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Speaker 1: Greetings at Bien Veniel's, fellow seekers.

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Speaker 2: Of the dark.

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Speaker 1: I'm Danny Thrill. Welcome to nocturnal Tales from the Shadows.

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Speaker 1: By the enchanted frames of this fire, we transcend time

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Speaker 1: and space to enter the darkest depths of the Latin

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Speaker 1: American imagination, legend and lore, passed down through the years

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Speaker 1: and retold with a twist. Tonight we can move with

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Speaker 1: the agents, and how do they respond with an omen

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Speaker 1: Since the time of the Masika or Aztecs, a headless

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Speaker 1: ghost with an open chest and exposed heart has haunted

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Speaker 1: these forests at night. The night Hatchet, named after the

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Speaker 1: sound he makes like an axe slimming into a tree.

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Speaker 1: Hearing this ominous note has always meant one thing death,

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Speaker 1: But the heart of this monster especial. It's been said

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Speaker 1: that fortune beyond measure awaits anyone brave enough to stealing.

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Speaker 1: One only needs to survive the night and await judgment.

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Speaker 1: But for an er security guard, the Knight could prove

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Speaker 1: longer than he ever dreamed.

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Speaker 3: To be gainly always wanted to see this place reasone.

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Speaker 4: How that eleanard just hop and probably have been pretty

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Speaker 4: easy for you guys up here.

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Speaker 5: No, so you just drive up and down this road

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Speaker 5: all day pretty much.

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Speaker 4: That's that's cool.

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Speaker 5: My name is by the way, what's yours?

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Speaker 4: Look, no offense. We don't have to get to know

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Speaker 4: each other.

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Speaker 3: I mean we don't have to, but we're working for

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Speaker 3: the same company now right.

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Speaker 1: You know how many night.

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Speaker 4: Guards I've driven up here?

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Speaker 2: No, too many to count, but they all have one

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Speaker 2: thing in common.

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Speaker 4: Oh, what's up? I never see them again? Well, this

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Speaker 4: has been a very very warm thanks. You're welcome. Jus

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Speaker 4: this place he's a palace.

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Speaker 2: Hi?

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Speaker 5: How you doing beyond that?

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Speaker 1: Bye?

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Speaker 6: You Heiser?

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Speaker 4: You're the new nightguard? I am good? Follow me? Okay,

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Speaker 4: I'm the estate manager.

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Speaker 2: Estate manager?

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Speaker 4: Does anyone here have a name?

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Speaker 1: What?

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Speaker 4: Never mind?

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Speaker 7: You have a work security before?

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Speaker 1: I have?

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Speaker 8: Yes, sir.

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Speaker 7: In fact, I used to do whatever it was.

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Speaker 4: This would be easier.

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Speaker 5: Okay, I guess I'm good with that.

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Speaker 7: There's only two things I asked, stay awake.

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Speaker 4: Don't abandon your post.

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Speaker 1: What about patrols?

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Speaker 7: No patrols. In fact, I really only need one thing.

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Speaker 7: Don't abandon your post.

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Speaker 2: Oh oh okay, sure.

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Speaker 7: Our contracts we need at least one guard here at

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Speaker 7: night or we're out of compliance and we can't keep

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Speaker 7: getting fined.

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Speaker 5: Okay, does that mean someone keeps a bad noting the post?

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Speaker 7: You're not from around here, are you no? Okay, okay, okay,

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Speaker 7: Well you're gonna hear it, so you might as well

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Speaker 7: hear it from me. Since mister Castillo passed, every night guard,

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Speaker 7: every single one has either quit midshift or we're never

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Speaker 7: seen again.

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Speaker 3: Huh that's the second time I've heard that today.

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Speaker 7: So why this place Bacienda is haunted?

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Speaker 5: Wait, you're not serious?

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Speaker 4: Are you here? All the facts?

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Speaker 7: No guard has made it through the night. Okay, Actually,

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Speaker 7: I guess it's just one fact. Whether you believe in

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Speaker 7: ghosts or not doesn't matter to me, just so long

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Speaker 7: as you're here when the sun comes up.

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Speaker 4: Her shift arrives at dawn. Are you sure that he's in?

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Speaker 4: I'm all the explanation.

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Speaker 7: Yes there is, Yes, I'm sure there is not. Oh okay,

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Speaker 7: oh man, that there is your post for tonight. Feel

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Speaker 7: free to get acquainted. I finished my rounds and then

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Speaker 7: I'll be back before I leave any more questions.

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Speaker 5: Uh, what are these weird buzzing orbs?

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Speaker 4: Seems like they're everywhere around the compound.

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Speaker 7: Oh these these yes, these orbs are very very important,

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Speaker 7: mat geez house, I have no idea starts the sense

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Speaker 7: of pattern here?

