1 00:00:00,240 --> 00:00:02,320 Speaker 1: Yeah, yeah, yeah, yeah, yeah yeah yeah yeah yeah yeah 2 00:00:02,360 --> 00:00:06,280 Speaker 1: yeah yeah yeah check one two to one to We're 3 00:00:06,320 --> 00:00:08,760 Speaker 1: in New York at the Gloom Tomb. Live from the 4 00:00:08,800 --> 00:00:16,080 Speaker 1: Gloom Tomb. It's the Iron Rappaport Stereo podcast. G Moody, 5 00:00:16,239 --> 00:00:19,960 Speaker 1: they call him the Black Ad McMahon. What else do 6 00:00:20,040 --> 00:00:25,279 Speaker 1: they call you, Gimo, Nettie? Anything else do you have 7 00:00:25,280 --> 00:00:29,720 Speaker 1: at the nicknames going up? Juice? Juice? Why why did 8 00:00:29,720 --> 00:00:34,600 Speaker 1: they call you ran everywhere? Okay okay? And then didn't 9 00:00:34,600 --> 00:00:41,240 Speaker 1: your nephew call you fun loving? That's another one. See. 10 00:00:41,560 --> 00:00:44,200 Speaker 1: I always thought that was very indicative of G. Moody. 11 00:00:44,400 --> 00:00:47,680 Speaker 1: Gerald Moody. I remember when he told me his nephew 12 00:00:47,760 --> 00:00:52,519 Speaker 1: calls him fun loving when he was young, and I 13 00:00:52,600 --> 00:00:55,320 Speaker 1: was like, see, I say, that's a perfect nickname for G. 14 00:00:55,440 --> 00:00:59,200 Speaker 1: Moody because G Moody most people may not be intimately 15 00:00:59,240 --> 00:01:00,920 Speaker 1: familiar with him, Like you don't see him, you just 16 00:01:00,960 --> 00:01:03,120 Speaker 1: hear the voice. You see you see the instagrams and 17 00:01:03,120 --> 00:01:05,800 Speaker 1: the Twitter photos. You see some of the fan art 18 00:01:05,840 --> 00:01:08,360 Speaker 1: that is depicting G. Moody always in a great way. 19 00:01:08,720 --> 00:01:13,440 Speaker 1: He's on a wanted poster as an oxtail smuggler. But 20 00:01:13,440 --> 00:01:18,800 Speaker 1: but G Moody's disposition, I would say is fun loving. Now, 21 00:01:18,840 --> 00:01:21,920 Speaker 1: if you asked me, did I have any nieces or 22 00:01:21,959 --> 00:01:24,119 Speaker 1: nephews that call me fun loving? What do you think 23 00:01:24,160 --> 00:01:28,280 Speaker 1: I would say? Fuck? No, fuck no. Do you think 24 00:01:29,080 --> 00:01:33,319 Speaker 1: after knowing me for thirty two years that anyone would 25 00:01:33,319 --> 00:01:37,959 Speaker 1: ever give me Michael Rappaport the nickname fun loving? You 26 00:01:38,000 --> 00:01:39,640 Speaker 1: don't think that that would ever be a nickname that 27 00:01:39,680 --> 00:01:42,199 Speaker 1: a little kid would would would like, you know, because 28 00:01:42,360 --> 00:01:44,919 Speaker 1: a kid saying that, it's like really the highest comblem, 29 00:01:45,000 --> 00:01:47,640 Speaker 1: because that that's like only a kid would come up 30 00:01:47,680 --> 00:01:50,080 Speaker 1: with a nickname for G. Moody is fun loving. But 31 00:01:50,160 --> 00:01:52,960 Speaker 1: it perfectly makes sense because you're laid back. You have 32 00:01:53,000 --> 00:01:56,120 Speaker 1: a mild manner disposition. So if you were going to 33 00:01:56,240 --> 00:01:59,000 Speaker 1: give Michael Rappaport a nickname, and I was your uncle, 34 00:01:59,600 --> 00:02:02,320 Speaker 1: I'm gonna asked the fans, what would you give me? 35 00:02:03,360 --> 00:02:08,480 Speaker 1: What would be the nickname? Would it be you? Fuck you, 36 00:02:08,480 --> 00:02:17,200 Speaker 1: you Uncle miserable, fuck Uncle hook nos ju coxsucker, new 37 00:02:17,240 --> 00:02:20,000 Speaker 1: balance wearing? Would you we? Would that be? You think 38 00:02:20,000 --> 00:02:23,959 Speaker 1: one of the nicknames I get G Moodine, psycho. Let's 39 00:02:24,040 --> 00:02:26,679 Speaker 1: let the fans come up with that. The person who 40 00:02:26,680 --> 00:02:31,680 Speaker 1: gives me the best, the top three nicknames that you 41 00:02:31,720 --> 00:02:35,960 Speaker 1: could imagine my nieces or nephews would realistically call me. 42 00:02:36,919 --> 00:02:41,200 Speaker 1: We're gonna give away new I AM Wrapped Poor T shirts, 43 00:02:41,240 --> 00:02:47,280 Speaker 1: three new second edition American Giant I AM Rapped Poor 44 00:02:47,400 --> 00:02:51,080 Speaker 1: podcast T shirts. We're giving away three new style ships. 45 00:02:51,720 --> 00:02:56,239 Speaker 1: All right, soft asked, comfortable, a little bit more durable 46 00:02:56,360 --> 00:03:01,919 Speaker 1: than the first edition um I wrappor podcast T shirts, 47 00:03:01,960 --> 00:03:07,200 Speaker 1: but nonetheless the softness is still there. We maintained the 48 00:03:07,280 --> 00:03:11,080 Speaker 1: softness with the American Giant T shirts, so m listen. 49 00:03:11,720 --> 00:03:15,240 Speaker 1: All I could say is this, Okay, some of you 50 00:03:15,360 --> 00:03:22,720 Speaker 1: don't give a fuck. I love my fantasy fucking football. 51 00:03:22,919 --> 00:03:27,840 Speaker 1: I love it. I'm happy with it. It's such a sick, 52 00:03:27,880 --> 00:03:31,320 Speaker 1: twisted thing and and and it's so immature yet so 53 00:03:32,160 --> 00:03:34,920 Speaker 1: U just important to me. I I can't tell you 54 00:03:34,920 --> 00:03:38,640 Speaker 1: how much I'm enjoying it this year. UM Russell Wilson, 55 00:03:39,080 --> 00:03:42,520 Speaker 1: thank god he's not on my team, the fantasy team, 56 00:03:42,600 --> 00:03:45,400 Speaker 1: because we mentioned this before and and if you don't 57 00:03:45,400 --> 00:03:48,560 Speaker 1: know Russell Wilson is he's the the handsome, star young 58 00:03:48,680 --> 00:03:54,120 Speaker 1: quarterback for the Seattle uh Seahawks, and he's now dating 59 00:03:54,200 --> 00:03:59,640 Speaker 1: R and B. Singer Siarro, who's fine, undisputably fine, and 60 00:03:59,640 --> 00:04:03,400 Speaker 1: and he saying that through their their their engagement in 61 00:04:03,440 --> 00:04:07,680 Speaker 1: their time, there's remaining celibate. Well, who fucked up? Now, 62 00:04:07,840 --> 00:04:10,920 Speaker 1: Russell Wilson, Because you came back, you haven't gotten any 63 00:04:10,960 --> 00:04:13,600 Speaker 1: ass in the off season. And what do you look like? 64 00:04:14,040 --> 00:04:18,560 Speaker 1: You look a fucking step slow. Look, you look like 65 00:04:18,600 --> 00:04:21,560 Speaker 1: you're you're you're, you're, you're, you're filled up. He's at 66 00:04:21,600 --> 00:04:25,600 Speaker 1: home torturing himself. You're at home torturing yourself. That's what 67 00:04:25,640 --> 00:04:28,280 Speaker 1: you're doing. And you look a step slow because you 68 00:04:28,400 --> 00:04:32,280 Speaker 1: you probably you you you you you. You're backed up, Duke, 69 00:04:33,080 --> 00:04:35,800 Speaker 1: you backed up because you ain't getting no ass. And 70 00:04:35,839 --> 00:04:37,440 Speaker 1: if I'm if I'm the quarter if I'm the if 71 00:04:37,440 --> 00:04:40,800 Speaker 1: I'm the the the quarterback coach, if I'm the head coach, 72 00:04:41,000 --> 00:04:43,039 Speaker 1: if I'm the teammates, I'm gonna take notice. You know, 73 00:04:43,080 --> 00:04:46,040 Speaker 1: this dude looks a little a little bit slower. And 74 00:04:46,080 --> 00:04:48,720 Speaker 1: it's not because of any injury. Is because money Grip 75 00:04:48,920 --> 00:04:55,040 Speaker 1: is not getting any ass. So if I were Seattle 76 00:04:55,400 --> 00:04:58,760 Speaker 1: Seahawks fans, or if you haven't on your fantasy team, 77 00:04:58,960 --> 00:05:01,799 Speaker 1: be aware. Becau because of that shot him down until 78 00:05:01,800 --> 00:05:04,440 Speaker 1: he bust off. Yeah you got and you you you 79 00:05:04,560 --> 00:05:07,640 Speaker 1: bugging you. You're not doing anything ever. You don't want 80 00:05:07,680 --> 00:05:10,479 Speaker 1: you don't want to hit that. You don't think that. 81 00:05:10,560 --> 00:05:13,800 Speaker 1: You're backed up after a game, you come home to 82 00:05:13,880 --> 00:05:16,040 Speaker 1: that and you don't want to hit that. See, that's 83 00:05:16,040 --> 00:05:19,320 Speaker 1: why you're you're having trouble. You're having problems. And you 84 00:05:19,400 --> 00:05:21,760 Speaker 1: got your your your your hair, your hair is curly 85 00:05:21,800 --> 00:05:28,880 Speaker 1: and all that ship. Listen, duke yo, fix your ship up. 86 00:05:29,480 --> 00:05:31,680 Speaker 1: Take him off your team for a while, like you said, 87 00:05:31,760 --> 00:05:33,839 Speaker 1: until he busts off. A matter of fact, Russell Wilson, 88 00:05:33,880 --> 00:05:36,440 Speaker 1: you need to cut that wig. Man. You look like 89 00:05:36,440 --> 00:05:38,640 Speaker 1: a fucking like a little like a little Teddy bear 90 00:05:38,680 --> 00:05:42,800 Speaker 1: with your ship, Little l Roy, cut cut that curly ship. Man, 91 00:05:44,160 --> 00:05:47,720 Speaker 1: get a mask and cut that curly ship. That's it. Sorry, 92 00:05:47,760 --> 00:05:50,159 Speaker 1: I hate to be that graphic and that straightforward, but 93 00:05:50,160 --> 00:05:52,960 Speaker 1: that's what this is really coming down. The scouting report 94 00:05:53,040 --> 00:05:56,039 Speaker 1: is cut that fucking curly ship and get the mask. 95 00:05:56,440 --> 00:06:02,920 Speaker 1: Until then your liability. All right. Fantasy football is underway, 96 00:06:02,960 --> 00:06:09,560 Speaker 1: and I love, love love draft kings one day fantasy. 