speaker 2>and of the more out there side quest episodes because

0:55:03.120 --> 0:55:05.920
<v Speaker 2>we love that kind of stuff. I loved the Plazi

0:55:06.040 --> 0:55:07.800
<v Speaker 2>F fifteen. I thought it was so fun. But I

0:55:07.840 --> 0:55:10.120
<v Speaker 2>feel like if people have been looking for that, how

0:55:10.200 --> 0:55:12.720
<v Speaker 2>does it all come together and how does this impact

0:55:13.160 --> 0:55:16.120
<v Speaker 2>stuff going forwards? This is that episode where the loose

0:55:16.480 --> 0:55:20.239
<v Speaker 2>threads begin to be tied together and we start to

0:55:20.320 --> 0:55:24.040
<v Speaker 2>get an inkling of the greater plan Rosie.

0:55:24.200 --> 0:55:30.120
<v Speaker 1>The title of this episode is the Spies Now G

0:55:30.280 --> 0:55:34.560
<v Speaker 1>sixty eight. Eliot Kine is certainly the one is definitely

0:55:34.800 --> 0:55:39.759
<v Speaker 1>a spy, so plural spies. There's a lot of conjecture

0:55:40.200 --> 0:55:44.440
<v Speaker 1>on the internets right now about who the other spies are.

0:55:46.000 --> 0:55:47.520
<v Speaker 1>Who do you think the other spies are? I mean,

0:55:47.640 --> 0:55:52.640
<v Speaker 1>certainly there are some suspects. I found it weird that

0:55:52.800 --> 0:55:56.200
<v Speaker 1>we had that armorer scene in there where Yes just

0:55:56.320 --> 0:55:58.799
<v Speaker 1>flies up with the night owls and then you think

0:55:58.880 --> 0:56:00.720
<v Speaker 1>that you're going to see the attack on the fleet,

0:56:00.800 --> 0:56:01.719
<v Speaker 1>but then you never see it.

0:56:03.360 --> 0:56:06.360
<v Speaker 2>That definitely suspicious Axe Wolves.

0:56:06.040 --> 0:56:08.560
<v Speaker 1>Also is like I guess I'm gonna fly my jetpack

0:56:08.560 --> 0:56:10.279
<v Speaker 1>all over his space and get to the ships. Like yeah,

0:56:10.320 --> 0:56:13.879
<v Speaker 1>So there's there's there's people who left in weird circumstances.

0:56:13.920 --> 0:56:16.360
<v Speaker 2>And we did get that thing that moment at the

0:56:16.440 --> 0:56:19.760
<v Speaker 2>beginning of the episode last week where the man lawyers

0:56:19.760 --> 0:56:22.960
<v Speaker 2>who acts leads mentioned that like, yeah, we'll be honorable

0:56:23.320 --> 0:56:26.800
<v Speaker 2>for a few credits. So there's still that duality of like,

0:56:27.320 --> 0:56:30.680
<v Speaker 2>do they really believe that bo won the lightsaber fairly?

0:56:30.880 --> 0:56:33.759
<v Speaker 2>Would they betray her? I think another good I think

0:56:33.800 --> 0:56:37.160
<v Speaker 2>this is really interesting because, as the Internet has pointed out,

0:56:37.160 --> 0:56:41.600
<v Speaker 2>as we've talked about, the titles of the Mad Laurian

0:56:41.640 --> 0:56:44.080
<v Speaker 2>episodes are usually incredibly.

0:56:45.440 --> 0:56:45.920
<v Speaker 1>Literal.

0:56:46.400 --> 0:56:50.680
<v Speaker 2>Yeah, very very very literal. So it seems odd to

0:56:50.800 --> 0:56:52.960
<v Speaker 2>be in a situation where we don't know exactly what

0:56:53.080 --> 0:56:55.160
<v Speaker 2>this is referencing to. And you made a great point

0:56:55.200 --> 0:56:57.320
<v Speaker 2>before we started recording that it's rare for them to

0:56:57.360 --> 0:56:59.000
<v Speaker 2>want you to be ahead of the story.

0:56:59.320 --> 0:57:02.520
<v Speaker 1>Yeah, that's usually just like a storytelling one on one. Ever,

0:57:02.680 --> 0:57:04.560
<v Speaker 1>let the audience be ahead of it, Like if you're

0:57:04.600 --> 0:57:09.120
<v Speaker 1>going to reveal that there's a betrayer amongst the Mandalorians,

0:57:09.200 --> 0:57:12.520
<v Speaker 1>don't let people be looking for that person because it'll

0:57:12.600 --> 0:57:13.320
<v Speaker 1>ruin the reveal.

0:57:14.320 --> 0:57:17.400
<v Speaker 2>I wonder, yeah, I wonder if they want that conversation

0:57:17.440 --> 0:57:19.880
<v Speaker 2>because another person that I think could we could think

0:57:19.920 --> 0:57:23.240
<v Speaker 2>about it as being about Moff Gideon because he's part

0:57:23.280 --> 0:57:27.400
<v Speaker 2>of this Imperial Zoom and he's using the technology and

0:57:27.520 --> 0:57:30.760
<v Speaker 2>the resources that they have while doing his own thing

0:57:30.840 --> 0:57:33.120
<v Speaker 2>to try and take over the galaxy himself. So is

0:57:33.160 --> 0:57:37.560
<v Speaker 2>he technically a spy in that space because he's betraying them?

0:57:37.920 --> 0:57:40.080
<v Speaker 2>I think the armor a thing is a really great call.

0:57:40.480 --> 0:57:45.320
<v Speaker 2>I also wonder if maybe there is somebody within Moff

0:57:45.360 --> 0:57:50.000
<v Speaker 2>Gideon's ranks who is actually potentially a spy for our

0:57:50.120 --> 0:57:53.200
<v Speaker 2>Mandalorians who might turn in that way. I think that

0:57:53.360 --> 0:57:55.200
<v Speaker 2>we could be in a possibility here because of the

0:57:55.280 --> 0:57:57.560
<v Speaker 2>plural nature and the fact that it's obviously not just

0:57:57.600 --> 0:58:00.600
<v Speaker 2>about Elliott, who obviously is a spy, we could have

0:58:00.720 --> 0:58:02.840
<v Speaker 2>a big surprise in the finale of having a few

0:58:02.880 --> 0:58:05.480
<v Speaker 2>different maybe a spy network that we don't know about

0:58:05.600 --> 0:58:08.800
<v Speaker 2>or something. It's very it's a very interesting choice.

0:58:09.040 --> 0:58:13.600
<v Speaker 1>Here's my argument against the armor slash ax woves as

0:58:13.720 --> 0:58:17.840
<v Speaker 1>spies from off Gideon. Wouldn't he no more stuff? Like

0:58:17.960 --> 0:58:20.640
<v Speaker 1>why would he need G sixty eight then to tell

0:58:20.760 --> 0:58:22.960
<v Speaker 1>him that that is a great the Laurian's interfered with

0:58:23.040 --> 0:58:26.440
<v Speaker 1>the pirates because he would just be getting that directly

0:58:26.640 --> 0:58:32.080
<v Speaker 1>the armor, yeah, from them. So it I wonder again,

0:58:33.120 --> 0:58:36.400
<v Speaker 1>considering how as you mentioned, like the titles are always

0:58:36.640 --> 0:58:39.479
<v Speaker 1>very very just what it is on the surface level,

0:58:39.880 --> 0:58:43.920
<v Speaker 1>like you know, no subjects, just text. I wonder if,

0:58:44.040 --> 0:58:46.800
<v Speaker 1>like maf Gideon is the spy because ye, as we

0:58:46.880 --> 0:58:49.960
<v Speaker 1>see in this episode, he is working against what the

0:58:50.000 --> 0:58:51.680
<v Speaker 1>rest of the First Order, even though they're not the

0:58:51.760 --> 0:58:54.160
<v Speaker 1>First Order, he's kind of working against what they wanted.

0:58:54.200 --> 0:58:56.480
<v Speaker 1>They're all like, we can't wait for Daddy's throwing to

0:58:56.520 --> 0:58:58.680
<v Speaker 1>come home, and he's like no, no, no, we're not looking.

0:58:58.760 --> 0:59:03.200
<v Speaker 2>He's like, who's throwing him? But it is, it is.

0:59:04.480 --> 0:59:08.560
<v Speaker 1>It's a it's fascinating, and I do wonder where. I

0:59:08.680 --> 0:59:11.840
<v Speaker 1>wonder how much more coruscont and G. Sixty eight we're

0:59:11.920 --> 0:59:16.600
<v Speaker 1>gonna get? And I wonder, I yeah, I wonder how

0:59:16.680 --> 0:59:20.400
<v Speaker 1>much more of that there is, K would seem it

0:59:20.400 --> 0:59:25.080
<v Speaker 1>would seem as if, unless that spy network is gonna

0:59:25.120 --> 0:59:28.280
<v Speaker 1>get revealed, it would seem like we're kind of done

0:59:28.320 --> 0:59:28.800
<v Speaker 1>with her.

0:59:28.920 --> 0:59:32.000
<v Speaker 2>Right, Yeah, like they got all they needed. Yeah, but

0:59:32.120 --> 0:59:34.760
<v Speaker 2>she's so great kay O'Brien as Alias. It's such a

0:59:35.280 --> 0:59:39.320
<v Speaker 2>we a kind of nefarious energy that she puts across

0:59:39.400 --> 0:59:42.560
<v Speaker 2>that I wouldn't be surprised if they try and reveal

0:59:43.240 --> 0:59:45.280
<v Speaker 2>Oh you know what I suppose, and this would fit

0:59:45.320 --> 0:59:48.840
<v Speaker 2>into conversations we'd had before. I wonder if the spies

0:59:49.920 --> 0:59:55.320
<v Speaker 2>is more to do with Alia potentially running a spy

0:59:55.480 --> 0:59:59.800
<v Speaker 2>network within the amnesty program or something like that, you know.

0:59:59.880 --> 1:00:01.520
<v Speaker 2>I I wonder if that will come into play in

1:00:01.600 --> 1:00:04.560
<v Speaker 2>the finale that like that particular storyline and how she

1:00:04.680 --> 1:00:11.280
<v Speaker 2>helped Gideon is done, but maybe that Imperial network is

1:00:11.360 --> 1:00:13.360
<v Speaker 2>a lot stronger than we thought, and we'll kind of

1:00:13.400 --> 1:00:15.480
<v Speaker 2>see the resurgence in the finale as we know this

1:00:15.600 --> 1:00:18.440
<v Speaker 2>is now all leading to that sequel trilogy.

1:00:19.120 --> 1:00:21.840
<v Speaker 1>Yeah, I just can't. I think it would be an

1:00:21.920 --> 1:00:25.520
<v Speaker 1>adacious reveal if the Armor was like a spy for

1:00:25.600 --> 1:00:30.160
<v Speaker 1>the like, that would be absolutely incredible, like a game

1:00:31.680 --> 1:00:35.480
<v Speaker 1>level like Flip that if they did it right, that

1:00:35.520 --> 1:00:38.640
<v Speaker 1>would be a gut bunch. But I just I can't

1:00:40.200 --> 1:00:43.200
<v Speaker 1>get there, Like, why did she Why would she so

1:00:43.360 --> 1:00:45.840
<v Speaker 1>helpful on Navarro? Then when they were fighting the pirates,

1:00:45.880 --> 1:00:47.840
<v Speaker 1>why didn't she just kind of like not try that

1:00:47.920 --> 1:00:48.240
<v Speaker 1>she didn't.

1:00:50.000 --> 1:00:54.480
<v Speaker 2>Yeah, they'd have to have an ultimately brilliant it all

1:00:54.600 --> 1:00:58.360
<v Speaker 2>comes together reasoning, because you know, when you're a spy,

1:00:58.480 --> 1:01:00.640
<v Speaker 2>you have to play both sides. You have to be believable.

1:01:00.800 --> 1:01:02.880
<v Speaker 2>But as you mentioned, she has done many things. I

1:01:02.920 --> 1:01:05.120
<v Speaker 2>would say there are some kind of you could have

1:01:05.240 --> 1:01:08.080
<v Speaker 2>some fun if it was revealed that she was a

1:01:08.160 --> 1:01:11.800
<v Speaker 2>spy with kind of that flip flop nature of who

1:01:11.920 --> 1:01:15.160
<v Speaker 2>she deems worthy to be a Mandalorian and how she

1:01:15.320 --> 1:01:20.080
<v Speaker 2>goes from having these huge concrete visions of what Mandalor

1:01:20.240 --> 1:01:22.320
<v Speaker 2>is and who the Mandlorians are to suddenly being like

1:01:22.360 --> 1:01:25.120
<v Speaker 2>well as many Mandlorians as possible. I mean, okay, so

1:01:25.240 --> 1:01:28.640
<v Speaker 2>this is again on the audacious side. But what if

1:01:28.680 --> 1:01:31.360
<v Speaker 2>the reason that she's been trying to grow this Mandalorian

1:01:32.200 --> 1:01:34.960
<v Speaker 2>you know group, is because she was going to send

1:01:35.040 --> 1:01:36.840
<v Speaker 2>them to this trap and have Gidde and kill them.

