WEBVTT - The Parent Trap: Wealthy & Boom

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<v Speaker 1>Toss Popcorn is a production of iHeartRadio.

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<v Speaker 2>Nerder nerd It Dead, Debt Dead, and In It.

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<v Speaker 1>Hi.

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<v Speaker 3>I'm Leanna Holsten, I'm Sienna Jacob, and welcome to Tossed Popcorn,

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<v Speaker 3>the podcast where two idiots watched every film on the

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<v Speaker 3>AFI's one hundred Greatest American Movies of All Time, the

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<v Speaker 3>very slightly less racist tenth Anniversary edition, and are now

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<v Speaker 3>watching films directed by women.

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<v Speaker 1>Hell yeah, this podcast is a safe camp for people

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<v Speaker 1>who don't know anything about movies. Today we're watching The

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<v Speaker 1>Parent Trap. You want to know the real difference between us.

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<v Speaker 1>Let me see, I know how to sense and you don't.

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<v Speaker 1>Or I have claws and you don't. Take your pick.

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<v Speaker 1>Why an absolutely classic film. Many of us watched it

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<v Speaker 1>many a sleepover. I'm sure many of us. Warning there

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<v Speaker 1>will be spoilers about this surprisingly traumatic, yeah, surprisingly traumatic

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<v Speaker 1>old film.

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<v Speaker 3>Mm hm hm Sienna, Okay, you've seen this, you've seen this.

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<v Speaker 1>I have, and it was the kind of thing where

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<v Speaker 1>it's like, wow, I have some really visceral memories of

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<v Speaker 1>the movie from being at a sleepover. It was the

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<v Speaker 1>first time I heard the word yesteryear. I of course

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<v Speaker 1>remember the ear piercing scene. Who doesn't mm hmmmm hmmm,

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<v Speaker 1>impossible to forget, et cetera, et cetera, What about you, et.

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<v Speaker 3>Cetera, et cetera. I have seen it a lot. I

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<v Speaker 3>don't recall seeing it at sleepovers. I recall seeing it

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<v Speaker 3>with my mom. Just if it was on, we would

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<v Speaker 3>watch it.

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<v Speaker 1>It probably means more to you as a redhead. Thank you.

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<v Speaker 3>Thank you for saying that. I assume as I was afraid.

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<v Speaker 3>I was afeared to claim that as mine. But thank you,

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<v Speaker 3>thank you.

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<v Speaker 1>Well.

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<v Speaker 3>Do you know what very related? Let me play you

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<v Speaker 3>my prediction of the film. Good morning, Ciena, It's Leanna.

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<v Speaker 3>I am about to watch the parent Trap. I've seen

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<v Speaker 3>a bunch a bunch of bunch of bunch because I

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<v Speaker 3>looked exactly like Lindsay Lohan, who when she says the line,

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<v Speaker 3>come on, Anne, I gotta meet my mom, it was

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<v Speaker 3>kind of spooky. I predict Cutie Patuti's camping in Maine. Oh,

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<v Speaker 3>it's gurgenteny Parents, except that Dennis Quaid is famously bonkers.

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<v Speaker 1>Now and just a nice and lovely nineteen nineties time.

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<v Speaker 1>Love you bye. Absolutely hm.

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<v Speaker 3>Wow, Yeah, I really hit a flat note when I

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<v Speaker 3>said Trap in the Parent Trap, Parent Tra Trap. It

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<v Speaker 3>was like a minor key. It was very odd. I

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<v Speaker 3>spoke in a minor key.

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<v Speaker 1>I took a big swig of coffee right when I

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<v Speaker 1>heard that, and then I almost shot it all over

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<v Speaker 1>my computer. Leanna, shall we listen to my my old

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<v Speaker 1>person over here? Yes?

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<v Speaker 4>Please?

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<v Speaker 3>It's too late, all right, okay, al ready, what's going

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<v Speaker 3>on with you?

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<v Speaker 1>I woke up so recently, and I'm trying to pretend

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<v Speaker 1>I didn't. I'm sorry. Anything I say didn't.

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<v Speaker 3>Every time Sanna wakes up, she's very fatalistic.

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<v Speaker 1>It means nothing anything.

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<v Speaker 3>It's too late, all right, Let's listen to your prediction

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<v Speaker 3>before it's too late, all right.

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<v Speaker 1>Ready, I don't even remember saying that. Oh hi, Leanna,

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<v Speaker 1>Sienna here, I'm about to watch The Parent Trap. I

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<v Speaker 1>haven't seen it in a long time. Lindsay Lohan is twins.

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<v Speaker 1>Summer Camp one is British? Uh what's her name from?

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<v Speaker 1>From Abbod Elementary? Isn't it? The mob? And they try

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<v Speaker 1>to get their their their parents back together and it

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<v Speaker 1>works or it doesn't work. It does work. I don't remember. Wait,

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<v Speaker 1>it works. I love you? Goodbye?

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<v Speaker 3>Did you enter a new dimension?

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<v Speaker 1>I think that people were like coming downstairs in my house.

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<v Speaker 1>So I ran outside.

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<v Speaker 3>Oh my god, they like you'd opened the door to oz.

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<v Speaker 3>It's weird, lovely chimes come in.

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<v Speaker 1>I didn't say anything afterwards.

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<v Speaker 3>Oh girl, hey girl, girl, I am just fresh back

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<v Speaker 3>from a facial.

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<v Speaker 1>This is why you look.

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<v Speaker 3>Thank you well, thanks for saying that. I went. Did

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<v Speaker 3>I tell you about the last time I got a facial?

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<v Speaker 1>Is that where she said this was a eyebags? Yeah?

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<v Speaker 3>Yeah, yeah yeah, tired eyes. Yeah, Mama, I got the

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<v Speaker 3>same person again today, and Mama, same pairs of words

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<v Speaker 3>came out of her mouth.

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<v Speaker 1>No, one year and three.

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<v Speaker 3>Months after, I'm still rocking tired eyes.

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<v Speaker 1>She said that again, that doesn't really apply to what

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<v Speaker 1>a facial does, like they're not supposed.

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<v Speaker 3>To final a roast. Well, I've been instructed. Okay, but

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<v Speaker 3>here's the thing. So, yes, I was reminded of my

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<v Speaker 3>tired eyes. And this is unbelievably funny. She started to

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<v Speaker 3>do my shoulder massage as she did last time, and

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<v Speaker 3>as she said last time, she said, today, oh it's

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<v Speaker 3>rock solid down there.

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<v Speaker 1>She really is.

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<v Speaker 3>She really is consistent. She's comfortingly predictable. Yes, why and

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<v Speaker 3>you know what was so kind of awesome about it today,

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<v Speaker 3>solid down there. Last time I took those things very personally,

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<v Speaker 3>but this time around, I'm just in such a more

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<v Speaker 3>blessed place.

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<v Speaker 1>Wow.

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<v Speaker 3>That I was like, fine, okay, it's not a critique

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<v Speaker 3>of my human worth. It's just, oh, this is kind

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<v Speaker 3>of your situation currently, and here's something you could do

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<v Speaker 3>to change it if you want to. Which the thing

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<v Speaker 3>to do? Cucumber slices on my eyes. Wow, genuine that

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<v Speaker 3>the old timey stuff. Sometimes it works.

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<v Speaker 1>It's not often that you get to relive a situation exactly.

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<v Speaker 1>It was pretty unbelievable, and I was laughing on the inside.

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<v Speaker 1>I was laughing on the inside that it was said again.

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<v Speaker 1>I also it was a little crushing up top because

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<v Speaker 1>I was like, surely not. That was because the last

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<v Speaker 1>time I got a facial was the worst I'd looked

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<v Speaker 1>in years, because it was right after that really harrowing

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<v Speaker 1>office moved of deep stress for five weeks. This time around,

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<v Speaker 1>I've been pretty chill for a couple of months at least.

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<v Speaker 1>But Ma's Mama's eyes remained tired. For some reason. I

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<v Speaker 1>always think in those situations they'll have seen it all

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<v Speaker 1>and won't say things like that. But oh, hey, girl,

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<v Speaker 1>I went to the bank the other day, okay, because

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<v Speaker 1>I had a whole jar of cash that I've been

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<v Speaker 1>gathering from either random gigs or or when we went

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<v Speaker 1>on tour. I was the financial manager, and so the

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<v Speaker 1>cash we would just go to like I just held

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<v Speaker 1>onto it and then we just used my bank account.

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<v Speaker 1>So okay, I'd been spending some of it, but the

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<v Speaker 1>rest I'm like, I need to cash this now mm hm.

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<v Speaker 1>So I brought it to the bank, so it was

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<v Speaker 1>quite a bit, but not like thousands and thousands of dollars,

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<v Speaker 1>because it's not like I don't make my whole living

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<v Speaker 1>in cash or anything. I say this because I brought

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<v Speaker 1>it to the bank in this and I wasn't sure

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<v Speaker 1>how to go about it the best way. So I

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<v Speaker 1>just went up and I said, Hi, I have his Jara,

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<v Speaker 1>what's the best way for me to do this? The

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<v Speaker 1>woman looks at it, she laughs out loud. Oh, come on,

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<v Speaker 1>let's not a big laugh. She goes, is that a

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<v Speaker 1>piggy bank? And then she turns to her bank or

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<v Speaker 1>friends and laughs and points with them no. Yes, And

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<v Speaker 1>then the second time around then she was like, oh, well,

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<v Speaker 1>you need to flatten all this money out and then

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<v Speaker 1>bring it back. So I had to go over say

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<v Speaker 1>that like a little chair, and I flattened out all

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<v Speaker 1>the money. They kind of flattened it on my lap,

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<v Speaker 1>and I set it under a notebook in my bag,

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<v Speaker 1>and I set it out in three separate stacks because

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<v Speaker 1>I'm like, it's probably gonna get it's probably gonna get

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<v Speaker 1>jumbled if I do just one. And then I brought

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<v Speaker 1>it over and I got a different woman and she

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<v Speaker 1>laughed again, but this time not about the jar. The

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<v Speaker 1>first one was kind of like sweet. She was sort

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<v Speaker 1>of like, is that a piggy bank? No? No, no, no,

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<v Speaker 1>it's okay, it's okay. Sorry. But this person was like cash,

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<v Speaker 1>oh wow, oh my god, just like you're the bank's

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<v Speaker 1>fucking job. You're a bank, you're.

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<v Speaker 3>The last bastion of cash.

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<v Speaker 1>More people here just did. Also the fuck. It's so

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<v Speaker 1>funny to judge people's money choices, because that's what you're

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<v Speaker 1>dealing with all day at the bank. Like you're seeing

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<v Speaker 1>people's you're seeing how much people have, You're seeing how

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<v Speaker 1>much they're putting they got it, they're seeing how much

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<v Speaker 1>taking out, Like there's so much to judge about people's

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<v Speaker 1>money choices, that to openly proudly judge them is just

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<v Speaker 1>so wild and kind of hilarious. God, but she went,

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<v Speaker 1>she this new person who was truly had a meaner spirit.

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<v Speaker 3>She laughed.

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<v Speaker 1>She said, earlier I cashed five thousand dollars in ones.

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<v Speaker 3>And I was like, okay, all right, that kind of

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<v Speaker 3>actually feels like a violation of someone's So.

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<v Speaker 1>I was like, that could have to do with their work,

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<v Speaker 1>Like I don't know, I wouldn't. That's fine, Like good

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<v Speaker 1>for them, that's amazing. So you have this machine to

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<v Speaker 1>do it, I mean, and and I'm sorry, but that's

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<v Speaker 1>not how much I have. Then she was like, why

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<v Speaker 1>are these some different stacks? And I was like, oh,

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<v Speaker 1>I was just thinking, so they didn't get so they

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<v Speaker 1>didn't get stuck in the machine or whatever. She's like,

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<v Speaker 1>it would actually be easier for me if they're in

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<v Speaker 1>one stack. Oh okay, wow. So I slid them to

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<v Speaker 1>her under the thing. She puts them in one stack,

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<v Speaker 1>and they get stuck in the machine. They got stuck

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<v Speaker 1>in the machine only, So I mean, the machine is

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<v Speaker 1>machine is good, It goes through, goes and then if

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<v Speaker 1>you can't read what it just like spits it out.

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<v Speaker 1>But I was like, this is why I put it

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<v Speaker 1>in smaller stacks.

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<v Speaker 3>So wow, anyway, people need to learn to shut the

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<v Speaker 3>hell up.