97 00:06:09,640 --> 00:06:12,440 Speaker 1: There's no commitments. You could you could, you could hit 98 00:06:12,480 --> 00:06:14,240 Speaker 1: it and quit it. You might win. You might not 99 00:06:14,320 --> 00:06:17,000 Speaker 1: when you could play multiple games. That's the thing about 100 00:06:17,000 --> 00:06:19,640 Speaker 1: one week, you could do ten lineups. Hurry up to 101 00:06:19,720 --> 00:06:21,839 Speaker 1: draft Kings dot com right now. Use a promo code 102 00:06:21,880 --> 00:06:23,640 Speaker 1: rapp Report to play for free at a shot at 103 00:06:23,640 --> 00:06:27,400 Speaker 1: a million dollars in this week's Millionaire Maker event. All right, 104 00:06:27,560 --> 00:06:30,040 Speaker 1: enter rapp Report R A P A p O RT 105 00:06:30,240 --> 00:06:33,880 Speaker 1: for free entry now only a DraftKings dot com. DraftKings 106 00:06:33,920 --> 00:06:44,239 Speaker 1: dot com, that is Draft Kings dot mother fucking come Moody, Yeah, 107 00:06:44,279 --> 00:06:47,840 Speaker 1: so're you can hear the noises, the streets, the New 108 00:06:47,880 --> 00:06:51,440 Speaker 1: York City of it all. Uh what what do you 109 00:06:51,440 --> 00:06:53,640 Speaker 1: have to say, Moody? What? What? What's really good? How's 110 00:06:53,680 --> 00:06:57,039 Speaker 1: the how's the construction project? People want to know? How's 111 00:06:57,040 --> 00:07:00,440 Speaker 1: the construction project? You have been tearing your your your 112 00:07:00,480 --> 00:07:05,320 Speaker 1: Bronx startup apartment. You're trying to renovate it renovation apart, 113 00:07:05,360 --> 00:07:08,719 Speaker 1: renovational project. And you've done how much percent of the 114 00:07:08,720 --> 00:07:13,480 Speaker 1: work of the work alone or you never have any 115 00:07:13,480 --> 00:07:16,800 Speaker 1: help of the prep work? It's called the prep work. 116 00:07:17,120 --> 00:07:20,400 Speaker 1: You're taking the demo, You've you've torn the fucking the 117 00:07:20,480 --> 00:07:24,720 Speaker 1: place to shreds with your hands. Now a nail clipper 118 00:07:25,720 --> 00:07:29,800 Speaker 1: and a sledgehammer and a ladder and a screwdriver, that's it. 119 00:07:30,000 --> 00:07:33,440 Speaker 1: And and a knife. Yeah, don't forget the knife. Yeah, 120 00:07:33,480 --> 00:07:36,640 Speaker 1: like a steak knife, like a standards your standard steak knife. 121 00:07:37,720 --> 00:07:40,480 Speaker 1: If you, if anybody really knew the the the you're 122 00:07:40,520 --> 00:07:44,680 Speaker 1: a next centric guy. You're a fucking weirdo, man. You 123 00:07:44,720 --> 00:07:47,320 Speaker 1: know you're a weird Yeah, you're a fucking You're a 124 00:07:47,320 --> 00:07:50,080 Speaker 1: fucking weirdo man. Like I just I never called you 125 00:07:50,120 --> 00:07:52,160 Speaker 1: that before, Like, I just don't like, Yo, what the 126 00:07:52,200 --> 00:07:53,680 Speaker 1: fund is wrong with you? Man? You're up there with 127 00:07:53,720 --> 00:07:56,400 Speaker 1: a fucking When I say that he has no tools, 128 00:07:57,160 --> 00:08:00,840 Speaker 1: you you don't understand when I say has no tools, 129 00:08:01,320 --> 00:08:04,880 Speaker 1: the motherfucker has no fucking tools. Okay, yet he's able 130 00:08:04,920 --> 00:08:08,600 Speaker 1: to accomplish this. The motherfucker is is doing a construction 131 00:08:08,640 --> 00:08:13,760 Speaker 1: project with with no goggles. You just got gloves. Anyway, 132 00:08:13,840 --> 00:08:17,360 Speaker 1: we need help, the Iron red Port podcast needs some leadership. 133 00:08:17,440 --> 00:08:20,480 Speaker 1: We need some help. Help on that ship. Help my 134 00:08:20,520 --> 00:08:23,680 Speaker 1: man Gie Moody out, We're We're We're we are a 135 00:08:24,080 --> 00:08:27,680 Speaker 1: we are a reality show special ready to happen. I'll 136 00:08:27,680 --> 00:08:29,320 Speaker 1: be on it with my man Gie Moody and we 137 00:08:29,400 --> 00:08:32,760 Speaker 1: go to the Bronx just to your neighborhood. It's so visual. 138 00:08:33,800 --> 00:08:39,120 Speaker 1: It's crazy over there. So we're trying to do that. Um, 139 00:08:39,400 --> 00:08:41,559 Speaker 1: school is started. Aren't you happy your kids are back 140 00:08:41,559 --> 00:08:46,360 Speaker 1: at school? Everybody? Fuck Jesus a couple hours of peace 141 00:08:46,360 --> 00:08:50,560 Speaker 1: and quiet. I can't fucking breathe sometimes. But my kids 142 00:08:50,600 --> 00:08:52,640 Speaker 1: are older. But like I mean, I I love being 143 00:08:52,679 --> 00:08:57,040 Speaker 1: a fucking dad. But holy fucking ship, with the catches 144 00:08:57,080 --> 00:08:59,840 Speaker 1: and the throws and the and the fucking meals and 145 00:09:00,120 --> 00:09:02,800 Speaker 1: driving and this is and that in the twenty dollars 146 00:09:02,840 --> 00:09:04,880 Speaker 1: a year and the fifteen dollars there, and it is 147 00:09:04,880 --> 00:09:07,640 Speaker 1: and that, and the school supplies in the sweatshirts and 148 00:09:07,720 --> 00:09:11,960 Speaker 1: the whole fucking deals. It's part of the fucking deal. 149 00:09:12,000 --> 00:09:14,679 Speaker 1: And the pickups and the drop offs. See I I 150 00:09:14,760 --> 00:09:16,520 Speaker 1: live most of the time in Los Angeles. My kids 151 00:09:16,679 --> 00:09:18,560 Speaker 1: go to school insaners. They have to be driven to 152 00:09:18,800 --> 00:09:22,480 Speaker 1: school and picked up from school. And and when I'm 153 00:09:22,520 --> 00:09:24,719 Speaker 1: not working and I'm there, I try to do the 154 00:09:25,240 --> 00:09:28,560 Speaker 1: driving too. And from gerald is is is as a 155 00:09:28,600 --> 00:09:31,960 Speaker 1: single dad, and he uh, he does the walking and 156 00:09:32,000 --> 00:09:33,840 Speaker 1: the going and the coming and the going and the 157 00:09:33,840 --> 00:09:35,720 Speaker 1: two and the froms and the ups and the downs. 158 00:09:37,000 --> 00:09:38,959 Speaker 1: But don't you ever, just want to just be like funk. 159 00:09:39,000 --> 00:09:40,959 Speaker 1: I don't want to go to the fucking Listen. I 160 00:09:41,000 --> 00:09:42,800 Speaker 1: don't want to go to your game. You ain't that 161 00:09:42,920 --> 00:09:47,280 Speaker 1: fucking good. Don't you want to say that? Sometimes? I 162 00:09:47,320 --> 00:09:51,920 Speaker 1: saw the last seventy four fucking fucking basketball games. I 163 00:09:51,960 --> 00:09:54,199 Speaker 1: was at the baseball games. You haven't gotten a hit. 164 00:09:55,320 --> 00:09:58,439 Speaker 1: He had one hit the whole season. I don't want 165 00:09:58,440 --> 00:10:00,840 Speaker 1: to go again. You know what's worse than going to 166 00:10:00,880 --> 00:10:04,240 Speaker 1: see your your your your your kid performing in something, 167 00:10:04,720 --> 00:10:09,120 Speaker 1: um repetitive times going to watch someone else's kids do it. 168 00:10:09,600 --> 00:10:13,160 Speaker 1: I'd rather fucking stick a fucking hot poker up my 169 00:10:13,240 --> 00:10:16,480 Speaker 1: ass then go watch like, let's say one of my 170 00:10:16,600 --> 00:10:20,920 Speaker 1: nephews do like a bad play, fucking thro throw me 171 00:10:20,960 --> 00:10:23,160 Speaker 1: off the building, to spin me on the way down. 172 00:10:23,920 --> 00:10:25,959 Speaker 1: I don't want to sit through that ship monetti and 173 00:10:25,960 --> 00:10:28,520 Speaker 1: they're talking and walk at that and here I meet 174 00:10:28,520 --> 00:10:30,160 Speaker 1: my third I don't I don't want to, I don't care. 175 00:10:30,200 --> 00:10:31,880 Speaker 1: But I hated my third grade teacher. I think I'm 176 00:10:31,920 --> 00:10:37,120 Speaker 1: gonna like yours. Yeah, they threw me out, threw me out, 177 00:10:38,280 --> 00:10:41,320 Speaker 1: Look at me, Look at fucking me. Look with the 178 00:10:41,360 --> 00:10:46,080 Speaker 1: Public School System of New York City produced and and 179 00:10:46,080 --> 00:10:50,559 Speaker 1: and and very um expensive private schools of New York 180 00:10:50,600 --> 00:10:57,480 Speaker 1: City produced this nothing a fucking a ship show over here. 181 00:10:58,120 --> 00:11:01,480 Speaker 1: And g Moody's from numerous public schools in New York City. 182 00:11:01,720 --> 00:11:04,040 Speaker 1: Look at him, Look look how he turned out. A 183 00:11:04,160 --> 00:11:07,080 Speaker 1: guy can fucking knock down walls with his bare hands 184 00:11:07,520 --> 00:11:14,280 Speaker 1: and a fucking nail filer. Yeah, I'm telling you right now, gee, 185 00:11:15,240 --> 00:11:19,720 Speaker 1: I I'm not going to see that movie Apollo, Now, 186 00:11:19,760 --> 00:11:23,520 Speaker 1: I'm not. I love that actor Michael B. Jordan's, But 187 00:11:23,559 --> 00:11:26,080 Speaker 1: I mean Creed. I thought it was called Is it 188 00:11:26,120 --> 00:11:29,520 Speaker 1: called Creed or Apollo? I think it's called Creed The 189 00:11:30,000 --> 00:11:34,280 Speaker 1: Rocky Seven. It's essentially a Rocky seven movie. I I 190 00:11:34,320 --> 00:11:37,080 Speaker 1: can't do it. Rocky means too much to me. It's 191 00:11:37,200 --> 00:11:39,319 Speaker 1: it's too much of a valued part. And I went 192 00:11:39,360 --> 00:11:42,480 Speaker 1: through enough. I went and saw six. It was terrible. 193 00:11:43,960 --> 00:11:49,200 Speaker 1: Five had its moments. Four, I mean it got four 194 00:11:49,240 --> 00:11:52,439 Speaker 1: and five are are underrated. They have great Mickey stuff. 195 00:11:53,520 --> 00:11:59,439 Speaker 1: Five is pretty bad. Um, four is okay, three's great, 196 00:11:59,640 --> 00:12:04,080 Speaker 1: choose great, and one is just yo. One, Two and 197 00:12:04,200 --> 00:12:06,640 Speaker 1: three are just excellency. Obviously three is not as good 198 00:12:06,640 --> 00:12:09,080 Speaker 1: as two, and two is definitely not as good as one. 199 00:12:09,559 --> 00:12:13,480 Speaker 1: But two is pretty goddamn good. But this ship right here, 200 00:12:15,160 --> 00:12:18,880 Speaker 1: it's it's the theme line is Michael B. Jordan's Great 201 00:12:18,880 --> 00:12:22,200 Speaker 1: Actor Academy Award nominee. And he'll definitely he'll definitely get 202 00:12:22,280 --> 00:12:24,920 Speaker 1: nominated again, if not win one again in his lifetime. 203 00:12:25,240 --> 00:12:27,720 Speaker 1: You know, hopefully he gets the opportunities. He's that talented, 204 00:12:27,760 --> 00:12:31,440 Speaker 1: he has that CHARISMI he he has it. But this 205 00:12:32,320 --> 00:12:35,000 Speaker 1: and and and you know Copland I worked with stallone. 