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Speaker 4: Okay, what time is it?

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Speaker 1: Late?

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Speaker 2: Hello? Hello?

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Speaker 8: Was there?

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Speaker 2: Oh?

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Speaker 6: This is private property. Get that light out of my face.

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Speaker 2: No munches from here.

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Speaker 6: You don't know.

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Speaker 9: You try driving these paths and pitch black. Fuck dude,

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Speaker 9: I passed the middle of nowhere on my way up here.

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Speaker 10: Well you know these rich, extant trick asshole types.

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Speaker 9: Yeah, I do.

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Speaker 6: I can't wait to be one. So you ready or one?

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Speaker 5: I was just waiting on you.

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Speaker 6: This is a cute guard shack.

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Speaker 4: You see. Let me do my magic first. There we go.

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Speaker 4: That should do it.

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Speaker 5: Yeah, so we're good, better than good. We're about to.

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Speaker 6: Be good man, that's what's up?

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Speaker 2: All right?

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Speaker 4: Then that's fucking rock this place?

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Speaker 5: Hey, whoa?

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Speaker 6: What's up with these weird orb things?

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Speaker 10: I don't know?

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Speaker 4: And the only person that did is it?

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Speaker 9: Speaking of dead, you think Jerry's gonna kill us when

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Speaker 9: he finds out we pulled this heist without him?

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Speaker 10: Nah?

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Speaker 4: What choice did we have?

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Speaker 5: The only way we could pull the job is without Jerry.

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Speaker 2: He beat this to himself, but he also.

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Speaker 5: Did get you the job. Son.

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Speaker 3: No, no, no, no, I have to go under cover

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Speaker 3: as a security guard for like a month.

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Speaker 9: You actually weren't undercover, you were genuinely employed.

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Speaker 3: Excuse you, madam, I am a career creamino.

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Speaker 10: Then that's only my good name.

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Speaker 4: We talk of unemployments, stupid.

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Speaker 3: Although I was able to afford this new bad boy, Mirah. Oh,

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Speaker 3: I'm so glad you asked, Mirah, no mask hipaa. This

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Speaker 3: stablet allows me to lug into only, among other things,

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Speaker 3: the camera system see. And there we are with the

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Speaker 3: setting here. It tells the camera has to send an

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Speaker 3: alert nytime there's motion. I mean, I watch that gay wiples.

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Speaker 4: Like this.

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Speaker 6: Brown So now we'll know if anyone.

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Speaker 4: Shows up exactly.

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Speaker 6: I guess that means it's my turn d.

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Speaker 4: And gun up this block and be cool.

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Speaker 9: All this updated security and they got standard locks on

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Speaker 9: the front door, amateurs. I'll have this open in a second.

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Speaker 6: Is that us again?

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Speaker 4: I turned that one off?

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Speaker 5: Motions coming from you?

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Speaker 6: Hear that who the fuck is chopping wood at night?

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Speaker 4: But noone's there? Is it's chy?

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Speaker 9: You sure?

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Speaker 6: You sure that's gonna work the way you say you'll see?

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Speaker 4: No confusing me?

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Speaker 5: Okay, once we get insight, magic.

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Speaker 9: Okay, and I'm gonna done analog over digital any day?

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Speaker 3: This on?

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Speaker 1: This is it treasure.

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Speaker 5: Ballas we're about to be said?

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Speaker 2: You had to keep us a.

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Speaker 6: I don't do something?

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Speaker 2: Hold on, hold on, hold on.

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Speaker 6: There there, Why do you look so smart? The fucking

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Speaker 6: jig is up.

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Speaker 10: It's just a local alarm whole houses on an isolated network,

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Speaker 10: But I take peak on the savas no one outside

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Speaker 10: can see us.

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Speaker 5: Might as well be ghosts.

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Speaker 6: You're sure?

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Speaker 5: Come on?

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Speaker 10: You know me? Would I stick around if I thought

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Speaker 10: we'd get caught?

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Speaker 9: You are always the first to run interesting.

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Speaker 5: Flex whatever point is, we're steel.

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Speaker 3: Goldn just gonna turn off the rest of the local alarms.

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Speaker 6: You barely know how to use that thing.

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Speaker 10: Don't you let me work?

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Speaker 5: Okay, I just need to sequence.

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Speaker 4: That should be good.

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Speaker 6: Now what did you do?

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Speaker 5: It wasn't me. I don't know.

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Speaker 2: Something was blown.

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Speaker 5: I think the command might have been too complete.

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Speaker 6: Wait, just fucking great.

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Speaker 10: Hey, it's not my fault.

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Speaker 6: I'm so much more than the cienda. Thank god, you

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Speaker 6: fix it.

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Speaker 5: No, there are two backup generators.

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Speaker 4: Look like they just keep done.

