1 00:00:00,200 --> 00:00:10,920 Speaker 1: Rom Barging podcast, It's Fun podcast, hits Him and now 2 00:00:11,360 --> 00:00:19,600 Speaker 1: podcast It's Hot Carolina. I'm just so you know, I 3 00:00:19,640 --> 00:00:22,440 Speaker 1: am on the phone right now. This is what I'm 4 00:00:22,440 --> 00:00:25,319 Speaker 1: doing over here. Yeah, just if you want to just 5 00:00:25,400 --> 00:00:27,000 Speaker 1: use one of the intros to the show that we've 6 00:00:27,040 --> 00:00:30,760 Speaker 1: already recorded, maybe one from the first season. I don't 7 00:00:30,760 --> 00:00:33,800 Speaker 1: think anyone will notice. We have a contractual obligation to 8 00:00:33,840 --> 00:00:37,080 Speaker 1: produced an entirely new episode every week. We can't. We 9 00:00:37,560 --> 00:00:39,760 Speaker 1: we've already started taping. You need to get off the phone. 10 00:00:39,760 --> 00:00:42,600 Speaker 1: We just need to. This happens to be a very 11 00:00:42,760 --> 00:00:45,080 Speaker 1: important call. I don't know what to tell you. They're 12 00:00:45,080 --> 00:00:47,839 Speaker 1: already recording there. Hey, look, just just make sure that 13 00:00:47,920 --> 00:00:50,239 Speaker 1: they edit this out. Okay, I'm dealing with it with 14 00:00:50,320 --> 00:00:54,560 Speaker 1: a very sensitive situation. By the way, did I tell 15 00:00:54,600 --> 00:01:01,080 Speaker 1: you that I lost Carlos what my pet aunt? I 16 00:01:01,160 --> 00:01:07,399 Speaker 1: let him out of his Mason jar and yeah, I 17 00:01:07,520 --> 00:01:10,920 Speaker 1: let him crawl on my face and he was tickling me, 18 00:01:11,760 --> 00:01:15,680 Speaker 1: and and now, for the life of me, I can't 19 00:01:15,680 --> 00:01:18,800 Speaker 1: find him. And we've talked about this before. It's one 20 00:01:18,800 --> 00:01:24,600 Speaker 1: of the excruciating elements of having a pet ant um. 21 00:01:24,600 --> 00:01:30,839 Speaker 1: It's it's you know, I adore Carlos and obviously Baxter 22 00:01:31,280 --> 00:01:35,479 Speaker 1: his family to me, but a pet ant is one 23 00:01:35,480 --> 00:01:39,840 Speaker 1: of the best pets I've ever had. Remember when you 24 00:01:40,000 --> 00:01:46,760 Speaker 1: thought Carlos was Lucy and Lucy was Carlos, and then 25 00:01:46,800 --> 00:01:50,160 Speaker 1: you realize, yep, I had been calling, oh my god, 26 00:01:50,400 --> 00:01:55,480 Speaker 1: Lucy Carlos and Carlos Lucy. That was so funny. That's 27 00:01:55,480 --> 00:01:58,320 Speaker 1: when I took them into the vet and I said, 28 00:01:58,440 --> 00:02:01,559 Speaker 1: you know, I opened up the the matchbox and I said, 29 00:02:01,960 --> 00:02:05,600 Speaker 1: Dr Schwartz, Carlos seems to have an ear infection. And 30 00:02:05,640 --> 00:02:08,960 Speaker 1: he was like, Carlos, I think you mean Lucy. I 31 00:02:08,960 --> 00:02:14,600 Speaker 1: think you mean Lucy because this is obviously a female aunt. Yeah, 32 00:02:15,080 --> 00:02:18,040 Speaker 1: and I'm like, oh my goodness, egg on your face. 33 00:02:19,240 --> 00:02:25,519 Speaker 1: And the ramifications of that are because that means we 34 00:02:25,600 --> 00:02:32,680 Speaker 1: had been celebrating Lucy's birthday on Carlos's birthday. And ah, 35 00:02:32,840 --> 00:02:36,920 Speaker 1: it's just the ripple effect, the financial ramifications because you 36 00:02:37,160 --> 00:02:41,360 Speaker 1: had put stuff in their account and joint accounts. We 37 00:02:41,400 --> 00:02:46,120 Speaker 1: had to separate those. But of course the most tragic 38 00:02:46,120 --> 00:02:48,359 Speaker 1: part of that day is when he said, by the way, 39 00:02:48,360 --> 00:02:52,200 Speaker 1: this is Lucy, and I go, okay, we had a laugh, 40 00:02:52,200 --> 00:02:55,400 Speaker 1: and he goes, However, we're gonna have to put Lucy down. 41 00:02:56,760 --> 00:03:00,480 Speaker 1: And that was because I didn't here from you for 42 00:03:00,520 --> 00:03:03,359 Speaker 1: a week. She had lime disease in her right antenna. 43 00:03:04,840 --> 00:03:07,640 Speaker 1: And then you know, you know, of course, how they 44 00:03:07,680 --> 00:03:10,840 Speaker 1: put an aunt down. Actually don't Did you just crush 45 00:03:10,880 --> 00:03:15,919 Speaker 1: it with your thumb? And I he just he kept 46 00:03:15,960 --> 00:03:18,440 Speaker 1: looking at me. He goes, are you ready? Are you 47 00:03:18,480 --> 00:03:20,440 Speaker 1: ready for this? And I go, well, you go. Some 48 00:03:20,480 --> 00:03:24,760 Speaker 1: people like to leave the room. And I'm like, before 49 00:03:24,760 --> 00:03:26,440 Speaker 1: I could say, he just crushed it with this thumb, 50 00:03:26,440 --> 00:03:31,079 Speaker 1: I just was off so angry at Dr Schwartz. There 51 00:03:31,120 --> 00:03:32,920 Speaker 1: has to be a more humane way. There has to 52 00:03:32,960 --> 00:03:37,200 Speaker 1: be and uh, I just said, Dr Schwartz. You He goes, 53 00:03:37,280 --> 00:03:39,600 Speaker 1: if I don't do it right away, people will beg 54 00:03:39,640 --> 00:03:42,560 Speaker 1: and beg, and you know, they'll drag it on forever, 55 00:03:43,160 --> 00:03:45,840 Speaker 1: and then you have an aunt who's living in pain. 56 00:03:46,040 --> 00:03:48,920 Speaker 1: I'm not happy. And we have to watch