206 00:12:35,800 --> 00:12:39,000 Speaker 1: I don't have anything but great things to say, but 207 00:12:39,200 --> 00:12:43,120 Speaker 1: this ship. I support people going to see it. I'm 208 00:12:43,120 --> 00:12:45,240 Speaker 1: not saying don't go see it. I just can't see it. 209 00:12:45,720 --> 00:12:48,400 Speaker 1: Like I told my friend the other day, like, YO, 210 00:12:48,920 --> 00:12:51,080 Speaker 1: pay for someone to take your kids to go see it, 211 00:12:51,120 --> 00:12:53,920 Speaker 1: but make make sure that they see the first, second, 212 00:12:53,920 --> 00:12:56,440 Speaker 1: and third one for sure before they see it. Don't 213 00:12:56,440 --> 00:12:59,280 Speaker 1: don't just send him to Creed alone. Don't do that 214 00:12:59,320 --> 00:13:08,640 Speaker 1: to Rocky Apollo, Clubber, Mickey Poli, Adrian Duke. Great characters. Yeah, yeah, 215 00:13:08,679 --> 00:13:12,160 Speaker 1: you gotta see one, two and three and then take 216 00:13:12,200 --> 00:13:15,640 Speaker 1: your kids to go see Creed, all right. And you 217 00:13:15,640 --> 00:13:18,599 Speaker 1: know what I've I've watched those movies many times with 218 00:13:18,720 --> 00:13:21,560 Speaker 1: my kids. Maybe I'll just go see I don't know. 219 00:13:22,240 --> 00:13:24,080 Speaker 1: I don't know. You never say never, right. It's hard 220 00:13:24,080 --> 00:13:26,280 Speaker 1: for me not to see a Rocky movie because I 221 00:13:26,360 --> 00:13:29,680 Speaker 1: foxed with him so so hard. I foxed with Rocky 222 00:13:29,760 --> 00:13:38,760 Speaker 1: one hard body Karate, I fox with him two three. Yeah, 223 00:13:38,960 --> 00:13:43,640 Speaker 1: what about you can't ring rock We need to start 224 00:13:43,679 --> 00:13:46,920 Speaker 1: doing a burgess. That's what I'm gonna start doing. Burgess. 225 00:13:46,920 --> 00:13:52,880 Speaker 1: Meredith impressions. Yeah, that they're they're gonna sound eerily similar 226 00:13:52,920 --> 00:13:58,360 Speaker 1: to my Danny a yellow impression. I'll do it right now. Yeah, 227 00:13:58,360 --> 00:14:00,520 Speaker 1: I've been coming here for six years. It's six years 228 00:14:00,520 --> 00:14:02,200 Speaker 1: you've been sticking it to me. I want to know 229 00:14:02,280 --> 00:14:05,240 Speaker 1: how come you don't want to know. I want to 230 00:14:05,280 --> 00:14:08,280 Speaker 1: know how you want to know? I want to know. 231 00:14:08,360 --> 00:14:13,200 Speaker 1: I'll come. The whole gym stops, everybody stops skipping, wrote, 232 00:14:13,559 --> 00:14:18,720 Speaker 1: everybody stops boxing, everybody's watching. Oh shit. Mickey and Rocky 233 00:14:18,760 --> 00:14:23,280 Speaker 1: are arguing, and then Mickey says, because you had the 234 00:14:23,320 --> 00:14:26,560 Speaker 1: talent to become a good fighter and instead of that, 235 00:14:27,000 --> 00:14:30,600 Speaker 1: you became a leg breaker to some cheap, second rate 236 00:14:30,680 --> 00:14:35,880 Speaker 1: loan shark. And then Rocky one of the great fucking lines. 237 00:14:36,160 --> 00:14:38,640 Speaker 1: This is what makes this movie so good. In this scene, 238 00:14:38,680 --> 00:14:41,160 Speaker 1: so good and it's so sort of you forget the 239 00:14:41,320 --> 00:14:45,320 Speaker 1: brilliance of of of of the movie Rocky, you forget 240 00:14:45,320 --> 00:14:50,200 Speaker 1: the brilliance. His response to that is, it's a living. 241 00:14:52,560 --> 00:14:54,360 Speaker 1: That's a funny line, and it's such a that was 242 00:14:54,760 --> 00:14:57,200 Speaker 1: it's he's screaming on. He was like, it's a living 243 00:14:57,240 --> 00:15:01,160 Speaker 1: because he's like embarrassed and he he doesn't know what 244 00:15:01,240 --> 00:15:02,840 Speaker 1: to say. He told him, you know, you had the 245 00:15:02,880 --> 00:15:05,800 Speaker 1: talent to become a good fighter, but instead of that, 246 00:15:05,920 --> 00:15:10,080 Speaker 1: you became a leg breaker to some cheap, second rate 247 00:15:10,240 --> 00:15:18,200 Speaker 1: loan shark. That's dope writing. Stallone wrote that ship and 248 00:15:18,240 --> 00:15:23,920 Speaker 1: then Mickey goes, it's a waste of life. Yeah, you know. 249 00:15:24,120 --> 00:15:26,360 Speaker 1: I met Burgess Meredith one time in an airport and 250 00:15:26,400 --> 00:15:29,120 Speaker 1: like in the nineties, and I went up to him 251 00:15:29,120 --> 00:15:31,280 Speaker 1: and I just like I he was so sweet. He 252 00:15:31,320 --> 00:15:33,000 Speaker 1: was little, he was old, and I was just like, 253 00:15:33,040 --> 00:15:37,080 Speaker 1: oh ship, I love you. He was like a little 254 00:15:37,080 --> 00:15:38,960 Speaker 1: old dude. I was like, I love you. And we've 255 00:15:38,960 --> 00:15:43,600 Speaker 1: said this before. Sylvester Stallone told me this is not, 256 00:15:44,800 --> 00:15:47,880 Speaker 1: this is not, this is not, could be, would be, 257 00:15:47,960 --> 00:15:52,360 Speaker 1: should be. Facts. He told me, you know, Burgess Meredith 258 00:15:52,600 --> 00:15:55,920 Speaker 1: was a first rate stickman. He told me that when 259 00:15:55,920 --> 00:15:58,240 Speaker 1: we're making Copland. He said. I said, what's a stickman? 260 00:15:58,360 --> 00:16:02,480 Speaker 1: He said, a cocksman. Stallone said that to him. You know, 261 00:16:02,720 --> 00:16:08,240 Speaker 1: Burgess Meredith, he's a first great stick man. And I'm 262 00:16:08,360 --> 00:16:10,560 Speaker 1: I'm like, I can't even believe that sevest alone is 263 00:16:10,600 --> 00:16:14,120 Speaker 1: talking and he's telling me that Burgess Meredith fuck style 264 00:16:14,360 --> 00:16:18,040 Speaker 1: as buck wild, you know what. Like I'm like, like, 265 00:16:18,040 --> 00:16:20,840 Speaker 1: like I've made it. I've made if I do nothing 266 00:16:20,880 --> 00:16:25,400 Speaker 1: else for to have Sylvester Slane revealed to me, I've 267 00:16:25,440 --> 00:16:28,120 Speaker 1: heard no one else say that Burgess Meredith was a 268 00:16:28,160 --> 00:16:34,040 Speaker 1: stickman except for me, because Sylvester Slone shared that information 269 00:16:34,080 --> 00:16:38,240 Speaker 1: with me. That's privileged information. Nobody knew he was skating 270 00:16:38,360 --> 00:16:41,720 Speaker 1: like that. Yo, he was skeating and and you know 271 00:16:41,840 --> 00:16:45,400 Speaker 1: he was he was doing he was doing the damping 272 00:16:46,040 --> 00:16:50,880 Speaker 1: si Iron Rappor podcast. My mac Weldon underwear in this 273 00:16:50,960 --> 00:16:53,640 Speaker 1: heat in New York City, I mean general, when you're 274 00:16:53,680 --> 00:16:56,520 Speaker 1: on the train, when you're when you're working in rebuilding 275 00:16:56,560 --> 00:16:58,880 Speaker 1: your house and you have on your mac Waldon underwear 276 00:16:58,920 --> 00:17:00,760 Speaker 1: in a mac Waldon T shirt, are you or are 277 00:17:00,800 --> 00:17:05,080 Speaker 1: you not comfortable? I am absolutely comfortable. I landed at 278 00:17:05,160 --> 00:17:08,239 Speaker 1: JFK today. It was ninety degrees. I had on my 279 00:17:08,359 --> 00:17:11,359 Speaker 1: mac Weldon underwear. 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Okay, you go to 289 00:17:45,880 --> 00:17:48,680 Speaker 1: mac weldon dot com, m A c k W E 290 00:17:48,840 --> 00:17:51,439 Speaker 1: L d o N dot com put in the promo 291 00:17:51,480 --> 00:17:53,760 Speaker 1: called Wrapp Report r A p A p O RT 292 00:17:54,000 --> 00:18:00,639 Speaker 1: for off Yo. We're back. We're back with with another 293 00:18:00,680 --> 00:18:06,360 Speaker 1: segment of of wicka please uh at the Iron Rapp 294 00:18:06,359 --> 00:18:08,880 Speaker 1: Report podcast. And and we're a couple of days late 295 00:18:08,920 --> 00:18:14,240 Speaker 1: to the party on this. But an Ohio mother who 296 00:18:14,760 --> 00:18:19,640 Speaker 1: whose husband died of a heroin overdose has two children, 297 00:18:20,240 --> 00:18:25,320 Speaker 1: and um, she obviously that's a terrible, terrible thing to 298 00:18:25,440 --> 00:18:29,959 Speaker 1: have to go through, but she decided to post a 299 00:18:30,000 --> 00:18:33,679 Speaker 1: picture of her. This woman named Eva Holland posted a 300 00:18:33,680 --> 00:18:38,119 Speaker 1: picture of herself and her two young children, who probably 301 00:18:38,119 --> 00:18:41,119 Speaker 1: are more than I don't know, six and eight, seven 302 00:18:41,160 --> 00:18:42,960 Speaker 1: and nine. You never know when to that little little 303 00:18:43,000 --> 00:18:49,679 Speaker 1: motherfucker's in front of the casket. And she she acknowledges 304 00:18:49,720 --> 00:18:54,040 Speaker 1: that the picture is is uh makes people uncomfortable, and 305 00:18:54,080 --> 00:18:58,000 Speaker 1: this and that and the other. But Joe and the kids, 306 00:18:58,080 --> 00:19:00,399 Speaker 1: for some reason, they're smiling in front of the casket 307 00:19:00,400 --> 00:19:02,480 Speaker 1: of their dead dad. I don't know what the funk 308 00:19:02,560 --> 00:19:06,920 Speaker 1: this is. But uh, but but but lady, you get 309 00:19:06,920 --> 00:19:11,480 Speaker 1: a wiga please, because it took ship too far, all right. 310 00:19:11,600 --> 00:19:13,840 Speaker 1: I mean, you know, we don't need you to post that. 311 00:19:14,200 --> 00:19:16,639 Speaker 1: Your family and your kids don't need you to post that. 312 00:19:16,800 --> 00:19:18,960 Speaker 1: You got to think about who's seeing it now. The 313 00:19:18,960 --> 00:19:21,160 Speaker 1: whole world is seeing it. It wasn't just a little 314 00:19:21,240 --> 00:19:25,359 Speaker 1: Facebook post, all right. So so I understand that's a 315 00:19:25,440 --> 00:19:29,520 Speaker 1: tragedy that your family went through. But you get a 316 00:19:29,560 --> 00:19:32,879 Speaker 1: wiga please, because I don't know if you told your 317 00:19:32,920 --> 00:19:35,560 Speaker 1: kids to smile in the picture. They're smiling like they're 318 00:19:35,720 --> 00:19:40,400 Speaker 1: fucking Disneyland. It don't look right, all right, And and 319 00:19:40,200 --> 00:19:42,920 Speaker 1: and and and we've been. We've been wanting it. Talk 320 00:19:42,960 --> 00:19:46,800 Speaker 1: about Sean White because we went at Ray King, Shaan King, 321 00:19:46,920 --> 00:19:49,919 Speaker 1: Shaan King. His name could be Sean White, alright, for 322 00:19:50,480 --> 00:19:56,080 Speaker 1: let's do Sean White, Shaun King a ka Shawn White, 323 00:19:56,640 --> 00:19:59,680 Speaker 1: not to be confused with the Flying Tomato a ka 324 00:20:00,040 --> 00:20:07,199 Speaker 1: On White, the skateboarder slash snowboarder. So Sean King, uh 325 00:20:07,640 --> 00:20:11,440 Speaker 1: who claims he's black, claims he's black, and he was 326 00:20:11,480 --> 00:20:13,680 Speaker 1: one of the he's he's an activist. He's a black 327 00:20:13,720 --> 00:20:17,119 Speaker 1: activist for all Black Lives Matter. Yeah, he was a 328 00:20:17,160 --> 00:20:19,879 Speaker 1: big part of the Black Lives Matter and and he's 329 00:20:19,920 --> 00:20:22,960 Speaker 1: been in Hideaway. But he he was asked point blank 330 00:20:23,040 --> 00:20:27,760 Speaker 1: by a CNN reporter are you fucking black? And he 331 00:20:27,800 --> 00:20:30,439 Speaker 1: answered all these other questions and he wouldn't answered that. 332 00:20:30,480 --> 00:20:33,840 Speaker 1: And you asked me that, hey, Gerald, are you black? Fuck? Yeah? 333 00:20:34,080 --> 00:20:38,240 Speaker 1: See asked me, am I black? Are you black? No? 334 00:20:38,359 --> 00:20:43,920 Speaker 1: I'm not? Asked me and my Jewish Jewish fuck yeah? 335 00:20:44,520 --> 00:20:50,160 Speaker 1: Uh So Sean White, I mean Shaan King. Gerald has 336 00:20:50,240 --> 00:20:52,920 Speaker 1: some questions because we we talked not too long ago 337 00:20:53,080 --> 00:20:57,280 Speaker 1: on the black resume. People are giving out their black resume. 