1 00:00:18,720 --> 00:00:23,599 Speaker 1: Season five is officially behind us, proving that time really 2 00:00:23,640 --> 00:00:26,880 Speaker 1: flies when you're watching yourself go through puberty on network TV. 3 00:00:27,600 --> 00:00:30,480 Speaker 1: And for as much as we dreaded season five, we 4 00:00:30,520 --> 00:00:33,280 Speaker 1: sure seemed to like it more than we expected. Sure 5 00:00:33,320 --> 00:00:36,320 Speaker 1: we had some starry nights, but we got Eric Hollywood, 6 00:00:36,400 --> 00:00:39,640 Speaker 1: the Scream episode, and another episode that makes an argument 7 00:00:39,720 --> 00:00:43,440 Speaker 1: for the best of the series, Heartbreak Corey. And even 8 00:00:43,520 --> 00:00:45,920 Speaker 1: when it missed, it was fun to talk about, like 9 00:00:46,000 --> 00:00:48,400 Speaker 1: the Ex Girlfriend's Club or if you can't be with 10 00:00:48,479 --> 00:00:51,000 Speaker 1: the one you love. So to wrap up this season, 11 00:00:51,040 --> 00:00:53,880 Speaker 1: we're continuing the tradition of getting the opinions of fans, 12 00:00:54,200 --> 00:00:57,680 Speaker 1: not just of the show, but also our podcast, our 13 00:00:57,760 --> 00:01:00,560 Speaker 1: favorite fan cast in the world, brah Meets World and 14 00:01:00,600 --> 00:01:04,640 Speaker 1: its hosts TC and Siege, have now finished their own rewatch, 15 00:01:04,920 --> 00:01:07,960 Speaker 1: viewing the program thirty years later with a melanin point 16 00:01:08,000 --> 00:01:10,760 Speaker 1: of view, and now they once again will sit down 17 00:01:10,760 --> 00:01:12,720 Speaker 1: with us and ask some of the questions we may 18 00:01:12,720 --> 00:01:15,440 Speaker 1: have missed or something they'd like to know more about. 19 00:01:15,760 --> 00:01:19,080 Speaker 1: So welcome back to pod meets World to John Adams 20 00:01:19,080 --> 00:01:22,480 Speaker 1: transfer students, TC and Siege from brum Meats World. 21 00:01:22,880 --> 00:01:31,840 Speaker 2: Hello, helloy, how's it going, guys doing well, how we 22 00:01:31,920 --> 00:01:32,880 Speaker 2: want are great. 23 00:01:33,040 --> 00:01:34,240 Speaker 3: We're so excited to be here. 24 00:01:36,160 --> 00:01:38,600 Speaker 1: As always, we are so excited to have you two 25 00:01:38,680 --> 00:01:41,600 Speaker 1: with us to recap the season, not only the season 26 00:01:41,600 --> 00:01:44,759 Speaker 1: of Boy Meets World, but the season of Pod Meets World, 27 00:01:45,040 --> 00:01:46,200 Speaker 1: and to hear your thoughts. 28 00:01:46,360 --> 00:01:50,120 Speaker 4: To ask you, once again, are we ruining anything for you? 29 00:01:51,120 --> 00:01:53,760 Speaker 1: Although I think at this point we feel pretty confident 30 00:01:54,080 --> 00:01:58,000 Speaker 1: we're not ruining things for maybe nearly maybe some episodes 31 00:01:58,240 --> 00:01:59,960 Speaker 1: we get a couple of comments here and there that go, 32 00:02:00,240 --> 00:02:02,440 Speaker 1: you guys always ruin the things I love. 33 00:02:03,560 --> 00:02:06,400 Speaker 3: We've got those same comments. Obviously, we're used to it. 34 00:02:06,840 --> 00:02:09,080 Speaker 5: Don't make us watch Storry Night and we'll be fine. 35 00:02:09,600 --> 00:02:11,480 Speaker 6: A lot of people I think do love Storry Night. 36 00:02:11,680 --> 00:02:12,239 Speaker 7: I think it is. 37 00:02:12,440 --> 00:02:13,800 Speaker 6: It's one of those, you know, it's one of those 38 00:02:13,840 --> 00:02:15,400 Speaker 6: Cory Tbeanka Touchstone episodes. 39 00:02:15,720 --> 00:02:19,920 Speaker 3: And I'll say this, I don't think you guys have 40 00:02:20,000 --> 00:02:24,000 Speaker 3: ruined the show for us at all. I kind of 41 00:02:24,240 --> 00:02:28,160 Speaker 3: loved hearing your discussion on season five. Season five is 42 00:02:28,280 --> 00:02:30,280 Speaker 3: so and we're going to get into it, just a 43 00:02:30,520 --> 00:02:34,120 Speaker 3: bit divisive in so many ways that like your debates 44 00:02:34,200 --> 00:02:36,600 Speaker 3: really mimicked some of the debates that me and see chat. 45 00:02:36,720 --> 00:02:40,000 Speaker 3: So I kind of liked having like different perspectives brought 46 00:02:40,000 --> 00:02:42,280 Speaker 3: in asking questions because I feel like there's a lot 47 00:02:42,360 --> 00:02:45,280 Speaker 3: of unanswered questions this season that you know, things just 48 00:02:45,280 --> 00:02:46,880 Speaker 3: have to be brought up, and so I appreciate it 49 00:02:46,919 --> 00:02:47,600 Speaker 3: the commentary. 50 00:02:47,880 --> 00:02:51,480 Speaker 8: In addition to that, it's very much it's validating to know, 51 00:02:51,600 --> 00:02:54,440 Speaker 8: like TC and I spent so much time, you know, 52 00:02:54,680 --> 00:02:57,480 Speaker 8: arguing with each other, debating with people online, and as 53 00:02:57,520 --> 00:02:58,960 Speaker 8: you said, I know there was a point in time 54 00:02:59,000 --> 00:03:00,160 Speaker 8: we were like, are we too hard on this? 55 00:03:00,240 --> 00:03:02,320 Speaker 7: And it's like, no, again, I love this show. 56 00:03:02,360 --> 00:03:05,920 Speaker 8: I love these characters, and it's important to see that 57 00:03:06,000 --> 00:03:10,079 Speaker 8: the show, even through your eyes, takes really wild swings. 58 00:03:10,680 --> 00:03:12,959 Speaker 8: Sometimes those swings really pay off, and then there was 59 00:03:13,000 --> 00:03:16,000 Speaker 8: Sean and then sometimes you get things, you know how 60 00:03:16,040 --> 00:03:17,960 Speaker 8: we feel about non canon episodes. 61 00:03:18,120 --> 00:03:23,880 Speaker 3: So yeah, yes, well I will say this, last time 62 00:03:23,919 --> 00:03:26,720 Speaker 3: we talked, we kind of maybe set some poor expectations 63 00:03:26,760 --> 00:03:29,399 Speaker 3: because we were like, oh, yeah, you love season four, 64 00:03:29,480 --> 00:03:34,880 Speaker 3: don't worry season five, it's up there. It's just as good. However, 65 00:03:34,960 --> 00:03:37,280 Speaker 3: I feel like this might have been a wrong expectation 66 00:03:37,720 --> 00:03:40,560 Speaker 3: set because it is a fan favorite season, but it's 67 00:03:40,600 --> 00:03:44,480 Speaker 3: also so inconsistent compared to how season four was where 68 00:03:44,480 --> 00:03:47,480 Speaker 3: it just kind of delivered a more structured storyline. I 69 00:03:47,520 --> 00:03:49,760 Speaker 3: just think season five has a lot of memorable episodes 70 00:03:49,760 --> 00:03:51,720 Speaker 3: that make it stand out, which is why it's a 71 00:03:51,880 --> 00:03:54,160 Speaker 3: favorite season compared to season four. 72 00:03:54,640 --> 00:03:56,720 Speaker 4: Right, I think you're right. I do. 73 00:03:56,880 --> 00:03:59,280 Speaker 1: We've and we've talked about it on a couple of episodes. 74 00:03:59,480 --> 00:04:02,560 Speaker 1: It feels like there were a lot of new people 75 00:04:02,600 --> 00:04:05,680 Speaker 1: brought in. There were some shake ups, some people leaving, 76 00:04:05,880 --> 00:04:09,000 Speaker 1: Michael coming back, new writers being brought in, and those 77 00:04:09,080 --> 00:04:13,200 Speaker 1: new writers added a lot of like new fresh ideas 78 00:04:13,240 --> 00:04:17,080 Speaker 1: and povs. But also it felt like it could have 79 00:04:17,160 --> 00:04:20,760 Speaker 1: really used a good storyboard before the season got started, 80 00:04:20,880 --> 00:04:23,599 Speaker 1: like there wasn't a proper plan. 81 00:04:23,960 --> 00:04:25,680 Speaker 6: Yeah, it felt like it felt like a trail mix 82 00:04:25,720 --> 00:04:28,560 Speaker 6: with like two or three ingredients that you just can't stand. Yeah, 83 00:04:28,600 --> 00:04:30,919 Speaker 6: but then you're not. You still got the chocolate and 84 00:04:31,000 --> 00:04:33,280 Speaker 6: the things you really love, but you got to pick 85 00:04:33,320 --> 00:04:33,640 Speaker 6: them out. 86 00:04:33,680 --> 00:04:37,159 Speaker 9: You just gotta, you could easily say, I mean, it 87 00:04:37,200 --> 00:04:40,320 Speaker 9: could be argued that the best one of the best 88 00:04:40,360 --> 00:04:42,600 Speaker 9: episode of Boy Meets World ever was in season five, 89 00:04:42,800 --> 00:04:44,839 Speaker 9: and in my opinion, the worst. 90 00:04:44,520 --> 00:04:46,880 Speaker 5: Episode ever of Boy Meets World was in season five, 91 00:04:47,000 --> 00:04:47,320 Speaker 5: So we. 92 00:04:49,080 --> 00:04:51,919 Speaker 9: Can guess Starry Night is the worst. It's not just 93 00:04:51,960 --> 00:04:55,880 Speaker 9: a bad episode, it's the worst thing I've ever seen. No, 94 00:04:55,880 --> 00:04:59,320 Speaker 9: I'm kidding, it's just I thought it missed on all levels. 95 00:04:59,360 --> 00:05:01,120 Speaker 9: It did not feel like our show. I thought it 96 00:05:01,120 --> 00:05:01,520 Speaker 9: felt like. 97 00:05:01,440 --> 00:05:04,159 Speaker 5: A beguine Ricky, but then. 98 00:05:07,279 --> 00:05:08,279 Speaker 7: It is a Plato. 99 00:05:09,000 --> 00:05:11,960 Speaker 9: Yeah, no, I it did not do it for me, 100 00:05:12,080 --> 00:05:15,480 Speaker 9: even slightly so, But then again I and I loved 101 00:05:15,520 --> 00:05:18,240 Speaker 9: And then there was sean great episode. I loved Eric Hollywood, 102 00:05:18,279 --> 00:05:22,320 Speaker 9: great episode, but the not being in the episode and 103 00:05:22,360 --> 00:05:24,840 Speaker 9: just being able to sit back and watch the ski 104 00:05:24,880 --> 00:05:28,800 Speaker 9: cabin episode with Lauren and that that was arguably my 105 00:05:28,800 --> 00:05:31,800 Speaker 9: favorite episode of the entire series. It was just great 106 00:05:31,920 --> 00:05:34,080 Speaker 9: watching that. I thought all the acting was amazing, the 107 00:05:34,120 --> 00:05:37,680 Speaker 9: writing was amazing. It led to moral conversations my wife 108 00:05:37,720 --> 00:05:39,400 Speaker 9: and I were having, well who did this and who 109 00:05:39,400 --> 00:05:39,760 Speaker 9: did that? 110 00:05:39,880 --> 00:05:42,120 Speaker 5: And it just did what television was supposed to do. 111 00:05:42,279 --> 00:05:45,240 Speaker 9: So that, to me is arguably one of the best episodes, 112 00:05:45,480 --> 00:05:47,320 Speaker 9: if not the best episode of the entire series. 113 00:05:47,520 --> 00:05:50,320 Speaker 8: So yeah, I love that you said that because this 114 00:05:50,440 --> 00:05:53,640 Speaker 8: talks to your season five, Pop Meets World season five, 115 00:05:54,000 --> 00:05:56,040 Speaker 8: and to me, the way that you guys handled this 116 00:05:56,240 --> 00:05:58,760 Speaker 8: was perfect giving. And then there was Sean An entire 117 00:05:58,800 --> 00:06:03,320 Speaker 8: week been overkilled, but for us, it was everything we needed. 118 00:06:03,360 --> 00:06:05,080 Speaker 8: I don't know if we shared this story before, but 119 00:06:05,279 --> 00:06:07,520 Speaker 8: and then there was Sean. It's actually how our podcast 120 00:06:07,640 --> 00:06:11,800 Speaker 8: got started into podcasting. We couldn't settle on a topic, 121 00:06:12,279 --> 00:06:13,760 Speaker 8: and we were like, what if we just do like 122 00:06:13,760 --> 00:06:15,920 Speaker 8: a Halloween episode, and we'll do And then there was Sean, 123 00:06:16,279 --> 00:06:19,040 Speaker 8: and the moment we started, we laughed, We got into 124 00:06:19,080 --> 00:06:20,880 Speaker 8: it and we were like, this is it. This is. 125 00:06:22,520 --> 00:06:24,640 Speaker 3: We just knew. We were like, we could talk about 126 00:06:24,640 --> 00:06:28,960 Speaker 3: this show forever, and that's what it kind of led into. 127 00:06:29,600 --> 00:06:31,560 Speaker 4: That's great, that's so cool. 128 00:06:31,920 --> 00:06:35,560 Speaker 8: But and then there was Sean is so important to 129 00:06:35,640 --> 00:06:39,520 Speaker 8: the fandom, and like to have the breakdown and the 130 00:06:39,560 --> 00:06:42,839 Speaker 8: different perspectives and giving the fans the opportunity to share 131 00:06:42,880 --> 00:06:45,800 Speaker 8: their voice. I think you guys brought the fans in 132 00:06:45,880 --> 00:06:48,400 Speaker 8: a lot more this season and that really helps, Like 133 00:06:48,440 --> 00:06:52,440 Speaker 8: the discussions of is it a trap or the heartbreak, 134 00:06:52,520 --> 00:06:56,000 Speaker 8: giving time and actually discussing heartbreak Corey in that way. 135 00:06:56,120 --> 00:06:58,479 Speaker 7: We know that you felt differently. 136 00:06:58,040 --> 00:07:01,120 Speaker 8: About it, but these at the eisodes were really really 137 00:07:01,160 --> 00:07:04,560 Speaker 8: important to the audiences, So we really think that you 138 00:07:04,640 --> 00:07:07,760 Speaker 8: approached those episodes really well. 139 00:07:07,839 --> 00:07:09,440 Speaker 9: Well, one of the things we've talked about, which is 140 00:07:09,480 --> 00:07:12,040 Speaker 9: something that we kind of have been saying over and 141 00:07:12,080 --> 00:07:14,920 Speaker 9: over again, is that we are trying not to forget 142 00:07:14,920 --> 00:07:19,880 Speaker 9: that every single episode of the show is somebody's favorite episode. Yeah, 143 00:07:19,920 --> 00:07:22,320 Speaker 9: so you know, if you go in with that, you've 144 00:07:22,320 --> 00:07:25,200 Speaker 9: got to remember that. Okay, I might destroy Starry Night, 145 00:07:25,280 --> 00:07:28,320 Speaker 9: but for some people, it's their favorite episode of the series, 146 00:07:28,560 --> 00:07:30,840 Speaker 9: and that neither of us are wrong. You know, that's 147 00:07:30,960 --> 00:07:34,120 Speaker 9: just the way that it is. But it's been a 148 00:07:34,120 --> 00:07:35,520 Speaker 9: ton of fun to talk about, that's for sure. But 149 00:07:35,560 --> 00:07:37,280 Speaker 9: we also season five had a lot to do with 150 00:07:37,320 --> 00:07:39,600 Speaker 9: the director too, so bringing in a new director, and 151 00:07:39,640 --> 00:07:42,440 Speaker 9: we remembered him as being a phenomenal guy, which he 152 00:07:43,080 --> 00:07:45,000 Speaker 9: was a phenomenal guy to work with. At least Ryder 153 00:07:45,040 --> 00:07:47,000 Speaker 9: and I had really good experiences with him. I think 154 00:07:47,080 --> 00:07:48,040 Speaker 9: Danielle did as well. 155 00:07:48,320 --> 00:07:50,440 Speaker 1: But I don't have any negative experiences with him. I 156 00:07:50,480 --> 00:07:52,040 Speaker 1: just remember being a little apathetic, like. 157 00:07:52,720 --> 00:07:54,720 Speaker 9: Yeah, yeah, right, where some people did not have the 158 00:07:54,720 --> 00:07:58,080 Speaker 9: best experiences with him, but we remembered him as being 159 00:07:58,160 --> 00:08:01,360 Speaker 9: a phenomenal director. And there's some episodes where it just 160 00:08:01,560 --> 00:08:03,320 Speaker 9: kind of the direction was a little bit lacking. So 161 00:08:03,320 --> 00:08:07,840 Speaker 9: there's stuff that we remember even ourselves that we remembered wrong. 162 00:08:08,000 --> 00:08:10,560 Speaker 5: Frankly, so week to week, and. 163 00:08:10,520 --> 00:08:12,880 Speaker 3: You guys are gonna have a different perspective than like, 164 00:08:13,040 --> 00:08:15,640 Speaker 3: for example, I've watched and then there was Sean every 165 00:08:15,760 --> 00:08:18,080 Speaker 3: years since it aired on Halloween. 166 00:08:18,080 --> 00:08:18,600 Speaker 7: Like you know what I mean. 167 00:08:18,680 --> 00:08:21,200 Speaker 3: I'm just gonna have in neatly a different relationship with 168 00:08:21,560 --> 00:08:24,200 Speaker 3: episodes like that than you guys will. And I again 169 00:08:24,320 --> 00:08:26,480 Speaker 3: love hearing your behind the scenes perspectives. 170 00:08:27,840 --> 00:08:28,040 Speaker 10: You know. 171 00:08:28,120 --> 00:08:29,800 Speaker 3: One of the things, just as we're kind of initially 172 00:08:29,840 --> 00:08:31,800 Speaker 3: starting about season five that I just wanted to touch 173 00:08:31,800 --> 00:08:34,600 Speaker 3: on was that, like obviously there was this push for 174 00:08:34,800 --> 00:08:39,200 Speaker 3: like more mature themes and like almost like this WB 175 00:08:39,440 --> 00:08:43,000 Speaker 3: Dawson's Creek influence that was kind of invading in Like 176 00:08:43,640 --> 00:08:45,720 Speaker 3: throughout the season, you guys were kind of talking about 177 00:08:45,760 --> 00:08:50,520 Speaker 3: this melodramatic shift about I guess we were kind of thinking, like, 178 00:08:50,760 --> 00:08:53,160 Speaker 3: do you feel like this helped the show mature with 179 00:08:53,200 --> 00:08:57,839 Speaker 3: this audience or do you feel like it maybe went 180 00:08:57,880 --> 00:08:59,400 Speaker 3: a step too far at certain points. 181 00:09:00,240 --> 00:09:02,320 Speaker 6: Hmmm, that's a good question. 182 00:09:03,120 --> 00:09:04,840 Speaker 9: I think I can answer it instantly. It went a 183 00:09:04,840 --> 00:09:06,520 Speaker 9: step too far at a certain point. I mean, again, 184 00:09:06,559 --> 00:09:11,760 Speaker 9: Starry Knight is so melodramatic that it was kind of ridiculous. 185 00:09:11,800 --> 00:09:13,880 Speaker 5: It really was young teen soap opera. 186 00:09:13,960 --> 00:09:16,679 Speaker 6: And it just think about season four with the cult 187 00:09:16,679 --> 00:09:21,680 Speaker 6: episode or you know, we've done pretty serious dramatic stuff. 188 00:09:21,360 --> 00:09:24,160 Speaker 5: Before, so dramatic is different than melodramatic. 189 00:09:24,400 --> 00:09:28,080 Speaker 9: And so the drama that Sean went through in season 190 00:09:28,120 --> 00:09:31,319 Speaker 9: four to me was different than like the Corey into 191 00:09:31,320 --> 00:09:36,080 Speaker 9: pangawin Universe and yes, right and Ricky Ferris, which to 192 00:09:36,120 --> 00:09:40,040 Speaker 9: me was just again, no Jonathan Jackson. He did with 193 00:09:40,120 --> 00:09:44,160 Speaker 9: that character what they gave him, so his fault even slightly, 194 00:09:44,440 --> 00:09:47,680 Speaker 9: but the characters are so like you're seventeen in Philly, 195 00:09:47,720 --> 00:09:51,439 Speaker 9: and it just seemed ridiculous. So I think there was 196 00:09:52,120 --> 00:09:54,360 Speaker 9: I think Dawson's Creek did really have an influence on 197 00:09:54,440 --> 00:09:57,120 Speaker 9: our show, and I think, like our show tended to 198 00:09:57,120 --> 00:10:00,400 Speaker 9: do occasionally, we dove in headfirst and then realized maybe 199 00:10:00,400 --> 00:10:02,840 Speaker 9: that was too far and slowly started to pull back occasionally. 