1:01:36.880 --> 1:01:39.320
<v Speaker 2>He says, thank you for bringing all the Mandalorians to

1:01:39.400 --> 1:01:42.120
<v Speaker 2>one place, you know, So there are arguments, but I

1:01:42.240 --> 1:01:44.680
<v Speaker 2>agree with you. I think that is someone who does

1:01:44.760 --> 1:01:47.360
<v Speaker 2>truly care about Mandalor we know she cares about best

1:01:47.360 --> 1:01:50.760
<v Speaker 2>Scar and she's very deeply. But then again, she could

1:01:50.760 --> 1:01:53.120
<v Speaker 2>be help. She could have been helping Gideon make those uniforms.

1:01:54.320 --> 1:01:55.200
<v Speaker 2>He knows how to do it.

1:01:55.720 --> 1:01:58.400
<v Speaker 1>That's true, but like when she why would she go,

1:01:59.120 --> 1:02:00.720
<v Speaker 1>when would she do it? How would she get there?

1:02:00.760 --> 1:02:02.480
<v Speaker 1>I guess, like the other side of it is that

1:02:05.400 --> 1:02:09.520
<v Speaker 1>we've noted in past episodes, like how effective they're recruiting.

1:02:10.040 --> 1:02:16.080
<v Speaker 1>Was this is even before you know Bow's helmet offs

1:02:16.240 --> 1:02:20.400
<v Speaker 1>came into the fold. They they grew the population of

1:02:20.440 --> 1:02:25.440
<v Speaker 1>the covert pretty significantly. And so I guess the another

1:02:25.520 --> 1:02:27.760
<v Speaker 1>way you could go about it, if indeed the Armor

1:02:28.320 --> 1:02:31.640
<v Speaker 1>is a spy, is that she's been assembling this force

1:02:31.720 --> 1:02:35.080
<v Speaker 1>of Mandalorians to then hand to Gideon to then become

1:02:36.440 --> 1:02:39.480
<v Speaker 1>part of his army. Maybe that's it, but it's again

1:02:39.560 --> 1:02:41.160
<v Speaker 1>i'd find it. It would be, it would be, It

1:02:41.200 --> 1:02:44.200
<v Speaker 1>would be audacious, but it would be I don't know

1:02:45.520 --> 1:02:50.400
<v Speaker 1>if I could get there. I don't it, I don't think,

1:02:51.040 --> 1:02:54.800
<v Speaker 1>and it would really tear apart everything that Din and

1:02:55.000 --> 1:02:58.120
<v Speaker 1>Grogu and so many of those Mandalorians from the covert

1:02:58.320 --> 1:03:01.800
<v Speaker 1>know about Mandalorian being a Mandalorian. Like it would destroy

1:03:02.040 --> 1:03:05.480
<v Speaker 1>the ultimate betrayal. It would be incredible if it was true.

1:03:05.520 --> 1:03:06.720
<v Speaker 1>But like, I just can't see it.

1:03:06.880 --> 1:03:10.600
<v Speaker 2>Maybe acts though, maybe yeah, a mercenary I could see that.

1:03:10.840 --> 1:03:12.960
<v Speaker 1>You know, you can see it at Vieham. Sure, all right,

1:03:13.440 --> 1:03:15.520
<v Speaker 1>I can't wait to talk more about the Yeah, the

1:03:15.600 --> 1:03:19.720
<v Speaker 1>finales next week. The finale of The Mandalorian is gonna

1:03:19.720 --> 1:03:23.480
<v Speaker 1>be a banger. Let me ask you this before we

1:03:23.560 --> 1:03:27.760
<v Speaker 1>get there. Rick Femau, who of course directed this episode

1:03:27.800 --> 1:03:32.320
<v Speaker 1>in various great episodes of The Manlorin television program, has

1:03:32.640 --> 1:03:35.400
<v Speaker 1>been quoted as saying that the title of The Mandalorian

1:03:36.120 --> 1:03:40.400
<v Speaker 1>no longer refers to just didn't It refers to the

1:03:40.480 --> 1:03:43.240
<v Speaker 1>Mandalorian people writ large, it's gonna.

1:03:43.000 --> 1:03:46.520
<v Speaker 2>Be bo that Star Wars celebration. It's more about that.

1:03:46.640 --> 1:03:48.760
<v Speaker 2>Even this season, I think they were saying it's about

1:03:48.800 --> 1:03:50.840
<v Speaker 2>the Mandalorians as a culture.

1:03:51.480 --> 1:03:54.160
<v Speaker 1>Yeah, And I think then, and I think if you

1:03:54.200 --> 1:03:57.560
<v Speaker 1>could pull back like the curtain, you might say that

1:03:57.720 --> 1:04:01.160
<v Speaker 1>some of the kind of like bottle episode segments of

1:04:01.280 --> 1:04:07.880
<v Speaker 1>this season, you know, could have been necessary because of

1:04:08.040 --> 1:04:12.120
<v Speaker 1>like how you know, maybe they didn't have Pedro as

1:04:12.160 --> 1:04:15.440
<v Speaker 1>much as they wanted. Are they gonna kill? Didn't like

1:04:15.840 --> 1:04:20.040
<v Speaker 1>didn't know? Didn't we know that didnt doesn't show up

1:04:20.080 --> 1:04:23.760
<v Speaker 1>in any battles going forward, like any of the any

1:04:23.880 --> 1:04:29.400
<v Speaker 1>of the the big stuff New Republic versus the First Order,

1:04:31.120 --> 1:04:33.240
<v Speaker 1>you'd assume he'd be there, although you could come up

1:04:33.280 --> 1:04:37.760
<v Speaker 1>with any reason that he wouldn't be there. And it

1:04:38.120 --> 1:04:42.360
<v Speaker 1>has me wondering that quote from Rick, plus where we

1:04:42.440 --> 1:04:46.320
<v Speaker 1>are right now in the story, plus the fact that

1:04:46.440 --> 1:04:48.800
<v Speaker 1>we do you know, we don't see Din and Grug

1:04:49.000 --> 1:04:52.680
<v Speaker 1>running around in any of the big battles. I wonder

1:04:52.720 --> 1:04:55.360
<v Speaker 1>if they I wonder if he makes it out. Yeah.

1:04:55.720 --> 1:04:58.400
<v Speaker 2>I think you make a really good point, especially because

1:04:58.640 --> 1:05:02.240
<v Speaker 2>we're getting so close to tying this to the sequel

1:05:02.280 --> 1:05:05.480
<v Speaker 2>trilogy now and we know we don't know where Dinn was.

1:05:05.520 --> 1:05:07.920
<v Speaker 2>It doesn't look like he was anywhere, So, especially when

1:05:07.960 --> 1:05:10.400
<v Speaker 2>you're starting to do things like Praetorian Gods, you're really

1:05:10.480 --> 1:05:14.200
<v Speaker 2>directing us towards that first order. Where Where would he be?

1:05:14.480 --> 1:05:17.560
<v Speaker 2>Why wouldn't he be involved? Where is the baby? Maybe

1:05:17.600 --> 1:05:20.760
<v Speaker 2>they were living off planet somewhere, But I think that

1:05:21.680 --> 1:05:27.200
<v Speaker 2>it wouldn't be completely out of the realm of possibility

1:05:27.320 --> 1:05:31.200
<v Speaker 2>that Dinn does not survive. Probably not this season, but

1:05:31.320 --> 1:05:33.840
<v Speaker 2>I think I could see a season four us saying

1:05:34.040 --> 1:05:35.840
<v Speaker 2>rip to din Man.

1:05:36.680 --> 1:05:38.919
<v Speaker 1>I hope it doesn't happen. I hope it doesn't happen

1:05:38.960 --> 1:05:40.120
<v Speaker 1>this season. I'm not sure too.

1:05:40.200 --> 1:05:41.520
<v Speaker 2>I mean, let's be wrong. I want to see him

1:05:41.520 --> 1:05:43.040
<v Speaker 2>on the big screen if they're doing this movie. I

1:05:43.080 --> 1:05:44.600
<v Speaker 2>want to see him with the baby, and the baby

1:05:44.640 --> 1:05:46.840
<v Speaker 2>and the mech and dinner his ship. It'll be great.

1:05:48.080 --> 1:05:52.520
<v Speaker 1>Up next, The Hive Mind with Benny schwas himself, Ben Schwartz,

1:06:05.880 --> 1:06:07.920
<v Speaker 1>Welcome to the High Mind, where we explore topic in

1:06:08.000 --> 1:06:10.200
<v Speaker 1>more detail with the help of expert guests. This week.

1:06:10.720 --> 1:06:13.960
<v Speaker 1>Absolutely thrilled to have actor and comedian Ben Schwartz. You,

1:06:14.080 --> 1:06:18.240
<v Speaker 1>of course know him from Parks and rec Sonic the Hedgehog,

1:06:18.520 --> 1:06:22.240
<v Speaker 1>The After Party on Apple TV plus end the reason

1:06:22.320 --> 1:06:25.880
<v Speaker 1>for his apperiance here The upcoming film Renfield out on

1:06:26.080 --> 1:06:31.320
<v Speaker 1>April fourteenth. Wherever you watch your movies. We watched the

1:06:31.360 --> 1:06:32.880
<v Speaker 1>movie Renfield and it's delightful.

1:06:33.120 --> 1:06:34.800
<v Speaker 2>It is a fun movie, very fun.

1:06:34.920 --> 1:06:37.880
<v Speaker 1>Here's our conversation with Ben Schwartz. Ben Schwartz, thanks for

1:06:38.000 --> 1:06:38.959
<v Speaker 1>joining x ray vision.

1:06:40.440 --> 1:06:42.840
<v Speaker 5>Jason, did you see the video on MSG? Okay?

1:06:42.880 --> 1:06:43.920
<v Speaker 1>Great? Yeah, I did.

1:06:47.960 --> 1:06:48.520
<v Speaker 2>We start there.

1:06:48.800 --> 1:06:51.919
<v Speaker 1>How are you feeling, what are your what's your gut

1:06:52.120 --> 1:06:54.640
<v Speaker 1>check feeling about the Knicks in the postseason?

1:06:55.320 --> 1:06:56.560
<v Speaker 5>I feel great. By the way.

1:06:56.600 --> 1:06:59.160
<v Speaker 6>I know people are afraid of Cleveland's defense. Of course

1:06:59.240 --> 1:07:02.440
<v Speaker 6>it makes total sense, but I am so excited for

1:07:02.480 --> 1:07:05.320
<v Speaker 6>a Cleveland matchup. I feel first of all, ever since

1:07:05.360 --> 1:07:08.280
<v Speaker 6>we didn't get Donovan, I've been like, uh, every time

1:07:08.280 --> 1:07:10.080
<v Speaker 6>I see him play, and he's had such a good year,

1:07:10.520 --> 1:07:12.440
<v Speaker 6>I'm like, man, could you imagine if he was on

1:07:12.520 --> 1:07:12.840
<v Speaker 6>our team?

1:07:12.920 --> 1:07:13.000
<v Speaker 1>Oh?

1:07:13.080 --> 1:07:15.800
<v Speaker 6>My goodness, you imagine? And now it's like, we literally

1:07:15.880 --> 1:07:17.240
<v Speaker 6>are matching up with the guy.

1:07:17.160 --> 1:07:18.360
<v Speaker 5>That we almost got.

1:07:19.560 --> 1:07:20.040
<v Speaker 1>So I am.

1:07:20.360 --> 1:07:23.160
<v Speaker 6>I am like, I think we have a chance of winning,

1:07:23.240 --> 1:07:25.240
<v Speaker 6>Like I really feel, I feel strongly.

1:07:25.920 --> 1:07:27.360
<v Speaker 1>I'm not saying we're the favorite, but I think we

1:07:27.400 --> 1:07:27.880
<v Speaker 1>have a chance.

1:07:28.760 --> 1:07:31.000
<v Speaker 6>I think we know we're not the favorite. A mere

1:07:31.040 --> 1:07:33.200
<v Speaker 6>text me this morning that we're the We're in the

1:07:33.320 --> 1:07:36.040
<v Speaker 6>betting pools where the low. We're not above, we're the under.

