WEBVTT - Ocean's Eleven with Edgar Momplaisir

0:00:00.880 --> 0:00:03.840
<v Speaker 1>On the dol cast, the questions asked if movies have

0:00:04.000 --> 0:00:07.840
<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

0:00:08.039 --> 0:00:13.600
<v Speaker 1>Do they have individualism? The patriarchy? Zef invest start changing

0:00:13.640 --> 0:00:16.720
<v Speaker 1>it with the Bedel Cast. Hi, and welcome to the

0:00:16.720 --> 0:00:18.840
<v Speaker 1>Bechtel Cast. My name is Caitlin Darante. His name is

0:00:18.920 --> 0:00:21.560
<v Speaker 1>Jamie Lofts, and we talk about the portrayal of women

0:00:21.560 --> 0:00:24.640
<v Speaker 1>in movies podcast that you're listening to. That's right. Oh

0:00:24.640 --> 0:00:27.159
<v Speaker 1>my gosh, oh that was a little chip and a

0:00:27.160 --> 0:00:31.320
<v Speaker 1>little chip that was reminded me of your slurpers. My

0:00:31.400 --> 0:00:34.920
<v Speaker 1>kissing sounds um alright, So anyway we talk about women

0:00:35.200 --> 0:00:39.519
<v Speaker 1>in movies. We determine if movies pass the Bechdel test,

0:00:39.720 --> 0:00:41.519
<v Speaker 1>which we do more than that. We do so much

0:00:41.560 --> 0:00:44.320
<v Speaker 1>more than that. Yeah, But for those who aren't in

0:00:44.520 --> 0:00:48.040
<v Speaker 1>the know, the Bechtel test is a test that requires

0:00:48.080 --> 0:00:51.560
<v Speaker 1>that a movie has two female characters in it who

0:00:51.600 --> 0:00:54.920
<v Speaker 1>have names, they talked to each other, and they cannot

0:00:54.960 --> 0:00:58.760
<v Speaker 1>be talking about men whatsoever. Let's pay a test. Okay,

0:00:58.760 --> 0:01:03.200
<v Speaker 1>Hey Jamie, hey, kit, do you like apple juice? I

0:01:03.240 --> 0:01:05.680
<v Speaker 1>can't take it or leave it? And that passes the

0:01:05.720 --> 0:01:08.319
<v Speaker 1>Bechtel test. Wow, and what an exciting premise for a

0:01:08.360 --> 0:01:11.959
<v Speaker 1>movie will make content. Yeah, I see like a six

0:01:12.080 --> 0:01:18.280
<v Speaker 1>or seven sequel franchise really fully bankrolled by Mots. We're sellouts. Mots.

0:01:18.319 --> 0:01:23.360
<v Speaker 1>You listening all right? So we're here with a guest,

0:01:23.480 --> 0:01:25.920
<v Speaker 1>as we always are. Um, they say, a friend of

0:01:26.000 --> 0:01:28.039
<v Speaker 1>the show. But this is kind of an enemy of

0:01:28.080 --> 0:01:31.600
<v Speaker 1>the show, my personal enemy. None of the show of me. Okay,

0:01:31.640 --> 0:01:35.720
<v Speaker 1>so enemy of Jamie friend of me. Uh. He is

0:01:35.760 --> 0:01:38.560
<v Speaker 1>a writer, a comedian and co host of the Culture

0:01:38.600 --> 0:01:42.319
<v Speaker 1>King's podcast that's on the house Stuff Works Network. Edgar

0:01:42.400 --> 0:01:49.720
<v Speaker 1>mon plus here and whoa coming in hot? Caitlin. Thank

0:01:49.760 --> 0:01:52.040
<v Speaker 1>you so much for having me. Caitlin. You're an old

0:01:52.160 --> 0:01:56.240
<v Speaker 1>friend of mine. It's been so good. I was talking

0:01:56.280 --> 0:01:59.600
<v Speaker 1>to Caitlin fine. Thank you for saying Jamie and I

0:01:59.640 --> 0:02:03.120
<v Speaker 1>have a long running beef because she has outdone me

0:02:03.280 --> 0:02:08.120
<v Speaker 1>as a guest how Stuff Works podcast. You know you

0:02:10.360 --> 0:02:13.600
<v Speaker 1>have to wow. Should I be like the referee of this?

0:02:14.240 --> 0:02:18.679
<v Speaker 1>That means a new outfit? That sounds fun. Well anyway, Edgar,

0:02:18.720 --> 0:02:21.480
<v Speaker 1>We're so happy to have you here, and we are

0:02:21.600 --> 0:02:25.800
<v Speaker 1>talking about Oceans eleven, the two thousand one version directed

0:02:25.800 --> 0:02:28.839
<v Speaker 1>by Steven Soderbergh. Yeah, Edgar, when did you first see

0:02:28.840 --> 0:02:32.080
<v Speaker 1>this movie? Probably when I was a kid. My dad

0:02:32.200 --> 0:02:35.200
<v Speaker 1>and my uncle's are big fans of the Channel Networks

0:02:35.440 --> 0:02:39.000
<v Speaker 1>USA and T n T, so I would watch this

0:02:39.080 --> 0:02:44.520
<v Speaker 1>movie and many other movies like it rotation. Yes it is,

0:02:44.720 --> 0:02:46.880
<v Speaker 1>Yes it is. So i'd watch this movie as a

0:02:46.960 --> 0:02:50.120
<v Speaker 1>kid all the time. I do have a problem with

0:02:50.160 --> 0:02:52.919
<v Speaker 1>this movie and that I don't know the difference between

0:02:52.960 --> 0:02:56.760
<v Speaker 1>the three very well. So when watching it, I kept

0:02:56.800 --> 0:03:00.560
<v Speaker 1>waiting for that Elvis scene and it never happened because

0:03:00.600 --> 0:03:02.320
<v Speaker 1>that's not in this one. And I was like, Oh,

0:03:02.360 --> 0:03:04.000
<v Speaker 1>this Elvis scene is going to happen at some point.

0:03:04.000 --> 0:03:06.080
<v Speaker 1>Wait which one is that? I think it's in twelve

0:03:06.400 --> 0:03:09.239
<v Speaker 1>If I'm not really because I just also rewatched that

0:03:09.480 --> 0:03:12.960
<v Speaker 1>and I don't remember it might be. I don't know.

0:03:13.160 --> 0:03:14.919
<v Speaker 1>There's a scene where it's a bunch of elvis Is

0:03:14.960 --> 0:03:16.520
<v Speaker 1>and then they all do and then that's when Bernie

0:03:16.600 --> 0:03:19.880
<v Speaker 1>mac dies. Am I crazy? That does happen? I think

0:03:19.880 --> 0:03:22.880
<v Speaker 1>maybe it is. Yeah, I don't think it's twelve, definitely

0:03:22.919 --> 0:03:25.760
<v Speaker 1>not eleven. All right. Well, the only reason why I

0:03:25.800 --> 0:03:28.680
<v Speaker 1>remember that scene specifically is because there was one time.

0:03:29.400 --> 0:03:31.040
<v Speaker 1>This is a terrible story, but I'll tell this part

0:03:31.080 --> 0:03:34.000
<v Speaker 1>of the story. Anyways, I was having sex with a

0:03:34.080 --> 0:03:37.080
<v Speaker 1>person the day of my best friend's funeral. We were

0:03:37.120 --> 0:03:39.920
<v Speaker 1>in a hotel and that movie was playing on the TV,

0:03:40.680 --> 0:03:42.720
<v Speaker 1>and I think as a way to cope with the

0:03:42.720 --> 0:03:45.440
<v Speaker 1>death of my best friend, I became immediately more focused

0:03:45.440 --> 0:03:47.839
<v Speaker 1>on the movie and I was trying to see whether

0:03:47.840 --> 0:03:52.080
<v Speaker 1>it was eleven, twelve or thirteen based on various clues. Interesting,

0:03:52.600 --> 0:03:54.680
<v Speaker 1>I believe it was thirteen. I'm still not sure until

0:03:54.760 --> 0:03:57.840
<v Speaker 1>this day, but probably the worst sexual experience I've ever

0:03:57.880 --> 0:04:00.680
<v Speaker 1>had in my life. Yeah, you can never enjoy like

0:04:01.040 --> 0:04:04.760
<v Speaker 1>you Trauma Bond speak for yourself, Jamie. That's true. I

0:04:05.240 --> 0:04:07.880
<v Speaker 1>didn't enjoy it at all. Something very upset. Yeah, I

0:04:07.880 --> 0:04:10.680
<v Speaker 1>had a really bad breakup. My boyfriend came over to

0:04:10.720 --> 0:04:12.480
<v Speaker 1>be like, hey, I've been cheating on you. In the

0:04:12.520 --> 0:04:14.840
<v Speaker 1>middle of a John ban A documentary I was really

0:04:14.880 --> 0:04:19.880
<v Speaker 1>excited to watch, and I was so sad. Katie Perry, she, well,

0:04:19.880 --> 0:04:23.359
<v Speaker 1>I'll never know how it ends, was she, Katie Perry. No,

0:04:23.480 --> 0:04:25.080
<v Speaker 1>it was a really bad one that came out that

0:04:25.200 --> 0:04:27.960
<v Speaker 1>where they smashed a pink said with a hand like,

0:04:28.080 --> 0:04:30.560
<v Speaker 1>this is what it would have been like that. That's

0:04:30.560 --> 0:04:34.239
<v Speaker 1>a very popular internet conspiracy is that John Baniy Ramsey

0:04:34.240 --> 0:04:36.599
<v Speaker 1>grew up to be Katie Perry. What. I have never

0:04:36.680 --> 0:04:41.360
<v Speaker 1>heard that before. The other good one is Avril Levine

0:04:41.440 --> 0:04:44.279
<v Speaker 1>that she was dead and replaced with a body doublet

0:04:44.600 --> 0:04:46.480
<v Speaker 1>I have heard that one. That's a good one. Interesting

0:04:46.520 --> 0:04:55.800
<v Speaker 1>all right, Well, anyways, speaking of long cons wowsition, Jamie,

0:04:55.800 --> 0:04:58.919
<v Speaker 1>what's your what's your history with Oceans eleven? I know

0:04:59.040 --> 0:05:02.240
<v Speaker 1>that I thought it was the Big Chilly. It's not

0:05:02.320 --> 0:05:06.520
<v Speaker 1>the Big Chill. It's actually a different movie. But I

0:05:06.560 --> 0:05:09.200
<v Speaker 1>have seen it before. My mom made me watch it,

0:05:09.640 --> 0:05:12.520
<v Speaker 1>and she was horny for various cast members, and so

0:05:12.680 --> 0:05:14.760
<v Speaker 1>I think we probably watched that tant or something I

0:05:14.760 --> 0:05:17.039
<v Speaker 1>guess I would like in middle school or something. Sure,

0:05:17.120 --> 0:05:20.440
<v Speaker 1>I understand that particular attachment to it. Don cheatles like

0:05:20.560 --> 0:05:25.159
<v Speaker 1>Cockney accident really really inspired a sexual awakening for me.

0:05:25.360 --> 0:05:28.039
<v Speaker 1>Really not like a good Cockney accent though, right, Like

0:05:28.080 --> 0:05:31.520
<v Speaker 1>it just sounds really fake. He's very hot in this movie.

