WEBVTT - Nostalgia: The Kryptonite of Existential Angst?

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot Com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamp and I'm Julie Douglas. Julie,

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<v Speaker 1>do you ever feel nostalgia creeping into your mind? I do? Yeah,

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<v Speaker 1>What do you What do you get nostalgic for? Well,

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<v Speaker 1>you know, every time I hear like the tinny streams

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<v Speaker 1>of an old twenties tune, I start feeling like I

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<v Speaker 1>need to do that Charleston remember the days back where

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<v Speaker 1>there were talkies. No talkies ruined everything. Oh but I mean,

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<v Speaker 1>I mean, it's entirely possible that you could feel nostalgic

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<v Speaker 1>for that, say, if you were old, if you were

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<v Speaker 1>introduced to a lot of say old timey movies when

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<v Speaker 1>you were younger, you could You're nostalgia could conceivably sort of, um,

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<v Speaker 1>skip back through time, and you could have sort of

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<v Speaker 1>an artificial nostalgia of the time from before you existed.

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<v Speaker 1>I do have an affinity for that time period. But

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<v Speaker 1>I will say that having a kid, I definitely have

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<v Speaker 1>experien areous nostalgia more deeply than I probably have ever

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<v Speaker 1>in my life. Because you're you're you're observing the child

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<v Speaker 1>at a certain age, and you're thinking back on your

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<v Speaker 1>own existence at that time, just because time seems to

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<v Speaker 1>pass so quickly and there's so many beautiful moments. And

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<v Speaker 1>then there's this idea actually we're sort of defining nostalgia

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<v Speaker 1>right now, but it's that idea that you have a

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<v Speaker 1>resurrection of a memory or a feeling that carries with

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<v Speaker 1>it sort of a bitter sweet feeling because you know

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<v Speaker 1>that time has passed and you can never retrieve that

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<v Speaker 1>moment again, and it was a beautiful moment, right. Yeah.

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<v Speaker 1>As a lot of people point out, in nostalgia tends

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<v Speaker 1>to hit you in a way where it it feels

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<v Speaker 1>it feels a little good, but not like whoa amazing,

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<v Speaker 1>It feels a little sad, but not in a like

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<v Speaker 1>a deeply depressive way. It's kind of this ambiguous, overall

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<v Speaker 1>positive feeling, but it's it's it's kind of all over

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<v Speaker 1>the place, you know. Like, I'll I found myself experiencing nostalgia. Um,

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<v Speaker 1>probably a lot more recently, and uh and I'll and

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<v Speaker 1>we'll talk about that as we we go here, but

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<v Speaker 1>like I'll find myself like thinking back to music that

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<v Speaker 1>I listened to when I was in high school, Like,

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<v Speaker 1>I find myself re exploring Tool albums and I still

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<v Speaker 1>like Tool to this day, but I was really into

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<v Speaker 1>them back in back in high school, back around the

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<v Speaker 1>time Annuma came out, and uh. And so I'm listening

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<v Speaker 1>to that, I'm feeling and I'm enjoying the songs, and

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<v Speaker 1>I'm feeling nostalgia and I'm thinking about uh, reading Lovecraft

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<v Speaker 1>for the first time and discovering this music and and

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<v Speaker 1>so on one hand, it's like a celebration of these

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<v Speaker 1>things that I still love. I still love Lovecraft, I

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<v Speaker 1>still love this music. But then I'm also thinking it

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<v Speaker 1>also makes me think or even subconsciously go back to

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<v Speaker 1>that time and uh. And it's weird because on one hand,

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<v Speaker 1>it's like I don't really wish I was a high

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<v Speaker 1>schooler again, Like that was a weird time and there

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<v Speaker 1>are so many things were out of place and uh,

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<v Speaker 1>and and yet there's something in me that's kind of

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<v Speaker 1>reaching back there or something from the past feels like

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<v Speaker 1>it's it's it's phantom limbs or are coming after me

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<v Speaker 1>in the present. Well, we're gonna it to that, We're

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<v Speaker 1>gonna get to this idea that this this idea of

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<v Speaker 1>first and in nostalgia, because they seem to be pretty

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<v Speaker 1>well connected and perhaps the reason why we continue to

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<v Speaker 1>dwell in this realm of nostalgia. John Tyrny, writing for

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<v Speaker 1>The New York Times, says that most people report experiencing

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<v Speaker 1>nostalgia at least once a week, and nearly half experience

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<v Speaker 1>at three or four times a week. Um Erica Hepper,

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<v Speaker 1>she's a psychologist at the University of Surrey and England,

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<v Speaker 1>found that nostalgia levels tend to be high among young adults.

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<v Speaker 1>This is really interesting too will get into this and

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<v Speaker 1>then dip in middle age and rise again during old age,

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<v Speaker 1>and that nostalgia begins as early as age seven. Well,

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<v Speaker 1>what do you have to nostalgic about an age seven?

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<v Speaker 1>You do, because I think that you have this awareness

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<v Speaker 1>that you're getting older. You're like, oh, man, I was

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<v Speaker 1>just thinking the other day about poop and my pants

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<v Speaker 1>and it was like, well, you know, like even uh,

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<v Speaker 1>my four year old will sometimes say I don't want

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<v Speaker 1>to I don't want to get older. I don't want

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<v Speaker 1>to grow up. Because she has the sense that she's

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<v Speaker 1>moving beyond time and she's moving beyond phases and that

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<v Speaker 1>there are other things in front of her. So it

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<v Speaker 1>doesn't surprise me that it's as young as seven that

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<v Speaker 1>kids start to look back and pine for some sort

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<v Speaker 1>of warm and cozy memory. You know. It's it's interesting

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<v Speaker 1>that we are talking about in nostalgia after just recording

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<v Speaker 1>an episode on the Oral boris the world consuming serpent,

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<v Speaker 1>the eternity snake, uh, the eternity dragon, because that is

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<v Speaker 1>a creature that is curving around and consuming its beginnings

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<v Speaker 1>and in and in doing so, creating this the cyclical

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<v Speaker 1>nature of itself. And in a sense, nostalgia is that

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<v Speaker 1>we are reaching back into the past and feasting on

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<v Speaker 1>our beginnings and it seems to uh to fill us

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<v Speaker 1>with us with some sort of energy. Well, and we're

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<v Speaker 1>recycling our memories. That's interesting because I was thinking about

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<v Speaker 1>this in terms of materialism like that when this is

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<v Speaker 1>one of the reasons I think that nostalgia has taken

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<v Speaker 1>such a hold in the United States, at least in

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<v Speaker 1>the US fifty years or something. You never since Coke

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<v Speaker 1>started serving up this idea of Santa Claus and all

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<v Speaker 1>these sort of classic warm memories post World War two,

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<v Speaker 1>because that's that's a way that you can easily access

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<v Speaker 1>that nostalgia, right, the music, it could be merchandise. And

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<v Speaker 1>I was starting to think about how, in some ways

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<v Speaker 1>our existence for each of us, it's almost like we're

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<v Speaker 1>living on a movie lot and we just kind of

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<v Speaker 1>roll in all these props that kind of make us

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<v Speaker 1>feel more connected to whatever it was or is important

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<v Speaker 1>to us in our lives. And a lot of that

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<v Speaker 1>has to do with nostalgia. Yeah, certainly. I mean, like

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<v Speaker 1>you said, the advertisements constantly changing the culture, at least

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<v Speaker 1>the visuals of it and to us, and also the

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<v Speaker 1>technology of it constantly changing, and and therefore we have

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<v Speaker 1>all of these obtainable physical, uh and or visual symbols

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<v Speaker 1>that we can call to to to feed that nostalgic

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<v Speaker 1>hunger in us. Yeah. I was thinking about the new

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<v Speaker 1>iPhone commercial. Have you seen this? It's basically just people

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<v Speaker 1>hanging out with their phones and going through um old

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<v Speaker 1>texts or conversations or um pictures and feeling nostalgic. And

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<v Speaker 1>I thought, well, this is interesting because they've they've taken

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<v Speaker 1>this phone and sort of made it a stand in

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<v Speaker 1>for the repository of your memories or nostalgia and connected

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<v Speaker 1>it that way. It sounds like a horrifying episode of

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<v Speaker 1>Black Mirror. It's it's supposed to be poignant, Well, it

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<v Speaker 1>sounds dark. Um. In fact, you might even say that

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<v Speaker 1>it sounds a little sick, and you would You wouldn't

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<v Speaker 1>be the first person to think that nostalgia sounds a

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<v Speaker 1>little bit like some variant of mental illness. So yeah,

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<v Speaker 1>I didn't realize this until I started doing research that

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<v Speaker 1>nostalgia was actually considered a psychiastric disorder at one time.