200 00:10:02,920 --> 00:10:04,800 Speaker 9: But we haven't seen six and seven yet, so maybe 201 00:10:04,840 --> 00:10:05,080 Speaker 9: it is. 202 00:10:05,440 --> 00:10:09,520 Speaker 1: We also don't really know how much of our show 203 00:10:09,640 --> 00:10:12,920 Speaker 1: was really on the bubble for this season and needing 204 00:10:13,040 --> 00:10:16,239 Speaker 1: to get to a point where we had the cliffhanger, 205 00:10:16,320 --> 00:10:19,360 Speaker 1: like when did they know we want Corey and to 206 00:10:19,400 --> 00:10:22,880 Speaker 1: Panga to end this season engaged and on a cliffhanger 207 00:10:22,920 --> 00:10:25,200 Speaker 1: of are they going to get married? Because in order 208 00:10:25,240 --> 00:10:27,040 Speaker 1: if they know that the season has to end there, 209 00:10:27,080 --> 00:10:29,320 Speaker 1: because they're hoping for it to make a decision, for 210 00:10:29,360 --> 00:10:31,400 Speaker 1: it to impact whether or not we get picked up, 211 00:10:32,160 --> 00:10:34,720 Speaker 1: they'd better they have to set that up to be 212 00:10:34,800 --> 00:10:38,760 Speaker 1: a meaningful enough impact. So I think I think the 213 00:10:38,800 --> 00:10:42,120 Speaker 1: season went too far with the I did it at 214 00:10:42,200 --> 00:10:46,600 Speaker 1: least appreciate in the episode where everyone's sitting in the 215 00:10:46,679 --> 00:10:48,800 Speaker 1: boys apartment and it's like, who's. 216 00:10:48,600 --> 00:10:50,160 Speaker 4: Sick of the Corey Intopanga thing? 217 00:10:50,200 --> 00:10:52,439 Speaker 1: And everybody kind of raises their hand, and to me, 218 00:10:52,559 --> 00:10:54,400 Speaker 1: it felt like a little bit of a meta moment, 219 00:10:54,600 --> 00:10:58,880 Speaker 1: like we are honestly all sick of this being the 220 00:10:58,960 --> 00:11:02,480 Speaker 1: topic week after week. So I at least ignite liked 221 00:11:02,520 --> 00:11:04,440 Speaker 1: that we acknowledged that, but it felt like it was 222 00:11:04,520 --> 00:11:07,920 Speaker 1: way too of an adult storyline about a marriage with 223 00:11:08,000 --> 00:11:13,199 Speaker 1: three children than two seventeen year olds who've been together 224 00:11:13,200 --> 00:11:13,840 Speaker 1: for a long time. 225 00:11:14,040 --> 00:11:16,800 Speaker 8: I have a question, like speaking of like the influences 226 00:11:16,840 --> 00:11:19,880 Speaker 8: of like WB Dawson's Creek for Friends. 227 00:11:19,960 --> 00:11:20,800 Speaker 7: Even we talked. 228 00:11:20,559 --> 00:11:25,040 Speaker 8: About these shows we in our mind. We were like, Okay, 229 00:11:25,080 --> 00:11:27,600 Speaker 8: obviously there may be like show notes or like that's 230 00:11:27,640 --> 00:11:32,160 Speaker 8: what's in the atmosphere. However, those shows also have strong 231 00:11:32,360 --> 00:11:35,880 Speaker 8: female characters. One of the things about this season is 232 00:11:35,880 --> 00:11:39,000 Speaker 8: we get the addition of Angela, and so you would 233 00:11:39,040 --> 00:11:41,400 Speaker 8: think that that would give us more storylines. You've mentioned 234 00:11:41,400 --> 00:11:44,880 Speaker 8: there's more women in the writer's room. However, we don't 235 00:11:44,920 --> 00:11:48,120 Speaker 8: seem to have more female characters. Why do you think 236 00:11:48,480 --> 00:11:51,439 Speaker 8: or more strong female characters are in depth female characters. 237 00:11:51,640 --> 00:11:52,240 Speaker 7: Why do you. 238 00:11:52,360 --> 00:11:56,040 Speaker 8: Think like they are pulling from these influences, but like 239 00:11:56,480 --> 00:12:00,640 Speaker 8: not for certain characters leadership. 240 00:12:01,480 --> 00:12:02,680 Speaker 7: Yeah, they just didn't. 241 00:12:03,280 --> 00:12:04,400 Speaker 6: Just didn't. 242 00:12:05,679 --> 00:12:06,480 Speaker 7: That's what it was. 243 00:12:06,559 --> 00:12:10,600 Speaker 9: I mean, you know, Michael Jacobs was it was his show, 244 00:12:10,720 --> 00:12:13,520 Speaker 9: and he was he was writing essentially about himself. You know, 245 00:12:13,640 --> 00:12:17,200 Speaker 9: he was Corey and he was running the room. And 246 00:12:17,440 --> 00:12:19,480 Speaker 9: this is the point of view we're going to go. 247 00:12:19,480 --> 00:12:22,480 Speaker 9: I mean, we just watched the graduation episode and it's 248 00:12:22,600 --> 00:12:26,280 Speaker 9: like Tapanga has the opportunity to finally get up and 249 00:12:26,440 --> 00:12:29,880 Speaker 9: give a nice graduation speech, and it's like, nope, take away. 250 00:12:29,920 --> 00:12:34,040 Speaker 1: Sean and I said in our graduation episode, I said, 251 00:12:34,480 --> 00:12:37,720 Speaker 1: I have a confession to make. I'm really bored by Tapanga. 252 00:12:38,200 --> 00:12:42,080 Speaker 1: I'm bored. I'm bored by her. I honestly, I'm having 253 00:12:42,120 --> 00:12:44,839 Speaker 1: a hard time even caring about where she goes to school, 254 00:12:45,480 --> 00:12:50,320 Speaker 1: her date with with Ricky Boring. I don't know. I 255 00:12:50,320 --> 00:12:52,360 Speaker 1: don't know who Tapega is. I don't know who she is. 256 00:12:52,400 --> 00:12:53,880 Speaker 1: What does she writer said? What does she even want 257 00:12:53,920 --> 00:12:57,040 Speaker 1: to study at Yale? Do we know? 258 00:12:57,080 --> 00:13:01,240 Speaker 6: What do we know about dancing? 259 00:13:01,280 --> 00:13:02,480 Speaker 4: For one episode? 260 00:13:02,160 --> 00:13:05,559 Speaker 1: That's something you know, they they when the random hobbies 261 00:13:05,559 --> 00:13:07,040 Speaker 1: they decide to give us randomly. 262 00:13:07,120 --> 00:13:08,480 Speaker 4: You know, Topanga loves to dance. 263 00:13:08,480 --> 00:13:11,440 Speaker 1: We'll never photographer, Shann's photographer will never hear about that again. 264 00:13:11,679 --> 00:13:14,200 Speaker 1: Sean was really good in marketing. We never heard about 265 00:13:14,200 --> 00:13:17,800 Speaker 1: that again, which, by the way, bring a great weather man. 266 00:13:18,960 --> 00:13:21,920 Speaker 9: Yeah, you know, it's it was what we kind of needed. 267 00:13:21,960 --> 00:13:24,440 Speaker 9: It's that's why this season five just kind of felt 268 00:13:24,440 --> 00:13:27,000 Speaker 9: like a hodgepodge to me. Yeah, and that's why I'm 269 00:13:27,040 --> 00:13:29,280 Speaker 9: dying to know if we were going to get canceled 270 00:13:29,320 --> 00:13:29,839 Speaker 9: halfway through. 271 00:13:30,080 --> 00:13:31,840 Speaker 4: I know, the season of Convenience. 272 00:13:32,040 --> 00:13:35,760 Speaker 6: Yeah, but going back to your original question, we did 273 00:13:35,800 --> 00:13:37,960 Speaker 6: get the script of the original and then there were 274 00:13:37,960 --> 00:13:40,840 Speaker 6: Sean from Jeff Manel and one of the things that 275 00:13:40,880 --> 00:13:43,520 Speaker 6: I noticed is that the opening scene was just to 276 00:13:43,600 --> 00:13:47,200 Speaker 6: Panga and Angela talking for like two pages. It was 277 00:13:47,240 --> 00:13:49,680 Speaker 6: just it was like a scene, and it was like, oh, 278 00:13:50,160 --> 00:13:52,040 Speaker 6: let's cut that, let's just make it. You know, they 279 00:13:52,120 --> 00:13:52,400 Speaker 6: just walked. 280 00:13:55,240 --> 00:13:56,120 Speaker 7: I mean they were never really. 281 00:13:56,000 --> 00:13:57,679 Speaker 5: Talking about but it was. 282 00:13:57,800 --> 00:13:58,480 Speaker 7: It was interesting. 283 00:13:58,520 --> 00:14:00,960 Speaker 6: It was like almost you know, because of course that 284 00:14:01,040 --> 00:14:03,520 Speaker 6: episode is all from Shawn's perspective and Shawn's but they 285 00:14:03,559 --> 00:14:06,320 Speaker 6: had this scene with Angela and Tapanga discussing and it 286 00:14:06,360 --> 00:14:08,360 Speaker 6: was like, oh right, Jeff did write it in his 287 00:14:08,440 --> 00:14:10,199 Speaker 6: original draft. And then it's just like, no, no, we 288 00:14:10,240 --> 00:14:11,080 Speaker 6: don't need that. 289 00:14:11,080 --> 00:14:13,480 Speaker 9: That Bechtel test though, I'm starting to really pay attention 290 00:14:13,559 --> 00:14:15,960 Speaker 9: to that. Like the scene in the graduation episode where 291 00:14:16,080 --> 00:14:18,520 Speaker 9: she sits down with Feenie. I was like, she gonna 292 00:14:18,520 --> 00:14:21,560 Speaker 9: mention Corey, She's gonna mention Corey and she didn't, which 293 00:14:21,640 --> 00:14:23,200 Speaker 9: which I was like, Okay, it has to be two 294 00:14:23,200 --> 00:14:27,480 Speaker 9: women will And I was just hoping, Hey, it's one 295 00:14:27,480 --> 00:14:29,840 Speaker 9: step ahead of us for our show for a female 296 00:14:29,880 --> 00:14:31,280 Speaker 9: character not to be talking about Corey. 297 00:14:31,320 --> 00:14:32,800 Speaker 5: We're one step closer. 298 00:14:33,240 --> 00:14:37,960 Speaker 3: So yeah, speaking of Corey for us, season five kind 299 00:14:37,960 --> 00:14:41,720 Speaker 3: of marked a turning point on Corey for us, Like 300 00:14:42,800 --> 00:14:46,000 Speaker 3: I guess at this point we're struggling to find him likable. 301 00:14:46,080 --> 00:14:48,680 Speaker 3: And I think that you know, during the nineties, like 302 00:14:49,000 --> 00:14:50,400 Speaker 3: you know, me and Sez are talking about how he's 303 00:14:50,400 --> 00:14:52,440 Speaker 3: watching The Sopranos for the first time, and there's like 304 00:14:52,480 --> 00:14:56,240 Speaker 3: this rise of anti hero which kind of like, uh, 305 00:14:56,560 --> 00:14:59,800 Speaker 3: popularized this idea of showcasing a character's flaws but also 306 00:15:00,080 --> 00:15:02,640 Speaker 3: owing like the repercussions of those flaws and the way 307 00:15:02,680 --> 00:15:06,040 Speaker 3: that we didn't feel really happened with Corey a lot 308 00:15:06,040 --> 00:15:06,520 Speaker 3: this season. 309 00:15:07,240 --> 00:15:12,080 Speaker 6: Yeah, no, he's he's emotional, which is understandable, but it's 310 00:15:12,080 --> 00:15:15,360 Speaker 6: the indignance that that that creeps in the righteousness that 311 00:15:15,360 --> 00:15:17,960 Speaker 6: that that bugs me. You know. It's like, you can 312 00:15:18,000 --> 00:15:20,120 Speaker 6: be upset, you can be hurt, you can be freaking 313 00:15:20,200 --> 00:15:23,040 Speaker 6: out about Topango or whatever like that, you can't control 314 00:15:23,120 --> 00:15:25,680 Speaker 6: these things, but you know, there's there's a tone of 315 00:15:25,760 --> 00:15:31,880 Speaker 6: like just righteousness and and and and indignation that anybody 316 00:15:31,920 --> 00:15:34,400 Speaker 6: would ever treat him this way and that all whenever 317 00:15:34,760 --> 00:15:36,920 Speaker 6: whenever a scene dipped into that, I was just like, oh, 318 00:15:37,480 --> 00:15:38,040 Speaker 6: this is hard to do. 319 00:15:38,160 --> 00:15:40,480 Speaker 9: But then we'd also get Corey some Corey's that we loved, 320 00:15:40,640 --> 00:15:43,000 Speaker 9: like Corey with Chickens, in the hallway, you know, we 321 00:15:43,520 --> 00:15:46,120 Speaker 9: get that kind of Corey where he's just and the 322 00:15:45,920 --> 00:15:49,720 Speaker 9: The one thing we talked about with Heartbreak Corey was 323 00:15:50,680 --> 00:15:52,880 Speaker 9: Danielle I think noticed this as well. We were talking 324 00:15:52,880 --> 00:15:56,360 Speaker 9: about the fact that it seemed like both Corey and 325 00:15:56,520 --> 00:15:59,760 Speaker 9: Ben were more of an adult in this scene in 326 00:15:59,800 --> 00:16:02,160 Speaker 9: that episode then we'd seen him before, which is one 327 00:16:02,160 --> 00:16:03,640 Speaker 9: of the reasons all of a sudden people started to 328 00:16:03,680 --> 00:16:05,720 Speaker 9: root for Corey and Lauren because it was like, well, 329 00:16:05,720 --> 00:16:09,200 Speaker 9: look at this version of Corey with this woman as 330 00:16:09,200 --> 00:16:11,600 Speaker 9: opposed to the other version of Corey with me. 331 00:16:11,680 --> 00:16:17,200 Speaker 6: He actually listens to and she influences is thinking and 332 00:16:17,280 --> 00:16:18,320 Speaker 6: changes like, yeah. 333 00:16:18,400 --> 00:16:21,400 Speaker 9: She had conversations and but then yeah, So that was 334 00:16:21,640 --> 00:16:23,480 Speaker 9: what I mean by the hodgepodg is we would see 335 00:16:23,600 --> 00:16:25,520 Speaker 9: occasionally look at each other and be like, oh my god, 336 00:16:25,640 --> 00:16:27,920 Speaker 9: my favorite version of Corey. Look what he's doing. It's 337 00:16:27,920 --> 00:16:29,960 Speaker 9: the best. And then it's like, oh wow, now the 338 00:16:30,040 --> 00:16:32,440 Speaker 9: universes against him, and yeah, it was. 339 00:16:32,560 --> 00:16:33,520 Speaker 5: It was strange. 340 00:16:33,560 --> 00:16:35,680 Speaker 9: Everything was kind of but I guess you could say 341 00:16:35,720 --> 00:16:37,640 Speaker 9: the same thing about Eric. I mean, Eric was went 342 00:16:37,880 --> 00:16:40,120 Speaker 9: like this through the episode, through the episodes as well. 343 00:16:40,160 --> 00:16:42,160 Speaker 5: It just kind of was whatever we needed at the time. 344 00:16:42,800 --> 00:16:46,360 Speaker 1: I think this season had some of my favorite Ben moments. 345 00:16:46,640 --> 00:16:50,640 Speaker 1: Ben Ben performance wise had some great moments. The drinking 346 00:16:50,640 --> 00:16:55,280 Speaker 1: episode had some great moment Ben in Eric Hollywood. Some 347 00:16:55,360 --> 00:16:58,880 Speaker 1: of those moments then as like me. 348 00:16:58,960 --> 00:17:00,920 Speaker 5: Like me, I mean there's some wasn't that this season? 349 00:17:03,560 --> 00:17:04,560 Speaker 5: I know where we are anymore? 350 00:17:05,040 --> 00:17:08,800 Speaker 3: I think will Zach Morris, I think, well, you mentioned 351 00:17:08,840 --> 00:17:11,280 Speaker 3: that during the Scream episode, like it felt like all 352 00:17:11,320 --> 00:17:13,840 Speaker 3: of the kind of gags that were going on during 353 00:17:14,000 --> 00:17:17,359 Speaker 3: the like the rehearsals actually made it onto the screen. 354 00:17:17,480 --> 00:17:20,520 Speaker 3: And it does feel like all of you felt more 355 00:17:20,560 --> 00:17:23,119 Speaker 3: confident in your performances throughout the season. 356 00:17:23,440 --> 00:17:24,800 Speaker 5: Yeah, well except. 357 00:17:24,480 --> 00:17:27,280 Speaker 4: For Tapanga, who's just boring as hell. 358 00:17:29,480 --> 00:17:32,840 Speaker 1: I go from having like personality and quirks and moments 359 00:17:32,840 --> 00:17:35,200 Speaker 1: to every scene with Tapanga for the last like five 360 00:17:35,280 --> 00:17:36,200 Speaker 1: episodes is. 361 00:17:36,200 --> 00:17:38,800 Speaker 4: Like, what do you think I should do? Mister Feeney, Yeah, 362 00:17:39,200 --> 00:17:42,520 Speaker 4: thanks for sharing. I know what I want to do 363 00:17:42,600 --> 00:17:43,760 Speaker 4: with my life. 364 00:17:44,480 --> 00:17:47,239 Speaker 8: I have to say we have like, of course we 365 00:17:47,280 --> 00:17:49,120 Speaker 8: are ahead of you. So we've looked and I've been 366 00:17:49,320 --> 00:17:52,200 Speaker 8: very much. I look forward to seeing what Danielle feels 367 00:17:52,240 --> 00:17:57,560 Speaker 8: about this storyline or because like everything that you're talking about, 368 00:17:57,560 --> 00:18:00,399 Speaker 8: I think it's easy to see. But that being said, 369 00:18:00,760 --> 00:18:04,080 Speaker 8: we also feel like some as you were saying, there 370 00:18:04,080 --> 00:18:05,720 Speaker 8: are high notes. There are certain things where it's like, 371 00:18:05,720 --> 00:18:08,639 Speaker 8: even if we don't like it, it's true to the characters. 372 00:18:08,680 --> 00:18:11,560 Speaker 8: Like when we were looking at a very Topanga Christmas, 373 00:18:11,760 --> 00:18:15,560 Speaker 8: at first we didn't like it, but then we in retrospect, 374 00:18:15,600 --> 00:18:18,240 Speaker 8: we were like, this may be the most accurate. 375 00:18:17,840 --> 00:18:22,159 Speaker 7: Reflection of their relationship. So it's good. It's good to know. 376 00:18:22,200 --> 00:18:23,000 Speaker 7: It's good to have that bag. 377 00:18:23,160 --> 00:18:25,320 Speaker 3: What I said about a very Topanga Christmas was if 378 00:18:25,320 --> 00:18:28,280 Speaker 3: you go back and watch The Grass Is Greener from 379 00:18:28,320 --> 00:18:30,640 Speaker 3: season three, where they're like, hey, maybe we should break 380 00:18:30,720 --> 00:18:32,720 Speaker 3: up before we hate each other, and then you watch 381 00:18:32,720 --> 00:18:35,960 Speaker 3: a very Topanga Christmas, it's almost like, oh, you guys 382 00:18:36,040 --> 00:18:39,639 Speaker 3: are repeating and falling into the same traps that you 383 00:18:39,760 --> 00:18:42,560 Speaker 3: always have, and this seems to just be a pattern 384 00:18:42,640 --> 00:18:46,159 Speaker 3: in your relationship in a way that is very reflective 385 00:18:46,160 --> 00:18:48,719 Speaker 3: of who Corey and Tapana actually are versus who you know, 386 00:18:48,760 --> 00:18:50,000 Speaker 3: we're being told that they are. 387 00:18:50,200 --> 00:18:53,439 Speaker 1: Right exactly versus idealized version of who they think they 388 00:18:53,480 --> 00:18:54,520 Speaker 1: should be together. 389 00:18:55,160 --> 00:18:56,720 Speaker 4: Yeah, going back, just. 390 00:18:57,160 --> 00:18:59,440 Speaker 1: Your point about Corey and some of what writer was 391 00:18:59,480 --> 00:19:02,480 Speaker 1: saying about him, being indignant. There were that episode Things 392 00:19:02,560 --> 00:19:05,560 Speaker 1: Change where it's kind of the whole point of it 393 00:19:06,040 --> 00:19:10,240 Speaker 1: that he is really unlikable, and both writer and I 394 00:19:10,359 --> 00:19:13,040 Speaker 1: and Will we all had notes in our notes about like, 395 00:19:13,600 --> 00:19:18,640 Speaker 1: oh yeah, and then when it's revealed, hey, Eric comes 396 00:19:18,640 --> 00:19:19,880 Speaker 1: in and kind of saves the day. 397 00:19:19,920 --> 00:19:21,280 Speaker 4: It says a lot about you. 398 00:19:21,200 --> 00:19:22,560 Speaker 1: And these are things that are good, things that are 399 00:19:22,560 --> 00:19:24,159 Speaker 1: happening for your friends, you need, and that kind of 400 00:19:24,200 --> 00:19:25,159 Speaker 1: becomes the point of it. 401 00:19:25,680 --> 00:19:26,720 Speaker 4: I am so. 402 00:19:27,119 --> 00:19:31,280 Speaker 1: On board for there being an unlikable character when the 403 00:19:31,359 --> 00:19:35,840 Speaker 1: reveal is, hey, bro, you're really unlikable and that's not 404 00:19:35,920 --> 00:19:38,359 Speaker 1: a cool way to be because that is how kids learn. 405 00:19:38,640 --> 00:19:41,760 Speaker 1: Like we all have those thoughts, especially as teenagers where 406 00:19:41,800 --> 00:19:42,800 Speaker 1: it's like me, me, me. 407 00:19:42,600 --> 00:19:45,960 Speaker 6: Me, hold on, I'm just realizing. Like so, that episode 408 00:19:46,040 --> 00:19:48,760 Speaker 6: is the one before graduation, and that episode ends with 409 00:19:48,800 --> 00:19:51,920 Speaker 6: Corey being like, Eh, everything's going to change. 