0:05:31.520 --> 0:05:37.120
<v Speaker 1>Don't in this movie? Don't you always? But his his accident?

0:05:37.200 --> 0:05:39.760
<v Speaker 1>I was like, is that right? I don't know. I

0:05:39.839 --> 0:05:42.520
<v Speaker 1>was struggling with I bought it. I have a clarification

0:05:42.560 --> 0:05:46.520
<v Speaker 1>to make It's not Oceans eleven. It's a different two

0:05:46.560 --> 0:05:49.839
<v Speaker 1>thousand and one's Las Vegas highest movie called three Thousand

0:05:49.839 --> 0:05:53.880
<v Speaker 1>Miles to Graceland. Oh oh, well, that explains the Elvis

0:05:54.000 --> 0:05:57.160
<v Speaker 1>is Yeah, why have I seen that scene? I mean,

0:05:57.200 --> 0:05:59.560
<v Speaker 1>maybe you've seen that movie. Maybe I have seen and

0:05:59.600 --> 0:06:04.240
<v Speaker 1>it's not Bernie mac who dies, it's bochim Woodbine. I

0:06:04.240 --> 0:06:07.120
<v Speaker 1>would like to apologize to any Bokim Woodbine fans who

0:06:07.120 --> 0:06:09.719
<v Speaker 1>were just like, how dare he disrespect him? There? I

0:06:09.760 --> 0:06:12.720
<v Speaker 1>mean they're listening. They're listening. Get a lot of a

0:06:12.760 --> 0:06:16.159
<v Speaker 1>lot of tweets. Thanks for your clarification. Community is gonna

0:06:16.200 --> 0:06:20.920
<v Speaker 1>go fucking wild. I saw this movie in the theater

0:06:21.680 --> 0:06:24.520
<v Speaker 1>Huge Break in two thousand one. At the time, I

0:06:24.600 --> 0:06:28.040
<v Speaker 1>really liked it. I didn't know what this movie was about,

0:06:28.120 --> 0:06:31.320
<v Speaker 1>or hadn't heard of the original nineteen sixty versions, so

0:06:31.360 --> 0:06:33.599
<v Speaker 1>I like had no context for it, and I just

0:06:33.640 --> 0:06:35.880
<v Speaker 1>went in kind of blind and I was like, oh

0:06:35.920 --> 0:06:38.400
<v Speaker 1>my god, this is the best movie ever. So cool.

0:06:38.440 --> 0:06:42.400
<v Speaker 1>I wrote like a paper about it in college. I really,

0:06:42.520 --> 0:06:45.520
<v Speaker 1>for the longest time, really really loved the papers about

0:06:45.600 --> 0:06:47.360
<v Speaker 1>so many It's because we went to college so much.

0:06:47.440 --> 0:06:51.599
<v Speaker 1>It's because I went to so many colleges including Boston

0:06:51.720 --> 0:06:54.880
<v Speaker 1>University four master's degree in screen writing. I hate to

0:06:54.920 --> 0:07:00.400
<v Speaker 1>bring it up, but but yeah, I really enjoyed this movie,

0:07:00.440 --> 0:07:03.520
<v Speaker 1>but I haven't rewatched it in quite a few years,

0:07:03.760 --> 0:07:07.120
<v Speaker 1>so I am excited to talk about it. It's interesting,

0:07:07.560 --> 0:07:09.760
<v Speaker 1>and we have for some reason, covered a lot of

0:07:09.800 --> 0:07:11.640
<v Speaker 1>movies that came out in the year two thousand and

0:07:11.680 --> 0:07:14.160
<v Speaker 1>one on this podcast, because every time you talk about

0:07:14.160 --> 0:07:16.000
<v Speaker 1>something that happens in two thousand one, you have to

0:07:16.000 --> 0:07:17.960
<v Speaker 1>figure out what part of two thousand one it came

0:07:17.960 --> 0:07:22.440
<v Speaker 1>out in, if it was pre or post Shrek exactly.

0:07:22.760 --> 0:07:25.119
<v Speaker 1>That is where that is, of course, the major event

0:07:25.160 --> 0:07:28.000
<v Speaker 1>of two thousand and one. Yeah, Shrek was the last

0:07:28.240 --> 0:07:32.160
<v Speaker 1>knell of innocence that because I was like July and

0:07:32.200 --> 0:07:35.320
<v Speaker 1>then this came out in December, which I you know,

0:07:35.480 --> 0:07:38.040
<v Speaker 1>it's just worth saying because when you say two thousand one,

0:07:38.440 --> 0:07:40.520
<v Speaker 1>you want to know. And also it in you know,

0:07:40.840 --> 0:07:46.160
<v Speaker 1>nine leven, unfortunately informed all media consumption habits forever after that.

0:07:46.160 --> 0:07:48.840
<v Speaker 1>That's so interesting that it came out post eleven, because

0:07:48.840 --> 0:07:52.360
<v Speaker 1>it's a movie chalk full of explosives. Yeah. Yeah, and

0:07:52.360 --> 0:07:54.000
<v Speaker 1>then I was I was wondering that I had to

0:07:54.000 --> 0:07:55.800
<v Speaker 1>stop it in the middle to be like, but it

0:07:55.880 --> 0:07:58.160
<v Speaker 1>did so well, Like it was super sich like the

0:07:58.240 --> 0:08:01.160
<v Speaker 1>highest grossing film two thousand one, right right, yeah, and

0:08:01.520 --> 0:08:05.120
<v Speaker 1>like I don't I wonder why this movie like did

0:08:05.160 --> 0:08:07.000
<v Speaker 1>so well, and it's I mean, I mean, it's an

0:08:07.000 --> 0:08:09.360
<v Speaker 1>all star cast. It was like everyone hans of a

0:08:09.480 --> 0:08:12.800
<v Speaker 1>listers in this movie. One of the reasons we're doing

0:08:13.000 --> 0:08:16.160
<v Speaker 1>this movie is because Oceans eight is coming out, and

0:08:16.200 --> 0:08:18.240
<v Speaker 1>of course there you can only have eight because there's

0:08:18.320 --> 0:08:23.400
<v Speaker 1>only eight actresses total total in the word originally there

0:08:23.400 --> 0:08:26.080
<v Speaker 1>aren't eleven actresses, so they can only have eight. Well,

0:08:26.080 --> 0:08:28.560
<v Speaker 1>my guess is that they're gonna they're planning this as

0:08:28.600 --> 0:08:31.480
<v Speaker 1>a trilogy, so they're going to do Oceans eight, nine,

0:08:31.520 --> 0:08:34.520
<v Speaker 1>and ten, and then there's already eleven, twelve, and thirteen,

0:08:34.600 --> 0:08:37.040
<v Speaker 1>and then they're going to bring it back around with

0:08:37.320 --> 0:08:41.160
<v Speaker 1>a co ed cast. Is my guests for fourteen, fifteen,

0:08:41.160 --> 0:08:45.120
<v Speaker 1>and sixteen. But if they're going to have to cut

0:08:45.160 --> 0:08:46.800
<v Speaker 1>out so many people, I mean, I guess some of

0:08:46.840 --> 0:08:48.520
<v Speaker 1>them are dead so they don't have to worry about that.

0:08:48.600 --> 0:08:52.760
<v Speaker 1>But like, or they just totally recast it altogether, or

0:08:53.120 --> 0:08:58.640
<v Speaker 1>they can just stop. I'm I'm tired, I'm tired. The

0:08:59.080 --> 0:09:03.000
<v Speaker 1>extended Ocean in eleven Universe and then and then it's

0:09:03.040 --> 0:09:06.160
<v Speaker 1>gonna be where do we leave off his four? Then

0:09:06.200 --> 0:09:11.160
<v Speaker 1>it's going to be seventeen, eighteen and nineteen comprised entirely

0:09:11.559 --> 0:09:15.360
<v Speaker 1>of non binary, gender fluid, gender queer people. Can they

0:09:15.400 --> 0:09:17.040
<v Speaker 1>just make a movie like? Why does they have to

0:09:17.040 --> 0:09:21.280
<v Speaker 1>be in? Oh? Okay, so we're well, let's let's get

0:09:21.280 --> 0:09:24.040
<v Speaker 1>into the movie. But I just have to say that

0:09:24.480 --> 0:09:29.520
<v Speaker 1>everyone hates Jeli right, but Danny Ocean is a worst

0:09:29.679 --> 0:09:33.080
<v Speaker 1>name for a protagonist than Larry Jeelie and I will

0:09:33.840 --> 0:09:36.240
<v Speaker 1>die on that hill. I couldn't. I was like when

0:09:36.240 --> 0:09:38.200
<v Speaker 1>he's like, my name is Daniel Ocean, I was like,

0:09:38.280 --> 0:09:42.840
<v Speaker 1>this is a fucking dumb name name. I disagree, I think,

0:09:44.720 --> 0:09:48.640
<v Speaker 1>and honest I really do. Yeah, I'm sorry. I'm surprised

0:09:48.640 --> 0:09:51.280
<v Speaker 1>by this because it's not good and you thought I

0:09:51.320 --> 0:09:54.959
<v Speaker 1>had better taste. I came in here being like, man,

0:09:55.000 --> 0:09:57.720
<v Speaker 1>they're going to really dislike this movie. But then I'm

0:09:57.760 --> 0:10:01.439
<v Speaker 1>surprised to see that. I'm more with Jamie being like, yo,

0:10:01.559 --> 0:10:03.400
<v Speaker 1>this is this movie is kind of wild in some ways,

0:10:03.440 --> 0:10:06.160
<v Speaker 1>and you're like, you're defending I'm kind of well, here's

0:10:06.160 --> 0:10:10.319
<v Speaker 1>the thing. I love a good heist movie. And this

0:10:10.360 --> 0:10:12.400
<v Speaker 1>is a fun romp. This is a romp and I

0:10:12.480 --> 0:10:19.199
<v Speaker 1>love a good romp. And hey, all tender matches taken

0:10:19.320 --> 0:10:26.640
<v Speaker 1>up this woman. Yeah, Daniel Ocean worst name than Larry

0:10:26.760 --> 0:10:32.640
<v Speaker 1>ge sound off so my mentions, Look, Larry is a

0:10:32.679 --> 0:10:43.640
<v Speaker 1>fun name, Larry with really terrible Okay, I'll do the recap. Yeah,

0:10:43.720 --> 0:10:47.439
<v Speaker 1>let's do it. So Danny Ocean best name in Hollywood,

0:10:47.520 --> 0:10:50.760
<v Speaker 1>the best name of a character ever, mixing up up

0:10:50.800 --> 0:10:55.920
<v Speaker 1>with played by George Clooney. He's released from prison. He

0:10:56.040 --> 0:10:59.120
<v Speaker 1>was there because he's a comm man. He's a thief. Yeah,

0:10:59.559 --> 0:11:01.360
<v Speaker 1>he's that. But he was handsome. He was handsome. So

0:11:01.400 --> 0:11:03.679
<v Speaker 1>they're like, here, you can be in prison for four

0:11:03.720 --> 0:11:06.120
<v Speaker 1>years and we'll just let you go. It's handsome and

0:11:06.160 --> 0:11:09.720
<v Speaker 1>white privilege. And so he's like, I have an idea,

0:11:09.880 --> 0:11:13.000
<v Speaker 1>and he gets a gang together to rob three casinos

0:11:13.200 --> 0:11:15.760
<v Speaker 1>in Las Vegas. Ever heard of it? And they're all

0:11:15.800 --> 0:11:19.560
<v Speaker 1>owned by Terry Benedict. So that is a great name.

