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Speaker 1: Podcast starts now. Wow, all, welcome to Stradio Lab, the

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Speaker 1: most serious podcast in the entire world.

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Speaker 2: Well, what are today's headlines?

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Speaker 1: Well, so much is in the news today. For example,

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Speaker 1: it's Fashion's biggest night. It's Fashion's biggest night, and films

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Speaker 1: are being celebrated as well. Oh my gosh, which one

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Speaker 1: all the greats and not not to mention.

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Speaker 2: They've chosen to celebrate the greats.

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Speaker 1: Yeah, tonight it's the night of the greats where all

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Speaker 1: the great films and fashions are celebrated.

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Speaker 2: Oh my god. Finally we are at the intersection of

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Speaker 2: film and fashion. So rarely do those two industries meet.

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Speaker 1: You know, I actually think that's true. How do you

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Speaker 1: feel about films that are too fashion?

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Speaker 2: We were talking about this when we were talking about Challengers.

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Speaker 2: I think you have more of an issue with it

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Speaker 2: than I do. I did find, and you know, I

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Speaker 2: am very sorry to be tearing down an LGBTQ plus

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Speaker 2: creator like I'm about to, but I did find that

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Speaker 2: when I watched the Dan Levy film Good Grief, which was,

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Speaker 2: from what I understand fully sponsored by the brand Loeve,

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Speaker 2: I was a little distracted by the fact that he

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Speaker 2: was mourning his husband who has just died tragically while

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Speaker 2: wearing the crispest, starchiest color I've ever seen and just

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Speaker 2: truly looking like he was walking down a runway.

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Speaker 1: Yeah, that can really take me out.

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Speaker 2: So I think I'm okay with overly fashion films as

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Speaker 2: long as it is part of the story, as long

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Speaker 2: as it is either believable or a fantasy that earns

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Speaker 2: itself itself.

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Speaker 1: Yeah, because I was complaining that in Bones and All,

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Speaker 1: Timothy Shallomey was too fashion to play like a redneck, right,

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Speaker 1: It's like, see.

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Speaker 2: To me, I'm okay with that. I'm like, it is

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Speaker 2: that is a fantasy. I mean, he is a twink

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Speaker 2: cannibal twin.

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Speaker 1: But he was supposed to be a redneck.

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Speaker 2: Well he's Timothy shallow may I mean you can make

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Speaker 2: him he's a fashion redneck.

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Speaker 1: You can. I mean he always, no matter what, he

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Speaker 1: would be a little bit fashion y. But the way

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Speaker 1: that he had this like cool mullet, it was so berlin,

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Speaker 1: you know, was so not what a redneck mullet is

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Speaker 1: in a way that bob.

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Speaker 2: So this really is one of those things that bought

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Speaker 2: This really stayed with.

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Speaker 1: You, It stayed with me, and I haven't forgiven you know,

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Speaker 1: Luca Guadanino, thank you for creating Challengers the film. Yes,

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Speaker 1: I appreciate it, and I think what you have done

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Speaker 1: for me personally is huge. That being said, have I

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Speaker 1: forgiven you for the mullet, the fashioned mullet and bunes

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Speaker 1: and all? It's unclear at this point.

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Speaker 2: Wow, whereas I'm all in, I've never been more all in,

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Speaker 2: and I've never been I mean it, it's just for

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Speaker 2: someone to actually try in this day and age, is

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Speaker 2: rather that's true.

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Speaker 1: Do you have any artists that you haven't forgiven? Oh?

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Speaker 1: That is such a great question.

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Speaker 2: Okay, this is actually something I'm curious to hear your

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Speaker 2: opinion on. There was a I used to be a

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Speaker 2: big Saint Vincent fan, Okay, in in my early twenties.

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Speaker 2: There was a point where suddenly, and I can't even

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Speaker 2: really pinpoint what it was, but there was a point

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Speaker 2: where suddenly I woke up and I said, Waites, she

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Speaker 2: does the Emperor have no clothes?

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Speaker 1: Yep?

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Speaker 2: Like I just suddenly one day was like, this has

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Speaker 2: all been a lie and I no longer believe the

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Speaker 2: fantasy at all. I just can't. I actually want to

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Speaker 2: buy back into it and something is I. It really

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Speaker 2: was like a veil was drawn and I and I

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Speaker 2: can no longer believe it.

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Speaker 1: This is such a I think, like the most the

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Speaker 1: opinion currently about her is this. I think it was

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Speaker 1: that era when she was like living in la and

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Speaker 1: being like it's a commentary on false fake fake la ness. Sure,

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Speaker 1: that's when everyone sort of turned and they never really

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Speaker 1: looked back. And when she was dating car Delaine, Yeah no,

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Speaker 1: was she dating carlog I think so that sounds familiar,

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Speaker 1: and it was like they broke up and whatever whatever,

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Speaker 1: And I remember at that point it was like and

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Speaker 1: now I've never been able to trust her again. And

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Speaker 1: that era I didn't even like hate Like it was like,

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Speaker 1: I you know, some of that I liked, but it

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Speaker 1: was just like something about it just showed like it

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Speaker 1: revealed something that then I couldn't unsee and it was like,

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Speaker 1: now I'm supposed to think of you as a New

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Speaker 1: York indie girl again. It doesn't make a sense.

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Speaker 2: Yes, it's very difficult, you know what. Actually, Okay, I

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Speaker 2: think a part of it for me was maybe even

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Speaker 2: the song New York.

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Speaker 1: Yeah.

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Speaker 2: I was a little a bit like, wait a minute,

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Speaker 2: is this inn a musical. Is this a musical number

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Speaker 2: in like an indie musical about an artist, about Bob Dylan?

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Speaker 1: Yeah.

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Speaker 2: Yeah, And actually I recently re listened to it and

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Speaker 2: was like, oh, I was unfair to it. It's actually

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Speaker 2: a very you know, nice beautiful song about missing someone

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Speaker 2: and and and your relationship to a place that means

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Speaker 2: a lot to you. But I think that was for

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Speaker 2: me where I suddenly saw through it.

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Speaker 1: Yeah, it's I almost parted me. It's like, I don't

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Speaker 1: know how to process my feelings towards her, because.

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Speaker 2: No, I agree, it's I'm really glad I'm having.

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Speaker 1: This conversation because I still think she's cool. I still

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Speaker 1: think she deserves to succeed and be a cool girl.

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Speaker 2: Yes, and she's very talented and genuinely I love hearing

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Speaker 2: her talk about music. Like when she was on Fresh

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Speaker 2: Air recently, I was like, oh, this is this is

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Speaker 2: a real musician who's entire life has been music since

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Speaker 2: she was like seven years old. Yeah, and this isn't

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Speaker 2: some This isn't some you know, pop star that was

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Speaker 2: manufactured for my for my tastes.

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Speaker 1: Yeah. But at the same time, how slaly would it be?

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Speaker 1: Or she was.

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Speaker 2: Well, there is a certain level of sexism to it too,

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Speaker 2: because you sort of are like, wait a minute, so

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Speaker 2: you want to be both authentic. You want to have

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Speaker 2: it all, Like you want to be authentic and also

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Speaker 2: just like super hot and cool in fashion and have

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Speaker 2: a hot young girlfriend and be like kind of famously mean,

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Speaker 2: I think, and also have a sense of humor and

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Speaker 2: be funny and be self referential, you know what I mean,

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Speaker 2: Like I am a little bit. I have to call

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Speaker 2: myself in a little bit and be like, would I

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Speaker 2: say all of these things if you were a man,

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Speaker 2: although I guess you would probably not even be on the.

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Speaker 1: Phone you were a man, It would literally be like, yeah,

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Speaker 1: people talk about him and I and I'm never gonna

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Speaker 1: exactly like who is I'm trying to think, who's the

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Speaker 1: male equivalent, who's the male sateman? Well? Do you like?

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Speaker 2: This is in no way the male equivalent, say Vincent?

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Speaker 2: But do you like Bonni Bear?

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Speaker 1: I check in every once in a while.

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Speaker 2: Sorry, that's not what I meant. Father John Missy, Oh.

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Speaker 1: No, I've never spent time with father John Misty.

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Speaker 2: Because Father John Misty is someone who and I do

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Speaker 2: like some of his music, but he is someone who

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Speaker 2: can just have it always like he can be both

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Speaker 2: like act like he doesn't care, but then also sort

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Speaker 2: of people find him hot and he can like he

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Speaker 2: is considered a genius, but he also is like always

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Speaker 2: basically joking.

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Speaker 1: I think. But Saint Vincent, I don't think it's misogyny

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Speaker 1: to say that she I don't think it's misogyny to

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Speaker 1: say that she is like presenting sort of a you know,

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Speaker 1: a poppy aesthetic, like there is like she has eras,

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Speaker 1: she has like she's debuting a new hair color. She's

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Speaker 1: like doing all this stuff, and I'm sort of like,

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Speaker 1: and you want us to see you as like an

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Speaker 1: indie indie artist. It doesn't oh, I see it.

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Speaker 2: Yeah, but you don't mind when Charlie does that.

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Speaker 1: But Charlie's not like I'm indy. She's like, I'm the

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Speaker 1: biggest pop star in the world and.

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Speaker 2: Well, but Saint Vincent is like, I'm the biggest rock

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Speaker 2: star in the world.

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Speaker 1: Oh my god. You know what, Actually, I think we

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Speaker 1: should just bring our guest in.

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Speaker 2: Okay, let's bring Brittany in. Yes, I think I agree.

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Speaker 1: And yeah, so without further ado, please welcome to the podcast.

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Speaker 1: Brittany Carney.

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Speaker 2: Oh my good now you're muted.

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Speaker 1: This is unbelievable. Brittany.

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Speaker 2: Britney, please unmute, Brittany.

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Speaker 1: You have to unmute. Brittany. The same button you hit

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Speaker 1: the mute hit that on mute. You act like you're

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Speaker 1: being silentced you silenced yourself. Okay, will Brittany find her voice?

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Speaker 2: This is a really inspirational story. Well not yet, I

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Speaker 2: guess you haven't yet.

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Speaker 1: Have the podcast ends now, Brittany, can you hear me now? Yes?

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Speaker 2: Hello, you're back.

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Speaker 3: I'm so sorry, Brady, I found my voice.

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Speaker 2: I really don't want to put you on the spot,

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Speaker 2: I genuinely, but I do wonder what's going on.

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Speaker 1: I think it's important on the spot, like what is happening?

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Speaker 1: We've had more time difficulties in the last fifteen minutes.

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Speaker 1: I've never seen something like this before.

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Speaker 2: Through the grapevine, that your computer has water damage. But

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Speaker 2: then there's also a phone involved, and there are different

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Speaker 2: kinds of phones.

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Speaker 4: First of all, I'm blaming the moon. Second, well, yeah,

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Speaker 4: I'm sorry, I've had a series.

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Speaker 3: What's going on?

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Speaker 4: What's going on is that I've never felt more like

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Speaker 4: eighty years old in my entire life. I want to

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Speaker 4: explain that I was trying to yes, because of the

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Speaker 4: water damage. Whilst I'll speak further about in a moment,

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Speaker 4: I cannot. I cannot sure enough, I cannot pull up

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Speaker 4: quick time properly. So then I got panicked and I

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Speaker 4: was like, let me pull out my phone to have

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Speaker 4: a background.

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Speaker 2: I see, I see back of.

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Speaker 4: Also, my computer is telling me that the audio is

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Speaker 4: most crisp or ideal if I charge my computer. So

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Speaker 4: in my recent like journey into you know, into the

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Speaker 4: other into like the distant depths of my studio apartment,

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Speaker 4: I was like, well, let me get a charging block, yeah,

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Speaker 4: to maximize.

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Speaker 3: The voice quality. But I guess I'll talk to you

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Speaker 3: about the water damage for a moment.

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Speaker 2: Yeah, that could be helpful, and how and I would

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Speaker 2: like to know how specifically it is affecting different parts

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Speaker 2: of how your computer works.

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Speaker 1: Yeah, which apps it has effected and which apps hasn't.

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Speaker 4: Half of the screen vertically is black with multiple color

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Speaker 4: lines that are moving around I see. And then a

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Speaker 4: portion of the screen that's horizontal that goes across the

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Speaker 4: panel where all the icons are is horizontal shimmering lines icy.

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Speaker 3: So I have limited like like.

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Speaker 2: So when we're saying you know, press the mute on

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Speaker 2: mute button. It takes a while because you have to

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Speaker 2: minimize the windows so it fits into one corner of

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Speaker 2: your screen so that then you can access that button.

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Speaker 4: Yes, and I was under and I was feeling shame

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Speaker 4: and stress. So my actions were affected by that and

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Speaker 4: that I was like more fumbly than I would And.

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Speaker 2: How if you don't mind asking, how did this water

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Speaker 2: damage come about?

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Speaker 4: It's really it's really embarrassing, I think, and it has

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Speaker 4: to do with it has to do with a you know,

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Speaker 4: like a budget friendly, a budget friendly skincare and well

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Speaker 4: in this company called.

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Speaker 2: ASoP, so excuse me, budget friendly not in my experience. No,

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Speaker 2: I keep going.

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Speaker 3: I'm being I'm being facetious.

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Speaker 4: Yes, yes, yes, okay, no, just you know, one hundred

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Speaker 4: dollars deodorant or whatever. So anyway, I have a roll on,

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Speaker 4: a roll on deodorant from ASoP. It was in my

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Speaker 4: tote bag my computer, which I'm normally in case in

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Speaker 4: a like.

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Speaker 1: What do you call that a case?

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Speaker 5: Yeah?

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Speaker 3: So good.

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Speaker 4: I decided for a few days to be a little

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Speaker 4: reckless and I was like, well I don't need it

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Speaker 4: and it's kind of bulky.

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Speaker 3: I'll just like put this in the stow bag yesterday,

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Speaker 3: I really like computer was like this, and I was like,

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Speaker 3: what the fuck? It was a wet And.

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Speaker 4: Then I opened my deodorant today and it was like

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Speaker 4: really milky and leaking.

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Speaker 5: So I think that my ASoP.

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Speaker 3: Deodorant I filled.

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Speaker 4: In my in the code bag and into my computer,

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Speaker 4: which is now essentially Yeah, but it's a prison that I.

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Speaker 3: Created for myself. That a prison of my own.

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Speaker 1: Looking for that in the A stop, I guess, yeah,

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Speaker 1: a little bit honored. I think that, you know, it's

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Speaker 1: so recent. I was sort of like, I figured, you know,

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Speaker 1: you've been living your life with this water damage computer

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Speaker 1: for months now, and you're just sort of like, you

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Speaker 1: know what, I'm making it work. It's fine. I actually

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Speaker 1: think it's so nice that it is very new. We're

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Speaker 1: sort of debuting your broken.

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Speaker 3: Computer because I gotta say, sam I have.

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Speaker 4: Unfortunately, that's not I'm not above that, if that makes sense.