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<v Speaker 1>I didn't leave feeling very bad because it was all

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<v Speaker 1>just so surprising. But I just I couldn't believe that

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<v Speaker 1>they were allowed to that part of their training wasn't

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<v Speaker 1>don't respond to any of people's money.

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<v Speaker 3>This is my thing, my theory. I have a theory

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<v Speaker 3>that nobody is a manager anymore, like anybody who has

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<v Speaker 3>the title of manager, which includes me, but I don't

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<v Speaker 3>actually manage anyone.

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<v Speaker 1>So I'm fine.

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<v Speaker 3>Anybody who's a manager and manages a team is not

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<v Speaker 3>functioning as a manager because nobody gets management training anymore.

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<v Speaker 3>Fact so there's that feels billions of people loose out

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<v Speaker 3>there with no correct training, mainly in terms of how

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<v Speaker 3>to be a person in front of other people. Yeah,

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<v Speaker 3>like they might know how to file the thing, but

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<v Speaker 3>you're gonna have a bad experience when they do it.

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<v Speaker 1>It was crazy. It's like, we need.

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<v Speaker 3>What's going on. We used to be a proper country.

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<v Speaker 3>We used to be able to take cash to the

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<v Speaker 3>bank and they would say hello, hello, welcome to the bank.

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<v Speaker 1>The home of all the cash. I'll do that for you.

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<v Speaker 3>May I take your cash, no problem.

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<v Speaker 1>Yeah, there's it's in a jar.

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<v Speaker 3>That's very normal. And I'm not saying anything about it.

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<v Speaker 3>Actually I'm seeing it with my eyeballs and store and

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<v Speaker 3>that for later when I'm with my friends and trusted

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<v Speaker 3>confidants there and can giggle with them.

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<v Speaker 1>Not much of a of a sort of professional as

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<v Speaker 1>across the board professional service culture in the United States

0:12:20.440 --> 0:12:25.080
<v Speaker 1>with yeah, stage in the United States, which is a

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<v Speaker 1>lot of times fine, it's like it's because we're all

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<v Speaker 1>we're all people, and we're not pretending that. It's because

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<v Speaker 1>there's very few rights for people.

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<v Speaker 3>I know, there's so few rights. That's the issue. It's

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<v Speaker 3>like I don't blame the workers, really blame the management.

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<v Speaker 1>There are times where I go, I see why you

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<v Speaker 1>would do this, And I do think the bank is

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<v Speaker 1>a place where you should have just like a just

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<v Speaker 1>put a face on, because what if I was like

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<v Speaker 1>depositing like four dollars into an account with no money

0:12:52.320 --> 0:12:54.600
<v Speaker 1>in it, I would think that these people would laugh

0:12:54.640 --> 0:12:57.880
<v Speaker 1>at me. Yeah, you're not girls at the bank.

0:12:58.760 --> 0:13:03.560
<v Speaker 3>It's telling of I mean, it's it's like you get

0:13:03.600 --> 0:13:07.079
<v Speaker 3>a little bit roasted for your class. Yeah, because if

0:13:07.080 --> 0:13:10.280
<v Speaker 3>you're at a bank that handles like people with millions

0:13:10.280 --> 0:13:13.640
<v Speaker 3>of dollars in there exit, those people aren't batting an

0:13:13.679 --> 0:13:16.040
<v Speaker 3>eye at whatever. You bring in a horse and you're like,

0:13:16.040 --> 0:13:18.480
<v Speaker 3>I'd like to cash a horse. I guess they're like,

0:13:18.520 --> 0:13:22.040
<v Speaker 3>of course, the really formal and.

0:13:23.559 --> 0:13:28.800
<v Speaker 1>Uh thoughtful service is happening for it's just for the

0:13:28.800 --> 0:13:32.480
<v Speaker 1>for the bill, it's for the rich. Yeah, yeah, that

0:13:32.559 --> 0:13:35.160
<v Speaker 1>makes sense, and unfortunately the.

0:13:35.120 --> 0:13:38.080
<v Speaker 3>Rest of us get treated like like egg.

0:13:38.120 --> 0:13:41.280
<v Speaker 1>We're all together like egg. Yeah. Have you seen one

0:13:41.280 --> 0:13:42.640
<v Speaker 1>of them days? No?

0:13:42.679 --> 0:13:44.760
<v Speaker 3>I still think, oh my gosh. There's a scene in

0:13:44.800 --> 0:13:46.960
<v Speaker 3>it that's absolutely incredible where they're trying to get a

0:13:46.960 --> 0:13:51.240
<v Speaker 3>loan and the woman who played the teaching assistant on

0:13:51.280 --> 0:13:54.840
<v Speaker 3>Abbot Elementary who was like way too cheerful and annoying,

0:13:55.200 --> 0:13:58.880
<v Speaker 3>she's in it and she laughs when she sees Kiki

0:13:58.960 --> 0:14:02.480
<v Speaker 3>Palmer's credit score. Palmer goes are you okay? And the

0:14:02.520 --> 0:14:07.839
<v Speaker 3>one goes are you and your bank experience really is

0:14:08.280 --> 0:14:09.520
<v Speaker 3>reminiscent of that scene.

0:14:09.600 --> 0:14:10.800
<v Speaker 1>That's exactly what it was like.

0:14:12.440 --> 0:14:15.400
<v Speaker 3>Sorry, everyone, we pranked each other too hard and have

0:14:15.480 --> 0:14:18.480
<v Speaker 3>to go to the isolation cabin. We'll be back in

0:14:18.520 --> 0:14:27.120
<v Speaker 3>a few minutes and or weeks. Oh, you know, speaking

0:14:27.160 --> 0:14:31.840
<v Speaker 3>of people who are on Abbott Elementary. Yes, Sienna, would

0:14:31.840 --> 0:14:34.680
<v Speaker 3>you please give us a synopsis of the film The

0:14:34.800 --> 0:14:35.720
<v Speaker 3>Parent Trap.

0:14:36.160 --> 0:14:41.480
<v Speaker 1>Yes, you know what. The synopsis is terrible. It's terrible.

0:14:44.120 --> 0:14:46.280
<v Speaker 1>I broke it down in the only way I can understand,

0:14:46.320 --> 0:14:49.160
<v Speaker 1>and then we can break it down together, all right,

0:14:51.280 --> 0:15:00.360
<v Speaker 1>Oh baby, The Parent Trap. This is actually sort of

0:15:00.360 --> 0:15:05.680
<v Speaker 1>a four part movie. It includes one Nemeses Slash Camp

0:15:05.720 --> 0:15:12.120
<v Speaker 1>Prank Movie, two Switch a Room Movie and Wow We

0:15:12.240 --> 0:15:21.800
<v Speaker 1>Are Sisters, Three Punish the Bach Movie, and four.

0:15:22.360 --> 0:15:30.520
<v Speaker 3>Make Parents Date Again aka Parent Trap. Punish the Bach

0:15:30.680 --> 0:15:31.680
<v Speaker 3>is really a genre.

0:15:31.920 --> 0:15:35.000
<v Speaker 1>It is a genre. It's like, she is so mean,

0:15:35.240 --> 0:15:36.440
<v Speaker 1>we gotta take her down.

0:15:37.080 --> 0:15:40.560
<v Speaker 3>There's enough films out there that there is a genre

0:15:40.640 --> 0:15:41.920
<v Speaker 3>called Punish the Boch.

0:15:43.520 --> 0:15:47.640
<v Speaker 1>Yep starts out in a camp setting. The girls look

0:15:47.720 --> 0:15:50.920
<v Speaker 1>exactly alike, don't really fully acknowledge it for some time

0:15:51.000 --> 0:15:54.280
<v Speaker 1>as they're just fighting. Then at some point, none of

0:15:54.320 --> 0:15:57.400
<v Speaker 1>their none of their mentors, none of the camp counselors

0:15:57.400 --> 0:16:02.520
<v Speaker 1>say anything about it mm hmm or question it more.

0:16:02.920 --> 0:16:05.520
<v Speaker 1>And then they discover their sisters due to a photograph

0:16:06.200 --> 0:16:07.160
<v Speaker 1>et cetera et cetera.

0:16:07.840 --> 0:16:10.280
<v Speaker 3>Yeah, same birthday, same birthday.

0:16:09.960 --> 0:16:11.760
<v Speaker 1>All that stuff. They go, could we be sisters? But

0:16:11.800 --> 0:16:14.200
<v Speaker 1>we look exactly alike? How could that be? Then they go, yeah, yeah,

0:16:14.320 --> 0:16:17.520
<v Speaker 1>we're twins. Oh right, twins? And then they switch arough.

0:16:18.000 --> 0:16:20.640
<v Speaker 1>Probably the most memorable parts of the movie, or the

0:16:20.760 --> 0:16:26.359
<v Speaker 1>of the of the trope, is that they switch places

0:16:27.320 --> 0:16:29.800
<v Speaker 1>and the British one pretends to be the American one

0:16:29.800 --> 0:16:31.320
<v Speaker 1>and the American one pretends to be the British one,

0:16:31.320 --> 0:16:33.360
<v Speaker 1>and they meet each other's parents, and then it becomes

0:16:34.120 --> 0:16:39.160
<v Speaker 1>a plot to to make them get together again slash

0:16:39.440 --> 0:16:44.800
<v Speaker 1>meet again, blah blah blah. Yeah, yeah, that's the parent

0:16:44.840 --> 0:16:47.800
<v Speaker 1>trap and it has in it as a child twice

0:16:48.120 --> 0:16:49.520
<v Speaker 1>twice double.

0:16:49.560 --> 0:16:56.040
<v Speaker 3>M Okay, Well, let's switch into our phone notes where

0:16:56.040 --> 0:16:57.760
<v Speaker 3>we read the notes the other person took on their

0:16:57.800 --> 0:17:00.440
<v Speaker 3>phone while watching the film.

0:17:00.680 --> 0:17:04.480
<v Speaker 1>Leanna, how how do you remember this movie? Is it

0:17:04.760 --> 0:17:07.840
<v Speaker 1>very positively? Is it? Yeah?

0:17:07.400 --> 0:17:12.919
<v Speaker 3>I remember it very fondly and in a bittersweet way

0:17:13.680 --> 0:17:19.320
<v Speaker 3>because the mom died what do you mean, the British

0:17:19.480 --> 0:17:22.600
<v Speaker 3>the actor who plays their mom, the beautiful British woman,

0:17:23.160 --> 0:17:26.600
<v Speaker 3>That beautiful British woman died in a skiing accident. No,

0:17:26.800 --> 0:17:29.560
<v Speaker 3>but she looks like Princess Diana in this I in

0:17:29.640 --> 0:17:34.760
<v Speaker 3>my notes wrote, she is my Princess Diana. It's tragic,

0:17:35.760 --> 0:17:37.560
<v Speaker 3>and I know it's horrible to be like, oh, but

0:17:37.600 --> 0:17:40.240
<v Speaker 3>she was so beautiful. It's so sad that she's dead.

0:17:40.560 --> 0:17:41.880
<v Speaker 3>But I do feel that way.

0:17:42.920 --> 0:17:46.120
<v Speaker 1>I can't help how I naturally feel. I'm sorry. It's

0:17:46.160 --> 0:17:51.040
<v Speaker 1>sad when a beautiful woman dies. So it's melancholy. Yeah,

0:17:51.320 --> 0:17:54.480
<v Speaker 1>it's got melancholy tones. I always just loved it, pure

0:17:54.520 --> 0:17:58.760
<v Speaker 1>loved it as a kid. I it seems like maybe

0:17:58.800 --> 0:18:02.000
<v Speaker 1>not for you. No, I didn't. I don't have I

0:18:02.040 --> 0:18:03.840
<v Speaker 1>was thinking about this, and you know what I realized

0:18:03.920 --> 0:18:08.000
<v Speaker 1>is I had a lot of growing up. There was

0:18:08.040 --> 0:18:16.359
<v Speaker 1>a real distaste from my family for like snotty little girls. Wow,

0:18:16.720 --> 0:18:21.119
<v Speaker 1>like any snotty character. Often they made it little girls,

0:18:21.119 --> 0:18:24.880
<v Speaker 1>but like any character. They also didn't like any characters

0:18:24.880 --> 0:18:28.040
<v Speaker 1>who are really disrespectful to adults. Because while we were

0:18:28.080 --> 0:18:31.440
<v Speaker 1>growing up, like on Nickelodeon and Disney Channel and stuff like,

0:18:31.600 --> 0:18:38.360
<v Speaker 1>kind of the comedy would be like, dad, you're an idiot, Yeah,

0:18:38.440 --> 0:18:39.040
<v Speaker 1>stuff like that.