0:11:20.880 --> 0:11:24.679
<v Speaker 1>Hate Danny Ocean. Love Terry Benedict. I don't know. I

0:11:24.720 --> 0:11:27.040
<v Speaker 1>had an issue with his name being Terry Benedict, and

0:11:27.080 --> 0:11:28.400
<v Speaker 1>I was like, yeah, I was just like, how do

0:11:28.440 --> 0:11:33.760
<v Speaker 1>you get pet Nade. He sounds like a breakfast. Give

0:11:33.800 --> 0:11:38.080
<v Speaker 1>me the Terry Benedict, I wish, I wish that. Okay.

0:11:38.200 --> 0:11:41.720
<v Speaker 1>My two favorite character names for men, Dan Mansion, I

0:11:41.760 --> 0:11:45.080
<v Speaker 1>think is a better name than Danny Ocean Dan Mansion

0:11:45.440 --> 0:11:51.200
<v Speaker 1>and then Mike randoma from what's that from? You say it?

0:11:51.559 --> 0:11:58.240
<v Speaker 1>Say it, Mike Randma. My grandma sounds like my grandma innocent?

0:11:58.320 --> 0:12:04.920
<v Speaker 1>What an innocent joke. I'm gonna edit that out. Okay, Okay.

0:12:05.240 --> 0:12:08.240
<v Speaker 1>So Danny is getting his gang together. They form a plan.

0:12:08.679 --> 0:12:10.600
<v Speaker 1>They're like, we gotta get past all this security. We

0:12:10.640 --> 0:12:12.319
<v Speaker 1>gotta get inside the vaul. Then we have to get

0:12:12.320 --> 0:12:15.320
<v Speaker 1>back outside the vault with all this money. They have

0:12:15.440 --> 0:12:18.320
<v Speaker 1>to heck into the main frame. And everyone has this

0:12:18.360 --> 0:12:22.200
<v Speaker 1>like certain specialty. There's eleven of them total, get it.

0:12:22.280 --> 0:12:25.520
<v Speaker 1>That's the name of the movie. Everyone's playing a few

0:12:25.520 --> 0:12:28.679
<v Speaker 1>different roles in this whole heist thing. And then Frosty

0:12:28.679 --> 0:12:32.320
<v Speaker 1>tips others don't, such as Rusty Ryan played by Brad

0:12:32.360 --> 0:12:36.679
<v Speaker 1>pitt Uh. He and Danny are bros. They are BFFs.

0:12:36.679 --> 0:12:39.400
<v Speaker 1>But he figures out that the reason that Danny Ocean

0:12:39.520 --> 0:12:42.360
<v Speaker 1>is going after these three casinos and Terry Benedict is

0:12:42.400 --> 0:12:47.880
<v Speaker 1>because Terry Benedict is dating Danny Ocean's ex wife Tests,

0:12:48.440 --> 0:12:52.880
<v Speaker 1>She's fully lost in the Benedict sauce she loves. She

0:12:53.160 --> 0:13:03.400
<v Speaker 1>orders him for breakfast every day. Oh, I'm on Terry's team. No,

0:13:03.440 --> 0:13:05.800
<v Speaker 1>I'm kidding. He's bad. He's real bad. Okay. So then

0:13:05.920 --> 0:13:09.760
<v Speaker 1>Rusty's like, Danny, what are you doing bros? Before hose

0:13:10.160 --> 0:13:13.280
<v Speaker 1>And Danny's like, no, this isn't going to affect the plan.

0:13:13.480 --> 0:13:15.800
<v Speaker 1>And then they do the heights. There's like some twists

0:13:15.840 --> 0:13:19.760
<v Speaker 1>and turns, mostly everything goes according to plan and they

0:13:19.800 --> 0:13:22.720
<v Speaker 1>get the money. And then at the end, Test basically

0:13:22.800 --> 0:13:28.880
<v Speaker 1>learns that Terry Benedict is a capitalist who loves capitalism

0:13:28.679 --> 0:13:34.360
<v Speaker 1>and capitalists. He loves his money more than he loves women.

0:13:34.760 --> 0:13:37.480
<v Speaker 1>So Tess leaves him to go back to Danny and

0:13:37.520 --> 0:13:41.760
<v Speaker 1>then they all live happily ever after. It's competent because

0:13:41.800 --> 0:13:44.720
<v Speaker 1>I love money more than men. So in that way

0:13:44.720 --> 0:13:47.600
<v Speaker 1>I can connect with Terry Bennedict's point of view. Yeah

0:13:47.640 --> 0:13:54.880
<v Speaker 1>you're yeah, I'm a Benedict apologis. So not surprisingly, there

0:13:55.040 --> 0:13:58.400
<v Speaker 1>is only one female character in this movie, the entire movie,

0:13:58.520 --> 0:14:01.199
<v Speaker 1>the entire there I I made a list of all

0:14:01.240 --> 0:14:04.440
<v Speaker 1>the women with speaking roles, and I think it's only

0:14:05.160 --> 0:14:07.520
<v Speaker 1>four of them that we see on screen, and then

0:14:07.760 --> 0:14:10.720
<v Speaker 1>a couple of disembodied female voices at the very beginning,

0:14:10.920 --> 0:14:14.440
<v Speaker 1>and a lot of disembodied female body parts, yes, that

0:14:14.480 --> 0:14:18.040
<v Speaker 1>are not given voices. And I would, with some exception,

0:14:18.120 --> 0:14:21.400
<v Speaker 1>to probably extend those criticism to like most movies that

0:14:21.480 --> 0:14:24.680
<v Speaker 1>take place in Las Vegas, of like using women as

0:14:24.760 --> 0:14:27.840
<v Speaker 1>set dressing in a major way. Like there's literally the

0:14:27.920 --> 0:14:30.240
<v Speaker 1>first big card game in this movie. You can just

0:14:30.280 --> 0:14:34.040
<v Speaker 1>see like legs, yeah, in a window, like you, but

0:14:34.240 --> 0:14:37.040
<v Speaker 1>just legs. One woman is allowed to be playing cards,

0:14:37.400 --> 0:14:40.120
<v Speaker 1>but she can't say, you know, she's and we I

0:14:40.160 --> 0:14:42.120
<v Speaker 1>don't know if we ever learned her name. I think

0:14:42.120 --> 0:14:45.960
<v Speaker 1>her name is Holly, the woman playing cards. Yeah, oh no, no, no,

0:14:46.360 --> 0:14:48.840
<v Speaker 1>she's a celebrity. Well I don't mean to explain, but

0:14:48.920 --> 0:14:54.160
<v Speaker 1>like she's like she's a celebrity, and I think she's

0:14:54.200 --> 0:14:57.760
<v Speaker 1>the lead from Charmed and the ideas that Bratt Pitt's

0:14:57.840 --> 0:15:01.560
<v Speaker 1>character now is teaching, yes, famous people how to play cards.

0:15:01.600 --> 0:15:03.800
<v Speaker 1>So she's one of the famous people playing cards. But

0:15:03.880 --> 0:15:06.600
<v Speaker 1>again I put an asterist on that famous because not

0:15:06.720 --> 0:15:08.400
<v Speaker 1>a single one of the people playing cards at that

0:15:08.480 --> 0:15:14.360
<v Speaker 1>table are relevant anymore anymore. The closest a long yeah,

0:15:17.720 --> 0:15:22.960
<v Speaker 1>and josh Joshua Joshua Jackson and Shane West. And then

0:15:23.000 --> 0:15:24.720
<v Speaker 1>I didn't recognize any of the other people, so I

0:15:24.720 --> 0:15:30.040
<v Speaker 1>didn't he's the lead from Charmed, like not Shannon Dartie, Holy,

0:15:30.120 --> 0:15:33.520
<v Speaker 1>Marie Combs. Let's see holl Marie Combs of One of

0:15:33.560 --> 0:15:36.760
<v Speaker 1>my favorite was Pretty Little Liars. Oh, I think that

0:15:36.840 --> 0:15:38.800
<v Speaker 1>I guess that could have but then she just, yeah,

0:15:38.840 --> 0:15:41.000
<v Speaker 1>she was like she wasn't allowed to talk very much.

0:15:41.480 --> 0:15:43.480
<v Speaker 1>She basically just says call over and over again because

0:15:43.480 --> 0:15:47.480
<v Speaker 1>she's playing poker. So yeah, it was okay, okay, Yeah,

0:15:47.520 --> 0:15:50.080
<v Speaker 1>she is one of the four women who we see

0:15:50.120 --> 0:15:53.120
<v Speaker 1>on screen with speaking role, but yeah, she's only in

0:15:53.160 --> 0:15:54.680
<v Speaker 1>the movie for a couple of scenes and then we

0:15:54.720 --> 0:15:57.840
<v Speaker 1>didn't never see her again. Another one is the is

0:15:57.840 --> 0:16:01.240
<v Speaker 1>a blackjack dealer in the very beginning that Danny Ocean

0:16:01.360 --> 0:16:05.320
<v Speaker 1>talks to for maybe thirty seconds. That's frustrating too, because

0:16:05.600 --> 0:16:07.760
<v Speaker 1>the first like a couple of minutes of the movie

0:16:07.920 --> 0:16:10.640
<v Speaker 1>you see there's like a few female characters. One of

0:16:10.640 --> 0:16:16.560
<v Speaker 1>the people interviewing Danny when he's like getting out of jail. Yeah,

0:16:16.640 --> 0:16:19.480
<v Speaker 1>like you can tell, like it's a female voice, but

0:16:19.880 --> 0:16:22.080
<v Speaker 1>you're just looking at George Clooney the whole time. And

0:16:22.120 --> 0:16:25.560
<v Speaker 1>then the black jack scene you hear the voice. I

0:16:25.600 --> 0:16:29.080
<v Speaker 1>think you see her once in like one shot, and

0:16:29.080 --> 0:16:30.920
<v Speaker 1>then you just look at George Cluney the whole time,

0:16:31.120 --> 0:16:33.520
<v Speaker 1>and then once Bernie Max on screen, then you cut

0:16:33.560 --> 0:16:35.760
<v Speaker 1>back and forth. But for the first couple of women

0:16:35.800 --> 0:16:38.560
<v Speaker 1>who could appear on screen, they just like to be like,

0:16:38.840 --> 0:16:41.800
<v Speaker 1>or we could just look at George Clooney right, like,

0:16:41.880 --> 0:16:45.960
<v Speaker 1>we don't need to see women women. Well, the fans

0:16:46.000 --> 0:16:49.040
<v Speaker 1>paid to see George Clooney, and dammit, thir they spent

0:16:49.160 --> 0:16:55.280
<v Speaker 1>their to this blackjack deal there they everyone saved up

0:16:55.320 --> 0:17:00.760
<v Speaker 1>their hard earned clune bucks Clooney cash. When I was

0:17:00.840 --> 0:17:03.120
<v Speaker 1>hitting it hard at that gas station in two thousand one,

0:17:03.160 --> 0:17:05.359
<v Speaker 1>I wasn't saving my money to see some blackjack. You're

0:17:05.600 --> 0:17:11.679
<v Speaker 1>saving for some Clooney. Do you guys accept car fresh

0:17:11.720 --> 0:17:15.000
<v Speaker 1>off of that Batman and Robin fame. Oh sure, Yeah.

