WEBVTT - Episode 467 | What Is A Classic? w/ Torae

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<v Speaker 1>Willio and we are back sponsored by boost Mobile.

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<v Speaker 2>Happy end of the week.

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<v Speaker 1>Maul is very very disappointed because we have to come

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<v Speaker 1>in here and and start our podcast with Pat Poos today.

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<v Speaker 1>But I'm actually thrilled and we also have a friend

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<v Speaker 1>of the show, Yes joining us today, our guide Torre Welcome.

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<v Speaker 2>Thank you.

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<v Speaker 1>Yeah. I don't know mister young conyans finding because I

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<v Speaker 1>was twenty years ago down there.

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<v Speaker 3>You guys for having me. I'm a big fan. Yeah,

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<v Speaker 3>what you guys are doing here? You know, wanted to

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<v Speaker 3>be on this couch right here, somebody from Cornela. Let

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<v Speaker 3>me ask you, how many times have you been to

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<v Speaker 3>the Bronx growing up, growing up or in my adulthood? No,

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<v Speaker 3>an adulthood is different because you could drive to the bright.

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<v Speaker 3>I'm talking about being young having to take the train

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<v Speaker 3>from Corney Island to the Bronx. How many times did

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<v Speaker 3>you do that? Probably like zero to negative five exactly, somebody,

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<v Speaker 3>I never want to take the truck. I want to

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<v Speaker 3>turn twenty years what it is because we were talking

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<v Speaker 3>I don't know how many weeks ago, but we were

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<v Speaker 3>talking about how long the train ride is from uptown

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<v Speaker 3>to Corney Island. That's like a two hour train. No,

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<v Speaker 3>that's literally from like the start to the end. Bro,

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<v Speaker 3>It's crazy. You get to you could take a flight

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<v Speaker 3>I'm talking about from my door to my mother's doing Virginia.

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<v Speaker 2>It's less than two hours.

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<v Speaker 3>No, you could get in the car and drive to

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<v Speaker 3>Philly and watch a Sixers game in the same amount

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<v Speaker 3>of time it takes you to get on the train,

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<v Speaker 3>especially if somebody jump on the track. That is something

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<v Speaker 3>that that takes that long. Now is sick is a

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<v Speaker 3>sick time. But like going to Corney Island was a

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<v Speaker 3>thing like that was like a day. But we're like,

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<v Speaker 3>are we going to Corney Island? Tomalls, go to Nathans

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<v Speaker 3>As you should, you know what I'm saying. But I

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<v Speaker 3>just wanted to know somebody being from Corney Island, how

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<v Speaker 3>how many times did you make the voyage from Corney

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<v Speaker 3>Island to the Bronx. The furthest we was going to

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<v Speaker 3>the train was to Hollom, You know what I'm saying.

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<v Speaker 3>That was it right there, haul on the Bronx. And

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<v Speaker 3>then when I was a kid, I was I was

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<v Speaker 3>in trouble, so I couldn't go to like the school trips.

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<v Speaker 2>If we went to the Bronx or something. Okay, I'm

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<v Speaker 2>saying I couldn't do that.

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<v Speaker 3>I had no permission slips, So yeah, I would go

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<v Speaker 3>to the Bronx zoo from now we probably would go

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<v Speaker 3>to Brooklyn, but just in case, on the off chance

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<v Speaker 3>if they might have wanted.

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<v Speaker 2>To, I still couldn't go. Got you? She was fucked up?

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<v Speaker 2>All right?

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<v Speaker 3>Well that's good to hear might have been from Corney

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<v Speaker 3>Island that they never made that trip, just like we

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<v Speaker 3>probably trip.

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<v Speaker 2>Let's let's do a stream city Islands, Corny Island, this

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<v Speaker 2>Summer City Island and Coney Island all public transportation. Yeah,

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<v Speaker 2>how are you gonna have service to do that way?

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<v Speaker 1>What's off to don? He's gonna give his free WiFi?

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<v Speaker 2>That is true. I forget. I forgot that was part

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<v Speaker 2>of his we'll get a free standing on.

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<v Speaker 1>It's for the streamers of.

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<v Speaker 2>It was free.

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<v Speaker 3>It was the free grocery store that opened one day

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<v Speaker 3>and closed. Right, Yeah, now that's closed, so then we'll

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<v Speaker 3>get free Wi Fi on the subway as well.

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<v Speaker 2>Got it? Crazy?

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<v Speaker 1>Well, why I was excited to actually talk about this

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<v Speaker 1>Patpoos fifty Mano Max b debacle is because we have

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<v Speaker 1>Brooklyn bias. In here, and we have geune and bias,

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<v Speaker 1>full geune and bias in here.

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<v Speaker 3>I mean Max, Me and Max went to the same

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<v Speaker 3>high school. So fair, I'll take Max in this fight.

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<v Speaker 1>Okay, So we will not get an objective opinion from

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<v Speaker 1>anyone in here, no whatsoever. Never I was talking to

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<v Speaker 1>demeras off Mike, I'm really coming in here being objective.

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<v Speaker 1>She does not think that. But I didn't mind the

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<v Speaker 1>Mano diss. I didn't mind the pat poos one thought

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<v Speaker 1>they were both cool. I'm just sick of twenty years

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<v Speaker 1>hearing the same exact thing about fifty seven.

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<v Speaker 2>Okay, that's fair. But if the Mara started shaking in

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<v Speaker 2>her chair when I said.

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<v Speaker 4>I did not start shaking in my chair. I just said,

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<v Speaker 4>I'm tired of your bullshit. It because now suddenly every

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<v Speaker 4>time where there's a rat battle, you have to hear

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<v Speaker 4>some jaw dropping, jaw dropping new breaking news that you

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<v Speaker 4>never heard before in order.

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<v Speaker 1>For it to be so. He said he has herpes.

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<v Speaker 1>That was kind of a just put lies in the

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<v Speaker 1>in the We don't need facts. It been lies, just.

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<v Speaker 3>What they said about fifty You got what herpies and

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<v Speaker 3>what diabetes? I've never seen fifties medical records.

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<v Speaker 2>I don't know.

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<v Speaker 1>First of all, diabetes shaming is funny. Yeah, that's being like,

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<v Speaker 1>you know you got you got type one. I'm taking

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<v Speaker 1>my ship like pancreous. They said that my mother ha

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<v Speaker 1>type one, Like damn, we can't have the beats.

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<v Speaker 2>No more where we add as a car.

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<v Speaker 1>No, I'm not saying that. I don't think every battle

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<v Speaker 1>needs to be post push and drake or U r L.

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<v Speaker 1>Whill we find out where they went to hy school

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<v Speaker 1>this and that. I'm just saying it's been the same

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<v Speaker 1>exact rhymes for twenty years from everybody, fifty or not.

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<v Speaker 1>When they can say you are yo, you only got

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<v Speaker 1>shot five times, nine times, you're a snitch. You never

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<v Speaker 1>really went to jail.

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<v Speaker 2>I heard.

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<v Speaker 3>I heard this for twenty years. The wait the shots

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<v Speaker 3>is crazy? You got shot five times? Fan wasn't note.

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<v Speaker 2>Like alright, cool, shoot me once in the face and

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<v Speaker 2>you'll never hear the under.

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<v Speaker 3>Like, all right, now, you only got shot five times?

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<v Speaker 3>Stop saying nine all you got.

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<v Speaker 2>It and listen, maybe that is true.

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<v Speaker 1>They even interviewed the guy that was in the car

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<v Speaker 1>with fifty and asked him that question straight up, and

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<v Speaker 1>he's a friend of fifty, He's like, maybe he wasn't

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<v Speaker 1>counting the shots. Yeah, like counting if I'm fifty, I'm

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<v Speaker 1>counting an exit wound as another shot. If I get

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<v Speaker 1>if it goes through my leg and there's two two,

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<v Speaker 1>that's two two. I got shot twice. I got shot

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<v Speaker 1>once here it went through and then I got shot

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<v Speaker 1>again both sides. I'm adding up the exit wounds one

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<v Speaker 1>hundred percent. But that still didn't if you that's still

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<v Speaker 1>bad math. If you guys had five no one one

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<v Speaker 1>maybe just wasn't in and stayed in.

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<v Speaker 2>Yeah, one was great. His story is getting better by

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<v Speaker 2>the shot. I'll tell you that.

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<v Speaker 3>And if you shoot at me nine times, I'm saying

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<v Speaker 3>you shot at me like emptied the clip. That's imagine

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<v Speaker 3>somebody shooting at you and you hit not you know

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<v Speaker 3>you're adrenaline.

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<v Speaker 2>You hurt Yo.

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<v Speaker 3>The nigga shot at me twenty times, Like the number

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<v Speaker 3>is gonna change for me and my start every year,

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<v Speaker 3>the number changing.

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<v Speaker 2>How long did it take to pull off?

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<v Speaker 1>Though?

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<v Speaker 3>Like how you get that many shots of it's a lot,

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<v Speaker 3>Like the key wasn't indignition, These wasn't like it's a

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<v Speaker 3>long time.

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<v Speaker 2>It's a long time. But the guy I think the

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<v Speaker 2>guy's name is Deeve. I think that was his name.

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<v Speaker 1>He was on cam copone in one of those platforms

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<v Speaker 1>he was saying he was he was like turned around

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<v Speaker 1>because they had to go the other way, so he

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<v Speaker 1>was doing like a K turn and I think ran

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<v Speaker 1>into the car of whoever.

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<v Speaker 3>Was behind dude that was just driving.

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<v Speaker 2>That motherfucker was bad. That that was crazy.

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<v Speaker 1>And he backed up into i think the car with

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<v Speaker 1>the shooter in it, and then was kind of like

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<v Speaker 1>blocked off. And then the shots started, and he had

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<v Speaker 1>his girl in the front. See, and I'm not going

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<v Speaker 1>to pretend I'm like fucking Jason Bourne. If you start

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<v Speaker 1>spraying on my car, I don't know if I'm going

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<v Speaker 1>to be able to be vin diesel and get us

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<v Speaker 1>out of there that quick. I might I might freeze

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<v Speaker 1>up turned on somebody shooting laws.

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<v Speaker 2>This is one way.

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<v Speaker 1>No, I think he was blocked in because in the

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<v Speaker 1>middle of the K turn he hit the car with

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<v Speaker 1>the shooter in it, so he couldn't really.

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<v Speaker 2>Get away closer to the at that point.

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<v Speaker 1>So I mean, but again, shooting nine times in the car,

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<v Speaker 1>that's a couple of second. That's a lot, like a

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<v Speaker 1>very long time.

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<v Speaker 3>Look at what we're debating them, look at this to

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<v Speaker 3>the point of like if I get it's like, what

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<v Speaker 3>else really is there to talk There's no new nothing, right,

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<v Speaker 3>he's been out of the music business, so you can't

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<v Speaker 3>talk about like what the sales is doing, you know

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<v Speaker 3>what I'm saying, Like, there's no new thing to talk about,

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<v Speaker 3>so he just talking about the same old things.

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<v Speaker 1>It's it's it's kind of makes Demani's look more credible,

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<v Speaker 1>even though them didn't say anything that was.

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<v Speaker 2>Like super new.

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<v Speaker 1>At least he did get into post fifties career and

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<v Speaker 1>how he's moved and who he's put on fifty You

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<v Speaker 1>could argue has moved somewhat selfish since since being selfless, Yeah,

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<v Speaker 1>more or less, because I think he did do a

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<v Speaker 1>lot for Thanks Jo and everyone, for sure, but he's

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<v Speaker 1>he's definitely moved for him and maybe not for the culture.

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<v Speaker 2>You could make a case. I'm not saying that you

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<v Speaker 2>can make a case.

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<v Speaker 1>I'd rather Pap get into that because I think Pap

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<v Speaker 1>Foods is a great rapper that could come up with

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<v Speaker 1>a good theory rather than dog like You're not as

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<v Speaker 1>gangster as you say.

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<v Speaker 2>You are.

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<v Speaker 1>He's fucking fifty one years old and is shooting TV shows.

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<v Speaker 1>Do you think anyone cares if he's.

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<v Speaker 3>I think the thing is a lot of these guys

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<v Speaker 3>have had as a writer as rapper, you know, you

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<v Speaker 3>always have bars for whoever the top right, just in

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<v Speaker 3>case the desicate it yourself where me and you're gonna

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<v Speaker 3>get into it. So I think this is just the

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<v Speaker 3>time where we're hearing all of these bars that these

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<v Speaker 3>guys have had by these and now they got the

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<v Speaker 3>chance to get it off, got it. So it's not

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<v Speaker 3>about saying something new. This is shit they had here

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<v Speaker 3>or they had written down for the last.

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<v Speaker 1>Fifty just wait and just just in case it's waiting.

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<v Speaker 1>Because he's a troll, he's a bully.

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<v Speaker 3>Came in with that energy, so every rap had to

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<v Speaker 3>be like, all right, if he ever come at me,

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<v Speaker 3>I got some ten thousand percent, you know what I'm saying.

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<v Speaker 2>So I think that's what this is.

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<v Speaker 3>I think these are just bars that these guys have

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<v Speaker 3>already had, and now it's just the opportunity presented itself

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<v Speaker 3>for them to get their shit off.

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<v Speaker 1>Yeah again, I just think there should be another angle.

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<v Speaker 1>I didn't mind Mano or patpoos is, to be quite honest,

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<v Speaker 1>Tom's point about giving out new information. This is why

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<v Speaker 1>rap battles are kind of funny when you step away

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<v Speaker 1>from it outside looking in Happoo's saying, Fifty, why haven't

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<v Speaker 1>you told the world you have herpes? Is one of

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<v Speaker 1>the funniest things I ever. Can y'all tell me how

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<v Speaker 1>fifty should have done his herpees?

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<v Speaker 2>Reveal?

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<v Speaker 1>Like but yo pass like yo, fifth, look at me?

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<v Speaker 1>Why have you not told the world you had herpies? Bro?

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<v Speaker 2>Like?

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<v Speaker 1>It sounds like a private matter to me.

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<v Speaker 2>That's a wild question. I'm telling you has reached a

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<v Speaker 2>whole different level.

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<v Speaker 1>And he's like, dude, do an nba, young boy? Did

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<v Speaker 1>you know? Young boys one of the craziest people ever

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<v Speaker 1>just to rap the idiots herbies like. I give him

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<v Speaker 1>respect for rapid his truth, but I don't think everyone

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<v Speaker 1>is now owes us a rap about their their HSV. No.

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<v Speaker 3>If I'm not having central intercourse with you, young lady,

0:10:18.480 --> 0:10:20.680
<v Speaker 3>I don't need to know any of this information ever

0:10:20.960 --> 0:10:21.640
<v Speaker 3>in my life.

0:10:22.080 --> 0:10:26.760
<v Speaker 2>And and let's move does it matter? Does it matter

0:10:26.760 --> 0:10:28.240
<v Speaker 2>if if somebody has herbies?

0:10:28.440 --> 0:10:31.240
<v Speaker 1>What that explains me is especially active with someone you

0:10:31.280 --> 0:10:33.240
<v Speaker 1>should know No, I mean yeah, but I'm saying, like

0:10:33.280 --> 0:10:34.880
<v Speaker 1>to us, does it matter to us? Do we give

0:10:34.880 --> 0:10:35.240
<v Speaker 1>a fuck? No?

0:10:35.320 --> 0:10:36.760
<v Speaker 2>I literally, if you found.

0:10:36.520 --> 0:10:38.240
<v Speaker 1>Out your favorite rapp had herbes when he made your

0:10:38.240 --> 0:10:41.439
<v Speaker 1>favorite album, you think I'm a delete old music hurt

0:10:41.720 --> 0:10:46.800
<v Speaker 1>ain't ismatic no more? Yeah, Like what that means? What

0:10:46.840 --> 0:10:50.000
<v Speaker 1>then does that mean to me? I can't even hear

0:10:50.120 --> 0:10:53.000
<v Speaker 1>nass like the same, Like I don't care who God Like,

0:10:53.480 --> 0:10:55.960
<v Speaker 1>we could say that about all rap battles and we're

0:10:56.000 --> 0:10:58.920
<v Speaker 1>being hypocrites here because it did not change my life

0:10:58.920 --> 0:10:59.600
<v Speaker 1>when I found.

0:10:59.360 --> 0:11:01.200
<v Speaker 2>Out that Drake had kid, but I was like, damn,

0:11:01.520 --> 0:11:04.559
<v Speaker 2>push got him. Like, Okay, I.

0:11:04.559 --> 0:11:07.679
<v Speaker 3>Get what you're saying, but all that battles, that's a

0:11:07.679 --> 0:11:10.520
<v Speaker 3>little more groundbreaking news. Like you're doing all us running

0:11:10.520 --> 0:11:12.000
<v Speaker 3>around with all the joints and all of that. You

0:11:12.040 --> 0:11:14.640
<v Speaker 3>got a whole child that nobody knows about, like none

0:11:14.640 --> 0:11:16.719
<v Speaker 3>of your fans, you know what I'm saying, Especially when

0:11:16.720 --> 0:11:19.160
<v Speaker 3>he's the vulnerable rapper and he's the heart on his

0:11:19.160 --> 0:11:22.160
<v Speaker 3>sleeve rapper to not talk about the birth of your

0:11:22.240 --> 0:11:24.959
<v Speaker 3>child obviously a private matter, but you know, I think

0:11:25.000 --> 0:11:27.680
<v Speaker 3>that was more like groundbreaking. Oh, Mike, he got a kid,

0:11:27.800 --> 0:11:31.000
<v Speaker 3>Like for real, like it's a child. But it wasn't

0:11:31.040 --> 0:11:32.880
<v Speaker 3>wild news. It was just more like, oh world, it

0:11:32.920 --> 0:11:33.520
<v Speaker 3>was just shocking.

0:11:33.960 --> 0:11:36.560
<v Speaker 1>I mean, fifty has rapped a lot about the injuries

0:11:36.559 --> 0:11:40.400
<v Speaker 1>to his body. Why not it's pancreas or a sexually

0:11:40.400 --> 0:11:42.800
<v Speaker 1>transmitted disease. If we're going through his track Recer, he

0:11:42.800 --> 0:11:43.680
<v Speaker 1>does talk about.

0:11:43.440 --> 0:11:47.200
<v Speaker 2>His body a lot. Is the fifty Max Be song real? Yeah?

0:11:47.000 --> 0:11:49.160
<v Speaker 1>Yall, the video is real?

0:11:49.160 --> 0:11:50.760
<v Speaker 2>Too real? AI?

0:11:51.040 --> 0:11:53.120
<v Speaker 1>That's no, that's just how wavy of maxes he can.

0:11:54.520 --> 0:11:56.080
<v Speaker 1>I was in Tom Square. I was like, was that

0:11:56.120 --> 0:11:56.400
<v Speaker 1>Max me?

0:11:56.600 --> 0:11:58.719
<v Speaker 3>But seriously, though, because of this whole AI ship, like

0:11:58.760 --> 0:12:00.000
<v Speaker 3>we gotta start asking those question.

0:12:00.600 --> 0:12:01.319
<v Speaker 2>So I agree with you.

0:12:01.400 --> 0:12:03.040
<v Speaker 3>When I saw the video, I didn't know if this

0:12:03.120 --> 0:12:04.960
<v Speaker 3>song was real or not. Because the video, I was like,

0:12:04.960 --> 0:12:05.640
<v Speaker 3>the video is fake?

0:12:05.720 --> 0:12:06.160
<v Speaker 2>Is it a real?

0:12:06.240 --> 0:12:06.480
<v Speaker 5>Joint?

0:12:06.559 --> 0:12:11.400
<v Speaker 2>Yeah? Yeah, it maybe is it? Is it real? It's real?

0:12:11.600 --> 0:12:12.120
<v Speaker 5>It's yes?

0:12:12.200 --> 0:12:14.320
<v Speaker 2>Okay, all right, it probably is.

0:12:14.360 --> 0:12:15.920
<v Speaker 1>But I'm not going to say with the confidence that

0:12:16.000 --> 0:12:18.600
<v Speaker 1>the America is saying, because I've heard some some records

0:12:18.600 --> 0:12:20.720
<v Speaker 1>I did not think were AI that were one thousand

0:12:20.760 --> 0:12:21.280
<v Speaker 1>percent of AI.

0:12:21.760 --> 0:12:24.440
<v Speaker 3>When fifty posted that video, the AI video, that's what

0:12:24.480 --> 0:12:29.360
<v Speaker 3>made me think, like, hold on is this real? Because ween,

0:12:29.440 --> 0:12:32.720
<v Speaker 3>it's this time now where you know people post sh

0:12:32.760 --> 0:12:35.240
<v Speaker 3>it just making a joke, right, and it's like, all,

0:12:35.400 --> 0:12:36.240
<v Speaker 3>is this a real song?

0:12:36.320 --> 0:12:38.720
<v Speaker 2>Though? Like that's that's my only thing, Like is this

0:12:38.800 --> 0:12:39.640
<v Speaker 2>a real song? Now?

0:12:40.000 --> 0:12:42.079
<v Speaker 3>Obviously Fifty posted it, so I guess you could call

0:12:42.120 --> 0:12:44.360
<v Speaker 3>that supporting the song. Max posted it too.

0:12:45.000 --> 0:12:48.319
<v Speaker 2>Max posted, but but again, people troll.

0:12:49.160 --> 0:12:52.600
<v Speaker 4>He's not He's not putting a fake song on his

0:12:52.679 --> 0:12:53.440
<v Speaker 4>Vivo page.

0:12:53.480 --> 0:12:54.920
<v Speaker 5>That's a real This is a real.

0:12:55.160 --> 0:12:56.360
<v Speaker 2>He put it on he posted his vio.

0:12:56.559 --> 0:12:58.480
<v Speaker 1>Yes, no, but I'm saying fifty could have done the

0:12:58.520 --> 0:13:01.920
<v Speaker 1>AI audio as well as the video. It also would

0:13:01.920 --> 0:13:04.760
<v Speaker 1>not shock me that fifty would take a fan made

0:13:05.040 --> 0:13:06.360
<v Speaker 1>song at video put it on his.

0:13:06.440 --> 0:13:08.360
<v Speaker 5>Not on his youth, not on his official youth.

0:13:08.760 --> 0:13:12.520
<v Speaker 1>His hist y'all got fifty with the Maria and putting

0:13:12.559 --> 0:13:14.000
<v Speaker 1>it on your Vivo makes it a little different.

0:13:14.080 --> 0:13:16.280
<v Speaker 3>Yeah, that's a little that's more of like a youth

0:13:16.320 --> 0:13:19.000
<v Speaker 3>stamping it like business. Yeah, because now you've goten counting

0:13:19.040 --> 0:13:21.880
<v Speaker 3>streams and that goes into your monetary situation.

0:13:22.840 --> 0:13:24.920
<v Speaker 1>I was I hate AI videos, but this one did

0:13:24.960 --> 0:13:26.559
<v Speaker 1>make me laugh throughout the entire thing.

0:13:26.880 --> 0:13:28.560
<v Speaker 2>It's like, god awful AI.

0:13:28.640 --> 0:13:32.160
<v Speaker 3>That makes it funny, but we actually looking at you know,

0:13:32.200 --> 0:13:35.280
<v Speaker 3>shit change in real time because now, like how much

0:13:35.320 --> 0:13:37.400
<v Speaker 3>how much did it cost to create this AI video?

0:13:37.640 --> 0:13:39.520
<v Speaker 3>I don't know, you know what I'm saying. So it's

0:13:39.559 --> 0:13:42.880
<v Speaker 3>like that's made though. Yeah, so that's what I'm saying.

0:13:42.880 --> 0:13:44.160
<v Speaker 3>You have this whole AI video.

0:13:44.440 --> 0:13:46.480
<v Speaker 4>We don't know who made it, probably free mind of

0:13:47.120 --> 0:13:49.120
<v Speaker 4>where somebody made it. Somebody made the video for him

0:13:49.160 --> 0:13:50.840
<v Speaker 4>for Yeah.

0:13:50.400 --> 0:13:53.439
<v Speaker 1>So let's say fifty it took two liters of water

0:13:53.640 --> 0:13:56.400
<v Speaker 1>from the Midwest to make that. What it does this

0:13:56.440 --> 0:13:58.400
<v Speaker 1>is this is this Flint still doesn't have any.

0:13:58.800 --> 0:14:01.640
<v Speaker 3>I mean, we're watching the land escape of entertainment change

0:14:01.640 --> 0:14:03.440
<v Speaker 3>though it's a different time, Like this is a new

0:14:03.440 --> 0:14:06.040
<v Speaker 3>element in battle rapping. That way, I could have this

0:14:06.120 --> 0:14:10.080
<v Speaker 3>video done in an hour to my distrack team, right, Like,

0:14:10.120 --> 0:14:12.960
<v Speaker 3>this is a whole different element of entertainment.

0:14:12.480 --> 0:14:15.880
<v Speaker 1>Now, yeah, entertain I'm glad you said entertainment somebody. It's

0:14:15.880 --> 0:14:19.600
<v Speaker 1>not really going to change rap battling in any real way.

0:14:19.680 --> 0:14:21.960
<v Speaker 1>It was just funny to watch, if you really think

0:14:21.960 --> 0:14:23.560
<v Speaker 1>about it. I don't think serious.

0:14:23.720 --> 0:14:26.080
<v Speaker 3>Was it fun with dre Day what they had a

0:14:26.160 --> 0:14:28.560
<v Speaker 3>fake ease they had to fake easy e right, I

0:14:28.600 --> 0:14:31.680
<v Speaker 3>can't remember old me name, but it's no different than that. Right,

0:14:31.800 --> 0:14:34.720
<v Speaker 3>Like before you get actors that look like somebody, then

0:14:34.800 --> 0:14:36.520
<v Speaker 3>cam have like Jimmy Walker man when he.

0:14:36.480 --> 0:14:37.400
<v Speaker 2>Was different dish in Jay.

0:14:37.560 --> 0:14:40.080
<v Speaker 3>You know what I'm saying, And you don't have to

0:14:40.120 --> 0:14:40.960
<v Speaker 3>cast anybody.

0:14:41.040 --> 0:14:43.760
<v Speaker 2>You could just type it in. You know what I'm saying.

0:14:43.800 --> 0:14:46.400
<v Speaker 3>So it's really an exention of that what it technology

0:14:46.480 --> 0:14:46.800
<v Speaker 3>is at.

0:14:47.760 --> 0:14:50.479
<v Speaker 1>I will say as much as fifty doesn't take anything serious,

0:14:51.560 --> 0:14:53.000
<v Speaker 1>if I'm Mano, I would kind of feel a way,

0:14:53.000 --> 0:14:54.680
<v Speaker 1>if you're doing an A I shouldn't be getting cut

0:14:54.680 --> 0:14:55.040
<v Speaker 1>in prison.

0:14:55.920 --> 0:14:57.560
<v Speaker 2>The other ship was all just kind of ha.

0:14:57.720 --> 0:15:00.360
<v Speaker 1>But like you you typed in Mano get and cut

0:15:00.360 --> 0:15:02.360
<v Speaker 1>in prison to make an AI video.

0:15:02.800 --> 0:15:05.120
<v Speaker 2>Well, fifty didn't make the video. He posted it. He

0:15:05.200 --> 0:15:07.880
<v Speaker 2>co signed it, Okay, but he's saying he made it.

0:15:07.880 --> 0:15:08.800
<v Speaker 2>He didn't make this video.

0:15:08.840 --> 0:15:11.280
<v Speaker 3>He just somebody made it send it to him like,

0:15:11.280 --> 0:15:12.800
<v Speaker 3>oh this is dope A right, I'm gonna post it.

0:15:13.160 --> 0:15:14.480
<v Speaker 2>Yeah, but that's still co signing.

0:15:15.600 --> 0:15:20.479
<v Speaker 3>I mean he wrapped it. You worried about the visual.

0:15:20.240 --> 0:15:23.280
<v Speaker 1>He rapped I'm not. I mean, it's that all right. Whatever,

0:15:23.280 --> 0:15:25.320
<v Speaker 1>I'm just saying out of everything that he said was

0:15:25.400 --> 0:15:27.520
<v Speaker 1>kind of lols. I don't know how Mano really actually

0:15:27.520 --> 0:15:30.200
<v Speaker 1>took that entire thing, even though this record seems light

0:15:30.240 --> 0:15:31.720
<v Speaker 1>and Mano was just, you know, replying.

0:15:32.080 --> 0:15:32.640
<v Speaker 2>I don't know if he.

0:15:32.600 --> 0:15:34.760
<v Speaker 3>Feel like, listen, man, this is what this is what

0:15:34.880 --> 0:15:37.680
<v Speaker 3>happens when you jump in the battle ring. If y'all

0:15:37.720 --> 0:15:39.320
<v Speaker 3>want to battle each other, y'all wan to go at

0:15:39.320 --> 0:15:43.480
<v Speaker 3>each other, which requires disrespect, then that's the art of it.

0:15:43.520 --> 0:15:45.360
<v Speaker 3>I'm going to talk about things that happened to you.

0:15:45.400 --> 0:15:47.400
<v Speaker 3>I'm going to talk about things that you did, things

0:15:47.440 --> 0:15:49.960
<v Speaker 3>that you didn't do. Like, that's what all of this is.

0:15:50.000 --> 0:15:52.960
<v Speaker 3>So that's not out of bounds for fifty to rap

0:15:53.000 --> 0:15:53.440
<v Speaker 3>about that.

0:15:53.680 --> 0:15:55.000
<v Speaker 1>No, I didn't say it was out of bound. I

0:15:55.080 --> 0:15:56.840
<v Speaker 1>just I was wondering if that was something that you

0:15:56.880 --> 0:15:58.000
<v Speaker 1>just didn't want to say. That may not.

0:15:58.600 --> 0:15:59.360
<v Speaker 2>I don't care about that.

0:15:59.400 --> 0:16:02.600
<v Speaker 1>I'm just not sure if Mano thought that was maybe

0:16:02.640 --> 0:16:06.400
<v Speaker 1>outside of the l O ls in our rap battle Oh.

0:16:06.280 --> 0:16:09.160
<v Speaker 2>No, this is no battle. Yeah, battle once.

0:16:10.560 --> 0:16:13.880
<v Speaker 3>Is old, gloves is off. Aren't see that it's done.

0:16:14.040 --> 0:16:15.960
<v Speaker 3>It ain't no rules and no women and children not

0:16:16.080 --> 0:16:17.040
<v Speaker 3>everything on the table.

0:16:18.560 --> 0:16:19.760
<v Speaker 2>Yeah, I'm just not I'm just not sure.

0:16:19.760 --> 0:16:21.800
<v Speaker 1>If Mato season, that's well that way, that's all, But

0:16:22.440 --> 0:16:25.200
<v Speaker 1>I mean, where where does this land are we going

0:16:25.280 --> 0:16:28.480
<v Speaker 1>to continue? Is? I actually think Dave's got the biggest

0:16:28.520 --> 0:16:31.080
<v Speaker 1>diss out of the entire thing. He started the intro

0:16:31.640 --> 0:16:33.320
<v Speaker 1>talking about everyone was like, I'm not even talking about

0:16:33.360 --> 0:16:36.200
<v Speaker 1>you and then put Dave's face up there. Yeah, that

0:16:36.360 --> 0:16:37.760
<v Speaker 1>was the first person I thought we were going to

0:16:37.840 --> 0:16:39.840
<v Speaker 1>hear from, like, well, I'm not even worthy to be.