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<v Speaker 1>According to Dr Clay Rutledge writing for Scientific American, there's

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<v Speaker 1>a Swiss physician named Johannes Hoefer who coined the term

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<v Speaker 1>nostalgia in to describe what he considered a cerebral disease

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<v Speaker 1>you need to Swiss mercenaries fighting wars far from home.

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<v Speaker 1>He thought that nostalgia caused anxiety, insomnia, irregular heartbeat, and

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<v Speaker 1>disordered eating. And he also thought it was caused by

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<v Speaker 1>continuous vibrations of animal spirits through fibers in the middle brain. Yeah,

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<v Speaker 1>and it was like this big mystery. I mean, people

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<v Speaker 1>were like, oh, this this nostalogy. You've gotta be careful here.

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<v Speaker 1>Let's let's not play in ay these tunes because our

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<v Speaker 1>soldiers are going to go into a deep depression or

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<v Speaker 1>find what's the matter with these guys. Something must be

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<v Speaker 1>wrong that they're not enjoying fighting this war and risking

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<v Speaker 1>life and death far away from home. Why did they

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<v Speaker 1>keep getting all sentimental about a simpler time back in

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<v Speaker 1>a place that they know and loved. Yes, sick, this

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<v Speaker 1>was this is really interesting. This is New York Times

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<v Speaker 1>article UM called nostalgia? What is it good for? It

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<v Speaker 1>says that military physicians thought that it had to do

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<v Speaker 1>with the soldiers ear drums and brain cells being damaged

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<v Speaker 1>by the unremitting clanging of cow bells in the Alps.

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<v Speaker 1>So it was you know, obviously this was not a

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<v Speaker 1>well studied area. UM. I like to imagine the study

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<v Speaker 1>that might have happened, though, where you have two test groups,

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<v Speaker 1>one exposed to alpine cow bells and the other not. Right,

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<v Speaker 1>I know, So was it the cow bells? No, it's

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<v Speaker 1>not at all. Um in this persisted this idea really

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<v Speaker 1>into the twentieth century and professor of history at Weber

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<v Speaker 1>State University, her name is Susan J. Matt. She said

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<v Speaker 1>that this disease of nostalgia was known about in the

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<v Speaker 1>United States during the Civil War and there were seventy

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<v Speaker 1>four deaths from it on the Union side, in more

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<v Speaker 1>than cases in the Surgeon General's records, and it became

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<v Speaker 1>such a problem that they banned army bands from playing

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<v Speaker 1>Home Sweet Home. Now. Now here's one of the something

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<v Speaker 1>that occurs to me out of these examples for starters. Okay,

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<v Speaker 1>nostalgia the things I feel nostalgic about, like, and I

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<v Speaker 1>think a lot of people do. Like nostalge atends to

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<v Speaker 1>apply to things that by and large don't matter in

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<v Speaker 1>and of themselves, Like you like the feeling you feel for,

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<v Speaker 1>say a departed loved one that has died, like that.

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<v Speaker 1>It's not nostalgia that is, that's like a deeper, more

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<v Speaker 1>close emotion, you know. But but nostalgia is a little

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<v Speaker 1>harder to classific. It seems like two things need to

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<v Speaker 1>happen for you to feel nostalgia. Either your your physical

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<v Speaker 1>surroundings have to change. You have have to travel somewhere

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<v Speaker 1>and and in in olden times, whine would you travel

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<v Speaker 1>a long distance, especially if you were not particularly into

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<v Speaker 1>the idea you would do so because you were engaged

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<v Speaker 1>in the military conquest of some kind. Or what has

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<v Speaker 1>to happen is the world around you has to change.

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<v Speaker 1>It has to the music changes, the advertisements change, the

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<v Speaker 1>technology changes, etcetera. And then and then you you feel

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<v Speaker 1>this nostalgic link to a place that doesn't really exist anymore. So,

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<v Speaker 1>I wonder to what extent in previous ages it was

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<v Speaker 1>harder to feel nostalgia because you weren't necessarily going to

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<v Speaker 1>ever leave the area in which you lived. You know,

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<v Speaker 1>you'd be more or less surrounded by the same places

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<v Speaker 1>and uh, and the the level of technology, the level

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<v Speaker 1>you know, the basic aesthetics of the world around you

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<v Speaker 1>would more or less remain intact. Now that's interesting, especially

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<v Speaker 1>for a grarian based societies. Right, so ten thousand years on,

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<v Speaker 1>we primarily have just been in the same place, except

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<v Speaker 1>for when you begin to think about place like the

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<v Speaker 1>United States of America, which is a very young country

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<v Speaker 1>and in a country that many people immigrated to and

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<v Speaker 1>people continue to move around. And that's sort of an

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<v Speaker 1>American thing, is that you, um, you find your survival

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<v Speaker 1>by sort of picking up and going and uh doing

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<v Speaker 1>something for yourself that's new in a new area, new possibilities, right,

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<v Speaker 1>the gold Rush, so on and so forth. We encountered

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<v Speaker 1>that on Facebook all the time we all have that

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<v Speaker 1>have that friend who's had a tough time. They're like,

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<v Speaker 1>I said, I'm moving, leaving to a different city, going

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<v Speaker 1>to start over somewhere new. And that's that's the the

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<v Speaker 1>idea in itself. You know, I'm going to change my

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<v Speaker 1>physical surroundings and in doing so, I will change who

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<v Speaker 1>I am. Well the Susan J. Matt, the professor of

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<v Speaker 1>history UM, she was actually saying in that way that

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<v Speaker 1>nostalgia became a very un American emotion because not only

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<v Speaker 1>did it have this association with the psychiatric disorder of

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<v Speaker 1>people who had come back from war, but it was

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<v Speaker 1>this idea that was opposed this whole like manifest destiny,

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<v Speaker 1>that you need to not feel homesick, that you need

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<v Speaker 1>to pick up and move and begin your life and new.

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<v Speaker 1>And so she was saying that it was very interesting

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<v Speaker 1>to see the ways that it's represented in American culture,

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<v Speaker 1>and really in American culture that, uh, nostalgia doesn't truly

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<v Speaker 1>get embraced until after World War Two, and she says

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<v Speaker 1>that much of that can be attributed to the fact

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<v Speaker 1>that during World War One they began to better understand

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<v Speaker 1>nostalgia and they began to better understand that people who

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<v Speaker 1>came home who were depressed and who had anxiety had

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<v Speaker 1>signs of the newly established syndrome of shell shock, not nostalgia.

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<v Speaker 1>You know, in a sense, the idea of nostalgia as

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<v Speaker 1>a negative force, it does make a lot of sense

0:12:03.120 --> 0:12:05.920
<v Speaker 1>because in a sense, it is looking back to the past,

0:12:06.240 --> 0:12:09.480
<v Speaker 1>clinging to the past, instead of moving forward and uh

0:12:09.480 --> 0:12:11.680
<v Speaker 1>and welcoming new things. So I can I can easily

0:12:11.720 --> 0:12:14.240
<v Speaker 1>see where it could it could be interpreted as a

0:12:14.240 --> 0:12:17.040
<v Speaker 1>negative force. And if you were nostalgic for things that

0:12:17.080 --> 0:12:20.080
<v Speaker 1>are harmful, either like say, hey man, I really miss

0:12:20.120 --> 0:12:23.040
<v Speaker 1>cocaine or something, you know, like that would be bad nostalgia.

0:12:23.200 --> 0:12:25.560
<v Speaker 1>Or when you see like people who are really in

0:12:25.640 --> 0:12:31.840
<v Speaker 1>to say, images of sort of an imagined anti Bellum South,

0:12:32.120 --> 0:12:35.560
<v Speaker 1>you know that that can be kind of disturbing as well,

0:12:35.600 --> 0:12:37.800
<v Speaker 1>Like you're kind of nostalgic for a thing that didn't

0:12:37.840 --> 0:12:39.680
<v Speaker 1>quite exist the way you think it did and was

0:12:39.720 --> 0:12:43.040
<v Speaker 1>really kind of a horrific time, right, which kind of

0:12:43.040 --> 0:12:46.040
<v Speaker 1>gives you that whole idea that again, memory and the

0:12:46.080 --> 0:12:48.200
<v Speaker 1>way that we construct our world is unique to every

0:12:48.240 --> 0:12:50.480
<v Speaker 1>single person, right, we just sort of all agree on

0:12:50.520 --> 0:12:53.760
<v Speaker 1>a set of conditions to say, hey, this is how

0:12:53.800 --> 0:12:56.319
<v Speaker 1>we're defining the world. But everything else is up for interpretation.

