1 00:00:04,080 --> 00:00:07,480 Speaker 1: Welcome to Aaron Menkey's Cabinet of Curiosities, a production of 2 00:00:07,480 --> 00:00:13,840 Speaker 1: I Heart Radio and Grim and Mild. Our world is 3 00:00:13,960 --> 00:00:17,960 Speaker 1: full of the unexplainable, and if history is an open book, 4 00:00:18,280 --> 00:00:21,640 Speaker 1: all of these amazing tales are right there on display, 5 00:00:22,000 --> 00:00:27,600 Speaker 1: just waiting for us to explore. Welcome to the Cabinet 6 00:00:27,840 --> 00:00:39,520 Speaker 1: of Curiosities. Not everyone gets recognition for their work, even 7 00:00:39,600 --> 00:00:42,400 Speaker 1: when they deserve it. The teacher who helps a child read, 8 00:00:42,520 --> 00:00:44,960 Speaker 1: or the nurse who notices something wrong with a patient 9 00:00:45,159 --> 00:00:48,320 Speaker 1: might never get acknowledged for their contributions. But a hero 10 00:00:48,520 --> 00:00:51,120 Speaker 1: doesn't help people for fame or fortune. They do it 11 00:00:51,159 --> 00:00:54,320 Speaker 1: because it's the right thing to do. One man, however, 12 00:00:54,600 --> 00:00:57,840 Speaker 1: did go on to great acclaim, but not for helping people, 13 00:00:58,120 --> 00:01:00,480 Speaker 1: even though that was precisely why he should have been 14 00:01:00,520 --> 00:01:05,880 Speaker 1: famous in the first place. Marcel Mangel was born in Strasbourg, France, 15 00:01:05,920 --> 00:01:09,760 Speaker 1: in nineteen three. His father, a kosher butcher, had emigrated 16 00:01:09,800 --> 00:01:13,240 Speaker 1: from Poland, while his mother had come from Ukraine. Macguel 17 00:01:13,400 --> 00:01:15,720 Speaker 1: spent a lot of time with his parents and especially 18 00:01:15,760 --> 00:01:18,399 Speaker 1: enjoyed going to the movies with his mother. He was 19 00:01:18,480 --> 00:01:21,640 Speaker 1: a big fan of silent film star Charlie Chaplin, who 20 00:01:21,680 --> 00:01:25,600 Speaker 1: inspired him to pursue acting later in life. While Mangel 21 00:01:25,720 --> 00:01:28,280 Speaker 1: was a kid, he would act like Chaplin, pretending to 22 00:01:28,319 --> 00:01:31,800 Speaker 1: be famous figures like Robin Hood and Napoleon while playing 23 00:01:31,840 --> 00:01:34,800 Speaker 1: with the other children in the neighborhood. He loved acting, 24 00:01:35,000 --> 00:01:38,160 Speaker 1: but unfortunately his chance at a future in Hollywood was 25 00:01:38,200 --> 00:01:42,360 Speaker 1: cut short when the Nazis invaded France. Mangel was only 26 00:01:42,440 --> 00:01:44,920 Speaker 1: seventeen when he and his family were forced to leave 27 00:01:44,959 --> 00:01:47,840 Speaker 1: their home. They settled in Limoges, a small town about 28 00:01:47,840 --> 00:01:50,480 Speaker 1: two hundred and fifty miles south of Paris. It was 29 00:01:50,520 --> 00:01:52,960 Speaker 1: around this time when the young Mangel connected with his 30 00:01:53,000 --> 00:01:57,840 Speaker 1: cousin George longuere longuere escaped from a German pow camp 31 00:01:57,880 --> 00:02:01,400 Speaker 1: and joined the French Jewish Resistance. Now he was encouraging 32 00:02:01,480 --> 00:02:04,760 Speaker 1: his cousin to do the same. Their fellow Jews in 33 00:02:04,760 --> 00:02:07,320 Speaker 1: France were in need of help, and Mangel could do 34 00:02:07,360 --> 00:02:09,679 Speaker 1: a lot of good during the war. He also kept 35 00:02:09,720 --> 00:02:13,160 Speaker 1: up his acting lessons while attending a technical school in Limoges. 