1 00:00:00,200 --> 00:00:04,280 Speaker 1: One or two point seven Kiss FM that is set. 2 00:00:04,519 --> 00:00:06,600 Speaker 1: There is no part of me that doesn't love that 3 00:00:06,600 --> 00:00:08,280 Speaker 1: song every time I hit playing I've been playing it 4 00:00:08,320 --> 00:00:10,720 Speaker 1: for twenty years. I agree with you. When I hear 5 00:00:10,840 --> 00:00:16,240 Speaker 1: that song out, I do a go go Birthday dance. 6 00:00:18,160 --> 00:00:21,520 Speaker 1: Birthday Dance reminds me of days of going to the club, 7 00:00:21,560 --> 00:00:26,520 Speaker 1: not tolling us to come on. I used to go 8 00:00:26,600 --> 00:00:30,480 Speaker 1: to the club all the time, like between twenties six 9 00:00:30,960 --> 00:00:33,680 Speaker 1: and thirty six, when the clubs were we would go 10 00:00:33,720 --> 00:00:35,760 Speaker 1: to all those clubs. Remember those clubs where I don't 11 00:00:35,760 --> 00:00:39,120 Speaker 1: remember what they are, but they were do l A 12 00:00:39,440 --> 00:00:43,640 Speaker 1: X l A X. The first time I heard L 13 00:00:43,680 --> 00:00:46,080 Speaker 1: A X, Like, what are you talking about? You're going 14 00:00:46,080 --> 00:00:54,000 Speaker 1: to X tonight? Surrenderer? Wait. One place that was called 15 00:00:54,000 --> 00:00:59,640 Speaker 1: the Gate then turned into four other things. Doheny Room? 16 00:00:59,680 --> 00:01:01,720 Speaker 1: I think it's still here. Don't he need room? What 17 00:01:01,880 --> 00:01:05,679 Speaker 1: was that place? It was in the green Blacks Deli 18 00:01:06,040 --> 00:01:12,160 Speaker 1: area of Sunset. What's a green Blacks very cool? I 19 00:01:12,240 --> 00:01:17,160 Speaker 1: forget green Blacks Deli ton tons of Boulevard. Hide Ye 20 00:01:17,840 --> 00:01:21,039 Speaker 1: Hide is still there and not in the green Blacks 21 00:01:21,120 --> 00:01:24,199 Speaker 1: shopping law? Is it right on the corner of Laurel Canyon? 22 00:01:24,240 --> 00:01:28,200 Speaker 1: In Sunset. That's where hide is. It's still there. I 23 00:01:28,240 --> 00:01:34,479 Speaker 1: know the gate is now nightingale m anyway, uh rocks 24 00:01:34,520 --> 00:01:35,800 Speaker 1: you want to go back to bar one in the 25 00:01:35,880 --> 00:01:40,000 Speaker 1: Rocksbury before you guys were even here. Alright. So anyway, 26 00:01:40,040 --> 00:01:44,000 Speaker 1: Tanya's audio book is recorded. It's done's in the can 27 00:01:44,080 --> 00:01:47,160 Speaker 1: as they say. And her book is called The Sunshine 28 00:01:47,319 --> 00:01:51,600 Speaker 1: Mine and it's coming out when January one. And you're 29 00:01:51,600 --> 00:01:55,280 Speaker 1: describing this as a devotional. It's a devotional, yeah, tried 30 00:01:55,360 --> 00:01:58,480 Speaker 1: and true. Who's your co author? Her name is Rickel Stevens. 31 00:01:58,520 --> 00:02:01,360 Speaker 1: You've met her because she you would come down to 32 00:02:01,560 --> 00:02:03,600 Speaker 1: the building when that's where we were broadcasting, and she 33 00:02:03,640 --> 00:02:05,639 Speaker 1: and I would go down to your the Ryan Seacrest 34 00:02:05,680 --> 00:02:08,639 Speaker 1: Foundation at Chalk It do a radio show down there. 