1 00:00:01,000 --> 00:00:02,360 Speaker 1: Taking a Walk Nashville. 2 00:00:02,440 --> 00:00:06,320 Speaker 2: Hi everyone, this is Sarah Harrelson, your host of Taking 3 00:00:06,320 --> 00:00:09,680 Speaker 2: a Walk Nashville. Today's episode is brought to you from 4 00:00:09,880 --> 00:00:14,640 Speaker 2: the Russell, a historic East Nashville church transformed into a 5 00:00:14,720 --> 00:00:17,840 Speaker 2: one of a kind boutique hotel. The Russell's mission is 6 00:00:17,880 --> 00:00:21,119 Speaker 2: to give back into the Nashville community through their Rooms 7 00:00:21,120 --> 00:00:24,720 Speaker 2: for Rooms program by donating a portion of each day 8 00:00:24,760 --> 00:00:29,800 Speaker 2: to local nonprofits who are helping those experiencing homelessness. Visit 9 00:00:29,880 --> 00:00:33,720 Speaker 2: russell Nashville dot com to a book your experience today. 10 00:00:34,159 --> 00:00:37,080 Speaker 2: So here with me in the Russells podcast studio is 11 00:00:37,479 --> 00:00:42,559 Speaker 2: Will Pequin, a musician originally from Boston that gained widespread 12 00:00:42,600 --> 00:00:46,160 Speaker 2: recognition in twenty twenty when his guitar riffs and debut 13 00:00:46,240 --> 00:00:50,400 Speaker 2: song Chandelier went viral on TikTok, accumulating millions of streams. 14 00:00:51,000 --> 00:00:54,480 Speaker 2: His indie rock and alternative songs blend elements of classical 15 00:00:54,680 --> 00:00:59,880 Speaker 2: guitar with heartfelt lyrics and energetic instrumentation. I'm really excited 16 00:00:59,920 --> 00:01:02,960 Speaker 2: to dig into Will's story today and discuss his upcoming 17 00:01:03,000 --> 00:01:06,440 Speaker 2: album ha ha ha. So thanks for being here today, Will, 18 00:01:06,480 --> 00:01:07,000 Speaker 2: How are you? 19 00:01:07,160 --> 00:01:08,039 Speaker 3: Of course I'm good. 20 00:01:08,480 --> 00:01:11,840 Speaker 2: So it sounds like you just moved to Nashville a 21 00:01:11,920 --> 00:01:15,479 Speaker 2: few days ago, right, So what brought you here to Nashville? 22 00:01:17,240 --> 00:01:20,360 Speaker 3: I would say love, Love brought me to Nashville. I 23 00:01:20,440 --> 00:01:24,960 Speaker 3: met my now girlfriend. I was out here recording an album, 24 00:01:25,400 --> 00:01:27,120 Speaker 3: the album that is coming out, ha ha. 25 00:01:27,480 --> 00:01:27,800 Speaker 2: Okay. 26 00:01:28,360 --> 00:01:30,479 Speaker 3: I was recording it here in Nashville because my friend 27 00:01:30,520 --> 00:01:32,760 Speaker 3: lives here and he's an engineer, so he engineered the 28 00:01:32,800 --> 00:01:36,360 Speaker 3: whole thing. But while I was here, I met my 29 00:01:36,400 --> 00:01:39,319 Speaker 3: girlfriend Kabby, and I was living in LA at the time. 30 00:01:40,000 --> 00:01:42,720 Speaker 2: Okay, so he came from LA, not Boston, right, Yeah. 31 00:01:42,800 --> 00:01:45,640 Speaker 3: I grew up in Boston, went to school in Boston, 32 00:01:46,640 --> 00:01:48,400 Speaker 3: but was only in LA for a year. 33 00:01:48,880 --> 00:01:53,400 Speaker 2: Okay. Nice. How's your experience of Nashville been thus far? 34 00:01:53,520 --> 00:01:54,800 Speaker 2: Even though you're new. 35 00:01:54,720 --> 00:01:58,960 Speaker 3: I have spent a lot of time here, Okay. I 36 00:01:59,000 --> 00:02:04,560 Speaker 3: spent like three months maybe writing the album here and 37 00:02:04,640 --> 00:02:06,920 Speaker 3: recording it, so I kind of got to see a 38 00:02:06,960 --> 00:02:11,600 Speaker 3: little bit of Nashville. But I am still pretty fresh. 39 00:02:11,840 --> 00:02:15,200 Speaker 3: I don't really know the spots yet. I don't have 40 00:02:15,320 --> 00:02:18,400 Speaker 3: many recks. People are always asking me like, oh, what 41 00:02:18,440 --> 00:02:21,760 Speaker 3: would you wreck, like, what would you recommend going to? 42 00:02:22,000 --> 00:02:26,239 Speaker 3: I just I don't really go places or at least 43 00:02:26,240 --> 00:02:27,320 Speaker 3: I haven't been in places. 44 00:02:27,360 --> 00:02:30,760 Speaker 2: So yeah, there's definitely a lot to explore in Nashville. 