0:17:15.280 --> 0:17:18.480
<v Speaker 1>So that's half of the characters already, women who we

0:17:19.000 --> 0:17:21.320
<v Speaker 1>immediately cut away from and then don't see again. Another

0:17:21.320 --> 0:17:24.320
<v Speaker 1>one who named Charmaine. She's a stripper who plays a

0:17:24.400 --> 0:17:27.040
<v Speaker 1>very very small role in helping them get an access

0:17:27.080 --> 0:17:29.160
<v Speaker 1>card that they need to like hack into the main frame.

0:17:29.280 --> 0:17:32.440
<v Speaker 1>And she's also very important because she is, to my knowledge,

0:17:32.480 --> 0:17:35.560
<v Speaker 1>the first mother and daughter strip repair I've ever heard of.

0:17:36.240 --> 0:17:42.440
<v Speaker 1>M met me and my mind go to the Foxy

0:17:42.560 --> 0:17:46.000
<v Speaker 1>Lady and Massachusetts. When I heard that joke, I was like,

0:17:46.000 --> 0:17:48.119
<v Speaker 1>this is such a weird joke to be making. Was like,

0:17:48.200 --> 0:17:50.399
<v Speaker 1>say hi to my mom. Right, well, I want to

0:17:50.400 --> 0:17:52.879
<v Speaker 1>talk about that conversation a little bit later. But so,

0:17:52.920 --> 0:17:56.840
<v Speaker 1>the main female character is test played by Julia Roberts.

0:17:57.240 --> 0:18:01.399
<v Speaker 1>We do not see her on screen until forty four

0:18:01.400 --> 0:18:05.840
<v Speaker 1>minutes into the movie, and when she does come on screen,

0:18:06.160 --> 0:18:10.120
<v Speaker 1>Matt Damon's all like, who's the best part in my day?

0:18:11.480 --> 0:18:14.400
<v Speaker 1>And then we cut to Julia Roberts wearing like a

0:18:14.400 --> 0:18:19.200
<v Speaker 1>foxy red outfit. There's like sexy music playing and she's

0:18:19.280 --> 0:18:24.040
<v Speaker 1>like walking down the stairs like very so it's like

0:18:24.160 --> 0:18:28.080
<v Speaker 1>very male gaze, like, oh, look at this foxy lady,

0:18:28.280 --> 0:18:32.359
<v Speaker 1>And then we learned that basically the plot of the

0:18:32.400 --> 0:18:37.320
<v Speaker 1>movie is that Danny Ocean is targeting these three casinos

0:18:37.359 --> 0:18:41.240
<v Speaker 1>because Terry Benedict stole his woman and he wants to

0:18:41.280 --> 0:18:44.919
<v Speaker 1>win her back because he sees this woman as something

0:18:45.040 --> 0:18:49.080
<v Speaker 1>he can steal, just like any other like con that

0:18:49.119 --> 0:18:52.280
<v Speaker 1>he wants to pull, Like, yeah, classic, I see romance

0:18:52.280 --> 0:18:54.280
<v Speaker 1>in this, I don't know, and I don't know, I

0:18:54.320 --> 0:18:59.080
<v Speaker 1>truly do see romance in this. Is like it is

0:18:59.119 --> 0:19:02.840
<v Speaker 1>an interesting version of the plot of so many movies,

0:19:02.920 --> 0:19:07.120
<v Speaker 1>which is like, I'm gonna trick her into loving me again, right,

0:19:07.640 --> 0:19:10.240
<v Speaker 1>like the little road, you know, George Cloney's rebin is

0:19:10.280 --> 0:19:13.960
<v Speaker 1>a little pause together, He's gotta he's gotta a rack coloon,

0:19:14.840 --> 0:19:20.520
<v Speaker 1>a little rack Cooney a little He's like like a raccoon.

0:19:20.600 --> 0:19:25.640
<v Speaker 1>But yes, sorry, let me keep explaining. He's gonna out

0:19:25.680 --> 0:19:31.120
<v Speaker 1>Benedict Terry at his own game. And there I forgot

0:19:31.119 --> 0:19:32.760
<v Speaker 1>that that was the setup of the movie. I just

0:19:32.800 --> 0:19:35.000
<v Speaker 1>remember that they were stealing stuff. I forgot that it

0:19:35.080 --> 0:19:40.960
<v Speaker 1>was like and then she'll have to marry me like wright, right,

0:19:42.000 --> 0:19:45.760
<v Speaker 1>So like that's a big romance. I mean, like it's

0:19:45.800 --> 0:19:50.200
<v Speaker 1>a big romantic gesture. It's a wide swing. You could

0:19:50.240 --> 0:19:51.960
<v Speaker 1>look at it that way. You could also look at

0:19:51.960 --> 0:19:55.359
<v Speaker 1>it and that he basically views her as property because well,

0:19:55.520 --> 0:19:58.680
<v Speaker 1>I mean, we don't know how necessarily Danny Ocean feels

0:19:58.680 --> 0:20:00.440
<v Speaker 1>about the situation, but I think it's pretty clear that

0:20:00.480 --> 0:20:04.440
<v Speaker 1>the movie is coming from a standpoint where she's essentially

0:20:04.680 --> 0:20:08.399
<v Speaker 1>a plot device, because it doesn't really make any sense

0:20:08.440 --> 0:20:11.399
<v Speaker 1>that she is with Terry Benedict, but it's convenient for

0:20:11.440 --> 0:20:15.040
<v Speaker 1>the story because then that motivates Danny Ocean to pull

0:20:15.080 --> 0:20:19.399
<v Speaker 1>this heist, because we as we see in so many movies,

0:20:19.440 --> 0:20:23.440
<v Speaker 1>we don't necessarily understand why Tests and Terry Benedict are

0:20:23.520 --> 0:20:27.119
<v Speaker 1>together because they don't seem that compatible. Because Tests is

0:20:27.160 --> 0:20:31.520
<v Speaker 1>not actually a fully realized, developed character. She's with him

0:20:31.520 --> 0:20:35.159
<v Speaker 1>because it serves the story and it's convenient for the plot,

0:20:35.600 --> 0:20:41.000
<v Speaker 1>and Test is a really poor, like underwritten character where

0:20:41.040 --> 0:20:44.000
<v Speaker 1>a lot of like the tropes they lean into, and

0:20:44.000 --> 0:20:47.800
<v Speaker 1>and every character in this movie is underwritten, maybe with

0:20:47.880 --> 0:20:52.359
<v Speaker 1>the exception of Danny, like he's the only character that

0:20:52.400 --> 0:20:54.240
<v Speaker 1>you were like, okay, I think I fully get where

0:20:54.240 --> 0:20:56.200
<v Speaker 1>this guy is coming from, even though you know, I

0:20:56.200 --> 0:20:59.280
<v Speaker 1>don't agree with it, but whatever, But there's just like

0:20:59.359 --> 0:21:02.560
<v Speaker 1>too many bull in this movie in general, where nine

0:21:02.560 --> 0:21:05.639
<v Speaker 1>out of the eleven men blend together. For me, I'm like,

0:21:05.680 --> 0:21:08.520
<v Speaker 1>oh there, why would you put Matt Damon and Bradbitt

0:21:08.640 --> 0:21:12.239
<v Speaker 1>like they have the same face. It's confusing, But like

0:21:12.440 --> 0:21:16.240
<v Speaker 1>Test Ocean classic. We gotta give this woman a job.

0:21:16.800 --> 0:21:20.680
<v Speaker 1>She's an art curator, like that's so many movies, or

0:21:20.720 --> 0:21:23.679
<v Speaker 1>like she runs you know she like because I I

0:21:23.760 --> 0:21:26.520
<v Speaker 1>wonder why that's like a classic, like more of like

0:21:26.560 --> 0:21:29.800
<v Speaker 1>a rom com trope of like, oh, she's does business,

0:21:29.840 --> 0:21:33.520
<v Speaker 1>but like girl business, you know, like not it's not

0:21:33.600 --> 0:21:37.280
<v Speaker 1>too threatening if she runs a gallery. I don't know

0:21:37.280 --> 0:21:41.000
<v Speaker 1>if you know this, but women can only be museum curators,

0:21:41.520 --> 0:21:45.840
<v Speaker 1>or they work at a magazine in New York City,

0:21:45.960 --> 0:21:48.320
<v Speaker 1>or they own a bakery, or they're a wedding planner.

0:21:48.600 --> 0:21:51.240
<v Speaker 1>I love when they're journalists, but then they get a

0:21:51.280 --> 0:21:54.400
<v Speaker 1>little too into this story and then the lines blur

0:21:54.480 --> 0:21:58.720
<v Speaker 1>in there that kiss. Those are all good jobs as

0:21:59.000 --> 0:22:03.800
<v Speaker 1>high paying job was Okay, they're good five figures a year.

0:22:04.240 --> 0:22:08.480
<v Speaker 1>It's true. They have gorgeous apartments all the time. Listen, Okay,

0:22:08.520 --> 0:22:12.080
<v Speaker 1>I mean she was baiting a casino mogul, you know.

0:22:12.160 --> 0:22:15.200
<v Speaker 1>I mean that's a good place to be. The terry

0:22:15.280 --> 0:22:18.600
<v Speaker 1>they say that he's worth nearly a billion dollars, So

0:22:18.960 --> 0:22:24.440
<v Speaker 1>is that in usd S or Benedict? But I did

0:22:24.520 --> 0:22:26.840
<v Speaker 1>want to say that, like I found it a little

0:22:26.840 --> 0:22:29.600
<v Speaker 1>bit interesting that like a trope that I hated movies

0:22:29.800 --> 0:22:32.879
<v Speaker 1>is that, like the person that she's seeing is like

0:22:32.880 --> 0:22:35.560
<v Speaker 1>a bad person. Like I've always hated that in movies

0:22:35.600 --> 0:22:37.920
<v Speaker 1>because it's just like they broke up with you originally

0:22:37.920 --> 0:22:39.439
<v Speaker 1>because you were a douche are like you know, like

0:22:39.480 --> 0:22:41.920
<v Speaker 1>I don't like the idea of like you can steal

0:22:41.960 --> 0:22:44.639
<v Speaker 1>someone away from their partner may be based on my

0:22:44.680 --> 0:22:48.880
<v Speaker 1>own insecurities of that happening one day, but like, um,

0:22:48.920 --> 0:22:50.720
<v Speaker 1>I was like kind of rooting for it to happen

0:22:50.720 --> 0:22:52.280
<v Speaker 1>because I was like, yo, you know this Terry Benedict

0:22:52.320 --> 0:22:54.080
<v Speaker 1>dude's kind of a douche. But oh sure, I mean

0:22:54.119 --> 0:22:56.680
<v Speaker 1>we don't like him as the audience of course, right,

0:22:56.840 --> 0:22:59.720
<v Speaker 1>but like the Terry Benic character being so flat out

0:22:59.800 --> 0:23:04.439
<v Speaker 1>like cartoon villainy mustache, twisty evil. I feel like the

0:23:04.480 --> 0:23:08.160
<v Speaker 1>reason that's done is because Danny is not a good guy.

