WEBVTT - How the Great Movie Ride Worked

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<v Speaker 1>Welcome to tech Stuff, a production from I Heart Radio.

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<v Speaker 1>Hey there, and welcome to tech Stuff. I'm your host,

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<v Speaker 1>Jonathan Strickland. I'm an executive producer with I Heart Radio.

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<v Speaker 1>And how the tech are you, y'all? I got something

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<v Speaker 1>special today. I've brought in a special guest. I guess that. Frankly,

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<v Speaker 1>I could have asked to be on tech Stuff for

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<v Speaker 1>numerous reasons. I could have asked him because he's a

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<v Speaker 1>content creator. He's a podcaster, he's a co founder of

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<v Speaker 1>an incredibly popular UH network of content. He is an

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<v Speaker 1>organizer for massive charity events that work with organizations like

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<v Speaker 1>Extra Life. I mean, the list goes on and on.

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<v Speaker 1>But the reason I asked him here is because he's

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<v Speaker 1>also a lifelong connoisseur of theme parks and a former

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<v Speaker 1>Disney cast member. Welcome to tech Stuff, Mr Jack Pattillo, Hey,

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<v Speaker 1>thank you so much for having me on. Yeah, jeez,

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<v Speaker 1>thank you for all of the list of things I've done.

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<v Speaker 1>I've never felt older than I do right now. How

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<v Speaker 1>about how about I hit you with this, Jack, It

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<v Speaker 1>has been twenty years since you worked for Disney. Oh

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<v Speaker 1>my gosh, ye two thousand two, Man, it was it

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<v Speaker 1>was spring of two thousand two is when I was

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<v Speaker 1>out there the first time I so I worked. I

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<v Speaker 1>did the Walt Disney World College Program so, which is

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<v Speaker 1>a fantastic program, highly recommended if you're a college kid

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<v Speaker 1>looking to not have responsibility for a semester. I did

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<v Speaker 1>it twice. I did back in two thousand two and

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<v Speaker 1>again in two thousand and five. And both of the

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<v Speaker 1>rides I worked on are shut down now, which is

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<v Speaker 1>sad I worked over it. It was Disney MGM Studios

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<v Speaker 1>now it's Disney's Hollywood Studios. I worked at the Great

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<v Speaker 1>Movie Ride, which is now Mickey Mini's Runaway Railway. And

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<v Speaker 1>I worked at the back lot tour, specifically the water

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<v Speaker 1>tank portion. I got to talk about Michael Bay in

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<v Speaker 1>Pearl Harbor, and that is now where Batsu is where

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<v Speaker 1>all of the Star Wars stuff is, or so it's

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<v Speaker 1>I think between there, maybe Toy story Land. It's kind

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<v Speaker 1>of like in that general area, it's basically it's just

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<v Speaker 1>walking path now where I was right it's it's it's

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<v Speaker 1>one of the hottest sections of the park when you're

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<v Speaker 1>out there because there's absolutely no shade and it's it's

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<v Speaker 1>just a massive cooking surface that has tourists on it.

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<v Speaker 1>Uh yeah, And I thought today we could talk a

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<v Speaker 1>bit about the Great Movie Ride in particular and talk

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<v Speaker 1>because there was some really cool innovative technologies that were

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<v Speaker 1>incorporated into that experience. But I also want to hear

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<v Speaker 1>from you, as a cast member who worked on the ride,

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<v Speaker 1>what the cast member experience was, because as someone who

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<v Speaker 1>has had been on that ride many times throughout its run,

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<v Speaker 1>including early on in the earliest days of Disney MGM Studios,

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<v Speaker 1>I know what it's like to ride the ride. But

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<v Speaker 1>what was it like to work on the ride? So

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<v Speaker 1>first of all, can you kind of give us an

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<v Speaker 1>overview of what the Great Movie Ride was? Sure my

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<v Speaker 1>my pitch for the Great Movie Ride after someone would

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<v Speaker 1>walk up after after I guess we'll walk up and say,

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<v Speaker 1>is this a ride? And it's like, it's called the

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<v Speaker 1>Great Movie Ride. Yes, it is a ride. It's a

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<v Speaker 1>slow moving tram ride through the movies. It's twenty two

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<v Speaker 1>minutes long, uh never goes more than four miles per hour,

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<v Speaker 1>and uh yeah, and there are live actors. It's it's

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<v Speaker 1>one of the few. It's well at the time, I

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<v Speaker 1>was one of the few UM Tour toured our excuse me,

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<v Speaker 1>guided attractions, so like Jungle Cruise, UM, the Kiloman Jari,

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<v Speaker 1>Safari's over an Animal Kingdom, and those are really the

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<v Speaker 1>only ones left at the time. King Kong Over Universal

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<v Speaker 1>Studios had it as well, and we were a guided tour.

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<v Speaker 1>You had a host that would stay in there and

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<v Speaker 1>spiel and then at one point, you know what, it

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<v Speaker 1>would change up. But it was a slow moving ride

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<v Speaker 1>that takes you through some of the most classic movies

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<v Speaker 1>of all time, from Singing in the Rains, Mary Poppins

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<v Speaker 1>to kind of the Gangster era, h Westerns, Aliens, Uh Raiders,

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<v Speaker 1>The Lost Arc, Wizard of Oz, all all kinds of

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<v Speaker 1>amazing things with us some really awesome animatronics. Um. Well,

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<v Speaker 1>when I described the ride, I would always say, this

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<v Speaker 1>is the ride that Walt Disney would have made if

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<v Speaker 1>he had access to these fancy animatronics. Uh. It felt

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<v Speaker 1>like very much a classic Disney ride, And I always

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<v Speaker 1>love that a lot of people they were fans, they

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<v Speaker 1>weren't as big of fans because it's not a thrill ride.

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<v Speaker 1>It's not a huge um you know, like, it's not

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<v Speaker 1>it's not you know, like rock and roller coaster. It's

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<v Speaker 1>nothing super super fast, But I liked it because it

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<v Speaker 1>kind of it was informative, like informative you gotta learn

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<v Speaker 1>a little bit about movies and uh. And also it

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<v Speaker 1>was you got some spectacle some like these magical things

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<v Speaker 1>happen and um, and it's all over the course of

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<v Speaker 1>twenty two minutes, so it tells a nice little story

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<v Speaker 1>compact within the ride. And I really really loved it,

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<v Speaker 1>and it's sad to see it go. Mickey Many is nice,

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<v Speaker 1>like it's it's a fun ride. It's it's kind of

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<v Speaker 1>cool that we got replaced by the very first Mickey

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<v Speaker 1>Mouse theme park ride ever, which is kind of cool,

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<v Speaker 1>and that's coming out to Anaheim as well now pretty soon.

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<v Speaker 1>But but yeah, it's um, it was a very special

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<v Speaker 1>attraction and I and I miss it. And but at

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<v Speaker 1>least the facade is still there. I still have my

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<v Speaker 1>memories of the Chinese Theater out in Disney Hollywood Studios

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<v Speaker 1>and so, and there's there's lots of little fun Easter

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<v Speaker 1>eggs out in front, even like even things that are

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<v Speaker 1>still there to this day. But I don't know if

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<v Speaker 1>there's any any Easter eggs inside of Mickey and minis

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<v Speaker 1>of the Great Movie Ride, you know, like, I'm sure

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<v Speaker 1>there's something hidden away, squirreled away somewhere that I just

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<v Speaker 1>don't know about. But yeah, it's it's It was a

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<v Speaker 1>good time. It was a lot of fun time. It

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<v Speaker 1>was it was one of my favorite sort of times

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<v Speaker 1>in my life. I was, I think twenty years old.

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<v Speaker 1>I had no responsibility. I drove out from Texas all

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<v Speaker 1>the way out to Orlando and had a great time. Yeah,

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<v Speaker 1>and uh, you know, the the theming was phenomenal. You had,

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<v Speaker 1>like you said, the Chinese theaters the facade. Uh, they

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<v Speaker 1>couldn't actually use Grammins Chinese Theater as the name because

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<v Speaker 1>Grammins wouldn't allow that, but it was the Chinese theater

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<v Speaker 1>and it looked like it did back in the Golden

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<v Speaker 1>age of Hollywood, complete with celebrity handprint and footprints outside

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<v Speaker 1>in the in the sidewalk cement. And then you had

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<v Speaker 1>actual movie memorabilia and props that were in the queuing

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<v Speaker 1>area so you could actually see like the arc from Raiders,

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<v Speaker 1>Lost Arc and things of that nature. And you also

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<v Speaker 1>were shown trailers for some of the movies that we're

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<v Speaker 1>going to be featured within the actual ride itself. And

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<v Speaker 1>as you say, Jack, it told a story, which to

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<v Speaker 1>me was was the thing that Disney did better than

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<v Speaker 1>anyone else for the longest time. Now we've started to

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<v Speaker 1>see other parks kind of pick up that torch and

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<v Speaker 1>run with it, but for the longest time, Disney was

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<v Speaker 1>just that was the king when it came to an

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<v Speaker 1>attraction that also tells the story, and not only that,

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<v Speaker 1>but puts the guests into the story. You're not just

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<v Speaker 1>watching it, you're kind of immersed in it as you're

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<v Speaker 1>going through all these different scenes. And Uh, as a

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<v Speaker 1>cast member, what what were some of your duties, Like

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<v Speaker 1>what roles did you work when you were working on

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<v Speaker 1>that ride? Yeah, So when I was there, they actually

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<v Speaker 1>were just bringing in a new system. I think it's

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<v Speaker 1>called c r S. It was a computer system that

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<v Speaker 1>they would give you a list of roles. So they

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<v Speaker 1>had input a list of rolls into this computer and

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<v Speaker 1>the computer would track who needs to go on break,

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<v Speaker 1>who needs to go on lunch, and stuff like that.

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<v Speaker 1>So if you're on break, you know, once you're done,

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<v Speaker 1>you would go to this machine and say I'm back,

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<v Speaker 1>and it would print out a slip and that slip

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<v Speaker 1>would say you go to Position A, and then you

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<v Speaker 1>go there hand the slip off to that person. They

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<v Speaker 1>would then move to position B and the waterfall down

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<v Speaker 1>so the person at the bottom wouldn't take break, which

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<v Speaker 1>actually was pretty cool because you never stood in one

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<v Speaker 1>spot for too long. You were always moving around. It

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<v Speaker 1>was always kind of fresh. You never really got tired

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<v Speaker 1>of it. Um. But I mean we did everything on

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<v Speaker 1>the attraction. The the main tour guides are the people

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<v Speaker 1>the suspenders and the hat um. They would do everything

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<v Speaker 1>from running the vehicles like dry or like driving the

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<v Speaker 1>vehicles doing the spiel um, to all the to working

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<v Speaker 1>the fronts like working entrance as well. So we would

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<v Speaker 1>put on this orange jacket that would go on over

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<v Speaker 1>our tour guide outfit and change our hats like this

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<v Speaker 1>orange hat and that was like our our host spot basically. Um.

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<v Speaker 1>The only thing in a typical cast member wouldn't do

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<v Speaker 1>on Great Movie Ride was be the bandit or the gangster.

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<v Speaker 1>Those were specialized roles that if you were the bandit,

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<v Speaker 1>you were the bandit all day. If you were the

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<v Speaker 1>gangster you were something. I mean, you were the gangster

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<v Speaker 1>all day. But basically those roles, but they would be

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<v Speaker 1>trained for both of them. The cast members would be

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<v Speaker 1>trained for both of those roles. Um, at the time

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<v Speaker 1>when I was there, college program, Uh, employees are cast

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<v Speaker 1>members couldn't be they bandit or the gangster. I think

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<v Speaker 1>they changed that later on just due to staffing stuff. Um,

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<v Speaker 1>but that which was which was sad because I always

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<v Speaker 1>wanted to be the bandit or gangster. But you actually

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<v Speaker 1>had to be firearm trained in order to be either

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<v Speaker 1>of those characters because they did have an actual pistol

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<v Speaker 1>that fired blanks. And um, yeah, that that was the

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<v Speaker 1>one thing that I ain't gonna do. But you know,

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<v Speaker 1>everyone everyone there was family. Everyone knew everyone. Like the

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<v Speaker 1>it was. It was a healthy mix of these old

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<v Speaker 1>timers that have been around. I say old timers, but

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<v Speaker 1>the people that have been around, you know for like

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<v Speaker 1>five to ten years. We had a gentleman there who

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<v Speaker 1>opened the attraction back in eighty nine, who was still

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<v Speaker 1>there in two thousand two, um, and then a bunch

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<v Speaker 1>of college kids. So like basically they would keep it.

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<v Speaker 1>We would keep it fresh because every six months or

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<v Speaker 1>so there'd be new new blood and so it never

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<v Speaker 1>got really boring. And uh and even when I was there,

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<v Speaker 1>I did they extended one so I went from January

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<v Speaker 1>all the way to August. So I saw like summer

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<v Speaker 1>kids coming in and like the new batch of people

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<v Speaker 1>coming in for the fall semester, and it was just fun.

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<v Speaker 1>It was it was just a blast. And um yeah,

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<v Speaker 1>I mean there's some really cool things that that the

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<v Speaker 1>castombers gotta do. Now. One one my first bit of

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<v Speaker 1>trivia for you. So the vehicles themselves, they were on

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<v Speaker 1>a track. You couldn't see the track. It was actually

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<v Speaker 1>a m There was like sensors in the vehicle and

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<v Speaker 1>that the vehicle would turn and there was invisible track

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<v Speaker 1>kind of in between. There was nothing connecting the actual

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<v Speaker 1>vehicle to the floor, but it would just kind of

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<v Speaker 1>stay on top of it. I don't know the full

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<v Speaker 1>technology behind it. Um. So it's kind of like Rise

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<v Speaker 1>of Resistance where there's just like a trackless course, except

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<v Speaker 1>there was like a line of metal or something. There

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<v Speaker 1>was something keeping it where it needed to go. But

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<v Speaker 1>the tech guys there then the engineers who worked in

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<v Speaker 1>the attraction, which they actually we had a whole engineering

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<v Speaker 1>bay where they would fix up vehicles and fix animatronics

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<v Speaker 1>and stuff. Um, those guys could actually disable that and

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<v Speaker 1>literally drive it around. Like hypothetically, they could have taken

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<v Speaker 1>one the things out into the park and it's driven

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<v Speaker 1>it around if they wanted to, which would have been amazing,

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<v Speaker 1>but uh but no, it's so that was kind of cool.

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<v Speaker 1>And the vehicles themselves they were uh seven rows. There

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<v Speaker 1>was there was two two vehicles. There's basically it's technically

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<v Speaker 1>a tractor trailer where you have the front vehicle had

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<v Speaker 1>all the motors and everything in it, and the back trailer.

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<v Speaker 1>The back vehicle was literally just a trailer, had nothing

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<v Speaker 1>in it other than wheels, and so the front one

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<v Speaker 1>would pull it. Um. There were four speeds on it,

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<v Speaker 1>so it was either stopped one to three or four

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<v Speaker 1>and depending on where we were in the track, we

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<v Speaker 1>would go with those different speeds and um and also

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<v Speaker 1>the track could it could it could actually activate different speeds,

0:10:37.000 --> 0:10:39.120
<v Speaker 1>so like at some points, if you put it on four,

0:10:39.600 --> 0:10:41.480
<v Speaker 1>it would just go and then there were sensors that

0:10:41.480 --> 0:10:44.120
<v Speaker 1>would trigger it to actually slow down the vehicle to

0:10:44.200 --> 0:10:47.000
<v Speaker 1>a stop. So like you know, you could be focused

0:10:47.040 --> 0:10:49.520
<v Speaker 1>on speeling and the ride itself would come to a

0:10:49.559 --> 0:10:51.440
<v Speaker 1>stop and then you would throw it into park. Like

0:10:51.440 --> 0:10:53.000
<v Speaker 1>it wouldn't just kick off on its own. You have

0:10:53.040 --> 0:10:54.520
<v Speaker 1>to throw it in a park and restarted to get

0:10:54.559 --> 0:10:56.560
<v Speaker 1>it to go again, and that was important when you

0:10:56.600 --> 0:10:58.640
<v Speaker 1>were speeling going is like you know, the like gangster

0:10:58.679 --> 0:11:02.320
<v Speaker 1>alley or banded area and um but yeah, god man,

0:11:02.320 --> 0:11:03.800
<v Speaker 1>I'm I'm trying to think of all the easter eggs

0:11:03.840 --> 0:11:05.840
<v Speaker 1>has been. It's been twenty years, been two decades as

0:11:05.840 --> 0:11:08.920
<v Speaker 1>I've been out there, man, So well, you're doing great.

0:11:08.960 --> 0:11:11.200
<v Speaker 1>I mean, I can give a little more context with

0:11:11.320 --> 0:11:16.360
<v Speaker 1>the ride system. So the system that was under essentially

0:11:16.480 --> 0:11:19.280
<v Speaker 1>under the floor, really embedded in the floor was a

0:11:19.320 --> 0:11:23.800
<v Speaker 1>guide wire that would emit radio frequency radiation. So just

0:11:23.920 --> 0:11:29.599
<v Speaker 1>radio waves. Radiation is radiation because it is part of

0:11:29.640 --> 0:11:34.400
<v Speaker 1>the electromagnetic frequency, but it's not like radioactive. There is

0:11:34.400 --> 0:11:38.840
<v Speaker 1>a difference. Um, yeah, we're talking non ionizing. Don't worry, Jack.