45 00:02:30,880 --> 00:02:34,880 Speaker 2: And a little bit about your backstory. Just curious when 46 00:02:34,880 --> 00:02:37,440 Speaker 2: you posted your music on TikTok in twenty twenty, were 47 00:02:37,480 --> 00:02:40,080 Speaker 2: you trying to go viral with your music at that time? 48 00:02:40,840 --> 00:02:44,720 Speaker 3: It's funny, well it's it didn't know, I guess, short 49 00:02:44,760 --> 00:02:48,200 Speaker 3: answers no, because I didn't really. It was more just 50 00:02:48,240 --> 00:02:54,080 Speaker 3: a fun pastime for me to do while covid was 51 00:02:54,120 --> 00:03:00,400 Speaker 3: happening and school was on Zoom, you know, I would 52 00:03:00,400 --> 00:03:06,000 Speaker 3: just play guitar all day. Yeah. And my sister is 53 00:03:06,040 --> 00:03:09,600 Speaker 3: the one who told me about TikTok, my little sister, 54 00:03:09,639 --> 00:03:12,400 Speaker 3: and she's like, you should just make you should put 55 00:03:12,400 --> 00:03:15,040 Speaker 3: your videos up here. And I was like, okay, I 56 00:03:15,080 --> 00:03:18,880 Speaker 3: guess so. So I downloaded TikTok and kind of it 57 00:03:18,880 --> 00:03:22,720 Speaker 3: took off pretty much within the first video that I made. It. Wow, 58 00:03:22,919 --> 00:03:25,760 Speaker 3: it kind of caught on. It was kind of new 59 00:03:25,840 --> 00:03:30,200 Speaker 3: to be playing guitar, I think on TikTok when I 60 00:03:30,240 --> 00:03:31,800 Speaker 3: came into it, so it was kind of like a 61 00:03:31,840 --> 00:03:36,040 Speaker 3: new thing. I don't know, within like four months, I 62 00:03:36,080 --> 00:03:39,760 Speaker 3: think it really, it only took four months until Chandelier 63 00:03:39,840 --> 00:03:42,880 Speaker 3: got released from then on, So it really only took 64 00:03:42,880 --> 00:03:45,720 Speaker 3: four months for me to get that idea for the 65 00:03:45,800 --> 00:03:49,040 Speaker 3: song and then end up recording it and releasing it. 66 00:03:49,120 --> 00:03:52,960 Speaker 2: Yeah, at that time, quick before you went viral, were 67 00:03:53,000 --> 00:03:55,840 Speaker 2: you trying to become a full time musician and make 68 00:03:55,920 --> 00:03:57,000 Speaker 2: that your career? 69 00:03:57,240 --> 00:04:02,200 Speaker 3: Certainly? No, certainly not. I was just going to school 70 00:04:02,200 --> 00:04:05,160 Speaker 3: for advertising. I went to be U Boston University, and 71 00:04:06,000 --> 00:04:11,040 Speaker 3: I was just getting a degree in advertising, which I 72 00:04:11,120 --> 00:04:15,320 Speaker 3: was like fully prepared to be in that industry. I 73 00:04:15,360 --> 00:04:19,080 Speaker 3: had like an internship. So it was definitely a switch 74 00:04:19,240 --> 00:04:22,880 Speaker 3: when I had to make the decision to kind of 75 00:04:23,000 --> 00:04:26,520 Speaker 3: stop focusing on that career path which I'd been kind 76 00:04:26,520 --> 00:04:29,560 Speaker 3: of prepared for my whole life. Yeah, and within like 77 00:04:30,160 --> 00:04:34,880 Speaker 3: pretty much overnight, had to really decide what I wanted 78 00:04:34,920 --> 00:04:38,760 Speaker 3: to prioritize. And it took me a while actually to 79 00:04:39,720 --> 00:04:42,479 Speaker 3: fully accept that maybe there is a chance that I 80 00:04:42,520 --> 00:04:48,320 Speaker 3: could be a musician full time, Yeah, because that was 81 00:04:48,400 --> 00:04:50,920 Speaker 3: kind of a dream that I had that had kind 82 00:04:50,920 --> 00:04:55,720 Speaker 3: of died years and years ago because I just I 83 00:04:55,760 --> 00:04:57,800 Speaker 3: don't know where I grew up. It seemed like not 84 00:04:57,920 --> 00:05:01,280 Speaker 3: an option like where I people just didn't They just 85 00:05:01,279 --> 00:05:06,440 Speaker 3: like weren't musicians. They weren't really playing music or listening 86 00:05:06,480 --> 00:05:08,159 Speaker 3: to the music that I listened to, So it just 87 00:05:08,200 --> 00:05:10,160 Speaker 3: didn't seem like a thing. 88 00:05:10,600 --> 00:05:14,240 Speaker 2: Right, So you could say social media definitely helped influence 89 00:05:14,640 --> 00:05:16,000 Speaker 2: your career path in that way. 90 00:05:16,400 --> 00:05:20,039 Speaker 3: Yeah, it definitely created the career path for me, I'd 91 00:05:20,080 --> 00:05:24,160 Speaker 3: say so, yeah, I mean that was it was definitely 92 00:05:24,200 --> 00:05:26,719 Speaker 3: a big shift for me that year. 93 00:05:27,120 --> 00:05:32,039 Speaker 2: Yeah. Yeah, and advertising can definitely like having that knowledge, 94 00:05:32,080 --> 00:05:34,000 Speaker 2: I'm sure helps you a lot with your own career. 