0:16:39.880 --> 0:16:44.280
<v Speaker 3>Doing well because there's no there's no I mean, fifty

0:16:44.920 --> 0:16:47.920
<v Speaker 3>probably wasn't even really rapping the more when Dave started dropping,

0:16:48.000 --> 0:16:49.600
<v Speaker 3>so it's like, I don't even then.

0:16:49.680 --> 0:16:51.520
<v Speaker 1>But Day was in that that cipher that they did

0:16:51.560 --> 0:16:54.560
<v Speaker 1>for their podcast We're Fabos the podcast.

0:16:54.640 --> 0:16:56.680
<v Speaker 3>If they weren't doing a podcast, they wouldn't have been

0:16:56.760 --> 0:16:57.320
<v Speaker 3>a part of that.

0:16:57.480 --> 0:16:59.080
<v Speaker 1>Okay, but do you think that's not a diss though

0:16:59.800 --> 0:17:02.880
<v Speaker 1>to Dave. Yes, yeah, it's a slight ship. It's like, oh,

0:17:02.880 --> 0:17:04.199
<v Speaker 1>you're not he not even talking to me.

0:17:04.320 --> 0:17:06.240
<v Speaker 3>But I don't know if David sitting back like nah,

0:17:06.280 --> 0:17:07.960
<v Speaker 3>say something to me, I don't know if that's okay.

0:17:07.960 --> 0:17:10.520
<v Speaker 1>What Demani and King were around when Fifty was rapping

0:17:10.520 --> 0:17:13.120
<v Speaker 1>and they caught a bar on the power intro, even

0:17:13.160 --> 0:17:14.520
<v Speaker 1>though fifty is lying to us to say.

0:17:14.480 --> 0:17:17.280
<v Speaker 2>He wasn't talking about them, he was talking about that.

0:17:17.400 --> 0:17:20.000
<v Speaker 3>Yeah, but once fifty posted a picture of their mom,

0:17:20.359 --> 0:17:21.920
<v Speaker 3>you can only expect that those guys are going to

0:17:22.000 --> 0:17:22.520
<v Speaker 3>jump in the ring.

0:17:22.520 --> 0:17:24.440
<v Speaker 2>Especially if they rap big facts. Yeah.

0:17:24.920 --> 0:17:27.400
<v Speaker 3>I mean so at that point, fifty kind of sort

0:17:27.400 --> 0:17:29.879
<v Speaker 3>of pulled them into it by posting a picture of

0:17:29.880 --> 0:17:31.400
<v Speaker 3>that mom. So they were like, all right, I wrap,

0:17:31.440 --> 0:17:33.919
<v Speaker 3>I got some balls for fifty. But with Dave, it's like,

0:17:34.119 --> 0:17:36.679
<v Speaker 3>you know, I don't. Fifty don't have he don't probably

0:17:36.720 --> 0:17:37.640
<v Speaker 3>never even met Davies.

0:17:38.560 --> 0:17:39.920
<v Speaker 1>No, I'm sure.

0:17:40.119 --> 0:17:42.159
<v Speaker 3>I'm just saying he probably didn't. I don't know what

0:17:42.240 --> 0:17:45.000
<v Speaker 3>fifty be around with Dave yet, do.

0:17:45.000 --> 0:17:52.399
<v Speaker 1>We think Dave or Fab replies Fab, yes, they. I

0:17:52.400 --> 0:17:54.520
<v Speaker 1>don't know if East is going to respond though, I

0:17:54.520 --> 0:17:58.400
<v Speaker 1>think he's in quad right now. But why though right now.

0:17:58.520 --> 0:18:00.840
<v Speaker 3>Nobody's fifty didn't say nothing to all that about him?

0:18:00.920 --> 0:18:05.120
<v Speaker 3>Is well, because that's what is that cloud see by association?

0:18:05.400 --> 0:18:06.399
<v Speaker 2>But is it cloud chasing?

0:18:06.400 --> 0:18:08.400
<v Speaker 3>If if he's put out a record and Fifty's say

0:18:08.400 --> 0:18:11.399
<v Speaker 3>nothing about him, is he inserting himself into it?

0:18:11.720 --> 0:18:11.800
<v Speaker 1>No?

0:18:12.640 --> 0:18:16.040
<v Speaker 2>Horse, I mean god, that.

0:18:16.160 --> 0:18:17.639
<v Speaker 1>Was out of that and we already know it's unsafe

0:18:17.640 --> 0:18:20.520
<v Speaker 1>to do that with fifty see choking over here.

0:18:20.800 --> 0:18:25.760
<v Speaker 2>No, absolutely not. But is that not cloud chasing?

0:18:26.080 --> 0:18:28.360
<v Speaker 1>No? If they be like, nah, fuck that you put

0:18:28.400 --> 0:18:30.680
<v Speaker 1>my face in your video and said I'm not even

0:18:31.119 --> 0:18:34.320
<v Speaker 1>worthy of dissing, you know what I'm saying, You're.

0:18:34.160 --> 0:18:35.879
<v Speaker 2>Not worthy of dissing. That's disrespect.

0:18:36.080 --> 0:18:38.680
<v Speaker 1>If he's randomly distant.

0:18:38.400 --> 0:18:42.359
<v Speaker 3>Before, I'm just asking the room, is that disrespect somebody

0:18:42.400 --> 0:18:44.280
<v Speaker 3>like you're not even you're not even worth disrespecting?

0:18:44.520 --> 0:18:47.080
<v Speaker 2>No disrespect. Okay, so I got to go make a record.

0:18:47.200 --> 0:18:48.320
<v Speaker 3>Yeah, I don't know if you got to go make

0:18:48.359 --> 0:18:50.200
<v Speaker 3>a rick, but you know what I'm saying, I should

0:18:50.240 --> 0:18:50.560
<v Speaker 3>go make it.

0:18:50.720 --> 0:18:53.040
<v Speaker 4>Even the clock like we're not watching the clock, but

0:18:53.119 --> 0:18:55.080
<v Speaker 4>you know, if the hands start moving like niggas, you

0:18:55.080 --> 0:18:55.440
<v Speaker 4>know what I'm saying.

0:18:55.440 --> 0:18:57.080
<v Speaker 2>We ain't got unplugged. So I'm just trying to. I'm

0:18:57.080 --> 0:18:57.439
<v Speaker 2>just trying to.

0:18:57.480 --> 0:19:00.639
<v Speaker 1>You know, doesn't reply, I wouldn't think anything. But if

0:19:00.640 --> 0:19:02.600
<v Speaker 1>he does, I'd be like, yeah, I get it, yeah exactly,

0:19:02.960 --> 0:19:04.159
<v Speaker 1>which is a composition to be in.

0:19:04.240 --> 0:19:07.440
<v Speaker 2>I agree with that. I don't think he should though, Nah.

0:19:07.600 --> 0:19:09.920
<v Speaker 1>For what I mean, how much did he really say

0:19:09.920 --> 0:19:13.040
<v Speaker 1>about fab Besides that, the video made it worse because

0:19:13.080 --> 0:19:16.399
<v Speaker 1>it was it was mainly Mano throughout it, But like,

0:19:16.520 --> 0:19:18.760
<v Speaker 1>was the fab shit that that crazy? It was the

0:19:18.840 --> 0:19:20.720
<v Speaker 1>video that made it nuts to me.

0:19:20.840 --> 0:19:23.879
<v Speaker 2>Yeah, but Fab already put out a record going with me,

0:19:23.960 --> 0:19:24.359
<v Speaker 2>so it's.

0:19:24.560 --> 0:19:25.359
<v Speaker 1>Just on the turn out.

0:19:26.040 --> 0:19:28.760
<v Speaker 2>Yeah, it's on is lit? This Fab care enough?

0:19:28.880 --> 0:19:32.800
<v Speaker 1>I was actually shocked fabcard enough to do the first one.

0:19:32.920 --> 0:19:35.199
<v Speaker 3>I was probably just itching the rap anyway. Yeah, he

0:19:35.240 --> 0:19:36.919
<v Speaker 3>want to wrap. I wouldn't want to get his ship off.

0:19:37.000 --> 0:19:41.480
<v Speaker 1>Yeah, okay, here's a series called Sultape, Go wrap did

0:19:41.520 --> 0:19:49.080
<v Speaker 1>heat tape? That's twenty twenty six. That's what we are.

0:19:50.440 --> 0:19:52.840
<v Speaker 3>But where is And I asked you this last week, no,

0:19:52.960 --> 0:19:55.400
<v Speaker 3>maybe two weeks ago. Now where does this ship end?

0:19:55.600 --> 0:19:58.600
<v Speaker 3>That's that's the real question. Where does this ship? I

0:19:58.680 --> 0:20:01.520
<v Speaker 3>was to be like, nah, I'm like, where is this end?

0:20:01.600 --> 0:20:02.200
<v Speaker 2>Is all I'm saying.

0:20:02.240 --> 0:20:03.639
<v Speaker 4>Well, when I was talking to you about it, it

0:20:03.680 --> 0:20:05.159
<v Speaker 4>was just the Harris family involved.

0:20:05.320 --> 0:20:07.560
<v Speaker 2>Everybody else was. But this was before that. Yeah, this

0:20:07.560 --> 0:20:09.560
<v Speaker 2>this started before the Yeah, this was this was with

0:20:09.720 --> 0:20:12.000
<v Speaker 2>Jim and Mayno, in fact, this was before Yeah, but

0:20:12.040 --> 0:20:12.840
<v Speaker 2>I thought that was over.

0:20:13.240 --> 0:20:16.560
<v Speaker 3>This is okay, So it's been three months we back. Now,

0:20:17.400 --> 0:20:20.800
<v Speaker 3>so now, what like when is this? Because that's why

0:20:20.840 --> 0:20:22.159
<v Speaker 3>I was like, I didn't think fifth because I told

0:20:22.160 --> 0:20:23.440
<v Speaker 3>you I didn't think fifty was gonna respond, and I

0:20:23.480 --> 0:20:24.760
<v Speaker 3>think he was gonna rap. I think I think he

0:20:24.880 --> 0:20:27.080
<v Speaker 3>was going to make music. I thought he was gonna

0:20:27.160 --> 0:20:28.639
<v Speaker 3>keep patrolling. You know what I'm saying, because that's what

0:20:28.720 --> 0:20:31.000
<v Speaker 3>fifty does. He's a troll, like he'd say shit on

0:20:31.080 --> 0:20:34.600
<v Speaker 3>this on on on social media. He did the clever

0:20:34.720 --> 0:20:36.680
<v Speaker 3>move of you know, even though he did say that

0:20:36.800 --> 0:20:40.680
<v Speaker 3>that wasn't about uh, he's a liar, right, But didn't

0:20:40.680 --> 0:20:42.640
<v Speaker 3>I tell y'all, I said, now, if t I jump

0:20:42.680 --> 0:20:45.200
<v Speaker 3>out there and respond to that bar, we just spoke

0:20:45.240 --> 0:20:47.240
<v Speaker 3>about this in the last episode. I said, he didn't

0:20:47.280 --> 0:20:49.879
<v Speaker 3>say no names. We don't know what the New Power

0:20:49.880 --> 0:20:51.840
<v Speaker 3>where it's gonna be based at. It could have some

0:20:51.960 --> 0:20:53.280
<v Speaker 3>Atlanta times in the New Power.

0:20:53.320 --> 0:20:56.480
<v Speaker 2>We don't know that. Y'all was like, nah, fuck that. Okay.

0:20:56.840 --> 0:20:59.000
<v Speaker 3>Now fifty comes out and says that that wasn't that

0:20:59.160 --> 0:21:00.560
<v Speaker 3>wasn't directed said.

0:21:00.359 --> 0:21:03.320
<v Speaker 1>It wasn't about the Cosbys, which is a crazy thing

0:21:03.400 --> 0:21:03.640
<v Speaker 1>to say.

0:21:03.880 --> 0:21:07.000
<v Speaker 2>That's very so I said, Fifty says it, y'all like, nah,

0:21:07.040 --> 0:21:08.360
<v Speaker 2>y'all not jacking that fifty Lion.

0:21:08.760 --> 0:21:10.560
<v Speaker 3>He's lying, all right, Cool, y'all could think he's lying.

0:21:10.560 --> 0:21:12.720
<v Speaker 3>I'm just saying he said it. So now I'm saying,

0:21:13.000 --> 0:21:15.240
<v Speaker 3>does t I respond to that again?

0:21:15.280 --> 0:21:17.720
<v Speaker 1>A massive question because he already said he was done

0:21:17.880 --> 0:21:20.840
<v Speaker 1>with it already. Oh yeah, So I think this this

0:21:21.200 --> 0:21:25.880
<v Speaker 1>ends when fifty starts focusing on the TI and Tiny Doc.

0:21:27.080 --> 0:21:30.680
<v Speaker 1>Whatever Fifty's about to promote is when it ends. Fifty's

0:21:30.720 --> 0:21:32.320
<v Speaker 1>going to drag this as long as you think this

0:21:32.560 --> 0:21:34.520
<v Speaker 1>ends when he puts the doc. Oh, I think I

0:21:34.600 --> 0:21:37.240
<v Speaker 1>gonna get no, no, no, I'm saying this Domino Oka,

0:21:38.160 --> 0:21:41.240
<v Speaker 1>Max b Patpoo's Jim Jones, Like, I think this this

0:21:41.440 --> 0:21:44.359
<v Speaker 1>chapter is just an interlude until he gets to the

0:21:44.440 --> 0:21:45.360
<v Speaker 1>TI and Tiny Doc.

0:21:45.480 --> 0:21:45.760
<v Speaker 2>Got it?

0:21:45.800 --> 0:21:48.120
<v Speaker 1>Okay, this is to fill some time. Like you said,

0:21:48.160 --> 0:21:50.120
<v Speaker 1>I'm the algorithms. Everyone have to talk about me, which

0:21:50.200 --> 0:21:51.520
<v Speaker 1>I mean isn't the case, but it's a fun thing

0:21:51.600 --> 0:21:54.000
<v Speaker 1>to say. Yeah, I think this ends when fifty moves

0:21:54.040 --> 0:21:54.679
<v Speaker 1>on to his next thing.

0:21:54.880 --> 0:21:57.480
<v Speaker 2>Yo, doing a doc is really crazy. Doing another doc

0:21:57.560 --> 0:21:58.920
<v Speaker 2>paron just crazy?

0:21:59.040 --> 0:21:59.119
<v Speaker 1>Yo?

0:21:59.359 --> 0:21:59.960
<v Speaker 2>Why is that great?

0:22:00.760 --> 0:22:03.560
<v Speaker 3>Like that's what the game has gone to, Like we're

0:22:03.600 --> 0:22:05.359
<v Speaker 3>doing documentaries about well he's not.

0:22:05.560 --> 0:22:06.159
<v Speaker 2>He's not.

0:22:07.080 --> 0:22:10.080
<v Speaker 3>Fifty is in a whole different space of entertainment now.

0:22:10.760 --> 0:22:13.080
<v Speaker 3>He came in as a troll right with how to Rob.

0:22:13.240 --> 0:22:15.200
<v Speaker 3>How to Rob was like one of the biggest troll

0:22:15.280 --> 0:22:17.760
<v Speaker 3>records ever for sure. So he came in with that

0:22:17.920 --> 0:22:19.720
<v Speaker 3>energy like I'll go at anybody. I don't give a fuck.

0:22:20.080 --> 0:22:22.160
<v Speaker 3>I don't I'm not here to be friends with any

0:22:22.160 --> 0:22:24.440
<v Speaker 3>of yard. I don't fuck with none of y'all like that.

0:22:24.840 --> 0:22:27.399
<v Speaker 3>That's always been Fifty's energy. Now that he's in a

0:22:27.440 --> 0:22:29.680
<v Speaker 3>different space in his life when it comes to entertainment,

0:22:29.720 --> 0:22:31.800
<v Speaker 3>it was the same trolling, just in a different It's

0:22:31.840 --> 0:22:35.680
<v Speaker 3>the same energy, but he's just delivering it differently. So

0:22:35.760 --> 0:22:37.800
<v Speaker 3>it's like it's like it's like a disc record, right,

0:22:38.200 --> 0:22:41.040
<v Speaker 3>It's just ain't no music behind eight it's just eight episodes.

0:22:42.160 --> 0:22:44.040
<v Speaker 3>It's like, all, yo, this is these are the people. Look,

0:22:44.080 --> 0:22:46.920
<v Speaker 3>these are the nasty guys that y'all support. I could

0:22:46.920 --> 0:22:48.320
<v Speaker 3>have said this in a rap, Yeah, Fifty could have

0:22:48.320 --> 0:22:50.280
<v Speaker 3>said all of this in a rap. Yes, but he's

0:22:50.320 --> 0:22:52.359
<v Speaker 3>probably looking at it like, I don't even rap like

0:22:52.440 --> 0:22:55.479
<v Speaker 3>that no more. I'm creating shows, which is why him

0:22:55.520 --> 0:22:58.920
<v Speaker 3>putting that bar that rightfully. So everybody felt like was

0:22:59.000 --> 0:23:02.840
<v Speaker 3>tailored towards TI. In the intro song to the New

0:23:02.920 --> 0:23:04.000
<v Speaker 3>Power that was genius.

0:23:04.000 --> 0:23:04.200
<v Speaker 1>Shit.

0:23:04.960 --> 0:23:06.800
<v Speaker 2>It was like, yo, right, this is how I'm gonna respond,

0:23:06.920 --> 0:23:07.919
<v Speaker 2>Like people talk, y'all.

0:23:07.800 --> 0:23:11.400
<v Speaker 3>Gonna hear this song every week, every episode, y'all gonna

0:23:11.440 --> 0:23:15.600
<v Speaker 3>hear this song clever, right, But that's part of his brand.

0:23:15.640 --> 0:23:15.760
<v Speaker 6>Now.

0:23:16.000 --> 0:23:18.320
<v Speaker 3>Business is part of the show for sure with the

0:23:18.400 --> 0:23:22.200
<v Speaker 3>documentary coming off. For the documentary he just did about

0:23:22.200 --> 0:23:25.680
<v Speaker 3>the Diddy doc that was number one in how many countries,

0:23:25.800 --> 0:23:28.280
<v Speaker 3>Like it's about business for fifty because this is at

0:23:28.280 --> 0:23:28.880
<v Speaker 3>the end of the day.

0:23:29.520 --> 0:23:31.000
<v Speaker 2>Yes, it's wild to hear.

0:23:31.000 --> 0:23:33.639
<v Speaker 3>Certain things this record, and sometimes people say things at

0:23:33.640 --> 0:23:35.239
<v Speaker 3>the end of the day, it's all entertainment though.

0:23:35.359 --> 0:23:38.560
<v Speaker 2>Yeah, now the doc is like, that's not.

0:23:40.080 --> 0:23:42.240
<v Speaker 3>That we aren't gonna sit around and turn on our

0:23:42.320 --> 0:23:44.800
<v Speaker 3>TV and watch it like we want to be even

0:23:44.840 --> 0:23:47.800
<v Speaker 3>though it's things we're gonna hear like damn, like that's crazy,

0:23:48.400 --> 0:23:49.960
<v Speaker 3>But it's still a form of entertainment.

0:23:50.560 --> 0:23:53.160
<v Speaker 2>It's still a documentary that we're learning about things.

0:23:53.320 --> 0:23:55.120
<v Speaker 3>Like some of the things that are being said maybe

0:23:55.160 --> 0:23:56.960
<v Speaker 3>a little funny, it might be some jokes in there,

0:23:57.280 --> 0:23:58.639
<v Speaker 3>but it's like at the end of the day, this

0:23:58.800 --> 0:23:59.520
<v Speaker 3>is all entertainment.

0:23:59.600 --> 0:24:01.680
<v Speaker 2>This is but this is fifties. This is the area

0:24:01.760 --> 0:24:02.119
<v Speaker 2>that he's in.

0:24:02.280 --> 0:24:02.399
<v Speaker 1>Now.

0:24:02.720 --> 0:24:05.000
<v Speaker 2>I never thought that hip hop would take it this far?

0:24:06.920 --> 0:24:08.560
<v Speaker 2>But is it crazy? Really?

0:24:08.600 --> 0:24:08.719
<v Speaker 1>Though?

0:24:08.880 --> 0:24:09.800
<v Speaker 2>Like this is who he Now.

0:24:09.840 --> 0:24:11.480
<v Speaker 1>If this is the first Top fifty ever did a

0:24:11.560 --> 0:24:15.520
<v Speaker 1>documentary or ever did anything like in that lane with television,

0:24:15.800 --> 0:24:17.160
<v Speaker 1>then it would be like, yo, what he doing?

0:24:17.320 --> 0:24:19.520
<v Speaker 3>Like, but he's been in television the Vigin of the

0:24:19.560 --> 0:24:21.760
<v Speaker 3>BF DVD. Yeah, so he's been in He's been in

0:24:21.840 --> 0:24:24.720
<v Speaker 3>television for how many years now? He's produced how many

0:24:24.800 --> 0:24:26.960
<v Speaker 3>shows and things like? So this is part of his

0:24:27.480 --> 0:24:29.320
<v Speaker 3>you know, the way he can choose to respond. Now,

0:24:29.320 --> 0:24:30.639
<v Speaker 3>I don't think it's anything crazy about that.

0:24:30.680 --> 0:24:34.159
<v Speaker 1>Which side of y'all on with the dandy part and

0:24:34.280 --> 0:24:36.680
<v Speaker 1>now to be the TI thing that he wouldn't have

0:24:36.720 --> 0:24:38.920
<v Speaker 1>done these docks had he not had an issue with

0:24:39.119 --> 0:24:42.720
<v Speaker 1>those people. Where do y'all land on? I don't want

0:24:42.720 --> 0:24:46.440
<v Speaker 1>to say morally, but how that how that looks like?

0:24:46.600 --> 0:24:48.520
<v Speaker 3>Okay, I understand that, Like if he didn't have an

0:24:48.560 --> 0:24:50.639
<v Speaker 3>issue with with with Diddy, or if he didn't have

0:24:51.359 --> 0:24:53.960
<v Speaker 3>this latest thing with TI, maybe he wouldn't have gotten

0:24:54.119 --> 0:24:58.280
<v Speaker 3>that but I mean, yeah, that's the way he chooses

0:24:58.320 --> 0:24:58.760
<v Speaker 3>to respond.

0:24:58.840 --> 0:25:01.280
<v Speaker 1>Now, Yeah, I mean we briefly talked about it with

0:25:01.320 --> 0:25:04.359
<v Speaker 1>the Diddy one, Like, yeah, do I think that fifty

0:25:04.440 --> 0:25:07.639
<v Speaker 1>did that to Spike Diddy based off their history and

0:25:07.800 --> 0:25:08.400
<v Speaker 1>his baby mother?

0:25:09.160 --> 0:25:11.159
<v Speaker 2>Yes, But I do think the information that was in that.

0:25:13.000 --> 0:25:16.920
<v Speaker 1>In that entire series should have been out there. Like

0:25:17.000 --> 0:25:19.399
<v Speaker 1>I'm glad that info is out there now about Puff.

0:25:20.000 --> 0:25:23.480
<v Speaker 1>Was it done based off nasty intentions from Fifty?

0:25:23.920 --> 0:25:24.160
<v Speaker 2>Sure?

0:25:24.480 --> 0:25:26.400
<v Speaker 1>But I think the world needs to know these things

0:25:26.400 --> 0:25:28.240
<v Speaker 1>about some of our biggest entertainers.

0:25:28.359 --> 0:25:31.800
<v Speaker 3>A fucking documentary can come out every day. The game

0:25:31.960 --> 0:25:34.920
<v Speaker 3>is this nastyr Niggas is super nasty. I was the

0:25:35.000 --> 0:25:38.840
<v Speaker 3>bull for years. So it only it only sees the

0:25:38.920 --> 0:25:41.240
<v Speaker 3>light of day when you have you know what I'm saying,

0:25:41.359 --> 0:25:42.560
<v Speaker 3>you have a running when you have an issue with

0:25:42.600 --> 0:25:46.159
<v Speaker 3>a person, because then that makes you responsible in some

0:25:46.320 --> 0:25:48.879
<v Speaker 3>regard because if you have this information, whether you got

0:25:48.960 --> 0:25:50.520
<v Speaker 3>an issue with that person or not, if you have

0:25:50.640 --> 0:25:52.679
<v Speaker 3>this information and the platform to get it out there

0:25:52.760 --> 0:25:54.560
<v Speaker 3>and the means to do it, then why not do

0:25:54.680 --> 0:25:55.600
<v Speaker 3>it for the greater good?

0:25:56.000 --> 0:25:57.359
<v Speaker 2>I would? I think it's different.

0:25:57.440 --> 0:26:02.640
<v Speaker 3>I think fifty, just because he's in television. I think

0:26:02.720 --> 0:26:05.240
<v Speaker 3>people through back channels reach out and say, hey, somebody

0:26:05.320 --> 0:26:08.919
<v Speaker 3>has this TI documentary that they put together. Yeah, fifty

0:26:09.000 --> 0:26:12.359
<v Speaker 3>is just executive producing. They're putting money behind it and

0:26:12.440 --> 0:26:13.480
<v Speaker 3>putting it on a platform.

0:26:13.560 --> 0:26:14.919
<v Speaker 1>And that's why I think happened with the Diddy want

0:26:14.920 --> 0:26:16.439
<v Speaker 1>to I don't. I don't think so they started up

0:26:17.960 --> 0:26:19.159
<v Speaker 1>the director works for puffing one.

0:26:19.160 --> 0:26:21.800
<v Speaker 3>Nobody said I got the Harvey Weinstein joint cooked up.

0:26:21.960 --> 0:26:22.760
<v Speaker 3>You want to get behind it?

0:26:22.880 --> 0:26:23.160
<v Speaker 2>Post?

0:26:23.320 --> 0:26:25.640
<v Speaker 1>Yeah, well here's how they would call Harvey. They didn't

0:26:25.640 --> 0:26:27.960
<v Speaker 1>have anyone, right, I don't think that.

0:26:28.200 --> 0:26:31.280
<v Speaker 3>I don't think those people reached out to fifty now

0:26:31.320 --> 0:26:34.440
<v Speaker 3>when it's rappers, right, and then you have somebody that's

0:26:34.440 --> 0:26:37.639
<v Speaker 3>already in the world of television like fifty is, and

0:26:37.760 --> 0:26:39.840
<v Speaker 3>then somebody said, yo, you know they got a little

0:26:39.840 --> 0:26:42.000
<v Speaker 3>beef right now, it's like, oh shit, well let's hit

0:26:42.040 --> 0:26:44.120
<v Speaker 3>him up and see if he'll and fifty.

0:26:43.880 --> 0:26:46.520
<v Speaker 2>Is like, hell, yeah, I put the money and did

0:26:46.600 --> 0:26:47.320
<v Speaker 2>he shot all of this?

0:26:47.480 --> 0:26:49.560
<v Speaker 3>This this footage the camera guy that he was like, wait,

0:26:49.640 --> 0:26:51.560
<v Speaker 3>I don't have to shoot nothing but a couple of

0:26:51.640 --> 0:26:54.800
<v Speaker 3>interviews in now, oh this is a layup. So you

0:26:54.840 --> 0:26:56.640
<v Speaker 3>know what I'm saying, so I understand what you're saying,

0:26:56.680 --> 0:27:00.359
<v Speaker 3>but at the same time, it's like, this is docu.

0:27:00.440 --> 0:27:03.560
<v Speaker 3>This is stuff that is already being done, like fifties,

0:27:03.600 --> 0:27:05.320
<v Speaker 3>just coming in at the tail end of it, like, Okay,

0:27:05.320 --> 0:27:07.680
<v Speaker 3>I'll put some money behind it, put executive produce a

0:27:07.720 --> 0:27:09.400
<v Speaker 3>credit on it, and let's put it out.

0:27:09.600 --> 0:27:11.320
<v Speaker 1>And it's funny you bring that up, because this was

0:27:12.200 --> 0:27:15.240
<v Speaker 1>a couple of years ago, a very very very big

0:27:15.760 --> 0:27:18.200
<v Speaker 1>publication reached out to me based off some stuff we

0:27:18.320 --> 0:27:22.320
<v Speaker 1>said on our podcast about an entertainer, and they wanted

0:27:22.359 --> 0:27:26.520
<v Speaker 1>to quote, and it appeared like they had an entire

0:27:27.520 --> 0:27:31.800
<v Speaker 1>article ready to go about some of the sexual misconducts

0:27:31.920 --> 0:27:36.200
<v Speaker 1>of this person. And I never heard anything again, and

0:27:36.600 --> 0:27:37.920
<v Speaker 1>every now and they'd be like, damn, it's been like

0:27:37.920 --> 0:27:40.920
<v Speaker 1>almost three years since they had this entire big publication,

0:27:41.000 --> 0:27:43.320
<v Speaker 1>had this entire thing ready to go, and it never

0:27:43.400 --> 0:27:45.240
<v Speaker 1>came out. So to your point, I do think there

0:27:45.280 --> 0:27:48.119
<v Speaker 1>are a lot of people sitting around with ready to

0:27:48.160 --> 0:27:51.840
<v Speaker 1>go articles, documentaries all that, just waiting for the right

0:27:51.920 --> 0:27:54.240
<v Speaker 1>time to capitalize with the most amount of money, be like, hey,

0:27:54.280 --> 0:27:55.639
<v Speaker 1>I see what's going on over here. Just let you

0:27:55.720 --> 0:27:59.119
<v Speaker 1>know this is already done. We can get this out

0:27:59.160 --> 0:28:01.159
<v Speaker 1>in two weeks. So yeah, I think there's a lot

0:28:01.200 --> 0:28:02.920
<v Speaker 1>of people that have docs waiting on them.

0:28:03.600 --> 0:28:05.760
<v Speaker 2>Yeah, I'm not mad at fifty for executive producing these.

0:28:06.320 --> 0:28:07.800
<v Speaker 3>I mean, at the end of the day, it's it's

0:28:07.800 --> 0:28:10.200
<v Speaker 3>the business that he's in now. It's just as a

0:28:10.359 --> 0:28:12.359
<v Speaker 3>hip hop fan, as a as an MC and a

0:28:12.440 --> 0:28:14.440
<v Speaker 3>hip hop fan. It's a different route. It's not a

0:28:14.520 --> 0:28:17.720
<v Speaker 3>route that I thought we would see artists taking, you

0:28:17.760 --> 0:28:19.560
<v Speaker 3>know what I'm saying. But yeah, I guess it's the

0:28:19.640 --> 0:28:23.160
<v Speaker 3>evolution of the dissim it's the evolution of fifty though. Yeah, right,

0:28:23.640 --> 0:28:26.360
<v Speaker 3>he's not just an MC. He's not just a rap anymore.

0:28:26.600 --> 0:28:30.000
<v Speaker 3>He's an executive producer in television and film. He's an actor,

0:28:30.200 --> 0:28:31.639
<v Speaker 3>he's you know, he's a lot of things. It's not

0:28:31.800 --> 0:28:34.800
<v Speaker 3>just this ain't just booboo just going into booth rapping.

0:28:34.880 --> 0:28:35.960
<v Speaker 2>This is not this is not that.