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Speaker 4: I'm someone who lives for too long with a dysfunctional device.

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Speaker 1: We're definitely picking that up.

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Speaker 2: I'm sort of like that I have the worst of

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Speaker 2: the qualities, which is, by the way, where is the ambulance?

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Speaker 1: Is that on your side? That's going around Brittany's.

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Speaker 2: And is it just going around your apartment like constantly,

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Speaker 2: Like no, that's I'm not it's in no way, you're hope,

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Speaker 2: but but it really has been going around and around.

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Speaker 1: We're definitely victim blaming right now. And I do just

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Speaker 1: say I can't stop like everything is going wrong. I

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Speaker 1: do feel that it's your fault.

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Speaker 3: What if I was like, that's just my like birth control.

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Speaker 4: So no, yeah, there's somebody that needs help outside in Brooklyn,

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Speaker 4: New York.

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Speaker 3: But I really I don't.

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Speaker 2: Have control over that need I do.

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Speaker 4: I can't instantly my windows for the time being with

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Speaker 4: any if I can find some drywall.

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Speaker 5: Okay.

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Speaker 6: Anyway, So I was about to say I have sort

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Speaker 6: of the worst equality, which is I both can be

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Speaker 6: someone who lets something be broken for too long, but

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Speaker 6: then when someone else does it, I judge them.

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Speaker 1: I have.

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Speaker 2: It's like I'm sort of my own parents like I am,

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Speaker 2: and I in fact, to be clear, I also judge myself.

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Speaker 2: I mean I the self flagellation and constant apologizing I

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Speaker 2: do when something goes wrong. It's just like shut up,

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Speaker 2: like you're not helping anyone. If I'm constantly going around

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Speaker 2: being like oh sorry, oh sorry, oh sorry, but yes,

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Speaker 2: I don't fix the thing that needs to be fixed.

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Speaker 2: I'm apologizing constantly, and when someone else does it, I'm like, well,

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Speaker 2: who raised you?

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Speaker 1: Yeah, I definitely understand the same time, I'm judgmental when

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Speaker 1: people are like, yeah, the key is broken on my computer,

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Speaker 1: so I bought a new computer. I'm like, okay, mister Rockefeller,

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Speaker 1: I'm sort of like you think you can just buy it, right,

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Speaker 1: like some of us, You're you're actually supposed to builds

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Speaker 1: character to suffer and not be able to type correctly

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Speaker 1: for years.

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Speaker 2: No, it's true, Okay, this is a really great line

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Speaker 2: of thinking. Is like, what level of suffering builds the

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Speaker 2: correct amount of character?

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Speaker 1: Yeah?

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Speaker 3: Yeah, I think that is a relative that.

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Speaker 2: Is, of course, yes, of course, But I think that's

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Speaker 2: literally like the essence of what makes someone a good person,

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Speaker 2: a good leader, someone I would vote for for president.

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Speaker 2: You have to have the right level of suffering.

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Speaker 1: It also says so much about like yourself, Like I'm

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Speaker 1: sort of like, is the key to friendship the like

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Speaker 1: you both crave the equal amount of suffering?

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Speaker 4: Right, Like, I think it might be if there's some

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Speaker 4: discrepancy there, like if somebody complains about something relatively trivial,

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Speaker 4: but for the other person.

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Speaker 3: It's actually a source of stress.

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Speaker 4: It's like hard to there's a moment of oh, oh

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Speaker 4: you know, oh that's actually not my metric.

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Speaker 2: Yeah, right, exactly At what point is like being a

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Speaker 2: supportive friend? Is being a supportive friend just being to

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Speaker 2: relate to someone else's problems because they're so similar to your.

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Speaker 1: Own, right? Maybe?

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Speaker 3: Well, what was the other factors that are in question here?

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Speaker 1: Friendship for friendship? I guess like interests.

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Speaker 2: Maybe different people ever have true communication, whether friendship wise

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Speaker 2: or romantically.

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Speaker 4: I don't know, but I do want to say, to

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Speaker 4: catch up to an earlier moment in the discussion.

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Speaker 5: Yeah, I'm debuting my it's recent. It's recent. I haven't

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Speaker 5: been living. I haven't been living.

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Speaker 4: Like like a screen vagabond.

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Speaker 5: Although I'm not. I'm saying that's happened to me.

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Speaker 4: And yeah, I'll be judgmental towards others, I understand you,

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Speaker 4: but I'll be. But then it like creates well, so

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Speaker 4: this is new, and yesterday is when I opened my

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Speaker 4: computer and saw it like this, and then I like

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Speaker 4: debuted it almost more internally or informally, and that I

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Speaker 4: had to catch up to like a document, like I

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Speaker 4: had to edit at Google doc and send my edits, right,

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Speaker 4: and this.

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Speaker 5: Was so that was that was like a soft launch.

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Speaker 4: But it wasn't even like it didn't have to come

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Speaker 4: up that this was happening to me. This and this

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Speaker 4: clearly like I was like, maybe I can just figure

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Speaker 4: it out. And then I like created a deeper hole

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Speaker 4: for myself. Yeah, so I tried to I tried to

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Speaker 4: override my back.

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Speaker 5: What's the word I'm thinking when you my setback? Oh? Yeah, yeah,

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Speaker 5: but it created a bigger problem.

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Speaker 2: Yeah, well you have to be true.

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Speaker 5: To yourself if what else is there not that?

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Speaker 1: Yeah, totally huh well, thank you for having me. Of

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Speaker 1: course I want to ask, I'm not ready to leave

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Speaker 1: the laptop yet. If you can believe it, do you

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Speaker 1: have a plan? Like right now it's been this way

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Speaker 1: for one day? No, are you?

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Speaker 2: Like?

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Speaker 5: Are you do? I seem like somebody, Well that's why,

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Speaker 5: you know.

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Speaker 1: I don't genuinely like I'm I'm you know, you're going

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Speaker 1: through a thing that happens to a lot of people,

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Speaker 1: and I'm I'm always interested to see how people sort

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Speaker 1: of deal with this type of suffering. Because I think

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Speaker 1: I would wait like a week and be like, well,

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Speaker 1: maybe I'll just fix itself, Whereas I think my boyfriend

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Speaker 1: would be like, I'm getting a new computer instantly, okay.

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00:18:19,880 --> 00:18:23,159
Speaker 4: So I yes, I clock both of those reactions. The

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00:18:23,280 --> 00:18:25,919
Speaker 4: latter is not that feasible for me right now. But

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Speaker 4: there is that thing that sometimes happens where you learn

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Speaker 4: that it's more expensive to.

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Speaker 1: Fix right to say that, yeah, the computer's been totaled, basically.

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Speaker 4: But my truth is that that cannot be my journey

370
00:18:40,000 --> 00:18:43,520
Speaker 4: right now. It cannot be because this computer was a

371
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Speaker 4: birthday gift to me from my parents in February ahead

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Speaker 4: of a job, a writing job that I got in La,

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Speaker 4: So I like needed a new, better operating computer.

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Speaker 5: So this so I felt also yesterday a childlike sense

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Speaker 5: of you know when you're like a kid and you like.

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Speaker 4: Futs with something, like you're like messing with something out

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00:19:02,560 --> 00:19:04,400
Speaker 4: of curiosity, and that it breaks and then you have

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00:19:04,480 --> 00:19:07,720
Speaker 4: to tell your parents. Yes, like I'm an adult, I

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00:19:07,800 --> 00:19:09,680
Speaker 4: have to like financially take care of this.

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Speaker 5: Obviously, but it's a gift for my parents. So I

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Speaker 5: felt like an extra layer of like you silly little shit.

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Speaker 2: No, of course, the one you feel you're like, I'm

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Speaker 2: I'm an adult, I'm financially independent. I'm not like those

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Speaker 2: other people I know whose parents pay for everything. But

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Speaker 2: they were kind enough to get me one gift. And

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Speaker 2: of course that's the thing.

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Speaker 5: That you're which is an expensive gift.

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Speaker 2: Yes, and of course that's the thing you're going to

389
00:19:32,520 --> 00:19:36,800
Speaker 2: accidentally break. No, exactly, yes, I completely. It's like if

390
00:19:37,160 --> 00:19:41,040
Speaker 2: your parents help you, as you know, help you buy

391
00:19:41,119 --> 00:19:43,280
Speaker 2: a flight home or something, and then you miss that

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00:19:43,760 --> 00:19:44,600
Speaker 2: it exactly.

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Speaker 4: So I'm feeling a layer of this like weird, like

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Speaker 4: out of body, like I don't.

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Speaker 5: Feel like myself, I don't feel.

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Speaker 2: Like no, I get it. I mean anything that makes

397
00:19:53,400 --> 00:19:55,520
Speaker 2: you that even a little bit, brings you back into

398
00:19:55,560 --> 00:19:57,879
Speaker 2: a childlike state can be so destabilizing.

399
00:19:58,880 --> 00:20:01,080
Speaker 5: And usually that happens when I go home, you know

400
00:20:01,119 --> 00:20:01,480
Speaker 5: what I mean.

401
00:20:02,000 --> 00:20:06,680
Speaker 4: Anything, it's funny to have that separately in your adult.

402
00:20:06,359 --> 00:20:09,680
Speaker 5: New York life. Yeah, and then I feel so that's right.

403
00:20:10,200 --> 00:20:13,160
Speaker 4: So, but I also think, and I think the root

404
00:20:13,200 --> 00:20:17,200
Speaker 4: of it is me being irresponsible about first of all,

405
00:20:17,800 --> 00:20:19,520
Speaker 4: just kind of strong I'm getting a tote bag, and

406
00:20:19,560 --> 00:20:21,040
Speaker 4: second of all, having an.

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Speaker 5: Overpriced deodorant that.

408
00:20:24,040 --> 00:20:28,880
Speaker 2: It's literally like a referendum on your entire life. It's

409
00:20:28,880 --> 00:20:31,840
Speaker 2: it's like you've made these decisions and they all led

410
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Speaker 2: to your expensive deodorant breaking the gift.

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Speaker 1: That wow, that really hurts. That's very nice.

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00:20:40,280 --> 00:20:44,440
Speaker 2: It's almost like yes, exactly. Yeah, this sort of symbolism

413
00:20:44,600 --> 00:20:47,280
Speaker 2: like in a movie, they'd be you know, in a screenplay,

414
00:20:47,320 --> 00:20:50,080
Speaker 2: let's say, for getting feedback, it would be like, Okay,

415
00:20:50,119 --> 00:20:53,080
Speaker 2: this symbol like the deodorant is perfect because it symbolizes

416
00:20:53,200 --> 00:20:56,399
Speaker 2: her spending habits, and the computer is perfect as it

417
00:20:56,440 --> 00:20:59,000
Speaker 2: symbolizes her parents caring about her so much and doing

418
00:20:59,000 --> 00:21:01,240
Speaker 2: this thing for her, and one despories the.

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Speaker 4: Other, right, and the deodorant is like irresponsible spending habits.

420
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Speaker 4: Also like, oh, I'm a I'm an adult, fancy lady

421
00:21:08,880 --> 00:21:13,040
Speaker 4: in New York City. I can have a deodorant that's

422
00:21:13,080 --> 00:21:16,439
Speaker 4: just basically like a glass ball that's steeped in sage.

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00:21:16,680 --> 00:21:19,480
Speaker 4: And that's sort of the extent of how it operates, right,

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00:21:19,880 --> 00:21:22,719
Speaker 4: and uh, and oh yeah, I'm a comedian, so I

425
00:21:22,720 --> 00:21:24,600
Speaker 4: have to run around and I'm sweaty, so I'll throw

426
00:21:24,640 --> 00:21:27,760
Speaker 4: this in my toe bag and dart around and I

427
00:21:27,840 --> 00:21:29,879
Speaker 4: have it's okay that my computer is hanging out in

428
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Speaker 4: here because what's going to happen.

429
00:21:33,480 --> 00:21:36,119
Speaker 2: And even the you not putting your computer in the sleeve,

430
00:21:36,359 --> 00:21:39,920
Speaker 2: I feel like, yes, it's a little bit like messy writer, comedian,

431
00:21:39,960 --> 00:21:42,520
Speaker 2: but it's also glamorous woman on the go. Like you were,

432
00:21:42,760 --> 00:21:45,080
Speaker 2: you got too cocky. You were like, oh, I'm just

433
00:21:45,520 --> 00:21:48,239
Speaker 2: a you know, I'm Carrie Bradshaw on my computer is

434
00:21:48,280 --> 00:21:51,359
Speaker 2: like just peeking out of my of my Balenciaga bag.

435
00:21:51,400 --> 00:21:55,040
Speaker 1: When this conversation started, I was like, Okay, she's broad City.

436
00:21:55,480 --> 00:21:59,960
Speaker 1: I was like, oh, she's so so sex in the city.

437
00:22:00,080 --> 00:22:02,200
Speaker 2: It's so I mean, it's my mother board myself that

438
00:22:02,320 --> 00:22:05,560
Speaker 2: famous episode where Carried hasn't backed up her computer.

439
00:22:06,040 --> 00:22:10,879
Speaker 7: Oh ship exactly, and I I there, there's the cops

440
00:22:10,880 --> 00:22:16,120
Speaker 7: coming to a restreet, the ambulances hospital.

441
00:22:17,880 --> 00:22:21,000
Speaker 5: Not to my knowledge. I mean, that would help me

442
00:22:21,040 --> 00:22:21,360
Speaker 5: if I.

443
00:22:21,600 --> 00:22:26,320
Speaker 2: Was that's actually that's a computer. It's Apple Care. They're like,

444
00:22:26,359 --> 00:22:27,000
Speaker 2: I'm on my way.

445
00:22:27,040 --> 00:22:28,360
Speaker 1: They're gonna like bust the door down.

446
00:22:28,480 --> 00:22:29,840
Speaker 5: They like, come through my window.

447
00:22:29,960 --> 00:22:33,879
Speaker 4: Yeah, so okay, I think that I'm I am a

448
00:22:33,920 --> 00:22:35,680
Speaker 4: carry but for the worst reason.

449
00:22:35,840 --> 00:22:38,120
Speaker 1: Yeah, but also some reasons I like.

450
00:22:38,080 --> 00:22:40,320
Speaker 5: Which is like wearing miniskirts or something.

451
00:22:40,480 --> 00:22:42,840
Speaker 4: But then and like being but I think the reasons

452
00:22:42,840 --> 00:22:45,360
Speaker 4: that I'm a carrier, I'm like, uh, it's like flating

453
00:22:45,520 --> 00:22:50,320
Speaker 4: flightiness and like being like flighting about men who care

454
00:22:50,359 --> 00:22:53,919
Speaker 4: about me and like, oh you know. But but my

455
00:22:53,960 --> 00:22:55,679
Speaker 4: point is that I so I'll say, oh, yeah, I'm

456
00:22:55,720 --> 00:22:58,320
Speaker 4: a carry. You know, I'm definitely not a I think

457
00:22:58,320 --> 00:23:02,000
Speaker 4: I'm like a Miranda Rising, but like I'm a Carrie

458
00:23:02,160 --> 00:23:04,200
Speaker 4: right just because I'm like, I'm like pedandic.