this lime 57 00:03:48,960 --> 00:03:54,040 Speaker 1: disease that's occurring in ants, the ant population. So anyway, now, 58 00:03:54,280 --> 00:03:56,320 Speaker 1: so now it's just Carlos. But now I can't find 59 00:03:56,360 --> 00:03:59,480 Speaker 1: they can't find him. So what do you do with 60 00:03:59,520 --> 00:04:03,000 Speaker 1: your time? You can't find Carlos. Baxter is busy. I've 61 00:04:03,000 --> 00:04:08,120 Speaker 1: put out treats all throughout the house. M little buckets 62 00:04:08,160 --> 00:04:16,440 Speaker 1: of horse radish with butter scotch that usually attracts him. 63 00:04:16,600 --> 00:04:18,880 Speaker 1: You'll you'll know him when you see him and give 64 00:04:18,920 --> 00:04:25,520 Speaker 1: him such a hug. Um. Anyway, I'm just I'm on hold. 65 00:04:25,600 --> 00:04:28,000 Speaker 1: So just why don't you just use one of the 66 00:04:28,120 --> 00:04:32,000 Speaker 1: intros from from season one? Well, I don't know what 67 00:04:32,080 --> 00:04:36,720 Speaker 1: to tell you. Contractually obligated to produce an entirely new 68 00:04:36,760 --> 00:04:40,320 Speaker 1: episode every week, and we've already started taping, so you 69 00:04:40,360 --> 00:04:42,320 Speaker 1: need to get off the phone. Yeah, but this happens 70 00:04:42,320 --> 00:04:45,880 Speaker 1: to be a very important call. We've been talking about 71 00:04:45,920 --> 00:04:47,719 Speaker 1: ants for the past five minutes, so I don't know 72 00:04:47,760 --> 00:04:51,400 Speaker 1: how important it could be. All right, Look, I'm doing 73 00:04:51,400 --> 00:04:56,839 Speaker 1: what's called hard bawling. Okay, it's a negotiating tactic. You're right, 74 00:04:57,520 --> 00:05:02,080 Speaker 1: I've just put them on hold for no reason. I mean, 75 00:05:02,080 --> 00:05:03,599 Speaker 1: I did want to tell you about Carlos. I know, 76 00:05:03,680 --> 00:05:06,479 Speaker 1: I'm sorry, but you know right now, I'm just letting 77 00:05:06,520 --> 00:05:09,800 Speaker 1: them sweat a little bit. So so watch and watch 78 00:05:09,839 --> 00:05:11,960 Speaker 1: and learn. And I'm sorry, I said, just Anne's like, 79 00:05:11,960 --> 00:05:13,280 Speaker 1: I know that they're your pets, and I know that 80 00:05:13,320 --> 00:05:18,680 Speaker 1: you care about I knew you knew not a big do. Okay, 81 00:05:19,080 --> 00:05:22,720 Speaker 1: watch this, watch this and learn. I'm gonna hardball. This 82 00:05:22,760 --> 00:05:27,360 Speaker 1: is called hard ball. I'm gonna take them off hold. Hello. Sorry, 83 00:05:27,560 --> 00:05:29,880 Speaker 1: sorry to put you on hold for so so long. There, sir, 84 00:05:31,240 --> 00:05:37,520 Speaker 1: that was Stephen Dorff calling. Yeah, so you can see 85 00:05:37,560 --> 00:05:42,880 Speaker 1: I have a lot of other offers to consider. What's that? Oh, 86 00:05:42,920 --> 00:05:46,480 Speaker 1: we're going to Dan Tana's. In fact, that's another thing 87 00:05:46,520 --> 00:05:50,760 Speaker 1: we could cover in the class. Yes, I've got a 88 00:05:50,760 --> 00:05:55,080 Speaker 1: lot of great ideas. No, I don't know when I 89 00:05:55,120 --> 00:05:59,560 Speaker 1: can be reached. Uh, just to wrap this up, you 90 00:05:59,560 --> 00:06:05,480 Speaker 1: you have counter bye. Bye. Okay, what was that call about? 91 00:06:06,320 --> 00:06:09,440 Speaker 1: I mean, please tell me if it wasn't about the show. No, 92 00:06:09,839 --> 00:06:12,039 Speaker 1: it was about something else. It has nothing to do 93 00:06:12,400 --> 00:06:17,960 Speaker 1: with welcoming everybody to another episode of the Ron Burgundy Podcast. Hello, 94 00:06:18,279 --> 00:06:21,120 Speaker 1: this is Ron Burgundy. We've got a great episode for you, 95 00:06:21,240 --> 00:06:23,600 Speaker 1: and and and Carolina. Did you notice how I just 96 00:06:23,680 --> 00:06:25,920 Speaker 1: nailed that intro and made it a segue at the 97 00:06:26,000 --> 00:06:30,640 Speaker 1: same time. It's it's called broadcast professionalism. Yeah. I have 98 00:06:30,720 --> 00:06:32,919 Speaker 1: to admit that was actually pretty seamless. Yep, and I 99 00:06:33,000 --> 00:06:36,680 Speaker 1: left enough space for the engineers to edit around it 100 00:06:37,320 --> 00:06:39,480 Speaker 1: for the listener. It will just sound like a high 101 00:06:39,560 --> 00:06:42,560 Speaker 1: energy regular opening to the show. Make sure to edit 102 00:06:42,600 --> 00:06:47,160 Speaker 1: out everything that was being recorded before. I'm sorry, I 103 00:06:47,240 --> 00:06:50,000 Speaker 1: just can't get my mind off of that phone call 104 00:06:50,240 --> 00:06:52,599 Speaker 1: and we can cut this out. Come on. Make up 105 00:06:52,680 --> 00:06:55,119 Speaker 1: your mind. Are we doing the intro to the show 106 00:06:55,279 --> 00:06:57,599 Speaker 1: or not? Why? Why are you creating all this post 107 00:06:57,600 --> 00:07:01,039 Speaker 1: production work? You were just you just seemed kind of 108 00:07:01,040 --> 00:07:03,880 Speaker 1: aggressive on that call, and I'm curious what you're working on. 109 00:07:04,160 --> 00:07:07,440 Speaker 1: I'm in the middle of putting together a deal to 110 00:07:07,640 --> 00:07:12,280 Speaker 1: one of those masterclass things. Okay, so there have you 