0:28:36.119 --> 0:28:38.320
<v Speaker 3>And fifty probably look at it like he's too old

0:28:38.400 --> 0:28:40.360
<v Speaker 3>to probably still be trying to really rap like that

0:28:41.520 --> 0:28:43.480
<v Speaker 3>unless he got a TV show, unless you got it,

0:28:43.480 --> 0:28:45.920
<v Speaker 3>But they give that that's part of his business.

0:28:46.920 --> 0:28:49.000
<v Speaker 2>Yeah, I'm not, but we're not mad at that.

0:28:49.160 --> 0:28:51.800
<v Speaker 3>Like he's given us classic intros to those to those

0:28:51.920 --> 0:28:54.280
<v Speaker 3>to those uh to those shows. So it's like, if

0:28:54.360 --> 0:28:56.080
<v Speaker 3>that's the way he chooses to respond and do his

0:28:56.160 --> 0:28:57.640
<v Speaker 3>business now, which is the business that he's in.

0:28:58.440 --> 0:28:59.640
<v Speaker 2>Listen, man, you gotta respect it.

0:28:59.760 --> 0:29:01.520
<v Speaker 1>And my crazy to say it is kind of the

0:29:01.720 --> 0:29:06.479
<v Speaker 1>natural evolution from the DVD era where recipes Shorty low

0:29:06.600 --> 0:29:09.280
<v Speaker 1>is walking through TI's projects and asking where he's at,

0:29:10.040 --> 0:29:12.400
<v Speaker 1>Like is it just that evolution of when rappers were

0:29:12.440 --> 0:29:14.280
<v Speaker 1>beaver that do diss records, then they do something on

0:29:14.320 --> 0:29:16.880
<v Speaker 1>a DVD or on YouTube, we go to the neighborhood

0:29:17.000 --> 0:29:19.160
<v Speaker 1>Like this is kind of the natural.

0:29:18.960 --> 0:29:20.600
<v Speaker 2>Evolution same of that.

0:29:20.840 --> 0:29:23.400
<v Speaker 3>So now what if all of our favorite rappers or

0:29:23.520 --> 0:29:27.760
<v Speaker 3>upcoming rappers start doing documentaries like everybody that got a problem,

0:29:27.920 --> 0:29:30.520
<v Speaker 3>Like if Ken Drake and Drake was it was it

0:29:30.720 --> 0:29:34.920
<v Speaker 3>rap songs, if it was documentaries, that's wild, bro, Yeah,

0:29:34.960 --> 0:29:37.640
<v Speaker 3>but it's wild because it would be wild if because

0:29:37.640 --> 0:29:39.800
<v Speaker 3>we've never seen a documentary from those guys, Like if

0:29:39.840 --> 0:29:41.440
<v Speaker 3>that was the first documentary.

0:29:40.920 --> 0:29:41.680
<v Speaker 2>Ites like what are they doing?

0:29:41.960 --> 0:29:44.280
<v Speaker 3>But now the president is there, so now the door

0:29:44.400 --> 0:29:46.720
<v Speaker 3>is open for people to do that. If it's the

0:29:46.800 --> 0:29:50.600
<v Speaker 3>evolution of it's just another lane of entertainment like when

0:29:50.720 --> 0:29:53.320
<v Speaker 3>Jay did summer summer jam and he had the pictures

0:29:53.360 --> 0:29:56.720
<v Speaker 3>of Prodigy, right, It's like, oh shit, that was the

0:29:56.720 --> 0:29:58.920
<v Speaker 3>first time a lot of people saw those pictures, right, right,

0:29:59.320 --> 0:30:01.840
<v Speaker 3>So now let's just put the documented Let's let's interview

0:30:01.880 --> 0:30:03.360
<v Speaker 3>the ballet teacher that.

0:30:03.440 --> 0:30:08.120
<v Speaker 2>Was on that project that I'm just saying, yeah, but

0:30:08.160 --> 0:30:10.600
<v Speaker 2>I'm just d yeah.

0:30:10.640 --> 0:30:13.600
<v Speaker 3>But imagine if Jay went that route though, Like we're

0:30:13.600 --> 0:30:16.480
<v Speaker 3>gonna go and it's like it's still and it's funny,

0:30:16.560 --> 0:30:18.600
<v Speaker 3>let's laugh, But it's like, what's wrong with a kid,

0:30:19.360 --> 0:30:21.360
<v Speaker 3>you know, I don't know how probably maybe six seven

0:30:21.400 --> 0:30:21.880
<v Speaker 3>years old.

0:30:22.200 --> 0:30:24.400
<v Speaker 2>And dance class, Like, what's wrong with that? Good?

0:30:24.680 --> 0:30:24.800
<v Speaker 1>Now?

0:30:24.920 --> 0:30:27.080
<v Speaker 2>If thes is good, if he left, if he left

0:30:27.120 --> 0:30:30.000
<v Speaker 2>the infamous video set and then went to go to ballet,

0:30:30.080 --> 0:30:35.800
<v Speaker 2>then it's like, yo, what pe doing? Like you know, yeah,

0:30:35.840 --> 0:30:38.840
<v Speaker 2>it's like now that's kind of like but as a

0:30:39.000 --> 0:30:39.760
<v Speaker 2>six seven.

0:30:39.600 --> 0:30:41.760
<v Speaker 3>Eight year old, it's like it was shock value and

0:30:42.320 --> 0:30:44.480
<v Speaker 3>it was a chink right in the almah right, and

0:30:44.600 --> 0:30:47.280
<v Speaker 3>did something to his credibility the street dude, because the

0:30:47.320 --> 0:30:49.920
<v Speaker 3>street dudes, I know never took ballet, right, So as

0:30:49.960 --> 0:30:51.480
<v Speaker 3>a street dude, that is you know what I'm saying,

0:30:51.600 --> 0:30:53.240
<v Speaker 3>I ain't super and nigga get shot stagged.

0:30:54.000 --> 0:30:55.480
<v Speaker 2>You was in it, you know, I mean and it

0:30:55.600 --> 0:30:58.000
<v Speaker 2>did shoes. We get it. We look at you at

0:30:58.000 --> 0:30:58.560
<v Speaker 2>a different light.

0:30:58.640 --> 0:31:00.480
<v Speaker 3>But it's so crazy because it's like as six years

0:31:00.520 --> 0:31:01.960
<v Speaker 3>why would you look at that in different life?

0:31:02.160 --> 0:31:05.040
<v Speaker 2>That's what that's like. I had a choice. I had

0:31:05.040 --> 0:31:06.560
<v Speaker 2>a choice. That's six years old, and tell my mom,

0:31:06.600 --> 0:31:07.360
<v Speaker 2>I'm not going to dance.

0:31:07.440 --> 0:31:09.480
<v Speaker 1>Also, why we don't care about facts? He put up

0:31:09.520 --> 0:31:11.880
<v Speaker 1>the said, I got the uh your ballery, I got

0:31:11.920 --> 0:31:13.560
<v Speaker 1>the pictures. I seen you. He put the photo up.

0:31:13.600 --> 0:31:16.400
<v Speaker 1>He's not dressed as a ballerina. Define he dresses Michael Jackson.

0:31:18.520 --> 0:31:21.160
<v Speaker 1>There's not a ballerina in sight. He's literally dressed like

0:31:21.160 --> 0:31:23.440
<v Speaker 1>Michael Jackson. And we all were like, yo, you're a ballerina.

0:31:23.520 --> 0:31:26.720
<v Speaker 1>It's like, that's a good point. That's a good That

0:31:26.800 --> 0:31:32.400
<v Speaker 1>was Halloween about that was Halloween fail?

0:31:32.480 --> 0:31:37.720
<v Speaker 2>That's crazy. He ain't like thriller. Yeah, that was Halloween,

0:31:37.760 --> 0:31:39.240
<v Speaker 2>which expected me. I was Michael Jackson.

0:31:39.720 --> 0:31:41.959
<v Speaker 1>I'm sure was Michael Jackson. Halloween.

0:31:42.320 --> 0:31:43.280
<v Speaker 2>Definitely Michael Jackson.

0:31:43.640 --> 0:31:46.600
<v Speaker 1>Everybody was at one. It was to Michael Jackson. He

0:31:46.640 --> 0:31:54.160
<v Speaker 1>probably was Mike and beat It Mike me different albums. Yeah, yeah,

0:31:54.280 --> 0:31:55.240
<v Speaker 1>we'll see where this goes.

0:31:58.480 --> 0:31:58.520
<v Speaker 2>MA.

0:31:58.680 --> 0:32:01.520
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0:32:45.040 --> 0:32:47.560
<v Speaker 1>I want to say we were completely wrong about the

0:32:47.760 --> 0:32:49.600
<v Speaker 1>Jackharlow announcement.

0:32:50.320 --> 0:32:50.880
<v Speaker 2>It's a song.

0:32:51.280 --> 0:32:54.320
<v Speaker 3>No, the album is coming out tonight tonight. Well it's

0:32:54.320 --> 0:32:57.080
<v Speaker 3>out now when they're yes, We thought we were getting.

0:32:58.360 --> 0:33:02.120
<v Speaker 1>Like three singles before the entire thing we got no music,

0:33:02.560 --> 0:33:05.280
<v Speaker 1>nine songs. I'm kind of shocked.

0:33:05.440 --> 0:33:07.040
<v Speaker 2>Jack to the short albums.

0:33:07.160 --> 0:33:10.880
<v Speaker 1>But after three years of just like one or two records,

0:33:11.360 --> 0:33:14.280
<v Speaker 1>no real single, that's not really how Jack's formula has

0:33:14.320 --> 0:33:16.280
<v Speaker 1>been in the past five to seven years.

0:33:17.000 --> 0:33:21.720
<v Speaker 2>That's risky, risky or just a different approach. Why is

0:33:21.760 --> 0:33:23.200
<v Speaker 2>it risky? Why do you say risky a.

0:33:23.200 --> 0:33:27.920
<v Speaker 1>Different approach as always risky when uh, yeah, I guess.

0:33:28.200 --> 0:33:31.000
<v Speaker 3>I guess it's just something different for your audience, something

0:33:31.040 --> 0:33:33.920
<v Speaker 3>that they're not used to you doing. So it's it's risky.

0:33:34.040 --> 0:33:37.120
<v Speaker 3>But I think that we just spoke about it non songs.

0:33:37.240 --> 0:33:39.760
<v Speaker 3>I kind of like that though. I kind of like

0:33:39.920 --> 0:33:42.760
<v Speaker 3>Jack just giving us that non songs. I don't know

0:33:42.840 --> 0:33:45.640
<v Speaker 3>what this sounds like. I love the video he gave us,

0:33:45.760 --> 0:33:48.600
<v Speaker 3>was that last year when he was walking through Manhattan,

0:33:48.640 --> 0:33:52.720
<v Speaker 3>like shinead O'Connor, like any of those songs that he

0:33:52.800 --> 0:33:55.080
<v Speaker 3>dropped those Lucy's on the track Listen is a song

0:33:55.160 --> 0:33:55.800
<v Speaker 3>titles out there?

0:33:56.240 --> 0:33:58.560
<v Speaker 1>Yeah, we have the track list up. It appears that

0:33:58.680 --> 0:34:00.480
<v Speaker 1>none of the records that came out, not even the

0:34:00.800 --> 0:34:04.440
<v Speaker 1>just Us Dojakat single is on this. So nine brand

0:34:04.480 --> 0:34:07.800
<v Speaker 1>new songs off the whim Why say this is risky

0:34:08.719 --> 0:34:11.439
<v Speaker 1>because if you go with Come Home the Kids Missu,

0:34:11.640 --> 0:34:13.560
<v Speaker 1>which is one thirteen. Again, I'm not a numbers person.

0:34:13.719 --> 0:34:15.520
<v Speaker 1>I don't give a fuck. If the music is good,

0:34:15.520 --> 0:34:17.000
<v Speaker 1>the music is good, I don't care. I'm just saying

0:34:17.040 --> 0:34:18.960
<v Speaker 1>how risky it can what you pulled up the numbers

0:34:19.320 --> 0:34:23.640
<v Speaker 1>because Jack Harlow is an artist that has entered that

0:34:23.800 --> 0:34:28.719
<v Speaker 1>world when you're making records like nail Tech. Even if

0:34:28.760 --> 0:34:31.480
<v Speaker 1>that wasn't Jack's purpose when he went in the studio,

0:34:31.680 --> 0:34:33.960
<v Speaker 1>He's now entered the world where numbers do matter when

0:34:33.960 --> 0:34:36.400
<v Speaker 1>you're making records like that. And I thought it was

0:34:36.440 --> 0:34:38.399
<v Speaker 1>actually kind of great that he put out Paul's jack

0:34:38.480 --> 0:34:41.239
<v Speaker 1>Man right after Come Home the Kids Missu because he

0:34:41.320 --> 0:34:44.520
<v Speaker 1>was getting put in that TikTok teeny bopper rapper shit

0:34:44.560 --> 0:34:46.560
<v Speaker 1>and he's like, nah, a rap for real. And that

0:34:46.760 --> 0:34:49.320
<v Speaker 1>was cool that it sold thirty four thousand, which is

0:34:49.719 --> 0:34:51.160
<v Speaker 1>great but not coming off one thirteen.

0:34:51.200 --> 0:34:52.759
<v Speaker 2>But it was a mixtape. I felt like it was like,

0:34:53.120 --> 0:34:55.040
<v Speaker 2>let me just throw this out, no promotion. What's I

0:34:55.080 --> 0:34:56.840
<v Speaker 2>didn't know? I mean again, not that it matters. I

0:34:56.840 --> 0:34:57.800
<v Speaker 2>didn't know that it didn't do.

0:34:58.840 --> 0:35:00.920
<v Speaker 1>I didn't have any singles. It was similar to just

0:35:00.960 --> 0:35:02.920
<v Speaker 1>putting out something like that, but it felt like one

0:35:02.960 --> 0:35:05.279
<v Speaker 1>of those hey just a reminder I could wrap. It

0:35:05.400 --> 0:35:08.239
<v Speaker 1>was all Chipmunk's soul samples, like I think it was

0:35:08.280 --> 0:35:10.520
<v Speaker 1>trying to win back crowds like meat.

0:35:10.560 --> 0:35:11.560
<v Speaker 2>That was like I remember when you.

0:35:11.600 --> 0:35:14.640
<v Speaker 1>Used to like rap rap. I like jack Man a lot.

0:35:14.840 --> 0:35:16.399
<v Speaker 1>I hated the title, but you know, wow, I would

0:35:16.440 --> 0:35:21.600
<v Speaker 1>never say it. It's a wild title. So after Come

0:35:21.640 --> 0:35:25.080
<v Speaker 1>Home the Kids Miss You was about three four years ago. Yeah,

0:35:25.239 --> 0:35:28.719
<v Speaker 1>I think you being in the A list rap category,

0:35:29.080 --> 0:35:30.959
<v Speaker 1>it's kind of crazy to just put out a nine

0:35:32.360 --> 0:35:33.439
<v Speaker 1>track shit with no single.

0:35:33.560 --> 0:35:35.080
<v Speaker 2>But he put out like a couple of Lucy So

0:35:35.160 --> 0:35:37.040
<v Speaker 2>does that not start the rollout?

0:35:37.480 --> 0:35:39.920
<v Speaker 1>It did, But like when he did what Maul was

0:35:39.960 --> 0:35:42.799
<v Speaker 1>talking about to Set You Free and Tranquility stuff when

0:35:42.840 --> 0:35:44.279
<v Speaker 1>he was in the city. Then I thought when he

0:35:44.320 --> 0:35:46.160
<v Speaker 1>put out just Us with Doja Cat, like, oh all right,

0:35:46.160 --> 0:35:49.480
<v Speaker 1>we're starting, and I really fucked with that record, but

0:35:49.560 --> 0:35:51.440
<v Speaker 1>it was still closer to the nail tech stuff and

0:35:51.560 --> 0:35:53.480
<v Speaker 1>like all right, the labels like, hey guy, we know

0:35:53.560 --> 0:35:55.839
<v Speaker 1>you like to rap, but come on, let's sell some units.

0:35:56.440 --> 0:35:59.440
<v Speaker 2>That was what year did that Dojah catch? That was

0:35:59.440 --> 0:36:01.319
<v Speaker 2>twenty twenty five, yeah, about the year ago.

0:36:01.400 --> 0:36:04.080
<v Speaker 1>That was a lot that didn't last long enough to

0:36:04.200 --> 0:36:06.480
<v Speaker 1>then go into an album. This is a completely different project,

0:36:07.040 --> 0:36:11.440
<v Speaker 1>so I think it's it's risky. I'm excited. I'm excited

0:36:11.480 --> 0:36:14.239
<v Speaker 1>because it is this rollout and maybe it's nothing like

0:36:14.840 --> 0:36:17.480
<v Speaker 1>come home the Kids Miss You, But we'll see.

0:36:17.920 --> 0:36:18.920
<v Speaker 2>We've seen this done though.

0:36:18.920 --> 0:36:22.920
<v Speaker 3>We've seen like the pre album rollout extensive, and we've

0:36:22.960 --> 0:36:25.640
<v Speaker 3>seen the post album roll out. Sometimes you got a

0:36:25.680 --> 0:36:28.040
<v Speaker 3>factor in like what's going to be more beneficial? Is

0:36:28.120 --> 0:36:30.480
<v Speaker 3>it really like setting it up and then it drops

0:36:30.520 --> 0:36:31.560
<v Speaker 3>and you do a little bit and then you go

0:36:31.640 --> 0:36:33.759
<v Speaker 3>on to roll or is it like drop the music,

0:36:33.880 --> 0:36:36.160
<v Speaker 3>see what people gravitating towards, and then't.

0:36:35.960 --> 0:36:37.680
<v Speaker 2>Do your rollout while the music is out.

0:36:37.719 --> 0:36:40.800
<v Speaker 3>So now every time somebody discovers a new conversation or

0:36:40.840 --> 0:36:42.600
<v Speaker 3>what have you, they go right to it and now

0:36:42.640 --> 0:36:44.200
<v Speaker 3>you're up your running up the streams.

0:36:44.640 --> 0:36:48.480
<v Speaker 1>I think post these days is way, way, way more important.

0:36:48.960 --> 0:36:52.640
<v Speaker 1>But with artists like Jack, artists like Bruno Mars on

0:36:52.680 --> 0:36:56.200
<v Speaker 1>this last project that really didn't know no pre shit,

0:36:56.320 --> 0:36:58.680
<v Speaker 1>no real like one single that was two weeks away

0:36:58.719 --> 0:37:01.360
<v Speaker 1>from the project, you see difference and numbers matter with

0:37:01.400 --> 0:37:04.560
<v Speaker 1>those types of artists now, like someone like Dochi post

0:37:04.600 --> 0:37:06.879
<v Speaker 1>promo is so important to her because she was still

0:37:06.920 --> 0:37:08.520
<v Speaker 1>on the come up and then TD locked in like

0:37:08.840 --> 0:37:11.520
<v Speaker 1>not everyone knows this girl, So let's put something out

0:37:11.560 --> 0:37:13.600
<v Speaker 1>and then work the records that are on this project.

0:37:14.239 --> 0:37:16.800
<v Speaker 1>That's the best strategy with artists like that. But you

0:37:16.920 --> 0:37:18.480
<v Speaker 1>need both when you're someone like Jack Carlow.

0:37:19.680 --> 0:37:21.120
<v Speaker 2>I think Jack, I think this is a.

0:37:21.280 --> 0:37:27.480
<v Speaker 3>An interesting position for Jack because I think this project,

0:37:27.520 --> 0:37:30.160
<v Speaker 3>based on what it sounds like, it's gonna tell us

0:37:30.239 --> 0:37:32.719
<v Speaker 3>which direction they really trying to go with Jack.

0:37:33.239 --> 0:37:35.719
<v Speaker 2>Is he rap? Is he more pop star? Like? What

0:37:35.840 --> 0:37:37.160
<v Speaker 2>are you? Where is he going?

0:37:37.239 --> 0:37:42.040
<v Speaker 3>Because when you have a song with Dojah, now everybody

0:37:42.080 --> 0:37:44.759
<v Speaker 3>can get a Doja feature, right, you have one of

0:37:44.800 --> 0:37:47.439
<v Speaker 3>the biggest songs in one of the projects with Drake,

0:37:48.040 --> 0:37:49.520
<v Speaker 3>and then you have you know what I'm saying success

0:37:49.560 --> 0:37:51.799
<v Speaker 3>like you said with Nail Cheking those types of songs, and.

0:37:51.880 --> 0:37:54.600
<v Speaker 2>Your feature with Drake ends with him saying you know,

0:37:54.719 --> 0:37:58.160
<v Speaker 2>Jack is the next one up. Yeah. But so now

0:37:58.239 --> 0:38:01.680
<v Speaker 2>this project non songs. What does this sound like? Is

0:38:01.760 --> 0:38:06.280
<v Speaker 2>this rap rap? Is this you know, more rap? Pop?

0:38:06.520 --> 0:38:07.080
<v Speaker 2>You singing?

0:38:07.200 --> 0:38:09.440
<v Speaker 3>Is it more melodic? Is it more like I think

0:38:09.480 --> 0:38:15.160
<v Speaker 3>this project is important for Jack's his sound because it's

0:38:15.200 --> 0:38:18.040
<v Speaker 3>like we still don't know which route Jack haller with,

0:38:18.200 --> 0:38:19.760
<v Speaker 3>Like we don't know where we place him yet.

0:38:19.920 --> 0:38:21.200
<v Speaker 2>Or where they're allowing him to go.

0:38:21.400 --> 0:38:23.480
<v Speaker 3>You know what I'm saying, Like because there's so much

0:38:23.880 --> 0:38:25.719
<v Speaker 3>Paul's riding on it, you know what I'm saying, Like

0:38:25.920 --> 0:38:27.919
<v Speaker 3>you got you know what, we know what Atlantic does?

0:38:28.040 --> 0:38:29.640
<v Speaker 3>You know what I'm saying, You got Jen Now? Obviously

0:38:29.680 --> 0:38:31.279
<v Speaker 3>they got they say in it. Obviously those guys not

0:38:31.360 --> 0:38:33.719
<v Speaker 3>to make incredible records and make history. So it's like,

0:38:34.160 --> 0:38:36.200
<v Speaker 3>or does Jack finally have the freedom to do whatever

0:38:36.239 --> 0:38:37.680
<v Speaker 3>he wants to do on this project? You know what

0:38:37.680 --> 0:38:39.360
<v Speaker 3>I'm saying, Like we really got to listen to the

0:38:39.480 --> 0:38:41.160
<v Speaker 3>music and see because it really you know what I'm saying,

0:38:41.200 --> 0:38:43.320
<v Speaker 3>it's like the Triple stands, it could go in any direction.

0:38:43.719 --> 0:38:45.880
<v Speaker 1>Yeah, yeah, because I mean even with Jen now, like

0:38:45.920 --> 0:38:48.879
<v Speaker 1>they didn't they didn't sign Jack when he was making

0:38:48.960 --> 0:38:52.960
<v Speaker 1>music like nail Tech like the Sweet Action though that

0:38:53.120 --> 0:38:55.080
<v Speaker 1>was just Jack rapping. To me, I feel like Jack

0:38:55.239 --> 0:38:58.080
<v Speaker 1>is more paulse Jackman than he is the nail Tech stuff.

0:38:58.080 --> 0:38:58.359
<v Speaker 2>I agree.

0:38:58.560 --> 0:39:00.600
<v Speaker 1>That's where I'm I'm on most out of like This

0:39:00.760 --> 0:39:02.800
<v Speaker 1>is going to be kind of the defining fork in

0:39:02.880 --> 0:39:05.080
<v Speaker 1>the road for you of do you want to follow

0:39:05.120 --> 0:39:08.320
<v Speaker 1>the year the next up darling rapper or do you

0:39:08.360 --> 0:39:11.839
<v Speaker 1>want to just keep rapping and with no rollout? Though

0:39:12.080 --> 0:39:13.719
<v Speaker 1>makes me feel like Jack is like Dough. I don't

0:39:13.719 --> 0:39:14.360
<v Speaker 1>really want to do that.

0:39:14.400 --> 0:39:17.040
<v Speaker 3>Other shit, just rapping, Like I think I can make

0:39:17.040 --> 0:39:18.799
<v Speaker 3>a nice career well for a rapper, for a guy

0:39:18.840 --> 0:39:20.120
<v Speaker 3>who can rap, you know what I'm saying, Like we've

0:39:20.160 --> 0:39:23.200
<v Speaker 3>seen early on his music, his YouTube videos, etc. For

0:39:23.239 --> 0:39:25.080
<v Speaker 3>a guy who can really rap. When they start saying, yo,

0:39:25.160 --> 0:39:27.520
<v Speaker 3>you rapping like Drake or you Drake Light. You know

0:39:27.560 --> 0:39:29.640
<v Speaker 3>what I'm saying, that like does something to your ego

0:39:29.719 --> 0:39:32.239
<v Speaker 3>that's like I'd get busy, not just say that Drake

0:39:32.280 --> 0:39:32.759
<v Speaker 3>can get busy.

0:39:32.800 --> 0:39:34.080
<v Speaker 2>But we know what that means when they say that

0:39:34.160 --> 0:39:37.200
<v Speaker 2>that connotation. So yeah, he might be rebelling. He might

0:39:37.239 --> 0:39:39.279
<v Speaker 2>be bucking against the system, like now let me just rap,

0:39:39.520 --> 0:39:40.400
<v Speaker 2>you know what I'm saying.

0:39:40.360 --> 0:39:43.600
<v Speaker 1>Because I think, I mean, it's incredible and deserve that

0:39:43.719 --> 0:39:46.680
<v Speaker 1>he does like Barclay Center. But I'm sure he probably

0:39:46.840 --> 0:39:50.440
<v Speaker 1>got a little bit of the Steve Lacy feeling when

0:39:50.480 --> 0:39:52.919
<v Speaker 1>he was going to his shows on that last tour

0:39:53.560 --> 0:39:56.759
<v Speaker 1>of like, this is a lot of TikTok kids. This

0:39:56.920 --> 0:39:59.239
<v Speaker 1>is not really who I set out to rap for.

0:40:00.040 --> 0:40:01.960
<v Speaker 1>I don't think Jack is that. I don't think he's

0:40:02.000 --> 0:40:04.000
<v Speaker 1>just chasing fame or whatever new record. I think he

0:40:04.080 --> 0:40:07.160
<v Speaker 1>really just loves to rap. So maybe he's making that decision.

0:40:08.200 --> 0:40:10.239
<v Speaker 1>I saw who was showing up to my shows, and

0:40:10.360 --> 0:40:12.360
<v Speaker 1>of course my core was there. But you can't just

0:40:12.440 --> 0:40:15.879
<v Speaker 1>have a core sellout Barclay Center unless you're fucking J Cole.

0:40:15.960 --> 0:40:18.040
<v Speaker 1>But yeah, I'm sure he looked at that crowd and

0:40:18.160 --> 0:40:21.359
<v Speaker 1>was like, Oh, it's a lot of TikTok children in here,

0:40:21.960 --> 0:40:24.200
<v Speaker 1>and I can't sustain that for the rest of my career.

0:40:24.280 --> 0:40:26.680
<v Speaker 2>It's gonna be tough for Jack though, Like, if we're

0:40:26.680 --> 0:40:28.000
<v Speaker 2>being honest, it's gonna be tough.

0:40:28.120 --> 0:40:28.200
<v Speaker 1>Bro.

0:40:28.760 --> 0:40:32.480
<v Speaker 2>Why because this is all right when you're a white rapper. Yeah,

0:40:32.640 --> 0:40:34.400
<v Speaker 2>thank you, bro.

0:40:34.680 --> 0:40:36.960
<v Speaker 3>It's only it's like, Bro, I don't you can't come

0:40:37.040 --> 0:40:39.600
<v Speaker 3>in here and try to like Eminem krap.

0:40:40.600 --> 0:40:42.480
<v Speaker 2>But he was on TRL a lot.

0:40:43.239 --> 0:40:44.960
<v Speaker 3>Yeah, No, Eminem was a pop star. So this is

0:40:45.000 --> 0:40:47.399
<v Speaker 3>what I'm saying. So Jack can't fight, he can't buck

0:40:47.440 --> 0:40:48.240
<v Speaker 3>against the system.

0:40:49.160 --> 0:40:51.840
<v Speaker 1>I got it pop, But Jack did something that I

0:40:51.880 --> 0:40:54.960
<v Speaker 1>don't think any white rapper has ever done. Correct me wrong,

0:40:55.000 --> 0:40:56.399
<v Speaker 1>coming off the cover. I don't think I've ever heard

0:40:56.400 --> 0:40:58.160
<v Speaker 1>a white rapper play at the club, play at a kickback,

0:40:58.160 --> 0:41:00.319
<v Speaker 1>play at the party. Jack Carlow is the only white

0:41:00.400 --> 0:41:02.279
<v Speaker 1>rapper I know that I could throw on around a.

0:41:02.280 --> 0:41:04.800
<v Speaker 2>Bunch of girls. Is he more Mac Miller?

0:41:05.280 --> 0:41:07.800
<v Speaker 1>Matt Mack with a certain type of chick that I

0:41:07.800 --> 0:41:09.799
<v Speaker 1>would particularly like to hang out with. Would definitely fuck

0:41:09.880 --> 0:41:11.040
<v Speaker 1>with Mac if I threw it on in the car.

0:41:11.280 --> 0:41:13.880
<v Speaker 1>I'm saying, if I go with the i G Batties,

0:41:13.920 --> 0:41:16.399
<v Speaker 1>if I'm on a boat in Miami, I've never heard

0:41:16.480 --> 0:41:18.920
<v Speaker 1>a white rapper play the way Little Baby plays at

0:41:18.960 --> 0:41:21.000
<v Speaker 1>a spot. I've never seen a white rapper do that.

0:41:23.280 --> 0:41:26.359
<v Speaker 2>Interesting. Yeah, that's the point. That's the point I've never

0:41:26.440 --> 0:41:29.879
<v Speaker 2>thought about. Of course, there's women that like other white rabbit.

0:41:29.880 --> 0:41:30.520
<v Speaker 1>I'm not saying that.

0:41:30.719 --> 0:41:34.320
<v Speaker 2>But but if you're it's the music, Yeah, nail strip

0:41:34.400 --> 0:41:37.799
<v Speaker 2>clubs like everything? Was it the first class that record? Yeah,

0:41:37.800 --> 0:41:40.840
<v Speaker 2>the first class like those just pop like first classify.

0:41:41.000 --> 0:41:42.359
<v Speaker 1>They're sampling pop record. Yeah.

0:41:42.440 --> 0:41:44.879
<v Speaker 3>So that's what I'm saying, it's like he gotta go pop.

0:41:46.520 --> 0:41:48.000
<v Speaker 3>Maybe he the pop, Larry June.

0:41:48.040 --> 0:41:55.000
<v Speaker 2>I don't know what I'm saying.

0:41:55.080 --> 0:41:57.320
<v Speaker 3>Like women like Larry, women love Larry. They listen to

0:41:57.440 --> 0:41:59.480
<v Speaker 3>Larry June. They like Larry June, they like your style.