0:11:39.040 --> 0:11:42.319
<v Speaker 1>The gray ride did not did not doom, you know.

0:11:43.360 --> 0:11:46.280
<v Speaker 1>The It's just radio frequency radiation. So it's it's r F.

0:11:46.360 --> 0:11:47.679
<v Speaker 1>It's like the same sort of thing you would use

0:11:47.760 --> 0:11:50.880
<v Speaker 1>for walkie talkies or radios or anything along those lines.

0:11:51.360 --> 0:11:55.760
<v Speaker 1>And the trams had within them essentially sensors that could

0:11:55.760 --> 0:12:00.800
<v Speaker 1>pick up that frequency. And if the frequency start to drift,

0:12:00.880 --> 0:12:03.160
<v Speaker 1>like if it started to get two weak on one side,

0:12:03.240 --> 0:12:05.520
<v Speaker 1>that was a signal to the tram that it needed

0:12:05.559 --> 0:12:08.360
<v Speaker 1>to make an adjustment and turn in order to return

0:12:08.440 --> 0:12:11.600
<v Speaker 1>the signal to its strongest point in the center of

0:12:11.640 --> 0:12:14.000
<v Speaker 1>its sensors. So it gets a little weak on the

0:12:14.080 --> 0:12:15.720
<v Speaker 1>right side. That means it's time for you to turn

0:12:15.800 --> 0:12:18.120
<v Speaker 1>left because of your signal is actually moving to your left.

0:12:18.600 --> 0:12:21.000
<v Speaker 1>That was the basic idea. So it was really just

0:12:21.240 --> 0:12:24.520
<v Speaker 1>following this this wire all the way through the attraction,

0:12:24.520 --> 0:12:28.880
<v Speaker 1>which was almost like, uh, something like two thousand feet

0:12:28.920 --> 0:12:31.439
<v Speaker 1>long something like that. It was crazy how long it was,

0:12:31.760 --> 0:12:34.319
<v Speaker 1>Like you said, twenty two minutes for the whole thing. Yeah.

0:12:34.400 --> 0:12:37.640
<v Speaker 1>The vehicles themselves too, they were all electric, and so

0:12:37.800 --> 0:12:40.160
<v Speaker 1>there were paths throughout the attraction at different points where

0:12:40.200 --> 0:12:44.640
<v Speaker 1>you would stop that magnets would actually connect the batteries

0:12:44.679 --> 0:12:47.480
<v Speaker 1>to the chargers. So at the dock, the vehicles will

0:12:47.520 --> 0:12:50.160
<v Speaker 1>park and an actual like magnet would pull the charger

0:12:50.320 --> 0:12:52.320
<v Speaker 1>up to the bottom of the vehicle in order to

0:12:52.320 --> 0:12:54.040
<v Speaker 1>actually charge up the vehicle. And then there there were

0:12:54.040 --> 0:12:55.760
<v Speaker 1>different spots throughout the ride that it would do that.

0:12:55.880 --> 0:12:57.960
<v Speaker 1>So it would do it there dock, it would do

0:12:58.000 --> 0:13:00.439
<v Speaker 1>it in front of the gangster area, in front of

0:13:00.440 --> 0:13:03.640
<v Speaker 1>the bandit area, in front of a Nubis, which was

0:13:03.720 --> 0:13:07.320
<v Speaker 1>the scene where the like the bandit or the gangster

0:13:07.360 --> 0:13:10.120
<v Speaker 1>would go up and turn back into the the cast member.

0:13:10.679 --> 0:13:14.480
<v Speaker 1>And um, I want to say, Wizard of Oz had one,

0:13:15.080 --> 0:13:17.800
<v Speaker 1>and then in the finale had one that maybe too many.

0:13:17.800 --> 0:13:19.439
<v Speaker 1>I think we got a five vehicles running at the

0:13:19.480 --> 0:13:22.560
<v Speaker 1>same time, so maybe not a Nubis, but um, but yeah,

0:13:22.559 --> 0:13:24.439
<v Speaker 1>there were. There were a whole lot of them, and

0:13:24.880 --> 0:13:26.680
<v Speaker 1>we would park them at night, so like they were

0:13:26.720 --> 0:13:28.480
<v Speaker 1>basically when we were shutting off for the night, you

0:13:28.480 --> 0:13:30.160
<v Speaker 1>would take all the vehicles and put them in spart

0:13:30.280 --> 0:13:32.760
<v Speaker 1>certain spots, park them and then they wanted to recharge

0:13:32.800 --> 0:13:34.880
<v Speaker 1>overnight like I don't. When I was there, we never

0:13:34.880 --> 0:13:37.880
<v Speaker 1>had a vehicle die due to battery loss. Um, So

0:13:38.400 --> 0:13:40.400
<v Speaker 1>that's I imagine it was a good sign. Because those

0:13:40.440 --> 0:13:42.840
<v Speaker 1>things were big and they were very heavy, so moving

0:13:42.840 --> 0:13:45.959
<v Speaker 1>them without power would be pretty tricky. I imagine, right

0:13:46.000 --> 0:13:49.320
<v Speaker 1>when you think of fourteen rows filled with people, that's

0:13:49.360 --> 0:13:51.520
<v Speaker 1>a lot of extra weight on top of the fact

0:13:51.559 --> 0:13:54.840
<v Speaker 1>that these things are so big and bulky, so especially

0:13:54.880 --> 0:13:57.679
<v Speaker 1>if there's a guest like me. Pandemic has not been

0:13:57.760 --> 0:14:01.000
<v Speaker 1>kind jack carrying around extra pounds. But that is a

0:14:01.040 --> 0:14:03.280
<v Speaker 1>great point. I love that you brought that in, because

0:14:03.280 --> 0:14:05.120
<v Speaker 1>that was something I did not actually come across in

0:14:05.160 --> 0:14:06.960
<v Speaker 1>my research. It didn't even think about it, but of

0:14:07.000 --> 0:14:08.599
<v Speaker 1>course it makes sense. I mean, if you're running on

0:14:08.600 --> 0:14:11.160
<v Speaker 1>an electric vehicle, you have to be able to at

0:14:11.240 --> 0:14:13.120
<v Speaker 1>least top off the charge a little bit so that

0:14:13.160 --> 0:14:14.839
<v Speaker 1>you can run it for as long as the park

0:14:14.960 --> 0:14:16.800
<v Speaker 1>is open, and as we know, Disney parks can be

0:14:16.840 --> 0:14:20.720
<v Speaker 1>open for many, many hours. We'll be back with more

0:14:20.880 --> 0:14:24.520
<v Speaker 1>about the Great Movie Ride and Disney Theme parks after

0:14:24.600 --> 0:14:37.160
<v Speaker 1>this quick break. This ride system was originally developed over

0:14:37.240 --> 0:14:39.960
<v Speaker 1>at the Universe of Energy and Upcot, another attraction that

0:14:40.000 --> 0:14:43.000
<v Speaker 1>no longer exists. UH The Guardians of the Galaxy has

0:14:43.080 --> 0:14:47.200
<v Speaker 1>has replaced that area, but it was called the Traveling Theater,

0:14:47.640 --> 0:14:51.280
<v Speaker 1>and for the Universe of Energy, it was more it

0:14:51.360 --> 0:14:53.760
<v Speaker 1>was more of a necessity because they had so many

0:14:53.840 --> 0:14:58.840
<v Speaker 1>different uh moving theaters. These did not have an actual

0:14:59.080 --> 0:15:02.080
<v Speaker 1>like tour guide as part of it either. That they

0:15:02.080 --> 0:15:04.320
<v Speaker 1>needed to be able to orient themselves properly to become

0:15:04.400 --> 0:15:07.960
<v Speaker 1>kind of like theater seating for the movie sections of

0:15:08.000 --> 0:15:12.040
<v Speaker 1>the attraction and then go back into a configuration where

0:15:12.080 --> 0:15:14.520
<v Speaker 1>they can move through the rest of it. So you

0:15:14.520 --> 0:15:16.960
<v Speaker 1>had to have almost the sort of ballet of these

0:15:17.480 --> 0:15:21.560
<v Speaker 1>large pieces moving, and they determined they couldn't use physical tracks.

0:15:22.080 --> 0:15:23.640
<v Speaker 1>If they did, they would have to have a switching

0:15:23.680 --> 0:15:27.240
<v Speaker 1>system to switch each one physically to where it needed

0:15:27.240 --> 0:15:29.080
<v Speaker 1>to go. And it was just going to be too complicated,

0:15:29.480 --> 0:15:32.640
<v Speaker 1>too loud, and too expensive, and so they had to

0:15:32.640 --> 0:15:36.360
<v Speaker 1>invent a technology. So necessity is the mother of invention.

0:15:36.640 --> 0:15:38.920
<v Speaker 1>Later on, as I understand it, they actually replaced the

0:15:38.960 --> 0:15:42.720
<v Speaker 1>guide wire with electronic pucks that essentially did the same thing.

0:15:43.080 --> 0:15:46.360
<v Speaker 1>It just wasn't a continuous wire anymore, but served the

0:15:46.400 --> 0:15:49.160
<v Speaker 1>same purpose. And I'm glad that you were able to

0:15:49.200 --> 0:15:52.080
<v Speaker 1>work on it in that span of time. Obviously, it

0:15:52.120 --> 0:15:53.880
<v Speaker 1>was a little different from when it first opened. The

0:15:54.040 --> 0:15:58.160
<v Speaker 1>very first uh sequence that you encounter when you're on

0:15:58.200 --> 0:16:01.840
<v Speaker 1>the ride, after you've entered into the movie section is

0:16:02.040 --> 0:16:08.320
<v Speaker 1>uh Buzby Berkeley footlight parade experience. When that originally opened,

0:16:08.520 --> 0:16:13.280
<v Speaker 1>the characters that you see behind a scrim birthday cake,

0:16:13.480 --> 0:16:17.680
<v Speaker 1>the birthday cake, originally those rotated, right you had, Yeah,

0:16:17.960 --> 0:16:20.560
<v Speaker 1>every other one would rotate. Yeah. Buzby Berkeley he was

0:16:20.680 --> 0:16:22.160
<v Speaker 1>he was known for doing. He was actually a drill

0:16:22.200 --> 0:16:24.400
<v Speaker 1>sergeant in the military and he ended up making movies

0:16:24.400 --> 0:16:27.080
<v Speaker 1>in Hollywood when they were all about spectacle, and so

0:16:27.200 --> 0:16:31.880
<v Speaker 1>he would do these elaborate choreograph numbers with hundreds of people,

0:16:32.400 --> 0:16:34.600
<v Speaker 1>and uh in Footlight Parade, there was a scene where

0:16:34.640 --> 0:16:36.760
<v Speaker 1>it was a whole like it was a pole scene.

0:16:37.440 --> 0:16:40.160
<v Speaker 1>So it's all these women in matching swimsuits and they

0:16:40.200 --> 0:16:42.320
<v Speaker 1>would do choreograph dances and water and stuff. And one

0:16:42.360 --> 0:16:44.520
<v Speaker 1>of the scenes that they came out of the water

0:16:44.640 --> 0:16:47.080
<v Speaker 1>in this sort of birthday cake looking thing. It was

0:16:47.160 --> 0:16:50.200
<v Speaker 1>three tiers with women, you know, like in circles around it,

0:16:50.680 --> 0:16:52.360
<v Speaker 1>and so we had that. It was the first thing

0:16:52.400 --> 0:16:54.440
<v Speaker 1>you saw when you first pulled into the Gray movie

0:16:54.560 --> 0:16:56.160
<v Speaker 1>right back in eighty nine when it open, you would

0:16:56.200 --> 0:16:58.400
<v Speaker 1>that was like you would go in, go through this

0:16:58.440 --> 0:17:00.920
<v Speaker 1>beautiful procenium all in knee on of you know, like

0:17:00.920 --> 0:17:02.960
<v Speaker 1>because the ideas you're entering the movie, so it's like

0:17:03.000 --> 0:17:04.560
<v Speaker 1>you go through the screen and you're part of the

0:17:04.600 --> 0:17:07.520
<v Speaker 1>movie now, and uh yeah, right there on your right side. Initially,

0:17:07.520 --> 0:17:10.800
<v Speaker 1>apparently there was water and there were bubbles and these

0:17:10.840 --> 0:17:13.359
<v Speaker 1>these things would spin and it was awesome. They actual

0:17:13.400 --> 0:17:15.919
<v Speaker 1>they weren't animatronics because they were just mannequins. Because there

0:17:15.920 --> 0:17:18.359
<v Speaker 1>were so many of them. But yeah, apparently that was

0:17:18.400 --> 0:17:21.040
<v Speaker 1>the big thing that would falter the most. They kept

0:17:21.040 --> 0:17:23.760
<v Speaker 1>breaking over and over and over again. So ultimately they

0:17:23.800 --> 0:17:26.240
<v Speaker 1>just ended up kind of walking in place, and I

0:17:26.280 --> 0:17:29.199
<v Speaker 1>think initially they just they left the bubbles going, and

0:17:29.200 --> 0:17:31.240
<v Speaker 1>then ultimately they ended up putting a scrim in front

0:17:31.280 --> 0:17:34.560
<v Speaker 1>of it and projecting images of them kind of doing

0:17:34.560 --> 0:17:38.120
<v Speaker 1>their different dances and stuff. So yeah, I would imagine

0:17:38.160 --> 0:17:41.720
<v Speaker 1>that trying to rig up a rotating fountain, which is

0:17:41.800 --> 0:17:45.760
<v Speaker 1>essentially what you had there, uh, is complicated on the

0:17:45.800 --> 0:17:49.240
<v Speaker 1>best of days, and and there are stories that there

0:17:49.240 --> 0:17:52.240
<v Speaker 1>were frequent issues where there would be flooding and that

0:17:52.280 --> 0:17:57.520
<v Speaker 1>would obviously be a problem for moving giant electric trams through.

0:17:57.680 --> 0:18:01.359
<v Speaker 1>And yeah, you can understand and why they nixed that

0:18:01.840 --> 0:18:05.160
<v Speaker 1>after some some troubles. But it is kind of sad

0:18:05.200 --> 0:18:09.280
<v Speaker 1>because it was one of those um nifty effects that

0:18:09.320 --> 0:18:11.800
<v Speaker 1>you couldn't see anywhere else, and it also was the

0:18:11.840 --> 0:18:14.080
<v Speaker 1>first thing you saw on this journey to the movies.

0:18:14.440 --> 0:18:17.160
<v Speaker 1>Scaled back has slightly less of an impact, I think,

0:18:17.600 --> 0:18:20.679
<v Speaker 1>uh as far as the effect goes, But then you

0:18:20.760 --> 0:18:23.720
<v Speaker 1>move on and you start to encounter the various animatronics

0:18:23.760 --> 0:18:28.160
<v Speaker 1>and they're there are two major types uh in the ride,

0:18:28.200 --> 0:18:32.439
<v Speaker 1>the most famous arguably being the Wicked Witch of the

0:18:32.440 --> 0:18:35.199
<v Speaker 1>West and the Wizard of Oz segment, because she was

0:18:35.280 --> 0:18:40.480
<v Speaker 1>the very first A one hundred animatronic that Disney ever used,

0:18:40.520 --> 0:18:45.639
<v Speaker 1>So like the terminator, there are designations for different generations

0:18:45.680 --> 0:18:48.600
<v Speaker 1>of animatronics, and this was was the first of the

0:18:48.680 --> 0:18:53.080
<v Speaker 1>A one generation, which I'm sure you got schooled on

0:18:53.119 --> 0:18:56.760
<v Speaker 1>all of that as you were joining the attraction a

0:18:56.840 --> 0:18:59.240
<v Speaker 1>little bit. I mean, we knew she was special because

0:18:59.320 --> 0:19:01.399
<v Speaker 1>the amount of a movement and like she had like

0:19:01.480 --> 0:19:03.600
<v Speaker 1>dexterity in her fingers. That was a big thing, because

0:19:03.640 --> 0:19:06.199
<v Speaker 1>she would point at you, which was great. Um. It

0:19:06.280 --> 0:19:08.160
<v Speaker 1>was interesting though because she was by far the most

0:19:08.359 --> 0:19:10.760
<v Speaker 1>elaborate animatronic at any of the parks for a while,

0:19:11.359 --> 0:19:15.160
<v Speaker 1>and she was saddled up next to the Munchkins, who

0:19:15.160 --> 0:19:19.239
<v Speaker 1>were some of the most basic animatronics anywhere. And one

0:19:19.560 --> 0:19:22.119
<v Speaker 1>fun one fun story is when before we opened, or

0:19:22.160 --> 0:19:24.160
<v Speaker 1>when we were closing for the night, we'd still rotate

0:19:24.200 --> 0:19:26.800
<v Speaker 1>the vehicles through and the show scenes will still happen,

0:19:26.800 --> 0:19:29.199
<v Speaker 1>would it be no sound? And so if you know

0:19:29.240 --> 0:19:33.120
<v Speaker 1>anything about old Disney animatronics, when the servos to open

0:19:33.160 --> 0:19:35.760
<v Speaker 1>the mouths would go, it would just make these clicking noise.