1:07:36.960 --> 1:07:42.560
<v Speaker 1>How Dad never tell us the odds? Ringfield is so fun?

1:07:44.160 --> 1:07:47.240
<v Speaker 1>What was it like being a villain, being a bad guy?

1:07:48.240 --> 1:07:51.520
<v Speaker 5>It was crazy. I got to like, they put back

1:07:51.560 --> 1:07:53.360
<v Speaker 5>my hair, they give me fake tattoos. Every day.

1:07:53.400 --> 1:07:56.600
<v Speaker 6>I had tattoos all my chest and arms. I had

1:07:56.640 --> 1:07:58.520
<v Speaker 6>to like all the things I've never done in my life,

1:07:58.560 --> 1:08:01.080
<v Speaker 6>shoot guns, work out. I had to work out for this.

1:08:02.800 --> 1:08:07.200
<v Speaker 5>Race, cars, get into fist fights, do a ton of drugs.

1:08:07.680 --> 1:08:09.520
<v Speaker 5>So it's like I just don't do any of that

1:08:09.600 --> 1:08:11.880
<v Speaker 5>stuff in real life. So it was so fun.

1:08:11.960 --> 1:08:14.800
<v Speaker 6>And then I tried to like give the guy mommy

1:08:14.880 --> 1:08:16.920
<v Speaker 6>issues and like make it so like all this stuff

1:08:17.000 --> 1:08:18.880
<v Speaker 6>is coming from kind of a pathetic place where he

1:08:18.920 --> 1:08:21.479
<v Speaker 6>just wants people to like him, and all that stuff

1:08:21.600 --> 1:08:24.160
<v Speaker 6>was heaven to me. It was really really fun to

1:08:25.080 --> 1:08:27.000
<v Speaker 6>take what a villain usually is and kind of blow

1:08:27.040 --> 1:08:29.880
<v Speaker 6>it up a bit, which was really fo Yeah.

1:08:29.920 --> 1:08:31.800
<v Speaker 2>The whole movie really does that with kind of the

1:08:31.920 --> 1:08:34.880
<v Speaker 2>idea of like who is the central force in a

1:08:35.040 --> 1:08:38.439
<v Speaker 2>story about Dracula? Usually it's Dracula, and obviously here it's Renfield.

1:08:38.720 --> 1:08:41.400
<v Speaker 2>But what was it like to get to work alongside

1:08:41.400 --> 1:08:45.080
<v Speaker 2>Obviously Nicholas is incredible, but then you have Nick Cage second.

1:08:45.160 --> 1:08:47.960
<v Speaker 2>Nicholas in like the most Nick Cage role of all time,

1:08:48.040 --> 1:08:49.680
<v Speaker 2>So what was it like being on set with Nick

1:08:49.720 --> 1:08:51.280
<v Speaker 2>Cage Dracula, and by the way.

1:08:51.240 --> 1:08:53.360
<v Speaker 6>Rosie, I won har person agree when I watched the

1:08:53.680 --> 1:08:55.799
<v Speaker 6>movie back and you see what he did is Dracula,

1:08:55.880 --> 1:09:00.400
<v Speaker 6>It's like incredible. He plays like seventy different incursions. It's

1:09:00.520 --> 1:09:03.280
<v Speaker 6>it's the most Nick Cage you've ever seen. It's like

1:09:04.080 --> 1:09:06.680
<v Speaker 6>and also I love his performances because he's so unpredictable.

1:09:06.720 --> 1:09:09.200
<v Speaker 6>Now he has a role where his character is unpredictable too,

1:09:09.560 --> 1:09:10.960
<v Speaker 6>But it was amazing. And the best part is like

1:09:11.080 --> 1:09:13.040
<v Speaker 6>in between the Nick Cage stuff, It's like we're shooting

1:09:13.040 --> 1:09:15.800
<v Speaker 6>a scene where he's like choking me and then throwing

1:09:15.840 --> 1:09:17.080
<v Speaker 6>me in and then they go, okay, cut, we're gonna

1:09:17.080 --> 1:09:18.920
<v Speaker 6>switch cameras, and then we sit back on our tables.

1:09:18.960 --> 1:09:23.000
<v Speaker 5>But he's still dresses dragging, and I'm.

1:09:22.920 --> 1:09:25.400
<v Speaker 6>Like, I literally said to him, I was like, hey man,

1:09:26.479 --> 1:09:28.760
<v Speaker 6>So the first time I saw adaptation, I stopped it

1:09:28.880 --> 1:09:29.679
<v Speaker 6>started from the beginning.

1:09:29.880 --> 1:09:32.759
<v Speaker 5>I think that movie is unbelievable. I am so in lovable.

1:09:32.760 --> 1:09:34.479
<v Speaker 6>And then he's just he's just like he's just a

1:09:34.560 --> 1:09:37.800
<v Speaker 6>great guy who loves movies. He loves movies and has

1:09:37.880 --> 1:09:40.160
<v Speaker 6>like a pet crow. He's like everything you love Nick

1:09:40.200 --> 1:09:40.519
<v Speaker 6>Cage for.

1:09:42.960 --> 1:09:46.280
<v Speaker 1>You're of course known for your your improv skills, your

1:09:46.280 --> 1:09:48.920
<v Speaker 1>improv background. How much of that did you bring to

1:09:48.960 --> 1:09:49.880
<v Speaker 1>bear in this part?

1:09:51.120 --> 1:09:52.639
<v Speaker 5>I they let me, Chris, let me go crazy.

1:09:52.680 --> 1:09:54.639
<v Speaker 6>There's a cut of this movie that's like an hour

1:09:54.720 --> 1:09:59.519
<v Speaker 6>and change longer than this, and I can literally, oh

1:09:59.600 --> 1:10:03.120
<v Speaker 6>my god, I could point to scenes because I love

1:10:03.160 --> 1:10:05.320
<v Speaker 6>the movie is ninety minutes long, which makes sense because

1:10:05.320 --> 1:10:07.040
<v Speaker 6>the movie's got to like move. It's like a bullet

1:10:07.280 --> 1:10:09.280
<v Speaker 6>like goes off and you're off to the races. But

1:10:09.560 --> 1:10:10.760
<v Speaker 6>so they had to lose a lot, but I had

1:10:11.000 --> 1:10:13.479
<v Speaker 6>so much more. Every scene you've seen me in this

1:10:13.640 --> 1:10:16.320
<v Speaker 6>film was like a full minute and a half longer,

1:10:16.880 --> 1:10:19.160
<v Speaker 6>and then they slowly cut it. But like there's a

1:10:19.200 --> 1:10:22.600
<v Speaker 6>scene where like I have a bag of cocaine in

1:10:22.720 --> 1:10:25.000
<v Speaker 6>my car and I get into a car accident and

1:10:25.240 --> 1:10:28.840
<v Speaker 6>Aquafina and Adrian Martinez are are racing with me and

1:10:28.960 --> 1:10:31.600
<v Speaker 6>I throw coke at them their cops. And then in

1:10:31.760 --> 1:10:34.120
<v Speaker 6>that scene, Chris McKay, we shot up for two days,

1:10:34.439 --> 1:10:37.600
<v Speaker 6>let me go into any of the extras cars and

1:10:37.720 --> 1:10:40.880
<v Speaker 6>like doud like fuck with everybody. And so I was

1:10:41.000 --> 1:10:44.840
<v Speaker 6>we were going crazy, and like every scene you see, Chris,

1:10:45.120 --> 1:10:46.560
<v Speaker 6>we did it as is, and then we did it

1:10:46.800 --> 1:10:49.160
<v Speaker 6>with me going bananas, and some of that stuff got

1:10:49.200 --> 1:10:51.519
<v Speaker 6>in there, and then some of it just like you know,

1:10:51.640 --> 1:10:53.439
<v Speaker 6>if I'm going too long, the scene is going too long,

1:10:53.479 --> 1:10:56.519
<v Speaker 6>and also the movie is too long. But so a

1:10:56.600 --> 1:10:58.519
<v Speaker 6>little bit is in there. But there is like a

1:10:58.680 --> 1:11:02.040
<v Speaker 6>treasure trove of nonsense somewhere out there on the cutting floor.

1:11:02.600 --> 1:11:04.680
<v Speaker 2>That's for the DVD extras. I don't know do they

1:11:04.680 --> 1:11:08.920
<v Speaker 2>still do those. I still buy DVDs for the streaming extras.

1:11:09.160 --> 1:11:11.280
<v Speaker 5>What's the last dv what's the last DVD you bought?

1:11:11.880 --> 1:11:14.519
<v Speaker 2>Oh? The last DVD I bought? Well, the place I

1:11:14.640 --> 1:11:18.000
<v Speaker 2>buy DVDs is the book off in Torrents, which sells

1:11:18.080 --> 1:11:21.360
<v Speaker 2>dollar DVDs. So the last DVDs I bought was a

1:11:21.520 --> 1:11:24.400
<v Speaker 2>double More a Combat and More All Combat Annihilation box

1:11:24.439 --> 1:11:25.599
<v Speaker 2>set for one dollar.

1:11:26.280 --> 1:11:26.479
<v Speaker 5>Oh.

1:11:26.680 --> 1:11:30.080
<v Speaker 2>I have an extensively terrible DVD collection of movies that

1:11:30.160 --> 1:11:35.599
<v Speaker 2>I love. And one of the things, like obviously comedy,

1:11:35.640 --> 1:11:37.240
<v Speaker 2>that's like one of your big loves, one of our

1:11:37.240 --> 1:11:38.840
<v Speaker 2>big loves here and one of the reasons we are

1:11:38.880 --> 1:11:40.600
<v Speaker 2>so stoked to have you on here. This is like

1:11:40.880 --> 1:11:42.959
<v Speaker 2>a podcast that was born of a love of comics.

1:11:43.600 --> 1:11:45.519
<v Speaker 2>So can I talk to you a little bit about

1:11:45.520 --> 1:11:47.040
<v Speaker 2>your love of comics and kind of like what was

1:11:47.080 --> 1:11:49.519
<v Speaker 2>your comic book origin? What was the comic that made

1:11:49.560 --> 1:11:50.839
<v Speaker 2>you fall in love with comics.

1:11:51.360 --> 1:11:54.080
<v Speaker 6>I've talked about my comic I talked about a Marvel

1:11:54.160 --> 1:11:56.400
<v Speaker 6>card collection with Jason in the past. But like I so,

1:11:56.479 --> 1:11:59.400
<v Speaker 6>I started by collecting basketball cards and Marble cards, and

1:11:59.479 --> 1:12:01.360
<v Speaker 6>then I start with like you know, and then my

1:12:01.479 --> 1:12:03.200
<v Speaker 6>comics start with like Slapstick.

1:12:03.240 --> 1:12:05.480
<v Speaker 5>I don't know if remember Slapstick. It was a marble flapstick,

1:12:05.680 --> 1:12:06.120
<v Speaker 5>and then.

1:12:06.160 --> 1:12:09.439
<v Speaker 6>Like Wolverine, and then X Men was huge, and then

1:12:09.479 --> 1:12:11.920
<v Speaker 6>when Superman died was an enormous moment. When I was

1:12:11.960 --> 1:12:14.400
<v Speaker 6>in you know, there was like the black case that

1:12:14.439 --> 1:12:16.639
<v Speaker 6>you could buy it in like the black plastic bag.

1:12:17.960 --> 1:12:19.759
<v Speaker 2>So you knew you were read in the right issues.

1:12:20.400 --> 1:12:23.639
<v Speaker 6>Yeah, and like there's I always loved like the incredible

1:12:23.720 --> 1:12:25.840
<v Speaker 6>like there even like the cover sometimes would get me.

1:12:25.920 --> 1:12:28.120
<v Speaker 6>Sometimes there'd be a fantastic for like silver Surfer cover

1:12:28.240 --> 1:12:30.519
<v Speaker 6>where it was like silver and like I would like

1:12:30.760 --> 1:12:34.120
<v Speaker 6>be so excited to collect like unique things. But anytime

1:12:34.200 --> 1:12:36.679
<v Speaker 6>there's a first an issue, a like issue of anything,

1:12:36.720 --> 1:12:38.120
<v Speaker 6>I'm on it just to start it.

1:12:38.400 --> 1:12:40.200
<v Speaker 5>And in my collecting mind is like.