0:41:59.520 --> 0:42:02.200
<v Speaker 3>You know what I'm saying. And it's like, Okay, Larry,

0:42:02.280 --> 0:42:04.080
<v Speaker 3>he got some bars, but Larry is more cool here,

0:42:04.120 --> 0:42:06.680
<v Speaker 3>shit talker. I don't really look at Larry JUNI to

0:42:06.760 --> 0:42:09.319
<v Speaker 3>bar you down. He gonna just talk fly shit. You're

0:42:09.320 --> 0:42:11.879
<v Speaker 3>gonna talk shit on every song. Sound it's gonna sound cool,

0:42:11.920 --> 0:42:15.080
<v Speaker 3>You're gonna look cool. I don't know if Jack want

0:42:15.120 --> 0:42:18.320
<v Speaker 3>to be that, if you want to be Mac Miller,

0:42:18.440 --> 0:42:21.040
<v Speaker 3>if you want to be Drake, if he want to be.

0:42:21.840 --> 0:42:24.200
<v Speaker 1>I mean, I think he tried with Come Home to Kids,

0:42:24.239 --> 0:42:26.360
<v Speaker 1>Miss You to capitalize on the moment he had with

0:42:26.440 --> 0:42:28.319
<v Speaker 1>the two big singles and still try to make music

0:42:28.400 --> 0:42:30.520
<v Speaker 1>that he liked, Like he brought Pharrell on and tried

0:42:30.520 --> 0:42:32.399
<v Speaker 1>to do his Pharrell ship, Like he tried to find

0:42:32.400 --> 0:42:34.480
<v Speaker 1>a good balance, and I think he got frustrated. And

0:42:34.560 --> 0:42:37.040
<v Speaker 1>then Pauls gave us jack Man right after, like yeah, nope,

0:42:37.120 --> 0:42:39.920
<v Speaker 1>let me go back to soul sample Chipmunk, shit, I

0:42:40.000 --> 0:42:40.759
<v Speaker 1>can't keep doing this.

0:42:41.120 --> 0:42:44.239
<v Speaker 3>Yeah, but especially being able to do that project. They

0:42:44.360 --> 0:42:46.359
<v Speaker 3>might it might be more pressure for him to come back,

0:42:46.440 --> 0:42:47.960
<v Speaker 3>Like you can't do that two times in a row.

0:42:48.200 --> 0:42:49.960
<v Speaker 3>You know what I'm saying, Like we need because we

0:42:50.280 --> 0:42:51.840
<v Speaker 3>know what he's signed to, know that, we know what

0:42:51.880 --> 0:42:54.040
<v Speaker 3>they on over there. You know what I'm saying, They like, Yo,

0:42:54.120 --> 0:42:56.640
<v Speaker 3>we need to ring the register. We need especially you

0:42:56.760 --> 0:42:59.600
<v Speaker 3>are one of our like marquee acts. You know what

0:42:59.600 --> 0:43:01.920
<v Speaker 3>I'm saying, Like, you can't just do a vanity project

0:43:02.160 --> 0:43:04.320
<v Speaker 3>back to back to back because to the point of

0:43:04.400 --> 0:43:06.759
<v Speaker 3>him being a white rapper, that means that the door

0:43:07.040 --> 0:43:09.239
<v Speaker 3>is always open to certain things that other artists are

0:43:09.320 --> 0:43:11.239
<v Speaker 3>not going to get. The opportunities is there to do

0:43:11.320 --> 0:43:13.000
<v Speaker 3>shit the other artists are not gonna get. They're not

0:43:13.040 --> 0:43:16.160
<v Speaker 3>gonna let you waste that back to back to back. Yeah,

0:43:16.280 --> 0:43:18.040
<v Speaker 3>he had the movie Look with White Man Can't Jump

0:43:18.080 --> 0:43:18.880
<v Speaker 3>to and he.

0:43:18.960 --> 0:43:21.680
<v Speaker 1>Was with Ben and Matt Damon and I forgot the

0:43:21.760 --> 0:43:23.399
<v Speaker 1>name of the movie. It was a great movie though. Yeah,

0:43:23.400 --> 0:43:24.400
<v Speaker 1>I mean he died in the first time, So this

0:43:24.520 --> 0:43:27.400
<v Speaker 1>is what I'm saying. He was still acting with Ben

0:43:27.480 --> 0:43:30.160
<v Speaker 1>and Matt like the big deal. That's a that's a thing.

0:43:30.560 --> 0:43:33.640
<v Speaker 1>So listen, the justice Dojacat record is more in the

0:43:33.719 --> 0:43:37.319
<v Speaker 1>lane of nail Tech in first Class. So I was like, oh, yeah,

0:43:37.320 --> 0:43:39.200
<v Speaker 1>Atlantic's not letting him, so to me, this is me

0:43:39.480 --> 0:43:43.880
<v Speaker 1>just giving complete conspiracies. I think because this came out

0:43:43.960 --> 0:43:47.239
<v Speaker 1>March twenty first, twenty twenty five, literally a yeah year.

0:43:47.360 --> 0:43:50.080
<v Speaker 1>I think Atlanta, you guys are trying to keep me

0:43:50.280 --> 0:43:51.840
<v Speaker 1>in this fucking lane. I don't want to do the

0:43:51.880 --> 0:43:54.960
<v Speaker 1>shame more because the Dojacat record did great, but he

0:43:55.040 --> 0:43:56.759
<v Speaker 1>didn't stick like first Class or nail Tech.

0:43:56.880 --> 0:43:58.239
<v Speaker 3>Well you know, I mean, I think he was probably

0:43:58.280 --> 0:44:00.400
<v Speaker 3>like see work that goes along with that. Sure, if

0:44:00.440 --> 0:44:02.080
<v Speaker 3>the artist is not willing to do it, because the

0:44:02.120 --> 0:44:05.239
<v Speaker 3>record was a record that they could have made, go yeah.

0:44:05.280 --> 0:44:06.800
<v Speaker 3>But if the artist is not willing to do it,

0:44:06.880 --> 0:44:08.200
<v Speaker 3>you know what I'm saying, Like, it's not gonna go

0:44:08.280 --> 0:44:10.040
<v Speaker 3>but so far, but they shot a video. It's a

0:44:10.080 --> 0:44:12.040
<v Speaker 3>great video too. Yeah he was, he was at least

0:44:12.160 --> 0:44:13.560
<v Speaker 3>into it in that much.

0:44:13.640 --> 0:44:14.200
<v Speaker 2>In that regard.

0:44:14.400 --> 0:44:18.080
<v Speaker 1>Yeah, I'm I'm curious, very very curious where this album

0:44:18.160 --> 0:44:18.520
<v Speaker 1>is gonna go.

0:44:18.800 --> 0:44:21.040
<v Speaker 3>Yeah, I'm about to say, because I like Jack fuck

0:44:21.080 --> 0:44:25.120
<v Speaker 3>with you, but with this sound like I'm mad Drama

0:44:25.160 --> 0:44:28.160
<v Speaker 3>didn't send us to fucking the album before it came out.

0:44:28.200 --> 0:44:29.840
<v Speaker 2>But like, I want to know what this shit sound like?

0:44:30.480 --> 0:44:35.239
<v Speaker 2>Cool lake man, this is this is all right, Jack?

0:44:35.280 --> 0:44:36.680
<v Speaker 3>And you come on and you give us these non

0:44:36.760 --> 0:44:39.600
<v Speaker 3>tracks and you want here giving us pop songs.

0:44:39.680 --> 0:44:41.480
<v Speaker 2>That that's where you at, that's what we're gonna place you.

0:44:41.640 --> 0:44:43.960
<v Speaker 1>I also say, because I do think Jack Carlow is

0:44:44.200 --> 0:44:47.040
<v Speaker 1>a great artist. That also maybe tells me he's very

0:44:47.080 --> 0:44:50.160
<v Speaker 1>confident to put out nonose I got none songs, no

0:44:50.360 --> 0:44:51.239
<v Speaker 1>roll out here you go.

0:44:51.480 --> 0:44:54.040
<v Speaker 3>I'm extremely confident in this album. And there's no he

0:44:54.040 --> 0:44:56.240
<v Speaker 3>didn't well not we don't know if there are any features,

0:44:56.280 --> 0:45:01.800
<v Speaker 3>but he didn't listen non songs. No, what if you

0:45:01.800 --> 0:45:06.719
<v Speaker 3>don't got no features? I mean listen, what if you

0:45:06.760 --> 0:45:08.240
<v Speaker 3>produced it all hisself and no features?

0:45:08.360 --> 0:45:08.880
<v Speaker 6>No, no, no, no.

0:45:09.280 --> 0:45:10.640
<v Speaker 2>I don't want that. I don't want that. I don't

0:45:12.080 --> 0:45:12.520
<v Speaker 2>lose their mind.

0:45:13.000 --> 0:45:15.440
<v Speaker 1>Only one artist. Allow all.

0:45:19.000 --> 0:45:21.120
<v Speaker 2>Listen, stop producing your own songs.

0:45:21.560 --> 0:45:24.000
<v Speaker 3>Stop Like, I get it, that's a skill set. But

0:45:24.080 --> 0:45:25.680
<v Speaker 3>it's okay to like the world we spoke to. It's

0:45:25.680 --> 0:45:28.680
<v Speaker 3>okay to put other producers in the room and gets something. Yeah,

0:45:28.719 --> 0:45:30.360
<v Speaker 3>it's okay. There's nothing wrong with that.

0:45:31.600 --> 0:45:33.759
<v Speaker 1>The feature in the studio with Jack all those songs

0:45:33.760 --> 0:45:35.319
<v Speaker 1>that I don't think is going to be on there.

0:45:35.360 --> 0:45:37.680
<v Speaker 2>Rough the timing. I don't remember that that was what

0:45:37.800 --> 0:45:41.600
<v Speaker 2>three They can only be one artists I'm talking about. Okay, Yeah,

0:45:41.719 --> 0:45:44.520
<v Speaker 2>I don't think that's on there. That's not on there?

0:45:44.840 --> 0:45:48.640
<v Speaker 1>Yeah, definitely, not only I hear it, but the confidence

0:45:48.680 --> 0:45:51.160
<v Speaker 1>that responding with I don't think it's on there.

0:45:52.480 --> 0:45:54.880
<v Speaker 4>Who do you when you think of outside of Kanye obviously,

0:45:55.040 --> 0:45:57.840
<v Speaker 4>who do you think of when you think of rappers

0:45:57.880 --> 0:45:59.439
<v Speaker 4>who are actually able to produce their.

0:45:59.400 --> 0:46:02.759
<v Speaker 5>Own records and do a good job and.

0:46:02.840 --> 0:46:08.640
<v Speaker 2>Do a good job and do a good job here? None? Really?

0:46:08.719 --> 0:46:12.400
<v Speaker 2>I like rock MANSI I like ro no reduction.

0:46:12.600 --> 0:46:15.080
<v Speaker 3>Yeah rock, but that's rock is not I don't ever

0:46:15.120 --> 0:46:17.479
<v Speaker 3>want to hear him work with all the producers because

0:46:17.480 --> 0:46:21.040
<v Speaker 3>it's gonna change who rock is. We go alchemists, But

0:46:21.160 --> 0:46:22.560
<v Speaker 3>that's kind of that, that's one of the same. That

0:46:22.680 --> 0:46:25.520
<v Speaker 3>sound is so similar. It's that boom bat real raw

0:46:26.080 --> 0:46:28.839
<v Speaker 3>like out of the pocket flow. But like, I don't

0:46:28.880 --> 0:46:32.400
<v Speaker 3>want to hear rock go get like a Swiss beat. No,

0:46:33.080 --> 0:46:34.600
<v Speaker 3>see what I'm saying, Like I don't want that. I

0:46:34.640 --> 0:46:37.040
<v Speaker 3>don't don't don't do that, like keep it, keep it.

0:46:37.160 --> 0:46:41.799
<v Speaker 3>There may may be conductor maybe, like you said, Al

0:46:41.960 --> 0:46:45.040
<v Speaker 3>conducted those guys maybe, but we can't get too far

0:46:45.080 --> 0:46:47.000
<v Speaker 3>away from the rock sound. But yes, you're right. Rock

0:46:47.160 --> 0:46:50.719
<v Speaker 3>is definitely his last project. Incredible like with him and

0:46:50.880 --> 0:46:53.440
<v Speaker 3>Arrow and all of them did like incredible project.

0:46:53.520 --> 0:46:57.800
<v Speaker 1>Outside of Southern Playlistic, Cadillac Funky Music, our Cast produced

0:46:58.719 --> 0:47:01.040
<v Speaker 1>Big Boy and three Stacks produced every album.

0:47:01.680 --> 0:47:03.000
<v Speaker 2>I mean that's Dungeon Family.

0:47:02.840 --> 0:47:04.399
<v Speaker 1>Though, no know what I'm saying. They did Dungeon Family

0:47:04.440 --> 0:47:06.080
<v Speaker 1>on the first one, go check the credits. After that

0:47:06.160 --> 0:47:09.000
<v Speaker 1>that was Big Boy and and Andre. I mean the

0:47:09.160 --> 0:47:12.400
<v Speaker 1>they immediately said the Dungeon taught us how to produce,

0:47:12.480 --> 0:47:13.560
<v Speaker 1>like we look at Really.

0:47:14.000 --> 0:47:15.560
<v Speaker 2>I never knew that. I thought always thought they had

0:47:15.640 --> 0:47:16.440
<v Speaker 2>outside production.

0:47:17.000 --> 0:47:19.000
<v Speaker 1>I mean you always thought it was Rico and but

0:47:19.120 --> 0:47:21.680
<v Speaker 1>that was the first project and then from there Outcast

0:47:21.800 --> 0:47:24.680
<v Speaker 1>kind of did their their own thing. I think David

0:47:24.680 --> 0:47:28.120
<v Speaker 1>Banner is one. I think Pimp C is one. I

0:47:28.200 --> 0:47:31.719
<v Speaker 1>think there's a lot of rapper producers that maybe don't

0:47:31.719 --> 0:47:33.880
<v Speaker 1>flaunt it the way Kanye did, so we don't realize

0:47:33.880 --> 0:47:36.040
<v Speaker 1>that they're making all of their beats.

0:47:36.120 --> 0:47:40.040
<v Speaker 3>Kanye obviously Kanye saw Yeah, Yeah, Kanye obviously the best

0:47:40.080 --> 0:47:43.160
<v Speaker 3>to do it. But but like, but, like Toy said,

0:47:43.440 --> 0:47:45.560
<v Speaker 3>rock is probably one that gets it right. And I'm

0:47:45.600 --> 0:47:47.960
<v Speaker 3>thinking about right like artist in the now. Obviously I

0:47:48.000 --> 0:47:51.800
<v Speaker 3>could list a bunch of like classic producer MC yeah rockers.

0:47:51.840 --> 0:47:52.799
<v Speaker 2>I mean, he's a legacy, but.

0:47:52.800 --> 0:47:54.360
<v Speaker 3>He's yeah, yeah, he's one of those you know what

0:47:54.400 --> 0:47:56.840
<v Speaker 3>I'm saying, Like he's somebody that's still super relevant right now,

0:47:56.960 --> 0:47:59.200
<v Speaker 3>put out something. You know, the merch go crazy, the

0:47:59.239 --> 0:48:00.839
<v Speaker 3>pop ups go craz he so he's one of those

0:48:00.880 --> 0:48:03.719
<v Speaker 3>guys that's all his esthetics. Yeah, well he's just a

0:48:03.800 --> 0:48:06.399
<v Speaker 3>fly nigga. But I ain't gonna lie. I don't want

0:48:06.400 --> 0:48:08.920
<v Speaker 3>to hear Jack do it though. No, yeah, I don't

0:48:08.920 --> 0:48:09.080
<v Speaker 3>want to.

0:48:09.400 --> 0:48:10.399
<v Speaker 1>But I don't think anyone's thinking.

0:48:10.680 --> 0:48:12.520
<v Speaker 2>You know, I'm just saying that because We's how we

0:48:12.600 --> 0:48:13.400
<v Speaker 2>started a conversation.

0:48:13.560 --> 0:48:15.080
<v Speaker 3>Like I was just being an asshole about it, you

0:48:15.120 --> 0:48:17.279
<v Speaker 3>know what I'm saying because you said no features, but

0:48:17.400 --> 0:48:18.040
<v Speaker 3>it's very few.

0:48:18.280 --> 0:48:22.480
<v Speaker 2>Q tip right, legacy if he's putting out I.

0:48:22.480 --> 0:48:25.280
<v Speaker 1>Mean as far as like the mac Miller is definitely

0:48:25.520 --> 0:48:27.960
<v Speaker 1>up there. Latter half of Max's career, he was producing

0:48:28.000 --> 0:48:29.080
<v Speaker 1>everything himself.

0:48:29.120 --> 0:48:30.879
<v Speaker 2>For sure. Russ also does it. Russ for sure.

0:48:33.040 --> 0:48:34.839
<v Speaker 1>But then also Russ is one that I like when

0:48:34.880 --> 0:48:37.440
<v Speaker 1>he does his Chomp projects and just gets bank and

0:48:37.760 --> 0:48:40.759
<v Speaker 1>everybody else do that. But yeah, he's there's a lot

0:48:40.800 --> 0:48:44.319
<v Speaker 1>more than I think people realize. Yeah, they just again

0:48:44.360 --> 0:48:46.319
<v Speaker 1>don't flaunt it. And it's weird to put your own

0:48:46.360 --> 0:48:48.520
<v Speaker 1>tag on your own song where you're also rapping.

0:48:49.880 --> 0:48:50.279
<v Speaker 2>Like I just.

0:48:53.360 --> 0:48:55.120
<v Speaker 1>Like, yeah, you're speaking fourth personnel.

0:48:56.040 --> 0:48:57.880
<v Speaker 3>Another one that does a good job and people are

0:48:57.880 --> 0:48:59.560
<v Speaker 3>not gonna give him the credit because you know, they

0:48:59.560 --> 0:49:01.719
<v Speaker 3>probably don't look at him as that bit of a

0:49:01.840 --> 0:49:02.520
<v Speaker 3>rapper hit.

0:49:02.480 --> 0:49:06.600
<v Speaker 2>Boy hip what you're right now, that's the one that's

0:49:06.680 --> 0:49:08.200
<v Speaker 2>the end to right. There a lot of the.

0:49:09.719 --> 0:49:13.799
<v Speaker 1>Project together, but both of them rapp really good over

0:49:13.880 --> 0:49:15.680
<v Speaker 1>their own beat. Yeah you know what I'm saying, Like

0:49:15.800 --> 0:49:18.200
<v Speaker 1>they don't they don't give away a lot of kind

0:49:18.239 --> 0:49:20.279
<v Speaker 1>of like I know other rappers here like I would

0:49:20.280 --> 0:49:23.879
<v Speaker 1>have I would crazy right right exactly. Y'all might think

0:49:23.920 --> 0:49:25.640
<v Speaker 1>I'm nuts, but I don't think j D is a

0:49:25.680 --> 0:49:26.120
<v Speaker 1>bad rapper.

0:49:26.560 --> 0:49:27.440
<v Speaker 2>Jamai dupree.

0:49:31.040 --> 0:49:31.399
<v Speaker 1>She rapped.

0:49:31.840 --> 0:49:32.080
<v Speaker 2>Okay.

0:49:32.120 --> 0:49:33.839
<v Speaker 3>That was to say he just don't rap a lot

0:49:34.000 --> 0:49:36.279
<v Speaker 3>like he does, but he talked about it like when

0:49:36.280 --> 0:49:39.239
<v Speaker 3>he was doing the Magic City like promo. He was

0:49:39.280 --> 0:49:41.799
<v Speaker 3>saying like for that first album, they made him rap

0:49:41.920 --> 0:49:44.120
<v Speaker 3>because he was doing so much production and writing and

0:49:44.200 --> 0:49:45.960
<v Speaker 3>popping and ship. He was he had so much of

0:49:46.080 --> 0:49:48.400
<v Speaker 3>everything else. There was like the only thing left for

0:49:48.440 --> 0:49:49.840
<v Speaker 3>you to do is put out your own album, and

0:49:49.920 --> 0:49:51.360
<v Speaker 3>that's how that happened. But he said he had no

0:49:51.440 --> 0:49:53.759
<v Speaker 3>intentions on being a rapper. Yeah, you know what I'm saying,

0:49:53.960 --> 0:49:56.839
<v Speaker 3>I got white Cliff there produce a rapper.

0:49:56.920 --> 0:49:58.960
<v Speaker 2>Yeah, he don't rap a lot though, I.

0:49:59.000 --> 0:50:01.000
<v Speaker 1>Mean, but if for what he's out between Carnival and

0:50:01.040 --> 0:50:05.160
<v Speaker 1>everything with the Fujis, I'm still putting them there big create.

0:50:05.239 --> 0:50:08.560
<v Speaker 1>I think is there more on the underground side Manny Fresh,

0:50:08.640 --> 0:50:11.400
<v Speaker 1>if he wrapped more? He was right though, like with

0:50:11.719 --> 0:50:13.880
<v Speaker 1>Times and stuff, I think he was there. He's the

0:50:13.960 --> 0:50:16.480
<v Speaker 1>hook master too. We also left out probably the most

0:50:16.480 --> 0:50:21.920
<v Speaker 1>important one, Havoc have. It's probably top five best rapper

0:50:21.920 --> 0:50:23.080
<v Speaker 1>producer of wals Off for sure.

0:50:24.640 --> 0:50:25.879
<v Speaker 3>But then what I'm saying, like, if we going into

0:50:25.920 --> 0:50:29.560
<v Speaker 3>classic didn't, then I'm throwing large professor in there. Then

0:50:29.560 --> 0:50:31.960
<v Speaker 3>I'm throwing you know, I mean E. P. M. D.

0:50:32.080 --> 0:50:33.640
<v Speaker 3>Produced all of these ship you know what I'm saying,

0:50:33.680 --> 0:50:35.200
<v Speaker 3>I'm throwing down there. You know what I'm saying, Like,

0:50:35.200 --> 0:50:36.759
<v Speaker 3>if we go classic, then I think it's a lot

0:50:36.840 --> 0:50:40.440
<v Speaker 3>more and you rock him. Yea true, you know what

0:50:40.480 --> 0:50:40.879
<v Speaker 3>I'm saying.

0:50:41.400 --> 0:50:43.120
<v Speaker 1>So I guess for modern when we say Tyler would

0:50:43.120 --> 0:50:47.160
<v Speaker 1>be number one, Yes, but is he producing? Yes, Yeah,

0:50:47.160 --> 0:50:48.799
<v Speaker 1>A lot of that ship is so you literally put

0:50:48.800 --> 0:50:53.640
<v Speaker 1>on the cover of Igor. This was written, created, he mixed, engineered,

0:50:53.840 --> 0:50:55.279
<v Speaker 1>like he prints.

0:50:55.120 --> 0:50:58.680
<v Speaker 2>Psycho with it. So he's number one, hands down, He

0:50:58.800 --> 0:51:01.520
<v Speaker 2>might be. He might be right behind Kanye maybe.

0:51:02.440 --> 0:51:05.799
<v Speaker 1>I think as far as hands on, I'm not saying

0:51:05.840 --> 0:51:07.239
<v Speaker 1>what's better or what's worse. I want to make that

0:51:07.360 --> 0:51:09.880
<v Speaker 1>very very clear. If you go through their desographies and

0:51:09.920 --> 0:51:12.520
<v Speaker 1>look at who did the most for their projects, Tyler's

0:51:12.520 --> 0:51:14.759
<v Speaker 1>probably been more hands on than Kanye West in the

0:51:14.840 --> 0:51:17.799
<v Speaker 1>latter part of his career. Yeah, but I think I'm

0:51:17.840 --> 0:51:19.600
<v Speaker 1>fine with Kanye bringing in other people. I think that's

0:51:19.640 --> 0:51:20.240
<v Speaker 1>part of Newson.

0:51:20.400 --> 0:51:22.080
<v Speaker 2>I mean, Tyler really sits that he does.

0:51:22.200 --> 0:51:25.320
<v Speaker 3>He does, He's very Tyler's such a musical person, you

0:51:25.360 --> 0:51:28.760
<v Speaker 3>know what I'm saying, Like he studies music, he's out bordlines.

0:51:28.800 --> 0:51:30.640
<v Speaker 3>I would call him a genius. He's a musical genius

0:51:30.680 --> 0:51:34.120
<v Speaker 3>because he's he's a student of the game. He's a savant,

0:51:34.160 --> 0:51:37.640
<v Speaker 3>you know what I'm saying, Like he understands, he understands collaboration,

0:51:37.800 --> 0:51:40.239
<v Speaker 3>he understands instrumentation, you know what I'm saying, Like he

0:51:40.400 --> 0:51:42.960
<v Speaker 3>knows what to do for his records to take them

0:51:42.960 --> 0:51:44.440
<v Speaker 3>where they need to go, or who to bring in

0:51:44.800 --> 0:51:46.440
<v Speaker 3>to take them where they need to go. And I

0:51:46.520 --> 0:51:49.560
<v Speaker 3>think the versatility is really what speaks to me, because

0:51:49.719 --> 0:51:53.879
<v Speaker 3>from flower Boy to Igor, to Cherry Baum to Call.

0:51:53.920 --> 0:51:55.520
<v Speaker 3>You know what I'm saying, Like, all of these different

0:51:56.560 --> 0:52:00.239
<v Speaker 3>records have a different sonic landscape to them too. He's

0:52:00.560 --> 0:52:02.960
<v Speaker 3>and he's a different he's embody in a different character

0:52:03.280 --> 0:52:04.399
<v Speaker 3>each time, you know what I'm saying.

0:52:04.680 --> 0:52:05.120
<v Speaker 2>Every time.

0:52:05.200 --> 0:52:07.520
<v Speaker 3>Yeah, he just gave you. He just gave you fired. Yeah,

0:52:07.680 --> 0:52:09.600
<v Speaker 3>he just gave you fire Tyler's stuff. And then and

0:52:09.680 --> 0:52:12.279
<v Speaker 3>then don't don't go to the show because then the

0:52:12.320 --> 0:52:14.600
<v Speaker 3>show is crazy. That's a whole other production. Yeah, he

0:52:14.680 --> 0:52:17.640
<v Speaker 3>takes this shit serious. He's see the Kanye Ferrell baby

0:52:17.719 --> 0:52:19.799
<v Speaker 3>for sure. And I'm not just saying this because baby

0:52:19.840 --> 0:52:22.200
<v Speaker 3>D is here. I do think J Cole gets too

0:52:22.320 --> 0:52:25.319
<v Speaker 3>much flak. His beats are not as bad as people

0:52:25.360 --> 0:52:27.640
<v Speaker 3>make them out to be. No, we just prefer that

0:52:27.800 --> 0:52:30.919
<v Speaker 3>level of rapping with that level of producer. Yeah, because

0:52:30.960 --> 0:52:32.440
<v Speaker 3>his level of wrapping is lovel production are.

0:52:32.400 --> 0:52:32.839
<v Speaker 1>Not the same.

0:52:33.280 --> 0:52:35.120
<v Speaker 2>He's up here. We just wondered what it could be.

0:52:35.360 --> 0:52:38.000
<v Speaker 1>But Cole's beats are not as bad as people say

0:52:38.040 --> 0:52:38.239
<v Speaker 1>they are.

0:52:38.440 --> 0:52:40.560
<v Speaker 3>No, But it's just like you said, for his skill set,

0:52:40.600 --> 0:52:43.239
<v Speaker 3>it's like, all right, could we not? Can we just

0:52:43.280 --> 0:52:47.160
<v Speaker 3>go get like Alchemists a conductor or Pharrell or like, can.

0:52:47.120 --> 0:52:48.080
<v Speaker 2>We go you know what I mean? Like, can we

0:52:48.160 --> 0:52:50.160
<v Speaker 2>just take the joints? Can we take it? Can we

0:52:50.200 --> 0:52:53.399
<v Speaker 2>take this to another level? That's all while we stay

0:52:53.600 --> 0:52:55.000
<v Speaker 2>in wrap nerd world.

0:52:55.560 --> 0:52:58.920
<v Speaker 1>I did see a list on Twitter that said the

0:52:58.960 --> 0:53:03.480
<v Speaker 1>top ten mcs without a classic solo album started at

0:53:03.520 --> 0:53:06.520
<v Speaker 1>one Grand Poob but two method Man, Jadakiss, Fab Black Thought,

0:53:06.560 --> 0:53:10.920
<v Speaker 1>Inspected Deck, Ludacris, Buster Rhymes, Putt in parentheses, Debatable, Andre

0:53:11.040 --> 0:53:12.560
<v Speaker 1>three thousand cannabis.

0:53:13.880 --> 0:53:17.360
<v Speaker 3>Wait, the top ten mc mcs with out of classic

0:53:17.760 --> 0:53:19.239
<v Speaker 3>y'all just you just y'all just said.

0:53:19.239 --> 0:53:20.839
<v Speaker 1>I was right next to you in the baller shop.

0:53:21.400 --> 0:53:22.839
<v Speaker 1>I think we're the reason for this list. By the way,

0:53:22.920 --> 0:53:27.160
<v Speaker 1>niggas just checking Jadak and j Cole go to the

0:53:27.200 --> 0:53:28.759
<v Speaker 1>same I thought.

0:53:29.760 --> 0:53:33.719
<v Speaker 2>I sat there, Max said, and other guys in the

0:53:33.800 --> 0:53:37.960
<v Speaker 2>shop echoed the sentiments that Jadakiss has three classic albums.

0:53:38.080 --> 0:53:39.560
<v Speaker 2>M did they say three or two?

0:53:40.040 --> 0:53:41.719
<v Speaker 3>They said three? What was the I think I saw

0:53:41.760 --> 0:53:43.880
<v Speaker 3>the clip and they said three. Somebody said three, and

0:53:43.960 --> 0:53:46.879
<v Speaker 3>I was like, three is a stretch. Okay, kiss the game?

0:53:46.920 --> 0:53:51.840
<v Speaker 2>Goodbye? What the last kiss of death? And to me

0:53:51.880 --> 0:53:52.839
<v Speaker 2>would kiss of death?

0:53:53.239 --> 0:53:53.640
<v Speaker 1>That's the game?

0:53:53.680 --> 0:53:54.000
<v Speaker 2>Goodbye?

0:53:54.600 --> 0:53:55.439
<v Speaker 1>First and second album?

0:53:55.480 --> 0:53:57.359
<v Speaker 2>Yeah, I think the first two. I think the first two.

0:53:57.520 --> 0:53:59.440
<v Speaker 3>You know what I think you think Jada Kis's first

0:53:59.440 --> 0:54:01.560
<v Speaker 3>two albums are. I think I think the first one

0:54:01.560 --> 0:54:05.680
<v Speaker 3>more than anything. But I think that classic. Yes, small fuck,

0:54:06.640 --> 0:54:08.759
<v Speaker 3>here's the issue, here's the issue. Let me let me

0:54:08.800 --> 0:54:09.960
<v Speaker 3>just let me, let me say this whole thing and

0:54:10.000 --> 0:54:13.560
<v Speaker 3>then get y'all met. I think that the anticipation that

0:54:13.760 --> 0:54:17.480
<v Speaker 3>we what met with initially it was so high, was

0:54:17.520 --> 0:54:19.600
<v Speaker 3>a hard baugh to reach because we love him as

0:54:19.640 --> 0:54:21.520
<v Speaker 3>an MC and we love what he did with the Locks,

0:54:21.800 --> 0:54:23.680
<v Speaker 3>so we was expecting so much when we heard that

0:54:23.840 --> 0:54:25.879
<v Speaker 3>when we heard the album. But if you go back

0:54:25.960 --> 0:54:28.680
<v Speaker 3>and listen to the album, the album is gonna be

0:54:28.960 --> 0:54:30.359
<v Speaker 3>they deep is like it's the game.

