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Speaker 1: Okay, hey man, using my face, it don't matter if

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Speaker 1: you will by an inch MD want women, I don't

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Speaker 1: have friends?

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Speaker 2: Okay, family, broom, broom, and welcome to Fast Friends, presented

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Speaker 2: by the NBA. That's game. The Boys are back with

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Speaker 2: our off season podcast series of Watching Them, breaking down

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Speaker 2: every film from the Fast and Furious franchise. We've got

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Speaker 2: our first official spin off today, twenty nineteen's Hobbs and Seaw,

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Speaker 2: the ninth flick from the f F series. I'm j. E. Skeets,

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Speaker 2: along with our Furious expert Trey Kirby. Hell, hey you,

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Speaker 2: and of course our super producer, a true mechanic of

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Speaker 2: sound gd Hello. There he is here we are. If

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Speaker 2: you are a true Fast Friend of Fast Friends and

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Speaker 2: you're enjoy this very weird podcast series, take a second,

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Speaker 2: leave us a five star rating and review on Apple Podcasts,

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Speaker 2: and or subscribe to No Dunks on YouTube. In regards

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Speaker 2: to feedback, keep it coming, tweet at us at No Dunk's, Inc.

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Speaker 2: Or you can email in any of your FF questions

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Speaker 2: to No Dunks at the Athletic dot com. Just put

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Speaker 2: Fast Friends in the subject header. And speaking of feedback,

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Speaker 2: we had a great tweet not too long ago from

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Speaker 2: at Crisp HNL, who shared with us a fast and

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Speaker 2: furious board game that he saw at Target. We're showing

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Speaker 2: it to everyone here on YouTube the high Hi. He'st okay,

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Speaker 2: let's see the back or a little detailed shot. Yes,

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Speaker 2: he says Crisp does HNL. No, Dunk's got to break

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Speaker 2: down this game at some point hashtag Faceless truck Drivers.

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Speaker 2: So yeah, what do you think?

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Speaker 3: It's amazing? We gotta do this on a happy hour

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Speaker 3: or something. Yeah, get together, play a little fast and

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Speaker 3: furious board game. Just looking at that, I can't help

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Speaker 3: wondering does it come with carpoons? Because oh, you would

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Speaker 3: need to launch something from a car towards the semi

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Speaker 3: at the Faceless Truckers.

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Speaker 2: Gotta find out what's in the box. This is incredible.

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Speaker 4: I thought those were carpoons.

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Speaker 2: Yeah, yeah, maybe, okay, yeah, yeah it could be. Who knows.

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Speaker 2: We gotta play this game. So we've got this one,

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Speaker 2: Hobbs and Shaw. Then we have one more movie left

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Speaker 2: in the franchise. But I think we got to come back,

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Speaker 2: like you said, TK, and do a special podcast where

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Speaker 2: we just all get together and play this game and

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Speaker 2: record it and see what happens. Maybe it's a happy hour,

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Speaker 2: maybe it's its own podcast. We'll find out, Thank you

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Speaker 2: so much. Yeah it does, it does. You're right. Okay,

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Speaker 2: So the movie today, Fast and Furious presents Hobbs and

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Speaker 2: Shaw and obviously just goes by Hobbs and Shaw American

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Speaker 2: buddy cop film Let's switch it up here. This was

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Speaker 2: released in the summer of nineteen so not that long ago,

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Speaker 2: but two hundred million box office didn't hit that billion

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Speaker 2: marks seven hundred and sixty million worldwide. I mean, okay,

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Speaker 2: that's okay. It's not bad, but not that billion. That

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Speaker 2: little run we've been on in this series. The skinny

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Speaker 2: of this movie, low man Luke Hobbs and outcast deckerd

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Speaker 2: Shaw form an unlikely alliance when a cyber genetically enhanced

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Speaker 2: villain threatens the future of humanity. This one stars Duane Johnson,

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Speaker 2: The Rock, Jason Statham, Idris Elba, Vanessa Kirby. No relation

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Speaker 2: to Trey Kirby at least we don't think so, though.

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Speaker 2: Family is everything. Maybe we'll find out, you guys are related.

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Speaker 2: Cliff Curtis Helenire in his back. This one directed by

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Speaker 2: David Leach. No relation to Will Leach, maybe there is,

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Speaker 2: we don't know. It's all about family. So we always

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Speaker 2: asked this with Trey, and it's blown me away. With

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Speaker 2: all of these TK you basically have remembered, you know,

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Speaker 2: where you were in the world, what theater you watch

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Speaker 2: these movies at for the first time, who you were with,

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Speaker 2: usually have like photo documentation, So this only happen a

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Speaker 2: couple of years ago. I'm guessing you remember the first

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Speaker 2: time you saw Hobbs and Shaw break it down for us.

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Speaker 3: I do remember the first time I saw it, not

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Speaker 3: at a theater, it was just on TV summer of

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Speaker 3: two k nineteen. At that time, I had a three

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Speaker 3: year old and an almost five year old, so wasn't

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Speaker 3: going to see a lot of movies also fun, being

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Speaker 3: completely honest, a stressful summer summer of twenty nineteen. So

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Speaker 3: I remember, you know, turning on HBO and seeing that

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Speaker 3: Hobbs and Shaw was available, and like, I haven't seen

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Speaker 3: this one yet, instantly turned it on. So yeah, my

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Speaker 3: first experience this was a home view for me, which

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Speaker 3: kind of felt perfect. I mean, it probably would have

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Speaker 3: been fun to see in the theater, but this to

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Speaker 3: me feels like a quintessential nineteen nineties cable movie that

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Speaker 3: you could turn on two thirds of the way through

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Speaker 3: and be like, I am watching me an action movie

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Speaker 3: right now. That's what happened for me the first time

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Speaker 3: I saw it, and that has stuck with me since.

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Speaker 2: Oh my god, I couldn't agree more with that statement,

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Speaker 2: because this, to me, I'm spoiling it a little bit,

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Speaker 2: is just the most average, like thriller, buddy cop, action movie,

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Speaker 2: whatever you want to call it, movie going. It's just

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Speaker 2: it's good. It's definitely not great, it's not the worst.

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Speaker 2: It's like right in the middle. For me JD. It's like, fine,

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Speaker 2: we'll see it whether or not that makes for a

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Speaker 2: fun podcast. But what do you think?

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Speaker 4: Well, I feel like we've watched eight in a row

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Speaker 4: right up until this point. This was the ninth Fast

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Speaker 4: and Furious movie we watched, and honestly, I think I

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Speaker 4: have Stockholm syndrome because I was tricked into thinking that

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Speaker 4: the previous eight movies were good, and then this one

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Speaker 4: comes along. It's like you're at a twenty hour kid

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Speaker 4: rock concert and it's just kid rock the whole time,

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Speaker 4: and you start off and you're like, this is awful.

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Speaker 4: This is just Oh god, please, enough is enough. But

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Speaker 4: then by the hour nineteen, you're just like, okay, I

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Speaker 4: guess bamba to bamba. Dang, it's fine, okay, you know what,

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Speaker 4: I might as well get into it. And then he

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Speaker 4: leaves the stage and David Bowie or somebody comes on,

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Speaker 4: you know, it's like, oh, yeah, this is what it's

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Speaker 4: supposed to be. Like, this is the I love this movie.

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Speaker 4: I thought it was great. God, I loved it really so.

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Speaker 4: I loved it only.

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Speaker 2: Because we were watching a movie that didn't start.

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Speaker 4: But maybe maybe, I mean, the fact that Vin Diesel

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Speaker 4: wasn't in it was probably the best thing about it

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Speaker 4: for me. And I mean I was just like, this

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Speaker 4: is such a palate cleanser. It's such a breath of

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Speaker 4: fresh air. It's just like I felt like I was

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Speaker 4: cheating on my boyfriend a little bit with this exciting

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Speaker 4: new guy who's awesome.

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Speaker 2: I just wasn't all that exciting.

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Speaker 4: It was this.

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Speaker 2: It turns out your new boyfriend is cheesy as hell.

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Speaker 4: Yeah, oh hello, you just watched eight Fast and Furious movie.

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Speaker 2: I had higher hopes for this movie. I'll say it

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Speaker 2: right now. I thought it was gonna be better, and

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Speaker 2: I left my I left this one going. Really, this

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Speaker 2: was lame. There's some funny parts, some funny cameos or

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Speaker 2: new characters, and their chemistry is still fine. But oh

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Speaker 2: my god, the story in this one. Thank God for Elba.

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Speaker 2: He's great. Yeah, he's basically a transformer. I mean, that's

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Speaker 2: what he turns into all the time with him and

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Speaker 2: his bike. But oh okay, so okay, we're gonna disagree

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Speaker 2: on this one. JD loves it well, Trey, I mean,

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Speaker 2: how do you feel? Are you somewhere in between Trey

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Speaker 2: and I with your your reaction to this flick?

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Speaker 3: Yeah, I would say, just like our beards, I'm in

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Speaker 3: between you and JD right in between there. For me,

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Speaker 3: I do like the big change I think JD is

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Speaker 3: that your new boyfriend has a better sense of humor

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Speaker 3: than your boyfriend.

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Speaker 2: And that's me.

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Speaker 3: He's funny and he's not super serious all the times

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Speaker 3: with Vin Diesel being gone, that guy is the most

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Speaker 3: self serious about this. He thinks he's making a Shakespearean drama.

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Speaker 3: Every single time A Fast and Furious comes out. This

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Speaker 3: is the rock and Jason Statham saying we're gonna make

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Speaker 3: a funny action movie. We're gonna, you know, remake literally

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Speaker 3: like an eighties buddy cop movie for the twenty twenty

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Speaker 3: sort of era, and that, to me, that wins me over.

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Speaker 3: You know, throwback movies like that that aren't trying too hard.

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Speaker 3: I'm totally fine with it. But I also do love

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Speaker 3: it when Vin is convinced that he's saving the world. Yeah,

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Speaker 3: making fis actually yeah, yeah, they work both for me.

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Speaker 3: But I mean, if you're getting if Vin's self seriousness

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Speaker 3: has been wearing on you, then this is definitely a

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Speaker 3: palate cleanser.

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Speaker 2: And that's the thing I like.

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Speaker 3: About it is that this is not trying as hard

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Speaker 3: as Vin Diesel does every single time he's on the screen,

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Speaker 3: and I think it works. Just the chemistry between Jason

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Speaker 3: Statham and The Rock is incredible, and they have so

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Speaker 3: many scenes where they're trying to play off the contrasts

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Speaker 3: of them and how similar they actually are.

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Speaker 2: All this kind of stuff. It works for me. Okay, well,

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Speaker 2: let's get into the movie sort of scene by scene

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Speaker 2: here as we do. We start in London Hattie Shaw

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Speaker 2: and her team of six agents. They attempt to retrieve

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Speaker 2: a programmable supervirus dubbed Snowflake from techno terrorist organization called

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Speaker 2: on I believe it is. I don't know if that's

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Speaker 2: an acronym. Is that like is it like E dot

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Speaker 2: T dot, E dot oh dot and is it stand

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Speaker 2: for something? I don't know. We're calling it eton here

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Speaker 2: on this podcast. Brixton Lower I believe his last name,

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Speaker 2: this is Elba, an operative with cybernetic implants that allows

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Speaker 2: him to perform superhuman feats. He arrives on the scene

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Speaker 2: here kills all the agents except for Hattie, who's who escapes,

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Speaker 2: and she also injects the only dose of Snowflake into

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Speaker 2: herself boom right there into her palm before escaping. Brixton

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Speaker 2: frames then for killing her team and stealing Snowflake, forcing

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Speaker 2: her to go on the run. So JD right into

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Speaker 2: this movie, we've got two new characters. Obviously the new

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Speaker 2: villain of this one in andrews elba as as Brixton,

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Speaker 2: and a new a new family member, but Shaw's family.

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Speaker 2: It's going to turn out to be what you knew

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Speaker 2: right away. Yeah, yeah, I mean, of course, I know

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Speaker 2: the reveal comes a little bit later in the movie,

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Speaker 2: but it's obviously uh in relation to two deckerd Anna one.

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Speaker 2: But what do you think of the start of this one.

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Speaker 4: I mean I going in. I didn't realize that Andres

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Speaker 4: Alba was in it. I love Idris, I like, so

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Speaker 4: that was a shock. Didn't realize that Vanessa Kirby was

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Speaker 4: in it. I love her. I was just like, what

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Speaker 4: is she? She was in one of the mission impossible movies?

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Speaker 4: And what else was.

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Speaker 2: She's in the Crown?

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Speaker 4: Oh yeah, yeah, of course she's awesome. Who she plays?

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Speaker 4: Princess Anne? Right in the Crown? But Margaret Margaret Market sorry?

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Speaker 4: Uh and uh so I was like pleasantly surprised right away,

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Speaker 4: like oh, like there's a first of many like uh surprises.

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Speaker 4: Oh that guy's in it, Oh she's in it. Blah

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Speaker 4: blah blah. I thought the action was great. I love

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Speaker 4: the Terminator Darth Vader character. I love Adrise Elba showing up.

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Speaker 4: Who are you? I'm the bad guy? He literally says.

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Speaker 2: It's good, I'm the guy. That was funny. Who the

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Speaker 2: hell are you bad guy? Yes, yeah, it's great.

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Speaker 4: It's just awesome. I'm like, oh, thank thank god, I'm

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Speaker 4: in the hands of a master here and it's it's

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Speaker 4: just awesome. And uh, I love the autonomous motorcycle and

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Speaker 4: uh and right away we were were thrust into a

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Speaker 4: new level of the Fast and Furious universe, where now

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Speaker 4: we have super villains, we have people who legit have superpowers,

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Speaker 4: explainable superpowers, and he's a threat and he's he's funny.

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Speaker 4: And I thought Rachel was gonna have an orgasm when

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Speaker 4: when Induis shows up, because it was just this is

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Speaker 4: just soft porn for her. She already laddered up for

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Speaker 4: this movie, like she was like, there's no way I'm

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Speaker 4: missing this one, Hobbs and show I'm in and then

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Speaker 4: it just shows up and it's oh my god. But yeah,

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Speaker 4: I was, uh I again, maybe again. It's it's that

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Speaker 4: I've been watching kid Rock for twenty hours. But I

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Speaker 4: was just so happy to be in this new realm Okay, great, Okay.

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Speaker 2: I did think this is a cool opening sequence. And

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Speaker 2: Elbow's arrival is awesome. Yeah, and learning him he's connected

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Speaker 2: with his bike and all of this stuff, and and

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Speaker 2: Vanessa got a little battle here, not VanNess, so we

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Speaker 2: should call her what's her name?

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Speaker 4: Hattie had?

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Speaker 2: Yeah, Yeah, I was a little I will say I

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Speaker 2: was confused a bit with the whole viral sample dispensed

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Speaker 2: At first, I was like, what happened there. But you know,

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Speaker 2: I guess she punched it into her hand, right, like,

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Speaker 2: put her hand over that little thing. Boom and up

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Speaker 2: it went and shot into her. So she's got it.

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Speaker 2: Inner Trey, Wait, what'd you think of the start of.

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Speaker 3: This awesome introduction to Idris Elba's character. Shout out to

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Speaker 3: you skeets for knowing his last name. I did never

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Speaker 3: know that they mentioned that, or I thought it was

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Speaker 3: just in one last name.

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Speaker 2: Yeah, yeah, true, yeah.

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Speaker 3: But anyways, the guy's got amazing tech. Like you're saying, JD.

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Speaker 3: He's basically attached to his motorcycle. It can change into

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Speaker 3: a whole bunch of things. He stops bullets with his

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Speaker 3: hand for the first time.

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Speaker 2: Here. Very cool.

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Speaker 3: Uh, And it's just like, like you're saying, JD, this

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Speaker 3: is our first real super villain in the Fast franchise,

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Speaker 3: because I don't know he's he's part cyborg?

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Speaker 2: I guess, I mean, is he?

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Speaker 3: They kind of compare him to the Terminator obviously, he

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Speaker 3: gets compared to Superman later. This is another leveling up

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Speaker 3: in the villain stratosphere, and it's kind of interesting, I think,

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Speaker 3: compared to Cipher in the last movie, who was also

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Speaker 3: you know, kind of a tech based villain, but at

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Speaker 3: a far remove from everything that's actually happened on with

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Speaker 3: regards to the action. As we see in this very

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Speaker 3: first scene, we're gonna have a lot of Brixton throwing

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Speaker 3: down with people and using his technology and cybernetic enhancements

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Speaker 3: to try and pull off all of these various moves.

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Speaker 3: And you're like wondering, is it possible to even kill

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Speaker 3: this guy if he's already been killed once again now

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Speaker 3: a human robot man. I don't know, but it's a

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Speaker 3: great intro to him, and I think it's hilarious the

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Speaker 3: bad guy line and how this scene ends. He says,

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Speaker 3: Who's gonna stop me? And then a quick cut to

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Speaker 3: both Hobbs and Shaw.

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Speaker 2: We get that a lot in this movie.

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Speaker 3: The cliffhanger question answered with the cut scene right there.

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Speaker 2: Yeah, And the cut scene is like sort of along

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Speaker 2: with the credits coming in here, it's this split screen

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Speaker 2: JD of Hobbs and Shaw, the Rock and Jason Stathum

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Speaker 2: getting ready for a day. Get it. You know, how

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Speaker 2: they get up in the morning and what they do

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Speaker 2: and what they eat and how they go to work

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Speaker 2: and stuff like, and their work is like basically taking down,

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Speaker 2: you know, bad guys, and it's just this split screen

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Speaker 2: thing that then sort of goes to each guy, you know,

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Speaker 2: laying the smacketh down, as the Rock would say, one

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Speaker 2: guy in a tattoo parlor, the other guy, I guess

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Speaker 2: just in a club somewhere, and we get the awesome

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Speaker 2: champagne bottle shot to the throat. But that was wicked, Okay,

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Speaker 2: I will say that. Yeah, did you like how David

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Speaker 2: Leach went about this the director with the split screen

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Speaker 2: that we start this sort of movie with in seeing

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Speaker 2: these two guys that we know.

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Speaker 4: I loved it. I mean, if you're coming in never

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Speaker 4: seeing these two characters before, it's the perfect introduction to

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Speaker 4: both of them. They're polar opposites. They're on opposite sides

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Speaker 4: of the Atlantic and a content, and they have a

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Speaker 4: continent and a motion between them. The color tone is

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Speaker 4: blue and cool for Shah and you know, red orange

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Speaker 4: hot for the Rock, and then they switched that color

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Speaker 4: palette right when we go into champagne mode for shot

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Speaker 4: and then the tattoo it's actually a karaoke bar, I think,

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Speaker 4: with the tattoo parlor in the back right, yeah, spot yeah,

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Speaker 4: uh and then you know, intercutting back and forth with

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Speaker 4: the cat. They're they're totally different, but they're exactly the same,

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Speaker 4: you know, like, and it's just, uh, it just goes

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Speaker 4: to their chemistry later on in the film, if you've

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Speaker 4: never seen them again before.

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Speaker 2: Yeah, I loved it.

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Speaker 4: I love the uh. I love the line after he

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Speaker 4: he hits him with the champagne bottle to the throat

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Speaker 4: and he's like, oh, I thought that would have broke,

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Speaker 4: drops the champagne bottle and it breaks, and it's you

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Speaker 4: can see it coming. But I just thought the timing

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Speaker 4: was great, and uh, I loved it. I loved the

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Speaker 4: rock flirting with the tattoo artists, you know, and it's

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Speaker 4: just it just sets the tone beautifully for for the

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Speaker 4: for the the comedy part of the movie, right, Like,

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Speaker 4: it started out pretty pretty serious ish with with the

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Speaker 4: heist and the virus, and then we get to see

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Speaker 4: our two leads who are just killing it in there

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Speaker 4: in their own little world's there.

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Speaker 2: It's great, Yeah, these guys. Then Hobbes and Shaw, they're

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Speaker 2: both informed of this missing virus and they're reluctantly recruited

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Speaker 2: to work together to track it down. So we get

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Speaker 2: Ryan Reynolds. I didn't know he was in this movie either.

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Speaker 2: As Locke. He's sort of like, uh, I don't know

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Speaker 2: what what relation is he to the to the Rock.

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Speaker 2: I mean he's he's a CIA guy, so he's just

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Speaker 2: sort of a co worker basically, or is he?

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Speaker 4: I thought he was the same rank and roll of

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Speaker 4: the guy who shows up at the soccer game in

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Speaker 4: the previous movie where there's this mission and we have

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Speaker 4: to and we have to do it. They just they

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Speaker 4: have history together. Yeah you know, yeah, it's great.

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Speaker 2: Yeah, he keeps does he keep calling him Becky?

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Speaker 4: Yeah, he says he comes in he says, Luke, Rebecca

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Speaker 4: has whatever.

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Speaker 2: And yeah, okay, very straight. So yeah, I didn't know

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Speaker 2: he was in this He's there. And then on the

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Speaker 2: other side of the ocean, like JD said, we have

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Speaker 2: Rob Delaney. Yeah, as as the uh the counterpart to

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Speaker 2: to what Ryan Loonolds is block is that character trying

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Speaker 2: to get shot and recruiting him. So yeah, we have

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Speaker 2: a scene where the Rock is with his daughter, who,

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Speaker 2: by the way, they completely changed, like this is fresh

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Speaker 2: Prince of bel Air, this is the new viv here,

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Speaker 2: this is a new Rock daughter. Nor was like did

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Speaker 2: she regress in age. She looks like younger, younger. Then

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Speaker 2: the last time we saw the other girl playing Rocks Dootterer,

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Speaker 2: I sort of agree with that. So we get that

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Speaker 2: with lock pretty funny scene. And then Shaw goes to

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Speaker 2: prison and is talking to what's her name, Magdalen's mom,

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Speaker 2: who is Helen Muran, who seems to be loving prison.

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Speaker 2: By the way, Uh, it's so simple. Yeah, it's like

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Speaker 2: she's in retirement, she said, So that's what going on,

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Speaker 2: That's what goes on. And then and that's where we

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Speaker 2: also learned that Shaw does have a sister named Hattie.

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Speaker 2: But Trey, you were, I guess your reaction to Reynolds

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Speaker 2: and Delaney as the sort of like right hand man's

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Speaker 2: at least setting up this whole thing. I love it.

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Speaker 2: I love when they you know.

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Speaker 3: I guess a role for this character would be the

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Speaker 3: plot exposer, not any different than mister Nobody in the

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Speaker 3: last couple of movies too, where like something's going down,

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Speaker 3: then some official person shows up and tells you exactly

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Speaker 3: what's going down, and then what is going to need

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Speaker 3: to be done for the rest of this movie to

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Speaker 3: get going?

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Speaker 2: And I think it's pretty funny.

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Speaker 3: Once Ryan Reynolds and Delaney finally get on the on

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Speaker 3: the phone together and they're.

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Speaker 2: Like, didn't they just do a job together? Yeah? They did.

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Speaker 2: We saw that. Didn't they just throw each other out

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Speaker 2: of a building? Yeah? That happened too.

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Speaker 3: And then we get a few nice breadcrumbs here where

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Speaker 3: they say it's the fate of.

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Speaker 2: The world here, surely they can get.

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Speaker 3: Along that line, That exact line pays off later hilarious

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Speaker 3: to me. Then very quickly we finally get Hobbs and

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Speaker 3: Shaw in the same room together. They're mimicking each other's

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Speaker 3: words to each other. They each think the other one

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Speaker 3: is an asshole. But it led me to a what

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Speaker 3: you got questioned, because I think it's Shaw that says

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Speaker 3: Shaw that says to Hobbes some bitch in your parlance,

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Speaker 3: and then Hobbs responds to Shaw or as you would.

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Speaker 2: Say, a wanker, what you got some bitch or wanker

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Speaker 2: in regards what's the question? Like the worst insult? Yeah,

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Speaker 2: I guess so wanker? Oh yeah, yeah, I mean I've

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Speaker 2: never even heard anyone except the Rock say some bitch

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Speaker 2: and never been called it, never said it to anybody.

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Speaker 4: It's only him it's such an old timey, redneck thing

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Speaker 4: to say, and it seems almost add a character for it. Yeah,

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Speaker 4: for Hobbs, necessarily the Rock, but yeah, I'm total wanker.