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Speaker 3: Oh wow, those weird over things are eating a lot

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Speaker 3: of powers.

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Speaker 6: Turn them off.

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Speaker 5: I can't.

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Speaker 3: The generators aren't gonna last long like this, but should

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Speaker 3: still be enough time for us to do what we

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Speaker 3: came for.

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Speaker 4: So let's do it on you.

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Speaker 9: Finally, what are you doing, Pallette Cleanser? Need to reset

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Speaker 9: the move?

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Speaker 3: I know, man, just on you.

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Speaker 4: You're still doing this?

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Speaker 6: Fuck yeah I am and cue the heist music stuff

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Speaker 6: in high school.

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Speaker 10: M open, say, I can open most of doors with

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Speaker 10: this pet.

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Speaker 9: Just like that. Huh even for crooks, this feels like cheating.

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Speaker 4: Doors.

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Speaker 6: Would you look at this room? I say, we just

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Speaker 6: were taking ship.

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Speaker 5: No no, no, no, no no, none of these is why

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Speaker 5: we came.

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Speaker 9: Oh yeah, yeah, you mean you're a rumor.

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Speaker 5: It's not my rumor, it's my dream.

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Speaker 9: You don't really believe that, shiit?

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Speaker 2: Do you look?

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Speaker 4: This guy went from villager to.

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Speaker 3: One of the richest people in the freaking world.

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Speaker 5: Something made that happen, that's what Herefore the treasure that

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Speaker 5: allowed these.

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Speaker 4: And whether you think you'd get said.

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Speaker 9: Treasure probably inside this big ass fault.

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Speaker 4: Bingo, hum hmm, it's not.

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Speaker 5: Don't seen this in the access control system?

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Speaker 6: That's because this is all analog?

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Speaker 5: Baby is We're right?

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Speaker 9: Watch and learn miho, okay, in my bag, hand me

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Speaker 9: my stethoscope.

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Speaker 8: Here you go.

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Speaker 9: Look all right, three digit rotary dial tumblr lock. This

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Speaker 9: should be fun.

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Speaker 7: Okay, Oh yes that's one cylinder. O.

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Speaker 6: Yes there's another. All day, baby, that's three.

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Speaker 9: And now the moment you've all been waiting for, I

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Speaker 9: present to you an our treasure.

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Speaker 2: What the.

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Speaker 6: I don't get it? I heard the cylinders drop clack?

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Speaker 4: That is that what you heard? Because he's been kiing

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Speaker 4: it too?

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Speaker 6: What is that.

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Speaker 5: Just upside where?

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Speaker 8: Wait?

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Speaker 5: Let me go back to earlier in the footage.

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Speaker 4: My god, what is that?

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Speaker 9: It kind of looks like a person, but the feet

236
00:14:57,080 --> 00:14:59,560
Speaker 9: must be fucked up. Look it cut off the guy's head.

237
00:15:00,360 --> 00:15:02,720
Speaker 4: I guess it could be some kind of interference.

238
00:15:02,960 --> 00:15:06,000
Speaker 9: I'm telling you, bro, you put too much faith in technology.

239
00:15:06,480 --> 00:15:11,680
Speaker 9: Now let's try this again, but this time I mean business.

240
00:15:11,920 --> 00:15:12,920
Speaker 4: You the highest music?

241
00:15:13,160 --> 00:15:24,400
Speaker 6: Fucking right too? Whoa?

242
00:15:24,880 --> 00:15:25,960
Speaker 5: What is this place?

243
00:15:26,920 --> 00:15:28,800
Speaker 4: Looks more like a bedroom?

244
00:15:29,000 --> 00:15:29,280
Speaker 11: Was that what?

245
00:15:29,360 --> 00:15:30,520
Speaker 9: I won't sleeping in here?

246
00:15:30,880 --> 00:15:36,000
Speaker 4: I think so? And look this thing is real?

247
00:15:38,760 --> 00:15:41,360
Speaker 2: What is the.

248
00:15:41,800 --> 00:15:42,360
Speaker 5: Do you think?

249
00:15:44,520 --> 00:15:47,320
Speaker 6: No one has been in here since he died?

250
00:15:48,480 --> 00:15:52,720
Speaker 4: No one had the combination? It's yeah, look at.

251
00:15:52,560 --> 00:15:55,720
Speaker 9: This place all Scrooge McDuck and ship.

252
00:15:57,920 --> 00:16:00,720
Speaker 5: Is that the richest person you could take God shut,

253
00:16:00,800 --> 00:16:04,800
Speaker 5: I know manches. So yeah, if I was going to

254
00:16:04,960 --> 00:16:10,400
Speaker 5: keep my greatest treasure somewhere, where would it be?

255
00:16:13,120 --> 00:16:15,240
Speaker 9: The altar and lock box seemed like a good place

256
00:16:15,240 --> 00:16:15,680
Speaker 9: to start.

