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Speaker 1: Big Bang and DJ Screen bring you Big Facts hot

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Speaker 1: this podcast in the streets. Visit the new website today

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Speaker 1: www dot Big Facts pod dot com live for first

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Speaker 1: class sounds. Of course, it's the voice of DJ screen

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Speaker 1: Big Bankers here, baby, Jaden said DJ Driving, it's time

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Speaker 1: for another episode of Big Facts. What's up? Everybody? Good? Everybody?

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Speaker 1: What's up? My brother? Yo? You know, so we go,

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Speaker 1: We're gonna get all of your We're gonna have a conversation,

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Speaker 1: conversation with you. But we always start Big Facts with

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Speaker 1: just some good topics in conversation. You know, I'm saying

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Speaker 1: that comes from the people that come from you know,

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Speaker 1: our homies here and everything. So the day we're talking

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Speaker 1: about love as a whole? Is love dangerous? Can love

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Speaker 1: make you stupid? Let's talk about love. We talked a

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Speaker 1: lot about loyalty. We're gonna leave loyantia out of it.

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Speaker 1: Today we're gonna talk about just love and how y'all feel.

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Speaker 1: Is love dangerous? That's the question. Definitely When you say dangerous,

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Speaker 1: what do you mean dangerous? Period? Its dangerou here because

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Speaker 1: you can you can love someone so much that you

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Speaker 1: ignore who they really are. So love Oh yeah, that

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Speaker 1: happens all the time. Love can make you stupid. Well,

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Speaker 1: let me ask you, are we talking about this love

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Speaker 1: of a person or love talking about love as in relationships,

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Speaker 1: but love as in love money. Everything you love is love,

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Speaker 1: they said love. They said, when you love like, it

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Speaker 1: releases endorphins in your brain, so pretty much kind of

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Speaker 1: your judgment. So it makes you stupid. So that that

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Speaker 1: can't make you stupid, which is dangerous because now you're

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Speaker 1: not at your full you don't have your full defense.

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Speaker 1: I guess what Black was saying about, like you can

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Speaker 1: love somebody so much until you ignore the signs of

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Speaker 1: or the all the stuff about like who they really are.

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Speaker 1: That's like, really that's true because at the end of

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Speaker 1: the day, when you love somebody that much and you

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Speaker 1: wanted to work so bad and you just you're just

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Speaker 1: you don't want to see anything else or whatever, You

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Speaker 1: really don't see anything else. You really don't see that,

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Speaker 1: like this person could be using you. You really don't

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Speaker 1: see that, this person really doesn't funk what you really

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Speaker 1: doesn't mess with you the way that you know what

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Speaker 1: I'm saying, you mess with them. You really don't see that. Okay,

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Speaker 1: somewhere there's an ulterior motive to this entire situation that

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Speaker 1: could be detrimental to you in the end. So it

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Speaker 1: creates tune of vision and as you think, you think,

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Speaker 1: so it's love not healthy when it's not both ways

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Speaker 1: meaning this in okay, you got a love for a

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Speaker 1: problems definitely not. That's what creates a lot of the bullshit,

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Speaker 1: probably because when you when you love somebody for real,

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Speaker 1: for real to that extent, and they don't love you

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Speaker 1: the same, that ship will destroy you in the end

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Speaker 1: or at all, yeah or at all? Yeah what think

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Speaker 1: what you think? I don't know how must everybody will

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Speaker 1: open up? But yeah, love can you know, like like

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Speaker 1: they was saying, I mean it could you could get

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Speaker 1: in the way of a lot of things. I mean

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Speaker 1: it's it's you know, and it's purest form. It's a

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Speaker 1: beautiful thing obviously, but it's like the way we live

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Speaker 1: in today's society is used for you know, a lot

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Speaker 1: of people take advantage of that purity. And you know

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Speaker 1: what you know, I always think about two like you know,

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Speaker 1: in all types of relationships, but loving ones, particularly to

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Speaker 1: like you, you fall in love with a person, you know,

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Speaker 1: let's say you however long I don't know how long

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Speaker 1: it takes, maybe three or four or five six months whatever,

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Speaker 1: you spend his time with that person. And even if

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Speaker 1: you're in a relationship with them for a year or

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Speaker 1: two years, you know, you really got to think and remember,

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Speaker 1: like you weren't with this person for X amount of

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Speaker 1: years of their life for twenty plus years, so you

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Speaker 1: really don't know where they are. Person. You get a

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Speaker 1: lot of that toil down the line, per se. You

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Speaker 1: know what I'm saying. You don't know what what they

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Speaker 1: went through and what have you saw. As much as

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Speaker 1: you might think you're in love and no person, you

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Speaker 1: just you don't know what got them to here. I

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Speaker 1: gotta I got a question for y'all, um, do you

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Speaker 1: think that a person that was raised on love can

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Speaker 1: effectively call reside or effectively love a person that was

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Speaker 1: raised on survival to the point where it doesn't destroy

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Speaker 1: either one of them? Like, okay, okay, somebody, okay, like

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Speaker 1: somebody somebody that was raised on love that had like

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Speaker 1: both of their parents in the home and that you know,

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Speaker 1: didn't get beat on or yo that nothing like that

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Speaker 1: they got talked to. Do you think that they could

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Speaker 1: love somebody that whose mom was on crack or who

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Speaker 1: didn't you know what I'm saying, who's never experienced love?

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Speaker 1: Do you think somebody that is raised on love, that

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Speaker 1: experienced it at an early age in its pures form,

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Speaker 1: like drama said, could effectively love somebody that never had

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Speaker 1: that without destroying themselves, Because I think it could be

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Speaker 1: more in the way you're saying it. So the person

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Speaker 1: was raised on love can help the person who might

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Speaker 1: not have been raised on love. It was raised on

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Speaker 1: survival more than the other way, and the person of

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Speaker 1: survival loving the person who was raised on love. But

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Speaker 1: I feel like I feel like the person, the person

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Speaker 1: that was raised on love is gonna have a knockdown,

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Speaker 1: drag out, uphill battle with skates on trying to effectively

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Speaker 1: love the person that was built on survival because they

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Speaker 1: don't know love can love can? Yeah? I mean yeah,

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Speaker 1: but it's that ship is hard. That it is hard,

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Speaker 1: might take some time. It is hard. I think. I

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Speaker 1: think what JA trying to say is like you were

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Speaker 1: saying earlier before we got um, can a person that's

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Speaker 1: raised on survival turn a person that's raised on love

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Speaker 1: to build a person? Right? Because you just asked some

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Speaker 1: about that like like Cana nigga turn a good woman?

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Speaker 1: What you were saying? Can can a man spoil a

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Speaker 1: good woman? A vice version like a good girl can

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Speaker 1: go bad because of a bad situation or relationship yea,

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Speaker 1: and vice versus. You can go the other way too,

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Speaker 1: So you're hearking, I feel so that's that's what they think.

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Speaker 1: Can you, like Kenna funk up a good woman? Basically? Yeah? Like,

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Speaker 1: let's just say I was raised on survival. My parents

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Speaker 1: loved me. I got everything I needed. I'm a wholesome person.

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Speaker 1: You're a nigger in the street. You didn't have love,

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Speaker 1: don't believe in none of that ship. You were raised

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Speaker 1: on your own. You basically raised yourself. But can I

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Speaker 1: love you to the point where you begin to love

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Speaker 1: yourself without it destroying me? Or is that impossible? No,

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Speaker 1: it ain't impossible. We can go both ways or it

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Speaker 1: can balance. I think it'll balance, but it I'll take

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Speaker 1: a lot of work in a long time to balance.

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Speaker 1: It depends on the person. If the person trying to

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Speaker 1: that's what he's trying to do. Get what I'm saying.

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Speaker 1: Sometimes that might be that person's purpose in the other

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Speaker 1: one's life exactly because you could be stuck one way

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Speaker 1: and then it just go either way. The person then

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Speaker 1: line between love and hate. I think that's kind of

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Speaker 1: where that comes from to you know what I'm saying, Like,

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Speaker 1: the love can depending on the situation and what you

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Speaker 1: go through with the person, the love can be so

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Speaker 1: strong that it can turn to hate or I don't know,

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Speaker 1: there's another word for the same emotion. They say real

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Speaker 1: love is already borderline hate anyway, emotion Like the same

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Speaker 1: passion that you y is the same passion that hate them.

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Speaker 1: So so what are somebody so what if somebody so?

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Speaker 1: What if somebody says I don't hate, I don't have hate,

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Speaker 1: or I don't hate. So how does that work with

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Speaker 1: that conversation? Because some people say, man, I don't hate anything,

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Speaker 1: I don't hate anyone. I don't know. I mean you

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Speaker 1: you have hate in you, if you gotta have hate

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Speaker 1: in you, if you have love in you. But it's

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Speaker 1: just like the direction that you choose to steer that

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Speaker 1: passion basically, So don't hate, just hater ship. But you

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Speaker 1: might just hate some bullshit. You might hate the negative,

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Speaker 1: hate the negative right, you might hate the people who

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Speaker 1: don't love. Yeah, I mean yeah, if you look if

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Speaker 1: you want to look at it like that, how are

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Speaker 1: you gonna say, hey, just dislike yeah, just don't give

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Speaker 1: an I think that's hate? Is that fire? Both? For both?