410 00:19:52,000 --> 00:19:52,879 Speaker 9: Yeah, life, I. 411 00:19:52,880 --> 00:19:55,760 Speaker 6: Guess it's all over. And then the next season, the 412 00:19:55,800 --> 00:19:59,720 Speaker 6: next episode is here, let's celebrate. There's like no re 413 00:20:00,400 --> 00:20:01,440 Speaker 6: yeah or more. 414 00:20:01,480 --> 00:20:02,480 Speaker 5: You could I guess you could. 415 00:20:02,560 --> 00:20:05,440 Speaker 9: You could argue that he's faking it, which is what 416 00:20:05,480 --> 00:20:07,199 Speaker 9: that scene means in the scene where they where he 417 00:20:07,240 --> 00:20:10,720 Speaker 9: says are you really supportive where he's like, Hey, this 418 00:20:10,800 --> 00:20:12,360 Speaker 9: is how it's gonna be, what it's gonna be, I'm 419 00:20:12,359 --> 00:20:14,760 Speaker 9: gonna put on my best face, and chickens in the 420 00:20:14,800 --> 00:20:17,240 Speaker 9: hallway were really inside he's dying. So I mean, I 421 00:20:17,280 --> 00:20:19,719 Speaker 9: guess you could argue that, but I don't know if 422 00:20:19,720 --> 00:20:21,200 Speaker 9: that was necessarily written to or. 423 00:20:21,119 --> 00:20:23,800 Speaker 6: That's the justification like after the fact. 424 00:20:23,840 --> 00:20:27,199 Speaker 8: You know, one of the things that we noticed with 425 00:20:27,280 --> 00:20:30,680 Speaker 8: the enjoyment of Corey and the show overall is that 426 00:20:31,480 --> 00:20:34,919 Speaker 8: the show is best when we are learning with Corey, 427 00:20:35,560 --> 00:20:38,919 Speaker 8: and it seems like we stop learning, like when we 428 00:20:39,000 --> 00:20:42,080 Speaker 8: bring in Fate, it starts to lean on fate and 429 00:20:42,080 --> 00:20:44,720 Speaker 8: believe and like things are supposed to be a certain way, 430 00:20:45,680 --> 00:20:47,840 Speaker 8: and so you don't have to learn anything. And if 431 00:20:47,880 --> 00:20:49,879 Speaker 8: he doesn't have to learn anything, then there are no 432 00:20:49,960 --> 00:20:52,680 Speaker 8: consequences to anything, and that kind. 433 00:20:52,440 --> 00:20:53,400 Speaker 7: Of like effects. 434 00:20:53,400 --> 00:20:56,040 Speaker 8: So you're right, Corey is the most fun when he's 435 00:20:56,119 --> 00:20:59,480 Speaker 8: learning or when there's a lesson to learn, and when 436 00:20:59,720 --> 00:21:00,680 Speaker 8: there isn't and. 437 00:21:00,600 --> 00:21:05,040 Speaker 11: He's just like I know, and when he's teaching. When 438 00:21:05,040 --> 00:21:07,960 Speaker 11: he's teaching, right, he's like Chapanga, you don't know, but 439 00:21:08,040 --> 00:21:11,520 Speaker 11: I do, Sean, you don't know, but I do right, Wow. 440 00:21:11,359 --> 00:21:12,760 Speaker 3: And he becomes a teacher? How about that? 441 00:21:13,600 --> 00:21:25,679 Speaker 12: Yeah? 442 00:21:25,720 --> 00:21:26,320 Speaker 3: Oh you know. 443 00:21:26,560 --> 00:21:26,679 Speaker 11: Uh. 444 00:21:27,359 --> 00:21:29,160 Speaker 3: We like we said we had things that we loved 445 00:21:29,160 --> 00:21:31,600 Speaker 3: about this season, we also had things about the season 446 00:21:31,640 --> 00:21:36,040 Speaker 3: that we didn't really, I don't know, necessarily agree with 447 00:21:36,080 --> 00:21:38,480 Speaker 3: you guys on or different takes that we had, Like, 448 00:21:38,520 --> 00:21:41,960 Speaker 3: for example, you guys really didn't care for brothers the 449 00:21:42,480 --> 00:21:43,320 Speaker 3: kind of season over? 450 00:21:43,640 --> 00:21:43,840 Speaker 4: Yeah. 451 00:21:43,960 --> 00:21:46,399 Speaker 1: Eric comes back home and Corey promises to find him 452 00:21:46,440 --> 00:21:49,080 Speaker 1: a place to stay. Things take a strange turn when 453 00:21:49,200 --> 00:21:51,840 Speaker 1: Eric's new roommate turns out to be Sean's half brother 454 00:21:52,000 --> 00:21:52,800 Speaker 1: Jack for. 455 00:21:52,760 --> 00:21:54,200 Speaker 5: No reason at all. 456 00:21:54,240 --> 00:21:56,640 Speaker 3: One of the things that we actually enjoyed about this 457 00:21:56,680 --> 00:21:59,679 Speaker 3: episode was that it showed Chet trying to be a 458 00:21:59,680 --> 00:22:03,120 Speaker 3: better parent while also acknowledging his limitations in the way 459 00:22:03,240 --> 00:22:06,400 Speaker 3: that we found really interesting. We go crazy for any Chet, 460 00:22:08,840 --> 00:22:11,400 Speaker 3: so it's always a standout for us in that way. 461 00:22:12,200 --> 00:22:16,119 Speaker 9: But why why why make him the brother? Like, what 462 00:22:16,520 --> 00:22:18,440 Speaker 9: what do we gain out of him being a hunter? 463 00:22:19,280 --> 00:22:22,160 Speaker 3: This is actually that leads to another question we had 464 00:22:22,280 --> 00:22:25,800 Speaker 3: actually about Matt Lawrence joining the show, because we've loved 465 00:22:25,800 --> 00:22:28,920 Speaker 3: Matt Lawrence h since Missus doutfire See has been in 466 00:22:29,000 --> 00:22:30,680 Speaker 3: love with all the Lawrence Brothers, since it was age 467 00:22:30,680 --> 00:22:35,040 Speaker 3: appropriate by the way, but they bring him in in 468 00:22:35,080 --> 00:22:38,160 Speaker 3: the first half of the season is almost completely dedicated 469 00:22:38,200 --> 00:22:42,280 Speaker 3: to building his relationship with Sean, and then they almost 470 00:22:42,320 --> 00:22:46,640 Speaker 3: completely abandoned that second half to focus on his chemistry 471 00:22:47,000 --> 00:22:50,520 Speaker 3: with Eric. So it just had us thinking, like, could 472 00:22:50,560 --> 00:22:54,320 Speaker 3: they have done something to make his character and storyline 473 00:22:54,560 --> 00:22:57,680 Speaker 3: hit a little bit harder? Like see just saying that, 474 00:22:57,760 --> 00:22:59,680 Speaker 3: like if he started off as more of a rich 475 00:22:59,720 --> 00:23:02,159 Speaker 3: boy snob and softened over time, maybe that would have 476 00:23:02,160 --> 00:23:05,440 Speaker 3: created more character dynamics, where as, like with Will, I agree, 477 00:23:05,480 --> 00:23:07,200 Speaker 3: I think he should have just been brought in as 478 00:23:07,280 --> 00:23:09,639 Speaker 3: a roommate. So I guess, how do you feel about 479 00:23:10,080 --> 00:23:13,040 Speaker 3: Jack as a character being brought into the season and 480 00:23:13,040 --> 00:23:14,920 Speaker 3: introduced to us? 481 00:23:14,960 --> 00:23:15,399 Speaker 2: Not great? 482 00:23:15,920 --> 00:23:18,760 Speaker 6: Yeah, I think it's yeah, I mean I think you know, actually, 483 00:23:18,800 --> 00:23:20,880 Speaker 6: I feel like, when you know, we were criticizing those 484 00:23:20,880 --> 00:23:24,320 Speaker 6: first couple episodes, I hadn't remembered the episode where we 485 00:23:25,480 --> 00:23:27,560 Speaker 6: end up moving into each other's or he moves into 486 00:23:27,600 --> 00:23:30,159 Speaker 6: my room and we wrestle and all that that was great, 487 00:23:30,320 --> 00:23:33,439 Speaker 6: Like that kind of conflict and tension between us, I 488 00:23:33,440 --> 00:23:36,480 Speaker 6: thought really actually did work. But for the most part, no, 489 00:23:36,560 --> 00:23:39,640 Speaker 6: I just think unfortunately they were really stoked on going 490 00:23:39,640 --> 00:23:43,000 Speaker 6: for the drama between him and me, and it's just 491 00:23:43,119 --> 00:23:45,359 Speaker 6: a bummer to have that guy come in and have 492 00:23:45,600 --> 00:23:49,800 Speaker 6: basically no character and just have conflict between us that's 493 00:23:49,840 --> 00:23:52,680 Speaker 6: kind of manufactured and it's all backstory and then it's 494 00:23:52,720 --> 00:23:56,080 Speaker 6: like backstory revealed. I don't know, it's just it's and 495 00:23:56,119 --> 00:23:58,639 Speaker 6: I feel bad for Matt Lawrence not having much to 496 00:23:58,640 --> 00:24:01,720 Speaker 6: do for a while, and a lot of these episodes 497 00:24:01,720 --> 00:24:03,480 Speaker 6: he's just plugged in and just there. 498 00:24:04,040 --> 00:24:04,159 Speaker 12: Uh. 499 00:24:04,480 --> 00:24:06,280 Speaker 9: But I think that's almost what they did sometimes, is 500 00:24:06,320 --> 00:24:08,639 Speaker 9: they plug somebody in and then they'd let them find 501 00:24:08,680 --> 00:24:11,919 Speaker 9: where they belong, if that makes sense. So it was like, oh, okay, 502 00:24:11,960 --> 00:24:14,280 Speaker 9: well the scenes with Eric and Jack seem to be 503 00:24:14,320 --> 00:24:17,040 Speaker 9: working better, so now they're going to be It's like 504 00:24:17,040 --> 00:24:18,920 Speaker 9: what happened with Eric and Feenie. It was like, Oh, 505 00:24:19,160 --> 00:24:21,680 Speaker 9: what's gonna be Corey Feenie? Well, the Eric Phoene stuff 506 00:24:21,720 --> 00:24:23,280 Speaker 9: was working. What if we put them together? So it's 507 00:24:23,320 --> 00:24:25,840 Speaker 9: almost like, let's throw them in and then let's see 508 00:24:25,840 --> 00:24:26,760 Speaker 9: where they find their level. 509 00:24:27,040 --> 00:24:28,920 Speaker 6: And I think Matt and I were just too much 510 00:24:28,920 --> 00:24:30,840 Speaker 6: of the same vit like neither one of us were 511 00:24:30,880 --> 00:24:34,240 Speaker 6: funny enough to or characters weren't extreme enough to push 512 00:24:34,480 --> 00:24:37,280 Speaker 6: like to a you know, interesting scene for the most part, 513 00:24:37,440 --> 00:24:39,480 Speaker 6: So I disagree. 514 00:24:39,520 --> 00:24:41,960 Speaker 8: I feel like you've talked about it when he when 515 00:24:42,000 --> 00:24:45,080 Speaker 8: Matthew Lawrence leans into what we call like that Lawrence acting, 516 00:24:45,680 --> 00:24:47,359 Speaker 8: which is like, you know, like you can kind of 517 00:24:47,400 --> 00:24:50,080 Speaker 8: hear Joey yeah, or I think will you called it 518 00:24:50,119 --> 00:24:51,480 Speaker 8: the Tony Danza approach. 519 00:24:51,920 --> 00:24:56,679 Speaker 7: I don't really know her. He's doing that. It's fun 520 00:24:56,800 --> 00:24:57,920 Speaker 7: and I believe. 521 00:24:57,760 --> 00:25:01,160 Speaker 8: I think they just didn't allow or in my mind, 522 00:25:01,240 --> 00:25:03,760 Speaker 8: as you said, maybe if it was storyboarded, it would 523 00:25:03,760 --> 00:25:05,040 Speaker 8: have like they could have had like. 524 00:25:05,040 --> 00:25:08,240 Speaker 7: A through line. One of the fandreies we had is 525 00:25:08,280 --> 00:25:12,400 Speaker 7: that like Chet knew that Jack was in town. 526 00:25:12,240 --> 00:25:15,560 Speaker 8: And like the first episode is like all a setup, 527 00:25:16,000 --> 00:25:18,720 Speaker 8: and that to me is just like a better, more 528 00:25:18,840 --> 00:25:23,040 Speaker 8: interesting story to tell of like, oh, Jack and Chet 529 00:25:23,080 --> 00:25:27,560 Speaker 8: are doing this because Chet knows he can't take in Sean, 530 00:25:28,160 --> 00:25:32,080 Speaker 8: and Sean needs someone. He's gonna need a place to live, 531 00:25:32,160 --> 00:25:34,120 Speaker 8: he's gonna, you know, have something, so like it gives 532 00:25:34,200 --> 00:25:37,840 Speaker 8: him like an anchor while also allowing them to work 533 00:25:37,880 --> 00:25:40,000 Speaker 8: out their brother dynamic. And if that's how you go 534 00:25:40,119 --> 00:25:42,240 Speaker 8: into the show, then it kind of makes more sense 535 00:25:42,280 --> 00:25:43,399 Speaker 8: and it's a little bit more fun. 536 00:25:43,760 --> 00:25:46,200 Speaker 1: Yeah, I did kind of end up changing my opinion. 537 00:25:46,440 --> 00:25:48,720 Speaker 1: When we first started the season, I was very much 538 00:25:48,720 --> 00:25:49,480 Speaker 1: on the team of. 539 00:25:49,440 --> 00:25:52,280 Speaker 4: Why does he need to be Sean's. 540 00:25:51,760 --> 00:25:58,040 Speaker 1: Brother, But seeing how little we mentioned any family for 541 00:25:58,160 --> 00:26:02,520 Speaker 1: Sean after having multiple seasons be fully devoted to his 542 00:26:02,560 --> 00:26:08,280 Speaker 1: home life, the fact that Jack represents Hunter family for 543 00:26:08,440 --> 00:26:09,879 Speaker 1: Sean is so needed. 544 00:26:10,000 --> 00:26:12,520 Speaker 4: Otherwise it would have just been like dropped off. 545 00:26:12,640 --> 00:26:15,359 Speaker 1: Yes, this kid's just out in space, and there's so 546 00:26:15,480 --> 00:26:20,720 Speaker 1: many there's so fewer Matthew's family scenes that involve Sean 547 00:26:20,840 --> 00:26:22,800 Speaker 1: feeling like a member of a family. As a matter 548 00:26:22,800 --> 00:26:26,199 Speaker 1: of fact, there's scenes where Alan says you, you've always 549 00:26:26,240 --> 00:26:29,840 Speaker 1: been the bad influence. If he had no familiar you know, 550 00:26:30,080 --> 00:26:33,000 Speaker 1: stakes and Alan's yelling at him, I think it would 551 00:26:33,040 --> 00:26:36,480 Speaker 1: have been very jarring. So by the time the season ended, 552 00:26:36,560 --> 00:26:39,280 Speaker 1: I was actually really grateful that Jack. 553 00:26:39,200 --> 00:26:41,800 Speaker 4: Was kind of that like family presence for him. 554 00:26:41,800 --> 00:26:43,720 Speaker 1: But when we first started, it made no sense to me, 555 00:26:43,880 --> 00:26:48,360 Speaker 1: and I was surprised by how many references to this 556 00:26:48,440 --> 00:26:50,600 Speaker 1: is my brother, that's my little brother. Why do we 557 00:26:50,600 --> 00:26:53,040 Speaker 1: always end up wrestling because we're brothers? Like we went 558 00:26:53,080 --> 00:26:54,960 Speaker 1: into a thing Amp's never going to be mentioned again, 559 00:26:55,000 --> 00:26:58,560 Speaker 1: but it is, even if very casually. You guys, being 560 00:26:58,680 --> 00:27:03,080 Speaker 1: bonded by blood is. 561 00:27:03,280 --> 00:27:06,480 Speaker 3: Well, you know, Jack's not the only character that we 562 00:27:06,520 --> 00:27:12,119 Speaker 3: get this season. We also get a new character in Angela, who, 563 00:27:12,240 --> 00:27:14,640 Speaker 3: by the way, is maybe our first black student since 564 00:27:14,720 --> 00:27:16,120 Speaker 3: Third Seat Kid number two. 565 00:27:17,920 --> 00:27:21,440 Speaker 6: You're right, yep, but what really is there no black 566 00:27:21,440 --> 00:27:23,359 Speaker 6: guest stars up until I. 567 00:27:23,720 --> 00:27:30,280 Speaker 13: Think there's maybe some here, but not students. Alex is 568 00:27:30,320 --> 00:27:34,320 Speaker 13: air but like, yeah, yeah, but one of the things 569 00:27:34,320 --> 00:27:36,920 Speaker 13: about Angela is like she was brought in to be 570 00:27:37,080 --> 00:27:39,600 Speaker 13: Sean's girlfriend into Penga's best friend. 571 00:27:39,720 --> 00:27:41,480 Speaker 7: But we don't really know if. 572 00:27:41,320 --> 00:27:45,000 Speaker 3: The show succeeded in developing her as either of those things. 573 00:27:45,200 --> 00:27:47,639 Speaker 9: Nope, which is a shame because we've the one thing 574 00:27:47,680 --> 00:27:50,520 Speaker 9: that we've noticed is that the episodes where they give 575 00:27:50,560 --> 00:27:53,200 Speaker 9: her something to do, she's amazing. 576 00:27:53,520 --> 00:27:56,440 Speaker 4: She's such a scar out, she's great. 577 00:27:56,640 --> 00:27:59,240 Speaker 9: And so to look back at it and be like, man, 578 00:27:59,280 --> 00:28:03,160 Speaker 9: they didn't use her already? Again, woman, I don't think 579 00:28:03,240 --> 00:28:04,760 Speaker 9: I know, it sounds terrible. I don't think black or 580 00:28:04,760 --> 00:28:07,639 Speaker 9: white has anything to do with it. It's woman on 581 00:28:07,680 --> 00:28:11,040 Speaker 9: our show. It's that's kind of different. It's just, yeah, 582 00:28:11,119 --> 00:28:11,280 Speaker 9: I know. 583 00:28:11,400 --> 00:28:13,600 Speaker 7: It's white, but it's really important. 584 00:28:13,640 --> 00:28:15,560 Speaker 8: And this is something like we were talking about episodes 585 00:28:15,560 --> 00:28:17,560 Speaker 8: where we wanted to like see things that you missed 586 00:28:17,640 --> 00:28:18,640 Speaker 8: or like we disagreed with. 587 00:28:19,040 --> 00:28:21,280 Speaker 7: In the if you Can't Be the One You. 588 00:28:21,320 --> 00:28:25,879 Speaker 8: Love episode the Drink the Drinking episode, you talk about 589 00:28:26,119 --> 00:28:29,280 Speaker 8: the fact that, like they push Trina against the wall, 590 00:28:29,320 --> 00:28:32,919 Speaker 8: Angela's character is consistently and I was like, whether, like, 591 00:28:33,040 --> 00:28:34,720 Speaker 8: I do know that there are lots of people who 592 00:28:34,720 --> 00:28:36,560 Speaker 8: are like, well Trina was like fine with it, or 593 00:28:36,600 --> 00:28:37,960 Speaker 8: like she thought it was like all in good fine, 594 00:28:38,200 --> 00:28:40,680 Speaker 8: But as a viewer, as a black viewer. 595 00:28:40,600 --> 00:28:43,000 Speaker 7: To see the way that they handle. 596 00:28:43,000 --> 00:28:46,160 Speaker 8: The black character. They don't ever push to peg it 597 00:28:46,240 --> 00:28:49,480 Speaker 8: into a locker. They never shut me. So if you're 598 00:28:49,520 --> 00:28:51,600 Speaker 8: gonna say that, oh, it was a bit and the 599 00:28:51,640 --> 00:28:54,200 Speaker 8: bit worked and that's why they kept doing it, then 600 00:28:54,960 --> 00:28:57,520 Speaker 8: why aren't they doing it any of the other female characters. 601 00:28:57,560 --> 00:29:00,280 Speaker 8: It's this idea that black women are more durable, Black 602 00:29:00,320 --> 00:29:05,000 Speaker 8: women can handle more And as a black viewer, you 603 00:29:05,160 --> 00:29:07,479 Speaker 8: just like it's not to say that it can't be funny, 604 00:29:07,480 --> 00:29:10,880 Speaker 8: but you do notice why are they treating this this 605 00:29:10,960 --> 00:29:13,640 Speaker 8: way and the other characters differently? 606 00:29:13,800 --> 00:29:16,160 Speaker 3: And I mean even in the drinking episode, Sean goes 607 00:29:16,160 --> 00:29:19,240 Speaker 3: above and beyond to apologize to Tapanga and Feenie, and 608 00:29:19,280 --> 00:29:21,120 Speaker 3: I don't know that he ever even says sorry to. 609 00:29:21,080 --> 00:29:23,440 Speaker 4: Angelo for hitting her, not on camera. 610 00:29:23,600 --> 00:29:24,560 Speaker 5: No, we talked about that. 611 00:29:24,640 --> 00:29:26,760 Speaker 9: We talked about that, how strong it would have been 612 00:29:26,800 --> 00:29:29,520 Speaker 9: had Angela turned and said, if you ever put your 613 00:29:29,560 --> 00:29:30,600 Speaker 9: hands on me again. 614 00:29:30,800 --> 00:29:33,000 Speaker 6: We don't do that, don't I say something? We do 615 00:29:33,080 --> 00:29:33,880 Speaker 6: have some moment right. 