257
00:16:16,160 --> 00:16:16,880
Speaker 5: This could be it.

258
00:16:17,120 --> 00:16:21,600
Speaker 9: Tv D line on top of it says, please watch

259
00:16:21,760 --> 00:16:24,080
Speaker 9: in case of my untimely death.

260
00:16:24,240 --> 00:16:26,760
Speaker 5: And I think we need a player.

261
00:16:29,560 --> 00:16:30,040
Speaker 1: I mean.

262
00:16:33,720 --> 00:16:42,400
Speaker 2: Yes, I think that's you walked. Is it recording? Okay? God?

263
00:16:42,800 --> 00:16:47,240
Speaker 2: So hi there. I guess I'll start by saying, if

264
00:16:47,280 --> 00:16:54,360
Speaker 2: you're watching this, I've likely been killed by the goddamn ghost.

265
00:16:54,000 --> 00:16:55,720
Speaker 6: What did he just say?

266
00:16:56,280 --> 00:16:56,680
Speaker 4: Ghost?

267
00:16:57,160 --> 00:17:00,480
Speaker 2: In the ancient manuscripts some of the ass Stick and

268
00:17:00,600 --> 00:17:04,280
Speaker 2: Triple Alliance, of which I have too, there is an

269
00:17:04,280 --> 00:17:08,600
Speaker 2: account of a creature, an aspect of the god that's

270
00:17:08,680 --> 00:17:17,479
Speaker 2: Cutlipoca called jogualte, which translates to something like like a

271
00:17:17,640 --> 00:17:25,040
Speaker 2: night hatchet name. So for the noise it makes hideous crack,

272
00:17:26,720 --> 00:17:29,360
Speaker 2: you've no doubt heard it around the hussy end that night.

273
00:17:30,160 --> 00:17:38,080
Speaker 2: This creature is well, it's a gruesome phantom, headless open

274
00:17:38,400 --> 00:17:44,960
Speaker 2: chest calie ideals. See, there is horror, then there's terror,

275
00:17:45,640 --> 00:17:47,960
Speaker 2: and then there's Joe Walde.

276
00:17:50,760 --> 00:17:52,240
Speaker 9: Getting a bad feeling.

277
00:17:54,520 --> 00:17:58,480
Speaker 2: Now. Legend says that if you capture the heart of

278
00:17:58,520 --> 00:18:02,480
Speaker 2: the night Hatchet managed to hold onto it until sunrise,

279
00:18:03,119 --> 00:18:08,720
Speaker 2: good fortune will be yours. Of course, the opposite might

280
00:18:08,760 --> 00:18:16,040
Speaker 2: also be truly just rumor. Although I wasn't the one

281
00:18:16,119 --> 00:18:19,720
Speaker 2: to capture the heart, I was the one left holding

282
00:18:19,840 --> 00:18:22,879
Speaker 2: it at dawn, and the ghost has been after me

283
00:18:22,960 --> 00:18:32,360
Speaker 2: ever since. Hence the vault. Hence the orbs. Yes, the orbs.

284
00:18:33,119 --> 00:18:38,119
Speaker 2: They're used to keep the ghost away, like a supernatural fence,

285
00:18:38,840 --> 00:18:42,560
Speaker 2: of which there are three, one around the perimeter of

286
00:18:42,600 --> 00:18:47,840
Speaker 2: the compound, one around the house, and one embedded in

287
00:18:47,920 --> 00:18:57,320
Speaker 2: the walls of the vault. The rule is simple, hold

288
00:18:57,359 --> 00:19:02,160
Speaker 2: the heart as the sun rises. That of course, it'll

289
00:19:02,200 --> 00:19:06,880
Speaker 2: only work for one person. What so do with that

290
00:19:06,960 --> 00:19:11,080
Speaker 2: what you will. My advice is to just stay in

291
00:19:11,160 --> 00:19:14,600
Speaker 2: the vault. As long as nothing happens to the orbs,

292
00:19:14,920 --> 00:19:20,400
Speaker 2: you should be fine. This is life and death, and

293
00:19:21,320 --> 00:19:26,920
Speaker 2: in my experience, it's mostly death. I only hope mine

294
00:19:27,000 --> 00:19:31,120
Speaker 2: came swiftly and yours be the same. Good luck.

295
00:19:31,720 --> 00:19:34,919
Speaker 5: Well, did you get all that centric for you?

296
00:19:35,040 --> 00:19:36,240
Speaker 2: Hope this machine works.

297
00:19:39,440 --> 00:19:42,560
Speaker 9: There's there's something inside the lock box.

298
00:19:44,520 --> 00:19:50,640
Speaker 4: I think you're right.

