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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama girl drama girl,

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Speaker 2: all about.

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Speaker 3: Them high school queens.

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Speaker 2: We'll take you for a ride, and our comic girl

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Speaker 2: shared for the right teams. Drama Queens, Jaylie's Girl of

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Speaker 2: Girl Fashion, but your tough girl.

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Speaker 4: You could sit with us.

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Speaker 1: Girl Drama Queens, Drama Queens, Drama, Queens, Drama, Drama, Queens,

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Speaker 1: Drama Queens.

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Speaker 5: This is why you got to watch the show on YouTube.

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Speaker 5: For those of you listening, So if you just picked

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Speaker 5: up what appeared to be a small fish bowl full

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Speaker 5: of own broth and drank it like it wasn't a

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Speaker 5: funny visual gag, you.

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Speaker 4: Know, I do what I can to please you.

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Speaker 5: Rob, Thanks for that friend anytime. Do you know you

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Speaker 5: were in my dream last night?

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Speaker 4: I was what were we doing here?

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Speaker 5: We got into a little tiff by the way we did. Yeah,

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Speaker 5: we were at a public event and we got into

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Speaker 5: a tiff and I actually did the thing where like

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Speaker 5: I pointed at you and I went like like as

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Speaker 5: if like get to the other room, like I was

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Speaker 5: scold you like I was a parent.

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Speaker 4: Yeah, why what were we tiffing about?

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Speaker 5: Well? Offline about it? We'll offline about it. Oh, I

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Speaker 5: can't wait. Yeah, yeah, teaser for the audience. Maybe we'll

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Speaker 5: cover it in a different episode. I don't know, I

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Speaker 5: don't know.

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Speaker 3: I am in two weeks. One of my best friends

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Speaker 3: is getting married, and so obviously like our group chats

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Speaker 3: with all of our friends or what's everyone we're into

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Speaker 3: the wedding and when's your flight and when does everyone arrive?

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Speaker 3: And who's carpooling? And you know, like logistics and the

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Speaker 3: night before last, you know when you have one of

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Speaker 3: those crazy nights where you feel like you have a

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Speaker 3: dream from the moment you go to bed till the

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Speaker 3: moment you wake up, like it never changes. I spent

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Speaker 3: an entire night dreaming about her wedding. But I was

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Speaker 3: the wedding planner down to like the headset and the clipboard,

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Speaker 3: and I was moving around and organizing things and getting

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Speaker 3: like all the kids in order and all the and

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Speaker 3: I woke up being like, Wow, what a crazy thing

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Speaker 3: that I just spent the entire night dreaming about brittin

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Speaker 3: Alex's wedding. And then I also was like, have I

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Speaker 3: have I maybe missed a calling? I'm very organized and I,

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Speaker 3: at least in the dream was an excellent wedding planner.

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Speaker 5: Well, I would say you are very talented, so to

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Speaker 5: be fair, I think you've missed several callings only by

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Speaker 5: virtue of the fact there there's only one of you

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Speaker 5: in twenty four hours in a day.

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Speaker 4: Angel.

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Speaker 5: I do think you would crush as a wedding coordinator

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Speaker 5: because that plays to a lot of your strengths. And

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Speaker 5: the good news is if the wedding coordinator falls like

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Speaker 5: deathly ill on the day, you now know you are

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Speaker 5: a suitable candidate to step up and fill the shoes.

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Speaker 3: Oh my god, if my dream weirdly manifested that, I

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Speaker 3: will strangely be ready. But I hope not because I

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Speaker 3: want her to not be stressed.

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Speaker 6: You know.

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Speaker 5: Yeah, here's the question. Are you ready to discuss this

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Speaker 5: banger of an episode.

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Speaker 3: I don't have a clipboard, but I do have notes.

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Speaker 5: Okay, good, let's hop into it. So Season nine, episode eight,

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Speaker 5: A Rush of Blood to the Head, aired February twenty ninth,

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Speaker 5: twenty twelve. Is February twenty ninth, the day that only

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Speaker 5: happens every four years. Yes, that's a leap yer check

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Speaker 5: track because this was a pretty special episode. Synopsis reads

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Speaker 5: Haley receives news of a possible tragedy. Boy did she ever?

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Speaker 5: Dan's search for Nathan leads him back to his dark past,

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Speaker 5: and Clay has a blake breakthrough in his treatment that

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Speaker 5: is to say the least. And then if there appears

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Speaker 5: to be more, but all we have is Broomber, which

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Speaker 5: I believe was going to be something about Brook. I'm

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Speaker 5: guessing it's Brooke encounters an unwelcome guest multiple times at

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Speaker 5: Karen's cafe.

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Speaker 3: Yes, I would, I would think that that is the

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Speaker 3: missing section of the synopsis. This episode was directed by

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Speaker 3: our very own Greg Prange, was written by the lovely

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Speaker 3: Johnny Richardson, and I gotta say I really enjoyed it.

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Speaker 5: Yeah.

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Speaker 3: This felt like we're very in the wheelhouse of what

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Speaker 3: we do best, and touche to Johnny Richardson. So many

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Speaker 3: of the questions that I think we've all been watching

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Speaker 3: episodes in season nine thus far and going what the hell?

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Speaker 3: How does Dan know this? And why is this relevant?

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Speaker 3: There were things that were revealed in this episode. I

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Speaker 3: felt like I got a couple of bo's on some

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Speaker 3: gifts and I liked it.

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Speaker 5: I agree. I had two big takeaways. One was I

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Speaker 5: remember when we started doing this podcast, and I were

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Speaker 5: saying to you guys, like, I think Dan's my favorite character.

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Speaker 5: I just loved watching Dan, and this episode it was

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Speaker 5: like a love letter to that feeling because he was

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Speaker 5: so fun to watch. He's so great in this role,

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Speaker 5: but in this particular season that we find Dan in

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Speaker 5: and also, okay, we all know the term jumping the shark.

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Speaker 5: Oh yeah, I want to float this. I think our

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Speaker 5: show is very good at writing the shark interesting.

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Speaker 3: Where it's almost ridiculously too far.

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Speaker 5: And then they pull it back that's right, and we

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Speaker 5: just we just sort of ride this fine line of

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Speaker 5: being absurdist. You get good enough that you don't mind,

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Speaker 5: and you're like, I'll go for this ride. I like that.

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Speaker 4: I like that.

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Speaker 3: I'm getting like a nice visual of the bridle on

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Speaker 3: the shark, and it's like, just when it's too far,

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Speaker 3: we rein it.

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Speaker 5: In You're still on a shark. Still in Yep, there

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Speaker 5: are Eastern European assassins in the small town of tree Hill,

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Speaker 5: as we all know. Uh, but it's okay because it works.

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Speaker 3: It does. And interestingly, the lovely guy who played Dan's

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Speaker 3: prison friend, he had the tattoo, which is why Dan

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Speaker 3: knows the symbol. We finally, we finally get it. He

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Speaker 3: was so good and and I found myself thinking, God,

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Speaker 3: thank goodness, they got such a good actor. It's so

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Speaker 3: refreshing to watch him and Paul moving through the yard

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Speaker 3: talking at their lives. You understand that they've all suffered

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Speaker 3: behind bars at the hands of this I don't know

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Speaker 3: guard cop. Whatever he was. Is not that that justifies violence,

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Speaker 3: but you go, oh, there's there's more of a story here.

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Speaker 3: I see there's a there's a system and a life

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Speaker 3: that we just didn't really get the you know, the

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Speaker 3: privilege is an audience to view day in and day

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Speaker 3: out while Dan was in prison. But it helped me

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Speaker 3: understand things so effectively that even when he was talking

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Speaker 3: about the guys who have Nathan and saying, you don't

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Speaker 3: get it, these guys are assassins, I didn't mind it.

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Speaker 3: It was so silly, but I didn't mind it. I

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Speaker 3: was like, I'm all in on whatever you two are selling.

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Speaker 5: That guy. And I apologize to the actor because I

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Speaker 5: don't know his name and it's not in the notes,

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Speaker 5: but he was. He was so good. First of all,

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Speaker 5: his performance is great because it's so challenging to be

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Speaker 5: a guest star, especially to come on to such like

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Speaker 5: to an already established successful machine. Yeah, and especially when

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Speaker 5: you only have one scene. Yes, all of your instincts

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Speaker 5: are like, well, I gotta crush this, and like the

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Speaker 5: trap you fall into is you end up doing the

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Speaker 5: most and that never looks good. And this guy was

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Speaker 5: great because he did the least and it was so

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Speaker 5: effective and it was so good. I almost didn't notice

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Speaker 5: that that was the club med of prisons, I.

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Speaker 3: Know, the little outdoor garden and the tiny barn.

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Speaker 4: It was very chic.

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Speaker 5: It was an idyllic sanctuary, Like I couldn't believe how

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Speaker 5: beautiful was and I thought like, wow, this is this

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Speaker 5: is like where Martha Stewart went. Yeah, these guys are gangsters. Yeah,

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Speaker 5: lovely love. I want to spend a weekend there.

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Speaker 3: Perhaps, you know we've talked about this in our fantasy.

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Speaker 3: Perhaps Martha and Victoria were there together and they created

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Speaker 3: the community garden that later benefited all these men who

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Speaker 3: just needed a second chance.

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Speaker 5: Just for a minut imagine how fun a show would

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Speaker 5: be of Martha Stewart playing herself in Victoria coming into

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Speaker 5: Martha's world and watching them like Orange is the New

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Speaker 5: Black Boat with Martha Stewart and Victoria Davis.

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Speaker 3: No, it's my literal dream, like it's the show I

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Speaker 3: think we deserve next.

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Speaker 5: Yes.

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Speaker 3: Also, weirdly, have we ever talked about the fact that

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Speaker 3: my mom and Martha Stewart could be cousins? Like they

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Speaker 3: look so much alike.

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Speaker 5: You're telling me your aunt Martha is actually Martha Stewart.

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Speaker 4: Oh my god, what I would give? Could you imagine?