338 00:20:57,280 --> 00:20:59,320 Speaker 1: If you didn't hear that episode in that segment, Gerald 339 00:20:59,320 --> 00:21:02,600 Speaker 1: explain what a black resume is. It's when a guy 340 00:21:02,760 --> 00:21:10,440 Speaker 1: who doesn't appear black, he will say, oh, yeah, my 341 00:21:10,520 --> 00:21:15,119 Speaker 1: mom is this, and my uh grandmother is this, but 342 00:21:15,240 --> 00:21:20,520 Speaker 1: I have some black right to validate himself, hence giving 343 00:21:20,720 --> 00:21:24,960 Speaker 1: his black resume. So Sean King has been been doing 344 00:21:25,000 --> 00:21:28,399 Speaker 1: that ship for a while, and now it's coming out 345 00:21:28,440 --> 00:21:31,800 Speaker 1: that he might not be black at all, and and 346 00:21:31,880 --> 00:21:36,000 Speaker 1: Gerald wanted to to see to test him, and and 347 00:21:36,000 --> 00:21:39,480 Speaker 1: and in in this test of Sean white fuck Sean King, 348 00:21:40,440 --> 00:21:44,639 Speaker 1: you wanted to ask him a few questions because you 349 00:21:44,720 --> 00:21:46,919 Speaker 1: thought that this would really get to the bottom of 350 00:21:46,960 --> 00:21:49,240 Speaker 1: whether or not he was actually a black man or not. 351 00:21:49,320 --> 00:21:51,359 Speaker 1: And what were some of these questions? If you're really 352 00:21:51,400 --> 00:21:55,879 Speaker 1: a black American, it doesn't matter certain things, it doesn't 353 00:21:55,920 --> 00:21:58,960 Speaker 1: matter what part of the country you're in, you know, 354 00:21:59,680 --> 00:22:07,199 Speaker 1: such as do rags what are do rags use for? Okay? 355 00:22:07,280 --> 00:22:13,960 Speaker 1: Valid question? Second question, what is finger waves? Really? Valid? Question? 356 00:22:14,280 --> 00:22:17,720 Speaker 1: Really really valued question? You also, uh, since you're you're 357 00:22:17,760 --> 00:22:20,119 Speaker 1: in in in the hair a black man, you also 358 00:22:20,200 --> 00:22:25,399 Speaker 1: wanted to ask the question new nile is used for? What? 359 00:22:26,440 --> 00:22:30,119 Speaker 1: New nil is used for? Blank? Blank? Okay? And that 360 00:22:30,200 --> 00:22:32,880 Speaker 1: was that was the third question in the hair and 361 00:22:33,040 --> 00:22:39,560 Speaker 1: if I say to you, he showed his ass, what 362 00:22:39,600 --> 00:22:44,120 Speaker 1: do I mean? Very very totally valid question. And what 363 00:22:44,119 --> 00:22:45,920 Speaker 1: what were the what were some of the other ones? 364 00:22:47,040 --> 00:22:53,040 Speaker 1: When I'm going to a fish fry? What fish would 365 00:22:53,080 --> 00:22:58,280 Speaker 1: I buy for the fish fry? Good very value question. 366 00:22:58,280 --> 00:23:00,800 Speaker 1: And finally did the last question that you had for 367 00:23:00,840 --> 00:23:04,760 Speaker 1: Sean King a ka Shaun White? These also might be 368 00:23:04,760 --> 00:23:06,639 Speaker 1: good for Rachel Dozel, but I feel like she's on 369 00:23:06,640 --> 00:23:08,920 Speaker 1: her p's and Q she probably might know these things. 370 00:23:08,960 --> 00:23:12,520 Speaker 1: But the final question is what for for Sean King, 371 00:23:12,960 --> 00:23:15,320 Speaker 1: uh to see if he if he's if he's about 372 00:23:15,359 --> 00:23:18,840 Speaker 1: that life? How do you jump in that double Dutch 373 00:23:19,760 --> 00:23:23,840 Speaker 1: meaning how do you do you just jump in? How 374 00:23:23,880 --> 00:23:28,439 Speaker 1: do you jump in? Do you time it? He knows 375 00:23:29,440 --> 00:23:31,560 Speaker 1: he's black? Okay? But I thought there was one more 376 00:23:31,640 --> 00:23:35,040 Speaker 1: question that you had. You had, so what what what 377 00:23:35,080 --> 00:23:38,679 Speaker 1: was the you had one more? Actually you said this 378 00:23:38,720 --> 00:23:41,520 Speaker 1: is this is a bonus question for Sean King that 379 00:23:41,640 --> 00:23:45,600 Speaker 1: Gerald had for you, because Gerald, you think that his 380 00:23:45,760 --> 00:23:51,119 Speaker 1: guy is not black? Fuck? No? Right? You? And what 381 00:23:51,119 --> 00:23:56,840 Speaker 1: are you basing this off of my eyesight and the 382 00:23:56,880 --> 00:23:59,720 Speaker 1: pictures I've seen of him as a little boy? What 383 00:24:00,119 --> 00:24:04,160 Speaker 1: white mama in Kentucky. Right, So those two things were 384 00:24:04,160 --> 00:24:07,360 Speaker 1: good enough for you to self explanatory. So the bonus 385 00:24:07,480 --> 00:24:12,360 Speaker 1: question for Shaun King is what we all fried at 386 00:24:12,400 --> 00:24:17,680 Speaker 1: good fish? And and when the oil when we're finished 387 00:24:17,720 --> 00:24:22,879 Speaker 1: with consuming that good fish, right, the oil is there? 388 00:24:25,040 --> 00:24:31,399 Speaker 1: What do you do with that fish? Grease? I'm not 389 00:24:31,440 --> 00:24:36,120 Speaker 1: going to give you any option, so you can deduce, right, 390 00:24:37,040 --> 00:24:40,359 Speaker 1: you give a multiple choice. You if you're black, you 391 00:24:40,640 --> 00:24:48,040 Speaker 1: know so, Mr Shaun King. If you're black, you know, 392 00:24:48,280 --> 00:24:51,440 Speaker 1: and you you better get back to us. Yes, email, 393 00:24:52,640 --> 00:24:56,119 Speaker 1: We're easy to find or on Instagram and on Twitter. 394 00:24:56,760 --> 00:24:59,760 Speaker 1: And I think that if you answer these questions by 395 00:24:59,760 --> 00:25:03,359 Speaker 1: by g Monetti. Gerald Moody a k. The Black Ed 396 00:25:03,440 --> 00:25:09,960 Speaker 1: McMahon a k A spokesperson for black people who don't 397 00:25:10,040 --> 00:25:13,520 Speaker 1: mind being black? Did you say that again? I am 398 00:25:13,560 --> 00:25:18,560 Speaker 1: the spokesperson, the spokes brother for black people who don't 399 00:25:18,720 --> 00:25:22,879 Speaker 1: mind being black. Okay, Yo, If if you want this 400 00:25:23,000 --> 00:25:26,960 Speaker 1: controversy to go away, find us answer these questions and 401 00:25:27,320 --> 00:25:30,800 Speaker 1: I guarantee you we can get your ship back in line. 402 00:25:30,960 --> 00:25:32,760 Speaker 1: All right. This is the Iron Wrap PORP podcast. When 403 00:25:32,800 --> 00:25:37,399 Speaker 1: we're right back. The Iron Wrap COORP podcast is sponsored 404 00:25:37,440 --> 00:25:44,040 Speaker 1: by greats Sneakers. Great footwear. We like this stylish, comfortable, 405 00:25:44,320 --> 00:25:49,639 Speaker 1: totally unique, low key sneakers made in Brooklyn, New York. 406 00:25:49,800 --> 00:25:52,760 Speaker 1: Greats dot com. You go to greats dot com. You 407 00:25:52,800 --> 00:25:56,280 Speaker 1: get off if you put in the promo code wrap 408 00:25:57,200 --> 00:26:00,680 Speaker 1: r a P that's wrap, Gerald Moody. I am known 409 00:26:01,320 --> 00:26:03,520 Speaker 1: from my discomfort in my feet. I am known from 410 00:26:03,520 --> 00:26:06,400 Speaker 1: my tender feet. I wear my grades. I feel good 411 00:26:06,560 --> 00:26:09,520 Speaker 1: and I look good, but more importantly I feel good. 412 00:26:10,320 --> 00:26:12,760 Speaker 1: Great dot com. Go to great dot com putting the 413 00:26:12,760 --> 00:26:17,119 Speaker 1: promo code r AP, you get off your purchase the 414 00:26:17,160 --> 00:26:22,679 Speaker 1: Iron Wrap coor podcast in lieu of the upcoming A 415 00:26:22,760 --> 00:26:26,280 Speaker 1: hundred episode. It mightn't even have to be like the 416 00:26:26,359 --> 00:26:30,240 Speaker 1: nine seven episode. We we don't you know, we don't 417 00:26:30,280 --> 00:26:34,719 Speaker 1: follow rules. So right now the Danny i Llo interview, 418 00:26:35,400 --> 00:26:39,280 Speaker 1: the Danny Illo uh all I Hello, do the Right 419 00:26:39,359 --> 00:26:43,080 Speaker 1: Thing scene with me playing Danny Illo sal from sALS 420 00:26:43,119 --> 00:26:48,320 Speaker 1: Famous Pizzeria and Danny Iello playing Mookie. That will be 421 00:26:48,400 --> 00:26:50,960 Speaker 1: premiered on the hundredth episode, but who knows, it could 422 00:26:50,960 --> 00:26:56,359 Speaker 1: be pushed forward. But today what we're suggesting is Danny 423 00:26:56,400 --> 00:27:01,560 Speaker 1: i Llo as an alarm clock. It's time to get up, 424 00:27:01,720 --> 00:27:09,560 Speaker 1: you dumb motherfucker bee beep beep, You stupid cocksucker, you 425 00:27:09,840 --> 00:27:17,000 Speaker 1: lazy motherfucker, bee beep beep. I said, get the fuck up, 426 00:27:17,920 --> 00:27:23,880 Speaker 1: get the fuck out of the fucking bed, you bum. 427 00:27:23,920 --> 00:27:30,800 Speaker 1: You're a no good, lazy, sleepy fucking bum. That's gonna 428 00:27:30,840 --> 00:27:34,440 Speaker 1: wake you up in the morning. Man. Hey, it's dan 429 00:27:34,600 --> 00:27:38,280 Speaker 1: if Danny Aello's voice. Uh. He could do with it 430 00:27:38,520 --> 00:27:40,280 Speaker 1: what he what he pleases. But I think that would 431 00:27:40,320 --> 00:27:43,080 Speaker 1: be a great alarm cloud, all the best. And then 432 00:27:43,119 --> 00:27:47,119 Speaker 1: you snooze it. You gotta be fucking kidding me. You 433 00:27:47,280 --> 00:27:52,640 Speaker 1: got no fucking life, and you hit the fucking snooze bar, 434 00:27:54,240 --> 00:28:04,040 Speaker 1: you miserable motherfucker. You You're wasting your fucking live And 435 00:28:04,080 --> 00:28:07,800 Speaker 1: then it like goes into an echo chamber thing. I 436 00:28:07,800 --> 00:28:10,200 Speaker 1: don't know who's been watching Public Morals on t n T, 437 00:28:10,400 --> 00:28:14,280 Speaker 1: but the fan response to Public Morals a show uh 438 00:28:14,320 --> 00:28:18,720 Speaker 1: that I'm in on TNT starring Ed Burns, Executive produced 439 00:28:19,440 --> 00:28:22,320 Speaker 1: by Steven Spielberg. You could catch up on old episodes. 