111 00:07:12,320 --> 00:07:16,120 Speaker 1: seen those? That's the thing online where experts in their 112 00:07:16,160 --> 00:07:19,600 Speaker 1: field talk to you about their knowledge. Yes, exactly, and 113 00:07:19,640 --> 00:07:21,800 Speaker 1: then you forget you signed up for it, and your 114 00:07:21,800 --> 00:07:25,680 Speaker 1: credit card gets charged again and you're like, wow, what 115 00:07:25,720 --> 00:07:28,440 Speaker 1: did I do? Yeah, but they're really worth it. I 116 00:07:28,440 --> 00:07:30,960 Speaker 1: think they've gotten some incredible people to do those from 117 00:07:31,000 --> 00:07:33,920 Speaker 1: all walks of light. I know, I know Wolfgang Puck 118 00:07:34,320 --> 00:07:40,400 Speaker 1: teaching culinary art, Annie Leibowitz on photography, Howard Schultz from 119 00:07:40,440 --> 00:07:43,240 Speaker 1: Starbucks on business, and I think I think Marty did 120 00:07:43,240 --> 00:07:46,440 Speaker 1: one on filmmaking. Okay, can you please not do that. 121 00:07:47,640 --> 00:07:49,760 Speaker 1: I'm sorry to do what the thing where people call 122 00:07:49,880 --> 00:07:53,560 Speaker 1: Martin Scorsese Marty like they know him personally. I didn't 123 00:07:53,600 --> 00:07:55,760 Speaker 1: even know that was a thing with Marty. Stop calling 124 00:07:55,800 --> 00:07:59,320 Speaker 1: him Marty. I have the right to call him Marty. Okay, 125 00:07:59,360 --> 00:08:02,160 Speaker 1: that's what his friends call him. They call him Marty. 126 00:08:02,280 --> 00:08:08,320 Speaker 1: You're friends with Martin Scorsese, Okay, honestly not not best friends. 127 00:08:09,200 --> 00:08:11,480 Speaker 1: But when he calls me, I pick up the phone 128 00:08:11,480 --> 00:08:15,800 Speaker 1: and I answer Hello, and he says, Hey, it's Marty, 129 00:08:15,880 --> 00:08:18,720 Speaker 1: and then he usually starts talking really fast about some 130 00:08:18,960 --> 00:08:22,640 Speaker 1: old foreign film and I'm like, okay, Marty slowed down. 131 00:08:22,760 --> 00:08:25,920 Speaker 1: Good God. But I love that guy. He's a he's 132 00:08:25,960 --> 00:08:29,119 Speaker 1: actually probably listening. Shout out to Marty. If you're listening, 133 00:08:29,120 --> 00:08:31,840 Speaker 1: please tell Helen and the kids. I say, hello, Ron, 134 00:08:31,880 --> 00:08:35,559 Speaker 1: how do you know Martin Scorsese? Oh? Wow, you are 135 00:08:36,120 --> 00:08:38,839 Speaker 1: You are really taking me back now, Carolina, I guess. 136 00:08:39,600 --> 00:08:41,839 Speaker 1: I guess it had to be around the summer of 137 00:08:42,600 --> 00:08:46,320 Speaker 1: one because I was in New York at the time. Yeah, 138 00:08:46,440 --> 00:08:50,120 Speaker 1: that would be right. That's when Joe Strummer introduced me 139 00:08:50,160 --> 00:08:53,760 Speaker 1: to Marty. Wait, hold on, you knew Joe Strummer. Do 140 00:08:53,840 --> 00:08:56,120 Speaker 1: you know him? Yeah? He had a little band at 141 00:08:56,160 --> 00:09:00,040 Speaker 1: the time, The Oh the Smash or something. Clash, and 142 00:09:00,400 --> 00:09:02,400 Speaker 1: they were called the Clash. Yes, I know who Joe 143 00:09:02,440 --> 00:09:04,880 Speaker 1: Strummer is. I'm just surprised you do. Well. I knew 144 00:09:04,920 --> 00:09:07,920 Speaker 1: him well, nice guy, but he did screw me on 145 00:09:08,000 --> 00:09:10,840 Speaker 1: a news story one time. I I remember I was 146 00:09:11,400 --> 00:09:15,079 Speaker 1: doing a piece on how a venue called Bonds Casino 147 00:09:15,240 --> 00:09:18,600 Speaker 1: had oversold a bunch of concert tickets for Joe's goofy 148 00:09:18,600 --> 00:09:20,880 Speaker 1: punk band. They were a really good band, run they 149 00:09:20,880 --> 00:09:23,000 Speaker 1: were called the Clash. Anyway, I went down to the 150 00:09:23,080 --> 00:09:27,040 Speaker 1: venue looking for ryots and violence and a bunch of young, 151 00:09:27,200 --> 00:09:32,120 Speaker 1: dangerous punk rockers, kids with spiked hair throwing bricks around 152 00:09:32,160 --> 00:09:34,200 Speaker 1: and telling their parents to put it with a sun 153 00:09:34,240 --> 00:09:36,319 Speaker 1: don't shine. It was. It was going to be a 154 00:09:36,360 --> 00:09:38,840 Speaker 1: sizzler for the news that night. Me guess that's not 155 00:09:38,880 --> 00:09:42,000 Speaker 1: what happened. No, not at all. Good guests. Yeah, it 156 00:09:42,080 --> 00:09:46,000 Speaker 1: was all very peaceful and boring because Joe Strummer and 157 00:09:46,040 --> 00:09:49,480 Speaker 1: his band, which for some reason these weird kids wanted 158 00:09:49,520 --> 00:09:52,920 Speaker 1: to see, agreed to play extra shows for every kid 159 00:09:53,040 --> 00:09:55,360 Speaker 1: who bought a ticket, which was a stand up thing 160 00:09:55,360 --> 00:09:57,960 Speaker 1: to do. But if it were me, I would have said, 161 00:09:58,360 --> 00:10:00,760 Speaker 1: tough luck, punkers. You know, this is sort of a 162 00:10:00,840 --> 00:10:03,920 Speaker 1: legendary story in rock history. Well, it was a terrible 163 00:10:03,960 --> 00:10:07,800 Speaker 1: news story that night. I'm sorry. How did we get 164 00:10:07,800 --> 00:10:10,840 Speaker 1: on this topic? All right? You were questioning whether or 165 00:10:10,880 --> 00:10:15,160 Speaker 1: not I Ron Burgundy was close enough friends with Martin 166 00:10:15,200 --> 00:10:18,160 Speaker 1: Scorsese to call him Marty. I just find it a 167 00:10:18,200 --> 00:10:20,760 Speaker 1: little surprising that you were part of such a specific 168 00:10:20,840 --> 00:10:24,360 Speaker 1: moment in pop culture history. If you haven't figured it 169 00:10:24,360 --> 00:10:29,040 Speaker 1: out by now, Ron Burgundy is full of surprises. Okay, 170 00:10:29,200 --> 00:10:36,520 Speaker 1: And if you don't believe me, you can ask who Martin? Marty. 