616 00:29:33,840 --> 00:29:37,200 Speaker 1: Cause where you said, you say you don't like it 617 00:29:37,200 --> 00:29:38,840 Speaker 1: when I drink, I don't. You don't like me when 618 00:29:38,840 --> 00:29:41,960 Speaker 1: I drink. I don't either, And she says, great because 619 00:29:42,000 --> 00:29:44,600 Speaker 1: I really like you when you don't. And then you 620 00:29:44,680 --> 00:29:46,520 Speaker 1: kiss her on the cheek and you guys walk in together. 621 00:29:46,560 --> 00:29:49,360 Speaker 1: There's no actual apology. 622 00:29:51,560 --> 00:29:52,000 Speaker 3: Thanks ye. 623 00:29:52,520 --> 00:29:56,680 Speaker 8: This brings up the fact a lot of this series 624 00:29:57,000 --> 00:30:01,600 Speaker 8: tends to tell, not show. And that's kind of one 625 00:30:01,640 --> 00:30:05,440 Speaker 8: of the things that we noticed that you noticed, is 626 00:30:05,480 --> 00:30:09,600 Speaker 8: that very often things will happen off camera, And I 627 00:30:09,640 --> 00:30:11,960 Speaker 8: guess like that begs the question what would you have 628 00:30:12,040 --> 00:30:14,160 Speaker 8: liked to see? Like, what scenes do you think are 629 00:30:14,200 --> 00:30:16,440 Speaker 8: like missing or on the cutting room for that would 630 00:30:16,520 --> 00:30:20,360 Speaker 8: actually help some of these storylines we just talked. 631 00:30:20,160 --> 00:30:24,000 Speaker 1: About one in the graduation episode. That the missed opportunity 632 00:30:24,240 --> 00:30:27,040 Speaker 1: for there not to be a scene between Sean and 633 00:30:27,160 --> 00:30:33,080 Speaker 1: Turner where him making the decision that he's why he's 634 00:30:33,120 --> 00:30:35,640 Speaker 1: going to do right, why he's going to do the project, 635 00:30:35,680 --> 00:30:38,480 Speaker 1: and what these years have meant to him. Turner would 636 00:30:38,560 --> 00:30:40,960 Speaker 1: would have been the perfect person. Sean could have even 637 00:30:41,400 --> 00:30:42,640 Speaker 1: sought him out wherever. 638 00:30:42,360 --> 00:30:42,959 Speaker 4: He was teaching. 639 00:30:42,960 --> 00:30:45,240 Speaker 1: Now he's in a new location or he's doing something else, 640 00:30:45,280 --> 00:30:47,320 Speaker 1: but he goes to him and he has the conversation 641 00:30:47,400 --> 00:30:49,840 Speaker 1: about how he realizes he didn't live up to his 642 00:30:49,880 --> 00:30:51,440 Speaker 1: potential like that could have been. 643 00:30:51,480 --> 00:30:53,160 Speaker 4: That was definitely a missed opportunity. 644 00:30:54,280 --> 00:30:59,160 Speaker 6: I think anything with Angela and the idea that you 645 00:30:59,280 --> 00:31:02,360 Speaker 6: have two couples, right, like you have a Corey and 646 00:31:02,360 --> 00:31:04,880 Speaker 6: a Sean, or two pairs of friends who are dating 647 00:31:04,880 --> 00:31:07,719 Speaker 6: each other, right, it means that you had the opportunity 648 00:31:07,760 --> 00:31:10,120 Speaker 6: to have to Panga and Angela be their own Corey 649 00:31:10,160 --> 00:31:12,800 Speaker 6: and Sean, and they could have been scheming to do things, 650 00:31:12,920 --> 00:31:15,560 Speaker 6: or making mistakes or miscommunicat you know, And they did 651 00:31:15,560 --> 00:31:17,680 Speaker 6: a little bit of that with a dancing episode, right, 652 00:31:18,400 --> 00:31:20,600 Speaker 6: but I wanted more that, Like any scene with the 653 00:31:20,640 --> 00:31:23,800 Speaker 6: two of you making decisions or having your own anything 654 00:31:24,200 --> 00:31:26,280 Speaker 6: separate from us, it would have been great. And like 655 00:31:26,680 --> 00:31:29,960 Speaker 6: especially watching in the Starry Night episode when you guys 656 00:31:30,000 --> 00:31:32,360 Speaker 6: had scenes were you talking and you know, you're still 657 00:31:32,360 --> 00:31:34,120 Speaker 6: talking about Korey and guys, but it was funny and 658 00:31:34,160 --> 00:31:37,000 Speaker 6: Trina was hysterical and you had like banter and like 659 00:31:37,080 --> 00:31:39,160 Speaker 6: also with the letter, like these were great scenes. So 660 00:31:39,400 --> 00:31:42,160 Speaker 6: if you guys had been given your own B plot, 661 00:31:42,280 --> 00:31:44,760 Speaker 6: C plot, anything that then we had to react to 662 00:31:44,800 --> 00:31:47,000 Speaker 6: as opposed to us always you know, Corey and Sean 663 00:31:47,040 --> 00:31:50,000 Speaker 6: always initiating whatever the conflict was, would have been so 664 00:31:50,080 --> 00:31:53,120 Speaker 6: easy and so fun and appreciated. But you know, so 665 00:31:53,160 --> 00:31:54,520 Speaker 6: I think anything with Angela. 666 00:31:54,320 --> 00:31:56,240 Speaker 3: Because I think at one point they're like, oh, we're 667 00:31:56,240 --> 00:31:57,960 Speaker 3: best friends, and I was like, when did that happen? 668 00:31:58,360 --> 00:31:59,080 Speaker 7: Yeah? 669 00:31:59,240 --> 00:32:01,960 Speaker 4: Right, yeah, now it's exactly I think. 670 00:32:02,000 --> 00:32:04,040 Speaker 9: If I had to pick something, it would have been 671 00:32:04,240 --> 00:32:05,880 Speaker 9: it would have been a massive change to the show. 672 00:32:05,920 --> 00:32:08,680 Speaker 9: But when I think that was necessary or needed, which 673 00:32:08,760 --> 00:32:11,560 Speaker 9: is the they totally missed the boat on the will 674 00:32:11,600 --> 00:32:12,200 Speaker 9: they won't they? 675 00:32:12,840 --> 00:32:14,360 Speaker 5: I think they should. 676 00:32:14,520 --> 00:32:16,400 Speaker 9: Corey and Tapanga should have broken up, and they should 677 00:32:16,400 --> 00:32:18,880 Speaker 9: have been broken up for a season, and they should 678 00:32:18,920 --> 00:32:21,040 Speaker 9: have dated other people and they should have seen what 679 00:32:21,080 --> 00:32:23,360 Speaker 9: else was out there, and it would have led to 680 00:32:23,680 --> 00:32:26,640 Speaker 9: whole different groups of storylines. Wow, I did meet somebody 681 00:32:26,680 --> 00:32:28,760 Speaker 9: I like different, or oh it's and then are they 682 00:32:28,800 --> 00:32:29,640 Speaker 9: going to get back together? 683 00:32:29,680 --> 00:32:30,080 Speaker 3: What happens? 684 00:32:30,120 --> 00:32:31,120 Speaker 5: Are they going to kiss this night? 685 00:32:31,160 --> 00:32:34,640 Speaker 9: I think they just left a whole bunch of stories 686 00:32:34,640 --> 00:32:35,120 Speaker 9: on the table. 687 00:32:35,120 --> 00:32:39,040 Speaker 6: By now also would have forced the writers to include 688 00:32:39,040 --> 00:32:42,040 Speaker 6: Topanga in a way that she's not just the girlfriend, 689 00:32:42,360 --> 00:32:44,200 Speaker 6: because you know, if they if they were broken up, 690 00:32:44,240 --> 00:32:46,320 Speaker 6: but she is still a regular on the show, they 691 00:32:46,320 --> 00:32:49,280 Speaker 6: would have had to account for this person's presence on 692 00:32:49,400 --> 00:32:51,560 Speaker 6: the show and in our lives, which would have been 693 00:32:51,840 --> 00:32:54,280 Speaker 6: great because it would have been an opportunity to be like, oh, 694 00:32:54,360 --> 00:32:56,640 Speaker 6: Corey and Tobanka actually do have a friendship, They actually 695 00:32:56,680 --> 00:32:58,840 Speaker 6: do talk about these things, Sean and Tapanga actually talk 696 00:32:58,880 --> 00:33:01,560 Speaker 6: about things other than corn like. Any of that would 697 00:33:01,600 --> 00:33:04,320 Speaker 6: have just made the show richer and better, and Topanga 698 00:33:04,440 --> 00:33:05,120 Speaker 6: richer character. 699 00:33:05,600 --> 00:33:08,640 Speaker 8: Yeah, you talk about it in Eric Hollywood about by 700 00:33:08,640 --> 00:33:10,440 Speaker 8: the way, I agree with you. We've just done the 701 00:33:10,520 --> 00:33:14,120 Speaker 8: rewatch and I completely forgot that the subplot or the 702 00:33:14,160 --> 00:33:19,520 Speaker 8: b plot of Eric Hollywood is chicken pox. But in 703 00:33:19,560 --> 00:33:22,600 Speaker 8: that episode we actually do get one on one with 704 00:33:22,880 --> 00:33:27,040 Speaker 8: Sean and Topanga, and it's like, that's that's a great thing, 705 00:33:27,080 --> 00:33:29,040 Speaker 8: and we want more of that. You want to see 706 00:33:29,080 --> 00:33:31,560 Speaker 8: more dynamics. And I think, like, I look to you 707 00:33:31,600 --> 00:33:36,120 Speaker 8: guys like Pod meets World. I love listening to you 708 00:33:36,160 --> 00:33:38,640 Speaker 8: because it also gives me an insight to television, which 709 00:33:38,680 --> 00:33:40,960 Speaker 8: I love and I grew up watching. And I think 710 00:33:41,080 --> 00:33:44,720 Speaker 8: that as I look at other ensemble casts, you're like, Oh, 711 00:33:44,760 --> 00:33:48,120 Speaker 8: what makes it magical is when you do get time 712 00:33:48,400 --> 00:33:50,480 Speaker 8: with different unexpected pairings. 713 00:33:50,720 --> 00:33:53,880 Speaker 4: Yeah, yeah, you're right. 714 00:33:53,960 --> 00:33:56,040 Speaker 9: I'm just thinking about now. My head is going to 715 00:33:56,040 --> 00:33:57,760 Speaker 9: where all the stories could have gone. I mean an 716 00:33:57,800 --> 00:34:01,520 Speaker 9: episode down the line where maybe Tonga starts dating Jack, 717 00:34:01,840 --> 00:34:03,960 Speaker 9: like you never know. You could have done so because 718 00:34:04,000 --> 00:34:06,200 Speaker 9: friend groups, when you're all in a friend group, you know, 719 00:34:06,360 --> 00:34:08,560 Speaker 9: people hook up, you go, this one goes with this one. 720 00:34:08,560 --> 00:34:09,160 Speaker 7: That's so. 721 00:34:09,320 --> 00:34:12,160 Speaker 9: I mean, they're each Tapanga secretly as a boyfriend, and 722 00:34:12,160 --> 00:34:14,120 Speaker 9: it's a whole conversation with Angelo, it's a whole thing. 723 00:34:14,160 --> 00:34:16,520 Speaker 9: Why should I I can't tell Corey, It's like, you're single, 724 00:34:16,560 --> 00:34:18,080 Speaker 9: What do you mean you can't. They could have done 725 00:34:18,200 --> 00:34:20,920 Speaker 9: so much with it, which then would have also established 726 00:34:20,920 --> 00:34:24,120 Speaker 9: the women as characters on their own, which then when 727 00:34:24,120 --> 00:34:27,759 Speaker 9: we all get into college, then we're all together, and 728 00:34:27,800 --> 00:34:31,160 Speaker 9: then you know, everybody, we're all separate characters. We've all got, 729 00:34:31,200 --> 00:34:34,080 Speaker 9: you know, really distinguished personalities, and now you go from there. 730 00:34:34,080 --> 00:34:36,480 Speaker 9: It would have I think they left a lot on 731 00:34:36,520 --> 00:34:39,560 Speaker 9: the table, and they did it all for the fact 732 00:34:39,560 --> 00:34:41,879 Speaker 9: that we have to be together. The universe wants us together. 733 00:34:41,960 --> 00:34:44,600 Speaker 9: We can't spend more than two episodes apart. And I 734 00:34:44,640 --> 00:34:47,200 Speaker 9: think they they really drop the ball on that. 735 00:34:47,400 --> 00:34:48,040 Speaker 7: Is that what it is? 736 00:34:48,080 --> 00:34:50,239 Speaker 8: And I asked that question because one of the things 737 00:34:50,239 --> 00:34:51,960 Speaker 8: that we've always wanted to know is like what what 738 00:34:52,040 --> 00:34:54,719 Speaker 8: do you think the motivation is it? Is it the showrunner, 739 00:34:54,800 --> 00:34:58,080 Speaker 8: is it the network? What is like keeping these things protected? 740 00:34:58,440 --> 00:35:01,640 Speaker 8: And like like down to we've talked about this before. 741 00:35:01,760 --> 00:35:04,799 Speaker 8: The story seems to like bend over backwards to keep 742 00:35:04,880 --> 00:35:09,120 Speaker 8: Corey in good light. Like in the drinking episode, for example, 743 00:35:09,280 --> 00:35:14,040 Speaker 8: Corey brings the liquor and the story isn't about Hey, Corey, 744 00:35:14,320 --> 00:35:17,160 Speaker 8: you brought liquor. And by the way, you know that 745 00:35:17,239 --> 00:35:21,319 Speaker 8: your best friend's father has a history with alcohol and 746 00:35:21,400 --> 00:35:24,440 Speaker 8: you're aware, Like if that's not the lesson, the lesson 747 00:35:24,520 --> 00:35:27,600 Speaker 8: at the end of it is Sean, you have a 748 00:35:27,640 --> 00:35:30,080 Speaker 8: drinking problem, and you're like what, And then the same 749 00:35:30,080 --> 00:35:35,120 Speaker 8: thing with the breakup. The breakup happens, and the the 750 00:35:35,160 --> 00:35:39,359 Speaker 8: story arc itself is like Topanga, you ruined us. 751 00:35:39,640 --> 00:35:42,200 Speaker 7: So we were like, is that is that? Showrunners? 752 00:35:42,280 --> 00:35:47,239 Speaker 8: Is that network? What keeps the main character protected? And 753 00:35:47,360 --> 00:35:49,640 Speaker 8: do you think that there was anything that like could 754 00:35:49,680 --> 00:35:51,120 Speaker 8: have helped the show. 755 00:35:50,960 --> 00:35:57,759 Speaker 1: Expand I think overall there is a There is definitely 756 00:35:58,560 --> 00:36:02,719 Speaker 1: a network desire, at least to a certain degree, a 757 00:36:02,760 --> 00:36:08,000 Speaker 1: network desire to keep all of the main characters somewhat likable. 758 00:36:08,480 --> 00:36:10,520 Speaker 1: They can have flaws, but you have to be able 759 00:36:10,560 --> 00:36:15,080 Speaker 1: to understand why they have those flaws, like, oh, Sean 760 00:36:15,440 --> 00:36:18,319 Speaker 1: is a tortured soul, but we know why and we 761 00:36:18,360 --> 00:36:20,520 Speaker 1: have empathy for him. So you have to be able 762 00:36:20,560 --> 00:36:22,280 Speaker 1: to have empathy for your lead characters. 763 00:36:22,719 --> 00:36:24,160 Speaker 4: But I think the. 764 00:36:24,239 --> 00:36:29,040 Speaker 1: Very straightforward answer for who's protecting Corey is it's Michael Jacobs. 765 00:36:29,080 --> 00:36:33,320 Speaker 1: It was Michael Jacobs writing a show from his POV 766 00:36:33,680 --> 00:36:36,040 Speaker 1: and he is supposed to represent the Cory character. And 767 00:36:36,080 --> 00:36:42,880 Speaker 1: I don't know that Michael necessarily takes blame for you know, 768 00:36:43,000 --> 00:36:44,040 Speaker 1: takes blame for anything. 769 00:36:45,239 --> 00:36:46,799 Speaker 7: Does that apply to Jack too? 770 00:36:46,960 --> 00:36:49,200 Speaker 8: And I asked because Jack, as you said earlier, I 771 00:36:49,200 --> 00:36:51,560 Speaker 8: feel like I think one of you mentioned it in 772 00:36:51,600 --> 00:36:54,279 Speaker 8: the beginning, if Jack was allowed to be flawed, if 773 00:36:54,280 --> 00:36:56,719 Speaker 8: he was allowed to like be hated a little bit, 774 00:36:57,160 --> 00:36:59,520 Speaker 8: a little too snobby or one of the things that 775 00:36:59,600 --> 00:37:02,719 Speaker 8: I and this isn't like much of a spoiler, but 776 00:37:02,800 --> 00:37:05,800 Speaker 8: like a head cannon in me, it's like Jack doesn't 777 00:37:05,880 --> 00:37:06,440 Speaker 8: like Corey. 778 00:37:07,000 --> 00:37:10,520 Speaker 7: They and it would be great to get like. 779 00:37:10,480 --> 00:37:13,640 Speaker 8: An outside perspective of like someone who's not as endeared 780 00:37:13,880 --> 00:37:15,759 Speaker 8: to Corey, doesn't have the history so he can kind 781 00:37:15,800 --> 00:37:16,840 Speaker 8: of see things objectively. 782 00:37:17,480 --> 00:37:21,839 Speaker 7: And I feel like there are preto times where we're like, well, why. 783 00:37:21,520 --> 00:37:24,400 Speaker 8: Didn't we make Jack a little bit more unlikable? And 784 00:37:24,400 --> 00:37:26,400 Speaker 8: then again this story, Oh god, it. 785 00:37:26,400 --> 00:37:28,120 Speaker 6: Would have been so good if he was like wearing 786 00:37:28,160 --> 00:37:30,520 Speaker 6: a three piece suit and has all this money and 787 00:37:30,560 --> 00:37:33,640 Speaker 6: like it's really nice to Sean but also just lives 788 00:37:33,640 --> 00:37:37,120 Speaker 6: this completely different lifestyle that they will never understand each other, 789 00:37:37,480 --> 00:37:39,520 Speaker 6: and then they're constantly trying to like it would have been. 790 00:37:39,680 --> 00:37:42,000 Speaker 6: It could have created so many great fireworks and sparks, 791 00:37:42,040 --> 00:37:44,200 Speaker 6: and yeah, I don't know. I think they just didn't. 792 00:37:44,280 --> 00:37:46,200 Speaker 6: They just didn't have an idea. They just came in. 793 00:37:46,360 --> 00:37:47,560 Speaker 6: You know, it's like, oh, we got to get him 794 00:37:47,600 --> 00:37:49,840 Speaker 6: on the show. And I think they were Yeah, I 795 00:37:49,880 --> 00:37:51,880 Speaker 6: think they were worried that he would be unlikable. But 796 00:37:51,920 --> 00:37:54,640 Speaker 6: that's such a mistake, such a mistake. 797 00:37:54,800 --> 00:37:57,960 Speaker 5: Yeah, well, nobody's unlikable. But I mean, when you think 798 00:37:57,960 --> 00:38:00,400 Speaker 5: about it, nobody on the show is unlikable, right. 799 00:38:00,360 --> 00:38:13,839 Speaker 3: Yeah, Okay, So I have a question just because we're 800 00:38:13,840 --> 00:38:17,759 Speaker 3: talking about Michael Jacobs. You guys shared a few stories 801 00:38:17,920 --> 00:38:20,359 Speaker 3: of Michael just maybe just giving you guys a little 802 00:38:20,360 --> 00:38:22,160 Speaker 3: bit too hard of a time on set or during 803 00:38:22,160 --> 00:38:25,920 Speaker 3: script readings, seemingly to like provoke a certain performance or 804 00:38:25,960 --> 00:38:28,719 Speaker 3: teach a lesson, like the Shakespeare incident with Will or 805 00:38:28,719 --> 00:38:31,400 Speaker 3: like killing off jenniferluff Hewitt just to make a point, 806 00:38:31,760 --> 00:38:35,880 Speaker 3: Like do you think these were I mean, these seemed 807 00:38:35,920 --> 00:38:39,520 Speaker 3: like they were unnecessary challenges, And I guess I would say, like, 808 00:38:39,600 --> 00:38:41,480 Speaker 3: in today's acting world, how do you think you could 809 00:38:41,520 --> 00:38:45,240 Speaker 3: like challenge actors without going to such extremes? 