95 00:05:34,440 --> 00:05:38,680 Speaker 3: Yeah, it's probably subconscious. I don't it's I always think 96 00:05:38,680 --> 00:05:42,880 Speaker 3: about how much that has helped me, and I think 97 00:05:42,880 --> 00:05:46,000 Speaker 3: it has. It's just hard to determine what I learned 98 00:05:46,080 --> 00:05:49,600 Speaker 3: in school and what I had just already known, right. 99 00:05:50,440 --> 00:05:55,200 Speaker 2: Yeah. So a lot of your music features finger picking 100 00:05:55,320 --> 00:05:58,400 Speaker 2: and rips on the guitar and even the recorder, which 101 00:05:58,600 --> 00:06:03,680 Speaker 2: is cool. Some of your musical influences and what did 102 00:06:03,720 --> 00:06:05,360 Speaker 2: you listen to growing. 103 00:06:05,080 --> 00:06:09,640 Speaker 3: Up, Well, I was kind of all over the place 104 00:06:09,720 --> 00:06:13,239 Speaker 3: I grew up. I mean, my dad was really into 105 00:06:13,320 --> 00:06:16,000 Speaker 3: music and still is really into music. So he introduced 106 00:06:16,040 --> 00:06:19,040 Speaker 3: me to a lot of stuff from when I was 107 00:06:19,839 --> 00:06:23,359 Speaker 3: like born onward. He's still turning me onto new music. 108 00:06:23,440 --> 00:06:29,480 Speaker 3: But forties through sixties pop music was what I kind 109 00:06:29,520 --> 00:06:33,320 Speaker 3: of grew up listening to, and I still listened to it, 110 00:06:33,640 --> 00:06:39,880 Speaker 3: but that was really the foundation of where my earliest 111 00:06:39,920 --> 00:06:44,479 Speaker 3: influences came from. I think like my first musical awakening 112 00:06:45,200 --> 00:06:48,560 Speaker 3: was when I kind of started listening to the Beatles 113 00:06:48,880 --> 00:06:51,440 Speaker 3: a lot. Okay, I'd say the Beatles were like the 114 00:06:51,480 --> 00:06:55,599 Speaker 3: first musical, like major musical influence in my life. And 115 00:06:55,600 --> 00:06:57,680 Speaker 3: that was when I was like eleven or something. And 116 00:06:58,279 --> 00:07:03,320 Speaker 3: my friend Will, who produced this album, he's my childhood 117 00:07:03,480 --> 00:07:07,279 Speaker 3: like best friend. His name's also Will, but he's the 118 00:07:07,320 --> 00:07:10,480 Speaker 3: one that got me into the Beatles, and we just 119 00:07:10,560 --> 00:07:14,880 Speaker 3: spent fourth and fifth grade just only listening and talking 120 00:07:14,920 --> 00:07:16,720 Speaker 3: about the Beatles. That's like all we did. 121 00:07:17,240 --> 00:07:18,760 Speaker 2: Were you playing guitar at the time. 122 00:07:20,280 --> 00:07:24,200 Speaker 3: Yeah, Yeah, I started playing guitar when I was around eight. 123 00:07:24,400 --> 00:07:27,480 Speaker 2: Okay, so you could just emulate the Beatles on guitar 124 00:07:28,080 --> 00:07:32,120 Speaker 2: and we would like write like Beatles copy songs and 125 00:07:33,000 --> 00:07:33,840 Speaker 2: sing harmonies. 126 00:07:36,160 --> 00:07:39,360 Speaker 3: But yeah, I started playing guitar before that. It was 127 00:07:39,440 --> 00:07:42,560 Speaker 3: kind of a My dad played guitar before that, but 128 00:07:42,640 --> 00:07:45,920 Speaker 3: he hadn't really been playing since I was born, so 129 00:07:46,000 --> 00:07:48,400 Speaker 3: it was kind of I didn't really associate guitar with 130 00:07:48,480 --> 00:07:52,960 Speaker 3: him until like he showed me he had like an 131 00:07:53,560 --> 00:07:56,840 Speaker 3: old guitar that he had from when he was in 132 00:07:57,080 --> 00:08:00,400 Speaker 3: school and playing in bands. It was kind of like 133 00:08:00,400 --> 00:08:03,120 Speaker 3: a classic. I pulled it out from under his bed 134 00:08:03,480 --> 00:08:08,080 Speaker 3: and would like play it in secret. Nice yeah, and 135 00:08:08,120 --> 00:08:10,680 Speaker 3: I kind of did just fall in love with it immediately. 136 00:08:11,920 --> 00:08:14,240 Speaker 3: I was like obsessed with it, like pretty much that 137 00:08:14,360 --> 00:08:18,000 Speaker 3: day forward, and I still kind of am. I'm still 138 00:08:18,080 --> 00:08:20,720 Speaker 3: learning new stuff as much as I can. 139 00:08:21,120 --> 00:08:24,800 Speaker 2: Were you doing shows at all at that point before 140 00:08:24,960 --> 00:08:26,520 Speaker 2: you started doing TikTok? 