36 00:02:13,840 --> 00:02:16,840 Speaker 1: Upon joining the Resistance, Mangel got his start by forging 37 00:02:16,880 --> 00:02:19,680 Speaker 1: I D Cards for his fellow members, but was quickly 38 00:02:19,720 --> 00:02:23,280 Speaker 1: assigned to a new position helping Jewish children get to 39 00:02:23,360 --> 00:02:26,080 Speaker 1: safety so that they could be evacuated out of France. 40 00:02:26,880 --> 00:02:29,600 Speaker 1: Mangel was young, which made him someone the children could 41 00:02:29,600 --> 00:02:32,160 Speaker 1: look up to. They loved spending time with him, and 42 00:02:32,200 --> 00:02:34,640 Speaker 1: because he made them feel safe, they were able to 43 00:02:34,639 --> 00:02:38,240 Speaker 1: remain calm while on the run from German soldiers. One time, 44 00:02:38,320 --> 00:02:40,840 Speaker 1: man Gel put on a boy Scout uniform and pretended 45 00:02:40,880 --> 00:02:43,440 Speaker 1: to be a Scout leader for twenty four Jewish children, 46 00:02:43,760 --> 00:02:46,760 Speaker 1: all wearing uniforms of their own. He escorted them to 47 00:02:46,800 --> 00:02:48,720 Speaker 1: the French border, where he handed them off to an 48 00:02:48,720 --> 00:02:52,280 Speaker 1: ally who helped them cross over into Switzerland. But it 49 00:02:52,360 --> 00:02:54,959 Speaker 1: wasn't just his young age that endeared him to the kids. 50 00:02:55,200 --> 00:02:58,320 Speaker 1: He acted for them as well, performing little shows to 51 00:02:58,440 --> 00:03:02,200 Speaker 1: distract them as Nazis patrolled nearby. He was also able 52 00:03:02,240 --> 00:03:06,240 Speaker 1: to convey messages to them using hand gestures and facial expressions, 53 00:03:06,280 --> 00:03:08,800 Speaker 1: which came in pretty handy when they couldn't speak without 54 00:03:08,800 --> 00:03:13,840 Speaker 1: giving away their position. Mangel's efforts and his acting managed 55 00:03:13,880 --> 00:03:16,480 Speaker 1: to save the lives of over seventy Jewish children from 56 00:03:16,520 --> 00:03:19,200 Speaker 1: the Nazis. They also saved his own life when he 57 00:03:19,240 --> 00:03:23,440 Speaker 1: found himself surrounded by thirty German soldiers. He pretended to 58 00:03:23,440 --> 00:03:26,120 Speaker 1: be part of the French Army, convincing them that they 59 00:03:26,120 --> 00:03:28,680 Speaker 1: were at risk of being killed by an approaching units 60 00:03:28,760 --> 00:03:34,120 Speaker 1: unless they surrendered, which they did, every last one of them. Sadly, 61 00:03:34,200 --> 00:03:37,080 Speaker 1: while he was helping the resistance and saving lives, his 62 00:03:37,160 --> 00:03:40,080 Speaker 1: father was captured by the Gestapo and sent to Auschwitz 63 00:03:40,080 --> 00:03:44,760 Speaker 1: in Nto. He did not survive. Manuel and his brother 64 00:03:44,800 --> 00:03:47,760 Speaker 1: Elaine had also changed their last name to avoid being 65 00:03:47,800 --> 00:03:50,880 Speaker 1: found out as Jews by the Germans. They adopted the Surm, 66 00:03:50,960 --> 00:03:53,920 Speaker 1: name of a general from the French Revolution, a name 67 00:03:53,920 --> 00:03:56,720 Speaker 1: that Mangel wound up keeping for the rest of his life. 68 00:03:57,360 --> 00:04:00,360 Speaker 1: Once the war ended, he was finally able to sue 69 00:04:00,440 --> 00:04:03,600 Speaker 1: his true passion. He joined a French theater company and 70 00:04:03,800 --> 00:04:06,480 Speaker 1: one a part in a show called Baptiste, which earned 71 00:04:06,520 --> 00:04:09,880 Speaker 1: him rave reviews. This success led to more roles where 72 00:04:09,920 --> 00:04:15,160 Speaker 1: he demonstrated his unique talents for a particular kind of performance, pantomime. 