440 00:28:22,359 --> 00:28:24,600 Speaker 1: We're getting ready to come close to the season finale. 441 00:28:25,440 --> 00:28:28,000 Speaker 1: You can catch up on old episodes on v o 442 00:28:28,119 --> 00:28:32,240 Speaker 1: D on TNT dot com. You start watching the show 443 00:28:32,359 --> 00:28:35,919 Speaker 1: Tuesdays or on VLD what what's that. You're getting a 444 00:28:35,920 --> 00:28:38,840 Speaker 1: lot of love. People are liking it, people are liking 445 00:28:38,880 --> 00:28:40,800 Speaker 1: Public Morals. I'm proud of the show. I like the 446 00:28:40,800 --> 00:28:45,080 Speaker 1: show Cops show New York sixties Street Cops. If you 447 00:28:45,160 --> 00:28:48,480 Speaker 1: haven't watched it, wake the funk up and start watching it. 448 00:28:48,760 --> 00:28:51,400 Speaker 1: If you're watching, to keep watching, it gets better and better. 449 00:28:52,200 --> 00:28:55,880 Speaker 1: The season finale is coming soon, and I'm real proud 450 00:28:55,920 --> 00:29:00,880 Speaker 1: of Public Morals again. It's on t NT. Check it out. Uh, 451 00:29:01,160 --> 00:29:03,240 Speaker 1: which brings us to Gerald. You said you you you 452 00:29:03,320 --> 00:29:09,000 Speaker 1: had a question in the Gerald Moody Acting Workshop because 453 00:29:09,120 --> 00:29:12,120 Speaker 1: and I'm always thrilled and field honored to to answer 454 00:29:12,160 --> 00:29:14,400 Speaker 1: some of these questions that Gerald throws at me because 455 00:29:14,440 --> 00:29:16,800 Speaker 1: I feel like you're You're You're you. We we should 456 00:29:16,800 --> 00:29:19,520 Speaker 1: have you interview other actors. So what's your question that 457 00:29:19,600 --> 00:29:21,640 Speaker 1: you have for me today? Because you've asked me some 458 00:29:21,720 --> 00:29:24,040 Speaker 1: great things and it really I think bring some some 459 00:29:24,080 --> 00:29:28,200 Speaker 1: real insight into into what I do professionally other than 460 00:29:28,400 --> 00:29:30,960 Speaker 1: the Iron rapp Poor Pockets. So shoot your question at 461 00:29:30,960 --> 00:29:35,680 Speaker 1: me for today. Uh. I've always wondered. You know you're 462 00:29:35,680 --> 00:29:40,520 Speaker 1: going on auditions in California. Yeah, and I was there 463 00:29:40,520 --> 00:29:46,640 Speaker 1: in the beginning, So I've always wondered, did my man, 464 00:29:46,920 --> 00:29:56,040 Speaker 1: do you feel self conscious about your nomes? That's your 465 00:29:56,080 --> 00:30:02,160 Speaker 1: fucking question. Yeah, I fuck you. May and Guying Wrapper 466 00:30:02,280 --> 00:30:06,720 Speaker 1: podcast is sponsored by the American Giant Clothing company. American 467 00:30:06,800 --> 00:30:12,440 Speaker 1: Giants dot com go on their sweatshirts rough, well made, comfortable, breathable, 468 00:30:12,680 --> 00:30:15,880 Speaker 1: warm and in the winter you need yourself a nice 469 00:30:15,960 --> 00:30:18,920 Speaker 1: American Giant zip up hoodie or a pull over hoodie. 470 00:30:19,000 --> 00:30:22,040 Speaker 1: American Giant. Go to American Giant dot com check out 471 00:30:22,040 --> 00:30:27,200 Speaker 1: the T shirts and sweatshirts, sweatpants. American Giant we we 472 00:30:27,320 --> 00:30:30,600 Speaker 1: we reported about the gentleman who was born when he 473 00:30:30,720 --> 00:30:33,320 Speaker 1: has a young kid when he was six years old, 474 00:30:33,720 --> 00:30:38,360 Speaker 1: my man Mohammed a bad when he was six years old, 475 00:30:38,360 --> 00:30:40,320 Speaker 1: he was in a car crash and anyone and then 476 00:30:40,400 --> 00:30:45,959 Speaker 1: it went surgery to reconstruct his lost dick when he 477 00:30:46,000 --> 00:30:48,560 Speaker 1: was six. This this, this is serious. As a six 478 00:30:48,640 --> 00:30:51,160 Speaker 1: year old he was in a car crash and lost 479 00:30:51,160 --> 00:30:54,840 Speaker 1: his general's horrible thing, you know. And as a forty 480 00:30:54,960 --> 00:30:59,080 Speaker 1: three year old man, this gentleman UH received the first 481 00:30:59,480 --> 00:31:03,960 Speaker 1: with their a bionic dick. They gave my man an 482 00:31:04,040 --> 00:31:09,120 Speaker 1: eight inch loaf made from his own skin. The Steve 483 00:31:09,160 --> 00:31:16,280 Speaker 1: Austin Collection, the Steve Austin Collection of Dicks Majors. Yo. 484 00:31:16,600 --> 00:31:19,719 Speaker 1: And I'm so happy for this guy because I couldn't 485 00:31:19,720 --> 00:31:23,560 Speaker 1: imagine having like the embarrassment, the shame, and just all 486 00:31:23,600 --> 00:31:25,520 Speaker 1: the things he's went through. And like I saw it 487 00:31:25,600 --> 00:31:28,080 Speaker 1: in the Key's Foreign and and and uh, you know, 488 00:31:28,200 --> 00:31:30,320 Speaker 1: and and you know. But there was an interview with 489 00:31:30,360 --> 00:31:31,920 Speaker 1: him and you could just see the joy on his 490 00:31:32,000 --> 00:31:35,560 Speaker 1: face and he's so proud to have his eight inch loaf, 491 00:31:35,880 --> 00:31:37,920 Speaker 1: his eight inch bionic loath. And I think that's a 492 00:31:38,000 --> 00:31:41,520 Speaker 1: great nice loaf to have. Gerald at one point said, 493 00:31:41,560 --> 00:31:43,640 Speaker 1: if you're gonna if you've been without a loaf for 494 00:31:43,760 --> 00:31:46,880 Speaker 1: six your your whole life since he was six, I 495 00:31:46,920 --> 00:31:49,360 Speaker 1: think eight inch loaf is you want to give him 496 00:31:49,360 --> 00:31:52,560 Speaker 1: a fifteen inch loaf? Look, look, man, when you're born, 497 00:31:52,680 --> 00:31:55,680 Speaker 1: you ain't got no choice what size it's gonna grow to. 498 00:31:56,120 --> 00:31:58,560 Speaker 1: But if my ship is cut off for your whole 499 00:31:58,600 --> 00:32:00,440 Speaker 1: life and you have to suffer through that, and I 500 00:32:00,480 --> 00:32:05,960 Speaker 1: could order one, right. You think I'm gonna order eight inch, motherfucker, 501 00:32:06,040 --> 00:32:10,000 Speaker 1: give me twelve. I can order right. I couldn't order 502 00:32:10,080 --> 00:32:13,880 Speaker 1: it when I was in my mom's customize it like 503 00:32:13,920 --> 00:32:18,000 Speaker 1: the general Lee and motherfucking duke has right right right 504 00:32:18,000 --> 00:32:21,479 Speaker 1: like like it like gets something extra spec vin with 505 00:32:21,720 --> 00:32:25,120 Speaker 1: extra brickness. Right, Well, he's got extra brickness because he's 506 00:32:25,120 --> 00:32:27,520 Speaker 1: got a buion and glow and um he he talked 507 00:32:27,520 --> 00:32:31,080 Speaker 1: about on on a talk show. Um that that uh 508 00:32:31,160 --> 00:32:34,280 Speaker 1: he uh he for the first two weeks after recovering, 509 00:32:34,320 --> 00:32:38,520 Speaker 1: he just underwent this surgery. Okay, he just underwent the 510 00:32:38,560 --> 00:32:43,480 Speaker 1: surgery in July, and for the first two weeks he 511 00:32:43,560 --> 00:32:47,360 Speaker 1: actually said that the surgery being uh completed and going 512 00:32:47,360 --> 00:32:49,000 Speaker 1: through for him in his life. The first thing he 513 00:32:49,000 --> 00:32:52,720 Speaker 1: says was it's huge. But um, I'm gonna here all week, folks, 514 00:32:52,840 --> 00:32:54,760 Speaker 1: But that's exactly what he did say. He did say 515 00:32:54,760 --> 00:32:57,320 Speaker 1: it's huge. And then now he's got an eight inch 516 00:32:57,680 --> 00:33:00,560 Speaker 1: loaf made from his own skin and he's a you know, 517 00:33:00,640 --> 00:33:03,160 Speaker 1: he said he was. The guy was actually tearing up 518 00:33:03,200 --> 00:33:05,040 Speaker 1: when he was talking about it. He said he feels 519 00:33:05,800 --> 00:33:09,760 Speaker 1: comfortable to talk about it and so proud because of shame. Okay, 520 00:33:10,000 --> 00:33:12,880 Speaker 1: and but during his he's talking about during his recovery, 521 00:33:13,120 --> 00:33:18,200 Speaker 1: he had to keep his loaf erect for two weeks 522 00:33:19,120 --> 00:33:22,880 Speaker 1: so that bad boy could heal. How do you know 523 00:33:22,920 --> 00:33:25,120 Speaker 1: he's a bionic loaf. He could do whatever he wants 524 00:33:25,160 --> 00:33:28,240 Speaker 1: with it. He presses a button, but he had to 525 00:33:28,320 --> 00:33:30,600 Speaker 1: keep Maybe he maybe he has got a little combination 526 00:33:30,640 --> 00:33:32,800 Speaker 1: lock on his ship, like you know, maybe it's not 527 00:33:32,840 --> 00:33:35,760 Speaker 1: just one, but maybe it's like do not everybody could 528 00:33:35,800 --> 00:33:39,000 Speaker 1: do it, because you don't want people just arrecting your loaf. 529 00:33:39,840 --> 00:33:42,640 Speaker 1: Yeah you never know, or some girls like no, it's 530 00:33:42,720 --> 00:33:45,400 Speaker 1: my ship. I got the code, you know, it just 531 00:33:45,400 --> 00:33:48,160 Speaker 1: should be a three digit code. But but but he 532 00:33:48,240 --> 00:33:51,480 Speaker 1: also admitted that he's a virgin. He hasn't test driven himself. 533 00:33:51,800 --> 00:33:54,040 Speaker 1: This this guy should be getting women thrown at him, 534 00:33:54,640 --> 00:33:57,080 Speaker 1: beautiful women, because this guy has had a tough life. 535 00:33:57,160 --> 00:33:58,840 Speaker 1: And when you look at him, he's a good looking guy, 536 00:33:58,960 --> 00:34:02,960 Speaker 1: regular looking guy, nice looking god. His last name is 537 00:34:03,040 --> 00:34:07,800 Speaker 1: a bod a b A d Mohammed A bad, no, 538 00:34:08,040 --> 00:34:10,759 Speaker 1: a bad. It's a bad A bad or a bad. 539 00:34:12,200 --> 00:34:14,399 Speaker 1: Yeah yeah, I know. But what the point is is that, 540 00:34:14,600 --> 00:34:16,440 Speaker 1: you know, check this guy out. And I think that 541 00:34:16,480 --> 00:34:19,800 Speaker 1: women of the Iron Rapports podcast single women should be looking. 