0:19:36.080 --> 0:19:37.959
<v Speaker 1>So you pulled in the Wizard of Ozby sitting there,

0:19:38.000 --> 0:19:39.399
<v Speaker 1>it was quiet and all of a sudden, you know

0:19:39.400 --> 0:19:41.359
<v Speaker 1>that'd be follow the Eleveic road, but you want to

0:19:41.480 --> 0:19:43.120
<v Speaker 1>hear that. You just hear the click click click click

0:19:43.119 --> 0:19:45.760
<v Speaker 1>click click. It's from like all around you. It was

0:19:46.240 --> 0:19:49.960
<v Speaker 1>really a bit disheartening. Um. Yeah, and that was. That

0:19:50.040 --> 0:19:52.560
<v Speaker 1>was definitely weird, definitely strange that. I think that was

0:19:52.560 --> 0:19:56.480
<v Speaker 1>probably the scariest thing outside of Toto. When Toto was off,

0:19:56.520 --> 0:19:58.439
<v Speaker 1>she would just look at you like that. She had

0:19:58.440 --> 0:20:00.600
<v Speaker 1>like these crazy fangs. I think to it was a female,

0:20:00.640 --> 0:20:03.080
<v Speaker 1>but she would have these crazy fangs and she just

0:20:03.119 --> 0:20:05.480
<v Speaker 1>looked like demented. It was. It was. It was really weird.

0:20:05.600 --> 0:20:09.360
<v Speaker 1>But yeah, that was. I've heard a story. I don't

0:20:09.359 --> 0:20:10.479
<v Speaker 1>know if it's true or not. I have no way

0:20:10.560 --> 0:20:13.600
<v Speaker 1>to verify this, but apparently so, um, you know, the

0:20:13.600 --> 0:20:15.920
<v Speaker 1>Wicked Witch. She would move around a whole lot, lots

0:20:15.920 --> 0:20:18.800
<v Speaker 1>of movement. She had her broom, she would point and stuff. Supposedly,

0:20:18.800 --> 0:20:22.320
<v Speaker 1>one day, um, something got loose and she basically whipped

0:20:22.359 --> 0:20:26.080
<v Speaker 1>her arm around and her wrists snapped and her hand

0:20:26.160 --> 0:20:28.560
<v Speaker 1>is kind of dangled off and the hydraulic fluid in

0:20:28.600 --> 0:20:32.280
<v Speaker 1>her wrist started just hosing down the ride vehicle in

0:20:32.320 --> 0:20:34.200
<v Speaker 1>front of her, so essentially like she broke her wrist

0:20:34.280 --> 0:20:37.120
<v Speaker 1>and it started spraying all of the guests with with

0:20:37.160 --> 0:20:41.960
<v Speaker 1>her blood. Essentially, that was one of the very few, uh,

0:20:42.040 --> 0:20:44.600
<v Speaker 1>shut the ride down and just evacuate from where you're

0:20:44.680 --> 0:20:47.360
<v Speaker 1>where you're positioned. Um, we would have multiple times where

0:20:47.359 --> 0:20:48.639
<v Speaker 1>we have to shut the ride down because something like

0:20:48.640 --> 0:20:51.280
<v Speaker 1>minor would happen where we just rotate through the people

0:20:51.320 --> 0:20:53.119
<v Speaker 1>that were stolen the attraction. That's not enough to like

0:20:53.160 --> 0:20:55.880
<v Speaker 1>you know, kick people out, but occasionally a door would

0:20:55.880 --> 0:20:57.959
<v Speaker 1>break and it's like, well, we're not moving, and you know,

0:20:58.320 --> 0:20:59.880
<v Speaker 1>it was a thing where you would have to move

0:21:00.000 --> 0:21:01.720
<v Speaker 1>out of a section for the next vehicle to move in.

0:21:02.040 --> 0:21:03.679
<v Speaker 1>And when those happened, those are always fun. They're only

0:21:03.720 --> 0:21:06.320
<v Speaker 1>happened to me twice over the eight months or so

0:21:06.400 --> 0:21:08.720
<v Speaker 1>I was there where Um, you know, you would ask

0:21:08.720 --> 0:21:10.600
<v Speaker 1>the guests to stay there and then you know, ultimately

0:21:10.600 --> 0:21:12.720
<v Speaker 1>you'd have to go make sure like a manager would

0:21:12.720 --> 0:21:14.520
<v Speaker 1>come by like okay, go ahead and clear amount, and

0:21:14.520 --> 0:21:16.760
<v Speaker 1>then they would open the doors. And I always made

0:21:16.760 --> 0:21:19.160
<v Speaker 1>it a big point of any time, like the two

0:21:19.200 --> 0:21:21.680
<v Speaker 1>times that happened. They said, if that happens, you need

0:21:21.720 --> 0:21:24.080
<v Speaker 1>to make sure your guests are happy. So if they

0:21:24.080 --> 0:21:26.239
<v Speaker 1>want to go take photos with Clint Eastwood, let him

0:21:26.280 --> 0:21:27.720
<v Speaker 1>go take photos of the Clint east wod. As long

0:21:27.720 --> 0:21:29.800
<v Speaker 1>as they're not climbing on anything, they can do whatever

0:21:29.840 --> 0:21:31.600
<v Speaker 1>they want. And so some people out there are some

0:21:31.640 --> 0:21:34.000
<v Speaker 1>really good photos of like John Wayne and his giant horse,

0:21:34.480 --> 0:21:36.720
<v Speaker 1>and then like standing over by gangster area that is like,

0:21:36.720 --> 0:21:40.159
<v Speaker 1>oh yeah, you're not normally supposed to be there. So um,

0:21:40.200 --> 0:21:41.399
<v Speaker 1>that was always a big thing, you know. It was

0:21:41.440 --> 0:21:42.959
<v Speaker 1>it was always about like going out of your way

0:21:43.000 --> 0:21:45.040
<v Speaker 1>to be like, hey, we had an issue. Sorry. You know,

0:21:45.080 --> 0:21:47.000
<v Speaker 1>at that at the time, I was there a great movie, right,

0:21:47.000 --> 0:21:49.080
<v Speaker 1>didn't have fast past. So it's kind of like, you know,

0:21:49.359 --> 0:21:51.000
<v Speaker 1>come come back when you can. We'd love to have

0:21:51.040 --> 0:21:54.640
<v Speaker 1>you back. Just losing his mind downstairs, that's fine, minus too.

0:21:54.680 --> 0:21:57.480
<v Speaker 1>It's it's they're just they're just co hosting. That's fine,

0:21:57.640 --> 0:22:01.840
<v Speaker 1>they're excited. Yeah, the uh, it's it's that also reminds

0:22:01.880 --> 0:22:04.119
<v Speaker 1>me like that I've only had that sort of experience

0:22:04.160 --> 0:22:07.640
<v Speaker 1>happened at Disney, I think maybe two times. Once when

0:22:07.680 --> 0:22:10.800
<v Speaker 1>I was. This happens pretty regularly. But I was on

0:22:10.840 --> 0:22:13.720
<v Speaker 1>the people Mover when the lights on Space Mountain were

0:22:13.720 --> 0:22:16.440
<v Speaker 1>all on, so you can actually see the track, and

0:22:17.000 --> 0:22:21.040
<v Speaker 1>it's it's insane how closely and tightly packed that track is,

0:22:21.240 --> 0:22:23.760
<v Speaker 1>to the point where you're thinking, I'm gonna ride this

0:22:23.880 --> 0:22:26.480
<v Speaker 1>differently the next time I'm on everything's gonna get tucked

0:22:26.520 --> 0:22:29.399
<v Speaker 1>in because it's wild. It's wild, like the the re

0:22:29.600 --> 0:22:31.439
<v Speaker 1>entry tube. You can just touch it. I can just

0:22:31.480 --> 0:22:34.280
<v Speaker 1>reach up and touch it. It's like that should not happen,

0:22:34.440 --> 0:22:37.200
<v Speaker 1>and like I imagine, no, like legally that couldn't happen.

0:22:37.240 --> 0:22:39.960
<v Speaker 1>I'm sure as grandfathered in by something. But like there's

0:22:40.119 --> 0:22:41.960
<v Speaker 1>you can just reach out and touch stuff on that track.

0:22:41.960 --> 0:22:44.159
<v Speaker 1>And when you're pitch black and you can't see anything,

0:22:44.240 --> 0:22:46.560
<v Speaker 1>like you hit something at speed, that's not good. So

0:22:46.960 --> 0:22:48.840
<v Speaker 1>you can imagine the amount of padding they have on

0:22:48.880 --> 0:22:51.639
<v Speaker 1>all of the all the very support structures that you

0:22:51.640 --> 0:22:54.399
<v Speaker 1>can't see. Typically, Yeah, and the only other time it

0:22:54.480 --> 0:22:57.640
<v Speaker 1>ever happened was on Flights of Passage, the Avatar ride,

0:22:58.160 --> 0:23:03.560
<v Speaker 1>where it just the video shut down, maybe like we

0:23:03.560 --> 0:23:07.600
<v Speaker 1>were maybe thirty seconds from the end of the ride.

0:23:07.680 --> 0:23:10.000
<v Speaker 1>Maybe it was my first time I ever writing it,

0:23:10.040 --> 0:23:11.479
<v Speaker 1>so I didn't know at the time, but I was like, well,

0:23:11.480 --> 0:23:13.600
<v Speaker 1>we've been going for a while, this thing was probably

0:23:13.640 --> 0:23:17.560
<v Speaker 1>about to wrap up, and cast member came on and

0:23:17.600 --> 0:23:19.840
<v Speaker 1>there happened to be in the group that we were in,

0:23:20.480 --> 0:23:23.359
<v Speaker 1>um a V I P group who had spent a

0:23:23.440 --> 0:23:25.160
<v Speaker 1>huge amount of money in order to do this, so

0:23:25.200 --> 0:23:28.280
<v Speaker 1>they had us sit there, they restarted the ride. We

0:23:28.280 --> 0:23:30.240
<v Speaker 1>wrote the whole so I wrote. I got to write

0:23:30.240 --> 0:23:34.120
<v Speaker 1>at one point eight times my first time. And then

0:23:34.160 --> 0:23:36.040
<v Speaker 1>as we're leaving, they gave us all like like a

0:23:36.080 --> 0:23:39.320
<v Speaker 1>priority fast pass digital fast passes because that was when

0:23:39.320 --> 0:23:41.159
<v Speaker 1>we were getting to the point we're using magic bands.

0:23:41.680 --> 0:23:43.199
<v Speaker 1>UM so yeah, it doesn't he really does go a

0:23:43.240 --> 0:23:47.359
<v Speaker 1>long way to trying to to make the guest experience magical,

0:23:47.880 --> 0:23:51.360
<v Speaker 1>as they say, certain certainly did. I don't know how

0:23:51.480 --> 0:23:54.439
<v Speaker 1>much that. It seems like nowadays things are, you know,

0:23:54.680 --> 0:23:57.280
<v Speaker 1>if you're little different. Yeah, if there's a way they

0:23:57.320 --> 0:23:58.879
<v Speaker 1>can charge you for it, they're going to charge you

0:23:58.960 --> 0:24:02.600
<v Speaker 1>for it. If you could have for yeah, I mean,

0:24:02.640 --> 0:24:04.720
<v Speaker 1>I'm so I still have my annual pass. I still

0:24:04.760 --> 0:24:07.800
<v Speaker 1>you know, I'm a you know, multi year annual pass holder.

0:24:07.880 --> 0:24:10.639
<v Speaker 1>I still enjoy going to the parks. I participate in

0:24:10.640 --> 0:24:12.399
<v Speaker 1>the run Disney events. I do a lot of stuff

0:24:12.400 --> 0:24:15.760
<v Speaker 1>through Disney, but it feels like as of late, they've

0:24:15.880 --> 0:24:19.479
<v Speaker 1>kind of let stuff slide, and that's frustrating to me

0:24:19.600 --> 0:24:21.240
<v Speaker 1>as as as as you know, as an annual pass

0:24:21.359 --> 0:24:24.880
<v Speaker 1>as a fan. It's just like it feels like, especially

0:24:25.000 --> 0:24:29.160
<v Speaker 1>right now, Uh, Disney is at a point where they

0:24:29.240 --> 0:24:30.960
<v Speaker 1>think that like they're kind of sitting back and like,

0:24:31.000 --> 0:24:33.160
<v Speaker 1>we're just making lots of money and people love all

0:24:33.160 --> 0:24:35.920
<v Speaker 1>of our stuff, and I don't think they're looking down

0:24:36.000 --> 0:24:38.640
<v Speaker 1>the road, like right now, literally down the road down

0:24:38.640 --> 0:24:41.640
<v Speaker 1>I four Universals building a brand new theme park that's

0:24:41.640 --> 0:24:45.240
<v Speaker 1>opening up in that's gonna be the new hotness. And

0:24:45.440 --> 0:24:48.920
<v Speaker 1>unless Disney literally announces something at D twenty three this

0:24:49.000 --> 0:24:51.680
<v Speaker 1>week or next week that hey, we're gonna have something

0:24:51.720 --> 0:24:55.000
<v Speaker 1>to counter that, they're gonna be caught with their pants down,

0:24:55.040 --> 0:24:57.200
<v Speaker 1>I think it's it's gonna be very interesting the next

0:24:57.520 --> 0:25:01.359
<v Speaker 1>you know, the mid of theme parks in Orlando is

0:25:01.400 --> 0:25:03.600
<v Speaker 1>gonna be very very interesting. And I don't know how

0:25:03.680 --> 0:25:05.600
<v Speaker 1>much longer Disney can just kind of rest on their

0:25:05.680 --> 0:25:08.520
<v Speaker 1>laurels of what they've gone away with so far. Yeah, anyway,

0:25:08.520 --> 0:25:09.880
<v Speaker 1>that has nothing to do with a a great movie ride,

0:25:10.040 --> 0:25:13.560
<v Speaker 1>but it kind of does. It kind of does because

0:25:14.320 --> 0:25:17.520
<v Speaker 1>there there have been ebbs and flows at the Disney parks. Right.

0:25:17.560 --> 0:25:21.679
<v Speaker 1>It all depends on really the executive leadership team and

0:25:21.680 --> 0:25:26.040
<v Speaker 1>and who how they they value investing in the parks

0:25:26.200 --> 0:25:30.560
<v Speaker 1>versus kind of you know, coasting on that perhaps and

0:25:30.560 --> 0:25:33.520
<v Speaker 1>and focusing on other parts of the company, and that

0:25:33.640 --> 0:25:37.520
<v Speaker 1>obviously changes on various regimes. There was a period, a

0:25:37.640 --> 0:25:42.320
<v Speaker 1>dark period in the Walt Disney World past, where essentially

0:25:42.359 --> 0:25:45.080
<v Speaker 1>all the executives who were in charge of the parks

0:25:45.240 --> 0:25:48.840
<v Speaker 1>came from retail. They came from places like Banana Republic,

0:25:49.280 --> 0:25:52.480
<v Speaker 1>And that was when we saw Main Street in Magic

0:25:52.520 --> 0:25:55.600
<v Speaker 1>Kingdom get gutted, where all the things that used to

0:25:55.600 --> 0:25:58.760
<v Speaker 1>be there, like the Penny Arcade and things that added character,

0:25:58.840 --> 0:26:01.680
<v Speaker 1>but they didn't generate rev new We're essentially stripped out

0:26:01.720 --> 0:26:05.200
<v Speaker 1>so that you had just very long shops on either

0:26:05.280 --> 0:26:10.240
<v Speaker 1>side the Mega emporium. Oh yeah, yeah. So there are

0:26:10.280 --> 0:26:12.560
<v Speaker 1>issues like that that have been going on for a while.

0:26:12.600 --> 0:26:15.040
<v Speaker 1>So it's not like this is a sudden decline, but

0:26:15.160 --> 0:26:18.600
<v Speaker 1>it's certainly the pandemic kind of brings things into sharp

0:26:18.640 --> 0:26:21.159
<v Speaker 1>relief because you can see how things were going pre

0:26:21.280 --> 0:26:25.600
<v Speaker 1>pandemic versus Disney's response to the pandemic and then post pandemic.

0:26:26.040 --> 0:26:27.960
<v Speaker 1>I mean, I don't really think we're in post pandemic,

0:26:28.000 --> 0:26:31.960
<v Speaker 1>but everyone else seems to argue we are. So it's also,

0:26:32.000 --> 0:26:33.760
<v Speaker 1>I mean the thing is now right, you know, right now,

0:26:33.880 --> 0:26:37.240
<v Speaker 1>it's we're getting this bounce because we had two years

0:26:37.280 --> 0:26:40.239
<v Speaker 1>of people basically not going on vacation, saving up all

0:26:40.240 --> 0:26:42.160
<v Speaker 1>their money, and I mean, we're not going anywhere and

0:26:42.160 --> 0:26:45.200
<v Speaker 1>and saving up money. And now we're seeing people spend

0:26:45.280 --> 0:26:47.160
<v Speaker 1>that money. It's like, oh, we we had we've been

0:26:47.240 --> 0:26:49.800
<v Speaker 1>locked up for two years, Let's go to Disney World.