0:23:08.400 --> 0:23:12.040
<v Speaker 1>And so you know exactly like you have to make

0:23:12.080 --> 0:23:15.520
<v Speaker 1>someone wearse and the rules of this cinematic universe is

0:23:15.680 --> 0:23:19.080
<v Speaker 1>girl has to be with someone so rofully, the one

0:23:19.160 --> 0:23:22.720
<v Speaker 1>that is more handsome and less bad like, and that's

0:23:22.800 --> 0:23:25.160
<v Speaker 1>just sort of what the rules of engagement are. There's

0:23:25.240 --> 0:23:27.600
<v Speaker 1>never there's never a moment in the movie where it's like, oh,

0:23:27.640 --> 0:23:31.320
<v Speaker 1>she's gonna she's gonna strike out, you know, yeah, and

0:23:31.359 --> 0:23:34.760
<v Speaker 1>then open up her own museum. But no, yeah, exactly.

0:23:34.800 --> 0:23:37.240
<v Speaker 1>So we find out at the end that Danny has

0:23:37.240 --> 0:23:40.280
<v Speaker 1>set it up so that she will have a choice,

0:23:40.440 --> 0:23:43.280
<v Speaker 1>but the choice is to pick between two men. So

0:23:43.359 --> 0:23:47.600
<v Speaker 1>it's either do you want this ex con criminal who

0:23:47.680 --> 0:23:50.480
<v Speaker 1>steals and lies about it or do you want this

0:23:50.560 --> 0:23:54.840
<v Speaker 1>capitalist who treats you poorly and doesn't want to kiss

0:23:54.880 --> 0:23:57.639
<v Speaker 1>you in public, which, like, what was that all about?

0:23:57.960 --> 0:24:00.399
<v Speaker 1>I don't I mean. Also, it's like maybe Terry thatgic

0:24:00.560 --> 0:24:04.720
<v Speaker 1>just like shy, maybe he does. Maybe maybe he doesn't

0:24:04.720 --> 0:24:08.360
<v Speaker 1>defense of about it? Now all people like PDA makes

0:24:08.359 --> 0:24:10.920
<v Speaker 1>some people uncomfortable. Who knows. Basically he is a bad

0:24:10.960 --> 0:24:12.880
<v Speaker 1>guy and it doesn't make any sense that she would

0:24:12.920 --> 0:24:15.680
<v Speaker 1>be with him. But yeah, So the movie sets it

0:24:15.760 --> 0:24:17.560
<v Speaker 1>up so that she has given a choice, but her

0:24:17.560 --> 0:24:20.600
<v Speaker 1>only two options are to be with one guy or

0:24:20.760 --> 0:24:23.520
<v Speaker 1>different guy. And that's that's the thing with so many movies.

0:24:23.560 --> 0:24:25.159
<v Speaker 1>They're like, oh, do you want to be with the

0:24:25.240 --> 0:24:27.760
<v Speaker 1>vampire or the wear wolf? Do you want to be

0:24:27.840 --> 0:24:30.240
<v Speaker 1>with the boy who bakes cakes or the boy who

0:24:30.280 --> 0:24:33.800
<v Speaker 1>calls you cat nip, I just see good choices here.

0:24:33.880 --> 0:24:36.639
<v Speaker 1>I I'm so stuck, guys. I'm truly you know, I

0:24:36.680 --> 0:24:39.600
<v Speaker 1>truly said Edgar, come onto this podcast with an open mind,

0:24:40.040 --> 0:24:42.440
<v Speaker 1>and I did, and all I'm hearing are good choices,

0:24:42.480 --> 0:24:45.720
<v Speaker 1>you know. Like I think about Juno in the very

0:24:45.840 --> 0:24:49.280
<v Speaker 1>very good movie Juno, where she had to pick between

0:24:49.400 --> 0:24:52.679
<v Speaker 1>a high school senior or married Jason Bateman, and like,

0:24:52.760 --> 0:24:56.479
<v Speaker 1>that's a good place for a pregnant underage girl. Good choice,

0:24:56.600 --> 0:25:03.119
<v Speaker 1>good choice icon Jason Bateman really ally to all. The

0:25:03.119 --> 0:25:06.600
<v Speaker 1>bottom line is that this movie, like so many movies,

0:25:06.920 --> 0:25:10.000
<v Speaker 1>if they have a female character, it's usually just one

0:25:10.040 --> 0:25:13.040
<v Speaker 1>of them in the movie treats them like they're a

0:25:13.080 --> 0:25:16.600
<v Speaker 1>prize to be one. To borrow a phrase from Aladdin,

0:25:16.680 --> 0:25:19.520
<v Speaker 1>where Jasmine says, I Am not a prize to be one,

0:25:19.600 --> 0:25:24.000
<v Speaker 1>but she sort of is, but is like so many movies.

0:25:24.080 --> 0:25:27.440
<v Speaker 1>But um, no time is spent developing her character. If

0:25:27.440 --> 0:25:30.640
<v Speaker 1>she is on screen, she's usually like seems mean and

0:25:30.720 --> 0:25:35.760
<v Speaker 1>yelly and like naggy. I wonder how much, like okay,

0:25:36.000 --> 0:25:39.080
<v Speaker 1>if we did screen time, how much Julie robertis on

0:25:39.160 --> 0:25:42.200
<v Speaker 1>screen versus how much time of this movie is used

0:25:42.359 --> 0:25:45.320
<v Speaker 1>with long shots of a large pack of men walking

0:25:45.359 --> 0:25:49.280
<v Speaker 1>down to hall ominously like it has to be three

0:25:49.320 --> 0:25:54.360
<v Speaker 1>times longer in walking down halls. This movie cut out

0:25:54.400 --> 0:25:56.920
<v Speaker 1>all the men walking down all the halls. Toymn is

0:25:57.000 --> 0:26:01.160
<v Speaker 1>long A short film, a short film best, But there's

0:26:01.200 --> 0:26:03.359
<v Speaker 1>just we've seen this peg and I was like, this

0:26:03.440 --> 0:26:06.960
<v Speaker 1>is this is scary. There might be more security camera

0:26:07.000 --> 0:26:11.639
<v Speaker 1>footage than Julia Roberts screen time. Honestly, yeah, absolutely, Like

0:26:11.680 --> 0:26:16.399
<v Speaker 1>they're caseyf like problematic. Cacyf like probably has more right,

0:26:16.480 --> 0:26:20.919
<v Speaker 1>right right. I just yeah, there, this movie didn't And

0:26:20.960 --> 0:26:23.480
<v Speaker 1>I still love a heist movie, and I hope that,

0:26:23.560 --> 0:26:25.879
<v Speaker 1>like I hope Oceans eight like knocks it out of

0:26:25.920 --> 0:26:27.439
<v Speaker 1>the park and it's a fun, highst movie that you

0:26:27.480 --> 0:26:32.200
<v Speaker 1>don't have to feel shitty watching because heist movies can

0:26:32.320 --> 0:26:35.280
<v Speaker 1>be so fun. But I mean, obviously with Ocean's eleven,

0:26:35.320 --> 0:26:40.080
<v Speaker 1>they're adapting it from an even more problematic version that's

0:26:40.200 --> 0:26:44.600
<v Speaker 1>has anyone seen that one from I've seen it once

0:26:44.640 --> 0:26:47.720
<v Speaker 1>a long time ago. I haven't seen it, so yeah,

0:26:47.760 --> 0:26:51.120
<v Speaker 1>but like so basically, yeah, we've got the all female

0:26:51.160 --> 0:26:54.840
<v Speaker 1>reboot coming out. Oceans eleven from two thousand one is

0:26:54.880 --> 0:26:59.120
<v Speaker 1>already a reboot, and it's like forty years later, but Mr.

0:26:59.200 --> 0:27:03.760
<v Speaker 1>Hollywood was like, let's make an Ocean's eleven reboot, but

0:27:03.920 --> 0:27:05.960
<v Speaker 1>we're still going to keep it all men. So it

0:27:06.000 --> 0:27:09.920
<v Speaker 1>took another almost twenty years later for them to be like, actually,

0:27:09.960 --> 0:27:13.640
<v Speaker 1>what if women this time? Yeah, Frank Sinatra plays Danny

0:27:13.640 --> 0:27:20.760
<v Speaker 1>Ocean otherwise known as Larry Jalie in the original version,

0:27:20.920 --> 0:27:24.160
<v Speaker 1>and I don't remember how much is changed from that

0:27:24.280 --> 0:27:26.680
<v Speaker 1>version to this. I'm assuming that some changes are made

0:27:26.680 --> 0:27:31.680
<v Speaker 1>and hopefully this movie, right they Yeah, And the first

0:27:31.680 --> 0:27:36.680
<v Speaker 1>time it's just was just Sammy Davis Jr. Yeah, it's

0:27:36.720 --> 0:27:40.360
<v Speaker 1>just so dumb because all like all eleven dudes, like

0:27:40.480 --> 0:27:44.160
<v Speaker 1>nine of them are so criminally underwritten that literally any

0:27:44.200 --> 0:27:47.560
<v Speaker 1>of them could be women because they're not even written

0:27:47.680 --> 0:27:50.720
<v Speaker 1>as like toxic male character. They're just written as like

0:27:51.080 --> 0:27:53.760
<v Speaker 1>nothing right there. It would be so easy to have

0:27:54.119 --> 0:27:56.120
<v Speaker 1>And I'm kind of surprised that by two thousand one

0:27:56.240 --> 0:27:59.560
<v Speaker 1>they weren't doing like a wink wink. Even this is

0:27:59.600 --> 0:28:01.520
<v Speaker 1>like set in the bar Sola, but like you can't

0:28:01.520 --> 0:28:06.600
<v Speaker 1>even tokenize the woman in this part of Like there

0:28:06.640 --> 0:28:09.040
<v Speaker 1>were so many opportunities where it was like, oh, this

0:28:09.080 --> 0:28:11.160
<v Speaker 1>would be if there were one woman on the team

0:28:11.280 --> 0:28:13.480
<v Speaker 1>where she would prove her competence and all the guys

0:28:13.520 --> 0:28:17.320
<v Speaker 1>would be like, WHOA love that scene and that well

0:28:17.359 --> 0:28:20.480
<v Speaker 1>that sort of happens in Ocean's twelve. I haven't I

0:28:20.520 --> 0:28:23.480
<v Speaker 1>didn't watch Ocean's thirteen, so I can't totally remember who

0:28:23.600 --> 0:28:28.280
<v Speaker 1>the extra person is. And yeah, so Tessa's character is

0:28:28.440 --> 0:28:32.520
<v Speaker 1>introduced as one of the twelve in the sequel. That

0:28:32.560 --> 0:28:34.879
<v Speaker 1>movie is I would say, even worse than this one,

0:28:34.920 --> 0:28:38.920
<v Speaker 1>because even I think that's two four see and that

0:28:39.280 --> 0:28:41.880
<v Speaker 1>to me, I would like to applaud Steven Soderbergh because

0:28:41.880 --> 0:28:44.040
<v Speaker 1>he said, you know what, just wait three years and

0:28:44.120 --> 0:28:46.520
<v Speaker 1>I get you guys frustration and you guys anger of

0:28:46.600 --> 0:28:50.080
<v Speaker 1>your lack of representation, but like progress does take time,

0:28:50.200 --> 0:28:53.000
<v Speaker 1>and to get Julia robertson there three years later, I mean,

0:28:53.280 --> 0:28:58.320
<v Speaker 1>that's pretty impresive, stunning turnaround. Well, there's even a couple

0:28:58.640 --> 0:29:02.440
<v Speaker 1>more female characters that one, because Catherine data Jones is introduced.