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Speaker 1: They're both fire emotions for sure. Like if you hate

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Speaker 1: something like I hate whatever, you know what I'm saying

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Speaker 1: that you hate it with a passion, that passion is

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Speaker 1: that fire? Or you gonna love something with a passion

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Speaker 1: or someone with a passion and still that fire. I

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Speaker 1: feel what you're saying like, it's the same. It comes

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Speaker 1: from the same place, comes from it's fire and desire. Okay, okay,

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Speaker 1: what we're doing so so as has like what for

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Speaker 1: whoever is comfortable saying it? What is the stupidest ship

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Speaker 1: you've done under the influence of the drug love? He

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Speaker 1: said to man, the ship is? I mean it makes

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Speaker 1: you make dumb decisions and like like when we talk

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Speaker 1: about what what do we see that ship? What we

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Speaker 1: was doing something that we can't speak of. But uh,

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Speaker 1: if if if if you love you love so hard

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Speaker 1: that you don't see the signs that maybe the woman

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Speaker 1: is not being faithful, or maybe you don't see the

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Speaker 1: signs of the or you disregarded as you ignore it

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Speaker 1: because you're under the love spell. You know what I'm saying,

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Speaker 1: that type of ship, We are you doing that? But

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Speaker 1: you could do some ship? Yeah in the beginning, Yeah,

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Speaker 1: they got a story. You know, I ain't, Like I

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Speaker 1: don't know, I ain't. I haven't never like busted windows

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Speaker 1: or shot at niggas or no ship like that, but

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Speaker 1: like you know, it's just you know, the normal ship

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Speaker 1: that happens when it comes with But shall have you

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Speaker 1: ever damaged? Any property can be closed? I swung on

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Speaker 1: the nigga before, but I never liked I never did

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Speaker 1: nothing to nobody's stuff, like I did something to the nigga,

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Speaker 1: But I ain't never like you know, I never done

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Speaker 1: anything that was gonna like leave proof saying what like

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Speaker 1: I've never you know what I'm saying, Like, let's just

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Speaker 1: talk about like I don't know what to say. Draw

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Speaker 1: Oh artists, artists? You got artists, man, you got a label?

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Speaker 1: Oh when when when did you decide to, I guess,

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Speaker 1: rebrand from affiliates to generational? At what point was it

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Speaker 1: where you're like, Okay, I need to rebrand and kind

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Speaker 1: of just go this. I kind of feel like it.

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Speaker 1: A lot of it happened organically and naturally in a

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Speaker 1: sense like obviously in the last I don't want to

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Speaker 1: maybe the last ten years or per se, I watched,

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Speaker 1: as you know, the mixtape game was declining in a sense,

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Speaker 1: and you know, like every like you know, it was

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Speaker 1: the time when I was doing three four tapes a

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Speaker 1: month per se or whatever have you, and I was

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Speaker 1: seeing how you know, like as time was going on,

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Speaker 1: I was doing less and less projects, and um, around

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Speaker 1: like twentyteen, I started, I got the gig at Atlantic

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Speaker 1: to be and our gig and our consultant. However, and

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Speaker 1: at the same time, you know, we were I was

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Speaker 1: building main Street studios and it kind of you know,

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Speaker 1: when I went to when I went to Atlantic to

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Speaker 1: you know, I told him, hey, guys, you know, I

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Speaker 1: got this building you might be interested in, you know,

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Speaker 1: beyond just my a r uh gig and what have you.

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Speaker 1: So they they became, they came in and became a

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Speaker 1: partner with me on main streets. So around that time,

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Speaker 1: you know, I just remember, like, you know, in our field,

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Speaker 1: like we've seen, we see so many artists and a

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Speaker 1: part of so many artists careers and what have you.

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Speaker 1: But I never had kind of felt like I had

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Speaker 1: a win or notch under my belt, like somebody that

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Speaker 1: like actually came from us per se. You know obviously

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Speaker 1: you know, quote unquote sign whatever however, but um, yeah,

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Speaker 1: so we just made me like a conscious decision, like listen, man,

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Speaker 1: I don't we don't want to necessarily like keep missing

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Speaker 1: artists per se as we're watching them come up and

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Speaker 1: grow and what have you. And then you know, honestly,

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Speaker 1: some of it even have been because of the the

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Speaker 1: lack of success that I was having in Atlantic. So

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Speaker 1: when I got there, when I first got in the building, um,

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Speaker 1: you know, I was trying to kind of find my way,

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Speaker 1: and it started off with them trying to you know,

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Speaker 1: put me in positions to work with artists that were

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Speaker 1: already signed that that kind of need to help what

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Speaker 1: have you. And you know, it wasn't necessarily fitting. I

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Speaker 1: was still trying to figure it out, and you know,

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Speaker 1: they already kind of had their way and their vision

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Speaker 1: and what have you. So you know, when when um,

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Speaker 1: we first brought Suzy to the table to Atlantic, you know,

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Speaker 1: they literally pretty much you know, they wanted to do

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Speaker 1: it because of their um their trust and faith in us.

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Speaker 1: That was the first artist was we technically around the

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Speaker 1: same time we had we signed Ouzy, we signed um

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Speaker 1: scheme was our first artist scheme from l A. So

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Speaker 1: around that time we UM we were That was when

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Speaker 1: we were first like you know, we're getting people to

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Speaker 1: be a part of generation now. So yeah, so basically,

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Speaker 1: you know, I was on I was in a um

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Speaker 1: position with Atlantic, like after a year or two or however,

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Speaker 1: the deal it was kind of and it was like,

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Speaker 1: we don't we're not sure how this is uh panning

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Speaker 1: out per se, but you know what, you like, listen

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Speaker 1: to believe in you. You know, we want to give you.

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Speaker 1: Let's just let's let's figure something out for you know,

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Speaker 1: another year. We'll let you hold down main streets, make

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Speaker 1: that part of you know, the Atlantic um uh family

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Speaker 1: company and print however, and then we'll give you ousy

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Speaker 1: like let y'all just do y'all thing, and then you know,

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Speaker 1: the year later, like you know, the story was written.

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Speaker 1: Another So another conversation is why why do you think

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Speaker 1: we see so much um And I don't know where

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Speaker 1: y'all are like currently, but we see a lot of

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Speaker 1: times like I remember those days. It's like Drum says

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Speaker 1: this this is Ouzy now the lousies and everything is good.

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Speaker 1: But then we sometimes we see it go the other way,

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Speaker 1: maybe because of business or whatever the case is. So

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Speaker 1: what do you think are some of those things not

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Speaker 1: just in your case, but in general that kind of

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Speaker 1: separate the artists from the CEOs and the executives. What

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Speaker 1: are some of the things you think they get it away?

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Speaker 1: I feel like taking Oozy for an example, know, like

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Speaker 1: Whuzy went about it a certain way in a sense

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Speaker 1: where you know, he was he really knows how to

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Speaker 1: facilitate and use the Internet and social media to his advantage,

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Speaker 1: so he was able to, you know, create a certain

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Speaker 1: narrative that pretty much went in his direction. And I think, like,

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Speaker 1: you know, we all we've seen so many artists, all

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Speaker 1: of us in this room, like come from literally like

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Speaker 1: you know, barely having any money in their pocket to

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Speaker 1: being a multimillionaire. You know, so a certain it's certain place,

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Speaker 1: you know, the CEO or the label is here and

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Speaker 1: the artist is here, and then as the artist gets

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Speaker 1: more notoriety and fame, it starts to go like this,

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Speaker 1: and then you know they're they're the shining light and

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Speaker 1: garnishing all the attention and per se and you know

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Speaker 1: most of the time. But after artists get to a

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Speaker 1: certain degree, it's pretty much autopilot after that, you know

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Speaker 1: what I mean, Like in it and I look at

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Speaker 1: like you know, and and it's it's like that in

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Speaker 1: a lot of businesses per se. So you know, even

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Speaker 1: if you think of about the people that one may

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Speaker 1: surround themselves with, you know, you can literally put your

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Speaker 1: people in position. You know what I'm saying. When you

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Speaker 1: when you're one of the biggest artists in the world,

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Speaker 1: once that person's representation, yeah, it walks into the room,

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Speaker 1: They're gonna do it based upon who you are. It's

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Speaker 1: not necessarily like say person is saying, listen, man, I

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Speaker 1: got this amazing. I mean, this does happen at times.

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Speaker 1: But I have this amazing relationship with this multibillion dollar

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Speaker 1: company and I'm about to finesse it now. They want

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Speaker 1: to get in business with this artist because of who

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Speaker 1: that artist is per se. So you know, and I

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Speaker 1: think like when it comes to artists and like managers

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Speaker 1: or labels or just when people people that have came

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Speaker 1: up in those situations, like we see those those situations

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Speaker 1: play out a lot, but sometimes it's behind the scenes.

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Speaker 1: Sometimes it's in front of the world, you know, So

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Speaker 1: how this ship went love though, like what Nigga like

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Speaker 1: with you know, the initial conversation of this ship, this

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Speaker 1: ship that went down here, I mean, I don't like

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Speaker 1: damaged beyond repair and we need to figure this out.