171 00:10:37,040 --> 00:10:39,319 Speaker 1: We can just record the intro to the show, please, 172 00:10:39,400 --> 00:10:41,320 Speaker 1: if we can just get that going, that master class 173 00:10:41,360 --> 00:10:45,319 Speaker 1: people will be calling back soon with their final offer. Actually, 174 00:10:45,400 --> 00:10:47,160 Speaker 1: we're running short on time and we want to get 175 00:10:47,200 --> 00:10:49,800 Speaker 1: the ads recorded. You ran out last time, so they're 176 00:10:49,880 --> 00:10:53,160 Speaker 1: suggesting we just do those first. Alright, alright, alright, fair enough, 177 00:10:53,440 --> 00:10:57,319 Speaker 1: Let's do an ad break and then I'll get a 178 00:10:57,320 --> 00:10:59,839 Speaker 1: little drunk, have some eggs, and we can get back 179 00:11:00,000 --> 00:11:10,679 Speaker 1: in the booth. Back here on the Run Burgundy Podcast. 180 00:11:11,000 --> 00:11:13,920 Speaker 1: Very excited to talk with our guest today, Lynda Evans. 181 00:11:14,040 --> 00:11:16,360 Speaker 1: We are going to talk about her work on the 182 00:11:16,400 --> 00:11:21,240 Speaker 1: television show Dynasty, and she has a few choice words 183 00:11:21,280 --> 00:11:26,120 Speaker 1: for her ex husband Yanni Um, wait, that's next week's episode. Run. 184 00:11:26,440 --> 00:11:29,280 Speaker 1: Oh well, what are we going to do for today's show? 185 00:11:30,520 --> 00:11:32,880 Speaker 1: Let me give the audience a free master class lesson. 186 00:11:33,360 --> 00:11:35,640 Speaker 1: Don't worry. We actually have a great guest one I 187 00:11:35,640 --> 00:11:40,720 Speaker 1: think you'll love. It's tarn Edgerton from Rocket Man. Wow. 188 00:11:40,760 --> 00:11:43,559 Speaker 1: Are you are you serious? Carolina? That's a big guest. 189 00:11:43,559 --> 00:11:46,239 Speaker 1: He's in the car now on his way of the studio. Oh, 190 00:11:46,280 --> 00:11:51,680 Speaker 1: that's fantastic. We're gonna talk to rocket Man. Wow. There's 191 00:11:51,760 --> 00:11:55,240 Speaker 1: so many questions for Taragon. Da mommy, Taron Edgerton? Wait, 192 00:11:55,280 --> 00:11:58,040 Speaker 1: aren't you guys friends? Didn't you help promote rocket Man? 193 00:11:58,600 --> 00:12:03,280 Speaker 1: Very good friends? Yes, I've we've mentioned Rocketman multiple times 194 00:12:03,280 --> 00:12:07,120 Speaker 1: here on the podcast. You know, just it. It's the 195 00:12:07,320 --> 00:12:11,440 Speaker 1: movie of the decade, Yeah, the millennium and uh and yes, 196 00:12:11,480 --> 00:12:16,439 Speaker 1: I was paid a side fee to occasionally mentioned rocket Man, 197 00:12:16,760 --> 00:12:19,439 Speaker 1: but we talked about no under the table payments this year. 198 00:12:19,520 --> 00:12:23,280 Speaker 1: Tarragon and I are become quite close. Wait, if you're 199 00:12:23,320 --> 00:12:26,360 Speaker 1: so close, why can't you pronounce his name? I'm just 200 00:12:26,600 --> 00:12:28,880 Speaker 1: I don't want to bug him, and I'm just I'm 201 00:12:28,920 --> 00:12:35,200 Speaker 1: embarrassed to um ask what the real pronunciation of his 202 00:12:35,320 --> 00:12:38,160 Speaker 1: name is. It's you can, I can tell you it's 203 00:12:38,160 --> 00:12:41,680 Speaker 1: Taron Edgerton. Okay, well, that's one of the things we 204 00:12:41,720 --> 00:12:45,280 Speaker 1: can dive into. I'll just say when we ass down, 205 00:12:45,320 --> 00:12:48,800 Speaker 1: I'll say, for our listeners, can you tell us how 206 00:12:48,840 --> 00:12:52,480 Speaker 1: you pronounce your name? I think he'll probably just say 207 00:12:52,480 --> 00:12:57,000 Speaker 1: it's Taron Edgerton, just so you know what to expect. Okay, 208 00:12:57,679 --> 00:13:02,280 Speaker 1: we'll see state. And you know I've seen Rocket Man 209 00:13:02,480 --> 00:13:08,600 Speaker 1: seventeen times. I legitimately enjoyed it. I didn't full musical, yes, 210 00:13:09,240 --> 00:13:12,880 Speaker 1: full on musical. Okay, before he gets here, I'll do 211 00:13:12,960 --> 00:13:17,640 Speaker 1: a quick distilled version of my master class for our listeners. Um, 212 00:13:17,640 --> 00:13:22,560 Speaker 1: this one's This one's on the house, folks, if you're listening. Actually, Carolina, 213 00:13:22,640 --> 00:13:24,920 Speaker 1: is there anyway we can we can send all of 214 00:13:24,920 --> 00:13:29,560 Speaker 1: our podcast listeners a bill for one thousand Uh you 215 00:13:29,559 --> 00:13:32,720 Speaker 1: know what? No, no, no, never mind, Okay that that 216 00:13:32,880 --> 00:13:35,760 Speaker 1: that would take. I don't know how we get people's addresses. Yeah, 217 00:13:35,760 --> 00:13:37,840 Speaker 1: so this one's on the house. I have to say, 218 00:13:37,880 --> 00:13:40,600 Speaker 1: I'm skeptical at the idea of you doing one of 219 00:13:40,640 --> 00:13:43,960 Speaker 1: these master class things. Why would you be skeptical? You know, 220 00:13:44,600 --> 00:13:47,840 Speaker 1: sometimes I think you and I are getting too close, Carolina. 