459
00:23:04,280 --> 00:23:07,080
Speaker 5: So so my point is that I'm carrying.

460
00:23:07,160 --> 00:23:10,879
Speaker 4: Yesterday, there was a cliff circulating online that was of

461
00:23:10,920 --> 00:23:13,480
Speaker 4: the scene where Carrie like runs into big or something.

462
00:23:13,640 --> 00:23:15,960
Speaker 4: And what happens is that she's like wearing a little

463
00:23:16,440 --> 00:23:18,920
Speaker 4: black mini dress and kind of oh you know, she's

464
00:23:18,960 --> 00:23:21,680
Speaker 4: smiling and her curls are bouncing around and then somebody

465
00:23:21,720 --> 00:23:24,080
Speaker 4: knocks under her and the contents of her back spill

466
00:23:24,160 --> 00:23:28,199
Speaker 4: onto the into the pavement and it's like loose loose

467
00:23:29,160 --> 00:23:32,359
Speaker 4: makeup brushes, like a compact like a wallet and lots

468
00:23:32,359 --> 00:23:34,800
Speaker 4: of condoms, which is like the moment. And so I

469
00:23:34,880 --> 00:23:37,600
Speaker 4: watched this yesterday and I even had this thing. I'm like,

470
00:23:37,640 --> 00:23:40,480
Speaker 4: girl who's walking around like and I'm like, oh wait,

471
00:23:40,520 --> 00:23:45,119
Speaker 4: I am every day have three packages of loose concepts

472
00:23:45,480 --> 00:23:47,240
Speaker 4: and uh, you know, a loose laptop.

473
00:23:47,440 --> 00:23:50,000
Speaker 1: I think this is what's it sucks about the later

474
00:23:50,040 --> 00:23:51,879
Speaker 1: seasons of Sex and the City and even the films

475
00:23:51,880 --> 00:23:53,960
Speaker 1: and even and just like that is like Carrie was

476
00:23:53,960 --> 00:23:58,240
Speaker 1: like cool, Like she was like a cool girl, like yes, yeah,

477
00:23:58,760 --> 00:24:01,720
Speaker 1: she would walk around with condoms, purse. She wasn't like

478
00:24:02,600 --> 00:24:04,919
Speaker 1: just like having a checkbook all the time. Like it

479
00:24:04,960 --> 00:24:08,760
Speaker 1: was like the coolness has really dropped off, which you know,

480
00:24:08,800 --> 00:24:11,440
Speaker 1: maybe is true to life, but right, I do think

481
00:24:11,480 --> 00:24:11,880
Speaker 1: it's true.

482
00:24:12,040 --> 00:24:14,200
Speaker 2: I mean, I know that it's it's so easy on

483
00:24:14,240 --> 00:24:16,440
Speaker 2: such a cop out to be like, well, it's okay

484
00:24:16,480 --> 00:24:18,280
Speaker 2: that and just like that is bad because that's true

485
00:24:18,280 --> 00:24:22,480
Speaker 2: to life. But there is something deeply true about the

486
00:24:22,520 --> 00:24:26,639
Speaker 2: fact that a Carrie Bradshaw like character who was the

487
00:24:26,680 --> 00:24:30,480
Speaker 2: moment at her age now would be like trying to

488
00:24:30,520 --> 00:24:32,280
Speaker 2: figure out podcasting and saying the.

489
00:24:32,359 --> 00:24:36,880
Speaker 5: Right which is obviously the root of the show. That's yeah,

490
00:24:36,880 --> 00:24:37,240
Speaker 5: that's so.

491
00:24:37,280 --> 00:24:40,560
Speaker 2: True, because I guess the only other option would be

492
00:24:42,240 --> 00:24:44,520
Speaker 2: I don't know, I'm sort of like, I guess she

493
00:24:44,720 --> 00:24:48,280
Speaker 2: could just be vacationing all the time and not have

494
00:24:48,320 --> 00:24:50,600
Speaker 2: a job and just pop up to do like an

495
00:24:50,640 --> 00:24:54,000
Speaker 2: interview magazine feature every ten years.

496
00:24:54,359 --> 00:24:57,919
Speaker 5: Which is a possible trajectory for carry Bradshaw. Sure, but

497
00:24:58,000 --> 00:24:59,679
Speaker 5: she's a bit more scrappy. That's the thing about her.

498
00:24:59,680 --> 00:25:00,600
Speaker 5: She's scrappy.

499
00:25:00,920 --> 00:25:01,600
Speaker 1: Yeah, no, she is.

500
00:25:01,840 --> 00:25:04,880
Speaker 2: She's scrappy, and she also is a little like, Yeah,

501
00:25:04,880 --> 00:25:07,399
Speaker 2: she's a cool girl, but she also is a little embarrassing.

502
00:25:07,440 --> 00:25:12,440
Speaker 4: Which is why it's why she's not necessarily likable.

503
00:25:12,520 --> 00:25:16,440
Speaker 5: But I think for really she's still relatable. And yeah,

504
00:25:16,480 --> 00:25:17,199
Speaker 5: I understand that.

505
00:25:17,280 --> 00:25:19,160
Speaker 4: I think I understand what you mean to about someone's

506
00:25:19,160 --> 00:25:22,160
Speaker 4: being broad City like me being broad City. I understand

507
00:25:22,160 --> 00:25:23,680
Speaker 4: that on the surface, but I think it's actually a

508
00:25:23,680 --> 00:25:27,399
Speaker 4: bit more fraught. It's actually more fraud and less cute,

509
00:25:27,440 --> 00:25:28,840
Speaker 4: which I feel like broad City is.

510
00:25:28,840 --> 00:25:30,760
Speaker 2: Like, oh broad City is cute.

511
00:25:30,920 --> 00:25:35,200
Speaker 4: We're twenty four and cute. I'm I'm thirty six. I'm

512
00:25:35,240 --> 00:25:37,560
Speaker 4: approaching I'm approaching forty.

513
00:25:37,280 --> 00:25:39,680
Speaker 1: Five, aren't we all?

514
00:25:39,760 --> 00:25:42,000
Speaker 5: Which is why I got myself this deodering.

515
00:25:42,119 --> 00:25:45,439
Speaker 1: Yeah, no, totally, no, of course. Should we do our

516
00:25:45,440 --> 00:25:48,879
Speaker 1: first segment? Wait, also, Brittany, let's do it as we

517
00:25:48,960 --> 00:25:50,880
Speaker 1: have to say, Brittany has a you have a special out?

518
00:25:51,040 --> 00:25:53,080
Speaker 5: Oh yeah, I have a special Can people please.

519
00:25:52,920 --> 00:25:54,320
Speaker 1: Watch It's what Britney's special.

520
00:25:54,680 --> 00:25:56,080
Speaker 5: It's on YouTube, it's free.

521
00:25:56,200 --> 00:25:57,560
Speaker 1: We're so, what's it called.

522
00:25:57,760 --> 00:25:58,920
Speaker 5: It's called That Is My Horse?

523
00:25:59,160 --> 00:26:01,200
Speaker 1: Everyone go watch.

524
00:26:03,119 --> 00:26:06,399
Speaker 2: Britney Carney That is My Horse. Google it. Click the

525
00:26:06,400 --> 00:26:08,199
Speaker 2: first thing that comes up, unless it's an AD. Do

526
00:26:08,240 --> 00:26:10,920
Speaker 2: not click click the ad. No, no, no, don't click

527
00:26:10,960 --> 00:26:15,160
Speaker 2: that like non ad special video special that comes.

528
00:26:15,040 --> 00:26:18,240
Speaker 5: Up, and it's half an hour, which is not that

529
00:26:18,359 --> 00:26:19,160
Speaker 5: much of your time.

530
00:26:19,119 --> 00:26:21,480
Speaker 1: And oh my god, the perfect it's so tasteful. You

531
00:26:21,520 --> 00:26:22,360
Speaker 1: can watch it before better.

532
00:26:22,760 --> 00:26:25,119
Speaker 2: I recently, I recently did a comedy show that was

533
00:26:25,240 --> 00:26:27,600
Speaker 2: from beginning to end less than an hour, like a

534
00:26:27,720 --> 00:26:29,280
Speaker 2: full lineup and a host less than a hour, and

535
00:26:29,320 --> 00:26:30,400
Speaker 2: I was like, this is Heaven.

536
00:26:30,320 --> 00:26:32,000
Speaker 1: Heaven on Earth a live show.

537
00:26:32,200 --> 00:26:33,320
Speaker 2: Yeah, like a live show.

538
00:26:33,440 --> 00:26:37,560
Speaker 5: Yeah, it's hard to watch so much personality.

539
00:26:38,440 --> 00:26:43,400
Speaker 2: It is just crazy that. I guess part of any

540
00:26:44,640 --> 00:26:46,480
Speaker 2: watching a play or a comedy show or a movie,

541
00:26:46,880 --> 00:26:49,040
Speaker 2: part of it is that you get tired, and then

542
00:26:49,119 --> 00:26:51,000
Speaker 2: at the end they like the challenges for them to

543
00:26:51,000 --> 00:26:52,560
Speaker 2: win you back over again. But I'm like, what if

544
00:26:52,560 --> 00:26:54,200
Speaker 2: you just didn't have to get tired? What if you

545
00:26:54,320 --> 00:26:56,600
Speaker 2: really were left wanting more? Let's try that.

546
00:26:56,760 --> 00:26:57,320
Speaker 1: Let's try that.

547
00:26:57,560 --> 00:26:59,200
Speaker 5: Yeah, that's the goal. I think that.

548
00:26:59,520 --> 00:27:02,080
Speaker 4: I think that most that's said please watch my mind

549
00:27:02,119 --> 00:27:04,800
Speaker 4: it's thirty three minutes into Well, it is the yes,

550
00:27:04,880 --> 00:27:07,879
Speaker 4: thirty thank you. Maybe the correct of a special is

551
00:27:07,920 --> 00:27:10,240
Speaker 4: like twenty two minutes or like fifteen oh, twenty.

552
00:27:10,000 --> 00:27:13,680
Speaker 1: Two is pretty nice. It's really consumable. I do think

553
00:27:14,119 --> 00:27:16,959
Speaker 1: it is weird that as the comedy community is obsessed

554
00:27:17,000 --> 00:27:19,440
Speaker 1: with the idea of the hour because it's like, we

555
00:27:19,600 --> 00:27:21,480
Speaker 1: need a new hour. I need an hour. I'm doing

556
00:27:21,520 --> 00:27:25,119
Speaker 1: my hour because it's like, wait, an hour that's like long.

557
00:27:28,160 --> 00:27:30,080
Speaker 1: Of course, I want to say, I do I have

558
00:27:30,240 --> 00:27:33,359
Speaker 1: my hour? Comes to my hour, and I will and

559
00:27:33,480 --> 00:27:36,720
Speaker 1: I but I'm like, but as as a viewer, sometimes

560
00:27:36,800 --> 00:27:38,919
Speaker 1: I'm like, damn, how nice if it were twenty two minutes.

561
00:27:39,400 --> 00:27:41,960
Speaker 2: Yeah, twenty two minutes is a tough one because twenty

562
00:27:42,000 --> 00:27:44,520
Speaker 2: two minutes is almost like a long YouTube video, where

563
00:27:44,520 --> 00:27:48,320
Speaker 2: it's thirty three minutes is a short special. Yeah, I

564
00:27:48,480 --> 00:27:52,399
Speaker 2: understand that I sell it as a special. More like

565
00:27:52,600 --> 00:27:55,880
Speaker 2: the fifteen to twenty five minute range is tough because

566
00:27:55,880 --> 00:27:57,600
Speaker 2: people don't know what to do with it because it's

567
00:27:57,720 --> 00:28:00,280
Speaker 2: not a YouTube video. It's not like a do you

568
00:28:00,359 --> 00:28:02,200
Speaker 2: watch on the subway, But it's also not something you

569
00:28:02,320 --> 00:28:04,960
Speaker 2: sit in your screening room and eat popcorn and watch.

570
00:28:05,080 --> 00:28:07,119
Speaker 5: Or if you're making dinner. It's like too shorter, but

571
00:28:07,359 --> 00:28:08,800
Speaker 5: a bit too yeah, yeah.

572
00:28:09,160 --> 00:28:12,560
Speaker 4: Brevity brevity right, Like brevity is a soul of wit

573
00:28:12,680 --> 00:28:16,520
Speaker 4: or whatever. Like I feel like it's key to be Yeah,

574
00:28:16,600 --> 00:28:20,000
Speaker 4: you want always to be wanting more. It's better maybe

575
00:28:20,080 --> 00:28:22,600
Speaker 4: for the intention span to something to be shorter.

576
00:28:23,320 --> 00:28:26,080
Speaker 2: How do you feel about this trend of movies being

577
00:28:26,720 --> 00:28:27,200
Speaker 2: too long?

578
00:28:28,080 --> 00:28:33,680
Speaker 5: I feel like I genuinely don't have the attention span

579
00:28:33,800 --> 00:28:35,080
Speaker 5: for that. But is that a problem?

580
00:28:35,400 --> 00:28:38,880
Speaker 4: And it makes me feel like because it feels like, oh,

581
00:28:38,960 --> 00:28:40,520
Speaker 4: I have another thought about it, which is I feel

582
00:28:40,520 --> 00:28:41,920
Speaker 4: like it's pushing back against something.

583
00:28:42,160 --> 00:28:44,840
Speaker 5: All the major oscar.

584
00:28:46,080 --> 00:28:48,680
Speaker 4: Bait or whatever over the past few years are these

585
00:28:48,760 --> 00:28:51,640
Speaker 4: really long epics, right, And it's kind of like like,

586
00:28:51,920 --> 00:28:55,360
Speaker 4: you know, like Bollywood. Bollywood's are famously really long. But

587
00:28:55,520 --> 00:28:56,920
Speaker 4: the point is that I guess you don't watch it

588
00:28:56,960 --> 00:28:57,480
Speaker 4: a one sitting.

589
00:28:58,640 --> 00:28:59,360
Speaker 2: I see, I don't know.

590
00:28:59,560 --> 00:28:59,880
Speaker 1: I didn't know.

591
00:29:00,120 --> 00:29:03,080
Speaker 2: So why I do think they should bring back This

592
00:29:03,240 --> 00:29:05,640
Speaker 2: is not some like silly joke. I'm being dead serious.

593
00:29:05,680 --> 00:29:07,480
Speaker 2: I do think they should bring back intermission at the

594
00:29:07,560 --> 00:29:10,760
Speaker 2: movies that actually is. They do that in many other countries.