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Speaker 1: I don't think it was neither of those situations ever

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Speaker 1: really happened in a sense, like like there was no

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Speaker 1: conversation like I was explaining. I think for Vert again,

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Speaker 1: he has he has his way of you know, creating

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Speaker 1: his own narrative, like you know, we're in the business

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Speaker 1: of music, Like you know, part of that narrative was

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Speaker 1: us uh not one of his album to come out,

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Speaker 1: Like why would we not want his album to come

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Speaker 1: out with you know what I'm saying, Like that's what

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Speaker 1: we did. We were in the business of putting campaign. Yeah,

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Speaker 1: that was that was a lot of it per se

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Speaker 1: or you know, maybe even his discrepancy with you know

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Speaker 1: us as a labels generation now. But I mean, like

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Speaker 1: I tell everybody, that's really a question more to him

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Speaker 1: more than anything. Like you know, we've that we've always

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Speaker 1: done good business. You know, we stand by that with

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Speaker 1: good guys. You know, we come from the cloth you

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Speaker 1: know what I'm saying. We come from the we come

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Speaker 1: from the culture. So um so yeah. I mean I

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Speaker 1: can't whether or not how he feels about myself or

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Speaker 1: my partners as people. You know, I ain't got nothing

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Speaker 1: to do with that. I can't, you know. But beyond that,

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Speaker 1: my only goal from beginning to now is just make

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Speaker 1: him and be a part of him being one of

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Speaker 1: the biggest artists in the world, you know what I'm saying.

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Speaker 1: So and I feel like we accomplished that in a

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Speaker 1: lot of ways, you know, and we did our party.

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Speaker 1: He did his part too, so and I don't think

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Speaker 1: it's you know, beyond like it never was a point.

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Speaker 1: I don't think it got where it's beyond repair or

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Speaker 1: what happened. I mean, you know, again, it's still in

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Speaker 1: business though we're still in business. We're still in business.

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Speaker 1: And you know, vertus on autopilot in his own right,

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Speaker 1: like you know what I'm saying. He does his thing,

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Speaker 1: you know, and we you know, gracefully. He used to

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Speaker 1: have opinions about certain things, like let's keep it about

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Speaker 1: like when you saw the diamond in the head, what

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Speaker 1: were your thoughts? Like I just looked at it. Again,

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Speaker 1: I think it is a fucking genius. He's an alien

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Speaker 1: like m and like I was watching his interview and

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Speaker 1: him just saying, like, you know, when it came to

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Speaker 1: the twenty four million that did four million uh dollar diamond,

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Speaker 1: like he couldn't put it on his hand, He's like,

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Speaker 1: I'm a little loosey, I gotta put it in my head.

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Speaker 1: So I was like, you know, he hasn't lost a

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Speaker 1: step when it comes to that, you know, and making

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Speaker 1: everybody pay attention to him. Absolutely. So Look, I'm sitting

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Speaker 1: here right now, and please don't think I'm tripping, but

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Speaker 1: I'm looking at you and I'm listening to you. And

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Speaker 1: do you know that like you actually kind of sort

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Speaker 1: of look and sound like Drake. Yes, yes, very much. So,

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Speaker 1: yes I'm serious, like for real, like you know how

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Speaker 1: drinking so well versed than like just so you know,

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Speaker 1: like spitting the ship out of energy, Yes, Dram gives

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Speaker 1: me Drake energy. I mean, I guess you could say

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Speaker 1: we cut from a similar car, you know, but in

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Speaker 1: the camera like, oh god, like I'm not tripping, like

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Speaker 1: I mean, I am the older out of the two

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Speaker 1: of us, the older of the Drake energy. Yes, I'm

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Speaker 1: just saying I don't mean the older of the energy,

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Speaker 1: like you know, I was so you know, yeah, looks

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Speaker 1: like drum I mean, yeahs, but we got back. But

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Speaker 1: I mean, I'll take that as a compliment. He's a

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Speaker 1: well versed guy. What was I supposed to do a

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Speaker 1: mix tape? At one point we was at at two

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Speaker 1: a couple of points because there was the Gucci and

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Speaker 1: Drake tape that was supposed to happen. I remember I

371
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Speaker 1: had got them on the phone for the first time.

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Speaker 1: It was, it was chopping it up, and then around

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Speaker 1: the time of um, what's the tape? Call um? If

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Speaker 1: you're reading this too late, he had briefly, you know,

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Speaker 1: before that, like maybe some six months before that, you know,

376
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Speaker 1: briefly discussing and spoke about, you know, doing something. So

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Speaker 1: you know, I can't say for sure, but it's very

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Speaker 1: possible that that project in his mind at one point

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Speaker 1: he thought about going in the direction of a mixtape

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Speaker 1: plane and being potentially against the girls. So but I mean,

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Speaker 1: you know, and then I got I just feel like,

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Speaker 1: I mean, Drake is such a you know, he's at

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Speaker 1: a level where it only made sense of a certain

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Speaker 1: time and space, Like I mean, if he if at

385
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Speaker 1: certain years, it's like it's just for the novelty to

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Speaker 1: do it per same, Like you know what I mean,

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Speaker 1: do you think a lot of people DJs will talk

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Speaker 1: You think that we're gonna say Drake ruined mixtape. I

389
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Speaker 1: won't say that, but do you think that his effect

390
00:21:34,480 --> 00:21:38,280
Speaker 1: of doing this ship without DJ's he was the first

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Speaker 1: person to make it kind of go that way. I

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Speaker 1: don't know if I feel like he was the first.

393
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Speaker 1: I felt like it was that it was that whole error,

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Speaker 1: like there was a lot there was a lot of people,

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Speaker 1: um because I mean technically, I mean he did you know,

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Speaker 1: I remember he did one h he did a table

397
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Speaker 1: smalls you know. And then like I just think his

398
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Speaker 1: his class, his his class of artists around that time,

399
00:21:59,800 --> 00:22:04,200
Speaker 1: like did Drake, Eric Cole Kendrick with you know, all

400
00:22:04,200 --> 00:22:08,080
Speaker 1: those guys like that they were making projects and you know,

401
00:22:08,320 --> 00:22:11,199
Speaker 1: like not using DJs. And then I don't know, I

402
00:22:11,200 --> 00:22:14,000
Speaker 1: feel like, you know, we had a like something to

403
00:22:14,080 --> 00:22:16,960
Speaker 1: do with that too, like just the concept. Remember like

404
00:22:17,000 --> 00:22:20,320
Speaker 1: there was no really no DJ until we started like

405
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Speaker 1: going crazy, you know what I'm saying. And I was

406
00:22:22,440 --> 00:22:24,600
Speaker 1: I was so boisterous on the tapes and everything and

407
00:22:24,600 --> 00:22:29,040
Speaker 1: the music was so big and impactful that people wanted

408
00:22:29,040 --> 00:22:32,520
Speaker 1: to play it all over So then you know, artists

409
00:22:32,520 --> 00:22:35,399
Speaker 1: and everything would would would come to myself, come to

410
00:22:35,440 --> 00:22:38,440
Speaker 1: you and want to do our projects and then afterwards

411
00:22:38,520 --> 00:22:42,240
Speaker 1: do no DJ projects. Right, how do you feel like,

412
00:22:42,800 --> 00:22:45,640
Speaker 1: you know, people perceive themselves, So how do you feel

413
00:22:45,680 --> 00:22:48,880
Speaker 1: like people should look at you? Basically, what I'm saying there,

414
00:22:51,080 --> 00:22:58,840
Speaker 1: what you feel like you're legacy is that's a great question. Um,

415
00:22:59,280 --> 00:23:06,520
Speaker 1: I feel like I don't feel like it's it's it's finished,

416
00:23:06,640 --> 00:23:11,479
Speaker 1: but I feel like, you know, I've I've given a

417
00:23:11,520 --> 00:23:16,439
Speaker 1: lot to the culture obviously, you know when it comes

418
00:23:16,600 --> 00:23:22,960
Speaker 1: to gangster grills, you know, like if you could pop

419
00:23:22,960 --> 00:23:26,600
Speaker 1: your ship on what you don't did and what you're doing. Yeah,

420
00:23:27,160 --> 00:23:29,720
Speaker 1: like I'm one of the greatest DJs of all time.

421
00:23:29,920 --> 00:23:36,480
Speaker 1: I mean when you got it, you got it, you

422
00:23:36,560 --> 00:23:41,800
Speaker 1: got it, you gotta have an you gotta have conversation.

423
00:23:42,760 --> 00:23:46,120
Speaker 1: Was gayster grills? This this, This is when I learned

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00:23:46,119 --> 00:23:47,920
Speaker 1: what an album budget was. Like you were a part

425
00:23:47,960 --> 00:23:51,320
Speaker 1: of album budget. So it's like a promo tour, you're

426
00:23:51,320 --> 00:23:54,080
Speaker 1: doing a gainst That's what I'm saying. That was big. No, Yeah,

427
00:23:54,160 --> 00:23:57,040
Speaker 1: you know it's you know, I'll be talking that ship

428
00:23:57,119 --> 00:24:00,280
Speaker 1: on the mixtape. So when I'm in regular conversation, man, yeah,

429
00:24:00,280 --> 00:24:01,719
Speaker 1: I'm one of the I'm one of them guys. Like

430
00:24:02,160 --> 00:24:03,960
Speaker 1: you know, when it comes to the Mountain, Rushmore DJ

431
00:24:04,119 --> 00:24:08,840
Speaker 1: is like, I'm I'm up there for sure. What that

432
00:24:08,840 --> 00:24:11,840
Speaker 1: that day, bro Um and you spoke about it before

433
00:24:11,840 --> 00:24:15,320
Speaker 1: the day when the fans came to your spote Ye raided,

434
00:24:15,440 --> 00:24:19,919
Speaker 1: arrested you and Cannon. Um, Let's just say after it

435
00:24:19,960 --> 00:24:21,560
Speaker 1: happened and you were in I don't know, a police

436
00:24:21,560 --> 00:24:23,399
Speaker 1: car Patty Waite and whatever the funk it was on

437
00:24:23,440 --> 00:24:26,040
Speaker 1: the way too, You've been a rest by street. What's

438
00:24:26,160 --> 00:24:28,560
Speaker 1: what's going on in your mind? I'm bugging the funk out.