299
00:19:51,200 --> 00:19:59,320
Speaker 9: What, Oh my fucking god, it's moving it's fucking moving.

300
00:20:00,240 --> 00:20:00,639
Speaker 12: How is this?

301
00:20:01,440 --> 00:20:01,480
Speaker 9: No?

302
00:20:03,160 --> 00:20:07,920
Speaker 6: Absolutely not, absolutely not. I'm out of here. You mcduct

303
00:20:08,000 --> 00:20:09,280
Speaker 6: this whole fucking thing.

304
00:20:09,600 --> 00:20:13,600
Speaker 5: You can just fuck right off, Sonya, Sonny, Sonny away, SONNYA.

305
00:20:15,800 --> 00:20:16,560
Speaker 6: I can't do this.

306
00:20:17,280 --> 00:20:20,840
Speaker 9: No, hear me, hear.

307
00:20:19,800 --> 00:20:21,359
Speaker 6: Me out fuck this place.

308
00:20:21,520 --> 00:20:23,919
Speaker 10: Okay, okay, okay, you make a compelling argument.

309
00:20:24,000 --> 00:20:25,000
Speaker 6: I'm serious.

310
00:20:25,280 --> 00:20:27,640
Speaker 9: I'm not as sensitive to the supernatural as my mom,

311
00:20:27,800 --> 00:20:31,320
Speaker 9: but I know it when I feel it. And this

312
00:20:31,320 --> 00:20:34,760
Speaker 9: this feels dark, ancient.

313
00:20:35,119 --> 00:20:35,720
Speaker 5: I get that.

314
00:20:36,240 --> 00:20:39,080
Speaker 4: But Sonya Billiams with the.

315
00:20:38,920 --> 00:20:43,520
Speaker 9: Bean, Look this painting, Marie, sir, half a milli US

316
00:20:43,640 --> 00:20:44,840
Speaker 9: dollars at least.

317
00:20:45,040 --> 00:20:47,200
Speaker 6: Let's just take what we can and.

318
00:20:47,280 --> 00:20:49,800
Speaker 2: Go about that.

319
00:20:50,960 --> 00:20:54,560
Speaker 4: Sonya, Look what there's someone.

320
00:20:55,960 --> 00:21:08,600
Speaker 5: Something inside the front door? Wait wait wait wait it's

321
00:21:08,680 --> 00:21:09,120
Speaker 5: kids done?

322
00:21:10,119 --> 00:21:10,840
Speaker 1: Where you go?

323
00:21:11,960 --> 00:21:13,600
Speaker 4: The window camera which went down?

324
00:21:14,920 --> 00:21:15,439
Speaker 5: I think.

325
00:21:18,359 --> 00:21:24,240
Speaker 9: You good night, had jet I thought there were three hoses.

326
00:21:25,680 --> 00:21:27,720
Speaker 5: Look like one of the backup gnaders went down.

327
00:21:27,760 --> 00:21:30,040
Speaker 2: Bonker was the premiter home?

328
00:21:30,280 --> 00:21:33,120
Speaker 6: What happens if the second generator died?

329
00:21:33,480 --> 00:21:35,919
Speaker 5: No, no, no, no no, no, let's nothing about that.

330
00:21:36,240 --> 00:21:39,240
Speaker 2: Okay, what now.

331
00:21:39,840 --> 00:21:41,000
Speaker 10: It's the camar of the guard.

332
00:21:41,080 --> 00:21:42,760
Speaker 4: Shuck, someone just pulled up.

333
00:21:44,440 --> 00:21:44,960
Speaker 2: Who is that?

334
00:21:45,119 --> 00:21:46,880
Speaker 6: It's fucking Cherry.

335
00:21:46,760 --> 00:21:48,440
Speaker 5: What literacy.

336
00:21:50,520 --> 00:21:53,800
Speaker 2: Piece of ship? They thought you could leave me? Wait

337
00:21:53,840 --> 00:22:00,880
Speaker 2: for you? Don't hold on, you have to leave. I'm

338
00:22:00,920 --> 00:22:04,520
Speaker 2: not leaving, not without my card, Jerry. I'm living job

339
00:22:04,600 --> 00:22:05,760
Speaker 2: to get out of you.

340
00:22:05,800 --> 00:22:10,760
Speaker 12: No, what's happening, Jerry?

341
00:22:11,200 --> 00:22:11,879
Speaker 2: You need to go.

342
00:22:12,560 --> 00:22:14,360
Speaker 5: It's coming right for you.

343
00:22:14,440 --> 00:22:18,960
Speaker 2: Jerry, just fucking dry? Hey no, Mommy, won the fuck

344
00:22:19,040 --> 00:22:19,240
Speaker 2: is that.

345
00:22:21,920 --> 00:22:22,280
Speaker 8: Jerry?