810 00:38:46,760 --> 00:38:49,640 Speaker 8: Because that said, I will we joke about it often, 811 00:38:49,719 --> 00:38:51,960 Speaker 8: but there does seem to be a difference in the 812 00:38:52,000 --> 00:38:54,320 Speaker 8: way that like child actors act. Now it seems like 813 00:38:54,360 --> 00:38:58,200 Speaker 8: people look at acting and studying acting differently, so we 814 00:38:58,280 --> 00:39:00,960 Speaker 8: are like, how do you get it to where like 815 00:39:01,200 --> 00:39:05,480 Speaker 8: the child actor understands the joke and like you are 816 00:39:05,760 --> 00:39:08,040 Speaker 8: embracing the humor or like the spirit of the humor 817 00:39:09,000 --> 00:39:11,160 Speaker 8: without having to be like this is how you say it. 818 00:39:11,880 --> 00:39:14,879 Speaker 6: Yeah, you empower them, I mean you, you you you 819 00:39:14,880 --> 00:39:18,919 Speaker 6: support them and you empower them to take risks, and 820 00:39:19,239 --> 00:39:21,239 Speaker 6: it will always be better, like, it will always be 821 00:39:21,239 --> 00:39:23,040 Speaker 6: better if if an actor gets to make it their own, 822 00:39:23,080 --> 00:39:25,319 Speaker 6: no matter how young they are, if they get to 823 00:39:25,360 --> 00:39:27,759 Speaker 6: you know. And the reality is, even if you have 824 00:39:27,880 --> 00:39:30,080 Speaker 6: the perfect line reading in your in your mind a 825 00:39:30,160 --> 00:39:33,400 Speaker 6: rhythm that a joke probably is best delivered in, you 826 00:39:33,400 --> 00:39:36,400 Speaker 6: can wait all week and do that. When the cameras 827 00:39:36,400 --> 00:39:37,920 Speaker 6: are rolling, just be like, oh, by the way, for 828 00:39:38,000 --> 00:39:40,239 Speaker 6: this next take, try it this way, or I want 829 00:39:40,239 --> 00:39:42,080 Speaker 6: to hear it this way, just once for me, because 830 00:39:42,120 --> 00:39:43,680 Speaker 6: this is the way I wrote it. You can do 831 00:39:43,719 --> 00:39:47,680 Speaker 6: that respectfully and and and and still empower people to feel, 832 00:39:48,000 --> 00:39:52,240 Speaker 6: you know, because the result is actors make less choices 833 00:39:52,280 --> 00:39:55,680 Speaker 6: when they feel that they're going to make the wrong 834 00:39:55,760 --> 00:39:57,879 Speaker 6: choice and be told that they're they did they did 835 00:39:57,880 --> 00:39:59,640 Speaker 6: a bad performance, and they did the wrong thing, and 836 00:39:59,680 --> 00:40:02,520 Speaker 6: they the point, and why didn't you read it this way? 837 00:40:02,800 --> 00:40:05,000 Speaker 6: That's the way, the only way that this works. It's 838 00:40:05,040 --> 00:40:06,839 Speaker 6: my way, and you have to say it just like this. 839 00:40:07,440 --> 00:40:10,080 Speaker 6: Eventually you're gonna have actors who just show up and 840 00:40:10,080 --> 00:40:12,239 Speaker 6: say tell me how to do it, which is what 841 00:40:12,239 --> 00:40:13,719 Speaker 6: happened to me. I mean, you know when I left, 842 00:40:14,520 --> 00:40:16,200 Speaker 6: by the time I left Boyban's world, that was that 843 00:40:16,239 --> 00:40:17,759 Speaker 6: was a kind of actor. I was kind of proud 844 00:40:17,800 --> 00:40:19,440 Speaker 6: of that. I was like, hey, just tell me what 845 00:40:19,480 --> 00:40:22,040 Speaker 6: to do. I'll do it, you know, like basically I'm 846 00:40:22,080 --> 00:40:25,000 Speaker 6: an instrument. Use me and I'll just you know. And 847 00:40:25,040 --> 00:40:27,440 Speaker 6: what that meant was that I wasn't creative on my own. 848 00:40:27,440 --> 00:40:29,640 Speaker 6: I wasn't making my own choices, which as an adult 849 00:40:29,640 --> 00:40:32,160 Speaker 6: actor I can be like, oh my god, that's like 850 00:40:32,400 --> 00:40:34,279 Speaker 6: that's what makes a great actor is when you know, 851 00:40:34,360 --> 00:40:36,839 Speaker 6: especially as a director or writer, when you're opposite somebody 852 00:40:36,880 --> 00:40:39,200 Speaker 6: who's bringing their own energy the way that like I 853 00:40:39,200 --> 00:40:41,440 Speaker 6: think will brought all the time, like we'll always have this, 854 00:40:41,560 --> 00:40:44,600 Speaker 6: you know, and and I think, but you know, for 855 00:40:44,600 --> 00:40:46,919 Speaker 6: for the rest of us, it was I felt beat down, 856 00:40:47,000 --> 00:40:48,920 Speaker 6: you know, like by the end of the boy. 857 00:40:48,800 --> 00:40:52,839 Speaker 9: As an actor, it truly is a bad decision is 858 00:40:53,200 --> 00:40:56,880 Speaker 9: better than no decision at all, right, you know, and 859 00:40:56,880 --> 00:40:58,759 Speaker 9: and you know, again I've talked about this. I had 860 00:40:58,800 --> 00:41:01,840 Speaker 9: a different relationship with Michael, A slightly different relationship with Michael. 861 00:41:01,840 --> 00:41:07,000 Speaker 9: But Michael is very very family oriented. So in his mind, 862 00:41:07,440 --> 00:41:11,279 Speaker 9: especially Danielle ryder Ben, those were his kids. That's how 863 00:41:11,320 --> 00:41:14,759 Speaker 9: he looked at it. These are my children. And so 864 00:41:14,840 --> 00:41:17,719 Speaker 9: I think it came it came from a place and 865 00:41:17,760 --> 00:41:19,239 Speaker 9: again I'm not trying to speak for Michael. I do 866 00:41:19,320 --> 00:41:21,480 Speaker 9: not know, but I think it came from a place 867 00:41:21,520 --> 00:41:25,960 Speaker 9: of he genuinely believed, he thought he was doing the 868 00:41:26,040 --> 00:41:29,839 Speaker 9: right thing for them and their careers. I think it 869 00:41:29,920 --> 00:41:31,960 Speaker 9: came from a place of now, if you do it 870 00:41:31,960 --> 00:41:34,120 Speaker 9: this way, you're gonna get the laugh, You're gonna understand 871 00:41:34,120 --> 00:41:35,759 Speaker 9: the laugh, and people are gonna like you more, and 872 00:41:35,800 --> 00:41:37,840 Speaker 9: your career is going to be better. Like that's where 873 00:41:37,920 --> 00:41:42,440 Speaker 9: Michael was coming from. Again, not the best way to 874 00:41:42,480 --> 00:41:44,560 Speaker 9: handle young actors or children at all. And it's funny 875 00:41:44,560 --> 00:41:49,080 Speaker 9: because you were talking about the differences in how child 876 00:41:49,160 --> 00:41:52,960 Speaker 9: acting has changed Shameless Plug. But other podcasts I do, 877 00:41:53,040 --> 00:41:57,640 Speaker 9: Magical Rewind. We just interviewed Christopher Knight, who played Peter Brady, 878 00:41:57,760 --> 00:42:00,000 Speaker 9: on The Brady Bunch, and I asked him, I was like, well, 879 00:42:00,080 --> 00:42:01,680 Speaker 9: was it like being a child actor in the seventies 880 00:42:01,680 --> 00:42:04,560 Speaker 9: and sixties and seventies is like, Oh, we didn't exist. 881 00:42:05,040 --> 00:42:07,719 Speaker 9: He's like, we didn't have dressing rooms, they didn't give 882 00:42:07,800 --> 00:42:10,040 Speaker 9: us parking spots. They didn't care if we were the 883 00:42:10,040 --> 00:42:12,839 Speaker 9: ones who signed our contracts. We did not matter. We 884 00:42:12,840 --> 00:42:15,480 Speaker 9: were there to say the lines the way we were 885 00:42:15,520 --> 00:42:17,880 Speaker 9: supposed to say the lines, and we were supposed to 886 00:42:17,920 --> 00:42:20,560 Speaker 9: be We're still from an age where children are supposed 887 00:42:20,560 --> 00:42:22,279 Speaker 9: to be seen and not heard. And that He's like, 888 00:42:22,360 --> 00:42:24,360 Speaker 9: that was how it was as an actor too, to 889 00:42:24,360 --> 00:42:26,880 Speaker 9: the point where he said he didn't even audition with 890 00:42:27,040 --> 00:42:29,680 Speaker 9: lines for The Brady Bunch. He said, I sat down 891 00:42:29,760 --> 00:42:32,400 Speaker 9: at the desk with the guy with Sherwood Schwartz who 892 00:42:32,440 --> 00:42:34,480 Speaker 9: created the show, and he put some toys on the 893 00:42:34,480 --> 00:42:35,880 Speaker 9: table in front of me, and we started playing and 894 00:42:35,920 --> 00:42:37,359 Speaker 9: I walked out and I had the part, Like it. 895 00:42:37,280 --> 00:42:38,520 Speaker 5: Wasn't even about acting. 896 00:42:39,120 --> 00:42:42,240 Speaker 9: So we see the changes of how they're they're coming. 897 00:42:42,239 --> 00:42:44,640 Speaker 9: And now obviously you get child actors that come out 898 00:42:44,680 --> 00:42:46,160 Speaker 9: that are multi talented. 899 00:42:46,200 --> 00:42:47,720 Speaker 5: You get a Sabrina Carpenter. 900 00:42:47,600 --> 00:42:50,399 Speaker 6: Who I think, yeah, child acting has gotten so much 901 00:42:50,440 --> 00:42:51,120 Speaker 6: better in general. 902 00:42:51,280 --> 00:42:52,520 Speaker 5: Yeah, exactly who I think. 903 00:42:52,960 --> 00:42:56,040 Speaker 6: Yeah, your average child actor now is like so much different, 904 00:42:56,320 --> 00:42:57,200 Speaker 6: so much better. 905 00:42:57,000 --> 00:42:59,200 Speaker 9: Because it's getting better all the time. It's getting better 906 00:42:59,200 --> 00:43:00,799 Speaker 9: all the time. We were right in the middle there 907 00:43:00,840 --> 00:43:04,800 Speaker 9: where we weren't the seventies and eighties kids were. Thankfully, 908 00:43:04,480 --> 00:43:06,960 Speaker 9: it seemed like the days of robbing the liquor stores 909 00:43:07,000 --> 00:43:09,839 Speaker 9: and really having terrible times and serious, horrible drug app 910 00:43:09,880 --> 00:43:12,880 Speaker 9: problems were it did happen. We're slowly starting to decrease, 911 00:43:13,360 --> 00:43:15,480 Speaker 9: and now I think it's even better than it was. 912 00:43:15,520 --> 00:43:17,520 Speaker 9: But it's you know, it's a process all the way through. 913 00:43:18,160 --> 00:43:22,799 Speaker 9: And Michael was in the cusp of being one of 914 00:43:22,840 --> 00:43:25,279 Speaker 9: those producers from back in the day and one of 915 00:43:25,320 --> 00:43:26,799 Speaker 9: those producers now. 916 00:43:27,480 --> 00:43:30,719 Speaker 5: So yeah, it was a strange dynamic, especially for these three. 917 00:43:31,440 --> 00:43:32,520 Speaker 7: Yeah, it's funny that you say that. 918 00:43:32,560 --> 00:43:34,000 Speaker 8: It reminds me of I don't know if you saw 919 00:43:34,719 --> 00:43:36,760 Speaker 8: Andrew McCarthy's documentary. 920 00:43:36,320 --> 00:43:39,160 Speaker 7: Brats, but he talks about how like in. 921 00:43:39,120 --> 00:43:42,400 Speaker 8: The nineteen eighties, late nineties, like young Hollywood is a 922 00:43:42,480 --> 00:43:45,200 Speaker 8: new thing, like the idea that like the child or 923 00:43:45,280 --> 00:43:49,280 Speaker 8: the teen could be the start or new So you 924 00:43:49,320 --> 00:43:52,200 Speaker 8: like you're giving contacts that like, oh, the nineties is 925 00:43:52,200 --> 00:43:57,600 Speaker 8: this transition period of like admitting that children can And 926 00:43:57,640 --> 00:44:00,719 Speaker 8: so I guess they obviously weren't going to get it 927 00:44:00,800 --> 00:44:03,600 Speaker 8: right on the first go around, and it's good to 928 00:44:03,600 --> 00:44:06,160 Speaker 8: hear that, like it's changing now and that like actors 929 00:44:06,160 --> 00:44:11,680 Speaker 8: have different child actors have a better chance at like 930 00:44:11,880 --> 00:44:14,799 Speaker 8: the craft. But to that, I want to say, you 931 00:44:14,840 --> 00:44:19,160 Speaker 8: already got your praises from the cast. But we also 932 00:44:19,520 --> 00:44:24,040 Speaker 8: watched Eric Hollywood, and in that episode we were like, 933 00:44:24,360 --> 00:44:29,200 Speaker 8: Will can do anything, And I just think that it's 934 00:44:29,239 --> 00:44:32,640 Speaker 8: important because knowing that you know what your experience was 935 00:44:32,960 --> 00:44:37,200 Speaker 8: in acting, we want to reaffirm that, like you could 936 00:44:37,280 --> 00:44:38,440 Speaker 8: do anything, like the. 937 00:44:38,320 --> 00:44:40,759 Speaker 7: Talent that you have, like the I think in that. 938 00:44:40,719 --> 00:44:43,600 Speaker 8: Same episode you made like an occidental joke and like 939 00:44:43,680 --> 00:44:45,200 Speaker 8: I'm for five minutes. 940 00:44:44,960 --> 00:44:46,719 Speaker 7: Straight because I'm like, that's all the top of its head. 941 00:44:46,719 --> 00:44:50,000 Speaker 8: But like the ability to like then witch into drama 942 00:44:50,719 --> 00:44:53,200 Speaker 8: is amazing, And so I think what we want more 943 00:44:53,239 --> 00:44:56,200 Speaker 8: than anything is for the Wills of the future to 944 00:44:56,320 --> 00:44:59,600 Speaker 8: like know that they can, you know, do anything and 945 00:44:59,640 --> 00:45:02,040 Speaker 8: like not feel trapped by the system. 946 00:45:02,560 --> 00:45:04,400 Speaker 9: Well that's very sweet, and I will say, yes, it 947 00:45:04,480 --> 00:45:06,120 Speaker 9: was that was a that was a tough week for me. 948 00:45:06,560 --> 00:45:09,759 Speaker 9: But for the most part, unlike Writer and Danielle and Ben, 949 00:45:09,960 --> 00:45:13,200 Speaker 9: Michael gave me a lot of freedom. He really did, 950 00:45:13,280 --> 00:45:16,279 Speaker 9: which is which is was why it was sometimes so 951 00:45:16,360 --> 00:45:19,840 Speaker 9: strange to see how different it was with with writer, 952 00:45:20,160 --> 00:45:22,400 Speaker 9: Ben and Danielle. And it's also because they were carrying 953 00:45:22,400 --> 00:45:24,319 Speaker 9: the show. I mean they were, you know, at least 954 00:45:24,320 --> 00:45:26,319 Speaker 9: they you know, at least we thought they were. And 955 00:45:26,360 --> 00:45:28,440 Speaker 9: now we look back in it and it really was 956 00:45:28,520 --> 00:45:32,080 Speaker 9: rider show. But it was you know, writer was carrying 957 00:45:32,120 --> 00:45:32,560 Speaker 9: a lot of it. 958 00:45:32,600 --> 00:45:34,520 Speaker 5: And the character you were changing. 959 00:45:34,760 --> 00:45:36,160 Speaker 6: I think a lot of it is too just age. 960 00:45:36,160 --> 00:45:38,000 Speaker 6: You know, you just came in older, and I think 961 00:45:38,000 --> 00:45:40,399 Speaker 6: that there was less pressure on the character of Eric 962 00:45:40,480 --> 00:45:42,600 Speaker 6: to be a certain thing, so there was you got 963 00:45:42,600 --> 00:45:45,319 Speaker 6: to define it, and they, you know, Michael saw you 964 00:45:45,400 --> 00:45:48,200 Speaker 6: discover it and then followed where you were going as 965 00:45:48,200 --> 00:45:51,120 Speaker 6: an actor, which is the way ideally it should go, right, 966 00:45:51,239 --> 00:45:53,760 Speaker 6: is that you get a cast and then you start working. 967 00:45:53,840 --> 00:45:56,040 Speaker 6: And I think for me he did the same thing. 968 00:45:56,560 --> 00:46:00,000 Speaker 6: It was just towards this dramatic, less comedic side, which 969 00:46:00,160 --> 00:46:01,640 Speaker 6: you know, I think he saw that I could do 970 00:46:01,719 --> 00:46:04,399 Speaker 6: and kept kept you know, writing towards, which I thought 971 00:46:04,520 --> 00:46:06,960 Speaker 6: was cool in a lot of ways. But yeah, I 972 00:46:06,960 --> 00:46:09,919 Speaker 6: think especially when it came to comedy, like I feel 973 00:46:09,960 --> 00:46:12,719 Speaker 6: like I gave up after season four. You know, it's 974 00:46:12,719 --> 00:46:14,200 Speaker 6: just like I just don't even try to make jokes. 975 00:46:14,200 --> 00:46:15,799 Speaker 6: I don't even try to be funny. I'm just like 976 00:46:16,040 --> 00:46:18,200 Speaker 6: kind of half asking any of the comedy stuff, taking 977 00:46:18,200 --> 00:46:20,560 Speaker 6: the drama seriously. But I and I think that's in part, 978 00:46:20,640 --> 00:46:22,640 Speaker 6: you know, because when I watched those first three or 979 00:46:22,680 --> 00:46:24,600 Speaker 6: four seasons, I was like, oh, I was actually funny 980 00:46:24,640 --> 00:46:27,080 Speaker 6: at times, like I couldn't do very but but but 981 00:46:27,120 --> 00:46:29,080 Speaker 6: don't you feel like by the by the end of 982 00:46:29,120 --> 00:46:32,520 Speaker 6: the show, like we all sort of Writer doesn't do comedy. 983 00:46:32,560 --> 00:46:35,280 Speaker 6: Writer is not a comedy guy, which is strange because 984 00:46:35,280 --> 00:46:38,239 Speaker 6: you're yeah, weird, Yeah I should have I don't know. 985 00:46:38,800 --> 00:46:40,640 Speaker 5: You got the brunt of the Dawson's Creek. 986 00:46:41,360 --> 00:46:42,640 Speaker 7: Push is a problem. 987 00:46:42,719 --> 00:46:45,319 Speaker 5: You You became the star of our Dawson's Creek, and 988 00:46:45,320 --> 00:46:46,440 Speaker 5: that was how they went. 989 00:46:46,560 --> 00:46:50,560 Speaker 9: Yeah, you had the hair, so and you had the 990 00:46:50,640 --> 00:46:52,799 Speaker 9: and you were in all the teen magazines and you 991 00:46:52,880 --> 00:46:53,759 Speaker 9: were the kid. 992 00:46:53,880 --> 00:46:55,839 Speaker 6: So because I should have been on Dawson's Creek, let's 993 00:46:55,840 --> 00:46:58,640 Speaker 6: just be Dawson's Creek. 994 00:46:58,760 --> 00:47:01,560 Speaker 9: You just didn't want to wait rider, I don't run away. 995 00:47:02,880 --> 00:47:06,680 Speaker 3: Okay, So this actually transitions a little bit into my 996 00:47:06,760 --> 00:47:09,200 Speaker 3: next question, which is, you know, we talked about Eric Hollywood, 997 00:47:09,200 --> 00:47:13,279 Speaker 3: which you guys loved, we actually felt differently about, Like. 998 00:47:13,239 --> 00:47:15,200 Speaker 7: There's so many episodes this season where we were like 999 00:47:15,320 --> 00:47:16,360 Speaker 7: is this canon or not? 1000 00:47:16,800 --> 00:47:19,880 Speaker 3: Like did the Salem Cats show up or not? Like 1001 00:47:20,080 --> 00:47:23,400 Speaker 3: where are we? And and like the Cannon aspect. And 1002 00:47:23,760 --> 00:47:26,000 Speaker 3: I guess, like you guys do a lot of experimental episodes. 1003 00:47:26,080 --> 00:47:29,480 Speaker 3: What makes an experimental episode like and then the Rashan 1004 00:47:30,280 --> 00:47:33,200 Speaker 3: or like Eric Holly would work and what makes it 1005 00:47:33,440 --> 00:47:37,120 Speaker 3: not work? And you know what kind of experimental episodes 1006 00:47:37,160 --> 00:47:39,560 Speaker 3: do you think would have fit into the show. Do 1007 00:47:39,560 --> 00:47:41,360 Speaker 3: you think you should have done like a real hardcore 1008 00:47:41,440 --> 00:47:44,880 Speaker 3: Dawson's Creek parody episode, or what other episodes are themes 1009 00:47:44,880 --> 00:47:45,920 Speaker 3: do you think you could have played with? 1010 00:47:48,480 --> 00:47:51,680 Speaker 9: I personally think they work. That's that's how I even 1011 00:47:51,680 --> 00:47:56,120 Speaker 9: wanted to do. No, No, that one didn't work. You're right, 1012 00:47:56,120 --> 00:47:58,279 Speaker 9: I know that one, But that's a that was a 1013 00:47:58,320 --> 00:47:59,640 Speaker 9: forced episode. 1014 00:48:00,239 --> 00:48:02,400 Speaker 5: Had to do that because of this Salem Witch. 1015 00:48:02,560 --> 00:48:11,040 Speaker 6: Salem Witch worked for you? That yes, that totally worths Witches. 1016 00:48:11,680 --> 00:48:13,920 Speaker 9: It was such a funny and but one of the 1017 00:48:13,920 --> 00:48:16,120 Speaker 9: reasons is because you were so funny in that one rider. 1018 00:48:16,160 --> 00:48:19,600 Speaker 9: You were hysterical and like, hey I'm here with the coven, like, 1019 00:48:19,640 --> 00:48:20,840 Speaker 9: oh god, it was great. 