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Speaker 2: Yeah too.

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Speaker 3: I mean, well, it's not been a lot in this one,

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Speaker 3: though Hobbs does. He says some bitch a time, and

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Speaker 3: I can't deny it. After we recorded the Fast eight podcast,

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Speaker 3: I've been saying tea and crumpets eaten criminals, some bitch,

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Speaker 3: just like literally, any time that the kids are far away.

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Speaker 2: I don't want them going into school.

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Speaker 3: And calling their classmates tea and crumpet eating criminal sum bitches.

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Speaker 3: But it's such a It's like every time he says it.

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Speaker 3: Every time The Rock says some bitch, it stops you

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Speaker 3: because it feels like he's stopping to say it to me.

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Speaker 2: Yeah, very and it has to be wanker though, because

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Speaker 2: longtime fans of the show, and I'm talking about going

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Speaker 2: back to the Basketball Jones days, we'll remember we had

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Speaker 2: a segment called Wanker of the Week, that's right, and

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Speaker 2: we were told we had to change that. I guess

402
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Speaker 2: when we came to.

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Speaker 4: To NBA TV. Yeah, yeah, they drew the line at wanker.

404
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Speaker 4: We should have called it some minches.

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Speaker 2: Some miss Saturday. Okay, So yeah, JD, I guess before

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Speaker 2: we move on, the two of them in the room

407
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Speaker 2: for the first time, training these barbs back and forth,

408
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Speaker 2: threatening each other, basically saying to these poor other guys

409
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Speaker 2: that just work at this building, I don't need the

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Speaker 2: other one. They're only gonna hold me back. YadA, YadA YadA.

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Speaker 2: You were loving every minute of this, as was Rachel.

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Speaker 4: I guess, yeah, and uh, what I loved most about

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Speaker 4: that scene was the reaction the guys in the room

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Speaker 4: with them or in the next room, going yeah, how's

415
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Speaker 4: this gonna work? Like, and they're just they're sort of

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Speaker 4: like the audience or there's sort of their reaction was

417
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Speaker 4: sort of legit, like that this is this is over

418
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Speaker 4: the top and borderline, you know, dangerous? What do we

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Speaker 4: do here?

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Speaker 5: Like?

421
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Speaker 4: Is are they for real? Kind of thing? And uh,

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Speaker 4: and so I enjoyed the cutaways to them for sure.

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Speaker 2: So after this brief meeting at the CIA Black site here,

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Speaker 2: Deckard goes to Hattie's apartment for information. He's smart about

425
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Speaker 2: it because she had placed a little grenade at the door,

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Speaker 2: a little trip wire, so he sort of gets around that,

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Speaker 2: but he gets attacked by Eton operatives. Hobbes meanwhile, he manages,

428
00:23:25,280 --> 00:23:29,880
Speaker 2: he manages to fine Hattie and then after a scuffle

429
00:23:29,960 --> 00:23:32,600
Speaker 2: between the two of them, does bring her in to

430
00:23:32,760 --> 00:23:38,840
Speaker 2: the CIA office and that's when Deckard arrives and informs Hobbes, hey,

431
00:23:38,840 --> 00:23:43,840
Speaker 2: that's my sister. So two scenes here, I think that

432
00:23:44,000 --> 00:23:46,600
Speaker 2: the more I guess, well, both are entertaining. You know,

433
00:23:46,640 --> 00:23:50,960
Speaker 2: there's fights, but the Hobbes versus Hattie throwdown Trey had

434
00:23:50,960 --> 00:23:54,119
Speaker 2: some pretty pretty wild moves from Hattie here, going for

435
00:23:54,200 --> 00:23:57,240
Speaker 2: some submission moves, but the Rocks sort of holding back.

436
00:23:57,320 --> 00:24:00,840
Speaker 2: I guess is what even she says, like why are

437
00:24:00,880 --> 00:24:03,760
Speaker 2: you doing this? But yeah, what do you think?

438
00:24:04,160 --> 00:24:04,480
Speaker 4: Well?

439
00:24:04,560 --> 00:24:08,560
Speaker 3: My main takeaway from seeing these two scenes juxtapost together

440
00:24:08,600 --> 00:24:12,199
Speaker 3: is that the Shaws are just incredible at fighting. I

441
00:24:12,240 --> 00:24:15,959
Speaker 3: think Deckerd at some point is using a safe he found,

442
00:24:16,200 --> 00:24:18,680
Speaker 3: maybe in her apartment or something like that, every time

443
00:24:18,720 --> 00:24:21,639
Speaker 3: he hits one of the henchmen and makes a big noise.

444
00:24:21,800 --> 00:24:25,280
Speaker 3: I love that, especially after seeing him fighting with a

445
00:24:25,400 --> 00:24:28,840
Speaker 3: champagne bottle earlier. It's like, let's find crazier and crazier

446
00:24:28,880 --> 00:24:30,440
Speaker 3: things to put into his hands and see how he

447
00:24:30,480 --> 00:24:32,240
Speaker 3: can fight. But then you also kind of get that

448
00:24:32,320 --> 00:24:35,600
Speaker 3: playing off what Hattie is doing when she's fighting against

449
00:24:35,640 --> 00:24:37,920
Speaker 3: Hobbs because she's got a helmet. That's how their entire

450
00:24:37,960 --> 00:24:40,840
Speaker 3: fight starts. You're like, oh, they really are family. And

451
00:24:40,880 --> 00:24:44,919
Speaker 3: then yeah, I love that scene when Hobbs finally gets

452
00:24:45,320 --> 00:24:48,040
Speaker 3: Hattie to I guess it's a CIA Black site. That's

453
00:24:48,080 --> 00:24:51,760
Speaker 3: a question unanswered for me, Like Hobbs is now DSS again.

454
00:24:51,920 --> 00:24:55,080
Speaker 2: Well, yeah, I don't know what happened there.

455
00:24:55,080 --> 00:24:57,040
Speaker 3: He was like, I don't I got I got to

456
00:24:57,040 --> 00:24:59,800
Speaker 3: spend a week with my family. They switched out my daughter,

457
00:24:59,840 --> 00:25:01,359
Speaker 3: so now I'm going back to work.

458
00:25:01,480 --> 00:25:04,800
Speaker 2: Just that you know what? He basically did a Darryl Moury. Yeah, yes,

459
00:25:05,119 --> 00:25:06,719
Speaker 2: what he did when Dryl Boy's with the Rock, he's

460
00:25:06,720 --> 00:25:08,639
Speaker 2: how you know, I'm done. I gotta spend time with

461
00:25:08,680 --> 00:25:10,520
Speaker 2: my family. And then like a week later he's got

462
00:25:10,520 --> 00:25:13,080
Speaker 2: another job. That's that's Hobbs. Hobbes is Daryl Moury in this.

463
00:25:13,359 --> 00:25:15,840
Speaker 4: Yeah, old man, this is supposed to take place two

464
00:25:15,880 --> 00:25:16,400
Speaker 4: years later.

465
00:25:16,440 --> 00:25:18,879
Speaker 2: I think, Yeah, okay, so he took so he had

466
00:25:18,960 --> 00:25:21,760
Speaker 2: enough time, was what you're saying. Yeah, he's like my

467
00:25:21,840 --> 00:25:24,600
Speaker 2: daughter is somehow getting younger, I.

468
00:25:24,840 --> 00:25:25,879
Speaker 4: Might as well go back to her.

469
00:25:26,000 --> 00:25:27,480
Speaker 2: Yeah, I want to go back to her. Yeah.

470
00:25:27,520 --> 00:25:32,399
Speaker 3: Nonetheless as as a DSS operative again, I love it

471
00:25:32,440 --> 00:25:35,240
Speaker 3: when he has Hattie back in the headquarters and they're

472
00:25:35,320 --> 00:25:37,440
Speaker 3: kind of going back and forth, and it's very much

473
00:25:37,480 --> 00:25:41,320
Speaker 3: the same relationship between Hobbes and this Shaw as well,

474
00:25:41,680 --> 00:25:44,560
Speaker 3: the part where he's explaining to the garden, all right,

475
00:25:44,640 --> 00:25:47,760
Speaker 3: I'm gonna leave if she tries anything, shoot her in

476
00:25:47,760 --> 00:25:51,280
Speaker 3: the face, and she's like, you can't do that, Yes

477
00:25:51,320 --> 00:25:54,439
Speaker 3: I can. I'm telling you to shoot her in the face.

478
00:25:55,000 --> 00:25:57,600
Speaker 3: I want you to shoot her two times right in

479
00:25:57,600 --> 00:26:00,679
Speaker 3: that face. I think maybe my favorite line in the

480
00:26:00,680 --> 00:26:03,280
Speaker 3: whole movie. That party is great and then you know,

481
00:26:03,440 --> 00:26:05,840
Speaker 3: check outs Hey Wire from there, because not too long

482
00:26:05,880 --> 00:26:07,119
Speaker 3: after Brixton shows up.

483
00:26:07,200 --> 00:26:10,280
Speaker 2: Yeah, that's right, the office is attacked. Man, All these

484
00:26:10,320 --> 00:26:15,720
Speaker 2: places our team, our heroes go to is so easily attacked. Yeah,

485
00:26:15,840 --> 00:26:21,639
Speaker 2: wherever they are, mister nobody's here, Cia, wherever the villain

486
00:26:21,680 --> 00:26:24,840
Speaker 2: can always get to it pretty damn simply because yeah,

487
00:26:24,880 --> 00:26:28,720
Speaker 2: Brixton shows up and he's take. He takes Hattie and

488
00:26:28,920 --> 00:26:33,080
Speaker 2: we get deckerd recognizing Brixton as an old colleague turned

489
00:26:33,280 --> 00:26:38,919
Speaker 2: enemy he had previously shot and supposedly killed JD. And uh,

490
00:26:39,200 --> 00:26:41,879
Speaker 2: this is a wild like action scene here because we

491
00:26:41,960 --> 00:26:46,000
Speaker 2: get the we get we get them pursuing her, Brixton

492
00:26:46,040 --> 00:26:48,639
Speaker 2: takes her, but then we get them pursuing her, and

493
00:26:48,680 --> 00:26:51,720
Speaker 2: we get the running down the skyscraper scene.

494
00:26:52,560 --> 00:26:53,920
Speaker 4: Which I did not like at all.

495
00:26:53,960 --> 00:26:57,280
Speaker 2: I thought that was really rough looking at times. But okay,

496
00:26:58,240 --> 00:27:01,280
Speaker 2: what did you think. What's your defense?

497
00:27:02,200 --> 00:27:04,640
Speaker 4: I have no I have no defense other than it

498
00:27:04,720 --> 00:27:07,760
Speaker 4: was a it was a way to get the rock

499
00:27:07,840 --> 00:27:13,600
Speaker 4: to free fall on to onto Brixton, right, like onto

500
00:27:13,640 --> 00:27:18,959
Speaker 4: those guys. Otherwise, them running down a vertical building is

501
00:27:19,000 --> 00:27:21,960
Speaker 4: just stupid, Like it's the most inefficient way to repel

502
00:27:22,600 --> 00:27:28,119
Speaker 4: down something. And as far as I know, Brixton is

503
00:27:28,160 --> 00:27:31,920
Speaker 4: the only one with enhancements, right, his two buddies are

504
00:27:32,040 --> 00:27:33,400
Speaker 4: just regular guys.

505
00:27:33,400 --> 00:27:36,760
Speaker 3: So yeah, I think I just think they I think

506
00:27:36,800 --> 00:27:39,000
Speaker 3: they have bad packages, you know, like I don't. I

507
00:27:39,000 --> 00:27:41,240
Speaker 3: think they're using like an old mac they need to,

508
00:27:41,720 --> 00:27:43,840
Speaker 3: because later on during the fight, he says, this is

509
00:27:43,840 --> 00:27:45,280
Speaker 3: where you earn your upgrades.

510
00:27:45,640 --> 00:27:47,960
Speaker 4: Okay, yeah, you're maybe they just have.

511
00:27:48,760 --> 00:27:51,479
Speaker 3: The base model technology and the inside of their bodies.

512
00:27:52,520 --> 00:27:55,720
Speaker 4: Yeah, but that this is but this. This is another example,

513
00:27:55,760 --> 00:28:01,600
Speaker 4: and it's hilariously uh not plausible, but I didn't care

514
00:28:01,640 --> 00:28:05,159
Speaker 4: at this point. But the two approaches, the two different

515
00:28:05,200 --> 00:28:08,560
Speaker 4: approaches where Hobbs he just basically jumps off the building

516
00:28:08,920 --> 00:28:10,720
Speaker 4: right and minding me and the other guys, I fat,

517
00:28:10,720 --> 00:28:13,440
Speaker 4: oh boy, here we go. Right. But then but then

518
00:28:13,440 --> 00:28:15,040
Speaker 4: Shaw's just like, you know what, I'm just gonna take

519
00:28:15,080 --> 00:28:17,520
Speaker 4: this elevator that just happens to be here whenever that

520
00:28:18,920 --> 00:28:19,920
Speaker 4: outside of the.

521
00:28:19,800 --> 00:28:24,920
Speaker 2: Building, well maybe the elevators, yeah, or for washing.

522
00:28:24,840 --> 00:28:31,960
Speaker 4: Windows windows, but you know, it was dumb, but but

523
00:28:32,040 --> 00:28:33,280
Speaker 4: I loved it. I loved it.

524
00:28:33,520 --> 00:28:38,480
Speaker 3: Okay, Well they pursue, I love that the elevator is bulletproof,

525
00:28:38,680 --> 00:28:42,640
Speaker 3: but it is not face proof, like some shots get

526
00:28:42,680 --> 00:28:45,640
Speaker 3: tossed off at it just reflect completely off.

527
00:28:45,480 --> 00:28:46,000
Speaker 2: The side of it.

528
00:28:46,080 --> 00:28:49,280
Speaker 3: But when Hobbs swings over with the guy and smashes

529
00:28:49,320 --> 00:28:52,280
Speaker 3: his face right into uh, right into the side of it.

530
00:28:53,840 --> 00:28:57,040
Speaker 4: Yeah, there's there's a lot of a lot of physics

531
00:28:57,080 --> 00:29:01,640
Speaker 4: where uh, you know, whenever it's convenience, there's physics, and

532
00:29:01,680 --> 00:29:05,000
Speaker 4: when it's inconvenient, there's no physics, or there's no there's

533
00:29:05,040 --> 00:29:08,440
Speaker 4: no like reality, like going back a bit like in

534
00:29:08,480 --> 00:29:12,479
Speaker 4: the prison scene where uh, you know, Shaw and his

535
00:29:12,520 --> 00:29:14,320
Speaker 4: mom are talking on the phone, but when she first

536
00:29:14,320 --> 00:29:17,960
Speaker 4: comes in, Shaw was like, hey, is that really necessary?

537
00:29:18,000 --> 00:29:20,760
Speaker 4: She's all chained up, but she's talking not on the

538
00:29:20,800 --> 00:29:23,240
Speaker 4: phone but to the guard on the other side of

539
00:29:23,240 --> 00:29:26,040
Speaker 4: the glass, right, and then it's like, okay, I guess

540
00:29:26,080 --> 00:29:28,040
Speaker 4: we'll talk now, and now they're on the thing. But

541
00:29:29,400 --> 00:29:32,840
Speaker 4: it's and then when when Hattie is kicking the shit

542
00:29:32,880 --> 00:29:35,040
Speaker 4: out of the guy that the rock told to shoot

543
00:29:35,040 --> 00:29:37,200
Speaker 4: in the face, he doesn't hear any of it. But

544
00:29:37,240 --> 00:29:39,560
Speaker 4: he's just on the other side of the glass. But

545
00:29:39,720 --> 00:29:43,400
Speaker 4: that glass is completely sound proof, even when people are

546
00:29:43,480 --> 00:29:46,200
Speaker 4: being smashed into it and chairs are being smashed into it,

547
00:29:46,280 --> 00:29:47,080
Speaker 4: and he doesn't.

548
00:29:46,880 --> 00:29:47,600
Speaker 2: Hear it at all.

549
00:29:47,800 --> 00:29:52,520
Speaker 4: So it's just this movie is definitely guilty of just whatever.

550
00:29:53,360 --> 00:29:55,400
Speaker 4: No one. No one cares, and I didn't care, but

551
00:29:56,720 --> 00:29:59,280
Speaker 4: Jackson definitely pointed out the prison things like hey, how

552
00:29:59,360 --> 00:30:03,280
Speaker 4: was he talking to the prison guard when when they're

553
00:30:03,320 --> 00:30:05,360
Speaker 4: not on the phone. I'm like, well, that's that's a

554
00:30:05,400 --> 00:30:05,920
Speaker 4: good point.

555
00:30:05,960 --> 00:30:08,160
Speaker 2: It's a good point. I mean, this goes for the

556
00:30:08,160 --> 00:30:11,160
Speaker 2: whole series, especially when they're in cars. It's like, I've

557
00:30:11,160 --> 00:30:13,600
Speaker 2: never known when they have like pieces in their ear

558
00:30:13,840 --> 00:30:16,800
Speaker 2: or like walkie talkies, like sometimes you see them like

559
00:30:16,800 --> 00:30:17,960
Speaker 2: don't get me wrong, but like a lot of the

560
00:30:18,000 --> 00:30:19,640
Speaker 2: time like they I think it happens in this one.

561
00:30:19,640 --> 00:30:21,880
Speaker 2: At some point Hobbs and Charge is talking to each

562
00:30:21,880 --> 00:30:25,680
Speaker 2: other in separate vehicles, and it's like, I guess they're

563
00:30:25,680 --> 00:30:32,440
Speaker 2: linked up, but I don't know. They pursue and then

564
00:30:32,520 --> 00:30:34,560
Speaker 2: rescue Hattie, and this is a wild scene. This is

565
00:30:34,800 --> 00:30:38,000
Speaker 2: the ensuing car chase. Here they're in the McLaren. They

566
00:30:38,040 --> 00:30:40,920
Speaker 2: managed to escape Brixton. He crashes into like a double

567
00:30:40,960 --> 00:30:44,520
Speaker 2: decker bus. It's all right, he's, you know, a machine.

568
00:30:44,520 --> 00:30:46,840
Speaker 2: He just sort of like brushes it off. He's angry,

569
00:30:47,040 --> 00:30:51,360
Speaker 2: He's very angry. He then frames all three of them

570
00:30:51,400 --> 00:30:55,520
Speaker 2: as traders because Etian just has like control of like

571
00:30:56,280 --> 00:30:58,880
Speaker 2: global news. I guess like they're they're locked in. Hey,

572
00:30:58,960 --> 00:31:06,000
Speaker 2: I'm gonna ask it now. Is et Cipher? The entire time,

573
00:31:06,320 --> 00:31:08,680
Speaker 2: I'm like, this has to be, has to be, But

574
00:31:08,880 --> 00:31:11,480
Speaker 2: there is no reveal, no you know, jumping to the

575
00:31:11,520 --> 00:31:14,960
Speaker 2: end that it's that it's Cipher, that it's Charlie's there,

576
00:31:15,320 --> 00:31:17,320
Speaker 2: or you know, I don't.

577
00:31:17,120 --> 00:31:20,440
Speaker 3: Know if it's too early for a spoiler's skeets, but uh,

578
00:31:20,560 --> 00:31:23,560
Speaker 3: Ryan Reynolds voices that I did hear, Oh really, but

579
00:31:23,600 --> 00:31:26,800
Speaker 3: that's Isn't that just so you think there is something.

580
00:31:26,560 --> 00:31:28,640
Speaker 2: To that or is that just him like filling in?

581
00:31:29,160 --> 00:31:32,760
Speaker 3: Well, they say it's a placeholder and that they at

582
00:31:32,840 --> 00:31:34,800
Speaker 3: least of the time of all of these random like

583
00:31:34,800 --> 00:31:39,480
Speaker 3: Wikipedia and IMDb goofs updates, they say they haven't confirmed

584
00:31:39,560 --> 00:31:44,800
Speaker 3: him as the future Big Bad. But the it's got

585
00:31:44,800 --> 00:31:47,520
Speaker 3: to either be Cipher or the Ryan Reynolds character, because

586
00:31:47,560 --> 00:31:51,400
Speaker 3: the director of Eteon mentions that there's a history with Hobbes,

587
00:31:51,440 --> 00:31:54,040
Speaker 3: and certainly, you know Cipher would have somewhat in the history,

588
00:31:54,080 --> 00:31:57,600
Speaker 3: but we know that Hobbes and Locke have a history

589
00:31:57,640 --> 00:32:00,600
Speaker 3: that Hobbs is obviously not quite as fond of that

590
00:32:00,760 --> 00:32:05,360
Speaker 3: Lock is, and you know, as the mid credits scenes reveal,

591
00:32:05,640 --> 00:32:08,320
Speaker 3: Locke is a bit of a battler as well. Yeah,

592
00:32:08,360 --> 00:32:10,720
Speaker 3: he seems like he's just a pencil pusher, but no,

593
00:32:10,880 --> 00:32:13,200
Speaker 3: he's a murdering savage just like the rest of them.

594
00:32:13,320 --> 00:32:16,560
Speaker 2: So I don't know. I don't think Ryan Reynolds had

595
00:32:16,600 --> 00:32:18,280
Speaker 2: a huge role in this movie.

596
00:32:18,320 --> 00:32:20,080
Speaker 3: For how big of a star he is, I would

597
00:32:20,080 --> 00:32:21,800
Speaker 3: think it's gonna be him going huh.

598
00:32:21,880 --> 00:32:24,800
Speaker 2: Okay, I did read too. They wanted Keanu Reeves.

599
00:32:24,800 --> 00:32:27,600
Speaker 4: I guess yeah, I read that too, So I mean

600
00:32:27,800 --> 00:32:31,160
Speaker 4: that tells me that they they just it was a

601
00:32:31,200 --> 00:32:33,640
Speaker 4: totally new character and the history was something that we

602
00:32:33,760 --> 00:32:37,640
Speaker 4: have it. We're not privy too, but I think it's

603
00:32:37,800 --> 00:32:39,880
Speaker 4: wide open and it could be anything. It might be

604
00:32:39,920 --> 00:32:43,280
Speaker 4: cool if it was Rock or Lock, I should say, yeah,

605
00:32:44,120 --> 00:32:49,520
Speaker 4: but yeah, John Locke from Lock. Yeah, writers love to

606
00:32:50,160 --> 00:32:53,160
Speaker 4: throw a little their philosophers as carriers.

607
00:32:53,480 --> 00:32:58,560
Speaker 2: That's a thing. Okay, So I thought this scene was awesome.

608
00:32:58,680 --> 00:33:02,680
Speaker 2: The motorbike scene was bad ass. Again. I already alluded to,

609
00:33:02,800 --> 00:33:06,200
Speaker 2: Uh to Brixton and his transformer bike. I mean when

610
00:33:06,200 --> 00:33:09,480
Speaker 2: they when he goes under the semi truck, uh cool.

611
00:33:09,560 --> 00:33:12,280
Speaker 2: We get McLaren going under there too, a classic fashion

612
00:33:12,280 --> 00:33:14,880
Speaker 2: and furious fave. I just thought it was a sick,

613
00:33:15,120 --> 00:33:18,200
Speaker 2: sick chase scene through London there. I think they shot

614
00:33:18,200 --> 00:33:21,239
Speaker 2: it in Scotland. I read actually one line from this

615
00:33:21,680 --> 00:33:25,520
Speaker 2: happening in this bunch here the rock says, do you

616
00:33:25,560 --> 00:33:28,400
Speaker 2: want to tell me what the fresh turkey hell we're dealing?

617
00:33:31,040 --> 00:33:34,040
Speaker 2: That's not even a rock line? Yeah, what in the

618
00:33:34,080 --> 00:33:36,840
Speaker 2: fresh Turkey? What in the fresh Turkey.