0:12:56.760 --> 0:12:58.679
<v Speaker 1>But it does turn out, and we'll talk about this

0:12:59.000 --> 0:13:01.280
<v Speaker 1>after the break, but it does for now that nostalgia

0:13:01.360 --> 0:13:04.720
<v Speaker 1>actually is a good thing by and large because it

0:13:04.760 --> 0:13:09.120
<v Speaker 1>helps to regulate our emotions. That being said, I'm gonna

0:13:09.160 --> 0:13:16.240
<v Speaker 1>go get nostalgic for for some talkies and the carton cigarettes. Kids.

0:13:24.440 --> 0:13:28.240
<v Speaker 1>All right, we're back. We've been talking about nostalgia. We

0:13:28.280 --> 0:13:31.720
<v Speaker 1>talked a little bit about the toxic nostalgia, but for

0:13:31.760 --> 0:13:35.160
<v Speaker 1>the most part, this is a positive force in our lives.

0:13:35.360 --> 0:13:38.480
<v Speaker 1>It is, and we should probably scratch at what exactly

0:13:38.520 --> 0:13:43.920
<v Speaker 1>actually characterizes the experiences of nostalgia. Dr Clay Rutledge, who

0:13:43.960 --> 0:13:47.760
<v Speaker 1>I talked about before, his research focuses on how they

0:13:47.760 --> 0:13:50.800
<v Speaker 1>need to perceive life as meaningful, impacts mental and physical health,

0:13:50.840 --> 0:13:54.040
<v Speaker 1>close relationships, and intergroup relations. So of course he's very

0:13:54.040 --> 0:13:57.960
<v Speaker 1>interested in nostalgia, and he says that these memories tend

0:13:57.960 --> 0:14:02.280
<v Speaker 1>to be focused on momentous or perly meaningful life events

0:14:02.320 --> 0:14:06.960
<v Speaker 1>that prominently feature close others, so friends, family, romantic partners,

0:14:07.640 --> 0:14:14.560
<v Speaker 1>family vacations, road trips with friends, weddings, graduation, uh birthday, parties,

0:14:14.800 --> 0:14:18.520
<v Speaker 1>gatherings for the holidays, all these sorts of things are

0:14:18.600 --> 0:14:22.840
<v Speaker 1>these cherished experiences. Yeah, I can see that, like just

0:14:22.880 --> 0:14:26.160
<v Speaker 1>thinking about family trips, Like I instantly think of family

0:14:26.200 --> 0:14:30.080
<v Speaker 1>trips to the beach, and like oysters, like raw oysters

0:14:30.120 --> 0:14:34.960
<v Speaker 1>with cocktail sauce and salting crackers. There you go. See. So, now,

0:14:35.000 --> 0:14:37.120
<v Speaker 1>if you are one of the participants in one of

0:14:37.200 --> 0:14:39.800
<v Speaker 1>his studies, that's probably what you are. One of the

0:14:39.800 --> 0:14:42.480
<v Speaker 1>things that you might have written about. And one of

0:14:42.480 --> 0:14:46.320
<v Speaker 1>the things that were Ledge found with the participants is

0:14:46.320 --> 0:14:49.880
<v Speaker 1>that when they were writing about their nostalgic experiences, um,

0:14:49.960 --> 0:14:52.520
<v Speaker 1>and when someone went through and sort of weeded out

0:14:52.560 --> 0:14:56.040
<v Speaker 1>everything else, they found that there were many more positive

0:14:56.080 --> 0:15:00.720
<v Speaker 1>emotion related words used than negative emotion from related words,

0:15:00.720 --> 0:15:04.080
<v Speaker 1>which I thought was interesting because it's come up before

0:15:04.360 --> 0:15:08.040
<v Speaker 1>that we tend to have better recall and use of

0:15:08.200 --> 0:15:11.800
<v Speaker 1>negative words than positive ones in general. But here's this

0:15:11.880 --> 0:15:16.440
<v Speaker 1>case where you have just a outflowing of positive words. UM.

0:15:16.560 --> 0:15:18.840
<v Speaker 1>Kind of giving you a hint as to where this

0:15:18.920 --> 0:15:21.680
<v Speaker 1>is going in terms of your mindset. Yeah. So, researchers

0:15:21.680 --> 0:15:24.800
<v Speaker 1>have looked at the causes of nostalgia and they found

0:15:24.800 --> 0:15:26.480
<v Speaker 1>that there are a number of things that can kick

0:15:26.480 --> 0:15:29.120
<v Speaker 1>it off. Social interactions, So like you're getting together with

0:15:29.160 --> 0:15:31.520
<v Speaker 1>an old friend and you're talking, hey, remember that that

0:15:31.560 --> 0:15:33.040
<v Speaker 1>teacher we had in college, And the next thing, you know,

0:15:33.080 --> 0:15:36.840
<v Speaker 1>an nostalgic or some either a particular experience or some

0:15:36.880 --> 0:15:41.760
<v Speaker 1>sort of fragment of that time. UM sensory inputs music,

0:15:41.920 --> 0:15:43.640
<v Speaker 1>you hear an old song and you're like, oh, man,

0:15:43.640 --> 0:15:46.600
<v Speaker 1>I haven't listened to this in forever. Nostalgia or a smell,

0:15:46.760 --> 0:15:49.920
<v Speaker 1>And we talked before about how would smell that kind

0:15:49.960 --> 0:15:55.240
<v Speaker 1>of undercuts our conscious labeling of experiences. So we'll smell

0:15:55.280 --> 0:15:57.480
<v Speaker 1>something and will suddenly be so nostalgic for something, and

0:15:57.520 --> 0:16:00.120
<v Speaker 1>we don't even necessarily remember what we're being nostalgic for,

0:16:00.320 --> 0:16:02.640
<v Speaker 1>but that smell will take us back to sort of

0:16:02.640 --> 0:16:07.000
<v Speaker 1>a general time frame. Tangible objects of course, old photographs,

0:16:07.040 --> 0:16:10.480
<v Speaker 1>you know, somebody's old watch, somebody's old wedding ring. You

0:16:10.520 --> 0:16:13.119
<v Speaker 1>handle that and it'll take you back. And the iPhone.

0:16:15.360 --> 0:16:17.800
<v Speaker 1>I mean, people do get nostalgic about their technology. Like

0:16:17.800 --> 0:16:20.720
<v Speaker 1>one of the nostalgic trips that um I have found

0:16:20.720 --> 0:16:23.280
<v Speaker 1>a musing I interviewed a guy who is really into

0:16:23.320 --> 0:16:26.080
<v Speaker 1>it for the blogs and uh and I've gotten into

0:16:26.080 --> 0:16:29.520
<v Speaker 1>it a bit too. Is VHS nostalgia, Like we know,

0:16:29.680 --> 0:16:31.760
<v Speaker 1>when when we were done with VHS is and we

0:16:31.880 --> 0:16:35.840
<v Speaker 1>moved to two DVDs, like we couldn't have most people

0:16:36.080 --> 0:16:38.760
<v Speaker 1>just couldn't get rid of those VHS tapes soon enough,

0:16:39.000 --> 0:16:41.600
<v Speaker 1>just dump that we have a better technology around. But

0:16:41.720 --> 0:16:44.760
<v Speaker 1>now people were really filling this, uh, this flood of

0:16:44.800 --> 0:16:47.640
<v Speaker 1>nostalgia for and in my case is a lot of

0:16:47.680 --> 0:16:50.080
<v Speaker 1>it is the films of that time and the kind

0:16:50.080 --> 0:16:53.200
<v Speaker 1>of looking sound that they had the digital film scores.