221 00:13:47,920 --> 00:13:50,920 Speaker 1: Sometimes I think you forget your dog into round Burgundy. 222 00:13:51,040 --> 00:13:53,360 Speaker 1: I know I'm always painfully aware of who I'm talking to. 223 00:13:54,280 --> 00:13:56,280 Speaker 1: I can just picture your master class. I mean, you 224 00:13:56,320 --> 00:13:59,920 Speaker 1: really have had quite an interesting life. Your expertise as 225 00:14:00,120 --> 00:14:03,760 Speaker 1: newsman is invaluable. But that's that's kind of you to say. 226 00:14:03,800 --> 00:14:08,120 Speaker 1: But but no, I am not doing a masterclass about 227 00:14:08,160 --> 00:14:12,280 Speaker 1: any of that, nothing about me or my broadcasting career. 228 00:14:12,720 --> 00:14:15,520 Speaker 1: I'm sorry, I don't understand. That would be ridiculous that 229 00:14:15,600 --> 00:14:18,400 Speaker 1: those are trade secret scrolina. The amount of money they 230 00:14:18,400 --> 00:14:21,120 Speaker 1: would have to pay me to give up all that stuff, 231 00:14:21,840 --> 00:14:24,200 Speaker 1: I don't think I can count that high. Wait, if 232 00:14:24,200 --> 00:14:27,160 Speaker 1: you're not going to teach a master class about broadcasting, 233 00:14:27,240 --> 00:14:30,920 Speaker 1: what's the class about? What is this for giving a 234 00:14:31,080 --> 00:14:35,720 Speaker 1: home massage? A Ron Burgundy master class on giving a 235 00:14:35,840 --> 00:14:39,880 Speaker 1: home massage? Run? How are you going to fill out 236 00:14:40,000 --> 00:14:43,680 Speaker 1: whatever it is lessons on giving a home massage? Well, 237 00:14:43,720 --> 00:14:46,840 Speaker 1: first off, twenty lessons is very limiting. I think we're 238 00:14:46,840 --> 00:14:49,360 Speaker 1: going to need at least fifty lessons for me to 239 00:14:49,520 --> 00:14:53,200 Speaker 1: properly do a master class on the art of the 240 00:14:53,440 --> 00:14:57,520 Speaker 1: home massage. It can't be that complicated. Well, you've never 241 00:14:57,560 --> 00:15:01,640 Speaker 1: had the pleasure of receiving a home massage from ron Burg. Alright, Nick, 242 00:15:02,000 --> 00:15:07,440 Speaker 1: if you can give me my masterclass music, please? Thank you. Nick. 243 00:15:07,960 --> 00:15:10,840 Speaker 1: Folks at home, have you ever wanted to start a 244 00:15:10,880 --> 00:15:14,800 Speaker 1: massage business and be a traveling salesman. I don't blame you. 245 00:15:14,920 --> 00:15:17,880 Speaker 1: It makes sense you want to touch your neighbors and 246 00:15:17,960 --> 00:15:20,240 Speaker 1: get paid for it. But I think you need to 247 00:15:20,280 --> 00:15:24,040 Speaker 1: know a few things first, Carolina, how is it so far? 248 00:15:24,480 --> 00:15:27,080 Speaker 1: It's it's good, right, I don't know. I'm I'm I'm 249 00:15:27,080 --> 00:15:30,360 Speaker 1: still listening. I'll take that as a compliment. All right. Now, 250 00:15:30,400 --> 00:15:33,080 Speaker 1: some of you might say, hey, Ron, starting a home 251 00:15:33,120 --> 00:15:36,920 Speaker 1: massage service during the pandemic is a bad idea, And 252 00:15:37,000 --> 00:15:41,600 Speaker 1: to that I say, maybe, yes, you you might have 253 00:15:41,680 --> 00:15:44,640 Speaker 1: to go knock down some doors. And when I say 254 00:15:44,840 --> 00:15:48,600 Speaker 1: knocked down some doors, I mean literally knock those down. 255 00:15:48,680 --> 00:15:50,920 Speaker 1: You you break into some homes and you just walk 256 00:15:51,000 --> 00:15:54,440 Speaker 1: in with your arms up and you say, hey, I 257 00:15:54,480 --> 00:15:57,920 Speaker 1: mean no harm, but I need to come in and 258 00:15:57,960 --> 00:16:01,240 Speaker 1: give you a massage. And nine times out of ten 259 00:16:01,520 --> 00:16:05,240 Speaker 1: it doesn't work, and it can get kind of sticky, actually, 260 00:16:05,440 --> 00:16:10,000 Speaker 1: But one out of ten you meet a real crazy 261 00:16:10,040 --> 00:16:13,480 Speaker 1: person who let a trespasser give them a home massage 262 00:16:14,040 --> 00:16:18,400 Speaker 1: and then do you know what, you have a client, 263 00:16:20,200 --> 00:16:23,200 Speaker 1: that's called a client. Now, to be a good massus, 264 00:16:23,640 --> 00:16:25,960 Speaker 1: you need to know the names of all the human 265 00:16:26,200 --> 00:16:33,360 Speaker 1: body joints, muscle groups, ligaments, and body tissues. So so 266 00:16:33,560 --> 00:16:38,720 Speaker 1: you have your head, your face, your neck, um, then 267 00:16:38,760 --> 00:16:43,960 Speaker 1: moving down your your chest, bone, your your chest, chest, 268 00:16:44,920 --> 00:16:50,160 Speaker 1: upper back, grower back, uh, tummy Are you getting this? Yeah? 269 00:16:50,200 --> 00:16:53,080 Speaker 1: I know all these body parts. And always remember a 270 00:16:53,120 --> 00:16:56,840 Speaker 1: little guy that I use milk milk lemonade. Um, that's 271 00:16:56,840 --> 00:17:01,600 Speaker 1: helpful with