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Speaker 5: That would be so cool? You know what else we

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Speaker 5: should do? This would be very meta. But the one Tree,

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Speaker 5: He'll hear me out. I don't know how you guys

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Speaker 5: are coming along with the spin off, but if you're

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Speaker 5: open to huge structural ideas, Okay, ok, changing everything Real

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Speaker 5: Housewives of.

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Speaker 4: Tree True Hill.

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Speaker 3: Oh my god, that's actually so funny.

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Speaker 5: Because we always talk about that the moms on the

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Speaker 5: show are just absolute assassins and we just don't get

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Speaker 5: enough of them. So give us a show that revolves

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Speaker 5: around them.

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Speaker 3: By the way, I think about this all the time.

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Speaker 3: To get a Karen deb and Victoria show would be

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Speaker 3: so amazed, Like I would just be so happy.

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Speaker 5: Oh. Yes, and also you can't forget Sharon Lawrence.

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Speaker 3: Yes, Sylvia yes, So where's Antoine's mom? Like, I want

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Speaker 3: to know, I want to know skills as missus Taylor,

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Speaker 3: where's she at? Like I want to see that world

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Speaker 3: so badly. And don't get me wrong, I love the teens.

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Speaker 3: There's a nostalgia when you watch a teen story. But

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Speaker 3: one of the things that I think has been really

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Speaker 3: cool about the timeline of the decades we've been working

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Speaker 3: actors is people are also realizing, like, oh, people in

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Speaker 3: their forties, fifties, and sixties are really interesting, and like,

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Speaker 3: I want to see these people as parents and then

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Speaker 3: their parents, like so badly to see Victoria in her

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Speaker 3: grandma era. But she's Victoria, so she's like so hot

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Speaker 3: and cool and doing cool shit.

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Speaker 4: Give it to me.

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Speaker 5: Yeah, And because every cast has to have just an

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Speaker 5: absolute loose cannon wild card, hear me out Chuck's mom.

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Speaker 3: Oh my god, it would be amazing. It would be amazing,

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Speaker 3: especially after this episode how she's reinvented herself and you know,

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Speaker 3: she'd be doing.

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Speaker 4: Something incredible now.

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Speaker 3: Yeah, she would have gotten out from under the thumb

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Speaker 3: of this horrible man. Yeah, and she'd just be thriving. Yes,

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Speaker 3: I want that. I want more of that.

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Speaker 5: Okay, well, now that we have fully explored our fan

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Speaker 5: fiction ideas, let's actually talk about the episode.

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Speaker 3: So.

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Speaker 5: I love that we opened with the bar that Dan

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Speaker 5: is waiting outside of was actually is the Blue Post,

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Speaker 5: which is like the local neighborhood bar that we all

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Speaker 5: went to all the time.

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Speaker 3: Yes, I know, that's like all in caps in the

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Speaker 3: beginning of my notes. And I also love just for

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Speaker 3: the humor of it that my notes app auto corrected

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Speaker 3: why is he kicking the shit out of this old guy?

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Speaker 3: To why is he kicking the short out of this

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Speaker 3: old guy?

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Speaker 5: Yeah, what's his ducking problem?

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Speaker 3: I love it.

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Speaker 4: I love it.

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Speaker 3: It's like when you had to do bad adr for

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Speaker 3: a movie so they could show it on a plane

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Speaker 3: and you'd be like, you filthing monster.

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Speaker 5: I this episode. One thing it did well was it

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Speaker 5: did a good job of showing and not telling. Yeah,

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Speaker 5: and it started with this Dan beating a seemingly random

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Speaker 5: drunk guy senseless. Yes, that was a very cool thing

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Speaker 5: because I was so immediately interested of is he blowing

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Speaker 5: off steam? And then he said he tells Julie. He's like, no,

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Speaker 5: I'm hoping it's gonna lead somewhere.

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Speaker 4: Yeah, it was great.

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Speaker 5: Because it just kept me guessing as opposed to being

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Speaker 5: heavy handed. This episode had a lot of stuff where

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Speaker 5: I was like, where is this gonna go?

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Speaker 3: Yeah, and it's nice to have that, you know, to

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Speaker 3: as we were referencing earlier with this wonderful actor working

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Speaker 3: with Paul in the prison, to wonder what's going on

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Speaker 3: actively when you're in the audience and then get the

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Speaker 3: answers as the story develops. As the episode progresses, It's

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Speaker 3: so nice to kind of be in on the mystery. H.

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Speaker 5: And that was a good catch about the tattoo. I

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Speaker 5: don't know if I fully clocked that. I just noticed

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Speaker 5: we were prominently featuring tattoos, but yeah, catch.

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Speaker 3: Yeah, And that's that's why there was a There was

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Speaker 3: a direct cutaway when Dan said when I saw that,

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Speaker 3: I knew, and so it's yeah, it's just a Really

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Speaker 3: it's nice when writers treat audiences as though they are

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Speaker 3: as smart as they are.

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Speaker 5: M H. It's refreshing, it's respectful. I like that we

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Speaker 5: let Chris Keller take a break from being the comedic

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Speaker 5: relief and we brought in our designated hitter of sweet

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Speaker 5: Sweet Antoine and that whole runner of him saying squad

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Speaker 5: that lead up him seeing her and preparing himself to

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Speaker 5: go talk to her and make a move, and then

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Speaker 5: seeing that she's pregnant. That reveal and then hiding behind

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Speaker 5: the car was so funny.

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Speaker 3: It was wonderful. And he's got like, you know, he's

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Speaker 3: just like on a swaggy walk. He's having a good time,

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Speaker 3: and when he sees her he kind of gets a

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Speaker 3: little pepinist step. It's a great moment of just a

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Speaker 3: touch of physical comedy and then the full you know,

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Speaker 3: arms out, flattened body against the car. Antoine committed to

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Speaker 3: the bit so hard and I loved it.

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Speaker 5: Yeah, he's so good with comedy. Man. Every time he

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Speaker 5: does him like, why aren't we doing this more? And

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Speaker 5: it's like, oh, because there's twenty five of us on

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Speaker 5: this cast, and yeah, he can't all be telling a

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Speaker 5: story at the same time.

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Speaker 3: But it's so great and it was such a good

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Speaker 3: lead up to when you get ahead in the episode.

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Speaker 3: And eventually he shows up at Trick and he's asking

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Speaker 3: Steven for advice and Steven's on his way out and

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Speaker 3: is like, he's like, no, but you have to be

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Speaker 3: the bartender, Like you have to talk to me about this,

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Speaker 3: and it gave Steven such a great moment of humor

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Speaker 3: because he when he looks at Antwine and he says,

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Speaker 3: I'm gonna really, I'm gonna go really far out on

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Speaker 3: a limb and say, go talk to her. Yeah, like

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Speaker 3: just the simplest thing, just go have a conversation.

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Speaker 5: Oh and by the way, this feels like the perfect

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Speaker 5: time to mention Joy's traveling today, folks, for those of

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Speaker 5: you who haven't guessed she's not with us today. I

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Speaker 5: just felt like I should wait fifteen minutes to make

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Speaker 5: this announcement. Oh yeah, rather than saying it right off

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Speaker 5: at the top. That's not confusing, right, No, not at all.

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Speaker 3: I will say, you know, we were we were waiting

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Speaker 3: for a time because there was a chance she was

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Speaker 3: going to be able to jump into the zoom. But

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Speaker 3: the timing is not ideal today as we're both on

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Speaker 3: the West Coast and she's literally in London.

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Speaker 4: It's just the.

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Speaker 3: Cards are not in our favor. But we're happy for

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Speaker 3: her trip.

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Speaker 5: Yeah. Well, foggy London town strikes again. Okay, So getting

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Speaker 5: back to the episode and speaking of Joy, I wish

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Speaker 5: she was here. What an episode did.

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Speaker 3: Not have her for it's actually not cool.

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Speaker 5: I tell you what, I will accept all of your

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Speaker 5: praise and my praise on Joy's behalf.

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Speaker 4: Yes, Okay, that feels great, Like.

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Speaker 5: She's not able to attend the Oscars, like I'm the

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Speaker 5: one who takes Yeah, you're.

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Speaker 3: You're physically taking the award.

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Speaker 4: I got it.

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Speaker 5: Yeah, she was wonderful enough.

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Speaker 3: It's such a beautiful performance, and I have to say,

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Speaker 3: I'm so glad that the world around her allowed for it.

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Speaker 3: You know, we obviously we joke a lot that like

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Speaker 3: who's this dressed up? Why is everyone always particularly the girls,

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Speaker 3: Why is everyone always in stiletto's or like a mini

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Speaker 3: skirt or it's just no one's ever just allowed to

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Speaker 3: be casual. And even the fact that she's just in

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Speaker 3: a beige cardigan, that she's in little flats, that she's

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Speaker 3: not really wearing much makeup, like they the hair, makeup, wardrobe,

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Speaker 3: the director, everyone let her be at a at a

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Speaker 3: minimal amount of presentational effort that allowed for the rawness

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Speaker 3: of her emotion to be the focus in the episode,

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Speaker 3: and it like nothing distracted from the way she prepared,

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Speaker 3: from the way I mean, even the way Greg shot

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Speaker 3: her and Chantelle in the car in slow motion and

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Speaker 3: just focusing on that gorgeous voiceover and all these stories,

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Speaker 3: all the things Haley's thinking about that she might never

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Speaker 3: get to say to him. Again. I loved every single

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Speaker 3: choice that was made on and behind the camera in

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Speaker 3: this episode for her.

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Speaker 4: I just thought it was so beautiful.

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Speaker 5: Yeah. I love when you have a scene where there's

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Speaker 5: real high, heavy emotional steaks and we can't hear what

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Speaker 5: people are saying. Yes, I am such a fan, like,

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Speaker 5: let me guess, let me be curious as to what's

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Speaker 5: going on. And so that whole car ride that we

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Speaker 5: were getting the voiceover instead, and again show don't tell.

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Speaker 5: Rather than just going Nathan so selfless he does everything

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Speaker 5: for the family. She tells this wonderful story about getting

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Speaker 5: his favorite flavor of ice cream wrong because he was

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Speaker 5: always ordering the flavor that he knew she really liked.