439
00:24:28,560 --> 00:24:32,480
Speaker 1: I'm like, this can't be real like this, this can't

440
00:24:32,520 --> 00:24:35,560
Speaker 1: be happening. Like where where along the lines is there

441
00:24:35,680 --> 00:24:39,240
Speaker 1: is a mishap mistake that they got you know where

442
00:24:39,240 --> 00:24:40,840
Speaker 1: they came from. Did you think he was going to do?

443
00:24:40,960 --> 00:24:42,760
Speaker 1: Like real time though, isn't that? Did you have that

444
00:24:42,840 --> 00:24:44,960
Speaker 1: kind of time? I really felt like when we got

445
00:24:44,960 --> 00:24:46,800
Speaker 1: there and they told us it was no bond, Like

446
00:24:46,840 --> 00:24:48,680
Speaker 1: when when they first took us the right street and

447
00:24:49,119 --> 00:24:51,000
Speaker 1: you know, we went through the motions and then like

448
00:24:51,080 --> 00:24:55,159
Speaker 1: no bond, like no bond what like. But beyond that,

449
00:24:55,200 --> 00:24:57,920
Speaker 1: I never really thought about doing I don't even remember

450
00:24:58,200 --> 00:25:00,760
Speaker 1: where my mind was at the time, like to even

451
00:25:00,840 --> 00:25:04,080
Speaker 1: think about that, Like you know, it was just such

452
00:25:04,119 --> 00:25:09,080
Speaker 1: a uh anomaly of how it happened, Like you know,

453
00:25:09,119 --> 00:25:10,800
Speaker 1: I was just still trying to figure out how the

454
00:25:10,840 --> 00:25:12,760
Speaker 1: funk we got there. The same people that were sending

455
00:25:12,800 --> 00:25:16,680
Speaker 1: you plaque thanking you for breaking the to come knock

456
00:25:16,760 --> 00:25:20,520
Speaker 1: us out. It was crazy. DJ dramas in the building.

457
00:25:20,600 --> 00:25:22,680
Speaker 1: Jack Harlow is about to pull up, right, Jack Halo

458
00:25:22,760 --> 00:25:25,080
Speaker 1: pulled up. Jack's on his way. It's going down, Triple

459
00:25:25,200 --> 00:25:29,000
Speaker 1: w dot, Big Facts, pot dot Com, Keeper's Luck, the

460
00:25:29,160 --> 00:25:32,360
Speaker 1: whole truth and nothing but the truth. It's going down.

461
00:25:32,440 --> 00:25:35,640
Speaker 1: It's Big Facts, DJ Screen, Big Bank, Baby J DJ

462
00:25:35,800 --> 00:25:38,560
Speaker 1: Drama is here and now Jack Harlow is here on

463
00:25:38,720 --> 00:25:42,080
Speaker 1: Big Facts that generation. Now, what's up, brong? How are

464
00:25:42,080 --> 00:25:45,680
Speaker 1: you feeling? Amazing? Amazing? The first thing that's been going

465
00:25:45,760 --> 00:25:48,200
Speaker 1: on in the Internet with Jack Harlow is we didn't

466
00:25:48,200 --> 00:25:51,879
Speaker 1: know you could hoop? So Jack Harlow can who you can? Whoop?

467
00:25:51,920 --> 00:25:54,280
Speaker 1: Where did you see that? What was it? It was?

468
00:25:54,359 --> 00:25:59,280
Speaker 1: It was online the Drew ski ship. Yeah, the revote

469
00:25:59,359 --> 00:26:03,159
Speaker 1: Drew Ski you verse rush or something like that. Yeah,

470
00:26:03,520 --> 00:26:06,800
Speaker 1: so you for real or was useful? I'm useful? Useful.

471
00:26:07,359 --> 00:26:10,720
Speaker 1: I'm not I'm not an ice guy. I don't take

472
00:26:10,760 --> 00:26:12,480
Speaker 1: I don't take over the game and put up forty.

473
00:26:12,560 --> 00:26:14,399
Speaker 1: But I'm very useful if I'm on your team. Is

474
00:26:15,280 --> 00:26:20,600
Speaker 1: it's a good thing? Okay, you see it's Bill Lambert

475
00:26:20,600 --> 00:26:23,760
Speaker 1: to Oh yeah yeah, yeah that went viral. What was

476
00:26:23,760 --> 00:26:26,000
Speaker 1: that about? That was a two K moment? You just

477
00:26:26,119 --> 00:26:32,000
Speaker 1: love the game. That's what's up in your day to day.

478
00:26:32,000 --> 00:26:33,959
Speaker 1: You do have a love of basketball, though obviously you're

479
00:26:33,960 --> 00:26:36,560
Speaker 1: a Kentucky fan. Yeah, I know, I'm a little bit

480
00:26:36,600 --> 00:26:40,840
Speaker 1: fant Okay, Yeah, for sure, I hate Kentucky. You hate Kentucky.

481
00:26:40,920 --> 00:26:45,040
Speaker 1: That's like is that like Duke verse Carolina? Yeah? The

482
00:26:45,080 --> 00:26:48,399
Speaker 1: strong rivalry is that it's one or the other, and

483
00:26:48,440 --> 00:26:50,679
Speaker 1: there's there's no rhyme or reason for why someone's a

484
00:26:50,760 --> 00:26:54,240
Speaker 1: Louis or UK fan as they grow up. And then

485
00:26:54,240 --> 00:26:56,119
Speaker 1: another thing, another thing with you is, man, you'd be

486
00:26:56,160 --> 00:26:58,159
Speaker 1: set something from You have moments when you say some

487
00:26:58,440 --> 00:27:03,040
Speaker 1: really wild ship on so show media. Oh he's looking confused.

488
00:27:04,000 --> 00:27:05,879
Speaker 1: You said some really wild should call that as a

489
00:27:05,920 --> 00:27:07,720
Speaker 1: list of ship that you said, because he was pointed

490
00:27:07,720 --> 00:27:09,000
Speaker 1: it out to be. I didn't even know you said

491
00:27:09,040 --> 00:27:11,200
Speaker 1: some of that ship. But do you want to name

492
00:27:11,280 --> 00:27:16,000
Speaker 1: some of them that? If you if you if it

493
00:27:16,080 --> 00:27:19,359
Speaker 1: was funny, what was the one? If you were you

494
00:27:19,400 --> 00:27:21,399
Speaker 1: were a female? What what was the first thing you

495
00:27:21,440 --> 00:27:25,280
Speaker 1: would do for a day? What would you do? What

496
00:27:25,320 --> 00:27:29,840
Speaker 1: did I say let my homeboy get some what? What

497
00:27:30,240 --> 00:27:36,000
Speaker 1: mean you out for your boy? Hello? You said what

498
00:27:36,400 --> 00:27:39,800
Speaker 1: that was a woman for for a day? The first

499
00:27:39,840 --> 00:27:42,120
Speaker 1: thing that he would do is let his homeboy get

500
00:27:42,200 --> 00:27:47,160
Speaker 1: some pussy time? More of asking back. I don't get

501
00:27:47,200 --> 00:27:49,119
Speaker 1: it what you mean? If I was a wound for

502
00:27:49,160 --> 00:27:51,520
Speaker 1: a day, I would have a pussy right, and so

503
00:27:51,880 --> 00:27:53,920
Speaker 1: if I only got a dam, I'm gonna look out

504
00:27:53,920 --> 00:27:58,560
Speaker 1: for my boys. But I know I'm not with all that.

505
00:28:02,720 --> 00:28:18,280
Speaker 1: Hypothetically speaking, you still conscience of what you're doing? You

506
00:28:18,320 --> 00:28:22,080
Speaker 1: when you grew up at though bro Kentucky. How long

507
00:28:22,200 --> 00:28:24,200
Speaker 1: you stand in line enough? Yeah? I got here about

508
00:28:24,240 --> 00:28:28,119
Speaker 1: two or three years ago. What's up? I can't let

509
00:28:28,320 --> 00:28:30,399
Speaker 1: just let that one go? Yeah? What's what's what's the

510
00:28:31,000 --> 00:28:34,320
Speaker 1: what's the what's a couple more? When you your cousin

511
00:28:34,400 --> 00:28:42,760
Speaker 1: for a billion dollars. Billion, I'm having largy at my family. Listen,

512
00:28:42,760 --> 00:28:44,959
Speaker 1: people say what you want, that's my thing. People have

513
00:28:45,000 --> 00:28:46,680
Speaker 1: had a lot to say about this. I'm a money

514
00:28:46,720 --> 00:28:49,400
Speaker 1: I'm a bag chaser, Bro, I really am buy my money.