346
00:22:27,040 --> 00:22:32,520
Speaker 9: Maybe maybe he got away anywhere?

347
00:22:36,119 --> 00:22:45,840
Speaker 11: Oh no, no, Jerry, what did you listen to me

348
00:22:45,960 --> 00:22:50,960
Speaker 11: to lose the clean?

349
00:22:52,600 --> 00:22:53,240
Speaker 6: Did you hear that?

350
00:22:56,840 --> 00:22:56,919
Speaker 12: What?

351
00:23:02,040 --> 00:23:02,359
Speaker 10: Side?

352
00:23:06,800 --> 00:23:06,960
Speaker 1: Then?

353
00:23:07,000 --> 00:23:08,920
Speaker 4: We need to we need to get the hard.

354
00:23:08,960 --> 00:23:09,720
Speaker 2: Yeah, yeah, good.

355
00:23:09,760 --> 00:23:10,000
Speaker 1: I here.

356
00:23:10,440 --> 00:23:12,280
Speaker 9: We can give it to that thing and maybe it'll

357
00:23:12,280 --> 00:23:12,680
Speaker 9: go away.

358
00:23:12,960 --> 00:23:15,840
Speaker 5: Right, That's that's exactly what I was thinking.

359
00:23:20,359 --> 00:23:24,360
Speaker 12: Okay, give a look out, I'll get the looks.

360
00:23:24,560 --> 00:23:29,760
Speaker 2: Okay, let's go.

361
00:23:32,320 --> 00:23:40,760
Speaker 6: Side. It's dark and can see anything. Okay, how.

362
00:23:42,840 --> 00:23:43,359
Speaker 3: How old?

363
00:23:43,359 --> 00:23:44,080
Speaker 2: What are you doing?

364
00:23:44,280 --> 00:23:46,680
Speaker 6: I was trying to use the flashlight.

365
00:23:49,400 --> 00:23:49,679
Speaker 2: You know what.

366
00:23:50,640 --> 00:23:51,159
Speaker 10: Just leave it.

367
00:23:51,560 --> 00:23:52,720
Speaker 8: Let's make a run for it.

368
00:23:52,880 --> 00:23:54,000
Speaker 5: We can't leave the hord.

369
00:23:54,119 --> 00:23:54,680
Speaker 2: We can't.

370
00:23:54,840 --> 00:23:55,679
Speaker 6: Why the hell not?

371
00:23:56,160 --> 00:23:58,480
Speaker 5: Jerry had nothing to do with hard and that's it

372
00:23:58,720 --> 00:24:01,320
Speaker 5: got him. If we leave this here, what you're thinking

373
00:24:01,400 --> 00:24:01,960
Speaker 5: it us?

374
00:24:02,320 --> 00:24:02,480
Speaker 2: No?

375
00:24:02,480 --> 00:24:04,320
Speaker 5: No, no, no, no, we have to we need to

376
00:24:04,359 --> 00:24:07,159
Speaker 5: take the heart with us. Leverage, leverage.

377
00:24:07,520 --> 00:24:08,320
Speaker 6: That thing doesn't have.

378
00:24:08,280 --> 00:24:09,080
Speaker 5: A fucking head.

379
00:24:09,080 --> 00:24:11,840
Speaker 6: Do you think it's gonna listen to you about leverage?

380
00:24:13,920 --> 00:24:14,120
Speaker 2: Son?

381
00:24:15,000 --> 00:24:17,320
Speaker 5: Have you ever heard the one about running the bear?

382
00:24:17,840 --> 00:24:17,959
Speaker 9: Who?

383
00:24:18,000 --> 00:24:20,560
Speaker 6: I swear to God you better fucking not.

384
00:24:21,080 --> 00:24:29,240
Speaker 11: Sorry, you're not.

385
00:24:30,240 --> 00:24:42,320
Speaker 2: Come on you sonya just run?

386
00:24:43,400 --> 00:24:43,680
Speaker 1: Wait?

387
00:24:44,000 --> 00:24:44,280
Speaker 2: Wait?

388
00:24:48,880 --> 00:24:58,880
Speaker 6: God, remember you're a real piece of ship, you know that.

389
00:24:59,200 --> 00:25:00,439
Speaker 6: Give me the lock box.

390
00:25:00,760 --> 00:25:04,480
Speaker 9: No, give me the fucking lock box or I'm gonna

391
00:25:04,520 --> 00:25:05,200
Speaker 9: stab you.

392
00:25:05,280 --> 00:25:14,879
Speaker 4: Fine here, where are you going?

393
00:25:15,240 --> 00:25:18,320
Speaker 10: You're not gonna do this with me?

394
00:25:17,720 --> 00:25:28,720
Speaker 9: But I don't know if you can hear me, But

395
00:25:29,320 --> 00:25:31,600
Speaker 9: I just want to sincerely apologize.