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Speaker 5: I was like, gosh, man, they just nailed it with

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Speaker 5: that one. Yeah, and then she just I mean, this

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Speaker 5: is the kind of episode when you get the screen,

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Speaker 5: didn't you read it? You're like, sh yeah, I got

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Speaker 5: a week and a half coming up. It's like, I

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Speaker 5: gotta be hysterical on a police station. I gotta cry

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Speaker 5: and a more. I mean, man, she had such heavy

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Speaker 5: lifting to do and she nailed it.

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Speaker 4: Yeah, it was really great.

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Speaker 3: And there it's those days, you know, I remember I

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Speaker 3: don't even remember why, you know, who knows. Maybe I

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Speaker 3: had the scene after, or maybe I was there for

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Speaker 3: a fitting or whatever, but I remember that i'd gone

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Speaker 3: by set that day because I was on you know,

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Speaker 3: the studio a lot, and seeing her standing in the

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Speaker 3: corner of the morgue with her headphones in, just like

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Speaker 3: getting ready for that scene, for that pullback of the sheet,

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Speaker 3: and feeling like, oh, I'm just going to stand here

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Speaker 3: like I'm going to I'm just going to hang for

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Speaker 3: a bit for moral Like these are the hardest moments

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Speaker 3: as an actor, and they're also so cathartic and to

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Speaker 3: your point. I just love the choices made in the edit.

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Speaker 3: The fact that we didn't hear her, you know, we

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Speaker 3: heard her on set. It was so tragic, but weirdly,

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Speaker 3: it's even more profound because you can't hear Haley, you

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Speaker 3: just see it, and so then you're also not sure.

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Speaker 3: You know, she's saying like cover them up, you know,

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Speaker 3: and she's making these gestures that read as no, but

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Speaker 3: you're thinking like, is it no because she's saying no,

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Speaker 3: I can't look at him like this, Or is it

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Speaker 3: no because she's saying no, that's not him, And it

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Speaker 3: leaves you in this scrambling feeling for what am I seeing?

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Speaker 3: Can I trust my opinions about what I'm seeing?

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Speaker 4: It's really so.

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Speaker 5: Good and having Quinn there for all of it was

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Speaker 5: really nice. Yeah. She she did such a good job.

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Speaker 5: And just I mean, Quinn is so likable. Yeah, And

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Speaker 5: I think part of it is because they oftentimes just

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Speaker 5: sort of have her be like support to the people

378
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Speaker 5: in her orbit. It's a lot of it's a lot

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Speaker 5: of supporting Clay and Hayley for her. But yeah, god shaw,

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Speaker 5: I tell us such a good job with it and

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Speaker 5: all this stuff. You're like, man, what a good sister

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Speaker 5: and what a great bond. Their stuff was awesome.

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Speaker 3: Well, and it's really nice too, I think in the

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Speaker 3: context of our show and the way that so many

385
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Speaker 3: female friendships were written, Yes, I do believe the female

386
00:20:37,800 --> 00:20:42,760
Speaker 3: friendships are a massive pillar, you know, tent pole of

387
00:20:42,800 --> 00:20:46,360
Speaker 3: the love stories on our show, but especially in high school,

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Speaker 3: they always had an element of some kind of competition,

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Speaker 3: some falling out and then falling back in someone slept

390
00:20:53,920 --> 00:20:57,119
Speaker 3: with someone's boyfriend, or everyone slept with everyone's boyfriends. Like

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00:20:57,600 --> 00:21:02,600
Speaker 3: it was a bit trite times. And there's something really

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Speaker 3: refreshing about the Quinn and Haley world because Quinn comes

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Speaker 3: in when these women are adults, and yeah, it feels

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Speaker 3: a little weird that we never got to see her

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Speaker 3: in the high school years, but you know, you let

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Speaker 3: movie magic be movie magic and you move on. But

397
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Speaker 3: the fact that we have this really beautiful supportive relationship

398
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Speaker 3: between these two sisters, and it's not a tailor situation.

399
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Speaker 3: It's not like another terrible thing with women. It's just gorgeous.

400
00:21:34,520 --> 00:21:36,920
Speaker 3: It's like, it feels to your point, it just feels

401
00:21:37,000 --> 00:21:41,399
Speaker 3: like such a freaking payoff, and it's I don't know,

402
00:21:41,640 --> 00:21:43,879
Speaker 3: it gives me like a deep breath feeling, if that

403
00:21:43,920 --> 00:21:44,760
Speaker 3: makes sense.

404
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Speaker 5: It does. I also liked this episode had a lot

405
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Speaker 5: of just duos. It was a lot of two person

406
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Speaker 5: scenes and it was nice to see people paired off.

407
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Speaker 5: I thought the Clay and Logan stuff was so adorable.

408
00:22:01,240 --> 00:22:02,360
Speaker 4: That's so good.

409
00:22:02,880 --> 00:22:08,960
Speaker 5: Pierce is so cute and so lovable, and that whole

410
00:22:09,000 --> 00:22:13,840
Speaker 5: like flying the airplane thing. Yeah, ah, I thought it

411
00:22:13,880 --> 00:22:18,359
Speaker 5: was great. Yeah, yeah, and then, of course, you know,

412
00:22:19,200 --> 00:22:25,080
Speaker 5: Clay finally does enough digging during man he is, in

413
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Speaker 5: fact the baby's daddy. Let me ask you this. I like, okay,

414
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Speaker 5: I like, I like where we get to, you know,

415
00:22:34,000 --> 00:22:36,119
Speaker 5: he realizes he has a son. Okay, and I have

416
00:22:36,200 --> 00:22:39,119
Speaker 5: never been in this position, so I have no idea

417
00:22:39,119 --> 00:22:41,840
Speaker 5: how I would react. However, it did seem odd to

418
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Speaker 5: me that he reacted like a petulant child and was like,

419
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Speaker 5: that's my son. No, he'll never be my son. I'm

420
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Speaker 5: leaving alone and stormed out. I thought, okay, you know what,

421
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Speaker 5: he's in shock. That just struck me as a little odd.

422
00:22:58,280 --> 00:23:04,040
Speaker 5: But here is my bigger question. I don't understand that

423
00:23:04,160 --> 00:23:06,600
Speaker 5: kid is got He's got to be what six?

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Speaker 3: I think he's supposed to be like four or five?

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Speaker 5: Perfect, even better for this point, he's four. If he's

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Speaker 5: four and a half years old, Yeah, he's unsupervised all

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00:23:17,880 --> 00:23:18,520
Speaker 5: of the time.

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Speaker 3: Yeah, it's like, is this a secure campus?

429
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Speaker 4: Also?

430
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Speaker 3: Who watches him? Who does he stay with? Is it

431
00:23:24,520 --> 00:23:26,560
Speaker 3: the grandparents? Is that what we're saying in the story.

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Speaker 3: I can't remember.

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Speaker 7: In this room, we don't ever say. That's why it's

434
00:23:29,880 --> 00:23:34,040
Speaker 7: odd to me. It's like this this child is he

435
00:23:34,119 --> 00:23:36,360
Speaker 7: has never had no grown ups are ever near him.

436
00:23:36,440 --> 00:23:38,439
Speaker 7: He's left alone in a room while by himself, like

437
00:23:38,480 --> 00:23:41,680
Speaker 7: he's a grown up. Also, yeah, where has he been

438
00:23:41,720 --> 00:23:45,479
Speaker 7: this whole time? It just seems like all of the

439
00:23:45,520 --> 00:23:47,879
Speaker 7: emphasis and the care and the thought was put on

440
00:23:48,160 --> 00:23:53,240
Speaker 7: getting helping Clay had this breakthrough, and zero concern was

441
00:23:53,320 --> 00:23:56,040
Speaker 7: given to this kid's well being. They're like, let's just

442
00:23:56,040 --> 00:23:58,480
Speaker 7: put him in a room down the hall and see

443
00:23:58,520 --> 00:23:59,600
Speaker 7: if Clay works it out.

444
00:24:00,400 --> 00:24:03,760
Speaker 3: Yeah, And I guess it's interesting because I wanted to

445
00:24:03,800 --> 00:24:07,760
Speaker 3: know how you felt about all of this stuff. It's

446
00:24:07,880 --> 00:24:12,320
Speaker 3: weird to me because what I find myself asking as

447
00:24:12,320 --> 00:24:16,240
Speaker 3: a viewer is but what does the kid know? Like,

448
00:24:16,400 --> 00:24:20,720
Speaker 3: does he know Clays his dad? Is a five year

449
00:24:20,760 --> 00:24:26,600
Speaker 3: old being asked to bread crumb like psychological information for

450
00:24:26,640 --> 00:24:33,000
Speaker 3: an adult. How is this stuff being how are things

451
00:24:33,040 --> 00:24:37,439
Speaker 3: being communicated with him? And obviously we can't see that

452
00:24:38,520 --> 00:24:41,160
Speaker 3: prior to the reveal because then we would.

453
00:24:40,960 --> 00:24:41,600
Speaker 4: Be in on it.

454
00:24:42,720 --> 00:24:47,840
Speaker 3: But I am I just have so many questions about

455
00:24:47,840 --> 00:24:53,359
Speaker 3: how we make sense of this, and I clearly so you.

456
00:24:54,560 --> 00:24:57,840
Speaker 5: And like performance wise and just part of the storytelling,

457
00:24:57,960 --> 00:24:59,840
Speaker 5: I'm on board with it. It was fun. It was.

458
00:25:00,880 --> 00:25:04,399
Speaker 5: I'm just so I'm not disparaging the story of it.

459
00:25:04,440 --> 00:25:06,359
Speaker 5: I enjoyed that part of it, but I just found

460
00:25:06,359 --> 00:25:09,720
Speaker 5: myself going, I have so many questions that I hope

461
00:25:09,720 --> 00:25:11,960
Speaker 5: we get answers to, like where has he been living

462
00:25:12,359 --> 00:25:15,720
Speaker 5: for the last two years since Clay left? And where

463
00:25:15,760 --> 00:25:16,439
Speaker 5: are those people?

464
00:25:16,520 --> 00:25:16,720
Speaker 6: Now?