141 00:08:27,600 --> 00:08:31,960 Speaker 3: I mean shows is a stretch. I was playing like 142 00:08:32,760 --> 00:08:37,720 Speaker 3: in my friend's backyard. I had a little band that 143 00:08:37,960 --> 00:08:42,040 Speaker 3: was oh. I was in two bands early on. I 144 00:08:42,120 --> 00:08:46,079 Speaker 3: like had my own band where we'd play like bluesy 145 00:08:46,160 --> 00:08:51,040 Speaker 3: covers like rock led Zeppelin, what else. We played like 146 00:08:51,080 --> 00:08:55,360 Speaker 3: Freddie King And but then I was I played drums 147 00:08:55,360 --> 00:08:58,360 Speaker 3: in my friend Will's band, and we were doing more 148 00:08:58,400 --> 00:09:01,560 Speaker 3: like beatlesy type things so cool. I was kind of 149 00:09:01,840 --> 00:09:03,679 Speaker 3: doing both of those at the same time. And then 150 00:09:04,960 --> 00:09:10,480 Speaker 3: once I hit middle school, I pretty much stopped writing 151 00:09:10,480 --> 00:09:18,679 Speaker 3: my own music and like taking my own creative stuff seriously. 152 00:09:19,240 --> 00:09:21,200 Speaker 3: But I still played drums in my friend's band, and 153 00:09:21,240 --> 00:09:22,960 Speaker 3: that was just like a nice creative outlet. 154 00:09:24,040 --> 00:09:26,800 Speaker 2: Well, you definitely wear a lot of hats between songwriting, 155 00:09:27,320 --> 00:09:32,160 Speaker 2: playing multiple instruments, and also audio production. You've been known 156 00:09:32,240 --> 00:09:36,360 Speaker 2: to record songs and unconventional places like your car and 157 00:09:36,720 --> 00:09:40,640 Speaker 2: a closet. So did you teach yourself audio production and 158 00:09:41,120 --> 00:09:43,959 Speaker 2: why did you choose these places to record versus a 159 00:09:44,000 --> 00:09:45,000 Speaker 2: studio at the time. 160 00:09:45,760 --> 00:09:50,000 Speaker 3: Well, my friend Will. I keep giving my friend Will 161 00:09:50,120 --> 00:09:57,000 Speaker 3: shout outs, but he got really into recording music around 162 00:09:57,440 --> 00:10:01,000 Speaker 3: twelve or thirteen. He had like a little track that 163 00:10:01,600 --> 00:10:05,240 Speaker 3: he I remember when he showed me the first song 164 00:10:05,280 --> 00:10:09,560 Speaker 3: that he ever recorded back then, and I was just 165 00:10:09,640 --> 00:10:13,640 Speaker 3: blown away that that it just didn't seem like a 166 00:10:13,679 --> 00:10:17,440 Speaker 3: possibility that you could just record your own songs. I 167 00:10:17,520 --> 00:10:20,000 Speaker 3: just wasn't aware that you could do it right. So 168 00:10:20,080 --> 00:10:24,640 Speaker 3: that kind of turned me on to recording really early stuff. 169 00:10:24,679 --> 00:10:28,400 Speaker 3: Like I recorded some demos when I was like thirteen 170 00:10:29,080 --> 00:10:33,520 Speaker 3: on garage band. That was like my first intro to recording. 171 00:10:34,679 --> 00:10:39,360 Speaker 3: But I mean the unconventional places was a lot of 172 00:10:39,840 --> 00:10:44,520 Speaker 3: out of like insecurity, I'd say, because I have always 173 00:10:44,600 --> 00:10:50,320 Speaker 3: kind of kept my music stuff a secret because a 174 00:10:50,320 --> 00:10:53,320 Speaker 3: lot of my friends don't they're not really music people. 175 00:10:53,360 --> 00:10:57,800 Speaker 3: They're not into music. It was just always like a 176 00:10:58,040 --> 00:11:05,920 Speaker 3: or My own writing has always been such a personal process, 177 00:11:06,040 --> 00:11:10,680 Speaker 3: so I think back then, I was like really scared 178 00:11:10,760 --> 00:11:16,480 Speaker 3: to have someone hear something that wasn't finished yet, right, 179 00:11:16,559 --> 00:11:22,040 Speaker 3: So I would like record in my basement closet when 180 00:11:22,040 --> 00:11:25,880 Speaker 3: I was like thirteen, or I would turn my amp 181 00:11:25,960 --> 00:11:29,320 Speaker 3: up really loud and play and then record vocals on 182 00:11:29,400 --> 00:11:33,079 Speaker 3: the sly so that no one would hear me singing. 183 00:11:33,160 --> 00:11:37,319 Speaker 2: Like was your earlier music self produced? Like Chandelier? 184 00:11:37,679 --> 00:11:40,560 Speaker 3: Yeah? Yeah, so this was all when I'm only talking 185 00:11:40,559 --> 00:11:43,920 Speaker 3: about when I was like thirteen, but right, I mean 186 00:11:43,960 --> 00:11:47,040 Speaker 3: I pretty much stopped through high school and pretty much 187 00:11:47,080 --> 00:11:51,080 Speaker 3: into college until COVID hit. But yeah, Chandelier, I recorded 188 00:11:51,080 --> 00:11:54,280 Speaker 3: a lot of it, like in my car because that 189 00:11:54,440 --> 00:11:59,679 Speaker 3: same type of insecurity. Like all my friends were rugby players, 190 00:11:59,679 --> 00:12:02,199 Speaker 3: like I was on the rugby team, and they were 191 00:12:02,320 --> 00:12:07,480 Speaker 3: very not like music forward, right people. So I was 192 00:12:07,520 --> 00:12:11,920 Speaker 3: like again just finding myself, keeping it a secret from everybody. 