396
00:25:32,160 --> 00:25:39,280
Speaker 13: Your ancient honor has been disparished and you have suffered

397
00:25:39,600 --> 00:25:45,240
Speaker 13: a great misfortune. Please allow me to return what was

398
00:25:45,280 --> 00:25:46,560
Speaker 13: stolen from you.

399
00:25:48,000 --> 00:25:50,000
Speaker 9: Here is your.

400
00:25:52,840 --> 00:26:00,000
Speaker 4: What's empty?

401
00:26:00,119 --> 00:26:02,520
Speaker 5: God on you, It's on you tomorrow.

402
00:26:04,960 --> 00:26:05,760
Speaker 2: Fuck this time?

403
00:26:08,400 --> 00:26:10,720
Speaker 4: Okay, okay, okay, okay, here we go?

404
00:26:10,880 --> 00:26:11,240
Speaker 1: All right?

405
00:26:12,760 --> 00:26:21,159
Speaker 5: Come on, fucking n close.

406
00:26:21,760 --> 00:26:26,800
Speaker 11: Fuck move alone, leave me alone?

407
00:26:27,800 --> 00:26:28,880
Speaker 10: I come down here?

408
00:26:30,480 --> 00:26:32,879
Speaker 3: What did I do? But you?

409
00:26:33,000 --> 00:26:33,640
Speaker 4: What's can die?

410
00:26:33,680 --> 00:26:33,880
Speaker 10: Here?

411
00:26:35,680 --> 00:26:35,960
Speaker 1: Wait?

412
00:26:36,080 --> 00:26:38,440
Speaker 2: Darry Girkies, Oh ship?

413
00:26:52,520 --> 00:26:53,440
Speaker 4: Come on? Come on?

414
00:26:54,119 --> 00:26:54,600
Speaker 1: Where are they?

415
00:26:55,680 --> 00:26:56,320
Speaker 4: Where are the kids?

416
00:26:57,160 --> 00:26:57,360
Speaker 3: Very?

417
00:26:57,600 --> 00:26:59,800
Speaker 5: What do you always have to be upbreaking in my ass.

418
00:27:01,920 --> 00:27:03,320
Speaker 4: Fuck, where's the ghost?

419
00:27:04,160 --> 00:27:04,879
Speaker 5: Can't this ship?

420
00:27:07,640 --> 00:27:07,840
Speaker 8: Wait?

421
00:27:07,840 --> 00:27:13,240
Speaker 11: Wait, it's not lights lights the bathroom, it's the last power,

422
00:27:13,960 --> 00:27:22,920
Speaker 11: their friends, their bands. How do I look at?

423
00:27:23,280 --> 00:27:24,200
Speaker 5: How do I look at?

424
00:27:31,800 --> 00:27:31,879
Speaker 1: It?

425
00:27:31,960 --> 00:27:33,840
Speaker 4: Can get you can't get in?

426
00:27:36,000 --> 00:27:36,440
Speaker 5: Thank god?

427
00:27:36,480 --> 00:27:37,760
Speaker 2: My dog was right.

428
00:27:40,560 --> 00:27:42,760
Speaker 4: Hold on, god, it's none.

429
00:27:45,520 --> 00:27:46,480
Speaker 2: It's the thing.

430
00:27:47,720 --> 00:27:51,719
Speaker 5: What does that mean? Wait? Wait, I don't get anything?

431
00:27:54,520 --> 00:27:54,879
Speaker 2: Morning?

432
00:27:55,160 --> 00:27:55,760
Speaker 1: It's morning?

433
00:27:55,960 --> 00:27:56,679
Speaker 2: Where's the ghost?

434
00:27:57,920 --> 00:27:59,480
Speaker 4: It's gone?

435
00:27:59,200 --> 00:28:01,720
Speaker 8: I didn't.

436
00:28:06,480 --> 00:28:06,720
Speaker 2: Look.

437
00:28:07,359 --> 00:28:09,400
Speaker 8: God, it's the fire.

438
00:28:11,440 --> 00:28:13,880
Speaker 1: Water there there?

439
00:28:16,600 --> 00:28:18,160
Speaker 8: What the black won't go out?

440
00:28:20,760 --> 00:28:26,679
Speaker 2: No, come on, it's averred the morning. I need to

441
00:28:26,760 --> 00:28:28,120
Speaker 2: be holding the hard.

442
00:28:31,520 --> 00:28:40,000
Speaker 11: Fuck my god, everything I've ever wanted, I can't give up.

443
00:28:40,640 --> 00:29:04,400
Speaker 8: By ahead another.

444
00:28:54,280 --> 00:28:58,200
Speaker 4: Morning, Mia capinches or pressa.

445
00:28:58,200 --> 00:28:59,400
Speaker 2: No guard to greet us?