1:12:40.160 --> 1:12:42.760
<v Speaker 6>Oh my god, this could be worth a million dollars. Also,

1:12:42.920 --> 1:12:45.160
<v Speaker 6>but I was pretty only I was a huge X

1:12:45.200 --> 1:12:47.680
<v Speaker 6>Men fan, huge Wolverine fan. Loves Spider Man because it

1:12:47.760 --> 1:12:49.559
<v Speaker 6>felt like I know he wasn't, but like a Jewish

1:12:49.640 --> 1:12:51.080
<v Speaker 6>kid from the bron I was like a Jewish kid

1:12:51.120 --> 1:12:51.679
<v Speaker 6>from Riverdale.

1:12:53.240 --> 1:12:57.479
<v Speaker 2>That's a recognize there is a large contingent of Superpera

1:12:57.560 --> 1:13:01.760
<v Speaker 2>readers who would say Spider Man's Jewish. I think it's

1:13:01.840 --> 1:13:04.240
<v Speaker 2>a It's a big, a big one, you know, with

1:13:04.320 --> 1:13:06.680
<v Speaker 2>the creators who are involved. So I think that's an

1:13:06.720 --> 1:13:07.800
<v Speaker 2>ongoing conversation.

1:13:08.120 --> 1:13:08.360
<v Speaker 3>You know what.

1:13:08.400 --> 1:13:10.120
<v Speaker 5>I also did. I also did run and Stimpy. I

1:13:10.160 --> 1:13:12.320
<v Speaker 5>also I like there, I did, I did everything.

1:13:12.479 --> 1:13:15.400
<v Speaker 6>My comic shop was called Alternate Realities on Central Avenue

1:13:15.439 --> 1:13:18.480
<v Speaker 6>in Westchester, and I would just go there collect basketball,

1:13:18.600 --> 1:13:21.200
<v Speaker 6>marble cards and click comics and then play the Jurassic

1:13:21.280 --> 1:13:22.080
<v Speaker 6>Park pinol machine.

1:13:22.160 --> 1:13:23.760
<v Speaker 5>It was like, my It's what I would do after

1:13:23.760 --> 1:13:24.840
<v Speaker 5>our high school. It was the best.

1:13:27.000 --> 1:13:31.439
<v Speaker 1>Speaking of that, you have been outspoken in your desire

1:13:31.560 --> 1:13:33.920
<v Speaker 1>to see a Plastic Man movie, Pitch.

1:13:34.080 --> 1:13:37.800
<v Speaker 6>I've been so screwed this tour, this press tour. I

1:13:38.240 --> 1:13:40.479
<v Speaker 6>feel like James Gunn is going to hate me.

1:13:40.960 --> 1:13:43.680
<v Speaker 2>Now. I have to say. I have to say this

1:13:43.920 --> 1:13:47.920
<v Speaker 2>is partially my fault because in twenty twenty one, me

1:13:48.040 --> 1:13:51.280
<v Speaker 2>and you chatted about Flora and Ulysses, and because it

1:13:51.400 --> 1:13:53.600
<v Speaker 2>was for Nerdist and it was about comics, I was like,

1:13:53.680 --> 1:13:55.600
<v Speaker 2>what comic book characters would you like to play? And

1:13:55.720 --> 1:13:57.479
<v Speaker 2>we ran a piece about how you had a plastic

1:13:57.560 --> 1:13:59.880
<v Speaker 2>Man pitch. And every time I see that story come up,

1:14:00.200 --> 1:14:02.800
<v Speaker 2>I'm like, I'm sorry, mate, it is.

1:14:03.240 --> 1:14:05.720
<v Speaker 6>It is by far the superhero I want to be

1:14:05.760 --> 1:14:08.519
<v Speaker 6>more than anything else. But I feel like it almost

1:14:08.560 --> 1:14:10.759
<v Speaker 6>feels like the guy that like wears like the band's

1:14:10.800 --> 1:14:14.439
<v Speaker 6>T shirt for the band. Like Now it's like, I

1:14:14.520 --> 1:14:16.560
<v Speaker 6>feel so bad because I'm like so passionate about it,

1:14:16.600 --> 1:14:18.400
<v Speaker 6>and I even pitched a plastic Man idea to that

1:14:18.439 --> 1:14:19.720
<v Speaker 6>studio a very long time ago.

1:14:20.439 --> 1:14:21.840
<v Speaker 5>I have so many ideas for what it is.

1:14:21.880 --> 1:14:25.639
<v Speaker 6>But I feel like I want you your I started interrupted, Jason,

1:14:25.760 --> 1:14:28.160
<v Speaker 6>I I like love that character, but ask your question,

1:14:28.280 --> 1:14:30.080
<v Speaker 6>knowing now that I'm like so worried that every time

1:14:30.160 --> 1:14:32.760
<v Speaker 6>this comes up to be like this guy won't shut

1:14:32.840 --> 1:14:33.920
<v Speaker 6>up about but go go, I want to.

1:14:33.920 --> 1:14:34.439
<v Speaker 5>Answer a question.

1:14:35.680 --> 1:14:38.400
<v Speaker 1>What is it? I guess what is it about plastic

1:14:38.479 --> 1:14:40.280
<v Speaker 1>Man that that resonates with you?

1:14:41.160 --> 1:14:43.600
<v Speaker 6>So when I watched Deadpool for the Marvel universe, I

1:14:43.680 --> 1:14:45.960
<v Speaker 6>thought plastic Man could be that for the DC universe.

1:14:46.000 --> 1:14:48.280
<v Speaker 6>And when I think is fun is that plastic Man

1:14:48.400 --> 1:14:50.160
<v Speaker 6>is a thief. Eli Brian is a thief, right, He

1:14:50.280 --> 1:14:53.360
<v Speaker 6>even gets the superpowers while he's you know, around his

1:14:54.640 --> 1:14:57.400
<v Speaker 6>you know, bad guys whatever, and they ditch him, which

1:14:57.400 --> 1:14:59.280
<v Speaker 6>I is also in the original one, which is also

1:14:59.360 --> 1:15:03.080
<v Speaker 6>something interesting. Even that group of people who are assholes

1:15:03.400 --> 1:15:05.400
<v Speaker 6>don't like him. But I thought the fun of this

1:15:05.520 --> 1:15:07.679
<v Speaker 6>character would be he gets powers, but he doesn't stop

1:15:07.760 --> 1:15:10.160
<v Speaker 6>being a thief, and the course of the movie is

1:15:10.439 --> 1:15:13.000
<v Speaker 6>people like he has to finally be convinced to use

1:15:13.040 --> 1:15:15.599
<v Speaker 6>his powers for good. But I think he's so funny,

1:15:15.600 --> 1:15:17.519
<v Speaker 6>and even in the cartoon versions he's funny. And then

1:15:17.560 --> 1:15:19.560
<v Speaker 6>if you look at the new comics that Gail did, like,

1:15:19.880 --> 1:15:22.559
<v Speaker 6>there's so much comedy in there. And I think your

1:15:22.760 --> 1:15:25.120
<v Speaker 6>article then brought out Gail who was a writer for

1:15:25.160 --> 1:15:29.280
<v Speaker 6>a Plastic Man, and she had said that she based

1:15:29.320 --> 1:15:31.519
<v Speaker 6>some of the character off of me, and like parks

1:15:31.560 --> 1:15:33.800
<v Speaker 6>and stuff like that or something like that. So it's

1:15:33.840 --> 1:15:36.599
<v Speaker 6>like it's also like I don't look too I can

1:15:36.720 --> 1:15:38.800
<v Speaker 6>kind of look like him too. I could look like

1:15:38.920 --> 1:15:41.360
<v Speaker 6>deal too, So it's like I can never be thor

1:15:41.720 --> 1:15:43.680
<v Speaker 6>I can never be like So it's like I can

1:15:43.720 --> 1:15:45.720
<v Speaker 6>play with the skinny guy that stretches pretty good.

1:15:47.560 --> 1:15:48.600
<v Speaker 5>So just the idea of it.

1:15:48.640 --> 1:15:51.040
<v Speaker 6>Being funny, the idea of it being like almost meta

1:15:51.160 --> 1:15:53.639
<v Speaker 6>because he kind of breaks that he does all that stuff,

1:15:53.680 --> 1:15:56.320
<v Speaker 6>and also just you know, it feels like the mask

1:15:56.400 --> 1:15:58.519
<v Speaker 6>almost a little bit too, like that Jim Carry flavor

1:15:58.680 --> 1:16:01.160
<v Speaker 6>is like, I can really improve it, really go bananas

1:16:01.160 --> 1:16:03.280
<v Speaker 6>in this type of movie and turn it special and funny.

1:16:03.600 --> 1:16:05.559
<v Speaker 6>But I love the idea of a thief getting powers

1:16:05.640 --> 1:16:07.320
<v Speaker 6>and it takes a whole film for him to be

1:16:07.400 --> 1:16:08.120
<v Speaker 6>convinced to use.

1:16:08.000 --> 1:16:08.439
<v Speaker 4>Them for good.

1:16:09.200 --> 1:16:10.960
<v Speaker 2>Yeah, I mean, Plastic Man is some of the most

1:16:11.040 --> 1:16:14.880
<v Speaker 2>exciting kind of transgressive stories. Gail Simon's obviously incredible, Kyle

1:16:14.960 --> 1:16:18.400
<v Speaker 2>Baker's Plastic Man is like one of my favorite cartooning exhibits.

1:16:18.920 --> 1:16:20.439
<v Speaker 2>Do you have a dream like who would play your

1:16:20.439 --> 1:16:22.799
<v Speaker 2>Woozy Winks? Who would be like your hapless sidekick?

1:16:23.080 --> 1:16:25.640
<v Speaker 6>Well, what's the exact ethnicity of Woozy? And that's that

1:16:25.720 --> 1:16:30.680
<v Speaker 6>stays constant do we know is it a specific thing?

1:16:30.800 --> 1:16:32.280
<v Speaker 1>Is it you want?

1:16:32.680 --> 1:16:34.639
<v Speaker 2>Twenty twenty three. I think he's usually just a little

1:16:34.680 --> 1:16:36.040
<v Speaker 2>white dude, but you can just pick whoever.

1:16:36.120 --> 1:16:38.439
<v Speaker 6>I don't think he's white. I think Woozy's not white, right.

1:16:38.840 --> 1:16:43.560
<v Speaker 6>It is the first Filipino Eugene Corderio character.

1:16:43.439 --> 1:16:47.160
<v Speaker 2>In a Yeah, this is what I'm saying.

1:16:47.640 --> 1:16:48.960
<v Speaker 5>I think Bobby would be amazing.

1:16:49.000 --> 1:16:50.760
<v Speaker 6>If I don't know the ethnicity of Woozy because I

1:16:50.760 --> 1:16:52.800
<v Speaker 6>know it's a little bit, but Bobby up morninghand would

1:16:52.800 --> 1:16:53.320
<v Speaker 6>be amazing.

1:16:53.920 --> 1:16:57.120
<v Speaker 5>Eugene would be amazing. There's there's a.

1:16:57.120 --> 1:16:59.120
<v Speaker 6>Lot of different people that can play that role, but

1:16:59.160 --> 1:17:00.920
<v Speaker 6>I would love some that I can bounce off of

1:17:00.960 --> 1:17:03.519
<v Speaker 6>and we could, like, you know, find fun, gorgeous things.

1:17:03.560 --> 1:17:06.679
<v Speaker 6>But yeah, and also the the idea that I think

1:17:07.520 --> 1:17:10.040
<v Speaker 6>that Plastic Man essentially becomes a part of the Justice League.

1:17:10.320 --> 1:17:13.720
<v Speaker 5>So it's like that character is so insane.

1:17:13.800 --> 1:17:17.040
<v Speaker 6>In that world of like like all these like very

1:17:17.200 --> 1:17:19.960
<v Speaker 6>straight laced characters that I would it would just be

1:17:20.280 --> 1:17:23.240
<v Speaker 6>heaven for a comedian to play that type of role.

1:17:25.160 --> 1:17:29.760
<v Speaker 1>Speaking of Eugene Cardero, he is jacked, absolutely whipped. You

1:17:29.880 --> 1:17:33.360
<v Speaker 1>mentioned that, just busting out of his shirt every time

1:17:33.439 --> 1:17:35.800
<v Speaker 1>I see him, the guy is getting bigger and bigger, bigger.

1:17:36.280 --> 1:17:38.920
<v Speaker 1>And you mentioned that you know you had to you

1:17:39.040 --> 1:17:41.559
<v Speaker 1>had to get in the iron church and start praying

1:17:41.680 --> 1:17:44.760
<v Speaker 1>to the to the to the weights for this role.

1:17:45.000 --> 1:17:48.400
<v Speaker 1>Can you describe the workout regimen for Renfield?