193 00:12:12,640 --> 00:12:16,240 Speaker 3: I'd recorded most of my my first like four songs 194 00:12:16,240 --> 00:12:19,360 Speaker 3: I recorded in my car at night. 195 00:12:19,760 --> 00:12:21,800 Speaker 2: Well it shows you you don't always have to record 196 00:12:21,840 --> 00:12:24,600 Speaker 2: in a studio because the quality of it is sounds 197 00:12:24,640 --> 00:12:25,160 Speaker 2: really good. 198 00:12:25,360 --> 00:12:30,640 Speaker 3: Oh well, I listened back and I'm like, oh god, yeah, 199 00:12:30,679 --> 00:12:32,760 Speaker 3: that was definitely. It was always I always had like 200 00:12:32,800 --> 00:12:38,719 Speaker 3: a DIY approach. I always thought that a DIY or 201 00:12:38,760 --> 00:12:41,120 Speaker 3: it was. It was the only option that I had, 202 00:12:41,160 --> 00:12:46,680 Speaker 3: so I didn't really consider doing anything else, right, I 203 00:12:46,760 --> 00:12:49,280 Speaker 3: really just had like a computer back then. 204 00:12:50,160 --> 00:12:54,319 Speaker 2: Was this your first time in a studio recording your 205 00:12:54,360 --> 00:12:55,200 Speaker 2: new album? Okay? 206 00:12:55,280 --> 00:12:55,480 Speaker 3: Yeah? 207 00:12:55,800 --> 00:12:58,800 Speaker 2: How was that experience compared to you know, you're used 208 00:12:58,840 --> 00:13:00,000 Speaker 2: to doing everything on your own. 209 00:13:00,840 --> 00:13:04,800 Speaker 3: It was really nice, Honestly, It's like I did miss 210 00:13:04,920 --> 00:13:10,880 Speaker 3: aspects of having full control over stuff. And also the 211 00:13:10,920 --> 00:13:14,400 Speaker 3: real major difference was I'm playing with a full band on. 212 00:13:14,280 --> 00:13:17,360 Speaker 2: This okay, so there's other musicians on it. 213 00:13:17,520 --> 00:13:20,600 Speaker 3: Yeah, we're just doing like live takes, and that's the 214 00:13:20,960 --> 00:13:24,640 Speaker 3: cool foundation of the song. When before I would have 215 00:13:24,679 --> 00:13:28,360 Speaker 3: to just do everything like I'd play the guitar, and 216 00:13:28,400 --> 00:13:30,960 Speaker 3: then I didn't have a drum set, so I would 217 00:13:31,000 --> 00:13:34,480 Speaker 3: have to figure out some way to go around making 218 00:13:34,559 --> 00:13:37,480 Speaker 3: a beat or making some sort of percussive element. That's 219 00:13:37,480 --> 00:13:40,640 Speaker 3: why none of my songs have drums in them until no. 220 00:13:41,040 --> 00:13:44,480 Speaker 2: Okay, And you're a co producer on the album right 221 00:13:44,559 --> 00:13:46,040 Speaker 2: with your friend Will. 222 00:13:46,480 --> 00:13:51,520 Speaker 3: Okay, yeah, but yeah, I mean Will kind of took 223 00:13:52,440 --> 00:13:56,920 Speaker 3: control over the engineering aspect. My band I've been touring 224 00:13:56,920 --> 00:14:00,440 Speaker 3: with for years, so we're pretty jelled already. And I 225 00:14:00,520 --> 00:14:03,920 Speaker 3: just sent demos to them that I did my I 226 00:14:03,960 --> 00:14:08,160 Speaker 3: did my little DIY demo album that I sent to 227 00:14:08,240 --> 00:14:11,960 Speaker 3: the band, So I got that little like I was 228 00:14:12,000 --> 00:14:13,920 Speaker 3: able to scratch that di y h. 229 00:14:16,520 --> 00:14:20,480 Speaker 2: That's cool. And you recorded it here in Nashville with studio. 230 00:14:20,480 --> 00:14:25,320 Speaker 3: At Last Dollar OKAYO, it's very nice, very nice studio. 231 00:14:25,480 --> 00:14:29,640 Speaker 3: My friend is the he's the engineer there, so we're 232 00:14:29,640 --> 00:14:32,160 Speaker 3: able to get in there. Cool for like a month. 233 00:14:32,440 --> 00:14:34,680 Speaker 2: Did your band come into town with you or are 234 00:14:34,680 --> 00:14:35,920 Speaker 2: they already in Nashville? 235 00:14:36,360 --> 00:14:41,840 Speaker 3: They are spread out. My bassest Abby lives in La 236 00:14:42,000 --> 00:14:46,480 Speaker 3: now and then my drummer seb lives in Seattle. Cool, 237 00:14:47,600 --> 00:14:52,240 Speaker 3: but they're coming to Nashville in a few weeks to 238 00:14:52,280 --> 00:14:53,360 Speaker 3: rehearse for this tour. 239 00:14:53,200 --> 00:14:57,520 Speaker 2: Coming on nice. What inspired you to write this album? 