0:16:53.360 --> 0:16:56.480
<v Speaker 1>But then some people are like really hardcore nostalgic and

0:16:56.480 --> 0:17:00.320
<v Speaker 1>and even obsessive about the technology itself. They're like they're

0:17:00.600 --> 0:17:04.000
<v Speaker 1>they're buying old VCRs, fixing them up, They're collecting tapes

0:17:04.080 --> 0:17:07.240
<v Speaker 1>sometimes spending uh kind of crazy amounts of money on

0:17:07.240 --> 0:17:09.639
<v Speaker 1>on what to any other I would be a just

0:17:09.680 --> 0:17:12.359
<v Speaker 1>a beat up piece of discarded technology. Well you you

0:17:12.400 --> 0:17:14.320
<v Speaker 1>hear the same sort of thing in the recordings of

0:17:14.440 --> 0:17:18.359
<v Speaker 1>music sometimes, like people prefer to hear the scratchiness or

0:17:18.520 --> 0:17:21.680
<v Speaker 1>just that the imperfections as opposed to everything that's eded

0:17:21.680 --> 0:17:24.159
<v Speaker 1>out and so clean. Um, you know, I think that

0:17:24.200 --> 0:17:26.600
<v Speaker 1>was one of the chief complaints of going from a

0:17:26.640 --> 0:17:30.760
<v Speaker 1>record player to a cassette player. Yeah, the distortions and

0:17:30.800 --> 0:17:33.199
<v Speaker 1>the imperfections of the sound become a part of what

0:17:33.240 --> 0:17:37.960
<v Speaker 1>we loved about them. Uh. Two artists, in particular musical artists.

0:17:37.960 --> 0:17:40.000
<v Speaker 1>There's a musical artist named Tycho. And then of course

0:17:40.000 --> 0:17:43.320
<v Speaker 1>Boards of Canada. Both of these groups, especially Boards of Canada,

0:17:43.680 --> 0:17:49.680
<v Speaker 1>really employ uh, this nostalgic, audible nostalgia for for sounds

0:17:49.680 --> 0:17:52.280
<v Speaker 1>that are sort of distorted, old electronic soundtracks, this kind

0:17:52.320 --> 0:17:55.520
<v Speaker 1>of thing. And uh, and they weave all these things together,

0:17:55.640 --> 0:17:57.639
<v Speaker 1>like take the things we're nostaluted for and boil them

0:17:57.680 --> 0:18:00.000
<v Speaker 1>down to their basics and then reassemble them into two

0:18:00.000 --> 0:18:03.400
<v Speaker 1>a new um sonic form. And then so you're you're

0:18:03.400 --> 0:18:05.760
<v Speaker 1>taking it in. It's a it's a new thing, but

0:18:05.840 --> 0:18:08.760
<v Speaker 1>at the same time it is is heavily nostalgic. You

0:18:08.800 --> 0:18:11.119
<v Speaker 1>have to stay with an accordion. I just feel that,

0:18:11.119 --> 0:18:14.320
<v Speaker 1>I mean and growing a theremin and I'm just a puddle.

0:18:16.000 --> 0:18:18.040
<v Speaker 1>You're before this is through, you will tell us something

0:18:18.080 --> 0:18:21.480
<v Speaker 1>you're actually nostalgic for. I'm not kidding. I'm not kidding

0:18:21.480 --> 0:18:23.960
<v Speaker 1>about that at all. All right, maybe you are a

0:18:23.960 --> 0:18:29.160
<v Speaker 1>time traveler, time lord, even everybody, all right, So those

0:18:29.200 --> 0:18:31.760
<v Speaker 1>are some of the things that cause of nostalgia. But

0:18:32.480 --> 0:18:35.879
<v Speaker 1>in these studies, a negative mood was the most commonly

0:18:35.880 --> 0:18:40.240
<v Speaker 1>reported cause of nostalgia and uh and and generally loneliness

0:18:40.280 --> 0:18:43.240
<v Speaker 1>was the most frequently listed negative emotion that led to

0:18:43.320 --> 0:18:48.080
<v Speaker 1>nostalgia yeah, which led to the researchers positing that psychological

0:18:48.320 --> 0:18:51.239
<v Speaker 1>threat was the culprit for digging into the past and

0:18:51.359 --> 0:18:54.080
<v Speaker 1>using nostalgia as a kind of bomb. And of course,

0:18:54.080 --> 0:18:56.400
<v Speaker 1>how did they do this or bear this out? They

0:18:56.440 --> 0:19:00.400
<v Speaker 1>triggered a sense of loneliness in their participants. They had

0:19:00.440 --> 0:19:03.080
<v Speaker 1>one group who, after completing a questionnaire, were told that

0:19:03.119 --> 0:19:06.359
<v Speaker 1>they scored high on loneliness. And then they had a

0:19:06.400 --> 0:19:09.000
<v Speaker 1>second control group which they said that you don't rate

0:19:09.200 --> 0:19:12.560
<v Speaker 1>very high on loneliness. And then they asked all the

0:19:12.600 --> 0:19:16.359
<v Speaker 1>participants to complete a measure of nostalgia. And it turns

0:19:16.359 --> 0:19:20.800
<v Speaker 1>out the participants in loneliness condition reported being significantly more

0:19:20.960 --> 0:19:24.760
<v Speaker 1>nostalgic than participants in the control group. And then, just

0:19:24.760 --> 0:19:26.720
<v Speaker 1>just to make sure that this was really going on,

0:19:27.080 --> 0:19:30.800
<v Speaker 1>they had another study in which some volunteers read a

0:19:30.840 --> 0:19:34.280
<v Speaker 1>story by a supposed Oxford philosopher who wrote that life

0:19:34.359 --> 0:19:38.040
<v Speaker 1>is meaningless because any single person's contribution to the world

0:19:38.080 --> 0:19:42.119
<v Speaker 1>is quote paltry, pathetic, and pointless. And of course the

0:19:42.160 --> 0:19:45.560
<v Speaker 1>idea here is that there's a theme that threatens perceived

0:19:45.640 --> 0:19:48.399
<v Speaker 1>meaning in our lives. And then they had another group

0:19:48.440 --> 0:19:51.680
<v Speaker 1>read a neutral story. Again, it was those people who

0:19:51.680 --> 0:19:57.240
<v Speaker 1>read about life being meaningless who indulged in nostalgic thoughts

0:19:57.280 --> 0:20:01.320
<v Speaker 1>and feelings. Well, you know, I I compared this to

0:20:01.359 --> 0:20:03.919
<v Speaker 1>my own experiences because right now I'm not I'm not

0:20:03.960 --> 0:20:06.320
<v Speaker 1>in a lonely state of mind or a depressed state

0:20:06.400 --> 0:20:10.320
<v Speaker 1>of mind. But um, tomorrow evening on, my wife and

0:20:10.359 --> 0:20:12.960
<v Speaker 1>are flying to China. We're gonna pick up our son,

0:20:13.080 --> 0:20:14.680
<v Speaker 1>and it's gonna we're gonna be there for two weeks,

0:20:14.680 --> 0:20:16.800
<v Speaker 1>and it's gonna be kind of stressful, and it's gonna

0:20:16.800 --> 0:20:19.720
<v Speaker 1>be like a life changing event. Uh. And so I

0:20:20.160 --> 0:20:22.520
<v Speaker 1>feel a certain amount of anxiety about that, and I

0:20:22.520 --> 0:20:25.120
<v Speaker 1>feel a lot of intense excitement about it. And then

0:20:25.440 --> 0:20:28.720
<v Speaker 1>and then also just like you know, seven siultaneous heart

0:20:28.720 --> 0:20:31.080
<v Speaker 1>attacks here and there, as I as I think about it,

0:20:31.280 --> 0:20:34.080
<v Speaker 1>and so I can only assume that a lot of

0:20:34.119 --> 0:20:36.760
<v Speaker 1>my recent nostalgia, as opposed to do sort of general

0:20:36.760 --> 0:20:39.760
<v Speaker 1>in nostalgia, has maybe risen out of that. It's possible.