619
00:33:36,920 --> 00:33:40,840
Speaker 3: Hell yeah, it's in my notes as well as that's

620
00:33:40,880 --> 00:33:45,520
Speaker 3: a weird one. That and uh, there's also a hilarious

621
00:33:45,560 --> 00:33:49,040
Speaker 3: scene where something happens to one of the motorcyclists who

622
00:33:49,080 --> 00:33:53,120
Speaker 3: is chasing and the motorcyclists gets smashed into by a car,

623
00:33:53,360 --> 00:33:55,320
Speaker 3: but they let the scene carry on for just a

624
00:33:55,320 --> 00:33:57,920
Speaker 3: little bit to see the cyclist like getting off the

625
00:33:57,960 --> 00:34:00,760
Speaker 3: hood of the car and hopping back on the motorcycle.

626
00:34:01,040 --> 00:34:05,280
Speaker 2: I thought that, JD. Did you like the motorbike scene?

627
00:34:05,440 --> 00:34:09,200
Speaker 4: I loved it, and most of the motorbike I have

628
00:34:09,280 --> 00:34:13,640
Speaker 4: to well absolutely, I mean I don't know, but all

629
00:34:13,680 --> 00:34:17,160
Speaker 4: almost all CGI, right, I mean, there was no like,

630
00:34:17,480 --> 00:34:20,200
Speaker 4: let's build a motorcycle and you know, run it through

631
00:34:20,200 --> 00:34:23,160
Speaker 4: the streets of London or Glasgow or wherever they were shooting.

632
00:34:24,440 --> 00:34:27,240
Speaker 4: You don't need to do it. We're at the point

633
00:34:27,320 --> 00:34:30,719
Speaker 4: where you can use CGI. You don't have to actually

634
00:34:30,920 --> 00:34:36,880
Speaker 4: throw vehicles out of airplanes. It'll still look cool, you

635
00:34:36,920 --> 00:34:37,439
Speaker 4: know what I mean.

636
00:34:37,520 --> 00:34:38,680
Speaker 2: Like technology is there.

637
00:34:38,880 --> 00:34:43,000
Speaker 4: The technology is there, guys. So let's let's let's keep

638
00:34:43,040 --> 00:34:48,480
Speaker 4: the city streets clear for us pedestrians. Stop closing down

639
00:34:49,560 --> 00:34:54,000
Speaker 4: blocks and blocks of inner city. So for especially us

640
00:34:54,040 --> 00:34:57,320
Speaker 4: living in Atlante here. Don't stop closing the roads for

641
00:34:57,520 --> 00:34:59,359
Speaker 4: Fast and Furious movies, is what I'm saying.

642
00:34:59,360 --> 00:35:01,960
Speaker 2: Okay, well, I did think this was a cool scene,

643
00:35:02,040 --> 00:35:05,360
Speaker 2: and Trey, I'm sure you got excited when the McLaren

644
00:35:05,400 --> 00:35:07,360
Speaker 2: went under the semi truck.

645
00:35:07,120 --> 00:35:08,920
Speaker 3: And so did the bike because I know you love

646
00:35:08,960 --> 00:35:12,480
Speaker 3: that move. Oh yeah, underneath the semi. You're thinking, how

647
00:35:12,520 --> 00:35:15,000
Speaker 3: are they gonna Neither of these guys are known as

648
00:35:15,000 --> 00:35:18,680
Speaker 3: the big drivers in the series overall, so you're like,

649
00:35:19,040 --> 00:35:21,279
Speaker 3: they're gonna have to do something to kind of nod

650
00:35:21,320 --> 00:35:25,360
Speaker 3: at Fast and Furious be coming from car racing background.

651
00:35:25,400 --> 00:35:27,680
Speaker 3: So we get the motorcycle chase, which I agree Skeets

652
00:35:27,719 --> 00:35:30,200
Speaker 3: is awesome, and then they do a nice little nod

653
00:35:30,239 --> 00:35:33,279
Speaker 3: to the previous series going underneath the semi. That is

654
00:35:33,320 --> 00:35:37,120
Speaker 3: a classic move we've seen from the first scene of

655
00:35:37,160 --> 00:35:39,560
Speaker 3: the entire franchise, and it was a new way to

656
00:35:39,600 --> 00:35:42,360
Speaker 3: do it, like they've gone underneath the semi so many times,

657
00:35:42,960 --> 00:35:45,680
Speaker 3: to the point that even Brian in Fast seven says,

658
00:35:45,960 --> 00:35:48,400
Speaker 3: I'm going old school to go underneath the semi. So

659
00:35:48,920 --> 00:35:51,480
Speaker 3: we get a drift underneath a semi and then a

660
00:35:51,520 --> 00:35:53,960
Speaker 3: transformer underneath the semi. I thought it was a perfect

661
00:35:54,520 --> 00:35:56,720
Speaker 3: little homage to the early days of the series.

662
00:35:57,239 --> 00:35:59,279
Speaker 2: So the three of them, now I'm talking, of course,

663
00:35:59,320 --> 00:36:04,680
Speaker 2: bout Hobbshaw and Hattie. They locate this Russian professor. He's

664
00:36:04,719 --> 00:36:10,399
Speaker 2: won two Nobel Peace Prizes, but he's canning. Yeah, what's

665
00:36:10,400 --> 00:36:16,160
Speaker 2: his name, uh On Andreko and andre Carolinka. Let's call

666
00:36:16,239 --> 00:36:19,880
Speaker 2: him Carolinka. Anyway, he's the professor. He's the Russian professor.

667
00:36:19,920 --> 00:36:24,120
Speaker 2: He explains he created Snowflake to efficiently deliver vaccines, not

668
00:36:24,280 --> 00:36:28,120
Speaker 2: kill people. And you know it's now it's it's backfired

669
00:36:28,160 --> 00:36:30,600
Speaker 2: and Etian has sort of like flipped it on its

670
00:36:30,600 --> 00:36:34,440
Speaker 2: head or they have evil plans for it. So it

671
00:36:34,520 --> 00:36:37,560
Speaker 2: basically lets Hattie know who, by the way, or remember,

672
00:36:37,719 --> 00:36:41,839
Speaker 2: has this in her, He says, to prevent Etian from

673
00:36:42,040 --> 00:36:47,200
Speaker 2: using this supervirus to eradicate humanity, Hattie, while the virus

674
00:36:47,320 --> 00:36:51,239
Speaker 2: is still dormant, that's very convenient. It's it takes a

675
00:36:51,280 --> 00:36:54,239
Speaker 2: little while in the human body, I guess to really

676
00:36:54,360 --> 00:36:59,880
Speaker 2: unlock itself. She must either be killed and cremated, superburn

677
00:37:00,400 --> 00:37:06,000
Speaker 2: super burned, really burnered, or have the virus removed with

678
00:37:06,200 --> 00:37:11,160
Speaker 2: the specialized extraction device which is located you guessed it

679
00:37:12,239 --> 00:37:18,680
Speaker 2: in Etian's special facility in UH in the Ukraine. So

680
00:37:18,920 --> 00:37:20,919
Speaker 2: we got we get this whole, like you know, she's

681
00:37:21,040 --> 00:37:23,280
Speaker 2: just saying it just kill me. It would be amazing

682
00:37:23,280 --> 00:37:27,279
Speaker 2: if they just okay, boom burner and the movie's over done,

683
00:37:27,400 --> 00:37:32,160
Speaker 2: save the world, hour long burning scenes. It can still

684
00:37:32,200 --> 00:37:36,359
Speaker 2: be ninety minutes. Well, he said, really, burner up sitting

685
00:37:36,400 --> 00:37:38,560
Speaker 2: here watching for an hour. It would be pretty morbid.

686
00:37:39,320 --> 00:37:42,840
Speaker 2: But no, you know, this is uh, this is Decord's sister.

687
00:37:43,040 --> 00:37:45,239
Speaker 2: Come on, we're doing these We're doing this other one.

688
00:37:45,320 --> 00:37:48,360
Speaker 2: Nothing is impossible with this bunch. So that's where we're headed.

689
00:37:48,880 --> 00:37:51,000
Speaker 2: But how are we gonna get there? Because these guys

690
00:37:51,040 --> 00:37:54,560
Speaker 2: are I mean, they've been fugitives for like ten years

691
00:37:54,640 --> 00:37:58,800
Speaker 2: running now, but they're even more on the most wanted

692
00:37:58,840 --> 00:38:00,239
Speaker 2: list now and they're they're not gonna be able to

693
00:38:00,320 --> 00:38:02,320
Speaker 2: go anywhere. You're not even be able to fly to

694
00:38:02,440 --> 00:38:05,000
Speaker 2: the Ukraine for crying out loud. Oh yes they are.

695
00:38:05,840 --> 00:38:09,319
Speaker 2: Because Deckard Shaw he's got he's got his own technology,

696
00:38:09,440 --> 00:38:12,000
Speaker 2: his home workarounds here. This guy's a spy. So this

697
00:38:12,160 --> 00:38:14,719
Speaker 2: is where we get in the I don't know, in

698
00:38:14,840 --> 00:38:17,560
Speaker 2: his bunker, I guess where we see all the cars.

699
00:38:17,600 --> 00:38:21,040
Speaker 2: We get nice little, uh not throwaway line, but a

700
00:38:21,160 --> 00:38:24,200
Speaker 2: fun line where the Rock is mentioning all his vehicles

701
00:38:24,239 --> 00:38:26,759
Speaker 2: and then makes fun of the Mini Cooper. Yeah, and

702
00:38:27,320 --> 00:38:29,520
Speaker 2: Deckard says, oh, I use that one for a job,

703
00:38:29,800 --> 00:38:32,960
Speaker 2: you know in Italy, the Italian Job. That's the car.

704
00:38:33,840 --> 00:38:37,920
Speaker 3: So that is that is now linking these two franchises, Trey, right,

705
00:38:38,360 --> 00:38:41,040
Speaker 3: does that mean we're getting Mark Wahlberg coming over?

706
00:38:43,040 --> 00:38:43,160
Speaker 5: Oh?

707
00:38:43,360 --> 00:38:44,239
Speaker 2: Please? I hope so.

708
00:38:44,360 --> 00:38:47,479
Speaker 3: But I mean, incredible. There's a few of these little

709
00:38:47,880 --> 00:38:50,640
Speaker 3: references to other movies. People have caught on to the

710
00:38:50,719 --> 00:38:56,400
Speaker 3: fact that the jacket that Brixton wears has a logo

711
00:38:56,520 --> 00:39:01,200
Speaker 3: on it that relates to the Alien forranchise.

712
00:39:00,640 --> 00:39:02,880
Speaker 4: I saw that the Whalend Corporation.

713
00:39:03,200 --> 00:39:04,319
Speaker 2: Yeah, exactly right.

714
00:39:04,440 --> 00:39:08,040
Speaker 4: He plays a Whalend employee in Prometheus. I believe.

715
00:39:08,160 --> 00:39:09,560
Speaker 2: Yeah, I think you're right. Yeah.

716
00:39:09,640 --> 00:39:13,080
Speaker 3: And obviously Jason Statham had a role in The Italian Job.

717
00:39:13,280 --> 00:39:17,359
Speaker 4: Yeah, and f F Gary Gray directed the Italian Job,

718
00:39:17,400 --> 00:39:17,759
Speaker 4: did he not?

719
00:39:18,480 --> 00:39:20,640
Speaker 2: You might be right? Okay, and then let's keep it going.

720
00:39:20,840 --> 00:39:23,800
Speaker 2: Is Ryan Reynolds, He's Deadpool? David Leech I think.

721
00:39:23,880 --> 00:39:26,520
Speaker 4: Direct direct dead Pool too. I mean, that's that's why

722
00:39:26,680 --> 00:39:31,160
Speaker 4: Rob Delaneyan and uh yeah, and uh Ryan Reynolds, aren't

723
00:39:31,160 --> 00:39:33,160
Speaker 4: it right? I mean they were just hot off the

724
00:39:33,280 --> 00:39:36,200
Speaker 4: heels of Deadpool too. He's probably like, hey, come over

725
00:39:36,280 --> 00:39:39,680
Speaker 4: to this set. I'm doing this new movie. Basically, just

726
00:39:39,719 --> 00:39:40,520
Speaker 4: play Deadpool.

727
00:39:41,560 --> 00:39:43,600
Speaker 2: Yeah, I know that is what he is doing in

728
00:39:43,680 --> 00:39:45,800
Speaker 2: this movie for sure. Okay, so yeah, we get this

729
00:39:45,880 --> 00:39:47,960
Speaker 2: little line with the car that's sort of fun. And

730
00:39:48,239 --> 00:39:51,440
Speaker 2: the passport scene here where we're gonna build some passports

731
00:39:53,520 --> 00:39:58,400
Speaker 2: which pays off at the airport where they all have

732
00:39:58,560 --> 00:40:01,360
Speaker 2: They're all steppingto the counter, all dressed differently because they

733
00:40:01,360 --> 00:40:05,360
Speaker 2: have their clothes, they have their new passports. Hattie, you know,

734
00:40:05,480 --> 00:40:10,000
Speaker 2: through no problem. Obviously Decker threw no problem. Haha. Hobbes

735
00:40:10,200 --> 00:40:16,120
Speaker 2: briefly detained due to Deckord making his fake alias Mike

736
00:40:16,520 --> 00:40:23,080
Speaker 2: Ox mall okay, my coxmall my Cox mall ah. So

737
00:40:23,440 --> 00:40:26,120
Speaker 2: I mean this is like, oh my god, it's like

738
00:40:26,160 --> 00:40:27,120
Speaker 2: a Simpsons joke.

739
00:40:27,320 --> 00:40:27,719
Speaker 5: I love it.

740
00:40:28,000 --> 00:40:34,239
Speaker 2: Uh Bart Colin Mo's tavern basically, and you know, Hattie's like,

741
00:40:34,800 --> 00:40:37,000
Speaker 2: that's a little that's a little weird. I mean, we

742
00:40:37,080 --> 00:40:40,919
Speaker 2: are going to try and save my life. This guy

743
00:40:41,120 --> 00:40:44,360
Speaker 2: is pretty big. He might be uh, he might be useful,

744
00:40:44,800 --> 00:40:47,759
Speaker 2: you know, but no, gotta get I'm gonna prank him

745
00:40:47,760 --> 00:40:53,440
Speaker 2: here though the Rock just talks his way onto the plane.

746
00:40:53,520 --> 00:40:56,279
Speaker 2: I love that he's like he basically tells Deckard, like

747
00:40:57,440 --> 00:40:59,719
Speaker 2: people like me, I use my charm just to get

748
00:40:59,800 --> 00:41:03,000
Speaker 2: get on. Here's something you would know nothing about. But

749
00:41:03,280 --> 00:41:06,560
Speaker 2: so so they travel to uh Moscow here and and

750
00:41:06,680 --> 00:41:08,840
Speaker 2: then well we get then we get Kevin Hart. But

751
00:41:08,920 --> 00:41:11,880
Speaker 2: let's start with the the prank. JD or you laughing

752
00:41:11,960 --> 00:41:15,120
Speaker 2: your ass off with Decord's move here.

753
00:41:15,520 --> 00:41:19,160
Speaker 4: In spite of myself, I was loving every second of it.

754
00:41:19,440 --> 00:41:22,800
Speaker 4: I loved I love the outfits. I even thought Vanessa

755
00:41:22,920 --> 00:41:25,600
Speaker 4: Kirby when she says thank you to the to the

756
00:41:25,719 --> 00:41:28,520
Speaker 4: custom agent, I thought that was funny, the way she

757
00:41:28,600 --> 00:41:31,919
Speaker 4: did thank you. You know, she's in total disguise. She's

758
00:41:31,960 --> 00:41:34,879
Speaker 4: not wanted, but that's okay. I don't know why she's

759
00:41:34,920 --> 00:41:36,239
Speaker 4: in disguise, but no.

760
00:41:36,360 --> 00:41:39,680
Speaker 2: No, she's sort of want she's uh, she's wanted for killing.

761
00:41:40,000 --> 00:41:44,680
Speaker 4: That's right, Yeah, yeah, that's right. So I loved. And

762
00:41:44,760 --> 00:41:48,359
Speaker 4: then Jason Statham's outfit I thought was hilarious. I mean,

763
00:41:48,640 --> 00:41:51,000
Speaker 4: he's not really in disguise, he's just dressed as a

764
00:41:51,280 --> 00:41:54,920
Speaker 4: as a Swiss guy and his name was Franz Gruber.

765
00:41:55,280 --> 00:41:59,400
Speaker 4: Shout out to die hard like cons Gruber, Froz Gruber.

766
00:41:59,719 --> 00:42:03,360
Speaker 4: And and then when the rock you know, it's so stupid,

767
00:42:03,440 --> 00:42:07,239
Speaker 4: but it's I've I laughed, I just laughed, and my

768
00:42:07,560 --> 00:42:11,080
Speaker 4: Mike ox Small is, uh, it's just funny. It's just

769
00:42:11,160 --> 00:42:13,719
Speaker 4: a funny little gag to play on your friend while

770
00:42:13,760 --> 00:42:17,000
Speaker 4: your sister is literally has thirty hours to live. But

771
00:42:17,120 --> 00:42:18,439
Speaker 4: that's okay, that's fine.

772
00:42:20,800 --> 00:42:23,920
Speaker 2: Weird timing to pull this lid off, but all right,

773
00:42:24,000 --> 00:42:25,800
Speaker 2: you got you got them, you did, you did have

774
00:42:25,960 --> 00:42:28,000
Speaker 2: them detained there for a little bit tray. It did work.

775
00:42:28,680 --> 00:42:31,520
Speaker 3: Yeah, And apparently they got to the airport early, because

776
00:42:31,640 --> 00:42:36,120
Speaker 3: it seems Obbs still gets on the plane in pretty

777
00:42:36,160 --> 00:42:37,880
Speaker 3: good time all things considered.

778
00:42:37,920 --> 00:42:38,879
Speaker 2: But I'm like JD.

779
00:42:39,920 --> 00:42:42,840
Speaker 3: Fake names that are a little bit profane will always

780
00:42:42,960 --> 00:42:45,759
Speaker 3: make me laugh. There was a video going around not

781
00:42:46,320 --> 00:42:49,120
Speaker 3: too long ago of like a you know, some municipal

782
00:42:49,239 --> 00:42:52,240
Speaker 3: meeting that was recorded and some kids had obviously called

783
00:42:52,280 --> 00:42:54,560
Speaker 3: in and scheduled a whole bunch of these names, and

784
00:42:54,600 --> 00:42:59,360
Speaker 3: one of them was don key Dick. We're looking for

785
00:42:59,440 --> 00:43:03,239
Speaker 3: a don Key Dick. I'm like, I don't know, I

786
00:43:03,360 --> 00:43:06,319
Speaker 3: will rewind these sort of things and watch them two

787
00:43:06,480 --> 00:43:08,799
Speaker 3: or three times in a row, even knowing the names

788
00:43:08,840 --> 00:43:11,560
Speaker 3: that are coming up. So yeah, Mike Oxmall, I go

789
00:43:11,719 --> 00:43:12,360
Speaker 3: by Michael.

790
00:43:12,840 --> 00:43:13,640
Speaker 2: That was hidden from me.

791
00:43:14,200 --> 00:43:18,520
Speaker 4: The only my only complaint about Mike Coxmall is that

792
00:43:18,680 --> 00:43:23,200
Speaker 4: it didn't really work for when the agents surrounded him

793
00:43:23,239 --> 00:43:26,439
Speaker 4: and were like, hey, it's Mike Coxmall, Like it would

794
00:43:26,480 --> 00:43:28,920
Speaker 4: have been better with a Donkey Dick or hey it's

795
00:43:28,960 --> 00:43:31,160
Speaker 4: Donkey Dick, you know on the floor Donkey Dick, you

796
00:43:31,200 --> 00:43:34,320
Speaker 4: know what I mean. Like, but that's my only complaint

797
00:43:34,360 --> 00:43:34,560
Speaker 4: to that.

798
00:43:36,000 --> 00:43:38,600
Speaker 2: Right well, on this plane, this is actually like a

799
00:43:38,680 --> 00:43:44,920
Speaker 2: long scene. Kevin Hart shows up as an air marshal Dinkly.

800
00:43:45,000 --> 00:43:46,080
Speaker 2: I think he goes.

801
00:43:46,000 --> 00:43:51,920
Speaker 5: Fink Mike's I know no. When he showed up, I

802
00:43:52,200 --> 00:43:56,040
Speaker 5: was like, oh no, oh, I am not.

803
00:43:56,120 --> 00:43:59,120
Speaker 2: A big Kevin Hart fan, especially like his movies. I

804
00:43:59,239 --> 00:44:02,640
Speaker 2: don't find him all that funny. I was like, why

805
00:44:02,920 --> 00:44:03,839
Speaker 2: is he here?

806
00:44:04,160 --> 00:44:05,120
Speaker 3: What this Like?

807
00:44:05,400 --> 00:44:08,520
Speaker 2: They are totally just forcing him into this story, Like

808
00:44:08,560 --> 00:44:11,920
Speaker 2: he's literally just sitting one row ahead of them. They're bickering,

809
00:44:12,000 --> 00:44:14,839
Speaker 2: and he like interrupts them and then they like call

810
00:44:15,239 --> 00:44:18,080
Speaker 2: immediately what he is and you're like, oh god, no, no, no.

811
00:44:18,880 --> 00:44:23,160
Speaker 2: But Kevin Hart was funny in this. I thought this

812
00:44:23,400 --> 00:44:27,000
Speaker 2: was a really super funny scene, and I was I

813
00:44:27,080 --> 00:44:29,400
Speaker 2: surprised myself. I was like, Okay, no, this is actually

814
00:44:29,600 --> 00:44:31,600
Speaker 2: he's good in this. They gave him funny lines. He

815
00:44:31,640 --> 00:44:35,560
Speaker 2: delivered him incredibly. He doesn't play almost any part in

816
00:44:35,600 --> 00:44:37,640
Speaker 2: the movie, Like, I don't even know. Does he end

817
00:44:37,760 --> 00:44:40,800
Speaker 2: up just helping them get a flight to Samoa? That's it,

818
00:44:41,239 --> 00:44:41,680
Speaker 2: that's it.

819
00:44:42,120 --> 00:44:44,240
Speaker 4: Yeah, he never comes.

820
00:44:44,080 --> 00:44:47,040
Speaker 2: Back in this one. I mean, maybe we'll see him

821
00:44:47,040 --> 00:44:48,840
Speaker 2: in the future. I assume we will, maybe in Hopton

822
00:44:48,840 --> 00:44:52,000
Speaker 2: Shaw too or whatever. But like it was funny. It

823
00:44:52,160 --> 00:44:55,200
Speaker 2: was sort of pointless Trey, but I laughed a couple

824
00:44:55,239 --> 00:44:58,280
Speaker 2: of times with some of his Lines's for sure, yeah, exactly.

825
00:44:59,160 --> 00:45:01,959
Speaker 2: This is my favorite roll I've ever seen. It's it's good.

826
00:45:02,280 --> 00:45:02,520
Speaker 3: Yeah.

827
00:45:02,880 --> 00:45:03,040
Speaker 5: Yeah.

828
00:45:03,080 --> 00:45:06,600
Speaker 3: And apparently, uh, just like Helen Mirren getting into the

829
00:45:06,640 --> 00:45:08,840
Speaker 3: franchise because she's like, it would be cool to be

830
00:45:08,960 --> 00:45:11,400
Speaker 3: in this, and they put her in just being friends

831
00:45:11,440 --> 00:45:13,120
Speaker 3: with the Rock, We'll get you in a movie because

832
00:45:13,160 --> 00:45:15,399
Speaker 3: I guess they Kevin Hart and the Rock have done

833
00:45:15,560 --> 00:45:19,600
Speaker 3: Central Intelligence Agency together and then they did or maybe just.

834
00:45:19,600 --> 00:45:21,600
Speaker 2: Called Central Intelligence whatever and then.

835
00:45:21,480 --> 00:45:25,240
Speaker 3: They've done both of these Jumanji movies together, so obviously

836
00:45:25,360 --> 00:45:27,600
Speaker 3: they've got a little bit of a chemistry. They're definitely

837
00:45:27,680 --> 00:45:30,400
Speaker 3: an odd couple, sort with the Rock being gigantic and

838
00:45:30,440 --> 00:45:33,360
Speaker 3: the Kevin Hart not so much. But I thought he

839
00:45:33,560 --> 00:45:36,280
Speaker 3: was great in this role and maybe that's the perfect

840
00:45:36,320 --> 00:45:38,200
Speaker 3: way to use him, just a little bit of comic relief.