0:29:02.600 --> 0:29:07.640
<v Speaker 1>We meet someone's mom eventually, but so tests becomes one

0:29:07.680 --> 0:29:10.600
<v Speaker 1>of the twelve, one of the people pulling off the heist.

0:29:10.880 --> 0:29:13.560
<v Speaker 1>But her skill, the thing that she contributes to the heist,

0:29:13.880 --> 0:29:15.440
<v Speaker 1>like the only thing that she has to offer is

0:29:15.640 --> 0:29:19.800
<v Speaker 1>her physical resemblance to another woman. So it's not as

0:29:19.800 --> 0:29:22.200
<v Speaker 1>though she has like this great skill like, you know,

0:29:22.200 --> 0:29:25.760
<v Speaker 1>because everyone like don cheatles good at um like explosives.

0:29:25.800 --> 0:29:28.960
<v Speaker 1>There's a surveillance guy, there's Yen who does like all

0:29:29.000 --> 0:29:32.960
<v Speaker 1>the like fitting into tight spaces, which isn't that glamorous

0:29:32.960 --> 0:29:37.600
<v Speaker 1>of the job. True, it seems very claustrophobic. Um, but

0:29:37.680 --> 0:29:41.360
<v Speaker 1>they all have like a distinct specialty. Whereas yeah, TESSAs

0:29:41.440 --> 0:29:44.080
<v Speaker 1>just like, oh, you look like another woman, so you're

0:29:44.080 --> 0:29:45.720
<v Speaker 1>going to help us out, and also we're going to

0:29:45.840 --> 0:29:52.400
<v Speaker 1>make you seem pregnant time. And then the plot of

0:29:52.440 --> 0:29:55.840
<v Speaker 1>that movie is basically just one big dick measuring contest.

0:29:56.040 --> 0:29:58.920
<v Speaker 1>At least Ocean's eleven has the decency to not even

0:29:59.040 --> 0:30:03.560
<v Speaker 1>really mention whom in one time. There's it was interesting

0:30:03.600 --> 0:30:07.120
<v Speaker 1>watching um and I don't even know what this indicates

0:30:07.160 --> 0:30:09.400
<v Speaker 1>about the movie or at this point in time at all,

0:30:09.680 --> 0:30:12.760
<v Speaker 1>but you know, you keep seeing obviously these scenes with

0:30:12.880 --> 0:30:15.880
<v Speaker 1>like eleven guys talking to each other, and I was like, Oh,

0:30:15.920 --> 0:30:18.480
<v Speaker 1>they're gonna say something sucked up there. It's gonna be gross,

0:30:18.480 --> 0:30:21.080
<v Speaker 1>it's gonna be whatever. But they don't. They really just

0:30:21.160 --> 0:30:23.840
<v Speaker 1>talk about the heist. That's all they talk about. Women

0:30:23.920 --> 0:30:27.000
<v Speaker 1>don't come up in this movie really ever, which is

0:30:27.000 --> 0:30:29.960
<v Speaker 1>weird because it's the thrust and the reason they're doing

0:30:30.000 --> 0:30:34.120
<v Speaker 1>it is because George Clooney want him wife back. But

0:30:34.840 --> 0:30:38.800
<v Speaker 1>the dialogue of the movie largely like, you never know

0:30:39.040 --> 0:30:42.400
<v Speaker 1>women existed. That's because we don't. And I don't know

0:30:42.400 --> 0:30:43.920
<v Speaker 1>if you guys have ever hung up with ten or

0:30:43.960 --> 0:30:47.880
<v Speaker 1>eleven men, but it's something I do every other day.

0:30:48.840 --> 0:30:51.560
<v Speaker 1>We don't talk about women in those times. We usually

0:30:51.600 --> 0:30:56.240
<v Speaker 1>are talking about heist. You know, different casinos that we

0:30:56.280 --> 0:31:01.080
<v Speaker 1>want to hit. Any group of ten and see ten

0:31:01.200 --> 0:31:04.000
<v Speaker 1>or eleven men together, they're probably planning a heist or

0:31:04.120 --> 0:31:07.240
<v Speaker 1>hoping that a woman who looks like another woman comes by, right,

0:31:07.320 --> 0:31:10.080
<v Speaker 1>just just to help out the team, you know Julia

0:31:10.400 --> 0:31:15.840
<v Speaker 1>Real Guys Galt and Oceans Well in Oceans eleven. Whenever

0:31:15.920 --> 0:31:19.480
<v Speaker 1>they are talking about a woman, that's usually Brad Pitt

0:31:19.520 --> 0:31:22.520
<v Speaker 1>confronting George Clooney basically being like, you're not doing this

0:31:22.600 --> 0:31:25.000
<v Speaker 1>for tests, are you were? You're just doing this because

0:31:25.000 --> 0:31:28.960
<v Speaker 1>you're also a capitalist and you want a bunch of money, right, Basically,

0:31:29.160 --> 0:31:33.280
<v Speaker 1>like Brad Pitt sees her as a complication, like she's

0:31:33.480 --> 0:31:36.280
<v Speaker 1>poised as this thing that's potentially going to funk up

0:31:36.280 --> 0:31:39.920
<v Speaker 1>their plans. And I do agree that one should not

0:31:40.360 --> 0:31:45.200
<v Speaker 1>steal from casinos for the purpose of tricking. Julia Roberts

0:31:46.240 --> 0:31:50.280
<v Speaker 1>pits point there, but I think there it's like an

0:31:50.320 --> 0:31:54.600
<v Speaker 1>interesting like that's made another way that the test character

0:31:54.680 --> 0:31:57.480
<v Speaker 1>is like used by the movie and then never developed.

0:31:57.720 --> 0:32:00.960
<v Speaker 1>Because it's fine for characters to have specific reasons to

0:32:01.040 --> 0:32:03.040
<v Speaker 1>be in the movie, pure you also have to write it,

0:32:03.080 --> 0:32:07.280
<v Speaker 1>and they forgot they slipped. But the fact that, like

0:32:07.680 --> 0:32:12.000
<v Speaker 1>George Clooney, displaying emotion or attachment to anyone is viewed

0:32:12.000 --> 0:32:16.640
<v Speaker 1>as this massive liability for the for the group. Another

0:32:16.720 --> 0:32:20.040
<v Speaker 1>thing I wanted to say in regards to Tests is

0:32:20.080 --> 0:32:23.920
<v Speaker 1>that at the end, whenever she makes her choice, the

0:32:24.040 --> 0:32:26.800
<v Speaker 1>very important choice that the movie presents her with where

0:32:26.840 --> 0:32:30.400
<v Speaker 1>she only has two options to pick one man or

0:32:30.480 --> 0:32:33.640
<v Speaker 1>a different man and not Oh, maybe I should leave

0:32:33.720 --> 0:32:37.800
<v Speaker 1>these men all together and move to somewhere else and

0:32:38.520 --> 0:32:41.480
<v Speaker 1>pursue Maybe I'll go and date someone who doesn't have

0:32:41.480 --> 0:32:45.800
<v Speaker 1>a silly last name, or maybe I'm going to go

0:32:45.880 --> 0:32:50.239
<v Speaker 1>back to school and study art history and open up

0:32:50.280 --> 0:32:53.480
<v Speaker 1>my own museum. Anyway, basically, what's going to happen to

0:32:53.520 --> 0:32:58.160
<v Speaker 1>the economy in seven years. She's basically made to look

0:32:58.440 --> 0:33:02.120
<v Speaker 1>stupid at the end, where whenever she is like, oh

0:33:02.160 --> 0:33:04.400
<v Speaker 1>my god, I didn't know what you were doing, Danny,

0:33:04.480 --> 0:33:06.719
<v Speaker 1>and he was like, well I did, so it's fine.

0:33:07.400 --> 0:33:12.120
<v Speaker 1>So the whole movie she's who are my wife? Again?

0:33:12.640 --> 0:33:16.560
<v Speaker 1>When she's on screen, she's like yelling and seems really mean,

0:33:17.200 --> 0:33:20.959
<v Speaker 1>and then she makes her choice to go back with Danny,

0:33:21.120 --> 0:33:23.800
<v Speaker 1>and then she's like, oh, wow, what a stupid mistake

0:33:23.880 --> 0:33:26.760
<v Speaker 1>I made dating Terry Benedict. I should have been with

0:33:26.800 --> 0:33:31.400
<v Speaker 1>you all along, Danny. And it's just very frustrating her characters.

0:33:31.560 --> 0:33:34.240
<v Speaker 1>I wants to talk about their first their first conversation

0:33:34.400 --> 0:33:39.000
<v Speaker 1>together Danny and Tess, because he is looking for her.

0:33:39.640 --> 0:33:42.440
<v Speaker 1>She does not want to see him and expresses that

0:33:42.480 --> 0:33:46.200
<v Speaker 1>several times in the conversation. This is like another where

0:33:46.240 --> 0:33:48.800
<v Speaker 1>there's like a bunch of rom com tropes inside of

0:33:48.840 --> 0:33:51.960
<v Speaker 1>this highst movie where the guy shows up, he is

0:33:52.000 --> 0:33:55.200
<v Speaker 1>not welcome. That is stated. She says, don't sit down,

0:33:55.400 --> 0:33:57.840
<v Speaker 1>go away, Like there there's a bunch of different indicators

0:33:57.880 --> 0:34:00.880
<v Speaker 1>that she doesn't because Terry fucking Addict is on the

0:34:00.920 --> 0:34:05.440
<v Speaker 1>way a god among men is blazing down the hall,

0:34:06.000 --> 0:34:07.680
<v Speaker 1>you know, but like she she doesn't want him to

0:34:07.680 --> 0:34:10.759
<v Speaker 1>be there, and him staying there is like, oh what

0:34:10.840 --> 0:34:14.680
<v Speaker 1>a you? You little devil? You like it's not made

0:34:14.719 --> 0:34:19.239
<v Speaker 1>to seem inappropriate. It's just like George Clooney cluning the

0:34:19.280 --> 0:34:22.520
<v Speaker 1>fuck out and it's like, no, but she actually wants

0:34:22.560 --> 0:34:25.880
<v Speaker 1>him to stay, which is like implying that subtext and

0:34:25.960 --> 0:34:29.120
<v Speaker 1>an underwritten female character happens all the time, and it's

0:34:29.160 --> 0:34:32.520
<v Speaker 1>like super damaging and bad for sure. Get out of

0:34:32.520 --> 0:34:36.120
<v Speaker 1>their clue, get out. I just wish that Clune with

0:34:36.440 --> 0:34:39.319
<v Speaker 1>like two do one match dot Com is around. He's

0:34:39.360 --> 0:34:43.120
<v Speaker 1>George Clooney. You can't but listen, okay, you can't. You

0:34:43.160 --> 0:34:47.600
<v Speaker 1>can't gather up your boys for just some match dot

0:34:47.600 --> 0:34:50.480
<v Speaker 1>Com like person. You know what I'm saying, Like it's

0:34:50.520 --> 0:34:53.280
<v Speaker 1>got to be somebody special. I'm just saying he should steal,

0:34:53.480 --> 0:34:58.120
<v Speaker 1>absolutely steal from Terry Benedict. But like, but also, I

0:34:58.200 --> 0:35:01.279
<v Speaker 1>have an interior life. If and have your match dot

0:35:01.280 --> 0:35:05.440
<v Speaker 1>Com profile, and that's a separate thing. Don't involve your

0:35:05.520 --> 0:35:08.719
<v Speaker 1>don't don't mix work and and play. Have you ever

0:35:09.320 --> 0:35:13.120
<v Speaker 1>had unrequited love before? No, I'm I've only been loved

0:35:13.160 --> 0:35:15.560
<v Speaker 1>by who I want all the time my whole life.