542 00:34:19,920 --> 00:34:23,160 Speaker 1: He's still a virgin. He's got his new his new dick. 543 00:34:24,560 --> 00:34:28,239 Speaker 1: He's a virgin. So I can't say that his fox 544 00:34:28,280 --> 00:34:31,320 Speaker 1: style is definitely gonna be buck wild. I can't. I 545 00:34:31,360 --> 00:34:34,560 Speaker 1: can't guarantee that he'll have a buck wild fox style. 546 00:34:34,719 --> 00:34:36,840 Speaker 1: But he should be taught, he should be learning. He 547 00:34:37,040 --> 00:34:39,840 Speaker 1: should he should be appreciated, and I hope some women, 548 00:34:40,200 --> 00:34:42,840 Speaker 1: you know, throw himself at him. He deserves him and 549 00:34:42,880 --> 00:34:45,399 Speaker 1: he's been through enough. And this is in total seriousness. 550 00:34:45,800 --> 00:34:49,399 Speaker 1: Mohammed a body, anytime you want to come on the 551 00:34:49,480 --> 00:34:53,560 Speaker 1: I m Rapp Report podcast, you have an open invitation. Again, 552 00:34:53,600 --> 00:34:56,040 Speaker 1: we will. We will pay for your travel to the 553 00:34:56,160 --> 00:34:59,320 Speaker 1: United States. That's how big of a deal it would 554 00:34:59,320 --> 00:35:01,640 Speaker 1: be to have have you on here and and and 555 00:35:01,640 --> 00:35:04,240 Speaker 1: and talk about what it's like to get that loaf 556 00:35:04,320 --> 00:35:09,720 Speaker 1: to skeet. How does that feel with a bionic dicky? 557 00:35:09,800 --> 00:35:15,160 Speaker 1: He probably she's probably a good shooter. Skeeting means uh ejaculating. 558 00:35:15,200 --> 00:35:18,160 Speaker 1: Some people don't know what you mean. But he's a 559 00:35:18,200 --> 00:35:26,520 Speaker 1: bionic shooter. My man is ski like. He's like a 560 00:35:26,600 --> 00:35:30,640 Speaker 1: clock like. Yo. So this guy, I'm happy for him, 561 00:35:30,840 --> 00:35:33,880 Speaker 1: and I'm just you know, we're gonna continue to follow 562 00:35:34,000 --> 00:35:37,919 Speaker 1: follow this story. So Mohammed a bad Yo. We funk 563 00:35:37,960 --> 00:35:40,279 Speaker 1: with you, hard body karate, and we're happy for you 564 00:35:40,320 --> 00:35:43,319 Speaker 1: and we're wishing you success with your new loaf and 565 00:35:43,400 --> 00:35:49,160 Speaker 1: your fuckame and everything. Man. Alright, so recently in New 566 00:35:49,239 --> 00:35:54,279 Speaker 1: York Fashion Week in New York, I can't believe that 567 00:35:54,360 --> 00:35:57,680 Speaker 1: fashion week is such a big to do. I mean, 568 00:35:58,760 --> 00:36:02,280 Speaker 1: I don't understand it. And it's like they got Men's 569 00:36:02,320 --> 00:36:06,120 Speaker 1: Fashion Week the first ever or first I don't know, 570 00:36:06,160 --> 00:36:08,360 Speaker 1: we don't know, I don't know. But wait then in 571 00:36:08,440 --> 00:36:14,160 Speaker 1: Kanye West uh debuted, uh debuted his fashion ship at 572 00:36:14,560 --> 00:36:17,520 Speaker 1: at this week's fashion I'm not with all that fashion 573 00:36:17,560 --> 00:36:20,879 Speaker 1: should be. But what I was just gonna go, I'm 574 00:36:20,920 --> 00:36:25,160 Speaker 1: not with all that. I'm with regular ship, hip hop ship, 575 00:36:25,640 --> 00:36:29,279 Speaker 1: like I know it, fashion ship on that fashion week 576 00:36:29,320 --> 00:36:34,840 Speaker 1: and all that. No, where's the cream wallows? Where's the 577 00:36:34,960 --> 00:36:43,799 Speaker 1: motherfucking jeans hanging perfectly off your butt, falling over the 578 00:36:43,920 --> 00:36:48,319 Speaker 1: shoe right on your wallabies? Not see? The fashion ship 579 00:36:48,400 --> 00:36:53,840 Speaker 1: today is tight jens, tight T shirt, tight jeans and 580 00:36:53,920 --> 00:36:57,600 Speaker 1: tight T shirts in hip hop, in black culture, it's 581 00:36:57,880 --> 00:37:03,799 Speaker 1: never been like that. So this is foreign to me 582 00:37:04,040 --> 00:37:09,760 Speaker 1: and this is something I'm not with want Okay, alright, 583 00:37:09,800 --> 00:37:12,799 Speaker 1: I won't do the fucking segment. Fuck that, alright. I 584 00:37:12,840 --> 00:37:15,840 Speaker 1: was just saying, Kanye West had his fucking fashioning and 585 00:37:15,920 --> 00:37:20,279 Speaker 1: I know what that translates into. That means, motherfucker's just 586 00:37:20,320 --> 00:37:24,600 Speaker 1: walking up and down the slut walk right with tight 587 00:37:24,800 --> 00:37:29,839 Speaker 1: jeans with zippers in New York City. Imagine you go 588 00:37:29,840 --> 00:37:33,080 Speaker 1: out on stage and you rocking tight ship with zippers. 589 00:37:33,320 --> 00:37:36,680 Speaker 1: It looks like a dick. See for me, that's how ship. 590 00:37:37,320 --> 00:37:40,360 Speaker 1: So when you see that, that's not for me. So 591 00:37:40,440 --> 00:37:45,000 Speaker 1: don't mention that on I am wrappaport. Just okay, stop 592 00:37:45,239 --> 00:37:50,000 Speaker 1: Jesus christ all right, gee moody fucking freaking out on me? Man. 593 00:37:50,040 --> 00:37:54,560 Speaker 1: I was like a g Moody freak out. Congratulate yo, man, Yeah, 594 00:37:55,000 --> 00:37:56,600 Speaker 1: let the cat out of the back. That was a 595 00:37:56,640 --> 00:38:00,799 Speaker 1: good We have standards, all right, Okay, gee this christ Man, 596 00:38:00,880 --> 00:38:03,399 Speaker 1: I was ready be And Mike Mighty Mike Masses from 597 00:38:03,400 --> 00:38:07,840 Speaker 1: the heart of bed Stock. We have standards, Lord Shafiq, 598 00:38:08,280 --> 00:38:13,319 Speaker 1: the Boogie Boys, we have turned tables. M Kokela rock 599 00:38:15,160 --> 00:38:24,759 Speaker 1: just ice little story like this. You know you won 600 00:38:26,280 --> 00:38:30,040 Speaker 1: this for you. I'm gonna go on for days about 601 00:38:30,080 --> 00:38:36,279 Speaker 1: this girl named Latoy. You look it up. You know 602 00:38:36,320 --> 00:38:39,920 Speaker 1: it's another thing and it alls tied into the the 603 00:38:39,920 --> 00:38:44,560 Speaker 1: the the sabotaging and and and of the culture of 604 00:38:44,560 --> 00:38:48,960 Speaker 1: the hip hop culture. Is there's a term that everybody uses. 605 00:38:49,000 --> 00:38:53,879 Speaker 1: It's outside of hip hop, it's outside of racial age. 606 00:38:54,600 --> 00:38:57,839 Speaker 1: A lot of people use the term now and they're 607 00:38:57,960 --> 00:39:02,759 Speaker 1: miss fucking using it. The term is back in the 608 00:39:02,880 --> 00:39:10,360 Speaker 1: days plural, back in the days. Back in the days 609 00:39:10,520 --> 00:39:13,560 Speaker 1: is the fucking turn back in the days when I 610 00:39:13,600 --> 00:39:17,600 Speaker 1: was a teenager, before I had status and before I 611 00:39:17,640 --> 00:39:21,960 Speaker 1: had a pager. That's from Trapical Quest. Back in the days. Uh, 612 00:39:22,000 --> 00:39:26,719 Speaker 1: even fucking back in the days when that's probably where 613 00:39:26,719 --> 00:39:28,719 Speaker 1: it kind of because it was in the course. The 614 00:39:28,880 --> 00:39:33,360 Speaker 1: term back in the days, it's not back in the 615 00:39:33,560 --> 00:39:38,120 Speaker 1: day the day people go back in the day. It's 616 00:39:38,120 --> 00:39:42,680 Speaker 1: not the day the one day. You're fucking misusing the term. 617 00:39:42,680 --> 00:39:46,120 Speaker 1: It's back in the days. So correct yourself. Stop saying 618 00:39:46,120 --> 00:39:49,919 Speaker 1: back in the day. That's not that's that's wax shit, 619 00:39:50,560 --> 00:39:54,239 Speaker 1: that's that bullshit, and and and that's like now, like 620 00:39:54,560 --> 00:39:56,279 Speaker 1: you'll hear it all the time, like the mom on 621 00:39:56,360 --> 00:39:58,319 Speaker 1: Modern Family be like, well back in the day when 622 00:39:58,320 --> 00:40:01,520 Speaker 1: I was yo yo. If you're gonna say it, that's 623 00:40:01,520 --> 00:40:04,279 Speaker 1: a hip hop reference and it's from New York, and 624 00:40:04,320 --> 00:40:08,080 Speaker 1: it's from New York. Straight Talk America's best. So when 625 00:40:08,160 --> 00:40:11,400 Speaker 1: you say back in the days. Put the fucking S 626 00:40:11,560 --> 00:40:13,920 Speaker 1: or the Z. If you're a dumb funk at the end, 627 00:40:14,239 --> 00:40:17,000 Speaker 1: it's not one day. Stop saying. I hear it all 628 00:40:17,000 --> 00:40:18,840 Speaker 1: over the place. You hear if you're a news reporter, 629 00:40:19,000 --> 00:40:23,320 Speaker 1: well back in the day when I was Nope, don't know, 630 00:40:24,080 --> 00:40:26,919 Speaker 1: back in the days. And there's even other motherfuckers who 631 00:40:26,920 --> 00:40:28,960 Speaker 1: do know what they're talking about, but they'll say back 632 00:40:28,960 --> 00:40:32,239 Speaker 1: in the day because it's become so sort of concurrent 633 00:40:32,680 --> 00:40:34,440 Speaker 1: with what's going on, and you're like, I said that 634 00:40:34,480 --> 00:40:36,279 Speaker 1: big word concurrent that I don't even know if I 635 00:40:36,360 --> 00:40:41,560 Speaker 1: used it right. It's back in the days, okay, back 636 00:40:41,600 --> 00:40:43,440 Speaker 1: in the days. I want to just make sure that 637 00:40:43,320 --> 00:40:45,359 Speaker 1: that goes out to all the people that think they 638 00:40:45,480 --> 00:40:48,480 Speaker 1: they're they're talking slick, because if you don't say back 639 00:40:48,560 --> 00:40:52,480 Speaker 1: in the days, you know what you're actually doing talking greasy. 