0:26:50.359 --> 0:26:53.880
<v Speaker 1>And so I think we're seeing this sort of this uh,

0:26:54.080 --> 0:26:56.480
<v Speaker 1>this false positive kind of thing where I think, like

0:26:56.560 --> 0:26:58.359
<v Speaker 1>right now it's like Disneys like, oh my gosh, record

0:26:58.359 --> 0:27:00.640
<v Speaker 1>profits and huge numbers go to the parks, and it's

0:27:00.680 --> 0:27:03.359
<v Speaker 1>like that's not going to sustain I don't. I don't think,

0:27:03.600 --> 0:27:06.960
<v Speaker 1>and you know, like Tron is gonna bring some people back,

0:27:07.040 --> 0:27:09.640
<v Speaker 1>but after that, it's kind of what do you got, man?

0:27:09.680 --> 0:27:12.160
<v Speaker 1>I mean, like Cosmic Riwan, it was a lot of fun,

0:27:12.240 --> 0:27:15.760
<v Speaker 1>but Epcott is a wreck right now. And I mean,

0:27:15.880 --> 0:27:17.960
<v Speaker 1>then you see stuff. I mean, like you know, I

0:27:17.760 --> 0:27:20.840
<v Speaker 1>I love Epcot and seeing you know, Harmonious is a

0:27:21.040 --> 0:27:25.080
<v Speaker 1>is a great show, but those barges, like Eisner never

0:27:25.080 --> 0:27:26.960
<v Speaker 1>would to let those barges be on the water, like

0:27:27.000 --> 0:27:30.960
<v Speaker 1>that ruins so many sight lines and even like, I mean,

0:27:31.160 --> 0:27:33.119
<v Speaker 1>it's just I'm going off on what you're changing. But

0:27:33.160 --> 0:27:35.439
<v Speaker 1>it's kind of like it feels like, you know, Disney

0:27:35.480 --> 0:27:37.080
<v Speaker 1>from what I knew growing up, Like I was, I

0:27:37.119 --> 0:27:38.720
<v Speaker 1>went to Disney Parks when I was, you know, a

0:27:38.800 --> 0:27:42.159
<v Speaker 1>kid in the nineties, and I have amazing rose colored

0:27:42.200 --> 0:27:43.960
<v Speaker 1>memories of that, and then working there in the early

0:27:44.000 --> 0:27:46.359
<v Speaker 1>two thousand's, like that was sort of like the cherry

0:27:46.359 --> 0:27:48.040
<v Speaker 1>on top. And now as an adult, I can go

0:27:48.040 --> 0:27:50.200
<v Speaker 1>back and I can appreciate it from a different perspective.

0:27:50.640 --> 0:27:53.520
<v Speaker 1>And I understand a lot of these decisions, but I

0:27:53.560 --> 0:27:55.919
<v Speaker 1>don't think they're the right decisions to be made, you know.

0:27:56.560 --> 0:27:58.960
<v Speaker 1>And so it's it's kind of like like, oh, well,

0:27:59.000 --> 0:28:01.200
<v Speaker 1>you know this sort of you know, you can have

0:28:01.640 --> 0:28:04.119
<v Speaker 1>a one slice of cake now or wait, you know,

0:28:04.240 --> 0:28:05.960
<v Speaker 1>two hours, I have a full cake. You know, They're

0:28:05.960 --> 0:28:07.399
<v Speaker 1>like they just want their slice of cake right now,

0:28:07.440 --> 0:28:10.080
<v Speaker 1>and it's like, I don't know, you gotta get prepped

0:28:10.119 --> 0:28:11.520
<v Speaker 1>for this day you got. You gotta have it over

0:28:11.600 --> 0:28:14.720
<v Speaker 1>multiple years. You gotta look at you know well, because

0:28:14.760 --> 0:28:17.199
<v Speaker 1>if you get to a point where you have, you

0:28:17.320 --> 0:28:20.879
<v Speaker 1>have dishearten people like yourself and my I'm also an

0:28:20.880 --> 0:28:25.760
<v Speaker 1>annual passholder. I'm also a Disney Vacation Club member. So yeah,

0:28:26.040 --> 0:28:28.199
<v Speaker 1>so so I have spent a lot of money with

0:28:28.359 --> 0:28:32.240
<v Speaker 1>Mr Mr mouse House. So but yeah, you you start

0:28:32.280 --> 0:28:36.000
<v Speaker 1>to you start to feel like the what you might

0:28:36.040 --> 0:28:38.920
<v Speaker 1>have thought of as an investment before. It's almost like

0:28:38.920 --> 0:28:41.400
<v Speaker 1>when you go to a really expensive college and then

0:28:41.520 --> 0:28:43.479
<v Speaker 1>afterward you get a letter from them saying, hey, can

0:28:43.520 --> 0:28:45.640
<v Speaker 1>you donate money. I'm like, dude, I gave you so

0:28:45.720 --> 0:28:49.280
<v Speaker 1>much money. I don't need to give you more money.

0:28:49.640 --> 0:28:52.640
<v Speaker 1>We'll be right back with more about the Great Movie

0:28:52.760 --> 0:29:06.320
<v Speaker 1>Ride and related stuff after this break. One of the

0:29:06.360 --> 0:29:10.800
<v Speaker 1>things I found very disheartening personally from the old Disney

0:29:10.840 --> 0:29:13.719
<v Speaker 1>MGM studio to what we are today with Disney Hollywood

0:29:13.760 --> 0:29:18.320
<v Speaker 1>Studios is something that I also feel affects Epcot, which

0:29:18.360 --> 0:29:21.280
<v Speaker 1>is that you start to see kind of an eroading

0:29:21.520 --> 0:29:26.520
<v Speaker 1>of identity in that when the park opened in it

0:29:26.600 --> 0:29:31.160
<v Speaker 1>was very clearly oriented toward we're gonna talk about movies

0:29:31.240 --> 0:29:35.360
<v Speaker 1>and television production. The attractions all relate to that. We

0:29:35.440 --> 0:29:39.360
<v Speaker 1>have experiences that are about sound effects or visual effects.

0:29:39.480 --> 0:29:42.200
<v Speaker 1>We have an animation studio, a working animation studio where

0:29:42.200 --> 0:29:47.840
<v Speaker 1>you could actually see animators drawing cells of upcoming movies. Um.

0:29:47.880 --> 0:29:50.360
<v Speaker 1>And you had the backstage tour. You actually had a

0:29:50.400 --> 0:29:54.920
<v Speaker 1>backlot where real productions were being shot um, which honestly

0:29:55.040 --> 0:29:57.960
<v Speaker 1>caused some problems because MGM or initially didn't agree to

0:29:58.000 --> 0:30:01.280
<v Speaker 1>that didn't. That caused some licensing us but but they

0:30:01.280 --> 0:30:04.040
<v Speaker 1>worked that out, they settled out of court. But but

0:30:04.160 --> 0:30:06.160
<v Speaker 1>it means that over time, you know, they have gotten

0:30:06.240 --> 0:30:09.560
<v Speaker 1>rid of all the different elements, with the exception of

0:30:09.640 --> 0:30:13.160
<v Speaker 1>they still have the Chinese theater facade, so that's still

0:30:13.200 --> 0:30:16.280
<v Speaker 1>in the theme. They still have streets that are named

0:30:16.320 --> 0:30:19.920
<v Speaker 1>after streets in in Los Angeles, so that that's still

0:30:20.000 --> 0:30:23.320
<v Speaker 1>kind of in the theme. But other than that, Hollywood

0:30:23.360 --> 0:30:27.760
<v Speaker 1>Studios doesn't have very much studios related stuff, and it

0:30:27.840 --> 0:30:30.880
<v Speaker 1>it's more like toy toy story and Star Wars and

0:30:30.920 --> 0:30:34.160
<v Speaker 1>that kind of thing. Um. So I was wondering about

0:30:34.200 --> 0:30:37.080
<v Speaker 1>your perspective on that too. Do you Maybe I'm crazy

0:30:37.080 --> 0:30:38.760
<v Speaker 1>and I just feel like there's kind of a loss

0:30:38.760 --> 0:30:42.480
<v Speaker 1>of coherence with park identity. But do you have a

0:30:42.520 --> 0:30:47.000
<v Speaker 1>similar feeling about that as well. Yeah, yeah, I mean

0:30:47.240 --> 0:30:49.760
<v Speaker 1>exactly that. I mean, when when the studios opened, it

0:30:49.840 --> 0:30:53.280
<v Speaker 1>was it was meant to replicate a working film production studio,

0:30:53.360 --> 0:30:55.080
<v Speaker 1>you know, And so I mean even like the buildings,

0:30:55.120 --> 0:30:56.520
<v Speaker 1>like you know the Great movie right the building is

0:30:56.520 --> 0:30:58.120
<v Speaker 1>in it was like actually a stage number and they

0:30:58.120 --> 0:31:00.760
<v Speaker 1>would call like stage whatever, blah blah blah, and those

0:31:00.840 --> 0:31:05.640
<v Speaker 1>still might technically be numbered. Um, but yeah, it's over time.

0:31:05.680 --> 0:31:08.880
<v Speaker 1>I mean, I'm not one to like, I know, the

0:31:08.880 --> 0:31:10.760
<v Speaker 1>the idea that you know, the theme parks are meant

0:31:10.800 --> 0:31:12.680
<v Speaker 1>to be like a living document where you can change

0:31:12.720 --> 0:31:15.120
<v Speaker 1>it and you can alter it over time, but it

0:31:15.160 --> 0:31:18.880
<v Speaker 1>certainly does feel like they have lost an overall tone.

0:31:18.920 --> 0:31:21.120
<v Speaker 1>I mean, other than like you know, initially it was

0:31:21.120 --> 0:31:22.600
<v Speaker 1>Disney MGM Studios and it was meant to be like

0:31:22.640 --> 0:31:24.880
<v Speaker 1>here's how things are made, and that I love that stuff.

0:31:24.920 --> 0:31:27.640
<v Speaker 1>Like I remember going on the animation tour and I

0:31:27.640 --> 0:31:30.200
<v Speaker 1>think they were working on The Emperor's New Groove at

0:31:30.240 --> 0:31:31.840
<v Speaker 1>the time, and I think I forget what it was

0:31:31.880 --> 0:31:34.000
<v Speaker 1>titled when I went there, but they had that big

0:31:34.040 --> 0:31:35.840
<v Speaker 1>window and they push a button and it would suddenly

0:31:35.920 --> 0:31:37.880
<v Speaker 1>go clear, and they'd see all these animators working. I

0:31:37.920 --> 0:31:40.120
<v Speaker 1>think they called it the fish bowl. Uh the animators

0:31:40.120 --> 0:31:42.240
<v Speaker 1>said they hated it apparently, But like being there was

0:31:42.320 --> 0:31:44.960
<v Speaker 1>so cool, and like the backlot tour I remember, like

0:31:45.000 --> 0:31:47.800
<v Speaker 1>the original backlot tour was like four hours long. It

0:31:47.880 --> 0:31:50.240
<v Speaker 1>was wild because there were so many different things. Actually

0:31:50.200 --> 0:31:52.280
<v Speaker 1>they would take you around in the tram. But then

0:31:52.320 --> 0:31:54.240
<v Speaker 1>there was a walking portion where they show you special

0:31:54.240 --> 0:31:56.440
<v Speaker 1>effects and how they were made. I got to ride

0:31:56.480 --> 0:31:58.320
<v Speaker 1>on the bee from Honey I shrunk the kids and

0:31:58.320 --> 0:32:00.160
<v Speaker 1>they did a whole green screen thing and like god

0:32:00.200 --> 0:32:02.160
<v Speaker 1>to be on it and they like splice me into

0:32:02.160 --> 0:32:05.200
<v Speaker 1>the movie. It was awesome. I love that and um,

0:32:05.960 --> 0:32:08.280
<v Speaker 1>but like the water tank portion was there and and

0:32:08.320 --> 0:32:10.800
<v Speaker 1>then slowly they started removing it. Like then they actually

0:32:10.800 --> 0:32:13.200
<v Speaker 1>had I think The Mickey Mouse Club was shot there

0:32:13.240 --> 0:32:16.960
<v Speaker 1>for a bit um back in two thousand two. One

0:32:16.960 --> 0:32:19.760
<v Speaker 1>of the stages over By over By the back lot

0:32:19.800 --> 0:32:22.240
<v Speaker 1>was actually the Who Wants to Be a Millionaire. They

0:32:22.240 --> 0:32:24.840
<v Speaker 1>actually had a Who Wants to Be a Millionaire replica

0:32:24.960 --> 0:32:27.160
<v Speaker 1>set with when they weren't shooting in l A or

0:32:27.240 --> 0:32:29.280
<v Speaker 1>New York. When they weren't shooting in New York, they

0:32:29.320 --> 0:32:31.000
<v Speaker 1>would come down and Re just would come down and

0:32:31.000 --> 0:32:33.240
<v Speaker 1>they'd host the show from Florida. But when they weren't

0:32:33.280 --> 0:32:35.600
<v Speaker 1>using it for production, they would actually it turned into

0:32:35.680 --> 0:32:38.640
<v Speaker 1>an actual, uh like an attraction people could go to,

0:32:38.760 --> 0:32:40.160
<v Speaker 1>so you could actually play Who Wants to Be a

0:32:40.160 --> 0:32:42.160
<v Speaker 1>Millionaire and see how it was made. It was a

0:32:42.520 --> 0:32:44.280
<v Speaker 1>percent exactly what they used in the show, which I

0:32:44.280 --> 0:32:47.000
<v Speaker 1>thought was really cool. Um and one of one of

0:32:47.040 --> 0:32:48.560
<v Speaker 1>my favorite stories when I worked at the back Clods,

0:32:48.600 --> 0:32:51.560
<v Speaker 1>who were in two thousand and five. By then, the

0:32:51.960 --> 0:32:55.080
<v Speaker 1>whole walking portion of the attraction was gone. It was

0:32:55.120 --> 0:32:57.360
<v Speaker 1>just the water tank section and then you would move

0:32:57.360 --> 0:32:59.080
<v Speaker 1>on to the tram tour which would take you through

0:32:59.080 --> 0:33:01.000
<v Speaker 1>the residential area and then it will take you over

0:33:01.000 --> 0:33:04.480
<v Speaker 1>to Catastrophe Canyon. Um. But the walking portion was gone,

0:33:04.720 --> 0:33:07.840
<v Speaker 1>but the buildings were still there, and in the employee

0:33:07.840 --> 0:33:10.440
<v Speaker 1>restroom area there was an entrance like there was basically

0:33:10.440 --> 0:33:14.200
<v Speaker 1>a back entrance into the walking portion where they would

0:33:14.240 --> 0:33:15.880
<v Speaker 1>have like I think that when they finished it, it

0:33:16.000 --> 0:33:19.720
<v Speaker 1>was the one Dalmatians live action stuff, so they showed

0:33:19.720 --> 0:33:21.360
<v Speaker 1>how they did all the animatronics with the with the

0:33:21.800 --> 0:33:24.720
<v Speaker 1>dogs and everything. But every single time I would use

0:33:24.720 --> 0:33:26.400
<v Speaker 1>the restroom, I would check that door, and it was

0:33:26.440 --> 0:33:28.840
<v Speaker 1>always locked, always locked, every single time I was there

0:33:28.880 --> 0:33:32.120
<v Speaker 1>for six months, always locked. Literally my last night I

0:33:32.200 --> 0:33:34.720
<v Speaker 1>was working there, checked the door and it opened and

0:33:34.760 --> 0:33:37.480
<v Speaker 1>I was like oh, and like I opened the door

0:33:37.640 --> 0:33:39.160
<v Speaker 1>and it was just like, oh my gosh. And I

0:33:39.240 --> 0:33:42.040
<v Speaker 1>walked in and I they if you remember, it was

0:33:42.120 --> 0:33:44.000
<v Speaker 1>kind of like a pit where it was a circle,

0:33:44.400 --> 0:33:46.080
<v Speaker 1>and you would like they all the guests would be

0:33:46.080 --> 0:33:47.880
<v Speaker 1>around the circle and they looked down into this pit

0:33:48.000 --> 0:33:50.920
<v Speaker 1>and then a cast member would show off all the tech.

0:33:50.960 --> 0:33:53.080
<v Speaker 1>They actually had, like footplates where they would step on

0:33:53.120 --> 0:33:55.760
<v Speaker 1>things to make things trigger, and all the plates were

0:33:55.760 --> 0:33:57.320
<v Speaker 1>still there. All the animatronics were gone, but all the

0:33:57.320 --> 0:33:59.240
<v Speaker 1>plates were still there, and all like the shelves and everything,

0:33:59.480 --> 0:34:02.640
<v Speaker 1>and then up they had all of this storage of

0:34:02.720 --> 0:34:05.360
<v Speaker 1>old props. So like I remember when I was a kid,

0:34:05.360 --> 0:34:07.840
<v Speaker 1>I saw Johnny five from Short Circuit too, like the

0:34:07.880 --> 0:34:09.719
<v Speaker 1>gold one. He was up on one of the like

0:34:09.880 --> 0:34:11.480
<v Speaker 1>up on one of the big racks, and I was like,

0:34:11.520 --> 0:34:13.279
<v Speaker 1>oh my gosh, and a lot of that stuff was

0:34:13.280 --> 0:34:15.000
<v Speaker 1>still there, like a lot of the props were still there,

0:34:15.000 --> 0:34:16.440
<v Speaker 1>and it was just like one of those moments like

0:34:16.800 --> 0:34:19.120
<v Speaker 1>I did it. I cracked into it and it was

0:34:19.360 --> 0:34:21.320
<v Speaker 1>one of my favorite things, one of my favorite memories.