515
00:28:49,840 --> 00:28:51,600
Speaker 1: I really want to feed my family, So this ship

516
00:28:51,640 --> 00:28:55,000
Speaker 1: I would do to make that happen. Yeah, I had

517
00:28:55,040 --> 00:28:56,880
Speaker 1: my limits, but I care about my family more than

518
00:28:56,880 --> 00:28:59,840
Speaker 1: my pride. So some people put the pride first me.

519
00:28:59,880 --> 00:29:02,040
Speaker 1: I'm trying to I'm trying to stay So that was

520
00:29:02,720 --> 00:29:05,280
Speaker 1: it was a joke, but it wasn't a joke, Bro,

521
00:29:05,400 --> 00:29:08,360
Speaker 1: billion dollars. But I'm just asking because it was funny.

522
00:29:08,400 --> 00:29:10,920
Speaker 1: A lot of people laughed. Was it cousin for a

523
00:29:10,920 --> 00:29:14,440
Speaker 1: billion dollars? Why how did I become on? You think?

524
00:29:14,960 --> 00:29:18,560
Speaker 1: What's the joker? Not a joke? Did nobody in this

525
00:29:18,640 --> 00:29:20,520
Speaker 1: room that wouldn't suck her cousin for a billion dollars?

526
00:29:21,520 --> 00:29:23,440
Speaker 1: Is this correct? I'm definitely hit my cousin for a

527
00:29:23,440 --> 00:29:29,600
Speaker 1: billion dollars? Sure, every position I hit all off for

528
00:29:29,680 --> 00:29:35,360
Speaker 1: that being all my couldn't run that ship for that money.

529
00:29:35,360 --> 00:29:39,440
Speaker 1: I don't even have to any cousin. But I'm under

530
00:29:39,440 --> 00:29:49,920
Speaker 1: staying that clarified, said people a cousin about the music. Yeah,

531
00:29:50,400 --> 00:29:53,200
Speaker 1: you can't here to talk about the music. No, bro,

532
00:29:55,360 --> 00:30:00,240
Speaker 1: any one of his uncle to you do your be on, bro,

533
00:30:00,320 --> 00:30:10,000
Speaker 1: let's keep The next question will be what about a billion?

534
00:30:10,000 --> 00:30:12,600
Speaker 1: But we ain't gonna go there, and no half a billion? Oh,

535
00:30:12,880 --> 00:30:15,560
Speaker 1: how how does it doing businesses? Being signed to J

536
00:30:15,720 --> 00:30:18,640
Speaker 1: Dramma working with I don't even think it's it's a

537
00:30:18,720 --> 00:30:20,960
Speaker 1: Rushmore thing. I think he's he's number one all time.

538
00:30:21,040 --> 00:30:22,800
Speaker 1: That's that's how I view him, and I'll beat him

539
00:30:22,800 --> 00:30:25,680
Speaker 1: that way before I signed, so to be signed to

540
00:30:25,760 --> 00:30:28,480
Speaker 1: him now, I mean the stories he tells me, the

541
00:30:28,520 --> 00:30:31,800
Speaker 1: game he gives me, it's invaluable. So I love being signed.

542
00:30:32,280 --> 00:30:34,640
Speaker 1: We when y'all have because y'all had a healthy dispute

543
00:30:34,680 --> 00:30:36,560
Speaker 1: one time about an album cover. So how do y'all

544
00:30:36,640 --> 00:30:40,040
Speaker 1: resolve like that? Like? Is it text messages? Phone? Causes it?

545
00:30:40,080 --> 00:30:42,520
Speaker 1: In person? Like how do y'all resolve? Obviously healthy? The

546
00:30:42,560 --> 00:30:46,760
Speaker 1: basic disputes that they're fun conversations actually, um, but at

547
00:30:46,800 --> 00:30:50,440
Speaker 1: the end of the day, At the end of the day,

548
00:30:50,480 --> 00:30:53,840
Speaker 1: I mean we what what he says pretty much goes

549
00:30:53,920 --> 00:30:56,480
Speaker 1: creatively like the artists, right, Yeah, so you know we

550
00:30:56,800 --> 00:30:59,000
Speaker 1: we we give our opinions. But what's the thing. Since

551
00:30:59,040 --> 00:31:01,440
Speaker 1: I signed up, he gives me his opinion, and I

552
00:31:01,480 --> 00:31:04,719
Speaker 1: want his opinion. But at the end of the day,

553
00:31:04,760 --> 00:31:06,880
Speaker 1: I know I have creative control. He always gonna let

554
00:31:06,880 --> 00:31:08,440
Speaker 1: me do what I what I want to do. And

555
00:31:08,480 --> 00:31:10,960
Speaker 1: that's a beautiful thing because I still want to hear

556
00:31:10,960 --> 00:31:12,680
Speaker 1: what he has to say, but I know it's my

557
00:31:12,720 --> 00:31:16,360
Speaker 1: decision there. Especially, I don't think everybody's getting that everywhere.

558
00:31:16,840 --> 00:31:20,000
Speaker 1: M Yeah, it's important to keep that creative control. I

559
00:31:20,040 --> 00:31:22,360
Speaker 1: think that sometimes, you know, saying, people get too much

560
00:31:22,360 --> 00:31:24,760
Speaker 1: in the artist business and then they make them, They

561
00:31:24,840 --> 00:31:26,520
Speaker 1: make them the artist day would be, which is why,

562
00:31:26,640 --> 00:31:27,920
Speaker 1: you know what I'm saying. I think that that that

563
00:31:28,000 --> 00:31:31,400
Speaker 1: sucks up the longevity for the artist sometime, you know

564
00:31:31,440 --> 00:31:34,320
Speaker 1: what I'm saying without adult Yeah, absolutely, So what's some

565
00:31:34,360 --> 00:31:36,360
Speaker 1: other day to day ship that you're into, just as

566
00:31:36,440 --> 00:31:39,120
Speaker 1: Jack Harlow like so ship that people might not know

567
00:31:39,160 --> 00:31:41,840
Speaker 1: about you that you're into. I'm a sports guy, you know.

568
00:31:42,000 --> 00:31:43,840
Speaker 1: I grew up point soccer, and lately I'm getting back

569
00:31:43,880 --> 00:31:47,400
Speaker 1: into that. I've been playing pickup soccer around town. I

570
00:31:47,480 --> 00:31:49,800
Speaker 1: like movies a lot. I like movies almost more than music,

571
00:31:50,840 --> 00:31:53,000
Speaker 1: So I gotta I got a few things out, Like

572
00:31:53,200 --> 00:31:56,320
Speaker 1: I like hot yoga. Yoga is that yoga when as

573
00:31:56,360 --> 00:31:59,160
Speaker 1: hot as hell? Like? Yeah, it's like they put a

574
00:31:59,240 --> 00:32:01,200
Speaker 1: room at like a hundred three degrees and do yoga

575
00:32:01,240 --> 00:32:05,160
Speaker 1: and it's pretty nice. If you get too hot, can

576
00:32:05,160 --> 00:32:06,840
Speaker 1: you walk out of the room? Yeah, I mean the

577
00:32:06,880 --> 00:32:12,440
Speaker 1: door ain't locked. Yeah, ye, Like I'll leave in the

578
00:32:12,480 --> 00:32:14,680
Speaker 1: middle of the session for a second, but I mean

579
00:32:14,720 --> 00:32:16,520
Speaker 1: you try to get through. But what blows my mind

580
00:32:16,640 --> 00:32:21,520
Speaker 1: is I'm typically the youngest person in these classes, and

581
00:32:22,520 --> 00:32:25,720
Speaker 1: the people that go are just such regulars that I'm

582
00:32:25,760 --> 00:32:28,000
Speaker 1: the most tired. Seriously, every time I go, I'm like,

583
00:32:28,040 --> 00:32:29,800
Speaker 1: I can't keep up with any of these old heads.

584
00:32:29,960 --> 00:32:32,520
Speaker 1: How do you go about picking and choosing like who

585
00:32:32,640 --> 00:32:35,040
Speaker 1: you do stuff with or do you do anything with

586
00:32:35,120 --> 00:32:38,000
Speaker 1: people from your hometown at all? Well, I definitely do me.

587
00:32:38,040 --> 00:32:39,960
Speaker 1: And you've been working for a couple of years now

588
00:32:40,200 --> 00:32:42,680
Speaker 1: and everything's really coming to fruition for him right now.

589
00:32:42,720 --> 00:32:46,040
Speaker 1: It's beautiful for me to see. But early on I

590
00:32:46,080 --> 00:32:48,160
Speaker 1: saw ge and I was like, this is just so

591
00:32:48,520 --> 00:32:51,080
Speaker 1: authentic and real, and he had like a level of control.

