1 00:00:00,680 --> 00:00:03,640 Speaker 1: This week at the Parlor Live Comedy Club from Money 2 00:00:03,680 --> 00:00:06,920 Speaker 1: from Strangers Jeff Die June nineteenth through the twenty first. 3 00:00:07,000 --> 00:00:09,959 Speaker 1: Tickets are available at Parlor Live dot com or called 4 00:00:10,000 --> 00:00:15,920 Speaker 1: four two five, two eight nine seven thousand another on 5 00:00:16,000 --> 00:00:25,880 Speaker 1: the twenty five. Hello, I was looking for Marissa, Marissa 6 00:00:26,520 --> 00:00:30,680 Speaker 1: tefor sparks from this talent agency. How's it going? I'm sorry, 7 00:00:30,720 --> 00:00:34,600 Speaker 1: what's your name? Tefor sparks calling from this talent agency 8 00:00:34,640 --> 00:00:38,160 Speaker 1: down here in Hollywood. How's it going? How do you good? 9 00:00:38,200 --> 00:00:41,440 Speaker 1: How are you? I'm well? Thanks for asking? What can 10 00:00:41,479 --> 00:00:43,360 Speaker 1: I do for you? Friend of mine dropped off your 11 00:00:43,360 --> 00:00:45,600 Speaker 1: headshot to my office and I thought i'd give you 12 00:00:45,640 --> 00:00:49,280 Speaker 1: a call. Okay, well that's awesome. Yeah. He said that 13 00:00:49,560 --> 00:00:51,519 Speaker 1: you were planning on moving down to La do a 14 00:00:51,520 --> 00:00:55,240 Speaker 1: little acting and stuff. Yeah. I would see them moving there, 15 00:00:55,400 --> 00:00:58,080 Speaker 1: and I don't know, I just try a little modeling, 16 00:00:58,160 --> 00:01:00,840 Speaker 1: maybe get into some acting. I don't know. I've always 17 00:01:00,840 --> 00:01:02,840 Speaker 1: wanted to be on like a soap opera or something. 18 00:01:03,160 --> 00:01:07,640 Speaker 1: Purf Listen. I saw your head shot. I saw that 19 00:01:07,680 --> 00:01:12,680 Speaker 1: face and I was like, she's got something really yeah. 20 00:01:12,720 --> 00:01:14,760 Speaker 1: I mean, now, you're not classically good looking at but 21 00:01:14,800 --> 00:01:17,360 Speaker 1: there is something about you that just caught my eye, 22 00:01:17,520 --> 00:01:21,120 Speaker 1: and I'd like to talk to you more. What do 23 00:01:21,120 --> 00:01:24,679 Speaker 1: you mean that I'm not classically good looking? If that's 24 00:01:24,680 --> 00:01:26,360 Speaker 1: a little too blunt, I hate to be that way, 25 00:01:26,360 --> 00:01:28,360 Speaker 1: but you know what, it's a tough biz. You're gonna 26 00:01:28,400 --> 00:01:31,440 Speaker 1: hear a lot of things when you come down here. Okay, 27 00:01:31,720 --> 00:01:33,280 Speaker 1: I kind of get that, but it was just kind 28 00:01:33,280 --> 00:01:34,480 Speaker 1: of word you. I had to like say it. But 29 00:01:34,520 --> 00:01:36,759 Speaker 1: that's fine. Like, I know, Hollywood's like, you know, it's 30 00:01:36,760 --> 00:01:38,680 Speaker 1: a rough it's a rough town. It's a rough town. 31 00:01:38,720 --> 00:01:40,240 Speaker 1: But if you can hack it, and if you can 32 00:01:40,319 --> 00:01:45,720 Speaker 1: navigate these waters, you can make it big. Cool. So 33 00:01:46,440 --> 00:01:48,800 Speaker 1: let me ask you, like, do you have any specific 34 00:01:48,920 --> 00:01:51,200 Speaker 1: roles in mine now? Like what kind of roles do 35 00:01:51,200 --> 00:01:56,760 Speaker 1: you think? I do you know the movie The Great Gatsby? Yeah, 36 00:01:56,800 --> 00:01:59,000 Speaker 1: that's one of my fat movie right right, Well, they're 37 00:01:59,040 --> 00:02:02,120 Speaker 1: not redoing that. It's a movie like that based in 38 00:02:02,120 --> 00:02:05,160 Speaker 1: the twenties, And I'm thinking of having you audition for 39 00:02:05,200 --> 00:02:10,760 Speaker 1: the role of a prostitute. A prostitute. You have the 40 00:02:11,000 --> 00:02:14,520 Speaker 1: perfect prostitute face. As soon as I saw your head shot, 41 00:02:14,600 --> 00:02:16,440 Speaker 1: I was like, oh my god, I can have her 42 00:02:16,440 --> 00:02:20,160 Speaker 1: work in anything. Hold on a second, hope her. Are 43 00:02:20,200 --> 00:02:23,320 Speaker 1: you kidding me right now? No, I'm not kidding you. 44 00:02:23,360 --> 00:02:25,440 Speaker 1: It's it's great news that you have such a prostitute face, 45 00:02:25,440 --> 00:02:27,120 Speaker 1: because I'll tell you what I can get you on TV, 46 00:02:27,480 --> 00:02:29,880 Speaker 1: lawn order, I can get you in movies than all. 47 00:02:30,280 --> 00:02:32,920 Speaker 1: There is such a need give me. Okay, excuse me. 48 00:02:33,200 --> 00:02:35,760 Speaker 1: I