1:17:49.120 --> 1:17:52.599
<v Speaker 6>Yes, it was very small. I had to be strong

1:17:52.680 --> 1:17:59.240
<v Speaker 6>enough to hold two guns this way. No, I cut

1:17:59.280 --> 1:18:01.160
<v Speaker 6>down a little a little weight and then I turned

1:18:01.200 --> 1:18:02.280
<v Speaker 6>a little into the thing. And by the way, I

1:18:02.360 --> 1:18:04.760
<v Speaker 6>needed it because to do these stunts, to do them

1:18:04.880 --> 1:18:07.720
<v Speaker 6>over and over again, and like I played basketball, but

1:18:08.000 --> 1:18:11.679
<v Speaker 6>you know, it's like I don't have like my muscle

1:18:11.680 --> 1:18:12.920
<v Speaker 6>strength is not where it should be.

1:18:13.360 --> 1:18:13.960
<v Speaker 5>And no joke.

1:18:14.080 --> 1:18:16.439
<v Speaker 6>The first couple of days of doing tests with these guns,

1:18:16.479 --> 1:18:18.760
<v Speaker 6>they were like these gold guns, almost reminiscent of like

1:18:18.880 --> 1:18:22.760
<v Speaker 6>face off, like Caser Troy guns. And I have a

1:18:22.840 --> 1:18:26.000
<v Speaker 6>scene where I stick up Aquafina and I put the

1:18:26.040 --> 1:18:27.519
<v Speaker 6>gun near her head and I hold it for like

1:18:27.640 --> 1:18:29.560
<v Speaker 6>a good minute and a half. I do this monologue.

1:18:29.800 --> 1:18:31.320
<v Speaker 6>The monologu has been cut down quite a bit, but

1:18:31.360 --> 1:18:34.240
<v Speaker 6>it's like so the first like take where you're like,

1:18:34.360 --> 1:18:36.639
<v Speaker 6>when I was like doing screen test stuff, I saw

1:18:36.760 --> 1:18:40.400
<v Speaker 6>my hand like going like this because I just wasn't

1:18:40.439 --> 1:18:42.720
<v Speaker 6>strong enough to hold these guns for that long. So

1:18:42.880 --> 1:18:45.600
<v Speaker 6>my workout regimen was the Chris Brewster, who is the

1:18:45.640 --> 1:18:47.960
<v Speaker 6>stunt guy, gave me like some workout stuff and it

1:18:48.080 --> 1:18:50.320
<v Speaker 6>was mostly like wait, it wasn't like it wasn't like

1:18:50.640 --> 1:18:52.920
<v Speaker 6>crazy stuff. It was like me getting in the hotel gym,

1:18:53.360 --> 1:18:55.680
<v Speaker 6>me working out with free weights, me getting on some

1:18:56.560 --> 1:18:59.639
<v Speaker 6>you know, just whatever and working out and it gave

1:18:59.640 --> 1:19:01.040
<v Speaker 6>me enough to be able to do it, which was

1:19:01.080 --> 1:19:01.679
<v Speaker 6>really exciting.

1:19:01.720 --> 1:19:02.960
<v Speaker 5>And then it was so funny.

1:19:03.000 --> 1:19:07.280
<v Speaker 6>The second I wrapped the fight scenes I was in

1:19:07.320 --> 1:19:09.640
<v Speaker 6>New Orleans, I slowly gained weight for the rest of

1:19:09.680 --> 1:19:14.240
<v Speaker 6>the movie, like you see my character like slowly gets

1:19:14.320 --> 1:19:16.200
<v Speaker 6>bigger and bigger. The second I was done with all

1:19:16.200 --> 1:19:18.680
<v Speaker 6>the parts that had to do with whatever, it was

1:19:18.800 --> 1:19:20.639
<v Speaker 6>just I just kept eating and eating in that city.

1:19:20.720 --> 1:19:22.679
<v Speaker 6>It's so hard not to It's so hard neat healthy

1:19:22.720 --> 1:19:23.200
<v Speaker 6>in that city.

1:19:24.200 --> 1:19:27.559
<v Speaker 2>Yeah, too much delicious food. So with this you kind

1:19:27.560 --> 1:19:29.160
<v Speaker 2>of touched on it, but kind of this idea of

1:19:29.240 --> 1:19:31.560
<v Speaker 2>like turning the idea of what a villain is and

1:19:31.640 --> 1:19:34.040
<v Speaker 2>exploding it. How do you balance those moments like that

1:19:34.240 --> 1:19:38.040
<v Speaker 2>moment in the club with Aquafina that's in the trailer way.

1:19:38.080 --> 1:19:39.920
<v Speaker 2>You have that monologue, you still have to be menacing.

1:19:40.000 --> 1:19:42.440
<v Speaker 2>How do you bring that balance of kind of unhinged

1:19:43.320 --> 1:19:47.120
<v Speaker 2>scariness with all the comedy and kind of pathetic aspects

1:19:47.160 --> 1:19:48.400
<v Speaker 2>that you bring into the character.

1:19:48.960 --> 1:19:50.960
<v Speaker 6>That's a great question. It was something that Chris McKay

1:19:51.040 --> 1:19:53.000
<v Speaker 6>was the director and I really thought about. That moment especially,

1:19:53.120 --> 1:19:54.960
<v Speaker 6>was a big one. Even when I auditioned. He's like,

1:19:55.400 --> 1:19:57.840
<v Speaker 6>I want to see in my head, I never killed

1:19:57.840 --> 1:20:01.439
<v Speaker 6>somebody before. My character had never actually killed somebody. He's

1:20:01.479 --> 1:20:03.400
<v Speaker 6>all talk. His whole thing is talking. He's just trying

1:20:03.400 --> 1:20:05.280
<v Speaker 6>to impress his mom and his friends. So he has

1:20:05.320 --> 1:20:08.519
<v Speaker 6>the gun Tako FINA's face, and then she's she says,

1:20:08.560 --> 1:20:11.400
<v Speaker 6>do it shoot me? I don't think you'll do it,

1:20:11.880 --> 1:20:13.960
<v Speaker 6>and like you see my gears start turning, like, oh

1:20:14.000 --> 1:20:15.200
<v Speaker 6>my god, am I gonna have to actually do this?

1:20:16.160 --> 1:20:18.000
<v Speaker 6>And we spent a bunch of time being like, how

1:20:18.080 --> 1:20:20.120
<v Speaker 6>do we make this look real and watch this person

1:20:20.240 --> 1:20:22.559
<v Speaker 6>flip from being this person just talks to actually somebody's

1:20:22.560 --> 1:20:24.680
<v Speaker 6>gonna pull the trigger and so like we shot that

1:20:24.760 --> 1:20:28.040
<v Speaker 6>scene for days and had such great, like dramatic moments.

1:20:28.080 --> 1:20:30.599
<v Speaker 6>So for me too, there's a bunch of that scene

1:20:30.640 --> 1:20:32.320
<v Speaker 6>that got cut where like I'm like doing bits with

1:20:32.400 --> 1:20:34.760
<v Speaker 6>all the people, like I'm like intimidating everybody when I

1:20:34.800 --> 1:20:36.840
<v Speaker 6>get in there. And then and then I finally get

1:20:36.880 --> 1:20:39.720
<v Speaker 6>to her and have this really dramatic moment that was

1:20:39.800 --> 1:20:42.000
<v Speaker 6>exactly what you said, where I'm juggling this big comedy

1:20:42.320 --> 1:20:44.000
<v Speaker 6>and then Okay, now this moment, I have to be

1:20:44.200 --> 1:20:45.760
<v Speaker 6>like serious and now this moment, I have.

1:20:45.800 --> 1:20:47.639
<v Speaker 5>To be terrified that I'm gonna take some of his life.

1:20:47.960 --> 1:20:48.920
<v Speaker 5>And we really played with that.

1:20:49.000 --> 1:20:50.519
<v Speaker 6>We really tried to find those moments and try to

1:20:50.520 --> 1:20:54.400
<v Speaker 6>make them real so you feel the character whenever they switch,

1:20:54.560 --> 1:20:57.639
<v Speaker 6>like when I'm unhinged on drugs and then really zoned

1:20:57.640 --> 1:20:59.040
<v Speaker 6>in and like, oh my god, what am I gonna do?

1:20:59.520 --> 1:21:01.280
<v Speaker 5>It was really a fun part of the whole process.

1:21:03.520 --> 1:21:08.280
<v Speaker 1>The action scenes are spectacular. Each one of them has

1:21:08.400 --> 1:21:11.320
<v Speaker 1>its own particular hook which I really liked. You know,

1:21:11.439 --> 1:21:14.120
<v Speaker 1>there's a strong Jackie Channel element here, and then the

1:21:14.280 --> 1:21:22.240
<v Speaker 1>end fight is really exciting. Tell us about doing fight scenes, it's.

1:21:22.200 --> 1:21:22.800
<v Speaker 5>You know, it's so funny.

1:21:22.880 --> 1:21:24.760
<v Speaker 6>So I did a show called The After Party right

1:21:24.800 --> 1:21:27.639
<v Speaker 6>before this, and it was my episode was a musical episode.

1:21:27.680 --> 1:21:30.040
<v Speaker 6>So I had to learn how to do choreography and

1:21:30.240 --> 1:21:33.400
<v Speaker 6>sing and dance and everything. And I couldn't believe how

1:21:33.439 --> 1:21:35.320
<v Speaker 6>strong the dancers were and how incredible they were. And

1:21:35.360 --> 1:21:39.360
<v Speaker 6>they were like all superstars and regardless of genders or anything,

1:21:39.400 --> 1:21:41.800
<v Speaker 6>they were like cute. They were like superheroes to me,

1:21:41.880 --> 1:21:43.800
<v Speaker 6>and I had to learn how to do that. And

1:21:43.880 --> 1:21:45.920
<v Speaker 6>so I went from that to this, and there's a

1:21:46.040 --> 1:21:49.439
<v Speaker 6>lot of similarities, Like the to learn choreography was the

1:21:49.479 --> 1:21:51.439
<v Speaker 6>first time I had learned like real like you know,

1:21:51.560 --> 1:21:53.720
<v Speaker 6>me and Nichole for weeks beforehand, we go through our

1:21:53.800 --> 1:21:55.559
<v Speaker 6>fights and you know, make sure we're not hurting each

1:21:55.560 --> 1:21:57.960
<v Speaker 6>other and dada da, and it was really fun. And

1:21:58.040 --> 1:21:59.920
<v Speaker 6>then I gained so much respect for the stunt team.

1:21:59.920 --> 1:22:02.200
<v Speaker 6>I spent so much my time on my off time

1:22:02.280 --> 1:22:05.240
<v Speaker 6>with that stunt team and Marvin Ross and all all

1:22:05.240 --> 1:22:09.080
<v Speaker 6>those guys, and so it's like it's incredible and it's

1:22:09.200 --> 1:22:11.160
<v Speaker 6>all a dance. It's all like if you know, if

1:22:11.200 --> 1:22:13.280
<v Speaker 6>you're rhythmic and can do it. That's so like my

1:22:13.320 --> 1:22:15.439
<v Speaker 6>stuff from the After Party really helped me for my

1:22:15.520 --> 1:22:19.200
<v Speaker 6>stunt stuff here. But when I first started fighting, I

1:22:19.280 --> 1:22:20.439
<v Speaker 6>would do like every kid.

1:22:20.520 --> 1:22:21.080
<v Speaker 5>I would go like.

1:22:24.080 --> 1:22:26.760
<v Speaker 6>The director had to tell me to stop making the

1:22:26.960 --> 1:22:32.880
<v Speaker 6>noises like post because never in my life if I

1:22:33.080 --> 1:22:35.720
<v Speaker 6>like play fighter with someone and not pretended, you know

1:22:35.760 --> 1:22:36.120
<v Speaker 6>what I mean.

1:22:37.400 --> 1:22:39.320
<v Speaker 5>It was so was very funny to get that note

1:22:39.439 --> 1:22:39.880
<v Speaker 5>from the.

1:22:39.960 --> 1:22:42.320
<v Speaker 6>Stunt director and the stunt guy's being like, you don't

1:22:42.400 --> 1:22:44.160
<v Speaker 6>stop stop moving your mouth when you're.

1:22:44.760 --> 1:22:45.639
<v Speaker 5>I was sorry.

1:22:47.600 --> 1:22:50.200
<v Speaker 2>Yeah, I mean Michelle Yo. She was actually a dancer

1:22:50.280 --> 1:22:52.920
<v Speaker 2>before she became a martial artist, before she was in

1:22:53.040 --> 1:22:53.760
<v Speaker 2>the movie.