592
00:32:51,120 --> 00:32:53,440
Speaker 1: He's so good at rapping, so for me. I mean

593
00:32:53,440 --> 00:32:55,920
Speaker 1: it's a no brainer. It's um it ain't that hard

594
00:32:55,920 --> 00:32:58,120
Speaker 1: to choose. I just pick what I like. DRUMA. Obviously

595
00:32:58,200 --> 00:33:01,160
Speaker 1: you can deal with the artists you pretty much probably

596
00:33:01,200 --> 00:33:03,280
Speaker 1: would want to, especially if they're coming up. But while

597
00:33:03,440 --> 00:33:05,600
Speaker 1: Jack Carlow, like, what are you said? Man? This is

598
00:33:05,600 --> 00:33:08,440
Speaker 1: a star? This person did he special? Like? What was

599
00:33:08,480 --> 00:33:12,720
Speaker 1: that moment um? I think when we met, I mean

600
00:33:12,720 --> 00:33:16,800
Speaker 1: we we we kind of vibed off top I think,

601
00:33:16,920 --> 00:33:19,520
Speaker 1: just off our love for for movies. We talked about

602
00:33:19,520 --> 00:33:22,840
Speaker 1: some movies and everything, and you know, just his energy,

603
00:33:23,000 --> 00:33:24,680
Speaker 1: you know what I mean. He put out this record,

604
00:33:24,800 --> 00:33:30,240
Speaker 1: um um fucking Dark Knight. He put out Dark Knight,

605
00:33:30,800 --> 00:33:32,960
Speaker 1: and it was just kind of like, you know, the

606
00:33:33,120 --> 00:33:37,280
Speaker 1: energy on it was. It was incredible, you know, And

607
00:33:38,040 --> 00:33:39,960
Speaker 1: I just liked him as a person honestly, and I

608
00:33:40,000 --> 00:33:43,120
Speaker 1: just felt like, you know what I what I looked

609
00:33:43,120 --> 00:33:46,160
Speaker 1: for in an artist. You know, he had he had

610
00:33:46,200 --> 00:33:48,720
Speaker 1: it all, like you know, he had to He had

611
00:33:48,720 --> 00:33:52,040
Speaker 1: the lyrics, like, he had the songs, you know, he

612
00:33:52,120 --> 00:33:55,040
Speaker 1: had the personality like and you know, and he had

613
00:33:55,080 --> 00:33:57,240
Speaker 1: more than anything, like he had the passion. Like I know,

614
00:33:57,520 --> 00:34:00,120
Speaker 1: I feel like Jack from very early on, just as

615
00:34:00,160 --> 00:34:02,840
Speaker 1: I was on my journey knew that, Like, it wasn't

616
00:34:02,880 --> 00:34:04,959
Speaker 1: about you know, if he was gonna make it, It It

617
00:34:05,040 --> 00:34:06,920
Speaker 1: was just about when he was gonna get there. This

618
00:34:07,000 --> 00:34:09,600
Speaker 1: is another big fast conversation too, though, is it important

619
00:34:09,640 --> 00:34:13,360
Speaker 1: to do business or creatively get involved with somebody that

620
00:34:13,480 --> 00:34:15,359
Speaker 1: is a good person when you like their personality, Because

621
00:34:15,360 --> 00:34:17,120
Speaker 1: we've had a debate here where it's kind of like, well,

622
00:34:17,120 --> 00:34:19,120
Speaker 1: if it's for the money, it could just be temporary

623
00:34:19,200 --> 00:34:21,800
Speaker 1: and handle your business, you know, saying like you probably

624
00:34:21,920 --> 00:34:25,320
Speaker 1: we've we've all done mixtapes. What people did, we figured

625
00:34:25,320 --> 00:34:27,520
Speaker 1: out who they were, and you know what I'm saying,

626
00:34:27,520 --> 00:34:30,200
Speaker 1: But is that important? I mean, I think it helps

627
00:34:30,560 --> 00:34:32,719
Speaker 1: you know, again, like we were talking about earlier, I

628
00:34:33,080 --> 00:34:35,560
Speaker 1: don't know if you really even feel like like when

629
00:34:35,560 --> 00:34:38,759
Speaker 1: you go in the music business, you know, you meet

630
00:34:38,760 --> 00:34:41,120
Speaker 1: people at a certain point in space in your life

631
00:34:41,120 --> 00:34:43,359
Speaker 1: and they're like you really don't know them per se,

632
00:34:43,440 --> 00:34:46,040
Speaker 1: you know what I'm saying. So and people change, you know,

633
00:34:46,600 --> 00:34:49,680
Speaker 1: you know, success change people, Money changes people, brings out

634
00:34:49,960 --> 00:34:52,120
Speaker 1: you know, the good and in a lot of ways.

635
00:34:52,120 --> 00:34:55,279
Speaker 1: So um, it's definitely a it's a blessing, you know

636
00:34:55,360 --> 00:34:58,320
Speaker 1: to be in business with somebody that you know, I

637
00:34:58,320 --> 00:35:00,120
Speaker 1: think a great human being, you know what I mean.

638
00:35:00,320 --> 00:35:03,279
Speaker 1: But so, yeah, a blessing, but not essential. You can't

639
00:35:03,320 --> 00:35:05,000
Speaker 1: do business for sure. You can definitely do business with

640
00:35:05,000 --> 00:35:07,080
Speaker 1: people like you know that you don't see eye to

641
00:35:07,120 --> 00:35:09,480
Speaker 1: eye with or you know, pretend you know. There's a

642
00:35:09,480 --> 00:35:12,040
Speaker 1: lot of people in the business that I don't I

643
00:35:12,120 --> 00:35:14,160
Speaker 1: do business. What I don't hang out with them? Like

644
00:35:14,280 --> 00:35:16,319
Speaker 1: you don't like everybody that signed to them? Like I

645
00:35:16,360 --> 00:35:19,279
Speaker 1: have my corpse said, like everybody is signed him. He

646
00:35:19,360 --> 00:35:24,960
Speaker 1: don't like everybody. Okay, I feel like that's an inside thing.

647
00:35:25,080 --> 00:35:27,200
Speaker 1: Don't know that. I'm trying to see where he's going

648
00:35:27,239 --> 00:35:30,160
Speaker 1: with it, because it is. I think I like everybody.

649
00:35:30,360 --> 00:35:33,960
Speaker 1: I probably wouldn't hang out with everybody though that that's

650
00:35:34,000 --> 00:35:37,479
Speaker 1: that's that's a fair thing. Hanging out don't necessarily mean

651
00:35:38,680 --> 00:35:43,080
Speaker 1: you like somebody. It could be like, well, I mean, okay,

652
00:35:43,120 --> 00:35:46,120
Speaker 1: but you choose to hang out with I got you

653
00:35:46,560 --> 00:35:50,560
Speaker 1: organic surface level per se, like yeah, right, so we

654
00:35:50,640 --> 00:35:53,279
Speaker 1: agree that. Okay, it's a blessing. It's a positive thing

655
00:35:53,360 --> 00:35:55,719
Speaker 1: to like the people that you work with, but you

656
00:35:55,760 --> 00:35:58,359
Speaker 1: can do business without having to like them. You can

657
00:35:58,400 --> 00:36:02,880
Speaker 1: get money without loving them. Are like, what's so funny

658
00:36:02,880 --> 00:36:07,200
Speaker 1: to say he was happy. They were happy to be

659
00:36:07,440 --> 00:36:10,120
Speaker 1: I mean interestingly enough to like me and like, I

660
00:36:10,120 --> 00:36:14,960
Speaker 1: feel like me and Jack the first one in the business.

661
00:36:15,320 --> 00:36:17,080
Speaker 1: You know, we knew each other, but we didn't know

662
00:36:17,160 --> 00:36:19,399
Speaker 1: each other per se. And then Jack kind of made

663
00:36:19,400 --> 00:36:22,200
Speaker 1: it an initiative like, Yo, let's let's go to dinner,

664
00:36:22,280 --> 00:36:24,879
Speaker 1: let's go chop it up. And you know, I kind

665
00:36:24,880 --> 00:36:27,319
Speaker 1: of think I feel like correct me if I'm wrong,

666
00:36:27,360 --> 00:36:29,600
Speaker 1: but he was like, you know, I know Drum like

667
00:36:29,600 --> 00:36:31,680
Speaker 1: I respect him. You know, I know it's actually but

668
00:36:31,719 --> 00:36:34,560
Speaker 1: I don't. Yeah, I don't know absolutely to feel like

669
00:36:34,560 --> 00:36:37,040
Speaker 1: like let me, let me break through the surface, you

670
00:36:37,080 --> 00:36:39,399
Speaker 1: know what I'm kind of like, you know, like even

671
00:36:39,440 --> 00:36:43,359
Speaker 1: his bank was um like asking me to pop my ship.

672
00:36:43,560 --> 00:36:47,560
Speaker 1: Like I'm so boisterous and extrovert on the mixtapes, but

673
00:36:47,880 --> 00:36:49,719
Speaker 1: a part of me is like introvert too, So we

674
00:36:49,719 --> 00:36:52,080
Speaker 1: could come around, like, you know, I could be quiet

675
00:36:52,080 --> 00:36:54,080
Speaker 1: a time, So people might not even really know know

676
00:36:54,239 --> 00:36:56,040
Speaker 1: me per se. You know what I mean. If you

677
00:36:56,080 --> 00:36:59,320
Speaker 1: don't know me, know me, so y'all would consider yourself

678
00:36:59,440 --> 00:37:04,799
Speaker 1: friends friends for sure? Is that the first artist you've

679
00:37:04,800 --> 00:37:08,680
Speaker 1: had that's actually your friend? Um, I think me I

680
00:37:08,719 --> 00:37:13,440
Speaker 1: think out all the artists that have been part of Generation,

681
00:37:13,440 --> 00:37:15,960
Speaker 1: now Jack, me and Jack are the closest out of

682
00:37:16,000 --> 00:37:18,880
Speaker 1: all the artists. I mean, you know, I can definitely

683
00:37:18,880 --> 00:37:21,040
Speaker 1: tell like from you guys this conversation that you just said,

684
00:37:21,080 --> 00:37:23,320
Speaker 1: when I guess you're like you're gonnady go somewhere. And

685
00:37:23,360 --> 00:37:25,520
Speaker 1: he was like why and I was like, that's the

686
00:37:25,560 --> 00:37:27,240
Speaker 1: same thing I'll be knowing like with him or whatever.