595
00:29:10,760 --> 00:29:12,920
Speaker 2: They do that at the open air movie theaters in Greece,

596
00:29:13,400 --> 00:29:16,840
Speaker 2: like just have an intermission. Everyone can go pee, everyone

597
00:29:16,880 --> 00:29:18,960
Speaker 2: can get another drink, and then do the second half

598
00:29:19,000 --> 00:29:20,760
Speaker 2: of the movie. The movie theater would make more money.

599
00:29:20,960 --> 00:29:23,160
Speaker 2: People would like it. You would make a you know,

600
00:29:23,480 --> 00:29:26,560
Speaker 2: be more of an event, especially at those you know,

601
00:29:26,720 --> 00:29:29,120
Speaker 2: all those theaters where you can get like twenty five

602
00:29:29,200 --> 00:29:32,080
Speaker 2: dollars buffalo cauliflower, you know.

603
00:29:32,960 --> 00:29:36,400
Speaker 5: Yeah, the fancy right. And I think that I it's

604
00:29:36,480 --> 00:29:39,280
Speaker 5: like I have to pee. I always have to pee

605
00:29:39,320 --> 00:29:41,360
Speaker 5: more when I'm in a situation like on a flight

606
00:29:41,480 --> 00:29:43,400
Speaker 5: or like something like that. It's like my Boddy is

607
00:29:43,480 --> 00:29:46,120
Speaker 5: like we got to go on hyper mode.

608
00:29:46,480 --> 00:29:48,320
Speaker 4: So I think that an intermission would be ideal and

609
00:29:48,400 --> 00:29:49,840
Speaker 4: make me feel less stressed about.

610
00:29:49,600 --> 00:29:51,520
Speaker 8: Peeing and therefore you have to pee less at the

611
00:29:51,520 --> 00:29:54,719
Speaker 8: moment case closes, Well, let's do our first segment.

612
00:29:54,880 --> 00:30:07,720
Speaker 2: Yes, okay, so, Brittany, Our first segment, as you know,

613
00:30:07,920 --> 00:30:11,000
Speaker 2: returning guest, is called straight Shooters, which is the segment

614
00:30:11,040 --> 00:30:13,360
Speaker 2: where we give you a series of rapid fire questions

615
00:30:13,440 --> 00:30:15,959
Speaker 2: to gauge your familiarity with and complicity and straight culture.

616
00:30:15,960 --> 00:30:17,520
Speaker 2: And the one real is you can't ask any follow

617
00:30:17,560 --> 00:30:19,600
Speaker 2: up questions about how the game works, and if you do,

618
00:30:20,240 --> 00:30:26,200
Speaker 2: we will. We will actually mark your special on YouTube

619
00:30:26,320 --> 00:30:29,280
Speaker 2: as abusive content and then no one will be able

620
00:30:29,320 --> 00:30:29,640
Speaker 2: to see it.

621
00:30:31,120 --> 00:30:32,000
Speaker 5: Okay, that sounds fair.

622
00:30:32,080 --> 00:30:33,600
Speaker 2: Okay, Sam, take it away?

623
00:30:33,920 --> 00:30:40,040
Speaker 1: Okay. Brittany attending Catholic mass or see me after class.

624
00:30:41,040 --> 00:30:44,400
Speaker 5: Hmmm, see me after class?

625
00:30:45,440 --> 00:30:49,400
Speaker 2: Okay, Brittany medium rare or tedium despair.

626
00:30:51,600 --> 00:30:57,440
Speaker 1: Oh man, medium rare okay, Brittany, straight shooters or gay losers.

627
00:31:02,320 --> 00:31:03,960
Speaker 5: Gay losers, we don't see enough.

628
00:31:05,480 --> 00:31:08,800
Speaker 2: Butch fem or George Bush condemned.

629
00:31:15,360 --> 00:31:17,680
Speaker 5: Uh but fan I condone George Bush?

630
00:31:17,840 --> 00:31:21,240
Speaker 1: Yes, of course, being a rebellious teen, or being heard

631
00:31:21,440 --> 00:31:22,440
Speaker 1: and also seen.

632
00:31:26,400 --> 00:31:29,360
Speaker 5: Being heard and also seen on riverside.

633
00:31:29,560 --> 00:31:32,640
Speaker 2: Yes, getting the ick or shitting a brick.

634
00:31:33,360 --> 00:31:36,640
Speaker 5: Oh god, I guess shitting a brick.

635
00:31:37,880 --> 00:31:41,479
Speaker 1: Okay, we are the ladies of the Canyon. Or remember

636
00:31:41,520 --> 00:31:49,280
Speaker 1: that guy Steve Bannon, remember that.

637
00:31:49,280 --> 00:31:52,480
Speaker 5: Guy Steve Benyon Banyon?

638
00:31:56,400 --> 00:32:03,320
Speaker 2: Okay, Brotany all right? Lamenting the rise of woke or

639
00:32:03,520 --> 00:32:05,080
Speaker 2: fermenting an arted choke.

640
00:32:05,160 --> 00:32:08,560
Speaker 5: Oh my god, fermenting an art choke?

641
00:32:09,000 --> 00:32:14,040
Speaker 1: I love? Okay, So as you know, we rate our

642
00:32:14,040 --> 00:32:15,720
Speaker 1: guests on a scale of zero to one thousand doves

643
00:32:15,880 --> 00:32:19,120
Speaker 1: and George, where do you think we're at with this one?

644
00:32:19,760 --> 00:32:25,960
Speaker 2: Here's what I'll say. I personally needed laughing, really added

645
00:32:26,000 --> 00:32:27,680
Speaker 2: something to it for me. I've been in a little

646
00:32:27,680 --> 00:32:30,440
Speaker 2: bit of a funk today. I needed someone to tell

647
00:32:30,480 --> 00:32:34,480
Speaker 2: me you're funny, You're going to and so I appreciated

648
00:32:34,520 --> 00:32:39,840
Speaker 2: the laughter. I actually appreciated being the one performing and

649
00:32:39,960 --> 00:32:41,600
Speaker 2: having Brittany be the one reacting.

650
00:32:41,960 --> 00:32:45,040
Speaker 1: Yeah, people don't talk about how hard it is to

651
00:32:45,160 --> 00:32:47,600
Speaker 1: host a podcast. It's one of the hardest things you

652
00:32:47,680 --> 00:32:50,600
Speaker 1: can ever do. And no one says thank you and

653
00:32:50,840 --> 00:32:53,400
Speaker 1: you laughing right there. You said thank you. You said

654
00:32:53,640 --> 00:32:55,480
Speaker 1: I see what you do and I think it's funny.

655
00:32:56,600 --> 00:33:00,360
Speaker 2: And I said, I almost think you were too uh.

656
00:33:00,520 --> 00:33:02,200
Speaker 1: Well, you were pandering supportive.

657
00:33:02,400 --> 00:33:04,040
Speaker 2: I think you were too supportive and you were pandering.

658
00:33:04,080 --> 00:33:08,040
Speaker 2: And I am sort of like to us, to us, like,

659
00:33:08,120 --> 00:33:10,120
Speaker 2: I'm like, if I had just said something stupid, would

660
00:33:10,120 --> 00:33:10,560
Speaker 2: you have laughed?

661
00:33:10,640 --> 00:33:13,360
Speaker 1: Just are you are you really listening with with critical

662
00:33:13,440 --> 00:33:15,880
Speaker 1: ears or are you just sort of accepting whatever slop

663
00:33:17,120 --> 00:33:18,040
Speaker 1: You're being a little.

664
00:33:17,880 --> 00:33:21,239
Speaker 2: Bit calaptering your you're claptering or being a little let

665
00:33:21,320 --> 00:33:28,560
Speaker 2: people enjoy things. You uncritical Marvel, We are your captain, Yeah,

666
00:33:28,560 --> 00:33:29,120
Speaker 2: your vote blue.

667
00:33:29,120 --> 00:33:32,800
Speaker 5: No matter who you're Beyonce, you're Biden, you're.

668
00:33:32,640 --> 00:33:35,600
Speaker 2: Taylor Swift basically putting out a ship album. And then

669
00:33:35,640 --> 00:33:37,880
Speaker 2: you're suddenly like in your review, you're like, she's the

670
00:33:37,960 --> 00:33:38,680
Speaker 2: voice of a generation.

671
00:33:39,440 --> 00:33:41,280
Speaker 4: Well, I have two things to say right now, which

672
00:33:41,360 --> 00:33:45,800
Speaker 4: is one. I also felt I've been feeling like like

673
00:33:45,920 --> 00:33:48,200
Speaker 4: I'm in trouble this entire time, right, and so I

674
00:33:48,360 --> 00:33:53,360
Speaker 4: felt like maybe for the first time release because I like.

675
00:33:53,800 --> 00:33:55,640
Speaker 2: I was like, we're doing we were just doing a

676
00:33:55,680 --> 00:33:58,240
Speaker 2: normal segment, and you were like, Okay, they're not mad

677
00:33:58,280 --> 00:34:01,320
Speaker 2: at me because my laptop the odoring on it. We

678
00:34:01,440 --> 00:34:04,640
Speaker 2: are finally just three equals recording a podcast.

679
00:34:05,320 --> 00:34:05,960
Speaker 5: Yeah, And.

680
00:34:07,880 --> 00:34:10,760
Speaker 4: I really was like, wow, remember that guy, Steve Bannon.

681
00:34:11,120 --> 00:34:13,719
Speaker 4: In fact, that was almost like a simpler time. Yeah.

682
00:34:14,800 --> 00:34:18,440
Speaker 2: Yes, in many ways unfortunately, and simple doesn't necessarily mean better,

683
00:34:18,520 --> 00:34:22,040
Speaker 2: but it was, in fact, weirdly a simpler.

684
00:34:21,760 --> 00:34:23,719
Speaker 1: Well it was good versus evil. It was like a

685
00:34:23,840 --> 00:34:27,960
Speaker 1: clear like yes, this is it was Marvel time. It

686
00:34:28,000 --> 00:34:28,880
Speaker 1: was Marvel.

687
00:34:28,920 --> 00:34:32,200
Speaker 2: It was Marvel. It was Marvel. And it was also

688
00:34:32,280 --> 00:34:35,120
Speaker 2: the first time I don't know there was something there's

689
00:34:35,160 --> 00:34:39,360
Speaker 2: something so obvious about the evil of the Trump world

690
00:34:40,200 --> 00:34:43,920
Speaker 2: that did make you think like, okay, like finally, finally

691
00:34:43,960 --> 00:34:44,560
Speaker 2: we're in a movie.

692
00:34:44,680 --> 00:34:47,040
Speaker 1: Well also like in there was light, like it was

693
00:34:47,080 --> 00:34:49,000
Speaker 1: sort of like we're all banning together and we're going

694
00:34:49,080 --> 00:34:51,480
Speaker 1: to change the world after this, like we are never

695
00:34:51,560 --> 00:34:53,960
Speaker 1: letting this happen again. And then it was like, uh

696
00:34:54,080 --> 00:34:54,720
Speaker 1: and we didn't.

697
00:34:55,440 --> 00:34:59,279
Speaker 2: Yeah, yeah, I would say that was apocalyptic and now

698
00:34:59,320 --> 00:34:59,880
Speaker 2: we are posted.

699
00:35:00,640 --> 00:35:00,839
Speaker 1: Yeah.

700
00:35:01,600 --> 00:35:05,400
Speaker 4: Yeah. My second thought is that you mentioned Taylor Swift

701
00:35:05,400 --> 00:35:07,120
Speaker 4: for a moment, So I understand your guys, is.

702
00:35:07,680 --> 00:35:10,920
Speaker 2: Your guy you have like are like neutral?

703
00:35:11,200 --> 00:35:13,399
Speaker 5: Historically you were neutral and then but on a recent

704
00:35:13,520 --> 00:35:14,439
Speaker 5: podcast you kind.

705
00:35:14,360 --> 00:35:16,440
Speaker 2: Of we went off a little bit in a way

706
00:35:16,480 --> 00:35:17,719
Speaker 2: that I think was unbecoming.

707
00:35:17,800 --> 00:35:20,000
Speaker 1: To be honest, it was not it was not neutrality.

708
00:35:20,280 --> 00:35:21,160
Speaker 1: It was not know.

709
00:35:21,320 --> 00:35:24,440
Speaker 4: I think for me, I appreciated that because I felt

710
00:35:24,520 --> 00:35:27,279
Speaker 4: when okay, because basically I want to say that I'm

711
00:35:27,360 --> 00:35:33,200
Speaker 4: in the camp of neutral to condemn, but I don't

712
00:35:33,200 --> 00:35:35,960
Speaker 4: feel that comfortable sharing that. Usually when I hear you

713
00:35:36,080 --> 00:35:38,640
Speaker 4: guys talk about we're neutral about Taylor Swift, I thought,

714
00:35:39,080 --> 00:35:42,640
Speaker 4: maybe that's what I Maybe that's a guiding light, like

715
00:35:42,760 --> 00:35:44,400
Speaker 4: that's what I have to remind.

716
00:35:44,120 --> 00:35:47,440
Speaker 5: Myself to be. Yeah, it's that compersion, you know, and

717
00:35:47,560 --> 00:35:48,560
Speaker 5: like an open thing, like.

718
00:35:49,080 --> 00:35:51,600
Speaker 2: Well, I think that I really think actually that we

719
00:35:51,640 --> 00:35:55,759
Speaker 2: should advocate for neutrality in more situations so that when

720
00:35:55,800 --> 00:35:57,520
Speaker 2: you do express an opinion, it matters more.

721
00:35:57,760 --> 00:36:01,120
Speaker 4: Yeah, which is why I value whatever you guys were

722
00:36:01,160 --> 00:36:04,160
Speaker 4: saying on that one thing. I was like, oh, actually,

723
00:36:04,160 --> 00:36:05,640
Speaker 4: I appreciate this. They're going a little bit.

724
00:36:05,719 --> 00:36:08,040
Speaker 5: They're like moving away from the grain year, and I

725
00:36:08,200 --> 00:36:09,280
Speaker 5: think it means something.

726
00:36:09,480 --> 00:36:12,560
Speaker 2: And I yes, I mean I do think us. Sorry

727
00:36:12,600 --> 00:36:15,600
Speaker 2: to cut you off being like suddenly going, you know,

728
00:36:15,880 --> 00:36:19,640
Speaker 2: being mad about the latest album. I was like, oh,

729
00:36:19,719 --> 00:36:21,600
Speaker 2: I'm glad we were neutral about the previous ones.

730
00:36:22,440 --> 00:36:27,160
Speaker 4: Yeah, right, right, right, And so I think I'm still

731
00:36:27,160 --> 00:36:31,040
Speaker 4: in the same place. But I really appreciated you guys

732
00:36:31,640 --> 00:36:33,120
Speaker 4: leaning into that in a way.