massages, just to remind me what areas milk 272 00:17:01,640 --> 00:17:04,560 Speaker 1: milk elimonade. But then the dingles and the underwear zones 273 00:17:04,800 --> 00:17:09,040 Speaker 1: are off limits. All right, let's make that clear. We 274 00:17:09,160 --> 00:17:12,199 Speaker 1: run a classy joint. I have a motto for my 275 00:17:12,280 --> 00:17:15,640 Speaker 1: home massage business and it's you'll feel like you've got 276 00:17:15,640 --> 00:17:21,480 Speaker 1: a happy ending. Right it sounds suspicious. Now, one thing 277 00:17:21,600 --> 00:17:27,240 Speaker 1: is very important tipping. A lot of customers don't do it. Yeah, 278 00:17:27,280 --> 00:17:29,800 Speaker 1: I hate that. I hate bad tippers. It's so rude. 279 00:17:29,880 --> 00:17:33,440 Speaker 1: It's it's rude is the right word. It is extremely 280 00:17:33,520 --> 00:17:37,000 Speaker 1: rude because you're just a mom and pop you know business. Yeah, 281 00:17:37,000 --> 00:17:39,960 Speaker 1: you're counting on your tips. So what I do um 282 00:17:40,000 --> 00:17:43,879 Speaker 1: to head that off and you know it also eliminates embarrassment. 283 00:17:44,000 --> 00:17:48,560 Speaker 1: I include at added gratuity with every bill. You just 284 00:17:48,640 --> 00:17:53,560 Speaker 1: make people pay you tip. Yes, uh, it makes it 285 00:17:53,560 --> 00:17:58,040 Speaker 1: easier and I don't know why people don't do that more. Wait, 286 00:17:58,040 --> 00:18:00,480 Speaker 1: when is a tear and edge in getting here? Didn't 287 00:18:00,480 --> 00:18:02,560 Speaker 1: you say he was coming? Yeah, he's actually here, he's 288 00:18:02,560 --> 00:18:05,399 Speaker 1: in the waiting room. We should tell him to come in. Okay, great, 289 00:18:05,440 --> 00:18:16,000 Speaker 1: we have a little more time for my masterclass. Now. 290 00:18:16,240 --> 00:18:19,080 Speaker 1: Another thing I get a lot is people ringing on 291 00:18:19,200 --> 00:18:21,920 Speaker 1: my doorbell in the middle of the night saying, Ron, 292 00:18:22,640 --> 00:18:25,320 Speaker 1: what do you wear when you're giving a massage? And 293 00:18:25,440 --> 00:18:28,119 Speaker 1: I always tell them, good Heaven, just wear something that 294 00:18:28,160 --> 00:18:30,840 Speaker 1: you're comfortable in, you know. So for you Carolina, that 295 00:18:30,840 --> 00:18:36,080 Speaker 1: would probably be what cargo shorts, a piano key, necktie, 296 00:18:36,119 --> 00:18:39,800 Speaker 1: and I don't know, maybe a little fuzzy tangle hat. Okay, 297 00:18:39,800 --> 00:18:43,600 Speaker 1: what do you wear? Kashmir turtleneck? Alright, some nice wool pants, 298 00:18:43,680 --> 00:18:47,840 Speaker 1: comfortable shoes, that's important, and a ski mask so I 299 00:18:47,920 --> 00:18:50,359 Speaker 1: don't sweat on them. So what do you do if 300 00:18:50,400 --> 00:18:54,159 Speaker 1: someone hates your massage? Have you ever gotten about review? What? 301 00:18:54,320 --> 00:18:57,720 Speaker 1: Who told you to ask? That? Was it that? Lisa P? 302 00:18:57,920 --> 00:19:01,480 Speaker 1: For me. Help Lisa, if you're listing. I read what 303 00:19:01,560 --> 00:19:05,120 Speaker 1: you wrote in your Yelp review, and I just want 304 00:19:05,119 --> 00:19:09,879 Speaker 1: to set the record straight. I lit a match after 305 00:19:10,000 --> 00:19:14,520 Speaker 1: I took a near bathroom. It shouldn't have smelled that bad. Okay, 306 00:19:14,640 --> 00:19:18,800 Speaker 1: And if you can't in toilets anymore, well that's news 307 00:19:18,840 --> 00:19:22,119 Speaker 1: to me. Wait, that's a That's another thing I'd like 308 00:19:22,160 --> 00:19:25,120 Speaker 1: to share with my masterclass. You can in any toilet 309 00:19:25,160 --> 00:19:29,840 Speaker 1: you see, it's a client's toilet. Who cares take your time? 310 00:19:30,520 --> 00:19:33,159 Speaker 1: I bring a book in case I have to take it. 311 00:19:34,359 --> 00:19:38,160 Speaker 1: You can't make your client feel comfortable if you're uncomfortable. 312 00:19:40,000 --> 00:19:42,160 Speaker 1: Someone left you a yelped comments saying that you took 313 00:19:42,160 --> 00:19:45,280 Speaker 1: a in their bathroom. Yes, but she loved the massage, 314 00:19:45,359 --> 00:19:48,679 Speaker 1: loved it. It was still a five star review. I 315 00:19:48,720 --> 00:19:50,639 Speaker 1: don't think I would love one of your massages. I 316 00:19:50,640 --> 00:19:52,960 Speaker 1: have to be honest. Oh, you would be comfortable, but 317 00:19:53,760 --> 00:19:56,600 Speaker 1: you're you're never getting one though, never. I don't we 318 00:19:56,800 --> 00:19:58,520 Speaker 1: I don't want you to give me a home massage, 319 00:19:58,560 --> 00:20:00,720 Speaker 1: but why wouldn't you give me a homeless first? You 320 00:20:00,760 --> 00:20:02,960 Speaker 1: have a proper home massage. You need to have a 321 00:20:02,960 --> 00:20:05,720 Speaker 1: home and everyone here knows that you've been living out 322 00:20:05,720 --> 00:20:08,679 Speaker 1: of your car for the last month. What I have, no, 323 00:20:08,800 --> 00:20:11,639 Speaker 1: I live in my apartment. Wait, you're you're telling me 324 00:20:11,680 --> 00:20:14,400 Speaker 1: you're not homeless. I'm not. If I was, that would 325 00:20:14,400 --> 00:20:16,520 Speaker 1: be awful, and I feel for people in that situation, 326 00:20:16,600 --> 00:20:19,600 Speaker 1: I see right, So, so as an empathetic gesture, you 327 00:20:19,720 --> 00:20:24,280 Speaker 1: dress like a homeless person. You know what, Carolina, that's terrible. 