0:54:30.400 --> 0:54:33.080
<v Speaker 2>Go bye. It's tough. That's my point, though.

0:54:33.520 --> 0:54:36.720
<v Speaker 3>I think there's a difference between classic and difference between

0:54:36.800 --> 0:54:37.520
<v Speaker 3>good albums.

0:54:38.600 --> 0:54:40.280
<v Speaker 2>It's hard to have a classic album.

0:54:40.800 --> 0:54:42.759
<v Speaker 3>I would put that album on and if I got

0:54:42.800 --> 0:54:44.680
<v Speaker 3>a fifty minute drive, I put the album on and

0:54:44.760 --> 0:54:46.040
<v Speaker 3>let it play and ride out to it.

0:54:46.120 --> 0:54:46.520
<v Speaker 2>I'm with you.

0:54:47.640 --> 0:54:49.960
<v Speaker 3>Is it a classic album though? Or is it just

0:54:50.040 --> 0:54:54.279
<v Speaker 3>a good album? That's the difference, and it's so. I

0:54:54.360 --> 0:54:57.399
<v Speaker 3>think classic is the test of time too, like replay value,

0:54:57.480 --> 0:54:59.560
<v Speaker 3>like we're still going back to it because it's certain

0:54:59.600 --> 0:55:01.839
<v Speaker 3>albums that came out around that time that you, I'm

0:55:01.880 --> 0:55:04.239
<v Speaker 3>not listening to this ship you not. You might play

0:55:04.280 --> 0:55:06.239
<v Speaker 3>the single, you're not gonna sit and let the body

0:55:06.320 --> 0:55:08.480
<v Speaker 3>of work play. And I think that a certain times,

0:55:08.560 --> 0:55:10.480
<v Speaker 3>certain albums, certain albums out the date, we call it

0:55:10.560 --> 0:55:12.960
<v Speaker 3>instant classic out the gate. You know this shit feel

0:55:12.960 --> 0:55:14.840
<v Speaker 3>like it's gonna be timeless. I listened to this forever,

0:55:15.120 --> 0:55:16.600
<v Speaker 3>and then it's certain shit you go back to and

0:55:16.680 --> 0:55:19.200
<v Speaker 3>you just like, damn, this shit really rocking, like I

0:55:19.280 --> 0:55:21.680
<v Speaker 3>think maybe we was too. I think Volume two is

0:55:21.719 --> 0:55:23.279
<v Speaker 3>another one of those, you know what I'm saying, Or

0:55:23.360 --> 0:55:24.960
<v Speaker 3>Volume one. I think Volume one is another one of

0:55:25.000 --> 0:55:27.640
<v Speaker 3>those where people just were so harsh on it, like

0:55:28.040 --> 0:55:30.840
<v Speaker 3>the way they sunshine it. Sunshine is a tough record.

0:55:31.320 --> 0:55:33.160
<v Speaker 3>We hated the video. This was so different from what

0:55:33.320 --> 0:55:36.000
<v Speaker 3>Jay was trying to do, but he had done already.

0:55:36.080 --> 0:55:38.200
<v Speaker 3>But it's a fucking great I don't know, He's still

0:55:38.200 --> 0:55:39.840
<v Speaker 3>get you for sure, But that's what I'm saying. I

0:55:40.840 --> 0:55:42.719
<v Speaker 3>just think that we get so caught up and just

0:55:42.800 --> 0:55:46.080
<v Speaker 3>throwing out the word classic though, Well, this is to

0:55:46.120 --> 0:55:46.400
<v Speaker 3>ask you.

0:55:46.440 --> 0:55:49.280
<v Speaker 1>Then, what is the worst classic album in your opinion?

0:55:49.400 --> 0:55:52.279
<v Speaker 1>So I have a gauge to see if if Kiss

0:55:52.320 --> 0:55:54.879
<v Speaker 1>of Death is below or above, that is that it's

0:55:54.920 --> 0:55:57.960
<v Speaker 1>an oxy moron, like it's an unfair classic, because of

0:55:58.040 --> 0:56:00.440
<v Speaker 1>course we have the standards that we already know that

0:56:00.600 --> 0:56:03.680
<v Speaker 1>these we know Illmatic is a classic that goes without saying.

0:56:03.719 --> 0:56:05.719
<v Speaker 1>It was gonna sit there and argue that what is

0:56:06.239 --> 0:56:09.399
<v Speaker 1>what would be that but lower than Illmatic? Like what's

0:56:09.440 --> 0:56:10.840
<v Speaker 1>the worst classic album? You know what?

0:56:11.120 --> 0:56:15.480
<v Speaker 3>And again, we just had this conversation with the fellas

0:56:15.480 --> 0:56:17.839
<v Speaker 3>at the shop, and you know, and I understood the room.

0:56:18.160 --> 0:56:20.399
<v Speaker 3>It was older guys in there from a different era

0:56:20.560 --> 0:56:23.120
<v Speaker 3>of hip hop, so I understood why they were saying

0:56:23.160 --> 0:56:26.399
<v Speaker 3>what they were saying but to say Jadakiss has two

0:56:26.560 --> 0:56:28.880
<v Speaker 3>or three have many albums they said that were classics.

0:56:29.120 --> 0:56:32.279
<v Speaker 3>And then to say Drake has no classic albums, Oh yeah, no,

0:56:32.360 --> 0:56:32.799
<v Speaker 3>that's wild.

0:56:32.920 --> 0:56:34.240
<v Speaker 2>But dude, you got to know your audience.

0:56:34.360 --> 0:56:36.000
<v Speaker 3>But right, but you understand what I'm saying. It's just

0:56:36.080 --> 0:56:39.800
<v Speaker 3>like I can understand if that's not your preferred rapper,

0:56:39.920 --> 0:56:44.400
<v Speaker 3>you're preferred artist. There's no denying that Drake is one

0:56:44.400 --> 0:56:47.360
<v Speaker 3>of the greatest recording artists of his generation, of his

0:56:47.480 --> 0:56:52.359
<v Speaker 3>era for sure, who has classic albums? So when somebody says, Okay,

0:56:52.440 --> 0:56:56.320
<v Speaker 3>this rapper has three, two or three classic albums and

0:56:56.480 --> 0:56:59.719
<v Speaker 3>this guy who has dominated music for fifteen years has none.

0:57:01.239 --> 0:57:02.719
<v Speaker 2>Yeah, and it's all subjective.

0:57:02.760 --> 0:57:05.279
<v Speaker 3>Of course, that's all subjective in your audits who you're

0:57:05.280 --> 0:57:08.360
<v Speaker 3>talking to. I get that, But some things are just like,

0:57:08.880 --> 0:57:10.719
<v Speaker 3>what are we talking about, but.

0:57:10.960 --> 0:57:13.520
<v Speaker 1>A barbershop in Brooklyn with forty year olds, Yes, you're

0:57:13.560 --> 0:57:16.760
<v Speaker 1>gonna get that. If you went to the Scarborough food court,

0:57:16.840 --> 0:57:20.720
<v Speaker 1>mall get everyone saying Drake has a classic.

0:57:20.440 --> 0:57:21.960
<v Speaker 2>You make But yeah, you're going to Toronto to get that.

0:57:22.000 --> 0:57:22.520
<v Speaker 2>I understand that.

0:57:22.760 --> 0:57:24.480
<v Speaker 1>Say, we were in New York talking about kiss, but

0:57:24.800 --> 0:57:25.440
<v Speaker 1>I understand that.

0:57:25.480 --> 0:57:28.360
<v Speaker 3>I'm saying in just music period, it's a lot of

0:57:28.480 --> 0:57:31.640
<v Speaker 3>artists that I recognized as being crazy talented that got

0:57:31.880 --> 0:57:32.640
<v Speaker 3>classic music.

0:57:33.280 --> 0:57:35.360
<v Speaker 2>They're not. I wouldn't go see them. I wouldn't listen

0:57:35.400 --> 0:57:35.600
<v Speaker 2>to it.

0:57:36.200 --> 0:57:38.760
<v Speaker 3>But I'm there's no doubt about it that this fucking

0:57:38.920 --> 0:57:41.720
<v Speaker 3>artist is. I don't listen to Beyonce. I probably don't

0:57:41.720 --> 0:57:44.760
<v Speaker 3>have no Beyonce. Unfortunately, I'm.

0:57:47.560 --> 0:57:48.160
<v Speaker 2>I'll listen to it.

0:57:49.240 --> 0:57:52.360
<v Speaker 3>I don't listen to Beyonce like you will never hear

0:57:52.480 --> 0:57:54.560
<v Speaker 3>me just play put on a Beyonce album, put on

0:57:54.600 --> 0:57:57.080
<v Speaker 3>the Beyonce song like it just wouldn't happen that. I'm

0:57:57.160 --> 0:58:01.320
<v Speaker 3>not her audience. I'm not who she's making. I recognize

0:58:01.680 --> 0:58:04.280
<v Speaker 3>I recognize her incredible carter on the way here.

0:58:05.400 --> 0:58:06.080
<v Speaker 2>No, I'm listening to.

0:58:07.720 --> 0:58:11.680
<v Speaker 3>I recognize her incredible talent. But I'm not listening like

0:58:11.760 --> 0:58:14.560
<v Speaker 3>I'm not going back and playing Beyonce like.

0:58:14.560 --> 0:58:15.040
<v Speaker 2>What you listen to?

0:58:15.120 --> 0:58:15.160
<v Speaker 1>You?

0:58:15.360 --> 0:58:17.600
<v Speaker 2>I ain't got that kepboard called in might right? You

0:58:17.960 --> 0:58:19.920
<v Speaker 2>like what like that's what you? But you know what

0:58:20.000 --> 0:58:20.480
<v Speaker 2>it is? You know what?

0:58:20.720 --> 0:58:24.560
<v Speaker 3>The classic is vast majority, right, even if there's pockets

0:58:24.600 --> 0:58:26.600
<v Speaker 3>of people that don't like it, might be people that

0:58:26.680 --> 0:58:29.200
<v Speaker 3>don't fuck with fifty. But the vast majority of the

0:58:29.320 --> 0:58:33.280
<v Speaker 3>population says, Get rich Client is Trying is a classic album, right,

0:58:33.560 --> 0:58:36.560
<v Speaker 3>so I think it also leans to like that's a classic.

0:58:36.920 --> 0:58:38.640
<v Speaker 2>Get rich of Dot Trina is not a classic. If

0:58:38.680 --> 0:58:41.560
<v Speaker 2>you go back and listen, what's a classic. It's a

0:58:41.640 --> 0:58:42.200
<v Speaker 2>great album.

0:58:42.320 --> 0:58:43.880
<v Speaker 1>Worry about the fucking swing.

0:58:46.200 --> 0:58:48.120
<v Speaker 2>Class because if you go back and listen to get

0:58:48.200 --> 0:58:49.960
<v Speaker 2>Richard dot Trent, it's a great album.

0:58:50.640 --> 0:58:52.840
<v Speaker 3>And the impact, the impact is why I think people

0:58:53.200 --> 0:58:56.840
<v Speaker 3>call it a classic when they drop everything around fifty he's.

0:58:56.720 --> 0:59:00.880
<v Speaker 2>You know, bulletproof vest Yeah, fifty mania. I understand that.

0:59:00.960 --> 0:59:02.680
<v Speaker 3>I'm saying when you go back and listen to it,

0:59:03.200 --> 0:59:06.640
<v Speaker 3>the album to me, I wouldn't say that's a classic album.

0:59:07.000 --> 0:59:07.960
<v Speaker 2>You said, man, I was.

0:59:08.080 --> 0:59:12.320
<v Speaker 4>I was speaking from all speak for yourself. I think

0:59:12.320 --> 0:59:14.120
<v Speaker 4>that get Richard I Trying is a classic album. But

0:59:14.240 --> 0:59:16.400
<v Speaker 4>that's why coming with music or to impact.

0:59:16.680 --> 0:59:18.160
<v Speaker 1>Let's let's go through the music real quick. I'm not

0:59:18.160 --> 0:59:20.280
<v Speaker 1>going to skip any I'm not going to do the highlights.

0:59:20.320 --> 0:59:21.000
<v Speaker 1>I'm just gonna read.

0:59:21.960 --> 0:59:23.800
<v Speaker 2>Starts with what up? Gangst what the intro with two

0:59:23.880 --> 0:59:27.160
<v Speaker 2>quarters falling? Right? What you like?

0:59:27.280 --> 0:59:31.360
<v Speaker 1>Who you get into? That's six second ship and was

0:59:31.400 --> 0:59:34.920
<v Speaker 1>like worry heard that was Is that two quarters? Was

0:59:34.960 --> 0:59:37.680
<v Speaker 1>that a fifty fifty? It's it's what Mano put on

0:59:37.800 --> 0:59:39.560
<v Speaker 1>his single artwork. It's fifty five cents.

0:59:39.920 --> 0:59:42.280
<v Speaker 2>This guy's crazy. What up? Gangster?

0:59:42.440 --> 0:59:45.520
<v Speaker 1>Patiently waiting with vingem many men in the club? I

0:59:45.600 --> 0:59:48.880
<v Speaker 1>all the time heat if I can't Bloodhound back down.

0:59:49.240 --> 0:59:52.360
<v Speaker 1>P I M P Like my style is crazy crazy

0:59:52.520 --> 0:59:58.240
<v Speaker 1>crazy a classic? Yes, I hate that song. It's not

0:59:58.360 --> 1:00:00.360
<v Speaker 1>my favorite song on the album. It's definitely not. It's

1:00:00.400 --> 1:00:00.760
<v Speaker 1>definitely not.

1:00:00.880 --> 1:00:03.760
<v Speaker 3>It's in comparison to the rest of the track listing.

1:00:04.200 --> 1:00:07.120
<v Speaker 3>It's not my favorite. Is it's a past p IMT.

1:00:07.640 --> 1:00:10.480
<v Speaker 1>I'm saying, we're playing I'm playing if I if I'm

1:00:10.560 --> 1:00:12.040
<v Speaker 1>washing the dishes in the album is playing.

1:00:12.040 --> 1:00:14.000
<v Speaker 2>I'm not running to dry my hand to skip that

1:00:14.200 --> 1:00:14.840
<v Speaker 2>that's gonna play.

1:00:14.960 --> 1:00:16.520
<v Speaker 4>You can't say p I P P I M P

1:00:16.680 --> 1:00:19.120
<v Speaker 4>isn't a classic because people's parents know that. So that

1:00:19.240 --> 1:00:20.120
<v Speaker 4>was a huge song.

1:00:20.440 --> 1:00:24.160
<v Speaker 1>It was a Thomi's record. If it's in the body

1:00:24.480 --> 1:00:28.680
<v Speaker 1>body of work like yeah, nah like my style of

1:00:28.720 --> 1:00:30.720
<v Speaker 1>twenty one questions, don't push me got to make it

1:00:30.760 --> 1:00:32.960
<v Speaker 1>to having bonus tracks. Whangster You're not like Me lives

1:00:33.000 --> 1:00:33.560
<v Speaker 1>on the line.

1:00:35.000 --> 1:00:35.400
<v Speaker 2>Good class.

1:00:35.400 --> 1:00:37.040
<v Speaker 1>I just telling me what a classic album is? You

1:00:37.200 --> 1:00:38.360
<v Speaker 1>just I'm confused.

1:00:38.520 --> 1:00:40.000
<v Speaker 2>I don't think that. I think it's a really I

1:00:40.040 --> 1:00:43.480
<v Speaker 2>think it's a dope album. I got to hear classic.

1:00:43.560 --> 1:00:44.480
<v Speaker 2>What's your classic Drake?

1:00:44.520 --> 1:00:47.080
<v Speaker 4>Then I was gonna say, because I was riding with

1:00:47.240 --> 1:00:49.120
<v Speaker 4>you with the Drake thing, But if you saying that

1:00:49.200 --> 1:00:51.240
<v Speaker 4>Drake has classic I was, but get Richard die Trant

1:00:51.280 --> 1:00:51.840
<v Speaker 4>is it a classic?

1:00:51.920 --> 1:00:52.040
<v Speaker 6>Then?

1:00:52.120 --> 1:00:52.760
<v Speaker 1>Now I just can't.

1:00:52.800 --> 1:00:54.360
<v Speaker 3>I think I think get rich of d Trine is

1:00:54.360 --> 1:00:56.080
<v Speaker 3>an incredible I don't know if it's a classic. I

1:00:56.120 --> 1:01:00.959
<v Speaker 3>wouldn't show classic, like my classic albums are like thriller. Okay,

1:01:01.040 --> 1:01:07.320
<v Speaker 3>what's about hip hop? But okay, I'm classic album. I

1:01:08.040 --> 1:01:11.680
<v Speaker 3>didn't say classic rap, classic RBA. You were talking about

1:01:11.760 --> 1:01:14.000
<v Speaker 3>classic albums about Kiss. I thought we talk about hip hop?

1:01:14.080 --> 1:01:14.640
<v Speaker 2>No, but but not.

1:01:14.920 --> 1:01:17.760
<v Speaker 3>But away from that even I was just saying classic albums,

1:01:18.280 --> 1:01:20.120
<v Speaker 3>that's what. But that's part of the conversation of what

1:01:20.160 --> 1:01:23.120
<v Speaker 3>I'm saying, Like, how can you say Jadakiss has two

1:01:23.240 --> 1:01:26.400
<v Speaker 3>or three classic albums but Drake doesn't, because Drake isn't

1:01:26.880 --> 1:01:27.959
<v Speaker 3>barring you down like Kiss.

1:01:28.000 --> 1:01:30.400
<v Speaker 1>He doesn't have a classic album. But a thriller is

1:01:30.440 --> 1:01:34.040
<v Speaker 1>the mark then where everyone's fuck nobody got this because because,

1:01:34.080 --> 1:01:36.680
<v Speaker 1>to be honest, the closest thing I saw in the

1:01:36.800 --> 1:01:40.560
<v Speaker 1>early two thousands that hit not like thriller obviously, but

1:01:40.760 --> 1:01:42.960
<v Speaker 1>like a thriller, that wave when Get Richard I Try

1:01:43.000 --> 1:01:46.440
<v Speaker 1>and came out. It took over the world. That's why,

1:01:46.520 --> 1:01:48.480
<v Speaker 1>even if you weren't even a hip hop fan, the

1:01:48.600 --> 1:01:52.400
<v Speaker 1>impact was incredible. But the music was dead too, because

1:01:52.440 --> 1:01:54.280
<v Speaker 1>I get the music was That's what I'm saying. I

1:01:54.280 --> 1:01:56.000
<v Speaker 1>think it's a really I think the album is a

1:01:56.120 --> 1:02:00.240
<v Speaker 1>dope album. I don't know if that's a classic album though. Okay,

1:02:00.240 --> 1:02:01.360
<v Speaker 1>so let's a dope album.

1:02:01.600 --> 1:02:03.880
<v Speaker 4>Let's go back to your point that you were making

1:02:03.920 --> 1:02:07.800
<v Speaker 4>about classics being like they have to affect everybody, right,

1:02:07.880 --> 1:02:09.480
<v Speaker 4>Like you said, you don't listen to Beyonce, but you're

1:02:09.520 --> 1:02:11.160
<v Speaker 4>very much aware of for talent. What would you say

1:02:11.200 --> 1:02:13.320
<v Speaker 4>Beyonce's classic album? Is I want to hear this because

1:02:13.360 --> 1:02:14.760
<v Speaker 4>you're not a Beyonce fan.

1:02:15.200 --> 1:02:15.320
<v Speaker 6>Uh?

1:02:17.960 --> 1:02:21.440
<v Speaker 2>What was the one? Was it Lemonade?

1:02:22.080 --> 1:02:23.200
<v Speaker 1>Okay, Lemonade? To me?

1:02:23.320 --> 1:02:23.760
<v Speaker 2>Is it classic?

1:02:24.360 --> 1:02:25.280
<v Speaker 1>As a Beyonce fan?

1:02:25.480 --> 1:02:28.520
<v Speaker 5>I agree with you, So that would say?

1:02:28.720 --> 1:02:29.280
<v Speaker 1>What was the other?

1:02:29.640 --> 1:02:31.200
<v Speaker 2>Is it Dangerously Love? Was that the name of one

1:02:31.200 --> 1:02:31.840
<v Speaker 2>of the albums.

1:02:32.760 --> 1:02:33.120
<v Speaker 5>Is the first.

1:02:33.120 --> 1:02:36.120
<v Speaker 2>I think that's a classic album. I think Dangerous is

1:02:36.160 --> 1:02:36.840
<v Speaker 2>a classic album.

1:02:37.320 --> 1:02:39.560
<v Speaker 3>Okay, I think Lemonade Danje Love and if I see

1:02:39.600 --> 1:02:42.400
<v Speaker 3>the artwork, I could I could better point it out.

1:02:42.680 --> 1:02:44.920
<v Speaker 4>She has a few so you're not so you're you're

1:02:44.960 --> 1:02:46.880
<v Speaker 4>not a fan obviously of the music on Lemonade, but

1:02:46.920 --> 1:02:48.640
<v Speaker 4>you're aware of the fact that it's a classic album,

1:02:48.720 --> 1:02:49.600
<v Speaker 4>so you're able.

1:02:49.400 --> 1:02:51.360
<v Speaker 3>To when I say I don't listen to Beyonce, meaning

1:02:51.480 --> 1:02:54.440
<v Speaker 3>like in my time in the crib or in the car,

1:02:54.720 --> 1:02:55.560
<v Speaker 3>I'm not turning on.

1:02:55.640 --> 1:02:56.840
<v Speaker 2>Beyonce to listen to it like that.

1:02:57.320 --> 1:02:59.200
<v Speaker 3>If Beyonce put it out on tonight, just like everybody

1:02:59.240 --> 1:03:00.760
<v Speaker 3>else in the world, I'm running to listen to.

1:03:00.880 --> 1:03:02.520
<v Speaker 2>No that makes sense, you know what I'm saying. I'm

1:03:02.520 --> 1:03:03.800
<v Speaker 2>saying I recognize her greatness.

1:03:03.800 --> 1:03:06.840
<v Speaker 3>She's one of the greatest artists ever when you come

1:03:06.920 --> 1:03:10.800
<v Speaker 3>to live performance music vocally, she checks all of the boxes.

1:03:11.080 --> 1:03:15.479
<v Speaker 2>She's a legendary artist like I'm not, but I don't.

1:03:15.600 --> 1:03:18.720
<v Speaker 3>That's not the music that I listen to on a

1:03:18.800 --> 1:03:21.520
<v Speaker 3>daily basis. I don't listen to Beyonest on a daily basis,

1:03:22.040 --> 1:03:24.320
<v Speaker 3>but I know she's one of the greatest artists ever.

1:03:24.640 --> 1:03:25.960
<v Speaker 2>I'm not so that's what I'm saying.

1:03:26.000 --> 1:03:28.080
<v Speaker 3>In that environment of being in the shop with older

1:03:28.120 --> 1:03:30.880
<v Speaker 3>guys from New York City from a different time, I

1:03:31.040 --> 1:03:34.360
<v Speaker 3>get it. But there's some things that are just unanimous

1:03:34.400 --> 1:03:38.120
<v Speaker 3>though in conversation of music. I think get Richard trying

1:03:38.240 --> 1:03:39.000
<v Speaker 3>so they can't.

1:03:38.880 --> 1:03:39.760
<v Speaker 1>Take away from get Richard.

1:03:39.800 --> 1:03:40.120
<v Speaker 5>Iye trying.

1:03:40.200 --> 1:03:41.800
<v Speaker 1>You know what I'm saying again me because I don't

1:03:41.800 --> 1:03:44.520
<v Speaker 1>think it's unanimous that Drink is a classic. I personally

1:03:44.560 --> 1:03:46.000
<v Speaker 1>think he is more than one. But that's not a

1:03:46.160 --> 1:03:49.760
<v Speaker 1>unanimous thing the way get rich is to the world.

1:03:51.000 --> 1:03:53.120
<v Speaker 1>So are we talking about I would have said ten

1:03:53.160 --> 1:03:54.640
<v Speaker 1>out of ten people would have said get rich as

1:03:54.640 --> 1:03:56.040
<v Speaker 1>a classic. Now I'm gonna say not out of ten,

1:03:56.080 --> 1:03:57.360
<v Speaker 1>because you're the first person I ever met.

1:04:00.040 --> 1:04:02.560
<v Speaker 2>I think with You're going to get an incredible album.

1:04:02.880 --> 1:04:05.480
<v Speaker 4>So is it only a classic if the masks, if

1:04:05.560 --> 1:04:07.800
<v Speaker 4>the masses acknowledged that it's a classic, right, Because the

1:04:07.880 --> 1:04:09.800
<v Speaker 4>album that I think is it is a classic Drake

1:04:09.840 --> 1:04:12.360
<v Speaker 4>album would be different from what the masses who would

1:04:12.400 --> 1:04:14.200
<v Speaker 4>say he has When the masses would pick take Care,

1:04:14.240 --> 1:04:15.760
<v Speaker 4>I would not pick take Care. I don't think his

1:04:15.920 --> 1:04:18.520
<v Speaker 4>aged as well as views has right.

1:04:19.040 --> 1:04:22.560
<v Speaker 1>Nothing was the same. It's a classic in Drake's catalog. Yes,

1:04:22.600 --> 1:04:23.640
<v Speaker 1>do you think nothing was the same?

1:04:24.120 --> 1:04:24.720
<v Speaker 2>It's a classic.

1:04:25.120 --> 1:04:27.920
<v Speaker 1>Yeah, What's what's better? P I m P or Worse Behavior?

1:04:29.240 --> 1:04:32.240
<v Speaker 2>Worse Behavior? I hate p I M P.

1:04:33.400 --> 1:04:35.480
<v Speaker 4>I don't know what you heard of the p I

1:04:35.600 --> 1:04:37.400
<v Speaker 4>m P. Might be the same song. I'm not gonna

1:04:37.440 --> 1:04:44.439
<v Speaker 4>lie word like Gears, I'm going with worse that's my ship.

1:04:48.960 --> 1:04:50.840
<v Speaker 4>Real five to my City or p I m P.

1:04:51.680 --> 1:04:54.200
<v Speaker 4>I played three or five of my City, but to

1:04:54.760 --> 1:04:56.800
<v Speaker 4>P I P is just not a good I would

1:04:56.800 --> 1:05:00.680
<v Speaker 4>pick p I m P. Yeah, Real five, I would

1:05:00.680 --> 1:05:04.840
<v Speaker 4>think I would. I skipped three oh five every fun time.

1:05:06.920 --> 1:05:10.840
<v Speaker 1>I just I just I missed that, Tom But what

1:05:11.000 --> 1:05:13.080
<v Speaker 1>a time, Bro, what a time?

1:05:14.280 --> 1:05:14.480
<v Speaker 2>Yeah.

1:05:14.480 --> 1:05:18.880
<v Speaker 1>I'm just about what's your quintessential rap classics? Then, just

1:05:18.960 --> 1:05:21.240
<v Speaker 1>so we can get engaged since give Rich is not there,

1:05:23.280 --> 1:05:25.280
<v Speaker 1>because at that point, yeah, I don't think you would

1:05:25.680 --> 1:05:28.080
<v Speaker 1>ever argue Kiss as a classic album if you don't think.

1:05:28.160 --> 1:05:30.400
<v Speaker 2>Rich is right. Because when I went to that, that

1:05:30.520 --> 1:05:31.920
<v Speaker 2>was like I felt like that was a no brainer.

1:05:31.960 --> 1:05:32.480
<v Speaker 2>You know what I'm saying.

1:05:32.520 --> 1:05:33.120
<v Speaker 1>I would Kiss.

1:05:33.400 --> 1:05:36.400
<v Speaker 3>That was general consensus that everybody you know felt like

1:05:36.480 --> 1:05:38.320
<v Speaker 3>that was a classic, so just to hit but a

1:05:38.360 --> 1:05:38.560
<v Speaker 3>lot of.

1:05:38.640 --> 1:05:39.840
<v Speaker 2>But a lot of it. But there's like that.

1:05:39.960 --> 1:05:42.280
<v Speaker 3>But in our culture, and this is something we do

1:05:42.400 --> 1:05:45.200
<v Speaker 3>a lot, we'll just say something is a classic because

1:05:45.200 --> 1:05:47.480
<v Speaker 3>everybody else is a classic. Like a lot of people

1:05:47.560 --> 1:05:49.480
<v Speaker 3>think Scarface is a classic. That movie is not a

1:05:49.520 --> 1:05:52.160
<v Speaker 3>classic movie. That movie is actually terrible. I don't think

1:05:52.200 --> 1:05:53.960
<v Speaker 3>you're wrong, But with get Rich, I don't think that's

1:05:53.960 --> 1:05:57.000
<v Speaker 3>the case. That's what I'm saying, not saying that, I'm

1:05:57.040 --> 1:05:58.920
<v Speaker 3>just saying in our culture, well, we do a lot

1:05:59.480 --> 1:05:59.960
<v Speaker 3>what we see.

1:06:00.760 --> 1:06:02.880
<v Speaker 2>Yo, No, that's a class a terrible, terrible movie.

1:06:03.000 --> 1:06:03.200
<v Speaker 1>Movie.

1:06:03.280 --> 1:06:06.120
<v Speaker 2>Why storyline? The way it shot? Like, what are you

1:06:06.240 --> 1:06:09.560
<v Speaker 2>basing it on the storyline? The story?

1:06:09.960 --> 1:06:12.880
<v Speaker 3>I mean, the acting was okay, but just the storyline terrible.

1:06:13.600 --> 1:06:15.080
<v Speaker 3>I said it was okay, but it's I mean, you

1:06:15.160 --> 1:06:18.520
<v Speaker 3>got you got two of the biggest actors of their

1:06:18.560 --> 1:06:21.120
<v Speaker 3>time with al Pacino and.

1:06:22.840 --> 1:06:24.000
<v Speaker 2>What's her name? Ship?

1:06:24.240 --> 1:06:24.360
<v Speaker 1>Uh?

1:06:25.840 --> 1:06:27.840
<v Speaker 2>I forgot her name, Michelle Pfeiffer.

1:06:28.880 --> 1:06:32.040
<v Speaker 3>But it's just that when you go back and look

1:06:32.080 --> 1:06:35.240
<v Speaker 3>at it, you're like, this ship is This ain't no

1:06:35.360 --> 1:06:39.320
<v Speaker 3>classic movie. But because so many people in our culture

1:06:39.400 --> 1:06:42.000
<v Speaker 3>deemed it the classic, we see the poster. People got

1:06:42.080 --> 1:06:43.880
<v Speaker 3>the poster in their house and the barber shops, and

1:06:44.120 --> 1:06:48.400
<v Speaker 3>we see the imagery of the movie so much we're like, nah, yeah,

1:06:48.480 --> 1:06:50.280
<v Speaker 3>that's a no. No, you can go back and poke

1:06:50.320 --> 1:06:51.560
<v Speaker 3>holes in it, you know what I'm saying. I still

1:06:51.600 --> 1:06:53.720
<v Speaker 3>think for what it was, for what it's worth and

1:06:53.800 --> 1:06:56.720
<v Speaker 3>what it did and the impacting all the things, like,

1:06:56.840 --> 1:06:59.160
<v Speaker 3>it's definitely classic elements to it, but it's the greatest

1:06:59.200 --> 1:07:00.280
<v Speaker 3>movie I haven't seen in my life.