0:20:39.760 --> 0:20:41.680
<v Speaker 1>I mean, do you find yourself kind of not that now,

0:20:41.920 --> 0:20:44.000
<v Speaker 1>not that we need to get you on the psychologists

0:20:44.040 --> 0:20:46.360
<v Speaker 1>couch here or anything, but do you find yourself kind

0:20:46.359 --> 0:20:50.720
<v Speaker 1>of accessing childhood memories? And yeah, definitely. I mean when

0:20:50.800 --> 0:20:54.040
<v Speaker 1>especially when it comes to purchasing books for the child

0:20:54.119 --> 0:20:56.520
<v Speaker 1>and looking at toys, and then you know, I'll say, oh,

0:20:56.600 --> 0:20:58.680
<v Speaker 1>I have this book. He's like, oh my goodness, I

0:20:58.720 --> 0:21:00.680
<v Speaker 1>don't have a copy of the star Belt Sneeches in

0:21:00.680 --> 0:21:02.359
<v Speaker 1>the house. Yeah. I had that as a kid. And

0:21:02.520 --> 0:21:05.240
<v Speaker 1>and then and maybe that's why the Starbid Sneeches have

0:21:05.320 --> 0:21:07.920
<v Speaker 1>come up in like three different podcasts recently, because I

0:21:08.000 --> 0:21:10.119
<v Speaker 1>keep thinking back to the things that influenced me as

0:21:10.119 --> 0:21:13.840
<v Speaker 1>a child as I consider this child coming into my life. Yeah,

0:21:13.840 --> 0:21:18.080
<v Speaker 1>it's possible. Your son is very lucky. By the way, Sorry,

0:21:18.440 --> 0:21:22.560
<v Speaker 1>well try Yeah alright, Um, No, I didn't mean to

0:21:22.560 --> 0:21:24.920
<v Speaker 1>get all of a clemp fish. Um. So, I mean,

0:21:24.960 --> 0:21:27.400
<v Speaker 1>as you we can tell, there are definitely benefits here

0:21:27.480 --> 0:21:31.600
<v Speaker 1>to indulging in nostalgia because it does kind of make

0:21:31.640 --> 0:21:34.680
<v Speaker 1>you feel as though perhaps you are re centering your

0:21:34.800 --> 0:21:39.840
<v Speaker 1>universe of meaning just by accessing this information and reframing

0:21:39.840 --> 0:21:42.840
<v Speaker 1>what's going on in your current life? Right? Um? Now

0:21:42.880 --> 0:21:46.480
<v Speaker 1>from the journal Current Directions and Psychological Science, paper by

0:21:46.600 --> 0:21:50.320
<v Speaker 1>Clay Rutledge again says that nostalgist serves at least four

0:21:50.400 --> 0:21:56.280
<v Speaker 1>key psychological functions. I'm talking about generating positive effect, elevating

0:21:56.280 --> 0:21:59.399
<v Speaker 1>actual self esteem, which I was sort of surprised to me,

0:22:00.080 --> 0:22:05.640
<v Speaker 1>fostering social connectedness, and alleviating that existential threat that there's

0:22:05.680 --> 0:22:09.080
<v Speaker 1>no meaning in life. Right. Indeed, the social connectedness thing

0:22:09.160 --> 0:22:12.080
<v Speaker 1>really interests me because of course you think about nostalgias,

0:22:12.160 --> 0:22:15.240
<v Speaker 1>and other people are inevitably going to share your nostalgia.

0:22:15.280 --> 0:22:17.960
<v Speaker 1>And I mean, I dare anyone to give me an

0:22:17.960 --> 0:22:21.040
<v Speaker 1>example of something they're nostalgic for that nobody else on

0:22:21.080 --> 0:22:24.440
<v Speaker 1>the planet feels that pull towards like uh, you know,

0:22:24.480 --> 0:22:27.520
<v Speaker 1>I mentioned like the VHS thing. Uh, people feel nostalgia

0:22:27.600 --> 0:22:30.040
<v Speaker 1>for that, and so their whole communities where they talk

0:22:30.080 --> 0:22:33.040
<v Speaker 1>about trading these tapes, they talk about the technology. Uh.

0:22:33.080 --> 0:22:36.280
<v Speaker 1>And certainly with any kind of music or media or art,

0:22:36.359 --> 0:22:38.639
<v Speaker 1>people are going to gather around it. They're going to

0:22:38.720 --> 0:22:41.959
<v Speaker 1>draw these uh, sometimes forgotten artists back from obscurity and

0:22:41.960 --> 0:22:44.440
<v Speaker 1>celebrate them again. So no matter what your nostalgia is

0:22:44.480 --> 0:22:47.480
<v Speaker 1>you're gonna find a community of people, especially online that

0:22:47.680 --> 0:22:50.200
<v Speaker 1>share it, and you're going to feel this intense connection

0:22:50.200 --> 0:22:54.800
<v Speaker 1>with people like, hey, weird team VHS or weird team. Um,

0:22:54.920 --> 0:22:57.600
<v Speaker 1>I don't know old Beatles albums, I don't know. Whatever

0:22:57.600 --> 0:23:00.359
<v Speaker 1>you're nostalgia is, it's true, right, Yeah, you're you're right.

0:23:00.359 --> 0:23:02.520
<v Speaker 1>There's sort of a more universal we all feel this

0:23:02.560 --> 0:23:04.240
<v Speaker 1>way and we're all connected in that way. But there's

0:23:04.240 --> 0:23:07.280
<v Speaker 1>also like, you know, maybe someone was involved, uh in

0:23:07.359 --> 0:23:10.199
<v Speaker 1>watching this movie, this particular of VHS movie with you,

0:23:10.320 --> 0:23:12.560
<v Speaker 1>and then you think back about your connectedness to that

0:23:12.640 --> 0:23:15.600
<v Speaker 1>person as well. But I thought it was interesting too

0:23:15.720 --> 0:23:19.240
<v Speaker 1>that self esteem was involved in that relige. Did a

0:23:19.359 --> 0:23:23.119
<v Speaker 1>number of studies that bore out that self esteem again,

0:23:23.400 --> 0:23:28.240
<v Speaker 1>perhaps this connectedness or the sense of accomplishment was underlying

0:23:28.280 --> 0:23:31.159
<v Speaker 1>reason for that self esteem. And it again brings me

0:23:31.200 --> 0:23:34.720
<v Speaker 1>back to this idea that we no longer reside in

0:23:34.880 --> 0:23:37.600
<v Speaker 1>like the same community in the same place and share

0:23:37.640 --> 0:23:40.919
<v Speaker 1>the same uh sort of general social group anymore. We

0:23:41.040 --> 0:23:42.919
<v Speaker 1>move out, we moved to new places that are in

0:23:42.960 --> 0:23:47.879
<v Speaker 1>those places themselves are constantly changing, so you you reach

0:23:47.960 --> 0:23:51.320
<v Speaker 1>to things like like old VHS tapes or old music,

0:23:51.840 --> 0:23:55.800
<v Speaker 1>and those become sort of the social connection with a

0:23:55.920 --> 0:23:59.320
<v Speaker 1>surrounding that the earlier people would have had just by

0:24:00.119 --> 0:24:02.760
<v Speaker 1>being in the place that they call home. That they

0:24:02.800 --> 0:24:06.840
<v Speaker 1>were right, which makes me think about embodied cognition. We

0:24:06.920 --> 0:24:10.639
<v Speaker 1>talked about this embodied cognition UM, this idea that things,

0:24:11.200 --> 0:24:14.040
<v Speaker 1>or even um putting on a certain kind of clothes

0:24:14.600 --> 0:24:17.520
<v Speaker 1>would affect the way that your your brain behaves and

0:24:17.560 --> 0:24:20.480
<v Speaker 1>the way that you think. And so then I was

0:24:20.560 --> 0:24:24.240
<v Speaker 1>reminded of the study that we came upon about feeling

0:24:24.440 --> 0:24:30.040
<v Speaker 1>warm when you indulge in nostalgic thoughts. And this was

0:24:30.080 --> 0:24:33.919
<v Speaker 1>a study or rather an experiment in the Netherlands by J. J. M.

0:24:34.000 --> 0:24:38.440
<v Speaker 1>Winger Hoots of Tilburg University. Uh. He and his colleagues

0:24:38.480 --> 0:24:41.800
<v Speaker 1>found that listening to songs made people feel not only nostalgic,

0:24:42.000 --> 0:24:46.200
<v Speaker 1>but warmer physically. And then this is this is where

0:24:46.200 --> 0:24:49.320
<v Speaker 1>it gets kind of even crazier. Uh The New Zoo

0:24:49.359 --> 0:24:52.840
<v Speaker 1>of sun yat Sen University tracks students over the course

0:24:52.880 --> 0:24:55.479
<v Speaker 1>of a month and found that feelings of nostalgia were

0:24:55.520 --> 0:25:00.000
<v Speaker 1>more common on cold days. And they found that people

0:25:00.119 --> 0:25:03.920
<v Speaker 1>in a cool room around sixty eight degrees fahrenheit were

0:25:03.960 --> 0:25:07.560
<v Speaker 1>more likely to engage in nostalgia than people in warmer rooms,

0:25:07.600 --> 0:25:10.399
<v Speaker 1>and of course as a result, they felt warmer. Well.