73 00:04:15,840 --> 00:04:19,400 Speaker 1: His biggest and most popular role came in ninety seven 74 00:04:19,480 --> 00:04:22,440 Speaker 1: when he created a brand new character named Bip the clown. 75 00:04:22,960 --> 00:04:26,799 Speaker 1: BIPs costume was comprised of white face paint, a striped shirt, 76 00:04:27,160 --> 00:04:29,640 Speaker 1: and a tall silk hat with a flower sticking out 77 00:04:29,640 --> 00:04:33,080 Speaker 1: of the top. For Mangel, it became his signature look. 78 00:04:33,839 --> 00:04:37,039 Speaker 1: He grew into a certified hit, putting on sold out 79 00:04:37,040 --> 00:04:40,159 Speaker 1: shows without ever saying a word. He called it the 80 00:04:40,279 --> 00:04:43,120 Speaker 1: art of silence, an art that turned him into a 81 00:04:43,160 --> 00:04:47,160 Speaker 1: household name. However, no matter how successful he became as 82 00:04:47,160 --> 00:04:50,400 Speaker 1: a mime, Marcel Marceau would be known to dozens of 83 00:04:50,480 --> 00:04:54,800 Speaker 1: Jewish children and adults as Marcel Mangel, the young man 84 00:04:54,839 --> 00:04:59,000 Speaker 1: who saved them from the Nazis, an unspoken and unspeaking 85 00:04:59,120 --> 00:05:02,120 Speaker 1: hero of War War two and proof that even though 86 00:05:02,120 --> 00:05:05,040 Speaker 1: it isn't the most respected art form out there, a 87 00:05:05,200 --> 00:05:21,680 Speaker 1: mime is a terrible thing to waste. Prison often has 88 00:05:21,680 --> 00:05:24,880 Speaker 1: a way of recentering one's focus. After all, when spending 89 00:05:24,920 --> 00:05:28,640 Speaker 1: your time in relative isolation, detached from the outside world, 90 00:05:28,839 --> 00:05:32,520 Speaker 1: the free time one has with their mind is oftentimes overwhelming. 91 00:05:33,120 --> 00:05:35,839 Speaker 1: By that token, it's no surprise that numerous great minds, 92 00:05:36,080 --> 00:05:39,479 Speaker 1: when cast into this isolation, turned out written works that 93 00:05:39,520 --> 00:05:43,359 Speaker 1: have impacted the world for centuries. Marco Polo recounted his 94 00:05:43,480 --> 00:05:47,160 Speaker 1: travels while imprisoned by the Genoan's Oscar wild Penn d 95 00:05:47,360 --> 00:05:51,440 Speaker 1: profound Us after finally securing writing materials from the prison warden, 96 00:05:51,800 --> 00:05:55,960 Speaker 1: and of course, Nelson Mandela's conversations with myself was composed 97 00:05:56,040 --> 00:05:59,600 Speaker 1: during his twenty seven years in captivity, and in terms 98 00:05:59,600 --> 00:06:01,760 Speaker 1: of kept civity, there are not many places that one 99 00:06:01,760 --> 00:06:04,640 Speaker 1: would least want to find themselves then imprisoned on the 100 00:06:04,680 --> 00:06:07,440 Speaker 1: ship of pirates, because the thing with pirates is that 101 00:06:07,480 --> 00:06:10,240 