0:18:39.240 --> 0:18:41.280
<v Speaker 3>Or like and to be fair to them, the dad

0:18:41.400 --> 0:18:42.639
<v Speaker 3>usually was an idiot.

0:18:42.720 --> 0:18:46.119
<v Speaker 1>It's true. And yeah, I remember all the I think

0:18:46.160 --> 0:18:48.399
<v Speaker 1>I wrote this at one point, but a lot of

0:18:48.440 --> 0:18:51.280
<v Speaker 1>their tricks and stuff at that age, for some reason,

0:18:51.840 --> 0:18:55.440
<v Speaker 1>it felt very sinister to me. It didn't feel funny.

0:18:55.800 --> 0:18:59.159
<v Speaker 1>I don't know if it's the Catholic school punishment stuff,

0:18:59.160 --> 0:19:02.280
<v Speaker 1>but because they kept getting I was really like, this

0:19:02.400 --> 0:19:05.680
<v Speaker 1>is very bad. They're doing horrible things to each other

0:19:05.760 --> 0:19:08.280
<v Speaker 1>and it's like they don't even care. But in retrospect

0:19:08.359 --> 0:19:12.760
<v Speaker 1>watching it now, I was like, it's because it's comedy. Yeah,

0:19:12.800 --> 0:19:17.159
<v Speaker 1>So anyway, these aren't negative feelings, just complex child emotions

0:19:17.200 --> 0:19:19.240
<v Speaker 1>where I wasn't thinking about if I liked it or not,

0:19:19.280 --> 0:19:21.119
<v Speaker 1>because you don't have a choice over the show the

0:19:21.119 --> 0:19:23.439
<v Speaker 1>movies you watch when you're a kid. But I just

0:19:23.480 --> 0:19:26.919
<v Speaker 1>remember feeling kind of like, ah, scary, huh.

0:19:27.320 --> 0:19:31.320
<v Speaker 3>I watching it as an adult found the summer camp pranks.

0:19:31.480 --> 0:19:35.240
<v Speaker 3>My response that I was having today was very Oh,

0:19:35.320 --> 0:19:38.199
<v Speaker 3>I guess that was the nineties, Like I guess, I

0:19:38.200 --> 0:19:39.280
<v Speaker 3>guess children.

0:19:38.920 --> 0:19:41.080
<v Speaker 1>Were completely unsupervised.

0:19:41.800 --> 0:19:44.040
<v Speaker 3>It was pre nine to eleven, and in some way

0:19:44.080 --> 0:19:46.040
<v Speaker 3>I think that means like they were less supervised at

0:19:46.040 --> 0:19:49.639
<v Speaker 3>summer camps as well, like in no world could you

0:19:50.119 --> 0:19:52.600
<v Speaker 3>in modern day or even when I was a tween

0:19:52.760 --> 0:19:56.560
<v Speaker 3>at summer camp get like a vat of chocolate sauce.

0:19:56.880 --> 0:19:58.879
<v Speaker 1>Where are all these vat upcroming from?

0:19:58.920 --> 0:20:02.639
<v Speaker 3>Where did they get all the vast There would be

0:20:02.680 --> 0:20:07.119
<v Speaker 3>an adult around at all times because if because the

0:20:07.160 --> 0:20:09.399
<v Speaker 3>parents who are sending their kids to summer camp are

0:20:09.480 --> 0:20:13.360
<v Speaker 3>parents who will sue. Yeah, and so there's always supervision.

0:20:14.119 --> 0:20:16.359
<v Speaker 3>So you cannot put a bunk bed on a roof.

0:20:18.000 --> 0:20:22.600
<v Speaker 3>It wouldn't be possible, It's not physically. Inevitably an adult

0:20:22.600 --> 0:20:24.920
<v Speaker 3>would show up and say, what are you doing? Huh,

0:20:27.119 --> 0:20:31.680
<v Speaker 3>you can't be in here. You're getting a demerit. Oh, Seattle,

0:20:31.720 --> 0:20:34.320
<v Speaker 3>We've got two great Britain comments from you. Your first

0:20:34.359 --> 0:20:37.920
<v Speaker 3>note is her accent is so much worse than I remember.

0:20:38.680 --> 0:20:41.920
<v Speaker 3>And also Britain related, you've written her special things are

0:20:41.920 --> 0:20:43.640
<v Speaker 3>in a box with the Queen on it.

0:20:44.119 --> 0:20:46.800
<v Speaker 1>That was so funny. Is that what it's like over there?

0:20:46.840 --> 0:20:49.000
<v Speaker 1>People are like, oh, let me just find my passport,

0:20:49.280 --> 0:20:52.080
<v Speaker 1>and then they pick out a box with the Queen's

0:20:52.080 --> 0:20:52.560
<v Speaker 1>face on it.

0:20:52.680 --> 0:20:55.359
<v Speaker 3>T I would say that is what it is like

0:20:55.640 --> 0:21:00.920
<v Speaker 3>for people who are in Annie's class and social strata

0:21:01.480 --> 0:21:09.359
<v Speaker 3>and are Royalists. That family one big Royalist energy. They

0:21:09.560 --> 0:21:12.879
<v Speaker 3>if you have a butler. It's likely you are a royalist.

0:21:13.080 --> 0:21:16.520
<v Speaker 1>Do you have a butler? You are a royalist. We'll

0:21:16.520 --> 0:21:25.840
<v Speaker 1>be right back, Leanna. You've said Hallie is a lesbian. Yeah, yeah, yeah,

0:21:26.720 --> 0:21:29.520
<v Speaker 1>was that coming across to you? Yeah, I mean she's

0:21:29.560 --> 0:21:31.560
<v Speaker 1>only ever had a dad, so I guess that's what happens.

0:21:32.760 --> 0:21:35.960
<v Speaker 1>I had that same thought. Oh my god, I couldn't

0:21:36.000 --> 0:21:39.480
<v Speaker 1>believe I just said that, But I'm glad you had it.

0:21:39.480 --> 0:21:41.760
<v Speaker 1>It's you know, you you grow up, you grow up,

0:21:41.880 --> 0:21:44.359
<v Speaker 1>you grow up with bro culture a little bit, and

0:21:44.400 --> 0:21:47.040
<v Speaker 1>it's Dennis Quaid, So you're gonna be put off men

0:21:47.119 --> 0:21:51.960
<v Speaker 1>for life, right, Yeah, maybe they're allowed to bring forth

0:21:52.000 --> 0:21:54.080
<v Speaker 1>your full masculine energy, which is maybe.

0:21:54.160 --> 0:21:57.919
<v Speaker 3>Oh my god, love that. I love that analysis. Deep analysis,

0:21:57.920 --> 0:22:00.919
<v Speaker 3>great analysis. And you know she had shoulder length hair

0:22:00.960 --> 0:22:03.800
<v Speaker 3>and a bang one bang ye, and she knew how

0:22:03.800 --> 0:22:05.439
<v Speaker 3>to play poker, and she was kind of like a

0:22:07.280 --> 0:22:09.600
<v Speaker 3>a rebellious young lesbian.

0:22:09.800 --> 0:22:12.360
<v Speaker 1>She was too cool for me to ever feel any

0:22:12.400 --> 0:22:14.280
<v Speaker 1>sort of kinship to her as a child.

0:22:14.359 --> 0:22:17.160
<v Speaker 3>Like, yes, I don't think either of these children exist,

0:22:17.320 --> 0:22:19.240
<v Speaker 3>and the way that they were like in charge of

0:22:19.280 --> 0:22:23.080
<v Speaker 3>their whole posse, and yeah, so fine being away from

0:22:23.119 --> 0:22:23.680
<v Speaker 3>their parents.

0:22:23.920 --> 0:22:26.040
<v Speaker 1>I was just like, wild, I don't know you, and

0:22:26.119 --> 0:22:27.919
<v Speaker 1>you would scare me and you would make fun of me.

0:22:28.240 --> 0:22:31.119
<v Speaker 1>I don't want to know you. Leanna, you've said ty

0:22:31.240 --> 0:22:34.520
<v Speaker 1>die girl canonically a lesbian. Oh, the one that's like

0:22:34.600 --> 0:22:37.600
<v Speaker 1>true I can lift? Who gets the duffel bag? Yeah? Hey,

0:22:37.680 --> 0:22:39.760
<v Speaker 1>strong girl, can you help me get my bag out?

0:22:39.880 --> 0:22:40.440
<v Speaker 1>He had no prop.

0:22:40.600 --> 0:22:42.960
<v Speaker 3>She's literally in a rainbow shirt.

0:22:44.160 --> 0:22:47.840
<v Speaker 1>Yeah. She was awesome, the tall, strong girl. I love her. Leanna,

0:22:47.880 --> 0:22:51.119
<v Speaker 1>you said sock full of coins? Hallie is here for

0:22:51.160 --> 0:22:55.680
<v Speaker 1>a gang fight. She's a sock full of coins. Yeah.

0:22:55.720 --> 0:22:59.040
<v Speaker 1>She rocks up to the poker scene. The poker game. Oh,

0:22:59.119 --> 0:23:05.520
<v Speaker 1>a sock of coin? You're going to beat someone? She's like, hey,

0:23:05.680 --> 0:23:08.120
<v Speaker 1>oh it's poker. Yeah, yeah, I'll play.

0:23:08.800 --> 0:23:11.760
<v Speaker 3>Did they delete a scene where she beats so.

0:23:11.600 --> 0:23:14.520
<v Speaker 1>She was like, all right, I'm gonna go beat beat

0:23:14.600 --> 0:23:15.800
<v Speaker 1>my twin to death?

0:23:20.119 --> 0:23:24.760
<v Speaker 3>And short film Siena you noted, Okay, you got back

0:23:24.800 --> 0:23:27.480
<v Speaker 3>from camp and are acting creepy af.

0:23:27.720 --> 0:23:31.879
<v Speaker 1>Imagine your daughter gets back from camp, Yeah saying hi dad,

0:23:33.000 --> 0:23:37.040
<v Speaker 1>let's go dad. Oh Dad, It's just so great that

0:23:37.119 --> 0:23:42.680
<v Speaker 1>I finally again get to say dad. He was like, oh,

0:23:42.760 --> 0:23:46.800
<v Speaker 1>that's that's nice. Hell, that's nice. Yeah, dad, What do

0:23:46.840 --> 0:23:48.720
<v Speaker 1>you do? What would you actually do if your kid

0:23:48.840 --> 0:23:51.920
<v Speaker 1>is suddenly really, really creepy? You're like, this is what people,

0:23:52.680 --> 0:23:55.480
<v Speaker 1>what happens in all the scary movies child possessed.

0:23:56.280 --> 0:23:59.760
<v Speaker 3>I'd be troubled that it was a changeling from Irish folklore,

0:24:00.640 --> 0:24:05.120
<v Speaker 3>for sure, for sure, totally What would you do? I mean, well,

0:24:05.359 --> 0:24:07.280
<v Speaker 3>the first in the first place, I wouldn't have a child,

0:24:07.680 --> 0:24:11.000
<v Speaker 3>so that's number one. But if someone's child came back

0:24:11.000 --> 0:24:13.200
<v Speaker 3>and was creepy, I'd say, hm, hm, you know.

0:24:13.600 --> 0:24:19.639
<v Speaker 1>I never I don't. I am not of the the

0:24:19.880 --> 0:24:24.879
<v Speaker 1>Catholic tradition of condoning any sort of exorcism situation. But

0:24:24.960 --> 0:24:26.760
<v Speaker 1>I guess that is when I would go, Who else

0:24:26.760 --> 0:24:29.439
<v Speaker 1>do I call? I'm not gonna call the cops on

0:24:29.480 --> 0:24:34.159
<v Speaker 1>my child. Yeah, yeah, maybe I guess can help me?

0:24:34.480 --> 0:24:41.639
<v Speaker 1>Oh a therapist? Okay, yeah, uh write a therapist?

0:24:41.680 --> 0:24:43.359
<v Speaker 3>No no, no, no, of course I was, and I was

0:24:43.359 --> 0:24:45.960
<v Speaker 3>saying therapist as well. Actually, priest is an anagram for therapist.

0:24:46.000 --> 0:24:50.200
<v Speaker 1>Well, scratch that, we'll we'll cut that. We'll just let's

0:24:50.200 --> 0:24:56.359
<v Speaker 1>cut that and cut that. Therapist therapist, therapist of course.