446
00:29:00,360 --> 00:29:01,040
Speaker 1: Another morning?

447
00:29:01,200 --> 00:29:06,640
Speaker 7: Another fine to pay? Such high hopes for Regok you know.

448
00:29:08,200 --> 00:29:08,840
Speaker 4: What the hell?

449
00:29:10,080 --> 00:29:14,400
Speaker 7: The windows broken and the door is un locked.

450
00:29:18,840 --> 00:29:20,160
Speaker 4: He's dead.

451
00:29:21,720 --> 00:29:22,160
Speaker 10: Who is he?

452
00:29:23,560 --> 00:29:24,880
Speaker 6: There's smoke coming from his side.

453
00:29:24,960 --> 00:29:26,680
Speaker 2: Oh no, no, no, no, no, no a fire?

454
00:29:28,800 --> 00:29:30,400
Speaker 7: What the hell happened to the vault?

455
00:29:34,400 --> 00:29:35,400
Speaker 10: Oh my god, oh my god?

456
00:29:35,760 --> 00:29:37,320
Speaker 5: In here, the guard's in here.

457
00:29:38,320 --> 00:29:39,200
Speaker 2: He he here you go?

458
00:29:39,480 --> 00:29:40,400
Speaker 10: You are you?

459
00:29:40,800 --> 00:29:40,880
Speaker 8: Are?

460
00:29:40,920 --> 00:29:41,320
Speaker 5: You alive?

461
00:29:41,960 --> 00:29:49,440
Speaker 2: You going?

462
00:29:54,080 --> 00:29:54,880
Speaker 10: What is that thing?

463
00:29:55,200 --> 00:29:56,120
Speaker 4: It's the night guard?

464
00:29:56,600 --> 00:29:57,800
Speaker 7: He's been burned.

465
00:29:57,520 --> 00:29:59,760
Speaker 4: Alive what what what?

466
00:30:00,040 --> 00:30:00,720
Speaker 10: What's he holding?

467
00:30:00,840 --> 00:30:01,560
Speaker 6: What's he holding?

468
00:30:05,240 --> 00:30:05,640
Speaker 4: Judgment?

469
00:30:18,320 --> 00:30:21,719
Speaker 1: How do you measure a person's worth? Is it measured

470
00:30:21,760 --> 00:30:25,160
Speaker 1: by the contents of their bank account or the content

471
00:30:25,280 --> 00:30:31,720
Speaker 1: of their character? Legal A thief with a talent for betrayal, even.

472
00:30:31,560 --> 00:30:33,920
Speaker 4: With two hearts in his possession, was.

473
00:30:34,000 --> 00:30:39,120
Speaker 1: More heartless than even the night hatchet. And while he

474
00:30:39,320 --> 00:30:43,680
Speaker 1: may have survived the night, he could not survive his

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Speaker 1: own greed until next time.

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Speaker 12: Nocturnal Tables from the Shadows was produced by Sonoro in

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Speaker 12: partnership with Iheartmichael to the Podcast Network. Produced and directed

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Speaker 12: by Luisa Luardo Castillo, developed and produced by Bettina Lopez.

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Speaker 12: Executive produced by Royal Pearson, Arlene Santana and Leo Gomez

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Speaker 12: for IHART, and Camilla Victoriano and Jojo Weinstein for Sonoro.

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Speaker 4: This episode was.

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Speaker 12: Written by Elijah Sevigneva. Performances in this episode by Danny Trejo,

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Speaker 12: Fernando Monroy, Eileen Clark, Philippe Baugian Amadour, Placentia Junior, Marcello Tubert,

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Speaker 12: and Sebastian Vijanovos. Our Supervising producer is cad In Sachais.

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Speaker 12: Recording engineering and sound design by Cassandra Tinajero and Andres Baena,

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Speaker 12: with help by Emiliano Quintanari and Diego Campos casting a

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Speaker 12: coordination by Nick Milanes and Alex Gonzalez. Voices recorded at

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Speaker 12: the Invisible Studios, dg IS Studios, an Outloud Audio in

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Speaker 12: Los Angeles, the Relic Room in New York, Panoramic Audio

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Speaker 12: in Miami, sab Boom Bank Studios in Houston, and Caby

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Speaker 12: Sound in Santa Fe, with engineering by Charles Carroll, Sharon Carney,

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Speaker 12: Stephen George, David Luke, Elli, Gary Forbes, Jody Abbott, Ivan Correas,

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Speaker 12: Ethan Grafton, Robert Thayer, Brett Tuban, j K. Hurado, Alfredo

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Speaker 12: Fuintez and Colin Angerwriter. If you're enjoying Octursonal Tales from

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Speaker 12: the Shadows, please subscribe, read and review our show wherever

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Speaker 12: you're listening