733
00:36:33,400 --> 00:36:36,919
Speaker 5: It felt it felt hard. Yeah, yeah, I felt powered,

734
00:36:36,960 --> 00:36:37,680
Speaker 5: I felt heard and seen.

735
00:36:37,840 --> 00:36:40,919
Speaker 1: That's amazing to reference your question. No, please, it's better

736
00:36:40,960 --> 00:36:44,200
Speaker 1: than being a rebellious teen with me. Do you want

737
00:36:44,239 --> 00:36:46,960
Speaker 1: to tell us what? Wait, we didn't. I think eight

738
00:36:47,360 --> 00:36:48,080
Speaker 1: and ninety two doves.

739
00:36:50,120 --> 00:36:51,120
Speaker 5: That's generous, Thank you.

740
00:36:51,360 --> 00:36:53,719
Speaker 2: What would you say your topic? Your straight topic is

741
00:36:53,840 --> 00:36:55,320
Speaker 2: and what do you think is straight about it?

742
00:36:55,680 --> 00:37:00,320
Speaker 5: So okay, it's going to maybe be in world and controversy. Wow, straight,

743
00:37:00,640 --> 00:37:02,440
Speaker 5: I don't know, Maybe that's too much.

744
00:37:02,960 --> 00:37:04,919
Speaker 2: Well, there's a lot of pressure, I will say, because

745
00:37:05,000 --> 00:37:08,239
Speaker 2: you're you're one of the few people whose topic. I

746
00:37:08,480 --> 00:37:10,600
Speaker 2: really remember your topic. The first time you did it

747
00:37:10,719 --> 00:37:12,960
Speaker 2: was app you did the podcast was apples, and I

748
00:37:13,120 --> 00:37:16,759
Speaker 2: just remember how insanely fruitful that no pun intended, How

749
00:37:16,800 --> 00:37:19,799
Speaker 2: insanely fruitful that was because it was it opened up

750
00:37:19,960 --> 00:37:23,120
Speaker 2: so many again no pun intended, cans of worms because

751
00:37:23,440 --> 00:37:26,000
Speaker 2: apple was teacher, Apple was Adam and Eve, Apple was

752
00:37:26,000 --> 00:37:28,839
Speaker 2: an apple the doctor. Like, it was just this incredible

753
00:37:28,920 --> 00:37:31,200
Speaker 2: idea for a straight topic and so out out of

754
00:37:31,239 --> 00:37:33,200
Speaker 2: the box. Yeah, so I want to you know, I

755
00:37:33,239 --> 00:37:34,920
Speaker 2: want to know what you brought this time, and.

756
00:37:35,000 --> 00:37:37,200
Speaker 1: You haven't told us what yours is. So this is

757
00:37:37,239 --> 00:37:37,840
Speaker 1: a surprise you.

758
00:37:38,040 --> 00:37:39,960
Speaker 2: And yeah, we are about to be surprised. Usually we

759
00:37:40,000 --> 00:37:42,120
Speaker 2: actually asked the guests before recording, but we trust you

760
00:37:42,200 --> 00:37:43,920
Speaker 2: so much that we knew you could surprise us.

761
00:37:44,280 --> 00:37:46,759
Speaker 4: And so given that, originally I was thinking about something

762
00:37:46,800 --> 00:37:48,960
Speaker 4: that is not my topic, but it's I was thinking

763
00:37:48,960 --> 00:37:49,520
Speaker 4: about Cheddar.

764
00:37:49,600 --> 00:37:51,279
Speaker 5: But I was like, well, I did a food last time.

765
00:37:52,080 --> 00:37:54,239
Speaker 2: That is a really good topic. That's a really good topic.

766
00:37:54,560 --> 00:37:55,399
Speaker 5: But that's not my topic.

767
00:37:55,480 --> 00:37:57,400
Speaker 1: My topic is butts, butts.

768
00:37:57,520 --> 00:38:02,920
Speaker 2: But but but Okay, yeah, you're almost being so intentionally

769
00:38:03,000 --> 00:38:06,799
Speaker 2: provocative because that is clearly such a gay thing, right,

770
00:38:06,920 --> 00:38:10,160
Speaker 2: but that's also so obvious. Yes, okay, so tell me so,

771
00:38:10,440 --> 00:38:13,680
Speaker 2: So tell us what what makes it? What makes butts straight?

772
00:38:14,360 --> 00:38:18,399
Speaker 5: I guess my thinking is along several lines. The first

773
00:38:18,480 --> 00:38:20,240
Speaker 5: major one. My cat is swiping at my head.

774
00:38:20,160 --> 00:38:25,160
Speaker 4: So my first uh, she's like chilled the sou She's

775
00:38:25,200 --> 00:38:26,080
Speaker 4: like stopping an edge.

776
00:38:26,560 --> 00:38:28,759
Speaker 5: She stopping a performative edge. Lord as much as like so,

777
00:38:29,160 --> 00:38:30,719
Speaker 5: I uh, okay, okay, here's my thing.

778
00:38:31,000 --> 00:38:35,640
Speaker 4: Butts are like butts occupy, I would say, a pretty

779
00:38:35,680 --> 00:38:38,680
Speaker 4: good and solid space and like gay zone, right if

780
00:38:38,719 --> 00:38:42,320
Speaker 4: I may say so. But the way that it is

781
00:38:42,400 --> 00:38:46,760
Speaker 4: straight butts is like there's something, for example, really nineties

782
00:38:46,880 --> 00:38:51,319
Speaker 4: and childlike and really heteronormative about or you can see

783
00:38:51,360 --> 00:38:54,600
Speaker 4: your butt, or like red and stimpy or cartoons like

784
00:38:55,160 --> 00:38:57,560
Speaker 4: Bavis and butthead, or like the way that a butt

785
00:38:57,680 --> 00:38:59,879
Speaker 4: is silly is really straight as opposed to as part

786
00:38:59,880 --> 00:39:02,160
Speaker 4: of something to like enjoy, and it is like a

787
00:39:02,320 --> 00:39:03,120
Speaker 4: given or something.

788
00:39:03,560 --> 00:39:09,240
Speaker 5: It's also like the way so like a butt for straights.

789
00:39:08,840 --> 00:39:13,160
Speaker 4: Butts are like j Lo or or somebody more recent

790
00:39:13,200 --> 00:39:17,719
Speaker 4: who who's a good buttsian like the when kind of

791
00:39:17,960 --> 00:39:21,080
Speaker 4: when she broke the Internet without like Champagne with her butt.

792
00:39:21,360 --> 00:39:26,560
Speaker 4: And I really remember a specific episode of Home Improvement

793
00:39:26,960 --> 00:39:29,759
Speaker 4: with Tim Allan Tim Alan right where the whole plot

794
00:39:29,960 --> 00:39:32,440
Speaker 4: was he has a cute butt, and it's like, that's

795
00:39:32,560 --> 00:39:36,600
Speaker 4: so straight because it's something to note. But also there's

796
00:39:36,680 --> 00:39:38,680
Speaker 4: like a paradox here, I guess, because on one hand,

797
00:39:38,719 --> 00:39:41,160
Speaker 4: the butt is straight because it's like really ubiquitous, like yeah,

798
00:39:41,200 --> 00:39:44,239
Speaker 4: everybody's got one. But at the same time, the reason

799
00:39:44,320 --> 00:39:46,600
Speaker 4: that straight people get really silly or about butts or

800
00:39:46,719 --> 00:39:49,560
Speaker 4: fascinated or like in Greece in the movie Grease, when

801
00:39:49,600 --> 00:39:52,320
Speaker 4: they sing Blue Moon and then they moon whomever like

802
00:39:52,440 --> 00:39:56,960
Speaker 4: the guys, that feels they're both exodifying it, and but

803
00:39:57,080 --> 00:39:58,640
Speaker 4: it's at the same time as the center and it

804
00:39:58,800 --> 00:39:59,920
Speaker 4: just feels like not gay to me.

805
00:40:00,400 --> 00:40:02,520
Speaker 1: Yeah, no, that actually makes it. That makes sense ton

806
00:40:02,560 --> 00:40:05,600
Speaker 1: of sense. Well, I think with gay it's sort of

807
00:40:05,719 --> 00:40:10,279
Speaker 1: like there's a respect for a butt, and I think

808
00:40:10,400 --> 00:40:13,480
Speaker 1: in straight it's more like, yeah, it is sort of

809
00:40:13,520 --> 00:40:17,120
Speaker 1: a punchline, and it's sort of I think that thing

810
00:40:17,200 --> 00:40:19,960
Speaker 1: you talked well one, okay, a few things. I think

811
00:40:20,040 --> 00:40:24,480
Speaker 1: mooning specifically is something that I actually wish we could

812
00:40:24,640 --> 00:40:29,040
Speaker 1: like harness that playfulness again. Like I'm like that the

813
00:40:29,120 --> 00:40:32,000
Speaker 1: way that, like in the nineties or whatever, people thought

814
00:40:32,080 --> 00:40:35,080
Speaker 1: mooning was like shocking and funny at the same time,

815
00:40:35,640 --> 00:40:38,319
Speaker 1: I was like, now that is fun. We didn't really

816
00:40:38,320 --> 00:40:41,120
Speaker 1: find a replacement for that, And I don't know what

817
00:40:41,200 --> 00:40:44,840
Speaker 1: it will be right now. If someone moons you, you're like, okay,

818
00:40:45,200 --> 00:40:49,840
Speaker 1: like it doesn't mean anything, and we need to find meaning.

819
00:40:52,040 --> 00:40:54,320
Speaker 1: We're searching for the new mooning. What is new mooning?

820
00:40:54,480 --> 00:40:54,920
Speaker 1: I don't know.

821
00:40:56,320 --> 00:40:57,880
Speaker 4: Something is so funny to me about the way you

822
00:40:57,960 --> 00:41:01,360
Speaker 4: said okay, just like somebody with like like a lipsy

823
00:41:01,480 --> 00:41:01,839
Speaker 4: is kind.

824
00:41:01,760 --> 00:41:04,759
Speaker 2: Of going, yeah, it would be completely out of come.

825
00:41:04,840 --> 00:41:08,080
Speaker 1: Imagine George, if if I if we were at like

826
00:41:08,239 --> 00:41:10,400
Speaker 1: a party and there was let's say it was a

827
00:41:10,440 --> 00:41:13,000
Speaker 1: house party, there were twenty five people there, I go

828
00:41:13,120 --> 00:41:16,640
Speaker 1: to the couch and moon everyone. Yeah, what would happen?

829
00:41:19,000 --> 00:41:21,879
Speaker 1: I mean, I do think everyone would just be like huh.

830
00:41:23,719 --> 00:41:26,160
Speaker 2: I yes, I agree that everyone would be like huh.

831
00:41:26,239 --> 00:41:29,239
Speaker 2: I think if it was gay. I'm trying to think

832
00:41:29,280 --> 00:41:32,480
Speaker 2: if it was gay guys, if it would be so

833
00:41:34,040 --> 00:41:36,320
Speaker 2: silly that actually everyone would just go with it and

834
00:41:36,400 --> 00:41:38,200
Speaker 2: someone would just like slap you, and then people would

835
00:41:38,200 --> 00:41:40,800
Speaker 2: be like, ah, Sam's crazy. Versus if we were in

836
00:41:40,920 --> 00:41:43,879
Speaker 2: mixed company, what would happen?

837
00:41:45,880 --> 00:41:46,040
Speaker 5: Right?

838
00:41:46,200 --> 00:41:49,880
Speaker 2: And here's another question, what would happen if I pants

839
00:41:49,960 --> 00:41:52,200
Speaker 2: to you WHOA at a party?

840
00:41:52,360 --> 00:41:55,879
Speaker 4: I mean, and it makes a difference whether your back

841
00:41:56,000 --> 00:41:59,279
Speaker 4: is facing or your front is facing the collective people

842
00:41:59,280 --> 00:41:59,719
Speaker 4: at the party.

843
00:41:59,800 --> 00:41:59,880
Speaker 5: Right.

844
00:42:00,760 --> 00:42:02,760
Speaker 1: I think if you pants to me at a party,

845
00:42:03,560 --> 00:42:05,560
Speaker 1: that would be funnier than mooning me. But I think

846
00:42:05,600 --> 00:42:07,760
Speaker 1: that would be so interesting because it would be genuinely

847
00:42:07,880 --> 00:42:11,480
Speaker 1: humiliating in a way that is like not true. Like

848
00:42:11,560 --> 00:42:13,319
Speaker 1: if I if you were just like, take your pants off,

849
00:42:13,360 --> 00:42:15,400
Speaker 1: I'd be like, okay and not worry about it. But

850
00:42:15,719 --> 00:42:19,120
Speaker 1: to be pants, is there anything worse?

851
00:42:19,400 --> 00:42:19,440
Speaker 5: Like?

852
00:42:19,560 --> 00:42:21,200
Speaker 1: I actually don't know if there would.

853
00:42:21,040 --> 00:42:25,799
Speaker 4: Be, especially if it's a surprise, yeah, which I guess

854
00:42:25,800 --> 00:42:27,560
Speaker 4: is usually I guess by nature of pantsing it is

855
00:42:27,600 --> 00:42:28,560
Speaker 4: a surprise.

856
00:42:28,239 --> 00:42:31,600
Speaker 2: Yes, yes, yeah, okay, So but being straight, I mean, okay,

857
00:42:32,600 --> 00:42:32,799
Speaker 2: I have.

858
00:42:32,840 --> 00:42:36,160
Speaker 5: Another thought, Oh please, that kind of complicates it.

859
00:42:36,200 --> 00:42:37,799
Speaker 4: So I'm sorry to speak over what you're about to say,

860
00:42:37,840 --> 00:42:39,120
Speaker 4: but I guess I want to say, hold on to that.

861
00:42:39,280 --> 00:42:43,279
Speaker 4: So I don't know specifically, I don't know whether the.

862
00:42:44,080 --> 00:42:46,880
Speaker 5: Ways in which spots are straight. I don't it's not

863
00:42:47,000 --> 00:42:49,440
Speaker 5: about the whole. I think it's about the cheeks, but

864
00:42:49,520 --> 00:42:51,320
Speaker 5: it could be about that.

865
00:42:51,560 --> 00:42:56,600
Speaker 1: It's all and that's the valley. The valley, but not

866
00:42:56,719 --> 00:42:59,480
Speaker 1: the whole element is the whole erasure. The hole does

867
00:42:59,520 --> 00:43:01,440
Speaker 1: not exist in straight.

868
00:43:01,320 --> 00:43:04,480
Speaker 2: That's exactly it. That's exactly it. That is exactly it.

869
00:43:05,000 --> 00:43:08,720
Speaker 5: Right, it's on the surface. It's so there's that cartoon,

870
00:43:09,000 --> 00:43:10,719
Speaker 5: that denial of the whole.