841
00:45:38,360 --> 00:45:40,160
Speaker 2: Yeah, and you don't see it coming at all.

842
00:45:40,239 --> 00:45:43,680
Speaker 3: You're like, suddenly they're talking, you know, they're they're insulting

843
00:45:43,719 --> 00:45:45,719
Speaker 3: each other on the plane for a whole bunch. We've

844
00:45:45,760 --> 00:45:48,359
Speaker 3: got Hobbs hitting on Hattie a little bit to try

845
00:45:48,440 --> 00:45:51,640
Speaker 3: and get a Shaw all fired up. And then suddenly, oh,

846
00:45:51,719 --> 00:45:54,000
Speaker 3: that's not the jokes in this scene. We've got Kevin

847
00:45:54,040 --> 00:45:55,840
Speaker 3: Hart in an uncredited cameo.

848
00:45:56,000 --> 00:45:57,359
Speaker 2: I love it. I thought it was a great use

849
00:45:57,400 --> 00:45:57,680
Speaker 2: of him.

850
00:45:58,080 --> 00:45:59,880
Speaker 3: And yeah, it gives them a way to get to

851
00:46:00,160 --> 00:46:02,360
Speaker 3: Samola in the end, just because this guy happens to

852
00:46:02,400 --> 00:46:03,240
Speaker 3: be an air marshal.

853
00:46:03,360 --> 00:46:06,360
Speaker 2: Yeah, I guess so, JD. Were you a fan of

854
00:46:06,440 --> 00:46:07,440
Speaker 2: this scene as much as we were.

855
00:46:07,760 --> 00:46:10,520
Speaker 4: Yeah, again, in spite of myself, because you know the

856
00:46:10,760 --> 00:46:14,000
Speaker 4: it it is preposterous that an air marshal would be

857
00:46:14,280 --> 00:46:18,560
Speaker 4: like hey, guys to cut it out, and they make him,

858
00:46:18,760 --> 00:46:21,440
Speaker 4: and then he makes both of them. And then but

859
00:46:21,640 --> 00:46:25,080
Speaker 4: I do love the idea that an air marshal is

860
00:46:25,280 --> 00:46:28,040
Speaker 4: bored out of his mind, like he's even says, I'm

861
00:46:28,480 --> 00:46:30,319
Speaker 4: you know, I used to see all sorts of action

862
00:46:30,480 --> 00:46:32,479
Speaker 4: and now I'm in a tin can full of arts,

863
00:46:32,640 --> 00:46:35,080
Speaker 4: like and that's that's his life now, right.

864
00:46:35,200 --> 00:46:37,759
Speaker 2: As would disagree with that, says you can fart on

865
00:46:37,840 --> 00:46:38,920
Speaker 2: a plane, it doesn't smell.

866
00:46:39,160 --> 00:46:43,880
Speaker 4: That's true, that's true, and he yeah, just the idea

867
00:46:43,920 --> 00:46:46,200
Speaker 4: that he's just desperate for action and he could he

868
00:46:46,320 --> 00:46:48,799
Speaker 4: makes these guys is he doesn't know really what they're

869
00:46:48,920 --> 00:46:50,680
Speaker 4: up to, but he knows that they're up to something

870
00:46:50,760 --> 00:46:52,960
Speaker 4: cool and he just wants to wants a part of it.

871
00:46:53,040 --> 00:46:55,279
Speaker 4: It's almost like Kevin Hard is just like, hey, let

872
00:46:55,320 --> 00:46:56,799
Speaker 4: me in your movie. I want to be in your

873
00:46:56,840 --> 00:47:00,279
Speaker 4: movie because it's it seems pretty cool. And then you know,

874
00:47:01,200 --> 00:47:03,000
Speaker 4: we see it when we see him again, he's literally

875
00:47:03,080 --> 00:47:05,640
Speaker 4: taking a shit like that's what he's doing. He's just

876
00:47:05,719 --> 00:47:08,600
Speaker 4: sitting on a toilet saying, Hey, you're welcome for the

877
00:47:08,640 --> 00:47:09,440
Speaker 4: flight to Samoa.

878
00:47:10,040 --> 00:47:11,040
Speaker 2: What a great cameo.

879
00:47:11,200 --> 00:47:14,920
Speaker 4: It's just it's just he comes in and it completely

880
00:47:15,040 --> 00:47:18,239
Speaker 4: diffuses this situation where it does run on a little

881
00:47:18,320 --> 00:47:20,000
Speaker 4: long with their back and forth and what are you

882
00:47:20,040 --> 00:47:22,560
Speaker 4: guys gonna throw down on the plane here? And then

883
00:47:22,600 --> 00:47:25,120
Speaker 4: he completely diffuses it and it's all just played for

884
00:47:25,239 --> 00:47:28,279
Speaker 4: comedy and I loved it. I loved it.

885
00:47:28,600 --> 00:47:30,840
Speaker 2: Yeah, what's gonna be The problem is there's gonna be

886
00:47:30,880 --> 00:47:32,719
Speaker 2: a Hobs and Shaw too, There's gonna be a lot

887
00:47:32,800 --> 00:47:36,240
Speaker 2: more Kevin Hart and then will it still stick the landing?

888
00:47:37,280 --> 00:47:40,200
Speaker 2: Or was this like the perfect amount of heart? You

889
00:47:40,360 --> 00:47:42,319
Speaker 2: know he's going to be in another yea, Hey, listen,

890
00:47:43,000 --> 00:47:45,080
Speaker 2: he helped him out, They're going to owe him a favor, whatever,

891
00:47:45,480 --> 00:47:46,279
Speaker 2: he'll help him again.

892
00:47:46,360 --> 00:47:50,479
Speaker 4: Whatever you said this was his best role. I would

893
00:47:51,360 --> 00:47:54,960
Speaker 4: almost agree with that. But Kevin Hard and Jumanji is amazing,

894
00:47:55,360 --> 00:47:58,800
Speaker 4: legit amazing. You should see it because that movie is

895
00:47:59,200 --> 00:48:02,400
Speaker 4: super fun. And I gained a whole new respect for

896
00:48:02,480 --> 00:48:04,960
Speaker 4: Kevin Hart because the guy can act a and he

897
00:48:05,080 --> 00:48:06,839
Speaker 4: basically well I'm not going to say what he does,

898
00:48:06,920 --> 00:48:10,960
Speaker 4: but but just watched Yumanji, the first one. It's it's

899
00:48:11,040 --> 00:48:11,960
Speaker 4: actually quite good.

900
00:48:12,239 --> 00:48:16,360
Speaker 2: Okay, Well, after the plane scene, after Kevin Hart is introduced,

901
00:48:17,120 --> 00:48:21,640
Speaker 2: we got a little rendezvous. Here, Deckard goes and sees

902
00:48:22,280 --> 00:48:27,440
Speaker 2: his former flame Margarita Uh to rearm up in Moscow,

903
00:48:27,920 --> 00:48:34,200
Speaker 2: and the three then infiltrate the facility here. Wait, I said, Ukraine.

904
00:48:35,880 --> 00:48:38,120
Speaker 2: Are they in Ukraine or are they in Russia for

905
00:48:38,239 --> 00:48:39,320
Speaker 2: this this device?

906
00:48:39,960 --> 00:48:40,879
Speaker 4: Yeah, great question.

907
00:48:41,080 --> 00:48:43,320
Speaker 2: I mean Wikipedia told me Ukraine. But I don't know

908
00:48:43,360 --> 00:48:45,240
Speaker 2: if that's true. Maybe maybe there's maybe there're a typo

909
00:48:45,280 --> 00:48:46,799
Speaker 2: in here on one of these. It doesn't matter, they're

910
00:48:46,840 --> 00:48:51,200
Speaker 2: over there. I really glossed over this decord meeting, this

911
00:48:52,360 --> 00:48:54,920
Speaker 2: Margarita scene. I sort of at this point I had

912
00:48:55,000 --> 00:48:59,120
Speaker 2: checked out a little bit, so I don't did I

913
00:48:59,160 --> 00:49:03,960
Speaker 2: miss anything? Literally, like just like it's like I can't

914
00:49:03,960 --> 00:49:05,200
Speaker 2: even remember what happens in it.

915
00:49:05,680 --> 00:49:08,040
Speaker 3: I think the biggest things to know in this scene

916
00:49:08,120 --> 00:49:10,600
Speaker 3: or that they get a whole bunch of guns and ammunition.

917
00:49:11,239 --> 00:49:14,480
Speaker 2: And we hear about the Mick Jagger right.

918
00:49:14,840 --> 00:49:17,719
Speaker 3: Oh, that's where the concept of the Mick Jagger is

919
00:49:17,920 --> 00:49:23,360
Speaker 3: first mentioned. One of the crew members is Mick Jagger

920
00:49:23,880 --> 00:49:26,320
Speaker 3: strutting out in front, drawing all the eyes while the

921
00:49:26,360 --> 00:49:28,600
Speaker 3: rest of the crew make the music.

922
00:49:29,120 --> 00:49:31,960
Speaker 2: Yeah, I forgot about these little flashback scenes from the

923
00:49:32,040 --> 00:49:35,120
Speaker 2: Shaw Family. The Keith Moon was one of the other ones.

924
00:49:35,239 --> 00:49:37,479
Speaker 2: Was it not very early in the movie, these little

925
00:49:37,520 --> 00:49:40,719
Speaker 2: things they did as kids that they labeled, you know,

926
00:49:41,520 --> 00:49:44,239
Speaker 2: after rock stars basically, and that was because of what

927
00:49:44,320 --> 00:49:46,960
Speaker 2: they were doing in their little heists or whatever their

928
00:49:47,000 --> 00:49:49,800
Speaker 2: plants were when they were children that were corrupt children

929
00:49:49,800 --> 00:49:52,120
Speaker 2: because they grew up under Magdalen. But yeah, that's a

930
00:49:52,160 --> 00:49:55,759
Speaker 2: good point. I guess. I have one question. Does she

931
00:49:56,200 --> 00:50:01,319
Speaker 2: does Margarita also rap them out at all?

932
00:50:01,480 --> 00:50:01,520
Speaker 5: Like?

933
00:50:01,640 --> 00:50:04,200
Speaker 2: Does she with Brixton? Crazy?

934
00:50:04,640 --> 00:50:08,960
Speaker 4: She is the way to get Hattie to Brixton, right

935
00:50:09,160 --> 00:50:14,400
Speaker 4: like she basically it's a ruse like her. And then

936
00:50:14,480 --> 00:50:18,520
Speaker 4: she lies to Brixton and he says, was she alone?

937
00:50:18,560 --> 00:50:22,520
Speaker 4: And he says, she says, yes, she was alone. He says,

938
00:50:22,560 --> 00:50:23,960
Speaker 4: if you're lying, I'm gonna kill you.

939
00:50:24,200 --> 00:50:27,200
Speaker 2: Okay, Okay, I remember I remember her having a scene. Yeah,

940
00:50:27,200 --> 00:50:29,279
Speaker 2: and I was like, yeah again, I was so I

941
00:50:29,320 --> 00:50:30,600
Speaker 2: think what was going on? I think I was taking

942
00:50:30,680 --> 00:50:34,960
Speaker 2: Luna out. Sorry, quick, quick, piss break. So there's a

943
00:50:35,000 --> 00:50:35,879
Speaker 2: lot going on in the house.

944
00:50:35,960 --> 00:50:39,480
Speaker 4: Okay, didn't even bother pausing it. The disrespect.

945
00:50:40,239 --> 00:50:43,319
Speaker 2: I was like, Nora was still watching and just tell

946
00:50:43,360 --> 00:50:47,759
Speaker 2: me if anything important happened. Obviously didn't, So they are

947
00:50:48,000 --> 00:50:50,480
Speaker 2: infiltrating this facility. Let's just get there. Whether it's in

948
00:50:50,560 --> 00:50:53,440
Speaker 2: the Ukraine or Russia, who cares. Uh. They managed to

949
00:50:53,560 --> 00:50:59,200
Speaker 2: retrieve the device before escaping, and and and Trey said it.

950
00:50:59,480 --> 00:51:02,120
Speaker 2: This is where they are tied up. This is the

951
00:51:02,239 --> 00:51:04,880
Speaker 2: shock scene and they pull the Mick Jagger because Hattie

952
00:51:04,920 --> 00:51:08,440
Speaker 2: sort of rescues them, along with the Russian professor, who

953
00:51:09,120 --> 00:51:11,279
Speaker 2: plays a big part quite the hero if you think

954
00:51:11,280 --> 00:51:14,880
Speaker 2: about it in the grand scheme of things. He's killed,

955
00:51:15,719 --> 00:51:18,720
Speaker 2: but man, he goes down in a blaze of glory

956
00:51:18,760 --> 00:51:20,919
Speaker 2: because he's got the flame thrower and he is really

957
00:51:20,960 --> 00:51:25,840
Speaker 2: helping them out. So they escape our three heroes, but

958
00:51:26,120 --> 00:51:29,200
Speaker 2: the device is damaged during the escape. In the Facilities

959
00:51:29,280 --> 00:51:33,239
Speaker 2: destruction trade, there's a lot there favorite parts from this

960
00:51:33,440 --> 00:51:34,920
Speaker 2: huge set up here at the facility.

961
00:51:35,760 --> 00:51:39,399
Speaker 3: Well, my favorite part is the side by side, side

962
00:51:39,440 --> 00:51:42,000
Speaker 3: by side fight that we get from Hobbs and Shaw.

963
00:51:42,440 --> 00:51:44,960
Speaker 3: You know, they first get to the facility, they come

964
00:51:45,080 --> 00:51:47,960
Speaker 3: up to a couple of doors. Shaw goes to the

965
00:51:48,000 --> 00:51:51,800
Speaker 3: one on the right and Hobbs says, that's my door. No,

966
00:51:52,000 --> 00:51:53,759
Speaker 3: this one's my door. You get that other one, and

967
00:51:53,840 --> 00:51:57,160
Speaker 3: then you know, Shaw does his little X ray vision

968
00:51:57,239 --> 00:51:59,799
Speaker 3: sort of thing. Sees there's a whole bunch of bad

969
00:51:59,840 --> 00:52:02,560
Speaker 3: guy hanging out behind the door. Actually this is your door,

970
00:52:03,120 --> 00:52:05,960
Speaker 3: he says to Hobbes. But Hobbs is not gonna buy it.

971
00:52:06,000 --> 00:52:07,279
Speaker 3: He's like, what is there a bunch of bad guys

972
00:52:07,320 --> 00:52:08,439
Speaker 3: behind that door? Yeah?

973
00:52:08,520 --> 00:52:11,200
Speaker 2: There is? Leads us to another would you rather or

974
00:52:11,360 --> 00:52:11,919
Speaker 2: what you got?

975
00:52:12,360 --> 00:52:16,359
Speaker 3: Would you rather fight one gigantic guy like Hobbs does,

976
00:52:17,040 --> 00:52:19,239
Speaker 3: a seven foot guy that he takes down with a

977
00:52:19,480 --> 00:52:23,200
Speaker 3: single punch, if I'm not mistaken, Or would you rather

978
00:52:23,560 --> 00:52:25,560
Speaker 3: fight through a bunch eight.

979
00:52:25,520 --> 00:52:29,520
Speaker 2: To ten normal size henchman, which Shaw does.

980
00:52:30,480 --> 00:52:33,040
Speaker 3: Unfortunately, he goes a little too far with them and

981
00:52:33,120 --> 00:52:36,279
Speaker 3: he can't get his door open at the end, But

982
00:52:36,680 --> 00:52:38,799
Speaker 3: luckily he finds one guy. So would you rather fight

983
00:52:39,160 --> 00:52:44,399
Speaker 3: one giant guy or a lot of normal size JD

984
00:52:44,520 --> 00:52:44,839
Speaker 3: have out?

985
00:52:44,840 --> 00:52:47,160
Speaker 4: And what's your I mean, it depends if anyone's watching.

986
00:52:47,280 --> 00:52:54,640
Speaker 4: I guess, well the other guy is watching? True, you know,

987
00:52:54,880 --> 00:52:57,880
Speaker 4: give me the give me the one guy, Yeah, you know,

988
00:52:58,640 --> 00:53:01,719
Speaker 4: the path of least resist. It's really and that guy

989
00:53:02,560 --> 00:53:07,279
Speaker 4: he looked almost decrepit. He was so big. It wasn't quick, No,

990
00:53:08,200 --> 00:53:09,799
Speaker 4: not at all. And that's a sort of a bit

991
00:53:09,880 --> 00:53:11,839
Speaker 4: of a problem when you have the Rock as your hero.

992
00:53:12,040 --> 00:53:15,719
Speaker 4: It's really hard to find humans who look like they

993
00:53:15,840 --> 00:53:16,520
Speaker 4: could take him.

994
00:53:16,719 --> 00:53:20,959
Speaker 2: Yeah, Like I thought it was Bobon for one second. Sure,

995
00:53:21,160 --> 00:53:23,080
Speaker 2: I was, well, and you know, I knowing Boman has

996
00:53:23,080 --> 00:53:25,040
Speaker 2: been in John Wick, I'm like, oh yeah, but I

997
00:53:25,200 --> 00:53:28,120
Speaker 2: like I was like, it's not him because I would

998
00:53:28,160 --> 00:53:30,759
Speaker 2: have known that. But you're right, JD. There's not many,

999
00:53:31,000 --> 00:53:33,840
Speaker 2: not many humans on this planet that can, you know,

1000
00:53:34,040 --> 00:53:36,800
Speaker 2: physically sort of step to the Rock and look like

1001
00:53:36,880 --> 00:53:38,000
Speaker 2: they could dominate.

1002
00:53:37,680 --> 00:53:40,520
Speaker 4: Him, right, or at least like they tried to have

1003
00:53:40,680 --> 00:53:43,680
Speaker 4: him like loom over him and look, and he did

1004
00:53:43,840 --> 00:53:46,040
Speaker 4: sort of look intimidated, but then he just punches him

1005
00:53:46,040 --> 00:53:49,280
Speaker 4: in the face, which is it's great, it's great.

1006
00:53:49,719 --> 00:53:52,239
Speaker 2: Yeah, that's some comedy there, of course. Uh what a

1007
00:53:52,360 --> 00:53:57,480
Speaker 2: weird what a weird setup of this facility? Why are

1008
00:53:57,520 --> 00:54:02,280
Speaker 2: they these two like you know, basically hallways with glass

1009
00:54:02,360 --> 00:54:05,200
Speaker 2: hallways at that, with this room in the middle, Like

1010
00:54:05,280 --> 00:54:07,480
Speaker 2: what is this room in the middle that they could

1011
00:54:07,560 --> 00:54:08,399
Speaker 2: see it? That's weird.

1012
00:54:08,400 --> 00:54:12,280
Speaker 3: There's some sort of transport that the gigantic guy is underneath,

1013
00:54:12,360 --> 00:54:14,799
Speaker 3: and like he comes out from underneath him. So we're

1014
00:54:14,880 --> 00:54:18,000
Speaker 3: led to believe that there's like eight to ten henchmen

1015
00:54:18,200 --> 00:54:22,040
Speaker 3: just watching this guy do repairs. You gotta see what

1016
00:54:22,200 --> 00:54:24,520
Speaker 3: Old Joe's doing down there in the shop. This guy

1017
00:54:24,640 --> 00:54:26,719
Speaker 3: really knows how to tighten a lug nut. Yeah, you

1018
00:54:26,719 --> 00:54:28,720
Speaker 3: want to talk about a tin can of farts?

1019
00:54:28,760 --> 00:54:32,480
Speaker 2: How about that? These eight to ten henchmen just ripping

1020
00:54:32,600 --> 00:54:33,279
Speaker 2: farts all the way.

1021
00:54:34,280 --> 00:54:37,520
Speaker 4: It's like the windows we gotta go through, we gotta

1022
00:54:37,560 --> 00:54:39,160
Speaker 4: get to the base. We gotta go through the base,

1023
00:54:39,200 --> 00:54:43,000
Speaker 4: We gotta go through the garage and the breakroom simultaneous.

1024
00:54:45,239 --> 00:54:50,279
Speaker 2: It's true, it's true. So yeah, the funny part of course,

1025
00:54:50,480 --> 00:54:52,440
Speaker 2: like they managed to take out all the guys, that's

1026
00:54:52,520 --> 00:54:54,560
Speaker 2: not a problem. And then the payoff tray said it is,

1027
00:54:55,320 --> 00:54:56,719
Speaker 2: you got to use one of the You got to

1028
00:54:56,840 --> 00:55:01,960
Speaker 2: use the guy's retina's basically or facal facial recognition to

1029
00:55:02,520 --> 00:55:05,000
Speaker 2: unlock the door. So the rock has no problem because

1030
00:55:05,000 --> 00:55:06,640
Speaker 2: he's no, he knows it's that giant guy that he

1031
00:55:06,719 --> 00:55:10,400
Speaker 2: just knocked out. But then Shaw's gotta is it's like,

1032
00:55:10,719 --> 00:55:12,719
Speaker 2: you know, we've all been in that situation with keys

1033
00:55:12,800 --> 00:55:16,719
Speaker 2: before where it's like, you know, maybe I don't know

1034
00:55:16,760 --> 00:55:18,600
Speaker 2: what the situation would be where you wouldn't know the key,

1035
00:55:18,760 --> 00:55:20,759
Speaker 2: but you know, like you got ten of them. You're like,

1036
00:55:20,840 --> 00:55:24,160
Speaker 2: oh god, it's one of these and you're like sure,

1037
00:55:24,200 --> 00:55:28,560
Speaker 2: it's like being on Survivor. Yeah, you're like, well, it's

1038
00:55:28,600 --> 00:55:29,880
Speaker 2: a bit of a crap shoot. Here we go, and

1039
00:55:30,440 --> 00:55:32,440
Speaker 2: and Shaw would have been Shaw would have been probably

1040
00:55:32,480 --> 00:55:34,120
Speaker 2: going home that night if he was on the island,

1041
00:55:34,200 --> 00:55:35,759
Speaker 2: because he would have blown it. It took him a

1042
00:55:35,840 --> 00:55:39,239
Speaker 2: long long time the last body, if I if I

1043
00:55:39,320 --> 00:55:41,520
Speaker 2: remember correctly, Yeah, to finally get through.

1044
00:55:41,640 --> 00:55:45,239
Speaker 3: So the whole time, I'm just saying, just walk around, man,

1045
00:55:45,520 --> 00:55:48,040
Speaker 3: just like walk back through the door.

1046
00:55:48,120 --> 00:55:51,600
Speaker 2: You came, go to the door. Then Hobbs went just

1047
00:55:51,719 --> 00:55:52,120
Speaker 2: cruise on.

1048
00:55:52,400 --> 00:55:55,960
Speaker 4: Yeah, but I thought it was neither door would open.

1049
00:55:56,040 --> 00:55:59,640
Speaker 4: They both have to open simultaneously. I think that's why

1050
00:55:59,719 --> 00:56:00,439
Speaker 4: they were doing.

1051
00:56:00,480 --> 00:56:05,480
Speaker 2: It's gotta be. It has to be. That's a good point. Okay, okay,

1052
00:56:06,040 --> 00:56:07,440
Speaker 2: all right, I need you eleven.

1053
00:56:07,800 --> 00:56:10,200
Speaker 3: You eleven gotta go down to the garage right now.

1054
00:56:10,520 --> 00:56:12,759
Speaker 3: And you're going in at the same time the guy

1055
00:56:13,200 --> 00:56:16,160
Speaker 3: fix the thing. Everybody else let us know how he's doing.

1056
00:56:16,440 --> 00:56:16,640
Speaker 2: One.

1057
00:56:16,840 --> 00:56:17,000
Speaker 3: Two.

1058
00:56:19,040 --> 00:56:22,440
Speaker 2: That's a strange, strange setup. So, like I said, they

1059
00:56:22,520 --> 00:56:25,600
Speaker 2: do escape and this thing like this facility just is

1060
00:56:25,719 --> 00:56:32,600
Speaker 2: like completely destroyed. But that that device, this thing we

1061
00:56:32,719 --> 00:56:35,239
Speaker 2: need to save Hattie is the whole reason we're doing this.