465
00:25:16,800 --> 00:25:19,120
Speaker 5: You know what I mean? It just yes, because also

466
00:25:19,119 --> 00:25:20,960
Speaker 5: it's like, why is this doctor here? Okay, I can

467
00:25:20,960 --> 00:25:23,919
Speaker 5: buy that as doctor maybe it took a trip to

468
00:25:23,920 --> 00:25:26,800
Speaker 5: come to Tree Hill to help his former patient. But

469
00:25:26,840 --> 00:25:29,160
Speaker 5: then it's like, so that did the kid as well?

470
00:25:29,480 --> 00:25:30,199
Speaker 5: You know, I don't know.

471
00:25:30,960 --> 00:25:35,240
Speaker 3: Yeah, well, and that's what leads me down that sort

472
00:25:35,280 --> 00:25:42,800
Speaker 3: of rabbit hole of did you perhaps wind up in

473
00:25:42,920 --> 00:25:47,760
Speaker 3: treatment here while you were visiting Nathan back in the

474
00:25:47,840 --> 00:25:52,280
Speaker 3: day and then go home? Like is is that how

475
00:25:52,480 --> 00:25:56,800
Speaker 3: perhaps this has happened? I just it is all very confusing.

476
00:25:57,000 --> 00:26:00,920
Speaker 3: That's suddenly the therapist and the kid and the big

477
00:26:00,960 --> 00:26:03,280
Speaker 3: secret is here in the small town you know.

478
00:26:04,160 --> 00:26:06,080
Speaker 5: Yeah, I don't know. Maybe we'll get some more information,

479
00:26:06,200 --> 00:26:06,520
Speaker 5: I hope.

480
00:26:06,600 --> 00:26:17,879
Speaker 6: So.

481
00:26:19,480 --> 00:26:22,159
Speaker 5: I loved how it ended with Clay being back at

482
00:26:22,160 --> 00:26:24,679
Speaker 5: the house and Quinn showing up and and he's like

483
00:26:24,680 --> 00:26:27,320
Speaker 5: I had my breakthrough and she's like, Okay, well listen,

484
00:26:27,720 --> 00:26:29,720
Speaker 5: you can tell me anything and it's not going to

485
00:26:29,880 --> 00:26:33,199
Speaker 5: change anything at all. And it just Clay kind of

486
00:26:33,200 --> 00:26:36,360
Speaker 5: has that oh boy look on his face. So I'm

487
00:26:36,400 --> 00:26:38,600
Speaker 5: excited to see how that goes over next episode.

488
00:26:38,760 --> 00:26:40,040
Speaker 4: Yeah, do you remember it all?

489
00:26:41,200 --> 00:26:41,640
Speaker 5: Not a thing?

490
00:26:41,680 --> 00:26:43,040
Speaker 3: Oh my god, I don't either.

491
00:26:43,080 --> 00:26:46,639
Speaker 5: It's killing The next thing I remember about the Clay,

492
00:26:46,720 --> 00:26:51,840
Speaker 5: Quinn and Logan storyline is actually just the endgame. So yeah,

493
00:26:51,920 --> 00:26:53,639
Speaker 5: I got a couple episodes of a ride. I have

494
00:26:53,800 --> 00:26:54,679
Speaker 5: no recollection of.

495
00:26:54,840 --> 00:26:55,879
Speaker 4: Oh my goodness.

496
00:26:57,160 --> 00:26:59,440
Speaker 3: Yeah, I've got an outcome for you guys burned into

497
00:26:59,480 --> 00:27:02,200
Speaker 3: my memory from this season. But it's because I directed

498
00:27:03,119 --> 00:27:05,760
Speaker 3: the episode and it's one of my favorite scenes ever,

499
00:27:06,800 --> 00:27:09,959
Speaker 3: and so there there's something coming that I remember in

500
00:27:10,000 --> 00:27:14,680
Speaker 3: such a visceral way, but I don't remember how we

501
00:27:14,760 --> 00:27:15,280
Speaker 3: get there.

502
00:27:17,119 --> 00:27:20,280
Speaker 5: Okay, all right, I'm excited. I didn't realize you had

503
00:27:20,280 --> 00:27:24,000
Speaker 5: directed one of these last ones coming up? Nice. Which

504
00:27:24,000 --> 00:27:25,720
Speaker 5: episode is it? Do you remember the number?

505
00:27:26,400 --> 00:27:30,800
Speaker 3: I don't, okay, but it involves our very cool prop

506
00:27:30,920 --> 00:27:32,280
Speaker 3: from the superhero world.

507
00:27:32,840 --> 00:27:36,239
Speaker 5: Oh then, yes, I remember your episode, and that's that

508
00:27:36,320 --> 00:27:40,040
Speaker 5: is all I basically okay, great, yeah, okay, yeah, it's

509
00:27:40,520 --> 00:27:43,200
Speaker 5: enough talking on a subject that probably everyone listening already

510
00:27:43,240 --> 00:27:44,080
Speaker 5: knows what it's like.

511
00:27:44,119 --> 00:27:45,880
Speaker 4: You guys are so lame, we know what's coming.

512
00:27:46,119 --> 00:27:48,560
Speaker 5: I know that was so cool though, all right, but

513
00:27:48,600 --> 00:27:51,680
Speaker 5: here's what's not cool. Xavior, What the hell man?

514
00:27:53,480 --> 00:27:54,720
Speaker 4: How is this allowed?

515
00:27:55,359 --> 00:27:55,479
Speaker 5: Like?

516
00:27:55,560 --> 00:27:57,800
Speaker 3: How is he allowed within one hundred feet of her

517
00:27:58,000 --> 00:28:00,880
Speaker 3: let alone in her place of work?

518
00:28:01,359 --> 00:28:03,000
Speaker 5: I had the same thing. I mean, first of all,

519
00:28:03,000 --> 00:28:07,679
Speaker 5: this guy needs a hobby and a life, because come on,

520
00:28:07,800 --> 00:28:10,760
Speaker 5: you can't spend all day every day eating cherry pie. Also,

521
00:28:10,800 --> 00:28:13,840
Speaker 5: who sits down and needs three pieces of cherry pie

522
00:28:13,960 --> 00:28:17,399
Speaker 5: in a row? Only a lunatic, Only a psychopath, only

523
00:28:17,440 --> 00:28:19,720
Speaker 5: a psycopa. That should be enough reason. Straight to jail,

524
00:28:19,840 --> 00:28:20,560
Speaker 5: Straight to jail.

525
00:28:21,119 --> 00:28:24,320
Speaker 3: Sure, you have to go. It's just so unsettling. And

526
00:28:24,359 --> 00:28:30,320
Speaker 3: he's such a wonderful actor, you know, he he leans in,

527
00:28:30,440 --> 00:28:37,320
Speaker 3: he does this thing where he almost puts something sweet

528
00:28:37,760 --> 00:28:43,200
Speaker 3: or he plays sweet over really monstrous thoughts. Yea, so

529
00:28:43,320 --> 00:28:47,800
Speaker 3: it feels saccerin. It feels like really creepy and sticky.

530
00:28:48,000 --> 00:28:52,400
Speaker 3: And oh, he just makes me so uncomfortable. And what

531
00:28:52,520 --> 00:28:54,960
Speaker 3: is skill, you know, to be a nice person who

532
00:28:55,040 --> 00:29:02,800
Speaker 3: just can embody something wild? But I appreciated the misdirect,

533
00:29:03,120 --> 00:29:07,000
Speaker 3: you know, putting up the sign the best Bosses ever

534
00:29:07,200 --> 00:29:10,040
Speaker 3: moment is clearly also like a little dig about the

535
00:29:10,080 --> 00:29:13,600
Speaker 3: cafe across the street, which I think is a nice runner.

536
00:29:13,760 --> 00:29:17,960
Speaker 3: And interestingly, the I thought it made this surprise of

537
00:29:18,080 --> 00:29:23,160
Speaker 3: Xavier hit harder going from the help wanted sign down

538
00:29:23,200 --> 00:29:26,440
Speaker 3: to the Nathan is missing sign. Yeah, because you're having

539
00:29:26,480 --> 00:29:30,920
Speaker 3: this experience in this tight knit friend group in this

540
00:29:31,120 --> 00:29:35,560
Speaker 3: small town community, and then it's the boogeyman. And it

541
00:29:36,120 --> 00:29:38,080
Speaker 3: really was effective the way Greg shot that.

542
00:29:38,800 --> 00:29:42,400
Speaker 5: And Okay, so I get it. You and I both

543
00:29:42,440 --> 00:29:46,360
Speaker 5: love dogs. We had lots of dogs, We love them immensely.

544
00:29:46,440 --> 00:29:51,400
Speaker 5: We get it. However, would you ever, if your dog

545
00:29:51,480 --> 00:29:56,000
Speaker 5: was missing put up a missing dog poster over a

546
00:29:56,080 --> 00:29:58,000
Speaker 5: missing person poster?

547
00:29:59,200 --> 00:29:59,440
Speaker 1: No?

548
00:30:00,000 --> 00:30:02,480
Speaker 5: Did you catch that moment when Haley's walking down the

549
00:30:02,480 --> 00:30:06,280
Speaker 5: street crying and she sees that they're one of Nathan's

550
00:30:06,280 --> 00:30:09,560
Speaker 5: posters has been covered up with a missing dog poster?

551
00:30:10,360 --> 00:30:13,640
Speaker 4: Yeah?

552
00:30:13,760 --> 00:30:16,480
Speaker 5: I don't know, guys, I don't think you can do that.

553
00:30:17,520 --> 00:30:19,840
Speaker 4: I don't think you can no.

554
00:30:20,840 --> 00:30:23,920
Speaker 5: Go lower, go higher, But you can't do that. There's

555
00:30:24,000 --> 00:30:24,960
Speaker 5: just a hierarchy.

556
00:30:25,040 --> 00:30:25,320
Speaker 1: I know.