0:34:21.600 --> 0:34:23.920
<v Speaker 1>That and right before I did my when I when

0:34:23.960 --> 0:34:26.360
<v Speaker 1>I got my last clock out, before I had go

0:34:26.400 --> 0:34:28.719
<v Speaker 1>actually clock out from the computer, I had them hold

0:34:28.719 --> 0:34:30.839
<v Speaker 1>the next backlot tour show though, the water tank show.

0:34:31.280 --> 0:34:33.160
<v Speaker 1>Adam hold the show and then I did a flip

0:34:33.200 --> 0:34:36.560
<v Speaker 1>into the pool and then I walked out and so

0:34:36.760 --> 0:34:39.200
<v Speaker 1>uh and then my manager just came tearing around the

0:34:39.200 --> 0:34:41.480
<v Speaker 1>corner because he heard someone had fallen in and I'm

0:34:41.520 --> 0:34:43.520
<v Speaker 1>just dripping wet, and he's like, what happened. I'm like, God,

0:34:43.520 --> 0:34:45.560
<v Speaker 1>I dove in. He was come on and I'm like,

0:34:45.719 --> 0:34:48.279
<v Speaker 1>it's my last day. And he's like, all right, well,

0:34:48.440 --> 0:34:50.560
<v Speaker 1>thanks for working here. Because I was. I was, I was.

0:34:50.360 --> 0:34:52.960
<v Speaker 1>I enjoyed what I did. I love performing, like if

0:34:53.000 --> 0:34:55.279
<v Speaker 1>you can't tell, I enjoy being in front of in

0:34:55.320 --> 0:34:57.719
<v Speaker 1>front of people. And you know, that's that's what really

0:34:57.800 --> 0:35:00.840
<v Speaker 1>drew me to The Great Movie Ride was the idea

0:35:00.920 --> 0:35:05.640
<v Speaker 1>of performing and actually having like I can affect someone's

0:35:05.840 --> 0:35:09.759
<v Speaker 1>enjoyment of an attraction. And I love everyone I worked with,

0:35:09.800 --> 0:35:11.759
<v Speaker 1>but there were a few people that is like, oh man,

0:35:11.880 --> 0:35:14.120
<v Speaker 1>like I like when I'd see someone hosting one of

0:35:14.160 --> 0:35:17.000
<v Speaker 1>the like hosting a ride, to be like, oh, those

0:35:17.040 --> 0:35:19.480
<v Speaker 1>people aren't going to get the best show because you know,

0:35:19.560 --> 0:35:22.160
<v Speaker 1>you can read a script so many different ways, and

0:35:22.239 --> 0:35:23.960
<v Speaker 1>some people would kind of just go through the motions

0:35:24.000 --> 0:35:26.399
<v Speaker 1>and it's like no, whereas like I, you know, put

0:35:26.440 --> 0:35:28.160
<v Speaker 1>some put some drama into it, you know, put some

0:35:28.200 --> 0:35:30.680
<v Speaker 1>effort into it, and I I would love doing that.

0:35:31.320 --> 0:35:34.640
<v Speaker 1>And um, I also just really enjoyed talking microphones and

0:35:34.680 --> 0:35:37.520
<v Speaker 1>that was always my thing in the pre show area,

0:35:37.680 --> 0:35:41.160
<v Speaker 1>and that where the theater was, which is still making

0:35:41.200 --> 0:35:43.239
<v Speaker 1>minis what you go through the Chinese Theater go through.

0:35:43.239 --> 0:35:45.400
<v Speaker 1>You enter in through them the main doors of the

0:35:45.440 --> 0:35:47.799
<v Speaker 1>Grandma Chinese Theater or the Chinese Theater, and then you

0:35:47.840 --> 0:35:50.960
<v Speaker 1>turn left and everything like basically all of that hasn't

0:35:50.960 --> 0:35:53.040
<v Speaker 1>been touched at all, Like that was all exactly how

0:35:53.040 --> 0:35:55.080
<v Speaker 1>it was when it was a great movie ride. But

0:35:55.160 --> 0:35:58.239
<v Speaker 1>as soon as you kind of round the corner is

0:35:58.239 --> 0:36:00.799
<v Speaker 1>where it all sorts sort of changes. Is um you

0:36:00.840 --> 0:36:03.200
<v Speaker 1>eventually do a couple of switchbacks and then the cast

0:36:03.200 --> 0:36:04.520
<v Speaker 1>member will tell you to go to like you know,

0:36:04.560 --> 0:36:06.000
<v Speaker 1>go to theater one, go to theater two, go to

0:36:06.000 --> 0:36:08.799
<v Speaker 1>theater three. All of those were empty, and that's where

0:36:08.800 --> 0:36:10.560
<v Speaker 1>the big theater was, and that's where the big projection

0:36:10.600 --> 0:36:12.760
<v Speaker 1>theater was with the trailers you were talking about earlier.

0:36:13.480 --> 0:36:17.080
<v Speaker 1>But there was a microphone at that at the booth

0:36:17.320 --> 0:36:19.640
<v Speaker 1>for that one, because that's where you would basically hold

0:36:19.640 --> 0:36:21.680
<v Speaker 1>people before you load, because the dock was the next door.

0:36:21.719 --> 0:36:23.400
<v Speaker 1>You have a door, it opened, you load them up,

0:36:23.400 --> 0:36:25.560
<v Speaker 1>and you close the door, watched the movie, you know,

0:36:25.600 --> 0:36:27.640
<v Speaker 1>five minutes later, reopen it in etcetera, et cetera. Do

0:36:27.680 --> 0:36:31.360
<v Speaker 1>that over and over again. But that microphone on that desk,

0:36:31.440 --> 0:36:34.840
<v Speaker 1>for some reason, made my voice sound so good. I

0:36:34.920 --> 0:36:38.279
<v Speaker 1>love that microphone so much because it had like it

0:36:38.520 --> 0:36:40.279
<v Speaker 1>really picked up the base and it just sounded good.

0:36:40.280 --> 0:36:41.640
<v Speaker 1>This because it was like a theater and so it

0:36:41.719 --> 0:36:44.720
<v Speaker 1>sounded so nice. And my biggest compliment I ever got

0:36:45.120 --> 0:36:48.000
<v Speaker 1>was when I'd be there, you know, hosting in the

0:36:48.120 --> 0:36:50.360
<v Speaker 1>right before load and I do my spiel at the

0:36:50.440 --> 0:36:52.120
<v Speaker 1>at the podium, like you know, like in just a

0:36:52.120 --> 0:36:54.600
<v Speaker 1>few moments there to ride will start or whatever, and

0:36:54.640 --> 0:36:57.360
<v Speaker 1>people would come down and say, like, I thought that

0:36:57.440 --> 0:36:59.680
<v Speaker 1>was a prerecorded thing. I didn't realize that was you

0:36:59.760 --> 0:37:01.520
<v Speaker 1>doing out live. And I'm like, oh, thank you very

0:37:01.600 --> 0:37:04.480
<v Speaker 1>much and very kind of you. So that's why we

0:37:04.520 --> 0:37:06.120
<v Speaker 1>had don't know what it was about the acoustics in

0:37:06.120 --> 0:37:07.880
<v Speaker 1>that room or that microphone, whatever it was, that that

0:37:08.000 --> 0:37:09.879
<v Speaker 1>magic it was. It was awesome. It's gonna be great

0:37:09.880 --> 0:37:11.399
<v Speaker 1>to have you on the monorail and you can give

0:37:11.440 --> 0:37:19.000
<v Speaker 1>the the spield just before the door. Yes my my

0:37:19.040 --> 0:37:23.840
<v Speaker 1>one line of Spanish. I know. Yeah, well the the

0:37:24.320 --> 0:37:27.000
<v Speaker 1>that that is also again the getting back to the

0:37:27.040 --> 0:37:29.000
<v Speaker 1>story part of the Great Movie ride, the fact that

0:37:29.040 --> 0:37:31.919
<v Speaker 1>you had this sort of this interactive element. I thought

0:37:31.920 --> 0:37:35.000
<v Speaker 1>one of the most fascinating things as a guest riding

0:37:35.040 --> 0:37:38.359
<v Speaker 1>the ride was that this was an experience where the

0:37:38.360 --> 0:37:41.560
<v Speaker 1>tour guide that you were with was interacting not just

0:37:41.600 --> 0:37:44.840
<v Speaker 1>with other humans, but also with some of the animatronics

0:37:44.840 --> 0:37:47.080
<v Speaker 1>as well. So there was a lot of different acting.

0:37:47.120 --> 0:37:49.320
<v Speaker 1>There was acting off other cast members, and there was

0:37:49.360 --> 0:37:53.880
<v Speaker 1>acting off the prerecorded and pre programmed animatronic figures like

0:37:53.920 --> 0:37:57.120
<v Speaker 1>the Wicked Witch of the West, and I thought that

0:37:57.200 --> 0:37:59.799
<v Speaker 1>was just brilliant because it really brought that immersion, that

0:38:00.000 --> 0:38:05.680
<v Speaker 1>magic in their showing the incredible ingenuity of the the

0:38:05.680 --> 0:38:09.600
<v Speaker 1>engineers who created these these devices. Getting back to the

0:38:09.640 --> 0:38:12.319
<v Speaker 1>Wicked Witch, of the West. There was a point where

0:38:12.360 --> 0:38:16.480
<v Speaker 1>she was augmented. She was already really advanced by the

0:38:16.520 --> 0:38:19.680
<v Speaker 1>time that the attraction open. She was the most advanced

0:38:19.800 --> 0:38:23.120
<v Speaker 1>animatronic that Disney had up to that point. They had

0:38:23.360 --> 0:38:25.640
<v Speaker 1>developed a system a little a couple of years before

0:38:26.040 --> 0:38:29.640
<v Speaker 1>they unveiled her called Compliance. And this gets back to

0:38:29.680 --> 0:38:33.360
<v Speaker 1>the hydraulics you were talking about. The hydraulic system allowed

0:38:33.400 --> 0:38:36.879
<v Speaker 1>for smooth movement and analog movement, so so you could

0:38:36.880 --> 0:38:40.080
<v Speaker 1>have a range of motion with the old pneumatic systems

0:38:40.120 --> 0:38:42.800
<v Speaker 1>that the encanted tiki room had. You had two positions.

0:38:42.800 --> 0:38:45.080
<v Speaker 1>You had open and closed right like the beaks would

0:38:45.120 --> 0:38:47.600
<v Speaker 1>open and they would close. But you couldn't halfway open

0:38:47.640 --> 0:38:50.319
<v Speaker 1>a beak because you're using an air piston to do

0:38:50.360 --> 0:38:53.000
<v Speaker 1>it right as a solemn lead than an air piston.

0:38:53.520 --> 0:38:56.799
<v Speaker 1>And if you've ever listened carefully in the incanned Deegie room,

0:38:56.840 --> 0:39:00.880
<v Speaker 1>you can hear that air uh, you know, helling everything

0:39:00.920 --> 0:39:03.480
<v Speaker 1>that's in there. And that old system was brilliant. The

0:39:03.480 --> 0:39:05.920
<v Speaker 1>reason they called it audio animatronics is they would record

0:39:06.000 --> 0:39:09.600
<v Speaker 1>audio tones on originally it was filmed. Later it would

0:39:09.600 --> 0:39:13.080
<v Speaker 1>be magnetic tape and the audio tones would make a

0:39:13.200 --> 0:39:17.440
<v Speaker 1>read vibrate that would close a circuit, and that would

0:39:17.440 --> 0:39:21.840
<v Speaker 1>allow the circuit to activate the solenoid or the pneumatic

0:39:22.520 --> 0:39:29.160
<v Speaker 1>valves that would then have the beaks open and closed. Brilliant, easy, uh,

0:39:29.360 --> 0:39:31.400
<v Speaker 1>simple solution, except for the fact that you have all

0:39:31.400 --> 0:39:35.280
<v Speaker 1>these tubes everywhere. Um. But they never went with hydraulics

0:39:35.320 --> 0:39:38.480
<v Speaker 1>for the birds because like the Wicked Witch example you

0:39:38.480 --> 0:39:42.320
<v Speaker 1>gave Jack, they didn't want the birds to possibly mess

0:39:43.080 --> 0:39:45.560
<v Speaker 1>on guests if there was a hydraulic leak. You know,

0:39:45.680 --> 0:39:48.880
<v Speaker 1>air doesn't leak or I mean, it's not gonna drip

0:39:48.880 --> 0:39:52.040
<v Speaker 1>on you, so you're fine. But yeah, once you get

0:39:52.120 --> 0:39:54.239
<v Speaker 1>up to the Wicked Witch, she was on hydraulics, and

0:39:54.239 --> 0:39:56.600
<v Speaker 1>the compliance was meant to be kind of a shock

0:39:56.640 --> 0:39:59.880
<v Speaker 1>absorbing system so that you could do these more drum

0:40:00.000 --> 0:40:02.960
<v Speaker 1>attic movements, but you wouldn't put so much stress on

0:40:03.000 --> 0:40:06.520
<v Speaker 1>the figure that it wears out in like a season

0:40:06.920 --> 0:40:09.400
<v Speaker 1>and you would have to do a full refurb on it.

0:40:09.760 --> 0:40:13.560
<v Speaker 1>So this the brilliance to me of the engineering process

0:40:14.000 --> 0:40:16.080
<v Speaker 1>was not just that they were figuring out new ways

0:40:16.120 --> 0:40:19.279
<v Speaker 1>to animate these characters in three dimensional space, but they

0:40:19.320 --> 0:40:22.879
<v Speaker 1>were also already thinking about, if we do this, it's

0:40:22.880 --> 0:40:24.920
<v Speaker 1>going to cause more wear and tear. How are we

0:40:24.960 --> 0:40:29.640
<v Speaker 1>going to address that so that we limit downtime and

0:40:29.800 --> 0:40:31.880
<v Speaker 1>the amount of money we have to spend on maintenance.

0:40:32.320 --> 0:40:35.359
<v Speaker 1>And it's that kind of engineering that I find really fascinating.

0:40:35.520 --> 0:40:37.919
<v Speaker 1>Um And later on they would introduce the A one

0:40:38.040 --> 0:40:41.080
<v Speaker 1>thousand animatronics. Those are the ones you see in places

0:40:41.080 --> 0:40:44.840
<v Speaker 1>like Galaxy's Edge, you see it over on the Smugglers

0:40:44.880 --> 0:40:48.000
<v Speaker 1>Run ride. Um, you know, Hondo is is an A

0:40:48.120 --> 0:40:51.279
<v Speaker 1>one thousand figure. By that time, you've moved away from

0:40:51.360 --> 0:40:54.720
<v Speaker 1>hydraulics and you're into pure electronic systems that are all

0:40:55.080 --> 0:41:00.000
<v Speaker 1>precisely computer controlled. I had read that in the days,

0:41:00.000 --> 0:41:03.360
<v Speaker 1>the Wicked Witch days, the programming those things was a

0:41:03.400 --> 0:41:06.080
<v Speaker 1>painstaking process and it could take up to eight hours

0:41:06.080 --> 0:41:09.960
<v Speaker 1>to program one second of animation on one of those.

0:41:09.960 --> 0:41:11.799
<v Speaker 1>And when you think about the amount of animation the

0:41:11.800 --> 0:41:15.320
<v Speaker 1>Wicked Witch had in particular, that's you know, that's someone's

0:41:15.400 --> 0:41:18.719
<v Speaker 1>year right there. Yeah, yeah, well, well, I mean, like

0:41:18.880 --> 0:41:20.840
<v Speaker 1>think before I forget about it. What one interesting thing

0:41:20.880 --> 0:41:23.120
<v Speaker 1>about the Wicked Witch area, the whole Wizard of Oz area,

0:41:23.719 --> 0:41:27.880
<v Speaker 1>was it was one of two portions of the ride where, um,

0:41:28.080 --> 0:41:29.759
<v Speaker 1>if we were had a busy day we we had

0:41:29.800 --> 0:41:31.279
<v Speaker 1>an we had an A show and a B show.