Speaker 1: they don't exactly have a governing principle, which makes their 102 00:06:10,279 --> 00:06:15,000 Speaker 1: policy of imprisonment a little loose, oftentimes cruel, maybe even 103 00:06:15,040 --> 00:06:18,200 Speaker 1: a little brutal. And that was where Miguel found himself, 104 00:06:18,240 --> 00:06:21,880 Speaker 1: along with his little brother Rodrigo, in the year fifteventive, 105 00:06:22,279 --> 00:06:24,920 Speaker 1: stowed away in the hold of an Ottoman corsair ship, 106 00:06:25,080 --> 00:06:28,120 Speaker 1: imprisoned after a hard fought battle. You could say that 107 00:06:28,200 --> 00:06:31,800 Speaker 1: Miguel was not having the best of times. Recently, he 108 00:06:31,839 --> 00:06:34,920 Speaker 1: had been suffering from malaria as well as a debilitating 109 00:06:34,920 --> 00:06:37,800 Speaker 1: wound in his left arm and chest, the former of 110 00:06:37,839 --> 00:06:40,680 Speaker 1: which he would never fully recover from, not to mention 111 00:06:40,720 --> 00:06:43,960 Speaker 1: that he could not engage in his true passion writing. 112 00:06:44,880 --> 00:06:48,080 Speaker 1: These captive brothers were ticketed for a life of servitude 113 00:06:48,080 --> 00:06:51,320 Speaker 1: as slaves in Algiers, the center of the Christian slave 114 00:06:51,360 --> 00:06:54,560 Speaker 1: markets in the Muslim world, that is, if no ransom 115 00:06:54,600 --> 00:06:57,000 Speaker 1: could be paid. And given the fact that the brothers 116 00:06:57,000 --> 00:07:00,440 Speaker 1: were relatively high born, a fact that the Corsairs relished. 117 00:07:00,600 --> 00:07:04,200 Speaker 1: The ransom would not come cheaply, and amazingly, the family 118 00:07:04,279 --> 00:07:08,279 Speaker 1: did pay the ransom requested, but only for Rodrigo. You see, 119 00:07:08,279 --> 00:07:10,520 Speaker 1: they didn't have the money to afford their oldest son 120 00:07:10,560 --> 00:07:14,160 Speaker 1: as well. So Miguel continued his time in captivity, moving 121 00:07:14,200 --> 00:07:18,200 Speaker 1: on to Istanbul, where he was forced into manual labor. However, 122 00:07:18,360 --> 00:07:22,080 Speaker 1: mcguel did not lose himself to the despair of servitude. Instead, 123 00:07:22,080 --> 00:07:24,280 Speaker 1: he made quite a name for himself among the captive 124 00:07:24,320 --> 00:07:28,280 Speaker 1: community for his strength and courage among fellow slaves, with 125 00:07:28,400 --> 00:07:32,560 Speaker 1: numerous historical accounts from his peers mentioning Micguel. Specifically, he 126 00:07:32,600 --> 00:07:36,880 Speaker 1: attempted four escapes, each one commended for its boldness and courage, 127 00:07:37,320 --> 00:07:39,880 Speaker 1: but in the end all would fail, leaving him right 128 00:07:39,920 --> 00:07:43,200 Speaker 1: back where he started. It would take five more years 129 00:07:43,240 --> 00:07:45,920 Speaker 1: to spring Miguel from this fate, thanks in part to 130 00:07:46,040 --> 00:07:49,280 Speaker 1: a truce signed between the Holy League and the Ottoman Empire. 131 00:07:49,840 --> 00:07:52,600 Speaker 1: With his freedom in hand, Miguel was left to pursue 132 00:07:52,680 --> 00:07:54,920 Speaker 1: his own ends back in Spain, but he found the 133 00:07:54,960 --> 00:07:58,800 Speaker 1: economic climate of his home country almost as taxing as captivity. 