haven't even met you, and I'm just saying I 49 00:02:35,760 --> 00:02:38,320 Speaker 1: don't really appreciate you saying that I have a face 50 00:02:38,360 --> 00:02:41,600 Speaker 1: that looks like a prostitute face. But you do. But 51 00:02:41,800 --> 00:02:44,160 Speaker 1: you do. And you know what, I'm sure that you 52 00:02:44,200 --> 00:02:45,840 Speaker 1: can play a ton of characters, but the one that 53 00:02:45,880 --> 00:02:48,200 Speaker 1: you are perfect for, even though you might not want 54 00:02:48,200 --> 00:02:53,320 Speaker 1: to be, you are a prostitute anything, I am a prostitute, Well, 55 00:02:53,320 --> 00:02:55,760 Speaker 1: you have the prostitute face. What I'm saying is, in Hollywood, 56 00:02:55,760 --> 00:02:57,359 Speaker 1: I send this head shot to people, they're gonna be like, 57 00:02:57,400 --> 00:02:59,399 Speaker 1: oh my god, this is the prostitute I've been looking 58 00:02:59,400 --> 00:03:02,320 Speaker 1: for months. Listen, it's not saying that I have a 59 00:03:02,320 --> 00:03:04,760 Speaker 1: prostitute feet. What if I say you had the first 60 00:03:04,840 --> 00:03:07,200 Speaker 1: gorilla face, then I'd be looking for roles as a 61 00:03:07,240 --> 00:03:10,120 Speaker 1: gorilla left and right. Make Daddy some money. What I'm 62 00:03:10,160 --> 00:03:12,799 Speaker 1: saying is Okay, okay, listen, I don't like I don't 63 00:03:12,800 --> 00:03:15,320 Speaker 1: like your attitude. You're kicking me off. I'm sure there's 64 00:03:15,320 --> 00:03:17,720 Speaker 1: plenty of managers and agents in Hollywood, and I really 65 00:03:17,720 --> 00:03:19,959 Speaker 1: don't want to there are talking, there are, and they're 66 00:03:20,000 --> 00:03:21,519 Speaker 1: all going to tell you the same thing that I'm 67 00:03:21,520 --> 00:03:24,280 Speaker 1: telling you. You. Oh my god, you okay, you need 68 00:03:24,280 --> 00:03:27,200 Speaker 1: to shut up right now now. I'm getting really pissed off. Listen, 69 00:03:27,240 --> 00:03:31,800 Speaker 1: Hollywood is if you have prostitute faith. I love it. 70 00:03:31,919 --> 00:03:34,880 Speaker 1: That's exactly something a prostitute would say. And I have 71 00:03:35,280 --> 00:03:40,920 Speaker 1: dealt with many problem I'm not a prostitude. I don't 72 00:03:41,000 --> 00:03:44,680 Speaker 1: look like a prostitude. If I ever see you when 73 00:03:44,680 --> 00:03:46,520 Speaker 1: I'm in LA, I'm going to punch you in your 74 00:03:46,840 --> 00:03:49,200 Speaker 1: ugly faith. You don't know how many times I've asked 75 00:03:49,240 --> 00:03:53,120 Speaker 1: the prostitute to punsh me in the face quite a bit. Seriously, 76 00:03:53,160 --> 00:03:55,800 Speaker 1: this can't be real. You're right, Marissa, this is not real. 77 00:03:56,200 --> 00:03:58,440 Speaker 1: This is actually Jewel from Brook and Jewel in the morning. 78 00:03:58,480 --> 00:04:00,600 Speaker 1: I'm moving ninety two point five doing a phone tap 79 00:04:00,600 --> 00:04:08,280 Speaker 1: on you. What your friend Jenna set you up? Oh 80 00:04:08,360 --> 00:04:10,520 Speaker 1: my god, she said that you've been trying to make 81 00:04:10,560 --> 00:04:12,640 Speaker 1: it big in Hollywood, and I thought, who better to 82 00:04:12,720 --> 00:04:15,640 Speaker 1: call you than tofor sparks. I was seriously going to 83 00:04:15,760 --> 00:04:17,840 Speaker 1: kill you when you said I had a procute face, 84 00:04:18,320 --> 00:04:20,479 Speaker 1: like who says that? Well, I do all the time. 85 00:04:20,520 --> 00:04:22,360 Speaker 1: I see a lot of them, so I know how 86 00:04:22,400 --> 00:04:28,080 Speaker 1: they look. Don't even go there week up every morning 87 00:04:28,080 --> 00:04:33,000 Speaker 1: with jul phone taps weekday mornings on the twenties five. 88 00:04:37,320 --> 00:04:43,440 Speaker 1: Big enough the box from where us stay? My mom 89 00:04:45,120 --> 00:04:52,880 Speaker 1: saying another way, I am trying to do what everybody 90 00:04:53,040 --> 00:04:57,839 Speaker 1: else doing. Just go send anybody doing what they are doing. 91 00:04:58,600 --> 00:05:03,120 Speaker 1: It's one thing on I'm gone, I'm grow I'm walking 92 00:05:03,200 --> 00:05:05,800 Speaker 1: down this row to mind this row that I goh 93 00:05:05,960 --> 00:05:10,240 Speaker 1: so at my wrong beginning that we could be something 94 00:05:10,440 --> 00:05:17,960 Speaker 1: for you? Now? Am I for trying to be stiff? Things? Man? 95 00:05:18,080 --> 00:05:18,799 Speaker 1: I can't see