1020 00:48:21,239 --> 00:48:23,040 Speaker 5: But yeah, it's I. 1021 00:48:22,920 --> 00:48:26,000 Speaker 6: Think it's best when when when it's clear what we're 1022 00:48:26,040 --> 00:48:28,920 Speaker 6: parody parodid, you know, like I think like and then 1023 00:48:28,960 --> 00:48:30,759 Speaker 6: there were Sean, It's like it's set up, we're doing 1024 00:48:30,760 --> 00:48:32,840 Speaker 6: this genre thing with the World War two one. I'm like, 1025 00:48:33,760 --> 00:48:36,279 Speaker 6: are we making fun of World War two movies? I 1026 00:48:36,320 --> 00:48:38,000 Speaker 6: think we're you know, And they were trying to do 1027 00:48:38,040 --> 00:48:41,719 Speaker 6: this like dramatic mellow you know, to Panga Cory thing, 1028 00:48:41,760 --> 00:48:43,719 Speaker 6: but that just didn't connect. I wanted it to be 1029 00:48:43,840 --> 00:48:46,480 Speaker 6: like referencing specific things. So I think, like, don't we 1030 00:48:46,520 --> 00:48:48,680 Speaker 6: do a Casablanca episode down the line, Like I think 1031 00:48:48,760 --> 00:48:52,440 Speaker 6: something like that is better than just like completely unhinged. 1032 00:48:52,440 --> 00:48:54,640 Speaker 6: And I think even Eric Hollywood had a focus of 1033 00:48:54,840 --> 00:48:57,680 Speaker 6: we're making fun of ourselves and that it's like it's 1034 00:48:57,680 --> 00:49:00,040 Speaker 6: like the audience is invited in to know what the 1035 00:49:00,080 --> 00:49:03,680 Speaker 6: absurdity is sort of about. So yeah, I would say 1036 00:49:03,680 --> 00:49:05,160 Speaker 6: that that like if you know, and I think like 1037 00:49:05,200 --> 00:49:07,759 Speaker 6: the nineteen fifties episode did work for me, mostly because 1038 00:49:07,800 --> 00:49:10,239 Speaker 6: I didn't know Happy Days. I didn't get the I 1039 00:49:10,239 --> 00:49:12,360 Speaker 6: don't get why these guys are walking in and asking 1040 00:49:12,360 --> 00:49:14,800 Speaker 6: about Potzy or what. I don't even know what any 1041 00:49:14,840 --> 00:49:16,239 Speaker 6: of that was. That's right, but you know that's where 1042 00:49:16,239 --> 00:49:18,520 Speaker 6: I go like, what are we referencing? So I think 1043 00:49:18,520 --> 00:49:20,880 Speaker 6: the more you're clear, like what what it is that 1044 00:49:20,920 --> 00:49:23,000 Speaker 6: we are making fun of, or what what heightened world 1045 00:49:23,000 --> 00:49:25,080 Speaker 6: we're entering, I think it's fine to do it, but 1046 00:49:25,120 --> 00:49:27,560 Speaker 6: we just sometimes had a little muddled entry into those 1047 00:49:27,760 --> 00:49:28,360 Speaker 6: those worlds. 1048 00:49:28,719 --> 00:49:31,080 Speaker 1: I think some of what we're missing though, is that 1049 00:49:31,560 --> 00:49:35,279 Speaker 1: it worked at the time on the night when you 1050 00:49:35,360 --> 00:49:39,160 Speaker 1: were watching all four shows you normally watch from eight 1051 00:49:39,200 --> 00:49:41,359 Speaker 1: to ten participate in the same thing. 1052 00:49:41,440 --> 00:49:43,800 Speaker 4: When you watch them out of that. 1053 00:49:44,160 --> 00:49:48,560 Speaker 1: Situation thirty years later and you're like, what, why would 1054 00:49:48,560 --> 00:49:50,960 Speaker 1: they do this episode? But if you think about the 1055 00:49:50,960 --> 00:49:53,440 Speaker 1: fact that they were not thinking about what's this episode 1056 00:49:53,440 --> 00:49:55,520 Speaker 1: going to be like thirty years from now, they're thinking 1057 00:49:55,880 --> 00:49:58,240 Speaker 1: it's going to be fun for everyone who tunes in 1058 00:49:58,280 --> 00:50:00,440 Speaker 1: to their normal ABC night and there going to see 1059 00:50:00,440 --> 00:50:04,400 Speaker 1: all four shows doing a slight crossover like Synergy is 1060 00:50:04,440 --> 00:50:06,880 Speaker 1: going to be. You know, it makes sense then, and 1061 00:50:06,920 --> 00:50:09,120 Speaker 1: I think That's that's part of why it's harder to 1062 00:50:09,200 --> 00:50:12,720 Speaker 1: judge fairly now because I know we got that response 1063 00:50:12,800 --> 00:50:14,640 Speaker 1: a lot when we were like, this makes no sense 1064 00:50:14,640 --> 00:50:16,960 Speaker 1: and people were like, listen, you have to put yourself 1065 00:50:16,960 --> 00:50:17,720 Speaker 1: in our shoes. 1066 00:50:17,760 --> 00:50:19,080 Speaker 4: When we tuned in. 1067 00:50:19,239 --> 00:50:22,320 Speaker 1: This was thrilling. It was great. Like even the Disney 1068 00:50:22,320 --> 00:50:27,040 Speaker 1: World episode. Yeah, they were like we loved these, the promos, 1069 00:50:27,239 --> 00:50:30,000 Speaker 1: the shows all going there, and we were like, right, 1070 00:50:30,320 --> 00:50:33,200 Speaker 1: it would have felt different in nineteen ninety six. 1071 00:50:33,440 --> 00:50:37,520 Speaker 6: Go hang Out with Dolphins, Yes, can't wait to just 1072 00:50:37,560 --> 00:50:40,080 Speaker 6: get to that tank after that much. 1073 00:50:39,960 --> 00:50:42,160 Speaker 4: Training exactly put in that much effort. 1074 00:50:42,200 --> 00:50:43,040 Speaker 5: But no, it is you can't. 1075 00:50:43,040 --> 00:50:46,239 Speaker 9: It's these these episodes have a difficult time existing in 1076 00:50:46,239 --> 00:50:49,600 Speaker 9: a vacuum, and I still believe that the personally. I 1077 00:50:49,600 --> 00:50:51,359 Speaker 9: think the reason that and then there were Seawan worked 1078 00:50:51,400 --> 00:50:55,080 Speaker 9: so well is because we were just making each other laugh. 1079 00:50:55,480 --> 00:50:58,400 Speaker 9: That's why we were That's was our audience that week 1080 00:50:58,600 --> 00:50:59,279 Speaker 9: was each other. 1081 00:50:59,800 --> 00:51:01,959 Speaker 5: And to me, that shows, and. 1082 00:51:01,920 --> 00:51:04,839 Speaker 8: It does show on camera whenever, like like there's just 1083 00:51:04,880 --> 00:51:08,240 Speaker 8: like a chemistry or like something that comes through on camera. 1084 00:51:08,400 --> 00:51:10,600 Speaker 8: But it's very clear that like you all feel comfortable. 1085 00:51:10,640 --> 00:51:12,640 Speaker 8: You talk very often about like the director made you 1086 00:51:12,640 --> 00:51:13,520 Speaker 8: feel comfortable, like and it. 1087 00:51:13,600 --> 00:51:15,680 Speaker 7: Just comes through and it's great to see. Yeah. 1088 00:51:15,719 --> 00:51:17,680 Speaker 8: And then Danielle to your point, one of the things 1089 00:51:17,680 --> 00:51:19,799 Speaker 8: that Tony and I talked about was, even with the 1090 00:51:19,840 --> 00:51:23,239 Speaker 8: mellow drama, like the fact that it gets very soap 1091 00:51:23,280 --> 00:51:26,920 Speaker 8: operay or it gets serious, I'm not gonna lie for 1092 00:51:27,120 --> 00:51:29,680 Speaker 8: the audience and for us at the time, being the 1093 00:51:29,840 --> 00:51:33,400 Speaker 8: age or like slightly younger than the age of these characters, 1094 00:51:33,640 --> 00:51:37,560 Speaker 8: there was nothing more important than the Lauren story arc. 1095 00:51:37,760 --> 00:51:42,680 Speaker 8: There was nothing more engaging than Corey and Tapanga getting engaged. 1096 00:51:42,760 --> 00:51:45,319 Speaker 8: Like I will admit, like in a vacuum thirty years 1097 00:51:45,360 --> 00:51:48,160 Speaker 8: later you're like, what are you doing? But the time 1098 00:51:48,440 --> 00:51:50,759 Speaker 8: that we were there, nothing else could have been more 1099 00:51:50,800 --> 00:51:52,560 Speaker 8: important to our totally Yeah. 1100 00:51:52,760 --> 00:51:54,560 Speaker 1: Well, and we did talk about that a little bit, 1101 00:51:55,520 --> 00:52:00,080 Speaker 1: that that some of what maybe people loved so much 1102 00:52:00,120 --> 00:52:04,399 Speaker 1: about the show is that the inner feelings and monologues 1103 00:52:04,440 --> 00:52:08,640 Speaker 1: and stories teenagers were feeling but not expressing. They were 1104 00:52:08,719 --> 00:52:12,759 Speaker 1: watching teenagers express them and getting to live out a 1105 00:52:12,760 --> 00:52:15,520 Speaker 1: bit of a fantasy of like, oh, this is a 1106 00:52:15,560 --> 00:52:18,279 Speaker 1: couple who is saying the things out loud that I'm 1107 00:52:18,320 --> 00:52:18,680 Speaker 1: not saying. 1108 00:52:18,800 --> 00:52:21,759 Speaker 4: My boyfriend love, our love is true love. Are we 1109 00:52:21,800 --> 00:52:23,560 Speaker 4: gonna spend forever together? What kind of a house do 1110 00:52:23,600 --> 00:52:24,800 Speaker 4: you want to live in? How many children do you 1111 00:52:24,840 --> 00:52:27,680 Speaker 4: want to have? I have those racing, hormonal thoughts. 1112 00:52:27,760 --> 00:52:30,920 Speaker 1: I'm not saying them because I know that that feels 1113 00:52:31,120 --> 00:52:34,279 Speaker 1: kind of crazy at sixteen, But watching them do it, 1114 00:52:34,600 --> 00:52:36,720 Speaker 1: I'm going, yes, look at it. 1115 00:52:36,560 --> 00:52:37,160 Speaker 4: It's working. 1116 00:52:37,200 --> 00:52:39,440 Speaker 1: They're gonna do the things I'm dreaming about, And so 1117 00:52:39,520 --> 00:52:42,640 Speaker 1: maybe that is part of what was so engrossing about it. 1118 00:52:43,080 --> 00:52:43,840 Speaker 4: Do you guys? 1119 00:52:44,560 --> 00:52:47,320 Speaker 1: Do you guys remember hearing about there being the voting 1120 00:52:48,120 --> 00:52:50,319 Speaker 1: at the time, about voting whether or not Corey and 1121 00:52:50,320 --> 00:52:51,440 Speaker 1: Tepega should get married. 1122 00:52:52,560 --> 00:52:54,000 Speaker 7: We found the website? 1123 00:52:55,320 --> 00:52:57,480 Speaker 1: Is it the website of voting about whether or not 1124 00:52:57,480 --> 00:52:58,400 Speaker 1: they should get married? 1125 00:52:58,520 --> 00:53:00,120 Speaker 4: Or is it of a wedding web s? 1126 00:53:00,520 --> 00:53:03,040 Speaker 3: We found the wedding website website? 1127 00:53:04,280 --> 00:53:04,759 Speaker 7: Didn't someone? 1128 00:53:04,800 --> 00:53:06,759 Speaker 8: I feel like one of our listeners sent us like 1129 00:53:07,000 --> 00:53:10,120 Speaker 8: there was like a whether a poll a poll or 1130 00:53:10,160 --> 00:53:11,960 Speaker 8: like a print out or something in TV guide where 1131 00:53:11,960 --> 00:53:14,239 Speaker 8: it was like call and let us know, ye, But 1132 00:53:14,440 --> 00:53:18,600 Speaker 8: I did not. I can't remember at the time, but 1133 00:53:18,680 --> 00:53:22,800 Speaker 8: I do remember that like Boy meets World appointment television, 1134 00:53:23,480 --> 00:53:26,320 Speaker 8: what's going to happen? Like I that is so vividly 1135 00:53:26,400 --> 00:53:29,800 Speaker 8: like inside me of like that finale, in those finalis 1136 00:53:29,880 --> 00:53:32,560 Speaker 8: and the proposal in general. 1137 00:53:32,760 --> 00:53:34,680 Speaker 5: Would voted what would you have vote? What would you 1138 00:53:34,719 --> 00:53:36,279 Speaker 5: have voted? Would you have voted to get married? Would 1139 00:53:36,280 --> 00:53:37,120 Speaker 5: you vote they wouldn't go. 1140 00:53:37,320 --> 00:53:41,359 Speaker 8: As a child or sorry, as a tween? They are 1141 00:53:41,360 --> 00:53:44,720 Speaker 8: getting married, and I understand why that happened as someone 1142 00:53:44,760 --> 00:53:47,200 Speaker 8: who is older. And this is actually like one of 1143 00:53:47,239 --> 00:53:50,200 Speaker 8: the things that with the proposal and every and the 1144 00:53:50,200 --> 00:53:52,640 Speaker 8: breakup story arc, we kind of agree with you on 1145 00:53:52,719 --> 00:53:54,759 Speaker 8: and we want to know, like, what do you think 1146 00:53:54,880 --> 00:53:59,240 Speaker 8: the show could have done to like show the relationship 1147 00:53:59,520 --> 00:54:02,600 Speaker 8: ups and downs that we have, like the breakup story art, 1148 00:54:02,640 --> 00:54:05,560 Speaker 8: and make it work in a healthy way. Because while 1149 00:54:05,600 --> 00:54:08,080 Speaker 8: I still think that it's great that they break up, 1150 00:54:08,800 --> 00:54:11,359 Speaker 8: or even that as we talked about the idea that 1151 00:54:11,360 --> 00:54:14,640 Speaker 8: they are faded to be together and she proposes, that's 1152 00:54:14,800 --> 00:54:19,680 Speaker 8: fine as long as you explore what went wrong and 1153 00:54:19,719 --> 00:54:24,279 Speaker 8: you actually show the conversation of like, hey, this is 1154 00:54:24,320 --> 00:54:27,120 Speaker 8: what we broke up about, this is why we broke up, 1155 00:54:27,560 --> 00:54:29,760 Speaker 8: this is why we were deciding to get back together, 1156 00:54:30,200 --> 00:54:35,759 Speaker 8: Like you know, those things actually really influence as a 1157 00:54:36,200 --> 00:54:37,960 Speaker 8: mature person watching the exact same. 1158 00:54:37,800 --> 00:54:42,600 Speaker 10: Storyline yeah, yeah, I mean yeah, I just think the 1159 00:54:42,880 --> 00:54:49,000 Speaker 10: love as faith like logic is just really self serving, 1160 00:54:49,200 --> 00:54:53,879 Speaker 10: you know, and so and it reduces, it removes any 1161 00:54:54,080 --> 00:54:56,640 Speaker 10: conflict resolution that might have been productive. 1162 00:54:56,239 --> 00:54:58,560 Speaker 6: Right because the idea of like Corey did a bad 1163 00:54:58,600 --> 00:55:02,279 Speaker 6: thing and then Topanga, you know, maybe trapped him, you know, 1164 00:55:02,320 --> 00:55:03,840 Speaker 6: all the things that they do to each other. If 1165 00:55:03,880 --> 00:55:05,200 Speaker 6: you actually look at it, you're like, yeah, this is 1166 00:55:05,280 --> 00:55:08,239 Speaker 6: kind of the stuff. But the but the fix, the 1167 00:55:08,280 --> 00:55:11,480 Speaker 6: solution is always but we're destined and I have to 1168 00:55:11,560 --> 00:55:13,719 Speaker 6: just have faith in this and I have to overlook 1169 00:55:14,560 --> 00:55:17,480 Speaker 6: my partner's flaws and my flaws in the name of 1170 00:55:17,520 --> 00:55:20,120 Speaker 6: this you know love, which is just pure faith and 1171 00:55:20,120 --> 00:55:23,920 Speaker 6: that you know, to me, that is that's the danger, right, Like, 1172 00:55:24,040 --> 00:55:26,760 Speaker 6: because you could very easily say all the things, according 1173 00:55:26,760 --> 00:55:30,200 Speaker 6: to Banka, say about a truly abusive relationship, a stalking 1174 00:55:30,560 --> 00:55:34,239 Speaker 6: abusive relationship could be the arguments for why they should 1175 00:55:34,280 --> 00:55:37,400 Speaker 6: be together would be exactly the same, and that that 1176 00:55:37,520 --> 00:55:39,359 Speaker 6: makes it a pretty bad argument. 1177 00:55:39,280 --> 00:55:41,439 Speaker 1: In mind, and it and it gives you a real 1178 00:55:41,520 --> 00:55:44,719 Speaker 1: easy out to not have to develop attributes about the 1179 00:55:44,800 --> 00:55:48,000 Speaker 1: other people. Like We've talked multiple times about how Tapanga 1180 00:55:48,040 --> 00:55:51,160 Speaker 1: has said early on in the show. There were there 1181 00:55:51,160 --> 00:55:54,120 Speaker 1: were things about we're in a rut. They used to 1182 00:55:54,120 --> 00:55:56,799 Speaker 1: have those discussions, we're in a rut, we're not having 1183 00:55:56,840 --> 00:56:00,680 Speaker 1: fun together anymore. Then that conversation completely stopped and we 1184 00:56:00,800 --> 00:56:03,759 Speaker 1: no longer knew what even what does We had a 1185 00:56:03,800 --> 00:56:09,520 Speaker 1: whole discussion what does Topanga find attractive about Corey? 1186 00:56:10,040 --> 00:56:11,280 Speaker 4: What the things? 1187 00:56:11,400 --> 00:56:14,319 Speaker 1: Why does she love him so much? She never names them? 1188 00:56:14,680 --> 00:56:18,240 Speaker 1: She mentions that he's cute. She often mention She mentions 1189 00:56:18,239 --> 00:56:20,240 Speaker 1: that he's cute, that he's sexy, little Corey. 1190 00:56:20,360 --> 00:56:23,279 Speaker 4: Like, we get that Tapanga is physically. 1191 00:56:22,760 --> 00:56:26,239 Speaker 1: Attracted to Corey, and we also commented, but so is 1192 00:56:26,560 --> 00:56:31,360 Speaker 1: every woman who comes onto the show. Tapanga is irresistible. 1193 00:56:31,680 --> 00:56:36,440 Speaker 1: Corey is irresistible to females. But there's never anything that's like. 1194 00:56:37,400 --> 00:56:41,080 Speaker 1: He challenges me, he pushes me, he encourages me, he 1195 00:56:41,160 --> 00:56:45,960 Speaker 1: supports me, he loves me. He's so funny. His journalistic experience, Yes, 1196 00:56:46,920 --> 00:56:49,760 Speaker 1: what we never We don't ever know what those things are. 1197 00:56:49,840 --> 00:56:52,080 Speaker 4: And truly I don't know that Corey. 1198 00:56:52,239 --> 00:56:56,040 Speaker 1: There's we have the jelly bean scene, but even in 1199 00:56:56,080 --> 00:57:00,239 Speaker 1: that jelly bean scene, there's no specifics. There's I can 1200 00:57:00,280 --> 00:57:03,799 Speaker 1: talk to Tapanga about anything. What if you Actually, if 1201 00:57:03,840 --> 00:57:06,600 Speaker 1: we had developed their relationship enough, and I think writer 1202 00:57:06,680 --> 00:57:08,400 Speaker 1: is the one who made this point, if we had 1203 00:57:08,440 --> 00:57:12,239 Speaker 1: developed their relationship enough by showing us exactly who those 1204 00:57:12,280 --> 00:57:14,160 Speaker 1: two people were and what they meant to each other, 1205 00:57:14,440 --> 00:57:17,680 Speaker 1: we would have very specific things to mention, like that 1206 00:57:17,800 --> 00:57:20,880 Speaker 1: time Topanga and I discussed this and she told me 1207 00:57:21,240 --> 00:57:23,000 Speaker 1: and that took a light bulb on and I had 1208 00:57:23,000 --> 00:57:25,000 Speaker 1: never thought of that, and like, but we didn't have 1209 00:57:25,040 --> 00:57:25,520 Speaker 1: any of those. 1210 00:57:25,880 --> 00:57:28,640 Speaker 6: It was just monkey bars. 1211 00:57:28,680 --> 00:57:31,120 Speaker 3: One of the biggest things that we felt was overlooked 1212 00:57:31,120 --> 00:57:33,800 Speaker 3: at this season was the fact that Tapanga is clearly 1213 00:57:34,160 --> 00:57:37,360 Speaker 3: afraid to be a small fish in a big pond, 1214 00:57:37,680 --> 00:57:40,920 Speaker 3: and that's never really addressed. That could have been a 1215 00:57:40,960 --> 00:57:44,200 Speaker 3: great way for Corey to support her in the graduation episode, 1216 00:57:44,240 --> 00:57:47,800 Speaker 3: but like, no one ever challenges I mean, I guess 1217 00:57:48,400 --> 00:57:50,440 Speaker 3: we'll go into season six and we'll learn more about this, 1218 00:57:50,560 --> 00:57:53,240 Speaker 3: but no one really challenges to Panga on why she 1219 00:57:53,320 --> 00:57:56,120 Speaker 3: doesn't want to go to Yale. It's seemingly for Corey, 1220 00:57:56,160 --> 00:57:59,320 Speaker 3: but it's not. Actually when you think about it, you say, she. 1221 00:57:59,280 --> 00:58:00,959 Speaker 1: Doesn't want to be a small fish in a big pond, 1222 00:58:00,960 --> 00:58:03,840 Speaker 1: and yet that is probably something I'll pick up on 1223 00:58:03,920 --> 00:58:07,320 Speaker 1: in season six, based on what I've heard, because there's zero, 1224 00:58:07,440 --> 00:58:09,440 Speaker 1: in my opinion, zero hinting of that. 1225 00:58:09,600 --> 00:58:11,720 Speaker 6: Oh well, she said, you said in the scene with 1226 00:58:11,720 --> 00:58:14,320 Speaker 6: PHOENI I'm scared that then I have to be somebody 1227 00:58:14,320 --> 00:58:17,960 Speaker 6: who goes to Yale. Remember there is an imposter scenery speech. 