1:22:53.840 --> 1:22:56.280
<v Speaker 5>She is so inspiringly incredible.

1:22:56.600 --> 1:23:01.200
<v Speaker 2>Icon Were there any action movie or particular fight scenes

1:23:01.280 --> 1:23:03.360
<v Speaker 2>or anything that people directed you to or that you

1:23:03.479 --> 1:23:05.560
<v Speaker 2>revisited as you are prep in for this, because it

1:23:05.680 --> 1:23:07.320
<v Speaker 2>is like it's an action movie, and I think a

1:23:07.360 --> 1:23:08.880
<v Speaker 2>lot of people won't know that till they go and

1:23:08.960 --> 1:23:09.840
<v Speaker 2>see it in the theater.

1:23:10.560 --> 1:23:13.040
<v Speaker 5>And also the action is like superhero action, where like,

1:23:13.080 --> 1:23:15.160
<v Speaker 5>you know, we get superpowers and I'm on wires and

1:23:15.240 --> 1:23:16.920
<v Speaker 5>being thrown all over the place and being flung in

1:23:16.920 --> 1:23:17.280
<v Speaker 5>the air and.

1:23:17.240 --> 1:23:20.280
<v Speaker 2>So people's limbs are getting torn off and yeah, yeah.

1:23:20.120 --> 1:23:23.560
<v Speaker 6>Yeah, it's the best being used as dumb chucks. The

1:23:24.920 --> 1:23:26.200
<v Speaker 6>I didn't watch it for the action stuff. I do

1:23:26.280 --> 1:23:28.479
<v Speaker 6>love my John Wick series. I haven't seen the filth movie.

1:23:28.560 --> 1:23:30.360
<v Speaker 6>I do love I do love a John Wick movie.

1:23:30.760 --> 1:23:33.200
<v Speaker 6>But I mean I grew up, Me and my dad watched,

1:23:33.240 --> 1:23:35.960
<v Speaker 6>you know, every action movie in the universe we watched together,

1:23:36.080 --> 1:23:38.720
<v Speaker 6>so uh, nothing that prepared the ones. The movies that

1:23:38.720 --> 1:23:41.839
<v Speaker 6>I watched prepare for the role were Good Fellas, Donny Brasco,

1:23:42.080 --> 1:23:45.479
<v Speaker 6>Mean Streets, And then I thought, my character had those

1:23:45.600 --> 1:23:48.519
<v Speaker 6>posters on his wall, but my character could never.

1:23:48.520 --> 1:23:50.320
<v Speaker 5>Be those guys, do you know what I mean? Like

1:23:50.439 --> 1:23:51.719
<v Speaker 5>it's like, yeah, he had.

1:23:51.600 --> 1:23:53.240
<v Speaker 6>Those posters on his wall, and he wants to be

1:23:53.400 --> 1:23:55.439
<v Speaker 6>like them, but he's just he could never. He just

1:23:55.479 --> 1:23:58.160
<v Speaker 6>doesn't have it in him to be in So that's

1:23:58.200 --> 1:24:00.000
<v Speaker 6>kind of of those things he aspired to be those guys.

1:24:00.040 --> 1:24:04.320
<v Speaker 1>Yes, what I love about this movie is that it

1:24:04.560 --> 1:24:06.679
<v Speaker 1>is First of all, it's fast paced. As you mentioned,

1:24:07.400 --> 1:24:10.400
<v Speaker 1>the action sees are wonderful. It has a story. We

1:24:10.479 --> 1:24:12.920
<v Speaker 1>were talking about this in the group chatter. I can't

1:24:13.640 --> 1:24:17.320
<v Speaker 1>I legitimately cannot remember the last movie that dealt with

1:24:20.040 --> 1:24:24.479
<v Speaker 1>a man in an abusive relationship before, which is a

1:24:24.560 --> 1:24:28.400
<v Speaker 1>thing that is under talked about. And I can't remember

1:24:28.439 --> 1:24:30.160
<v Speaker 1>the last movie that devil this. This deals with it

1:24:30.240 --> 1:24:33.000
<v Speaker 1>in a really fun and cathartic way and it's really funny.

1:24:34.640 --> 1:24:36.760
<v Speaker 1>Was that how much of that was evident when you

1:24:36.880 --> 1:24:39.720
<v Speaker 1>were pitched this project when you started going out.

1:24:39.880 --> 1:24:42.720
<v Speaker 6>The script was amazing Ryan Ridley, Robert Kirkman, who did

1:24:42.800 --> 1:24:44.720
<v Speaker 6>Walking Dead and by the way, Invincible if you guys

1:24:44.760 --> 1:24:48.599
<v Speaker 6>love comedy, Oh my god.

1:24:48.479 --> 1:24:50.840
<v Speaker 5>And the TV show is just unbelievably good.

1:24:51.640 --> 1:24:53.240
<v Speaker 6>But he thought the idea Kirkman then he gave it

1:24:53.240 --> 1:24:55.040
<v Speaker 6>to Ryan Redley wrote for the first bunch of seasons

1:24:55.080 --> 1:24:57.280
<v Speaker 6>of Rick and Morty. The script was amazing, and the

1:24:57.280 --> 1:25:00.240
<v Speaker 6>script had all that stuff in there, and it also

1:25:00.320 --> 1:25:01.880
<v Speaker 6>is kind of like inspiring for someone who wants to

1:25:01.880 --> 1:25:03.680
<v Speaker 6>get out of a toxic relationship to someone who is

1:25:03.760 --> 1:25:06.559
<v Speaker 6>like their boss at work, is like they can't get

1:25:06.600 --> 1:25:08.160
<v Speaker 6>out of their job and they just don't have they

1:25:08.200 --> 1:25:10.720
<v Speaker 6>don't have they don't have the confidence in themselves to

1:25:10.800 --> 1:25:13.839
<v Speaker 6>break free because you know, the negative and the failure

1:25:13.920 --> 1:25:16.680
<v Speaker 6>is so scary. So all that stuff was evident in there.

1:25:16.800 --> 1:25:18.479
<v Speaker 6>But the script was the reason why I wanted to

1:25:18.520 --> 1:25:22.320
<v Speaker 6>do it was I never got to play villain before

1:25:22.640 --> 1:25:24.679
<v Speaker 6>in my life. I've never gotten to do these fight scenes.

1:25:24.880 --> 1:25:26.800
<v Speaker 6>I remember talking to my agent because I at the

1:25:26.880 --> 1:25:28.880
<v Speaker 6>time when after auditioned, I got lucky and I had

1:25:28.920 --> 1:25:30.200
<v Speaker 6>two offers at the same time, and I had to

1:25:30.280 --> 1:25:33.240
<v Speaker 6>choose what to do this or something else. And my

1:25:33.479 --> 1:25:35.639
<v Speaker 6>agent's like, you're always going to be able to play

1:25:35.680 --> 1:25:36.840
<v Speaker 6>this nebishy Jewish character.

1:25:37.000 --> 1:25:41.639
<v Speaker 5>You're very villain of a studio film, Ben.

1:25:41.840 --> 1:25:43.360
<v Speaker 6>And I was like, you're right, you're right, you're right,

1:25:43.400 --> 1:25:45.720
<v Speaker 6>And it was just so clear that It's like, I

1:25:45.840 --> 1:25:48.599
<v Speaker 6>had so much fun doing it. For the reasons why

1:25:48.640 --> 1:25:51.920
<v Speaker 6>I never get to play those characters, but all that

1:25:51.960 --> 1:25:53.720
<v Speaker 6>stuff was definitely evident in there, and I think it's

1:25:53.760 --> 1:25:55.719
<v Speaker 6>what makes movies good. You know, when you have something

1:25:55.760 --> 1:25:58.200
<v Speaker 6>to bite onto for any of your characters, that's when

1:25:58.240 --> 1:26:01.280
<v Speaker 6>it's like the most exciting. If you're just seen fighting fighting, fighting,

1:26:01.920 --> 1:26:03.720
<v Speaker 6>it's you're gonna get bored. But if you know, even

1:26:03.720 --> 1:26:05.720
<v Speaker 6>when we're watching Marvel movies or DC movies, if it's

1:26:05.840 --> 1:26:08.040
<v Speaker 6>just a series of set pieces with nothing in between,

1:26:08.520 --> 1:26:10.720
<v Speaker 6>you don't care about what happens. But if you make

1:26:10.800 --> 1:26:13.320
<v Speaker 6>you care about the characters, and you see that Nicholet

1:26:13.400 --> 1:26:15.360
<v Speaker 6>is trying to break free, and you see that Dracta

1:26:15.439 --> 1:26:17.960
<v Speaker 6>is kind of petty, also, that's like, yeah, you're like

1:26:18.360 --> 1:26:20.800
<v Speaker 6>you're like kind of like getting invested in all of it.

1:26:20.960 --> 1:26:23.880
<v Speaker 6>So I think it's so necessary and I think Ryan

1:26:24.000 --> 1:26:26.120
<v Speaker 6>really crushed it. The script, the original version of the

1:26:26.120 --> 1:26:27.840
<v Speaker 6>script that I read was one of the better scripts

1:26:27.840 --> 1:26:28.720
<v Speaker 6>I've read in a long time.

1:26:30.000 --> 1:26:33.080
<v Speaker 2>Yeah, that really comes true. It's so funny, it's surprisingly

1:26:33.200 --> 1:26:37.880
<v Speaker 2>sweet while also featuring people being like lambasted with you know,

1:26:38.200 --> 1:26:41.519
<v Speaker 2>broken limbs. So the other thing I think is really

1:26:41.560 --> 1:26:43.479
<v Speaker 2>cool about this, even though you know it's not necessarily

1:26:43.560 --> 1:26:46.240
<v Speaker 2>being presented this way, this is essentially like a universal

1:26:46.360 --> 1:26:48.759
<v Speaker 2>monster movie, and we haven't had one of those.

1:26:48.640 --> 1:26:49.000
<v Speaker 1>For a while.

1:26:49.040 --> 1:26:50.920
<v Speaker 2>The last one we had was Lee one on Invisible Man,

1:26:50.960 --> 1:26:52.439
<v Speaker 2>which is like such a different movie.

1:26:53.920 --> 1:26:55.080
<v Speaker 5>I thought they crushed that movie.

1:26:55.520 --> 1:26:59.840
<v Speaker 1>So good relationship, Yeah, really watching that.

1:27:00.080 --> 1:27:02.240
<v Speaker 6>I remember watching that movie and there was a scene

1:27:02.360 --> 1:27:04.400
<v Speaker 6>where it was just a blank. It was like a

1:27:04.439 --> 1:27:07.280
<v Speaker 6>scene where the director was like kind of like filming

1:27:07.320 --> 1:27:09.759
<v Speaker 6>near the ceiling or something like that, and there's nothing

1:27:09.840 --> 1:27:12.400
<v Speaker 6>on camera, and I remember being terrified. I wrote down

1:27:12.439 --> 1:27:15.800
<v Speaker 6>in a notebook how I couldn't believe how literally nothing

1:27:15.960 --> 1:27:17.600
<v Speaker 6>like you think of that day they literally put a

1:27:17.640 --> 1:27:20.759
<v Speaker 6>camera that press record and the weight of that scene

1:27:20.920 --> 1:27:24.120
<v Speaker 6>was so scary to me and so intense. I was

1:27:24.240 --> 1:27:26.519
<v Speaker 6>really inspired by that, I wrote in a notepad, like

1:27:26.920 --> 1:27:29.519
<v Speaker 6>they remember this, Remember that you can cause drama just

1:27:29.600 --> 1:27:32.080
<v Speaker 6>by like you don't need things happening all the time.

1:27:32.640 --> 1:27:34.679
<v Speaker 5>I thought that was really beautifully done that movie. Sorry,

1:27:34.880 --> 1:27:35.439
<v Speaker 5>yes you said that.

1:27:35.760 --> 1:27:38.160
<v Speaker 2>Every suggestion it's so powerful. Well, I was just gonna say,

1:27:38.200 --> 1:27:40.360
<v Speaker 2>what's it like to then get to create a character,

1:27:40.439 --> 1:27:43.160
<v Speaker 2>to get this brilliant script that's in this iconic world

1:27:43.240 --> 1:27:45.080
<v Speaker 2>that goes back, you know, one hundred years, that has

1:27:45.120 --> 1:27:48.600
<v Speaker 2>people like Bela Lagosi, like pure icons, Boris Karloff, And

1:27:48.680 --> 1:27:50.439
<v Speaker 2>then to get to create a new character in there

1:27:50.520 --> 1:27:53.600
<v Speaker 2>and be alongside Dracula, one of the most iconic you

1:27:53.640 --> 1:27:55.519
<v Speaker 2>know monsters movie monsters of all time.