240 00:14:57,560 --> 00:14:58,960 Speaker 2: What does this album mean to you? 241 00:15:00,360 --> 00:15:04,760 Speaker 3: I was kind of feeling a lot of angst post 242 00:15:05,800 --> 00:15:11,080 Speaker 3: releasing this EP that I recorded last summer. It was 243 00:15:11,120 --> 00:15:20,600 Speaker 3: all like really acoustic, really quiet, introspective, thoughtful, Yeah, songs 244 00:15:21,040 --> 00:15:23,200 Speaker 3: that I really love, and I really love the way 245 00:15:23,480 --> 00:15:27,240 Speaker 3: that came out, But I think I just after releasing that, 246 00:15:27,360 --> 00:15:29,800 Speaker 3: wanted to do like the total opposite. 247 00:15:30,040 --> 00:15:34,760 Speaker 2: Yeah. Yeah, it's definitely a big contrast. Definitely more rocking. 248 00:15:34,880 --> 00:15:37,120 Speaker 2: I've heard the singles that have come out already and 249 00:15:37,440 --> 00:15:40,400 Speaker 2: haha ha is a fun one. Yeah to jam too. 250 00:15:40,360 --> 00:15:43,000 Speaker 3: It's definitely more rocking. I was listening to like a 251 00:15:43,000 --> 00:15:47,680 Speaker 3: lot of Fugazi and just more loud stuff as well, 252 00:15:48,400 --> 00:15:50,400 Speaker 3: so I think that kind of inspired it. I was 253 00:15:50,440 --> 00:15:54,080 Speaker 3: also about to go on tour and wanted songs that 254 00:15:54,240 --> 00:15:57,400 Speaker 3: I could have fun blowing on tour. Okay, that was 255 00:15:57,440 --> 00:16:01,800 Speaker 3: like a major inspiration for the sound of the album 256 00:16:01,960 --> 00:16:04,520 Speaker 3: was just I wanted it to sound like we were 257 00:16:04,560 --> 00:16:07,640 Speaker 3: just playing it live, because that was kind of a 258 00:16:08,520 --> 00:16:14,720 Speaker 3: thing I've never really done before. It's not meant to 259 00:16:14,760 --> 00:16:17,880 Speaker 3: be listened to, like in a live setting. Like a 260 00:16:17,880 --> 00:16:20,480 Speaker 3: lot of the songs that I'd recorded, I didn't have 261 00:16:20,600 --> 00:16:25,760 Speaker 3: live in mind, right, So then going to try to 262 00:16:26,080 --> 00:16:29,440 Speaker 3: convert them into like live performance songs, I had like 263 00:16:30,160 --> 00:16:31,840 Speaker 3: kind of a lot of trouble. 264 00:16:32,120 --> 00:16:36,200 Speaker 2: Right, especially if there's so many different layers instrumentation on it. 265 00:16:36,480 --> 00:16:40,200 Speaker 3: Yeah, some of my songs have you know, fo guitar 266 00:16:40,400 --> 00:16:43,000 Speaker 3: layers and I can't have four guitars on stage, so 267 00:16:43,040 --> 00:16:45,800 Speaker 3: I had to either cut the song off my set 268 00:16:45,800 --> 00:16:48,360 Speaker 3: list or try to come up with a way to 269 00:16:48,680 --> 00:16:51,880 Speaker 3: make it work live. Yeah, so this album, I didn't 270 00:16:51,960 --> 00:16:55,520 Speaker 3: want to do that with this album. I just wanted 271 00:16:55,560 --> 00:16:57,800 Speaker 3: to be able to play the songs live, and that 272 00:16:57,960 --> 00:17:02,520 Speaker 3: is essentially what the entire song is. Yeah, so kind 273 00:17:02,520 --> 00:17:03,960 Speaker 3: of minimal production on it. 274 00:17:05,040 --> 00:17:07,760 Speaker 2: Do you ever play the recorder on stage? Played on 275 00:17:07,800 --> 00:17:08,960 Speaker 2: your TikTok videos? 276 00:17:10,040 --> 00:17:12,320 Speaker 3: No, that is a new hobby of mine that who 277 00:17:12,359 --> 00:17:13,879 Speaker 3: knows how that will last. 278 00:17:14,280 --> 00:17:16,080 Speaker 2: Be kind of fun to pull that out on stage. 279 00:17:16,560 --> 00:17:20,479 Speaker 3: I know. I've thought that recorder would be an easy 280 00:17:20,520 --> 00:17:23,440 Speaker 3: thing to learn the basics of it, or it's really 281 00:17:23,480 --> 00:17:27,440 Speaker 3: easy to like first begin playing it, but then if 282 00:17:27,440 --> 00:17:30,320 Speaker 3: you want to get more complicated with it, it's actually 283 00:17:30,480 --> 00:17:34,960 Speaker 3: such a hard instrument to really learn. And I've hit 284 00:17:35,000 --> 00:17:37,640 Speaker 3: a wall I think on my recorder player. 285 00:17:37,880 --> 00:17:41,280 Speaker 2: I think that's most everyone's first instrument from taking it 286 00:17:41,320 --> 00:17:43,800 Speaker 2: in like elementary music class. 287 00:17:43,920 --> 00:17:46,760 Speaker 3: I still have mine from when I was in kindergarten 288 00:17:46,840 --> 00:17:47,280 Speaker 3: or whatever. 