1062
00:56:36,560 --> 00:56:40,359
Speaker 2: It's it's it's busted. It's like, uh, it makes sense.

1063
00:56:40,360 --> 00:56:42,440
Speaker 2: I was actually happy with that. It's like it was

1064
00:56:42,560 --> 00:56:46,759
Speaker 2: in that truck that basically got like completely destroyed and

1065
00:56:46,880 --> 00:56:50,520
Speaker 2: so now they're in trouble. This was a wild action

1066
00:56:50,680 --> 00:56:52,920
Speaker 2: scene too. I don't want to gloss over it. I'm

1067
00:56:52,960 --> 00:56:55,120
Speaker 2: sort of like struggling if if I'm being honest to

1068
00:56:55,200 --> 00:56:57,920
Speaker 2: remember the details of this of what like, what's the

1069
00:56:57,960 --> 00:57:00,240
Speaker 2: big set piece in this one? TK would you say

1070
00:57:00,320 --> 00:57:02,360
Speaker 2: of this escape here at this facility?

1071
00:57:02,400 --> 00:57:04,880
Speaker 3: What is it? A couple things that stood out to

1072
00:57:04,960 --> 00:57:08,239
Speaker 3: me are when the doctor comes through with the flamethrower.

1073
00:57:08,400 --> 00:57:10,560
Speaker 2: Yeah, like you're saying, he's uh, he's.

1074
00:57:10,520 --> 00:57:13,280
Speaker 3: You know, he's the Roman Pierce coming in out of nowhere,

1075
00:57:13,320 --> 00:57:15,480
Speaker 3: a character that we know is somewhere around and you

1076
00:57:15,520 --> 00:57:18,360
Speaker 3: don't expect to be the hero there. Hobbs is driving

1077
00:57:20,040 --> 00:57:23,760
Speaker 3: just a massive transport and crashing through everything. I guess

1078
00:57:23,880 --> 00:57:28,280
Speaker 3: that's that has been Hobbs's style throughout this as he

1079
00:57:28,480 --> 00:57:31,440
Speaker 3: has whatever, the biggest vehicle you could possibly have, and

1080
00:57:31,560 --> 00:57:34,680
Speaker 3: that's all smashing into stuff. Hattie does pull a jump,

1081
00:57:34,800 --> 00:57:37,880
Speaker 3: you know, they're they're like, we got a trade paint, right, Yes,

1082
00:57:38,320 --> 00:57:41,440
Speaker 3: Hattie pulls a jump from Shaw to Hobbs and then

1083
00:57:41,520 --> 00:57:43,920
Speaker 3: she lands on his lap. They stare at each other,

1084
00:57:44,040 --> 00:57:47,920
Speaker 3: they neleast share a smooch, but they don't. And then

1085
00:57:47,960 --> 00:57:49,840
Speaker 3: we get a fight on the back of that transport

1086
00:57:50,240 --> 00:57:54,520
Speaker 3: as Hattie is driving, and I mean they basically lose.

1087
00:57:54,600 --> 00:57:56,520
Speaker 3: They get away like you're saying, skeets, but the thing

1088
00:57:56,640 --> 00:57:59,560
Speaker 3: is broken and these guys take some serious hits.

1089
00:57:59,800 --> 00:58:01,280
Speaker 2: Yeah, Brixton is on the backs.

1090
00:58:01,480 --> 00:58:01,880
Speaker 3: Is that right?

1091
00:58:02,000 --> 00:58:04,440
Speaker 2: Yeah, the two of them against Brixton. Yeah, that's right,

1092
00:58:04,600 --> 00:58:07,440
Speaker 2: that's right, and they're they're not doing as great a job.

1093
00:58:07,520 --> 00:58:10,560
Speaker 2: I guess working together at this point jd oh, they

1094
00:58:10,600 --> 00:58:15,160
Speaker 2: sort of are Hobs and Shaw. They start taking turns

1095
00:58:15,200 --> 00:58:15,880
Speaker 2: a little bit more.

1096
00:58:16,320 --> 00:58:19,280
Speaker 4: Yeah, I mean they save the working together to the

1097
00:58:19,400 --> 00:58:21,040
Speaker 4: absolute climax of the movie.

1098
00:58:21,200 --> 00:58:23,280
Speaker 2: I guess when they turn to each other and say,

1099
00:58:23,400 --> 00:58:25,760
Speaker 2: hey man, we should work together, I'll get hit in

1100
00:58:25,800 --> 00:58:27,280
Speaker 2: the face and then you can hit them.

1101
00:58:28,440 --> 00:58:28,600
Speaker 4: Oh.

1102
00:58:28,720 --> 00:58:32,960
Speaker 3: Yeah. It is during during this scene that you know

1103
00:58:33,080 --> 00:58:37,560
Speaker 3: they're fighting. I think it's Hobdenshaw fighting against Brixton and

1104
00:58:37,680 --> 00:58:41,040
Speaker 3: Brixton eats those delicious breadcrumbs. The fate of the world

1105
00:58:41,160 --> 00:58:43,720
Speaker 3: is in your hands and you can't even get along.

1106
00:58:45,480 --> 00:58:47,920
Speaker 3: Oh yes, yes, yes, I remember that. We were wondering

1107
00:58:47,960 --> 00:58:48,720
Speaker 3: if they were going to be.

1108
00:58:48,760 --> 00:58:52,080
Speaker 2: Able to I hated one thing always with Brixton. Loved

1109
00:58:52,120 --> 00:58:54,520
Speaker 2: them as a villain, obviously love Elba, but I hated

1110
00:58:54,640 --> 00:58:56,360
Speaker 2: like when they would go and they went to like

1111
00:58:56,520 --> 00:58:59,240
Speaker 2: three times, it felt like in this movie that that

1112
00:58:59,480 --> 00:59:03,800
Speaker 2: shot where it's like he like his uh computer, cybernetics,

1113
00:59:04,080 --> 00:59:08,040
Speaker 2: like computing, like the enemy coming at him, and it's always, yeah,

1114
00:59:08,200 --> 00:59:10,920
Speaker 2: terminator view, and it's like we saw that like three times.

1115
00:59:13,000 --> 00:59:14,440
Speaker 2: I just didn't love that. I don't know why. Maybe

1116
00:59:14,480 --> 00:59:15,920
Speaker 2: it was by the third time I was like, Okay,

1117
00:59:16,120 --> 00:59:20,040
Speaker 2: we get it, man, he's like the computer is helping

1118
00:59:20,160 --> 00:59:22,400
Speaker 2: him like power up and where to dock and all that.

1119
00:59:22,600 --> 00:59:25,560
Speaker 2: But yeah, we got that same shot. Like it looked

1120
00:59:25,600 --> 00:59:27,080
Speaker 2: exactly the same all three times to me.

1121
00:59:27,880 --> 00:59:31,720
Speaker 4: Yeah. Yeah, And because it's almost slow motion and the guys,

1122
00:59:31,960 --> 00:59:34,440
Speaker 4: the guys punching him, they kind of look stupid right

1123
00:59:34,560 --> 00:59:37,720
Speaker 4: for the point. Yeah, it's just like I don't know,

1124
00:59:38,000 --> 00:59:42,560
Speaker 4: I can't do it, but it's just it's just like, okay, yeah,

1125
00:59:42,840 --> 00:59:45,480
Speaker 4: so do we need it? I don't think so. I

1126
00:59:45,560 --> 00:59:47,760
Speaker 4: think they just wanted to sell it for the end,

1127
00:59:47,920 --> 00:59:51,240
Speaker 4: right for the for the Oh we gotta, we gotta.

1128
00:59:51,680 --> 00:59:58,880
Speaker 4: You know, he can only fight one guy at a time, apparently, Yeah.

1129
00:59:58,760 --> 01:00:01,680
Speaker 2: I mean yeah, it's it's the only way to defeat

1130
01:00:01,800 --> 01:00:04,520
Speaker 2: this boss. Is like, if you're playing contra with your buddy,

1131
01:00:04,600 --> 01:00:08,120
Speaker 2: you both better be there at the end. Somebody with

1132
01:00:08,200 --> 01:00:10,360
Speaker 2: the spread gun, somebody with the laser gun. You're gonna

1133
01:00:10,360 --> 01:00:14,360
Speaker 2: take down this enemy. So this is where the movie

1134
01:00:14,480 --> 01:00:17,120
Speaker 2: turns turns bad for me.

1135
01:00:18,360 --> 01:00:18,640
Speaker 4: Okay.

1136
01:00:20,280 --> 01:00:23,120
Speaker 2: And there are breadcrumbs early in this movie about family,

1137
01:00:23,360 --> 01:00:27,040
Speaker 2: about about the rock, about Hobbs, and like where his

1138
01:00:27,160 --> 01:00:29,520
Speaker 2: family is, and he's got a photo of his dad,

1139
01:00:30,480 --> 01:00:37,160
Speaker 2: Rocky Johnson. But this thing is destroyed, this very important,

1140
01:00:38,320 --> 01:00:42,560
Speaker 2: extremely high tech piece of equipment. To save Hattie, and

1141
01:00:42,720 --> 01:00:46,400
Speaker 2: Hobbs says, I know where we should take this. He

1142
01:00:46,520 --> 01:00:51,080
Speaker 2: goes to his childhood home in Samoa to visit his

1143
01:00:51,360 --> 01:00:57,320
Speaker 2: estranged brother Jonah, who is a talented mechanic, to help

1144
01:00:57,400 --> 01:01:00,800
Speaker 2: him repair this device, and then lay low before confronting

1145
01:01:01,120 --> 01:01:08,040
Speaker 2: Brixton again. Come on, come like, I get it. The

1146
01:01:08,160 --> 01:01:11,680
Speaker 2: family angle what happens on the island. Okay, maybe it

1147
01:01:11,760 --> 01:01:13,560
Speaker 2: ends up being cool if you like the action scene,

1148
01:01:13,600 --> 01:01:17,280
Speaker 2: but just the idea that his brother, who is just

1149
01:01:17,400 --> 01:01:23,840
Speaker 2: a good mechanic, he's basically Brian O'Connor. He's basically no, no,

1150
01:01:24,200 --> 01:01:31,120
Speaker 2: he's better than Brian. Why why he's just easily okay?

1151
01:01:31,240 --> 01:01:33,280
Speaker 4: Ye didn't where where is any sort of like a

1152
01:01:33,440 --> 01:01:36,840
Speaker 4: jack of all trades, Like, don't don't they make it

1153
01:01:37,000 --> 01:01:41,280
Speaker 4: sort of that he's like when the backstory with his

1154
01:01:41,400 --> 01:01:43,640
Speaker 4: father and they're doing jobs and doing all sorts of

1155
01:01:43,720 --> 01:01:46,520
Speaker 4: different jobs, different stuff.

1156
01:01:46,800 --> 01:01:52,600
Speaker 2: You know, Yeah, so he has a wider range of mean, yeah,

1157
01:01:53,000 --> 01:01:57,400
Speaker 2: he's like a handyman. GD Well, he's fixing a mechanical device. Well,

1158
01:01:57,600 --> 01:01:59,840
Speaker 2: I'm going to argue that this is like a little

1159
01:02:00,040 --> 01:02:05,000
Speaker 2: more detailed than a sixty seven in Paula or something

1160
01:02:05,120 --> 01:02:05,320
Speaker 2: like that.

1161
01:02:06,800 --> 01:02:12,640
Speaker 3: This thing is okay anyway, He's like, Okay, it's because

1162
01:02:13,000 --> 01:02:15,280
Speaker 3: to me, it's it's odd that they're like, we needed

1163
01:02:15,280 --> 01:02:18,840
Speaker 3: to go somewhere off the grid, but also while we're

1164
01:02:18,880 --> 01:02:20,960
Speaker 3: there off the grid, we're gonna be able to fix

1165
01:02:21,080 --> 01:02:22,520
Speaker 3: this incredibly high tech device.

1166
01:02:22,600 --> 01:02:26,200
Speaker 2: Sure, sure seem maybe to me, what.

1167
01:02:26,640 --> 01:02:29,040
Speaker 4: If he's you say, he's just a mechanic, but maybe

1168
01:02:29,080 --> 01:02:33,280
Speaker 4: he's been wasting his talents and he's actually a genius engineer,

1169
01:02:33,480 --> 01:02:36,600
Speaker 4: you know, like somebody's got to fix it, and maybe

1170
01:02:36,640 --> 01:02:39,080
Speaker 4: it just needs to be turned on, right, he's not. Actually,

1171
01:02:40,640 --> 01:02:43,760
Speaker 4: it's like it's like the starter needs to be changed

1172
01:02:43,880 --> 01:02:46,320
Speaker 4: or something, you know, Okay, and I get I.

1173
01:02:46,760 --> 01:02:50,520
Speaker 2: Basically they're telling us Jonah is what's her name from? Uh?

1174
01:02:51,320 --> 01:02:54,720
Speaker 2: From the Black Panther? Sure, yeah, like that's what they're saying.

1175
01:02:54,960 --> 01:03:02,480
Speaker 2: And then this island is uh Makanda Okay, So I mean,

1176
01:03:02,560 --> 01:03:07,440
Speaker 2: why why not? Also, I I'm glad they tried and

1177
01:03:07,600 --> 01:03:11,160
Speaker 2: gave a reason why the rock has never been back.

1178
01:03:11,680 --> 01:03:13,680
Speaker 2: I mean I thought it was a pretty lame ass reason.

1179
01:03:13,720 --> 01:03:16,440
Speaker 2: I guess he like put his dad in jail, right,

1180
01:03:16,560 --> 01:03:20,320
Speaker 2: turned on the on the family. Yeah, became a cop obviously,

1181
01:03:21,240 --> 01:03:23,480
Speaker 2: but that doesn't really fit his character either, like why

1182
01:03:23,520 --> 01:03:25,120
Speaker 2: why would you do that to your mom? Why would

1183
01:03:25,120 --> 01:03:27,680
Speaker 2: you do that to your other brothers? And and uh,

1184
01:03:28,160 --> 01:03:29,640
Speaker 2: I thought it was lame. I didn't like this part.

1185
01:03:29,720 --> 01:03:32,960
Speaker 2: I gotta say it. I don't like the story. I

1186
01:03:33,000 --> 01:03:36,439
Speaker 2: don't like U that Jonah can fix this, But okay,

1187
01:03:36,520 --> 01:03:40,480
Speaker 2: JD's fine with it. You're just saying it's potential with him.

1188
01:03:40,640 --> 01:03:43,960
Speaker 4: After everything that's happened. This is where you suspend your

1189
01:03:44,080 --> 01:03:48,600
Speaker 4: your suspension of disbelief stops. It's just like, Okay, I

1190
01:03:48,720 --> 01:03:50,560
Speaker 4: guess we all have our limits.

1191
01:03:50,680 --> 01:03:53,920
Speaker 2: You know, it's true, that's true. So okay, Hobbs has

1192
01:03:53,920 --> 01:03:57,200
Speaker 2: a very tense reunion with his family, but Jonah is

1193
01:03:57,240 --> 01:04:03,200
Speaker 2: eventually persuaded to help them by their mom. Yes, who

1194
01:04:03,240 --> 01:04:05,160
Speaker 2: I read is younger than the Rock and real life

1195
01:04:05,400 --> 01:04:10,439
Speaker 2: that's crazy, which is pretty funny. So this is where

1196
01:04:10,520 --> 01:04:13,400
Speaker 2: the final stand is going to go down or in Samoa.

1197
01:04:14,360 --> 01:04:16,760
Speaker 2: Jonahs doing his shurry like things, Harry trying to fix

1198
01:04:16,840 --> 01:04:19,960
Speaker 2: this thing. But we also, I guess, have enough time

1199
01:04:20,040 --> 01:04:22,800
Speaker 2: in the day to set up booby traps, turn it

1200
01:04:22,880 --> 01:04:25,920
Speaker 2: into home alone here a TK you know, do a

1201
01:04:25,960 --> 01:04:27,920
Speaker 2: bunch of dig in, do a bunch of setting up

1202
01:04:28,640 --> 01:04:30,200
Speaker 2: again things that are going to come in handy in

1203
01:04:30,240 --> 01:04:35,320
Speaker 2: a little bit. Because this makeshift battalion prepares for Etian's arrival.

1204
01:04:35,360 --> 01:04:37,560
Speaker 2: They know it's coming, so they set up these traps

1205
01:04:37,600 --> 01:04:41,400
Speaker 2: around the island. Like I said, Jonah successfully repairs the device.

1206
01:04:41,520 --> 01:04:41,680
Speaker 5: JD.

1207
01:04:41,760 --> 01:04:44,120
Speaker 2: You're right, hey, look Lock, I didn't think you could

1208
01:04:44,120 --> 01:04:45,720
Speaker 2: do it. I didn't think he had the tools there.

1209
01:04:46,080 --> 01:04:48,880
Speaker 2: He had nice shop, I just didn't think he had

1210
01:04:48,880 --> 01:04:51,320
Speaker 2: the smarts to do it. But he starts the virus

1211
01:04:52,080 --> 01:04:56,320
Speaker 2: extraction just as Brixton and the army arrive, and this

1212
01:04:56,480 --> 01:04:59,560
Speaker 2: is where we get the ensuing battle and all of

1213
01:04:59,640 --> 01:05:02,080
Speaker 2: Bricks soldiers they're defeated because they do a slick move

1214
01:05:02,160 --> 01:05:04,120
Speaker 2: I will say it like the fire move, like the

1215
01:05:04,200 --> 01:05:06,800
Speaker 2: fir ring move, or they box them in TK to

1216
01:05:06,920 --> 01:05:09,000
Speaker 2: take them down here. But we'll go through this in

1217
01:05:09,040 --> 01:05:11,760
Speaker 2: a little more detail. The final set piece, the final

1218
01:05:11,880 --> 01:05:16,720
Speaker 2: battle Brixton. There all these operatives of his with with

1219
01:05:17,160 --> 01:05:22,919
Speaker 2: et On versus the Samoans, versus versus a bunch of wrestlers. Yeah,

1220
01:05:23,080 --> 01:05:25,080
Speaker 2: which is awesome. Yeah.

1221
01:05:25,400 --> 01:05:27,960
Speaker 3: I thought it was actually pretty smart the way they

1222
01:05:28,120 --> 01:05:34,160
Speaker 3: go about, you know, uh, battling Brixton's technological superiority. Because

1223
01:05:34,200 --> 01:05:36,800
Speaker 3: we get the scene earlier in the movie where Hattie

1224
01:05:36,920 --> 01:05:40,120
Speaker 3: has an eti On gun pulled on Brixton.

1225
01:05:40,200 --> 01:05:42,000
Speaker 2: And she's ready to shoot him. She's ready to shoot

1226
01:05:42,040 --> 01:05:44,120
Speaker 2: him in the head. She pulls the trigger, it won't

1227
01:05:44,200 --> 01:05:46,320
Speaker 2: pull because they have this activation chip.

1228
01:05:46,600 --> 01:05:50,760
Speaker 3: And that's when we see, oh, your technological superiority, that's

1229
01:05:50,840 --> 01:05:55,040
Speaker 3: your Achilles heel buddy, they thought of everything, so yeah,

1230
01:05:55,080 --> 01:05:57,360
Speaker 3: they're like, we only need six minutes. We're gonna get

1231
01:05:57,400 --> 01:06:00,720
Speaker 3: them all contained inside this fire thing. Pretty smart move,

1232
01:06:01,720 --> 01:06:06,040
Speaker 3: I thought by Hobbs and his crew. There, there's some

1233
01:06:06,200 --> 01:06:08,960
Speaker 3: fun moments in this fight. I thought, I love seeing

1234
01:06:09,040 --> 01:06:12,720
Speaker 3: Roman reins hit the spear and the Samoan drop, pretty

1235
01:06:12,760 --> 01:06:16,360
Speaker 3: funny for wrestling fans. The part with Hobbs and the

1236
01:06:16,480 --> 01:06:19,760
Speaker 3: chain and the helicopter is pretty hilarious. At least we

1237
01:06:19,800 --> 01:06:23,520
Speaker 3: get to see one superhero or another superhero sort of

1238
01:06:24,320 --> 01:06:27,920
Speaker 3: feet of strength from Hobbs there. We had him jumping

1239
01:06:28,000 --> 01:06:31,720
Speaker 3: thirty or forty floors earlier after running down the side

1240
01:06:31,760 --> 01:06:36,000
Speaker 3: of the skyscraper, and now he's able to hold a helicopter,

1241
01:06:36,080 --> 01:06:37,680
Speaker 3: but he doesn't have to do it for long. So

1242
01:06:37,800 --> 01:06:40,080
Speaker 3: I like that that he only has to hold it briefly,

1243
01:06:40,920 --> 01:06:43,240
Speaker 3: just a little bit of a flex. And I also

1244
01:06:43,360 --> 01:06:44,600
Speaker 3: like that we get to see a little bit of

1245
01:06:44,720 --> 01:06:51,000
Speaker 3: Samoan NOAs we saw dental noss earlier in this franchise.

1246
01:06:51,440 --> 01:06:55,720
Speaker 3: This hit him with the moonshine, now another great little

1247
01:06:55,800 --> 01:06:58,880
Speaker 3: bit of a nod to the past of Fast and Furious.

1248
01:06:59,160 --> 01:07:01,640
Speaker 2: How are they going to get you? Know, how were

1249
01:07:01,680 --> 01:07:03,120
Speaker 2: they going to do it. They found out a way.

1250
01:07:03,640 --> 01:07:05,640
Speaker 4: Yeah, I was just kind of hoping that Jonah would

1251
01:07:05,680 --> 01:07:08,240
Speaker 4: have just an injected noss into the device he was

1252
01:07:08,280 --> 01:07:11,760
Speaker 4: trying to fix. That would have that would have come.

1253
01:07:11,920 --> 01:07:14,680
Speaker 4: That would have been perfect for the Fast and Furious universe.

1254
01:07:14,880 --> 01:07:18,560
Speaker 4: Just needs a little nos, guys, just just as Yeah.

1255
01:07:18,520 --> 01:07:22,320
Speaker 2: The helicopter scene, jd uh because b Brixton does get

1256
01:07:22,360 --> 01:07:27,480
Speaker 2: Hattie and yeah, this is where we get the trucks

1257
01:07:27,520 --> 01:07:30,440
Speaker 2: lining up. They start linking up. Wow, they're pretty good

1258
01:07:30,440 --> 01:07:32,600
Speaker 2: at linking up. I'll tell you that the Samoans have

1259
01:07:32,800 --> 01:07:36,680
Speaker 2: mastered that. The one guy does like a double hook throw. Yeah,

1260
01:07:37,200 --> 01:07:39,040
Speaker 2: boom nails it on the first goal. The other guy

1261
01:07:39,160 --> 01:07:42,000
Speaker 2: just has some device on his truck that like he

1262
01:07:42,160 --> 01:07:45,480
Speaker 2: presses and it links up to the one behind him.

1263
01:07:45,480 --> 01:07:47,840
Speaker 2: Because they get this little train going because the helicopter

1264
01:07:47,960 --> 01:07:50,040
Speaker 2: is trying to like pull away obviously trying to go up,

1265
01:07:50,120 --> 01:07:52,640
Speaker 2: pull up, and uh, they just need more weight, so

1266
01:07:52,680 --> 01:07:55,480
Speaker 2: they just keep adding trucks basically to the to the

1267
01:07:55,560 --> 01:07:58,200
Speaker 2: front to this little train to uh, to keep it down.

1268
01:07:58,280 --> 01:08:02,960
Speaker 2: It's hilariously unbelievable, but that's where we are in the franchise.

1269
01:08:03,000 --> 01:08:07,560
Speaker 4: So hey, at least, at least they're not going backwards. Right, Yeah,

1270
01:08:08,320 --> 01:08:09,480
Speaker 4: that's fair, that's fair.

1271
01:08:09,920 --> 01:08:11,720
Speaker 2: So you were you're okay with it? These guys.