35 00:02:09,800 --> 00:02:11,840 Speaker 1: So you must have been very like, I love that 36 00:02:11,960 --> 00:02:14,280 Speaker 1: books come out with an audio version as well because 37 00:02:14,320 --> 00:02:17,800 Speaker 1: you can multiple speed. Yeah right, So was it difficult 38 00:02:17,840 --> 00:02:21,200 Speaker 1: to like read your book as an audio book? Yes, 39 00:02:21,400 --> 00:02:23,560 Speaker 1: it was very weird because I had to go like 40 00:02:24,120 --> 00:02:26,320 Speaker 1: I didn't feel like I was talking like myself because 41 00:02:26,320 --> 00:02:30,320 Speaker 1: they say you have to go slower, and so it was, 42 00:02:30,360 --> 00:02:32,640 Speaker 1: and they just slow you down. Well, I think people 43 00:02:32,639 --> 00:02:34,720 Speaker 1: speed it up, because then you can like speed up. 44 00:02:35,200 --> 00:02:38,160 Speaker 1: I listen to two times this speed usually when I 45 00:02:38,200 --> 00:02:40,680 Speaker 1: listen to audio books, and I think, I'm so used 46 00:02:40,720 --> 00:02:43,080 Speaker 1: to like doing stuff in thirty seconds forty five seconds 47 00:02:43,080 --> 00:02:44,959 Speaker 1: a minute, for like commercials, so I'm used to going 48 00:02:45,000 --> 00:02:47,840 Speaker 1: really really fast. And so they kept saying like slow down, 49 00:02:47,880 --> 00:02:50,320 Speaker 1: slow down, slow down. All right, So we have some 50 00:02:50,360 --> 00:02:53,960 Speaker 1: of the audio book here. My coworker doesn't sound like 51 00:02:53,960 --> 00:02:56,000 Speaker 1: you at all. You said you were going to change 52 00:02:56,000 --> 00:03:00,760 Speaker 1: it to callee. How about you going? Oh yeah, there 53 00:03:00,840 --> 00:03:04,760 Speaker 1: was that controversy. You didn't like it when we called 54 00:03:04,760 --> 00:03:07,400 Speaker 1: you a coworker, and then you wrote him in as 55 00:03:07,440 --> 00:03:12,480 Speaker 1: a co worker. Put me in the book forever in perpetuity. 56 00:03:13,639 --> 00:03:17,440 Speaker 1: Written in the audio book. Even know who I'm listening to? 57 00:03:17,600 --> 00:03:19,800 Speaker 1: Written back and white. How do I know that's you? 58 00:03:20,000 --> 00:03:24,640 Speaker 1: Because I did it. I'll send you a video, my coworker, friend, 59 00:03:25,560 --> 00:03:29,359 Speaker 1: family member. Why are you going so slow? It is 60 00:03:29,400 --> 00:03:31,760 Speaker 1: the slowest I've ever heard recorded in an audio book. 61 00:03:31,840 --> 00:03:34,760 Speaker 1: I don't you even my kindle won't know what to 62 00:03:34,800 --> 00:03:36,440 Speaker 1: do with that. I didn't say, couldn't you get your 63 00:03:36,480 --> 00:03:38,280 Speaker 1: normal speed? And then they could slow you down to 64 00:03:38,400 --> 00:03:45,560 Speaker 1: whatever they needed to because you need to nunciate the 65 00:03:45,560 --> 00:03:51,280 Speaker 1: word you are reading my book mentor Ryan Seacrest is 66 00:03:51,320 --> 00:03:58,120 Speaker 1: someone I admire very much. I will never and also 67 00:03:58,240 --> 00:04:03,520 Speaker 1: thank you very much for the big adjective and this 68 00:04:03,720 --> 00:04:08,640 Speaker 1: big very much. That sentence was like one of the 69 00:04:08,640 --> 00:04:14,160 Speaker 1: only ones I changed from the book feed my coworker, 70 00:04:14,240 --> 00:04:17,560 Speaker 1: Ryan Seacrest, Why did you change it for the audio version? 71 00:04:17,680 --> 00:04:20,640 Speaker 1: Because I feel as though you're more than my coworker, 72 00:04:21,040 --> 00:04:22,840 Speaker 1: but you didn't feel that when you're actually penning the book. 73 00:04:24,120 --> 00:04:26,760 Speaker 1: It wasn't until we had the discussion on the air 74 00:04:26,920 --> 00:04:29,120 Speaker 1: teen years later, and it took one week to make 75 00:04:29,160 --> 00:04:32,719 Speaker 1: the change. The day I met him, is this about 76 00:04:32,720 --> 00:04:35,640 Speaker 1: the day we met I want to hear my very 77 00:04:35,680 --> 00:04:38,479 Speaker 1: first day on the job, he greeted me with the 78 00:04:38,520 --> 00:04:41,239 Speaker 1: warmest welcome and made me feel part of the family 79 00:04:41,520 --> 00:04:45,000 Speaker 