328 00:20:24,320 --> 00:20:28,199 Speaker 1: What you're doing is called virtue signaling. Instead of spending 329 00:20:28,280 --> 00:20:31,200 Speaker 1: all that time and money to look like a homeless person, 330 00:20:31,200 --> 00:20:34,000 Speaker 1: why don't you actually give the money to the homeless first. 331 00:20:34,040 --> 00:20:37,200 Speaker 1: I'm wearing regular, normal, clean clothes. Also, when did you 332 00:20:37,280 --> 00:20:41,239 Speaker 1: learn about the concept of virtue signaling? If you must know? 333 00:20:43,560 --> 00:20:47,359 Speaker 1: Sia taught me about virtue signaling, and and I know 334 00:20:47,400 --> 00:20:51,320 Speaker 1: it when I see it. Um, she's my ex girlfriend. 335 00:20:51,359 --> 00:20:54,240 Speaker 1: I remember we were in love. Yes, we If you 336 00:20:54,320 --> 00:20:56,320 Speaker 1: thought I was homeless, why wouldn't you have wanted to 337 00:20:56,359 --> 00:20:58,879 Speaker 1: help me? You know, you got to pick yourself up 338 00:20:58,920 --> 00:21:03,760 Speaker 1: by your bootstraps, you know. Okay, had you told me 339 00:21:04,760 --> 00:21:08,280 Speaker 1: it was kind of an educated guess. But had you 340 00:21:08,320 --> 00:21:12,160 Speaker 1: as you said, Hey, Ron, by the way, I don't 341 00:21:12,160 --> 00:21:14,600 Speaker 1: know if you notice I'm homeless, I'd be like oh, Carolina, 342 00:21:15,680 --> 00:21:18,160 Speaker 1: let me give you a bag of carrots and some 343 00:21:18,400 --> 00:21:20,720 Speaker 1: coupon I have for a goodwill. I would have helped 344 00:21:20,720 --> 00:21:27,439 Speaker 1: you immediately in a positive impactful way. Hold on just 345 00:21:27,480 --> 00:21:30,720 Speaker 1: one second, can we let's just record the intro because 346 00:21:31,520 --> 00:21:36,760 Speaker 1: I am excited to talk with Tarragon Adam, Mom, I'm 347 00:21:36,760 --> 00:21:38,560 Speaker 1: just gonna call him rocket Man, and that way I 348 00:21:38,560 --> 00:21:43,600 Speaker 1: don't have to worry about it. Are we are? We rolling? Guess? 349 00:21:44,160 --> 00:21:46,760 Speaker 1: Hello everyone, and welcome to another episode of the Ron 350 00:21:46,880 --> 00:21:52,360 Speaker 1: Burgundy Podcast. As always, I'm joined by Carolina, who glory 351 00:21:52,600 --> 00:21:55,879 Speaker 1: be to God, is not homeless, does not sleep in 352 00:21:55,920 --> 00:21:59,640 Speaker 1: her car. Today on the show, we talked to rocket 353 00:21:59,640 --> 00:22:05,119 Speaker 1: Man in Okay, okay, we got the intro. Uh, master 354 00:22:05,200 --> 00:22:08,520 Speaker 1: Class lawyers are calling back. Let me let me just 355 00:22:08,520 --> 00:22:15,560 Speaker 1: close this deal. This is wrong. Whoa hello, Marty? What 356 00:22:15,640 --> 00:22:19,399 Speaker 1: the hell? Man? How's it going? Hey? I'm I'm actually 357 00:22:19,480 --> 00:22:21,840 Speaker 1: taping my podcast right now. Do you mind if we 358 00:22:21,880 --> 00:22:25,879 Speaker 1: put you on the air? Okay, I understand, I won't. 359 00:22:26,800 --> 00:22:30,960 Speaker 1: I'm sorry, I'm sorry. I don't know why I asked. 360 00:22:30,960 --> 00:22:34,240 Speaker 1: I thought it might be fun. Yes, I've been talking 361 00:22:34,240 --> 00:22:37,840 Speaker 1: to the master Class people, I see, so that's their 362 00:22:37,880 --> 00:22:42,399 Speaker 1: final offer them. Gosh, Marty, I gotta ask you, as 363 00:22:42,440 --> 00:22:47,040 Speaker 1: a friend, do you think I should take it? Okay, Well, 364 00:22:47,119 --> 00:22:50,000 Speaker 1: it's not gonna be about any of that. It's just 365 00:22:50,080 --> 00:22:54,280 Speaker 1: it's gonna be about giving a home massage. I think 366 00:22:54,280 --> 00:22:57,679 Speaker 1: fifty lessons, Hey, one other thing while I have you. 367 00:22:57,960 --> 00:23:02,480 Speaker 1: It's cool that I call you Marty, right, Okay, thanks 368 00:23:02,480 --> 00:23:10,200 Speaker 1: for calling hey. Say hi to Helen you too, oh, 369 00:23:11,119 --> 00:23:14,320 Speaker 1: Martin Scorsese. Yes, And for the record, he said, of 370 00:23:14,320 --> 00:23:18,920 Speaker 1: course I can call him Marty. Um. But the Masterclass 371 00:23:19,000 --> 00:23:21,880 Speaker 1: people called him and said I was being difficult and 372 00:23:21,960 --> 00:23:24,679 Speaker 1: closing the deal. Okay, so are you going to do it? 373 00:23:24,960 --> 00:23:28,960 Speaker 1: I don't know. I have to sleep on it. I 374 00:23:29,040 --> 00:23:32,000 Speaker 1: think what I'll do is I'll head home, I'll call 375 00:23:32,119 --> 00:23:35,800 Speaker 1: up and get a home massage and really think it through. 