1:07:00.440 --> 1:07:01.960
<v Speaker 2>No, like people make it out to be. You could

1:07:01.960 --> 1:07:02.960
<v Speaker 2>go back and poke holes in it.

1:07:04.000 --> 1:07:07.800
<v Speaker 3>But again, like so there's also like impact and stay

1:07:07.840 --> 1:07:10.360
<v Speaker 3>in power and replay value and all those things go

1:07:10.480 --> 1:07:11.800
<v Speaker 3>into it, you know what I'm saying. But movies a

1:07:11.840 --> 1:07:14.960
<v Speaker 3>little bit different than music in that art is it different,

1:07:14.960 --> 1:07:17.120
<v Speaker 3>But I think it's just different levels. Music is like

1:07:17.760 --> 1:07:21.160
<v Speaker 3>writing with the vocals sound like and the production around it,

1:07:21.200 --> 1:07:21.320
<v Speaker 3>you know.

1:07:21.320 --> 1:07:23.400
<v Speaker 2>What I'm saying. But like, you got the acting, you

1:07:23.520 --> 1:07:24.400
<v Speaker 2>got the cast.

1:07:24.200 --> 1:07:26.000
<v Speaker 3>In you can have somebody who did a great job

1:07:26.240 --> 1:07:28.280
<v Speaker 3>in the scene that had a terrible scene partner. So

1:07:28.400 --> 1:07:31.400
<v Speaker 3>now do you say al Pacino did great, but we don'

1:07:31.480 --> 1:07:33.680
<v Speaker 3>fuck with Manolo in this scene. Whereas when it's an

1:07:33.680 --> 1:07:37.440
<v Speaker 3>album for the most part. You You you were responsible

1:07:37.480 --> 1:07:39.280
<v Speaker 3>for carrying the way to the project as the artist.

1:07:39.640 --> 1:07:41.280
<v Speaker 2>I get the late artists, but they.

1:07:41.280 --> 1:07:43.560
<v Speaker 1>Put that on the lead actors sometimes before they'll put

1:07:43.600 --> 1:07:45.560
<v Speaker 1>on the director just because the actors are more famous

1:07:45.600 --> 1:07:47.000
<v Speaker 1>when they say that movie. But if you're not in

1:07:47.080 --> 1:07:48.720
<v Speaker 1>a scene, and it's like, at the same time, that

1:07:48.800 --> 1:07:50.680
<v Speaker 1>actor just showed up to do his scenes. He wasn't

1:07:50.720 --> 1:07:52.680
<v Speaker 1>involved in the ending process. But if you did not direct.

1:07:52.800 --> 1:07:54.680
<v Speaker 3>But if you're lighting, you're not gonna take They're not

1:07:54.720 --> 1:07:56.280
<v Speaker 3>gonna blame you for a bad scene if you're not

1:07:56.360 --> 1:07:57.479
<v Speaker 3>in it, even if you're the lead actor.

1:07:57.600 --> 1:08:00.480
<v Speaker 1>All right, So nas gets a lot of even though

1:08:00.480 --> 1:08:02.520
<v Speaker 1>I disagree with it. It's it's a narrative that's been

1:08:02.560 --> 1:08:04.600
<v Speaker 1>going on. He picks bad beats and they put that on.

1:08:04.720 --> 1:08:09.600
<v Speaker 1>NOAs he didn't produce it is picked classic. If you

1:08:09.640 --> 1:08:11.360
<v Speaker 1>picked the direction, you picked that script.

1:08:11.520 --> 1:08:12.520
<v Speaker 2>I'm asking the.

1:08:12.520 --> 1:08:14.400
<v Speaker 3>Script because I'm getting I'm just let me just get

1:08:14.520 --> 1:08:17.200
<v Speaker 3>my position because when I answer, i'm asking, I'm asking.

1:08:18.479 --> 1:08:21.280
<v Speaker 2>I want to want to leave you Illmatic class.

1:08:21.560 --> 1:08:22.120
<v Speaker 1>It's a classic.

1:08:22.360 --> 1:08:26.400
<v Speaker 2>Okay, So so Illmatic and Kiss of Death are on

1:08:26.520 --> 1:08:27.120
<v Speaker 2>the same level.

1:08:27.439 --> 1:08:32.200
<v Speaker 1>No, No, I think there's a spectrum, so classics that

1:08:32.520 --> 1:08:33.479
<v Speaker 1>happens with the worst class.

1:08:33.600 --> 1:08:34.759
<v Speaker 2>I thought classic was class.

1:08:34.840 --> 1:08:37.400
<v Speaker 4>Yeah, that doesn't mean they're on the same level because

1:08:37.439 --> 1:08:38.680
<v Speaker 4>something they're not.

1:08:38.920 --> 1:08:41.880
<v Speaker 3>So it's not a classic, it's a good albums saying

1:08:41.880 --> 1:08:46.240
<v Speaker 3>it's not letting Elmatic on the same level they're now

1:08:46.439 --> 1:08:50.280
<v Speaker 3>from from a rapper perspective and then from a pop star. Yes,

1:08:50.520 --> 1:08:52.439
<v Speaker 3>I think it's the same. I think that a kid

1:08:52.520 --> 1:08:55.000
<v Speaker 3>that was however old, NOAs you got the music and

1:08:55.080 --> 1:08:56.840
<v Speaker 3>then you got the impact of it, and then you

1:08:56.960 --> 1:08:59.920
<v Speaker 3>got the reach of the music. Ellmatic is a class

1:09:00.080 --> 1:09:02.679
<v Speaker 3>I think. I think in the community you can't play

1:09:02.720 --> 1:09:04.719
<v Speaker 3>it like anything off of Thriller.

1:09:04.840 --> 1:09:05.080
<v Speaker 2>I think.

1:09:05.600 --> 1:09:07.680
<v Speaker 3>I think Ellmatic is a classic to the culture, to

1:09:08.600 --> 1:09:12.439
<v Speaker 3>every MC after that. Dad was old enough to know

1:09:12.600 --> 1:09:14.640
<v Speaker 3>when that album drop and feel that. I think that

1:09:15.200 --> 1:09:18.840
<v Speaker 3>nas inspired every MC after that to even try. That

1:09:19.080 --> 1:09:21.360
<v Speaker 3>was like the goal that became the soundtrack of your life.

1:09:21.439 --> 1:09:23.679
<v Speaker 3>You moved through wherever you was at with that music

1:09:23.760 --> 1:09:26.799
<v Speaker 3>in your head. Right, Okay, to me, that's a classic.

1:09:27.240 --> 1:09:31.599
<v Speaker 3>I don't think people moved around with a Kiss album

1:09:31.680 --> 1:09:33.439
<v Speaker 3>like the same way they moved around with Illmatic. I

1:09:33.479 --> 1:09:36.559
<v Speaker 3>don't think so, not saying Kiss and Kiss is an

1:09:36.640 --> 1:09:40.519
<v Speaker 3>incredible MC, one of the greatest rappers ever. But I'm

1:09:40.520 --> 1:09:42.840
<v Speaker 3>talking about the music. I don't think the music lived

1:09:42.880 --> 1:09:45.439
<v Speaker 3>with us from his albums, the way the music lived

1:09:45.439 --> 1:09:47.439
<v Speaker 3>with us from Illmatic, the way the music lived us

1:09:47.439 --> 1:09:48.240
<v Speaker 3>from Reasonable Out.

1:09:48.920 --> 1:09:49.799
<v Speaker 2>I think the different.

1:09:50.200 --> 1:09:52.720
<v Speaker 3>I think the unfair thing to when you compare things

1:09:52.760 --> 1:09:56.679
<v Speaker 3>that Elmatic. My only caveat in that is that Illmatic

1:09:56.800 --> 1:10:00.080
<v Speaker 3>changed hip hop music and albums because of the the

1:10:00.120 --> 1:10:02.080
<v Speaker 3>way that they went about the production of it. Yeah,

1:10:02.120 --> 1:10:05.000
<v Speaker 3>we had never seen an artist go hand pick and

1:10:05.080 --> 1:10:07.799
<v Speaker 3>pluck producers from other camp I'm gonna take the hottest

1:10:07.840 --> 1:10:10.400
<v Speaker 3>guy out of Gangstar, I'm gonna take the produce out

1:10:10.400 --> 1:10:11.840
<v Speaker 3>of the Gangstar. I'm gonna take the produce oiue of

1:10:11.880 --> 1:10:13.960
<v Speaker 3>Pete Rock and Ceo Smooth. I'm gonna take the producer

1:10:14.000 --> 1:10:16.479
<v Speaker 3>from Maine Sauce. We had never done every up until that,

1:10:16.880 --> 1:10:21.080
<v Speaker 3>Right Trivers self contained, Maine Sauce, self contained, Bomb Squad

1:10:21.160 --> 1:10:21.839
<v Speaker 3>self contained.

1:10:22.160 --> 1:10:23.000
<v Speaker 2>We had never seen that.

1:10:23.120 --> 1:10:25.639
<v Speaker 3>So it changed the way people went about making their album,

1:10:25.760 --> 1:10:29.120
<v Speaker 3>So that in itself makes it impactful in game changing,

1:10:29.160 --> 1:10:31.040
<v Speaker 3>you know what I'm saying. So it's unfit to compare

1:10:31.080 --> 1:10:33.960
<v Speaker 3>certain albums to Ellmatic. Because of what Elmatic did to

1:10:34.160 --> 1:10:36.000
<v Speaker 3>change it turned the tide in hip hop.

1:10:36.120 --> 1:10:39.400
<v Speaker 1>Yea, even bad Boy being the sellout version of that

1:10:39.600 --> 1:10:42.479
<v Speaker 1>still mainly just used hit Man. That was the first

1:10:42.520 --> 1:10:44.560
<v Speaker 1>time you got a list producer.

1:10:44.760 --> 1:10:47.360
<v Speaker 2>Right, he waited a production team.

1:10:47.560 --> 1:10:49.439
<v Speaker 3>You know what I'm saying of different all these different

1:10:49.479 --> 1:10:50.639
<v Speaker 3>guys production team.

1:10:50.680 --> 1:10:52.280
<v Speaker 1>But where I also think it is unfair is the

1:10:52.400 --> 1:10:56.559
<v Speaker 1>age gap as well, because, yeah, people, my age, Kiss

1:10:56.600 --> 1:10:58.679
<v Speaker 1>of Death came out when I was fourteen. My age

1:10:59.120 --> 1:11:01.400
<v Speaker 1>moved around with Kids to Death probably the same way

1:11:01.479 --> 1:11:03.160
<v Speaker 1>y'all moved around with Ellmatic.

1:11:03.560 --> 1:11:05.360
<v Speaker 2>I'm not saying that Kiss of Death is on the

1:11:05.360 --> 1:11:07.160
<v Speaker 2>same level of Illmatic, but.

1:11:07.720 --> 1:11:10.080
<v Speaker 1>You also have to put that into consideration that hip

1:11:10.120 --> 1:11:13.479
<v Speaker 1>hop is unlike any other genre. We're ten years is

1:11:13.479 --> 1:11:17.280
<v Speaker 1>one hundred years, right, Like that's a huge gap between

1:11:17.360 --> 1:11:20.800
<v Speaker 1>ninety four and two thousand and four of listeners. Kiss

1:11:20.920 --> 1:11:22.840
<v Speaker 1>of Death meant a lot to us, and yeah, we

1:11:22.920 --> 1:11:25.280
<v Speaker 1>moved around like this was the soundtracks of fucking life.

1:11:25.439 --> 1:11:27.400
<v Speaker 4>And is at that point is it fair to say

1:11:27.439 --> 1:11:32.200
<v Speaker 4>that there's different pockets of everybody in different pockets is

1:11:32.240 --> 1:11:33.920
<v Speaker 4>going to say that a different album is a classic.

1:11:33.960 --> 1:11:35.920
<v Speaker 4>If you go down to certain parts of the South,

1:11:35.960 --> 1:11:37.880
<v Speaker 4>they would never say that Ellmatic is a classic, but

1:11:38.000 --> 1:11:40.280
<v Speaker 4>somebody from their region that they grew up hearing.

1:11:40.600 --> 1:11:42.680
<v Speaker 1>So we're never going to long story short, we're never

1:11:42.800 --> 1:11:43.200
<v Speaker 1>all going to.

1:11:43.240 --> 1:11:46.240
<v Speaker 4>Agree what a classic is, depending on age, depending on demographic,

1:11:46.320 --> 1:11:49.160
<v Speaker 4>depending on where you grew up, Like everybody is going

1:11:49.200 --> 1:11:50.360
<v Speaker 4>to have different classics.

1:11:50.720 --> 1:11:52.400
<v Speaker 3>But you see, that's where I think, that's where I

1:11:52.439 --> 1:11:55.240
<v Speaker 3>think the conversation is different. I think no matter where

1:11:55.320 --> 1:11:58.320
<v Speaker 3>you're from, a classic is a classic, no matter where

1:11:58.400 --> 1:12:01.400
<v Speaker 3>you're from, like under not a classic is undenied. I

1:12:01.439 --> 1:12:03.920
<v Speaker 3>don't care if you're from the northwest, coast, east coast South.

1:12:04.880 --> 1:12:08.160
<v Speaker 3>When we see Kevin Gates rapping reasonable doubt bas and

1:12:08.280 --> 1:12:10.280
<v Speaker 3>he's from the South, that's letting you know, like he

1:12:10.400 --> 1:12:12.960
<v Speaker 3>like Nigga, we was listening to that, So that narrative

1:12:13.000 --> 1:12:14.200
<v Speaker 3>of in the South, we wasn't listening.

1:12:14.560 --> 1:12:17.040
<v Speaker 2>Cut that shit out because niggas was listening to that.

1:12:17.320 --> 1:12:19.280
<v Speaker 3>But people will tell you E forty and the Click

1:12:19.320 --> 1:12:22.519
<v Speaker 3>got classic albums, and you will fight against that, and

1:12:22.600 --> 1:12:23.360
<v Speaker 3>you fight against that.

1:12:23.640 --> 1:12:25.840
<v Speaker 1>I would if someone in New York said Foreigner Degrees

1:12:25.920 --> 1:12:28.160
<v Speaker 1>Juvenile is not a classic album, the South would lose

1:12:28.200 --> 1:12:29.160
<v Speaker 1>their motherfucking minds.

1:12:29.960 --> 1:12:31.920
<v Speaker 2>I played crazy, you know what I'm saying.

1:12:32.160 --> 1:12:34.320
<v Speaker 1>Like, but I mean, like Tomorrow's point, yes, Like I

1:12:34.360 --> 1:12:37.240
<v Speaker 1>don't think no matter where you go, I think people

1:12:37.240 --> 1:12:40.439
<v Speaker 1>would say at Aliens is a classic album, Quemini is

1:12:40.479 --> 1:12:41.679
<v Speaker 1>a classic album.

1:12:41.520 --> 1:12:42.320
<v Speaker 2>No matter where you're at.

1:12:42.720 --> 1:12:45.080
<v Speaker 1>I think most people would say the Chronic Doggy Style,

1:12:45.120 --> 1:12:48.280
<v Speaker 1>those are classic projects. But I think that's a nineties thing.

1:12:48.360 --> 1:12:50.040
<v Speaker 1>I think once we hit the two thousands, it just

1:12:50.120 --> 1:12:51.840
<v Speaker 1>got so spread out. I'm not even saying when it

1:12:51.880 --> 1:12:54.320
<v Speaker 1>got to the internet yet. Hip hop just got so big,

1:12:54.520 --> 1:12:56.920
<v Speaker 1>but your pockets happened and I got classics in the

1:12:56.960 --> 1:13:00.320
<v Speaker 1>two thousands. Yeah, yeah, No, I mean yeah, he's not

1:13:00.360 --> 1:13:03.439
<v Speaker 1>the only one has a classic in the two thousand

1:13:05.160 --> 1:13:08.160
<v Speaker 1>and Good Kid Mad City. During the interludes, they're talking

1:13:08.200 --> 1:13:10.479
<v Speaker 1>about TM one on one, like and that's in Compton

1:13:11.040 --> 1:13:12.439
<v Speaker 1>up here. We thought TM one on one was a

1:13:12.439 --> 1:13:14.600
<v Speaker 1>classic out the gate for I'm just saying, as the

1:13:14.720 --> 1:13:17.679
<v Speaker 1>years went, the term class hip hop.

1:13:17.600 --> 1:13:19.240
<v Speaker 2>Just got to classic.

1:13:20.520 --> 1:13:20.560
<v Speaker 6>No.

1:13:20.640 --> 1:13:23.639
<v Speaker 2>I think it's a good album, Okay, I think it's

1:13:23.640 --> 1:13:26.240
<v Speaker 2>the second best album the Recession. I don't know if

1:13:26.280 --> 1:13:27.479
<v Speaker 2>that's a no. No, that's my asking.

1:13:27.520 --> 1:13:30.400
<v Speaker 3>I'm asking it's the second second best. It's my second

1:13:30.439 --> 1:13:32.320
<v Speaker 3>favorite at the TM one on one for sure.

1:13:32.600 --> 1:13:34.960
<v Speaker 1>And then weirdly enough, I have TM one O three

1:13:35.040 --> 1:13:37.280
<v Speaker 1>is the third best album. I know that's very widely

1:13:37.360 --> 1:13:44.040
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<v Speaker 2>How do you guys think about this list? Because went

1:15:00.160 --> 1:15:00.719
<v Speaker 2>on a tangent.

1:15:01.040 --> 1:15:01.880
<v Speaker 1>Yeah, we didn't even know.

1:15:04.160 --> 1:15:07.000
<v Speaker 2>Andre. They killed me for that I had.

1:15:07.600 --> 1:15:10.080
<v Speaker 3>We all agree he doesn't have a solo album in

1:15:10.160 --> 1:15:14.800
<v Speaker 3>my top five, right, But without a solo album, Yeah,

1:15:15.000 --> 1:15:16.840
<v Speaker 3>it's it's only been so long, you know what I'm saying.

1:15:16.880 --> 1:15:20.000
<v Speaker 2>It's so long you can rest. It's just not does

1:15:20.040 --> 1:15:21.880
<v Speaker 2>buster to have a classic album. It's gonna pay me

1:15:21.960 --> 1:15:27.280
<v Speaker 2>for my answer when disaster strikes. What was the debut album?

1:15:27.760 --> 1:15:30.600
<v Speaker 1>The coming, the fact that you have to think the

1:15:30.640 --> 1:15:31.479
<v Speaker 1>fact that you have to think about it.

1:15:31.560 --> 1:15:33.680
<v Speaker 5>Let you know now, the answer is no, bad bus.

1:15:33.760 --> 1:15:35.960
<v Speaker 1>There is a goat. Buster is one of the greatest

1:15:36.040 --> 1:15:38.240
<v Speaker 1>might be you ever had. He to me is in

1:15:38.320 --> 1:15:41.880
<v Speaker 1>that Chris Brown category of you are a goat. You've

1:15:41.920 --> 1:15:45.000
<v Speaker 1>given us so much, you've changed the entire genre. You

1:15:45.120 --> 1:15:48.800
<v Speaker 1>are an elite artist. You've never given us that body

1:15:48.840 --> 1:15:52.400
<v Speaker 1>of work that your peers have because you're in the

1:15:52.479 --> 1:15:56.400
<v Speaker 1>conversation with with everyone that is a legend and Buster

1:15:56.520 --> 1:15:58.160
<v Speaker 1>should be there and we'll always be there.

1:15:58.560 --> 1:16:01.640
<v Speaker 2>But he's the Chris Brown. I think this is the

1:16:01.720 --> 1:16:02.280
<v Speaker 2>answer is no.

1:16:02.640 --> 1:16:04.840
<v Speaker 3>But I think there's probably large majorities of people that

1:16:04.880 --> 1:16:07.920
<v Speaker 3>will say, yeah, extinction level event might be bust this

1:16:08.000 --> 1:16:10.680
<v Speaker 3>classic album like his magnum Opus. But I don't think

1:16:10.720 --> 1:16:13.040
<v Speaker 3>it's a It's a vast majority thing. And that's what

1:16:13.240 --> 1:16:15.120
<v Speaker 3>you know, that's part of the criteria. Yeah, you know

1:16:15.120 --> 1:16:15.559
<v Speaker 3>what I'm saying.

1:16:15.600 --> 1:16:19.200
<v Speaker 1>He also had such a heavy output that it gets

1:16:19.280 --> 1:16:25.880
<v Speaker 1>tough with you have thirty fucking albums. Ludicrous man, Fuck y'all. Yeah,

1:16:26.000 --> 1:16:26.639
<v Speaker 1>chicken beer.

1:16:28.040 --> 1:16:29.360
<v Speaker 2>Has a class. Chicken and Beer, I think is the

1:16:29.439 --> 1:16:31.160
<v Speaker 2>one that.

1:16:32.400 --> 1:16:37.240
<v Speaker 1>A classic word of mouth classic. Though all right, all right,

1:16:37.360 --> 1:16:39.200
<v Speaker 1>chicken beer is a classic. The other ones are great

1:16:39.400 --> 1:16:41.120
<v Speaker 1>World Classic. Can we just pull up the word classic

1:16:41.640 --> 1:16:42.960
<v Speaker 1>because I like to use the right word.

1:16:43.520 --> 1:16:45.160
<v Speaker 3>I'm in that in my life. I want to say

1:16:45.160 --> 1:16:46.880
<v Speaker 3>the right shot, but I don't want to. Yeah, Like,

1:16:46.920 --> 1:16:48.800
<v Speaker 3>I don't want to just keep saying ship, Like what

1:16:48.960 --> 1:16:50.040
<v Speaker 3>do these words mean?

1:16:51.520 --> 1:16:51.800
<v Speaker 5>Okay?

1:16:52.000 --> 1:16:54.160
<v Speaker 4>Classic judged over a period of time to be that

1:16:54.280 --> 1:16:57.760
<v Speaker 4>of the highest quality and outstanding of its kind. Remarkably

1:16:57.920 --> 1:17:02.280
<v Speaker 4>and obstruct instructively typical. That's different a work of a

1:17:02.360 --> 1:17:05.439
<v Speaker 4>work of art, recognized and established value, a school subject

1:17:05.479 --> 1:17:07.560
<v Speaker 4>that involves a study of ancient Greek, whatever, So it

1:17:07.680 --> 1:17:09.240
<v Speaker 4>has to be judged over a period of time to

1:17:09.320 --> 1:17:11.519
<v Speaker 4>be of the highest quality and outstanding of its kind.

1:17:11.880 --> 1:17:12.160
<v Speaker 2>Okay.

1:17:12.680 --> 1:17:16.400
<v Speaker 1>Chicken and Beer to me is a classic to me

1:17:16.479 --> 1:17:18.760
<v Speaker 1>because I was there. I don't know in thirty years

1:17:18.800 --> 1:17:22.000
<v Speaker 1>if it's going to stand like who let these holes

1:17:22.080 --> 1:17:23.519
<v Speaker 1>in my I don't know if that's going to like

1:17:23.680 --> 1:17:26.360
<v Speaker 1>make it for the rest of the world. If you

1:17:26.439 --> 1:17:31.840
<v Speaker 1>go through blow it Out, stand Up, Splash, Waterfalls, Hard Times, Dominant, back,

1:17:31.880 --> 1:17:35.160
<v Speaker 1>Screwed Up, pussy pop and hip hop quotables, black Man, Struggle,

1:17:35.200 --> 1:17:37.280
<v Speaker 1>Hos in My Room, Teamwork, this is a classic album

1:17:37.320 --> 1:17:44.240
<v Speaker 1>to me. Yeah, I'm not fighting you on that all

1:17:44.320 --> 1:17:49.160
<v Speaker 1>is saying, I don't know if if an asteroid hits

1:17:49.800 --> 1:17:52.640
<v Speaker 1>the fucking planet and we can put albums in some

1:17:52.760 --> 1:17:55.240
<v Speaker 1>ship that's gonna survive, they're gonna take chicken and beer

1:17:55.280 --> 1:17:57.200
<v Speaker 1>in ellmatic and be like these are these are the.

1:18:00.800 --> 1:18:00.920
<v Speaker 2>Rich.

1:18:01.000 --> 1:18:02.280
<v Speaker 1>They're gonna say this is that.

1:18:03.200 --> 1:18:03.479
<v Speaker 2>I don't.

1:18:03.600 --> 1:18:05.880
<v Speaker 3>I think I'm like this is this was good, But

1:18:06.000 --> 1:18:07.800
<v Speaker 3>I think they're gonna listen to other classes. I don't

1:18:07.800 --> 1:18:13.519
<v Speaker 3>know if I'm a fight forget just a long fight.

1:18:13.640 --> 1:18:18.160
<v Speaker 3>I don't think that good album one impact is incredible,

1:18:18.760 --> 1:18:21.360
<v Speaker 3>but just no, I just don't classic.

1:18:22.600 --> 1:18:23.320
<v Speaker 2>I don't know if that's it.

1:18:23.560 --> 1:18:25.520
<v Speaker 4>Do you think there's a little bit of a nostalgia

1:18:25.560 --> 1:18:29.519
<v Speaker 4>that comes with classic, Like for example, like we were

1:18:29.560 --> 1:18:31.799
<v Speaker 4>talking about bad movies that are maybe classic.

1:18:31.880 --> 1:18:33.040
<v Speaker 1>Scarface is a classic.

1:18:33.120 --> 1:18:35.040
<v Speaker 4>Even though you can go home, go back and poke

1:18:35.120 --> 1:18:37.960
<v Speaker 4>holes in the story, it is a classic Belly horrible movie,

1:18:38.160 --> 1:18:39.400
<v Speaker 4>It's still a classic movie.

1:18:41.080 --> 1:18:44.160
<v Speaker 1>Scarface are actually very similar where there there are a

1:18:44.160 --> 1:18:46.559
<v Speaker 1>lot of great moments. Yes there's a storyline, but it's

1:18:46.840 --> 1:18:50.280
<v Speaker 1>just a bunch of cool moments. Yeah, a bunch of

1:18:50.360 --> 1:18:50.920
<v Speaker 1>cool moments.

1:18:51.000 --> 1:18:56.560
<v Speaker 4>But they also still Belly still affects like cultural conversations

1:18:56.640 --> 1:18:57.240
<v Speaker 4>to this day.

1:18:57.320 --> 1:18:58.920
<v Speaker 5>It's still quoted to this day.

1:19:01.920 --> 1:19:04.360
<v Speaker 1>How Hype shot it is, how people to this day

1:19:04.400 --> 1:19:05.639
<v Speaker 1>shoot movies and music videos.

1:19:05.800 --> 1:19:09.000
<v Speaker 4>Yeah, so you can't so yeah, you can say that

1:19:09.360 --> 1:19:13.000
<v Speaker 4>in as a centophile. Yes it's bad. It's a bad movie,

1:19:13.200 --> 1:19:16.920
<v Speaker 4>but it's still a classic, Like you can't take classic

1:19:17.000 --> 1:19:17.280
<v Speaker 4>from it.

1:19:18.680 --> 1:19:23.040
<v Speaker 1>I'm with you, inspected deck, look at all face. If

1:19:23.080 --> 1:19:23.919
<v Speaker 1>the flood didn't.

1:19:23.680 --> 1:19:26.360
<v Speaker 3>Happen, maybe if DMX and NOS was not casting in that,

1:19:26.439 --> 1:19:27.760
<v Speaker 3>we wouldn't even be talking about that movie.

1:19:27.840 --> 1:19:28.280
<v Speaker 2>Of course not.

1:19:28.600 --> 1:19:30.439
<v Speaker 1>But that's a lot of things. Yeah, okay, if Hype

1:19:30.479 --> 1:19:32.880
<v Speaker 1>didn't direct it, like yeah, anybody else did train it?

1:19:34.080 --> 1:19:34.680
<v Speaker 2>No, no, no no.

1:19:35.960 --> 1:19:37.760
<v Speaker 1>If Jay didn't rap, reasonable doubt, no no no no.

1:19:38.800 --> 1:19:42.120
<v Speaker 1>Cashing is super important. Well, we've seen movies and TV

1:19:42.240 --> 1:19:43.360
<v Speaker 1>shows where you know.

1:19:43.400 --> 1:19:45.640
<v Speaker 3>They shot the pilot and they shot the pilot with

1:19:45.720 --> 1:19:48.160
<v Speaker 3>one person and you know there was no chemistry and

1:19:48.240 --> 1:19:50.240
<v Speaker 3>they put in another person like I could never see

1:19:50.800 --> 1:19:53.080
<v Speaker 3>you know, Alan think as this as the dad you

1:19:53.120 --> 1:19:53.680
<v Speaker 3>know what I'm saying, Like.

1:19:53.720 --> 1:19:54.200
<v Speaker 2>Shit like that.

1:19:54.479 --> 1:19:57.760
<v Speaker 1>So it's a funny example, I mean, but that's also

1:19:57.880 --> 1:19:59.800
<v Speaker 1>hilarious too because NAS was horrible, and.

1:20:00.520 --> 1:20:03.559
<v Speaker 2>But that adds to the allure of it. Oddly enough, Yo,

1:20:03.640 --> 1:20:05.240
<v Speaker 2>I got shot in the leg. Let's go to Africa.

1:20:06.240 --> 1:20:15.559
<v Speaker 2>Africa's far talking about Africa that fall. You said niggas

1:20:15.760 --> 1:20:20.120
<v Speaker 2>pull up anything will pull up. The viotage is crazy.

1:20:20.439 --> 1:20:21.640
<v Speaker 2>I just think it's a good movie. I don't know

1:20:21.680 --> 1:20:23.040
<v Speaker 2>if it's a classic, but I get it.

1:20:23.120 --> 1:20:25.559
<v Speaker 3>It's because it's so attached to our culture with DMX

1:20:25.600 --> 1:20:26.320
<v Speaker 3>and nas being but.

1:20:26.360 --> 1:20:27.320
<v Speaker 2>Hood Classic exists.

1:20:27.400 --> 1:20:30.040
<v Speaker 4>Yeah, hood classic classic, that's a real thing. But I

1:20:30.040 --> 1:20:31.840
<v Speaker 4>don't want to take away from see. I don't want

1:20:31.840 --> 1:20:34.439
<v Speaker 4>to say hood classic because Belly and Scarface are about

1:20:34.439 --> 1:20:36.720
<v Speaker 4>the same amount of bad. And why only one of

1:20:36.760 --> 1:20:38.519
<v Speaker 4>them got to be deemed as a hood classic, like.

1:20:40.000 --> 1:20:44.880
<v Speaker 1>The scot Face the Hood Classic too, Yeah, only a

1:20:44.920 --> 1:20:47.320
<v Speaker 1>classic because the Hood sex a classic.

1:20:48.240 --> 1:20:52.120
<v Speaker 2>Suburban American thinks scarf a classicus is not.

1:20:52.280 --> 1:20:57.519
<v Speaker 3>Jacket scarf face and Mount Kisskoy jackets golf.