640 00:40:53,880 --> 00:40:57,960 Speaker 1: You're talking greasy. So you in that you you don't 641 00:40:57,960 --> 00:41:02,280 Speaker 1: want to get put on the Iron Rapport talking reazy segment. Okay, 642 00:41:02,320 --> 00:41:06,400 Speaker 1: So fix your ship, fix your fucking slam, understand it, 643 00:41:06,520 --> 00:41:12,160 Speaker 1: get it right. Plural plural, not singular. It wasn't one day. 644 00:41:12,440 --> 00:41:14,880 Speaker 1: It wasn't just one day. It was a culmination of 645 00:41:15,080 --> 00:41:18,240 Speaker 1: years So that's why we say, back in the days 646 00:41:18,320 --> 00:41:22,279 Speaker 1: when I was cooler, back in the days when we 647 00:41:22,280 --> 00:41:25,200 Speaker 1: were hanging out doing this and that and whoop the 648 00:41:25,239 --> 00:41:27,920 Speaker 1: whoop and whoop the whoop, this that, and the third 649 00:41:28,840 --> 00:41:31,920 Speaker 1: that was that's what Howard's going on? This that and 650 00:41:31,960 --> 00:41:36,520 Speaker 1: the third? And what about the guys who give you 651 00:41:36,600 --> 00:41:42,240 Speaker 1: a pound? You go to another state, right, and motherfucker's 652 00:41:42,360 --> 00:41:45,560 Speaker 1: you meet motherfucker's right, and they're not from East Coast, 653 00:41:45,600 --> 00:41:49,560 Speaker 1: and you figure, you give a brother a pound, regular 654 00:41:49,600 --> 00:41:52,640 Speaker 1: ship ready to explain to the pounds is a pound? 655 00:41:53,040 --> 00:41:55,080 Speaker 1: Some of you foss don't know what that is. A 656 00:41:55,200 --> 00:41:56,800 Speaker 1: pound is a hand Do you go to give somebody 657 00:41:56,800 --> 00:42:00,440 Speaker 1: a handshake? And what happens the guy I will give 658 00:42:00,480 --> 00:42:04,280 Speaker 1: you the black man's handshake, right yeah, and then after 659 00:42:04,360 --> 00:42:07,880 Speaker 1: you let go his hand, he'll start snapping his fingers 660 00:42:08,360 --> 00:42:12,560 Speaker 1: and doing a fucking whole dancing spin Michael Jackson kick 661 00:42:13,000 --> 00:42:16,799 Speaker 1: fucking all kind of accouterments with the handshake, Yo, my man. 662 00:42:17,640 --> 00:42:20,839 Speaker 1: Nobody wants to see the song and dance, all right, 663 00:42:20,920 --> 00:42:25,040 Speaker 1: Nobody wants to see all that old motherfucking Indian ship like. 664 00:42:25,080 --> 00:42:27,160 Speaker 1: And then then no disrespected Indian shout out to the 665 00:42:27,600 --> 00:42:31,520 Speaker 1: being I doing Indian handshake. We're not We're not. We're 666 00:42:31,520 --> 00:42:35,000 Speaker 1: not throwing quarters off our elbow and catching it during 667 00:42:35,000 --> 00:42:37,520 Speaker 1: the hand. It's a fucking pound, dude. You know that 668 00:42:37,600 --> 00:42:40,200 Speaker 1: trick when you put the quarters on your elbow. We're 669 00:42:40,280 --> 00:42:43,200 Speaker 1: not doing all that. Ship. Just give me the pound 670 00:42:43,360 --> 00:42:46,480 Speaker 1: and keep it doing. You're doing snaps and hurting my hand, 671 00:42:46,920 --> 00:42:49,279 Speaker 1: catching my finger. We were doing thumb wrestle in the 672 00:42:49,320 --> 00:42:51,359 Speaker 1: middle of the ship and then you do this this. 673 00:42:52,239 --> 00:42:54,800 Speaker 1: These are my fingers, these are my steeple. Look inside 674 00:42:54,840 --> 00:42:57,520 Speaker 1: and see all the people. We're not doing all that ship. Yeah, 675 00:42:57,560 --> 00:43:01,160 Speaker 1: give me, give me the the hug, the keep it moving. 676 00:43:01,600 --> 00:43:05,000 Speaker 1: I'm not trying to do all this secret codes and 677 00:43:05,040 --> 00:43:08,560 Speaker 1: snapping and cook cook clicking and ship fucking the head 678 00:43:08,719 --> 00:43:12,600 Speaker 1: head shaking and spinning and you know, moonwalking and electric 679 00:43:12,640 --> 00:43:14,640 Speaker 1: slide and I ain't. That's not I'm not doing all that. 680 00:43:15,000 --> 00:43:16,880 Speaker 1: When you see me on the shop most of the 681 00:43:16,920 --> 00:43:19,640 Speaker 1: time on the street, I give the fist. I don't 682 00:43:19,680 --> 00:43:21,880 Speaker 1: want to shake your hands because yo, and it's not 683 00:43:21,920 --> 00:43:25,200 Speaker 1: that I'm a disease guy, because the random person whose 684 00:43:25,239 --> 00:43:28,480 Speaker 1: hand you shake that's sweaty. You ruin it for everybody. 685 00:43:28,680 --> 00:43:31,640 Speaker 1: The clammy hand. Fuck. It could be the nicest guy. 686 00:43:31,640 --> 00:43:34,040 Speaker 1: But if you have a clammy hand, I judge you 687 00:43:34,400 --> 00:43:37,080 Speaker 1: like it's a nasty If you see me and you 688 00:43:37,160 --> 00:43:39,480 Speaker 1: give me a pound and you see that kind of 689 00:43:39,520 --> 00:43:42,759 Speaker 1: like pull back after, check your hands because your ship 690 00:43:42,920 --> 00:43:44,879 Speaker 1: feels fucked up. Like I don't want to touch your 691 00:43:44,880 --> 00:43:48,000 Speaker 1: ship because not only and now I'm now I'm worried 692 00:43:48,000 --> 00:43:50,040 Speaker 1: about the germs. I am worried about the germs. I 693 00:43:50,080 --> 00:43:52,560 Speaker 1: got the clamminess on it. And you're just like yo, 694 00:43:52,640 --> 00:43:55,520 Speaker 1: I I like yo, I don't know what, I don't 695 00:43:55,520 --> 00:43:57,760 Speaker 1: know what? What do you? What you did? The fist 696 00:43:57,880 --> 00:44:01,600 Speaker 1: is the greatest thing made good? Yeah, Obama said, you know, 697 00:44:01,680 --> 00:44:04,640 Speaker 1: just a quick fist with his wife. Yes, it doesn't 698 00:44:04,640 --> 00:44:07,200 Speaker 1: have to be all the song and dance. Don't touch 699 00:44:07,280 --> 00:44:09,920 Speaker 1: my hands. Let's make a deal of handshakes, like fucking 700 00:44:09,960 --> 00:44:15,760 Speaker 1: anything could happen you fucking shake people's dance. Oh man, alright. 701 00:44:15,760 --> 00:44:20,440 Speaker 1: The Eye Wrapper podcast is sponsored by Casper Mattresses. Casper Mattresses. 702 00:44:20,520 --> 00:44:23,360 Speaker 1: Both me and g Monetti have been sleeping on Casper 703 00:44:23,400 --> 00:44:27,120 Speaker 1: Mattresses for months. 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Try it, Okay, go 713 00:44:58,800 --> 00:45:03,439 Speaker 1: to Casper Mattresses Casper dot com. Check it out. Yeah, 714 00:45:03,520 --> 00:45:08,360 Speaker 1: we had a lot of blowback to about black babies. 715 00:45:08,400 --> 00:45:11,840 Speaker 1: To again. A guy came up on on the street. Again. 716 00:45:13,040 --> 00:45:15,439 Speaker 1: We we We did a segment about nine months ago 717 00:45:16,040 --> 00:45:23,160 Speaker 1: about the UH about the adoptions of celebrities, and we 718 00:45:23,200 --> 00:45:28,440 Speaker 1: are fully insupportive and get and appreciate the heart, the soul, 719 00:45:28,880 --> 00:45:32,840 Speaker 1: the kindness and the generosity it is for anybody to 720 00:45:32,880 --> 00:45:37,520 Speaker 1: adopt any other baby. So we are not discrediting that. 721 00:45:38,120 --> 00:45:43,400 Speaker 1: We sincerely get how special and how important, how important 722 00:45:43,600 --> 00:45:48,480 Speaker 1: and how valuable anybody that's adopting any kid is to 723 00:45:48,560 --> 00:45:51,480 Speaker 1: the world. But we brought up the fact that it 724 00:45:51,560 --> 00:45:55,280 Speaker 1: was looking a little bit trendy. We didn't we didn't 725 00:45:55,280 --> 00:45:57,320 Speaker 1: we didn't say it wasn't great to do the adoption. 726 00:45:57,440 --> 00:45:59,759 Speaker 1: We just brought up the fact that it seemed to 727 00:45:59,840 --> 00:46:05,640 Speaker 1: be a trend that when certain actors and actresses are 728 00:46:05,760 --> 00:46:13,799 Speaker 1: going to adopt, they are adopting only black kids, black babies. 729 00:46:14,080 --> 00:46:19,279 Speaker 1: And I, as a black man, saw the trend, and 730 00:46:19,360 --> 00:46:23,439 Speaker 1: I said, wait a minute, right, and and and we 731 00:46:23,440 --> 00:46:26,480 Speaker 1: we we we spoke of Charlie Thorne, who who adopted 732 00:46:26,480 --> 00:46:30,640 Speaker 1: her second black baby, and and and uh, Madonna has 733 00:46:30,680 --> 00:46:34,240 Speaker 1: got like four and and uh and and it looks 734 00:46:34,280 --> 00:46:37,800 Speaker 1: like almost like a handbag. And we've we've asked a question, 735 00:46:38,480 --> 00:46:42,560 Speaker 1: are there not any orphanages in the United States that 736 00:46:42,840 --> 00:46:45,480 Speaker 1: you think are struggling that need help as well? Obviously 737 00:46:45,480 --> 00:46:49,200 Speaker 1: other countries are in are in way, way worse conditions 738 00:46:49,400 --> 00:46:51,560 Speaker 1: than the United States, But there is are there there, 739 00:46:51,560 --> 00:46:55,600 Speaker 1: There are, There are orphanages all over the United States. 740 00:46:55,640 --> 00:46:59,239 Speaker 1: What's wrong? What's stopping by there and getting one of 741 00:46:59,239 --> 00:47:05,719 Speaker 1: these kids instead of going to the swamps of Tanzania 742 00:47:05,840 --> 00:47:11,279 Speaker 1: or other Congo or Ghana or Nigeria or Guinea or 743 00:47:11,360 --> 00:47:17,160 Speaker 1: Sierra Leone. Now here's what I'm saying. You like black kids, right, 744 00:47:17,640 --> 00:47:22,280 Speaker 1: because that's all you get. But who's in more trouble 745 00:47:22,400 --> 00:47:28,239 Speaker 1: in America than the black kids in America? So if 746 00:47:28,239 --> 00:47:33,160 Speaker 1: you only like black kids, because that is all you're 747 00:47:33,239 --> 00:47:39,000 Speaker 1: getting out there in the swamps, why are you passing 748 00:47:39,040 --> 00:47:45,160 Speaker 1: those orphanages that are in Watts, that are in Nickerson Gardens, 749 00:47:45,200 --> 00:47:50,200 Speaker 1: that are in Cabrini Green, that are in Brownsville, that 750 00:47:50,320 --> 00:47:52,480 Speaker 1: are in New York City. In order for you to 751 00:47:52,560 --> 00:47:58,640 Speaker 1: get to Africa, you gotta pass ten orphanages. So I 752 00:47:58,800 --> 00:48:06,960 Speaker 1: call you an American trader. I don't look at you, 753 00:48:07,120 --> 00:48:11,359 Speaker 1: is this fucking luminary? I look at you as a 754 00:48:11,400 --> 00:48:16,400 Speaker 1: trader because in order to get to that airport rappaport, yeah, 755 00:48:16,600 --> 00:48:27,360 Speaker 1: you pass at least ten orphanages with them begging. And 756 00:48:27,440 --> 00:48:30,920 Speaker 1: we got approached again, this the second time. Me and 757 00:48:31,000 --> 00:48:34,239 Speaker 1: G Moody, we listen, we bring it up. We we 758 00:48:34,239 --> 00:48:38,200 Speaker 1: we get love the iron rappaport pockets. When people see 759 00:48:38,239 --> 00:48:40,920 Speaker 1: me and G Moody together, especially in New York, people 760 00:48:41,000 --> 00:48:43,880 Speaker 1: bug out and they're excited, like they're so excited to 761 00:48:43,920 --> 00:48:46,920 Speaker 1: see G Moody. I mean people when I walk down. 762 00:48:46,960 --> 00:48:49,680 Speaker 1: They they don't want to. Don't give a shit at me. 763 00:48:49,680 --> 00:48:52,560 Speaker 1: I get things thrown at me. Who fuck you, oh 764 00:48:52,800 --> 00:48:56,120 Speaker 1: rappaport again, don't come in here for any fucking discounts 765 00:48:56,120 --> 00:48:58,880 Speaker 1: on your coffee, you cocksuck? Are you? I get there? 