1272
01:08:11,760 --> 01:08:14,439
Speaker 4: I mean, it was my least it was my least

1273
01:08:14,480 --> 01:08:18,439
Speaker 4: favorite part. Just it's because it's the most fast and

1274
01:08:18,560 --> 01:08:21,240
Speaker 4: furious part, right, Like it's like, oh, okay, let's get

1275
01:08:21,280 --> 01:08:22,599
Speaker 4: in the cars. We got to get in the cars.

1276
01:08:22,680 --> 01:08:24,760
Speaker 4: It's a fast and furious movie. So let's just let's

1277
01:08:25,240 --> 01:08:29,920
Speaker 4: let's get in the cars, you know. But again, they

1278
01:08:29,960 --> 01:08:32,240
Speaker 4: weren't going in reverse, which I so I enjoyed that,

1279
01:08:32,560 --> 01:08:36,120
Speaker 4: and uh, you know, you have to weigh down the helicopter.

1280
01:08:36,760 --> 01:08:41,320
Speaker 4: And I didn't quite understand what the booby traps were,

1281
01:08:41,760 --> 01:08:44,320
Speaker 4: Like we see them digging these the oil cans that

1282
01:08:44,360 --> 01:08:48,640
Speaker 4: they're bearing, and I guess they're used as projectiles, you know,

1283
01:08:49,160 --> 01:08:52,160
Speaker 4: Is that what they were intended for? Like were they

1284
01:08:52,280 --> 01:08:56,280
Speaker 4: expecting this sort of chase with a helicopter trying to.

1285
01:08:56,439 --> 01:08:59,360
Speaker 2: Keep that helicopter helicopter?

1286
01:08:59,680 --> 01:09:02,920
Speaker 4: Yeah, but on that, But there were other bovie traps

1287
01:09:02,920 --> 01:09:06,320
Speaker 4: that I really enjoyed, like triggering the the big arm

1288
01:09:06,400 --> 01:09:10,320
Speaker 4: that comes and slat slams into another one of the

1289
01:09:10,479 --> 01:09:12,960
Speaker 4: enemy's trucks and whatever. And so that part of it

1290
01:09:13,120 --> 01:09:18,000
Speaker 4: was fun. But yeah, I mean again, it's a fast

1291
01:09:18,040 --> 01:09:20,880
Speaker 4: and furious movie, so I sort of have to live

1292
01:09:20,960 --> 01:09:21,599
Speaker 4: with it, I guess.

1293
01:09:21,920 --> 01:09:22,120
Speaker 2: Yeah.

1294
01:09:22,120 --> 01:09:25,240
Speaker 3: I would love to compare the weights of all of

1295
01:09:25,320 --> 01:09:28,759
Speaker 3: the cars used to pull down the helicopter in Hobbs

1296
01:09:28,800 --> 01:09:30,800
Speaker 3: and Shaw versus all of the cars used to pull

1297
01:09:30,880 --> 01:09:34,320
Speaker 3: down the gigantic Plane and five, because I feel like

1298
01:09:34,400 --> 01:09:37,559
Speaker 3: there are fewer cars in Fast five that are attached

1299
01:09:37,560 --> 01:09:38,320
Speaker 3: to be a carpoon.

1300
01:09:38,520 --> 01:09:38,720
Speaker 5: Yeah.

1301
01:09:38,720 --> 01:09:42,520
Speaker 2: I think they have found in this franchise the strongest

1302
01:09:43,200 --> 01:09:48,400
Speaker 2: chains wires, carpoons as we call them. They found like

1303
01:09:48,680 --> 01:09:50,280
Speaker 2: h vibinia.

1304
01:09:50,600 --> 01:09:51,400
Speaker 3: What is it? What is it?

1305
01:09:51,800 --> 01:09:52,360
Speaker 4: Vibranium.

1306
01:09:52,720 --> 01:09:54,920
Speaker 2: Vibranium, Yeah, like this is they must be made of this.

1307
01:09:55,000 --> 01:09:57,920
Speaker 2: I'm starting to link these worlds together because they almost

1308
01:09:57,960 --> 01:10:01,000
Speaker 2: never snap, you're right, and they can take a lot

1309
01:10:01,640 --> 01:10:04,599
Speaker 2: of pressure. Although at times people are like, it's gonna snap.

1310
01:10:06,040 --> 01:10:06,640
Speaker 4: Well I don't think so.

1311
01:10:06,920 --> 01:10:14,200
Speaker 2: It usually does it. Then, Uh so the helicopter goes down. Down,

1312
01:10:14,280 --> 01:10:18,200
Speaker 2: go Hobbs and Shaw and there in their vehicle. Hattie

1313
01:10:18,200 --> 01:10:20,680
Speaker 2: of course, is in the helicopter. They all fall off

1314
01:10:20,720 --> 01:10:23,639
Speaker 2: a cliff, now breadcrumb from the rock. A little earlier

1315
01:10:24,080 --> 01:10:27,479
Speaker 2: in the whole montage. Setting up for the battle. He

1316
01:10:27,640 --> 01:10:31,040
Speaker 2: says something along the lines of like the island, the

1317
01:10:31,160 --> 01:10:35,320
Speaker 2: island will uh provide. Yeah, and it does because we

1318
01:10:35,400 --> 01:10:37,599
Speaker 2: get a storm. You know, right away you're like, it's

1319
01:10:37,640 --> 01:10:41,439
Speaker 2: gonna storm. And it does well. It starts to rain,

1320
01:10:41,560 --> 01:10:43,880
Speaker 2: just a heavy rain actually, But I was convinced when

1321
01:10:43,880 --> 01:10:46,320
Speaker 2: they fall down like this sort of waterfall or wherever

1322
01:10:46,320 --> 01:10:49,280
Speaker 2: they end up landing, I was like, they're good. I

1323
01:10:49,640 --> 01:10:53,200
Speaker 2: thought Brixton was gonna be defeated because of lightning, like

1324
01:10:53,479 --> 01:10:56,320
Speaker 2: electrician electricity, like in the water, and that was gonna

1325
01:10:56,400 --> 01:10:59,880
Speaker 2: like yeah, I was like, that's gonna happen. It doesn't.

1326
01:11:00,120 --> 01:11:05,360
Speaker 2: It doesn't. Instead, Hobbs and deckerd they work together. They

1327
01:11:05,439 --> 01:11:09,880
Speaker 2: really tell each other, let's work together, really really cheesy,

1328
01:11:10,160 --> 01:11:14,360
Speaker 2: and yeah, they fight Brixton. And that's what it took,

1329
01:11:14,479 --> 01:11:18,519
Speaker 2: the two of them working together that did it, and

1330
01:11:19,120 --> 01:11:22,320
Speaker 2: or it was doing it enough where Etian you know,

1331
01:11:22,400 --> 01:11:28,840
Speaker 2: this unseen director whoever it is, remotely terminates poor uh yeah,

1332
01:11:28,840 --> 01:11:31,560
Speaker 2: I'm gonna call him poor poor Brixton, like Briston, he

1333
01:11:31,680 --> 01:11:34,120
Speaker 2: just got it roped up in the wrong crowd and

1334
01:11:34,840 --> 01:11:37,040
Speaker 2: he just like sort of shuts down, and I Guess

1335
01:11:37,080 --> 01:11:38,880
Speaker 2: falls off another cliff if I remember.

1336
01:11:41,400 --> 01:11:45,880
Speaker 4: Waterfall after the water washed out to see. Yeah, he'll

1337
01:11:45,920 --> 01:11:47,160
Speaker 4: be back, he'll be back.

1338
01:11:47,000 --> 01:11:50,600
Speaker 2: On the Sure he can't. He really can't die like

1339
01:11:50,680 --> 01:11:52,680
Speaker 2: Trey said, or in theory he can, or he can

1340
01:11:52,760 --> 01:11:55,160
Speaker 2: be brought back to life, so he should be Uh,

1341
01:11:55,680 --> 01:11:58,800
Speaker 2: he should be back in the next one. Okay, So

1342
01:11:59,040 --> 01:11:59,680
Speaker 2: I didn't love this.

1343
01:12:00,400 --> 01:12:01,040
Speaker 3: Uh you know.

1344
01:12:01,200 --> 01:12:03,280
Speaker 2: Meanwhile, Hattie, I guess has sort of gotten away from

1345
01:12:03,320 --> 01:12:05,320
Speaker 2: the one guy that had a gun to her. What

1346
01:12:05,439 --> 01:12:07,479
Speaker 2: does she do to get out of that jam? Is

1347
01:12:07,520 --> 01:12:09,680
Speaker 2: that where she does? She use electricity a little bit?

1348
01:12:10,200 --> 01:12:14,000
Speaker 4: Yeah, well, she ignites there's a loose wire conveniently right

1349
01:12:14,080 --> 01:12:17,280
Speaker 4: next to her, and she ignites the fuel that's been leaking.

1350
01:12:17,640 --> 01:12:19,080
Speaker 2: Oh, that's it, that's it.

1351
01:12:20,479 --> 01:12:21,960
Speaker 4: Yeah, that's fine.

1352
01:12:22,720 --> 01:12:24,479
Speaker 2: The island provided.

1353
01:12:25,479 --> 01:12:29,519
Speaker 3: I think it was the guard just sleepy, like, doesn't Brisney.

1354
01:12:29,520 --> 01:12:31,680
Speaker 3: He's like, as soon as that buzzer goes, put a

1355
01:12:31,760 --> 01:12:33,040
Speaker 3: butt bullet.

1356
01:12:32,760 --> 01:12:36,840
Speaker 2: In her head. Uh, And he's just like he's just struggling.

1357
01:12:40,080 --> 01:12:40,360
Speaker 3: Feeling.

1358
01:12:42,080 --> 01:12:46,240
Speaker 2: Yeah, that guy has struck, but I do love that.

1359
01:12:46,520 --> 01:12:49,280
Speaker 3: Finally, finally, at the very end, Hobbs and Shaw are like, hey,

1360
01:12:50,920 --> 01:12:53,519
Speaker 3: let's not go about this like the henchman. It's racking

1361
01:12:53,680 --> 01:12:56,639
Speaker 3: one on one. I'll let him punch me in the face.

1362
01:12:56,720 --> 01:12:58,599
Speaker 3: Then you can punch him and we get some great

1363
01:12:58,840 --> 01:13:01,000
Speaker 3: slow bows the guys getting.

1364
01:13:00,840 --> 01:13:06,120
Speaker 2: Slow mo punched with rain. Yeah. Yeah, very funny. But

1365
01:13:06,320 --> 01:13:08,360
Speaker 2: uh that's a good tip.

1366
01:13:08,479 --> 01:13:10,960
Speaker 3: If you're ever in an action movie and you're fighting

1367
01:13:11,120 --> 01:13:13,160
Speaker 3: like the bad guys, you're probably doing it wrong.

1368
01:13:13,880 --> 01:13:16,559
Speaker 2: Yeah, and uh again, they set this up and they

1369
01:13:16,600 --> 01:13:19,760
Speaker 2: slipped it in there. This fight starts at the break

1370
01:13:19,800 --> 01:13:22,000
Speaker 2: of dawn because they I think Deckert says, that's when

1371
01:13:22,040 --> 01:13:25,360
Speaker 2: Brixton will do it. Uh, you know sort of, that's

1372
01:13:25,400 --> 01:13:27,760
Speaker 2: when we were trained to uh to attack like this.

1373
01:13:28,479 --> 01:13:31,880
Speaker 2: It turns into the day very quickly, and then the

1374
01:13:31,920 --> 01:13:33,840
Speaker 2: storm happens, so it sort of turns night again.

1375
01:13:34,000 --> 01:13:34,559
Speaker 4: Very crazy.

1376
01:13:35,080 --> 01:13:39,560
Speaker 2: Uh, I forgot this part when the rock is in

1377
01:13:39,840 --> 01:13:44,080
Speaker 2: his like not no, what's the term for it.

1378
01:13:45,640 --> 01:13:47,679
Speaker 4: Sorry, Yeah, that's exactly.

1379
01:13:49,280 --> 01:13:53,000
Speaker 2: He then basically does a wardrobe change during the middle

1380
01:13:53,040 --> 01:13:57,120
Speaker 2: of battle or he had pants on underneath it.

1381
01:13:58,280 --> 01:14:00,439
Speaker 3: I think he has pants on under it. Think they

1382
01:14:00,479 --> 01:14:01,640
Speaker 3: show a wide scene of it.

1383
01:14:01,920 --> 01:14:05,519
Speaker 2: Yeah, and then throws a shirt but then he throws

1384
01:14:05,560 --> 01:14:05,960
Speaker 2: a shirt on.

1385
01:14:06,320 --> 01:14:10,040
Speaker 4: Yeah. I think that there was a deleted scene about

1386
01:14:10,080 --> 01:14:13,880
Speaker 4: that shirt because there was some significance to it that

1387
01:14:14,040 --> 01:14:18,439
Speaker 4: we were never privy to. Because there's a somebody hands

1388
01:14:18,520 --> 01:14:21,120
Speaker 4: him the shirt, right, it's like an older shirt. It's

1389
01:14:21,120 --> 01:14:23,439
Speaker 4: got the number seven on it. Maybe it's his lucky

1390
01:14:23,560 --> 01:14:26,720
Speaker 4: shirt from being a kid or something, and basically says, hey,

1391
01:14:26,760 --> 01:14:29,960
Speaker 4: where your mom thought you might want to wear this?

1392
01:14:30,200 --> 01:14:34,120
Speaker 4: And that's all we get, right, and then the shit

1393
01:14:34,240 --> 01:14:35,920
Speaker 4: is hitting the fan, and then he's like, Okay, i

1394
01:14:35,920 --> 01:14:37,280
Speaker 4: gotta get rid of this area and I'm going to

1395
01:14:37,320 --> 01:14:38,920
Speaker 4: get on the truck and I'm putting on my lucky

1396
01:14:38,960 --> 01:14:41,640
Speaker 4: shirt or something. It has to be right, like, there

1397
01:14:41,800 --> 01:14:45,280
Speaker 4: has to be some significance to it. I don't or

1398
01:14:45,360 --> 01:14:46,760
Speaker 4: maybe the rock just didn't want to be on the

1399
01:14:46,800 --> 01:14:49,559
Speaker 4: back of that truck. For however many days they were

1400
01:14:49,600 --> 01:14:53,080
Speaker 4: shooting with no shirt on, right, like who knows?

1401
01:14:53,360 --> 01:14:56,599
Speaker 2: Who knows? Who knows? Quick wardrobe teams does happen? There?

1402
01:14:57,439 --> 01:14:59,680
Speaker 4: At least we see him putting it on, right.

1403
01:15:00,320 --> 01:15:03,320
Speaker 2: Yeah, yeah, I was a little you're telling me he

1404
01:15:03,479 --> 01:15:06,960
Speaker 2: had full on pants underneath his story, I'm.

1405
01:15:06,880 --> 01:15:11,760
Speaker 4: Not telling it. I don't know, right, because I.

1406
01:15:11,760 --> 01:15:13,840
Speaker 2: Am struggling to put his pants on. At some point

1407
01:15:15,400 --> 01:15:17,599
Speaker 2: he must have, but he like rips it off take

1408
01:15:17,680 --> 01:15:22,360
Speaker 2: the wheel and he's like putting out his pants like okay, okay,

1409
01:15:22,479 --> 01:15:26,439
Speaker 2: so uh they they defeat Rixton like I said, and

1410
01:15:27,560 --> 01:15:29,280
Speaker 2: then we get this thing. I mean, the movie like

1411
01:15:29,479 --> 01:15:30,559
Speaker 2: ends pretty damn quick.

1412
01:15:30,760 --> 01:15:30,880
Speaker 5: Uh.

1413
01:15:31,880 --> 01:15:35,439
Speaker 2: The director, this et on director sends a message claiming

1414
01:15:35,479 --> 01:15:38,439
Speaker 2: to know Hobbs, and I'm starting to come around to

1415
01:15:38,840 --> 01:15:42,080
Speaker 2: Kirby's theory here about it being Ryan Ryan Renold Lot.

1416
01:15:44,040 --> 01:15:46,360
Speaker 2: I mean, yeah, I definitely read that he's the voice.

1417
01:15:47,720 --> 01:15:49,840
Speaker 2: But wow, okay, that's gonna be a little twist here.

1418
01:15:49,920 --> 01:15:52,559
Speaker 2: He's gonna turn on him somehow or he's been backstant

1419
01:15:52,640 --> 01:15:54,840
Speaker 2: him the entire time. So in a mid and post

1420
01:15:54,920 --> 01:15:58,240
Speaker 2: credits scene, uh, there's two of them here, Hobbes brings

1421
01:15:58,280 --> 01:16:01,000
Speaker 2: his daughter to meet their extended family and that's very nice,

1422
01:16:01,200 --> 01:16:04,280
Speaker 2: and Deckerd and Hattie are implied to bust their mother

1423
01:16:04,400 --> 01:16:07,080
Speaker 2: out of prison with the little birthday cake there tells

1424
01:16:07,120 --> 01:16:09,639
Speaker 2: her not to eat it. Hobbes also receives a call

1425
01:16:09,760 --> 01:16:11,920
Speaker 2: from his partner Locke this is the second scene here,

1426
01:16:12,640 --> 01:16:14,640
Speaker 2: informing him that he has broken into a facility and

1427
01:16:14,680 --> 01:16:19,559
Speaker 2: discovered another virus worse than the snowflake virus. And again

1428
01:16:19,640 --> 01:16:21,800
Speaker 2: that goes to to Trey's theory. Here locks a bit

1429
01:16:21,840 --> 01:16:26,679
Speaker 2: of a badass himself here, maybe he is this eton.

1430
01:16:27,880 --> 01:16:30,360
Speaker 3: Okay, so that's I mean, why does he know all

1431
01:16:30,400 --> 01:16:32,680
Speaker 3: about these viruses? Why is he the one tracking these

1432
01:16:32,760 --> 01:16:34,720
Speaker 3: viruses trying to get his hands on the room or

1433
01:16:34,840 --> 01:16:36,080
Speaker 3: is he trying to protect people?

1434
01:16:37,240 --> 01:16:40,200
Speaker 4: Good question? Yeah, it's say good. It's a great theory.

1435
01:16:40,320 --> 01:16:43,120
Speaker 4: I mean, I love it. I hope it pays off.

1436
01:16:44,120 --> 01:16:47,920
Speaker 4: I hope Ryan Reynolds is in the movie more next time.

1437
01:16:48,439 --> 01:16:50,719
Speaker 4: So if he's the villain, that even better?

1438
01:16:51,000 --> 01:16:55,280
Speaker 2: Even better? Okay, oh wait, there is one more scene.

1439
01:16:56,720 --> 01:17:02,800
Speaker 2: Hobbes secretly has the London pul uh you know, uh

1440
01:17:03,439 --> 01:17:07,280
Speaker 2: go to Shaw's bar wherever he is place in retaliation

1441
01:17:07,640 --> 01:17:12,439
Speaker 2: for the Mike Oxmall prank, with Hobbes telling the police

1442
01:17:12,479 --> 01:17:23,280
Speaker 2: that Decord's name is Hugh Janus. Classic and see that's

1443
01:17:23,320 --> 01:17:27,160
Speaker 2: the movie Janis.

1444
01:17:28,240 --> 01:17:30,760
Speaker 3: I feel like Mike ox Maall was a fresh one.

1445
01:17:31,320 --> 01:17:34,240
Speaker 3: I don't I heard that one Mike ox Mall before.

1446
01:17:34,320 --> 01:17:36,960
Speaker 3: But Hugh Janis, they could have come up with something

1447
01:17:37,000 --> 01:17:38,679
Speaker 3: better for that that's been around for a long time.

1448
01:17:38,920 --> 01:17:43,880
Speaker 2: Yeah, okay, so that's the movie. Let's just go to

1449
01:17:43,960 --> 01:17:46,040
Speaker 2: the Fast and the Furious part of the podcast, Things

1450
01:17:46,040 --> 01:17:48,440
Speaker 2: we like and then things we hate, any random observations

1451
01:17:48,479 --> 01:17:50,200
Speaker 2: we can throw in, and we'll rape this bad boy.

1452
01:17:50,920 --> 01:17:54,519
Speaker 2: J D will start with you favorite scene or quote

1453
01:17:54,640 --> 01:17:56,240
Speaker 2: or whatever. What'd you love the most?

1454
01:17:56,920 --> 01:18:00,439
Speaker 4: Yeah, my favorite scene. I loved anything with Ryan Reynold's

1455
01:18:00,439 --> 01:18:03,000
Speaker 4: in it. I know that he's just playing Ryan Reynolds

1456
01:18:03,120 --> 01:18:06,120
Speaker 4: or the or a Deadpool, which is basically Ryan Reynolds.

1457
01:18:06,200 --> 01:18:09,880
Speaker 4: But and then I I maybe because I was so

1458
01:18:10,160 --> 01:18:13,519
Speaker 4: surprised to see him and delighted to see him, and

1459
01:18:13,560 --> 01:18:15,840
Speaker 4: then I thought that that the first scene with him

1460
01:18:15,880 --> 01:18:18,720
Speaker 4: in the diner is legit hilarious. And then we cut

1461
01:18:19,400 --> 01:18:22,439
Speaker 4: to the Shaw side and we see Rob Delaney right away,

1462
01:18:22,520 --> 01:18:26,719
Speaker 4: and I was just loving every second of that. Yeah,

1463
01:18:26,800 --> 01:18:29,200
Speaker 4: and I loved the fight between Hattie and Hobbs. I

1464
01:18:29,240 --> 01:18:32,759
Speaker 4: think that's my favorite fight, just because she's throwing garbage

1465
01:18:32,800 --> 01:18:35,559
Speaker 4: bags at him. She's like hitting him with a helmet.

1466
01:18:35,640 --> 01:18:38,519
Speaker 4: I love the sequence where she puts the helmet on

1467
01:18:38,840 --> 01:18:42,000
Speaker 4: and then it pops off and her wig comes off,

1468
01:18:42,160 --> 01:18:44,880
Speaker 4: and that was just funny. There's a lot of levity

1469
01:18:44,920 --> 01:18:45,120
Speaker 4: in it.

1470
01:18:45,760 --> 01:18:45,880
Speaker 2: Uh.

1471
01:18:46,200 --> 01:18:50,000
Speaker 4: And then and then that during that fight, Rachel is

1472
01:18:50,040 --> 01:18:53,400
Speaker 4: like as if, as if, like the Rock wouldn't be

1473
01:18:53,439 --> 01:18:56,439
Speaker 4: able to take her. And then Trey you mentioned it,

1474
01:18:56,920 --> 01:18:59,280
Speaker 4: when he's had enough, he just literally stands up and

1475
01:18:59,360 --> 01:19:03,559
Speaker 4: holds her rag doll above his head and it's just great,

1476
01:19:03,680 --> 01:19:08,400
Speaker 4: Like it's I just love the choreography of that leech.

1477
01:19:08,520 --> 01:19:11,479
Speaker 4: The director he was, he was part of John Wick.

1478
01:19:11,520 --> 01:19:13,360
Speaker 4: I don't know if he directed it or he was,

1479
01:19:13,680 --> 01:19:15,160
Speaker 4: he was at least part of it. He was a

1480
01:19:15,200 --> 01:19:18,880
Speaker 4: stuntman before. So all these sequences, you know, he's got

1481
01:19:19,200 --> 01:19:21,760
Speaker 4: his hands on all of them, so you know. And

1482
01:19:21,840 --> 01:19:25,280
Speaker 4: in meanwhile, by the way, we're intercutting with Shaw fighting

1483
01:19:25,360 --> 01:19:27,840
Speaker 4: in the apartment and he's got a toaster at one point,

1484
01:19:27,920 --> 01:19:30,360
Speaker 4: you know, like he's just fighting with a toaster. And

1485
01:19:30,479 --> 01:19:34,160
Speaker 4: then we also see the grenade as a booby trap,

1486
01:19:34,240 --> 01:19:36,640
Speaker 4: and then we go, of course she's a Shaw. They

1487
01:19:37,000 --> 01:19:41,200
Speaker 4: they love their explosives, you know, and so yeah, I

1488
01:19:41,280 --> 01:19:43,519
Speaker 4: mean he slides over and puts the pin back in.