871
00:43:10,920 --> 00:43:14,280
Speaker 2: Yeah, that's why you know, what's very straight the term crack,

872
00:43:14,800 --> 00:43:15,640
Speaker 2: but like it is.

873
00:43:15,840 --> 00:43:18,720
Speaker 5: It is just bud crack is so straight.

874
00:43:19,000 --> 00:43:21,600
Speaker 4: Like no one who no one who's like, I mean

875
00:43:22,080 --> 00:43:24,800
Speaker 4: obviously blanket statesmans. I'm saying, like people who are like

876
00:43:25,000 --> 00:43:27,520
Speaker 4: enjoying the beyond the crack are not calling it the

877
00:43:27,560 --> 00:43:28,000
Speaker 4: butt crack.

878
00:43:28,080 --> 00:43:31,520
Speaker 5: That's so like. It's so it's so sophomoric and vile

879
00:43:31,680 --> 00:43:33,400
Speaker 5: and like and like childlike.

880
00:43:33,040 --> 00:43:36,960
Speaker 2: You know, and uh, it's trying to be it's trying

881
00:43:37,040 --> 00:43:39,799
Speaker 2: to be vulgar but doesn't have the courage to see

882
00:43:39,880 --> 00:43:43,120
Speaker 2: what is in the crack, like, yeah, it is. It's

883
00:43:43,200 --> 00:43:47,040
Speaker 2: like it's like saying, I don't know that. I mean,

884
00:43:47,480 --> 00:43:49,759
Speaker 2: it's not really like cleavage, because I think cleavage has

885
00:43:49,800 --> 00:43:52,760
Speaker 2: neuroticism to it. But even with cleavage, it's like, okay,

886
00:43:52,880 --> 00:43:55,960
Speaker 2: well let's just go all the way what is in there?

887
00:43:57,200 --> 00:43:59,960
Speaker 4: And there's nothing in the Yeah, the cleavage is like

888
00:44:01,440 --> 00:44:03,640
Speaker 4: or like you know, everybody can then picture what's kind

889
00:44:03,680 --> 00:44:08,920
Speaker 4: of cutting, Like if you're talking about cleavage, there's usually

890
00:44:09,040 --> 00:44:11,440
Speaker 4: like a neckline, right, yes, yes, yes, yes, so everybody

891
00:44:11,480 --> 00:44:14,360
Speaker 4: could kind of picture what's below the below the neckline,

892
00:44:14,680 --> 00:44:15,719
Speaker 4: but there's nothing like.

893
00:44:17,200 --> 00:44:18,360
Speaker 5: There's nothing on your storm.

894
00:44:18,920 --> 00:44:21,160
Speaker 2: No, you're right, cleavage is not that you're You're absolutely right.

895
00:44:21,160 --> 00:44:24,319
Speaker 2: Cleavage is not really the right comparison.

896
00:44:25,800 --> 00:44:29,879
Speaker 4: So there's like a cartoon that was popular, I think

897
00:44:29,920 --> 00:44:31,960
Speaker 4: when around the time we were in college, asking McGee.

898
00:44:31,960 --> 00:44:35,160
Speaker 5: It was an adult yes. So it was like a cop, yeah,

899
00:44:35,360 --> 00:44:36,719
Speaker 5: like a cop and it was such a.

900
00:44:36,719 --> 00:44:40,640
Speaker 4: Straight like it was like before Obama era or maybe

901
00:44:40,680 --> 00:44:42,399
Speaker 4: it was Obambare or whatever. It was like that era

902
00:44:42,560 --> 00:44:48,200
Speaker 4: of guy like maybe PBR kind of and you know,

903
00:44:48,960 --> 00:44:52,600
Speaker 4: just straight white guy. But I also like know of

904
00:44:52,640 --> 00:44:54,920
Speaker 4: that cartoon because I was dating one in college. So

905
00:44:55,320 --> 00:44:57,200
Speaker 4: the point is that the whole cartoon was like a

906
00:44:57,320 --> 00:44:59,759
Speaker 4: cop who was a butt.

907
00:45:01,080 --> 00:45:05,680
Speaker 5: Like his mouth was not the whole but the crack.

908
00:45:06,000 --> 00:45:08,520
Speaker 2: I see, I see. Okay, I actually don't know this cartoon,

909
00:45:08,600 --> 00:45:10,240
Speaker 2: so I'm genuinely learning you thinks.

910
00:45:10,640 --> 00:45:12,520
Speaker 5: I also don't know if it would fly today, given

911
00:45:12,600 --> 00:45:13,320
Speaker 5: you know the way.

912
00:45:13,719 --> 00:45:16,760
Speaker 1: Of course, of course, for many reasons, but woke culture

913
00:45:20,760 --> 00:45:22,800
Speaker 1: because I'm talking about the cops.

914
00:45:24,520 --> 00:45:25,760
Speaker 5: I'm talking about George Floyd.

915
00:45:26,560 --> 00:45:28,239
Speaker 2: It was a butt. It was a butt that was

916
00:45:28,280 --> 00:45:31,560
Speaker 2: a cop. Yeah, but that's to me so humiliating the cops.

917
00:45:31,600 --> 00:45:33,560
Speaker 2: I mean, I think that is a very a cab.

918
00:45:36,480 --> 00:45:38,360
Speaker 1: I guess it depends on how you feel about but.

919
00:45:39,080 --> 00:45:41,440
Speaker 2: Wow, that's a really good point, I guess. I'm I

920
00:45:41,480 --> 00:45:46,160
Speaker 2: mean talk about bottom shape into the straight narrative. I mean,

921
00:45:46,800 --> 00:45:48,960
Speaker 2: I immediately think butts are bad, but for.

922
00:45:49,000 --> 00:45:53,319
Speaker 1: My everything right, Okay, wait, Brittany, there was one more

923
00:45:53,400 --> 00:45:55,320
Speaker 1: thing that you said in your first spiel that I

924
00:45:55,400 --> 00:46:00,279
Speaker 1: wanted to talk about. The when women thinking guys butts

925
00:46:00,280 --> 00:46:04,279
Speaker 1: are cute. Oh yeah, okay, that is a thing that's

926
00:46:04,360 --> 00:46:06,279
Speaker 1: like such a thing, and I don't know how to

927
00:46:06,320 --> 00:46:11,560
Speaker 1: make sense of that, Like, yeah, yeah, it's always been

928
00:46:11,760 --> 00:46:13,320
Speaker 1: curious to me because I'm sort of like, what do

929
00:46:13,360 --> 00:46:15,840
Speaker 1: you mean, Like in what sense, in what capacity.

930
00:46:15,520 --> 00:46:18,120
Speaker 5: Do you mean that it doesn't align with what you

931
00:46:18,840 --> 00:46:20,759
Speaker 5: enjoy or it's like hard to wrap.

932
00:46:20,800 --> 00:46:23,160
Speaker 1: It's sort of like a weird like I get where

933
00:46:23,200 --> 00:46:25,720
Speaker 1: they're coming from. Like I also think butts can be cute,

934
00:46:25,840 --> 00:46:29,000
Speaker 1: but it's like but for almost different Like they're like

935
00:46:29,080 --> 00:46:31,200
Speaker 1: that butt is cute and that's all that's where it ends.

936
00:46:31,480 --> 00:46:32,000
Speaker 2: Yeah, they are.

937
00:46:32,160 --> 00:46:32,399
Speaker 1: Really.

938
00:46:32,640 --> 00:46:34,920
Speaker 2: It's actually one of the ways women can object to

939
00:46:34,960 --> 00:46:38,560
Speaker 2: find men because they are purely judging them, judging their

940
00:46:38,600 --> 00:46:41,640
Speaker 2: butts as aesthetic objects, right, because it's.

941
00:46:41,520 --> 00:46:43,919
Speaker 5: Not it's less often that I see what you're saying.

942
00:46:43,960 --> 00:46:47,640
Speaker 4: It's less like a straight woman who's like, oh, that

943
00:46:47,719 --> 00:46:50,200
Speaker 4: guy has a cute butt. They're not necessarily trying to

944
00:46:50,239 --> 00:46:52,680
Speaker 4: get in there. They're just observing it from the outside.

945
00:46:52,840 --> 00:46:55,520
Speaker 4: Of course people do enjoy that, but it's like that's

946
00:46:55,640 --> 00:46:56,680
Speaker 4: less normative or something.

947
00:46:57,000 --> 00:47:00,400
Speaker 2: So it's also the more feminine because a woman can

948
00:47:00,760 --> 00:47:02,600
Speaker 2: and again, I know we're painting in broad strokes here,

949
00:47:02,680 --> 00:47:05,920
Speaker 2: but guess what, that's our fucking right. I think a

950
00:47:06,000 --> 00:47:08,319
Speaker 2: woman can say, you know that man has a really

951
00:47:08,440 --> 00:47:13,440
Speaker 2: nice chest or really big hands or nice arms, But evolutionarily,

952
00:47:13,480 --> 00:47:15,200
Speaker 2: I can at least see where that would come from,

953
00:47:15,480 --> 00:47:18,440
Speaker 2: whereas the butt really is like, well, in cave times,

954
00:47:18,480 --> 00:47:21,200
Speaker 2: it women didn't want men to have cute little, cute little.

955
00:47:22,040 --> 00:47:25,000
Speaker 5: Yeah, No, they want them to have hard, hard, cold,

956
00:47:25,160 --> 00:47:26,360
Speaker 5: and exactly.

957
00:47:26,719 --> 00:47:31,160
Speaker 4: That could like yeah, utilitarian or something. So I actually

958
00:47:31,200 --> 00:47:33,360
Speaker 4: have two thoughts, and maybe my thought changed while you

959
00:47:33,400 --> 00:47:35,960
Speaker 4: guys were talking. So my first thought was like, is

960
00:47:36,040 --> 00:47:39,359
Speaker 4: it some sort of bendy thing where mirror thing where

961
00:47:39,360 --> 00:47:41,680
Speaker 4: we were talking earlier about like cleavage or boobs and

962
00:47:41,880 --> 00:47:45,400
Speaker 4: like swimen that are like feminine bodies or like or

963
00:47:45,520 --> 00:47:48,480
Speaker 4: like I'm used to having lumps and lumps and bumps

964
00:47:48,560 --> 00:47:50,920
Speaker 4: on me, So what if I see that on a

965
00:47:50,960 --> 00:47:53,400
Speaker 4: straight man that I am attracted to sexually?

966
00:47:53,480 --> 00:47:56,800
Speaker 5: Maybe it's like maybe it's like, oh, that's is it that?

967
00:47:56,880 --> 00:48:00,400
Speaker 4: It's more is it a more feminine quality that then

968
00:48:00,440 --> 00:48:02,919
Speaker 4: you're kind of like confusingly drawn to if that makes sense.

969
00:48:02,960 --> 00:48:04,120
Speaker 5: It's like is familiar.

970
00:48:04,480 --> 00:48:06,360
Speaker 2: Yeah, you're like, why does that guy have boobs on

971
00:48:06,480 --> 00:48:08,359
Speaker 2: his backside in the form of a butt?

972
00:48:08,960 --> 00:48:09,120
Speaker 3: Right?

973
00:48:09,719 --> 00:48:11,319
Speaker 4: But then my other thought was like, what if it's

974
00:48:11,400 --> 00:48:16,200
Speaker 4: more reverse, like reverse freuding where it's like, oh baby,

975
00:48:16,320 --> 00:48:17,680
Speaker 4: it's like that's a baby.

976
00:48:18,840 --> 00:48:21,279
Speaker 1: It's a way to have power a little bit.

977
00:48:21,480 --> 00:48:24,360
Speaker 2: Yeah, oh I was I thought you meant like a

978
00:48:24,440 --> 00:48:27,759
Speaker 2: butt is such a cute, harmless thing compared to other

979
00:48:27,880 --> 00:48:29,720
Speaker 2: parts of men that could be more threatening.

980
00:48:30,719 --> 00:48:32,840
Speaker 5: Oh, but that is interesting.

981
00:48:33,040 --> 00:48:35,359
Speaker 2: It brings them down to earth a little bit. You're like, well,

982
00:48:35,400 --> 00:48:38,359
Speaker 2: no matter how much of a big, macho hercules man

983
00:48:38,440 --> 00:48:41,560
Speaker 2: you are, you have this little just have these two

984
00:48:41,600 --> 00:48:45,120
Speaker 2: little cheeks that there's no weight, no matter how much

985
00:48:45,160 --> 00:48:47,000
Speaker 2: muscle you have, they will never be threatening. They're just

986
00:48:47,280 --> 00:48:50,960
Speaker 2: it's like a deeply like humiliating part of the body

987
00:48:51,120 --> 00:48:53,200
Speaker 2: for a straight man, which I also think is where

988
00:48:53,239 --> 00:48:55,600
Speaker 2: the humor of it comes from. It's like the one

989
00:48:55,880 --> 00:48:58,239
Speaker 2: non threatening. It is literally the one part of a

990
00:48:58,320 --> 00:49:00,160
Speaker 2: man's body that he can't use to commit.

991
00:49:00,120 --> 00:49:06,520
Speaker 5: Violence exactly because the front part, the PENI not just.

992
00:49:08,000 --> 00:49:10,400
Speaker 2: Of course, that is like the most obvious. It's not

993
00:49:10,520 --> 00:49:13,320
Speaker 2: always violence, yes, it's always not. But but even like

994
00:49:13,480 --> 00:49:17,160
Speaker 2: other less obvious things like you know, big arms imply violence,

995
00:49:17,280 --> 00:49:19,000
Speaker 2: big chest implies violence.

996
00:49:18,719 --> 00:49:19,800
Speaker 5: Even like big.

997
00:49:21,239 --> 00:49:24,839
Speaker 1: Like big like it just it is, you know, even

998
00:49:24,960 --> 00:49:25,600
Speaker 1: like big legs.

999
00:49:25,640 --> 00:49:31,080
Speaker 2: You're like, ah, he's gonna run and oh yeah, yeah, yeah,

1000
00:49:31,520 --> 00:49:34,040
Speaker 2: so But but I do think that is I think

1001
00:49:34,160 --> 00:49:36,160
Speaker 2: the fact that it is a vulnerable part of the

1002
00:49:36,280 --> 00:49:41,160
Speaker 2: male the cis male body both maybe makes it attractive

1003
00:49:41,239 --> 00:49:43,879
Speaker 2: because it shows that sort of vulnerability. But then also

1004
00:49:43,960 --> 00:49:46,200
Speaker 2: that's the root of the humor of it, is like,

1005
00:49:46,320 --> 00:49:48,480
Speaker 2: that is why it's funny to moon people. That is

1006
00:49:48,520 --> 00:49:51,160
Speaker 2: why it's funny, like in Jackass when you see their

1007
00:49:51,200 --> 00:49:55,000
Speaker 2: butts or in a sort of like a wedding crashers

1008
00:49:55,080 --> 00:49:57,879
Speaker 2: like comedy, if you see someone's But it's because it's

1009
00:49:57,960 --> 00:49:58,600
Speaker 2: non threatening.