1:27:56.040 --> 1:27:58.000
<v Speaker 6>It's when I have my scenes with Draculine when he like,

1:27:58.400 --> 1:27:59.600
<v Speaker 6>I don't even know if it's in the movie, but

1:27:59.680 --> 1:28:01.680
<v Speaker 6>like when he like comes after me and stuff like that,

1:28:01.960 --> 1:28:06.960
<v Speaker 6>it's like two, it's so exciting. It's so exciting because

1:28:07.479 --> 1:28:09.600
<v Speaker 6>you know about where they shot these movies. You know,

1:28:09.680 --> 1:28:11.679
<v Speaker 6>how long do they shot these movies? You know, Bram Stoker,

1:28:11.720 --> 1:28:14.200
<v Speaker 6>you know all these things, you know Leslie Nielsen.

1:28:14.439 --> 1:28:14.840
<v Speaker 2>So it's like.

1:28:16.479 --> 1:28:18.720
<v Speaker 6>It's like to be a part of the legacy and

1:28:18.760 --> 1:28:21.320
<v Speaker 6>then to create something new that could essentially now is

1:28:21.479 --> 1:28:24.120
<v Speaker 6>like cannon, as we say in our dirty words.

1:28:24.560 --> 1:28:29.120
<v Speaker 5>So it's like that is like it's so it's so exciting.

1:28:29.200 --> 1:28:31.519
<v Speaker 6>And then technically, no matter what happens to my character,

1:28:31.720 --> 1:28:35.240
<v Speaker 6>this character now exists in the universe all these other

1:28:35.680 --> 1:28:38.880
<v Speaker 6>joy Yeah, and it's a brand new character, which is like,

1:28:39.080 --> 1:28:42.240
<v Speaker 6>you know, so it's very very exciting. It's ah for

1:28:42.320 --> 1:28:45.360
<v Speaker 6>someone who really respects this stuff, it's I'm very excited.

1:28:46.479 --> 1:28:48.920
<v Speaker 1>Okay, final final question. It's and it's a little bit

1:28:48.960 --> 1:28:50.800
<v Speaker 1>of a nuts and bolts question for me. Does the

1:28:50.960 --> 1:28:55.400
<v Speaker 1>size of the bug matter? Because Landfield's eating like little

1:28:55.400 --> 1:28:58.840
<v Speaker 1>spiders and some ants and stuff and and at the

1:28:58.960 --> 1:29:03.160
<v Speaker 1>end you snort like a centipede that's like eight inches long, dude,

1:29:03.280 --> 1:29:06.439
<v Speaker 1>And I would imagine that the bigger the bug, the

1:29:06.840 --> 1:29:09.760
<v Speaker 1>bigger the powers. What are you what? How did you

1:29:10.320 --> 1:29:12.840
<v Speaker 1>what's the receive that? Yeah? What did you think about that?

1:29:13.479 --> 1:29:16.080
<v Speaker 6>This is a great question. I only ate one bug.

1:29:16.200 --> 1:29:18.320
<v Speaker 6>He eats a series of different bugs. Now is it

1:29:18.520 --> 1:29:21.160
<v Speaker 6>the hard is it the blood from the bug? Is it?

1:29:21.240 --> 1:29:21.600
<v Speaker 1>What is it?

1:29:21.920 --> 1:29:23.200
<v Speaker 5>What is it that's really fueling him?

1:29:23.200 --> 1:29:26.120
<v Speaker 6>You don't really know, but uh, I love that It's

1:29:26.240 --> 1:29:28.920
<v Speaker 6>like my character starts, oh my god in that scene.

1:29:29.600 --> 1:29:30.960
<v Speaker 5>They cut at the beginning of that scene.

1:29:31.000 --> 1:29:33.040
<v Speaker 6>But that scene, at my very first scene where you

1:29:33.120 --> 1:29:35.960
<v Speaker 6>see me in the car and I do coke, you,

1:29:36.680 --> 1:29:38.479
<v Speaker 6>it was a whole scene before that, where I'm talking

1:29:38.560 --> 1:29:40.519
<v Speaker 6>to my daughter and putting her to sleep while I'm

1:29:40.560 --> 1:29:41.080
<v Speaker 6>doing coke and.

1:29:41.120 --> 1:29:41.760
<v Speaker 5>Doing this child.

1:29:42.680 --> 1:29:44.280
<v Speaker 6>That's how the move. That's how my character is. Like

1:29:44.560 --> 1:29:46.400
<v Speaker 6>Entrance was in this and we did like I mean,

1:29:46.439 --> 1:29:49.640
<v Speaker 6>I improvised forever on that. But I love that my

1:29:49.800 --> 1:29:51.280
<v Speaker 6>character is mirrored that. The first time you see me

1:29:51.320 --> 1:29:52.840
<v Speaker 6>storts coc and then when he gets to be this

1:29:52.960 --> 1:29:55.679
<v Speaker 6>superpowered guy, he snorts the millipede in the same way.

1:29:57.120 --> 1:29:59.960
<v Speaker 6>I would say that the bigger the bug, I said,

1:30:00.080 --> 1:30:03.000
<v Speaker 6>the more mass, the better. That's why he's constantly.

1:30:04.280 --> 1:30:04.840
<v Speaker 5>That's where it goes.

1:30:05.080 --> 1:30:05.920
<v Speaker 2>The power grows.

1:30:06.479 --> 1:30:09.920
<v Speaker 6>I think I figure out like a spinach, if Popeye

1:30:10.080 --> 1:30:12.719
<v Speaker 6>ate African of Spinach, would he be half as strong

1:30:12.840 --> 1:30:13.800
<v Speaker 6>or would he still be as strong?

1:30:13.840 --> 1:30:16.040
<v Speaker 5>Did you have the power the whole thing? Out right?

1:30:16.800 --> 1:30:17.759
<v Speaker 2>Important questions?

1:30:17.960 --> 1:30:20.240
<v Speaker 1>That makes a lot of sense. Well, listen, go see

1:30:20.280 --> 1:30:21.639
<v Speaker 1>Renfield April fourteenth.

1:30:21.840 --> 1:30:24.960
<v Speaker 2>Yeah, go see Renfield is total joy and James Gunn

1:30:25.360 --> 1:30:26.639
<v Speaker 2>make that Plastic Man movie.

1:30:27.800 --> 1:30:29.960
<v Speaker 1>Ben Schwartz, thank you so much, Thank you so much

1:30:30.000 --> 1:30:30.519
<v Speaker 1>for joining us.

1:30:30.560 --> 1:30:33.960
<v Speaker 5>Go Nicks, Oh my god, go Nicks. Absolutely go next everybody.

1:30:34.120 --> 1:30:36.479
<v Speaker 1>Thank you to Ben Schwartz for peering up dex nerd out.

1:30:44.000 --> 1:30:45.920
<v Speaker 2>In today's not Out, where you tell us what you

1:30:46.000 --> 1:30:49.200
<v Speaker 2>love them, why, or a theory that you're excited to share.

1:30:50.040 --> 1:30:55.759
<v Speaker 2>Mike posits the latter, a theory about the inspiration behind

1:30:55.880 --> 1:30:59.160
<v Speaker 2>Mandalorian chapter twenty two Guns for Hire. And this is

1:30:59.280 --> 1:31:01.439
<v Speaker 2>very unique. I've not heard this theory before, but it

1:31:01.479 --> 1:31:03.600
<v Speaker 2>makes a lot of sense. Jason, I'll allow you to

1:31:03.640 --> 1:31:04.160
<v Speaker 2>do the honors.

1:31:04.400 --> 1:31:08.960
<v Speaker 1>Sure, uh, Jason and Rosie. The entire setting of Plazi

1:31:09.040 --> 1:31:11.920
<v Speaker 1>or fifteen reeked of the show making fun of disney

1:31:12.000 --> 1:31:16.599
<v Speaker 1>World and Disneyland. The domes are very epcotesque, that is true,

1:31:17.120 --> 1:31:20.400
<v Speaker 1>the monorail, all of the people focusing on leisure and

1:31:20.520 --> 1:31:23.800
<v Speaker 1>not working, Dinbow being presented with a ceremony and key

1:31:23.880 --> 1:31:26.599
<v Speaker 1>to the city, and Grogu getting knighted at the end,

1:31:26.720 --> 1:31:28.680
<v Speaker 1>et cetera, et cetera. All of this seemed like a

1:31:28.760 --> 1:31:30.960
<v Speaker 1>play on the over the top experiences that people can

1:31:31.080 --> 1:31:36.720
<v Speaker 1>have at a Disney park, which Mike professes to be

1:31:36.920 --> 1:31:39.960
<v Speaker 1>a very ardent admirer of the magic of disney parks,

1:31:40.600 --> 1:31:45.719
<v Speaker 1>and this is I think this is pretty interesting actually,

1:31:46.000 --> 1:31:48.080
<v Speaker 1>the way the monorail speaks and everything too.

1:31:48.240 --> 1:31:52.280
<v Speaker 2>I hadn't yeah together considered it, but it's really interesting,

1:31:52.400 --> 1:31:55.080
<v Speaker 2>especially like myke he points out, this could be kind

1:31:55.120 --> 1:31:57.839
<v Speaker 2>of like a satire. It's not like some cruel mockery,

1:31:57.920 --> 1:32:03.280
<v Speaker 2>but it's because the mocking it everything fun of Disneyland

1:32:03.400 --> 1:32:04.800
<v Speaker 2>and kind of certainly.

1:32:04.880 --> 1:32:10.759
<v Speaker 1>Everybody who is staying on Plazia fifteen is absolutely loving life.

1:32:11.120 --> 1:32:13.559
<v Speaker 2>This would also make a lot of sense because it's

1:32:13.760 --> 1:32:19.400
<v Speaker 2>kind of a nice fun rebuttal slash knowing wink to

1:32:19.560 --> 1:32:22.200
<v Speaker 2>how much the Star Wars TV shows have actually been

1:32:22.240 --> 1:32:27.000
<v Speaker 2>about promoting the Disneyland Yeah park, you know, the really

1:32:27.120 --> 1:32:29.519
<v Speaker 2>fun Star Wars Disneyland park that they built. There's been

1:32:29.520 --> 1:32:32.519
<v Speaker 2>a lot of direct tie ins in the Star Wars

1:32:32.560 --> 1:32:36.639
<v Speaker 2>shows to that new location. So it's kind of fun

1:32:37.040 --> 1:32:39.640
<v Speaker 2>to imagine that this is them sort of going not

1:32:39.880 --> 1:32:43.320
<v Speaker 2>nod wink wink, like my Disneyland's kind of an evil

1:32:43.720 --> 1:32:45.920
<v Speaker 2>like leisure planet. Like, it's a lot of fun. I

1:32:46.000 --> 1:32:46.679
<v Speaker 2>love this reading.

1:32:46.880 --> 1:32:51.160
<v Speaker 1>I'm running with this and the fact that, like we

1:32:51.320 --> 1:32:54.960
<v Speaker 1>didn't I've not heard this before, So first of all, Mike,

1:32:55.080 --> 1:32:58.520
<v Speaker 1>kudos for a really really original, so unique.

1:32:58.280 --> 1:32:59.920
<v Speaker 2>I had not seen anyone do this real.

1:33:00.240 --> 1:33:02.720
<v Speaker 1>It's so fun, and it leads me to believe that

1:33:02.880 --> 1:33:07.560
<v Speaker 1>if this indeed is the subtext, right, I bet you

1:33:07.680 --> 1:33:09.639
<v Speaker 1>no one caught it on the way out, like part

1:33:09.680 --> 1:33:11.599
<v Speaker 1>of the reason why I think this would gotten exactly

1:33:11.840 --> 1:33:15.280
<v Speaker 1>nobody caught it. And and of course it also does

1:33:15.600 --> 1:33:18.480
<v Speaker 1>portray like if indeed it is a metaphor for Disneyland

1:33:18.680 --> 1:33:24.800
<v Speaker 1>disney World, it portrays it it largely a really really

1:33:24.920 --> 1:33:28.559
<v Speaker 1>great light. I mean again, like everybody's just like living

1:33:28.680 --> 1:33:31.719
<v Speaker 1>and shopping and eating well without a care in the world.

1:33:31.960 --> 1:33:36.280
<v Speaker 1>All of their you know, needs taken care of by

1:33:36.720 --> 1:33:39.040
<v Speaker 1>various droid servants. Like it's yeah, fun.

