1 00:00:00,080 --> 00:00:03,040 Speaker 1: I'm Bradley Johnson with one eight hundred d hy away. 2 00:00:03,200 --> 00:00:06,800 Speaker 1: Not getting behind the wheel after drinking is the best choice. 3 00:00:07,080 --> 00:00:09,840 Speaker 1: But if you're pulled over, the next best choice it's 4 00:00:09,880 --> 00:00:25,200 Speaker 1: to call one eight hundred duy away on the twenties. Hello, Yes, Hello, 5 00:00:25,239 --> 00:00:29,320 Speaker 1: is this Laura? Yes, it is hi there, Laura. My 6 00:00:29,400 --> 00:00:31,920 Speaker 1: name is Terence and my daughter goes to school with 7 00:00:31,960 --> 00:00:38,320 Speaker 1: your son. I believe his name is Reese. Is that yes? Well, 8 00:00:38,520 --> 00:00:41,600 Speaker 1: I saw Reese in the Little Mermaid play last night. 9 00:00:42,360 --> 00:00:46,320 Speaker 1: Oh yes, I feel was so cute. I'm so proud 10 00:00:46,360 --> 00:00:50,879 Speaker 1: of my little angel. Oh that's funny. Oh kudos. Do 11 00:00:50,920 --> 00:00:54,560 Speaker 1: you a good joke? That was funny? I laughed. Yes, No, 12 00:00:54,720 --> 00:01:02,280 Speaker 1: what what's funny? Oh my, you were being serious? Well yeah, serious. Well, 13 00:01:02,440 --> 00:01:09,080 Speaker 1: now that's even funnier, I think. Yes, what are you 14 00:01:09,120 --> 00:01:13,480 Speaker 1: getting at. I don't don't well. Your son last night 15 00:01:13,560 --> 00:01:16,360 Speaker 1: in the school's production of The Little Mermaid. He played 16 00:01:16,440 --> 00:01:20,440 Speaker 1: Sebastian the Crab. Was that right? Yes? He did, Yes, 17 00:01:21,200 --> 00:01:23,440 Speaker 1: did a great job. Well. You might not know this 18 00:01:23,520 --> 00:01:26,320 Speaker 1: about me, but I've spent some time in theater myself, 19 00:01:26,360 --> 00:01:28,320 Speaker 1: and they'll have you know that. Your son is definitely 20 00:01:28,720 --> 00:01:32,040 Speaker 1: not theater material. Is he I'm sure you already know that, 21 00:01:32,080 --> 00:01:34,960 Speaker 1: though that shouldn't be a surprise. Seriously, right now, you're 22 00:01:34,959 --> 00:01:37,240 Speaker 1: picking on my son, who is a seven year old 23 00:01:37,240 --> 00:01:39,440 Speaker 1: and a school play. How dare you? Well, I'm not 24 00:01:39,880 --> 00:01:42,679 Speaker 1: picking on him, am I. I'm doing the correct thing 25 00:01:42,720 --> 00:01:45,640 Speaker 1: by calling his mother and telling her that she should 26 00:01:45,640 --> 00:01:48,960 Speaker 1: be ashamed of his acting. Well, his mother thinks he 27 00:01:49,040 --> 00:01:52,480 Speaker 1: did a great job and doesn't appreciate your not the 28 00:01:52,640 --> 00:01:55,680 Speaker 1: attitude all right, Well, clearly you do not know the theater, 29 00:01:55,880 --> 00:01:59,280 Speaker 1: so maybe I can explain to you. Your son's performance 30 00:01:59,360 --> 00:02:03,760 Speaker 1: was lath magic, uninterested, and I'm pretty sure he forgot 31 00:02:03,840 --> 00:02:06,560 Speaker 1: one of his lines. Very unprofessional. Well, you know what 32 00:02:06,640 --> 00:02:10,600 Speaker 1: you're a and I do not appreciate you calling me 33 00:02:10,720 --> 00:02:13,760 Speaker 1: like this ridiculous. Now, if your son would have spoke 34 00:02:13,800 --> 00:02:16,400 Speaker 1: with the same passion last night during the school play, 35 00:02:16,600 --> 00:02:21,160 Speaker 1: I might be singing a different tune. What is your problem? 36 00:02:21,200 --> 00:02:24,919 Speaker 1: Are you trying to start something right now? I'll take 37 00:02:25,000 --> 00:02:27,400 Speaker 1: you on you leave my son out of it? Well, no, 38 00:02:27,520 --> 00:02:30,680 Speaker 1: I'm not trying to start anything between us. I just 39 00:02:30,720 --> 00:02:33,000 Speaker 1: think we both know that your son is a horrible actor. 40 00:02:33,520 --> 00:02:37,919 Speaker 1: You get off my phone right now now. I since 41 00:02:38,080 --> 00:02:40,840 Speaker 1: that you're upset, but there is a silver lining, and 42 00:02:40,880 --> 00:02:43,280 Speaker 1: that's what I was calling to discuss with you, something 43 00:02:43,320 --> 00:02:47,360 Speaker 1: happy lining. What the hell are you talking about? Well, 44 00:02:47,400 --> 00:02:51,000 Speaker 1: I'm talking about my daughter, Charlotte, who is also seven. 