557
00:30:25,800 --> 00:30:29,720
Speaker 5: Listen, I love a dog as much as the next person. Yeah, ah,

558
00:30:29,840 --> 00:30:35,120
Speaker 5: they don't supersede a missing human. So when that moment happened,

559
00:30:35,120 --> 00:30:37,080
Speaker 5: I was like, ooh, I'd almost be writing down that

560
00:30:37,160 --> 00:30:40,040
Speaker 5: number just to be like, hey, didn't find your dog,

561
00:30:40,080 --> 00:30:43,560
Speaker 5: but I found some decency you left behind boom roasted.

562
00:30:44,160 --> 00:30:45,320
Speaker 4: Yeah.

563
00:30:45,360 --> 00:30:48,480
Speaker 5: But Xavier. Here's why I like it though, because yes,

564
00:30:48,520 --> 00:30:51,000
Speaker 5: he's great. I believe that he's dangerous. I'm curious not

565
00:30:51,040 --> 00:30:53,320
Speaker 5: what's going to happen. But it also gives us the

566
00:30:53,440 --> 00:30:58,280
Speaker 5: opportunity to see Julian be a hunky hero. And he

567
00:30:58,360 --> 00:31:01,600
Speaker 5: storms in and he said, no one threatens my wife

568
00:31:01,960 --> 00:31:05,400
Speaker 5: or eats three slices of cherry pie and one sitting

569
00:31:06,080 --> 00:31:07,400
Speaker 5: get out.

570
00:31:07,800 --> 00:31:12,040
Speaker 3: It's really nice the way he yanks Xavier out. I

571
00:31:12,200 --> 00:31:15,040
Speaker 3: was like, okay, okay, Austin, you go.

572
00:31:16,200 --> 00:31:18,080
Speaker 5: And he's still a little roughed up from when he

573
00:31:18,120 --> 00:31:20,360
Speaker 5: got bet up to he looks kind of cool. Is

574
00:31:20,840 --> 00:31:24,600
Speaker 5: a scab. I'm like, ooh, yeah, it totally.

575
00:31:26,400 --> 00:31:29,200
Speaker 3: It gives him a little ooph mm hmmm. And there

576
00:31:29,280 --> 00:31:32,880
Speaker 3: is there's almost this sort of cloud of you know,

577
00:31:32,920 --> 00:31:37,040
Speaker 3: there's a there's a little cloud of darkness over Julian

578
00:31:37,120 --> 00:31:39,040
Speaker 3: that wasn't there before.

579
00:31:40,080 --> 00:31:42,920
Speaker 4: And it it works really well. For this stuff.

580
00:31:42,960 --> 00:31:44,760
Speaker 3: It's like, this is a man who's been through some

581
00:31:44,840 --> 00:31:48,239
Speaker 3: shit and he is not to be messed with, and

582
00:31:48,280 --> 00:31:50,360
Speaker 3: it's really nice.

583
00:31:50,600 --> 00:31:53,400
Speaker 5: Yeah, it was great. I thought all of that was great,

584
00:31:54,320 --> 00:31:57,800
Speaker 5: speaking of a man not to be messed with, Sweet

585
00:31:57,880 --> 00:32:03,920
Speaker 5: sweet Chase. The storyline's great, it really is. So when

586
00:32:04,120 --> 00:32:07,080
Speaker 5: Chris Keller comes into I think it's at Chase's place,

587
00:32:07,640 --> 00:32:09,720
Speaker 5: He's like, hey, let's have a beer, and Chase is saying,

588
00:32:09,760 --> 00:32:12,680
Speaker 5: like Officer pinal code, do do do do do? And

589
00:32:12,720 --> 00:32:14,360
Speaker 5: I thought he was talking about drinking a beer and

590
00:32:14,400 --> 00:32:17,920
Speaker 5: I'm like, oh, my freaking dork, just drink a beer.

591
00:32:17,960 --> 00:32:21,040
Speaker 5: You're not in the cockpit right now. And then but

592
00:32:21,120 --> 00:32:25,360
Speaker 5: it was for like battery, he was already thinking, like

593
00:32:25,520 --> 00:32:27,520
Speaker 5: he was kind of already having a plan of like

594
00:32:27,560 --> 00:32:30,360
Speaker 5: I think this is going to go the way I

595
00:32:30,400 --> 00:32:32,240
Speaker 5: think it is. I think it's going to go sideways,

596
00:32:32,600 --> 00:32:34,160
Speaker 5: and I need to know what I'm in store for.

597
00:32:34,320 --> 00:32:37,280
Speaker 5: And I liked watching him calculate, like can I live

598
00:32:37,320 --> 00:32:39,960
Speaker 5: with the consequences of what I think I'm going to do?

599
00:32:40,440 --> 00:32:44,120
Speaker 3: Yes, Like what will it mean for me for the

600
00:32:44,120 --> 00:32:46,880
Speaker 3: rest of my life if I defend this kid in

601
00:32:46,880 --> 00:32:50,480
Speaker 3: the way that I want to Yeah, it's cool.

602
00:32:51,840 --> 00:32:56,120
Speaker 5: Also, I'm pretty sure if you beat someone with a

603
00:32:56,160 --> 00:33:02,440
Speaker 5: tire iron, yeah, you're doing long term, if not forever damage.

604
00:33:02,720 --> 00:33:06,040
Speaker 5: And because we see through the silhouette of the front window,

605
00:33:06,720 --> 00:33:10,160
Speaker 5: you see how high he is raising the crowbar and

606
00:33:10,200 --> 00:33:13,320
Speaker 5: bringing it down, and you're like, I hope you were

607
00:33:13,400 --> 00:33:18,000
Speaker 5: hitting the legs right, But he's covered in blood in

608
00:33:18,080 --> 00:33:20,960
Speaker 5: the in the police card, it's like, were you going.

609
00:33:20,880 --> 00:33:24,480
Speaker 3: For I'll break your kneecaps like a little mafia retribution?

610
00:33:25,280 --> 00:33:28,000
Speaker 3: What was really happening in there? Because to your point,

611
00:33:28,360 --> 00:33:31,760
Speaker 3: what it looks like, and this is something that bugs

612
00:33:31,800 --> 00:33:34,960
Speaker 3: me a bit about film and TV is sometimes I

613
00:33:34,960 --> 00:33:39,280
Speaker 3: feel like the stunt coordination really takes it to a

614
00:33:39,400 --> 00:33:42,520
Speaker 3: ten when it only needs to be a six. It's like, well,

615
00:33:42,520 --> 00:33:46,440
Speaker 3: what we saw in silhouette looked like an attempted murder. Yeah,

616
00:33:46,600 --> 00:33:49,320
Speaker 3: not really, like I'm going to rough someone up. So

617
00:33:50,920 --> 00:33:51,400
Speaker 3: I don't know.

618
00:33:51,560 --> 00:33:52,520
Speaker 4: But it's also.

619
00:33:53,800 --> 00:33:57,920
Speaker 3: You know, it's it's heroic, it's personal, it's all the things.

620
00:33:57,960 --> 00:34:04,320
Speaker 3: And so obviously we're rooting for him, and I'm like,

621
00:34:04,560 --> 00:34:05,960
Speaker 3: are you gonna go to jail forever?

622
00:34:06,040 --> 00:34:09,360
Speaker 5: I don't know, man, And and again this is the

623
00:34:09,440 --> 00:34:12,880
Speaker 5: hindsight of being like a Monday morning quarterback. But you're like,

624
00:34:12,960 --> 00:34:16,359
Speaker 5: I want to save this kid from this traumatizing experience

625
00:34:17,120 --> 00:34:21,759
Speaker 5: by watching making him watch another traumatizing experience. You know,

626
00:34:21,800 --> 00:34:24,359
Speaker 5: he's essentially watching the silhouette of his dad getting beat

627
00:34:24,400 --> 00:34:27,080
Speaker 5: to death with a tire iron and then Clay walking

628
00:34:27,080 --> 00:34:29,319
Speaker 5: out with blood spattered all over his face. Excuse me,

629
00:34:29,560 --> 00:34:32,000
Speaker 5: Chase walking out with blood spattered over his face. It was

630
00:34:32,040 --> 00:34:34,040
Speaker 5: just one of like, again, I completely get it. It

631
00:34:34,080 --> 00:34:36,640
Speaker 5: was a hero moment Chase came running out of the house. Yeah,

632
00:34:36,640 --> 00:34:39,320
Speaker 5: but it was also like, oh, it almost would have

633
00:34:39,360 --> 00:34:41,760
Speaker 5: been better if you had just like taken him somewhere

634
00:34:41,760 --> 00:34:45,520
Speaker 5: else and then came back and nearly killed his father.

635
00:34:46,600 --> 00:34:49,799
Speaker 4: Yeah. I don't know.

636
00:34:50,600 --> 00:34:52,640
Speaker 5: Maybe Chase just didn't want to go to the Air Force,

637
00:34:52,680 --> 00:34:54,160
Speaker 5: and he was like, I don't want to be called

638
00:34:54,280 --> 00:34:58,479
Speaker 5: a quitter. I know, I know I'll beat a scumbag yeah,

639
00:34:58,480 --> 00:34:59,520
Speaker 5: within an inch of his life.

640
00:34:59,600 --> 00:35:03,719
Speaker 3: Yeah, I'll be a hero and also get discharged.

641
00:35:04,320 --> 00:35:07,040
Speaker 5: Mm hmm. It's a bold move, though, the tir n't.

642
00:35:07,160 --> 00:35:09,520
Speaker 5: He didn't even want to go fisticuffs, huh. He was

643
00:35:09,600 --> 00:35:12,160
Speaker 5: just like, I don't know if I can beat this

644
00:35:12,200 --> 00:35:13,920
Speaker 5: guy one on one so I'm going to bring him

645
00:35:14,600 --> 00:35:16,000
Speaker 5: a murdering tool in with me.

646
00:35:16,560 --> 00:35:21,239
Speaker 4: I mean, he's truck's dad's a big dude, but he's

647
00:35:21,239 --> 00:35:22,160
Speaker 4: a built guy.

648
00:35:23,320 --> 00:35:26,920
Speaker 3: And yeah, I guess if you're not trying to have

649
00:35:26,960 --> 00:35:28,000
Speaker 3: an even fight.

650
00:35:29,320 --> 00:35:32,200
Speaker 4: You know, he's saying, if you do this, like.