1228 00:58:18,200 --> 00:58:19,840 Speaker 4: No, it's about my speech about. 1229 00:58:22,520 --> 00:58:24,200 Speaker 1: But now it's a speech that because he says your 1230 00:58:24,200 --> 00:58:25,959 Speaker 1: speech is going to be fine, give yourself a break, 1231 00:58:26,040 --> 00:58:28,800 Speaker 1: and I say yeah, but now it's a speech by 1232 00:58:28,800 --> 00:58:31,760 Speaker 1: someone who's going to Yale, which means fine isn't going 1233 00:58:31,800 --> 00:58:34,400 Speaker 1: to be enough. So that's about my speech in high school, 1234 00:58:34,440 --> 00:58:37,760 Speaker 1: and now I have there is zero hinting. As a 1235 00:58:37,760 --> 00:58:41,080 Speaker 1: matter of fact, the minute Corey says two different times 1236 00:58:41,360 --> 00:58:44,440 Speaker 1: in the in the in the Things Change episode, I 1237 00:58:44,480 --> 00:58:47,760 Speaker 1: think is the first time he maybe says and to 1238 00:58:47,840 --> 00:58:49,360 Speaker 1: Pang is going to go to Yale, and you see 1239 00:58:49,400 --> 00:58:54,720 Speaker 1: my face go hmm okay. But definitely in the graduation episode. 1240 00:58:55,680 --> 00:58:57,480 Speaker 1: The way it comes across to me is the minute 1241 00:58:57,520 --> 00:59:01,080 Speaker 1: she is convinced he really does he really does support 1242 00:59:01,080 --> 00:59:06,120 Speaker 1: her going, she gets lighter and she goes, wow, thanks Corey, 1243 00:59:06,520 --> 00:59:10,439 Speaker 1: Like I feel so good knowing you support me doing 1244 00:59:10,480 --> 00:59:12,680 Speaker 1: this and that and the only it appears that the 1245 00:59:12,680 --> 00:59:14,520 Speaker 1: only thing weighing her down is the idea that she 1246 00:59:14,560 --> 00:59:17,040 Speaker 1: doesn't want to disappoint Corey, and once that's taken away, 1247 00:59:17,200 --> 00:59:18,320 Speaker 1: she brightens up. 1248 00:59:18,520 --> 00:59:20,000 Speaker 4: Now I did mention in the. 1249 00:59:19,920 --> 00:59:26,000 Speaker 1: Graduation episode, It's possible what I'm seeing is her actually thinking, Wow, 1250 00:59:26,120 --> 00:59:31,480 Speaker 1: he passed a test. Him supporting me was what I 1251 00:59:31,560 --> 00:59:35,880 Speaker 1: wanted to see. Will he support me even though it's 1252 00:59:35,960 --> 00:59:39,800 Speaker 1: not what's best for him? And when he does, I go, 1253 00:59:40,280 --> 00:59:42,400 Speaker 1: that's the kind of man I'm willing to give everything 1254 00:59:42,480 --> 00:59:44,840 Speaker 1: up for. And so I don't know, But all I 1255 00:59:44,880 --> 00:59:46,760 Speaker 1: know is that what I what I see happen in 1256 00:59:46,760 --> 00:59:49,080 Speaker 1: front of me is that she brightens up like Wow, 1257 00:59:49,280 --> 00:59:52,360 Speaker 1: thank you. And it to me, seeing just the graduation 1258 00:59:52,440 --> 00:59:55,360 Speaker 1: episode and not season six, yet, I think that's a 1259 00:59:55,400 --> 00:59:56,760 Speaker 1: woman who wants to go to Yale. 1260 00:59:58,120 --> 01:00:01,000 Speaker 7: Do you think Corey Topenga. 1261 01:00:02,520 --> 01:00:06,520 Speaker 1: I don't think Corey listens to tapegaever, And so to me, 1262 01:00:06,960 --> 01:00:10,720 Speaker 1: the answer is no, if you don't listen to the 1263 01:00:10,760 --> 01:00:15,720 Speaker 1: person you are with, ever, no, And and you know 1264 01:00:15,760 --> 01:00:17,800 Speaker 1: we've we've often joked about the fact that he is 1265 01:00:17,840 --> 01:00:20,920 Speaker 1: a very hard time staying faithful to her when she's 1266 01:00:21,360 --> 01:00:26,040 Speaker 1: ever not in the same room. No, I don't necessarily think. 1267 01:00:26,120 --> 01:00:28,920 Speaker 1: I don't think he he knows Tapanga. I don't think 1268 01:00:28,920 --> 01:00:30,680 Speaker 1: he listens to her. I don't think he knows her. 1269 01:00:30,920 --> 01:00:35,040 Speaker 5: And no, no, we don't know who Tapanga is. 1270 01:00:35,120 --> 01:00:35,680 Speaker 3: So correct. 1271 01:00:35,720 --> 01:00:37,560 Speaker 4: Yeah, it's kind of hard to fault him for that. Yeh. 1272 01:00:37,600 --> 01:00:39,600 Speaker 9: And he spent all night listening to another woman. I 1273 01:00:39,600 --> 01:00:41,640 Speaker 9: mean that was the whole crux of the episode, is 1274 01:00:41,640 --> 01:00:43,560 Speaker 9: that they really talked and got to know each other, 1275 01:00:44,120 --> 01:00:49,240 Speaker 9: and you know, yeah, it was. It's so it's kind 1276 01:00:49,280 --> 01:00:51,160 Speaker 9: of sad to go back and watch it a little bit, 1277 01:00:51,200 --> 01:00:55,000 Speaker 9: which is the thing, because you do when you are younger. 1278 01:00:55,040 --> 01:00:57,320 Speaker 9: I have to imagine and I'm sure I was seventeen 1279 01:00:57,360 --> 01:00:59,560 Speaker 9: when it started, but when you are twelve thirteen, in 1280 01:00:59,600 --> 01:01:03,800 Speaker 9: your watch it, it does probably seem like it's fate 1281 01:01:03,960 --> 01:01:06,160 Speaker 9: and they're supposed to be to get it. And it 1282 01:01:06,240 --> 01:01:11,080 Speaker 9: almost is kind of an interesting look at the dynamics 1283 01:01:11,160 --> 01:01:14,919 Speaker 9: between childhood love quote unquote. And I would never say 1284 01:01:14,960 --> 01:01:16,840 Speaker 9: real love, because you are really in love when you're 1285 01:01:16,960 --> 01:01:17,680 Speaker 9: twelve or thirteen. 1286 01:01:17,680 --> 01:01:18,240 Speaker 7: It might be an. 1287 01:01:18,120 --> 01:01:20,280 Speaker 9: Adolescent love, but it's a real love that needs to 1288 01:01:20,280 --> 01:01:23,880 Speaker 9: be respected compared to an adult love that also comes 1289 01:01:23,880 --> 01:01:29,000 Speaker 9: with responsibility and so it looks like it's almost healthy 1290 01:01:29,000 --> 01:01:31,320 Speaker 9: when you're twelve or thirteen, but looking back at it 1291 01:01:31,880 --> 01:01:34,800 Speaker 9: now that I'm forty eight, I'm looking kind of going like, wow, 1292 01:01:34,840 --> 01:01:37,280 Speaker 9: this is this is not a good relationship at least 1293 01:01:37,320 --> 01:01:39,680 Speaker 9: at this point. This is not a good relationship. And 1294 01:01:39,760 --> 01:01:44,200 Speaker 9: it really hit me during the Heartbreak Corey episode because 1295 01:01:44,240 --> 01:01:48,360 Speaker 9: it was like, Wow, I should not instantly be rooting 1296 01:01:48,360 --> 01:01:51,400 Speaker 9: for Corey to be with Lauren. And if Corey and 1297 01:01:51,440 --> 01:01:54,520 Speaker 9: Tapango were a strong couple that we've got really gotten 1298 01:01:54,560 --> 01:01:55,640 Speaker 9: to know and really gotten. 1299 01:01:55,440 --> 01:01:58,240 Speaker 5: To see how much they were in love, I wouldn't instantly. 1300 01:01:57,760 --> 01:02:00,440 Speaker 9: Be going, Huh, Corey might have something here with this 1301 01:02:00,520 --> 01:02:03,520 Speaker 9: Lauren character. So it really made me kind of look 1302 01:02:03,560 --> 01:02:04,960 Speaker 9: at the whole thing differently. And I don't know what 1303 01:02:04,960 --> 01:02:07,200 Speaker 9: happens in six and seven. I can't wait to Maybe 1304 01:02:07,200 --> 01:02:08,480 Speaker 9: it does get deeper. 1305 01:02:08,240 --> 01:02:10,080 Speaker 6: In, but it goes to show if you think about 1306 01:02:10,080 --> 01:02:12,760 Speaker 6: when to Pang is first introduced, right, the idea is 1307 01:02:12,800 --> 01:02:17,200 Speaker 6: that she is this very developed character, this very unique, 1308 01:02:17,280 --> 01:02:20,880 Speaker 6: interesting person, the same way that even I mean, she's 1309 01:02:20,920 --> 01:02:24,040 Speaker 6: not as extreme, But Lauren is given a character to 1310 01:02:24,080 --> 01:02:26,600 Speaker 6: seduce Corey for so Corey is going to fall in 1311 01:02:26,680 --> 01:02:29,440 Speaker 6: love with a very interesting character. But the second that 1312 01:02:29,560 --> 01:02:33,880 Speaker 6: character actually joins the cast becomes a regular No, we're 1313 01:02:33,880 --> 01:02:35,960 Speaker 6: gonna you know, she's going to become a two dimensional 1314 01:02:36,040 --> 01:02:39,320 Speaker 6: sort of stand in for femininity, like you know. 1315 01:02:39,760 --> 01:02:42,240 Speaker 9: But at least when we first met Lauren, she had 1316 01:02:42,280 --> 01:02:44,240 Speaker 9: a full character. When we met to Pangas, she had 1317 01:02:44,280 --> 01:02:48,280 Speaker 9: a full character. When we meet Ricky, they's nothing. So 1318 01:02:48,320 --> 01:02:51,800 Speaker 9: that's what I mean. It's like, well when whenst just 1319 01:02:51,880 --> 01:02:52,520 Speaker 9: dum like. 1320 01:02:52,520 --> 01:02:54,680 Speaker 7: It doesn't It's just like. 1321 01:02:56,720 --> 01:02:57,960 Speaker 5: Lauren was so real. 1322 01:02:58,200 --> 01:03:00,320 Speaker 9: That's what I loved about Lauren and Corey is was 1323 01:03:00,360 --> 01:03:02,480 Speaker 9: so real, where Ricky was like a cartoon character. 1324 01:03:02,760 --> 01:03:05,200 Speaker 5: And it was once again, what is to Panga see 1325 01:03:05,240 --> 01:03:05,560 Speaker 5: in him? 1326 01:03:05,640 --> 01:03:08,160 Speaker 9: Much like I say what is to Pangasy and Corey, Like, 1327 01:03:08,360 --> 01:03:10,959 Speaker 9: you know, I would love to have you meet Topanga's guy. 1328 01:03:11,120 --> 01:03:13,040 Speaker 9: You want to you want to see that at some point, 1329 01:03:13,040 --> 01:03:14,080 Speaker 9: and you never just never did. 1330 01:03:14,200 --> 01:03:16,040 Speaker 8: So it's so funny that you say that because I 1331 01:03:16,120 --> 01:03:20,320 Speaker 8: remember you asked, like, what was the influence of seeing 1332 01:03:20,360 --> 01:03:24,200 Speaker 8: Corey in Tapanga as children and then growing up with 1333 01:03:24,240 --> 01:03:26,400 Speaker 8: this idea of like this is love? And I think 1334 01:03:26,400 --> 01:03:28,880 Speaker 8: that that's kind of like what I always come back 1335 01:03:29,080 --> 01:03:31,960 Speaker 8: is like when we grew up, we watched this as 1336 01:03:31,960 --> 01:03:34,000 Speaker 8: a template like it was boy Mes World was the 1337 01:03:34,000 --> 01:03:37,200 Speaker 8: show that taught you about life while also entertaining you. 1338 01:03:37,680 --> 01:03:41,680 Speaker 8: And so to watch this, I know Tony himself has 1339 01:03:41,720 --> 01:03:45,400 Speaker 8: like confessed he marked a lot of like life goals 1340 01:03:45,480 --> 01:03:50,000 Speaker 8: or like relationship norms based on the behavior of Koreyan 1341 01:03:50,080 --> 01:03:57,360 Speaker 8: to Panga, and so that, Yeah, geez, it is important 1342 01:03:57,480 --> 01:04:01,080 Speaker 8: to just kind of know the weight of these actions, 1343 01:04:01,080 --> 01:04:05,120 Speaker 8: which is why I agree. I would have loved to 1344 01:04:05,120 --> 01:04:08,400 Speaker 8: see like Cory date Lauren and actually see, you know 1345 01:04:08,520 --> 01:04:12,920 Speaker 8: what what habits that he has with Tipanga kind of 1346 01:04:12,920 --> 01:04:15,440 Speaker 8: transfer over. And he's been like, oh, maybe I'm the problem. 1347 01:04:15,560 --> 01:04:17,160 Speaker 8: Maybe there are things that I need to work on 1348 01:04:17,520 --> 01:04:23,640 Speaker 8: for Tapanga to date Ricky even and see where that goes. 1349 01:04:23,680 --> 01:04:25,840 Speaker 8: And I think you have talked about it before, but 1350 01:04:25,920 --> 01:04:28,360 Speaker 8: like maybe if we like shuffle the episodes a little 1351 01:04:28,360 --> 01:04:32,200 Speaker 8: bit even, it makes little bit more sense. Yeah, just 1352 01:04:32,320 --> 01:04:35,920 Speaker 8: time wise and give us that breath of like actually 1353 01:04:35,920 --> 01:04:38,479 Speaker 8: having that breakup mean something and having them come back 1354 01:04:38,840 --> 01:04:40,400 Speaker 8: as two characters who've grown. 1355 01:04:40,840 --> 01:04:43,760 Speaker 5: Ross and Rachel were apart for like six seasons. 1356 01:04:44,440 --> 01:04:46,640 Speaker 9: That's what made it so amazing, is oh my god, 1357 01:04:46,680 --> 01:04:49,040 Speaker 9: are were gonna get another Ross, Rachel arc what's happening here? 1358 01:04:49,120 --> 01:04:51,600 Speaker 9: Oh my god, she's dating Joey. Now, how's that gonna affect? 1359 01:04:51,720 --> 01:04:54,400 Speaker 9: There was so much that they could mine from that 1360 01:04:54,400 --> 01:04:57,440 Speaker 9: that they just well, no, two episodes they're not together, 1361 01:04:57,480 --> 01:04:58,320 Speaker 9: and now they're together again. 1362 01:04:58,320 --> 01:05:01,720 Speaker 3: It's like, Okay, see this is what we mean. Season 1363 01:05:02,160 --> 01:05:04,920 Speaker 3: five is divisive. 1364 01:05:06,120 --> 01:05:06,760 Speaker 7: Really quickly. 1365 01:05:07,080 --> 01:05:09,920 Speaker 8: We had the when we were talking about Lauren, one 1366 01:05:09,960 --> 01:05:12,080 Speaker 8: of like the spin off ideas we had was like, 1367 01:05:12,360 --> 01:05:14,560 Speaker 8: Lauren sees these Like one of the reasons why we 1368 01:05:14,600 --> 01:05:18,760 Speaker 8: felt Lauren was so comfortable with hitting on Corey is 1369 01:05:18,880 --> 01:05:22,400 Speaker 8: she works at this place, she has schools coming in 1370 01:05:22,440 --> 01:05:25,040 Speaker 8: and out all the time. She's guys like, you know, 1371 01:05:25,240 --> 01:05:27,320 Speaker 8: with their high school loves. So we were like, this 1372 01:05:27,400 --> 01:05:30,560 Speaker 8: idea of Lauren just like in the cabin and watching 1373 01:05:30,920 --> 01:05:33,360 Speaker 8: the Men of the Week, or like having her have 1374 01:05:33,440 --> 01:05:35,440 Speaker 8: to do with all these other stuff is a great 1375 01:05:35,440 --> 01:05:36,680 Speaker 8: little spinoff idea. 1376 01:05:36,440 --> 01:05:36,760 Speaker 7: That we. 1377 01:05:38,640 --> 01:05:41,040 Speaker 1: People Lauren could fall the cute bunny, this cute ski 1378 01:05:41,120 --> 01:05:43,240 Speaker 1: Bunny and all the people she falls in love with. 1379 01:05:43,160 --> 01:05:45,760 Speaker 5: Ski Bunny nights. 1380 01:05:58,400 --> 01:06:01,040 Speaker 1: As I'm sure you guys can tell, we can talk 1381 01:06:01,080 --> 01:06:01,960 Speaker 1: to you for hours. 1382 01:06:02,280 --> 01:06:04,160 Speaker 4: Sure, So what are some of the. 1383 01:06:04,120 --> 01:06:08,000 Speaker 1: Vital questions you want to ask us as we round 1384 01:06:08,040 --> 01:06:09,240 Speaker 1: out season five today. 1385 01:06:09,520 --> 01:06:12,560 Speaker 3: You know, we've hit on a lot of them already. 1386 01:06:13,360 --> 01:06:16,000 Speaker 3: You know, I guess as the show kind of progresses 1387 01:06:16,040 --> 01:06:20,120 Speaker 3: into the later seasons, we've noticed that your memories are 1388 01:06:20,200 --> 01:06:23,360 Speaker 3: becoming more vivid about what was happening behind the scenes 1389 01:06:23,480 --> 01:06:27,320 Speaker 3: or what was going on, Like, do you find season 1390 01:06:27,360 --> 01:06:30,400 Speaker 3: five and probably going forward, is it more difficult to 1391 01:06:30,440 --> 01:06:36,760 Speaker 3: separate you're on your personal experiences on set from the 1392 01:06:36,880 --> 01:06:40,440 Speaker 3: characters that you're watching. It felt like in seasons one 1393 01:06:40,480 --> 01:06:42,360 Speaker 3: and two, you guys were a little bit more disconnected 1394 01:06:42,360 --> 01:06:44,160 Speaker 3: and you were able to just watch it as a show, 1395 01:06:44,160 --> 01:06:47,440 Speaker 3: whereas now it feels maybe more difficult. 1396 01:06:47,000 --> 01:06:47,320 Speaker 7: To do that. 1397 01:06:49,840 --> 01:06:53,080 Speaker 4: Yeah, that's funny. I hadn't quite thought about it that way. 1398 01:06:53,200 --> 01:06:55,720 Speaker 9: You Know what I'm noticing as the older I get 1399 01:06:55,720 --> 01:06:57,600 Speaker 9: on the show is the more I remember what was 1400 01:06:57,640 --> 01:07:01,280 Speaker 9: going on in my personal life at the time as 1401 01:07:01,280 --> 01:07:03,400 Speaker 9: opposed to what was actually going on in the set. 1402 01:07:03,440 --> 01:07:07,080 Speaker 9: And then occasionally an episode will pop up where I'll remember, oh, yeah, 1403 01:07:07,080 --> 01:07:09,600 Speaker 9: this week, what But normally I'm watching now and like, 1404 01:07:10,000 --> 01:07:12,160 Speaker 9: you know, the necklace I'm wearing or something that's happening. 1405 01:07:12,200 --> 01:07:15,280 Speaker 9: I'm then going into what was happening in my real life, 1406 01:07:15,520 --> 01:07:17,280 Speaker 9: and that I'm remembering more than anything else. 1407 01:07:17,400 --> 01:07:20,000 Speaker 6: That's so that's exactly the way I feel like thinking 1408 01:07:20,000 --> 01:07:22,800 Speaker 6: about those The first season is I remember so many 1409 01:07:22,840 --> 01:07:25,120 Speaker 6: lines and so many like the blocking and shooting, And 1410 01:07:25,160 --> 01:07:28,200 Speaker 6: I think what that was is that it felt like 1411 01:07:28,880 --> 01:07:31,240 Speaker 6: having the job of being on a TV show, Like 1412 01:07:31,280 --> 01:07:33,960 Speaker 6: the show was this established thing and there were authority 1413 01:07:33,960 --> 01:07:36,160 Speaker 6: figures who knew what they were doing and we were 1414 01:07:36,200 --> 01:07:38,560 Speaker 6: sort of lucky to be there and excited and like 1415 01:07:38,720 --> 01:07:42,480 Speaker 6: the job itself was so cool. Yeah, by fifth season, 1416 01:07:43,000 --> 01:07:45,320 Speaker 6: all I cared about was I had midterms, I had, 1417 01:07:45,360 --> 01:07:48,080 Speaker 6: I was in college, I was dating. I was like 1418 01:07:48,240 --> 01:07:51,600 Speaker 6: my I like nothing about boring betore. And at that point, 1419 01:07:51,720 --> 01:07:53,560 Speaker 6: I also think I had seen behind the curtain a 1420 01:07:53,600 --> 01:07:56,320 Speaker 6: little bit and realized, like, these adults don't have any 1421 01:07:56,360 --> 01:07:58,480 Speaker 6: more authority over the show than I do. Really like 1422 01:07:58,560 --> 01:08:01,120 Speaker 6: I'm a big part of this, So I didn't feel 1423 01:08:01,160 --> 01:08:02,960 Speaker 6: that sense of like, oh, I have to show up 1424 01:08:03,000 --> 01:08:04,720 Speaker 6: to do my job. It was like, no, no, we're 1425 01:08:04,760 --> 01:08:07,640 Speaker 6: all in this together as a team, and that's a 1426 01:08:07,640 --> 01:08:10,919 Speaker 6: different approach. And so I actually I actually remember on 1427 01:08:11,000 --> 01:08:13,480 Speaker 6: set less, but I do remember my personal life more. 1428 01:08:13,600 --> 01:08:15,760 Speaker 6: Actually that's not true. I remember being on set, but 1429 01:08:15,880 --> 01:08:18,679 Speaker 6: for the behind the scenes conversations in the fun greed 1430 01:08:18,920 --> 01:08:21,320 Speaker 6: the actual shooting, I'm like, what I you know, I 1431 01:08:21,479 --> 01:08:23,599 Speaker 6: was just not yeah, safe, so easy. 1432 01:08:24,680 --> 01:08:26,960 Speaker 4: Yeah, I'm exactly the same way I remember. 