1:20:57.640 --> 1:21:00.280
<v Speaker 1>I don't know what happens in the nineties, but whenever

1:21:00.320 --> 1:21:02.960
<v Speaker 1>they put like scarface posters out, then the whites got

1:21:03.040 --> 1:21:06.040
<v Speaker 1>into scarface. That's really what it was, because the whites

1:21:06.120 --> 1:21:09.880
<v Speaker 1>like hip hop and posters. Yeah, but because we said,

1:21:10.280 --> 1:21:12.559
<v Speaker 1>we said it was a classic, you know, but.

1:21:12.600 --> 1:21:15.600
<v Speaker 3>If you start talking to If you ask DiCaprio with

1:21:15.760 --> 1:21:18.160
<v Speaker 3>Scarface lands for he loves Al, I'm sure he ows

1:21:18.200 --> 1:21:21.360
<v Speaker 3>this guy, but he doesn't go to Scarface when he's

1:21:21.360 --> 1:21:22.040
<v Speaker 3>talking about Al.

1:21:22.840 --> 1:21:24.960
<v Speaker 2>He's probably that's our's worst movie. If you ask the

1:21:25.680 --> 1:21:25.960
<v Speaker 2>I was.

1:21:25.960 --> 1:21:29.800
<v Speaker 1>Probably embarrassed in certain rooms when that's yeah, like that's so,

1:21:29.880 --> 1:21:30.439
<v Speaker 1>that's what I'm saying.

1:21:30.439 --> 1:21:33.600
<v Speaker 3>It still is a classic for what. Yeah, it's a

1:21:33.640 --> 1:21:35.280
<v Speaker 3>classic for what. It's worse for what is a classic

1:21:35.280 --> 1:21:36.879
<v Speaker 3>because we said it was a classic, because.

1:21:37.120 --> 1:21:39.840
<v Speaker 4>Even if it's not good, you can put something. I

1:21:39.880 --> 1:21:42.120
<v Speaker 4>think music is a little different from movies because people

1:21:42.160 --> 1:21:45.800
<v Speaker 4>will put on bad movies and enjoy them even even

1:21:45.880 --> 1:21:47.639
<v Speaker 4>though they know it's a bad movie. Like we'll put

1:21:47.640 --> 1:21:50.040
<v Speaker 4>on Belly knowing Belly is a terrible movie and still

1:21:50.160 --> 1:21:53.280
<v Speaker 4>enjoy watching it. Putting on bad music and enjoying it

1:21:53.439 --> 1:21:55.040
<v Speaker 4>is cringe. It's kind that's kind of like.

1:21:55.120 --> 1:21:55.639
<v Speaker 5>That's different.

1:21:57.240 --> 1:21:59.439
<v Speaker 3>I'd rather look at Keisha and that lingeride in the

1:21:59.479 --> 1:22:01.839
<v Speaker 3>fucking listen to some sub.

1:22:04.640 --> 1:22:06.880
<v Speaker 1>Listening to p I, it's hood classic that that crossed

1:22:06.880 --> 1:22:11.160
<v Speaker 1>over though, because I think, Okay, my dad loves Scarface,

1:22:11.240 --> 1:22:15.120
<v Speaker 1>my dad loves dead presidents, my dad likes Payton Full,

1:22:16.120 --> 1:22:19.320
<v Speaker 1>He's probably not going to sit and watch Belly with me. Like,

1:22:19.400 --> 1:22:23.240
<v Speaker 1>there are hood classics that I think have have crossed over.

1:22:24.400 --> 1:22:28.160
<v Speaker 1>Dead President's being one, Payton Full being one, and Scarface

1:22:28.240 --> 1:22:28.479
<v Speaker 1>being one.

1:22:28.760 --> 1:22:30.479
<v Speaker 2>Poetic Justice? Is that a hood classic?

1:22:30.760 --> 1:22:32.720
<v Speaker 5>Don'ts off now?

1:22:32.840 --> 1:22:35.120
<v Speaker 2>Right now, I'm asking is that a hood classic? I

1:22:35.200 --> 1:22:36.960
<v Speaker 2>think it is. It is.

1:22:37.320 --> 1:22:37.880
<v Speaker 5>It's a classic.

1:22:37.920 --> 1:22:41.360
<v Speaker 1>Wouldimer say it's not. Some would say it's not, yeah,

1:22:41.600 --> 1:22:43.280
<v Speaker 1>some would say what about that is not a hoods

1:22:43.360 --> 1:22:45.080
<v Speaker 1>A lot of people I don't like classic.

1:22:45.400 --> 1:22:46.840
<v Speaker 2>I'm just saying some people, I think that would be

1:22:46.880 --> 1:22:49.040
<v Speaker 2>the bar. But you like Justice is a great you

1:22:49.040 --> 1:22:51.759
<v Speaker 2>think it's a great film? Yeah? You cool?

1:22:55.200 --> 1:22:56.760
<v Speaker 1>You want to make it out like who's the what's

1:22:56.800 --> 1:22:57.840
<v Speaker 1>wrong with party Justice?

1:22:57.960 --> 1:22:59.880
<v Speaker 3>I thought we were celebrating your birthday while we like,

1:23:00.120 --> 1:23:03.080
<v Speaker 3>what's exactly you know, pose a question?

1:23:03.320 --> 1:23:07.600
<v Speaker 4>What's wrong with partic Justice? I love Poetic Justice. I

1:23:07.720 --> 1:23:10.080
<v Speaker 4>just wanted to make sure that the room it was

1:23:10.120 --> 1:23:13.240
<v Speaker 4>a great movie. He's taking the temperature.

1:23:13.240 --> 1:23:13.559
<v Speaker 2>It's hot.

1:23:14.000 --> 1:23:16.599
<v Speaker 3>But I think I think in the conversation of classic albums, though,

1:23:16.640 --> 1:23:19.400
<v Speaker 3>I do think some things are subjective, but at the

1:23:19.400 --> 1:23:20.000
<v Speaker 3>same time.

1:23:19.960 --> 1:23:21.160
<v Speaker 2>Some things are just unanimous.

1:23:21.200 --> 1:23:24.479
<v Speaker 3>Though now for sure and again back to you know,

1:23:25.160 --> 1:23:27.800
<v Speaker 3>Jadakiss having three two or three classes versus Drake having none.

1:23:27.880 --> 1:23:29.400
<v Speaker 2>People up that list one more time. I just want

1:23:29.439 --> 1:23:30.719
<v Speaker 2>to see who else was on that at.

1:23:30.640 --> 1:23:34.000
<v Speaker 1>This rand puba method Man, Jadakiss, Fablack classic.

1:23:34.720 --> 1:23:37.320
<v Speaker 3>It's like, see that and that's an argument. That's an argument.

1:23:37.400 --> 1:23:38.839
<v Speaker 3>Some people say to Cal is a classic.

1:23:39.680 --> 1:23:43.559
<v Speaker 1>I think, please, don't make this a clip. I think

1:23:43.840 --> 1:23:46.360
<v Speaker 1>Cal is not a classic. I think Cal is in

1:23:46.479 --> 1:23:49.280
<v Speaker 1>that time I like to Cal. It was looked at

1:23:49.280 --> 1:23:52.040
<v Speaker 1>as underwhelming. But look at what Jessek and Ghost did

1:23:52.080 --> 1:23:53.920
<v Speaker 1>at that exact same time. It is the worst one

1:23:53.960 --> 1:23:54.439
<v Speaker 1>out of all of it.

1:23:55.040 --> 1:23:55.800
<v Speaker 2>That's a great point.

1:23:56.439 --> 1:23:58.519
<v Speaker 1>Don't make it a clip. I don't want to get

1:23:59.160 --> 1:23:59.439
<v Speaker 1>killed this.

1:24:00.160 --> 1:24:01.560
<v Speaker 2>You can't go to Shatland no more. But it's a

1:24:01.600 --> 1:24:01.920
<v Speaker 2>great point.

1:24:02.000 --> 1:24:03.080
<v Speaker 1>Since that island this weekend.

1:24:03.600 --> 1:24:07.200
<v Speaker 2>You can't go this weekend. I don't think to Cal

1:24:07.360 --> 1:24:07.439
<v Speaker 2>is that.

1:24:07.680 --> 1:24:09.840
<v Speaker 1>I think methan Man again is one of those like

1:24:09.960 --> 1:24:14.040
<v Speaker 1>buster your goat goes without saying, but to Cal, the

1:24:14.040 --> 1:24:16.240
<v Speaker 1>closest metan Man has a good album.

1:24:16.320 --> 1:24:18.160
<v Speaker 2>To Cala is a great album. Let me put it

1:24:18.200 --> 1:24:18.439
<v Speaker 2>that way.

1:24:19.840 --> 1:24:21.720
<v Speaker 3>See why we can't just say that about a lot

1:24:21.760 --> 1:24:24.400
<v Speaker 3>of other people that's my whole point why I got

1:24:24.520 --> 1:24:27.479
<v Speaker 3>to be classic classic nah, but great Cuban link Yah.

1:24:27.479 --> 1:24:29.680
<v Speaker 3>It's certain shit like I wouldn't go, I wouldn't fight

1:24:29.760 --> 1:24:33.000
<v Speaker 3>you tooth and nail on Grand Puba really real, but

1:24:33.120 --> 1:24:34.040
<v Speaker 3>I fuck with real Lorrel.

1:24:34.080 --> 1:24:35.720
<v Speaker 2>I listen to that album. I still think it's dope.

1:24:35.800 --> 1:24:36.960
<v Speaker 3>The fact that I can listen to that I'm in

1:24:37.000 --> 1:24:39.240
<v Speaker 3>twenty twenty six and still think it's a dope album

1:24:39.640 --> 1:24:41.599
<v Speaker 3>means I think it's a dope album. But when people

1:24:41.720 --> 1:24:43.800
<v Speaker 3>when I fight tooth and Nail or say it's a classic, no,

1:24:43.880 --> 1:24:45.760
<v Speaker 3>I'm not dying on that hill. But I think it's

1:24:45.760 --> 1:24:48.360
<v Speaker 3>a great album. I think the impact that it had.

1:24:48.720 --> 1:24:52.680
<v Speaker 3>I mean, obviously we can't count Brand Nubian album as

1:24:52.720 --> 1:24:54.840
<v Speaker 3>a Grand Pooba solo because it's Brandnubian. But he really

1:24:54.920 --> 1:24:56.920
<v Speaker 3>carried that album, you know what I'm saying. As far

1:24:57.000 --> 1:24:59.760
<v Speaker 3>as him coming in and being the elder statesman in

1:24:59.840 --> 1:25:01.880
<v Speaker 3>that crew, you know what I'm saying, having the solo

1:25:01.960 --> 1:25:03.400
<v Speaker 3>records and doing all the ship that it did.

1:25:03.680 --> 1:25:05.360
<v Speaker 2>It set him up for a solo project.

1:25:05.400 --> 1:25:07.000
<v Speaker 3>But yeah, nobody's gonna don't think a lot of people

1:25:07.000 --> 1:25:09.080
<v Speaker 3>are gonna say Realerrilla is a classic, but it's a

1:25:09.439 --> 1:25:12.400
<v Speaker 3>dope grandpoop album. Grandpool might be one of the most

1:25:12.640 --> 1:25:15.280
<v Speaker 3>underrated artists that we have. That's unfortunately. Let's change that.

1:25:15.439 --> 1:25:17.080
<v Speaker 3>Let's change it today. Like when you talk about everything

1:25:17.120 --> 1:25:22.640
<v Speaker 3>that he bought to rap different wise stash his tone sound.

1:25:22.760 --> 1:25:24.960
<v Speaker 2>Fresh, shit like knowledge Yourself.

1:25:25.560 --> 1:25:29.200
<v Speaker 3>He popped off wild brands, he popped off Jabou, crazy

1:25:30.000 --> 1:25:32.479
<v Speaker 3>figure crazy. He brought that type of flash it into him,

1:25:32.720 --> 1:25:34.880
<v Speaker 3>the book bag fly ship, you know what I'm saying,

1:25:35.000 --> 1:25:37.479
<v Speaker 3>Like the preppy hood mixed with the hood ship, like

1:25:37.640 --> 1:25:40.280
<v Speaker 3>rolling with the with the with the with the on

1:25:40.479 --> 1:25:44.040
<v Speaker 3>man and and and honestly, the crazy shit is. He

1:25:44.240 --> 1:25:46.720
<v Speaker 3>was so instrumental in Mary J. Blige's career, you know

1:25:46.760 --> 1:25:49.040
<v Speaker 3>what I'm saying, Like what's the four one one?

1:25:49.360 --> 1:25:49.800
<v Speaker 1>And and.

1:25:51.320 --> 1:25:53.639
<v Speaker 2>What's the joint the other jay Z joint? Check it out?

1:25:53.760 --> 1:25:57.800
<v Speaker 3>Check it out like those two records without Grandpool was

1:25:57.840 --> 1:25:59.080
<v Speaker 3>a far bigger artist than Mary J.

1:25:59.200 --> 1:25:59.519
<v Speaker 2>Blige.

1:26:00.040 --> 1:26:02.560
<v Speaker 3>His credibility gave her alidity in those spaces, you know

1:26:02.600 --> 1:26:05.040
<v Speaker 3>what I'm saying, Like him popping off arguably one of

1:26:05.400 --> 1:26:08.960
<v Speaker 3>our crown jewels and the Kata speaks as a testament

1:26:09.080 --> 1:26:11.519
<v Speaker 3>to how important grand Pooba was in that moment.

1:26:11.600 --> 1:26:12.200
<v Speaker 2>You know what I'm saying.

1:26:12.320 --> 1:26:16.800
<v Speaker 1>So yeah, like he's he's probably talking that ship, yeah,

1:26:16.920 --> 1:26:18.439
<v Speaker 1>and even talking that she's probably one.

1:26:18.360 --> 1:26:20.280
<v Speaker 2>Of the most underrated. So it was good to see

1:26:20.920 --> 1:26:22.360
<v Speaker 2>you know him on this.

1:26:22.600 --> 1:26:24.800
<v Speaker 3>Just mentioned there's a lot of people you know they

1:26:24.840 --> 1:26:26.479
<v Speaker 3>don't and I'm you know, I'm an eighties baby, so

1:26:26.520 --> 1:26:28.360
<v Speaker 3>I know exactly what pood.

1:26:28.439 --> 1:26:28.680
<v Speaker 2>What's this?

1:26:28.800 --> 1:26:31.080
<v Speaker 1>Gentleman put him at number one, number one of great

1:26:31.520 --> 1:26:34.680
<v Speaker 1>greatest mcs without the classic. Now is this in order

1:26:34.760 --> 1:26:36.880
<v Speaker 1>or is he just naming ten? I'm not sure, but

1:26:37.120 --> 1:26:39.439
<v Speaker 1>I don't know if he thinks.

1:26:39.240 --> 1:26:41.880
<v Speaker 2>Grandpool Boy raps better than Black Thought, I don't know.

1:26:42.160 --> 1:26:44.519
<v Speaker 1>Well that's that I don't get off this. This was

1:26:44.600 --> 1:26:47.040
<v Speaker 1>my last point. Is it unfair that Black Thought is

1:26:47.040 --> 1:26:47.479
<v Speaker 1>on this list?

1:26:49.160 --> 1:26:49.599
<v Speaker 2>Unfair?

1:26:49.840 --> 1:26:54.920
<v Speaker 3>Yes, yeah, it is because he's the frontman of the roots,

1:26:55.000 --> 1:26:56.320
<v Speaker 3>like he's the MC and the roots.

1:26:56.520 --> 1:26:59.560
<v Speaker 1>That's like saying every album that he is kind of

1:26:59.600 --> 1:27:03.120
<v Speaker 1>a soul album. Yes, he carries the weight of the

1:27:03.360 --> 1:27:06.320
<v Speaker 1>of the roots for the album for every album, Like

1:27:06.479 --> 1:27:08.000
<v Speaker 1>I hear when if you're in a duo when you

1:27:08.040 --> 1:27:10.519
<v Speaker 1>don't have a soul like Andre on there or having

1:27:10.640 --> 1:27:11.360
<v Speaker 1>Prodigy whatever.

1:27:11.800 --> 1:27:14.080
<v Speaker 2>Yeah, you but he's the MC of the.

1:27:14.600 --> 1:27:16.439
<v Speaker 1>Dice, you had other people there every now and then

1:27:16.520 --> 1:27:19.639
<v Speaker 1>for it. That's just like a feature. Why is every

1:27:19.720 --> 1:27:24.240
<v Speaker 1>roots album not technically right because there's been plenty of

1:27:25.320 --> 1:27:27.920
<v Speaker 1>MC's that had just one producer, but they didn't name

1:27:28.000 --> 1:27:30.280
<v Speaker 1>them as a group, but they had their their production

1:27:30.400 --> 1:27:31.960
<v Speaker 1>squad the entire time.

1:27:32.760 --> 1:27:35.439
<v Speaker 3>You think about like carra as One as opposed to

1:27:35.600 --> 1:27:39.240
<v Speaker 3>Boogie Down productions. Yeah, those BDP albums are still carras One,

1:27:39.960 --> 1:27:42.280
<v Speaker 3>you know what I'm saying, They're just not deemed as solo.

1:27:42.360 --> 1:27:46.720
<v Speaker 3>Maybe it's production, maybe it's whatever, or like I had

1:27:46.720 --> 1:27:49.759
<v Speaker 3>another point, but basically there's certain yeah, there's certain artists

1:27:49.800 --> 1:27:53.080
<v Speaker 3>that carry the bulk of the m seeing on the project,

1:27:53.120 --> 1:27:55.759
<v Speaker 3>but because of the way the group is labeled or named,

1:27:56.439 --> 1:27:58.719
<v Speaker 3>it's not you know, the Roots, The Roots is Black Thought.

1:27:59.360 --> 1:28:00.400
<v Speaker 2>It's verse wise.

1:28:00.960 --> 1:28:02.720
<v Speaker 1>Yeah, I mean, I if you want to make the

1:28:02.800 --> 1:28:05.760
<v Speaker 1>case that it's a duo based off the amount of

1:28:06.840 --> 1:28:09.720
<v Speaker 1>musicians that came and went, it's Black Thought and Questlove.

1:28:10.200 --> 1:28:14.400
<v Speaker 2>But even then, like, okay, Black Thoughts the only not.

1:28:14.520 --> 1:28:18.240
<v Speaker 3>Rapping, you know, And of course you got all of

1:28:18.280 --> 1:28:20.880
<v Speaker 3>the other mcs that were you got Dice Raw, you

1:28:20.960 --> 1:28:24.400
<v Speaker 3>got trucking Off you got damn who just passed. I'm

1:28:24.720 --> 1:28:26.160
<v Speaker 3>having a brain fart. But you know, there were other

1:28:26.280 --> 1:28:29.240
<v Speaker 3>mcs that were part of the collective. But Black Thought

1:28:29.280 --> 1:28:31.120
<v Speaker 3>even in those records, it's not like there was a

1:28:31.160 --> 1:28:32.880
<v Speaker 3>bunch of solo records from a bunch of other people.

1:28:32.960 --> 1:28:35.720
<v Speaker 3>Black Thought is the bulk of the MCing and the

1:28:35.840 --> 1:28:37.639
<v Speaker 3>roots throughout the entire catalog.

1:28:37.760 --> 1:28:39.479
<v Speaker 2>To me, that's like saying Doggie Style is not a

1:28:39.560 --> 1:28:40.360
<v Speaker 2>solo snoop album.

1:28:42.680 --> 1:28:43.280
<v Speaker 1>It's the same thing.

1:28:46.240 --> 1:28:48.360
<v Speaker 3>It's labeled as a snoop album though. So that's that's

1:28:48.360 --> 1:28:51.040
<v Speaker 3>what a different difference is. But that's like saying, you

1:28:51.120 --> 1:28:52.800
<v Speaker 3>know you can you could say, you could say the

1:28:52.880 --> 1:28:54.679
<v Speaker 3>Crime want music music.

1:28:54.760 --> 1:28:58.720
<v Speaker 1>It's one producer and one rapper, a mirror and Black

1:28:58.800 --> 1:29:03.880
<v Speaker 1>Thought doctors Ray. So is there a difference just because

1:29:03.880 --> 1:29:07.360
<v Speaker 1>the label said Roots versus Black Thought. Now you make

1:29:07.400 --> 1:29:10.240
<v Speaker 1>a case Black Thought every Roots project is a solo

1:29:10.760 --> 1:29:11.519
<v Speaker 1>Black Thought out.

1:29:11.360 --> 1:29:13.800
<v Speaker 3>A public enemy. Right, Those are Chuck, Those are Chuck.

1:29:13.880 --> 1:29:16.040
<v Speaker 3>The albums Flip jumped in you know what I mean?

1:29:16.120 --> 1:29:18.000
<v Speaker 3>Ad Lib Yeah, no one is a joke. But for

1:29:18.120 --> 1:29:20.840
<v Speaker 3>the most part, Chuck D carries the bulk of the

1:29:21.000 --> 1:29:23.400
<v Speaker 3>m SING throughout those projects. You know, what I'm saying.

1:29:23.560 --> 1:29:26.639
<v Speaker 3>Or Gangstar is a group, but Preme didn't drop no raps.

1:29:26.960 --> 1:29:30.560
<v Speaker 3>You know what I'm saying, Like those are Guru. You

1:29:30.600 --> 1:29:32.919
<v Speaker 3>know what I'm saying, Like Guru m sed on those albums.

1:29:33.960 --> 1:29:38.840
<v Speaker 2>Yeah, this this is close. How many classic albums you

1:29:38.840 --> 1:29:39.599
<v Speaker 2>think Jadakins has?

1:29:40.920 --> 1:29:44.040
<v Speaker 3>If I gotta, if I gotta fight for it, I'm

1:29:44.040 --> 1:29:48.080
<v Speaker 3>gonna say one. I'm gonna say that the debut, And

1:29:48.200 --> 1:29:49.280
<v Speaker 3>you said which one is classic?

1:29:50.160 --> 1:29:52.320
<v Speaker 1>I think Kissed the Game Goodbye and Kiss the Death.

1:29:52.400 --> 1:29:55.400
<v Speaker 1>My I have personal classics and then I have classics.

1:29:56.280 --> 1:29:59.360
<v Speaker 1>There are under personal classics for me. If I were

1:29:59.400 --> 1:30:02.360
<v Speaker 1>doing a class like Top twenty, I don't think I

1:30:02.439 --> 1:30:04.200
<v Speaker 1>put kiss It at their Kissed the Game Goodbye.

1:30:05.080 --> 1:30:08.120
<v Speaker 3>Thirty five year old me being overlooked. I think ghetto

1:30:08.120 --> 1:30:09.280
<v Speaker 3>Fabulist is being overlooked.

1:30:09.479 --> 1:30:14.040
<v Speaker 2>It doesn't have in these conversations. That's okay, how y'all

1:30:14.120 --> 1:30:19.920
<v Speaker 2>say that so fast? But then, all right, I.

1:30:19.960 --> 1:30:21.920
<v Speaker 3>Think ghetto fabulous is being overlooked in a lot of

1:30:21.960 --> 1:30:22.760
<v Speaker 3>these conversations.

1:30:23.280 --> 1:30:24.880
<v Speaker 1>I was gonna go over real talk because anything I

1:30:24.920 --> 1:30:25.559
<v Speaker 1>think Street.

1:30:25.360 --> 1:30:28.880
<v Speaker 3>Dreams is being overlooked. Street Dreams it's classic, all right?

1:30:28.920 --> 1:30:32.559
<v Speaker 3>Then you this classic I'm just saying. I'm just saying, bro,

1:30:33.160 --> 1:30:34.759
<v Speaker 3>we got your great albums. Great albums.

1:30:35.080 --> 1:30:36.880
<v Speaker 2>We won't call them class, won't say the C word,

1:30:37.040 --> 1:30:37.960
<v Speaker 2>but they're great albums.

1:30:38.000 --> 1:30:39.720
<v Speaker 3>And that's all I'm just I just want people to

1:30:39.800 --> 1:30:42.800
<v Speaker 3>stop using the word classic so loosely, right, unless you're

1:30:42.800 --> 1:30:44.599
<v Speaker 3>talking about get Rich of dot trying, then please call

1:30:44.680 --> 1:30:45.480
<v Speaker 3>it a classic.

1:30:46.600 --> 1:30:48.479
<v Speaker 2>If you deem so, if you feel that way. And

1:30:48.479 --> 1:30:51.280
<v Speaker 2>like I said, it's also not even from Queens. That's

1:30:51.360 --> 1:30:53.160
<v Speaker 2>all subjective. It's all subjective.

1:30:53.520 --> 1:30:56.519
<v Speaker 1>You could be from Queens in the UK and that's

1:30:56.560 --> 1:30:59.000
<v Speaker 1>a classic album. Okay, before we get out of here,

1:30:59.080 --> 1:31:01.040
<v Speaker 1>I'm asking this because I know the listeners want to

1:31:01.720 --> 1:31:05.160
<v Speaker 1>hear from you more. I'm interviewing at this point. This morning,

1:31:05.439 --> 1:31:09.240
<v Speaker 1>Charlemagne had mentioned that he talked to somebody that heard

1:31:09.400 --> 1:31:12.280
<v Speaker 1>Iceman and that Future was on it, and it's been

1:31:12.320 --> 1:31:14.760
<v Speaker 1>going viral all morning. This this is in real time.

1:31:15.400 --> 1:31:19.439
<v Speaker 1>Can you confirm or deny that Future is on Iceman

1:31:19.720 --> 1:31:31.840
<v Speaker 1>as of March twelfth, twenty twenty six, Dumpy side, big fact?

1:31:35.000 --> 1:31:35.320
<v Speaker 1>Is he on?

1:31:35.600 --> 1:31:38.680
<v Speaker 2>Is he on Iceman as it stands today? March? I

1:31:38.800 --> 1:31:43.880
<v Speaker 2>just said March twelfth, twenty twenty six, he might be okay.

1:31:44.840 --> 1:31:48.040
<v Speaker 2>I mean I personally the information I have and on

1:31:48.200 --> 1:31:52.519
<v Speaker 2>the album, it's he's on the board, he's on the

1:31:52.520 --> 1:31:56.200
<v Speaker 2>white board. It's ye, he's on the white body. Ideas ideas.

1:31:57.040 --> 1:32:00.200
<v Speaker 2>There's a white board, parentheses an asterisk like what is well?

1:32:00.280 --> 1:32:05.439
<v Speaker 3>Ideas smart, ideas are Ideas are being created? Yes, ideas

1:32:06.120 --> 1:32:07.839
<v Speaker 3>are being created, have been created?

1:32:08.760 --> 1:32:11.240
<v Speaker 2>Somebody they write future on the white boy will say Hendrix.

1:32:11.720 --> 1:32:14.280
<v Speaker 3>Well, well, I don't know about that, but I know

1:32:14.439 --> 1:32:18.719
<v Speaker 3>ideas or his full government have been created. Idea continue

1:32:18.760 --> 1:32:22.280
<v Speaker 3>to be created, Ideas have been pivoted from gotcha.

1:32:22.760 --> 1:32:24.280
<v Speaker 2>So yeah, it's it's it's no.

1:32:24.320 --> 1:32:26.880
<v Speaker 4>Matter where you went to media training school up they

1:32:26.960 --> 1:32:28.519
<v Speaker 4>still like they still open.

1:32:28.400 --> 1:32:29.160
<v Speaker 2>Or they like that.

1:32:29.280 --> 1:32:31.120
<v Speaker 3>Well and Well told them that, no, that's just a fact.

1:32:31.479 --> 1:32:34.559
<v Speaker 3>It's just ideas of being created. The album is being

1:32:35.320 --> 1:32:37.200
<v Speaker 3>you know, fleshed out. It's still a process.

1:32:37.680 --> 1:32:38.080
<v Speaker 2>Interesting.

1:32:38.200 --> 1:32:40.400
<v Speaker 1>So but I thought, because this isn't even information that

1:32:40.640 --> 1:32:42.680
<v Speaker 1>like we had behind the scenes. I thought it was

1:32:42.760 --> 1:32:44.720
<v Speaker 1>kind of like known that Drake in the future pieced up.

1:32:45.680 --> 1:32:47.639
<v Speaker 1>That's why everyone's like, yo, what the how could this happen?

1:32:47.840 --> 1:32:50.360
<v Speaker 1>I thought that wasn't that like kind of common knowledge

1:32:50.479 --> 1:32:53.040
<v Speaker 1>on the timeline they were that they were cool again.

1:32:53.120 --> 1:32:54.360
<v Speaker 2>Oh, I don't know that. I don't I don't know

1:32:54.400 --> 1:32:57.040
<v Speaker 2>about that, But you know, I don't think there's.

1:32:56.920 --> 1:32:58.760
<v Speaker 1>I'm tapped in with the Twitter rumors that that was

1:32:58.840 --> 1:33:01.639
<v Speaker 1>going around everywhere, that Future and Drake we're cool again.

1:33:01.960 --> 1:33:04.439
<v Speaker 3>I don't think it's far fetched that they may work

1:33:04.479 --> 1:33:06.840
<v Speaker 3>together again. I don't think that's a far fetched idea.

1:33:07.200 --> 1:33:11.160
<v Speaker 2>Music. Music is exponentially better when those guys are cool.

1:33:11.360 --> 1:33:13.240
<v Speaker 1>I would I would hope to God Drake and Future

1:33:13.320 --> 1:33:14.760
<v Speaker 1>our friends and make more music.

1:33:15.080 --> 1:33:15.360
<v Speaker 6>Need that.

1:33:16.920 --> 1:33:17.800
<v Speaker 2>Again before we leave.

1:33:17.880 --> 1:33:20.000
<v Speaker 1>I've noticed Mall is more like Ebro than I ever

1:33:20.080 --> 1:33:24.120
<v Speaker 1>thought because I saw this wild clip of Ebro today.

1:33:26.800 --> 1:33:29.840
<v Speaker 4>Please are you trying to get him back for saying

1:33:29.880 --> 1:33:30.679
<v Speaker 4>get Richard die Tarya?

1:33:30.720 --> 1:33:32.280
<v Speaker 1>It wasn't a class No. That's why I'm starting to

1:33:32.320 --> 1:33:34.840
<v Speaker 1>realize that that Mall just his speech off to get

1:33:34.880 --> 1:33:36.800
<v Speaker 1>rich shit like that. We don't know what we're talking about.

1:33:36.880 --> 1:33:39.320
<v Speaker 1>Did y'all see this this Hebro clip today and salutes

1:33:39.320 --> 1:33:41.519
<v Speaker 1>to Hebros. That's that's my guy, Love love you Hebro.

1:33:41.880 --> 1:33:43.760
<v Speaker 1>This might be one of the wildest clips I've seen

1:33:43.800 --> 1:33:45.040
<v Speaker 1>this month. Can we play this?

1:33:45.400 --> 1:33:47.680
<v Speaker 6>But that's why in hip hop, there has always been

1:33:47.760 --> 1:33:51.360
<v Speaker 6>gatekeepers because some of y'all don't deserve a fucking opinion

1:33:52.000 --> 1:33:59.599
<v Speaker 6>because you haven't been doing this professionally, consuming playing and critiquing.

1:33:59.160 --> 1:34:03.680
<v Speaker 2>Hip hop as your life. You're just a fan and

1:34:03.800 --> 1:34:06.880
<v Speaker 2>we love you. You're just a consumer. You're a customer,

1:34:07.000 --> 1:34:07.840
<v Speaker 2>as we call them.