0:35:15.960 --> 0:35:19.880
<v Speaker 1>I've only had unrequited love in my life. And I

0:35:19.920 --> 0:35:21.879
<v Speaker 1>can tell you that there are so many things I've

0:35:21.920 --> 0:35:24.919
<v Speaker 1>done that have never resulted in the woman. And uh,

0:35:25.160 --> 0:35:30.879
<v Speaker 1>to see this workout was you know, very very continued

0:35:31.040 --> 0:35:34.440
<v Speaker 1>in't like not good behavior. No, I didn't say that.

0:35:34.920 --> 0:35:37.000
<v Speaker 1>I didn't say that. I didn't say that. I wanted

0:35:37.040 --> 0:35:38.759
<v Speaker 1>to be very clear that I'm not telling young men

0:35:38.800 --> 0:35:41.440
<v Speaker 1>out there to do anything. Actually, I'm telling most young

0:35:41.440 --> 0:35:48.560
<v Speaker 1>men out there don't do anything. Please. Still, bad things

0:35:48.600 --> 0:35:52.600
<v Speaker 1>happen when you do things. But I want to be like,

0:35:53.000 --> 0:35:55.239
<v Speaker 1>it feels good to see a man win for once,

0:35:55.360 --> 0:35:58.520
<v Speaker 1>you know what I mean, like an even better see

0:35:58.600 --> 0:36:02.520
<v Speaker 1>eleven men win Jesus. I mean I had to contain

0:36:02.560 --> 0:36:07.520
<v Speaker 1>myself while watching this. Yeah, I mean there's a reason,

0:36:10.520 --> 0:36:14.280
<v Speaker 1>I know, what look groundbreaking cinema to watch a group

0:36:14.320 --> 0:36:17.360
<v Speaker 1>of men win. I mean, there's a reason I like

0:36:17.480 --> 0:36:22.560
<v Speaker 1>this movie and I still like this movie. Um yeah,

0:36:22.600 --> 0:36:25.560
<v Speaker 1>I mean I was entertained while I was rewatching it. Yeah,

0:36:25.640 --> 0:36:28.319
<v Speaker 1>I don't know. It's just the fact that he does

0:36:28.400 --> 0:36:32.480
<v Speaker 1>this whole thing to basically prove his masculinity over another man.

0:36:32.640 --> 0:36:35.120
<v Speaker 1>He's like, I have to like make sure that my

0:36:35.280 --> 0:36:38.200
<v Speaker 1>ex wife, who doesn't love me anymore because she filed

0:36:38.239 --> 0:36:41.200
<v Speaker 1>for divorce, I have to prove to her that I'm

0:36:41.239 --> 0:36:44.759
<v Speaker 1>more of a man than this new man that she

0:36:44.880 --> 0:36:48.960
<v Speaker 1>has chosen for whatever reason, and I'm better than him. So,

0:36:49.520 --> 0:36:52.560
<v Speaker 1>I mean, just so much of his behavior is like

0:36:52.680 --> 0:36:55.560
<v Speaker 1>not like that when when someone slips her a phone

0:36:56.040 --> 0:36:59.239
<v Speaker 1>terrifying behavior and then called and like and and then

0:36:59.280 --> 0:37:02.280
<v Speaker 1>the fact that it one of his big romantic gesture

0:37:02.360 --> 0:37:06.239
<v Speaker 1>moments is like, I've been secretly taping your new boyfriend,

0:37:06.440 --> 0:37:08.920
<v Speaker 1>Terry Benedict. Like, if you apply this to rettal life,

0:37:08.960 --> 0:37:11.280
<v Speaker 1>you're like, holy sh it. This is if your ex

0:37:11.640 --> 0:37:14.120
<v Speaker 1>comes out of the woodwork to be like, actually, your

0:37:14.160 --> 0:37:16.320
<v Speaker 1>new boyfriend is not a good guy. I know because

0:37:16.360 --> 0:37:19.799
<v Speaker 1>I've been secretly surveilling him for weeks. And well, then

0:37:19.840 --> 0:37:22.960
<v Speaker 1>I would ask you, Jamie and Caitlin, what would you

0:37:23.000 --> 0:37:25.640
<v Speaker 1>propose us to do? Would what would you propose? What

0:37:25.680 --> 0:37:29.040
<v Speaker 1>would you say that he Danny Ocean should approach Tess

0:37:29.040 --> 0:37:32.319
<v Speaker 1>and say, hey, look, I've done really bad things in

0:37:32.360 --> 0:37:35.080
<v Speaker 1>the past. I've been a jerk, I've manipulated you, I

0:37:35.160 --> 0:37:37.920
<v Speaker 1>lied to you, and I'm sorry I'm not expecting anything

0:37:37.920 --> 0:37:40.440
<v Speaker 1>in return for this apology. I'm just saying that, is

0:37:40.480 --> 0:37:43.680
<v Speaker 1>that what you're proposing he should do, right, That sounds silly,

0:37:44.239 --> 0:37:47.239
<v Speaker 1>That sounds dumb, because I mean, that sounds like a

0:37:47.320 --> 0:37:50.200
<v Speaker 1>lot of work. And if she says, if she is

0:37:50.239 --> 0:37:53.239
<v Speaker 1>open to the idea of maybe rekindling a thing like

0:37:53.280 --> 0:37:55.400
<v Speaker 1>a romance, there probably doesn't need to be a huge

0:37:55.760 --> 0:37:58.520
<v Speaker 1>grand gesture. Maybe he just needs to pay attention to

0:37:58.560 --> 0:38:01.799
<v Speaker 1>her and cater to her emotional needs. Well, I counter that,

0:38:01.840 --> 0:38:04.399
<v Speaker 1>Caitlin by saying, every piece of media I've seen since

0:38:04.440 --> 0:38:07.840
<v Speaker 1>I was born tells me otherwise. Then you're right. You

0:38:07.880 --> 0:38:09.920
<v Speaker 1>should do what media tells you to do, because it's

0:38:09.920 --> 0:38:13.719
<v Speaker 1>always right there, I don't, I mean. And then part

0:38:13.719 --> 0:38:15.319
<v Speaker 1>of the reason she didn't want to be with him

0:38:15.400 --> 0:38:20.200
<v Speaker 1>is because he went to jail for like stealing, stealing,

0:38:20.200 --> 0:38:23.560
<v Speaker 1>and thenlined her right, and then he wins her back

0:38:23.600 --> 0:38:27.799
<v Speaker 1>by once again stealing, un lying to her, and then

0:38:27.840 --> 0:38:31.279
<v Speaker 1>it's like, but this time nothing, It's exactly. The only

0:38:31.320 --> 0:38:35.239
<v Speaker 1>difference is he does not get fully caught, like he

0:38:35.360 --> 0:38:37.960
<v Speaker 1>pulls it off. That the only difference. But we all

0:38:38.000 --> 0:38:40.479
<v Speaker 1>know that things are only bad when you get caught

0:38:40.520 --> 0:38:44.800
<v Speaker 1>and you get. Well, that is true there, but the

0:38:44.800 --> 0:38:47.880
<v Speaker 1>the lesson there of like no women want you to

0:38:48.000 --> 0:38:50.560
<v Speaker 1>keep doing exactly what you were doing, but just be

0:38:50.680 --> 0:38:54.600
<v Speaker 1>the best at doing it. And it's like the terrible

0:38:54.760 --> 0:38:57.480
<v Speaker 1>behavior that caused her to you know, he went to

0:38:57.520 --> 0:38:59.799
<v Speaker 1>jail and then I don't know if they broke up

0:39:00.000 --> 0:39:01.880
<v Speaker 1>forfore he went to jail, or if they broke up

0:39:01.920 --> 0:39:03.719
<v Speaker 1>because he went to jail. I don't know if that's

0:39:03.719 --> 0:39:07.600
<v Speaker 1>explicitly stated. He says that he received the divorce papers

0:39:07.640 --> 0:39:10.880
<v Speaker 1>the last day he was inside, so they were technically

0:39:10.880 --> 0:39:13.360
<v Speaker 1>married for a for the most of the time he

0:39:13.360 --> 0:39:14.719
<v Speaker 1>was in jail, which I think we're led to believe

0:39:14.800 --> 0:39:16.719
<v Speaker 1>is a few years, right, And it sounds like she

0:39:16.800 --> 0:39:21.160
<v Speaker 1>wasn't like visiting him, right, but like just setting that

0:39:21.239 --> 0:39:23.960
<v Speaker 1>precedent of like do the exact same thing, but as

0:39:23.960 --> 0:39:26.960
<v Speaker 1>long as you get away with it, she'll love you.

0:39:27.080 --> 0:39:32.120
<v Speaker 1>Like it's Yeah, it's a dangerous message to send it rules. Yes,

0:39:32.239 --> 0:39:35.359
<v Speaker 1>I'm in love with Criminals. Does anyone have any other

0:39:35.400 --> 0:39:39.080
<v Speaker 1>final thoughts about the movie? Uh, it's weird. There's there's

0:39:39.600 --> 0:39:44.720
<v Speaker 1>really just test to talk about. Uh, this movie largely

0:39:44.760 --> 0:39:48.239
<v Speaker 1>ignores women and a way that's so blatant. I find

0:39:48.280 --> 0:39:52.319
<v Speaker 1>it almost adorable where it's like we've got eleven men

0:39:52.400 --> 0:39:55.920
<v Speaker 1>in every scene and women don't exist. Like it's just

0:39:56.120 --> 0:40:00.000
<v Speaker 1>very very haisty, hive mind. I think this movie could

0:40:00.000 --> 0:40:03.560
<v Speaker 1>have done with more hacking sequences. I would have loved

0:40:03.600 --> 0:40:07.520
<v Speaker 1>to see more hallway walks. I would have loved to

0:40:07.520 --> 0:40:11.879
<v Speaker 1>see more emotional repression. And I think Alfred Molina would

0:40:11.880 --> 0:40:14.960
<v Speaker 1>have been a great Terry Benedict. Oh, sure, see. I

0:40:15.080 --> 0:40:17.839
<v Speaker 1>think there should have been more Danny Ocean standing in

0:40:17.880 --> 0:40:21.120
<v Speaker 1>front of Trump Plaza. I thought they also should have,

0:40:22.440 --> 0:40:26.000
<v Speaker 1>you know, between like Casey Affleck and then like Matt

0:40:26.080 --> 0:40:28.359
<v Speaker 1>Damon saying tone deaf stuff all the time. I think

0:40:28.400 --> 0:40:32.160
<v Speaker 1>they really could have gotten more problematic men in there. Yeah. Yeah.