0:24:56.480 --> 0:25:01.399
<v Speaker 1>Leanna uh, you said, Halle Hallie is not beating the

0:25:01.480 --> 0:25:04.400
<v Speaker 1>lesbian allegations. Okay, which do you remember.

0:25:04.080 --> 0:25:14.760
<v Speaker 3>When when she does a photoshoot with a bride.

0:25:12.040 --> 0:25:16.200
<v Speaker 1>What's the most lesbian thing you can do? Have a bride?

0:25:16.280 --> 0:25:17.879
<v Speaker 1>Of course, I guess marry a woman.

0:25:18.480 --> 0:25:24.480
<v Speaker 3>It's pretty gay. That's so funny, ladies, is it gay

0:25:24.520 --> 0:25:25.439
<v Speaker 3>to marry a woman?

0:25:27.000 --> 0:25:31.040
<v Speaker 1>Yeah, Leannie, you've said it's a camp tradition. Talk to

0:25:31.080 --> 0:25:33.680
<v Speaker 1>your friend from inside a closet, and then you've done

0:25:33.720 --> 0:25:38.760
<v Speaker 1>a bunch of eyes eyes, eyes, eyes, eyes eyes. Hallie

0:25:38.800 --> 0:25:41.600
<v Speaker 1>is when she was like she she takes pictures with

0:25:41.640 --> 0:25:44.919
<v Speaker 1>a bride, her bride, and then she gets in the closet. Girl,

0:25:45.119 --> 0:25:46.840
<v Speaker 1>if you're getting married to a woman and then you're

0:25:46.840 --> 0:25:48.520
<v Speaker 1>talking on the phone in the closet, you might be

0:25:48.560 --> 0:25:49.080
<v Speaker 1>a lesbian.

0:25:49.400 --> 0:25:53.880
<v Speaker 3>You may as well come out of that closet. Honey, Oh, Siena,

0:25:53.920 --> 0:25:56.520
<v Speaker 3>you noted. I always thought it was Missy Pyle playing this.

0:25:56.960 --> 0:25:58.520
<v Speaker 3>I get it.

0:25:57.920 --> 0:26:00.200
<v Speaker 1>I get really similar vibes in my mind.

0:26:00.960 --> 0:26:03.439
<v Speaker 3>Yeah, and I think their their comedy, acting and facial

0:26:03.480 --> 0:26:06.240
<v Speaker 3>expressions are similar.

0:26:06.320 --> 0:26:08.000
<v Speaker 1>But now I'm like, what do I mostly know Missy

0:26:08.000 --> 0:26:10.800
<v Speaker 1>Pile from as a kid? I thought I saw her

0:26:10.920 --> 0:26:14.040
<v Speaker 1>stuff and as a kid early on the chocolate factory, right.

0:26:14.119 --> 0:26:16.919
<v Speaker 1>And when I saw that, I remember thinking, oh my gosh,

0:26:16.920 --> 0:26:21.639
<v Speaker 1>the woman from a parent drop. Oh wow, the parent drop.

0:26:21.880 --> 0:26:26.240
<v Speaker 1>I just really the severe face of Meredith Blake. She's

0:26:26.240 --> 0:26:29.199
<v Speaker 1>this time around. I thought so too. I don't know

0:26:29.280 --> 0:26:31.600
<v Speaker 1>her from anything else. I don't think I don't either.

0:26:31.760 --> 0:26:34.359
<v Speaker 3>I think she's done stuff, maybe recently, but I'm not sure.

0:26:34.480 --> 0:26:36.600
<v Speaker 1>I saw her and I went, oh, it's not Missy Pile.

0:26:37.160 --> 0:26:39.000
<v Speaker 1>This is probably going to be lame. And then she

0:26:39.280 --> 0:26:42.679
<v Speaker 1>acted and I went, she's amazing. I thought that actress

0:26:42.680 --> 0:26:44.760
<v Speaker 1>slaid so hard. She said when she said she was

0:26:44.800 --> 0:26:47.439
<v Speaker 1>twenty six, we were all like, no, this person was

0:26:47.440 --> 0:26:50.080
<v Speaker 1>in her thirties, because you think so. But I looked

0:26:50.080 --> 0:26:52.240
<v Speaker 1>it up and she was twenty six. It was literally

0:26:52.320 --> 0:26:56.840
<v Speaker 1>just that she was nobody our age and younger would

0:26:57.040 --> 0:26:59.280
<v Speaker 1>ever dress so formally.

0:26:59.400 --> 0:27:02.639
<v Speaker 3>Now the nineties had such formal And again it's like

0:27:02.680 --> 0:27:07.240
<v Speaker 3>a class thing as well. It's these like elites wearing weird,

0:27:07.560 --> 0:27:10.679
<v Speaker 3>ugly square cut.

0:27:10.880 --> 0:27:14.080
<v Speaker 1>The hair, the pearls theory.

0:27:13.480 --> 0:27:18.000
<v Speaker 3>Like still dresses. Yeah yeah, there me no movement starchy,

0:27:18.040 --> 0:27:21.280
<v Speaker 3>thank you, that's the word I was looking for. Still

0:27:22.920 --> 0:27:25.679
<v Speaker 3>the dress is very s I've made your shirt very still.

0:27:25.920 --> 0:27:29.680
<v Speaker 1>You starched it, okay, Oh, I've made it very still. No,

0:27:29.800 --> 0:27:31.000
<v Speaker 1>it's just very still.

0:27:33.560 --> 0:27:34.920
<v Speaker 3>I don't know what I did in there, but it's

0:27:34.960 --> 0:27:36.040
<v Speaker 3>really still now.

0:27:37.680 --> 0:27:40.800
<v Speaker 1>Leanna, you said you said getting lost in Herods is

0:27:40.800 --> 0:27:46.120
<v Speaker 1>actually incredibly stressful. When if she lost it was.

0:27:46.040 --> 0:27:48.399
<v Speaker 3>That I always as a child was like, that sounds

0:27:48.400 --> 0:27:50.600
<v Speaker 3>so dreamy when her mom is like, well, why don't

0:27:50.640 --> 0:27:53.520
<v Speaker 3>I finish up faxing this over the nineties and then

0:27:53.520 --> 0:27:55.719
<v Speaker 3>we can spend the afternoon getting lost in Herods?

0:27:55.800 --> 0:27:56.720
<v Speaker 1>Is that a toy store.

0:27:57.200 --> 0:28:01.280
<v Speaker 3>It's a very iconic department store, okay, in London that

0:28:01.400 --> 0:28:07.120
<v Speaker 3>Princess Diana's husband's father started. Her second husband, Dodie al Fayed.

0:28:07.600 --> 0:28:09.680
<v Speaker 3>His father started it in that family. I think maybe

0:28:09.680 --> 0:28:11.959
<v Speaker 3>still owns it. I could be wrong, and it's huge

0:28:12.560 --> 0:28:15.640
<v Speaker 3>and getting lost in it I go at the holidays

0:28:15.640 --> 0:28:19.040
<v Speaker 3>because they decorate it for Christmas very intensely, and there

0:28:19.080 --> 0:28:21.160
<v Speaker 3>is a toy section that's very fun to play in,

0:28:22.000 --> 0:28:25.320
<v Speaker 3>but inevitably I get lost and I can't find my

0:28:25.359 --> 0:28:29.000
<v Speaker 3>way out, and it's so scary because you're in a

0:28:29.040 --> 0:28:31.440
<v Speaker 3>giant jacket. I'm always there in the winter, I'm always

0:28:31.480 --> 0:28:34.000
<v Speaker 3>a little sweaty because I've bundled up to go outside,

0:28:34.000 --> 0:28:35.639
<v Speaker 3>but then I can't get to the outside, and I

0:28:35.680 --> 0:28:39.240
<v Speaker 3>don't know where the exit is. And you just keep

0:28:39.280 --> 0:28:42.360
<v Speaker 3>going through more and more archways and hallways and departments,

0:28:43.280 --> 0:28:44.880
<v Speaker 3>and they're looking at you like, we know you can't

0:28:44.920 --> 0:28:47.160
<v Speaker 3>afford all this stuff. We know you're just here to peruse,

0:28:47.720 --> 0:28:50.160
<v Speaker 3>keep it moving, and You're like, I'm trying to go,

0:28:50.640 --> 0:28:51.280
<v Speaker 3>I'm trying to leave.

0:28:51.360 --> 0:28:55.280
<v Speaker 1>I'm trying to keep it moving. Did you just find

0:28:55.280 --> 0:28:57.600
<v Speaker 1>out you have a twin one of you is the

0:28:57.640 --> 0:29:07.320
<v Speaker 1>gay one. We'll be right back. Leanna, you said you

0:29:07.400 --> 0:29:10.440
<v Speaker 1>never came after me? Is so stupid and so real.

0:29:11.480 --> 0:29:13.160
<v Speaker 1>That is that one of the girls.

0:29:13.280 --> 0:29:15.440
<v Speaker 3>She's like, well, I when we broke up, I got

0:29:15.480 --> 0:29:18.400
<v Speaker 3>on a plane and flew back to London and you

0:29:18.480 --> 0:29:23.640
<v Speaker 3>never came after me. And I said, girl, I get it.

0:29:24.960 --> 0:29:28.640
<v Speaker 3>I have used that logic in friendships and relationships alike,

0:29:29.320 --> 0:29:32.160
<v Speaker 3>where I say I set a boundary and you didn't

0:29:32.800 --> 0:29:33.680
<v Speaker 3>try to break it down.

0:29:34.480 --> 0:29:37.920
<v Speaker 1>You respected it, and why not? It is crazy to

0:29:37.960 --> 0:29:39.800
<v Speaker 1>respect it when you both have children together.

0:29:40.480 --> 0:29:43.400
<v Speaker 3>I okay, we have to talk about this insane arrangement.

0:29:43.520 --> 0:29:47.520
<v Speaker 3>You noted things are eerily chill, slash good vibes despite

0:29:47.560 --> 0:29:50.240
<v Speaker 3>this extremely traumatizing thing they did.

0:29:52.160 --> 0:29:54.880
<v Speaker 1>I know, for the movie to stand, they need to

0:29:55.000 --> 0:29:59.320
<v Speaker 1>not really we have a suspension of disbelief around this

0:29:59.400 --> 0:30:03.000
<v Speaker 1>crazy arrange. But I thought at least once somebody would

0:30:03.000 --> 0:30:05.800
<v Speaker 1>go and by the way, I'm really sorry this is

0:30:05.960 --> 0:30:08.120
<v Speaker 1>and the girls would go, I am mad at you

0:30:08.200 --> 0:30:09.400
<v Speaker 1>guys for separating us.

0:30:09.840 --> 0:30:14.160
<v Speaker 3>But yeah, the closest get Hallie's like, sorry to be

0:30:14.200 --> 0:30:17.440
<v Speaker 3>like rude, but this really sucks. This arrangement really sucks. Yeah,

0:30:17.440 --> 0:30:19.040
<v Speaker 3>and her mom's like, I agree, it totally sucks.

0:30:19.200 --> 0:30:21.360
<v Speaker 1>And I'm like, I just don't you guys didn't.

0:30:21.520 --> 0:30:25.560
<v Speaker 3>Based off what I've heard about being a parent, losing

0:30:25.640 --> 0:30:28.600
<v Speaker 3>one of your children, which is essentially what happened is

0:30:28.640 --> 0:30:30.440
<v Speaker 3>the worst thing that can happen to you.

0:30:30.440 --> 0:30:31.920
<v Speaker 1>You don't just forget about them.

0:30:32.760 --> 0:30:37.400
<v Speaker 3>No, it's really crazy.

0:30:37.080 --> 0:30:41.640
<v Speaker 1>When they're being raised by someone you know. Also, I

0:30:42.920 --> 0:30:47.280
<v Speaker 1>can't get my head around it. And they're twins, they're

0:30:47.320 --> 0:30:52.840
<v Speaker 1>identical twins. I don't know or I think if I

0:30:52.960 --> 0:30:56.400
<v Speaker 1>carried twins to term and birthed both of them, I'm

0:30:56.440 --> 0:30:59.800
<v Speaker 1>hanging on to them. I guess what really confuses me

0:31:00.160 --> 0:31:02.800
<v Speaker 1>more than anything because there are all sorts of strange

0:31:02.840 --> 0:31:07.800
<v Speaker 1>parenting arrangements and you know, reasons people have to separate

0:31:07.880 --> 0:31:11.080
<v Speaker 1>from a child and you know, let them be raised

0:31:11.080 --> 0:31:14.880
<v Speaker 1>in their actual parents or somebody else who raises them. Like,

0:31:16.480 --> 0:31:20.200
<v Speaker 1>you didn't talk to your ex in eleven years at all,

0:31:20.240 --> 0:31:22.640
<v Speaker 1>not once to discuss the arrangement again.