1010
00:49:59,120 --> 00:50:00,080
Speaker 5: Yes, And I would say.

1011
00:50:01,800 --> 00:50:05,719
Speaker 4: In my like adult world, I mean, I mean, in

1012
00:50:06,080 --> 00:50:11,520
Speaker 4: like my sexual experiences. Let's say it's like I'm with somebody,

1013
00:50:11,640 --> 00:50:13,239
Speaker 4: like a guy who I really like, or maybe I'm

1014
00:50:13,360 --> 00:50:15,800
Speaker 4: even like a little bit intimidated buy or something, or

1015
00:50:15,880 --> 00:50:17,120
Speaker 4: like I had a crush on them for a while

1016
00:50:17,239 --> 00:50:19,960
Speaker 4: or whatever or like, and you know, we like have

1017
00:50:20,120 --> 00:50:24,960
Speaker 4: a nice sex, and that's affirming in some way, but

1018
00:50:25,120 --> 00:50:28,440
Speaker 4: you still feel kind of like, oh, I'm so delicate,

1019
00:50:28,520 --> 00:50:30,879
Speaker 4: and there's this man here and I'm not entirely sure

1020
00:50:31,120 --> 00:50:33,600
Speaker 4: like how investidy is in this or whatever or any

1021
00:50:33,719 --> 00:50:34,560
Speaker 4: any variation of that.

1022
00:50:34,920 --> 00:50:37,640
Speaker 5: Once you see a straight man's butt as a straight girl,

1023
00:50:37,680 --> 00:50:38,000
Speaker 5: it's like.

1024
00:50:38,480 --> 00:50:41,600
Speaker 2: Oh, yeah, it's so silly, totally yeah, And.

1025
00:50:44,160 --> 00:50:47,160
Speaker 4: It kind of is interesting because I think true there's

1026
00:50:47,200 --> 00:50:50,040
Speaker 4: a variation of like where to what extent straight men

1027
00:50:50,160 --> 00:50:52,040
Speaker 4: like work on their butt, like in a fitness way,

1028
00:50:52,080 --> 00:50:53,880
Speaker 4: whether they're inter that or not, and if they're not.

1029
00:50:54,320 --> 00:50:55,760
Speaker 5: It's kind of like both are silly.

1030
00:50:55,880 --> 00:50:59,480
Speaker 4: Like if somebody has a really taught like gluten system

1031
00:50:59,600 --> 00:51:02,480
Speaker 4: going on, and it's like, oh, they're trying to like

1032
00:51:02,640 --> 00:51:04,160
Speaker 4: you know whatever, they're doing a lot of spots, and

1033
00:51:04,200 --> 00:51:07,200
Speaker 4: if they just don't have that, then it's like I'll

1034
00:51:07,239 --> 00:51:07,600
Speaker 4: look at.

1035
00:51:07,560 --> 00:51:08,440
Speaker 1: That guy like.

1036
00:51:10,280 --> 00:51:13,719
Speaker 2: And yeah, I want to touch on a little bit.

1037
00:51:13,760 --> 00:51:16,719
Speaker 2: I think that I do think that this is this

1038
00:51:16,880 --> 00:51:20,000
Speaker 2: is really interesting. Yeah, I think for the men, I

1039
00:51:20,880 --> 00:51:22,480
Speaker 2: want to make sure we have some time to talk

1040
00:51:22,520 --> 00:51:25,160
Speaker 2: about women's butt, the straightness of women's butts, because I

1041
00:51:25,200 --> 00:51:28,880
Speaker 2: also think that is Yeah, you're absolutely right that in

1042
00:51:29,200 --> 00:51:34,800
Speaker 2: straight culture, the woman's butt is this recurring motif. And

1043
00:51:34,920 --> 00:51:37,359
Speaker 2: I think maybe, and maybe I'm wrong, but I think

1044
00:51:37,480 --> 00:51:40,920
Speaker 2: in the same way that a man's butt is non threatening,

1045
00:51:41,320 --> 00:51:46,440
Speaker 2: a woman's butt is almost something you can objectify without being.

1046
00:51:47,200 --> 00:51:51,880
Speaker 8: Sex It's like reifications yeah, it's like more respectful and

1047
00:51:52,560 --> 00:51:55,480
Speaker 8: the comedy carries over in a way where you can

1048
00:51:55,560 --> 00:51:57,759
Speaker 8: be like I like big butts, and I cannot lie

1049
00:51:58,320 --> 00:52:01,279
Speaker 8: and not have it come across as violent as being

1050
00:52:01,400 --> 00:52:03,240
Speaker 8: like I like big.

1051
00:52:03,280 --> 00:52:07,040
Speaker 5: Jugs, big jugs or big pussy.

1052
00:52:07,360 --> 00:52:10,840
Speaker 2: Yeah, big pussy, Like yeah, so true.

1053
00:52:10,960 --> 00:52:13,680
Speaker 5: I think that there's so yeah, wait, that's such a

1054
00:52:13,719 --> 00:52:14,000
Speaker 5: good point.

1055
00:52:14,040 --> 00:52:15,880
Speaker 4: I for even forgot about this remix a Lot song

1056
00:52:16,000 --> 00:52:18,560
Speaker 4: that's like, oh, it's kind of harmless.

1057
00:52:19,000 --> 00:52:22,320
Speaker 5: I like a big butt, or like, what's another example, Well.

1058
00:52:22,200 --> 00:52:26,120
Speaker 1: I actually think this remix a Lot song into like

1059
00:52:26,960 --> 00:52:30,000
Speaker 1: like when to that like thirty years ago or something

1060
00:52:30,120 --> 00:52:33,799
Speaker 1: like from that to where we are now musically, there

1061
00:52:33,880 --> 00:52:36,360
Speaker 1: has been a shift from the butt is a little lol,

1062
00:52:36,440 --> 00:52:38,800
Speaker 1: it's like funny to like this too. Now it's like

1063
00:52:38,880 --> 00:52:41,200
Speaker 1: the buddy serious business like you.

1064
00:52:41,719 --> 00:52:46,480
Speaker 2: So yes, I think I think the specter of okay,

1065
00:52:46,920 --> 00:52:49,560
Speaker 2: I think the specter of using the butt sexually is

1066
00:52:49,640 --> 00:52:53,080
Speaker 2: something that freaks straight people out so much. It is

1067
00:52:53,480 --> 00:52:59,080
Speaker 2: legitimately yeah, like they're the biggest taboo. It's like, and

1068
00:52:59,200 --> 00:53:02,280
Speaker 2: it goes all the way from like people joking about

1069
00:53:02,520 --> 00:53:06,200
Speaker 2: pegging or pegging being a big thing to people remember

1070
00:53:06,320 --> 00:53:09,160
Speaker 2: that like period of ten years or the funniest possible

1071
00:53:09,200 --> 00:53:13,000
Speaker 2: phrase you could say is ass eating. Everyone was constantly yeah,

1072
00:53:13,200 --> 00:53:15,239
Speaker 2: I mean yeah, this is also just like us going

1073
00:53:15,280 --> 00:53:16,840
Speaker 2: to comedy shows all the time. But it was just

1074
00:53:16,960 --> 00:53:21,160
Speaker 2: like this constant barrage of jokes about like ass eating,

1075
00:53:21,160 --> 00:53:21,879
Speaker 2: do you guys eat ass?

1076
00:53:21,920 --> 00:53:22,040
Speaker 4: Oh?

1077
00:53:22,120 --> 00:53:25,040
Speaker 2: Eating assholes on the man Like it is just it's

1078
00:53:25,080 --> 00:53:29,440
Speaker 2: this insane anxiety about the butt. And I think I

1079
00:53:29,600 --> 00:53:34,160
Speaker 2: almost think that is where it's like we kept the

1080
00:53:34,239 --> 00:53:36,680
Speaker 2: butt at bay by having it be a source of

1081
00:53:36,800 --> 00:53:39,680
Speaker 2: humor and a source of comedy, and then as soon

1082
00:53:39,760 --> 00:53:43,879
Speaker 2: as straight people discovered the sexual potential of the ass,

1083
00:53:43,960 --> 00:53:46,480
Speaker 2: they like lost it and that is what has led

1084
00:53:46,520 --> 00:53:54,720
Speaker 2: to you know, ethical polyamor and like and like straight

1085
00:53:54,760 --> 00:53:56,960
Speaker 2: guys wearing dangle earrings. It's just like that was the

1086
00:53:57,040 --> 00:53:58,959
Speaker 2: one thing you couldn't touch, and as soon as people

1087
00:53:58,960 --> 00:54:01,720
Speaker 2: started touching their butt, it was like it's over.

1088
00:54:03,120 --> 00:54:05,480
Speaker 1: The that's the apple, Yes, to bring it back to

1089
00:54:05,880 --> 00:54:08,160
Speaker 1: that's yes, that's the forbidden.

1090
00:54:09,080 --> 00:54:12,239
Speaker 4: I think it like caused it like knocked something off

1091
00:54:12,280 --> 00:54:14,800
Speaker 4: that it's peg or like straight and then got flustered

1092
00:54:14,800 --> 00:54:16,840
Speaker 4: about it. And I would say to like, you know,

1093
00:54:17,000 --> 00:54:20,520
Speaker 4: the whole eating acid is like the funniest thing that

1094
00:54:21,280 --> 00:54:25,520
Speaker 4: it's still I would say, the status quo and like

1095
00:54:25,680 --> 00:54:29,520
Speaker 4: really straight comedy spaces like rowing clubs or whatever.

1096
00:54:29,360 --> 00:54:32,000
Speaker 2: Very much so the status quo still or even the

1097
00:54:32,120 --> 00:54:34,520
Speaker 2: phrase and I'm sorry to say this, the phrase of

1098
00:54:34,680 --> 00:54:38,640
Speaker 2: finger in the butt. Yeah, those things, it's just such comede.

1099
00:54:38,920 --> 00:54:41,319
Speaker 2: It's like it can only be a punchline because people

1100
00:54:41,320 --> 00:54:43,280
Speaker 2: are afraid of what if it's pleasable?

1101
00:54:43,960 --> 00:54:46,760
Speaker 5: Right exactly? And like finger, Like the way that sentence

1102
00:54:46,800 --> 00:54:48,880
Speaker 5: sounds is kind of like like pops along, you know

1103
00:54:48,920 --> 00:54:52,279
Speaker 5: what I mean, like a finger, a finger, like a finger.

1104
00:54:52,840 --> 00:54:56,160
Speaker 4: Even Okay, fingering is sexual obviously, and it can be

1105
00:54:56,239 --> 00:54:58,239
Speaker 4: in the butt or anywhere else, right, But it's like

1106
00:54:58,400 --> 00:54:59,880
Speaker 4: the word finger is so nonsen.

1107
00:55:00,160 --> 00:55:01,359
Speaker 2: Yeah, yes, that's true.

1108
00:55:01,440 --> 00:55:05,160
Speaker 4: That's true, finger on the butt, only like finger and

1109
00:55:05,280 --> 00:55:09,359
Speaker 4: butt kind of reinforced each other as like so yeah,

1110
00:55:10,800 --> 00:55:14,839
Speaker 4: you know those like forces or something that's like uh.

1111
00:55:15,760 --> 00:55:18,680
Speaker 5: It's more like oh, it's like oh wow, like a

1112
00:55:18,760 --> 00:55:20,399
Speaker 5: digit in the but dong, it's like the same.

1113
00:55:21,840 --> 00:55:24,920
Speaker 1: Huh. I am unfortunately, I'm like we're kind of low

1114
00:55:25,000 --> 00:55:27,400
Speaker 1: on time, Like I kind of have to run, Like.

1115
00:55:28,080 --> 00:55:30,759
Speaker 5: I'm really sorry, Sam, but I appreciate you guys having me.

1116
00:55:31,000 --> 00:55:32,839
Speaker 1: Well, we have to do our last segment. But I'm

1117
00:55:33,040 --> 00:55:35,880
Speaker 1: so bummed to cut the conversation short. I know me too.

1118
00:55:35,920 --> 00:55:37,720
Speaker 2: I actually feel like I have so much more to say.

1119
00:55:37,880 --> 00:55:45,200
Speaker 1: And it's not it's just it's like, yeah, damn, I'm fuck.

1120
00:55:45,200 --> 00:55:47,239
Speaker 2: Okay, okay, all right, all right, we just have to

1121
00:55:47,320 --> 00:55:48,200
Speaker 2: do our final segment.

1122
00:55:53,160 --> 00:55:55,960
Speaker 1: We have to our final segment. And to Brittany, I'm

1123
00:55:56,040 --> 00:55:57,920
Speaker 1: sorry that we can't continue this conversation.

1124
00:55:58,800 --> 00:55:59,960
Speaker 5: No, I'm sorry, it's my fault.

1125
00:56:00,280 --> 00:56:06,920
Speaker 2: I really want people to comment when we post this

1126
00:56:06,960 --> 00:56:10,280
Speaker 2: episode on Instagram. I want comments with their theories on butts.

1127
00:56:10,800 --> 00:56:13,440
Speaker 5: But maybe it's like you have.

1128
00:56:13,680 --> 00:56:16,600
Speaker 4: It's like there's this idea and like museum education, where

1129
00:56:16,600 --> 00:56:18,840
Speaker 4: you let go, you like let go of your authority

1130
00:56:18,880 --> 00:56:19,279
Speaker 4: over something.

1131
00:56:19,360 --> 00:56:21,360
Speaker 5: So maybe the idea is that you open up the

1132
00:56:21,440 --> 00:56:23,560
Speaker 5: comments as like a sort of discussion.

1133
00:56:23,600 --> 00:56:25,359
Speaker 2: Plant Read the cheeks of the comments section.

1134
00:56:25,480 --> 00:56:26,040
Speaker 5: Read the cheeks.

1135
00:56:26,680 --> 00:56:27,960
Speaker 1: Yeah, get in the crack.

1136
00:56:28,200 --> 00:56:31,360
Speaker 2: Another another funny phrase to reread thee Everything about butts

1137
00:56:31,480 --> 00:56:32,839
Speaker 2: is just it's human.

1138
00:56:33,880 --> 00:56:37,160
Speaker 1: But that's yeah, it's childhood. It's really I think that's

1139
00:56:37,160 --> 00:56:39,759
Speaker 1: also like being a child and you can't kind of shake.

1140
00:56:39,880 --> 00:56:43,759
Speaker 1: That's like the where humor is born is like hearing

1141
00:56:43,800 --> 00:56:45,640
Speaker 1: about poop and farts and butts.

1142
00:56:45,840 --> 00:56:48,319
Speaker 2: Yes, of course totally, And we didn't even get into farts.

1143
00:56:48,320 --> 00:56:50,560
Speaker 2: Farts is like one of the starting is one of

1144
00:56:50,600 --> 00:56:52,280
Speaker 2: the straightest bodily functions.