1:33:39.360 --> 1:33:41.519
<v Speaker 2>I kind of like Mike also makes the point that

1:33:41.640 --> 1:33:43.599
<v Speaker 2>like he's like, I'm not, he's not one hundred percent

1:33:43.640 --> 1:33:45.760
<v Speaker 2>sure where they resist the bar stands in that, But

1:33:45.880 --> 1:33:48.720
<v Speaker 2>there is also an argument for the idea that for

1:33:48.840 --> 1:33:50.840
<v Speaker 2>you to have fun at Disneyland, a ton of people

1:33:50.960 --> 1:33:52.920
<v Speaker 2>have to work jobs that you don't have to do

1:33:53.320 --> 1:33:55.280
<v Speaker 2>so you can enjoy it. And I think that's also

1:33:55.439 --> 1:33:59.280
<v Speaker 2>kind of an interesting aspect of it. The droid aspects

1:33:59.320 --> 1:34:02.800
<v Speaker 2>also fun because the Disney the nature of Disney is

1:34:02.840 --> 1:34:05.439
<v Speaker 2>there's all these kind of almost like five Nights at

1:34:05.479 --> 1:34:09.480
<v Speaker 2>Freddie's folklore about the animatronics and the kind of spookiness

1:34:09.560 --> 1:34:12.160
<v Speaker 2>of Disney parks, and I like that that leans into it.

1:34:12.680 --> 1:34:14.800
<v Speaker 2>I just think this is such a cool, fun read.

1:34:14.840 --> 1:34:18.120
<v Speaker 2>And I mean all of this stuff constantly feeds off

1:34:18.160 --> 1:34:21.920
<v Speaker 2>each other, the parks, the movies, the comics, the TV shows,

1:34:22.240 --> 1:34:25.600
<v Speaker 2>the storytelling, the creators who are involved in it, so

1:34:25.680 --> 1:34:27.120
<v Speaker 2>it makes a lot of sense that they could be

1:34:27.160 --> 1:34:29.080
<v Speaker 2>having fun. I mean, even when you think about it,

1:34:29.120 --> 1:34:32.320
<v Speaker 2>even the way that like Lizzo and Jack Black are

1:34:32.439 --> 1:34:35.840
<v Speaker 2>dressed really feels like it sells into this Lizo's kind

1:34:35.840 --> 1:34:37.920
<v Speaker 2>of this Disney Princess in deep Space.

1:34:38.560 --> 1:34:42.479
<v Speaker 1>One more wrinkle to add to this that supports Mike's theory,

1:34:42.960 --> 1:34:48.439
<v Speaker 1>disney Land disney World is a noted hire of many

1:34:51.360 --> 1:34:55.719
<v Speaker 1>older and retired cast members who work at the parks

1:34:55.760 --> 1:35:02.480
<v Speaker 1>to augment their their fixed income. And that is absolutely

1:35:02.600 --> 1:35:06.240
<v Speaker 1>in line with the Droids, who are concerned about.

1:35:06.040 --> 1:35:07.559
<v Speaker 2>Like that they're going to be replaced all.

1:35:07.479 --> 1:35:09.519
<v Speaker 1>Their models here, and we don't want to be replaced,

1:35:09.600 --> 1:35:11.439
<v Speaker 1>like we want to still want to be useful. So

1:35:11.720 --> 1:35:15.720
<v Speaker 1>there that's another That's another little piece that I think

1:35:15.800 --> 1:35:20.240
<v Speaker 1>supports Mike's assertion. This is very very interesting, Mike Man, thank.

1:35:20.120 --> 1:35:22.160
<v Speaker 2>You so much. That was such a great theory.

1:35:22.360 --> 1:35:24.240
<v Speaker 1>That was a great one. If you have series of

1:35:24.280 --> 1:35:26.000
<v Speaker 1>passions you want to share, hit us up at x

1:35:26.080 --> 1:35:31.519
<v Speaker 1>ray at crooked dot com. Instructions are in these show notes. Okay,

1:35:31.600 --> 1:35:33.679
<v Speaker 1>that's it for us. Big thank you to Ben Schwartz.

1:35:34.000 --> 1:35:36.000
<v Speaker 1>Rosy Anie plugsug Blugs.

1:35:36.600 --> 1:35:40.519
<v Speaker 2>You can find me Rosie marks at Instagram and letter box.

1:35:41.040 --> 1:35:43.400
<v Speaker 2>I have a substack that I'm running. It's gonna have

1:35:43.439 --> 1:35:46.400
<v Speaker 2>some really cool interviews coming up soon. Recommend you all

1:35:46.479 --> 1:35:48.120
<v Speaker 2>kinds of books and comics because I get loads of

1:35:48.160 --> 1:35:51.120
<v Speaker 2>great messages of people messaging me and saying, hey, what

1:35:51.200 --> 1:35:52.400
<v Speaker 2>should I read? What should I do?

1:35:53.080 --> 1:35:54.960
<v Speaker 1>That is a.

1:35:55.080 --> 1:35:57.759
<v Speaker 2>Wonderful graphic novel that I read that I will recommend

1:35:57.800 --> 1:36:02.599
<v Speaker 2>to you. Now, that's cool. The Mothkeeper by k O'Neill

1:36:03.040 --> 1:36:06.200
<v Speaker 2>absolutely delightful, just totally magical. I think all of our

1:36:06.280 --> 1:36:10.960
<v Speaker 2>fans who love Lord of the Rings and fantasy and big,

1:36:11.080 --> 1:36:15.320
<v Speaker 2>beautiful artistic stories will absolutely find a lot of joy

1:36:15.360 --> 1:36:17.559
<v Speaker 2>in it. So check that one out and then obviously

1:36:17.640 --> 1:36:19.599
<v Speaker 2>here twice a week talking about cool stuff.

1:36:22.479 --> 1:36:27.280
<v Speaker 1>Of course for me. Primo on Amazon Freeview May nineteenth.

1:36:27.880 --> 1:36:31.240
<v Speaker 1>Watch Primo on Amazon Freeview. How much do I need

1:36:31.320 --> 1:36:34.160
<v Speaker 1>to subscribe? It's free, It's free there, and it's tree.

1:36:34.600 --> 1:36:36.920
<v Speaker 1>It's like old school television. There's gonna be commercial breaks

1:36:36.960 --> 1:36:41.559
<v Speaker 1>and everything. Amazon freev May nineteenth, Primo, the Primo television program.

1:36:44.439 --> 1:36:46.920
<v Speaker 1>Catch our next episode of the x ray Vision podcast

1:36:47.000 --> 1:36:50.400
<v Speaker 1>program on Wednesday, April nineteenth for more market moves on

1:36:50.560 --> 1:36:53.240
<v Speaker 1>succession and more creepiness with the Yellowjackets.

1:36:53.439 --> 1:36:55.519
<v Speaker 2>In case you've somehow forgotten from when I just said

1:36:55.520 --> 1:36:58.600
<v Speaker 2>it two seconds ago, laws remind you that we are

1:36:58.640 --> 1:37:01.040
<v Speaker 2>bringing you two episodes a week, not one, but two,

1:37:02.120 --> 1:37:03.640
<v Speaker 2>and you can not only listen to them, you can

1:37:03.680 --> 1:37:07.200
<v Speaker 2>also watch them on YouTube, where we post full episodes,

1:37:07.240 --> 1:37:09.880
<v Speaker 2>so make sure you subscribe there. Also follow us at

1:37:10.080 --> 1:37:13.639
<v Speaker 2>xrvpod on Twitter, where we're always retweeting cool stuff, sharing

1:37:13.760 --> 1:37:16.559
<v Speaker 2>funny moments from the show and all kinds of rad things.

1:37:17.120 --> 1:37:20.120
<v Speaker 2>And check out the discord hang out with a bunch

1:37:20.200 --> 1:37:23.760
<v Speaker 2>of cool, awesome X ray Vision listeners who love all

1:37:23.880 --> 1:37:26.080
<v Speaker 2>kinds of rad stuff and not always talking about things

1:37:26.120 --> 1:37:28.960
<v Speaker 2>even outside of the galaxy of what we talk about

1:37:28.960 --> 1:37:31.320
<v Speaker 2>of extra vision and me and Jason are there saying

1:37:31.360 --> 1:37:32.000
<v Speaker 2>funny stuff too.

1:37:32.360 --> 1:37:35.559
<v Speaker 1>Five star ratings, five star reviews. Fie, we need them,

1:37:35.840 --> 1:37:37.760
<v Speaker 1>we gotta have them. You gotta give it to us.

1:37:37.800 --> 1:37:41.679
<v Speaker 1>Here's one from Crystal m and the e King. I'm

1:37:41.720 --> 1:37:43.479
<v Speaker 1>with you till the end of the line. X ray Vision.

1:37:43.760 --> 1:37:45.160
<v Speaker 1>What a joy it is to get to listen to

1:37:45.240 --> 1:37:47.240
<v Speaker 1>Jason and Rosie talk about my favorite things in life,

1:37:47.320 --> 1:37:50.240
<v Speaker 1>not once, but twice a week. Their discussions and deep

1:37:50.320 --> 1:37:52.519
<v Speaker 1>dives are so helpful and I feel like I'm part

1:37:52.560 --> 1:37:54.479
<v Speaker 1>of the conversation anytime I reached out with a question

1:37:54.560 --> 1:37:56.160
<v Speaker 1>or follow up. Rosie has been so generous with their

1:37:56.200 --> 1:37:58.400
<v Speaker 1>knowledge and expertise. Thank you for being my go to

1:37:58.560 --> 1:37:59.400
<v Speaker 1>at favorite podcast.

1:37:59.479 --> 1:38:00.760
<v Speaker 2>Thank you, thank you.

1:38:01.360 --> 1:38:04.280
<v Speaker 1>That's wonderful. X ray Vision is a Crooked Media production.

1:38:04.360 --> 1:38:06.200
<v Speaker 1>The show is produced by Chris Lord and Saalrubin. The

1:38:06.200 --> 1:38:09.040
<v Speaker 1>show is executive produced by myself and Sandy's Rhard are

1:38:09.120 --> 1:38:13.040
<v Speaker 1>editing and sound designers by the Facilli's Photopoulos. Dylon Villanueva

1:38:13.120 --> 1:38:15.960
<v Speaker 1>and Matt de Group provide video production support. Alex Roller

1:38:16.000 --> 1:38:19.200
<v Speaker 1>for handles social media. Thank you, Brian Vasquez for theme music.

1:38:19.680 --> 1:38:25.360
<v Speaker 1>That's it for us. See you next time. Hey, Mike,

1:38:25.600 --> 1:38:28.639
<v Speaker 1>this is his notthan marine. Yeah, we'll talk about thrown today.

1:38:28.680 --> 1:38:30.200
<v Speaker 1>I don't know if you knows about me, Mike, but

1:38:30.439 --> 1:38:32.080
<v Speaker 1>part of the reason I might be la cost so

1:38:32.200 --> 1:38:34.200
<v Speaker 1>much is I got laid off. I got laid off

1:38:34.240 --> 1:38:39.200
<v Speaker 1>from my Imperial pipe fitting job. They just laid me off,

1:38:39.360 --> 1:38:42.080
<v Speaker 1>no warning at all, no benefits, nothing. I'm just out

1:38:42.160 --> 1:38:45.559
<v Speaker 1>on my ass listening to the radio all the time.

1:38:45.960 --> 1:38:49.040
<v Speaker 1>But I want to say one thing about the hypocrisy here, Mike,

1:38:49.120 --> 1:38:52.160
<v Speaker 1>because Grand Admiral thron Where is he? Where is this guy?

1:38:52.800 --> 1:38:56.880
<v Speaker 1>No one knows, and yet no one's talking about coming

1:38:56.920 --> 1:38:59.840
<v Speaker 1>for his job. Apparently people are still willing to follow

1:39:00.080 --> 1:39:02.120
<v Speaker 1>him into the next war or whatever is going on.

1:39:02.200 --> 1:39:06.320
<v Speaker 1>They're they'll paying his salary. I get laid off. No

1:39:06.400 --> 1:39:09.040
<v Speaker 1>one says anything to me. I don't hear anything. I

1:39:09.040 --> 1:39:13.600
<v Speaker 1>don't hear from anybody. Grandmairal Throng disappears for months and

1:39:13.800 --> 1:39:16.200
<v Speaker 1>years at a time. Nobody knows where this guy is,

1:39:17.040 --> 1:39:20.080
<v Speaker 1>and they're still willing to follow him and still willing

1:39:20.439 --> 1:39:23.800
<v Speaker 1>to hold his job for him. Where is the bike?

1:39:24.479 --> 1:39:26.200
<v Speaker 1>I'll take my ants off the head, thank you,