0:31:23.200 --> 0:31:25.240
<v Speaker 3>No, you were just ready to be like, I have

0:31:25.320 --> 0:31:26.200
<v Speaker 3>one kid.

0:31:27.680 --> 0:31:28.800
<v Speaker 1>Forever. Why.

0:31:28.880 --> 0:31:30.840
<v Speaker 3>Well, so these are two of the wealthiest people on

0:31:31.080 --> 0:31:33.080
<v Speaker 3>the planet according to the way that they live. Their

0:31:33.120 --> 0:31:38.600
<v Speaker 3>lives very very navigable. This whole thing easy to get

0:31:38.640 --> 0:31:42.520
<v Speaker 3>from London to California, as evidenced in the film numerous times.

0:31:43.200 --> 0:31:45.800
<v Speaker 1>There are phones there. There's too much. It's not the

0:31:45.840 --> 0:31:47.920
<v Speaker 1>olden days where it's just letters and living.

0:31:48.880 --> 0:31:50.320
<v Speaker 3>Yeah, you didn't have to put the baby on a

0:31:50.400 --> 0:31:55.800
<v Speaker 3>ship exactly, crazy, m Yeah, it was unsettling. It got

0:31:55.800 --> 0:31:57.560
<v Speaker 3>to a point where I'm very chill about it.

0:31:57.600 --> 0:32:00.000
<v Speaker 1>Unsettled because the parents are really just sort of like, yeah,

0:32:00.120 --> 0:32:05.479
<v Speaker 1>it's too bad this happened. You did that. Also, why

0:32:05.560 --> 0:32:08.120
<v Speaker 1>aren't you why why didn't you like grieve this like

0:32:08.160 --> 0:32:12.760
<v Speaker 1>this is crazy? Yeah, yeah, yeah, Leanna, you said what

0:32:12.880 --> 0:32:16.080
<v Speaker 1>happened to the concord? And then you said, Omg, I

0:32:16.160 --> 0:32:18.600
<v Speaker 1>just googled it and it got banned because it was

0:32:18.640 --> 0:32:23.200
<v Speaker 1>so fucking because it was so fucking loud and also

0:32:23.360 --> 0:32:25.840
<v Speaker 1>crashed in France. Oh my god.

0:32:26.560 --> 0:32:28.560
<v Speaker 3>So this is in part hilarious and in part a

0:32:28.560 --> 0:32:31.720
<v Speaker 3>big tragedy. The Concord when it took.

0:32:31.560 --> 0:32:33.560
<v Speaker 1>Off was so loud.

0:32:33.720 --> 0:32:37.600
<v Speaker 3>Why it like disturbed local cities because it had to

0:32:37.600 --> 0:32:41.160
<v Speaker 3>do a sonic boom. It had to fly so high

0:32:41.160 --> 0:32:44.440
<v Speaker 3>and so much faster than a normal plane that it

0:32:44.440 --> 0:32:47.040
<v Speaker 3>was unbelievably loud. And it was right around the time

0:32:47.040 --> 0:32:49.800
<v Speaker 3>that people started caring about the environment on a bigger

0:32:49.840 --> 0:32:54.120
<v Speaker 3>scale and they were like, this is obviously horrible. And

0:32:54.160 --> 0:32:58.680
<v Speaker 3>then the really the kicker is that one of the

0:32:58.720 --> 0:33:01.560
<v Speaker 3>planes crashed in France and everybody died.

0:33:02.000 --> 0:33:03.400
<v Speaker 1>Holy moly, that's horrible.

0:33:04.000 --> 0:33:05.920
<v Speaker 3>Yeah, kind of a grame, last note from me, Sorry

0:33:05.920 --> 0:33:06.800
<v Speaker 3>about that.

0:33:07.200 --> 0:33:10.080
<v Speaker 1>I'm just curious. That's very, very sad. But the sonic

0:33:10.160 --> 0:33:11.920
<v Speaker 1>boom is really really funny.

0:33:12.720 --> 0:33:15.000
<v Speaker 3>Oh god, imagine living near a place where the concord

0:33:15.080 --> 0:33:17.000
<v Speaker 3>is taking off and you just have to hear booms.

0:33:17.320 --> 0:33:19.400
<v Speaker 3>Imagine sonically if.

0:33:19.360 --> 0:33:22.320
<v Speaker 1>We as people in order to survive. I guess that's

0:33:22.360 --> 0:33:22.600
<v Speaker 1>kind of.

0:33:22.560 --> 0:33:26.280
<v Speaker 3>What birds loving this they kind of follow that thought.

0:33:27.760 --> 0:33:31.560
<v Speaker 1>If we as humans ever had to communicate with each

0:33:31.560 --> 0:33:37.240
<v Speaker 1>other by sonic boom or a loud noise of sorts,

0:33:38.200 --> 0:33:40.920
<v Speaker 1>you think the bird all right, mom, I'm going to school,

0:33:48.000 --> 0:33:51.240
<v Speaker 1>or imagine you have the power of super speed. You

0:33:51.360 --> 0:33:56.120
<v Speaker 1>do so and it's so embarrassing. That's the loudest, most

0:33:56.200 --> 0:33:58.720
<v Speaker 1>ungainly sound. That's a good one, because we've talked have

0:33:58.760 --> 0:34:00.800
<v Speaker 1>we talked about before that the would you rather of like,

0:34:01.480 --> 0:34:04.080
<v Speaker 1>you can fly, but you can only be six feet

0:34:04.120 --> 0:34:05.959
<v Speaker 1>off the ground and it's as hard as running.

0:34:08.400 --> 0:34:11.120
<v Speaker 3>Then obviously whatever the other option is, or doesn't matter

0:34:11.160 --> 0:34:13.160
<v Speaker 3>what the other option is, or you.

0:34:13.080 --> 0:34:15.080
<v Speaker 1>Can go at the speed of light, but every time

0:34:15.120 --> 0:34:20.280
<v Speaker 1>you do, you make a sonic boom. And I'm talking

0:34:20.280 --> 0:34:23.200
<v Speaker 1>in actually I would boom on their do sonic boom.

0:34:23.360 --> 0:34:26.160
<v Speaker 3>I'd sonic boom for sure, because then I would just

0:34:26.239 --> 0:34:27.680
<v Speaker 3>be selective about where I took off from.

0:34:27.760 --> 0:34:30.120
<v Speaker 1>Right, Most people wouldn't want to they'd want to be

0:34:30.120 --> 0:34:31.480
<v Speaker 1>able to use it at any time.

0:34:32.040 --> 0:34:32.279
<v Speaker 2>Yeah.

0:34:32.360 --> 0:34:34.560
<v Speaker 1>Yeah, And if you like move through to run to work,

0:34:34.680 --> 0:34:37.360
<v Speaker 1>you would actually like you would go to jail so

0:34:37.560 --> 0:34:40.880
<v Speaker 1>quickly if you kept sonic booming, your community kept you

0:34:40.880 --> 0:34:43.920
<v Speaker 1>a sonic boomed every Tuesday and Thursday at eight thirty

0:34:43.920 --> 0:34:46.200
<v Speaker 1>in the morning to get to the office on time.

0:34:46.239 --> 0:34:48.719
<v Speaker 1>You destroy your stuff, it would like not be good.

0:34:49.239 --> 0:34:51.879
<v Speaker 3>Is it so a sonic boom has like physical ramification

0:34:52.080 --> 0:34:53.399
<v Speaker 3>my mind?

0:34:54.080 --> 0:34:55.160
<v Speaker 1>In my mind, I guess.

0:34:54.960 --> 0:34:58.719
<v Speaker 3>Maybe because I assume is a sound wave a physical thing?

0:34:58.800 --> 0:35:01.440
<v Speaker 3>Can a sound wave be power or ful enough too?

0:35:02.480 --> 0:35:05.239
<v Speaker 1>I would imagine that it also has a ripple physically.

0:35:06.600 --> 0:35:09.839
<v Speaker 3>Why don't they let us into physics classrooms? Why don't

0:35:09.880 --> 0:35:16.279
<v Speaker 3>they let us lead physics lectures? Then why would they

0:35:16.320 --> 0:35:17.280
<v Speaker 3>teach women physics?

0:35:17.400 --> 0:35:19.240
<v Speaker 1>Because if I had learned it, I would know the answer.

0:35:19.320 --> 0:35:21.880
<v Speaker 1>Then we'd know that wasn't allowed because of my rights.

0:35:23.120 --> 0:35:25.640
<v Speaker 1>And on your final note, is this movie is so cute.

0:35:26.280 --> 0:35:31.080
<v Speaker 3>It's so cute. It's it's smooth brained as hell, which

0:35:31.440 --> 0:35:34.920
<v Speaker 3>it's the Nancy Meyer's way of like just relax, just

0:35:35.000 --> 0:35:37.759
<v Speaker 3>let it flow over you and then it's very enjoyable,

0:35:38.520 --> 0:35:40.480
<v Speaker 3>which I think is a great segue if I do

0:35:40.560 --> 0:35:44.839
<v Speaker 3>say so myself into our segment badges and tradges, where

0:35:44.880 --> 0:35:51.520
<v Speaker 3>we give badges for booms and tradges for twin separation.

0:35:58.719 --> 0:36:00.399
<v Speaker 3>Oh you know what a badge rite? Off the top

0:36:00.440 --> 0:36:03.759
<v Speaker 3>for the music, some very iconic songs.

0:36:03.440 --> 0:36:05.399
<v Speaker 1>And yes, this is the kind of movie that says, hey,

0:36:05.480 --> 0:36:08.719
<v Speaker 1>we have the budget and we're gonna have you. It's

0:36:08.719 --> 0:36:10.279
<v Speaker 1>gonna be a feel good movie, so we're gonna have

0:36:10.320 --> 0:36:13.759
<v Speaker 1>some feel good tunes. They use that budget, right. My

0:36:13.840 --> 0:36:19.640
<v Speaker 1>first badge just for fun vibes, which I wonder if

0:36:19.640 --> 0:36:23.440
<v Speaker 1>I wrote at the camp or I really locked into

0:36:23.480 --> 0:36:27.160
<v Speaker 1>the movie once they switch a rude when they were like, wait,

0:36:27.920 --> 0:36:29.719
<v Speaker 1>I'm gonna go live with your dad, you go live

0:36:29.760 --> 0:36:33.759
<v Speaker 1>with my mom. I was like, I have to see

0:36:33.760 --> 0:36:37.520
<v Speaker 1>what happens. I yeah, this is gonna be so fun

0:36:37.680 --> 0:36:39.440
<v Speaker 1>if I was. If you're a twin, if you're in

0:36:39.480 --> 0:36:41.960
<v Speaker 1>the situation, it is your responsibility to try this at

0:36:42.040 --> 0:36:44.800
<v Speaker 1>least once, because how often do you get to really

0:36:45.920 --> 0:36:48.319
<v Speaker 1>experience how others are treated. Even if you were to

0:36:48.360 --> 0:36:50.440
<v Speaker 1>meet your dad, he's not gonna treat you exactly as

0:36:50.480 --> 0:36:53.960
<v Speaker 1>the girl he's been raising. Mm hmmm, you know he's

0:36:53.960 --> 0:36:55.399
<v Speaker 1>gonna treat you differently. You want to know what it's

0:36:55.440 --> 0:36:58.040
<v Speaker 1>really like to be on the inside, and only twins

0:36:58.080 --> 0:36:59.960
<v Speaker 1>can do that. Only twins.

0:37:01.280 --> 0:37:04.520
<v Speaker 3>Oh, A badge for this kid. Just butchering the trumpet

0:37:05.200 --> 0:37:09.040
<v Speaker 3>at summer camp that kid just trying their darndest to

0:37:09.120 --> 0:37:12.919
<v Speaker 3>play the revey and it's windy to hell and they're

0:37:12.960 --> 0:37:15.880
<v Speaker 3>in a windbreaker and they are struggling with all of

0:37:15.920 --> 0:37:17.920
<v Speaker 3>their might to get those notes out.