289 00:17:47,600 --> 00:17:51,960 Speaker 2: Nice. That's cool. Well, you mentioned you have a tour 290 00:17:52,320 --> 00:17:55,159 Speaker 2: coming up in a few weeks. Is there a stop 291 00:17:55,200 --> 00:17:56,720 Speaker 2: on the tour that you're most excited for? 292 00:17:57,400 --> 00:18:02,520 Speaker 3: Boston because I've never played a headline show in Boston before. Cool, 293 00:18:02,600 --> 00:18:06,360 Speaker 3: so this will be my first and all my friends 294 00:18:06,720 --> 00:18:07,880 Speaker 3: will be there, my family. 295 00:18:08,119 --> 00:18:11,560 Speaker 2: What's the venue again, It's the Red Room. Is this 296 00:18:11,640 --> 00:18:13,080 Speaker 2: your first time playing there? 297 00:18:13,280 --> 00:18:15,679 Speaker 3: Yeah, And I've seen a bunch of shows there. I 298 00:18:15,720 --> 00:18:18,680 Speaker 3: went to shows when I was in college there, so 299 00:18:18,720 --> 00:18:22,760 Speaker 3: it'll be cool to be on the other end of 300 00:18:23,240 --> 00:18:24,280 Speaker 3: you know that venue. 301 00:18:24,600 --> 00:18:27,760 Speaker 2: Yeah. Are you looking forward to your Europe tour? Your 302 00:18:27,840 --> 00:18:28,480 Speaker 2: Europe shows? 303 00:18:28,560 --> 00:18:31,680 Speaker 3: Yeah? Yeah. We went to Europe in the spring and 304 00:18:31,800 --> 00:18:35,840 Speaker 3: it was super fun. It's like a very different energy 305 00:18:36,680 --> 00:18:40,679 Speaker 3: playing shows there. So yeah, very excited to go back there. 306 00:18:41,320 --> 00:18:44,880 Speaker 2: Very cool. Well, you have certainly achieved a lot at 307 00:18:44,880 --> 00:18:49,000 Speaker 2: a young age. So after this album and this tour, 308 00:18:49,160 --> 00:18:52,160 Speaker 2: what do you hope to accomplish next with your music career? 309 00:18:53,280 --> 00:18:56,680 Speaker 3: And I've been thinking about that. It's hard to think 310 00:18:56,720 --> 00:19:01,480 Speaker 3: about it because I kind of have such a thing 311 00:19:01,520 --> 00:19:04,080 Speaker 3: ahead of me that it's hard to think what I'm 312 00:19:04,119 --> 00:19:06,840 Speaker 3: going to do after it, But I am thinking about it. 313 00:19:06,880 --> 00:19:13,040 Speaker 3: I mean, I think I want to settle down into 314 00:19:13,160 --> 00:19:16,320 Speaker 3: Nashville for a little bit, and I've kind of been 315 00:19:16,400 --> 00:19:20,640 Speaker 3: running around for the past like two years, either touring 316 00:19:20,800 --> 00:19:25,359 Speaker 3: or being somewhere else recording. Like I lived in LA 317 00:19:25,480 --> 00:19:27,000 Speaker 3: for a year and a half, but I pretty much 318 00:19:27,040 --> 00:19:31,000 Speaker 3: wasn't there ever, so I haven't had a place to 319 00:19:31,160 --> 00:19:35,520 Speaker 3: just sit down and write for months on end. That's 320 00:19:35,600 --> 00:19:39,440 Speaker 3: kind of what I want to do after this tour 321 00:19:39,760 --> 00:19:43,760 Speaker 3: in the new year, just kind of relaxed for a 322 00:19:43,840 --> 00:19:46,320 Speaker 3: sec and kind of think about what I want to 323 00:19:46,359 --> 00:19:50,080 Speaker 3: create and what I want it to sound like and 324 00:19:50,119 --> 00:19:53,840 Speaker 3: what I want to say. Do you get to working 325 00:19:53,920 --> 00:19:54,600 Speaker 3: on the next one? 326 00:19:54,880 --> 00:19:58,080 Speaker 2: Yeah? Do you write most of your songs yourself or 327 00:19:58,800 --> 00:20:01,160 Speaker 2: do you collaborate and right with others. 328 00:20:01,480 --> 00:20:04,960 Speaker 3: I've never really co written something before. I've never really 329 00:20:05,000 --> 00:20:09,440 Speaker 3: done like sessions with people. Well that's not true, No, 330 00:20:09,560 --> 00:20:16,080 Speaker 3: I've there's a collaborator in La Gabe Greenland that I 331 00:20:16,119 --> 00:20:19,879 Speaker 3: wrote some songs with. I would like, take an idea 332 00:20:20,280 --> 00:20:22,560 Speaker 3: and he would help me just finish it out and 333 00:20:22,600 --> 00:20:26,159 Speaker 3: produce it, and that was fun. I do enjoy collaboration. 334 00:20:26,320 --> 00:20:28,240 Speaker 3: I want to I want the next project to be 335 00:20:28,240 --> 00:20:32,480 Speaker 3: a little more collaborative with my band. Before I kind 336 00:20:32,480 --> 00:20:36,400 Speaker 3: of had the parts in mind and they would kind 337 00:20:36,400 --> 00:20:39,479 Speaker 3: of do their thing on it, but it was mainly 338 00:20:39,640 --> 00:20:41,480 Speaker 3: just the part I had in my head. It would 339 00:20:41,520 --> 00:20:46,120 Speaker 3: be nice to sit down with a band with no 340 00:20:46,400 --> 00:20:47,120 Speaker 3: real direction. 