376 00:23:36,240 --> 00:23:38,119 Speaker 1: It'd be a shame not to share my knowledge of 377 00:23:38,160 --> 00:23:42,360 Speaker 1: home massage through Masterclass. Um. I do want to get 378 00:23:42,400 --> 00:23:45,679 Speaker 1: paid what I'm worth, though, I mean, how far apart 379 00:23:45,720 --> 00:23:51,960 Speaker 1: are you and the Masterclass people on negotiations. Well, they 380 00:23:52,000 --> 00:23:55,680 Speaker 1: are offering me nothing and saying if I want to 381 00:23:55,760 --> 00:23:58,879 Speaker 1: record one, it will be on my dime, and and 382 00:23:58,920 --> 00:24:05,520 Speaker 1: I can't use their brand. So it's been tough, is Rocketman? Here. 383 00:24:06,440 --> 00:24:09,679 Speaker 1: We should really call him Taren. Okay, but about that, 384 00:24:09,720 --> 00:24:11,920 Speaker 1: we're running out of studio time. They need to set 385 00:24:12,000 --> 00:24:14,480 Speaker 1: up to record the next show, and Taren is waiting 386 00:24:14,520 --> 00:24:18,560 Speaker 1: for an uber outside. I'm sorry, So I'm not going 387 00:24:18,640 --> 00:24:20,720 Speaker 1: to talk to tarign at a mommy today about the 388 00:24:20,720 --> 00:24:24,720 Speaker 1: process of filming Rocketman. Sorry, not today. What are we 389 00:24:24,760 --> 00:24:27,000 Speaker 1: going to release as an episode? I talked to my 390 00:24:27,119 --> 00:24:29,360 Speaker 1: heart and they assured me they'll be able to put 391 00:24:29,400 --> 00:24:32,440 Speaker 1: something together. Oh so it'll be a rerun, Yeah, a 392 00:24:32,560 --> 00:24:34,680 Speaker 1: rerun probably. We just need you to record an outra 393 00:24:34,760 --> 00:24:49,320 Speaker 1: and we're done. Oh okay, okay, I'm just clearing my voice. 394 00:24:54,640 --> 00:25:07,520 Speaker 1: Yeah yeah, uh yeah. Well that's it. We'll see you 395 00:25:07,560 --> 00:25:10,399 Speaker 1: next time on the Run Burgundy Podcast with our guest 396 00:25:10,840 --> 00:25:15,960 Speaker 1: rocket Man from the movie rocket Man. As always, thanks 397 00:25:15,960 --> 00:25:22,600 Speaker 1: for listening to the Ron Burgundy Podcast. Okay, I better 398 00:25:22,640 --> 00:25:27,960 Speaker 1: call the masterclass people. Back to what just I just 399 00:25:28,000 --> 00:25:32,919 Speaker 1: feel like I left it open ended and maybe I 400 00:25:32,960 --> 00:25:36,520 Speaker 1: can maybe I can think of another I don't know, 401 00:25:36,560 --> 00:25:40,600 Speaker 1: Maybe I should talk about my career and journalism, something that's, 402 00:25:40,760 --> 00:25:44,439 Speaker 1: you know, that I'm more known for. Even though I 403 00:25:44,440 --> 00:25:47,560 Speaker 1: feel like if I could teach a masterclass of home 404 00:25:47,600 --> 00:25:51,560 Speaker 1: massage I would start to get more known for home massage, 405 00:25:51,760 --> 00:25:55,120 Speaker 1: the art of home massage, than for anything I've done 406 00:25:55,119 --> 00:25:58,480 Speaker 1: in the journalism world. That's how confident I am in 407 00:25:58,600 --> 00:26:02,080 Speaker 1: my abilities as a as a the susy. That's where 408 00:26:02,119 --> 00:26:05,439 Speaker 1: my head is at. But you know what, maybe I 409 00:26:05,480 --> 00:26:11,560 Speaker 1: do this. Maybe I I'm just thinking a yeah, maybe 410 00:26:11,600 --> 00:26:13,639 Speaker 1: I do. Okay, Hey, master class, ho about if Ron 411 00:26:13,640 --> 00:26:16,000 Speaker 1: Burgundy talks about his life from Times and journalism and 412 00:26:16,000 --> 00:26:20,080 Speaker 1: how to be a journalist, and then I slip in 413 00:26:20,240 --> 00:26:25,199 Speaker 1: home massage. Lesson three? Yeah, lesson three. I just go 414 00:26:25,359 --> 00:26:32,600 Speaker 1: right to home massage and then a Trojan horse. Yes, ah, 415 00:26:33,000 --> 00:26:36,720 Speaker 1: thank you Caroline for helping we solve that and one 416 00:26:36,760 --> 00:26:41,880 Speaker 1: other thing. Yeah, just so we're clear, I will never 417 00:26:42,040 --> 00:26:46,400 Speaker 1: give you a homelessage. Okay, Okay, you will learn how 418 00:26:46,440 --> 00:26:49,159 Speaker 1: to give one if you pay for my master class, 419 00:26:49,200 --> 00:26:51,760 Speaker 1: but you'll you'll never have the pleasure of a Ron 420 00:26:51,880 --> 00:26:56,840 Speaker 1: Burgundy homelessage, you know what. Okay, I think it's just 421 00:26:57,359 --> 00:27:02,440 Speaker 1: it's professional. We don't want to blur the lot. Did 422 00:27:02,480 --> 00:27:07,640 Speaker 1: we did we go off the air? I'm I think 423 00:27:07,880 --> 00:27:12,560 Speaker 1: we're recording. Okay, you you weren't supposed to listen to 424 00:27:12,560 --> 00:27:17,240 Speaker 1: any of that. This is Ron Burgundy once again saying hey, 425 00:27:18,040 --> 00:27:20,879 Speaker 1: this is in England. Make sure you drive on the 426 00:27:21,000 --> 00:27:31,680 Speaker 1: right side of the road. Thank you. The Ron Burgundy 427 00:27:31,720 --> 00:27:35,680 Speaker 1: Podcast is a production of I Heart Radio. I'm Ron Burgundy. 428 00:27:35,760 --> 00:27:40,080 Speaker 1: The host, writer and executive producer Carolina Barlow is my 429 00:27:40,200 --> 00:27:44,320 Speaker 1: co host, writer and producer. Our producer is Nick Stunt. 430 00:27:44,840 --> 00:27:49,280 Speaker 1: Our talent coordinator is Anna Hosnyan writers are Andrew Steele 431 00:27:49,400 --> 00:27:53,520 Speaker 1: and Jake Vocalist. This episode was engineered, mixed and edited 432 00:27:53,760 --> 00:28:01,120 Speaker 1: by Nick Stunt. Until next time, This is Ron Burgundy. 433 00:28:00,520 --> 00:28:01,480 Speaker 1: All w