0:25:10.440 --> 0:25:12.280
<v Speaker 1>I wonder if that has anything to do with the

0:25:12.320 --> 0:25:14.760
<v Speaker 1>fact that every time October rolls around. I also I

0:25:14.800 --> 0:25:17.879
<v Speaker 1>often feel like a lot of nostalgia because I'm getting

0:25:17.920 --> 0:25:21.280
<v Speaker 1>the Halloween season, So I'm getting nostalgic about Halloween, uh,

0:25:21.400 --> 0:25:25.040
<v Speaker 1>celebrations of the past and all bits of Halloween themed media.

0:25:25.160 --> 0:25:28.439
<v Speaker 1>But also the temperature is changing, so yeah, and I

0:25:28.680 --> 0:25:31.040
<v Speaker 1>and I actually start to think about certain foods and

0:25:31.080 --> 0:25:35.199
<v Speaker 1>experience as too, thinking about fall foods and winter foods

0:25:35.240 --> 0:25:38.320
<v Speaker 1>and all that. This is an interesting perspective. Psychologist Tim

0:25:38.320 --> 0:25:40.840
<v Speaker 1>Wilsheit says that if you can recruit a memory to

0:25:40.960 --> 0:25:44.200
<v Speaker 1>maintain physiological comfort, this idea that you would feel warm

0:25:44.280 --> 0:25:47.120
<v Speaker 1>through this memory. Um. He said that at least subjectively,

0:25:47.400 --> 0:25:51.160
<v Speaker 1>that could be an amazing and complex adaptation. It could

0:25:51.320 --> 0:25:54.600
<v Speaker 1>contribute to survival by making look for food and shelter

0:25:54.680 --> 0:25:57.000
<v Speaker 1>that much longer. So presumably he's talking about in an

0:25:57.000 --> 0:26:01.000
<v Speaker 1>evolutionary sense. So one might be out in the wilderness

0:26:01.440 --> 0:26:03.560
<v Speaker 1>trying to find a place that can sustain them, and

0:26:03.560 --> 0:26:06.919
<v Speaker 1>they are in the process sustained by nostalgia. For a

0:26:07.000 --> 0:26:09.000
<v Speaker 1>place that sustained them, or even just a thing that

0:26:09.119 --> 0:26:11.399
<v Speaker 1>sustained You're right. It doesn't even have to be like O,

0:26:11.400 --> 0:26:13.560
<v Speaker 1>our our ancestors needed, you know, they were out in

0:26:13.600 --> 0:26:15.280
<v Speaker 1>the wild. It could just be that you were on

0:26:15.600 --> 0:26:18.719
<v Speaker 1>say a long hiking trip, and he didn't pack as

0:26:18.840 --> 0:26:20.919
<v Speaker 1>much water as you needed to our food, and you

0:26:20.960 --> 0:26:24.320
<v Speaker 1>needed to go back into your memories to to get

0:26:24.359 --> 0:26:27.680
<v Speaker 1>that sort of warmth and again that idea that there

0:26:27.880 --> 0:26:30.600
<v Speaker 1>is rhyme and reason for what you're doing. There's some

0:26:30.640 --> 0:26:33.879
<v Speaker 1>sort of grand master plan, and nostalgia helps to recenter

0:26:34.000 --> 0:26:38.159
<v Speaker 1>that reason for living and meaning. And it's so crazy

0:26:38.240 --> 0:26:40.439
<v Speaker 1>how some of the things we feel nostalgic for. I mean,

0:26:40.440 --> 0:26:42.280
<v Speaker 1>there are things that we're nostalgic for that at the

0:26:42.320 --> 0:26:45.200
<v Speaker 1>time we were kind of been different to like VHS

0:26:45.280 --> 0:26:49.240
<v Speaker 1>distortion disorted sound or distorted uh you know imagery that

0:26:49.359 --> 0:26:51.600
<v Speaker 1>was just part of watching a VHS tape. No, we

0:26:51.640 --> 0:26:53.600
<v Speaker 1>known't not anything special about it. You might think, oh,

0:26:53.640 --> 0:26:55.320
<v Speaker 1>that's kind of weird or neat, but now it's the

0:26:55.320 --> 0:26:58.800
<v Speaker 1>thing we feel the pool towards. Or I think back

0:26:58.840 --> 0:27:01.639
<v Speaker 1>to going to church, going to a Baptist church when

0:27:01.720 --> 0:27:03.760
<v Speaker 1>I was a kid, and we were seeing all these hymns,

0:27:03.760 --> 0:27:05.960
<v Speaker 1>and I hated the most of the hymns. I means

0:27:06.080 --> 0:27:07.480
<v Speaker 1>have some of them are fun to sing, I guess,

0:27:07.480 --> 0:27:09.200
<v Speaker 1>but but for the most part, I did not have

0:27:09.240 --> 0:27:12.720
<v Speaker 1>a lot of love for Leaning on the Everlasting Arms.

0:27:12.760 --> 0:27:14.840
<v Speaker 1>But now I hear it and I get kind of

0:27:14.880 --> 0:27:17.480
<v Speaker 1>nostalgic for it. And even even though it's not something

0:27:17.480 --> 0:27:20.040
<v Speaker 1>that I like consciously had had a lot or any

0:27:20.119 --> 0:27:22.280
<v Speaker 1>love for at the time, so we had it's and

0:27:22.320 --> 0:27:23.520
<v Speaker 1>I think there are a lot of examples of that

0:27:23.520 --> 0:27:26.679
<v Speaker 1>in people's lives. You're suddenly nostalgic for something that really

0:27:26.680 --> 0:27:29.480
<v Speaker 1>didn't matter all that much back in the day. So

0:27:29.680 --> 0:27:32.159
<v Speaker 1>I have an example of that too, and it's hearing

0:27:32.400 --> 0:27:35.359
<v Speaker 1>football on a Sunday. I hated hearing it around was

0:27:35.359 --> 0:27:37.320
<v Speaker 1>little because it usually meant that my dad was going

0:27:37.359 --> 0:27:40.560
<v Speaker 1>to be sort of like tents and like perhaps even

0:27:40.600 --> 0:27:43.080
<v Speaker 1>yelling at the screen sometimes. But now I hear it

0:27:43.119 --> 0:27:46.240
<v Speaker 1>and it just makes me feel again like fall is

0:27:46.320 --> 0:27:50.000
<v Speaker 1>upon us. There's gonna be popcorn, you know, there's there's

0:27:50.119 --> 0:27:53.160
<v Speaker 1>comforts and security there and all these delicious foods too,

0:27:53.200 --> 0:27:59.120
<v Speaker 1>like cocktail leanings in the Red Side. Oh yeah, that's

0:27:59.119 --> 0:28:02.920
<v Speaker 1>what made me become agittarian. Yeah. So along those lines,

0:28:02.920 --> 0:28:07.359
<v Speaker 1>there is of course the nostalgic bump, the reminiscence bump,

0:28:07.400 --> 0:28:11.000
<v Speaker 1>to consider an kind of a cultural sense. Yeah, this

0:28:11.080 --> 0:28:15.240
<v Speaker 1>is an interesting article by Katie Walden writing for Slate magazine.