0:41:31.360 --> 0:41:34.239
<v Speaker 1>So the the way it worked was in on busy days,

0:41:34.239 --> 0:41:35.719
<v Speaker 1>you would run both shows, the A show of the

0:41:35.719 --> 0:41:39.160
<v Speaker 1>B show. The A show would be your bandit, uh,

0:41:39.320 --> 0:41:41.560
<v Speaker 1>your Bandit show, so your cowboys show, and then the

0:41:41.600 --> 0:41:43.879
<v Speaker 1>B show would be the Gangster show. We could run

0:41:43.920 --> 0:41:46.200
<v Speaker 1>without the A show. You could run just just are

0:41:46.280 --> 0:41:49.719
<v Speaker 1>just gangster if you wanted to um. And what would

0:41:49.760 --> 0:41:52.160
<v Speaker 1>happen to was, you know, as if if you're running

0:41:52.200 --> 0:41:54.960
<v Speaker 1>to two vehicles, the first vehicle would kind of speed

0:41:55.040 --> 0:41:57.560
<v Speaker 1>through the first couple of scenes, so you would go

0:41:57.680 --> 0:42:01.120
<v Speaker 1>through the the you know, the you know footlight parade

0:42:01.239 --> 0:42:04.319
<v Speaker 1>was uh Singing in the Rain and Mary Poppins. You'd

0:42:04.360 --> 0:42:07.160
<v Speaker 1>kind of just careen through it, honestly, like you wouldn't

0:42:07.200 --> 0:42:09.920
<v Speaker 1>slow down at all, because what you're doing is you

0:42:09.960 --> 0:42:12.920
<v Speaker 1>were making space between your vehicle and the B vehicle,

0:42:13.480 --> 0:42:15.920
<v Speaker 1>and so you would both kind of land at the

0:42:16.320 --> 0:42:18.680
<v Speaker 1>portions of the show where you'd interact with another cast member.

0:42:18.680 --> 0:42:20.920
<v Speaker 1>You'd you interact with the bandit or interact with the Gangster,

0:42:21.360 --> 0:42:23.480
<v Speaker 1>and then you would both move at the same speed

0:42:23.560 --> 0:42:26.520
<v Speaker 1>up until the switch happened. Back over at Indiana Jones

0:42:26.880 --> 0:42:28.960
<v Speaker 1>and then the B A vehicle would then just a

0:42:29.000 --> 0:42:31.520
<v Speaker 1>hahull butt to catch up to the A vehicle and

0:42:31.560 --> 0:42:33.840
<v Speaker 1>by that time you would then both enter into the

0:42:33.840 --> 0:42:36.040
<v Speaker 1>Wizard of Oz area. So that was that was the

0:42:36.040 --> 0:42:39.480
<v Speaker 1>one scene where you'd have theoretically four vehicles or I

0:42:39.520 --> 0:42:42.239
<v Speaker 1>mean two two vehicles but attractor trailer, so four you know,

0:42:42.400 --> 0:42:45.879
<v Speaker 1>platforms of people on there. And if you had a

0:42:45.920 --> 0:42:49.439
<v Speaker 1>full show like that, there was actually a microphone off

0:42:49.480 --> 0:42:52.320
<v Speaker 1>to the side because the witch was designed to interact

0:42:52.360 --> 0:42:55.319
<v Speaker 1>with just one person, and so she would always point

0:42:55.320 --> 0:42:58.000
<v Speaker 1>at the driver of the first vehicle. And so if

0:42:58.000 --> 0:42:59.640
<v Speaker 1>it was just if you're just running a show where

0:42:59.640 --> 0:43:01.120
<v Speaker 1>you didn't have the other if it was just running

0:43:01.120 --> 0:43:02.919
<v Speaker 1>a B show and you only had your one car,

0:43:03.239 --> 0:43:05.319
<v Speaker 1>you would just use your microphone for the vehicle, you know,

0:43:05.360 --> 0:43:07.520
<v Speaker 1>that the one that actually feeds through the speakers. But

0:43:07.719 --> 0:43:09.719
<v Speaker 1>if you had both vehicles, if you had all four

0:43:09.719 --> 0:43:12.840
<v Speaker 1>of them going this the back car so the B show,

0:43:13.280 --> 0:43:14.800
<v Speaker 1>they would they wouldn't be able to hear you obviously

0:43:14.840 --> 0:43:16.920
<v Speaker 1>on your microphone. So we had a separate microphone that

0:43:16.960 --> 0:43:19.480
<v Speaker 1>you would step off the vehicle, pick it up, and

0:43:19.520 --> 0:43:22.280
<v Speaker 1>it played over the p a inside of the Wizard

0:43:22.280 --> 0:43:24.200
<v Speaker 1>of Oz sections, so in munchkin Land will play over

0:43:24.200 --> 0:43:26.680
<v Speaker 1>the p A so all everyone could hear you on

0:43:26.760 --> 0:43:30.480
<v Speaker 1>that as opposed to just your vehicle. So I'm trying

0:43:30.480 --> 0:43:32.399
<v Speaker 1>to think of interesting tech stuff that you might might

0:43:32.680 --> 0:43:35.239
<v Speaker 1>find kind of that's amazing. I didn't. I mean I

0:43:35.280 --> 0:43:36.920
<v Speaker 1>knew about the A Show and B Show because I

0:43:36.920 --> 0:43:39.640
<v Speaker 1>had ridden the ride enough times and by the end

0:43:39.680 --> 0:43:43.560
<v Speaker 1>of it, you essentially only saw the B Show. Um, yeah,

0:43:43.600 --> 0:43:46.640
<v Speaker 1>they weren't. They never had a capacity that was enough

0:43:46.640 --> 0:43:49.920
<v Speaker 1>where they needed to run both really uh and also

0:43:49.960 --> 0:43:52.720
<v Speaker 1>I mean, you know, then you have half the number

0:43:52.719 --> 0:43:55.880
<v Speaker 1>of cast members who have to be in costume and perform,

0:43:56.840 --> 0:43:59.920
<v Speaker 1>which gets us into it that that that's LaBrie Slocal

0:44:00.000 --> 0:44:01.839
<v Speaker 1>are just gonna complain about this. They sall back away.

0:44:01.880 --> 0:44:03.600
<v Speaker 1>But you got the cool fire explosion if you're on

0:44:03.600 --> 0:44:05.320
<v Speaker 1>the that was that was the one thing there was

0:44:05.360 --> 0:44:07.680
<v Speaker 1>an awesome, awesome So it was basically bandits robbing a

0:44:07.680 --> 0:44:10.120
<v Speaker 1>bank in the Old West and they would throw dynamite

0:44:10.160 --> 0:44:12.279
<v Speaker 1>into this door. So that I can go into that

0:44:12.320 --> 0:44:14.879
<v Speaker 1>a little bit. So on a show, if you were

0:44:15.200 --> 0:44:17.560
<v Speaker 1>the you know, the tour guide, the bandit would pop

0:44:17.560 --> 0:44:20.040
<v Speaker 1>out and you'd like take over your vehicle, and so

0:44:20.440 --> 0:44:22.319
<v Speaker 1>you would you would hear that someone's robbing the bank,

0:44:22.360 --> 0:44:23.520
<v Speaker 1>so you're like, oh, robbing the bank. Let me go

0:44:23.560 --> 0:44:25.360
<v Speaker 1>see what's going on, and you jump off the vehicle,

0:44:25.920 --> 0:44:28.160
<v Speaker 1>and then an animatronic would actually pull a gun on you,

0:44:28.239 --> 0:44:29.360
<v Speaker 1>and you'd be like, oh, you have to kind of

0:44:29.360 --> 0:44:31.560
<v Speaker 1>stick your hands up and then you know, then then

0:44:31.600 --> 0:44:33.480
<v Speaker 1>an actual human would come out and they would need

0:44:33.520 --> 0:44:35.719
<v Speaker 1>to have an interaction with them, and then at one

0:44:35.760 --> 0:44:38.040
<v Speaker 1>point they get distracted, so you run into the bank

0:44:38.239 --> 0:44:40.880
<v Speaker 1>and then the bandit would then throw dynamite into the

0:44:40.920 --> 0:44:43.480
<v Speaker 1>bank and then the whole thing would explode in fire,

0:44:43.680 --> 0:44:45.560
<v Speaker 1>which is a really really cool effect, and they did

0:44:45.560 --> 0:44:47.400
<v Speaker 1>it a whole lot and it never seemed to have

0:44:47.480 --> 0:44:51.319
<v Speaker 1>any issues, which is wild. But one neat thing is, uh,

0:44:51.480 --> 0:44:54.000
<v Speaker 1>the doors, Like so they're swinging doors to go in

0:44:54.040 --> 0:44:56.680
<v Speaker 1>and out of the bank. Those doors were like six

0:44:56.680 --> 0:45:01.200
<v Speaker 1>inches thick of fire padding and everything, and as the

0:45:01.239 --> 0:45:04.880
<v Speaker 1>as the cast member the tour guide would actually go

0:45:04.920 --> 0:45:06.560
<v Speaker 1>into the bank and they would have to push a

0:45:06.560 --> 0:45:09.400
<v Speaker 1>button on the inside basically saying they were clear, and

0:45:09.480 --> 0:45:11.640
<v Speaker 1>so once you would hold you would hit that and

0:45:11.680 --> 0:45:14.000
<v Speaker 1>then the cast member outside would hit the other one.

0:45:14.040 --> 0:45:16.120
<v Speaker 1>And that would trigger the explosion. Basically say that it's

0:45:16.120 --> 0:45:17.960
<v Speaker 1>okay to go. It would be like the green light

0:45:18.000 --> 0:45:20.520
<v Speaker 1>to go. I think that was the case. I could

0:45:20.520 --> 0:45:22.239
<v Speaker 1>be wrong on that, but I'm pretty sure we had

0:45:22.280 --> 0:45:25.440
<v Speaker 1>to hold a button on the inside to basically notify

0:45:25.640 --> 0:45:28.520
<v Speaker 1>the system that everything was okay to go. But yeah,

0:45:28.560 --> 0:45:30.560
<v Speaker 1>that was a fun show. It's like having the nuclear

0:45:30.680 --> 0:45:32.839
<v Speaker 1>key where you have to insert it at the same

0:45:32.880 --> 0:45:35.759
<v Speaker 1>time the same time make sure that everyone is on

0:45:35.800 --> 0:45:39.320
<v Speaker 1>the same page. Yeah. Yeah. For those who are wondering

0:45:39.360 --> 0:45:41.880
<v Speaker 1>what we're even talking about. As Jack was saying, the

0:45:42.239 --> 0:45:46.000
<v Speaker 1>way the ride would progress is that you would stop. Uh.

0:45:46.239 --> 0:45:47.880
<v Speaker 1>If you were the A Show, you would stop at

0:45:47.960 --> 0:45:51.200
<v Speaker 1>in the western section, and then this scenario would play

0:45:51.239 --> 0:45:55.439
<v Speaker 1>out and the bandit would take temporarily take over your tour. Uh.

0:45:55.560 --> 0:46:00.320
<v Speaker 1>They found the aliens section very upsetting. Uh. And then

0:46:00.719 --> 0:46:02.839
<v Speaker 1>if you were the B Show, you did the same

0:46:02.880 --> 0:46:05.800
<v Speaker 1>sort of thing, except it was in the Gangster movie segment,

0:46:05.840 --> 0:46:08.680
<v Speaker 1>which was a little further back, and the gangster would

0:46:08.719 --> 0:46:11.520
<v Speaker 1>come in and take over your tram temporarily. And in

0:46:11.560 --> 0:46:16.480
<v Speaker 1>both cases it gets resolved in the Indiana Jones Ish section. Um,

0:46:16.719 --> 0:46:19.840
<v Speaker 1>a little past that, where you know you have uh

0:46:20.080 --> 0:46:23.719
<v Speaker 1>both of both the gangster and the the Bandit end

0:46:23.800 --> 0:46:25.920
<v Speaker 1>up being too greedy and they try to get a

0:46:26.080 --> 0:46:31.000
<v Speaker 1>sacred jim and end up being fried, and the tour

0:46:31.080 --> 0:46:35.600
<v Speaker 1>guide magically returns and apparently from the dead. In the

0:46:35.680 --> 0:46:40.240
<v Speaker 1>in the eight story version that was that was always

0:46:40.360 --> 0:46:42.880
<v Speaker 1>like that. The scene was amazing. I loved it because,

0:46:43.080 --> 0:46:45.040
<v Speaker 1>first of all, um so the way it worked was

0:46:45.080 --> 0:46:46.880
<v Speaker 1>there's music playing over the p as it's called the

0:46:47.000 --> 0:46:48.960
<v Speaker 1>newbist scene is what it is is where the big

0:46:49.000 --> 0:46:51.480
<v Speaker 1>gym is, and so the the ganger, the gangster of

0:46:51.480 --> 0:46:53.080
<v Speaker 1>the band would be like, you guys, wait here, I'm

0:46:53.080 --> 0:46:54.920
<v Speaker 1>gonna I'm gonna steal that gym, you know, and they

0:46:55.000 --> 0:46:58.320
<v Speaker 1>then they they'd walk up the stairs and the music

0:46:58.320 --> 0:47:00.360
<v Speaker 1>would play, and there's a lightning bolt, like a certain

0:47:00.560 --> 0:47:02.960
<v Speaker 1>like lightning bolt. When they heard that, they would hit

0:47:03.000 --> 0:47:06.680
<v Speaker 1>a little button like a little like arcade button on

0:47:06.680 --> 0:47:10.160
<v Speaker 1>on the actual scenery, which would then trigger the Halt Unbeliever,

0:47:10.320 --> 0:47:12.440
<v Speaker 1>which is like this big, you know, booming voice, and

0:47:12.440 --> 0:47:14.920
<v Speaker 1>then the team or the cast member would then react

0:47:15.000 --> 0:47:16.960
<v Speaker 1>to that and then they'd be like whatever, and they

0:47:17.040 --> 0:47:19.680
<v Speaker 1>put their hand on the gym. Smoke would go and

0:47:19.800 --> 0:47:22.480
<v Speaker 1>the smoke dissipated, it would reveal the skeleton standing there

0:47:22.520 --> 0:47:25.080
<v Speaker 1>like reaching for the gym, and then you know, it

0:47:25.120 --> 0:47:26.960
<v Speaker 1>turns out like, oh, that was actually your your your

0:47:26.960 --> 0:47:29.680
<v Speaker 1>tour guide was the the other person. Um. That was

0:47:29.719 --> 0:47:32.000
<v Speaker 1>a neat effect because that was actually it was a door,

0:47:32.040 --> 0:47:35.400
<v Speaker 1>so it was a rotating door that the smoke would

0:47:35.400 --> 0:47:37.600
<v Speaker 1>the smoke would you know, there's enough of it to

0:47:38.120 --> 0:47:41.160
<v Speaker 1>to you know, cover the door, and then it would

0:47:41.200 --> 0:47:43.799
<v Speaker 1>it would spin around and then the the you know,

0:47:43.800 --> 0:47:46.040
<v Speaker 1>the band of the gangster would hold the door closed.

0:47:46.280 --> 0:47:47.759
<v Speaker 1>So it didn't because it was just on a little

0:47:47.800 --> 0:47:49.400
<v Speaker 1>magnet and so like if if they just kind of

0:47:49.440 --> 0:47:51.399
<v Speaker 1>walk through it, it would swing and then sometimes swing

0:47:51.480 --> 0:47:53.560
<v Speaker 1>back or be like halfway open, so they would have

0:47:53.640 --> 0:47:56.160
<v Speaker 1>to hold it closed. And then um, and then you

0:47:56.320 --> 0:47:58.120
<v Speaker 1>reveal like hey, it's me, and then you'd run back

0:47:58.160 --> 0:48:00.520
<v Speaker 1>down and then add another lightning bowl. You would then

0:48:00.560 --> 0:48:03.320
<v Speaker 1>start your vehicle up to get the timing right and um.

0:48:03.400 --> 0:48:05.560
<v Speaker 1>Some of the more uh, some of the more like,

0:48:05.920 --> 0:48:07.719
<v Speaker 1>I mean, you have relationships with all the people there,

0:48:07.719 --> 0:48:09.200
<v Speaker 1>and so some of the people like to mess with you.

0:48:09.480 --> 0:48:11.719
<v Speaker 1>So some of the gangsters are bandits. They would like

0:48:11.800 --> 0:48:14.319
<v Speaker 1>to take the microphone cable and just wind it all

0:48:14.360 --> 0:48:16.799
<v Speaker 1>around the steering wheel and so you'd go to grab

0:48:16.840 --> 0:48:18.080
<v Speaker 1>it and it was just stuck and you'd have to

0:48:18.120 --> 0:48:19.920
<v Speaker 1>sit there not like lean over it and like talking

0:48:19.960 --> 0:48:21.719
<v Speaker 1>to the microphone by your wheel when you're trying to

0:48:21.800 --> 0:48:24.879
<v Speaker 1>unwind it and stuff. That was that was always fun.