1489
01:19:44,280 --> 01:19:46,800
Speaker 4: That's right, Yeah, which was a pretty You don't see

1490
01:19:46,840 --> 01:19:49,960
Speaker 4: that often. You don't see people diving towards a grenade

1491
01:19:50,080 --> 01:19:52,040
Speaker 4: and putting it putting the pin back in.

1492
01:19:53,400 --> 01:19:55,400
Speaker 2: Oh, that's a nice touch too. She has, doesn't she

1493
01:19:55,520 --> 01:19:57,240
Speaker 2: have that? Basically as a necklace.

1494
01:19:56,920 --> 01:20:00,599
Speaker 4: All the time, like a pin that from a previous

1495
01:20:01,720 --> 01:20:05,400
Speaker 4: Heighstred or adventure of some kind. So where is Owen

1496
01:20:05,479 --> 01:20:09,080
Speaker 4: and all of this great question? And I was confused

1497
01:20:09,120 --> 01:20:14,599
Speaker 4: by a line where Shaw says to Brixton, you made

1498
01:20:14,640 --> 01:20:16,720
Speaker 4: me kill my own brother. Did he say that? Did

1499
01:20:16,760 --> 01:20:17,519
Speaker 4: I dream that?

1500
01:20:17,680 --> 01:20:20,240
Speaker 2: Definitely? He definitely said that, So.

1501
01:20:21,439 --> 01:20:24,800
Speaker 4: Maybe maybe he got maybe is that is? Did he

1502
01:20:24,960 --> 01:20:28,080
Speaker 4: kill Owen? No, that couldn't.

1503
01:20:28,160 --> 01:20:30,840
Speaker 2: Well, this happens, Trey, correct me if I'm wrong, You're

1504
01:20:30,840 --> 01:20:34,400
Speaker 2: the expert. This happens between the Fate of the Furious,

1505
01:20:34,400 --> 01:20:36,360
Speaker 2: the last movie we just watched, and then the next one,

1506
01:20:36,560 --> 01:20:38,640
Speaker 2: f nine. I mean, like in the timeline, this is

1507
01:20:38,680 --> 01:20:42,800
Speaker 2: between then, So I guess that wouldn't make a lot

1508
01:20:42,840 --> 01:20:45,080
Speaker 2: of sense. That means Shaw would have gone like back

1509
01:20:45,200 --> 01:20:49,519
Speaker 2: to working with Brixton from the time of the That

1510
01:20:49,600 --> 01:20:54,960
Speaker 2: doesn't make any sense. So, yeah, you know anything we.

1511
01:20:55,000 --> 01:20:57,799
Speaker 3: Don't know this is this is one of the questions

1512
01:20:57,920 --> 01:21:01,559
Speaker 3: of this movie is does he mean my brother meaning Owen,

1513
01:21:01,640 --> 01:21:05,280
Speaker 3: my literal biological brother. Is that maybe why their mom

1514
01:21:05,400 --> 01:21:08,639
Speaker 3: is suddenly in jail? Now that's also never explained, right right,

1515
01:21:08,760 --> 01:21:12,599
Speaker 3: Like she's in jail for some reason. She's very interested

1516
01:21:12,920 --> 01:21:19,760
Speaker 3: in Deckard, like reigniting his relationship with Hattie. They don't

1517
01:21:19,760 --> 01:21:22,120
Speaker 3: mention Owen. It also perhaps something went on there, or

1518
01:21:22,200 --> 01:21:26,400
Speaker 3: perhaps he's speaking specifically about Brixton. We were brothers in

1519
01:21:26,600 --> 01:21:31,360
Speaker 3: arms going through this same thing. You turned bad, you

1520
01:21:31,439 --> 01:21:32,400
Speaker 3: tried to turn me bad.

1521
01:21:32,600 --> 01:21:36,160
Speaker 2: Ergo I had to kill you, my brother. Which is it?

1522
01:21:36,439 --> 01:21:39,719
Speaker 3: My guess is most likely the second, But they should

1523
01:21:39,760 --> 01:21:43,599
Speaker 3: have said something about Owen or like gave him as

1524
01:21:43,680 --> 01:21:45,479
Speaker 3: much of a cameo as he had in Fast eight,

1525
01:21:45,520 --> 01:21:47,240
Speaker 3: where he basically just shows up, you know, to be

1526
01:21:47,360 --> 01:21:48,320
Speaker 3: on the plane for a second.

1527
01:21:48,360 --> 01:21:51,280
Speaker 2: They could have had him do something. Oh, I just

1528
01:21:51,400 --> 01:21:54,160
Speaker 2: thought of this too. Another reason you're probably right with

1529
01:21:54,320 --> 01:21:58,200
Speaker 2: your Locke Ryan Reynolds as the real bad guy, the

1530
01:21:58,320 --> 01:22:02,360
Speaker 2: leader of Etian is one of their plans. Eton's plans

1531
01:22:02,960 --> 01:22:07,880
Speaker 2: is to like turn Hobbs and Shaw and even like

1532
01:22:08,240 --> 01:22:11,200
Speaker 2: Brixton is like, that's the stupidest thing I've ever heard.

1533
01:22:11,280 --> 01:22:13,960
Speaker 2: Why would we do that? Give it a go, try it.

1534
01:22:14,439 --> 01:22:17,000
Speaker 2: It's just like so, but like that might make a

1535
01:22:17,000 --> 01:22:20,240
Speaker 2: little more sense of like Locke being a double agent

1536
01:22:20,320 --> 01:22:22,360
Speaker 2: of some sort, Like Okay, let's try and get them

1537
01:22:22,400 --> 01:22:26,960
Speaker 2: on on my side, the evil side. It was a

1538
01:22:27,000 --> 01:22:29,920
Speaker 2: strange plan even if it is lock That was weird.

1539
01:22:30,000 --> 01:22:33,840
Speaker 2: That was never gonna work. Okay, anything else, JD that

1540
01:22:33,920 --> 01:22:34,200
Speaker 2: you love.

1541
01:22:34,720 --> 01:22:38,280
Speaker 4: I loved the Real Quake Fee when the scene on

1542
01:22:38,320 --> 01:22:41,360
Speaker 4: the airplane where the Rock is basically like, hey, it's

1543
01:22:41,400 --> 01:22:44,719
Speaker 4: not the nineteen fifties. Your sister wants to climb this mountain.

1544
01:22:44,920 --> 01:22:47,920
Speaker 4: She chooses to, I'm gonna let her, Like that was

1545
01:22:48,000 --> 01:22:52,000
Speaker 4: just a great way to approach Yeah, this antiquated way

1546
01:22:52,120 --> 01:22:55,400
Speaker 4: that Jason Statham's character is looking at it, and he's like,

1547
01:22:55,640 --> 01:22:59,240
Speaker 4: hey man, it's the it's a new millennium where you know,

1548
01:22:59,400 --> 01:23:01,640
Speaker 4: get out of the ourcages. If your sister wants to

1549
01:23:01,680 --> 01:23:05,080
Speaker 4: have sex with me, I'm gonna let her. I'm not

1550
01:23:05,160 --> 01:23:07,840
Speaker 4: gonna I'm not gonna force anybody. I'm not gonna hit

1551
01:23:07,920 --> 01:23:11,240
Speaker 4: on her. But the mountain is open for business.

1552
01:23:11,479 --> 01:23:14,080
Speaker 2: Oh yeah, because we even got the Rock's daughter early

1553
01:23:14,160 --> 01:23:16,240
Speaker 2: in the movie when they see a photo of Hattie,

1554
01:23:16,640 --> 01:23:19,960
Speaker 2: Oh she's pretty. Yeah, they all this pretty, and like

1555
01:23:20,160 --> 01:23:25,960
Speaker 2: he's like, they're not all this pretty, which actually is wrong,

1556
01:23:26,720 --> 01:23:29,720
Speaker 2: at least in the franchise world. I mean, most of

1557
01:23:29,960 --> 01:23:38,080
Speaker 2: the you know, quote unquote bad females are pretty attractive. Actually,

1558
01:23:38,240 --> 01:23:42,960
Speaker 2: so they are this pretty but anyway, t K scene

1559
01:23:43,160 --> 01:23:44,360
Speaker 2: car quote favorite things.

1560
01:23:45,120 --> 01:23:48,760
Speaker 3: My favorite scene is definitely when Hobbes has Hattie back

1561
01:23:48,840 --> 01:23:51,760
Speaker 3: at the CIA Black site, and you know, they're going

1562
01:23:51,840 --> 01:23:55,320
Speaker 3: back and forth and it's the Shawn Hobbes relationship, just

1563
01:23:55,400 --> 01:23:57,120
Speaker 3: with a different Shaw, and there's a lot of great

1564
01:23:57,160 --> 01:24:00,320
Speaker 3: quotes going back and forth. At one point, Hobbs quotes

1565
01:24:00,360 --> 01:24:04,080
Speaker 3: Nietzsche to her because he's smart but also has gigantic muscles.

1566
01:24:04,560 --> 01:24:06,840
Speaker 3: Bread comes playoff a little bit later because she thought

1567
01:24:06,880 --> 01:24:10,679
Speaker 3: he was quoting Bruce Lee. Oh no, later he quotes

1568
01:24:10,720 --> 01:24:12,760
Speaker 3: Bruce Lee and she thinks it's Nietzsche. I thought that

1569
01:24:12,920 --> 01:24:16,680
Speaker 3: was great and I do love that. The first time

1570
01:24:16,800 --> 01:24:20,080
Speaker 3: we have sound proof glass in this series is when

1571
01:24:20,680 --> 01:24:23,360
Speaker 3: Hobbs is facetiming with his daughter and while they're on

1572
01:24:23,479 --> 01:24:25,840
Speaker 3: the FaceTime, she's trying to get him to do the

1573
01:24:25,840 --> 01:24:26,639
Speaker 3: people's eyebrow.

1574
01:24:27,360 --> 01:24:29,640
Speaker 2: Do that thing with your eyebrow? What eyebrow? You know

1575
01:24:29,760 --> 01:24:31,720
Speaker 2: that thing you do? I don't do that thing.

1576
01:24:31,800 --> 01:24:34,040
Speaker 3: I don't even know what you're talking about. Hey, one

1577
01:24:34,080 --> 01:24:35,679
Speaker 3: more thing, it's the eyebrow.

1578
01:24:36,360 --> 01:24:36,880
Speaker 2: That was great.

1579
01:24:37,200 --> 01:24:39,120
Speaker 3: There's a lot of great little meta nods to this.

1580
01:24:39,600 --> 01:24:43,679
Speaker 3: I think Game of Thrones is like almost a tertiary character.

1581
01:24:44,200 --> 01:24:44,360
Speaker 5: You know.

1582
01:24:44,479 --> 01:24:47,479
Speaker 3: It comes up in the scenes with Locke at the diner.

1583
01:24:47,920 --> 01:24:50,240
Speaker 3: It comes up even later in the movie with the diner.

1584
01:24:50,280 --> 01:24:53,439
Speaker 3: We also see that both Hobbs and Shaw in that

1585
01:24:53,640 --> 01:24:56,560
Speaker 3: intro scene they both do the Aria stark where like,

1586
01:24:56,680 --> 01:24:59,360
Speaker 3: you know, somebody's going for a move and they drop it.

1587
01:25:00,000 --> 01:25:02,360
Speaker 3: I think Hobbs like catches it again and does a stab,

1588
01:25:02,560 --> 01:25:05,960
Speaker 3: whereas Decker just lets it drop onto the guy's foot.

1589
01:25:06,000 --> 01:25:07,639
Speaker 3: So I thought that was kind of an interesting way

1590
01:25:08,280 --> 01:25:11,360
Speaker 3: to play with pop culture there, and I also did

1591
01:25:11,479 --> 01:25:14,639
Speaker 3: love the line a little bit later on when Brixton

1592
01:25:14,840 --> 01:25:17,439
Speaker 3: is torturing Hobbs and Shaw. He's got him at the

1593
01:25:17,479 --> 01:25:20,920
Speaker 3: ety On headquarters and he they've got him hooked up

1594
01:25:20,920 --> 01:25:24,960
Speaker 3: with the chains and all of the electrical shock devices,

1595
01:25:25,080 --> 01:25:28,040
Speaker 3: and he says to them three shocks will kill a man.

1596
01:25:28,120 --> 01:25:30,519
Speaker 2: Remember we learned that. I think you can handle four,

1597
01:25:30,920 --> 01:25:34,479
Speaker 2: and Hobbs is like, we knew five, instantly shocks them.

1598
01:25:34,600 --> 01:25:37,360
Speaker 3: They're like, you're happy with that. I thought it was

1599
01:25:37,400 --> 01:25:39,400
Speaker 3: a cool thing to say at a time. At the

1600
01:25:39,479 --> 01:25:42,240
Speaker 3: time that was very funny. Then very soon after that

1601
01:25:42,360 --> 01:25:45,120
Speaker 3: they go into the scene of like Hobbs and Shaw

1602
01:25:45,200 --> 01:25:47,240
Speaker 3: are like looking at each other and kind of calling

1603
01:25:47,280 --> 01:25:49,320
Speaker 3: out the henchmen that they're going to be destroying with

1604
01:25:49,439 --> 01:25:52,400
Speaker 3: their next moves. I thought that those couple of scenes

1605
01:25:52,520 --> 01:25:53,799
Speaker 3: just back to back was really funny.

1606
01:25:53,920 --> 01:25:55,720
Speaker 2: Yeah, they were buying time a little bit. Yeah, and

1607
01:25:55,800 --> 01:25:57,760
Speaker 2: how do you get closer and closer? I read that

1608
01:25:58,360 --> 01:26:02,200
Speaker 2: Jason Momoa, to bring it back to Game of Thrones,

1609
01:26:03,439 --> 01:26:06,240
Speaker 2: was supposed to be Jonah. I wanted him to be

1610
01:26:06,360 --> 01:26:08,160
Speaker 2: his brother. Yeah, The Rock wanted him to be his

1611
01:26:08,240 --> 01:26:11,360
Speaker 2: brother in this and instead they went somewhere else or

1612
01:26:11,360 --> 01:26:13,280
Speaker 2: a different direction. Yeah, but there is a lot of

1613
01:26:13,320 --> 01:26:15,360
Speaker 2: a lot of games, soonees. Apparently some people were pissed

1614
01:26:15,760 --> 01:26:19,080
Speaker 2: that Ryan Reynolds sort of spoils the ending of our

1615
01:26:19,800 --> 01:26:23,400
Speaker 2: Well he does, it does, but it aired a couple

1616
01:26:23,479 --> 01:26:28,240
Speaker 2: months after the finale. People are also like, get over it,

1617
01:26:28,400 --> 01:26:30,080
Speaker 2: get over it. You should know it by now, But

1618
01:26:30,320 --> 01:26:33,200
Speaker 2: it does if you've never seen it. He gives it away,

1619
01:26:33,760 --> 01:26:38,639
Speaker 2: very very strange. Okay, let's get to uh the furious part,

1620
01:26:39,520 --> 01:26:42,320
Speaker 2: dumbest scene. Other things you hated? Trey will start with

1621
01:26:42,360 --> 01:26:43,240
Speaker 2: you this time. What'd you hate?

1622
01:26:43,840 --> 01:26:45,759
Speaker 3: Well, there's a few things that I don't love about

1623
01:26:45,800 --> 01:26:47,840
Speaker 3: this movie. I'm with you, Skeets. The ending is just

1624
01:26:47,920 --> 01:26:51,680
Speaker 3: a little too cute see for me, too cute. It's

1625
01:26:51,760 --> 01:26:54,960
Speaker 3: obviously a nod to family, which has been a huge

1626
01:26:55,200 --> 01:26:59,000
Speaker 3: through line throughout this franchise, so I can't get mad

1627
01:26:59,040 --> 01:27:01,360
Speaker 3: at it from that stand point, But it's a little

1628
01:27:01,439 --> 01:27:01,920
Speaker 3: bit of.

1629
01:27:04,520 --> 01:27:06,040
Speaker 2: Just the ending of Return of the Jedi.

1630
01:27:06,120 --> 01:27:07,400
Speaker 3: To me, it's like, we got to go find this

1631
01:27:07,520 --> 01:27:09,519
Speaker 3: remote place and we're gonna be able to do our

1632
01:27:09,560 --> 01:27:12,920
Speaker 3: battle there because this is completely unfamiliar territory for the

1633
01:27:13,000 --> 01:27:16,680
Speaker 3: big technological batties that are coming. So that's that's why

1634
01:27:16,760 --> 01:27:19,280
Speaker 3: the ending doesn't hit totally perfect for me. I also

1635
01:27:19,439 --> 01:27:23,559
Speaker 3: think watching a virus movie is very weird nowadays. Used

1636
01:27:23,600 --> 01:27:25,680
Speaker 3: to be one of my favorite tropes. Like I think

1637
01:27:25,720 --> 01:27:29,320
Speaker 3: Mission Impossible three, Philip Seymour Hoffman's character is trying to

1638
01:27:29,360 --> 01:27:33,000
Speaker 3: steal a virus as well. Certainly different when you're seeing

1639
01:27:33,040 --> 01:27:35,880
Speaker 3: it in twenty twenty one, and like we've talked about,

1640
01:27:36,080 --> 01:27:38,240
Speaker 3: they definitely could have done more with Ryan Reynolds. He's

1641
01:27:38,280 --> 01:27:42,320
Speaker 3: great every time he's on screen here, and that's why

1642
01:27:42,360 --> 01:27:43,840
Speaker 3: I think that they're going to do that in the future.

1643
01:27:43,960 --> 01:27:46,800
Speaker 3: Like when Jason Statham came into this franchise. We joked

1644
01:27:46,800 --> 01:27:49,400
Speaker 3: a lot that he only had seventeen lines. Clearly his

1645
01:27:49,640 --> 01:27:53,519
Speaker 3: role has grown from that first little minor appearance, and

1646
01:27:53,640 --> 01:27:57,680
Speaker 3: I assume it will going forward in this spinoff franchise.

1647
01:27:57,920 --> 01:28:00,320
Speaker 2: But yeah, you could have still done more or them

1648
01:28:00,360 --> 01:28:00,800
Speaker 2: in this movie.

1649
01:28:00,840 --> 01:28:02,040
Speaker 3: I think, g D.

1650
01:28:02,240 --> 01:28:04,320
Speaker 2: What made you furious about Tobs Andshaw?

1651
01:28:05,680 --> 01:28:09,599
Speaker 4: Very tiny things? I didn't love the score of this one.

1652
01:28:10,000 --> 01:28:12,800
Speaker 4: A lot of it was a little The soundtrack was good,

1653
01:28:12,960 --> 01:28:16,439
Speaker 4: but the score I found a little especially. I noticed

1654
01:28:16,439 --> 01:28:18,760
Speaker 4: it especially in the two hallway scene where it's just

1655
01:28:18,840 --> 01:28:23,000
Speaker 4: sort of this weird action rock that they do. Sometimes

1656
01:28:23,479 --> 01:28:27,080
Speaker 4: you barely notice it, but it just kind of got

1657
01:28:27,120 --> 01:28:29,040
Speaker 4: on my nerves a little bit. I found it. It

1658
01:28:29,280 --> 01:28:31,639
Speaker 4: cheesed it up a bit when it when it could

1659
01:28:31,680 --> 01:28:33,360
Speaker 4: have it should have been going for comedy in a

1660
01:28:33,439 --> 01:28:37,240
Speaker 4: lot of a lot of spots. I didn't like. Another

1661
01:28:37,400 --> 01:28:41,240
Speaker 4: very tiny thing. We saw two rock references. When the

1662
01:28:41,320 --> 01:28:44,680
Speaker 4: first was the Keith Moon and we hear you know,

1663
01:28:44,840 --> 01:28:47,720
Speaker 4: won't get fooled again and while the bombs going off.

1664
01:28:48,000 --> 01:28:50,400
Speaker 4: But then when we go to the Mick Jagger there's

1665
01:28:50,439 --> 01:28:54,640
Speaker 4: no Stones music playing. There's none of that, so you know,

1666
01:28:54,960 --> 01:28:58,720
Speaker 4: Pete Townsend will sell his songs to anybody, so that

1667
01:28:58,880 --> 01:29:01,720
Speaker 4: makes sense. But I think that the I mean, this

1668
01:29:01,880 --> 01:29:05,200
Speaker 4: is my theory is that the Rolling Stones to license

1669
01:29:05,240 --> 01:29:09,400
Speaker 4: their music is ridiculously expensive, so just go with a

1670
01:29:09,439 --> 01:29:13,320
Speaker 4: different person, like just call it the Kurt Cobain or something,

1671
01:29:13,439 --> 01:29:16,519
Speaker 4: you know, like or just another reference.

1672
01:29:16,600 --> 01:29:19,760
Speaker 2: It's just weird to me to have, but probably had

1673
01:29:19,800 --> 01:29:20,360
Speaker 2: to be British.

1674
01:29:21,080 --> 01:29:24,320
Speaker 3: Yeah, maybe maybe I had that in my notes too.

1675
01:29:24,520 --> 01:29:27,840
Speaker 3: Why were there only two British rocker strategies, Like, yeah,

1676
01:29:29,320 --> 01:29:31,240
Speaker 3: there was going to be a third, yeah, yeah, yeah,

1677
01:29:31,320 --> 01:29:33,679
Speaker 3: and it should have been the Beatles, like, yeah, here's

1678
01:29:33,720 --> 01:29:34,160
Speaker 3: the Beatles.

1679
01:29:34,520 --> 01:29:35,200
Speaker 2: I'm with you, JD.

1680
01:29:35,320 --> 01:29:38,000
Speaker 3: It's got to be literally a licensing thing. But to

1681
01:29:38,160 --> 01:29:40,599
Speaker 3: have two of them I thought was weird, especially since

1682
01:29:40,640 --> 01:29:43,080
Speaker 3: the Mick Jack Like they kind of toss in the

1683
01:29:43,160 --> 01:29:46,720
Speaker 3: Keith movie, oh totally early on, and they never come

1684
01:29:46,760 --> 01:29:48,719
Speaker 3: back to it because that's just the setup for here's

1685
01:29:48,760 --> 01:29:51,680
Speaker 3: the other things they have done. But they only have

1686
01:29:51,760 --> 01:29:53,360
Speaker 3: one more thing and we're supposed to remember it a

1687
01:29:53,400 --> 01:29:55,200
Speaker 3: little bit later. I would have liked to see them,

1688
01:29:55,240 --> 01:29:57,920
Speaker 3: I don't know. Oh, here's the Lennon McCartney. You know,

1689
01:29:58,240 --> 01:30:00,880
Speaker 3: these two gotta work in perfect car or something like

1690
01:30:00,960 --> 01:30:02,599
Speaker 3: that that's why, that's how they beat him.

1691
01:30:02,760 --> 01:30:05,880
Speaker 2: At one point, I thought, it's your point, that's true,

1692
01:30:06,360 --> 01:30:08,680
Speaker 2: I thought the I thought I just missed like the

1693
01:30:08,800 --> 01:30:10,880
Speaker 2: third one. You're right, Trey, it's weird to do just too.

1694
01:30:11,040 --> 01:30:13,880
Speaker 2: It's always things happen in threes. But they only went

1695
01:30:13,920 --> 01:30:15,200
Speaker 2: with two. Okay, what else, Jade?