0:37:18.560 --> 0:37:23.240
<v Speaker 1>So relatable. I have a badge for as I was saying,

0:37:23.400 --> 0:37:26.520
<v Speaker 1>love when they switch Aroo and she's kind of slaying

0:37:26.600 --> 0:37:30.360
<v Speaker 1>at the acting, I was sitting back, going she really

0:37:30.520 --> 0:37:34.040
<v Speaker 1>is playing she's playing Hallie, She's playing Annie. And then

0:37:34.080 --> 0:37:37.240
<v Speaker 1>she was playing Annie playing Hallie and Halle playing Annie,

0:37:37.320 --> 0:37:40.320
<v Speaker 1>and she was playing it subtly and in a sophisticated way,

0:37:40.480 --> 0:37:42.560
<v Speaker 1>like Yes. Once they got on the phones to each

0:37:42.600 --> 0:37:44.719
<v Speaker 1>other and were their genuine selves again, I was like,

0:37:45.040 --> 0:37:47.200
<v Speaker 1>these people are different than the ones that they were

0:37:47.239 --> 0:37:51.040
<v Speaker 1>just playing. She's not just Lindsay Lohan playing two girls,

0:37:51.080 --> 0:37:56.440
<v Speaker 1>she is playing four distinct wow levels. Yeah, I was impressed.

0:37:56.680 --> 0:37:59.200
<v Speaker 1>I was impressed with Lindsay. Very badge worthy.

0:38:00.680 --> 0:38:04.040
<v Speaker 3>Badge for the girl reaching for the feathers. In the

0:38:04.400 --> 0:38:09.239
<v Speaker 3>biggest prank scene at camp, they pull a thing and

0:38:09.320 --> 0:38:12.560
<v Speaker 3>the fan turns on and the feathers fly down throughout

0:38:12.560 --> 0:38:14.520
<v Speaker 3>the room and one of the girls in the background

0:38:14.520 --> 0:38:17.319
<v Speaker 3>in her bed just reaches out with her hands up

0:38:17.920 --> 0:38:20.480
<v Speaker 3>as if it's snow and I've never seen that before,

0:38:20.480 --> 0:38:24.239
<v Speaker 3>and I said, that is so funny. Thank you for

0:38:24.280 --> 0:38:26.879
<v Speaker 3>making that choice.

0:38:27.920 --> 0:38:34.200
<v Speaker 1>It really made me laugh. Badge for badge for all

0:38:34.280 --> 0:38:36.440
<v Speaker 1>the I don't know if they really count as character

0:38:36.520 --> 0:38:40.480
<v Speaker 1>actors in this, but in a movie like this, almost

0:38:40.520 --> 0:38:42.680
<v Speaker 1>everyone is sort of a character actor since they're playing

0:38:42.719 --> 0:38:51.719
<v Speaker 1>such charcatures. But that includes Meredith, Yeah, Chessie. Oh, the

0:38:52.080 --> 0:38:57.400
<v Speaker 1>the butler Martin. Yeah. I love when the butler is like,

0:38:57.760 --> 0:39:01.959
<v Speaker 1>you changed your hair. It's the knew you. I love

0:39:02.080 --> 0:39:07.600
<v Speaker 1>him anyway he is, Yes, Yeah.

0:39:07.800 --> 0:39:11.280
<v Speaker 3>A badge for Nancy Meyer's films are so comforting.

0:39:12.000 --> 0:39:18.000
<v Speaker 1>Yeah. I love that she puts everything near wine, even yeah,

0:39:18.320 --> 0:39:24.600
<v Speaker 1>even a movie about tweens. Yeah, between film, between heist.

0:39:25.280 --> 0:39:30.000
<v Speaker 1>Still there's going to be a vineyard, such gorgeous homes. Unfortunately,

0:39:30.080 --> 0:39:33.359
<v Speaker 1>that's all the badges I wrote down, Okay, general.

0:39:33.080 --> 0:39:36.920
<v Speaker 3>Badge for Lisa and Walter as Chessie. Yeah, and a

0:39:36.960 --> 0:39:39.960
<v Speaker 3>subsequent badge for Lisa and Walter. Spoke at the Women's

0:39:39.960 --> 0:39:44.840
<v Speaker 3>March in LA like four five years ago, six years

0:39:45.080 --> 0:39:48.000
<v Speaker 3>some number of years ago, and I think this was

0:39:48.080 --> 0:39:52.400
<v Speaker 3>pre Abbot, and she was like, she was completely like

0:39:52.560 --> 0:39:56.719
<v Speaker 3>rallying the troops, that is, to be on board for

0:39:56.760 --> 0:39:59.000
<v Speaker 3>women's rights and fight for them. And she was like,

0:39:59.120 --> 0:40:01.359
<v Speaker 3>you loved me and the parent trap. Now go out

0:40:01.400 --> 0:40:05.320
<v Speaker 3>and like do this and it was so sligh. That's

0:40:05.320 --> 0:40:08.000
<v Speaker 3>so awesome. She knows she has a whole generation under

0:40:08.000 --> 0:40:09.160
<v Speaker 3>her thumb because she does.

0:40:09.560 --> 0:40:10.840
<v Speaker 1>And she does and it worked.

0:40:11.280 --> 0:40:14.360
<v Speaker 3>I worship her. I think she's amazing and also the

0:40:14.360 --> 0:40:16.799
<v Speaker 3>most comforting presence ever.

0:40:17.400 --> 0:40:17.600
<v Speaker 1>Yeah.

0:40:18.000 --> 0:40:20.480
<v Speaker 3>A badge for Martin's.

0:40:20.280 --> 0:40:23.320
<v Speaker 1>I've never been so happy and I'm tired life.

0:40:25.840 --> 0:40:27.600
<v Speaker 3>Funny, funny and fun funny.

0:40:27.719 --> 0:40:31.400
<v Speaker 1>He is gay. A badge for Sammy is so cute

0:40:31.640 --> 0:40:32.920
<v Speaker 1>Sammy the Golden Retriever.

0:40:33.880 --> 0:40:36.880
<v Speaker 3>Oh my god, and also an action hero when he

0:40:36.960 --> 0:40:40.080
<v Speaker 3>leaps over the luggage cart to get into the elevator

0:40:40.080 --> 0:40:43.800
<v Speaker 3>to say hello to actual house hero action hero Sammy,

0:40:44.080 --> 0:40:44.759
<v Speaker 3>he went so fast.

0:40:44.800 --> 0:40:51.960
<v Speaker 1>Badge for Sammy Boom.

0:40:52.160 --> 0:40:54.840
<v Speaker 3>A badge for Martin taking a picture of Dennis Quaid

0:40:54.920 --> 0:41:00.840
<v Speaker 3>falling into the pool normalize celebrating Dennis Quaid's disgrace And

0:41:00.960 --> 0:41:03.360
<v Speaker 3>a badge for the actor who plays Meredith. I thought

0:41:03.440 --> 0:41:06.839
<v Speaker 3>she really worked it. She freaked it. She's so good

0:41:06.840 --> 0:41:10.759
<v Speaker 3>at that role. That role is troubling, but she did

0:41:10.800 --> 0:41:11.560
<v Speaker 3>an amazing.

0:41:11.320 --> 0:41:14.240
<v Speaker 1>Job at it. She played it all the way. Yes.

0:41:14.680 --> 0:41:17.160
<v Speaker 3>And my final badge is for the wedding photos at

0:41:17.200 --> 0:41:20.480
<v Speaker 3>the end that it opens with the wedding photo and

0:41:20.520 --> 0:41:23.799
<v Speaker 3>it closes with like photos of their second wedding. And

0:41:23.880 --> 0:41:26.280
<v Speaker 3>I love a movie that kind of keeps the story

0:41:26.320 --> 0:41:32.080
<v Speaker 3>going during the credits. Oh that is sweet trages.

0:41:32.360 --> 0:41:35.520
<v Speaker 1>Trages. My first trage is for as mentioned before, the

0:41:35.600 --> 0:41:42.080
<v Speaker 1>strange messaging again forgivable. It's a fun little romp, but

0:41:42.520 --> 0:41:46.640
<v Speaker 1>definitely it is that is at actually quite a formative

0:41:46.680 --> 0:41:49.200
<v Speaker 1>age to tell kids either like that there are bad

0:41:49.239 --> 0:41:53.439
<v Speaker 1>girls and good girls. Men are stupid and victims of

0:41:53.719 --> 0:41:59.520
<v Speaker 1>women's intelligence and plotting, and that you do have an

0:41:59.520 --> 0:42:04.640
<v Speaker 1>effect on your parents divorce. Yeah, but you know it's

0:42:04.920 --> 0:42:07.120
<v Speaker 1>it's it's not that deep. Mm hmm.

0:42:08.520 --> 0:42:11.080
<v Speaker 3>Trage for the cabins at the Summer camp are named

0:42:11.120 --> 0:42:14.040
<v Speaker 3>after First Nations tribes. Oh, which was also the case

0:42:14.080 --> 0:42:17.160
<v Speaker 3>at the summer camp I went to. And it's like, man,

0:42:17.320 --> 0:42:21.160
<v Speaker 3>you have a bunch of white kids at this and

0:42:21.239 --> 0:42:26.399
<v Speaker 3>you're doing all that and there's no recognition of any

0:42:26.480 --> 0:42:28.799
<v Speaker 3>of anything at all.

0:42:28.960 --> 0:42:33.080
<v Speaker 1>Yeah, big trag trag. I wrote this in Tragis, but

0:42:33.120 --> 0:42:35.279
<v Speaker 1>it doesn't really have a value in this way, but

0:42:35.560 --> 0:42:38.520
<v Speaker 1>I just wanted to acknowledge the ear piercing scene. I

0:42:38.560 --> 0:42:41.360
<v Speaker 1>it was equally as visceral for me this time watching

0:42:41.440 --> 0:42:45.080
<v Speaker 1>as when I was, yeah, a kid. I guess the

0:42:45.080 --> 0:42:47.960
<v Speaker 1>feelings I feel around it are more on the negative

0:42:48.000 --> 0:42:51.520
<v Speaker 1>side than the positive side. But also I like that,

0:42:52.719 --> 0:42:57.280
<v Speaker 1>you know those are important things as it's important things

0:42:57.320 --> 0:42:59.960
<v Speaker 1>that form memories as a child, and you're kind of

0:43:00.080 --> 0:43:03.720
<v Speaker 1>learning science, the science of ear piercing. We were talking

0:43:03.719 --> 0:43:06.239
<v Speaker 1>about how I'm like, I do sometimes burn needles to

0:43:06.280 --> 0:43:07.840
<v Speaker 1>sterilize them if I'm ever going to use them, and

0:43:07.880 --> 0:43:10.480
<v Speaker 1>I think it's probably from watching this movie. Wow.

0:43:10.680 --> 0:43:15.080
<v Speaker 3>Yeah, yeah, it teaches you, in specific and detailed steps

0:43:15.160 --> 0:43:16.120
<v Speaker 3>how to pierce an ear.

0:43:16.239 --> 0:43:16.680
<v Speaker 1>It's true.

0:43:16.719 --> 0:43:17.920
<v Speaker 3>I watching it this time, I was like, Oh, but

0:43:18.000 --> 0:43:20.000
<v Speaker 3>they don't watch it go in the ear. They do,

0:43:20.320 --> 0:43:21.839
<v Speaker 3>and they do they show it.

0:43:21.920 --> 0:43:25.200
<v Speaker 1>There's a fleshy, a fleshy piercing occurs.

0:43:25.280 --> 0:43:26.560
<v Speaker 3>I wonder whose lobe that was.

0:43:26.680 --> 0:43:27.800
<v Speaker 1>I was crazy.

0:43:29.120 --> 0:43:33.239
<v Speaker 3>Trage for an appropriative totem pole. They have like a

0:43:33.239 --> 0:43:36.640
<v Speaker 3>totem pole, but it's like they've put just like random

0:43:36.760 --> 0:43:39.680
<v Speaker 3>characters on it, like a Teddy Bear and others. And

0:43:39.719 --> 0:43:42.319
<v Speaker 3>I was like, so not only is this not in

0:43:42.360 --> 0:43:44.919
<v Speaker 3>the correct context of which it should be used, you've

0:43:44.920 --> 0:43:52.240
<v Speaker 3>also defiled it disrespectful. Disrespectful, Yeah, disrespectful.

0:43:52.719 --> 0:43:57.839
<v Speaker 1>Trage for I was it it It killed me when

0:43:57.960 --> 0:44:03.400
<v Speaker 1>Chessie makes this whole delightful, delicious, amazing meal for Annie,

0:44:03.600 --> 0:44:06.319
<v Speaker 1>who yeah, she thinks is Hallie, and Hallie likes to

0:44:06.320 --> 0:44:08.319
<v Speaker 1>eat a lot. But Annie just eats one bite, she

0:44:08.320 --> 0:44:11.480
<v Speaker 1>eats one bite toest and she goes, I'm done like you.