0:28:15.240 --> 0:28:18.640
<v Speaker 1>The article is called The Mysterious Memorable Twenties, and it's

0:28:18.640 --> 0:28:22.280
<v Speaker 1>an interesting article because it talks about a person's twenties

0:28:22.359 --> 0:28:26.560
<v Speaker 1>being a no man's land between childhood and stable adulthood

0:28:26.880 --> 0:28:29.840
<v Speaker 1>and perhaps the reason why there is something called that

0:28:29.920 --> 0:28:33.320
<v Speaker 1>reminiscence bump where you have a ton of these memories

0:28:33.320 --> 0:28:36.560
<v Speaker 1>and nostalgia packed into that time period. Okay, so as

0:28:36.560 --> 0:28:38.840
<v Speaker 1>you as you move forward, you think back to that,

0:28:38.840 --> 0:28:41.160
<v Speaker 1>that your twenties, and that's an area that's just rich

0:28:41.200 --> 0:28:43.400
<v Speaker 1>in influences. Yeah, because it turns out that we we

0:28:43.520 --> 0:28:47.040
<v Speaker 1>just remember more events from late adolescents in early adulthood

0:28:47.400 --> 0:28:50.320
<v Speaker 1>than from any other stage of our lives. So there

0:28:50.320 --> 0:28:54.479
<v Speaker 1>are a couple of theories about that. There's a nineteen

0:28:54.880 --> 0:28:58.320
<v Speaker 1>study by Cohen and Faulkner that found that of vivid

0:28:58.360 --> 0:29:02.760
<v Speaker 1>life memories concern unique or first time events, and between

0:29:02.800 --> 0:29:05.080
<v Speaker 1>the ages of ten and thirty there are a lot

0:29:05.120 --> 0:29:09.400
<v Speaker 1>of first right, So that's that buys into this idea

0:29:09.520 --> 0:29:13.720
<v Speaker 1>that you're encountering the first time that you wrote a bike,

0:29:13.760 --> 0:29:15.800
<v Speaker 1>the first time that you drove a car, that you

0:29:15.880 --> 0:29:19.560
<v Speaker 1>kissed a girl, that kissed a boy, that you had pizza,

0:29:19.720 --> 0:29:22.040
<v Speaker 1>that you know, all these are first. But then after

0:29:22.120 --> 0:29:25.200
<v Speaker 1>age thirty, it all kind of gets a bit wrote, right, like,

0:29:25.600 --> 0:29:28.920
<v Speaker 1>kind of you still have experienced you didn't check off

0:29:28.920 --> 0:29:31.840
<v Speaker 1>the list during that first period. I guess it's true,

0:29:31.880 --> 0:29:36.240
<v Speaker 1>but most things that you encounter just in living become wrote,

0:29:36.400 --> 0:29:38.360
<v Speaker 1>So you really do have to go after those new

0:29:38.400 --> 0:29:42.240
<v Speaker 1>experiences after that certain age. Right, and you're thirty, you've

0:29:42.320 --> 0:29:45.080
<v Speaker 1>kind of done most of what everybody else is done.

0:29:45.520 --> 0:29:47.880
<v Speaker 1>But the idea there is that you just chock full

0:29:47.960 --> 0:29:51.040
<v Speaker 1>of first and that perhaps is the reason why, uh,

0:29:51.320 --> 0:29:54.920
<v Speaker 1>we have so many memories or nostalgia available to us. Then,

0:29:55.280 --> 0:29:57.400
<v Speaker 1>but then you have this guy David C. Rubin who

0:29:57.440 --> 0:29:59.520
<v Speaker 1>comes along in his book Remembering Our Past, and he

0:29:59.560 --> 0:30:02.240
<v Speaker 1>says on a small portion of the memories that constitute

0:30:02.240 --> 0:30:07.160
<v Speaker 1>the bump, this reminiscence bump, relate to novel experiences. So

0:30:07.680 --> 0:30:11.600
<v Speaker 1>that gets you to this idea. Another theory that jumps

0:30:11.640 --> 0:30:15.480
<v Speaker 1>in here that it's identity based, and that there's a

0:30:15.600 --> 0:30:19.560
<v Speaker 1>narrative perspective here, and that it's kind of all flowing

0:30:19.600 --> 0:30:22.720
<v Speaker 1>into the story that we make of ourselves. And this

0:30:22.840 --> 0:30:26.360
<v Speaker 1>story is really right between those ages because that's when

0:30:26.400 --> 0:30:28.920
<v Speaker 1>we are becoming who we are becoming, right, and we're

0:30:29.720 --> 0:30:32.600
<v Speaker 1>thinking about the person we're going to become. We're looking

0:30:32.600 --> 0:30:34.120
<v Speaker 1>back in the roof of a mirror on the person

0:30:34.160 --> 0:30:38.120
<v Speaker 1>we've been. Yes. Yeah, And in fact, Katie Walden, the

0:30:38.360 --> 0:30:42.200
<v Speaker 1>writer of that article, sites and study by Judith Gluck

0:30:42.240 --> 0:30:47.640
<v Speaker 1>and Susan Bluck. Yeah, and they have proposed that there's

0:30:47.680 --> 0:30:51.360
<v Speaker 1>a convergence of three qualities that make an event invalliable

0:30:51.400 --> 0:30:53.320
<v Speaker 1>in our minds. So the first one is that it

0:30:53.360 --> 0:30:56.560
<v Speaker 1>has to be joyous. Two is that it allows us

0:30:56.600 --> 0:31:02.000
<v Speaker 1>to exert control. So again, this identity making this is

0:31:02.040 --> 0:31:04.240
<v Speaker 1>the thing that makes me who I am. This is

0:31:04.240 --> 0:31:06.960
<v Speaker 1>like a part of me. Yes. In three we perceive

0:31:07.000 --> 0:31:09.760
<v Speaker 1>it to be highly influential over the course of our lives.

0:31:10.520 --> 0:31:14.320
<v Speaker 1>So that kind of fits into this narrative identity, a

0:31:14.440 --> 0:31:18.920
<v Speaker 1>based account of ourselves. Right, Like on some level, like

0:31:18.920 --> 0:31:21.040
<v Speaker 1>when I'm thinking back on these different things of nostotic

0:31:21.120 --> 0:31:24.040
<v Speaker 1>for I'm saying, hey, I'm a tool guy, i am

0:31:24.080 --> 0:31:28.800
<v Speaker 1>a VHS guy, I am a leaning on the everlasting arms.

0:31:28.960 --> 0:31:30.920
<v Speaker 1>I mean in a sense. I mean, I guess I'm

0:31:31.000 --> 0:31:33.920
<v Speaker 1>nostalgic for it because I do look back on the

0:31:33.960 --> 0:31:36.440
<v Speaker 1>things about being raised in a Baptist church that have

0:31:36.520 --> 0:31:38.680
<v Speaker 1>shaped me and and some of the aspects of that

0:31:38.680 --> 0:31:40.880
<v Speaker 1>that remain with me to this day. See. And I

0:31:40.920 --> 0:31:43.040
<v Speaker 1>think that that theory really does kind of line up

0:31:43.120 --> 0:31:45.640
<v Speaker 1>really well with why we concentrate so many of our

0:31:45.680 --> 0:31:48.800
<v Speaker 1>memories and nostalgia during that time period, because there's you know,

0:31:48.880 --> 0:31:51.360
<v Speaker 1>I have some friends who could have cared less about

0:31:52.320 --> 0:31:55.160
<v Speaker 1>high school, but I have other friends who are like, oh,

0:31:55.240 --> 0:31:59.719
<v Speaker 1>that's great, and for them during that time, there were

0:31:59.720 --> 0:32:03.160
<v Speaker 1>certain things that really helped to identify who they were

0:32:03.200 --> 0:32:06.000
<v Speaker 1>as a person. Yeah, so it kind of makes sense. Well,

0:32:06.040 --> 0:32:11.680
<v Speaker 1>I guess that's it. I'm already feeling nostalgic. Yeah, we

0:32:11.800 --> 0:32:13.520
<v Speaker 1>only just finished it. And then that's the way it

0:32:13.640 --> 0:32:16.920
<v Speaker 1>is with nostalgia. Something happens and then before you know what,

0:32:16.920 --> 0:32:18.960
<v Speaker 1>you're nostalgic about it. It seems like just the other day.

0:32:18.960 --> 0:32:22.160
<v Speaker 1>It was a new experience, that's right, one that built

0:32:22.200 --> 0:32:25.320
<v Speaker 1>our identities and made us feel a worm and cozy

0:32:25.400 --> 0:32:27.520
<v Speaker 1>and gave us little uptick in our self esteem. Yeah,

0:32:27.560 --> 0:32:29.440
<v Speaker 1>and again, it's like the Aora bors it's the snake.