0:48:24.880 --> 0:48:26.520
<v Speaker 1>But that was a cool scene. That was a really neat,

0:48:26.640 --> 0:48:28.520
<v Speaker 1>really neat bit that movie that that wasn't really any

0:48:28.520 --> 0:48:30.880
<v Speaker 1>specific movie. The the Anubis scene right before it was

0:48:30.960 --> 0:48:33.600
<v Speaker 1>Raiders the Lost Ark, which was awesome, and then you know,

0:48:33.640 --> 0:48:36.200
<v Speaker 1>Alien was fantastic too. That little the goopy stuff in

0:48:36.200 --> 0:48:39.719
<v Speaker 1>the background is always super gross. I love that. Yeah. No,

0:48:39.920 --> 0:48:43.799
<v Speaker 1>the the effects on the ride were, uh, like I said,

0:48:43.800 --> 0:48:46.200
<v Speaker 1>it really was pulling you into the experience as if

0:48:46.200 --> 0:48:49.160
<v Speaker 1>you were in the fiction of those movies. It is,

0:48:49.480 --> 0:48:52.239
<v Speaker 1>by the way, in no way, shape or form at

0:48:52.239 --> 0:48:55.160
<v Speaker 1>all similar to actually being on a movie set, but

0:48:55.200 --> 0:48:57.759
<v Speaker 1>if you had been magically pulled into the movies themselves.

0:48:57.800 --> 0:49:01.200
<v Speaker 1>It was like that. Um and yeah, that's it was.

0:49:01.280 --> 0:49:03.319
<v Speaker 1>It was one of those rides, very charming ride as

0:49:03.320 --> 0:49:05.040
<v Speaker 1>you as you say, It wasn't exactly like a thrill

0:49:05.120 --> 0:49:07.799
<v Speaker 1>ride or anything. But again, like to this day, my

0:49:07.840 --> 0:49:10.200
<v Speaker 1>favorite ride at Disney is still Pirates of the Caribbean.

0:49:10.400 --> 0:49:13.640
<v Speaker 1>I like the story based rides. I mean I like

0:49:13.680 --> 0:49:15.640
<v Speaker 1>the thrill rides too, Don't get me wrong. I love

0:49:15.640 --> 0:49:18.800
<v Speaker 1>a good thrill ride. Love Guardians of the Galaxy needed

0:49:18.800 --> 0:49:20.880
<v Speaker 1>about twenty minutes to recover after I wrote it, But

0:49:20.920 --> 0:49:24.160
<v Speaker 1>I loved it. Man I I love that ride. Man

0:49:24.200 --> 0:49:27.279
<v Speaker 1>I ride that all day. I've jack I've reached the

0:49:27.280 --> 0:49:32.360
<v Speaker 1>age where where where thrill rides I have a strict limit,

0:49:32.719 --> 0:49:35.440
<v Speaker 1>and after I hit it, I cannot go past it. Actually,

0:49:35.440 --> 0:49:38.359
<v Speaker 1>the worst though, are for me the ones that incorporate

0:49:39.080 --> 0:49:43.399
<v Speaker 1>uh VR elements or screen elements. Those those can get

0:49:43.440 --> 0:49:46.920
<v Speaker 1>me a little. Yeah for a forbidden journey over Universal,

0:49:47.120 --> 0:49:49.520
<v Speaker 1>I have to look at my feet during the screen portions.

0:49:49.680 --> 0:49:52.279
<v Speaker 1>I can't do it anymore. Like even like Simpson's ride,

0:49:52.280 --> 0:49:54.640
<v Speaker 1>I get a little like a little queasy. And my

0:49:54.680 --> 0:49:57.279
<v Speaker 1>wife and I we we made the mistake of we

0:49:57.360 --> 0:49:59.720
<v Speaker 1>decided to do par copying back when you could easily

0:49:59.760 --> 0:50:01.400
<v Speaker 1>do at You can still do it today, It's just

0:50:01.440 --> 0:50:05.200
<v Speaker 1>not as easy. Um. And we did the Flights of

0:50:05.239 --> 0:50:09.400
<v Speaker 1>Passage first, so that's a VR base ride. We hopped

0:50:09.400 --> 0:50:12.040
<v Speaker 1>over to Hollywood studios and in star tours it's another

0:50:12.440 --> 0:50:17.080
<v Speaker 1>VR kind of ride. We hopped on over to Epcot

0:50:17.160 --> 0:50:20.520
<v Speaker 1>and we did soar in which we usually we're totally

0:50:20.560 --> 0:50:23.000
<v Speaker 1>fine on that, but it turned out that that was

0:50:23.160 --> 0:50:26.120
<v Speaker 1>one screen based ride too many, and we both kind

0:50:26.120 --> 0:50:29.680
<v Speaker 1>of felt that that lingering motion not not like acute

0:50:29.680 --> 0:50:32.719
<v Speaker 1>motion sickness, but more like I don't feel right. And

0:50:32.760 --> 0:50:34.719
<v Speaker 1>then we decided to get all the heat and went

0:50:34.760 --> 0:50:40.360
<v Speaker 1>into the China film, which is a three sixty degree film.

0:50:40.400 --> 0:50:43.080
<v Speaker 1>There the screen is completely in a three si degree arc,

0:50:43.120 --> 0:50:45.000
<v Speaker 1>which is amazing in itself and I should probably talk

0:50:45.000 --> 0:50:48.960
<v Speaker 1>about that technology at some point. But that disoriented us

0:50:49.000 --> 0:50:51.040
<v Speaker 1>to the point where we spent probably the next three

0:50:51.040 --> 0:50:54.520
<v Speaker 1>hours just sitting in the World Showcase and people watching

0:50:54.520 --> 0:50:58.040
<v Speaker 1>because we couldn't. We were afraid to move. Uh so

0:50:58.120 --> 0:51:02.320
<v Speaker 1>yeah with the land Man, living with the land after

0:51:02.360 --> 0:51:04.120
<v Speaker 1>doing sore and let it cool off a little bit,

0:51:04.120 --> 0:51:06.920
<v Speaker 1>see all the plants are made, or maybe the the

0:51:07.239 --> 0:51:09.799
<v Speaker 1>well what's now the three Cabaatros ride but used to

0:51:09.840 --> 0:51:12.319
<v Speaker 1>be the River of Time ride over in Mexico. That's

0:51:12.320 --> 0:51:15.360
<v Speaker 1>always there's never a line for it. It's always cool.

0:51:15.480 --> 0:51:18.520
<v Speaker 1>So I like that one. I was told, I don't

0:51:18.520 --> 0:51:20.200
<v Speaker 1>know if this is true. Or not. I imagine you

0:51:20.280 --> 0:51:22.439
<v Speaker 1>might know because you know a whole lot about animatronics.

0:51:22.840 --> 0:51:25.440
<v Speaker 1>When Great Movie Ride shut down, which was about five

0:51:25.520 --> 0:51:27.759
<v Speaker 1>years ago at this point, I think I don't know

0:51:27.800 --> 0:51:31.480
<v Speaker 1>exactly when it shut down. The rumor was that the

0:51:31.560 --> 0:51:37.200
<v Speaker 1>Wicked Witch, the eight hundred animatronic moved to Pirates of

0:51:37.200 --> 0:51:40.520
<v Speaker 1>the Caribbean, and now it's Red. So like supposedly Red

0:51:40.840 --> 0:51:44.280
<v Speaker 1>is the old Wicked Witch from Movie Ride. Is that true?

0:51:44.320 --> 0:51:47.160
<v Speaker 1>Do you know if that's true? I cannot I cannot

0:51:47.200 --> 0:51:49.799
<v Speaker 1>say if it's true or false because I don't care

0:51:49.840 --> 0:51:51.200
<v Speaker 1>the answer to that. But I can tell you I

0:51:51.200 --> 0:51:55.399
<v Speaker 1>mean Red is a an A one figure. So Red

0:51:55.560 --> 0:51:58.439
<v Speaker 1>is of the same generation as Wicked Witch. Whether it's

0:51:58.480 --> 0:52:03.120
<v Speaker 1>exactly the same uh A skeleton underneath, I am not certain.

0:52:03.160 --> 0:52:06.120
<v Speaker 1>There's no reason it couldn't be. It certainly couldn't be,

0:52:06.120 --> 0:52:09.799
<v Speaker 1>because these the big innovation of A one was that

0:52:09.920 --> 0:52:14.080
<v Speaker 1>you had far more options when it came to programming

0:52:14.120 --> 0:52:17.600
<v Speaker 1>the figure, and a much larger range of motion if

0:52:17.640 --> 0:52:21.640
<v Speaker 1>you wanted to have a very expressive figure. Uh. You

0:52:21.680 --> 0:52:24.080
<v Speaker 1>know the fact that if Scarlett the Pirate is in

0:52:24.160 --> 0:52:26.200
<v Speaker 1>fact the former Wicked Witch of the West, that means

0:52:26.239 --> 0:52:32.360
<v Speaker 1>she's also and Animatronic that was altered by the company Sarkos,

0:52:32.480 --> 0:52:37.080
<v Speaker 1>which is mostly known as a military and industrial robotics company.

0:52:37.400 --> 0:52:40.240
<v Speaker 1>So what I'm saying is, don't mess with the woman

0:52:40.320 --> 0:52:44.839
<v Speaker 1>Pirate because maybe she's a terminator. I don't know, Yeah,

0:52:44.880 --> 0:52:47.319
<v Speaker 1>she might, she might turn. I mean, just looking at

0:52:47.360 --> 0:52:52.080
<v Speaker 1>a photo of Red her her right hand she's holding

0:52:52.200 --> 0:52:54.120
<v Speaker 1>she's holding a gun, so her right hand is really

0:52:54.160 --> 0:52:55.799
<v Speaker 1>not moving much and her left hand is holding the

0:52:55.840 --> 0:52:58.400
<v Speaker 1>bottle and she moves it a lot, which similar to

0:52:58.440 --> 0:53:00.399
<v Speaker 1>the Wicked Witch. She had her broom in one hand

0:53:00.440 --> 0:53:02.520
<v Speaker 1>and then her other hand was pointing a lot. So

0:53:04.000 --> 0:53:06.200
<v Speaker 1>I I have been told that's her. I don't know

0:53:06.239 --> 0:53:08.440
<v Speaker 1>if it's true. In my head, can in a hundred

0:53:08.480 --> 0:53:10.719
<v Speaker 1>percent that's the Wicked Witch. And then I guess they

0:53:10.719 --> 0:53:13.160
<v Speaker 1>made another one for the Hollywood Park or the Anaheim Park,

0:53:13.280 --> 0:53:16.799
<v Speaker 1>but uh yeah, I likely think you know, she she

0:53:16.920 --> 0:53:20.480
<v Speaker 1>landed over there. I'm totally cool with that. Yeah, I think. Uh,

0:53:20.719 --> 0:53:23.600
<v Speaker 1>I think I'm gonna adopt the same head cannon because

0:53:24.120 --> 0:53:26.040
<v Speaker 1>Pirates is one of my favorite rides. I love the

0:53:26.080 --> 0:53:29.680
<v Speaker 1>great movie ride. To think about that legacy living on

0:53:29.920 --> 0:53:34.480
<v Speaker 1>under a different costume and uh skin, I think is brilliant,

0:53:34.600 --> 0:53:37.040
<v Speaker 1>So I'm gonna go with that too. So a lot

0:53:37.120 --> 0:53:39.480
<v Speaker 1>of people would say that the So at one point

0:53:39.480 --> 0:53:41.480
<v Speaker 1>you go to Casablanca and in a great movie ride

0:53:41.920 --> 0:53:44.400
<v Speaker 1>and there was a plane there. It was basically recreating

0:53:44.440 --> 0:53:47.200
<v Speaker 1>the scene that you know, you know, the problems don't

0:53:47.239 --> 0:53:49.680
<v Speaker 1>amount to a hill of beans. And so there was

0:53:49.719 --> 0:53:51.520
<v Speaker 1>a plane in the in the background that would like

0:53:51.560 --> 0:53:53.759
<v Speaker 1>slowly spin up and stuff, and a lot of people said, like, oh,

0:53:53.800 --> 0:53:56.520
<v Speaker 1>that's actually the plane from the movie. They would use

0:53:56.520 --> 0:53:58.719
<v Speaker 1>that as fact. That was not the plane from the

0:53:58.719 --> 0:54:00.560
<v Speaker 1>movie a hundred percent was not on the plane from

0:54:00.600 --> 0:54:02.560
<v Speaker 1>the movie. As a matter of fact, the back of

0:54:02.560 --> 0:54:06.000
<v Speaker 1>that plane ended up over at Jungle Cruise. So there's

0:54:06.000 --> 0:54:08.440
<v Speaker 1>a crashed plane in Jungle Cruise, and the rear section

0:54:08.480 --> 0:54:10.680
<v Speaker 1>of the plane is basically they split in half. Put

0:54:10.680 --> 0:54:13.080
<v Speaker 1>half a Jungle Cruise half at movie ride. So do

0:54:13.160 --> 0:54:14.880
<v Speaker 1>you ever hear that fact? That is a lie that

0:54:15.800 --> 0:54:18.359
<v Speaker 1>I do love that both halves of the plane were

0:54:18.400 --> 0:54:26.040
<v Speaker 1>existing in uh cast remember guided attractions, right, like, like

0:54:26.680 --> 0:54:29.480
<v Speaker 1>that's one of the beautiful things about Jungle Cruise. It's

0:54:29.480 --> 0:54:31.759
<v Speaker 1>a very corny ride, but it's still a ride where

0:54:31.760 --> 0:54:33.799
<v Speaker 1>you get to see someone going through performance and if

0:54:33.800 --> 0:54:38.880
<v Speaker 1>they haven't reached the Skipper dan Uh part of their career,

0:54:39.040 --> 0:54:41.279
<v Speaker 1>and they can really be a lot of fun um.

0:54:41.360 --> 0:54:43.080
<v Speaker 1>Like you say, it all depends on who you get

0:54:43.120 --> 0:54:45.080
<v Speaker 1>and what kind of mood they're in. I mean, we're

0:54:45.080 --> 0:54:47.279
<v Speaker 1>all human beings, but hopefully you get someone on a

0:54:47.320 --> 0:54:51.760
<v Speaker 1>good day. Yeah. I heard one rumor that that plane

0:54:51.840 --> 0:54:54.960
<v Speaker 1>might have been used, not obviously not in Casablanca, but

0:54:54.960 --> 0:54:58.120
<v Speaker 1>possibly in one of the Tarzan films. But whether that's

0:54:58.120 --> 0:55:01.560
<v Speaker 1>true or not, I don't know. It's just again, there

0:55:01.640 --> 0:55:05.200
<v Speaker 1>is a Tarzan section in the or there was I

0:55:05.280 --> 0:55:07.839
<v Speaker 1>can't use the present tense anymore in The Great Movie Ride,

0:55:08.239 --> 0:55:11.160
<v Speaker 1>but they didn't use the plane in that one had

0:55:11.200 --> 0:55:14.120
<v Speaker 1>to go in the Casa Blanket section. Stick around because

0:55:14.120 --> 0:55:16.319
<v Speaker 1>we have a little bit more about The Great Movie

0:55:16.440 --> 0:55:19.840
<v Speaker 1>Ride and and Disney and and Jack Pottilo to talk about,

0:55:20.320 --> 0:55:32.000
<v Speaker 1>and we'll do that right after this break. This has

0:55:32.040 --> 0:55:35.120
<v Speaker 1>been a great talk. I've really enjoyed it. I really

0:55:35.160 --> 0:55:37.400
<v Speaker 1>appreciate your time. But one thing I really want to

0:55:37.400 --> 0:55:41.760
<v Speaker 1>talk about before we wrap up is your podcast, Annual Pass,

0:55:42.000 --> 0:55:47.440
<v Speaker 1>where you dedicate episodes to all things theme and amusement

0:55:47.520 --> 0:55:51.000
<v Speaker 1>park oriented. There are episodes that are about specific attractions

0:55:51.400 --> 0:55:55.040
<v Speaker 1>or shows. There are interviews with people who have worked

0:55:55.600 --> 0:55:58.640
<v Speaker 1>at these various places or have even invented some of

0:55:58.680 --> 0:56:02.359
<v Speaker 1>the attractions that people no one love today. And uh,

0:56:02.440 --> 0:56:04.960
<v Speaker 1>you have two great co hosts. You've got Jeff and

0:56:05.000 --> 0:56:07.400
<v Speaker 1>b K. So you've got Jeff, who's an old, grumpy

0:56:07.400 --> 0:56:10.080
<v Speaker 1>man like myself. I think I think he and I

0:56:10.160 --> 0:56:13.200
<v Speaker 1>were born a week apart. And then you've got b K,

0:56:13.640 --> 0:56:17.399
<v Speaker 1>a young gun who has a totally different perspective and

0:56:17.480 --> 0:56:21.400
<v Speaker 1>thinks of you two as her dad's. Yeah, it's it's

0:56:21.440 --> 0:56:23.040
<v Speaker 1>a lot of fun. Mannual pass is definitely one of

0:56:23.080 --> 0:56:26.160
<v Speaker 1>those things where I was looking for something that like,

0:56:26.239 --> 0:56:28.120
<v Speaker 1>what what could I make a podcast about that I'm

0:56:28.120 --> 0:56:30.400
<v Speaker 1>passionate about? And if you have only heard me on

0:56:30.440 --> 0:56:32.880
<v Speaker 1>this podcast here, you can tell that I love theme parks.