0:40:32.160 --> 0:40:34.600
<v Speaker 1>And the fact that we get shout out to Trump,

0:40:35.360 --> 0:40:39.719
<v Speaker 1>very pro casino, pro gambling movie. I loved that we

0:40:39.719 --> 0:40:43.040
<v Speaker 1>were seeing women's legs but never their faces or hear

0:40:43.080 --> 0:40:45.319
<v Speaker 1>their voices and not know if it was attached to

0:40:45.400 --> 0:40:52.399
<v Speaker 1>a body at all. Just the mystique, the feminine mystique. Really,

0:40:52.440 --> 0:40:55.400
<v Speaker 1>I think it's fair to assume, and I'll say it,

0:40:55.760 --> 0:41:01.640
<v Speaker 1>Oceans eleven a feminist text, definitely hundred sent. One other

0:41:01.640 --> 0:41:04.960
<v Speaker 1>thing I wanted to say, just in regards to Steven Soderberg,

0:41:05.040 --> 0:41:07.200
<v Speaker 1>I do think it's interesting that he goes on to

0:41:07.920 --> 0:41:11.879
<v Speaker 1>direct movies that are far more progressive and far more

0:41:12.160 --> 0:41:16.520
<v Speaker 1>sex positive. He directed Magic Mike. Oh yeah, so it's

0:41:16.560 --> 0:41:20.040
<v Speaker 1>Girlfriend Experience and the Yeah yeah. So It's like, it's

0:41:20.120 --> 0:41:24.239
<v Speaker 1>interesting and encouraging to see that the same director who

0:41:24.280 --> 0:41:29.799
<v Speaker 1>could direct this competent but ignoring basically everything kind of

0:41:29.880 --> 0:41:33.640
<v Speaker 1>movie can go on to make better, more conscious and

0:41:33.719 --> 0:41:36.280
<v Speaker 1>just like generally those two I like those two movies

0:41:36.320 --> 0:41:40.000
<v Speaker 1>way better in general. Um so, uh so that's good.

0:41:40.120 --> 0:41:43.200
<v Speaker 1>Is Steven Soarderburg Sex Criminal are winged? Not that I

0:41:43.200 --> 0:41:45.560
<v Speaker 1>have heard, But it's also hard to keep track of

0:41:45.560 --> 0:41:48.719
<v Speaker 1>them all because there are so many. One last thing

0:41:48.760 --> 0:41:51.480
<v Speaker 1>that I wanted to say, this is very important is

0:41:51.560 --> 0:41:54.560
<v Speaker 1>that inside of the briefcase that ends up in the

0:41:54.640 --> 0:41:59.400
<v Speaker 1>vault in the movie Oceans eleven inside is basically four

0:42:00.000 --> 0:42:03.960
<v Speaker 1>mean Heart of the Oceans from Titanic. They're like little

0:42:04.080 --> 0:42:08.480
<v Speaker 1>green jewels. And also Danny's last name is Ocean, so

0:42:08.600 --> 0:42:12.319
<v Speaker 1>his heart could technically be called of the Heart of

0:42:12.400 --> 0:42:16.880
<v Speaker 1>the Ocean. I don't know. This movie just completely swooned.

0:42:17.320 --> 0:42:22.480
<v Speaker 1>It's so confusing to me, um, does it pass the

0:42:22.480 --> 0:42:27.080
<v Speaker 1>Bechtel tests? Not even close? But okay. So I wanted

0:42:27.120 --> 0:42:29.680
<v Speaker 1>to call back to that conversation that Brad Pitt is

0:42:29.680 --> 0:42:32.960
<v Speaker 1>having with that character Charmaine, because the closest thing this

0:42:33.000 --> 0:42:36.480
<v Speaker 1>movie has two women interacting with each other is Rusty

0:42:36.640 --> 0:42:39.319
<v Speaker 1>saying to Charmaine, say hi to your mom for me.

0:42:39.800 --> 0:42:43.920
<v Speaker 1>So he's encouraging her to talk to another woman. But

0:42:44.120 --> 0:42:47.160
<v Speaker 1>she responds and says, tell her yourself. She'll be on

0:42:47.200 --> 0:42:49.400
<v Speaker 1>stage in five minutes. So she's like, I don't want

0:42:49.440 --> 0:42:52.200
<v Speaker 1>to talk to another woman. That can't happen in this movie.

0:42:52.880 --> 0:42:57.200
<v Speaker 1>You talk to her. I want to see that movie, Like,

0:42:57.440 --> 0:42:59.560
<v Speaker 1>that's the movie that is more interesting than the one

0:42:59.600 --> 0:43:03.520
<v Speaker 1>I'm wanting. All right, let's write the movie based on

0:43:03.640 --> 0:43:07.680
<v Speaker 1>our nipple scale, based on its portrayal of women zero

0:43:07.719 --> 0:43:13.360
<v Speaker 1>to five nipples. I mean, gosh, it's confused, zero nipples.

0:43:13.400 --> 0:43:18.240
<v Speaker 1>Like the one woman who has any significant screen time,

0:43:18.400 --> 0:43:22.200
<v Speaker 1>which is still hardly any, and who has any sort

0:43:22.239 --> 0:43:25.520
<v Speaker 1>of bearing on the story is basically just a plot device,

0:43:25.920 --> 0:43:30.439
<v Speaker 1>a prize to be one. She's given no character development. Yeah,

0:43:30.440 --> 0:43:34.799
<v Speaker 1>She's really just there to serve as motivation for one

0:43:34.840 --> 0:43:38.560
<v Speaker 1>of the male characters. And to make him seem more

0:43:38.600 --> 0:43:43.520
<v Speaker 1>complex and more sympathetic. So yeah, I have to give

0:43:43.560 --> 0:43:46.800
<v Speaker 1>it a zero NIP rating. Even though I do enjoy

0:43:46.880 --> 0:43:50.440
<v Speaker 1>this movie, I almost want to say, like not applicable

0:43:50.680 --> 0:43:54.360
<v Speaker 1>because women are just not in this movie or mentioned

0:43:54.360 --> 0:43:56.759
<v Speaker 1>in this movie, which I don't think we've ever had

0:43:56.760 --> 0:43:59.319
<v Speaker 1>a movie quite like this, where usually if we give

0:43:59.360 --> 0:44:02.960
<v Speaker 1>something zero poles, it's like it treats women terribly. This

0:44:03.000 --> 0:44:07.680
<v Speaker 1>movie doesn't treat women like anything. They don't exist in

0:44:07.719 --> 0:44:11.600
<v Speaker 1>this world. For Julia Roberts, who is you know, a

0:44:11.719 --> 0:44:16.399
<v Speaker 1>prop I would give this movie five nibbles because I

0:44:16.400 --> 0:44:18.880
<v Speaker 1>think that a woman could watch this movie and if

0:44:18.880 --> 0:44:20.480
<v Speaker 1>there's a woman out there who's just like, you know,

0:44:20.880 --> 0:44:23.319
<v Speaker 1>I'm in this relationship with this person that I'm not

0:44:23.360 --> 0:44:25.879
<v Speaker 1>sure I like, or I had this career that I'm

0:44:25.920 --> 0:44:27.640
<v Speaker 1>stuck in, that they can know there's a man out

0:44:27.640 --> 0:44:30.520
<v Speaker 1>there who's been purposefully keeping her in the dark and

0:44:30.600 --> 0:44:32.480
<v Speaker 1>you know, manipulating her and stuff like that, but with

0:44:32.520 --> 0:44:34.600
<v Speaker 1>good intention, and that it's all going to work out

0:44:34.600 --> 0:44:37.400
<v Speaker 1>in the end. We're all looking for art. Terry Benedict.

0:44:37.640 --> 0:44:40.880
<v Speaker 1>I mean, I'm looking for mind, Terry Benedict, and I

0:44:40.920 --> 0:44:44.040
<v Speaker 1>hope that he's listening right now. Well, I'll do you

0:44:44.080 --> 0:44:46.040
<v Speaker 1>one better and hope that you get a Danny Ocean.

0:44:46.760 --> 0:44:50.080
<v Speaker 1>I don't want to Danny Ocean if you've been listening.

0:44:50.120 --> 0:44:56.640
<v Speaker 1>But it's not about what. I'm an art gallery, I'm

0:44:56.680 --> 0:45:01.000
<v Speaker 1>an art curator, I'm an art I'm in Please marry me.

0:45:04.080 --> 0:45:07.919
<v Speaker 1>Uh well, Edgar, thank you so much for being here.

0:45:08.000 --> 0:45:09.960
<v Speaker 1>It was my pleasure. Where can we Where can we

0:45:10.000 --> 0:45:12.520
<v Speaker 1>find you? On the web? You can find me on

0:45:12.560 --> 0:45:15.920
<v Speaker 1>Instagram at awful gram, on Twitter at Edgar Mope. Was

0:45:15.960 --> 0:45:18.680
<v Speaker 1>here on the Culture Kings podcast on how self works

0:45:18.680 --> 0:45:21.239
<v Speaker 1>and I got this project coming out soon call sad

0:45:21.280 --> 0:45:25.000
<v Speaker 1>Boy Edgar. Make sure to check that out and you

0:45:25.040 --> 0:45:27.600
<v Speaker 1>can follow us on social media at Bacto Cast. You

0:45:27.640 --> 0:45:30.200
<v Speaker 1>can rate and review us on iTunes. You can go

0:45:30.239 --> 0:45:32.919
<v Speaker 1>to our website where you can buy our merch and

0:45:32.960 --> 0:45:38.719
<v Speaker 1>also sign up for our Matreon and check out Oceans

0:45:38.760 --> 0:45:42.160
<v Speaker 1>eight if you want we didn't really talk about. If

0:45:42.200 --> 0:45:45.440
<v Speaker 1>you want more more well, speaking of our matren, if

0:45:45.440 --> 0:45:49.239
<v Speaker 1>you want more of a take on female reboots and

0:45:49.280 --> 0:45:52.439
<v Speaker 1>whether or not they are useful at all, check out

0:45:52.520 --> 0:45:56.160
<v Speaker 1>our Ghostbusters episode. The two thousand and sixteen all female

0:45:56.200 --> 0:46:00.000
<v Speaker 1>reboot episode of that only on our Matreon for more

0:46:00.040 --> 0:46:04.080
<v Speaker 1>discussion on the all female reboot concept we get into

0:46:04.120 --> 0:46:06.359
<v Speaker 1>it and otherwise. Jamie, I just want you to know

0:46:06.400 --> 0:46:08.880
<v Speaker 1>that I would never steal a hundred and sixty million

0:46:08.920 --> 0:46:11.440
<v Speaker 1>dollars from you. Thank you so much. I aspired to

0:46:11.480 --> 0:46:17.759
<v Speaker 1>be your Tarry Bennett. I will betray you, all right.

0:46:17.760 --> 0:46:18.480
<v Speaker 1>Thanks for listening.