1: right from the start. People always ask me what it's 80 00:04:45,040 --> 00:04:47,800 Speaker 1: like working with him, and to me, the proof is 81 00:04:47,839 --> 00:04:51,120 Speaker 1: in the pudding. Wait what people are asking me that, 82 00:04:51,200 --> 00:04:54,200 Speaker 1: Oh my gosh, you anytime I go anywhere, everybody asks 83 00:04:54,240 --> 00:04:57,360 Speaker 1: what it's like working with you and how tall you are? 84 00:04:58,880 --> 00:05:02,440 Speaker 1: Is an odd combination. That's the truth and what has 85 00:05:02,480 --> 00:05:06,240 Speaker 1: proof in the pudding? Mean? Well, continue listening I've worked 86 00:05:06,279 --> 00:05:09,520 Speaker 1: alongside him for over a decade now and wouldn't want 87 00:05:09,560 --> 00:05:12,559 Speaker 1: it any other way. Not only is this a dream 88 00:05:12,640 --> 00:05:16,479 Speaker 1: job for me, but working alongside someone with so much passion, 89 00:05:17,000 --> 00:05:21,760 Speaker 1: so much purpose, and such strong character. And I'll admit 90 00:05:21,800 --> 00:05:24,520 Speaker 1: it only in this book, truly, one of the funniest 91 00:05:24,600 --> 00:05:30,120 Speaker 1: people I've ever known. Is the biggest blessing. What a blessing, 92 00:05:30,720 --> 00:05:32,840 Speaker 1: very very sweet, and what a blessing I didn't know 93 00:05:32,920 --> 00:05:36,520 Speaker 1: is such a blessing. Yeah, this whole, this whole experience 94 00:05:36,520 --> 00:05:38,640 Speaker 1: on this show has been such a blessing in my life. 95 00:05:39,080 --> 00:05:41,240 Speaker 1: It's for all of us to thank you for the 96 00:05:41,400 --> 00:05:44,799 Speaker 1: very kind and heartfelt words. And why won't you admit 97 00:05:44,839 --> 00:05:47,680 Speaker 1: that I'm funny? I need someone to think I'm funny. 98 00:05:48,000 --> 00:05:49,760 Speaker 1: You know, I got to keep it cool. It kind 99 00:05:49,760 --> 00:05:52,159 Speaker 1: of like, you know, we're not playing a game, keep 100 00:05:52,200 --> 00:05:56,880 Speaker 1: it cool, kind of not playing all right, So that's 101 00:05:56,920 --> 00:06:00,240 Speaker 1: thank you. That's it. I mean, there's like are but 102 00:06:00,279 --> 00:06:01,520 Speaker 1: I mean, you don't want to listen the whole thing 103 00:06:02,400 --> 00:06:05,039 Speaker 1: until you listen to the two that make people buy book. 104 00:06:06,160 --> 00:06:09,440 Speaker 1: That was a tease. It's not fourteen hours like Prince Harry's. 105 00:06:09,480 --> 00:06:12,039 Speaker 1: So the proof is in the pudding dates back to 106 00:06:12,080 --> 00:06:15,320 Speaker 1: the fourteenth century. It means the value, quality, or truth 107 00:06:15,320 --> 00:06:18,640 Speaker 1: of something must be judged based on a direct experience. Right, 108 00:06:18,880 --> 00:06:25,200 Speaker 1: how long is it the audio? Nine hours? No? Uh, 109 00:06:25,880 --> 00:06:27,760 Speaker 1: it's a great question I don't know the answer to 110 00:06:27,960 --> 00:06:29,560 Speaker 1: because you can't listen to it in one day. It's 111 00:06:29,560 --> 00:06:34,919 Speaker 1: a very slow pace coming back from gauge. If I 112 00:06:35,000 --> 00:06:38,719 Speaker 1: had to gauge three is yeah, like three or four 113 00:06:39,320 --> 00:06:42,960 Speaker 1: double speed hour and a half. Well, it's very exciting 114 00:06:42,960 --> 00:06:45,120 Speaker 1: to have a published author on our team. Very cool. 115 00:06:45,680 --> 00:06:48,640 Speaker 1: Let's get this to the best devotional seller. Yeah, yeah, 116 00:06:48,800 --> 00:06:52,479 Speaker 1: New York Times Bestseller. Here who paying a bill in 117 00:06:52,520 --> 00:06:53,640 Speaker 1: one minute? In the South? There