687
00:37:27,280 --> 00:37:31,160
Speaker 1: So I'm like, yeah, I can tell like that there. Yeah,

688
00:37:31,160 --> 00:37:32,880
Speaker 1: because but when I first signed up, you know, I

689
00:37:32,920 --> 00:37:36,680
Speaker 1: spent um the first few months a little nervous around

690
00:37:36,760 --> 00:37:39,439
Speaker 1: drum still like kind of all my toes, like yeah,

691
00:37:39,440 --> 00:37:41,120
Speaker 1: I just met him and I had so much respect

692
00:37:41,120 --> 00:37:43,879
Speaker 1: for him, like I could speak my mind. But it's

693
00:37:43,920 --> 00:37:47,440
Speaker 1: kind of like and whatever whatever. I saw him as

694
00:37:47,560 --> 00:37:49,520
Speaker 1: like a superior to me, and I still do in

695
00:37:49,560 --> 00:37:51,120
Speaker 1: a way because I still have a lot of respect.

696
00:37:51,160 --> 00:37:53,480
Speaker 1: But um, we're just closer now. I feel like I

697
00:37:53,480 --> 00:37:54,919
Speaker 1: can speak my mind, we can get on the phone,

698
00:37:54,960 --> 00:37:58,440
Speaker 1: I can be candid. The ice is broken, yes, definitely.

699
00:37:58,600 --> 00:38:02,960
Speaker 1: And and even in that same grain, like if I

700
00:38:03,000 --> 00:38:06,040
Speaker 1: haven't if there's a disagreement or something I might not

701
00:38:06,120 --> 00:38:09,040
Speaker 1: feel I don't there's no, I don't feel no type

702
00:38:09,040 --> 00:38:11,359
Speaker 1: of way of expressing that per se And that's not

703
00:38:11,400 --> 00:38:15,440
Speaker 1: always easy relationship and you know, and you know a

704
00:38:15,480 --> 00:38:18,040
Speaker 1: lot of that ship changes once an artist gets to

705
00:38:18,080 --> 00:38:20,360
Speaker 1: a certain level, you know what I'm saying. And you know,

706
00:38:20,520 --> 00:38:23,919
Speaker 1: so yeah, that can all. You know, you gotta kind

707
00:38:23,920 --> 00:38:28,879
Speaker 1: of walk like eggshells with certain people. How you stay

708
00:38:28,920 --> 00:38:31,800
Speaker 1: like jack away from like we we don't see you, like, um,

709
00:38:31,840 --> 00:38:34,360
Speaker 1: how how you control yourself or deal with like the

710
00:38:34,440 --> 00:38:36,680
Speaker 1: trolls on social media and all that ship, because we'll

711
00:38:36,680 --> 00:38:38,120
Speaker 1: never see you like, well I haven't seen you like

712
00:38:38,160 --> 00:38:40,600
Speaker 1: going back and forth with nobody or doing no crazy ship,

713
00:38:40,640 --> 00:38:43,759
Speaker 1: Like how do you manage to push that energy your

714
00:38:43,800 --> 00:38:45,399
Speaker 1: way and stay away from? I think because every time

715
00:38:45,440 --> 00:38:48,319
Speaker 1: I see somebody engaged with a troll, I just like,

716
00:38:49,320 --> 00:38:51,239
Speaker 1: from now start looking in. It just looks so whack.

717
00:38:52,120 --> 00:38:53,919
Speaker 1: I'm like, why would you give them that time of day?

718
00:38:54,520 --> 00:38:57,160
Speaker 1: Even though in that moment emotionally sometimes you do want

719
00:38:57,200 --> 00:38:58,640
Speaker 1: to give him that time of day. When I see

720
00:38:58,640 --> 00:39:01,400
Speaker 1: other people do it, I'm like, that just looks lame,

721
00:39:01,680 --> 00:39:03,279
Speaker 1: And so I'm like, well, I don't want to look lame,

722
00:39:03,680 --> 00:39:06,280
Speaker 1: So I am I'm not about to talk to these trolls,

723
00:39:06,400 --> 00:39:07,839
Speaker 1: and I mean, it's not it's not it's not good

724
00:39:07,880 --> 00:39:10,000
Speaker 1: to feed into it because especially when you have fans,

725
00:39:10,360 --> 00:39:13,120
Speaker 1: you've got ninety comments of people being like, I love you,

726
00:39:13,120 --> 00:39:15,000
Speaker 1: You're amazing, you changed my life, and then you have

727
00:39:15,080 --> 00:39:17,680
Speaker 1: five haters and you engage with them. It hurts the

728
00:39:17,719 --> 00:39:20,640
Speaker 1: fans feeling. It makes him feel like, damn, yeah, you're

729
00:39:20,680 --> 00:39:22,080
Speaker 1: not responding to the love. Why do you care so

730
00:39:22,120 --> 00:39:29,120
Speaker 1: much about the hate? Big fact absolutely when when you

731
00:39:29,160 --> 00:39:31,120
Speaker 1: make a record, when you when you make a record

732
00:39:31,120 --> 00:39:33,359
Speaker 1: like What's popular and then you got the Tyler joy

733
00:39:33,360 --> 00:39:37,520
Speaker 1: it out, like is there any pressure to the next record,

734
00:39:37,600 --> 00:39:39,880
Speaker 1: like what's gonna be the next hit record? Or when

735
00:39:39,920 --> 00:39:42,680
Speaker 1: you'll have conversations that you have conversations about what the

736
00:39:42,760 --> 00:39:44,719
Speaker 1: last record was and what this record is gonna be,

737
00:39:44,840 --> 00:39:46,719
Speaker 1: or y'all just let it naturally, just be whatever the

738
00:39:46,760 --> 00:39:50,919
Speaker 1: fans funk with. There's always pressure at least I want

739
00:39:50,920 --> 00:39:53,040
Speaker 1: to go so far with this, and I have such

740
00:39:54,160 --> 00:39:57,239
Speaker 1: big ambitions that the pressure is already there, but it's

741
00:39:57,280 --> 00:40:00,200
Speaker 1: it's created by myself. So I always know what want

742
00:40:00,200 --> 00:40:02,040
Speaker 1: to do next. I'm always focused on what the next

743
00:40:02,040 --> 00:40:04,840
Speaker 1: record is. But um, i'd like to evolve. If you

744
00:40:04,880 --> 00:40:07,399
Speaker 1: listen to my music from two years ago, three years ago,

745
00:40:08,200 --> 00:40:10,080
Speaker 1: it's come a long way. And so I don't point

746
00:40:10,120 --> 00:40:13,000
Speaker 1: on just doing the same formula over and over. So

747
00:40:13,160 --> 00:40:15,040
Speaker 1: I don't really go back to them songs and think,

748
00:40:15,520 --> 00:40:17,359
Speaker 1: let me get another one of these. I just keep

749
00:40:17,360 --> 00:40:23,120
Speaker 1: making new stuff, trying to trying to stay refreshing, most definitely.

750
00:40:23,360 --> 00:40:25,239
Speaker 1: And then when you when when you have moments like

751
00:40:25,480 --> 00:40:28,799
Speaker 1: last year with all the Black Lives Matter ship and

752
00:40:28,800 --> 00:40:31,879
Speaker 1: then the police, you know, killing black people, and just

753
00:40:32,040 --> 00:40:34,160
Speaker 1: the social injustice and all that ship, you know, saying,

754
00:40:34,160 --> 00:40:36,960
Speaker 1: obviously as a white person, like, how does that make

755
00:40:37,000 --> 00:40:39,040
Speaker 1: you feel? Like? What are your conversations with some of

756
00:40:39,040 --> 00:40:42,560
Speaker 1: your homies and friends when moments like that happen. Well,

757
00:40:42,560 --> 00:40:45,200
Speaker 1: a lot of the conversations um have more to do

758
00:40:45,239 --> 00:40:48,319
Speaker 1: with me listening and talking just because I would like to,

759
00:40:48,520 --> 00:40:50,400
Speaker 1: you know, here it out. But in terms of how

760
00:40:50,400 --> 00:40:52,279
Speaker 1: I feel when I see that, I mean, every time

761
00:40:52,320 --> 00:40:56,839
Speaker 1: one of those videos hiss the internet, it's disgusting. I mean,

762
00:40:57,480 --> 00:41:00,920
Speaker 1: it brings anger and fury out of me. And especially

763
00:41:01,480 --> 00:41:03,799
Speaker 1: because my hometown was kind of the center of all

764
00:41:03,840 --> 00:41:06,920
Speaker 1: the issues last year, I felt a real responsibility to

765
00:41:06,960 --> 00:41:09,640
Speaker 1: be back there and show face, especially being a part

766
00:41:09,640 --> 00:41:13,960
Speaker 1: of black culture. Um, there was just a need and

767
00:41:13,960 --> 00:41:17,040
Speaker 1: a responsibility, especially because so many white kids look up

768
00:41:17,040 --> 00:41:18,880
Speaker 1: to me and so many white kids see themselves in me.