651
00:35:32,360 --> 00:35:33,600
Speaker 3: I'll make you regret it.

652
00:35:34,239 --> 00:35:34,560
Speaker 5: M hm.

653
00:35:34,760 --> 00:35:40,200
Speaker 3: And so I understand the the escalation, but yeah, I'm

654
00:35:40,320 --> 00:35:42,480
Speaker 3: very curious about what that looks like for him.

655
00:35:43,080 --> 00:35:45,440
Speaker 5: Yeah, you know, and maybe Chase just didn't want to

656
00:35:45,480 --> 00:35:48,279
Speaker 5: hurt his hands. Maybe he just gotten a manny you know.

657
00:35:49,480 --> 00:35:51,440
Speaker 3: You know, well you need you need your you need.

658
00:35:51,320 --> 00:35:55,240
Speaker 5: Your hands to this is true to fly the airplane. Yeah, okay,

659
00:35:55,280 --> 00:35:57,479
Speaker 5: well you know, I listen, I didn't mind it because

660
00:35:57,480 --> 00:35:59,719
Speaker 5: that guy's a scumbag. So I was. I was all

661
00:35:59,760 --> 00:36:01,640
Speaker 5: for the ride. I just you know, as you watch,

662
00:36:01,680 --> 00:36:03,399
Speaker 5: you also have that rational part of your brain being

663
00:36:03,440 --> 00:36:07,040
Speaker 5: like lou Dog that's attempted murder, like you're going to prison,

664
00:36:07,080 --> 00:36:09,239
Speaker 5: You're not just like you like at the good Guy

665
00:36:09,360 --> 00:36:10,959
Speaker 5: discount and you get a slap on the wrist.

666
00:36:11,120 --> 00:36:11,480
Speaker 4: Exactly.

667
00:36:11,560 --> 00:36:13,879
Speaker 3: We've all watched enough Law and Order and enough true

668
00:36:13,960 --> 00:36:16,400
Speaker 3: crime to be like, oh, I have a hunch, I

669
00:36:16,440 --> 00:36:17,960
Speaker 3: know what that charge is going to look like, and

670
00:36:18,000 --> 00:36:19,480
Speaker 3: it's not going to be good for you.

671
00:36:19,520 --> 00:36:21,200
Speaker 5: No, no, it's not.

672
00:36:21,880 --> 00:36:22,160
Speaker 4: It's not.

673
00:36:23,239 --> 00:36:27,480
Speaker 5: What we needed Chase to do was finish beating on

674
00:36:27,640 --> 00:36:30,680
Speaker 5: Chuck's dad and then just pop right over to Karen's

675
00:36:30,680 --> 00:36:32,759
Speaker 5: cafe and give Xavier a little tune up.

676
00:36:32,920 --> 00:36:35,640
Speaker 4: Yes, that would have been great, just.

677
00:36:35,600 --> 00:36:37,759
Speaker 5: Like why you're on this heater, go ahead and take

678
00:36:37,800 --> 00:36:38,640
Speaker 5: care of that guy too.

679
00:36:38,920 --> 00:36:43,399
Speaker 3: Yeah, I just I just can't get over. And look,

680
00:36:43,440 --> 00:36:46,840
Speaker 3: it's a great device. It makes Brook feel very unsettled.

681
00:36:46,840 --> 00:36:51,680
Speaker 3: It makes Julian feel very protective. Obviously, there's now as

682
00:36:51,880 --> 00:36:54,360
Speaker 3: you know, as they have me mention when I come

683
00:36:54,440 --> 00:36:56,960
Speaker 3: into the house and Julian's with the kids, and I'm like,

684
00:36:57,000 --> 00:36:59,560
Speaker 3: he came to the cafe, you know. I like that

685
00:36:59,680 --> 00:37:01,959
Speaker 3: in the dialogue, I get to talk about the fact

686
00:37:01,960 --> 00:37:05,279
Speaker 3: that we have these two defenseless babies. Now it isn't

687
00:37:05,360 --> 00:37:07,960
Speaker 3: just us. Everything feels heavier.

688
00:37:09,320 --> 00:37:10,000
Speaker 5: But I just.

689
00:37:11,440 --> 00:37:15,920
Speaker 3: I'm confused about why the first call isn't immediately to

690
00:37:15,960 --> 00:37:21,680
Speaker 3: the police. You know, he's violating you to be harassing

691
00:37:21,760 --> 00:37:25,840
Speaker 3: someone that you went to jail for assaulting when you

692
00:37:25,880 --> 00:37:29,920
Speaker 3: also kidnapped a minor like that must be a violation

693
00:37:30,040 --> 00:37:32,840
Speaker 3: of your parole to be come into this lady's office.

694
00:37:33,960 --> 00:37:38,280
Speaker 5: Absolutely the reason it didn't make sense to me, But actually, weirdly,

695
00:37:38,320 --> 00:37:41,360
Speaker 5: that's why it worked for me, because to me, that

696
00:37:41,480 --> 00:37:45,120
Speaker 5: is not someone who's thinking rationally. You don't show up

697
00:37:45,160 --> 00:37:47,560
Speaker 5: to the place of work of the person who just

698
00:37:47,800 --> 00:37:54,280
Speaker 5: vocally said, vocally, you know, advocated for you staying in prison.

699
00:37:54,560 --> 00:37:57,680
Speaker 5: So to me, it kind of added to the threat

700
00:37:57,760 --> 00:38:02,640
Speaker 5: and the menace because this guy clearly doesn't give enough

701
00:38:02,680 --> 00:38:05,000
Speaker 5: shits ye to be safe.

702
00:38:05,560 --> 00:38:09,239
Speaker 3: Yeah, he's he's obviously unhinged because he's not acting in

703
00:38:09,280 --> 00:38:13,640
Speaker 3: the best interests of his own future, forget even for her.

704
00:38:14,320 --> 00:38:15,440
Speaker 5: Yeah, you know it.

705
00:38:15,880 --> 00:38:20,160
Speaker 3: We clearly he hasn't grown enough to regret or have

706
00:38:20,239 --> 00:38:23,560
Speaker 3: remorse for what he did to her. But he's he's

707
00:38:23,640 --> 00:38:27,640
Speaker 3: literally jeopardizing his own freedom. Yeah, by his behavior.

708
00:38:27,880 --> 00:38:28,760
Speaker 4: Yeah, it's scary.

709
00:38:30,719 --> 00:38:35,560
Speaker 5: I liked seeing David pop back up into town speaking

710
00:38:35,600 --> 00:38:38,439
Speaker 5: of welcome faces and not speaking of WelCom faces. David

711
00:38:38,600 --> 00:38:40,799
Speaker 5: was a cool surprise, and that scene with Quinn and

712
00:38:40,920 --> 00:38:42,560
Speaker 5: David at Clay's pool was great.

713
00:38:42,880 --> 00:38:44,080
Speaker 4: Yeah, I really liked it.

714
00:38:44,120 --> 00:38:47,400
Speaker 3: I liked that he was self deprecating. You know the

715
00:38:47,480 --> 00:38:50,319
Speaker 3: fact that the writers had David make fun of himself.

716
00:38:50,960 --> 00:38:54,319
Speaker 5: Yeah, finally dating outside the Quinn the James Jamers.

717
00:38:54,080 --> 00:38:59,160
Speaker 3: Sisters like, it's great because it gives you. It gives

718
00:38:59,200 --> 00:39:03,279
Speaker 3: you a way to share in a laugh. And his

719
00:39:03,560 --> 00:39:08,440
Speaker 3: being self deprecating immediately, at least for me as an

720
00:39:08,440 --> 00:39:12,640
Speaker 3: audience member, undid some of the ick I felt about him.

721
00:39:13,040 --> 00:39:15,440
Speaker 3: I was like, oh, look, everybody's growing cool.

722
00:39:16,160 --> 00:39:19,480
Speaker 5: Yeah. It was good self awareness. Yeah, and I liked

723
00:39:19,520 --> 00:39:23,160
Speaker 5: that we had people sort of not under not having

724
00:39:23,200 --> 00:39:26,719
Speaker 5: all the information, like the way Antoine didn't, or the

725
00:39:26,719 --> 00:39:29,400
Speaker 5: way Skills didn't and the way that Quinn didn't. And

726
00:39:29,440 --> 00:39:31,480
Speaker 5: then there's that scene with all of them in the

727
00:39:31,520 --> 00:39:34,120
Speaker 5: cafe where they all are having aha moments at the

728
00:39:34,160 --> 00:39:37,160
Speaker 5: same time, Yes, where.

729
00:39:37,000 --> 00:39:40,200
Speaker 3: It dawns on everyone and the camera pings around and

730
00:39:40,239 --> 00:39:42,520
Speaker 3: you're just on the ride as a viewer.

731
00:39:43,800 --> 00:39:46,920
Speaker 5: And for those viewers that don't know, Scott Holroyd who

732
00:39:46,960 --> 00:39:50,480
Speaker 5: plays David is Alison mun who plays Miss Lauren's real

733
00:39:50,520 --> 00:39:53,279
Speaker 5: life husband. Yes, and she was pregnant in real life

734
00:39:53,320 --> 00:39:56,360
Speaker 5: with their actual baby. So it was a fun little

735
00:39:56,400 --> 00:40:00,279
Speaker 5: meta joke that it was great for us to. We

736
00:40:00,280 --> 00:40:02,120
Speaker 5: all liked Scott and he kind of came in out

737
00:40:02,239 --> 00:40:04,360
Speaker 5: so fast as David initially, so it's great to have

738
00:40:04,440 --> 00:40:07,000
Speaker 5: him back, and it's always great to have Alison back.

739
00:40:07,239 --> 00:40:09,239
Speaker 3: Yeah, it's so much fun, and it's one of those

740
00:40:09,280 --> 00:40:12,480
Speaker 3: cool things that you get to do. You know, when

741
00:40:12,520 --> 00:40:15,000
Speaker 3: you hear people talk about the way shows become a family,

742
00:40:15,280 --> 00:40:16,759
Speaker 3: this is one of the things you get to do

743
00:40:16,840 --> 00:40:21,200
Speaker 3: with your family. Like, you know, when someone's actual baby

744
00:40:21,320 --> 00:40:23,600
Speaker 3: is in the show, like one of my boys was

745
00:40:24,080 --> 00:40:28,799
Speaker 3: Clark's son. When you know you're panning across a bar

746
00:40:28,960 --> 00:40:32,000
Speaker 3: scene and like your DP or your makeup artist.