766 00:48:58,960 --> 00:49:00,920 Speaker 1: You know these kinds of things. They're used to see me, 767 00:49:01,239 --> 00:49:03,880 Speaker 1: but when they see me and G. Moody, they do 768 00:49:04,000 --> 00:49:07,000 Speaker 1: the math and they recognize the voice and they're like, 769 00:49:07,120 --> 00:49:10,320 Speaker 1: oh ship, there's G. Moody from the Iron Rap Poor podcast. 770 00:49:10,600 --> 00:49:13,480 Speaker 1: And this is the second time out of about I 771 00:49:13,480 --> 00:49:16,560 Speaker 1: don't know how many times we get recognized. Another person 772 00:49:16,640 --> 00:49:20,040 Speaker 1: has came up to us and was beefing about the segment, 773 00:49:20,080 --> 00:49:25,920 Speaker 1: the now famous segment that we said about this. Moody 774 00:49:25,960 --> 00:49:28,200 Speaker 1: went in on him and I have a I have 775 00:49:29,040 --> 00:49:34,560 Speaker 1: a comedian friend. Well i'll name nameless, big, big, big 776 00:49:34,600 --> 00:49:39,240 Speaker 1: famous female comedian known for you know, sort of out 777 00:49:39,280 --> 00:49:43,680 Speaker 1: there dark humor. You know, says all kinds of stuff 778 00:49:43,719 --> 00:49:46,920 Speaker 1: about all kinds of people who got offended by it 779 00:49:47,000 --> 00:49:51,640 Speaker 1: as well. And this person says crazy shit. If if 780 00:49:51,719 --> 00:49:54,600 Speaker 1: I said their name, I wouldn't do it because I 781 00:49:54,600 --> 00:49:58,480 Speaker 1: consider this person a friend. But that subject and race 782 00:49:58,840 --> 00:50:01,759 Speaker 1: is so because as this person said, I'm not gonna 783 00:50:01,760 --> 00:50:03,480 Speaker 1: go into the details because then you'll be able to 784 00:50:03,480 --> 00:50:05,799 Speaker 1: do the math. But this person was offended by and 785 00:50:05,840 --> 00:50:11,440 Speaker 1: I was surprised because this person says crazy shit racial jokes, 786 00:50:11,560 --> 00:50:16,040 Speaker 1: religious jokes. Yo. And then when we say it this 787 00:50:16,440 --> 00:50:20,480 Speaker 1: this thing, which is all tongue in cheek by the way, 788 00:50:20,760 --> 00:50:22,680 Speaker 1: we're not gonna explain that too. If you're listening to 789 00:50:22,680 --> 00:50:25,760 Speaker 1: the Iron Wrap Ports podcast and you're taking this literally, 790 00:50:26,239 --> 00:50:28,400 Speaker 1: you need to find a new podcast to listen to, 791 00:50:29,760 --> 00:50:33,800 Speaker 1: because if you take anything that the non fact checking 792 00:50:34,239 --> 00:50:39,320 Speaker 1: worldwide phenomenon of the Iron Rapp Report podcast does totally serious, 793 00:50:42,400 --> 00:50:45,440 Speaker 1: you're listening to the wrong podcast. And you told me 794 00:50:45,800 --> 00:50:50,399 Speaker 1: a story and we will need leave everybody nameless, which 795 00:50:50,680 --> 00:50:54,799 Speaker 1: made me jump into this ship five years ago when 796 00:50:54,800 --> 00:50:58,360 Speaker 1: I you you you spurred my thinking about what you said. 797 00:50:59,400 --> 00:51:03,600 Speaker 1: I was on the set with a person and uh, 798 00:51:03,800 --> 00:51:10,960 Speaker 1: she said she adopted an accoutrement, which means specifically a 799 00:51:11,040 --> 00:51:15,680 Speaker 1: black baby black and she, oh, he can't even dance. 800 00:51:16,640 --> 00:51:21,200 Speaker 1: You see, You see what I'm saying. You want Sammy Davis, right, 801 00:51:21,640 --> 00:51:24,400 Speaker 1: You want him in there tap dancing while you have 802 00:51:24,520 --> 00:51:28,160 Speaker 1: your little party and say his name is the car. 803 00:51:28,239 --> 00:51:33,040 Speaker 1: But you call him Darky. Darky, come out here and 804 00:51:33,160 --> 00:51:37,760 Speaker 1: tap dance. He can't even dance. And you don't comb 805 00:51:37,800 --> 00:51:41,439 Speaker 1: his hair because you don't know about black people here? 806 00:51:41,680 --> 00:51:47,600 Speaker 1: What's a hot comb? Huh? What is a hot comb? 807 00:51:49,000 --> 00:51:55,319 Speaker 1: Can you braid Darky's hair? Whom you named? He's like 808 00:51:55,360 --> 00:51:59,000 Speaker 1: your little show? I know what you're getting at. I 809 00:51:59,120 --> 00:52:01,719 Speaker 1: see you on the r pit. I don't like it 810 00:52:01,840 --> 00:52:05,919 Speaker 1: as a Black American, you see. I know what it is, 811 00:52:06,400 --> 00:52:09,600 Speaker 1: and I'm speaking from the heart. Can you put beads 812 00:52:09,640 --> 00:52:15,640 Speaker 1: in his hair? What if he wants soul food? All right? 813 00:52:15,920 --> 00:52:20,880 Speaker 1: You adopt somebody from Africa? Do you know about African culture? 814 00:52:21,160 --> 00:52:24,480 Speaker 1: Why not adopt an African American where he can watch 815 00:52:24,560 --> 00:52:29,799 Speaker 1: football with you? That African person, he don't know shit 816 00:52:29,880 --> 00:52:35,879 Speaker 1: about football. He don't know shit about America. You bypass 817 00:52:35,960 --> 00:52:42,480 Speaker 1: the orphanage and you go eight thousand miles. Do you 818 00:52:42,480 --> 00:52:44,600 Speaker 1: have a connection with the guy that you saw in 819 00:52:44,640 --> 00:52:48,520 Speaker 1: the swamp that you you just go by and you 820 00:52:48,640 --> 00:52:53,319 Speaker 1: look and you say, oh, I want him. You met him. 821 00:52:53,440 --> 00:52:59,560 Speaker 1: He doesn't speak English, he never ate and you bring 822 00:52:59,680 --> 00:53:01,680 Speaker 1: him here here and you put him in an old 823 00:53:01,840 --> 00:53:08,520 Speaker 1: navy uniform. Oh ship, go ahead, yeah, I don't know 824 00:53:08,560 --> 00:53:11,560 Speaker 1: if we have any more. Man, I like you're you're 825 00:53:11,640 --> 00:53:15,200 Speaker 1: My fucking head hurts, man, my face hurts. I'm tired 826 00:53:15,239 --> 00:53:17,880 Speaker 1: of him coming at me. Rap. I'm in the garden 827 00:53:17,920 --> 00:53:23,960 Speaker 1: with you, sad time coming at me. Some some hostile yo. 828 00:53:24,080 --> 00:53:26,920 Speaker 1: The people they the race ship they yo. No one 829 00:53:26,960 --> 00:53:28,960 Speaker 1: wants to talk about it, and now everybody wants to 830 00:53:28,960 --> 00:53:31,319 Speaker 1: talk about it. I put him in here. Everybody thought 831 00:53:31,320 --> 00:53:34,239 Speaker 1: it was so good. When when when Obama got nominating, 832 00:53:34,640 --> 00:53:38,440 Speaker 1: ain't good. We talked about that ship here, it got worse. 833 00:53:38,760 --> 00:53:42,160 Speaker 1: It's tongue in cheek and we were raising the questions. 834 00:53:42,239 --> 00:53:47,359 Speaker 1: And if you don't like it, fucking listen to NPR. Okay, yeah, 835 00:53:47,400 --> 00:53:50,080 Speaker 1: funk with them. We funk with them too, But this 836 00:53:50,120 --> 00:53:53,480 Speaker 1: ain't the one. All right, Shit, I don't know what 837 00:53:53,520 --> 00:53:54,960 Speaker 1: to say. I think that's it, man, this is the 838 00:53:54,960 --> 00:53:59,520 Speaker 1: Iron rap Porp Podcast. We're doing the damn thing. It's 839 00:53:59,520 --> 00:54:05,960 Speaker 1: a world wide phenomenon. What else can I say? Nothing? 840 00:54:06,160 --> 00:54:10,040 Speaker 1: Not one thing was fact checked during this episode of 841 00:54:10,040 --> 00:54:12,000 Speaker 1: the Iron Rapp Podcast. And you know what, Generald, some 842 00:54:12,040 --> 00:54:15,680 Speaker 1: people might say that's dumb. I say, I'm fucking proud 843 00:54:15,719 --> 00:54:18,760 Speaker 1: of it, because we the only ones. We're the only ones. 844 00:54:18,880 --> 00:54:22,719 Speaker 1: We trademark that ship, and we inspired cats to not 845 00:54:22,880 --> 00:54:26,320 Speaker 1: fact check. Everybody gets to uh locked down and and 846 00:54:26,440 --> 00:54:29,839 Speaker 1: and frozen and concern with this is gonna be like that, 847 00:54:29,920 --> 00:54:33,280 Speaker 1: and this is gonna be like that. Fuck the political correctness, 848 00:54:34,080 --> 00:54:37,240 Speaker 1: Fuck the fact check that I don't care. We're gonna 849 00:54:37,280 --> 00:54:40,120 Speaker 1: make mistakes. We said that Floyd Mayweather was gonna win 850 00:54:40,160 --> 00:54:45,240 Speaker 1: his fifties fight. It was his forty ninth fight. Nobody 851 00:54:45,280 --> 00:54:49,800 Speaker 1: got hurt. Nobody got hurt by that. We're not breaking 852 00:54:49,840 --> 00:54:54,040 Speaker 1: any any groundbreaking news. All right to see Iron Rapp 853 00:54:54,080 --> 00:54:57,279 Speaker 1: podcast and uh, we're out. We're out once again. Man, 854 00:54:57,360 --> 00:55:03,879 Speaker 1: we we win again, don't we? S you sissies. Once 855 00:55:03,960 --> 00:55:06,400 Speaker 1: upon a time there was a new crossover that refused 856 00:55:06,440 --> 00:55:08,600 Speaker 1: to play by the rules. It flipped the script and 857 00:55:08,680 --> 00:55:12,000 Speaker 1: made all the others look like fools. Featuring styling that's 858 00:55:12,040 --> 00:55:15,960 Speaker 1: sexier by far and handles like a rock star. Introducing 859 00:55:16,040 --> 00:55:21,239 Speaker 1: the first ever Toyota c HR. Enjoy agile handling in 860 00:55:21,280 --> 00:55:24,400 Speaker 1: the body of a seductive crossover that comes with standard 861 00:55:24,480 --> 00:55:28,719 Speaker 1: eighteen niche alloy wheels. The first ever Toyota c HR 862 00:55:29,000 --> 00:55:32,520 Speaker 1: the perfect ride to spin your own tail. Toyota, Let's 863 00:55:32,560 --> 00:55:33,200 Speaker 1: Go places,