0:44:12.440 --> 0:44:16.520
<v Speaker 1>Not only is that not only is that aggravating for

0:44:16.640 --> 0:44:19.759
<v Speaker 1>somebody who loves food. I want, I want, I want

0:44:19.800 --> 0:44:22.640
<v Speaker 1>the satisfaction of eating all that food. But also that

0:44:22.800 --> 0:44:24.560
<v Speaker 1>is very rude. She just made you this whole thing.

0:44:24.880 --> 0:44:26.320
<v Speaker 1>Just sit down and eat a damp pancake.

0:44:26.760 --> 0:44:29.880
<v Speaker 3>Eat the damn pancake. Also, wouldn't you, as an English child,

0:44:29.920 --> 0:44:33.720
<v Speaker 3>be curious about an American pancake? The answer is yes, Wow,

0:44:33.880 --> 0:44:34.520
<v Speaker 3>that's a great point.

0:44:34.600 --> 0:44:37.040
<v Speaker 1>Do they have pancakes in a normal way there? Nope?

0:44:37.400 --> 0:44:38.000
<v Speaker 1>What are they like?

0:44:39.080 --> 0:44:46.360
<v Speaker 3>I don't want to talk about it, understood, Uh. Traged

0:44:46.360 --> 0:44:49.439
<v Speaker 3>for it's really too bad that Dennis Quaid is insane now,

0:44:51.000 --> 0:44:55.040
<v Speaker 3>he's so far right and unhinged, and it did make

0:44:55.080 --> 0:44:58.600
<v Speaker 3>it harder to enjoy the film.

0:44:58.840 --> 0:45:02.080
<v Speaker 1>Why do they gotta do that? Mm hmmm, what do

0:45:02.120 --> 0:45:07.719
<v Speaker 1>they gotta do it to us? M uh yeah, main

0:45:07.760 --> 0:45:10.000
<v Speaker 1>trade for a movie like this is just the nineties

0:45:10.400 --> 0:45:17.920
<v Speaker 1>or two thousand's whatever. Yeah, uh, there's some They were

0:45:17.960 --> 0:45:21.160
<v Speaker 1>being so mean to Meredith at a certain point. I

0:45:21.200 --> 0:45:25.080
<v Speaker 1>was like, you know, I know that they're saying she's

0:45:25.120 --> 0:45:26.960
<v Speaker 1>like a gold digger. So that's the that's the thing

0:45:27.000 --> 0:45:29.640
<v Speaker 1>that's really like, she's out genuinely looking out for the family.

0:45:29.640 --> 0:45:32.200
<v Speaker 1>She wants to kick the girls out, blah blah blah.

0:45:32.440 --> 0:45:34.160
<v Speaker 1>But at a certain point, just break up with her.

0:45:34.640 --> 0:45:37.120
<v Speaker 1>Your girls don't like her. You guys aren't a good match.

0:45:37.960 --> 0:45:41.160
<v Speaker 1>And they were. They were. They were trying to kill her.

0:45:44.680 --> 0:45:47.120
<v Speaker 3>They wondered if there was a nearby cliff they could

0:45:47.920 --> 0:45:50.440
<v Speaker 3>It was crazy. They were trying to kill her like

0:45:50.480 --> 0:45:55.000
<v Speaker 3>the dwarves did in Snow White. To them, she was

0:45:55.040 --> 0:45:55.800
<v Speaker 3>the old bitch.

0:45:55.840 --> 0:46:01.239
<v Speaker 1>She was the old bitch, yeah, the old Yeah. So

0:46:01.280 --> 0:46:04.120
<v Speaker 1>there's just sort of a real sense of like do

0:46:04.320 --> 0:46:07.920
<v Speaker 1>not trust some women. But there was no like bad

0:46:08.080 --> 0:46:10.640
<v Speaker 1>like guys, you know, it was they felt so bad

0:46:10.640 --> 0:46:14.279
<v Speaker 1>for the dad, yeah, or you know, they're pitying their

0:46:14.400 --> 0:46:17.719
<v Speaker 1>their poor dad, right, he can't help himself. It's not

0:46:17.760 --> 0:46:20.279
<v Speaker 1>his fault. Yeah, it'd be nice if one woman had

0:46:20.320 --> 0:46:24.279
<v Speaker 1>been like dude, get it, toget bruh, yeah, or man,

0:46:24.320 --> 0:46:26.200
<v Speaker 1>which they sort of had with Chessie, but she was

0:46:26.200 --> 0:46:29.399
<v Speaker 1>in a place where she obviously couldn't say she had

0:46:29.440 --> 0:46:32.160
<v Speaker 1>no power. Yeah, she had to be like this guy

0:46:32.239 --> 0:46:34.759
<v Speaker 1>is not doing making good choices. This is not right.

0:46:35.960 --> 0:46:38.760
<v Speaker 3>My final two trages are a trage for that kiss

0:46:38.880 --> 0:46:43.239
<v Speaker 3>was way too intimate. The kiss between the parents at

0:46:43.239 --> 0:46:47.920
<v Speaker 3>the very end, that's so prolonged and close up and

0:46:47.960 --> 0:46:52.160
<v Speaker 3>the girls are just watching happily. If my parents started

0:46:52.200 --> 0:46:57.080
<v Speaker 3>making out in front of me, I would say, sorry,

0:46:57.120 --> 0:46:59.680
<v Speaker 3>can you give me a minute to leave? Yeah, that's

0:46:59.760 --> 0:47:02.960
<v Speaker 3>un I'll go ahead and get out of here. Seems

0:47:03.000 --> 0:47:04.400
<v Speaker 3>like you two need to have a moment, but I

0:47:04.440 --> 0:47:07.359
<v Speaker 3>do not need to be here for that. It was

0:47:07.440 --> 0:47:12.480
<v Speaker 3>so prolonged. Mm hmm that it was not appropriate.

0:47:12.600 --> 0:47:13.520
<v Speaker 1>That is not appropriate.

0:47:13.880 --> 0:47:16.520
<v Speaker 3>Mmmm, that was not appropriate. And my final trage is

0:47:16.560 --> 0:47:19.600
<v Speaker 3>a trage for proposing at someone else's wedding. In the

0:47:19.600 --> 0:47:23.040
<v Speaker 3>wedding photos in the credits, Martin proposes to Chessie for

0:47:23.120 --> 0:47:27.040
<v Speaker 3>their lavender marriage, and I get it. It's a sweet thing,

0:47:27.280 --> 0:47:29.400
<v Speaker 3>but no one should ever do that at someone else's wedding.

0:47:30.200 --> 0:47:32.120
<v Speaker 3>It is rude and it steals the thunder of the

0:47:32.160 --> 0:47:33.600
<v Speaker 3>people you're supposed to be celebrating.

0:47:34.000 --> 0:47:36.520
<v Speaker 1>Very true, which is something I'm a little triggered about

0:47:36.600 --> 0:47:37.239
<v Speaker 1>right now.

0:47:38.160 --> 0:47:40.360
<v Speaker 3>I'm a little sensitive about that these days. But I

0:47:40.400 --> 0:47:42.600
<v Speaker 3>also stand by that as a belief forever.

0:47:43.080 --> 0:47:47.400
<v Speaker 1>I completely agree with that completely. Thank you, Thank you. Well.

0:47:47.480 --> 0:47:51.920
<v Speaker 1>Let's sonic boom into our next segment. How to pretend

0:47:51.960 --> 0:47:53.320
<v Speaker 1>you've seen this film?

0:47:54.480 --> 0:47:58.719
<v Speaker 3>This is for You're at camp. You're at summer camp.

0:48:00.320 --> 0:48:02.360
<v Speaker 1>Summer camp. You're one of the one of those adult

0:48:02.440 --> 0:48:05.600
<v Speaker 1>summer camp experiences. You got a free coupon and your

0:48:05.600 --> 0:48:08.719
<v Speaker 1>friend wanted to go, and you said, all right, okay, yeah, okay,

0:48:09.880 --> 0:48:15.880
<v Speaker 1>and you go and Dennis comes up to you. Yeah,

0:48:15.920 --> 0:48:18.680
<v Speaker 1>and he says, hey, trying to right wing Dennis trying

0:48:18.680 --> 0:48:21.360
<v Speaker 1>to start a cuddle pile over there. Oh God, this

0:48:21.480 --> 0:48:23.480
<v Speaker 1>is not what I was hoping from an adult summer

0:48:23.480 --> 0:48:27.399
<v Speaker 1>camp situation. But now I'm seeing now how that's I understand. Oh,

0:48:27.440 --> 0:48:32.640
<v Speaker 1>it's an orgy, he cuddle. This is a right wing orgy.

0:48:33.200 --> 0:48:37.640
<v Speaker 1>Talk about what we think about taxes and things. Talk

0:48:37.680 --> 0:48:42.719
<v Speaker 1>about our talk about to talk about tariffs and uh.

0:48:43.280 --> 0:48:46.239
<v Speaker 1>In order to trap Dennis, I don't even want to

0:48:46.239 --> 0:48:47.640
<v Speaker 1>talk to you about the movie. I just want to

0:48:47.640 --> 0:48:55.799
<v Speaker 1>talk about terror. Yeah, right, right right, and maybe even

0:48:55.800 --> 0:48:57.400
<v Speaker 1>a movie I was in a couple of movies I

0:48:57.440 --> 0:48:59.000
<v Speaker 1>was in because the.

0:48:59.000 --> 0:49:06.520
<v Speaker 3>Parent Oh, it's me, Dennis quad In order to trap

0:49:06.560 --> 0:49:09.120
<v Speaker 3>Dennis Quaid in his own wine cellar, that's also at

0:49:09.160 --> 0:49:11.600
<v Speaker 3>the Summer Camp. We're gonna give you a few sentences

0:49:11.640 --> 0:49:13.759
<v Speaker 3>you can say to pretend you've seen the film The

0:49:13.840 --> 0:49:19.520
<v Speaker 3>Parent Trap. Dennis, I've seen the Dennis Quaid, I've seen

0:49:19.560 --> 0:49:22.800
<v Speaker 3>The Parent Trap. It is set the Summer Camp is

0:49:22.840 --> 0:49:26.680
<v Speaker 3>set at a place called Moose Lake, Maine, but in

0:49:26.680 --> 0:49:32.640
<v Speaker 3>fact was filmed in visibly California. Here's one more fact.

0:49:33.120 --> 0:49:35.960
<v Speaker 3>There are some islands in Maine that put a lot

0:49:35.960 --> 0:49:39.439
<v Speaker 3>of moose on their merchandise, but there's no moose on

0:49:39.520 --> 0:49:41.759
<v Speaker 3>the islands, because what's the moose gonna do?

0:49:41.960 --> 0:49:53.680
<v Speaker 1>Take the bridge? Great point, This is true. Yes, Dennis,

0:49:53.719 --> 0:49:56.920
<v Speaker 1>I have seen the film The Parent Trap. Here's one

0:49:56.920 --> 0:49:59.759
<v Speaker 1>of the pieces of quote unquote trivia, an oddity for

0:49:59.840 --> 0:50:03.200
<v Speaker 1>a Disney film. This one shows a mother smoking a

0:50:03.239 --> 0:50:08.880
<v Speaker 1>cigarette and getting deliberately drunk. Whoo, It's true. Also funnily,

0:50:09.320 --> 0:50:12.640
<v Speaker 1>Mama Lindsay Lohan pretended to be sick so she could

0:50:12.680 --> 0:50:16.360
<v Speaker 1>skip school to see her first Oh, to go to

0:50:16.400 --> 0:50:19.239
<v Speaker 1>her first movie audition for The Parent Drop. I thought

0:50:19.239 --> 0:50:23.799
<v Speaker 1>it was to see that nice, which is nice? Love that?

0:50:25.480 --> 0:50:30.640
<v Speaker 3>Yes, Dennis Quaid, I've seen The Parent Trap. Hallie is

0:50:30.760 --> 0:50:35.719
<v Speaker 3>driven on an insane route when she is pretending to

0:50:35.719 --> 0:50:39.080
<v Speaker 3>be Annie and has arrived at Heathrow. She drives from

0:50:39.120 --> 0:50:45.359
<v Speaker 3>Heathrow through Central London back to West London, which would

0:50:45.400 --> 0:50:48.840
<v Speaker 3>be like if you flew into Lax and you lived

0:50:48.960 --> 0:50:52.440
<v Speaker 3>in Santa Monica, but decided to get to Santa Monica

0:50:52.480 --> 0:50:54.520
<v Speaker 3>by driving through Hollywood on.