1145
00:56:52,960 --> 00:56:55,360
Speaker 4: Yes, and as a kid, by the way, this is

1146
00:56:55,400 --> 00:56:59,560
Speaker 4: gonna don't okay, So it's safe for kids to be like, haha, butts.

1147
00:56:59,320 --> 00:57:01,439
Speaker 5: But like another or intimate part of their bodies.

1148
00:57:01,080 --> 00:57:01,759
Speaker 1: Like whoaah?

1149
00:57:01,760 --> 00:57:02,239
Speaker 5: Does that make sense?

1150
00:57:02,520 --> 00:57:05,560
Speaker 4: Like when I want like I was teaching, like years ago,

1151
00:57:06,239 --> 00:57:08,240
Speaker 4: I was teaching a summer camp but at a YMCA

1152
00:57:08,360 --> 00:57:10,840
Speaker 4: in Philly, and this little girl who's three, as I

1153
00:57:10,960 --> 00:57:13,719
Speaker 4: was helping them get changed for swimming for swimming, this

1154
00:57:13,840 --> 00:57:14,840
Speaker 4: girl would always say to me.

1155
00:57:14,880 --> 00:57:18,480
Speaker 5: Hey, look at my butt. And it was kind of like, okay, yeah,

1156
00:57:18,560 --> 00:57:20,800
Speaker 5: let's continue, you know, but that's the limit.

1157
00:57:21,480 --> 00:57:21,720
Speaker 1: Yeah.

1158
00:57:22,200 --> 00:57:24,400
Speaker 2: Yeah. So maybe returning to the butt also returns you

1159
00:57:24,440 --> 00:57:25,960
Speaker 2: to a childlike state, and that's where a lot of

1160
00:57:26,000 --> 00:57:28,800
Speaker 2: the anxiety comes from. Okay, Sam, I know you're I

1161
00:57:28,880 --> 00:57:31,600
Speaker 2: know you have to go, Brittany. Our final segment is

1162
00:57:31,600 --> 00:57:33,680
Speaker 2: called shoutouts. This is where we pay homage to the

1163
00:57:33,880 --> 00:57:36,360
Speaker 2: straight tradition of the radio shout out. You're at Z

1164
00:57:36,440 --> 00:57:39,120
Speaker 2: one hundred. You're a TRL shouting at your squad back home, Sam,

1165
00:57:39,240 --> 00:57:39,880
Speaker 2: do you have one?

1166
00:57:40,120 --> 00:57:45,000
Speaker 1: I have one? It's embarrassing. Okay, what is up? Everyone?

1167
00:57:45,320 --> 00:57:49,240
Speaker 1: From coast to coast? I want to give a big

1168
00:57:49,520 --> 00:57:54,840
Speaker 1: old shout out to the Spider Man video game. Guess

1169
00:57:54,880 --> 00:57:58,960
Speaker 1: what I decided to, you know, plug, plug the whole

1170
00:57:59,080 --> 00:58:02,160
Speaker 1: system in and play the Spider Man video game, the

1171
00:58:02,240 --> 00:58:04,920
Speaker 1: one that came out most recently, and I had played it.

1172
00:58:05,080 --> 00:58:07,040
Speaker 1: I was playing it right when I left New York,

1173
00:58:07,480 --> 00:58:11,400
Speaker 1: and I played it again and instantly swinging around NYC.

1174
00:58:11,680 --> 00:58:15,760
Speaker 1: I was feeling so sad and really making getting nostalgic

1175
00:58:15,800 --> 00:58:18,600
Speaker 1: for New York. It was so weird that that's the

1176
00:58:18,680 --> 00:58:22,880
Speaker 1: way it came through. It made me feel like I

1177
00:58:23,040 --> 00:58:26,040
Speaker 1: was like, damn, this is sort of like visiting I fellty,

1178
00:58:26,120 --> 00:58:29,560
Speaker 1: I was visiting NY City, except this time I didn't

1179
00:58:29,600 --> 00:58:33,000
Speaker 1: have to take any ubers. Let's just say that, so

1180
00:58:33,240 --> 00:58:36,240
Speaker 1: shout out to the Spider Man video game. It depicts

1181
00:58:36,400 --> 00:58:39,200
Speaker 1: a really special type of New York in a way

1182
00:58:39,280 --> 00:58:42,160
Speaker 1: that I think they did an incredible job. And now

1183
00:58:42,320 --> 00:58:46,040
Speaker 1: I don't need to visit. I can just hit play

1184
00:58:47,000 --> 00:58:48,440
Speaker 1: so woo to that.

1185
00:58:49,480 --> 00:58:49,760
Speaker 5: Wow.

1186
00:58:52,720 --> 00:58:56,880
Speaker 2: Okay, I can go what's up Apple TV Plus subscribers.

1187
00:58:56,920 --> 00:58:58,320
Speaker 2: I want to give a shout out to the show,

1188
00:58:58,440 --> 00:59:00,880
Speaker 2: Palm Rail and Apple TV Plus. I have to say

1189
00:59:01,000 --> 00:59:03,440
Speaker 2: I've been really enjoying the show. I'm not done with it.

1190
00:59:03,640 --> 00:59:05,880
Speaker 2: I'm I'm I get happy when I turn it on.

1191
00:59:06,080 --> 00:59:08,000
Speaker 2: I'm so happy to see christ and Wig on screen.

1192
00:59:08,080 --> 00:59:10,240
Speaker 2: What a cast Carol Burnett is in. It's so funny,

1193
00:59:10,520 --> 00:59:10,760
Speaker 2: and so.

1194
00:59:10,880 --> 00:59:12,720
Speaker 1: I was like, you know, it's weird. I'm not really

1195
00:59:12,800 --> 00:59:13,280
Speaker 1: hearing about it.

1196
00:59:13,360 --> 00:59:16,439
Speaker 2: No one's watching it. Start texting people. Everyone goes, oh, yeah,

1197
00:59:16,480 --> 00:59:18,320
Speaker 2: I gave up after one episode. Oh I gave up

1198
00:59:18,360 --> 00:59:20,880
Speaker 2: after half an episode. Gone rutten tomatoes, I see fifty percent.

1199
00:59:21,120 --> 00:59:23,000
Speaker 2: I say, what the hell is wrong with people? When

1200
00:59:23,040 --> 00:59:25,360
Speaker 2: did we stop believing in women in comedy? When did

1201
00:59:25,440 --> 00:59:28,720
Speaker 2: we stop giving chances to an all star cast of

1202
00:59:29,280 --> 00:59:32,280
Speaker 2: different white women that have all made us laugh for generations?

1203
00:59:32,720 --> 00:59:37,120
Speaker 2: I say, that's quite enough with the mail codeed Verstage

1204
00:59:37,160 --> 00:59:39,720
Speaker 2: Television and let's go to Apple TV Plus and press

1205
00:59:39,760 --> 00:59:43,760
Speaker 2: play on Palm Raal starring Kristen Wigg and Laura Dern

1206
00:59:43,840 --> 00:59:47,520
Speaker 2: and Carol Burnett and so, yeah, have some respect to

1207
00:59:47,640 --> 00:59:50,520
Speaker 2: be honest, like I it's this is the last time.

1208
00:59:50,520 --> 00:59:52,480
Speaker 2: We're going to get this in a while, so you know,

1209
00:59:52,680 --> 00:59:54,720
Speaker 2: there's about to be a culling of content in streaming,

1210
00:59:54,800 --> 00:59:56,640
Speaker 2: so maybe enjoy it well at last. But stop being

1211
00:59:56,720 --> 01:00:01,080
Speaker 2: such a yeah, stop being so demanding. Whoa, So that's

1212
01:00:01,120 --> 01:00:02,200
Speaker 2: what I love.

1213
01:00:05,400 --> 01:00:08,480
Speaker 5: Okay, it's my turn. Okay, Uh what's up?

1214
01:00:10,320 --> 01:00:10,720
Speaker 2: What's up?

1215
01:00:15,880 --> 01:00:15,920
Speaker 5: So?

1216
01:00:16,480 --> 01:00:17,840
Speaker 1: Uh hey, I.

1217
01:00:20,920 --> 01:00:22,240
Speaker 5: Just wanted to I'm just here to give us a

1218
01:00:22,360 --> 01:00:24,640
Speaker 5: little brief shout out to uh.

1219
01:00:25,360 --> 01:00:31,200
Speaker 9: Cabot, to Cabot cheddars Alpine variety so that I like

1220
01:00:31,320 --> 01:00:35,560
Speaker 9: to buy, uh the I like buying white cheddar from Cabot.

1221
01:00:36,200 --> 01:00:39,320
Speaker 5: I typically buy like extra sharp something or extra sharp

1222
01:00:39,320 --> 01:00:42,120
Speaker 5: Wisconsin flavor or whatever. Or there's like a New York

1223
01:00:42,320 --> 01:00:45,280
Speaker 5: or you know. And I recently was in a supermarket.

1224
01:00:45,320 --> 01:00:48,160
Speaker 5: I saw that they had a variation on the theme

1225
01:00:48,320 --> 01:00:48,760
Speaker 5: and it was.

1226
01:00:49,320 --> 01:00:53,360
Speaker 4: Specifically called Alpine like as in, it was like a blend,

1227
01:00:53,600 --> 01:00:55,080
Speaker 4: you know, it's that something like a blend.

1228
01:00:54,840 --> 01:00:57,240
Speaker 5: Of like tastes it's like cheddar, but it also tastes

1229
01:00:57,280 --> 01:00:58,160
Speaker 5: a bit like Swiss and.

1230
01:00:58,240 --> 01:01:01,120
Speaker 4: Parmesan, and I guess it's like, are all pina I'm

1231
01:01:01,160 --> 01:01:08,320
Speaker 4: thinking Switzerland, like Switzerland, the parmesands from Italy like you know,

1232
01:01:08,480 --> 01:01:10,760
Speaker 4: it's like a chastes like a gray air but cheddar

1233
01:01:10,880 --> 01:01:15,200
Speaker 4: or something. It's like sharper or crumbly and tastes like

1234
01:01:15,320 --> 01:01:16,120
Speaker 4: kind of like eating an.

1235
01:01:16,040 --> 01:01:16,760
Speaker 5: Almond or something.

1236
01:01:17,240 --> 01:01:18,920
Speaker 1: And I really love it.

1237
01:01:18,960 --> 01:01:20,200
Speaker 5: I can't get enough of this cheese.

1238
01:01:20,400 --> 01:01:22,760
Speaker 2: Oh my god, I'm literally going to go buy it tonight.

1239
01:01:23,400 --> 01:01:23,600
Speaker 5: Good.

1240
01:01:23,800 --> 01:01:26,000
Speaker 1: I never heard of this and it doesn't.

1241
01:01:25,800 --> 01:01:27,320
Speaker 4: Melt well, but that's okay, because I don't think this

1242
01:01:27,480 --> 01:01:29,960
Speaker 4: kind of cheese is for that. It's for slicing and

1243
01:01:30,000 --> 01:01:31,959
Speaker 4: eating with fruit or fig jam or whatever.

1244
01:01:32,000 --> 01:01:34,400
Speaker 1: And honey, with with your computer issues and deodor, and

1245
01:01:34,440 --> 01:01:36,400
Speaker 1: I think you can do with something that doesn't melt.

1246
01:01:36,520 --> 01:01:42,760
Speaker 2: You don't need more melting. Why don't you tell our

1247
01:01:42,840 --> 01:01:45,479
Speaker 2: listeners where they can find your special? Once again?

1248
01:01:46,080 --> 01:01:48,800
Speaker 4: Okay, thank you, So please go to YouTube dot com.

1249
01:01:48,960 --> 01:01:51,280
Speaker 4: The special is called That Is My Horse. You can

1250
01:01:51,320 --> 01:01:53,800
Speaker 4: look at Britney Carney That Is My Horse. It's half

1251
01:01:53,840 --> 01:01:56,720
Speaker 4: hour on YouTube. It's through RhI Zone Productions. But more

1252
01:01:57,920 --> 01:01:58,880
Speaker 4: more whatever.

1253
01:01:59,120 --> 01:02:01,360
Speaker 5: What's morrelevant is my name and the name of the special.

1254
01:02:01,760 --> 01:02:04,000
Speaker 2: Yes, Brittany Cartney, And I just want to say, Brittany,

1255
01:02:04,480 --> 01:02:08,160
Speaker 2: you're truly one of the best stand up comedians.

1256
01:02:08,280 --> 01:02:11,360
Speaker 5: Oh well, that means so much from your doors.

1257
01:02:11,440 --> 01:02:15,720
Speaker 2: It is literally I'm like, no one really is original anymore.

1258
01:02:15,960 --> 01:02:18,160
Speaker 2: No one says anything I haven't heard before, and you

1259
01:02:18,240 --> 01:02:20,680
Speaker 2: are one of the few people. And to have for

1260
01:02:20,880 --> 01:02:23,720
Speaker 2: free thirty three minutes of your stand up online is

1261
01:02:24,480 --> 01:02:26,919
Speaker 2: one of the few blessings of the technology age.

1262
01:02:26,960 --> 01:02:29,240
Speaker 1: I would say one hundred percent, Wow, thank you so much.

1263
01:02:29,480 --> 01:02:32,840
Speaker 2: I would thank you that and the meme of well yes, yeah,

1264
01:02:32,920 --> 01:02:34,400
Speaker 2: I think those are the two things that have come

1265
01:02:34,440 --> 01:02:35,520
Speaker 2: out of the technology I.

1266
01:02:35,480 --> 01:02:37,200
Speaker 5: Don't even know, but I'll look at that that later,

1267
01:02:37,400 --> 01:02:41,240
Speaker 5: so I won't. I don't even know that meme well yes, yeah,

1268
01:02:41,360 --> 01:02:41,680
Speaker 5: you got.

1269
01:02:41,640 --> 01:02:45,680
Speaker 2: To black China's mom, I don't know saying on an

1270
01:02:45,720 --> 01:02:49,480
Speaker 2: interview being like well yes, anyway, all right, okay, thanks.

1271
01:02:49,560 --> 01:02:55,320
Speaker 5: For the Kardashian or whatever like okay, thanks guys.

1272
01:02:55,200 --> 01:02:59,880
Speaker 2: Bye bye podcast and now want more? Subscribe to our

1273
01:03:00,040 --> 01:03:03,600
Speaker 2: Patreon for two extra episodes a month, discord access and

1274
01:03:03,760 --> 01:03:07,840
Speaker 2: more by heading to patreon dot com. Slash Stradio lab and.

1275
01:03:07,920 --> 01:03:10,800
Speaker 1: For all our visual learners, free full length video episodes

1276
01:03:10,800 --> 01:03:12,240
Speaker 1: are available on our YouTube.

1277
01:03:12,480 --> 01:03:13,439
Speaker 2: Now get back to work,