1696
01:30:15,680 --> 01:30:17,960
Speaker 4: Uh And I thought the torture scene ran out a

1697
01:30:18,120 --> 01:30:20,360
Speaker 4: little too long for me, when they're face to face

1698
01:30:20,439 --> 01:30:25,080
Speaker 4: and getting shocked, and it's just like, okay, well, let's go,

1699
01:30:25,240 --> 01:30:27,040
Speaker 4: let's get the Mick Jagger going here, you know what

1700
01:30:27,120 --> 01:30:31,600
Speaker 4: I mean. But and then especially it went on so

1701
01:30:31,880 --> 01:30:34,639
Speaker 4: long and then and then of course they just break

1702
01:30:34,680 --> 01:30:36,560
Speaker 4: out of it. Anyways, they just break their chains like

1703
01:30:36,640 --> 01:30:39,800
Speaker 4: they nor like they always do. It's just like, okay, well,

1704
01:30:40,120 --> 01:30:42,000
Speaker 4: why are we doing this? Why are you even tying

1705
01:30:42,040 --> 01:30:43,560
Speaker 4: them up like this? You know what I mean? So

1706
01:30:44,479 --> 01:30:47,839
Speaker 4: uh so that bugged me, But very very few complaints

1707
01:30:47,880 --> 01:30:51,920
Speaker 4: about this one. And Trey, you've mentioned the return of

1708
01:30:51,960 --> 01:30:54,200
Speaker 4: the Jedi. This movie is the return of the Jedi,

1709
01:30:54,439 --> 01:30:57,680
Speaker 4: like from from the top to the end, I mean, yes,

1710
01:30:57,760 --> 01:31:01,479
Speaker 4: the Battle of Endor, they're they're they're fighting the Evil

1711
01:31:01,520 --> 01:31:06,439
Speaker 4: Empire with the heart and sticks basically, but not only that.

1712
01:31:06,640 --> 01:31:11,040
Speaker 4: The Emperor tries to use his henchman, Darth Vader. In

1713
01:31:11,160 --> 01:31:15,160
Speaker 4: this case, it's Brixton to turn Luke Skywalker, and he's

1714
01:31:15,200 --> 01:31:18,400
Speaker 4: trying to turn the two main characters into turn them

1715
01:31:18,439 --> 01:31:20,960
Speaker 4: to the dark side and and come and join the Empire.

1716
01:31:21,160 --> 01:31:23,479
Speaker 4: They even make a reference to the Death Star when

1717
01:31:23,479 --> 01:31:26,479
Speaker 4: they're in that base of the Russian base there. I mean,

1718
01:31:26,920 --> 01:31:29,120
Speaker 4: I think that maybe why I love this movie so much.

1719
01:31:29,160 --> 01:31:30,240
Speaker 4: I love Return of the Genial.

1720
01:31:30,479 --> 01:31:34,760
Speaker 2: I love this movie, Okay, right, I already talked about it.

1721
01:31:34,760 --> 01:31:36,200
Speaker 2: I just didn't love the ending of this and I

1722
01:31:36,320 --> 01:31:38,840
Speaker 2: didn't love the idea that his brother is suddenly this

1723
01:31:39,000 --> 01:31:42,640
Speaker 2: incredible mechanic that can fix this thing and and just

1724
01:31:43,080 --> 01:31:47,160
Speaker 2: forcing that hole the rock going back to Samoa and

1725
01:31:47,400 --> 01:31:50,680
Speaker 2: why he hasn't been there, And I just could have

1726
01:31:50,720 --> 01:31:52,600
Speaker 2: done without it. I didn't love it, didn't love it.

1727
01:31:52,880 --> 01:31:56,519
Speaker 4: But I couldn't disagree more. I think that this movie

1728
01:31:57,040 --> 01:32:01,080
Speaker 4: handles the theme of family way better than all eight

1729
01:32:01,720 --> 01:32:04,599
Speaker 4: fast and furious movies we've watched so far. Come bind

1730
01:32:05,439 --> 01:32:09,400
Speaker 4: there's two, there's two different family dynamics that come together

1731
01:32:09,520 --> 01:32:13,519
Speaker 4: as one, and and I've found it like who cares?

1732
01:32:13,600 --> 01:32:15,680
Speaker 4: Why he was estranged from his family. The point is

1733
01:32:15,760 --> 01:32:18,200
Speaker 4: he's going back to his family and he's making amends,

1734
01:32:18,280 --> 01:32:18,960
Speaker 4: and then he's got this.

1735
01:32:20,320 --> 01:32:22,880
Speaker 2: It's not believable for his character though, from what we've

1736
01:32:22,920 --> 01:32:24,720
Speaker 2: seen from the rock or Hopson like that to me,

1737
01:32:24,840 --> 01:32:27,439
Speaker 2: I don't get it. What do you mean what part

1738
01:32:27,479 --> 01:32:30,320
Speaker 2: of it that he would estrange himself from all of

1739
01:32:30,400 --> 01:32:31,360
Speaker 2: his brothers in his mind?

1740
01:32:31,400 --> 01:32:33,960
Speaker 4: I don't think he estranged himself. I think they they

1741
01:32:34,160 --> 01:32:38,000
Speaker 4: rejected him. They're they're like, you turn dad in and

1742
01:32:38,120 --> 01:32:40,840
Speaker 4: now you know you turned your back on family. That's

1743
01:32:40,880 --> 01:32:42,800
Speaker 4: the ultimate betrayal.

1744
01:32:43,040 --> 01:32:45,280
Speaker 2: If his song was pretty happy to see him.

1745
01:32:45,560 --> 01:32:47,720
Speaker 4: Yeah, because she hasn't seen him forever. But she might

1746
01:32:47,800 --> 01:32:51,719
Speaker 4: have been pissed. But the friction seemed to be mostly

1747
01:32:51,800 --> 01:32:52,439
Speaker 4: with his brother.

1748
01:32:52,640 --> 01:32:52,840
Speaker 2: Yeah.

1749
01:32:52,920 --> 01:32:54,880
Speaker 4: And then we get to see the two brothers make

1750
01:32:54,960 --> 01:32:56,840
Speaker 4: up and I love you man, I love you too,

1751
01:32:57,040 --> 01:32:59,120
Speaker 4: Like it was great. It was awesome.

1752
01:32:59,560 --> 01:33:02,680
Speaker 2: That's Jonah did not say I love you back, by

1753
01:33:02,680 --> 01:33:04,600
Speaker 2: the way, Yes, he did. Think you.

1754
01:33:07,160 --> 01:33:10,519
Speaker 4: Hug it out and they h and that was awesome.

1755
01:33:11,000 --> 01:33:12,960
Speaker 2: Were you estranged from your brother Ryan.

1756
01:33:12,840 --> 01:33:15,760
Speaker 4: For a while? Maybe I just missed him.

1757
01:33:15,800 --> 01:33:19,519
Speaker 2: I don't live there. Call your brother. Everybody listening or

1758
01:33:19,520 --> 01:33:22,360
Speaker 2: watching this. Call your brother right now, you have a brother,

1759
01:33:22,479 --> 01:33:27,160
Speaker 2: call him up. Okay? Any other random observations that anybody

1760
01:33:27,240 --> 01:33:29,040
Speaker 2: wanted to slip in here before we rate this thing.

1761
01:33:29,200 --> 01:33:31,920
Speaker 2: Any other notes you guys have try nothing, JD. Nothing. Okay,

1762
01:33:31,920 --> 01:33:34,439
Speaker 2: Well let's get to rating it. Then moving a little

1763
01:33:34,479 --> 01:33:36,280
Speaker 2: quicker here with this one. You love to see it.

1764
01:33:36,800 --> 01:33:40,479
Speaker 2: So from one to ten, how do you rate Hobbs

1765
01:33:40,520 --> 01:33:42,599
Speaker 2: and Shaw? And then where does it fall in your

1766
01:33:42,680 --> 01:33:46,639
Speaker 2: rankings and your leaderboard of all now nine movies we've seen.

1767
01:33:47,600 --> 01:33:49,639
Speaker 2: I will say this before you get to uh grating

1768
01:33:49,680 --> 01:33:53,559
Speaker 2: at Trey. The Chicago Sun Times Richard Roper he gave

1769
01:33:53,600 --> 01:33:56,560
Speaker 2: this film one point five out of four stars, and

1770
01:33:56,680 --> 01:34:00,080
Speaker 2: he wrote, quote in case of bad movie, emerge and

1771
01:34:00,160 --> 01:34:04,160
Speaker 2: see break glass. Over the two hour plus running time

1772
01:34:04,240 --> 01:34:10,559
Speaker 2: of the painfully long, exceedingly tedious, consistently unimaginative, and quite

1773
01:34:10,760 --> 01:34:15,439
Speaker 2: dopey Hobbs and Shaw, I counted some thirteen instances in

1774
01:34:15,520 --> 01:34:20,200
Speaker 2: which humans and or vehicles went crashing through panes of glass.

1775
01:34:21,080 --> 01:34:23,320
Speaker 2: Thank you to Richard Roper for doing our homework there

1776
01:34:23,760 --> 01:34:26,120
Speaker 2: thirteen times. Yet not a fan. Wasn't a fan of this,

1777
01:34:27,040 --> 01:34:30,519
Speaker 2: but that's him, Trey. How you ranking Hobson, Shawn, Where

1778
01:34:30,520 --> 01:34:30,960
Speaker 2: does it fall?

1779
01:34:31,600 --> 01:34:33,679
Speaker 3: Well, I'm more of a fan of it than Richard

1780
01:34:33,880 --> 01:34:36,720
Speaker 3: Roper was, and I could have honestly done with more

1781
01:34:36,840 --> 01:34:40,200
Speaker 3: Broken Glass if I'm being quite honest, I think this

1782
01:34:40,479 --> 01:34:43,960
Speaker 3: is an enjoyable, lightweight action flick, is what I would

1783
01:34:44,000 --> 01:34:46,360
Speaker 3: call it. It knows what it's trying to do. Let

1784
01:34:46,720 --> 01:34:49,200
Speaker 3: the Rock and Jason Stathan do what they're the best at,

1785
01:34:49,320 --> 01:34:52,200
Speaker 3: fight enemies and get on each other's nerves, and I

1786
01:34:52,240 --> 01:34:55,200
Speaker 3: think they are great together. I think Vanessa Kirby's really good.

1787
01:34:55,600 --> 01:34:58,639
Speaker 3: I love the cameos from Ryan Reynolds and Kevin Hart.

1788
01:35:00,160 --> 01:35:02,160
Speaker 3: Elbow is a really good villain here. I would be

1789
01:35:02,200 --> 01:35:03,920
Speaker 3: happy to see him come back.

1790
01:35:04,560 --> 01:35:05,320
Speaker 2: The ending is a.

1791
01:35:05,360 --> 01:35:08,400
Speaker 3: Little too cute for me, but I definitely leave this

1792
01:35:08,600 --> 01:35:12,040
Speaker 3: movie wanting to see more of Hobbs and Shaw teaming up,

1793
01:35:12,360 --> 01:35:15,240
Speaker 3: hopefully with some of these characters that they have introduced

1794
01:35:15,640 --> 01:35:18,080
Speaker 3: as well. So I'm gonna go with a seven on

1795
01:35:18,200 --> 01:35:20,760
Speaker 3: this one. Puts it on par with Fast four and

1796
01:35:20,920 --> 01:35:23,760
Speaker 3: Tokyo Drift. A rewatchable one, no doubt.

1797
01:35:24,000 --> 01:35:25,960
Speaker 2: Okay, JD, what do you think?

1798
01:35:26,720 --> 01:35:31,599
Speaker 4: Yeah? Again, I've felt I felt like I was snapped

1799
01:35:31,600 --> 01:35:33,120
Speaker 4: out of a cult, you know, what I mean, like

1800
01:35:33,200 --> 01:35:36,040
Speaker 4: somebody punched me in the face. Who's like, get it together, man,

1801
01:35:36,240 --> 01:35:40,240
Speaker 4: Like these movies you've been watching have been awful. This

1802
01:35:40,520 --> 01:35:43,719
Speaker 4: is actually a well put together It's fun, it's stupid,

1803
01:35:43,800 --> 01:35:46,280
Speaker 4: it's a I think it's a great action movie. I

1804
01:35:46,320 --> 01:35:50,200
Speaker 4: would watch this again. I rented it and I bought

1805
01:35:50,479 --> 01:35:53,040
Speaker 4: like four of the Fast and Furious movies, and I

1806
01:35:53,160 --> 01:35:55,760
Speaker 4: rented it thinking I can't I can't buy another one.

1807
01:35:56,080 --> 01:35:57,960
Speaker 4: I regretted it. I regret it. I was like, I

1808
01:35:58,000 --> 01:35:59,920
Speaker 4: wish I bought this one because I want to go back.

1809
01:36:00,040 --> 01:36:02,840
Speaker 4: I want to watch the director's commentary. I want to

1810
01:36:02,880 --> 01:36:04,479
Speaker 4: see all the behind the scenes stuff.

1811
01:36:04,680 --> 01:36:04,800
Speaker 2: Uh.

1812
01:36:06,200 --> 01:36:07,920
Speaker 4: I mean, it's an easy ten for me. It's an

1813
01:36:07,920 --> 01:36:10,639
Speaker 4: easy ten. And not only is an easy ten, I'm

1814
01:36:10,800 --> 01:36:13,760
Speaker 4: docking all of my other ones by three.

1815
01:36:14,240 --> 01:36:17,080
Speaker 2: I'm going back and taking three points.

1816
01:36:16,880 --> 01:36:20,280
Speaker 4: Off of all of them. What Because I think I

1817
01:36:20,439 --> 01:36:22,800
Speaker 4: was in some sort of weird fugue state. I got

1818
01:36:23,040 --> 01:36:26,559
Speaker 4: broked into this, and I was just tricked into thinking

1819
01:36:26,640 --> 01:36:28,680
Speaker 4: I was watching and then I looked I would look

1820
01:36:28,760 --> 01:36:31,760
Speaker 4: on IMDb this morning and then Fast nine came up

1821
01:36:31,880 --> 01:36:37,240
Speaker 4: right like yeah, uh, and I just just brooding, scowlingn

1822
01:36:37,360 --> 01:36:42,080
Speaker 4: Diesel looking at me, and I'm just like, oh god,

1823
01:36:42,160 --> 01:36:45,000
Speaker 4: I have to go back to that. Guys, Oh my god,

1824
01:36:45,080 --> 01:36:48,960
Speaker 4: I'm I'm dreading fat Fast nine hour F nine or

1825
01:36:48,960 --> 01:36:52,040
Speaker 4: whatever it's called now. But yeah, it's ten. It's number

1826
01:36:52,120 --> 01:36:55,360
Speaker 4: one by far of the nine we've watched so far.

1827
01:36:55,600 --> 01:36:59,400
Speaker 4: So uh yeah, and uh sorry, but fast and two

1828
01:36:59,439 --> 01:37:02,960
Speaker 4: fast too might be a negative images I remember when

1829
01:37:03,000 --> 01:37:06,600
Speaker 4: I gave it. But yeah, minus three going back and

1830
01:37:06,840 --> 01:37:09,160
Speaker 4: retro grading all of them.

1831
01:37:09,360 --> 01:37:11,800
Speaker 2: So yeah, when when we get to our to our

1832
01:37:11,840 --> 01:37:13,880
Speaker 2: final one, we get to F nine, we'll make sure

1833
01:37:14,000 --> 01:37:16,760
Speaker 2: to like literally, maybe we'll do it as a maybe

1834
01:37:16,800 --> 01:37:18,880
Speaker 2: we'll try it. Well, I know we have quite different well,

1835
01:37:19,360 --> 01:37:21,000
Speaker 2: like I was thinking, do we do a consensus thing,

1836
01:37:21,040 --> 01:37:22,680
Speaker 2: you know, we take all of our votes and like

1837
01:37:23,200 --> 01:37:25,679
Speaker 2: see how it shakes out. What's the best and what's

1838
01:37:25,720 --> 01:37:29,080
Speaker 2: the worst. We could do that. I'm not as high

1839
01:37:29,160 --> 01:37:31,439
Speaker 2: on this as you are, of course, JD. I said

1840
01:37:31,439 --> 01:37:34,080
Speaker 2: it early on. I think it's completely average. I will

1841
01:37:34,120 --> 01:37:36,960
Speaker 2: tell you right now, I'll never watch this movie again.

1842
01:37:37,760 --> 01:37:37,920
Speaker 4: Ever.

1843
01:37:38,120 --> 01:37:39,160
Speaker 2: I can't believe you want.

1844
01:37:39,080 --> 01:37:39,519
Speaker 5: To own it.

1845
01:37:40,640 --> 01:37:43,040
Speaker 2: I can't believe I'm hearing these words coming up now now.

1846
01:37:43,800 --> 01:37:46,120
Speaker 2: I think what has happened here is I had such

1847
01:37:46,439 --> 01:37:50,400
Speaker 2: low expectations for a lot of the fast and various

1848
01:37:50,479 --> 01:37:54,080
Speaker 2: movies that they somehow exceeded them just because of the

1849
01:37:54,439 --> 01:37:57,640
Speaker 2: stunt scenes or the you know, some comedy, or just

1850
01:37:57,720 --> 01:38:00,960
Speaker 2: how stupid they are. It's like, actually funny where the

1851
01:38:01,000 --> 01:38:04,080
Speaker 2: opposite happened with this one. Heading into it, I was pumped.

1852
01:38:04,160 --> 01:38:07,639
Speaker 2: I'm like, oh yeah, okay, good like less cars sort

1853
01:38:07,640 --> 01:38:10,960
Speaker 2: of just more about the rock and Jason Stathum and

1854
01:38:11,000 --> 01:38:13,679
Speaker 2: I And I think I had my expectations too high

1855
01:38:14,560 --> 01:38:16,360
Speaker 2: and it didn't quite live up to it because it

1856
01:38:16,520 --> 01:38:19,519
Speaker 2: got super cheese and I was rolling my eyes.

1857
01:38:19,320 --> 01:38:22,280
Speaker 4: A lot, and I can't I can't. I can't believe

1858
01:38:22,320 --> 01:38:22,760
Speaker 4: you're saying that.

1859
01:38:22,920 --> 01:38:26,160
Speaker 2: Yeah, but everything else expect it. I didn't expect it

1860
01:38:27,720 --> 01:38:30,920
Speaker 2: in this one that the small apart is so lame.

1861
01:38:31,400 --> 01:38:32,759
Speaker 2: It's so cheesy.

1862
01:38:32,880 --> 01:38:35,800
Speaker 4: Man. I loved it, so loved it.

1863
01:38:36,520 --> 01:38:39,160
Speaker 2: It's average to me, it's uh, it's average. I give

1864
01:38:39,160 --> 01:38:41,080
Speaker 2: it a five. It's right. It's smack dab in the

1865
01:38:41,080 --> 01:38:42,519
Speaker 2: middle to me. But I don't think I'll ever be

1866
01:38:42,600 --> 01:38:45,080
Speaker 2: watching Hobbs and Shaw again. Maybe it'll be one of

1867
01:38:45,120 --> 01:38:47,320
Speaker 2: those things it's on you know, cable and it's like, oh,

1868
01:38:47,720 --> 01:38:50,240
Speaker 2: what scenes it at Oh they're in the hallway scene. Yeah, okay,

1869
01:38:50,560 --> 01:38:52,000
Speaker 2: and we'll see if it ropes me in, but I'll

1870
01:38:52,040 --> 01:38:52,639
Speaker 2: know what's coming.

1871
01:38:53,040 --> 01:38:55,400
Speaker 4: Oh, you're gonna watch it again when the sequel comes out.

1872
01:38:55,479 --> 01:38:56,760
Speaker 4: Before the sequel, you're gonna go.

1873
01:38:57,520 --> 01:38:58,280
Speaker 2: Gotta refresh.

1874
01:38:58,400 --> 01:39:01,160
Speaker 4: We gotta refresh, you gotta see. Yeah, yeah, I my

1875
01:39:01,280 --> 01:39:03,120
Speaker 4: old friends again. I don't know.

1876
01:39:03,320 --> 01:39:06,439
Speaker 2: Okay, so yeah, it's a smack dab in the middle

1877
01:39:06,479 --> 01:39:08,479
Speaker 2: for me and we all got one of these left.

1878
01:39:08,520 --> 01:39:11,960
Speaker 2: I can't believe it. Trey set up the tenth and

1879
01:39:12,360 --> 01:39:16,720
Speaker 2: final movie in the Fast and Furious franchise for now

1880
01:39:18,600 --> 01:39:21,720
Speaker 2: f nine. What do we need to know heading into

1881
01:39:21,760 --> 01:39:26,880
Speaker 2: this one? Good question. I'm with you, guys. I have

1882
01:39:27,080 --> 01:39:31,600
Speaker 2: not seen this one yet, and I am pumped up. Skeets.

1883
01:39:31,960 --> 01:39:33,920
Speaker 3: I wanted to do a rewatch of every Fast and

1884
01:39:34,040 --> 01:39:36,479
Speaker 3: Furious movie before I finally get a chance to watch

1885
01:39:36,560 --> 01:39:37,160
Speaker 3: Fast nine.

1886
01:39:37,880 --> 01:39:38,840
Speaker 2: Now I have here we go.

1887
01:39:39,200 --> 01:39:40,439
Speaker 4: Yeah, all I know is.

1888
01:39:40,439 --> 01:39:42,880
Speaker 3: What's in the trailer and what's in the two sentence

1889
01:39:42,960 --> 01:39:47,679
Speaker 3: summary on Wikipedia. Okay, we're getting John Cena as Dom's brother.

1890
01:39:48,040 --> 01:39:48,479
Speaker 2: Jacob.

1891
01:39:49,560 --> 01:39:52,720
Speaker 3: Sure Mia said she only had one brother, and Dom

1892
01:39:52,800 --> 01:39:56,000
Speaker 3: a man all about the family, has never ever mentioned

1893
01:39:56,320 --> 01:39:59,200
Speaker 3: having a brother, but he is here now he's the

1894
01:39:59,280 --> 01:40:06,240
Speaker 3: new star. But apparently there are some other older stars returning.

1895
01:40:05,960 --> 01:40:18,920
Speaker 2: As maybe exciting. Maybe we should have someone return ooh teas.

1896
01:40:19,080 --> 01:40:21,680
Speaker 2: Maybe we will, and you'll have to wait a mid

1897
01:40:21,880 --> 01:40:25,439
Speaker 2: character to find right, he's gonna have to get his

1898
01:40:25,520 --> 01:40:29,760
Speaker 2: own spinoff. Possibly comes back again, appear's in a couple

1899
01:40:29,840 --> 01:40:32,040
Speaker 2: of these, you get your own podcast series. Okay, so

1900
01:40:32,120 --> 01:40:34,479
Speaker 2: we'll leave it there, all right. Yeah, even t K

1901
01:40:34,800 --> 01:40:36,720
Speaker 2: never seen it. This is gonna be fresh for him,

1902
01:40:36,960 --> 01:40:39,320
Speaker 2: obviously fresh for JD and I hopefully for you as well.

1903
01:40:39,439 --> 01:40:42,479
Speaker 2: Shout out to everybody that has been following along and

1904
01:40:42,600 --> 01:40:45,479
Speaker 2: watching the movies with us, either for the first first

1905
01:40:45,520 --> 01:40:48,920
Speaker 2: time like like me, or maybe rewatching them for the second, third,

1906
01:40:48,960 --> 01:40:50,519
Speaker 2: fourth time like some of these other guys here. So

1907
01:40:50,640 --> 01:40:52,240
Speaker 2: thank you, thank you, thank you. Keep tweeting at us

1908
01:40:52,240 --> 01:40:54,400
Speaker 2: at no dunk sink, send in your emails, no dunks

1909
01:40:54,439 --> 01:40:56,880
Speaker 2: at the Athletic dot com. Just put Fast Friends in

1910
01:40:56,960 --> 01:41:00,519
Speaker 2: the subject header. If it is about this Fast Inferior franchise,

1911
01:41:00,520 --> 01:41:02,960
Speaker 2: it's about Fast Friends. And yeah, we will see you

1912
01:41:03,960 --> 01:41:06,320
Speaker 2: for the tenth and final again for now. That's the thing.

1913
01:41:06,400 --> 01:41:08,519
Speaker 2: Are We're gonna have to continue this forever now, like

1914
01:41:08,720 --> 01:41:10,840
Speaker 2: any of the rest of our lives, I think we

1915
01:41:10,960 --> 01:41:13,800
Speaker 2: have to d I think we are more in the

1916
01:41:13,880 --> 01:41:16,559
Speaker 2: cult at this point. Yeah, we're drinking the kool aid.

1917
01:41:16,680 --> 01:41:20,639
Speaker 2: So we will be back for F nine, the tenth

1918
01:41:20,760 --> 01:41:24,120
Speaker 2: movie of this series, very very soon. Thanks again, everybody,

1919
01:41:24,200 --> 01:41:24,519
Speaker 2: Take care.