0:32:29.800 --> 0:32:31.960
<v Speaker 1>It's moving forward in time, and then at some point

0:32:32.000 --> 0:32:34.240
<v Speaker 1>it turns back around and it goes back to its

0:32:34.240 --> 0:32:38.160
<v Speaker 1>point of beginning, and in that sense, becomes eternal. Here's

0:32:38.200 --> 0:32:40.560
<v Speaker 1>here's my little outro question to you. Do you think

0:32:40.640 --> 0:32:42.480
<v Speaker 1>on a generation ship? And I think I've seen this

0:32:42.560 --> 0:32:44.960
<v Speaker 1>depicted somewhere, says this is not an original thought. I'm

0:32:44.960 --> 0:32:47.240
<v Speaker 1>on a spaceship that's we're headed off to a distant planet.

0:32:47.240 --> 0:32:50.320
<v Speaker 1>It's going to take generations of generations of generation lives

0:32:50.360 --> 0:32:55.040
<v Speaker 1>to get there. How how much nostalgia and what types

0:32:55.080 --> 0:32:57.800
<v Speaker 1>of nostalgia. Let's say the generation ship leaves tomorrow, do

0:32:57.840 --> 0:33:01.040
<v Speaker 1>you think we'll be on board? Just Beyonce may it? Well?

0:33:01.160 --> 0:33:05.320
<v Speaker 1>Beyonce is easy to bring, either in musical form or frozen.

0:33:05.520 --> 0:33:08.480
<v Speaker 1>She will have her own generation ship, thank you very much.

0:33:10.600 --> 0:33:12.160
<v Speaker 1>I could see, I mean a sense, some of these

0:33:12.360 --> 0:33:15.360
<v Speaker 1>cultural figures they would kind of become like gods. And

0:33:15.400 --> 0:33:17.560
<v Speaker 1>I mean you could argue they already are or modern

0:33:17.600 --> 0:33:21.240
<v Speaker 1>gods in our modern, modern avatars. So I could see

0:33:21.280 --> 0:33:22.880
<v Speaker 1>them being important. But I wonder if you're on a

0:33:22.920 --> 0:33:25.400
<v Speaker 1>generation ship, particularly if it was a generation ship that

0:33:26.000 --> 0:33:30.000
<v Speaker 1>wasn't particularly earthy in its design, we would quickly become

0:33:30.120 --> 0:33:34.120
<v Speaker 1>far more nostalgic for the many details of of life

0:33:34.120 --> 0:33:36.760
<v Speaker 1>here on Earth, some of the simple things you know, um,

0:33:36.920 --> 0:33:39.560
<v Speaker 1>and not necessarily the big things like you know, mountains

0:33:39.560 --> 0:33:43.480
<v Speaker 1>and gravity, but the smaller things like you know, pigs,

0:33:43.960 --> 0:33:46.680
<v Speaker 1>I don't know. Yeah, And would you start would it

0:33:46.760 --> 0:33:49.120
<v Speaker 1>become just completely ridiculous, like instead of just going to

0:33:49.200 --> 0:33:51.920
<v Speaker 1>the coffee maker on the generationship, like there was such

0:33:51.960 --> 0:33:54.320
<v Speaker 1>a nostalgia for coffee that you'd have your own beings

0:33:54.320 --> 0:33:56.760
<v Speaker 1>that you would grind, that you would pick out of

0:33:56.960 --> 0:34:00.560
<v Speaker 1>civic cats poop. Yeah, possibly so, or would become maybe

0:34:00.560 --> 0:34:03.280
<v Speaker 1>nostalgic for things like pencils. You know, why would you

0:34:03.280 --> 0:34:05.120
<v Speaker 1>have a pencil in a generation ship? Would be something

0:34:05.160 --> 0:34:07.360
<v Speaker 1>you could never have again? Like when would you get

0:34:07.400 --> 0:34:10.480
<v Speaker 1>around to recreating pencils on another world? You wouldn't. I

0:34:10.560 --> 0:34:11.920
<v Speaker 1>think you're right, and I think there would be this

0:34:12.000 --> 0:34:14.920
<v Speaker 1>whole like pencil economy on that ship. You know, it

0:34:14.920 --> 0:34:17.600
<v Speaker 1>would be like people would have them in class cases

0:34:18.080 --> 0:34:20.600
<v Speaker 1>because yeah, you have to make them from scratch. That

0:34:20.640 --> 0:34:23.280
<v Speaker 1>would be it would require a crazy amount of effort

0:34:23.560 --> 0:34:26.239
<v Speaker 1>or just print them out or print them out. But

0:34:26.320 --> 0:34:28.000
<v Speaker 1>that's the thing too, if you had three D printing

0:34:28.120 --> 0:34:31.960
<v Speaker 1>and nostalgia coming together, that would be almost a dangerous

0:34:32.000 --> 0:34:35.279
<v Speaker 1>combination because every little nostalgia trip you'd be like, oh

0:34:35.360 --> 0:34:38.120
<v Speaker 1>my man, I remember, I remember pencils and pens. I'm

0:34:38.120 --> 0:34:40.520
<v Speaker 1>going to print out every possible variation of pencil and

0:34:40.520 --> 0:34:42.319
<v Speaker 1>pen and I encounter. Gotta do the mechanical, I got

0:34:42.320 --> 0:34:44.399
<v Speaker 1>to do the normal that do the thick one, got

0:34:44.400 --> 0:34:46.160
<v Speaker 1>to do the color pencils, Gotta do the the ink

0:34:46.239 --> 0:34:47.880
<v Speaker 1>pen that had three different heads in it and you

0:34:47.880 --> 0:34:51.080
<v Speaker 1>would click them, the one with a flashlight in the rear. Well,

0:34:51.120 --> 0:34:53.520
<v Speaker 1>what else are you gonna do on a generations ship anyway? Right,

0:34:53.560 --> 0:34:55.480
<v Speaker 1>And which means that that generation ship, I see how

0:34:55.520 --> 0:34:57.439
<v Speaker 1>this is going, is going to be completely weighted down

0:34:57.440 --> 0:34:59.480
<v Speaker 1>with junk and it's not even gonna make its destination

0:34:59.520 --> 0:35:02.400
<v Speaker 1>because we've all turned into a bunch of hoarders or

0:35:02.440 --> 0:35:07.320
<v Speaker 1>we're having to jettison nostalgia junk like every like every

0:35:07.360 --> 0:35:10.840
<v Speaker 1>week or so. So the flight from Earth to a

0:35:10.960 --> 0:35:14.239
<v Speaker 1>planet X becomes just this trail, this rat trail of

0:35:14.400 --> 0:35:17.680
<v Speaker 1>droppings like nostalgia drop pics, just floating in space to

0:35:17.760 --> 0:35:19.880
<v Speaker 1>mark our passage. Yeah, that would be more likely. I

0:35:19.960 --> 0:35:24.000
<v Speaker 1>see that. Well, there you go. Nostalgia, What it is,

0:35:24.120 --> 0:35:27.480
<v Speaker 1>what drives it, some of the science behind it. Obviously

0:35:28.280 --> 0:35:30.920
<v Speaker 1>everyone out there listening to this episode has something to

0:35:30.960 --> 0:35:34.320
<v Speaker 1>contribute on this. What what are you missed doubting for? Particularly?

0:35:34.400 --> 0:35:37.200
<v Speaker 1>Is it? What's what is the nostalgic force that is

0:35:37.239 --> 0:35:40.680
<v Speaker 1>either most interesting to us or most sort of weird

0:35:40.960 --> 0:35:43.560
<v Speaker 1>to you? Like, what's something you're nostalgic for that you

0:35:43.760 --> 0:35:45.880
<v Speaker 1>again didn't even really like all that much back in

0:35:45.920 --> 0:35:48.759
<v Speaker 1>the day, but now you've identified as a part of

0:35:48.800 --> 0:35:50.640
<v Speaker 1>who you are. Let us know about all that. You

0:35:50.640 --> 0:35:52.960
<v Speaker 1>can find us in all the general places. We're on Facebook,

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<v Speaker 1>We're on tumbler on Twitter. Our homepage is stuffed tobow

0:35:55.640 --> 0:35:58.240
<v Speaker 1>your mind dot com and there you'll find our blog posts,

0:35:58.239 --> 0:36:01.239
<v Speaker 1>our videos are audio podcast as well as links out

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<v Speaker 1>to all of our social media uh embodiments. And you

0:36:05.239 --> 0:36:08.120
<v Speaker 1>can always drop his line at below the mind at

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<v Speaker 1>Discovery dot com. For more on this and thousands of

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<v Speaker 1>other topics, visit how staff works dot com.