747
00:40:31,800 --> 00:40:32,520
Speaker 4: Is in the shot.

748
00:40:32,680 --> 00:40:35,680
Speaker 3: You know, Jonie, our hairdresser, being the woman who gave

749
00:40:35,760 --> 00:40:39,319
Speaker 3: Quinn the panther tan. Like, it's so fun when you

750
00:40:39,360 --> 00:40:42,680
Speaker 3: get to just have a little moment for the fam

751
00:40:43,040 --> 00:40:46,239
Speaker 3: where everyone who makes the show is in on it.

752
00:40:46,760 --> 00:40:48,800
Speaker 3: And this felt like one of those really cool things

753
00:40:48,840 --> 00:40:53,400
Speaker 3: because Alison and Scott are such great actors, and you know,

754
00:40:53,440 --> 00:40:54,920
Speaker 3: we were all so excited about this.

755
00:40:54,960 --> 00:40:57,360
Speaker 4: Baby and the.

756
00:40:59,000 --> 00:41:01,840
Speaker 3: Miss Lauren and David winding up together was just like

757
00:41:01,880 --> 00:41:04,440
Speaker 3: a little wink wink with our friends and it was

758
00:41:04,480 --> 00:41:05,040
Speaker 3: really cool.

759
00:41:06,080 --> 00:41:20,760
Speaker 5: Yes, kicks, you got any honorable mentions?

760
00:41:21,239 --> 00:41:22,080
Speaker 4: Oh my goodness.

761
00:41:24,000 --> 00:41:28,800
Speaker 3: Honestly, I enjoyed the episode so much, and I thought

762
00:41:28,960 --> 00:41:32,919
Speaker 3: all the performances were so wonderful. The obvious honorable mention

763
00:41:33,160 --> 00:41:38,200
Speaker 3: clearly is Joy. My less obvious honorable mentions. Greg pranch

764
00:41:38,360 --> 00:41:42,640
Speaker 3: As our director Ooh for our Friends at Home. Greg

765
00:41:42,719 --> 00:41:46,239
Speaker 3: was our supervising executive producer. I believe he directed more

766
00:41:46,280 --> 00:41:50,000
Speaker 3: episodes of our show than any other director. He came

767
00:41:50,360 --> 00:41:55,360
Speaker 3: to us from running Dawson's Creek. Like talk about a

768
00:41:55,400 --> 00:41:59,640
Speaker 3: guy who who was just part of such iconic coming

769
00:41:59,680 --> 00:42:04,880
Speaker 3: of a stories. And he was always one of my

770
00:42:04,920 --> 00:42:08,960
Speaker 3: favorite people to learn from on our set technically and creatively.

771
00:42:09,760 --> 00:42:12,640
Speaker 3: And there are just all these choices that he made

772
00:42:12,680 --> 00:42:17,240
Speaker 3: in this episode that and I think I said this earlier,

773
00:42:17,239 --> 00:42:21,480
Speaker 3: that really feel like the best of what One Tree

774
00:42:21,600 --> 00:42:27,080
Speaker 3: Hill was, like all its most wonderful moments. This episode

775
00:42:27,120 --> 00:42:30,399
Speaker 3: gave me that kind of nostalgia, and I just thought

776
00:42:30,440 --> 00:42:35,520
Speaker 3: he made brilliant choices Allah the voiceover and the slow

777
00:42:35,560 --> 00:42:41,000
Speaker 3: motion and the soundless sequences for Haley like it just

778
00:42:42,440 --> 00:42:46,040
Speaker 3: it added something that was so profound and that I

779
00:42:46,040 --> 00:42:50,239
Speaker 3: think is really the magic of directing and producing. And

780
00:42:50,440 --> 00:42:52,720
Speaker 3: I think he really deserves his flowers.

781
00:42:52,239 --> 00:42:53,200
Speaker 6: For that one.

782
00:42:53,520 --> 00:42:56,239
Speaker 5: Yeah, I second all three, both of those, and I

783
00:42:56,280 --> 00:42:59,800
Speaker 5: would add Johnny Richardson to the list because this episode

784
00:42:59,840 --> 00:43:05,080
Speaker 5: was just really well executed, kind of on all the levels.

785
00:43:05,120 --> 00:43:07,879
Speaker 5: It was written well, it was shot well. I thought

786
00:43:07,880 --> 00:43:11,439
Speaker 5: it was performed very well. This was a really fun

787
00:43:11,440 --> 00:43:14,759
Speaker 5: episode and on behalf of Joy. Thank you for all

788
00:43:14,800 --> 00:43:18,000
Speaker 5: of the praise. It's just so nice to be acknowledged

789
00:43:18,160 --> 00:43:22,680
Speaker 5: and appreciated by my peers. I respect so much. Yeah,

790
00:43:22,680 --> 00:43:26,319
Speaker 5: she was great, she was awesome, fantastic. Oh look at

791
00:43:26,360 --> 00:43:29,080
Speaker 5: this listener question. It's almost like Tara knew it was

792
00:43:29,120 --> 00:43:31,720
Speaker 5: just going to be the two of us today. She asked,

793
00:43:31,960 --> 00:43:37,120
Speaker 5: what snack would you pick to be magically calorie free forever?

794
00:43:37,320 --> 00:43:40,160
Speaker 5: Oh my gosh, Tarah, what a good question I've never

795
00:43:40,239 --> 00:43:40,600
Speaker 5: thought of.

796
00:43:42,280 --> 00:43:49,719
Speaker 3: Wow, Oh this is hard. Okay, So my initial like

797
00:43:49,760 --> 00:43:51,880
Speaker 3: the thing my brain said before I realized it was

798
00:43:51,880 --> 00:43:55,200
Speaker 3: saying something, was well, we would probably both say corn dogs.

799
00:43:55,880 --> 00:43:59,560
Speaker 3: Caveat a corn dog is not a thing that I

800
00:43:59,560 --> 00:44:02,319
Speaker 3: can ease access all the time, Like I don't have

801
00:44:02,360 --> 00:44:05,799
Speaker 3: a deep fryer at my house. So I thought yes,

802
00:44:05,840 --> 00:44:08,200
Speaker 3: and then I thought, but then I don't get to

803
00:44:08,239 --> 00:44:11,360
Speaker 3: eat them as often as i'd like. So truly, the

804
00:44:11,440 --> 00:44:14,600
Speaker 3: thing that I make the most at all times of

805
00:44:14,680 --> 00:44:16,360
Speaker 3: day and night. And also I know it's like a

806
00:44:16,360 --> 00:44:19,640
Speaker 3: bad thing to, you know, eat copious amounts of snacks

807
00:44:19,640 --> 00:44:22,640
Speaker 3: at two am, but sometimes I do it. I'm a

808
00:44:22,680 --> 00:44:26,480
Speaker 3: popcorn girl. It's my favorite thing. I like to I

809
00:44:26,600 --> 00:44:29,200
Speaker 3: like to fresh pop it like, yeah, I'll do it

810
00:44:29,200 --> 00:44:31,120
Speaker 3: in the microwave bag, but I'd rather do it on the.

811
00:44:31,080 --> 00:44:32,560
Speaker 4: Stove, like in a pot.

812
00:44:33,320 --> 00:44:35,840
Speaker 3: The idea that I could just at any time of

813
00:44:35,920 --> 00:44:39,480
Speaker 3: day or night eat as many bags of popcorn as

814
00:44:39,480 --> 00:44:44,560
Speaker 3: I wanted and it would be like water would be

815
00:44:44,680 --> 00:44:45,520
Speaker 3: very cool for me.

816
00:44:46,400 --> 00:44:49,600
Speaker 5: I hear that, and I feel like you sold yourself short.

817
00:44:50,040 --> 00:44:53,960
Speaker 5: Why because it's not a very colerically dense food you

818
00:44:54,000 --> 00:44:55,799
Speaker 5: can get Like I just feel like, yeah, because you

819
00:44:55,800 --> 00:44:58,560
Speaker 5: can get like reduced calorie popcorn, you know, or as

820
00:44:58,600 --> 00:45:01,359
Speaker 5: I feel like I don't, you should have good. Good

821
00:45:01,360 --> 00:45:04,839
Speaker 5: for you for loving yourself. But like to me, I'm

822
00:45:04,840 --> 00:45:07,359
Speaker 5: gonna tell you, I actually I corn dog went into

823
00:45:07,400 --> 00:45:10,239
Speaker 5: my brain, but it wasn't the forefront because it's a

824
00:45:10,280 --> 00:45:12,439
Speaker 5: special food. It's not really a snack. It's a treat food.

825
00:45:12,440 --> 00:45:18,400
Speaker 5: It's an occasion food. Yeah, mine was donuts. If I

826
00:45:18,440 --> 00:45:21,760
Speaker 5: could just wake up and I could slam like three

827
00:45:21,840 --> 00:45:24,680
Speaker 5: donuts and it's a freebie. I would be Could you

828
00:45:24,719 --> 00:45:26,600
Speaker 5: imagine you get to have a little donut on the

829
00:45:26,600 --> 00:45:29,880
Speaker 5: go with you in the car, a little bear claw

830
00:45:29,960 --> 00:45:32,279
Speaker 5: before bet? Like, what what are we doing? That would

831
00:45:32,320 --> 00:45:33,160
Speaker 5: be incredible.

832
00:45:33,440 --> 00:45:35,480
Speaker 3: See I'm not really a sweet person.

833
00:45:36,120 --> 00:45:37,799
Speaker 5: Ah okay, I will have.

834
00:45:37,840 --> 00:45:39,880
Speaker 3: A bite of a donut and then I'm over it.

835
00:45:39,960 --> 00:45:42,640
Speaker 3: I would rather have a second steak for dessert than

836
00:45:42,680 --> 00:45:43,200
Speaker 3: a dessert.