134 00:07:58,920 --> 00:08:03,280 Speaker 1: In North Africa and Istanbul. He continuously struggled with unemployment 135 00:08:03,360 --> 00:08:06,560 Speaker 1: while his family, formerly of the middle class, had fallen 136 00:08:06,600 --> 00:08:09,480 Speaker 1: with the rest of the Spanish like them. Despite applying 137 00:08:09,520 --> 00:08:13,160 Speaker 1: for numerous positions in America, mcguel continued to find his 138 00:08:13,240 --> 00:08:17,200 Speaker 1: future blocked by a sputtering Spanish economy and a lack 139 00:08:17,200 --> 00:08:21,320 Speaker 1: of opportunity. All the while, mcguel continued to write while 140 00:08:21,360 --> 00:08:24,640 Speaker 1: sustenance was nowhere to be found. He sold his first book, 141 00:08:25,000 --> 00:08:29,440 Speaker 1: La Galatea in fifty five, earning him a modest one thousand, 142 00:08:29,520 --> 00:08:33,080 Speaker 1: three thirty six Spanish reals, but, as is so often 143 00:08:33,120 --> 00:08:36,400 Speaker 1: the case, one moderate success does not spell a lifetime 144 00:08:36,440 --> 00:08:40,760 Speaker 1: of creative independence. Despite penning another twenty to thirty plays, 145 00:08:40,880 --> 00:08:44,040 Speaker 1: Miguel continued to move from post to post, winning the 146 00:08:44,080 --> 00:08:47,480 Speaker 1: occasional poetry competition or two, but never really finding the 147 00:08:47,520 --> 00:08:50,200 Speaker 1: promised land that he sought. In fact, he found himself 148 00:08:50,240 --> 00:08:54,600 Speaker 1: in worse financial footing than ever before, which landed him 149 00:08:54,720 --> 00:08:58,600 Speaker 1: back in prison, this time in the jail of Sevilla, however, 150 00:08:58,720 --> 00:09:01,280 Speaker 1: and not chained to the brig of a barbary ship. 151 00:09:01,960 --> 00:09:05,040 Speaker 1: Whatever form that captivity took, and he had plenty to 152 00:09:05,120 --> 00:09:08,120 Speaker 1: choose from. Believe me, it led, at his own admission, 153 00:09:08,200 --> 00:09:10,320 Speaker 1: to the creation of one of the greatest works in 154 00:09:10,360 --> 00:09:13,679 Speaker 1: the history of literature, the story of a foolish night 155 00:09:13,800 --> 00:09:16,600 Speaker 1: and his happy sidekick. We just want a little more 156 00:09:16,640 --> 00:09:19,280 Speaker 1: good in the world. And if you haven't pieced it altogether, 157 00:09:19,400 --> 00:09:23,600 Speaker 1: just yet, this Miguel was indeed Miguel de Cervantes and 158 00:09:23,640 --> 00:09:31,000 Speaker 1: the book Don Quixote. I hope you've enjoyed today's guided 159 00:09:31,040 --> 00:09:34,440 Speaker 1: tour of the Cabinet of Curiosities. Subscribe for free on 160 00:09:34,480 --> 00:09:37,480 Speaker 1: Apple Podcasts, or learn more about the show by visiting 161 00:09:37,640 --> 00:09:42,200 Speaker 1: Curiosities podcast dot com. The show was created by me 162 00:09:42,400 --> 00:09:46,040 Speaker 1: Aaron Manky in partnership with how Stuff Works. I make 163 00:09:46,120 --> 00:09:49,640 Speaker 1: another award winning show called Lore, which is a podcast, 164 00:09:49,760 --> 00:09:52,680 Speaker 1: book series, and television show, and you can learn all 165 00:09:52,720 --> 00:09:56,280 Speaker 1: about it over at the World of Lore dot com. 166 00:09:56,320 --> 00:10:00,800 Speaker 1: And until next time, stay curious. Two