0:50:54.560 --> 0:50:55.320
<v Speaker 1>The way there.

0:50:56.800 --> 0:51:00.839
<v Speaker 3>It's out of the way and inconvenient. These people have

0:51:00.960 --> 0:51:02.080
<v Speaker 3>money to burn.

0:51:02.719 --> 0:51:06.200
<v Speaker 1>That's so funny. Yes, Dennis Quaid, I have seen the

0:51:06.239 --> 0:51:10.000
<v Speaker 1>film The Parent Trap. In the movie, Dennis Quaid is

0:51:10.040 --> 0:51:13.440
<v Speaker 1>engaged to a twenty six year old gold digger. Coincidentally,

0:51:13.760 --> 0:51:16.399
<v Speaker 1>he married his fourth wife when she was twenty six

0:51:16.560 --> 0:51:20.080
<v Speaker 1>years old. Oh. As a result, his co star Elaine

0:51:20.520 --> 0:51:23.880
<v Speaker 1>Hendrix tweeted to him, better watch out for those twins.

0:51:24.320 --> 0:51:29.560
<v Speaker 3>Ah Laane, you're christ Slane.

0:51:30.239 --> 0:51:31.319
<v Speaker 1>Oh.

0:51:31.360 --> 0:51:39.440
<v Speaker 3>Wow, art imitates life. Life imitates art. Yes, Dennis Quaid,

0:51:40.360 --> 0:51:47.480
<v Speaker 3>I've seen The Parent Trap. It chooses not to tackle

0:51:48.600 --> 0:51:54.560
<v Speaker 3>the subject of class, particularly in England, as evidenced by

0:51:55.600 --> 0:51:59.640
<v Speaker 3>Elizabeth James's line to her butler Martin, you know, I

0:51:59.640 --> 0:52:02.360
<v Speaker 3>think you as a lovable brother who just happens to

0:52:02.400 --> 0:52:08.719
<v Speaker 3>wait on us. Okay, girl, I love you, But that's crazy.

0:52:08.160 --> 0:52:13.239
<v Speaker 3>That's a crazy thing to say to you, employee.

0:52:13.800 --> 0:52:20.279
<v Speaker 1>We're a family. Ass. I can't remember this scene, this says, yes,

0:52:20.320 --> 0:52:21.759
<v Speaker 1>that is Quita. I have seen the film of The

0:52:21.800 --> 0:52:24.440
<v Speaker 1>Parent Drap. The scene where Annie and Hallie are lying

0:52:24.480 --> 0:52:27.440
<v Speaker 1>in bed and the camera pans from the moon to

0:52:27.520 --> 0:52:31.839
<v Speaker 1>the parents picture to the twins took six hours to

0:52:31.880 --> 0:52:35.560
<v Speaker 1>get right. Oh god, Lindsay Lohan had to change from

0:52:35.560 --> 0:52:39.160
<v Speaker 1>Annie to Halle and back many times. Oh, I can't

0:52:39.200 --> 0:52:41.400
<v Speaker 1>make the films. Was so hard in the past.

0:52:41.640 --> 0:52:45.080
<v Speaker 3>That's their first night of figuring out that their sisters

0:52:45.360 --> 0:52:48.200
<v Speaker 3>at camp, and they smashed their beds together in the

0:52:48.239 --> 0:52:52.080
<v Speaker 3>isolation cabin, which, by the way, an insane thing to have.

0:52:52.960 --> 0:52:55.080
<v Speaker 1>Are they isolated for the rest of camp for like

0:52:55.200 --> 0:52:55.880
<v Speaker 1>six thinks?

0:52:55.960 --> 0:52:56.040
<v Speaker 4>So?

0:52:56.920 --> 0:52:59.799
<v Speaker 1>I think so? Which is.

0:53:01.880 --> 0:53:03.920
<v Speaker 3>I think a human rights violation?

0:53:04.120 --> 0:53:04.560
<v Speaker 1>Cruelty.

0:53:04.640 --> 0:53:10.240
<v Speaker 3>Yeah, that's a like like solitary. They put them essentially

0:53:10.239 --> 0:53:11.120
<v Speaker 3>in solitary.

0:53:11.480 --> 0:53:12.520
<v Speaker 1>The parents didn't know that.

0:53:13.440 --> 0:53:17.680
<v Speaker 3>It's like those parents would absolutely sue, Actually, British people

0:53:17.680 --> 0:53:23.120
<v Speaker 3>aren't particularly litigious. H Dennis Quaid would sue.

0:53:22.400 --> 0:53:24.959
<v Speaker 1>Well, Leanna, shall we move on to our next segment,

0:53:24.960 --> 0:53:27.160
<v Speaker 1>which is, of course, should you watch this or where

0:53:27.200 --> 0:53:28.600
<v Speaker 1>we tell you if you should watch this film or

0:53:28.600 --> 0:53:30.920
<v Speaker 1>if you should do anything else with your summertime.

0:53:31.880 --> 0:53:37.319
<v Speaker 3>Summer time, I would say you can certainly watch The

0:53:37.360 --> 0:53:39.840
<v Speaker 3>Parent Trap. It's a fun watch. It'll really make you

0:53:39.920 --> 0:53:42.480
<v Speaker 3>crave oreos and peanut butter, which if you live in

0:53:42.480 --> 0:53:45.200
<v Speaker 3>a country where the peanut butter is just different, it's

0:53:45.239 --> 0:53:48.600
<v Speaker 3>gonna make you sad. If you're not in the mood.

0:53:48.680 --> 0:53:51.040
<v Speaker 3>It's all a slightly different. If you're not in the

0:53:51.040 --> 0:53:55.800
<v Speaker 3>mood for this film, you could instead watch Abbott Elementary,

0:53:56.719 --> 0:54:00.120
<v Speaker 3>absolutely the best hitch show. If you're in the mood

0:54:00.120 --> 0:54:03.719
<v Speaker 3>for seeing kids who are not all white, you could

0:54:03.880 --> 0:54:06.719
<v Speaker 3>watch Happen. I think there was one black girl at

0:54:06.719 --> 0:54:10.799
<v Speaker 3>the entire summer camp and then everyone else was white.

0:54:11.600 --> 0:54:14.839
<v Speaker 3>But Elementary it's on Hulu is how I view it.

0:54:14.840 --> 0:54:19.879
<v Speaker 3>It's it's on ABC. If you have TV still, it's

0:54:19.880 --> 0:54:20.319
<v Speaker 3>so fun.

0:54:20.360 --> 0:54:22.040
<v Speaker 1>That's a perfect you know, what would you say, that's

0:54:22.040 --> 0:54:27.279
<v Speaker 1>a perfect recommendation, Thank you? I would say, Oh, I

0:54:27.280 --> 0:54:31.880
<v Speaker 1>would say you could watch The Parent Trap if if,

0:54:32.360 --> 0:54:37.360
<v Speaker 1>if you want it is it's a very nostalgic. Watch

0:54:38.719 --> 0:54:41.520
<v Speaker 1>what you could watch instead with Lindsay Lohan? If maybe

0:54:41.560 --> 0:54:45.120
<v Speaker 1>you imprinted on this one more as a child? Never forget?

0:54:45.560 --> 0:54:49.640
<v Speaker 1>Is the movie Life Size with Tyre b Wow? Yes,

0:54:50.320 --> 0:54:57.600
<v Speaker 1>that movie I loved. That was my movie? Mm I

0:54:57.640 --> 0:54:58.480
<v Speaker 1>forgot it was her in it?

0:54:58.480 --> 0:55:03.200
<v Speaker 3>To be honest, doesn't Tyra Banks set a computer on fire?

0:55:03.320 --> 0:55:06.080
<v Speaker 3>On from that movie, she tries to use a word

0:55:06.120 --> 0:55:07.920
<v Speaker 3>processor and the computer sets on fire.

0:55:08.400 --> 0:55:10.279
<v Speaker 1>Probably. I love when she sits down to do work

0:55:10.280 --> 0:55:15.520
<v Speaker 1>and just types random letters. It's soutable. It's such a

0:55:15.520 --> 0:55:16.000
<v Speaker 1>good movie.

0:55:18.040 --> 0:55:21.200
<v Speaker 3>Oh, Siena, what would you rate the film The Parent Trap?

0:55:21.320 --> 0:55:26.200
<v Speaker 1>Oh gosh, I'll give The Parent Trap three point eight

0:55:26.360 --> 0:55:30.480
<v Speaker 1>vats of chocolate out of five. The beginning of the

0:55:30.520 --> 0:55:33.480
<v Speaker 1>movie at camp, I would have cut. I didn't need it.

0:55:33.520 --> 0:55:38.360
<v Speaker 1>Oh wow, I didn't. The pranking and stuff stressed me

0:55:38.440 --> 0:55:43.239
<v Speaker 1>out so much. But everything after that I found the

0:55:43.280 --> 0:55:46.720
<v Speaker 1>switcher Roo time like so fun. I love these girls

0:55:46.719 --> 0:55:49.360
<v Speaker 1>were geniuses, all the characters they brought in, all the

0:55:49.400 --> 0:55:52.480
<v Speaker 1>adult characters who were being goofy. Very fun. Yeah, it's

0:55:52.480 --> 0:55:56.319
<v Speaker 1>a super fun watch. It's very cute. Yes, Leanna, what

0:55:56.320 --> 0:55:58.960
<v Speaker 1>about yourself? I Nika.

0:55:59.600 --> 0:56:03.600
<v Speaker 3>I would the parent trap four sonic booms out of five.

0:56:06.600 --> 0:56:10.040
<v Speaker 3>I enjoy it very much. It is so fun to

0:56:10.080 --> 0:56:12.960
<v Speaker 3>watch a bunch of girlies scheme and plot.

0:56:13.719 --> 0:56:14.560
<v Speaker 1>It's not just the twins.

0:56:14.600 --> 0:56:17.640
<v Speaker 3>Also, their mom is schemes and plots. And I said, say,

0:56:18.239 --> 0:56:20.879
<v Speaker 3>Chessie's everybody scheming and plotting, and I say, fun.

0:56:20.960 --> 0:56:21.440
<v Speaker 1>I love that.

0:56:22.320 --> 0:56:25.880
<v Speaker 3>I also think I love the camp sequence, but specifically

0:56:25.960 --> 0:56:28.480
<v Speaker 3>because it's set in Maine. So I always felt a

0:56:28.600 --> 0:56:32.600
<v Speaker 3>personal connection to the movie because of that, and because

0:56:32.600 --> 0:56:35.040
<v Speaker 3>the most I looked like Lindsay Lohan as a child

0:56:35.120 --> 0:56:36.880
<v Speaker 3>is when she says a line while she's at the

0:56:36.920 --> 0:56:41.560
<v Speaker 3>summer camp, come on, Anne, I gotta meet my mom.

0:56:41.600 --> 0:56:43.880
<v Speaker 1>I gotta see that. I got to see her transform

0:56:43.880 --> 0:56:47.000
<v Speaker 1>into you. Well, everybody, thank you so much for listening

0:56:47.040 --> 0:56:50.760
<v Speaker 1>to this episode of Toss Popcorn. You're at Toss Popcorn

0:56:50.800 --> 0:56:55.200
<v Speaker 1>on Instagram for fun Delightful memes and on patreon dot

0:56:55.239 --> 0:56:57.839
<v Speaker 1>com slash toss Popcorn. If you want to see us

0:56:57.880 --> 0:57:04.480
<v Speaker 1>review modern films just for you and join us next

0:57:04.520 --> 0:57:06.320
<v Speaker 1>week when we will be watching.

0:57:06.719 --> 0:57:08.680
<v Speaker 3>Real women Have Curves.

0:57:11.680 --> 0:57:25.800
<v Speaker 4>Thank you, I love you, Boom boom.

0:57:25.920 --> 0:57:28.400
<v Speaker 1>You can find us on Instagram as at Sienna Jaco

0:57:28.520 --> 0:57:31.320
<v Speaker 1>and at Leanna Holsten. Please check the description for the

0:57:31.360 --> 0:57:34.520
<v Speaker 1>spelling of our dumb names. We put out episodes every Tuesday,

0:57:34.560 --> 0:57:36.800
<v Speaker 1>so make sure to subscribe so that you don't miss

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<v Speaker 1>an episode. See you next week on Tossed Popcorn. For

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<v Speaker 1>Every time the plate flies, it goes boo