1:34:08.439 --> 1:34:13.759
<v Speaker 6>That's why sometimes your opinion customer doesn't fucking count, because

1:34:13.800 --> 1:34:16.880
<v Speaker 6>you don't fucking do this for real. And that's why

1:34:16.960 --> 1:34:19.120
<v Speaker 6>when people who do this for real get around and

1:34:19.200 --> 1:34:22.719
<v Speaker 6>they start looking at the nuances of what an album

1:34:22.800 --> 1:34:25.600
<v Speaker 6>actually is and what it should mean, and what the

1:34:25.720 --> 1:34:28.800
<v Speaker 6>person is saying through the album and the picture that

1:34:28.920 --> 1:34:31.960
<v Speaker 6>it's painting and the lyrical breakdown and them being able

1:34:32.000 --> 1:34:34.360
<v Speaker 6>to stay on topic, and who the producers are and

1:34:34.760 --> 1:34:37.680
<v Speaker 6>what it means and what it serves in time and

1:34:37.800 --> 1:34:41.479
<v Speaker 6>all of these things. When you critique complete bodies of work,

1:34:41.880 --> 1:34:45.400
<v Speaker 6>not just collections of great songs, that's when you get

1:34:45.479 --> 1:34:49.160
<v Speaker 6>into what is a classic album in general and a

1:34:49.280 --> 1:34:50.559
<v Speaker 6>classic hip hop album.

1:34:50.800 --> 1:34:52.840
<v Speaker 1>Ma I felt like you kind of sounded like that

1:34:54.000 --> 1:34:56.920
<v Speaker 1>to us today talking about Gabrich, Like we don't know

1:34:56.920 --> 1:34:57.559
<v Speaker 1>what we're talking about.

1:34:58.520 --> 1:35:02.120
<v Speaker 3>I say, y'all don't know Joe to that never came

1:35:02.160 --> 1:35:03.880
<v Speaker 3>out of my mouth one time. I never said that,

1:35:04.360 --> 1:35:06.599
<v Speaker 3>what is he what is Hebro talking about her? I mean,

1:35:06.680 --> 1:35:08.200
<v Speaker 3>I don't know what he read or what people are

1:35:08.200 --> 1:35:10.360
<v Speaker 3>saying to him online. Maybe he feels like people that

1:35:11.080 --> 1:35:14.320
<v Speaker 3>you know, haven't been in or around music, in the

1:35:14.360 --> 1:35:16.280
<v Speaker 3>business of music as much as he has or as

1:35:16.320 --> 1:35:19.680
<v Speaker 3>long as he has, don't really have anything that they

1:35:19.720 --> 1:35:22.680
<v Speaker 3>could say to him, because again, you're speaking from a

1:35:22.720 --> 1:35:26.400
<v Speaker 3>different perspective of it. One is a true consumer. First

1:35:26.400 --> 1:35:29.240
<v Speaker 3>of all, we're all consumers, we all consume consumers. But

1:35:30.600 --> 1:35:33.200
<v Speaker 3>Ebro has been on the other side. He's been in

1:35:33.280 --> 1:35:36.680
<v Speaker 3>a music business. He's been programmed, directed at radio, and

1:35:36.800 --> 1:35:40.280
<v Speaker 3>you know, things like that. So he has a different sense,

1:35:40.360 --> 1:35:42.760
<v Speaker 3>in a different you know, connection to the pulse of

1:35:42.920 --> 1:35:46.920
<v Speaker 3>music and just the energy of music. So I understand

1:35:46.920 --> 1:35:49.360
<v Speaker 3>what he's saying to an extent. I don't know who

1:35:49.400 --> 1:35:50.920
<v Speaker 3>he's talking I don't know where this came from. I

1:35:50.960 --> 1:35:53.760
<v Speaker 3>don't know if somebody said something based on something Nebro

1:35:53.920 --> 1:35:56.840
<v Speaker 3>said and responded to him and got mad at something

1:35:56.880 --> 1:35:57.240
<v Speaker 3>he said.

1:35:57.320 --> 1:36:00.320
<v Speaker 2>On his opinion. But these are all just a pinions.

1:36:01.160 --> 1:36:02.200
<v Speaker 2>It's all about opinions.

1:36:02.360 --> 1:36:05.360
<v Speaker 3>But again, something's a little crazy to say, yeah, y'all

1:36:05.400 --> 1:36:07.720
<v Speaker 3>feel like me saying get Rich Dot Trine's not a

1:36:07.720 --> 1:36:09.200
<v Speaker 3>class Even though said it's a great album, I just

1:36:09.240 --> 1:36:10.840
<v Speaker 3>don't think it's a classic. Got no, this is good

1:36:10.880 --> 1:36:11.679
<v Speaker 3>barbershop debate.

1:36:11.800 --> 1:36:12.400
<v Speaker 2>That's one thing.

1:36:12.680 --> 1:36:14.800
<v Speaker 3>I think that people talk with a certain level of

1:36:14.920 --> 1:36:17.439
<v Speaker 3>certainty that don't have no idea what the fuck they

1:36:17.520 --> 1:36:20.040
<v Speaker 3>talking about. And in that regard, I gotta agree with

1:36:20.160 --> 1:36:23.760
<v Speaker 3>him because I'm in the music business. I'm a rap up,

1:36:23.800 --> 1:36:25.320
<v Speaker 3>been on the road, I'm a songwriter. I'm friends with

1:36:25.360 --> 1:36:27.559
<v Speaker 3>these artists. I know what happened in the studio, why

1:36:27.640 --> 1:36:28.639
<v Speaker 3>this song didn't come out.

1:36:28.560 --> 1:36:29.000
<v Speaker 2>Et cetera.

1:36:29.280 --> 1:36:33.160
<v Speaker 3>You have people that, respectfully, you work at FedEx, you

1:36:33.280 --> 1:36:34.840
<v Speaker 3>go get your hair cutting the barber shop, and you

1:36:34.960 --> 1:36:37.600
<v Speaker 3>talk with this level of certainty about things you have

1:36:37.840 --> 1:36:40.760
<v Speaker 3>no idea about. And that shit pisces me off because

1:36:40.760 --> 1:36:44.880
<v Speaker 3>it's like, and God forbid you, fucking Bob michaelphone.

1:36:44.439 --> 1:36:46.720
<v Speaker 2>In a computer and a camera and now you have

1:36:46.800 --> 1:36:49.160
<v Speaker 2>it the Internet. Yeah, God forbid you got Wi Fi.

1:36:49.320 --> 1:36:51.519
<v Speaker 3>Because now you're talking, and now you got an audience,

1:36:51.560 --> 1:36:53.280
<v Speaker 3>and now you got people chiming in, and now people

1:36:53.600 --> 1:36:56.479
<v Speaker 3>are taking your word as some type of factual thing.

1:36:56.800 --> 1:36:59.479
<v Speaker 3>When basically you really just talking out your ass. And

1:36:59.560 --> 1:37:02.360
<v Speaker 3>I think that where it gets convoluted in that there's

1:37:02.439 --> 1:37:05.400
<v Speaker 3>like a disconnection is that you have certain people that

1:37:05.680 --> 1:37:08.000
<v Speaker 3>do have a certain pedigree and do have a certain

1:37:08.040 --> 1:37:11.000
<v Speaker 3>regard for this business with the knowledge and access that

1:37:11.080 --> 1:37:13.599
<v Speaker 3>goes along with it, and they YouTube come up right

1:37:13.680 --> 1:37:16.479
<v Speaker 3>after the other person who just talk about shit in

1:37:16.600 --> 1:37:19.559
<v Speaker 3>the room and people they value those things the same

1:37:19.640 --> 1:37:21.439
<v Speaker 3>way when it's not coming from the same place.

1:37:21.600 --> 1:37:23.760
<v Speaker 4>So I understand where you're coming from as far as

1:37:23.840 --> 1:37:27.400
<v Speaker 4>like talking about behind the scene shit that other people

1:37:27.640 --> 1:37:29.280
<v Speaker 4>may not be privy to, but they get on the

1:37:29.360 --> 1:37:31.439
<v Speaker 4>mic and like fans come on and say all types

1:37:31.479 --> 1:37:34.519
<v Speaker 4>of conspiracy theories with artists on all types of shit first,

1:37:34.600 --> 1:37:35.880
<v Speaker 4>like they're talking for sure, and they have no idea

1:37:35.920 --> 1:37:37.840
<v Speaker 4>what the fuck they're talking about. Right with that, I agree,

1:37:38.040 --> 1:37:40.000
<v Speaker 4>But when it comes to the music in the ear,

1:37:40.640 --> 1:37:44.639
<v Speaker 4>the artists should never be creating music for his peers

1:37:45.080 --> 1:37:47.840
<v Speaker 4>or for the people to work at radio stations to

1:37:47.920 --> 1:37:49.519
<v Speaker 4>critique it. Yeah, we want you to play it, but

1:37:49.640 --> 1:37:52.439
<v Speaker 4>it's not for you. It's for the niggas in the

1:37:52.479 --> 1:37:56.040
<v Speaker 4>barber shop to debate whether kissing or kiss the game. Goodbye,

1:37:56.120 --> 1:37:58.559
<v Speaker 4>is a fucking plastic years later. It's not for us,

1:37:59.080 --> 1:38:01.519
<v Speaker 4>it's not for they hate that we even talk about

1:38:01.560 --> 1:38:01.960
<v Speaker 4>their shit.

1:38:02.040 --> 1:38:03.040
<v Speaker 2>They don't create it for us.

1:38:03.080 --> 1:38:06.280
<v Speaker 4>They create it for the fans something more more often,

1:38:06.400 --> 1:38:09.280
<v Speaker 4>especially now for the casual fan. So to say that

1:38:09.360 --> 1:38:12.000
<v Speaker 4>those people don't have the right to critique music when

1:38:12.040 --> 1:38:14.720
<v Speaker 4>they're the ones who started critique and music before it

1:38:14.880 --> 1:38:17.280
<v Speaker 4>became a job that pays ebro all of that money,

1:38:17.479 --> 1:38:18.680
<v Speaker 4>that's stupid to me.

1:38:18.800 --> 1:38:20.759
<v Speaker 2>I'm sorry if that's his argument.

1:38:21.000 --> 1:38:23.160
<v Speaker 3>Yeah, everybody has the right once the artists out there,

1:38:23.439 --> 1:38:26.280
<v Speaker 3>everybody with ears has the right to critique it.

1:38:26.479 --> 1:38:28.880
<v Speaker 1>And you're right and everything that you said. But to me,

1:38:29.000 --> 1:38:32.040
<v Speaker 1>that's a very very small, small small part of the

1:38:32.080 --> 1:38:35.519
<v Speaker 1>people that consume music. We're consumed in that world, whether

1:38:35.560 --> 1:38:38.320
<v Speaker 1>it's content reactions, this and that, the fans that have

1:38:38.479 --> 1:38:42.040
<v Speaker 1>now become reaction commenters, and that YouTube world.

1:38:42.120 --> 1:38:43.400
<v Speaker 2>Yeah, it's a big thing.

1:38:43.479 --> 1:38:45.519
<v Speaker 1>Gets a lot of views, but go through the streams

1:38:45.520 --> 1:38:48.800
<v Speaker 1>of an artist versus the streams of a reaction. Neither

1:38:48.840 --> 1:38:52.200
<v Speaker 1>here nor there. Most people are driving their kids to school,

1:38:52.479 --> 1:38:54.479
<v Speaker 1>going to and from work, and are there to just

1:38:54.560 --> 1:38:57.160
<v Speaker 1>listen to the music and have every right to critique

1:38:57.160 --> 1:38:59.360
<v Speaker 1>the entire thing. But I'm not saying Ebro was wrong.

1:38:59.520 --> 1:39:02.240
<v Speaker 1>It was just in the way he said it with

1:39:02.360 --> 1:39:06.679
<v Speaker 1>such entitlement, where he doesn't realize we are the least

1:39:06.920 --> 1:39:10.040
<v Speaker 1>important part of this entire process. We as in who

1:39:10.880 --> 1:39:16.560
<v Speaker 1>the critiquers, the media people, the commenters that are on

1:39:16.720 --> 1:39:19.080
<v Speaker 1>these microphones, We are the least important out of this

1:39:19.120 --> 1:39:21.479
<v Speaker 1>whole process. Matter of fact, Ebro was more important when

1:39:21.520 --> 1:39:24.120
<v Speaker 1>he was a programmed director and was able to play

1:39:24.439 --> 1:39:27.240
<v Speaker 1>certain records for artists. At that point, he was more

1:39:27.280 --> 1:39:30.320
<v Speaker 1>important than someone that could critique. The two most important

1:39:30.360 --> 1:39:32.920
<v Speaker 1>people in this group is the artist, number one, and

1:39:33.040 --> 1:39:35.360
<v Speaker 1>then the consumer that's listening to it and buying it.

1:39:35.680 --> 1:39:38.280
<v Speaker 1>Because a lot of times people in front of microphones

1:39:38.280 --> 1:39:40.880
<v Speaker 1>will start listening to records they've never listened to. They're

1:39:40.920 --> 1:39:46.160
<v Speaker 1>only doing it to critique. They're not a consumer. Especially

1:39:46.400 --> 1:39:48.200
<v Speaker 1>I'm listening to this because I have to comment on it.

1:39:48.240 --> 1:39:51.320
<v Speaker 1>I'm not a consumer. That we are the least important,

1:39:51.880 --> 1:39:53.320
<v Speaker 1>and that's also why I hate I'm going to go

1:39:53.360 --> 1:39:54.280
<v Speaker 1>against our own shit.

1:39:54.360 --> 1:39:59.320
<v Speaker 2>That's why I hate PR people. Now you ain't Querto

1:39:59.360 --> 1:40:02.599
<v Speaker 2>Ricans listen that bad buddy was ringing.

1:40:02.600 --> 1:40:10.040
<v Speaker 1>I know what with PR people, I think they're disconnected.

1:40:10.040 --> 1:40:12.240
<v Speaker 1>Do I love that artists want to come up here

1:40:12.240 --> 1:40:14.599
<v Speaker 1>and talk about stuff. I just don't think that's as

1:40:14.680 --> 1:40:16.840
<v Speaker 1>important as y'all think it is, because a lot of

1:40:16.960 --> 1:40:20.360
<v Speaker 1>our fans are content fans, they're not music fans. If

1:40:20.400 --> 1:40:23.000
<v Speaker 1>someone comes up here and isn't able to play their music,

1:40:23.080 --> 1:40:26.280
<v Speaker 1>because you can't do that with YouTube, Netflix, anywhere, it'll

1:40:26.320 --> 1:40:28.680
<v Speaker 1>get white listed, hustling backwards. You can't even tell your

1:40:28.760 --> 1:40:30.360
<v Speaker 1>label to let us clear a song that we could

1:40:30.360 --> 1:40:34.519
<v Speaker 1>play on our show. What that's not a music consumer.

1:40:34.760 --> 1:40:37.519
<v Speaker 1>You're selling music right now. You're coming up here just

1:40:37.640 --> 1:40:39.599
<v Speaker 1>to try to be funny so you can get some views.

1:40:39.640 --> 1:40:42.920
<v Speaker 1>That doesn't That does not move the needle on selling arts.

1:40:44.160 --> 1:40:46.640
<v Speaker 3>Having this conversation with the artist, like the game is

1:40:46.720 --> 1:40:49.000
<v Speaker 3>so fucked up, right because like you know, God, I'm

1:40:49.040 --> 1:40:51.040
<v Speaker 3>on Serious XM. Right, it's a radio platform, it's a

1:40:51.120 --> 1:40:54.559
<v Speaker 3>national platform. We play music. The music once it plays.

1:40:55.080 --> 1:40:57.160
<v Speaker 3>If you wrote those songs or you're an artists on

1:40:57.200 --> 1:40:59.720
<v Speaker 3>those songs, you will get paid from those songs. You'll

1:40:59.760 --> 1:41:02.200
<v Speaker 3>have artists that will dub coming up to Serious to

1:41:02.240 --> 1:41:04.160
<v Speaker 3>come and sit with y'all. No, I'm just saying in general,

1:41:04.240 --> 1:41:07.960
<v Speaker 3>right because y'all high or they know the clips is

1:41:08.000 --> 1:41:10.920
<v Speaker 3>going to go whatever whatever, that's not gonna ring the register,

1:41:11.360 --> 1:41:12.840
<v Speaker 3>you know what I'm saying. And so that shit is,

1:41:12.920 --> 1:41:15.560
<v Speaker 3>like the whole shit is, is convoluted and twisted. But

1:41:15.680 --> 1:41:18.760
<v Speaker 3>back to your point, we also, I mean, I don't

1:41:18.760 --> 1:41:20.760
<v Speaker 3>look at myself as a media personnelity, even though people do.

1:41:20.880 --> 1:41:22.960
<v Speaker 3>I'm an artist, I create a right, but I think

1:41:23.000 --> 1:41:25.920
<v Speaker 3>I have enough cachet in the business that I do

1:41:26.200 --> 1:41:29.200
<v Speaker 3>have an opinion to talk about it as well. But

1:41:29.320 --> 1:41:32.240
<v Speaker 3>I think that you talk about those people. Those people also,

1:41:33.080 --> 1:41:35.559
<v Speaker 3>the consumers are important because they go out and consume.

1:41:35.680 --> 1:41:37.559
<v Speaker 3>Right now, we're all streaming, so it's different, but they'll

1:41:37.560 --> 1:41:41.000
<v Speaker 3>still go buy ticket y'all. Motherfucker's not buying tickets to shows,

1:41:41.120 --> 1:41:44.000
<v Speaker 3>y'all calling the label, y'all calling the manager, y'all.

1:41:43.800 --> 1:41:44.519
<v Speaker 2>Going in for free.

1:41:44.640 --> 1:41:47.080
<v Speaker 3>And when you want access too, you want to go backstage,

1:41:47.320 --> 1:41:48.719
<v Speaker 3>you want adapt the artists, you might.

1:41:48.680 --> 1:41:50.759
<v Speaker 2>Want to Yeah, you might want to get some content,

1:41:50.800 --> 1:41:51.400
<v Speaker 2>you know what I'm saying.

1:41:52.040 --> 1:41:54.240
<v Speaker 3>So yeah, you're right to that in that regard, like

1:41:54.520 --> 1:41:57.040
<v Speaker 3>we are the least important people because if you're if

1:41:57.080 --> 1:41:59.680
<v Speaker 3>your objective is to put out music so that you

1:41:59.720 --> 1:42:03.439
<v Speaker 3>can financially support yourself and your family, then the consumer

1:42:03.560 --> 1:42:04.800
<v Speaker 3>is who you need to be focused on.

1:42:05.520 --> 1:42:08.760
<v Speaker 1>And to me also, it's contradicting of what Ebro does

1:42:08.840 --> 1:42:11.120
<v Speaker 1>that I admire about Ebro with his Apple show. Outside

1:42:11.120 --> 1:42:12.719
<v Speaker 1>of what he does when de Deska Low and everyone,

1:42:13.040 --> 1:42:15.200
<v Speaker 1>he also does his one on one interviews with artists

1:42:15.240 --> 1:42:17.360
<v Speaker 1>that are still teetering on the line. I appreciate that

1:42:17.479 --> 1:42:20.240
<v Speaker 1>Ebro will interview artists that are not a list and

1:42:20.280 --> 1:42:22.679
<v Speaker 1>I think that does help them because on the Apple

1:42:22.720 --> 1:42:26.360
<v Speaker 1>platform you can play the music afterwards because it's on

1:42:26.439 --> 1:42:28.800
<v Speaker 1>their streaming site. And it's more important because we can't

1:42:28.800 --> 1:42:31.280
<v Speaker 1>play music up here because we get flagged. Ebro can

1:42:31.360 --> 1:42:33.240
<v Speaker 1>do that with his stuff and I think that's important.

1:42:33.439 --> 1:42:36.000
<v Speaker 1>But why Ebro is doing it outside of him also

1:42:36.080 --> 1:42:38.800
<v Speaker 1>making money as he should he as a family, It

1:42:39.040 --> 1:42:41.720
<v Speaker 1>is to get that artist in front of people that

1:42:41.800 --> 1:42:44.120
<v Speaker 1>will consume the music, the same people that Ebro is

1:42:44.160 --> 1:42:45.000
<v Speaker 1>just shitting on right now.

1:42:45.560 --> 1:42:49.280
<v Speaker 2>Interesting, Yeah, what are we getting the context of weird?

1:42:49.360 --> 1:42:51.240
<v Speaker 1>The person that's supposed to have an opinion, You're trying

1:42:51.280 --> 1:42:52.280
<v Speaker 1>to show them the artist.

1:42:52.400 --> 1:42:54.839
<v Speaker 4>Well, it appears that he that he was also involved

1:42:54.920 --> 1:42:58.800
<v Speaker 4>in the classic Yeah conversation of an album, and I'm

1:42:58.840 --> 1:42:59.840
<v Speaker 4>sure people disagree.

1:43:00.040 --> 1:43:01.240
<v Speaker 2>Everybody can have an opinion on that.

1:43:01.400 --> 1:43:04.640
<v Speaker 1>We're all music snobs. And I also will not have

1:43:04.840 --> 1:43:08.080
<v Speaker 1>conversations with certain people that I know don't love music

1:43:08.160 --> 1:43:08.559
<v Speaker 1>the same way.

1:43:08.600 --> 1:43:09.160
<v Speaker 5>I agree.

1:43:09.640 --> 1:43:11.240
<v Speaker 1>There'll be plenty of people like, oh, I see where

1:43:11.280 --> 1:43:13.479
<v Speaker 1>you're at with shit. I'm not even there's no point

1:43:13.560 --> 1:43:15.720
<v Speaker 1>us even having a conversation. Literally, I get that there,

1:43:15.760 --> 1:43:17.400
<v Speaker 1>but I don't shit on them as a human being

1:43:17.479 --> 1:43:19.519
<v Speaker 1>to say that they do not matter and are not

1:43:19.640 --> 1:43:21.719
<v Speaker 1>allowed to listen to music or have an opinion anymore.

1:43:22.600 --> 1:43:24.519
<v Speaker 3>What I want to do, bro, and don't say one

1:43:24.760 --> 1:43:28.840
<v Speaker 3>word so many they have in four hour conversations and

1:43:28.960 --> 1:43:30.040
<v Speaker 3>debates about shit.

1:43:30.160 --> 1:43:31.800
<v Speaker 2>I know how they get mad when you don't speak.

1:43:31.880 --> 1:43:32.600
<v Speaker 1>I know it.

1:43:32.720 --> 1:43:34.040
<v Speaker 3>No, I get my cut, I get out of there.

1:43:34.240 --> 1:43:36.519
<v Speaker 3>But it's just so I be so fortunate when I'm

1:43:36.520 --> 1:43:38.600
<v Speaker 3>in the chair, because then I can't really talk, but

1:43:38.680 --> 1:43:41.120
<v Speaker 3>I be hearing people talk, and I mean to very

1:43:41.400 --> 1:43:45.120
<v Speaker 3>very high regard and disagreement about shit. They just don't

1:43:45.200 --> 1:43:46.640
<v Speaker 3>have any idea about it, and I just be like,

1:43:46.880 --> 1:43:48.240
<v Speaker 3>y'all know what the fuck y'all talking about?

1:43:48.240 --> 1:43:50.439
<v Speaker 2>But I felt like that with.

1:43:50.640 --> 1:43:54.800
<v Speaker 3>Math, But I can't argue that because this music subjective, right,

1:43:54.880 --> 1:43:56.800
<v Speaker 3>So I'm just like, how can y'all say that this

1:43:56.960 --> 1:43:59.360
<v Speaker 3>artist has three or two or three classics and this

1:43:59.520 --> 1:44:00.360
<v Speaker 3>artist has none?

1:44:01.200 --> 1:44:03.080
<v Speaker 2>You too, were too about classic.

1:44:02.960 --> 1:44:05.320
<v Speaker 3>Albums, not a rap album, not R and B album,

1:44:05.560 --> 1:44:08.280
<v Speaker 3>a classic body of work. To me, it's just like

1:44:08.640 --> 1:44:09.920
<v Speaker 3>and in that moment, I was like, you know what,

1:44:10.600 --> 1:44:12.519
<v Speaker 3>I get it, Like, it's all we all are going

1:44:12.600 --> 1:44:15.519
<v Speaker 3>to experience and hear things and and take from art

1:44:16.040 --> 1:44:16.920
<v Speaker 3>differently than others.

1:44:17.280 --> 1:44:17.800
<v Speaker 2>So I get it.

1:44:18.120 --> 1:44:20.200
<v Speaker 3>So we can have the conversation just because it's all

1:44:20.320 --> 1:44:22.880
<v Speaker 3>entertainment for ships and giggles, But it's like certain things,

1:44:22.880 --> 1:44:25.000
<v Speaker 3>I'm just not debating cert I just don't get when

1:44:25.040 --> 1:44:27.040
<v Speaker 3>people speak matter of factly about shit that they just

1:44:27.080 --> 1:44:29.280
<v Speaker 3>don't know, especially like business ship. We can talk about

1:44:29.479 --> 1:44:31.680
<v Speaker 3>opinions on music. Everybody can have their opinion on that.

1:44:32.479 --> 1:44:34.840
<v Speaker 3>People talk about now because you know, Son started fucking

1:44:34.880 --> 1:44:36.000
<v Speaker 3>with Son because he did this or.

1:44:36.040 --> 1:44:36.840
<v Speaker 2>He did the record, and.

1:44:38.400 --> 1:44:40.280
<v Speaker 1>That shit is annoying as fuck. But to me, to me,

1:44:40.400 --> 1:44:42.600
<v Speaker 1>that's not talking about music. That's content. You're in the

1:44:42.640 --> 1:44:45.000
<v Speaker 1>content game. You're in the gossip game. You're in you're

1:44:45.080 --> 1:44:47.880
<v Speaker 1>in the Wendy Williams World. Did Wendy talk about music, Sure,

1:44:47.880 --> 1:44:49.760
<v Speaker 1>but Wendy was in the gossip world. To me, that's

1:44:49.800 --> 1:44:50.960
<v Speaker 1>what those people are in.

1:44:52.760 --> 1:44:53.280
<v Speaker 2>A protast.

1:44:54.360 --> 1:44:55.679
<v Speaker 1>Wendy looking like, you know, a lot of the fucks

1:44:55.720 --> 1:44:58.840
<v Speaker 1>she was talking about on her gay listen might be

1:44:58.920 --> 1:45:06.040
<v Speaker 1>bad a thousand but but still gott But I mean

1:45:06.080 --> 1:45:08.479
<v Speaker 1>to me again, I'm the same way in barbershops. I

1:45:08.560 --> 1:45:10.360
<v Speaker 1>will just stay quiet because it'll be a lot of

1:45:10.400 --> 1:45:11.840
<v Speaker 1>shit that infuriates me and it'll be like, you don't

1:45:11.840 --> 1:45:13.120
<v Speaker 1>know what the fuck you're talking about, But I stay

1:45:13.160 --> 1:45:16.960
<v Speaker 1>quiet because music. I'm a snob, yes, but I realized

1:45:17.000 --> 1:45:20.080
<v Speaker 1>that music is not necessarily for snobs the way maybe

1:45:20.120 --> 1:45:21.880
<v Speaker 1>the art world is that's very niche.

1:45:22.320 --> 1:45:23.599
<v Speaker 2>Music is for the whole world.

1:45:23.720 --> 1:45:25.800
<v Speaker 1>The volume of music that comes out every day is

1:45:25.920 --> 1:45:28.880
<v Speaker 1>not the way bask yacht paintings come out, Like, Yeah,

1:45:28.920 --> 1:45:30.360
<v Speaker 1>you could walk into a gallery and be like, bro,

1:45:30.840 --> 1:45:33.240
<v Speaker 1>my two year old could draw this. We don't fully

1:45:33.360 --> 1:45:37.160
<v Speaker 1>understand the fucking point and this and that whatever music

1:45:37.400 --> 1:45:40.960
<v Speaker 1>is for everybody to just listen to, it can't be

1:45:41.080 --> 1:45:44.760
<v Speaker 1>critiqued at the same snob level that someone like Ebro,

1:45:44.960 --> 1:45:47.080
<v Speaker 1>myself or anyone else in this room feels it should be.

1:45:47.520 --> 1:45:51.080
<v Speaker 1>It's for the average consumer. It's not for the snob.

1:45:51.960 --> 1:45:55.000
<v Speaker 1>If you want that, then fucking go watch Whiplash and

1:45:55.120 --> 1:45:58.680
<v Speaker 1>go shit on Timothy Chalamagne and say opera is the

1:45:58.720 --> 1:46:00.519
<v Speaker 1>greatest thing of all time. I don't know be a snob.

1:46:00.560 --> 1:46:03.200
<v Speaker 1>Where snobs are. Hip hop is the biggest genre in

1:46:03.240 --> 1:46:06.320
<v Speaker 1>the world. It's not for snobs anymore. You can't ship

1:46:06.439 --> 1:46:08.160
<v Speaker 1>on the consumer if you want to keep the ship moving.

1:46:08.360 --> 1:46:09.840
<v Speaker 1>If we all still want to have jobs, we can't

1:46:09.840 --> 1:46:13.840
<v Speaker 1>have snobs. Well, I mean, yam bars, listen, we wrapped

1:46:14.000 --> 1:46:14.960
<v Speaker 1>all seasons, man.

1:46:15.000 --> 1:46:16.960
<v Speaker 2>We all consumers at the end of the day. So,

1:46:17.160 --> 1:46:19.400
<v Speaker 2>I mean, I get it. Some people can speak matter

1:46:19.439 --> 1:46:22.680
<v Speaker 2>of fact, some can't. But I look at it.

1:46:22.720 --> 1:46:25.400
<v Speaker 3>It's all entertaining. Even if you say some crazy shit

1:46:25.439 --> 1:46:28.240
<v Speaker 3>and I want to laugh, I gotta laugh out of it. Look,

1:46:28.280 --> 1:46:30.200
<v Speaker 3>it's like a cool I'm not gonna lose no sleep,

1:46:30.240 --> 1:46:32.439
<v Speaker 3>I'm not gonna get upset. It's like that's how you feel,

1:46:33.120 --> 1:46:35.479
<v Speaker 3>that's how you feel to We want to thank you

1:46:35.560 --> 1:46:37.280
<v Speaker 3>for coming back, man, thank you, thank you guys for

1:46:37.320 --> 1:46:39.040
<v Speaker 3>having to come back soon. Man, so we could talk

1:46:39.080 --> 1:46:41.479
<v Speaker 3>some more. Chance perfect, Hopefully I get a chance to

1:46:41.520 --> 1:46:42.960
<v Speaker 3>hug the matter. That's the only reason I came in

1:46:45.320 --> 1:46:47.720
<v Speaker 3>hugging hours off from twelve to I think five, so

1:46:47.800 --> 1:46:50.120
<v Speaker 3>you might have just just call it, just caught it.

1:46:50.200 --> 1:46:53.200
<v Speaker 1>Yeah, she goes in an overtime. It's double for the

1:46:53.600 --> 1:46:56.280
<v Speaker 1>After that time, we'll talk to y'all soon. Be safe,

1:46:56.360 --> 1:46:56.799
<v Speaker 1>be blessed.

1:46:56.840 --> 1:46:58.840
<v Speaker 2>I'm that nigga. He's just ginger. That's told Ray

1:47:00.760 --> 1:47:02.280
<v Speaker 1>No worran now