341 00:20:47,880 --> 00:20:52,960 Speaker 2: I've never really done that before and create something from scratch. Yeah. 342 00:20:53,040 --> 00:20:55,320 Speaker 3: Yeah, I've never done it, so I've never really had 343 00:20:55,320 --> 00:20:58,840 Speaker 3: the opportunity that I have never lived in the same 344 00:20:58,880 --> 00:20:59,480 Speaker 3: place as. 345 00:20:59,359 --> 00:21:02,040 Speaker 2: My band before, right, Yeah, that can make it a 346 00:21:02,080 --> 00:21:03,000 Speaker 2: little bit challenging. 347 00:21:03,520 --> 00:21:08,600 Speaker 3: So I'm trying to get some time and wrestle them 348 00:21:08,600 --> 00:21:12,040 Speaker 3: all together so that we can sit down and do 349 00:21:12,119 --> 00:21:13,520 Speaker 3: something together. Yeah. 350 00:21:13,840 --> 00:21:16,720 Speaker 2: Yeah, Well, we wish you luck on your upcoming tour 351 00:21:17,080 --> 00:21:21,600 Speaker 2: and everyone should give a listen to Hahaha, which is 352 00:21:21,720 --> 00:21:25,640 Speaker 2: out on streaming platforms. And again we're here in East 353 00:21:25,720 --> 00:21:29,720 Speaker 2: Nashville at the Russell Podcast Studio. And well, since we're 354 00:21:29,720 --> 00:21:32,920 Speaker 2: on taking a walk Nashville today, I know you're new 355 00:21:33,000 --> 00:21:35,840 Speaker 2: to Nashville, but since you've explored it a bit, do 356 00:21:35,880 --> 00:21:38,640 Speaker 2: you have a favorite place you have liked to take 357 00:21:38,680 --> 00:21:39,680 Speaker 2: a walk in Nashville. 358 00:21:39,840 --> 00:21:44,280 Speaker 3: Yes, Shelby Park. I'd say that's a pretty obvious one. 359 00:21:44,520 --> 00:21:46,040 Speaker 2: Yeah, we're right near there too. 360 00:21:46,240 --> 00:21:50,160 Speaker 3: Yeah, I've done I walked the entire the entire run 361 00:21:50,160 --> 00:21:56,280 Speaker 3: of Shelby Park last week, and it's a good one. 362 00:21:56,800 --> 00:21:59,879 Speaker 3: It's finally getting a little cold out so well, not 363 00:22:00,080 --> 00:22:03,720 Speaker 3: cold but temperate. Yeah, not overbearingly hot. 364 00:22:04,119 --> 00:22:06,679 Speaker 2: We call it false fall intimacy. I know. 365 00:22:06,760 --> 00:22:09,480 Speaker 3: I'm ready for the next heat wave to come. 366 00:22:09,840 --> 00:22:12,720 Speaker 2: Yeah. Sometimes I wish we had Boston weather down Yeah. 367 00:22:13,440 --> 00:22:17,439 Speaker 3: Yeah, but yeah, Shelby Park, it's great. The airfield at 368 00:22:17,480 --> 00:22:18,600 Speaker 3: Shelby Park. I like it. 369 00:22:18,680 --> 00:22:22,040 Speaker 2: Yeah. There's definitely so many parks here in Nashville that 370 00:22:22,080 --> 00:22:25,240 Speaker 2: you'll have to check out while you're here. But thank 371 00:22:25,240 --> 00:22:27,679 Speaker 2: you again Will for being here today on Taking a 372 00:22:27,680 --> 00:22:31,800 Speaker 2: Walk Nashville. Is there anything you'd like to end by 373 00:22:31,840 --> 00:22:32,879 Speaker 2: letting our listeners know? 374 00:22:33,840 --> 00:22:36,840 Speaker 3: Yeah, going on tour, I'm playing. Where am I playing 375 00:22:36,880 --> 00:22:40,639 Speaker 3: in Nashville? Dark Matter? Cool in Nashville. Should be a 376 00:22:40,680 --> 00:22:41,240 Speaker 3: good time. 377 00:22:41,800 --> 00:22:46,679 Speaker 2: Yeah, yeah, definitely look up Will's upcoming shows on his website. 378 00:22:46,720 --> 00:22:49,159 Speaker 2: If you're in Nashville, check out his show here in 379 00:22:49,240 --> 00:22:51,760 Speaker 2: Dark Matter and his other stops on the tour. Thank 380 00:22:51,800 --> 00:22:53,440 Speaker 2: you again, Will for being here today. 381 00:22:53,520 --> 00:22:54,600 Speaker 3: Yeah, thank you for having me. 382 00:22:55,960 --> 00:22:58,920 Speaker 1: Thanks for listening to Taking a Walk Nashville with singer 383 00:22:58,960 --> 00:23:03,679 Speaker 1: songwriter Sarah Arylson, and check out our other podcasts, Music 384 00:23:03,760 --> 00:23:07,400 Speaker 1: Saved Me, Comedy Save Me, and taking a walk. Available 385 00:23:07,440 --> 00:23:10,720 Speaker 1: on the iHeartRadio app, Apple Podcasts, or wherever you get 386 00:23:10,760 --> 00:23:11,640 Speaker 1: your podcasts.