0:56:32.920 --> 0:56:35.520
<v Speaker 1>And so I made a pitch about like, hey, let's

0:56:35.520 --> 0:56:37.480
<v Speaker 1>do a show all about theme park attractions and then

0:56:37.560 --> 0:56:39.719
<v Speaker 1>let's go into it. And we've been doing it now

0:56:39.800 --> 0:56:42.320
<v Speaker 1>for about seventy episodes, and it's been so much fun,

0:56:42.440 --> 0:56:45.440
<v Speaker 1>and the theme park community like, because you know, obviously

0:56:45.440 --> 0:56:48.319
<v Speaker 1>there's a big theme park vlogging community, they've been so

0:56:48.440 --> 0:56:50.600
<v Speaker 1>friendly and I was so nervous getting into it because

0:56:50.719 --> 0:56:52.720
<v Speaker 1>I've been listening to you know, like Theme Park Stop

0:56:52.719 --> 0:56:56.120
<v Speaker 1>and defunct land Yesterworld, you know, all of these amazing shows,

0:56:56.160 --> 0:56:58.000
<v Speaker 1>and I've had the opportunity now to talk to these

0:56:58.040 --> 0:57:01.239
<v Speaker 1>creators and everyone is sole and so nice, and just

0:57:01.280 --> 0:57:03.800
<v Speaker 1>being in this space has been so much fun, and

0:57:03.920 --> 0:57:05.920
<v Speaker 1>I think we're kind of finding our footing now. We're

0:57:05.960 --> 0:57:07.239
<v Speaker 1>having a really good time with it. We're more of

0:57:07.239 --> 0:57:09.239
<v Speaker 1>a lighthearted kind of look at things, but if you

0:57:09.280 --> 0:57:11.120
<v Speaker 1>want to find out more about a specific attraction, we

0:57:11.160 --> 0:57:13.640
<v Speaker 1>go into it. We do ride throughs, but like you said,

0:57:13.680 --> 0:57:15.520
<v Speaker 1>we do interviews. As a matter of fact, we recorded

0:57:15.520 --> 0:57:19.360
<v Speaker 1>one today with a woman who was super knowledgeable about

0:57:19.440 --> 0:57:22.560
<v Speaker 1>Halloween Horror Knights and the lore of Halloween Horror Knights,

0:57:22.560 --> 0:57:23.760
<v Speaker 1>and so we did a whole we're doing a whole

0:57:23.760 --> 0:57:26.360
<v Speaker 1>episode on that, and it's just it's a lot of

0:57:26.360 --> 0:57:28.040
<v Speaker 1>fun because you know, we, like you said, we've had

0:57:28.040 --> 0:57:30.520
<v Speaker 1>Imagine ears on. We've had people designing Rise for Universal

0:57:31.040 --> 0:57:34.280
<v Speaker 1>and hearing the stories about what goes into the making

0:57:34.320 --> 0:57:36.760
<v Speaker 1>of these attractions, like we've Oddly enough, we've talked to

0:57:36.800 --> 0:57:39.560
<v Speaker 1>two different gentlemen who had to pitch Steven Spielberg on

0:57:39.600 --> 0:57:43.440
<v Speaker 1>attractions on different ones, one for one for Velocity Coaster,

0:57:43.960 --> 0:57:46.320
<v Speaker 1>the Dress Park themed one, our Dress World themed one,

0:57:46.320 --> 0:57:48.000
<v Speaker 1>and then one for Men in Black. So it's like

0:57:48.280 --> 0:57:50.160
<v Speaker 1>and like hearing the stories. Apparently Steven Spielberg is a

0:57:50.160 --> 0:57:52.040
<v Speaker 1>super nice guy, so that's cool. That's good to hear.

0:57:52.520 --> 0:57:54.320
<v Speaker 1>But but yeah, it's been so much fun, and you know,

0:57:54.360 --> 0:57:55.680
<v Speaker 1>if you want to listen to it, I would love

0:57:55.720 --> 0:57:57.720
<v Speaker 1>for that. That'd be fantastic. We are annual pass. You

0:57:57.720 --> 0:58:00.439
<v Speaker 1>go to YouTube dot com slash annual Pass, or find

0:58:00.480 --> 0:58:03.120
<v Speaker 1>us anywhere you get your podcast Spotify, rovert, rooster teeth

0:58:03.160 --> 0:58:05.480
<v Speaker 1>dot com slash annual Pass, like wherever you want to

0:58:05.520 --> 0:58:07.400
<v Speaker 1>go to find it, please give it a listen. It's

0:58:07.400 --> 0:58:08.880
<v Speaker 1>a it's a lot of fun and uh, you know,

0:58:08.920 --> 0:58:10.720
<v Speaker 1>as long as people are listening, I'm gonna keep making it.

0:58:10.800 --> 0:58:13.640
<v Speaker 1>So that's the dream, at least, you know. Any the

0:58:14.240 --> 0:58:17.080
<v Speaker 1>whole goal was to get my parent company to buy

0:58:17.120 --> 0:58:18.920
<v Speaker 1>me a ticket to go to a theme park, so

0:58:20.520 --> 0:58:22.440
<v Speaker 1>I still pay for my annual pass, I'll say that much.

0:58:22.480 --> 0:58:26.240
<v Speaker 1>My my Disney annual passes so work for I heart

0:58:26.240 --> 0:58:29.320
<v Speaker 1>and I have yet to to leverage that into concert tickets,

0:58:29.360 --> 0:58:31.120
<v Speaker 1>but it's always in the back of my mind. Jack.

0:58:31.680 --> 0:58:33.880
<v Speaker 1>Uh Yeah, Annual Pass is a great listen. I highly

0:58:33.880 --> 0:58:36.840
<v Speaker 1>recommend it for people to go check out. It's first

0:58:36.840 --> 0:58:40.880
<v Speaker 1>of all, you will I can't think of another word

0:58:40.880 --> 0:58:44.960
<v Speaker 1>to describe Jack's performance a Annual Pass besides exuberant. I

0:58:45.000 --> 0:58:47.320
<v Speaker 1>think that that is that is the appropriate word to

0:58:47.360 --> 0:58:51.760
<v Speaker 1>you when you think that you're right throughs are so enthusiastic.

0:58:51.880 --> 0:58:54.640
<v Speaker 1>That's what I love the most is that it's It's like,

0:58:54.680 --> 0:58:59.600
<v Speaker 1>imagine the friendliest carnival barker walking you through the attraction

0:58:59.640 --> 0:59:01.440
<v Speaker 1>that you've always wanted to be on, but you have it,

0:59:01.560 --> 0:59:03.480
<v Speaker 1>and and I look forward to hearing a lot more.

0:59:03.520 --> 0:59:06.480
<v Speaker 1>You've had some great guests and um and and all

0:59:06.600 --> 0:59:08.560
<v Speaker 1>your topics are always fun. It's always fun to hear

0:59:08.560 --> 0:59:11.640
<v Speaker 1>the interaction between you and the other hosts. So definitely

0:59:11.720 --> 0:59:15.360
<v Speaker 1>do check that out. Um are are there are there

0:59:15.400 --> 0:59:19.920
<v Speaker 1>any theme parks or attractions that you're eagerly looking forward

0:59:19.920 --> 0:59:22.000
<v Speaker 1>to that you haven't experienced yet, either ones that are

0:59:22.080 --> 0:59:25.080
<v Speaker 1>on the the cusp of coming out or just ones

0:59:25.120 --> 0:59:28.200
<v Speaker 1>that exist but you haven't managed to get there. Man,

0:59:28.320 --> 0:59:30.600
<v Speaker 1>I mean, really a lot of stuff outside the US.

0:59:30.680 --> 0:59:32.360
<v Speaker 1>That's what that's what I want to do. Like, I mean,

0:59:32.440 --> 0:59:34.640
<v Speaker 1>I've been fortunate enough to go to Disneyland Paris and

0:59:34.720 --> 0:59:37.960
<v Speaker 1>you know, Disney Studios Paris. Um. That was great. Actually

0:59:38.400 --> 0:59:41.560
<v Speaker 1>this year we went to Thorpe Park in England, just

0:59:41.600 --> 0:59:43.720
<v Speaker 1>south of Heathrow, which was really cool. I got to

0:59:43.720 --> 0:59:46.160
<v Speaker 1>go on the saw ride and like the Walking Dead.

0:59:46.240 --> 0:59:49.640
<v Speaker 1>The ride was like really intense. But apparently Alton Towers

0:59:49.720 --> 0:59:51.320
<v Speaker 1>is the European parks, so we gotta go ordered to

0:59:51.360 --> 0:59:53.600
<v Speaker 1>the London parks, so we gotta go to Alton Towers next.

0:59:53.640 --> 0:59:56.920
<v Speaker 1>But anywhere in Japan, Shanghai, I mean, there's there's so

0:59:56.920 --> 0:59:59.920
<v Speaker 1>many amazing things and a lot of stuff, Like you know,

1:00:00.120 --> 1:00:03.400
<v Speaker 1>I try not to watch ride videos on stuff that

1:00:03.440 --> 1:00:05.960
<v Speaker 1>I would like to go on someday. So I watched

1:00:06.000 --> 1:00:08.680
<v Speaker 1>the Tron light Cycle right through because I'm like, I'm

1:00:08.680 --> 1:00:11.160
<v Speaker 1>probably not gonna go to Shanghai anytime soon. And then

1:00:11.160 --> 1:00:13.280
<v Speaker 1>of course, like immediately later they're like, oh, yeah, we're

1:00:13.280 --> 1:00:15.480
<v Speaker 1>gonna put in an Epcot And that was six years ago,

1:00:15.560 --> 1:00:19.280
<v Speaker 1>so we'll see if it ever actually does open um.

1:00:19.320 --> 1:00:21.840
<v Speaker 1>But yeah, I mean, I love any sort of theme park.

1:00:21.920 --> 1:00:24.640
<v Speaker 1>I love small little like family mom and pop parks.

1:00:24.680 --> 1:00:27.880
<v Speaker 1>I love the big ones. I'll ride anything. At this point,

1:00:27.920 --> 1:00:29.840
<v Speaker 1>I've pretty much given myself up or I'm like, I

1:00:29.880 --> 1:00:32.520
<v Speaker 1>don't I don't fear being on an attraction. I love

1:00:32.600 --> 1:00:35.560
<v Speaker 1>them and so um that's a blast. So I will

1:00:35.600 --> 1:00:37.960
<v Speaker 1>do anything, like so with so many people like, oh,

1:00:38.040 --> 1:00:39.440
<v Speaker 1>you to come to this park like I would love to.

1:00:39.480 --> 1:00:41.040
<v Speaker 1>I would love to, Like I'm never gonna say no,

1:00:41.160 --> 1:00:43.200
<v Speaker 1>like I'm I'm always I'm always up for whatever I

1:00:43.200 --> 1:00:45.520
<v Speaker 1>want to go to stuff. So UM, I'm actually going

1:00:45.560 --> 1:00:49.480
<v Speaker 1>to six Flags Great America, the one near Chicago, UM

1:00:49.560 --> 1:00:52.360
<v Speaker 1>later this month, and then ideally we're going out to

1:00:52.360 --> 1:00:54.920
<v Speaker 1>Halloween Horror Nights sometime either towards the end of September

1:00:55.000 --> 1:00:57.680
<v Speaker 1>or October. So I'll be back out in Florida hopefully

1:00:57.680 --> 1:00:59.920
<v Speaker 1>soon to go to some parks and you know, make

1:01:00.000 --> 1:01:03.000
<v Speaker 1>that annual pass pay for itself. If you get down

1:01:03.080 --> 1:01:05.760
<v Speaker 1>to six Flags over Georgia, you can you can ride

1:01:06.120 --> 1:01:08.640
<v Speaker 1>what was formerly known as the Monster Plantation. And then

1:01:08.680 --> 1:01:13.000
<v Speaker 1>I'll tell you all about the problematic history of that

1:01:13.040 --> 1:01:17.800
<v Speaker 1>particular attraction, because that that has undergone a pretty massive

1:01:18.680 --> 1:01:21.920
<v Speaker 1>thematic change, as you would imagine from an attraction that

1:01:22.000 --> 1:01:26.960
<v Speaker 1>was previously known as Monster plantation set in Georgia. Um,

1:01:27.160 --> 1:01:32.000
<v Speaker 1>then it became Splash Mountains. Okay, we'll make that Princess

1:01:32.000 --> 1:01:35.280
<v Speaker 1>in the Frog one day. All right. Well, well, Jack,

1:01:35.400 --> 1:01:37.680
<v Speaker 1>thank you so much for being on the show. It

1:01:37.760 --> 1:01:41.280
<v Speaker 1>was a pleasure having you on. And uh yeah, feel

1:01:41.320 --> 1:01:44.360
<v Speaker 1>free to come back anytime. We'll talk theme parks till

1:01:44.400 --> 1:01:47.040
<v Speaker 1>the cows come home. The pleasure is all mine. Thank

1:01:47.080 --> 1:01:48.440
<v Speaker 1>you so much. Anytime I get a chance to talk

1:01:48.480 --> 1:01:51.560
<v Speaker 1>theme parks, I'm up for it. Once again, I want

1:01:51.600 --> 1:01:55.200
<v Speaker 1>to thank Jack Patello for coming onto this show. You

1:01:55.200 --> 1:01:57.800
<v Speaker 1>know when he co founded Achievement Hunter. That was back

1:01:57.800 --> 1:01:59.800
<v Speaker 1>in two thousand and eight, the summer of two thousand eight,

1:01:59.840 --> 1:02:03.560
<v Speaker 1>which is the exact same summer that this show launched.

1:02:03.800 --> 1:02:07.880
<v Speaker 1>So he and I have been in related business for

1:02:07.920 --> 1:02:12.240
<v Speaker 1>a very long time. He has seen phenomenal success and

1:02:12.280 --> 1:02:15.120
<v Speaker 1>has done amazing things. Seriously, you need to go and

1:02:15.200 --> 1:02:19.440
<v Speaker 1>check out his charity work because it's truly inspiring stuff

1:02:19.440 --> 1:02:22.720
<v Speaker 1>and it gotten me to participate on my own, not

1:02:22.760 --> 1:02:26.480
<v Speaker 1>in any like big way many times, so check that

1:02:26.520 --> 1:02:29.560
<v Speaker 1>out too. It's for a good cause. It's for children's healthcare,

1:02:29.600 --> 1:02:33.560
<v Speaker 1>which is obviously a great cause. And yeah, check out

1:02:33.560 --> 1:02:37.120
<v Speaker 1>the annual pass as well. It's a fun podcast, and uh,

1:02:37.720 --> 1:02:40.479
<v Speaker 1>if you love theme parks and you love learning more

1:02:40.520 --> 1:02:44.120
<v Speaker 1>about the attractions and what they're like and and trivia

1:02:44.200 --> 1:02:47.360
<v Speaker 1>about them, it's a it's a really fun listen, So

1:02:47.480 --> 1:02:49.360
<v Speaker 1>check those out. If you want to get in touch

1:02:49.400 --> 1:02:51.960
<v Speaker 1>with me and suggest topics that I should cover in

1:02:52.000 --> 1:02:54.720
<v Speaker 1>future episodes of Tech Stuff, tell you what you can do.

1:02:55.120 --> 1:02:57.960
<v Speaker 1>You can download the I Heart Radio app. It's free

1:02:58.040 --> 1:03:00.720
<v Speaker 1>to download. Navigate over to Text Stuff. There's a little

1:03:00.760 --> 1:03:03.800
<v Speaker 1>microphone icon you can click on, and there you can

1:03:03.840 --> 1:03:06.120
<v Speaker 1>just leave me a message of up the thirty seconds

1:03:06.120 --> 1:03:08.880
<v Speaker 1>in length, or you can reach out to me on Twitter.

1:03:09.240 --> 1:03:12.920
<v Speaker 1>The handle for the show is tech Stuff h s W.

1:03:13.960 --> 1:03:16.080
<v Speaker 1>And I hope to do more interviews in the future.

1:03:16.280 --> 1:03:20.160
<v Speaker 1>They're a little challenging because you know, scheduling can be uh,

1:03:20.560 --> 1:03:23.440
<v Speaker 1>you know, it's tough. People are busy, and and so

1:03:23.800 --> 1:03:26.600
<v Speaker 1>I will do my best because I love having someone

1:03:26.640 --> 1:03:29.120
<v Speaker 1>else on the show to talk to get their perspective,

1:03:29.720 --> 1:03:33.200
<v Speaker 1>learn things that I can't find out just through you know,

1:03:33.280 --> 1:03:35.080
<v Speaker 1>research on my own, because these are the people who

1:03:35.080 --> 1:03:36.880
<v Speaker 1>are actually there. I want to do more of that

1:03:36.960 --> 1:03:39.280
<v Speaker 1>in the future. If you have people that you think

1:03:39.320 --> 1:03:42.200
<v Speaker 1>I should have on as a guest. Send those my way.

1:03:42.600 --> 1:03:44.680
<v Speaker 1>I can't promise that I'll get them, but I can

1:03:44.720 --> 1:03:48.360
<v Speaker 1>at least try, and with that, I'll talk to you again,

1:03:49.160 --> 1:03:58.080
<v Speaker 1>really soon. Tech Stuff is an I heart Radio production.

1:03:58.320 --> 1:04:01.120
<v Speaker 1>For more podcasts from my Heart Radio, visit the i

1:04:01.240 --> 1:04:04.480
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you listen to

1:04:04.520 --> 1:04:09.960
<v Speaker 1>your favorite shows. H