769
00:41:19,480 --> 00:41:23,360
Speaker 1: That I think leading by example and showing yourself as

770
00:41:23,400 --> 00:41:25,319
Speaker 1: an ally and picking the side of the fence. What

771
00:41:25,440 --> 00:41:28,000
Speaker 1: happened last year kind of made it where you couldn't

772
00:41:28,000 --> 00:41:30,239
Speaker 1: really balance and say, I see both sides, you know

773
00:41:30,320 --> 00:41:31,879
Speaker 1: you kind of you kind of were forced to pick

774
00:41:31,920 --> 00:41:33,920
Speaker 1: a side. And I know I'm a role model to

775
00:41:34,000 --> 00:41:37,480
Speaker 1: so many white kids that, um, I wanted to make

776
00:41:37,520 --> 00:41:39,759
Speaker 1: clear where mine was. So you came out and said it.

777
00:41:39,800 --> 00:41:41,399
Speaker 1: And I think that that's dope because there were people

778
00:41:41,440 --> 00:41:43,560
Speaker 1: that were trying to steal. Well, you gotta look at

779
00:41:43,600 --> 00:41:45,520
Speaker 1: it this way, look at it went way. You know

780
00:41:45,520 --> 00:41:47,080
Speaker 1: what I'm saying, There's only one way to look at it.

781
00:41:47,120 --> 00:41:48,560
Speaker 1: We're looking at it. It It is what it is. You

782
00:41:48,560 --> 00:41:52,200
Speaker 1: know what I'm saying exactly. Yeah, absolutely, And this is

783
00:41:52,320 --> 00:41:54,400
Speaker 1: a little bit of a clear cliss question. But who

784
00:41:54,480 --> 00:42:01,160
Speaker 1: who are your influences, your rap influences Drake Andre three thousand,

785
00:42:02,520 --> 00:42:08,520
Speaker 1: Wayne Eminem Jay and have you You haven't got a

786
00:42:08,600 --> 00:42:14,000
Speaker 1: chance to work with Wayne, said Wayne. Wayne then one

787
00:42:14,200 --> 00:42:16,839
Speaker 1: one other ones coming right up on one other one

788
00:42:19,120 --> 00:42:22,040
Speaker 1: in No, we can't said if dropped, come on drop

789
00:42:22,680 --> 00:42:29,759
Speaker 1: he said, will it be this spring this summer? Well,

790
00:42:29,800 --> 00:42:31,279
Speaker 1: he was a reason for Wayne, and he's a reason

791
00:42:31,320 --> 00:42:33,239
Speaker 1: for this one, or at least he's he's the we

792
00:42:33,239 --> 00:42:36,200
Speaker 1: can add it up. We can add it up. It

793
00:42:36,200 --> 00:42:41,319
Speaker 1: makes sense, Hollow and Drake. That's way They're not gonna tell, right,

794
00:42:41,480 --> 00:42:42,960
Speaker 1: So we still got to try to get it out

795
00:42:42,960 --> 00:42:48,239
Speaker 1: of the That sounds fired, though, Yeah, is that a

796
00:42:48,280 --> 00:42:50,839
Speaker 1: co sign? I would love to see that. You would

797
00:42:50,840 --> 00:42:55,720
Speaker 1: love to see that, Hollow eminel. That sounds fired. Okay,

798
00:42:55,760 --> 00:42:58,160
Speaker 1: So at least have you had conversations with some of

799
00:42:58,200 --> 00:43:01,239
Speaker 1: these people? Have you have that conversations with some are

800
00:43:01,880 --> 00:43:05,640
Speaker 1: I listen, I've talked to three one about to work

801
00:43:05,680 --> 00:43:09,560
Speaker 1: with the second one. But O combos Okay, all right,

802
00:43:10,000 --> 00:43:12,680
Speaker 1: that's fair. That's exclusive. The bucket the bucket list is

803
00:43:13,239 --> 00:43:16,400
Speaker 1: is it's getting checked off? Yeah, yeah, I'm I'm chipping

804
00:43:16,440 --> 00:43:19,600
Speaker 1: away at it. Yeah, I still got more the most

805
00:43:19,600 --> 00:43:21,560
Speaker 1: definitely on Big Fast. We always like to give some

806
00:43:21,600 --> 00:43:23,040
Speaker 1: good game, what I'm saying to the people, and to

807
00:43:23,120 --> 00:43:24,359
Speaker 1: come up you know what I mean. So let's get

808
00:43:24,400 --> 00:43:26,799
Speaker 1: some game to these younger's right now, the young water

809
00:43:26,840 --> 00:43:28,719
Speaker 1: boys or whatever the fun they got going on, Like,

810
00:43:29,320 --> 00:43:31,480
Speaker 1: let's all get these people some games, some motivation before

811
00:43:31,520 --> 00:43:36,439
Speaker 1: we slide. Talk to the water boys. Yeah, let's see.

812
00:43:38,160 --> 00:43:43,000
Speaker 1: I guess I would just encourage everybody to really focus on,

813
00:43:43,600 --> 00:43:47,239
Speaker 1: you know, being disciplined and keeping in mind what you want.

814
00:43:47,480 --> 00:43:49,320
Speaker 1: Wake up every day and think about the things you

815
00:43:49,360 --> 00:43:50,799
Speaker 1: want to think about it before you go to sleep.

816
00:43:50,840 --> 00:43:53,600
Speaker 1: Because I'm a witness to the fact that you can

817
00:43:53,600 --> 00:43:56,600
Speaker 1: make pretty much anything you want to happen. It's just

818
00:43:56,640 --> 00:43:59,480
Speaker 1: a matter of keeping it in mind and being disciplined

819
00:43:59,480 --> 00:44:02,960
Speaker 1: in that way though. Just stay focused, Just stay focused

820
00:44:03,160 --> 00:44:06,719
Speaker 1: like that. Um, you don't trust the process, you know,

821
00:44:06,880 --> 00:44:10,160
Speaker 1: I mean, you gotta you gotta live the journey, you know,

822
00:44:10,280 --> 00:44:16,480
Speaker 1: not try to get ahead of yourself or not, you know, not, um,

823
00:44:16,600 --> 00:44:19,640
Speaker 1: not be able to indulge in the moment, per se.

824
00:44:19,719 --> 00:44:20,960
Speaker 1: I think a lot of people, you know what I'm

825
00:44:21,000 --> 00:44:23,759
Speaker 1: coming to the game. You obviously you look at you know,

826
00:44:23,800 --> 00:44:26,839
Speaker 1: other people and per se comparisons and you know, I

827
00:44:26,840 --> 00:44:29,319
Speaker 1: think that comes with it. But you just gotta you know,

828
00:44:30,000 --> 00:44:31,840
Speaker 1: I feel like if you you know, if you really

829
00:44:33,040 --> 00:44:35,080
Speaker 1: if you really love what you do, and you know

830
00:44:35,080 --> 00:44:37,239
Speaker 1: what I'm saying, you put your all into it, like

831
00:44:37,760 --> 00:44:39,680
Speaker 1: you get that time, you get that moment, so you

832
00:44:39,800 --> 00:44:42,879
Speaker 1: just gotta you know, stay down, stay down, stay down

833
00:44:42,920 --> 00:44:44,759
Speaker 1: until you come up. You know what I'm saying. It's

834
00:44:44,760 --> 00:44:46,120
Speaker 1: a look, that's a lot, that's a little that we

835
00:44:46,200 --> 00:44:49,800
Speaker 1: appreciate you'all putting up the Big Facts. Jack Harlow music

836
00:44:49,800 --> 00:44:53,680
Speaker 1: coming so pretty soon you're drunk, you still music, music coming.

837
00:44:53,920 --> 00:44:56,919
Speaker 1: I got some things and it works, all right, that's

838
00:44:56,960 --> 00:44:58,719
Speaker 1: what it is. Man, y'all check us out triple w

839
00:44:58,840 --> 00:45:02,399
Speaker 1: that Big Facts Pod, Tom Salute, Big Bag and DJ

840
00:45:02,560 --> 00:45:07,560
Speaker 1: Screen bring you big fat hey man, solway up that

841
00:45:07,719 --> 00:45:11,919
Speaker 1: merch up. Yeah, that's right. Www Dot Big facts pot

842
00:45:12,040 --> 00:45:14,319
Speaker 1: dot com. What the real one one time, y'all. Come

843
00:45:14,400 --> 00:45:16,319
Speaker 1: get y'all some of this merch man Big facts Pot

844
00:45:16,440 --> 00:45:19,799
Speaker 1: dot Com. Hit that merch right now shot with us

845
00:45:19,800 --> 00:45:22,040
Speaker 1: side away up. Big Fact Merch going down at the

846
00:45:22,040 --> 00:45:26,000
Speaker 1: new website today www Dot Big facts pot dot com.

847
00:45:26,239 --> 00:45:26,799
Speaker 1: Visit now