45 00:02:51,080 --> 00:02:53,720 Speaker 1: You see, she's been formerly trained in the arts for 46 00:02:53,919 --> 00:02:56,960 Speaker 1: years now. I practically had her coming out of the 47 00:02:57,000 --> 00:03:03,440 Speaker 1: womb reading Hamlet. Oh you're Charlotte knows Hamlet? Yes, take 48 00:03:03,560 --> 00:03:06,760 Speaker 1: her Hamlet and shove it up your Okay, Well, I'm 49 00:03:06,800 --> 00:03:09,040 Speaker 1: not going to do that, but what I am going 50 00:03:09,040 --> 00:03:11,520 Speaker 1: to tell you is that she is captivating, and she 51 00:03:11,639 --> 00:03:15,480 Speaker 1: performs with great confidence and shows true commitment to a role, 52 00:03:16,000 --> 00:03:19,280 Speaker 1: unlike a certain crab that we both know. I think 53 00:03:19,280 --> 00:03:21,840 Speaker 1: you can read between the lines there. I'm talking about 54 00:03:21,840 --> 00:03:25,680 Speaker 1: your son and is terrible acting. Sell somebody who cares 55 00:03:25,720 --> 00:03:30,080 Speaker 1: about your opinion and your daughter and your dreadful aspectation. 56 00:03:30,280 --> 00:03:32,800 Speaker 1: You are a hideous human being, and I have taken 57 00:03:32,840 --> 00:03:35,080 Speaker 1: it upon myself to call somebody. I actually spoke with 58 00:03:35,120 --> 00:03:38,920 Speaker 1: the director, and I use that term loosely. It's apparently 59 00:03:38,920 --> 00:03:41,600 Speaker 1: the lad that teaches them or something. Of course, she's 60 00:03:41,640 --> 00:03:44,880 Speaker 1: their director, she's their teacher. Because I'm following you again, 61 00:03:45,320 --> 00:03:50,680 Speaker 1: they're sent in years. Oh well, I have children. Well, 62 00:03:50,720 --> 00:03:53,760 Speaker 1: I have confirmation that my daughter, Charlotte will be replacing 63 00:03:53,800 --> 00:03:58,080 Speaker 1: your son from now on in all performances in the QUI, yes, 64 00:03:58,600 --> 00:04:02,480 Speaker 1: are you kidding you right now? I know it's exciting news. 65 00:04:02,760 --> 00:04:07,120 Speaker 1: You have some nerve to call the school and get 66 00:04:07,240 --> 00:04:10,720 Speaker 1: my boy replaced in the play? Are you kidding right now? 67 00:04:10,840 --> 00:04:13,560 Speaker 1: I suppose if I had actually done that, yes, I 68 00:04:13,600 --> 00:04:16,680 Speaker 1: would have some nerve. But I didn't do that, did I? 69 00:04:16,680 --> 00:04:18,360 Speaker 1: I just did a prank phone call on you, that's all. 70 00:04:19,440 --> 00:04:22,920 Speaker 1: What are you even I don't what are you talking about? Well, 71 00:04:22,960 --> 00:04:25,000 Speaker 1: I don't even know. I'm trying to tell you that 72 00:04:25,040 --> 00:04:27,240 Speaker 1: this is actually Jewil from Brook and Jewil in the 73 00:04:27,279 --> 00:04:29,680 Speaker 1: Morning doing a phone tap on you and your friend 74 00:04:29,720 --> 00:04:33,880 Speaker 1: Denise set you up. Wait, it's a joke. It's a 75 00:04:33,880 --> 00:04:37,800 Speaker 1: prank phone call, a prank phone call. Yes, your friend 76 00:04:37,839 --> 00:04:40,479 Speaker 1: Denise emailed me and said that you're very proud of 77 00:04:40,480 --> 00:04:42,320 Speaker 1: your child's acting ability and she wanted to have some 78 00:04:42,320 --> 00:04:50,720 Speaker 1: fun with you. What. Yes, it's a joke. I don't 79 00:04:50,720 --> 00:04:52,680 Speaker 1: have a kid that goes to your school, and I've 80 00:04:52,680 --> 00:04:55,600 Speaker 1: never seen your son's acting. But let me tell you, 81 00:04:55,640 --> 00:04:58,479 Speaker 1: I do know a thing or two about theater. So 82 00:05:03,040 --> 00:05:04,920 Speaker 1: I couldn't tell that you were angry at all. You 83 00:05:05,040 --> 00:05:07,120 Speaker 1: sounded mellow the whole time. Well, there were a few 84 00:05:07,160 --> 00:05:14,560 Speaker 1: cuss words, but other than that, completely mellow week up 85 00:05:14,640 --> 00:05:17,880 Speaker 1: every morning with Jubel phone taps weekday mornings. On the twenties, 86 00:05:18,000 --> 00:05:20,159 Speaker 1: Holy On Moving ninety two point five