1433 01:08:27,000 --> 01:08:28,680 Speaker 1: I know now that like by the time we're at 1434 01:08:28,680 --> 01:08:31,240 Speaker 1: the end of this episode, I'm almost about to be seventeen. 1435 01:08:31,360 --> 01:08:34,320 Speaker 1: Like when this episode aired, I've just turned seventeen, so 1436 01:08:34,400 --> 01:08:36,320 Speaker 1: I know. The last year of my life has been 1437 01:08:36,720 --> 01:08:39,519 Speaker 1: driving my own car, which I couldn't wait to do, 1438 01:08:40,560 --> 01:08:43,479 Speaker 1: leaving set to go eat lunch, which I also thought 1439 01:08:43,520 --> 01:08:46,479 Speaker 1: was the greatest thing ever. Like all of the I'm 1440 01:08:46,640 --> 01:08:50,240 Speaker 1: finally feeling more like an adult. Although I'm not an 1441 01:08:50,280 --> 01:08:54,640 Speaker 1: official adult, I'm very close and I'm feeling more adult like, 1442 01:08:54,840 --> 01:08:57,640 Speaker 1: and I'm being able to after work go to my 1443 01:08:57,680 --> 01:09:02,320 Speaker 1: boyfriend's house and just having a life out rather than 1444 01:09:02,439 --> 01:09:05,280 Speaker 1: as a twelve, thirteen, fourteen year old, my entire life 1445 01:09:05,280 --> 01:09:08,040 Speaker 1: felt like the show, and every moment was just waiting 1446 01:09:08,080 --> 01:09:10,920 Speaker 1: to go back to the show. Now I'm I have 1447 01:09:11,000 --> 01:09:13,559 Speaker 1: a thriving life outside of the show, and I remember 1448 01:09:13,600 --> 01:09:15,840 Speaker 1: being on set, but mostly because of like writer said, 1449 01:09:16,160 --> 01:09:20,080 Speaker 1: the ways our outside lives were tying into us being 1450 01:09:20,120 --> 01:09:20,719 Speaker 1: all there together. 1451 01:09:21,960 --> 01:09:23,840 Speaker 9: Well, it's just one of those things where and it's 1452 01:09:23,840 --> 01:09:27,200 Speaker 9: such a magical thing that we did, but it was 1453 01:09:27,240 --> 01:09:30,519 Speaker 9: our job. And after a while, when you're five years 1454 01:09:30,560 --> 01:09:33,800 Speaker 9: at a job, even if it's the most amazing job 1455 01:09:33,800 --> 01:09:35,639 Speaker 9: in the world, you're still just going to work that day. 1456 01:09:35,640 --> 01:09:37,680 Speaker 9: I'm going to work, So hey, what am I doing 1457 01:09:37,760 --> 01:09:39,040 Speaker 9: after work? What am I doing? 1458 01:09:39,160 --> 01:09:39,280 Speaker 10: Hey? 1459 01:09:39,280 --> 01:09:40,720 Speaker 9: When am I meeting up with my friends? When are 1460 01:09:40,760 --> 01:09:42,920 Speaker 9: we doing this? That becomes the crux of your day, 1461 01:09:43,000 --> 01:09:45,320 Speaker 9: not like what I did at work, and I again 1462 01:09:45,439 --> 01:09:47,120 Speaker 9: had the most amazing job in the world, but it 1463 01:09:47,160 --> 01:09:47,719 Speaker 9: was still. 1464 01:09:47,520 --> 01:09:48,040 Speaker 7: Just a job. 1465 01:09:48,640 --> 01:09:50,120 Speaker 3: We know, we can we can't talk to you guys 1466 01:09:50,120 --> 01:09:52,599 Speaker 3: all day, So I want to just quickly just like 1467 01:09:53,000 --> 01:09:56,880 Speaker 3: bang out some of your season five superlatives if possible, 1468 01:09:57,160 --> 01:09:59,320 Speaker 3: Can each of you tell me what your favorite and 1469 01:09:59,400 --> 01:10:01,160 Speaker 3: least favorite. I know we kind of know this for 1470 01:10:01,240 --> 01:10:04,080 Speaker 3: Will favorite and least favorite episodes of the season were. 1471 01:10:05,880 --> 01:10:08,680 Speaker 6: Raging, Corey favorite, Yeah, I loved it. 1472 01:10:08,720 --> 01:10:09,320 Speaker 3: Which one was. 1473 01:10:10,960 --> 01:10:11,560 Speaker 6: The airplane? 1474 01:10:11,720 --> 01:10:11,960 Speaker 7: Yes? 1475 01:10:12,040 --> 01:10:12,400 Speaker 6: The market? 1476 01:10:12,800 --> 01:10:15,559 Speaker 3: Great episodes? Yeah, great episodes. Do you think that's one 1477 01:10:15,600 --> 01:10:17,120 Speaker 3: of the better ones of the series? By the way, 1478 01:10:17,280 --> 01:10:18,000 Speaker 3: great so good? 1479 01:10:18,160 --> 01:10:18,360 Speaker 7: Great? 1480 01:10:18,360 --> 01:10:20,799 Speaker 1: And maybe I think writer thinks it's his favorite episode 1481 01:10:20,840 --> 01:10:21,439 Speaker 1: of the series. 1482 01:10:21,520 --> 01:10:24,720 Speaker 6: Yeah, it's definitely top five for me. So say, chick 1483 01:10:24,840 --> 01:10:27,160 Speaker 6: like me that those are, you know, some of the 1484 01:10:27,160 --> 01:10:31,000 Speaker 6: best episodes. Worst episode of the season, I guess is 1485 01:10:31,040 --> 01:10:34,640 Speaker 6: Starry Night. No, I really didn't like Brothers Man. I 1486 01:10:34,680 --> 01:10:39,320 Speaker 6: really don't started off with such a yeah, just yeah. 1487 01:10:39,600 --> 01:10:41,000 Speaker 6: And you know, I guess maybe a lot of that 1488 01:10:41,080 --> 01:10:42,240 Speaker 6: is my performance in it too. 1489 01:10:44,960 --> 01:10:45,200 Speaker 7: Yeah. 1490 01:10:46,080 --> 01:10:52,280 Speaker 1: Also Fraternity Rowe. I mean, I'm gonna I'm gonna go 1491 01:10:52,320 --> 01:10:54,920 Speaker 1: out on a limb and say, I think Fraternity Row 1492 01:10:55,000 --> 01:10:57,959 Speaker 1: is maybe one of is maybe my uh. 1493 01:10:58,360 --> 01:11:00,599 Speaker 4: Least favorite of the season. I did. 1494 01:11:00,680 --> 01:11:03,280 Speaker 1: I did not love Starry Night the same way it's 1495 01:11:03,360 --> 01:11:04,680 Speaker 1: the same way a lot of. 1496 01:11:04,600 --> 01:11:05,120 Speaker 5: Other people do. 1497 01:11:05,200 --> 01:11:10,320 Speaker 1: But I also feel like it's almost I couldn't possibly 1498 01:11:10,520 --> 01:11:12,479 Speaker 1: name it as my least favorite when I know how 1499 01:11:12,479 --> 01:11:15,760 Speaker 1: strongly Wilfredell feels about it. So I feel like I 1500 01:11:15,800 --> 01:11:18,040 Speaker 1: have to take something else, and so I think I'm 1501 01:11:18,040 --> 01:11:19,720 Speaker 1: gonna take Fraternity Row that that'd be. 1502 01:11:19,920 --> 01:11:22,400 Speaker 4: The beginning of season five was really rough for me. 1503 01:11:22,600 --> 01:11:25,400 Speaker 1: I just felt kind of like, are we gonna, Are 1504 01:11:25,400 --> 01:11:26,559 Speaker 1: we gonna get somewhere good? 1505 01:11:26,560 --> 01:11:28,800 Speaker 4: And we did. We ended up hitting a really nice ride. 1506 01:11:30,000 --> 01:11:30,880 Speaker 12: I think my. 1507 01:11:31,000 --> 01:11:35,240 Speaker 1: Favorite episode is Gosh, it's so hard because you know what, 1508 01:11:35,360 --> 01:11:38,000 Speaker 1: Storry Night. The one thing I will say, Storry Night 1509 01:11:38,120 --> 01:11:42,400 Speaker 1: is my favorite Angela showing she's so strong. 1510 01:11:44,880 --> 01:11:46,960 Speaker 4: Otherwise it would have just been I know. 1511 01:11:50,240 --> 01:11:54,719 Speaker 1: But I think my favorite episode is Heartbreak Corey. It's 1512 01:11:55,000 --> 01:11:57,760 Speaker 1: to me, it's such a great episode. I love I 1513 01:11:57,800 --> 01:12:00,880 Speaker 1: love meeting the Lauren character. I love that it was 1514 01:12:00,960 --> 01:12:03,240 Speaker 1: Rusty's first episode. We have a lot of behind the 1515 01:12:03,280 --> 01:12:06,760 Speaker 1: scenes memories of it, so I think Rage and Corey 1516 01:12:06,840 --> 01:12:08,560 Speaker 1: is an incredible episode. But I think I'm going to 1517 01:12:08,600 --> 01:12:10,400 Speaker 1: say my favorite of the season is Heartbreak Corey. 1518 01:12:11,960 --> 01:12:13,000 Speaker 5: You know mine already. 1519 01:12:13,479 --> 01:12:16,599 Speaker 9: Yeah, Starry Night by far my least favorite, probably possibly 1520 01:12:16,640 --> 01:12:20,679 Speaker 9: of the entire series. There's the good ones this season 1521 01:12:20,760 --> 01:12:24,760 Speaker 9: were great, so I mean for personal reasons. And then 1522 01:12:24,800 --> 01:12:27,759 Speaker 9: there was Sean Is. It will always be just because 1523 01:12:28,000 --> 01:12:30,920 Speaker 9: it was arguably my favorite week of work I've ever. 1524 01:12:30,760 --> 01:12:33,840 Speaker 5: Had in my entire life. Yeah, it was just an 1525 01:12:33,880 --> 01:12:34,679 Speaker 5: incredible week. 1526 01:12:34,760 --> 01:12:37,960 Speaker 9: So for a personal reason that for as a television fan, 1527 01:12:38,080 --> 01:12:43,679 Speaker 9: just watching Heartbreak Corey was great. As another week worth 1528 01:12:43,720 --> 01:12:46,400 Speaker 9: of work that I was really proud of. I would 1529 01:12:46,400 --> 01:12:49,800 Speaker 9: say Rage and Corey, so those were I mean, just 1530 01:12:49,840 --> 01:12:51,640 Speaker 9: working with Rusty and jumping out of the plane and 1531 01:12:51,680 --> 01:12:52,599 Speaker 9: doing all the fun stuff. 1532 01:12:52,640 --> 01:13:00,639 Speaker 5: All that was a ton of fun. So yeah, so good. 1533 01:13:06,920 --> 01:13:11,040 Speaker 3: We have a quick last minute like rapid fire of 1534 01:13:11,240 --> 01:13:14,120 Speaker 3: some of the great debates that have happened in this season. 1535 01:13:14,240 --> 01:13:17,040 Speaker 3: So if you can just quickly give us your thoughts 1536 01:13:17,080 --> 01:13:20,120 Speaker 3: on some of these, we would love to just settle 1537 01:13:20,160 --> 01:13:24,840 Speaker 3: the score. Finally, quick answers only, Quick answers only. Was 1538 01:13:24,960 --> 01:13:26,679 Speaker 3: Louren wrong for pursuing Corey? 1539 01:13:27,000 --> 01:13:31,240 Speaker 6: Yes, no, you're. 1540 01:13:31,120 --> 01:13:34,360 Speaker 9: Going You're going Cory and Tapanga or Cory and Lauren 1541 01:13:34,720 --> 01:13:36,080 Speaker 9: co l Lauren. 1542 01:13:36,160 --> 01:13:39,520 Speaker 3: Lor Cory and Tapanga or Sean and Angela. 1543 01:13:40,200 --> 01:13:42,680 Speaker 5: Sean and Angela Angela? 1544 01:13:43,120 --> 01:13:44,960 Speaker 3: Did Topanga trap Coy? 1545 01:13:45,760 --> 01:13:48,520 Speaker 1: Yes, no, no Trapanga. 1546 01:13:48,720 --> 01:13:49,080 Speaker 6: Yes. 1547 01:13:51,439 --> 01:13:52,760 Speaker 3: This might be a little bit hard to do a 1548 01:13:52,800 --> 01:13:55,920 Speaker 3: rapid fire up. But at what point in the Ski 1549 01:13:56,000 --> 01:13:58,080 Speaker 3: Lodge episode was Corey wrong? 1550 01:13:58,960 --> 01:14:03,800 Speaker 9: The minuity lied, lied, lied, but maybe emotionally a little 1551 01:14:03,840 --> 01:14:04,919 Speaker 9: bit before the lie. 1552 01:14:06,040 --> 01:14:11,040 Speaker 3: I get and you're just quickly Why didn't Tepenga go 1553 01:14:11,040 --> 01:14:11,760 Speaker 3: to Yale. 1554 01:14:11,960 --> 01:14:13,040 Speaker 5: To get to the other side? 1555 01:14:14,000 --> 01:14:14,680 Speaker 7: Wait? I did that? 1556 01:14:14,800 --> 01:14:20,120 Speaker 1: Rob to Pega didn't go to Yale from what I 1557 01:14:20,160 --> 01:14:24,960 Speaker 1: think out here right now, because she thinks she has 1558 01:14:25,040 --> 01:14:28,920 Speaker 1: to choose between Corey and college, and she does not 1559 01:14:29,120 --> 01:14:30,240 Speaker 1: want to lose Corey. 1560 01:14:32,320 --> 01:14:36,400 Speaker 6: I seriously think that Corey guilts her and she feels 1561 01:14:36,439 --> 01:14:40,240 Speaker 6: like she needs to make a sacrifice that is, in 1562 01:14:40,280 --> 01:14:43,360 Speaker 6: her mind equivalent to the sacrifice that Corey is making 1563 01:14:43,400 --> 01:14:45,559 Speaker 6: by allowing her to go to Yale. And I just 1564 01:14:45,680 --> 01:14:47,920 Speaker 6: that's such a false equivalency to me. But yeah, so 1565 01:14:47,920 --> 01:14:50,600 Speaker 6: I think she's chopping off her own arm, you know, 1566 01:14:50,760 --> 01:14:53,000 Speaker 6: so sort of like, I look how much I love you. 1567 01:14:53,520 --> 01:14:54,640 Speaker 6: That's ridiculous. 1568 01:14:55,200 --> 01:14:56,639 Speaker 9: I think that's what they're going for. But I think 1569 01:14:56,640 --> 01:14:57,920 Speaker 9: at the end of the day, it's just going to 1570 01:14:58,000 --> 01:14:58,360 Speaker 9: be fear. 1571 01:14:59,479 --> 01:15:00,000 Speaker 7: I love it. 1572 01:15:00,120 --> 01:15:02,800 Speaker 8: I love like you guys hit on everything. Writer, you 1573 01:15:02,840 --> 01:15:05,439 Speaker 8: were like offended that we asked you if to choose 1574 01:15:05,479 --> 01:15:07,280 Speaker 8: between Corey and Topega and Sean and Angela. 1575 01:15:07,600 --> 01:15:13,360 Speaker 6: You were like, obbousana, that's so funny, all of those parents. 1576 01:15:13,360 --> 01:15:16,040 Speaker 6: We chose the non Corey to Panga option. 1577 01:15:16,600 --> 01:15:19,439 Speaker 8: So for season six, you guys are coming up on 1578 01:15:19,520 --> 01:15:25,040 Speaker 8: season six, we have guests and let us know that 1579 01:15:25,120 --> 01:15:28,400 Speaker 8: we hope excited. Well don't know who you can get. 1580 01:15:29,400 --> 01:15:34,360 Speaker 8: Will you be having maitland Ward, Bonnie, we get Tommy back, 1581 01:15:34,840 --> 01:15:36,599 Speaker 8: Nobody's Angels. 1582 01:15:36,479 --> 01:15:40,880 Speaker 3: Is what you can Nobody's Angels Reunion episode. 1583 01:15:41,120 --> 01:15:45,160 Speaker 6: We just saw Josh keaton sister. Yeah, we could probably 1584 01:15:45,200 --> 01:15:47,679 Speaker 6: get to his sister through through that. Yeah, that'd be great. 1585 01:15:47,640 --> 01:15:50,400 Speaker 7: And then also to Panga's first set of parents. 1586 01:15:50,520 --> 01:15:53,360 Speaker 1: Our goal is always to get everybody that we see 1587 01:15:53,439 --> 01:15:55,280 Speaker 1: a lot of the comments too of people who are like, 1588 01:15:55,560 --> 01:15:58,559 Speaker 1: get this person. I promise you there's no one you 1589 01:15:58,560 --> 01:16:01,439 Speaker 1: guys have suggested to us that we haven't asked who 1590 01:16:01,520 --> 01:16:05,679 Speaker 1: hasn't either already said no, or who we are still 1591 01:16:05,720 --> 01:16:08,759 Speaker 1: trying to work out scheduling stuff. There are season five 1592 01:16:08,920 --> 01:16:10,599 Speaker 1: guests Cherry Levine said, no. 1593 01:16:10,680 --> 01:16:11,160 Speaker 3: Oh that's right. 1594 01:16:11,240 --> 01:16:15,880 Speaker 1: Yeah, we're trying to get Jennifer love Hewett. 1595 01:16:15,880 --> 01:16:17,360 Speaker 4: We've been trying to get Linda Cardellini. 1596 01:16:17,360 --> 01:16:19,439 Speaker 1: There are people we have definitely been trying and it's 1597 01:16:19,479 --> 01:16:22,240 Speaker 1: either a scheduling thing or you know, trying to get 1598 01:16:22,280 --> 01:16:24,800 Speaker 1: through some managers and publicists is sometimes you have to 1599 01:16:24,800 --> 01:16:28,400 Speaker 1: find a different, more creative way around. We will definitely, 1600 01:16:28,479 --> 01:16:30,679 Speaker 1: assuming she still wants to come on, we will definitely 1601 01:16:30,680 --> 01:16:33,879 Speaker 1: be extending the invitation to maitland Ward of course, and 1602 01:16:34,320 --> 01:16:36,599 Speaker 1: all those people you mentioned we would we would plan 1603 01:16:36,680 --> 01:16:37,200 Speaker 1: to have on. 1604 01:16:37,360 --> 01:16:39,759 Speaker 7: So yeah, love to hear that's the hope. 1605 01:16:40,439 --> 01:16:42,240 Speaker 3: Well, thank you guys so much for having us again. 1606 01:16:42,320 --> 01:16:44,479 Speaker 3: We had such a great time talking with you about 1607 01:16:44,479 --> 01:16:48,479 Speaker 3: season five. It was again like we knew the season 1608 01:16:48,640 --> 01:16:52,160 Speaker 3: was gonna save and we loved hearing the debates, having 1609 01:16:52,200 --> 01:16:54,600 Speaker 3: the debates with you guys, and of course it's just 1610 01:16:54,640 --> 01:16:56,559 Speaker 3: it's always a privilege to be brought on to to 1611 01:16:56,600 --> 01:16:58,280 Speaker 3: talk to you guys and ask you our questions. 1612 01:16:58,439 --> 01:17:01,360 Speaker 9: Okay, and rapid fire back to the two of you, 1613 01:17:01,520 --> 01:17:02,839 Speaker 9: yes or no very quickly. 1614 01:17:03,080 --> 01:17:04,559 Speaker 5: Are we gonna like season six? 1615 01:17:05,479 --> 01:17:06,000 Speaker 3: No? 1616 01:17:06,000 --> 01:17:09,400 Speaker 7: No comment? Geez. 1617 01:17:09,520 --> 01:17:13,040 Speaker 3: Okay, I'll say this for you, and this is just us. 1618 01:17:13,160 --> 01:17:15,680 Speaker 3: You guys have your own experience. When we did, like 1619 01:17:15,760 --> 01:17:19,080 Speaker 3: our series review, going season by season, season six ended 1620 01:17:19,120 --> 01:17:23,120 Speaker 3: up being our least favorite season. Okay, just because it's 1621 01:17:23,320 --> 01:17:23,880 Speaker 3: very dark. 1622 01:17:24,760 --> 01:17:27,800 Speaker 8: Okay, we lean into that melodramatic side that we were 1623 01:17:27,800 --> 01:17:28,679 Speaker 8: talking about earlier. 1624 01:17:28,840 --> 01:17:32,080 Speaker 1: So yeah, we so appreciate you guys coming on at 1625 01:17:32,120 --> 01:17:34,240 Speaker 1: the end of every season and every single time we 1626 01:17:34,280 --> 01:17:36,320 Speaker 1: talk to you, you guys point something out to us 1627 01:17:36,439 --> 01:17:39,519 Speaker 1: that from a POV that we just haven't had and 1628 01:17:39,560 --> 01:17:43,679 Speaker 1: we appreciate it and value it so much. So thank 1629 01:17:43,720 --> 01:17:45,840 Speaker 1: you as always for coming to share your wisdom and 1630 01:17:45,880 --> 01:17:47,680 Speaker 1: your expertise and your opinions with us. 1631 01:17:47,880 --> 01:17:49,240 Speaker 4: We adore you both so much. 1632 01:17:49,280 --> 01:17:50,880 Speaker 1: We look forward to doing this again with you at 1633 01:17:50,880 --> 01:17:52,640 Speaker 1: the end of the Worst Season season. 1634 01:17:52,360 --> 01:17:55,439 Speaker 4: Six, and we will see you then. Thank you both, 1635 01:17:55,760 --> 01:17:56,479 Speaker 4: Thank you so much. 1636 01:17:57,680 --> 01:17:58,160 Speaker 7: Bye. 1637 01:17:59,160 --> 01:18:00,960 Speaker 1: Thank you all for joining us for this episode of 1638 01:18:00,960 --> 01:18:03,360 Speaker 1: Podmeets World. As always, you can follow us on Instagram 1639 01:18:03,360 --> 01:18:06,000 Speaker 1: Podmeets World Show. 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Follow us on 1649 01:18:36,760 --> 01:18:40,120 Speaker 6: Instagram at Podmets World Show or email us at Podmeets 1650 01:18:40,120 --> 01:18:45,320 Speaker 6: World Show at gmail dot com.