837
00:45:43,520 --> 00:45:44,279
Speaker 5: I feel that.

838
00:45:44,680 --> 00:45:49,520
Speaker 3: But like if if bread, if bread could be my water,

839
00:45:50,320 --> 00:45:53,399
Speaker 3: all I'd be in because I want it all the time.

840
00:45:53,480 --> 00:45:55,719
Speaker 3: Like I'll bake bread, I'll get fresh bread, I go

841
00:45:55,760 --> 00:45:58,160
Speaker 3: to the farmer's market for bread. If I could eat

842
00:45:58,239 --> 00:46:00,919
Speaker 3: half a sour dough loaf in morning and the other

843
00:46:01,000 --> 00:46:05,719
Speaker 3: half before bed and have it not count toward my

844
00:46:06,040 --> 00:46:10,719
Speaker 3: you know daily? Am I healthy or not great? And

845
00:46:10,760 --> 00:46:13,520
Speaker 3: here's the thing, it's not that I don't eat the bread.

846
00:46:13,560 --> 00:46:16,680
Speaker 3: It's just that I don't. I don't gorge myself on

847
00:46:16,800 --> 00:46:18,399
Speaker 3: bread the way I want.

848
00:46:18,120 --> 00:46:21,120
Speaker 5: To sure, the way your body cries out for you

849
00:46:21,160 --> 00:46:22,319
Speaker 5: to decimate an entire loaf.

850
00:46:22,400 --> 00:46:22,640
Speaker 6: You know what?

851
00:46:22,680 --> 00:46:24,400
Speaker 5: Another word one would be chips.

852
00:46:25,000 --> 00:46:28,000
Speaker 3: Yeah, like those tower seven chips. Get out of town,

853
00:46:28,040 --> 00:46:28,799
Speaker 3: Get out of town.

854
00:46:29,400 --> 00:46:31,000
Speaker 5: I could just sit in a bag of chips, end

855
00:46:31,120 --> 00:46:33,440
Speaker 5: up burning more calories than I'm taking in just by

856
00:46:33,440 --> 00:46:36,560
Speaker 5: eating it. Yeah, forget about it.

857
00:46:37,040 --> 00:46:39,240
Speaker 4: Tarah a great question, good one.

858
00:46:39,080 --> 00:46:41,839
Speaker 5: Tara with a hard hitting question. Yead, we didn't talk

859
00:46:41,840 --> 00:46:44,160
Speaker 5: about food this once this entire episode, so you know

860
00:46:44,239 --> 00:46:46,239
Speaker 5: what to all the people say, all I do is

861
00:46:46,280 --> 00:46:50,040
Speaker 5: talk about food. False, We didn't today. Tara made us

862
00:46:50,120 --> 00:46:51,480
Speaker 5: at the very end of the episode.

863
00:46:51,680 --> 00:46:53,920
Speaker 4: You are you are vindicated and correct.

864
00:46:54,200 --> 00:46:55,080
Speaker 5: Let's spin a wheel.

865
00:46:55,800 --> 00:46:57,479
Speaker 4: I was just going to say. It took the words

866
00:46:57,560 --> 00:46:58,440
Speaker 4: right out of my mouth.

867
00:46:59,040 --> 00:47:00,360
Speaker 5: We're becoming the same person.

868
00:47:01,200 --> 00:47:02,279
Speaker 4: Yeah, we knew about that.

869
00:47:04,760 --> 00:47:08,960
Speaker 5: Oh, most likely to adopt a pet on a whim,

870
00:47:09,200 --> 00:47:12,000
Speaker 5: Sophia Bush done.

871
00:47:12,200 --> 00:47:13,400
Speaker 7: Yeah, it's you.

872
00:47:13,840 --> 00:47:18,040
Speaker 3: Yeah, it's always been me. It's always been me, Like

873
00:47:18,120 --> 00:47:21,319
Speaker 3: to the point that I've tried many years ago, when

874
00:47:21,360 --> 00:47:25,000
Speaker 3: I was living in Chicago, I was fostering dogs and

875
00:47:25,040 --> 00:47:27,520
Speaker 3: I fostered one and then I started to foster another one,

876
00:47:27,560 --> 00:47:28,880
Speaker 3: and then I was like, I think I'm supposed to

877
00:47:28,920 --> 00:47:33,120
Speaker 3: keep this dog, and like turned out this dog that

878
00:47:33,160 --> 00:47:35,719
Speaker 3: I long term fostered is my new phrase for it

879
00:47:36,000 --> 00:47:40,560
Speaker 3: and my dog Penny. They hated each other, Sweet Penny

880
00:47:40,560 --> 00:47:43,880
Speaker 3: and Penny's never hated anyone, and Penny and this dog

881
00:47:44,040 --> 00:47:49,440
Speaker 3: were just like they hated each other. And I tried

882
00:47:49,480 --> 00:47:52,719
Speaker 3: for months. I took them to like a behavioral specialist,

883
00:47:52,960 --> 00:47:55,560
Speaker 3: even on the recommendation of a friend of mine. I'm

884
00:47:55,600 --> 00:47:57,520
Speaker 3: so ashamed to admit this. I even took them to

885
00:47:57,520 --> 00:47:59,719
Speaker 3: see a dog psychic to figure out why they hated

886
00:47:59,719 --> 00:48:02,160
Speaker 3: each other. I was like, I'll do anything, and they

887
00:48:02,160 --> 00:48:06,160
Speaker 3: were just like truly incompatible animals. And now this long

888
00:48:06,239 --> 00:48:08,880
Speaker 3: term foster of mine lives with my dear friend Amanda

889
00:48:08,920 --> 00:48:12,360
Speaker 3: and her family, and Amanda was like, you just rescued

890
00:48:12,400 --> 00:48:14,640
Speaker 3: my dog for me that I wasn't sure I was

891
00:48:14,680 --> 00:48:17,120
Speaker 3: ready for. And then I loved her and she had

892
00:48:17,160 --> 00:48:20,040
Speaker 3: to be mine. And so it's this crazy thing where like,

893
00:48:20,840 --> 00:48:24,520
Speaker 3: even though sometimes I know I should not do this,

894
00:48:24,680 --> 00:48:26,840
Speaker 3: I'm like, there's going to be a reason, there's going

895
00:48:26,920 --> 00:48:30,319
Speaker 3: to be a purpose. Even if I'm like a long

896
00:48:30,440 --> 00:48:33,359
Speaker 3: term stay for an animal, I'm always open to it.

897
00:48:33,719 --> 00:48:35,440
Speaker 5: You're one of the good ones so far, and then.

898
00:48:35,320 --> 00:48:39,360
Speaker 3: Sometimes you know, like Patch fourteen years later.

899
00:48:41,560 --> 00:48:43,720
Speaker 4: They're just the best, they're the best.

900
00:48:43,880 --> 00:48:47,319
Speaker 3: The problem though, for me, to bring it back to

901
00:48:47,320 --> 00:48:53,520
Speaker 3: our friend Martha Stewart, is I I'm not Martha, like

902
00:48:53,600 --> 00:48:57,360
Speaker 3: I don't live on a farm full time with like

903
00:48:57,920 --> 00:49:00,800
Speaker 3: and you travel purple, and I try well and I work.

904
00:49:00,920 --> 00:49:03,879
Speaker 3: And if I had my drothers, like you know when

905
00:49:03,880 --> 00:49:06,520
Speaker 3: people say if I won the lottery, I wouldn't say anything,

906
00:49:06,520 --> 00:49:09,799
Speaker 3: but there would be signs, like suddenly there would be

907
00:49:09,880 --> 00:49:14,120
Speaker 3: barns and horses and lamas and goats and.

908
00:49:15,040 --> 00:49:18,440
Speaker 5: Dogs and like it would be Sophia's Arc. Yes, people

909
00:49:18,480 --> 00:49:18,879
Speaker 5: would be.

910
00:49:18,840 --> 00:49:21,439
Speaker 3: Like, wow, you suddenly have so many animals, and I'd

911
00:49:21,440 --> 00:49:25,120
Speaker 3: be like, I know, everything's just coming up roses for me.

912
00:49:26,239 --> 00:49:28,719
Speaker 5: All right, I gotta pete tell them what next episode is? Bye?

913
00:49:28,719 --> 00:49:33,560
Speaker 3: Everyone, Oh friends, this is what happens when only two

914
00:49:33,640 --> 00:49:37,160
Speaker 3: of us are here. Next episode is Season nine, Episode nine.

915
00:49:37,320 --> 00:49:43,120
Speaker 3: Every breath is a bomb. Doesn't sound good, doesn't sound good,

916
00:49:43,200 --> 00:49:46,000
Speaker 3: but I hope it's great. We appreciate you all.

917
00:49:46,120 --> 00:49:47,040
Speaker 4: See you next week.

918
00:49:47,440 --> 00:49:50,759
Speaker 3: Bye bye, Hey, thanks for listening. Don't forget to leave

919
00:49:50,840 --> 00:49:53,600
Speaker 3: us a review. You can also follow us on Instagram

920
00:49:53,640 --> 00:49:55,320
Speaker 3: at drama Queen's ot.

921
00:49:55,920 --> 00:50:00,000
Speaker 5: Or email us at drama Queens at iHeartRadio dot com.

922
00:50:00,360 --> 00:50:01,360
Speaker 3: See you next time.

923
00:50:02,600 --> 00:50:05,959
Speaker 2: We all about that High school drama Girl, Drama Girl,

924
00:50:06,040 --> 00:50:09,160
Speaker 2: all about them High School queens will take you for

925
00:50:09,280 --> 00:50:12,399
Speaker 2: a ride, and our comic girl cheering for the right

926
00:50:12,440 --> 00:50:15,880
Speaker 2: teams Drama Queens Leise, my girl ofugh girl fashion.

927
00:50:15,920 --> 00:50:17,839
Speaker 3: With your tough girl, you could sit with us.

928
00:50:17,920 --> 00:50:22,360
Speaker 1: Girl Drama, Queens, Drama, Queise Drama, Queens Drama, Drama, Queens Drama,

929
00:50:22,440 --> 00:50:23,640
Speaker 1: Queens